<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Greenstone Door</title><link>https://www.spreaker.com/podcast/greenstone-door--7069129</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" target="_blank" rel="noreferrer noopener">http://nzetc.victoria.ac.nz/tm...</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" target="_blank" rel="noreferrer noopener">https://en.wikipedia.org/wiki/...</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" target="_blank" rel="noreferrer noopener">https://en.wikipedia.org/wiki/...</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><atom:link href="https://www.spreaker.com/show/7069129/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Historical Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg</url><title>Greenstone Door</title><link>https://www.spreaker.com/podcast/greenstone-door--7069129</link></image><lastBuildDate>Mon, 24 Aug 2026 09:34:25 +0000</lastBuildDate><itunes:author>William Satchell</itunes:author><itunes:owner><itunes:name>Historical Genre</itunes:name><itunes:email>spreaker57@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" target="_blank" rel="noreferrer noopener">http://nzetc.victoria.ac.nz/tm...</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" target="_blank" rel="noreferrer noopener">https://en.wikipedia.org/wiki/...</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" target="_blank" rel="noreferrer noopener">https://en.wikipedia.org/wiki/...</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Kids &amp; Family"/><itunes:category text="Kids &amp; Family"><itunes:category text="Stories for Kids"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>1a6f1ee5-5d1c-5a41-92dd-d50920b905a5</podcast:guid><itunes:type>episodic</itunes:type><item><title>Growth of a Soul-August Strindberg</title><link>https://www.spreaker.com/episode/growth-of-a-soul-august-strindberg--74406403</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74406403</guid><pubDate>Mon, 24 Aug 2026 09:04:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74406403/growth_of_a_soul_august_strindberg.mp3" length="197942256" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>24718</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Milton's Minor Poems-John Milton</title><link>https://www.spreaker.com/episode/milton-s-minor-poems-john-milton--74353923</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74353923</guid><pubDate>Sun, 23 Aug 2026 09:04:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74353923/milton_s_minor_poems_john_milton.mp3" length="113621840" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>14188</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Peer Gynt-Henrik Ibsen</title><link>https://www.spreaker.com/episode/peer-gynt-henrik-ibsen--74207454</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74207454</guid><pubDate>Sat, 22 Aug 2026 09:03:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74207454/peer_gynt_henrik_ibsen.mp3" length="153073234" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>19115</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Plea for Ragged Schools; or, Prevention Better than Cure-Thomas Guthrie</title><link>https://www.spreaker.com/episode/plea-for-ragged-schools-or-prevention-better-than-cure-thomas-guthrie--74153757</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74153757</guid><pubDate>Fri, 21 Aug 2026 09:03:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74153757/plea_for_ragged_schools_or_prevention_better_than_cure_thomas_guthrie.mp3" length="49347047" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>6162</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Heptameron of the Tales of Margaret, Queen of Navarre, Volume 4-Marguerite of Navarre</title><link>https://www.spreaker.com/episode/heptameron-of-the-tales-of-margaret-queen-of-navarre-volume-4-marguerite-of-navarre--74107717</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74107717</guid><pubDate>Thu, 20 Aug 2026 09:04:17 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74107717/heptameron_of_the_tales_of_margaret_queen_of_navarre_volume_4_marguerite_of_navarre.mp3" length="111438738" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>13916</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sin of Monsieur Antoine, Volume 2-George Sand</title><link>https://www.spreaker.com/episode/sin-of-monsieur-antoine-volume-2-george-sand--74072600</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74072600</guid><pubDate>Wed, 19 Aug 2026 09:04:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74072600/sin_of_monsieur_antoine_volume_2_george_sand.mp3" length="166552558" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>20798</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Charles Simeon-Handley Carr Glyn Moule</title><link>https://www.spreaker.com/episode/charles-simeon-handley-carr-glyn-moule--74032703</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74032703</guid><pubDate>Tue, 18 Aug 2026 09:04:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74032703/charles_simeon_handley_carr_glyn_moule.mp3" length="215575010" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>26919</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>John Dough and the Cherub-L. Frank Baum</title><link>https://www.spreaker.com/episode/john-dough-and-the-cherub-l-frank-baum--73970774</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73970774</guid><pubDate>Mon, 17 Aug 2026 09:04:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73970774/john_dough_and_the_cherub_l_frank_baum.mp3" length="128589954" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>16058</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lucky Piece A Story of the North Woods-Albert Bigelow Paine</title><link>https://www.spreaker.com/episode/lucky-piece-a-story-of-the-north-woods-albert-bigelow-paine--73927809</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73927809</guid><pubDate>Sun, 16 Aug 2026 09:04:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73927809/10233_lucky_piece_a_story_of_the_north_woods_albert_bigelow_paine.mp3" length="174722480" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>21819</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Reign of King Edward the Third-William Shakespeare</title><link>https://www.spreaker.com/episode/reign-of-king-edward-the-third-william-shakespeare--73885259</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73885259</guid><pubDate>Sat, 15 Aug 2026 09:07:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73885259/reign_of_king_edward_the_third_william_shakespeare.mp3" length="75415780" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>9417</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Common Sense (version 2)-Thomas Paine</title><link>https://www.spreaker.com/episode/common-sense-version-2-thomas-paine--73799560</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73799560</guid><pubDate>Tue, 11 Aug 2026 05:13:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73799560/common_sense_version_2_thomas_paine.mp3" length="69926174" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>8732</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Practice of the Presence of God (version 2)-Brother Lawrence</title><link>https://www.spreaker.com/episode/practice-of-the-presence-of-god-version-2-brother-lawrence--73769059</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73769059</guid><pubDate>Mon, 10 Aug 2026 17:14:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73769059/practice_of_the_presence_of_god_version_2_brother_lawrence.mp3" length="39218908" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>4897</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Golden Canyon-G. A. Henty</title><link>https://www.spreaker.com/episode/golden-canyon-g-a-henty--73740754</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73740754</guid><pubDate>Mon, 10 Aug 2026 05:28:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73740754/18554_golden_canyon_g_a_henty.mp3" length="57657271" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>7200</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Maoriland Fairy Tales - Edith Howes</title><link>https://www.spreaker.com/episode/maoriland-fairy-tales-edith-howes--73319460</link><description><![CDATA["Maoriland Fairy Tales" by Edith Howes invites listeners into a world rich with the enchanting folklore of New Zealand's Māori culture. This collection captures the essence of traditional tales that reflect the values, beliefs, and natural beauty of the land. As these stories unfold, they resonate with timeless themes of courage, wisdom, and the connection between humanity and nature, making them relevant for today's audience. The enduring appeal of these fairy tales lies in their ability to transport listeners to a magical realm while also offering profound insights into the human experience. Discover the charm and depth of these narratives that continue to inspire and captivate.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73319460</guid><pubDate>Sat, 01 Aug 2026 16:29:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73319460/maoriland_fairy_tales_edith_howes.mp3" length="126464081" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>"Maoriland Fairy Tales" by Edith Howes invites listeners into a world rich with the enchanting folklore of New Zealand's Māori culture. This collection captures the essence of traditional tales that reflect the values, beliefs, and natural beauty of...</itunes:subtitle><itunes:summary><![CDATA["Maoriland Fairy Tales" by Edith Howes invites listeners into a world rich with the enchanting folklore of New Zealand's Māori culture. This collection captures the essence of traditional tales that reflect the values, beliefs, and natural beauty of the land. As these stories unfold, they resonate with timeless themes of courage, wisdom, and the connection between humanity and nature, making them relevant for today's audience. The enduring appeal of these fairy tales lies in their ability to transport listeners to a magical realm while also offering profound insights into the human experience. Discover the charm and depth of these narratives that continue to inspire and captivate.]]></itunes:summary><itunes:duration>15792</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Greenstone Door - William Satchell - Part 2</title><link>https://www.spreaker.com/episode/greenstone-door-william-satchell-part-2--72245850</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72245850</guid><pubDate>Sun, 31 May 2026 09:00:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72245850/greenstone_door_william_satchell_part_2.mp3" length="148278582" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>18535</itunes:duration><itunes:keywords>cedric,door,greenstone,pakeha,rangiaowhia,remembering,satchell,tainui,waikato,zealand</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Greenstone Door - William Satchell - Part 1</title><link>https://www.spreaker.com/episode/greenstone-door-william-satchell-part-1--72245846</link><description><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72245846</guid><pubDate>Sat, 30 May 2026 13:25:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72245846/greenstone_door_william_satchell_part_1.mp3" length="281698672" type="audio/mpeg"/><itunes:author>William Satchell</itunes:author><itunes:subtitle>The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing...</itunes:subtitle><itunes:summary><![CDATA[The Greenstone Door is a historical novel, set between 1830-1860’s New Zealand. The main character, Cedric Tregarthen, is remembering his past, telling the story both from his vantage point as an old man remembering, and as a young man experiencing his life. The story starts with the sack of the Te Kuma pa and the death of his father, his subsequent adoption by the trader Purcell and protection of Te Waharoa. He grows up among the Maori people, with his foster sister Puhi-Huia and his friend, Rangiora. Together the three young people penetrate to a secret limestone cave, where in their fancy the stalagmites take the shapes of men and women in some drama of the future; Rangiora and Cedric end the racial hostility of their boyhood with an oath of peace, the compact of the Tatau Pounamu, that the Greenstone Door be closed. Events then move on in history, through the troubles that followed Waitangi. We see Cedric in Auckland, meeting his love interest and observing Governor George Grey at close range. When the Waikato war breaks out, his sympathies and loyalties are divided and, in theory, we are shown both sides. (<a href="http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It" rel="noopener">http://nzetc.victoria.ac.nz/tm/scholarly/tei-SteNove-t1-body-d2-d8.html)It</a> is worth remembering that this book was published in 1914 and holds value as an artifact of the Pakeha(1) desire to justify their place in New Zealand and to mythologize the wars for New Zealand. In reality the conflict was ‘brutal, bloody and calculated’ (RNZ). The invasion of the Waikato between 1863 and 1864 is the biggest campaign of the New Zealand wars and marks a titanic struggle as to who will own and control New Zealand itself, conflict between Maori defending what was rightfully theirs and the imperial might of Great Britain. The outcome of the war was the confiscation of 12,000 square km2 of Waikato lands. The repercussions of this have reverberated throughout New Zealand history and “leaves the King Movement tribes with a legacy of poverty and bitterness that was partly assuaged in 1995 when the government conceded that the 1863 invasion and confiscation was wrongful and apologised for its actions”. The Waikato-Tainui tribe accepted compensation in the form of cash and some government-controlled lands totalling about $171 million – about 1 percent of the value of the lands confiscated in 1863. Queen Elizabeth II personally signed the Waikato Raupatu Claims Settlement Act 1995. (<a href="https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also" rel="noopener">https://en.wikipedia.org/wiki/Invasion_of_the_Waikato).Also</a>, real atrocities were committed in one of the battles depicted in 'The Greenstone Door' at Rangiaowhia, quite apart from the bloodiness of warfare. This was a negotiated 'safe harbour' for non-combatants and people came to Rangiaowhia seeking refuge. The army attacked and killed unarmed men, women and children, both by gunfire and torching a building that they were sheltering in. 'The Greenstone Door' alludes to this torched building but never acknowledges that it was likely a church and housed women and children. (<a href="https://en.wikipedia.org/wiki/Rangiaowhia)So" rel="noopener">https://en.wikipedia.org/wiki/Rangiaowhia)So</a> enjoy this story, as you will, keeping in mind that it is fiction and offers a highly biased Pakeha view of the reasons for and justification of war.For anyone wanting to know more about this history, I recommend Dr Vincent O’Malley’s book ‘The Great War for New Zealand: Waikato 1800-2000’. RNZ also have an excellent program on this subject entitled ‘NZ Wars: Stories of Tainui’ available on YouTube.1. Pakeha – White New Zealander – usually of British extraction.]]></itunes:summary><itunes:duration>35213</itunes:duration><itunes:keywords>cedric,door,greenstone,pakeha,rangiaowhia,remembering,satchell,tainui,waikato,zealand</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a2fa58139d9f3923c450fd20f39bb62e.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
