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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Rigor Mortis Radio Show</title><link>https://www.spreaker.com/podcast/rigor-mortis-radio-show--6464367</link><description><![CDATA[Much of the humour of the show springs from the characters' varying views on <a href="https://en.wikipedia.org/wiki/Death" target="_blank" rel="noreferrer noopener">death</a> and their contrasting beliefs about the relative importance of their work. The show often derives humour from the fact that the characters are not primarily <a href="https://en.wikipedia.org/wiki/Forensic_pathology" target="_blank" rel="noreferrer noopener">forensic pathologists</a>. Davison's character, Anthony Webster, is frequently at pains to explain that he is a <a href="https://en.wikipedia.org/wiki/Histopathology" target="_blank" rel="noreferrer noopener">histopathologist</a>, for example. Their case load therefore infrequently verges into the more "exciting" area of <a href="https://en.wikipedia.org/wiki/Murder" target="_blank" rel="noreferrer noopener">crime-related death</a>. Nevertheless, one of the <a href="https://en.wikipedia.org/wiki/Running_gags" target="_blank" rel="noreferrer noopener">running gags</a> of the programme was that the character originally played by Tracy-Ann Oberman (and in later series by Matilda Ziegler), the <a href="https://en.wikipedia.org/wiki/Anatomical_pathology" target="_blank" rel="noreferrer noopener">anatomical pathologist</a> Ruth Anderson, was secondarily credentialled as a forensic pathologist, but had so rarely used these skills that her deductive reasoning skills were faulty.Two other major themes can be seen throughout the history of the programme.<br /><br />One is the desire, especially on the part of Donaldson and Webster, to educate the public about pathology. Various schemes, notably including the first <i>radio</i> broadcast of an autopsy, are hatched to accomplish this goal. Another predominant theme is the effect of a <a href="https://en.wikipedia.org/wiki/Career" target="_blank" rel="noreferrer noopener">career</a> in pathology on the <a href="https://en.wikipedia.org/wiki/Personal_life" target="_blank" rel="noreferrer noopener">personal lives</a> of its practitioners. This is especially evident in Series 3 where every character has at least one subplot revolving around the issue. Chief among these is the series-long arc in which Ruth and Anthony try to <a href="https://en.wikipedia.org/wiki/Artificial_insemination" target="_blank" rel="noreferrer noopener">conceive a child non-sexually</a> — he because his relationship with his naturally-conceived daughter has fallen into ruin, and she because of an inability to sustain a meaningful romantic relationship with a man.]]></description><atom:link href="https://www.spreaker.com/show/6464367/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>History</category><copyright>Copyright Radio Shows of the Past!</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3c5368d8dace2cb6a299b7e7b75c28cf.jpg</url><title>Rigor Mortis Radio Show</title><link>https://www.spreaker.com/podcast/rigor-mortis-radio-show--6464367</link></image><lastBuildDate>Mon, 30 Dec 2024 11:34:23 +0000</lastBuildDate><itunes:author>Radio Shows of the Past!</itunes:author><itunes:owner><itunes:name>Radio Shows of the Past!</itunes:name><itunes:email>feeds@spreaker.com</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3c5368d8dace2cb6a299b7e7b75c28cf.jpg"/><itunes:subtitle>Much of the humour of the show springs from the characters' varying views on https://en.wikipedia.org/wiki/Death and their contrasting beliefs about the relative importance of their work. The show often derives humour from the fact that the characters...</itunes:subtitle><itunes:summary><![CDATA[Much of the humour of the show springs from the characters' varying views on <a href="https://en.wikipedia.org/wiki/Death" target="_blank" rel="noreferrer noopener">death</a> and their contrasting beliefs about the relative importance of their work. The show often derives humour from the fact that the characters are not primarily <a href="https://en.wikipedia.org/wiki/Forensic_pathology" target="_blank" rel="noreferrer noopener">forensic pathologists</a>. Davison's character, Anthony Webster, is frequently at pains to explain that he is a <a href="https://en.wikipedia.org/wiki/Histopathology" target="_blank" rel="noreferrer noopener">histopathologist</a>, for example. Their case load therefore infrequently verges into the more "exciting" area of <a href="https://en.wikipedia.org/wiki/Murder" target="_blank" rel="noreferrer noopener">crime-related death</a>. Nevertheless, one of the <a href="https://en.wikipedia.org/wiki/Running_gags" target="_blank" rel="noreferrer noopener">running gags</a> of the programme was that the character originally played by Tracy-Ann Oberman (and in later series by Matilda Ziegler), the <a href="https://en.wikipedia.org/wiki/Anatomical_pathology" target="_blank" rel="noreferrer noopener">anatomical pathologist</a> Ruth Anderson, was secondarily credentialled as a forensic pathologist, but had so rarely used these skills that her deductive reasoning skills were faulty.Two other major themes can be seen throughout the history of the programme.<br /><br />One is the desire, especially on the part of Donaldson and Webster, to educate the public about pathology. Various schemes, notably including the first <i>radio</i> broadcast of an autopsy, are hatched to accomplish this goal. Another predominant theme is the effect of a <a href="https://en.wikipedia.org/wiki/Career" target="_blank" rel="noreferrer noopener">career</a> in pathology on the <a href="https://en.wikipedia.org/wiki/Personal_life" target="_blank" rel="noreferrer noopener">personal lives</a> of its practitioners. This is especially evident in Series 3 where every character has at least one subplot revolving around the issue. Chief among these is the series-long arc in which Ruth and Anthony try to <a href="https://en.wikipedia.org/wiki/Artificial_insemination" target="_blank" rel="noreferrer noopener">conceive a child non-sexually</a> — he because his relationship with his naturally-conceived daughter has fallen into ruin, and she because of an inability to sustain a meaningful romantic relationship with a man.]]></itunes:summary><itunes:category text="History"/><itunes:category text="TV &amp; Film"/><itunes:category text="TV &amp; Film"><itunes:category text="Film History"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>8a746216-20f7-56cf-be6a-32caf8fa1293</podcast:guid><itunes:type>episodic</itunes:type><item><title>102</title><link>https://www.spreaker.com/episode/102--63507236</link><guid isPermaLink="false">https://api.spreaker.com/episode/63507236</guid><pubDate>Sun, 29 Dec 2024 23:17:17 +0000</pubDate><enclosure 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