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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>His Masterpiece</title><link>https://www.spreaker.com/podcast/his-masterpiece--7069295</link><description><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></description><atom:link href="https://www.spreaker.com/show/7069295/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Historical Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/60f10180ddb4790bc6668f932442afbb.jpg</url><title>His Masterpiece</title><link>https://www.spreaker.com/podcast/his-masterpiece--7069295</link></image><lastBuildDate>Mon, 24 Aug 2026 09:34:41 +0000</lastBuildDate><itunes:author>Émile Zola</itunes:author><itunes:owner><itunes:name>Historical Genre</itunes:name><itunes:email>spreaker57@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/60f10180ddb4790bc6668f932442afbb.jpg"/><itunes:subtitle>“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main...</itunes:subtitle><itunes:summary><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>efc7ab55-8f6e-5881-ad90-b244b01b11ec</podcast:guid><itunes:type>episodic</itunes:type><item><title>Japanese Girls and Women-Alice Bacon</title><link>https://www.spreaker.com/episode/japanese-girls-and-women-alice-bacon--74406659</link><description><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74406659</guid><pubDate>Mon, 24 Aug 2026 09:04:25 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74406659/japanese_girls_and_women_alice_bacon.mp3" length="224173922" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main...</itunes:subtitle><itunes:summary><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></itunes:summary><itunes:duration>27994</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/60f10180ddb4790bc6668f932442afbb.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>How to Paint Permanent Pictures-Maximilian Toch</title><link>https://www.spreaker.com/episode/how-to-paint-permanent-pictures-maximilian-toch--74354115</link><description><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74354115</guid><pubDate>Sun, 23 Aug 2026 09:04:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74354115/how_to_paint_permanent_pictures_maximilian_toch.mp3" length="45460333" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. 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He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. 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He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. 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He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. 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He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. 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He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. 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Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. 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Emile Zola and Paul Cezanne had been friends from childhood, and the main...</itunes:subtitle><itunes:summary><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></itunes:summary><itunes:duration>24116</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/60f10180ddb4790bc6668f932442afbb.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Edmond Dantès-Edmund Flagg</title><link>https://www.spreaker.com/episode/edmond-dantes-edmund-flagg--73927988</link><description><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73927988</guid><pubDate>Sun, 16 Aug 2026 09:04:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73927988/11691_edmond_dante_s_edmund_flagg.mp3" length="277842746" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main...</itunes:subtitle><itunes:summary><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></itunes:summary><itunes:duration>34696</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/60f10180ddb4790bc6668f932442afbb.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Astrophel and Stella-Sir Philip Sidney</title><link>https://www.spreaker.com/episode/astrophel-and-stella-sir-philip-sidney--73885472</link><description><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73885472</guid><pubDate>Sat, 15 Aug 2026 09:07:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73885472/astrophel_and_stella_sir_philip_sidney.mp3" length="48482480" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main...</itunes:subtitle><itunes:summary><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></itunes:summary><itunes:duration>6054</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/60f10180ddb4790bc6668f932442afbb.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tongues of Conscience-Robert Smythe Hichens</title><link>https://www.spreaker.com/episode/tongues-of-conscience-robert-smythe-hichens--73799685</link><description><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73799685</guid><pubDate>Tue, 11 Aug 2026 05:16:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73799685/tongues_of_conscience_robert_smythe_hichens.mp3" length="251574452" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main...</itunes:subtitle><itunes:summary><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></itunes:summary><itunes:duration>31415</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/60f10180ddb4790bc6668f932442afbb.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Windsor Castle, Book 1-William Harrison Ainsworth</title><link>https://www.spreaker.com/episode/windsor-castle-book-1-william-harrison-ainsworth--73769161</link><description><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. 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It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73769161</guid><pubDate>Mon, 10 Aug 2026 17:17:28 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73769161/windsor_castle_book_1_william_harrison_ainsworth.mp3" length="92778348" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. 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He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></itunes:summary><itunes:duration>11586</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/60f10180ddb4790bc6668f932442afbb.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Confessions of a Book-Lover-E. Walter Walters</title><link>https://www.spreaker.com/episode/confessions-of-a-book-lover-e-walter-walters--73740842</link><description><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. Emile Zola and Paul Cezanne had been friends from childhood, and the main character of the novel is thought to be largely drawn from Cezanne, as well as from Eduard Manet and Claude Monet. Zola himself appears in the work, in the character of Pierre Sandoz, a novelist. The painter in this story, Claude Lantier, attempts to revolutionize the art establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. Instead, Lantier paints outdoors, in natural light, and with commonplace subjects. He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73740842</guid><pubDate>Mon, 10 Aug 2026 05:31:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73740842/confessions_of_a_book_lover_e_walter_walters.mp3" length="59977677" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. 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He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. 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Rilke's exploration offers listeners a glimpse into the artistic process, emphasizing themes of passion, dedication, and the quest for beauty that continue to resonate today. The book serves as a timeless reflection on the relationship between the artist and their medium, inviting contemplation on the nature of creativity itself. Through Rilke's eloquent prose, audiences can appreciate the enduring legacy of Rodin's masterpieces and the universal truths they embody, making it a compelling listen for anyone interested in art and inspiration.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73319565</guid><pubDate>Sat, 01 Aug 2026 16:33:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73319565/auguste_rodin_rainer_maria_rilke.mp3" length="54256602" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>"Auguste Rodin" by Rainer Maria Rilke delves into the life and artistry of the renowned sculptor, capturing the essence of his creative spirit and the profound impact of his work. Rilke's exploration offers listeners a glimpse into the artistic...</itunes:subtitle><itunes:summary><![CDATA["Auguste Rodin" by Rainer Maria Rilke delves into the life and artistry of the renowned sculptor, capturing the essence of his creative spirit and the profound impact of his work. Rilke's exploration offers listeners a glimpse into the artistic process, emphasizing themes of passion, dedication, and the quest for beauty that continue to resonate today. The book serves as a timeless reflection on the relationship between the artist and their medium, inviting contemplation on the nature of creativity itself. Through Rilke's eloquent prose, audiences can appreciate the enduring legacy of Rodin's masterpieces and the universal truths they embody, making it a compelling listen for anyone interested in art and inspiration.]]></itunes:summary><itunes:duration>6775</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/60f10180ddb4790bc6668f932442afbb.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>His Masterpiece - Emile Zola - Part 2</title><link>https://www.spreaker.com/episode/his-masterpiece-emile-zola-part-2--72246974</link><description><![CDATA[“His Masterpiece" (“L’Oeuvre”) is a fictionalized account of the Parisian art world in the mid 19th century, and the emerging Realism, Naturalism and Impressionism movements. 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He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. 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He gained a small group of supporters and fellow-practitioners in art, literature, architecture and music, but he could never manage to break out, and the public persisted in misunderstanding his aims. Meanwhile the artist sank into obsession and depression. It is believed that the publication of this book, which documents the failure of the artist to realize his potential, led to a permanent rift between Cezanne and Zola. - Summary by Lisa Reichert]]></itunes:summary><itunes:duration>35598</itunes:duration><itunes:keywords>cezanne,claude,historical,lantier,manet,masterpiece,monet,persisted,sandoz,zola</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/60f10180ddb4790bc6668f932442afbb.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
