https://www.spreaker.com/show/show-dont-tell-micro-budget-filmmakingenTV & FilmCopyright Noam Krollhttps://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d13f89e884537189f8742264eab84f72.jpghttps://www.spreaker.com/show/show-dont-tell-micro-budget-filmmakingFri, 24 Jul 2026 18:42:10 +0000Noam KrollNoam Krollnoamkroll@gmail.comEvery Thursday, Noam shares valuable insight into the world of micro-budget filmmaking, geared towards true DIY filmmakers looking to get out there and create their own films.trueepisodichttps://www.spreaker.com/episode/behind-the-scenes-writing-my-first-musical-score--73155062Crow.

Topics covered include:

• Why the advice to "specialize in one area" was never right for me
• Editing the entire rough cut with zero music in 10 to 20 second chunks
• Locking in sound design before any temp score so music never becomes a crutch
• Scoring all five cues out of order, starting with the final cue and working backwards
• Where the process stands now: rough guitar demos down, next up is re-recording
• Much more!

Big thanks to Soundstripe for executive producing the film and sponsoring this episode.

Check out their new Soundstripe LIVE tool at soundstripe.com/noam

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/73155062Fri, 24 Jul 2026 18:41:45 +0000Noam KrollIn this solo episode I break down the process of writing a musical score for the first time on my upcoming short film Crow. Topics covered include: - Why the advice to "specialize in one area" was never right for me - Editing the entire rough cut...Crow.

Topics covered include:

• Why the advice to "specialize in one area" was never right for me
• Editing the entire rough cut with zero music in 10 to 20 second chunks
• Locking in sound design before any temp score so music never becomes a crutch
• Scoring all five cues out of order, starting with the final cue and working backwards
• Where the process stands now: rough guitar demos down, next up is re-recording
• Much more!

Big thanks to Soundstripe for executive producing the film and sponsoring this episode.

Check out their new Soundstripe LIVE tool at soundstripe.com/noam

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>726falsefullhttps://www.spreaker.com/episode/shooting-a-4-000-feature-with-no-crew-at-61-mixing-emmy-winning-tv-sound-why-write-the-film-you-can-shoot-with-mark-hensley--73032831
Mark shares how he found the script through a Facebook writing group, cut a 200-page draft down to something shootable, and built a workflow around editing each scene the night it was shot so he and his actors could review the footage and reshoot anything that wasn't working.

We also dive deep into his remarkable background in sound, from recording music at the Record Plant in Sausalito to mixing major network TV shows in LA, and the practical audio techniques every indie filmmaker should steal from his playbook.

Topics covered include:

• Why shooting slowly over a year with no crew is a creative advantage
• Operating as a one man band with the S1H, an RS3 Pro gimbal, and lavs into camera
• Why no single plugin fixes bad dialogue, and rescuing scenes with tools like DX Revive
• Having actors re-run scenes as audio-only safety takes to patch dropouts in post
• When emotional production sound beats technically perfect ADR
• Shooting guerrilla style in LA, and why a boom mic is the one giveaway to avoid
• Knowing your coverage in advance instead of shooting every scene wide-medium-close
• Renting vs. buying gear, and why becoming a filmmaker means owning a camera
• Why anybody can become a filmmaker, even starting at 55 with zero experience

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/73032831Fri, 17 Jul 2026 19:49:35 +0000Noam KrollIn this episode, I'm joined by filmmaker and re-recording mixer Mark Hensley to talk about his micro-budget feature Clown and Out in Valley Village, which he shot guerrilla style over the course of a year with no crew, a cast of two, and a total...
Mark shares how he found the script through a Facebook writing group, cut a 200-page draft down to something shootable, and built a workflow around editing each scene the night it was shot so he and his actors could review the footage and reshoot anything that wasn't working.

We also dive deep into his remarkable background in sound, from recording music at the Record Plant in Sausalito to mixing major network TV shows in LA, and the practical audio techniques every indie filmmaker should steal from his playbook.

Topics covered include:

• Why shooting slowly over a year with no crew is a creative advantage
• Operating as a one man band with the S1H, an RS3 Pro gimbal, and lavs into camera
• Why no single plugin fixes bad dialogue, and rescuing scenes with tools like DX Revive
• Having actors re-run scenes as audio-only safety takes to patch dropouts in post
• When emotional production sound beats technically perfect ADR
• Shooting guerrilla style in LA, and why a boom mic is the one giveaway to avoid
• Knowing your coverage in advance instead of shooting every scene wide-medium-close
• Renting vs. buying gear, and why becoming a filmmaker means owning a camera
• Why anybody can become a filmmaker, even starting at 55 with zero experience

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>5175falsefullhttps://www.spreaker.com/episode/partnering-with-joe-swanberg-shooting-a-puppet-horror-feature-in-11-days-with-aidan-leary-c-r-thompson--72832850Monkey's Magic Merry Go Round. A micro-budget horror feature pitched as Mr. Rogers' Neighborhood meets Evil Dead 2, produced by mumblecore legend Joe Swanberg.

Throught the episode Aidan and C.R. share the wild origin story of the film, from a screenplay written in just two weeks, to them living in the back of Joe Swanberg's video store just two months later after he bought it.

We also get into the nuts and bolts of the 11-day shoot: directing without a first AD, running a crew of about a dozen people inside the Chicago Children's Theater, hiring set builders straight off PBS, and their lightning fast post-production process.

Topics covered include:

• Turning a childhood nightmare about an evil monkey puppet into a feature
• Four-act structure vs. three-act structure, and the South Park method
• Using Joe Swanberg's own pitching technique to sell him the script
• Joe's best advice: the only wrong decision is no decision
• Intentional continuity breaks as a creative safety net
• Editing lessons: temp sound effects, test screenings, and killing your darlings
• Why editors often make the best directors
• Much more!

Links from this episode:

Film on Instagram

Aidan Leary on Instagram

C.R. Thompson on Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/72832850Sun, 05 Jul 2026 23:32:24 +0000Noam KrollIn this episode, I'm joined by Aidan Leary and C.R. Thompson, the writing team behind Monkey's Magic Merry Go Round. A micro-budget horror feature pitched as Mr. Rogers' Neighborhood meets Evil Dead 2, produced by mumblecore legend Joe Swanberg....Monkey's Magic Merry Go Round. A micro-budget horror feature pitched as Mr. Rogers' Neighborhood meets Evil Dead 2, produced by mumblecore legend Joe Swanberg.

Throught the episode Aidan and C.R. share the wild origin story of the film, from a screenplay written in just two weeks, to them living in the back of Joe Swanberg's video store just two months later after he bought it.

We also get into the nuts and bolts of the 11-day shoot: directing without a first AD, running a crew of about a dozen people inside the Chicago Children's Theater, hiring set builders straight off PBS, and their lightning fast post-production process.

Topics covered include:

• Turning a childhood nightmare about an evil monkey puppet into a feature
• Four-act structure vs. three-act structure, and the South Park method
• Using Joe Swanberg's own pitching technique to sell him the script
• Joe's best advice: the only wrong decision is no decision
• Intentional continuity breaks as a creative safety net
• Editing lessons: temp sound effects, test screenings, and killing your darlings
• Why editors often make the best directors
• Much more!

Links from this episode:

Film on Instagram

Aidan Leary on Instagram

C.R. Thompson on Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3856falsefullhttps://www.spreaker.com/episode/from-80-acting-credits-to-producing-her-first-feature-plus-how-to-actually-crowdfund-a-film-on-wefunder-with-hannah-barefoot--72708370NCIS: Origins, our new short film Crow, and the leap into producing and crowdfunding her own first feature, Wyoming Christmas Carol.

Throughout the interview Hannah breaks down how she went from a string of day jobs to 80 film and TV credits, and how that's now led her into feature filmmaking.

We also get deep into the producer side of indie filmmaking. Hannah shares exactly how she's financing Wyoming Christmas Carol through a WeFunder equity crowdfunding campaign, why fiscal sponsorship matters for filmmakers, and the practical steps for building pitch materials that actually convert.

Topics covered include:

• Hannah's path from small-town Wyoming to 80+ film and TV credits
• Burning out, quitting acting, and finding her way back in her late twenties
• Landing a recurring role on NCIS: Origins
• Why the "small" no-budget projects are so often the ones that change everything
• Financing a feature through WeFunder equity crowdfunding
• Fiscal sponsorship, 501(c)(3)s, and why they matter for indie filmmakers
• Shooting in-character photo shoots to sell a project more effectively
• Much more!

Links from the show:

Wyoming Christmas Carol - WeFunder

Wyoming Christmas Carol - Instagram

Hannah Barefoot - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/72708370Fri, 26 Jun 2026 23:30:40 +0000Noam KrollIn this episode, I'm joined by actor and filmmaker Hannah Barefoot to talk about building a career as a working actor, her recurring role on NCIS: Origins, our new short film Crow, and the leap into producing and crowdfunding her own first...NCIS: Origins, our new short film Crow, and the leap into producing and crowdfunding her own first feature, Wyoming Christmas Carol.

Throughout the interview Hannah breaks down how she went from a string of day jobs to 80 film and TV credits, and how that's now led her into feature filmmaking.

We also get deep into the producer side of indie filmmaking. Hannah shares exactly how she's financing Wyoming Christmas Carol through a WeFunder equity crowdfunding campaign, why fiscal sponsorship matters for filmmakers, and the practical steps for building pitch materials that actually convert.

Topics covered include:

• Hannah's path from small-town Wyoming to 80+ film and TV credits
• Burning out, quitting acting, and finding her way back in her late twenties
• Landing a recurring role on NCIS: Origins
• Why the "small" no-budget projects are so often the ones that change everything
• Financing a feature through WeFunder equity crowdfunding
• Fiscal sponsorship, 501(c)(3)s, and why they matter for indie filmmakers
• Shooting in-character photo shoots to sell a project more effectively
• Much more!

Links from the show:

Wyoming Christmas Carol - WeFunder

Wyoming Christmas Carol - Instagram

Hannah Barefoot - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3436falsefullhttps://www.spreaker.com/episode/how-to-make-a-sub-500k-feature-in-14-days-with-a-crew-of-5-an-interview-with-filmmaker-cory-thibert--72604181Mild Life, a coming-of-age film that premiered at Woodstock Film Festival and went on to win Best Canadian Feature at the Victoria Film Festival.

Mild Life follows Lawrence, a drummer whose world gets thrown off beat when his girlfriend wants to leave their hometown just as he's stepping into a caregiver role for his parents, who both live with cerebral palsy. The story is drawn directly from Cory's own life - both of his parents have cerebral palsy, and he cast actors with cerebral palsy to play the parents for authentic representation.

Throughout the inteview we discuss the challenges of going this personal with your work, why "the more specific you are, the more universal you are" advice is true, and how to mine your own experience to create more meaningful stories.

We also break down his 14 day shoot, 98 page script, 5 person skeleton crew, and the 2 camera / always-rolling coverage strategy that helped him reach the finish line.

Topics covered include:

• Finding a personal way into your stories - and how to avoid self-indulgence
• Authentic disability representation on screen and casting actors with cerebral palsy
• Coming up as a filmmaker without family money or a financial safety net
• Making a feature between two kids' births while holding down a day job
• Running a five-person skeleton crew and shooting two cameras at all times
• Directing and starring at once - how to balance wearing multiple hats
• The Canada Council grant that funded post after the shoot wrapped
• Approaching distribution with a tiered strategy (Crave, Hoopla, Kanopy)
• Much more

Links from the show:


Mild Life - Website

Mild Life - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/72604181Fri, 19 Jun 2026 19:54:48 +0000Noam KrollIn this episode, I'm joined by writer-director-actor Cory Thibert to talk about his debut feature Mild Life, a coming-of-age film that premiered at Woodstock Film Festival and went on to win Best Canadian Feature at the Victoria Film Festival. Mild...Mild Life, a coming-of-age film that premiered at Woodstock Film Festival and went on to win Best Canadian Feature at the Victoria Film Festival.

Mild Life follows Lawrence, a drummer whose world gets thrown off beat when his girlfriend wants to leave their hometown just as he's stepping into a caregiver role for his parents, who both live with cerebral palsy. The story is drawn directly from Cory's own life - both of his parents have cerebral palsy, and he cast actors with cerebral palsy to play the parents for authentic representation.

Throughout the inteview we discuss the challenges of going this personal with your work, why "the more specific you are, the more universal you are" advice is true, and how to mine your own experience to create more meaningful stories.

We also break down his 14 day shoot, 98 page script, 5 person skeleton crew, and the 2 camera / always-rolling coverage strategy that helped him reach the finish line.

Topics covered include:

• Finding a personal way into your stories - and how to avoid self-indulgence
• Authentic disability representation on screen and casting actors with cerebral palsy
• Coming up as a filmmaker without family money or a financial safety net
• Making a feature between two kids' births while holding down a day job
• Running a five-person skeleton crew and shooting two cameras at all times
• Directing and starring at once - how to balance wearing multiple hats
• The Canada Council grant that funded post after the shoot wrapped
• Approaching distribution with a tiered strategy (Crave, Hoopla, Kanopy)
• Much more

Links from the show:


Mild Life - Website

Mild Life - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3239falsefullhttps://www.spreaker.com/episode/making-a-micro-budget-feature-in-15-days-directing-rachel-dratch-building-a-20-year-creative-brand-with-jason-laurits--72490900Love's Company (starring Rachel Dratch), and the unique two-decade creative journey that led him to directing his first feature in his 40s.

Jason breaks down how the film started with a single absurd thought ("what would happen if you actually kidnapped a celebrity?") and grew out of his love for Misery, Sunset Boulevard, and Ruthless People.

He shares how he taught himself to edit in order to cut a proof-of-concept teaser that he used to raise money, attract a team, and ultimately land his cast.We also get into the realities of shooting a 95-page feature in just 15 days on a micro-budget in Louisiana, how his line producer helped him build a crew from scratch in New Orleans, landing Rachel Dratch through a single well-placed connection, and the constant on-set math of combining and cutting shots to never once go over schedule.

Topics covered include:

• Using a teaser, poster & pitch deck to raise money for a feature film
• How to shoot a 95-page feature in just 15 days
• Combining and cutting shots on the fly to never go over schedule
• What 20+ years running his brand Paste taught him about filmmaking
• Why getting into directing in your 40s can be an advantage
• The "step-by-step vs. chasing the clouds" philosophy
• Trusting your voice and letting go of fleeting external goals
• Much More!

Links from the show:

Love's Company - Trailer

Love's Company - Instagram

Jason's Brand - Paste

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/72490900Fri, 12 Jun 2026 00:45:31 +0000Noam KrollIn this episode, I'm joined by filmmaker and graphic artist Jason Laurits to talk about his debut feature Love's Company (starring Rachel Dratch), and the unique two-decade creative journey that led him to directing his first feature in his 40s....Love's Company (starring Rachel Dratch), and the unique two-decade creative journey that led him to directing his first feature in his 40s.

Jason breaks down how the film started with a single absurd thought ("what would happen if you actually kidnapped a celebrity?") and grew out of his love for Misery, Sunset Boulevard, and Ruthless People.

He shares how he taught himself to edit in order to cut a proof-of-concept teaser that he used to raise money, attract a team, and ultimately land his cast.We also get into the realities of shooting a 95-page feature in just 15 days on a micro-budget in Louisiana, how his line producer helped him build a crew from scratch in New Orleans, landing Rachel Dratch through a single well-placed connection, and the constant on-set math of combining and cutting shots to never once go over schedule.

Topics covered include:

• Using a teaser, poster & pitch deck to raise money for a feature film
• How to shoot a 95-page feature in just 15 days
• Combining and cutting shots on the fly to never go over schedule
• What 20+ years running his brand Paste taught him about filmmaking
• Why getting into directing in your 40s can be an advantage
• The "step-by-step vs. chasing the clouds" philosophy
• Trusting your voice and letting go of fleeting external goals
• Much More!

Links from the show:

Love's Company - Trailer

Love's Company - Instagram

Jason's Brand - Paste

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>4143falsefullhttps://www.spreaker.com/episode/getting-a-5k-feature-into-tiff-going-viral-with-an-80-second-short-film-with-nick-toti--72026312 Dead Grandma, the TIFF Midnight Madness sensation It Doesn't Get Any Better Than This, and the upcoming feature Homebody.

Throughout the episode Nick breaks down the decade-long origin story of Dead Grandma, from an improvised game he invented while working as a nursery school teacher in Austin to a 35mm short film that blew up in Variety and landed him on this podcast.

We also discuss how his $5,000 found footage feature It Doesn't Get Any Better Than This unexpectedly landed in TIFF's Midnight Madness, the unconventional theatrical-only release strategy he's used to screen it across multiple continents without a distributor, and why Nick is now trying to convince A24 or Blumhouse to fund a studio remake of Homebody.

Topics covered include:

• The real-life origin of Dead Grandma and how it developed over a deade
• Co-directing with his wife and creative partner Rachel Kempf
• Shooting on 35mm film - and everything that went wrong before they even rolled
• How It Doesn't Get Any Better Than This got into TIFF Midnight Madness
• The aesthetic of Homebody: making a movie that feels like a lo-fi demo tape
• Actively pursuing failure as a creative strategy - and why it eventually worked
• Nick's 25-hour real-time experimental documentary project
• Die Die Books - the horror film criticism press Nick and Rachel run
• Much more!

Links from the show:

Dead Grandma Short Film

Homebody Trailer

Die Die Books

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/72026312Thu, 14 May 2026 21:05:22 +0000Noam KrollIn this episode I'm joined by filmmaker Nick Toti - one half of the DIY filmmaking duo behind the viral 80-second short Dead Grandma, the TIFF Midnight Madness sensation It Doesn't Get Any Better Than This, and the upcoming feature Homebody.... Dead Grandma, the TIFF Midnight Madness sensation It Doesn't Get Any Better Than This, and the upcoming feature Homebody.

Throughout the episode Nick breaks down the decade-long origin story of Dead Grandma, from an improvised game he invented while working as a nursery school teacher in Austin to a 35mm short film that blew up in Variety and landed him on this podcast.

We also discuss how his $5,000 found footage feature It Doesn't Get Any Better Than This unexpectedly landed in TIFF's Midnight Madness, the unconventional theatrical-only release strategy he's used to screen it across multiple continents without a distributor, and why Nick is now trying to convince A24 or Blumhouse to fund a studio remake of Homebody.

Topics covered include:

• The real-life origin of Dead Grandma and how it developed over a deade
• Co-directing with his wife and creative partner Rachel Kempf
• Shooting on 35mm film - and everything that went wrong before they even rolled
• How It Doesn't Get Any Better Than This got into TIFF Midnight Madness
• The aesthetic of Homebody: making a movie that feels like a lo-fi demo tape
• Actively pursuing failure as a creative strategy - and why it eventually worked
• Nick's 25-hour real-time experimental documentary project
• Die Die Books - the horror film criticism press Nick and Rachel run
• Much more!

Links from the show:

Dead Grandma Short Film

Homebody Trailer

Die Die Books

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>4502falsefullhttps://www.spreaker.com/episode/making-a-2000-feature-landing-vanishing-angle-getting-into-the-blacklist-project-lab-with-nathan-xia--71930604 Adam's Song.

Throughout the conversation Nathan shares how he fell into acting out of necessity while co-directing a scrappy COVID road trip feature with his roommates, and how that unexpected pivot eventually led to representation, festival success, and a role in Danny Madden's Downbeat.

He also breaks down the relentless hustle behind landing his producer at Vanishing Angle, getting into the Blacklist Project Lab after 14 rejections, and signing with management company M88 - all before turning 26.

Topics covered include:

• How Nathan discovered filmmaking through a flip camera and YouTube sketches
• Making a $2,000 road trip feature across six states during COVID
• Falling into acting out of necessity - and finding it on the festival circuit
• Cold-emailing his way to representation at Momentum Talent Agency
• How attending festivals (not just submitting) changed his career
• Landing veteran indie producer Benjamin Wiesner through responsiveness and rewrites
• Going 0-for-14 on labs and fellowships before getting into the Blacklist Project Lab
• Developing the feature version of Adam's Song and scouting in West Texas
• Why being a writer-director-actor gives him a unique advantage in attaching talent
• Much more!

Follow Nathan on Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday
]]>https://api.spreaker.com/episode/71930604Fri, 08 May 2026 22:02:29 +0000Noam KrollIn this episode, I'm joined by actor, filmmaker, and musician Nathan Xia to talk about his unconventional path into the industry - from making YouTube sketches with a flip camera to acting in studio projects, getting repped as both an actor and... Adam's Song.

Throughout the conversation Nathan shares how he fell into acting out of necessity while co-directing a scrappy COVID road trip feature with his roommates, and how that unexpected pivot eventually led to representation, festival success, and a role in Danny Madden's Downbeat.

He also breaks down the relentless hustle behind landing his producer at Vanishing Angle, getting into the Blacklist Project Lab after 14 rejections, and signing with management company M88 - all before turning 26.

Topics covered include:

• How Nathan discovered filmmaking through a flip camera and YouTube sketches
• Making a $2,000 road trip feature across six states during COVID
• Falling into acting out of necessity - and finding it on the festival circuit
• Cold-emailing his way to representation at Momentum Talent Agency
• How attending festivals (not just submitting) changed his career
• Landing veteran indie producer Benjamin Wiesner through responsiveness and rewrites
• Going 0-for-14 on labs and fellowships before getting into the Blacklist Project Lab
• Developing the feature version of Adam's Song and scouting in West Texas
• Why being a writer-director-actor gives him a unique advantage in attaching talent
• Much more!

Follow Nathan on Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday
]]>4371falsefullhttps://www.spreaker.com/episode/building-a-160k-youtube-channel-making-a-1980s-period-feature-on-a-micro-budget--71759704Casey Makes A Mixtape, his long-running channel iPhoneographers, and his highly entrepreneurial approach to building a sustainable filmmaking career.

Throughout the interview Blake shares how he got his start selling work to Warner Bros. after finding an audience on YouTube, and why he believes every filmmaker should consider having a YouTube channel - even if they don’t want to become a “YouTuber.”We also dig into the making of Casey Makes A Mixtape, a 1981-set coming-of-age feature that Blake made on a micro-budget.

He breaks down how he wrote the script around resources he already had access to, directed and DP’d the film himself, used a small crew, incorporated iPhone footage alongside RED Komodo, and even licensed well-known songs on a tight indie budget.

Topics covered include:

• Why indie filmmakers are inherently entrepreneurs
• Blake’s early success in web series and selling a show to Warner Bros.
• How YouTube has changed since the early days of online video
• How Casey Makes A Mixtape evolved from an iPhone-shot short film
• Making a period piece on a low budget
• Directing and DP’ing your own feature
• Working with a small crew of roughly 10 people
• Licensing famous songs for an indie film
• Much More!

Links from the show:

Casey Makes A Mixtape - Film

Casey Makes A Mixtape - Trailer

iPhoneographers - YouTube

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/71759704Wed, 29 Apr 2026 23:25:07 +0000Noam KrollIn this episode, I’m joined by filmmaker and YouTuber Blake Calhoun to talk about his new feature film Casey Makes A Mixtape, his long-running channel iPhoneographers, and his highly entrepreneurial approach to building a sustainable filmmaking...Casey Makes A Mixtape, his long-running channel iPhoneographers, and his highly entrepreneurial approach to building a sustainable filmmaking career.

Throughout the interview Blake shares how he got his start selling work to Warner Bros. after finding an audience on YouTube, and why he believes every filmmaker should consider having a YouTube channel - even if they don’t want to become a “YouTuber.”We also dig into the making of Casey Makes A Mixtape, a 1981-set coming-of-age feature that Blake made on a micro-budget.

He breaks down how he wrote the script around resources he already had access to, directed and DP’d the film himself, used a small crew, incorporated iPhone footage alongside RED Komodo, and even licensed well-known songs on a tight indie budget.

Topics covered include:

• Why indie filmmakers are inherently entrepreneurs
• Blake’s early success in web series and selling a show to Warner Bros.
• How YouTube has changed since the early days of online video
• How Casey Makes A Mixtape evolved from an iPhone-shot short film
• Making a period piece on a low budget
• Directing and DP’ing your own feature
• Working with a small crew of roughly 10 people
• Licensing famous songs for an indie film
• Much More!

Links from the show:

Casey Makes A Mixtape - Film

Casey Makes A Mixtape - Trailer

iPhoneographers - YouTube

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3483falsefullhttps://www.spreaker.com/episode/making-a-4000-feature-in-12-days-and-releasing-through-tubi--70611062Death Cipher - a contained thriller shot in just 12 days for only $4,000.

Throughout the interview, Wade shares how multiple failed feature attempts led him to radically simplify his process, why he embraced a single-location concept shot in his own apartment, and how limitations ultimately became the film’s greatest creative advantage.

We also dive into the realities of making a feature with almost no money, wearing multiple hats as writer/director/cinematographer/editor, navigating festival rejection, finding distribution through Filmhub and Tubi, and much more:

• Why several failed feature attempts led to Death Cipher 
• The mindset shift that led Wade to design a film around his resources
• Shooting the film over weekends and treating each room like a company move
• Creating props, puzzle elements, websites, and pre-shot video material
• How prioritizing actor comfort and a relaxed set environment improved the work
• What changed in post, including reshoots after early test screenings
• How Death Cipher landed on Tubi through Filmhub

Links from the show:

Death Cipher - Tubi

Death Cipher - Instagram

Wade Patterson - Instagram 

Sign up for my newsletter for exclusive filmmaking insight each Sunday
]]>https://api.spreaker.com/episode/70611062Thu, 12 Mar 2026 17:05:38 +0000Noam KrollIn this episode, I sit down with filmmaker Wade Patterson to discuss his micro-budget feature Death Cipher - a contained thriller shot in just 12 days for only $4,000. Throughout the interview, Wade shares how multiple failed feature attempts led him...Death Cipher - a contained thriller shot in just 12 days for only $4,000.

Throughout the interview, Wade shares how multiple failed feature attempts led him to radically simplify his process, why he embraced a single-location concept shot in his own apartment, and how limitations ultimately became the film’s greatest creative advantage.

We also dive into the realities of making a feature with almost no money, wearing multiple hats as writer/director/cinematographer/editor, navigating festival rejection, finding distribution through Filmhub and Tubi, and much more:

• Why several failed feature attempts led to Death Cipher 
• The mindset shift that led Wade to design a film around his resources
• Shooting the film over weekends and treating each room like a company move
• Creating props, puzzle elements, websites, and pre-shot video material
• How prioritizing actor comfort and a relaxed set environment improved the work
• What changed in post, including reshoots after early test screenings
• How Death Cipher landed on Tubi through Filmhub

Links from the show:

Death Cipher - Tubi

Death Cipher - Instagram

Wade Patterson - Instagram 

Sign up for my newsletter for exclusive filmmaking insight each Sunday
]]>3736falsefullhttps://www.spreaker.com/episode/getting-a-75k-feature-on-hbo-selling-a-video-agency-for-17mm-with-stefan-van-de-graaff--70351696Simmer landed on HBO after going viral on Facebook. Stefan also co-founded a video agency that grew from a two-person team into a 100-employee business before selling for $17 million, which we discuss at length.

Throughout the episode we talk about Stefan’s unconventional path - from Midwest filmmaker to running a digial advertising business. We also cover how his commercial production work became the foundation for financing and producing indie features, and what it took to scale from a scrappy first feature to a $1M international production.

Topics covered include:

• How uploading Simmer to Facebook led to 1M views and sales agent interest
• How indie films without stars can land on major platforms like HBO
• Financing a micro-budget feature with personal funds, partners, and partial fundraising
• The jump from a $75K film to a $1M feature using tax incentives, grants, and talent deals
• Why having the right producer dramatically increases credibility with agents and financiers
• Lessons from building and selling an ad agency - and why strategy beats fulfillment
• How reducing friction (locations, permits, crew, logistics) makes indie filmmaking possible
• Why building an audience can be a more reliable path than the traditional Hollywood ladder

Links from the show:

Stefan - Instagram

One of Us - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/70351696Sat, 28 Feb 2026 00:21:33 +0000Noam KrollIn this episode I'm joined by filmmaker and entrepreneur Stefan van de Graaff, whose $75,000 micro-budget feature Simmer landed on HBO after going viral on Facebook. Stefan also co-founded a video agency that grew from a two-person team into a...Simmer landed on HBO after going viral on Facebook. Stefan also co-founded a video agency that grew from a two-person team into a 100-employee business before selling for $17 million, which we discuss at length.

Throughout the episode we talk about Stefan’s unconventional path - from Midwest filmmaker to running a digial advertising business. We also cover how his commercial production work became the foundation for financing and producing indie features, and what it took to scale from a scrappy first feature to a $1M international production.

Topics covered include:

• How uploading Simmer to Facebook led to 1M views and sales agent interest
• How indie films without stars can land on major platforms like HBO
• Financing a micro-budget feature with personal funds, partners, and partial fundraising
• The jump from a $75K film to a $1M feature using tax incentives, grants, and talent deals
• Why having the right producer dramatically increases credibility with agents and financiers
• Lessons from building and selling an ad agency - and why strategy beats fulfillment
• How reducing friction (locations, permits, crew, logistics) makes indie filmmaking possible
• Why building an audience can be a more reliable path than the traditional Hollywood ladder

Links from the show:

Stefan - Instagram

One of Us - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3636falsefullhttps://www.spreaker.com/episode/how-an-oscar-nominated-filmmaker-shot-a-60k-boxing-feature-with-production-value--70161321Beatdown - a boxing drama made for just $60,000.

Throughout the interview, Curren shares how his background in vérité documentary shaped the film’s style, why he cast real fighters and non-actors, and how they filmed key fight scenes inside a live event with 4,000 spectators.

We also dive into the practical realities of transitioning from documentary to narrative, self-financing a feature for under $60K, navigating today’s distribution landscape, and tons more:

• Why The Wrestler was a key stylistic reference for Beatdown
• The doc-to-narrative transition: what gets easier, what gets harder
• Using non-actors (real boxing personalities) without losing story control
• Shooting inside a real “Toughman” event with 4,000 extras and a tiny window to film
• How he sold two prior films to Netflix, and what it took to break through
• A practical cinematography mindset shift that instantly elevates visuals

Links from the show:

Beatdown - Full Film on YouTube

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/70161321Thu, 19 Feb 2026 22:57:48 +0000Noam KrollIn this episode, I sit down with Academy Award nominee and ASC Award-winner Curren Sheldon to discuss his gritty new narrative feature Beatdown - a boxing drama made for just $60,000. Throughout the interview, Curren shares how his background in...Beatdown - a boxing drama made for just $60,000.

Throughout the interview, Curren shares how his background in vérité documentary shaped the film’s style, why he cast real fighters and non-actors, and how they filmed key fight scenes inside a live event with 4,000 spectators.

We also dive into the practical realities of transitioning from documentary to narrative, self-financing a feature for under $60K, navigating today’s distribution landscape, and tons more:

• Why The Wrestler was a key stylistic reference for Beatdown
• The doc-to-narrative transition: what gets easier, what gets harder
• Using non-actors (real boxing personalities) without losing story control
• Shooting inside a real “Toughman” event with 4,000 extras and a tiny window to film
• How he sold two prior films to Netflix, and what it took to break through
• A practical cinematography mindset shift that instantly elevates visuals

Links from the show:

Beatdown - Full Film on YouTube

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>2863falsefullhttps://www.spreaker.com/episode/teacher-s-pet-feature-release-q-a-with-noam-kroll-luke-barnett--69851350Teacher’s Pet - Now available where you rent or buy movies!

Two days ago, we hosted a special advanced screening for members of my filmmaking community, and they took part in a virtual Q & A afterward. This episode includes the full live session with myself and lead actor / producer Luke Barnett.

Topics covered include:

• Achieving high production value on a budget
• Luke’s approach to bringing levity to a dark character
• The casting process & landing great actors
• Moving from a $0 production into a larger project
• Our hardest days on set and how we problem solved
• Directing & DP’ing the film simultaneously 
• Much more

Watch the film on Apple now: https://itunes.apple.com/us/movie/teachers-pet/id1868537677
Full list of platforms where you can watch:

• Amazon Prime Video (US, CA)
• Apple TV (US, CA)
• Google Play / YouTube (US, CA)
• Fandango at Home (US)
• Comcast / Xfinity (US)
• Cox (US)
• Spectrum (US)
• DirecTV (US)
• Dish (US)
• Altice (US)
• Verizon / Fios (US)
• Telus (CA)

Sign up for my newsletter for exclusive filmmaking insight each Sunday

]]>https://api.spreaker.com/episode/69851350Sat, 07 Feb 2026 00:11:55 +0000Noam KrollIn this special episode, we celebrate today’s release of our new feature film Teacher’s Pet - Now available where you rent or buy movies! Two days ago, we hosted a special advanced screening for members of my filmmaking community, and they took part...Teacher’s Pet - Now available where you rent or buy movies!

Two days ago, we hosted a special advanced screening for members of my filmmaking community, and they took part in a virtual Q & A afterward. This episode includes the full live session with myself and lead actor / producer Luke Barnett.

Topics covered include:

• Achieving high production value on a budget
• Luke’s approach to bringing levity to a dark character
• The casting process & landing great actors
• Moving from a $0 production into a larger project
• Our hardest days on set and how we problem solved
• Directing & DP’ing the film simultaneously 
• Much more

Watch the film on Apple now: https://itunes.apple.com/us/movie/teachers-pet/id1868537677
Full list of platforms where you can watch:

• Amazon Prime Video (US, CA)
• Apple TV (US, CA)
• Google Play / YouTube (US, CA)
• Fandango at Home (US)
• Comcast / Xfinity (US)
• Cox (US)
• Spectrum (US)
• DirecTV (US)
• Dish (US)
• Altice (US)
• Verizon / Fios (US)
• Telus (CA)

Sign up for my newsletter for exclusive filmmaking insight each Sunday

]]>3144falsefullhttps://www.spreaker.com/episode/getting-into-sundance-with-a-30k-tv-pilot--69564182Soft Boil went from a bootstrapped production to a blind submission acceptance at the 2026 Sundance Film Festival.

We talk about Alec’s path from documentary and commercial work into scripted narrative, how a key creative partnership with lead actor / co-writer Camille Wormser shaped the project, and what it took to pull off a festival-ready pilot on $30,000 across a handful of shoot days.

Topics covered include:

• Why Alec believes casting + voice was the “X factor” (and how to recognize it)
• The tactical micro-budget choices that mattered most (locations, rehearsals, scheduling)
• How to direct comedy with improv-friendly actors without losing the spine of the scene
• The producer “role-splitting” approach that let Alec focus on directing
• How Alec thinks about finding your “voice” as a filmmaker, and why it's so critical
• The films and filmmakers shaping his taste (Kaufman, PTA, Von Trier, Aronofsky, Kubrick)

Links from the show:

Alec D. Goldberg - Instagram

Camille Wormser - Instagram

Madison Shamoun - Instagram

Vivian Kerr - Instagram

Patrick Tabari - Instagram

John Gemberling - Instagram

Alec Goldberg - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday

]]>https://api.spreaker.com/episode/69564182Fri, 23 Jan 2026 21:07:22 +0000Noam KrollIn this episode filmmaker Alec Goldberg joins the show to break down how his micro-budget comedy pilot Soft Boil went from a bootstrapped production to a blind submission acceptance at the 2026 Sundance Film Festival. We talk about Alec’s path from...Soft Boil went from a bootstrapped production to a blind submission acceptance at the 2026 Sundance Film Festival.

We talk about Alec’s path from documentary and commercial work into scripted narrative, how a key creative partnership with lead actor / co-writer Camille Wormser shaped the project, and what it took to pull off a festival-ready pilot on $30,000 across a handful of shoot days.

Topics covered include:

• Why Alec believes casting + voice was the “X factor” (and how to recognize it)
• The tactical micro-budget choices that mattered most (locations, rehearsals, scheduling)
• How to direct comedy with improv-friendly actors without losing the spine of the scene
• The producer “role-splitting” approach that let Alec focus on directing
• How Alec thinks about finding your “voice” as a filmmaker, and why it's so critical
• The films and filmmakers shaping his taste (Kaufman, PTA, Von Trier, Aronofsky, Kubrick)

Links from the show:

Alec D. Goldberg - Instagram

Camille Wormser - Instagram

Madison Shamoun - Instagram

Vivian Kerr - Instagram

Patrick Tabari - Instagram

John Gemberling - Instagram

Alec Goldberg - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday

]]>3957falsefullhttps://www.spreaker.com/episode/west-eldredge-on-making-an-80-000-debut-feature-film--69446835Take From Me on a budget of $80,000 - and turned it into a real-world release on major platforms.

We talk candidly about what actually moves the needle on an ultra-low budget feature: prioritizing casting, building a crew that can adapt under pressure, using festivals as a testing ground, and leveraging a strong trailer to start distribution conversations early.Topics covered include:

• Why West chose micro-budget filmmaking as a solution to finally making a feature
• How crowdfunding, personal investment, and favors helped build an $80K budget
• Why he prioritized casting above almost everything - and what 4,000+ submissions taught him
• Chemistry reads, ensemble casting, and avoiding the “name actor trap” on low budgets
• Skeleton crew realities and what happens when a key crew member is suddenly gone
• Festival strategy lessons and how audience feedback helped define the film’s genre
• Pitching distributors andwhy a great trailer matters more than you think
• Post-production burnout, bringing in new collaborators, and staying motivated

Links from the show:

West Eldredge - Instagram

West Eldredge - Website

Take From Me - Watch on Prime Video

Sign up for my newsletter for exclusive filmmaking insight each Sunday
]]>https://api.spreaker.com/episode/69446835Wed, 14 Jan 2026 23:14:00 +0000Noam KrollIn this episode, I’m joined by filmmaker West Eldredge to break down how he made his debut feature Take From Me on a budget of $80,000 - and turned it into a real-world release on major platforms. We talk candidly about what actually moves the needle...Take From Me on a budget of $80,000 - and turned it into a real-world release on major platforms.

We talk candidly about what actually moves the needle on an ultra-low budget feature: prioritizing casting, building a crew that can adapt under pressure, using festivals as a testing ground, and leveraging a strong trailer to start distribution conversations early.Topics covered include:

• Why West chose micro-budget filmmaking as a solution to finally making a feature
• How crowdfunding, personal investment, and favors helped build an $80K budget
• Why he prioritized casting above almost everything - and what 4,000+ submissions taught him
• Chemistry reads, ensemble casting, and avoiding the “name actor trap” on low budgets
• Skeleton crew realities and what happens when a key crew member is suddenly gone
• Festival strategy lessons and how audience feedback helped define the film’s genre
• Pitching distributors andwhy a great trailer matters more than you think
• Post-production burnout, bringing in new collaborators, and staying motivated

Links from the show:

West Eldredge - Instagram

West Eldredge - Website

Take From Me - Watch on Prime Video

Sign up for my newsletter for exclusive filmmaking insight each Sunday
]]>3417falsefullhttps://www.spreaker.com/episode/building-netflix-thrillers-while-retaining-ip-with-filmmaker-anna-elizabeth-james--69347233Deadly Illusions and Held Hostage in My House both found major success on Netflix, including top-chart placement on the platform.

Throughout the interview we break down Anna’s unconventional approach to building a sustainable filmmaking career outside the traditional studio system. We dive deep into intellectual property ownership, licensing vs selling films outright, and how filmmakers can retain long-term leverage while still working with major distributors and streamers.

We also explore how shifting industry economics are creating new opportunities for independent storytellers who understand how to position themselves strategically. 

Topics covered include:

• How Deadly Illusions and Held Hostage in My House reached Netflix
• Licensing vs selling films, and why IP ownership matters more than ever
• What filmmakers should know about distributors, streamers, and rights reversion
• Navigating the post-streaming-boom slowdown and emerging opportunities
• Why film festivals aren’t the only viable path anymore
• Thinking entrepreneurially without sacrificing creative integrity
• The future of branded storytelling and creator-led business models

Links from the show:

Anna Elizabeth James – IMDb

Sign up for my newsletter for exclusive filmmaking insight each Sunday
]]>https://api.spreaker.com/episode/69347233Thu, 08 Jan 2026 01:07:49 +0000Noam KrollIn this episode I’m joined by filmmaker Anna Elizabeth James, whose psychological thrillers Deadly Illusions and Held Hostage in My House both found major success on Netflix, including top-chart placement on the platform. Throughout the interview we...Deadly Illusions and Held Hostage in My House both found major success on Netflix, including top-chart placement on the platform.

Throughout the interview we break down Anna’s unconventional approach to building a sustainable filmmaking career outside the traditional studio system. We dive deep into intellectual property ownership, licensing vs selling films outright, and how filmmakers can retain long-term leverage while still working with major distributors and streamers.

We also explore how shifting industry economics are creating new opportunities for independent storytellers who understand how to position themselves strategically. 

Topics covered include:

• How Deadly Illusions and Held Hostage in My House reached Netflix
• Licensing vs selling films, and why IP ownership matters more than ever
• What filmmakers should know about distributors, streamers, and rights reversion
• Navigating the post-streaming-boom slowdown and emerging opportunities
• Why film festivals aren’t the only viable path anymore
• Thinking entrepreneurially without sacrificing creative integrity
• The future of branded storytelling and creator-led business models

Links from the show:

Anna Elizabeth James – IMDb

Sign up for my newsletter for exclusive filmmaking insight each Sunday
]]>3621falsefullhttps://www.spreaker.com/episode/making-a-4000-feature-film-over-1-year-with-filmmaker-mark-hensley--68686261Clown and Out in Valley Village was shot entirely guerrilla-style over the course of a year, for just $4,000.

Mark shares how he wrote, shot, lit, and edited the film with no crew, no permits, and no safety net, all while working full-time as a re-recording mixer for major network shows.We dive deep into micro-budget filmmaking, practical sound strategies, on-the-fly rewrites, and why taking your time on a no-budget feature can actually elevate the final product far beyond what traditional indie shoots allow

Topics covered include:

• Shooting a feature over a full year with no crew
• Rewriting and reshaping a 200-page script for micro-budget practicality
• Why slow, flexible production schedules often lead to better movies
• Reshooting scenes strategically - and why even big studio films build this in
• Making “bad” production audio usable with smart technique
• How pros mix dialogue on network shows (and why lavs can beat booms)
• Picking the right camera for the film - not the “best” camera

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/68686261Fri, 21 Nov 2025 23:03:10 +0000Noam KrollIn this episode, I’m joined by filmmaker Mark Hensley, whose new feature Clown and Out in Valley Village was shot entirely guerrilla-style over the course of a year, for just $4,000. Mark shares how he wrote, shot, lit, and edited the film with no...Clown and Out in Valley Village was shot entirely guerrilla-style over the course of a year, for just $4,000.

Mark shares how he wrote, shot, lit, and edited the film with no crew, no permits, and no safety net, all while working full-time as a re-recording mixer for major network shows.We dive deep into micro-budget filmmaking, practical sound strategies, on-the-fly rewrites, and why taking your time on a no-budget feature can actually elevate the final product far beyond what traditional indie shoots allow

Topics covered include:

• Shooting a feature over a full year with no crew
• Rewriting and reshaping a 200-page script for micro-budget practicality
• Why slow, flexible production schedules often lead to better movies
• Reshooting scenes strategically - and why even big studio films build this in
• Making “bad” production audio usable with smart technique
• How pros mix dialogue on network shows (and why lavs can beat booms)
• Picking the right camera for the film - not the “best” camera

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>5174falsefullhttps://www.spreaker.com/episode/how-the-dp-behind-monster-bulletproof-the-waterboy-became-one-of-hollywood-s-most-insightful-storytellers--68575051Monster, Bulletproof, and The Waterboy - to explore his extraordinary journey from BBC-trained writer/director to one of Hollywood’s most insightful visual storytellers.

We discuss Steven’s unconventional path into cinematography, how he developed his philosophy of the “20 languages of cinema,” and why he believes most screenwriting rules hold filmmakers back rather than push them forward.

Topics covered include:

• How Steven transitioned from the BBC to shooting studio features
• The craft lessons he learned working on Monster and major studio comedies
• Why he rejects rigid screenwriting formulas in favor of cinematic “grammar”
• Understanding the 20 languages of cinema: composition, editing, sound, and more
• How filmmakers can avoid being pigeonholed creatively or professionally
• Building a sustainable career by mastering both story and image

Links from the show:

Steven Bernstein – Instagram

Steven Bernstein – IMDb

Filmmaker and Fan’s Podcast

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/68575051Sat, 15 Nov 2025 00:24:15 +0000Noam KrollIn this episode, I’m joined by Steven Bernstein, ASC - the legendary cinematographer behind films like Monster, Bulletproof, and The Waterboy - to explore his extraordinary journey from BBC-trained writer/director to one of Hollywood’s most insightful...Monster, Bulletproof, and The Waterboy - to explore his extraordinary journey from BBC-trained writer/director to one of Hollywood’s most insightful visual storytellers.

We discuss Steven’s unconventional path into cinematography, how he developed his philosophy of the “20 languages of cinema,” and why he believes most screenwriting rules hold filmmakers back rather than push them forward.

Topics covered include:

• How Steven transitioned from the BBC to shooting studio features
• The craft lessons he learned working on Monster and major studio comedies
• Why he rejects rigid screenwriting formulas in favor of cinematic “grammar”
• Understanding the 20 languages of cinema: composition, editing, sound, and more
• How filmmakers can avoid being pigeonholed creatively or professionally
• Building a sustainable career by mastering both story and image

Links from the show:

Steven Bernstein – Instagram

Steven Bernstein – IMDb

Filmmaker and Fan’s Podcast

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3642falsefullhttps://www.spreaker.com/episode/touring-with-your-indie-film-self-distribution-building-a-sustainable-filmmaking-career-with-hudson-phillips--68372484
Throughout the discussion we take a deep dive into the realities of making micro-budget features profitable - Touring films like bands, selling merch, building community city-by-city, and designing a sustainable filmmaking life outside the traditional Hollywood pipeline.

Topics covered include:

• How a single podcast interview led directly to a private film investor
• Touring your film like a band, and why this model works
• How to screen in multiple cities without losing money
• The merch items that actually sell at indie screening events
• Lessons from distribution hell, and why Hudson went DIY
• Self-releasing via FilmHub, Bitmax & digital strategy in 2025+
• Building a real community vs chasing festivals
• Why creative constraints make films better (even at the studio level)
• “Higher-concept, lower-budget” filmmaking strategy
• The future of micro-budget movies & audience building

Links from the show:

Mirror Box Films

Hudson Phillips - Instagram

Mirror Box Films - Substack

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/68372484Fri, 31 Oct 2025 22:26:38 +0000Noam KrollOn today’s episode, I’m joined by filmmaker Hudson Phillips, who returns to share the incredible story of how his first appearance on the podcast led to getting his feature film financed (via one of our listeners) Throughout the discussion we take a...
Throughout the discussion we take a deep dive into the realities of making micro-budget features profitable - Touring films like bands, selling merch, building community city-by-city, and designing a sustainable filmmaking life outside the traditional Hollywood pipeline.

Topics covered include:

• How a single podcast interview led directly to a private film investor
• Touring your film like a band, and why this model works
• How to screen in multiple cities without losing money
• The merch items that actually sell at indie screening events
• Lessons from distribution hell, and why Hudson went DIY
• Self-releasing via FilmHub, Bitmax & digital strategy in 2025+
• Building a real community vs chasing festivals
• Why creative constraints make films better (even at the studio level)
• “Higher-concept, lower-budget” filmmaking strategy
• The future of micro-budget movies & audience building

Links from the show:

Mirror Box Films

Hudson Phillips - Instagram

Mirror Box Films - Substack

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3197falsefullhttps://www.spreaker.com/episode/luke-barnett-on-going-viral-with-a-50-short-carving-out-success-in-hollywood--68093332 OVATION, made for just $50 over a two-hour shoot. The film satirizes the never-ending standing ovations at major festivals that have dominated the trades in recent years.

Within days of completion, the short caught fire online and even landed a feature in Variety - proof that the smallest, most spontaneous projects can yield outsized results. Throughout the discussion we unpack OVATION in detail, along with Luke’s wildly successful short The Crossing Over Express, another viral sensation viewed by millions that was transformative for his career.

Topics covered include:

• The origin of Crossing Over Express and building a deeply personal short
• Shorts that connect vs. features that stall - and why connection beats runtime
• What “branding yourself” as an artist really means for your career
• Crafting OVATION: single take, no dialogue, real applause, two lights, tiny room
• Satire vs. parody: the importance of keeping it grounded and real
• Festivals or internet? How to decide where your short belongs
• “Asymmetric bets”: making fast, cheap work with huge upside
• Hustle, grit, and the necessary (healthy) delusion to survive this industry

If you enjoy OVATION, please leave a comment, thumbs up, or share with a friend!

Links from the show:

OVATION - Watch On YouTube!

The Crossing Over Express

Luke Barnett - Instagram

Luke Barnett - X

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/68093332Fri, 10 Oct 2025 18:13:28 +0000Noam KrollIn this episode I’m thrilled to be joined by Luke Barnett to discuss our viral short film OVATION, made for just $50 over a two-hour shoot. The film satirizes the never-ending standing ovations at major festivals that have dominated the trades in... OVATION, made for just $50 over a two-hour shoot. The film satirizes the never-ending standing ovations at major festivals that have dominated the trades in recent years.

Within days of completion, the short caught fire online and even landed a feature in Variety - proof that the smallest, most spontaneous projects can yield outsized results. Throughout the discussion we unpack OVATION in detail, along with Luke’s wildly successful short The Crossing Over Express, another viral sensation viewed by millions that was transformative for his career.

Topics covered include:

• The origin of Crossing Over Express and building a deeply personal short
• Shorts that connect vs. features that stall - and why connection beats runtime
• What “branding yourself” as an artist really means for your career
• Crafting OVATION: single take, no dialogue, real applause, two lights, tiny room
• Satire vs. parody: the importance of keeping it grounded and real
• Festivals or internet? How to decide where your short belongs
• “Asymmetric bets”: making fast, cheap work with huge upside
• Hustle, grit, and the necessary (healthy) delusion to survive this industry

If you enjoy OVATION, please leave a comment, thumbs up, or share with a friend!

Links from the show:

OVATION - Watch On YouTube!

The Crossing Over Express

Luke Barnett - Instagram

Luke Barnett - X

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3735falsefullhttps://www.spreaker.com/episode/dp-ing-jay-duplass-new-feature-the-baltimorons-with-filmmaker-jon-bregel--68005579The Baltimorons - which premiered at this year's SXSW film festival, and was released theatrically in September via IFC Films.

Throughout the interview we trace Jon's journey from leveraging Vimeo as a tool to launch a successful commercial career in New York, to stepping away and redefining what it means to be a working filmmaker. We dig into creative alignment, sustainable career building, and how a documentary-minded approach has shaped some of his recent work. 

Topics covered include:

• From Vimeo Staff Pick to a call from Nike -  early momentum in the Vimeo heyday
• Burnout, depression, and redefining success beyond money and prestige
• How to work like a professional, build routines, and treat freelancing like a real business
• Landing The Baltimorons: and how “manifesting” opportunities really works
• Lighting quickly with tiny crews, embracing imperfection, and protecting spontaneity
• What Jon learned from Jay Duplass about presence, and generous leadership
• Practical longevity: sustaining energy and morale across an indie feature schedule

Links from the show:

The Baltimorons - Movie Site

Jon Bregel - Website & Coaching

The Nourish Community

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/68005579Fri, 03 Oct 2025 22:45:09 +0000Noam KrollIn this episode I’m joined by filmmaker Jon Bregel, who recently DP'd the new Jay Duplass feature film The Baltimorons - which premiered at this year's SXSW film festival, and was released theatrically in September via IFC Films. Throughout the...The Baltimorons - which premiered at this year's SXSW film festival, and was released theatrically in September via IFC Films.

Throughout the interview we trace Jon's journey from leveraging Vimeo as a tool to launch a successful commercial career in New York, to stepping away and redefining what it means to be a working filmmaker. We dig into creative alignment, sustainable career building, and how a documentary-minded approach has shaped some of his recent work. 

Topics covered include:

• From Vimeo Staff Pick to a call from Nike -  early momentum in the Vimeo heyday
• Burnout, depression, and redefining success beyond money and prestige
• How to work like a professional, build routines, and treat freelancing like a real business
• Landing The Baltimorons: and how “manifesting” opportunities really works
• Lighting quickly with tiny crews, embracing imperfection, and protecting spontaneity
• What Jon learned from Jay Duplass about presence, and generous leadership
• Practical longevity: sustaining energy and morale across an indie feature schedule

Links from the show:

The Baltimorons - Movie Site

Jon Bregel - Website & Coaching

The Nourish Community

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3467falsefullhttps://www.spreaker.com/episode/winning-kevin-smith-s-smodcastle-with-foibles-writer-director-ryan-oksenberg--67741164FOIBLES - a darkly comic, surreal satire about codependency and addiction.

Throughout the episode we take a behind the scenes look at this feature - How Ryan greenlit the project himself, pulling off big set pieces on an indie budget, the 13-month post pipeline, music licensing reality checks, and taking home an award at Kevin Smith’s Smodcastle for best Actor.

Topics covered include:

• Moving from shorts to a debut feature with a SAG Ultra Low Budget agreement
• Building a 40-person crew, and setting up basecamp at home
• Practical vs. digital: stunt days that don’t go to plan, and why it works in the edit
• Shot listing & storyboarding every beat vs. staying nimble on the day
• Casting on a budget: personal letters, partnering with casting directors
• Post for indies: cutting, feedback screenings, and when to let go
• Music supervision 101: masters + publishing, MFN, festival vs. all-media licenses
• The Kickstarter × Tubi path: hitting the goal to unlock a grant and AVOD distribution

Links from the show:


FOIBLES — Official Trailer

Support FOIBLES on Kickstarter

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/67741164Sat, 13 Sep 2025 00:10:51 +0000Noam KrollIn this episode I am joined by longtime friend and fellow filmmaker Ryan Oksenberg, here to break down the making of his debut feature FOIBLES - a darkly comic, surreal satire about codependency and addiction. Throughout the episode we take a behind...FOIBLES - a darkly comic, surreal satire about codependency and addiction.

Throughout the episode we take a behind the scenes look at this feature - How Ryan greenlit the project himself, pulling off big set pieces on an indie budget, the 13-month post pipeline, music licensing reality checks, and taking home an award at Kevin Smith’s Smodcastle for best Actor.

Topics covered include:

• Moving from shorts to a debut feature with a SAG Ultra Low Budget agreement
• Building a 40-person crew, and setting up basecamp at home
• Practical vs. digital: stunt days that don’t go to plan, and why it works in the edit
• Shot listing & storyboarding every beat vs. staying nimble on the day
• Casting on a budget: personal letters, partnering with casting directors
• Post for indies: cutting, feedback screenings, and when to let go
• Music supervision 101: masters + publishing, MFN, festival vs. all-media licenses
• The Kickstarter × Tubi path: hitting the goal to unlock a grant and AVOD distribution

Links from the show:


FOIBLES — Official Trailer

Support FOIBLES on Kickstarter

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3632falsefullhttps://www.spreaker.com/episode/raising-400k-casting-without-names-and-writing-the-iron-core-story-with-mick-lexington--67639398Mr. Jack - an existential New York drama adapted from his own novel.

Through the interview we dig into the process of raising a ~$400K production budget, why he brought on a dedicated fundraising lead, and how his “agile filmmaking” approach allows him to start elements of production ahead of principle photography. We also dive deep on writing craft - outlining, “killing your darlings,” beating procrastination with consistent routines and much more.

Topics include:

• Working with a fundraising specialist to raise a target budget of $400K
• “Agile filmmaking”: building momentum by shooting key exteriors ahead of produciton
• Casting strategy without star names and avoiding audience-misleading cameos
• Turning New York City into a story engine: LES & Williamsburg as living backdrop
• Writing cadence & anti-procrastination: consistent daily blocks vs. bursts
• Why the final rewrite is the edit - and planning for pickups and pivots

Links from the show:

Mr. Jack - Website

Mick Lexington - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.

]]>https://api.spreaker.com/episode/67639398Fri, 05 Sep 2025 15:34:41 +0000Noam KrollIn this episode filmmaker and novelist Mick Lexington joins me to unpack the development phase for his debut feature Mr. Jack - an existential New York drama adapted from his own novel. Through the interview we dig into the process of raising a...Mr. Jack - an existential New York drama adapted from his own novel.

Through the interview we dig into the process of raising a ~$400K production budget, why he brought on a dedicated fundraising lead, and how his “agile filmmaking” approach allows him to start elements of production ahead of principle photography. We also dive deep on writing craft - outlining, “killing your darlings,” beating procrastination with consistent routines and much more.

Topics include:

• Working with a fundraising specialist to raise a target budget of $400K
• “Agile filmmaking”: building momentum by shooting key exteriors ahead of produciton
• Casting strategy without star names and avoiding audience-misleading cameos
• Turning New York City into a story engine: LES & Williamsburg as living backdrop
• Writing cadence & anti-procrastination: consistent daily blocks vs. bursts
• Why the final rewrite is the edit - and planning for pickups and pivots

Links from the show:

Mr. Jack - Website

Mick Lexington - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.

]]>2736falsefullhttps://www.spreaker.com/episode/from-wu-tang-nicki-minaj-music-videos-to-a-40k-feature-with-filmmaker-matthew-freiheit--67557062Iconic.

Shot for just $40,000 in his Los Angeles apartment and across more than 25 locations, the feature film blends arthouse style with run-and-gun energy, and has already secured distribution.

Throughout our discussion we cover:

• Transitioning from music and fashion projects to narrative filmmaking
• How Matthew maximized limited resources to create a big-scope on a micro-budget
• Writing around real locations and existing gear to stretch production value
• Directing while also DP’ing and editing - and how to balance those roles effectively
• Tips for pre-lighting and shooting 6–8 pages per day without sacrificing quality
• What it’s really like taking your debut feature to AFM 
• The evolving role of AI tools in filmmaking and how Matthew is exploring them
• Much more

Links from the show:

Matthew Freiheit – Instagram

Iconic – Instagram

Iconic – Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/67557062Fri, 29 Aug 2025 20:28:53 +0000Noam KrollIn this episode, I am joined by filmmaker Matthew Freiheit, whose career has spanned work with major artists like Wu-Tang Clan, Red Hot Chili Peppers, and Nicki Minaj - and who has now broken into feature filmmaking with his debut Iconic. Shot for...Iconic.

Shot for just $40,000 in his Los Angeles apartment and across more than 25 locations, the feature film blends arthouse style with run-and-gun energy, and has already secured distribution.

Throughout our discussion we cover:

• Transitioning from music and fashion projects to narrative filmmaking
• How Matthew maximized limited resources to create a big-scope on a micro-budget
• Writing around real locations and existing gear to stretch production value
• Directing while also DP’ing and editing - and how to balance those roles effectively
• Tips for pre-lighting and shooting 6–8 pages per day without sacrificing quality
• What it’s really like taking your debut feature to AFM 
• The evolving role of AI tools in filmmaking and how Matthew is exploring them
• Much more

Links from the show:

Matthew Freiheit – Instagram

Iconic – Instagram

Iconic – Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3444falsefullhttps://www.spreaker.com/episode/directing-a-vertical-series-for-candy-jar-feature-films-more-with-filmmaker-emily-elizabeth-thomas--67482922Keily: Homecoming Dweeb, a YA romance that bridges classic rom-com elements with bold visual experimentation.

Emily shares how the project grew out of a Candy Jar–financed vertical web series, why she embraced an unconventional format to connect with Gen Z, and how she maintained her distinctive voice on both the series and the feature.

We also dive deep into practical directing craft - from navigating budgets and production constraints to lens testing, working with young actors, rewriting on set, and keeping tone at the center of every decision. Topics include:

• Moving from commercials to narrative filmmaking by way of a vertical series
• Why embracing nontraditional formats can expand your audience reach
• Practical strategies for navigating low budgets without sacrificing vision
• The role of zoom lenses and lens testing in creating emotional storytelling
• Building authentic performances with young actors through collaborative rehearsals
• Managing tone as a director’s primary responsibility
• Much more.

Links from the show:

Watch Keily: Homecoming Dweeb on Candy Jar

Keily: Homecoming Dweeb on IMDb

Emily Elizabeth Thomas – Official Portfolio

Sign up for exclusive filmmaking newsletters each Sunday.]]>https://api.spreaker.com/episode/67482922Fri, 22 Aug 2025 19:41:53 +0000Noam KrollFilmmaker Emily Elizabeth Thomas joins me this week to break down the making of her debut feature film Keily: Homecoming Dweeb, a YA romance that bridges classic rom-com elements with bold visual experimentation. Emily shares how the project grew out...Keily: Homecoming Dweeb, a YA romance that bridges classic rom-com elements with bold visual experimentation.

Emily shares how the project grew out of a Candy Jar–financed vertical web series, why she embraced an unconventional format to connect with Gen Z, and how she maintained her distinctive voice on both the series and the feature.

We also dive deep into practical directing craft - from navigating budgets and production constraints to lens testing, working with young actors, rewriting on set, and keeping tone at the center of every decision. Topics include:

• Moving from commercials to narrative filmmaking by way of a vertical series
• Why embracing nontraditional formats can expand your audience reach
• Practical strategies for navigating low budgets without sacrificing vision
• The role of zoom lenses and lens testing in creating emotional storytelling
• Building authentic performances with young actors through collaborative rehearsals
• Managing tone as a director’s primary responsibility
• Much more.

Links from the show:

Watch Keily: Homecoming Dweeb on Candy Jar

Keily: Homecoming Dweeb on IMDb

Emily Elizabeth Thomas – Official Portfolio

Sign up for exclusive filmmaking newsletters each Sunday.]]>3389falsefullhttps://www.spreaker.com/episode/shooting-a-no-crew-no-permit-feature-on-blackmagic-with-filmmaker-dave-hill--67220316
Throughout the interview we dive deep into Dave’s tactics and workflow, and explore how they empowered him to fully own the visual language of his film. Topics covered include:

• Why Dave ditched the traditional crew structure and shot entirely handheld
• How the Blackmagic Pocket 4K + Micro Four Thirds sensor unlocked his style
• The pros and cons of running sound without a sound person
• Leveraging camera choice and post-production to mimic the 16mm film aesthetic
• Recasting day players, last-minute locations, and other stories from set
• Why low-budget filmmaking is actually a gift when paired with the right creative vision
• Much more!

Links from the show:

Dave Hill – Instagram
Dave Hill – Website
Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/67220316Fri, 01 Aug 2025 19:57:56 +0000Noam KrollIn this episode, I’m joined by director and photographer Dave Hill to discuss the making of his second feature film — a visually dynamic, deeply personal story shot with virtually no crew in the Arizona desert. All on the Blackmagic Pocket 4K....
Throughout the interview we dive deep into Dave’s tactics and workflow, and explore how they empowered him to fully own the visual language of his film. Topics covered include:

• Why Dave ditched the traditional crew structure and shot entirely handheld
• How the Blackmagic Pocket 4K + Micro Four Thirds sensor unlocked his style
• The pros and cons of running sound without a sound person
• Leveraging camera choice and post-production to mimic the 16mm film aesthetic
• Recasting day players, last-minute locations, and other stories from set
• Why low-budget filmmaking is actually a gift when paired with the right creative vision
• Much more!

Links from the show:

Dave Hill – Instagram
Dave Hill – Website
Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3185falsefullhttps://www.spreaker.com/episode/making-a-no-crew-feature-supported-by-david-lowery-with-filmmaker-julian-sol-jordan--66751967Real Life — an 82-minute hybrid narrative-documentary that was shot, directed, edited, colored, and mixed entirely by himself.

The film, which screened recently at the Texas Theatre in Dallas thanks to a generous grant from David Lowery, is a raw, poetic exploration of early adulthood, nostalgia, and the struggle to find meaning in your 20s.

Throughout our conversation, Julian and I unpack the entire creative process, from rediscovering dusty VHS tapes in his attic to crafting a structure out of chaos with no script in hand. 

Topics covered include:

• How Julian shot 80% of the film alone using everything from a Blackmagic to an iPhone 4
• The value of embracing lo-fi footage and imperfections to elevate emotional truth
• Why David Lowery funded the premiere and how their mentorship began
• The unexpected benefit of not writing a script — and when to start one next time
• How old home movies became the emotional anchor of the film
• Why guerrilla filmmaking might be Julian’s path forward
• Much more!

Links from the show:

Julian Sol Jordan – Instagram
Julian Sol Jordan – YouTube
Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/66751967Thu, 26 Jun 2025 02:51:42 +0000Noam KrollIn this episode, I’m joined by filmmaker Julian Sol Jordan to talk about his self-made debut feature Real Life — an 82-minute hybrid narrative-documentary that was shot, directed, edited, colored, and mixed entirely by himself. The film, which...Real Life — an 82-minute hybrid narrative-documentary that was shot, directed, edited, colored, and mixed entirely by himself.

The film, which screened recently at the Texas Theatre in Dallas thanks to a generous grant from David Lowery, is a raw, poetic exploration of early adulthood, nostalgia, and the struggle to find meaning in your 20s.

Throughout our conversation, Julian and I unpack the entire creative process, from rediscovering dusty VHS tapes in his attic to crafting a structure out of chaos with no script in hand. 

Topics covered include:

• How Julian shot 80% of the film alone using everything from a Blackmagic to an iPhone 4
• The value of embracing lo-fi footage and imperfections to elevate emotional truth
• Why David Lowery funded the premiere and how their mentorship began
• The unexpected benefit of not writing a script — and when to start one next time
• How old home movies became the emotional anchor of the film
• Why guerrilla filmmaking might be Julian’s path forward
• Much more!

Links from the show:

Julian Sol Jordan – Instagram
Julian Sol Jordan – YouTube
Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3552falsefullhttps://www.spreaker.com/episode/dp-ing-for-tyler-perry-studios-jared-leto-tom-delonge-more-with-cinematographer-justyn-moro--66356367
Justyn shares the full scope of his creative journey—how he got started shooting music videos, learning cinematography on the road with Jared Leto, and making the leap into narrative storytelling on projects like Monsters of California and Beauty in Black.

Topics covered include:

• Breaking into the film industry with zero connections
• Shooting documentary and music video content with Jared Leto across the globe
• Lessons from working on Monsters of California with Tom DeLonge
• Transitioning from music videos to narrative film & television
• Justyn’s approach to prep, lighting, and working fast on set
• Creative collaboration with directors and building a strong crew dynamic
• Why a clear vision and openness to collaboration make the best directors

Links from the show:

Justyn Moro – Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/66356367Sun, 01 Jun 2025 14:49:25 +0000Noam KrollIn this episode, I am joined by DP Justyn Moro, whose cinematography career has included collaborations with artists like Jared Leto, Tom Delonge and countless others - and most recently has been shooting features and television at Tyler Perry...
Justyn shares the full scope of his creative journey—how he got started shooting music videos, learning cinematography on the road with Jared Leto, and making the leap into narrative storytelling on projects like Monsters of California and Beauty in Black.

Topics covered include:

• Breaking into the film industry with zero connections
• Shooting documentary and music video content with Jared Leto across the globe
• Lessons from working on Monsters of California with Tom DeLonge
• Transitioning from music videos to narrative film & television
• Justyn’s approach to prep, lighting, and working fast on set
• Creative collaboration with directors and building a strong crew dynamic
• Why a clear vision and openness to collaboration make the best directors

Links from the show:

Justyn Moro – Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3505falsefullhttps://www.spreaker.com/episode/from-viral-youtube-shorts-to-a-multi-million-dollar-feature-debut-with-felipe-vargas--66022550Rosario.

Throughout our discussion, we explore Felipe’s journey from DIY shorts to large scale feature productions and lessons learned along the way.

Topics covered include: 

• How Felipe's childhood passion for horror and folklore shaped his filmmaking style
• The success of his short films, including Milk Teeth which garnered 15 million views on YouTube
• The realities of getting representation and what comes after
• How his feature film Rosario came together after developing relationships with producers
• Shooting across two countries (New York and Colombia) on a sub-$10 million budget
• The importance of being consistently productive and self-generative as a filmmaker
• Using test screenings effectively and the value of planning for pickup shots
• The unique character-first approach Felipe uses to break down scripts and scenes

Links from the show:

Felipe Vargas - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/66022550Fri, 09 May 2025 22:40:06 +0000Noam KrollIn this episode, I am joined by filmmaker Felipe Vargas - whose viral horror short films helped him land his feature film debut Rosario. Throughout our discussion, we explore Felipe’s journey from DIY shorts to large scale feature productions and...Rosario.

Throughout our discussion, we explore Felipe’s journey from DIY shorts to large scale feature productions and lessons learned along the way.

Topics covered include: 

• How Felipe's childhood passion for horror and folklore shaped his filmmaking style
• The success of his short films, including Milk Teeth which garnered 15 million views on YouTube
• The realities of getting representation and what comes after
• How his feature film Rosario came together after developing relationships with producers
• Shooting across two countries (New York and Colombia) on a sub-$10 million budget
• The importance of being consistently productive and self-generative as a filmmaker
• Using test screenings effectively and the value of planning for pickup shots
• The unique character-first approach Felipe uses to break down scripts and scenes

Links from the show:

Felipe Vargas - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2754falsefullhttps://www.spreaker.com/episode/how-to-make-a-7k-feature-film-with-a-crew-of-3-an-interview-with-filmmaker-joe-burke--65730507Burt for just $7,000. Executive produced by David Gordon Green, the film follows a street musician with Parkinson's disease who discovers he has a son.

Throughout our conversation, we explore Joe's innovative approach to micro-budget filmmaking, including how he infused real-life relationships into the narrative.
Topics covered include:

• How Joe cast his non-actor subjects in their first ever film roles
• Shooting an entire feature in 7 days with just a 3-person crew
• The strategic use of black & white cinematography to elevate production value
• Creating compelling narrative films without traditional scripts
• Navigating 28 festival rejections before winning Best Picture awards
• Self-distributing via theatrical screenings while building community partnerships

Links from the show:

Burt The Movie - Website

Joe Burke - Instagram (@joeburkfilm)

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/65730507Fri, 25 Apr 2025 23:11:32 +0000Noam KrollIn this episode, I am joined by filmmaker Joe Burke to discuss his incredible journey making the feature film Burt for just $7,000. Executive produced by David Gordon Green, the film follows a street musician with Parkinson's disease who discovers he...Burt for just $7,000. Executive produced by David Gordon Green, the film follows a street musician with Parkinson's disease who discovers he has a son.

Throughout our conversation, we explore Joe's innovative approach to micro-budget filmmaking, including how he infused real-life relationships into the narrative.
Topics covered include:

• How Joe cast his non-actor subjects in their first ever film roles
• Shooting an entire feature in 7 days with just a 3-person crew
• The strategic use of black & white cinematography to elevate production value
• Creating compelling narrative films without traditional scripts
• Navigating 28 festival rejections before winning Best Picture awards
• Self-distributing via theatrical screenings while building community partnerships

Links from the show:

Burt The Movie - Website

Joe Burke - Instagram (@joeburkfilm)

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3329falsefullhttps://www.spreaker.com/episode/shooting-an-8-day-feature-film-using-structured-improv-with-director-christopher-folkens--65628887The Catalyst - a psychological thriller that was produced in just 8 shooting days.

Throughout our discussion, we explore the unconventional production methods Christopher employed, including structured improvisation and a non-traditional shooting schedule.

Topics covered include:

• Why Christopher chose to embrace structured improvisation with actors
• How they filmed nearly half the movie in a single night
• Completing a feature film in just 8 total shooting days
• The evolution from a 12-person proof of concept to a 7-person final cast
• Using obstacles as opportunities in low-budget production
• The benefits of having an editing background as a director
• Finding the balance between having a plan and remaining flexible on set

Links from the show:

Christopher Folkens - Instagram

The Catalyst Movie - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/65628887Fri, 18 Apr 2025 21:37:29 +0000Noam KrollIn this episode, I am joined by filmmaker Christopher Folkens to discuss his debut feature film The Catalyst - a psychological thriller that was produced in just 8 shooting days. Throughout our discussion, we explore the unconventional production...The Catalyst - a psychological thriller that was produced in just 8 shooting days.

Throughout our discussion, we explore the unconventional production methods Christopher employed, including structured improvisation and a non-traditional shooting schedule.

Topics covered include:

• Why Christopher chose to embrace structured improvisation with actors
• How they filmed nearly half the movie in a single night
• Completing a feature film in just 8 total shooting days
• The evolution from a 12-person proof of concept to a 7-person final cast
• Using obstacles as opportunities in low-budget production
• The benefits of having an editing background as a director
• Finding the balance between having a plan and remaining flexible on set

Links from the show:

Christopher Folkens - Instagram

The Catalyst Movie - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3267falsefullhttps://www.spreaker.com/episode/making-a-linklater-style-feature-film-over-2-years-with-filmmaker-clinton-cornwell--6554154012 Months, which he shot over the course of two years (and 60 shooting days) in a style inspired by Richard Linklater's Boyhood.

Throughout our conversation, we dive deep into Clinton's unique production approach and creative process. Topics covered include:

• Creating an improvised relationship drama shot over real time
• Working with a minimal crew (often just 3 people) across 60 shooting days
• The benefits and challenges of spreading production over two years
• Finding actors comfortable with improvisation and maintaining their commitment
• Balancing structure and spontaneity in an improvised film
• Managing 200+ hours of footage during post-production
• The advantages of being a "jack of all trades" filmmaker

Links from the show:


12 Months Film

Clinton Cornwell - Instagram

Clinton Cornwell - Letterboxd

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/65541540Fri, 11 Apr 2025 17:57:50 +0000Noam KrollIn this episode, I am joined by filmmaker Clinton Cornwell to discuss his feature film 12 Months, which he shot over the course of two years (and 60 shooting days) in a style inspired by Richard Linklater's Boyhood. Throughout our conversation, we...12 Months, which he shot over the course of two years (and 60 shooting days) in a style inspired by Richard Linklater's Boyhood.

Throughout our conversation, we dive deep into Clinton's unique production approach and creative process. Topics covered include:

• Creating an improvised relationship drama shot over real time
• Working with a minimal crew (often just 3 people) across 60 shooting days
• The benefits and challenges of spreading production over two years
• Finding actors comfortable with improvisation and maintaining their commitment
• Balancing structure and spontaneity in an improvised film
• Managing 200+ hours of footage during post-production
• The advantages of being a "jack of all trades" filmmaker

Links from the show:


12 Months Film

Clinton Cornwell - Instagram

Clinton Cornwell - Letterboxd

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3943falsefullhttps://www.spreaker.com/episode/making-4-features-building-a-sustainable-indie-film-model-with-nick-psinakis--65350114
Throughout our conversation, we explore their evolution from DIY beginnings to community-supported productions, with special emphasis on how they've maintained high production value on micro-budgets. Topics covered include:

• Their progression from a $65K genre film to their newest feature, "Valley View Motel"
• Building strong community support in small-town Pennsylvania as a production base
• Maximizing efficiency with minimal crew and strategic location planning
• Creative approaches to chronological shooting and managing weather variables
• Navigating the ever-changing sales and distribution landscape
• The delicate balance between artistic integrity and commercial viability
• Their post-production workflow and co-directing dynamic

Links from the show: 

418 Films - Instagram 

Cheat - Watch on Amazon Prime 

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/65350114Fri, 04 Apr 2025 20:05:05 +0000Noam KrollIn this episode, I am joined by filmmaker Nick Psinakis to discuss his journey creating four feature films with creative partner Kevin Ignatius and how they've developed a sustainable model for indie filmmaking. Throughout our conversation, we...
Throughout our conversation, we explore their evolution from DIY beginnings to community-supported productions, with special emphasis on how they've maintained high production value on micro-budgets. Topics covered include:

• Their progression from a $65K genre film to their newest feature, "Valley View Motel"
• Building strong community support in small-town Pennsylvania as a production base
• Maximizing efficiency with minimal crew and strategic location planning
• Creative approaches to chronological shooting and managing weather variables
• Navigating the ever-changing sales and distribution landscape
• The delicate balance between artistic integrity and commercial viability
• Their post-production workflow and co-directing dynamic

Links from the show: 

418 Films - Instagram 

Cheat - Watch on Amazon Prime 

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3110falsefullhttps://www.spreaker.com/episode/using-wefunder-to-finance-a-debut-feature-film-with-filmmaker-vivian-kerr--64764659Scrap - a family dramedy starring herself alongside Anthony Rapp (Rent, Star Trek Discovery) - completed a two-year festival run spanning 43 festivals before its recent VOD release. She followed this quickly with her second feature, Seance, a psychological thriller that recently premiered at the Newport Beach Film Festival. Throughout our conversation, we explored:

• Vivian's background and transition from theater to filmmaking
• The genesis of Scrap and its exploration of hidden homelessness
• How she leveraged a short film version of Scrap to secure feature financing
• Using the equity crowdfunding platform WeFunder to raise the bulk of her financing
• Managing post-production on one film while doing a festival run with another
• The genesis of Seance and writing a contained feature during the pandemic
• Why believable performances are the foundation of good directing

Links from the show:

Scrap - Movie

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/64764659Mon, 10 Mar 2025 17:47:10 +0000Noam KrollIn this episode, I am joined by filmmaker Vivian Kerr to discuss her journey from acting to directing and how she successfully brought her first two feature films to life without traditional industry connections. Vivian's debut feature, Scrap - a...Scrap - a family dramedy starring herself alongside Anthony Rapp (Rent, Star Trek Discovery) - completed a two-year festival run spanning 43 festivals before its recent VOD release. She followed this quickly with her second feature, Seance, a psychological thriller that recently premiered at the Newport Beach Film Festival. Throughout our conversation, we explored:

• Vivian's background and transition from theater to filmmaking
• The genesis of Scrap and its exploration of hidden homelessness
• How she leveraged a short film version of Scrap to secure feature financing
• Using the equity crowdfunding platform WeFunder to raise the bulk of her financing
• Managing post-production on one film while doing a festival run with another
• The genesis of Seance and writing a contained feature during the pandemic
• Why believable performances are the foundation of good directing

Links from the show:

Scrap - Movie

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3875falsefullhttps://www.spreaker.com/episode/how-to-shoot-a-7-day-feature-film-with-filmmaker-ethan-hegel--64616441Purgatory Station after years of honing his craft behind the camera. Throughout the interview, Ethan shares his unique path to serving as director, DP, editor, and colorist on multiple feature films. Topics covered include:

• The importance of having a supportive network that encourages creative risk-taking
• How color grading expertise deepened Ethan's cinematography knowledge.
• Adapting and improving someone else's screenplay while maintaining the core story
• Shooting an ambitious feature in just 7 days with minimal pre-production time
• Practical techniques for achieving convincing day-for-night and night-for-day lighting
• Effective methods for directing actors that focus on emotional motivation
• The value of balancing self-sufficiency and collaboration in filmmaking

Links from the show: 

Ethan Hegel - Instagram 

Moving On - Short Film 

Purgatory Station - Prime Video 

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/64616441Fri, 28 Feb 2025 02:38:58 +0000Noam KrollIn this episode, I am joined by filmmaker Ethan Hegel, who recently made his feature directorial debut with Purgatory Station after years of honing his craft behind the camera. Throughout the interview, Ethan shares his unique path to serving as...Purgatory Station after years of honing his craft behind the camera. Throughout the interview, Ethan shares his unique path to serving as director, DP, editor, and colorist on multiple feature films. Topics covered include:

• The importance of having a supportive network that encourages creative risk-taking
• How color grading expertise deepened Ethan's cinematography knowledge.
• Adapting and improving someone else's screenplay while maintaining the core story
• Shooting an ambitious feature in just 7 days with minimal pre-production time
• Practical techniques for achieving convincing day-for-night and night-for-day lighting
• Effective methods for directing actors that focus on emotional motivation
• The value of balancing self-sufficiency and collaboration in filmmaking

Links from the show: 

Ethan Hegel - Instagram 

Moving On - Short Film 

Purgatory Station - Prime Video 

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3019falsefullhttps://www.spreaker.com/episode/building-a-new-production-model-with-matt-cohen-sean-thomas-flanagan--64438222Supernatural, General Hospital, Entertainment Tonight) and producer Sean Flanagan to discuss their innovative approach to making films in today's changing landscape.

Throughout our conversation, we explore their upcoming feature Exes and animated series Public Domain, while unpacking their unique production model built on relationships, creative problem-solving, and maximizing resources.

Topics covered include:

• Juggling 12+ projects in various stages of development
• The importance of focusing on "evergreen" concepts vs chasing trends
• Achieving high production value on ultra low budgets through strategic choices
• The value of maintaining morale and team spirit on low budget productions
• Finding creative solutions to budgetary limitations rather than compromising quality
• Building a sustainable model for independent filmmaking in today's market
• Much more!

Links from the show:

Matt Cohen - Instagram
Sean Flanagan - Instagram
Public Domain Series - Instagram
Public Domain Series - Indiegogo

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/64438222Tue, 18 Feb 2025 18:51:00 +0000Noam KrollIn this episode, I am joined by actor/director Matt Cohen (Supernatural, General Hospital, Entertainment Tonight) and producer Sean Flanagan to discuss their innovative approach to making films in today's changing landscape. Throughout our...Supernatural, General Hospital, Entertainment Tonight) and producer Sean Flanagan to discuss their innovative approach to making films in today's changing landscape.

Throughout our conversation, we explore their upcoming feature Exes and animated series Public Domain, while unpacking their unique production model built on relationships, creative problem-solving, and maximizing resources.

Topics covered include:

• Juggling 12+ projects in various stages of development
• The importance of focusing on "evergreen" concepts vs chasing trends
• Achieving high production value on ultra low budgets through strategic choices
• The value of maintaining morale and team spirit on low budget productions
• Finding creative solutions to budgetary limitations rather than compromising quality
• Building a sustainable model for independent filmmaking in today's market
• Much more!

Links from the show:

Matt Cohen - Instagram
Sean Flanagan - Instagram
Public Domain Series - Instagram
Public Domain Series - Indiegogo

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3061falsefullhttps://www.spreaker.com/episode/cutting-the-a24-sundance-feature-opus-finding-career-success-with-editor-ernie-gilbert--64217683OPUS, which recently premiered at Sundance. Throughout our discussion, we explore Ernie’s creative process, his work in commercials & music videos, career building, and more. Topics covered include:

• The benefits of bringing editors on early in pre-production
• Editing remotely while production is taking place
• How to maintain fresh eyes on long-form projects
• Balancing work across features, commercials, and music videos
• The transition from editing to directing and back
• Building relationships and collecting "merit badges" in the industry
• Best practices for managing conflicting creative notes

Links from the show: 

Ernie Gilbert - Website
Ernie Gilbert - Instagram 

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/64217683Thu, 06 Feb 2025 00:37:14 +0000Noam KrollIn this episode, I am joined by filmmaker Ernie Gilbert to discuss his work on A24's upcoming horror-thriller-comedy OPUS, which recently premiered at Sundance. Throughout our discussion, we explore Ernie’s creative process, his work in commercials...OPUS, which recently premiered at Sundance. Throughout our discussion, we explore Ernie’s creative process, his work in commercials & music videos, career building, and more. Topics covered include:

• The benefits of bringing editors on early in pre-production
• Editing remotely while production is taking place
• How to maintain fresh eyes on long-form projects
• Balancing work across features, commercials, and music videos
• The transition from editing to directing and back
• Building relationships and collecting "merit badges" in the industry
• Best practices for managing conflicting creative notes

Links from the show: 

Ernie Gilbert - Website
Ernie Gilbert - Instagram 

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>4146falsefullhttps://www.spreaker.com/episode/making-a-10-000-feature-film-documentary-with-director-rob-smat--64060753The Last Whistle to a $10,000 documentary Walkout, and the valuable lessons learned along the way.

Throughout our discussion, we explore the realities of micro-budget filmmaking and distribution through the lens of both projects. Topics covered include:

• How scaling down production increases creative control
• Working with traditional distributors vs. self-distribution platforms
• Marketing & AVOD strategies for micro-budget films
• The importance of building a sustainable filmmaking career
• The value of making multiple films vs. betting only on one project
• Finding success through grassroots marketing and community outreach

Links from the show: 

Film Collaborative's Distributor Report Card 
BitMAX
Walkout - Film
Walkout - Companion Podcast

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/64060753Fri, 31 Jan 2025 01:18:05 +0000Noam KrollIn this episode, I am joined by filmmaker Rob Smat who shares his experience transitioning from the $100,000 feature film The Last Whistle to a $10,000 documentary Walkout, and the valuable lessons learned along the way. Throughout our discussion, we...The Last Whistle to a $10,000 documentary Walkout, and the valuable lessons learned along the way.

Throughout our discussion, we explore the realities of micro-budget filmmaking and distribution through the lens of both projects. Topics covered include:

• How scaling down production increases creative control
• Working with traditional distributors vs. self-distribution platforms
• Marketing & AVOD strategies for micro-budget films
• The importance of building a sustainable filmmaking career
• The value of making multiple films vs. betting only on one project
• Finding success through grassroots marketing and community outreach

Links from the show: 

Film Collaborative's Distributor Report Card 
BitMAX
Walkout - Film
Walkout - Companion Podcast

Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3019falsefullhttps://www.spreaker.com/episode/stephania-dulowski-on-editing-bunnylovr-premiering-at-sundance-2025--63864947Bunny Lover. We dive deep into her editorial process and explore the tactics she used to pull off an amazing edit in record time.
Topics covered include:

• Completing a first cut in just one month
• Navigating test screenings and filmmaker feedback
• The importance of technical skills and communication in editing
• Editorial workflow breakdown from dailies review to final cut
• Balancing creative vision with practical constraints

Links from the show:

Stephania Dulowski's Website
Stephania Dulowski's Instagram


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]]>https://api.spreaker.com/episode/63864947Fri, 24 Jan 2025 01:41:53 +0000Noam KrollIn this episode, I am joined by film editor Stephania Dulowski to discuss her work on the Sundance dramatic competition feature film Bunny Lover. We dive deep into her editorial process and explore the tactics she used to pull off an amazing edit in...Bunny Lover. We dive deep into her editorial process and explore the tactics she used to pull off an amazing edit in record time.
Topics covered include:

• Completing a first cut in just one month
• Navigating test screenings and filmmaker feedback
• The importance of technical skills and communication in editing
• Editorial workflow breakdown from dailies review to final cut
• Balancing creative vision with practical constraints

Links from the show:

Stephania Dulowski's Website
Stephania Dulowski's Instagram


Sign up for my newsletter for exclusive filmmaking insight each Sunday

]]>3198falsefullhttps://www.spreaker.com/episode/behind-the-scenes-with-samantha-scaffidi-on-the-terrifier-franchise-her-new-short-film-more--63704682Terrifier franchise, and her upcoming short film Open Your Eyes.

Thought the episode, Samantha offers a unique perspective on independent filmmaking from both sides of the camera. We unpack how the Terrifier films evolved from a $30,000 micro-budget horror film to a $2M theatrical blockbuster, while maintaining its independent spirit - thanks to director Damien Leone's uncompromising vision.

We also explore the realities of modern independent filmmaking, the importance of artistic integrity, and why sometimes less resources can lead to more creative freedom. Samantha shares insights from her experience both acting in micro-budget productions and directing high-end commercials, ultimately explaining why she chose to return to her independent filmmaking roots.

Topics covered include:

• How Terrifier evolved from a $30K first film to a $2M third installment
• The crew behind the original Terrifier, and how director Damien Leone handled multiple roles
• Samantha’s transition from acting to directing, including doc work and commercial projects
• Her upcoming psychological horror short film Open Your Eyes
• The profound influence of John Cassavetes on Samantha’s artistic philosophy
• The realities of film festival programming and industry networking
• The challenges of balancing commercial work with personal creative projects

Links from the show: 

Samantha Scaffidi – Instagram
Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>https://api.spreaker.com/episode/63704682Wed, 15 Jan 2025 21:24:18 +0000Noam KrollIn this episode, I am thrilled to be joined by actor and filmmaker Samantha Scaffidi, known for her role in the massively successful Terrifier franchise, and her upcoming short film Open Your Eyes. Thought the episode, Samantha offers a unique...Terrifier franchise, and her upcoming short film Open Your Eyes.

Thought the episode, Samantha offers a unique perspective on independent filmmaking from both sides of the camera. We unpack how the Terrifier films evolved from a $30,000 micro-budget horror film to a $2M theatrical blockbuster, while maintaining its independent spirit - thanks to director Damien Leone's uncompromising vision.

We also explore the realities of modern independent filmmaking, the importance of artistic integrity, and why sometimes less resources can lead to more creative freedom. Samantha shares insights from her experience both acting in micro-budget productions and directing high-end commercials, ultimately explaining why she chose to return to her independent filmmaking roots.

Topics covered include:

• How Terrifier evolved from a $30K first film to a $2M third installment
• The crew behind the original Terrifier, and how director Damien Leone handled multiple roles
• Samantha’s transition from acting to directing, including doc work and commercial projects
• Her upcoming psychological horror short film Open Your Eyes
• The profound influence of John Cassavetes on Samantha’s artistic philosophy
• The realities of film festival programming and industry networking
• The challenges of balancing commercial work with personal creative projects

Links from the show: 

Samantha Scaffidi – Instagram
Sign up for my newsletter for exclusive filmmaking insight each Sunday]]>3816falsefullhttps://www.spreaker.com/episode/misha-calvert-raye-spielberg-on-making-their-powerful-short-film-pink-flags--63491885
Throughout our discussion, we dive into the collaborative process at length, with special emphasis on the merits of working with close friends and family. Topics covered include:

• Misha's journey from directing comedy & TV to making a full scale short film
• Turning a $50K budget into $300K of production value
• Raye's three months of figure skating training & how it helped set this film apart
• The dynamics of actor-director workflows when working with friends
• Benefits of short films vs. long form projects
• Much more!

Links from them show:

Misha Calvert - Instagram
Misha Calvert - Website
Misha Calvert - ClassesRaye Spielberg - Instagram

Raye Spielberg - Website



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]]>https://api.spreaker.com/episode/63491885Sat, 28 Dec 2024 00:09:33 +0000Noam KrollIn this episode, I am joined by director Misha Calvert and actor Raye Spielberg to unpack their latest short film PINK FLAGS - a figure skating drama that stars both Raye and her husband Sawyer Spielberg. Throughout our discussion, we dive into the...
Throughout our discussion, we dive into the collaborative process at length, with special emphasis on the merits of working with close friends and family. Topics covered include:

• Misha's journey from directing comedy & TV to making a full scale short film
• Turning a $50K budget into $300K of production value
• Raye's three months of figure skating training & how it helped set this film apart
• The dynamics of actor-director workflows when working with friends
• Benefits of short films vs. long form projects
• Much more!

Links from them show:

Misha Calvert - Instagram
Misha Calvert - Website
Misha Calvert - ClassesRaye Spielberg - Instagram

Raye Spielberg - Website



Sign up for my newsletter for exclusive filmmaking insight each Sunday.

]]>2844falsefullhttps://www.spreaker.com/episode/from-improv-comedy-to-horror-movies-an-interview-with-filmmaker-shannon-e-brown--63257057Overnights - inspired by her real life experience in the veterinary industry, and the burnout that it caused.

Shannon combined her background in the veterinary world, improv comedy, and horror sensibilities to create a deeply personal, uniquely stylized short film. Throughout the interview, we discuss:

• The parallels between comedy and horror genres in filmmaking
• Producing the film in two days in a borrowed dental office
• Working with Little Shop of Gore for practical effects
• Writing from real experiences in the veterinary industry
• Strategic approaches to film festival submissions
• Experiences at notable genre festivals like Panic Fest
• Working with comedy performers in dramatic roles
• Much more!

Links from the show: 

Overnights - Short Film
Shannon E. Brown - Instagram
Shannon E. Brown - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/63257057Tue, 10 Dec 2024 19:37:00 +0000Noam KrollIn this episode, I am joined by filmmaker Shannon E. Brown, here to discuss her latest short film Overnights - inspired by her real life experience in the veterinary industry, and the burnout that it caused. Shannon combined her background in the...Overnights - inspired by her real life experience in the veterinary industry, and the burnout that it caused.

Shannon combined her background in the veterinary world, improv comedy, and horror sensibilities to create a deeply personal, uniquely stylized short film. Throughout the interview, we discuss:

• The parallels between comedy and horror genres in filmmaking
• Producing the film in two days in a borrowed dental office
• Working with Little Shop of Gore for practical effects
• Writing from real experiences in the veterinary industry
• Strategic approaches to film festival submissions
• Experiences at notable genre festivals like Panic Fest
• Working with comedy performers in dramatic roles
• Much more!

Links from the show: 

Overnights - Short Film
Shannon E. Brown - Instagram
Shannon E. Brown - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2377falsefullhttps://www.spreaker.com/episode/making-2-features-at-age-50-with-filmmaker-kim-noonan--62759162
After years of making award-winning short films, Kim transitioned to features with the found-footage horror film Nyctophobia and followed it up with the supernatural thriller Are You There? which secured distribution through Dark Sky Films.

Topics covered include:

• Kim's journey from acting to directing
• Making his feature filmmaking debut at age 50
• How he made a micro-budget found footage film in 10 days
• Scaling up to a larger production while maintaining creative control
• The importance of casting and giving actors space to find their characters
• Maintaining momentum and avoiding creative burnout
• The distinction between festival success and commercial distribution

Links from the show:

Kim Noonan – Website
Kim Noonan – Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/62759162Fri, 15 Nov 2024 20:23:26 +0000Noam KrollIn this episode, I am joined by filmmaker Kim Noonan, who made his feature directorial debut at age 50 with two horror films - proving you can take your career to the next level at any age. After years of making award-winning short films, Kim...
After years of making award-winning short films, Kim transitioned to features with the found-footage horror film Nyctophobia and followed it up with the supernatural thriller Are You There? which secured distribution through Dark Sky Films.

Topics covered include:

• Kim's journey from acting to directing
• Making his feature filmmaking debut at age 50
• How he made a micro-budget found footage film in 10 days
• Scaling up to a larger production while maintaining creative control
• The importance of casting and giving actors space to find their characters
• Maintaining momentum and avoiding creative burnout
• The distinction between festival success and commercial distribution

Links from the show:

Kim Noonan – Website
Kim Noonan – Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2774falsefullhttps://www.spreaker.com/episode/making-a-65k-feature-film-landing-theatrical-distribution-with-filmmaker-sripal-sama--62642739How's That for Monday?

While holding down his day job as an IT security engineer, Sripal managed to write, direct, and produce a compelling thriller for just $65,000 - and secured theatrical distribution in both the US and India. Our discussion dives deep into his filmmaking approach and distribution journey.

Topics covered include:

• How Sripal benefitted from his background outside the film industry
• Shooting a 68-page script in 16.5 days across 5 key locations
• Creative approaches to minimal coverage that still tell a compelling story
• Navigating theatrical releases in two countries without a major marketing budget
• Reaching 50% budget recoupment through strategic platform selection
• Drawing inspiration from both American indie cinema and Indian filmmaking techniques

Links from the show:

Sripal Sama - Twitter
Sripal Sama -  Instagram
Sripal Sama - Email

Sign up for my newsletter for exclusive filmmaking insight each Sunday.
]]>https://api.spreaker.com/episode/62642739Wed, 06 Nov 2024 18:20:01 +0000Noam KrollIn this episode, I am joined by filmmaker Sripal Sama, who turned his engineering background into an advantage when crafting his debut feature How's That for Monday? While holding down his day job as an IT security engineer, Sripal managed to write,...How's That for Monday?

While holding down his day job as an IT security engineer, Sripal managed to write, direct, and produce a compelling thriller for just $65,000 - and secured theatrical distribution in both the US and India. Our discussion dives deep into his filmmaking approach and distribution journey.

Topics covered include:

• How Sripal benefitted from his background outside the film industry
• Shooting a 68-page script in 16.5 days across 5 key locations
• Creative approaches to minimal coverage that still tell a compelling story
• Navigating theatrical releases in two countries without a major marketing budget
• Reaching 50% budget recoupment through strategic platform selection
• Drawing inspiration from both American indie cinema and Indian filmmaking techniques

Links from the show:

Sripal Sama - Twitter
Sripal Sama -  Instagram
Sripal Sama - Email

Sign up for my newsletter for exclusive filmmaking insight each Sunday.
]]>2599falsefullhttps://www.spreaker.com/episode/directing-dp-ing-a-no-budget-no-crew-monochrome-feature-film-with-jean-baptiste-herment--62237512Épidermique.

Throughout the episode we discuss:

• How Jean-Baptiste produced the feature film with no crew
• Benefits of spreading out the production schedule over a year
• Drawing inspiration from Italian cinema, Robert Rodriguez and beyond
• The benefits of shooting monochrome on a low budget
• Using 4 - 5 different cameras and matching them in post
• The merits of film festivals vs. online self-distribution
• Much more!

Links from the show:

Épidermique - Instagram
Akaba Media - Vimeo
Akaba Media - YouYube

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/62237512Fri, 04 Oct 2024 21:58:48 +0000Noam KrollToday I am joined by film critic turned filmmaker Jean-Baptiste Herment, here to talk about his DIY feature film Épidermique. Throughout the episode we discuss: - How Jean-Baptiste produced the feature film with no crew - Benefits of spreading out...Épidermique.

Throughout the episode we discuss:

• How Jean-Baptiste produced the feature film with no crew
• Benefits of spreading out the production schedule over a year
• Drawing inspiration from Italian cinema, Robert Rodriguez and beyond
• The benefits of shooting monochrome on a low budget
• Using 4 - 5 different cameras and matching them in post
• The merits of film festivals vs. online self-distribution
• Much more!

Links from the show:

Épidermique - Instagram
Akaba Media - Vimeo
Akaba Media - YouYube

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2584falsefullhttps://www.spreaker.com/episode/a-formula-for-making-selling-100-000-documentary-films--62035876Trekkies, Suckers, and The Truth About Marriage.

Throughout our discussion, we unpack Roger’s winning formula for making and selling documentary films. Topics covered include:

• Why $100,000 is the magic number as a starting point for your budget
• The realities of recouping your costs, and what to expect from sales
• How to generate interest from multiple buyers to up your minimum guarantee
• The importance of theme from a creative and business perspective
• Applying traditional storytelling principles to challenging topics
• Best practices for getting started making your next doc

Links from the show:

Roger Nygard - Website 

The Documentarian - Book

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/62035876Thu, 19 Sep 2024 22:17:27 +0000Noam KrollToday I am joined by acclaimed documentary filmmaker Roger Nygard, who you might know from films like Trekkies, Suckers, and The Truth About Marriage. Throughout our discussion, we unpack Roger’s winning formula for making and selling documentary...Trekkies, Suckers, and The Truth About Marriage.

Throughout our discussion, we unpack Roger’s winning formula for making and selling documentary films. Topics covered include:

• Why $100,000 is the magic number as a starting point for your budget
• The realities of recouping your costs, and what to expect from sales
• How to generate interest from multiple buyers to up your minimum guarantee
• The importance of theme from a creative and business perspective
• Applying traditional storytelling principles to challenging topics
• Best practices for getting started making your next doc

Links from the show:

Roger Nygard - Website 

The Documentarian - Book

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3279falsefullhttps://www.spreaker.com/episode/shooting-a-60-minute-feature-film-in-one-day-with-filmmaker-mark-mc-auley--61215359aWake, which was shot in a single day!

The discussion covers his entire creative workflow, philosophical approach to filmmaking, production tactics, and loads more. Some of the topics covered include:

• Adapting a short film into to a feature
• Using single takes to produce a feature in one day
• Elevating “stage play” ideas with a cinematic treatment
• The importance of setting rules for your production
• How to build your own filmmaking model
• Cultivating resilience for long term success
• Creating buzz and navigating festivals

Links from the show:

Awake - Film Website
Mark Mc Auley - Website
Mark Mc Auley - X
Mark Mc Auley - Instagram



Sign up for my newsletter for exclusive filmmaking insight each Sunday.
]]>https://api.spreaker.com/episode/61215359Fri, 30 Aug 2024 21:56:22 +0000Noam KrollIn this episode, I am joined by filmmaker Mark Mc Auley to discuss the creative process behind his feature film aWake, which was shot in a single day! The discussion covers his entire creative workflow, philosophical approach to filmmaking,...aWake, which was shot in a single day!

The discussion covers his entire creative workflow, philosophical approach to filmmaking, production tactics, and loads more. Some of the topics covered include:

• Adapting a short film into to a feature
• Using single takes to produce a feature in one day
• Elevating “stage play” ideas with a cinematic treatment
• The importance of setting rules for your production
• How to build your own filmmaking model
• Cultivating resilience for long term success
• Creating buzz and navigating festivals

Links from the show:

Awake - Film Website
Mark Mc Auley - Website
Mark Mc Auley - X
Mark Mc Auley - Instagram



Sign up for my newsletter for exclusive filmmaking insight each Sunday.
]]>3391falsefullhttps://www.spreaker.com/episode/no-budget-cinematography-5-essential-coverage-methods-part-2--61045805
Topics covered include:

• The 33% rule for shooting coverage
• 5 ideal coverage methods for no-budget productions
• Shooting scenes in a single take (while avoiding common mistakes)
• Alternate methods to traditional “film school” coverage
• How the “scene split” technique can improve quality and save time
• Much more!

These lessons offer a glimpse into my upcoming filmmaking course No-Budget Cinematography Blueprint, which will be released next week.

As a listener, you can save 50% when you pre-order the course now!

Simply use code: SDT50 at checkout here.]]>https://api.spreaker.com/episode/61045805Thu, 15 Aug 2024 22:54:54 +0000Noam KrollThis episode is part 2 in the no-budget cinematography series, where we explore methods and tactics for achieving strong visuals with limited means. Topics covered include: - The 33% rule for shooting coverage - 5 ideal coverage methods for...
Topics covered include:

• The 33% rule for shooting coverage
• 5 ideal coverage methods for no-budget productions
• Shooting scenes in a single take (while avoiding common mistakes)
• Alternate methods to traditional “film school” coverage
• How the “scene split” technique can improve quality and save time
• Much more!

These lessons offer a glimpse into my upcoming filmmaking course No-Budget Cinematography Blueprint, which will be released next week.

As a listener, you can save 50% when you pre-order the course now!

Simply use code: SDT50 at checkout here.]]>1273falsefullhttps://www.spreaker.com/episode/sundance-winner-jim-cummings-on-making-groundbreaking-films-building-a-successful-career--60974543Thunder Road, The Wolf Of Snow Hollow, and The Beta Test. 

Jim recently released a brand new short film titled Is Now A Good Time, which we discuss at length throughout the podcast. The conversation spans Jim’s filmmaking journey post-Thunder Road, his creative process for developing ideas, and tactics for filmmakers looking to improve their craft. Jim also shares a sneak peek at his upcoming television series, thoughts on the future of Hollywood, and much more!

Links from the show:

Is Now A Good Time - Short Film
Jim Cummings - Instagram
Jim Cummings - X

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/60974543Fri, 09 Aug 2024 22:10:07 +0000Noam KrollToday I am thrilled to be joined by the amazingly talented Jim Cummings, who you know as the Sundance winning writer / director / actor behind films like Thunder Road, The Wolf Of Snow Hollow, and The Beta Test.  Jim recently released a brand new...Thunder Road, The Wolf Of Snow Hollow, and The Beta Test. 

Jim recently released a brand new short film titled Is Now A Good Time, which we discuss at length throughout the podcast. The conversation spans Jim’s filmmaking journey post-Thunder Road, his creative process for developing ideas, and tactics for filmmakers looking to improve their craft. Jim also shares a sneak peek at his upcoming television series, thoughts on the future of Hollywood, and much more!

Links from the show:

Is Now A Good Time - Short Film
Jim Cummings - Instagram
Jim Cummings - X

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>4912falsefullhttps://www.spreaker.com/episode/no-budget-cinematography-how-to-achieve-stunning-visuals-part-1--60931126
The full episode covers:

• The 3 “no’s” of no-budget cinematography
• Workflow differences on a no-budget production
• Avoiding common pitfalls that can kill production value
• Lighting setups, blocking, framing, and actor placement
• Using day-for-night as a tool for both interiors and exteriors
• Much more!

These lessons offer a glimpse into my upcoming filmmaking course No-Budget Cinematography Blueprint, which will be released later this month.

As a listener, you can save 50% when you pre-order the course now!

Simply use code: SDT50 at checkout here.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/60931126Mon, 05 Aug 2024 23:12:44 +0000Noam KrollToday we take a deep dive into the world of no-budget cinematography, looking at methods and workflows for achieving better results within limited means.  The full episode covers: - The 3 “no’s” of no-budget cinematography - Workflow differences on...
The full episode covers:

• The 3 “no’s” of no-budget cinematography
• Workflow differences on a no-budget production
• Avoiding common pitfalls that can kill production value
• Lighting setups, blocking, framing, and actor placement
• Using day-for-night as a tool for both interiors and exteriors
• Much more!

These lessons offer a glimpse into my upcoming filmmaking course No-Budget Cinematography Blueprint, which will be released later this month.

As a listener, you can save 50% when you pre-order the course now!

Simply use code: SDT50 at checkout here.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>1448falsefullhttps://www.spreaker.com/episode/surviving-the-world-of-freelance-filmmaking-with-whitney-ingram--60745227
After a stint working in-house as a content creator, Whitney recently re-entered the freelance world and is already finding success landing projects that align with her creative goals. Throughout the episode we explore the benefits (and challenges) of going freelance full time, and how Whitney strikes a balance between corporate gigs and passion projects.

Whitney also shares her recent experience directing and DP'ing a short film, leveraging social media as a career tool, and strategies for landing paid work.

Links from the show:

Whitney Ingram - Instagram

Whitney Ingram - YouTube

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/60745227Fri, 19 Jul 2024 20:27:19 +0000Noam KrollToday I am joined by returning guest Whitney Ingram to talk all about the world of freelance filmmaking. After a stint working in-house as a content creator, Whitney recently re-entered the freelance world and is already finding success landing...
After a stint working in-house as a content creator, Whitney recently re-entered the freelance world and is already finding success landing projects that align with her creative goals. Throughout the episode we explore the benefits (and challenges) of going freelance full time, and how Whitney strikes a balance between corporate gigs and passion projects.

Whitney also shares her recent experience directing and DP'ing a short film, leveraging social media as a career tool, and strategies for landing paid work.

Links from the show:

Whitney Ingram - Instagram

Whitney Ingram - YouTube

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2215falsefullhttps://www.spreaker.com/episode/beating-imposter-syndrome-as-a-filmmaker--60517604
Topics covered include:

• The difference between healthy self-criticism and debilitating doubt
• Why you should avoid sharing your film ideas prematurely
• The dangers of setting arbitrary deadlines for "making it" in the industry
• How to handle criticism from non-filmmakers
• Why making films repeatadly is the best way to overcome self doubt

All of this and much more on today's show.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/60517604Wed, 26 Jun 2024 16:37:32 +0000Noam KrollIn this episode, we explore the age old issue of imposter syndrome and look at ways to eliminate self-doubt as a filmmaker. From comparing yourself to others to fear of failure - the episode is packed with strategies to combat negativity. Topics...
Topics covered include:

• The difference between healthy self-criticism and debilitating doubt
• Why you should avoid sharing your film ideas prematurely
• The dangers of setting arbitrary deadlines for "making it" in the industry
• How to handle criticism from non-filmmakers
• Why making films repeatadly is the best way to overcome self doubt

All of this and much more on today's show.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>1397falsefullhttps://www.spreaker.com/episode/writing-producing-and-starring-in-a-debut-micro-budget-feature-with-filmmaker-jonathon-m-smith--60452216
Not long after joining the community, Jonathon went on to make his debut feature film Broken City, lock in distribution, and launch an impressive film marketing event in his hometown. Throughout the interview, Jonathon sheds light on his philosophy on filmmaking, the challenges of fundraising, and his decision to shoot a low-budget film in a single location.

He also speaks to the importance of mental toughness, how his background in sports impacted his disciplined approach to filmmaking, and much more. 

Links from the show:

Jonathon M. Smith - Email
Broken City - Amazon
Jonathon M. Smith - X 
Jonathon M. Smith- Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/60452216Thu, 20 Jun 2024 16:32:15 +0000Noam KrollIn this episode, I am joined by writer, producer and actor Jonathon M. Smith - who originally connected with me through my filmmaking community (The Backlot).  Not long after joining the community, Jonathon went on to make his debut feature film...
Not long after joining the community, Jonathon went on to make his debut feature film Broken City, lock in distribution, and launch an impressive film marketing event in his hometown. Throughout the interview, Jonathon sheds light on his philosophy on filmmaking, the challenges of fundraising, and his decision to shoot a low-budget film in a single location.

He also speaks to the importance of mental toughness, how his background in sports impacted his disciplined approach to filmmaking, and much more. 

Links from the show:

Jonathon M. Smith - Email
Broken City - Amazon
Jonathon M. Smith - X 
Jonathon M. Smith- Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2343falsefullhttps://www.spreaker.com/episode/the-pitfalls-of-single-location-feature-filmmaking-how-to-keep-your-audience-engaged--60440571
Throughout the show I unpack many of the common pitfalls associated with this approach - like keeping your audience engaged and avoiding visual repetition - along with creative solutions at each step. Topics covered include:

• Writing your script around the location from the beginning
• Seeking out primal stories with high stakes and character potential
• Utilizing every space within the location to add visual variety
• Varying the time of day to create diverse lighting setups and moods
• Casting dynamic actors with natural chemistry to add intensity

All of this and much more on today's show!

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/60440571Wed, 19 Jun 2024 18:54:00 +0000Noam KrollIn this episode, I dive deep into the world of single location filmmaking and share my thoughts making the most of your micro-budget production. Throughout the show I unpack many of the common pitfalls associated with this approach - like keeping...
Throughout the show I unpack many of the common pitfalls associated with this approach - like keeping your audience engaged and avoiding visual repetition - along with creative solutions at each step. Topics covered include:

• Writing your script around the location from the beginning
• Seeking out primal stories with high stakes and character potential
• Utilizing every space within the location to add visual variety
• Varying the time of day to create diverse lighting setups and moods
• Casting dynamic actors with natural chemistry to add intensity

All of this and much more on today's show!

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>1528falsefullhttps://www.spreaker.com/episode/running-a-production-company-landing-top-tier-clients-and-thriving-in-commercial-filmmaking-with-ryan-mcguire--60316301Cutter Studios in Tokyo, Japan. 

Throughout the interview, Ryan and I take a deep dive into the world of commercial filmmaking. Ryan shares his story launching a niche production business in Japan, which has attracted clients like Amazon and Zeiss along the way. We also discuss tips for filmmakers looking to build an impressive body of work, how to best differentiate yourself, the impact of AI on the industry, and much more. 

Links from the show:

Cutter Studios Tokyo
Ryan McGuire - LinkedIn
Ryan McGuire - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/60316301Fri, 07 Jun 2024 20:29:17 +0000Noam KrollToday I am joined by Ryan McGuire, who heads up the commercial production company Cutter Studios in Tokyo, Japan.  Throughout the interview, Ryan and I take a deep dive into the world of commercial filmmaking. Ryan shares his story launching a niche...Cutter Studios in Tokyo, Japan. 

Throughout the interview, Ryan and I take a deep dive into the world of commercial filmmaking. Ryan shares his story launching a niche production business in Japan, which has attracted clients like Amazon and Zeiss along the way. We also discuss tips for filmmakers looking to build an impressive body of work, how to best differentiate yourself, the impact of AI on the industry, and much more. 

Links from the show:

Cutter Studios Tokyo
Ryan McGuire - LinkedIn
Ryan McGuire - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>1893falsefullhttps://www.spreaker.com/episode/emmy-winner-marcus-mizelle-on-podcasting-for-filmmakers-the-role-of-curation-in-cinema-and-more--60241583Past Present Feature (@pastpresentfeature), Marcus Mizelle. An Emmy award winning feature filmmaker who has made numerous successful DIY narrative and documentary films.

Throughout the interview we talk about Marcus’ leap from scripted micro-budget narratives, to breakthrough feature doc projects. He speaks to the importance of curation in modern day cinema, the state of the theatrical experience, and shares the benefits of podcasting and content creating for filmmakers.

This and much more on today's episode!

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/60241583Fri, 31 May 2024 21:39:36 +0000Noam KrollIn this episode I am joined by friend of the show and host of Past Present Feature (https://www.instagram.com/pastpresentfeature/), Marcus Mizelle. An Emmy award winning feature filmmaker who has made numerous successful DIY narrative and documentary...Past Present Feature (@pastpresentfeature), Marcus Mizelle. An Emmy award winning feature filmmaker who has made numerous successful DIY narrative and documentary films.

Throughout the interview we talk about Marcus’ leap from scripted micro-budget narratives, to breakthrough feature doc projects. He speaks to the importance of curation in modern day cinema, the state of the theatrical experience, and shares the benefits of podcasting and content creating for filmmakers.

This and much more on today's episode!

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2302falsefullhttps://www.spreaker.com/episode/dp-oren-soffer-on-shooting-the-creator-finding-your-cinematic-voice-and-thriving-in-hollywood--59956117
Oren is of course known for his brilliant camera work on countless narrative, commercial, and music video projects. He recently co-DP’d The Creator along with Greig Fraser - which drew tons of attention for its stunning visuals and innovative use of the Sony FX3.

Throughout the interview, Oren talks about his journey into cinematography, the process of co-DP'ing a project, and tips for budding cinematographers looking to break in. He also shares technical wisdom on green screens vs. gray screens, shooting with the FX3 on a major feature film, and much more! 

Links from the show:

Oren Soffer - Instagram  
Oren Soffer - Website
Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/59956117Thu, 09 May 2024 23:42:33 +0000Noam KrollToday I am thrilled to have acclaimed DP Oren Soffer on to talk about his recent work on The Creator, and all other things cinematography. Oren is of course known for his brilliant camera work on countless narrative, commercial, and music video...
Oren is of course known for his brilliant camera work on countless narrative, commercial, and music video projects. He recently co-DP’d The Creator along with Greig Fraser - which drew tons of attention for its stunning visuals and innovative use of the Sony FX3.

Throughout the interview, Oren talks about his journey into cinematography, the process of co-DP'ing a project, and tips for budding cinematographers looking to break in. He also shares technical wisdom on green screens vs. gray screens, shooting with the FX3 on a major feature film, and much more! 

Links from the show:

Oren Soffer - Instagram  
Oren Soffer - Website
Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2735falsefullhttps://www.spreaker.com/episode/horror-icon-barbara-crampton-on-making-killer-genre-films-landing-amazing-actors-more--59753040Re-Animator, Jakob’s Wife, Suitable Flesh, and countless others.

After recently working with Barbara on our new feature film, I had to get her on the podcast to discuss her unique creative process.

Throughout the discussion, we cover Barbara’s career path from soap star to genre legend. We also discuss tips for new directors working with actors, the importance of re-inventing yourself as an artist, landing notable actors for your film, and so much more.

Links from the show:

Barbara on Instagram
Barbara on Twitter
Barbara on Facebook
Scream Dreams Podcast

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/59753040Wed, 01 May 2024 19:01:54 +0000Noam KrollIn this episode I am very excited to share my interview with the amazing Barbara Crampton - Known for her iconic genre films like Re-Animator, Jakob’s Wife, Suitable Flesh, and countless others. After recently working with Barbara on our new feature...Re-Animator, Jakob’s Wife, Suitable Flesh, and countless others.

After recently working with Barbara on our new feature film, I had to get her on the podcast to discuss her unique creative process.

Throughout the discussion, we cover Barbara’s career path from soap star to genre legend. We also discuss tips for new directors working with actors, the importance of re-inventing yourself as an artist, landing notable actors for your film, and so much more.

Links from the show:

Barbara on Instagram
Barbara on Twitter
Barbara on Facebook
Scream Dreams Podcast

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>4931falsefullhttps://www.spreaker.com/episode/the-experimental-cinematography-of-poor-things-petzval-lenses-mixed-formats-and-more--59443758Poor Things.


While many lenses were used throughout production, there were 4 in particular that I believe contributed most critically to the distinct look of this film - Including a pair of Lomography Petzval lenses, and a 4mm lens adapted from Super 16. 

Throughout the episode, I cover each lens in depth, explore how they were used, and share other key takeaways from the film.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/59443758Fri, 12 Apr 2024 20:42:04 +0000Noam KrollIn this episode, I share a breakdown of some amazing and unconventional lens choices on the feature film Poor Things. While many lenses were used throughout production, there were 4 in particular that I believe contributed most critically to the...Poor Things.


While many lenses were used throughout production, there were 4 in particular that I believe contributed most critically to the distinct look of this film - Including a pair of Lomography Petzval lenses, and a 4mm lens adapted from Super 16. 

Throughout the episode, I cover each lens in depth, explore how they were used, and share other key takeaways from the film.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>1105falsefullhttps://www.spreaker.com/episode/making-a-200-feature-film-with-a-crew-of-2-an-interview-with-marty-mcgowan--59222340Ava on a budget of just $200!

Throughout the episode, we unpack Marty’s creative process, how he pulled off a feature with a 2 person crew, and his approach to building a strong visual palette on a budget. We also touch on his workflow for capturing great performances, the importance of building your own filmmaking model, and more.

Links from the show:

Marty McGowan - Instagram

Marty McGowan - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/59222340Fri, 29 Mar 2024 19:09:42 +0000Noam KrollIn this episode I am joined by DIY filmmaker Marty McGowan, who recently completed his feature film Ava on a budget of just $200! Throughout the episode, we unpack Marty’s creative process, how he pulled off a feature with a 2 person crew, and his...Ava on a budget of just $200!

Throughout the episode, we unpack Marty’s creative process, how he pulled off a feature with a 2 person crew, and his approach to building a strong visual palette on a budget. We also touch on his workflow for capturing great performances, the importance of building your own filmmaking model, and more.

Links from the show:

Marty McGowan - Instagram

Marty McGowan - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3628falsefullhttps://www.spreaker.com/episode/8-issues-that-can-kill-an-indie-film-and-how-to-avoid-them--58962891

1. Big egos
2. Rushing the script
3. Dragging out development
4. Overspending on equipment
5. Neglecting actors for camera
6. Making sound an afterthought
7. Not taking feedback from the team
8. Not caring about the small details

Throughout the show I take a deep dive into the root cause of each of these issues, along with practical solutions for working around them.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/58962891Thu, 07 Mar 2024 20:26:28 +0000Noam KrollIn this new solo episode, I break down these 8 common issues that can kill your indie film: - Big egos - Rushing the script - Dragging out development - Overspending on equipment - Neglecting actors for camera - Making sound an afterthought - Not...

1. Big egos
2. Rushing the script
3. Dragging out development
4. Overspending on equipment
5. Neglecting actors for camera
6. Making sound an afterthought
7. Not taking feedback from the team
8. Not caring about the small details

Throughout the show I take a deep dive into the root cause of each of these issues, along with practical solutions for working around them.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>1698falsefullhttps://www.spreaker.com/episode/shooting-a-micro-budget-action-feature-with-writer-director-steven-pierce--58803797Herd.

The film follows a woman that ends up trapped between a zombie outbreak and warring militia groups while trying to outrun her past. An ambitious concept for a micro-budget, making the execution of it all that much more impressive.

Throughout the episode Steven and I speak about his new film at length. We cover his tactics for shooting action sequences on a budget, how he covered 20+ locations, the process of editing his own film, and much more.

Links from the show:

Herd - Movie Website
Herd - Instagram
Steven Pierce - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/58803797Fri, 23 Feb 2024 23:17:36 +0000Noam KrollIn this episode, I am joined by filmmaker Steven Pierce to talk all about his latest feature film Herd. The film follows a woman that ends up trapped between a zombie outbreak and warring militia groups while trying to outrun her past. An ambitious...Herd.

The film follows a woman that ends up trapped between a zombie outbreak and warring militia groups while trying to outrun her past. An ambitious concept for a micro-budget, making the execution of it all that much more impressive.

Throughout the episode Steven and I speak about his new film at length. We cover his tactics for shooting action sequences on a budget, how he covered 20+ locations, the process of editing his own film, and much more.

Links from the show:

Herd - Movie Website
Herd - Instagram
Steven Pierce - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2601falsefullhttps://www.spreaker.com/episode/how-to-direct-dp-your-film-at-the-same-time-without-sacrificing-quality--58711276
Throughout the episode we cover everything from camera & lens choice to on-set workflow. All with the intention of maximizing collaboration with actors, achieving great production value, and simplifying your on-set workflow.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/58711276Fri, 16 Feb 2024 22:23:05 +0000Noam KrollIn this new solo episode, I compare and contrast my experience directing and DP’ing two separate feature films, and share tips for other filmmakers looking to do the same. Throughout the episode we cover everything from camera & lens choice to...
Throughout the episode we cover everything from camera & lens choice to on-set workflow. All with the intention of maximizing collaboration with actors, achieving great production value, and simplifying your on-set workflow.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>863falsefullhttps://www.spreaker.com/episode/from-sxsw-shorts-to-directing-bruce-dern-in-buck-alamo-an-interview-with-benjamin-epstein--58627276Buck Alamo, which stars Bruce Dern, Sonny Carl Davis, Lorelei Linklater, and premiered at the Oldenburg Film Festival.

Throughout the episode we discuss Benjamin’s path as a filmmaker. From his early short film work to his first premiere at SXSW. We also unpack his creative process, his experience directing TV, and take a behind the scenes look at his latest feature film Buck Alamo.

Links from the show:

Benjamin Epstein - Instagram
Buck Alamo - Movie Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/58627276Fri, 09 Feb 2024 21:09:19 +0000Noam KrollToday I am joined by writer / director Benjamin Epstein to talk about his acclaimed feature film Buck Alamo, which stars Bruce Dern, Sonny Carl Davis, Lorelei Linklater, and premiered at the Oldenburg Film Festival. Throughout the episode we discuss...Buck Alamo, which stars Bruce Dern, Sonny Carl Davis, Lorelei Linklater, and premiered at the Oldenburg Film Festival.

Throughout the episode we discuss Benjamin’s path as a filmmaker. From his early short film work to his first premiere at SXSW. We also unpack his creative process, his experience directing TV, and take a behind the scenes look at his latest feature film Buck Alamo.

Links from the show:

Benjamin Epstein - Instagram
Buck Alamo - Movie Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2371falsefullhttps://www.spreaker.com/episode/from-no-budget-feature-to-green-light-making-my-biggest-indie-feature-film-to-date--58537302Teacher's Pet, I am thrilled to return to the show!

Before sharing a slew of new interviews with you, I wanted to first publish this solo episode to give you a behind the scenes look into our process on the new movie.

Throughout the episode I discuss how the film was developed, my approach to keeping a DIY mentality while scaling things up, specific on set workflows, and much more.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/58537302Thu, 01 Feb 2024 21:28:30 +0000Noam KrollAfter taking a brief hiatus while in production for our new feature Teacher's Pet, I am thrilled to return to the show! Before sharing a slew of new interviews with you, I wanted to first publish this solo episode to give you a behind the scenes look...Teacher's Pet, I am thrilled to return to the show!

Before sharing a slew of new interviews with you, I wanted to first publish this solo episode to give you a behind the scenes look into our process on the new movie.

Throughout the episode I discuss how the film was developed, my approach to keeping a DIY mentality while scaling things up, specific on set workflows, and much more.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>763falsefullhttps://www.spreaker.com/episode/anyone-but-you-cinematographer-danny-ruhlmann-on-achieving-beautiful-visuals-in-camera--58099397Anyone But You (starring Sydney Sweeney & Glen Powell) is out in theaters today.

Throughout the episode Danny generously shares his wealth of knowledge on all things cinematography - From specific tactics for beauty lighting to creative workflows for achieving better results on set in less time. We also discuss networking methods for aspiring DPs, overall career advice, and much more.

Links from the show:

Anyone But You - IMDB

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/58099397Fri, 22 Dec 2023 19:14:36 +0000Noam KrollIn this episode I am excited to be joined by acclaimed DP Danny Ruhlmann, whose latest feature film Anyone But You (starring Sydney Sweeney & Glen Powell) is out in theaters today. Throughout the episode Danny generously shares his wealth of...Anyone But You (starring Sydney Sweeney & Glen Powell) is out in theaters today.

Throughout the episode Danny generously shares his wealth of knowledge on all things cinematography - From specific tactics for beauty lighting to creative workflows for achieving better results on set in less time. We also discuss networking methods for aspiring DPs, overall career advice, and much more.

Links from the show:

Anyone But You - IMDB

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2444falsefullhttps://www.spreaker.com/episode/how-to-make-a-50k-feature-in-5-days-and-land-a-theatrical-release--57592768Anchorage.

Anchorage was shot in just 5 days on a budget of barely over $50,000, but that didn’t stop the film from landing a wildly successful festival tour and eventual theatrical release. Throughout the interview we take a deep dive behind the scenes look at this innovative feature.

We also go in depth on the importance of telling personal stories, the production process, festival strategy, navigating rejection, and so much more.

Links from the show:

Anchorage Movie - Instagram
Scott Monahan - Instagram
Dakota Loesch - Instagram
Anchorage - Trailer

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/57592768Fri, 10 Nov 2023 22:52:39 +0000Noam KrollToday I am joined by filmmaker, director, and actor Scott Monahan to talk all about his brand new feature film Anchorage. Anchorage was shot in just 5 days on a budget of barely over $50,000, but that didn’t stop the film from landing a wildly...Anchorage.

Anchorage was shot in just 5 days on a budget of barely over $50,000, but that didn’t stop the film from landing a wildly successful festival tour and eventual theatrical release. Throughout the interview we take a deep dive behind the scenes look at this innovative feature.

We also go in depth on the importance of telling personal stories, the production process, festival strategy, navigating rejection, and so much more.

Links from the show:

Anchorage Movie - Instagram
Scott Monahan - Instagram
Dakota Loesch - Instagram
Anchorage - Trailer

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3010falsefullhttps://www.spreaker.com/episode/blink-182-s-tom-delonge-on-his-debut-feature-film-monsters-of-california--57106371blink-182, Angels & Airwaves, and To The Stars, here to talk all about his debut feature film Monsters Of California.

As a longtime fan of Tom’s, it was a treat to host this conversation and hear about his evolution into filmmaking first hand. We discuss the origin story of Monsters, how Tom’s band Angels & Airwaves sparked his interest in cinema, and Tom’s directorial approach to making this film.

Tom also speaks to how his DIY roots in punk music informed his approach while filming, resulting in innovative tactics that helped him achieve stunning production value as an indie production.

Monsters of California is out in theaters and streaming October 6th, 2023!

Watch the trailer for Monsters Of California here.

Follow Monsters of California on Instagram.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/57106371Fri, 06 Oct 2023 03:51:40 +0000Noam KrollToday, I am thrilled to be joined by Tom DeLonge of blink-182, Angels & Airwaves, and To The Stars, here to talk all about his debut feature film Monsters Of California. As a longtime fan of Tom’s, it was a treat to host this conversation and...blink-182, Angels & Airwaves, and To The Stars, here to talk all about his debut feature film Monsters Of California.

As a longtime fan of Tom’s, it was a treat to host this conversation and hear about his evolution into filmmaking first hand. We discuss the origin story of Monsters, how Tom’s band Angels & Airwaves sparked his interest in cinema, and Tom’s directorial approach to making this film.

Tom also speaks to how his DIY roots in punk music informed his approach while filming, resulting in innovative tactics that helped him achieve stunning production value as an indie production.

Monsters of California is out in theaters and streaming October 6th, 2023!

Watch the trailer for Monsters Of California here.

Follow Monsters of California on Instagram.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>1280falsefullhttps://www.spreaker.com/episode/from-diy-short-films-to-a-major-feature-film-debut-with-it-lives-inside-director-bishal-dutta--57096641 It Lives Inside.

After making dozens of short films, Bishal leveraged his impressive body of work to develop an amazing feature film with NEON. Throughout the interview, we discuss Bishal’s trajectory from making self funded projects to a theatrically released feature. We also touch on the nuances of the horror genre, Bishal’s creative approach to directing, and much more.

Links from the show:

Bishal Dutta - Instagram

Bishal Dutta - Twitter

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/57096641Thu, 05 Oct 2023 21:25:16 +0000Noam KrollIn this episode I am joined by writer / director Bishal Dutta to talk all about his debut feature film It Lives Inside. After making dozens of short films, Bishal leveraged his impressive body of work to develop an amazing feature film with NEON.... It Lives Inside.

After making dozens of short films, Bishal leveraged his impressive body of work to develop an amazing feature film with NEON. Throughout the interview, we discuss Bishal’s trajectory from making self funded projects to a theatrically released feature. We also touch on the nuances of the horror genre, Bishal’s creative approach to directing, and much more.

Links from the show:

Bishal Dutta - Instagram

Bishal Dutta - Twitter

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2549falsefullhttps://www.spreaker.com/episode/jennifer-esposito-on-writing-directing-her-debut-feature-film-fresh-kills--56681602Fresh Kills.

Throughout the episode Jennifer documents her creative process at length - from conceptualizing the first female driven organized crime movie, to navigating countless obstacles to raise production financing.

She also shares invaluable insight for filmmakers on vetting producers, building a team, and working with actors, along with her experience premiering at Tribeca and much more!

Links from the show:

Jennifer Esposito - Instagram
Jennifer Esposito - Twitter / X

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/56681602Mon, 04 Sep 2023 03:33:59 +0000Noam KrollToday, I am thrilled to be joined by Jennifer Esposito, here to discuss the incredible journey making and releasing her debut feature film, Fresh Kills. Throughout the episode Jennifer documents her creative process at length - from conceptualizing...Fresh Kills.

Throughout the episode Jennifer documents her creative process at length - from conceptualizing the first female driven organized crime movie, to navigating countless obstacles to raise production financing.

She also shares invaluable insight for filmmakers on vetting producers, building a team, and working with actors, along with her experience premiering at Tribeca and much more!

Links from the show:

Jennifer Esposito - Instagram
Jennifer Esposito - Twitter / X

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3480falsefullhttps://www.spreaker.com/episode/developing-your-visual-language-with-cinematographer-columbia-film-professor-tal-lazar--56591615
Throughout the interview, Tal shares his perspective on the art of cinematography from a storytelling perspective. We discuss visual tactics for directors, how to achieve a specific cinematic vision, and the improtance of developing your own visual language.

Tal also shares his philosophy on why cinematography is not inherintly a technical artform, recommendations for buying vs. renting gear, and much more.

Links from the show:

Latent Images

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/56591615Fri, 25 Aug 2023 16:48:08 +0000Noam KrollIn this episode I am joined by acclaimed cinematographer and Columbia University film professor Tal Lazar. Throughout the interview, Tal shares his perspective on the art of cinematography from a storytelling perspective. We discuss visual tactics...
Throughout the interview, Tal shares his perspective on the art of cinematography from a storytelling perspective. We discuss visual tactics for directors, how to achieve a specific cinematic vision, and the improtance of developing your own visual language.

Tal also shares his philosophy on why cinematography is not inherintly a technical artform, recommendations for buying vs. renting gear, and much more.

Links from the show:

Latent Images

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2474falsefullhttps://www.spreaker.com/episode/location-scouting-for-the-whale-theater-camp-reality-and-more-with-jillian-fisher--56514254The Whale, Theater Camp, Reality, and countless others.

Throughout the interview, Jillian shares a behind the scenes look at her career, from breaking into the business to working on Hollywood feature films. She also talks about her journey to build up the local film industry in Kingston NY, micro-budget scouting tactics, and many lessons learned along the way.

Links from the show:

Jillian Fisher - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/56514254Fri, 18 Aug 2023 16:21:49 +0000Noam KrollIn this episode, I am joined by professional location scout Jillian Fisher - Known for her work on films like The Whale, Theater Camp, Reality, and countless others. Throughout the interview, Jillian shares a behind the scenes look at her career,...The Whale, Theater Camp, Reality, and countless others.

Throughout the interview, Jillian shares a behind the scenes look at her career, from breaking into the business to working on Hollywood feature films. She also talks about her journey to build up the local film industry in Kingston NY, micro-budget scouting tactics, and many lessons learned along the way.

Links from the show:

Jillian Fisher - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2230falsefullhttps://www.spreaker.com/episode/making-true-lies-terminator-2-platoon-dirty-dancing-mortal-kombat-and-more-with-producer-larry-kasanoff--56200123True Lies, Terminator 2, Mortal Kombat, Platoon, Dirty Dancing, and countless others.

Throughout the episode, we discuss Larry’s unique career path - from his early feature film work to his breakout success as a producer and studio executive. He also shares his unique philosophy on navigating life and creativity, which is expanded upon in his new book A Touch of the Madness: How to Be More Innovative in Work and Life... by Being a Little Crazy.

This is a must listen for filmmakers at all stages in need of a dose of wisdom and creative inspiration.

Links from the show:

www.atouchofthemadness.com

Pick up "A Touch Of The Madness" here:

Amazon
Barnes & Noble
Books-A-Million Bookshop.org
Indigo

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/56200123Mon, 24 Jul 2023 15:40:51 +0000Noam KrollToday I am thrilled to be joined by filmmaking legend Larry Kasanoff, known for his work on major feature films like True Lies, Terminator 2, Mortal Kombat, Platoon, Dirty Dancing, and countless others. Throughout the episode, we discuss Larry’s...True Lies, Terminator 2, Mortal Kombat, Platoon, Dirty Dancing, and countless others.

Throughout the episode, we discuss Larry’s unique career path - from his early feature film work to his breakout success as a producer and studio executive. He also shares his unique philosophy on navigating life and creativity, which is expanded upon in his new book A Touch of the Madness: How to Be More Innovative in Work and Life... by Being a Little Crazy.

This is a must listen for filmmakers at all stages in need of a dose of wisdom and creative inspiration.

Links from the show:

www.atouchofthemadness.com

Pick up "A Touch Of The Madness" here:

Amazon
Barnes & Noble
Books-A-Million Bookshop.org
Indigo

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Jason was inspired to make Hungry Dog Blues - a small town crime thriller - after his father’s business was indicted and raided by the federal government. This led to a 5 year journey to write, produce, direct, and ultimately act in a feature film that loosely tapped into his real life experiences.

Throughout the interview we discuss the unconventional origins of the project, raising $135,000 from a pool of investors, and his 17 day shooting schedule. We also unpackthe casting process, the importance of building camaraderie with your crew, his post-production workflow and much more.

Links from the show:

Hungry Dog Blues - Instagram
Jason Abrams - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/56105617Fri, 14 Jul 2023 20:39:59 +0000Noam KrollToday I am joined by filmmaker Jason Abrams, here to talk about the unique origin story and process behind his debut feature film. Jason was inspired to make Hungry Dog Blues - a small town crime thriller - after his father’s business was indicted...
Jason was inspired to make Hungry Dog Blues - a small town crime thriller - after his father’s business was indicted and raided by the federal government. This led to a 5 year journey to write, produce, direct, and ultimately act in a feature film that loosely tapped into his real life experiences.

Throughout the interview we discuss the unconventional origins of the project, raising $135,000 from a pool of investors, and his 17 day shooting schedule. We also unpackthe casting process, the importance of building camaraderie with your crew, his post-production workflow and much more.

Links from the show:

Hungry Dog Blues - Instagram
Jason Abrams - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3077falsefullhttps://www.spreaker.com/episode/how-filmmaker-joshua-caldwell-moved-from-diy-feature-films-to-theatrical-releases--54462969Mending The Line.

Josh is a prolific filmmaker who got his start with the $6000 feature film Layover, before leveraging its success to develop numerous subsequent features that have each grown in scope and budget. His latest feature Mending The Line (now in theaters) marks his biggest production to date, and stars Brian Cox and Sinqua Walls.

Throughout the interview, we discuss Josh’s process developing, producing, directing, and selling his latest feature. Josh also shares critical lessons for filmmakers looking to build long term careers - from managing rejection to navigating the business of film, and much more.

Links from the show:

Joshua Caldwell - Instagram
Mending The Line - Instagram
6K Filmmaker - Course


Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/54462969Fri, 16 Jun 2023 18:54:31 +0000Noam KrollToday, I’m thrilled to have Joshua Caldwell return to the show to discuss his latest feature film Mending The Line. Josh is a prolific filmmaker who got his start with the $6000 feature film Layover, before leveraging its success to develop numerous...Mending The Line.

Josh is a prolific filmmaker who got his start with the $6000 feature film Layover, before leveraging its success to develop numerous subsequent features that have each grown in scope and budget. His latest feature Mending The Line (now in theaters) marks his biggest production to date, and stars Brian Cox and Sinqua Walls.

Throughout the interview, we discuss Josh’s process developing, producing, directing, and selling his latest feature. Josh also shares critical lessons for filmmakers looking to build long term careers - from managing rejection to navigating the business of film, and much more.

Links from the show:

Joshua Caldwell - Instagram
Mending The Line - Instagram
6K Filmmaker - Course


Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3708falsefullhttps://www.spreaker.com/episode/from-50k-features-to-netflix-productions-with-film-producer-sevier-crespo--54453077
Sevier’s career kicked off after a mentorship with Robert Townsend inspired him to pursue film producing. Over the next two decades, Sevier produced countless film projects that have premiered at majors film festivals like Cannes, and has worked with the likes of Al Pacino, David Beckham, Kendrick Lamar, Kurt Russell, Ariana Grande, Mandy Moore and Demi Lovato, Lucy Hale, Taryn Manning, and countless others.

Throughout the interview, Sevier shares his journey and some of the key ingredients to his success at each stage. He also about his experience making a $50K movie that generated millions of dollars in revenue, tips for supplemting your income while building a body of work, and much more.

Links from the show:

Sevier Crespo - Instagram
Sevier Crespo - Website
Sevier Crespo - IMDB

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/54453077Fri, 16 Jun 2023 00:05:04 +0000Noam KrollIn this episode, I am excited to be joined by acclaimed producer Sevier Crespo to discuss his path as a filmmaker over the past 20 years. Sevier’s career kicked off after a mentorship with Robert Townsend inspired him to pursue film producing. Over...
Sevier’s career kicked off after a mentorship with Robert Townsend inspired him to pursue film producing. Over the next two decades, Sevier produced countless film projects that have premiered at majors film festivals like Cannes, and has worked with the likes of Al Pacino, David Beckham, Kendrick Lamar, Kurt Russell, Ariana Grande, Mandy Moore and Demi Lovato, Lucy Hale, Taryn Manning, and countless others.

Throughout the interview, Sevier shares his journey and some of the key ingredients to his success at each stage. He also about his experience making a $50K movie that generated millions of dollars in revenue, tips for supplemting your income while building a body of work, and much more.

Links from the show:

Sevier Crespo - Instagram
Sevier Crespo - Website
Sevier Crespo - IMDB

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2585falsefullhttps://www.spreaker.com/episode/creating-a-powerful-feature-film-proof-of-concept-with-the-winners-of-the-backlot-film-competition--54131983The Backlot.

Last summer, this filmmaking trio took part in a community-driven competition that required them to produce a trailer for a new feature film concept. Ultimately, their trailer won the top prize in the competition, and they were awarded a camera from Blackmagic Design, a partnership with We Make Movies, and other exciting perks.

Throughout the episode, we discuss the process that went into creating this powerful proof of concept, and how they pulled it off at each step, among many other things!

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/54131983Wed, 07 Jun 2023 19:47:37 +0000Noam KrollIn this episode, I am joined by filmmakers Craig Melville, Ben Yannette, and Andy Hassell - who I initially connected with through my filmmaking community The Backlot. Last summer, this filmmaking trio took part in a community-driven competition...The Backlot.

Last summer, this filmmaking trio took part in a community-driven competition that required them to produce a trailer for a new feature film concept. Ultimately, their trailer won the top prize in the competition, and they were awarded a camera from Blackmagic Design, a partnership with We Make Movies, and other exciting perks.

Throughout the episode, we discuss the process that went into creating this powerful proof of concept, and how they pulled it off at each step, among many other things!

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2893falsefullhttps://www.spreaker.com/episode/re-imagining-film-budgeting-with-producer-saturation-founder-jens-jacob--54121781
Throughout this episode, Jens shares his journey building his new budgeting platform for filmmakers. One that re-imagines film budgets from the ground up, making them more accessible to emerging filmmakers, and more powerful for studio level productions. Jens also shares his philosophy on the importance of collaborative producing, and the specific tools Saturation.io offers that meet those needs.

Links from the show:

Saturation.io
Saturation.io - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/54121781Tue, 06 Jun 2023 23:19:06 +0000Noam KrollToday, I am excited to be joined by Jens Jacob - an acclaimed film producer, entrepreneur, and founder of the startup Saturation.io. Throughout this episode, Jens shares his journey building his new budgeting platform for filmmakers. One that...
Throughout this episode, Jens shares his journey building his new budgeting platform for filmmakers. One that re-imagines film budgets from the ground up, making them more accessible to emerging filmmakers, and more powerful for studio level productions. Jens also shares his philosophy on the importance of collaborative producing, and the specific tools Saturation.io offers that meet those needs.

Links from the show:

Saturation.io
Saturation.io - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>1385falsefullhttps://www.spreaker.com/episode/how-to-build-passive-income-using-stock-footage-with-gray-jones--54012576
Throughout this episode, Gray shares lessons from his new book Make Six Figures With Your Smartphone, which serves as a practical guide for filmmakers looking to build passive income using footage they may already have sitting on their phone. We discuss the benefits and pitfalls of selling stock footage, the importance of finding a niche, the best platforms to sell on, and much more. Gray also gives us a behind the scenes look at his own stock footage catalog, and highlights his top performing clips - including one single shot that alone has generated over $16,000.

Links from the show:

SellStockEbook.com
DrivingFootage.com
Gray Jones - Twitter
Gray Jones - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/54012576Fri, 26 May 2023 23:38:21 +0000Noam KrollToday I am joined by editor, writer, and producer Gray Jones - who holds no less than 290 credits in film and television, and also runs a prolific stock footage business. Throughout this episode, Gray shares lessons from his new book Make Six Figures...
Throughout this episode, Gray shares lessons from his new book Make Six Figures With Your Smartphone, which serves as a practical guide for filmmakers looking to build passive income using footage they may already have sitting on their phone. We discuss the benefits and pitfalls of selling stock footage, the importance of finding a niche, the best platforms to sell on, and much more. Gray also gives us a behind the scenes look at his own stock footage catalog, and highlights his top performing clips - including one single shot that alone has generated over $16,000.

Links from the show:

SellStockEbook.com
DrivingFootage.com
Gray Jones - Twitter
Gray Jones - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3062falsefullhttps://www.spreaker.com/episode/how-i-wrote-produced-directed-a-feature-film-with-no-budget-no-crew--53836595
Throughout the episode, I break down the highly unconventional workflow that went into this production, which spanned the course of a year, 30+ locations, and multiple shooting blocks.

I also unpack the creative benefits of taking time off in between shooting dates, my approach to writing and shooting in tandem, how to balance camera and sound while directing, and other critical lessons for likeminded filmmakers making features of their own.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/53836595Fri, 12 May 2023 18:52:52 +0000Noam KrollIn celebration of this milestone 200th episode, today I return to the origins of the podcast with a solo episode - all about my experience making our latest feature film (Disappearing Boy) with no crew. Throughout the episode, I break down the...
Throughout the episode, I break down the highly unconventional workflow that went into this production, which spanned the course of a year, 30+ locations, and multiple shooting blocks.

I also unpack the creative benefits of taking time off in between shooting dates, my approach to writing and shooting in tandem, how to balance camera and sound while directing, and other critical lessons for likeminded filmmakers making features of their own.

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>1469falsefullhttps://www.spreaker.com/episode/making-a-critically-acclaimed-30-000-feature-film-with-director-tom-levesque--53658640Shut Eye.

Shut Eye is the first feature film that delves into the strange world of ASMR, and is inspired by Tom’s own experiences with insomnia. Throughout the episode, we take an in depth behind the scenes look at this project, from concept to budgeting to distribution.

Tom speaks to his documentary-style approach on this feature, which helped him complete principal photography in just 15 days. He also touches on his camera setup, aspect ratio choice, post-production workflow and more.

Links from the show:

Shut Eye - Movie

Shut Eye - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/53658640Wed, 26 Apr 2023 22:18:59 +0000Noam KrollIn this episode I am joined by filmmaker Tom Levesque to share the story behind his debut feature film Shut Eye. Shut Eye is the first feature film that delves into the strange world of ASMR, and is inspired by Tom’s own experiences with insomnia....Shut Eye.

Shut Eye is the first feature film that delves into the strange world of ASMR, and is inspired by Tom’s own experiences with insomnia. Throughout the episode, we take an in depth behind the scenes look at this project, from concept to budgeting to distribution.

Tom speaks to his documentary-style approach on this feature, which helped him complete principal photography in just 15 days. He also touches on his camera setup, aspect ratio choice, post-production workflow and more.

Links from the show:

Shut Eye - Movie

Shut Eye - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2620falsefullhttps://www.spreaker.com/episode/how-to-get-a-debut-feature-green-lit-produced-and-distributed-with-filmmaker-josh-guffey--53527924
Throughout the interview, we cover the process from end to end - discussing the realities of working with limited budgets and resources, and how Josh navigated these challenges at each step. Josh also details his collaboration with actors and crew, his distribution model, maximizing efficiency when producing, maintaining persistence, and loads more.

Links from the show:

Josh Guffey - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/53527924Thu, 13 Apr 2023 18:47:01 +0000Noam KrollIn this episode I am joined by filmmaker Josh Guffey, here to share his journey and a behind the scenes look into the making his debut feature film "All Gone Wrong". Throughout the interview, we cover the process from end to end - discussing the...
Throughout the interview, we cover the process from end to end - discussing the realities of working with limited budgets and resources, and how Josh navigated these challenges at each step. Josh also details his collaboration with actors and crew, his distribution model, maximizing efficiency when producing, maintaining persistence, and loads more.

Links from the show:

Josh Guffey - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2730falsefullhttps://www.spreaker.com/episode/making-19-feature-films-shooting-a-movie-in-3-hours-pioneering-folk-filmmaking-more-with-dan-lotz--53328656 folk filmmaking pioneer Dan Lotz, here to talk about his impressive body of work - which consists of no fewer than 19 feature films.

Throughout the episode we discuss Dan’s innovate approach to filmmaking, which has allowed him to create movies under incredible circumstances. From making a feature film on an 8 day vacation, to shooting an entire realtime movie in just 3 hours.

We also discuss the benefits of releasing films on YouTube, different production formats for low budget features, optimal runtimes, editing & shooting in tandem, and much more.

Links from the show:

Dan Lotz - YouTube

Dan Lotz - Twitter

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/53328656Fri, 24 Mar 2023 21:03:50 +0000Noam KrollToday I am joined by folk filmmaking pioneer Dan Lotz, here to talk about his impressive body of work - which consists of no fewer than 19 feature films. Throughout the episode we discuss Dan’s innovate approach to filmmaking, which has allowed him... folk filmmaking pioneer Dan Lotz, here to talk about his impressive body of work - which consists of no fewer than 19 feature films.

Throughout the episode we discuss Dan’s innovate approach to filmmaking, which has allowed him to create movies under incredible circumstances. From making a feature film on an 8 day vacation, to shooting an entire realtime movie in just 3 hours.

We also discuss the benefits of releasing films on YouTube, different production formats for low budget features, optimal runtimes, editing & shooting in tandem, and much more.

Links from the show:

Dan Lotz - YouTube

Dan Lotz - Twitter

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3625falsefullhttps://www.spreaker.com/episode/carter-smith-on-making-his-latest-micro-budget-genre-feature-finding-festival-success-landing-distribution-more--52842692Swallowed.

Carter’s first short film (Bugcrush) won Sundance in 2006, and led to his feature film work which includes The Ruins, Jaime Marks is Dead, and multiple recent Blumhouse movies. His latest feature though, is a departure from larger studio productions to say the least. It was produced with a skeleton crew using very DIY tactics, yet managed to find incredible success at festivals and beyond.

Throughout the interview, Carter and I discuss his experience in the micro-budget realm, his approach to creativity, and much more.

Links from the show:

Carter Smith - Instagram

All The Dead Boys - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/52842692Fri, 24 Feb 2023 19:47:55 +0000Noam KrollToday I am thrilled to have writer/director/photographer Carter Smith back on the show to talk about his latest micro-budget feature film Swallowed. Carter’s first short film (Bugcrush) won Sundance in 2006, and led to his feature film work which...Swallowed.

Carter’s first short film (Bugcrush) won Sundance in 2006, and led to his feature film work which includes The Ruins, Jaime Marks is Dead, and multiple recent Blumhouse movies. His latest feature though, is a departure from larger studio productions to say the least. It was produced with a skeleton crew using very DIY tactics, yet managed to find incredible success at festivals and beyond.

Throughout the interview, Carter and I discuss his experience in the micro-budget realm, his approach to creativity, and much more.

Links from the show:

Carter Smith - Instagram

All The Dead Boys - Website

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2818falsefullhttps://www.spreaker.com/episode/making-a-feature-film-with-no-crew-premiering-at-sxsw-landing-theatrical-distribution-more-with-filmmaker-pete-ohs--52770195 Everything Is Beautiful Far Away, Youngstown, and his most recent - Jethica.

Jethica was produced with no crew and on nearly no-budget, but that didn’t stop it from premiering at SXSW or securing theatrical distribution. Pete’s story is an amazing case in point for the power of DIY filmmaking, and just how much can be achieved by getting truly creative with your approach.

Throughout the episode, we go in depth on Pete’s process, filmmaking model, and the benefits of working in such a minimalistic way. He also talks about working without a traditional screenplay, his unique collaboration with the actors, navigating festivals, and loads more.

Links from the show:

Pete Oh's - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/52770195Fri, 17 Feb 2023 19:30:56 +0000Noam KrollReturning to the show today is writer/director/editor Pete Ohs, who you might know from his feature films Everything Is Beautiful Far Away, Youngstown, and his most recent - Jethica. Jethica was produced with no crew and on nearly no-budget, but that... Everything Is Beautiful Far Away, Youngstown, and his most recent - Jethica.

Jethica was produced with no crew and on nearly no-budget, but that didn’t stop it from premiering at SXSW or securing theatrical distribution. Pete’s story is an amazing case in point for the power of DIY filmmaking, and just how much can be achieved by getting truly creative with your approach.

Throughout the episode, we go in depth on Pete’s process, filmmaking model, and the benefits of working in such a minimalistic way. He also talks about working without a traditional screenplay, his unique collaboration with the actors, navigating festivals, and loads more.

Links from the show:

Pete Oh's - Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3449falsefullhttps://www.spreaker.com/episode/producing-for-gary-vee-growing-an-audience-and-navigating-social-media-an-interview-with-drock--52622779
Throughout this episode, we talk all about DRock’s career trajectory, from meeting Gary to making his first video to scaling their content empire.

DRock also shares his wealth of knowledge on growing an audience (with specific tactics for filmmakers), talks about best practices for navigating social media, and so much more.

Links from the show:

DRock - Twitter

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/52622779Fri, 03 Feb 2023 01:18:55 +0000Noam KrollIn this episode I am thrilled to be joined by David Rock (AKA DRock), who you might know as Gary Vaynerchuk’s Executive Creative Director, and the man behind many incredible content pieces and social media innovations. Throughout this episode, we...
Throughout this episode, we talk all about DRock’s career trajectory, from meeting Gary to making his first video to scaling their content empire.

DRock also shares his wealth of knowledge on growing an audience (with specific tactics for filmmakers), talks about best practices for navigating social media, and so much more.

Links from the show:

DRock - Twitter

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2655falsefullhttps://www.spreaker.com/episode/winning-a-netflix-filmmaking-grant-with-filmmakers-evelyn-lorena-maris-lidaka--52622746Gabriela, a new short film.

Evelyn and Maris were able to leverage the success of their short film to secure a filmmaking grant and fellowship from Netflix, making them another great case-in-point for green lighting your own projects. In this episode we discuss their journey to create and release the short film, how it created new opportunities for them, lessons learned, and much more.

Links from the show:

Evelyn - Instagram
Maris - Instagram
Blended Future Project

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/52622746Fri, 03 Feb 2023 01:13:38 +0000Noam KrollToday, I am joined by filmmaking duo Evelyn Lorena (writer/director) and Maris Lidaka (producer/editor) - the team behind Gabriela, a new short film. Evelyn and Maris were able to leverage the success of their short film to secure a filmmaking grant...Gabriela, a new short film.

Evelyn and Maris were able to leverage the success of their short film to secure a filmmaking grant and fellowship from Netflix, making them another great case-in-point for green lighting your own projects. In this episode we discuss their journey to create and release the short film, how it created new opportunities for them, lessons learned, and much more.

Links from the show:

Evelyn - Instagram
Maris - Instagram
Blended Future Project

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3211falsefullhttps://www.spreaker.com/episode/creating-a-powerful-documentary-feature-in-9-weeks-with-mike-j-nichols--52364620John Waite - The Hard Way.

Mike’s latest feature was put together under incredible constraints, and was fully edited in just 9 weeks. Throughout the episode, we discuss some of the benefits and challenges of working this quickly, and Mike’s creative workflow from end to end.

Mike also shares some incredible advice for fixing problem areas. For instance - trimming a feature film to 20 minutes to identify issues, or using sound to find creative solutions to challenging scenes.

Links from the show:

Mike on Twitter
Mike on Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/52364620Thu, 05 Jan 2023 21:29:56 +0000Noam KrollReturning to the show is acclaimed director and editor Mike J. Nichols, here to talk about his latest feature doc John Waite - The Hard Way. Mike’s latest feature was put together under incredible constraints, and was fully edited in just 9 weeks....John Waite - The Hard Way.

Mike’s latest feature was put together under incredible constraints, and was fully edited in just 9 weeks. Throughout the episode, we discuss some of the benefits and challenges of working this quickly, and Mike’s creative workflow from end to end.

Mike also shares some incredible advice for fixing problem areas. For instance - trimming a feature film to 20 minutes to identify issues, or using sound to find creative solutions to challenging scenes.

Links from the show:

Mike on Twitter
Mike on Instagram

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>3892falsefullhttps://www.spreaker.com/episode/making-a-debut-short-film-with-writer-director-marisela-grajeda-gonzalez--52364448
Marisela began her filmmaking journey at age 35, when she went back to school to study acting - eventually graduating with a BFA at almost 39 years old. Since, she has forged her own path as a filmmaker by producing her own work.

Throughout the interview, Marisela talks about going into filmmaking later in life, dealing with self doubt, and making her debut short film. She also shares thoughts on the current state of filmmaking, how tech can empower new filmmakers, and more.

Links from the show:

www.mariselagg.com
www.twitter.com/mariselagrajed1

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>https://api.spreaker.com/episode/52364448Thu, 05 Jan 2023 20:56:23 +0000Noam KrollIn this episode I am joined by actor, comedian, and filmmaker Marisela Grajeda Gonzalez to talk all about navigating a career as a filmmaker. Marisela began her filmmaking journey at age 35, when she went back to school to study acting - eventually...
Marisela began her filmmaking journey at age 35, when she went back to school to study acting - eventually graduating with a BFA at almost 39 years old. Since, she has forged her own path as a filmmaker by producing her own work.

Throughout the interview, Marisela talks about going into filmmaking later in life, dealing with self doubt, and making her debut short film. She also shares thoughts on the current state of filmmaking, how tech can empower new filmmakers, and more.

Links from the show:

www.mariselagg.com
www.twitter.com/mariselagrajed1

Sign up for my newsletter for exclusive filmmaking insight each Sunday.]]>2090falsefullhttps://www.spreaker.com/episode/late-bloomers-making-your-tv-directing-debut-at-69-years-old-with-faye-brenner--52083157
As a script supervisor, Faye has worked on feature films like "Stand By Me," "Ghost," "Father of the Bride 2," and "Clear and Present Danger" to name a few. After decades in the business, Faye was able to break in as a director on "The Rookie" by showcasing her talents with a powerful short film. Throughout the episode we discuss Faye's unique path, along with many practical lessons for filmmakers looking to branch out into TV.

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/52083157Sat, 03 Dec 2022 00:04:53 +0000Noam KrollJoining me in this episode is script supervisor turned television director Faye Brenner, who just made her directorial debut at age 69. As a script supervisor, Faye has worked on feature films like "Stand By Me," "Ghost," "Father of the Bride 2,"...
As a script supervisor, Faye has worked on feature films like "Stand By Me," "Ghost," "Father of the Bride 2," and "Clear and Present Danger" to name a few. After decades in the business, Faye was able to break in as a director on "The Rookie" by showcasing her talents with a powerful short film. Throughout the episode we discuss Faye's unique path, along with many practical lessons for filmmakers looking to branch out into TV.

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>2558falsefullhttps://www.spreaker.com/episode/filmmaker-entrepreneur-matt-osterman-on-his-new-feature-film-bitcon--52083111
"Bitcon" tells the story of a missing hard drive with hundreds of thousands of dollars in cryptocurrency, and the issue of trust in the modern era. Throughout the interview, Matt generously gives us a behind the scenes look into this film, his creative process, and his unique career path.

Links from the show:

"Bitcon" Movie - https://www.bitconmovie.com
Propellant Films - https://www.propellantfilms.com
Matt Osterman's Twitter - https://twitter.com/mattosterman
Matt Osterman's Instagram - https://instagram.com/mattosterman

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/52083111Fri, 02 Dec 2022 23:53:53 +0000Noam KrollIn this episode I am joined by filmmaker and entrepreneur Matt Osterman, known for his feature films "Ghost From The Machine", "400 Days", "Hover", and now "Bitcon." "Bitcon" tells the story of a missing hard drive with hundreds of thousands of...
"Bitcon" tells the story of a missing hard drive with hundreds of thousands of dollars in cryptocurrency, and the issue of trust in the modern era. Throughout the interview, Matt generously gives us a behind the scenes look into this film, his creative process, and his unique career path.

Links from the show:

"Bitcon" Movie - https://www.bitconmovie.com
Propellant Films - https://www.propellantfilms.com
Matt Osterman's Twitter - https://twitter.com/mattosterman
Matt Osterman's Instagram - https://instagram.com/mattosterman

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>2447falsefullhttps://www.spreaker.com/episode/building-an-audience-of-11-million-with-filmmaker-yoga-with-adriene-ceo-chris-sharpe--51982558
Over the past decade Chris has grown the YWA channel to an incredible 11 million+ subscribers, and today it dominates the Yoga category on YouTube. As a big fan of the channel and a huge proponent of audience building for filmmakers, I was very excited to have Chris on to talk shop. Throughout the episode Chris details their journey from 0 to millions of subscribers, shares practical insights for filmmakers looking to build audiences of their own, and expands on his creative work as a filmmaker.

Links from this show:

Yoga With Adriene - https://www.youtube.com/@yogawithadriene
Chris Sharpe: Website - www.chrissharpe.com
Chris Sharpe: Newsletter - https://chrissharpe.ck.page

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/51982558Tue, 22 Nov 2022 18:45:14 +0000Noam KrollIn this episode, I am thrilled to be joined by filmmaker Chris Sharpe - who you may know as the co-founder of the wildly popular Yoga With Adriene YouTube Channel. Over the past decade Chris has grown the YWA channel to an incredible 11 million+...
Over the past decade Chris has grown the YWA channel to an incredible 11 million+ subscribers, and today it dominates the Yoga category on YouTube. As a big fan of the channel and a huge proponent of audience building for filmmakers, I was very excited to have Chris on to talk shop. Throughout the episode Chris details their journey from 0 to millions of subscribers, shares practical insights for filmmakers looking to build audiences of their own, and expands on his creative work as a filmmaker.

Links from this show:

Yoga With Adriene - https://www.youtube.com/@yogawithadriene
Chris Sharpe: Website - www.chrissharpe.com
Chris Sharpe: Newsletter - https://chrissharpe.ck.page

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>3161falsefullhttps://www.spreaker.com/episode/senior-producer-james-p-axiotis-on-producing-for-nbc-disney-jpa-productions-more--51982541
James now uses his expertise to create films for non-profits - which is a focal point of our discussion today. We also talk about what it takes to be a great producer, how to approach specializing vs. generalizing, and much more.

Links from the show:

JPA Productions - https://jpaproductions.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/51982541Tue, 22 Nov 2022 18:39:38 +0000Noam KrollJoining me today is producer, founder and CEO of JPA Productions - James P Axiotis. James started his career at NBC and quickly became one of the network’s youngest producers while still in his early 20s. Since, he has worked for Disney, as producer...
James now uses his expertise to create films for non-profits - which is a focal point of our discussion today. We also talk about what it takes to be a great producer, how to approach specializing vs. generalizing, and much more.

Links from the show:

JPA Productions - https://jpaproductions.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>3971falsefullhttps://www.spreaker.com/episode/designing-final-cut-pro-making-indie-films-and-publishing-books-with-mike-wohl--51843526
Mike is also the author of many nonfiction books on the art and craft of filmmaking, and was one of the original designers of Apple’s Emmy-award winning software Final Cut Pro. Throughout our discussion, we cover Mike’s time with Apple during the early days of Final Cut Pro. We also talk extensively about his creative career as both a filmmaker and author, paying special attention to his latest project "In Herschel’s Wake".

Links from the show:

In Herschel's Wake - inherschelswake.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/51843526Wed, 09 Nov 2022 19:44:06 +0000Noam KrollIn this episode I am honored to be joined by Mike Wohl - an award-winning filmmaker who has written, directed, and edited multiple independent films and shorts. Mike is also the author of many nonfiction books on the art and craft of filmmaking,...
Mike is also the author of many nonfiction books on the art and craft of filmmaking, and was one of the original designers of Apple’s Emmy-award winning software Final Cut Pro. Throughout our discussion, we cover Mike’s time with Apple during the early days of Final Cut Pro. We also talk extensively about his creative career as both a filmmaker and author, paying special attention to his latest project "In Herschel’s Wake".

Links from the show:

In Herschel's Wake - inherschelswake.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>3130falsefullhttps://www.spreaker.com/episode/director-author-paige-feldman-on-filmmaking-creativity-and-finding-your-path--51843511
Our guest speaker for this live session is Paige Feldman - a writer and filmmaker with a decade of experience working in independent film and TV sales, financing, and production. Her projects have won Emmys, been shortlisted for Oscars, and premiered at festivals such as Cannes, Sundance, Berlin, TIFF, Tribeca, and SXSW.

Throughout our discussion we cover a wide range of topics - from landing “work for hire” gigs to balancing multiple creative projects. We also unpack Paige’s latest film projects, take audience questions, and much more.

Links from the show:

Paige on Twitter - https://www.twitter.com/pfeld
Paige's Website - https://paigefeldman.com
Seeka TV - https://www.seekatv.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/51843511Wed, 09 Nov 2022 19:41:41 +0000Noam KrollThis episode was originally recorded as a private stream in my Backlot filmmaking community. Our guest speaker for this live session is Paige Feldman - a writer and filmmaker with a decade of experience working in independent film and TV sales,...
Our guest speaker for this live session is Paige Feldman - a writer and filmmaker with a decade of experience working in independent film and TV sales, financing, and production. Her projects have won Emmys, been shortlisted for Oscars, and premiered at festivals such as Cannes, Sundance, Berlin, TIFF, Tribeca, and SXSW.

Throughout our discussion we cover a wide range of topics - from landing “work for hire” gigs to balancing multiple creative projects. We also unpack Paige’s latest film projects, take audience questions, and much more.

Links from the show:

Paige on Twitter - https://www.twitter.com/pfeld
Paige's Website - https://paigefeldman.com
Seeka TV - https://www.seekatv.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>3162falsefullhttps://www.spreaker.com/episode/filmmaker-professor-marty-lang-on-the-future-of-independent-filmmaking--51637843
Some of Marty’s project highlights as a director, producer, actor and show runner include projects like The Ride (Sundance, 2022), Being Michael Madsen, Out of My Hand (2016 Indie Spirit Nominee), and his feature films Rising Star and Stay With Me. Throughout the interview, we take an in depth look at Marty’s creative path, the benefits of teaching filmmaking, his philosophy on building a sustainable career, and much more.

Links from the show:

Marty Lang on Twitter - https://twitter.com/marty_lang

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/51637843Thu, 20 Oct 2022 20:15:46 +0000Noam KrollToday, I’m thrilled to be joined by filmmaker and assistant film professor (at the University of Memphis), Marty Lang. Some of Marty’s project highlights as a director, producer, actor and show runner include projects like The Ride (Sundance,...
Some of Marty’s project highlights as a director, producer, actor and show runner include projects like The Ride (Sundance, 2022), Being Michael Madsen, Out of My Hand (2016 Indie Spirit Nominee), and his feature films Rising Star and Stay With Me. Throughout the interview, we take an in depth look at Marty’s creative path, the benefits of teaching filmmaking, his philosophy on building a sustainable career, and much more.

Links from the show:

Marty Lang on Twitter - https://twitter.com/marty_lang

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>2713falsefullhttps://www.spreaker.com/episode/how-film-students-with-an-8k-production-budget-produced-a-compelling-feature-film--51637793
This inspiring filmmaking team produced their first feature film while still in film school, beginning with a budget of just $8K. Over three years they faced massive obstacles, but ultimately overcame every setback to create a fantastic debut film. Throughout the interview, we discuss the film at length from concept to completion, how they pulled it off, and critical lessons learned.

Links from the show:

Space Waves - https://spacewavesfilm.com
“Beast Mode” Making Of Video - https://www.youtube.com/watch?v=F9ik1khvUjQ
Spencer Whiteout Podcast - https://open.spotify.com/show/0TSyyEp6IiA4PwbhtOJerC?si=e2e0082f10aa430e
Simmering Studios - https://simmeringstudios.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/51637793Thu, 20 Oct 2022 20:07:36 +0000Noam KrollIn this episode, I’m joined by writer/director Spencer Whiteout, producer Andrew Baer, and editor Alex Vollman - the filmmakers behind Space Waves, a feature film. This inspiring filmmaking team produced their first feature film while still in film...
This inspiring filmmaking team produced their first feature film while still in film school, beginning with a budget of just $8K. Over three years they faced massive obstacles, but ultimately overcame every setback to create a fantastic debut film. Throughout the interview, we discuss the film at length from concept to completion, how they pulled it off, and critical lessons learned.

Links from the show:

Space Waves - https://spacewavesfilm.com
“Beast Mode” Making Of Video - https://www.youtube.com/watch?v=F9ik1khvUjQ
Spencer Whiteout Podcast - https://open.spotify.com/show/0TSyyEp6IiA4PwbhtOJerC?si=e2e0082f10aa430e
Simmering Studios - https://simmeringstudios.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>3071falsefullhttps://www.spreaker.com/episode/producing-directing-a-35k-sci-fi-feature-film-with-filmmaker-zachary-gross--51189265
Throughout the interview, Zachary shares his 7 year journey with this project, from idea to final cut and distribution. We discuss tactics for maintaining high quality visuals on a budget, why Zachary shot additional material during post-production, navigating the distribution landscape, and much more.

Links from the show:

"Harmony" Feature Film - https://www.harmonyiswatching.com
"Harmony" on Instagram - https://instagram.com/theharmonymovie
"Harmony" on Facebook - https://facebook.com/theharmonymovie
Hand Me Down Films - https://www.hmdfilms.com
"Hand Me Down Films" on Instagram - https://instagram.com/hmdfilms
"Hand Me Down Films" on Facebook - https://facebook.com/hmdfilms

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/51189265Thu, 08 Sep 2022 18:24:54 +0000Noam KrollIn this episode I am joined by filmmaker Zachary Gross to talk about his new sci-fi feature film "Harmony", which was produced for just $35,000. Throughout the interview, Zachary shares his 7 year journey with this project, from idea to final cut...
Throughout the interview, Zachary shares his 7 year journey with this project, from idea to final cut and distribution. We discuss tactics for maintaining high quality visuals on a budget, why Zachary shot additional material during post-production, navigating the distribution landscape, and much more.

Links from the show:

"Harmony" Feature Film - https://www.harmonyiswatching.com
"Harmony" on Instagram - https://instagram.com/theharmonymovie
"Harmony" on Facebook - https://facebook.com/theharmonymovie
Hand Me Down Films - https://www.hmdfilms.com
"Hand Me Down Films" on Instagram - https://instagram.com/hmdfilms
"Hand Me Down Films" on Facebook - https://facebook.com/hmdfilms

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>2689falsefullhttps://www.spreaker.com/episode/editing-the-tribeca-feature-film-the-drop-with-daniel-garber--50899889
Daniel’s creative and technical workflow on "The Drop" was really unique, as the film was shot with no formal script and was largely improvised.

Throughout the discussion, we talk about this at length - as Daniel shares his method for shaping the best scenes and story using largely improvised material. He also talks about editing the film in tandem with production, how he completed his assembly cut in 30 days, and tips for other editors looking to get into the business.

Links from the show:

Daniel Garber’s Website - https://www.danielgarber.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/50899889Fri, 12 Aug 2022 19:46:42 +0000Noam KrollIn this episode I am joined by Daniel Garber - editor of the feature film "The Drop", which premiered this year at the Tribeca Film Festival.  Daniel’s creative and technical workflow on "The Drop" was really unique, as the film was shot with no...
Daniel’s creative and technical workflow on "The Drop" was really unique, as the film was shot with no formal script and was largely improvised.

Throughout the discussion, we talk about this at length - as Daniel shares his method for shaping the best scenes and story using largely improvised material. He also talks about editing the film in tandem with production, how he completed his assembly cut in 30 days, and tips for other editors looking to get into the business.

Links from the show:

Daniel Garber’s Website - https://www.danielgarber.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>2835falsefullhttps://www.spreaker.com/episode/turning-a-12-000-budget-into-a-viral-feature-film-hit-with-genre-filmmaker-tory-jones--50750818
Throughout the episode we talk about Tory’s experience making The Wicked One for just $12,000, and how the film achieved viral success without any paid advertising. Tory also shares the formula he uses to make a feature film every year, how his films get financed, distribution strategies, and so much more.

Get The No-Budget Feature Film Blueprint: https://www.noamkrollacademy.com

Links from the show:

Jonestown Films - http://jonestownfilms.com]]>https://api.spreaker.com/episode/50750818Fri, 29 Jul 2022 17:53:52 +0000Noam KrollToday I am joined by micro-budget filmmaker Tory Jones. He is known for his slate of genre feature films including the "The Wicked One", which developed a cult-like following after being released online and going viral. Throughout the episode we...
Throughout the episode we talk about Tory’s experience making The Wicked One for just $12,000, and how the film achieved viral success without any paid advertising. Tory also shares the formula he uses to make a feature film every year, how his films get financed, distribution strategies, and so much more.

Get The No-Budget Feature Film Blueprint: https://www.noamkrollacademy.com

Links from the show:

Jonestown Films - http://jonestownfilms.com]]>2955falsefullhttps://www.spreaker.com/episode/building-your-online-brand-with-full-time-filmmaker-whit-ingram--50750717
Over the years, Whit has built up an impressive social media following that has led to paid work, creative opportunities, and the ability to spearhead her own passion projects. Throughout the episode we unpack each step she took to build a strong online brand, how that helped her land full time work as a director/DP, and advice for other filmmakers looking to do the same.

Get the No-Budget Feature Film Blueprint here: https://noamkrollacademy.com

Links from the show:

Whit Ingram Website - https://wittyfilmgirl.com
Whit on Instagram - https://instagram.com/wittyfilmgirl
Whit on Tik Tok - https://tiktok.com/wittyfilmgirl]]>https://api.spreaker.com/episode/50750717Fri, 29 Jul 2022 17:41:59 +0000Noam KrollIn this episode I am joined by Whit Ingram. You may know her as “wittyfilmgirl” from her popular Instagram account, where she shares a behind the scenes look at her creative process as a filmmaker. Over the years, Whit has built up an impressive...
Over the years, Whit has built up an impressive social media following that has led to paid work, creative opportunities, and the ability to spearhead her own passion projects. Throughout the episode we unpack each step she took to build a strong online brand, how that helped her land full time work as a director/DP, and advice for other filmmakers looking to do the same.

Get the No-Budget Feature Film Blueprint here: https://noamkrollacademy.com

Links from the show:

Whit Ingram Website - https://wittyfilmgirl.com
Whit on Instagram - https://instagram.com/wittyfilmgirl
Whit on Tik Tok - https://tiktok.com/wittyfilmgirl]]>2129falsefullhttps://www.spreaker.com/episode/shooting-editing-a-feature-film-for-hulu-with-filmmaker-bryan-mason--50585789
Bryan is an accomplished cinematographer and editor, often working in both capacities on the same film. Throughout the interview, we talk about Bryan's ability to balance production work with post, and how wearing multiple hats has benefitted him. He also shares a behind the scenes look into his latest feature film, documenting the process from start to finish.

Links from the show:

"Animals" Trailer - https://www.youtube.com/watch?v=hyWo8NzNvTU
"Good Luck to You, Leo Grande" Trailer - https://www.youtube.com/watch?v=TJcbZoJFLTU
Bryan Mason on Instagram - https://www.instagram.com/bryan_mason/

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/50585789Fri, 15 Jul 2022 19:01:49 +0000Noam KrollIn this episode I am joined by the multi-talented Bryan Mason, here to talk all about his creative approach, career path, and latest feature film (now on Hulu): "Good Luck To You, Leo Grande" Bryan is an accomplished cinematographer and editor,...
Bryan is an accomplished cinematographer and editor, often working in both capacities on the same film. Throughout the interview, we talk about Bryan's ability to balance production work with post, and how wearing multiple hats has benefitted him. He also shares a behind the scenes look into his latest feature film, documenting the process from start to finish.

Links from the show:

"Animals" Trailer - https://www.youtube.com/watch?v=hyWo8NzNvTU
"Good Luck to You, Leo Grande" Trailer - https://www.youtube.com/watch?v=TJcbZoJFLTU
Bryan Mason on Instagram - https://www.instagram.com/bryan_mason/

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>2505falsefullhttps://www.spreaker.com/episode/no-budget-cinematography-camera-choice-lighting-techniques-production-workflow-more--50512648
Throughout the show, I unpack everything from choosing the right camera to the embracing available light. I also share anecdotes and workflows from my latest feature film, which is being shot using the same unconventional tactics outlined in this episode.

To learn more about no-budget filmmaking, pick up the No-Budget Filmmaking Blueprint here: https://noamkrollacademy.com/products/no-budget-feature-film-blueprint]]>https://api.spreaker.com/episode/50512648Fri, 08 Jul 2022 19:08:42 +0000Noam KrollIn today’s solo episode I share a practical breakdown for capturing amazing raw footage on a “no-budget” production. Even if you are working as a one person crew without traditional resources, it's possible to achieve strong production value - this...
Throughout the show, I unpack everything from choosing the right camera to the embracing available light. I also share anecdotes and workflows from my latest feature film, which is being shot using the same unconventional tactics outlined in this episode.

To learn more about no-budget filmmaking, pick up the No-Budget Filmmaking Blueprint here: https://noamkrollacademy.com/products/no-budget-feature-film-blueprint]]>1687falsefullhttps://www.spreaker.com/episode/directing-award-winning-experimental-feature-films-with-slamdance-filmmaker-matthew-wade--50447987
Matthew's films are incredibly original both in how they are stylized and produced. We discuss his process at length throughout the interview, along with - shooting a feature film on Super 8mm film, creating an analog look when shooting digitally, scoring your own movie, festival programming tips, and loads more.

Links from the show:

Feature Films - https://skymeltfilm.com
Matthew's Website - https://matthewade.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/50447987Sun, 03 Jul 2022 03:07:51 +0000Noam KrollIn this episode I am joined by acclaimed director Matthew Wade, a four time Slamdance filmmaker known for his feature films "How The Sky Will Melt" and "A Black Rift Begins To Yawn." Matthew's films are incredibly original both in how they are...
Matthew's films are incredibly original both in how they are stylized and produced. We discuss his process at length throughout the interview, along with - shooting a feature film on Super 8mm film, creating an analog look when shooting digitally, scoring your own movie, festival programming tips, and loads more.

Links from the show:

Feature Films - https://skymeltfilm.com
Matthew's Website - https://matthewade.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>3788falsefullhttps://www.spreaker.com/episode/dp-ing-for-adidas-grey-goose-more-with-cinematographer-liam-higgins--50242312
Liam has shot many commercial projects for Adidas, Grey Goose, SteamWhistle, and countless other brands, all while writing and producing his own narrative productions. Throughout the interview, we discuss Liam’s work at length and his career path - from freelancer to gaining representation with APA agency. We also talk about the benefits and drawbacks of owning gear, the importance of great collaboration, and loads more.

Links from the show:

https://instagram.com/liamhiggins
https://higginsdp.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/50242312Fri, 17 Jun 2022 20:23:54 +0000Noam KrollIn this episode I am joined by acclaimed DP Liam Higgins for an in-depth discussion on cinematography, commercial filmmaking, and creativity. Liam has shot many commercial projects for Adidas, Grey Goose, SteamWhistle, and countless other brands,...
Liam has shot many commercial projects for Adidas, Grey Goose, SteamWhistle, and countless other brands, all while writing and producing his own narrative productions. Throughout the interview, we discuss Liam’s work at length and his career path - from freelancer to gaining representation with APA agency. We also talk about the benefits and drawbacks of owning gear, the importance of great collaboration, and loads more.

Links from the show:

https://instagram.com/liamhiggins
https://higginsdp.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>3415falsefullhttps://www.spreaker.com/episode/directing-an-award-winning-watergate-feature-with-filmmaker-slamdance-co-founder-dan-mirvish--49975361
18 1/2 is a Watergate thriller/comedy that stars Willa Fitzgerald, John Magaro, Vondie Curtis Hall, Catherine Curtin, Richard Kind, Sullivan Jones, Alanna Saunders, Claire Saunders and the voices of Ted Raimi, Jon Cryer, and Bruce Campbell.

In just 15 days, Dan and his crew captured this amazing film that has a unique 1970s vibe and standout performances. Throughout the episode we discuss exactly how this film was made - from concept to theatrical distribution. Enjoy!

Links from the show:

18 1/2 Movie Website - https://18andahalfmovie.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/49975361Sat, 28 May 2022 05:05:04 +0000Noam KrollThis week I'm honored to have filmmaker and Slamdance co-founder Dan Mirvish return to the show to talk all about his brand new feature film - 18 1/2. 18 1/2 is a Watergate thriller/comedy that stars Willa Fitzgerald, John Magaro, Vondie Curtis...
18 1/2 is a Watergate thriller/comedy that stars Willa Fitzgerald, John Magaro, Vondie Curtis Hall, Catherine Curtin, Richard Kind, Sullivan Jones, Alanna Saunders, Claire Saunders and the voices of Ted Raimi, Jon Cryer, and Bruce Campbell.

In just 15 days, Dan and his crew captured this amazing film that has a unique 1970s vibe and standout performances. Throughout the episode we discuss exactly how this film was made - from concept to theatrical distribution. Enjoy!

Links from the show:

18 1/2 Movie Website - https://18andahalfmovie.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>4486falsefullhttps://www.spreaker.com/episode/re-inventing-the-micro-budget-filmmaking-model-a-conversation-with-sujewa-ekanayake--49975163
I first connected with Sujewa over Twitter, after discovering he and I share a similar filmmaking philosophy that prioritizes creative expression above budget. Throughout the conversation, we unpack this concept at length and discuss various strategies and unconventional tactics that can be used to execute any feature film.

Links from the show:
Sujewa on Twitter - https://twitter.com/sujewafantastic
Slow Romance - https://slowromancemovie.com
Sujewa's Website - https://sujewa.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/49975163Sat, 28 May 2022 04:47:40 +0000Noam KrollIn this episode, I am joined by Brooklyn based micro-budget filmmaker Sujewa Ekanayake, for a discussion that re-imagines the way we approach making indie films. I first connected with Sujewa over Twitter, after discovering he and I share a similar...
I first connected with Sujewa over Twitter, after discovering he and I share a similar filmmaking philosophy that prioritizes creative expression above budget. Throughout the conversation, we unpack this concept at length and discuss various strategies and unconventional tactics that can be used to execute any feature film.

Links from the show:
Sujewa on Twitter - https://twitter.com/sujewafantastic
Slow Romance - https://slowromancemovie.com
Sujewa's Website - https://sujewa.com

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>3099falsefullhttps://www.spreaker.com/episode/how-to-grow-an-audience-of-700-000-filmmakers-with-the-founders-of-film-up--49683419
After meeting in college, Aryeh and Christina partnered to create a business that would fuse their love of filmmaking with their passion for business. The result was FilmUp.co, a powerful resource that automates the film production process, from crewing to payroll.

To generate awareness and build a community around their brand, Aryeh and Christina developed a unique social media strategy that led to an Instagram following of nearly 700,000 filmmakers.

Throughout the episode, they share a behind the scenes look of how they built their audience - from their first follower to becoming one of the leading filmmaking accounts on social media. Their insights can serve as a blueprint for any filmmaker looking to build their online presence, and curate an audience of their own.

Links from the show:

Film Up Website - https://www.filmup.co

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/49683419Thu, 05 May 2022 23:13:17 +0000Noam KrollJoining me today are the founders of Film Up - Aryeh Hoppenstein and Christina Chironna. After meeting in college, Aryeh and Christina partnered to create a business that would fuse their love of filmmaking with their passion for business. The...
After meeting in college, Aryeh and Christina partnered to create a business that would fuse their love of filmmaking with their passion for business. The result was FilmUp.co, a powerful resource that automates the film production process, from crewing to payroll.

To generate awareness and build a community around their brand, Aryeh and Christina developed a unique social media strategy that led to an Instagram following of nearly 700,000 filmmakers.

Throughout the episode, they share a behind the scenes look of how they built their audience - from their first follower to becoming one of the leading filmmaking accounts on social media. Their insights can serve as a blueprint for any filmmaker looking to build their online presence, and curate an audience of their own.

Links from the show:

Film Up Website - https://www.filmup.co

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>3998falsefullhttps://www.spreaker.com/episode/how-to-raise-300k-for-your-indie-feature-using-crowd-equity--49507140
Our guests are: lawyer-turned film investor Michael Rekola, executive producer and actor Desiree Staples, and Ryan Pierce from WeFunder’s growth team.

This in depth discussion covers tactics for raising funds through crowd-equity platforms (like WeFunder), painting a very clear picture of what it takes to succeed with this strategy. Topics covered include: Ideal genres for crowd-equity, key variables investors care about, reaching a wide audience, business & legal setup, and much more.

Links from the show:

Use Michael's link to start a project for free, and save on any platform fundraising fees when you successfully raise - https://wefunder.com/byrekola/discount

“My Divorce Party” We Funder - https://wefunder.com/mydivorcepartythemovie/
“Meet Cute Murders” We Funder - https://wefunder.com/meet.cute.murders.movie
Michael Rekola on Twitter - https://twitter.com/byrekola

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/49507140Thu, 21 Apr 2022 17:29:32 +0000Noam KrollIn this episode I am joined by three amazing guests for a roundtable style discussion about crowd-equity fundraising for indie films. Our guests are: lawyer-turned film investor Michael Rekola, executive producer and actor Desiree Staples, and Ryan...
Our guests are: lawyer-turned film investor Michael Rekola, executive producer and actor Desiree Staples, and Ryan Pierce from WeFunder’s growth team.

This in depth discussion covers tactics for raising funds through crowd-equity platforms (like WeFunder), painting a very clear picture of what it takes to succeed with this strategy. Topics covered include: Ideal genres for crowd-equity, key variables investors care about, reaching a wide audience, business & legal setup, and much more.

Links from the show:

Use Michael's link to start a project for free, and save on any platform fundraising fees when you successfully raise - https://wefunder.com/byrekola/discount

“My Divorce Party” We Funder - https://wefunder.com/mydivorcepartythemovie/
“Meet Cute Murders” We Funder - https://wefunder.com/meet.cute.murders.movie
Michael Rekola on Twitter - https://twitter.com/byrekola

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>3765falsefullhttps://www.spreaker.com/episode/sxsw-director-joele-walinga-on-crafting-her-experimental-documentary-feature-self-portrait--49456786
Throughout the interview, Joële gives us a behind the scenes look into her four-year creative workflow, which involved sifting through thousands of publicly available surveillance videos and editing them together into a meaningful feature film. She also shares invaluable creative advice for other filmmakers looking to experiment with new formats, and use their original ideas to break new ground.

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/49456786Sun, 17 Apr 2022 03:51:41 +0000Noam KrollIn this episode I am joined by Joële Walinga, director of the SXSW 2022 documentary feature "Self Portrait". This is a brilliant experimental feature comprised entirely of footage collected from surveillance cameras, and produced with a highly unique...
Throughout the interview, Joële gives us a behind the scenes look into her four-year creative workflow, which involved sifting through thousands of publicly available surveillance videos and editing them together into a meaningful feature film. She also shares invaluable creative advice for other filmmakers looking to experiment with new formats, and use their original ideas to break new ground.

For more exclusive content like this, sign up for my newsletter at https://noamkroll.com/newsletter]]>3146falsefullhttps://www.spreaker.com/episode/shooting-a-no-budget-feature-film-as-a-one-man-band--49368691
Throughout the episode I outline how taking a "one-man-band" approach to filmmaking can actually increase production value, while also making for a more creatively rewarding process. Topics covered include:

- How I balance directing, DP'ing, and sound recording myself
- Why I'm shooting the film in 2-3 day blocks over several months
- Editing the film while we are shooting to inform future script changes
- The gear I'm using to shoot the film
- Challenges and workarounds for filmmakers looking to take this approach

For more exclusive content like this, sign up at http://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/49368691Fri, 08 Apr 2022 17:21:41 +0000Noam KrollIn this solo episode, I share a behind the scenes look into my latest feature film, which is being shot with no crew and a highly unconventional workflow. I decided to experiment with this new filmmaking paradigm to test my own creative limits, and...
Throughout the episode I outline how taking a "one-man-band" approach to filmmaking can actually increase production value, while also making for a more creatively rewarding process. Topics covered include:

- How I balance directing, DP'ing, and sound recording myself
- Why I'm shooting the film in 2-3 day blocks over several months
- Editing the film while we are shooting to inform future script changes
- The gear I'm using to shoot the film
- Challenges and workarounds for filmmakers looking to take this approach

For more exclusive content like this, sign up at http://noamkroll.com/newsletter]]>2282falsefullhttps://www.spreaker.com/episode/winning-an-emmy-with-a-bootstrapped-pbs-documentary-an-interview-with-filmmaker-marcus-mizelle--49285746
His self-produced short documentary (Something In The Water) aired on PBS and was later awarded an Emmy. During the same period, he also directed a feature documentary (Belle Vie) which premiered last month at the prestigious Santa Barbara Film Festival.

Throughout the interview we discuss each project at length, Marcus' decision to move from narrative to documentary, how he got his film on PBS and submitted for an Emmy nomination, and much more.

Links from the show:

Something In The Water - https://www.amazon.com/Something-Water-Kinston-Basketball-Story/dp/B08QLXGNCJ

Get a free exhibit pass to NAB Show by clicking here: https://amplify.nabshow.com/nab-show-sign-up/?r=maritz&marketing_code=BA20

For more exclusive content like this, sign up at http://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/49285746Fri, 01 Apr 2022 19:23:02 +0000Noam KrollReturning to the show is Emmy winning micro-budget filmmaker Marcus Mizelle. After directing a trilogy of micro-budget narrative feature films, Marcus turned his talents to the documentary filmmaking space, where he has recently found incredible...
His self-produced short documentary (Something In The Water) aired on PBS and was later awarded an Emmy. During the same period, he also directed a feature documentary (Belle Vie) which premiered last month at the prestigious Santa Barbara Film Festival.

Throughout the interview we discuss each project at length, Marcus' decision to move from narrative to documentary, how he got his film on PBS and submitted for an Emmy nomination, and much more.

Links from the show:

Something In The Water - https://www.amazon.com/Something-Water-Kinston-Basketball-Story/dp/B08QLXGNCJ

Get a free exhibit pass to NAB Show by clicking here: https://amplify.nabshow.com/nab-show-sign-up/?r=maritz&marketing_code=BA20

For more exclusive content like this, sign up at http://noamkroll.com/newsletter]]>3614doc,documentary,film,filmmaker,filmmaking,indie,shortfalsefullhttps://www.spreaker.com/episode/the-price-of-a-super-8mm-feature-film-wisdom-from-a-slamdance-filmmaker-programmer-and-more--49193532
Throughout our discussion we cover a slew of creative topics - from our shared love of Super 8mm, to the use of AI in filmmaking. We also touch on the benefits of "no-budget" productions, insights from his experience as a festival programmer, and loads more.

Links from the show:

http://www.chrispeters.com

For more exclusive content like this, sign up at http://noamkroll.com/newsletter]]>https://api.spreaker.com/episode/49193532Fri, 25 Mar 2022 03:13:18 +0000Noam KrollIn this episode I am joined by experimental filmmaker and accomplished painter, Chris Peters. Chris' films have screened at numerous Academy Award qualifying festivals, including Slamdance 2021 (where he later served as a programmer), and winning the...
Throughout our discussion we cover a slew of creative topics - from our shared love of Super 8mm, to the use of AI in filmmaking. We also touch on the benefits of "no-budget" productions, insights from his experience as a festival programmer, and loads more.

Links from the show:

http://www.chrispeters.com

For more exclusive content like this, sign up at http://noamkroll.com/newsletter]]>3600falsefullhttps://www.spreaker.com/episode/using-wefunder-to-raise-financing-for-your-movie-with-daniel-lafrentz-and-sean-flanagan--49109849
Daniel is an award winning filmmaker known for his debut feature film The Long Shadow, which was awarded a jury prize at the amazing New Orleans Film Festival. Sean made his name in film distribution, having overseen the release of over 1000 films including titles for Sundance Institute, FilmRise, Paradigm, CAA and more. Together, they are developing a new feature film called Meet Cute Murders, which is a focal point of our discussion.

Throughout the interview we take a deep dive into Daniel and Sean’s experience making feature films, and how they are reverse engineering their new movie to ensure a successful release. We pay special attention to the WeFunder platform too, which is a cornerstone of their fundraising efforts, and a resource that all filmmakers could benefit from.

Links from the show:

Meet Cute Murders - WeFunder

Daniel Lafrentz - Website

For more exclusive content like this, click here to sign up for my newsletter.]]>showdonttell.podbean.com/3439d288-9ed5-36eb-94bf-4e7cc536efcdFri, 18 Mar 2022 17:22:03 +0000Noam KrollToday I’m joined by director Daniel Lafrentz and producer Sean Flanagan to demystify the fundraising process for narrative feature films. Daniel is an award winning filmmaker known for his debut feature film The Long Shadow, which was awarded a jury...
Daniel is an award winning filmmaker known for his debut feature film The Long Shadow, which was awarded a jury prize at the amazing New Orleans Film Festival. Sean made his name in film distribution, having overseen the release of over 1000 films including titles for Sundance Institute, FilmRise, Paradigm, CAA and more. Together, they are developing a new feature film called Meet Cute Murders, which is a focal point of our discussion.

Throughout the interview we take a deep dive into Daniel and Sean’s experience making feature films, and how they are reverse engineering their new movie to ensure a successful release. We pay special attention to the WeFunder platform too, which is a cornerstone of their fundraising efforts, and a resource that all filmmakers could benefit from.

Links from the show:

Meet Cute Murders - WeFunder

Daniel Lafrentz - Website

For more exclusive content like this, click here to sign up for my newsletter.]]>3265truefullhttps://www.spreaker.com/episode/editing-curb-your-enthusiasm-veep-who-is-america-and-more-with-roger-nygard--49023429
Throughout the interview, Roger shares his wealth of knowledge on the storytelling process, drawn from over 30 years of experience working in Hollywood. We discuss how filmmakers can "shoot for the edit", Roger's specific creative workflows, and loads of practical editing tricks. Roger also details his own history as a director and editor, along with lessons learned from working in the edit bay with great talents like Larry David, Julia Louis-Dreyfus, and Sacha Baron Cohen.

Links from the show:

Roger Nygard - Website

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Throughout the interview, Roger shares his wealth of knowledge on the storytelling process, drawn from over 30 years of experience working in Hollywood. We discuss how filmmakers can "shoot for the edit", Roger's specific creative workflows, and loads of practical editing tricks. Roger also details his own history as a director and editor, along with lessons learned from working in the edit bay with great talents like Larry David, Julia Louis-Dreyfus, and Sacha Baron Cohen.

Links from the show:

Roger Nygard - Website

For more exclusive content like this, click here to sign up for my newsletter.]]>3563truefullhttps://www.spreaker.com/episode/making-a-1000-feature-producing-for-amazon-running-a-commercial-production-company-with-the-lewis-brothers--49019780
Taylor and Burke run a successful commercial production company (Atomic City), and produce high end content for brands like Amazon, Microsoft, and DJI. But they also have a passion for true micro-budget filmmaking, going so far as to make an entire feature film for just $1000. Throughout the interview, we discuss Taylor and Burke's strategy for growing their production company, how they've thrived outside of major film markets, their philosophy on narrative productions, and loads more.

Links from the show

Film Creator Pro - Handbook

Film Creator Pro - Instagram

Film Creator Pro - Facebook

Atomic City - Website

For more exclusive content like this, click here to sign up for my newsletter.]]>showdonttell.podbean.com/4b9dceac-1253-346e-bfa9-9e1bdfb6e250Thu, 03 Mar 2022 23:44:45 +0000Noam KrollIn this episode I'm joined by filmmaking duo Taylor Lewis and Burke Lewis. Taylor and Burke run a successful commercial production company (Atomic City), and produce high end content for brands like Amazon, Microsoft, and DJI. But they also have a...
Taylor and Burke run a successful commercial production company (Atomic City), and produce high end content for brands like Amazon, Microsoft, and DJI. But they also have a passion for true micro-budget filmmaking, going so far as to make an entire feature film for just $1000. Throughout the interview, we discuss Taylor and Burke's strategy for growing their production company, how they've thrived outside of major film markets, their philosophy on narrative productions, and loads more.

Links from the show

Film Creator Pro - Handbook

Film Creator Pro - Instagram

Film Creator Pro - Facebook

Atomic City - Website

For more exclusive content like this, click here to sign up for my newsletter.]]>3624truefullhttps://www.spreaker.com/episode/bryn-woznicki-skye-emerson-break-down-the-production-of-under-the-influencer--49019899
After making a $450K feature titled Her Side of The Bed, Bryn chose to embrace the world of ultra micro-budget filmmaking. Through a collaboration with Skye (a recipient of the Alfred P. Sloan Screenwriting Fellowship at the Sundance Film Festival), the team was able to secure $25,000 in funding through We Make Movies to go into production. Bryn and Skye share their journey at length throughout the interview, from the origins of the concept to how they navigated this challenging budget level.

Links from the show:

Bryn - Website

Bryn - Twitter

Bryn - Facebook

Skye - Website

Under The Influencer - Website

Jill Bennet - Instagram

Lauren Neal - Instagram

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After making a $450K feature titled Her Side of The Bed, Bryn chose to embrace the world of ultra micro-budget filmmaking. Through a collaboration with Skye (a recipient of the Alfred P. Sloan Screenwriting Fellowship at the Sundance Film Festival), the team was able to secure $25,000 in funding through We Make Movies to go into production. Bryn and Skye share their journey at length throughout the interview, from the origins of the concept to how they navigated this challenging budget level.

Links from the show:

Bryn - Website

Bryn - Twitter

Bryn - Facebook

Skye - Website

Under The Influencer - Website

Jill Bennet - Instagram

Lauren Neal - Instagram

For more exclusive content like this, click here to sign up for my newsletter.]]>2711truefullhttps://www.spreaker.com/episode/making-music-for-netflix-sean-baker-paul-schrader-more-with-composer-roman-molino-dunn--49019943
Roman has found incredible success in the industry, working on major projects for Netflix (AI Love You), Sean Baker (Red Rocket) and Paul Schrader (The Card Counter), among countless others. Last year alone, his work screened at 3 of the top film festivals in the world: Cannes, Venice and Toronto.

Throughout the interview Roman takes a deep dive into his creative process, sharing invaluable lessons for filmmakers looking to maximize the impact of their score.

Links from the show:

Roman Molino Dunn - Instagram

Roman Molino Dunn - Website

Mirrortone Studios

For more exclusive content like this, click here to sign up for my newsletter.]]>showdonttell.podbean.com/1ff78da2-0419-3464-b2ec-b258b684451cWed, 16 Feb 2022 18:51:03 +0000Noam KrollToday I am joined by award winning film composer and billboard charting producer Roman Molino Dunn. Roman has found incredible success in the industry, working on major projects for Netflix (AI Love You), Sean Baker (Red Rocket) and Paul Schrader...
Roman has found incredible success in the industry, working on major projects for Netflix (AI Love You), Sean Baker (Red Rocket) and Paul Schrader (The Card Counter), among countless others. Last year alone, his work screened at 3 of the top film festivals in the world: Cannes, Venice and Toronto.

Throughout the interview Roman takes a deep dive into his creative process, sharing invaluable lessons for filmmakers looking to maximize the impact of their score.

Links from the show:

Roman Molino Dunn - Instagram

Roman Molino Dunn - Website

Mirrortone Studios

For more exclusive content like this, click here to sign up for my newsletter.]]>3194truefullhttps://www.spreaker.com/episode/making-a-7000-feature-film-in-14-days-with-filmmaking-duo-brent-lydic-and-tip-scarry--49019791
This micro-budget indie was made on a shoestring budget of just $7000 over the course of 14 shooting days. By taking an unconventional approach to production, Brent and Tip pulled off an impressive debut feature film that ultimately landed distribution with Gravitas, and is now widely available on VOD. Listen to the full episode for the entire breakdown, along with invaluable lessons learned at each step.

Links from the show:

Spirit Quest - Amazon

Spirit Quest - iTunes

Spirit Quest - Instagram

Spirit Quest - Facebook

For more exclusive content like this, click here to sign up for my newsletter.]]>showdonttell.podbean.com/67339206-b7da-3eb6-8b43-e46fe9d5d70cWed, 09 Feb 2022 20:13:35 +0000Noam KrollToday I am joined by filmmaking duo Brent Lydic and Tip Scarry, who are here to give us a behind the scenes look into their new feature film Spirit Quest. This micro-budget indie was made on a shoestring budget of just $7000 over the course of 14...
This micro-budget indie was made on a shoestring budget of just $7000 over the course of 14 shooting days. By taking an unconventional approach to production, Brent and Tip pulled off an impressive debut feature film that ultimately landed distribution with Gravitas, and is now widely available on VOD. Listen to the full episode for the entire breakdown, along with invaluable lessons learned at each step.

Links from the show:

Spirit Quest - Amazon

Spirit Quest - iTunes

Spirit Quest - Instagram

Spirit Quest - Facebook

For more exclusive content like this, click here to sign up for my newsletter.]]>3579truefullhttps://www.spreaker.com/episode/making-a-6000-feature-with-no-crew-in-11-days-with-director-pete-ohs--49019804
After debuting as a feature director with Everything Is Beautiful Far Away - a traditionally financed indie starring Julia Garner and Joseph Cross, Pete wanted to try a different approach. Despite the success of his first film (including distribution with The Orchard), the process wasn't what Pete was looking for. He wanted to make a movie that was more creatively freeing and fun, and this was only possible by scaling things down to a bare minimum. 

By financing the movie himself and acting as the entire crew, Pete was not only able to pull off a completed movie, but truly enjoy the process at every step. Throughout the interview Pete shares his journey at length - from his budget breakdown to the gear he used, and loads more.

Links from the show:

Pete Ohs - Instagram

Youngstown - Amazon

For more exclusive content like this, click here to sign up for my newsletter.]]>showdonttell.podbean.com/ddd41390-681d-3d1a-92e0-f0a989acfe3dWed, 26 Jan 2022 19:17:02 +0000Noam KrollToday I am joined by writer/director Pete Ohs, here to give us a behind the scenes look into his latest feature film titled Youngstown. After debuting as a feature director with Everything Is Beautiful Far Away - a traditionally financed indie...
After debuting as a feature director with Everything Is Beautiful Far Away - a traditionally financed indie starring Julia Garner and Joseph Cross, Pete wanted to try a different approach. Despite the success of his first film (including distribution with The Orchard), the process wasn't what Pete was looking for. He wanted to make a movie that was more creatively freeing and fun, and this was only possible by scaling things down to a bare minimum. 

By financing the movie himself and acting as the entire crew, Pete was not only able to pull off a completed movie, but truly enjoy the process at every step. Throughout the interview Pete shares his journey at length - from his budget breakdown to the gear he used, and loads more.

Links from the show:

Pete Ohs - Instagram

Youngstown - Amazon

For more exclusive content like this, click here to sign up for my newsletter.]]>3984truefullhttps://www.spreaker.com/episode/achieving-blockbuster-results-on-a-micro-budget-with-feature-film-director-keon-hedayati--49019817
Despite a limited budget (under $100K), Keon was able to successfully craft a final product with the look, feel and polish of a high end studio feature. Throughout the discussion, Keon shares insight into how he achieved these kind of results by building the right team, taking them on cross-country road trip, and capturing lightning in a bottle. He also shares wild stories from set - from breaking bones during a fight scene to being shot at for filming - and how he overcame challenges at each step.

Links from the show:

Keon Hedayati - Instagram

Keon Hedayati - Twitter

For more exclusive content like this, click here to sign up for my newsletter.]]>showdonttell.podbean.com/3d2dcafe-018e-32a4-bc0d-4b50b5e9d66aWed, 19 Jan 2022 19:59:59 +0000Noam KrollIn this episode I am joined by director Keon Hedayati, who is here to talk all about his debut feature film Karma Bums, which is now entering distribution. Despite a limited budget (under $100K), Keon was able to successfully craft a final product...
Despite a limited budget (under $100K), Keon was able to successfully craft a final product with the look, feel and polish of a high end studio feature. Throughout the discussion, Keon shares insight into how he achieved these kind of results by building the right team, taking them on cross-country road trip, and capturing lightning in a bottle. He also shares wild stories from set - from breaking bones during a fight scene to being shot at for filming - and how he overcame challenges at each step.

Links from the show:

Keon Hedayati - Instagram

Keon Hedayati - Twitter

For more exclusive content like this, click here to sign up for my newsletter.]]>2853truefullhttps://www.spreaker.com/episode/building-a-thriving-youtube-channel-making-micro-budget-films-with-rubidium-wu-of-crimson-engine--49019828
Throughout the interview Rubidium shares a behind the scenes look into how he built his incredible YouTube Channel from the ground up, and how it serves as an asset in his feature filmmaking journey. He also touches on his distribution philosophy, editorial process, approach to working outside of LA, and loads more. This is a must listen for any filmmaker looking to use content creation as a means to bring their passion projects to life.

Links from the show:

Crimson Engine - YouTube Channel

Canon Masterclass - Website

For more exclusive content like this every Sunday, click here to sign up for my newsletter.]]>showdonttell.podbean.com/7db52933-1938-3bed-a938-3f99b4dbce5bWed, 12 Jan 2022 19:29:11 +0000Noam KrollToday I am joined by filmmaker and host of the popular Crimson Engine YouTube channel, Rubidium Wu - who is currently in post-production for his latest feature film titled The Devil’s Fortune. Throughout the interview Rubidium shares a behind the...
Throughout the interview Rubidium shares a behind the scenes look into how he built his incredible YouTube Channel from the ground up, and how it serves as an asset in his feature filmmaking journey. He also touches on his distribution philosophy, editorial process, approach to working outside of LA, and loads more. This is a must listen for any filmmaker looking to use content creation as a means to bring their passion projects to life.

Links from the show:

Crimson Engine - YouTube Channel

Canon Masterclass - Website

For more exclusive content like this every Sunday, click here to sign up for my newsletter.]]>4811truefullhttps://www.spreaker.com/episode/the-intersection-of-art-business-with-creative-entrepreneur-sara-quiriconi--49019793
Sara has found success across multiple mediums - from her renowned book titled Living Cancer Free to her popular blog, social media, and podcast channels. As a huge proponent of entrepreneurship and content creation for filmmakers, I was excited to have Sara on the show to unpack her experience at length.

Throughout the episode she shares best practices for leveraging business to unleash your creativity, how to prioritize your creative pursuits, why you shouldn’t chase the perfect work-life balance, and so much more.

Links from the show:

Sara Quiriconi - Instagram

Sara Quiriconi - Twitter

Sara Quiriconi - YouTube

Sara Quiriconi - Website

Never Settle - Podcast

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/52c4b17b-dad7-3722-b17b-d7d480a6d8beWed, 05 Jan 2022 19:01:33 +0000Noam KrollToday I am joined by actor, author, filmmaker & entrepreneur Sara Quiriconi, to talk all about the intersection of business and creativity. Sara has found success across multiple mediums - from her renowned book titled Living Cancer Free to her...
Sara has found success across multiple mediums - from her renowned book titled Living Cancer Free to her popular blog, social media, and podcast channels. As a huge proponent of entrepreneurship and content creation for filmmakers, I was excited to have Sara on the show to unpack her experience at length.

Throughout the episode she shares best practices for leveraging business to unleash your creativity, how to prioritize your creative pursuits, why you shouldn’t chase the perfect work-life balance, and so much more.

Links from the show:

Sara Quiriconi - Instagram

Sara Quiriconi - Twitter

Sara Quiriconi - YouTube

Sara Quiriconi - Website

Never Settle - Podcast

For more content like this click here to sign up for my newsletter.]]>2963truefullhttps://www.spreaker.com/episode/overcoming-blocks-reaching-your-creative-potential-with-filmmaker-matthew-temple--49019800
Matthew also runs a great podcast, has written books on creativity, and holds workshops all over the world to help empower creatives. Naturally, all of this made for a great conversation that covers everything from creative blocks and how to overcome them, to the creative journey as a whole. He also speaks to his own experience balancing creativity with work, why he left a high paying job in Hollywood to go the independent route, and much more.

Links from the show:

Matthew Temple - Website

Matthew Temple - Production company

Matthew Temple - Podcast

Hardball - Movie Website

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/0a7030fe-0510-32ab-9f99-df12925d768fThu, 23 Dec 2021 20:20:24 +0000Noam KrollJoining me today is filmmaker Matthew Temple, who recently directed the documentary Hardball: The Girls of Summer, which was released by Vertical entertainment last year. Matthew also runs a great podcast, has written books on creativity, and holds...
Matthew also runs a great podcast, has written books on creativity, and holds workshops all over the world to help empower creatives. Naturally, all of this made for a great conversation that covers everything from creative blocks and how to overcome them, to the creative journey as a whole. He also speaks to his own experience balancing creativity with work, why he left a high paying job in Hollywood to go the independent route, and much more.

Links from the show:

Matthew Temple - Website

Matthew Temple - Production company

Matthew Temple - Podcast

Hardball - Movie Website

For more content like this click here to sign up for my newsletter.]]>4005truefullhttps://www.spreaker.com/episode/directing-nba-legend-kevin-garnett-with-documentary-filmmaker-daniel-b-levin--49019807
Throughout the interview, Daniel and I take a deep dive into the world of documentary filmmaking, using his latest feature as a case study. Daniel generously shares his entire process from concept through production and distribution, outlining each critical phase at length. He also touches on what it was like serve as both co-director and cinematographer on the production, the gear that he used, his editorial process and workflow, and loads more.

This is essential listening for all filmmakers, but especially those looking to break into the documentary space.

Links from the show:

Daniel B. Levin - Instagram 

Daniel B. Levin - Twitter

Daniel B. Levin - Website

Blowback Productions - Instagram 

Blowback Productions - Facebook 

Blowback Productions - Twitter 

Blowback Productions - Website

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/e1bde32e-b304-3203-b77d-7c93865d816bThu, 02 Dec 2021 21:00:43 +0000Noam KrollToday I am joined by the multi-talented Daniel B. Levin whose latest documentary Kevin Garnett: Anything is Possible just premiered on Showtime. You may also know Daniel from some of his other amazing documentary productions, like I Promise, which was...
Throughout the interview, Daniel and I take a deep dive into the world of documentary filmmaking, using his latest feature as a case study. Daniel generously shares his entire process from concept through production and distribution, outlining each critical phase at length. He also touches on what it was like serve as both co-director and cinematographer on the production, the gear that he used, his editorial process and workflow, and loads more.

This is essential listening for all filmmakers, but especially those looking to break into the documentary space.

Links from the show:

Daniel B. Levin - Instagram 

Daniel B. Levin - Twitter

Daniel B. Levin - Website

Blowback Productions - Instagram 

Blowback Productions - Facebook 

Blowback Productions - Twitter 

Blowback Productions - Website

For more content like this click here to sign up for my newsletter.]]>3775truefullhttps://www.spreaker.com/episode/directing-netflix-movies-major-network-television-with-dga-director-mike-rohl--49019826
Mike got his start making DIY movies back in film school, which ultimately led to his first big break directing network TV, and later led to his studio feature film work. Throughout the episode we discuss Mike’s journey at length - from his film school days to directing major motion pictures for Netflix, and everything in between. This episode is educational and inspiring for filmmakers at all levels, and I truly hope you all enjoy!

Links from the show:

Mike Rohl - Website

Mike Rohl - Instagram

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/9c29a4f2-cc60-3f5e-b84f-3df3f4ebd3ddFri, 19 Nov 2021 19:58:15 +0000Noam KrollJoining me today is acclaimed DGA director Mike Rohl, who has had an amazing directorial career in both television and feature films. Most recently, Mike directed Vanessa Hudgens in The Princess Swap trilogy for Netflix, but is also known for...
Mike got his start making DIY movies back in film school, which ultimately led to his first big break directing network TV, and later led to his studio feature film work. Throughout the episode we discuss Mike’s journey at length - from his film school days to directing major motion pictures for Netflix, and everything in between. This episode is educational and inspiring for filmmakers at all levels, and I truly hope you all enjoy!

Links from the show:

Mike Rohl - Website

Mike Rohl - Instagram

For more content like this click here to sign up for my newsletter.]]>3922truefullhttps://www.spreaker.com/episode/vashi-nedomansky-ace-on-designing-micro-budget-post-production-workflows--49019814
Vashi is an expert on post production workflows, having worked as a consultant on DEADPOOL, House of Cards, The Good Doctor, Sharknado 2, and countless other projects. He’s been on the podcast before, and his first interview was a fan favorite. This time around, he is here to break down best practices for optimizing your editorial approach and workflow, specifically through the lens of micro-budget filmmaking.

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/58a43c7d-1513-3301-8550-2640eeb459d9Sun, 24 Oct 2021 01:47:34 +0000Noam KrollIn this episode, I share a recent guest session recorded live in my filmmaking community (The Backlot), featuring acclaimed ACE editor Vashi Nedomansky. Vashi is an expert on post production workflows, having worked as a consultant on DEADPOOL, House...
Vashi is an expert on post production workflows, having worked as a consultant on DEADPOOL, House of Cards, The Good Doctor, Sharknado 2, and countless other projects. He’s been on the podcast before, and his first interview was a fan favorite. This time around, he is here to break down best practices for optimizing your editorial approach and workflow, specifically through the lens of micro-budget filmmaking.

For more content like this click here to sign up for my newsletter.]]>4059truefullhttps://www.spreaker.com/episode/selling-a-bootstrapped-documentary-to-vice-with-filmmaker-nick-scown--49019786
 

As Nick shares in the interview, what started as a bootstrapped DIY passion project ultimately evolved into a larger production that attracted a ton of incredible talent. Despite the humble beginnings of this project, Nick was able to attract subjects like Matthew Broderick, David Cross, Janeane Garofalo, Gilbert Gottfried, Marc Maron, Jeff Ross, and dozens of others, which made for an incredible story that is resonating with audiences far and wide.

 

Our discussion covers Nick’s entire process from concept to final delivery, with special emphasis on the sales process to Vice, and their partnership with Nick. We also cover Nick’s tactical approach to the production, his strategy for booking name interviews, experiences with grant funding and much more.

 

Links from the show:

Too Soon Documentary - Movie Website

Nick Scown - Twitter

Nick Scown - Instagram

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/e89d4a04-9d71-3b38-b2d5-037acf85af40Thu, 16 Sep 2021 17:43:52 +0000Noam KrollToday I’m joined by documentary filmmaker Nick Scown, whose feature documentary Too Soon: Comedy After 9/11 was just released through Vice and is now available nationwide.   As Nick shares in the interview, what started as a bootstrapped DIY passion...
 

As Nick shares in the interview, what started as a bootstrapped DIY passion project ultimately evolved into a larger production that attracted a ton of incredible talent. Despite the humble beginnings of this project, Nick was able to attract subjects like Matthew Broderick, David Cross, Janeane Garofalo, Gilbert Gottfried, Marc Maron, Jeff Ross, and dozens of others, which made for an incredible story that is resonating with audiences far and wide.

 

Our discussion covers Nick’s entire process from concept to final delivery, with special emphasis on the sales process to Vice, and their partnership with Nick. We also cover Nick’s tactical approach to the production, his strategy for booking name interviews, experiences with grant funding and much more.

 

Links from the show:

Too Soon Documentary - Movie Website

Nick Scown - Twitter

Nick Scown - Instagram

For more content like this click here to sign up for my newsletter.]]>3009truefullhttps://www.spreaker.com/episode/shooting-a-30-000-feature-film-in-12-days-with-director-marc-a-hutchins--49019796
After producing and directing numerous independent film titles - including a $300,000 feature - Marc decided to scale down his production approach and embrace the micro-budget realm. This resulted in the creation of a brand new feature film, shot for just $30,000 over the course of 12 days.

Throughout the interview we chat about Marc’s philosophy on independent film, the benefits of working on a smaller canvas, what filmmakers can learn by teaching film, and much more.

Links from the show:

Alexander Films - Website

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/349722c6-0230-3dbf-8299-22fcee6df16aFri, 10 Sep 2021 19:31:05 +0000Noam KrollThis week I am joined by filmmaker and film professor Marc A Hutchins, known for his directorial feature films Crossing Streets and Where Are You, Bobby Browning? After producing and directing numerous independent film titles - including a $300,000...
After producing and directing numerous independent film titles - including a $300,000 feature - Marc decided to scale down his production approach and embrace the micro-budget realm. This resulted in the creation of a brand new feature film, shot for just $30,000 over the course of 12 days.

Throughout the interview we chat about Marc’s philosophy on independent film, the benefits of working on a smaller canvas, what filmmakers can learn by teaching film, and much more.

Links from the show:

Alexander Films - Website

For more content like this click here to sign up for my newsletter.]]>2998truefullhttps://www.spreaker.com/episode/crafting-the-perfect-musical-score-with-composer-filmmaker-martin-blasick--49019831
Martin has contributed his work to countless film and television projects like Oceans 12, Magic Mike and The Newsroom- while also spearheading his own independent productions. Throughout our discussion, Martin shares his wisdom on all things music for film, giving listeners actionable tips for building the right soundscape for their movie - whether through original composition, library cues, or by licensing existing songs. This is a must listen for any filmmaker who understands the value of a powerful soundtrack.

Links from the show:

Martin Blasick - Website

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/79773e18-1a45-3917-af71-e9c86b82a7b4Sat, 28 Aug 2021 01:42:09 +0000Noam KrollIn this episode I am joined by the amazingly talented Martin Blasick, who has worked in the film industry for years as a composer, music writer and music supervisor, and is now embracing the world of micro-budget feature filmmaking. Martin has...
Martin has contributed his work to countless film and television projects like Oceans 12, Magic Mike and The Newsroom- while also spearheading his own independent productions. Throughout our discussion, Martin shares his wisdom on all things music for film, giving listeners actionable tips for building the right soundscape for their movie - whether through original composition, library cues, or by licensing existing songs. This is a must listen for any filmmaker who understands the value of a powerful soundtrack.

Links from the show:

Martin Blasick - Website

For more content like this click here to sign up for my newsletter.]]>4024truefullhttps://www.spreaker.com/episode/emmy-award-winner-chris-gierowski-on-micro-budget-feature-film-producing-broadcast-news-more--49019783
Over the last decade Chris has produced countless narrative films - from micro-budget shorts to underground features that have reached cult status - and has learned a lot along the way. Throughout the interview, Chris provides listeners with key insights into the world of indie film production, along with his personal philosophy and practical approach for bringing new projects to life. He also talks about balancing filmmaking with journalism, developing larger budget projects, dealing with piracy issues, and much more.

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/9105ce8c-9b0f-3750-9300-03a969f3cc4dSat, 28 Aug 2021 01:16:53 +0000Noam KrollIn the episode I am joined by filmmaker and KTLA journalist Chris Gierowski, here to share his unique approach to independent feature film producing. Over the last decade Chris has produced countless narrative films - from micro-budget shorts to...
Over the last decade Chris has produced countless narrative films - from micro-budget shorts to underground features that have reached cult status - and has learned a lot along the way. Throughout the interview, Chris provides listeners with key insights into the world of indie film production, along with his personal philosophy and practical approach for bringing new projects to life. He also talks about balancing filmmaking with journalism, developing larger budget projects, dealing with piracy issues, and much more.

For more content like this click here to sign up for my newsletter.]]>2840truefullhttps://www.spreaker.com/episode/genre-filmmaking-why-horror-sci-fi-and-thriller-films-create-the-perfect-launch-pad-for-micro-budget-feature-filmmakers--49019838
Genre films offer some unique advantages to the micro-budget filmmaker, that make traditional obstacles (like securing name talent, prestige festival placement, and distribution) far less critical to the overall success of the film. Throughout the episode I discuss all of this and more, through the lens of my upcoming feature film Shell Shock, which has specifically been designed with these principles in mind.

Get a free exhibit pass to the 2021 NAB Show by visiting bit.ly/21NABShow and using code BA03 at checkout.

For more content like this click here to sign up for my newsletter.

 ]]>showdonttell.podbean.com/664161ea-543b-360f-bd0f-441c09875039Fri, 30 Jul 2021 21:40:39 +0000Noam KrollIn this solo episode, I share my in-depth thoughts on the merits of working in genre as a micro-budget filmmaker, and why horror, sci-fi, and thriller films often thrive on a smaller scale. Genre films offer some unique advantages to the micro-budget...
Genre films offer some unique advantages to the micro-budget filmmaker, that make traditional obstacles (like securing name talent, prestige festival placement, and distribution) far less critical to the overall success of the film. Throughout the episode I discuss all of this and more, through the lens of my upcoming feature film Shell Shock, which has specifically been designed with these principles in mind.

Get a free exhibit pass to the 2021 NAB Show by visiting bit.ly/21NABShow and using code BA03 at checkout.

For more content like this click here to sign up for my newsletter.

 ]]>1290truefullhttps://www.spreaker.com/episode/from-crowdfunding-a-teaser-to-selling-out-theatrical-screenings-with-co-directors-john-c-lyons-and-dorota-swies--49019787
Unearth is a "fracking horror film" that was produced over the course of 8 years. What began as a successful crowdfunding campaign for a teaser, ultimately helped secure financing of nearly $1,000,000 for the full feature film. From there, the project attracted some known cast (Adrienne Barbeau and Marc Blucas), and landed distribution after premiering at the Fantasia film festival. It became the first feature film to sell out a theatrical show the Laemmle theaters in LA (post-pandemic), and is now widely available on DVD, VOD and other platforms. Hear about the entire journey from concept to distribution on this week's episode.

Links from the show:

Amazon direct: Unearth - Amazon 

AppleTV direct: Unearth - Apple TV 

For more information: Unearth - Website

Get a free exhibit pass to the 2021 NAB Show by visiting bit.ly/21NABShow and using code BA03 at checkout.

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/7f2ef7d7-24ab-3fcc-ad2b-33387b74c2d4Fri, 30 Jul 2021 21:24:20 +0000Noam KrollJoining me for this episode are co-directors John C. Lyons and Dorota Swies, here to talk all about their brand new feature film Unearth. Unearth is a "fracking horror film" that was produced over the course of 8 years. What began as a successful...
Unearth is a "fracking horror film" that was produced over the course of 8 years. What began as a successful crowdfunding campaign for a teaser, ultimately helped secure financing of nearly $1,000,000 for the full feature film. From there, the project attracted some known cast (Adrienne Barbeau and Marc Blucas), and landed distribution after premiering at the Fantasia film festival. It became the first feature film to sell out a theatrical show the Laemmle theaters in LA (post-pandemic), and is now widely available on DVD, VOD and other platforms. Hear about the entire journey from concept to distribution on this week's episode.

Links from the show:

Amazon direct: Unearth - Amazon 

AppleTV direct: Unearth - Apple TV 

For more information: Unearth - Website

Get a free exhibit pass to the 2021 NAB Show by visiting bit.ly/21NABShow and using code BA03 at checkout.

For more content like this click here to sign up for my newsletter.]]>3552truefullhttps://www.spreaker.com/episode/filmmaker-slamdance-co-founder-dan-mirvish-on-landing-fundraising-securing-actors-navigating-festivals-and-making-an-impact-with-your-i--49019798
Throughout our discussion, Dan offers a masterclass in the practical realities of making a film. We discuss strategies for raising funds for your movie, securing known talent, bringing your vision to life, and so much more. Dan also shares his perspective on what film festivals and distributors look for in an indie film, and how filmmakers can increase their odds of success at each step. And finally, we touch on Dan’s new edition of his book (The Cheerful Subversive’s Guide To Independent Filmmaking), and some of the most important lessons embedded throughout.

Links from the show:

Dan Mirvish - Twitter

Dan Mirvish - Instagram

Dan Mirvish - Facebook

The Cheerful Subversive's Guide To Independent Filmmaking - Amazon

The Backlot - Free 7 Day Trial

Get a free exhibit pass to the 2021 NAB Show by visiting bit.ly/21NABShow and using code BA03 at checkout.

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/898b8ea8-c086-344d-b193-db4e84ace6e3Fri, 23 Jul 2021 21:34:03 +0000Noam KrollIn this episode, I share a recent conversation with filmmaker and Slamdance co-founder Dan Mirvish, which originally took place during a private live session in The Backlot (my private filmmaking community). Throughout our discussion, Dan offers a...
Throughout our discussion, Dan offers a masterclass in the practical realities of making a film. We discuss strategies for raising funds for your movie, securing known talent, bringing your vision to life, and so much more. Dan also shares his perspective on what film festivals and distributors look for in an indie film, and how filmmakers can increase their odds of success at each step. And finally, we touch on Dan’s new edition of his book (The Cheerful Subversive’s Guide To Independent Filmmaking), and some of the most important lessons embedded throughout.

Links from the show:

Dan Mirvish - Twitter

Dan Mirvish - Instagram

Dan Mirvish - Facebook

The Cheerful Subversive's Guide To Independent Filmmaking - Amazon

The Backlot - Free 7 Day Trial

Get a free exhibit pass to the 2021 NAB Show by visiting bit.ly/21NABShow and using code BA03 at checkout.

For more content like this click here to sign up for my newsletter.]]>4120truefullhttps://www.spreaker.com/episode/how-to-reverse-engineer-your-indie-feature-with-around-the-sun-writer-producer-jonathan-kiefer--49019797
Around The Sun is an amazing example of what’s possible when you use available resources to reverse engineer a film concept. In Jonathan's case, he had access to an incredible French Chateau with a unique historical significance to the scientific community. This location served as the launching pad for an amazing story that ultimately attracted actors Cara Theobold (Downton Abbey), and Gethin Anthony (Game Of Thrones, Kodachrome, First Kill) to the project. Throughout the interview we delve into Jonathan’s process at length - from the development of the story to producing the film overseas, the release/distribution strategy, and much more.

Links from the show:

Around The Sun - Website

Jonathan Kiefer - Instagram

Jonathan Kiefer - Twitter

Get a free exhibit pass to the 2021 NAB Show by visiting bit.ly/21NABShow and using code BA03 at checkout.

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/c78f71ef-948d-3abb-ad3e-2b57c26bb4e7Fri, 23 Jul 2021 21:26:46 +0000Noam KrollIn this episode I’m joined by writer and producer Jonathan Kiefer, whose feature film Around The Sun premiered last month on Kanopy, and is now widely available on digital platforms everywhere. Around The Sun is an amazing example of what’s possible...
Around The Sun is an amazing example of what’s possible when you use available resources to reverse engineer a film concept. In Jonathan's case, he had access to an incredible French Chateau with a unique historical significance to the scientific community. This location served as the launching pad for an amazing story that ultimately attracted actors Cara Theobold (Downton Abbey), and Gethin Anthony (Game Of Thrones, Kodachrome, First Kill) to the project. Throughout the interview we delve into Jonathan’s process at length - from the development of the story to producing the film overseas, the release/distribution strategy, and much more.

Links from the show:

Around The Sun - Website

Jonathan Kiefer - Instagram

Jonathan Kiefer - Twitter

Get a free exhibit pass to the 2021 NAB Show by visiting bit.ly/21NABShow and using code BA03 at checkout.

For more content like this click here to sign up for my newsletter.]]>4337truefullhttps://www.spreaker.com/episode/how-to-get-25-000-professional-post-production-services-for-your-feature-film-with-sam-mestman--49019936
Throughout this episode we chat all about the competition, how it can benefit you as a filmmaker, and tips for improving your odds of acceptance. Sam has also generously offered members of my filmmaking community (The Backlot) free WMM memberships and fee waivers for their feature films. If you not yet a Backlot member, you can try it free for 7 days at www.noamkroll.com

Links from the show:

We Make Movies - Competition

The Backlot - Free 7 Day Trial

For more content like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/f50428d5-7f08-3d69-8301-e2473e440243Fri, 02 Jul 2021 20:20:21 +0000Noam KrollMy guest today is Sam Mestman, CEO of We Make Movies - an incredible resource for indie filmmakers looking to take their work to the next level. Among many of the other initiatives currently in motion at WMM, Sam is running a filmmaking competition...
Throughout this episode we chat all about the competition, how it can benefit you as a filmmaker, and tips for improving your odds of acceptance. Sam has also generously offered members of my filmmaking community (The Backlot) free WMM memberships and fee waivers for their feature films. If you not yet a Backlot member, you can try it free for 7 days at www.noamkroll.com

Links from the show:

We Make Movies - Competition

The Backlot - Free 7 Day Trial

For more content like this click here to sign up for my newsletter.]]>3696truefullhttps://www.spreaker.com/episode/director-dp-emily-skye-aka-she-wolf-films-on-blazing-your-own-path-in-the-film-industry--49019805
Emily has been working in the film industry for 14 years, but recently her industry success has reached new heights. After building a massive fanbase for her work online, she created a short film called River. The short was so well received that within just 2 months it landed her financing for the feature length version.

Throughout the interview we discuss what it’s like to simultaneously direct and DP your own film, and how doing so can open up some unique creative advantages. Emily speaks to the importance of building an audience for your work, and how her efforts in this area led to relationships with brands like Lumix and RED. We also discuss the challenges of working in the industry as a female filmmaker, and Emily even shares a story about having to walk off a DGA production after experiencing a harassment issue on set.

All this and much more on today's episode.

Links from the show:

She Wolf Films - Instagram

She Wolf Films - Twitter

Emily Skye - Website

For more content like this click here to sign up for my newsletter.

 ]]>showdonttell.podbean.com/4dc41b1e-3bc5-35fa-b090-0c3eaa1a48f7Thu, 24 Jun 2021 20:19:55 +0000Noam KrollJoining me today is Director & DP Emily Skye, who you might also know as "She Wolf Films" on her incredibly popular Instagram account. Emily has been working in the film industry for 14 years, but recently her industry success has reached new...
Emily has been working in the film industry for 14 years, but recently her industry success has reached new heights. After building a massive fanbase for her work online, she created a short film called River. The short was so well received that within just 2 months it landed her financing for the feature length version.

Throughout the interview we discuss what it’s like to simultaneously direct and DP your own film, and how doing so can open up some unique creative advantages. Emily speaks to the importance of building an audience for your work, and how her efforts in this area led to relationships with brands like Lumix and RED. We also discuss the challenges of working in the industry as a female filmmaker, and Emily even shares a story about having to walk off a DGA production after experiencing a harassment issue on set.

All this and much more on today's episode.

Links from the show:

She Wolf Films - Instagram

She Wolf Films - Twitter

Emily Skye - Website

For more content like this click here to sign up for my newsletter.

 ]]>4862truefullhttps://www.spreaker.com/episode/shooting-a-30-000-feature-film-in-10-days-with-screenwriter-producer-hudson-phillips--49019801
This World Alone is a post-apocalyptic arthouse thriller about three women attempting to survive after a cataclysmic event leaves the Earth without technology or power. The film was shot for just $30,000 over the course of 10 days, with cast & crew living and working together under one roof in the North Georgia mountains. The film went on to have a successful festival run, picking up awards at countless festivals including the Oxford Film Festival and Phoenix Film Festival.

Throughout our chat we take a deep dive into the creation and release of this awesome project, tackling everything from production to distribution and loads more. Enjoy!

Links from the show:

This World Alone - Movie Website

Hudson Phillips Website

For more like this click here to sign up for my newsletter.

 ]]>showdonttell.podbean.com/5e280e05-17e6-3885-8165-c89bc16af309Fri, 18 Jun 2021 19:29:30 +0000Noam KrollThis week on the show, I’m joined by screenwriter and producer Hudson Phillips to chat all about his new feature film This World Alone. This World Alone is a post-apocalyptic arthouse thriller about three women attempting to survive after a...
This World Alone is a post-apocalyptic arthouse thriller about three women attempting to survive after a cataclysmic event leaves the Earth without technology or power. The film was shot for just $30,000 over the course of 10 days, with cast & crew living and working together under one roof in the North Georgia mountains. The film went on to have a successful festival run, picking up awards at countless festivals including the Oxford Film Festival and Phoenix Film Festival.

Throughout our chat we take a deep dive into the creation and release of this awesome project, tackling everything from production to distribution and loads more. Enjoy!

Links from the show:

This World Alone - Movie Website

Hudson Phillips Website

For more like this click here to sign up for my newsletter.

 ]]>3213truefullhttps://www.spreaker.com/episode/producing-for-the-rock-running-charlie-sheen-s-production-company-making-features-with-ep-director-author-shane-stanley--49019803
In addition to his impressive career as a filmmaker, Shane is also an author and educator. His book What You Don’t Learn In Film School covers filmmaking from concept to delivery, and has been endorsed by some of the most respected names in Hollywood. Throughout the interview we chat all about Shane’s journey, how he was able to navigate the business with such success, critical lessons for filmmakers from his book, and loads more!

Links from the show:

What You Don't Learn In Film School - Book

Shane on Instagram

Shane on Facebook

Shane on Twitter

CINECOLOR Color Grading LUTs

For more like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/64806e6d-f70e-3c17-8dae-8c433f13ee11Fri, 11 Jun 2021 19:25:18 +0000Noam KrollToday I’m joined by the multi-talented Shane Stanley, whose career has led him to executive produce for Dwayne (The Rock) Johnson, run Charlie Sheen’s production company, and direct his own feature films - just to scratch the surface. In addition to...
In addition to his impressive career as a filmmaker, Shane is also an author and educator. His book What You Don’t Learn In Film School covers filmmaking from concept to delivery, and has been endorsed by some of the most respected names in Hollywood. Throughout the interview we chat all about Shane’s journey, how he was able to navigate the business with such success, critical lessons for filmmakers from his book, and loads more!

Links from the show:

What You Don't Learn In Film School - Book

Shane on Instagram

Shane on Facebook

Shane on Twitter

CINECOLOR Color Grading LUTs

For more like this click here to sign up for my newsletter.]]>4039truefullhttps://www.spreaker.com/episode/3-unconventional-ways-to-allocate-funds-on-your-next-micro-budget-feature-film--49019818
Most filmmakers fall into the same trap - overspending in production (and post), and leaving little to nothing for their launch. This causes the vast majority micro-budget feature films to get lost in the noise, often failing to find audiences. As we discuss in this episode, by allocating funds to three specific areas (that are overlooked by 99% of micro-budget filmmakers), it is possible to dramatically improve your film's odds of sales, distribution, festival placement, and overall reach.

Throughout this episode I outline my budgeting strategy in detail, which can serve as a blueprint for your next feature film.

For more like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/92c88d72-d873-3a63-90a7-2f4fe2594d75Fri, 28 May 2021 19:52:56 +0000Noam KrollI am currently in pre-production for my next feature film, and will be approaching the budgeting process very differently this time around. Rather than allocating the majority of funds to production, they will be re-distributed to three key areas with...
Most filmmakers fall into the same trap - overspending in production (and post), and leaving little to nothing for their launch. This causes the vast majority micro-budget feature films to get lost in the noise, often failing to find audiences. As we discuss in this episode, by allocating funds to three specific areas (that are overlooked by 99% of micro-budget filmmakers), it is possible to dramatically improve your film's odds of sales, distribution, festival placement, and overall reach.

Throughout this episode I outline my budgeting strategy in detail, which can serve as a blueprint for your next feature film.

For more like this click here to sign up for my newsletter.]]>1435truefullhttps://www.spreaker.com/episode/cannes-actor-award-winning-filmmaker-leandro-taub-on-his-debut-feature-film-externo--49019839
Throughout the interview we delve into Leandro’s creative process and discuss exactly what it took for him to find success in so many different creative fields. We also chat about his film Externo at length, detailing the entire process from development to production to festival strategy and beyond.

Links from the show:

EXTERNO - Website

EXTERNO - Trailer

Leandro on Instagram

Leandro on Twitter

For more like this click here to sign up for my newsletter.]]>showdonttell.podbean.com/55ae2810-c53f-3033-be11-8b115c3a2269Fri, 28 May 2021 19:44:46 +0000Noam KrollJoining me today is actor, author and filmmaker Leandro Taub. Leandro has found incredible success in many creative disciplines - first as an author (he’s been published 5 times and counting), then as an actor - debuting in Endless Poetry, which...
Throughout the interview we delve into Leandro’s creative process and discuss exactly what it took for him to find success in so many different creative fields. We also chat about his film Externo at length, detailing the entire process from development to production to festival strategy and beyond.

Links from the show:

EXTERNO - Website

EXTERNO - Trailer

Leandro on Instagram

Leandro on Twitter

For more like this click here to sign up for my newsletter.]]>3479truefullhttps://www.spreaker.com/episode/how-to-succeed-in-filmmaking-by-leveraging-commercial-productions-an-interview-on-filmmakers-in-advertising-podcast--49019809
I don’t often speak about my commercial work on the podcast or my blog, since those channels are mainly focused on narrative filmmaking. But seeing as there are probably many filmmakers in the audience who work in both worlds, I thought this would be a fun crossover episode to help those of you trying to balance both sides. Throughout the episode I share my journey as both a filmmaker and creative entrepreneur, outlining each step of my process and obstacles encountered along the way.

Click here to enroll in 6 Figure Production Company

Links from the show:

Filmmakers In Advertising Podcast

 ]]>showdonttell.podbean.com/4267702c-583e-3f53-be11-dcb14ac9698dFri, 07 May 2021 19:51:09 +0000Noam KrollToday on the show I am sharing a recent episode of the Filmmakers In Advertising podcast, which I was just interviewed on by host Codey Wilson. As the title would suggest, this podcast is all about what it’s like to work in the realm of commercial...
I don’t often speak about my commercial work on the podcast or my blog, since those channels are mainly focused on narrative filmmaking. But seeing as there are probably many filmmakers in the audience who work in both worlds, I thought this would be a fun crossover episode to help those of you trying to balance both sides. Throughout the episode I share my journey as both a filmmaker and creative entrepreneur, outlining each step of my process and obstacles encountered along the way.

Click here to enroll in 6 Figure Production Company

Links from the show:

Filmmakers In Advertising Podcast

 ]]>4145truefullhttps://www.spreaker.com/episode/using-nfts-to-monetize-distribute-feature-films-with-sxsw-filmmaker-jason-charnick--49019816
NFTs are a type of digital collectible that artists (including filmmakers) can use to help monetize and distribute their work in new ways. There’s a lot of debate as to the viability of NFTs in the filmmaking space, so Jason and I sat down to discuss this issue at length. We outline exactly what an NFT is (or could be) in the context of filmmaking, their potential upsides and downsides from a creator’s perspective, how filmmakers could leverage them to find more profitability in their work, and much more.

Links from the show:

Jason Charnick - Facebook

Jason Charnick- Twitter

Jason Charnick - Instagram

Up Start Film Collective

Getting Over - Film Website

Getting Over - Amazon

Head Above Water - Podcast

For more content like this, click here to sign up for my newsletter.]]>showdonttell.podbean.com/a839855f-aac9-3875-a811-2c09a3ddfc54Fri, 30 Apr 2021 19:21:45 +0000Noam KrollIn this episode, I am joined by filmmaker Jason Charnick, known for his incredible documentary feature film Getting Over, which premiered at SXSW in 2018. Today, Jason is here to talk all about NFTs  - a new technology that’s been generating a ton of...
NFTs are a type of digital collectible that artists (including filmmakers) can use to help monetize and distribute their work in new ways. There’s a lot of debate as to the viability of NFTs in the filmmaking space, so Jason and I sat down to discuss this issue at length. We outline exactly what an NFT is (or could be) in the context of filmmaking, their potential upsides and downsides from a creator’s perspective, how filmmakers could leverage them to find more profitability in their work, and much more.

Links from the show:

Jason Charnick - Facebook

Jason Charnick- Twitter

Jason Charnick - Instagram

Up Start Film Collective

Getting Over - Film Website

Getting Over - Amazon

Head Above Water - Podcast

For more content like this, click here to sign up for my newsletter.]]>4667truefullhttps://www.spreaker.com/episode/how-to-leverage-social-media-podcasting-and-content-creation-as-a-filmmaker-with-tessa-markle-carolina-alvarez--49019795
Tessa and Carolina have been able to leverage their amazing podcast to not only grow an audience for their work, but also expand their industry connections and meet new collaborators along the way. Throughout the episode we discuss their journey at length, going in depth on the benefits of podcasting for filmmakers, and why it's a path many filmmakers may want to consider. We also talk extensively about social media, discussing its merits as a marketing tool for your work, and why it's not always mandatory for all filmmakers.

Links from the show:

https://www.femmeregard.com

For more content like this, click here to sign up for my newsletter.]]>showdonttell.podbean.com/8720e3f4-ed7f-3dad-9d6a-e784198182f2Thu, 15 Apr 2021 18:01:23 +0000Noam KrollReturning to this show this week are Tessa Markle and Carolina Alvarez, co-hosts of the the Femme Regard podcast. Tessa and Carolina have been able to leverage their amazing podcast to not only grow an audience for their work, but also expand their...
Tessa and Carolina have been able to leverage their amazing podcast to not only grow an audience for their work, but also expand their industry connections and meet new collaborators along the way. Throughout the episode we discuss their journey at length, going in depth on the benefits of podcasting for filmmakers, and why it's a path many filmmakers may want to consider. We also talk extensively about social media, discussing its merits as a marketing tool for your work, and why it's not always mandatory for all filmmakers.

Links from the show:

https://www.femmeregard.com

For more content like this, click here to sign up for my newsletter.]]>3716truefullhttps://www.spreaker.com/episode/why-every-filmmaker-needs-to-build-an-audience-how-you-can-start-today--49019812
While the prospect of building an audience yourself can be daunting, the good news is it's easier than ever to accomplish… Even for those who don’t have an existing body of work.

In this solo episode, I share my thoughts on why having a built-in audience is critical to the success of many films, the psychology of attracting audience members, practical steps to build your audience from scratch, and much more.

For more on audience building, be sure to check out my course Online Audience Building For Filmmakers by clicking here.

You can also learn more about audience building on my filmmaking community The Backlot. Register by clicking here and get a free 7 day trial.

And for more content like this, click here to sign up for my newsletter.]]>showdonttell.podbean.com/d2169ffa-6aa5-3163-ac2a-c641292625fcMon, 12 Apr 2021 02:29:31 +0000Noam KrollFilmmakers who have audiences of their own are at a tremendous advantage at every stage. From fundraising to distribution to monetization - each facet is enhanced dramatically by the size and value of any given audience. While the prospect of...
While the prospect of building an audience yourself can be daunting, the good news is it's easier than ever to accomplish… Even for those who don’t have an existing body of work.

In this solo episode, I share my thoughts on why having a built-in audience is critical to the success of many films, the psychology of attracting audience members, practical steps to build your audience from scratch, and much more.

For more on audience building, be sure to check out my course Online Audience Building For Filmmakers by clicking here.

You can also learn more about audience building on my filmmaking community The Backlot. Register by clicking here and get a free 7 day trial.

And for more content like this, click here to sign up for my newsletter.]]>1820truefullhttps://www.spreaker.com/episode/from-pa-ing-for-martin-scorsese-to-directing-million-dollar-feature-films-with-director-producer-joseph-mensch--49019845
Throughout the interview, Joseph shares his journey from PA’ing on Martin Scorsese’s Aviator to directing a debut feature film with a budget in the millions. He also shares some critical insights into the importance of representation, while outlining how he was able to secure an agent at ICM by means of a local film festival screening. And of course, we talk about the development and production of Payback at some length, detailing every step of the process from A to Z.

Links from the show:

Joseph on Instagram

For more content like this, sign up for my newsletter here.]]>showdonttell.podbean.com/9e0e0d56-fbb0-3f31-9173-d5ed4976e08cThu, 11 Mar 2021 20:25:50 +0000Noam KrollToday on the show, I’m joined by director/producer Joseph Mensch, here to talk about his new feature film Payback, which was just released last month. Throughout the interview, Joseph shares his journey from PA’ing on Martin Scorsese’s Aviator to...
Throughout the interview, Joseph shares his journey from PA’ing on Martin Scorsese’s Aviator to directing a debut feature film with a budget in the millions. He also shares some critical insights into the importance of representation, while outlining how he was able to secure an agent at ICM by means of a local film festival screening. And of course, we talk about the development and production of Payback at some length, detailing every step of the process from A to Z.

Links from the show:

Joseph on Instagram

For more content like this, sign up for my newsletter here.]]>3883truefullhttps://www.spreaker.com/episode/luke-barnett-writer-producer-of-faith-based-on-creating-original-content-landing-star-talent-and-raising-money-for-your-movie--49020134
Luke’s story is super inspiring, and can be looked at as a roadmap for filmmakers who want to break into the industry by bootstrapping their own projects. Throughout the interview, Luke shares his journey from creating DIY short films for Funny or Die to producing feature films like Fear Inc. and Faith Based, while sharing invaluable tactical advice along the way. We talk about Luke’s development process, how he pulls together financing and attaches star talent to his films, his best practices for approaching agents and managers, and much more.

Links from the show:

Luke on Twitter

Luke on Instagram

For more content like this, sign up for my newsletter here.]]>showdonttell.podbean.com/3aa97d38-f649-37d7-8760-c908f3174bf5Fri, 05 Feb 2021 18:09:27 +0000Noam KrollJoining me on today’s episode is writer/producer/actor Luke Barnett, known for his incredible Funny or Die shorts and his latest feature film project - Faith Based, which features Jason Alexander, Lance Reddick, Tanner Thomason, Margaret Cho, and Luke...
Luke’s story is super inspiring, and can be looked at as a roadmap for filmmakers who want to break into the industry by bootstrapping their own projects. Throughout the interview, Luke shares his journey from creating DIY short films for Funny or Die to producing feature films like Fear Inc. and Faith Based, while sharing invaluable tactical advice along the way. We talk about Luke’s development process, how he pulls together financing and attaches star talent to his films, his best practices for approaching agents and managers, and much more.

Links from the show:

Luke on Twitter

Luke on Instagram

For more content like this, sign up for my newsletter here.]]>4652truefullhttps://www.spreaker.com/episode/david-f-sandberg-director-of-shazam-annabelle-creation-lights-out-on-his-path-from-no-budget-horror-shorts-to-studio-blockbusters--49019841
David is about as great a guest as I can imagine on this show. His story is a case in point for making your own films and not waiting for permission - As we talk about throughout the interview, after years of working in documentary and animation, David decided to make some no budget short films with his wife Lotta. One of them in particular - Lights Out - was shot in just one day with no crew, and ended up going viral on YouTube. This attracted the attention of Hollywood and the rest is history. 

Throughout the interview we talk about David’s journey from no budget filmmaker to studio director, the biggest challenges he encountered along the way, advice for filmmakers who aspire to direct studio films, what makes someone a great director, and much more. 

Links from the show:

David on Instagram

David on Twitter

David on YouTube

For more like this, sign up for my newsletter here.]]>showdonttell.podbean.com/43c8585c-2fd4-354e-880a-a084b51cc7e6Fri, 29 Jan 2021 17:51:30 +0000Noam KrollToday I am honored to be joined by director David F. Sandberg, known for major studio films like Shazam, Annabelle: Creation, and Lights out, as well as his no budget horror short films which he’s been releasing for years under his YouTube channel...
David is about as great a guest as I can imagine on this show. His story is a case in point for making your own films and not waiting for permission - As we talk about throughout the interview, after years of working in documentary and animation, David decided to make some no budget short films with his wife Lotta. One of them in particular - Lights Out - was shot in just one day with no crew, and ended up going viral on YouTube. This attracted the attention of Hollywood and the rest is history. 

Throughout the interview we talk about David’s journey from no budget filmmaker to studio director, the biggest challenges he encountered along the way, advice for filmmakers who aspire to direct studio films, what makes someone a great director, and much more. 

Links from the show:

David on Instagram

David on Twitter

David on YouTube

For more like this, sign up for my newsletter here.]]>3735truefullhttps://www.spreaker.com/episode/how-to-turn-a-profit-with-your-indie-film-today-an-interview-film-marketing-guru-kyle-prohaska--49023102
Kyle was on the show a couple years ago, and his first episode was incredibly eye-opening and packed with great strategies for filmmakers looking to monetize their creative work. But a lot has changed since then, and an updated chat was long overdue.

In this follow up episode, Kyle paints a realistic picture of the marketing and distribution landscape today, while detailing best practices for filmmakers looking to turn a profit with their work. We chat about the drawbacks of releasing films on Amazon and iTunes, why building a library of titles can be the best strategy, how upcoming changes to social media advertising will impact filmmakers, and loads more.

Links from the show:

Prohaska Studios - Website

For more content like this be sure to sign up for my newsletter here.]]>showdonttell.podbean.com/26a90b59-2a30-3467-b7e7-c41f118a64dfThu, 21 Jan 2021 20:09:03 +0000Noam KrollToday, I’m joined by the expert on all things relating to indie-film marketing and advertising - Kyle Prohaska. Kyle was on the show a couple years ago, and his first episode was incredibly eye-opening and packed with great strategies for filmmakers...
Kyle was on the show a couple years ago, and his first episode was incredibly eye-opening and packed with great strategies for filmmakers looking to monetize their creative work. But a lot has changed since then, and an updated chat was long overdue.

In this follow up episode, Kyle paints a realistic picture of the marketing and distribution landscape today, while detailing best practices for filmmakers looking to turn a profit with their work. We chat about the drawbacks of releasing films on Amazon and iTunes, why building a library of titles can be the best strategy, how upcoming changes to social media advertising will impact filmmakers, and loads more.

Links from the show:

Prohaska Studios - Website

For more content like this be sure to sign up for my newsletter here.]]>5482truefullhttps://www.spreaker.com/episode/directing-a-3500-feature-film-with-network-television-producer-turned-filmmaker-andrew-simonian--49019957
Andrew spent decades producing and developing television for NBC, ABC, CBS, FOX, MTV, BET, and many others, before deciding to take a stab at the world of micro-budget filmmaking. By calling in favors and assembling the perfect team, he was able to pull off his 74 minute comedy thriller with a virtually non-existent budget, and is now gearing up for the festival circuit.

Our discussion covers a full breakdown of Andrew’s film, why he chose to make it at this budget level, lessons learned along the way, and much more.

Links from the show:

Standard Media Company

For more content like this be sure to sign up for my newsletter here.

 ]]>showdonttell.podbean.com/0e94de3e-a4b9-3f42-bc8c-ad51dd8ec9f6Thu, 21 Jan 2021 19:53:07 +0000Noam KrollIn this episode, I’m joined by Andrew Simonian to talk all about his feature film The Take Out Move, which was made for just $3500. Andrew spent decades producing and developing television for NBC, ABC, CBS, FOX, MTV, BET, and many others, before...
Andrew spent decades producing and developing television for NBC, ABC, CBS, FOX, MTV, BET, and many others, before deciding to take a stab at the world of micro-budget filmmaking. By calling in favors and assembling the perfect team, he was able to pull off his 74 minute comedy thriller with a virtually non-existent budget, and is now gearing up for the festival circuit.

Our discussion covers a full breakdown of Andrew’s film, why he chose to make it at this budget level, lessons learned along the way, and much more.

Links from the show:

Standard Media Company

For more content like this be sure to sign up for my newsletter here.

 ]]>4753truefullhttps://www.spreaker.com/episode/introducing-the-backlot-an-exclusive-members-community-for-feature-filmmakers--49019879
For some context, The Backlot is a community designed to give filmmakers the tools, resources, and connections needed to bring their feature films to life.

Members are on a shared journey to create a feature film of their own this year (optionally), and The Backlot provides the structure, education, and accountability needed to ensure the successful completion of each movie. You can think of it like an incubator for micro-budget feature films... But it can really be used however you see fit - whether for networking opportunities, feedback on your work, collaborations, or just as an educational experience. 

Over the course of the show, I share the purpose behind this community, explain how it can be used make your feature film a reality, and touch on other fun details relating to guest speakers, giveaways, and more.

To sign up for The Backlot click here.

For more content like this, be sure to sign up for my newsletter here.]]>showdonttell.podbean.com/26f52a6b-c272-315e-ad73-63e5e326f93eFri, 15 Jan 2021 02:27:58 +0000Noam KrollTo celebrate the launch of my new members community for filmmakers The Backlot, I am publishing this special solo episode to help spread the good news. For some context, The Backlot is a community designed to give filmmakers the tools, resources, and...
For some context, The Backlot is a community designed to give filmmakers the tools, resources, and connections needed to bring their feature films to life.

Members are on a shared journey to create a feature film of their own this year (optionally), and The Backlot provides the structure, education, and accountability needed to ensure the successful completion of each movie. You can think of it like an incubator for micro-budget feature films... But it can really be used however you see fit - whether for networking opportunities, feedback on your work, collaborations, or just as an educational experience. 

Over the course of the show, I share the purpose behind this community, explain how it can be used make your feature film a reality, and touch on other fun details relating to guest speakers, giveaways, and more.

To sign up for The Backlot click here.

For more content like this, be sure to sign up for my newsletter here.]]>842truefullhttps://www.spreaker.com/episode/making-a-1-000-000-feature-film-debut-with-co-directors-sandy-sternshein-brad-riddell--49019958
For some quick background - Brad came up through the studio system, writing films like American Pie: Band Camp, and producing features for studios like Paramount, MTV & Universal. Sandy’s background is in the independent world, with writing credits on films like Pushing Forty and Back to the Grind (an upcoming project for Tony Hawk Productions). Both Sandy & Brad have also taught screenwriting for years and have collaborated since meeting in film school at USC.

Throughout the interview, we take a behind the scenes look at Later Days, exploring exactly how the film was pulled off from a creative and financial standpoint. We cover almost the entirety of the process, with special attention paid to development and fundraising. During this section, Sandy & Brad share some fantastic advice on raising money for a film, and outline each critical step they took along the way. All this and much more on today’s episode.

Links from the show:

Sandy - Twitter

Sandy - Instagram

Brad - Twitter

Brad - Instagram

Wry Mash Media - Website

For more content like this, be sure to sign up for my newsletter here.]]>showdonttell.podbean.com/2d3636b8-0ae5-324a-82e2-6bdacd8ad3f0Fri, 15 Jan 2021 02:05:12 +0000Noam KrollToday I am joined by filmmaking duo Sandy Sternshein & Brad Riddell, here to talk about their feature directorial debut Later Days which was shot for just over $1MM and is currently gearing up for distribution. For some quick background - Brad came...
For some quick background - Brad came up through the studio system, writing films like American Pie: Band Camp, and producing features for studios like Paramount, MTV & Universal. Sandy’s background is in the independent world, with writing credits on films like Pushing Forty and Back to the Grind (an upcoming project for Tony Hawk Productions). Both Sandy & Brad have also taught screenwriting for years and have collaborated since meeting in film school at USC.

Throughout the interview, we take a behind the scenes look at Later Days, exploring exactly how the film was pulled off from a creative and financial standpoint. We cover almost the entirety of the process, with special attention paid to development and fundraising. During this section, Sandy & Brad share some fantastic advice on raising money for a film, and outline each critical step they took along the way. All this and much more on today’s episode.

Links from the show:

Sandy - Twitter

Sandy - Instagram

Brad - Twitter

Brad - Instagram

Wry Mash Media - Website

For more content like this, be sure to sign up for my newsletter here.]]>5321truefullhttps://www.spreaker.com/episode/cutting-theatrical-documentary-features-with-mike-j-nichols-editor-of-zappa-echo-in-the-canyon-last-play-at-shea--49019827
Mike generously shares his wealth of knowledge gained through an incredible career in post-production, leading off with a wild story about how he broke into the business by creating an unofficial edit of a Star Wars film. We also take a behind the scenes look at many of the iconic projects he’s worked on, his creative process, technical workflow, gear setup, and so much more. This is essential listening for documentary and narrative editors alike.

Links from the show -

Mike on Twitter

Mike on Instagram

For more content like this, sign up for my newsletter - www.noamkroll.com/newsletter]]>showdonttell.podbean.com/01d4c987-f6e2-33b8-b77e-8b921d3295a4Sat, 09 Jan 2021 01:45:55 +0000Noam KrollOn this episode, I’m joined by acclaimed filmmaker and editor Mike J. Nichols, known for his amazing work on countless documentary features like Last Play At Shea, Echo In The Canyon, and (most recently) Zappa. Mike generously shares his wealth of...
Mike generously shares his wealth of knowledge gained through an incredible career in post-production, leading off with a wild story about how he broke into the business by creating an unofficial edit of a Star Wars film. We also take a behind the scenes look at many of the iconic projects he’s worked on, his creative process, technical workflow, gear setup, and so much more. This is essential listening for documentary and narrative editors alike.

Links from the show -

Mike on Twitter

Mike on Instagram

For more content like this, sign up for my newsletter - www.noamkroll.com/newsletter]]>3217truefullhttps://www.spreaker.com/episode/from-law-and-politics-to-indie-filmmaking-with-michael-rekola-founder-of-the-capitol-hill-film-festival--49019830
Michael Rekola spent years working as a lawyer in the political world, and even served as the Communications Director for the U.S. House Of Representatives in 2014-2015, before leaving it behind to pursue a career independent film.

Throughout our chat, Michael outlines exactly what it took to jump ship and make such a drastic career change, while sharing invaluable insights for others who may be looking to do the same. We also chat all about the Capitol Hill Film Festival, why he decided to launch it, how it’s helped the industry come to him, what it’s taught him about filmmaking, and much more.

Links from the show - 

Capitol Hill Film Festival - Instagram

Capitol Hill Film Festival - Twitter

Capitol Hill Film Festival - Website

Special Code: Anyone who uses "NOAM" at checkout will save 25% and only pay $5.99 to watch 70+ great short films on a 30 day virtual pass. 

For more content like this, sign up for my newsletter here - www.noamkroll.com/newsletter

 ]]>showdonttell.podbean.com/c1b38161-0940-3b97-b452-d97839809ea9Sat, 09 Jan 2021 01:37:07 +0000Noam KrollMany would-be filmmakers dream of leaving their day jobs to make films, but few ever take the leap. Today’s guest is certainly an exception to the rule. Michael Rekola spent years working as a lawyer in the political world, and even served as the...
Michael Rekola spent years working as a lawyer in the political world, and even served as the Communications Director for the U.S. House Of Representatives in 2014-2015, before leaving it behind to pursue a career independent film.

Throughout our chat, Michael outlines exactly what it took to jump ship and make such a drastic career change, while sharing invaluable insights for others who may be looking to do the same. We also chat all about the Capitol Hill Film Festival, why he decided to launch it, how it’s helped the industry come to him, what it’s taught him about filmmaking, and much more.

Links from the show - 

Capitol Hill Film Festival - Instagram

Capitol Hill Film Festival - Twitter

Capitol Hill Film Festival - Website

Special Code: Anyone who uses "NOAM" at checkout will save 25% and only pay $5.99 to watch 70+ great short films on a 30 day virtual pass. 

For more content like this, sign up for my newsletter here - www.noamkroll.com/newsletter

 ]]>4331truefullhttps://www.spreaker.com/episode/how-to-create-profitable-virtual-events-for-your-films-with-mihai-crasneanu-tess-fenn-of-beem--49019851
This solves a major issue for filmmakers looking to monetize their film through self-distribution, as virtual events can be far more profitable than releasing your film to an SVOD/TVOD library. Over the course of our interview, Mihai and Tess speak to this at some length, outlining best practices for filmmakers looking to leverage Beem as a mechanism to bring their title to an audience, and generate revenue in the process. They also share the story behind Beem, touch on marketing and distribution tips for filmmakers, and much more.

Links from the show -

https://www.watchbeem.com

For more content like this sign up for my newsletter by clicking here.]]>showdonttell.podbean.com/e28b3f99-93b0-3972-9529-28364ac67ab6Wed, 16 Dec 2020 22:47:31 +0000Noam KrollOn this episode, I’m joined by Mihai Crasneanu (CEO) and Tess Fenn (Director of Communities & Impact) to hear all about their incredibly innovative streaming platform - Beem. Unlike SVOD or TVOD platforms like Amazon and Apple that offer viewers an...
This solves a major issue for filmmakers looking to monetize their film through self-distribution, as virtual events can be far more profitable than releasing your film to an SVOD/TVOD library. Over the course of our interview, Mihai and Tess speak to this at some length, outlining best practices for filmmakers looking to leverage Beem as a mechanism to bring their title to an audience, and generate revenue in the process. They also share the story behind Beem, touch on marketing and distribution tips for filmmakers, and much more.

Links from the show -

https://www.watchbeem.com

For more content like this sign up for my newsletter by clicking here.]]>4730truefullhttps://www.spreaker.com/episode/writing-directing-dp-ing-and-editing-a-1300-micro-budget-feature-film-with-filmmaker-chris-riggi--49019861
Chris is also an acclaimed actor, with leading credits in shows like Gossip Girl and movies like Vampires Suck. Throughout the episode he shares his journey from actor to filmmaker, while breaking down his process making a feature film that was fully produced from start to finish during the pandemic. We also talk about why Chris likes to DP his own work, what it was like to work from a scriptment, how he captured dynamic shots with minimal shooting time, why he released the film without waiting on festivals, and much more.

Links from the show:

Chris Riggi - Instagram

Good Luck With Everything - Amazon

This episode is sponsored by Film Local - http://filmlocal.com

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/dd1d9314-c973-3e33-963c-014ec98dc112Tue, 15 Dec 2020 02:06:26 +0000Noam KrollJoining me today is actor turned auteur, Chris Riggi - here to talk all about his debut micro-budget feature film Good Luck With Everything. This film was shot in just 5 days on a shoestring budget of $1300, with Chris not only stepping in as the...
Chris is also an acclaimed actor, with leading credits in shows like Gossip Girl and movies like Vampires Suck. Throughout the episode he shares his journey from actor to filmmaker, while breaking down his process making a feature film that was fully produced from start to finish during the pandemic. We also talk about why Chris likes to DP his own work, what it was like to work from a scriptment, how he captured dynamic shots with minimal shooting time, why he released the film without waiting on festivals, and much more.

Links from the show:

Chris Riggi - Instagram

Good Luck With Everything - Amazon

This episode is sponsored by Film Local - http://filmlocal.com

For more content like this visit www.noamkroll.com]]>3941truefullhttps://www.spreaker.com/episode/editing-for-snl-directing-for-major-brands-and-developing-original-content-with-emmy-award-winner-steven-pierce--49019848
We cover a lot of ground over the course of the interview, with special attention paid to Steven's time at SNL, working as an editor and visual effects artist. He walks us through his technical and creative process, and shares his insanely demanding weekly post-production workflow that you'll need to hear about to believe. All this and much more on today's show!

Links from the show:

Independent Filmmakers Guide

Framework Productions - Website

Framework Productions - Instagram

Steven Pierce - Instagram

For more content like this sign up for my newsletter at www.noamkroll.com/newsletter]]>showdonttell.podbean.com/3a1561dc-f299-3b2c-9d67-002b6e02784aThu, 03 Dec 2020 23:34:36 +0000Noam KrollOn this episode, I am joined by Steven Pierce - a multi-hyphenate filmmaker with a wealth of experience in both tv & film well as advertising/commercial production. Steven's career has led him to edit four seasons worth of material for Saturday Night...
We cover a lot of ground over the course of the interview, with special attention paid to Steven's time at SNL, working as an editor and visual effects artist. He walks us through his technical and creative process, and shares his insanely demanding weekly post-production workflow that you'll need to hear about to believe. All this and much more on today's show!

Links from the show:

Independent Filmmakers Guide

Framework Productions - Website

Framework Productions - Instagram

Steven Pierce - Instagram

For more content like this sign up for my newsletter at www.noamkroll.com/newsletter]]>4402truefullhttps://www.spreaker.com/episode/crossover-episode-featuring-michael-bachochin-and-brooke-lorraine-of-filmmaker-s-corner-podcast--49019865
Over the course of our discussion we touch on the entire creative process behind this ambitious feature, go into detail on the business strategy behind the movie, and discuss the unique distribution angle being explored by the producing team.

The Primal Group - Production Company

Parallax - Movie Website

Parallax - Facebook

Parallax - Instagram

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/b5420829-9fd9-3d81-81b7-7aba256ca9c7Thu, 03 Dec 2020 23:05:01 +0000Noam KrollIn this special crossover episode with the Filmmaker's Corner podcast, I chat with writer/director Michael Bachochin and producer Brooke Lorraine about their micro-budget sci-fi feature film Parallax. Over the course of our discussion we touch on the...
Over the course of our discussion we touch on the entire creative process behind this ambitious feature, go into detail on the business strategy behind the movie, and discuss the unique distribution angle being explored by the producing team.

The Primal Group - Production Company

Parallax - Movie Website

Parallax - Facebook

Parallax - Instagram

For more content like this visit www.noamkroll.com]]>3303truefullhttps://www.spreaker.com/episode/how-to-craft-a-riveting-sxsw-documentary-feature-with-director-josh-tsui-of-insert-coin--49019884
This is one of the most fascinating documentaries I’ve seen in a long time, and learning how it was made only made it more compelling. Throughout the interview Josh details his workflow for cutting down hundreds of hours of footage, outlines why he edited most of the film on a MacBook Air, and shares his decision to turn down an offer to screen an early cut of his film at SXSW 2018 - which is just the tip of the iceberg. The ingenuity behind this movie is truly impressive, and is sure to inspire documentary and narrative filmmakers alike. 

Links from the show:

Insert Coin - Alamo Drafthouse

Insert Coin - Instagram

Insert Coin - Twitter

Josh Tsui - Twitter

For more content like this be sure to visit www.noamkroll.com

 ]]>showdonttell.podbean.com/85bd22ff-6cbc-3bce-a663-b674b25a8e8fTue, 24 Nov 2020 16:30:36 +0000Noam KrollJoining me on this episode is documentary feature filmmaker Josh Tsui, whose new film Insert Coin premiered earlier this year at SXSW and is out everywhere this week! The film tells the amazing behind-the-scenes story of one of the greatest video game...
This is one of the most fascinating documentaries I’ve seen in a long time, and learning how it was made only made it more compelling. Throughout the interview Josh details his workflow for cutting down hundreds of hours of footage, outlines why he edited most of the film on a MacBook Air, and shares his decision to turn down an offer to screen an early cut of his film at SXSW 2018 - which is just the tip of the iceberg. The ingenuity behind this movie is truly impressive, and is sure to inspire documentary and narrative filmmakers alike. 

Links from the show:

Insert Coin - Alamo Drafthouse

Insert Coin - Instagram

Insert Coin - Twitter

Josh Tsui - Twitter

For more content like this be sure to visit www.noamkroll.com

 ]]>3832truefullhttps://www.spreaker.com/episode/landing-financing-booking-name-talent-and-directing-a-debut-feature-film-with-director-noam-tomaschoff--49019806
Throughout the interview, Noam walks us through each critical step of his process - from fundraising to post-production and beyond. He also generously shares some tough lessons he learned on set in the first week of production that offer invaluable insight to virtually any first time filmmaker.

Links from the show:

Tankhouse - Instagram

Noam Tomaschoff - Instagram

Noam Tomaschoff - Website

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/ee513d31-7c59-3a63-9692-fc3b35b9de60Tue, 24 Nov 2020 16:06:45 +0000Noam KrollOn this episode, I am joined by Noam Tomaschoff (yes, another Noam!), to talk about his upcoming debut feature film Tankhouse. While many filmmaker's first features are bootstrapped on a micro-budget using DIY tactics, Noam was able to defy the odds...
Throughout the interview, Noam walks us through each critical step of his process - from fundraising to post-production and beyond. He also generously shares some tough lessons he learned on set in the first week of production that offer invaluable insight to virtually any first time filmmaker.

Links from the show:

Tankhouse - Instagram

Noam Tomaschoff - Instagram

Noam Tomaschoff - Website

For more content like this visit www.noamkroll.com]]>5163truefullhttps://www.spreaker.com/episode/screenwriting-on-a-micro-budget-how-to-make-an-impact-with-your-story-while-embracing-limitations--49019810
This time around, the focus of our chat is Bryan's upcoming micro-budget feature film. We talk about his decision to work on a smaller canvas, how he's approaching the writing process on this film (coming from larger budget productions), and the exact writing workflow that he's following along the way. All this and much more on today's episode!

AFM 2020 Session and Logos courtesy of AFM. Copyright 2020. IFTA. All Rights Reserved.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/8d43f406-151f-3a9f-b801-b7c87f84ab82Tue, 24 Nov 2020 15:58:42 +0000Noam KrollThis is episode features my recent live interview with Bryan Hill from AFM 2020. Bryan is an acclaimed screenwriter known for writing shows like Titans, Ash vs. The Evil Dead, and the upcoming Power Rangers movie. He was on the podcast back on Episode...
This time around, the focus of our chat is Bryan's upcoming micro-budget feature film. We talk about his decision to work on a smaller canvas, how he's approaching the writing process on this film (coming from larger budget productions), and the exact writing workflow that he's following along the way. All this and much more on today's episode!

AFM 2020 Session and Logos courtesy of AFM. Copyright 2020. IFTA. All Rights Reserved.

For more content like this visit www.noamkroll.com]]>4184truefullhttps://www.spreaker.com/episode/self-funding-your-films-transitioning-from-acting-to-directing-working-outside-of-hollywood-more-with-filmmaker-podcaster-damien-swaby--49019852
Over the course of our interview, Damien outlines his unique journey as a filmmaker, which started years ago when he transitioned from working as an actor to embracing the role of director. We cover a wide range of topics; the viability of self-funding your films, why grant money isn't always ideal, lessons from Damien's top podcast guests, and much more.

Links from the show:

Filmmaking Conversations Podcast

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/17ae2a68-f549-31fa-aebb-6c74ea15c5a7Fri, 13 Nov 2020 17:42:31 +0000Noam KrollThis week I'm joined by UK based filmmaker Damien Swaby, who hosts the popular Filmmaking Conversations podcast. I was fortunate enough to be interviewed on Damien's show a couple years back, and thought it was about time to have Damien on my podcast...
Over the course of our interview, Damien outlines his unique journey as a filmmaker, which started years ago when he transitioned from working as an actor to embracing the role of director. We cover a wide range of topics; the viability of self-funding your films, why grant money isn't always ideal, lessons from Damien's top podcast guests, and much more.

Links from the show:

Filmmaking Conversations Podcast

For more content like this visit www.noamkroll.com

 ]]>3029truefullhttps://www.spreaker.com/episode/crowdfunding-done-right-with-emily-best-founder-and-ceo-of-seed-spark--49019897
Over the course of our discussion, Emily outlines exactly what it takes to successfully raise funds via crowdfunding while avoiding many of the common pitfalls. We also chat about the importance of audience building as it pertains to fundraising, distribution challenges for indie filmmakers this year, and countless other key lessons for filmmakers looking to build a long term, sustainable career.

Links from the show:

Seed & Spark - Events

Seed & Spark - Fund

Seed & Spark - Twitter

Seed & Spark - Facebook

Seed & Spark - Instagram

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/e2175165-19b3-301e-95d6-2b46ff0e739cFri, 23 Oct 2020 17:33:52 +0000Noam KrollThis week I'm thrilled to be joined by Emily Best, the Founder and CEO of the wildly popular crowdfunding platform Seed & Spark. As many of you know, Seed & Spark takes a very different approach to crowdfunding, one that is specifically tailored for...
Over the course of our discussion, Emily outlines exactly what it takes to successfully raise funds via crowdfunding while avoiding many of the common pitfalls. We also chat about the importance of audience building as it pertains to fundraising, distribution challenges for indie filmmakers this year, and countless other key lessons for filmmakers looking to build a long term, sustainable career.

Links from the show:

Seed & Spark - Events

Seed & Spark - Fund

Seed & Spark - Twitter

Seed & Spark - Facebook

Seed & Spark - Instagram

For more content like this visit www.noamkroll.com

 ]]>2767truefullhttps://www.spreaker.com/episode/shooting-high-concept-films-on-iphones-with-filmmaker-john-woosley--49019896
Over the course of our chat we talk all about this unique short film, how it was pulled off from a technical perspective, and why John plans to continue shooting movies on iPhones moving ahead. John also shares best practices for other filmmakers to follow when approaching mobile filmmaking/cinematography, how mobile filmmaking can give you an edge on the film festival circuit, and much more.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/4991028b-120d-3db6-8480-71c5b0a040b6Fri, 16 Oct 2020 17:49:13 +0000Noam KrollThis week I'm joined by filmmaker John Woosley, who is here to talk all about his latest short film Mason & Jay Save The World, which was shot almost entirely on an iPhone. Over the course of our chat we talk all about this unique short film, how it...
Over the course of our chat we talk all about this unique short film, how it was pulled off from a technical perspective, and why John plans to continue shooting movies on iPhones moving ahead. John also shares best practices for other filmmakers to follow when approaching mobile filmmaking/cinematography, how mobile filmmaking can give you an edge on the film festival circuit, and much more.

For more content like this visit www.noamkroll.com]]>2527truefullhttps://www.spreaker.com/episode/how-to-thrive-as-an-indie-filmmaker-on-your-own-terms-with-acclaimed-director-and-podcaster-mike-pecci--49019970
Most recently, Mike has been focused on his narrative film endeavors, notably 12 Kilometers and Who’s There, two short films which are currently being adapted into features. Throughout our chat, we talk all about Mike’s career path, breaking into the business, and taking an unconventional approach to both making and marketing his creative work. Mike also shares a ton of valuable lessons for filmmakers on what it takes to succeed in this business from a tactical level, and how your mindset and approach can make all the difference.

Links from the show - 

Mike Pecci - Instagram

Mike Pecci - Website

Mike Pecci - Podcast (In Love With The Process)

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/426a1e88-c360-317e-8ac0-c59675c37792Fri, 09 Oct 2020 17:29:50 +0000Noam KrollMy guest this week is acclaimed filmmaker Mike Pecci, who you may already know from his incredible filmmaking podcast In Love With The Process. After getting his start with silent films two decades ago, Mike went on to launch his production company...
Most recently, Mike has been focused on his narrative film endeavors, notably 12 Kilometers and Who’s There, two short films which are currently being adapted into features. Throughout our chat, we talk all about Mike’s career path, breaking into the business, and taking an unconventional approach to both making and marketing his creative work. Mike also shares a ton of valuable lessons for filmmakers on what it takes to succeed in this business from a tactical level, and how your mindset and approach can make all the difference.

Links from the show - 

Mike Pecci - Instagram

Mike Pecci - Website

Mike Pecci - Podcast (In Love With The Process)

For more content like this visit www.noamkroll.com]]>5473truefullhttps://www.spreaker.com/episode/producing-the-peanut-butter-falcon-with-emmy-award-winner-david-thies--49019813
Throughout our discussion, David walks us through exactly what it took to get this film made at each phase, with special attention paid to the development process. As he outlines in the interview, an incredible script paired with a unique pitch video ultimately garnered the attention of producers Albert Berger & Ron Yerxa (Little Miss Sunshine, Cold Mountain), Armory Films, and a stunning supporting cast that features Bruce Dern, John Hawkes, and Jon Bernthal. All this and much more in today's interview!

Links from the show:

Tvacom - David's Production Company

David Thies - IMDB

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/7f3c4e82-edb8-3ee4-a11a-4760b86ad314Fri, 25 Sep 2020 18:45:12 +0000Noam KrollJoining me this week is David Thies - Emmy award winning producer, prolific television director, local 600 DP and one of the driving forces behind the smash indie hit The Peanut Butter Falcon. The film stars Shia LaBeouf, Zack Gottsagen and Dakota...
Throughout our discussion, David walks us through exactly what it took to get this film made at each phase, with special attention paid to the development process. As he outlines in the interview, an incredible script paired with a unique pitch video ultimately garnered the attention of producers Albert Berger & Ron Yerxa (Little Miss Sunshine, Cold Mountain), Armory Films, and a stunning supporting cast that features Bruce Dern, John Hawkes, and Jon Bernthal. All this and much more in today's interview!

Links from the show:

Tvacom - David's Production Company

David Thies - IMDB

For more content like this visit www.noamkroll.com

 ]]>5389truefullhttps://www.spreaker.com/episode/how-to-make-your-indie-feature-with-slamdance-co-founder-filmmaker-dan-mirvish--49019868
Throughout our discussion we get into the nitty gritty of what it takes to get an indie film made and distributed, covering everything from raising seed money and working with a casting director to landing a coveted festival slot at Slamdance. This episode is a must listen for any filmmaker looking for a blueprint to get their next movie off the ground.

Links from the show:

The Cheerful Subversive's Guide to Independent Filmmaking

Dan's Website

Dan on Twitter

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/ecda3849-268e-348e-a19c-b27974019e46Thu, 17 Sep 2020 21:52:05 +0000Noam KrollJoining me this week is none other than Dan Mirvish, co-founder of the iconic Slamdance Film Festival and the director behind indie features like Open House, Between Us (Julia Stiles, Taye Diggs, Melissa George), Bernard and Huey, and 18 1/2....
Throughout our discussion we get into the nitty gritty of what it takes to get an indie film made and distributed, covering everything from raising seed money and working with a casting director to landing a coveted festival slot at Slamdance. This episode is a must listen for any filmmaker looking for a blueprint to get their next movie off the ground.

Links from the show:

The Cheerful Subversive's Guide to Independent Filmmaking

Dan's Website

Dan on Twitter

For more content like this visit www.noamkroll.com]]>4730truefullhttps://www.spreaker.com/episode/breaking-through-with-a-3-minute-short-film-featuring-sxsw-filmmaker-chelsea-devantez--49019859
Chelsea is a case-in-point for what's possible when you embrace your limitations to create meaningful content that can reach a wide audience. Basic may have been crafted using minimal resources, crew and gear, but that didn't stop the film from beating out thousands of others to land a coveted festival slot. Throughout the interview we talk all about how the film was pulled off, what made it work critically, how filmmakers can beat the odds with their own work, and much more. We even touch on Chelsea's background as a writer working with comedian Jon Stewart and on shows like Bless This Mess.

Links from the show:

Basic - Short Film

Chelsea's Website

Chelsea on Twitter

Chelsea on Instagram]]>showdonttell.podbean.com/a9ba27b2-bf35-3600-b320-844735c1ab07Fri, 04 Sep 2020 19:31:58 +0000Noam KrollToday I am thrilled to be joined by writer/director/actor Chelsea Devantez, whose 3 minute film Basic was programmed this year at SXSW, Santa Barbara International Film Festival and many others. Chelsea is a case-in-point for what's possible when you...
Chelsea is a case-in-point for what's possible when you embrace your limitations to create meaningful content that can reach a wide audience. Basic may have been crafted using minimal resources, crew and gear, but that didn't stop the film from beating out thousands of others to land a coveted festival slot. Throughout the interview we talk all about how the film was pulled off, what made it work critically, how filmmakers can beat the odds with their own work, and much more. We even touch on Chelsea's background as a writer working with comedian Jon Stewart and on shows like Bless This Mess.

Links from the show:

Basic - Short Film

Chelsea's Website

Chelsea on Twitter

Chelsea on Instagram]]>4484truefullhttps://www.spreaker.com/episode/navigating-post-production-festivals-distribution-with-hannah-black-megan-petersen-of-drought--49019935
While our first interview was centered around the origin story of this feature film, this time around we talk all about the project’s “second act.” We go into detail on the creative finishing work that went into this movie, the unique challenges of navigating film festivals during these uncertain times, release intentions and strategies for the film, and much more!

Links from the show-

Drought - Twitter

Drought - Facebook

Drought - Instagram

Drought - Seed & Spark

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/65d86337-dc7b-3229-aa1a-5aa673f2e57bThu, 20 Aug 2020 16:52:18 +0000Noam KrollLast year I had the fortune of interviewing Hannah Black & Megan Petersen all about their feature film Drought for Episode 64 of the podcast. As a refresher, this is the creative duo whose debut feature was crowdfunded on Seed & Spark before landing a...
While our first interview was centered around the origin story of this feature film, this time around we talk all about the project’s “second act.” We go into detail on the creative finishing work that went into this movie, the unique challenges of navigating film festivals during these uncertain times, release intentions and strategies for the film, and much more!

Links from the show-

Drought - Twitter

Drought - Facebook

Drought - Instagram

Drought - Seed & Spark

For more content like this visit www.noamkroll.com]]>3639truefullhttps://www.spreaker.com/episode/getting-your-short-film-programmed-at-sxsw-landing-distribution-with-rebecca-kahn-abishek-prasad--49019900
Over the course of our chat, we cover a lot of ground - talking all about what it takes to get a short programmed at SXSW, tips for financing and producing your next short, how to navigate feedback and post-production, and so much more. We also talk about distribution options for short films, tactics for filmmakers looking to increase their creative output while balancing other work, and other critical advice for filmmakers looking to grow their careers.

Who Among Us - Instagram

Who Among Us - Twitter

Who Among Us - Facebook

Who Among Us - YouTube

Pudu Productions

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/fc697582-6cf3-31be-86b7-e81fd11fa14dFri, 14 Aug 2020 19:57:39 +0000Noam KrollMy guests this week are co-directors Rebecca Kahn and Abishek Prasad, whose short film Who Among Us was programmed at SXSW 2020 and gained distribution through DUST. Over the course of our chat, we cover a lot of ground - talking all about what it...
Over the course of our chat, we cover a lot of ground - talking all about what it takes to get a short programmed at SXSW, tips for financing and producing your next short, how to navigate feedback and post-production, and so much more. We also talk about distribution options for short films, tactics for filmmakers looking to increase their creative output while balancing other work, and other critical advice for filmmakers looking to grow their careers.

Who Among Us - Instagram

Who Among Us - Twitter

Who Among Us - Facebook

Who Among Us - YouTube

Pudu Productions

For more content like this visit www.noamkroll.com

 ]]>4155truefullhttps://www.spreaker.com/episode/how-to-work-with-talent-on-an-indie-set-an-interview-with-psychosynthesis-lead-actress-stephanie-pearson--49019822
 

Using our recent feature film collaboration as a launching off point, we discuss the unique dynamics of an indie film set, what the challenges are from an actor's perspective, the importance of clear directorial communication, and so much more. We also talk about the state of the industry right now, why it's crucial to produce your own material, and best practices for taking control over your destiny as an artist.

 

Links from the show:

 

Psychosynthesis on Amazon Prime

Recovery on Amazon Prime

Downrange on Amazon Prime

Stephanie on Instagram

Stephanie on Twitter

 

For more content like this visit www.noamkroll.com

 

 

 ]]>showdonttell.podbean.com/1d37d537-cc56-3a6e-84c4-27c7d411bb3bFri, 31 Jul 2020 17:07:51 +0000Noam KrollToday I am very excited to share my interview with Stephanie Pearson, who is not only the star of my feature film Psychosynthesis, but an incredibly talented producer in her own right. Stephanie has spent years on both sides of the camera, and joins...
 

Using our recent feature film collaboration as a launching off point, we discuss the unique dynamics of an indie film set, what the challenges are from an actor's perspective, the importance of clear directorial communication, and so much more. We also talk about the state of the industry right now, why it's crucial to produce your own material, and best practices for taking control over your destiny as an artist.

 

Links from the show:

 

Psychosynthesis on Amazon Prime

Recovery on Amazon Prime

Downrange on Amazon Prime

Stephanie on Instagram

Stephanie on Twitter

 

For more content like this visit www.noamkroll.com

 

 

 ]]>4100truefullhttps://www.spreaker.com/episode/writing-directing-the-10-000-feature-film-mr-misfortune-with-filmmaker-rick-caplan--49019857
 

As Rick outlines over the course of our chat, he had to wear a lot of hats on this production to make it a reality. Not only did he write and direct the project, but also shot the film and handled all the post-production himself - including music composition and color correction. Throughout the discussion, we get into the nitty gritty on each of these steps, critical lessons learned along the way and much more!

 

Links from the show:

 

Mr. Misfortune on Amazon

Rick Caplan on Twitter

 

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/d2a81669-e40b-34fd-ae4c-56cfaed80999Thu, 30 Jul 2020 19:48:03 +0000Noam KrollOn this episode I am joined by writer/director Rick Caplan who recently completed and released his feature film Mr. Misfortune. This micro-budget production was shot for under $10,000 in just 10 shooting days, and was brought to life in a truly unique...
 

As Rick outlines over the course of our chat, he had to wear a lot of hats on this production to make it a reality. Not only did he write and direct the project, but also shot the film and handled all the post-production himself - including music composition and color correction. Throughout the discussion, we get into the nitty gritty on each of these steps, critical lessons learned along the way and much more!

 

Links from the show:

 

Mr. Misfortune on Amazon

Rick Caplan on Twitter

 

For more content like this visit www.noamkroll.com]]>3505truefullhttps://www.spreaker.com/episode/producing-3-feature-films-for-under-250k-with-filmmaker-josh-folan--49019875
 

Over the course of our discussion, Josh outlines how any filmmaker can make their passion project a reality, without any upfront financial backing from traditional production companies or studios. He also shares a ton of practical advice about sales and distribution, providing invaluable lessons for filmmakers seeking to go down a similar path.

 

Links from the show:

 

www.nyehentertainment.com

 

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/22e530de-a9ab-38a0-a67a-80c60f9b188dTue, 21 Jul 2020 17:29:22 +0000Noam KrollJoining me this week on the show is filmmaker turned author Josh Folan. Over the course of his career, Josh has not only produced 3 micro-budget features (each of which have a budget under $250K), but most recently wrote a book about his endeavors...
 

Over the course of our discussion, Josh outlines how any filmmaker can make their passion project a reality, without any upfront financial backing from traditional production companies or studios. He also shares a ton of practical advice about sales and distribution, providing invaluable lessons for filmmakers seeking to go down a similar path.

 

Links from the show:

 

www.nyehentertainment.com

 

For more content like this visit www.noamkroll.com]]>3810truefullhttps://www.spreaker.com/episode/from-concept-to-production-to-distribution-how-i-pulled-off-my-micro-budget-feature-film-psychosynthesis--49019833
Throughout the episode I outline every practical step that we took to bring this film to life - starting in the very early days of concept development, all the way through to casting, prep, production, and of course post-production, distribution and beyond. While I have shared some anecdotes about the film on my blog at noamkroll.com - I get into much more depth on each phase of the process here on today's episode, providing a blueprint for other filmmakers looking to bootstrap a feature film of their own.

Watch PSYCHOSYNTHESIS On Amazon Prime In The US

Or search "Psychosynthesis" on Amazon Prime Video in your country

Please don't forget to rate and review the film on Amazon and IMDB to help us reach an even bigger audience!

Related links:

Psychosynthesis Seed & Spark Campaign – See what we did to raise our budget via crowdfunding and secure a grant from the Duplass Bros.

ARRI’s CPO Program put to the test on “Psychosynthesis” – An article published by Arri about our use of a used Alexa on this feature.

Playing Against Trends By Shooting Alexa Classic in 4:3  – My first written breakdown on the blog about why we chose a less conventional camera setup.

Choosing 2K in a 4K World – An article on Cinema 5D about our technical choice to shoot in 2K/ProRes HQ.

How I Cut My 90 Minute Feature Film In 3 Weeks – My article outlining how the first edit of Psychosynthesis came together.

An Interview With Cinematographer Matteo Bertoli – From my podcast (Episode 63), detailing our approach to camera & lighting.

My Simple Workflow For Writing Feature Length Screenplays – This isn’t directly about the movie, but is the process I used to write the film.

Interview On No Film School – My interview with NFS all about what went into the making-of this feature.

How I Made A Feature Film For $25,000 In 9 Days – A very detailed (4000 word) breakdown of the entire production process on this film.

Behind The Scenes Featurette – A short BTS video with footage from rehearsals, production and beyond.

My Workflow Using FCP X To Cut, Mix & Finish Psychosynthesis – Another very detailed article on process, this one focused on post-production.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/551adae3-fce3-562e-a606-8a57fefb3190Fri, 17 Jul 2020 14:50:31 +0000Noam KrollTo celebrate the release of my feature film PSYCHOSYNTHESIS on Amazon Prime, today I am sharing a behind the scenes look at our entire process on this micro-budget indie. The film itself was made for only $25,000 in just 9 shooting days, which...
Throughout the episode I outline every practical step that we took to bring this film to life - starting in the very early days of concept development, all the way through to casting, prep, production, and of course post-production, distribution and beyond. While I have shared some anecdotes about the film on my blog at noamkroll.com - I get into much more depth on each phase of the process here on today's episode, providing a blueprint for other filmmakers looking to bootstrap a feature film of their own.

Watch PSYCHOSYNTHESIS On Amazon Prime In The US

Or search "Psychosynthesis" on Amazon Prime Video in your country

Please don't forget to rate and review the film on Amazon and IMDB to help us reach an even bigger audience!

Related links:

Psychosynthesis Seed & Spark Campaign – See what we did to raise our budget via crowdfunding and secure a grant from the Duplass Bros.

ARRI’s CPO Program put to the test on “Psychosynthesis” – An article published by Arri about our use of a used Alexa on this feature.

Playing Against Trends By Shooting Alexa Classic in 4:3  – My first written breakdown on the blog about why we chose a less conventional camera setup.

Choosing 2K in a 4K World – An article on Cinema 5D about our technical choice to shoot in 2K/ProRes HQ.

How I Cut My 90 Minute Feature Film In 3 Weeks – My article outlining how the first edit of Psychosynthesis came together.

An Interview With Cinematographer Matteo Bertoli – From my podcast (Episode 63), detailing our approach to camera & lighting.

My Simple Workflow For Writing Feature Length Screenplays – This isn’t directly about the movie, but is the process I used to write the film.

Interview On No Film School – My interview with NFS all about what went into the making-of this feature.

How I Made A Feature Film For $25,000 In 9 Days – A very detailed (4000 word) breakdown of the entire production process on this film.

Behind The Scenes Featurette – A short BTS video with footage from rehearsals, production and beyond.

My Workflow Using FCP X To Cut, Mix & Finish Psychosynthesis – Another very detailed article on process, this one focused on post-production.

For more content like this visit www.noamkroll.com]]>3175truefullhttps://www.spreaker.com/episode/editing-rocky-edward-scissorhands-beaches-other-iconic-films-with-richard-colleen-halsey--49019815
Throughout our discussion we chat about each of these films in some detail, outlining the unique creative process behind them. Richard and Colleen also generously share their perspective on how the industry has changed from both a business and creative standpoint, how aspiring editors can break into Hollywood, and loads more.

Links from the show -

Richard Halsey On IMDB           

Colleen Halsey On IMDB                            

For more content like this visit www.noamkroll.com                                                                                                                                                                                                                    ]]>showdonttell.podbean.com/c672369a-742c-598b-a2e1-c39fc0e27f8fThu, 09 Jul 2020 19:46:10 +0000Noam KrollThis week, I'm honored to be joined by my guests Richard and Colleen Halsey - a prolific husband and wife editing duo who are collectively responsible for editing countless iconic feature films over the years. Their credits include movies like Edward...
Throughout our discussion we chat about each of these films in some detail, outlining the unique creative process behind them. Richard and Colleen also generously share their perspective on how the industry has changed from both a business and creative standpoint, how aspiring editors can break into Hollywood, and loads more.

Links from the show -

Richard Halsey On IMDB           

Colleen Halsey On IMDB                            

For more content like this visit www.noamkroll.com                                                                                                                                                                                                                    ]]>3239truefullhttps://www.spreaker.com/episode/using-content-to-grow-a-filmmaking-brand-with-tessa-markle-carolina-alvarez-of-femme-regard--49019829
I really wanted to hear about Tessa and Carolina's experience building an online brand. This is a path that is becoming increasingly critical for filmmakers to explore in order to have autonomy over their work and careers. Over the course of our discussion we talk about this topic at length, outlining how every filmmaker can leverage original content as a means to grow their brand.

Links from the show:

Femme Regard Productions

Femme Regard On Instagram

Femme Regard On Twitter

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/a81e4aa3-ba42-5dc6-908a-173adc30205fThu, 25 Jun 2020 19:51:55 +0000Noam KrollThis week on the show, I'm excited to be joined by Tessa Markle and Carolina Alvarez - known for their awesome podcast: Femme Regard. I was fortunate enough to be a guest on their show last year and had a blast, and this time around they're joining me...
I really wanted to hear about Tessa and Carolina's experience building an online brand. This is a path that is becoming increasingly critical for filmmakers to explore in order to have autonomy over their work and careers. Over the course of our discussion we talk about this topic at length, outlining how every filmmaker can leverage original content as a means to grow their brand.

Links from the show:

Femme Regard Productions

Femme Regard On Instagram

Femme Regard On Twitter

For more content like this visit www.noamkroll.com]]>4451truefullhttps://www.spreaker.com/episode/joshua-caldwell-on-directing-infamous-starring-bella-thorne-jake-manley--49019837
Throughout our interview, Joshua outlines the A to Z of his journey with this feature, contrasting it to some of his earlier micro-budget productions. We talk all about the casting process, production, post, and distribution at length, gaining insight on how Joshua made the transition from his smaller scale DIY projects to this much larger, more traditionally produced narrative feature.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/d51cf4c8-f111-5ae3-b8d4-ddbdfe6b9012Fri, 12 Jun 2020 20:49:29 +0000Noam KrollReturning to the show this week is Joshua Caldwell, here to talk all about his latest feature film INFAMOUS, which stars Bella Thorne and Jake Manley. The story follows a reckless woman and her new boyfriend as they become social media sensations when...
Throughout our interview, Joshua outlines the A to Z of his journey with this feature, contrasting it to some of his earlier micro-budget productions. We talk all about the casting process, production, post, and distribution at length, gaining insight on how Joshua made the transition from his smaller scale DIY projects to this much larger, more traditionally produced narrative feature.

For more content like this visit www.noamkroll.com]]>6908truefullhttps://www.spreaker.com/episode/how-director-josh-david-jordan-found-breakthrough-success-with-his-36k-indie-feature--49019916
Over the course of our chat, Josh walks us through the specific process that went into making this film a reality, and the unconventional production strategies that were utilized throughout. We talk at length about his development process, his ability to wear multiple hats on set, what it was like to work with his son as a co-editor, how he navigated the festival circuit, and tons more!

Links from the show:

This World Won't Break - Website

This World Won't Break - Instagram

Whiskey Beard Films - Instagram

Josh David Jordan On Vimeo

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/5d654a81-78e6-52f0-bd8b-9c6e5edb7092Thu, 28 May 2020 19:45:02 +0000Noam KrollJoining me this week on the show is director Josh David Jordan, here to talk all about his debut feature film This World Won’t Break. This unique DIY feature was shot on and off over the course of a year, before securing 14 festival screenings and 13...
Over the course of our chat, Josh walks us through the specific process that went into making this film a reality, and the unconventional production strategies that were utilized throughout. We talk at length about his development process, his ability to wear multiple hats on set, what it was like to work with his son as a co-editor, how he navigated the festival circuit, and tons more!

Links from the show:

This World Won't Break - Website

This World Won't Break - Instagram

Whiskey Beard Films - Instagram

Josh David Jordan On Vimeo

For more content like this visit www.noamkroll.com]]>4851truefullhttps://www.spreaker.com/episode/making-a-micro-budget-action-thriller-and-landing-distribution-with-writer-director-marcus-mizelle--49019823
With a production budget of just $6800, Marcus was able to create an incredibly dynamic feature that breaks many of the rules of micro-budget filmmaking, while finding success at festivals and landing nationwide distribution. Throughout this episode, we walk through each step of the process and explore critical lessons learned along the way.

Links from the show:

Chameleon - Film Website

Chameleon Trailer]]>showdonttell.podbean.com/483ddaae-c3eb-5513-9a7a-2cdbeafbb605Thu, 14 May 2020 19:18:52 +0000Noam KrollI’m very excited to be joined once again on the show by writer/director Marcus Mizelle, whose upcoming feature film Chameleon is about to be released everywhere on VOD, Cable and DVD (May 19, 2020). With a production budget of just $6800, Marcus was...
With a production budget of just $6800, Marcus was able to create an incredibly dynamic feature that breaks many of the rules of micro-budget filmmaking, while finding success at festivals and landing nationwide distribution. Throughout this episode, we walk through each step of the process and explore critical lessons learned along the way.

Links from the show:

Chameleon - Film Website

Chameleon Trailer]]>3901truefullhttps://www.spreaker.com/episode/episode-100-live-q-a-with-noam-kroll--49019834
Throughout this discussion I took questions on the business aspects of filmmaking - addressing many of the most pressing issues for filmmakers looking to build long term career sustainability. Topics covered include: Getting your movie produced, building a personal brand, DIY distribution options in 2020, the importance of owning your audience and much more.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/423b06ab-e694-5608-9943-ed83ab25f40bThu, 14 May 2020 19:15:38 +0000Noam KrollTo celebrate the 100th episode of Show, Don’t Tell I held my first ever live Q & A session last week on YouTube. Today, I’m republishing it here for those who didn’t catch it live. Throughout this discussion I took questions on the business aspects...
Throughout this discussion I took questions on the business aspects of filmmaking - addressing many of the most pressing issues for filmmakers looking to build long term career sustainability. Topics covered include: Getting your movie produced, building a personal brand, DIY distribution options in 2020, the importance of owning your audience and much more.

For more content like this visit www.noamkroll.com]]>4956truefullhttps://www.spreaker.com/episode/finding-success-with-science-based-documentaries-featuring-co-directors-david-alvarado-and-jason-sussberg--49019892
Throughout our discussion, David and Jason speak to each one of these feature films in detail, outlining the specific steps they took to bring them to life. They also speak at length about why they've infused science into virtually all of their creative work, what it's like to collaborate remotely as co-directors, how they achieve amazing production value (often without any additional crew), and loads more!

Links from the show:

Structure Films Website

We Are As Gods Website

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/cf4b613a-2cd2-51a2-8813-fd39fe3e6e2dThu, 30 Apr 2020 20:02:38 +0000Noam KrollMy guests this week - David Alvarado and Jason Sussberg - have an amazing track record of success with their feature length documentaries. From their debut feature The Immortalists which premiered at SXSW to their follow up feature Bill Nye: Science...
Throughout our discussion, David and Jason speak to each one of these feature films in detail, outlining the specific steps they took to bring them to life. They also speak at length about why they've infused science into virtually all of their creative work, what it's like to collaborate remotely as co-directors, how they achieve amazing production value (often without any additional crew), and loads more!

Links from the show:

Structure Films Website

We Are As Gods Website

For more content like this visit www.noamkroll.com

 ]]>3512truefullhttps://www.spreaker.com/episode/building-the-ultimate-streaming-platform-with-daniel-kasman-of-mubi--49019832



Based out of MUBI’s New York office and one of the first to join the company over 12 years ago, Daniel spearheads MUBI’s global content acquisitions and programming. He also supports the U.S. team in developing partnerships with organizations such as Film at Lincoln Center, New York Film Festival, International Short Film Festival Oberhausen, and the Human Rights Watch Film Festival, among others.

Throughout our discussion Daniel outlines the philosophy behind MUBI, how filmmakers can utilize the platform as an educational tool, the intricacies of their curation process and much more.

Links from the show:

MUBI's Website

MUBI's "Notebook" Magazine]]>showdonttell.podbean.com/f6c800e8-169b-5ff5-8e86-7b8a4ddfb359Thu, 16 Apr 2020 19:09:49 +0000Noam KrollMUBI has quickly become one of the most popular streaming services for filmmakers and cinephiles alike, thanks to its incredibly unique collection of independent and arthouse films. Joining me this week to discuss the platform at length is Daniel...



Based out of MUBI’s New York office and one of the first to join the company over 12 years ago, Daniel spearheads MUBI’s global content acquisitions and programming. He also supports the U.S. team in developing partnerships with organizations such as Film at Lincoln Center, New York Film Festival, International Short Film Festival Oberhausen, and the Human Rights Watch Film Festival, among others.

Throughout our discussion Daniel outlines the philosophy behind MUBI, how filmmakers can utilize the platform as an educational tool, the intricacies of their curation process and much more.

Links from the show:

MUBI's Website

MUBI's "Notebook" Magazine]]>2549truefullhttps://www.spreaker.com/episode/winning-the-grand-jury-at-sxsw-with-documentary-filmmakers-katrine-adam-philp--49019926
Throughout our chat, Katrine and Adam share invaluable insight into the making of their award winning film - from fundraising to execution to post-production and beyond. Topics covered include: Developing the project, working as a two-person team, technical/gear setup, the editorial process, winning the coveted award at SXSW and so much more.

Links from the show:

An Elephant In The Room - Website

Adam's portfolio]]>showdonttell.podbean.com/36c80aea-8cbf-5223-8bf8-8d73c28fc6c8Fri, 10 Apr 2020 00:29:26 +0000Noam KrollThis week, I am joined by the filmmakers behind the 2020 SXSW Grand Jury winning documentary An Elephant In The Room. This incredible feature length doc was directed by Katrine Philp and DP'd by her husband Adam Philp, both of whom were able to take...
Throughout our chat, Katrine and Adam share invaluable insight into the making of their award winning film - from fundraising to execution to post-production and beyond. Topics covered include: Developing the project, working as a two-person team, technical/gear setup, the editorial process, winning the coveted award at SXSW and so much more.

Links from the show:

An Elephant In The Room - Website

Adam's portfolio]]>3131truefullhttps://www.spreaker.com/episode/making-your-feature-film-debut-at-sxsw-with-filmmaker-lynn-chen--49019835
Over the course of the interview, we take a deep dive into the process of making this film from front to back - outlining each step Lynn took to bring her vision to life and ultimately land a coveted premiere at South By South West. We talk all about her crowdfunding success, unconventional screenwriting process, creative approach on set, editorial timeline, festival strategy and so much more.

Links from the show:

I Will Make You Mine Website

For more content like this visit https://noamkroll.com

 ]]>showdonttell.podbean.com/815311aa-57c6-520f-9f22-eed601270be3Thu, 02 Apr 2020 19:03:48 +0000Noam KrollThis week I’m continuing my SXSW coverage with Lynn Chen, whose debut feature film I Will Make You Mine was set to premiere at the festival this year.  Over the course of the interview, we take a deep dive into the process of making this film from...
Over the course of the interview, we take a deep dive into the process of making this film from front to back - outlining each step Lynn took to bring her vision to life and ultimately land a coveted premiere at South By South West. We talk all about her crowdfunding success, unconventional screenwriting process, creative approach on set, editorial timeline, festival strategy and so much more.

Links from the show:

I Will Make You Mine Website

For more content like this visit https://noamkroll.com

 ]]>3792truefullhttps://www.spreaker.com/episode/sxsw-director-kevin-ford-on-his-latest-documentary-feature-the-pushback--49019870
Kevin’s list of credits is incredibly impressive. His films have screened at major film festivals like Tribeca, Slamdance, Berlin, SXSW and even at the Nobel Peace Awards Ceremony in 2017. What’s even more impressive, is that Kevin has achieved all this success by bootstrapping his projects, and crafting them in a truly DIY fashion. Over the course of this interview we talk all about his latest film, previous works, his tactical approach to making movies, and much more.

Links from the show:

Kevin's Website

The Pushback Film

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/89f3a278-3912-5ad9-b823-1663e7d6f351Thu, 26 Mar 2020 18:31:09 +0000Noam KrollI’m kicking off my SXSW interview series with Kevin Ford - a prolific documentary and narrative filmmaker whose latest feature film The Pushback was programmed at SXSW 2020. Kevin’s list of credits is incredibly impressive. His films have screened at...
Kevin’s list of credits is incredibly impressive. His films have screened at major film festivals like Tribeca, Slamdance, Berlin, SXSW and even at the Nobel Peace Awards Ceremony in 2017. What’s even more impressive, is that Kevin has achieved all this success by bootstrapping his projects, and crafting them in a truly DIY fashion. Over the course of this interview we talk all about his latest film, previous works, his tactical approach to making movies, and much more.

Links from the show:

Kevin's Website

The Pushback Film

For more content like this visit www.noamkroll.com]]>4267truefullhttps://www.spreaker.com/episode/strategies-business-opportunities-for-filmmakers-in-the-wake-of-covid-19--49019924
But despite productions shutting down left and right among other turmoil, many new opportunities are arising that we could all benefit from. Throughout the episode I expand on these potential growth areas, using new changes in my own business model as a template for navigating this new terrain.

Links from the show:

Micro-Budget Weekly Newsletter

"I Need A Corporate Producer" Facebook Group]]>showdonttell.podbean.com/1a3a69ee-a274-55f8-8491-3b9492040670Thu, 19 Mar 2020 22:20:23 +0000Noam KrollIn practically no time, the coronavirus has forced the world to nearly grind to a halt, and filmmakers of all types are being affected in countless ways. Whether you work as a freelancer, an employee or you own a production company, this crisis is...
But despite productions shutting down left and right among other turmoil, many new opportunities are arising that we could all benefit from. Throughout the episode I expand on these potential growth areas, using new changes in my own business model as a template for navigating this new terrain.

Links from the show:

Micro-Budget Weekly Newsletter

"I Need A Corporate Producer" Facebook Group]]>977truefullhttps://www.spreaker.com/episode/the-full-frame-cinema-camera-shootout-with-dp-evin-grant--49019873
Arri Alexa Mini LF

Canon Eos C500mII

Red Monstro

Sigma FP

Sony FX9 (S-Cinetone)

Sony FX9 (S-Log3)

Sony Venice

Red Gemini

Red Helium

Over the course of our discussion, Evin details his findings at length, touching on everything from autofocus capabilities to dynamic range, color science to compression, and everything in between. This is a must listen for any full frame shooter looking to deepen their understanding of the current market.

Links from the show:

The Full Frame Cine Shootout On Vimeo

Evin's Website]]>showdonttell.podbean.com/2f6bdc7b-a953-5c35-99ac-57eb286e818aFri, 06 Mar 2020 01:50:15 +0000Noam KrollThis week, DP Evin Grant joins me on the show to discuss his cinema camera shootout - a comparison of 9 of the most prominent full frame digital cinema cameras on the market: Arri Alexa Mini LF Canon Eos C500mII Red Monstro Sigma FP Sony FX9...
Arri Alexa Mini LF

Canon Eos C500mII

Red Monstro

Sigma FP

Sony FX9 (S-Cinetone)

Sony FX9 (S-Log3)

Sony Venice

Red Gemini

Red Helium

Over the course of our discussion, Evin details his findings at length, touching on everything from autofocus capabilities to dynamic range, color science to compression, and everything in between. This is a must listen for any full frame shooter looking to deepen their understanding of the current market.

Links from the show:

The Full Frame Cine Shootout On Vimeo

Evin's Website]]>3648truefullhttps://www.spreaker.com/episode/the-micro-film-tournament-with-marcus-mizelle--49019941
Throughout the course of the episode, we discuss Marcus' unique career path, the benefits of working within the constraints of a micro-budget, film festival experiences, and of course his brand new tournament - which is currently open for submissions. Enjoy!

Links from the show:

Marcus' Website

Marcus on Instagram

Chameleon Film Website

Actor For Hire Film Website

The Micro Film Tournament

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/2016ce15-ada7-56b7-9554-980f4c37dd95Fri, 14 Feb 2020 21:11:48 +0000Noam KrollJoining me this week is fellow LA based filmmaker Marcus Mizelle, a true DIY auteur in his own right and the brains behind The Micro Film Tournament: "A 16 film, 4 round tournament dedicated to micro-budget filmmakers who’ve made the most with the...
Throughout the course of the episode, we discuss Marcus' unique career path, the benefits of working within the constraints of a micro-budget, film festival experiences, and of course his brand new tournament - which is currently open for submissions. Enjoy!

Links from the show:

Marcus' Website

Marcus on Instagram

Chameleon Film Website

Actor For Hire Film Website

The Micro Film Tournament

For more content like this visit www.noamkroll.com

 ]]>4332truefullhttps://www.spreaker.com/episode/how-to-raise-500k-for-your-first-indie-feature-with-cody-stokes--49019904
Using the film as a case study, Cody walks us through every step in his process from building out the concept to fundraising to post-production and beyond. Cody’s story shows us that you don’t need industry connections or easy access to financing in order to make your movie a reality.

Links from the show:

Cody's Website

The Ghost Who Walks

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/2e9a1849-dd02-5c18-913e-cf38fc03c758Fri, 31 Jan 2020 18:33:12 +0000Noam KrollMany commercial directors want to make the leap to directing features films, but don’t know where to start. Our guest this week - Cody Stokes - successfully made that transition after raising just under $500K for his debut feature The Ghost Who Walks....
Using the film as a case study, Cody walks us through every step in his process from building out the concept to fundraising to post-production and beyond. Cody’s story shows us that you don’t need industry connections or easy access to financing in order to make your movie a reality.

Links from the show:

Cody's Website

The Ghost Who Walks

For more content like this visit www.noamkroll.com]]>4247truefullhttps://www.spreaker.com/episode/winning-sundance-pitching-spielberg-rediscovering-indie-filmmaking-with-director-carter-smith--49019840
After his short film Bugcrush (2006) won the Sundance film festival, he was given the opportunity to pitch on a major Hollywood feature called The Ruins. After getting the seal of approval from Steven Spielberg himself, Carter’s debut feature film was underway. Since then, he’s returned to his indie roots with the 2014 feature Jamie Marks is Dead, and most recently a Hulu/Blumhouse picture called Midnight Kiss (2019).

Throughout the episode, we discuss Carter’s unique career trajectory, his experience in the studio system, why he’s revisiting independent productions, and so much more.

Links from the show- 

Carter On Instagram

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/806b3adc-693b-5dec-a9c2-403711bc90fcFri, 24 Jan 2020 23:03:09 +0000Noam KrollEvery filmmaker dreams of submitting their indie film to Sundance, winning the festival and landing a major directing gig. Our guest this week - Carter Smith - didn’t just dream of doing it, he pulled it off. After his short film Bugcrush (2006) won...
After his short film Bugcrush (2006) won the Sundance film festival, he was given the opportunity to pitch on a major Hollywood feature called The Ruins. After getting the seal of approval from Steven Spielberg himself, Carter’s debut feature film was underway. Since then, he’s returned to his indie roots with the 2014 feature Jamie Marks is Dead, and most recently a Hulu/Blumhouse picture called Midnight Kiss (2019).

Throughout the episode, we discuss Carter’s unique career trajectory, his experience in the studio system, why he’s revisiting independent productions, and so much more.

Links from the show- 

Carter On Instagram

For more content like this visit www.noamkroll.com]]>5191truefullhttps://www.spreaker.com/episode/a-technical-creative-breakdown-of-iphone-cinematography-with-richard-lackey--49019905
Joining me this week to discuss all of this and more is filmmaker, colorist, and mobile cinematography expert Richard Lackey. We get in depth about the benefits and drawbacks of shooting on a phone, maximizing image quality by understanding your technical constraints, the future of iPhone filmmaking and so much more. This is a great introduction for anyone even considering using their phone for professional use.

Links from the show:

Richard on YouTube

Richard on Twitter

Richard on Instagram

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/07515f0b-7590-5cea-a160-9314077a08c5Fri, 17 Jan 2020 18:31:27 +0000Noam KrollSmartphones have truly become a viable camera option for filmmakers on a budget. They provide more freedom, flexibility and anonymity than any traditional cinema camera, which gives them some major advantages… But in order to reap the rewards, you...
Joining me this week to discuss all of this and more is filmmaker, colorist, and mobile cinematography expert Richard Lackey. We get in depth about the benefits and drawbacks of shooting on a phone, maximizing image quality by understanding your technical constraints, the future of iPhone filmmaking and so much more. This is a great introduction for anyone even considering using their phone for professional use.

Links from the show:

Richard on YouTube

Richard on Twitter

Richard on Instagram

For more content like this visit www.noamkroll.com]]>2942truefullhttps://www.spreaker.com/episode/crafting-diy-documentaries-with-a-fat-wreck-director-shaun-colon--49019874
We chat at length about his debut documentary feature: A Fat Wreck - a 3 year long DIY project that found incredible success with film festivals and fans alike, even generating interest from the Sundance Institute. Building off of this success, Shaun moved into production on his second documentary feature (Age Of Audio), which features interviews with Kevin Smith, Ira Glass and other monumental voices in the podcasting space. 

Over the course of our discussion, Shaun outlines his process for financing, producing, and releasing his documentaries using his own DIY tactics, and shares a roadmap for how others can do the same.

Links from the show:

A Fat Wreck - Website

A Fat Wreck - Facebook

A Fat Wreck - Twitter

A Fat Wreck - Instagram

A Fat Wreck - Sundance Institute Article

Age Of Audio - Website

Age Of Audio - Instagram

Age Of Audio - Twitter

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/7f97855b-13da-5024-b815-bb1537c1bdffThu, 09 Jan 2020 19:10:32 +0000Noam KrollThis week on the show, filmmaker Shaun Colón takes us on a deep dive into the world of documentary filmmaking.  We chat at length about his debut documentary feature: A Fat Wreck - a 3 year long DIY project that found incredible success with film...
We chat at length about his debut documentary feature: A Fat Wreck - a 3 year long DIY project that found incredible success with film festivals and fans alike, even generating interest from the Sundance Institute. Building off of this success, Shaun moved into production on his second documentary feature (Age Of Audio), which features interviews with Kevin Smith, Ira Glass and other monumental voices in the podcasting space. 

Over the course of our discussion, Shaun outlines his process for financing, producing, and releasing his documentaries using his own DIY tactics, and shares a roadmap for how others can do the same.

Links from the show:

A Fat Wreck - Website

A Fat Wreck - Facebook

A Fat Wreck - Twitter

A Fat Wreck - Instagram

A Fat Wreck - Sundance Institute Article

Age Of Audio - Website

Age Of Audio - Instagram

Age Of Audio - Twitter

For more content like this visit www.noamkroll.com]]>4080truefullhttps://www.spreaker.com/episode/rise-of-the-filmtrepreneur-with-alex-ferrari-of-indie-film-hustle--49019842
The film industry has gone through a massive change over the past few years and most filmmakers are not prepared to make a living with their work in this new ecosystem. Alex's new book brilliantly outlines an approach and system that can serve as an antidote to this issue, arming filmmakers with the tactics needed to build a profitable career. We discuss all this and much more in today's episode.

Links from the show -

https://www.filmbizbook.com

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/rise-of-the-filmtrepreneur-with-alex-ferrari-of-indie-film-hustle-9b85d7b2a65aa0eceab0b51a443956abThu, 12 Dec 2019 20:29:29 +0000Noam KrollReturning to the show this week is Alex Ferrari of the Indie Film Hustle podcast. Alex has been educating filmmakers for years through a multitude of platforms, and has just written a new book that truly takes things to the next level: Rise of the...
The film industry has gone through a massive change over the past few years and most filmmakers are not prepared to make a living with their work in this new ecosystem. Alex's new book brilliantly outlines an approach and system that can serve as an antidote to this issue, arming filmmakers with the tactics needed to build a profitable career. We discuss all this and much more in today's episode.

Links from the show -

https://www.filmbizbook.com

For more content like this visit www.noamkroll.com]]>5514truefullhttps://www.spreaker.com/episode/making-distributing-an-ambitious-250k-debut-feature-with-la-based-filmmaker-brad-raider--49019843
Over the course of our chat, Brad speaks at length about his fundraising process which uniquely leveraged his meditation community to bring his vision to life. We also talk about his challenging production process that spanned 30 locations and 29 shooting days. Other topics covered include: The importance of creating space for your creativity, distribution options for micro-budget features and much more.

Links from the show:

kenshofilm.com

reddogsquadron.com

mdt8.com

bradraider.com

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/making-distributing-an-ambitious-250k-debut-feature-with-la-based-filmmaker-brad-raider-b964f5d72407d42ea18afda5f11a807cThu, 31 Oct 2019 20:15:39 +0000Noam KrollThis week, my guest is Brad Raider - a fellow LA based filmmaker who made his debut feature Kensho at the Bedfellow on a budget of $250,000. Over the course of our chat, Brad speaks at length about his fundraising process which uniquely leveraged his...
Over the course of our chat, Brad speaks at length about his fundraising process which uniquely leveraged his meditation community to bring his vision to life. We also talk about his challenging production process that spanned 30 locations and 29 shooting days. Other topics covered include: The importance of creating space for your creativity, distribution options for micro-budget features and much more.

Links from the show:

kenshofilm.com

reddogsquadron.com

mdt8.com

bradraider.com

For more content like this visit www.noamkroll.com]]>4912truefullhttps://www.spreaker.com/episode/how-to-raise-funds-for-your-indie-feature-with-making-movies-is-hard-co-host-alrik-bursell--49019836
Over the course of our interview, Alrik and I talk about the fundraising process at length. Topics covered include: Securing initial seed money, approaching investors, attending film markets, crowdfunding and much more. This is a must listen for anyone looking to raise money for their movie.

Links from the show -

Seed & Spark Campaign

The Alternate On Facebook

The Alternate On Instagram

The Alternate On Twitter

Making Movies Is Hard Podcast

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/how-to-raise-funds-for-your-indie-feature-with-making-movies-is-hard-co-host-alrik-bursell-a2f567769139925550a4c50119413c3eFri, 25 Oct 2019 00:56:39 +0000Noam KrollThis week, I’m joined by Alrik Bursell - co-host of the very popular Making Movies Is Hard Podcast. Alrik is currently in the midst of fundraising for his upcoming feature film - The Alternate - an ambitious sci-fi film he’s been developing for 5...
Over the course of our interview, Alrik and I talk about the fundraising process at length. Topics covered include: Securing initial seed money, approaching investors, attending film markets, crowdfunding and much more. This is a must listen for anyone looking to raise money for their movie.

Links from the show -

Seed & Spark Campaign

The Alternate On Facebook

The Alternate On Instagram

The Alternate On Twitter

Making Movies Is Hard Podcast

For more content like this visit www.noamkroll.com]]>3831truefullhttps://www.spreaker.com/episode/post-production-sound-for-indie-filmmakers-with-woody-woodhall-of-allied-post--49019878
Over the course of our discussion, Woody outlines the most pressing sound-related issues known to plague independent filmmakers, and shares insight on how to avoid them entirely. We also touch on a whole host of other topics including: career advice, tips for on set audio production, workflow considerations, and much more.

Links from the show:

Allied Post

LAPPG

Woody's book on Amazon

 

 

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/post-production-sound-for-indie-filmmakers-with-woody-woodhall-of-allied-post-933a74d6e548c0c81c93b3d54a39929bThu, 10 Oct 2019 17:44:11 +0000Noam KrollMost indie filmmakers are guilty of overlooking the importance of sound, but my guest this week - Woody Woodhall - is here to change that. Woody is an acclaimed post-audio engineer, owner of LAPPG and Allied Post, and has played an instrumental role...
Over the course of our discussion, Woody outlines the most pressing sound-related issues known to plague independent filmmakers, and shares insight on how to avoid them entirely. We also touch on a whole host of other topics including: career advice, tips for on set audio production, workflow considerations, and much more.

Links from the show:

Allied Post

LAPPG

Woody's book on Amazon

 

 

For more content like this visit www.noamkroll.com]]>3047truefullhttps://www.spreaker.com/episode/making-selling-an-indie-feature-film-for-2-million-with-freaks-director-zach-lipovsky--49019921
Over the course of this episode, we walk through the A to Z of this process - from the beginning stages of raising private equity to production, film festivals, and theatrical distribution. Zach shares an incredible amount of tactical advice on the business side of things, which can surely serve as a blueprint for other filmmakers with big screen aspirations. 

Links from the show -

https://twitter.com/zachlipovsky

https://instagram.com/zach.lipovsky

https://www.freaks.movie

Get a free copy of the shotlister app by emailing showdonttell@shotlister.com

For more content like this visit https://noamkroll.com]]>showdonttell.podbean.com/making-selling-an-indie-feature-film-for-2-million-with-freaks-director-zach-lipovsky-de71d912019f1619176e598f949a2321Thu, 26 Sep 2019 20:58:37 +0000Noam KrollThis week my guest is Zach Lipovsky, the co-director of the theatrically released feature film Freaks, which stars Emile Hirsch and Bruce Dern. Zach and his partner Adam were able to successfully raise financing for their script, attach A-list actors,...
Over the course of this episode, we walk through the A to Z of this process - from the beginning stages of raising private equity to production, film festivals, and theatrical distribution. Zach shares an incredible amount of tactical advice on the business side of things, which can surely serve as a blueprint for other filmmakers with big screen aspirations. 

Links from the show -

https://twitter.com/zachlipovsky

https://instagram.com/zach.lipovsky

https://www.freaks.movie

Get a free copy of the shotlister app by emailing showdonttell@shotlister.com

For more content like this visit https://noamkroll.com]]>4122truefullhttps://www.spreaker.com/episode/8-lessons-on-the-business-of-filmmaking-from-joe-swanberg-s-sxsw-keynote--49019844
Back in 2016 Joe delivered an amazing Keynote at SXSW that focuses on the business of making and selling truly independent feature films. In this week’s episode, I distilled my 8 biggest takeaways from his keynote and shared some of my own thoughts on each point. Topics covered include: Why working with no money can be better than some money, when to invest in your own films, how shooting 25 pages can yield great results, why you should spend as little as possible on production, and much more.

You can watch Joe’s full SXSW keynote here: https://youtube.com/watch?v=hNDMo0ax17E

For more content like this visit https://www.noamkroll.com]]>showdonttell.podbean.com/8-lessons-on-the-business-of-filmmaking-from-joe-swanbergs-sxsw-keynote-28ab327d669b3858449a6f943de78a1aThu, 19 Sep 2019 18:00:48 +0000Noam KrollOne of the most prolific indie filmmakers in recent years is undoubtedly Joe Swanberg. He’s best known for his feature film Drinking Buddies, but has made dozens of other features - including a string of 7 that he produced and directed in just one...
Back in 2016 Joe delivered an amazing Keynote at SXSW that focuses on the business of making and selling truly independent feature films. In this week’s episode, I distilled my 8 biggest takeaways from his keynote and shared some of my own thoughts on each point. Topics covered include: Why working with no money can be better than some money, when to invest in your own films, how shooting 25 pages can yield great results, why you should spend as little as possible on production, and much more.

You can watch Joe’s full SXSW keynote here: https://youtube.com/watch?v=hNDMo0ax17E

For more content like this visit https://www.noamkroll.com]]>1601truefullhttps://www.spreaker.com/episode/5-crucial-pre-production-lessons-for-filmmakers-who-make-sell-their-own-content--49019847
In this episode, I address this challenge at length, sharing 5 of the most crucial pre-production considerations that all filmmakers should take into account. These lessons are extracted from my Feature Filmmaking Masterclass and are a must-listen for any filmmaker looking to create a viable final product that can help launch their career.

Learn more about the Feature Filmmaking Masterclass here: https://noamkroll.com/the-ultimate-micro-budget-feature-filmmaking-masterclass-is-coming-exclusive-pre-order-available-for-a-limited-time/

And visit https://www.noamkroll.com for more content like this.]]>showdonttell.podbean.com/5-crucial-pre-production-lessons-for-filmmakers-who-make-sell-their-own-content-d7de6477d41855ffa6b0f739854f65c9Thu, 12 Sep 2019 16:45:17 +0000Noam KrollMore feature films are being made than ever before, and as a result the market is completely saturated with content. This has made it harder than ever for indie filmmakers to make a living with their work, or to turn any sort of profit... But with the...
In this episode, I address this challenge at length, sharing 5 of the most crucial pre-production considerations that all filmmakers should take into account. These lessons are extracted from my Feature Filmmaking Masterclass and are a must-listen for any filmmaker looking to create a viable final product that can help launch their career.

Learn more about the Feature Filmmaking Masterclass here: https://noamkroll.com/the-ultimate-micro-budget-feature-filmmaking-masterclass-is-coming-exclusive-pre-order-available-for-a-limited-time/

And visit https://www.noamkroll.com for more content like this.]]>1262truefullhttps://www.spreaker.com/episode/joshua-caldwell-part-2-how-a-6k-indie-film-led-to-directing-gigs-for-hulu-beyond--49019849
Over the course of our discussion, Josh picks up where we left off on part 1, outlining his career path after achieving success with his debut feature. We talk about his experience directing a fully budgeted series for Hulu, and how that project helped him form a new approach too filmmaking as a whole. We also discuss the importance of prioritizing extra shooting days over a bigger crew, how agency reps can make or break your career, whether or not you need to live in LA as a filmmaker, and so much more.

Links from the show -

Layover On iTunes - http://https://itunes.apple.com/us/movie/layover/id1102592500

Layover On Amazon - https://www.amazon.com/Layover-Natalie-Fay/dp/B01GKOUYKK/

Joshua’s Website - www.Joshua-Caldwell.com

Joshua On Twitter - www.twitter.com/joshua_caldwell

Joshua On Instagram - www.instagram.com/joshuacaldwelldirector

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/joshua-caldwell-part-2-how-a-6k-indie-film-led-to-directing-gigs-for-hulu-beyond-bf233226ba7bae4e998e5460ed84f85aThu, 05 Sep 2019 20:40:27 +0000Noam KrollThis week, writer/director Joshua Caldwell returns with a follow up to his interview back on Episode 71. In 2014 Josh achieved breakout success with his $6000 micro-budget film Layover, which paved the way for a directing gig for Hulu, and several...
Over the course of our discussion, Josh picks up where we left off on part 1, outlining his career path after achieving success with his debut feature. We talk about his experience directing a fully budgeted series for Hulu, and how that project helped him form a new approach too filmmaking as a whole. We also discuss the importance of prioritizing extra shooting days over a bigger crew, how agency reps can make or break your career, whether or not you need to live in LA as a filmmaker, and so much more.

Links from the show -

Layover On iTunes - http://https://itunes.apple.com/us/movie/layover/id1102592500

Layover On Amazon - https://www.amazon.com/Layover-Natalie-Fay/dp/B01GKOUYKK/

Joshua’s Website - www.Joshua-Caldwell.com

Joshua On Twitter - www.twitter.com/joshua_caldwell

Joshua On Instagram - www.instagram.com/joshuacaldwelldirector

For more content like this visit www.noamkroll.com]]>5465truefullhttps://www.spreaker.com/episode/the-fundamentals-of-making-a-living-as-a-filmmaker-in-2019--49019907
While it may not be easy, building a long-term sustainable career as a filmmaker is absolutely possible. Over the course of this episode, I outline some of the most crucial variables that play into the success of any filmmaker, and can serve as a foundation for any aspiring artist.

Topics covered include: diversifying your efforts, the importance of specialization, creating multiple revenue streams, and developing your artistry. 

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/the-fundamentals-of-making-a-living-as-a-filmmaker-in-2019-25deebd34ff28da6ed127a71524b0829Thu, 29 Aug 2019 13:14:42 +0000Noam KrollToday I address one of the most common questions asked by filmmakers - How do you make a living in the film business in 2019? While it may not be easy, building a long-term sustainable career as a filmmaker is absolutely possible. Over the course of...
While it may not be easy, building a long-term sustainable career as a filmmaker is absolutely possible. Over the course of this episode, I outline some of the most crucial variables that play into the success of any filmmaker, and can serve as a foundation for any aspiring artist.

Topics covered include: diversifying your efforts, the importance of specialization, creating multiple revenue streams, and developing your artistry. 

For more content like this visit www.noamkroll.com]]>1819truefullhttps://www.spreaker.com/episode/building-a-massive-youtube-social-media-audience-with-david-cogen-of-the-unlockr--49019853
Speaking on the subject of audience building this week is none other than David Cogen. While he isn't a filmmaker in the traditional sense, David has been creating content for years under the company name The Unlockr. With a focus on mobile devices and other consumer tech, David has amassed well over 500,000 subscribers on YouTube while simultaneously gaining countless followers on his blog and social platforms. Over the course of this episode, he outlines his methodology for building a large audience of fans who are likely to become paying subscribers down the road. This should be especially relevant for any filmmaker looking to sell their own content, courses, or feature films via DIY distribution.

Links from the show:

http://www.theunlockr.com

David's course - https://mailchi.mp/theunlockr.com/coursesitesignup

For more content like this visit http://www.noamkroll.com]]>showdonttell.podbean.com/building-a-massive-audience-with-david-cohen-of-the-unlockr-cd60d87d51f9d7ade439a44dce8e6b66Thu, 22 Aug 2019 18:03:17 +0000Noam KrollThere’s no denying that building an audience is an essential part of success for working filmmakers today. Gaining a following through a blog, YouTube channel or social platform is arguably the most effective step filmmakers can take to make a living...
Speaking on the subject of audience building this week is none other than David Cogen. While he isn't a filmmaker in the traditional sense, David has been creating content for years under the company name The Unlockr. With a focus on mobile devices and other consumer tech, David has amassed well over 500,000 subscribers on YouTube while simultaneously gaining countless followers on his blog and social platforms. Over the course of this episode, he outlines his methodology for building a large audience of fans who are likely to become paying subscribers down the road. This should be especially relevant for any filmmaker looking to sell their own content, courses, or feature films via DIY distribution.

Links from the show:

http://www.theunlockr.com

David's course - https://mailchi.mp/theunlockr.com/coursesitesignup

For more content like this visit http://www.noamkroll.com]]>4483truefullhttps://www.spreaker.com/episode/editing-iconic-movies-television-with-renowned-editor-lawrence-jordan--49019942
Throughout this interview Lawrence shares key lessons he’s learned over the past few decades, working as an editor on Hollywood-level feature films and world renowned television series. A must listen for any filmmaker looking for a blueprint for breaking into the business and staying there.

Sponsors:

Shotlister.com -Email showdonttell@shotlister.com to download the app for free!

Music Bed - Enter promo code SHOWDONTTELL at checkout for your first month of subscription free, or 20% off your first purchase.

Links from the show:

Larry On IMDB - https://www.imdb.com/name/nm0266377

Master The Workflow - https://mastertheworkflow.com 

Psychosynthesis - https://www.psychosynthesismovie.com]]>showdonttell.podbean.com/editing-iconic-movies-television-with-renowned-editor-lawrence-jordan-47bf702687a15ff103eb00410415f902Thu, 15 Aug 2019 17:35:03 +0000Noam KrollAfter a brief hiatus, Show Don’t Tell returns this week with our amazing guest Lawrence Jordan. If you’re a fan of movies, chances are you’ve seen some of Lawrence’s work. His career began as an assistant on iconic feature films like Back To The...
Throughout this interview Lawrence shares key lessons he’s learned over the past few decades, working as an editor on Hollywood-level feature films and world renowned television series. A must listen for any filmmaker looking for a blueprint for breaking into the business and staying there.

Sponsors:

Shotlister.com -Email showdonttell@shotlister.com to download the app for free!

Music Bed - Enter promo code SHOWDONTTELL at checkout for your first month of subscription free, or 20% off your first purchase.

Links from the show:

Larry On IMDB - https://www.imdb.com/name/nm0266377

Master The Workflow - https://mastertheworkflow.com 

Psychosynthesis - https://www.psychosynthesismovie.com]]>5805truefullhttps://www.spreaker.com/episode/how-to-thrive-as-a-cinematographer-in-2019-with-acclaimed-dp-adriaan-kirchner--49019846
During our discussion, Adriaan shares his wealth of knowledge on the craft and business of working as a full time DP. We trace his entire career trajectory and explore key lessons learned along the way, including the importance of surrounding yourself with the right collaborators. Other topics covered include: Investing in gear, shooting spec material, lighting based on camera choice, and loads more.

This episode is brought to you by http://www.cinecolor.io

Links from the show -

http://www.adriaankirchner.com

http://www.instagram.com/agetime

http://www.glaaascollective.com

For more content like this visit - http://www.noamkroll.com]]>showdonttell.podbean.com/how-to-thrive-as-a-cinematographer-in-2019-with-acclaimed-dp-adriaan-kirchner-50c6e5d005e215987395d68517080704Thu, 13 Jun 2019 21:11:50 +0000Noam KrollThis week, I’m joined by Adriaan Kirchner - an incredibly accomplished LA-based cinematographer with a truly stunning body of work. Adriaan has shot projects for celebrities like Kanye West and Jamie Foxx, amazing narrative films like “The Lima”...
During our discussion, Adriaan shares his wealth of knowledge on the craft and business of working as a full time DP. We trace his entire career trajectory and explore key lessons learned along the way, including the importance of surrounding yourself with the right collaborators. Other topics covered include: Investing in gear, shooting spec material, lighting based on camera choice, and loads more.

This episode is brought to you by http://www.cinecolor.io

Links from the show -

http://www.adriaankirchner.com

http://www.instagram.com/agetime

http://www.glaaascollective.com

For more content like this visit - http://www.noamkroll.com]]>3478truefullhttps://www.spreaker.com/episode/demystifying-the-writing-process-with-acclaimed-screenwriter-bryan-hill--49019932
Some highlights of Bryan's TV & Film career include: ASH vs. THE EVIL DEAD and TITANS, as well as comics like BATMAN AND THE OUTSIDERS, MICHAEL CRAY and AMERICAN CARNAGE. Currently, Bryan is developing a micro-budget feature of his own, which naturally made him a perfect guest for the show. Over the course of our discussion, Bryan details his early days in the business, how he honed his skills as a writer, what his process looks like now, why he chose to make the leap into independent content creation, and so much more. This is a must listen for any filmmaker out there looking to sharpen their writing abilities and tell better stories.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/demystifying-the-writing-process-with-acclaimed-screenwriter-bryan-hill-d9d5a343d168eb4d1adf7ae3544b591cThu, 30 May 2019 19:54:30 +0000Noam KrollThere is perhaps no greater asset for any filmmaker to possess than a mastery of the craft of screenwriting. And joining me today to discuss all things screenwriting, is none other than Bryan Hill - An incredibly accomplished & superbly talented...
Some highlights of Bryan's TV & Film career include: ASH vs. THE EVIL DEAD and TITANS, as well as comics like BATMAN AND THE OUTSIDERS, MICHAEL CRAY and AMERICAN CARNAGE. Currently, Bryan is developing a micro-budget feature of his own, which naturally made him a perfect guest for the show. Over the course of our discussion, Bryan details his early days in the business, how he honed his skills as a writer, what his process looks like now, why he chose to make the leap into independent content creation, and so much more. This is a must listen for any filmmaker out there looking to sharpen their writing abilities and tell better stories.

For more content like this visit www.noamkroll.com]]>6809truefullhttps://www.spreaker.com/episode/from-the-2-5k-cinema-camera-to-the-ursa-mini-pro-g2-an-interview-with-dan-may-president-of-blackmagic-design--49019990
Here with me this week to discuss all things Blackmagic is Dan May, President of Blackmagic Design. While I’ve had the pleasure of chatting with Dan a couple times in the past about specific product releases, this time I wanted to turn the conversation to Blackmagic’s philosophy. Over the course of our conversation, Dan generously shares some Blackmagic history with us, touching on everything from the evolution of their camera lineup to the acquisition of DaVinci Resolve, what drives their innovation and so much more.

http://www.blackmagicdesign.com

For more content like this visit: http://www.noamkroll.com]]>showdonttell.podbean.com/from-the-25k-cinema-camera-to-the-ursa-mini-pro-g2-an-interview-with-dan-may-president-of-blackmagic-design-6e48e39636dfe0b187fb3570a4beb550Thu, 23 May 2019 18:02:55 +0000Noam KrollNo camera manufacturer has been more innovative or disruptive in recent years as Blackmagic Design. Since 2013 they have been challenging the status quo, putting out cameras like their original 2.5K Cinema Camera, the Pocket Camera, and most recently...
Here with me this week to discuss all things Blackmagic is Dan May, President of Blackmagic Design. While I’ve had the pleasure of chatting with Dan a couple times in the past about specific product releases, this time I wanted to turn the conversation to Blackmagic’s philosophy. Over the course of our conversation, Dan generously shares some Blackmagic history with us, touching on everything from the evolution of their camera lineup to the acquisition of DaVinci Resolve, what drives their innovation and so much more.

http://www.blackmagicdesign.com

For more content like this visit: http://www.noamkroll.com]]>4109truefullhttps://www.spreaker.com/episode/crossover-episode-with-the-just-shoot-it-podcast--49020004
Both Matt and Oren work professionally as directors on commercials, branded content, and narrative films right here in Los Angeles. Throughout our discussion, we talk about what it takes to become a “professional” filmmaker, the importance of mastering creative AND technical skills, navigating the industry in 2019, and much more. This was one of the best conversations on film I’ve had in a while - big thanks to Just Shoot It for making this happen.

http://justshootitpodcast.com

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/crossover-episode-with-the-just-shoot-it-podcast-54081f8bdd2e580d1332a84a9d37c46cThu, 16 May 2019 17:29:51 +0000Noam KrollThis week, for the first time I am doing a crossover episode! And it’s with none other than the Just Shoot It Podcast… I was really excited to sit down with hosts Oren Kaplan and Matt Enlow, as they’ve not only built an amazing podcast, but are also...
Both Matt and Oren work professionally as directors on commercials, branded content, and narrative films right here in Los Angeles. Throughout our discussion, we talk about what it takes to become a “professional” filmmaker, the importance of mastering creative AND technical skills, navigating the industry in 2019, and much more. This was one of the best conversations on film I’ve had in a while - big thanks to Just Shoot It for making this happen.

http://justshootitpodcast.com

For more content like this visit www.noamkroll.com]]>5299truefullhttps://www.spreaker.com/episode/a-deep-dive-into-filmmaking-in-2019-with-wes-anthony--49019850
We tackle the film vs. digital debate, finding a balance between being technical and creative filmmaking, the future of low budget producing, advice for aspiring directors and DPs, and even a little gear talk. This and much much more on today’s nearly 2 hour episode!

Links from the show:

Silverside Recording - http://silversiderecording.com

Wes on Twitter - http://twitter.com/firehouse_ca

Wes on Instagram - https://www.instagram.com/firehousecreative/

Just Fix It In Post Podcast - http://https://podcasts.apple.com/us/podcast/just-fix-it-in-post/id1312089256

 

For more content like this visit http://www.noamkroll.com]]>showdonttell.podbean.com/a-deep-dive-into-filmmaking-in-2019-with-wes-anthony-5ea4e99f9bb23fb64bd901548ea4e61dThu, 09 May 2019 19:02:07 +0000Noam KrollThis week on the show, I change up the format to have an in-depth conversation with California based filmmaker Wes Anthony. Rather than simply interviewing Wes about his career history, we decided to chat at length about the business of filmmaking in...
We tackle the film vs. digital debate, finding a balance between being technical and creative filmmaking, the future of low budget producing, advice for aspiring directors and DPs, and even a little gear talk. This and much much more on today’s nearly 2 hour episode!

Links from the show:

Silverside Recording - http://silversiderecording.com

Wes on Twitter - http://twitter.com/firehouse_ca

Wes on Instagram - https://www.instagram.com/firehousecreative/

Just Fix It In Post Podcast - http://https://podcasts.apple.com/us/podcast/just-fix-it-in-post/id1312089256

 

For more content like this visit http://www.noamkroll.com]]>6755truefullhttps://www.spreaker.com/episode/building-a-thriving-filmmaking-career-off-a-6000-feature-film-with-director-joshua-caldwell--49019948
Over the course of our discussion, Josh outlines why he chose to take the DIY path, and how he broke with convention to make his micro-budget debut stand out from the crowd. He shares how he leveraged his success with Layover to land a directing job for Hulu, and later went on to direct several more feature films over the course of just a few short years. We touch on his philosophy on filmmaking, his approach to the creative process, advice for up and coming filmmakers, and much more.

Links from the show -

Layover On iTunes - https://itunes.apple.com/us/movie/layover/id1102592500

Layover On Amazon - https://www.amazon.com/Layover-Natalie-Fay/dp/B01GKOUYKK/

Joshua’s Website - www.Joshua-Caldwell.com

Joshua On Twitter - www.twitter.com/joshua_caldwell

Joshua On Instagram - www.instagram.com/joshuacaldwelldirector

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/building-a-thriving-filmmaking-career-off-a-6000-feature-film-with-director-joshua-caldwell-3e2e6a49f140afc37de751b0dc0ff9f5Thu, 02 May 2019 17:02:39 +0000Noam KrollThis week on the show, my guest is none other than Joshua Caldwell. While Josh has been working on some higher profile projects over the past few years - including his upcoming feature Southland (starring Bella Thorne) and his 2017 feature Negative -...
Over the course of our discussion, Josh outlines why he chose to take the DIY path, and how he broke with convention to make his micro-budget debut stand out from the crowd. He shares how he leveraged his success with Layover to land a directing job for Hulu, and later went on to direct several more feature films over the course of just a few short years. We touch on his philosophy on filmmaking, his approach to the creative process, advice for up and coming filmmakers, and much more.

Links from the show -

Layover On iTunes - https://itunes.apple.com/us/movie/layover/id1102592500

Layover On Amazon - https://www.amazon.com/Layover-Natalie-Fay/dp/B01GKOUYKK/

Joshua’s Website - www.Joshua-Caldwell.com

Joshua On Twitter - www.twitter.com/joshua_caldwell

Joshua On Instagram - www.instagram.com/joshuacaldwelldirector

For more content like this visit www.noamkroll.com]]>6073truefullhttps://www.spreaker.com/episode/the-art-business-of-filmmaking-with-director-cory-reeder--49019882
Cory’s tenacity has led him to find amazing success with his work, which has involved creating music video content for some incredible rock bands. Jonathan Davis (Korn), Seether, Of Mice & Men, and Five Finger Death Punch are just a few of the amazing groups he’s worked with in recent years. Over the course of this interview we chat about Cory’s unique career path, his production work, advice for filmmakers, and his involvement with the Easterseals disability challenge - An organization that promotes the involvement of disabled individuals in front of and behind the camera.

Links from the show: 

Cory’s Website - https://www.coryreeder.com

Cory on Twitter - https://twitter.com/CoryReeder

Cory on Instagram - https://www.instagram.com/cory_reeder

Cory on Facebook - https://www.facebook.com/cory.reeder

Cory’s Easterseals Film - https://www.youtube.com/watch?v=y139ah9jDKg

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/the-art-business-of-filmmaking-with-director-cory-reeder-53b317d331d2b10b03f8d36db63330daThu, 25 Apr 2019 15:20:49 +0000Noam KrollOn this week’s episode, I am joined by Cory Reeder of Renaissance Man Productions. Cory’s path is unlike any other filmmaker I have met - After building a successful career in Orange County working in the music scene, he moved to Los Angeles and...
Cory’s tenacity has led him to find amazing success with his work, which has involved creating music video content for some incredible rock bands. Jonathan Davis (Korn), Seether, Of Mice & Men, and Five Finger Death Punch are just a few of the amazing groups he’s worked with in recent years. Over the course of this interview we chat about Cory’s unique career path, his production work, advice for filmmakers, and his involvement with the Easterseals disability challenge - An organization that promotes the involvement of disabled individuals in front of and behind the camera.

Links from the show: 

Cory’s Website - https://www.coryreeder.com

Cory on Twitter - https://twitter.com/CoryReeder

Cory on Instagram - https://www.instagram.com/cory_reeder

Cory on Facebook - https://www.facebook.com/cory.reeder

Cory’s Easterseals Film - https://www.youtube.com/watch?v=y139ah9jDKg

For more content like this visit www.noamkroll.com]]>4333truefullhttps://www.spreaker.com/episode/embracing-the-creative-process-with-rebel-without-a-crew-director-josh-stifter--49019953
Over the course of our discussion, Josh outlines his experience making his movie under such unusual circumstances, and the many lessons learned along the way. From there, we discuss the importance of embracing the creative process, what it’s like to leave your 40 hour a week job to pursue filmmaking full time, the business side of being a filmmaker, and much more.

Links from the show:

http://joshstifter.com

http://www.facebook.com/joshua.j.stifter

http://instagram.com/flushstudios

http://twitter.com/joshstifter

http://patreon.com/flushstudios

http://youtube.com/flushstudios

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/embracing-the-creative-process-with-rebel-without-a-crew-director-josh-stifter-c11c33b9ecdb497d02b3ccd763bd3415Thu, 18 Apr 2019 15:31:05 +0000Noam KrollFor this week’s interview, I am joined by Josh Stifter - An incredibly talented, multi-faceted filmmaker who recently appeared on Robert Rodriguez’s Rebel Without A Crew Series. As part of the show, Josh was given $7000 and 14 days to make a feature...
Over the course of our discussion, Josh outlines his experience making his movie under such unusual circumstances, and the many lessons learned along the way. From there, we discuss the importance of embracing the creative process, what it’s like to leave your 40 hour a week job to pursue filmmaking full time, the business side of being a filmmaker, and much more.

Links from the show:

http://joshstifter.com

http://www.facebook.com/joshua.j.stifter

http://instagram.com/flushstudios

http://twitter.com/joshstifter

http://patreon.com/flushstudios

http://youtube.com/flushstudios

For more content like this visit www.noamkroll.com

 ]]>5237truefullhttps://www.spreaker.com/episode/editing-hollywood-feature-films-with-vashi-nedomansky-ace--49019910
Throughout our conversation, Vashi and I cover a whole lot of ground - Starting from the very first few jobs he booked after retiring from professional hockey, all the way through to lessons learned after two decades in the business. We touch on the common pitfalls that plague many editors today, the critical importance of sound, philosophical and career advice for filmmakers, and so much more. This one is a must listen for all filmmakers!

Links from the show:

Vashi's Website

Vashi on Twitter

Vashi on Facebook

Vashi on Instagram

Vashi on LinkedIn

Vashi on YouTube

Vashi on IMDB



For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/editing-hollywood-feature-films-with-vashi-nedomansky-ace-320be29283155f75329731ad13ef8b87Thu, 04 Apr 2019 16:17:42 +0000Noam KrollIf you work in post-production (or just love great movies), chances are you've come across Vashi Nedomansky's work. He an acclaimed ACE editor who has not only cut 11 feature films, but was also tasked with creating the post workflows for Deadpool and...
Throughout our conversation, Vashi and I cover a whole lot of ground - Starting from the very first few jobs he booked after retiring from professional hockey, all the way through to lessons learned after two decades in the business. We touch on the common pitfalls that plague many editors today, the critical importance of sound, philosophical and career advice for filmmakers, and so much more. This one is a must listen for all filmmakers!

Links from the show:

Vashi's Website

Vashi on Twitter

Vashi on Facebook

Vashi on Instagram

Vashi on LinkedIn

Vashi on YouTube

Vashi on IMDB



For more content like this visit www.noamkroll.com]]>5039truefullhttps://www.spreaker.com/episode/the-real-way-to-grow-your-freelancing-career-or-production-business--49019977
It's not about the gear you have or how big your client list is. It's not even really about your demo reel. Those things may get your foot in the door, but what builds long lasting careers is the client experience. If you can get that right, business growth and opportunity tends to take care of itself.

This and much more covered in today's show.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/the-real-way-to-grow-your-freelancing-career-or-production-business-1356203d956fbe37ce4714b93393861cThu, 21 Mar 2019 22:03:51 +0000Noam KrollFilmmakers often ask me how to get a competitive edge with their freelancing career or production business, and I almost always give them the same advice: It's not about the gear you have or how big your client list is. It's not even really about...
It's not about the gear you have or how big your client list is. It's not even really about your demo reel. Those things may get your foot in the door, but what builds long lasting careers is the client experience. If you can get that right, business growth and opportunity tends to take care of itself.

This and much more covered in today's show.

For more content like this visit www.noamkroll.com]]>1437truefullhttps://www.spreaker.com/episode/why-post-production-generalists-are-thriving-as-independent-content-creators-in-2019--49019920
In this episode, I make a case for embracing a generalist approach to filmmaking, outlining how it allows DIY filmmakers to make better movies for less money, and in less time than ever before. Topics covered include: Breaking the "jack of all trades" stigma, the financial benefits of mastering post production, educating yourself on fundamental editorial/finishing skills, when you should (or shouldn't) hire outside help, and loads more.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/why-post-production-%e2%80%9cgeneralists%e2%80%9d-are-thriving-as-independent-content-creators-in-2019-02aedc62abeac0df1db2a7c24e7f9f92Thu, 14 Mar 2019 21:08:31 +0000Noam KrollMany filmmakers were told early on in their careers to specialize in only one field and to master a single skill. But as the landscape of content creation continues to evolve, creative generalists - especially those who emphasize post production - are...
In this episode, I make a case for embracing a generalist approach to filmmaking, outlining how it allows DIY filmmakers to make better movies for less money, and in less time than ever before. Topics covered include: Breaking the "jack of all trades" stigma, the financial benefits of mastering post production, educating yourself on fundamental editorial/finishing skills, when you should (or shouldn't) hire outside help, and loads more.

For more content like this visit www.noamkroll.com]]>2213truefullhttps://www.spreaker.com/episode/shooting-for-the-mob-an-interview-with-filmmaker-author-podcaster-alex-ferrari--49020061
Today, Alex has returned to chat about his latest book: Shooting For The Mob. The book is based on Alex’s real life experience getting hired by the mob at age 26 to make a movie for them. He outlines the story behind the story, how he adapted this real life experience into a novel, and why it was absolutely critical for him to tell this story. Over the course of the interview, we also delve into many other topics, including: tackling the creative process as a whole, finding your way as a filmmaker, and achieving success on the business side of show business.

 

Links from the show:

IFH on Facebook - www.Facebook.com/indiefilmhustle

IFH on Twitter - www.Twitter.com/indiefilmhustle

IFH on Instagram - www.Instagram.com/ifilmhustle

IFHTV - www.IFHTV.com

Shooting For The Mob - https://www.amazon.com/Shooting-Mob-based-Incredible-Story/dp/194808063X/ref=sr_1_1?crid=3RAHIUEGZVN38&keywords=shooting+for+the+mob&qid=1551981886&s=gateway&sprefix=shooting+for+the+%2Caps%2C186&sr=8-1

 

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/shooting-for-the-mob-an-interview-with-filmmaker-author-podcaster-alex-ferrari-f709561b57ed4457451a3215f83ca842Thu, 07 Mar 2019 18:28:06 +0000Noam KrollThis week, I’m excited to have Alex Ferrari of Indie Film Hustle back on the show. Alex was last on the podcast back on Episode 44, when we chatted about his film This Is Meg, and his process developing and producing his DIY film which eventually sold...
Today, Alex has returned to chat about his latest book: Shooting For The Mob. The book is based on Alex’s real life experience getting hired by the mob at age 26 to make a movie for them. He outlines the story behind the story, how he adapted this real life experience into a novel, and why it was absolutely critical for him to tell this story. Over the course of the interview, we also delve into many other topics, including: tackling the creative process as a whole, finding your way as a filmmaker, and achieving success on the business side of show business.

 

Links from the show:

IFH on Facebook - www.Facebook.com/indiefilmhustle

IFH on Twitter - www.Twitter.com/indiefilmhustle

IFH on Instagram - www.Instagram.com/ifilmhustle

IFHTV - www.IFHTV.com

Shooting For The Mob - https://www.amazon.com/Shooting-Mob-based-Incredible-Story/dp/194808063X/ref=sr_1_1?crid=3RAHIUEGZVN38&keywords=shooting+for+the+mob&qid=1551981886&s=gateway&sprefix=shooting+for+the+%2Caps%2C186&sr=8-1

 

For more content like this visit www.noamkroll.com]]>6082truefullhttps://www.spreaker.com/episode/the-making-of-a-50-000-feature-film-executive-produced-by-the-duplass-bros--49020039
Over the course of the interview we cover their entire process from A to Z - From the development of their first screenplay draft to shooting the movie in 18 days, and pushing through post-production with their sights set on a festival run - Not letting anything stop them along the way, including a massive hurricane that hit in the middle of production!

Links from the show:

Mark Duplass SXSW Keynote - https://www.youtube.com/watch?v=nZeWOAliA6Y

Hannah on Facebook - http://facebook.com/hannahblack

Hannah on Instagram - http://instagram.com/hannahfrazelleblack

Megan on Facebook - https://www.facebook.com/megan.petersen.545

Megan on Instagram - http://instagram.com/megan.petersen.ilm

Drought The Movie on Facebook - https://www.facebook.com/droughtthemovie

Drought The Movie on Instagram - https://www.instagram.com/droughtthemovie

Drought The Movie on Twitter - https://twitter.com/droughtthemovie

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/the-making-of-a-50000-feature-film-executive-produced-by-the-duplass-bros-faeaa9e0f8e88380ce29cd334370897bThu, 21 Feb 2019 16:45:13 +0000Noam KrollOn this week’s episode, I interview two amazing filmmakers - Hannah Black and Megan Petersen - who are in post-production for their $50K micro-budget feature Drought. Having never made a feature before, they were able to write an incredible script,...
Over the course of the interview we cover their entire process from A to Z - From the development of their first screenplay draft to shooting the movie in 18 days, and pushing through post-production with their sights set on a festival run - Not letting anything stop them along the way, including a massive hurricane that hit in the middle of production!

Links from the show:

Mark Duplass SXSW Keynote - https://www.youtube.com/watch?v=nZeWOAliA6Y

Hannah on Facebook - http://facebook.com/hannahblack

Hannah on Instagram - http://instagram.com/hannahfrazelleblack

Megan on Facebook - https://www.facebook.com/megan.petersen.545

Megan on Instagram - http://instagram.com/megan.petersen.ilm

Drought The Movie on Facebook - https://www.facebook.com/droughtthemovie

Drought The Movie on Instagram - https://www.instagram.com/droughtthemovie

Drought The Movie on Twitter - https://twitter.com/droughtthemovie

For more content like this visit www.noamkroll.com]]>4169truefullhttps://www.spreaker.com/episode/shooting-a-narrative-feature-film-in-9-days-with-cinematographer-matteo-bertoli--49019981
Other topics covered include: Camera choice, shooting minimal coverage, the importance of prep, developing a visual style, finding synergy on set, workflow issues, handling creative problems in production, and much more. This is a great listen for any director or DP working in the micro-budget realm.

Links from the show:

Matteo's Website - https://www.matteobertoli.me

Matteo on Instagram - https://www.instagram.com/matteobertoli

Matteo on YouTube - https://www.youtube.com/channel/UCOYko5i4zMPwmS-68hnhIOw

Matteo on Twitter - https://twitter.com/matteobertoli

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/shooting-a-narrative-feature-film-in-9-days-with-cinematographer-matteo-bertoli-042865194523e73a58527093496f2b76Fri, 15 Feb 2019 00:35:57 +0000Noam KrollIn this episode, I sit down with Matteo Bertoli - the incredibly talented DP who shot my latest feature film White Crow. Despite working under tremendous time constraints, Matteo, myself, and the rest of our team were able to shoot nearly 90 pages of...
Other topics covered include: Camera choice, shooting minimal coverage, the importance of prep, developing a visual style, finding synergy on set, workflow issues, handling creative problems in production, and much more. This is a great listen for any director or DP working in the micro-budget realm.

Links from the show:

Matteo's Website - https://www.matteobertoli.me

Matteo on Instagram - https://www.instagram.com/matteobertoli

Matteo on YouTube - https://www.youtube.com/channel/UCOYko5i4zMPwmS-68hnhIOw

Matteo on Twitter - https://twitter.com/matteobertoli

For more content like this visit www.noamkroll.com]]>3906truefullhttps://www.spreaker.com/episode/generating-passive-income-as-a-filmmaker-to-increase-time-revenue--49019854
In this episode, I outline how you can use passively generated income to avoid this problem entirely, by becoming far less reliant on a single revenue stream. The goal is to stop trading your time for money.

Putting systems in place that will ultimately make money while you sleep is not easy, but it is possible. And once that goal is achieved, you will have infinitely more flexibility with how you spend your time. This means more time spent being creative, working on the projects you want to be working on, or developing new business ideas - a situation we should all be striving for.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/generating-passive-income-as-a-filmmaker-to-increase-time-revenue-896a310cf74a0ffbcc38042e645fca95Thu, 07 Feb 2019 21:12:22 +0000Noam KrollMany filmmakers fall into the freelancing trap - They develop a relatively specialized skill, get great at their craft, gain lots of clients, but inevitably find themselves buried in work. Ultimately, this leaves them unable to focus on their passion...
In this episode, I outline how you can use passively generated income to avoid this problem entirely, by becoming far less reliant on a single revenue stream. The goal is to stop trading your time for money.

Putting systems in place that will ultimately make money while you sleep is not easy, but it is possible. And once that goal is achieved, you will have infinitely more flexibility with how you spend your time. This means more time spent being creative, working on the projects you want to be working on, or developing new business ideas - a situation we should all be striving for.

For more content like this visit www.noamkroll.com]]>1917truefullhttps://www.spreaker.com/episode/how-i-used-intense-time-constraints-to-edit-my-feature-film-in-3-weeks--49019983
In this episode, I outline exactly how I used aggressive deadlines and other self-imposed time constraints to tap into my gut instincts, and turn around a great first cut in record time. I also touch on applying these principles to our work consciously, to reach an ideal state of creative flow every time we sit down to work.

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/how-i-used-intense-time-constraints-to-edit-my-feature-film-in-3-weeks-e0cf806846c2c4d5e9ff5577b7a5adbbFri, 18 Jan 2019 02:55:24 +0000Noam KrollOver the years, I've learned that having too much time to work on any creative project can be a bad thing, but that having too little time can actually be helpful in some ways... So naturally, when it came time to edit my latest feature film (White...
In this episode, I outline exactly how I used aggressive deadlines and other self-imposed time constraints to tap into my gut instincts, and turn around a great first cut in record time. I also touch on applying these principles to our work consciously, to reach an ideal state of creative flow every time we sit down to work.

For more content like this visit www.noamkroll.com

 ]]>1544truefullhttps://www.spreaker.com/episode/applying-high-budget-producing-tactics-to-an-independently-financed-diy-series-with-producer-gabe-reiter--49020072
Coming from a background in high end commercial production, Gabe has produced million dollar + spots for brands like UPS, Levi’s, Tide, Hallmark, Nationwide, and countless others. Over the course of this interview, Gabe shares his philosophy on production, how he was able to utilize his expertise in the commercial realm to produce a DIY project with a tremendous amount of production value, and much more.

 

Links from the show:

 

Bunkheads on Amazon Prime -  https://www.amazon.com/Bunkheads/dp/B07K8TQCRC

Bunkheads Official Trailer - https://youtu.be/NZ1AoacIXQA

Bunkheads Website -  https://www.bunkheads.net/ 

Bunkheads Facebook -  https://facebook.com/BunkheadsTV/

Bunkheads Twitter   http://twitter.com/bunkheads

Bunkheads Instagram -  https://www.instagram.com/bunkheads/

Bunkheads YouTube -  https://www.youtube.com/channel/UCRirlSdkRAWvtnPkBb7aGSw

Bunkheads IMDB -  http://www.imdb.com/title/tt7070166/

Gabe Reiter’s Website - http://www.gabrielreiter.com

 

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/applying-high-budget-producing-tactics-to-an-independently-financed-diy-series-with-producer-gabe-reiter-fde3896ee0e83d8a548147a42e40ab0fThu, 10 Jan 2019 19:38:27 +0000Noam KrollIn today’s episode, I interview Gabe Reiter - an incredibly accomplished commercial producer who has now entered the world of independent content creation with his new series “Bunkheads”. The series (which is now available on Amazon Prime) is a...
Coming from a background in high end commercial production, Gabe has produced million dollar + spots for brands like UPS, Levi’s, Tide, Hallmark, Nationwide, and countless others. Over the course of this interview, Gabe shares his philosophy on production, how he was able to utilize his expertise in the commercial realm to produce a DIY project with a tremendous amount of production value, and much more.

 

Links from the show:

 

Bunkheads on Amazon Prime -  https://www.amazon.com/Bunkheads/dp/B07K8TQCRC

Bunkheads Official Trailer - https://youtu.be/NZ1AoacIXQA

Bunkheads Website -  https://www.bunkheads.net/ 

Bunkheads Facebook -  https://facebook.com/BunkheadsTV/

Bunkheads Twitter   http://twitter.com/bunkheads

Bunkheads Instagram -  https://www.instagram.com/bunkheads/

Bunkheads YouTube -  https://www.youtube.com/channel/UCRirlSdkRAWvtnPkBb7aGSw

Bunkheads IMDB -  http://www.imdb.com/title/tt7070166/

Gabe Reiter’s Website - http://www.gabrielreiter.com

 

For more content like this visit www.noamkroll.com]]>4475truefullhttps://www.spreaker.com/episode/the-one-quality-every-filmmaker-creative-entrepreneur-must-master-to-succeed--49019883
For instance - Many of us understand the importance of goal setting and strategizing for our film careers, but few of us are able to actually follow through and deliver. This is usually a result of poor motivation, or self-limiting beliefs, which result in a lack of true effort and persistence when the going gets tough. I would argue that these issues - not skill - are responsible for the thousands of film ideas every year that never get off the ground.

In this episode, I address this issue head on, discussing specific methods for setting and achieving your filmmaking goals, and using the concept of "obsession" to stay motivated even under the most difficult circumstances. The principles outlined are not only applicable to filmmaking, but also to business, creative entrepreneurship, and even achieving personal aspirations.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/the-one-quality-every-filmmaker-creative-entrepreneur-must-master-to-succeed-c7cf816f8fdc2cd51cb0281529bd1b1eThu, 03 Jan 2019 22:21:53 +0000Noam KrollSucceeding in film takes far more than a basic understanding of the craft. While technical skills are undeniably important for any filmmaker to master, they alone will not equate to any type of artistic or commercial success. The degree to which any...
For instance - Many of us understand the importance of goal setting and strategizing for our film careers, but few of us are able to actually follow through and deliver. This is usually a result of poor motivation, or self-limiting beliefs, which result in a lack of true effort and persistence when the going gets tough. I would argue that these issues - not skill - are responsible for the thousands of film ideas every year that never get off the ground.

In this episode, I address this issue head on, discussing specific methods for setting and achieving your filmmaking goals, and using the concept of "obsession" to stay motivated even under the most difficult circumstances. The principles outlined are not only applicable to filmmaking, but also to business, creative entrepreneurship, and even achieving personal aspirations.

For more content like this visit www.noamkroll.com]]>1573truefullhttps://www.spreaker.com/episode/the-5-key-elements-every-scene-hinges-on--49019982
 

In this weeks episode, we shift the focus away from general screenwriting theory, and discuss the granular principles of scene writing - Constructs that are not only designed to push the story forward, but more importantly to illicit an emotional response in the audience. Topics covered include: introducing conflict, writing with theme in mind, creating emotional undercurrents, and much more.

 

Shadows On The Road - https://itunes.apple.com/us/movie/shadows-on-the-road/id1436104543

 

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/the-5-key-elements-every-scene-hinges-on-c1f5f294df1d24bc688b65d65213dd49Thu, 04 Oct 2018 13:00:00 +0000Noam KrollFilmmakers are commonly taught to focus on story structure, plot, and formula while screenwriting, with scene writing usually falling into the background of the discussion. This lack of attention can lead to scenes that are underwritten or...
 

In this weeks episode, we shift the focus away from general screenwriting theory, and discuss the granular principles of scene writing - Constructs that are not only designed to push the story forward, but more importantly to illicit an emotional response in the audience. Topics covered include: introducing conflict, writing with theme in mind, creating emotional undercurrents, and much more.

 

Shadows On The Road - https://itunes.apple.com/us/movie/shadows-on-the-road/id1436104543

 

For more content like this visit www.noamkroll.com]]>1736truefullhttps://www.spreaker.com/episode/writing-a-micro-budget-feature-film-concept-from-scratch--49019855
In today's episode, I outline my entire concept development process from start to finish, using my upcoming feature film WHITE CROW as a case study. Topics covered include: Picking the right idea, development tactics, using the logline as DNA for the screenplay, iterating & revising the core concept, and much more.

To follow along with my upcoming feature film WHITE CROW, be sure to follow us on social media using the links below:

http://www.instagram.com/whitecrowmovie

http://www.twitter.com/whitecrowmovie

http://www.facebook.com/whitecrowmovie

And for more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/writing-a-micro-budget-feature-film-concept-from-scratch-2de8d47159c1400adf7ae4920cfd47e6Thu, 13 Sep 2018 18:12:16 +0000Noam KrollBefore a film is even written, its success can be determined by the strength of the concept alone. Without a great concept, it can be extremely difficult to attract talent, producers, or investors to your project, and just as hard to market and sell...
In today's episode, I outline my entire concept development process from start to finish, using my upcoming feature film WHITE CROW as a case study. Topics covered include: Picking the right idea, development tactics, using the logline as DNA for the screenplay, iterating & revising the core concept, and much more.

To follow along with my upcoming feature film WHITE CROW, be sure to follow us on social media using the links below:

http://www.instagram.com/whitecrowmovie

http://www.twitter.com/whitecrowmovie

http://www.facebook.com/whitecrowmovie

And for more content like this visit www.noamkroll.com

 ]]>1776truefullhttps://www.spreaker.com/episode/how-to-market-your-independent-feature-film-with-marketing-guru-filmmaker-kyle-prohaska--49019950
Kyle and his company (Prohaska Studios) have successfully marketed countless feature films including: Asperger’s Are Us, Drive Play Sleep, Standing Firm, and Love Covers All, just to name a few. Over the course of this interview, Kyle shares his expertise on the art of marketing, outlining exactly what DIY filmmakers today need to know in order to successfully sell and market their films online.

Links from the show:

Prohaska Studios - www.prohaskastudios.com

Kyle on Twitter - https://twitter.com/kyleprohaska?lang=en

Kyle on Facebook - https://www.facebook.com/kyleprohaska

Kyle on IMDB - https://www.imdb.com/name/nm2700024/

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/how-to-market-your-independent-feature-film-with-marketing-guru-filmmaker-kyle-prohaska-d8db76d8f85c509629d20a513718298fThu, 30 Aug 2018 18:34:37 +0000Noam KrollIn 2018, the art of marketing a feature film is just as critical for independent filmmakers to know as the craft itself. No one knows this better than today’s guest, Kyle Prohaska, who is not only an incredible DIY filmmaker in his own right, but also...
Kyle and his company (Prohaska Studios) have successfully marketed countless feature films including: Asperger’s Are Us, Drive Play Sleep, Standing Firm, and Love Covers All, just to name a few. Over the course of this interview, Kyle shares his expertise on the art of marketing, outlining exactly what DIY filmmakers today need to know in order to successfully sell and market their films online.

Links from the show:

Prohaska Studios - www.prohaskastudios.com

Kyle on Twitter - https://twitter.com/kyleprohaska?lang=en

Kyle on Facebook - https://www.facebook.com/kyleprohaska

Kyle on IMDB - https://www.imdb.com/name/nm2700024/

For more content like this visit www.noamkroll.com]]>3906truefullhttps://www.spreaker.com/episode/self-distribution-diy-marketing-and-making-a-profit-with-your-indie-film--49019995
During the interview, Jason outlines exactly what it takes to turn a profit with an indepdent film while working with an aggregator like Distribber. Using case studies and real world examples, Jason outlines a bulletproof method for setting sales targets for any indie film, and reaching those targets through purposeful marketing. Topics covered include: the importance of using a "windowed" release strategy, the differences between popular TVOD, SVOD, & AVOD platforms, how to use grassroots marketing to drive your film up the charts, what Netflix is looking for when licensing independent content, and much more.

You can learn more about distribber at their website here: www.distribber.com

And for more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/self-distribution-diy-marking-and-making-a-profit-with-your-indie-film-9430fa04c7f7b9cc83151ccc96da2e2aThu, 16 Aug 2018 21:26:08 +0000Noam KrollFor this week's interview, Jason Brubaker of Distribber joins me to share his wealth of knowledge on all things marketing & distribution. Distribber is one of the largest and most prominent aggregators for independent films out there, giving...
During the interview, Jason outlines exactly what it takes to turn a profit with an indepdent film while working with an aggregator like Distribber. Using case studies and real world examples, Jason outlines a bulletproof method for setting sales targets for any indie film, and reaching those targets through purposeful marketing. Topics covered include: the importance of using a "windowed" release strategy, the differences between popular TVOD, SVOD, & AVOD platforms, how to use grassroots marketing to drive your film up the charts, what Netflix is looking for when licensing independent content, and much more.

You can learn more about distribber at their website here: www.distribber.com

And for more content like this visit www.noamkroll.com]]>4371truefullhttps://www.spreaker.com/episode/winning-sundance-sxsw-with-thunder-road-director-jim-cummings--49019974
Over the course of this hour long interview, Jim shares his creative process at length, touching on every key aspect - development, screenwriting, directing, performance, editorial, and even self-distribution. He also speaks passionatley about his biggest advice for filmmakers - just getting out there and making a movie - and the importance of building a sustainable career in today’s indie film landscape.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/winning-sundance-sxsw-with-thunder-road-director-jim-cummings-0c7643d21ae0c0120dbb6dce4f4265e1Thu, 09 Aug 2018 17:03:34 +0000Noam KrollThis week, Jim Cummings - Director of THUNDER ROAD - joins me on the show to demystify the process behind his massive success in filmmaking over the past few years. Jim won Sundance in 2016 with his short version of Thunder Road,and went on to win...
Over the course of this hour long interview, Jim shares his creative process at length, touching on every key aspect - development, screenwriting, directing, performance, editorial, and even self-distribution. He also speaks passionatley about his biggest advice for filmmakers - just getting out there and making a movie - and the importance of building a sustainable career in today’s indie film landscape.

For more content like this visit www.noamkroll.com]]>4093truefullhttps://www.spreaker.com/episode/securing-theatrical-distribution-for-a-feature-documentary-with-don-hardy--49022692
Don and his co-director (Dana Nachman) have an incredible track record of finding success with their feature docs, beginning with their film “Witch Hunt” in 2008 - A complete DIY project that was able to secure Sean Penn as a narrator, and premiere at the prestigious Toronto International Film Festival.

Over the course of the interview, Don outlines his approach to the art and business of documentary filmmaking, detailing his process for taking an idea from concept to completion, and securing theatrical distribution along the way.

 

Links from the show:

Don’s production company - http://ktffilms.com

Don on Twitter - https://twitter.com/IamDonHardy

Don on Facebook - https://www.facebook.com/don.hardy1

Pick of the litter trailer - https://www.youtube.com/watch?v=oW7GVR2c80k

 

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/podcast-securing-theatrical-distribution-for-a-feature-documentary-with-don-hardy-bf2c82b4f50083dc182ab6bff035bd2aThu, 02 Aug 2018 18:42:21 +0000Noam KrollIn this week’s episode, I interview Don Hardy - an extremely accomplished documentary filmmaker whose most recent feature film, Pick Of The Litter, is being released theatrically by IFC films later this month. Don and his co-director (Dana Nachman)...
Don and his co-director (Dana Nachman) have an incredible track record of finding success with their feature docs, beginning with their film “Witch Hunt” in 2008 - A complete DIY project that was able to secure Sean Penn as a narrator, and premiere at the prestigious Toronto International Film Festival.

Over the course of the interview, Don outlines his approach to the art and business of documentary filmmaking, detailing his process for taking an idea from concept to completion, and securing theatrical distribution along the way.

 

Links from the show:

Don’s production company - http://ktffilms.com

Don on Twitter - https://twitter.com/IamDonHardy

Don on Facebook - https://www.facebook.com/don.hardy1

Pick of the litter trailer - https://www.youtube.com/watch?v=oW7GVR2c80k

 

For more content like this visit www.noamkroll.com]]>4829truefullhttps://www.spreaker.com/episode/how-to-build-an-online-or-offline-community-that-supports-your-creative-work--49020071
While building a sustainable community around your passion, interests, and abilities has never been easier, it is still no easy feat. It takes a tremendous amount of time, dedication, and sweat equity, but those who are willing to put in the legwork are rewarded massively over the course of their careers. In this episode, we discuss the fundamental building blocks of any strong creative community, and how you can build one of your own that is based around your unique skills and abilities.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/how-to-build-an-online-or-offline-community-that-supports-your-creative-work-538bf9fa4d2fa4cc0c630ff4dca4e0a7Fri, 27 Jul 2018 00:04:36 +0000Noam KrollOne of the most essential ingredients for success in today’s filmmaking landscape, is the ability to build an online community that is supportive of your work. Many of the most successful filmmakers, artists, and other creative entrepreneurs have been...
While building a sustainable community around your passion, interests, and abilities has never been easier, it is still no easy feat. It takes a tremendous amount of time, dedication, and sweat equity, but those who are willing to put in the legwork are rewarded massively over the course of their careers. In this episode, we discuss the fundamental building blocks of any strong creative community, and how you can build one of your own that is based around your unique skills and abilities.

For more content like this visit www.noamkroll.com]]>1916truefullhttps://www.spreaker.com/episode/what-really-happens-when-you-get-your-feature-into-a-festival--49019956
Topics covered include: Deliverables, DCPs, Press Kits, Publicity/PR, Festival screenings, Distribution, and much more.

For more content like this visit www.noamkroll.com ]]>showdonttell.podbean.com/what-really-happens-when-you-get-your-feature-into-a-festival-eb09210bff82d752e16dad588f84e449Thu, 19 Jul 2018 12:00:00 +0000Noam KrollLast month my feature film - Shadows On The Road premiered at Dances With Films here in Los Angeles. Using my festival experience as a case study, in this episode I detail exactly what to expect after you get your acceptance letter. Topics covered...
Topics covered include: Deliverables, DCPs, Press Kits, Publicity/PR, Festival screenings, Distribution, and much more.

For more content like this visit www.noamkroll.com ]]>2018truefullhttps://www.spreaker.com/episode/5-ways-to-survive-life-as-a-filmmaker-build-a-sustainable-career--49019891
In order to succeed in film, it's clear you need to play the long game. It can take years to develop the right skills, cultivate mutually beneficial relationships, and build a body of work that can ultimately serve as the foundation for a successful career. And with that, this episode focuses on 5 of the most crucial factors that all filmmakers need to take into account in order to beat the odds, and stay afloat in what can be a grueling industry.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/5-ways-to-survive-life-as-a-filmmaker-build-a-sustainable-career-03e78c9515bcea9290cc722f065a2677Thu, 12 Jul 2018 17:06:04 +0000Noam KrollFilmmaking is one of the toughest businesses to work in, as there is no clear path to success and a tremendous amount of competition. The amount of turnover in the industry is staggering, and many aspiring filmmakers only make one or two films before...
In order to succeed in film, it's clear you need to play the long game. It can take years to develop the right skills, cultivate mutually beneficial relationships, and build a body of work that can ultimately serve as the foundation for a successful career. And with that, this episode focuses on 5 of the most crucial factors that all filmmakers need to take into account in order to beat the odds, and stay afloat in what can be a grueling industry.

For more content like this visit www.noamkroll.com]]>1610truefullhttps://www.spreaker.com/episode/the-business-of-freelancing-with-acclaimed-director-cole-walliser--49019965
Over the course of the interview, Cole shares his unique journey as a filmmaker, outlining each step he took to develop his passion for filmmaking into a thriving and sustainable career. Topics covered include: how to get started as a director, whether or not owning gear is essential, how to know when to take unpaid work, landing large clients, working with the DGA, the importance of social media, and much more.

To check out more of Cole’s work, use the links below:

www.colewalliser.com

www.instagram.com/colewalliser

www.youtube.com/ColeWalliser

www.twitter.com/colione

And for more content like this visit www.noamkroll.com ]]>showdonttell.podbean.com/the-business-of-freelancing-with-acclaimed-director-cole-walliser-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 24 May 2018 18:44:53 +0000Noam KrollAs a filmmaker, understanding how to find work, land bigger and better projects, and actually make a living while freelancing is as important (if not more) than learning the craft itself. No one knows that better than today’s guest - Cole Walliser -...
Over the course of the interview, Cole shares his unique journey as a filmmaker, outlining each step he took to develop his passion for filmmaking into a thriving and sustainable career. Topics covered include: how to get started as a director, whether or not owning gear is essential, how to know when to take unpaid work, landing large clients, working with the DGA, the importance of social media, and much more.

To check out more of Cole’s work, use the links below:

www.colewalliser.com

www.instagram.com/colewalliser

www.youtube.com/ColeWalliser

www.twitter.com/colione

And for more content like this visit www.noamkroll.com ]]>4233truefullhttps://www.spreaker.com/episode/getting-your-indie-film-programmed-at-festivals-with-karolyne-sosa--49020021
In today’s episode, Karolyne Sosa, Programming Director for DTLAFF, sheds light on the programming process - sharing inside info from behind the scenes, outlining exactly what goes into creating a festival slate. Topics discussed include: programming blind submissions vs. curated films, optimizing communication with festivals, what the programming process entails, how to pre-market your work, what happens after getting programmed, and much more.

To submit your film for free to DTLAFF, be one of the first 10 listeners to e-mail: info@DTLAFF.com with the subject: DTLAFF & Noam Kroll

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/getting-your-indie-film-programmed-at-festivals-with-karolyne-sosa-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 17 May 2018 20:54:45 +0000Noam KrollThe film festival submission process can be extremely daunting for filmmakers, especially those that have no experience on the festival circuit. Many filmmakers neglect to understand what festivals are truly looking for with their submissions, and...
In today’s episode, Karolyne Sosa, Programming Director for DTLAFF, sheds light on the programming process - sharing inside info from behind the scenes, outlining exactly what goes into creating a festival slate. Topics discussed include: programming blind submissions vs. curated films, optimizing communication with festivals, what the programming process entails, how to pre-market your work, what happens after getting programmed, and much more.

To submit your film for free to DTLAFF, be one of the first 10 listeners to e-mail: info@DTLAFF.com with the subject: DTLAFF & Noam Kroll

For more content like this visit www.noamkroll.com]]>2724truefullhttps://www.spreaker.com/episode/5-options-for-financing-your-independent-feature-film--49019993
In today’s episode, we break down the basics of each of the major financing options indie filmmakers have at their disposal. Topics covered include: crowdfunding, private equity, foreign pre-sales, distributor financing, and more. We also discuss how to identify which financing model is most relevant for any given film, based on the goals and objectives of the filmmakers behind the project.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/5-options-for-financing-your-independent-feature-film-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 10 May 2018 20:41:05 +0000Noam KrollMicro-budget filmmakers are often far more focused on the creative aspects of their projects than the business side. This can pose challenges for those aiming to raise a substantial budget for their films, as many don’t know where to start, or simply...
In today’s episode, we break down the basics of each of the major financing options indie filmmakers have at their disposal. Topics covered include: crowdfunding, private equity, foreign pre-sales, distributor financing, and more. We also discuss how to identify which financing model is most relevant for any given film, based on the goals and objectives of the filmmakers behind the project.

For more content like this visit www.noamkroll.com]]>1954truefullhttps://www.spreaker.com/episode/editing-the-perfect-trailer-for-your-independent-feature-film--49019960
Trailer editing really is its own art form. Large scale feature films are almost always sent to dedicated trailer houses/trailer editors who specialize in this area, as cutting an effective promo piece takes an entirely different set of skills. Independent and micro-budget films don't have this luxury, so lower budget directors/editors must develop a new skill set if they want to deliver an effective trailer that truly does their film justice.

In this episode, we explore several key considerations on this topic - from the importance of priotizing the audio bed, to avoiding the temptation of telling the whole story in just 2 minutes, and much more.

For more content like this, or to check out the trailer for SHADOWS ON THE ROAD visit www.noamkroll.com]]>showdonttell.podbean.com/editing-the-perfect-trailer-for-your-independent-feature-film-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 26 Apr 2018 22:26:59 +0000Noam KrollMany filmmakers end up editing their own feature films, as low budget projects typically call for everyone on board (including the director) to wear many hats. These same filmmakers are also usually left with the responsibility of cutting their own...
Trailer editing really is its own art form. Large scale feature films are almost always sent to dedicated trailer houses/trailer editors who specialize in this area, as cutting an effective promo piece takes an entirely different set of skills. Independent and micro-budget films don't have this luxury, so lower budget directors/editors must develop a new skill set if they want to deliver an effective trailer that truly does their film justice.

In this episode, we explore several key considerations on this topic - from the importance of priotizing the audio bed, to avoiding the temptation of telling the whole story in just 2 minutes, and much more.

For more content like this, or to check out the trailer for SHADOWS ON THE ROAD visit www.noamkroll.com]]>1682truefullhttps://www.spreaker.com/episode/the-biggest-cinema-camera-news-highlights-from-nab-2018--49019906
We also discuss the merits of NAB, who the conference is really for, how to get the most out of it, and whether it’s worth attending for filmmakers that have never been. All this and much more on today’s show!

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/the-biggest-cinema-camera-news-highlights-from-nab-2018-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 12 Apr 2018 18:39:09 +0000Noam KrollAs expected, NAB 2018 brought us some of the most exciting camera and gear announcements of the year so far, and there is a whole lot to unpack. While Blackmagic once again stole the show with their Pocket Cinema Camera 4K, many other cameras - such...
We also discuss the merits of NAB, who the conference is really for, how to get the most out of it, and whether it’s worth attending for filmmakers that have never been. All this and much more on today’s show!

For more content like this visit www.noamkroll.com]]>2538truefullhttps://www.spreaker.com/episode/from-conception-to-distribution-on-hulu-an-interview-with-alex-ferrari-of-indie-film-hustle--49020006
Over the course of the interview, Alex uses his film Meg as a case study, outlining the exact steps he took to get the film made, premiere at Cinequest, and eventually license the film to Hulu. Topics covered include: Working from a scriptment, casting known actors, handling post-production on your own, navigating the festival circuit, finding distribution on major VOD platforms, and much more.

Links from the show:

Bulletproof Screenplay Podcast: https://indiefilmhustle.com/bulletproof-screenplay-podcast/ 
Bulletproof Script Coverage: http://www.covermyscreenplay.com 
 
Indie Film Huslte: https://indiefilmhustle.com 
IFH Podcast: IFH Podcast
 
On the Corner of Ego and Desire: http://www.egoanddesirefilm.com
 
And for more content like this, visit http://www.noamkroll.com]]>showdonttell.podbean.com/from-conception-to-distribution-on-hulu-an-interview-with-alex-ferrari-of-indie-film-hustle-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 05 Apr 2018 22:57:03 +0000Noam KrollOn today's show we are joined by none other than Alex Ferrari, a micro-budget filmmaker and true hustler - known widely for his popular filmmaking podcast Indie Film Hustle. After 20 years in the film business, Alex turned to micro-budget filmmaking...
Over the course of the interview, Alex uses his film Meg as a case study, outlining the exact steps he took to get the film made, premiere at Cinequest, and eventually license the film to Hulu. Topics covered include: Working from a scriptment, casting known actors, handling post-production on your own, navigating the festival circuit, finding distribution on major VOD platforms, and much more.

Links from the show:

Bulletproof Screenplay Podcast: https://indiefilmhustle.com/bulletproof-screenplay-podcast/ 
Bulletproof Script Coverage: http://www.covermyscreenplay.com 
 
Indie Film Huslte: https://indiefilmhustle.com 
IFH Podcast: IFH Podcast
 
On the Corner of Ego and Desire: http://www.egoanddesirefilm.com
 
And for more content like this, visit http://www.noamkroll.com]]>4427truefullhttps://www.spreaker.com/episode/how-the-fear-of-failure-stops-filmmakers-from-ever-getting-a-feature-off-the-ground--49019959
Why is this the case, though? Why do so many filmmakers create obstacles for themselves, or believe that making a feature film is an impossible feat, when it is easier now than ever before? The reason is simple: They are afraid to fail. Whether they realize it or not, the excuses they are making for themselves are all rooted in a fear of failure, and that's what today's episode is all about. We look at some of the ways fear of failure can manifest during the creative process, the detriment it can have on any film project, and how to avoid it entirely so that we can all focus on the one thing that really matters - making the best work possible.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/how-the-fear-of-failure-stops-filmmakers-from-ever-getting-a-feature-off-the-ground-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 29 Mar 2018 21:45:31 +0000Noam KrollMost filmmakers have a laundry list of excuses for why they're not making their film - They don’t have enough money, can’t find good actors, or don’t have access to the right camera package. But more often than not, these excuses are self-imposed, and...
Why is this the case, though? Why do so many filmmakers create obstacles for themselves, or believe that making a feature film is an impossible feat, when it is easier now than ever before? The reason is simple: They are afraid to fail. Whether they realize it or not, the excuses they are making for themselves are all rooted in a fear of failure, and that's what today's episode is all about. We look at some of the ways fear of failure can manifest during the creative process, the detriment it can have on any film project, and how to avoid it entirely so that we can all focus on the one thing that really matters - making the best work possible.

For more content like this visit www.noamkroll.com]]>1756truefullhttps://www.spreaker.com/episode/making-a-7000-feature-film-in-14-days-with-robert-rodriguez-as-a-mentor--49019962
Over the course of the interview, Jamie and Alejandro not only speak to what they learned from Robert Rodriguez as acted as a mentor for this film, but also share their words of wisdom on micro-budget filmmaking from a high-level. Topics covered include: Navigating a career as an indie filmmaker, the importance of self-generated content, working in a market outside of NY or LA, tips and techniques for working as a one person crew, and much more.

Links from the show:

http://www.go90.com

http://www.elreynetwork.com

http://www.alejandromontoyamarin.com

http://www.jamiehjung.com

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/making-a-7000-feature-film-in-14-days-with-robert-rodriguez-as-a-mentor-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 15 Mar 2018 20:05:06 +0000Noam KrollBack in episode 35, Jamie Jung was on the show to discuss his experience acting in a $7000 feature film, funded by Robert Rodriguez for his “Rebel Without A Crew” series. Today, Jamie is back on this show with his director Alejandro Montoya Marin who,...
Over the course of the interview, Jamie and Alejandro not only speak to what they learned from Robert Rodriguez as acted as a mentor for this film, but also share their words of wisdom on micro-budget filmmaking from a high-level. Topics covered include: Navigating a career as an indie filmmaker, the importance of self-generated content, working in a market outside of NY or LA, tips and techniques for working as a one person crew, and much more.

Links from the show:

http://www.go90.com

http://www.elreynetwork.com

http://www.alejandromontoyamarin.com

http://www.jamiehjung.com

For more content like this visit www.noamkroll.com]]>3805truefullhttps://www.spreaker.com/episode/when-a-2-person-crew-is-the-best-choice-for-a-micro-budget-feature--49019966
While many filmmakers and first time directors aim to work with larger crews that offer a more “traditional” setup for a feature film, there’s an argument to be made that less is more - especially on no-budget or ultra-low budget productions. In today’s episode, we explore this at length by outlining the benefits and realities of working with a 2 person crew, and comparing it to a more standardized 15 - 25 person crew commonly found on other indie productions. We look at how a smaller crew allows for more effective guerilla shooting, a more rapid pace on set, and potentially greater creative results. All this and much more on today’s episode.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/when-a-2-person-crew-is-the-best-choice-for-a-micro-budget-feature-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 08 Mar 2018 20:16:19 +0000Noam KrollArguably the most important element to get right when producing any micro-budget film is crew size. When crew size gets out of hand, production is bound to lose efficiency and momentum, which equates to the film's limited budget getting burned through...
While many filmmakers and first time directors aim to work with larger crews that offer a more “traditional” setup for a feature film, there’s an argument to be made that less is more - especially on no-budget or ultra-low budget productions. In today’s episode, we explore this at length by outlining the benefits and realities of working with a 2 person crew, and comparing it to a more standardized 15 - 25 person crew commonly found on other indie productions. We look at how a smaller crew allows for more effective guerilla shooting, a more rapid pace on set, and potentially greater creative results. All this and much more on today’s episode.

For more content like this visit www.noamkroll.com]]>1744truefullhttps://www.spreaker.com/episode/finding-perfect-film-locations-with-wrapal-co-founder-brian-l-tan--49019877
In this episode, Brian shares his words of wisdom on the location process, explaining how to save money when working with location owners, how to effectively scout locations for a guerrilla style shoot, and the most critical elements to consider when booking any location. Pulling from his experiences as a self made filmmaker, Brian also shares loads of invaluable tactical advice for up and coming directors, speaking to the importance of building a solid team of collaborators, getting your work noticed online, and much more.

Links from the episode:

www.wrapal.com

www.blttavo.com

www.instagram.com/blttavo

www.twitter.com/blttavo

www.facebook.com/bltan

www.youtube.com/user/blttavo/videos

www.vimeo.com/iconicfilm

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/finding-perfect-film-locations-with-wrapal-co-founder-brian-l-tan-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 01 Mar 2018 19:19:47 +0000Noam KrollIt’s been said that locations can play as great a role in a film as any character, and no one understands that more than today’s guest. Brian L. Tan is an action filmmaker and entrepreneur who worked at Dreamworks, Paramount, and Digital Domain,...
In this episode, Brian shares his words of wisdom on the location process, explaining how to save money when working with location owners, how to effectively scout locations for a guerrilla style shoot, and the most critical elements to consider when booking any location. Pulling from his experiences as a self made filmmaker, Brian also shares loads of invaluable tactical advice for up and coming directors, speaking to the importance of building a solid team of collaborators, getting your work noticed online, and much more.

Links from the episode:

www.wrapal.com

www.blttavo.com

www.instagram.com/blttavo

www.twitter.com/blttavo

www.facebook.com/bltan

www.youtube.com/user/blttavo/videos

www.vimeo.com/iconicfilm

For more content like this visit www.noamkroll.com]]>4475truefullhttps://www.spreaker.com/episode/the-art-and-business-of-screenwriting-with-craig-walendziak--49020076
 

Craig is a punk rocker turned screenwriter by way of Harvard University, and not only has a fascinating story himself, but also possesses a unique understanding of both the art and business of writing movies. Over the course of this hour long interview, Craig goes into detail on the writing process - outlining he generates ideas, works out treatments, and works on 3 month schedules to get his screenplays to the finish line. He also speaks to some of the major issues that many screenplays (including micro-budget scripts) suffer from, and offers solutions for remedying them. And finally, Craig also touches on the realities of working in the business, getting an agent, and succeeding as a full time writer. This epsiode is required listening for all filmmakers!

 

Links from the episode:

https://twitter.com/Craig_Mack

http://www.imdb.com/name/nm6091305/?ref_=tt_ov_wr

 

For more content like this visit www.noamkroll.com ]]>showdonttell.podbean.com/the-art-and-business-of-screenwriting-with-craig-walendziak-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 22 Feb 2018 19:24:46 +0000Noam KrollIt goes without saying that a great screenplay is the backbone of any successful film, but this sentiment is doubly true of micro-budget productions. Without spectacles, name actors, expensive visual effects, or other bells and whistles, micro-budget...
 

Craig is a punk rocker turned screenwriter by way of Harvard University, and not only has a fascinating story himself, but also possesses a unique understanding of both the art and business of writing movies. Over the course of this hour long interview, Craig goes into detail on the writing process - outlining he generates ideas, works out treatments, and works on 3 month schedules to get his screenplays to the finish line. He also speaks to some of the major issues that many screenplays (including micro-budget scripts) suffer from, and offers solutions for remedying them. And finally, Craig also touches on the realities of working in the business, getting an agent, and succeeding as a full time writer. This epsiode is required listening for all filmmakers!

 

Links from the episode:

https://twitter.com/Craig_Mack

http://www.imdb.com/name/nm6091305/?ref_=tt_ov_wr

 

For more content like this visit www.noamkroll.com ]]>4453truefullhttps://www.spreaker.com/episode/how-to-make-the-transition-to-full-time-filmmaking--49020022
Over the course of this episode, we explore some actionable ways in which filmmakers can solve this issue and ultimately make the transition to doing what they love full time. There is no magic formula that anyone can follow that will guarantee success, so the purpose of this episode isn’t to leave listeners with a one size fits all solution. Rather, this episode aims to teach filmmakers how to effectively goal set, prioritize creative time, and commit to mastering the craft of filmmaking that will pay dividends for years to come.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/how-to-make-the-transition-to-full-time-filmmaking-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 01 Feb 2018 22:10:01 +0000Noam KrollOne of the most frequent questions I am asked by up and coming filmmakers is - “How can I make the transition to being a full time filmmaker?” Really what they are asking is how to make a living off of filmmaking, so they can focus on their artistic...
Over the course of this episode, we explore some actionable ways in which filmmakers can solve this issue and ultimately make the transition to doing what they love full time. There is no magic formula that anyone can follow that will guarantee success, so the purpose of this episode isn’t to leave listeners with a one size fits all solution. Rather, this episode aims to teach filmmakers how to effectively goal set, prioritize creative time, and commit to mastering the craft of filmmaking that will pay dividends for years to come.

For more content like this visit www.noamkroll.com]]>1720truefullhttps://www.spreaker.com/episode/building-the-perfect-score-for-a-micro-budget-feature-with-matthew-lyall--49019963
That's where Matthew Lyall and his music platform Ritual Music come in. As both a musician himself and the co-founder of an innovative and high quality music platform for indie filmmakers, Matt has a truly unique perspective on the scoring process. During the course of his interview, he unpacks some of the challenges the micro-budget filmmakers face while building out a score for their work, and outlines his recommended path for achieving the best possible final product, regardless of budget. Topics discussed include: Common mistakes directors make during the scoring process, avoiding low production value music, what to look for technically and artistically when working with a composer or a sound library, the importance of music as it relates to theme, and lots more.

Learn more about Ritual Music using these links:

www.ritualmusic.com

twitter.com/thisisritual

facebook.com/thisisritual

And for more content like this be sure to visit www.noamkroll.com]]>showdonttell.podbean.com/building-the-perfect-score-for-a-micro-budget-feature-with-matthew-lyall-24b00f90dd1700f333f1ee8f1a4eedd1Fri, 26 Jan 2018 18:59:32 +0000Noam KrollIn recent years production value in micro-budget films has skyrocketed thanks to more affordable cinema cameras and post-production tools. Even still, one of the remaining issues that still plagues indie filmmakers with regards to production value is...
That's where Matthew Lyall and his music platform Ritual Music come in. As both a musician himself and the co-founder of an innovative and high quality music platform for indie filmmakers, Matt has a truly unique perspective on the scoring process. During the course of his interview, he unpacks some of the challenges the micro-budget filmmakers face while building out a score for their work, and outlines his recommended path for achieving the best possible final product, regardless of budget. Topics discussed include: Common mistakes directors make during the scoring process, avoiding low production value music, what to look for technically and artistically when working with a composer or a sound library, the importance of music as it relates to theme, and lots more.

Learn more about Ritual Music using these links:

www.ritualmusic.com

twitter.com/thisisritual

facebook.com/thisisritual

And for more content like this be sure to visit www.noamkroll.com]]>4401truefullhttps://www.spreaker.com/episode/color-correction-maximizing-the-power-of-luts-on-set-in-post--49019880
In this episode, Noam discusses best practices for using LUTs at every stage of the filmmaking process. Topics include: integrating LUTs into your pre-prouduction workflow, monitoring with LUTs on set, audition looks for clients in post, and the best order of operations for applying LUTs during the grading process.

To learn more about Noam's Cinematic LUTs, be sure to visit: www.noamkroll.com/luts

 ]]>showdonttell.podbean.com/color-correction-maximizing-the-power-of-luts-on-set-in-post-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 18 Jan 2018 20:00:26 +0000Noam KrollOver the past few years, color correction tools have become extremely accessible, and more filmmakers than ever are now color grading their own footage - often using LUTs, or Look Up Tables. While LUTs can offer filmmakers an incredible way to improve...
In this episode, Noam discusses best practices for using LUTs at every stage of the filmmaking process. Topics include: integrating LUTs into your pre-prouduction workflow, monitoring with LUTs on set, audition looks for clients in post, and the best order of operations for applying LUTs during the grading process.

To learn more about Noam's Cinematic LUTs, be sure to visit: www.noamkroll.com/luts

 ]]>2622truefullhttps://www.spreaker.com/episode/working-on-a-robert-rodriguez-produced-feature-film-with-jamie-jung--49019914
On today’s show, Noam interviews Jamie Jung - one of the talented actors that was fortunate to take part in the Rebel Without a Crew series. Over the course of the episode, Jamie goes into detail on some of the biggest lessons learned while making this film, some incredible tips from behind the scenes, what it was like to work on a project spearheaded by Rodriguez himself, and much more.

You can visit Jamie’s site here: www.jamiehjung.com

And for more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/working-on-a-robert-rodriguez-produced-feature-film-with-jamie-jung-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 04 Jan 2018 07:12:23 +0000Noam KrollRobert Rodriguez, the single biggest pioneer of micro-budget filmmaking, recently launched a new filmmaking initiative called Rebel Without a Crew. His goal was to give 5 filmmakers each a budget of $7000 and some guidance so they could each write and...
On today’s show, Noam interviews Jamie Jung - one of the talented actors that was fortunate to take part in the Rebel Without a Crew series. Over the course of the episode, Jamie goes into detail on some of the biggest lessons learned while making this film, some incredible tips from behind the scenes, what it was like to work on a project spearheaded by Rodriguez himself, and much more.

You can visit Jamie’s site here: www.jamiehjung.com

And for more content like this visit www.noamkroll.com

 ]]>3644truefullhttps://www.spreaker.com/episode/5-ways-to-incease-your-odds-of-being-accepted-into-any-film-festival--49019886
In this episode, Noam shares his opinions on film festivals from a top-level, explaining how filmmakers can leverage festivals to help them create the best and most marketable work possible, whether they are accepted or not. He also shares 5 crucial tips that any filmmaker at virtually any career stage can benefit from as they attempt to navigate the daunting world of film festivals.

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/5-ways-to-incease-your-odds-of-being-accepted-into-any-film-festival-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 21 Dec 2017 19:59:44 +0000Noam KrollEvery filmmaker dreams of screening their work at Sundance or Cannes, but only a select few will ever have the fortune of receiving a coveted acceptance letter from a notable festival. And while there is no denying that it is only getting harder and...
In this episode, Noam shares his opinions on film festivals from a top-level, explaining how filmmakers can leverage festivals to help them create the best and most marketable work possible, whether they are accepted or not. He also shares 5 crucial tips that any filmmaker at virtually any career stage can benefit from as they attempt to navigate the daunting world of film festivals.

For more content like this visit www.noamkroll.com

 ]]>2063truefullhttps://www.spreaker.com/episode/maximizing-creative-results-profits-by-applying-the-80-20-principle-to-filmmaking--49019887
Many filmmakers feel that they don't have enough time to get their projects off the ground, or that they aren't seeing the career results they would expect given the amount of effort they put into their work... That's where the 80/20 principle comes in. It's all about identifying the ways in which we can trim the fat to ensure we aren't wasting our time on the wrong things, and that we are doubling down on our efforts that objectively give us the best return on our investment of time.

In this episode Noam pulls from his own personal experience, discussing how the 80/20 principle can apply to so many facets of filmmaking - from running your own production business, to optimizing results while writing, producing, or editing, and much more.

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/maximizing-creative-results-profits-by-applying-the-8020-principle-to-filmmaking-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 14 Dec 2017 21:26:36 +0000Noam KrollProductivity expert Tim Ferris often talks about the 80/20 principle, which states that 80% of our results can be attributed to just 20% of our efforts. While this principle can be applied to virtually anything - from business decisions to our...
Many filmmakers feel that they don't have enough time to get their projects off the ground, or that they aren't seeing the career results they would expect given the amount of effort they put into their work... That's where the 80/20 principle comes in. It's all about identifying the ways in which we can trim the fat to ensure we aren't wasting our time on the wrong things, and that we are doubling down on our efforts that objectively give us the best return on our investment of time.

In this episode Noam pulls from his own personal experience, discussing how the 80/20 principle can apply to so many facets of filmmaking - from running your own production business, to optimizing results while writing, producing, or editing, and much more.

For more content like this visit www.noamkroll.com

 ]]>2362truefullhttps://www.spreaker.com/episode/how-a-2-person-crew-made-a-feature-film-for-11-000--49020028
In the true spirit of micro-budget filmmaking, Rebecca not only wrote and directed the feature, but also starred in it. Throughout the interview, she discusses how she was able to juggle so many different roles without sacrificing her vision, and what she ultimately learned from the process as a whole. She also shares her experience with film festivals, outlining how she was able to successfully get her feature - June Falling Down - accepted into 15 different festivals, picking up several awards along the way.

Links from the episode can be found below:

junefallingdown.com

twitter.com/junefallingdown

twitter.com/beccarooweaver

instagram.com/junefallingdown

instagram.com/beccarooweaver

And be sure to visit noamkroll.com for more content like this!

 ]]>showdonttell.podbean.com/how-a-2-person-crew-made-a-feature-film-for-11000-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 30 Nov 2017 23:56:23 +0000Noam KrollIt’s always so inspiring to hear about filmmakers that are truly able to make something from nothing, and that’s very much the case with our guest today - Rebecca Weaver. With a production budget of only $11,000 and a crew of only 2 (Rebecca and her...
In the true spirit of micro-budget filmmaking, Rebecca not only wrote and directed the feature, but also starred in it. Throughout the interview, she discusses how she was able to juggle so many different roles without sacrificing her vision, and what she ultimately learned from the process as a whole. She also shares her experience with film festivals, outlining how she was able to successfully get her feature - June Falling Down - accepted into 15 different festivals, picking up several awards along the way.

Links from the episode can be found below:

junefallingdown.com

twitter.com/junefallingdown

twitter.com/beccarooweaver

instagram.com/junefallingdown

instagram.com/beccarooweaver

And be sure to visit noamkroll.com for more content like this!

 ]]>4114truefullhttps://www.spreaker.com/episode/how-a-first-time-filmmaker-made-an-8000-feature-in-13-days--49020030
With no experience directing narrative content in the past, Joe Badon was able to pull the trigger on his first feature - The God Inside My Ear - by thinking outside of the box and surrounding himself with a team of talented filmmakers and artists. One of these artists was Linnea Gregg, who brought her expertise as a theater actor to the table, ultimately helping production reach the finish line in record time.

Over the course of this interview, Joe and Linnea outline what it takes to pull off film without sacrificing quality, why shooting in a studio environment is a great option no matter what your budget may be, and the crucial importance of surrounding yourself with the right team.

Links from the show:

www.thegodinsidemyear.com

www.joebaddon.blogspot.com

www.instagram.com/linneagregg

And for more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/how-a-first-time-filmmaker-made-an-8000-feature-in-13-days-24b00f90dd1700f333f1ee8f1a4eedd1Fri, 17 Nov 2017 00:28:34 +0000Noam KrollHow do you make a feature film for just $8000 in 13 days? For writer/director Joe Baddon and actress Linnea Gregg, it was all about leveraging resources, maximizing creativity, and avoiding perfectionism. With no experience directing narrative...
With no experience directing narrative content in the past, Joe Badon was able to pull the trigger on his first feature - The God Inside My Ear - by thinking outside of the box and surrounding himself with a team of talented filmmakers and artists. One of these artists was Linnea Gregg, who brought her expertise as a theater actor to the table, ultimately helping production reach the finish line in record time.

Over the course of this interview, Joe and Linnea outline what it takes to pull off film without sacrificing quality, why shooting in a studio environment is a great option no matter what your budget may be, and the crucial importance of surrounding yourself with the right team.

Links from the show:

www.thegodinsidemyear.com

www.joebaddon.blogspot.com

www.instagram.com/linneagregg

And for more content like this visit www.noamkroll.com

 ]]>4856truefullhttps://www.spreaker.com/episode/creative-distribution-options-for-micro-budget-filmmakers-with-liz-manshil--49019967
On today’s episode, Noam interviews Liz Manashil, the talented filmmaker behind the micro-budget feature film Bread and Butter. Liz is also the manager of the Creative Distribution Initiative at Sundance Institute, which has given her a tremendous amount of insight on the distribution process, especially with regards to micro-budget productions. Over the course of the interview, Liz shares her wealth of knowledge on all things distribution, sheds light on her strategy with her own feature film, and outlines Sundance’s Creative Distribution Initiative - explaining how she plans to use it to champion micro budget productions.

You can learn more about Liz on her website at www.lizmanashil.com

And for more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/creative-distribution-options-for-micro-budget-filmmakers-with-liz-manshil-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 09 Nov 2017 19:55:45 +0000Noam KrollMicro-budget filmmakers often put a tremendous amount of effort into production and post, but tend to lose steam when it comes time to distribute their work. Unfortunately, this means that many great films never find an audience, and end up collecting...
On today’s episode, Noam interviews Liz Manashil, the talented filmmaker behind the micro-budget feature film Bread and Butter. Liz is also the manager of the Creative Distribution Initiative at Sundance Institute, which has given her a tremendous amount of insight on the distribution process, especially with regards to micro-budget productions. Over the course of the interview, Liz shares her wealth of knowledge on all things distribution, sheds light on her strategy with her own feature film, and outlines Sundance’s Creative Distribution Initiative - explaining how she plans to use it to champion micro budget productions.

You can learn more about Liz on her website at www.lizmanashil.com

And for more content like this visit www.noamkroll.com

 ]]>3734truefullhttps://www.spreaker.com/episode/5-tough-listener-questions-from-true-micro-budget-filmmakers--49020025
If you would like to have your question answered on a future episode, be sure to ask Noam via twitter at www.twitter.com/noamkroll

And for more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/5-tough-listener-questions-from-true-micro-budget-filmmakers-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 02 Nov 2017 19:08:46 +0000Noam KrollFor the first time on the podcast, Noam takes listener questions that were sent in via e-mail and Twitter from micro-budget filmmakers looking for advice. Topics covered includes: the creative process, career advice, working with unprepared actors,...
If you would like to have your question answered on a future episode, be sure to ask Noam via twitter at www.twitter.com/noamkroll

And for more content like this visit www.noamkroll.com]]>2093truefullhttps://www.spreaker.com/episode/why-making-movies-is-hard-with-timothy-plain-and-alrik-bursell--49019938
In today's episode, Timothy and Alrik generously share some of the most valuable lessons they have learned along the way, both as hosts of the MMIH podcast and as filmmakers in their own right. Topics covered include the state of independent/micro-budget film today, breaking in to the business, the writing process, fundraising/budget considerations and much more.

You can check out more of Timothy and Alrik's material using the links below:

http://www.makingmoviesishard.com

https://twitter.com/TimothyPlain

https://twitter.com/AlrikB

And for more content like this be sure to visit www.noamkroll.com

 ]]>showdonttell.podbean.com/why-making-movies-is-hard-with-timothy-plain-and-alrik-bursell-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 26 Oct 2017 22:14:45 +0000Noam KrollFor the past two years Timothy Plain and Alrik Bursell have interviewed countless filmmakers on their popular podcast - Making Movies Is Hard. Over the course of these interviews the filmmaking duo have benefitted from a tremendous amount of...
In today's episode, Timothy and Alrik generously share some of the most valuable lessons they have learned along the way, both as hosts of the MMIH podcast and as filmmakers in their own right. Topics covered include the state of independent/micro-budget film today, breaking in to the business, the writing process, fundraising/budget considerations and much more.

You can check out more of Timothy and Alrik's material using the links below:

http://www.makingmoviesishard.com

https://twitter.com/TimothyPlain

https://twitter.com/AlrikB

And for more content like this be sure to visit www.noamkroll.com

 ]]>4497truefullhttps://www.spreaker.com/episode/from-idea-to-finished-film-making-a-micro-budget-feature-in-6-months--49019895
In this episode, Noam outlines his optimal 6 month feature film schedule - from concept to finished product - and explains how this type of time constraint can benefit the creative process. He walks listeners through every stage, detailing how much time should be allocated to writing, pre-production, production, and post, in order to execute the strongest possible final product in as little time as possible.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/from-idea-to-finished-film-making-a-micro-budget-feature-in-6-months-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 19 Oct 2017 20:34:59 +0000Noam KrollWhile most studio level feature films take many years to produce, micro-budget films often come together far more quickly as there is less red tape involved at every stage. In fact, some filmmakers have realized their visions in as little as 6 months,...
In this episode, Noam outlines his optimal 6 month feature film schedule - from concept to finished product - and explains how this type of time constraint can benefit the creative process. He walks listeners through every stage, detailing how much time should be allocated to writing, pre-production, production, and post, in order to execute the strongest possible final product in as little time as possible.

For more content like this visit www.noamkroll.com]]>1988truefullhttps://www.spreaker.com/episode/an-interview-with-literary-manager-writing-consultant-whitney-davis--49019969
In today’s episode, Noam interviews Whitney Davis - a literary manager who started in this business as a TV writer (represented by William Morris Agency), and later moved into script consulting and management. Over the course of this interview, Whitney pulls from her diverse background as a writer, consultant, and manager to share invaluable advice on screenwriting that is universally applicable to any filmmaker looking to strengthen their work.

To learn more about Whitney, visit her website here: www.whitneydavisliterary.com

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/an-interview-with-literary-manager-writing-consultant-whitney-davis-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 12 Oct 2017 19:38:13 +0000Noam KrollMicro-budget films have increased in technical quality by leaps and bounds over the past decade, but many still fail to reach an audience as a result of underdeveloped stories and screenplays. This has ultimately become the achilles heel for so many...
In today’s episode, Noam interviews Whitney Davis - a literary manager who started in this business as a TV writer (represented by William Morris Agency), and later moved into script consulting and management. Over the course of this interview, Whitney pulls from her diverse background as a writer, consultant, and manager to share invaluable advice on screenwriting that is universally applicable to any filmmaker looking to strengthen their work.

To learn more about Whitney, visit her website here: www.whitneydavisliterary.com

For more content like this visit www.noamkroll.com]]>3401truefullhttps://www.spreaker.com/episode/3-story-structures-designed-for-true-micro-budget-films--49020031
In this episode, Noam discusses the concept of strucutre from a top level, outlining why it is especially critical for micro-budget filmmakers that need to make the most out of their limited resources. He also provides 3 individivual examplles of unique story structures that can help filmmakers without much (or any) budget to ensure that their work is as original and engaging as possible.

For more content like this visit www.noamkroll.com]]>showdonttell.podbean.com/3-story-structures-designed-for-true-micro-budget-films-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 05 Oct 2017 19:37:30 +0000Noam KrollStory structure is the backbone of just about every film, and a true mastery of stucture is critical to the success of any filmmaker. Many narrative features falter as a result of poor structure, and unfortunately this is true even of films that are...
In this episode, Noam discusses the concept of strucutre from a top level, outlining why it is especially critical for micro-budget filmmakers that need to make the most out of their limited resources. He also provides 3 individivual examplles of unique story structures that can help filmmakers without much (or any) budget to ensure that their work is as original and engaging as possible.

For more content like this visit www.noamkroll.com]]>2032truefullhttps://www.spreaker.com/episode/when-to-quit-your-day-job-and-pursue-filmmaking-full-time--49019902
Over the course of this episode, Noam dives deep into the idea of leaving a stable career to pursue filmmaking full time, and explores a number of key questions that all filmmakers should ask themselves when making the leap. These questions are intended to guide filmmakers to wholly understand what the next logical step in their career should be, and from a top level standpoint, whether or not leaving their day jobs is in fact even the right choice.

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/when-to-quit-your-day-job-and-pursue-filmmaking-full-time-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 28 Sep 2017 20:42:52 +0000Noam KrollOne of the most universal struggles for filmmakers is knowing how and when to quit working at a day job. Making indepdnent films requires a ton of time and flexibility when it comes to scheduling, and many filmmakers believe that their current...
Over the course of this episode, Noam dives deep into the idea of leaving a stable career to pursue filmmaking full time, and explores a number of key questions that all filmmakers should ask themselves when making the leap. These questions are intended to guide filmmakers to wholly understand what the next logical step in their career should be, and from a top level standpoint, whether or not leaving their day jobs is in fact even the right choice.

For more content like this visit www.noamkroll.com

 ]]>2074truefullhttps://www.spreaker.com/episode/designing-discovering-the-perfect-cinema-lens-with-ryan-avery--49019973
In this episode, Noam interviews Ryan Avery - the founder of Veydra lenses - who designed one of the most sought after lens kits for independent filmmakers: The Veydra Mini Primes.

Over the course of this interview, Ryan details exactly what goes into designing and developing high quality cinema glass, what optical qualities to look for when purchasing lenses, the future of lens technology, and much much more.

Learn more about Ryan's businesses here:

https://www.veydra.com

https://lensfinder.com

And for more content like this visit http://www.noamkroll.com

 ]]>showdonttell.podbean.com/designing-discovering-the-perfect-cinema-lens-with-ryan-avery-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 21 Sep 2017 19:22:45 +0000Noam KrollCinema lenses are one of the most crucial tools in any filmmaker's toolkit, yet many filmmakers have a limited knowledge of how glass will affect their image from both a creative and technical standpoint. In this episode, Noam interviews Ryan Avery -...
In this episode, Noam interviews Ryan Avery - the founder of Veydra lenses - who designed one of the most sought after lens kits for independent filmmakers: The Veydra Mini Primes.

Over the course of this interview, Ryan details exactly what goes into designing and developing high quality cinema glass, what optical qualities to look for when purchasing lenses, the future of lens technology, and much much more.

Learn more about Ryan's businesses here:

https://www.veydra.com

https://lensfinder.com

And for more content like this visit http://www.noamkroll.com

 ]]>4158truefullhttps://www.spreaker.com/episode/the-5-most-critical-color-grading-mistakes-made-by-filmmakers--49020063
That said, the color process as a whole still poses a steep learning curve, and many filmmakers jump into their color processes before being fully aware of the technical and creative challenges that they will be faced with.

In this episode, Noam addresses 5 of the most common and most critical color grading mistakes made by filmmakers. Topics covered include: the importance of a correct order of operations, how to approach shot matching, why to never overprotect dynamic range, and much more.

For more content like this visit www.noamkroll.com

 ]]>showdonttell.podbean.com/the-5-most-critical-color-grading-mistakes-made-by-filmmakers-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 07 Sep 2017 21:09:33 +0000Noam KrollColor grading tools have become more accessible than ever, and as a result filmmakers are becoming hyper aware of the role that color plays in their work. Countless filmmakers are now training themselves in the art and science of color grading as a...
That said, the color process as a whole still poses a steep learning curve, and many filmmakers jump into their color processes before being fully aware of the technical and creative challenges that they will be faced with.

In this episode, Noam addresses 5 of the most common and most critical color grading mistakes made by filmmakers. Topics covered include: the importance of a correct order of operations, how to approach shot matching, why to never overprotect dynamic range, and much more.

For more content like this visit www.noamkroll.com

 ]]>2009truefullhttps://www.spreaker.com/episode/an-interview-with-lift-off-film-festival-founder-ben-pohlman--49019978
 

Over the course of this hour long interview, Ben draws from his unique background as a festival founder to de-mystify the jury selection process and give filmmakers a realistic view of what it takes to get accepted. He also sheds light on many other critical topics including: The odds of getting into a festival, optimal runtimes for shorts & feature films, the main reasons why films get rejected, what happens after you're accepted, and much much more.

 

Originally launched in England in 2011, Lift-Off is now in ten cities across the globe including: Los Angeles, London, Paris, Berlin, Manchester, Tokyo, New York, Vancouver, Amsterdam, & Sydney. The festival network has grown rapidly as it's support of true independent film and emphasis on finding representation and global audiences for it's alumni.

 

To learn more about The Lift-Off Global Network of Film Festivals please visit: http://lift-off-festivals.com

 

For more content like this visit http://www.noamkroll.com]]>showdonttell.podbean.com/an-interview-with-lift-off-film-festival-founder-ben-pohlman-24b00f90dd1700f333f1ee8f1a4eedd1Thu, 31 Aug 2017 16:42:07 +0000Noam KrollAs one of the founders of The Lift Off Global Network of Film Festivals, Ben Pohlman has made it his mission to not only program groundbreaking films at his festivals, but also to help filmmakers thrive in the commercial marketplace and flourish in...
 

Over the course of this hour long interview, Ben draws from his unique background as a festival founder to de-mystify the jury selection process and give filmmakers a realistic view of what it takes to get accepted. He also sheds light on many other critical topics including: The odds of getting into a festival, optimal runtimes for shorts & feature films, the main reasons why films get rejected, what happens after you're accepted, and much much more.

 

Originally launched in England in 2011, Lift-Off is now in ten cities across the globe including: Los Angeles, London, Paris, Berlin, Manchester, Tokyo, New York, Vancouver, Amsterdam, & Sydney. The festival network has grown rapidly as it's support of true independent film and emphasis on finding representation and global audiences for it's alumni.

 

To learn more about The Lift-Off Global Network of Film Festivals please visit: http://lift-off-festivals.com

 

For more content like this visit http://www.noamkroll.com]]>4479truefullhttps://www.spreaker.com/episode/making-a-micro-budget-short-film-in-35mm-with-ben-garchar--49020032
That said, some micro-budget filmmakers are able to execute 35mm projects by thinking outside the box and finding ways to make the cost of shooting on film more manageable. One of those filmmakers is Ben Garchar, our guest this week.

Using some out of the box solutions (such as purchasing short ends on eBay), Ben was able to shoot portions of his latest short film Jake in 35mm, and blend it beautifully with digital footage shot on the Canon C300. In this episode, Ben explains how it was possible to shoot on 35mm film for less than the cost of renting a digital cinema camera, how he was able to match his digital footage to the film material, the benefits of shooting on 35mm and its affect on cast & crew, and much more.

Be sure to check out Ben’s work using the links below:

http://www.bengarchar.com
https://vimeo.com/bengarchar]]>https://showdonttell.podbean.com/e/making-a-micro-budget-short-film-in-35mm-with-ben-garchar/Sat, 26 Aug 2017 18:47:37 +0000Noam Kroll35mm film is still seen as the holy grail for many filmmakers, but from a cost perspective it is often prohibitive for micro-budget productions. The cost of purchasing new film stock combined with processing and scanning can add up very quickly, which...
That said, some micro-budget filmmakers are able to execute 35mm projects by thinking outside the box and finding ways to make the cost of shooting on film more manageable. One of those filmmakers is Ben Garchar, our guest this week.

Using some out of the box solutions (such as purchasing short ends on eBay), Ben was able to shoot portions of his latest short film Jake in 35mm, and blend it beautifully with digital footage shot on the Canon C300. In this episode, Ben explains how it was possible to shoot on 35mm film for less than the cost of renting a digital cinema camera, how he was able to match his digital footage to the film material, the benefits of shooting on 35mm and its affect on cast & crew, and much more.

Be sure to check out Ben’s work using the links below:

http://www.bengarchar.com
https://vimeo.com/bengarchar]]>3479truefullhttps://www.spreaker.com/episode/5-fundamental-tips-for-shooting-in-natural-light--49019909
Achieving cinema-quality results with natural light can be easier said than done though, as the lack of control over lighting, color temperature, and other variables can pose some major challenges for filmmakers.

In this episode, Noam discusses his 5 fundamental tips for shooting in natural light which cover everything from choosing the right camera for the job to the importance of tech scouting, and everything in between.

For more content like this visit www.noamkroll.com

 ]]>http://showdonttell.podbean.com/e/5-fundamental-tips-for-shooting-in-natural-light/Thu, 17 Aug 2017 16:24:14 +0000Noam KrollMicro-budget filmmakers often utilize natural light as a means to simplify production requirements and reduce time on set, while also benfitting from the beautiful aethetic that it offers. When done right, this approach can truly offer filmmakers a...
Achieving cinema-quality results with natural light can be easier said than done though, as the lack of control over lighting, color temperature, and other variables can pose some major challenges for filmmakers.

In this episode, Noam discusses his 5 fundamental tips for shooting in natural light which cover everything from choosing the right camera for the job to the importance of tech scouting, and everything in between.

For more content like this visit www.noamkroll.com

 ]]>1527truefullhttps://www.spreaker.com/episode/developing-a-festival-strategy-that-works-for-your-film--49020001
In this episode, Noam sheds light on the film festival submission process from his perspective as both a filmmaker, and someone who has judged for festivals and film competitions in the past. Topics covered include: Budgeting for festival submissions, understanding the odds of getting accepted and how to improve them, the benefit of submitting to festivals that only accept blind submissions, and much more.

For more content like this visit www.noamkroll.com

 ]]>http://showdonttell.podbean.com/e/creating-a-festival-strategy-that-works-for-your-film/Thu, 10 Aug 2017 20:49:41 +0000Noam KrollWith thousands of film festivals in existence and more popping up every year, filmmakers are finding it increasingly difficult to navigate the festival circuit. And while most filmmakers have some rough festival goals in mind as they approach the...
In this episode, Noam sheds light on the film festival submission process from his perspective as both a filmmaker, and someone who has judged for festivals and film competitions in the past. Topics covered include: Budgeting for festival submissions, understanding the odds of getting accepted and how to improve them, the benefit of submitting to festivals that only accept blind submissions, and much more.

For more content like this visit www.noamkroll.com

 ]]>1907truefullhttps://www.spreaker.com/episode/7-time-saving-efficiency-rules-for-the-micro-budget-filmmaker--49020029
Based on his experience with the micro-budget feature film “Shadows on the Road”, Noam outlines his top 7 rules for filmmakers looking to optimize production time and increase efficiency across the board. Topics covered include: How and why to keep your locations to a minimum, simplified coverage options that allow for better creative results in less time, a post-production workflows that involves locking picture reel by reel, and much more.

For more content like this visit www.noamkroll.com]]>http://showdonttell.podbean.com/e/7-time-saving-efficiency-rules-for-the-micro-budget-filmmaker/Thu, 03 Aug 2017 21:47:58 +0000Noam KrollProduction and post-production time on micro-budget films is severely limited, making it crucial for filmmakers to ensure they are being as efficient as possible with the limited time that they do have. Based on his experience with the micro-budget...
Based on his experience with the micro-budget feature film “Shadows on the Road”, Noam outlines his top 7 rules for filmmakers looking to optimize production time and increase efficiency across the board. Topics covered include: How and why to keep your locations to a minimum, simplified coverage options that allow for better creative results in less time, a post-production workflows that involves locking picture reel by reel, and much more.

For more content like this visit www.noamkroll.com]]>2406truefullhttps://www.spreaker.com/episode/how-to-direct-execute-a-no-budget-production-without-a-crew--49020033
In this episode, Noam shares actionable tips and advice for no-budget filmmakers who need to act as the Director, DP, and Sound Recordist all at once. From making adjustments to the screenplay, to modifying blocking, lighting, and sound recording techniques, there are countless ways in which no-budget filmmakers can ensure they are still achieving a high production value, even without a crew to fall back on...

All of this and much more on this week’s episode!

For more content like this visit www.noamkroll.com]]>http://showdonttell.podbean.com/e/how-to-direct-execute-a-no-budget-production-without-a-crew-1501224490/Fri, 28 Jul 2017 06:48:10 +0000Noam KrollMaking a micro-budget film is hard. Making a no-budget film is even harder - especially when you are the only crew member. In this episode, Noam shares actionable tips and advice for no-budget filmmakers who need to act as the Director, DP, and Sound...
In this episode, Noam shares actionable tips and advice for no-budget filmmakers who need to act as the Director, DP, and Sound Recordist all at once. From making adjustments to the screenplay, to modifying blocking, lighting, and sound recording techniques, there are countless ways in which no-budget filmmakers can ensure they are still achieving a high production value, even without a crew to fall back on...

All of this and much more on this week’s episode!

For more content like this visit www.noamkroll.com]]>1932truefullhttps://www.spreaker.com/episode/writing-and-crowdfunding-an-original-webseries-with-will-gong--49019925
While Will has a great deal of experience working on larger productions, he has most recently decided to develop his own content on a smaller scale, and is now in pre-production for a new micro-budget web series he wrote, titled “Bunkheads”. Over the course of this interview, Will shares his invaluable insight on the development and writing process for his project, experiences with crowdfunding and pre-production, and much more.

For more info on Will Gong and his project Bunkheads, please visit: www.bunkheads.net

You can also check out Bunkheads on social media using the links below:

Facebook: https://www.facebook.com/BunkheadsTV/

Twitter: https://twitter.com/bunkheads

Instagram: https://www.instagram.com/bunkheads/

And for more content like this, be sure to visit: www.noamkroll.com

 ]]>http://showdonttell.podbean.com/e/writing-and-crowdfunding-an-original-webseries-with-will-gong/Thu, 20 Jul 2017 15:30:11 +0000Noam KrollOn this episode, Noam interviews Will Gong - a Writer and Editor with years of experience working on large scale feature film projects. Currently working at Disney, Will has edited promos, featurettes, behind the scenes content, and much more for...
While Will has a great deal of experience working on larger productions, he has most recently decided to develop his own content on a smaller scale, and is now in pre-production for a new micro-budget web series he wrote, titled “Bunkheads”. Over the course of this interview, Will shares his invaluable insight on the development and writing process for his project, experiences with crowdfunding and pre-production, and much more.

For more info on Will Gong and his project Bunkheads, please visit: www.bunkheads.net

You can also check out Bunkheads on social media using the links below:

Facebook: https://www.facebook.com/BunkheadsTV/

Twitter: https://twitter.com/bunkheads

Instagram: https://www.instagram.com/bunkheads/

And for more content like this, be sure to visit: www.noamkroll.com

 ]]>4054truefullhttps://www.spreaker.com/episode/breaking-down-the-budget-for-a-12-000-feature-film--49020034
In this podcast, Noam breaks down a simple formula for budgeting a 12 day feature film at $1000/day. Using this approach, filmmakers can confidently approach their production process, knowing that all of their core expenses will be covered, including: Cast and crew, location fees, gear, post-produciton and more. The methods outlined here can be easily adapted to feature films with larger or smaller budgets, and are designed to be custom tailored to the unique needs of films of all shapes and sizes.

For more content like this visit www.noamkroll.com]]>http://showdonttell.podbean.com/e/breaking-down-the-budget-for-a-12000-feature-film/Thu, 13 Jul 2017 17:45:20 +0000Noam KrollMany micro-budget feature films are budgeted around $10,000 - $15,000, and are produced over the course of 10 - 12 days. While this type of budget can be a challenge to work with once cast, crew, locations, and other costs are factored in, it...
In this podcast, Noam breaks down a simple formula for budgeting a 12 day feature film at $1000/day. Using this approach, filmmakers can confidently approach their production process, knowing that all of their core expenses will be covered, including: Cast and crew, location fees, gear, post-produciton and more. The methods outlined here can be easily adapted to feature films with larger or smaller budgets, and are designed to be custom tailored to the unique needs of films of all shapes and sizes.

For more content like this visit www.noamkroll.com]]>1475truefullhttps://www.spreaker.com/episode/scheduling-a-12-day-micro-budget-feature-film-production--49020037
Over the course of this episode, Noam outlines a 12 day shooting schedule that he highly recommends for filmmakers looking to find that perfect balance between quality and efficiency. The schedule is designed for an average shooting rate of 7 1/2 pages per day, and a total of 5 days off over a 17 day period.

While no two productions will ever have the exact same logistical needs, this schedule offers an optimal starting point designed to serve a wide variety of micro-budget films.

Learn more at www.noamkroll.com]]>http://showdonttell.podbean.com/e/scheduling-a-12-day-micro-budget-feature-film-production/Thu, 29 Jun 2017 23:57:03 +0000Noam KrollOne of the most challenging tasks for micro-budget filmmakers is creating a shooting schedule that serves both the creative needs of a feature length production and the logistical paramters of the project. The goal is often to shoot as many pages per...
Over the course of this episode, Noam outlines a 12 day shooting schedule that he highly recommends for filmmakers looking to find that perfect balance between quality and efficiency. The schedule is designed for an average shooting rate of 7 1/2 pages per day, and a total of 5 days off over a 17 day period.

While no two productions will ever have the exact same logistical needs, this schedule offers an optimal starting point designed to serve a wide variety of micro-budget films.

Learn more at www.noamkroll.com]]>1490truefullhttps://www.spreaker.com/episode/the-key-fundamentals-of-directing-your-actors--49019944
There are however, many universal techniques and approaches that directors can and should apply both on set and off, that will allow them to tap into the full potential of their talent, regardless of their training or background. 

Over the course of this podcast, Noam explores a number of these key fundamental techniques along with many practical tips for directors looking to better inspire, empower, and uplift their actors, with the ultimate goal of fully bringing their vision to life.

For more content like this visit www.noamkroll.com]]>http://showdonttell.podbean.com/e/the-key-fundamentals-of-directing-your-actors/Thu, 22 Jun 2017 19:58:37 +0000Noam KrollIt goes without saying that actors are the lifeblood of any film, and for this very reason it's crucial that all narrative directors fully understand how to elicit powerful and authentic performances from their talent. No two actors are trained in...
There are however, many universal techniques and approaches that directors can and should apply both on set and off, that will allow them to tap into the full potential of their talent, regardless of their training or background. 

Over the course of this podcast, Noam explores a number of these key fundamental techniques along with many practical tips for directors looking to better inspire, empower, and uplift their actors, with the ultimate goal of fully bringing their vision to life.

For more content like this visit www.noamkroll.com]]>1797truefullhttps://www.spreaker.com/episode/moving-from-pa-to-producer-an-interview-with-filmmaker-jens-jacob--49020041
By working hard, staying humble, and strategically building his network while also opening up multiple businesses of his own, Jens was able to move from PA to Producer and beyond in practically no time at all. Over the past few years, he has produced and directed a number of high profile projects including network airing pilots, the online smash hit Anomaly, and most recently a feature film titled The Heart Of Man, which will have it’s theatrical release this fall.

In this episode, Jens shares his wisdom, stories, and insight on all things filmmaking - including some poweful advice for filmmakers that aiming to build a lasting and lucrative career for themselves.

You can view more of Jens' work on his production company site here: www.sypherfilms.com, learn about his rental house here: www.redefinerentals.com, and check out his drone company here: www.unrealfreedom.com

And for more content like this, be sure to visit www.noamkroll.com]]>http://showdonttell.podbean.com/e/moving-from-pa-to-producer-an-interview-with-filmmaker-jens-jacob/Thu, 15 Jun 2017 19:35:55 +0000Noam KrollNo two filmmakers have the same story, or have broken into the industry in the same way. Filmmaker Jens Jacob is certainly no exception. After moving to Los Angeles with no industry contacts or resources whatsoever, he leveraged his unique abilities...
By working hard, staying humble, and strategically building his network while also opening up multiple businesses of his own, Jens was able to move from PA to Producer and beyond in practically no time at all. Over the past few years, he has produced and directed a number of high profile projects including network airing pilots, the online smash hit Anomaly, and most recently a feature film titled The Heart Of Man, which will have it’s theatrical release this fall.

In this episode, Jens shares his wisdom, stories, and insight on all things filmmaking - including some poweful advice for filmmakers that aiming to build a lasting and lucrative career for themselves.

You can view more of Jens' work on his production company site here: www.sypherfilms.com, learn about his rental house here: www.redefinerentals.com, and check out his drone company here: www.unrealfreedom.com

And for more content like this, be sure to visit www.noamkroll.com]]>4649truefullhttps://www.spreaker.com/episode/directing-a-67-000-micro-budget-feature-film-with-joe-mcclean--49020045
With a budget of only $67,000, Joe and his team pulled off development, production, post-produciton, and self-distribution in a true DIY fashion, and have an excellent feature film to show for it.

Over the course of this in-depth interview, Joe shares some tremendously valuable insight into each stage of his process. He outlines how he was able to raise the budget for his film himself, put together a dedicated cast and crew that were willing to embrace a project on this scale, his techniques for working efficiently on set and in post, and his experience with film festivals and eventual choice to self-distribute.

Be sure to check out the trailer and feature film using the links below:

The Drama Club Trailer: https://vimeo.com/185824231

The Drama Club on the iTunes Store: https://itunes.apple.com/us/movie/the-drama-club/id1229860023

For more content like this, be sure to visit www.noamkroll.com]]>http://showdonttell.podbean.com/e/directing-a-67000-micro-budget-feature-film-with-joe-mcclean/Thu, 08 Jun 2017 16:35:38 +0000Noam KrollNo two feature films are made the same way, and this sentiment is especially true of micro-budget productions which often come together under very unconventional circumstances. Director Joe McClean's latest feature film - The Drama Club - is certainly...
With a budget of only $67,000, Joe and his team pulled off development, production, post-produciton, and self-distribution in a true DIY fashion, and have an excellent feature film to show for it.

Over the course of this in-depth interview, Joe shares some tremendously valuable insight into each stage of his process. He outlines how he was able to raise the budget for his film himself, put together a dedicated cast and crew that were willing to embrace a project on this scale, his techniques for working efficiently on set and in post, and his experience with film festivals and eventual choice to self-distribute.

Be sure to check out the trailer and feature film using the links below:

The Drama Club Trailer: https://vimeo.com/185824231

The Drama Club on the iTunes Store: https://itunes.apple.com/us/movie/the-drama-club/id1229860023

For more content like this, be sure to visit www.noamkroll.com]]>5323truefullhttps://www.spreaker.com/episode/utilizing-vimeo-to-grow-as-a-filmmaker-build-your-audience-with-derick-rhodes--49019945
On this episode, Noam chats with Derick Rhodes, the Director of Creator Programs & Events at Vimeo. As a filmmaker himself and a former producer for Shutterstock, Derick is truly a wealth of knowledge, and over the course of this interview he shares some invaluable insight for filmmakers looking to maximize their presence on Vimeo and truly make a dent with their work. From explaining the power of Vimeo Channels to detailing how Vimeo Staff Picks are made, Derick dives deep into the inner workings of Vimeo, and shares insight that virtually any filmmaker can can learn something from. He also elaborates on Vimeo's education tools - such as Vimeo Video School - and sheds light on what's in store for Vimeo in the future.

For more content like this, be sure to visit www.noamkroll.com]]>http://showdonttell.podbean.com/e/utilizing-vimeo-to-grow-as-a-filmmaker-build-your-audience-with-derick-rhodes/Thu, 01 Jun 2017 14:30:00 +0000Noam KrollCountless filmmakers have leveraged the power of Vimeo to showcase their work, refine their craft, and ultimately build an audience for themselves. Some have had so much success on Vimeo that they have even drawn the attention of...
On this episode, Noam chats with Derick Rhodes, the Director of Creator Programs & Events at Vimeo. As a filmmaker himself and a former producer for Shutterstock, Derick is truly a wealth of knowledge, and over the course of this interview he shares some invaluable insight for filmmakers looking to maximize their presence on Vimeo and truly make a dent with their work. From explaining the power of Vimeo Channels to detailing how Vimeo Staff Picks are made, Derick dives deep into the inner workings of Vimeo, and shares insight that virtually any filmmaker can can learn something from. He also elaborates on Vimeo's education tools - such as Vimeo Video School - and sheds light on what's in store for Vimeo in the future.

For more content like this, be sure to visit www.noamkroll.com]]>3526truefullhttps://www.spreaker.com/episode/how-to-find-existing-writing-material-to-direct--49020035
For more content like this visit: www.noamkroll.com]]>http://showdonttell.podbean.com/e/how-to-find-existing-writing-material-to-direct/Thu, 25 May 2017 17:56:56 +0000Noam KrollWhile some filmmakers absolutely love the writing process and consider themselves true writer-directors, many others prefer to focus strictly on directing, and as such are often searching for high quality written material to work with. In this...
For more content like this visit: www.noamkroll.com]]>1287truefullhttps://www.spreaker.com/episode/short-films-vs-feature-films--49019927
For more content like this visit www.noamkroll.com]]>http://showdonttell.podbean.com/e/short-films-vs-feature-films/Thu, 18 May 2017 21:59:35 +0000Noam KrollFilmmakers at all levels - amateur and professional - often struggle with the same question: What type of project would best help my artistic career, a short or a feature film? While there is no right or wrong answer, there are some clear pros and...
For more content like this visit www.noamkroll.com]]>1515truefullhttps://www.spreaker.com/episode/mastering-the-art-of-coverage-as-a-director--49019975
In this episode, Noam shares his insight on how to approach the art of coverage to give yourself more creative and practical options on set and in post-production.

For more content like this visit: www.noamkroll.com]]>http://showdonttell.podbean.com/e/mastering-the-art-of-coverage-as-a-director/Mon, 15 May 2017 19:17:20 +0000Noam KrollUsing scene coverage in unique or unexpected ways is one of the most effective ways for you to leave your mark on a film. Filmmakers are often taught to simply cover their scenes with just a master and closeups, which often leads to less interesting...
In this episode, Noam shares his insight on how to approach the art of coverage to give yourself more creative and practical options on set and in post-production.

For more content like this visit: www.noamkroll.com]]>1615truefullhttps://www.spreaker.com/episode/how-to-pick-the-right-dslr-or-mirrorless-camera-for-your-film--49019930
For more content like this, be sure to visit www.noamkroll.com]]>http://showdonttell.podbean.com/e/how-to-pick-the-right-dslr-or-mirrorless-camera-for-your-film/Fri, 12 May 2017 20:21:10 +0000Noam KrollWith hundreds of 4K capable DSLR and Mirrorless cameras on the market today, choosing the right one can be a very tough decision. In this epsiode, Noam outlines his tought process for purchasing the right camera for your unique needs as a filmmaker,...
For more content like this, be sure to visit www.noamkroll.com]]>1483truefullhttps://www.spreaker.com/episode/an-interview-with-micro-budget-filmmakers-jamie-benyon-lucy-jordan--49020019
For more content like this, be sure to visit www.noamkroll.com.

You can see some of Jamie and Lucy's work on Time of The Season below:

https://twitter.com/TotSFilm
https://www.facebook.com/TimeofTheSeasonFilm
https://www.instagram.com/totsfilm/]]>http://showdonttell.podbean.com/e/an-interview-with-micro-budget-filmmakers-jamie-benyon-lucy-jordan/Thu, 11 May 2017 20:21:27 +0000Noam KrollIn this episode, Noam interviews Jamie Benyon and Lucy Jordan, who recently completed production on a micro-budget feature film titled Time of The Season. With exprience on big-budget productions such as Wonder Woman, Doctor Strange, Fantastic Beasts,...
For more content like this, be sure to visit www.noamkroll.com.

You can see some of Jamie and Lucy's work on Time of The Season below:

https://twitter.com/TotSFilm
https://www.facebook.com/TimeofTheSeasonFilm
https://www.instagram.com/totsfilm/]]>3492truefullhttps://www.spreaker.com/episode/finding-motivation-staying-committed-to-your-film--49020038
www.noamkroll.com]]>http://showdonttell.podbean.com/e/finding-motivation-staying-committed-to-your-film/Thu, 04 May 2017 18:16:00 +0000Noam KrollFilmmakers are notorious for starting projects that they don't finish, and more often than not this issue stems from a lack of proper motivation and commitment. In this episode, Noam explores the fundamental reasons why motivation and commitment are...
www.noamkroll.com]]>1459truefullhttps://www.spreaker.com/episode/how-to-break-into-the-industry-as-a-director--49020043
For more content like this, be sure to follow Noam's blog at: http://www.noamkroll.com]]>http://showdonttell.podbean.com/e/how-to-break-into-the-industry-as-a-director/Thu, 27 Apr 2017 19:04:33 +0000Noam KrollNoam explores the different paths that filmmakers take to become feature film Directors, and shares actionable methodology that is universally helpful for aspiring Directors who are looking to reach their full potential. For more content like this,...
For more content like this, be sure to follow Noam's blog at: http://www.noamkroll.com]]>1819truefullhttps://www.spreaker.com/episode/story-development-screenwriting-insight--49020026
For more content like this, be sure to visit http://www.noamkroll.com]]>http://showdonttell.podbean.com/e/story-development-screenwriting-insight/Thu, 20 Apr 2017 01:32:15 +0000Noam KrollOn this episode, Noam shares insight and tips on crafting the perfect story and script for a micro-budget screenplay. Using examples from his recent feature film, he outlines the do's and dont's of writing a script with the intention of producing it...
For more content like this, be sure to visit http://www.noamkroll.com]]>1329truefull