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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Trojan Women (Coleridge Translation)</title><link>https://www.spreaker.com/podcast/trojan-women-coleridge-translation--6879225</link><description><![CDATA[Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the Peloponnesian War, this powerful work reflects on the devastating events surrounding the capture of Melos, where the Athenians brutally subjugated its people. This year was also marked by the notorious desecration of the hermai and the Athenians ill-fated second expedition to Sicily—events that likely influenced Euripides’ writing. The Trojan Women is the final act of a trilogy that also includes Alexandros, which explores the fate of the Trojan prince Paris, and Palamedes, which addresses the unjust treatment of the Greek hero Palamedes. Unlike Aeschylus connected trilogies, Euripides chose to present these stories independently at the Dionysia, where he ultimately secured second prize, overshadowed by the little-known tragedian Xenocles. The four central women in this tragic tale are the same figures who mourn Hectors death in the final book of the Iliad, adding a layer of depth to their harrowing plight. - Summary by Wikipedia (edited and enhanced by Expatriate)]]></description><atom:link href="https://www.spreaker.com/show/6879225/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Performing Arts</category><copyright>Copyright Family and Culture</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4efe4f3c8f566d9a6d2f302c1db35e67.jpg</url><title>Trojan Women (Coleridge Translation)</title><link>https://www.spreaker.com/podcast/trojan-women-coleridge-translation--6879225</link></image><lastBuildDate>Mon, 03 Aug 2026 08:27:46 +0000</lastBuildDate><itunes:author>Euripides</itunes:author><itunes:owner><itunes:name>Family and Culture</itunes:name><itunes:email>spreaker25@adfreesounds.com</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4efe4f3c8f566d9a6d2f302c1db35e67.jpg"/><itunes:subtitle>Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the...</itunes:subtitle><itunes:summary><![CDATA[Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the Peloponnesian War, this powerful work reflects on the devastating events surrounding the capture of Melos, where the Athenians brutally subjugated its people. This year was also marked by the notorious desecration of the hermai and the Athenians ill-fated second expedition to Sicily—events that likely influenced Euripides’ writing. The Trojan Women is the final act of a trilogy that also includes Alexandros, which explores the fate of the Trojan prince Paris, and Palamedes, which addresses the unjust treatment of the Greek hero Palamedes. Unlike Aeschylus connected trilogies, Euripides chose to present these stories independently at the Dionysia, where he ultimately secured second prize, overshadowed by the little-known tragedian Xenocles. The four central women in this tragic tale are the same figures who mourn Hectors death in the final book of the Iliad, adding a layer of depth to their harrowing plight. - Summary by Wikipedia (edited and enhanced by Expatriate)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Performing Arts"/></itunes:category><itunes:category text="Fiction"><itunes:category text="Drama"/></itunes:category><itunes:category text="History"/><itunes:explicit>false</itunes:explicit><itunes:type>episodic</itunes:type><item><title>004 - Part IV</title><link>https://www.spreaker.com/episode/004-part-iv--70049811</link><description><![CDATA[Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the Peloponnesian War, this powerful work reflects on the devastating events surrounding the capture of Melos, where the Athenians brutally subjugated its people. This year was also marked by the notorious desecration of the hermai and the Athenians ill-fated second expedition to Sicily—events that likely influenced Euripides’ writing. The Trojan Women is the final act of a trilogy that also includes Alexandros, which explores the fate of the Trojan prince Paris, and Palamedes, which addresses the unjust treatment of the Greek hero Palamedes. Unlike Aeschylus connected trilogies, Euripides chose to present these stories independently at the Dionysia, where he ultimately secured second prize, overshadowed by the little-known tragedian Xenocles. The four central women in this tragic tale are the same figures who mourn Hectors death in the final book of the Iliad, adding a layer of depth to their harrowing plight. - Summary by Wikipedia (edited and enhanced by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/70049811</guid><pubDate>Fri, 13 Feb 2026 21:09:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/70049811/004_part_iv.mp3" length="8834560" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/183a30e9-ca61-4a1f-993a-dbb726b2fac2/183a30e9-ca61-4a1f-993a-dbb726b2fac2.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/183a30e9-ca61-4a1f-993a-dbb726b2fac2/183a30e9-ca61-4a1f-993a-dbb726b2fac2.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/183a30e9-ca61-4a1f-993a-dbb726b2fac2/183a30e9-ca61-4a1f-993a-dbb726b2fac2.vtt" type="text/vtt" language="en"/><itunes:author>Euripides</itunes:author><itunes:subtitle>Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the...</itunes:subtitle><itunes:summary><![CDATA[Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the Peloponnesian War, this powerful work reflects on the devastating events surrounding the capture of Melos, where the Athenians brutally subjugated its people. This year was also marked by the notorious desecration of the hermai and the Athenians ill-fated second expedition to Sicily—events that likely influenced Euripides’ writing. The Trojan Women is the final act of a trilogy that also includes Alexandros, which explores the fate of the Trojan prince Paris, and Palamedes, which addresses the unjust treatment of the Greek hero Palamedes. Unlike Aeschylus connected trilogies, Euripides chose to present these stories independently at the Dionysia, where he ultimately secured second prize, overshadowed by the little-known tragedian Xenocles. The four central women in this tragic tale are the same figures who mourn Hectors death in the final book of the Iliad, adding a layer of depth to their harrowing plight. - Summary by Wikipedia (edited and enhanced by Expatriate)]]></itunes:summary><itunes:duration>1105</itunes:duration><itunes:keywords>antiwar,classical,drama,euripides,greece,history,literature,tragedy,war,women</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4efe4f3c8f566d9a6d2f302c1db35e67.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>003 - Part III</title><link>https://www.spreaker.com/episode/003-part-iii--70049810</link><description><![CDATA[Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the Peloponnesian War, this powerful work reflects on the devastating events surrounding the capture of Melos, where the Athenians brutally subjugated its people. This year was also marked by the notorious desecration of the hermai and the Athenians ill-fated second expedition to Sicily—events that likely influenced Euripides’ writing. The Trojan Women is the final act of a trilogy that also includes Alexandros, which explores the fate of the Trojan prince Paris, and Palamedes, which addresses the unjust treatment of the Greek hero Palamedes. Unlike Aeschylus connected trilogies, Euripides chose to present these stories independently at the Dionysia, where he ultimately secured second prize, overshadowed by the little-known tragedian Xenocles. The four central women in this tragic tale are the same figures who mourn Hectors death in the final book of the Iliad, adding a layer of depth to their harrowing plight. - Summary by Wikipedia (edited and enhanced by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/70049810</guid><pubDate>Fri, 13 Feb 2026 21:09:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/70049810/003_part_iii.mp3" length="9442304" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/26b813d6-24f1-4df0-a30c-7fcf6e5ad5e0/26b813d6-24f1-4df0-a30c-7fcf6e5ad5e0.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/26b813d6-24f1-4df0-a30c-7fcf6e5ad5e0/26b813d6-24f1-4df0-a30c-7fcf6e5ad5e0.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/26b813d6-24f1-4df0-a30c-7fcf6e5ad5e0/26b813d6-24f1-4df0-a30c-7fcf6e5ad5e0.vtt" type="text/vtt" language="en"/><itunes:author>Euripides</itunes:author><itunes:subtitle>Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the...</itunes:subtitle><itunes:summary><![CDATA[Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the Peloponnesian War, this powerful work reflects on the devastating events surrounding the capture of Melos, where the Athenians brutally subjugated its people. This year was also marked by the notorious desecration of the hermai and the Athenians ill-fated second expedition to Sicily—events that likely influenced Euripides’ writing. The Trojan Women is the final act of a trilogy that also includes Alexandros, which explores the fate of the Trojan prince Paris, and Palamedes, which addresses the unjust treatment of the Greek hero Palamedes. Unlike Aeschylus connected trilogies, Euripides chose to present these stories independently at the Dionysia, where he ultimately secured second prize, overshadowed by the little-known tragedian Xenocles. The four central women in this tragic tale are the same figures who mourn Hectors death in the final book of the Iliad, adding a layer of depth to their harrowing plight. - Summary by Wikipedia (edited and enhanced by Expatriate)]]></itunes:summary><itunes:duration>1181</itunes:duration><itunes:keywords>antiwar,classical,drama,euripides,greece,history,literature,tragedy,war,women</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4efe4f3c8f566d9a6d2f302c1db35e67.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>002 - Part II</title><link>https://www.spreaker.com/episode/002-part-ii--70049809</link><description><![CDATA[Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the Peloponnesian War, this powerful work reflects on the devastating events surrounding the capture of Melos, where the Athenians brutally subjugated its people. This year was also marked by the notorious desecration of the hermai and the Athenians ill-fated second expedition to Sicily—events that likely influenced Euripides’ writing. The Trojan Women is the final act of a trilogy that also includes Alexandros, which explores the fate of the Trojan prince Paris, and Palamedes, which addresses the unjust treatment of the Greek hero Palamedes. Unlike Aeschylus connected trilogies, Euripides chose to present these stories independently at the Dionysia, where he ultimately secured second prize, overshadowed by the little-known tragedian Xenocles. The four central women in this tragic tale are the same figures who mourn Hectors death in the final book of the Iliad, adding a layer of depth to their harrowing plight. - Summary by Wikipedia (edited and enhanced by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/70049809</guid><pubDate>Fri, 13 Feb 2026 21:09:09 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/70049809/002_part_ii.mp3" length="10533888" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/3c42b676-af9d-419f-b24a-de819acb43f2/3c42b676-af9d-419f-b24a-de819acb43f2.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/3c42b676-af9d-419f-b24a-de819acb43f2/3c42b676-af9d-419f-b24a-de819acb43f2.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/3c42b676-af9d-419f-b24a-de819acb43f2/3c42b676-af9d-419f-b24a-de819acb43f2.vtt" type="text/vtt" language="en"/><itunes:author>Euripides</itunes:author><itunes:subtitle>Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the...</itunes:subtitle><itunes:summary><![CDATA[Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the Peloponnesian War, this powerful work reflects on the devastating events surrounding the capture of Melos, where the Athenians brutally subjugated its people. This year was also marked by the notorious desecration of the hermai and the Athenians ill-fated second expedition to Sicily—events that likely influenced Euripides’ writing. The Trojan Women is the final act of a trilogy that also includes Alexandros, which explores the fate of the Trojan prince Paris, and Palamedes, which addresses the unjust treatment of the Greek hero Palamedes. Unlike Aeschylus connected trilogies, Euripides chose to present these stories independently at the Dionysia, where he ultimately secured second prize, overshadowed by the little-known tragedian Xenocles. The four central women in this tragic tale are the same figures who mourn Hectors death in the final book of the Iliad, adding a layer of depth to their harrowing plight. - Summary by Wikipedia (edited and enhanced by Expatriate)]]></itunes:summary><itunes:duration>1317</itunes:duration><itunes:keywords>antiwar,classical,drama,euripides,greece,history,literature,tragedy,war,women</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4efe4f3c8f566d9a6d2f302c1db35e67.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>001 - Part I</title><link>https://www.spreaker.com/episode/001-part-i--70049808</link><description><![CDATA[Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the Peloponnesian War, this powerful work reflects on the devastating events surrounding the capture of Melos, where the Athenians brutally subjugated its people. This year was also marked by the notorious desecration of the hermai and the Athenians ill-fated second expedition to Sicily—events that likely influenced Euripides’ writing. The Trojan Women is the final act of a trilogy that also includes Alexandros, which explores the fate of the Trojan prince Paris, and Palamedes, which addresses the unjust treatment of the Greek hero Palamedes. Unlike Aeschylus connected trilogies, Euripides chose to present these stories independently at the Dionysia, where he ultimately secured second prize, overshadowed by the little-known tragedian Xenocles. The four central women in this tragic tale are the same figures who mourn Hectors death in the final book of the Iliad, adding a layer of depth to their harrowing plight. - Summary by Wikipedia (edited and enhanced by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/70049808</guid><pubDate>Fri, 13 Feb 2026 21:09:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/70049808/001_part_i.mp3" length="9864704" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/7f91c07c-4dcd-43dc-9061-471a27f9f98f/7f91c07c-4dcd-43dc-9061-471a27f9f98f.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/7f91c07c-4dcd-43dc-9061-471a27f9f98f/7f91c07c-4dcd-43dc-9061-471a27f9f98f.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/7f91c07c-4dcd-43dc-9061-471a27f9f98f/7f91c07c-4dcd-43dc-9061-471a27f9f98f.vtt" type="text/vtt" language="en"/><itunes:author>Euripides</itunes:author><itunes:subtitle>Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the...</itunes:subtitle><itunes:summary><![CDATA[Regarded by modern playwright Ellen McLaughlin as perhaps the greatest antiwar play ever written, Euripides The Trojan Women, also known as Troades, is a poignant tragedy that resonates deeply even today. Written in 415 BC against the backdrop of the Peloponnesian War, this powerful work reflects on the devastating events surrounding the capture of Melos, where the Athenians brutally subjugated its people. This year was also marked by the notorious desecration of the hermai and the Athenians ill-fated second expedition to Sicily—events that likely influenced Euripides’ writing. The Trojan Women is the final act of a trilogy that also includes Alexandros, which explores the fate of the Trojan prince Paris, and Palamedes, which addresses the unjust treatment of the Greek hero Palamedes. Unlike Aeschylus connected trilogies, Euripides chose to present these stories independently at the Dionysia, where he ultimately secured second prize, overshadowed by the little-known tragedian Xenocles. The four central women in this tragic tale are the same figures who mourn Hectors death in the final book of the Iliad, adding a layer of depth to their harrowing plight. - Summary by Wikipedia (edited and enhanced by Expatriate)]]></itunes:summary><itunes:duration>1233</itunes:duration><itunes:keywords>antiwar,classical,drama,euripides,greece,history,literature,tragedy,war,women</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4efe4f3c8f566d9a6d2f302c1db35e67.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
