https://www.spreaker.com/podcast/gospel-blues--5898641enMusic CommentaryGail Nobles © 2026https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/56eeeaf391bf1ae810d5ecc68f573e12.jpghttps://www.spreaker.com/podcast/gospel-blues--5898641Sat, 25 Apr 2026 21:52:07 +0000Gail NoblesGail Noblesleshontg@suddenlink.netGospel Blues is about gospel blues singers. Podcast by Gail Nobles 2023falseepisodichttps://www.spreaker.com/episode/lady-blackbird-4-25-26-5-39-pm--71642216Intro by: Gail Nobles
Story by: Gail Nobles
Photo: Wikipedia Public Domain

Lady Blackbird, the soulful artist known as Marley Munroe, released a captivating song titled ‘Let Not Your Heart Be Troubled’ from her album 'Slang Spirituals.' Released in September 2024, the album was produced by Chris Seefried and features a distinctive sound described as a 'psychedelic gospel hymn,' seamlessly blending orchestral elements with powerful vocals.

Biblical and Cultural Roots

The title and lyrics draw directly from St. John 14:1, a passage often cited in gospel traditions to provide comfort during times of grief or uncertainty. By framing this as a "Slang Spiritual," Lady Blackbird recontextualizes traditional religious themes into a modern, secular space—bridging the gap between the historic Black spirituals of the past and contemporary soulful expression.

You’re listening to Gospel Blues. I’m your host, Gail Nobles. Today’s topic is Lady Blackbird with 'Let Not Your Heart Be Troubled'—a reminder that even in the grit of the blues, there is a light that never goes out. Keep that melody in your spirit. Thank you for listening.

Gospel Blues]]>https://api.spreaker.com/episode/71642216Sat, 25 Apr 2026 21:51:54 +0000Gail NoblesIntro by: Gail Nobles Story by: Gail Nobles Photo: Wikipedia Public Domain Lady Blackbird, the soulful artist known as Marley Munroe, released a captivating song titled ‘Let Not Your Heart Be Troubled’ from her album 'Slang Spirituals.' Released in...Intro by: Gail Nobles
Story by: Gail Nobles
Photo: Wikipedia Public Domain

Lady Blackbird, the soulful artist known as Marley Munroe, released a captivating song titled ‘Let Not Your Heart Be Troubled’ from her album 'Slang Spirituals.' Released in September 2024, the album was produced by Chris Seefried and features a distinctive sound described as a 'psychedelic gospel hymn,' seamlessly blending orchestral elements with powerful vocals.

Biblical and Cultural Roots

The title and lyrics draw directly from St. John 14:1, a passage often cited in gospel traditions to provide comfort during times of grief or uncertainty. By framing this as a "Slang Spiritual," Lady Blackbird recontextualizes traditional religious themes into a modern, secular space—bridging the gap between the historic Black spirituals of the past and contemporary soulful expression.

You’re listening to Gospel Blues. I’m your host, Gail Nobles. Today’s topic is Lady Blackbird with 'Let Not Your Heart Be Troubled'—a reminder that even in the grit of the blues, there is a light that never goes out. Keep that melody in your spirit. Thank you for listening.

Gospel Blues]]>138blues,contemporarychristian,gospel,jazz,ladyblackbird,psychedelic,psychedelicgospel,slangspirituals,soulfalsefullhttps://www.spreaker.com/episode/reverend-robert-wilkins-3-24-26-7-06-pm--70860824Story by Gail Nobles
Photo: Eatonland - Own work
Usage: CC BY-SA 4. Wikipedia 

Rare 1965 Blues Recordings Released on Takoma Records

Chicago, IL — Reverend Robert Wilkins, the Mississippi-born country blues guitarist and vocalist (1896–1987), was a master of deep, expressive acoustic blues and gospel-infused songs. Originally active in the late 1920s and 1930s, he was rediscovered during the 1960s folk-blues revival. One of his most haunting performances, the traditional gospel-blues piece “I Wish I Was in Heaven Sittin’ Down,” appears on the new release Rare Blues on Takoma Records (TAK 7081), produced by Norman Dayron.

The album gathers previously unreleased acoustic blues performances recorded in January 1965 during the University of Chicago Folk Festival, as part of Dayron’s documentation of Chicago’s blues scene between 1963 and 1965. Featuring older artists delivering raw, traditional styles on acoustic guitar, piano, and harmonica, it captures a quieter, folk-blues side of the city at a time when electric blues dominated the clubs.

Dayron, then a University of Chicago student who also ran the intimate Fickle Pickle blues club, preserved these powerful sessions in clubs, concerts, and informal settings. The release shines a light on the 1960s revival of interest in acoustic blues and brings to new audiences performances that might otherwise have remained unheard.

Rare Blues is now available on Takoma Records, offering fans and historians a valuable glimpse into mid-1960s Chicago’s vibrant traditional blues scene.

Thank you for listening to Gospel Blues. I'm Gail Nobles.

Gospel Blues]]>https://api.spreaker.com/episode/70860824Tue, 24 Mar 2026 23:22:45 +0000Gail NoblesIntro by Gail Nobles Story by Gail Nobles Photo: https://commons.wikimedia.org/w/index.php?title=User:Eatonland&action=edit&redlink=1 - Own work Usage: https://creativecommons.org/licenses/by-sa/4.0 Wikipedia  Rare 1965 Blues Recordings...Story by Gail Nobles
Photo: Eatonland - Own work
Usage: CC BY-SA 4. Wikipedia 

Rare 1965 Blues Recordings Released on Takoma Records

Chicago, IL — Reverend Robert Wilkins, the Mississippi-born country blues guitarist and vocalist (1896–1987), was a master of deep, expressive acoustic blues and gospel-infused songs. Originally active in the late 1920s and 1930s, he was rediscovered during the 1960s folk-blues revival. One of his most haunting performances, the traditional gospel-blues piece “I Wish I Was in Heaven Sittin’ Down,” appears on the new release Rare Blues on Takoma Records (TAK 7081), produced by Norman Dayron.

The album gathers previously unreleased acoustic blues performances recorded in January 1965 during the University of Chicago Folk Festival, as part of Dayron’s documentation of Chicago’s blues scene between 1963 and 1965. Featuring older artists delivering raw, traditional styles on acoustic guitar, piano, and harmonica, it captures a quieter, folk-blues side of the city at a time when electric blues dominated the clubs.

Dayron, then a University of Chicago student who also ran the intimate Fickle Pickle blues club, preserved these powerful sessions in clubs, concerts, and informal settings. The release shines a light on the 1960s revival of interest in acoustic blues and brings to new audiences performances that might otherwise have remained unheard.

Rare Blues is now available on Takoma Records, offering fans and historians a valuable glimpse into mid-1960s Chicago’s vibrant traditional blues scene.

Thank you for listening to Gospel Blues. I'm Gail Nobles.

Gospel Blues]]>1731960s,blues,gospelblues,music,musiccommentary,reverendrobertwilkins,robertwilkinsfalsefullhttps://www.spreaker.com/episode/bb-king-save-a-seat-for-me-1-29-26-2-33-pm--69671037Marco Tambara / Lightversus - Own work
Usage: Wikipedia CC BY-SA 3.0

Voice actor: Gail Nobles
Keyboardist: Gail Nobles

Voice Actor: If you get to heaven before I do, save a seat for me.

B.B. King save a seat for me. I’m Gail Nobles. Welcome to Gospel Blues.

BB King’s song Save a Seat For Me is a treasure to me. The treasured song comes from his 1960 album, "BB King Sings Spirituals."This heartfelt track conveys the spirit of hope and faith, delivering a message about longing for a place in heaven.

In today's world, it’s rare to hear songs that speak so simply and beautifully about the afterlife. The lyrics express a promise to keep pushing through life's struggles until victory is achieved. One of the most memorable lines says, "But if you make it in Glory before I do, save a seat for me." This touching sentiment connects with many,making us think about the connections we cherish with loved ones.

BB King’s soulful voice brings these powerful words to life, making "Save a Seat For Me" not just a song, but a comforting reminder of those we hold dear and the hope for reunion in a better place. His unique blend of blues and spirituality continues to inspire listeners, proving that heartfelt music can bridge the gap between generations.

In a time when many songs focus on lighter themes, BB King's classic reminds us of deeper emotions, making it a true treasure in the world of music today.

Gospel Blues]]>https://api.spreaker.com/episode/69671037Thu, 29 Jan 2026 19:54:49 +0000Gail NoblesPhoto: https://commons.wikimedia.org/w/index.php?title=User:Lightversus&action=edit&redlink=1 - Own work Usage: Wikipedia https://creativecommons.org/licenses/by-sa/3.0 Voice actor: Gail Nobles Keyboardist: Gail Nobles Voice Actor: If you...Marco Tambara / Lightversus - Own work
Usage: Wikipedia CC BY-SA 3.0

Voice actor: Gail Nobles
Keyboardist: Gail Nobles

Voice Actor: If you get to heaven before I do, save a seat for me.

B.B. King save a seat for me. I’m Gail Nobles. Welcome to Gospel Blues.

BB King’s song Save a Seat For Me is a treasure to me. The treasured song comes from his 1960 album, "BB King Sings Spirituals."This heartfelt track conveys the spirit of hope and faith, delivering a message about longing for a place in heaven.

In today's world, it’s rare to hear songs that speak so simply and beautifully about the afterlife. The lyrics express a promise to keep pushing through life's struggles until victory is achieved. One of the most memorable lines says, "But if you make it in Glory before I do, save a seat for me." This touching sentiment connects with many,making us think about the connections we cherish with loved ones.

BB King’s soulful voice brings these powerful words to life, making "Save a Seat For Me" not just a song, but a comforting reminder of those we hold dear and the hope for reunion in a better place. His unique blend of blues and spirituality continues to inspire listeners, proving that heartfelt music can bridge the gap between generations.

In a time when many songs focus on lighter themes, BB King's classic reminds us of deeper emotions, making it a true treasure in the world of music today.

Gospel Blues]]>140bbking,blues,electricblues,gospel,gospelblues,gospelmusicnews,music,musiccommentary,rhythm&bluesfalsefullhttps://www.spreaker.com/episode/the-red-clay-strays-6-28-25-5-40-pm--66789135Will The Lord Remember Me?
Story by Gail Nobles



We’re talking about some truth tonight, some real heart and soul music from a band that's bringing something special to the scene. We're talking about The Red Clay Strays, hailing from Mobile, Alabama, and they're laying down a country blues sound that'll grab you by the collar and make you listen.

Now, this track, "Will the Lord Remember Me," ain't your typical two-step and beer-soaked anthem. This is heavy stuff. This is the blues digging deep into the well of faith.

“But one of them cried out to Him, "Oh, Lord, remember me"

The song paints a vivid picture, right? You're right there at Calvary. You can feel the heat, the hate, the sting of the mockery aimed at the Lord as He hangs on that cross. That's powerful imagery, folks, and The Red Clay Strays aren't afraid to go there.

What really grabs me is the story they're telling. Two thieves, sharing in the agony, but only one finding the grace to cry out for mercy. "Oh, Lord, remember me." That's a primal plea. It's the sound of a man at the end of his rope, reaching out for something bigger than himself.

And then, that payoff at the end. That line, "And when I reach those Pearly Gates, He will remember me (ooh)." That's the heart of the matter, ain't it? That's the hope that cuts through the darkness. It's the promise of redemption, the belief that even in the face of unimaginable suffering, there's still a chance for forgiveness.

The Red Clay Strays ain't just playing music, they're telling stories. They're tapping into something deep and timeless. They're letting us know that even in the modern world, the old stories still have the power to move us, to challenge us, and maybe even to save us.

So, put this song on your turntable, dig into it, and let the Red Clay Strays take you on a journey. They're bringing a sound that's both classic and fresh, both rootsy and raw. And in a world full of noise, they're reminding us of the power of a good story, told with soul and conviction. That's the kind of music that sticks with you. That's the kind of music that matters.

You’re listening to Gospel Blues. I’m your host Gail Nobles. Thank you for tuning in.

Gospel Blues]]>https://api.spreaker.com/episode/66789135Sat, 28 Jun 2025 22:02:48 +0000Gail NoblesTHE RED CLAY STRAYS Will The Lord Remember Me? Story by Gail Nobles We’re talking about some truth tonight, some real heart and soul music from a band that's bringing something special to the scene. We're talking about The Red Clay Strays, hailing...Will The Lord Remember Me?
Story by Gail Nobles



We’re talking about some truth tonight, some real heart and soul music from a band that's bringing something special to the scene. We're talking about The Red Clay Strays, hailing from Mobile, Alabama, and they're laying down a country blues sound that'll grab you by the collar and make you listen.

Now, this track, "Will the Lord Remember Me," ain't your typical two-step and beer-soaked anthem. This is heavy stuff. This is the blues digging deep into the well of faith.

“But one of them cried out to Him, "Oh, Lord, remember me"

The song paints a vivid picture, right? You're right there at Calvary. You can feel the heat, the hate, the sting of the mockery aimed at the Lord as He hangs on that cross. That's powerful imagery, folks, and The Red Clay Strays aren't afraid to go there.

What really grabs me is the story they're telling. Two thieves, sharing in the agony, but only one finding the grace to cry out for mercy. "Oh, Lord, remember me." That's a primal plea. It's the sound of a man at the end of his rope, reaching out for something bigger than himself.

And then, that payoff at the end. That line, "And when I reach those Pearly Gates, He will remember me (ooh)." That's the heart of the matter, ain't it? That's the hope that cuts through the darkness. It's the promise of redemption, the belief that even in the face of unimaginable suffering, there's still a chance for forgiveness.

The Red Clay Strays ain't just playing music, they're telling stories. They're tapping into something deep and timeless. They're letting us know that even in the modern world, the old stories still have the power to move us, to challenge us, and maybe even to save us.

So, put this song on your turntable, dig into it, and let the Red Clay Strays take you on a journey. They're bringing a sound that's both classic and fresh, both rootsy and raw. And in a world full of noise, they're reminding us of the power of a good story, told with soul and conviction. That's the kind of music that sticks with you. That's the kind of music that matters.

You’re listening to Gospel Blues. I’m your host Gail Nobles. Thank you for tuning in.

Gospel Blues]]>246deltablues,gospelblues,gospelmusic,musiccommentary,theredclaystraysfalsefullhttps://www.spreaker.com/episode/the-holmes-brothers-3-25-25-3-34-pm--65111938Photo: Kurt "Doc" Huot
Usage: CC BY-SA 2.0
Intro by: Gail Nobles
Story by: Gail Nobles

We’re diving deep into the heart and soul of some good old gospel blues, and you know nobody does it better than the fantastic Holmes Brothers! I’m talking about the kind of music that lifts you up and grounds you all at once, that makes you say “Amen!” as much as it gets your feet  tapping.

From their soulful 2001 album *Speaking In Tongues*, the Holmes Brothers deliver a real tune with "Thank You Jesus." This track is a beautiful blend of rich harmonies, infectious rhythms, and heartfelt lyrics that take you straight to church.

The brothers, Wendell, Sherman, and Popsy, weave together their gospel roots with bluesy undertones, creating a sound that’s rich. Their voices mingle bringing layers of emotion that’ll make you feel like you’re sitting in a Nashville juke joint or a rural Mississippi church house.

In “Thank You Jesus,” they’re singing and also testifying. You can feel the gratitude as they  bring a message that transcends the ordinary. As they express their thankfulness, it’s not only a great song—it’s a celebration of faith, a recognition of the struggles we all face, and the power of hope that life brings.

Thank you Jesus.
Thank you Lord
You brought me from a mighty long ways.

This isn’t just music; it’s a revival of the spirit that reminds us to count our blessings, share our love, and keep the faith alive. Get ready to tap your feet, sway your soul, and say "Thank You Jesus!" with every beat. It’s a musical journey you won’t want to miss with The Holmes Brothers. So check out their song now. “Thank You Jesus”.

I’m Gail Nobles and you’re listening to the Gospel Blues Show.

Gospel Blues]]>https://api.spreaker.com/episode/65111938Tue, 25 Mar 2025 19:54:40 +0000Gail NoblesPhoto: Kurt "Doc" Huot Usage: https://creativecommons.org/licenses/by-sa/2.0 Intro by: Gail Nobles Story by: Gail Nobles We’re diving deep into the heart and soul of some good old gospel blues, and you know nobody does it better than the fantastic...Photo: Kurt "Doc" Huot
Usage: CC BY-SA 2.0
Intro by: Gail Nobles
Story by: Gail Nobles

We’re diving deep into the heart and soul of some good old gospel blues, and you know nobody does it better than the fantastic Holmes Brothers! I’m talking about the kind of music that lifts you up and grounds you all at once, that makes you say “Amen!” as much as it gets your feet  tapping.

From their soulful 2001 album *Speaking In Tongues*, the Holmes Brothers deliver a real tune with "Thank You Jesus." This track is a beautiful blend of rich harmonies, infectious rhythms, and heartfelt lyrics that take you straight to church.

The brothers, Wendell, Sherman, and Popsy, weave together their gospel roots with bluesy undertones, creating a sound that’s rich. Their voices mingle bringing layers of emotion that’ll make you feel like you’re sitting in a Nashville juke joint or a rural Mississippi church house.

In “Thank You Jesus,” they’re singing and also testifying. You can feel the gratitude as they  bring a message that transcends the ordinary. As they express their thankfulness, it’s not only a great song—it’s a celebration of faith, a recognition of the struggles we all face, and the power of hope that life brings.

Thank you Jesus.
Thank you Lord
You brought me from a mighty long ways.

This isn’t just music; it’s a revival of the spirit that reminds us to count our blessings, share our love, and keep the faith alive. Get ready to tap your feet, sway your soul, and say "Thank You Jesus!" with every beat. It’s a musical journey you won’t want to miss with The Holmes Brothers. So check out their song now. “Thank You Jesus”.

I’m Gail Nobles and you’re listening to the Gospel Blues Show.

Gospel Blues]]>160blues,gospelblues,soul,theholmesbrothersfalsefullhttps://www.spreaker.com/episode/paul-kelly-stealin-in-the-name-of-the-lord-1-19-25-5-55-pm--63755532Keyboardist: Gail Nobles
Story by: Gail Nobles

Let me tell you about a tune that's got the soul and the spirit like no other! Paul Kelly's “Stealin’ in the Name of the Lord.” That’s today’s topic. Paul Kelly’s Stealin’ in the Name of the Lord” is a hard-hitting piece of musical genius that speaks right to the heart of the matter! This jam shines a spotlight on the so-called messengers of faith—those smooth talkers standing on the corner with their righteous claims.

We got a man raising up a congregation, promising salvation and a divine path, but oh, there's a twist! He’s saying he’s the chosen one, ready to lead us down the road to glory. But you gotta ask yourself, is he a true shepherd, or just a wolf in sheep's clothing? This tune digs into the irony of faith when it’s tangled with greed and manipulation, and trust me, it reaches an audience!

The song came from Paul Kelly’s 1972 album dirt. It was written by Paul Kelly himself.
Paul Kelly tells you what he sees. When the man on the corner starts hollering about “spare a dime,” you can hear the rhythm of desperation and the echoes of false prophets ringing in your ears. He’s pulling on heartstrings, making promises like candy, and all the while, he’s “stealin’ in the name of the Lord.” It’s a cautionary tale —one that challenges the good and the bad that can come when faith gets mixed up in the hustle of life.

And that hook! When he says, “God’s gonna bless ya,” he’s not mincing words! Paul Kelly's got a way of laying it all on the line, and that rhythm pulls you in, makes you feel motivated , and makes you think about the real purpose of belief. Is it truly about love and community, or is it sometimes about someone cashing in on the vulnerable?

This tune, it’s a masterclass in storytelling through music—a blend of rock and rhythm that had the folks dancing and pondering at the same time. Paul Kelly song Stealing in the Name of the Lord can be characterized as Gospel Blues it incorporates elements of gospel music, including themes of faith and moral struggle, along with the emotional and musical characteristics typical of the blues genre.

So keep your eyes open wide and don’t forget to check out the magic of Paul Kelly. Keep it soulful I’m Gail Nobles and you’re listening to Gospel Blues.

Gospel Blues]]>https://api.spreaker.com/episode/63755532Sun, 19 Jan 2025 23:09:46 +0000Gail NoblesKeyboardist: Gail Nobles Story by: Gail Nobles Let me tell you about a tune that's got the soul and the spirit like no other! Paul Kelly's “Stealin’ in the Name of the Lord.” That’s today’s topic. Paul Kelly’s Stealin’ in the Name of the Lord” is a...Keyboardist: Gail Nobles
Story by: Gail Nobles

Let me tell you about a tune that's got the soul and the spirit like no other! Paul Kelly's “Stealin’ in the Name of the Lord.” That’s today’s topic. Paul Kelly’s Stealin’ in the Name of the Lord” is a hard-hitting piece of musical genius that speaks right to the heart of the matter! This jam shines a spotlight on the so-called messengers of faith—those smooth talkers standing on the corner with their righteous claims.

We got a man raising up a congregation, promising salvation and a divine path, but oh, there's a twist! He’s saying he’s the chosen one, ready to lead us down the road to glory. But you gotta ask yourself, is he a true shepherd, or just a wolf in sheep's clothing? This tune digs into the irony of faith when it’s tangled with greed and manipulation, and trust me, it reaches an audience!

The song came from Paul Kelly’s 1972 album dirt. It was written by Paul Kelly himself.
Paul Kelly tells you what he sees. When the man on the corner starts hollering about “spare a dime,” you can hear the rhythm of desperation and the echoes of false prophets ringing in your ears. He’s pulling on heartstrings, making promises like candy, and all the while, he’s “stealin’ in the name of the Lord.” It’s a cautionary tale —one that challenges the good and the bad that can come when faith gets mixed up in the hustle of life.

And that hook! When he says, “God’s gonna bless ya,” he’s not mincing words! Paul Kelly's got a way of laying it all on the line, and that rhythm pulls you in, makes you feel motivated , and makes you think about the real purpose of belief. Is it truly about love and community, or is it sometimes about someone cashing in on the vulnerable?

This tune, it’s a masterclass in storytelling through music—a blend of rock and rhythm that had the folks dancing and pondering at the same time. Paul Kelly song Stealing in the Name of the Lord can be characterized as Gospel Blues it incorporates elements of gospel music, including themes of faith and moral struggle, along with the emotional and musical characteristics typical of the blues genre.

So keep your eyes open wide and don’t forget to check out the magic of Paul Kelly. Keep it soulful I’m Gail Nobles and you’re listening to Gospel Blues.

Gospel Blues]]>2211970s,folk,gospelblues,music,musiccommentary,musichistory,paulkelly,r&b,soulfalsefullhttps://www.spreaker.com/episode/mavis-staples-we-shall-not-be-moved-4-15-24-9-47-pm--59481450Story by: Gail Nobles
Keyboardist: Gail Nobles
Vocals: Gail Nobles

Photo: Jalylah Burrell Brooklyn, NY - Mavis Staples
Usage: Wikipedia CC BY-SA 2.0

We Shall Not Be Moved can also be considered a gospel blues song. Gospel blues is a genre that combines elements of traditional African-American gospel music with blues music. We Shall Not Be Moved into this genre with its uplifting lyrics and soulful melody.

 The song is performed by Mavis Staples and is on her seventh studio album titled We’ll Never Turn Back. It was released in 2007. It is a concept album with lyrical themes relating to the Civil Rights Movement of the 1950s and 1960s.

 Mavis and her band performed We Shall Not Be Moved at Chicago Symphony Center in April 2014. She told her story about how they would march all day with Dr. King. She told how they would go into a restaurant and how they would lock arms and sing We Shall Not Be Moved.
 Mavis Staples is a rhythm and blues and gospel singer and civil rights activist. She knows what it's all about. Mavis Rose to fame as a member of her family's band the Staple Singers which she is the last surviving member.

 If you're looking for some gospel blues to listen to, check out Mavis Staples We Shall Not Be Moved. I'm Gail Nobles and you're listening to Gospel Blues.


Gospel Blues]]>https://api.spreaker.com/episode/59481450Tue, 16 Apr 2024 02:00:04 +0000Gail NoblesStory by: Gail Nobles Keyboardist: Gail Nobles Vocals: Gail Nobles Photo: https://www.flickr.com/people/sherealcool/ Brooklyn, NY - https://www.flickr.com/photos/sherealcool/982664796/in/set-72157601246376077/ Usage: Wikipedia...Story by: Gail Nobles
Keyboardist: Gail Nobles
Vocals: Gail Nobles

Photo: Jalylah Burrell Brooklyn, NY - Mavis Staples
Usage: Wikipedia CC BY-SA 2.0

We Shall Not Be Moved can also be considered a gospel blues song. Gospel blues is a genre that combines elements of traditional African-American gospel music with blues music. We Shall Not Be Moved into this genre with its uplifting lyrics and soulful melody.

 The song is performed by Mavis Staples and is on her seventh studio album titled We’ll Never Turn Back. It was released in 2007. It is a concept album with lyrical themes relating to the Civil Rights Movement of the 1950s and 1960s.

 Mavis and her band performed We Shall Not Be Moved at Chicago Symphony Center in April 2014. She told her story about how they would march all day with Dr. King. She told how they would go into a restaurant and how they would lock arms and sing We Shall Not Be Moved.
 Mavis Staples is a rhythm and blues and gospel singer and civil rights activist. She knows what it's all about. Mavis Rose to fame as a member of her family's band the Staple Singers which she is the last surviving member.

 If you're looking for some gospel blues to listen to, check out Mavis Staples We Shall Not Be Moved. I'm Gail Nobles and you're listening to Gospel Blues.


Gospel Blues]]>147gospel,gospelblues,mavisstaples,music,musiccommentary,musichistory,musicnewsfalsefullhttps://www.spreaker.com/episode/b-b-king-ray-charles-10-30-23-12-45-pm--57443708Photos: Wikipedia/Public Domain
Intro by: Gail Nobles

B.B. King and Ray Charles made a song together titled Sinner’s Prayer singing "Lord Have Mercy On Me." If I've done somebody wrong please have mercy. According to the lyrics they would sing about all the things they once had and how bad luck overtook, and how if they've been bad they’d change their ways.

In my opinion, I think B.B. and Ray left us a prayer to cherish singing Sinner’s Prayer. Together their voice & out cry for God's mercy lets you know that we need to stop and talk to the Lord about life when things are going good and when things are going bad.

B.B. and Ray were singing “if I've done somebody wrong have mercy if you please.” There might have been a time when we've done someone wrong and did not realize it. In my opinion, I think a song like Sinner’s Prayer should be handed down to generation to generation. I think it's an important song.B.B. King and Ray Charles have done an awesome good job singing Sinner’s Prayer.

You’re listening to Gospel Blues. I’m your host, Gail Nobles.

Gospel Blues]]>https://api.spreaker.com/episode/57443708Mon, 30 Oct 2023 17:22:02 +0000Gail NoblesPhotos: Wikipedia/Public Domain Intro by: Gail Nobles B.B. King and Ray Charles made a song together titled Sinner’s Prayer singing "Lord Have Mercy On Me." If I've done somebody wrong please have mercy. According to the lyrics they would sing about...Photos: Wikipedia/Public Domain
Intro by: Gail Nobles

B.B. King and Ray Charles made a song together titled Sinner’s Prayer singing "Lord Have Mercy On Me." If I've done somebody wrong please have mercy. According to the lyrics they would sing about all the things they once had and how bad luck overtook, and how if they've been bad they’d change their ways.

In my opinion, I think B.B. and Ray left us a prayer to cherish singing Sinner’s Prayer. Together their voice & out cry for God's mercy lets you know that we need to stop and talk to the Lord about life when things are going good and when things are going bad.

B.B. and Ray were singing “if I've done somebody wrong have mercy if you please.” There might have been a time when we've done someone wrong and did not realize it. In my opinion, I think a song like Sinner’s Prayer should be handed down to generation to generation. I think it's an important song.B.B. King and Ray Charles have done an awesome good job singing Sinner’s Prayer.

You’re listening to Gospel Blues. I’m your host, Gail Nobles.

Gospel Blues]]>120bbking,blues,music,musiccommentary,musichistory,raycharlesfalsefullhttps://www.spreaker.com/episode/the-staple-singers-uncloudy-day-8-3-23-8-18-pm--56362767Keyboardist: Gail Nobles
Vocals: Gail Nobles

Photo: Wikipedia Public Domain

You are listening to Gospel Blues. I am your host Gail Nobles. Today’s topic: The Staple Singers Uncloudy Day and Unclouded Day is a collection of recordings between 1956 in 1959 by The Staple Singers many of which that were originally released as 10-inch 78 RPM sheliac disc, that became the first 12 inch Gospel LP released by the Vee-Jay label.


Uncloudy Day, also known as Unclouded Day is a gospel song. The Staple Singers covered this song in 1956, 16-year old Mavis Staples provided deep- voice soulful vocals that most assume had come from an older woman expressing great experience or even a man. It was also covered by the outlaw country singer Willie Nelson in 1977 featured on his album The Troublemaker.

The lyrics to the song Uncloudy Day say: Oh they tell me of a home far beyond the skies, Oh they tell me of a home far away; Oh they tell me of a home we're no storm clouds rise, Oh they tell me of an Uncloudy Day.

The home is heaven. When you hear the Staple Singers sing the song, it sounds like gospel blues because of the sound of the guitar. ..

Gospel Blues]]>https://api.spreaker.com/episode/56362767Fri, 04 Aug 2023 00:34:24 +0000Gail NoblesIntro by: Gail Nobles Keyboardist: Gail Nobles Vocals: Gail Nobles Photo: Wikipedia Public Domain You are listening to Gospel Blues. I am your host Gail Nobles. Today’s topic: The Staple Singers Uncloudy Day and Unclouded Day is a collection of...Keyboardist: Gail Nobles
Vocals: Gail Nobles

Photo: Wikipedia Public Domain

You are listening to Gospel Blues. I am your host Gail Nobles. Today’s topic: The Staple Singers Uncloudy Day and Unclouded Day is a collection of recordings between 1956 in 1959 by The Staple Singers many of which that were originally released as 10-inch 78 RPM sheliac disc, that became the first 12 inch Gospel LP released by the Vee-Jay label.


Uncloudy Day, also known as Unclouded Day is a gospel song. The Staple Singers covered this song in 1956, 16-year old Mavis Staples provided deep- voice soulful vocals that most assume had come from an older woman expressing great experience or even a man. It was also covered by the outlaw country singer Willie Nelson in 1977 featured on his album The Troublemaker.

The lyrics to the song Uncloudy Day say: Oh they tell me of a home far beyond the skies, Oh they tell me of a home far away; Oh they tell me of a home we're no storm clouds rise, Oh they tell me of an Uncloudy Day.

The home is heaven. When you hear the Staple Singers sing the song, it sounds like gospel blues because of the sound of the guitar. ..

Gospel Blues]]>146gospel,gospelblues,music,musiccommentary,musichistory,musicnews,soul,staplesingersfalsefullhttps://www.spreaker.com/episode/sharon-jones-the-dap-kings-6-26-23-5-23-pm--55159097Song: Call on God
Song by: Sharon Jones

Podcast vocals: Gail Nobles
Story by: Gail Nobles


Hi! I’m Gail Nobles, and you’re listening to The Gospel Blues Show.

What is gospel blues? According to Wikipedia, it is a form of blues based on Gospel Music that has been around since the inception of blues music. It combines evangelistic lyrics with blues instrumentation, often blues guitar accompaniment.

Have you ever heard of Sharon Jones and the Dap-Kings? They are under the R&B category, but have a song titled “Call on God”. I can hear the Gospel, soul, & the blues.

You know your life gets filled with so much sorrow And it seems like there’s no tomorrow In these times that we live in today Seems like everything is in your way. You just call on God And he will provide ….

In the lyrics, it’s simply gospel. Sharon Jones was the lead singer of the group. The song is from the album: Soul of a Woman. Sharon Jones & The Dap-Kings. Call on God was a song that was written by Sharon Jones. I don’t see Sharon Jones under the Gospel category. Her genres are Soul, Retro-Soul, R&B, ; Funk. I think she could be written under Gospel or Gospel Blues. Either one.

It is said Sharon wanted to do more gospel songs. However, she passed away. When Sharon wrote the song Call on God, she must have felt God in her soul. It’s good to know she had him on her mind. The way she had sung the song sounds as if he was deeply felt. It sounds as if the song could reach someone in any category in all directions.

Sharon Jones wrote the song Call on God in the late 1970s for E.L. Fields’ Gospel Wonders, which is a choir at the Universal Church of God in New York City that Jones sang with throughout most of her life. The song was actually recorded in 2007 during sessions for the Sharon & the Dap-Kings album 100 Days, 100 Nights. When it was saved for a gospel album, they never got around to recording. Sharon played the piano for the song and sang her parts with the band.

I’m Gail Nobles. Today’s topic: Sharon Jones & the Dap-Kings.

Gospel Blues]]>https://api.spreaker.com/episode/55159097Mon, 26 Jun 2023 21:56:57 +0000Gail NoblesSong: Call on God Song by: Sharon Jones Podcast vocals: Gail Nobles Story by: Gail Nobles Hi! I’m Gail Nobles, and you’re listening to The Gospel Blues Show. What is gospel blues? According to Wikipedia, it is a form of blues based on Gospel Music...Song: Call on God
Song by: Sharon Jones

Podcast vocals: Gail Nobles
Story by: Gail Nobles


Hi! I’m Gail Nobles, and you’re listening to The Gospel Blues Show.

What is gospel blues? According to Wikipedia, it is a form of blues based on Gospel Music that has been around since the inception of blues music. It combines evangelistic lyrics with blues instrumentation, often blues guitar accompaniment.

Have you ever heard of Sharon Jones and the Dap-Kings? They are under the R&B category, but have a song titled “Call on God”. I can hear the Gospel, soul, & the blues.

You know your life gets filled with so much sorrow And it seems like there’s no tomorrow In these times that we live in today Seems like everything is in your way. You just call on God And he will provide ….

In the lyrics, it’s simply gospel. Sharon Jones was the lead singer of the group. The song is from the album: Soul of a Woman. Sharon Jones & The Dap-Kings. Call on God was a song that was written by Sharon Jones. I don’t see Sharon Jones under the Gospel category. Her genres are Soul, Retro-Soul, R&B, ; Funk. I think she could be written under Gospel or Gospel Blues. Either one.

It is said Sharon wanted to do more gospel songs. However, she passed away. When Sharon wrote the song Call on God, she must have felt God in her soul. It’s good to know she had him on her mind. The way she had sung the song sounds as if he was deeply felt. It sounds as if the song could reach someone in any category in all directions.

Sharon Jones wrote the song Call on God in the late 1970s for E.L. Fields’ Gospel Wonders, which is a choir at the Universal Church of God in New York City that Jones sang with throughout most of her life. The song was actually recorded in 2007 during sessions for the Sharon & the Dap-Kings album 100 Days, 100 Nights. When it was saved for a gospel album, they never got around to recording. Sharon played the piano for the song and sang her parts with the band.

I’m Gail Nobles. Today’s topic: Sharon Jones & the Dap-Kings.

Gospel Blues]]>243gospel,gospelblues,gospelmusichistory,gospelmusicnews,music,musiccommentary,musichistory,musicnews,sharonjones,sharonjones&dapkings,thedapkings,tributesfalsefull