<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Markets of Paris</title><link>https://www.spreaker.com/podcast/markets-of-paris--7062605</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><atom:link href="https://www.spreaker.com/show/7062605/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright General Fiction Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg</url><title>Markets of Paris</title><link>https://www.spreaker.com/podcast/markets-of-paris--7062605</link></image><lastBuildDate>Sat, 29 Aug 2026 09:12:43 +0000</lastBuildDate><itunes:author>Émile Zola</itunes:author><itunes:owner><itunes:name>General Fiction Genre</itunes:name><itunes:email>spreaker55@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Astronomy"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>4f222fff-1fd8-5fa1-b4aa-c760490a2f3a</podcast:guid><itunes:type>episodic</itunes:type><item><title>Lesson of the Master-Henry James</title><link>https://www.spreaker.com/episode/lesson-of-the-master-henry-james--74630894</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74630894</guid><pubDate>Sun, 30 Aug 2026 09:01:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74630894/lesson_of_the_master_henry_james.mp3" length="71759775" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>8961</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Light That Failed-Rudyard Kipling</title><link>https://www.spreaker.com/episode/light-that-failed-rudyard-kipling--74593545</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74593545</guid><pubDate>Sat, 29 Aug 2026 09:01:41 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74593545/light_that_failed_rudyard_kipling.mp3" length="224288449" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>28008</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Man Who Fought the Devil-Eva K. Betz</title><link>https://www.spreaker.com/episode/man-who-fought-the-devil-eva-k-betz--74557399</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74557399</guid><pubDate>Fri, 28 Aug 2026 09:01:35 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74557399/man_who_fought_the_devil_eva_k_betz.mp3" length="88694626" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>11076</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Devil's Pool-George Sand</title><link>https://www.spreaker.com/episode/devil-s-pool-george-sand--74519793</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74519793</guid><pubDate>Thu, 27 Aug 2026 09:01:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74519793/devil_s_pool_george_sand.mp3" length="27586648" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>3445</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Old Regime and the Revolution-Alexis de Tocqueville</title><link>https://www.spreaker.com/episode/old-regime-and-the-revolution-alexis-de-tocqueville--74480398</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74480398</guid><pubDate>Wed, 26 Aug 2026 09:01:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74480398/old_regime_and_the_revolution_alexis_de_tocqueville.mp3" length="208695260" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>26061</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Permanent Husband-Fyodor Dostoyevsky</title><link>https://www.spreaker.com/episode/permanent-husband-fyodor-dostoyevsky--74438516</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74438516</guid><pubDate>Tue, 25 Aug 2026 09:01:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74438516/permanent_husband_fyodor_dostoyevsky.mp3" length="154119481" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>19246</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sir Dominick Ferrand-Henry James</title><link>https://www.spreaker.com/episode/sir-dominick-ferrand-henry-james--74392664</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74392664</guid><pubDate>Mon, 24 Aug 2026 09:04:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74392664/sir_dominick_ferrand_henry_james.mp3" length="67637033" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>8446</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Birthplace-Henry James</title><link>https://www.spreaker.com/episode/birthplace-henry-james--74344490</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74344490</guid><pubDate>Sun, 23 Aug 2026 09:03:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74344490/birthplace_henry_james.mp3" length="40499315" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>5057</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Barberry Bush and Eight Other Stories for Girls-Susan Coolidge</title><link>https://www.spreaker.com/episode/barberry-bush-and-eight-other-stories-for-girls-susan-coolidge--74195205</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74195205</guid><pubDate>Sat, 22 Aug 2026 09:03:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74195205/barberry_bush_and_eight_other_stories_for_girls_susan_coolidge.mp3" length="179418911" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>22405</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Grand Inquisitor (dramatic reading)-Fyodor Dostoyevsky</title><link>https://www.spreaker.com/episode/grand-inquisitor-dramatic-reading-fyodor-dostoyevsky--74141373</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74141373</guid><pubDate>Fri, 21 Aug 2026 09:03:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74141373/grand_inquisitor_dramatic_reading_fyodor_dostoyevsky.mp3" length="37061650" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>4628</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Anti-Dictator The Discours sur la servitude voluntaire-Étienne de La Boétie</title><link>https://www.spreaker.com/episode/anti-dictator-the-discours-sur-la-servitude-voluntaire-etienne-de-la-boetie--74099962</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74099962</guid><pubDate>Thu, 20 Aug 2026 09:04:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74099962/anti_dictator_the_discours_sur_la_servitude_voluntaire_e_tienne_de_la_boe_tie.mp3" length="61714430" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>7707</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Garden God A Tale of Two Boys-Forrest Reid</title><link>https://www.spreaker.com/episode/garden-god-a-tale-of-two-boys-forrest-reid--74064307</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74064307</guid><pubDate>Wed, 19 Aug 2026 09:03:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74064307/garden_god_a_tale_of_two_boys_forrest_reid.mp3" length="80600067" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>10065</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Against The Grain, or Against Nature-Joris-Karl Huysmans</title><link>https://www.spreaker.com/episode/against-the-grain-or-against-nature-joris-karl-huysmans--74022319</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74022319</guid><pubDate>Tue, 18 Aug 2026 09:04:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74022319/against_the_grain_or_against_nature_joris_karl_huysmans.mp3" length="266396931" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>33266</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dawn O'Hara, The Girl Who Laughed-Edna Ferber</title><link>https://www.spreaker.com/episode/dawn-o-hara-the-girl-who-laughed-edna-ferber--73961567</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73961567</guid><pubDate>Mon, 17 Aug 2026 09:04:35 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73961567/1897_dawn_o_hara_the_girl_who_laughed_edna_ferber.mp3" length="100094757" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>12499</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Nightmare Abbey-Thomas Love Peacock</title><link>https://www.spreaker.com/episode/nightmare-abbey-thomas-love-peacock--73917536</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73917536</guid><pubDate>Sun, 16 Aug 2026 09:04:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73917536/nightmare_abbey_thomas_love_peacock.mp3" length="97598239" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>12188</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Diatessaron A Harmony of the Four Gospels-Tatian</title><link>https://www.spreaker.com/episode/diatessaron-a-harmony-of-the-four-gospels-tatian--73876743</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73876743</guid><pubDate>Sat, 15 Aug 2026 09:06:28 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73876743/diatessaron_a_harmony_of_the_four_gospels_tatian.mp3" length="187974101" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>23473</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>In the Cage-Henry James</title><link>https://www.spreaker.com/episode/in-the-cage-henry-james--73792097</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73792097</guid><pubDate>Tue, 11 Aug 2026 02:29:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73792097/in_the_cage_henry_james.mp3" length="113795358" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>14210</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Price of Love-Arnold Bennett</title><link>https://www.spreaker.com/episode/price-of-love-arnold-bennett--73762359</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73762359</guid><pubDate>Mon, 10 Aug 2026 14:33:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73762359/price_of_love_arnold_bennett.mp3" length="78570006" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>9812</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ashton-Kirk, Investigator-John Thomas McIntyre</title><link>https://www.spreaker.com/episode/ashton-kirk-investigator-john-thomas-mcintyre--73735027</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73735027</guid><pubDate>Mon, 10 Aug 2026 02:46:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73735027/ashton_kirk_investigator_john_thomas_mcintyre.mp3" length="90476083" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>11298</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Imperialism and World Politics, Part 3 of 4 - Parker Thomas Moon</title><link>https://www.spreaker.com/episode/imperialism-and-world-politics-part-3-of-4-parker-thomas-moon--73313872</link><description><![CDATA["Imperialism and World Politics, Part 3 of 4" by Parker Thomas Moon delves into the complex interplay between imperialism and global political dynamics. This installment continues to explore the historical forces that have shaped international relations, highlighting the enduring impact of imperialist policies on contemporary global issues. Hearing this work now allows listeners to reflect on the roots of modern geopolitical tensions and the legacies of past empires that still influence today's world.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73313872</guid><pubDate>Sat, 01 Aug 2026 13:09:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73313872/20957_imperialism_and_world_politics_part_3_of_4_parker_thomas_moon.mp3" length="191104690" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>"Imperialism and World Politics, Part 3 of 4" by Parker Thomas Moon delves into the complex interplay between imperialism and global political dynamics. This installment continues to explore the historical forces that have shaped international...</itunes:subtitle><itunes:summary><![CDATA["Imperialism and World Politics, Part 3 of 4" by Parker Thomas Moon delves into the complex interplay between imperialism and global political dynamics. This installment continues to explore the historical forces that have shaped international relations, highlighting the enduring impact of imperialist policies on contemporary global issues. Hearing this work now allows listeners to reflect on the roots of modern geopolitical tensions and the legacies of past empires that still influence today's world.]]></itunes:summary><itunes:duration>23862</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Markets of Paris - Emile Zola</title><link>https://www.spreaker.com/episode/markets-of-paris-emile-zola--72193604</link><description><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72193604</guid><pubDate>Wed, 27 May 2026 21:29:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72193604/markets_of_paris_emile_zola.mp3" length="211940033" type="audio/mpeg"/><itunes:author>Émile Zola</itunes:author><itunes:subtitle>The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood,...</itunes:subtitle><itunes:summary><![CDATA[The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L’Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L’Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read. - Summary by Carolin]]></itunes:summary><itunes:duration>26493</itunes:duration><itunes:keywords>assommoir,charcutier,general,markets,marquart,mornings,must,paris,prouder,zola</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3ba914b96d452816fb1d52c61ca51de.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
