<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>RADIO BIG PINK</title><link>https://www.spreaker.com/podcast/radio-big-pink--6509034</link><description><![CDATA[IN THIS PODCAST YOU CAN LISTEN TO A LOT OF AMERICAN FOLK MUSIC WITH INSIGHTS]]></description><atom:link href="https://www.spreaker.com/show/6509034/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Music Commentary</category><copyright>Copyright Radio Big Pink</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fde7b7f1fc73c913547107fecc7cdada.jpg</url><title>RADIO BIG PINK</title><link>https://www.spreaker.com/podcast/radio-big-pink--6509034</link></image><lastBuildDate>Tue, 21 Apr 2026 13:15:59 +0000</lastBuildDate><itunes:author>Radio Big Pink</itunes:author><itunes:owner><itunes:name>Radio Big Pink</itunes:name><itunes:email>feeds@spreaker.com</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fde7b7f1fc73c913547107fecc7cdada.jpg"/><itunes:subtitle>IN THIS PODCAST YOU CAN LISTEN TO A LOT OF AMERICAN FOLK MUSIC WITH INSIGHTS</itunes:subtitle><itunes:summary><![CDATA[IN THIS PODCAST YOU CAN LISTEN TO A LOT OF AMERICAN FOLK MUSIC WITH INSIGHTS]]></itunes:summary><itunes:category text="Music"><itunes:category text="Music Commentary"/></itunes:category><itunes:category text="Music"><itunes:category text="Music History"/></itunes:category><itunes:category text="Music"><itunes:category text="Music Interviews"/></itunes:category><itunes:explicit>false</itunes:explicit><itunes:type>episodic</itunes:type><item><title>Sounding for Harry Smith</title><link>https://www.spreaker.com/episode/sounding-for-harry-smith--64338828</link><description><![CDATA[Sounding for Harry Smith: Early Pacific Northwest Influences is a new a book about Smith's Great Depression childhood in Anacortes, Washington.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/64338828</guid><pubDate>Wed, 12 Feb 2025 12:30:36 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64338828/sounding_for_harry_smith.mp3" length="39497926" type="audio/mpeg"/><itunes:author>Radio Big Pink</itunes:author><itunes:subtitle>Sounding for Harry Smith: Early Pacific Northwest Influences is a new a book about Smith's Great Depression childhood in Anacortes, Washington.</itunes:subtitle><itunes:summary><![CDATA[Sounding for Harry Smith: Early Pacific Northwest Influences is a new a book about Smith's Great Depression childhood in Anacortes, Washington.]]></itunes:summary><itunes:duration>2469</itunes:duration><itunes:keywords>78,bluegrass,blues,country,folk,folklore,harrysmith,lps,oldtime,popular</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7f7a874caa166fc9c59e9c535fec52a9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Casey Jones</title><link>https://www.spreaker.com/episode/casey-jones--64172574</link><description><![CDATA[Soon after the fatal train collision that killed engineer John Luther Jones (he was nicknamed “Casey” because he was from the town of “Cayce”, Kentucky) on april 30, 1900, heroic tales of his death started to be told across the South. When he was living, Jones already had a growing reputation among railroad folks for his trademark whistle (every engineer at this time could make his own whistle) and for his aptitude at being always on time. After his death, he became a real heroic figure and the song about him helped to carry his memory over the years.Like “Frankie and Albert” , the story of the Casey Jones ballad goes back and forth between the folk and popular music worlds. It originally started with Wallace Saunders, a black engine wiper who worked on a railroad shop in Canton. ]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/64172574</guid><pubDate>Mon, 03 Feb 2025 18:34:26 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64172574/casey_jones.mp3" length="29753219" type="audio/mpeg"/><itunes:author>Radio Big Pink</itunes:author><itunes:subtitle>Soon after the fatal train collision that killed engineer John Luther Jones (he was nicknamed “Casey” because he was from the town of “Cayce”, Kentucky) on april 30, 1900, heroic tales of his death started to be told across the South. When he was...</itunes:subtitle><itunes:summary><![CDATA[Soon after the fatal train collision that killed engineer John Luther Jones (he was nicknamed “Casey” because he was from the town of “Cayce”, Kentucky) on april 30, 1900, heroic tales of his death started to be told across the South. When he was living, Jones already had a growing reputation among railroad folks for his trademark whistle (every engineer at this time could make his own whistle) and for his aptitude at being always on time. After his death, he became a real heroic figure and the song about him helped to carry his memory over the years.Like “Frankie and Albert” , the story of the Casey Jones ballad goes back and forth between the folk and popular music worlds. It originally started with Wallace Saunders, a black engine wiper who worked on a railroad shop in Canton. ]]></itunes:summary><itunes:duration>1859</itunes:duration><itunes:keywords>acoustic,banjo,bluegrass,blues,country,folk,harmonica,oldtime</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/992f79688200d9908719ef31ad368626.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Farewell (Boots of Spanish Leather)</title><link>https://www.spreaker.com/episode/farewell-boots-of-spanish-leather--64172016</link><description><![CDATA[Dylan based the song on the traditional British folk ballad "<a href="https://en.wikipedia.org/wiki/Leaving_of_Liverpool" target="_blank" rel="noreferrer noopener">Leaving of Liverpool</a>". He first played it for friends in <a href="https://en.wikipedia.org/wiki/Greenwich_Village" target="_blank" rel="noreferrer noopener">Greenwich Village</a> after returning from a two-week trip to London in early January 1963. In "Leaving of Liverpool", the ballad's first verse and chorus tell the tale of someone sailing from <a href="https://en.wikipedia.org/wiki/Liverpool" target="_blank" rel="noreferrer noopener">Liverpool</a> to California, bound to miss the loved one left behind.<br />"<b>The Raggle Taggle Gypsy</b>", is a <a href="https://en.wikipedia.org/wiki/Folk_music" target="_blank" rel="noreferrer noopener">traditional folk song</a> that originated as a Scottish <a href="https://en.wikipedia.org/wiki/Border_ballad" target="_blank" rel="noreferrer noopener">border ballad</a>, and has been popular throughout Britain, Ireland and North America. It concerns a rich lady who runs off to join the <a href="https://en.wikipedia.org/wiki/Names_of_the_Romani_people#Gypsy_and_gipsy" target="_blank" rel="noreferrer noopener">gypsies</a> (or one gypsy). Common alternative names are "<b>Gypsy Davy</b>", "<b>The Raggle Taggle Gypsies O</b>", "<b>The Gypsy Laddie(s)</b>", "<b>Black Jack David</b>" (or "<b>Davy</b>") and "<b>Seven Yellow Gypsies</b>".<br />Dylan scholar <a href="https://en.wikipedia.org/wiki/Michael_Gray_(author)" target="_blank" rel="noreferrer noopener">Michael Gray</a> sees a strong parallel between this and the traditional <a href="https://en.wikipedia.org/wiki/Folk_music" target="_blank" rel="noreferrer noopener">folk</a> song "<a href="https://en.wikipedia.org/wiki/The_Gypsy_Laddie" target="_blank" rel="noreferrer noopener">Blackjack Davey</a>," which Dylan arranged and recorded for his 1992 album <i><a href="https://en.wikipedia.org/wiki/Good_as_I_Been_to_You" target="_blank" rel="noreferrer noopener">Good as I Been to You</a></i>, and in which footwear "of Spanish leather" also plays a significant role. However, comparisons are more often made between this song and the traditional ballad "<a href="https://en.wikipedia.org/wiki/Scarborough_Fair_(ballad)" target="_blank" rel="noreferrer noopener">Scarborough Fair</a>" (from which Dylan's "<a href="https://en.wikipedia.org/wiki/Girl_from_the_North_Country" target="_blank" rel="noreferrer noopener">Girl from the North Country</a>" is also drawn), both regarding melody and lyrics, as it also consists of alternating male and female narrators. Lyrically, "Boots of Spanish Leather" is unusual in that it uses the <a href="https://en.wikipedia.org/wiki/Epistolary_poem" target="_blank" rel="noreferrer noopener">epistolary</a> format. It has been described as a "restless, forlorn ballad for the ages and sages—a classic Dylan tale of two lovers, a crossroads, and the open sea".The song is written as a dialogue, with the first six stanzas alternating between the two lovers; however, the last three stanzas are given by the lover who has been left behind. Within these nine stanzas, one of the lovers—a woman—goes across the sea. She writes, asking whether her lover would like any gift and he refuses, stating that he only wants her back. Towards the end it becomes clear that she is not returning, and she finally writes saying she may never come back. Her lover comes to realize what has happened and finally gives her a material request: "Spanish boots of Spanish leather".]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/64172016</guid><pubDate>Mon, 03 Feb 2025 18:26:03 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64172016/farewell_boots_of_spanish_leather.mp3" length="29753725" type="audio/mpeg"/><itunes:author>Radio Big Pink</itunes:author><itunes:subtitle>Dylan based the song on the traditional British folk ballad "https://en.wikipedia.org/wiki/Leaving_of_Liverpool". He first played it for friends in https://en.wikipedia.org/wiki/Greenwich_Village after returning from a two-week trip to London in early...</itunes:subtitle><itunes:summary><![CDATA[Dylan based the song on the traditional British folk ballad "<a href="https://en.wikipedia.org/wiki/Leaving_of_Liverpool" target="_blank" rel="noreferrer noopener">Leaving of Liverpool</a>". He first played it for friends in <a href="https://en.wikipedia.org/wiki/Greenwich_Village" target="_blank" rel="noreferrer noopener">Greenwich Village</a> after returning from a two-week trip to London in early January 1963. In "Leaving of Liverpool", the ballad's first verse and chorus tell the tale of someone sailing from <a href="https://en.wikipedia.org/wiki/Liverpool" target="_blank" rel="noreferrer noopener">Liverpool</a> to California, bound to miss the loved one left behind.<br />"<b>The Raggle Taggle Gypsy</b>", is a <a href="https://en.wikipedia.org/wiki/Folk_music" target="_blank" rel="noreferrer noopener">traditional folk song</a> that originated as a Scottish <a href="https://en.wikipedia.org/wiki/Border_ballad" target="_blank" rel="noreferrer noopener">border ballad</a>, and has been popular throughout Britain, Ireland and North America. It concerns a rich lady who runs off to join the <a href="https://en.wikipedia.org/wiki/Names_of_the_Romani_people#Gypsy_and_gipsy" target="_blank" rel="noreferrer noopener">gypsies</a> (or one gypsy). Common alternative names are "<b>Gypsy Davy</b>", "<b>The Raggle Taggle Gypsies O</b>", "<b>The Gypsy Laddie(s)</b>", "<b>Black Jack David</b>" (or "<b>Davy</b>") and "<b>Seven Yellow Gypsies</b>".<br />Dylan scholar <a href="https://en.wikipedia.org/wiki/Michael_Gray_(author)" target="_blank" rel="noreferrer noopener">Michael Gray</a> sees a strong parallel between this and the traditional <a href="https://en.wikipedia.org/wiki/Folk_music" target="_blank" rel="noreferrer noopener">folk</a> song "<a href="https://en.wikipedia.org/wiki/The_Gypsy_Laddie" target="_blank" rel="noreferrer noopener">Blackjack Davey</a>," which Dylan arranged and recorded for his 1992 album <i><a href="https://en.wikipedia.org/wiki/Good_as_I_Been_to_You" target="_blank" rel="noreferrer noopener">Good as I Been to You</a></i>, and in which footwear "of Spanish leather" also plays a significant role. However, comparisons are more often made between this song and the traditional ballad "<a href="https://en.wikipedia.org/wiki/Scarborough_Fair_(ballad)" target="_blank" rel="noreferrer noopener">Scarborough Fair</a>" (from which Dylan's "<a href="https://en.wikipedia.org/wiki/Girl_from_the_North_Country" target="_blank" rel="noreferrer noopener">Girl from the North Country</a>" is also drawn), both regarding melody and lyrics, as it also consists of alternating male and female narrators. Lyrically, "Boots of Spanish Leather" is unusual in that it uses the <a href="https://en.wikipedia.org/wiki/Epistolary_poem" target="_blank" rel="noreferrer noopener">epistolary</a> format. It has been described as a "restless, forlorn ballad for the ages and sages—a classic Dylan tale of two lovers, a crossroads, and the open sea".The song is written as a dialogue, with the first six stanzas alternating between the two lovers; however, the last three stanzas are given by the lover who has been left behind. Within these nine stanzas, one of the lovers—a woman—goes across the sea. She writes, asking whether her lover would like any gift and he refuses, stating that he only wants her back. Towards the end it becomes clear that she is not returning, and she finally writes saying she may never come back. Her lover comes to realize what has happened and finally gives her a material request: "Spanish boots of Spanish leather".]]></itunes:summary><itunes:duration>1859</itunes:duration><itunes:keywords>acoustic,bluegrass,blues,country,folk,oldtime</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/9a6d9844f9f94d6466bd16d5909596ee.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The James Alley Blues Variations</title><link>https://www.spreaker.com/episode/the-james-alley-blues-variations--64171728</link><description><![CDATA[“James Alley” is a remarkable early Blues song that tells of the difficult relationships between two lovers]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/64171728</guid><pubDate>Mon, 03 Feb 2025 17:37:48 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64171728/the_james_alley_blues_variations.mp3" length="29750407" type="audio/mpeg"/><itunes:author>Radio Big Pink</itunes:author><itunes:subtitle>“James Alley” is a remarkable early Blues song that tells of the difficult relationships between two lovers</itunes:subtitle><itunes:summary><![CDATA[“James Alley” is a remarkable early Blues song that tells of the difficult relationships between two lovers]]></itunes:summary><itunes:duration>1859</itunes:duration><itunes:keywords>acoustic,bluegrass,blues,country,folk,oldtime,ragtime</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4fb28ba7c35ecd643d2d44d8895a4be4.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>John Henry</title><link>https://www.spreaker.com/episode/john-henry--64171535</link><description><![CDATA[<b>John Henry</b> is an American <a href="https://en.wikipedia.org/wiki/Folk_hero" target="_blank" rel="noreferrer noopener">folk hero</a>. An African American <a href="https://en.wikipedia.org/wiki/Freedman" target="_blank" rel="noreferrer noopener">freedman</a>, he is said to have worked as a "steel-driving man"—a man tasked with hammering a steel drill into a rock to make holes for explosives to blast the rock in constructing a railroad tunnel.The story of John Henry is told in a classic blues folk song about his duel against a drilling machine, which exists in many versions, and has been the subject of numerous stories, plays, books, and novels.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/64171535</guid><pubDate>Mon, 03 Feb 2025 17:26:43 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64171535/john_henry.mp3" length="29752057" type="audio/mpeg"/><itunes:author>Radio Big Pink</itunes:author><itunes:subtitle>John Henry is an American https://en.wikipedia.org/wiki/Folk_hero. An African American https://en.wikipedia.org/wiki/Freedman, he is said to have worked as a "steel-driving man"—a man tasked with hammering a steel drill into a rock to make holes for...</itunes:subtitle><itunes:summary><![CDATA[<b>John Henry</b> is an American <a href="https://en.wikipedia.org/wiki/Folk_hero" target="_blank" rel="noreferrer noopener">folk hero</a>. An African American <a href="https://en.wikipedia.org/wiki/Freedman" target="_blank" rel="noreferrer noopener">freedman</a>, he is said to have worked as a "steel-driving man"—a man tasked with hammering a steel drill into a rock to make holes for explosives to blast the rock in constructing a railroad tunnel.The story of John Henry is told in a classic blues folk song about his duel against a drilling machine, which exists in many versions, and has been the subject of numerous stories, plays, books, and novels.]]></itunes:summary><itunes:duration>1859</itunes:duration><itunes:keywords>acoustic,banjo,bluegrass,blues,folk,oldtime</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12d6f1bc8e47a1354ae2e7522158a025.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Public Domain - Folk Songs from Martin &amp; Nino</title><link>https://www.spreaker.com/episode/public-domain-folk-songs-from-martin-nino--64171448</link><description><![CDATA[<b><i>1 - That Crazy War</i></b><br /><b><i>2 - I was born 10000 years ago</i></b><br /><b><i>3 - Soldier's Joy</i></b><br /><b><i>4 - The Fox</i></b><br /><b><i>5 - Gipsy Davey</i></b><br /><b><i>6 - Tennessee Stud</i></b><br /><b><i>7 - Dink's Song</i></b><br /><b><i>8 - I had a little rooster</i></b><br /><b><i>9 - Blackwater Blues</i></b><br /><b><i>10- Barbara Allen</i></b><br /><b><i>11- Risin' Sun Blues</i></b><br /><b><i>12- Transportation</i></b><br /><b><i>13- Hard Times Come Again No More</i></b><br /><b><i>14- The Water is Wide</i></b><br /><b><i>15- Sailor on the deep blue sea</i></b><br /><b><i>16- Walkin' Boss</i></b><br /><b><i>17- I wish was a mole in the ground</i></b><br /><b><i>18- Tom Cat Blues</i></b><br /><b><i>19- Willie the poor boy</i></b><br /><b><i>20- Blind Fiddler</i></b>]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/64171448</guid><pubDate>Mon, 03 Feb 2025 17:08:58 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64171448/mixcloud_30_01_25_n_1.mp3" length="67100787" type="audio/mpeg"/><itunes:author>Radio Big Pink</itunes:author><itunes:subtitle>1 - That Crazy War
2 - I was born 10000 years ago
3 - Soldier's Joy
4 - The Fox
5 - Gipsy Davey
6 - Tennessee Stud
7 - Dink's Song
8 - I had a little rooster
9 - Blackwater Blues
10- Barbara Allen
11- Risin' Sun Blues
12- Transportation
13- Hard Times...</itunes:subtitle><itunes:summary><![CDATA[<b><i>1 - That Crazy War</i></b><br /><b><i>2 - I was born 10000 years ago</i></b><br /><b><i>3 - Soldier's Joy</i></b><br /><b><i>4 - The Fox</i></b><br /><b><i>5 - Gipsy Davey</i></b><br /><b><i>6 - Tennessee Stud</i></b><br /><b><i>7 - Dink's Song</i></b><br /><b><i>8 - I had a little rooster</i></b><br /><b><i>9 - Blackwater Blues</i></b><br /><b><i>10- Barbara Allen</i></b><br /><b><i>11- Risin' Sun Blues</i></b><br /><b><i>12- Transportation</i></b><br /><b><i>13- Hard Times Come Again No More</i></b><br /><b><i>14- The Water is Wide</i></b><br /><b><i>15- Sailor on the deep blue sea</i></b><br /><b><i>16- Walkin' Boss</i></b><br /><b><i>17- I wish was a mole in the ground</i></b><br /><b><i>18- Tom Cat Blues</i></b><br /><b><i>19- Willie the poor boy</i></b><br /><b><i>20- Blind Fiddler</i></b>]]></itunes:summary><itunes:duration>4194</itunes:duration><itunes:keywords>acoustic,banjo,blues,country,folk,live,oldtime</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/edd8ab1a3ca1da40f472d05124b85f6d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Minglewood Blues Variations</title><link>https://www.spreaker.com/episode/the-minglewood-blues-variations--64171298</link><description><![CDATA[<b>His jug was an empty can of kerosine and the other members of his trio were Ashley Thompson (guitar) and author Noah Lewis (harmonica), Minglewood is a corruption of Noah's birthplace Mengelwood near Dyersburg, TN. There's always been a huge levee camp there, big enough for itinerant musicians to earn a few bucks, especially with a song about the place. The Jug Stompers were the oldest jug band from Memphis, older than the Memphis Jug Band. Gus Cannon was 44 when he cut this (See also: Walk Right In and Prison Wall Blues).</b>]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/64171298</guid><pubDate>Mon, 03 Feb 2025 16:54:15 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64171298/the_minglewood_blues_variations.mp3" length="29753836" type="audio/mpeg"/><itunes:author>Radio Big Pink</itunes:author><itunes:subtitle>His jug was an empty can of kerosine and the other members of his trio were Ashley Thompson (guitar) and author Noah Lewis (harmonica), Minglewood is a corruption of Noah's birthplace Mengelwood near Dyersburg, TN. There's always been a huge levee...</itunes:subtitle><itunes:summary><![CDATA[<b>His jug was an empty can of kerosine and the other members of his trio were Ashley Thompson (guitar) and author Noah Lewis (harmonica), Minglewood is a corruption of Noah's birthplace Mengelwood near Dyersburg, TN. There's always been a huge levee camp there, big enough for itinerant musicians to earn a few bucks, especially with a song about the place. The Jug Stompers were the oldest jug band from Memphis, older than the Memphis Jug Band. Gus Cannon was 44 when he cut this (See also: Walk Right In and Prison Wall Blues).</b>]]></itunes:summary><itunes:duration>1859</itunes:duration><itunes:keywords>acoustic,bluegrass,blues,country,folk,oldtime,ragtime</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7897bb2553e96acb0f7c9e7177430f39.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Sugar Baby / Red Rocking Chair Variations</title><link>https://www.spreaker.com/episode/the-sugar-baby-red-rocking-chair-variations--64171163</link><description><![CDATA[The lament of a henpecked man. He plans to send his wife back to her mother "next payday".<br />Opening line - "Got no sugar baby now, I got no honey baby now..."<br />Chorus - "Who'll rock the cradle, who'll sing the song, when I'm gone?".<br />]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/64171163</guid><pubDate>Mon, 03 Feb 2025 16:51:52 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64171163/the_sugar_baby_red_rocking_chair_variations.mp3" length="29752255" type="audio/mpeg"/><itunes:author>Radio Big Pink</itunes:author><itunes:subtitle>The lament of a henpecked man. He plans to send his wife back to her mother "next payday".
Opening line - "Got no sugar baby now, I got no honey baby now..."
Chorus - "Who'll rock the cradle, who'll sing the song, when I'm gone?".</itunes:subtitle><itunes:summary><![CDATA[The lament of a henpecked man. He plans to send his wife back to her mother "next payday".<br />Opening line - "Got no sugar baby now, I got no honey baby now..."<br />Chorus - "Who'll rock the cradle, who'll sing the song, when I'm gone?".<br />]]></itunes:summary><itunes:duration>1859</itunes:duration><itunes:keywords>acoustic,bluegrass,blues,country,folk,harrysmith,oldtime</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/70982a7c1c36c678d5c22c993bf491c2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Excerpts  from interviews with Dock Boggs 3 di 3</title><link>https://www.spreaker.com/episode/excerpts-from-interviews-with-dock-boggs-3-di-3--64171139</link><description><![CDATA[the complete transcript of the interview is in this link:<br /><a href="https://www.angelfire.com/folk/longtimecoming/dockboggs/interview_excerpts.html?fbclid=IwZXh0bgNhZW0CMTAAAR1db_sngKzdr7H9QwJXS3JODXK7einn0z_D8FAzCUwSvdAMPSym_LFf_0w_aem_DM5A0CzO0GRpTVhftJrxxA" target="_blank" rel="noreferrer noopener">https://www.angelfire.com/.../doc.../interview_excerpts.html</a><br /><br />Mike Seeger interviews Dock Boggs, a Virginia coal miner, banjo player and singer of old-time Appalachian mountain music and blues. Boggs once garnered a record deal with Brunswick to record 24 tracks, but he only completed eight before quitting and returning to Virginia during the 1920s. He was all but forgotten as an artist until Seeger rediscovered him in the 1960s.<br /><br />]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/64171139</guid><pubDate>Mon, 03 Feb 2025 16:48:53 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64171139/excerpts_from_interviews_with_dock_boggs_3_3.mp3" length="29760321" type="audio/mpeg"/><itunes:author>Radio Big Pink</itunes:author><itunes:subtitle>the complete transcript of the interview is in this link:
https://www.angelfire.com/folk/longtimecoming/dockboggs/interview_excerpts.html?fbclid=IwZXh0bgNhZW0CMTAAAR1db_sngKzdr7H9QwJXS3JODXK7einn0z_D8FAzCUwSvdAMPSym_LFf_0w_aem_DM5A0CzO0GRpTVhftJrxxA...</itunes:subtitle><itunes:summary><![CDATA[the complete transcript of the interview is in this link:<br /><a href="https://www.angelfire.com/folk/longtimecoming/dockboggs/interview_excerpts.html?fbclid=IwZXh0bgNhZW0CMTAAAR1db_sngKzdr7H9QwJXS3JODXK7einn0z_D8FAzCUwSvdAMPSym_LFf_0w_aem_DM5A0CzO0GRpTVhftJrxxA" target="_blank" rel="noreferrer noopener">https://www.angelfire.com/.../doc.../interview_excerpts.html</a><br /><br />Mike Seeger interviews Dock Boggs, a Virginia coal miner, banjo player and singer of old-time Appalachian mountain music and blues. Boggs once garnered a record deal with Brunswick to record 24 tracks, but he only completed eight before quitting and returning to Virginia during the 1920s. He was all but forgotten as an artist until Seeger rediscovered him in the 1960s.<br /><br />]]></itunes:summary><itunes:duration>1859</itunes:duration><itunes:keywords>acoustic,blues,country,dockboggs,folk,seeger</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fde7b7f1fc73c913547107fecc7cdada.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Excerpts  from interviews with Dock Boggs 2 di 3</title><link>https://www.spreaker.com/episode/excerpts-from-interviews-with-dock-boggs-2-di-3--64171103</link><description><![CDATA[the complete transcript of the interview is in this link:<br /><a href="https://www.angelfire.com/folk/longtimecoming/dockboggs/interview_excerpts.html?fbclid=IwZXh0bgNhZW0CMTAAAR1db_sngKzdr7H9QwJXS3JODXK7einn0z_D8FAzCUwSvdAMPSym_LFf_0w_aem_DM5A0CzO0GRpTVhftJrxxA" target="_blank" rel="noreferrer noopener">https://www.angelfire.com/.../doc.../interview_excerpts.html</a><br /><br />Mike Seeger interviews Dock Boggs, a Virginia coal miner, banjo player and singer of old-time Appalachian mountain music and blues. Boggs once garnered a record deal with Brunswick to record 24 tracks, but he only completed eight before quitting and returning to Virginia during the 1920s. He was all but forgotten as an artist until Seeger rediscovered him in the 1960s.<br /><br />]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/64171103</guid><pubDate>Mon, 03 Feb 2025 16:46:10 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64171103/excerpts_from_interviews_with_dock_boggs_2_3.mp3" length="29760330" type="audio/mpeg"/><itunes:author>Radio Big Pink</itunes:author><itunes:subtitle>the complete transcript of the interview is in this link:
https://www.angelfire.com/folk/longtimecoming/dockboggs/interview_excerpts.html?fbclid=IwZXh0bgNhZW0CMTAAAR1db_sngKzdr7H9QwJXS3JODXK7einn0z_D8FAzCUwSvdAMPSym_LFf_0w_aem_DM5A0CzO0GRpTVhftJrxxA...</itunes:subtitle><itunes:summary><![CDATA[the complete transcript of the interview is in this link:<br /><a href="https://www.angelfire.com/folk/longtimecoming/dockboggs/interview_excerpts.html?fbclid=IwZXh0bgNhZW0CMTAAAR1db_sngKzdr7H9QwJXS3JODXK7einn0z_D8FAzCUwSvdAMPSym_LFf_0w_aem_DM5A0CzO0GRpTVhftJrxxA" target="_blank" rel="noreferrer noopener">https://www.angelfire.com/.../doc.../interview_excerpts.html</a><br /><br />Mike Seeger interviews Dock Boggs, a Virginia coal miner, banjo player and singer of old-time Appalachian mountain music and blues. Boggs once garnered a record deal with Brunswick to record 24 tracks, but he only completed eight before quitting and returning to Virginia during the 1920s. He was all but forgotten as an artist until Seeger rediscovered him in the 1960s.<br /><br />]]></itunes:summary><itunes:duration>1859</itunes:duration><itunes:keywords>banjo,blues,country,dockboggs,folk,mikeseeger,music,seeger</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fde7b7f1fc73c913547107fecc7cdada.jpg"/><itunes:episode>2</itunes:episode><itunes:episodeType>full</itunes:episodeType></item><item><title>Excerpts  from interviews with Dock Boggs 1 di 3</title><link>https://www.spreaker.com/episode/excerpts-from-interviews-with-dock-boggs-1-di-3--64171055</link><description><![CDATA[the complete transcript of the interview is in this link:<br /><a href="https://www.angelfire.com/folk/longtimecoming/dockboggs/interview_excerpts.html?fbclid=IwZXh0bgNhZW0CMTAAAR1db_sngKzdr7H9QwJXS3JODXK7einn0z_D8FAzCUwSvdAMPSym_LFf_0w_aem_DM5A0CzO0GRpTVhftJrxxA" target="_blank" rel="noreferrer noopener">https://www.angelfire.com/.../doc.../interview_excerpts.html</a><br /><br />Mike Seeger interviews Dock Boggs, a Virginia coal miner, banjo player and singer of old-time Appalachian mountain music and blues. Boggs once garnered a record deal with Brunswick to record 24 tracks, but he only completed eight before quitting and returning to Virginia during the 1920s. He was all but forgotten as an artist until Seeger rediscovered him in the 1960s.<br /><br />]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/64171055</guid><pubDate>Mon, 03 Feb 2025 16:41:57 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64171055/excerpts_from_interviews_with_dock_boggs_1_3.mp3" length="29762002" type="audio/mpeg"/><itunes:author>Radio Big Pink</itunes:author><itunes:subtitle>the complete transcript of the interview is in this link:
https://www.angelfire.com/folk/longtimecoming/dockboggs/interview_excerpts.html?fbclid=IwZXh0bgNhZW0CMTAAAR1db_sngKzdr7H9QwJXS3JODXK7einn0z_D8FAzCUwSvdAMPSym_LFf_0w_aem_DM5A0CzO0GRpTVhftJrxxA...</itunes:subtitle><itunes:summary><![CDATA[the complete transcript of the interview is in this link:<br /><a href="https://www.angelfire.com/folk/longtimecoming/dockboggs/interview_excerpts.html?fbclid=IwZXh0bgNhZW0CMTAAAR1db_sngKzdr7H9QwJXS3JODXK7einn0z_D8FAzCUwSvdAMPSym_LFf_0w_aem_DM5A0CzO0GRpTVhftJrxxA" target="_blank" rel="noreferrer noopener">https://www.angelfire.com/.../doc.../interview_excerpts.html</a><br /><br />Mike Seeger interviews Dock Boggs, a Virginia coal miner, banjo player and singer of old-time Appalachian mountain music and blues. Boggs once garnered a record deal with Brunswick to record 24 tracks, but he only completed eight before quitting and returning to Virginia during the 1920s. He was all but forgotten as an artist until Seeger rediscovered him in the 1960s.<br /><br />]]></itunes:summary><itunes:duration>1859</itunes:duration><itunes:keywords>banjo,blues,dockboggs,folk,mike,mikeseeger,music,oldtime,seeger</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fde7b7f1fc73c913547107fecc7cdada.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
