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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Master of Ballantrae</title><link>https://www.spreaker.com/podcast/master-of-ballantrae--7071026</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><atom:link href="https://www.spreaker.com/show/7071026/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright History Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg</url><title>Master of Ballantrae</title><link>https://www.spreaker.com/podcast/master-of-ballantrae--7071026</link></image><lastBuildDate>Wed, 02 Sep 2026 09:09:50 +0000</lastBuildDate><itunes:author>Robert Louis Stevenson</itunes:author><itunes:owner><itunes:name>History Genre</itunes:name><itunes:email>spreaker58@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Kids &amp; Family"/><itunes:category text="Kids &amp; Family"><itunes:category text="Stories for Kids"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>1c1c40ab-5fdf-5b4b-903e-15f3dfa2a8b7</podcast:guid><itunes:type>episodic</itunes:type><item><title>Fame and Fortune Weekly No. 11 A Lucky Penny-Frank Tousey</title><link>https://www.spreaker.com/episode/fame-and-fortune-weekly-no-11-a-lucky-penny-frank-tousey--74305830</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74305830</guid><pubDate>Wed, 02 Sep 2026 09:01:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74305830/fame_and_fortune_weekly_no_11_a_lucky_penny_frank_tousey.mp3" length="69911474" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>8730</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Treasure Island (version 5)-Robert Louis Stevenson</title><link>https://www.spreaker.com/episode/treasure-island-version-5-robert-louis-stevenson--74284920</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. 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His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>23688</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Canadians of Old-Philippe Aubert de Gaspé</title><link>https://www.spreaker.com/episode/canadians-of-old-philippe-aubert-de-gaspe--74262431</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. 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His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. 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The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74243363</guid><pubDate>Sun, 30 Aug 2026 09:01:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74243363/one_act_play_collection_015_various.mp3" length="184081051" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. 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The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74226029</guid><pubDate>Sat, 29 Aug 2026 09:01:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74226029/16959_men_of_iron_version_2_dramatic_reading_howard_pyle.mp3" length="236979866" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. 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Copeland)]]></itunes:summary><itunes:duration>29592</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Caves of Fear-Harold L. Goodwin</title><link>https://www.spreaker.com/episode/caves-of-fear-harold-l-goodwin--74200202</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74200202</guid><pubDate>Fri, 28 Aug 2026 09:01:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74200202/caves_of_fear_harold_l_goodwin.mp3" length="171405865" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. 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His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74168425</guid><pubDate>Thu, 27 Aug 2026 09:01:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74168425/10861_adventures_of_chatterer_the_red_squirrel_dramatic_reading_thornton_w_burgess.mp3" length="44442182" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>5550</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Winning His Spurs A Tale of the Crusades-G. A. Henty</title><link>https://www.spreaker.com/episode/winning-his-spurs-a-tale-of-the-crusades-g-a-henty--74136258</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74136258</guid><pubDate>Wed, 26 Aug 2026 09:01:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74136258/8661_winning_his_spurs_a_tale_of_the_crusades_g_a_henty.mp3" length="261659573" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>32675</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Frank Merriwell’s Trust (Dramatic Reading)-Burt L. Standish</title><link>https://www.spreaker.com/episode/frank-merriwell-s-trust-dramatic-reading-burt-l-standish--74081554</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74081554</guid><pubDate>Tue, 25 Aug 2026 09:01:13 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74081554/frank_merriwell_s_trust_dramatic_reading_burt_l_standish.mp3" length="215429122" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>26902</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Children's Book of Patriotic Stories-Various</title><link>https://www.spreaker.com/episode/children-s-book-of-patriotic-stories-various--74054709</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74054709</guid><pubDate>Mon, 24 Aug 2026 09:02:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74054709/children_s_book_of_patriotic_stories_various.mp3" length="214575084" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>26795</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Blockade Runners-Jules Verne</title><link>https://www.spreaker.com/episode/blockade-runners-jules-verne--74027474</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74027474</guid><pubDate>Sun, 23 Aug 2026 09:02:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74027474/3783_blockade_runners_jules_verne.mp3" length="59014785" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>7370</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Puck of Pook's Hill-Rudyard Kipling</title><link>https://www.spreaker.com/episode/puck-of-pook-s-hill-rudyard-kipling--74003265</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74003265</guid><pubDate>Sat, 22 Aug 2026 09:01:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74003265/puck_of_pook_s_hill_rudyard_kipling.mp3" length="171622212" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>21432</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Peter Pan (version 3 Dramatic Reading)-J. M. Barrie</title><link>https://www.spreaker.com/episode/peter-pan-version-3-dramatic-reading-j-m-barrie--73976466</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73976466</guid><pubDate>Fri, 21 Aug 2026 09:02:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73976466/peter_pan_version_3_dramatic_reading_j_m_barrie.mp3" length="149866858" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>18715</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Meg of Mystery Mountain-Grace May North</title><link>https://www.spreaker.com/episode/meg-of-mystery-mountain-grace-may-north--73950744</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73950744</guid><pubDate>Thu, 20 Aug 2026 09:02:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73950744/7869_meg_of_mystery_mountain_grace_may_north.mp3" length="186035191" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>23231</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Rosalynde or, Euphues' Golden Legacie-Thomas Lodge</title><link>https://www.spreaker.com/episode/rosalynde-or-euphues-golden-legacie-thomas-lodge--73923962</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73923962</guid><pubDate>Wed, 19 Aug 2026 09:01:22 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73923962/6996_rosalynde_or_euphues_golden_legacie_thomas_lodge.mp3" length="154377456" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>19278</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Plea for Ragged Schools; or, Prevention Better than Cure-Thomas Guthrie</title><link>https://www.spreaker.com/episode/plea-for-ragged-schools-or-prevention-better-than-cure-thomas-guthrie--73896648</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73896648</guid><pubDate>Tue, 18 Aug 2026 09:01:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73896648/plea_for_ragged_schools_or_prevention_better_than_cure_thomas_guthrie.mp3" length="49347047" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></itunes:summary><itunes:duration>6162</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Knights of the Square Table-Seckatary Hawkins</title><link>https://www.spreaker.com/episode/knights-of-the-square-table-seckatary-hawkins--73870680</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73870680</guid><pubDate>Mon, 17 Aug 2026 09:01:28 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73870680/17608_knights_of_the_square_table_seckatary_hawkins.mp3" length="234761889" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. 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Copeland)]]></itunes:summary><itunes:duration>29316</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Through Swamp and Glade A Tale of the Seminole War-Kirk Munroe</title><link>https://www.spreaker.com/episode/through-swamp-and-glade-a-tale-of-the-seminole-war-kirk-munroe--73847522</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73847522</guid><pubDate>Sun, 16 Aug 2026 09:01:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73847522/21052_through_swamp_and_glade_a_tale_of_the_seminole_war_kirk_munroe.mp3" length="254420575" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. 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The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73832800</guid><pubDate>Sat, 15 Aug 2026 09:02:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73832800/treasure_island_version_2_robert_louis_stevenson.mp3" length="217517846" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. 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Copeland)]]></itunes:summary><itunes:duration>27163</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Boy Scouts First Camp Fire-St. George Henry Rathborne</title><link>https://www.spreaker.com/episode/boy-scouts-first-camp-fire-st-george-henry-rathborne--73807276</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. 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Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73807276</guid><pubDate>Tue, 11 Aug 2026 07:55:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73807276/boy_scouts_first_camp_fire_st_george_henry_rathborne.mp3" length="168522485" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. 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Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73778680</guid><pubDate>Mon, 10 Aug 2026 21:14:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73778680/treasure_island_version_3_dramatic_reading_robert_louis_stevenson.mp3" length="182860595" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. 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Copeland)]]></itunes:summary><itunes:duration>22835</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Havelok the Dane A Legend of Old Grimsby and Lincoln - Charles Watts Whistler</title><link>https://www.spreaker.com/episode/havelok-the-dane-a-legend-of-old-grimsby-and-lincoln-charles-watts-whistler--73322838</link><description><![CDATA[Havelok the Dane is a captivating tale set in the legendary landscapes of Old Grimsby and Lincoln, penned by Charles Watts Whistler. This story explores themes of heroism, identity, and the enduring struggle for justice, making it a timeless narrative that resonates with listeners today. As Havelok embarks on his quest, the rich historical backdrop and the exploration of loyalty and courage invite reflection on the values that shape our own lives. The legend's enduring appeal lies in its ability to transport audiences to a bygone era while highlighting universal themes that remain relevant across generations. Experience this classic tale that intertwines history and legend in a way that continues to inspire.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73322838</guid><pubDate>Sat, 01 Aug 2026 18:47:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73322838/9992_havelok_the_dane_a_legend_of_old_grimsby_and_lincoln_charles_watts_whistler.mp3" length="257578848" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Havelok the Dane is a captivating tale set in the legendary landscapes of Old Grimsby and Lincoln, penned by Charles Watts Whistler. This story explores themes of heroism, identity, and the enduring struggle for justice, making it a timeless narrative...</itunes:subtitle><itunes:summary><![CDATA[Havelok the Dane is a captivating tale set in the legendary landscapes of Old Grimsby and Lincoln, penned by Charles Watts Whistler. This story explores themes of heroism, identity, and the enduring struggle for justice, making it a timeless narrative that resonates with listeners today. As Havelok embarks on his quest, the rich historical backdrop and the exploration of loyalty and courage invite reflection on the values that shape our own lives. The legend's enduring appeal lies in its ability to transport audiences to a bygone era while highlighting universal themes that remain relevant across generations. Experience this classic tale that intertwines history and legend in a way that continues to inspire.]]></itunes:summary><itunes:duration>32165</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Master of Ballantrae - Robert Louis Stevenson</title><link>https://www.spreaker.com/episode/master-of-ballantrae-robert-louis-stevenson--72254514</link><description><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.Except for a few highly dialectal passages whose spelling insists on a Scottish burr, the reading eschews any false accent. (T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72254514</guid><pubDate>Sat, 30 May 2026 21:32:32 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72254514/master_of_ballantrae_robert_louis_stevenson.mp3" length="252688756" type="audio/mpeg"/><itunes:author>Robert Louis Stevenson</itunes:author><itunes:subtitle>Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and...</itunes:subtitle><itunes:summary><![CDATA[Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. 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Copeland)]]></itunes:summary><itunes:duration>31587</itunes:duration><itunes:keywords>alienate,ballantrae,dialectal,eschews,historical,likens,master,patrimony,scottish,stevenson</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b4421d66f6b3eccc7b116a02a1b61f2.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
