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Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. (Condensed from Wikipedia)]]></itunes:summary><itunes:duration>29217</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8a1f04d6e1b11aed7b7df8f395829447.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Strange Manuscript Found in a Copper Cylinder - James De Mille</title><link>https://www.spreaker.com/episode/strange-manuscript-found-in-a-copper-cylinder-james-de-mille--73312277</link><description><![CDATA["Strange Manuscript Found in a Copper Cylinder" by James De Mille invites listeners into a fascinating exploration of an enigmatic manuscript that challenges the boundaries of reality and imagination. This captivating tale delves into themes of discovery and the unknown, engaging the mind and stirring the spirit. As readers navigate the intricacies of the manuscript, they are prompted to reflect on the nature of existence and the mysteries that lie beyond our understanding. The enduring appeal of this story lies in its ability to provoke thought and inspire curiosity, making it a timeless journey that resonates with anyone who has ever pondered the deeper questions of life.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73312277</guid><pubDate>Sat, 01 Aug 2026 11:58:35 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73312277/strange_manuscript_found_in_a_copper_cylinder_james_de_mille.mp3" length="267370465" type="audio/mpeg"/><itunes:author>James De Mille</itunes:author><itunes:subtitle>"Strange Manuscript Found in a Copper Cylinder" by James De Mille invites listeners into a fascinating exploration of an enigmatic manuscript that challenges the boundaries of reality and imagination. 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This satiric romance is the story of Adam More, a British sailor. Shipwrecked in Antarctica, he stumbles upon a tropical lost world of prehistoric animals, plants, and a cult of death-worshipping primitives. He also finds a highly developed human society which has reversed the values of Victorian society. Wealth is scorned and poverty revered; death and darkness are preferable to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. At the beginning of each year, the government imposes wealth (the burden of "reverse taxation") upon its unfortunate subjects as a form of punishment. A secondary plot about the four yachtsmen who find the manuscript forms a frame for the central narrative. 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