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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Havelok the Dane: A Legend of Old Grimsby and Lincoln</title><link>https://www.spreaker.com/podcast/havelok-the-dane-a-legend-of-old-grimsby-and-lincoln--7069249</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><atom:link href="https://www.spreaker.com/show/7069249/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Historical Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg</url><title>Havelok the Dane: A Legend of Old Grimsby and Lincoln</title><link>https://www.spreaker.com/podcast/havelok-the-dane-a-legend-of-old-grimsby-and-lincoln--7069249</link></image><lastBuildDate>Mon, 24 Aug 2026 09:33:13 +0000</lastBuildDate><itunes:author>Charles Watts Whistler</itunes:author><itunes:owner><itunes:name>Historical Genre</itunes:name><itunes:email>spreaker57@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="History"/><itunes:category text="Society &amp; Culture"/><itunes:explicit>false</itunes:explicit><podcast:guid>da070a08-10e9-5ce9-8747-d9ccf78c5ced</podcast:guid><itunes:type>episodic</itunes:type><item><title>Northern Spy-J. Thomas Warren</title><link>https://www.spreaker.com/episode/northern-spy-j-thomas-warren--74406528</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74406528</guid><pubDate>Mon, 24 Aug 2026 09:04:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74406528/northern_spy_j_thomas_warren.mp3" length="84866801" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>10598</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tales of Daring and Danger-G. A. Henty</title><link>https://www.spreaker.com/episode/tales-of-daring-and-danger-g-a-henty--74354007</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74354007</guid><pubDate>Sun, 23 Aug 2026 09:04:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74354007/16750_tales_of_daring_and_danger_g_a_henty.mp3" length="85130503" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>10631</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Memoirs of a London Doll-Richard Henry Horne</title><link>https://www.spreaker.com/episode/memoirs-of-a-london-doll-richard-henry-horne--74207585</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74207585</guid><pubDate>Sat, 22 Aug 2026 09:03:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74207585/20598_memoirs_of_a_london_doll_richard_henry_horne.mp3" length="83914114" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>10479</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lances of Lynwood-Charlotte Mary Yonge</title><link>https://www.spreaker.com/episode/lances-of-lynwood-charlotte-mary-yonge--74153907</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74153907</guid><pubDate>Fri, 21 Aug 2026 09:04:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74153907/15338_lances_of_lynwood_charlotte_mary_yonge.mp3" length="198498485" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>24788</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sunshine and Snow-Harold Bindloss</title><link>https://www.spreaker.com/episode/sunshine-and-snow-harold-bindloss--74107795</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74107795</guid><pubDate>Thu, 20 Aug 2026 09:04:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74107795/sunshine_and_snow_harold_bindloss.mp3" length="67508297" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>8430</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Romance of Polar Exploration-G. Firth Scott</title><link>https://www.spreaker.com/episode/romance-of-polar-exploration-g-firth-scott--74072666</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74072666</guid><pubDate>Wed, 19 Aug 2026 09:04:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74072666/12212_romance_of_polar_exploration_g_firth_scott.mp3" length="248508711" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>31032</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tales of King Arthur and the Round Table (version 2)-Andrew Lang</title><link>https://www.spreaker.com/episode/tales-of-king-arthur-and-the-round-table-version-2-andrew-lang--74032793</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74032793</guid><pubDate>Tue, 18 Aug 2026 09:04:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74032793/tales_of_king_arthur_and_the_round_table_version_2_andrew_lang.mp3" length="129136061" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>16126</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Gay-Neck The Story of a Pigeon-Dhan Gopal Mukerji</title><link>https://www.spreaker.com/episode/gay-neck-the-story-of-a-pigeon-dhan-gopal-mukerji--73970845</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73970845</guid><pubDate>Mon, 17 Aug 2026 09:04:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73970845/21440_gay_neck_the_story_of_a_pigeon_dhan_gopal_mukerji.mp3" length="118755093" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>14830</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Norwegian Fairy Book-Klara Stroebe</title><link>https://www.spreaker.com/episode/norwegian-fairy-book-klara-stroebe--73927886</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73927886</guid><pubDate>Sun, 16 Aug 2026 09:04:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73927886/15966_norwegian_fairy_book_klara_stroebe.mp3" length="233378744" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>29143</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sir Gawain and the Green Knight (Weston Translation Version 2)-The Gawain Poet</title><link>https://www.spreaker.com/episode/sir-gawain-and-the-green-knight-weston-translation-version-2-the-gawain-poet--73885363</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73885363</guid><pubDate>Sat, 15 Aug 2026 09:07:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73885363/17355_sir_gawain_and_the_green_knight_weston_translation_version_2_the_gawain_poet.mp3" length="57720005" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>7208</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Born Again-Alfred Lawson</title><link>https://www.spreaker.com/episode/born-again-alfred-lawson--73799624</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73799624</guid><pubDate>Tue, 11 Aug 2026 05:15:17 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73799624/born_again_alfred_lawson.mp3" length="224274197" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>28006</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Heroic Life and Exploits of Siegfried the Dragon Slayer-Anonymous</title><link>https://www.spreaker.com/episode/heroic-life-and-exploits-of-siegfried-the-dragon-slayer-anonymous--73769113</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73769113</guid><pubDate>Mon, 10 Aug 2026 17:16:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73769113/13834_heroic_life_and_exploits_of_siegfried_the_dragon_slayer_anonymous.mp3" length="87935164" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>10981</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Enchanted Island of Yew-L. Frank Baum</title><link>https://www.spreaker.com/episode/enchanted-island-of-yew-l-frank-baum--73740799</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73740799</guid><pubDate>Mon, 10 Aug 2026 05:30:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73740799/340_enchanted_island_of_yew_l_frank_baum.mp3" length="135696829" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>16945</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>As I Lay Dying - William Faulkner</title><link>https://www.spreaker.com/episode/as-i-lay-dying-william-faulkner--73319513</link><description><![CDATA[As I Lay Dying by William Faulkner is a profound exploration of family, identity, and the human condition, told through the voices of the Bundren family as they embark on a journey to fulfill the dying wish of their matriarch. This multi-perspective narrative delves into themes of love, loss, and the struggle for meaning, making it a timeless reflection on the complexities of life and death. Its rich, lyrical prose invites listeners to engage deeply with the characters’ inner thoughts and emotions, offering insights that resonate across generations. The novel's enduring relevance lies in its unflinching examination of the human experience, making it a compelling listen for anyone seeking to understand the depths of existence.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73319513</guid><pubDate>Sat, 01 Aug 2026 16:31:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73319513/as_i_lay_dying_william_faulkner.mp3" length="184958715" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>As I Lay Dying by William Faulkner is a profound exploration of family, identity, and the human condition, told through the voices of the Bundren family as they embark on a journey to fulfill the dying wish of their matriarch. This multi-perspective...</itunes:subtitle><itunes:summary><![CDATA[As I Lay Dying by William Faulkner is a profound exploration of family, identity, and the human condition, told through the voices of the Bundren family as they embark on a journey to fulfill the dying wish of their matriarch. This multi-perspective narrative delves into themes of love, loss, and the struggle for meaning, making it a timeless reflection on the complexities of life and death. Its rich, lyrical prose invites listeners to engage deeply with the characters’ inner thoughts and emotions, offering insights that resonate across generations. The novel's enduring relevance lies in its unflinching examination of the human experience, making it a compelling listen for anyone seeking to understand the depths of existence.]]></itunes:summary><itunes:duration>23096</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Havelok the Dane A Legend of Old Grimsby and Lincoln - Charles Watts Whistler</title><link>https://www.spreaker.com/episode/havelok-the-dane-a-legend-of-old-grimsby-and-lincoln-charles-watts-whistler--72246695</link><description><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72246695</guid><pubDate>Sat, 30 May 2026 14:08:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72246695/havelok_the_dane_a_legend_of_old_grimsby_and_lincoln_charles_watts_whistler.mp3" length="257316812" type="audio/mpeg"/><itunes:author>Charles Watts Whistler</itunes:author><itunes:subtitle>Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first...</itunes:subtitle><itunes:summary><![CDATA[Troy, Athens, Rome... each has its founding legend. So too does the Lincolnshire town of Grimsby, once the largest fishing port in the world. Havelok the Dane probably derives from a folk-tale, orally passed down before assuming written form - first in Anglo-Norman French, later in Middle English verse (c. 1280-1300). It tells of the rescue of the Danish prince from a wicked regent, who has tried to procure Havelok's murder. Grim the fisher, the appointed hit-man, thwarts the plan by spiriting the lad to England, where Grim settles with his family on the coast, adopting Havelok as his foster-son and naming the new community after himself. C.W. Whistler's clever adaptation of the tale (published in 1899) draws on the various medieval sources. The English poem is particularly suited to 'novelisation'. It abounds in homely detail, and the hero's progress from half-dead waif to the triumphant fulfillment of his strength and kingly destiny makes a satisfying arc for the development of plot and character. At the same time, the legend's origins in oral performance are suggested through the choice of a first-person narrator, namely Grim's sober-sided son Radbard, whose plain-spoken account conveys something of the older saga tradition. Our reader, the gifted Tony Foster, has worked and travelled in Scandinavia. His subtly-inflected narration brings a truly Nordic flavour to this re-creation of life in sixth-century Britain. Since Charles Whistler published his novel, both Grimsby and its local heroes have been celebrated from time to time - by Elton John in his album Caribou (1974) and recently in a folk rock musical by local band Merlin's Keep (2014). (Introductory summary by Martin Geeson)]]></itunes:summary><itunes:duration>32165</itunes:duration><itunes:keywords>dane,foster,grim,grimsby,havelok,historical,legend,lincoln,old,whistler</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/719a6d15b9f460103380cac961665676.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
