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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Oscar Wilde: Art and Morality</title><link>https://www.spreaker.com/podcast/oscar-wilde-art-and-morality--7065321</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><atom:link href="https://www.spreaker.com/show/7065321/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Gothic Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg</url><title>Oscar Wilde: Art and Morality</title><link>https://www.spreaker.com/podcast/oscar-wilde-art-and-morality--7065321</link></image><lastBuildDate>Mon, 24 Aug 2026 09:33:36 +0000</lastBuildDate><itunes:author>Stuart Mason</itunes:author><itunes:owner><itunes:name>Gothic Genre</itunes:name><itunes:email>spreaker56@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Fiction"/><itunes:category text="Fiction"><itunes:category text="Drama"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>a935116d-fb50-5dbb-a4c1-146943c12177</podcast:guid><itunes:type>episodic</itunes:type><item><title>Guide to Health-Mohandas Karamchand Gandhi</title><link>https://www.spreaker.com/episode/guide-to-health-mohandas-karamchand-gandhi--74400930</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74400930</guid><pubDate>Mon, 24 Aug 2026 09:04:21 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74400930/guide_to_health_mohandas_karamchand_gandhi.mp3" length="99616771" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>12440</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Persian Hidden Words-Bahá'u'lláh</title><link>https://www.spreaker.com/episode/persian-hidden-words-baha-u-llah--74350137</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74350137</guid><pubDate>Sun, 23 Aug 2026 09:04:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74350137/persian_hidden_words_baha_u_lla_h.mp3" length="28494472" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>3558</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Auguste Comte and Positivism-John Stuart Mill</title><link>https://www.spreaker.com/episode/auguste-comte-and-positivism-john-stuart-mill--74202521</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74202521</guid><pubDate>Sat, 22 Aug 2026 09:03:42 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74202521/auguste_comte_and_positivism_john_stuart_mill.mp3" length="166858813" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>20837</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letters of a Woman Homesteader-Elinore Pruitt Stewart</title><link>https://www.spreaker.com/episode/letters-of-a-woman-homesteader-elinore-pruitt-stewart--74148863</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74148863</guid><pubDate>Fri, 21 Aug 2026 09:03:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74148863/letters_of_a_woman_homesteader_elinore_pruitt_stewart.mp3" length="153681834" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>19191</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Noble Woman The Life-Story of Edith Cavell-Ernest Protheroe</title><link>https://www.spreaker.com/episode/noble-woman-the-life-story-of-edith-cavell-ernest-protheroe--74104679</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74104679</guid><pubDate>Thu, 20 Aug 2026 09:03:57 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74104679/noble_woman_the_life_story_of_edith_cavell_ernest_protheroe.mp3" length="80572748" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>10062</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Trial of Oscar Wilde (Dramatic Reading)-Anonymous</title><link>https://www.spreaker.com/episode/trial-of-oscar-wilde-dramatic-reading-anonymous--74069642</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74069642</guid><pubDate>Wed, 19 Aug 2026 09:03:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74069642/trial_of_oscar_wilde_dramatic_reading_anonymous.mp3" length="102158742" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>12757</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Story of Abraham Lincoln-Mary Agnes Hamilton</title><link>https://www.spreaker.com/episode/story-of-abraham-lincoln-mary-agnes-hamilton--74028465</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74028465</guid><pubDate>Tue, 18 Aug 2026 09:04:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74028465/story_of_abraham_lincoln_mary_agnes_hamilton.mp3" length="75197194" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>9390</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Amoretti A sonnet sequence-Edmund Spenser</title><link>https://www.spreaker.com/episode/amoretti-a-sonnet-sequence-edmund-spenser--73967241</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73967241</guid><pubDate>Mon, 17 Aug 2026 09:04:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73967241/amoretti_a_sonnet_sequence_edmund_spenser.mp3" length="53763461" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>6713</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Line War-Samuel Merwin, Sr., Henry Kitchell Webster</title><link>https://www.spreaker.com/episode/short-line-war-samuel-merwin-sr-henry-kitchell-webster--73923782</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73923782</guid><pubDate>Sun, 16 Aug 2026 09:04:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73923782/short_line_war_samuel_merwin_sr_henry_kitchell_webster.mp3" length="186654044" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>23308</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Life of Sir Walter Ralegh-Louise Creighton</title><link>https://www.spreaker.com/episode/life-of-sir-walter-ralegh-louise-creighton--73881717</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73881717</guid><pubDate>Sat, 15 Aug 2026 09:07:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73881717/life_of_sir_walter_ralegh_louise_creighton.mp3" length="191111502" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>23865</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Life of Jesse Harding Pomeroy-E. Luscomb Haskell</title><link>https://www.spreaker.com/episode/life-of-jesse-harding-pomeroy-e-luscomb-haskell--73796807</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73796807</guid><pubDate>Tue, 11 Aug 2026 04:11:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73796807/life_of_jesse_harding_pomeroy_e_luscomb_haskell.mp3" length="63863846" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>7975</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Retrospect-J. Hudson Taylor</title><link>https://www.spreaker.com/episode/retrospect-j-hudson-taylor--73766542</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73766542</guid><pubDate>Mon, 10 Aug 2026 16:12:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73766542/retrospect_j_hudson_taylor.mp3" length="112959397" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>14106</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Woman and War-Olive Schreiner</title><link>https://www.spreaker.com/episode/woman-and-war-olive-schreiner--73738504</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73738504</guid><pubDate>Mon, 10 Aug 2026 04:27:41 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73738504/woman_and_war_olive_schreiner.mp3" length="24927473" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>3113</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Buffalo Bill from Prairie to Palace - John M. Burke</title><link>https://www.spreaker.com/episode/buffalo-bill-from-prairie-to-palace-john-m-burke--73317124</link><description><![CDATA["Buffalo Bill from Prairie to Palace" by John M. Burke delves into the remarkable life of William F. Cody, famously known as Buffalo Bill, who transformed from a humble prairie boy to a celebrated showman. This captivating narrative explores the evolution of American entertainment and the cultural significance of Cody's Wild West shows, which captivated audiences and shaped perceptions of the American frontier. As themes of ambition, spectacle, and identity resonate throughout the story, listeners are invited to reflect on the enduring allure of myth-making in shaping national narratives.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73317124</guid><pubDate>Sat, 01 Aug 2026 15:10:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73317124/buffalo_bill_from_prairie_to_palace_john_m_burke.mp3" length="208423702" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>"Buffalo Bill from Prairie to Palace" by John M. Burke delves into the remarkable life of William F. Cody, famously known as Buffalo Bill, who transformed from a humble prairie boy to a celebrated showman. This captivating narrative explores the...</itunes:subtitle><itunes:summary><![CDATA["Buffalo Bill from Prairie to Palace" by John M. Burke delves into the remarkable life of William F. Cody, famously known as Buffalo Bill, who transformed from a humble prairie boy to a celebrated showman. This captivating narrative explores the evolution of American entertainment and the cultural significance of Cody's Wild West shows, which captivated audiences and shaped perceptions of the American frontier. As themes of ambition, spectacle, and identity resonate throughout the story, listeners are invited to reflect on the enduring allure of myth-making in shaping national narratives.]]></itunes:summary><itunes:duration>26027</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Oscar Wilde Art and Morality - Stuart Mason</title><link>https://www.spreaker.com/episode/oscar-wilde-art-and-morality-stuart-mason--72218865</link><description><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72218865</guid><pubDate>Fri, 29 May 2026 03:21:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72218865/oscar_wilde_art_and_morality_stuart_mason.mp3" length="113317964" type="audio/mpeg"/><itunes:author>Stuart Mason</itunes:author><itunes:subtitle>“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids...</itunes:subtitle><itunes:summary><![CDATA[“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”“We are dominated by journalism.... Journalism governs for ever and ever.”[/i]One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.This compendium work - skillfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.This solo Librivox project complements a new dramatised reading of The Picture of Dorian Gray, currently in preparation, featuring the present reader as Narrator. (Introduction by Martin Geeson)]]></itunes:summary><itunes:duration>14165</itunes:duration><itunes:keywords>art,dorian,general,gray,journalism,mason,moral,morality,oscar,wilde</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3876c6a7ae8f2444e58bce52fd8db299.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
