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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Mill on the Floss (Version 2)</title><link>https://www.spreaker.com/podcast/mill-on-the-floss-version-2--7069402</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><atom:link href="https://www.spreaker.com/show/7069402/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Historical Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg</url><title>Mill on the Floss (Version 2)</title><link>https://www.spreaker.com/podcast/mill-on-the-floss-version-2--7069402</link></image><lastBuildDate>Mon, 24 Aug 2026 09:33:33 +0000</lastBuildDate><itunes:author>George Eliot</itunes:author><itunes:owner><itunes:name>Historical Genre</itunes:name><itunes:email>spreaker57@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>8ad63fdf-be25-5f3f-b42e-47e3025c20ee</podcast:guid><itunes:type>episodic</itunes:type><item><title>Hermann and Dorothea-Johann Wolfgang von Goethe</title><link>https://www.spreaker.com/episode/hermann-and-dorothea-johann-wolfgang-von-goethe--74407836</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74407836</guid><pubDate>Mon, 24 Aug 2026 09:04:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74407836/hermann_and_dorothea_johann_wolfgang_von_goethe.mp3" length="71920116" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>8981</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Anne Severn and the Fieldings-May Sinclair</title><link>https://www.spreaker.com/episode/anne-severn-and-the-fieldings-may-sinclair--74355204</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74355204</guid><pubDate>Sun, 23 Aug 2026 09:04:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74355204/anne_severn_and_the_fieldings_may_sinclair.mp3" length="220515628" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>27537</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Metamorphosis (version 4)-Franz Kafka</title><link>https://www.spreaker.com/episode/metamorphosis-version-4-franz-kafka--74208888</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74208888</guid><pubDate>Sat, 22 Aug 2026 09:03:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74208888/metamorphosis_version_4_franz_kafka.mp3" length="69096189" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>8628</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Entrapped-Alice Mangold Diehl</title><link>https://www.spreaker.com/episode/entrapped-alice-mangold-diehl--74155496</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74155496</guid><pubDate>Fri, 21 Aug 2026 09:03:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74155496/entrapped_alice_mangold_diehl.mp3" length="55391130" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>6917</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Over Prairie Trails-Frederick Philip Grove</title><link>https://www.spreaker.com/episode/over-prairie-trails-frederick-philip-grove--74108753</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74108753</guid><pubDate>Thu, 20 Aug 2026 09:04:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74108753/over_prairie_trails_frederick_philip_grove.mp3" length="169200529" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>21129</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Running Water-A. E. W. Mason</title><link>https://www.spreaker.com/episode/running-water-a-e-w-mason--74073606</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74073606</guid><pubDate>Wed, 19 Aug 2026 09:04:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74073606/5569_running_water_a_e_w_mason.mp3" length="248837065" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>31073</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>One-Act Play Collection 015-Various</title><link>https://www.spreaker.com/episode/one-act-play-collection-015-various--74034236</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74034236</guid><pubDate>Tue, 18 Aug 2026 09:05:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74034236/one_act_play_collection_015_various.mp3" length="184081051" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>22986</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>John Donne's Satires-John Donne</title><link>https://www.spreaker.com/episode/john-donne-s-satires-john-donne--73971863</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73971863</guid><pubDate>Mon, 17 Aug 2026 09:04:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73971863/john_donne_s_satires_john_donne.mp3" length="39822705" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>4972</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Havelok the Dane A Legend of Old Grimsby and Lincoln-Charles Watts Whistler</title><link>https://www.spreaker.com/episode/havelok-the-dane-a-legend-of-old-grimsby-and-lincoln-charles-watts-whistler--73929099</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73929099</guid><pubDate>Sun, 16 Aug 2026 09:05:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73929099/9992_havelok_the_dane_a_legend_of_old_grimsby_and_lincoln_charles_watts_whistler.mp3" length="257578848" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>32165</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Notes of a Camp Follower on the Western Front-E. W. Hornung</title><link>https://www.spreaker.com/episode/notes-of-a-camp-follower-on-the-western-front-e-w-hornung--73886770</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73886770</guid><pubDate>Sat, 15 Aug 2026 09:07:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73886770/notes_of_a_camp_follower_on_the_western_front_e_w_hornung.mp3" length="160440261" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>20035</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ship of Stars-Sir Arthur Thomas Quiller-Couch</title><link>https://www.spreaker.com/episode/ship-of-stars-sir-arthur-thomas-quiller-couch--73800691</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73800691</guid><pubDate>Tue, 11 Aug 2026 05:33:58 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73800691/ship_of_stars_sir_arthur_thomas_quiller_couch.mp3" length="218396588" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>27272</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Jeremy And Hamlet A Chronicle Of Certain Incidents In The Lives Of A Boy, A Dog, And A Country Town-Hugh Walpole</title><link>https://www.spreaker.com/episode/jeremy-and-hamlet-a-chronicle-of-certain-incidents-in-the-lives-of-a-boy-a-dog-and-a-country-town-hugh-walpole--73769848</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73769848</guid><pubDate>Mon, 10 Aug 2026 17:35:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73769848/jeremy_and_hamlet_a_chronicle_of_certain_incidents_in_the_lives_of_a_boy_a_dog_and_a_country_town_hugh_walpole.mp3" length="206901559" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>25837</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>H.M.S. Pinafore; Or, The Lass That Loved A Sailor-W. S. Gilbert</title><link>https://www.spreaker.com/episode/h-m-s-pinafore-or-the-lass-that-loved-a-sailor-w-s-gilbert--73741461</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73741461</guid><pubDate>Mon, 10 Aug 2026 05:48:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73741461/h_m_s_pinafore_or_the_lass_that_loved_a_sailor_w_s_gilbert.mp3" length="30216817" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>3773</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Astrophel and Stella - Sir Philip Sidney</title><link>https://www.spreaker.com/episode/astrophel-and-stella-sir-philip-sidney--73320187</link><description><![CDATA[Astrophel and Stella by Sir Philip Sidney is a seminal work of Elizabethan poetry that explores the themes of love, longing, and the complexities of desire through the lens of courtly love. This collection of sonnets and songs reflects the emotional turmoil and idealism of its protagonist, Astrophel, as he navigates his affection for the unattainable Stella. The enduring nature of Sidney's work lies in its profound exploration of human emotions and the timeless quest for connection and understanding in love. Hearing these verses today offers a rich glimpse into the intricacies of romantic expression, reminding us of the universal struggles and triumphs that accompany the pursuit of love.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73320187</guid><pubDate>Sat, 01 Aug 2026 16:57:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73320187/astrophel_and_stella_sir_philip_sidney.mp3" length="48482480" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>Astrophel and Stella by Sir Philip Sidney is a seminal work of Elizabethan poetry that explores the themes of love, longing, and the complexities of desire through the lens of courtly love. This collection of sonnets and songs reflects the emotional...</itunes:subtitle><itunes:summary><![CDATA[Astrophel and Stella by Sir Philip Sidney is a seminal work of Elizabethan poetry that explores the themes of love, longing, and the complexities of desire through the lens of courtly love. This collection of sonnets and songs reflects the emotional turmoil and idealism of its protagonist, Astrophel, as he navigates his affection for the unattainable Stella. The enduring nature of Sidney's work lies in its profound exploration of human emotions and the timeless quest for connection and understanding in love. Hearing these verses today offers a rich glimpse into the intricacies of romantic expression, reminding us of the universal struggles and triumphs that accompany the pursuit of love.]]></itunes:summary><itunes:duration>6054</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mill on the Floss Version 2 - George Eliot - Part 3</title><link>https://www.spreaker.com/episode/mill-on-the-floss-version-2-george-eliot-part-3--72247812</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72247812</guid><pubDate>Mon, 01 Jun 2026 09:00:17 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72247812/mill_on_the_floss_version_2_george_eliot_part_3.mp3" length="184089744" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>23012</itunes:duration><itunes:keywords>character,eliot,floss,gainsborough,historical,impulsive,maggie,mill,relationships,vilification</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mill on the Floss Version 2 - George Eliot - Part 2</title><link>https://www.spreaker.com/episode/mill-on-the-floss-version-2-george-eliot-part-2--72247809</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72247809</guid><pubDate>Sun, 31 May 2026 09:00:22 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72247809/mill_on_the_floss_version_2_george_eliot_part_2.mp3" length="272144541" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>34019</itunes:duration><itunes:keywords>character,eliot,floss,gainsborough,historical,impulsive,maggie,mill,relationships,vilification</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mill on the Floss Version 2 - George Eliot - Part 1</title><link>https://www.spreaker.com/episode/mill-on-the-floss-version-2-george-eliot-part-1--72247805</link><description><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72247805</guid><pubDate>Sat, 30 May 2026 14:57:54 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72247805/mill_on_the_floss_version_2_george_eliot_part_1.mp3" length="282681084" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a...</itunes:subtitle><itunes:summary><![CDATA[The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth. - Summary by Tom Denholm]]></itunes:summary><itunes:duration>35336</itunes:duration><itunes:keywords>character,eliot,floss,gainsborough,historical,impulsive,maggie,mill,relationships,vilification</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/003f65d482bba891993a03fbcfe0b456.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
