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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Radio Azim Premji University</title><link>https://www.spreaker.com/show/radio-azim-premji-university</link><description><![CDATA[You are listening to Radio Azim Premji University, our campus radio station. Azim Premji University was founded in 2010 with the vision to contribute to the realisation of a just, equitable, humane and sustainable society. On our channel, you can tune in to a variety of engrossing shows on themes ranging from democracy and culture, science and mathematics, and more. You can also experience a slice of campus life. If you are a seeking student, an arts aficionado, curious about science, or just passionate about India, subscribe and start listening. Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><atom:link href="https://www.spreaker.com/show/6036488/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Education</category><copyright>Copyright Radio Apu</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/254e6d7c46a184e0f75b94154d4cd232.jpg</url><title>Radio Azim Premji University</title><link>https://www.spreaker.com/show/radio-azim-premji-university</link></image><lastBuildDate>Tue, 17 Feb 2026 07:28:06 +0000</lastBuildDate><itunes:author>Radio Apu</itunes:author><itunes:owner><itunes:name>Radio Apu</itunes:name><itunes:email>feeds@spreaker.com</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/254e6d7c46a184e0f75b94154d4cd232.jpg"/><itunes:subtitle>You are listening to Radio Azim Premji University, our campus radio station. Azim Premji University was founded in 2010 with the vision to contribute to the realisation of a just, equitable, humane and sustainable society. On our channel, you can tune...</itunes:subtitle><itunes:summary><![CDATA[You are listening to Radio Azim Premji University, our campus radio station. Azim Premji University was founded in 2010 with the vision to contribute to the realisation of a just, equitable, humane and sustainable society. On our channel, you can tune in to a variety of engrossing shows on themes ranging from democracy and culture, science and mathematics, and more. You can also experience a slice of campus life. If you are a seeking student, an arts aficionado, curious about science, or just passionate about India, subscribe and start listening. Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:category text="Education"/><itunes:explicit>clean</itunes:explicit><itunes:type>episodic</itunes:type><item><title>ಕನ್ನಡದಲ್ಲಿ ಪ್ರೀತಿ: ಕಾವ್ಯ, ಹಾಡು ಮತ್ತು ಮುಂಗಾರು ಮಳೆ | Pooja Gandhi on Love in Kannada</title><link>https://www.spreaker.com/episode/kannadadalli-priti-kavya-hadu-mattu-mungaru-male-pooja-gandhi-on-love-in-kannada--70093829</link><description><![CDATA[Love in Kannada has never stayed in one place. It has moved between poetry and song, slipped into everyday speech, lingered in silence, and sometimes arrived through cinema in ways no one quite expected.  In this Valentine’s Day special of Noorakke Nooru Karnataka, Kannada Premakavya explores how love has been imagined and reimagined in Kannada culture — with Mungaaru Male standing as one of the moments when that imagination visibly shifted.  With actress Pooja Gandhi in conversation, we reflect on how the film did more than tell a love story. It altered mood, tone, and emotional texture. Romance became less performative and more inward. Nature became part of feeling. Music carried meaning beyond the screen.   A generation began to recognise its own emotions in quieter gestures. But Mungaaru Male sits within a much longer tradition.  The episode journeys through the lyricists who shaped how love is spoken in Kannada cinema — from earlier eras where longing first found a popular voice, to later writers who made intimacy feel contemporary and close.   It listens to how certain songs became emotional reference points, how lines from film lyrics entered daily conversation, and how melody often said what dialogue could not.  From there, the conversation turns to Kannada literature — to poets who imagined love as restlessness, as ethical responsibility, as care that extends beyond romance.  To works that once travelled into homes as gifts and blessings.  To writing that shaped emotional thought long before cinema arrived.  Interwoven through this cultural journey is a personal one.  What does it mean to come to Kannada from outside and slowly grow into it? How does a language become familiar not just through grammar, but through affection, music, and shared memory?  Kannada Premakavya is not about defining love. It is about noticing how Kannada has carried it — across generations, forms, and feelings.  #LoveInKannada #MungaaruMale #KannadaCinema #KannadaLyrics #KannadaLiterature #KarnatakaCulture #ValentinesDaySpecial #Premaloka #Ravichandran #YograjBhat #JayanthKaikini #Rajkumar #SaptasagaradaAache #DRBendre #NaakuTanthi #Kuvempu #YelliJaaritoManavu #MysoreMallige   ಕನ್ನಡದಲ್ಲಿ ಪ್ರೀತಿ ಕಾವ್ಯ ಮತ್ತು ಹಾಡಿನ ನಡುವೆ ಚಲಿಸಿದೆ, ದೈನಂದಿನ ಸಂಭಾಷಣೆಯಲ್ಲಿದೆ, ಮೌನದಲ್ಲಿ ಕಾಲಹರಣ ಮಾಡಿದೆ ಮತ್ತು ಕೆಲವೊಮ್ಮೆ ಯಾರೂ ನಿರೀಕ್ಷಿಸದ ರೀತಿಯಲ್ಲಿ ಸಿನಿಮಾದ ಮೂಲಕವೂ ತಲುಪಿದೆ.  ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕದ ಈ ಪ್ರೇಮಿಗಳ ದಿನದ ವಿಶೇಷ ಕಾರ್ಯಕ್ರಮದ 'ಕನ್ನಡ ಪ್ರೇಮಕಾವ್ಯ'ವು ಕನ್ನಡ ಸಂಸ್ಕೃತಿಯಲ್ಲಿ ಪ್ರೀತಿಯನ್ನು ಹೇಗೆ ಕಲ್ಪಿಸಿಕೊಳ್ಳಲಾಗಿದೆ ಮತ್ತು ಮರುಕಲ್ಪಿಸಿಕೊಳ್ಳಲಾಗಿದೆ ಎಂಬುದನ್ನು ಅನ್ವೇಷಿಸುತ್ತದೆ -   ಆ ಕಲ್ಪನೆಯು ಗೋಚರವಾಗಿ ಬದಲಾದ ಕ್ಷಣಗಳಲ್ಲಿ ಮುಂಗಾರು ಮಳೆಯೂ ಒಂದು.  ನಟಿ ಪೂಜಾ ಗಾಂಧಿಯವರ ಜೊತೆ ಸಂಭಾಷಣೆಯಲ್ಲಿ ವರ್ಷಾ ರಾಮಚಂದ್ರ, ಚಿತ್ರವು ಪ್ರೇಮಕಥೆಯನ್ನು ಹೇಳುವುದಕ್ಕಿಂತ ಹೆಚ್ಚಿನದನ್ನು ಹೇಗೆ ಮಾಡಿತು, ಪ್ರೀತಿಯ ವಿನ್ಯಾಸವನ್ನು ಹೇಗೆ ಬದಲಾಯಿಸಿತು, ಪ್ರಣಯ ಹೇಗೆ ಒಳಮುಖಿಯಾಯಿತು ಎಂಬುದನ್ನು ವಿವರಿಸುತ್ತಾರೆ.     ಕನ್ನಡ ಚಿತ್ರರಂಗದಲ್ಲಿ ಪ್ರೀತಿಯನ್ನು ಹೇಗೆ ವ್ಯಕ್ತಪಡಿಸಲಾಗುತ್ತದೆ ಎಂಬುದನ್ನು ರೂಪಿಸಿದ ಕವಿಗಳ ಮತ್ತು ಗೀತರಚನೆಕಾರರಿಂದ ಹಿಡಿದು, ಅನ್ಯೋನ್ಯತೆಯನ್ನು ಸಮಕಾಲೀನ ಮತ್ತು ನಿಕಟವೆಂದು ಭಾವಿಸುವಂತೆ ಮಾಡಿದ ನಂತರದ ಬರಹಗಾರರವರೆಗೆ ಈ ಸಂಚಿಕೆಯು ಪ್ರಯಾಣಿಸುತ್ತದೆ.  ಈ ಮಾತುಕತೆಯಲ್ಲಿ ಬಹಳ ಆಪ್ತವಾದ ಅಂಶ ಒಂದಿದೆ. ಅದು, 'ಕನ್ನಡಕ್ಕೆ ಬಂದು ನಿಧಾನವಾಗಿ ಬೆಳೆಯುವುದು ಎಂದರೇನು? ವ್ಯಾಕರಣದ ಮೂಲಕ ಮಾತ್ರವಲ್ಲದೆ, ವಾತ್ಸಲ್ಯ, ಸಂಗೀತ ಮತ್ತು ಹಂಚಿಕೊಂಡ ಸ್ಮರಣೆಯ ಮೂಲಕ ಒಂದು ಭಾಷೆ ಹೇಗೆ ಪರಿಚಿತವಾಗುತ್ತದೆ?' ಎಂಬುದು.  ‘ಕನ್ನಡ ಪ್ರೇಮಕಾವ್ಯ' ಪ್ರೀತಿಯನ್ನು ವ್ಯಾಖ್ಯಾನಿಸುವುದರ ಬಗ್ಗೆ ಅಲ್ಲ. ಕನ್ನಡವು ಅದನ್ನು ಹೇಗೆ ತಲೆಮಾರುಗಳು, ರೂಪಗಳು ಮತ್ತು ಭಾವನೆಗಳಲ್ಲಿ ಸಾಗಿಸಿದೆ ಎಂಬುದನ್ನು ಗಮನಿಸುವುದರ ಬಗ್ಗೆ.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2268081638</guid><pubDate>Tue, 17 Feb 2026 06:37:47 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/70093829/2268081638_radioazimpremjiuniversity_pooja_gandhi_on_love_in.mp3" length="85722240" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Love in Kannada has never stayed in one place. It has moved between poetry and song, slipped into everyday speech, lingered in silence, and sometimes arrived through cinema in ways no one quite expected.  In this Valentine’s Day special of Noorakke...</itunes:subtitle><itunes:summary><![CDATA[Love in Kannada has never stayed in one place. It has moved between poetry and song, slipped into everyday speech, lingered in silence, and sometimes arrived through cinema in ways no one quite expected.  In this Valentine’s Day special of Noorakke Nooru Karnataka, Kannada Premakavya explores how love has been imagined and reimagined in Kannada culture — with Mungaaru Male standing as one of the moments when that imagination visibly shifted.  With actress Pooja Gandhi in conversation, we reflect on how the film did more than tell a love story. It altered mood, tone, and emotional texture. Romance became less performative and more inward. Nature became part of feeling. Music carried meaning beyond the screen.   A generation began to recognise its own emotions in quieter gestures. But Mungaaru Male sits within a much longer tradition.  The episode journeys through the lyricists who shaped how love is spoken in Kannada cinema — from earlier eras where longing first found a popular voice, to later writers who made intimacy feel contemporary and close.   It listens to how certain songs became emotional reference points, how lines from film lyrics entered daily conversation, and how melody often said what dialogue could not.  From there, the conversation turns to Kannada literature — to poets who imagined love as restlessness, as ethical responsibility, as care that extends beyond romance.  To works that once travelled into homes as gifts and blessings.  To writing that shaped emotional thought long before cinema arrived.  Interwoven through this cultural journey is a personal one.  What does it mean to come to Kannada from outside and slowly grow into it? How does a language become familiar not just through grammar, but through affection, music, and shared memory?  Kannada Premakavya is not about defining love. It is about noticing how Kannada has carried it — across generations, forms, and feelings.  #LoveInKannada #MungaaruMale #KannadaCinema #KannadaLyrics #KannadaLiterature #KarnatakaCulture #ValentinesDaySpecial #Premaloka #Ravichandran #YograjBhat #JayanthKaikini #Rajkumar #SaptasagaradaAache #DRBendre #NaakuTanthi #Kuvempu #YelliJaaritoManavu #MysoreMallige   ಕನ್ನಡದಲ್ಲಿ ಪ್ರೀತಿ ಕಾವ್ಯ ಮತ್ತು ಹಾಡಿನ ನಡುವೆ ಚಲಿಸಿದೆ, ದೈನಂದಿನ ಸಂಭಾಷಣೆಯಲ್ಲಿದೆ, ಮೌನದಲ್ಲಿ ಕಾಲಹರಣ ಮಾಡಿದೆ ಮತ್ತು ಕೆಲವೊಮ್ಮೆ ಯಾರೂ ನಿರೀಕ್ಷಿಸದ ರೀತಿಯಲ್ಲಿ ಸಿನಿಮಾದ ಮೂಲಕವೂ ತಲುಪಿದೆ.  ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕದ ಈ ಪ್ರೇಮಿಗಳ ದಿನದ ವಿಶೇಷ ಕಾರ್ಯಕ್ರಮದ 'ಕನ್ನಡ ಪ್ರೇಮಕಾವ್ಯ'ವು ಕನ್ನಡ ಸಂಸ್ಕೃತಿಯಲ್ಲಿ ಪ್ರೀತಿಯನ್ನು ಹೇಗೆ ಕಲ್ಪಿಸಿಕೊಳ್ಳಲಾಗಿದೆ ಮತ್ತು ಮರುಕಲ್ಪಿಸಿಕೊಳ್ಳಲಾಗಿದೆ ಎಂಬುದನ್ನು ಅನ್ವೇಷಿಸುತ್ತದೆ -   ಆ ಕಲ್ಪನೆಯು ಗೋಚರವಾಗಿ ಬದಲಾದ ಕ್ಷಣಗಳಲ್ಲಿ ಮುಂಗಾರು ಮಳೆಯೂ ಒಂದು.  ನಟಿ ಪೂಜಾ ಗಾಂಧಿಯವರ ಜೊತೆ ಸಂಭಾಷಣೆಯಲ್ಲಿ ವರ್ಷಾ ರಾಮಚಂದ್ರ, ಚಿತ್ರವು ಪ್ರೇಮಕಥೆಯನ್ನು ಹೇಳುವುದಕ್ಕಿಂತ ಹೆಚ್ಚಿನದನ್ನು ಹೇಗೆ ಮಾಡಿತು, ಪ್ರೀತಿಯ ವಿನ್ಯಾಸವನ್ನು ಹೇಗೆ ಬದಲಾಯಿಸಿತು, ಪ್ರಣಯ ಹೇಗೆ ಒಳಮುಖಿಯಾಯಿತು ಎಂಬುದನ್ನು ವಿವರಿಸುತ್ತಾರೆ.     ಕನ್ನಡ ಚಿತ್ರರಂಗದಲ್ಲಿ ಪ್ರೀತಿಯನ್ನು ಹೇಗೆ ವ್ಯಕ್ತಪಡಿಸಲಾಗುತ್ತದೆ ಎಂಬುದನ್ನು ರೂಪಿಸಿದ ಕವಿಗಳ ಮತ್ತು ಗೀತರಚನೆಕಾರರಿಂದ ಹಿಡಿದು, ಅನ್ಯೋನ್ಯತೆಯನ್ನು ಸಮಕಾಲೀನ ಮತ್ತು ನಿಕಟವೆಂದು ಭಾವಿಸುವಂತೆ ಮಾಡಿದ ನಂತರದ ಬರಹಗಾರರವರೆಗೆ ಈ ಸಂಚಿಕೆಯು ಪ್ರಯಾಣಿಸುತ್ತದೆ.  ಈ ಮಾತುಕತೆಯಲ್ಲಿ ಬಹಳ ಆಪ್ತವಾದ ಅಂಶ ಒಂದಿದೆ. ಅದು, 'ಕನ್ನಡಕ್ಕೆ ಬಂದು ನಿಧಾನವಾಗಿ ಬೆಳೆಯುವುದು ಎಂದರೇನು? ವ್ಯಾಕರಣದ ಮೂಲಕ ಮಾತ್ರವಲ್ಲದೆ, ವಾತ್ಸಲ್ಯ, ಸಂಗೀತ ಮತ್ತು ಹಂಚಿಕೊಂಡ ಸ್ಮರಣೆಯ ಮೂಲಕ ಒಂದು ಭಾಷೆ ಹೇಗೆ ಪರಿಚಿತವಾಗುತ್ತದೆ?' ಎಂಬುದು.  ‘ಕನ್ನಡ ಪ್ರೇಮಕಾವ್ಯ' ಪ್ರೀತಿಯನ್ನು ವ್ಯಾಖ್ಯಾನಿಸುವುದರ ಬಗ್ಗೆ ಅಲ್ಲ. ಕನ್ನಡವು ಅದನ್ನು ಹೇಗೆ ತಲೆಮಾರುಗಳು, ರೂಪಗಳು ಮತ್ತು ಭಾವನೆಗಳಲ್ಲಿ ಸಾಗಿಸಿದೆ ಎಂಬುದನ್ನು ಗಮನಿಸುವುದರ ಬಗ್ಗೆ.]]></itunes:summary><itunes:duration>2144</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/36a31fab36e76068171539743037310d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hindustan Ki Nayi Geetmala: Republic Day Special | Top Hits from India</title><link>https://www.spreaker.com/episode/hindustan-ki-nayi-geetmala-republic-day-special-top-hits-from-india--69617165</link><description><![CDATA[9 गाने, 9 भाषाएँ, एक हिंदुस्तान  हम अक्सर “एकता में विविधता” की बात एक नारे की तरह करते हैं — लेकिन कैसा होगा अगर हम उसे सुन  सकें तो!  संविधानि पिटारा के इस रीपब्लिक डे स्पेशल एपिसोड में हम लाए हैं  हिंदुस्तान की नई गीतमाला — गानों के ज़रिए भारत की उन भाषाओं और संस्कृतियों की यात्रा जो आमतौर पर हमारे प्लेलिस्ट्स तक नहीं पहुंच पाती हैं, लेकिन हमेशा से हमारे देश के दिल में बसती हैं।  इन गानों में ज़मीन कि खुशबू है, पलायन का दुख है, पीछे छूटी मिट्टी कि याद है, और जानी-अनजानी अनगिनत कहानियाँ हैं, ऐसी आवाज़ों में जो पीढ़ियों से जिंदा रही हैं।  Top Hits from India, A Powerful Playlist  | Samvidhaani Pitaara | Republic Day Special  On Republic Day, we talk about unity in diversity like it’s a slogan. But what if we could hear it?  In this special episode of Samvidhaani Pitaara, we bring you Hindustan Ki Nayi Geetmala — a musical journey across lesser-known languages and cultures that rarely make it to mainstream playlists, but have always belonged to the heart of this country.  These songs don’t just entertain — they carry memory, migration, land, labour, longing, and pride, in voices that have survived generations.  Listen to the full songs here: https://www.youtube.com/playlist?list=PLo3VipWSCalmvc6LqRP3iPtTb9PGt8a-B  Featured songs &amp; themes from across India:  Kutchdo Yaad Kariya | Kutchi | Manasi Parekh Gohil :  A song of longing and memory for Kutchh, soaked in nostalgia:   Dania | Garo |Ahowee: A folk song tied to the land, sung in the spirit of sowing season.  Kadal Poiye | Tulu | Alva Kuuto: A song titled ocean and the sand talks about the pristine waters of the south-western coast of India. It celebrates Tulu in its unique landscape.  Rinjodi | Koraputia / Desia  — A rooted Koraput folk song filled with community rhythm and cultural pride.  Saadharan Insaan | Garhwali | Martand Badoni  — A song about being ordinary, humble, and human.  dZambuling-la | Ladakhi | Dashugs: This song offers a gentle reminder to choose wisely and focus on what truly matters, because not all that glitters is gold.  Loktak Song | Manipuri | Nganthoibi Ningthoujam : A gentle song rooted in Loktak’s beauty, water, and memory.  Padki | Chota Nagpuri | Francis Xalxo, Nurani Karuna Surin &amp; Gaurav Raj : A powerful migration song that asks people not to leave their land behind.  Apatani Folk Song | Apatani (Arunachal Pradesh) | Mudang Pabyang: This Apatani folk song, also known as a bwsi (traditionally sung by women), traces the journey of the Apatani people of the Dwbo belt, from the land of spirits to present-day Dwbo village.    Credits &amp; Sources  Clips used in this video were sourced from the following YouTube videos:  Ahowee: https://youtu.be/_yyS27GGyx8?si=a56t3PBtqg0ULxZF https://youtu.be/J72g-_bOMWg?si=xj53BhfkcB3kyI83  Banglanatak dot com: https://www.youtube.com/@banglanatak  BBC News: https://youtu.be/MV2-mpuqQQo?si=7FcwFMirvcl07qZD  BlackSheep Productions: https://youtu.be/x9ovsIg0hPI?si=zfXjRQA2pqJMfVcn  Desia Creation: https://youtu.be/0kHO9QfHKBw?si=PNFgo8z8WPWcDzFI  Incredible Apatani Valley: https://youtu.be/Lrl_j65vTag?si=EMDIqrSF06smIb7r  Good Food Movement: https://youtu.be/s9EcZ4b2L5g?si=WSzl-ngoorpsE088  Green Hub Video Diary: https://youtu.be/P7w0jtbeCVo?si=xOHtpUd1NOLRUteL  Gujarati Jalso: https://youtu.be/JNMvBKY1uSk?si=cDfCnkl4x1QSwe9o  Gujarat Tourism: https://youtu.be/QjXlGqLQWNc?si=dyf_T8a2ziLPwsGI  HangKok Films: https://youtu.be/3NZ1iU97nEY?si=oiJLdrRtzIWWQGfW  Hombale Films: https://youtu.be/_UoTF4XLbpY?si=woim95sqn33tghEs  Jenny and Adam: https://youtu.be/E6jbs44W10w?si=etGNwSOz73aFY9fk  Kanishk Gupta: https://youtu.be/ROgPMyNEIMI?si=lopNkDP8rHe2MZCR  Martand Badoni: https://youtu.be/r6bxzZcbsm0?si=3Fzoeuwye6UeD9GV]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2254978973</guid><pubDate>Tue, 27 Jan 2026 09:17:59 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/69617165/2254978973_radioazimpremjiuniversity_hindustan_ki_nayi_geetmala_republic_day_special_top_hits_from_india.mp3" length="53918400" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>9 गाने, 9 भाषाएँ, एक हिंदुस्तान  हम अक्सर “एकता में विविधता” की बात एक नारे की तरह करते हैं — लेकिन कैसा होगा अगर हम उसे सुन  सकें तो!  संविधानि पिटारा के इस रीपब्लिक डे स्पेशल एपिसोड में हम लाए हैं  हिंदुस्तान की नई गीतमाला — गानों के ज़रिए भारत की उन...</itunes:subtitle><itunes:summary><![CDATA[9 गाने, 9 भाषाएँ, एक हिंदुस्तान  हम अक्सर “एकता में विविधता” की बात एक नारे की तरह करते हैं — लेकिन कैसा होगा अगर हम उसे सुन  सकें तो!  संविधानि पिटारा के इस रीपब्लिक डे स्पेशल एपिसोड में हम लाए हैं  हिंदुस्तान की नई गीतमाला — गानों के ज़रिए भारत की उन भाषाओं और संस्कृतियों की यात्रा जो आमतौर पर हमारे प्लेलिस्ट्स तक नहीं पहुंच पाती हैं, लेकिन हमेशा से हमारे देश के दिल में बसती हैं।  इन गानों में ज़मीन कि खुशबू है, पलायन का दुख है, पीछे छूटी मिट्टी कि याद है, और जानी-अनजानी अनगिनत कहानियाँ हैं, ऐसी आवाज़ों में जो पीढ़ियों से जिंदा रही हैं।  Top Hits from India, A Powerful Playlist  | Samvidhaani Pitaara | Republic Day Special  On Republic Day, we talk about unity in diversity like it’s a slogan. But what if we could hear it?  In this special episode of Samvidhaani Pitaara, we bring you Hindustan Ki Nayi Geetmala — a musical journey across lesser-known languages and cultures that rarely make it to mainstream playlists, but have always belonged to the heart of this country.  These songs don’t just entertain — they carry memory, migration, land, labour, longing, and pride, in voices that have survived generations.  Listen to the full songs here: https://www.youtube.com/playlist?list=PLo3VipWSCalmvc6LqRP3iPtTb9PGt8a-B  Featured songs &amp; themes from across India:  Kutchdo Yaad Kariya | Kutchi | Manasi Parekh Gohil :  A song of longing and memory for Kutchh, soaked in nostalgia:   Dania | Garo |Ahowee: A folk song tied to the land, sung in the spirit of sowing season.  Kadal Poiye | Tulu | Alva Kuuto: A song titled ocean and the sand talks about the pristine waters of the south-western coast of India. It celebrates Tulu in its unique landscape.  Rinjodi | Koraputia / Desia  — A rooted Koraput folk song filled with community rhythm and cultural pride.  Saadharan Insaan | Garhwali | Martand Badoni  — A song about being ordinary, humble, and human.  dZambuling-la | Ladakhi | Dashugs: This song offers a gentle reminder to choose wisely and focus on what truly matters, because not all that glitters is gold.  Loktak Song | Manipuri | Nganthoibi Ningthoujam : A gentle song rooted in Loktak’s beauty, water, and memory.  Padki | Chota Nagpuri | Francis Xalxo, Nurani Karuna Surin &amp; Gaurav Raj : A powerful migration song that asks people not to leave their land behind.  Apatani Folk Song | Apatani (Arunachal Pradesh) | Mudang Pabyang: This Apatani folk song, also known as a bwsi (traditionally sung by women), traces the journey of the Apatani people of the Dwbo belt, from the land of spirits to present-day Dwbo village.    Credits &amp; Sources  Clips used in this video were sourced from the following YouTube videos:  Ahowee: https://youtu.be/_yyS27GGyx8?si=a56t3PBtqg0ULxZF https://youtu.be/J72g-_bOMWg?si=xj53BhfkcB3kyI83  Banglanatak dot com: https://www.youtube.com/@banglanatak  BBC News: https://youtu.be/MV2-mpuqQQo?si=7FcwFMirvcl07qZD  BlackSheep Productions: https://youtu.be/x9ovsIg0hPI?si=zfXjRQA2pqJMfVcn  Desia Creation: https://youtu.be/0kHO9QfHKBw?si=PNFgo8z8WPWcDzFI  Incredible Apatani Valley: https://youtu.be/Lrl_j65vTag?si=EMDIqrSF06smIb7r  Good Food Movement: https://youtu.be/s9EcZ4b2L5g?si=WSzl-ngoorpsE088  Green Hub Video Diary: https://youtu.be/P7w0jtbeCVo?si=xOHtpUd1NOLRUteL  Gujarati Jalso: https://youtu.be/JNMvBKY1uSk?si=cDfCnkl4x1QSwe9o  Gujarat Tourism: https://youtu.be/QjXlGqLQWNc?si=dyf_T8a2ziLPwsGI  HangKok Films: https://youtu.be/3NZ1iU97nEY?si=oiJLdrRtzIWWQGfW  Hombale Films: https://youtu.be/_UoTF4XLbpY?si=woim95sqn33tghEs  Jenny and Adam: https://youtu.be/E6jbs44W10w?si=etGNwSOz73aFY9fk  Kanishk Gupta: https://youtu.be/ROgPMyNEIMI?si=lopNkDP8rHe2MZCR  Martand Badoni: https://youtu.be/r6bxzZcbsm0?si=3Fzoeuwye6UeD9GV]]></itunes:summary><itunes:duration>1348</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d60680db10c996163d810f1480b9f5a1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>ಪಾಡ್‌ಕಾಸ್ಟರ್ಸ್‌ಗೆ ಪ್ರಶ್ನೆಗಳಾ? | Skandyyman &amp; RJ Sowjanya | Sankranti Special</title><link>https://www.spreaker.com/episode/pad-kastars-ge-prasnegala-skandyyman-rj-sowjanya-sankranti-special--69438791</link><description><![CDATA[In this Sankranti special of Noorakke Nooru Karnataka, we’re joined by Skandyyman, one of the earliest podcasters in Kannada, and Sowjanya, who began her career in radio before moving into podcasting. These are voices you’ve probably heard before, voices that feel familiar, even if you’ve never seen the faces.  They talk about podcasting as a medium — how the names have changed but the format hasn’t. What once existed as radio promos and previews now shows up as teasers and episode drops. The core remains the same: people talking, others listening.   Skandyyman reflects on how his North Karnataka accent became central to his podcasting journey. Instead of neutralising or polishing it, he leaned into it — and that genuineness shaped how listeners connected with him. The conversation returns often to this idea of being real: that podcasting works best when voices aren’t trying too hard to fit a mould. They also revisit some of their favourite episodes, moments that stayed with them, and break a few common myths around podcasting — about reach, effort, and what success really looks like.  Language and identity enter the conversation without grand claims. Sowjanya recalls a conversation with Jayanth Kaikini, who once remarked that the anxiety of “saving Kannada” is largely a Bangalore idea — travel fifty kilometres and you’ll hear the language spoken with ease and confidence. Languages don’t need to be protected in theory; they only need room to be lived in. The discussion also touches on how cinema, as a medium, has often fixed language and identity into rigid stereotypes, while podcasting allows space for more ordinary, layered voices.  So sit back, listen in, and enjoy conversations that remind us why podcasting is such a loved medium.  #PodcastersGeQuestionsAa, #NoorakkeNooruKarnataka, #PodcastConversation, #IndianPodcasters, #PodcastCulture, #PodcastingInIndia, #BehindTheMic, #NewMediaIndia, #SankrantiSpecial, #FestiveConversations, #VoicesYouKnow, #ContentCreators]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2247342614</guid><pubDate>Wed, 14 Jan 2026 14:40:26 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/69438791/2247342614_radioazimpremjiuniversity_skandyyman_rj_sowjanya_sankranti_special.mp3" length="34996801" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In this Sankranti special of Noorakke Nooru Karnataka, we’re joined by Skandyyman, one of the earliest podcasters in Kannada, and Sowjanya, who began her career in radio before moving into podcasting. These are voices you’ve probably heard before,...</itunes:subtitle><itunes:summary><![CDATA[In this Sankranti special of Noorakke Nooru Karnataka, we’re joined by Skandyyman, one of the earliest podcasters in Kannada, and Sowjanya, who began her career in radio before moving into podcasting. These are voices you’ve probably heard before, voices that feel familiar, even if you’ve never seen the faces.  They talk about podcasting as a medium — how the names have changed but the format hasn’t. What once existed as radio promos and previews now shows up as teasers and episode drops. The core remains the same: people talking, others listening.   Skandyyman reflects on how his North Karnataka accent became central to his podcasting journey. Instead of neutralising or polishing it, he leaned into it — and that genuineness shaped how listeners connected with him. The conversation returns often to this idea of being real: that podcasting works best when voices aren’t trying too hard to fit a mould. They also revisit some of their favourite episodes, moments that stayed with them, and break a few common myths around podcasting — about reach, effort, and what success really looks like.  Language and identity enter the conversation without grand claims. Sowjanya recalls a conversation with Jayanth Kaikini, who once remarked that the anxiety of “saving Kannada” is largely a Bangalore idea — travel fifty kilometres and you’ll hear the language spoken with ease and confidence. Languages don’t need to be protected in theory; they only need room to be lived in. The discussion also touches on how cinema, as a medium, has often fixed language and identity into rigid stereotypes, while podcasting allows space for more ordinary, layered voices.  So sit back, listen in, and enjoy conversations that remind us why podcasting is such a loved medium.  #PodcastersGeQuestionsAa, #NoorakkeNooruKarnataka, #PodcastConversation, #IndianPodcasters, #PodcastCulture, #PodcastingInIndia, #BehindTheMic, #NewMediaIndia, #SankrantiSpecial, #FestiveConversations, #VoicesYouKnow, #ContentCreators]]></itunes:summary><itunes:duration>2188</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/aa7b7b3dea2490beb67072ef83eec526.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Next Era of Sports, Sports Media Power &amp; Our Favourite Episodes | Game Play Sport Epilogue</title><link>https://www.spreaker.com/episode/the-next-era-of-sports-sports-media-power-our-favourite-episodes-game-play-sport-epilogue--69250893</link><description><![CDATA[What does the next era of sports look like — and what role will sports media play in shaping it?  In this epilogue episode of Game Play Sport, our Indian sports podcast, the three hosts look back at Season 1 — revisiting their favourite episodes, most memorable guests, and the conversations that stayed with them long after recording.  The discussion reflects on:  The next era of sports and how Indian sport might change over the next decade  The role of sports media in shaping narratives, expectations, and public memory  The episodes and interviews that best captured the spirit of the season  Personal sporting moments, lessons, and turning points for the hosts themselves  _____________________________________________________________________________________________________  🎇CHAPTERS  0:52 - Our Greatest Sporting Achievement 2:30 - Our Favourite Episode From The Season 5:07 - Favourite Guests To Interview 7:34 - The Role Of Sports Media 14:00 - Why We Started Game Play Sport 16:50 - "Watching Sports Is Not Enough. You Have To Play Too!" 18:59 - Predictions For the Next Era of Sports _____________________________________________________________________________________________  This episode is both a wrap-up and a pause — a chance to think about where sport is headed, how it is talked about, and why these conversations matter beyond wins and losses.  Whether you’re discovering Game Play Sport for the first time or have followed the season closely, this epilogue offers a clear sense of what the show set out to explore — sport as culture, labour, pressure, media, and public life.  ▶️ Watch the Game Play Sport Epilogue, only on Radio Azim Premji University.  #GamePlaySport, #IndianSports, #IndianSportsPodcast, #SportsPodcastIndia, #FutureOfIndianSports, #SportsConversations, #IndianAthletes, #SportsMedia, #RadioAzimPremjiUniversity, #SportsDiscussion, #IndianSportCulture]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2238940178</guid><pubDate>Tue, 30 Dec 2025 14:24:03 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/69250893/2238940178_radioazimpremjiuniversity_the_next_era_of_sports_sports_media_power_our_favourite_episodes_game_play_sport_epilogue.mp3" length="33440110" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>What does the next era of sports look like — and what role will sports media play in shaping it?  In this epilogue episode of Game Play Sport, our Indian sports podcast, the three hosts look back at Season 1 — revisiting their favourite episodes, most...</itunes:subtitle><itunes:summary><![CDATA[What does the next era of sports look like — and what role will sports media play in shaping it?  In this epilogue episode of Game Play Sport, our Indian sports podcast, the three hosts look back at Season 1 — revisiting their favourite episodes, most memorable guests, and the conversations that stayed with them long after recording.  The discussion reflects on:  The next era of sports and how Indian sport might change over the next decade  The role of sports media in shaping narratives, expectations, and public memory  The episodes and interviews that best captured the spirit of the season  Personal sporting moments, lessons, and turning points for the hosts themselves  _____________________________________________________________________________________________________  🎇CHAPTERS  0:52 - Our Greatest Sporting Achievement 2:30 - Our Favourite Episode From The Season 5:07 - Favourite Guests To Interview 7:34 - The Role Of Sports Media 14:00 - Why We Started Game Play Sport 16:50 - "Watching Sports Is Not Enough. You Have To Play Too!" 18:59 - Predictions For the Next Era of Sports _____________________________________________________________________________________________  This episode is both a wrap-up and a pause — a chance to think about where sport is headed, how it is talked about, and why these conversations matter beyond wins and losses.  Whether you’re discovering Game Play Sport for the first time or have followed the season closely, this epilogue offers a clear sense of what the show set out to explore — sport as culture, labour, pressure, media, and public life.  ▶️ Watch the Game Play Sport Epilogue, only on Radio Azim Premji University.  #GamePlaySport, #IndianSports, #IndianSportsPodcast, #SportsPodcastIndia, #FutureOfIndianSports, #SportsConversations, #IndianAthletes, #SportsMedia, #RadioAzimPremjiUniversity, #SportsDiscussion, #IndianSportCulture]]></itunes:summary><itunes:duration>1374</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/af2266a0c616ddfe78d3361dacf00efc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>ಕರ್ನಾಟಕದ ಕಳೆದ 25 ವರ್ಷಗಳ ನೆನಪು | Noorakke Nooru Karnataka</title><link>https://www.spreaker.com/episode/karnatakada-kaleda-25-varsagala-nenapu-noorakke-nooru-karnataka--69194287</link><description><![CDATA[೨೦೦೦ ಇಸವಿ ಸ್ವಲ್ಪ ಅನಿಶ್ಚಿತತೆಯೊಂದಿಗೆ ಬಂದಿತು - Y2K ಭಯ, ಹೊಸ ಮಹತ್ವಾಕಾಂಕ್ಷೆಗಳು, ಹೊಸ ಆತಂಕಗಳು. ಮುಂದಿನ 25 ವರ್ಷಗಳಲ್ಲಿ, ಕರ್ನಾಟಕವು ಬದಲಾಗಲಿಲ್ಲ. ಅದು ತನ್ನದೇ ಆದ ಕಥೆಯನ್ನು ಹೇಗೆ ಹೇಳಬೇಕೆಂದು ಕಲಿತಿತು.  ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕದ ಈ ಸಂಚಿಕೆಯಲ್ಲಿ ವರ್ಷ ರಾಮಚಂದ್ರ 2000–2025ರ ನಡುವೆ ಸಾರ್ವಜನಿಕ ನೆನಪಿನಲ್ಲಿ ಉಳಿದಿರುವ ಕ್ಷಣಗಳ ಮೂಲಕ ನೆನಪಿಸಿಕೊಳ್ಳುತ್ತಾರೆ. ಡಾ. ರಾಜ್‌ಕುಮಾರ್ ಅಪಹರಣದಿಂದ ವಿಜಯ್ ಮಲ್ಯ ಅವರ ಉಗಮ ಮತ್ತು ಪತನದವರೆಗೆ, ರಾಯಲ್ ಚಾಲೆಂಜರ್ಸ್ ಬೆಂಗಳೂರಿನ ಅಭಿಮಾನಿಗಳ ಭಾವನಾತ್ಮಕ ಪ್ರಪಂಚದಿಂದ ರಂಗಶಂಕರದಂತಹ ಸಾಂಸ್ಕೃತಿಕ ಸ್ಥಳಗಳವರೆಗೆ.  ದ್ವೀಪ, ಮುಂಗಾರು ಮಳೆ, ಲೂಸಿಯ, ತಿಥಿ ಮತ್ತು ಕೆಜಿಎಫ್‌ನಂತಹ ಚಿತ್ರಗಳ ಜೊತೆಗೆ ರಕ್ಷಿತ್ ಶೆಟ್ಟಿ, ರಾಜ್ ಬಿ. ಶೆಟ್ಟಿ ಮತ್ತು ರಿಷಬ್ ಶೆಟ್ಟಿ ಇವರ ಉದಯದ ಮೂಲಕ ಕನ್ನಡ ಚಿತ್ರರಂಗ ಹೇಗೆ ಹೊಸ ವಿಶ್ವಾಸವನ್ನು ಕಂಡುಕೊಂಡಿತು ಎಂಬುದನ್ನು ಇದು ಗುರುತಿಸುತ್ತದೆ.  ಈ ವರ್ಷಗಳಲ್ಲಿ ಕರ್ನಾಟಕದಲ್ಲಿ ಸದ್ದು ಮಾಡಿದ ರಾರಾ ಸರಸಕು ರಾ ರಾ, ಮುಂಗಾರು ಮಳೆ, ವರಹ ರೂಪಂ, ಬೊಂಬೆ ಹೇಳುತೈತೆ, ಮತ್ತು ಬೆಳಗೆದ್ದು ಯಾರ ಮುಖವ ನಾನು ನೋಡಿದೆ ಮುಂತಾದ ಹಾಡುಗಳನ್ನು ಗುನುಗುತ್ತದೆ ಮತ್ತು ಸಂಗೀತ, ವಿಜ್ಞಾನ, ಪರಿಸರ ವಿಜ್ಞಾನ ಮತ್ತು ಸಾಮಾಜಿಕ ನ್ಯಾಯವನ್ನು ರೂಪಿಸಿದ ಪಂಡಿತ್ ಭೀಮಸೇನ್ ಜೋಶಿ, ಸಿ.ಎನ್.ಆರ್.ರಾವ್, ಸಾಲುಮರದ ತಿಮ್ಮಕ್ಕ, ಹರೀಶ್ ಹಂದೆ, ಮತ್ತು ಬೆಜವಾಡ ವಿಲ್ಸನ್ ಅವರಂತಹ ಕನ್ನಡಿಗರನ್ನು ಗೌರವಿಸುತ್ತದೆ.   ಇದು ಕೇವಲ ಪಟ್ಟಿಯಲ್ಲ, ಕರ್ನಾಟಕದ ನೆನಪು - ಸಾಧನೆಗಳ ಪಕ್ಷಿನೋಟ. ನೀವು ಯಾವ ಚಲನಚಿತ್ರ, ಹಾಡು ಅಥವಾ ಕ್ಷಣವನ್ನು ಸೇರಿಸಲು ಬಯಸುತ್ತೀರಿ? ಕೆಳಗೆ ಕಾಮೆಂಟ್ ಮಾಡಿ ತಿಳಿಸಿ.  From Y2K to Now: Karnataka | The Last 25 Years of Karnataka The turn of the millennium came with uncertainty — the Y2K scare, new ambitions, new anxieties. Over the next 25 years, Karnataka didn’t just change. It learned how to tell its own story.  In this episode of Noorakke Nooru Karnataka Varsha Ramachandra looks back at 2000–2025 through moments that stayed in public memory — from the abduction of Dr. Rajkumar to the rise and fall of Vijay Mallya, from the emotional world of Royal Challengers Bangalore fandom to cultural spaces like Rangashankara.  It traces how Kannada cinema found new confidence through the rise of the three Rs — Rakshit Shetty, Raj B. Shetty, and Rishab Shetty — alongside films like Dweepa, Mungaru Male, Lucia, Thithi, and KGF, moments when Kannada storytelling stopped explaining itself and began asserting itself.  It listens to how Karnataka sounded over these years — through songs like Ra Ra Sarasaku Ra Ra, Mungaru Maleye, Varaha Roopam, Bombe Helutaite, and Belageddu Yaara Mukhava Naanu Nodidde — and honours Kannadigas whose work shaped music, science, ecology, and social justice: Pandit Bhimsen Joshi, C. N. R. Rao, Saalumarada Thimmakka, Harish Hande, and Bezwada Wilson.  This is not just a list but a way to remember Karnataka.  What film, song, or moment would you like to add? Comment below and let us know  #FromY2KtoNow, #HowKarnatakaRemembered, #NoorakkeNooruKarnataka, #KarnatakadaTop25, #Karnataka2000to2025, #KannadaPride, #KannadaCulture, #KannadaCinema, #KannadaMusic, #KannadaLiterature, #DrRajkumar, #VijayMallya, #RCB, #Rangashankara, #RakshitShetty, #RajBShetty, #RishabShetty, #PanditBhimsenJoshi, #CNRRao, #SaalumaradaThimmakka, #HarishHande, #BezwadaWilson, #KGF, #MungaruMale, #LuciaFilm, #Thithi, #KarnatakaHistory, #RadioAzimPremjiUniversity]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2235663134</guid><pubDate>Wed, 24 Dec 2025 12:08:36 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/69194287/2235663134_radioazimpremjiuniversity_25_noorakke_nooru_karnataka.mp3" length="101872320" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>೨೦೦೦ ಇಸವಿ ಸ್ವಲ್ಪ ಅನಿಶ್ಚಿತತೆಯೊಂದಿಗೆ ಬಂದಿತು - Y2K ಭಯ, ಹೊಸ ಮಹತ್ವಾಕಾಂಕ್ಷೆಗಳು, ಹೊಸ ಆತಂಕಗಳು. ಮುಂದಿನ 25 ವರ್ಷಗಳಲ್ಲಿ, ಕರ್ನಾಟಕವು ಬದಲಾಗಲಿಲ್ಲ. ಅದು ತನ್ನದೇ ಆದ ಕಥೆಯನ್ನು ಹೇಗೆ ಹೇಳಬೇಕೆಂದು ಕಲಿತಿತು.  ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕದ ಈ ಸಂಚಿಕೆಯಲ್ಲಿ ವರ್ಷ ರಾಮಚಂದ್ರ 2000–2025ರ ನಡುವೆ...</itunes:subtitle><itunes:summary><![CDATA[೨೦೦೦ ಇಸವಿ ಸ್ವಲ್ಪ ಅನಿಶ್ಚಿತತೆಯೊಂದಿಗೆ ಬಂದಿತು - Y2K ಭಯ, ಹೊಸ ಮಹತ್ವಾಕಾಂಕ್ಷೆಗಳು, ಹೊಸ ಆತಂಕಗಳು. ಮುಂದಿನ 25 ವರ್ಷಗಳಲ್ಲಿ, ಕರ್ನಾಟಕವು ಬದಲಾಗಲಿಲ್ಲ. ಅದು ತನ್ನದೇ ಆದ ಕಥೆಯನ್ನು ಹೇಗೆ ಹೇಳಬೇಕೆಂದು ಕಲಿತಿತು.  ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕದ ಈ ಸಂಚಿಕೆಯಲ್ಲಿ ವರ್ಷ ರಾಮಚಂದ್ರ 2000–2025ರ ನಡುವೆ ಸಾರ್ವಜನಿಕ ನೆನಪಿನಲ್ಲಿ ಉಳಿದಿರುವ ಕ್ಷಣಗಳ ಮೂಲಕ ನೆನಪಿಸಿಕೊಳ್ಳುತ್ತಾರೆ. ಡಾ. ರಾಜ್‌ಕುಮಾರ್ ಅಪಹರಣದಿಂದ ವಿಜಯ್ ಮಲ್ಯ ಅವರ ಉಗಮ ಮತ್ತು ಪತನದವರೆಗೆ, ರಾಯಲ್ ಚಾಲೆಂಜರ್ಸ್ ಬೆಂಗಳೂರಿನ ಅಭಿಮಾನಿಗಳ ಭಾವನಾತ್ಮಕ ಪ್ರಪಂಚದಿಂದ ರಂಗಶಂಕರದಂತಹ ಸಾಂಸ್ಕೃತಿಕ ಸ್ಥಳಗಳವರೆಗೆ.  ದ್ವೀಪ, ಮುಂಗಾರು ಮಳೆ, ಲೂಸಿಯ, ತಿಥಿ ಮತ್ತು ಕೆಜಿಎಫ್‌ನಂತಹ ಚಿತ್ರಗಳ ಜೊತೆಗೆ ರಕ್ಷಿತ್ ಶೆಟ್ಟಿ, ರಾಜ್ ಬಿ. ಶೆಟ್ಟಿ ಮತ್ತು ರಿಷಬ್ ಶೆಟ್ಟಿ ಇವರ ಉದಯದ ಮೂಲಕ ಕನ್ನಡ ಚಿತ್ರರಂಗ ಹೇಗೆ ಹೊಸ ವಿಶ್ವಾಸವನ್ನು ಕಂಡುಕೊಂಡಿತು ಎಂಬುದನ್ನು ಇದು ಗುರುತಿಸುತ್ತದೆ.  ಈ ವರ್ಷಗಳಲ್ಲಿ ಕರ್ನಾಟಕದಲ್ಲಿ ಸದ್ದು ಮಾಡಿದ ರಾರಾ ಸರಸಕು ರಾ ರಾ, ಮುಂಗಾರು ಮಳೆ, ವರಹ ರೂಪಂ, ಬೊಂಬೆ ಹೇಳುತೈತೆ, ಮತ್ತು ಬೆಳಗೆದ್ದು ಯಾರ ಮುಖವ ನಾನು ನೋಡಿದೆ ಮುಂತಾದ ಹಾಡುಗಳನ್ನು ಗುನುಗುತ್ತದೆ ಮತ್ತು ಸಂಗೀತ, ವಿಜ್ಞಾನ, ಪರಿಸರ ವಿಜ್ಞಾನ ಮತ್ತು ಸಾಮಾಜಿಕ ನ್ಯಾಯವನ್ನು ರೂಪಿಸಿದ ಪಂಡಿತ್ ಭೀಮಸೇನ್ ಜೋಶಿ, ಸಿ.ಎನ್.ಆರ್.ರಾವ್, ಸಾಲುಮರದ ತಿಮ್ಮಕ್ಕ, ಹರೀಶ್ ಹಂದೆ, ಮತ್ತು ಬೆಜವಾಡ ವಿಲ್ಸನ್ ಅವರಂತಹ ಕನ್ನಡಿಗರನ್ನು ಗೌರವಿಸುತ್ತದೆ.   ಇದು ಕೇವಲ ಪಟ್ಟಿಯಲ್ಲ, ಕರ್ನಾಟಕದ ನೆನಪು - ಸಾಧನೆಗಳ ಪಕ್ಷಿನೋಟ. ನೀವು ಯಾವ ಚಲನಚಿತ್ರ, ಹಾಡು ಅಥವಾ ಕ್ಷಣವನ್ನು ಸೇರಿಸಲು ಬಯಸುತ್ತೀರಿ? ಕೆಳಗೆ ಕಾಮೆಂಟ್ ಮಾಡಿ ತಿಳಿಸಿ.  From Y2K to Now: Karnataka | The Last 25 Years of Karnataka The turn of the millennium came with uncertainty — the Y2K scare, new ambitions, new anxieties. Over the next 25 years, Karnataka didn’t just change. It learned how to tell its own story.  In this episode of Noorakke Nooru Karnataka Varsha Ramachandra looks back at 2000–2025 through moments that stayed in public memory — from the abduction of Dr. Rajkumar to the rise and fall of Vijay Mallya, from the emotional world of Royal Challengers Bangalore fandom to cultural spaces like Rangashankara.  It traces how Kannada cinema found new confidence through the rise of the three Rs — Rakshit Shetty, Raj B. Shetty, and Rishab Shetty — alongside films like Dweepa, Mungaru Male, Lucia, Thithi, and KGF, moments when Kannada storytelling stopped explaining itself and began asserting itself.  It listens to how Karnataka sounded over these years — through songs like Ra Ra Sarasaku Ra Ra, Mungaru Maleye, Varaha Roopam, Bombe Helutaite, and Belageddu Yaara Mukhava Naanu Nodidde — and honours Kannadigas whose work shaped music, science, ecology, and social justice: Pandit Bhimsen Joshi, C. N. R. Rao, Saalumarada Thimmakka, Harish Hande, and Bezwada Wilson.  This is not just a list but a way to remember Karnataka.  What film, song, or moment would you like to add? Comment below and let us know  #FromY2KtoNow, #HowKarnatakaRemembered, #NoorakkeNooruKarnataka, #KarnatakadaTop25, #Karnataka2000to2025, #KannadaPride, #KannadaCulture, #KannadaCinema, #KannadaMusic, #KannadaLiterature, #DrRajkumar, #VijayMallya, #RCB, #Rangashankara, #RakshitShetty, #RajBShetty, #RishabShetty, #PanditBhimsenJoshi, #CNRRao, #SaalumaradaThimmakka, #HarishHande, #BezwadaWilson, #KGF, #MungaruMale, #LuciaFilm, #Thithi, #KarnatakaHistory, #RadioAzimPremjiUniversity]]></itunes:summary><itunes:duration>2547</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/998ed6a1c841e1c88e71f1c4ed5f555e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Big City Life vs Rural India — Why These Doctors Stayed Back 30 Years | The Health Worker Podcast</title><link>https://www.spreaker.com/episode/big-city-life-vs-rural-india-why-these-doctors-stayed-back-30-years-the-health-worker-podcast--69090161</link><description><![CDATA[What makes doctors begin their careers in rural India—and keep going for three decades? Dr. John and Mercy John reveal why they stayed—and how their work transformed healthcare in Bissam Cuttack, Odisha.  In this episode of The Health Worker, host Ram G. Vallath from the Azim Premji Foundation brings you the story of Dr. John “Johnny” Oommen (MD, CMC Vellore) and Mercy John, who chose to serve the tribal communities of Bissam Cuttack, Odisha, instead of pursuing lucrative careers in India or abroad.  For three decades, they've tackled challenges most doctors in India never face—infant mortality rates of 200 per 1,000, under-five mortality touching 350 per 1,000, high birth rates &amp; high death rates, zero healthcare infrastructure, and communities where seeing a doctor meant traveling hours.  What you'll discover:  - Why these doctors chose rural Odisha over high-paying urban positions  - How they built a healthcare system from scratch in Bissam Cuttack  - The real impact of 30 years of commitment to rural medicine  - What keeps healthcare workers motivated in India's most challenging regions  - How they built a nursing workforce when faculty was impossible to find  - How community-led malaria control saved children’s lives  About the Health Worker Series: Exploring the lives and choices of healthcare professionals serving India's rural communities, where dedication meets extraordinary challenges.  For more inspiring and informative content on India Public Health, visit us at   🎙️ More conversations on democracy, culture &amp; society: Subscribe to Radio Azim Premji University for podcasts exploring India's biggest questions—from education and science to constitutional values and social change.  #RuralHealthcare, #DoctorsOfIndia, #HealthcareHeroes, #TribalHealth, #CommunityHealth, #PublicHealthIndia, #HealthcareInIndia, #DoctorsWhoServe, #HealthWorker, #HealthcareEquity, #RuralIndia, #HealthcareStories, #FrontlineHealth, #MedicalEthics #odisha #ruralodisha]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2231118962</guid><pubDate>Wed, 17 Dec 2025 05:43:15 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/69090161/2231118962_radioazimpremjiuniversity_big_city_life_vs_rural_india_why_these_doctors_stayed_back_30_years_the_health_worker_podcast.mp3" length="37163675" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>What makes doctors begin their careers in rural India—and keep going for three decades? Dr. John and Mercy John reveal why they stayed—and how their work transformed healthcare in Bissam Cuttack, Odisha.  In this episode of The Health Worker, host Ram...</itunes:subtitle><itunes:summary><![CDATA[What makes doctors begin their careers in rural India—and keep going for three decades? Dr. John and Mercy John reveal why they stayed—and how their work transformed healthcare in Bissam Cuttack, Odisha.  In this episode of The Health Worker, host Ram G. Vallath from the Azim Premji Foundation brings you the story of Dr. John “Johnny” Oommen (MD, CMC Vellore) and Mercy John, who chose to serve the tribal communities of Bissam Cuttack, Odisha, instead of pursuing lucrative careers in India or abroad.  For three decades, they've tackled challenges most doctors in India never face—infant mortality rates of 200 per 1,000, under-five mortality touching 350 per 1,000, high birth rates &amp; high death rates, zero healthcare infrastructure, and communities where seeing a doctor meant traveling hours.  What you'll discover:  - Why these doctors chose rural Odisha over high-paying urban positions  - How they built a healthcare system from scratch in Bissam Cuttack  - The real impact of 30 years of commitment to rural medicine  - What keeps healthcare workers motivated in India's most challenging regions  - How they built a nursing workforce when faculty was impossible to find  - How community-led malaria control saved children’s lives  About the Health Worker Series: Exploring the lives and choices of healthcare professionals serving India's rural communities, where dedication meets extraordinary challenges.  For more inspiring and informative content on India Public Health, visit us at   🎙️ More conversations on democracy, culture &amp; society: Subscribe to Radio Azim Premji University for podcasts exploring India's biggest questions—from education and science to constitutional values and social change.  #RuralHealthcare, #DoctorsOfIndia, #HealthcareHeroes, #TribalHealth, #CommunityHealth, #PublicHealthIndia, #HealthcareInIndia, #DoctorsWhoServe, #HealthWorker, #HealthcareEquity, #RuralIndia, #HealthcareStories, #FrontlineHealth, #MedicalEthics #odisha #ruralodisha]]></itunes:summary><itunes:duration>2323</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ef79e1f618c0b8890f1b0c991677540a.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>3 Sports Hosts vs 10 Students: Is India Chasing the Wrong Sports Goals? | Surrounded</title><link>https://www.spreaker.com/episode/3-sports-hosts-vs-10-students-is-india-chasing-the-wrong-sports-goals-surrounded--68973861</link><description><![CDATA[Is India chasing the right dream when it comes to sports — or have we lost our way?  In this explosive finale of Game Play Sport on Radio Azim Premji University, our 3 sports hosts Rahul De, Arvind Bharathi B N &amp; Kailash Kaushik take on ten outspoken students in a high-stakes, Jubilee-style Surrounded debate. From malls replacing playgrounds to Esports players being called athletes, this episode unpacks the biggest ideological battles shaping India’s sporting culture today.  🔥 Debates Inside the Episode  Malls Over Maidaans: Are we trading childhood play for consumerism?  One Gold Medalist vs a Billion Active People: What counts as national success?  Medals Over Motion: Why are young athletes burning out?  Esports: Athletes, addicts, or the future of Indian sport?  This is not just about games. It’s about public health, youth identity, and whether India values movement or medals more.  _____________________________________________________________________________________________  Special thanks to all the students of Azim Premji University who participated!  🎙 Featuring Rahul De • Arvind Bharathi • Kailash Kaushik ✨ A Radio Azim Premji University Original  👇 Comment below: Are we building a healthier nation — or just chasing podiums?  #GamePlaySport #Surrounded #SportsDebate #IndianSports #YouthSports #EsportsIndia #PlaygroundsVsMalls #SportsCulture #FitIndia #KheloIndia #SportsEducation #MedalsVsMovement #jubilee #neerajchopra]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2227176857</guid><pubDate>Wed, 10 Dec 2025 10:59:22 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/68973861/2227176857_radioazimpremjiuniversity_3_sports_hosts_vs_10_students_is_india_chasing_the_wrong_sports_goals_surrounded.mp3" length="60271803" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Is India chasing the right dream when it comes to sports — or have we lost our way?  In this explosive finale of Game Play Sport on Radio Azim Premji University, our 3 sports hosts Rahul De, Arvind Bharathi B N &amp;amp; Kailash Kaushik take on ten...</itunes:subtitle><itunes:summary><![CDATA[Is India chasing the right dream when it comes to sports — or have we lost our way?  In this explosive finale of Game Play Sport on Radio Azim Premji University, our 3 sports hosts Rahul De, Arvind Bharathi B N &amp; Kailash Kaushik take on ten outspoken students in a high-stakes, Jubilee-style Surrounded debate. From malls replacing playgrounds to Esports players being called athletes, this episode unpacks the biggest ideological battles shaping India’s sporting culture today.  🔥 Debates Inside the Episode  Malls Over Maidaans: Are we trading childhood play for consumerism?  One Gold Medalist vs a Billion Active People: What counts as national success?  Medals Over Motion: Why are young athletes burning out?  Esports: Athletes, addicts, or the future of Indian sport?  This is not just about games. It’s about public health, youth identity, and whether India values movement or medals more.  _____________________________________________________________________________________________  Special thanks to all the students of Azim Premji University who participated!  🎙 Featuring Rahul De • Arvind Bharathi • Kailash Kaushik ✨ A Radio Azim Premji University Original  👇 Comment below: Are we building a healthier nation — or just chasing podiums?  #GamePlaySport #Surrounded #SportsDebate #IndianSports #YouthSports #EsportsIndia #PlaygroundsVsMalls #SportsCulture #FitIndia #KheloIndia #SportsEducation #MedalsVsMovement #jubilee #neerajchopra]]></itunes:summary><itunes:duration>3767</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ee6f3f2587bb279a873ace37a335514d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Why India Struggles to Build Athletes — And What the Journey Really Takes</title><link>https://www.spreaker.com/episode/why-india-struggles-to-build-athletes-and-what-the-journey-really-takes--68736888</link><description><![CDATA[India competes across the world — at the Olympics, Asian Games, Commonwealth Games, and countless individual tournaments — with delegations far smaller than its population and talent pool suggest. The real issue isn’t performance. It’s the harsh, uneven journey that pushes most young athletes out long before they enter any official system.  In this episode of Game Play Sport, we follow the story of Raziya Khan, midfielder for Odisha FC, who first discovered football when Teach For India fellows brought the sport into her school. Her earliest memory is of playing football with a bottle filled with stones — a symbol of how little infrastructure existed, and how much imagination was required to dream.  From there, Raziya travelled hours every day to reach practice, balanced schoolwork with training, and carried the emotional load of wanting something her environment wasn’t designed to support. Her journey mirrors what athletes in individual sports face too — from runners training before sunrise, to wrestlers and boxers commuting long distances, to badminton and athletics hopefuls fighting for basic access.  We explore why India sends small teams to global events, why many talented children leave sport before they ever compete, and what it would take to build a sporting pipeline worthy of India’s size and ambition.  Listen to the full episode and rethink the journey behind every athlete we celebrate.  #IndianSports #Olympics #AsianGames #CommonwealthGames #WorldChampionships #RaziyaKhan #OdishaFC #WomenInSport #IndividualSports #FootballIndia #TeachForIndia #SportsAccess #SportsForChange #AzimPremjiUniversity]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2218611812</guid><pubDate>Tue, 25 Nov 2025 08:58:37 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/68736888/2218611812_radioazimpremjiuniversity_why_india_struggles_to_build_athletes_and_what_the_journey_really_takes.mp3" length="49910177" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>India competes across the world — at the Olympics, Asian Games, Commonwealth Games, and countless individual tournaments — with delegations far smaller than its population and talent pool suggest. The real issue isn’t performance. It’s the harsh,...</itunes:subtitle><itunes:summary><![CDATA[India competes across the world — at the Olympics, Asian Games, Commonwealth Games, and countless individual tournaments — with delegations far smaller than its population and talent pool suggest. The real issue isn’t performance. It’s the harsh, uneven journey that pushes most young athletes out long before they enter any official system.  In this episode of Game Play Sport, we follow the story of Raziya Khan, midfielder for Odisha FC, who first discovered football when Teach For India fellows brought the sport into her school. Her earliest memory is of playing football with a bottle filled with stones — a symbol of how little infrastructure existed, and how much imagination was required to dream.  From there, Raziya travelled hours every day to reach practice, balanced schoolwork with training, and carried the emotional load of wanting something her environment wasn’t designed to support. Her journey mirrors what athletes in individual sports face too — from runners training before sunrise, to wrestlers and boxers commuting long distances, to badminton and athletics hopefuls fighting for basic access.  We explore why India sends small teams to global events, why many talented children leave sport before they ever compete, and what it would take to build a sporting pipeline worthy of India’s size and ambition.  Listen to the full episode and rethink the journey behind every athlete we celebrate.  #IndianSports #Olympics #AsianGames #CommonwealthGames #WorldChampionships #RaziyaKhan #OdishaFC #WomenInSport #IndividualSports #FootballIndia #TeachForIndia #SportsAccess #SportsForChange #AzimPremjiUniversity]]></itunes:summary><itunes:duration>3120</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a14ef887a3e2be82cc8e9453129aba2a.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Can India Become a Global Esports Powerhouse?</title><link>https://www.spreaker.com/episode/can-india-become-a-global-esports-powerhouse--68255159</link><description><![CDATA[India is home to over half a billion gamers — from PUBG to Valorant, from mobile cricket to FIFA — yet still struggles to find its footing in the global esports arena. In this episode of Game Play Sport, Aravind, Kailash, and Rahul sit down with Ram Seshadri, producer and avid gamer, and Sudhen Wahengbam,esports commentator, to explore why India’s massive gaming population hasn’t translated into world-class esports success. The discussion journeys through India’s unique gaming culture — from cyber cafés to the era of mobile dominance — and asks tough questions: Why do micro-transaction models that work elsewhere fail here? How did the Waves OTT Summit and the Asian Games put esports on the national map? And what can India learn from countries like Brazil, Denmark, and South Korea, where esports athletes like FalleN are celebrated like traditional sports heroes? Ram unpacks the landscape of modern esports —  fighter games,first person shooter games,, battle royales, sports games, multiplayer online battle arena (MUBA), and real-time strategy games — explaining why India’s fragmented digital infrastructure and low per-user spending make sustainability difficult.  Sudhen reflects on perception and policy: how parental anxiety, uneven regulation, and limited institutional backing hold the ecosystem back. Yet both see hope in the mobile gaming revolution, where India already leads the world in downloads. Listen to the podcast “Can India Become a Global Esports Powerhouse?” and discover what it will take for India to turn play into purpose, and gamers into athletes.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2197194247</guid><pubDate>Thu, 23 Oct 2025 15:30:31 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/68255159/2197194247_radioazimpremjiuniversity_can_india_become_a_global_esports_powerhouse.mp3" length="95594880" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>India is home to over half a billion gamers — from PUBG to Valorant, from mobile cricket to FIFA — yet still struggles to find its footing in the global esports arena. In this episode of Game Play Sport, Aravind, Kailash, and Rahul sit down with Ram...</itunes:subtitle><itunes:summary><![CDATA[India is home to over half a billion gamers — from PUBG to Valorant, from mobile cricket to FIFA — yet still struggles to find its footing in the global esports arena. In this episode of Game Play Sport, Aravind, Kailash, and Rahul sit down with Ram Seshadri, producer and avid gamer, and Sudhen Wahengbam,esports commentator, to explore why India’s massive gaming population hasn’t translated into world-class esports success. The discussion journeys through India’s unique gaming culture — from cyber cafés to the era of mobile dominance — and asks tough questions: Why do micro-transaction models that work elsewhere fail here? How did the Waves OTT Summit and the Asian Games put esports on the national map? And what can India learn from countries like Brazil, Denmark, and South Korea, where esports athletes like FalleN are celebrated like traditional sports heroes? Ram unpacks the landscape of modern esports —  fighter games,first person shooter games,, battle royales, sports games, multiplayer online battle arena (MUBA), and real-time strategy games — explaining why India’s fragmented digital infrastructure and low per-user spending make sustainability difficult.  Sudhen reflects on perception and policy: how parental anxiety, uneven regulation, and limited institutional backing hold the ecosystem back. Yet both see hope in the mobile gaming revolution, where India already leads the world in downloads. Listen to the podcast “Can India Become a Global Esports Powerhouse?” and discover what it will take for India to turn play into purpose, and gamers into athletes.]]></itunes:summary><itunes:duration>2390</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a3b8910f6e6c4a9c570be22494ee6bb5.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>How Bollywood Found a Caribbean Beat | The Untold Story of Chutney Music</title><link>https://www.spreaker.com/episode/how-bollywood-found-a-caribbean-beat-the-untold-story-of-chutney-music--68134902</link><description><![CDATA[What if that catchy Bollywood song you grew up humming wasn’t Bollywood at all?  In this episode of Unboxed, Amit Basole is joined by Sharmadip Basu and Kalyani K from Azim Premji University to uncover the incredible story of Chutney Music — a genre born from migration, memory, and musical remixing.  It begins in 1980s Bengal, where a young Sharmadip first hears Kaise Bani Phulouri Bina Chutney Kaise Bani — thinking it’s just another filmi tune. Years later, in an Indo-Caribbean neighbourhood in New York, he realises it’s actually by Sundar Popo, the father of Chutney Music. That revelation opens up an oceanic history — from indentured labourers (Girmitiyas) who sailed from Bihar and Awadh after 1835, to the birth of a new sound that blended Bhojpuri folk with Caribbean rhythm.  Together, Amit, Sharmadip, and Kalyani trace how artists like Rasika Dindial (Lazy Man) and Drupatee Ramgoonai (Roll Up de Tassa) turned this hybrid sound into a stage for self-expression — where Hindi met Creole, and women found their voice in song.  Watch now to explore how a tune travelled across oceans — and came back as Chutney Music, reshaping Bollywood, diaspora identity, and the very meaning of rhythm.  #ChutneyMusic #UnboxedPodcast #AzimPremjiUniversity #SundarPopo #KaiseBani #DrupateeRamgoonai #RasikaDindial #CaribbeanMusic #BhojpuriFolk #Soca #Calypso #DiasporaMusic #BollywoodMusic #IndianDiaspora #MigrationStories #Unboxed #AmitBasole #CulturalFusion #Girmitiyas]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2190084083</guid><pubDate>Tue, 14 Oct 2025 15:34:52 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/68134902/2190084083_radioazimpremjiuniversity_how_bollywood_found_a_caribbean_beat_the_untold_story_of_chutney_music.mp3" length="99831360" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>What if that catchy Bollywood song you grew up humming wasn’t Bollywood at all?  In this episode of Unboxed, Amit Basole is joined by Sharmadip Basu and Kalyani K from Azim Premji University to uncover the incredible story of Chutney Music — a genre...</itunes:subtitle><itunes:summary><![CDATA[What if that catchy Bollywood song you grew up humming wasn’t Bollywood at all?  In this episode of Unboxed, Amit Basole is joined by Sharmadip Basu and Kalyani K from Azim Premji University to uncover the incredible story of Chutney Music — a genre born from migration, memory, and musical remixing.  It begins in 1980s Bengal, where a young Sharmadip first hears Kaise Bani Phulouri Bina Chutney Kaise Bani — thinking it’s just another filmi tune. Years later, in an Indo-Caribbean neighbourhood in New York, he realises it’s actually by Sundar Popo, the father of Chutney Music. That revelation opens up an oceanic history — from indentured labourers (Girmitiyas) who sailed from Bihar and Awadh after 1835, to the birth of a new sound that blended Bhojpuri folk with Caribbean rhythm.  Together, Amit, Sharmadip, and Kalyani trace how artists like Rasika Dindial (Lazy Man) and Drupatee Ramgoonai (Roll Up de Tassa) turned this hybrid sound into a stage for self-expression — where Hindi met Creole, and women found their voice in song.  Watch now to explore how a tune travelled across oceans — and came back as Chutney Music, reshaping Bollywood, diaspora identity, and the very meaning of rhythm.  #ChutneyMusic #UnboxedPodcast #AzimPremjiUniversity #SundarPopo #KaiseBani #DrupateeRamgoonai #RasikaDindial #CaribbeanMusic #BhojpuriFolk #Soca #Calypso #DiasporaMusic #BollywoodMusic #IndianDiaspora #MigrationStories #Unboxed #AmitBasole #CulturalFusion #Girmitiyas]]></itunes:summary><itunes:duration>2496</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/119197f91bcdb1c04f9e555b020c76db.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dream11’s Fall &amp; India’s Gambling Crisis | The Future of Real Money Gaming Explained</title><link>https://www.spreaker.com/episode/dream11-s-fall-india-s-gambling-crisis-the-future-of-real-money-gaming-explained--68048449</link><description><![CDATA[Dream11’s fall has reignited a major debate in India’s gaming world — is it skill or gambling?  With the new Online Gaming Bill 2025, the government is redrawing boundaries around real money gaming, raising crucial questions for players, companies, and policymakers alike.  In this episode of Game Play Sport by Radio Azim Premji University, we explore:  What the Online Gaming Bill 2025 really means  Why Dream11’s fall changed the real money gaming landscape  How to distinguish gaming vs gambling in India’s digital era  The future of fantasy sports, e-gaming, and play for profit  🎧 A deep dive into ethics, law, and the economics of play in India.  #Dream11 #OnlineGamingBill #RealMoneyGaming #GamblingVsGaming #FantasySports #MPL #OnlineGamingIndia #DigitalIndia #SportsEconomy #GamePlaySport #RadioAzimPremjiUniversity #GamingInIndia #GamingRegulation #India2025]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2184315815</guid><pubDate>Tue, 07 Oct 2025 14:40:56 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/68048449/2184315815_radioazimpremjiuniversity_dream11s_fall_indias_gambling_crisis_the_future_of_real_money_gaming_explained.mp3" length="82797120" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Dream11’s fall has reignited a major debate in India’s gaming world — is it skill or gambling?  With the new Online Gaming Bill 2025, the government is redrawing boundaries around real money gaming, raising crucial questions for players, companies,...</itunes:subtitle><itunes:summary><![CDATA[Dream11’s fall has reignited a major debate in India’s gaming world — is it skill or gambling?  With the new Online Gaming Bill 2025, the government is redrawing boundaries around real money gaming, raising crucial questions for players, companies, and policymakers alike.  In this episode of Game Play Sport by Radio Azim Premji University, we explore:  What the Online Gaming Bill 2025 really means  Why Dream11’s fall changed the real money gaming landscape  How to distinguish gaming vs gambling in India’s digital era  The future of fantasy sports, e-gaming, and play for profit  🎧 A deep dive into ethics, law, and the economics of play in India.  #Dream11 #OnlineGamingBill #RealMoneyGaming #GamblingVsGaming #FantasySports #MPL #OnlineGamingIndia #DigitalIndia #SportsEconomy #GamePlaySport #RadioAzimPremjiUniversity #GamingInIndia #GamingRegulation #India2025]]></itunes:summary><itunes:duration>2070</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d9ac06178ccbe1e1cd0240a3af91e6d2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Why Indian Kids Are Burning Out In Sports And How To Fix It | Sports Education In India</title><link>https://www.spreaker.com/episode/why-indian-kids-are-burning-out-in-sports-and-how-to-fix-it-sports-education-in-india--67878700</link><description><![CDATA[Are We Killing the Joy of Play? Are we pushing kids too hard, too soon? In this episode of Game Play Sport, Arvind, Kailash and Rahul talk with Chelston Pinto about why India’s sports education system needs more unstructured play and age-appropriate training and how Indian kids are burning out and what needs to be done to fix it.  Discover how the National Education Policy puts sports at the heart of schooling, why early specialization can harm kids, and what even Neeraj Chopra’s injuries teach us about overtraining. Learn how schools, parents and workplaces can create spaces for kids to run, climb and kick — and make movement a lifelong habit.  The episode also explores the Long-Term Athlete Development model — starting with pure movement and fun in the early years (0–6), building fundamental strength and coordination (6–9), and only then introducing structured, non-competitive play after 10. He explains why boys and girls need separate training post-puberty as they peak at different ages and develop differently.  Early sports specialization — especially without a foundation of unstructured play — can lead to injuries, burnout and even kids walking away from sports altogether. Watch “Are We Killing the Joy of Play?" and find out how to raise healthier, happier kids here.  Special thanks to Chelston Pinto for the interview.  Discover more shows in English, Hindi, and Kannada: https://azimpremjiuniversity.edu.in/radio-azim-premji-university Follow us on Instagram: @radioazimpremjiuniv  Credits: Akshay Ramuhalli, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Kruthika Rao, Narayan Krishnaswamy, Prashant Vasudevan, Ram Seshadri, Sananda Dasgupta, Sanoob Puliyanchali, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2175858504</guid><pubDate>Wed, 24 Sep 2025 14:26:24 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/67878700/2175858504_radioazimpremjiuniversity_why_indian_kids_are_burning_out_in_sports_and_how_to_fix_it_sports_education_in_india.mp3" length="58911360" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Are We Killing the Joy of Play? Are we pushing kids too hard, too soon? In this episode of Game Play Sport, Arvind, Kailash and Rahul talk with Chelston Pinto about why India’s sports education system needs more unstructured play and age-appropriate...</itunes:subtitle><itunes:summary><![CDATA[Are We Killing the Joy of Play? Are we pushing kids too hard, too soon? In this episode of Game Play Sport, Arvind, Kailash and Rahul talk with Chelston Pinto about why India’s sports education system needs more unstructured play and age-appropriate training and how Indian kids are burning out and what needs to be done to fix it.  Discover how the National Education Policy puts sports at the heart of schooling, why early specialization can harm kids, and what even Neeraj Chopra’s injuries teach us about overtraining. Learn how schools, parents and workplaces can create spaces for kids to run, climb and kick — and make movement a lifelong habit.  The episode also explores the Long-Term Athlete Development model — starting with pure movement and fun in the early years (0–6), building fundamental strength and coordination (6–9), and only then introducing structured, non-competitive play after 10. He explains why boys and girls need separate training post-puberty as they peak at different ages and develop differently.  Early sports specialization — especially without a foundation of unstructured play — can lead to injuries, burnout and even kids walking away from sports altogether. Watch “Are We Killing the Joy of Play?" and find out how to raise healthier, happier kids here.  Special thanks to Chelston Pinto for the interview.  Discover more shows in English, Hindi, and Kannada: https://azimpremjiuniversity.edu.in/radio-azim-premji-university Follow us on Instagram: @radioazimpremjiuniv  Credits: Akshay Ramuhalli, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Kruthika Rao, Narayan Krishnaswamy, Prashant Vasudevan, Ram Seshadri, Sananda Dasgupta, Sanoob Puliyanchali, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.]]></itunes:summary><itunes:duration>1473</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb48775d4da03e8b843c0a3da56a7fe7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>From Kasparov to Gukesh: India, Chess, and the Rise of AI | Game Play Sport</title><link>https://www.spreaker.com/episode/from-kasparov-to-gukesh-india-chess-and-the-rise-of-ai-game-play-sport--67690320</link><description><![CDATA[From Brute Force to AI Models: How Chess Learned to Play Smarter  In 1997, the chess world shook when Garry Kasparov lost to IBM’s Deep Blue — a brute-force machine built to calculate millions of moves per second. Fast forward to today, and AI has moved beyond raw calculation to self-learning models like AlphaZero that teach themselves strategy.  In this episode of Game Play Sport, guest Kedar Kulkarni takes us through the journey of chess and AI — how a 1,500-year-old game didn’t die when machines became stronger, but instead adapted, evolved, and even became more popular.  What can other sports learn from this? Can cricket, football, or even esports embrace AI in the same way?  Watch the full episode and discover how AI is rewriting the rules of the game  #Chess #ArtificialIntelligence #Kasparov #DeepBlue #AlphaZero #Stockfish #SportsAndAI #GamePlaySport #AIFuture #ChessHistory]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2167577832</guid><pubDate>Tue, 09 Sep 2025 14:16:23 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/67690320/2167577832_radioazimpremjiuniversity_from_kasparov_to_gukesh_india_chess_and_the_rise_of_ai_game_play_sport.mp3" length="52530240" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>From Brute Force to AI Models: How Chess Learned to Play Smarter  In 1997, the chess world shook when Garry Kasparov lost to IBM’s Deep Blue — a brute-force machine built to calculate millions of moves per second. Fast forward to today, and AI has...</itunes:subtitle><itunes:summary><![CDATA[From Brute Force to AI Models: How Chess Learned to Play Smarter  In 1997, the chess world shook when Garry Kasparov lost to IBM’s Deep Blue — a brute-force machine built to calculate millions of moves per second. Fast forward to today, and AI has moved beyond raw calculation to self-learning models like AlphaZero that teach themselves strategy.  In this episode of Game Play Sport, guest Kedar Kulkarni takes us through the journey of chess and AI — how a 1,500-year-old game didn’t die when machines became stronger, but instead adapted, evolved, and even became more popular.  What can other sports learn from this? Can cricket, football, or even esports embrace AI in the same way?  Watch the full episode and discover how AI is rewriting the rules of the game  #Chess #ArtificialIntelligence #Kasparov #DeepBlue #AlphaZero #Stockfish #SportsAndAI #GamePlaySport #AIFuture #ChessHistory]]></itunes:summary><itunes:duration>1314</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6fab79c17656b481f937b0cf28e1fa17.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>ನಮ್ಮ ಧ್ವಜ, ಹಿಂದಿನ ಧ್ವನಿಗಳು| Namma Dhwaja, Hindina Dwanigalu | The Women Who Weave India’s Flag</title><link>https://www.spreaker.com/episode/nam-ma-dhvaja-hindina-dhvanigalu-namma-dhwaja-hindina-dwanigalu-the-women-who-weave-india-s-flag--67344996</link><description><![CDATA[ಈ ಆಗಸ್ಟ್ 15 ರಂದು, ದೇಶಾದ್ಯಂತ ತ್ರಿವರ್ಣ ಧ್ವಜ ಹಾರಾಡುತ್ತಿದ್ದಂತೆ, ಹುಬ್ಬಳ್ಳಿಯ ಬೆಂಗೇರಿಯನ್ನು ನೆನಪಿಸಿಕೊಳ್ಳಿ ಏಕೆಂದರೆ, ಅದು ತನ್ನ ಪ್ರಯಾಣವನ್ನು ಪ್ರಾರಂಭಿಸುವುದು ಇಲ್ಲಿಯೇ. ಇಲ್ಲಿ, ಕರ್ನಾಟಕ ಖಾದಿ ಗ್ರಾಮೋದ್ಯೋಗ ಸಂಯುಕ್ತ ಸಂಘದ ಮಹಿಳೆಯರು ರಾಷ್ಟ್ರಧ್ವಜವನ್ನು ಸಂಪೂರ್ಣವಾಗಿ ಕೈಯಿಂದ ನೂಲುತ್ತಾರೆ, ನೇಯುತ್ತಾರೆ ಮತ್ತು ಹೊಲಿಯುತ್ತಾರೆ ಹಾಗು ಸ್ವಾತಂತ್ರ್ಯ ಹೋರಾಟದಲ್ಲಿ ಜನಿಸಿದ ಕರಕುಶಲತೆಯನ್ನು ಜೀವಂತವಾಗಿರಿಸುತ್ತಾರೆ. ಆದರೆ ಪಾಲಿಯೆಸ್ಟರ್ ಧ್ವಜಗಳಿಗೆ ಅನುಮತಿ ಸಿಕ್ಕ ನಂತರ, ಈ ಸಂಪ್ರದಾಯದ ಭವಿಷ್ಯ ಅನಿಶ್ಚಿತತೆಯಲ್ಲಿದೆ. ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕದಲ್ಲಿ, ಬಾಗಲಕೋಟೆಯ ಹತ್ತಿಯಿಂದ ಹುಬ್ಬಳ್ಳಿಯ ಅಂತಿಮ ಹಂತದವರೆಗಿನ ಪ್ರಯಾಣವನ್ನು ತಿಳಿಯುತ್ತ, ಇತಿಹಾಸದ ಭಾರ ಮತ್ತು ಸ್ವಾತಂತ್ರ್ಯದ ಚೈತನ್ಯವನ್ನು ಹೊತ್ತು ಕೆಲಸ ಮಾಡುವ ಮಹಿಳೆಯರನ್ನು ಭೇಟಿಯಾಗುತ್ತೇವೆ.  This August 15, as the tricolour flutters across the country, remember the quiet lanes of Bengeri in Hubballi — where it begins its journey. Here, women at the Karnataka Khadi Gramodyoga Samyukta Sangha spin, weave and stitch the national flag entirely by hand, keeping alive a craft born in the freedom struggle. But with polyester flags now permitted, this tradition stands at a crossroads. In Noorakke Nooru Karnataka, we trace the journey from cotton in Bagalkot to the final stitch in Hubballi — and meet the women whose work carries the weight of history and the spirit of freedom itself.  Credits  Special Thanks to Shivanad Mathapati, the Secretary of Karnataka Khadi Gramodyoga Samyukta Sangha (KKGSS).  Akshay Ramuhalli, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Kruthika Rao, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Supriya Joshi, and Velu Shankar.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2151846576</guid><pubDate>Tue, 12 Aug 2025 14:30:43 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/67344996/2151846576_radioazimpremjiuniversity_namma_dhwaja_hindina_dwanigalu_the_women_who_weave_indias_flag.mp3" length="27049320" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>ಈ ಆಗಸ್ಟ್ 15 ರಂದು, ದೇಶಾದ್ಯಂತ ತ್ರಿವರ್ಣ ಧ್ವಜ ಹಾರಾಡುತ್ತಿದ್ದಂತೆ, ಹುಬ್ಬಳ್ಳಿಯ ಬೆಂಗೇರಿಯನ್ನು ನೆನಪಿಸಿಕೊಳ್ಳಿ ಏಕೆಂದರೆ, ಅದು ತನ್ನ ಪ್ರಯಾಣವನ್ನು ಪ್ರಾರಂಭಿಸುವುದು ಇಲ್ಲಿಯೇ. ಇಲ್ಲಿ, ಕರ್ನಾಟಕ ಖಾದಿ ಗ್ರಾಮೋದ್ಯೋಗ ಸಂಯುಕ್ತ ಸಂಘದ ಮಹಿಳೆಯರು ರಾಷ್ಟ್ರಧ್ವಜವನ್ನು ಸಂಪೂರ್ಣವಾಗಿ ಕೈಯಿಂದ...</itunes:subtitle><itunes:summary><![CDATA[ಈ ಆಗಸ್ಟ್ 15 ರಂದು, ದೇಶಾದ್ಯಂತ ತ್ರಿವರ್ಣ ಧ್ವಜ ಹಾರಾಡುತ್ತಿದ್ದಂತೆ, ಹುಬ್ಬಳ್ಳಿಯ ಬೆಂಗೇರಿಯನ್ನು ನೆನಪಿಸಿಕೊಳ್ಳಿ ಏಕೆಂದರೆ, ಅದು ತನ್ನ ಪ್ರಯಾಣವನ್ನು ಪ್ರಾರಂಭಿಸುವುದು ಇಲ್ಲಿಯೇ. ಇಲ್ಲಿ, ಕರ್ನಾಟಕ ಖಾದಿ ಗ್ರಾಮೋದ್ಯೋಗ ಸಂಯುಕ್ತ ಸಂಘದ ಮಹಿಳೆಯರು ರಾಷ್ಟ್ರಧ್ವಜವನ್ನು ಸಂಪೂರ್ಣವಾಗಿ ಕೈಯಿಂದ ನೂಲುತ್ತಾರೆ, ನೇಯುತ್ತಾರೆ ಮತ್ತು ಹೊಲಿಯುತ್ತಾರೆ ಹಾಗು ಸ್ವಾತಂತ್ರ್ಯ ಹೋರಾಟದಲ್ಲಿ ಜನಿಸಿದ ಕರಕುಶಲತೆಯನ್ನು ಜೀವಂತವಾಗಿರಿಸುತ್ತಾರೆ. ಆದರೆ ಪಾಲಿಯೆಸ್ಟರ್ ಧ್ವಜಗಳಿಗೆ ಅನುಮತಿ ಸಿಕ್ಕ ನಂತರ, ಈ ಸಂಪ್ರದಾಯದ ಭವಿಷ್ಯ ಅನಿಶ್ಚಿತತೆಯಲ್ಲಿದೆ. ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕದಲ್ಲಿ, ಬಾಗಲಕೋಟೆಯ ಹತ್ತಿಯಿಂದ ಹುಬ್ಬಳ್ಳಿಯ ಅಂತಿಮ ಹಂತದವರೆಗಿನ ಪ್ರಯಾಣವನ್ನು ತಿಳಿಯುತ್ತ, ಇತಿಹಾಸದ ಭಾರ ಮತ್ತು ಸ್ವಾತಂತ್ರ್ಯದ ಚೈತನ್ಯವನ್ನು ಹೊತ್ತು ಕೆಲಸ ಮಾಡುವ ಮಹಿಳೆಯರನ್ನು ಭೇಟಿಯಾಗುತ್ತೇವೆ.  This August 15, as the tricolour flutters across the country, remember the quiet lanes of Bengeri in Hubballi — where it begins its journey. Here, women at the Karnataka Khadi Gramodyoga Samyukta Sangha spin, weave and stitch the national flag entirely by hand, keeping alive a craft born in the freedom struggle. But with polyester flags now permitted, this tradition stands at a crossroads. In Noorakke Nooru Karnataka, we trace the journey from cotton in Bagalkot to the final stitch in Hubballi — and meet the women whose work carries the weight of history and the spirit of freedom itself.  Credits  Special Thanks to Shivanad Mathapati, the Secretary of Karnataka Khadi Gramodyoga Samyukta Sangha (KKGSS).  Akshay Ramuhalli, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Kruthika Rao, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Supriya Joshi, and Velu Shankar.]]></itunes:summary><itunes:duration>1691</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fba13bd3a8a3cfeb05a502d2f00e5f36.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Is India’s Sports Pay Gap Finally Closing? | Game Play Sport</title><link>https://www.spreaker.com/episode/is-india-s-sports-pay-gap-finally-closing-game-play-sport--67258465</link><description><![CDATA[In this episode of Game Play Sport, we dive into the evolving story of India’s sports pay gap—how the difference in salaries and prize money between male and female athletes is finally starting to close. From the BCCI’s landmark equal pay announcements for women cricketers to the growing visibility of female athletes in badminton, wrestling, and football, we break down why this shift matters for gender equality in Indian sports today.  We are joined by Aradhana and Shravanti Mokashi — sisters, former state-level badminton players, and now coaches — who’ve spent decades navigating the realities of being women in a space still dominated by men.    We also unpack:  What Is the Gender Pay Gap in Indian Sports &amp; Why Did It Persist So Long?  The Rise of Women’s Sports Sponsorship and Corporate Support  The Influence of Saina Nehwal, Jwala Gutta &amp; Ashwini Ponnappa In Shaping The Next Generation of Female Athletes  The Economics Behind Equal Pay: Can It Last?  Watch this eye-opening discussion on gender equality, pay parity, and the challenges still ahead for women athletes in India. From cricket to the Olympics, discover how India is leading the way toward true sports pay equality—and what it means for the next decade of Indian athletes.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2148281697</guid><pubDate>Tue, 05 Aug 2025 14:02:47 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/67258465/2148281697_radioazimpremjiuniversity_is_indias_sports_pay_gap_finally_closing_game_play_sport.mp3" length="18990810" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In this episode of Game Play Sport, we dive into the evolving story of India’s sports pay gap—how the difference in salaries and prize money between male and female athletes is finally starting to close. From the BCCI’s landmark equal pay...</itunes:subtitle><itunes:summary><![CDATA[In this episode of Game Play Sport, we dive into the evolving story of India’s sports pay gap—how the difference in salaries and prize money between male and female athletes is finally starting to close. From the BCCI’s landmark equal pay announcements for women cricketers to the growing visibility of female athletes in badminton, wrestling, and football, we break down why this shift matters for gender equality in Indian sports today.  We are joined by Aradhana and Shravanti Mokashi — sisters, former state-level badminton players, and now coaches — who’ve spent decades navigating the realities of being women in a space still dominated by men.    We also unpack:  What Is the Gender Pay Gap in Indian Sports &amp; Why Did It Persist So Long?  The Rise of Women’s Sports Sponsorship and Corporate Support  The Influence of Saina Nehwal, Jwala Gutta &amp; Ashwini Ponnappa In Shaping The Next Generation of Female Athletes  The Economics Behind Equal Pay: Can It Last?  Watch this eye-opening discussion on gender equality, pay parity, and the challenges still ahead for women athletes in India. From cricket to the Olympics, discover how India is leading the way toward true sports pay equality—and what it means for the next decade of Indian athletes.]]></itunes:summary><itunes:duration>1187</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2064727409b4752392f4c11636196fab.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sports Are the New Reality TV — And OTT Made It Happen | Game Play Sport</title><link>https://www.spreaker.com/episode/sports-are-the-new-reality-tv-and-ott-made-it-happen-game-play-sport--67074045</link><description><![CDATA[In this episode of Game Play Sport, we dive into how OTT platforms have changed the way Indians experience sports — shifting the focus from just scores and stats to drama, storylines, and spectacle. Sports Are the New Reality TV — And OTT Made It Happen. From behind-the-scenes docuseries to slow-motion replays and cinematic narratives, sport today feels more like a show than ever before. We explore why streaming is not just changing how we watch sports, but why we watch it in the first place.  Our hosts also talk about:  Why Sports Now Feel Like Reality TV  The Netflix Effect: How Streaming Built Star Power  All Access, All Drama: What Sports Docuseries Are Really Selling  Are We Watching for the Match or the Myth?  Don’t miss this sharp and timely conversation about how OTT platforms are rewriting the playbook for Indian sports fans, only on Radio Azim Premji University. Tune in NOW!]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2134570182</guid><pubDate>Tue, 22 Jul 2025 14:54:56 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/67074045/2134570182_radioazimpremjiuniversity_sports_are_the_new_reality_tv_and_ott_made_it_happen_game_play_sport.mp3" length="21167541" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In this episode of Game Play Sport, we dive into how OTT platforms have changed the way Indians experience sports — shifting the focus from just scores and stats to drama, storylines, and spectacle. Sports Are the New Reality TV — And OTT Made It...</itunes:subtitle><itunes:summary><![CDATA[In this episode of Game Play Sport, we dive into how OTT platforms have changed the way Indians experience sports — shifting the focus from just scores and stats to drama, storylines, and spectacle. Sports Are the New Reality TV — And OTT Made It Happen. From behind-the-scenes docuseries to slow-motion replays and cinematic narratives, sport today feels more like a show than ever before. We explore why streaming is not just changing how we watch sports, but why we watch it in the first place.  Our hosts also talk about:  Why Sports Now Feel Like Reality TV  The Netflix Effect: How Streaming Built Star Power  All Access, All Drama: What Sports Docuseries Are Really Selling  Are We Watching for the Match or the Myth?  Don’t miss this sharp and timely conversation about how OTT platforms are rewriting the playbook for Indian sports fans, only on Radio Azim Premji University. Tune in NOW!]]></itunes:summary><itunes:duration>1323</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bd7fc7af1f35be9e5b288096646784be.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sundar Raj’s Theatre Roots at ರವೀಂದ್ರ ಕಲಾಕ್ಷೇತ್ರ | A Bengaluru Legacy | Noorakke Nooru Karnataka</title><link>https://www.spreaker.com/episode/sundar-raj-s-theatre-roots-at-ravindra-kalaksetra-a-bengaluru-legacy-noorakke-nooru-karnataka--66985770</link><description><![CDATA[In this episode of Noorakke Nooru Karnataka, we sit down with veteran Kannada actor Sundar Raj to explore the cultural legacy of Ravindra Kalakshetra — Bengaluru’s iconic theatre auditorium, only on Radio Azim Premji University. Like many of his generation, Sundar Raj’s journey into cinema began here, under the stage lights of Kalakshetra. For him and countless others, this wasn’t just a venue — it was a launchpad, a learning ground, and a vital chapter in the history of Kannada performing arts.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2130307512</guid><pubDate>Tue, 15 Jul 2025 14:18:01 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66985770/2130307512_radioazimpremjiuniversity_sundar_rajs_theatre_roots_at_a_bengaluru_legacy_noorakke_nooru_karnataka.mp3" length="35910034" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In this episode of Noorakke Nooru Karnataka, we sit down with veteran Kannada actor Sundar Raj to explore the cultural legacy of Ravindra Kalakshetra — Bengaluru’s iconic theatre auditorium, only on Radio Azim Premji University. Like many of his...</itunes:subtitle><itunes:summary><![CDATA[In this episode of Noorakke Nooru Karnataka, we sit down with veteran Kannada actor Sundar Raj to explore the cultural legacy of Ravindra Kalakshetra — Bengaluru’s iconic theatre auditorium, only on Radio Azim Premji University. Like many of his generation, Sundar Raj’s journey into cinema began here, under the stage lights of Kalakshetra. For him and countless others, this wasn’t just a venue — it was a launchpad, a learning ground, and a vital chapter in the history of Kannada performing arts.]]></itunes:summary><itunes:duration>2245</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/9270e666d861544876be6c2fef3704aa.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ambassador : King of the Road, Ghost of the State</title><link>https://www.spreaker.com/episode/ambassador-king-of-the-road-ghost-of-the-state--66942962</link><description><![CDATA[In this episode of That’s the Thing, Jimmy, Kavya, and Atharva slide into the wide, unyielding backseat of an Ambassador—the car that defined Indian power, politics, and pothole strategy for over five decades.  It was a diesel beast. A monocoque marvel. And a boot space that no hatchback today can touch.  Modelled after the British Morris Oxford, the Ambassador became the official ride for every babu, neta, and dignitary that mattered. By the 1960s, it wasn’t just on the road—it was the road.  Jawaharlal Nehru may have swapped it out for a Cadillac when foreign guests arrived, but Lal Bahadur Shastri made his preferences clear: “I want them to know that the Indian Prime Minister is traveling in a car made in India.”  It had fans beyond the government. R.K. Laxman, creator of The Common Man, only drove a black Ambassador. His cartoons? Usually featured one too.  But by the '90s, everything changed. Liberalisation flooded Indian roads with Marutis, Daewoos, and Hyundais. Suddenly, spotting a non-Ambassador was a game 90s kids played from the backseat. And soon enough, that backseat was in a Santro.  In 2002, Atal Bihari Vajpayee became the first PM to ditch the Ambassador for a BMW—security, they said. By 2014, production of the Ambassador ended. Quietly.  Then came another blow. On May 1, 2017, Prime Minister Narendra Modi officially ended India’s Laal Batti (red beacon) culture. Overnight, the red-domed Ambassadors vanished—no longer a moving symbol of VIP authority.  And just like that, the car that once announced power fell silent.  Still, it lingers. In some parking lots. In the collective memory of a nation that once measured status by how high the flagpole rose from the hood.  It may be called the white elephant. But try denting it—you’ll see who wins.  Discover more shows in English, Hindi, and Kannada: https://azimpremjiuniversity.edu.in/radio-azim-premji-university  Follow us on Instagram: @radioazimpremjiuniv  Credits  Produced by Jimmy Xavier.  Radio Azim Premji University: Akshay Ramuhalli, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Kruthika Rao, Narayan Krishnaswamy, Prashant Vasudevan, Ram Seshadri, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar, Shraddha Gautam, Supriya Joshi, and Velu Shankar.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2128296099</guid><pubDate>Fri, 11 Jul 2025 10:44:26 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66942962/2128296099_radioazimpremjiuniversity_ambassador_king_of_the_road_ghost_of_the_state.mp3" length="75082186" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In this episode of That’s the Thing, Jimmy, Kavya, and Atharva slide into the wide, unyielding backseat of an Ambassador—the car that defined Indian power, politics, and pothole strategy for over five decades.  It was a diesel beast. A monocoque...</itunes:subtitle><itunes:summary><![CDATA[In this episode of That’s the Thing, Jimmy, Kavya, and Atharva slide into the wide, unyielding backseat of an Ambassador—the car that defined Indian power, politics, and pothole strategy for over five decades.  It was a diesel beast. A monocoque marvel. And a boot space that no hatchback today can touch.  Modelled after the British Morris Oxford, the Ambassador became the official ride for every babu, neta, and dignitary that mattered. By the 1960s, it wasn’t just on the road—it was the road.  Jawaharlal Nehru may have swapped it out for a Cadillac when foreign guests arrived, but Lal Bahadur Shastri made his preferences clear: “I want them to know that the Indian Prime Minister is traveling in a car made in India.”  It had fans beyond the government. R.K. Laxman, creator of The Common Man, only drove a black Ambassador. His cartoons? Usually featured one too.  But by the '90s, everything changed. Liberalisation flooded Indian roads with Marutis, Daewoos, and Hyundais. Suddenly, spotting a non-Ambassador was a game 90s kids played from the backseat. And soon enough, that backseat was in a Santro.  In 2002, Atal Bihari Vajpayee became the first PM to ditch the Ambassador for a BMW—security, they said. By 2014, production of the Ambassador ended. Quietly.  Then came another blow. On May 1, 2017, Prime Minister Narendra Modi officially ended India’s Laal Batti (red beacon) culture. Overnight, the red-domed Ambassadors vanished—no longer a moving symbol of VIP authority.  And just like that, the car that once announced power fell silent.  Still, it lingers. In some parking lots. In the collective memory of a nation that once measured status by how high the flagpole rose from the hood.  It may be called the white elephant. But try denting it—you’ll see who wins.  Discover more shows in English, Hindi, and Kannada: https://azimpremjiuniversity.edu.in/radio-azim-premji-university  Follow us on Instagram: @radioazimpremjiuniv  Credits  Produced by Jimmy Xavier.  Radio Azim Premji University: Akshay Ramuhalli, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Kruthika Rao, Narayan Krishnaswamy, Prashant Vasudevan, Ram Seshadri, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar, Shraddha Gautam, Supriya Joshi, and Velu Shankar.]]></itunes:summary><itunes:duration>1878</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d3d08ce746bc2c64fe7fde10d4e8fc4c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Fan Anger in Sports: Why Do Emotions Run So High? | Game Play Sport Episode 3</title><link>https://www.spreaker.com/episode/fan-anger-in-sports-why-do-emotions-run-so-high-game-play-sport-episode-3--66898517</link><description><![CDATA[In this episode of Game Play Sport, Rahul De, Kailash Kaushik, and Arvind Bharathi BN dive into fan anger in sports and the emotional core of Indian sports fandom. From Angry Rant Man’s YouTube meltdowns to the infamous 1996 Eden Gardens riot, our relationship with sport often crosses the line from passion to rage.   In order to unpack this, we speak with Ryan Thomas Philips, a computational neuroscientist and Assistant Professor at Azim Premji University about how fans closely tie their identity and self-worth to their teams. They also talk about:  What Goes On In Your Brain During Tense Sporting Moments!  How Sports Commentary Has Changed Over The Years!  How Catharsis Plays A Big Role In Fan Anger  How Big An Arsenal Fan Is Rahul?  Watch this incredibly insightful conversation about what fan anger in sports looks like &amp; how fans closely tie their identity to their favourite sports teams… Tune in NOW!  ____________________________________________________________________________________________  Special thanks to Ryan Thomas Philips for being part of this episode.  Identification Test Research Article: https://www.researchgate.net/publicat...  Credit: Akshay Ramuhalli, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Kruthika Rao, Narayan Krishnaswamy, Prashant Vasudevan, Ram Seshadri, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.  Acknowledgements:  Video: Person smashing keyboard | Video by Pexels  Images: Arsenal Red Bistro Mug | Image courtesy: Arsenal Direct Arsenal 25/26 Home Jersey | Image courtesy: Arsenal Direct Arsenal Mousepad – | Image courtesy: Hepsiburada  News Articles: Naomi Osaka withdraws from French Open after media boycott | The Guardian, May 31, 2021 Australia beat India in one of the best Tests to take series lead | Al Jazeera, December 30, 2024 India beats New Zealand by four wickets in Champions Trophy final | Al Jazeera, March 9, 2025 Cricket World Cup: India’s heartbreak after loss to Australia | BBC News, November 20, 2023]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2126582448</guid><pubDate>Tue, 08 Jul 2025 14:54:26 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66898517/2126582448_radioazimpremjiuniversity_fan_anger_in_sports_why_do_emotions_run_so_high_game_play_sport_episode_3.mp3" length="21157003" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In this episode of Game Play Sport, Rahul De, Kailash Kaushik, and Arvind Bharathi BN dive into fan anger in sports and the emotional core of Indian sports fandom. From Angry Rant Man’s YouTube meltdowns to the infamous 1996 Eden Gardens riot, our...</itunes:subtitle><itunes:summary><![CDATA[In this episode of Game Play Sport, Rahul De, Kailash Kaushik, and Arvind Bharathi BN dive into fan anger in sports and the emotional core of Indian sports fandom. From Angry Rant Man’s YouTube meltdowns to the infamous 1996 Eden Gardens riot, our relationship with sport often crosses the line from passion to rage.   In order to unpack this, we speak with Ryan Thomas Philips, a computational neuroscientist and Assistant Professor at Azim Premji University about how fans closely tie their identity and self-worth to their teams. They also talk about:  What Goes On In Your Brain During Tense Sporting Moments!  How Sports Commentary Has Changed Over The Years!  How Catharsis Plays A Big Role In Fan Anger  How Big An Arsenal Fan Is Rahul?  Watch this incredibly insightful conversation about what fan anger in sports looks like &amp; how fans closely tie their identity to their favourite sports teams… Tune in NOW!  ____________________________________________________________________________________________  Special thanks to Ryan Thomas Philips for being part of this episode.  Identification Test Research Article: https://www.researchgate.net/publicat...  Credit: Akshay Ramuhalli, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Kruthika Rao, Narayan Krishnaswamy, Prashant Vasudevan, Ram Seshadri, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.  Acknowledgements:  Video: Person smashing keyboard | Video by Pexels  Images: Arsenal Red Bistro Mug | Image courtesy: Arsenal Direct Arsenal 25/26 Home Jersey | Image courtesy: Arsenal Direct Arsenal Mousepad – | Image courtesy: Hepsiburada  News Articles: Naomi Osaka withdraws from French Open after media boycott | The Guardian, May 31, 2021 Australia beat India in one of the best Tests to take series lead | Al Jazeera, December 30, 2024 India beats New Zealand by four wickets in Champions Trophy final | Al Jazeera, March 9, 2025 Cricket World Cup: India’s heartbreak after loss to Australia | BBC News, November 20, 2023]]></itunes:summary><itunes:duration>1323</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/975093b9ad150a0d5391747bd1f7696a.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Indian Fitness Influencer On Fitness Revolution, Gym Culture &amp; Future of Gyms | Shwetambari Shetty</title><link>https://www.spreaker.com/episode/indian-fitness-influencer-on-fitness-revolution-gym-culture-future-of-gyms-shwetambari-shetty--66822113</link><description><![CDATA[In this bonus episode of Game Play Sport, we take a closer look at gym culture—who it was built for, and how it has changed.  Our conversation with Shwetambari Shetty, founder of My Third Space, traces how fitness spaces that once felt intimidating and exclusionary—especially for women—have slowly evolved into more welcoming environments. She reflects on how strength training was long seen as “not for women,” how both men and women were unsure of how to navigate gym equipment, and why group classes played a key role in making people feel more comfortable and connected.  This episode is not just about fitness—it’s about the cultural shift in how we view the gym floor, and how movement can become more accessible when it’s designed for community, not just performance.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2122658838</guid><pubDate>Tue, 01 Jul 2025 14:28:29 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66822113/2122658838_radioazimpremjiuniversity_indian_fitness_influencer_on_fitness_revolution_gym_culture_future_of_gyms_shwetambari_shetty.mp3" length="18728158" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In this bonus episode of Game Play Sport, we take a closer look at gym culture—who it was built for, and how it has changed.  Our conversation with Shwetambari Shetty, founder of My Third Space, traces how fitness spaces that once felt intimidating...</itunes:subtitle><itunes:summary><![CDATA[In this bonus episode of Game Play Sport, we take a closer look at gym culture—who it was built for, and how it has changed.  Our conversation with Shwetambari Shetty, founder of My Third Space, traces how fitness spaces that once felt intimidating and exclusionary—especially for women—have slowly evolved into more welcoming environments. She reflects on how strength training was long seen as “not for women,” how both men and women were unsure of how to navigate gym equipment, and why group classes played a key role in making people feel more comfortable and connected.  This episode is not just about fitness—it’s about the cultural shift in how we view the gym floor, and how movement can become more accessible when it’s designed for community, not just performance.]]></itunes:summary><itunes:duration>1171</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e6faf48b7ba83964d41a637d5993a265.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Evolution of India's Gym Culture | Game Play Sports Episode 2</title><link>https://www.spreaker.com/episode/evolution-of-india-s-gym-culture-game-play-sports-episode-2--66726946</link><description><![CDATA[In this episode of Game Play Sport, we explore how India’s gym culture has shifted—from basement weight rooms and bodybuilding ideals to wellness-focused routines and group classes. Shwetambari Shetty, founder of Third Space, joins the conversation to reflect on why gyms have felt intimidating for many, and how fitness trends are shaping access, comfort, and community today.  Watch this incredibly thought-provoking conversation about how the gym culture in India has evolved and where it will be in 10 years… Tune in NOW!]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2118690159</guid><pubDate>Tue, 24 Jun 2025 14:30:14 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66726946/2118690159_radioazimpremjiuniversity_evolution_of_indias_gym_culture_game_play_sports_episode_2.mp3" length="49451520" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In this episode of Game Play Sport, we explore how India’s gym culture has shifted—from basement weight rooms and bodybuilding ideals to wellness-focused routines and group classes. Shwetambari Shetty, founder of Third Space, joins the conversation to...</itunes:subtitle><itunes:summary><![CDATA[In this episode of Game Play Sport, we explore how India’s gym culture has shifted—from basement weight rooms and bodybuilding ideals to wellness-focused routines and group classes. Shwetambari Shetty, founder of Third Space, joins the conversation to reflect on why gyms have felt intimidating for many, and how fitness trends are shaping access, comfort, and community today.  Watch this incredibly thought-provoking conversation about how the gym culture in India has evolved and where it will be in 10 years… Tune in NOW!]]></itunes:summary><itunes:duration>1237</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e6faf48b7ba83964d41a637d5993a265.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Pustakadinda Pardega| ಪುಸ್ತಕದಿಂದ ಪರದೆಗೆ</title><link>https://www.spreaker.com/episode/pustakadinda-pardega-pustakadinda-paradege--66623426</link><description><![CDATA[Pustakadinda Pardega| ಪುಸ್ತಕದಿಂದ ಪರದೆಗೆ by Radio Azim Premji University]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2115933510</guid><pubDate>Thu, 19 Jun 2025 08:21:24 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66623426/2115933510_radioazimpremjiuniversity_pustakadinda_pardega.mp3" length="96746880" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Pustakadinda Pardega| ಪುಸ್ತಕದಿಂದ ಪರದೆಗೆ by Radio Azim Premji University</itunes:subtitle><itunes:summary><![CDATA[Pustakadinda Pardega| ಪುಸ್ತಕದಿಂದ ಪರದೆಗೆ by Radio Azim Premji University]]></itunes:summary><itunes:duration>2419</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8048b535efab44fe3e2ca2fd4c39ca87.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ghazal| That's The Thing| Radio Azim Premji University</title><link>https://www.spreaker.com/episode/ghazal-that-s-the-thing-radio-azim-premji-university--66588042</link><description><![CDATA[Ghazal| That's The Thing| Radio Azim Premji University by Radio Azim Premji University]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2114744502</guid><pubDate>Tue, 17 Jun 2025 07:24:17 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66588042/2114744502_radioazimpremjiuniversity_ghazal_thats_the_thing_radio_azim_premji_university.mp3" length="95881925" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Ghazal| That's The Thing| Radio Azim Premji University by Radio Azim Premji University</itunes:subtitle><itunes:summary><![CDATA[Ghazal| That's The Thing| Radio Azim Premji University by Radio Azim Premji University]]></itunes:summary><itunes:duration>2398</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c8d4bcad201162c63022dce017b42370.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Game Play Sport| Episode 1| Game Play Sport with Rahul, Arvind, and Kailash</title><link>https://www.spreaker.com/episode/game-play-sport-episode-1-game-play-sport-with-rahul-arvind-and-kailash--66491785</link><description><![CDATA[Game Play Sport| Episode 1| Game Play Sport with Rahul, Arvind, and Kailash by Radio Azim Premji University]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2110764312</guid><pubDate>Tue, 10 Jun 2025 10:32:08 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66491785/2110764312_radioazimpremjiuniversity_audio_episode_ep1_gps_game.mp3" length="43081920" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Game Play Sport| Episode 1| Game Play Sport with Rahul, Arvind, and Kailash by Radio Azim Premji University</itunes:subtitle><itunes:summary><![CDATA[Game Play Sport| Episode 1| Game Play Sport with Rahul, Arvind, and Kailash by Radio Azim Premji University]]></itunes:summary><itunes:duration>1078</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e1f53f357c89b5dbf092f8fc99eca1e7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>That's The Thing| Ep 3 Snakes and Ladders| Radio Azim Premji University</title><link>https://www.spreaker.com/episode/that-s-the-thing-ep-3-snakes-and-ladders-radio-azim-premji-university--66378907</link><description><![CDATA[You’ve rolled the dice, dodged snakes, and climbed ladders — but did you know Snakes and Ladders began as a lesson in morality? This episode traces the game’s roots to 13th-century Maharashtra, where Sant Jnaneshwar designed Moksha Patam to teach virtues and warn against vices. Each square held a symbolic meaning — generosity, faith, and humility led you upward, while pride and drunkenness pulled you down. The ultimate goal? Reaching Vaikuntha, the abode of Vishnu. The hosts dive into family memories, Ekadashi traditions, and the cultural evolution of the game — from Jnaneshwar’s Hindu board with 72 squares to Jain versions with 84.  Special guest, Chandrakant from Jejuri, offers deep insight into the Varkari tradition, Jnaneshwar’s poetic genius, and his radical efforts to democratise spiritual knowledge by translating the Gita into Marathi. With laughter, song, and sharp reflections, the episode transforms a humble board game into a powerful metaphor for life’s journey — where even one misstep near the end (like the snake of pride at square 95) can send you tumbling. Thoughtful and funny, this episode is a reminder that even childhood games can hold timeless wisdom.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2106828969</guid><pubDate>Tue, 03 Jun 2025 06:35:10 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66378907/2106828969_radioazimpremjiuniversity_snakes_and_ladders_episode_3_thats_the_thing_with_jimmy_kavya_and_atharva.mp3" length="75815705" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>You’ve rolled the dice, dodged snakes, and climbed ladders — but did you know Snakes and Ladders began as a lesson in morality? This episode traces the game’s roots to 13th-century Maharashtra, where Sant Jnaneshwar designed Moksha Patam to teach...</itunes:subtitle><itunes:summary><![CDATA[You’ve rolled the dice, dodged snakes, and climbed ladders — but did you know Snakes and Ladders began as a lesson in morality? This episode traces the game’s roots to 13th-century Maharashtra, where Sant Jnaneshwar designed Moksha Patam to teach virtues and warn against vices. Each square held a symbolic meaning — generosity, faith, and humility led you upward, while pride and drunkenness pulled you down. The ultimate goal? Reaching Vaikuntha, the abode of Vishnu. The hosts dive into family memories, Ekadashi traditions, and the cultural evolution of the game — from Jnaneshwar’s Hindu board with 72 squares to Jain versions with 84.  Special guest, Chandrakant from Jejuri, offers deep insight into the Varkari tradition, Jnaneshwar’s poetic genius, and his radical efforts to democratise spiritual knowledge by translating the Gita into Marathi. With laughter, song, and sharp reflections, the episode transforms a humble board game into a powerful metaphor for life’s journey — where even one misstep near the end (like the snake of pride at square 95) can send you tumbling. Thoughtful and funny, this episode is a reminder that even childhood games can hold timeless wisdom.]]></itunes:summary><itunes:duration>1896</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2b235fb064c3d7d19362d2e1222433d0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>ಎಂದೆಂದಿಗೂ ತೇಜಸ್ವಿ | Tejaswi Forever...._ Noorakke Nooru Karnataka| Episode 8</title><link>https://www.spreaker.com/episode/endendigu-tejasvi-tejaswi-forever-noorakke-nooru-karnataka-episode-8--66184655</link><description><![CDATA[ಎಂದೆಂದಿಗೂ ತೇಜಸ್ವಿ | Tejaswi Forever...._ Noorakke Nooru Karnataka| Episode 8 by Radio Azim Premji University]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2099657985</guid><pubDate>Wed, 21 May 2025 13:41:58 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66184655/2099657985_radioazimpremjiuniversity_tejaswi_forever_noorakke_nooru_karnataka_episode_8.mp3" length="96211200" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>ಎಂದೆಂದಿಗೂ ತೇಜಸ್ವಿ | Tejaswi Forever...._ Noorakke Nooru Karnataka| Episode 8 by Radio Azim Premji University</itunes:subtitle><itunes:summary><![CDATA[ಎಂದೆಂದಿಗೂ ತೇಜಸ್ವಿ | Tejaswi Forever...._ Noorakke Nooru Karnataka| Episode 8 by Radio Azim Premji University]]></itunes:summary><itunes:duration>2406</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d843def117af27f17e93b31323cd336d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>That's The Thing| Ep 2 Chai| Radio Azim Premji University</title><link>https://www.spreaker.com/episode/that-s-the-thing-ep-2-chai-radio-azim-premji-university--66114388</link><description><![CDATA[It’s scalding hot, sweet, kadak — and proudly Indian. But can India really lay claim to chai? Hosts Jimmy, Kavya, and Atharva trace the journey of tea from the jungles near the Indo-China border to the boiling kettles of Indian railway stations. From its ancient medicinal uses in China to the British ‘discovery’ of wild tea bushes in Assam, this episode brews up a storm of fun facts, folk songs, and forgotten histories. We learn about Camellia sinensis, the dark legacy of British tea plantations and indentured labour, and the surprising role of Buddhist monks and Taoist philosophers in tea’s rise. The hosts also spill juicy trivia: why all teas come from the same plant, how iced tea rose to fame during Prohibition, and what Cha Bagan Time actually is. From masala chai to teefee and suleimani, this episode celebrates India’s deep love for chai while reminding us of its complex and global roots.  Sip, listen, reflect. CREDITS: Produced by Jimmy Xavier  Radio Azim Premji University: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2096785992</guid><pubDate>Fri, 16 May 2025 06:35:12 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66114388/2096785992_radioazimpremjiuniversity_thats_the_thing_ep_2_chai_radio_azim_premji_university.mp3" length="70547329" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>It’s scalding hot, sweet, kadak — and proudly Indian. But can India really lay claim to chai? Hosts Jimmy, Kavya, and Atharva trace the journey of tea from the jungles near the Indo-China border to the boiling kettles of Indian railway stations. From...</itunes:subtitle><itunes:summary><![CDATA[It’s scalding hot, sweet, kadak — and proudly Indian. But can India really lay claim to chai? Hosts Jimmy, Kavya, and Atharva trace the journey of tea from the jungles near the Indo-China border to the boiling kettles of Indian railway stations. From its ancient medicinal uses in China to the British ‘discovery’ of wild tea bushes in Assam, this episode brews up a storm of fun facts, folk songs, and forgotten histories. We learn about Camellia sinensis, the dark legacy of British tea plantations and indentured labour, and the surprising role of Buddhist monks and Taoist philosophers in tea’s rise. The hosts also spill juicy trivia: why all teas come from the same plant, how iced tea rose to fame during Prohibition, and what Cha Bagan Time actually is. From masala chai to teefee and suleimani, this episode celebrates India’s deep love for chai while reminding us of its complex and global roots.  Sip, listen, reflect. CREDITS: Produced by Jimmy Xavier  Radio Azim Premji University: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></itunes:summary><itunes:duration>1764</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/37ee25d667e03552ffd94be27dd4ea1d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>That's The Thing| Ep 1 Auto Rickshaw| Radio Azim Premji University</title><link>https://www.spreaker.com/episode/that-s-the-thing-ep-1-auto-rickshaw-radio-azim-premji-university--66114389</link><description><![CDATA[Is the auto rickshaw really Indian? Or did it tuk-tuk its way into our hearts from faraway lands?  In the debut episode of That’s The Thing, hosts Jimmy Xavier, Kavya Srinivasan, and Atharva Karandikar go on a rollicking ride through the action-packed history of India’s most iconic three-wheeler. From 19th-century Japan’s human-pulled jinrikshas, to Italy’s buzzing Piaggio Ape, to Bajaj Auto’s desi makeover, they unearth the quirky global roots of the autorickshaw.  Discover how freedom fighters introduced the auto to India post-Independence, how e-rickshaws are reshaping public transport, and why we might finally have the ride-hailing revolution we need.   Along the way, there’s trivia, movie shout-outs (hello Octopussy and Autoraja), and a peek at how autos are doubling up as mobile homes and healthcare vans.  Fast, funny, and packed with trivia, this is a history/culture lesson you’ll want to be stuck in traffic for. Hold tight—this ride has no seatbelts!  CREDITS: Produced by Jimmy Xavier  Radio Azim Premji University: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2096784429</guid><pubDate>Fri, 16 May 2025 06:28:32 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/66114389/2096784429_radioazimpremjiuniversity_thats_the_thing_auto_rickshaw.mp3" length="94912260" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Is the auto rickshaw really Indian? Or did it tuk-tuk its way into our hearts from faraway lands?  In the debut episode of That’s The Thing, hosts Jimmy Xavier, Kavya Srinivasan, and Atharva Karandikar go on a rollicking ride through the action-packed...</itunes:subtitle><itunes:summary><![CDATA[Is the auto rickshaw really Indian? Or did it tuk-tuk its way into our hearts from faraway lands?  In the debut episode of That’s The Thing, hosts Jimmy Xavier, Kavya Srinivasan, and Atharva Karandikar go on a rollicking ride through the action-packed history of India’s most iconic three-wheeler. From 19th-century Japan’s human-pulled jinrikshas, to Italy’s buzzing Piaggio Ape, to Bajaj Auto’s desi makeover, they unearth the quirky global roots of the autorickshaw.  Discover how freedom fighters introduced the auto to India post-Independence, how e-rickshaws are reshaping public transport, and why we might finally have the ride-hailing revolution we need.   Along the way, there’s trivia, movie shout-outs (hello Octopussy and Autoraja), and a peek at how autos are doubling up as mobile homes and healthcare vans.  Fast, funny, and packed with trivia, this is a history/culture lesson you’ll want to be stuck in traffic for. Hold tight—this ride has no seatbelts!  CREDITS: Produced by Jimmy Xavier  Radio Azim Premji University: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></itunes:summary><itunes:duration>2373</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/769c7bdf989be9924910681f19ffa117.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Auto Rickshaw | That’s The Thing Ep 1 | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/auto-rickshaw-that-s-the-thing-ep-1-radio-azim-premji-university--65845745</link><description><![CDATA[Is the auto rickshaw really Indian? Or did it tuk-tuk its way into our hearts from faraway lands?  In the debut episode of That’s The Thing, hosts Jimmy Xavier, Kavya Srinivasan, and Atharva Karandikar go on a rollicking ride through the action-packed history of India’s most iconic three-wheeler. From 19th-century Japan’s human-pulled jinrikshas, to Italy’s buzzing Piaggio Ape, to Bajaj Auto’s desi makeover, they unearth the quirky global roots of the autorickshaw.  Discover how freedom fighters introduced the auto to India post-Independence, how e-rickshaws are reshaping public transport, and why we might finally have the ride-hailing revolution we need.   Along the way, there’s trivia, movie shout-outs (hello Octopussy and Autoraja), and a peek at how autos are doubling up as mobile homes and healthcare vans.  Fast, funny, and packed with trivia, this is a history/culture lesson you’ll want to be stuck in traffic for. Hold tight—this ride has no seatbelts!  CREDITS Produced for Radio Azim Premji University]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2082402492</guid><pubDate>Fri, 02 May 2025 04:19:04 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/65845745/2082402492_radioazimpremjiuniversity_auto_rickshaw_thats_the_thing_ep_1_radio_azim_premji_university.mp3" length="95222595" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Is the auto rickshaw really Indian? Or did it tuk-tuk its way into our hearts from faraway lands?  In the debut episode of That’s The Thing, hosts Jimmy Xavier, Kavya Srinivasan, and Atharva Karandikar go on a rollicking ride through the action-packed...</itunes:subtitle><itunes:summary><![CDATA[Is the auto rickshaw really Indian? Or did it tuk-tuk its way into our hearts from faraway lands?  In the debut episode of That’s The Thing, hosts Jimmy Xavier, Kavya Srinivasan, and Atharva Karandikar go on a rollicking ride through the action-packed history of India’s most iconic three-wheeler. From 19th-century Japan’s human-pulled jinrikshas, to Italy’s buzzing Piaggio Ape, to Bajaj Auto’s desi makeover, they unearth the quirky global roots of the autorickshaw.  Discover how freedom fighters introduced the auto to India post-Independence, how e-rickshaws are reshaping public transport, and why we might finally have the ride-hailing revolution we need.   Along the way, there’s trivia, movie shout-outs (hello Octopussy and Autoraja), and a peek at how autos are doubling up as mobile homes and healthcare vans.  Fast, funny, and packed with trivia, this is a history/culture lesson you’ll want to be stuck in traffic for. Hold tight—this ride has no seatbelts!  CREDITS Produced for Radio Azim Premji University]]></itunes:summary><itunes:duration>2381</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7dfd2066c5c1a5f01885c620f213299b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>That’s The Thing - Radio Azim Premji University (Show Trailer)</title><link>https://www.spreaker.com/episode/that-s-the-thing-radio-azim-premji-university-show-trailer--65648564</link><description><![CDATA[You thought it was Indian? That’s the thing — it might not be! That’s The Thing is a breezy, curiosity-powered podcast from Radio Azim Premji University that takes a closer look at everyday things we proudly call desi. But are they really? Hosts Jimmy Xavier, Kavya Srinivasan, and Atharva Karandikar dive into surprising backstories, spicy trivia, and oddball records behind familiar Indian objects and ideas. Expect playful banter, sharp insights, and the occasional song as the trio plays historical detective, sifting through origin stories and modern myths. It’s history without the homework — a weekly dose of wonder for the endlessly curious. Whether you’re a trivia geek or just nosy about your kitchen shelf, That’s The Thing promises to challenge what you think you know about what’s “Indian.”  Produced by Jimmy Xavier for Radio Azim Premji University  Credits  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2082375474</guid><pubDate>Mon, 21 Apr 2025 08:12:45 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/65648564/2082375474_radioazimpremjiuniversity_thats_the_thing_radio_azim_premji_university_show_trailer.mp3" length="2225631" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>You thought it was Indian? That’s the thing — it might not be! That’s The Thing is a breezy, curiosity-powered podcast from Radio Azim Premji University that takes a closer look at everyday things we proudly call desi. But are they really? Hosts Jimmy...</itunes:subtitle><itunes:summary><![CDATA[You thought it was Indian? That’s the thing — it might not be! That’s The Thing is a breezy, curiosity-powered podcast from Radio Azim Premji University that takes a closer look at everyday things we proudly call desi. But are they really? Hosts Jimmy Xavier, Kavya Srinivasan, and Atharva Karandikar dive into surprising backstories, spicy trivia, and oddball records behind familiar Indian objects and ideas. Expect playful banter, sharp insights, and the occasional song as the trio plays historical detective, sifting through origin stories and modern myths. It’s history without the homework — a weekly dose of wonder for the endlessly curious. Whether you’re a trivia geek or just nosy about your kitchen shelf, That’s The Thing promises to challenge what you think you know about what’s “Indian.”  Produced by Jimmy Xavier for Radio Azim Premji University  Credits  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></itunes:summary><itunes:duration>56</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/b75e16c044ad81fbd3b6531dd6d5d7d0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hello Samvidhaan! | Samvidhaani Pitaara with Vineet KKN Panchhi | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/hello-samvidhaan-samvidhaani-pitaara-with-vineet-kkn-panchhi-radio-azim-premji-university--65561427</link><description><![CDATA[In our daily lives, we often encounter situations where our rights as citizens intersect—or sometimes clash—with the law. While it’s one thing to study the Constitution article by article, it’s quite another to understand the nuances of when and how to exercise those rights. What if you had the chance to call in and consult a constitutional expert? Would that make you more aware of your rights—and more empowered as a citizen? On the occasion of Babasaheb Ambedkar’s birthday, we bring you a special episode of Samvidhaani Pitaara that promotes civic awareness. Hello Samvidhaan is a dramatised simulation of a call-in radio show where listeners from across India raise questions about how the Indian Constitution applies to everyday life. A cast of characters present a variety of dilemmas, each met with clear, practical guidance from an expert. One caller is confused about why he can’t use the RTI to find a bride—after all, isn’t the “right to information” supposed to help with everything? A private school teacher is denied paid maternity leave because her contract is ending—can she still claim her rights? A domestic worker from West Bengal, now living in Bengaluru, recounts her ordeal after her husband is falsely accused of theft—how can she access justice without money for legal help? A young schoolboy complains of being beaten and pressured into tuition by his teacher—does he have any say in how he learns? The Indian Constitution is 75 years old, and it’s time citizens embraced its possibilities fully. In Hello Samvidhaan, host Vineet KKN Panchhi reflects on emphasising the importance of not only knowing our rights, but also upholding our duties as citizens. Credits Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar Acknowledgements Performers: Gulshan Badgujjar, Johanna Lokhande, Hiya Experts: Archana Relan, Geetanjali Prasad, Harsh Gupta, Shivangi Anand]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2076385668</guid><pubDate>Sun, 13 Apr 2025 23:53:19 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/65561427/2076385668_radioazimpremjiuniversity_hello_samvidhaan_samvidhaani_pitaara_with_vineet_kkn_panchhi_radio_azim_premji_university.mp3" length="58960456" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In our daily lives, we often encounter situations where our rights as citizens intersect—or sometimes clash—with the law. While it’s one thing to study the Constitution article by article, it’s quite another to understand the nuances of when and how...</itunes:subtitle><itunes:summary><![CDATA[In our daily lives, we often encounter situations where our rights as citizens intersect—or sometimes clash—with the law. While it’s one thing to study the Constitution article by article, it’s quite another to understand the nuances of when and how to exercise those rights. What if you had the chance to call in and consult a constitutional expert? Would that make you more aware of your rights—and more empowered as a citizen? On the occasion of Babasaheb Ambedkar’s birthday, we bring you a special episode of Samvidhaani Pitaara that promotes civic awareness. Hello Samvidhaan is a dramatised simulation of a call-in radio show where listeners from across India raise questions about how the Indian Constitution applies to everyday life. A cast of characters present a variety of dilemmas, each met with clear, practical guidance from an expert. One caller is confused about why he can’t use the RTI to find a bride—after all, isn’t the “right to information” supposed to help with everything? A private school teacher is denied paid maternity leave because her contract is ending—can she still claim her rights? A domestic worker from West Bengal, now living in Bengaluru, recounts her ordeal after her husband is falsely accused of theft—how can she access justice without money for legal help? A young schoolboy complains of being beaten and pressured into tuition by his teacher—does he have any say in how he learns? The Indian Constitution is 75 years old, and it’s time citizens embraced its possibilities fully. In Hello Samvidhaan, host Vineet KKN Panchhi reflects on emphasising the importance of not only knowing our rights, but also upholding our duties as citizens. Credits Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar Acknowledgements Performers: Gulshan Badgujjar, Johanna Lokhande, Hiya Experts: Archana Relan, Geetanjali Prasad, Harsh Gupta, Shivangi Anand]]></itunes:summary><itunes:duration>1475</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/52a5df63ad7392370797aaef98559704.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bengaluru Karaga | ಬೆಂಗಳೂರು ಕರಗ</title><link>https://www.spreaker.com/episode/bengaluru-karaga-bengaluru-karaga--65453285</link><description><![CDATA[Bengaluru Karaga | ಬೆಂಗಳೂರು ಕರಗ In this special episode of Noorakke Nooru Karnataka, we step into the heart of one of Bengaluru’s oldest and most vibrant traditions—the Bengaluru Karaga. New host Varsha Ramachandra is joined by historian and storyteller Dharmendra Kumar Arenahalli, who has spent years documenting this unique festival. Held in the lunar month of Chaitra, the Karaga is a spectacular night-time procession through the city’s historic Pete area. At its centre is a flower-adorned Karaga bearer, who channels the spirit of Draupadi, the warrior-goddess from the Mahabharata. We explore how the Thigala community, once caretakers of Bengaluru’s lakes and temple gardens, continue to uphold this tradition even as the city rapidly changes. We also trace the origins of the Karaga, its symbolic rituals like the Gange Puje, and its powerful gesture of interfaith harmony at the Tawakkal Mastan Dargah. Tune in to discover how this living ritual speaks to Bengaluru’s soul—its layered past, its inclusive spirit, and its resilience in the face of constant change.  Credits   Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.  ಚೈತ್ರ ಮಾಸದ ಆಗಮನದೊಂದಿಗೆ ಬದಲಾಗುತ್ತಿರುವ ಬೆಂಗಳೂರು ನಗರವೂ, ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕ ಕಾರ್ಯಕ್ರಮದಲ್ಲೂ ಹೊಸ ಆತಿಥೇಯರಾಗಿ ವರ್ಷಾ ರಾಮಚಂದ್ರ ಹಸ್ತಕ್ಷೇಪಿಸುವ ಮೂಲಕ ಹೊಸ ತಿರುವು ಪಡೆದಿದೆ. 2023ರಿಂದ ಈ ಸರಣಿಯು ಕನ್ನಡದ ಸಾಂಸ್ಕೃತಿಕ ಐಕಾನ್ಗಳನ್ನು ಸ್ಥಳೀಯರು ಹಾಗೂ ಕರ್ನಾಟಕವನ್ನು ತಮ್ಮ ಮನೆಮಾಡಿಕೊಂಡವರಿಗೆ ಪರಿಚಯಿಸುತ್ತ ಬಂದಿದೆ. ಈ ವಿಶೇಷ ಸಂಚಿಕೆಯಲ್ಲಿ, ಇತಿಹಾಸಕಾರ ಹಾಗೂ ಕಥೆಗಾರರಾದ ಧರ್ಮೇಂದ್ರಕುಮಾರ್ ಅರೇನಹಳ್ಳಿ ಅವರು ಬೆಂಗಳೂರು ಕರಗದ ಪಾರಂಪರಿಕ ಮಹತ್ವವನ್ನು ವಿವರಿಸುತ್ತಾರೆ. 1970ರ ದಶಕದ ಮೈಸೂರಿನಲ್ಲಿ ಬೆಳೆದ ಅವರು, ಕರಗದ ಕುರಿತು ಸಾಮಾಜಿಕ ಮಾಧ್ಯಮಗಳಲ್ಲಿ ಸಾಕಷ್ಟು ಜನಪ್ರಿಯ ವಿಡಿಯೋಗಳನ್ನು ಪ್ರಕಟಿಸಿದ್ದಾರೆ. ಮೂರು ಶತಮಾನಗಳಿಂದ ನಡೆಯುವ ಈ ಉತ್ಸವವು ಪೇಟೆ ಪ್ರದೇಶದ ಹೃದಯದಲ್ಲಿ, ದ್ರೌಪದಿಯನ್ನು ಆದಿಶಕ್ತಿಯಾಗಿ ಭಾವಿಸಿ, ತಿಗಳ ಸಮುದಾಯದ ಸಂಸ್ಕೃತಿಯ ಪ್ರತಿನಿಧಿಯಾಗಿ ಸಾಗುತ್ತದೆ. ಗಂಗಾ ಪೂಜೆ, ತವಕ್ಕಲ್ ಮಸ್ತಾನ್ ದರ್ಗಾದಲ್ಲಿ ಕಾಣುವ ಅಂತರ್ಧರ್ಮೀಯ ಸಹಿಷ್ಣುತೆ ಮತ್ತು ನಗರೀಕರಣದ ನಡುವೆ ಕರಗವು ಭೂಮಿ, ನೀರು, ನಂಬಿಕೆಗಳನ್ನು ನೆನೆಸುವ ಒಂದು ಸಾಂಸ್ಕೃತಿಕ ಸಂಚಲನೆಯಾಗಿ ಉಳಿದಿದೆ. ಬದಲಾಗುತ್ತಿರುವ ನಗರದ ಮಧ್ಯೆ, ಕರಗವು ನೆನಪಿನ ತಂತಿಗಳನ್ನು ಜೀವಂತವಾಗಿಟ್ಟುಕೊಳ್ಳುತ್ತದೆ. ವಿಶ್ವಾಸಪೂರ್ವಕ ನುಡಿಗಳು: ಅಕ್ಷಯ್ ರಾಮುಹಳ್ಳಿ, ಬಿಜೋಯ್ ವೇಣುಗೋಪಾಲ್, ಬ್ರೂಸ್ ಲೀ ಮಣಿ, ಗೋರ್ವೆಕ್ ತೊಕ್ಚೋಮ್, ಕಿಶೋರ್ ಮಂಡಲ್, ನಾರಾಯಣ ಕೃಷ್ಣಸ್ವಾಮಿ, ಪ್ರಶಾಂತ್ ವಾಸುದೇವನ್, ಸಾನಂದ ದಾಸ್‌ಗುಪ್ತ, ಸೀಮಾ ಸೇಠ್, ಶ್ರದ್ಧಾ ಗೌತಮ್, ಸುಪ್ರಿಯಾ ಜೋಶಿ ಮತ್ತು ವೇಲು ಶಂಕರ್.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2073504016</guid><pubDate>Wed, 09 Apr 2025 08:50:40 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/65453285/2073504016_radioazimpremjiuniversity_bengaluru_karaga.mp3" length="65517191" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Bengaluru Karaga | ಬೆಂಗಳೂರು ಕರಗ In this special episode of Noorakke Nooru Karnataka, we step into the heart of one of Bengaluru’s oldest and most vibrant traditions—the Bengaluru Karaga. New host Varsha Ramachandra is joined by historian and...</itunes:subtitle><itunes:summary><![CDATA[Bengaluru Karaga | ಬೆಂಗಳೂರು ಕರಗ In this special episode of Noorakke Nooru Karnataka, we step into the heart of one of Bengaluru’s oldest and most vibrant traditions—the Bengaluru Karaga. New host Varsha Ramachandra is joined by historian and storyteller Dharmendra Kumar Arenahalli, who has spent years documenting this unique festival. Held in the lunar month of Chaitra, the Karaga is a spectacular night-time procession through the city’s historic Pete area. At its centre is a flower-adorned Karaga bearer, who channels the spirit of Draupadi, the warrior-goddess from the Mahabharata. We explore how the Thigala community, once caretakers of Bengaluru’s lakes and temple gardens, continue to uphold this tradition even as the city rapidly changes. We also trace the origins of the Karaga, its symbolic rituals like the Gange Puje, and its powerful gesture of interfaith harmony at the Tawakkal Mastan Dargah. Tune in to discover how this living ritual speaks to Bengaluru’s soul—its layered past, its inclusive spirit, and its resilience in the face of constant change.  Credits   Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.  ಚೈತ್ರ ಮಾಸದ ಆಗಮನದೊಂದಿಗೆ ಬದಲಾಗುತ್ತಿರುವ ಬೆಂಗಳೂರು ನಗರವೂ, ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕ ಕಾರ್ಯಕ್ರಮದಲ್ಲೂ ಹೊಸ ಆತಿಥೇಯರಾಗಿ ವರ್ಷಾ ರಾಮಚಂದ್ರ ಹಸ್ತಕ್ಷೇಪಿಸುವ ಮೂಲಕ ಹೊಸ ತಿರುವು ಪಡೆದಿದೆ. 2023ರಿಂದ ಈ ಸರಣಿಯು ಕನ್ನಡದ ಸಾಂಸ್ಕೃತಿಕ ಐಕಾನ್ಗಳನ್ನು ಸ್ಥಳೀಯರು ಹಾಗೂ ಕರ್ನಾಟಕವನ್ನು ತಮ್ಮ ಮನೆಮಾಡಿಕೊಂಡವರಿಗೆ ಪರಿಚಯಿಸುತ್ತ ಬಂದಿದೆ. ಈ ವಿಶೇಷ ಸಂಚಿಕೆಯಲ್ಲಿ, ಇತಿಹಾಸಕಾರ ಹಾಗೂ ಕಥೆಗಾರರಾದ ಧರ್ಮೇಂದ್ರಕುಮಾರ್ ಅರೇನಹಳ್ಳಿ ಅವರು ಬೆಂಗಳೂರು ಕರಗದ ಪಾರಂಪರಿಕ ಮಹತ್ವವನ್ನು ವಿವರಿಸುತ್ತಾರೆ. 1970ರ ದಶಕದ ಮೈಸೂರಿನಲ್ಲಿ ಬೆಳೆದ ಅವರು, ಕರಗದ ಕುರಿತು ಸಾಮಾಜಿಕ ಮಾಧ್ಯಮಗಳಲ್ಲಿ ಸಾಕಷ್ಟು ಜನಪ್ರಿಯ ವಿಡಿಯೋಗಳನ್ನು ಪ್ರಕಟಿಸಿದ್ದಾರೆ. ಮೂರು ಶತಮಾನಗಳಿಂದ ನಡೆಯುವ ಈ ಉತ್ಸವವು ಪೇಟೆ ಪ್ರದೇಶದ ಹೃದಯದಲ್ಲಿ, ದ್ರೌಪದಿಯನ್ನು ಆದಿಶಕ್ತಿಯಾಗಿ ಭಾವಿಸಿ, ತಿಗಳ ಸಮುದಾಯದ ಸಂಸ್ಕೃತಿಯ ಪ್ರತಿನಿಧಿಯಾಗಿ ಸಾಗುತ್ತದೆ. ಗಂಗಾ ಪೂಜೆ, ತವಕ್ಕಲ್ ಮಸ್ತಾನ್ ದರ್ಗಾದಲ್ಲಿ ಕಾಣುವ ಅಂತರ್ಧರ್ಮೀಯ ಸಹಿಷ್ಣುತೆ ಮತ್ತು ನಗರೀಕರಣದ ನಡುವೆ ಕರಗವು ಭೂಮಿ, ನೀರು, ನಂಬಿಕೆಗಳನ್ನು ನೆನೆಸುವ ಒಂದು ಸಾಂಸ್ಕೃತಿಕ ಸಂಚಲನೆಯಾಗಿ ಉಳಿದಿದೆ. ಬದಲಾಗುತ್ತಿರುವ ನಗರದ ಮಧ್ಯೆ, ಕರಗವು ನೆನಪಿನ ತಂತಿಗಳನ್ನು ಜೀವಂತವಾಗಿಟ್ಟುಕೊಳ್ಳುತ್ತದೆ. ವಿಶ್ವಾಸಪೂರ್ವಕ ನುಡಿಗಳು: ಅಕ್ಷಯ್ ರಾಮುಹಳ್ಳಿ, ಬಿಜೋಯ್ ವೇಣುಗೋಪಾಲ್, ಬ್ರೂಸ್ ಲೀ ಮಣಿ, ಗೋರ್ವೆಕ್ ತೊಕ್ಚೋಮ್, ಕಿಶೋರ್ ಮಂಡಲ್, ನಾರಾಯಣ ಕೃಷ್ಣಸ್ವಾಮಿ, ಪ್ರಶಾಂತ್ ವಾಸುದೇವನ್, ಸಾನಂದ ದಾಸ್‌ಗುಪ್ತ, ಸೀಮಾ ಸೇಠ್, ಶ್ರದ್ಧಾ ಗೌತಮ್, ಸುಪ್ರಿಯಾ ಜೋಶಿ ಮತ್ತು ವೇಲು ಶಂಕರ್.]]></itunes:summary><itunes:duration>1638</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a3ea343c8304b99a2772221db50ae779.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Unboxed - The Lightbulb In India with Sharmadip Basu and Proteep Mallik</title><link>https://www.spreaker.com/episode/unboxed-the-lightbulb-in-india-with-sharmadip-basu-and-proteep-mallik--65117421</link><description><![CDATA[In Unboxed — The Lightbulb in India, Sharmadip Basu and Proteep Mallik explore the history, science, and legacy of electric lighting in India, joined by guests Antara Das and Sunandan K.N. The electric lightbulb transformed human life, replacing natural cycles of light and darkness and extending human productivity beyond the workday. Early innovations such as Humphry Davy’s arc light (1802) and Warren de la Rue’s platinum filament bulb (1840) were impractical. In 1879, Thomas Edison and Joseph Swan developed longer-lasting carbon filament bulbs. By 1906, tungsten filaments became the standard, and later, argon gas was introduced to extend bulb life. Electric lighting arrived in India in 1879. By 1889, Kolkata had streetlights, and by 1899, its first power station. Mumbai saw electric lighting in 1882, but tungsten filament bulbs became common only by 1923. The Roy brothers helped establish India’s lighting industry with Bengal Lamps.  Don’t miss Sunandan’s personal story of electricity reaching his Kerala village in the 1970’s—with an ironic twist! Heard the term social jet-lag? Antara, professor of biology at Azim Premji University, warns about the effects of prolonged exposure to artificial lighting, which disrupts circadian rhythms and affects sleep and health. Ironically, the future of light may eventually lie in darkness. Dark Sky Reserves, such as India’s Hanle Reserve in Ladakh, aim to reduce light pollution and preserve natural nightscapes.  Tune in to another illuminating episode of Unboxed and don’t forget to catch up on other episodes in the series. Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, Vaishnavi Ramanujam, and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2063035608</guid><pubDate>Tue, 25 Mar 2025 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/65117421/2063035608_radioazimpremjiuniversity_v2_ep4_unboxed.mp3" length="87852929" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In Unboxed — The Lightbulb in India, Sharmadip Basu and Proteep Mallik explore the history, science, and legacy of electric lighting in India, joined by guests Antara Das and Sunandan K.N. The electric lightbulb transformed human life, replacing...</itunes:subtitle><itunes:summary><![CDATA[In Unboxed — The Lightbulb in India, Sharmadip Basu and Proteep Mallik explore the history, science, and legacy of electric lighting in India, joined by guests Antara Das and Sunandan K.N. The electric lightbulb transformed human life, replacing natural cycles of light and darkness and extending human productivity beyond the workday. Early innovations such as Humphry Davy’s arc light (1802) and Warren de la Rue’s platinum filament bulb (1840) were impractical. In 1879, Thomas Edison and Joseph Swan developed longer-lasting carbon filament bulbs. By 1906, tungsten filaments became the standard, and later, argon gas was introduced to extend bulb life. Electric lighting arrived in India in 1879. By 1889, Kolkata had streetlights, and by 1899, its first power station. Mumbai saw electric lighting in 1882, but tungsten filament bulbs became common only by 1923. The Roy brothers helped establish India’s lighting industry with Bengal Lamps.  Don’t miss Sunandan’s personal story of electricity reaching his Kerala village in the 1970’s—with an ironic twist! Heard the term social jet-lag? Antara, professor of biology at Azim Premji University, warns about the effects of prolonged exposure to artificial lighting, which disrupts circadian rhythms and affects sleep and health. Ironically, the future of light may eventually lie in darkness. Dark Sky Reserves, such as India’s Hanle Reserve in Ladakh, aim to reduce light pollution and preserve natural nightscapes.  Tune in to another illuminating episode of Unboxed and don’t forget to catch up on other episodes in the series. Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, Vaishnavi Ramanujam, and Velu Shankar]]></itunes:summary><itunes:duration>2197</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e8c38030f3a7f9a0afa9d19c6522fffa.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>समुदाय की आवाज़ें  | Voices from the Community | एप ५ लिखे जो ख़त मुझे मयूर त्रिवेदी के साथ</title><link>https://www.spreaker.com/episode/samudaya-ki-avazem-voices-from-the-community-epa-5-likhe-jo-khata-mujhe-mayura-trivedi-ke-satha--64703465</link><description><![CDATA[समुदाय की आवाज़ें  | Voices from the Community आज का पत्र है पश्चिमी भारत के लिटल रण ऑफ कच्छ से। शहर और गाँव से मिलों दूर ये एक ऐसी जगह हैं जहा अगारिया समुदाय के लोग नमक की खेती करते हैं। हमारे देश का आधे से ज्यादा नमक यही से इनकी मेहनत से ही आता हैं। यह पत्र विमुक्त जनजाति के एक बुजुर्ग अगारिया का हैं जो मुजे पिछले दस सालों से जानते हैं। मैं एक स्टूडेंट के रूप मे उनको मिला था और बाद मे अपने स्टूडेंट्स को फील्ड के अनुभव के लिए उनके पास ले जाया करता था।  इस खत के जरिए वो मेरी और उनकी जिंदगी मे इन सालों मे आए बदलाव की बात कर रहे हैं। हमारे संपर्क के एकतरफ़े रुख से अपनी नाराज़गी जताकर वो इस खत मे उन सभी लोगों से सवाल कर रहे हैं जो समय-समय पर उनके पास जाकर उनसे सवाल पूछते रहे, उनकी कहानिया सुनते रहे, और उनके जीवन के आंकड़ों को लिखते रहे, लेकिन जो कभी वापस नहीं आए – न ही उनकी खबर पूछने आए या ना ही बदलाव की कोई खबर लेकर आए । आइए, सुनते हैं डांट, दर्द, और चाहभरी उनकी दास्तान जिनकी मेहनत से बना नमक हमारे खाने मे स्वाद लाता हैं । - मयूर त्रिवेदी  _ In this powerful episode, an Agariya elder from the Little Rann of Kutch shares his frustration with researchers and students who visit his community, collect stories, and then disappear—never returning with news of change. The Agariyas, who produce over half of India’s salt, continue to toil in harsh conditions, earning mere paise per kilo while facing new challenges: government restrictions on their ancestral lands and climate shifts affecting salt production. Through immersive storytelling, the elder’s letter demands accountability, questioning why those who study them never stand by them in times of crisis. “We don’t want to be mere statistics or stories anymore,” he writes. His plea challenges listeners to rethink their role—not just as observers, but as allies in the fight for justice. This episode asks a crucial question: How long will marginalised communities remain subjects of study rather than active participants in shaping their own futures? CREDITS  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar ACKNOWLEDGEMENTS Agariya elder voiced by Sanjay Galsar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2046682636</guid><pubDate>Tue, 04 Mar 2025 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64703465/2046682636_radioazimpremjiuniversity_voices_from_the_community.mp3" length="21436080" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>समुदाय की आवाज़ें  | Voices from the Community आज का पत्र है पश्चिमी भारत के लिटल रण ऑफ कच्छ से। शहर और गाँव से मिलों दूर ये एक ऐसी जगह हैं जहा अगारिया समुदाय के लोग नमक की खेती करते हैं। हमारे देश का आधे से ज्यादा नमक यही से इनकी मेहनत से ही आता हैं।...</itunes:subtitle><itunes:summary><![CDATA[समुदाय की आवाज़ें  | Voices from the Community आज का पत्र है पश्चिमी भारत के लिटल रण ऑफ कच्छ से। शहर और गाँव से मिलों दूर ये एक ऐसी जगह हैं जहा अगारिया समुदाय के लोग नमक की खेती करते हैं। हमारे देश का आधे से ज्यादा नमक यही से इनकी मेहनत से ही आता हैं। यह पत्र विमुक्त जनजाति के एक बुजुर्ग अगारिया का हैं जो मुजे पिछले दस सालों से जानते हैं। मैं एक स्टूडेंट के रूप मे उनको मिला था और बाद मे अपने स्टूडेंट्स को फील्ड के अनुभव के लिए उनके पास ले जाया करता था।  इस खत के जरिए वो मेरी और उनकी जिंदगी मे इन सालों मे आए बदलाव की बात कर रहे हैं। हमारे संपर्क के एकतरफ़े रुख से अपनी नाराज़गी जताकर वो इस खत मे उन सभी लोगों से सवाल कर रहे हैं जो समय-समय पर उनके पास जाकर उनसे सवाल पूछते रहे, उनकी कहानिया सुनते रहे, और उनके जीवन के आंकड़ों को लिखते रहे, लेकिन जो कभी वापस नहीं आए – न ही उनकी खबर पूछने आए या ना ही बदलाव की कोई खबर लेकर आए । आइए, सुनते हैं डांट, दर्द, और चाहभरी उनकी दास्तान जिनकी मेहनत से बना नमक हमारे खाने मे स्वाद लाता हैं । - मयूर त्रिवेदी  _ In this powerful episode, an Agariya elder from the Little Rann of Kutch shares his frustration with researchers and students who visit his community, collect stories, and then disappear—never returning with news of change. The Agariyas, who produce over half of India’s salt, continue to toil in harsh conditions, earning mere paise per kilo while facing new challenges: government restrictions on their ancestral lands and climate shifts affecting salt production. Through immersive storytelling, the elder’s letter demands accountability, questioning why those who study them never stand by them in times of crisis. “We don’t want to be mere statistics or stories anymore,” he writes. His plea challenges listeners to rethink their role—not just as observers, but as allies in the fight for justice. This episode asks a crucial question: How long will marginalised communities remain subjects of study rather than active participants in shaping their own futures? CREDITS  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar ACKNOWLEDGEMENTS Agariya elder voiced by Sanjay Galsar]]></itunes:summary><itunes:duration>536</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/93dd51b90062026a0150154f12801cd7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>अनकही आवाज़ें | Unspoken Voices | Likhe Jo Khat Mujhe with Mayur Trivedi</title><link>https://www.spreaker.com/episode/anakahi-avazem-unspoken-voices-likhe-jo-khat-mujhe-with-mayur-trivedi--64441686</link><description><![CDATA[प्रोफेसर होने के नाते अक्सर युवा, विशेष रूप से '20’s' के लोगों से मेरी गहरी बातचीत होती रहती है। ज्यादातर बच्चे पास में ही चले जाते हैं, कुछ लंबे अरस तक टच में रहते हैं और समय-समय पर जिंदगी के सबक भी शेयर करते हैं। इन एक्स बच्चों की बातें मुझे सबसे ज्यादा आकर्षित करती हैं क्योंकि इनमे मार्क्स, असाइनमेंट और पाठ्यक्रम से ऊपर जीवन की सच्चाई सबसे ज्यादा होती हैं।  ऐसी ही एक खास 'लास्ट बेंचर' से आज मुझे एक कहानी मिलती है। दस साल पहले जब वो मेरी दुकान थी तब सब्जेक्ट्स में रुचि नहीं थी। हा, मगर हमारे बीच बातें बहुत होती रहती थीं। आज वो बता रहे हैं पढ़ाई के समय किताबी लीज वाले उन कॉन्सेप्ट्स ने कैसे अपनी खुद की जिंदगी में मायने पाए।  'अनकही आवाजें' में सुनिए शादी और परिवार को लेकर एक युवा, स्वतंत्र, जिम्मेदार महिला की ये कहानी, वही की प्यारी।  - मयूर त्रिवेदी  —  In this deeply personal episode of Likhe Jo Khat Mujhe with Mayur Trivedi, titled Ankahi Awaazein (Unspoken Voices), a former student, Shreya, reconnects with her professor after a decade, sharing a heartfelt reflection on how the lessons from his demography and health economics classes have unexpectedly shaped her understanding of life. Through a recorded letter, she narrates her quiet struggle with infertility, the weight of societal expectations, and the unspoken emotional toll of reproductive choices.  Once a self-proclaimed “last bencher,” Shreya remembers feeling detached from discussions about population, opportunity costs, and reproductive autonomy. At the time, those concepts seemed distant from her vibrant college life, filled with friendships, love, and a sense of limitless possibilities.  Years later, after an eight-year relationship, four years of marriage, and an exhausting journey through IVF, Shreya sees those lessons in an entirely different light. Carefully made choices—waiting for family approval, planning responsibly—have led to an unforeseen reality: a long, painful wait for motherhood.  CREDITS  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  To know Shreya’s full story, listen to the episode and read more on our website.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2037214752</guid><pubDate>Tue, 18 Feb 2025 23:00:16 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64441686/2037214752_radioazimpremjiuniversity_unspoken_voices_likhe_jo_khat_mujhe_with_mayur_trivedi.mp3" length="25914513" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>प्रोफेसर होने के नाते अक्सर युवा, विशेष रूप से '20’s' के लोगों से मेरी गहरी बातचीत होती रहती है। ज्यादातर बच्चे पास में ही चले जाते हैं, कुछ लंबे अरस तक टच में रहते हैं और समय-समय पर जिंदगी के सबक भी शेयर करते हैं। इन एक्स बच्चों की बातें मुझे सबसे...</itunes:subtitle><itunes:summary><![CDATA[प्रोफेसर होने के नाते अक्सर युवा, विशेष रूप से '20’s' के लोगों से मेरी गहरी बातचीत होती रहती है। ज्यादातर बच्चे पास में ही चले जाते हैं, कुछ लंबे अरस तक टच में रहते हैं और समय-समय पर जिंदगी के सबक भी शेयर करते हैं। इन एक्स बच्चों की बातें मुझे सबसे ज्यादा आकर्षित करती हैं क्योंकि इनमे मार्क्स, असाइनमेंट और पाठ्यक्रम से ऊपर जीवन की सच्चाई सबसे ज्यादा होती हैं।  ऐसी ही एक खास 'लास्ट बेंचर' से आज मुझे एक कहानी मिलती है। दस साल पहले जब वो मेरी दुकान थी तब सब्जेक्ट्स में रुचि नहीं थी। हा, मगर हमारे बीच बातें बहुत होती रहती थीं। आज वो बता रहे हैं पढ़ाई के समय किताबी लीज वाले उन कॉन्सेप्ट्स ने कैसे अपनी खुद की जिंदगी में मायने पाए।  'अनकही आवाजें' में सुनिए शादी और परिवार को लेकर एक युवा, स्वतंत्र, जिम्मेदार महिला की ये कहानी, वही की प्यारी।  - मयूर त्रिवेदी  —  In this deeply personal episode of Likhe Jo Khat Mujhe with Mayur Trivedi, titled Ankahi Awaazein (Unspoken Voices), a former student, Shreya, reconnects with her professor after a decade, sharing a heartfelt reflection on how the lessons from his demography and health economics classes have unexpectedly shaped her understanding of life. Through a recorded letter, she narrates her quiet struggle with infertility, the weight of societal expectations, and the unspoken emotional toll of reproductive choices.  Once a self-proclaimed “last bencher,” Shreya remembers feeling detached from discussions about population, opportunity costs, and reproductive autonomy. At the time, those concepts seemed distant from her vibrant college life, filled with friendships, love, and a sense of limitless possibilities.  Years later, after an eight-year relationship, four years of marriage, and an exhausting journey through IVF, Shreya sees those lessons in an entirely different light. Carefully made choices—waiting for family approval, planning responsibly—have led to an unforeseen reality: a long, painful wait for motherhood.  CREDITS  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  To know Shreya’s full story, listen to the episode and read more on our website.]]></itunes:summary><itunes:duration>648</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/14e0eabe0ad7ef30cd3ce6ac7e7eb099.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ghalib Explained: 3 Poems On Reality and Existence</title><link>https://www.spreaker.com/episode/ghalib-explained-3-poems-on-reality-and-existence--64385710</link><description><![CDATA[Mirza Ghalib, one of Urdu’s greatest poets, masterfully wove metaphysical reflections into his verse, questioning the nature of reality, existence, and perception. On the occasion of his 156th death anniversary, we revisit his poetry through a selection of verses from Yun Hota Toh Kya Hota: The World of Ghalib, a six-part series presented by Amit Basole, a poetry aficionado and faculty in economics at Azim Premji University.  Ghalib’s poetry often challenges our understanding of the visible and the hidden, suggesting that what appears before us may, in fact, conceal a deeper truth. One of his celebrated verses plays with paradoxes, exploring the idea that ultimate reality is hidden in plain sight. Through close readings, this episode unpacks such layered meanings, drawing connections to philosophical traditions and his poetic predecessors.  We also examine Ghalib’s playful yet profound manipulation of language, which reflects on existence and divinity with deceptive simplicity. Whether through paradox, wordplay, or existential musings, Ghalib’s poetry remains an endless source of interpretation and wonder—an invitation to look beyond the obvious and glimpse the hidden truths of the universe.  Amit Basole explains three Ghalib poems in this bonus episode. If you enjoyed these excerpts, you’ll find more to love as you explore the series on Radio Azim Premji University.  Credits  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2034831112</guid><pubDate>Sat, 15 Feb 2025 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64385710/2034831112_radioazimpremjiuniversity_ghalib_explained_3_poems_on_reality_and_existence.mp3" length="30628048" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Mirza Ghalib, one of Urdu’s greatest poets, masterfully wove metaphysical reflections into his verse, questioning the nature of reality, existence, and perception. On the occasion of his 156th death anniversary, we revisit his poetry through a...</itunes:subtitle><itunes:summary><![CDATA[Mirza Ghalib, one of Urdu’s greatest poets, masterfully wove metaphysical reflections into his verse, questioning the nature of reality, existence, and perception. On the occasion of his 156th death anniversary, we revisit his poetry through a selection of verses from Yun Hota Toh Kya Hota: The World of Ghalib, a six-part series presented by Amit Basole, a poetry aficionado and faculty in economics at Azim Premji University.  Ghalib’s poetry often challenges our understanding of the visible and the hidden, suggesting that what appears before us may, in fact, conceal a deeper truth. One of his celebrated verses plays with paradoxes, exploring the idea that ultimate reality is hidden in plain sight. Through close readings, this episode unpacks such layered meanings, drawing connections to philosophical traditions and his poetic predecessors.  We also examine Ghalib’s playful yet profound manipulation of language, which reflects on existence and divinity with deceptive simplicity. Whether through paradox, wordplay, or existential musings, Ghalib’s poetry remains an endless source of interpretation and wonder—an invitation to look beyond the obvious and glimpse the hidden truths of the universe.  Amit Basole explains three Ghalib poems in this bonus episode. If you enjoyed these excerpts, you’ll find more to love as you explore the series on Radio Azim Premji University.  Credits  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Kishor Mandal, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></itunes:summary><itunes:duration>766</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7d3e3f3d390d26badf069f7a9b47c5b4.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>दिल की आवाज़ें | Sounds of the Heart | EP 3 of Likhe Jo Khat Mujhe | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/dila-ki-avazem-sounds-of-the-heart-ep-3-of-likhe-jo-khat-mujhe-radio-azim-premji-university--64196575</link><description><![CDATA[बचपन में जिन माँ-बाप की बातें पत्थर की लकीर लगती थीं, बड़े होकर उन्हीं से असहमति होने लगती है। विचारों की यह खाई अकादमिक दुनिया से जुड़े लोगों के लिए और गहरी हो जाती है, जब उनके सिद्धांत घर की हकीकत से टकराते हैं। “दिल की आवाज़ें” एपिसोड में एक माँ अपने बेटे—जो जेंडर स्टडीज के प्रोफेसर हैं—से अपने जीवन के संघर्ष साझा करती हैं। वह बताती हैं कि समाज की पहचान केवल किताबों से नहीं, बल्कि जीवन के अनुभवों से भी बनती है। माँ की बातों में एक हल्का-सा उलाहना भी है—“तुम पढ़कर जेंडर सिखाते हो, हम जीकर सीखते हैं। शायद मेरी ज़िंदगी के नोट्स तुम्हारी क्लासरूम में काम आएं।” बड़ा होने के साथ-साथ हम अपने माता-पिता को सुनना कम कर देते हैं, जिससे वे धीरे-धीरे चुप हो जाते हैं। लेकिन इस एपिसोड में, एक माँ यह चुप्पी तोड़ती हैं—प्यार, फिक्र और समझ के साथ। सुनिए “दिल की आवाज़ें”, “लिखे जो खत मुझे” के एपिसोड 3 में, सिर्फ़ रेडियो अज़ीम प्रेमजी यूनिवर्सिटी पर। ____________ In Dil Ki Awaazein (Sounds of the Heart), a mother shares her struggles with her son, a gender studies professor, offering a personal perspective on societal identity. She highlights the gap between academic theories and lived realities, reminding him, “You study gender; we women live it.” As children grow, they often stop listening to their parents, silencing them unintentionally. In this poignant episode, the mother breaks that silence—chiding yet understanding. She urges her son to keep learning, just as she continues to evolve. Listen to Episode 3 of Likhe Jo Khat Mujhe on Radio Azim Premji University. CREDITS Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar Mother voiced by M Joshi Himani]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2025520040</guid><pubDate>Tue, 04 Feb 2025 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/64196575/2025520040_radioazimpremjiuniversity_sounds_of_the_heart_ep_3_of_likhe_jo_khat_mujhe_radio_azim_premji_university.mp3" length="29499558" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>बचपन में जिन माँ-बाप की बातें पत्थर की लकीर लगती थीं, बड़े होकर उन्हीं से असहमति होने लगती है। विचारों की यह खाई अकादमिक दुनिया से जुड़े लोगों के लिए और गहरी हो जाती है, जब उनके सिद्धांत घर की हकीकत से टकराते हैं। “दिल की आवाज़ें” एपिसोड में एक माँ...</itunes:subtitle><itunes:summary><![CDATA[बचपन में जिन माँ-बाप की बातें पत्थर की लकीर लगती थीं, बड़े होकर उन्हीं से असहमति होने लगती है। विचारों की यह खाई अकादमिक दुनिया से जुड़े लोगों के लिए और गहरी हो जाती है, जब उनके सिद्धांत घर की हकीकत से टकराते हैं। “दिल की आवाज़ें” एपिसोड में एक माँ अपने बेटे—जो जेंडर स्टडीज के प्रोफेसर हैं—से अपने जीवन के संघर्ष साझा करती हैं। वह बताती हैं कि समाज की पहचान केवल किताबों से नहीं, बल्कि जीवन के अनुभवों से भी बनती है। माँ की बातों में एक हल्का-सा उलाहना भी है—“तुम पढ़कर जेंडर सिखाते हो, हम जीकर सीखते हैं। शायद मेरी ज़िंदगी के नोट्स तुम्हारी क्लासरूम में काम आएं।” बड़ा होने के साथ-साथ हम अपने माता-पिता को सुनना कम कर देते हैं, जिससे वे धीरे-धीरे चुप हो जाते हैं। लेकिन इस एपिसोड में, एक माँ यह चुप्पी तोड़ती हैं—प्यार, फिक्र और समझ के साथ। सुनिए “दिल की आवाज़ें”, “लिखे जो खत मुझे” के एपिसोड 3 में, सिर्फ़ रेडियो अज़ीम प्रेमजी यूनिवर्सिटी पर। ____________ In Dil Ki Awaazein (Sounds of the Heart), a mother shares her struggles with her son, a gender studies professor, offering a personal perspective on societal identity. She highlights the gap between academic theories and lived realities, reminding him, “You study gender; we women live it.” As children grow, they often stop listening to their parents, silencing them unintentionally. In this poignant episode, the mother breaks that silence—chiding yet understanding. She urges her son to keep learning, just as she continues to evolve. Listen to Episode 3 of Likhe Jo Khat Mujhe on Radio Azim Premji University. CREDITS Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar Mother voiced by M Joshi Himani]]></itunes:summary><itunes:duration>738</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/650f3cf9169da5fde0f792d18bf69710.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>जंगलों की आवाज़ें | Sounds of the Forest | Ep 2 of Likhe Jo Khat Mujhe with Mayur Trivedi</title><link>https://www.spreaker.com/episode/jangalom-ki-avazem-sounds-of-the-forest-ep-2-of-likhe-jo-khat-mujhe-with-mayur-trivedi--63794523</link><description><![CDATA[नमस्कार। हमारे रिसर्च के काम मैं एक एथ्नोग्राफी नाम की पद्धति हैं जिस मे रिसर्चर किसी एक समुदाय के लोगों के जीवन को समझने के लिए उन लोगों के बीच जाकर उन्हीं की तरह जीता हैं, और उन निजी अनुभवों से अपने निष्कर्ष निकालता है। मेरा ऐसा एक काम मुजे गीर फॉरेस्ट ले गया जहां सदियों से इंसान और उनके मवेशी Asiatic Lions के साथ शहर-गाँव से दूर जंगल की बीचोंबीच रहेते हैं। उन मालधारी समुदाय के साथ रह के मैंने ये जाना की शहर से दूर प्रकृति के साथ जीने वाले वनवासी लोग अपने जीवन के निर्णय कैसी कैसी मान्यताओं, जरूरतों, अनुभवों या मूल्यों के आधार पर लेते हैं।  ‘जंगल की आवाजे’ नाम के इस एपिसोड मे सुनिए गीर नेशनल पार्क के भीतर से भिखाभाई मालधारी का एक पत्र जिसमे वो मुजे पॉपुलेशन कंट्रोल, सन परेफ़रस, और  बेटी बचाओ के बारे मे अपने खयालात बता रहे हैं। — मयूर त्रिवेदी  ______ The Beti Bachao, Beti Padhao (Save Daughters, Educate Daughters) campaign by the Government of India aims to address the issue of the declining child sex ratio. However, implementing such well-meaning initiatives often runs into resistance among communities where traditions and livelihoods are deeply intertwined. To truly understand their opposition to these programmes, one must be intimately sensitive to the everyday lives of these communities. In this episode of Likhe Jo Khat Mujhe, host Mayur Trivedi, a public health researcher who teaches at Azim Premji University, Bhopal, shares a heartfelt fictional letter from Bhikhabhai, a Maldhari shepherd who lives in the Gir Forest.  Bhikhabhai recounts his interactions with the researcher, who had spent time with him and his community during an ethnographic field visit. Unlike other researchers, who kept their distance from the subjects of their fieldwork, this person had lived among the Maldhari people, sharing their meals and witnessing their daily struggles. This exchange left a lasting impression on Bhikhabhai, who pondered over the researcher’s advice to him about his preference for sons over daughters. In his letter to the researcher, Bhikhabhai reflects on this sensitive issue, which is rooted in the unique challenges of his jungle-based lifestyle. He explains how their survival depends on cattle, community ties, and traditional roles. In his pastoral community, having a son is not viewed as a rejection of daughters, but a necessity to ensure economic continuity, care in old age, and social acceptance.  In Junglon Ki Awaazein, Mayur Trivedi invites listeners of Likhe Jo Khat Mujhe to reflect on their inherent cultural biases and blind spots, and reexamine how the life choices of remote communities are often determined by necessity rather than intent. CREDITS Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar ACKNOWLEDGEMENTS Maldhari shepherd voiced by Gopal Hari  Visit our website for more information: https://azimpremjiuniversity.edu.in/radio-azim-premji-university]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2014302343</guid><pubDate>Tue, 21 Jan 2025 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63794523/2014302343_radioazimpremjiuniversity_sounds_of_the_forest_ep_2_of_likhe_jo_khat_mujhe_with_mayur_trivedi.mp3" length="34553729" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>नमस्कार। हमारे रिसर्च के काम मैं एक एथ्नोग्राफी नाम की पद्धति हैं जिस मे रिसर्चर किसी एक समुदाय के लोगों के जीवन को समझने के लिए उन लोगों के बीच जाकर उन्हीं की तरह जीता हैं, और उन निजी अनुभवों से अपने निष्कर्ष निकालता है। मेरा ऐसा एक काम मुजे गीर...</itunes:subtitle><itunes:summary><![CDATA[नमस्कार। हमारे रिसर्च के काम मैं एक एथ्नोग्राफी नाम की पद्धति हैं जिस मे रिसर्चर किसी एक समुदाय के लोगों के जीवन को समझने के लिए उन लोगों के बीच जाकर उन्हीं की तरह जीता हैं, और उन निजी अनुभवों से अपने निष्कर्ष निकालता है। मेरा ऐसा एक काम मुजे गीर फॉरेस्ट ले गया जहां सदियों से इंसान और उनके मवेशी Asiatic Lions के साथ शहर-गाँव से दूर जंगल की बीचोंबीच रहेते हैं। उन मालधारी समुदाय के साथ रह के मैंने ये जाना की शहर से दूर प्रकृति के साथ जीने वाले वनवासी लोग अपने जीवन के निर्णय कैसी कैसी मान्यताओं, जरूरतों, अनुभवों या मूल्यों के आधार पर लेते हैं।  ‘जंगल की आवाजे’ नाम के इस एपिसोड मे सुनिए गीर नेशनल पार्क के भीतर से भिखाभाई मालधारी का एक पत्र जिसमे वो मुजे पॉपुलेशन कंट्रोल, सन परेफ़रस, और  बेटी बचाओ के बारे मे अपने खयालात बता रहे हैं। — मयूर त्रिवेदी  ______ The Beti Bachao, Beti Padhao (Save Daughters, Educate Daughters) campaign by the Government of India aims to address the issue of the declining child sex ratio. However, implementing such well-meaning initiatives often runs into resistance among communities where traditions and livelihoods are deeply intertwined. To truly understand their opposition to these programmes, one must be intimately sensitive to the everyday lives of these communities. In this episode of Likhe Jo Khat Mujhe, host Mayur Trivedi, a public health researcher who teaches at Azim Premji University, Bhopal, shares a heartfelt fictional letter from Bhikhabhai, a Maldhari shepherd who lives in the Gir Forest.  Bhikhabhai recounts his interactions with the researcher, who had spent time with him and his community during an ethnographic field visit. Unlike other researchers, who kept their distance from the subjects of their fieldwork, this person had lived among the Maldhari people, sharing their meals and witnessing their daily struggles. This exchange left a lasting impression on Bhikhabhai, who pondered over the researcher’s advice to him about his preference for sons over daughters. In his letter to the researcher, Bhikhabhai reflects on this sensitive issue, which is rooted in the unique challenges of his jungle-based lifestyle. He explains how their survival depends on cattle, community ties, and traditional roles. In his pastoral community, having a son is not viewed as a rejection of daughters, but a necessity to ensure economic continuity, care in old age, and social acceptance.  In Junglon Ki Awaazein, Mayur Trivedi invites listeners of Likhe Jo Khat Mujhe to reflect on their inherent cultural biases and blind spots, and reexamine how the life choices of remote communities are often determined by necessity rather than intent. CREDITS Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar ACKNOWLEDGEMENTS Maldhari shepherd voiced by Gopal Hari  Visit our website for more information: https://azimpremjiuniversity.edu.in/radio-azim-premji-university]]></itunes:summary><itunes:duration>864</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1cb310df3558f993d4bce7fe67acd21a.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sadkon Ki Awaazein - सड़कों की आवाज़ें - लिखो जो ख़त मुझे मयूर त्रिवेदी के साथ Ep 1</title><link>https://www.spreaker.com/episode/sadkon-ki-awaazein-sarakom-ki-avazem-likho-jo-khata-mujhe-mayura-trivedi-ke-satha-ep-1--63609013</link><description><![CDATA['सड़कों की आवाज़ें' शुरुआती दिनों मे एक यंग एनेरजेटिक पब्लिक हेल्थ रिसर्चर के रूप में मैं लोगों को तंबाकू छोड़ने के लिए कहता रहता था। ‘भारत मे तंबाकू से संबंधित बीमारियों से हर दिन 2000-3000 लोग लोग मरते हैं। ‘पैकेट में मौत लिखी है वाली अक्षय कुमार की ऐड नहीं देखी?’ वगेरे वगेरे।  फिर मैं 30-35 साल के कैब  ड्राइवर रमेश  को मिला। क्यूंकी ड्राइवर लोगों मे तंबाकू का उपयोग बहुत आम है, मैं तंबाकू के बारे मैं रमेश को बताता गया और वो दिन रात सड़कों पर अपनी टेकसी चलाते चलाते मुजे चुपचाप सुनता गया ।  रोजाना मिलों का सफर तय करने वाले रमेश ने एक दिन अपने भीतर की यात्रा की, और हिम्मत जुटा कर मुझे  अपने मन की बात कह दी।  ''सड़कों की आवाज़ें' नाम के इस एपिसोड में आइए रमेश के तंबाकू छोड़ने के दिलचस्प दृष्टिकोण को उसी की जबान मे सुनते हैं।  __ “I’m off now, wherever the road takes me…” As a young and spirited public health researcher, the presenter urged people to quit tobacco. And then he met Ramesh, a cab driver in his mid-thirties, who listened to him quietly as he drove the researcher around on his field visits. In answer to the social worker’s long sermons on the ill effects of tobacco, Ramesh said nothing.  One day, unexpectedly, the researcher receives a notification on his phone. It is a long message, in Hindi, from Ramesh. The cab driver politely speaks his mind and opens his heart in a way that makes the researcher think, and consider the question deeply. “Professor Saab, you might think I chew tobacco out of habit or for fun. But no, it’s not like that. It helps me work. I have to drive for hours, day and night. You guests rest in the back after your meals, but I have to stay alert to get you home safely. When one is alone and has to stay awake, one needs some company. It keeps us going…” Ramesh appears to be defending his tobacco habit, but in actuality he is uncovering the hard life of a daily wage earner who toils to make ends meet, and has to withstand numerous societal challenges every day. More so, it shines a light on the public healthcare system that makes little effort to prevent tobacco consumption but wakes up only when a user falls ill.  “If society or the government really wanted us to quit, they’d make it harder to access tobacco, wouldn’t they?” Ramesh asks. “But no, it’s available everywhere. Every other shop sells it alongside biscuits, hair oil, and shampoo. It’s cheaper than tea.”  What do you feel after listening to Ramesh’s letter? Drop us a note with your thoughts. CREDITS Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar ACKNOWLEDGEMENTS Taxi driver voiced by Sanjay Chauhan —— Chapters: 0:00:00 - Introduction - Sadakon Ki Awaazein 0:01:19 - A Public Health Researcher Reflects 0:02:35 - Meet Ramesh, the taxi driver 0:03:49 - Ramesh’s Message 0:04:59 - Tobacco Addiction Since Childhood 0:06:19 - Struggles To Quit Tobacco 0:09:15 - Outro 0:10:00 - Epilogue]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/2003877559</guid><pubDate>Wed, 08 Jan 2025 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63609013/2003877559_radioazimpremjiuniversity_ep_1_sadkon_ki_awaazein_likhe_jo_khat_mujhe_with_mayur_trivedi.mp3" length="27200782" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>'सड़कों की आवाज़ें' शुरुआती दिनों मे एक यंग एनेरजेटिक पब्लिक हेल्थ रिसर्चर के रूप में मैं लोगों को तंबाकू छोड़ने के लिए कहता रहता था। ‘भारत मे तंबाकू से संबंधित बीमारियों से हर दिन 2000-3000 लोग लोग मरते हैं। ‘पैकेट में मौत लिखी है वाली अक्षय कुमार की...</itunes:subtitle><itunes:summary><![CDATA['सड़कों की आवाज़ें' शुरुआती दिनों मे एक यंग एनेरजेटिक पब्लिक हेल्थ रिसर्चर के रूप में मैं लोगों को तंबाकू छोड़ने के लिए कहता रहता था। ‘भारत मे तंबाकू से संबंधित बीमारियों से हर दिन 2000-3000 लोग लोग मरते हैं। ‘पैकेट में मौत लिखी है वाली अक्षय कुमार की ऐड नहीं देखी?’ वगेरे वगेरे।  फिर मैं 30-35 साल के कैब  ड्राइवर रमेश  को मिला। क्यूंकी ड्राइवर लोगों मे तंबाकू का उपयोग बहुत आम है, मैं तंबाकू के बारे मैं रमेश को बताता गया और वो दिन रात सड़कों पर अपनी टेकसी चलाते चलाते मुजे चुपचाप सुनता गया ।  रोजाना मिलों का सफर तय करने वाले रमेश ने एक दिन अपने भीतर की यात्रा की, और हिम्मत जुटा कर मुझे  अपने मन की बात कह दी।  ''सड़कों की आवाज़ें' नाम के इस एपिसोड में आइए रमेश के तंबाकू छोड़ने के दिलचस्प दृष्टिकोण को उसी की जबान मे सुनते हैं।  __ “I’m off now, wherever the road takes me…” As a young and spirited public health researcher, the presenter urged people to quit tobacco. And then he met Ramesh, a cab driver in his mid-thirties, who listened to him quietly as he drove the researcher around on his field visits. In answer to the social worker’s long sermons on the ill effects of tobacco, Ramesh said nothing.  One day, unexpectedly, the researcher receives a notification on his phone. It is a long message, in Hindi, from Ramesh. The cab driver politely speaks his mind and opens his heart in a way that makes the researcher think, and consider the question deeply. “Professor Saab, you might think I chew tobacco out of habit or for fun. But no, it’s not like that. It helps me work. I have to drive for hours, day and night. You guests rest in the back after your meals, but I have to stay alert to get you home safely. When one is alone and has to stay awake, one needs some company. It keeps us going…” Ramesh appears to be defending his tobacco habit, but in actuality he is uncovering the hard life of a daily wage earner who toils to make ends meet, and has to withstand numerous societal challenges every day. More so, it shines a light on the public healthcare system that makes little effort to prevent tobacco consumption but wakes up only when a user falls ill.  “If society or the government really wanted us to quit, they’d make it harder to access tobacco, wouldn’t they?” Ramesh asks. “But no, it’s available everywhere. Every other shop sells it alongside biscuits, hair oil, and shampoo. It’s cheaper than tea.”  What do you feel after listening to Ramesh’s letter? Drop us a note with your thoughts. CREDITS Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar ACKNOWLEDGEMENTS Taxi driver voiced by Sanjay Chauhan —— Chapters: 0:00:00 - Introduction - Sadakon Ki Awaazein 0:01:19 - A Public Health Researcher Reflects 0:02:35 - Meet Ramesh, the taxi driver 0:03:49 - Ramesh’s Message 0:04:59 - Tobacco Addiction Since Childhood 0:06:19 - Struggles To Quit Tobacco 0:09:15 - Outro 0:10:00 - Epilogue]]></itunes:summary><itunes:duration>681</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3dc6039fee1933d118f03dabfc17f9c3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Jaagte Raho | Ep 6 - Samvidhaani Pitaara with Vineet KKN Panchhi | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/jaagte-raho-ep-6-samvidhaani-pitaara-with-vineet-kkn-panchhi-radio-azim-premji-university--63007246</link><description><![CDATA[November 26 is Constitution Day in India. It also marks the first anniversary of Samvidhaani Pitaara presented by Vineet KKN Panchhi. Our sixth episode is a special celebration of music that echoes our mission to know our rights, and to stand up for them.  When speech is throttled, only music has the power to dispel silence. That is why Jaagte Raho is no mere music playlist; it is a representation of emotions that constitute the heartbeat of our nation, the bedrock of our constitutional values. This meaningful selection of songs weaves a narrative of resistance, hope, and the quest for justice across diverse cultural landscapes. Tu Zinda Hai is a rousing anthem from the 1974 Hindi film Shaheed. Written by Shailendra with music by Salil Chowdhury, it celebrates the resilience of freedom fighters during India’s independence struggle, blending optimism with revolutionary fervour. Enjoy Enjaami, a viral track by Tamil rapper and social justice activist Arivu blending rap, folk, and Oppari (a traditional song of mourning), sings of ancestral connection and the exploitation of landless labourers. With its poignant lines and striking composition by Santhosh Narayanan, it critiques systemic inequities while reclaiming heritage.  Hum Dekhenge, penned by Faiz Ahmed Faiz, is a timeless anthem for justice and revolution. Sung by Iqbal Bano in defiance of dictatorship, its call for justice and the downfall of tyranny has become an enduring anthem for protest movements worldwide.  The playlist features two songs by Indian Ocean, resonating with lead singer and bassist Rahul Ram’s social and environmental activism. Cheetu is composed in honour of pre-Independence tribal activist and freedom fighter Cheetu Bhil, whose home was usurped and made into a prison. Hille Le is the band’s rendition of a protest song penned by activist Gorakh Pandey. Iraade Kar Buland, performed by the Delhi collective Manzil Mystics, exhorts listeners to embrace their dreams, echoing Kamla Bhasin’s poetic call for liberation. Meanwhile, T.M. Krishna’s Poromboke Paadal critiques environmental degradation, challenging society’s neglect of shared natural resources. Hey Samalo Dhan is a fiery Bengali protest song composed by Salil Chowdhury during the Tebhaga rebellion of the 1940s, where farmers fought for fair sharecropping rights. Echoing a similar sentiment is Gaon Chhorab Nehi, a song of bonding with the earth sung in protest by Adivasi people who resist being displaced from their ancestral lands. In tradition, Jaagte Raho is the cry of the night watchman, urging us to stay vigilant even as our eyes droop with slumber. In that vein, these songs, interspersed with messages from the artists, remind us of the values we need to cherish as citizens to keep the fabric of our nation from fraying. Enjoy Jaagte Raho, and uphold the Constitution of India.  Jai Hind!  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Harsh Gupta, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar Visit our website for a playlist and more resources]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1966747151</guid><pubDate>Mon, 25 Nov 2024 23:25:37 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/63007246/1966747151_radioazimpremjiuniversity_jaagte_raho_ep_6_samvidhaani_pitaara_with_vineet_kkn_panchhi_radio_azim_premji_university.mp3" length="65027133" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>November 26 is Constitution Day in India. It also marks the first anniversary of Samvidhaani Pitaara presented by Vineet KKN Panchhi. Our sixth episode is a special celebration of music that echoes our mission to know our rights, and to stand up for...</itunes:subtitle><itunes:summary><![CDATA[November 26 is Constitution Day in India. It also marks the first anniversary of Samvidhaani Pitaara presented by Vineet KKN Panchhi. Our sixth episode is a special celebration of music that echoes our mission to know our rights, and to stand up for them.  When speech is throttled, only music has the power to dispel silence. That is why Jaagte Raho is no mere music playlist; it is a representation of emotions that constitute the heartbeat of our nation, the bedrock of our constitutional values. This meaningful selection of songs weaves a narrative of resistance, hope, and the quest for justice across diverse cultural landscapes. Tu Zinda Hai is a rousing anthem from the 1974 Hindi film Shaheed. Written by Shailendra with music by Salil Chowdhury, it celebrates the resilience of freedom fighters during India’s independence struggle, blending optimism with revolutionary fervour. Enjoy Enjaami, a viral track by Tamil rapper and social justice activist Arivu blending rap, folk, and Oppari (a traditional song of mourning), sings of ancestral connection and the exploitation of landless labourers. With its poignant lines and striking composition by Santhosh Narayanan, it critiques systemic inequities while reclaiming heritage.  Hum Dekhenge, penned by Faiz Ahmed Faiz, is a timeless anthem for justice and revolution. Sung by Iqbal Bano in defiance of dictatorship, its call for justice and the downfall of tyranny has become an enduring anthem for protest movements worldwide.  The playlist features two songs by Indian Ocean, resonating with lead singer and bassist Rahul Ram’s social and environmental activism. Cheetu is composed in honour of pre-Independence tribal activist and freedom fighter Cheetu Bhil, whose home was usurped and made into a prison. Hille Le is the band’s rendition of a protest song penned by activist Gorakh Pandey. Iraade Kar Buland, performed by the Delhi collective Manzil Mystics, exhorts listeners to embrace their dreams, echoing Kamla Bhasin’s poetic call for liberation. Meanwhile, T.M. Krishna’s Poromboke Paadal critiques environmental degradation, challenging society’s neglect of shared natural resources. Hey Samalo Dhan is a fiery Bengali protest song composed by Salil Chowdhury during the Tebhaga rebellion of the 1940s, where farmers fought for fair sharecropping rights. Echoing a similar sentiment is Gaon Chhorab Nehi, a song of bonding with the earth sung in protest by Adivasi people who resist being displaced from their ancestral lands. In tradition, Jaagte Raho is the cry of the night watchman, urging us to stay vigilant even as our eyes droop with slumber. In that vein, these songs, interspersed with messages from the artists, remind us of the values we need to cherish as citizens to keep the fabric of our nation from fraying. Enjoy Jaagte Raho, and uphold the Constitution of India.  Jai Hind!  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Harsh Gupta, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar Visit our website for a playlist and more resources]]></itunes:summary><itunes:duration>1626</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c90bb5059cba44f3712d8eedd8b464c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Net-Net - Ep 4 of Economies Of Khel | Radio Azim Premji University Podcast</title><link>https://www.spreaker.com/episode/net-net-ep-4-of-economies-of-khel-radio-azim-premji-university-podcast--62712484</link><description><![CDATA[Guess what screams through the air at a whopping 565 km per hour? Not a peregrine falcon. Not a bullet train. Not even a Bugatti on the freeway.  It’s a shuttlecock flying off the racquet of an Indian champion who set the Guinness record for the fastest smash. In ‘Net-Net’, episode 4 of Economies of Khel, economist Rahul De and media studies expert Kailash Koushik analyse the curious subculture and economic currents shaping one of India’s most cherished sports. They explore how badminton has woven itself into the social fabric of India. For a sport that began in India as a British colonial import confined to Gymkhana clubs, badminton’s undemanding nature and accessibility helped it to permeate Indian society, carving out a special niche within middle-class neighbourhoods . It became one of the few sports where men and women could play side-by-side, offering a rare space for co-ed interaction in a conservative society. Kailash reflects on how, in these humble settings, badminton was almost like a cup of coffee—casual, accessible, and refreshingly uncompetitive, often played just to enjoy each other’s company. For Rahul De, the rise of badminton in India can be viewed in two distinct eras: before and after Pullela Gopichand. The former national champion and celebrated coach established the Gopichand Academy in Hyderabad, a powerhouse that has produced champions like Saina Nehwal and PV Sindhu. Besides nurturing elite athletes, his academy has propelled the sport into the national consciousness, inspiring a new generation and sparking a surge in badminton courts and academies across the country. In “Net-Net” we dig into the marketing personas crafted around Indian badminton stars, with Saina’s relatable small-town charm contrasting Sindhu’s high-gloss, urban image. These branding strategies offer a peek into badminton’s dual identity in India, balancing grassroots appeal with a rising, elite-driven professional presence. Today, it’s hard to find a place in India where badminton is not played.  Of course, if you tend to feel claustrophobic inside an indoor court, you can always step outside and enjoy a game of AirBadminton with a specially designed wind-resistant shuttle! Intrigued? You have to listen to the episode for the rest. Tune in to unpack the fascinating layers of badminton in India.   Credits Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar   For additional resources, please visit our website: https://azimpremjiuniversity.edu.in/economies-of-khel/net-net-smashingly-curious-about-badminton]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1956116567</guid><pubDate>Wed, 13 Nov 2024 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/62712484/1956116567_radioazimpremjiuniversity_net_net_ep_4_of_economies_of_khel_radio_azim_premji_university_podcast.mp3" length="85099623" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Guess what screams through the air at a whopping 565 km per hour? Not a peregrine falcon. Not a bullet train. Not even a Bugatti on the freeway.  It’s a shuttlecock flying off the racquet of an Indian champion who set the Guinness record for the...</itunes:subtitle><itunes:summary><![CDATA[Guess what screams through the air at a whopping 565 km per hour? Not a peregrine falcon. Not a bullet train. Not even a Bugatti on the freeway.  It’s a shuttlecock flying off the racquet of an Indian champion who set the Guinness record for the fastest smash. In ‘Net-Net’, episode 4 of Economies of Khel, economist Rahul De and media studies expert Kailash Koushik analyse the curious subculture and economic currents shaping one of India’s most cherished sports. They explore how badminton has woven itself into the social fabric of India. For a sport that began in India as a British colonial import confined to Gymkhana clubs, badminton’s undemanding nature and accessibility helped it to permeate Indian society, carving out a special niche within middle-class neighbourhoods . It became one of the few sports where men and women could play side-by-side, offering a rare space for co-ed interaction in a conservative society. Kailash reflects on how, in these humble settings, badminton was almost like a cup of coffee—casual, accessible, and refreshingly uncompetitive, often played just to enjoy each other’s company. For Rahul De, the rise of badminton in India can be viewed in two distinct eras: before and after Pullela Gopichand. The former national champion and celebrated coach established the Gopichand Academy in Hyderabad, a powerhouse that has produced champions like Saina Nehwal and PV Sindhu. Besides nurturing elite athletes, his academy has propelled the sport into the national consciousness, inspiring a new generation and sparking a surge in badminton courts and academies across the country. In “Net-Net” we dig into the marketing personas crafted around Indian badminton stars, with Saina’s relatable small-town charm contrasting Sindhu’s high-gloss, urban image. These branding strategies offer a peek into badminton’s dual identity in India, balancing grassroots appeal with a rising, elite-driven professional presence. Today, it’s hard to find a place in India where badminton is not played.  Of course, if you tend to feel claustrophobic inside an indoor court, you can always step outside and enjoy a game of AirBadminton with a specially designed wind-resistant shuttle! Intrigued? You have to listen to the episode for the rest. Tune in to unpack the fascinating layers of badminton in India.   Credits Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar   For additional resources, please visit our website: https://azimpremjiuniversity.edu.in/economies-of-khel/net-net-smashingly-curious-about-badminton]]></itunes:summary><itunes:duration>2128</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/91027d71782ab002634ae1c1c55ad73d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Kannada Geetamaale | ಕನ್ನಡ ಗೀತಮಾಲೆ | Noorakke Nooru Karnataka Ep 5</title><link>https://www.spreaker.com/episode/kannada-geetamaale-kannada-gitamale-noorakke-nooru-karnataka-ep-5--62569001</link><description><![CDATA[In this special edition of Noorakke Nooru Karnataka in observance of Karnataka Rajyotsava, we celebrate Karnataka’s rich musical heritage with a selection of old classics and contemporary favourites. Hosted by Shraddha and peppered with special messages from the artists, Kannada Geetamale embodies the spirit of Kannada. This playlist of eleven soulful tracks span decades and emotions, showcasing the beauty of our language and the diversity of our people.  As we commemorate Karnataka Rajyotsava, let’s embrace the inclusivity, warmth, and resilience that define Karnataka’s spirit. May our music, language, and culture continue to thrive.  Jai Karnataka!  Acknowledgements:  Raghavendra Herle for Kannada translation Shridevi Kalasad for research and compilation   Credits Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.  ಕನ್ನಡ ಗೀತಮಾಲೆ  ‘ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕ’ ದ ಈ ಒಂದು ವಿಶೇಷ ಸಂಚಿಕೆಯನ್ನು , ಕರ್ನಾಟಕ ರಾಜ್ಯೋತ್ಸವದ ಅಂಗವಾಗಿ ಕರ್ನಾಟಕದ ಶ್ರೀಮಂತ ಸಂಗೀತ ಪರಂಪರೆಯನ್ನು ಪ್ರತಿಬಿಂಬಿಸುವ ಹಳೆಯ ಮಧುರವಾದ ಶಾಸ್ತ್ರೀಯ ಹಾಡುಗಳು ಮತ್ತು ಸಮಕಾಲೀನ ಅಚ್ಚುಮೆಚ್ಚಿನ ಗೀತೆಗಳನ್ನು ಒಳಗೊಂಡ ಕನ್ನಡ ಗೀತಮಾಲೆಯನ್ನು ಪ್ರಸ್ತುತಪಡಿಸುವ ಮೂಲಕ ಆಚರಿಸುತ್ತಿದ್ದೇವೆ. ಈ ಕಾರ್ಯಕ್ರಮವನ್ನು ಶ್ರದ್ಧಾ ಅವರು ಕಲಾವಿದರ/ಕಲಾಕಾರರ ವಿಶೇಷವಾದ ಸಂದೇಶಗಳೊಂದಿಗೆ ರುಚಿಕಟ್ಟಾಗಿ ನಡೆಸಿಕೊಡಲಿದ್ದಾರೆ. ಕನ್ನಡ ಗೀತೆಮಾಲೆ ಕಾರ್ಯಕ್ರಮವು ಕನ್ನಡ ಸ್ಫೂರ್ತಿಯನ್ನು ಸಾಕಾರಗೊಳಿಸುವಂತಹ ಹನ್ನೊಂದು ಹಾಡುಗಳ ಮೂಲಕ ಪ್ರಸ್ತುತವಾಗಲಿದ್ದು ಈ ಭಾವಪೂರ್ಣವಾದ ಹತ್ತು ಹಾಡುಗಳು ದಶಕಗಳ ವ್ಯಾಪ್ತಿಯನ್ನು ಹೊಂದಿದ್ದು ಭಾವನಾತ್ಮಕವಾಗಿ ನಮ್ಮನ್ನು ಬೆಸೆಯುತ್ತವೆ. ಜೊತೆಗೆ ಇವು ನಮ್ಮ ಭಾಷೆಯಸೌಂದರ್ಯ ಮತ್ತು ಜನತೆಯ ವೈವಿಧ್ಯಮಯ ಬದುಕನ್ನು ಅನಾವರಣಗೊಳಿಸುತ್ತವೆ.  ಕನ್ನಡದ ಜೀವಸ್ವರವೆಂದೇ ಮಾನ್ಯರಾದ ಎಸ್.ಪಿ. ಬಾಲಸುಬ್ರಹ್ಮಣ್ಯಂ ಮತ್ತು ಕವಿತಾ ಕೃಷ್ಣಮೂರ್ತಿ ಮುಂತಾದಗಾಯಕ ಶ್ರೇಷ್ಠರಿಂದ ಮೊದಲ್ಗೊಂಡು ಯುವ ಮನಸ್ಸನ್ನು ಸಂಚಲನಗೊಳಿಸುವ ಮೈಸೂರು ಎಕ್ಸ್ ಪ್ರೆಸ್ ನ ನಮ್ಮೂರುವರೆಗೆ, ಪೀಪಲ್ ಟ್ರೀಯವರ ಚೈತನ್ಯದಾಯಿಯಾದ ಜನಪದ ಮತ್ತು ರಾಕ್ ಶೈಲಿಯ ತಾನಿ ತಂದಾನಾ ದವರೆಗೆ ಪ್ರತಿಯೊಂದು ಹಾಡೂ ತನ್ನ ಅನನ್ಯತೆಯಿಂದ ನಮ್ಮ ನಾಡಿಗೆ ಗೌರವ ಸಮರ್ಪಣೆ ಸಲ್ಲಿಸುತ್ತದೆ.  ಜಿ. ಪಿ. ರಾಜರತ್ನಂ ಅವರ ಮಕ್ಕಳ ಕವಿತೆಗಳಿಗೆ ಜೀವಂತಿಕೆ ತಂದುಕೊಟ್ಟ ಕಸ್ತೂರಿ ಎಂಬ ತುತ್ತೂರಿಯ ಹುಡುಗನ‘ಬಣ್ಣದ ತಗಡಿನ ತುತ್ತೂರಿ’ಯಂತಹ ಕಾಲಾತೀತವಾದ ಗೀತರಚನೆಗಳಿಂದ ಹಿಡಿದು ಇಮಾಂಸಾಬ್ ವಾಲ್ಲೇಪ್ಪನವರ್ಅವರು ಹಾಡಿ ಲೋಕಪ್ರಿಯಗೊಳಿಸಿದ ನಮ್ಮೆಲ್ಲರ ನೆಚ್ಚಿನ ಸೂಫಿ ಪಂಥದ ಕವಿ ಶಿಶುನಾಳ ಶರೀಫರ ಡೊಳ್ಳಿನ ಪದಶೈಲಿಯ ಆಧ್ಯಾತ್ಮಿಕ ತತ್ತ್ವಪದವಾದ ‘ಗುಡಿಯ ನೋಡಿರಣ್ಣ’ದವರೆಗಿನ ಹಾಡುಗಳನ್ನು ಇಲ್ಲಿ ಕೇಳಬಹುದಾಗಿದೆ.  ‘ಭಕ್ತಿ ರಿಪಬ್ಲಿಕ್’ ನ ಶ್ರೋತ್ರುಗಳಿಗೆ ವಚನಕಟ್ಟೆಯಲ್ಲಿ ಚಿರಪರಿಚಿತವಾಗಿರುವ ಎಮ್. ಡಿ. ಪಲ್ಲವಿ ಮತ್ತು ಬ್ರೂಸ್ ಲೀಮಣಿ ಅವರು ಹಾಡಿರುವ ಗೀತೆಗಳನ್ನು ಇಲ್ಲಿ ಆಲಿಸಲು ಅವಕಾಶವಿದೆ. ಜೊತೆಗೆ ಸಹಜವಾಗಿಯೇ ಸಾರ್ವಕಾಲಿಕವಾಗಿಕನ್ನಡಿಗರೆಲ್ಲರನ್ನೂ ಏಕತ್ರಗೊಳಿಸುವ ರಾಷ್ಟ್ರಕವಿ ಕುವೆಂಪು ವಿರಚಿತ ಮತ್ತು ಅವರ ಪುತ್ರ ಪೂರ್ಣಚಂದ್ರತೇಜಸ್ವಿಯವರಿಂದ ಸಂಗೀತ ಸಂಯೋಜಿಸಲ್ಪಟ್ಟ ‘ಬಾರಿಸು ಕನ್ನಡ ಡಿಂಡಿಮವಾ’ ಗೀತೆಯನ್ನೂ ಸವಿಯಬಹುದಾಗಿದೆ.  ಈ ಕರ್ನಾಟಕ ರಾಜ್ಯೋತ್ಸವವನ್ನು ನಾವು ಕರ್ನಾಟಕದ ಸ್ಫೂರ್ತಿಶಕ್ತಿಯನ್ನು ನಿರೂಪಿಸುವ ಎಲ್ಲರನ್ನೂ ಒಳಗೊಳ್ಳುವ, ಬೆಚ್ಚನೆಯ ಮಡಿಲಿನ ಆಸರೆಗೆ ಇಂಬು ನೀಡುವ, ನಮನೀಯ ದೃಷ್ಟಿಯ, ಪರಸ್ಪರ ಸಾಮರಸ್ಯದಿಂದ ಕೂಡಿದಅಪ್ಪುಗೆಯ ಭಾವದಿಂದ ಸಂಭ್ರಮಿಸುತ್ತಾ ಅವಿಸ್ಮರಣೀಯಗೊಳಿಸೋಣ. ನಮ್ಮ ಸಂಗೀತ, ಭಾಷೆ ಮತ್ತುಸಂಸ್ಕೃತಿಗಳು ನಿರಂತರವಾಗಿ ಅಭಿವೃದ್ಧಿ ಹೊಂದಿ ನೂರ್ಕಾಲ ಬಾಳಲಿ.  ಜೈ ಕರ್ನಾಟಕ!  ಕೃತಜ್ಞತೆ :  ಸಂಶೋಧನೆ ಮತ್ತು ಸಂಕಲನದ ಕಾರ್ಯಗಳಿಗಾಗಿ ಶ್ರೀದೇವಿ ಕಲಾಸದ್ ಅವರಿಗೆ.  ವಿಶ್ವಾಸಪೂರ್ವಕ ನುಡಿಗಳು :  ಅಕ್ಷಯ್ ರಾಮುಹಳ್ಳಿ, ಬಿಜೋಯ್ ವೇಣುಗೋಪಾಲ್, ಬ್ರೂಸ್ ಲೀ ಮಣಿ, ನಾರಾಯಣ ಕೃಷ್ಣ ಸ್ವಾಮಿ, ಪ್ರಶಾಂತ್ ವಾಸುದೇವನ್, ಸಾನಂದ ದಾಸ್ ಗುಪ್ತ, ಸೀಮಾ ಸೇಠ್, ಶ್ರದ್ಧಾ ಗೌತಮ್, ಸುಪ್ರಿಯಾ ಜೋಶಿ ಮತ್ತು ವೇಲು ಶಂಕರ್  For detailed notes and other information, visit our website:]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1946273835</guid><pubDate>Thu, 31 Oct 2024 12:43:56 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/62569001/1946273835_radioazimpremjiuniversity_kannada_geetamaale_noorakke_nooru_karnataka_ep_5.mp3" length="62111868" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In this special edition of Noorakke Nooru Karnataka in observance of Karnataka Rajyotsava, we celebrate Karnataka’s rich musical heritage with a selection of old classics and contemporary favourites. Hosted by Shraddha and peppered with special...</itunes:subtitle><itunes:summary><![CDATA[In this special edition of Noorakke Nooru Karnataka in observance of Karnataka Rajyotsava, we celebrate Karnataka’s rich musical heritage with a selection of old classics and contemporary favourites. Hosted by Shraddha and peppered with special messages from the artists, Kannada Geetamale embodies the spirit of Kannada. This playlist of eleven soulful tracks span decades and emotions, showcasing the beauty of our language and the diversity of our people.  As we commemorate Karnataka Rajyotsava, let’s embrace the inclusivity, warmth, and resilience that define Karnataka’s spirit. May our music, language, and culture continue to thrive.  Jai Karnataka!  Acknowledgements:  Raghavendra Herle for Kannada translation Shridevi Kalasad for research and compilation   Credits Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.  ಕನ್ನಡ ಗೀತಮಾಲೆ  ‘ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕ’ ದ ಈ ಒಂದು ವಿಶೇಷ ಸಂಚಿಕೆಯನ್ನು , ಕರ್ನಾಟಕ ರಾಜ್ಯೋತ್ಸವದ ಅಂಗವಾಗಿ ಕರ್ನಾಟಕದ ಶ್ರೀಮಂತ ಸಂಗೀತ ಪರಂಪರೆಯನ್ನು ಪ್ರತಿಬಿಂಬಿಸುವ ಹಳೆಯ ಮಧುರವಾದ ಶಾಸ್ತ್ರೀಯ ಹಾಡುಗಳು ಮತ್ತು ಸಮಕಾಲೀನ ಅಚ್ಚುಮೆಚ್ಚಿನ ಗೀತೆಗಳನ್ನು ಒಳಗೊಂಡ ಕನ್ನಡ ಗೀತಮಾಲೆಯನ್ನು ಪ್ರಸ್ತುತಪಡಿಸುವ ಮೂಲಕ ಆಚರಿಸುತ್ತಿದ್ದೇವೆ. ಈ ಕಾರ್ಯಕ್ರಮವನ್ನು ಶ್ರದ್ಧಾ ಅವರು ಕಲಾವಿದರ/ಕಲಾಕಾರರ ವಿಶೇಷವಾದ ಸಂದೇಶಗಳೊಂದಿಗೆ ರುಚಿಕಟ್ಟಾಗಿ ನಡೆಸಿಕೊಡಲಿದ್ದಾರೆ. ಕನ್ನಡ ಗೀತೆಮಾಲೆ ಕಾರ್ಯಕ್ರಮವು ಕನ್ನಡ ಸ್ಫೂರ್ತಿಯನ್ನು ಸಾಕಾರಗೊಳಿಸುವಂತಹ ಹನ್ನೊಂದು ಹಾಡುಗಳ ಮೂಲಕ ಪ್ರಸ್ತುತವಾಗಲಿದ್ದು ಈ ಭಾವಪೂರ್ಣವಾದ ಹತ್ತು ಹಾಡುಗಳು ದಶಕಗಳ ವ್ಯಾಪ್ತಿಯನ್ನು ಹೊಂದಿದ್ದು ಭಾವನಾತ್ಮಕವಾಗಿ ನಮ್ಮನ್ನು ಬೆಸೆಯುತ್ತವೆ. ಜೊತೆಗೆ ಇವು ನಮ್ಮ ಭಾಷೆಯಸೌಂದರ್ಯ ಮತ್ತು ಜನತೆಯ ವೈವಿಧ್ಯಮಯ ಬದುಕನ್ನು ಅನಾವರಣಗೊಳಿಸುತ್ತವೆ.  ಕನ್ನಡದ ಜೀವಸ್ವರವೆಂದೇ ಮಾನ್ಯರಾದ ಎಸ್.ಪಿ. ಬಾಲಸುಬ್ರಹ್ಮಣ್ಯಂ ಮತ್ತು ಕವಿತಾ ಕೃಷ್ಣಮೂರ್ತಿ ಮುಂತಾದಗಾಯಕ ಶ್ರೇಷ್ಠರಿಂದ ಮೊದಲ್ಗೊಂಡು ಯುವ ಮನಸ್ಸನ್ನು ಸಂಚಲನಗೊಳಿಸುವ ಮೈಸೂರು ಎಕ್ಸ್ ಪ್ರೆಸ್ ನ ನಮ್ಮೂರುವರೆಗೆ, ಪೀಪಲ್ ಟ್ರೀಯವರ ಚೈತನ್ಯದಾಯಿಯಾದ ಜನಪದ ಮತ್ತು ರಾಕ್ ಶೈಲಿಯ ತಾನಿ ತಂದಾನಾ ದವರೆಗೆ ಪ್ರತಿಯೊಂದು ಹಾಡೂ ತನ್ನ ಅನನ್ಯತೆಯಿಂದ ನಮ್ಮ ನಾಡಿಗೆ ಗೌರವ ಸಮರ್ಪಣೆ ಸಲ್ಲಿಸುತ್ತದೆ.  ಜಿ. ಪಿ. ರಾಜರತ್ನಂ ಅವರ ಮಕ್ಕಳ ಕವಿತೆಗಳಿಗೆ ಜೀವಂತಿಕೆ ತಂದುಕೊಟ್ಟ ಕಸ್ತೂರಿ ಎಂಬ ತುತ್ತೂರಿಯ ಹುಡುಗನ‘ಬಣ್ಣದ ತಗಡಿನ ತುತ್ತೂರಿ’ಯಂತಹ ಕಾಲಾತೀತವಾದ ಗೀತರಚನೆಗಳಿಂದ ಹಿಡಿದು ಇಮಾಂಸಾಬ್ ವಾಲ್ಲೇಪ್ಪನವರ್ಅವರು ಹಾಡಿ ಲೋಕಪ್ರಿಯಗೊಳಿಸಿದ ನಮ್ಮೆಲ್ಲರ ನೆಚ್ಚಿನ ಸೂಫಿ ಪಂಥದ ಕವಿ ಶಿಶುನಾಳ ಶರೀಫರ ಡೊಳ್ಳಿನ ಪದಶೈಲಿಯ ಆಧ್ಯಾತ್ಮಿಕ ತತ್ತ್ವಪದವಾದ ‘ಗುಡಿಯ ನೋಡಿರಣ್ಣ’ದವರೆಗಿನ ಹಾಡುಗಳನ್ನು ಇಲ್ಲಿ ಕೇಳಬಹುದಾಗಿದೆ.  ‘ಭಕ್ತಿ ರಿಪಬ್ಲಿಕ್’ ನ ಶ್ರೋತ್ರುಗಳಿಗೆ ವಚನಕಟ್ಟೆಯಲ್ಲಿ ಚಿರಪರಿಚಿತವಾಗಿರುವ ಎಮ್. ಡಿ. ಪಲ್ಲವಿ ಮತ್ತು ಬ್ರೂಸ್ ಲೀಮಣಿ ಅವರು ಹಾಡಿರುವ ಗೀತೆಗಳನ್ನು ಇಲ್ಲಿ ಆಲಿಸಲು ಅವಕಾಶವಿದೆ. ಜೊತೆಗೆ ಸಹಜವಾಗಿಯೇ ಸಾರ್ವಕಾಲಿಕವಾಗಿಕನ್ನಡಿಗರೆಲ್ಲರನ್ನೂ ಏಕತ್ರಗೊಳಿಸುವ ರಾಷ್ಟ್ರಕವಿ ಕುವೆಂಪು ವಿರಚಿತ ಮತ್ತು ಅವರ ಪುತ್ರ ಪೂರ್ಣಚಂದ್ರತೇಜಸ್ವಿಯವರಿಂದ ಸಂಗೀತ ಸಂಯೋಜಿಸಲ್ಪಟ್ಟ ‘ಬಾರಿಸು ಕನ್ನಡ ಡಿಂಡಿಮವಾ’ ಗೀತೆಯನ್ನೂ ಸವಿಯಬಹುದಾಗಿದೆ.  ಈ ಕರ್ನಾಟಕ ರಾಜ್ಯೋತ್ಸವವನ್ನು ನಾವು ಕರ್ನಾಟಕದ ಸ್ಫೂರ್ತಿಶಕ್ತಿಯನ್ನು ನಿರೂಪಿಸುವ ಎಲ್ಲರನ್ನೂ ಒಳಗೊಳ್ಳುವ, ಬೆಚ್ಚನೆಯ ಮಡಿಲಿನ ಆಸರೆಗೆ ಇಂಬು ನೀಡುವ, ನಮನೀಯ ದೃಷ್ಟಿಯ, ಪರಸ್ಪರ ಸಾಮರಸ್ಯದಿಂದ ಕೂಡಿದಅಪ್ಪುಗೆಯ ಭಾವದಿಂದ ಸಂಭ್ರಮಿಸುತ್ತಾ ಅವಿಸ್ಮರಣೀಯಗೊಳಿಸೋಣ. ನಮ್ಮ ಸಂಗೀತ, ಭಾಷೆ ಮತ್ತುಸಂಸ್ಕೃತಿಗಳು ನಿರಂತರವಾಗಿ ಅಭಿವೃದ್ಧಿ ಹೊಂದಿ ನೂರ್ಕಾಲ ಬಾಳಲಿ.  ಜೈ ಕರ್ನಾಟಕ!  ಕೃತಜ್ಞತೆ :  ಸಂಶೋಧನೆ ಮತ್ತು ಸಂಕಲನದ ಕಾರ್ಯಗಳಿಗಾಗಿ ಶ್ರೀದೇವಿ ಕಲಾಸದ್ ಅವರಿಗೆ.  ವಿಶ್ವಾಸಪೂರ್ವಕ ನುಡಿಗಳು :  ಅಕ್ಷಯ್ ರಾಮುಹಳ್ಳಿ, ಬಿಜೋಯ್ ವೇಣುಗೋಪಾಲ್, ಬ್ರೂಸ್ ಲೀ ಮಣಿ, ನಾರಾಯಣ ಕೃಷ್ಣ ಸ್ವಾಮಿ, ಪ್ರಶಾಂತ್ ವಾಸುದೇವನ್, ಸಾನಂದ ದಾಸ್ ಗುಪ್ತ, ಸೀಮಾ ಸೇಠ್, ಶ್ರದ್ಧಾ ಗೌತಮ್, ಸುಪ್ರಿಯಾ ಜೋಶಿ ಮತ್ತು ವೇಲು ಶಂಕರ್  For detailed notes and other information, visit our website:]]></itunes:summary><itunes:duration>1553</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/132f65b65ce7a45f705588ecf97080d0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bhakti Republic with Amit Basole| Ep. 5| Jamuna Kinare</title><link>https://www.spreaker.com/episode/bhakti-republic-with-amit-basole-ep-5-jamuna-kinare--62497299</link><description><![CDATA[In this series finale of Bhakti Republic, host Amit Basole explores the vibrant tradition of Krishna Bhakti with historian Varuni Bhatia. Krishna Bhakti, known for its focus on Krishna’s playful and youthful persona, has long been a cornerstone of devotion in regions like Brindavan, where his divine pastimes with Radha are revered.  The episode explores the unique aspects of this devotional movement, including its emphasis on prema rasa—the essence of pure love that drives followers to renounce worldly attachments. Varuni traces how Chaitanya, a 15th-century mystic, transformed Brindavan into a spiritual realm and how Krishna Bhakti spread across India, attracting devotees from all social backgrounds.  Through stories of poet-saints like Meerabai and Surdas, alongside lesser-known figures such as Ras Khan and Taj Begum, Amit and Varuni reveal the inclusive and democratic nature of Krishna Bhakti. With devotion transcending societal boundaries, this episode invites listeners to experience the deeply personal and spiritual relationship that has sustained Krishna’s followers for centuries, rooted in love, surrender, and timeless reverence.  Credits  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.  Visit our website for more information, acknowledgements, and additional resources: https://azimpremjiuniversity.edu.in/bhakti-republic-with-amit-basole/on-the-banks-of-the-yamuna-the-saga-of-krishna-bhakti]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1941117823</guid><pubDate>Fri, 25 Oct 2024 03:39:30 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/62497299/1941117823_radioazimpremjiuniversity_ep5_bhakti_republic_jamuna_kinare.mp3" length="108551313" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In this series finale of Bhakti Republic, host Amit Basole explores the vibrant tradition of Krishna Bhakti with historian Varuni Bhatia. Krishna Bhakti, known for its focus on Krishna’s playful and youthful persona, has long been a cornerstone of...</itunes:subtitle><itunes:summary><![CDATA[In this series finale of Bhakti Republic, host Amit Basole explores the vibrant tradition of Krishna Bhakti with historian Varuni Bhatia. Krishna Bhakti, known for its focus on Krishna’s playful and youthful persona, has long been a cornerstone of devotion in regions like Brindavan, where his divine pastimes with Radha are revered.  The episode explores the unique aspects of this devotional movement, including its emphasis on prema rasa—the essence of pure love that drives followers to renounce worldly attachments. Varuni traces how Chaitanya, a 15th-century mystic, transformed Brindavan into a spiritual realm and how Krishna Bhakti spread across India, attracting devotees from all social backgrounds.  Through stories of poet-saints like Meerabai and Surdas, alongside lesser-known figures such as Ras Khan and Taj Begum, Amit and Varuni reveal the inclusive and democratic nature of Krishna Bhakti. With devotion transcending societal boundaries, this episode invites listeners to experience the deeply personal and spiritual relationship that has sustained Krishna’s followers for centuries, rooted in love, surrender, and timeless reverence.  Credits  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.  Visit our website for more information, acknowledgements, and additional resources: https://azimpremjiuniversity.edu.in/bhakti-republic-with-amit-basole/on-the-banks-of-the-yamuna-the-saga-of-krishna-bhakti]]></itunes:summary><itunes:duration>2714</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6a20d88fb30f3c7e07ed34a249d0e19f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Stream Edition 3 | October 17, 2024 | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/the-stream-edition-3-october-17-2024-radio-azim-premji-university--62398128</link><description><![CDATA[Featured in The Stream - Edition 3, October 17, 2024 Shows and Episodes: The India Project with Josy Joseph - Indore Almost Perfect - 200 metres from Glory - Rita Gombu Marwah Stories of Change - Snehadhara Well Caught - Spinning Through The Seventies  Original Music and Soundtracks: 1. Amhi Vaarika Vaarika 2. River Song by Bhatiyali singers 3. Acha Shiva Aikyange - Kayakave Kailasa - Music for Bhakti Republic by MD Pallavi and Bruce Lee Mani 4. Halpudi Haadu - the Tooth Powder Song 5. Prema Pisey  Credits:  Student team: Aashi Chheda, Hitika Gilhotra, Kinshuk Ghosh Radio APU is brought to you by: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1936395029</guid><pubDate>Thu, 17 Oct 2024 12:20:49 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/62398128/1936395029_radioazimpremjiuniversity_the_stream_edition_3_radio_azim_premji_university.mp3" length="140443688" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Featured in The Stream - Edition 3, October 17, 2024 Shows and Episodes: The India Project with Josy Joseph - Indore Almost Perfect - 200 metres from Glory - Rita Gombu Marwah Stories of Change - Snehadhara Well Caught - Spinning Through The Seventies...</itunes:subtitle><itunes:summary><![CDATA[Featured in The Stream - Edition 3, October 17, 2024 Shows and Episodes: The India Project with Josy Joseph - Indore Almost Perfect - 200 metres from Glory - Rita Gombu Marwah Stories of Change - Snehadhara Well Caught - Spinning Through The Seventies  Original Music and Soundtracks: 1. Amhi Vaarika Vaarika 2. River Song by Bhatiyali singers 3. Acha Shiva Aikyange - Kayakave Kailasa - Music for Bhakti Republic by MD Pallavi and Bruce Lee Mani 4. Halpudi Haadu - the Tooth Powder Song 5. Prema Pisey  Credits:  Student team: Aashi Chheda, Hitika Gilhotra, Kinshuk Ghosh Radio APU is brought to you by: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Gorveck Thokchom, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></itunes:summary><itunes:duration>3512</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/b6cfef0ad94066194cdfb505a488a2b8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Fists Of Fury - Sarita Devi | Almost Perfect Ep 5 | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/fists-of-fury-sarita-devi-almost-perfect-ep-5-radio-azim-premji-university--62292271</link><description><![CDATA[Laishram Sarita Devi’s journey from the insurgency-affected streets of Manipur to the international boxing arena is one of defiance, resilience, and hard-earned success. After the tragic loss of her father, a young Sarita was tempted to join the insurgency, even transporting weapons for militants. But before she could lose herself to that life, her brother intervened, steering her toward sports.  Sarita initially took out her frustration in taekwondo before transitioning to boxing under the guidance of coach Ibomcha Singh. This shift didn’t just save her—it ignited a passion for boxing and a dream to represent India. Her rise began in 2005, with a bronze at the World Championships in Podolsk, Russia. Just a year later, she clinched gold in New Delhi. Over the years, she added five Asian titles and a Commonwealth Games silver to her name, becoming a versatile and dominant figure in the sport. At a time when financial struggles plagued her family, her victories also secured a stable job with the Manipur Police, giving her the security to continue boxing.  The defining moment of her career came during the 2014 Asian Games, where she controversially lost a semifinal bout to South Korea’s Park Ji-Na, despite a dominant performance. In protest of what she saw as biased judging, Sarita refused to accept her bronze medal, attempting to place it around Park’s neck. Her defiant stand drew condemnation from officials, leading to a one-year ban, but it also sparked conversations about fairness in sports.  The fallout strained her relationship with fellow boxer Mary Kom, whose gold medal that day was overshadowed by Sarita’s protest. Despite this, Sarita’s courage turned her into a symbol of integrity, inspiring a generation of athletes, even as her own career dimmed in the years that followed.  At the end of this episode of Almost Perfect, our series about women athletes who competed alongside the best but faded from the spotlight, Sarita Devi shares a special message for Indian youth.  This show is produced by Confluence Media for Radio Azim Premji University.  Credits:  Achie Humtsoe, Anisa Draboo, Gautam Datt, Jasleen Bhalla, Josy Joseph, Omair Farooq, and Siddhartha Mishra  Radio Azim Premji University:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  For a comprehensive list of acknowledgments and resources, please visit our website: https://azimpremjiuniversity.edu.in/almost-perfect-stories-of-forgotten-indian-women-athletes-2]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1931364443</guid><pubDate>Wed, 09 Oct 2024 00:26:26 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/62292271/1931364443_radioazimpremjiuniversity_fists_of_fury_sarita_devi_almost_perfect_ep_5_radio_azim_premji_university.mp3" length="67591313" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Laishram Sarita Devi’s journey from the insurgency-affected streets of Manipur to the international boxing arena is one of defiance, resilience, and hard-earned success. After the tragic loss of her father, a young Sarita was tempted to join the...</itunes:subtitle><itunes:summary><![CDATA[Laishram Sarita Devi’s journey from the insurgency-affected streets of Manipur to the international boxing arena is one of defiance, resilience, and hard-earned success. After the tragic loss of her father, a young Sarita was tempted to join the insurgency, even transporting weapons for militants. But before she could lose herself to that life, her brother intervened, steering her toward sports.  Sarita initially took out her frustration in taekwondo before transitioning to boxing under the guidance of coach Ibomcha Singh. This shift didn’t just save her—it ignited a passion for boxing and a dream to represent India. Her rise began in 2005, with a bronze at the World Championships in Podolsk, Russia. Just a year later, she clinched gold in New Delhi. Over the years, she added five Asian titles and a Commonwealth Games silver to her name, becoming a versatile and dominant figure in the sport. At a time when financial struggles plagued her family, her victories also secured a stable job with the Manipur Police, giving her the security to continue boxing.  The defining moment of her career came during the 2014 Asian Games, where she controversially lost a semifinal bout to South Korea’s Park Ji-Na, despite a dominant performance. In protest of what she saw as biased judging, Sarita refused to accept her bronze medal, attempting to place it around Park’s neck. Her defiant stand drew condemnation from officials, leading to a one-year ban, but it also sparked conversations about fairness in sports.  The fallout strained her relationship with fellow boxer Mary Kom, whose gold medal that day was overshadowed by Sarita’s protest. Despite this, Sarita’s courage turned her into a symbol of integrity, inspiring a generation of athletes, even as her own career dimmed in the years that followed.  At the end of this episode of Almost Perfect, our series about women athletes who competed alongside the best but faded from the spotlight, Sarita Devi shares a special message for Indian youth.  This show is produced by Confluence Media for Radio Azim Premji University.  Credits:  Achie Humtsoe, Anisa Draboo, Gautam Datt, Jasleen Bhalla, Josy Joseph, Omair Farooq, and Siddhartha Mishra  Radio Azim Premji University:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  For a comprehensive list of acknowledgments and resources, please visit our website: https://azimpremjiuniversity.edu.in/almost-perfect-stories-of-forgotten-indian-women-athletes-2]]></itunes:summary><itunes:duration>1690</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3e28e3f7d043519625188331cdd9d17.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ep 3 - Run Bhoomi | Economies Of Khel</title><link>https://www.spreaker.com/episode/ep-3-run-bhoomi-economies-of-khel--62096982</link><description><![CDATA[Over the past two decades, running in India has transformed from a niche pursuit to a mainstream phenomenon, driven by rising fitness awareness, social influencers, and dedicated running communities. This evolution began in the late 2000s, when tech professionals returning to cities like Bengaluru from the USA brought with them the enthusiasm for long-distance running, a trend that had already gained popularity in the West. In Bengaluru, communities like the Hashhouse Harriers and pioneers such as Kodavathi Pani played a key role in making running accessible and organised. As interest grew, running blossomed into both a passion sport and a profitable industry. International sports brands recognised the market potential, sponsoring marathons and promoting their products through running clubs. Corporate sponsors also encouraged employee participation in fitness events, further fueling the sport’s growth. The rise of digital platforms enabled running influencers and coaches to gain significant followings, turning running into a viable career for many. Today, running in India thrives, with marathons, half-marathons, and even “runcations” becoming commonplace.  Arvind Bharathi led India’s first running club, Runners for Life, for over a decade, helping bridge the gap between amateur and serious runners. In Run Bhoomi, the third episode of Economies of Khel, Arvind joins hosts Rahul De and Kailash Koushik to share insights, tracing the passion, culture, and business that have shaped running into a cultural phenomenon in India that blends fitness, community, and commerce.  Credits Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  Discover more on our website:]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1922731205</guid><pubDate>Tue, 24 Sep 2024 23:00:15 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/62096982/1922731205_radioazimpremjiuniversity_ep_3_run_bhoomi_economies_of_khel_on_radio_azim_premji_university.mp3" length="77340211" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Over the past two decades, running in India has transformed from a niche pursuit to a mainstream phenomenon, driven by rising fitness awareness, social influencers, and dedicated running communities. This evolution began in the late 2000s, when tech...</itunes:subtitle><itunes:summary><![CDATA[Over the past two decades, running in India has transformed from a niche pursuit to a mainstream phenomenon, driven by rising fitness awareness, social influencers, and dedicated running communities. This evolution began in the late 2000s, when tech professionals returning to cities like Bengaluru from the USA brought with them the enthusiasm for long-distance running, a trend that had already gained popularity in the West. In Bengaluru, communities like the Hashhouse Harriers and pioneers such as Kodavathi Pani played a key role in making running accessible and organised. As interest grew, running blossomed into both a passion sport and a profitable industry. International sports brands recognised the market potential, sponsoring marathons and promoting their products through running clubs. Corporate sponsors also encouraged employee participation in fitness events, further fueling the sport’s growth. The rise of digital platforms enabled running influencers and coaches to gain significant followings, turning running into a viable career for many. Today, running in India thrives, with marathons, half-marathons, and even “runcations” becoming commonplace.  Arvind Bharathi led India’s first running club, Runners for Life, for over a decade, helping bridge the gap between amateur and serious runners. In Run Bhoomi, the third episode of Economies of Khel, Arvind joins hosts Rahul De and Kailash Koushik to share insights, tracing the passion, culture, and business that have shaped running into a cultural phenomenon in India that blends fitness, community, and commerce.  Credits Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  Discover more on our website:]]></itunes:summary><itunes:duration>1934</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/dd7e6fb9012eea9c62ee5a4d0e8deb1c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>D V Gundappa (DVG) | ಡಿವಿಜಿ</title><link>https://www.spreaker.com/episode/d-v-gundappa-dvg-diviji--62003121</link><description><![CDATA[Episode 4 of Noorakke Nooru Karnataka focuses on the revered Kannada writer D V Gundappa (DVG). Bengaluru-based scholar Shashi Kiran B N, a contributing editor of Prekshaa and an award-winning Sanskrit scholar, joins the hosts to discuss DVG’s profound contributions. Born in 1887, DVG was largely self-taught, mastering multiple languages and gaining deep knowledge in Vedic literature and Western philosophy. His celebrated works, particularly Mankuthimmanna Kagga and Marula Muniyana Kagga, distill complex ideas into simple reflections on life. Known for his humility, DVG referred to himself as a publisher rather than the author of these timeless meditations. DVG’s influence remains strong through his writings and ideals, which continue to inspire generations.   ಡಿವಿಜಿ - ಕನ್ನಡಿಗರು ಪ್ರೀತಿಸುವ ಕಗ್ಗಗಳ ಹಿಂದಿರುವ ಅಸಾಧಾರಣ ವ್ಯಕ್ತಿ  ಸುಧೀಶ್ ವೆಂಕಟೇಶ್ ಅವರೊಂದಿಗೆ ಶ್ರದ್ಧಾ ಜೈನ್ ಪ್ರಸ್ತುತಪಡಿಸಿದಸಂಚಿಕೆ-4 ರ ಈ ವಿಷಯವು ಕನ್ನಡದ ಮೇರು ಸಾಹಿತಿ ಡಿ ವಿಗುಂಡಪ್ಪನವರನ್ನು ಕೇಂದ್ರೀಕರಿಸಿದೆ. ಡಿವಿಜಿ ಎಂದೇಖ್ಯಾತನಾಮರಾಗಿರುವ ಇವರು ಕನ್ನಡ ಸಾಹಿತ್ಯ, ತತ್ವಶಾಸ್ತ್ರ, ಪತ್ರಿಕೋದ್ಯಮ ಮತ್ತು ಸಾರ್ವಜನಿಕ ಸೇವೆ ಕುರಿತು ಪಾರಂಗತ‌ರಾಗಿದ್ದರು.ಕಗ್ಗಗಳ ಮೂಲಕ ಕನ್ನಡ ಕಾವ್ಯಲೋಕವನ್ನು ವಿಶಿಷ್ಟವಾಗಿ ಕಟ್ಟಿಕೊಟ್ಟರು.ಇಂಥ ಮಹಾನುಭಾವರ ಬಗ್ಗೆ ತಮ್ಮ ಒಳನೋಟಗಳನ್ನು ಈ ಸರಣಿಯಲ್ಲಿಹಂಚಿಕೊಂಡಿದ್ದಾರೆ ವೃತ್ತಿಯಲ್ಲಿ ಮೆಕ್ಯಾನಿಕಲ್ ಎಜಿನಿಯರ್‌ ಆಗಿರುವಮತ್ತು ಪ್ರವೃತ್ತಿಯಲ್ಲಿ ಅನುವಾದಕರಾಗಿರುವ ಬೆಂಗಳೂರು ಮೂಲದವಿದ್ವಾಂಸ ಶಶಿ ಕಿರಣ್ ಬಿ. ಎನ್. ಇವರು ಸಂಸ್ಕೃತದಲ್ಲಿಸೌಂದರ್ಯಶಾಸ್ತ್ರದ ಕುರಿತು ಪದವಿ ಪಡೆದ್ದಾರೆ. ಭಾರತೀಯ ಸಂಸ್ಕೃತಿಮತ್ತು ತತ್ವಶಾಸ್ತ್ರಕ್ಕೆ ಸಂಬಂಧಿಸಿದ ಆನ್‌ಲೈನ್ ಜರ್ನಲ್ “ಪ್ರೇಕ್ಷಾ”ದಸಂಪಾದಕರೂ ಆಗಿದ್ದಾರೆ. ಸಂಸ್ಕೃತ ಅನುವಾದಕ್ಕಾಗಿ ಇವರಿಗೆ ಸಾಹಿತ್ಯಅಕಾಡೆಮಿ ಅನುವಾದ ಪ್ರಶಸ್ತಿ (2021) ಮತ್ತು ಬನ್ನಂಜೆಗೋವಿಂದಾಚಾರ್ಯ ಪ್ರಶಸ್ತಿ (2023)ಗಳು ಲಭಿಸಿವೆ. ಅಲ್ಲದೇ, ಡಿವಿಜಿಸಾರ-ಸಂಗ್ರಹ ಮತ್ತು ಡಿ ವಿ ಗುಂಡಪ್ಪ ಅವರ ಆಯ್ದ ಬರಹಗಳುಸೇರಿದಂತೆ ಅವರ ಕೆಲ ಕೃತಿಗಳನ್ನು ಸಂಪಾದಿಸಿದ್ದಾರೆ.  1887ರ ಮಾರ್ಚ್ 17 ರಂದು ಜನಿಸಿದ ಡಿವಿಜಿ ಅವರು ವೈದಿಕ ಸಾಹಿತ್ಯ, ಪಾಶ್ಚಿಮಾತ್ಯ ತತ್ವಶಾಸ್ತ್ರ ಮತ್ತು ರಾಜ್ಯಶಾಸ್ತ್ರದಲ್ಲಿ ಆಳವಾದ ಜ್ಞಾನವನ್ನುಗಳಿಸುತ್ತಲೇ ಕನ್ನಡ, ಸಂಸ್ಕೃತ ಮತ್ತು ಇಂಗ್ಲಿಷ್ ಅನ್ನು ಕರಗತಮಾಡಿಕೊಂಡರು. ಒಟ್ಟು 60 ಪುಸ್ತಕಗಳನ್ನು ರಚಿಸಿದರು. ಉತ್ಕೃಷ್ಟವಿಚಾರಧಾರೆಗಳನ್ನು ಹೊಂದಿರುವ ಸುಮಾರು ೨೦೦ಕ್ಕೂ ಹೆಚ್ಚುಲೇಖನಗಳು ಇಂದಿಗೂಕನ್ನಡ ಸಾಹಿತ್ಯ ಮತ್ತು ಬೌದ್ಧಿಕವಲಯಗಳಲ್ಲಿ ವಿಶೇಷ ಸ್ಥಾನವನ್ನು ಕಾಯ್ದುಕೊಂಡಿವೆ.   ಡಿವಿಜಿ ರಚಿಸಿದ ನಾಲ್ಕೇ ನಾಲ್ಕು ಸಾಲಿನ ಕಗ್ಗಗಳು ಇಂದಿನವರೆಗೂಪ್ರಸ್ತುತತೆ ಪಡೆದುಕೊಳ್ಳಲು ಕಾರಣ ಅದರಲ್ಲಿ ಅಡಗಿರುವ ಸಂಕೀರ್ಣತೆ, ತಾತ್ವಿಕತೆ ಮತ್ತು ವೈಚಾರಿಕ ಹೊಳಹು.ಇವೆಲ್ಲವನ್ನು ಮಾರ್ಮಿಕವಾಗಿಕಟ್ಟಿಕೊಟ್ಟ ಬಗೆ ನಿಜಕ್ಕೂ ಗಮನಾರ್ಹ. ಇವರ ಶ್ರೇಷ್ಠ ಕೃತಿ ಮಂಕುತಿಮ್ಮನಕಗ್ಗ900 ಕ್ಕೂ ಹೆಚ್ಚು ಕಗ್ಗಗಳನ್ನು ಒಳಗೊಂಡಿದೆ. ನಿಷ್ಕಪಟ ಮತ್ತು ಸರಳವ್ಯಕ್ತಿತ್ವದ ಡಿವಿಜಿ, “ಮಂಕುತಿಮ್ಮ”ನ ಮೂಲಕ   ಪ್ರಕೃತಿ ಮತ್ತು ಬದುಕಿನಒಳಪದರಗಳನ್ನು ಅತ್ಯಂತ ಚುರುಕಾಗಿ, ಸೂಕ್ಷ್ಮವಾಗಿ,ವಿನಯದಿಂದ, ಹಾಸ್ಯದ ಲೇಪದೊಂದಿಗೆ ಕಟ್ಟಿಕೊಟ್ಟಿದ್ದಾರೆ. ಇದೇ ಇವರಬರೆವಣಿಗೆಯ ಶಕ್ತಿ ಮತ್ತು ವೈಶಿಷ್ಟ್ಯ. ಅವರ ಇನ್ನೊಂದು ಮೇರುಕೃತಿ, ಮರುಳ ಮುನಿಯನ ಕಗ್ಗದಲ್ಲಿ ಇವರ ಕಾವ್ಯದ ತೇಜಸ್ಸನ್ನುಆಳನೋಟವನ್ನು ಕಾಣಬಹುದಾಗಿದೆ.  ಡಿವಿಜಿ ಪ್ರತೀದಿನನಿದ್ದೆಗೆ ಜಾರುವ ಮೊದಲು ಕಾಗದದ ಚೂರುಗಳ ಮೇಲೆಈ ಕಗ್ಗಗಳನ್ನು ಬರೆಯುತ್ತಿದ್ದರು. ಇವರು ಕವಿ, ಲೇಖಕ, ಅನುವಾದಕ, ವಿದ್ವಾಂಸರಷ್ಟೇ ಅಲ್ಲ ಪ್ರಕಾಶಕರೂ ಆಗಿದ್ದರು.  ಸಾಹಿತ್ಯದ ಹೊರತಾಗಿ ಸಮಾಜ ಸುಧಾರಣೆಯ ಪ್ರತಿಪಾದಕರೂಆಗಿದ್ದರು. ನೈತಿಕತೆ ಮತ್ತು ಆಡಳಿತದ ಕುರಿತು ಸಾರ್ವಜನಿಕರಲ್ಲಿ ಅರಿವುಮೂಡಿಸಲು ಗೋಖಲೆ ಇನ್‌ಸ್ಟಿಟ್ಯೂಟ್‌ ಆಫ್‌ ಪಬ್ಲಿಕ್ ಅಫೇರ್ಸ್ ಎಂಬಸಂಸ್ಥೆಯನ್ನು ಸ್ಥಾಪಿಸಿದರು. ಈ ಮೂಲಕ ಸಾಕಷ್ಟು ಕಾರ್ಯಕ್ರಮಗಳನ್ನುಹಮ್ಮಿಕೊಂಡು ಜನರಲ್ಲಿ ಜಾಗೃತಿ ಕೂಡ ಮೂಡಿಸಿದರು. ಈ ಕಾರಣಕ್ಕಾಗಿಮತ್ತು ಅವರ ಸಾಹಿತ್ತ್ಯಿಕ ಕೊಡುಗೆಗಳಿಗಾಗಿ 1974 ರಲ್ಲಿ ಕೇಂದ್ರ ಸರ್ಕಾರಪದ್ಮಭೂಷಣ ಪ್ರಶಸ್ತಿಯನ್ನು ನೀಡಿ ಗೌರವಿಸಿತು.   ಡಿವಿಜಿ 1975ರ ಅಕ್ಟೋಬರ್ 7 ರಂದು ನಿಧನರಾದರು, ಅವರುಭೌತಿಕವಾಗಿ ಇಲ್ಲವಾದರೂ ಅವರ ಕಗ್ಗಗಳು ಕಾವ್ಯಪ್ರಿಯರ ಮೂಲಕಇಂದಿಗೂ ತಮ್ಮ ಸೌಂದರ್ಯವನ್ನು ಕಾಯ್ದುಕೊಂಡಿವೆ. ಜನಮಾನಸದಮೇಲೆ ಪ್ರಭಾವವನ್ನು ಬೀರುವಲ್ಲಿ ಯಶಸ್ವಿಯಾಗಿವೆ. ಇಂದಿನ ಪೀಳಿಗೆಗೆದಾರಿದೀಪದಂತೆ ಗೋಚರಿಸುತ್ತಿವೆ.  Acknowledgements:   Kaggas, Kannada translations, and book extracts researched and recited by Shridevi Kalasad.  Credits   Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.  Visit our website for more information:]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1918475831</guid><pubDate>Wed, 18 Sep 2024 00:14:39 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/62003121/1918475831_radioazimpremjiuniversity_d_v_gundappa_dvg.mp3" length="118005550" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Episode 4 of Noorakke Nooru Karnataka focuses on the revered Kannada writer D V Gundappa (DVG). Bengaluru-based scholar Shashi Kiran B N, a contributing editor of Prekshaa and an award-winning Sanskrit scholar, joins the hosts to discuss DVG’s...</itunes:subtitle><itunes:summary><![CDATA[Episode 4 of Noorakke Nooru Karnataka focuses on the revered Kannada writer D V Gundappa (DVG). Bengaluru-based scholar Shashi Kiran B N, a contributing editor of Prekshaa and an award-winning Sanskrit scholar, joins the hosts to discuss DVG’s profound contributions. Born in 1887, DVG was largely self-taught, mastering multiple languages and gaining deep knowledge in Vedic literature and Western philosophy. His celebrated works, particularly Mankuthimmanna Kagga and Marula Muniyana Kagga, distill complex ideas into simple reflections on life. Known for his humility, DVG referred to himself as a publisher rather than the author of these timeless meditations. DVG’s influence remains strong through his writings and ideals, which continue to inspire generations.   ಡಿವಿಜಿ - ಕನ್ನಡಿಗರು ಪ್ರೀತಿಸುವ ಕಗ್ಗಗಳ ಹಿಂದಿರುವ ಅಸಾಧಾರಣ ವ್ಯಕ್ತಿ  ಸುಧೀಶ್ ವೆಂಕಟೇಶ್ ಅವರೊಂದಿಗೆ ಶ್ರದ್ಧಾ ಜೈನ್ ಪ್ರಸ್ತುತಪಡಿಸಿದಸಂಚಿಕೆ-4 ರ ಈ ವಿಷಯವು ಕನ್ನಡದ ಮೇರು ಸಾಹಿತಿ ಡಿ ವಿಗುಂಡಪ್ಪನವರನ್ನು ಕೇಂದ್ರೀಕರಿಸಿದೆ. ಡಿವಿಜಿ ಎಂದೇಖ್ಯಾತನಾಮರಾಗಿರುವ ಇವರು ಕನ್ನಡ ಸಾಹಿತ್ಯ, ತತ್ವಶಾಸ್ತ್ರ, ಪತ್ರಿಕೋದ್ಯಮ ಮತ್ತು ಸಾರ್ವಜನಿಕ ಸೇವೆ ಕುರಿತು ಪಾರಂಗತ‌ರಾಗಿದ್ದರು.ಕಗ್ಗಗಳ ಮೂಲಕ ಕನ್ನಡ ಕಾವ್ಯಲೋಕವನ್ನು ವಿಶಿಷ್ಟವಾಗಿ ಕಟ್ಟಿಕೊಟ್ಟರು.ಇಂಥ ಮಹಾನುಭಾವರ ಬಗ್ಗೆ ತಮ್ಮ ಒಳನೋಟಗಳನ್ನು ಈ ಸರಣಿಯಲ್ಲಿಹಂಚಿಕೊಂಡಿದ್ದಾರೆ ವೃತ್ತಿಯಲ್ಲಿ ಮೆಕ್ಯಾನಿಕಲ್ ಎಜಿನಿಯರ್‌ ಆಗಿರುವಮತ್ತು ಪ್ರವೃತ್ತಿಯಲ್ಲಿ ಅನುವಾದಕರಾಗಿರುವ ಬೆಂಗಳೂರು ಮೂಲದವಿದ್ವಾಂಸ ಶಶಿ ಕಿರಣ್ ಬಿ. ಎನ್. ಇವರು ಸಂಸ್ಕೃತದಲ್ಲಿಸೌಂದರ್ಯಶಾಸ್ತ್ರದ ಕುರಿತು ಪದವಿ ಪಡೆದ್ದಾರೆ. ಭಾರತೀಯ ಸಂಸ್ಕೃತಿಮತ್ತು ತತ್ವಶಾಸ್ತ್ರಕ್ಕೆ ಸಂಬಂಧಿಸಿದ ಆನ್‌ಲೈನ್ ಜರ್ನಲ್ “ಪ್ರೇಕ್ಷಾ”ದಸಂಪಾದಕರೂ ಆಗಿದ್ದಾರೆ. ಸಂಸ್ಕೃತ ಅನುವಾದಕ್ಕಾಗಿ ಇವರಿಗೆ ಸಾಹಿತ್ಯಅಕಾಡೆಮಿ ಅನುವಾದ ಪ್ರಶಸ್ತಿ (2021) ಮತ್ತು ಬನ್ನಂಜೆಗೋವಿಂದಾಚಾರ್ಯ ಪ್ರಶಸ್ತಿ (2023)ಗಳು ಲಭಿಸಿವೆ. ಅಲ್ಲದೇ, ಡಿವಿಜಿಸಾರ-ಸಂಗ್ರಹ ಮತ್ತು ಡಿ ವಿ ಗುಂಡಪ್ಪ ಅವರ ಆಯ್ದ ಬರಹಗಳುಸೇರಿದಂತೆ ಅವರ ಕೆಲ ಕೃತಿಗಳನ್ನು ಸಂಪಾದಿಸಿದ್ದಾರೆ.  1887ರ ಮಾರ್ಚ್ 17 ರಂದು ಜನಿಸಿದ ಡಿವಿಜಿ ಅವರು ವೈದಿಕ ಸಾಹಿತ್ಯ, ಪಾಶ್ಚಿಮಾತ್ಯ ತತ್ವಶಾಸ್ತ್ರ ಮತ್ತು ರಾಜ್ಯಶಾಸ್ತ್ರದಲ್ಲಿ ಆಳವಾದ ಜ್ಞಾನವನ್ನುಗಳಿಸುತ್ತಲೇ ಕನ್ನಡ, ಸಂಸ್ಕೃತ ಮತ್ತು ಇಂಗ್ಲಿಷ್ ಅನ್ನು ಕರಗತಮಾಡಿಕೊಂಡರು. ಒಟ್ಟು 60 ಪುಸ್ತಕಗಳನ್ನು ರಚಿಸಿದರು. ಉತ್ಕೃಷ್ಟವಿಚಾರಧಾರೆಗಳನ್ನು ಹೊಂದಿರುವ ಸುಮಾರು ೨೦೦ಕ್ಕೂ ಹೆಚ್ಚುಲೇಖನಗಳು ಇಂದಿಗೂಕನ್ನಡ ಸಾಹಿತ್ಯ ಮತ್ತು ಬೌದ್ಧಿಕವಲಯಗಳಲ್ಲಿ ವಿಶೇಷ ಸ್ಥಾನವನ್ನು ಕಾಯ್ದುಕೊಂಡಿವೆ.   ಡಿವಿಜಿ ರಚಿಸಿದ ನಾಲ್ಕೇ ನಾಲ್ಕು ಸಾಲಿನ ಕಗ್ಗಗಳು ಇಂದಿನವರೆಗೂಪ್ರಸ್ತುತತೆ ಪಡೆದುಕೊಳ್ಳಲು ಕಾರಣ ಅದರಲ್ಲಿ ಅಡಗಿರುವ ಸಂಕೀರ್ಣತೆ, ತಾತ್ವಿಕತೆ ಮತ್ತು ವೈಚಾರಿಕ ಹೊಳಹು.ಇವೆಲ್ಲವನ್ನು ಮಾರ್ಮಿಕವಾಗಿಕಟ್ಟಿಕೊಟ್ಟ ಬಗೆ ನಿಜಕ್ಕೂ ಗಮನಾರ್ಹ. ಇವರ ಶ್ರೇಷ್ಠ ಕೃತಿ ಮಂಕುತಿಮ್ಮನಕಗ್ಗ900 ಕ್ಕೂ ಹೆಚ್ಚು ಕಗ್ಗಗಳನ್ನು ಒಳಗೊಂಡಿದೆ. ನಿಷ್ಕಪಟ ಮತ್ತು ಸರಳವ್ಯಕ್ತಿತ್ವದ ಡಿವಿಜಿ, “ಮಂಕುತಿಮ್ಮ”ನ ಮೂಲಕ   ಪ್ರಕೃತಿ ಮತ್ತು ಬದುಕಿನಒಳಪದರಗಳನ್ನು ಅತ್ಯಂತ ಚುರುಕಾಗಿ, ಸೂಕ್ಷ್ಮವಾಗಿ,ವಿನಯದಿಂದ, ಹಾಸ್ಯದ ಲೇಪದೊಂದಿಗೆ ಕಟ್ಟಿಕೊಟ್ಟಿದ್ದಾರೆ. ಇದೇ ಇವರಬರೆವಣಿಗೆಯ ಶಕ್ತಿ ಮತ್ತು ವೈಶಿಷ್ಟ್ಯ. ಅವರ ಇನ್ನೊಂದು ಮೇರುಕೃತಿ, ಮರುಳ ಮುನಿಯನ ಕಗ್ಗದಲ್ಲಿ ಇವರ ಕಾವ್ಯದ ತೇಜಸ್ಸನ್ನುಆಳನೋಟವನ್ನು ಕಾಣಬಹುದಾಗಿದೆ.  ಡಿವಿಜಿ ಪ್ರತೀದಿನನಿದ್ದೆಗೆ ಜಾರುವ ಮೊದಲು ಕಾಗದದ ಚೂರುಗಳ ಮೇಲೆಈ ಕಗ್ಗಗಳನ್ನು ಬರೆಯುತ್ತಿದ್ದರು. ಇವರು ಕವಿ, ಲೇಖಕ, ಅನುವಾದಕ, ವಿದ್ವಾಂಸರಷ್ಟೇ ಅಲ್ಲ ಪ್ರಕಾಶಕರೂ ಆಗಿದ್ದರು.  ಸಾಹಿತ್ಯದ ಹೊರತಾಗಿ ಸಮಾಜ ಸುಧಾರಣೆಯ ಪ್ರತಿಪಾದಕರೂಆಗಿದ್ದರು. ನೈತಿಕತೆ ಮತ್ತು ಆಡಳಿತದ ಕುರಿತು ಸಾರ್ವಜನಿಕರಲ್ಲಿ ಅರಿವುಮೂಡಿಸಲು ಗೋಖಲೆ ಇನ್‌ಸ್ಟಿಟ್ಯೂಟ್‌ ಆಫ್‌ ಪಬ್ಲಿಕ್ ಅಫೇರ್ಸ್ ಎಂಬಸಂಸ್ಥೆಯನ್ನು ಸ್ಥಾಪಿಸಿದರು. ಈ ಮೂಲಕ ಸಾಕಷ್ಟು ಕಾರ್ಯಕ್ರಮಗಳನ್ನುಹಮ್ಮಿಕೊಂಡು ಜನರಲ್ಲಿ ಜಾಗೃತಿ ಕೂಡ ಮೂಡಿಸಿದರು. ಈ ಕಾರಣಕ್ಕಾಗಿಮತ್ತು ಅವರ ಸಾಹಿತ್ತ್ಯಿಕ ಕೊಡುಗೆಗಳಿಗಾಗಿ 1974 ರಲ್ಲಿ ಕೇಂದ್ರ ಸರ್ಕಾರಪದ್ಮಭೂಷಣ ಪ್ರಶಸ್ತಿಯನ್ನು ನೀಡಿ ಗೌರವಿಸಿತು.   ಡಿವಿಜಿ 1975ರ ಅಕ್ಟೋಬರ್ 7 ರಂದು ನಿಧನರಾದರು, ಅವರುಭೌತಿಕವಾಗಿ ಇಲ್ಲವಾದರೂ ಅವರ ಕಗ್ಗಗಳು ಕಾವ್ಯಪ್ರಿಯರ ಮೂಲಕಇಂದಿಗೂ ತಮ್ಮ ಸೌಂದರ್ಯವನ್ನು ಕಾಯ್ದುಕೊಂಡಿವೆ. ಜನಮಾನಸದಮೇಲೆ ಪ್ರಭಾವವನ್ನು ಬೀರುವಲ್ಲಿ ಯಶಸ್ವಿಯಾಗಿವೆ. ಇಂದಿನ ಪೀಳಿಗೆಗೆದಾರಿದೀಪದಂತೆ ಗೋಚರಿಸುತ್ತಿವೆ.  Acknowledgements:   Kaggas, Kannada translations, and book extracts researched and recited by Shridevi Kalasad.  Credits   Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar.  Visit our website for more information:]]></itunes:summary><itunes:duration>2951</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4bfc9c3f8c83d2ea3b80881ab41268da.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Story Of Spiders | Story Of… with Richa Govil | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/story-of-spiders-story-of-with-richa-govil-radio-azim-premji-university--61331336</link><description><![CDATA[What has eight legs and might have just had a husband for dinner? Most likely a spider.  Often confused with insects, spiders have long been the subject of myths and stereotypes in literature, movies, and pop culture. Hollywood often depicts them as big, hairy, and dangerous monsters with ravenous appetites. However, this portrayal overlooks the critical role spiders play in the world’s ecosystems, explains biologist Divya Uma from Azim Premji University in conversation with Richa Govil in this episode of Story Of…  Spiders are far from the villains they are often made out to be. In reality, they are a crucial component of the food web. Their presence helps maintain ecological balance, and without them, Earth's ecosystem would face dire consequences. Among the thousands of spider species, some stand out for their size, venom, and unique behaviours.  Cultural perceptions of spiders vary widely. While Western media often portrays them as menacing creatures, in some parts of India, spiders have their place in religious and cultural traditions. In Kerala’s Pathanamthitta district, the Kodumon Chilanthiyambalam temple is dedicated to spiders, and people visit it in hopes of being cured of spider bites.  Interestingly, some spiders, like the Signature Spider, are believed to create cryptic patterns on their webs that resemble writing. These patterns might serve as a warning to birds, deterring them from flying into and damaging the webs.  Composed mainly of protein, spider silk is a highly versatile product. It can be of various kinds depending on the function it needs to perform, from sticky silk for trapping prey, soft silk for wrapping egg sacs, strong silk for building the structural elements of the web like arches and scaffolds, and so on. The silk produced by spiders, despite their lightness, has other properties like high tensile strength, ductility, and stability at high temperatures, which makes it a material that arouses the interest of architects, and structural engineers. Some scientists believe that spider silk, if it can be successfully synthesised in laboratories, could well be the fibre of the future.  Beyond their fascinating behaviours and cultural significance, spiders are indispensable for their role in biological pest control. Their extinction would lead to a cascade of ecological problems, including a surge in insect-borne diseases and crop failures due to uncontrolled pest populations.  In a world where spiders are often misunderstood, it's crucial to recognise their importance and the delicate balance they help maintain in nature. Without them, the world as we know it would be a much darker place.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  Head over to our website to find resources for further reading and exploration, and to solve a fun crossword puzzle: y.edu.in/story-of-the-unfamiliar-stories-behind-familiar-objects/burp-guess-who-had-a-husband-for-dinner]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1913809847</guid><pubDate>Wed, 11 Sep 2024 00:00:04 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/61331336/1913809847_radioazimpremjiuniversity_story_of_spiders_story_of_with_richa_govil_radio_azim_premji_university.mp3" length="62500570" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>What has eight legs and might have just had a husband for dinner? Most likely a spider.  Often confused with insects, spiders have long been the subject of myths and stereotypes in literature, movies, and pop culture. Hollywood often depicts them as...</itunes:subtitle><itunes:summary><![CDATA[What has eight legs and might have just had a husband for dinner? Most likely a spider.  Often confused with insects, spiders have long been the subject of myths and stereotypes in literature, movies, and pop culture. Hollywood often depicts them as big, hairy, and dangerous monsters with ravenous appetites. However, this portrayal overlooks the critical role spiders play in the world’s ecosystems, explains biologist Divya Uma from Azim Premji University in conversation with Richa Govil in this episode of Story Of…  Spiders are far from the villains they are often made out to be. In reality, they are a crucial component of the food web. Their presence helps maintain ecological balance, and without them, Earth's ecosystem would face dire consequences. Among the thousands of spider species, some stand out for their size, venom, and unique behaviours.  Cultural perceptions of spiders vary widely. While Western media often portrays them as menacing creatures, in some parts of India, spiders have their place in religious and cultural traditions. In Kerala’s Pathanamthitta district, the Kodumon Chilanthiyambalam temple is dedicated to spiders, and people visit it in hopes of being cured of spider bites.  Interestingly, some spiders, like the Signature Spider, are believed to create cryptic patterns on their webs that resemble writing. These patterns might serve as a warning to birds, deterring them from flying into and damaging the webs.  Composed mainly of protein, spider silk is a highly versatile product. It can be of various kinds depending on the function it needs to perform, from sticky silk for trapping prey, soft silk for wrapping egg sacs, strong silk for building the structural elements of the web like arches and scaffolds, and so on. The silk produced by spiders, despite their lightness, has other properties like high tensile strength, ductility, and stability at high temperatures, which makes it a material that arouses the interest of architects, and structural engineers. Some scientists believe that spider silk, if it can be successfully synthesised in laboratories, could well be the fibre of the future.  Beyond their fascinating behaviours and cultural significance, spiders are indispensable for their role in biological pest control. Their extinction would lead to a cascade of ecological problems, including a surge in insect-borne diseases and crop failures due to uncontrolled pest populations.  In a world where spiders are often misunderstood, it's crucial to recognise their importance and the delicate balance they help maintain in nature. Without them, the world as we know it would be a much darker place.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  Head over to our website to find resources for further reading and exploration, and to solve a fun crossword puzzle: y.edu.in/story-of-the-unfamiliar-stories-behind-familiar-objects/burp-guess-who-had-a-husband-for-dinner]]></itunes:summary><itunes:duration>1563</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/33050b3d92510d467b8ece3a31c1bb41.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Kabaddi Kabaddi Kabaddi | Ep 2 - Economies of Khel</title><link>https://www.spreaker.com/episode/kabaddi-kabaddi-kabaddi-ep-2-economies-of-khel--61178544</link><description><![CDATA[In 2022, six years after its inception, the Pro Kabaddi League (PKL) became the second most-watched sports event in India with 220 million viewers, surpassed only by the Indian Premier League (IPL) for T20 cricket.   What fuelled its meteoric rise?   In the second episode of Economies of Khel, economist Rahul De and media expert Kailash Koushik explore how kabaddi transformed from a rural pastime into a professional sport. They trace its roots back over 4,000 years in the Tamil-speaking region of southern India and its evolution in northern India’s traditional wrestling akhadas, where it was used to build physical fitness and combat skills. Some sources even liken Abhimanyu’s battle in the Mahabharata to a kabaddi match, where a lone warrior fends off encircling opponents.  Kabaddi demands a unique combination of physical strength, mental agility, and extraordinary breath control, similar to swimming — Kailash calls it “meditation on the move.” Traditionally, the game is played between two teams of 12, with 7 players on the field at any time. The objective is to raid the opponent's half, tag players, and return without inhaling, all while chanting "Kabaddi." Points are awarded for successful raids and defences, with teams alternating roles after each half.   India has several forms of kabaddi, each with distinct rules. Sanjeevani features a 40-minute game with players revived when an opponent is put out. Gaminee has no time limit, with players remaining out until all teammates are out. Amar is similar to Sanjeevani but allows players to stay on the court after being touched out. Punjabi Kabaddi is unique for its circular pitch. Despite their differences, all forms share the goal of capturing opponents.   Though modern kabaddi gained recognition in the mid-1900s, with an exhibition match staged at the Berlin Olympics in 1936, it wasn't until 1950, with the establishment of the All India Kabaddi Federation, that it began to acquire prominence. Kabaddi was included as a medal sport in the Asian Games in 1990, and the launch of India’s Pro Kabaddi League in 2014 further propelled its popularity, making it a spectator sport backed by a cast of promoters that included industrialists, and Bollywood stars. Kabaddi’s international popularity is also growing, with strong teams emerging in Iran, Pakistan, Sri Lanka, Bangladesh, South Korea, and Australia.  Pro Kabaddi adapted and modified traditional rules to make the sport television-friendly. More significantly, it transported kabaddi from the akhada to the mat. With names like Tamil Thalaivas and Bengaluru Bulls, PKL teams rough it out for glory and laurels in a packed arena.   In addition to dramatically increasing kabaddi's popularity in India, the PKL has introduced professionalism to the sport, attracting corporate sponsorships and improving player remuneration. It has also invested in grassroots development, fostering talent and promoting physical fitness in rural areas. PKL has elevated kabaddi's cultural significance, transforming a rural tradition into a mainstream sport and a symbol of Indian pride.  Credits   Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  For a comprehensive list of acknowledgements and other resources, visit our website: https://azimpremjiuniversity.edu.in/economies-of-khel-the-curious-business-of-unconventional-sports]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1904805812</guid><pubDate>Tue, 27 Aug 2024 23:00:11 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/61178544/1904805812_radioazimpremjiuniversity_kabaddi_kabaddi_kabaddi_ep_2_economies_of_khel.mp3" length="111800946" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In 2022, six years after its inception, the Pro Kabaddi League (PKL) became the second most-watched sports event in India with 220 million viewers, surpassed only by the Indian Premier League (IPL) for T20 cricket.   What fuelled its meteoric rise?...</itunes:subtitle><itunes:summary><![CDATA[In 2022, six years after its inception, the Pro Kabaddi League (PKL) became the second most-watched sports event in India with 220 million viewers, surpassed only by the Indian Premier League (IPL) for T20 cricket.   What fuelled its meteoric rise?   In the second episode of Economies of Khel, economist Rahul De and media expert Kailash Koushik explore how kabaddi transformed from a rural pastime into a professional sport. They trace its roots back over 4,000 years in the Tamil-speaking region of southern India and its evolution in northern India’s traditional wrestling akhadas, where it was used to build physical fitness and combat skills. Some sources even liken Abhimanyu’s battle in the Mahabharata to a kabaddi match, where a lone warrior fends off encircling opponents.  Kabaddi demands a unique combination of physical strength, mental agility, and extraordinary breath control, similar to swimming — Kailash calls it “meditation on the move.” Traditionally, the game is played between two teams of 12, with 7 players on the field at any time. The objective is to raid the opponent's half, tag players, and return without inhaling, all while chanting "Kabaddi." Points are awarded for successful raids and defences, with teams alternating roles after each half.   India has several forms of kabaddi, each with distinct rules. Sanjeevani features a 40-minute game with players revived when an opponent is put out. Gaminee has no time limit, with players remaining out until all teammates are out. Amar is similar to Sanjeevani but allows players to stay on the court after being touched out. Punjabi Kabaddi is unique for its circular pitch. Despite their differences, all forms share the goal of capturing opponents.   Though modern kabaddi gained recognition in the mid-1900s, with an exhibition match staged at the Berlin Olympics in 1936, it wasn't until 1950, with the establishment of the All India Kabaddi Federation, that it began to acquire prominence. Kabaddi was included as a medal sport in the Asian Games in 1990, and the launch of India’s Pro Kabaddi League in 2014 further propelled its popularity, making it a spectator sport backed by a cast of promoters that included industrialists, and Bollywood stars. Kabaddi’s international popularity is also growing, with strong teams emerging in Iran, Pakistan, Sri Lanka, Bangladesh, South Korea, and Australia.  Pro Kabaddi adapted and modified traditional rules to make the sport television-friendly. More significantly, it transported kabaddi from the akhada to the mat. With names like Tamil Thalaivas and Bengaluru Bulls, PKL teams rough it out for glory and laurels in a packed arena.   In addition to dramatically increasing kabaddi's popularity in India, the PKL has introduced professionalism to the sport, attracting corporate sponsorships and improving player remuneration. It has also invested in grassroots development, fostering talent and promoting physical fitness in rural areas. PKL has elevated kabaddi's cultural significance, transforming a rural tradition into a mainstream sport and a symbol of Indian pride.  Credits   Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  For a comprehensive list of acknowledgements and other resources, visit our website: https://azimpremjiuniversity.edu.in/economies-of-khel-the-curious-business-of-unconventional-sports]]></itunes:summary><itunes:duration>2796</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/33729009c4cc6425243af6016c1f6786.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Stream | Edition 2 - August 2024</title><link>https://www.spreaker.com/episode/the-stream-edition-2-august-2024--61100312</link><description><![CDATA[The Stream Edition 2  In this edition:  A. Shows and episodes:   Sahir Ludhianvi’s Bombay - Excerpt from Bombay Talkies - Bonus Episode of Bhakti Republic with Amit Basole Cricket and caste - The Baloo Palwankar story | Excerpt from Well Caught Ep 1 - Separate Gates, Separate Dressing Rooms  Round Figure - excerpt from It’s A Math Math Math World Grain Of Truth - excerpt from the Story Of Rice   B. Original Music  - Ullavaru Shivalaya… from Kayakave Kailasa - Music for Bhakti Republic by Pallavi MD and Bruce Lee Mani - Kole Basava OST by Bruce Lee Mani featuring Manjunath V on Nadaswaram - Silly Point - soundtrack composed by Bruce Lee Mani for Well Caught With Giri and Raghu  - Desh Jam - soundtrack for It’s A Math Math Math World Ep 2 by Bruce Lee Mani - Soundtrack for the series opener of Unboxed - The Harmonium in India by Bruce Lee Mani - Soundtrack for Story Of Pani Puri by Bruce Lee Mani]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1900628868</guid><pubDate>Wed, 21 Aug 2024 07:06:10 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/61100312/1900628868_radioazimpremjiuniversity_the_stream_edition_2_radio_azim_premji_university.mp3" length="52271228" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>The Stream Edition 2  In this edition:  A. Shows and episodes:   Sahir Ludhianvi’s Bombay - Excerpt from Bombay Talkies - Bonus Episode of Bhakti Republic with Amit Basole Cricket and caste - The Baloo Palwankar story | Excerpt from Well Caught Ep 1 -...</itunes:subtitle><itunes:summary><![CDATA[The Stream Edition 2  In this edition:  A. Shows and episodes:   Sahir Ludhianvi’s Bombay - Excerpt from Bombay Talkies - Bonus Episode of Bhakti Republic with Amit Basole Cricket and caste - The Baloo Palwankar story | Excerpt from Well Caught Ep 1 - Separate Gates, Separate Dressing Rooms  Round Figure - excerpt from It’s A Math Math Math World Grain Of Truth - excerpt from the Story Of Rice   B. Original Music  - Ullavaru Shivalaya… from Kayakave Kailasa - Music for Bhakti Republic by Pallavi MD and Bruce Lee Mani - Kole Basava OST by Bruce Lee Mani featuring Manjunath V on Nadaswaram - Silly Point - soundtrack composed by Bruce Lee Mani for Well Caught With Giri and Raghu  - Desh Jam - soundtrack for It’s A Math Math Math World Ep 2 by Bruce Lee Mani - Soundtrack for the series opener of Unboxed - The Harmonium in India by Bruce Lee Mani - Soundtrack for Story Of Pani Puri by Bruce Lee Mani]]></itunes:summary><itunes:duration>3267</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/468b4ab402e6a65ba84e789be4b93791.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hindustan Ki Nayi Geetmala - Azaadi Special</title><link>https://www.spreaker.com/episode/hindustan-ki-nayi-geetmala-azaadi-special--61023506</link><description><![CDATA[Is there a uniquely Indian idea of freedom?  The music of our beating hearts weaves the multifaceted tapestry that is India. This Independence Day, we remind ourselves yet again what it means to be Indian.   Hosted by Vineet KKN Panchhi of The Jai Hind Project, this special edition of Samvidhaani Pitaara is aptly titled “Hindustan Ki Nayi Geetmala - Azaadi Special” — a playlist of tunes and voices that sing of our yearning for freedom. Featuring voices old and new, familiar and quaint — from Indian Ocean to Ustad Nusrat Fateh Ali Khan, from Folk Masti to A R Rahman — which resonate with the qualities that remind us of true Indianness: a healthy respect for our differences, and a generous tolerance of views that are at variance with each other. Topped off with special I-Day wishes from some of the artists, this celebratory selection of music will fill your heart with pride and love — for India.  Radio Azim Premji University wishes you a joyous and meaningful Independence Day 2024!    Playlist:  Song: Des Mera  Album: Peepli [Live] Movie Artist - Indian Ocean  Song: Kabir Ki Vani Album: Single Artist: Folk Masti  Song: Pataka Guddi Singer: Sultana and Jyoti Nooran Music: A.R Rahman Movie: Highway  Song: Bol Ke Lab Azaad Hai Tere Singers: Rashid Khan &amp; Vidya Shah Music: Sneha Khanwalkar Movie: Manto  Song: Koi Bole Ram Ram Singer: Ustad Nusrat Fateh Ali Khan  Song: Tanna Na Artist: Nyasa Album: Single  Song: Mohabbat Zindabad (Feat. Karsh Kale) Album: Side A || Side A/ Side B Artist: Ankur Tewari &amp; The Ghalat Family Feat. Karsh Kale  Song: Yeh Tara Woh Tara Movie: Swades Singer: Udit Narayan, Master Vignesh, Baby Pooja, Kids Lyricist: Javed Akhtar Music: A.R. Rahman  Enjoy these songs in a special YouTube Music playlist that we have curated for your listening pleasure: https://www.youtube.com/playlist?list=PLo3VipWSCallycnXkihbARS8FxkLLKdbP  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar Acknowledgements: Our thanks to Ankur Tewari, Folk Masti, and Nilesh from Nyasa for soundbites used in this episode.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1897011564</guid><pubDate>Wed, 14 Aug 2024 10:03:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/61023506/1897011564_radioazimpremjiuniversity_hindustan_ki_nayi_geetmala_azaadi_special.mp3" length="65345827" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Is there a uniquely Indian idea of freedom?  The music of our beating hearts weaves the multifaceted tapestry that is India. This Independence Day, we remind ourselves yet again what it means to be Indian.   Hosted by Vineet KKN Panchhi of The Jai...</itunes:subtitle><itunes:summary><![CDATA[Is there a uniquely Indian idea of freedom?  The music of our beating hearts weaves the multifaceted tapestry that is India. This Independence Day, we remind ourselves yet again what it means to be Indian.   Hosted by Vineet KKN Panchhi of The Jai Hind Project, this special edition of Samvidhaani Pitaara is aptly titled “Hindustan Ki Nayi Geetmala - Azaadi Special” — a playlist of tunes and voices that sing of our yearning for freedom. Featuring voices old and new, familiar and quaint — from Indian Ocean to Ustad Nusrat Fateh Ali Khan, from Folk Masti to A R Rahman — which resonate with the qualities that remind us of true Indianness: a healthy respect for our differences, and a generous tolerance of views that are at variance with each other. Topped off with special I-Day wishes from some of the artists, this celebratory selection of music will fill your heart with pride and love — for India.  Radio Azim Premji University wishes you a joyous and meaningful Independence Day 2024!    Playlist:  Song: Des Mera  Album: Peepli [Live] Movie Artist - Indian Ocean  Song: Kabir Ki Vani Album: Single Artist: Folk Masti  Song: Pataka Guddi Singer: Sultana and Jyoti Nooran Music: A.R Rahman Movie: Highway  Song: Bol Ke Lab Azaad Hai Tere Singers: Rashid Khan &amp; Vidya Shah Music: Sneha Khanwalkar Movie: Manto  Song: Koi Bole Ram Ram Singer: Ustad Nusrat Fateh Ali Khan  Song: Tanna Na Artist: Nyasa Album: Single  Song: Mohabbat Zindabad (Feat. Karsh Kale) Album: Side A || Side A/ Side B Artist: Ankur Tewari &amp; The Ghalat Family Feat. Karsh Kale  Song: Yeh Tara Woh Tara Movie: Swades Singer: Udit Narayan, Master Vignesh, Baby Pooja, Kids Lyricist: Javed Akhtar Music: A.R. Rahman  Enjoy these songs in a special YouTube Music playlist that we have curated for your listening pleasure: https://www.youtube.com/playlist?list=PLo3VipWSCallycnXkihbARS8FxkLLKdbP  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar Acknowledgements: Our thanks to Ankur Tewari, Folk Masti, and Nilesh from Nyasa for soundbites used in this episode.]]></itunes:summary><itunes:duration>1634</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8d160a9a39998cd8e6f63f90e0ba249a.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Unboxed - Mango People with Sharmadip Basu | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/unboxed-mango-people-with-sharmadip-basu-radio-azim-premji-university--60758554</link><description><![CDATA[Did you know that Indian Yellow, the pigment with which Vincent Van Gogh painted the luminous moon in his masterpiece Starry Night, was prepared from the dried urine of cows fed exclusively on mango leaves? Or that India, despite being the world’s largest producer of mangoes, exports less than 1% because Indians can never be done eating their produce? Or that we may be throwing away the most nutritious and medically valuable part of the mango — its seed?  The mango is undeniably the king of fruits, evoking passions that span literature, diplomacy, botany, agriculture, and economics. It is a fruit that unites and divides us equally, as we discover in this luscious episode of Unboxed, featuring a trio of mango aficionados who agree to disagree on their favourite variety.  Social science professor Sharmadip Basu swears proudly by West Bengal's GI-tagged Himsagar. Amit Basole, an economist from Mumbai who is passionate about Urdu poetry and Indian literature, is torn between the feted Alphonso and the evergreen Langra. Biology professor Divya Uma has a soft spot for Karnataka's rosy-red Raspuri.   Eavesdrop on their lively discussion about the mango's cultural significance, ranging from ancient literature and religious stories to its nutritional benefits, and the startling reason why champing on a mango peel may give you an itchy mouth-rash. Discover why the mango’s political economy unfailingly makes headlines, and learn how this delicious summer fruit remains on our tables — and in our memories — year-round through various condiments and products.  Whether you call it aam, mangai, aamra, or mango, just uttering the word can evoke a plethora of sensations and emotions. Seasoned with the voices of enthusiastic mango lovers from a bustling mango mandi in Bengaluru, this slice of Unboxed is a juicy celebration of a fruit that embodies the essence of India for India’s Aam Janata – the Mango People.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar   For a comprehensive list of resources for further reading and exploration, visit our website: https://azimpremjiuniversity.edu.in/unboxed-harmonium-india]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1877323566</guid><pubDate>Sun, 21 Jul 2024 17:04:35 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/60758554/1877323566_radioazimpremjiuniversity_unboxed_mango_people_with_sharmadip_basu_radio_azim_premji_university.mp3" length="43220740" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Did you know that Indian Yellow, the pigment with which Vincent Van Gogh painted the luminous moon in his masterpiece Starry Night, was prepared from the dried urine of cows fed exclusively on mango leaves? Or that India, despite being the world’s...</itunes:subtitle><itunes:summary><![CDATA[Did you know that Indian Yellow, the pigment with which Vincent Van Gogh painted the luminous moon in his masterpiece Starry Night, was prepared from the dried urine of cows fed exclusively on mango leaves? Or that India, despite being the world’s largest producer of mangoes, exports less than 1% because Indians can never be done eating their produce? Or that we may be throwing away the most nutritious and medically valuable part of the mango — its seed?  The mango is undeniably the king of fruits, evoking passions that span literature, diplomacy, botany, agriculture, and economics. It is a fruit that unites and divides us equally, as we discover in this luscious episode of Unboxed, featuring a trio of mango aficionados who agree to disagree on their favourite variety.  Social science professor Sharmadip Basu swears proudly by West Bengal's GI-tagged Himsagar. Amit Basole, an economist from Mumbai who is passionate about Urdu poetry and Indian literature, is torn between the feted Alphonso and the evergreen Langra. Biology professor Divya Uma has a soft spot for Karnataka's rosy-red Raspuri.   Eavesdrop on their lively discussion about the mango's cultural significance, ranging from ancient literature and religious stories to its nutritional benefits, and the startling reason why champing on a mango peel may give you an itchy mouth-rash. Discover why the mango’s political economy unfailingly makes headlines, and learn how this delicious summer fruit remains on our tables — and in our memories — year-round through various condiments and products.  Whether you call it aam, mangai, aamra, or mango, just uttering the word can evoke a plethora of sensations and emotions. Seasoned with the voices of enthusiastic mango lovers from a bustling mango mandi in Bengaluru, this slice of Unboxed is a juicy celebration of a fruit that embodies the essence of India for India’s Aam Janata – the Mango People.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar   For a comprehensive list of resources for further reading and exploration, visit our website: https://azimpremjiuniversity.edu.in/unboxed-harmonium-india]]></itunes:summary><itunes:duration>2702</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8efada6413d1c73c8f2c1f2ebccc54e7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Apna WWE | Economies Of Khel Ep 1 | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/apna-wwe-economies-of-khel-ep-1-radio-azim-premji-university--60668978</link><description><![CDATA[Fun fact: In 2002, the World Wrestling Federation (WWF) rebranded to World Wrestling Entertainment (WWE) after losing a legal brawl with the World Wildlife Fund. Whatever name it goes by, the raging popularity of televised professional wrestling—a mix of mock combat and showmanship—is no accident. Despite its wild and boisterous nature, WWE’s over-the-top theatrics have found a dedicated following among Indians raised on Bollywood potboilers and saas-bahu soap operas.  India has a long history of formal wrestling in the akhadas, but wrestling as branded entertainment took off in the 1990s with the advent of satellite cable TV after economic liberalisation and the First Gulf War. Youth suddenly exposed to international sports culture embraced WWE, making it a subculture of its own.  WWE's appeal lies in its clever marketing strategy, blending sports with orchestrated entertainment. Wrestlers are more than athletes; they are characters with elaborate backstories and scripted traits. Engaging storylines keep fans hooked, ensuring the success and longevity of these characters.  Economically, WWE’s strategy in India includes big-bucks media partnerships targeting a youthful audience. Localisation efforts like training camps, events featuring international celebrities like John Cena, and desi stars like Shanky Singh and Jinder Mahal, have boosted its appeal. The glam factor is significant too, highlighted by media events such as Akshay Kumar’s “fight” with The Undertaker and Kurt Angle’s guest appearances.  The debate over whether WWE is real or fake is irrelevant to its fans—it’s all about entertainment. The 1990s fuelled fan culture with merchandise like clothing, accessories, and playing cards. WWE's efforts at inclusive marketing feature stereotyped ethnic characters like Yokozuna and Jinder Mahal’s "Punjabi Prison" match, adding to the diverse narratives that fans love.  In this conversational and engaging series on unconventional sports, economist Rahul De invites media studies professor and basketball enthusiast Kailash Kaushik to discuss the culture and economy of unconventional sporting promotions.   Tune into "Apna WWE," the first episode of "Economies Of Khel," only on Radio Azim Premji University.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar For a comprehensive list of acknowledgements and resources for further exploration, visit our website: https://azimpremjiuniversity.edu.in/economies-of-khel-the-curious-business-of-unconventional-sports]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1869397941</guid><pubDate>Fri, 12 Jul 2024 00:43:41 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/60668978/1869397941_radioazimpremjiuniversity_apna_wwe_economies_of_khel_ep_1_radio_azim_premji_university.mp3" length="123825631" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Fun fact: In 2002, the World Wrestling Federation (WWF) rebranded to World Wrestling Entertainment (WWE) after losing a legal brawl with the World Wildlife Fund. Whatever name it goes by, the raging popularity of televised professional wrestling—a mix...</itunes:subtitle><itunes:summary><![CDATA[Fun fact: In 2002, the World Wrestling Federation (WWF) rebranded to World Wrestling Entertainment (WWE) after losing a legal brawl with the World Wildlife Fund. Whatever name it goes by, the raging popularity of televised professional wrestling—a mix of mock combat and showmanship—is no accident. Despite its wild and boisterous nature, WWE’s over-the-top theatrics have found a dedicated following among Indians raised on Bollywood potboilers and saas-bahu soap operas.  India has a long history of formal wrestling in the akhadas, but wrestling as branded entertainment took off in the 1990s with the advent of satellite cable TV after economic liberalisation and the First Gulf War. Youth suddenly exposed to international sports culture embraced WWE, making it a subculture of its own.  WWE's appeal lies in its clever marketing strategy, blending sports with orchestrated entertainment. Wrestlers are more than athletes; they are characters with elaborate backstories and scripted traits. Engaging storylines keep fans hooked, ensuring the success and longevity of these characters.  Economically, WWE’s strategy in India includes big-bucks media partnerships targeting a youthful audience. Localisation efforts like training camps, events featuring international celebrities like John Cena, and desi stars like Shanky Singh and Jinder Mahal, have boosted its appeal. The glam factor is significant too, highlighted by media events such as Akshay Kumar’s “fight” with The Undertaker and Kurt Angle’s guest appearances.  The debate over whether WWE is real or fake is irrelevant to its fans—it’s all about entertainment. The 1990s fuelled fan culture with merchandise like clothing, accessories, and playing cards. WWE's efforts at inclusive marketing feature stereotyped ethnic characters like Yokozuna and Jinder Mahal’s "Punjabi Prison" match, adding to the diverse narratives that fans love.  In this conversational and engaging series on unconventional sports, economist Rahul De invites media studies professor and basketball enthusiast Kailash Kaushik to discuss the culture and economy of unconventional sporting promotions.   Tune into "Apna WWE," the first episode of "Economies Of Khel," only on Radio Azim Premji University.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar For a comprehensive list of acknowledgements and resources for further exploration, visit our website: https://azimpremjiuniversity.edu.in/economies-of-khel-the-curious-business-of-unconventional-sports]]></itunes:summary><itunes:duration>3096</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5d1e8a7f7ad41f5f1f03be4e13e305ad.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Trailer - Economies Of Khel | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/trailer-economies-of-khel-radio-azim-premji-university--60660408</link><description><![CDATA[Rahul De, who teaches economics at Azim Premji University, Bengaluru, is obsessed with the business of sport. Of particular interest to him are sporting activities that are off-radar for the mainstream, yet command a devoted fan base. Think WWE, kabaddi, running… How do these sports find a market, build loyal communities, and generate money for participants and promoters alike? Co-presenting the series are Kailash Kaushik, Assistant Professor at the School of Arts and Humanities at Christ University, Bengaluru, and Arvind Bharathi, who is with the School of Arts and Sciences at Azim Premji University. Subscribe to be notified about upcoming episodes of this new series from Radio Azim Premji University. Our first episode drops on Friday, July 12, 2024.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1868532537</guid><pubDate>Thu, 11 Jul 2024 04:30:32 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/60660408/1868532537_radioazimpremjiuniversity_trailer_economies_of_khel_radio_azim_premji_university.mp3" length="1572779" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Rahul De, who teaches economics at Azim Premji University, Bengaluru, is obsessed with the business of sport. Of particular interest to him are sporting activities that are off-radar for the mainstream, yet command a devoted fan base. Think WWE,...</itunes:subtitle><itunes:summary><![CDATA[Rahul De, who teaches economics at Azim Premji University, Bengaluru, is obsessed with the business of sport. Of particular interest to him are sporting activities that are off-radar for the mainstream, yet command a devoted fan base. Think WWE, kabaddi, running… How do these sports find a market, build loyal communities, and generate money for participants and promoters alike? Co-presenting the series are Kailash Kaushik, Assistant Professor at the School of Arts and Humanities at Christ University, Bengaluru, and Arvind Bharathi, who is with the School of Arts and Sciences at Azim Premji University. Subscribe to be notified about upcoming episodes of this new series from Radio Azim Premji University. Our first episode drops on Friday, July 12, 2024.]]></itunes:summary><itunes:duration>99</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/55ee26e53ce5352f992ad1856f1ac1ff.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Path To Pandharpur | Bhakti Republic with Amit Basole Ep 4</title><link>https://www.spreaker.com/episode/the-path-to-pandharpur-bhakti-republic-with-amit-basole-ep-4--60522306</link><description><![CDATA[The distinguished anthropologist Irawati Karwe wrote, “I found a new definition of Maharashtra: the land whose people go to Pandharpur for pilgrimage.”  Pandharpur, near the city of Solapur, is a sacrosanct destination for the Varkari path within Hinduism, centred around the worship of the deity Vitthal or Vithoba, a form of Vishnu. The Varkaris are a part of the Bhakti movement, a spiritual tradition characterised by the immersive loving worship of a chosen deity.   The word ‘Varkari’ means “one who performs the vari”— vari in Marathi refers to the annual 21-day pilgrimage to Pandharpur, which devotees of Vitthal perform as an expression of faith. The vari is a symbolic journey of the sants (those who have seen the truth) from their respective hometowns to the abode of Vitthal, and the varkaris carry symbolic palkhis (palanquins) bearing their padukas (footwear). The pilgrimage culminates on Ekadashi, the 11th day of the Hindu lunar month of Ashadha, which falls between late June and July according to the Gregorian calendar. Another pilgrimage is celebrated on the Ekadashi of the month of Kartika, which falls in November.  Helmed by the sants, the poet-saints who were instrumental in shaping the movement, the Varkari tradition reached its zenith from the 13th to 17th centuries. The tradition recognises about 50 sants, who hailed from varied backgrounds, castes, and professions. Chief among them were Dnyaneshwar, an outcast Brahmin scholar and poet; Namdev the tailor; Chokhamela, born into the Dalit Mahar caste; Eknath, a Brahmin; and Tukaram, a farmer and merchant. Other poets such as Muktabai, Janabai and Gonabai have also contributed to the wealth of verse in the tradition.  The earliest of the Varkari saints, Dnyaneshwar and Namdev broke with convention by composing abhangas, devotional songs in praise of Vitthal, in Marathi, the language of their followers, rather than the classical Sanskrit of the priestly class.  The Varkari saints believed that God was omnipresent and dwelt in the hearts of humans. Their teachings were not dogmatic or rigid. Although they encouraged their followers to live a life of austerity and self-sacrifice, theirs was a householder mode of Bhakti rather than an ascetic one. Their abhangas reinforce the message that all people are equal before god.   In the fourth episode of our series Bhakti Republic, Amit Basole continues his exploration of constitutional values in the poetry of the Varkaris through anecdotes and readings, against a background of original music performances.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  Original music tracks performed by Anjali Malkar, Bruce Lee Mani, Junuka Deshpande, Karthik Bhat, and Noel Prashanth  Acknowledgements:  This episode draws extensively on the work of Sadanand More, Indrajit Bhalerao, Christian Novetzke, and Jon Keune. Thanks to Anjali Malkar for help with selecting and interpreting some of the poems.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1857171993</guid><pubDate>Thu, 27 Jun 2024 00:41:19 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/60522306/1857171993_radioazimpremjiuniversity_the_path_to_pandharpur_bhakti_republic_with_amit_basole_ep_4.mp3" length="66817043" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>The distinguished anthropologist Irawati Karwe wrote, “I found a new definition of Maharashtra: the land whose people go to Pandharpur for pilgrimage.”  Pandharpur, near the city of Solapur, is a sacrosanct destination for the Varkari path within...</itunes:subtitle><itunes:summary><![CDATA[The distinguished anthropologist Irawati Karwe wrote, “I found a new definition of Maharashtra: the land whose people go to Pandharpur for pilgrimage.”  Pandharpur, near the city of Solapur, is a sacrosanct destination for the Varkari path within Hinduism, centred around the worship of the deity Vitthal or Vithoba, a form of Vishnu. The Varkaris are a part of the Bhakti movement, a spiritual tradition characterised by the immersive loving worship of a chosen deity.   The word ‘Varkari’ means “one who performs the vari”— vari in Marathi refers to the annual 21-day pilgrimage to Pandharpur, which devotees of Vitthal perform as an expression of faith. The vari is a symbolic journey of the sants (those who have seen the truth) from their respective hometowns to the abode of Vitthal, and the varkaris carry symbolic palkhis (palanquins) bearing their padukas (footwear). The pilgrimage culminates on Ekadashi, the 11th day of the Hindu lunar month of Ashadha, which falls between late June and July according to the Gregorian calendar. Another pilgrimage is celebrated on the Ekadashi of the month of Kartika, which falls in November.  Helmed by the sants, the poet-saints who were instrumental in shaping the movement, the Varkari tradition reached its zenith from the 13th to 17th centuries. The tradition recognises about 50 sants, who hailed from varied backgrounds, castes, and professions. Chief among them were Dnyaneshwar, an outcast Brahmin scholar and poet; Namdev the tailor; Chokhamela, born into the Dalit Mahar caste; Eknath, a Brahmin; and Tukaram, a farmer and merchant. Other poets such as Muktabai, Janabai and Gonabai have also contributed to the wealth of verse in the tradition.  The earliest of the Varkari saints, Dnyaneshwar and Namdev broke with convention by composing abhangas, devotional songs in praise of Vitthal, in Marathi, the language of their followers, rather than the classical Sanskrit of the priestly class.  The Varkari saints believed that God was omnipresent and dwelt in the hearts of humans. Their teachings were not dogmatic or rigid. Although they encouraged their followers to live a life of austerity and self-sacrifice, theirs was a householder mode of Bhakti rather than an ascetic one. Their abhangas reinforce the message that all people are equal before god.   In the fourth episode of our series Bhakti Republic, Amit Basole continues his exploration of constitutional values in the poetry of the Varkaris through anecdotes and readings, against a background of original music performances.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  Original music tracks performed by Anjali Malkar, Bruce Lee Mani, Junuka Deshpande, Karthik Bhat, and Noel Prashanth  Acknowledgements:  This episode draws extensively on the work of Sadanand More, Indrajit Bhalerao, Christian Novetzke, and Jon Keune. Thanks to Anjali Malkar for help with selecting and interpreting some of the poems.]]></itunes:summary><itunes:duration>4177</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e7e9cd616901739ec31450721ea5da72.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Campus Cast Ep 9 - Stance On Substance</title><link>https://www.spreaker.com/episode/campus-cast-ep-9-stance-on-substance--60496928</link><description><![CDATA[Ever wonder why an addict just can't quit?  The science of addiction goes beyond biology. In this special episode of Campus Cast from Radio Azim Premji University, a unique cast of characters explores the surprising factors that contribute to this complex phenomenon. Imagine Brain and Hormones having an argument! That is one description of the conflicted personality of addiction.  We dive deeper to get scientific about how substances hijack your brain’s reward system, firing chemicals that trigger craving and gratification. But it's more than just a physical battle. We meet Psychology, who reveals how people use substances to cope with hidden struggles. Spirituality joins the conversation, exploring the role of purpose in addiction. We also foray into learning how society's view of substances has changed over time. Additionally, we examine how poverty, cultural norms, and access all play a part. By the end of this episode, we hope you will view addiction in a new light. Join us for a journey that offers hope for recovery and explores ways to create better support systems. Tune in to ‘Stance on Substance’ and understand the secrets of addiction. ___________  Credits: Narrator: Mahima Guhan Protagonist: Akshay Ramuhalli Protagonist’s conscience: Trishaa Manda Protagonist’s mind: Arushi Thakur Protagonist’s hormonal system: Anand Athialy Psychology: Jyotiraditya Pradhan Spirituality: Aashi Chheda History: Khushi Verma Society: Kinshuk Ghosh  Pre-production and script: Hitika Gilhotra  Special thanks to Pratik Motikar  Production credits:   Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Supriya Joshi, Shraddha Gautam, and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1855756977</guid><pubDate>Tue, 25 Jun 2024 01:00:08 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/60496928/1855756977_radioazimpremjiuniversity_campus_cast_ep_9_stance_on_substance.mp3" length="7709256" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Ever wonder why an addict just can't quit?  The science of addiction goes beyond biology. In this special episode of Campus Cast from Radio Azim Premji University, a unique cast of characters explores the surprising factors that contribute to this...</itunes:subtitle><itunes:summary><![CDATA[Ever wonder why an addict just can't quit?  The science of addiction goes beyond biology. In this special episode of Campus Cast from Radio Azim Premji University, a unique cast of characters explores the surprising factors that contribute to this complex phenomenon. Imagine Brain and Hormones having an argument! That is one description of the conflicted personality of addiction.  We dive deeper to get scientific about how substances hijack your brain’s reward system, firing chemicals that trigger craving and gratification. But it's more than just a physical battle. We meet Psychology, who reveals how people use substances to cope with hidden struggles. Spirituality joins the conversation, exploring the role of purpose in addiction. We also foray into learning how society's view of substances has changed over time. Additionally, we examine how poverty, cultural norms, and access all play a part. By the end of this episode, we hope you will view addiction in a new light. Join us for a journey that offers hope for recovery and explores ways to create better support systems. Tune in to ‘Stance on Substance’ and understand the secrets of addiction. ___________  Credits: Narrator: Mahima Guhan Protagonist: Akshay Ramuhalli Protagonist’s conscience: Trishaa Manda Protagonist’s mind: Arushi Thakur Protagonist’s hormonal system: Anand Athialy Psychology: Jyotiraditya Pradhan Spirituality: Aashi Chheda History: Khushi Verma Society: Kinshuk Ghosh  Pre-production and script: Hitika Gilhotra  Special thanks to Pratik Motikar  Production credits:   Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Supriya Joshi, Shraddha Gautam, and Velu Shankar]]></itunes:summary><itunes:duration>482</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8cead5f950a10580055720655d463a4a.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Story Of Jeans | Story Of… with Richa Govil | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/story-of-jeans-story-of-with-richa-govil-radio-azim-premji-university--60355463</link><description><![CDATA[Boyfriend. Cargo. Distressed. Flare. Mom.   What do these terms have in common?  If you’ve ever shopped for jeans, you’ll know the answer.   It takes about 15 minutes and 12 steps to produce a pair of finished blue jeans. In this episode of Story Of…, host Richa Govil gets under the skin of a fabric that is arguably a second skin for people globally.   It is estimated that 4.5 million pairs of jeans are sold every year, with an estimated 50-70% of the production concentrated in India, Bangladesh, and China. In 2023, India was estimated to be the fastest growing country for denim consumption. In 2020 alone, Indians bought 640 million pairs of jeans.   Our guest, Arima Mishra is a faculty member at the School of Development at Azim Premji University. A medical anthropologist, she shares surprising findings from her research in Bengaluru’s garment factories. Karnataka, accounting for around 20% of India’s garment production, houses over 760 factories in the state capital alone. Arima's interest began with a shocking discovery of high mortality rates among young female garment workers, prompting a deeper investigation into their lives and health vulnerabilities.  Through personal anecdotes and research, we uncover the realities these women face—migrants from various regions, primarily from lower socioeconomic backgrounds, working under intense pressure to meet production targets. They endure physical and mental stress, often leading to serious health issues like chronic pain, irregular periods, and even cancer. Despite laws and policies aiming to protect workers, their everyday working conditions remain challenging.  This episode also touches on broader issues of women's workforce participation and empowerment, highlighting the nuanced impact of employment on women's health and well-being. Arima’s findings challenge us to rethink occupational health beyond visible hazards and consider the profound effects of daily working conditions.  Tune in to ‘Story of Jeans’ to learn the human stories stitched into the fabric of your denim. Next time you buy a pair of jeans, remember the young women who crafted them, balancing dreams and hardships somewhere on the shop floor in a Bengaluru industrial estate.   Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  Acknowledgements:  Garment workers interviewed bySumedha Mohanty. Additional thanks to Rajesh Joseph, Arima Mishra, and Dechamma CS]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1844629860</guid><pubDate>Tue, 11 Jun 2024 23:00:18 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/60355463/1844629860_radioazimpremjiuniversity_story_of_jeans_story_of_with_richa_govil_radio_azim_premji_university.mp3" length="29418892" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Boyfriend. Cargo. Distressed. Flare. Mom.   What do these terms have in common?  If you’ve ever shopped for jeans, you’ll know the answer.   It takes about 15 minutes and 12 steps to produce a pair of finished blue jeans. In this episode of Story Of…,...</itunes:subtitle><itunes:summary><![CDATA[Boyfriend. Cargo. Distressed. Flare. Mom.   What do these terms have in common?  If you’ve ever shopped for jeans, you’ll know the answer.   It takes about 15 minutes and 12 steps to produce a pair of finished blue jeans. In this episode of Story Of…, host Richa Govil gets under the skin of a fabric that is arguably a second skin for people globally.   It is estimated that 4.5 million pairs of jeans are sold every year, with an estimated 50-70% of the production concentrated in India, Bangladesh, and China. In 2023, India was estimated to be the fastest growing country for denim consumption. In 2020 alone, Indians bought 640 million pairs of jeans.   Our guest, Arima Mishra is a faculty member at the School of Development at Azim Premji University. A medical anthropologist, she shares surprising findings from her research in Bengaluru’s garment factories. Karnataka, accounting for around 20% of India’s garment production, houses over 760 factories in the state capital alone. Arima's interest began with a shocking discovery of high mortality rates among young female garment workers, prompting a deeper investigation into their lives and health vulnerabilities.  Through personal anecdotes and research, we uncover the realities these women face—migrants from various regions, primarily from lower socioeconomic backgrounds, working under intense pressure to meet production targets. They endure physical and mental stress, often leading to serious health issues like chronic pain, irregular periods, and even cancer. Despite laws and policies aiming to protect workers, their everyday working conditions remain challenging.  This episode also touches on broader issues of women's workforce participation and empowerment, highlighting the nuanced impact of employment on women's health and well-being. Arima’s findings challenge us to rethink occupational health beyond visible hazards and consider the profound effects of daily working conditions.  Tune in to ‘Story of Jeans’ to learn the human stories stitched into the fabric of your denim. Next time you buy a pair of jeans, remember the young women who crafted them, balancing dreams and hardships somewhere on the shop floor in a Bengaluru industrial estate.   Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  Acknowledgements:  Garment workers interviewed bySumedha Mohanty. Additional thanks to Rajesh Joseph, Arima Mishra, and Dechamma CS]]></itunes:summary><itunes:duration>1839</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3738ab0432273725b451fa1bc4961543.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Pehla Pehla Chunaav | पहला पहला चुनाव</title><link>https://www.spreaker.com/episode/pehla-pehla-chunaav-pahala-pahala-cunava--60203038</link><description><![CDATA[The radio crackles to life. We rewind to April 2, 1952. A day that is set to go down in the history of India, and the history of the world, as a triumphant day for democracy. At the counting stations, ballot boxes have been emptied for every last vote to be counted. We wait with bated breath for the results of independent India's first-ever general election to be declared. This is a significant moment for the world. The newly declared republic is at a crossroads, having just shaken off the yoke of colonialism before it was riven by Partition. Over the past few months, this elaborate democratic exercise has played out step by step. A total of 175 million citizens, spread over a million square kilometres, have cast their votes to choose their leaders. The entire world has had its eyes on India. A democratic government of a nation of this size and a population this numerous is not elected in a day. Voting began six months earlier on October 25, 1951. Voters from the tehsils of Chinni and Pangi in Himachal Pradesh were first to cast their ballots. The first Indian voter was Shri Shyam Saran Negi, a schoolteacher. In Travancore-Cochin, Orissa, Madhya Pradesh, Hyderabad and Punjab, polling commenced in December 1951. All the remaining states went to the polls during January 1952. Polling in the northern hilly areas of Uttar Pradesh took place in the second fortnight of February 1952. The entire process spanned 68 phases over 4 months. Imagine the massive effort it took to set up hundreds of thousands of polling booths across the country! Independent India’s first-ever election witnessed a total of 1949 candidates contest the polls for 489 seats in the Lok Sabha, the lower house of India’s bicameral parliament. The Legislative Assemblies of the states had a combined total of 3,283 seats. The people of India have exercised their franchise to elect their first government. This is a watershed moment not just for India, but for democracy worldwide. In Pehla Pehla Chunaav, our special episode of Samvidhaani Pitaara, hosts Seetal and Vineet KKN Panchhi take you on a time machine ride with a dramatised radio broadcast. Join us to recount the exciting events of the day that announces the winner of India’s first parliamentary election, and the party that will form India’s first democratically elected government. Celebrate the legacy of democracy in India. May we have many, many more free and fair elections!  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harsh Gupta, Narayan Krishnaswamy, Prashant Vasudevan, Sameera Ahmed, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  Discover additional resources for reading and exploration on our website:  https://azimpremjiuniversity.edu.in/radio-azim-premji-university]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1832069589</guid><pubDate>Tue, 28 May 2024 23:00:13 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/60203038/1832069589_radioazimpremjiuniversity_ep4_pehla_pehla_chunaav_27052024.mp3" length="26601429" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>The radio crackles to life. We rewind to April 2, 1952. A day that is set to go down in the history of India, and the history of the world, as a triumphant day for democracy. At the counting stations, ballot boxes have been emptied for every last vote...</itunes:subtitle><itunes:summary><![CDATA[The radio crackles to life. We rewind to April 2, 1952. A day that is set to go down in the history of India, and the history of the world, as a triumphant day for democracy. At the counting stations, ballot boxes have been emptied for every last vote to be counted. We wait with bated breath for the results of independent India's first-ever general election to be declared. This is a significant moment for the world. The newly declared republic is at a crossroads, having just shaken off the yoke of colonialism before it was riven by Partition. Over the past few months, this elaborate democratic exercise has played out step by step. A total of 175 million citizens, spread over a million square kilometres, have cast their votes to choose their leaders. The entire world has had its eyes on India. A democratic government of a nation of this size and a population this numerous is not elected in a day. Voting began six months earlier on October 25, 1951. Voters from the tehsils of Chinni and Pangi in Himachal Pradesh were first to cast their ballots. The first Indian voter was Shri Shyam Saran Negi, a schoolteacher. In Travancore-Cochin, Orissa, Madhya Pradesh, Hyderabad and Punjab, polling commenced in December 1951. All the remaining states went to the polls during January 1952. Polling in the northern hilly areas of Uttar Pradesh took place in the second fortnight of February 1952. The entire process spanned 68 phases over 4 months. Imagine the massive effort it took to set up hundreds of thousands of polling booths across the country! Independent India’s first-ever election witnessed a total of 1949 candidates contest the polls for 489 seats in the Lok Sabha, the lower house of India’s bicameral parliament. The Legislative Assemblies of the states had a combined total of 3,283 seats. The people of India have exercised their franchise to elect their first government. This is a watershed moment not just for India, but for democracy worldwide. In Pehla Pehla Chunaav, our special episode of Samvidhaani Pitaara, hosts Seetal and Vineet KKN Panchhi take you on a time machine ride with a dramatised radio broadcast. Join us to recount the exciting events of the day that announces the winner of India’s first parliamentary election, and the party that will form India’s first democratically elected government. Celebrate the legacy of democracy in India. May we have many, many more free and fair elections!  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harsh Gupta, Narayan Krishnaswamy, Prashant Vasudevan, Sameera Ahmed, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  Discover additional resources for reading and exploration on our website:  https://azimpremjiuniversity.edu.in/radio-azim-premji-university]]></itunes:summary><itunes:duration>1663</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/13351ad1c12281a03849aae7c13ad0b6.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Stream | Edition 1 - May 2024</title><link>https://www.spreaker.com/episode/the-stream-edition-1-may-2024--60186579</link><description><![CDATA[The Stream - Edition 1, May 2024  Welcome to The Stream from Radio Azim Premji University. This specially curated seamless listening experience features excerpts from your favourite podcast episodes interspersed with specially commissioned original music tracks.   Featured in The Stream - Edition 1, May 27, 2024:  Shows and episodes   - Big, big numbers - the place value system Excerpt from It’s A Math Math Math World with Divakaran and Shraddha - Babylon  Listen: https://on.soundcloud.com/YzZKn3kmFRgp57HcA   - A sickle swishes in the dark - the attempt on Sir CP’s life Excerpt from The India Project with Josy Joseph - Travancore   - Why did the vendors come to Bangalore? Excerpt from Story Of Pani Puri with Richa Govil and Puja Guha  Listen: https://on.soundcloud.com/MBPtZ22EGrDhwyju7  To dive deeper, listen to these episodes on Radio Azim Premji University   Original music  The Babyl Is On - OST from It’s A Math Math Math World: Babylon   Performed by Bruce Lee Mani for Radio Azim Premji University   Dhaar Banale - Songs from Street Philosophers: Knife Sharpeners Performed by Kafeel Jafri and Bruce Lee Mani for Radio Azim Premji University   Nima Waya Noni - A re-imagined presentation of a folk song from Bastar, Chhattisgarh Performed by Bruce Lee Mani for Radio Azim Premji University  Vero Veena - A contemporary and lounge-inspired re-imagining of a classic Carnatic composition Performed by Bruce Lee Mani for Radio Azim Premji University  Cooler Colour - Carnatic Flute meets contemporary music for relaxation Performed by Bruce Lee Mani featuring Ravichandra Kulur   Credits  Student RJs: Gulsingh Badgujer, Hitika Gilhotra, and Kinshuk Ghosh  Radio APU is brought to you by: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1831144821</guid><pubDate>Mon, 27 May 2024 11:20:56 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/60186579/1831144821_radioazimpremjiuniversity_the_stream_by_radio_azim_premji_university_edition_1_may_2024.mp3" length="124851721" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>The Stream - Edition 1, May 2024  Welcome to The Stream from Radio Azim Premji University. This specially curated seamless listening experience features excerpts from your favourite podcast episodes interspersed with specially commissioned original...</itunes:subtitle><itunes:summary><![CDATA[The Stream - Edition 1, May 2024  Welcome to The Stream from Radio Azim Premji University. This specially curated seamless listening experience features excerpts from your favourite podcast episodes interspersed with specially commissioned original music tracks.   Featured in The Stream - Edition 1, May 27, 2024:  Shows and episodes   - Big, big numbers - the place value system Excerpt from It’s A Math Math Math World with Divakaran and Shraddha - Babylon  Listen: https://on.soundcloud.com/YzZKn3kmFRgp57HcA   - A sickle swishes in the dark - the attempt on Sir CP’s life Excerpt from The India Project with Josy Joseph - Travancore   - Why did the vendors come to Bangalore? Excerpt from Story Of Pani Puri with Richa Govil and Puja Guha  Listen: https://on.soundcloud.com/MBPtZ22EGrDhwyju7  To dive deeper, listen to these episodes on Radio Azim Premji University   Original music  The Babyl Is On - OST from It’s A Math Math Math World: Babylon   Performed by Bruce Lee Mani for Radio Azim Premji University   Dhaar Banale - Songs from Street Philosophers: Knife Sharpeners Performed by Kafeel Jafri and Bruce Lee Mani for Radio Azim Premji University   Nima Waya Noni - A re-imagined presentation of a folk song from Bastar, Chhattisgarh Performed by Bruce Lee Mani for Radio Azim Premji University  Vero Veena - A contemporary and lounge-inspired re-imagining of a classic Carnatic composition Performed by Bruce Lee Mani for Radio Azim Premji University  Cooler Colour - Carnatic Flute meets contemporary music for relaxation Performed by Bruce Lee Mani featuring Ravichandra Kulur   Credits  Student RJs: Gulsingh Badgujer, Hitika Gilhotra, and Kinshuk Ghosh  Radio APU is brought to you by: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></itunes:summary><itunes:duration>3122</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a3aab7ddc16ba8b37971f2b0f4305a7c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>ಸರ್ ಮೋಕ್ಷಗುಂಡಂ ವಿಶ್ವೇಶ್ವರಯ್ಯ - Sir M Visvesvaraya|ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕ - 100/100 Karnataka</title><link>https://www.spreaker.com/episode/sar-moksagundam-visvesvarayya-sir-m-visvesvaraya-nurakke-nuru-karnataka-100-100-karnataka--60036416</link><description><![CDATA[Sir Mokshagundam Visvesvaraya’s birthday is observed as Engineer’s Day in India. Born on September 15, 1861 in the village of Muddenahalli about 60 km from Bengaluru, Visvesvaraya was told that he was of poor health and would not live long. His parents, who had migrated from Andhra Pradesh, ignored the disturbing prophecy and gave him a good education. Young Visvesvaraya continued his studies in Bangalore and got his bachelor’s degree from Madras. Later, he graduated with an engineering degree from Pune’s College of Science under the University of Bombay.  ಸರ್ ಮೋಕ್ಷಗುಂಡಂ ವಿಶ್ವೇಶ್ವರಯ್ಯ. ಇವರ ಹುಟ್ಟುಹಬ್ಬವನ್ನು ಇಂಜಿನಿಯರ್ ದಿನಾಚಾರಣೆ ಎಂದು ಭಾರತದಾದ್ಯಂತ ಆಚರಿಸಲಾಗುತ್ತದೆ. 1861 ನೇ ಇಸವಿ, ಸೆಪ್ಟೆಂಬರ್ 15. ಬೆಂಗಳೂರಿನಿಂದ 60 ಕಿಲೋ ಮೀಟರ್ ದೂರದಲ್ಲಿರುವ, ಮುದ್ದೇನಹಳ್ಳಿ ಗ್ರಾಮದಲ್ಲಿ ಜನಿಸಿದ ವಿಶ್ವೇಶ್ವರಯ್ಯನವರಿಗೆ ಆರೋಗ್ಯ ಸರಿಯಿರಲಿಲ್ಲ. ಹೆಚ್ಚು ದಿನ ಬದುಕುವುದಿಲ್ಲ ಎಂದು ಹೇಳಿದ್ದರು. ಆಂಧ್ರಪ್ರದೇಶದಿಂದ ವಲಸೆ ಬಂದಿದ್ದ ಈತನ ತಂದೆ ತಾಯಿ, ಗೊಂದಲದ ಭವಿಷ್ಯವನ್ನು ಗಮನದಿಂದ ತೆಗೆದುಹಾಕಿ ಅವರಿಗೆ ಉತ್ತಮ ಶಿಕ್ಷಣ ನೀಡಿದರು. ಯುವಕನಾಗಿ ಬೆಳೆದ ವಿಶ್ವೇಶ್ವರಯ್ಯನವರು ಬೆಂಗಳೂರಿನಲ್ಲಿ ತಮ್ಮ ಅಧ್ಯಯನವನ್ನು ಮುಂದುವರೆಸಿದರು ಮತ್ತು ಮದ್ರಾಸ್‌ನಿಂದ ಪದವಿ ಪಡೆದರು. ನಂತರ, ಅವರು ಬಾಂಬೆ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಅಡಿಯಲ್ಲಿ ಪೂಣೇಯಲ್ಲಿರೋ ಕಾಲೇಜ್ ಆಫ್ ಸೈನ್ಸ್‌ನಿಂದ ಎಂಜಿನಿಯರಿಂಗ್ ಪದವಿ ಪಡೆದುಕೊಂಡ್ರು.  Visvesvaraya applied his education to solving the problems of India. From irrigation to public works, he left his mark on many projects in the Deccan Plateau. His flood protection solution for the city of Hyderabad and for preventing sea erosion of the port of Visakhapatnam are considering marvels of engineering even today.  ವಿಶ್ವೇಶ್ವರಯ್ಯನವರು ತಾವು ಪಡೆದ ಶಿಕ್ಷಣವನ್ನು ಭಾರತದ ಸಮಸ್ಯೆಗಳಿಗೆ ಪರಿಹಾರ ನೀಡಲು ಬಳಸಿದರು. ಡೆಕ್ಕನ್ ಪ್ಲೇಟುವಿನ ಅನೇಕ ಯೋಜನೆಗಳಲ್ಲಿ ಸಾರ್ವಜನಿಕ ಕಾರ್ಯಗಳಿಂದ ಹಿಡಿದು ನೀರವರಿಯವರೆಗೆ, ಅವರ ಬೆರಳಚ್ಚಿದೆ. ಹೈದರಾಬಾದ್ ನಗರಕ್ಕೆ ಅವರು ನೀಡಿದ ಪ್ರವಾಹ ರಕ್ಷಣೆ ಪರಿಹಾರ ಮತ್ತು ವಿಶಾಖಪಟ್ಟಣಂ ಪೋರ್ಟ್ ನ ಸಮುದ್ರ ಸವೆತ ತಡೆಗಟ್ಟಲು ನೀಡಿದ ಪರಿಹಾರವು ಇಂದಿಗೂ ಎಂಜಿನಿಯರಿಂಗ್‌ ಅದ್ಭುತ ಸಾಧನೆಗಲಾಗಿ ಉಳಿದಿವೆ.  A high point in his career, for which he shall always be remembered with gratitude in Karnataka, was the construction of the Krishna Raja Sagar dam in the princely state of Mysore. As Chief Engineer, Sir MV designed what was then India’s largest dam with automatic sluice gates. He advised that the dam be constructed not with expensive cement but with a low-cost mortar called surkhi, made from crushed burnt bricks, which gains strength if left immersed in water.  At the age of 90, he inspected the site of the proposed Mokama Bridge over the Ganga in Bihar. Eyewitnesses reported that Sir MV climbed to the top of a hill to survey the site, before submitting multiple drawings.  And, yet, Sir M Visvesvaraya was more than an engineer. He was a disciplined polymath with eclectic pursuits, a social change-maker, a principled statesman, and a lifelong learner. He set up the Kannada Sahitya Parishad to unite Kannadigas through a better appreciation of their culture, language, and literature. He was instrumental in setting up the Bank of Mysore to bring financial inclusion to the people of the state.  Sir MV lived to the ripe old age of 100. Writing in his clear and legible hand, with his thoughtful and expressive vocabulary, he replied individually to the over 400 letters that he received on his centennial birthday.  In this special episode of Noorakke Nooru Karnataka, Shraddha Jain converses with Sudheesh Venkatesh and Mala Kumar about the exemplary life of one of Karnataka’s most illustrious sons, an engineer with a conscience.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Sanath GS, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  For comprehensive notes in Kannada and additional resources, please visit our website: https://azimpremjiuniversity.edu.in/radio-azim-premji-university]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1821691839</guid><pubDate>Tue, 14 May 2024 22:34:33 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/60036416/1821691839_radioazimpremjiuniversity_sir_m_visvesvaraya_100100_karnataka.mp3" length="42265285" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Sir Mokshagundam Visvesvaraya’s birthday is observed as Engineer’s Day in India. Born on September 15, 1861 in the village of Muddenahalli about 60 km from Bengaluru, Visvesvaraya was told that he was of poor health and would not live long. His...</itunes:subtitle><itunes:summary><![CDATA[Sir Mokshagundam Visvesvaraya’s birthday is observed as Engineer’s Day in India. Born on September 15, 1861 in the village of Muddenahalli about 60 km from Bengaluru, Visvesvaraya was told that he was of poor health and would not live long. His parents, who had migrated from Andhra Pradesh, ignored the disturbing prophecy and gave him a good education. Young Visvesvaraya continued his studies in Bangalore and got his bachelor’s degree from Madras. Later, he graduated with an engineering degree from Pune’s College of Science under the University of Bombay.  ಸರ್ ಮೋಕ್ಷಗುಂಡಂ ವಿಶ್ವೇಶ್ವರಯ್ಯ. ಇವರ ಹುಟ್ಟುಹಬ್ಬವನ್ನು ಇಂಜಿನಿಯರ್ ದಿನಾಚಾರಣೆ ಎಂದು ಭಾರತದಾದ್ಯಂತ ಆಚರಿಸಲಾಗುತ್ತದೆ. 1861 ನೇ ಇಸವಿ, ಸೆಪ್ಟೆಂಬರ್ 15. ಬೆಂಗಳೂರಿನಿಂದ 60 ಕಿಲೋ ಮೀಟರ್ ದೂರದಲ್ಲಿರುವ, ಮುದ್ದೇನಹಳ್ಳಿ ಗ್ರಾಮದಲ್ಲಿ ಜನಿಸಿದ ವಿಶ್ವೇಶ್ವರಯ್ಯನವರಿಗೆ ಆರೋಗ್ಯ ಸರಿಯಿರಲಿಲ್ಲ. ಹೆಚ್ಚು ದಿನ ಬದುಕುವುದಿಲ್ಲ ಎಂದು ಹೇಳಿದ್ದರು. ಆಂಧ್ರಪ್ರದೇಶದಿಂದ ವಲಸೆ ಬಂದಿದ್ದ ಈತನ ತಂದೆ ತಾಯಿ, ಗೊಂದಲದ ಭವಿಷ್ಯವನ್ನು ಗಮನದಿಂದ ತೆಗೆದುಹಾಕಿ ಅವರಿಗೆ ಉತ್ತಮ ಶಿಕ್ಷಣ ನೀಡಿದರು. ಯುವಕನಾಗಿ ಬೆಳೆದ ವಿಶ್ವೇಶ್ವರಯ್ಯನವರು ಬೆಂಗಳೂರಿನಲ್ಲಿ ತಮ್ಮ ಅಧ್ಯಯನವನ್ನು ಮುಂದುವರೆಸಿದರು ಮತ್ತು ಮದ್ರಾಸ್‌ನಿಂದ ಪದವಿ ಪಡೆದರು. ನಂತರ, ಅವರು ಬಾಂಬೆ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಅಡಿಯಲ್ಲಿ ಪೂಣೇಯಲ್ಲಿರೋ ಕಾಲೇಜ್ ಆಫ್ ಸೈನ್ಸ್‌ನಿಂದ ಎಂಜಿನಿಯರಿಂಗ್ ಪದವಿ ಪಡೆದುಕೊಂಡ್ರು.  Visvesvaraya applied his education to solving the problems of India. From irrigation to public works, he left his mark on many projects in the Deccan Plateau. His flood protection solution for the city of Hyderabad and for preventing sea erosion of the port of Visakhapatnam are considering marvels of engineering even today.  ವಿಶ್ವೇಶ್ವರಯ್ಯನವರು ತಾವು ಪಡೆದ ಶಿಕ್ಷಣವನ್ನು ಭಾರತದ ಸಮಸ್ಯೆಗಳಿಗೆ ಪರಿಹಾರ ನೀಡಲು ಬಳಸಿದರು. ಡೆಕ್ಕನ್ ಪ್ಲೇಟುವಿನ ಅನೇಕ ಯೋಜನೆಗಳಲ್ಲಿ ಸಾರ್ವಜನಿಕ ಕಾರ್ಯಗಳಿಂದ ಹಿಡಿದು ನೀರವರಿಯವರೆಗೆ, ಅವರ ಬೆರಳಚ್ಚಿದೆ. ಹೈದರಾಬಾದ್ ನಗರಕ್ಕೆ ಅವರು ನೀಡಿದ ಪ್ರವಾಹ ರಕ್ಷಣೆ ಪರಿಹಾರ ಮತ್ತು ವಿಶಾಖಪಟ್ಟಣಂ ಪೋರ್ಟ್ ನ ಸಮುದ್ರ ಸವೆತ ತಡೆಗಟ್ಟಲು ನೀಡಿದ ಪರಿಹಾರವು ಇಂದಿಗೂ ಎಂಜಿನಿಯರಿಂಗ್‌ ಅದ್ಭುತ ಸಾಧನೆಗಲಾಗಿ ಉಳಿದಿವೆ.  A high point in his career, for which he shall always be remembered with gratitude in Karnataka, was the construction of the Krishna Raja Sagar dam in the princely state of Mysore. As Chief Engineer, Sir MV designed what was then India’s largest dam with automatic sluice gates. He advised that the dam be constructed not with expensive cement but with a low-cost mortar called surkhi, made from crushed burnt bricks, which gains strength if left immersed in water.  At the age of 90, he inspected the site of the proposed Mokama Bridge over the Ganga in Bihar. Eyewitnesses reported that Sir MV climbed to the top of a hill to survey the site, before submitting multiple drawings.  And, yet, Sir M Visvesvaraya was more than an engineer. He was a disciplined polymath with eclectic pursuits, a social change-maker, a principled statesman, and a lifelong learner. He set up the Kannada Sahitya Parishad to unite Kannadigas through a better appreciation of their culture, language, and literature. He was instrumental in setting up the Bank of Mysore to bring financial inclusion to the people of the state.  Sir MV lived to the ripe old age of 100. Writing in his clear and legible hand, with his thoughtful and expressive vocabulary, he replied individually to the over 400 letters that he received on his centennial birthday.  In this special episode of Noorakke Nooru Karnataka, Shraddha Jain converses with Sudheesh Venkatesh and Mala Kumar about the exemplary life of one of Karnataka’s most illustrious sons, an engineer with a conscience.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Sanath GS, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  For comprehensive notes in Kannada and additional resources, please visit our website: https://azimpremjiuniversity.edu.in/radio-azim-premji-university]]></itunes:summary><itunes:duration>2642</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6948604639d34b8184ff7070df611b36.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Campus Cast | EP 8 - Sui Dhaga - In Celebration of Indian Textiles</title><link>https://www.spreaker.com/episode/campus-cast-ep-8-sui-dhaga-in-celebration-of-indian-textiles--59792797</link><description><![CDATA[It is said that Sone Ki Chidiya, the proverbial Golden Bird that is a metaphor for the India of yore, was endowed with an embarrassment of riches and draped in a tapestry of textiles.   Indian textile-making is a vibrant tapestry of tradition, innovation, and cultural significance that spans millennia. Our 5000-year-old textile-making heritage encompasses an array of cultural signposts, with multiple touch points where the flesh and blood of the artisan’s hand meets the coarse and smooth of the fabric. The lives of our people are interwoven with the threads of their livelihood, caste, faith, and trade.   In this special episode of Campus Cast, our student team presents a marvellously imagined immersion in our layered relationship with textiles. This is the song of needle and thread, of warp and weft, of shuttle and beam. This is the story that the lives and dreams of our fellow-Indians come wrapped in.  Sui Dhaga - In Celebration of Indian Textiles is brought to you by the students of Azim Premji University.   Credits  Show Host - Hitika Gilhotra as Sutradhar Supporting Host - Ashwin Luke Joshi Story of Kritikala - Trishaa Manda Story of Yashasvi: Project Coorg - Sanya Fathima  Story of Rangasutra - Anand Athialy as Sumita Ghose and Aashi Chheda Story of Vimor Museum of Living Textiles - Tarini Kumar as Pavithra Muddaya Pre- production - Hitika Gilhotra   Production credits:  Akshay Ramuhalli, Anubhav Sharma, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Supriya Joshi, Shraddha Gautam and Velu Shankar   Acknowledgements-  CHARKHA - Ayub Khan and Group ║ BackPack Studio™ (Season 2) ║ Indian Folk Music - Rajasthan Charkha by Ayub Khan and Group.  Rangsutra Crafts India Ltd - About Us – Rangsutra Rangsutra Crafts (@rangsutracrafts) • Instagram photos and videos rangSutra | Business of Handmade  The Vimor Museum of Living Textiles- The Vimor Museum of Living Textiles  Yashasvi: By Bharatiya Vidya Bhavan’s Project Coorg- https://www.instagram.com/projectcoorg?igsh=MXhzNHR5amsxMm13Nw== Yashasvi | Kodagu First  Kritikala- https://kritikala.org/]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1812625431</guid><pubDate>Fri, 03 May 2024 07:26:18 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/59792797/1812625431_radioazimpremjiuniversity_campus_cast_ep_8_sui_dhaga_in_celebration_of_indian_textiles.mp3" length="13254738" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>It is said that Sone Ki Chidiya, the proverbial Golden Bird that is a metaphor for the India of yore, was endowed with an embarrassment of riches and draped in a tapestry of textiles.   Indian textile-making is a vibrant tapestry of tradition,...</itunes:subtitle><itunes:summary><![CDATA[It is said that Sone Ki Chidiya, the proverbial Golden Bird that is a metaphor for the India of yore, was endowed with an embarrassment of riches and draped in a tapestry of textiles.   Indian textile-making is a vibrant tapestry of tradition, innovation, and cultural significance that spans millennia. Our 5000-year-old textile-making heritage encompasses an array of cultural signposts, with multiple touch points where the flesh and blood of the artisan’s hand meets the coarse and smooth of the fabric. The lives of our people are interwoven with the threads of their livelihood, caste, faith, and trade.   In this special episode of Campus Cast, our student team presents a marvellously imagined immersion in our layered relationship with textiles. This is the song of needle and thread, of warp and weft, of shuttle and beam. This is the story that the lives and dreams of our fellow-Indians come wrapped in.  Sui Dhaga - In Celebration of Indian Textiles is brought to you by the students of Azim Premji University.   Credits  Show Host - Hitika Gilhotra as Sutradhar Supporting Host - Ashwin Luke Joshi Story of Kritikala - Trishaa Manda Story of Yashasvi: Project Coorg - Sanya Fathima  Story of Rangasutra - Anand Athialy as Sumita Ghose and Aashi Chheda Story of Vimor Museum of Living Textiles - Tarini Kumar as Pavithra Muddaya Pre- production - Hitika Gilhotra   Production credits:  Akshay Ramuhalli, Anubhav Sharma, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Supriya Joshi, Shraddha Gautam and Velu Shankar   Acknowledgements-  CHARKHA - Ayub Khan and Group ║ BackPack Studio™ (Season 2) ║ Indian Folk Music - Rajasthan Charkha by Ayub Khan and Group.  Rangsutra Crafts India Ltd - About Us – Rangsutra Rangsutra Crafts (@rangsutracrafts) • Instagram photos and videos rangSutra | Business of Handmade  The Vimor Museum of Living Textiles- The Vimor Museum of Living Textiles  Yashasvi: By Bharatiya Vidya Bhavan’s Project Coorg- https://www.instagram.com/projectcoorg?igsh=MXhzNHR5amsxMm13Nw== Yashasvi | Kodagu First  Kritikala- https://kritikala.org/]]></itunes:summary><itunes:duration>829</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bd3bc31b1ff1d3f0ed6b234ad9c374c8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Samvidhaan Ke Naam| संविधान के नाम|  Samvidhaani Pitaara Ep 3</title><link>https://www.spreaker.com/episode/samvidhaan-ke-naam-sanvidhana-ke-nama-samvidhaani-pitaara-ep-3--59449423</link><description><![CDATA[How much do you know about the people behind the Constitution of India? Samvidhaan Ke Naam, this special episode of Samvidhaani Pitaara, is presented as a game show to test your knowledge, and have some fun, while you learn about the minds that influenced the letter and spirit of the Constitution.  Samvidhaan Ke Naam is presented by Vineet KKN Panchhi for Radio Azim Premji University.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1799330593</guid><pubDate>Sat, 13 Apr 2024 11:30:04 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/59449423/1799330593_radioazimpremjiuniversity_samvidhaan_ke_naam.mp3" length="33078960" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>How much do you know about the people behind the Constitution of India? Samvidhaan Ke Naam, this special episode of Samvidhaani Pitaara, is presented as a game show to test your knowledge, and have some fun, while you learn about the minds that...</itunes:subtitle><itunes:summary><![CDATA[How much do you know about the people behind the Constitution of India? Samvidhaan Ke Naam, this special episode of Samvidhaani Pitaara, is presented as a game show to test your knowledge, and have some fun, while you learn about the minds that influenced the letter and spirit of the Constitution.  Samvidhaan Ke Naam is presented by Vineet KKN Panchhi for Radio Azim Premji University.]]></itunes:summary><itunes:duration>2068</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/254e6d7c46a184e0f75b94154d4cd232.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Game. Set. Mismatch — Archana Venkataraman | Almost Perfect</title><link>https://www.spreaker.com/episode/game-set-mismatch-archana-venkataraman-almost-perfect--59378814</link><description><![CDATA[Love is a racket emotion.   On the tennis court, it signifies emptiness, loss, humiliation.   And, yet, it is love for the game that keeps the most tenacious players going.   Not to forget, love keeps them going long after their glorious fifteen seconds on grass or clay have evaporated into the mists of history.  Archana Venkataraman basked in that spotlight. She was a rising star.   It takes a family wedded to tennis to raise a star, and hers was no different. From age four, between school days and holidays in Bengaluru, she and her sister Arthi were ferried from one tournament to another, one coaching clinic to the next.   It paid off. Archana won her maiden title at age seventeen. Soon, she was crowned national champion.   The decade turned. The 1990’s brought Liberalisation. The national economy opened up. Sponsor money began to pour into sporting events. Yet, in a nation besotted with cricket, facilities and infrastructure for tennis were scant. Promising players paid their own way for the most part. Only those undaunted by the expenses remained in the fray.   In 1998, Archana and Arthi won an International Tennis Federation grant of $2000 to play tournaments in Europe. The trip was a revelation: every match the sisters lost counted for lessons learned. They brought their experience back home to India and had a productive run for the next three years.    The competition was getting fierce, but Archana Venkataraman held fort. Until, at the finals of the National Games in 2002, she came up against a younger, hungrier, grittier rival — 16-year-old Sania Mirza. Playing the newcomer on her home turf in Hyderabad and booed by a hostile crowd of spectators, Archana went down in a firestorm of deuces.   And thus began Sania’s decade.  History celebrates victors but their thrones are held aloft by the bruised arms of the vanquished. When her fortunes in competitive tennis faded, Archana threw everything into rearing the next generation of stars at her coaching academy in Bengaluru.  In over a century of competitive tennis, only four Indian women have made it to a Grand Slam event. Viewed in that sobering light, Archana Venkataraman’s story is one of pride, guts, and raging against the odds, shortchanged only on glory.   No love lost there.  ________________________________________  Credits:   This show is produced by Confluence Media for Radio Azim Premji University.  Achie Humtsoe, Anisa Draboo, Gautam Datt, Jasleen Bhalla, Josy Joseph, Omair Farooq, and Siddhartha Mishra  Radio Azim Premji University:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  For a comprehensive list of acknowledgments and resources, please visit our website: https://azimpremjiuniversity.edu.in/almost-perfect-stories-of-forgotten-indian-women-athletes-2]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1792196863</guid><pubDate>Tue, 09 Apr 2024 23:00:04 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/59378814/1792196863_radioazimpremjiuniversity_game_set_mismatch_archana_venkataraman_almost_perfect.mp3" length="17655430" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Love is a racket emotion.   On the tennis court, it signifies emptiness, loss, humiliation.   And, yet, it is love for the game that keeps the most tenacious players going.   Not to forget, love keeps them going long after their glorious fifteen...</itunes:subtitle><itunes:summary><![CDATA[Love is a racket emotion.   On the tennis court, it signifies emptiness, loss, humiliation.   And, yet, it is love for the game that keeps the most tenacious players going.   Not to forget, love keeps them going long after their glorious fifteen seconds on grass or clay have evaporated into the mists of history.  Archana Venkataraman basked in that spotlight. She was a rising star.   It takes a family wedded to tennis to raise a star, and hers was no different. From age four, between school days and holidays in Bengaluru, she and her sister Arthi were ferried from one tournament to another, one coaching clinic to the next.   It paid off. Archana won her maiden title at age seventeen. Soon, she was crowned national champion.   The decade turned. The 1990’s brought Liberalisation. The national economy opened up. Sponsor money began to pour into sporting events. Yet, in a nation besotted with cricket, facilities and infrastructure for tennis were scant. Promising players paid their own way for the most part. Only those undaunted by the expenses remained in the fray.   In 1998, Archana and Arthi won an International Tennis Federation grant of $2000 to play tournaments in Europe. The trip was a revelation: every match the sisters lost counted for lessons learned. They brought their experience back home to India and had a productive run for the next three years.    The competition was getting fierce, but Archana Venkataraman held fort. Until, at the finals of the National Games in 2002, she came up against a younger, hungrier, grittier rival — 16-year-old Sania Mirza. Playing the newcomer on her home turf in Hyderabad and booed by a hostile crowd of spectators, Archana went down in a firestorm of deuces.   And thus began Sania’s decade.  History celebrates victors but their thrones are held aloft by the bruised arms of the vanquished. When her fortunes in competitive tennis faded, Archana threw everything into rearing the next generation of stars at her coaching academy in Bengaluru.  In over a century of competitive tennis, only four Indian women have made it to a Grand Slam event. Viewed in that sobering light, Archana Venkataraman’s story is one of pride, guts, and raging against the odds, shortchanged only on glory.   No love lost there.  ________________________________________  Credits:   This show is produced by Confluence Media for Radio Azim Premji University.  Achie Humtsoe, Anisa Draboo, Gautam Datt, Jasleen Bhalla, Josy Joseph, Omair Farooq, and Siddhartha Mishra  Radio Azim Premji University:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  For a comprehensive list of acknowledgments and resources, please visit our website: https://azimpremjiuniversity.edu.in/almost-perfect-stories-of-forgotten-indian-women-athletes-2]]></itunes:summary><itunes:duration>1104</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/44e55d48ce2ed28008866b9cc0650258.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ep 3 - Sahjeevan | Stories of Change with Anuradha Nagaraj</title><link>https://www.spreaker.com/episode/ep-3-sahjeevan-stories-of-change-with-anuradha-nagaraj--59270156</link><description><![CDATA[The Fakirani Jats live in the Rann of Kutch, where the 2500 sq-km Banni grassland segues into salt marshes and marine mangrove wetlands abutting the Arabian Sea. The livelihood of this pastoralist community is built around their pack animals, particularly the rare and hardy Kharai camel, a breed uniquely adapted to the region’s terrain and climate. As increased salt extraction and industrialisation fragment the fragile mangroves and force the herdsmen away from their traditional livelihood, the Kharai has become an endangered breed. A local organisation, Sahjeevan, has intervened with multiple initiatives to support the Fakirani Jats and sustain their traditional occupation of camel pastoralism. In the third episode of Stories Of Change with Anuradha Nagaraj, we train the spotlight on Sahjeevan’s work among the camel herders of western Gujarat.  For additional notes on this episode and a comprehensive list of acknowledgements and resources for further reading and exploration, please visit our website: https://azimpremjiuniversity.edu.in/stories-of-change-on-radio-azim-premji-university]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1790657467</guid><pubDate>Wed, 03 Apr 2024 00:39:30 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/59270156/1790657467_radioazimpremjiuniversity_ep_3_sahjeevan_stories_of_change_with_anuradha_nagaraj.mp3" length="23882186" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>The Fakirani Jats live in the Rann of Kutch, where the 2500 sq-km Banni grassland segues into salt marshes and marine mangrove wetlands abutting the Arabian Sea. The livelihood of this pastoralist community is built around their pack animals,...</itunes:subtitle><itunes:summary><![CDATA[The Fakirani Jats live in the Rann of Kutch, where the 2500 sq-km Banni grassland segues into salt marshes and marine mangrove wetlands abutting the Arabian Sea. The livelihood of this pastoralist community is built around their pack animals, particularly the rare and hardy Kharai camel, a breed uniquely adapted to the region’s terrain and climate. As increased salt extraction and industrialisation fragment the fragile mangroves and force the herdsmen away from their traditional livelihood, the Kharai has become an endangered breed. A local organisation, Sahjeevan, has intervened with multiple initiatives to support the Fakirani Jats and sustain their traditional occupation of camel pastoralism. In the third episode of Stories Of Change with Anuradha Nagaraj, we train the spotlight on Sahjeevan’s work among the camel herders of western Gujarat.  For additional notes on this episode and a comprehensive list of acknowledgements and resources for further reading and exploration, please visit our website: https://azimpremjiuniversity.edu.in/stories-of-change-on-radio-azim-premji-university]]></itunes:summary><itunes:duration>1493</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6a93c404ed9606deba5aecbf5eec64a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Story Of Lantana | Story of… with Richa Govil</title><link>https://www.spreaker.com/episode/story-of-lantana-story-of-with-richa-govil--59180245</link><description><![CDATA[The story of Lantana is one of unintended consequences. A strong-smelling flowering plant with clusters of colourful pink, yellow, and red blossoms that resemble miniature wedding bouquets, Lantana is hard to miss in the Indian countryside. Despite its alluring appearance, the plant has earned the dubious title of an invasive species, which rapidly outcompetes native flora and poses a challenge for conservationists.  European planters, who chanced upon it while exploring its native haunts in Central and South America, introduced Lantana to India about two centuries ago. Today, it is hard to find a part of India that is free from the plant’s influence. Most commonly encountered at the edges of forests that have been burned or cleared for cultivation, it grows roots quickly, spreads aggressively, and chokes out native vegetation by excreting chemicals that stunt their growth. Being toxic to grazing animals makes it even harder to control. Pollinated by bees and butterflies, with birds dispersing its seeds, Lantana has travelled far and wide. Now it is naturalised in more than 50 countries on five continents.    In Story of Lantana, the third episode in our series Story Of… Richa Govil and Madhuri Ramesh of Azim Premji University ponder the differences between alien and invasive species, mulling over the role that humans have played in altering biodiversity around the world. They reflect on the broader implications of introduced species and confront the complexities of categorising organisms as invasive or desirable.   While examining how to live with invasive species that are a challenge to manage, Madhuri and Richa applaud the efforts of organisations that have embarked on innovative ventures to repurpose Lantana as a valuable resource. Through craft collectives and artisanal workshops, the sturdy stems of Lantana find new life as furniture and sculptures, offering both economic opportunities for local communities and a sustainable solution to its proliferation.  But the story doesn't end there. By examining how food crops like potatoes and tomatoes were introduced to India by Portuguese traders centuries ago, we embrace the intricate relationships between humans, plants, and ecosystems. Through a thought-provoking exploration of 'novel ecosystems' that challenges conventional dichotomies, the presenters invite us to reconsider our perceptions of native and invasive species. As we navigate these nuanced discussions, we are urged to contemplate the interconnectedness of our natural world and the implications of human intervention.  The story of Lantana prompts us to observe, question, and appreciate the intricate tapestry of life that surrounds us. So, the next time you admire a blooming flower or savour a meal, ponder its origins and the intricate web of relationships that define our natural world.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  For a comprehensive list of acknowledgements and resources for further reading and exploration, visit our website: https://azimpremjiuniversity.edu.in/crunch-slurp-the-story-of-pani-puri]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1784798751</guid><pubDate>Tue, 26 Mar 2024 12:42:52 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/59180245/1784798751_radioazimpremjiuniversity_story_of_lantana_story_of_with_richa_govil.mp3" length="30982059" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>The story of Lantana is one of unintended consequences. A strong-smelling flowering plant with clusters of colourful pink, yellow, and red blossoms that resemble miniature wedding bouquets, Lantana is hard to miss in the Indian countryside. Despite...</itunes:subtitle><itunes:summary><![CDATA[The story of Lantana is one of unintended consequences. A strong-smelling flowering plant with clusters of colourful pink, yellow, and red blossoms that resemble miniature wedding bouquets, Lantana is hard to miss in the Indian countryside. Despite its alluring appearance, the plant has earned the dubious title of an invasive species, which rapidly outcompetes native flora and poses a challenge for conservationists.  European planters, who chanced upon it while exploring its native haunts in Central and South America, introduced Lantana to India about two centuries ago. Today, it is hard to find a part of India that is free from the plant’s influence. Most commonly encountered at the edges of forests that have been burned or cleared for cultivation, it grows roots quickly, spreads aggressively, and chokes out native vegetation by excreting chemicals that stunt their growth. Being toxic to grazing animals makes it even harder to control. Pollinated by bees and butterflies, with birds dispersing its seeds, Lantana has travelled far and wide. Now it is naturalised in more than 50 countries on five continents.    In Story of Lantana, the third episode in our series Story Of… Richa Govil and Madhuri Ramesh of Azim Premji University ponder the differences between alien and invasive species, mulling over the role that humans have played in altering biodiversity around the world. They reflect on the broader implications of introduced species and confront the complexities of categorising organisms as invasive or desirable.   While examining how to live with invasive species that are a challenge to manage, Madhuri and Richa applaud the efforts of organisations that have embarked on innovative ventures to repurpose Lantana as a valuable resource. Through craft collectives and artisanal workshops, the sturdy stems of Lantana find new life as furniture and sculptures, offering both economic opportunities for local communities and a sustainable solution to its proliferation.  But the story doesn't end there. By examining how food crops like potatoes and tomatoes were introduced to India by Portuguese traders centuries ago, we embrace the intricate relationships between humans, plants, and ecosystems. Through a thought-provoking exploration of 'novel ecosystems' that challenges conventional dichotomies, the presenters invite us to reconsider our perceptions of native and invasive species. As we navigate these nuanced discussions, we are urged to contemplate the interconnectedness of our natural world and the implications of human intervention.  The story of Lantana prompts us to observe, question, and appreciate the intricate tapestry of life that surrounds us. So, the next time you admire a blooming flower or savour a meal, ponder its origins and the intricate web of relationships that define our natural world.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar  For a comprehensive list of acknowledgements and resources for further reading and exploration, visit our website: https://azimpremjiuniversity.edu.in/crunch-slurp-the-story-of-pani-puri]]></itunes:summary><itunes:duration>1937</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/eefdb93ea03c5aafa214833741aafeda.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bhoota Kola | ಭೂತ ಕೋಲ | Noorakke Nooru Karnataka ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕ</title><link>https://www.spreaker.com/episode/bhoota-kola-bhuta-kola-noorakke-nooru-karnataka-nurakke-nuru-karnataka--59107473</link><description><![CDATA[“For the people of Dakshina Kannada, Bhootas are above god,” declares Umashanker Periodi. “Because, unlike gods, Bhootas talk to them.”  Periodi, who hails from a family that is involved in Bhoota Kola, is a seasoned mentor and former Head of Karnataka State at Azim Premji Foundation. Although he grew up in a Dakshina Kannada village enveloped by the aura of rituals and traditions, as a college student with socialist influences, he grew sceptical of them. As his worldview matured, nudged by his mother, Periodi began to acknowledge and respect the beliefs of his people. His experience shaped his tolerance and appreciation of their cultural and social significance.  In the second episode of our Kannada series Noorakke Nooru Karnataka [100/100 Karnataka], Shraddha has an engaging conversation with Periodi on the rich tradition of Bhoota Kola.   A spirit worship tradition with highly stylised elements of performance and music, Bhoota Kola thrives in the Dakshina Kannada region of coastal Karnataka known as Tulunadu. The ceremonies, which take place between December and July, involve elaborate preparations, including energetic performances characterised by intricate costumes and decorations.   Periodi explains that Bhootas — ancestral spirits — are often a symbolic manifestation of entities or powers feared or revered by communities that worship them. There is Koragajja the wise tribal elder who can recover anything that is lost, Panjurli the fearsome boar-faced forest spirit who is the protector of crops, the spirits of the heroic twins Koti and Chennayya who were martyred as they combated social injustice, and so on.   Rooted in indigenous practices and Hindu mythology, Bhoota Kola is performed by shamanistic dancers who invoke ancestral spirits and become possessed by them, entering a lucid trance-like state. In this state, the Bhoota is often approached for answers, advice, or mediation. When the verdict is delivered, the spirit’s word is law.   “I’m here, you have no reason to fear.” The Bhoota’s blessing is a solace to the village community.   Bhootas, usually personified by individuals from lower castes, are vital arbiters who mediate conflicts and disputes within their communities. They serve as counsellors and dispensers of justice. Often, the Bhootas deliver judgements that go against the interests of the feudal landlords. For challenging the caste hierarchy, the Bhootas have often paid with their lives. Yet, struggling to overcome attempts by upper castes to rein in the tradition, Bhoota Kola has remained a vital pillar of community life in Tulunadu. A Bhoota Kola brings families together, creates a permissive environment for women to socialise beyond curfew hours, and provides a sacred space for free expression for those oppressed by the caste system.  Continuing our exploration of stories from Karnataka for you to savour and share, Radio Azim Premji University brings you yet another episode of Noorakke Nooru Karnataka. We hope you enjoy listening to it.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Manjunath SV, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar For a comprehensive list of acknowledgements and resources, including notes in Kannada, please visit our website: https://azimpremjiuniversity.edu.in/radio-azim-premji-university]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1779079026</guid><pubDate>Wed, 20 Mar 2024 02:14:59 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/59107473/1779079026_radioazimpremjiuniversity_bhoota_kola_noorakke_nooru_karnataka.mp3" length="38676270" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>“For the people of Dakshina Kannada, Bhootas are above god,” declares Umashanker Periodi. “Because, unlike gods, Bhootas talk to them.”  Periodi, who hails from a family that is involved in Bhoota Kola, is a seasoned mentor and former Head of...</itunes:subtitle><itunes:summary><![CDATA[“For the people of Dakshina Kannada, Bhootas are above god,” declares Umashanker Periodi. “Because, unlike gods, Bhootas talk to them.”  Periodi, who hails from a family that is involved in Bhoota Kola, is a seasoned mentor and former Head of Karnataka State at Azim Premji Foundation. Although he grew up in a Dakshina Kannada village enveloped by the aura of rituals and traditions, as a college student with socialist influences, he grew sceptical of them. As his worldview matured, nudged by his mother, Periodi began to acknowledge and respect the beliefs of his people. His experience shaped his tolerance and appreciation of their cultural and social significance.  In the second episode of our Kannada series Noorakke Nooru Karnataka [100/100 Karnataka], Shraddha has an engaging conversation with Periodi on the rich tradition of Bhoota Kola.   A spirit worship tradition with highly stylised elements of performance and music, Bhoota Kola thrives in the Dakshina Kannada region of coastal Karnataka known as Tulunadu. The ceremonies, which take place between December and July, involve elaborate preparations, including energetic performances characterised by intricate costumes and decorations.   Periodi explains that Bhootas — ancestral spirits — are often a symbolic manifestation of entities or powers feared or revered by communities that worship them. There is Koragajja the wise tribal elder who can recover anything that is lost, Panjurli the fearsome boar-faced forest spirit who is the protector of crops, the spirits of the heroic twins Koti and Chennayya who were martyred as they combated social injustice, and so on.   Rooted in indigenous practices and Hindu mythology, Bhoota Kola is performed by shamanistic dancers who invoke ancestral spirits and become possessed by them, entering a lucid trance-like state. In this state, the Bhoota is often approached for answers, advice, or mediation. When the verdict is delivered, the spirit’s word is law.   “I’m here, you have no reason to fear.” The Bhoota’s blessing is a solace to the village community.   Bhootas, usually personified by individuals from lower castes, are vital arbiters who mediate conflicts and disputes within their communities. They serve as counsellors and dispensers of justice. Often, the Bhootas deliver judgements that go against the interests of the feudal landlords. For challenging the caste hierarchy, the Bhootas have often paid with their lives. Yet, struggling to overcome attempts by upper castes to rein in the tradition, Bhoota Kola has remained a vital pillar of community life in Tulunadu. A Bhoota Kola brings families together, creates a permissive environment for women to socialise beyond curfew hours, and provides a sacred space for free expression for those oppressed by the caste system.  Continuing our exploration of stories from Karnataka for you to savour and share, Radio Azim Premji University brings you yet another episode of Noorakke Nooru Karnataka. We hope you enjoy listening to it.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Manjunath SV, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar For a comprehensive list of acknowledgements and resources, including notes in Kannada, please visit our website: https://azimpremjiuniversity.edu.in/radio-azim-premji-university]]></itunes:summary><itunes:duration>2418</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/16f0215be3abfb287113b2f2838bd415.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Missing The Mark - Chekrovolu Swuro | Almost Perfect Ep 2</title><link>https://www.spreaker.com/episode/missing-the-mark-chekrovolu-swuro-almost-perfect-ep-2--59015599</link><description><![CDATA[Chekrovolu Swuro came agonisingly close to fame, only to have the wind whisk it away from her. Taking aim at glory is not quite enough for an archer. For the arrow to chart a victorious course, it is equally important to have the wind in one’s favour. Lesson learned, she bowed out from the limelight that was so briefly hers to cherish.  Swuro made history as only the second athlete from the northeast Indian state of Nagaland to represent India at the Olympics. She represented India in numerous international competitions, where she participated in the women's individual and team events. She won medals at the national level and became a key figure in promoting archery in her home state. Yet, she sometimes wishes that life had been kinder to her, and her voice chokes with emotion as she recalls her heartbreak moment during the 2012 London Olympics.   Despite her strong performance throughout the competition, Swuro’s medal dreams were crushed when she was eliminated in the decisive round of 16. Her future prospects were eclipsed by the rise of another star — the teenage prodigy from Jharkhand, Deepika Kumari — who would go on to become India’s most decorated archer and the World No. 2.   Swuro has receded into the back pages of history. Today, she serves as a deputy superintendent in the Nagaland Armed Police. A mother and a homemaker, she leads a relatively quiet life. Yet, her brush with international sporting glory inspires many aspiring archers from India’s northeastern states to take up the sport.   In this episode of Almost Perfect, a series that examines the stories of Indian women athletes who competed alongside the stars but fell short of stardom, we hear from Chekrovolu Swuro about how she veered off target at a crucial moment in her life.  This show is produced by Confluence Media for Radio Azim Premji University.  Credits: Achie Humtsoe, Anisa Draboo, Gautam Datt, Jasleen Bhalla, Josy Joseph, Omair Farooq, and Siddhartha Mishra  Radio Azim Premji University: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar   For a comprehensive list of acknowledgements and resources for further exploration, please visit our website: https://azimpremjiuniversity.edu.in/almost-perfect-stories-of-forgotten-indian-women-athletes-2]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1771332405</guid><pubDate>Tue, 12 Mar 2024 12:23:27 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/59015599/1771332405_radioazimpremjiuniversity_ep2_almost_perfect_missing_the_mark_chekrovolu_swuro.mp3" length="31044753" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Chekrovolu Swuro came agonisingly close to fame, only to have the wind whisk it away from her. Taking aim at glory is not quite enough for an archer. For the arrow to chart a victorious course, it is equally important to have the wind in one’s favour....</itunes:subtitle><itunes:summary><![CDATA[Chekrovolu Swuro came agonisingly close to fame, only to have the wind whisk it away from her. Taking aim at glory is not quite enough for an archer. For the arrow to chart a victorious course, it is equally important to have the wind in one’s favour. Lesson learned, she bowed out from the limelight that was so briefly hers to cherish.  Swuro made history as only the second athlete from the northeast Indian state of Nagaland to represent India at the Olympics. She represented India in numerous international competitions, where she participated in the women's individual and team events. She won medals at the national level and became a key figure in promoting archery in her home state. Yet, she sometimes wishes that life had been kinder to her, and her voice chokes with emotion as she recalls her heartbreak moment during the 2012 London Olympics.   Despite her strong performance throughout the competition, Swuro’s medal dreams were crushed when she was eliminated in the decisive round of 16. Her future prospects were eclipsed by the rise of another star — the teenage prodigy from Jharkhand, Deepika Kumari — who would go on to become India’s most decorated archer and the World No. 2.   Swuro has receded into the back pages of history. Today, she serves as a deputy superintendent in the Nagaland Armed Police. A mother and a homemaker, she leads a relatively quiet life. Yet, her brush with international sporting glory inspires many aspiring archers from India’s northeastern states to take up the sport.   In this episode of Almost Perfect, a series that examines the stories of Indian women athletes who competed alongside the stars but fell short of stardom, we hear from Chekrovolu Swuro about how she veered off target at a crucial moment in her life.  This show is produced by Confluence Media for Radio Azim Premji University.  Credits: Achie Humtsoe, Anisa Draboo, Gautam Datt, Jasleen Bhalla, Josy Joseph, Omair Farooq, and Siddhartha Mishra  Radio Azim Premji University: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar   For a comprehensive list of acknowledgements and resources for further exploration, please visit our website: https://azimpremjiuniversity.edu.in/almost-perfect-stories-of-forgotten-indian-women-athletes-2]]></itunes:summary><itunes:duration>1941</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/9041c241998d0d07e313118cb0c59d2c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Story of Rice</title><link>https://www.spreaker.com/episode/story-of-rice--58855229</link><description><![CDATA[Chāwal, Bhāt, Sādam… it is almost impossible to picture Indian cuisine without a steaming mound of rice. Accompanied by a ladleful of boiled lentils, a seasoning of roasted cumin seeds, a dollop of ghee or curd, cooked along with meat or vegetables, or served with a side of curried fish, it is the centrepiece of a square meal in many regions of India.  Did you know that the English word ‘rice’ may have its roots in व्रीहि (“vrìhí”), the Sanskrit word for grain? References to rice are plentiful in ancient Indian texts, notably in the Mahabharata. The legend of the Akshaya Patra, the inexhaustible bowl, recounts how Krishna satisfied the hunger of a sage and his disciples with a single grain of rice and a small portion of vegetable. But what does it take to put a plateful of rice on your table?  In this episode of "Story Of...", Richa Govil examines the layered role of rice in Indian society and economy. Joining her is Manikandan V, faculty at Azim Premji University and an expert in food rights and social inclusion.  Originating in China 10,000 years ago, rice has become a global staple, especially in India, thanks to the mid-20th-century Green Revolution. While this government initiative boosted crop yields, it also led to environmental challenges like soil degradation and water depletion. Despite its benefits, the Green Revolution emphasised the need for sustainable agricultural practices. We delve into the complexities of sustainability in rice production, considering challenges like organic farming limitations, and the importance of holistic strategies such as sustainable water management and crop diversification.   Join Richa and Mani as they uncover how stakeholders are striving for a balance between economic viability, nutrition, and environmental sustainability in the journey from field to plate.  How about another serving?  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  For a comprehensive list of acknowledgements and resources for further exploration, visit our website]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1759405824</guid><pubDate>Tue, 27 Feb 2024 19:00:12 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58855229/1759405824_radioazimpremjiuniversity_story_of_rice.mp3" length="30103509" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Chāwal, Bhāt, Sādam… it is almost impossible to picture Indian cuisine without a steaming mound of rice. Accompanied by a ladleful of boiled lentils, a seasoning of roasted cumin seeds, a dollop of ghee or curd, cooked along with meat or vegetables,...</itunes:subtitle><itunes:summary><![CDATA[Chāwal, Bhāt, Sādam… it is almost impossible to picture Indian cuisine without a steaming mound of rice. Accompanied by a ladleful of boiled lentils, a seasoning of roasted cumin seeds, a dollop of ghee or curd, cooked along with meat or vegetables, or served with a side of curried fish, it is the centrepiece of a square meal in many regions of India.  Did you know that the English word ‘rice’ may have its roots in व्रीहि (“vrìhí”), the Sanskrit word for grain? References to rice are plentiful in ancient Indian texts, notably in the Mahabharata. The legend of the Akshaya Patra, the inexhaustible bowl, recounts how Krishna satisfied the hunger of a sage and his disciples with a single grain of rice and a small portion of vegetable. But what does it take to put a plateful of rice on your table?  In this episode of "Story Of...", Richa Govil examines the layered role of rice in Indian society and economy. Joining her is Manikandan V, faculty at Azim Premji University and an expert in food rights and social inclusion.  Originating in China 10,000 years ago, rice has become a global staple, especially in India, thanks to the mid-20th-century Green Revolution. While this government initiative boosted crop yields, it also led to environmental challenges like soil degradation and water depletion. Despite its benefits, the Green Revolution emphasised the need for sustainable agricultural practices. We delve into the complexities of sustainability in rice production, considering challenges like organic farming limitations, and the importance of holistic strategies such as sustainable water management and crop diversification.   Join Richa and Mani as they uncover how stakeholders are striving for a balance between economic viability, nutrition, and environmental sustainability in the journey from field to plate.  How about another serving?  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  For a comprehensive list of acknowledgements and resources for further exploration, visit our website]]></itunes:summary><itunes:duration>1882</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7c14acee2719e1a303bb41327e218d37.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>200 Meters From Glory - The Story of Rita Gombu Marwah’s Everest Summit Attempt</title><link>https://www.spreaker.com/episode/200-meters-from-glory-the-story-of-rita-gombu-marwah-s-everest-summit-attempt--58679694</link><description><![CDATA[In 1984, Bachendri Pal became a household name when she conquered Mount Everest, becoming the first Indian woman to do so. Her success, however, cast a shadow over her teammates. Chandraprabha Aitwal, Rita Gombu, Rekha Sharma, Harshwanti Bisht, and Sharawati Prabhu also attempted the climb but fell short of the summit — and the ensuing stardom.   Rita Gombu Marwah hails from the first family of Indian mountaineering. Her great-uncle, Sherpa Tenzing Norgay, made history when he recorded the first documented ascent of Mount Everest along with Sir Edmund Hillary in May 1953. Rita’s father, Nawang Gombu Sherpa, was the first man to summit the world’s tallest peak twice. Driven by her heritage to love the mountains, Rita trained rigorously and was thrilled when she was named part of the 1984 expedition to Everest, a team of six Indian women and eleven men to attempt the ascent.   As a member of Bachendri's team and a remarkable climber in her own right, Rita came agonisingly close to the summit before being thwarted by harsh weather conditions. Her attempt to reach the summit was cut short by only 200 meters due to adverse weather. In this episode, we hear the story of that almost-perfect moment from Rita Gombu Marwah.   Despite their personal setback, Bachendri's success brought joy to Rita and her teammates, though the anguish of opportunity lost would haunt them all their lives, underscoring the bittersweet aftertaste of sporting achievements.  This show is produced by Confluence Media for Radio Azim Premji University.  For a comprehensive list of acknowledgments and resources, please visit our website]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1746052281</guid><pubDate>Tue, 13 Feb 2024 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58679694/1746052281_radioazimpremjiuniversity_200_meters_from_glory_the.mp3" length="30988746" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In 1984, Bachendri Pal became a household name when she conquered Mount Everest, becoming the first Indian woman to do so. Her success, however, cast a shadow over her teammates. Chandraprabha Aitwal, Rita Gombu, Rekha Sharma, Harshwanti Bisht, and...</itunes:subtitle><itunes:summary><![CDATA[In 1984, Bachendri Pal became a household name when she conquered Mount Everest, becoming the first Indian woman to do so. Her success, however, cast a shadow over her teammates. Chandraprabha Aitwal, Rita Gombu, Rekha Sharma, Harshwanti Bisht, and Sharawati Prabhu also attempted the climb but fell short of the summit — and the ensuing stardom.   Rita Gombu Marwah hails from the first family of Indian mountaineering. Her great-uncle, Sherpa Tenzing Norgay, made history when he recorded the first documented ascent of Mount Everest along with Sir Edmund Hillary in May 1953. Rita’s father, Nawang Gombu Sherpa, was the first man to summit the world’s tallest peak twice. Driven by her heritage to love the mountains, Rita trained rigorously and was thrilled when she was named part of the 1984 expedition to Everest, a team of six Indian women and eleven men to attempt the ascent.   As a member of Bachendri's team and a remarkable climber in her own right, Rita came agonisingly close to the summit before being thwarted by harsh weather conditions. Her attempt to reach the summit was cut short by only 200 meters due to adverse weather. In this episode, we hear the story of that almost-perfect moment from Rita Gombu Marwah.   Despite their personal setback, Bachendri's success brought joy to Rita and her teammates, though the anguish of opportunity lost would haunt them all their lives, underscoring the bittersweet aftertaste of sporting achievements.  This show is produced by Confluence Media for Radio Azim Premji University.  For a comprehensive list of acknowledgments and resources, please visit our website]]></itunes:summary><itunes:duration>1937</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/55d9f3649339ee5d539c7ebd059d9de9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Trailer - Almost Perfect | A Podcast About Indian Women Athletes</title><link>https://www.spreaker.com/episode/trailer-almost-perfect-a-podcast-about-indian-women-athletes--58673823</link><description><![CDATA[Even if you are not a sports enthusiast, you’ve most probably heard of Sania Mirza, PT Usha, Rani Rampal, Deepika Kumari, and Bachendri Pal. But what about Archana Venkataraman, Rita Gombu, Vandana Rao, and Sarita Devi?   Probably not.   While some soar to stardom, others remain in the shadows despite their exceptional talents. Welcome to Almost Perfect, a captivating series that unearths the remarkable yet often overlooked stories of Indian women athletes.   We shine the spotlight on those who competed alongside the best but never quite achieved the fame they deserved. Their names may not be etched in history, yet their resilience and determination inspire us.  This show is produced by Confluence Media for Radio Azim Premji University.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1746052311</guid><pubDate>Tue, 13 Feb 2024 00:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58673823/1746052311_radioazimpremjiuniversity_trailer_almost_perfect_a.mp3" length="1237994" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Even if you are not a sports enthusiast, you’ve most probably heard of Sania Mirza, PT Usha, Rani Rampal, Deepika Kumari, and Bachendri Pal. But what about Archana Venkataraman, Rita Gombu, Vandana Rao, and Sarita Devi?   Probably not.   While some...</itunes:subtitle><itunes:summary><![CDATA[Even if you are not a sports enthusiast, you’ve most probably heard of Sania Mirza, PT Usha, Rani Rampal, Deepika Kumari, and Bachendri Pal. But what about Archana Venkataraman, Rita Gombu, Vandana Rao, and Sarita Devi?   Probably not.   While some soar to stardom, others remain in the shadows despite their exceptional talents. Welcome to Almost Perfect, a captivating series that unearths the remarkable yet often overlooked stories of Indian women athletes.   We shine the spotlight on those who competed alongside the best but never quite achieved the fame they deserved. Their names may not be etched in history, yet their resilience and determination inspire us.  This show is produced by Confluence Media for Radio Azim Premji University.]]></itunes:summary><itunes:duration>78</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/55d9f3649339ee5d539c7ebd059d9de9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ep 2 - How Indian is the Harmonium? | Unboxed - The Harmonium in India with Sharmadip Basu</title><link>https://www.spreaker.com/episode/ep-2-how-indian-is-the-harmonium-unboxed-the-harmonium-in-india-with-sharmadip-basu--58538497</link><description><![CDATA[In the second part of "Unboxed - The Harmonium In India," host Sharmadip Basu details how the European-origin harmonium, adapted for Indian conditions, became a favoured instrument across genres. Despite its affordability, portability, and durability, nationalists criticised its foreign origins, and purists disapproved of its inability to handle microtones (shruti). Figures like Nehru, Gandhi, Tagore, and Coomaraswamy expressed their disdain, and eventually it was banned on All India Radio. Despite this, the harmonium flourished among the masses and gained acceptance among some Carnatic and Hindustani musicians. Frustrated by the ban, harmonium players staged a satirical funeral procession burying their instruments. The harmonium later returned to Indian airwaves and became a staple in musical genres among the diaspora.   Listen to the full story on Ep 2 of "Unboxed - The Harmonium in India" on Radio Azim Premji University. Don’t miss the first episode of this series.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar   For a detailed list of acknowledgments and resources for further exploration, visit our website: https://azimpremjiuniversity.edu.in/unboxed-harmonium-india]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1734002676</guid><pubDate>Thu, 01 Feb 2024 23:01:32 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58538497/1734002676_radioazimpremjiuniversity_ep_2_how_indian_is_the_harmonium_unboxed_the_harmonium_in_india_with_sharmadip_basu.mp3" length="18032012" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In the second part of "Unboxed - The Harmonium In India," host Sharmadip Basu details how the European-origin harmonium, adapted for Indian conditions, became a favoured instrument across genres. Despite its affordability, portability, and durability,...</itunes:subtitle><itunes:summary><![CDATA[In the second part of "Unboxed - The Harmonium In India," host Sharmadip Basu details how the European-origin harmonium, adapted for Indian conditions, became a favoured instrument across genres. Despite its affordability, portability, and durability, nationalists criticised its foreign origins, and purists disapproved of its inability to handle microtones (shruti). Figures like Nehru, Gandhi, Tagore, and Coomaraswamy expressed their disdain, and eventually it was banned on All India Radio. Despite this, the harmonium flourished among the masses and gained acceptance among some Carnatic and Hindustani musicians. Frustrated by the ban, harmonium players staged a satirical funeral procession burying their instruments. The harmonium later returned to Indian airwaves and became a staple in musical genres among the diaspora.   Listen to the full story on Ep 2 of "Unboxed - The Harmonium in India" on Radio Azim Premji University. Don’t miss the first episode of this series.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Harshit Hillol Gogoi, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar   For a detailed list of acknowledgments and resources for further exploration, visit our website: https://azimpremjiuniversity.edu.in/unboxed-harmonium-india]]></itunes:summary><itunes:duration>1127</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/67e6411597a03d3b9e477e6247f6a4d5.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dastaan-e-Samvidhaan | दास्ताँ ए संविधान | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/dastaan-e-samvidhaan-dastam-e-sanvidhana-radio-azim-premji-university--58440182</link><description><![CDATA[Dastaan-e-Samvidhaan | दास्ताँ ए संविधान | Radio Azim Premji University by Radio Azim Premji University]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1726759551</guid><pubDate>Thu, 25 Jan 2024 02:16:08 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58440182/1726759551_radioazimpremjiuniversity_dastaan_e_samvidhaan_radio_azim_premji_university.mp3" length="31558425" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Dastaan-e-Samvidhaan | दास्ताँ ए संविधान | Radio Azim Premji University by Radio Azim Premji University</itunes:subtitle><itunes:summary><![CDATA[Dastaan-e-Samvidhaan | दास्ताँ ए संविधान | Radio Azim Premji University by Radio Azim Premji University]]></itunes:summary><itunes:duration>1973</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4f6401e00d0956a1f0e60d4a5a49bcea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Kole Basava | Banni Kelona | Radio Azim Premji University</title><link>https://www.spreaker.com/episode/kole-basava-banni-kelona-radio-azim-premji-university--58319303</link><description><![CDATA[The Kole Basava community, native to Andhra Pradesh, considers their cattle as family. These itinerant musicians are often seen on city streets seeking alms as they lead their decorated bulls and cows while playing the nadaswaram, a traditional woodwind instrument. The traditional lifestyle sustaining these musicians is no longer lucrative, leading many to migrate to cities like Bengaluru, where their music falls on deaf ears. Struggling to earn through their art, they explore alternative opportunities while holding onto their cherished cattle, which are integral to their way of life.  In the first episode of Banni Kelona, we visit the Kole Basava settlement near Bengaluru. Battling daily challenges, the Kole Basava struggle to maintain the pride and dignity once associated with their work.   ತಮಿಳುನಾಡು ಮತ್ತು ಆಂಧ್ರಪ್ರದೇಶದಲ್ಲಿ ಪೊಂಗಲ್ ಎಂದು ಕರೆಯಲ್ಪಡುವ ಮಕರ ಸಂಕ್ರಾಂತಿಯ ನಾಲ್ಕು ದಿನಗಳ ಚಳಿಗಾಲದ ಹಬ್ಬವು ಮಾಟ್ಟು ಪೊಂಗಲ್ ಆಚರಣೆಯಲ್ಲಿ ಕೊನೆಗೊಳ್ಳುತ್ತದೆ, ಸಂಪತ್ತು, ಸಮೃದ್ಧಿ ಮತ್ತು ಫಲವತ್ತತೆಯ ಸಂಕೇತವಾಗಿ ಜಾನುವಾರುಗಳನ್ನು ಗೌರವಿಸುತ್ತದೆ.  ಆಂಧ್ರಪ್ರದೇಶದ ಕೋಲೆ ಬಸವ ಸಮುದಾಯದವರು ತಮ್ಮ ಜಾನುವಾರುಗಳನ್ನು ಕುಟುಂಬವೆಂದು ಪರಿಗಣಿಸುತ್ತಾರೆ. ಸಾಂಪ್ರದಾಯಿಕ ಮರದ ಗಾಳಿ ವಾದ್ಯವಾದ ನಾದಸ್ವರವನ್ನು ನುಡಿಸುವಾಗ ಈ ಸಂಚಾರಿ ಸಂಗೀತಗಾರರು ಸಾಮಾನ್ಯವಾಗಿ ನಗರದ ಬೀದಿಗಳಲ್ಲಿ ಭಿಕ್ಷೆಯನ್ನು ಬಯಸುತ್ತಾರೆ.  ಈ ಸಂಗೀತಗಾರರನ್ನು ಬೆಂಬಲಿಸುವ ಸಾಂಪ್ರದಾಯಿಕ ಜೀವನಶೈಲಿಯು ಇನ್ನು ಮುಂದೆ ಲಾಭದಾಯಕವಾಗಿಲ್ಲ, ಅನೇಕರು ಬೆಂಗಳೂರಿನಂತಹ ನಗರಗಳಿಗೆ ವಲಸೆ ಹೋಗುತ್ತಾರೆ, ಅಲ್ಲಿ ಅವರ ಸಂಗೀತವು ಕಿವುಡ ಕಿವಿಗೆ ಬೀಳುತ್ತದೆ. ತಮ್ಮ ಕಲೆಯ ಮೂಲಕ ಗಳಿಸಲು ಹೆಣಗಾಡುತ್ತಾ, ಅವರು ತಮ್ಮ ಜೀವನ ವಿಧಾನಕ್ಕೆ ಅವಿಭಾಜ್ಯವಾದ ತಮ್ಮ ಪಾಲಿಸಬೇಕಾದ ಜಾನುವಾರುಗಳನ್ನು ಹಿಡಿದಿಟ್ಟುಕೊಂಡು ಪರ್ಯಾಯ ಅವಕಾಶಗಳನ್ನು ಅನ್ವೇಷಿಸುತ್ತಾರೆ.  ಬದಲಾಗುತ್ತಿರುವ ಕಾಲವು ಕೋಲೆ ಬಸವ ಸಂಗೀತಗಾರರನ್ನು ಭಿಕ್ಷೆಗೆ ತಳ್ಳಿದೆಯಾದರೂ, ಅವರು ಗೌರವಾನ್ವಿತ ಸಮಯವನ್ನು ನೆನಪಿಸಿಕೊಳ್ಳುತ್ತಾರೆ, ಹಣ, ಬಟ್ಟೆ ಮತ್ತು ಆಹಾರದ ಉಡುಗೊರೆಗಳನ್ನು ಪಡೆದರು. ಭಕ್ತ ಪಟ್ಟಣವಾಸಿಗಳು ಪವಿತ್ರ ಬಸವ ವೃಷಭಗಳಿಂದ ಸಲಹೆಯನ್ನು ಕೇಳಿದರು, ಅವರ ತಲೆ-ನೋವುಗಳನ್ನು ಉತ್ತರಗಳಾಗಿ ಅರ್ಥೈಸಿದರು. ಜನಪದ ನಾಟಕಗಳು ಮತ್ತು ಪ್ರಾಣಿಗಳೊಂದಿಗೆ ಚಮತ್ಕಾರಿಕ ಸಂಪ್ರದಾಯವು ಮರೆಯಾಯಿತು.  ಇಂದು ಉಳಿದಿರುವ ಕೋಲೆ ಬಸವ ತಮ್ಮ ಸಂಪ್ರದಾಯವನ್ನು ಉಳಿಸಿಕೊಳ್ಳಲು ಶ್ರಮಿಸುತ್ತಿರುವುದರಿಂದ ಅವರ ಘನತೆಗೆ ಕುಂದುಂಟಾಗಿದೆ, ಅನೇಕರನ್ನು ಭಿಕ್ಷುಕರನ್ನಾಗಿಸಿದೆ. ಒಮ್ಮೆ ಚೆನ್ನಾಗಿ ತಿನ್ನುತ್ತಿದ್ದ, ಅವರ ಪವಿತ್ರ ಎತ್ತುಗಳು ಈಗ ಹಸಿವಿನಿಂದ ಬಳಲುತ್ತಿವೆ ಏಕೆಂದರೆ ಅವುಗಳ ಮಾಲೀಕರು ಹುಲ್ಲು ಮತ್ತು ಜಾನುವಾರುಗಳ ಆಹಾರವನ್ನು ಪಡೆಯಲು ಹೆಣಗಾಡುತ್ತಾರೆ. ವಾಹನದ ನಿಷ್ಕಾಸ ಮತ್ತು ಟ್ರಾಫಿಕ್ ಶಬ್ದದಿಂದ ತುಂಬಿದ ನಗರದ ಬೀದಿಗಳು ಅವರಿಗೆ ನಿರಾಶ್ರಿತವಾಗಿವೆ.  ಕಲಾತ್ಮಕ ಸಂಪ್ರದಾಯಗಳು ಆಶೀರ್ವಾದ ಎಂದು ಊಹೆಯ ಹೊರತಾಗಿಯೂ, ಕೆಲವು ಕೋಲೆ ಬಸವ ಸದಸ್ಯರು ಆರ್ಥಿಕ ಹೋರಾಟಗಳು, ಭೂಮಿಯ ಕೊರತೆ ಮತ್ತು ಶೈಕ್ಷಣಿಕ ಅವಕಾಶಗಳಿಂದ ಅವುಗಳನ್ನು ಶಾಪಗಳಾಗಿ ನೋಡುತ್ತಾರೆ. ನಗರೀಕರಣವು ಅವರ ಸಂಪ್ರದಾಯಗಳಿಗೆ ಅಡ್ಡಿಯಾಗುತ್ತದೆ ಮತ್ತು ಯುವ ಪೀಳಿಗೆಯು ಆಸಕ್ತಿಯನ್ನು ಕಳೆದುಕೊಳ್ಳುತ್ತದೆ, ಇದು ಸಂಪ್ರದಾಯದ ಅವನತಿಗೆ ಕಾರಣವಾಗುತ್ತದೆ.  ಕೋಲೆ ಬಸವವನ್ನು ನಿಶ್ಚಲ್ ಮತ್ತು ಸ್ಪೂರ್ತಿ ಅವರು ಸಂಗಮದಿಂದ ಪ್ರಸ್ತುತಪಡಿಸಿದ್ದಾರೆ, ಇದು ಇಂಗ್ಲಿಷ್ ಅಲ್ಲದ ಲೈಂಗಿಕ ಅಲ್ಪಸಂಖ್ಯಾತರನ್ನು ಬೆಂಬಲಿಸುವ NGO. ಈ ಸಂಚಿಕೆಯಲ್ಲಿ ನಾವು ಬೆಂಗಳೂರು ಸಮೀಪದ ಕೋಲೆ ಬಸವ ಬಡಾವಣೆಗೆ ಭೇಟಿ ನೀಡುತ್ತೇವೆ. ದಿನನಿತ್ಯದ ಸವಾಲುಗಳನ್ನು ಎದುರಿಸುತ್ತಾ, ಕೋಲೆ ಬಸವ ತಮ್ಮ ಕೆಲಸದೊಂದಿಗೆ ಒಂದು ಕಾಲದಲ್ಲಿ ಸಂಬಂಧ ಹೊಂದಿದ್ದ ಹೆಮ್ಮೆ ಮತ್ತು ಘನತೆಯನ್ನು ಉಳಿಸಿಕೊಳ್ಳಲು ಹೆಣಗಾಡುತ್ತಾರೆ.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shabeer PK, Shraddha Gautam, Supriya Joshi, Velu Shankar, and Vishnu Harikumar  Acknowledgements:  Rajesh Srinivas, Malabai, Rajeshwari, Nischal RS, and Spoorthi from Sangama Host: Akrti Original Sound Track by Bruce Lee Mani featuring Manjunath V on Nadaswaram]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1718988831</guid><pubDate>Tue, 16 Jan 2024 13:25:31 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58319303/1718988831_radioazimpremjiuniversity_ep_1_kole_basava_banni_kelona_radio_azim_premji_university.mp3" length="15366686" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>The Kole Basava community, native to Andhra Pradesh, considers their cattle as family. These itinerant musicians are often seen on city streets seeking alms as they lead their decorated bulls and cows while playing the nadaswaram, a traditional...</itunes:subtitle><itunes:summary><![CDATA[The Kole Basava community, native to Andhra Pradesh, considers their cattle as family. These itinerant musicians are often seen on city streets seeking alms as they lead their decorated bulls and cows while playing the nadaswaram, a traditional woodwind instrument. The traditional lifestyle sustaining these musicians is no longer lucrative, leading many to migrate to cities like Bengaluru, where their music falls on deaf ears. Struggling to earn through their art, they explore alternative opportunities while holding onto their cherished cattle, which are integral to their way of life.  In the first episode of Banni Kelona, we visit the Kole Basava settlement near Bengaluru. Battling daily challenges, the Kole Basava struggle to maintain the pride and dignity once associated with their work.   ತಮಿಳುನಾಡು ಮತ್ತು ಆಂಧ್ರಪ್ರದೇಶದಲ್ಲಿ ಪೊಂಗಲ್ ಎಂದು ಕರೆಯಲ್ಪಡುವ ಮಕರ ಸಂಕ್ರಾಂತಿಯ ನಾಲ್ಕು ದಿನಗಳ ಚಳಿಗಾಲದ ಹಬ್ಬವು ಮಾಟ್ಟು ಪೊಂಗಲ್ ಆಚರಣೆಯಲ್ಲಿ ಕೊನೆಗೊಳ್ಳುತ್ತದೆ, ಸಂಪತ್ತು, ಸಮೃದ್ಧಿ ಮತ್ತು ಫಲವತ್ತತೆಯ ಸಂಕೇತವಾಗಿ ಜಾನುವಾರುಗಳನ್ನು ಗೌರವಿಸುತ್ತದೆ.  ಆಂಧ್ರಪ್ರದೇಶದ ಕೋಲೆ ಬಸವ ಸಮುದಾಯದವರು ತಮ್ಮ ಜಾನುವಾರುಗಳನ್ನು ಕುಟುಂಬವೆಂದು ಪರಿಗಣಿಸುತ್ತಾರೆ. ಸಾಂಪ್ರದಾಯಿಕ ಮರದ ಗಾಳಿ ವಾದ್ಯವಾದ ನಾದಸ್ವರವನ್ನು ನುಡಿಸುವಾಗ ಈ ಸಂಚಾರಿ ಸಂಗೀತಗಾರರು ಸಾಮಾನ್ಯವಾಗಿ ನಗರದ ಬೀದಿಗಳಲ್ಲಿ ಭಿಕ್ಷೆಯನ್ನು ಬಯಸುತ್ತಾರೆ.  ಈ ಸಂಗೀತಗಾರರನ್ನು ಬೆಂಬಲಿಸುವ ಸಾಂಪ್ರದಾಯಿಕ ಜೀವನಶೈಲಿಯು ಇನ್ನು ಮುಂದೆ ಲಾಭದಾಯಕವಾಗಿಲ್ಲ, ಅನೇಕರು ಬೆಂಗಳೂರಿನಂತಹ ನಗರಗಳಿಗೆ ವಲಸೆ ಹೋಗುತ್ತಾರೆ, ಅಲ್ಲಿ ಅವರ ಸಂಗೀತವು ಕಿವುಡ ಕಿವಿಗೆ ಬೀಳುತ್ತದೆ. ತಮ್ಮ ಕಲೆಯ ಮೂಲಕ ಗಳಿಸಲು ಹೆಣಗಾಡುತ್ತಾ, ಅವರು ತಮ್ಮ ಜೀವನ ವಿಧಾನಕ್ಕೆ ಅವಿಭಾಜ್ಯವಾದ ತಮ್ಮ ಪಾಲಿಸಬೇಕಾದ ಜಾನುವಾರುಗಳನ್ನು ಹಿಡಿದಿಟ್ಟುಕೊಂಡು ಪರ್ಯಾಯ ಅವಕಾಶಗಳನ್ನು ಅನ್ವೇಷಿಸುತ್ತಾರೆ.  ಬದಲಾಗುತ್ತಿರುವ ಕಾಲವು ಕೋಲೆ ಬಸವ ಸಂಗೀತಗಾರರನ್ನು ಭಿಕ್ಷೆಗೆ ತಳ್ಳಿದೆಯಾದರೂ, ಅವರು ಗೌರವಾನ್ವಿತ ಸಮಯವನ್ನು ನೆನಪಿಸಿಕೊಳ್ಳುತ್ತಾರೆ, ಹಣ, ಬಟ್ಟೆ ಮತ್ತು ಆಹಾರದ ಉಡುಗೊರೆಗಳನ್ನು ಪಡೆದರು. ಭಕ್ತ ಪಟ್ಟಣವಾಸಿಗಳು ಪವಿತ್ರ ಬಸವ ವೃಷಭಗಳಿಂದ ಸಲಹೆಯನ್ನು ಕೇಳಿದರು, ಅವರ ತಲೆ-ನೋವುಗಳನ್ನು ಉತ್ತರಗಳಾಗಿ ಅರ್ಥೈಸಿದರು. ಜನಪದ ನಾಟಕಗಳು ಮತ್ತು ಪ್ರಾಣಿಗಳೊಂದಿಗೆ ಚಮತ್ಕಾರಿಕ ಸಂಪ್ರದಾಯವು ಮರೆಯಾಯಿತು.  ಇಂದು ಉಳಿದಿರುವ ಕೋಲೆ ಬಸವ ತಮ್ಮ ಸಂಪ್ರದಾಯವನ್ನು ಉಳಿಸಿಕೊಳ್ಳಲು ಶ್ರಮಿಸುತ್ತಿರುವುದರಿಂದ ಅವರ ಘನತೆಗೆ ಕುಂದುಂಟಾಗಿದೆ, ಅನೇಕರನ್ನು ಭಿಕ್ಷುಕರನ್ನಾಗಿಸಿದೆ. ಒಮ್ಮೆ ಚೆನ್ನಾಗಿ ತಿನ್ನುತ್ತಿದ್ದ, ಅವರ ಪವಿತ್ರ ಎತ್ತುಗಳು ಈಗ ಹಸಿವಿನಿಂದ ಬಳಲುತ್ತಿವೆ ಏಕೆಂದರೆ ಅವುಗಳ ಮಾಲೀಕರು ಹುಲ್ಲು ಮತ್ತು ಜಾನುವಾರುಗಳ ಆಹಾರವನ್ನು ಪಡೆಯಲು ಹೆಣಗಾಡುತ್ತಾರೆ. ವಾಹನದ ನಿಷ್ಕಾಸ ಮತ್ತು ಟ್ರಾಫಿಕ್ ಶಬ್ದದಿಂದ ತುಂಬಿದ ನಗರದ ಬೀದಿಗಳು ಅವರಿಗೆ ನಿರಾಶ್ರಿತವಾಗಿವೆ.  ಕಲಾತ್ಮಕ ಸಂಪ್ರದಾಯಗಳು ಆಶೀರ್ವಾದ ಎಂದು ಊಹೆಯ ಹೊರತಾಗಿಯೂ, ಕೆಲವು ಕೋಲೆ ಬಸವ ಸದಸ್ಯರು ಆರ್ಥಿಕ ಹೋರಾಟಗಳು, ಭೂಮಿಯ ಕೊರತೆ ಮತ್ತು ಶೈಕ್ಷಣಿಕ ಅವಕಾಶಗಳಿಂದ ಅವುಗಳನ್ನು ಶಾಪಗಳಾಗಿ ನೋಡುತ್ತಾರೆ. ನಗರೀಕರಣವು ಅವರ ಸಂಪ್ರದಾಯಗಳಿಗೆ ಅಡ್ಡಿಯಾಗುತ್ತದೆ ಮತ್ತು ಯುವ ಪೀಳಿಗೆಯು ಆಸಕ್ತಿಯನ್ನು ಕಳೆದುಕೊಳ್ಳುತ್ತದೆ, ಇದು ಸಂಪ್ರದಾಯದ ಅವನತಿಗೆ ಕಾರಣವಾಗುತ್ತದೆ.  ಕೋಲೆ ಬಸವವನ್ನು ನಿಶ್ಚಲ್ ಮತ್ತು ಸ್ಪೂರ್ತಿ ಅವರು ಸಂಗಮದಿಂದ ಪ್ರಸ್ತುತಪಡಿಸಿದ್ದಾರೆ, ಇದು ಇಂಗ್ಲಿಷ್ ಅಲ್ಲದ ಲೈಂಗಿಕ ಅಲ್ಪಸಂಖ್ಯಾತರನ್ನು ಬೆಂಬಲಿಸುವ NGO. ಈ ಸಂಚಿಕೆಯಲ್ಲಿ ನಾವು ಬೆಂಗಳೂರು ಸಮೀಪದ ಕೋಲೆ ಬಸವ ಬಡಾವಣೆಗೆ ಭೇಟಿ ನೀಡುತ್ತೇವೆ. ದಿನನಿತ್ಯದ ಸವಾಲುಗಳನ್ನು ಎದುರಿಸುತ್ತಾ, ಕೋಲೆ ಬಸವ ತಮ್ಮ ಕೆಲಸದೊಂದಿಗೆ ಒಂದು ಕಾಲದಲ್ಲಿ ಸಂಬಂಧ ಹೊಂದಿದ್ದ ಹೆಮ್ಮೆ ಮತ್ತು ಘನತೆಯನ್ನು ಉಳಿಸಿಕೊಳ್ಳಲು ಹೆಣಗಾಡುತ್ತಾರೆ.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shabeer PK, Shraddha Gautam, Supriya Joshi, Velu Shankar, and Vishnu Harikumar  Acknowledgements:  Rajesh Srinivas, Malabai, Rajeshwari, Nischal RS, and Spoorthi from Sangama Host: Akrti Original Sound Track by Bruce Lee Mani featuring Manjunath V on Nadaswaram]]></itunes:summary><itunes:duration>961</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1ed01401cb2b16adf976dd9c4e8e60ae.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Trailer | Banni Kelona Ep 1 - Kole Basava</title><link>https://www.spreaker.com/episode/trailer-banni-kelona-ep-1-kole-basava--58319304</link><description><![CDATA[“Banni Kelona” (Come, Let’s Listen) is a series in Kannada from Radio Azim Premji University that looks at the vanishing traditions of marginalised communities in the state of Karnataka. In our first episode, we look at the lives of the itinerant Kole Basava musician community. Tune into Radio Azim Premji University to listen.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1718979399</guid><pubDate>Tue, 16 Jan 2024 12:46:39 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58319304/1718979399_radioazimpremjiuniversity_trailer_banni_kelona_ep_1_kole_basava.mp3" length="930376" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>“Banni Kelona” (Come, Let’s Listen) is a series in Kannada from Radio Azim Premji University that looks at the vanishing traditions of marginalised communities in the state of Karnataka. In our first episode, we look at the lives of the itinerant Kole...</itunes:subtitle><itunes:summary><![CDATA[“Banni Kelona” (Come, Let’s Listen) is a series in Kannada from Radio Azim Premji University that looks at the vanishing traditions of marginalised communities in the state of Karnataka. In our first episode, we look at the lives of the itinerant Kole Basava musician community. Tune into Radio Azim Premji University to listen.]]></itunes:summary><itunes:duration>59</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c7abda6694093914487cf4b7237a31b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Episode 1 | Unboxed - The Harmonium In India With Sharmadip Basu</title><link>https://www.spreaker.com/episode/episode-1-unboxed-the-harmonium-in-india-with-sharmadip-basu--58240457</link><description><![CDATA[Growing up in West Bengal, Sharmadip Basu believed the harmonium, a common sight in the region’s middle-class households, was an Indian instrument. However, while reading Milan Kundera’s The Joke, he stumbled upon a mention of the harmonium in Moravian folk music, prompting him to delve into its origins.  His findings fascinated him even more. The harmonium had arrived in India through Christian missionaries but was then adapted and embraced by musicians across various religious groups, being used in Brahmo Samaj hymns, Sikh kirtans, ghazals, bhajans, and more. Initially transformed by a Bengali instrument-maker to suit Indian conditions and playing styles, affordable versions flooded the market, gaining popularity among folk musicians.  Despite criticism from nationalists, purists, and figures like Gandhi, Nehru, and Tagore, who disparaged its sound, the harmonium remained widely loved. Despite All India Radio banning it, its popularity endured.  In the first part of our two-episode series on Radio Azim Premji University, explore the tale of how the harmonium took root in India and captured the hearts of Indians.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1712379837</guid><pubDate>Tue, 09 Jan 2024 13:55:13 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58240457/1712379837_radioazimpremjiuniversity_episode_1_unboxed_the_harmonium_in_india_with_sharmadip_basu.mp3" length="29943430" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Growing up in West Bengal, Sharmadip Basu believed the harmonium, a common sight in the region’s middle-class households, was an Indian instrument. However, while reading Milan Kundera’s The Joke, he stumbled upon a mention of the harmonium in...</itunes:subtitle><itunes:summary><![CDATA[Growing up in West Bengal, Sharmadip Basu believed the harmonium, a common sight in the region’s middle-class households, was an Indian instrument. However, while reading Milan Kundera’s The Joke, he stumbled upon a mention of the harmonium in Moravian folk music, prompting him to delve into its origins.  His findings fascinated him even more. The harmonium had arrived in India through Christian missionaries but was then adapted and embraced by musicians across various religious groups, being used in Brahmo Samaj hymns, Sikh kirtans, ghazals, bhajans, and more. Initially transformed by a Bengali instrument-maker to suit Indian conditions and playing styles, affordable versions flooded the market, gaining popularity among folk musicians.  Despite criticism from nationalists, purists, and figures like Gandhi, Nehru, and Tagore, who disparaged its sound, the harmonium remained widely loved. Despite All India Radio banning it, its popularity endured.  In the first part of our two-episode series on Radio Azim Premji University, explore the tale of how the harmonium took root in India and captured the hearts of Indians.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></itunes:summary><itunes:duration>1872</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf2d210996dce41fac4141022f4dd31d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Trailer | Unboxed - The Harmonium in India with Sharmadip Basu</title><link>https://www.spreaker.com/episode/trailer-unboxed-the-harmonium-in-india-with-sharmadip-basu--58202556</link><description><![CDATA[The harmonium. So organic and familiar is its sound that few Indians would imagine that its origins lie outside their country. Yet, packed into its compact box-like shape is a fabled history that meanders from 19th century Europe to 20th century colonial India.   An instrument invented — and patented — in Europe by a Frenchman, the harmonium was reinvented in colonial Calcutta by a Bengali instrument maker to suit Indian climatic conditions, musical playing styles, and affordability. While its sound drew congregations together, it equally irked nationalists and patriots who warned of its propensity to pollute the refined musical ear of Indians. Despite the opposition, the popularity of the harmonium spread like wildfire as it accompanied folk musicians of various persuasions across the country, and thereafter into the world as a cultural export with the Indian diaspora.   Unpacking this fascinating tale for Radio Azim Premji University is Sharmadip Basu, who teaches history and social science at the university. Stay tuned for Unboxed - The Harmonium In India, in the first episode of a two-part series.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1707946122</guid><pubDate>Fri, 05 Jan 2024 00:00:39 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58202556/1707946122_radioazimpremjiuniversity_trailer_unboxed_the_harmonium_in_india_with_sharmadip_basu.mp3" length="960051" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>The harmonium. So organic and familiar is its sound that few Indians would imagine that its origins lie outside their country. Yet, packed into its compact box-like shape is a fabled history that meanders from 19th century Europe to 20th century...</itunes:subtitle><itunes:summary><![CDATA[The harmonium. So organic and familiar is its sound that few Indians would imagine that its origins lie outside their country. Yet, packed into its compact box-like shape is a fabled history that meanders from 19th century Europe to 20th century colonial India.   An instrument invented — and patented — in Europe by a Frenchman, the harmonium was reinvented in colonial Calcutta by a Bengali instrument maker to suit Indian climatic conditions, musical playing styles, and affordability. While its sound drew congregations together, it equally irked nationalists and patriots who warned of its propensity to pollute the refined musical ear of Indians. Despite the opposition, the popularity of the harmonium spread like wildfire as it accompanied folk musicians of various persuasions across the country, and thereafter into the world as a cultural export with the Indian diaspora.   Unpacking this fascinating tale for Radio Azim Premji University is Sharmadip Basu, who teaches history and social science at the university. Stay tuned for Unboxed - The Harmonium In India, in the first episode of a two-part series.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar]]></itunes:summary><itunes:duration>60</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/9f55ca167c4f40141c0c436387cdc8e6.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>2023 At Radio Azim Premji University - An Earful Of Stories, A Year Full Of Stories</title><link>https://www.spreaker.com/episode/2023-at-radio-azim-premji-university-an-earful-of-stories-a-year-full-of-stories--58097997</link><description><![CDATA[Twenty Twenty-Three!  This was the year of the story.  From the story of the Indian republic to the story of Indian cricket…  From the beautiful mind of Ghalib to the beating heart of Bhakti…  From the curious history of mathematics to the fascinating world of science…  From Stories of Change to stories of everyday objects…  From stories in the street to stories from our campus…  An earful of stories.  A year full of stories.  Enjoy this special recap only on Radio Azim Premji University.  We’ll be back with more in 2024. Thank you for listening.  Explore our shows:  The India Project With Josy Joseph  Yun Hota Toh Kya Hota? The World Of Ghalib With Amit Basole  What About Science? With Nandita Jayaraj  It’s A Math Math Math World With Giri And Raghu  Well Caught With Divakaran And Shraddha  Stories Of Change With Anuradha Nagaraj  Story Of.. With Richa Govil  100/ 100 Karnataka With Sudheesh Venkatesh And Shraddha  Hindustan Ki Nayi Geetmala  Campus Cast  Bookmark this page for the latest shows: https://azimpremjiuniversity.edu.in/shows  Radio Azim Premji University is brought to you by Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1697037855</guid><pubDate>Fri, 22 Dec 2023 15:34:43 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58097997/1697037855_radioazimpremjiuniversity_2023_at_radio_azim_premji_university_an_earful_of_stories_a_year_full_of_stories.mp3" length="24095346" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Twenty Twenty-Three!  This was the year of the story.  From the story of the Indian republic to the story of Indian cricket…  From the beautiful mind of Ghalib to the beating heart of Bhakti…  From the curious history of mathematics to the fascinating...</itunes:subtitle><itunes:summary><![CDATA[Twenty Twenty-Three!  This was the year of the story.  From the story of the Indian republic to the story of Indian cricket…  From the beautiful mind of Ghalib to the beating heart of Bhakti…  From the curious history of mathematics to the fascinating world of science…  From Stories of Change to stories of everyday objects…  From stories in the street to stories from our campus…  An earful of stories.  A year full of stories.  Enjoy this special recap only on Radio Azim Premji University.  We’ll be back with more in 2024. Thank you for listening.  Explore our shows:  The India Project With Josy Joseph  Yun Hota Toh Kya Hota? The World Of Ghalib With Amit Basole  What About Science? With Nandita Jayaraj  It’s A Math Math Math World With Giri And Raghu  Well Caught With Divakaran And Shraddha  Stories Of Change With Anuradha Nagaraj  Story Of.. With Richa Govil  100/ 100 Karnataka With Sudheesh Venkatesh And Shraddha  Hindustan Ki Nayi Geetmala  Campus Cast  Bookmark this page for the latest shows: https://azimpremjiuniversity.edu.in/shows  Radio Azim Premji University is brought to you by Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, Velu Shankar]]></itunes:summary><itunes:duration>603</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb22c11f24a4910263cd0d27c16871f9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tala Mana | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani</title><link>https://www.spreaker.com/episode/tala-mana-kayakave-kailasa-bhakti-republic-ost-m-d-pallavi-and-bruce-lee-mani--58070608</link><description><![CDATA[I don’t know anything like time-beats and metre nor the arithmetic of strings and drums; I don’t know the count of iamb and dactyl.  KuDalsangamadeva, as nothing will hurt you I’ll sing as I love.  Poet: Basavanna Translator: A K Ramanujan Source: Speaking of Siva, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Basava, also known as Basaveshwara and Basavanna, played a pivotal role in Vachana Sahitya during the Kalyani Chalukya and Kalachuri dynasties in 12th century Karnataka. Despite his Brahmin caste background, he vehemently opposed gender and social discrimination, superstitions, and rituals. Basava introduced the Ishtalinga necklace for all, promoting devotion to Shiva regardless of birth. As finance minister under King Bijjala II, he utilized the state treasury for social and religious reform. He established Anubhava Mantapa, a ‘parliament’ for individuals from diverse backgrounds to engage in spiritual and existential discussions, emphasizing his philosophy centered on valuing the living human experience over static structures like temples. Basava's sharana philosophy emphasizes the body as a temple (Kayakave Kailasa) and as an instrument for honoring the divine.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694715144</guid><pubDate>Wed, 20 Dec 2023 12:26:45 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58070608/1694715144_radioazimpremjiuniversity_11_basavanna_tala_mana.mp3" length="3617017" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>I don’t know anything like time-beats and metre nor the arithmetic of strings and drums; I don’t know the count of iamb and dactyl.  KuDalsangamadeva, as nothing will hurt you I’ll sing as I love.  Poet: Basavanna Translator: A K Ramanujan Source:...</itunes:subtitle><itunes:summary><![CDATA[I don’t know anything like time-beats and metre nor the arithmetic of strings and drums; I don’t know the count of iamb and dactyl.  KuDalsangamadeva, as nothing will hurt you I’ll sing as I love.  Poet: Basavanna Translator: A K Ramanujan Source: Speaking of Siva, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Basava, also known as Basaveshwara and Basavanna, played a pivotal role in Vachana Sahitya during the Kalyani Chalukya and Kalachuri dynasties in 12th century Karnataka. Despite his Brahmin caste background, he vehemently opposed gender and social discrimination, superstitions, and rituals. Basava introduced the Ishtalinga necklace for all, promoting devotion to Shiva regardless of birth. As finance minister under King Bijjala II, he utilized the state treasury for social and religious reform. He established Anubhava Mantapa, a ‘parliament’ for individuals from diverse backgrounds to engage in spiritual and existential discussions, emphasizing his philosophy centered on valuing the living human experience over static structures like temples. Basava's sharana philosophy emphasizes the body as a temple (Kayakave Kailasa) and as an instrument for honoring the divine.]]></itunes:summary><itunes:duration>227</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Kuri Koli | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani</title><link>https://www.spreaker.com/episode/kuri-koli-kayakave-kailasa-bhakti-republic-ost-m-d-pallavi-and-bruce-lee-mani--58070202</link><description><![CDATA[They say – All those are high born Who eat sheep, fowl and tiny fish, They say – All those are low born Who eat the cow that rains on Shiva Sacred milk sanctified five times. What the Brahmins had eaten adorned the grass And a dog licked it up and went away. What the cobblers had eaten adorned the grass – Now the Brahmin’s ornament In other words  Bags are made of cow’s hide For ghee and for water. Senseless Brahmins who drink Ghee and water from such leather bags Thinking it sacred They can’t escape utmost perdition. The master of Urilingapeddi Doesn’t approve of such men.  Poet: Kalavve Translator: H. S. Shivaprakash Source: I Keep Vigil of Rudra, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Kalavve, among the earliest Dalit women poets in Kannada, firmly stood for the principles of Kayaka Siddhanta, emphasizing selfless work over selfishness and greed in her verses. Her poetic expression strongly condemned practices like animal sacrifice under the guise of pleasing the gods and spoke out against casteism. Vrata, or religious observance, held significant importance in her compositions. Although only 12 of her verses are extant, they encapsulate her staunch stance against societal injustices and her advocacy for selfless devotion through righteous actions.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694715207</guid><pubDate>Wed, 20 Dec 2023 11:27:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58070202/1694715207_radioazimpremjiuniversity_9_kalavve_kuri_koli.mp3" length="4865043" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>They say – All those are high born Who eat sheep, fowl and tiny fish, They say – All those are low born Who eat the cow that rains on Shiva Sacred milk sanctified five times. What the Brahmins had eaten adorned the grass And a dog licked it up and...</itunes:subtitle><itunes:summary><![CDATA[They say – All those are high born Who eat sheep, fowl and tiny fish, They say – All those are low born Who eat the cow that rains on Shiva Sacred milk sanctified five times. What the Brahmins had eaten adorned the grass And a dog licked it up and went away. What the cobblers had eaten adorned the grass – Now the Brahmin’s ornament In other words  Bags are made of cow’s hide For ghee and for water. Senseless Brahmins who drink Ghee and water from such leather bags Thinking it sacred They can’t escape utmost perdition. The master of Urilingapeddi Doesn’t approve of such men.  Poet: Kalavve Translator: H. S. Shivaprakash Source: I Keep Vigil of Rudra, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Kalavve, among the earliest Dalit women poets in Kannada, firmly stood for the principles of Kayaka Siddhanta, emphasizing selfless work over selfishness and greed in her verses. Her poetic expression strongly condemned practices like animal sacrifice under the guise of pleasing the gods and spoke out against casteism. Vrata, or religious observance, held significant importance in her compositions. Although only 12 of her verses are extant, they encapsulate her staunch stance against societal injustices and her advocacy for selfless devotion through righteous actions.]]></itunes:summary><itunes:duration>305</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Voteyya Hididu | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani</title><link>https://www.spreaker.com/episode/voteyya-hididu-kayakave-kailasa-bhakti-republic-ost-m-d-pallavi-and-bruce-lee-mani--58070200</link><description><![CDATA[Voteyya Hididu | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani  In my harlot’s trade Having taken one man’s money I daren’t accept a second man’s, sir. And if I do, They’ll stand me naked and kill me, sir. And if I cohabit with the polluted, My hands nose ears they’ll cut off with a red hot knife, sir. Ah, never, no. Knowing you I will not. My word on it, O Nirlajjeshwara  Poet: Sule Sankavva Translator: Susan Daniel Source: Women Writing in India, edited by Susie Tharu and K. Lalitha, Oxford University Press Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Sule Sankavva, a distinctive figure among the Kannada vachanakaras, represents the sole recorded instance in this tradition of a sex worker who embraces the Bhakti path. She transcends her experiences in her profession, using them to convey transcendental mysticism through the lens of her worldly endeavors. Sule Sankara is recognized by her vachana signature in which she addresses Shiva as "Nirlajjesvara", the Lord Who Is Without Shame. Stressing the significance of loyalty to one's Kayaka (vocation) and vows, she places their importance on par with other moral principles. Emphasizing honesty as a crucial virtue, Sankavva advocates for the pursuit of one's Kayaka, irrespective of societal judgments, with an unwavering commitment driven by purity of heart and mind, free from fear and doubt.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694715168</guid><pubDate>Wed, 20 Dec 2023 11:27:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58070200/1694715168_radioazimpremjiuniversity_10_sule_sankavva_votteya.mp3" length="3105017" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Voteyya Hididu | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani  In my harlot’s trade Having taken one man’s money I daren’t accept a second man’s, sir. And if I do, They’ll stand me naked and kill me, sir. And if I cohabit...</itunes:subtitle><itunes:summary><![CDATA[Voteyya Hididu | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani  In my harlot’s trade Having taken one man’s money I daren’t accept a second man’s, sir. And if I do, They’ll stand me naked and kill me, sir. And if I cohabit with the polluted, My hands nose ears they’ll cut off with a red hot knife, sir. Ah, never, no. Knowing you I will not. My word on it, O Nirlajjeshwara  Poet: Sule Sankavva Translator: Susan Daniel Source: Women Writing in India, edited by Susie Tharu and K. Lalitha, Oxford University Press Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Sule Sankavva, a distinctive figure among the Kannada vachanakaras, represents the sole recorded instance in this tradition of a sex worker who embraces the Bhakti path. She transcends her experiences in her profession, using them to convey transcendental mysticism through the lens of her worldly endeavors. Sule Sankara is recognized by her vachana signature in which she addresses Shiva as "Nirlajjesvara", the Lord Who Is Without Shame. Stressing the significance of loyalty to one's Kayaka (vocation) and vows, she places their importance on par with other moral principles. Emphasizing honesty as a crucial virtue, Sankavva advocates for the pursuit of one's Kayaka, irrespective of societal judgments, with an unwavering commitment driven by purity of heart and mind, free from fear and doubt.]]></itunes:summary><itunes:duration>195</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Acha Shiva Aikyange | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani</title><link>https://www.spreaker.com/episode/acha-shiva-aikyange-kayakave-kailasa-bhakti-republic-ost-m-d-pallavi-and-bruce-lee-mani--58070199</link><description><![CDATA[To the utterly at-one with Siva there’s no dawn,  no new moon, no noonday, nor equinoxes, nor sunsets, nor full moons; his front yard is the true Banaras, O Ramanatha.  Poet: Devara Dasimayya Translator: A. K. Ramanujan Source: Speaking of Siva, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Devara Dasimayya, also known as Jedara Dasimayya, was a prominent figure in Vachana literature, hailing from the village of Mudanuru in Karnataka. He worked as a weaver and lived during the rule of the Kalyani Chalukyan ruler Jayasimha II. Basaveshwara, among the most prominent of the Veerashaiva poets, praised Dasimayya and his wife Duggale in several of his vachanas. Composed approximately 100 to 150 years before Basaveshwara, Dasimayya's 176 vachanas are noteworthy for expressing profound philosophical ideas in a concise form. Dasimayya's vachanas touch upon themes of conjugal discipline, gender equality, and the significance of charity. Dedicated to Ramanatha (Shiva), these vachanas have earned him admiration from the Devanga community, a widespread group of weavers in southern India who consider him an avatara purusha, an incarnation of the divine.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694715306</guid><pubDate>Wed, 20 Dec 2023 11:27:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58070199/1694715306_radioazimpremjiuniversity_4_devara_dasimaiah_acha.mp3" length="2817043" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>To the utterly at-one with Siva there’s no dawn,  no new moon, no noonday, nor equinoxes, nor sunsets, nor full moons; his front yard is the true Banaras, O Ramanatha.  Poet: Devara Dasimayya Translator: A. K. Ramanujan Source: Speaking of Siva,...</itunes:subtitle><itunes:summary><![CDATA[To the utterly at-one with Siva there’s no dawn,  no new moon, no noonday, nor equinoxes, nor sunsets, nor full moons; his front yard is the true Banaras, O Ramanatha.  Poet: Devara Dasimayya Translator: A. K. Ramanujan Source: Speaking of Siva, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Devara Dasimayya, also known as Jedara Dasimayya, was a prominent figure in Vachana literature, hailing from the village of Mudanuru in Karnataka. He worked as a weaver and lived during the rule of the Kalyani Chalukyan ruler Jayasimha II. Basaveshwara, among the most prominent of the Veerashaiva poets, praised Dasimayya and his wife Duggale in several of his vachanas. Composed approximately 100 to 150 years before Basaveshwara, Dasimayya's 176 vachanas are noteworthy for expressing profound philosophical ideas in a concise form. Dasimayya's vachanas touch upon themes of conjugal discipline, gender equality, and the significance of charity. Dedicated to Ramanatha (Shiva), these vachanas have earned him admiration from the Devanga community, a widespread group of weavers in southern India who consider him an avatara purusha, an incarnation of the divine.]]></itunes:summary><itunes:duration>177</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Kattaleyalli | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani</title><link>https://www.spreaker.com/episode/kattaleyalli-kayakave-kailasa-bhakti-republic-ost-m-d-pallavi-and-bruce-lee-mani--58070198</link><description><![CDATA[If I am a thief at night That would be a shame To the master who gave me the picklock If I enter houses When people are forgetful That would be a shame To my expertise. I wake up the forgetful, Show them their riches Then bring out my own riches, O Father Lord of Mara, the love god Foe of Mara.  Poet: Maritande Translator: H.S. Shivaprakash Source: I Keep Vigil of Rudra, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Maritande, a professional burglar known for targeting the houses of the affluent, sustained his livelihood by pilfering and spending the loot until he was apprehended by Bijjala's security guards. Around 1160 AD, during the time of Basavanna, the transformative figure in Maritande's life, Basavanna advocated for leniency on his behalf. This plea led to a change in Maritande's life as he transitioned from a burglar to a devoted Sharana. Influenced by this attitudinal shift, Maritande began writing vachanas, with only a few properly attributed to him. Notably, his vachanas drew on the imagery of his former profession, freely incorporating elements of burglary into his poetic expression.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694715264</guid><pubDate>Wed, 20 Dec 2023 11:27:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58070198/1694715264_radioazimpremjiuniversity_7_maritande_kattaleyalli.mp3" length="5952991" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>If I am a thief at night That would be a shame To the master who gave me the picklock If I enter houses When people are forgetful That would be a shame To my expertise. I wake up the forgetful, Show them their riches Then bring out my own riches, O...</itunes:subtitle><itunes:summary><![CDATA[If I am a thief at night That would be a shame To the master who gave me the picklock If I enter houses When people are forgetful That would be a shame To my expertise. I wake up the forgetful, Show them their riches Then bring out my own riches, O Father Lord of Mara, the love god Foe of Mara.  Poet: Maritande Translator: H.S. Shivaprakash Source: I Keep Vigil of Rudra, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Maritande, a professional burglar known for targeting the houses of the affluent, sustained his livelihood by pilfering and spending the loot until he was apprehended by Bijjala's security guards. Around 1160 AD, during the time of Basavanna, the transformative figure in Maritande's life, Basavanna advocated for leniency on his behalf. This plea led to a change in Maritande's life as he transitioned from a burglar to a devoted Sharana. Influenced by this attitudinal shift, Maritande began writing vachanas, with only a few properly attributed to him. Notably, his vachanas drew on the imagery of his former profession, freely incorporating elements of burglary into his poetic expression.]]></itunes:summary><itunes:duration>373</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Kayakadalli | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani</title><link>https://www.spreaker.com/episode/kayakadalli-kayakave-kailasa-bhakti-republic-ost-m-d-pallavi-and-bruce-lee-mani--58070197</link><description><![CDATA[One who's engaged in work Must even forget the Guru's sight ; The Linga-worship he must forget ... Even if the Jangama stand in front, The obligation must be snapped. Since such work is as good as Heaven, Amaresvaralinga Himself Must do it.  Poet: Ayadakki Marayya Translator: S.S. Bhoosnurmath and Armando Menezes Source: Sunya Sampadane Volume 4, Karnataka University, Dharwad Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Ayadakki Marayya, a contemporary of Basavanna, had the humble responsibility of gathering spilled rice outside Basavanna's house. Legend holds that Marayya and his wife, Mahadeviyamma, a Dalit couple from Maharashtra, arrived in medieval Karnataka, influenced by Basavanna's teachings. The stories chronicled in the Sunya Sampadane emphasize the deep spiritual bond between Marayya and Mahadeviyamma, a recurring theme in this tradition. Research has uncovered 809 Vachanas authored by Marayya and 69 Vachanas by Mahadeviyamma. Revered among devotees dedicated to Kayaka (service) and Daasoha (charity), Marayya epitomized the belief that work is akin to heaven. Writing under the signature Amareshwaralinga, his 32 vachanas delve into the philosophy of Kayaka, underscoring the importance of dedicated service in his life's principles.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694715228</guid><pubDate>Wed, 20 Dec 2023 11:27:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58070197/1694715228_radioazimpremjiuniversity_8_ayadakki_marayya_kayakave.mp3" length="2720913" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>One who's engaged in work Must even forget the Guru's sight ; The Linga-worship he must forget ... Even if the Jangama stand in front, The obligation must be snapped. Since such work is as good as Heaven, Amaresvaralinga Himself Must do it.  Poet:...</itunes:subtitle><itunes:summary><![CDATA[One who's engaged in work Must even forget the Guru's sight ; The Linga-worship he must forget ... Even if the Jangama stand in front, The obligation must be snapped. Since such work is as good as Heaven, Amaresvaralinga Himself Must do it.  Poet: Ayadakki Marayya Translator: S.S. Bhoosnurmath and Armando Menezes Source: Sunya Sampadane Volume 4, Karnataka University, Dharwad Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Ayadakki Marayya, a contemporary of Basavanna, had the humble responsibility of gathering spilled rice outside Basavanna's house. Legend holds that Marayya and his wife, Mahadeviyamma, a Dalit couple from Maharashtra, arrived in medieval Karnataka, influenced by Basavanna's teachings. The stories chronicled in the Sunya Sampadane emphasize the deep spiritual bond between Marayya and Mahadeviyamma, a recurring theme in this tradition. Research has uncovered 809 Vachanas authored by Marayya and 69 Vachanas by Mahadeviyamma. Revered among devotees dedicated to Kayaka (service) and Daasoha (charity), Marayya epitomized the belief that work is akin to heaven. Writing under the signature Amareshwaralinga, his 32 vachanas delve into the philosophy of Kayaka, underscoring the importance of dedicated service in his life's principles.]]></itunes:summary><itunes:duration>171</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Savillada Kedillada | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani</title><link>https://www.spreaker.com/episode/savillada-kedillada-kayakave-kailasa-bhakti-republic-ost-m-d-pallavi-and-bruce-lee-mani--58070195</link><description><![CDATA[To him with no death, No decay No form  To the Beautiful One I have given myself, O Mother  To him with no place No end No space No signs  To the Beautiful One I have given myself, O Mother  To him with no clan No country,  To the peerless Handsome One I have given myself, O Mother  For this reason Channamallikarjuna, the Handsome One Is the man for me. These wasting, dying men — Take them away Throw them into the oven!  Poet: Akka Mahadevi Translator: H.S. Shivaprakash Source: I Keep Vigil of Rudra, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Born in Udutadi near Shivamogga around 1130, Akka Mahadevi, the prominent female Vachanakara, left an indelible mark on Kannada literature with her 430 Vachana poems, alongside two short writings, Mantrogopya and Yogangatrividh. While she composed fewer poems compared to other saints of the movement, her contributions are highly regarded. Acknowledging Shiva, whom she addressed as 'Chenna Mallikarjuna,' as her husband in the 'madhura bhava' or 'madhurya' form of devotion, Akka Mahadevi asserted her identity as a woman only in name, dedicating her mind, body, and soul entirely to Shiva. Her pursuit of enlightenment is documented in simple yet intellectually rigorous poems. Her verses delve into the renunciation of mortal love in favor of an enduring love for God, and she imparts insights into the demanding methods of the path to enlightenment, advocating for practices such as overcoming the 'I,' conquering desires, and mastering the senses.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694715276</guid><pubDate>Wed, 20 Dec 2023 11:27:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58070195/1694715276_radioazimpremjiuniversity_6_akka_mahadevi_savillada.mp3" length="3744913" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>To him with no death, No decay No form  To the Beautiful One I have given myself, O Mother  To him with no place No end No space No signs  To the Beautiful One I have given myself, O Mother  To him with no clan No country,  To the peerless Handsome...</itunes:subtitle><itunes:summary><![CDATA[To him with no death, No decay No form  To the Beautiful One I have given myself, O Mother  To him with no place No end No space No signs  To the Beautiful One I have given myself, O Mother  To him with no clan No country,  To the peerless Handsome One I have given myself, O Mother  For this reason Channamallikarjuna, the Handsome One Is the man for me. These wasting, dying men — Take them away Throw them into the oven!  Poet: Akka Mahadevi Translator: H.S. Shivaprakash Source: I Keep Vigil of Rudra, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Born in Udutadi near Shivamogga around 1130, Akka Mahadevi, the prominent female Vachanakara, left an indelible mark on Kannada literature with her 430 Vachana poems, alongside two short writings, Mantrogopya and Yogangatrividh. While she composed fewer poems compared to other saints of the movement, her contributions are highly regarded. Acknowledging Shiva, whom she addressed as 'Chenna Mallikarjuna,' as her husband in the 'madhura bhava' or 'madhurya' form of devotion, Akka Mahadevi asserted her identity as a woman only in name, dedicating her mind, body, and soul entirely to Shiva. Her pursuit of enlightenment is documented in simple yet intellectually rigorous poems. Her verses delve into the renunciation of mortal love in favor of an enduring love for God, and she imparts insights into the demanding methods of the path to enlightenment, advocating for practices such as overcoming the 'I,' conquering desires, and mastering the senses.]]></itunes:summary><itunes:duration>235</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Adi Adharavilladandu | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani</title><link>https://www.spreaker.com/episode/adi-adharavilladandu-kayakave-kailasa-bhakti-republic-ost-m-d-pallavi-and-bruce-lee-mani--58070194</link><description><![CDATA[When neither Source nor Substance was, When neither I nor mine, When neither Form nor Formless was, When neither Void was nor non-Void, Nor that which moves or moves not, Then was Guhesvara's votary born.  Poet: Allama Prabhu Translator: S.C. Nandimath, Armando Menzes, and R.C. Hiremath Source: Sunya Sampadane Volume 1, Karnataka University, Dharwad Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Allama Prabhu, a revered poet and the patron saint of the Sharana movement in medieval Karnataka, was born in the 12th century in Shivamogga district of Karnataka. He played a pivotal role in reshaping both society and Kannada literature. Recognized as part of the "Trinity of Lingayatism" alongside Basavanna and Akka Mahadevi, Allama Prabhu channeled poetry to critique rituals, challenge social norms, and promote moral values, particularly emphasizing devotional worship of Shiva. Details of his early life are a mix of historical accounts and legendary tales. Allama Prabhu, known for his mystic and cryptic style, composed over 1,300 hymns, spreading his transformative message through spontaneous vernacular songs and Sandhya Bhasha, a coded language rooted in Vedic and Upanishadic traditions. His Ankita, or the signature he used for himself in verses, was Guhesvara, and his poetic expression staunchly opposed symbolism, occult powers, temple worship, and ritualistic practices.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694715291</guid><pubDate>Wed, 20 Dec 2023 11:27:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58070194/1694715291_radioazimpremjiuniversity_5_allama_prabhu_adi_adhara.mp3" length="2432939" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>When neither Source nor Substance was, When neither I nor mine, When neither Form nor Formless was, When neither Void was nor non-Void, Nor that which moves or moves not, Then was Guhesvara's votary born.  Poet: Allama Prabhu Translator: S.C....</itunes:subtitle><itunes:summary><![CDATA[When neither Source nor Substance was, When neither I nor mine, When neither Form nor Formless was, When neither Void was nor non-Void, Nor that which moves or moves not, Then was Guhesvara's votary born.  Poet: Allama Prabhu Translator: S.C. Nandimath, Armando Menzes, and R.C. Hiremath Source: Sunya Sampadane Volume 1, Karnataka University, Dharwad Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Allama Prabhu, a revered poet and the patron saint of the Sharana movement in medieval Karnataka, was born in the 12th century in Shivamogga district of Karnataka. He played a pivotal role in reshaping both society and Kannada literature. Recognized as part of the "Trinity of Lingayatism" alongside Basavanna and Akka Mahadevi, Allama Prabhu channeled poetry to critique rituals, challenge social norms, and promote moral values, particularly emphasizing devotional worship of Shiva. Details of his early life are a mix of historical accounts and legendary tales. Allama Prabhu, known for his mystic and cryptic style, composed over 1,300 hymns, spreading his transformative message through spontaneous vernacular songs and Sandhya Bhasha, a coded language rooted in Vedic and Upanishadic traditions. His Ankita, or the signature he used for himself in verses, was Guhesvara, and his poetic expression staunchly opposed symbolism, occult powers, temple worship, and ritualistic practices.]]></itunes:summary><itunes:duration>153</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Yenna Kayavige | Kayakave Kailasa - Bhakti Republic OST | Pallavi and Bruce Lee Mani</title><link>https://www.spreaker.com/episode/yenna-kayavige-kayakave-kailasa-bhakti-republic-ost-pallavi-and-bruce-lee-mani--58070193</link><description><![CDATA[Make of my body the beam of a lute of my head the sounding gourd of my nerves the strings of my fingers the plucking rods Clutch me close and play your thirty-two songs KuDalasangamadeva!   Poet: Basavanna Translator: A. K. Ramanujan  Source: Speaking of Siva, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Basava, also known as Basaveshwara and Basavanna, played a pivotal role in Vachana Sahitya during the Kalyani Chalukya and Kalachuri dynasties in 12th century Karnataka. Despite his Brahmin caste background, he vehemently opposed gender and social discrimination, superstitions, and rituals. Basava introduced the Ishtalinga necklace for all, promoting devotion to Shiva regardless of birth. As finance minister under King Bijjala II, he utilized the state treasury for social and religious reform. He established Anubhava Mantapa, a ‘parliament’ for individuals from diverse backgrounds to engage in spiritual and existential discussions, emphasizing his philosophy centered on valuing the living human experience over static structures like temples. Basava's sharana philosophy emphasizes the body as a temple (Kayakave Kailasa) and as an instrument for honoring the divine.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694715330</guid><pubDate>Wed, 20 Dec 2023 11:27:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58070193/1694715330_radioazimpremjiuniversity_3_basavanna_yenna_kayava.mp3" length="2337226" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Make of my body the beam of a lute of my head the sounding gourd of my nerves the strings of my fingers the plucking rods Clutch me close and play your thirty-two songs KuDalasangamadeva!   Poet: Basavanna Translator: A. K. Ramanujan  Source: Speaking...</itunes:subtitle><itunes:summary><![CDATA[Make of my body the beam of a lute of my head the sounding gourd of my nerves the strings of my fingers the plucking rods Clutch me close and play your thirty-two songs KuDalasangamadeva!   Poet: Basavanna Translator: A. K. Ramanujan  Source: Speaking of Siva, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Basava, also known as Basaveshwara and Basavanna, played a pivotal role in Vachana Sahitya during the Kalyani Chalukya and Kalachuri dynasties in 12th century Karnataka. Despite his Brahmin caste background, he vehemently opposed gender and social discrimination, superstitions, and rituals. Basava introduced the Ishtalinga necklace for all, promoting devotion to Shiva regardless of birth. As finance minister under King Bijjala II, he utilized the state treasury for social and religious reform. He established Anubhava Mantapa, a ‘parliament’ for individuals from diverse backgrounds to engage in spiritual and existential discussions, emphasizing his philosophy centered on valuing the living human experience over static structures like temples. Basava's sharana philosophy emphasizes the body as a temple (Kayakave Kailasa) and as an instrument for honoring the divine.]]></itunes:summary><itunes:duration>147</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ullavaru Shivalaya | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani</title><link>https://www.spreaker.com/episode/ullavaru-shivalaya-kayakave-kailasa-bhakti-republic-ost-m-d-pallavi-and-bruce-lee-mani--58070192</link><description><![CDATA[The rich will make temples for Siva. What shall I, a poor man, do?  My legs are pillars, the body the shrine the head a cupola of gold. Listen, O Kudalsangamadeva, things standing shall fall, but the moving ever shall stay.  Poet: Basavanna English translation by A K Ramanujan | Speaking of Siva, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Basava, also known as Basaveshwara and Basavanna, played a pivotal role in Vachana Sahitya during the Kalyani Chalukya and Kalachuri dynasties in 12th century Karnataka. Despite his Brahmin caste background, he vehemently opposed gender and social discrimination, superstitions, and rituals. Basava introduced the Ishtalinga necklace for all, promoting devotion to Shiva regardless of birth. As finance minister under King Bijjala II, he utilized the state treasury for social and religious reform. He established Anubhava Mantapa, a ‘parliament’ for individuals from diverse backgrounds to engage in spiritual and existential discussions, emphasizing his philosophy centered on valuing the living human experience over static structures like temples. Basava's sharana philosophy emphasizes the body as a temple (Kayakave Kailasa) and as an instrument for honoring the divine.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694715345</guid><pubDate>Wed, 20 Dec 2023 11:27:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58070192/1694715345_radioazimpremjiuniversity_2_basavanna_ullavaru_shivalaya.mp3" length="2537011" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>The rich will make temples for Siva. What shall I, a poor man, do?  My legs are pillars, the body the shrine the head a cupola of gold. Listen, O Kudalsangamadeva, things standing shall fall, but the moving ever shall stay.  Poet: Basavanna English...</itunes:subtitle><itunes:summary><![CDATA[The rich will make temples for Siva. What shall I, a poor man, do?  My legs are pillars, the body the shrine the head a cupola of gold. Listen, O Kudalsangamadeva, things standing shall fall, but the moving ever shall stay.  Poet: Basavanna English translation by A K Ramanujan | Speaking of Siva, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Basava, also known as Basaveshwara and Basavanna, played a pivotal role in Vachana Sahitya during the Kalyani Chalukya and Kalachuri dynasties in 12th century Karnataka. Despite his Brahmin caste background, he vehemently opposed gender and social discrimination, superstitions, and rituals. Basava introduced the Ishtalinga necklace for all, promoting devotion to Shiva regardless of birth. As finance minister under King Bijjala II, he utilized the state treasury for social and religious reform. He established Anubhava Mantapa, a ‘parliament’ for individuals from diverse backgrounds to engage in spiritual and existential discussions, emphasizing his philosophy centered on valuing the living human experience over static structures like temples. Basava's sharana philosophy emphasizes the body as a temple (Kayakave Kailasa) and as an instrument for honoring the divine.]]></itunes:summary><itunes:duration>159</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sthula Sukshma | Kayakave Kailasa - Bhakti Republic OST | M. D. Pallavi and Bruce Lee Mani</title><link>https://www.spreaker.com/episode/sthula-sukshma-kayakave-kailasa-bhakti-republic-ost-m-d-pallavi-and-bruce-lee-mani--58070191</link><description><![CDATA[After erecting three pillars The gross, the subtle, and the causal bodies After beating the buffaloes’ rough hide After removing the flesh With the staff of the manifest and the hidden After tanning the hide with the fire of dualism After pouring the caustic juice of quintessence  Into the hide-pouch of awareness The blemishes of soul thus destroyed I have come to take the sandals to his feet. Take care, Not of the ground below, But of the path your feet and sandals take. Do not be enslaved By the hand-awl, blade, or peg But realise Ramarama, your own true self, the joy of joys!   Poet - Madara Chennaiah Translator: H.S. Shivaprakash Source: I Keep Vigil of Rudra, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Madara Chennaiah, a renowned vachana poet from the 11th century, earned recognition during the era of the Western Chalukyas in southern India. Despite working as a cobbler and being affiliated with the Madiga caste, he left a legacy through his vachanas, which he signed under the pseudonym ‘Nijaatmaraama Raamana,’ though only ten have endured over time. His poetry delved into the injustice of feeling superior due to one's caste, advocating for equality by highlighting that everyone shares the same origins and physical composition. Chennaiah asserted that an individual's value stems from their ethical conduct rather than their caste, dividing people into two categories based on their actions: those who perform good deeds and those who engage in wrongdoing. Additionally, his poems addressed a significant theological debate regarding the duality or unity of existence. His powerful and meaningful vachanas emerged from the fusion of metaphors drawn from his cobbler trade, interwoven with profound theological concepts.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694715360</guid><pubDate>Wed, 20 Dec 2023 11:27:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58070191/1694715360_radioazimpremjiuniversity_1_madara_chennaiyya_sthula.mp3" length="1128906" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>After erecting three pillars The gross, the subtle, and the causal bodies After beating the buffaloes’ rough hide After removing the flesh With the staff of the manifest and the hidden After tanning the hide with the fire of dualism After pouring the...</itunes:subtitle><itunes:summary><![CDATA[After erecting three pillars The gross, the subtle, and the causal bodies After beating the buffaloes’ rough hide After removing the flesh With the staff of the manifest and the hidden After tanning the hide with the fire of dualism After pouring the caustic juice of quintessence  Into the hide-pouch of awareness The blemishes of soul thus destroyed I have come to take the sandals to his feet. Take care, Not of the ground below, But of the path your feet and sandals take. Do not be enslaved By the hand-awl, blade, or peg But realise Ramarama, your own true self, the joy of joys!   Poet - Madara Chennaiah Translator: H.S. Shivaprakash Source: I Keep Vigil of Rudra, Penguin Classics Performed by M. D. Pallavi and Bruce Lee Mani For Bhakti Republic with Amit Basole  Radio Azim Premji University, 2023  Madara Chennaiah, a renowned vachana poet from the 11th century, earned recognition during the era of the Western Chalukyas in southern India. Despite working as a cobbler and being affiliated with the Madiga caste, he left a legacy through his vachanas, which he signed under the pseudonym ‘Nijaatmaraama Raamana,’ though only ten have endured over time. His poetry delved into the injustice of feeling superior due to one's caste, advocating for equality by highlighting that everyone shares the same origins and physical composition. Chennaiah asserted that an individual's value stems from their ethical conduct rather than their caste, dividing people into two categories based on their actions: those who perform good deeds and those who engage in wrongdoing. Additionally, his poems addressed a significant theological debate regarding the duality or unity of existence. His powerful and meaningful vachanas emerged from the fusion of metaphors drawn from his cobbler trade, interwoven with profound theological concepts.]]></itunes:summary><itunes:duration>71</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Trailer - Kayakave Kailasa | Bhakti Republic Ep 3 OST</title><link>https://www.spreaker.com/episode/trailer-kayakave-kailasa-bhakti-republic-ep-3-ost--58067229</link><description><![CDATA[Trailer - Kayakave Kailasa | Bhakti Republic Ep 3 OST by Radio Azim Premji University]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694710902</guid><pubDate>Wed, 20 Dec 2023 02:08:30 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58067229/1694710902_radioazimpremjiuniversity_trailer_kayakave_kailasa_bhakti_republic_ep_3_ost.mp3" length="965484" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Trailer - Kayakave Kailasa | Bhakti Republic Ep 3 OST by Radio Azim Premji University</itunes:subtitle><itunes:summary><![CDATA[Trailer - Kayakave Kailasa | Bhakti Republic Ep 3 OST by Radio Azim Premji University]]></itunes:summary><itunes:duration>61</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/be886cf0837c326f1d83a353580d4043.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bhakti Republic With Amit Basole | EP3 - Kayakave Kailasa</title><link>https://www.spreaker.com/episode/bhakti-republic-with-amit-basole-ep3-kayakave-kailasa--58066057</link><description><![CDATA[Emerging in 12th-century Karnataka, Vachana Sahitya gave voice to the Sharana movement. The Sharanas were ardent devotees of Shiva, spreading their message through vachanas, verses composed and sung in simple Kannada, which were infused with profound thought. They advocated social equality and rejected caste, challenging Sanskrit dominance and the prevailing literary and social norms. Many of the Sharana poets came from marginalised groups. Their vachanas criticised rituals and hierarchies, emphasising a personal connection with the divine.  While saints like Basavanna, Allama Prabhu, and Akka Mahadevi are the most prominent names of the movement, the tradition was equally enriched by the contributions of about 240 sharanas, including thirty or more women. Their simple lyrics championed social equality and resonated with the common people. As the vachanakaras challenged not just established religious practices but the very fabric of caste and hierarchy, they left an indelible mark on Kannada culture. Their thought and teaching became the foundation of a revolutionary literary and social movement.  As Amit Basole elucidates in this episode of Bhakti Republic, the core tenets of the movement find resonance with the values enshrined in the Constitution of India. The title of this episode, Kayakave Kailasa, is a key concept in the thought of poets from artisanal backgrounds. It translates loosely to “Work Is Worship”, but carries a deeper meaning. The sharanas believed that the body is the temple of Shiva, and that every act of it, conducted selflessly and honestly, is a path to the divine.   This episode is enriched by vachanas performed in Kannada by singer M. D. Pallavi and accompanied by Bruce Lee Mani on guitar. You can enjoy the soundtrack in a special music playlist released by Radio Azim Premji University.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1694286360</guid><pubDate>Tue, 19 Dec 2023 23:15:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58066057/1694286360_radioazimpremjiuniversity_bhakti_republic_with_amit_basole_ep3_kayakave_kailasa.mp3" length="62871091" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Emerging in 12th-century Karnataka, Vachana Sahitya gave voice to the Sharana movement. The Sharanas were ardent devotees of Shiva, spreading their message through vachanas, verses composed and sung in simple Kannada, which were infused with profound...</itunes:subtitle><itunes:summary><![CDATA[Emerging in 12th-century Karnataka, Vachana Sahitya gave voice to the Sharana movement. The Sharanas were ardent devotees of Shiva, spreading their message through vachanas, verses composed and sung in simple Kannada, which were infused with profound thought. They advocated social equality and rejected caste, challenging Sanskrit dominance and the prevailing literary and social norms. Many of the Sharana poets came from marginalised groups. Their vachanas criticised rituals and hierarchies, emphasising a personal connection with the divine.  While saints like Basavanna, Allama Prabhu, and Akka Mahadevi are the most prominent names of the movement, the tradition was equally enriched by the contributions of about 240 sharanas, including thirty or more women. Their simple lyrics championed social equality and resonated with the common people. As the vachanakaras challenged not just established religious practices but the very fabric of caste and hierarchy, they left an indelible mark on Kannada culture. Their thought and teaching became the foundation of a revolutionary literary and social movement.  As Amit Basole elucidates in this episode of Bhakti Republic, the core tenets of the movement find resonance with the values enshrined in the Constitution of India. The title of this episode, Kayakave Kailasa, is a key concept in the thought of poets from artisanal backgrounds. It translates loosely to “Work Is Worship”, but carries a deeper meaning. The sharanas believed that the body is the temple of Shiva, and that every act of it, conducted selflessly and honestly, is a path to the divine.   This episode is enriched by vachanas performed in Kannada by singer M. D. Pallavi and accompanied by Bruce Lee Mani on guitar. You can enjoy the soundtrack in a special music playlist released by Radio Azim Premji University.]]></itunes:summary><itunes:duration>3930</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/658131b44da6285f6652faf9c25d444a.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Campus Cast - Ep 7 - A Musical Journey</title><link>https://www.spreaker.com/episode/campus-cast-ep-7-a-musical-journey--58016779</link><description><![CDATA[The final Campus Cast episode of 2023 sees us headbanging with Bengaluru-based musician Jewel Lasrado. Jewel pours her heart and soul into her music, channelling intense emotions into powerful pop-punk and metal anthems. Learn about her musical journey, from piano lessons to writing, and composing her own music.  Plus, stay tuned for APU Voila! Our dedicated news team brings you the latest scoop on campus, including sports, academics, cultural events, and more.   Tune in now for a dose of awesome music and campus buzz!  Credits: Jewel's Story: Gauri Nair Show host: Hitika Gilhotra News anchors: Krithi Nambiar, Jyotiraditya Pradhan, Bhadra S manu News hosts: Khushi Verma, Gulsingh Badgujer  Production: Akshay Ramuhalli, Anubhav Sharma, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Supriya Joshi, Shraddha Gautam and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1690881237</guid><pubDate>Fri, 15 Dec 2023 09:00:57 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/58016779/1690881237_radioazimpremjiuniversity_campus_cast_ep_7_a_musical_journey.mp3" length="13538532" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>The final Campus Cast episode of 2023 sees us headbanging with Bengaluru-based musician Jewel Lasrado. Jewel pours her heart and soul into her music, channelling intense emotions into powerful pop-punk and metal anthems. Learn about her musical...</itunes:subtitle><itunes:summary><![CDATA[The final Campus Cast episode of 2023 sees us headbanging with Bengaluru-based musician Jewel Lasrado. Jewel pours her heart and soul into her music, channelling intense emotions into powerful pop-punk and metal anthems. Learn about her musical journey, from piano lessons to writing, and composing her own music.  Plus, stay tuned for APU Voila! Our dedicated news team brings you the latest scoop on campus, including sports, academics, cultural events, and more.   Tune in now for a dose of awesome music and campus buzz!  Credits: Jewel's Story: Gauri Nair Show host: Hitika Gilhotra News anchors: Krithi Nambiar, Jyotiraditya Pradhan, Bhadra S manu News hosts: Khushi Verma, Gulsingh Badgujer  Production: Akshay Ramuhalli, Anubhav Sharma, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Supriya Joshi, Shraddha Gautam and Velu Shankar]]></itunes:summary><itunes:duration>847</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/dc521e5df22fdd3c2055c98958da6ae4.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ep 2 - Seva Kendra | Stories Of Change With Anuradha Nagaraj</title><link>https://www.spreaker.com/episode/ep-2-seva-kendra-stories-of-change-with-anuradha-nagaraj--57997905</link><description><![CDATA[How often have you heard truck drivers being described as the “backbone of our economy”?   India owes a debt of gratitude to truck drivers, who transport goods, medicines, raw material, and other articles to destinations across the length and breadth of the country. To meet these unlikely heroes of our story of change, join Radio Azim Premji University on the road as we visit the truck parking lots of Kolkata, West Bengal.   A truck parking lot is a busy, crowded yard that smells of diesel fumes and engine oil. The air is filled with the clamor of conversation, loud horns, and the grunt and growl of truck engines. Trucks trundle in for a quick rest stop before shifting gears and heading back to the highway. Drivers work long hours. They are constantly on the move, day and night, driving up to 16 hours at a stretch. These people, mostly men, seldom have time to take care of their needs. How often do they have a health checkup, or get a toothache attended to, or check on their failing eyesight?   Nonprofit Seva Kendra Calcutta, an Azim Premji Foundation philanthropy partner based in the City of Joy, runs the Sambandh programme that provides an outreach avenue for truck drivers to address such needs and, more importantly, create a nurturing and caring community focused on their wellness and security. Join us on the road and listen along.  Stories Of Change is hosted by Anuradha Nagaraj, faculty at the School of Development at Azim Premji University, Bengaluru.  CREDITS:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  ACKNOWLEDGEMENTS: Special thanks to the team at Seva Kendra Calcutta and the truck drivers who are the lifeline of this nation.]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1683326388</guid><pubDate>Wed, 06 Dec 2023 02:39:08 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997905/1683326388_radioazimpremjiuniversity_ep_2_seva_kendra_stories_of_change_with_anuradha_nagaraj.mp3" length="54718170" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>How often have you heard truck drivers being described as the “backbone of our economy”?   India owes a debt of gratitude to truck drivers, who transport goods, medicines, raw material, and other articles to destinations across the length and breadth...</itunes:subtitle><itunes:summary><![CDATA[How often have you heard truck drivers being described as the “backbone of our economy”?   India owes a debt of gratitude to truck drivers, who transport goods, medicines, raw material, and other articles to destinations across the length and breadth of the country. To meet these unlikely heroes of our story of change, join Radio Azim Premji University on the road as we visit the truck parking lots of Kolkata, West Bengal.   A truck parking lot is a busy, crowded yard that smells of diesel fumes and engine oil. The air is filled with the clamor of conversation, loud horns, and the grunt and growl of truck engines. Trucks trundle in for a quick rest stop before shifting gears and heading back to the highway. Drivers work long hours. They are constantly on the move, day and night, driving up to 16 hours at a stretch. These people, mostly men, seldom have time to take care of their needs. How often do they have a health checkup, or get a toothache attended to, or check on their failing eyesight?   Nonprofit Seva Kendra Calcutta, an Azim Premji Foundation philanthropy partner based in the City of Joy, runs the Sambandh programme that provides an outreach avenue for truck drivers to address such needs and, more importantly, create a nurturing and caring community focused on their wellness and security. Join us on the road and listen along.  Stories Of Change is hosted by Anuradha Nagaraj, faculty at the School of Development at Azim Premji University, Bengaluru.  CREDITS:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  ACKNOWLEDGEMENTS: Special thanks to the team at Seva Kendra Calcutta and the truck drivers who are the lifeline of this nation.]]></itunes:summary><itunes:duration>1368</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/03989c98c42eac711ec705e883799b98.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hindustan Ki Nayi Geetmala with Vineet KKN Panchhi</title><link>https://www.spreaker.com/episode/hindustan-ki-nayi-geetmala-with-vineet-kkn-panchhi--57997911</link><description><![CDATA[Back in the day when travel was a luxury unaffordable to many Indians, a boxy contraption that occupied pride of place in the drawing room offered a unique and enjoyable way to travel the length and breadth of India. When you tuned into the airwaves, you were taken for a joyride.   The rise of radio listening in India was coincident with seminal moments in our nation’s history. The sounds of India represent its diversity and pluralism. The music of Indianness finds resonance in the Constitution of India, a document foundational to our democracy, a tapestry tailored from disparate elements that make us Indian — our shared values, our history, and our diversity.   November 26 is Samvidhan Diwas or Constitution Day. On this day in 1949, the Constituent Assembly of India adopted the Constitution of India, which came into effect on January 26, 1950. On this momentous occasion, Radio Azim Premji University hosts you on a musical journey with a difference. Carouse to handpicked tunes in Hindi, Urdu, Bangla, Kannada, Tamil, Khasi, Marathi, and more.   This is Hindustan Ki Nayi Geetmala presented by Vineet KKN Panchhi.   Credits:   Akshat Krishna, Akshay Ramuhalli, Avishek Bose, Bijoy Venugopal, Bruce Lee Mani, Harsh Gupta, Maitreyi Shankar, Narayan Krishnaswamy, Prashant Vasudevan, Sameera Ahmed, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  Playlist:  1. Rang De Basanti -  Daler Mehndi &amp; Chitra (composed by A R Rahman) from the movie Rang De Basanti (2006) (Hindi)  https://www.youtube.com/watch?v=c769V25pX08  2. Hai Bhalobashi - Moheener Ghoraguli from the album Shongbigno Pakhikul O Kolkata Bishayak (1977) (Bangla) https://www.youtube.com/watch?v=qUiOP6FGieI  3. Kuladalli Keelyavudo - Ghantasala (composed by Pendyala Nageswara Rao) from the movie Satya Harishchandra (1965) (Kannada) https://www.youtube.com/watch?v=iDiG2g8W8Xk  4. Kannai Katti - Hariharan (composed by AR Rahman ) from the movie Iruvar (1997) (Tamil) https://www.youtube.com/watch?v=2YGW2OFPwlg  5. Jinhen Naaz Hai Hind Par - Mohammed Rafi (composed by S D Burman) from the movie Pyaasa (1957) (Hindi) https://www.youtube.com/watch?v=3ta4BmumQKc  6. Folk Song of Meghalaya - Bah Kerios Wahlang (Khasi) https://www.youtube.com/watch?v=7tq3PoByzxs  7. Naanenu Neenenu - SP Balasubrahmanyam (composed by Rajan-Nagendra) from the movie Gaali Maathu (1981) (Kannada) https://www.youtube.com/watch?v=YB9t_p2gVik  8. Bulla Ki Jaana Main Kaun - Rabbi Shergill from the album Rabbi (2004) (Punjabi) https://www.youtube.com/watch?v=gbpdE8n_QWo  9. Ekla Chalo Re - Amitabh Bachchan (composed by Vishal and Shekar) from the movie Kahaani (2012) (Bangla)  10. Vaishnava Janatho - Bombay Jayashri (composed by Sai Shravanam) from the album Confluence Of Elements (2007) (Gujrathi) https://www.youtube.com/watch?v=jcyiUPjSIH8  11. Bhartacha pran ahe sanvidhan - written and presented by Sunil Swami / MANS ichalkaranji (Marathi) https://www.youtube.com/watch?v=pTp3T2MjHcA  12. Ishwar Allah - Sujata Mohan and Anuradha Sriram ( composed by AR Rahman) from the movie 1947: Earth (1999) (Hindi) https://www.youtube.com/watch?v=LjNdYRORPy4  13. Thehar Zara O Janewale - Asha Bhosle, Manna Dey and Madhubala Jhaveri (composed by Shankar Jaikishan) from the movie Boot Polish (1953) (Hindi) https://www.youtube.com/watch?v=0UtTlh2kK7M  14. Na To Karavan Ki Talaash Hai - Yeh Ishq Ishq Hai - Mohammad Rafi , Manna Dey , SD Batish , Sudha Malhotra, Asha Bhonsle (Composed by Roshan) from the movie Barsaat Ki Raat (1960) (Hindi/Urdu) https://www.youtube.com/watch?v=JJbZWdvexXw]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1673560125</guid><pubDate>Sat, 25 Nov 2023 15:00:16 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997911/1673560125_radioazimpremjiuniversity_hindustan_ki_nayi_geetmala_with_vineet_kkn_panchhi.mp3" length="27260550" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Back in the day when travel was a luxury unaffordable to many Indians, a boxy contraption that occupied pride of place in the drawing room offered a unique and enjoyable way to travel the length and breadth of India. When you tuned into the airwaves,...</itunes:subtitle><itunes:summary><![CDATA[Back in the day when travel was a luxury unaffordable to many Indians, a boxy contraption that occupied pride of place in the drawing room offered a unique and enjoyable way to travel the length and breadth of India. When you tuned into the airwaves, you were taken for a joyride.   The rise of radio listening in India was coincident with seminal moments in our nation’s history. The sounds of India represent its diversity and pluralism. The music of Indianness finds resonance in the Constitution of India, a document foundational to our democracy, a tapestry tailored from disparate elements that make us Indian — our shared values, our history, and our diversity.   November 26 is Samvidhan Diwas or Constitution Day. On this day in 1949, the Constituent Assembly of India adopted the Constitution of India, which came into effect on January 26, 1950. On this momentous occasion, Radio Azim Premji University hosts you on a musical journey with a difference. Carouse to handpicked tunes in Hindi, Urdu, Bangla, Kannada, Tamil, Khasi, Marathi, and more.   This is Hindustan Ki Nayi Geetmala presented by Vineet KKN Panchhi.   Credits:   Akshat Krishna, Akshay Ramuhalli, Avishek Bose, Bijoy Venugopal, Bruce Lee Mani, Harsh Gupta, Maitreyi Shankar, Narayan Krishnaswamy, Prashant Vasudevan, Sameera Ahmed, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  Playlist:  1. Rang De Basanti -  Daler Mehndi &amp; Chitra (composed by A R Rahman) from the movie Rang De Basanti (2006) (Hindi)  https://www.youtube.com/watch?v=c769V25pX08  2. Hai Bhalobashi - Moheener Ghoraguli from the album Shongbigno Pakhikul O Kolkata Bishayak (1977) (Bangla) https://www.youtube.com/watch?v=qUiOP6FGieI  3. Kuladalli Keelyavudo - Ghantasala (composed by Pendyala Nageswara Rao) from the movie Satya Harishchandra (1965) (Kannada) https://www.youtube.com/watch?v=iDiG2g8W8Xk  4. Kannai Katti - Hariharan (composed by AR Rahman ) from the movie Iruvar (1997) (Tamil) https://www.youtube.com/watch?v=2YGW2OFPwlg  5. Jinhen Naaz Hai Hind Par - Mohammed Rafi (composed by S D Burman) from the movie Pyaasa (1957) (Hindi) https://www.youtube.com/watch?v=3ta4BmumQKc  6. Folk Song of Meghalaya - Bah Kerios Wahlang (Khasi) https://www.youtube.com/watch?v=7tq3PoByzxs  7. Naanenu Neenenu - SP Balasubrahmanyam (composed by Rajan-Nagendra) from the movie Gaali Maathu (1981) (Kannada) https://www.youtube.com/watch?v=YB9t_p2gVik  8. Bulla Ki Jaana Main Kaun - Rabbi Shergill from the album Rabbi (2004) (Punjabi) https://www.youtube.com/watch?v=gbpdE8n_QWo  9. Ekla Chalo Re - Amitabh Bachchan (composed by Vishal and Shekar) from the movie Kahaani (2012) (Bangla)  10. Vaishnava Janatho - Bombay Jayashri (composed by Sai Shravanam) from the album Confluence Of Elements (2007) (Gujrathi) https://www.youtube.com/watch?v=jcyiUPjSIH8  11. Bhartacha pran ahe sanvidhan - written and presented by Sunil Swami / MANS ichalkaranji (Marathi) https://www.youtube.com/watch?v=pTp3T2MjHcA  12. Ishwar Allah - Sujata Mohan and Anuradha Sriram ( composed by AR Rahman) from the movie 1947: Earth (1999) (Hindi) https://www.youtube.com/watch?v=LjNdYRORPy4  13. Thehar Zara O Janewale - Asha Bhosle, Manna Dey and Madhubala Jhaveri (composed by Shankar Jaikishan) from the movie Boot Polish (1953) (Hindi) https://www.youtube.com/watch?v=0UtTlh2kK7M  14. Na To Karavan Ki Talaash Hai - Yeh Ishq Ishq Hai - Mohammad Rafi , Manna Dey , SD Batish , Sudha Malhotra, Asha Bhonsle (Composed by Roshan) from the movie Barsaat Ki Raat (1960) (Hindi/Urdu) https://www.youtube.com/watch?v=JJbZWdvexXw]]></itunes:summary><itunes:duration>1704</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a8c131decfa05b581e5da53b12e74529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Story Of... With Richa Govil | EP1 - Pani Puri</title><link>https://www.spreaker.com/episode/story-of-with-richa-govil-ep1-pani-puri--57997929</link><description><![CDATA[Golgappa, pani puri, pani ke batashe, phulki, puchka…   India’s most popular street snack answers to many names. Humble, lightweight, and crunchy, the pani puri has travelled across India with its itinerant vendors. Have you ever wondered who they are? Where do they come from? As they claim their space on the footpaths, do they enjoy the freedom to exercise their right to work?  Richa Govil and Puja Guha of the School of Development at Azim Premji University take you on a lip-smacking trip to discover the Story of Pani Puri. They host the first episode of our new series ‘Story Of…’ with many more exciting chapters lined up.   Acknowledgements: Gol Gappe waala https://www.youtube.com/watch?v=y0eiV2QYVks  All original sound effects were recorded by the Radio Azim Premji University team in Bengaluru.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1666700388</guid><pubDate>Mon, 20 Nov 2023 01:00:03 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997929/1666700388_radioazimpremjiuniversity_story_of_with_richa_govil_ep1_pani_puri.mp3" length="33420433" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Golgappa, pani puri, pani ke batashe, phulki, puchka…   India’s most popular street snack answers to many names. Humble, lightweight, and crunchy, the pani puri has travelled across India with its itinerant vendors. Have you ever wondered who they...</itunes:subtitle><itunes:summary><![CDATA[Golgappa, pani puri, pani ke batashe, phulki, puchka…   India’s most popular street snack answers to many names. Humble, lightweight, and crunchy, the pani puri has travelled across India with its itinerant vendors. Have you ever wondered who they are? Where do they come from? As they claim their space on the footpaths, do they enjoy the freedom to exercise their right to work?  Richa Govil and Puja Guha of the School of Development at Azim Premji University take you on a lip-smacking trip to discover the Story of Pani Puri. They host the first episode of our new series ‘Story Of…’ with many more exciting chapters lined up.   Acknowledgements: Gol Gappe waala https://www.youtube.com/watch?v=y0eiV2QYVks  All original sound effects were recorded by the Radio Azim Premji University team in Bengaluru.  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>2089</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/90ef31dc3790ce1f0b4a892c3ca27fa6.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Campus Cast | EP6 - Campus Cast is back!</title><link>https://www.spreaker.com/episode/campus-cast-ep6-campus-cast-is-back--57997908</link><description><![CDATA[After a break, we are back in business! This episode is presented by an all-new team and we bring you an interesting array of campus happenings in our news bulletin, APU Voila, along with the inspiring story of Padma Pao, an independent musician from Assam.  Sikur Padma Pao, who belongs to the Mishing tribe of Assam, is in love with music. Kinshuk Ghosh introduces us to Padma's journey of music, and how his liking for music turned into making music for a living, and living for music. We learn about Padma’s ambition to grow the popularity of his art while promoting the folk culture of his roots.   APU Voila is the Campus Cast news segment covering important happenings and highlights at Azim Premji University. It is curated and presented by a dedicated new team.  Enjoy! And share your suggestions on what you’d like us to cover.  Acknowledgements  Asinange onamsem - Sikur Padma https://youtu.be/fQfNUysgODw   Street plays by children from Buguri Library   Song credits: Written by Kotaganahalli Ramaiah Music by Rumi Harish  Song credits: Written by Dr. Siddalingaiah  Music by Jenny  Episode Credits  Show Host: Hitika Gilhotra  Padma Pao’s story narrated by Kinshuk Ghosh News Hosts: Khushi Verma, Gulsingh Badgujer News Anchors: Krithi Nambiar, Bhadra S Manu, Jyotiraditya Pradhan Pre-production: Hitika Gilhotra   Radio APU Credits:  Akshay Ramuhalli, Anubhav Sharma, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Supriya Joshi, Shraddha Gautam and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1653374136</guid><pubDate>Tue, 31 Oct 2023 13:25:59 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997908/1653374136_radioazimpremjiuniversity_campus_cast_ep6campuscastisback.mp3" length="14259512" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>After a break, we are back in business! This episode is presented by an all-new team and we bring you an interesting array of campus happenings in our news bulletin, APU Voila, along with the inspiring story of Padma Pao, an independent musician from...</itunes:subtitle><itunes:summary><![CDATA[After a break, we are back in business! This episode is presented by an all-new team and we bring you an interesting array of campus happenings in our news bulletin, APU Voila, along with the inspiring story of Padma Pao, an independent musician from Assam.  Sikur Padma Pao, who belongs to the Mishing tribe of Assam, is in love with music. Kinshuk Ghosh introduces us to Padma's journey of music, and how his liking for music turned into making music for a living, and living for music. We learn about Padma’s ambition to grow the popularity of his art while promoting the folk culture of his roots.   APU Voila is the Campus Cast news segment covering important happenings and highlights at Azim Premji University. It is curated and presented by a dedicated new team.  Enjoy! And share your suggestions on what you’d like us to cover.  Acknowledgements  Asinange onamsem - Sikur Padma https://youtu.be/fQfNUysgODw   Street plays by children from Buguri Library   Song credits: Written by Kotaganahalli Ramaiah Music by Rumi Harish  Song credits: Written by Dr. Siddalingaiah  Music by Jenny  Episode Credits  Show Host: Hitika Gilhotra  Padma Pao’s story narrated by Kinshuk Ghosh News Hosts: Khushi Verma, Gulsingh Badgujer News Anchors: Krithi Nambiar, Bhadra S Manu, Jyotiraditya Pradhan Pre-production: Hitika Gilhotra   Radio APU Credits:  Akshay Ramuhalli, Anubhav Sharma, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Supriya Joshi, Shraddha Gautam and Velu Shankar]]></itunes:summary><itunes:duration>892</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/79badbbc64006ce2ab163fe5d46a36b5.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Noorakke Nooru Karnataka | Ep 1 - Nanjanagudu Hallupudi</title><link>https://www.spreaker.com/episode/noorakke-nooru-karnataka-ep-1-nanjanagudu-hallupudi--57997912</link><description><![CDATA[Places tell stories. Often, the story and the place are synonymous, as with Nanjanagudu. This town near Mysuru beside the Kapila river is famous for the Srikanteshwara temple dedicated to Lord Shiva, where devotees pray to be cured of disease. The temple earned the reverence of Tipu Sultan, who hailed the deity as ‘Hakim Nanjunda’ for miraculously curing his royal elephant's eye ailment. A variety of banana, Nanjangudu Rasabaale, is also named after the town. Another reason why Nanjanagudu became a household name across Karnataka and beyond is Nanjangud Tooth Powder, a creation of the renowned Ayurveda Vidwan B.V. Pundit.  Pundit’s father died before he was born. His widowed mother raised him in dire financial circumstances. Against great odds, he pursued his studies and graduated from Mysuru Ayurvedic College. In 1913, with his mentor's blessings, he set up Sadvaidyasala in Nanjanagudu to manufacture Ayurvedic products, cycling 50 km daily to sell them in Mysuru.  Witnessing a priest performing a homa (Vedic fire sacrifice), Pundit was inspired to use paddy husk as a base for a dentifrice. Nanjangud Tooth Powder was born and became an overnight success. Celebrities, including Kannada cinema star Dr Rajkumar and many literary doyens, endorsed Nanjangud Tooth Powder.    In the 50th year of the naming of Karnataka, we celebrate the stories that make Karnataka proud. Sudheesh Venkatesh, in conversation with Shraddha Gautam, presents our first episode.    ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕ Ep 1 - ನಂಜನಗೂಡು ಹಲ್ಲುಪುಡಿ ಸ್ಥಳಗಳು ಕಥೆಗಳನ್ನು ಹೇಳುತ್ತವೆ. ಕೆಲವೊಮ್ಮೆ, ಕಥೆ ಮತ್ತು ಸ್ಥಳವು ಸಮಾನಾರ್ಥಕವಾಗುತ್ತದೆ. ನಂಜನಗೂಡು ಕಥೆಯಲ್ಲಿ ಹೀಗಿದೆ. ಮೈಸೂರು ಸಮೀಪದ ಕಪಿಲಾ ನದಿಯ ದಡದಲ್ಲಿರುವ ಈ ಸಣ್ಣ ಪಟ್ಟಣವು ಶಿವನಿಗೆ ಸಮರ್ಪಿತವಾದ ಶ್ರೀಕಂಠೇಶ್ವರ ದೇವಸ್ಥಾನಕ್ಕೆ ಹೆಸರುವಾಸಿಯಾಗಿದೆ, ಅಲ್ಲಿ ಭಕ್ತರು ವಿವಿಧ ಕಾಯಿಲೆಗಳಿಂದ ಗುಣಮುಖರಾಗಲು ಪ್ರಾರ್ಥಿಸುತ್ತಾರೆ. ವಾಸ್ತವವಾಗಿ, ಈ ದೇವಾಲಯವು ಮುಸ್ಲಿಂ ಆಡಳಿತಗಾರ ಟಿಪ್ಪು ಸುಲ್ತಾನನ ಗೌರವವನ್ನು ಗಳಿಸಿತು, ಅವನು ತನ್ನ ರಾಜ ಪಟ್ಟದ ಆನೆಯನ್ನು ಕಣ್ಣಿನ ಕಾಯಿಲೆಯಿಂದ ಅದ್ಭುತವಾಗಿ ಗುಣಪಡಿಸಿದ್ದಕ್ಕಾಗಿ ದೇವರನ್ನು 'ಹಕೀಮ್ ನಂಜುಂಡ' ಎಂದು ಕೊಂಡಾಡಿದನು. ನಂಜನಗೂಡು ರಸಬಾಳೆ ಎಂದು ಕರೆಯಲ್ಪಡುವ ಒಂದು ಬಾಳೆ ಹಣ್ಣಿನ ತಳಿವಿವಿಧ ಬಾಳೆಹಣ್ಣುಗಳು ಪಟ್ಟಣದ ನಂತರ ಅದರ ಹೆಸರನ್ನು ಪಡೆದುಕೊಂಡಿವೆ ಪಡೆದುಕೊಂಡಿದೆ. ಆದರೆ, ನಂಜನಗೂಡು ಕರ್ನಾಟಕದಾದ್ಯಂತ ಮತ್ತು ರಾಜ್ಯದ ಗಡಿಯಾಚೆಗೂ ಮನೆಮಾತಾಗಿರುವುದು ಮನೆ ಮಾತು ಆಗಿರುವುದಕ್ಕೆ ಇನ್ನೊಂದು ಕಾರಣ ಖ್ಯಾತ ಆಯುರ್ವೇದ ವಿದ್ವಾನ್ ಬಿ.ವಿ.ಪಂಡಿತ್ ಅವರ ಅವರು ತಯಾರಿಸಿದ ರಚನೆಯಾದ ನಂಜನಗೂಡು ಟೂತ್ ಪೌಡರ್. ಪಂಡಿತ್ ಅವರ ತಂದೆ ಅವರು ಹುಟ್ಟುವ ಮೊದಲೇ ನಿಧನರಾದರು, ಮತ್ತು ಅವರ ವಿಧವೆ ತಾಯಿ ಅವರನ್ನು ದುಃಖದ ಸಂದರ್ಭಗಳಲ್ಲಿ ಬೆಳೆಸಿದರು. ದೊಡ್ಡ ಸಂಕಷ್ಟಗಳ ನಡುವೆ ವಿರೋಧಾಭಾಸಗಳ ವಿರುದ್ಧ, ಹುಡುಗ ತನ್ನ ಅಧ್ಯಯನವನ್ನು ಮುಂದುವರಿಸಿದನು ಮತ್ತು ಅಂತಿಮವಾಗಿ ಮೈಸೂರು ಆಯುರ್ವೇದಿಕ್ ಕಾಲೇಜಿನಲ್ಲಿ ಪದವಿ ಪಡೆದನು. 1913 ರಲ್ಲಿ, ಅವರ ಗುರುಗಳ ಆಶೀರ್ವಾದದೊಂದಿಗೆ, ಅವರು ನಂಜನಗೂಡಿನಲ್ಲಿ ಸದ್ವೈದ್ಯಶಾಲೆಯನ್ನು ಸ್ಥಾಪಿಸಿದರು ಮತ್ತು ಆಯುರ್ವೇದ ಉತ್ಪನ್ನಗಳನ್ನು ತಯಾರಿಸಲು ಪ್ರಾರಂಭಿಸಿದರು, ಮೈಸೂರಿನಲ್ಲಿ ಮಾರಾಟ ಮಾಡಲು ಪ್ರತಿದಿನ 50  23 ಕಿಲೋಮೀಟರ್ ಸೈಕ್ಲಿಂಗ್  ಸೈಕಲ್ ಮಾಡಿದರು. ಒಂದು ಸಂದರ್ಭದಲ್ಲಿ, ಪುರೋಹಿತರೊಬ್ಬರು ಹೋಮವನ್ನು (ವೈದಿಕ ಅಗ್ನಿ ಯಜ್ಞ) ಮಾಡುವುದನ್ನು ನೋಡಿದಾಗ, ಪಂಡಿತರಿಗೆ ಭತ್ತದ ಸಿಪ್ಪೆಯನ್ನು ಹೊಟ್ಟನ್ನು ದಂತವೈದ್ಯಕ್ಕೆ ಆಧಾರವಾಗಿ ಬಳಸುವ ಕಲ್ಪನೆಯು ಹೊಳೆಯಿತು. ಆ ಕಾಲಕ್ಕೆ ಇದೊಂದು ಹೊಸ ಕಲ್ಪನೆ, ಹೀಗಾಗಿ ನಂಜನಗೂಡು ಟೂತ್ ಪೌಡರ್ ಹುಟ್ಟಿಕೊಂಡಿತು. ಉತ್ಪನ್ನವು ರಾತ್ರೋರಾತ್ರಿ ಯಶಸ್ವಿಯಾಯಿತು, ಬಿ ವಿ ಪಂಡಿತ್ ಮತ್ತು ನಂಜನಗೂಡು ಅವರಿಗೆ ಅದೃಷ್ಟ ಮತ್ತು ಖ್ಯಾತಿಯನ್ನು ತಂದಿತು. ಸಾಹಿತ್ಯಾಸಕ್ತರು ಸೇರಿದಂತೆ  ಹಾಗೂ ಕನ್ನಡ ಚಿತ್ರರಂಗದ ಸ್ಟಾರ್ ಡಾ ರಾಜ್‌ಕುಮಾರ್ ಸೇರಿದಂತೆ ಕರ್ನಾಟಕದ ಹಲವಾರು ಗಣ್ಯರು, ಜ್ಞಾನಪೀಠ ಪ್ರಶಸ್ತಿ ವಿಜೇತರು, ಬಿ.ವಿ.ಪಂಡಿತ್ ಅವರ ನಂಜನಗೂಡು ಟೂತ್ ಪೌಡರ್ ಅನ್ನು ಅನುಮೋದಿಸಿದ್ದಾರೆ. ಕರ್ನಾಟಕ ಎಂದು ರಾಜ್ಯಕ್ಕೆ ನಾಮಕರಣವಾದ ೫೦ ನೇ ವರ್ಷದಲ್ಲಿ, ಕನ್ನಡ ರಾಜ್ಯೋತ್ಸವದ ಸಂದರ್ಭದಲ್ಲಿ, ರೇಡಿಯೋ ಅಜೀಂ ಪ್ರೇಮ್‌ಜಿ ವಿಶ್ವವಿದ್ಯಾಲಯವು ಕರ್ನಾಟಕದ ಹೆಮ್ಮೆಯ ಕಥೆಗಳನ್ನು ಆಚರಿಸಲು ವಿಶೇಷ ಪ್ರದರ್ಶನವನ್ನು ಕಾರ್ಯಕ್ರಮವನ್ನು ನಿಮಗೆ ತರುತ್ತದೆ. ನಮ್ಮ ಮೊದಲ ಸಂಚಿಕೆಯನ್ನು ಅಜೀಂ ಪ್ರೇಮ್‌ಜಿ ಫೌಂಡೇಶನ್‌ನ ಸುಧೀಶ್ ವೆಂಕಟೇಶ್ ಅವರು ಶ್ರದ್ಧಾ ಗೌತಮ್ ಅವರೊಂದಿಗೆ ಸಂವಾದದಲ್ಲಿ ಪ್ರಸ್ತುತಪಡಿಸಿದ್ದಾರೆ. ಬಿ.ವಿ.ಪಂಡಿತ್ ಅವರ ಮೊಮ್ಮಗನಾಗಿರುವ ಸುಧೀಶ್ ಅವರಿಗೆ ನಂಜನಗೂಡು ಟೂತ್ ಪೌಡರ್ ಕೇವಲ ಉದ್ಯಮಶೀಲತೆಯ ಯಶೋಗಾಥೆಯಲ್ಲ; ಇದು ಸ್ವತಃ ಜೀವನದ ಕಥೆ.  ನೂರುಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕ - ನಂಜನಗೂಡು ಟೂತ್ ಪೌಡರ್ ಮೊದಲ ಸಂಚಿಕೆಯನ್ನು ಕೇಳಿ ಬನ್ನಿ.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1653339963</guid><pubDate>Tue, 31 Oct 2023 13:16:16 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997912/1653339963_radioazimpremjiuniversity_noorakke_nooru_karnataka_ep_1_nanjanagudu_hallupudi.mp3" length="29264247" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Places tell stories. Often, the story and the place are synonymous, as with Nanjanagudu. This town near Mysuru beside the Kapila river is famous for the Srikanteshwara temple dedicated to Lord Shiva, where devotees pray to be cured of disease. The...</itunes:subtitle><itunes:summary><![CDATA[Places tell stories. Often, the story and the place are synonymous, as with Nanjanagudu. This town near Mysuru beside the Kapila river is famous for the Srikanteshwara temple dedicated to Lord Shiva, where devotees pray to be cured of disease. The temple earned the reverence of Tipu Sultan, who hailed the deity as ‘Hakim Nanjunda’ for miraculously curing his royal elephant's eye ailment. A variety of banana, Nanjangudu Rasabaale, is also named after the town. Another reason why Nanjanagudu became a household name across Karnataka and beyond is Nanjangud Tooth Powder, a creation of the renowned Ayurveda Vidwan B.V. Pundit.  Pundit’s father died before he was born. His widowed mother raised him in dire financial circumstances. Against great odds, he pursued his studies and graduated from Mysuru Ayurvedic College. In 1913, with his mentor's blessings, he set up Sadvaidyasala in Nanjanagudu to manufacture Ayurvedic products, cycling 50 km daily to sell them in Mysuru.  Witnessing a priest performing a homa (Vedic fire sacrifice), Pundit was inspired to use paddy husk as a base for a dentifrice. Nanjangud Tooth Powder was born and became an overnight success. Celebrities, including Kannada cinema star Dr Rajkumar and many literary doyens, endorsed Nanjangud Tooth Powder.    In the 50th year of the naming of Karnataka, we celebrate the stories that make Karnataka proud. Sudheesh Venkatesh, in conversation with Shraddha Gautam, presents our first episode.    ನೂರಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕ Ep 1 - ನಂಜನಗೂಡು ಹಲ್ಲುಪುಡಿ ಸ್ಥಳಗಳು ಕಥೆಗಳನ್ನು ಹೇಳುತ್ತವೆ. ಕೆಲವೊಮ್ಮೆ, ಕಥೆ ಮತ್ತು ಸ್ಥಳವು ಸಮಾನಾರ್ಥಕವಾಗುತ್ತದೆ. ನಂಜನಗೂಡು ಕಥೆಯಲ್ಲಿ ಹೀಗಿದೆ. ಮೈಸೂರು ಸಮೀಪದ ಕಪಿಲಾ ನದಿಯ ದಡದಲ್ಲಿರುವ ಈ ಸಣ್ಣ ಪಟ್ಟಣವು ಶಿವನಿಗೆ ಸಮರ್ಪಿತವಾದ ಶ್ರೀಕಂಠೇಶ್ವರ ದೇವಸ್ಥಾನಕ್ಕೆ ಹೆಸರುವಾಸಿಯಾಗಿದೆ, ಅಲ್ಲಿ ಭಕ್ತರು ವಿವಿಧ ಕಾಯಿಲೆಗಳಿಂದ ಗುಣಮುಖರಾಗಲು ಪ್ರಾರ್ಥಿಸುತ್ತಾರೆ. ವಾಸ್ತವವಾಗಿ, ಈ ದೇವಾಲಯವು ಮುಸ್ಲಿಂ ಆಡಳಿತಗಾರ ಟಿಪ್ಪು ಸುಲ್ತಾನನ ಗೌರವವನ್ನು ಗಳಿಸಿತು, ಅವನು ತನ್ನ ರಾಜ ಪಟ್ಟದ ಆನೆಯನ್ನು ಕಣ್ಣಿನ ಕಾಯಿಲೆಯಿಂದ ಅದ್ಭುತವಾಗಿ ಗುಣಪಡಿಸಿದ್ದಕ್ಕಾಗಿ ದೇವರನ್ನು 'ಹಕೀಮ್ ನಂಜುಂಡ' ಎಂದು ಕೊಂಡಾಡಿದನು. ನಂಜನಗೂಡು ರಸಬಾಳೆ ಎಂದು ಕರೆಯಲ್ಪಡುವ ಒಂದು ಬಾಳೆ ಹಣ್ಣಿನ ತಳಿವಿವಿಧ ಬಾಳೆಹಣ್ಣುಗಳು ಪಟ್ಟಣದ ನಂತರ ಅದರ ಹೆಸರನ್ನು ಪಡೆದುಕೊಂಡಿವೆ ಪಡೆದುಕೊಂಡಿದೆ. ಆದರೆ, ನಂಜನಗೂಡು ಕರ್ನಾಟಕದಾದ್ಯಂತ ಮತ್ತು ರಾಜ್ಯದ ಗಡಿಯಾಚೆಗೂ ಮನೆಮಾತಾಗಿರುವುದು ಮನೆ ಮಾತು ಆಗಿರುವುದಕ್ಕೆ ಇನ್ನೊಂದು ಕಾರಣ ಖ್ಯಾತ ಆಯುರ್ವೇದ ವಿದ್ವಾನ್ ಬಿ.ವಿ.ಪಂಡಿತ್ ಅವರ ಅವರು ತಯಾರಿಸಿದ ರಚನೆಯಾದ ನಂಜನಗೂಡು ಟೂತ್ ಪೌಡರ್. ಪಂಡಿತ್ ಅವರ ತಂದೆ ಅವರು ಹುಟ್ಟುವ ಮೊದಲೇ ನಿಧನರಾದರು, ಮತ್ತು ಅವರ ವಿಧವೆ ತಾಯಿ ಅವರನ್ನು ದುಃಖದ ಸಂದರ್ಭಗಳಲ್ಲಿ ಬೆಳೆಸಿದರು. ದೊಡ್ಡ ಸಂಕಷ್ಟಗಳ ನಡುವೆ ವಿರೋಧಾಭಾಸಗಳ ವಿರುದ್ಧ, ಹುಡುಗ ತನ್ನ ಅಧ್ಯಯನವನ್ನು ಮುಂದುವರಿಸಿದನು ಮತ್ತು ಅಂತಿಮವಾಗಿ ಮೈಸೂರು ಆಯುರ್ವೇದಿಕ್ ಕಾಲೇಜಿನಲ್ಲಿ ಪದವಿ ಪಡೆದನು. 1913 ರಲ್ಲಿ, ಅವರ ಗುರುಗಳ ಆಶೀರ್ವಾದದೊಂದಿಗೆ, ಅವರು ನಂಜನಗೂಡಿನಲ್ಲಿ ಸದ್ವೈದ್ಯಶಾಲೆಯನ್ನು ಸ್ಥಾಪಿಸಿದರು ಮತ್ತು ಆಯುರ್ವೇದ ಉತ್ಪನ್ನಗಳನ್ನು ತಯಾರಿಸಲು ಪ್ರಾರಂಭಿಸಿದರು, ಮೈಸೂರಿನಲ್ಲಿ ಮಾರಾಟ ಮಾಡಲು ಪ್ರತಿದಿನ 50  23 ಕಿಲೋಮೀಟರ್ ಸೈಕ್ಲಿಂಗ್  ಸೈಕಲ್ ಮಾಡಿದರು. ಒಂದು ಸಂದರ್ಭದಲ್ಲಿ, ಪುರೋಹಿತರೊಬ್ಬರು ಹೋಮವನ್ನು (ವೈದಿಕ ಅಗ್ನಿ ಯಜ್ಞ) ಮಾಡುವುದನ್ನು ನೋಡಿದಾಗ, ಪಂಡಿತರಿಗೆ ಭತ್ತದ ಸಿಪ್ಪೆಯನ್ನು ಹೊಟ್ಟನ್ನು ದಂತವೈದ್ಯಕ್ಕೆ ಆಧಾರವಾಗಿ ಬಳಸುವ ಕಲ್ಪನೆಯು ಹೊಳೆಯಿತು. ಆ ಕಾಲಕ್ಕೆ ಇದೊಂದು ಹೊಸ ಕಲ್ಪನೆ, ಹೀಗಾಗಿ ನಂಜನಗೂಡು ಟೂತ್ ಪೌಡರ್ ಹುಟ್ಟಿಕೊಂಡಿತು. ಉತ್ಪನ್ನವು ರಾತ್ರೋರಾತ್ರಿ ಯಶಸ್ವಿಯಾಯಿತು, ಬಿ ವಿ ಪಂಡಿತ್ ಮತ್ತು ನಂಜನಗೂಡು ಅವರಿಗೆ ಅದೃಷ್ಟ ಮತ್ತು ಖ್ಯಾತಿಯನ್ನು ತಂದಿತು. ಸಾಹಿತ್ಯಾಸಕ್ತರು ಸೇರಿದಂತೆ  ಹಾಗೂ ಕನ್ನಡ ಚಿತ್ರರಂಗದ ಸ್ಟಾರ್ ಡಾ ರಾಜ್‌ಕುಮಾರ್ ಸೇರಿದಂತೆ ಕರ್ನಾಟಕದ ಹಲವಾರು ಗಣ್ಯರು, ಜ್ಞಾನಪೀಠ ಪ್ರಶಸ್ತಿ ವಿಜೇತರು, ಬಿ.ವಿ.ಪಂಡಿತ್ ಅವರ ನಂಜನಗೂಡು ಟೂತ್ ಪೌಡರ್ ಅನ್ನು ಅನುಮೋದಿಸಿದ್ದಾರೆ. ಕರ್ನಾಟಕ ಎಂದು ರಾಜ್ಯಕ್ಕೆ ನಾಮಕರಣವಾದ ೫೦ ನೇ ವರ್ಷದಲ್ಲಿ, ಕನ್ನಡ ರಾಜ್ಯೋತ್ಸವದ ಸಂದರ್ಭದಲ್ಲಿ, ರೇಡಿಯೋ ಅಜೀಂ ಪ್ರೇಮ್‌ಜಿ ವಿಶ್ವವಿದ್ಯಾಲಯವು ಕರ್ನಾಟಕದ ಹೆಮ್ಮೆಯ ಕಥೆಗಳನ್ನು ಆಚರಿಸಲು ವಿಶೇಷ ಪ್ರದರ್ಶನವನ್ನು ಕಾರ್ಯಕ್ರಮವನ್ನು ನಿಮಗೆ ತರುತ್ತದೆ. ನಮ್ಮ ಮೊದಲ ಸಂಚಿಕೆಯನ್ನು ಅಜೀಂ ಪ್ರೇಮ್‌ಜಿ ಫೌಂಡೇಶನ್‌ನ ಸುಧೀಶ್ ವೆಂಕಟೇಶ್ ಅವರು ಶ್ರದ್ಧಾ ಗೌತಮ್ ಅವರೊಂದಿಗೆ ಸಂವಾದದಲ್ಲಿ ಪ್ರಸ್ತುತಪಡಿಸಿದ್ದಾರೆ. ಬಿ.ವಿ.ಪಂಡಿತ್ ಅವರ ಮೊಮ್ಮಗನಾಗಿರುವ ಸುಧೀಶ್ ಅವರಿಗೆ ನಂಜನಗೂಡು ಟೂತ್ ಪೌಡರ್ ಕೇವಲ ಉದ್ಯಮಶೀಲತೆಯ ಯಶೋಗಾಥೆಯಲ್ಲ; ಇದು ಸ್ವತಃ ಜೀವನದ ಕಥೆ.  ನೂರುಕ್ಕೆ ನೂರು ಕರ್ನಾಟಕ - ನಂಜನಗೂಡು ಟೂತ್ ಪೌಡರ್ ಮೊದಲ ಸಂಚಿಕೆಯನ್ನು ಕೇಳಿ ಬನ್ನಿ.  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>1829</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/334b821e0f3bf3f700952c7f75517143.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Well Caught With Giri And Raghu | EP5 - Late Cut | 20th October 2023</title><link>https://www.spreaker.com/episode/well-caught-with-giri-and-raghu-ep5-late-cut-20th-october-2023--57997909</link><description><![CDATA[In the Nineties, match fees were fatter and the stakes higher, yet the temptations were darker. The match-fixing scandal exposed an underbelly of bookies, betting and sleaze. At the turn of the century, as heads rolled and reputations were sullied, the game weathered its darkest phase.  In the decade of redemption that followed, captains and coaches employed analytics to decide match strategies. In Ganguly, India found an aggressive skipper who walked his talk. No one embodied leadership and team spirit like Dhoni, inspiring international espect for Team India that was buoyed by the dramatic 2011 World Cup victory.  From the colourful radio commentaries that brought the game alive in the early days of Test Cricket to the elaborate theatrics of T20 in modern television broadcasting, cricket has travelled the distance. As it takes to the global stage at the 2028 Summer Olympics for the first time since 1900, we can say that the sport has truly come of age. Reliving these defining moments, Raghu and Giri hang up their gloves in this series finale of Well Caught. Thank you for listening. Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  Acknowledgements and Resources:  YouTube:  Zee TV Closedown (1997) https://www.youtube.com/watch?v=ky5I81rYeVo    Javed Miandad last ball sixer in sharjah cup final 1986 https://www.youtube.com/watch?v=xhYJqV-cbMI  India Pakistan Cricket Classic SHARJAH PEPSI CUP 1996 https://www.youtube.com/watch?v=22QqFrlmkww    Fmr cricket captain threatens to reveal match fixing names https://www.youtube.com/watch?v=mNy7IaJpwRo    INDIA: CRICKET MATCH FIXING ALLEGATIONS: REPORT (V) https://www.youtube.com/watch?v=xqMa1EIJwo4  Not Cricket ! - Match Fixing (Orig 2001) Pt1 https://www.youtube.com/watch?v=mVOmJVTeIEc    Manoj Prabhakar presents a videotape on match-fixing in 2000 https://www.youtube.com/watch?v=DNYa2yuhNn8    deepanshu madan on match ka  mujrim kon https://www.youtube.com/watch?v=xu7YGK1a0bo    Dadagiri ( Title treck ) https://www.youtube.com/watch?v=sjLJhCiDdvM  Harbhajan Singh Rips Apart Australia | 15 Wickets in 1 Match | INDvAUS 2001 https://www.youtube.com/watch?v=t_cfSOcOB8A    Sourav Ganguly: The Courageous Captain | Ian Chappell, Sachin Tendulkar | Discovery Plus https://www.youtube.com/watch?v=c4DY8iBQd5o    Cricket Connected: Nasser Hussain on Sourav Ganguly https://www.youtube.com/watch?v=Mq3J-JEk9JA    INDIA VS AUSTRALIA 2001 KOLKATA HIGHLIGHTS  INDIA'S historic TEST MATCH WIN after followon https://www.youtube.com/watch?v=UT2pMi3VhA8     1966 West Indies India Bombay (new footage) https://www.youtube.com/watch?v=aWkSS2ZYcdE     Books by Giri and Raghu:  Mid-Wicket Tales — From Trumper to Tendulkar (Sage India, 2014) https://www.amazon.in/Mid-Wicket-Tales-Trumper-Tendulkar-Giridhar/dp/8132117387  From Mumbai to Durban: India’s Greatest Tests (Juggernaut, 2016) https://www.amazon.in/Mumbai-Durban-Indias-Greatest-Tests-ebook/dp/B0821B37QT]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1644055887</guid><pubDate>Fri, 20 Oct 2023 02:30:50 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997909/1644055887_radioazimpremjiuniversity_well_caught_with_giri_and_raghu_ep5_late_cut_20th_october_2023.mp3" length="34118843" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In the Nineties, match fees were fatter and the stakes higher, yet the temptations were darker. The match-fixing scandal exposed an underbelly of bookies, betting and sleaze. At the turn of the century, as heads rolled and reputations were sullied,...</itunes:subtitle><itunes:summary><![CDATA[In the Nineties, match fees were fatter and the stakes higher, yet the temptations were darker. The match-fixing scandal exposed an underbelly of bookies, betting and sleaze. At the turn of the century, as heads rolled and reputations were sullied, the game weathered its darkest phase.  In the decade of redemption that followed, captains and coaches employed analytics to decide match strategies. In Ganguly, India found an aggressive skipper who walked his talk. No one embodied leadership and team spirit like Dhoni, inspiring international espect for Team India that was buoyed by the dramatic 2011 World Cup victory.  From the colourful radio commentaries that brought the game alive in the early days of Test Cricket to the elaborate theatrics of T20 in modern television broadcasting, cricket has travelled the distance. As it takes to the global stage at the 2028 Summer Olympics for the first time since 1900, we can say that the sport has truly come of age. Reliving these defining moments, Raghu and Giri hang up their gloves in this series finale of Well Caught. Thank you for listening. Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  Acknowledgements and Resources:  YouTube:  Zee TV Closedown (1997) https://www.youtube.com/watch?v=ky5I81rYeVo    Javed Miandad last ball sixer in sharjah cup final 1986 https://www.youtube.com/watch?v=xhYJqV-cbMI  India Pakistan Cricket Classic SHARJAH PEPSI CUP 1996 https://www.youtube.com/watch?v=22QqFrlmkww    Fmr cricket captain threatens to reveal match fixing names https://www.youtube.com/watch?v=mNy7IaJpwRo    INDIA: CRICKET MATCH FIXING ALLEGATIONS: REPORT (V) https://www.youtube.com/watch?v=xqMa1EIJwo4  Not Cricket ! - Match Fixing (Orig 2001) Pt1 https://www.youtube.com/watch?v=mVOmJVTeIEc    Manoj Prabhakar presents a videotape on match-fixing in 2000 https://www.youtube.com/watch?v=DNYa2yuhNn8    deepanshu madan on match ka  mujrim kon https://www.youtube.com/watch?v=xu7YGK1a0bo    Dadagiri ( Title treck ) https://www.youtube.com/watch?v=sjLJhCiDdvM  Harbhajan Singh Rips Apart Australia | 15 Wickets in 1 Match | INDvAUS 2001 https://www.youtube.com/watch?v=t_cfSOcOB8A    Sourav Ganguly: The Courageous Captain | Ian Chappell, Sachin Tendulkar | Discovery Plus https://www.youtube.com/watch?v=c4DY8iBQd5o    Cricket Connected: Nasser Hussain on Sourav Ganguly https://www.youtube.com/watch?v=Mq3J-JEk9JA    INDIA VS AUSTRALIA 2001 KOLKATA HIGHLIGHTS  INDIA'S historic TEST MATCH WIN after followon https://www.youtube.com/watch?v=UT2pMi3VhA8     1966 West Indies India Bombay (new footage) https://www.youtube.com/watch?v=aWkSS2ZYcdE     Books by Giri and Raghu:  Mid-Wicket Tales — From Trumper to Tendulkar (Sage India, 2014) https://www.amazon.in/Mid-Wicket-Tales-Trumper-Tendulkar-Giridhar/dp/8132117387  From Mumbai to Durban: India’s Greatest Tests (Juggernaut, 2016) https://www.amazon.in/Mumbai-Durban-Indias-Greatest-Tests-ebook/dp/B0821B37QT]]></itunes:summary><itunes:duration>2133</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/132e36335ae700291e166823d63b696d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bhakti Republic With Amit Basole | EP2 Kathauti Mein Ganga | 12th October 2023</title><link>https://www.spreaker.com/episode/bhakti-republic-with-amit-basole-ep2-kathauti-mein-ganga-12th-october-2023--57997918</link><description><![CDATA[We journey to the ancient, timeless city of Varanasi, its ghats washed by the river Ganga, to find ourselves enmeshed in the warp and weft of Kabir’s verse. Kabir the weaver venerates the Almighty without question, but equally, he scorns the hollowness of rituals in society that clutter the path to this sacred union. His poetry is simple and accessible, yet pungent with wit and incisive with insight. And though provocative, it resounds with wisdom and truth of a kind that many of his contemporaries, even his detractors, dared not confront.  Within this city of brick and stone, which also goes by Benares and Kashi, is ensconced a place of dreams, a utopia where the working class is free and spared from taxation, and where society is not riven by caste or stigma. Begumpura (literally, a city without sorrow) is a realm in the imagination of another of Varanasi’s most illustrious sons — Ravidas the leather-worker. A famous parable, which engendered the phrase after which this episode is titled, goes that the saint-poet equated the water in his humble tanner’s bowl (kathauti) to the sacred waters of the Ganga. Join Amit Basole for the second episode of this series, in which we explore how the histories of the values enshrined in our Constitution find resonance in the poetry of the Bhakti tradition.  Credits:   Akshay Ramuhalli, Atif Anwar, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Riju R Krishna, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  Acknowledgements: YouTube: Tera Mera Manwa | Kaluram Bamaniya | Kabir Project https://youtu.be/O8uJ9Lr6E5I?t=80 Walking with Sunrise in Varanasi (Binaural Ambience Sounds) 4K ASMR https://www.youtube.com/watch?v=G3yM_P39kZE   'Koi Nahin Apna' by Vishnu Khuprao Deshmukh https://www.youtube.com/watch?v=I77FQIhXYtw   Soulful Kabir Bhajan | Kalaam-e-Kabir with Shabnam Virmani | Jashn-e-Rekhta https://www.youtube.com/watch?v=wpGOMJP2ges   Chadariya Jhini re Jhini | Mukhtiayar Ali | Kabir Project https://youtu.be/7z9dM2E1Zl8?t=169 Kabir by Abida Parveen Popular Kabir Songs 2015 https://www.youtube.com/watch?v=mNEh6TbkSYo  Bhala hua mori matki phuti | Farid Ayaz, Abu Muhammad Qawwal and Party https://youtu.be/7GL0SqhQB3w?t=341 Interview with Farid Ayaz | Kabir Project https://youtu.be/ZBiHzjj-yBE?t=369 Documentary: Hans Akela - Kumar Gandharva https://www.youtube.com/watch?v=Fv4ynjy8m04   Kabir: Then and Now - Lecture by Purushottam Agarwal (video) https://www.youtube.com/watch?v=UkULhmshsNg&amp;ab_channel=AshokDaRanadeMemorialTrust   Ravidas Guru | Nusrat Fateh Ali Khan Qawwal and Party https://youtu.be/0wyhcdxDrjI?t=71 Begumpura | Bhai Nirmal Singh Khalsa https://www.youtube.com/watch?v=dC5uwIbvRLk Pravachan on Sant Ravidas (video) https://www.youtube.com/live/Jdo7yPGhWGw?feature=share   YouTube Shorts https://www.youtube.com/shorts/SLfcjvdDuhw   https://www.youtube.com/shorts/KFiA7Hnlp_Y   Books: Akath Kahani Premi Ki by Purushottam Agarwal https://www.amazon.in/-/hi/Purushottam-Agarwal/dp/9388933265 Seeking Begumpura - The Social Vision of Anti-caste Intellectuals by Gail Omvedt Internet Archive:  https://archive.org/details/seeking-begumpura-the-social-vision-of-anticaste-intellectuals   Goodreads: https://www.goodreads.com/en/book/show/11970804   Amazon: https://www.amazon.in/Seeking-Begumpura-Social-Anticaste-Intellectuals/dp/8189059459   Kabir legends and Ananta-das's Kabir Parachai by David Lorenzen (PDF) https://archive.org/details/kabirlegendsanan0000lore/page/n7/mode/2up    Ramaini, Beejak of Kabir - Nawal Kishore Press (PDF) https://archive.org/details/RamainiBeejakEtcOfKabirDasWithBrajBhashaProseTranslationPg49To568NavalKishorePress/mode/2up   Kashi ka itihas by Dr Motichandra (PDF)  https://archive.org/details/kashikaitihasmotichanda_202003_131_b/mode/2up]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1637545440</guid><pubDate>Thu, 12 Oct 2023 02:30:08 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997918/1637545440_radioazimpremjiuniversity_bhakti_republic_with_amit_basole_ep2_kathauti_mein_ganga_12th_october_2023.mp3" length="49685314" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>We journey to the ancient, timeless city of Varanasi, its ghats washed by the river Ganga, to find ourselves enmeshed in the warp and weft of Kabir’s verse. Kabir the weaver venerates the Almighty without question, but equally, he scorns the...</itunes:subtitle><itunes:summary><![CDATA[We journey to the ancient, timeless city of Varanasi, its ghats washed by the river Ganga, to find ourselves enmeshed in the warp and weft of Kabir’s verse. Kabir the weaver venerates the Almighty without question, but equally, he scorns the hollowness of rituals in society that clutter the path to this sacred union. His poetry is simple and accessible, yet pungent with wit and incisive with insight. And though provocative, it resounds with wisdom and truth of a kind that many of his contemporaries, even his detractors, dared not confront.  Within this city of brick and stone, which also goes by Benares and Kashi, is ensconced a place of dreams, a utopia where the working class is free and spared from taxation, and where society is not riven by caste or stigma. Begumpura (literally, a city without sorrow) is a realm in the imagination of another of Varanasi’s most illustrious sons — Ravidas the leather-worker. A famous parable, which engendered the phrase after which this episode is titled, goes that the saint-poet equated the water in his humble tanner’s bowl (kathauti) to the sacred waters of the Ganga. Join Amit Basole for the second episode of this series, in which we explore how the histories of the values enshrined in our Constitution find resonance in the poetry of the Bhakti tradition.  Credits:   Akshay Ramuhalli, Atif Anwar, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Riju R Krishna, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  Acknowledgements: YouTube: Tera Mera Manwa | Kaluram Bamaniya | Kabir Project https://youtu.be/O8uJ9Lr6E5I?t=80 Walking with Sunrise in Varanasi (Binaural Ambience Sounds) 4K ASMR https://www.youtube.com/watch?v=G3yM_P39kZE   'Koi Nahin Apna' by Vishnu Khuprao Deshmukh https://www.youtube.com/watch?v=I77FQIhXYtw   Soulful Kabir Bhajan | Kalaam-e-Kabir with Shabnam Virmani | Jashn-e-Rekhta https://www.youtube.com/watch?v=wpGOMJP2ges   Chadariya Jhini re Jhini | Mukhtiayar Ali | Kabir Project https://youtu.be/7z9dM2E1Zl8?t=169 Kabir by Abida Parveen Popular Kabir Songs 2015 https://www.youtube.com/watch?v=mNEh6TbkSYo  Bhala hua mori matki phuti | Farid Ayaz, Abu Muhammad Qawwal and Party https://youtu.be/7GL0SqhQB3w?t=341 Interview with Farid Ayaz | Kabir Project https://youtu.be/ZBiHzjj-yBE?t=369 Documentary: Hans Akela - Kumar Gandharva https://www.youtube.com/watch?v=Fv4ynjy8m04   Kabir: Then and Now - Lecture by Purushottam Agarwal (video) https://www.youtube.com/watch?v=UkULhmshsNg&amp;ab_channel=AshokDaRanadeMemorialTrust   Ravidas Guru | Nusrat Fateh Ali Khan Qawwal and Party https://youtu.be/0wyhcdxDrjI?t=71 Begumpura | Bhai Nirmal Singh Khalsa https://www.youtube.com/watch?v=dC5uwIbvRLk Pravachan on Sant Ravidas (video) https://www.youtube.com/live/Jdo7yPGhWGw?feature=share   YouTube Shorts https://www.youtube.com/shorts/SLfcjvdDuhw   https://www.youtube.com/shorts/KFiA7Hnlp_Y   Books: Akath Kahani Premi Ki by Purushottam Agarwal https://www.amazon.in/-/hi/Purushottam-Agarwal/dp/9388933265 Seeking Begumpura - The Social Vision of Anti-caste Intellectuals by Gail Omvedt Internet Archive:  https://archive.org/details/seeking-begumpura-the-social-vision-of-anticaste-intellectuals   Goodreads: https://www.goodreads.com/en/book/show/11970804   Amazon: https://www.amazon.in/Seeking-Begumpura-Social-Anticaste-Intellectuals/dp/8189059459   Kabir legends and Ananta-das's Kabir Parachai by David Lorenzen (PDF) https://archive.org/details/kabirlegendsanan0000lore/page/n7/mode/2up    Ramaini, Beejak of Kabir - Nawal Kishore Press (PDF) https://archive.org/details/RamainiBeejakEtcOfKabirDasWithBrajBhashaProseTranslationPg49To568NavalKishorePress/mode/2up   Kashi ka itihas by Dr Motichandra (PDF)  https://archive.org/details/kashikaitihasmotichanda_202003_131_b/mode/2up]]></itunes:summary><itunes:duration>3106</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49c35b9f7bc11f0a1aec39f32fa0d78d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>It's A Math Math Math World With Divakaran And Shraddha - Number Origami (Ep4) 1st August 2023</title><link>https://www.spreaker.com/episode/it-s-a-math-math-math-world-with-divakaran-and-shraddha-number-origami-ep4-1st-august-2023--57997906</link><description><![CDATA[“If I make a paper plane using a piece of paper, and then unfold it, you will be able to fold it exactly as I did because there is a memory of folding left in that piece of paper,” says Prof. Divakaran. But, complains Shraddha, this does not apply to Kanjeevaram sarees!  Where she’s going, Shraddha won’t need a saree. A kimono will do just fine.  Our friendly mathematics professor and his eager student journey to Japan in their quest to unravel numbers. Origami, the Japanese art of paper folding, is more than an aesthetic pursuit of hobbyists. It packs in its intricate folds many fascinating clues to understanding prime numbers and other mathematical concepts.   Previously in this series, we visited ancient Greece, India, Egypt, and Babylon. Queue our past episodes and catch up on the playlist.   Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar   Discover more:  Article: Tree-maker algorithm: https://langorigami.com/article/treemaker/   Book: Thomas C Hull | Project Origami: Activities for Exploring Mathematics, Second Edition (AK Peters/CRC Recreational Mathematics Series) https://www.amazon.in/Project-Origami-Activities-Exploring-Mathematics/dp/1466567910   Book: Thomas C Hull | Origametry: Mathematical Methods in Paper Folding https://www.amazon.in/Origametry-Mathematical-Methods-Paper-Folding/dp/1108478727   Article: Miura Folding - Applying Origami to Space Explorations https://www.ijpam.eu/contents/2012-79-2/8/8.pdf   YouTube video: DW News | The girl that became Hiroshima's icon for world peace - Sadako Sasaki and the 1000 paper cranes  https://www.youtube.com/watch?v=FzIB4LkVtUE   YouTube video: The Smithsonian Channel | Language without Numbers?  https://www.youtube.com/watch?v=nDM8G5tuHF8   Article: Recursion And Human Thought - Why The Pirahã Don't Have Numbers | A Talk With Daniel L. Everett | The Edge  https://www.edge.org/conversation/daniel_l_everett-recursion-and-human-thought   Website | Mathigon.org | Mathematical Origami https://mathigon.org/origami]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1576589894</guid><pubDate>Tue, 01 Aug 2023 02:30:06 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997906/1576589894_radioazimpremjiuniversity_its_a_math_math_math_world_with_divakaran_and_shraddha_number_origami_ep4_1st_august_2023.mp3" length="28446301" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>“If I make a paper plane using a piece of paper, and then unfold it, you will be able to fold it exactly as I did because there is a memory of folding left in that piece of paper,” says Prof. Divakaran. But, complains Shraddha, this does not apply to...</itunes:subtitle><itunes:summary><![CDATA[“If I make a paper plane using a piece of paper, and then unfold it, you will be able to fold it exactly as I did because there is a memory of folding left in that piece of paper,” says Prof. Divakaran. But, complains Shraddha, this does not apply to Kanjeevaram sarees!  Where she’s going, Shraddha won’t need a saree. A kimono will do just fine.  Our friendly mathematics professor and his eager student journey to Japan in their quest to unravel numbers. Origami, the Japanese art of paper folding, is more than an aesthetic pursuit of hobbyists. It packs in its intricate folds many fascinating clues to understanding prime numbers and other mathematical concepts.   Previously in this series, we visited ancient Greece, India, Egypt, and Babylon. Queue our past episodes and catch up on the playlist.   Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar   Discover more:  Article: Tree-maker algorithm: https://langorigami.com/article/treemaker/   Book: Thomas C Hull | Project Origami: Activities for Exploring Mathematics, Second Edition (AK Peters/CRC Recreational Mathematics Series) https://www.amazon.in/Project-Origami-Activities-Exploring-Mathematics/dp/1466567910   Book: Thomas C Hull | Origametry: Mathematical Methods in Paper Folding https://www.amazon.in/Origametry-Mathematical-Methods-Paper-Folding/dp/1108478727   Article: Miura Folding - Applying Origami to Space Explorations https://www.ijpam.eu/contents/2012-79-2/8/8.pdf   YouTube video: DW News | The girl that became Hiroshima's icon for world peace - Sadako Sasaki and the 1000 paper cranes  https://www.youtube.com/watch?v=FzIB4LkVtUE   YouTube video: The Smithsonian Channel | Language without Numbers?  https://www.youtube.com/watch?v=nDM8G5tuHF8   Article: Recursion And Human Thought - Why The Pirahã Don't Have Numbers | A Talk With Daniel L. Everett | The Edge  https://www.edge.org/conversation/daniel_l_everett-recursion-and-human-thought   Website | Mathigon.org | Mathematical Origami https://mathigon.org/origami]]></itunes:summary><itunes:duration>1778</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/035799fe9e2573ce531d49a7982e9efd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Well Caught With Giri And Raghu - Separate Gates, Separate Dressing Rooms (EP1) 20th July 2023</title><link>https://www.spreaker.com/episode/well-caught-with-giri-and-raghu-separate-gates-separate-dressing-rooms-ep1-20th-july-2023--57997907</link><description><![CDATA[Ep 1 - Separate Gates, Separate Dressing Rooms  It’s a beautiful day for cricket. The turf is green. The radio is crackling. The scoreboard is ticking. The crowd is cheering. And the sun is beginning to set on the British Empire.  We travel in time to an age when caste and class divide the pavilion. On and off the field, cricket reflects the discrimination that prevails in colonial societies. Players are segregated, teams assigned ethnic names, and coloured players docked their pay for using gates meant for white Englishmen.   Yet, it is this golden age that gives us greats like Ranjitsinhji and Duleepsinhji, and later Griffith and Sobers. Many new flags flutter in the winds of change as the colonies assert their independence. A game designed to cement the British Commonwealth takes on a life of its own and engenders a new world order.   Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  Explore further:  Books:   Mid-Wicket Tales — From Trumper to Tendulkar (Sage India, 2014) https://a.co/d/5HAhfbq   From Mumbai to Durban: India’s Greatest Tests (Juggernaut, 2016) https://amzn.eu/d/8aOZa3F   YouTube:  Cricket Giants Of 1890s (0) https://www.youtube.com/watch?v=w0KqQiurckQ   Rare Footage of English and Australian Cricket Teams (1905) | Sporting History https://www.youtube.com/watch?v=ChrFcjLJymU   !972: Gavaskar, Venkat, Solkar visit Ranjitsingh's home in Nawanagar. https://www.youtube.com/watch?v=hu3wIJkz5lg   Calypso Summer 1960/61 - Part 3 ABC Australia https://www.youtube.com/watch?v=VFitqoB2B08   Shehnai Recital of Ustad Bismillah Khan | Part 1 https://www.youtube.com/watch?v=3JeMR0RAHZg   All India Radio Signature tune https://www.youtube.com/watch?v=WuS-UiaKiVk   England &amp; Australia 1948 | The Lord's Ashes Test | Classic Cricket Films https://www.youtube.com/watch?v=l-xXMHXUMZg  Maryan - Official Teaser 3 https://www.youtube.com/watch?v=3V8iZBq0JPo]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1568228260</guid><pubDate>Thu, 20 Jul 2023 02:30:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997907/1568228260_radioazimpremjiuniversity_well_caught_with_giri_and_raghu_separate_gates_separate_dressing_rooms_ep1_20th_july_2023.mp3" length="27339963" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Ep 1 - Separate Gates, Separate Dressing Rooms  It’s a beautiful day for cricket. The turf is green. The radio is crackling. The scoreboard is ticking. The crowd is cheering. And the sun is beginning to set on the British Empire.  We travel in time to...</itunes:subtitle><itunes:summary><![CDATA[Ep 1 - Separate Gates, Separate Dressing Rooms  It’s a beautiful day for cricket. The turf is green. The radio is crackling. The scoreboard is ticking. The crowd is cheering. And the sun is beginning to set on the British Empire.  We travel in time to an age when caste and class divide the pavilion. On and off the field, cricket reflects the discrimination that prevails in colonial societies. Players are segregated, teams assigned ethnic names, and coloured players docked their pay for using gates meant for white Englishmen.   Yet, it is this golden age that gives us greats like Ranjitsinhji and Duleepsinhji, and later Griffith and Sobers. Many new flags flutter in the winds of change as the colonies assert their independence. A game designed to cement the British Commonwealth takes on a life of its own and engenders a new world order.   Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar  Explore further:  Books:   Mid-Wicket Tales — From Trumper to Tendulkar (Sage India, 2014) https://a.co/d/5HAhfbq   From Mumbai to Durban: India’s Greatest Tests (Juggernaut, 2016) https://amzn.eu/d/8aOZa3F   YouTube:  Cricket Giants Of 1890s (0) https://www.youtube.com/watch?v=w0KqQiurckQ   Rare Footage of English and Australian Cricket Teams (1905) | Sporting History https://www.youtube.com/watch?v=ChrFcjLJymU   !972: Gavaskar, Venkat, Solkar visit Ranjitsingh's home in Nawanagar. https://www.youtube.com/watch?v=hu3wIJkz5lg   Calypso Summer 1960/61 - Part 3 ABC Australia https://www.youtube.com/watch?v=VFitqoB2B08   Shehnai Recital of Ustad Bismillah Khan | Part 1 https://www.youtube.com/watch?v=3JeMR0RAHZg   All India Radio Signature tune https://www.youtube.com/watch?v=WuS-UiaKiVk   England &amp; Australia 1948 | The Lord's Ashes Test | Classic Cricket Films https://www.youtube.com/watch?v=l-xXMHXUMZg  Maryan - Official Teaser 3 https://www.youtube.com/watch?v=3V8iZBq0JPo]]></itunes:summary><itunes:duration>1709</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/a069290166ccf972390b190591cec3ab.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>It's A Math Math Math World With Divakaran And Shraddha - A Greek Trajectory (Ep3) 10th July 2023</title><link>https://www.spreaker.com/episode/it-s-a-math-math-math-world-with-divakaran-and-shraddha-a-greek-trajectory-ep3-10th-july-2023--57997920</link><description><![CDATA[Ed Sheeran would have been very much at home among the ancient Greeks. Because they, too, were in love with the shape of…everything, actually.   Shape. And area and volume. And angles. The ancient Greeks were on a quest for precise measurement and perfect shapes. If their architecture is anything to go by, they knew a thing or three about proportion. Using simple tools they measured to precision and constructed to perfection.   What’s this got to do with math? For the Greeks, numbers were not abstract entities; they were tied to the measurement of geometric properties. If you could draw it, it existed. Probably why, as we discovered in Ep 2, it never occurred to them to think of zero.   Journey back to the age of Pythagoras with Divakaran and Shraddha in this exciting episode. And tell us something: three episodes down, has Shraddha gotten better at math?     Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1557478636</guid><pubDate>Mon, 10 Jul 2023 02:30:05 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997920/1557478636_radioazimpremjiuniversity_its_a_math_math_math_world_with_divakaran_and_shraddha_a_greek_trajectory_ep3_10th_july_2023.mp3" length="32142732" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Ed Sheeran would have been very much at home among the ancient Greeks. Because they, too, were in love with the shape of…everything, actually.   Shape. And area and volume. And angles. The ancient Greeks were on a quest for precise measurement and...</itunes:subtitle><itunes:summary><![CDATA[Ed Sheeran would have been very much at home among the ancient Greeks. Because they, too, were in love with the shape of…everything, actually.   Shape. And area and volume. And angles. The ancient Greeks were on a quest for precise measurement and perfect shapes. If their architecture is anything to go by, they knew a thing or three about proportion. Using simple tools they measured to precision and constructed to perfection.   What’s this got to do with math? For the Greeks, numbers were not abstract entities; they were tied to the measurement of geometric properties. If you could draw it, it existed. Probably why, as we discovered in Ep 2, it never occurred to them to think of zero.   Journey back to the age of Pythagoras with Divakaran and Shraddha in this exciting episode. And tell us something: three episodes down, has Shraddha gotten better at math?     Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>2009</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5b43a7506ad919c4b481f26f3ca96334.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The India Project With Josy Joseph And Seetal - Birth Of The Nation (EP 7) 27th June 2023</title><link>https://www.spreaker.com/episode/the-india-project-with-josy-joseph-and-seetal-birth-of-the-nation-ep-7-27th-june-2023--57997925</link><description><![CDATA[What is the mood in the streets of India on August 14, 1947? If you expected cheering crowds and processions of jubilation on the eve of Independence, here’s the sobering truth: not everyone is celebrating. For some princely states, accession to the Indian Union is not a natural choice. Punjab, Sind and Bengal, cloven by Partition, witness scenes of horrific violence and the displacement of millions. The birth of our nation, as the facts reveal, is not without its share of labour pangs.   In the season finale of The India Project with Josy Joseph, we observe the awakening of India as an unstoppable idea whose time has come. With memorable sound-bites from the leaders of a newly free nation, we end Season 1 on a note of nostalgic introspection.  Thank you for joining us on the journey so far. Stay tuned for Season 2 of The India Project.   Acknowledgements: Thanks to Confluence Media for the letters in this episode:  Letter from CP Ramaswami Iyer replying to Indore’s invitation to be the Prime minister performed by Narayan Krishnaswamy Letter from Mir Osman Ali, Nizam of Hyderabad, performed by Ranvijay Pratap Singh Letter from Hamidullah Khan, Nawab of Bhopal, to Viceroy Lord Mountbatten, performed by Kafeel Jafri  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar   Audio excerpts: YouTube | MyGov India: Sucheta Kripalani, Indian freedom fighter and later first woman chief minister of an Indian state, leads the singing of Saare Jahan Se Achcha  https://www.youtube.com/watch?v=LLTLgWzpxOY&amp;t=25s  YouTube | Prasar Bharati Archives: First President of India Dr Rajendra Prasad's Constituent Assembly speech on Aug 14, 1947 https://youtu.be/owDZcbIuZ1A   YouTube | Akashvani AIR: Bande Mataram :The Song that Became a Mantra https://youtu.be/uPtXdJOWUsQ?t=131  YouTube | Prasar Bharati Archives: 1947 - First House Adjournment by Dr. Rajendra Prasad in Constituent Assembly https://youtu.be/65YKKEXOZYI  YouTube | Prasar Bharati Archives: The Moment of Freedom at midnight on August 15, 1947 https://www.youtube.com/watch?v=YjIpHDR2CFc  YouTube | Prasar Bharati Archives: 1947 - Hansa Mehta's Constituent Assembly Speech on August 15, 1947 https://www.youtube.com/watch?v=CFC6_5yqM-U  YouTube | Prasar Bharati Archives: 1947 - Jawaharlal Nehru takes oath as Prime Minister of India https://www.youtube.com/watch?v=GF-2S6Q6Dxk  YouTube | Prasar Bharati Archives: 1947 - Lord Mountbatten takes oath as Governor General of India https://www.youtube.com/watch?v=5o_3_5wE0NE  YouTube | Films Division: India Wins Freedom https://www.youtube.com/watch?v=vepQwxc0ekk  YouTube | PIB India: Mahatma Gandhi’s Discourse on Ahimsa https://www.youtube.com/watch?v=VvEixJd2CPY  YouTube | Prasar Bharati Archives: 1947 - Dr. Rajendra Prasad's Constituent Assembly Speech | Hindi https://www.youtube.com/watch?v=-z-nbysVUJk  YouTube | MyGov India: President Dr Rajendra Prasad administers the pledge to members of the Constituent Assembly, August 15, 1947 https://www.youtube.com/watch?v=juEhZGccukg]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1550292970</guid><pubDate>Tue, 27 Jun 2023 02:30:01 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997925/1550292970_radioazimpremjiuniversity_the_india_project_with_josy_joseph_and_seetal_birth_of_the_nation_ep_7_27th_june_2023.mp3" length="31201488" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>What is the mood in the streets of India on August 14, 1947? If you expected cheering crowds and processions of jubilation on the eve of Independence, here’s the sobering truth: not everyone is celebrating. For some princely states, accession to the...</itunes:subtitle><itunes:summary><![CDATA[What is the mood in the streets of India on August 14, 1947? If you expected cheering crowds and processions of jubilation on the eve of Independence, here’s the sobering truth: not everyone is celebrating. For some princely states, accession to the Indian Union is not a natural choice. Punjab, Sind and Bengal, cloven by Partition, witness scenes of horrific violence and the displacement of millions. The birth of our nation, as the facts reveal, is not without its share of labour pangs.   In the season finale of The India Project with Josy Joseph, we observe the awakening of India as an unstoppable idea whose time has come. With memorable sound-bites from the leaders of a newly free nation, we end Season 1 on a note of nostalgic introspection.  Thank you for joining us on the journey so far. Stay tuned for Season 2 of The India Project.   Acknowledgements: Thanks to Confluence Media for the letters in this episode:  Letter from CP Ramaswami Iyer replying to Indore’s invitation to be the Prime minister performed by Narayan Krishnaswamy Letter from Mir Osman Ali, Nizam of Hyderabad, performed by Ranvijay Pratap Singh Letter from Hamidullah Khan, Nawab of Bhopal, to Viceroy Lord Mountbatten, performed by Kafeel Jafri  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar   Audio excerpts: YouTube | MyGov India: Sucheta Kripalani, Indian freedom fighter and later first woman chief minister of an Indian state, leads the singing of Saare Jahan Se Achcha  https://www.youtube.com/watch?v=LLTLgWzpxOY&amp;t=25s  YouTube | Prasar Bharati Archives: First President of India Dr Rajendra Prasad's Constituent Assembly speech on Aug 14, 1947 https://youtu.be/owDZcbIuZ1A   YouTube | Akashvani AIR: Bande Mataram :The Song that Became a Mantra https://youtu.be/uPtXdJOWUsQ?t=131  YouTube | Prasar Bharati Archives: 1947 - First House Adjournment by Dr. Rajendra Prasad in Constituent Assembly https://youtu.be/65YKKEXOZYI  YouTube | Prasar Bharati Archives: The Moment of Freedom at midnight on August 15, 1947 https://www.youtube.com/watch?v=YjIpHDR2CFc  YouTube | Prasar Bharati Archives: 1947 - Hansa Mehta's Constituent Assembly Speech on August 15, 1947 https://www.youtube.com/watch?v=CFC6_5yqM-U  YouTube | Prasar Bharati Archives: 1947 - Jawaharlal Nehru takes oath as Prime Minister of India https://www.youtube.com/watch?v=GF-2S6Q6Dxk  YouTube | Prasar Bharati Archives: 1947 - Lord Mountbatten takes oath as Governor General of India https://www.youtube.com/watch?v=5o_3_5wE0NE  YouTube | Films Division: India Wins Freedom https://www.youtube.com/watch?v=vepQwxc0ekk  YouTube | PIB India: Mahatma Gandhi’s Discourse on Ahimsa https://www.youtube.com/watch?v=VvEixJd2CPY  YouTube | Prasar Bharati Archives: 1947 - Dr. Rajendra Prasad's Constituent Assembly Speech | Hindi https://www.youtube.com/watch?v=-z-nbysVUJk  YouTube | MyGov India: President Dr Rajendra Prasad administers the pledge to members of the Constituent Assembly, August 15, 1947 https://www.youtube.com/watch?v=juEhZGccukg]]></itunes:summary><itunes:duration>1951</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/63cd566897f5ffdba4d78acf4e76fd18.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>It's A Math Math Math World With Divakaran And Shraddha - The Zero Story (Ep2) 15th June 2023</title><link>https://www.spreaker.com/episode/it-s-a-math-math-math-world-with-divakaran-and-shraddha-the-zero-story-ep2-15th-june-2023--57997913</link><description><![CDATA[Remember that dreaded figure your teacher scrawled on the margin of your math test paper? It’s the hero of this episode. Our much-villainised zero has a fascinating history.  The Babylonians, as we discovered in Episode 1, may have arrived at a placeholder for zero, but the actual symbol did not enter convention until the 7th century in the Indian subcontinent. It later became a foundational element of mathematical concepts during the Islamic Golden Age (the word algebra has Arabic roots). Later, it was adopted in Europe by Renaissance mathematicians.   Long story short: Zero has come full circle.  In this episode, Divakaran and Shraddha host you through the evolution of zero through the ages.   Further reading:  Book | Physics for Entertainment by Yakov Perelman Read online at OpenLibrary.org -  https://openlibrary.org/works/OL8643229W/Physics_for_Entertainment   Full text at Archive.org -  https://archive.org/details/physicsforentert035428mbp   Charles Seife: ZERO : THE BIOGRAPHY OF A DANGEROUS IDEA Book |  Amazon India | https://www.amazon.in/Zero-Biography-Dangerous-Charles-Seife/dp/0285635948   YouTube | Full Audio Transcript:  https://youtu.be/tgvd1zMtKt0     Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1539792808</guid><pubDate>Thu, 15 Jun 2023 04:14:54 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997913/1539792808_radioazimpremjiuniversity_its_a_math_math_math_world_with_diwakaran_and_shraddha_the_zero_story_ep2_15th_june_2023.mp3" length="30245197" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Remember that dreaded figure your teacher scrawled on the margin of your math test paper? It’s the hero of this episode. Our much-villainised zero has a fascinating history.  The Babylonians, as we discovered in Episode 1, may have arrived at a...</itunes:subtitle><itunes:summary><![CDATA[Remember that dreaded figure your teacher scrawled on the margin of your math test paper? It’s the hero of this episode. Our much-villainised zero has a fascinating history.  The Babylonians, as we discovered in Episode 1, may have arrived at a placeholder for zero, but the actual symbol did not enter convention until the 7th century in the Indian subcontinent. It later became a foundational element of mathematical concepts during the Islamic Golden Age (the word algebra has Arabic roots). Later, it was adopted in Europe by Renaissance mathematicians.   Long story short: Zero has come full circle.  In this episode, Divakaran and Shraddha host you through the evolution of zero through the ages.   Further reading:  Book | Physics for Entertainment by Yakov Perelman Read online at OpenLibrary.org -  https://openlibrary.org/works/OL8643229W/Physics_for_Entertainment   Full text at Archive.org -  https://archive.org/details/physicsforentert035428mbp   Charles Seife: ZERO : THE BIOGRAPHY OF A DANGEROUS IDEA Book |  Amazon India | https://www.amazon.in/Zero-Biography-Dangerous-Charles-Seife/dp/0285635948   YouTube | Full Audio Transcript:  https://youtu.be/tgvd1zMtKt0     Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>1891</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/141e65ae533321006700737f6ef2b6ce.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The India Project With Josy Joseph And Seetal - The Road To Destiny (EP 6) 1st June 2023</title><link>https://www.spreaker.com/episode/the-india-project-with-josy-joseph-and-seetal-the-road-to-destiny-ep-6-1st-june-2023--57997927</link><description><![CDATA[Cohost Seetal joins expert Josy Joseph in conversation in this penultimate episode of The India Project. As they unravel the story so far, they bring on stage the key characters for a curtain call.   What became of Travancore Diwan Sir C P ’s machinations in the aftermath of the assassination attempt on him? What were the moves being planned by the Nizam of Hyderabad? In the wake of the Japanese Army’s advance on the northeast, what were Governor Hydari’s options?  As they tie up the loose ends, the clock races towards the final days preceding Independence. A nation awaits its tryst with destiny.   Acknowledgements:  Thanks to Confluence Media for the letters featured in this episode  YouTube | The Quint: The Battle of Imphal: When World War II was fought in India  https://www.youtube.com/watch?v=hH3kV5cOsSM   Sir C. P. Ramaswami Iyer’s letter read by Narayan Krishnaswamy   AI voice - Murf.ai  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1526940589</guid><pubDate>Thu, 01 Jun 2023 02:30:04 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997927/1526940589_radioazimpremjiuniversity_the_india_project_with_josy_joseph_and_seetal_the_road_to_destiny_ep_6_1st_june_2023.mp3" length="80458186" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Cohost Seetal joins expert Josy Joseph in conversation in this penultimate episode of The India Project. As they unravel the story so far, they bring on stage the key characters for a curtain call.   What became of Travancore Diwan Sir C P ’s...</itunes:subtitle><itunes:summary><![CDATA[Cohost Seetal joins expert Josy Joseph in conversation in this penultimate episode of The India Project. As they unravel the story so far, they bring on stage the key characters for a curtain call.   What became of Travancore Diwan Sir C P ’s machinations in the aftermath of the assassination attempt on him? What were the moves being planned by the Nizam of Hyderabad? In the wake of the Japanese Army’s advance on the northeast, what were Governor Hydari’s options?  As they tie up the loose ends, the clock races towards the final days preceding Independence. A nation awaits its tryst with destiny.   Acknowledgements:  Thanks to Confluence Media for the letters featured in this episode  YouTube | The Quint: The Battle of Imphal: When World War II was fought in India  https://www.youtube.com/watch?v=hH3kV5cOsSM   Sir C. P. Ramaswami Iyer’s letter read by Narayan Krishnaswamy   AI voice - Murf.ai  Credits:  Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>2012</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7f9068aac9b665549630dd86e7b4586e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>It’s a Math Math Math World with Divakaran &amp; Shraddha - Babylon (EP1) 25th May 2023</title><link>https://www.spreaker.com/episode/it-s-a-math-math-math-world-with-divakaran-shraddha-babylon-ep1-25th-may-2023--57997928</link><description><![CDATA[Babylon, as the story goes, is where applied mathematics took baby steps.  “What, really?!” asks Shraddha.  Remember the place value system that makes it easy to represent small and large numbers? That originated in Babylon, according to historical records that show that Babylonians had independently discovered the place value system as early as 2000 BCE to 1900 BCE. That’s more than a millennium before other civilisations.  Another fun fact: The number 60 played a significant role in Babylonian mathematics, says Prof. Divakaran.  To find out why (and more), listen to this episode.   Further Reading: Ifrah, Georges: The Universal History of Numbers - from prehistory to the invention of the computer, published by John Wiley &amp; Sons. PDF available at Internet Archive: https://ia600308.us.archive.org/5/items/TheUniversalHistoryOfNumbers/212027005-The-Universal-History-of-Numbers_text.pdf   Where on earth is Babylon? Read this National Geographic Education article to know more: https://education.nationalgeographic.org/resource/beautiful-babylon-jewel-ancient-world/#:~:text=The%20site%20of%20Babylon%20was,in%20what%20is%20now%20Iraq   Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1521567517</guid><pubDate>Thu, 25 May 2023 02:30:08 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997928/1521567517_radioazimpremjiuniversity_its_a_math_math_math_world_with_divakaran_shraddha_babylon_ep1_25th_may_2023.mp3" length="27341634" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Babylon, as the story goes, is where applied mathematics took baby steps.  “What, really?!” asks Shraddha.  Remember the place value system that makes it easy to represent small and large numbers? That originated in Babylon, according to historical...</itunes:subtitle><itunes:summary><![CDATA[Babylon, as the story goes, is where applied mathematics took baby steps.  “What, really?!” asks Shraddha.  Remember the place value system that makes it easy to represent small and large numbers? That originated in Babylon, according to historical records that show that Babylonians had independently discovered the place value system as early as 2000 BCE to 1900 BCE. That’s more than a millennium before other civilisations.  Another fun fact: The number 60 played a significant role in Babylonian mathematics, says Prof. Divakaran.  To find out why (and more), listen to this episode.   Further Reading: Ifrah, Georges: The Universal History of Numbers - from prehistory to the invention of the computer, published by John Wiley &amp; Sons. PDF available at Internet Archive: https://ia600308.us.archive.org/5/items/TheUniversalHistoryOfNumbers/212027005-The-Universal-History-of-Numbers_text.pdf   Where on earth is Babylon? Read this National Geographic Education article to know more: https://education.nationalgeographic.org/resource/beautiful-babylon-jewel-ancient-world/#:~:text=The%20site%20of%20Babylon%20was,in%20what%20is%20now%20Iraq   Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>1709</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4df4214f6ad63b742aea392aa5cbca3d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The India Project With Josy Joseph - North East (EP 5) 18th May 2023</title><link>https://www.spreaker.com/episode/the-india-project-with-josy-joseph-north-east-ep-5-18th-may-2023--57997916</link><description><![CDATA[In August 1947, as India took the final steps towards becoming an independent nation, numerous actors thronged the chessboard in the northeast of the country, contemplating their moves. Among them was the Governor of Assam, Sir Muhammad Saleh Akbar Hydari, who initiated talks with the respective princely states and ethnic dominions of the northeast, including the Naga Hills, Khasi Hills and Mizo Hills. Tracing various documents and correspondences, reporter and author Josy Joseph reconstructs the history of how the northeast states — present-day Tripura, Mizoram, Nagaland, Meghalaya and Manipur — were stitched into the fabric of the new nation.   Listen to Ep 5 - The Northeast on The India Project with Josy Joseph  Acknowledgements-  Thanks to Confluence Media for the Letters in this episode.  Muhammad Saleh Akbar Hydari Letter to Pt. Nehru performed by Ranvijay Pratap Singh  Prime Minister Jawaharlal Nehru’s speech - Tryst with Destiny  Tryst with Destiny | Jawaharlal Nehru  https://www.youtube.com/watch?v=lrEkYscgbqE&amp;t=58s  Audios used from:  https://ncaa.gov.in/repository/search/displaySearchRecordPreview/IGRMS-MINI_DV_1081-MDV/Nagaland-Tour-(Vol.-X)  https://ncaa.gov.in/repository/search/displaySearchRecordPreview/CVI-SUR_R_4470-UMLB/Bamboo-Dance-of-Mizoram  https://ncaa.gov.in/repository/search/displaySearchRecordPreview/CVI-SUR_R_1489-UMHB/Lifestyle-of-Khasi-Community-(Vol.-V)  Tripura folk song https://www.youtube.com/watch?v=pEVDCrEIRIk  Credits: Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1511691955</guid><pubDate>Thu, 18 May 2023 02:30:08 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997916/1511691955_radioazimpremjiuniversity_the_india_project_with_josy_joseph_north_east_ep_5_11th_may_2023.mp3" length="20053262" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>In August 1947, as India took the final steps towards becoming an independent nation, numerous actors thronged the chessboard in the northeast of the country, contemplating their moves. Among them was the Governor of Assam, Sir Muhammad Saleh Akbar...</itunes:subtitle><itunes:summary><![CDATA[In August 1947, as India took the final steps towards becoming an independent nation, numerous actors thronged the chessboard in the northeast of the country, contemplating their moves. Among them was the Governor of Assam, Sir Muhammad Saleh Akbar Hydari, who initiated talks with the respective princely states and ethnic dominions of the northeast, including the Naga Hills, Khasi Hills and Mizo Hills. Tracing various documents and correspondences, reporter and author Josy Joseph reconstructs the history of how the northeast states — present-day Tripura, Mizoram, Nagaland, Meghalaya and Manipur — were stitched into the fabric of the new nation.   Listen to Ep 5 - The Northeast on The India Project with Josy Joseph  Acknowledgements-  Thanks to Confluence Media for the Letters in this episode.  Muhammad Saleh Akbar Hydari Letter to Pt. Nehru performed by Ranvijay Pratap Singh  Prime Minister Jawaharlal Nehru’s speech - Tryst with Destiny  Tryst with Destiny | Jawaharlal Nehru  https://www.youtube.com/watch?v=lrEkYscgbqE&amp;t=58s  Audios used from:  https://ncaa.gov.in/repository/search/displaySearchRecordPreview/IGRMS-MINI_DV_1081-MDV/Nagaland-Tour-(Vol.-X)  https://ncaa.gov.in/repository/search/displaySearchRecordPreview/CVI-SUR_R_4470-UMLB/Bamboo-Dance-of-Mizoram  https://ncaa.gov.in/repository/search/displaySearchRecordPreview/CVI-SUR_R_1489-UMHB/Lifestyle-of-Khasi-Community-(Vol.-V)  Tripura folk song https://www.youtube.com/watch?v=pEVDCrEIRIk  Credits: Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>1254</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/87e64b76711f8b5d77745a8cc9ee3103.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Yun Hota Toh Kya Hota The World Of Ghalib With Amit Basole - Ghalib's Legacy (EP6) 04th May 2023</title><link>https://www.spreaker.com/episode/yun-hota-toh-kya-hota-the-world-of-ghalib-with-amit-basole-ghalib-s-legacy-ep6-04th-may-2023--57997914</link><description><![CDATA[Imitation is the sincerest form of flattery. And it’s no surprise that Ghalib is one of the most adored, emulated (and imitated) Urdu poets. More than a hundred and fifty years after he passed into the ages, Ghalib’s legacy lives on and has acquired new vigour in contemporary music, literature, cinema and pop culture.   Perhaps the most enduring of his legacies is the ghazal, a poetic form that is often misconstrued to be a form of song. Ghalib’s ghazals have been rendered and interpreted by voices ranging from Suraiya and Iqbal Bano to Mehdi Hassan, Ghulam Ali and Jagjit Singh. His poetic tradition has been borne forth by titans of Urdu poetry like Muhammad Iqbal and Faiz Ahmed Faiz, to Gulzar in the present day.   Encompassing themes both pedestrian — love and heartbreak — and weighty — existence and god, Ghalib remains relevant and evergreen in our times. With this episode of Yun Hota To Kya Hota - The World of Ghalib, host Amit Basole brings the six-part series to a climactic finale, leaving you with signposts and resources to continue your journey of discovery.   Explore the links below. And keep your ear to the ground for more shows from Radio Azim Premji University.  Acknowledgements:  Dil-e-nadaan from the film Mirza Ghalib (1954) starring Bharat Bhushan and Suraiya (YouTube) https://www.youtube.com/watch?v=rQfQlSaUMt4&amp;t=60s dil e nadan tujhe hua kya hai_Mirza Ghalib1954_Suraiya&amp;BharatBhushan  _Talat_Ghulam Mohd._a tribute  Jab us zulf ki baat chali performed live at the BBC by Mehdi Hassan (YouTube) https://www.youtube.com/watch?v=ygG0lMVq80o Jab us zulf ki baat chali live at BBC by Mehdi Hasaan [Rare Version]  YouTube - Aah ko chahiye performed by Ghulam Ali on the PTV program Nikhar (1970’s vintage) https://www.youtube.com/watch?v=m09R8FgoZ4w Ghulam Ali sings Ghalib  in PTV program Nikhar(70's) (Aah ko chahiye)  YouTube - Mirza Ghalib’s Diya hai dil agar usko bashar hai kya kahiye performed by Iqbal Bano  https://www.youtube.com/watch?v=dfuhscO0hhg Iqbal Bano Sings Mirza Ghalib - Diya hai dil agar us ko bashar hai kiya kahiye  Naqsh Fariyaadi Hain Kiski from the film Mirza Ghalib starring Naseeruddin Shah and performed by Jagjit Singh https://www.youtube.com/watch?v=uqQrrwDIYdA Naqsh Fariyaadi Hain Kiski HQ Mirza Ghalib Jagjit Singh post HiteshGhazal  'Dil-e-Nadaan' performed by Ayushmann Khurrana and Shweta Subram from the film Hawaizaada (2015) | Label: T-Series (YouTube) https://www.youtube.com/watch?v=BeOkMCNIFFI 'Dil-e-Nadaan' FULL VIDEO Song | Ayushmann Khurrana, Shweta Subram | Hawaizaada | T-Series  Former BJP leader Sushma Swaraj Vs former Prime Minister of India Manmohan Singh engage in a parliamentary debate in shayari style | ABP News (YouTube) https://www.youtube.com/watch?v=QJhiZFCh52c&amp;t=4s Sushma Swaraj Vs Manmohan Singh In Shayari Style | ABP News  Naseeruddin Shah informal on Gulzar's Mirza Ghalib in Urdu Studio with Manish Gupta (YouTube) https://www.youtube.com/watch?v=pUiS1UgTx4Y Naseeruddin Shah informal on Gulzar's Mirza Ghalib in Urdu Studio with Manish Gupta  Bridgerton on Netflix | Season 2 “Have you read Ghalib?” https://www.netflix.com/in/title/80232398   Explore further:  Website: A Desertful of Roses - The Urdu Ghazals of Mirza Asadullah Khan “Ghalib” by Prof. Frances Pritchett http://www.columbia.edu/itc/mealac/pritchett/00ghalib/  Book: Ghalib - A Wilderness At My Doorstep: A Critical Biography by Mehr Afshan Farooqi; Penguin Allen Lane (18 January 2021) | Amazon India store https://amzn.eu/d/0cuht6W  Book: Ghalib - Innovative meanings and the ingenious mind by Prof. Gopi Chand Narang (Author), Surinder Deol (Translator) (2 November 2017) | https://amzn.eu/d/0srEQaV  Lectures: Ahmad Javaid- Mirza Ghalib (YouTube)https://www.youtube.com/watch?v=QSiYuee2JAs&amp;list=PLIl1Jb9wNhYR4SY1DCrmnzIY8pzT6-Afd  Lecture: Prof. Frances Pritchett’s talk on Ghalib at Columbia University (YouTube) https://www.youtube.com/watch?v=PJeuuy9JEpg]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1505523769</guid><pubDate>Thu, 04 May 2023 02:30:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997914/1505523769_radioazimpremjiuniversity_yun_hota_toh_kya_hota_the_world_of_ghalib_with_amit_basole_ghalibs_legacy_ep6_04th_may_2023.mp3" length="22535522" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Imitation is the sincerest form of flattery. And it’s no surprise that Ghalib is one of the most adored, emulated (and imitated) Urdu poets. More than a hundred and fifty years after he passed into the ages, Ghalib’s legacy lives on and has acquired...</itunes:subtitle><itunes:summary><![CDATA[Imitation is the sincerest form of flattery. And it’s no surprise that Ghalib is one of the most adored, emulated (and imitated) Urdu poets. More than a hundred and fifty years after he passed into the ages, Ghalib’s legacy lives on and has acquired new vigour in contemporary music, literature, cinema and pop culture.   Perhaps the most enduring of his legacies is the ghazal, a poetic form that is often misconstrued to be a form of song. Ghalib’s ghazals have been rendered and interpreted by voices ranging from Suraiya and Iqbal Bano to Mehdi Hassan, Ghulam Ali and Jagjit Singh. His poetic tradition has been borne forth by titans of Urdu poetry like Muhammad Iqbal and Faiz Ahmed Faiz, to Gulzar in the present day.   Encompassing themes both pedestrian — love and heartbreak — and weighty — existence and god, Ghalib remains relevant and evergreen in our times. With this episode of Yun Hota To Kya Hota - The World of Ghalib, host Amit Basole brings the six-part series to a climactic finale, leaving you with signposts and resources to continue your journey of discovery.   Explore the links below. And keep your ear to the ground for more shows from Radio Azim Premji University.  Acknowledgements:  Dil-e-nadaan from the film Mirza Ghalib (1954) starring Bharat Bhushan and Suraiya (YouTube) https://www.youtube.com/watch?v=rQfQlSaUMt4&amp;t=60s dil e nadan tujhe hua kya hai_Mirza Ghalib1954_Suraiya&amp;BharatBhushan  _Talat_Ghulam Mohd._a tribute  Jab us zulf ki baat chali performed live at the BBC by Mehdi Hassan (YouTube) https://www.youtube.com/watch?v=ygG0lMVq80o Jab us zulf ki baat chali live at BBC by Mehdi Hasaan [Rare Version]  YouTube - Aah ko chahiye performed by Ghulam Ali on the PTV program Nikhar (1970’s vintage) https://www.youtube.com/watch?v=m09R8FgoZ4w Ghulam Ali sings Ghalib  in PTV program Nikhar(70's) (Aah ko chahiye)  YouTube - Mirza Ghalib’s Diya hai dil agar usko bashar hai kya kahiye performed by Iqbal Bano  https://www.youtube.com/watch?v=dfuhscO0hhg Iqbal Bano Sings Mirza Ghalib - Diya hai dil agar us ko bashar hai kiya kahiye  Naqsh Fariyaadi Hain Kiski from the film Mirza Ghalib starring Naseeruddin Shah and performed by Jagjit Singh https://www.youtube.com/watch?v=uqQrrwDIYdA Naqsh Fariyaadi Hain Kiski HQ Mirza Ghalib Jagjit Singh post HiteshGhazal  'Dil-e-Nadaan' performed by Ayushmann Khurrana and Shweta Subram from the film Hawaizaada (2015) | Label: T-Series (YouTube) https://www.youtube.com/watch?v=BeOkMCNIFFI 'Dil-e-Nadaan' FULL VIDEO Song | Ayushmann Khurrana, Shweta Subram | Hawaizaada | T-Series  Former BJP leader Sushma Swaraj Vs former Prime Minister of India Manmohan Singh engage in a parliamentary debate in shayari style | ABP News (YouTube) https://www.youtube.com/watch?v=QJhiZFCh52c&amp;t=4s Sushma Swaraj Vs Manmohan Singh In Shayari Style | ABP News  Naseeruddin Shah informal on Gulzar's Mirza Ghalib in Urdu Studio with Manish Gupta (YouTube) https://www.youtube.com/watch?v=pUiS1UgTx4Y Naseeruddin Shah informal on Gulzar's Mirza Ghalib in Urdu Studio with Manish Gupta  Bridgerton on Netflix | Season 2 “Have you read Ghalib?” https://www.netflix.com/in/title/80232398   Explore further:  Website: A Desertful of Roses - The Urdu Ghazals of Mirza Asadullah Khan “Ghalib” by Prof. Frances Pritchett http://www.columbia.edu/itc/mealac/pritchett/00ghalib/  Book: Ghalib - A Wilderness At My Doorstep: A Critical Biography by Mehr Afshan Farooqi; Penguin Allen Lane (18 January 2021) | Amazon India store https://amzn.eu/d/0cuht6W  Book: Ghalib - Innovative meanings and the ingenious mind by Prof. Gopi Chand Narang (Author), Surinder Deol (Translator) (2 November 2017) | https://amzn.eu/d/0srEQaV  Lectures: Ahmad Javaid- Mirza Ghalib (YouTube)https://www.youtube.com/watch?v=QSiYuee2JAs&amp;list=PLIl1Jb9wNhYR4SY1DCrmnzIY8pzT6-Afd  Lecture: Prof. Frances Pritchett’s talk on Ghalib at Columbia University (YouTube) https://www.youtube.com/watch?v=PJeuuy9JEpg]]></itunes:summary><itunes:duration>1409</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8305d3aa1fdd9364ca8fc10cb862d1f6.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Campus Cast (Ep5) Farewell - Radio Azim Premji University - 27th April 2023</title><link>https://www.spreaker.com/episode/campus-cast-ep5-farewell-radio-azim-premji-university-27th-april-2023--57997930</link><description><![CDATA[From online to offline to online again. Zoom classes with the cameras off. Halloween under blankets. This wild, exhilarating spell of college through the pandemic has been equally testing and redeeming. But all good times end in a bittersweet mash of memories and musings.   For this special valedictory episode, the Radio APU Campus Cast crew whips together a melange of voices from outgoing seniors. With touches of poetry, dashes of wisdom, and a flourish of music, laced with sobering unwanted advice and tears too many to wipe away.   Goodbye is too good a word, so just say farewell.   Acknowledgements:  Steve Jobs speech https://www.youtube.com/watch?v=UF8uR6Z6KLc&amp;pp=ygURc3RldmUgam9icyBzcGVlY2g%3D  Cups song: https://www.youtube.com/watch?v=UF8uR6Z6KLc&amp;pp=ygURc3RldmUgam9icyBzcGVlY2g%3D   Credits:  Show Host - Sangamitra Baskar Talk show - Adithi Mahesh Urdu Poetry - Majid Sohaib Speech - Anantha Madhava Cups song - Neha Verghese, Anya Devaraj and Vishnu Gopakumar Pre-production - Priyanshu Singh   Produced by:  Akshay Ramuhalli, Anubhav Sharma, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1500752335</guid><pubDate>Thu, 27 Apr 2023 02:30:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997930/1500752335_radioazimpremjiuniversity_campus_cast_ep5_farewell_radio_azim_premji_university_27th_april_2023.mp3" length="44234709" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>From online to offline to online again. Zoom classes with the cameras off. Halloween under blankets. This wild, exhilarating spell of college through the pandemic has been equally testing and redeeming. But all good times end in a bittersweet mash of...</itunes:subtitle><itunes:summary><![CDATA[From online to offline to online again. Zoom classes with the cameras off. Halloween under blankets. This wild, exhilarating spell of college through the pandemic has been equally testing and redeeming. But all good times end in a bittersweet mash of memories and musings.   For this special valedictory episode, the Radio APU Campus Cast crew whips together a melange of voices from outgoing seniors. With touches of poetry, dashes of wisdom, and a flourish of music, laced with sobering unwanted advice and tears too many to wipe away.   Goodbye is too good a word, so just say farewell.   Acknowledgements:  Steve Jobs speech https://www.youtube.com/watch?v=UF8uR6Z6KLc&amp;pp=ygURc3RldmUgam9icyBzcGVlY2g%3D  Cups song: https://www.youtube.com/watch?v=UF8uR6Z6KLc&amp;pp=ygURc3RldmUgam9icyBzcGVlY2g%3D   Credits:  Show Host - Sangamitra Baskar Talk show - Adithi Mahesh Urdu Poetry - Majid Sohaib Speech - Anantha Madhava Cups song - Neha Verghese, Anya Devaraj and Vishnu Gopakumar Pre-production - Priyanshu Singh   Produced by:  Akshay Ramuhalli, Anubhav Sharma, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>1106</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce49100d7786b2dbc55b6fedd771395c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Yun Hota Toh Kya Hota The World Of Ghalib With Amit Basole - The Philosopher (EP5) 20th April 2023</title><link>https://www.spreaker.com/episode/yun-hota-toh-kya-hota-the-world-of-ghalib-with-amit-basole-the-philosopher-ep5-20th-april-2023--57997919</link><description><![CDATA[So far in this series, we have explored various facets of Ghalib — Ghalib the lover, Ghalib the mischievous, Ghalib the belligerent. Yet, the question has always lingered after reciting his verses: Was Ghalib being a deliberately difficult poet? Did his poetry demand grappling with the intellect in an effort to understand it? Or, was it trite and meaningless and merely designed to confound?   If you want to view him with a postmodern lens, Ghalib’s discourse does not limit his meaning, says host Amit Basole. So, what was Ghalib driving at — what was his philosophy?  Discover the nuances and twists of Ghalib’s poetry in this episode. You will be left romancing a phrase that was used to describe the poet — Mushkil Pasand, one who favours difficulty.   Listen to delve deeper.  Acknowledgements:  Bharat Ek Khoj opening - सृष्टी से पहले सत् नहीं था. असत् भी नहीं. अन्तरिक्ष भी नहीं. 𝙏𝙞𝙩𝙡𝙚 𝙎𝙤𝙣𝙜 𝙤𝙛"𝘽𝙝𝙖𝙧𝙖𝙩 𝙀𝙠 𝙆𝙝𝙤𝙟"𝙎𝙚𝙧𝙞𝙖𝙡~ 𝗡𝗮𝘀𝗮𝗱𝗶𝘆𝗮 𝗦𝘂𝗸𝘁𝗮~ नासदीय सूक्त【𝗧𝗵𝗲 𝗛𝘆𝗺𝗻 𝗼𝗳 𝗖𝗿𝗲𝗮𝘁𝗶𝗼𝗻】  Bharat ek khoj end credits Bharat Ek Khoj | End Title  | Credits |Mantra 🕉  Website- A Desertful of Roses The Urdu Ghazals of Mirza Asadullah Khan Ghalib By Francis W. Pritchett  Columbia University http://www.columbia.edu/itc/mealac/pritchett/00ghalib/  Credits:  Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1496113792</guid><pubDate>Thu, 20 Apr 2023 03:43:50 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997919/1496113792_radioazimpremjiuniversity_yun_hota_toh_kya_hota_the_world_of_ghalib_with_amit_basole_the_philosopher_ep5_20th_april_2023.mp3" length="23771009" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>So far in this series, we have explored various facets of Ghalib — Ghalib the lover, Ghalib the mischievous, Ghalib the belligerent. Yet, the question has always lingered after reciting his verses: Was Ghalib being a deliberately difficult poet? Did...</itunes:subtitle><itunes:summary><![CDATA[So far in this series, we have explored various facets of Ghalib — Ghalib the lover, Ghalib the mischievous, Ghalib the belligerent. Yet, the question has always lingered after reciting his verses: Was Ghalib being a deliberately difficult poet? Did his poetry demand grappling with the intellect in an effort to understand it? Or, was it trite and meaningless and merely designed to confound?   If you want to view him with a postmodern lens, Ghalib’s discourse does not limit his meaning, says host Amit Basole. So, what was Ghalib driving at — what was his philosophy?  Discover the nuances and twists of Ghalib’s poetry in this episode. You will be left romancing a phrase that was used to describe the poet — Mushkil Pasand, one who favours difficulty.   Listen to delve deeper.  Acknowledgements:  Bharat Ek Khoj opening - सृष्टी से पहले सत् नहीं था. असत् भी नहीं. अन्तरिक्ष भी नहीं. 𝙏𝙞𝙩𝙡𝙚 𝙎𝙤𝙣𝙜 𝙤𝙛"𝘽𝙝𝙖𝙧𝙖𝙩 𝙀𝙠 𝙆𝙝𝙤𝙟"𝙎𝙚𝙧𝙞𝙖𝙡~ 𝗡𝗮𝘀𝗮𝗱𝗶𝘆𝗮 𝗦𝘂𝗸𝘁𝗮~ नासदीय सूक्त【𝗧𝗵𝗲 𝗛𝘆𝗺𝗻 𝗼𝗳 𝗖𝗿𝗲𝗮𝘁𝗶𝗼𝗻】  Bharat ek khoj end credits Bharat Ek Khoj | End Title  | Credits |Mantra 🕉  Website- A Desertful of Roses The Urdu Ghazals of Mirza Asadullah Khan Ghalib By Francis W. Pritchett  Columbia University http://www.columbia.edu/itc/mealac/pritchett/00ghalib/  Credits:  Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>1486</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1d0494ea266cc7b7ad052dc996f532ce.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The India Project With Josy Joseph - The State of Bhopal(EP4) April 2023</title><link>https://www.spreaker.com/episode/the-india-project-with-josy-joseph-the-state-of-bhopal-ep4-april-2023--57997936</link><description><![CDATA[Did you know that Bhopal has a rich history, and a role to play in the cloak-and-dagger drama that preceded Independence?   Before it came to be the capital of Madhya Pradesh, Bhopal was the second-largest Islamic princely state in British India. In fact, Bhopal State had a long lineage of rulers, including a succession of female Nawabs or Nawab Begums, unique in Indian history. The last ruling Nawab, Hamidullah Khan, enjoyed a closeness to Muhammad Ali Jinnah, who was campaigning for the independent Islamic nation of Pakistan, as well as Lord Louis Mountbatten, the last Viceroy of India. The Nawab had made up his mind to join Pakistan, but things didn’t quite go according to plan.   As the date for Independence drew near, the Nawab was a troubled man. His letters to Jinnah seemed to receive a cold shoulder, while the Viceroy was unsupportive of his decision to join Pakistan. There was also the geographical absurdity of it to consider — Bhopal being a landlocked territory that shared no terrestrial borders with the proposed boundaries of Pakistan.   Tensions, naturally, ran high with every passing minute. There was much desperate hand-wringing and feverish letter-writing, not to mention a cocked pistol that the Nawab brandished at his daughter.   How did Bhopal eventually join the Union of India? To know that, revisit the drama of the times in this gripping episode.   Acknowledgements:  Prime Minister Jawaharlal Nehru’s speech - Tryst with Destiny Tryst with Destiny | Jawaharlal Nehru  Thanks to Confluence Media for the letters in this episode.  Zafarullah Khan’s Letter to VP Menon performed by Ranvijay Pratap Singh CC Desai’s letter as a reply to Zafarullah Khan’s letter performed by Zia Ahmed Nawab Of Bhopal Hamidullah Khan’s letter to Jinnah performed by Kafeel Jafri  Credits:  Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1491271654</guid><pubDate>Fri, 14 Apr 2023 03:16:55 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997936/1491271654_radioazimpremjiuniversity_the_india_project_with_josy_joseph_the_state_of_bhopalep4_april_2023.mp3" length="20152737" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Did you know that Bhopal has a rich history, and a role to play in the cloak-and-dagger drama that preceded Independence?   Before it came to be the capital of Madhya Pradesh, Bhopal was the second-largest Islamic princely state in British India. In...</itunes:subtitle><itunes:summary><![CDATA[Did you know that Bhopal has a rich history, and a role to play in the cloak-and-dagger drama that preceded Independence?   Before it came to be the capital of Madhya Pradesh, Bhopal was the second-largest Islamic princely state in British India. In fact, Bhopal State had a long lineage of rulers, including a succession of female Nawabs or Nawab Begums, unique in Indian history. The last ruling Nawab, Hamidullah Khan, enjoyed a closeness to Muhammad Ali Jinnah, who was campaigning for the independent Islamic nation of Pakistan, as well as Lord Louis Mountbatten, the last Viceroy of India. The Nawab had made up his mind to join Pakistan, but things didn’t quite go according to plan.   As the date for Independence drew near, the Nawab was a troubled man. His letters to Jinnah seemed to receive a cold shoulder, while the Viceroy was unsupportive of his decision to join Pakistan. There was also the geographical absurdity of it to consider — Bhopal being a landlocked territory that shared no terrestrial borders with the proposed boundaries of Pakistan.   Tensions, naturally, ran high with every passing minute. There was much desperate hand-wringing and feverish letter-writing, not to mention a cocked pistol that the Nawab brandished at his daughter.   How did Bhopal eventually join the Union of India? To know that, revisit the drama of the times in this gripping episode.   Acknowledgements:  Prime Minister Jawaharlal Nehru’s speech - Tryst with Destiny Tryst with Destiny | Jawaharlal Nehru  Thanks to Confluence Media for the letters in this episode.  Zafarullah Khan’s Letter to VP Menon performed by Ranvijay Pratap Singh CC Desai’s letter as a reply to Zafarullah Khan’s letter performed by Zia Ahmed Nawab Of Bhopal Hamidullah Khan’s letter to Jinnah performed by Kafeel Jafri  Credits:  Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>1260</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/27407da2b595427d0bc6d19e4f794420.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Campus Cast (Ep4) A Conversation on Mental Health - Radio Azim Premji University - 6th April 2023</title><link>https://www.spreaker.com/episode/campus-cast-ep4-a-conversation-on-mental-health-radio-azim-premji-university-6th-april-2023--57997931</link><description><![CDATA[Mental health is so vast and layered a subject that it’s not ever possible to confine the discussion to a single episode. Yet, here we have made a start, addressing the elephant in the room.   From being mindful of our moods, to understanding our emotions. From being wary of self-labelling and labelling others, from knowing how to speak about mental illness to seeking help for it, we have all the conversation starters in this episode of Campus Cast.   We are grateful to our Conversations counsellors Pratik Motikar, Soumitra Saxena and Faireen Freddy for engaging with this subject in a sensitive and welcoming way, and for leaving the door open to continue the conversation.  APU students can write to conversations@apu.edu.in or just walk into B5 4th floor if you need to talk.   Acknowledgements:  Show Host - Akshita Nagpal Counsellors - Pratik Motikar, Soumitra Saxena and Faireen Freddy Students - Kinshuk Ghosh, Khushi Verma Pre-production - Priyanshu Singh  Production Credits:  Akshay Ramuhalli, Anubhav Sharma, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1485726244</guid><pubDate>Thu, 06 Apr 2023 03:00:07 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997931/1485726244_radioazimpremjiuniversity_campus_cast_ep4_a_conversation_on_mental_health_radio_azim_premji_university_6th_april_2023.mp3" length="16941556" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Mental health is so vast and layered a subject that it’s not ever possible to confine the discussion to a single episode. Yet, here we have made a start, addressing the elephant in the room.   From being mindful of our moods, to understanding our...</itunes:subtitle><itunes:summary><![CDATA[Mental health is so vast and layered a subject that it’s not ever possible to confine the discussion to a single episode. Yet, here we have made a start, addressing the elephant in the room.   From being mindful of our moods, to understanding our emotions. From being wary of self-labelling and labelling others, from knowing how to speak about mental illness to seeking help for it, we have all the conversation starters in this episode of Campus Cast.   We are grateful to our Conversations counsellors Pratik Motikar, Soumitra Saxena and Faireen Freddy for engaging with this subject in a sensitive and welcoming way, and for leaving the door open to continue the conversation.  APU students can write to conversations@apu.edu.in or just walk into B5 4th floor if you need to talk.   Acknowledgements:  Show Host - Akshita Nagpal Counsellors - Pratik Motikar, Soumitra Saxena and Faireen Freddy Students - Kinshuk Ghosh, Khushi Verma Pre-production - Priyanshu Singh  Production Credits:  Akshay Ramuhalli, Anubhav Sharma, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>1059</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5614d4c466a594fbbb7fc7439a4b74a1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Yun Hota Toh Kya Hota The World Of Ghalib With Amit Basole - Friends And Enemies (EP4) 30th Mar 2023</title><link>https://www.spreaker.com/episode/yun-hota-toh-kya-hota-the-world-of-ghalib-with-amit-basole-friends-and-enemies-ep4-30th-mar-2023--57997935</link><description><![CDATA[Ghalib is timeless, but he is equally very much a man of his times. In this episode, we revisit the man in the moment. We eavesdrop on the days of his youth, a teenaged poet writing in chaste Persian. We hobnob with his coterie of disciples and patrons, friends and foes. We hear from Ghalib’s contemporaries in the poets’ society, some of whom taunt him saucily for the apparent incomprehensibility of his verse. The most prickly of these rivalries, we learn, was with Sheikh Muhammad Ibrahim Zauq, the court poet of the Mughal Emperor Bahadur Shah Zafar. Their war of words, by all means, makes for beautiful listening.   With friends like these, one may ask, did Ghalib need enemies? Of course, in the end, our favourite poet has the last word.  Acknowledgements  Misra uthaiye Hazrat Naqsh Fariyaadi Hain Kiski HQ Mirza Ghalib Jagjit Singh post HiteshGhazal https://www.youtube.com/watch?v=uqQrrwDIYdA   8:12 to 9:02 - To Maulvi Abdul Razzak Shakir - on changing his style when he became older and attained “tamiz” (date unmentioned)  Ghalib Ke Khutoot 11, غالب کے خطوط, Zia Mohyeddin https://www.youtube.com/watch?v=ADtuHXHfQ8A   Zauq passes by on his palki, Ghalib comments. Mirza Ghalib Poetry - Movie Clip (Best Scene) https://www.youtube.com/watch?v=XrNlIWVNXOk   Har eek baat pe kehte ho tum Mirza Ghalib - Movie Clip (Best Scene) https://www.youtube.com/watch?v=gI7xMPnS_aQ&amp;t=169s   Ishq par zor nahi hai ye woh Ghalib 1:35 Satrangi Re - Dil Se  https://www.youtube.com/watch?v=OClXVLsI4jM  Credits: Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1480833433</guid><pubDate>Thu, 30 Mar 2023 04:55:59 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997935/1480833433_radioazimpremjiuniversity_yun_hota_toh_kya_hota_the_world_of_ghalib_with_amit_basole_friends_and_enemies_ep4_30th_mar_2023.mp3" length="25829458" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Ghalib is timeless, but he is equally very much a man of his times. In this episode, we revisit the man in the moment. We eavesdrop on the days of his youth, a teenaged poet writing in chaste Persian. We hobnob with his coterie of disciples and...</itunes:subtitle><itunes:summary><![CDATA[Ghalib is timeless, but he is equally very much a man of his times. In this episode, we revisit the man in the moment. We eavesdrop on the days of his youth, a teenaged poet writing in chaste Persian. We hobnob with his coterie of disciples and patrons, friends and foes. We hear from Ghalib’s contemporaries in the poets’ society, some of whom taunt him saucily for the apparent incomprehensibility of his verse. The most prickly of these rivalries, we learn, was with Sheikh Muhammad Ibrahim Zauq, the court poet of the Mughal Emperor Bahadur Shah Zafar. Their war of words, by all means, makes for beautiful listening.   With friends like these, one may ask, did Ghalib need enemies? Of course, in the end, our favourite poet has the last word.  Acknowledgements  Misra uthaiye Hazrat Naqsh Fariyaadi Hain Kiski HQ Mirza Ghalib Jagjit Singh post HiteshGhazal https://www.youtube.com/watch?v=uqQrrwDIYdA   8:12 to 9:02 - To Maulvi Abdul Razzak Shakir - on changing his style when he became older and attained “tamiz” (date unmentioned)  Ghalib Ke Khutoot 11, غالب کے خطوط, Zia Mohyeddin https://www.youtube.com/watch?v=ADtuHXHfQ8A   Zauq passes by on his palki, Ghalib comments. Mirza Ghalib Poetry - Movie Clip (Best Scene) https://www.youtube.com/watch?v=XrNlIWVNXOk   Har eek baat pe kehte ho tum Mirza Ghalib - Movie Clip (Best Scene) https://www.youtube.com/watch?v=gI7xMPnS_aQ&amp;t=169s   Ishq par zor nahi hai ye woh Ghalib 1:35 Satrangi Re - Dil Se  https://www.youtube.com/watch?v=OClXVLsI4jM  Credits: Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>1615</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1ad1e2017c390b74ab055f7c5bd4fff7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Campus Cast (Ep3) Flight 003 Ugadi Special - Radio Azim Premji University 22nd March 2023</title><link>https://www.spreaker.com/episode/campus-cast-ep3-flight-003-ugadi-special-radio-azim-premji-university-22nd-march-2023--57997932</link><description><![CDATA[Happy Ugadi/Baisakhi/Gudi Padwa/ Pohela Boishakh from Radio Azim Premji University!   We returned from semester break to a Bengaluru blushing with a floral tribute to the change of seasons. The peachy hues of Tabebuia, the comforting mauve of Jacaranda, the stunning firecrests of the Flame Of The Forest, the hot pink of Cassias, the deep purple of Pride of India… no wonder they once called this the Garden City.   We’d love to stay but, hey, a holiday is the best cure for vacation blues. We have places to go. Can you hear that? It’s the last boarding call. Hurry up!   Across India, we welcome spring in different ways. It’s a season of new love, of the abundance of food, a change of clothes, and music! On this episode of Campus Cast, we take you on a spring break. Literally.   So unbuckle your seatbelts, pull down those tray tables and turn up the volume on your inflight entertainment systems! Because there’s lots of food and music where we’re going. From Karnataka to Maharashtra to Punjab and West Bengal, we savour the flavours of spring across the country. This is going to be quite a trip!   Acknowledgements:  Dollu Kunitha https://www.youtube.com/watch?v=AzWwHNaSIqA Gudi Padwa song  https://www.youtube.com/watch?v=VLbApCaUxFc  Bhangra music   https://www.youtube.com/watch?v=P_Lqx7S0DqM Shabad kirtan 0:37-0:51 https://youtu.be/OBF7b3W04FU  Eso He Boishakh song  https://www.youtube.com/watch?v=sMrJAKn77J8  In this episode:   Smriti Sankar - Pilot Anubhav Sharma (Mann) - Cabin Crew   Niharika Chipli - Yugadi tour guide  Tanmay Patankar - Gudi Padwa tour guide  Hitika Gilhotra - Baisakhi tour guide  Kinshuk Ghosh - Pohela Boishakh tour guide  Khushi Verma - Azim Premji University tour guide Priyanshu Singh- Pre Production  Production Credits:  Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar   Time stamps  1. Flight starts - 1:11 2. Yugadi in Mysore - 1:51 3. Guru Padwa in Amravati - 5:17 4. Baisakhi in Amritsar - 7:21  5. Poila Boishakh in Park Street - 10:34  6. Azim Premji University - 14:20  7. Roundup - 15:44]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1474025722</guid><pubDate>Wed, 22 Mar 2023 01:30:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997932/1474025722_radioazimpremjiuniversity_campus_cast_ep3_flight_003_ugadi_special_radio_azim_premji_university_22nd_march_2023.mp3" length="17257115" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Happy Ugadi/Baisakhi/Gudi Padwa/ Pohela Boishakh from Radio Azim Premji University!   We returned from semester break to a Bengaluru blushing with a floral tribute to the change of seasons. The peachy hues of Tabebuia, the comforting mauve of...</itunes:subtitle><itunes:summary><![CDATA[Happy Ugadi/Baisakhi/Gudi Padwa/ Pohela Boishakh from Radio Azim Premji University!   We returned from semester break to a Bengaluru blushing with a floral tribute to the change of seasons. The peachy hues of Tabebuia, the comforting mauve of Jacaranda, the stunning firecrests of the Flame Of The Forest, the hot pink of Cassias, the deep purple of Pride of India… no wonder they once called this the Garden City.   We’d love to stay but, hey, a holiday is the best cure for vacation blues. We have places to go. Can you hear that? It’s the last boarding call. Hurry up!   Across India, we welcome spring in different ways. It’s a season of new love, of the abundance of food, a change of clothes, and music! On this episode of Campus Cast, we take you on a spring break. Literally.   So unbuckle your seatbelts, pull down those tray tables and turn up the volume on your inflight entertainment systems! Because there’s lots of food and music where we’re going. From Karnataka to Maharashtra to Punjab and West Bengal, we savour the flavours of spring across the country. This is going to be quite a trip!   Acknowledgements:  Dollu Kunitha https://www.youtube.com/watch?v=AzWwHNaSIqA Gudi Padwa song  https://www.youtube.com/watch?v=VLbApCaUxFc  Bhangra music   https://www.youtube.com/watch?v=P_Lqx7S0DqM Shabad kirtan 0:37-0:51 https://youtu.be/OBF7b3W04FU  Eso He Boishakh song  https://www.youtube.com/watch?v=sMrJAKn77J8  In this episode:   Smriti Sankar - Pilot Anubhav Sharma (Mann) - Cabin Crew   Niharika Chipli - Yugadi tour guide  Tanmay Patankar - Gudi Padwa tour guide  Hitika Gilhotra - Baisakhi tour guide  Kinshuk Ghosh - Pohela Boishakh tour guide  Khushi Verma - Azim Premji University tour guide Priyanshu Singh- Pre Production  Production Credits:  Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar   Time stamps  1. Flight starts - 1:11 2. Yugadi in Mysore - 1:51 3. Guru Padwa in Amravati - 5:17 4. Baisakhi in Amritsar - 7:21  5. Poila Boishakh in Park Street - 10:34  6. Azim Premji University - 14:20  7. Roundup - 15:44]]></itunes:summary><itunes:duration>1079</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d47b098d1ff693e4434716a88aca53e6.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The India Project With Josy Joseph - Indore (EP3) March 2023</title><link>https://www.spreaker.com/episode/the-india-project-with-josy-joseph-indore-ep3-march-2023--57997937</link><description><![CDATA[A car chase in Bombay climaxes in a cold-blooded street murder and a foiled abduction. A cornered potentate, chastened by a scandal, agrees reluctantly to abdicate. Amid the power play of dangerous liaisons, this episode of The India Project packs it all in.   After our exploration of the fraught politics of The Princely States in Episode 1 and the mutinous designs of Travancore to renege on the Union in Episode 2, we journey to Indore, a princely state in present-day Madhya Pradesh, where palace intrigues deepen the Maharaja’s decision — accede to the Union of India, or secede and face the consequences.   After the abdication of Maharaja Tukoji Rao III Holkar XIII, scion of the Holkar dynasty, his young happy-go-lucky heir Yashwant Rao Holkar II has been installed on the throne, a move that marks the beginning of British control of Indore. Years later, barely weeks from August 15, 1947, the flamboyant ruler is in the crosshairs of a crisis as he tries to assert his dominion’s independence.  Acknowledgements:  Audio excerpts in this episode are drawn from the following sources:   Lord Mountbatten at New Delhi talks (1947) https://www.youtube.com/watch?v=EUWNDK6ZDt4   Thief Of Baghdad- 1940 ( Hindi) 1:16:19 https://www.youtube.com/watch?v=dBorHUADApc&amp;t=4578s   Sazaa Full Movie - Dev Anand - Nimmi - Shyama | Old Hindi Movies | Classic Bollywood Film https://www.youtube.com/watch?v=Y-sE_SUrH40   Sheesh Mahal (1950) Full Movie | शीश महल | Sohrab Modi, Naseem Banu https://www.youtube.com/watch?v=0HeeJCq0XPY&amp;feature=youtu.be   Raj Nartaki 1940 Hindi Classical Full Movie || Prithviraj Kapoor, Sadhna Bose || Hindi Movies https://www.youtube.com/watch?v=5d43ZbFo39s&amp;t=2079s   AI voices from Murf.ai  Credits: Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1468829470</guid><pubDate>Wed, 15 Mar 2023 04:45:04 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997937/1468829470_radioazimpremjiuniversity_the_india_project_with_josy_joseph_indore_ep3_march_2023.mp3" length="24355734" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>A car chase in Bombay climaxes in a cold-blooded street murder and a foiled abduction. A cornered potentate, chastened by a scandal, agrees reluctantly to abdicate. Amid the power play of dangerous liaisons, this episode of The India Project packs it...</itunes:subtitle><itunes:summary><![CDATA[A car chase in Bombay climaxes in a cold-blooded street murder and a foiled abduction. A cornered potentate, chastened by a scandal, agrees reluctantly to abdicate. Amid the power play of dangerous liaisons, this episode of The India Project packs it all in.   After our exploration of the fraught politics of The Princely States in Episode 1 and the mutinous designs of Travancore to renege on the Union in Episode 2, we journey to Indore, a princely state in present-day Madhya Pradesh, where palace intrigues deepen the Maharaja’s decision — accede to the Union of India, or secede and face the consequences.   After the abdication of Maharaja Tukoji Rao III Holkar XIII, scion of the Holkar dynasty, his young happy-go-lucky heir Yashwant Rao Holkar II has been installed on the throne, a move that marks the beginning of British control of Indore. Years later, barely weeks from August 15, 1947, the flamboyant ruler is in the crosshairs of a crisis as he tries to assert his dominion’s independence.  Acknowledgements:  Audio excerpts in this episode are drawn from the following sources:   Lord Mountbatten at New Delhi talks (1947) https://www.youtube.com/watch?v=EUWNDK6ZDt4   Thief Of Baghdad- 1940 ( Hindi) 1:16:19 https://www.youtube.com/watch?v=dBorHUADApc&amp;t=4578s   Sazaa Full Movie - Dev Anand - Nimmi - Shyama | Old Hindi Movies | Classic Bollywood Film https://www.youtube.com/watch?v=Y-sE_SUrH40   Sheesh Mahal (1950) Full Movie | शीश महल | Sohrab Modi, Naseem Banu https://www.youtube.com/watch?v=0HeeJCq0XPY&amp;feature=youtu.be   Raj Nartaki 1940 Hindi Classical Full Movie || Prithviraj Kapoor, Sadhna Bose || Hindi Movies https://www.youtube.com/watch?v=5d43ZbFo39s&amp;t=2079s   AI voices from Murf.ai  Credits: Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>1523</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/66fd9c27739720329d416befd79315ae.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Yun Hota Toh Kya Hota The World Of Ghalib With Amit Basole - On Faith And Religion (EP3)</title><link>https://www.spreaker.com/episode/yun-hota-toh-kya-hota-the-world-of-ghalib-with-amit-basole-on-faith-and-religion-ep3--57997942</link><description><![CDATA[Ghalib on religion would have crashed Twitter.   Much ink, and blood, have been spilt over religion and faith throughout human history. Yet, nothing stopped Mirza Ghalib from playfully exploring these realms, where even the boldest present-day poets tread with caution. Ghalib on Twitter would have been a powder keg but, in those arguably more patient and forgiving times, not only did his tongue-in-cheek challenge of the rituals and symbols of faith elicit a chuckle from his challengers, but their well-intended mischief never failed to provoke thought and reasoning.  In this episode, discover an aspect of Ghalib that equally shocks and charms. Listen to Ep 3 - On Faith And Religion on YouTube | Soundcloud.   Acknowledgements:  On Playing Chausar Mirza ghalib (1988) Complete TV Series 1/2 https://www.youtube.com/watch?v=NfNOXyPVjxk   On Diwali: Humanity of Mirza Ghalib - Diwali Day https://www.youtube.com/watch?v=QAd1nXaQZk8   On Ramzan fasting: https://www.youtube.com/watch?v=g_FvKTNN4A4 8:15 to 9:22 - To Munshi Nabi Bakhsh Haqeer- how hot it is in Delhi, keeping Rozas in the heat, 22 June 1853  https://www.youtube.com/watch?v=KjHoc7pyBHc  4:08 to 5:10 - more on Delhi heat and Roza written to an unmentioned recipient in June 1854  Credits: Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar   Discover more:  YouTube: Zia Mohyeddin recites Mirza Ghalib's poetry 'Azadi Ka Shukr Baja Laao, Gham Na Khao' https://youtu.be/xsRy4dO7YeM    YouTube: Ghalib aur Mein-Zia Mohyeddin https://www.youtube.com/watch?v=eCEd1mtjBtM  YouTube: Ghalib aur Mein - Zia Mohyeddin https://www.youtube.com/watch?v=eCEd1mtjBtM    Imagery of Ghalib (1) - Ahmad Javaid https://www.youtube.com/watch?v=qg5STy4WCjs  YouTube: Ghalib ki ma'ani aafreeni  غالب کی معانی آفرینی - Ahmad Javaid https://www.youtube.com/watch?v=QSiYuee2JAs  YouTube: Frances Pritchett: How to Read Ghalib https://www.youtube.com/watch?v=jnmzgG54KWA  YouTube: Ghalib-E-Khasta Ke Baghair | Shamsur Rahman Faruqi with Pavan K. Varma | Jashn-e-Rekhta https://www.youtube.com/watch?v=yAoyx34zz_s  Amazon: When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry (Islamic Civilization and Muslim Networks) When-Sun-Meets-Moon-Civilization]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1464285364</guid><pubDate>Wed, 08 Mar 2023 18:30:12 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997942/1464285364_radioazimpremjiuniversity_yun_hota_toh_kya_hota_the_world_of_ghalib_with_amit_basole_on_faith_and_relegion_ep3.mp3" length="19715133" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Ghalib on religion would have crashed Twitter.   Much ink, and blood, have been spilt over religion and faith throughout human history. Yet, nothing stopped Mirza Ghalib from playfully exploring these realms, where even the boldest present-day poets...</itunes:subtitle><itunes:summary><![CDATA[Ghalib on religion would have crashed Twitter.   Much ink, and blood, have been spilt over religion and faith throughout human history. Yet, nothing stopped Mirza Ghalib from playfully exploring these realms, where even the boldest present-day poets tread with caution. Ghalib on Twitter would have been a powder keg but, in those arguably more patient and forgiving times, not only did his tongue-in-cheek challenge of the rituals and symbols of faith elicit a chuckle from his challengers, but their well-intended mischief never failed to provoke thought and reasoning.  In this episode, discover an aspect of Ghalib that equally shocks and charms. Listen to Ep 3 - On Faith And Religion on YouTube | Soundcloud.   Acknowledgements:  On Playing Chausar Mirza ghalib (1988) Complete TV Series 1/2 https://www.youtube.com/watch?v=NfNOXyPVjxk   On Diwali: Humanity of Mirza Ghalib - Diwali Day https://www.youtube.com/watch?v=QAd1nXaQZk8   On Ramzan fasting: https://www.youtube.com/watch?v=g_FvKTNN4A4 8:15 to 9:22 - To Munshi Nabi Bakhsh Haqeer- how hot it is in Delhi, keeping Rozas in the heat, 22 June 1853  https://www.youtube.com/watch?v=KjHoc7pyBHc  4:08 to 5:10 - more on Delhi heat and Roza written to an unmentioned recipient in June 1854  Credits: Akshay Ramuhalli, Beej, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Shraddha Gautam, Supriya Joshi and Velu Shankar   Discover more:  YouTube: Zia Mohyeddin recites Mirza Ghalib's poetry 'Azadi Ka Shukr Baja Laao, Gham Na Khao' https://youtu.be/xsRy4dO7YeM    YouTube: Ghalib aur Mein-Zia Mohyeddin https://www.youtube.com/watch?v=eCEd1mtjBtM  YouTube: Ghalib aur Mein - Zia Mohyeddin https://www.youtube.com/watch?v=eCEd1mtjBtM    Imagery of Ghalib (1) - Ahmad Javaid https://www.youtube.com/watch?v=qg5STy4WCjs  YouTube: Ghalib ki ma'ani aafreeni  غالب کی معانی آفرینی - Ahmad Javaid https://www.youtube.com/watch?v=QSiYuee2JAs  YouTube: Frances Pritchett: How to Read Ghalib https://www.youtube.com/watch?v=jnmzgG54KWA  YouTube: Ghalib-E-Khasta Ke Baghair | Shamsur Rahman Faruqi with Pavan K. Varma | Jashn-e-Rekhta https://www.youtube.com/watch?v=yAoyx34zz_s  Amazon: When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry (Islamic Civilization and Muslim Networks) When-Sun-Meets-Moon-Civilization]]></itunes:summary><itunes:duration>1233</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4743833b3f9c78a96392e7e6ffa9af69.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>What About Science? with Nandita Jayaraj Thirty Shades of TMT EP2 21st Feb 2023</title><link>https://www.spreaker.com/episode/what-about-science-with-nandita-jayaraj-thirty-shades-of-tmt-ep2-21st-feb-2023--57997923</link><description><![CDATA[What About Science? Ep 2 - 30 shades of TMT  Proteep Mallik is passionate about staring into space — with purpose. To those who need an introduction, Proteep is with the School of Arts and Sciences, where he teaches the undergraduate course in Physics. He has a master’s degree in Optical Sciences and is an astronomy aficionado. In this engaging episode, he talks about the 30-metre telescope that is being built in Karnataka to be shipped to Hawaii, and the fascinating science behind gazing at the stars.  In this episode of What About Science? with Nandita Jayaraj, Proteep takes us on a journey to the stars, gazing at the heavens through a 30-metre telescope (TMT) that is being assembled in the town of Hoskote, near Bengaluru. A telescope that is designed to observe the stars from Hawaii.   Credits &amp; Acknowledgements:  Audio used from: https://www.youtube.com/watch?v=R8ZqEMMA6kY   https://www.youtube.com/watch?v=06BsEOGBmdE   https://www.youtube.com/watch?v=sGjTp75K0G8   https://www.youtube.com/watch?v=xvI2EriqSHk   Music Composed by Bruce Lee Mani 1:10 - 2:13 2:27 - 4:30 15:08 - 16:59 18:04 - 19:21 20:08 - 21:13 24:35 - 25:29 26:13 - 27:49 All other music from Epidemic sound and Artlist Further reading: Hexing Glass for TMT: https://www.tmt.org/blog/497 India TMT website: https://tmt.iiap.res.in Telescopes: bigger is better: https://www.dw.com/en/with-telescopes-size-does-matter/a-18784812 Why this Thirty Meter Telescope became a MASSIVE controversy: https://www.youtube.com/watch?v=-bqWCiUVRxc Meet Proteep Mallik https://azimpremjiuniversity.edu.in/people/proteep-mallik]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1453724335</guid><pubDate>Thu, 23 Feb 2023 06:56:35 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997923/1453724335_radioazimpremjiuniversity_what_about_science_with_nandita_jayaraj_thirty_shades_of_tmt_ep2_21st_feb_2023.mp3" length="27408090" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>What About Science? Ep 2 - 30 shades of TMT  Proteep Mallik is passionate about staring into space — with purpose. To those who need an introduction, Proteep is with the School of Arts and Sciences, where he teaches the undergraduate course in...</itunes:subtitle><itunes:summary><![CDATA[What About Science? Ep 2 - 30 shades of TMT  Proteep Mallik is passionate about staring into space — with purpose. To those who need an introduction, Proteep is with the School of Arts and Sciences, where he teaches the undergraduate course in Physics. He has a master’s degree in Optical Sciences and is an astronomy aficionado. In this engaging episode, he talks about the 30-metre telescope that is being built in Karnataka to be shipped to Hawaii, and the fascinating science behind gazing at the stars.  In this episode of What About Science? with Nandita Jayaraj, Proteep takes us on a journey to the stars, gazing at the heavens through a 30-metre telescope (TMT) that is being assembled in the town of Hoskote, near Bengaluru. A telescope that is designed to observe the stars from Hawaii.   Credits &amp; Acknowledgements:  Audio used from: https://www.youtube.com/watch?v=R8ZqEMMA6kY   https://www.youtube.com/watch?v=06BsEOGBmdE   https://www.youtube.com/watch?v=sGjTp75K0G8   https://www.youtube.com/watch?v=xvI2EriqSHk   Music Composed by Bruce Lee Mani 1:10 - 2:13 2:27 - 4:30 15:08 - 16:59 18:04 - 19:21 20:08 - 21:13 24:35 - 25:29 26:13 - 27:49 All other music from Epidemic sound and Artlist Further reading: Hexing Glass for TMT: https://www.tmt.org/blog/497 India TMT website: https://tmt.iiap.res.in Telescopes: bigger is better: https://www.dw.com/en/with-telescopes-size-does-matter/a-18784812 Why this Thirty Meter Telescope became a MASSIVE controversy: https://www.youtube.com/watch?v=-bqWCiUVRxc Meet Proteep Mallik https://azimpremjiuniversity.edu.in/people/proteep-mallik]]></itunes:summary><itunes:duration>1713</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/aabd979a186400c1942b6ade157f7653.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Yun Hota Toh Kya Hota The World Of Ghalib With Amit Basole - Speaking To The Beloved (EP2)</title><link>https://www.spreaker.com/episode/yun-hota-toh-kya-hota-the-world-of-ghalib-with-amit-basole-speaking-to-the-beloved-ep2--57997940</link><description><![CDATA[Episode 2 - Speaking To The Beloved   In this episode of Yun Hota To Kya Hota - The World Of Ghalib, host Amit Basole ponders the enigma of Ghalib the lover. How did Ghalib speak of love? Whom did Ghalib love? He transports you to the heart of the ghazal.   Zia Mohyeddin, the British-Pakistani actor renowned for giving voice to the lyrical seduction of Ghalib’s poetry, died on February 13. Ghalib is a state of mind beyond the narrow confines of nation, religion and other notional boxes in which we find ourselves bracketed. This transcendence comes achingly to mind as we mourn the passing of Zia Saheb. This episode is a tribute to his memory.   Acknowledgements:  Zia Mohiuddin Videos | Rekhtarekhta.org https://www.rekhta.org/Zia   Domni  https://www.youtube.com/watch?v=v_zWZpMLzZI  6:04 to 6:44 YouTube | Composition of music by Swati Phadke and recited by Pubali Mattoo #GhazalGuruvaar #10 - Aane ka muntazar tere - Smt. Swati Phadke | Mah Laqa Bai Chanda https://www.youtube.com/watch?v=eyTc4MEUoQs  YouTube | Taskeen ko Hum Na Royen - Mirza Ghalib  Sung by Farid Ayaz &amp; Abu Muhammad https://www.youtube.com/watch?v=c56THXY0MO8   Dil Se Teri Nigah Jiggar Tak Utar Gayi | Rahat Fateh Ali Khan | Ghazal | Mirza Ghalib https://www.youtube.com/watch?v=AxM7NpF4Z5Y    Credits:  Programming: Prashant Vasudevan Sound: Akshay Ramuhalli Performance Coaching and Advisory: Shraddha Gautam Advisor: Velu Shankar Executive Producer: Narayan Krishnaswamy Project Management: Supriya Joshi  Discover more:  YouTube: Zia Mohyeddin recites Mirza Ghalib's poetry 'Azadi Ka Shukr Baja Laao, Gham Na Khao' https://youtu.be/xsRy4dO7YeM    YouTube: Ghalib aur Mein-Zia Mohyeddin https://www.youtube.com/watch?v=eCEd1mtjBtM  YouTube: Ghalib aur Mein - Zia Mohyeddin https://www.youtube.com/watch?v=eCEd1mtjBtM    Imagery of Ghalib (1) - Ahmad Javaid https://www.youtube.com/watch?v=qg5STy4WCjs  YouTube: Ghalib ki ma'ani aafreeni  غالب کی معانی آفرینی - Ahmad Javaid https://www.youtube.com/watch?v=QSiYuee2JAs  YouTube: Frances Pritchett: How to Read Ghalib https://www.youtube.com/watch?v=jnmzgG54KWA  YouTube: Ghalib-E-Khasta Ke Baghair | Shamsur Rahman Faruqi with Pavan K. Varma | Jashn-e-Rekhta https://www.youtube.com/watch?v=yAoyx34zz_s  Amazon: When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry (Islamic Civilization and Muslim Networks) When-Sun-Meets-Moon-Civilization]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1447527463</guid><pubDate>Wed, 15 Feb 2023 15:46:02 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997940/1447527463_radioazimpremjiuniversity_yun_hota_toh_kya_hota_the_world_of_ghalib_with_amit_basole_speaking_to_the_beloved_ep2.mp3" length="21009553" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Episode 2 - Speaking To The Beloved   In this episode of Yun Hota To Kya Hota - The World Of Ghalib, host Amit Basole ponders the enigma of Ghalib the lover. How did Ghalib speak of love? Whom did Ghalib love? He transports you to the heart of the...</itunes:subtitle><itunes:summary><![CDATA[Episode 2 - Speaking To The Beloved   In this episode of Yun Hota To Kya Hota - The World Of Ghalib, host Amit Basole ponders the enigma of Ghalib the lover. How did Ghalib speak of love? Whom did Ghalib love? He transports you to the heart of the ghazal.   Zia Mohyeddin, the British-Pakistani actor renowned for giving voice to the lyrical seduction of Ghalib’s poetry, died on February 13. Ghalib is a state of mind beyond the narrow confines of nation, religion and other notional boxes in which we find ourselves bracketed. This transcendence comes achingly to mind as we mourn the passing of Zia Saheb. This episode is a tribute to his memory.   Acknowledgements:  Zia Mohiuddin Videos | Rekhtarekhta.org https://www.rekhta.org/Zia   Domni  https://www.youtube.com/watch?v=v_zWZpMLzZI  6:04 to 6:44 YouTube | Composition of music by Swati Phadke and recited by Pubali Mattoo #GhazalGuruvaar #10 - Aane ka muntazar tere - Smt. Swati Phadke | Mah Laqa Bai Chanda https://www.youtube.com/watch?v=eyTc4MEUoQs  YouTube | Taskeen ko Hum Na Royen - Mirza Ghalib  Sung by Farid Ayaz &amp; Abu Muhammad https://www.youtube.com/watch?v=c56THXY0MO8   Dil Se Teri Nigah Jiggar Tak Utar Gayi | Rahat Fateh Ali Khan | Ghazal | Mirza Ghalib https://www.youtube.com/watch?v=AxM7NpF4Z5Y    Credits:  Programming: Prashant Vasudevan Sound: Akshay Ramuhalli Performance Coaching and Advisory: Shraddha Gautam Advisor: Velu Shankar Executive Producer: Narayan Krishnaswamy Project Management: Supriya Joshi  Discover more:  YouTube: Zia Mohyeddin recites Mirza Ghalib's poetry 'Azadi Ka Shukr Baja Laao, Gham Na Khao' https://youtu.be/xsRy4dO7YeM    YouTube: Ghalib aur Mein-Zia Mohyeddin https://www.youtube.com/watch?v=eCEd1mtjBtM  YouTube: Ghalib aur Mein - Zia Mohyeddin https://www.youtube.com/watch?v=eCEd1mtjBtM    Imagery of Ghalib (1) - Ahmad Javaid https://www.youtube.com/watch?v=qg5STy4WCjs  YouTube: Ghalib ki ma'ani aafreeni  غالب کی معانی آفرینی - Ahmad Javaid https://www.youtube.com/watch?v=QSiYuee2JAs  YouTube: Frances Pritchett: How to Read Ghalib https://www.youtube.com/watch?v=jnmzgG54KWA  YouTube: Ghalib-E-Khasta Ke Baghair | Shamsur Rahman Faruqi with Pavan K. Varma | Jashn-e-Rekhta https://www.youtube.com/watch?v=yAoyx34zz_s  Amazon: When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry (Islamic Civilization and Muslim Networks) When-Sun-Meets-Moon-Civilization]]></itunes:summary><itunes:duration>1314</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/593b1beb297d71500da2fc9a9a1e618b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Campus Cast (EP2) Valentine's Day Special -  Radio Azim Premji University 10 Feb 2023</title><link>https://www.spreaker.com/episode/campus-cast-ep2-valentine-s-day-special-radio-azim-premji-university-10-feb-2023--57997941</link><description><![CDATA[Because it’s February, this is the love episode.  What’s the worst Valentine’s Day gift you can give anyone? Find out on Campus Kya Kehta Hai! From being broken-hearted to being broke, from breaking up over WhatsApp to enduring cafeteria grub because you enjoy the company (aww), how far will you go for love?  In Explore More, discover a confluence of passion and purpose at Sarla, an artist’s residence in the midst of a farm. Just ten minutes by auto from the campus. It’s the ideal place for your heart to find expression. Get the latest on the APU Constitution, Social Enterprise Mela, pre-Unmukt (what’s that?) and other news.  And finally… we asked ChatGPT to compose a love song.  What can AI say, it’s… seductive!   Acknowledgements:  Campus Kya Kehta Hai hosts - Priyanshu Singh &amp; Anubhav Sharma Notice Board show host - Khushi Verma   Explore More show host - Hitika Gilhotra  Show RJs - Pranesh S &amp; Dakshita Sehgal Special guests - Sangamitra Baskar &amp; Malavika Sundareswaran (Campus Kya Kehta Hai) Explore More review - Ipshita Iyer Poem &amp; AI Voice - ChatGPT, resemble.ai    Student Enterprise Mela https://azimpremjiuniversity.edu.in/social-enterprise-mela  Explore More: Sarla https://maps.app.goo.gl/vpFSqn9Girev3bcA8  An initiative by artists Nancy Popp, Seema Jain, Advithi Emmi, Suresh Kumar G (who runs the Sarjapur Curries farm), and Bengaluru Artists Residency One.   Read more at: https://www.deccanherald.com/metrolife/metrolife-cityscape/new-art-space-opens-on-friday-1182080.html  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1443122431</guid><pubDate>Thu, 09 Feb 2023 16:36:15 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997941/1443122431_radioazimpremjiuniversity_campus_cast_ep2_valentines_day_special_radio_azim_premji_university_10_feb_2023.mp3" length="14794500" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Because it’s February, this is the love episode.  What’s the worst Valentine’s Day gift you can give anyone? Find out on Campus Kya Kehta Hai! From being broken-hearted to being broke, from breaking up over WhatsApp to enduring cafeteria grub because...</itunes:subtitle><itunes:summary><![CDATA[Because it’s February, this is the love episode.  What’s the worst Valentine’s Day gift you can give anyone? Find out on Campus Kya Kehta Hai! From being broken-hearted to being broke, from breaking up over WhatsApp to enduring cafeteria grub because you enjoy the company (aww), how far will you go for love?  In Explore More, discover a confluence of passion and purpose at Sarla, an artist’s residence in the midst of a farm. Just ten minutes by auto from the campus. It’s the ideal place for your heart to find expression. Get the latest on the APU Constitution, Social Enterprise Mela, pre-Unmukt (what’s that?) and other news.  And finally… we asked ChatGPT to compose a love song.  What can AI say, it’s… seductive!   Acknowledgements:  Campus Kya Kehta Hai hosts - Priyanshu Singh &amp; Anubhav Sharma Notice Board show host - Khushi Verma   Explore More show host - Hitika Gilhotra  Show RJs - Pranesh S &amp; Dakshita Sehgal Special guests - Sangamitra Baskar &amp; Malavika Sundareswaran (Campus Kya Kehta Hai) Explore More review - Ipshita Iyer Poem &amp; AI Voice - ChatGPT, resemble.ai    Student Enterprise Mela https://azimpremjiuniversity.edu.in/social-enterprise-mela  Explore More: Sarla https://maps.app.goo.gl/vpFSqn9Girev3bcA8  An initiative by artists Nancy Popp, Seema Jain, Advithi Emmi, Suresh Kumar G (who runs the Sarjapur Curries farm), and Bengaluru Artists Residency One.   Read more at: https://www.deccanherald.com/metrolife/metrolife-cityscape/new-art-space-opens-on-friday-1182080.html  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>925</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28fb0a41d9d78c6e50b1e357586e22ed.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EP2 The India Project With Josy Joseph - Travancore (EP2) - 07 Feb 2023</title><link>https://www.spreaker.com/episode/ep2-the-india-project-with-josy-joseph-travancore-ep2-07-feb-2023--57997944</link><description><![CDATA[A man of great contradictions… that is how the learned and venerable reformer and technocrat Sir Chetput Pattabhiraman Ramaswami Iyer is introduced in the second episode of The India Project with Josy Joseph. In the summer of 1947, Sir CP had drawn up an aggressive plan for independence… not of India, but of the princely state of Travancore, of which he was the Diwan from 1936 to 1947. As the clock ticked, it appeared as if Travancore would hoist its own national flag even before India would. Until one night in July, as Sir CP finished addressing the audience at a concert commemorating the anniversary of the former Maharaja and Carnatic music composer Swathi Thirunal, a sickle swished in the dark.    Episode 2 of The India Project unravels the intrigues and covert correspondences leading up to Travancore’s eventual accession to the Union of India. Until the turning point — the attempted assassination of Sir CP.  Listen to discover more.   The India Project, narrated by investigative reporter and author Josy Joseph, chronicles the formation of the republic through documents that shed new light on the genesis of Indian democracy and its institutions.   Acknowledgements and Credits:  Tryst With Destiny - Prime Minister Jawaharlal Nehru’s address to the nation on August 15, 1947 | YouTube:  Tryst with Destiny | Jawaharlal Nehru https://www.youtube.com/watch?v=lrEkY...  Nagumomu- Abheri performed by Semmangudi Srinivasa Iyer | YouTube  https://www.youtube.com/watch?v=ofgoh...  Thanks to Confluence Media for CP’s Letter to the Maharaja Performed by Narayan Krishnaswamy  Music Used from https://www.britishpathe.com/video/ma...  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1441107886</guid><pubDate>Mon, 06 Feb 2023 17:47:14 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997944/1441107886_radioazimpremjiuniversity_ep2_the_india_project_with_josy_joseph_travancore_ep2_07_feb_2023.mp3" length="23086392" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>A man of great contradictions… that is how the learned and venerable reformer and technocrat Sir Chetput Pattabhiraman Ramaswami Iyer is introduced in the second episode of The India Project with Josy Joseph. In the summer of 1947, Sir CP had drawn up...</itunes:subtitle><itunes:summary><![CDATA[A man of great contradictions… that is how the learned and venerable reformer and technocrat Sir Chetput Pattabhiraman Ramaswami Iyer is introduced in the second episode of The India Project with Josy Joseph. In the summer of 1947, Sir CP had drawn up an aggressive plan for independence… not of India, but of the princely state of Travancore, of which he was the Diwan from 1936 to 1947. As the clock ticked, it appeared as if Travancore would hoist its own national flag even before India would. Until one night in July, as Sir CP finished addressing the audience at a concert commemorating the anniversary of the former Maharaja and Carnatic music composer Swathi Thirunal, a sickle swished in the dark.    Episode 2 of The India Project unravels the intrigues and covert correspondences leading up to Travancore’s eventual accession to the Union of India. Until the turning point — the attempted assassination of Sir CP.  Listen to discover more.   The India Project, narrated by investigative reporter and author Josy Joseph, chronicles the formation of the republic through documents that shed new light on the genesis of Indian democracy and its institutions.   Acknowledgements and Credits:  Tryst With Destiny - Prime Minister Jawaharlal Nehru’s address to the nation on August 15, 1947 | YouTube:  Tryst with Destiny | Jawaharlal Nehru https://www.youtube.com/watch?v=lrEkY...  Nagumomu- Abheri performed by Semmangudi Srinivasa Iyer | YouTube  https://www.youtube.com/watch?v=ofgoh...  Thanks to Confluence Media for CP’s Letter to the Maharaja Performed by Narayan Krishnaswamy  Music Used from https://www.britishpathe.com/video/ma...  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>1443</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7f9a275131869907520aa9f8d372aba6.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>What About Science? with Nandita Jayaraj - Neanderthals &amp; Me (EP1) 31st Jan 2023</title><link>https://www.spreaker.com/episode/what-about-science-with-nandita-jayaraj-neanderthals-me-ep1-31st-jan-2023--57997943</link><description><![CDATA[Neanderthals. Never since dinosaurs has an extinct species caught the fancy of so many. Still, many of us are still in a haze about who Neanderthals were, why they are no longer around, and -- the 10 million Swedish Kronor question -- how similar are they to you and me? On this episode of ‘What About Science?’, journalist and host Nandita Jayaraj catches up with computational geneticist Shweta Ramdas for an illuminating discussion on the many prickly questions complicating the relatively new field of palaeogenetics today.   Acknowledgements: Art by Yash Harichandan Nobel Prize Announcement: Swedish researcher Svante Paabo wins Nobel Prize for Physiology and Medicine for discoveries involving human evolution  DW News | YouTube: https://youtu.be/AadfzD7Rrug   Audio Used: https://www.newscientist.com/article/mg24232300-600-does-population-genetics-have-a-racism-problem-even-today/  Further reading: https://www.nobelprize.org/prizes/medicine/2022/press-release/   https://www.pnas.org/doi/10.1073/pnas.1516047113   https://www.newscientist.com/article/mg24232300-600-does-population-genetics-have-a-racism-problem-even-today/  https://forbetterscience.com/2020/10/05/dirty-diseased-neanderthals/]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1435604875</guid><pubDate>Mon, 30 Jan 2023 16:54:10 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997943/1435604875_radioazimpremjiuniversity_what_about_science_with_nandita_jayaraj_neanderthals_me_ep1_30_jan_2023.mp3" length="27655104" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Neanderthals. Never since dinosaurs has an extinct species caught the fancy of so many. Still, many of us are still in a haze about who Neanderthals were, why they are no longer around, and -- the 10 million Swedish Kronor question -- how similar are...</itunes:subtitle><itunes:summary><![CDATA[Neanderthals. Never since dinosaurs has an extinct species caught the fancy of so many. Still, many of us are still in a haze about who Neanderthals were, why they are no longer around, and -- the 10 million Swedish Kronor question -- how similar are they to you and me? On this episode of ‘What About Science?’, journalist and host Nandita Jayaraj catches up with computational geneticist Shweta Ramdas for an illuminating discussion on the many prickly questions complicating the relatively new field of palaeogenetics today.   Acknowledgements: Art by Yash Harichandan Nobel Prize Announcement: Swedish researcher Svante Paabo wins Nobel Prize for Physiology and Medicine for discoveries involving human evolution  DW News | YouTube: https://youtu.be/AadfzD7Rrug   Audio Used: https://www.newscientist.com/article/mg24232300-600-does-population-genetics-have-a-racism-problem-even-today/  Further reading: https://www.nobelprize.org/prizes/medicine/2022/press-release/   https://www.pnas.org/doi/10.1073/pnas.1516047113   https://www.newscientist.com/article/mg24232300-600-does-population-genetics-have-a-racism-problem-even-today/  https://forbetterscience.com/2020/10/05/dirty-diseased-neanderthals/]]></itunes:summary><itunes:duration>1729</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5cfdc9a13a705058ad49593efabfc3a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Campus Cast - Radio Azim Premji University - 26th January 2023</title><link>https://www.spreaker.com/episode/campus-cast-radio-azim-premji-university-26th-january-2023--57997945</link><description><![CDATA[Episode 1  Campus Cast is a lively radio magazine produced by Radio Azim Premji University. Exactly how lively? Episode 1 sets the trend, riffing on the Republic Day sentiment with a jaunty take on the Preamble to the Constitution of India.   Making holiday travel plans for Republic Day? Make a quick dash to Dhammagiri Buddha Vihar on the outskirts of Bengaluru. And while you’re there, you can’t help but glance at a portrait on the wall — of course, it’s Dr B R Ambedkar, the architect of the Constitution of India. Discover the tenets of Ambedkarite Buddhism, also called Navayana, a more modern and people-oriented interpretation of the faith as Ambedkar practiced it.  Catch up with the news around campus in our Notice Board segment.  Listen and share. And tell us what you think of this show.   Explore more:   Dhammagiri Buddha Vihar ಧಮ್ಮಗಿರಿ ಬುದ್ಧ ವಿಹಾರ  (Google Maps location:https://maps.app.goo.gl/MS9eqkuf6zPvGEkv5)   Further reading:   A. Buddha And His Dhamma by Dr. B R Ambedkar (English) http://ycis.ac.in/CEGC%20Library/English/Buddha%20and%20His%20Dhamma.pdf  B. Discover Navayana https://navayan.org/what-is-navayan/ https://www.forwardpress.in/2017/08/the-epistemological-bases-of-ambedkars-navayana/  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></description><guid isPermaLink="false">tag:soundcloud,2010:tracks/1431520933</guid><pubDate>Tue, 24 Jan 2023 17:40:47 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57997945/1431520933_radioazimpremjiuniversity_campus_cast_episode_1_radio_azim_premji_university.mp3" length="13733301" type="audio/mpeg"/><itunes:author>Radio Apu</itunes:author><itunes:subtitle>Episode 1  Campus Cast is a lively radio magazine produced by Radio Azim Premji University. Exactly how lively? Episode 1 sets the trend, riffing on the Republic Day sentiment with a jaunty take on the Preamble to the Constitution of India.   Making...</itunes:subtitle><itunes:summary><![CDATA[Episode 1  Campus Cast is a lively radio magazine produced by Radio Azim Premji University. Exactly how lively? Episode 1 sets the trend, riffing on the Republic Day sentiment with a jaunty take on the Preamble to the Constitution of India.   Making holiday travel plans for Republic Day? Make a quick dash to Dhammagiri Buddha Vihar on the outskirts of Bengaluru. And while you’re there, you can’t help but glance at a portrait on the wall — of course, it’s Dr B R Ambedkar, the architect of the Constitution of India. Discover the tenets of Ambedkarite Buddhism, also called Navayana, a more modern and people-oriented interpretation of the faith as Ambedkar practiced it.  Catch up with the news around campus in our Notice Board segment.  Listen and share. And tell us what you think of this show.   Explore more:   Dhammagiri Buddha Vihar ಧಮ್ಮಗಿರಿ ಬುದ್ಧ ವಿಹಾರ  (Google Maps location:https://maps.app.goo.gl/MS9eqkuf6zPvGEkv5)   Further reading:   A. Buddha And His Dhamma by Dr. B R Ambedkar (English) http://ycis.ac.in/CEGC%20Library/English/Buddha%20and%20His%20Dhamma.pdf  B. Discover Navayana https://navayan.org/what-is-navayan/ https://www.forwardpress.in/2017/08/the-epistemological-bases-of-ambedkars-navayana/  Credits: Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Seema Seth, Shraddha Gautam, Supriya Joshi and Velu Shankar]]></itunes:summary><itunes:duration>859</itunes:duration><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/83c061024424e5bf84ea5e43be9d3132.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
