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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>The Super 70 Podcast</title><link>https://www.spreaker.com/podcast/the-super-70-podcast--6463438</link><description><![CDATA[The Super 70 Podcast is a commentary you play along with the film for scene by scene analysis, or you can just listen in your car. Dylan Davis is the author of "FLYNN!", Dating Virginia, Buffalo Seine, and Threshold. He is a reader, listener, and appreciator of culture. Find him at www.thatdylandavis.com and on Twitter @thatdylandavis #super70podcast]]></description><atom:link href="https://www.spreaker.com/show/6463438/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>TV &amp; Film</category><copyright>Copyright Dylan Davis</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3d0bbb4641b6eb4134f7717319738490.jpg</url><title>The Super 70 Podcast</title><link>https://www.spreaker.com/podcast/the-super-70-podcast--6463438</link></image><lastBuildDate>Mon, 20 Jul 2026 03:33:24 +0000</lastBuildDate><itunes:author>Dylan Davis</itunes:author><itunes:owner><itunes:name>Dylan Davis</itunes:name><itunes:email>feeds@spreaker.com</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3d0bbb4641b6eb4134f7717319738490.jpg"/><itunes:subtitle>The Super 70 Podcast is a commentary you play along with the film for scene by scene analysis, or you can just listen in your car. Dylan Davis is the author of "FLYNN!", Dating Virginia, Buffalo Seine, and Threshold. He is a reader, listener, and...</itunes:subtitle><itunes:summary><![CDATA[The Super 70 Podcast is a commentary you play along with the film for scene by scene analysis, or you can just listen in your car. Dylan Davis is the author of "FLYNN!", Dating Virginia, Buffalo Seine, and Threshold. He is a reader, listener, and appreciator of culture. Find him at www.thatdylandavis.com and on Twitter @thatdylandavis #super70podcast]]></itunes:summary><itunes:category text="TV &amp; Film"/><itunes:explicit>true</itunes:explicit><itunes:type>episodic</itunes:type><item><title>39.2 One Conversation After Another</title><link>https://www.spreaker.com/episode/39-2-one-conversation-after-another--73063062</link><description><![CDATA[Dave Anderson and I had three or four conversations about Paul Thomas Anderson’s One Battle After Another which took the cinemas by storm last fall and the awards season this spring. One Battle After Another was a juggernaut. It garnered 506 nominations this year, it won 287 awards including Oscars for Andy Jurgesen for Film editing, Cassandra Kulukundis for Best Casting which was the first time they handed out that award, Sean Penn for Best Supporting Actor, and Paul Thomas Anderson picked up three for Best Adapted Screenplay from Thomas Pynchon’s novel, Best Director and he was with Adam Somner and Sara Murphy one of the Producers for Best Picture. It raked in over two hundred million dollars at the box office on a budget of seventy two million, it was shot on Vista Vision lenses using celluloid safety film and was almost three hours long. Dave and I meant for this to drop the weekend of the Oscars, but to be honest it was a nightmare to edit. Dave and I did this over zoom when we were not at our best. We needed more coffee at times, less alcohol at other times, and condensing the almost seven hours of audio down to a podcast that is ten minutes longer than the film literally took me six months to do in my spare time. Again, I thank you for being patient.    Dave and I focus on the production value of the film, the shockingly good attention to detail in casting, directing, cinematography, and performances. We then grope around the flaws of the movie, what must have been the difficulty in adapting Pynchon’s novel about 60’s radicals resurfacing in the 80’s like in Sidney Lumet’s Running on Empty (1988). In somewhat of a break from previous episodes, we touch around the edges of the politics of the film and how some of them are extremely relevant to our times and others... well... not so much. One Battle After Another is an astounding film, and whether you think it succeeds or not, everyone in America should see it.    Thank you so much for listening to the Super 70 Podcast and for unsubscribing while I was gone.    The Super 70 Podcast is available wherever you find podcasts. You can find me, my books, and my blog at www.thatdylandavis.com. I am @thatdylandavis on Threads, Letterbxed, and BluSky. All music on the Super 70 is written and performed by Rozalind MacPhail and you can find her on Soundcloud, iTunes, and YouTube.    For those of you who think One Battle After Another has no basis in reality, please take a look at this Reuters article about a member of the Baader_Meinhof Gang who was recently arrested in Germany after being on the run for forty years.    https://www.reuters.com/world/long-sought-red-army-faction-suspect-charged-germany-1990s-attacks-2026-03-27/]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2364134831</guid><pubDate>Mon, 20 Jul 2026 02:05:10 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/73063062/2364134831_user_766286154_39_2_one_conversation_after.mp3" length="86327926" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/4238cf73-f057-460c-b152-c9d15681e2e7/4238cf73-f057-460c-b152-c9d15681e2e7.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/4238cf73-f057-460c-b152-c9d15681e2e7/4238cf73-f057-460c-b152-c9d15681e2e7.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/4238cf73-f057-460c-b152-c9d15681e2e7/4238cf73-f057-460c-b152-c9d15681e2e7.vtt" type="text/vtt" language="en"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Dave Anderson and I had three or four conversations about Paul Thomas Anderson’s One Battle After Another which took the cinemas by storm last fall and the awards season this spring. One Battle After Another was a juggernaut. It garnered 506...</itunes:subtitle><itunes:summary><![CDATA[Dave Anderson and I had three or four conversations about Paul Thomas Anderson’s One Battle After Another which took the cinemas by storm last fall and the awards season this spring. One Battle After Another was a juggernaut. It garnered 506 nominations this year, it won 287 awards including Oscars for Andy Jurgesen for Film editing, Cassandra Kulukundis for Best Casting which was the first time they handed out that award, Sean Penn for Best Supporting Actor, and Paul Thomas Anderson picked up three for Best Adapted Screenplay from Thomas Pynchon’s novel, Best Director and he was with Adam Somner and Sara Murphy one of the Producers for Best Picture. It raked in over two hundred million dollars at the box office on a budget of seventy two million, it was shot on Vista Vision lenses using celluloid safety film and was almost three hours long. Dave and I meant for this to drop the weekend of the Oscars, but to be honest it was a nightmare to edit. Dave and I did this over zoom when we were not at our best. We needed more coffee at times, less alcohol at other times, and condensing the almost seven hours of audio down to a podcast that is ten minutes longer than the film literally took me six months to do in my spare time. Again, I thank you for being patient.    Dave and I focus on the production value of the film, the shockingly good attention to detail in casting, directing, cinematography, and performances. We then grope around the flaws of the movie, what must have been the difficulty in adapting Pynchon’s novel about 60’s radicals resurfacing in the 80’s like in Sidney Lumet’s Running on Empty (1988). In somewhat of a break from previous episodes, we touch around the edges of the politics of the film and how some of them are extremely relevant to our times and others... well... not so much. One Battle After Another is an astounding film, and whether you think it succeeds or not, everyone in America should see it.    Thank you so much for listening to the Super 70 Podcast and for unsubscribing while I was gone.    The Super 70 Podcast is available wherever you find podcasts. You can find me, my books, and my blog at www.thatdylandavis.com. I am @thatdylandavis on Threads, Letterbxed, and BluSky. All music on the Super 70 is written and performed by Rozalind MacPhail and you can find her on Soundcloud, iTunes, and YouTube.    For those of you who think One Battle After Another has no basis in reality, please take a look at this Reuters article about a member of the Baader_Meinhof Gang who was recently arrested in Germany after being on the run for forty years.    https://www.reuters.com/world/long-sought-red-army-faction-suspect-charged-germany-1990s-attacks-2026-03-27/]]></itunes:summary><itunes:duration>10791</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3d0bbb4641b6eb4134f7717319738490.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>39.1 Our 4K Projections</title><link>https://www.spreaker.com/episode/39-1-our-4k-projections--69391114</link><description><![CDATA[Dave A and I have not zoomed in a while. I reminisce about watching Turner Classic movies during a hospital visit. We ramble on about Badlands, Dogma, and One Battle After Another. After we’ve had our coffee, we take on Netflix and Reifenstahl’s Berg films. If it seems all over the place, that’s because it is. Also, we discuss my new 4K laser projector for my Kino Room. There was a lot of editing done on this, so I urge the listener to up that play speed to point five.      Thanks for staying while Dave and I discussed everything under the sun. You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find RozilandMacPhail on Soundcloud and Facebook.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2245587119</guid><pubDate>Sun, 11 Jan 2026 16:02:42 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/69391114/2245587119_user_766286154_39_1_our_4k_projections.mp3" length="38975448" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Dave A and I have not zoomed in a while. I reminisce about watching Turner Classic movies during a hospital visit. We ramble on about Badlands, Dogma, and One Battle After Another. After we’ve had our coffee, we take on Netflix and Reifenstahl’s Berg...</itunes:subtitle><itunes:summary><![CDATA[Dave A and I have not zoomed in a while. I reminisce about watching Turner Classic movies during a hospital visit. We ramble on about Badlands, Dogma, and One Battle After Another. After we’ve had our coffee, we take on Netflix and Reifenstahl’s Berg films. If it seems all over the place, that’s because it is. Also, we discuss my new 4K laser projector for my Kino Room. There was a lot of editing done on this, so I urge the listener to up that play speed to point five.      Thanks for staying while Dave and I discussed everything under the sun. You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find RozilandMacPhail on Soundcloud and Facebook.]]></itunes:summary><itunes:duration>4872</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3d9fe3494934ceebcc45af4eaedab41c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>39 Ms. .45 (1981)</title><link>https://www.spreaker.com/episode/39-ms-45-1981--68584366</link><description><![CDATA[Abel Ferrara shocked the exploitation world with his feminist statement Ms. .45 (1981). Starring the incomparable Zoe Lund as a mute, submissive fashion designer in New York City, Ms. .45 exposes the everyday experience of women as a slugfest of misogyny and non-stop harassment. Lund’s role as Thana is critical in understanding the female experience, and why when she’s had enough, she’s ready to give something back to the male world that dominated her.    The Super 70 Podcast is available wherever you find podcasts. You can find me, my books, and my blog at www.thatdylandavis.com. I am @thatdylandavis on Threads, Letterbxed, and BluSky. All music on the Super 70 is written and performed by Rozalind MacPhail and you can find her on Soundcloud, iTunes, and YouTube.    An early cut of Ms. .45 with bad sound is currently on YouTube here:   https://www.youtube.com/watch?v=H1aSl8UhGTY&amp;t=1177s   The Arrow UK has a brilliant edition here that is worth it for us fans:   https://www.arrowfilms.com/p/ms-45-limited-edition-4k-uhd/17194059/?variation=17194059]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2213244932</guid><pubDate>Sat, 15 Nov 2025 21:15:14 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/68584366/2213244932_user_766286154_39_ms_45_1981.mp3" length="41828646" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Abel Ferrara shocked the exploitation world with his feminist statement Ms. .45 (1981). Starring the incomparable Zoe Lund as a mute, submissive fashion designer in New York City, Ms. .45 exposes the everyday experience of women as a slugfest of...</itunes:subtitle><itunes:summary><![CDATA[Abel Ferrara shocked the exploitation world with his feminist statement Ms. .45 (1981). Starring the incomparable Zoe Lund as a mute, submissive fashion designer in New York City, Ms. .45 exposes the everyday experience of women as a slugfest of misogyny and non-stop harassment. Lund’s role as Thana is critical in understanding the female experience, and why when she’s had enough, she’s ready to give something back to the male world that dominated her.    The Super 70 Podcast is available wherever you find podcasts. You can find me, my books, and my blog at www.thatdylandavis.com. I am @thatdylandavis on Threads, Letterbxed, and BluSky. All music on the Super 70 is written and performed by Rozalind MacPhail and you can find her on Soundcloud, iTunes, and YouTube.    An early cut of Ms. .45 with bad sound is currently on YouTube here:   https://www.youtube.com/watch?v=H1aSl8UhGTY&amp;t=1177s   The Arrow UK has a brilliant edition here that is worth it for us fans:   https://www.arrowfilms.com/p/ms-45-limited-edition-4k-uhd/17194059/?variation=17194059]]></itunes:summary><itunes:duration>5229</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7b40a1f016b7ffb646fb2da27d2ed2ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38.11 The Best Needle Drops</title><link>https://www.spreaker.com/episode/38-11-the-best-needle-drops--68374348</link><description><![CDATA[We try to keep the Tarantino and Scorsese mentions at a minimum in this episode.    The Super 70 Podcast is wherever you find podcasts. You can find me, my books, and my blog at www.thatdylandavis.com. I am @thatdylandavis on Letterbxd, Threads, and Blusky. You can find Rozalind MacPhail’s music on Soundcloud and iTunes.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2203830811</guid><pubDate>Sat, 01 Nov 2025 03:24:22 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/68374348/2203830811_user_766286154_38_11_the_best_needle_drops.mp3" length="42375546" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>We try to keep the Tarantino and Scorsese mentions at a minimum in this episode.    The Super 70 Podcast is wherever you find podcasts. You can find me, my books, and my blog at www.thatdylandavis.com. I am @thatdylandavis on Letterbxd, Threads, and...</itunes:subtitle><itunes:summary><![CDATA[We try to keep the Tarantino and Scorsese mentions at a minimum in this episode.    The Super 70 Podcast is wherever you find podcasts. You can find me, my books, and my blog at www.thatdylandavis.com. I am @thatdylandavis on Letterbxd, Threads, and Blusky. You can find Rozalind MacPhail’s music on Soundcloud and iTunes.]]></itunes:summary><itunes:duration>5297</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/72791d24338d6b45da06c864a78abaa1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38.10 the Redfordcast</title><link>https://www.spreaker.com/episode/38-10-the-redfordcast--68110287</link><description><![CDATA[What else can you say but that the man was great. He was great with Jane Fonda. He was great with Faye Dunaway. He was great with Debra Winger and Demi Moore. He was even great with guys like Sidney Poitier and of course his long friendship with Paul Newman. Dave bowed out this time, but Luke showed up to do a back-to-back recordings and this is our tribute to a great actor whom we will miss on the silver screen.     Thanks for hanging out with Luke and I while we yapped about Robert Redford. You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and Blusky. You can find RozilandMacPhail on Soundcloud and Facebook.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2188656651</guid><pubDate>Sun, 12 Oct 2025 19:02:16 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/68110287/2188656651_user_766286154_38_10_the_redfordcast.mp3" length="39894749" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>What else can you say but that the man was great. He was great with Jane Fonda. He was great with Faye Dunaway. He was great with Debra Winger and Demi Moore. He was even great with guys like Sidney Poitier and of course his long friendship with Paul...</itunes:subtitle><itunes:summary><![CDATA[What else can you say but that the man was great. He was great with Jane Fonda. He was great with Faye Dunaway. He was great with Debra Winger and Demi Moore. He was even great with guys like Sidney Poitier and of course his long friendship with Paul Newman. Dave bowed out this time, but Luke showed up to do a back-to-back recordings and this is our tribute to a great actor whom we will miss on the silver screen.     Thanks for hanging out with Luke and I while we yapped about Robert Redford. You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and Blusky. You can find RozilandMacPhail on Soundcloud and Facebook.]]></itunes:summary><itunes:duration>4987</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6b6660082f18fb21a81c5293c1a192a0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38.9 Assassination Cinema</title><link>https://www.spreaker.com/episode/38-9-assassination-cinema--68008198</link><description><![CDATA[Hey, folks, things got a bit serious in the States lately. We’ve had a spate of assassinations and assassination attempts the past few years. Trump’s been shot at twice. He's been hit once. Josh Shapiro’s governor’s mansion was burnt down. Melissa and Mark Hortman were murdered in their home. And of course Charlie Kirk was murdered just a few weeks ago. Political assassinations are not new in this country.  Medgar Evers was killed in 1963, kicking off a spate of assassinations in the 1960’s that included among others: a President, a Senator, a governor, and two Civil Rights advocates. This violent atmosphere is trouble, absolute trouble for our country. But it sure does inspire outstanding art. Since the 60’s we’ve seen an astounding number of films addressing political murder in an effort to understand and convey the hopes and fears of our national polity. I asked Luke to come in the Hacienda and discuss assassination cinema and why we’re so fascinated by it.     You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find RozilandMacPhail on Soundcloud and Facebook.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2182089031</guid><pubDate>Sat, 04 Oct 2025 04:24:58 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/68008198/2182089031_user_766286154_38_9_assassination_cinema.mp3" length="53360768" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Hey, folks, things got a bit serious in the States lately. We’ve had a spate of assassinations and assassination attempts the past few years. Trump’s been shot at twice. He's been hit once. Josh Shapiro’s governor’s mansion was burnt down. Melissa and...</itunes:subtitle><itunes:summary><![CDATA[Hey, folks, things got a bit serious in the States lately. We’ve had a spate of assassinations and assassination attempts the past few years. Trump’s been shot at twice. He's been hit once. Josh Shapiro’s governor’s mansion was burnt down. Melissa and Mark Hortman were murdered in their home. And of course Charlie Kirk was murdered just a few weeks ago. Political assassinations are not new in this country.  Medgar Evers was killed in 1963, kicking off a spate of assassinations in the 1960’s that included among others: a President, a Senator, a governor, and two Civil Rights advocates. This violent atmosphere is trouble, absolute trouble for our country. But it sure does inspire outstanding art. Since the 60’s we’ve seen an astounding number of films addressing political murder in an effort to understand and convey the hopes and fears of our national polity. I asked Luke to come in the Hacienda and discuss assassination cinema and why we’re so fascinated by it.     You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find RozilandMacPhail on Soundcloud and Facebook.]]></itunes:summary><itunes:duration>6670</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/45247b93c0e0b1aa5fe40c45adb0f105.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38.8 The Multiverse Conversation</title><link>https://www.spreaker.com/episode/38-8-the-multiverse-conversation--67832631</link><description><![CDATA[Luke fled, as Will Patton said in the Fishbourne movie. Wren stayed to list praises and grievances with the MCU, specifically the Guardians of the Galaxy trilogy. The conversation is a keen eye into the target demographic of the Disney / Marvel Studios franchise, as GenZ continues to dominate cinema pop culture as they age into maturity. Join Wren and I we sift through the Multiverse of TV Madness and Cinema Goodness.       You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find RozilandMacPhail on Soundcloud and Facebook.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2173867767</guid><pubDate>Sat, 20 Sep 2025 17:44:35 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/67832631/2173867767_user_766286154_38_8_the_multiverse.mp3" length="32626857" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Luke fled, as Will Patton said in the Fishbourne movie. Wren stayed to list praises and grievances with the MCU, specifically the Guardians of the Galaxy trilogy. The conversation is a keen eye into the target demographic of the Disney / Marvel...</itunes:subtitle><itunes:summary><![CDATA[Luke fled, as Will Patton said in the Fishbourne movie. Wren stayed to list praises and grievances with the MCU, specifically the Guardians of the Galaxy trilogy. The conversation is a keen eye into the target demographic of the Disney / Marvel Studios franchise, as GenZ continues to dominate cinema pop culture as they age into maturity. Join Wren and I we sift through the Multiverse of TV Madness and Cinema Goodness.       You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find RozilandMacPhail on Soundcloud and Facebook.]]></itunes:summary><itunes:duration>4078</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0783a0b36a32f74a91477e0e5ff5f9b7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38.7 The MCU Conversation</title><link>https://www.spreaker.com/episode/38-7-the-mcu-conversation--67665296</link><description><![CDATA[Well, we had to get to it sooner or later, and since the Fantastic Four: First Steps was released, I guess now was a good time as any. I asked my Gen Z kids Luke and Wren to come onto the pod to talk about what it was like to grow up with the MCU as the defining cultural shift from cinema in their lives. Their reactions are probably not that far off from what you expect only you’re not getting it from an app. You’re getting it from the horses’ mouth. Well, you kind of are getting it from an app, but you know what I mean. It’s not a social media app, right, like it’s kind of like, well it’s probably the Apple Podcasts player, or Pocket Casts or Spreaker or Himalaya or...    Thanks for hanging out with Wren and Luke while we yapped about the MCU. You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find RozilandMacPhail on Soundcloud and Facebook.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2166486876</guid><pubDate>Sun, 07 Sep 2025 17:34:46 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/67665296/2166486876_user_766286154_38_7_the_mcu_conversation.mp3" length="32163340" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Well, we had to get to it sooner or later, and since the Fantastic Four: First Steps was released, I guess now was a good time as any. I asked my Gen Z kids Luke and Wren to come onto the pod to talk about what it was like to grow up with the MCU as...</itunes:subtitle><itunes:summary><![CDATA[Well, we had to get to it sooner or later, and since the Fantastic Four: First Steps was released, I guess now was a good time as any. I asked my Gen Z kids Luke and Wren to come onto the pod to talk about what it was like to grow up with the MCU as the defining cultural shift from cinema in their lives. Their reactions are probably not that far off from what you expect only you’re not getting it from an app. You’re getting it from the horses’ mouth. Well, you kind of are getting it from an app, but you know what I mean. It’s not a social media app, right, like it’s kind of like, well it’s probably the Apple Podcasts player, or Pocket Casts or Spreaker or Himalaya or...    Thanks for hanging out with Wren and Luke while we yapped about the MCU. You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find RozilandMacPhail on Soundcloud and Facebook.]]></itunes:summary><itunes:duration>4020</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/35c2c219256a8e7bda19753cd9825e8c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38.6 Interview with Danny Gaylord with Film is Lit Podcast</title><link>https://www.spreaker.com/episode/38-6-interview-with-danny-gaylord-with-film-is-lit-podcast--67397921</link><description><![CDATA[Danny Gaylord from Film is Lit came on the pod a few weeks ago to talk about Mission Impossible: Final Reckoning. I had so much material on that I decided to cut some out and present it here. Literature and film go together, and Film is Lit is catered to that idea. Much like David Fincher’s perfect film Zodiac is factually based on Robert Greysmith’s exhaustively researched book on the infamous murderer. Film is Lit is the podcast that breaks down these narratives the best. Check them out wherever you find podcasts.    You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find Roziland MacPhail on Soundcloud and Facebook.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2154469461</guid><pubDate>Sun, 17 Aug 2025 03:04:40 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/67397921/2154469461_user_766286154_38_6_interview_with_danny.mp3" length="14318572" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Danny Gaylord from Film is Lit came on the pod a few weeks ago to talk about Mission Impossible: Final Reckoning. I had so much material on that I decided to cut some out and present it here. Literature and film go together, and Film is Lit is catered...</itunes:subtitle><itunes:summary><![CDATA[Danny Gaylord from Film is Lit came on the pod a few weeks ago to talk about Mission Impossible: Final Reckoning. I had so much material on that I decided to cut some out and present it here. Literature and film go together, and Film is Lit is catered to that idea. Much like David Fincher’s perfect film Zodiac is factually based on Robert Greysmith’s exhaustively researched book on the infamous murderer. Film is Lit is the podcast that breaks down these narratives the best. Check them out wherever you find podcasts.    You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find Roziland MacPhail on Soundcloud and Facebook.]]></itunes:summary><itunes:duration>1790</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3ee565255b5d979e35d437c6b9183067.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38.5 Mission Implausible</title><link>https://www.spreaker.com/episode/38-5-mission-implausible--67039568</link><description><![CDATA[What can we say that hasn’t already been said about the last Mission Impossible film? And why can’t we just go through it all again? Just because we love cinema, love Tom Cruise, and every tangent in between. Danny Gaylord joins us from the Film is Lit Podcast as we fawn over and shake our head at this very, very flawed film.    You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and Blusky. You can find Roziland MacPhail on Soundcloud and Facebook.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2133004503</guid><pubDate>Sat, 19 Jul 2025 18:32:51 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/67039568/2133004503_user_766286154_38_5_mission_implausable.mp3" length="54026995" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>What can we say that hasn’t already been said about the last Mission Impossible film? And why can’t we just go through it all again? Just because we love cinema, love Tom Cruise, and every tangent in between. Danny Gaylord joins us from the Film is...</itunes:subtitle><itunes:summary><![CDATA[What can we say that hasn’t already been said about the last Mission Impossible film? And why can’t we just go through it all again? Just because we love cinema, love Tom Cruise, and every tangent in between. Danny Gaylord joins us from the Film is Lit Podcast as we fawn over and shake our head at this very, very flawed film.    You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and Blusky. You can find Roziland MacPhail on Soundcloud and Facebook.]]></itunes:summary><itunes:duration>6753</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4cf8e2990a527e9ab4db24240213cfa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38.4 80's Movie Weekends</title><link>https://www.spreaker.com/episode/38-4-80-s-movie-weekends--66869091</link><description><![CDATA[It started on our first Kino Day of 2025. I slipped in an 80’s movie while we camped out and did fuck all but watch films for as long as we could. That movie was Turk182!, and it led to us watching an 80’s movie every weekend. Luke sat down with me the weekend before he flew to Berlin to talk about the strange era that made cinema so good.     You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find Roziland MacPhail on Soundcloud and Facebook. You can find Luke at Berlin Alexanderplatz on a Friday night.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2125092348</guid><pubDate>Sat, 05 Jul 2025 16:09:22 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66869091/2125092348_user_766286154_38_4_80s_movie_weekends.mp3" length="36128519" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>It started on our first Kino Day of 2025. I slipped in an 80’s movie while we camped out and did fuck all but watch films for as long as we could. That movie was Turk182!, and it led to us watching an 80’s movie every weekend. Luke sat down with me...</itunes:subtitle><itunes:summary><![CDATA[It started on our first Kino Day of 2025. I slipped in an 80’s movie while we camped out and did fuck all but watch films for as long as we could. That movie was Turk182!, and it led to us watching an 80’s movie every weekend. Luke sat down with me the weekend before he flew to Berlin to talk about the strange era that made cinema so good.     You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find Roziland MacPhail on Soundcloud and Facebook. You can find Luke at Berlin Alexanderplatz on a Friday night.]]></itunes:summary><itunes:duration>4516</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e08b4fd53d205df8c836d7d6e2fa1bf8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38.3 Tightwad Tuesday</title><link>https://www.spreaker.com/episode/38-3-tightwad-tuesday--66786710</link><description><![CDATA[I don’t know what you savages do in the rest of the world, but here in the fourth largest city in America, most theatres discount movie tickets on Tuesday night. The result, the Davis family has butts in seats, usually by five thirty, watching whatever it is we didn’t see the previous Friday. Tightwad Tuesday is a Davis family tradition to keep out cinemas alive. My son Luke and I made an astonishing amount of them since he got back from Deutschland, and we go over those 2024 releases here.     You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find Roziland MacPhail on Soundcloud and Facebook. You can find Luke across the street from Tempelhof Airport, probably in a Canadian Bar.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2121130260</guid><pubDate>Sat, 28 Jun 2025 15:22:58 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66786710/2121130260_user_766286154_38_3_tightwad_tuesday.mp3" length="58318182" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>I don’t know what you savages do in the rest of the world, but here in the fourth largest city in America, most theatres discount movie tickets on Tuesday night. The result, the Davis family has butts in seats, usually by five thirty, watching...</itunes:subtitle><itunes:summary><![CDATA[I don’t know what you savages do in the rest of the world, but here in the fourth largest city in America, most theatres discount movie tickets on Tuesday night. The result, the Davis family has butts in seats, usually by five thirty, watching whatever it is we didn’t see the previous Friday. Tightwad Tuesday is a Davis family tradition to keep out cinemas alive. My son Luke and I made an astonishing amount of them since he got back from Deutschland, and we go over those 2024 releases here.     You can find the Super 70 Podcast wherever you find podcasts. You can find me, my book, and my blog at www.thatdylandavis.com and @thatdylandavis on threads, Letterboxd, and blusky. You can find Roziland MacPhail on Soundcloud and Facebook. You can find Luke across the street from Tempelhof Airport, probably in a Canadian Bar.]]></itunes:summary><itunes:duration>7290</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4a2bd6a1f4bc3e0cbf81f1db07294ded.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38.2 Sinners is so Good</title><link>https://www.spreaker.com/episode/38-2-sinners-is-so-good--66035485</link><description><![CDATA[My friend and frequent guest on the show, Dave Anderson, went to go see Sinners opening weekend. I saw it that following Tightwad Tuesday. Dave messaged me and it read ‘let’s try that zoom thing because Sinners is so good.’ And that’s what this is. On the backside we discuss the recent Academy rule change, A24 aesthetics, BBS, and the morality of playing podcasts back at faster speeds.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2093703093</guid><pubDate>Sun, 11 May 2025 04:56:04 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66035485/2093703093_user_766286154_38_2_sinners_is_so_good.mp3" length="42996424" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>My friend and frequent guest on the show, Dave Anderson, went to go see Sinners opening weekend. I saw it that following Tightwad Tuesday. Dave messaged me and it read ‘let’s try that zoom thing because Sinners is so good.’ And that’s what this is. On...</itunes:subtitle><itunes:summary><![CDATA[My friend and frequent guest on the show, Dave Anderson, went to go see Sinners opening weekend. I saw it that following Tightwad Tuesday. Dave messaged me and it read ‘let’s try that zoom thing because Sinners is so good.’ And that’s what this is. On the backside we discuss the recent Academy rule change, A24 aesthetics, BBS, and the morality of playing podcasts back at faster speeds.]]></itunes:summary><itunes:duration>5375</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/77b3c8ef64966bdad259218caca10158.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38.1 Dice, Dice, Baby</title><link>https://www.spreaker.com/episode/38-1-dice-dice-baby--65893621</link><description><![CDATA[After recording the Adventures of Ford Fairlane Commentary, Paul Emig, Warren Hayes, and myself discussed misogyny, jingoism, comedy, cinema, and the comedian trends in Hollywood.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2089687695</guid><pubDate>Sun, 04 May 2025 03:53:25 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/65893621/2089687695_user_766286154_38_1_dice_dice_baby.mp3" length="24804332" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>After recording the Adventures of Ford Fairlane Commentary, Paul Emig, Warren Hayes, and myself discussed misogyny, jingoism, comedy, cinema, and the comedian trends in Hollywood.</itunes:subtitle><itunes:summary><![CDATA[After recording the Adventures of Ford Fairlane Commentary, Paul Emig, Warren Hayes, and myself discussed misogyny, jingoism, comedy, cinema, and the comedian trends in Hollywood.]]></itunes:summary><itunes:duration>3101</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/302b68b3b2d205bcd858725179162acd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>38 The Adventures of Ford Fairlane (1990)</title><link>https://www.spreaker.com/episode/38-the-adventures-of-ford-fairlane-1990--65561463</link><description><![CDATA[Mega-controversial comedian Andrew Clay Silverstein got his big break on Rodney Dangerfield’s 1988 HBO special and soon thereafter was playing arenas. His comedy album The Diceman Cometh went gold and following a live set on MTV, he was banned from that network. His next album, The Day the Laughter Died, went gold in seven weeks, and eventually went platinum. He then hosted the most controversial episode of SNL ever which led to cast boycotts and huge controversy. 1990 saw the release of this film, earning the infamous Golden Raspberry for the worst film of the year and Clay the worst actor of the year. Join Warren Hayes, Paul Emig and me for a scene by scene retching of what could possibly be the most misogynistic film Hollywood has ever made.    All music is by Rozalind MacPhail. You can find her at www.rozilandmacphail.com.  On Twitter @flutegirl  Warren on Twitter @warren_hayes  Find me at www.thatdylandavis.com  On Threads &amp; Letterbxd @thatdylandavis  thatdylandavis@gmail.com   You can find the Super 70 Podcast wherever you find podcasts, and most recently on YouTube! You can find me, my books, and my blog at www.thatdylandavis.com I’m @thatdylandavis on Threads, Letterbxd, and Blu Sky. You can find Rozalind MacPhail and her music on Soundcloud. I’m Dylan Davis and we’ll meet next time probably at Pacific Tech.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2077935928</guid><pubDate>Mon, 14 Apr 2025 00:19:05 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/65561463/2077935928_user_766286154_38_the_adventures_of_ford.mp3" length="51280167" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Mega-controversial comedian Andrew Clay Silverstein got his big break on Rodney Dangerfield’s 1988 HBO special and soon thereafter was playing arenas. His comedy album The Diceman Cometh went gold and following a live set on MTV, he was banned from...</itunes:subtitle><itunes:summary><![CDATA[Mega-controversial comedian Andrew Clay Silverstein got his big break on Rodney Dangerfield’s 1988 HBO special and soon thereafter was playing arenas. His comedy album The Diceman Cometh went gold and following a live set on MTV, he was banned from that network. His next album, The Day the Laughter Died, went gold in seven weeks, and eventually went platinum. He then hosted the most controversial episode of SNL ever which led to cast boycotts and huge controversy. 1990 saw the release of this film, earning the infamous Golden Raspberry for the worst film of the year and Clay the worst actor of the year. Join Warren Hayes, Paul Emig and me for a scene by scene retching of what could possibly be the most misogynistic film Hollywood has ever made.    All music is by Rozalind MacPhail. You can find her at www.rozilandmacphail.com.  On Twitter @flutegirl  Warren on Twitter @warren_hayes  Find me at www.thatdylandavis.com  On Threads &amp; Letterbxd @thatdylandavis  thatdylandavis@gmail.com   You can find the Super 70 Podcast wherever you find podcasts, and most recently on YouTube! You can find me, my books, and my blog at www.thatdylandavis.com I’m @thatdylandavis on Threads, Letterbxd, and Blu Sky. You can find Rozalind MacPhail and her music on Soundcloud. I’m Dylan Davis and we’ll meet next time probably at Pacific Tech.]]></itunes:summary><itunes:duration>6410</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e7172ddac56c886de9500d525892e200.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>37.2 Kino in Deutschland</title><link>https://www.spreaker.com/episode/37-2-kino-in-deutschland--65053128</link><description><![CDATA[If any of you have been following along then you know that my son Luke spent his fall semester in Berlin. In between trips to European capitals, taste testing the continent’s best beer, and understanding the dangers of the AfD, he also took a German Film Class that spanned the 20th Century. He also saw a few flicks over there and we compared notes.  This is our conversation.    You can find the Super 70 Podcast wherever you find podcasts, and most recently on YouTube! You can find me, my books, and my blog at www.thatdylandavis.com I’m @thatdylandavis on Threads, Letterbxd, and Blu Sky. You can find Rozalind MacPhail and her music on Soundcloud. I’m Dylan Davis and we’ll meet next time probably in L.A.    Find Rozalind www.rozalindmacphail.com  On Twitter @flutegirl  Find me at www.thatdylandavis.com  On Threads &amp; Letterbxd @thatdylandavis   thatdylandavis@gmail.com]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2061448784</guid><pubDate>Sun, 23 Mar 2025 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/65053128/2061448784_user_766286154_37_2_kino_in_deutschland.mp3" length="22685070" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>If any of you have been following along then you know that my son Luke spent his fall semester in Berlin. In between trips to European capitals, taste testing the continent’s best beer, and understanding the dangers of the AfD, he also took a German...</itunes:subtitle><itunes:summary><![CDATA[If any of you have been following along then you know that my son Luke spent his fall semester in Berlin. In between trips to European capitals, taste testing the continent’s best beer, and understanding the dangers of the AfD, he also took a German Film Class that spanned the 20th Century. He also saw a few flicks over there and we compared notes.  This is our conversation.    You can find the Super 70 Podcast wherever you find podcasts, and most recently on YouTube! You can find me, my books, and my blog at www.thatdylandavis.com I’m @thatdylandavis on Threads, Letterbxd, and Blu Sky. You can find Rozalind MacPhail and her music on Soundcloud. I’m Dylan Davis and we’ll meet next time probably in L.A.    Find Rozalind www.rozalindmacphail.com  On Twitter @flutegirl  Find me at www.thatdylandavis.com  On Threads &amp; Letterbxd @thatdylandavis   thatdylandavis@gmail.com]]></itunes:summary><itunes:duration>2836</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/753401f762049a2d85573df9d2adc1e6.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>37.1 Hitch And 2024</title><link>https://www.spreaker.com/episode/37-1-hitch-and-2024--64396346</link><description><![CDATA[After Rear Window, Dave and I decided to find out how long into the night we could go drinking beer, talking about Hitchcock, and discussing his 2024 Letterbxd, David Lynch, Beavers, the nature of God, the duality of man. The meaning of life. Is wrestling fixed? What is Martinizing and why does it only take an hour?   You can find the Super 70 Podcast wherever you find podcasts, and most recently on YouTube! You can find me, my books, and my blog at www.thatdylandavis.com I’m @thatdylandavis on Threads, Letterbxd, and Blu Sky. You can find Rozalind MacPhail and her music on Soundcloud. I’m Dylan Davis and we’ll meet next time probably in L.A.  Find Rozalind www.rozalindmacphail.com  On Twitter @flutegirl  Find me at www.thatdylandavis.com  On Threads &amp; Letterbxd @thatdylandavis   thatdylandavis@gmail.com   https://youtu.be/POgWODZyUGQ?si=RIzigCeQhqCdokAR]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2035365560</guid><pubDate>Sat, 15 Feb 2025 20:56:48 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64396346/2035365560_user_766286154_371_hitch_and_2024.mp3" length="44016245" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>After Rear Window, Dave and I decided to find out how long into the night we could go drinking beer, talking about Hitchcock, and discussing his 2024 Letterbxd, David Lynch, Beavers, the nature of God, the duality of man. The meaning of life. Is...</itunes:subtitle><itunes:summary><![CDATA[After Rear Window, Dave and I decided to find out how long into the night we could go drinking beer, talking about Hitchcock, and discussing his 2024 Letterbxd, David Lynch, Beavers, the nature of God, the duality of man. The meaning of life. Is wrestling fixed? What is Martinizing and why does it only take an hour?   You can find the Super 70 Podcast wherever you find podcasts, and most recently on YouTube! You can find me, my books, and my blog at www.thatdylandavis.com I’m @thatdylandavis on Threads, Letterbxd, and Blu Sky. You can find Rozalind MacPhail and her music on Soundcloud. I’m Dylan Davis and we’ll meet next time probably in L.A.  Find Rozalind www.rozalindmacphail.com  On Twitter @flutegirl  Find me at www.thatdylandavis.com  On Threads &amp; Letterbxd @thatdylandavis   thatdylandavis@gmail.com   https://youtu.be/POgWODZyUGQ?si=RIzigCeQhqCdokAR]]></itunes:summary><itunes:duration>5502</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/10119a21c8b2a6c3c6ab52684198f822.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>37 Rear Window (1954)</title><link>https://www.spreaker.com/episode/37-rear-window-1954--64065481</link><description><![CDATA[In one of the most magnificent careers in cinema history, Alfred Hitchcock outdid himself with a run from 1951 to 1960 that encapsulated not only some of the best Hollywood films of the decade, but of all time. In the middle of this impressive flex is Hitch’s complex ode to gender roles, gender relationships, and expectations. Hitchcock, who already had gone everywhere and done everything for film, challenged himself by limiting everything except his imagination. Rear Window was shot on one set with minimal actors, and included his lead actor not just staying in one room, but staying in one chair for the entire film. Casting Jimmy Stewart, America’s all town boy, against type as a voyeur, Hitchcock uses a high form of the Kuleshov Effect to tell an insidious tale of murder in the big city. Join Dave Anderson and I as we muse scene by scene through the Master’s use of light, incredible technicolor camera panning, and do I need to mention Grace Kelly, to create a subtext describing the phases, levels, and intricacies of being in love and being human. Along the way we discuss Stewart’s role as the first Redditor, De Palma’s aping of the master, and how even Die Hard rips off Hitchcock.    You can find the Super 70 Podcast wherever you find podcasts, and most recently on YouTube! You can find me, my books, and my blog at www.thatdylandavis.com I’m @thatdylandavis on Threads, Letterbxd, and Blu Sky. I’m Dylan Davis and we’ll meet next time probably in L.A.   Works Cited   Belton, John. Alfred Hitchcock’s Rear Window. Limelight. 2004   Fawell, John. Hitchcock's Rear Window: The Well-Made Film The Well-Made Film. Southern University Press. 2001.   Sharff, Stefan. The Art of Looking in Hitchcock’s Rear Window. Cambridge University Press. 1999.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2022398801</guid><pubDate>Fri, 31 Jan 2025 02:41:59 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64065481/2022398801_user_766286154_37_rear_window_1954.mp3" length="58044836" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>In one of the most magnificent careers in cinema history, Alfred Hitchcock outdid himself with a run from 1951 to 1960 that encapsulated not only some of the best Hollywood films of the decade, but of all time. In the middle of this impressive flex is...</itunes:subtitle><itunes:summary><![CDATA[In one of the most magnificent careers in cinema history, Alfred Hitchcock outdid himself with a run from 1951 to 1960 that encapsulated not only some of the best Hollywood films of the decade, but of all time. In the middle of this impressive flex is Hitch’s complex ode to gender roles, gender relationships, and expectations. Hitchcock, who already had gone everywhere and done everything for film, challenged himself by limiting everything except his imagination. Rear Window was shot on one set with minimal actors, and included his lead actor not just staying in one room, but staying in one chair for the entire film. Casting Jimmy Stewart, America’s all town boy, against type as a voyeur, Hitchcock uses a high form of the Kuleshov Effect to tell an insidious tale of murder in the big city. Join Dave Anderson and I as we muse scene by scene through the Master’s use of light, incredible technicolor camera panning, and do I need to mention Grace Kelly, to create a subtext describing the phases, levels, and intricacies of being in love and being human. Along the way we discuss Stewart’s role as the first Redditor, De Palma’s aping of the master, and how even Die Hard rips off Hitchcock.    You can find the Super 70 Podcast wherever you find podcasts, and most recently on YouTube! You can find me, my books, and my blog at www.thatdylandavis.com I’m @thatdylandavis on Threads, Letterbxd, and Blu Sky. I’m Dylan Davis and we’ll meet next time probably in L.A.   Works Cited   Belton, John. Alfred Hitchcock’s Rear Window. Limelight. 2004   Fawell, John. Hitchcock's Rear Window: The Well-Made Film The Well-Made Film. Southern University Press. 2001.   Sharff, Stefan. The Art of Looking in Hitchcock’s Rear Window. Cambridge University Press. 1999.]]></itunes:summary><itunes:duration>7256</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c7907cd004821997938af07f76176ee7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>36.4 Don't Google "Roy Cohn's Bedroom"</title><link>https://www.spreaker.com/episode/36-4-don-t-google-roy-cohn-s-bedroom--63503209</link><description><![CDATA[Luke and I start off by discussing Ali Abbassi’s controversial biopic “The Apprentice.” We try to talk about the President Elect’s record as a rapist, his friendship with Roy Cohn, and well... at least we tried. Meander we did through our cinema experiences while Luke is in Deutschland. We discuss what we’ve seen, what we haven’t, and then Luke takes plenty of time scrolling through my Letterbxd to roast my reviews. There must be better ways to spend time with your son than on Zoom talking horror, Steven Seagal, and Golan Globus Cinema, but I don’t know what they are.      Thanks for hanging out with Luke and I while we talked about The Apprentice. Find Rozalind MacPhail’s music at www.rozalindmacphail.com . You can find the Super 70 Podcast wherever you find podcasts. You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com.  You’ll see us next time at the Cinelux. Get off at Alexanderplatz.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1996133683</guid><pubDate>Sat, 28 Dec 2024 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503209/1996133683_user_766286154_364_dont_google_roy_cohns_bedroom.mp3" length="21772665" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Luke and I start off by discussing Ali Abbassi’s controversial biopic “The Apprentice.” We try to talk about the President Elect’s record as a rapist, his friendship with Roy Cohn, and well... at least we tried. Meander we did through our cinema...</itunes:subtitle><itunes:summary><![CDATA[Luke and I start off by discussing Ali Abbassi’s controversial biopic “The Apprentice.” We try to talk about the President Elect’s record as a rapist, his friendship with Roy Cohn, and well... at least we tried. Meander we did through our cinema experiences while Luke is in Deutschland. We discuss what we’ve seen, what we haven’t, and then Luke takes plenty of time scrolling through my Letterbxd to roast my reviews. There must be better ways to spend time with your son than on Zoom talking horror, Steven Seagal, and Golan Globus Cinema, but I don’t know what they are.      Thanks for hanging out with Luke and I while we talked about The Apprentice. Find Rozalind MacPhail’s music at www.rozalindmacphail.com . You can find the Super 70 Podcast wherever you find podcasts. You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com.  You’ll see us next time at the Cinelux. Get off at Alexanderplatz.]]></itunes:summary><itunes:duration>2722</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e9febc3050a5bfe2a3eacf09965ab5d1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>36.3 Beetlejuice Squared</title><link>https://www.spreaker.com/episode/36-3-beetlejuice-squared--63503218</link><description><![CDATA[We’re running a few weeks late due to the release schedule in Deutchland, but here is Luke and I talking about experiencing Tim Burton’s latest big hit and how it played out down in the Potsdammer Platz.    Find Rozalind MacPhail’s music at www.rozalindmacphail.com . You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com. You can find the small, thermal exhaust port right below the main port.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1992374647</guid><pubDate>Sun, 22 Dec 2024 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503218/1992374647_user_766286154_36_3_beetlejuice_squared.mp3" length="11011470" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>We’re running a few weeks late due to the release schedule in Deutchland, but here is Luke and I talking about experiencing Tim Burton’s latest big hit and how it played out down in the Potsdammer Platz.    Find Rozalind MacPhail’s music at...</itunes:subtitle><itunes:summary><![CDATA[We’re running a few weeks late due to the release schedule in Deutchland, but here is Luke and I talking about experiencing Tim Burton’s latest big hit and how it played out down in the Potsdammer Platz.    Find Rozalind MacPhail’s music at www.rozalindmacphail.com . You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com. You can find the small, thermal exhaust port right below the main port.]]></itunes:summary><itunes:duration>1376</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/47ad356ba9f79ceb2479d4e9e7751348.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>36.2 Joker 2-  Wahnsinn Für Zwei</title><link>https://www.spreaker.com/episode/36-2-joker-2-wahnsinn-fur-zwei--63503220</link><description><![CDATA[Luke is going to school in Berlin this semester and there’s no good reason why he can’t keep up with the release schedule. In between Brewmaster classes, history classes, and yes, a true to form Deutch Kino Class, Luke has been streaming Prime and heading down to you guessed it, Berlin Alexanderplatz, or Zoo Station to see what it is the rest of the world says is great... or sucks.    A little background if you hear us toss around a few terms. An OV in German cinemas is the Original Version. This screening will have no changes whatsoever. No dubbing, no subtitles (unless they’re part of the original film). OmU is Original Mit untertiteln, Meaning ‘original with subtitles’, OmU films have the original audio* along with subtitles. Unless otherwise specified, assume these subtitles are German. OmdU stands for Original mit deutschen Untertiteln. This is the film in OV with German subtitles. Then there is OmeU or Original mit englischen Untertiteln. Films with English subtitles since there are so many English speakers in Germany. Last is DF for Deutsche Fassung meaning German Version. This is the first one German audiences look for, meaning it has been dubbed into German. Most Hollywood film are dubbed into German, and most theatres in Germany carry both the DF and the Omdu. This episode we catch up and find out what the other is seeing.  Find Rozalind MacPhail’s music at www.rozalindmacphail.com Find Warren Hayes on Twitter @Warren_Hayes. You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com. You can find the small, thermal exhaust port right below the main port.       Thanks for hanging out with Luke and I while we talked about the Joker. You can find the Super 70 Podcast wherever you find podcasts. You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com. You’ll  see us next time at the Delphi Lux. Get off at Zoo Station.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1956771971</guid><pubDate>Sun, 24 Nov 2024 02:00:31 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503220/1956771971_user_766286154_362_joker_2_wahnsinn_fur_zwei.mp3" length="11916979" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Luke is going to school in Berlin this semester and there’s no good reason why he can’t keep up with the release schedule. In between Brewmaster classes, history classes, and yes, a true to form Deutch Kino Class, Luke has been streaming Prime and...</itunes:subtitle><itunes:summary><![CDATA[Luke is going to school in Berlin this semester and there’s no good reason why he can’t keep up with the release schedule. In between Brewmaster classes, history classes, and yes, a true to form Deutch Kino Class, Luke has been streaming Prime and heading down to you guessed it, Berlin Alexanderplatz, or Zoo Station to see what it is the rest of the world says is great... or sucks.    A little background if you hear us toss around a few terms. An OV in German cinemas is the Original Version. This screening will have no changes whatsoever. No dubbing, no subtitles (unless they’re part of the original film). OmU is Original Mit untertiteln, Meaning ‘original with subtitles’, OmU films have the original audio* along with subtitles. Unless otherwise specified, assume these subtitles are German. OmdU stands for Original mit deutschen Untertiteln. This is the film in OV with German subtitles. Then there is OmeU or Original mit englischen Untertiteln. Films with English subtitles since there are so many English speakers in Germany. Last is DF for Deutsche Fassung meaning German Version. This is the first one German audiences look for, meaning it has been dubbed into German. Most Hollywood film are dubbed into German, and most theatres in Germany carry both the DF and the Omdu. This episode we catch up and find out what the other is seeing.  Find Rozalind MacPhail’s music at www.rozalindmacphail.com Find Warren Hayes on Twitter @Warren_Hayes. You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com. You can find the small, thermal exhaust port right below the main port.       Thanks for hanging out with Luke and I while we talked about the Joker. You can find the Super 70 Podcast wherever you find podcasts. You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com. You’ll  see us next time at the Delphi Lux. Get off at Zoo Station.]]></itunes:summary><itunes:duration>1490</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4678c357abcf99567c1e50ab70f4166b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>36.1 Batman Schmatman</title><link>https://www.spreaker.com/episode/36-1-batman-schmatman--63503222</link><description><![CDATA[Once again we are faced with the fact that sometimes the best conversations are the meandering ones we have after the commentary is over. I asked Warren Hayes and Paul Emig to stay over a little loner, have a couple of beers, and talk about our favorite caped crusader, why comic book films are fading, and why they still enthrall us. But first, David Lynch. And later, the English Patient.    Find Rozalind MacPhail’s music at www.rozalindmacphail.com Find Warren Hayes on Twitter @Warren_Hayes. You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com. You can find the small, thermal exhaust port right below the main port.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1954678555</guid><pubDate>Sat, 16 Nov 2024 19:00:59 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503222/1954678555_user_766286154_361_batman_schmatman.mp3" length="46358279" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Once again we are faced with the fact that sometimes the best conversations are the meandering ones we have after the commentary is over. I asked Warren Hayes and Paul Emig to stay over a little loner, have a couple of beers, and talk about our...</itunes:subtitle><itunes:summary><![CDATA[Once again we are faced with the fact that sometimes the best conversations are the meandering ones we have after the commentary is over. I asked Warren Hayes and Paul Emig to stay over a little loner, have a couple of beers, and talk about our favorite caped crusader, why comic book films are fading, and why they still enthrall us. But first, David Lynch. And later, the English Patient.    Find Rozalind MacPhail’s music at www.rozalindmacphail.com Find Warren Hayes on Twitter @Warren_Hayes. You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com. You can find the small, thermal exhaust port right below the main port.]]></itunes:summary><itunes:duration>5795</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cd9e5abf5446af52e4aaead326ecd08d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>36 Batman (1989)</title><link>https://www.spreaker.com/episode/36-batman-1989--63503214</link><description><![CDATA[In one of the bravest acts of Cinema History, Warner Brothers decided to give Tim Burton, a former Disney animator with a whopping two directing credits to his name, the keys to the Batcave. One of Burton’s most controversial decisions, casting comedic actor Michael Keaton as the brooding millionaire Bruce Wayne. The cinema event of the summer, Batman 1989 touched pop culture in a way that exceeded even Richard Donner’s Superman of the previous decade. Launching a franchise that lasted almost a decade, Batman 1989 also launched several other comic book properties hoping to grab hold of a new audience buying an increasing amount of comic books. Much loved by a generation, it is also much maligned by those like me who feel the World’s Greatest Detective needs to be more like Frank Miller and less like Batman ‘66.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1938313985</guid><pubDate>Sun, 20 Oct 2024 18:04:58 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503214/1938313985_user_766286154_36_batman_1989.mp3" length="62609996" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>In one of the bravest acts of Cinema History, Warner Brothers decided to give Tim Burton, a former Disney animator with a whopping two directing credits to his name, the keys to the Batcave. One of Burton’s most controversial decisions, casting...</itunes:subtitle><itunes:summary><![CDATA[In one of the bravest acts of Cinema History, Warner Brothers decided to give Tim Burton, a former Disney animator with a whopping two directing credits to his name, the keys to the Batcave. One of Burton’s most controversial decisions, casting comedic actor Michael Keaton as the brooding millionaire Bruce Wayne. The cinema event of the summer, Batman 1989 touched pop culture in a way that exceeded even Richard Donner’s Superman of the previous decade. Launching a franchise that lasted almost a decade, Batman 1989 also launched several other comic book properties hoping to grab hold of a new audience buying an increasing amount of comic books. Much loved by a generation, it is also much maligned by those like me who feel the World’s Greatest Detective needs to be more like Frank Miller and less like Batman ‘66.]]></itunes:summary><itunes:duration>7826</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f0df9d17c0323edf9db2a08013d79710.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>35.1 The Phantom Bonus</title><link>https://www.spreaker.com/episode/35-1-the-phantom-bonus--63503216</link><description><![CDATA[After we recorded The Phantom Menace Commentary, Warren and Paul and I pontificated on the many reasons the film did not succeed even though it had tons of pluses to it. We discuss the action figure market, the genius of Carrie Fisher, and that thing we all hate with a passion: sand.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1921419911</guid><pubDate>Sun, 22 Sep 2024 17:30:12 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503216/1921419911_user_766286154_351_the_phantom_bonus.mp3" length="52504369" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>After we recorded The Phantom Menace Commentary, Warren and Paul and I pontificated on the many reasons the film did not succeed even though it had tons of pluses to it. We discuss the action figure market, the genius of Carrie Fisher, and that thing...</itunes:subtitle><itunes:summary><![CDATA[After we recorded The Phantom Menace Commentary, Warren and Paul and I pontificated on the many reasons the film did not succeed even though it had tons of pluses to it. We discuss the action figure market, the genius of Carrie Fisher, and that thing we all hate with a passion: sand.]]></itunes:summary><itunes:duration>6563</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6d75d3b42f007291dfb0e86ae1eba896.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>35 The Phantom Menace (1999)</title><link>https://www.spreaker.com/episode/35-the-phantom-menace-1999--63503226</link><description><![CDATA[After sixteen years of a fanbase growing into adulthood, George Lucas dropped fifty millon dollars of Lucasfilm Limited’s money into the surest bet in Hollywood history: The first film in a new trilogy of Star Wars films. Though distributed by Fox and produced by Rick McCallum, Star Wars, Episode I: The Phantom Menace would be exactly like the first film from 1977. Lucas would have total control over screenplay, production, casting, editing, and marketing. What emerged was the most controversial franchise film in history, a movie that conflicted with Canon, had red herrings, left some audiences confused, some angry, and had the greatest lightsaber duel in history. Twenty-five years later, Warren Hayes, Paul Emig and myself go through The Phantom Menace scene by scene as we lament what could have been and appreciate what we do like. Join us as we watch the Phantom Menace and discuss all thing Lucas: including racism, bad acting, our total respect for Ahmed Best, and how much all of us miss Marcia Lucas.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1902468960</guid><pubDate>Fri, 23 Aug 2024 02:20:43 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503226/1902468960_user_766286154_35_the_phantom_menace_1999.mp3" length="65629751" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>After sixteen years of a fanbase growing into adulthood, George Lucas dropped fifty millon dollars of Lucasfilm Limited’s money into the surest bet in Hollywood history: The first film in a new trilogy of Star Wars films. Though distributed by Fox and...</itunes:subtitle><itunes:summary><![CDATA[After sixteen years of a fanbase growing into adulthood, George Lucas dropped fifty millon dollars of Lucasfilm Limited’s money into the surest bet in Hollywood history: The first film in a new trilogy of Star Wars films. Though distributed by Fox and produced by Rick McCallum, Star Wars, Episode I: The Phantom Menace would be exactly like the first film from 1977. Lucas would have total control over screenplay, production, casting, editing, and marketing. What emerged was the most controversial franchise film in history, a movie that conflicted with Canon, had red herrings, left some audiences confused, some angry, and had the greatest lightsaber duel in history. Twenty-five years later, Warren Hayes, Paul Emig and myself go through The Phantom Menace scene by scene as we lament what could have been and appreciate what we do like. Join us as we watch the Phantom Menace and discuss all thing Lucas: including racism, bad acting, our total respect for Ahmed Best, and how much all of us miss Marcia Lucas.]]></itunes:summary><itunes:duration>8204</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c85a6fd50d545fe569067aafe2354cb8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.12 Hannibal And Hannibal</title><link>https://www.spreaker.com/episode/34-12-hannibal-and-hannibal--63503211</link><description><![CDATA[As will be explained in the subsequent conversation, Luke and I came across two very different films called Hannibal and decided to do a double feature in a day. The result... was very dour.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1859979456</guid><pubDate>Mon, 01 Jul 2024 04:32:59 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503211/1859979456_user_766286154_3412_hannibal_and_hannibal.mp3" length="24744355" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>As will be explained in the subsequent conversation, Luke and I came across two very different films called Hannibal and decided to do a double feature in a day. The result... was very dour.</itunes:subtitle><itunes:summary><![CDATA[As will be explained in the subsequent conversation, Luke and I came across two very different films called Hannibal and decided to do a double feature in a day. The result... was very dour.]]></itunes:summary><itunes:duration>3093</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/80766a0aedbafe09b8b19c459314c04a.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.11 Wild Movie Weekend</title><link>https://www.spreaker.com/episode/34-11-wild-movie-weekend--63503210</link><description><![CDATA[We had a helluva weekend folks. Friday night, the boy and an caught The Phantom Menace for the 25th anniversary re-release. Saturday, we caught Jeanne du Barry with Johnny Depp. Starring Johnny Depp, I mean we didn’t go see the movie with him. And Sunday we woke up and caught the first screening of The Fall Guy. Join Luke and I as we try to navigate our feelings around such an emotionally complicated weekend.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1851550062</guid><pubDate>Wed, 19 Jun 2024 02:43:53 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503210/1851550062_user_766286154_3411_wild_movie_weekend.mp3" length="29415885" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>We had a helluva weekend folks. Friday night, the boy and an caught The Phantom Menace for the 25th anniversary re-release. Saturday, we caught Jeanne du Barry with Johnny Depp. Starring Johnny Depp, I mean we didn’t go see the movie with him. And...</itunes:subtitle><itunes:summary><![CDATA[We had a helluva weekend folks. Friday night, the boy and an caught The Phantom Menace for the 25th anniversary re-release. Saturday, we caught Jeanne du Barry with Johnny Depp. Starring Johnny Depp, I mean we didn’t go see the movie with him. And Sunday we woke up and caught the first screening of The Fall Guy. Join Luke and I as we try to navigate our feelings around such an emotionally complicated weekend.]]></itunes:summary><itunes:duration>3677</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/53712c81c93614018e3cc8e601ed635f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.10 The James Bond Theme Song Bracket</title><link>https://www.spreaker.com/episode/34-10-the-james-bond-theme-song-bracket--63503225</link><description><![CDATA[Just after we finished the bracket for the best James Bond film, Luke and I kept on going, using the same bracket and the same faulty feeders to determine the best James Bond theme song. Just like the film bracket, the results here might surprise you.     Jack White and Alicia Keyes made cinema history when they collaborated on what White called “the most divisive thing I’ve ever done,” the theme song to Quantum of Solace titled “Another Way to Die.” EON Productions originally tried to sign Amy Winehouse, but her death opened the door to White who saw a shrinking schedule as a way to capitalize on doing something completely original. Keeping to a musical style dating back to Tina Turner’s incredible title song to “Goldeneye,” White brought in Alicia Keyes to add an R and B flavor to his alternative bent. The result, “Another Way to Die” has become a James Bond Theme song you either love or hate. Like it or not, the song remains the only duet in the James Bond catalogue to describe what it must be like for a secret agent to deal with the immense pressures of life undercover. With White’s guitar and Keyes’ piano leading a cacophony of sound, Another Way to Die has become a powerhouse anthem of fear and anxiety – definitely an unusual way of thinking about cinema’s most famous spy.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1825256676</guid><pubDate>Sun, 19 May 2024 02:51:08 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503225/1825256676_user_766286154_3410_the_james_bond_theme_song_bracket.mp3" length="26777727" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Just after we finished the bracket for the best James Bond film, Luke and I kept on going, using the same bracket and the same faulty feeders to determine the best James Bond theme song. Just like the film bracket, the results here might surprise you....</itunes:subtitle><itunes:summary><![CDATA[Just after we finished the bracket for the best James Bond film, Luke and I kept on going, using the same bracket and the same faulty feeders to determine the best James Bond theme song. Just like the film bracket, the results here might surprise you.     Jack White and Alicia Keyes made cinema history when they collaborated on what White called “the most divisive thing I’ve ever done,” the theme song to Quantum of Solace titled “Another Way to Die.” EON Productions originally tried to sign Amy Winehouse, but her death opened the door to White who saw a shrinking schedule as a way to capitalize on doing something completely original. Keeping to a musical style dating back to Tina Turner’s incredible title song to “Goldeneye,” White brought in Alicia Keyes to add an R and B flavor to his alternative bent. The result, “Another Way to Die” has become a James Bond Theme song you either love or hate. Like it or not, the song remains the only duet in the James Bond catalogue to describe what it must be like for a secret agent to deal with the immense pressures of life undercover. With White’s guitar and Keyes’ piano leading a cacophony of sound, Another Way to Die has become a powerhouse anthem of fear and anxiety – definitely an unusual way of thinking about cinema’s most famous spy.]]></itunes:summary><itunes:duration>3347</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/9b6f1507125673642cc737ffa9e1156a.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.9 The James Bond Bracket</title><link>https://www.spreaker.com/episode/34-9-the-james-bond-bracket--63503224</link><description><![CDATA[A couple of months ago, Luke and I had a short discussion on March Madness. I showed him an NCAA bracket and he instantly said, ‘we should do one for James Bond.’ I duly put one together, grouping the bonds together and facing them off basically using Connery, Dalton, and Brosnan on one side and Moore and Craig on the other. Then we went to it, and the results may surprise you.     www.thatdylandavis.com  www.rozalindmacphail.com     List of Bond Films:  Dr. No  From Russia With Love  Goldfinger  Thunderball  You Only Live Twice  On Her Majesty’s Secret Service  Diamonda are Forever  Live and Let Die  The Man with The Golden Gun  The Spy Who Loved Me  Moonraker  For Your Eyes Only  Octopussy  Never Say Never Again  A View to a Kill  The Living Daylights  License to Kill  Goldeneye  Tomorrow Never Dies  The World is not Enough  Die Another Day  Casino Royale  Quantum of Solace  Skyfall  Spectre  No Time to Die]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1804895580</guid><pubDate>Sun, 21 Apr 2024 17:35:52 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503224/1804895580_user_766286154_349_the_james_bond_bracket.mp3" length="44363151" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>A couple of months ago, Luke and I had a short discussion on March Madness. I showed him an NCAA bracket and he instantly said, ‘we should do one for James Bond.’ I duly put one together, grouping the bonds together and facing them off basically using...</itunes:subtitle><itunes:summary><![CDATA[A couple of months ago, Luke and I had a short discussion on March Madness. I showed him an NCAA bracket and he instantly said, ‘we should do one for James Bond.’ I duly put one together, grouping the bonds together and facing them off basically using Connery, Dalton, and Brosnan on one side and Moore and Craig on the other. Then we went to it, and the results may surprise you.     www.thatdylandavis.com  www.rozalindmacphail.com     List of Bond Films:  Dr. No  From Russia With Love  Goldfinger  Thunderball  You Only Live Twice  On Her Majesty’s Secret Service  Diamonda are Forever  Live and Let Die  The Man with The Golden Gun  The Spy Who Loved Me  Moonraker  For Your Eyes Only  Octopussy  Never Say Never Again  A View to a Kill  The Living Daylights  License to Kill  Goldeneye  Tomorrow Never Dies  The World is not Enough  Die Another Day  Casino Royale  Quantum of Solace  Skyfall  Spectre  No Time to Die]]></itunes:summary><itunes:duration>5545</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/996ef1468652deaf78ace5d54ca980ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.8 You Did NAZI This Episode Coming</title><link>https://www.spreaker.com/episode/34-8-you-did-nazi-this-episode-coming--63503215</link><description><![CDATA[My son took a course in Fascist Cinema in college. I was aware of his workload since that was an area of my study in grad school. Join us as we talked about the fucked-up values of National Socialist films and why their beauty makes them so dangerous. Be prepared for an opening statement with a lot of requests and qualifiers.     Works Cited:  Hoffman, Hilmar. The Triumph of Propaganda. Providence Press. Berghahn. 1996.  Hull, David. Film in the Third Riech. University of California Press. Berkeley. 1969.  Frieden Ed. Et al., Gender and German Cinema. Berg, 1993.  Rentschler, Eric. The Ministry of Illusion: Nazi Cinema and Its Afterlife. 1996.  Rentschler, Eric. German Film and Literature: Adaptation and Transformations. 1986.  Chapoutot, Johann. The Law of Blood: Thinking and Acting as a Nazi. Belknap Press. 2018.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1730575719</guid><pubDate>Mon, 29 Jan 2024 03:32:48 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503215/1730575719_user_766286154_348_you_did_nazi_this_episode_coming.mp3" length="32698328" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>My son took a course in Fascist Cinema in college. I was aware of his workload since that was an area of my study in grad school. Join us as we talked about the fucked-up values of National Socialist films and why their beauty makes them so dangerous....</itunes:subtitle><itunes:summary><![CDATA[My son took a course in Fascist Cinema in college. I was aware of his workload since that was an area of my study in grad school. Join us as we talked about the fucked-up values of National Socialist films and why their beauty makes them so dangerous. Be prepared for an opening statement with a lot of requests and qualifiers.     Works Cited:  Hoffman, Hilmar. The Triumph of Propaganda. Providence Press. Berghahn. 1996.  Hull, David. Film in the Third Riech. University of California Press. Berkeley. 1969.  Frieden Ed. Et al., Gender and German Cinema. Berg, 1993.  Rentschler, Eric. The Ministry of Illusion: Nazi Cinema and Its Afterlife. 1996.  Rentschler, Eric. German Film and Literature: Adaptation and Transformations. 1986.  Chapoutot, Johann. The Law of Blood: Thinking and Acting as a Nazi. Belknap Press. 2018.]]></itunes:summary><itunes:duration>4087</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c502cc34ac4188b600c49ffe386d3956.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.7 King Kahn And Bollywood In 2023</title><link>https://www.spreaker.com/episode/34-7-king-kahn-and-bollywood-in-2023--63503217</link><description><![CDATA[One year ago, I saw a trailer on YouTube, showed it to my son, and he said hell yes! Let’s see Pathaan! We were blown away by this action powerhouse with Hindustan’s most famous actor Shah Ruh Khan and Deepika Padukone. Since then we’ve seen a handful of Bollywood films, all from 2023, and we were greatly impressed with what we saw.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1724044446</guid><pubDate>Mon, 22 Jan 2024 03:49:12 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503217/1724044446_user_766286154_347_king_kahn_and_bollywood_in_2023.mp3" length="33280754" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>One year ago, I saw a trailer on YouTube, showed it to my son, and he said hell yes! Let’s see Pathaan! We were blown away by this action powerhouse with Hindustan’s most famous actor Shah Ruh Khan and Deepika Padukone. Since then we’ve seen a handful...</itunes:subtitle><itunes:summary><![CDATA[One year ago, I saw a trailer on YouTube, showed it to my son, and he said hell yes! Let’s see Pathaan! We were blown away by this action powerhouse with Hindustan’s most famous actor Shah Ruh Khan and Deepika Padukone. Since then we’ve seen a handful of Bollywood films, all from 2023, and we were greatly impressed with what we saw.]]></itunes:summary><itunes:duration>4160</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/836124781cec51f75e8cefef28824bad.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.6 2023 Year In Review</title><link>https://www.spreaker.com/episode/34-6-2023-year-in-review--63503234</link><description><![CDATA[Dave and I go over the biggest releases in 2023 and hit our letterbxd to see what worked, what didn’t, and why we keep going back to the theatre. We also discuss the most important topics of the day, such as watching Fincher’s The Killer with no sound, the merits of Friedkin, and who’s Letterbxd is more impressive.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1716904770</guid><pubDate>Sun, 14 Jan 2024 00:49:02 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503234/1716904770_user_766286154_346_2023_year_in_review.mp3" length="85638503" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Dave and I go over the biggest releases in 2023 and hit our letterbxd to see what worked, what didn’t, and why we keep going back to the theatre. We also discuss the most important topics of the day, such as watching Fincher’s The Killer with no...</itunes:subtitle><itunes:summary><![CDATA[Dave and I go over the biggest releases in 2023 and hit our letterbxd to see what worked, what didn’t, and why we keep going back to the theatre. We also discuss the most important topics of the day, such as watching Fincher’s The Killer with no sound, the merits of Friedkin, and who’s Letterbxd is more impressive.]]></itunes:summary><itunes:duration>10705</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e3bd4bfdb5b4969044ff4d8de557537d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.5 Godzilla And Trauma</title><link>https://www.spreaker.com/episode/34-5-godzilla-and-trauma--63503212</link><description><![CDATA[Takeshi Yamazaki shook the American movie market last month when Godzilla Minus One became the highest earning Japanese film in history. The lizard has always been popular but placed against the backdrop of the tragedy of the Second World War and entwined with the lives of survivors Noriko and Koichi, Godzilla Minus One captures the heart as well as the eyes. Luke and I sit down and discuss the edge of your seat drama, the eye-popping special effects, and the metaphor of it all.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1703324925</guid><pubDate>Sat, 30 Dec 2023 00:46:54 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503212/1703324925_user_766286154_345_godzilla_and_trauma.mp3" length="26969779" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Takeshi Yamazaki shook the American movie market last month when Godzilla Minus One became the highest earning Japanese film in history. The lizard has always been popular but placed against the backdrop of the tragedy of the Second World War and...</itunes:subtitle><itunes:summary><![CDATA[Takeshi Yamazaki shook the American movie market last month when Godzilla Minus One became the highest earning Japanese film in history. The lizard has always been popular but placed against the backdrop of the tragedy of the Second World War and entwined with the lives of survivors Noriko and Koichi, Godzilla Minus One captures the heart as well as the eyes. Luke and I sit down and discuss the edge of your seat drama, the eye-popping special effects, and the metaphor of it all.]]></itunes:summary><itunes:duration>3371</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2b4e3f603dc8d126510bc93064f18ed6.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.4 The Holdovers Holiday Special Part Deux</title><link>https://www.spreaker.com/episode/34-4-the-holdovers-holiday-special-part-deux--63503233</link><description><![CDATA[My good friend Dave Anderson went to go see the Holdovers on my recommendation and he listened to my last podcast episode with great envy. Jealous that he could not participate, he texted me, begged me, pleaded with me, to come back into the Hacienda to discuss what must be the first Christmas Classic in 20 years, and what may be the last one in a very long time.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1698137106</guid><pubDate>Sat, 23 Dec 2023 22:36:44 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503233/1698137106_user_766286154_344_the_holdovers_holiday_special_part_deux.mp3" length="11667248" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>My good friend Dave Anderson went to go see the Holdovers on my recommendation and he listened to my last podcast episode with great envy. Jealous that he could not participate, he texted me, begged me, pleaded with me, to come back into the Hacienda...</itunes:subtitle><itunes:summary><![CDATA[My good friend Dave Anderson went to go see the Holdovers on my recommendation and he listened to my last podcast episode with great envy. Jealous that he could not participate, he texted me, begged me, pleaded with me, to come back into the Hacienda to discuss what must be the first Christmas Classic in 20 years, and what may be the last one in a very long time.]]></itunes:summary><itunes:duration>1458</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7c4c76d2cc1b12b3e19d1c9e0778cab8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.3 The Holdovers Holiday Special</title><link>https://www.spreaker.com/episode/34-3-the-holdovers-holiday-special--63503213</link><description><![CDATA[Alexander Payne had not made a single film that I like until I went to see The Holdovers for Tightwad Tuesday. Masked by the period piece setting, the story is more about how broken people find peace than it’s outward image as a Christmas film. Teaming up with Paul Giamatti and using David Hemingson’s first script for the big screen, Payne avoids the rom-com holiday fare by pitting the veteran Giamatti’s cantankerous private school professor against first time actor Dominc Sessa, an actor literally from the drama class at the school used as a set. Balancing the two is Da’Vine Joy Randolf, an inspired casting decision who turns in a revelatory performance. Join my son Luke and I as we discuss this surprising holiday hit that has a chance to become a drama to come back to every December.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1686847047</guid><pubDate>Sun, 10 Dec 2023 04:52:15 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503213/1686847047_user_766286154_343_the_holdovers_holiday_special.mp3" length="21285116" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Alexander Payne had not made a single film that I like until I went to see The Holdovers for Tightwad Tuesday. Masked by the period piece setting, the story is more about how broken people find peace than it’s outward image as a Christmas film....</itunes:subtitle><itunes:summary><![CDATA[Alexander Payne had not made a single film that I like until I went to see The Holdovers for Tightwad Tuesday. Masked by the period piece setting, the story is more about how broken people find peace than it’s outward image as a Christmas film. Teaming up with Paul Giamatti and using David Hemingson’s first script for the big screen, Payne avoids the rom-com holiday fare by pitting the veteran Giamatti’s cantankerous private school professor against first time actor Dominc Sessa, an actor literally from the drama class at the school used as a set. Balancing the two is Da’Vine Joy Randolf, an inspired casting decision who turns in a revelatory performance. Join my son Luke and I as we discuss this surprising holiday hit that has a chance to become a drama to come back to every December.]]></itunes:summary><itunes:duration>2661</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c38abab212ea8bb9dbc12eb66bad9306.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.2 Ridley And Napoleon</title><link>https://www.spreaker.com/episode/34-2-ridley-and-napoleon--63503232</link><description><![CDATA[34.2 Ridley And Napoleon by Dylan Davis]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1680948318</guid><pubDate>Sun, 03 Dec 2023 17:24:51 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503232/1680948318_user_766286154_342_ridley_and_napoleon.mp3" length="57105682" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>34.2 Ridley And Napoleon by Dylan Davis</itunes:subtitle><itunes:summary><![CDATA[34.2 Ridley And Napoleon by Dylan Davis]]></itunes:summary><itunes:duration>7138</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/309bb3f3e219abdf876538856b76ad8c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34.1 Freakin' Friedkin!</title><link>https://www.spreaker.com/episode/34-1-freakin-friedkin--63503237</link><description><![CDATA[After wrapping up the Sorcerer commentary, Dave and I sat around, consumed mass quantities, and as much as we tried to focus on Hurricane Billy Friedkin and his work, we quickly descended into how we consume cinema, soundtracks, and Friedkin’s fellow auteurs. We go all over the place but you can follow along. You can find me on Threads, Letterbxd, and www.thatdylandavis.com.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1667183649</guid><pubDate>Fri, 17 Nov 2023 05:11:06 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503237/1667183649_user_766286154_341_freakin_friedkin.mp3" length="52716066" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>After wrapping up the Sorcerer commentary, Dave and I sat around, consumed mass quantities, and as much as we tried to focus on Hurricane Billy Friedkin and his work, we quickly descended into how we consume cinema, soundtracks, and Friedkin’s fellow...</itunes:subtitle><itunes:summary><![CDATA[After wrapping up the Sorcerer commentary, Dave and I sat around, consumed mass quantities, and as much as we tried to focus on Hurricane Billy Friedkin and his work, we quickly descended into how we consume cinema, soundtracks, and Friedkin’s fellow auteurs. We go all over the place but you can follow along. You can find me on Threads, Letterbxd, and www.thatdylandavis.com.]]></itunes:summary><itunes:duration>6589</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/faed63ddcb4eada380e7eb1dd17aa952.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>34 Sorcerer (1977)</title><link>https://www.spreaker.com/episode/34-sorcerer-1977--63503239</link><description><![CDATA[Hot off the success of the ninth highest grossing movie of all time, William Friedkin abandoned a film about the Bermuda Triangle to focus on a re-interpretation of the George Arnaud novel “The Wages of Fear.” Every possible thing went wrong during every stage of production. Stars dropped out. The budget ballooned. Friedkin fired needed personnel. The shoot stretched past 90 days. Largely ignored in the wake of the release of Star Wars a month earlier, Sorcerer has in the decades since been re-appraised as one of Friedkin’s best films. Ostensibly about four criminals in hiding delivering unstable dynamite to an oil well on fire, Friedkin uses the parable to convey how the different nations of the world have to join together to get the job done... or die in the process. Join me and Dave Anderson as we break down the rhyme and reason of the film that derailed “Hurricane Billy’s” career.    Works Cited  Friedkin, WIlliam. The Freidkin Connection: A Memoir. Harper 2013  Segaloff, Nat Hurricane Billy. William Morrow 1990]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1641281358</guid><pubDate>Sun, 15 Oct 2023 16:49:46 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503239/1641281358_user_766286154_34_sorcerer_1977.mp3" length="60505780" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Hot off the success of the ninth highest grossing movie of all time, William Friedkin abandoned a film about the Bermuda Triangle to focus on a re-interpretation of the George Arnaud novel “The Wages of Fear.” Every possible thing went wrong during...</itunes:subtitle><itunes:summary><![CDATA[Hot off the success of the ninth highest grossing movie of all time, William Friedkin abandoned a film about the Bermuda Triangle to focus on a re-interpretation of the George Arnaud novel “The Wages of Fear.” Every possible thing went wrong during every stage of production. Stars dropped out. The budget ballooned. Friedkin fired needed personnel. The shoot stretched past 90 days. Largely ignored in the wake of the release of Star Wars a month earlier, Sorcerer has in the decades since been re-appraised as one of Friedkin’s best films. Ostensibly about four criminals in hiding delivering unstable dynamite to an oil well on fire, Friedkin uses the parable to convey how the different nations of the world have to join together to get the job done... or die in the process. Join me and Dave Anderson as we break down the rhyme and reason of the film that derailed “Hurricane Billy’s” career.    Works Cited  Friedkin, WIlliam. The Freidkin Connection: A Memoir. Harper 2013  Segaloff, Nat Hurricane Billy. William Morrow 1990]]></itunes:summary><itunes:duration>7563</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/b76cece47afb99178292939956074380.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>33.2 The Specialist, Hannah Arendt And The Banality Of Evil</title><link>https://www.spreaker.com/episode/33-2-the-specialist-hannah-arendt-and-the-banality-of-evil--63503227</link><description><![CDATA[I sent my friend Dave Kinnaman Hanna Arendt’s famous book Eichmann in Jerusalem: A Study in the Banality of Evil.  Dave became so engrossed in Arendt’s history of the Holocaust and her philosophy of murder that I then sent him an Israeli documentary of the Eichmann’s trial called The Specialist by director Eyal Sivan. Using original footage of the trial, Sivan reconstructs Arendt’s arguments of why the trial was a failure though it still rendered justice, and through her work she constructed a theory of how the Shoah occurred. Join Dave and I as we sift through the darkest part of the 20th Century using Sivan’s sly masterpiece of truth and Arendt’s arresting idea that the worst mass murderers use droll paperwork instead of bullets.    Works Cited  Hanna Arendt  Eichmann in Jerusalem: A Report on the Banality of Evil  The Origins of Totalitarianism  On Revolution  The Human Condition  On Violence    Films  The Specialist (1999) Eyal Sivan  Eichmann (2009) Robert Young  Operation Finale (2018) Christ Weitz  The Eichmann Show (1961) Paul Andrew Williams  Hanna Arendt (2012) Margarethe von Trotta  The Man Who Captured Eichmann (1996) William A Graham  The Trial of Adolf Eichmann (1997) Michael Prazan  Operation Eichamann (1961) R. G. Springsteen  The Devil Speaks (2022) Yariv Mozer    Other Books  The Desk Killers, by Dan Gretton  On Killing, by Lt. Col. Dave Grossman  The Good Old Days: The Holocaust as Seen by its Perpetrators and Bystanders, by Ernst Klee    You can find me, my books, and my blog at www.thatdylandavis.com.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1617585606</guid><pubDate>Sat, 16 Sep 2023 01:39:35 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503227/1617585606_user_766286154_332_the_specialist_hannah_arendt_and_the_banality_of_evil.mp3" length="47988738" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>I sent my friend Dave Kinnaman Hanna Arendt’s famous book Eichmann in Jerusalem: A Study in the Banality of Evil.  Dave became so engrossed in Arendt’s history of the Holocaust and her philosophy of murder that I then sent him an Israeli documentary...</itunes:subtitle><itunes:summary><![CDATA[I sent my friend Dave Kinnaman Hanna Arendt’s famous book Eichmann in Jerusalem: A Study in the Banality of Evil.  Dave became so engrossed in Arendt’s history of the Holocaust and her philosophy of murder that I then sent him an Israeli documentary of the Eichmann’s trial called The Specialist by director Eyal Sivan. Using original footage of the trial, Sivan reconstructs Arendt’s arguments of why the trial was a failure though it still rendered justice, and through her work she constructed a theory of how the Shoah occurred. Join Dave and I as we sift through the darkest part of the 20th Century using Sivan’s sly masterpiece of truth and Arendt’s arresting idea that the worst mass murderers use droll paperwork instead of bullets.    Works Cited  Hanna Arendt  Eichmann in Jerusalem: A Report on the Banality of Evil  The Origins of Totalitarianism  On Revolution  The Human Condition  On Violence    Films  The Specialist (1999) Eyal Sivan  Eichmann (2009) Robert Young  Operation Finale (2018) Christ Weitz  The Eichmann Show (1961) Paul Andrew Williams  Hanna Arendt (2012) Margarethe von Trotta  The Man Who Captured Eichmann (1996) William A Graham  The Trial of Adolf Eichmann (1997) Michael Prazan  Operation Eichamann (1961) R. G. Springsteen  The Devil Speaks (2022) Yariv Mozer    Other Books  The Desk Killers, by Dan Gretton  On Killing, by Lt. Col. Dave Grossman  The Good Old Days: The Holocaust as Seen by its Perpetrators and Bystanders, by Ernst Klee    You can find me, my books, and my blog at www.thatdylandavis.com.]]></itunes:summary><itunes:duration>5999</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1989a762e3ce5b0b7694ed6018b7bb95.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>33.1 ANZAC Cinema</title><link>https://www.spreaker.com/episode/33-1-anzac-cinema--63503246</link><description><![CDATA[A few months ago I asked a friend of mine, Paul Emig to pick a movie, any movie, for the Super 70 Podcast. He chose Peter Jackson’s Braindead and needless to say this was not my cup of tea. But we don’t care about bad taste at the Super 70 Podcast. We don’t care if it has a budget of twenty thousand dollars or two hundred million, if it’s shot on Super 8, or 70 millimeter. All we care about, if I may be allowed to paraphrase Russel Crowe, is if you are entertained. Also for the previous year, Ben Waterhouse has been begging me to watch the same film. Now what are the chances that I would find two people on this planet that both love Braindead? While we dissect the work of Peter Jackson we digress through his work to the other towers of ANZAC cinema, reach around the edges of the Uruk-Hai and debate the merits of The Beatles, Greta Van Fleet, and Christine McVie.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1594107627</guid><pubDate>Wed, 16 Aug 2023 00:39:25 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503246/1594107627_user_766286154_331_anzac_cinema.mp3" length="47707034" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>A few months ago I asked a friend of mine, Paul Emig to pick a movie, any movie, for the Super 70 Podcast. He chose Peter Jackson’s Braindead and needless to say this was not my cup of tea. But we don’t care about bad taste at the Super 70 Podcast. We...</itunes:subtitle><itunes:summary><![CDATA[A few months ago I asked a friend of mine, Paul Emig to pick a movie, any movie, for the Super 70 Podcast. He chose Peter Jackson’s Braindead and needless to say this was not my cup of tea. But we don’t care about bad taste at the Super 70 Podcast. We don’t care if it has a budget of twenty thousand dollars or two hundred million, if it’s shot on Super 8, or 70 millimeter. All we care about, if I may be allowed to paraphrase Russel Crowe, is if you are entertained. Also for the previous year, Ben Waterhouse has been begging me to watch the same film. Now what are the chances that I would find two people on this planet that both love Braindead? While we dissect the work of Peter Jackson we digress through his work to the other towers of ANZAC cinema, reach around the edges of the Uruk-Hai and debate the merits of The Beatles, Greta Van Fleet, and Christine McVie.]]></itunes:summary><itunes:duration>5963</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cd1aafc15f48f7f6ad75d44e53f1291f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>33 Braindead (1987)</title><link>https://www.spreaker.com/episode/33-braindead-1987--63503240</link><description><![CDATA[Peter Jackson had already spent most of his own money developing his third film Braindead when his producer closed a deal to bring in a quarter million dollars to finish the project. Avalon Studios of Wellington, New Zealand had to spend thousands of dollars of unforeseen expenses to clean the floors of their office and lots when Jackson and his WETA crew blasted the sets with hundreds of gallons of fake blood. Seen as one film in a movement that included Sam Raimi and countless other copycats, Jackson deployed his technical skill as a cameraman, his eye for detail in production design, and a seeming ability to find humor in the things that make the rest of us vomit. The result, Braindead, a film that sent Jackson to Hollywood and on track to be one of the ten most successful directors in cinema history.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1568766475</guid><pubDate>Wed, 19 Jul 2023 03:36:36 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503240/1568766475_user_766286154_33_braindead_1987.mp3" length="49514498" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Peter Jackson had already spent most of his own money developing his third film Braindead when his producer closed a deal to bring in a quarter million dollars to finish the project. Avalon Studios of Wellington, New Zealand had to spend thousands of...</itunes:subtitle><itunes:summary><![CDATA[Peter Jackson had already spent most of his own money developing his third film Braindead when his producer closed a deal to bring in a quarter million dollars to finish the project. Avalon Studios of Wellington, New Zealand had to spend thousands of dollars of unforeseen expenses to clean the floors of their office and lots when Jackson and his WETA crew blasted the sets with hundreds of gallons of fake blood. Seen as one film in a movement that included Sam Raimi and countless other copycats, Jackson deployed his technical skill as a cameraman, his eye for detail in production design, and a seeming ability to find humor in the things that make the rest of us vomit. The result, Braindead, a film that sent Jackson to Hollywood and on track to be one of the ten most successful directors in cinema history.]]></itunes:summary><itunes:duration>6189</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8f0571ee7d30ea8900522846c13cfd76.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>32.1 Film, Literature, And Kinnaman</title><link>https://www.spreaker.com/episode/32-1-film-literature-and-kinnaman--63503228</link><description><![CDATA[I keep in touch with my friend Dave Kinnaman over Zoom. We talk carpentry, history, and literature. Things got pretty wild when I dove in deep discussing two famous documentaries: Ken Burns’ Vietnam and The Last Days of Vietnam on PBS. Both of these documentaries were outstanding efforts to understand and convey the toxic American experience in Asia. Unfortunately, most of this conversation was lost which we recognize now days as a part of the Zoom experience. Also unfortunately, Dave and I digressed greatly in the making of this episode and our conversation we covered so many topics that were, well, off topic that I had to cut them out. In this episode we discuss the glory of HBOMax, Peter Jackson and how literature finds itself on film.  Thanks for listening to the Super 70 Podcast. You can find me, my books, and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com I am also on Instagram. Appreciate Roz’s music at www.rozalindmacphail.com   Discussed:  The Vietnam War  The Last Days of Vietnam  F for Fake  The Man Who Shot Liberty Valance  Office Space  The Rum Diary  Fear and Loathing in Las Vegas]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1540225543</guid><pubDate>Thu, 15 Jun 2023 00:12:17 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503228/1540225543_user_766286154_321_film_literature_and_kinnaman.mp3" length="60302861" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>I keep in touch with my friend Dave Kinnaman over Zoom. We talk carpentry, history, and literature. Things got pretty wild when I dove in deep discussing two famous documentaries: Ken Burns’ Vietnam and The Last Days of Vietnam on PBS. Both of these...</itunes:subtitle><itunes:summary><![CDATA[I keep in touch with my friend Dave Kinnaman over Zoom. We talk carpentry, history, and literature. Things got pretty wild when I dove in deep discussing two famous documentaries: Ken Burns’ Vietnam and The Last Days of Vietnam on PBS. Both of these documentaries were outstanding efforts to understand and convey the toxic American experience in Asia. Unfortunately, most of this conversation was lost which we recognize now days as a part of the Zoom experience. Also unfortunately, Dave and I digressed greatly in the making of this episode and our conversation we covered so many topics that were, well, off topic that I had to cut them out. In this episode we discuss the glory of HBOMax, Peter Jackson and how literature finds itself on film.  Thanks for listening to the Super 70 Podcast. You can find me, my books, and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com I am also on Instagram. Appreciate Roz’s music at www.rozalindmacphail.com   Discussed:  The Vietnam War  The Last Days of Vietnam  F for Fake  The Man Who Shot Liberty Valance  Office Space  The Rum Diary  Fear and Loathing in Las Vegas]]></itunes:summary><itunes:duration>7538</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/9836f6b164c5d4460c66fe98fdfd909b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>32 Pathaan (2023)</title><link>https://www.spreaker.com/episode/32-pathaan-2023--63503247</link><description><![CDATA[Shah Rukh Kahn was already one of the biggest stars in the world when he returned after a four-year hiatus to take the lead in Pathaan, the fourth film in Yash Raj Films’s Spy Universe. Ostensibly about a retired Indian Intelligence agent teaming up with a Pakistani spy to stop a rogue group from carrying out a mass casualty event, Pathaan quickly reveals itself to be a deeper discussion of subcontinent politics. Along the way are direct lifts from Captain America: Winter Soldier, three Mission Impossible movies, and includes elements from most James Bond films and the entire Fast and Furious franchise. The result is an action packed hundred-million-dollar blockbuster that transcends corn, camp, and pastiche to be quite possibly the greatest action film of all time. Join me and my son Luke as we try to contain our excitement scene by scene through “King” Kahn’s Bollywood action masterpiece which begs the question, is Tom Cruise the American Shah Rukh Kahn?]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1515774391</guid><pubDate>Wed, 17 May 2023 02:47:01 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503247/1515774391_user_766286154_32_pathaan_2023.mp3" length="72144690" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Shah Rukh Kahn was already one of the biggest stars in the world when he returned after a four-year hiatus to take the lead in Pathaan, the fourth film in Yash Raj Films’s Spy Universe. Ostensibly about a retired Indian Intelligence agent teaming up...</itunes:subtitle><itunes:summary><![CDATA[Shah Rukh Kahn was already one of the biggest stars in the world when he returned after a four-year hiatus to take the lead in Pathaan, the fourth film in Yash Raj Films’s Spy Universe. Ostensibly about a retired Indian Intelligence agent teaming up with a Pakistani spy to stop a rogue group from carrying out a mass casualty event, Pathaan quickly reveals itself to be a deeper discussion of subcontinent politics. Along the way are direct lifts from Captain America: Winter Soldier, three Mission Impossible movies, and includes elements from most James Bond films and the entire Fast and Furious franchise. The result is an action packed hundred-million-dollar blockbuster that transcends corn, camp, and pastiche to be quite possibly the greatest action film of all time. Join me and my son Luke as we try to contain our excitement scene by scene through “King” Kahn’s Bollywood action masterpiece which begs the question, is Tom Cruise the American Shah Rukh Kahn?]]></itunes:summary><itunes:duration>9018</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/75324d9607c6902ceb2a739f4161805d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>31.1 All Quiet With Dave Kinnaman</title><link>https://www.spreaker.com/episode/31-1-all-quiet-with-dave-kinnaman--63503235</link><description><![CDATA[Dave Kinnaman and I used to teach across the hall from one another. He taught American History, which I thought was boring. I taught World History, which he really never gave a shit about. I was a conservative  Republican. He was a liberal Democrat. We were fast friends. We believed in our Republic for which it stands, listened to American Hardcore Punk, and incessantly read history and literature. Dave and I reconnected recently, and I asked him a ton of questions about All Quiet on the Western Front by Erich Marie Remarque. The conversation digressed and drifted through the sands of time as we discussed the First World War, an unpublished documentary on Albert Speer, and why this German anti-war film from Netflix was a mixed message in today’s time.    Check out Rozalind MacPhail at rozalindmachphail.com and me at www.thatdylandavis.com.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1501828876</guid><pubDate>Fri, 28 Apr 2023 00:26:24 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503235/1501828876_user_766286154_311_all_quiet_with_dave_kinnaman.mp3" length="58689121" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Dave Kinnaman and I used to teach across the hall from one another. He taught American History, which I thought was boring. I taught World History, which he really never gave a shit about. I was a conservative  Republican. He was a liberal Democrat....</itunes:subtitle><itunes:summary><![CDATA[Dave Kinnaman and I used to teach across the hall from one another. He taught American History, which I thought was boring. I taught World History, which he really never gave a shit about. I was a conservative  Republican. He was a liberal Democrat. We were fast friends. We believed in our Republic for which it stands, listened to American Hardcore Punk, and incessantly read history and literature. Dave and I reconnected recently, and I asked him a ton of questions about All Quiet on the Western Front by Erich Marie Remarque. The conversation digressed and drifted through the sands of time as we discussed the First World War, an unpublished documentary on Albert Speer, and why this German anti-war film from Netflix was a mixed message in today’s time.    Check out Rozalind MacPhail at rozalindmachphail.com and me at www.thatdylandavis.com.]]></itunes:summary><itunes:duration>7336</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a7bc9ad278301767cfb6bb97347a6949.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>31 Code 46 (2003)</title><link>https://www.spreaker.com/episode/31-code-46-2003--63503242</link><description><![CDATA[Michael Winterbottom might be the Rainer Werner Fassbinder of the UK with a shocking 48 directing credits, both in film and television, since 1988. Known for jumping from genre to genre, he landed in Science Fiction in 2003 when he directed Tim Robbins and Samantha Morton in Code 46. In a future in which the haves and the have-nots are starkly divided, Code 46 paints a world in which DNA is everything and the gene pool is smaller due to the enormous explosion of surrogate in-vitro technology. What happens when you share part of your DNA with someone you’re in love with? Let’s find out and go scene by scene as we explore themes on sexuality, morality, gender, and who is always left holding the bag.     Find me at www.thatdylandavis.com or email me at thatdylandavis@gmail.com. Listen to Roz at www.rozilandmacphail.com     Works Cited:  Dix, Andrew. “Do You Want This World Left On?” : Global Imaginaries in the Films of Michael Winterbottom. Style, Vol. 43, No. 1, Film and Globalization (Spring 2009), pp3-25. Penn State University.  Baker, Brian. “Here on the Outside” : Mobility and Bio-politics in Michael Winterobttom’s Code 46. Science Fiction Studies, Vol. 32 No. 1 (March 2015), pp115-131. SF-TH Inc.  Porton, Richard. In Praise of Folly: An Interview with Michael Winterbottom. Cineaste, SPRING 2006, Vol 31, No 2 pp 28-31. Cineaste.   Elsheshtawy, Yasser. The Prophecy of “Code 46” : Afuera in Dubai, or Our Urban Future. Traditional Dwellings and Settlements in Review, Spring 2011, Vol 22, No. 2. International Association for the Study of Traditional Environments.   Smith, Damon. Michael Winterbottom: Interviews. University of Mississippi. Jackson, 2011.  Bennett, Bruce. The Cinema of Michael Winterbottom. Wallflower Press. New York. 2014]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1476975736</guid><pubDate>Sat, 25 Mar 2023 02:19:02 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503242/1476975736_user_766286154_31_code_46_2003.mp3" length="45347863" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Michael Winterbottom might be the Rainer Werner Fassbinder of the UK with a shocking 48 directing credits, both in film and television, since 1988. Known for jumping from genre to genre, he landed in Science Fiction in 2003 when he directed Tim...</itunes:subtitle><itunes:summary><![CDATA[Michael Winterbottom might be the Rainer Werner Fassbinder of the UK with a shocking 48 directing credits, both in film and television, since 1988. Known for jumping from genre to genre, he landed in Science Fiction in 2003 when he directed Tim Robbins and Samantha Morton in Code 46. In a future in which the haves and the have-nots are starkly divided, Code 46 paints a world in which DNA is everything and the gene pool is smaller due to the enormous explosion of surrogate in-vitro technology. What happens when you share part of your DNA with someone you’re in love with? Let’s find out and go scene by scene as we explore themes on sexuality, morality, gender, and who is always left holding the bag.     Find me at www.thatdylandavis.com or email me at thatdylandavis@gmail.com. Listen to Roz at www.rozilandmacphail.com     Works Cited:  Dix, Andrew. “Do You Want This World Left On?” : Global Imaginaries in the Films of Michael Winterbottom. Style, Vol. 43, No. 1, Film and Globalization (Spring 2009), pp3-25. Penn State University.  Baker, Brian. “Here on the Outside” : Mobility and Bio-politics in Michael Winterobttom’s Code 46. Science Fiction Studies, Vol. 32 No. 1 (March 2015), pp115-131. SF-TH Inc.  Porton, Richard. In Praise of Folly: An Interview with Michael Winterbottom. Cineaste, SPRING 2006, Vol 31, No 2 pp 28-31. Cineaste.   Elsheshtawy, Yasser. The Prophecy of “Code 46” : Afuera in Dubai, or Our Urban Future. Traditional Dwellings and Settlements in Review, Spring 2011, Vol 22, No. 2. International Association for the Study of Traditional Environments.   Smith, Damon. Michael Winterbottom: Interviews. University of Mississippi. Jackson, 2011.  Bennett, Bruce. The Cinema of Michael Winterbottom. Wallflower Press. New York. 2014]]></itunes:summary><itunes:duration>5668</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0da787990698ea9b7df760643340c640.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>S70P Podcast Update</title><link>https://www.spreaker.com/episode/s70p-podcast-update--63503238</link><description><![CDATA[Please listen for an update on The Super 70 Podcast.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1472206420</guid><pubDate>Sun, 19 Mar 2023 03:18:16 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503238/1472206420_user_766286154_s70p_podcast_update.mp3" length="1859208" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Please listen for an update on The Super 70 Podcast.</itunes:subtitle><itunes:summary><![CDATA[Please listen for an update on The Super 70 Podcast.]]></itunes:summary><itunes:duration>232</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6d956b69df86bbfe9f9583a23dae74d7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Edition - Sight And Sound 100 With Dave Anderson</title><link>https://www.spreaker.com/episode/special-edition-sight-and-sound-100-with-dave-anderson--63503230</link><description><![CDATA[Dave Anderson sat down with me after FURY ROAD and we discussed the future, fascism, and femininity. Then we went through the Sight and Sound 100 list to sort out what was interesting, what was surprising, and what was a tall, stinking pile of Jeanne Dielman  You can find me at www.thatdylandavis.com and thatdylandavis@gmail.com. All music on this podcast is by Rozalind MacPhail at www.rozilandmacphail.com]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1440338359</guid><pubDate>Sun, 05 Feb 2023 17:27:15 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503230/1440338359_user_766286154_special_edition_sight_and_sound_100_with_dave_anderson.mp3" length="77114016" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Dave Anderson sat down with me after FURY ROAD and we discussed the future, fascism, and femininity. Then we went through the Sight and Sound 100 list to sort out what was interesting, what was surprising, and what was a tall, stinking pile of Jeanne...</itunes:subtitle><itunes:summary><![CDATA[Dave Anderson sat down with me after FURY ROAD and we discussed the future, fascism, and femininity. Then we went through the Sight and Sound 100 list to sort out what was interesting, what was surprising, and what was a tall, stinking pile of Jeanne Dielman  You can find me at www.thatdylandavis.com and thatdylandavis@gmail.com. All music on this podcast is by Rozalind MacPhail at www.rozilandmacphail.com]]></itunes:summary><itunes:duration>9639</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2316f79ea6ee542c9bbd869f7d614ec9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP30 Mad Max - Fury Road</title><link>https://www.spreaker.com/episode/ep30-mad-max-fury-road--63503245</link><description><![CDATA[Australian Auteur George Miller, MD, had already cranked out ten films and earned the top golden man for animation when Warner Brothers finally approved his 3,500 storyboarded idea for a fourth Mad Max Franchise installment. At the age of 70, Miller took almost a thousand cast and crew members to the middle of the Namibian desert for over a year to create what has been called the greatest action film ever made. Behind the scenes was a twenty-year battle between two studios, several heads of production, and three huge movie stars to create what we see on the surface to be a film about our global fears regarding survival, psychosis, and the ever-disappearing access to the elements that keep us alive. After the dust settled, and Fury Road took home an astonishing six Oscars from ten nominations, the critics and fans pointed to the real story of Fury Road: the warning of dictatorship, megalomania, and the power of femininity that could save us all. Witness me and Dave Anderson as we go scene by scene through Fury Road and argue the finer points of Valhalla, Gas Town, and the Vuvalini.    As always, all music is by Rozalind MacPhail. You can find her at www.rozilandmacphail.com.    Works Cited:  Buchanan, Kyle. Blood, Sweat, and Chrome: The Wild and True Story of Mad Max: Fury Road.  William Morrow. New York. 2022.  Smyth, J. E. “Prick Flick”: Taking the Measure of Manly Movies. Cineaste, Fall 2017. Vol. 42, No. 4 (Fall 2017), pp 20-24.  Walter, Martin. Landscapes of Loss: The Semantics of Empty Spaces in Contemporary Post-Apocalyptic Fiction. “Empty Spaces: Perspectives on Emptiness in Modern History” Ed. Campbell, Courtney J., Giovine, Allegra and Keating, Jennifer. University of London Press.   Payne, Darin. Shifting Gears and Paradigms at the Movies: Masculinity, Automobility, and the Rhetorical Dimensions of “Mad Max: Fury Road.” Studies in Popular Culture, Fall 2017. Vol 40, No. 1, pp 102-135.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1428992512</guid><pubDate>Fri, 20 Jan 2023 23:59:01 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503245/1428992512_user_766286154_ep30_mad_max_fury_road.mp3" length="57093352" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Australian Auteur George Miller, MD, had already cranked out ten films and earned the top golden man for animation when Warner Brothers finally approved his 3,500 storyboarded idea for a fourth Mad Max Franchise installment. At the age of 70, Miller...</itunes:subtitle><itunes:summary><![CDATA[Australian Auteur George Miller, MD, had already cranked out ten films and earned the top golden man for animation when Warner Brothers finally approved his 3,500 storyboarded idea for a fourth Mad Max Franchise installment. At the age of 70, Miller took almost a thousand cast and crew members to the middle of the Namibian desert for over a year to create what has been called the greatest action film ever made. Behind the scenes was a twenty-year battle between two studios, several heads of production, and three huge movie stars to create what we see on the surface to be a film about our global fears regarding survival, psychosis, and the ever-disappearing access to the elements that keep us alive. After the dust settled, and Fury Road took home an astonishing six Oscars from ten nominations, the critics and fans pointed to the real story of Fury Road: the warning of dictatorship, megalomania, and the power of femininity that could save us all. Witness me and Dave Anderson as we go scene by scene through Fury Road and argue the finer points of Valhalla, Gas Town, and the Vuvalini.    As always, all music is by Rozalind MacPhail. You can find her at www.rozilandmacphail.com.    Works Cited:  Buchanan, Kyle. Blood, Sweat, and Chrome: The Wild and True Story of Mad Max: Fury Road.  William Morrow. New York. 2022.  Smyth, J. E. “Prick Flick”: Taking the Measure of Manly Movies. Cineaste, Fall 2017. Vol. 42, No. 4 (Fall 2017), pp 20-24.  Walter, Martin. Landscapes of Loss: The Semantics of Empty Spaces in Contemporary Post-Apocalyptic Fiction. “Empty Spaces: Perspectives on Emptiness in Modern History” Ed. Campbell, Courtney J., Giovine, Allegra and Keating, Jennifer. University of London Press.   Payne, Darin. Shifting Gears and Paradigms at the Movies: Masculinity, Automobility, and the Rhetorical Dimensions of “Mad Max: Fury Road.” Studies in Popular Culture, Fall 2017. Vol 40, No. 1, pp 102-135.]]></itunes:summary><itunes:duration>7137</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6fff460673e2b1176986aaf5007564a4.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report - Bruce Willis Celebration</title><link>https://www.spreaker.com/episode/special-report-bruce-willis-celebration--63503252</link><description><![CDATA[The last forty years of Hollywood has been dominated by a handful of stars that stayed in the A List. Join us as we go through the impressive career of Bruce Willis, American Wunderkind who managed to turn his television career into an impressive melee into action, comedy, and dare I say…art?  Aphasia is an inability to comprehend or formulate language because of damage to specific brain regions. You can donate to help patients with Aphasia at www.aphasia.org.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1281133573</guid><pubDate>Sat, 04 Jun 2022 19:42:32 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503252/1281133573_user_766286154_special_report_bruce_willis_celebration.mp3" length="48736049" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>The last forty years of Hollywood has been dominated by a handful of stars that stayed in the A List. Join us as we go through the impressive career of Bruce Willis, American Wunderkind who managed to turn his television career into an impressive...</itunes:subtitle><itunes:summary><![CDATA[The last forty years of Hollywood has been dominated by a handful of stars that stayed in the A List. Join us as we go through the impressive career of Bruce Willis, American Wunderkind who managed to turn his television career into an impressive melee into action, comedy, and dare I say…art?  Aphasia is an inability to comprehend or formulate language because of damage to specific brain regions. You can donate to help patients with Aphasia at www.aphasia.org.]]></itunes:summary><itunes:duration>6092</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ca41de4b3b599de2509573df2f34aa9e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP29 - Bend It Like Beckham</title><link>https://www.spreaker.com/episode/ep29-bend-it-like-beckham--63503236</link><description><![CDATA[British Director Gurninder Chadha dominated the UK theaters for three weeks in 2002 with a story about an Indian girl who just wanted to play soccer. When the audience turned out, though, they saw a multi-layered critique of modern British society that included sexism, racism, and clashing culture. Join me as we go scene by scene to see how clandestinely Chadha discusses these topics using clever iconography and metaphor in what is one of the most important films about immigration, assimilation, and aloo gobi.   Works Cited Bagguley, Paul and Hussaine, Yasmin. Bend It Like Beckham film review. Feminist Media Studies, Vol 2, No. 3, 2002. Routledge Taylor and Francis Group Press.  Deprez, Camille. Comparative Reflections on Hong Kong and indian Cinema - Identity, Diaspora, and Cosmopolitanism. China Perspectives, 2009. No. 3 (79) (2009), pp 87-96. Gianrdina, Michael. Bend[ing] it Like Beckham: Stylish Hybridity in Popular British Culture. Counterpoints, 2005, Vol 282, Sporting pedagogies: Performing Culture &amp; Identity in the Global Arena (2005), pp 27-48. Alie, Lorraine. GOOOOOOAL! Newsweek; 4-21-2003, Vol 141 Issue 16, p52, 2p, 2c. Ransom, Amy J. Bollywood Goes to the Stadium: Gender, national Identity, and Sport Film in Hindi. Journal of Film and Video, Vol 66. No. 4 (Winter 2021). Pp 34-49. Stuart, Jan. Alive and Kicking. The Advocate. 4-1-03. Issue 886. P57. 1p. 1c. Sawhney, Cary Rajinder. ‘Another Kind of British’: An Exploration of British Asian Films. Cineaste, Fall 2001. Vol. 26, No. 4. Pp58-61.  The Sikh Encyclopedia https://www.thesikhencyclopedia.com/ A starter for Sikhism https://www.allaboutsikhs.com/ To see how two forwards level off before scoring, watch this textbook execution https://youtu.be/hadWFJS-An8  On Twitter @thatdylandavis       www.thatdylandavis.com Find @rozalindmacphail  www.rozalindmacphail.com]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1265430433</guid><pubDate>Tue, 10 May 2022 03:45:20 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503236/1265430433_user_766286154_ep29_bend_it_like_beckham.mp3" length="53955106" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>British Director Gurninder Chadha dominated the UK theaters for three weeks in 2002 with a story about an Indian girl who just wanted to play soccer. When the audience turned out, though, they saw a multi-layered critique of modern British society...</itunes:subtitle><itunes:summary><![CDATA[British Director Gurninder Chadha dominated the UK theaters for three weeks in 2002 with a story about an Indian girl who just wanted to play soccer. When the audience turned out, though, they saw a multi-layered critique of modern British society that included sexism, racism, and clashing culture. Join me as we go scene by scene to see how clandestinely Chadha discusses these topics using clever iconography and metaphor in what is one of the most important films about immigration, assimilation, and aloo gobi.   Works Cited Bagguley, Paul and Hussaine, Yasmin. Bend It Like Beckham film review. Feminist Media Studies, Vol 2, No. 3, 2002. Routledge Taylor and Francis Group Press.  Deprez, Camille. Comparative Reflections on Hong Kong and indian Cinema - Identity, Diaspora, and Cosmopolitanism. China Perspectives, 2009. No. 3 (79) (2009), pp 87-96. Gianrdina, Michael. Bend[ing] it Like Beckham: Stylish Hybridity in Popular British Culture. Counterpoints, 2005, Vol 282, Sporting pedagogies: Performing Culture &amp; Identity in the Global Arena (2005), pp 27-48. Alie, Lorraine. GOOOOOOAL! Newsweek; 4-21-2003, Vol 141 Issue 16, p52, 2p, 2c. Ransom, Amy J. Bollywood Goes to the Stadium: Gender, national Identity, and Sport Film in Hindi. Journal of Film and Video, Vol 66. No. 4 (Winter 2021). Pp 34-49. Stuart, Jan. Alive and Kicking. The Advocate. 4-1-03. Issue 886. P57. 1p. 1c. Sawhney, Cary Rajinder. ‘Another Kind of British’: An Exploration of British Asian Films. Cineaste, Fall 2001. Vol. 26, No. 4. Pp58-61.  The Sikh Encyclopedia https://www.thesikhencyclopedia.com/ A starter for Sikhism https://www.allaboutsikhs.com/ To see how two forwards level off before scoring, watch this textbook execution https://youtu.be/hadWFJS-An8  On Twitter @thatdylandavis       www.thatdylandavis.com Find @rozalindmacphail  www.rozalindmacphail.com]]></itunes:summary><itunes:duration>6744</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2577be6369e1f87c424974b375eb95a3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report - Decades Rematch</title><link>https://www.spreaker.com/episode/special-report-decades-rematch--63503248</link><description><![CDATA[Okay fan boys and girls, you know the drill. Once upon a time I bet any year of film in the 1980’s would beat any film from any other year in any other decade. I flippantly told Dave 1984 would beat 1924, 1934 and do on. And he roundly proved me wrong. I wanted a rematch, and again chose 1987 out of a hat. That year may flip both of our points of view. By the time the podcast is over we’ll take a huge deep dive into our Letterboxd accounts, finally spend an adequate amount of time on the amazing October of 2021, and we breakdown our love of cinema and compare the size of our…screens.   The Super 70 Podcast can be found on Soundcloud, Spotify, and any feed Apple RSS pushes to. You can find me, my books, and my blog at www.thatdylavis.com. You can find Rozalind MacPhail at www.rozilandmacphail.com. You can find Dave Anderson on a future episode of The Super 70 Podcast.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1247500237</guid><pubDate>Sat, 09 Apr 2022 23:13:54 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503248/1247500237_user_766286154_special_report_decades_rematch.mp3" length="76365242" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Okay fan boys and girls, you know the drill. Once upon a time I bet any year of film in the 1980’s would beat any film from any other year in any other decade. I flippantly told Dave 1984 would beat 1924, 1934 and do on. And he roundly proved me...</itunes:subtitle><itunes:summary><![CDATA[Okay fan boys and girls, you know the drill. Once upon a time I bet any year of film in the 1980’s would beat any film from any other year in any other decade. I flippantly told Dave 1984 would beat 1924, 1934 and do on. And he roundly proved me wrong. I wanted a rematch, and again chose 1987 out of a hat. That year may flip both of our points of view. By the time the podcast is over we’ll take a huge deep dive into our Letterboxd accounts, finally spend an adequate amount of time on the amazing October of 2021, and we breakdown our love of cinema and compare the size of our…screens.   The Super 70 Podcast can be found on Soundcloud, Spotify, and any feed Apple RSS pushes to. You can find me, my books, and my blog at www.thatdylavis.com. You can find Rozalind MacPhail at www.rozilandmacphail.com. You can find Dave Anderson on a future episode of The Super 70 Podcast.]]></itunes:summary><itunes:duration>9546</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8f5f1b5c2c84f37aaccbe65e9df43114.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report - On Godard</title><link>https://www.spreaker.com/episode/special-report-on-godard--63503250</link><description><![CDATA[Ok, fanboys and girls, what we have here is two recordings. The first recording is my son and I after we recorded the Breathless podcast chatting about Godard. That’s about 20 minutes. And the second recording is me and Dave Anderson chatting about Godard as well. I went over to his house and miked his back yard so we could smoke outside and watch the Astros lose and well, that pretty much dictated how the recording went. We also jumped into Communist Ideology, the amazing Cinema of October of 2020, James Bond, and Lady Gaga’s stunning debut into modern Kino.  Cinema Cited Breathless Vivre Savie Le Petit Soldat Contempt A Band a Par Pierrot le Fou Tenet 575 Castro Street The Pervert’s Guide to Ideology Montage of Heck Woodstock ‘99 Underwater Milk Star Trek VI: The Undiscovered Country  Works Cited Make this Marxist blush with some Capitalist Expenditure: https://smile.amazon.com/Sublime-Object-Ideology-Essential-Zizek/dp/1844673006/ref=sr_1_3?crid=373DXHWPDJ8NE&amp;keywords=slavoj+zizek&amp;qid=1646497866&amp;s=books&amp;sprefix=slavo%2Cstripbooks%2C142&amp;sr=1-3  Thanks for hanging out with Luke, Dave, and I while we chatted about cinema. The Super 70 podcast is brought to you by Dylan Davis. That’s me. You can find me, my books, and my blog on www.thatdylandavis.com.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1227034603</guid><pubDate>Sat, 05 Mar 2022 16:48:22 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503250/1227034603_user_766286154_special_report_on_godard.mp3" length="72762852" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Ok, fanboys and girls, what we have here is two recordings. The first recording is my son and I after we recorded the Breathless podcast chatting about Godard. That’s about 20 minutes. And the second recording is me and Dave Anderson chatting about...</itunes:subtitle><itunes:summary><![CDATA[Ok, fanboys and girls, what we have here is two recordings. The first recording is my son and I after we recorded the Breathless podcast chatting about Godard. That’s about 20 minutes. And the second recording is me and Dave Anderson chatting about Godard as well. I went over to his house and miked his back yard so we could smoke outside and watch the Astros lose and well, that pretty much dictated how the recording went. We also jumped into Communist Ideology, the amazing Cinema of October of 2020, James Bond, and Lady Gaga’s stunning debut into modern Kino.  Cinema Cited Breathless Vivre Savie Le Petit Soldat Contempt A Band a Par Pierrot le Fou Tenet 575 Castro Street The Pervert’s Guide to Ideology Montage of Heck Woodstock ‘99 Underwater Milk Star Trek VI: The Undiscovered Country  Works Cited Make this Marxist blush with some Capitalist Expenditure: https://smile.amazon.com/Sublime-Object-Ideology-Essential-Zizek/dp/1844673006/ref=sr_1_3?crid=373DXHWPDJ8NE&amp;keywords=slavoj+zizek&amp;qid=1646497866&amp;s=books&amp;sprefix=slavo%2Cstripbooks%2C142&amp;sr=1-3  Thanks for hanging out with Luke, Dave, and I while we chatted about cinema. The Super 70 podcast is brought to you by Dylan Davis. That’s me. You can find me, my books, and my blog on www.thatdylandavis.com.]]></itunes:summary><itunes:duration>9095</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/80efe1ac3398cf8d3bda129094f9fd69.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report With Teresa Van Hoy</title><link>https://www.spreaker.com/episode/special-report-with-teresa-van-hoy--63503253</link><description><![CDATA[Last episode I asked Dr. Teresa Van Hoy from St. Mary’s University in San Antonio, Texas, to go scene by scene with me through Maria Louise Bemberg’s Immortal story about Sor Juana Ines de la Cruz titled “I the Worst of All.” We had such a stimulating conversation I asked her back for a couple of hours so we could discuss important topics as racism and John Ford’s The Searchers, Confederates in film and in stature, and being good Texans we take a deep dive into Mexican and Texas history and film.    Teresa Van Hoy teaches history at St. Mary’s University in San Antonio, Texas, just a couple of miles away from the Alamo. Look in my notes to for links to her book and Ellen Brodsky’s film “25 Texans in the Land of Lincoln.”  If you need to reach me you can email me at thatdylandavis@gmail.com. You can find me, my books, and my blog at www.thatdylandavis.com. I’m Dylan Davis and I’m saying to you, adios.   You can get her book Social History of Mexico's Railroads: Peons, Prisoners, and Priests here on Amazon.com: https://smile.amazon.com/Social-History-Mexicos-Railroads-Prisoners-dp-0742553280/dp/0742553280/ref=mt_other?_encoding=UTF8&amp;me=&amp;qid=1638724568  Rip Ford lived through every major even in the Republic of Texas, and wrote it all down. His biography is here: https://smile.amazon.com/Fords-Texas-Personal-Narratives-West/dp/0292770340/ref=sr_1_1?crid=11F0USNBP2YGC&amp;keywords=rip+ford%27s+texas&amp;qid=1640148418&amp;sprefix=rip+ford%27%2Caps%2C109&amp;sr=8-1  You can see Ellen Brodsky’s film “25 Texans in the Land of Lincoln” on Kanopy here: https://www.kanopy.com/product/25-texans-land-lincoln  You can find Rozalind MacPhail’s music on iTunes and www.rozilandmacphail.com You can find me, my books, and my blog on www.thatdylandavis.com. I am on Letterboxd and Twitter as @thatdylandavis and you can reach me at thatdylandavis@gmail.com]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1210623346</guid><pubDate>Sun, 06 Feb 2022 01:50:46 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503253/1210623346_user_766286154_special_report_with_teresa_van_hoy.mp3" length="61277124" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Last episode I asked Dr. Teresa Van Hoy from St. Mary’s University in San Antonio, Texas, to go scene by scene with me through Maria Louise Bemberg’s Immortal story about Sor Juana Ines de la Cruz titled “I the Worst of All.” We had such a stimulating...</itunes:subtitle><itunes:summary><![CDATA[Last episode I asked Dr. Teresa Van Hoy from St. Mary’s University in San Antonio, Texas, to go scene by scene with me through Maria Louise Bemberg’s Immortal story about Sor Juana Ines de la Cruz titled “I the Worst of All.” We had such a stimulating conversation I asked her back for a couple of hours so we could discuss important topics as racism and John Ford’s The Searchers, Confederates in film and in stature, and being good Texans we take a deep dive into Mexican and Texas history and film.    Teresa Van Hoy teaches history at St. Mary’s University in San Antonio, Texas, just a couple of miles away from the Alamo. Look in my notes to for links to her book and Ellen Brodsky’s film “25 Texans in the Land of Lincoln.”  If you need to reach me you can email me at thatdylandavis@gmail.com. You can find me, my books, and my blog at www.thatdylandavis.com. I’m Dylan Davis and I’m saying to you, adios.   You can get her book Social History of Mexico's Railroads: Peons, Prisoners, and Priests here on Amazon.com: https://smile.amazon.com/Social-History-Mexicos-Railroads-Prisoners-dp-0742553280/dp/0742553280/ref=mt_other?_encoding=UTF8&amp;me=&amp;qid=1638724568  Rip Ford lived through every major even in the Republic of Texas, and wrote it all down. His biography is here: https://smile.amazon.com/Fords-Texas-Personal-Narratives-West/dp/0292770340/ref=sr_1_1?crid=11F0USNBP2YGC&amp;keywords=rip+ford%27s+texas&amp;qid=1640148418&amp;sprefix=rip+ford%27%2Caps%2C109&amp;sr=8-1  You can see Ellen Brodsky’s film “25 Texans in the Land of Lincoln” on Kanopy here: https://www.kanopy.com/product/25-texans-land-lincoln  You can find Rozalind MacPhail’s music on iTunes and www.rozilandmacphail.com You can find me, my books, and my blog on www.thatdylandavis.com. I am on Letterboxd and Twitter as @thatdylandavis and you can reach me at thatdylandavis@gmail.com]]></itunes:summary><itunes:duration>7660</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/492f8ad8f566c297bb10c21c99630c19.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP28 - I The Worst Of All</title><link>https://www.spreaker.com/episode/ep28-i-the-worst-of-all--63503221</link><description><![CDATA[Maria Louisa Bemberg, the granddaughter of German immigrants to Argentina, was 48 years old and the mother of four when she moved from Franco’s Spain back to Peronist Argentina to pursue a film career. At 68, she moved her critical eye to the Church of New Spain when she directed I, the Worst of All. A compelling true story of a seventeenth century nun in the convent of St. Gerome outside Mexico City, the film explores the effect of misogyny and jingoism upon the lives of genuinely good natured, intelligent, and faithful women who see knowledge and God as synonymous. This world view crashes down when a new Viceroy comes to the new world and challenges the status quo of the Bishop of Puebla, the ecclesiastical authority in New Spain. Caught in a political trap that could cost her a trial by the Inquisition, Sor Juana uses her wits to try to survive in a man’s world. Bemberg’s focus is of course women’s rights but along the way we see shades of the authoritarianism Bemberg herself was subjected to. Joining me on this episode is Dr. Teresa Van Hoy of St. Mary’s University, San Antonio.   WORKS CITED Find I, the Worst of All on DVD at http://firstrunfeatures.com/iworstofalldvd.html De La Cruz, Sor Juana Ines. Selected Works. Ed. Julia Alvarez. Translated by Edith Grossman. W.W. Norton and Company. New York. 2014. Sor Juana: The Traps of Faith by Octavio Paz. Harvard University Press. 1990.  Find me at www.thatdylandavis.com and @thatdylandavis on Twitter       Find Teresa’s book A Social History of Mexico's Railroads: Peons, Prisoners, and Priests on Amazon https://smile.amazon.com/gp/product/B00FF9PWMM/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0 Find Rozalind at www.rozalindmacphail.com]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1192862212</guid><pubDate>Sat, 08 Jan 2022 21:33:33 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503221/1192862212_user_766286154_ep28_i_the_worst_of_all.mp3" length="53860020" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Maria Louisa Bemberg, the granddaughter of German immigrants to Argentina, was 48 years old and the mother of four when she moved from Franco’s Spain back to Peronist Argentina to pursue a film career. At 68, she moved her critical eye to the Church...</itunes:subtitle><itunes:summary><![CDATA[Maria Louisa Bemberg, the granddaughter of German immigrants to Argentina, was 48 years old and the mother of four when she moved from Franco’s Spain back to Peronist Argentina to pursue a film career. At 68, she moved her critical eye to the Church of New Spain when she directed I, the Worst of All. A compelling true story of a seventeenth century nun in the convent of St. Gerome outside Mexico City, the film explores the effect of misogyny and jingoism upon the lives of genuinely good natured, intelligent, and faithful women who see knowledge and God as synonymous. This world view crashes down when a new Viceroy comes to the new world and challenges the status quo of the Bishop of Puebla, the ecclesiastical authority in New Spain. Caught in a political trap that could cost her a trial by the Inquisition, Sor Juana uses her wits to try to survive in a man’s world. Bemberg’s focus is of course women’s rights but along the way we see shades of the authoritarianism Bemberg herself was subjected to. Joining me on this episode is Dr. Teresa Van Hoy of St. Mary’s University, San Antonio.   WORKS CITED Find I, the Worst of All on DVD at http://firstrunfeatures.com/iworstofalldvd.html De La Cruz, Sor Juana Ines. Selected Works. Ed. Julia Alvarez. Translated by Edith Grossman. W.W. Norton and Company. New York. 2014. Sor Juana: The Traps of Faith by Octavio Paz. Harvard University Press. 1990.  Find me at www.thatdylandavis.com and @thatdylandavis on Twitter       Find Teresa’s book A Social History of Mexico's Railroads: Peons, Prisoners, and Priests on Amazon https://smile.amazon.com/gp/product/B00FF9PWMM/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0 Find Rozalind at www.rozalindmacphail.com]]></itunes:summary><itunes:duration>6732</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ae3e0b2c6fe4db5992ef955c8690c576.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report With Film Is Lit</title><link>https://www.spreaker.com/episode/special-report-with-film-is-lit--63503256</link><description><![CDATA[Katsushiro Otomo’s Akira Commentarycast guest starring Laura Seiling and Danny Gaylord from the Film is Lit Podcast and their friend and self appointed Manga enthusiast Ryan Burns was a blast. We had so much fun doing that we decided to do this special report in which we wander through discussion of psychology and Akira, race and Ghost in the Shell, misogyny and Blue is the Warmest Color; we discuss Dune probably too much and we end by pondering what is our Rushmore of literature?  Works Cited Dune, Frank Herbert Doctor Sleep, Stephen King Blue is the Warmest Color, Julie Maroh]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1172122144</guid><pubDate>Sun, 05 Dec 2021 02:09:02 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503256/1172122144_user_766286154_special_report_with_film_is_lit.mp3" length="73008821" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Katsushiro Otomo’s Akira Commentarycast guest starring Laura Seiling and Danny Gaylord from the Film is Lit Podcast and their friend and self appointed Manga enthusiast Ryan Burns was a blast. We had so much fun doing that we decided to do this...</itunes:subtitle><itunes:summary><![CDATA[Katsushiro Otomo’s Akira Commentarycast guest starring Laura Seiling and Danny Gaylord from the Film is Lit Podcast and their friend and self appointed Manga enthusiast Ryan Burns was a blast. We had so much fun doing that we decided to do this special report in which we wander through discussion of psychology and Akira, race and Ghost in the Shell, misogyny and Blue is the Warmest Color; we discuss Dune probably too much and we end by pondering what is our Rushmore of literature?  Works Cited Dune, Frank Herbert Doctor Sleep, Stephen King Blue is the Warmest Color, Julie Maroh]]></itunes:summary><itunes:duration>9126</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/25582fd05be13439ffc91c1133cd79d4.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP27 - AKIRA</title><link>https://www.spreaker.com/episode/ep27-akira--63503258</link><description><![CDATA[Katsuhiro Otomo was 34 years old and had only directed a short film when he dished out the most important Japanese anime film of all time. Based on his own massively popular Manga, AKIRA takes western influences and filters them through eastern experiences. Join Laura Seiling, Danny Gaylord, and Ryan Burns from the Film is Lit Podcast as we go scene by scene through AKIRA and discuss the influence of biker gangs, the trauma of growing up after a nuclear holocaust, and the insufferable torment of adolescent angst.   Get a hold of Film Is Lit here: https://www.facebook.com/filmislitpodcast And Roz’s new album here: www.rozalindmacphail.com  Works Cited Otomo, Katsuhiro. AKIRA. Six Volumes. Kodansha Comics. Tokyo, 1990.  Lopez, Remi. The Impact of AKIRA: A Manga Revolution. Third Edition. Toulouse. 2020.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1155511777</guid><pubDate>Sun, 07 Nov 2021 18:05:16 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503258/1155511777_user_766286154_ep27_akira.mp3" length="61249121" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Katsuhiro Otomo was 34 years old and had only directed a short film when he dished out the most important Japanese anime film of all time. Based on his own massively popular Manga, AKIRA takes western influences and filters them through eastern...</itunes:subtitle><itunes:summary><![CDATA[Katsuhiro Otomo was 34 years old and had only directed a short film when he dished out the most important Japanese anime film of all time. Based on his own massively popular Manga, AKIRA takes western influences and filters them through eastern experiences. Join Laura Seiling, Danny Gaylord, and Ryan Burns from the Film is Lit Podcast as we go scene by scene through AKIRA and discuss the influence of biker gangs, the trauma of growing up after a nuclear holocaust, and the insufferable torment of adolescent angst.   Get a hold of Film Is Lit here: https://www.facebook.com/filmislitpodcast And Roz’s new album here: www.rozalindmacphail.com  Works Cited Otomo, Katsuhiro. AKIRA. Six Volumes. Kodansha Comics. Tokyo, 1990.  Lopez, Remi. The Impact of AKIRA: A Manga Revolution. Third Edition. Toulouse. 2020.]]></itunes:summary><itunes:duration>7656</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f5315316cb9c76b1aa8bf8c1955ecee2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report With Mike White</title><link>https://www.spreaker.com/episode/special-report-with-mike-white--63503261</link><description><![CDATA[Mike White of the Projection Booth Podcast was nice enough to sit for a Special Report for the Super 70 Podcast. We discuss the career and possible future of Bruce Lee, the importance of Cinema in our lives, and I ask him when the hell does he have time to push out three hour episodes every week on the Projection Booth?  Find Mike at https://www.projectionboothpodcast.com On Twitter @proboothcast Find Rozalind https://www.rozalindmacphail.com On Twitter @flutegirl Find me at www.thatdylandavis.com On Twitter thatdylandavis@gmail.com]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1138881259</guid><pubDate>Sat, 09 Oct 2021 13:59:43 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503261/1138881259_user_766286154_special_report_with_mike_white.mp3" length="28313936" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Mike White of the Projection Booth Podcast was nice enough to sit for a Special Report for the Super 70 Podcast. We discuss the career and possible future of Bruce Lee, the importance of Cinema in our lives, and I ask him when the hell does he have...</itunes:subtitle><itunes:summary><![CDATA[Mike White of the Projection Booth Podcast was nice enough to sit for a Special Report for the Super 70 Podcast. We discuss the career and possible future of Bruce Lee, the importance of Cinema in our lives, and I ask him when the hell does he have time to push out three hour episodes every week on the Projection Booth?  Find Mike at https://www.projectionboothpodcast.com On Twitter @proboothcast Find Rozalind https://www.rozalindmacphail.com On Twitter @flutegirl Find me at www.thatdylandavis.com On Twitter thatdylandavis@gmail.com]]></itunes:summary><itunes:duration>3539</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8febc5fb53a7b9def6512c48ed5c550e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP26 - Enter The Dragon</title><link>https://www.spreaker.com/episode/ep26-enter-the-dragon--63503223</link><description><![CDATA[Martial artist and Hollywood actor Bruce Lee passed away a mere month before the release of his breakthrough Gung Fu film Enter the Dragon. Easily dismissed as a remake of Doctor No that rehashed a famous scene from Orson Welles’ The Lady From Shanghai, Enter the Dragon has several puzzling loopholes neither the screenwriter, editor, or director could fix. However, this Hong Kong production cashed in on Lee’s California Connections, his personalized style of Jeet Kune Do, and Lee’s absolute determination to finally make a 'western' film his way. Join Mike White of the Projection Booth Podcast as we go scene by scene and discuss how a forgone tragedy turned into not only the film Bruce Lee is most remembered for, but the seminal martial arts movie for an entire generation.  If you live on the moon and have never heard of the Projection Booth Podcast, you can find it here or wherever you listen to podcasts.   All music by Roziland MacPhail. You can find her here and on iTunes.    WORKS CITED Works Cited Clouse, Robert. The Making of Enter the Dragon. UP 1983.  Clouse, Robert. Bruce Lee: the Biography. UP 1983.  Astarate, Richard John. About Chinese Cinema. Film Quarterly Vol. 62. No. 02. Winter 2008. P72-76. University of California Press.  Flanagan, B. P. Kung Fu Krazy: or The Invasion of the Chop Suey Easterns’ Cineaste Vol. 6 No. 3 (1974) p8-11.  Logan, Bey. Hong Kong Action Cinema. The Overlook Press. Woodstock, New York. 1995 Tiana (Thi Thanh Nga). From Wong to Woo: Asians in Hollywood. Cineaste: Race in Contemporary American Cinema. P38-39.  Thomas, Bruce. Bruce Lee: Fighting Spirit. Frog, Ltd. Berkeley.1994.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1122687595</guid><pubDate>Sat, 11 Sep 2021 04:08:06 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503223/1122687595_user_766286154_ep26_enter_the_dragon.mp3" length="50308412" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Martial artist and Hollywood actor Bruce Lee passed away a mere month before the release of his breakthrough Gung Fu film Enter the Dragon. Easily dismissed as a remake of Doctor No that rehashed a famous scene from Orson Welles’ The Lady From...</itunes:subtitle><itunes:summary><![CDATA[Martial artist and Hollywood actor Bruce Lee passed away a mere month before the release of his breakthrough Gung Fu film Enter the Dragon. Easily dismissed as a remake of Doctor No that rehashed a famous scene from Orson Welles’ The Lady From Shanghai, Enter the Dragon has several puzzling loopholes neither the screenwriter, editor, or director could fix. However, this Hong Kong production cashed in on Lee’s California Connections, his personalized style of Jeet Kune Do, and Lee’s absolute determination to finally make a 'western' film his way. Join Mike White of the Projection Booth Podcast as we go scene by scene and discuss how a forgone tragedy turned into not only the film Bruce Lee is most remembered for, but the seminal martial arts movie for an entire generation.  If you live on the moon and have never heard of the Projection Booth Podcast, you can find it here or wherever you listen to podcasts.   All music by Roziland MacPhail. You can find her here and on iTunes.    WORKS CITED Works Cited Clouse, Robert. The Making of Enter the Dragon. UP 1983.  Clouse, Robert. Bruce Lee: the Biography. UP 1983.  Astarate, Richard John. About Chinese Cinema. Film Quarterly Vol. 62. No. 02. Winter 2008. P72-76. University of California Press.  Flanagan, B. P. Kung Fu Krazy: or The Invasion of the Chop Suey Easterns’ Cineaste Vol. 6 No. 3 (1974) p8-11.  Logan, Bey. Hong Kong Action Cinema. The Overlook Press. Woodstock, New York. 1995 Tiana (Thi Thanh Nga). From Wong to Woo: Asians in Hollywood. Cineaste: Race in Contemporary American Cinema. P38-39.  Thomas, Bruce. Bruce Lee: Fighting Spirit. Frog, Ltd. Berkeley.1994.]]></itunes:summary><itunes:duration>6289</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0a7cebc5f64458093bd79088232b42a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP25 - Breathless</title><link>https://www.spreaker.com/episode/ep25-breathless--63503231</link><description><![CDATA[“There was before Breathless, and there was after Breathless.” So begins the description of Jean-Luc Godard’s first feature film on the back of the Criterion Collection’s Blu Ray edition. Godard became the prime mover in what has been called by film historians as “The French New Wave” that changed cinema forever. His inspired use of cinematography paired with what some would say is his rather lazy attitude towards constructing narrative film was seen and unbelieved by millions. Join Luke and I as we see things we appreciate but tend to shake our heads as this milestone of international cinema.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1098378178</guid><pubDate>Mon, 02 Aug 2021 00:44:46 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503231/1098378178_user_766286154_ep25_breathless.mp3" length="45526123" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>“There was before Breathless, and there was after Breathless.” So begins the description of Jean-Luc Godard’s first feature film on the back of the Criterion Collection’s Blu Ray edition. Godard became the prime mover in what has been called by film...</itunes:subtitle><itunes:summary><![CDATA[“There was before Breathless, and there was after Breathless.” So begins the description of Jean-Luc Godard’s first feature film on the back of the Criterion Collection’s Blu Ray edition. Godard became the prime mover in what has been called by film historians as “The French New Wave” that changed cinema forever. His inspired use of cinematography paired with what some would say is his rather lazy attitude towards constructing narrative film was seen and unbelieved by millions. Join Luke and I as we see things we appreciate but tend to shake our heads as this milestone of international cinema.]]></itunes:summary><itunes:duration>5691</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/95ad6b30f9b4e0207051c3bdfb6a05b9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP24 - The Seventh Seal</title><link>https://www.spreaker.com/episode/ep24-the-seventh-seal--63503257</link><description><![CDATA[Ingmar Bergman was 27 years old with a decade of film and stage credits when he had an international hit with the fun loving and light hearted Swedish Musical Smiles of Summer Night. Riding the wave of that success, he swore on a stack of bibles he would shoot his next film in 35 days that summer on a low budget and on the studio lot. The result was a terrifying gothic contemplation of death and existentialism that despite its art house beginnings, took the world by storm in 1957. Join us as we watch Max von Sydow in his breakout role in The Seventh Seal.  Works Cited Bergman, Ingmar. Images: My Life in Film. Arcade Publishing, 1995. Bergman on Bergman Chamberlain, David B. “Auteurism” and Film History. Literature / Film Quarterly Vol 10, No. 4 (1982) pp. 266-272 Cowie, Peter. Ingmar Bergman, A Critical Biography. New York. Scribner, 1982. Corliss, Richard and Wolf, William. God, Sex, and Ingmar Bergman. Film Comment. Vol. 19., No. 3., (May-June 1983), pp 13-19. Film Society of Lincoln Center.  Kendrick, James. What is the Criterion? The Criterion Collection as an Archive of Film as Culture. Journal of Film and Video Vol. 53, No. ⅔ (Summer / Fall 2001) pp. 124-139. University of Illinois Press.  Singer, Irving. Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity. The MIT Press. 2007. Steen, Brigitta. The Isolated Hero of Ingmar Bergman. Film Comment. Vol. 3 No. 2 (Spring 1965) pp. 68-78. Film Society of Lincoln Center.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1015817965</guid><pubDate>Thu, 25 Mar 2021 01:46:35 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503257/1015817965_user_766286154_ep24_the_seventh_seal.mp3" length="48673355" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Ingmar Bergman was 27 years old with a decade of film and stage credits when he had an international hit with the fun loving and light hearted Swedish Musical Smiles of Summer Night. Riding the wave of that success, he swore on a stack of bibles he...</itunes:subtitle><itunes:summary><![CDATA[Ingmar Bergman was 27 years old with a decade of film and stage credits when he had an international hit with the fun loving and light hearted Swedish Musical Smiles of Summer Night. Riding the wave of that success, he swore on a stack of bibles he would shoot his next film in 35 days that summer on a low budget and on the studio lot. The result was a terrifying gothic contemplation of death and existentialism that despite its art house beginnings, took the world by storm in 1957. Join us as we watch Max von Sydow in his breakout role in The Seventh Seal.  Works Cited Bergman, Ingmar. Images: My Life in Film. Arcade Publishing, 1995. Bergman on Bergman Chamberlain, David B. “Auteurism” and Film History. Literature / Film Quarterly Vol 10, No. 4 (1982) pp. 266-272 Cowie, Peter. Ingmar Bergman, A Critical Biography. New York. Scribner, 1982. Corliss, Richard and Wolf, William. God, Sex, and Ingmar Bergman. Film Comment. Vol. 19., No. 3., (May-June 1983), pp 13-19. Film Society of Lincoln Center.  Kendrick, James. What is the Criterion? The Criterion Collection as an Archive of Film as Culture. Journal of Film and Video Vol. 53, No. ⅔ (Summer / Fall 2001) pp. 124-139. University of Illinois Press.  Singer, Irving. Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity. The MIT Press. 2007. Steen, Brigitta. The Isolated Hero of Ingmar Bergman. Film Comment. Vol. 3 No. 2 (Spring 1965) pp. 68-78. Film Society of Lincoln Center.]]></itunes:summary><itunes:duration>6084</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8c1471f6ea5f08f416e34c827c326383.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report - Decades With Dave Anderson</title><link>https://www.spreaker.com/episode/special-report-decades-with-dave-anderson--63503259</link><description><![CDATA[Take a year, any year, and match it with any year from the 80’s, and I’m willing to bet the 80’s win. Dave Anderson thought that was a crock of Ed Wood, and took me to task on the year 1984. Is it really better than 1974’s auteur boom and 1994’s Indie Craze? Join Dave and I as we touch on the Golden Age of Hollywood, Powell and Pressburger, and the cut scene from Apocalypse Now! that makes that movie work.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/947000587</guid><pubDate>Mon, 14 Dec 2020 01:34:15 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503259/947000587_user_766286154_special_report_decades_with_dave_anderson.mp3" length="77334489" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Take a year, any year, and match it with any year from the 80’s, and I’m willing to bet the 80’s win. Dave Anderson thought that was a crock of Ed Wood, and took me to task on the year 1984. Is it really better than 1974’s auteur boom and 1994’s Indie...</itunes:subtitle><itunes:summary><![CDATA[Take a year, any year, and match it with any year from the 80’s, and I’m willing to bet the 80’s win. Dave Anderson thought that was a crock of Ed Wood, and took me to task on the year 1984. Is it really better than 1974’s auteur boom and 1994’s Indie Craze? Join Dave and I as we touch on the Golden Age of Hollywood, Powell and Pressburger, and the cut scene from Apocalypse Now! that makes that movie work.]]></itunes:summary><itunes:duration>9667</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/196095765ee27515d6b12440a0350c36.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP23 - The 49th Parallel</title><link>https://www.spreaker.com/episode/ep23-the-49th-parallel--63503262</link><description><![CDATA[Michael Powell was thirty-four when the Second World War broke out and changed the trajectory of his career. By then he had already collaborated with Emeric Pressburger, a Hungarian Jew who had UFA screenwriting experience before the Nuremberg Laws forced him out of Nazi Germany. When the Ministry of Information was formed to crank out narrative propaganda films for the Allied War effort, Powell and Pressburger undertook a high octane war thriller written right on MoI lines in record time. Shot almost entirely in Canada and starring possibly the two most famous British Movie Stars of the 1940’s, The 49th Parallel showcased the grave difference in Nazi and Canadian values, dileneated problematic racial lines, and didn’t pull any punches in ideology.   Works Cited Anthony Aldgate and Jeffrey Richards. Britain Can Take it: The British Cinema in the Second World War. Basil Blackwell. Oxford. 1986. Robert Murphy. Realism and Tinsel: Cinema and Society in Britain 1939-1949. Routledge. London and New York. 1989. Andrew Moor. Powell and Pressburger: A Cinema of Magic Spaces. I.B. Tauris. London. 2005  Learn more about uboats at uboat.net Find Rozalind MacPhail at www.rozalindmacphail.com]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/925266676</guid><pubDate>Sun, 08 Nov 2020 01:44:17 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503262/925266676_user_766286154_ep23_the_49th_parallel.mp3" length="60528141" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Michael Powell was thirty-four when the Second World War broke out and changed the trajectory of his career. By then he had already collaborated with Emeric Pressburger, a Hungarian Jew who had UFA screenwriting experience before the Nuremberg Laws...</itunes:subtitle><itunes:summary><![CDATA[Michael Powell was thirty-four when the Second World War broke out and changed the trajectory of his career. By then he had already collaborated with Emeric Pressburger, a Hungarian Jew who had UFA screenwriting experience before the Nuremberg Laws forced him out of Nazi Germany. When the Ministry of Information was formed to crank out narrative propaganda films for the Allied War effort, Powell and Pressburger undertook a high octane war thriller written right on MoI lines in record time. Shot almost entirely in Canada and starring possibly the two most famous British Movie Stars of the 1940’s, The 49th Parallel showcased the grave difference in Nazi and Canadian values, dileneated problematic racial lines, and didn’t pull any punches in ideology.   Works Cited Anthony Aldgate and Jeffrey Richards. Britain Can Take it: The British Cinema in the Second World War. Basil Blackwell. Oxford. 1986. Robert Murphy. Realism and Tinsel: Cinema and Society in Britain 1939-1949. Routledge. London and New York. 1989. Andrew Moor. Powell and Pressburger: A Cinema of Magic Spaces. I.B. Tauris. London. 2005  Learn more about uboats at uboat.net Find Rozalind MacPhail at www.rozalindmacphail.com]]></itunes:summary><itunes:duration>7566</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/9c49192f0f3b23256b88ce91f74a15af.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report - Oh Galveston! With Dave Anderson</title><link>https://www.spreaker.com/episode/special-report-oh-galveston-with-dave-anderson--63503264</link><description><![CDATA[Join Dave Anderson and I as we spend the weekend on Galveston Island pontificating on the two most controversial films of the 1980’s, why films with problematic racism should be protected as time capsules, we celebrate the release of Bruce Lee’s Greatest Hits by the Criterion Collection. Then we wrap up discussions by arguing over how to pronounce the names of Hollywood legends Sydney Poitier and Kirstie Alley.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/914281606</guid><pubDate>Tue, 20 Oct 2020 04:26:41 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503264/914281606_user_766286154_special_report_oh_galveston_with_dave_anderson.mp3" length="55275021" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Join Dave Anderson and I as we spend the weekend on Galveston Island pontificating on the two most controversial films of the 1980’s, why films with problematic racism should be protected as time capsules, we celebrate the release of Bruce Lee’s...</itunes:subtitle><itunes:summary><![CDATA[Join Dave Anderson and I as we spend the weekend on Galveston Island pontificating on the two most controversial films of the 1980’s, why films with problematic racism should be protected as time capsules, we celebrate the release of Bruce Lee’s Greatest Hits by the Criterion Collection. Then we wrap up discussions by arguing over how to pronounce the names of Hollywood legends Sydney Poitier and Kirstie Alley.]]></itunes:summary><itunes:duration>6909</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/238885049b49a5df0565548cc4b96f2d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Edition With Paul Emig - Star Wars Part II</title><link>https://www.spreaker.com/episode/special-edition-with-paul-emig-star-wars-part-ii--63503243</link><description><![CDATA[Paul Emig came back into the Hacienda to talk about our favorite topic. We find the droids we’re looking for in Felicity Jones and Emelia Clarke. We marvel at the behind the scenes drama that infected both movies, thanking both Gareth Edwards and Tony Gilroy. And in the end we will take it all despite its flaws. Join Paul and I as we hammer out our love and questions regarding Rogue One and Solo.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/895204969</guid><pubDate>Fri, 18 Sep 2020 02:28:19 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503243/895204969_user_766286154_special_edition_with_paul_emig_star_wars_part_ii.mp3" length="54601689" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Paul Emig came back into the Hacienda to talk about our favorite topic. We find the droids we’re looking for in Felicity Jones and Emelia Clarke. We marvel at the behind the scenes drama that infected both movies, thanking both Gareth Edwards and Tony...</itunes:subtitle><itunes:summary><![CDATA[Paul Emig came back into the Hacienda to talk about our favorite topic. We find the droids we’re looking for in Felicity Jones and Emelia Clarke. We marvel at the behind the scenes drama that infected both movies, thanking both Gareth Edwards and Tony Gilroy. And in the end we will take it all despite its flaws. Join Paul and I as we hammer out our love and questions regarding Rogue One and Solo.]]></itunes:summary><itunes:duration>6825</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/122105c422be830597ad96523de152f9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Edition With Paul Emig- Star Wars Part I</title><link>https://www.spreaker.com/episode/special-edition-with-paul-emig-star-wars-part-i--63503229</link><description><![CDATA[Paul Emig is an acquaintance of mine and I saw a Facebook post he wrote about a year ago on the Star Wars Prequels and I was really impressed by how he broke down those three films and pointed out why they don’t work as a narrative. I ran into Paul the other day and I asked him to come onto the show so we could run through most of our favorite space saga. We ran way over, but managed to cover just about anything you ever wanted to know about the cinematic universe.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/880694878</guid><pubDate>Sun, 23 Aug 2020 16:08:21 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503229/880694878_user_766286154_special_edition_with_paul_emig_star_wars_part_i.mp3" length="77377121" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Paul Emig is an acquaintance of mine and I saw a Facebook post he wrote about a year ago on the Star Wars Prequels and I was really impressed by how he broke down those three films and pointed out why they don’t work as a narrative. I ran into Paul...</itunes:subtitle><itunes:summary><![CDATA[Paul Emig is an acquaintance of mine and I saw a Facebook post he wrote about a year ago on the Star Wars Prequels and I was really impressed by how he broke down those three films and pointed out why they don’t work as a narrative. I ran into Paul the other day and I asked him to come onto the show so we could run through most of our favorite space saga. We ran way over, but managed to cover just about anything you ever wanted to know about the cinematic universe.]]></itunes:summary><itunes:duration>9672</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6a833cabcf906137af640fe25e32318c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report - Corona Cinema With Dave Anderson</title><link>https://www.spreaker.com/episode/special-report-corona-cinema-with-dave-anderson--63503241</link><description><![CDATA[Join Dave Anderson and I as we wax intellectual after the M podcast. We take a deep dive into the career of Clint Eastwood, go on the rollercoaster of quality that is the James Bond franchise, and discuss the varying success of the Game of Thrones cable series. Near the end of the episode we are accosted by our friend Kirby Wells who gave us his take on George R. R. Martin, and the three of us compare the talents of Kathryn Bigelow and James Cameron. Join us as we drink up and nerd out.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/868274269</guid><pubDate>Sat, 01 Aug 2020 05:20:42 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503241/868274269_user_766286154_special_report_corona_cinema_with_dave_anderson.mp3" length="58050688" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Join Dave Anderson and I as we wax intellectual after the M podcast. We take a deep dive into the career of Clint Eastwood, go on the rollercoaster of quality that is the James Bond franchise, and discuss the varying success of the Game of Thrones...</itunes:subtitle><itunes:summary><![CDATA[Join Dave Anderson and I as we wax intellectual after the M podcast. We take a deep dive into the career of Clint Eastwood, go on the rollercoaster of quality that is the James Bond franchise, and discuss the varying success of the Game of Thrones cable series. Near the end of the episode we are accosted by our friend Kirby Wells who gave us his take on George R. R. Martin, and the three of us compare the talents of Kathryn Bigelow and James Cameron. Join us as we drink up and nerd out.]]></itunes:summary><itunes:duration>7256</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/64788379528120cfc0afb0b2f071bf5c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP22 - M</title><link>https://www.spreaker.com/episode/ep22-m--63503244</link><description><![CDATA[Fritz Lang was already considered one of the leading filmmakers not just in Germany but in the world when he took a script by his wife Thea von Harbou to Nero Film and made perhaps the greatest crime film of all time. Considered a ‘Zeitfilm’ that dealt with contemporary social issues, “M” told the story of a child murderer on the loose in Berlin and how both sides of the law mobilized to bring the criminal to justice. Displaying an almost dizzying visual style to showcase a police procedural paired with an organized crime syndicate, and starring the instantly famous stage actor Peter Lorre as the killer, “M” was the first film to treat the element of sound in cinema as a narrative device instead of a novelty. Join Dave Anderson and I as we go through “M” scene by scene and discuss Kinder Morder, Lustmord, and Kaftka.  Works Cited: Anton Kaes. M. The BFI Film Classics Series. The British Film Institute. 2000. Siegfried Kracauer. From Caligari to Hitler: A Psychological History of the German Film. Princeton University Press, 1947 Maria Tatar. Lustmord: Sexual Murder in Weimar Germany. Princeton University Press, 1995.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/849382222</guid><pubDate>Tue, 30 Jun 2020 04:10:15 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503244/849382222_user_766286154_ep22_m.mp3" length="57894789" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Fritz Lang was already considered one of the leading filmmakers not just in Germany but in the world when he took a script by his wife Thea von Harbou to Nero Film and made perhaps the greatest crime film of all time. Considered a ‘Zeitfilm’ that...</itunes:subtitle><itunes:summary><![CDATA[Fritz Lang was already considered one of the leading filmmakers not just in Germany but in the world when he took a script by his wife Thea von Harbou to Nero Film and made perhaps the greatest crime film of all time. Considered a ‘Zeitfilm’ that dealt with contemporary social issues, “M” told the story of a child murderer on the loose in Berlin and how both sides of the law mobilized to bring the criminal to justice. Displaying an almost dizzying visual style to showcase a police procedural paired with an organized crime syndicate, and starring the instantly famous stage actor Peter Lorre as the killer, “M” was the first film to treat the element of sound in cinema as a narrative device instead of a novelty. Join Dave Anderson and I as we go through “M” scene by scene and discuss Kinder Morder, Lustmord, and Kaftka.  Works Cited: Anton Kaes. M. The BFI Film Classics Series. The British Film Institute. 2000. Siegfried Kracauer. From Caligari to Hitler: A Psychological History of the German Film. Princeton University Press, 1947 Maria Tatar. Lustmord: Sexual Murder in Weimar Germany. Princeton University Press, 1995.]]></itunes:summary><itunes:duration>7237</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/662686498683eaf1d1a2e2bfce253f59.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP21 - Battleship Potemkin</title><link>https://www.spreaker.com/episode/ep21-battleship-potemkin--63503249</link><description><![CDATA[Sergei Eisenstein was 27 years old when the Central Executive Committee of the Communist Party decided to celebrate the 20th anniversary of the 1905 Revolution with literary, stage, and screen commissions. Assigned to make a film about the mutiny that happened aboard the Czar’s star battleship, Eisenstein used the opportunity to deploy his five theories of editing, or what the French cineastes called ‘montage.’ What resulted was hailed from its' premiere as the most popular film ever made, shown in movie houses all over Europe, and in the private screening rooms of Hollywood. The Battleship Potemkin did more than make Eisenstein a star, it put the Soviet Union on firm footing as a competitor in the world’s most popular art form.  Works Cited: Eisenstein, Sergei. FILM FORM. Harvest Books, New York, 1977. Leyda, Jay. KINO: A History of the Russian and Soviet Film. Collier Books, New York, 1973 Bascomb, Neal. Red Mutiny: Eleven Fateful Days on the Battleship Potemkin. Mariner Books, New York, 2008.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/820079218</guid><pubDate>Thu, 14 May 2020 04:13:53 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503249/820079218_user_766286154_ep21_battleship_potemkin.mp3" length="37296715" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Sergei Eisenstein was 27 years old when the Central Executive Committee of the Communist Party decided to celebrate the 20th anniversary of the 1905 Revolution with literary, stage, and screen commissions. Assigned to make a film about the mutiny that...</itunes:subtitle><itunes:summary><![CDATA[Sergei Eisenstein was 27 years old when the Central Executive Committee of the Communist Party decided to celebrate the 20th anniversary of the 1905 Revolution with literary, stage, and screen commissions. Assigned to make a film about the mutiny that happened aboard the Czar’s star battleship, Eisenstein used the opportunity to deploy his five theories of editing, or what the French cineastes called ‘montage.’ What resulted was hailed from its' premiere as the most popular film ever made, shown in movie houses all over Europe, and in the private screening rooms of Hollywood. The Battleship Potemkin did more than make Eisenstein a star, it put the Soviet Union on firm footing as a competitor in the world’s most popular art form.  Works Cited: Eisenstein, Sergei. FILM FORM. Harvest Books, New York, 1977. Leyda, Jay. KINO: A History of the Russian and Soviet Film. Collier Books, New York, 1973 Bascomb, Neal. Red Mutiny: Eleven Fateful Days on the Battleship Potemkin. Mariner Books, New York, 2008.]]></itunes:summary><itunes:duration>4662</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/789b3ab4107e2dfaffff14b0e6e5d26c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report - Joking With Dave Anderson</title><link>https://www.spreaker.com/episode/special-report-joking-with-dave-anderson--63503265</link><description><![CDATA[Dave and I hung out in the Hacienda after the Social Network podcast to talk about a myriad of issues concerning the present and future of cinema. For instance, why are cinephiles increasingly turning away from spoilers? What value is there in Anna Hathaway Kaiju Movies. Is Taxi Driver is a successful model for Joker? We go off the deep end discussing the now infamous Marvel versus Scorsese fight. But most importantly, how do you order your Criterions, by alpha, or by spine?  All music on the podcast is written and recorded by Roziland MacPhail.  You can find her on iTunes and SoundCloud where you can also find me. I’m also on Google Play, Pocket Casts, Spotify, Himalaya, and my website at www.thatdylandavis.com.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/745074079</guid><pubDate>Fri, 17 Jan 2020 18:34:11 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503265/745074079_user_766286154_special_report_joking_with_dave_anderson.mp3" length="79036837" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Dave and I hung out in the Hacienda after the Social Network podcast to talk about a myriad of issues concerning the present and future of cinema. For instance, why are cinephiles increasingly turning away from spoilers? What value is there in Anna...</itunes:subtitle><itunes:summary><![CDATA[Dave and I hung out in the Hacienda after the Social Network podcast to talk about a myriad of issues concerning the present and future of cinema. For instance, why are cinephiles increasingly turning away from spoilers? What value is there in Anna Hathaway Kaiju Movies. Is Taxi Driver is a successful model for Joker? We go off the deep end discussing the now infamous Marvel versus Scorsese fight. But most importantly, how do you order your Criterions, by alpha, or by spine?  All music on the podcast is written and recorded by Roziland MacPhail.  You can find her on iTunes and SoundCloud where you can also find me. I’m also on Google Play, Pocket Casts, Spotify, Himalaya, and my website at www.thatdylandavis.com.]]></itunes:summary><itunes:duration>9880</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0fefbe19cdbd560613d5f532278ffae4.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP20 - The Social Network</title><link>https://www.spreaker.com/episode/ep20-the-social-network--63503255</link><description><![CDATA[When David Fincher put Aaron Sorkin’s words into Jesse Eisenberg’s mouth, he just may have made the most important movie of the 21st Century. Paired with his trademark visual style and stunningly invisible special effects, a legal drama regarding the boring topic of intellectual property rights transforms into a jaw dropping tome to youth, ego, elitism, the influence of online, and what any man will do to try to get laid. Join Dave Anderson and I as we try to dissect the living master’s masterpiece.  You can find the Super 70 Podcast at SoundCloud, iTunes, Pocket Casts, Himalaya, Spotify, and www.thatdylandavis.com  Works Cited The Accidental Billionaires: The Founding of Facebook, a Tale of Sex, Money, Genius, and Betrayal. Doubleday. Ben Mezrich, 2009.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/727631017</guid><pubDate>Sat, 14 Dec 2019 04:48:58 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503255/727631017_user_766286154_ep20_the_social_network.mp3" length="58185689" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>When David Fincher put Aaron Sorkin’s words into Jesse Eisenberg’s mouth, he just may have made the most important movie of the 21st Century. Paired with his trademark visual style and stunningly invisible special effects, a legal drama regarding the...</itunes:subtitle><itunes:summary><![CDATA[When David Fincher put Aaron Sorkin’s words into Jesse Eisenberg’s mouth, he just may have made the most important movie of the 21st Century. Paired with his trademark visual style and stunningly invisible special effects, a legal drama regarding the boring topic of intellectual property rights transforms into a jaw dropping tome to youth, ego, elitism, the influence of online, and what any man will do to try to get laid. Join Dave Anderson and I as we try to dissect the living master’s masterpiece.  You can find the Super 70 Podcast at SoundCloud, iTunes, Pocket Casts, Himalaya, Spotify, and www.thatdylandavis.com  Works Cited The Accidental Billionaires: The Founding of Facebook, a Tale of Sex, Money, Genius, and Betrayal. Doubleday. Ben Mezrich, 2009.]]></itunes:summary><itunes:duration>7273</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2016e6865bd27641654846f20ad36355.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report - Once Upon A Time With Dave Anderson</title><link>https://www.spreaker.com/episode/special-report-once-upon-a-time-with-dave-anderson--63503254</link><description><![CDATA[Dave and I sat down again after the Kingdom of Heaven Podcast, to forget about the horrible ordeal that was that three hour marathon podcast, and instead drank ourselves to an area where we tried to understand the talent of Denzel Washington, the power of Toshiro Mifune, the best battle scenes ever captured on film, debate the merits of Brian DePalma, and spend three quarters of an hour pontificating the idiocy of the critics verses the genius of Once Upon a Time… in Hollywood. Grab a six pack and try to keep up with our Tecate and Crawford Bock while we try to up our game.  The Super 70 Podcast is a commentary meant to sync with the film we are discussing. You don’t have to, though, and can go on listening without watching anything. I would, however, recommend that you watch the film we are discussing before listening to the Super 70 Podcast. You can find it on iTunes, SoundCloud, Google Play, Himalaya, and my website at www.thatdylandavis.com. I’m Dylan Davis.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/699366817</guid><pubDate>Mon, 21 Oct 2019 02:18:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503254/699366817_user_766286154_special_report_once_upon_a_time_with_dave_anderson.mp3" length="53897009" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Dave and I sat down again after the Kingdom of Heaven Podcast, to forget about the horrible ordeal that was that three hour marathon podcast, and instead drank ourselves to an area where we tried to understand the talent of Denzel Washington, the...</itunes:subtitle><itunes:summary><![CDATA[Dave and I sat down again after the Kingdom of Heaven Podcast, to forget about the horrible ordeal that was that three hour marathon podcast, and instead drank ourselves to an area where we tried to understand the talent of Denzel Washington, the power of Toshiro Mifune, the best battle scenes ever captured on film, debate the merits of Brian DePalma, and spend three quarters of an hour pontificating the idiocy of the critics verses the genius of Once Upon a Time… in Hollywood. Grab a six pack and try to keep up with our Tecate and Crawford Bock while we try to up our game.  The Super 70 Podcast is a commentary meant to sync with the film we are discussing. You don’t have to, though, and can go on listening without watching anything. I would, however, recommend that you watch the film we are discussing before listening to the Super 70 Podcast. You can find it on iTunes, SoundCloud, Google Play, Himalaya, and my website at www.thatdylandavis.com. I’m Dylan Davis.]]></itunes:summary><itunes:duration>6737</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/326225ad8801c92e1f80c5182865689d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP19 - Kingdom Of Heaven Director's Cut</title><link>https://www.spreaker.com/episode/ep19-kingdom-of-heaven-director-s-cut--63503260</link><description><![CDATA[Ridley Scott was on a run when he handed down Kingdom of Heaven, a Crusader Epic that seemed ambitious and ballsy so soon after 9/11. A bomb that was initially torn to shreds by critics and panned by the audience, Kingdom of Heaven’s Director’s Cut was released almost immediately with more mixed results. While some can see the steady hand of a master filmmaker, others wondered why Scott had changed so much history with the effect of making a more racist and more sexist film. Dave Anderson returns to the Hacienda to go with me scene by scene through this problematic but engaging story of the Latin Kingdom of Jerusalem. Listen to us argue about history, plot, and what the Leper King can tell us about the Second Gulf War.   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can find on SoundCloud.com.  Works Cited: Tyerman, Christopher. God’s War: A New History of the Crusades. Belknap Press, Cambridge.  Pages, Meriem. From Crusading Queen to Damsel in Distress: Re-Imagining Sibylla of Jerusalem in Kingdom of Heaven. Gender and History Vol. 30 No. 3. October 2018. Pp. 696-703 Hayes, Dawn Marie. Harnassing the Potential in Historiography and Popular Culture When Teaching the Crusades. The History Teacher, Vol 40. No 3 (May 2007) pp. 349-361 Biddick, Kathleen. Unbinding the Flesh That Remains: Crusader Martyrdom Then and Now. GLQ: A Journal of Lesbian and Gay Studies, Volume 13, Number 2-3, 2007, pp 197-225. Duke University Press.  Pages, Meriem. Saracens Abroad: Imagining medieval Muslim Warriors on the Silver Screen. Essays in Medieval Studies, Vol 32, 2016, pp5-21. West Virginia University Press. Schlimm, Matthew Richard. The Necessity of Permanent Criticism: A Postcolonial Critique of Ridley Scott’s Kingdom of Heaven. Journal of Media and Religion, 9; 129-149, 2010 Routledge.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/677005572</guid><pubDate>Fri, 06 Sep 2019 02:22:05 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503260/677005572_user_766286154_ep19_kingdom_of_heaven_directors_cut.mp3" length="93212341" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Ridley Scott was on a run when he handed down Kingdom of Heaven, a Crusader Epic that seemed ambitious and ballsy so soon after 9/11. A bomb that was initially torn to shreds by critics and panned by the audience, Kingdom of Heaven’s Director’s Cut...</itunes:subtitle><itunes:summary><![CDATA[Ridley Scott was on a run when he handed down Kingdom of Heaven, a Crusader Epic that seemed ambitious and ballsy so soon after 9/11. A bomb that was initially torn to shreds by critics and panned by the audience, Kingdom of Heaven’s Director’s Cut was released almost immediately with more mixed results. While some can see the steady hand of a master filmmaker, others wondered why Scott had changed so much history with the effect of making a more racist and more sexist film. Dave Anderson returns to the Hacienda to go with me scene by scene through this problematic but engaging story of the Latin Kingdom of Jerusalem. Listen to us argue about history, plot, and what the Leper King can tell us about the Second Gulf War.   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can find on SoundCloud.com.  Works Cited: Tyerman, Christopher. God’s War: A New History of the Crusades. Belknap Press, Cambridge.  Pages, Meriem. From Crusading Queen to Damsel in Distress: Re-Imagining Sibylla of Jerusalem in Kingdom of Heaven. Gender and History Vol. 30 No. 3. October 2018. Pp. 696-703 Hayes, Dawn Marie. Harnassing the Potential in Historiography and Popular Culture When Teaching the Crusades. The History Teacher, Vol 40. No 3 (May 2007) pp. 349-361 Biddick, Kathleen. Unbinding the Flesh That Remains: Crusader Martyrdom Then and Now. GLQ: A Journal of Lesbian and Gay Studies, Volume 13, Number 2-3, 2007, pp 197-225. Duke University Press.  Pages, Meriem. Saracens Abroad: Imagining medieval Muslim Warriors on the Silver Screen. Essays in Medieval Studies, Vol 32, 2016, pp5-21. West Virginia University Press. Schlimm, Matthew Richard. The Necessity of Permanent Criticism: A Postcolonial Critique of Ridley Scott’s Kingdom of Heaven. Journal of Media and Religion, 9; 129-149, 2010 Routledge.]]></itunes:summary><itunes:duration>11652</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c70eb930a71351b74d84cb6fecb83e0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP18 -  Pulp Fiction</title><link>https://www.spreaker.com/episode/ep18-pulp-fiction--63503267</link><description><![CDATA[Mike White of The Projection Booth Podcast takes the reigns of The Super 70 Podcast as he guides you through one of the most successful independent films ever made, Quentin Tarantino’s Pulp Fiction. Winner of the Cannes Film Festival’s coveted Palm D’Or in 1994, Pulp Fiction scored seven Academy Award nominations and started or restarted several acting careers. It’s development, marketing, and distribution by Miramax Studios revolutionized independent cinema and its’ unconventional narrative structure, extensive use of homage and pastiche have led some to call it the prime example of postmodern film. Since its release it has been one of the rare films made after 1990 that has been grouped into the top 100 greatest films ever made and in 2013 was selected by the Library of Congress for preservation in the National Film Registry of the United States. But while we may recognize talent, we also may be missing a few things on the surface and ask ourselves when does pastiche stop and plagiarism begin? Join Mike as he takes you scene by scene through a film as well known now as Casablanca, by a director as well known now as Hitchcock.   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can all find on SoundCloud.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/595118352</guid><pubDate>Sun, 24 Mar 2019 16:50:44 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503267/595118352_user_766286154_ep18_pulp_fiction.mp3" length="227253104" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Mike White of The Projection Booth Podcast takes the reigns of The Super 70 Podcast as he guides you through one of the most successful independent films ever made, Quentin Tarantino’s Pulp Fiction. Winner of the Cannes Film Festival’s coveted Palm...</itunes:subtitle><itunes:summary><![CDATA[Mike White of The Projection Booth Podcast takes the reigns of The Super 70 Podcast as he guides you through one of the most successful independent films ever made, Quentin Tarantino’s Pulp Fiction. Winner of the Cannes Film Festival’s coveted Palm D’Or in 1994, Pulp Fiction scored seven Academy Award nominations and started or restarted several acting careers. It’s development, marketing, and distribution by Miramax Studios revolutionized independent cinema and its’ unconventional narrative structure, extensive use of homage and pastiche have led some to call it the prime example of postmodern film. Since its release it has been one of the rare films made after 1990 that has been grouped into the top 100 greatest films ever made and in 2013 was selected by the Library of Congress for preservation in the National Film Registry of the United States. But while we may recognize talent, we also may be missing a few things on the surface and ask ourselves when does pastiche stop and plagiarism begin? Join Mike as he takes you scene by scene through a film as well known now as Casablanca, by a director as well known now as Hitchcock.   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can all find on SoundCloud.]]></itunes:summary><itunes:duration>9469</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/22c051358a8095a94f5b25d9e061e324.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Special Report With Dave Anderson</title><link>https://www.spreaker.com/episode/special-report-with-dave-anderson--63503272</link><description><![CDATA[Last month I asked a friend of mine, Dave Anderson, to come onto the show and watch The Terminator with me. We had so much fun that Dave recommended I turn the mikes on while we shot the shit for a couple of hours. This special report is the result of that fine night, about six beers, and the enjoyment of two friends who had not seen each other for a number of years.  The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can find on SoundCloud.com.  Works Cited: Stevenson, Jay. The Complete Idiot’s Guide to Philosophy. Alpha, 2005. Thompson, Hunter S. Fear and Loathing on the Campaign Trail ’72. HarperCollins, 197]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/584350260</guid><pubDate>Sun, 03 Mar 2019 17:16:43 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503272/584350260_user_766286154_special_report_with_dave_anderson.mp3" length="130722713" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Last month I asked a friend of mine, Dave Anderson, to come onto the show and watch The Terminator with me. We had so much fun that Dave recommended I turn the mikes on while we shot the shit for a couple of hours. This special report is the result of...</itunes:subtitle><itunes:summary><![CDATA[Last month I asked a friend of mine, Dave Anderson, to come onto the show and watch The Terminator with me. We had so much fun that Dave recommended I turn the mikes on while we shot the shit for a couple of hours. This special report is the result of that fine night, about six beers, and the enjoyment of two friends who had not seen each other for a number of years.  The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can find on SoundCloud.com.  Works Cited: Stevenson, Jay. The Complete Idiot’s Guide to Philosophy. Alpha, 2005. Thompson, Hunter S. Fear and Loathing on the Campaign Trail ’72. HarperCollins, 197]]></itunes:summary><itunes:duration>5447</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3295cd84697403365f494168c2e3c69e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP17 - The Terminator</title><link>https://www.spreaker.com/episode/ep17-the-terminator--63503275</link><description><![CDATA[Fellow Film Aficionado Dave Anderson joins me as we watch James Cameron’s seminal 1984 B-Movie Masterpiece, The Terminator. On the surface there seems to be something bold and original going on. Arnold Schwarzenegger in a role you can understand, Linda Hamilton is our female hero in a time of hypermasculine film, and a high quality in film production hides the bottom dollar spent to shoot this cyborg killer tale. Underneath lies a weave of movie homages from Metropolis, Blade Runner, and Alien to explore socio-economic themes on our minds in the 1980’s, big government, big business, and our deep seated fear that technology is double sided blade that’s just a little bit sharper on one side.   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can find on SoundCloud.   Works Cited Sean French. The Terminator BFI Modern Classics. 1996.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/573376587</guid><pubDate>Mon, 11 Feb 2019 01:47:25 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503275/573376587_user_766286154_ep17_the_terminator.mp3" length="164814390" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Fellow Film Aficionado Dave Anderson joins me as we watch James Cameron’s seminal 1984 B-Movie Masterpiece, The Terminator. On the surface there seems to be something bold and original going on. Arnold Schwarzenegger in a role you can understand,...</itunes:subtitle><itunes:summary><![CDATA[Fellow Film Aficionado Dave Anderson joins me as we watch James Cameron’s seminal 1984 B-Movie Masterpiece, The Terminator. On the surface there seems to be something bold and original going on. Arnold Schwarzenegger in a role you can understand, Linda Hamilton is our female hero in a time of hypermasculine film, and a high quality in film production hides the bottom dollar spent to shoot this cyborg killer tale. Underneath lies a weave of movie homages from Metropolis, Blade Runner, and Alien to explore socio-economic themes on our minds in the 1980’s, big government, big business, and our deep seated fear that technology is double sided blade that’s just a little bit sharper on one side.   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can find on SoundCloud.   Works Cited Sean French. The Terminator BFI Modern Classics. 1996.]]></itunes:summary><itunes:duration>6868</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b1dbadb4b408831cc082a2a53cfd068.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP16 - Super Fly 1972</title><link>https://www.spreaker.com/episode/ep16-super-fly-1972--63503251</link><description><![CDATA[Gordon Parks, Jr. was a photographer from Minneapolis who had trained as a cinematographer under his father when he convinced a group of African American investors from Harlem to pool their money into a Blaxploitation movie. Using a cast and crew that was by and large African American and Puerto Rican, Parks and Blaxploitation star Ron O’Neal shot to fame with 1972’s Super Fly, a sordid tale about Harlem cocaine dealer Youngblood Priest who cooks up a plan to go straight. But Priest’s plans go awry when his black business partners and his white suppliers decide that his retirement isn’t in their best interests. Join me in my Cadillac El Dorado as we discuss race, revolution, and #BlackLivesMatter.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/554576115</guid><pubDate>Sat, 05 Jan 2019 20:13:26 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503251/554576115_user_766286154_ep16_super_fly_1972.mp3" length="137519984" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Gordon Parks, Jr. was a photographer from Minneapolis who had trained as a cinematographer under his father when he convinced a group of African American investors from Harlem to pool their money into a Blaxploitation movie. Using a cast and crew that...</itunes:subtitle><itunes:summary><![CDATA[Gordon Parks, Jr. was a photographer from Minneapolis who had trained as a cinematographer under his father when he convinced a group of African American investors from Harlem to pool their money into a Blaxploitation movie. Using a cast and crew that was by and large African American and Puerto Rican, Parks and Blaxploitation star Ron O’Neal shot to fame with 1972’s Super Fly, a sordid tale about Harlem cocaine dealer Youngblood Priest who cooks up a plan to go straight. But Priest’s plans go awry when his black business partners and his white suppliers decide that his retirement isn’t in their best interests. Join me in my Cadillac El Dorado as we discuss race, revolution, and #BlackLivesMatter.]]></itunes:summary><itunes:duration>5730</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f3afa4550c3b02d3921e975343783eb8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP15 - The Graduate</title><link>https://www.spreaker.com/episode/ep15-the-graduate--63503270</link><description><![CDATA[Everyone loves The Graduate, except me. Screenwriter Buck Henry and Director Mike Nichols hit the ball out of the park with this biting commentary on American society at the height of the 1960s. But underneath the nods and smiles to the counterculture and Robert Surtees’ superior cinematography, there are disturbing signs of sickness in the left. Join me as we marvel at how such a perfect film can be so flawed.   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail, Joshua Cunningham and Peter John Ross whom you can all find on SoundCloud.   Works Cited Jacob R. Brackman. Why Do We Love “The Graduate”? New Yorker Magazine. July 27, 1968 Issue. Barry Miles. HIPPIE Sterling. London 2004.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/528455967</guid><pubDate>Mon, 12 Nov 2018 04:09:20 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503270/528455967_user_766286154_ep15_the_graduate.mp3" length="161135514" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Everyone loves The Graduate, except me. Screenwriter Buck Henry and Director Mike Nichols hit the ball out of the park with this biting commentary on American society at the height of the 1960s. But underneath the nods and smiles to the counterculture...</itunes:subtitle><itunes:summary><![CDATA[Everyone loves The Graduate, except me. Screenwriter Buck Henry and Director Mike Nichols hit the ball out of the park with this biting commentary on American society at the height of the 1960s. But underneath the nods and smiles to the counterculture and Robert Surtees’ superior cinematography, there are disturbing signs of sickness in the left. Join me as we marvel at how such a perfect film can be so flawed.   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail, Joshua Cunningham and Peter John Ross whom you can all find on SoundCloud.   Works Cited Jacob R. Brackman. Why Do We Love “The Graduate”? New Yorker Magazine. July 27, 1968 Issue. Barry Miles. HIPPIE Sterling. London 2004.]]></itunes:summary><itunes:duration>6714</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/b496057e43e214ff04996b69506dbc70.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP14 - Invasion Of The Body Snatchers 1956</title><link>https://www.spreaker.com/episode/ep14-invasion-of-the-body-snatchers-1956--63503274</link><description><![CDATA[Walter Wanger was a convicted criminal rebuilding his career when he collaborated with television director Don Siegel and screenwriter Daniel Mainwaring to make a film of Jack Finney’s science fiction serial. What they were going for was a cheap B-movie like The Blob or Godzilla that could run second bill in drive-in double features. What they got was a lasting monument to our nations fears in 1956 America: Communism, Conformity, and the color red. Let’s watch Kevin McCarthy and Dana Wynter try to survive the Invasion of the Body Snatchers (1956).   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail, Joshua Cunningham and Peter John Ross whom you can all find on SoundCloud.   Works Cited Kawin, Bruce F. Children of the Light. The Film Genre Book III ed. Barry Grant. University of Texas Press. Austin 1995. Kracauer, Siegfried. Hollywood’s Terror Films: Do they Reflect on an American State of Mind? Commentary 2 1998. Samuels, Stuart. The Age of Conspiracy and Conformity: Invasion of the Body Snatchers. American History / American Film: Interpreting the Hollywood Image. New Expanded Edition. Edited by John E. O’Connor and Martin A. Jackson. Continuum, New York 1988]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/497634939</guid><pubDate>Sun, 09 Sep 2018 22:46:21 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503274/497634939_user_766286154_ep14_invasion_of_the_body_snatchers_1956.mp3" length="122541789" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Walter Wanger was a convicted criminal rebuilding his career when he collaborated with television director Don Siegel and screenwriter Daniel Mainwaring to make a film of Jack Finney’s science fiction serial. What they were going for was a cheap...</itunes:subtitle><itunes:summary><![CDATA[Walter Wanger was a convicted criminal rebuilding his career when he collaborated with television director Don Siegel and screenwriter Daniel Mainwaring to make a film of Jack Finney’s science fiction serial. What they were going for was a cheap B-movie like The Blob or Godzilla that could run second bill in drive-in double features. What they got was a lasting monument to our nations fears in 1956 America: Communism, Conformity, and the color red. Let’s watch Kevin McCarthy and Dana Wynter try to survive the Invasion of the Body Snatchers (1956).   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail, Joshua Cunningham and Peter John Ross whom you can all find on SoundCloud.   Works Cited Kawin, Bruce F. Children of the Light. The Film Genre Book III ed. Barry Grant. University of Texas Press. Austin 1995. Kracauer, Siegfried. Hollywood’s Terror Films: Do they Reflect on an American State of Mind? Commentary 2 1998. Samuels, Stuart. The Age of Conspiracy and Conformity: Invasion of the Body Snatchers. American History / American Film: Interpreting the Hollywood Image. New Expanded Edition. Edited by John E. O’Connor and Martin A. Jackson. Continuum, New York 1988]]></itunes:summary><itunes:duration>5106</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/498f76a3e1b65b26bbbacc9d35c30f51.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP13 - Mildred Pierce</title><link>https://www.spreaker.com/episode/ep13-mildred-pierce--63503263</link><description><![CDATA[Michael Curtiz was already one of the most successful directors in Hollywood when Warner Brothers practically forced him to cast Joan Crawford in one of the most famous melodramas ever made. Crawford, an American household name who was recognized as one of the most professional actors in Hollywood, led a devastating supporting cast in this 1945 mystery that tells us more than we ever wanted to know about sexual politics after the Second World War. Join me as we talk about the feminization of men, the wasteland of masculinity, the attack on femininity, the impact of the Second World War, and that dreaded word no one wants to discuss…incest.   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail, Joshua Cunningham and Peter John Ross whom you can all find on SoundCloud.   Works Cited Williams, Linda. Feminist Film Theory: Mildred Pierce and the Second World War. Female Spectators: Looking at Film and Television. Ed. E. Deidre Pribram. Verso, London. 1988. Haralovich, Mary Beth. Too Much Guilt Is Never Enough for Working Mothers: Joan Crawford, Mildred Pierce, and Mommie Dearest. Velvet Light Trap. University of Texas Press. 1992. Schrader, Paul. Notes on Film Noir. The Film Genre Book Ed. Barry Keith Grant. University of Texas Press. Austin 1986. Sochen, June. Mildrid Pearce and Women in Film. American Quarterly vol 30, No. 1 Spring 1978. Harvey, Sylvia. Woman’s Place: The Absent Family of Film Noir. Women in Film Noir. Edited by E. Ann Kaplan. BFI Publishing. Corber, Robert J. Joan Crawford’s Padded Shoulders: Female Masculinity in Mildred Pierce. Camera Obscura, Duke University Press.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/481580574</guid><pubDate>Sun, 05 Aug 2018 22:08:36 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503263/481580574_user_766286154_ep13_mildred_pierce.mp3" length="167566025" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Michael Curtiz was already one of the most successful directors in Hollywood when Warner Brothers practically forced him to cast Joan Crawford in one of the most famous melodramas ever made. Crawford, an American household name who was recognized as...</itunes:subtitle><itunes:summary><![CDATA[Michael Curtiz was already one of the most successful directors in Hollywood when Warner Brothers practically forced him to cast Joan Crawford in one of the most famous melodramas ever made. Crawford, an American household name who was recognized as one of the most professional actors in Hollywood, led a devastating supporting cast in this 1945 mystery that tells us more than we ever wanted to know about sexual politics after the Second World War. Join me as we talk about the feminization of men, the wasteland of masculinity, the attack on femininity, the impact of the Second World War, and that dreaded word no one wants to discuss…incest.   The Super 70 Podcast is available on iTunes, SoundCloud, Google Play, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail, Joshua Cunningham and Peter John Ross whom you can all find on SoundCloud.   Works Cited Williams, Linda. Feminist Film Theory: Mildred Pierce and the Second World War. Female Spectators: Looking at Film and Television. Ed. E. Deidre Pribram. Verso, London. 1988. Haralovich, Mary Beth. Too Much Guilt Is Never Enough for Working Mothers: Joan Crawford, Mildred Pierce, and Mommie Dearest. Velvet Light Trap. University of Texas Press. 1992. Schrader, Paul. Notes on Film Noir. The Film Genre Book Ed. Barry Keith Grant. University of Texas Press. Austin 1986. Sochen, June. Mildrid Pearce and Women in Film. American Quarterly vol 30, No. 1 Spring 1978. Harvey, Sylvia. Woman’s Place: The Absent Family of Film Noir. Women in Film Noir. Edited by E. Ann Kaplan. BFI Publishing. Corber, Robert J. Joan Crawford’s Padded Shoulders: Female Masculinity in Mildred Pierce. Camera Obscura, Duke University Press.]]></itunes:summary><itunes:duration>6982</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/276c895a04c6294a1c26e35848f7a5cf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP12 - Golddiggers Of 1933</title><link>https://www.spreaker.com/episode/ep12-golddiggers-of-1933--63503279</link><description><![CDATA[Melvin LeRoy and Busby Berkeley both direct Golddiggers of 1933. The second incarnation of a popular broadway hit, Golddiggers of 1933 is a tangled tale of love, sex, and money. Well, actually it’s just about sex and money, right? Or is it about social issues and sexism? Perhaps this has something to do with the #MeToo movement.  Join me, Ginger Rogers, and Dick Powell as we try to figure out if the progressive elements of this film outweigh its’ outrageous gender bias.   The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com.   All music on The Super 70 Podcast is provided by Rozalind MacPhail and Joshua Cunningham whom you can also find on SoundCloud.  Works Cited Patricia Mellencamp “Sexual Economics: Gold Diggers of 1933” Five Ages of Film Feminism. Temple University Press. Philadelphia. * Douglas, Ann &amp; Robertson, Pamela. (1997). Guilty Pleasures: Feminist Camp from Mae West to Madonna. The Journal of American History. 84. 1136. * Jane Feuer “The Self-Reflexive Musical and the Myth of Entertainment.” Film Genre Reader II Barry Keith Grant Ed. University of Texas Press Austin]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/433292667</guid><pubDate>Fri, 20 Apr 2018 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503279/433292667_user_766286154_ep12_golddiggers_of_1933.mp3" length="148029358" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Melvin LeRoy and Busby Berkeley both direct Golddiggers of 1933. The second incarnation of a popular broadway hit, Golddiggers of 1933 is a tangled tale of love, sex, and money. Well, actually it’s just about sex and money, right? Or is it about...</itunes:subtitle><itunes:summary><![CDATA[Melvin LeRoy and Busby Berkeley both direct Golddiggers of 1933. The second incarnation of a popular broadway hit, Golddiggers of 1933 is a tangled tale of love, sex, and money. Well, actually it’s just about sex and money, right? Or is it about social issues and sexism? Perhaps this has something to do with the #MeToo movement.  Join me, Ginger Rogers, and Dick Powell as we try to figure out if the progressive elements of this film outweigh its’ outrageous gender bias.   The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com.   All music on The Super 70 Podcast is provided by Rozalind MacPhail and Joshua Cunningham whom you can also find on SoundCloud.  Works Cited Patricia Mellencamp “Sexual Economics: Gold Diggers of 1933” Five Ages of Film Feminism. Temple University Press. Philadelphia. * Douglas, Ann &amp; Robertson, Pamela. (1997). Guilty Pleasures: Feminist Camp from Mae West to Madonna. The Journal of American History. 84. 1136. * Jane Feuer “The Self-Reflexive Musical and the Myth of Entertainment.” Film Genre Reader II Barry Keith Grant Ed. University of Texas Press Austin]]></itunes:summary><itunes:duration>6168</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a57b08bf194296cbca05d3c53f31da9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP11 - The General</title><link>https://www.spreaker.com/episode/ep11-the-general--63503273</link><description><![CDATA[Buster Keaton and Clyde Bruckman crossed two unlikely themes when they made The General for United Artists: the Southern Lost Cause in popular culture and Keaton’s vaudeville straight man act. The result is a tale all too well told in Hollywood: an expensive flop that comes to be appreciated over time but still has problematic content. Join me as we ride with Keaton through several misadventures on the Locomotive Texas and cherish one of the silent cinema’s greatest gems.   All music on the Super 70 Podcast is written and recorded by either Roziland MacPhail or Joshua Cunningham. You can find both of them on Soundcloud.com and Roz at Roziland MacPhail.com on on twitter @rozilandmacphail.   Works Cited: Pittenger, William. Capturing a Locomotive: A History of Secret Service in the Late War. 1885. Kramer, Peter. The General: BFI Film Classics. Palgrave Press. 2016.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/339789320</guid><pubDate>Mon, 28 Aug 2017 02:24:21 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503273/339789320_user_766286154_ep11_the_general.mp3" length="120886044" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Buster Keaton and Clyde Bruckman crossed two unlikely themes when they made The General for United Artists: the Southern Lost Cause in popular culture and Keaton’s vaudeville straight man act. The result is a tale all too well told in Hollywood: an...</itunes:subtitle><itunes:summary><![CDATA[Buster Keaton and Clyde Bruckman crossed two unlikely themes when they made The General for United Artists: the Southern Lost Cause in popular culture and Keaton’s vaudeville straight man act. The result is a tale all too well told in Hollywood: an expensive flop that comes to be appreciated over time but still has problematic content. Join me as we ride with Keaton through several misadventures on the Locomotive Texas and cherish one of the silent cinema’s greatest gems.   All music on the Super 70 Podcast is written and recorded by either Roziland MacPhail or Joshua Cunningham. You can find both of them on Soundcloud.com and Roz at Roziland MacPhail.com on on twitter @rozilandmacphail.   Works Cited: Pittenger, William. Capturing a Locomotive: A History of Secret Service in the Late War. 1885. Kramer, Peter. The General: BFI Film Classics. Palgrave Press. 2016.]]></itunes:summary><itunes:duration>5037</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/31fc6c8acb9770939697898eb87e47c6.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP10 - Heathers</title><link>https://www.spreaker.com/episode/ep10-heathers--63503281</link><description><![CDATA[We wrap up the 1980's by looking at Michael Lehmann's 1988 pop bubble gum suicide film tome Heathers. With a screenplay by Daniel Waters and starring Winona Ryder and Christian Slater, Heathers is an unlikely black comedy that threw glitter on the glamorous to bemoan a culture that pursued evil in the race to popularity. Dismissed at the time as an insulting anti-John Hughes trash pick, Heathers was the leader in films that started to talk the way teenagers talk and took on serious issues teenagers were eager to think about.   The Super 70 Podcast is on Soundcloud.com, iTunes and www.thatdylandavis.com. You can reach me at thatdylandavis@gmail.com and on Twitter @thatdylandavis. The soundtrack to the Super 70 Podcast is written and mixed by Roziland MacPhail and Joshua Cunningham, both of which you can find on Soundcloud.com   Works Cited Heathers - Deep Focus by John Ross Bowie]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/324037046</guid><pubDate>Tue, 23 May 2017 02:59:25 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503281/324037046_user_766286154_ep10_heathers.mp3" length="149056911" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>We wrap up the 1980's by looking at Michael Lehmann's 1988 pop bubble gum suicide film tome Heathers. With a screenplay by Daniel Waters and starring Winona Ryder and Christian Slater, Heathers is an unlikely black comedy that threw glitter on the...</itunes:subtitle><itunes:summary><![CDATA[We wrap up the 1980's by looking at Michael Lehmann's 1988 pop bubble gum suicide film tome Heathers. With a screenplay by Daniel Waters and starring Winona Ryder and Christian Slater, Heathers is an unlikely black comedy that threw glitter on the glamorous to bemoan a culture that pursued evil in the race to popularity. Dismissed at the time as an insulting anti-John Hughes trash pick, Heathers was the leader in films that started to talk the way teenagers talk and took on serious issues teenagers were eager to think about.   The Super 70 Podcast is on Soundcloud.com, iTunes and www.thatdylandavis.com. You can reach me at thatdylandavis@gmail.com and on Twitter @thatdylandavis. The soundtrack to the Super 70 Podcast is written and mixed by Roziland MacPhail and Joshua Cunningham, both of which you can find on Soundcloud.com   Works Cited Heathers - Deep Focus by John Ross Bowie]]></itunes:summary><itunes:duration>6211</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/112daf14ed65b0d2d5f76cc45dd4c011.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP09 - To Be Or Not To Be 1983</title><link>https://www.spreaker.com/episode/ep09-to-be-or-not-to-be-1983--63503276</link><description><![CDATA[Mel Brooks took on a huge challenge when he decided to Produce and star in a remake of the classic Ernst Lubitsch black comedy To Be or Not To Be from 1941. Critical opinion was mixed at the time with most saying it would have been better if Brooks had left the sardonic and extremely sarcastic war film alone. The result, To Be or Not To Be 1983 presents itself as a very noble attempt to give the story a slightly different take including dealing with a painful past and cultural myths using slapstick and civil rights. Watch the film while playing this podcast and perhaps we’ll see our mixed opinion about this 80’s comedy change much like it did for Lubitsch’s original masterpiece.    The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com. You can also find me on Twitter @thatdylandavis  All music on The Super 70 Podcast is provided by Rozalind MacPhail and Joshua Cunningham whom you can also find on SoundCloud. Works Cited for this episode are: To Be Or Not To Be  the BFI paperback by Peter Barnes available on Amazon.com.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/318010218</guid><pubDate>Mon, 17 Apr 2017 01:28:44 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503276/318010218_user_766286154_ep09_to_be_or_not_to_be_1983.mp3" length="154224140" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Mel Brooks took on a huge challenge when he decided to Produce and star in a remake of the classic Ernst Lubitsch black comedy To Be or Not To Be from 1941. Critical opinion was mixed at the time with most saying it would have been better if Brooks...</itunes:subtitle><itunes:summary><![CDATA[Mel Brooks took on a huge challenge when he decided to Produce and star in a remake of the classic Ernst Lubitsch black comedy To Be or Not To Be from 1941. Critical opinion was mixed at the time with most saying it would have been better if Brooks had left the sardonic and extremely sarcastic war film alone. The result, To Be or Not To Be 1983 presents itself as a very noble attempt to give the story a slightly different take including dealing with a painful past and cultural myths using slapstick and civil rights. Watch the film while playing this podcast and perhaps we’ll see our mixed opinion about this 80’s comedy change much like it did for Lubitsch’s original masterpiece.    The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com. You can also find me on Twitter @thatdylandavis  All music on The Super 70 Podcast is provided by Rozalind MacPhail and Joshua Cunningham whom you can also find on SoundCloud. Works Cited for this episode are: To Be Or Not To Be  the BFI paperback by Peter Barnes available on Amazon.com.]]></itunes:summary><itunes:duration>6426</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a0b0e09600dbe1e4ba65d396d0d0ae1c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP08 - Gallipoli</title><link>https://www.spreaker.com/episode/ep08-gallipoli--63503266</link><description><![CDATA[Our second foreign film is Peter Weir’s Gallipoli. Released in 1981 and starring a very young Mel Gibson, Gallipoli is a First World War Saga that traces the facts and fallacies of Australia’s involvement in a horrible battle that literally changed nothing but Australia’s attitude about what it meant to be a member of the British Empire. This is another one of my more rambling episodes so if you like the rigid scene by scene breakdown I usually give, this may not be your cup of tea. However, this also means you also won’t have to turn the podcast on to watch the film as I give nonsensical narration.  The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com.   All music on The Super 70 Podcast is provided by Rozalind MacPhail and Joshua Cunningham whom you can also find on SoundCloud. Works Cited for this episode are: Gallipoli by Alan Moorehead and the Battle of Gallipoli by Philip Haythornethwaite.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/298171701</guid><pubDate>Fri, 16 Dec 2016 06:26:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503266/298171701_user_766286154_ep08_gallipoli.mp3" length="191135788" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Our second foreign film is Peter Weir’s Gallipoli. Released in 1981 and starring a very young Mel Gibson, Gallipoli is a First World War Saga that traces the facts and fallacies of Australia’s involvement in a horrible battle that literally changed...</itunes:subtitle><itunes:summary><![CDATA[Our second foreign film is Peter Weir’s Gallipoli. Released in 1981 and starring a very young Mel Gibson, Gallipoli is a First World War Saga that traces the facts and fallacies of Australia’s involvement in a horrible battle that literally changed nothing but Australia’s attitude about what it meant to be a member of the British Empire. This is another one of my more rambling episodes so if you like the rigid scene by scene breakdown I usually give, this may not be your cup of tea. However, this also means you also won’t have to turn the podcast on to watch the film as I give nonsensical narration.  The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com.   All music on The Super 70 Podcast is provided by Rozalind MacPhail and Joshua Cunningham whom you can also find on SoundCloud. Works Cited for this episode are: Gallipoli by Alan Moorehead and the Battle of Gallipoli by Philip Haythornethwaite.]]></itunes:summary><itunes:duration>7964</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/dd1d47d0ca7d497bc56f7f18b7c0e6fd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP07 - They Live</title><link>https://www.spreaker.com/episode/ep07-they-live--63503278</link><description><![CDATA[Starring wrestling superstar “Rowdy” Roddy Piper and the amazing veteran David Keith, we watch John Carpenter’s master commentary on capitalism: 1988’s THEY LIVE. Released the Friday before the federal election, THEY LIVE is an overt criticism of yuppies mixed with an undercurrent on race, politics, and the future of America. Join me as we uncover not only how THEY LIVE was relevant in 1988, but how it is still relevant just last week as we woke up and asked ourselves: “What’s Wrong, Baby?”  The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com.   All music on The Super 70 Podcast is provided by Rozalind MacPhail and Joshua Cunningham whom you can also find on SoundCloud. Works Cited for this episode are: Jonathan Lethem’s They Live (2010), D. Harlan Wilson’s They Live (2015) and Slavoj Žižek’s They Live and Violence (2008).]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/294016196</guid><pubDate>Mon, 21 Nov 2016 03:55:53 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503278/294016196_user_766286154_ep07_they_live.mp3" length="135745747" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>Starring wrestling superstar “Rowdy” Roddy Piper and the amazing veteran David Keith, we watch John Carpenter’s master commentary on capitalism: 1988’s THEY LIVE. Released the Friday before the federal election, THEY LIVE is an overt criticism of...</itunes:subtitle><itunes:summary><![CDATA[Starring wrestling superstar “Rowdy” Roddy Piper and the amazing veteran David Keith, we watch John Carpenter’s master commentary on capitalism: 1988’s THEY LIVE. Released the Friday before the federal election, THEY LIVE is an overt criticism of yuppies mixed with an undercurrent on race, politics, and the future of America. Join me as we uncover not only how THEY LIVE was relevant in 1988, but how it is still relevant just last week as we woke up and asked ourselves: “What’s Wrong, Baby?”  The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com.   All music on The Super 70 Podcast is provided by Rozalind MacPhail and Joshua Cunningham whom you can also find on SoundCloud. Works Cited for this episode are: Jonathan Lethem’s They Live (2010), D. Harlan Wilson’s They Live (2015) and Slavoj Žižek’s They Live and Violence (2008).]]></itunes:summary><itunes:duration>5656</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c32399a86a8e939093b048262505f19c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP06 - Ghostbusters 1984</title><link>https://www.spreaker.com/episode/ep06-ghostbusters-1984--63503280</link><description><![CDATA[This month we will be digging deep into Ghostbusters 1984. In fact, most of the time I will be paraphrasing or directly quoting Adam Bertocci and his online essay Overthinking Ghostbusters posted on his website www.runleiarun.com. I found that I had very little to add to Bertocci’s fine analysis and asked him very kindly if I could use some of it for this podcast. To Adam, I say a heartfelt thank you. To you I ask that you think hard about what that Twinkie and the enormous Stay-Puft Marshmellow Man really means in 1980’s Reagan America.   The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com.   All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can also find on SoundCloud.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/288891355</guid><pubDate>Tue, 18 Oct 2016 22:00:32 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503280/288891355_user_766286154_ep06_ghostbusters_1984.mp3" length="153539523" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>This month we will be digging deep into Ghostbusters 1984. In fact, most of the time I will be paraphrasing or directly quoting Adam Bertocci and his online essay Overthinking Ghostbusters posted on his website www.runleiarun.com. I found that I had...</itunes:subtitle><itunes:summary><![CDATA[This month we will be digging deep into Ghostbusters 1984. In fact, most of the time I will be paraphrasing or directly quoting Adam Bertocci and his online essay Overthinking Ghostbusters posted on his website www.runleiarun.com. I found that I had very little to add to Bertocci’s fine analysis and asked him very kindly if I could use some of it for this podcast. To Adam, I say a heartfelt thank you. To you I ask that you think hard about what that Twinkie and the enormous Stay-Puft Marshmellow Man really means in 1980’s Reagan America.   The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com.   All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can also find on SoundCloud.]]></itunes:summary><itunes:duration>6398</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/01f58bc2746e3196313e03e825a61dc1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP05 - Back To The Future</title><link>https://www.spreaker.com/episode/ep05-back-to-the-future--63503277</link><description><![CDATA[This month we look at the eternal cross-genre classic Back to the Future. Seemingly about a time-traveling teenager, this blockbuster from 1985 showcased Robert Zemeckis as a Hollywood directing powerhouse capable of complex cinematographic techniques to critique life in the 1980s by looking at the 1950s. But perhaps there is more to look at than Zemeckis planned. We’ll go scene by scene through Michael J. Fox’s breakout movie to explore politics, race, and rape.   If you have the means, please go to michaeljfox.org or teamfox.org to donate to Team Fox, a foundation committed to funding and fighting the scourge of Parkinson’s disease. Neither I nor this podcast receives anything from Team Fox. This is not a paid advertisement.   The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can also find on SoundCloud and www.rozalindmacphail.com.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/283678676</guid><pubDate>Sun, 18 Sep 2016 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503277/283678676_user_766286154_ep05_back_to_the_future.mp3" length="167975416" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>This month we look at the eternal cross-genre classic Back to the Future. Seemingly about a time-traveling teenager, this blockbuster from 1985 showcased Robert Zemeckis as a Hollywood directing powerhouse capable of complex cinematographic techniques...</itunes:subtitle><itunes:summary><![CDATA[This month we look at the eternal cross-genre classic Back to the Future. Seemingly about a time-traveling teenager, this blockbuster from 1985 showcased Robert Zemeckis as a Hollywood directing powerhouse capable of complex cinematographic techniques to critique life in the 1980s by looking at the 1950s. But perhaps there is more to look at than Zemeckis planned. We’ll go scene by scene through Michael J. Fox’s breakout movie to explore politics, race, and rape.   If you have the means, please go to michaeljfox.org or teamfox.org to donate to Team Fox, a foundation committed to funding and fighting the scourge of Parkinson’s disease. Neither I nor this podcast receives anything from Team Fox. This is not a paid advertisement.   The Super 70 Podcast is available on iTunes, SoundCloud, and my website at www.thatdylandavis.com. All music on The Super 70 Podcast is provided by Rozalind MacPhail whom you can also find on SoundCloud and www.rozalindmacphail.com.]]></itunes:summary><itunes:duration>6999</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/774dec8abf02937ddd83898d820b3940.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP04 - Nausicaä Of The Valley Of The Wind</title><link>https://www.spreaker.com/episode/ep04-nausicaa-of-the-valley-of-the-wind--63503269</link><description><![CDATA[This month we take a look at Hiyao Miyazaki's Nausicaä Of The Valley Of The Wind. This Manga from 1984 gives us a peak into what Japan was thinking of in the '80's: environmentalism, violence, and pacifism. Layered over this is a female protagonist who would rather save lives than take them in her quest to help the Kingdom of Tolmekia see the world as she does. This commentary is less a scene by scene breakdown as I normally do but more of an exploration of thought as the film unfolds. Join me as I appreciate the beauty and wisdom of Nausicaä Of The Valley Of The Wind.  You can find me, my books, and my blog at www.thatdylandavis.com. Music for the podcast is written and performed by Rozalind MacPhail whom you can find at www.rozalindmacphail.com.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/277707688</guid><pubDate>Wed, 10 Aug 2016 20:21:30 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503269/277707688_user_766286154_ep04_nausicaa_of_the_valley_of_the_wind.mp3" length="178775063" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>This month we take a look at Hiyao Miyazaki's Nausicaä Of The Valley Of The Wind. This Manga from 1984 gives us a peak into what Japan was thinking of in the '80's: environmentalism, violence, and pacifism. Layered over this is a female protagonist...</itunes:subtitle><itunes:summary><![CDATA[This month we take a look at Hiyao Miyazaki's Nausicaä Of The Valley Of The Wind. This Manga from 1984 gives us a peak into what Japan was thinking of in the '80's: environmentalism, violence, and pacifism. Layered over this is a female protagonist who would rather save lives than take them in her quest to help the Kingdom of Tolmekia see the world as she does. This commentary is less a scene by scene breakdown as I normally do but more of an exploration of thought as the film unfolds. Join me as I appreciate the beauty and wisdom of Nausicaä Of The Valley Of The Wind.  You can find me, my books, and my blog at www.thatdylandavis.com. Music for the podcast is written and performed by Rozalind MacPhail whom you can find at www.rozalindmacphail.com.]]></itunes:summary><itunes:duration>7449</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ba5987382670ad77cd3b0a741f413c14.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP03 - Looker</title><link>https://www.spreaker.com/episode/ep03-looker--63503268</link><description><![CDATA[This month we take a look at Looker, the 1981 science fiction thriller by author-director Michael Crichton. Starring Albert Finney, James Coburn and Susan Dey, Looker peers into the uncomfortable and uninviting industry of advertising and marketing. Though not a perfect film, Looker exposes a raw nerve of our consumer society we should all be thinking about. Join me as we go scene by scene through a film penned and shot by the author of Disclosure and Jurassic Park. Look Closer.   You can find the Super70 Podcast on iTunes, Soundcloud, and links to them on my website www.thatdylandavis.com. You can reach me on Twitter @thatdylandavis or drop me a line at thatdylandavis@gmail.com. All music on this episode is written and performed by Rosalind MacPhail. You can reach her on SoundCloud or her website www.rosalindmacphail.com]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/273840491</guid><pubDate>Fri, 15 Jul 2016 17:22:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503268/273840491_user_766286154_ep03_looker.mp3" length="140002034" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>This month we take a look at Looker, the 1981 science fiction thriller by author-director Michael Crichton. Starring Albert Finney, James Coburn and Susan Dey, Looker peers into the uncomfortable and uninviting industry of advertising and marketing....</itunes:subtitle><itunes:summary><![CDATA[This month we take a look at Looker, the 1981 science fiction thriller by author-director Michael Crichton. Starring Albert Finney, James Coburn and Susan Dey, Looker peers into the uncomfortable and uninviting industry of advertising and marketing. Though not a perfect film, Looker exposes a raw nerve of our consumer society we should all be thinking about. Join me as we go scene by scene through a film penned and shot by the author of Disclosure and Jurassic Park. Look Closer.   You can find the Super70 Podcast on iTunes, Soundcloud, and links to them on my website www.thatdylandavis.com. You can reach me on Twitter @thatdylandavis or drop me a line at thatdylandavis@gmail.com. All music on this episode is written and performed by Rosalind MacPhail. You can reach her on SoundCloud or her website www.rosalindmacphail.com]]></itunes:summary><itunes:duration>5834</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8a8c437a83e3d932dd06792f020f0f4d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP02 - Head Office</title><link>https://www.spreaker.com/episode/ep02-head-office--63503271</link><description><![CDATA[The cultural gem we will be watching this month is Writer-Director Ken Finkleman's 1985 comedy Head Office. With a star studded cast and endless delivery of jokes it is easy to dismiss this very important commentary on corporate America that is just as relevant today. Turn The Super 70 Podcast on while we watch Head Office on DVD or the 90 minute version found on YouTube.  Find me at www.thatdylandavis.com for my books, my blog, my film reviews and my podcast. I am on Twitter @thatdylandavis. Comments and criticisms can go to thatdylandavis@gmail.com. music for this podcast provided by Rozalind MacPhail whom you can find at www.rozalindmacphail.com and who is also on soundcloud at www.soundcloud.com/flutegirl.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/268346904</guid><pubDate>Thu, 09 Jun 2016 19:53:27 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503271/268346904_user_766286154_s70p_ep02_head_office.mp3" length="142462769" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>The cultural gem we will be watching this month is Writer-Director Ken Finkleman's 1985 comedy Head Office. With a star studded cast and endless delivery of jokes it is easy to dismiss this very important commentary on corporate America that is just...</itunes:subtitle><itunes:summary><![CDATA[The cultural gem we will be watching this month is Writer-Director Ken Finkleman's 1985 comedy Head Office. With a star studded cast and endless delivery of jokes it is easy to dismiss this very important commentary on corporate America that is just as relevant today. Turn The Super 70 Podcast on while we watch Head Office on DVD or the 90 minute version found on YouTube.  Find me at www.thatdylandavis.com for my books, my blog, my film reviews and my podcast. I am on Twitter @thatdylandavis. Comments and criticisms can go to thatdylandavis@gmail.com. music for this podcast provided by Rozalind MacPhail whom you can find at www.rozalindmacphail.com and who is also on soundcloud at www.soundcloud.com/flutegirl.]]></itunes:summary><itunes:duration>5936</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/60857b5554b33042f332379f7d8fe944.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP01 - Blade Runner Final Cut</title><link>https://www.spreaker.com/episode/ep01-blade-runner-final-cut--63503282</link><description><![CDATA[I know this is rather ambitious of me to choose such a complicated film for my first podcast, but I couldn't help it. Blade Runner is multi-layered, endlessly fascinating, but not perfect. Join me by turning the podcast on while you watch Blade Runner Final Cut (2007) and we'll go scene by scene through this flawed masterpiece of collaborative filming from the talented Ridley Scott.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/263980393</guid><pubDate>Fri, 13 May 2016 18:24:27 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63503282/263980393_user_766286154_s70p_ep01_blade_runner_final_cut.mp3" length="173076817" type="audio/mpeg"/><itunes:author>Dylan Davis</itunes:author><itunes:subtitle>I know this is rather ambitious of me to choose such a complicated film for my first podcast, but I couldn't help it. Blade Runner is multi-layered, endlessly fascinating, but not perfect. Join me by turning the podcast on while you watch Blade Runner...</itunes:subtitle><itunes:summary><![CDATA[I know this is rather ambitious of me to choose such a complicated film for my first podcast, but I couldn't help it. Blade Runner is multi-layered, endlessly fascinating, but not perfect. Join me by turning the podcast on while you watch Blade Runner Final Cut (2007) and we'll go scene by scene through this flawed masterpiece of collaborative filming from the talented Ridley Scott.]]></itunes:summary><itunes:duration>7212</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/276bea930f0600022b0fef41a71a9702.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
