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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Spoils of Poynton</title><link>https://www.spreaker.com/podcast/spoils-of-poynton--7062754</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><atom:link href="https://www.spreaker.com/show/7062754/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright General Fiction Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg</url><title>Spoils of Poynton</title><link>https://www.spreaker.com/podcast/spoils-of-poynton--7062754</link></image><lastBuildDate>Mon, 24 Aug 2026 09:32:52 +0000</lastBuildDate><itunes:author>Henry James</itunes:author><itunes:owner><itunes:name>General Fiction Genre</itunes:name><itunes:email>spreaker55@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Fiction"/><itunes:category text="Society &amp; Culture"><itunes:category text="Relationships"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>129cb26b-140a-5f33-a0d6-6a15f343bed4</podcast:guid><itunes:type>episodic</itunes:type><item><title>Cinder Pond-Carroll Watson Rankin</title><link>https://www.spreaker.com/episode/cinder-pond-carroll-watson-rankin--74395114</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74395114</guid><pubDate>Mon, 24 Aug 2026 09:04:17 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74395114/cinder_pond_carroll_watson_rankin.mp3" length="152863661" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>19089</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Emma McChesney and Company-Edna Ferber</title><link>https://www.spreaker.com/episode/emma-mcchesney-and-company-edna-ferber--74346387</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74346387</guid><pubDate>Sun, 23 Aug 2026 09:04:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74346387/emma_mcchesney_and_company_edna_ferber.mp3" length="137196232" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>17132</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Reuben Sachs A Sketch-Amy Levy</title><link>https://www.spreaker.com/episode/reuben-sachs-a-sketch-amy-levy--74197284</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74197284</guid><pubDate>Sat, 22 Aug 2026 09:03:27 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74197284/reuben_sachs_a_sketch_amy_levy.mp3" length="116281291" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>14521</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Deirdre-James Stephens</title><link>https://www.spreaker.com/episode/deirdre-james-stephens--74143657</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74143657</guid><pubDate>Fri, 21 Aug 2026 09:03:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74143657/18865_deirdre_james_stephens.mp3" length="149385436" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>18654</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Pointed Roofs-Dorothy Richardson</title><link>https://www.spreaker.com/episode/pointed-roofs-dorothy-richardson--74100959</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74100959</guid><pubDate>Thu, 20 Aug 2026 09:04:02 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74100959/pointed_roofs_dorothy_richardson.mp3" length="199934082" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>24967</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Olalla-Robert Louis Stevenson</title><link>https://www.spreaker.com/episode/olalla-robert-louis-stevenson--74066003</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74066003</guid><pubDate>Wed, 19 Aug 2026 09:03:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74066003/olalla_robert_louis_stevenson.mp3" length="36662602" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>4578</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Indiscretions of Archie-P. G. Wodehouse</title><link>https://www.spreaker.com/episode/indiscretions-of-archie-p-g-wodehouse--74023867</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74023867</guid><pubDate>Tue, 18 Aug 2026 09:04:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74023867/indiscretions_of_archie_p_g_wodehouse.mp3" length="263693943" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>32929</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tragic Bride-Francis Brett Young</title><link>https://www.spreaker.com/episode/tragic-bride-francis-brett-young--73963303</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73963303</guid><pubDate>Mon, 17 Aug 2026 09:04:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73963303/tragic_bride_francis_brett_young.mp3" length="179736422" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>22445</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sec 14</title><link>https://www.spreaker.com/episode/sec-14--73919504</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73919504</guid><pubDate>Sun, 16 Aug 2026 09:04:21 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73919504/sec_14.mp3" length="18885523" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>2359</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Heart of Hyacinth-Onoto Watanna</title><link>https://www.spreaker.com/episode/heart-of-hyacinth-onoto-watanna--73878086</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73878086</guid><pubDate>Sat, 15 Aug 2026 09:06:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73878086/heart_of_hyacinth_onoto_watanna.mp3" length="107669616" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>13445</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Permanent Husband-Fyodor Dostoyevsky</title><link>https://www.spreaker.com/episode/permanent-husband-fyodor-dostoyevsky--73793517</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73793517</guid><pubDate>Tue, 11 Aug 2026 02:57:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73793517/permanent_husband_fyodor_dostoyevsky.mp3" length="154119481" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>19246</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Beast in the Jungle-Henry James</title><link>https://www.spreaker.com/episode/beast-in-the-jungle-henry-james--73763615</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73763615</guid><pubDate>Mon, 10 Aug 2026 15:00:09 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73763615/beast_in_the_jungle_henry_james.mp3" length="67212049" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>8393</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Domestic Cookery, Useful Receipts, and Hints to Young Housekeepers-Elizabeth E. Lea</title><link>https://www.spreaker.com/episode/domestic-cookery-useful-receipts-and-hints-to-young-housekeepers-elizabeth-e-lea--73735995</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73735995</guid><pubDate>Mon, 10 Aug 2026 03:15:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73735995/domestic_cookery_useful_receipts_and_hints_to_young_housekeepers_elizabeth_e_lea.mp3" length="253334896" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>31635</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ideala - Sarah Grand</title><link>https://www.spreaker.com/episode/ideala-sarah-grand--73314646</link><description><![CDATA["Ideala" by Sarah Grand explores the complexities of female identity and the struggle for independence in a society that often confines women to traditional roles. This thought-provoking narrative delves into themes of self-discovery and the pursuit of personal freedom, making it a timeless reflection on the challenges women face. Grand's insightful portrayal of her protagonist's journey resonates with contemporary audiences who continue to grapple with issues of autonomy and societal expectations. Listening to "Ideala" offers a chance to engage with enduring questions about gender, choice, and the quest for authenticity in one’s life. This audiobook invites you to reflect on the past while considering its relevance in today's world.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73314646</guid><pubDate>Sat, 01 Aug 2026 13:43:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73314646/ideala_sarah_grand.mp3" length="207168819" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>"Ideala" by Sarah Grand explores the complexities of female identity and the struggle for independence in a society that often confines women to traditional roles. This thought-provoking narrative delves into themes of self-discovery and the pursuit...</itunes:subtitle><itunes:summary><![CDATA["Ideala" by Sarah Grand explores the complexities of female identity and the struggle for independence in a society that often confines women to traditional roles. This thought-provoking narrative delves into themes of self-discovery and the pursuit of personal freedom, making it a timeless reflection on the challenges women face. Grand's insightful portrayal of her protagonist's journey resonates with contemporary audiences who continue to grapple with issues of autonomy and societal expectations. Listening to "Ideala" offers a chance to engage with enduring questions about gender, choice, and the quest for authenticity in one’s life. This audiobook invites you to reflect on the past while considering its relevance in today's world.]]></itunes:summary><itunes:duration>25870</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Spoils of Poynton - Henry James</title><link>https://www.spreaker.com/episode/spoils-of-poynton-henry-james--72194140</link><description><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72194140</guid><pubDate>Wed, 27 May 2026 22:18:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72194140/spoils_of_poynton_henry_james.mp3" length="208430638" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears...</itunes:subtitle><itunes:summary><![CDATA[The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that drives Mrs. Gereth to want to maintain control over them (or so she claims, at any rate), but rather the sense that she will have failed if Mona, understanding and appreciating nothing of what Poynton contains, should become Owen's wife and take charge. The story and its developing conflicts are seen largely from the point of view of Fleda Vetch, the young woman who, her moral and aesthetic sensibilities tuned perhaps as finely as any of James's protagonists, finds herself caught in the middle. (Summary by Nicholas Clifford)]]></itunes:summary><itunes:duration>26054</itunes:duration><itunes:keywords>brigstock,fleda,gereth,james,mona,objects,owen,poynton,spoils,vetch</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3cfbf7aafbae6f42f0e4e1757a8046e.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
