<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Last Galley, Impressions and Tales</title><link>https://www.spreaker.com/podcast/last-galley-impressions-and-tales--7065303</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This show includes AI-generated content.]]></description><atom:link href="https://www.spreaker.com/show/7065303/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Gothic Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg</url><title>Last Galley, Impressions and Tales</title><link>https://www.spreaker.com/podcast/last-galley-impressions-and-tales--7065303</link></image><lastBuildDate>Tue, 06 Oct 2026 14:52:33 +0000</lastBuildDate><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:owner><itunes:name>Gothic Genre</itunes:name><itunes:email>spreaker56@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This show includes AI-generated content.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="History"/><itunes:category text="Society &amp; Culture"/><itunes:explicit>false</itunes:explicit><podcast:guid>d8c2ac15-33dd-5f4c-af06-1d22a68b245c</podcast:guid><podcast:txt purpose="ai-content">true</podcast:txt><itunes:type>episodic</itunes:type><item><title>Peeps at People - Being Certain Papers from the Writings of Anne Warrington Witherup (Dramatic Reading)-John Kendrick Bangs</title><link>https://www.spreaker.com/episode/peeps-at-people-being-certain-papers-from-the-writings-of-anne-warrington-witherup-dramatic-reading-john-kendrick-bangs--74399606</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74399606</guid><pubDate>Mon, 24 Aug 2026 09:04:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74399606/peeps_at_people_being_certain_papers_from_the_writings_of_anne_warrington_witherup_dramatic_reading_john_kendrick_bangs.mp3" length="76083010" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>9501</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Study in Scarlet (Version 7 Dramatic Reading)-Sir Arthur Conan Doyle</title><link>https://www.spreaker.com/episode/study-in-scarlet-version-7-dramatic-reading-sir-arthur-conan-doyle--74349244</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74349244</guid><pubDate>Sun, 23 Aug 2026 09:04:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74349244/study_in_scarlet_version_7_dramatic_reading_sir_arthur_conan_doyle.mp3" length="138659020" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>17315</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Floyd's Flowers, or Duty and Beauty for Colored Children: One Hundred Short Stories-Silas X. Floyd</title><link>https://www.spreaker.com/episode/floyd-s-flowers-or-duty-and-beauty-for-colored-children-one-hundred-short-stories-silas-x-floyd--74201102</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74201102</guid><pubDate>Sat, 22 Aug 2026 09:03:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74201102/floyd_s_flowers_or_duty_and_beauty_for_colored_children_one_hundred_short_stories_silas_x_floyd.mp3" length="195509308" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>24414</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>On the Incarnation-Athanasius of Alexandria</title><link>https://www.spreaker.com/episode/on-the-incarnation-athanasius-of-alexandria--74147671</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74147671</guid><pubDate>Fri, 21 Aug 2026 09:03:59 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74147671/on_the_incarnation_athanasius_of_alexandria.mp3" length="67680357" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>8451</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ideala-Sarah Grand</title><link>https://www.spreaker.com/episode/ideala-sarah-grand--74103683</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74103683</guid><pubDate>Thu, 20 Aug 2026 09:03:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74103683/ideala_sarah_grand.mp3" length="207168819" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>25870</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Charles I-Jacob Abbott</title><link>https://www.spreaker.com/episode/charles-i-jacob-abbott--74068773</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74068773</guid><pubDate>Wed, 19 Aug 2026 09:04:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74068773/charles_i_jacob_abbott.mp3" length="152002329" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>18981</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Three Girls in a Flat-Laura Hayes, Jean Loughborough, Enid Yandell</title><link>https://www.spreaker.com/episode/three-girls-in-a-flat-laura-hayes-jean-loughborough-enid-yandell--74027220</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74027220</guid><pubDate>Tue, 18 Aug 2026 09:04:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74027220/three_girls_in_a_flat_laura_hayes_jean_loughborough_enid_yandell.mp3" length="98934948" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>12354</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Latch Key of My Bookhouse-Olive Beaupre Miller</title><link>https://www.spreaker.com/episode/latch-key-of-my-bookhouse-olive-beaupre-miller--73966385</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73966385</guid><pubDate>Mon, 17 Aug 2026 09:04:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73966385/latch_key_of_my_bookhouse_olive_beaupre_miller.mp3" length="225760530" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>28192</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Study in Scarlet-Sir Arthur Conan Doyle</title><link>https://www.spreaker.com/episode/study-in-scarlet-sir-arthur-conan-doyle--73922691</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73922691</guid><pubDate>Sun, 16 Aug 2026 09:04:35 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73922691/study_in_scarlet_sir_arthur_conan_doyle.mp3" length="122028888" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>15238</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Visit to Three Fronts June 1916-Sir Arthur Conan Doyle</title><link>https://www.spreaker.com/episode/visit-to-three-fronts-june-1916-sir-arthur-conan-doyle--73880748</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73880748</guid><pubDate>Sat, 15 Aug 2026 09:06:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73880748/visit_to_three_fronts_june_1916_sir_arthur_conan_doyle.mp3" length="46029034" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>5748</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Black Cat Vol. 02 No. 05 February 1897-Various</title><link>https://www.spreaker.com/episode/black-cat-vol-02-no-05-february-1897-various--73796041</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73796041</guid><pubDate>Tue, 11 Aug 2026 03:51:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73796041/black_cat_vol_02_no_05_february_1897_various.mp3" length="57094672" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>7130</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Harper's Young People, Vol. 01, Issue 04, Nov. 25, 1879-Various</title><link>https://www.spreaker.com/episode/harper-s-young-people-vol-01-issue-04-nov-25-1879-various--73765847</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73765847</guid><pubDate>Mon, 10 Aug 2026 15:52:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73765847/harper_s_young_people_vol_01_issue_04_nov_25_1879_various.mp3" length="30150506" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>3765</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Stories by English Authors London-F. Anstey, J. M. Barrie, Marie Corelli, Beatrice Harraden, Arthur Morrison</title><link>https://www.spreaker.com/episode/stories-by-english-authors-london-f-anstey-j-m-barrie-marie-corelli-beatrice-harraden-arthur-morrison--73737864</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73737864</guid><pubDate>Mon, 10 Aug 2026 04:09:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73737864/stories_by_english_authors_london_f_anstey_j_m_barrie_marie_corelli_beatrice_harraden_arthur_morrison.mp3" length="122902106" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>15347</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Last Galley, Impressions and Tales - Sir Arthur Conan Doyle</title><link>https://www.spreaker.com/episode/last-galley-impressions-and-tales-sir-arthur-conan-doyle--73316484</link><description><![CDATA["Last Galley, Impressions and Tales" by Sir Arthur Conan Doyle invites listeners into a rich tapestry of narratives that reflect the author's keen observations and imaginative storytelling. This collection showcases Doyle's ability to weave together impressions and tales that resonate with the human experience, capturing the essence of adventure, mystery, and introspection. The themes of exploration and the quest for understanding remain timeless, making this audiobook a compelling listen for those seeking to connect with the past while contemplating their own journeys. With Doyle’s masterful prose, each story offers a glimpse into the complexities of life, ensuring its relevance across generations.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73316484</guid><pubDate>Sat, 01 Aug 2026 14:48:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73316484/last_galley_impressions_and_tales_sir_arthur_conan_doyle.mp3" length="226343672" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>"Last Galley, Impressions and Tales" by Sir Arthur Conan Doyle invites listeners into a rich tapestry of narratives that reflect the author's keen observations and imaginative storytelling. This collection showcases Doyle's ability to weave together...</itunes:subtitle><itunes:summary><![CDATA["Last Galley, Impressions and Tales" by Sir Arthur Conan Doyle invites listeners into a rich tapestry of narratives that reflect the author's keen observations and imaginative storytelling. This collection showcases Doyle's ability to weave together impressions and tales that resonate with the human experience, capturing the essence of adventure, mystery, and introspection. The themes of exploration and the quest for understanding remain timeless, making this audiobook a compelling listen for those seeking to connect with the past while contemplating their own journeys. With Doyle’s masterful prose, each story offers a glimpse into the complexities of life, ensuring its relevance across generations.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>28265</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Last Galley Impressions and Tales - Sir Arthur Conan Doyle</title><link>https://www.spreaker.com/episode/last-galley-impressions-and-tales-sir-arthur-conan-doyle--72218816</link><description><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72218816</guid><pubDate>Fri, 29 May 2026 03:18:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72218816/last_galley_impressions_and_tales_sir_arthur_conan_doyle.mp3" length="226113651" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Sir Arthur Conan Doyle</itunes:author><itunes:subtitle>From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight...</itunes:subtitle><itunes:summary><![CDATA[From the Preface: I HAVE written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which may be regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history them selves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama" of history and not the drama of invention should claim the attention of the reader. I have been tempted some times to try the effect upon a larger scale ; but mean while these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction." Summary by Sir Arthur Conan Doyle<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>28265</itunes:duration><itunes:keywords>actual,adequately,doyle,galley,general,impressions,larger,last,tales,which</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb042f06d5a8adc313cf0c06952ba694.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
