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Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. (Summary by Wikipedia)]]></description><atom:link href="https://www.spreaker.com/show/6883032/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Performing Arts</category><copyright>Copyright Culture and Heritage classics</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/50e7fde7a071a46fb0e590bca69ad527.jpg</url><title>Caesar and Cleopatra</title><link>https://www.spreaker.com/podcast/caesar-and-cleopatra--6883032</link></image><lastBuildDate>Sun, 17 May 2026 09:17:05 +0000</lastBuildDate><itunes:author>George Bernard Shaw</itunes:author><itunes:owner><itunes:name>Culture and Heritage classics</itunes:name><itunes:email>spreaker26@adfreesounds.com</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/50e7fde7a071a46fb0e590bca69ad527.jpg"/><itunes:subtitle>Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The...</itunes:subtitle><itunes:summary><![CDATA[Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The inaugural performance took place in Newcastle upon Tyne on March 15, 1899, with a notable London production at the Savoy Theatre in 1907. Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. (Summary by Wikipedia)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Performing Arts"/></itunes:category><itunes:category text="Fiction"/><itunes:category text="News"><itunes:category text="Politics"/></itunes:category><itunes:explicit>false</itunes:explicit><itunes:type>serial</itunes:type><item><title>001 - Act 1</title><link>https://www.spreaker.com/episode/001-act-1--70103542</link><description><![CDATA[Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The inaugural performance took place in Newcastle upon Tyne on March 15, 1899, with a notable London production at the Savoy Theatre in 1907. Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/70103542</guid><pubDate>Tue, 17 Feb 2026 17:18:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/70103542/001_act_1.mp3" length="27170304" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/aa65bf40-ca0b-46f3-94f9-f92d00133a5c/aa65bf40-ca0b-46f3-94f9-f92d00133a5c.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/aa65bf40-ca0b-46f3-94f9-f92d00133a5c/aa65bf40-ca0b-46f3-94f9-f92d00133a5c.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/aa65bf40-ca0b-46f3-94f9-f92d00133a5c/aa65bf40-ca0b-46f3-94f9-f92d00133a5c.vtt" type="text/vtt" language="en"/><itunes:author>George Bernard Shaw</itunes:author><itunes:subtitle>Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The...</itunes:subtitle><itunes:summary><![CDATA[Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The inaugural performance took place in Newcastle upon Tyne on March 15, 1899, with a notable London production at the Savoy Theatre in 1907. Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>3397</itunes:duration><itunes:keywords>ambition,drama,empire,government,history,leadership,politics,power,romance,theatre</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/50e7fde7a071a46fb0e590bca69ad527.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>002 - Act 2</title><link>https://www.spreaker.com/episode/002-act-2--70103548</link><description><![CDATA[Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The inaugural performance took place in Newcastle upon Tyne on March 15, 1899, with a notable London production at the Savoy Theatre in 1907. Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. 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The...</itunes:subtitle><itunes:summary><![CDATA[Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The inaugural performance took place in Newcastle upon Tyne on March 15, 1899, with a notable London production at the Savoy Theatre in 1907. Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>3654</itunes:duration><itunes:keywords>ambition,drama,empire,government,history,leadership,politics,power,romance,theatre</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/50e7fde7a071a46fb0e590bca69ad527.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>003 - Act 3</title><link>https://www.spreaker.com/episode/003-act-3--70103553</link><description><![CDATA[Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The inaugural performance took place in Newcastle upon Tyne on March 15, 1899, with a notable London production at the Savoy Theatre in 1907. Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. 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The...</itunes:subtitle><itunes:summary><![CDATA[Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The inaugural performance took place in Newcastle upon Tyne on March 15, 1899, with a notable London production at the Savoy Theatre in 1907. Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. 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Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. 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The...</itunes:subtitle><itunes:summary><![CDATA[Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The inaugural performance took place in Newcastle upon Tyne on March 15, 1899, with a notable London production at the Savoy Theatre in 1907. Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. 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Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. 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The...</itunes:subtitle><itunes:summary><![CDATA[Caesar and Cleopatra, a captivating play penned by George Bernard Shaw in 1898, first graced the stage in 1901 and was published alongside Captain Brassbounds Conversion and The Devils Disciple in the 1901 collection Three Plays for Puritans. The inaugural performance took place in Newcastle upon Tyne on March 15, 1899, with a notable London production at the Savoy Theatre in 1907. Shaw presents a compelling argument that it was not passion, but rather political ambition, that drew Cleopatra to Julius Caesar. He draws parallels between the Roman occupation of ancient Egypt and the British imperial presence during his era. Through Caesars lens, the significance of effective governance is highlighted, as he prioritizes these ideals above art and romance. 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