https://www.spreaker.com/podcast/angry-notes--4667156roMusic HistoryCopyright firefly frequencieshttps://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8dab3116e4e5fc07c65c0ac1970e7a82.jpghttps://www.spreaker.com/podcast/angry-notes--4667156Wed, 20 Aug 2025 17:44:31 +0000firefly frequenciesfirefly frequenciesfeeds@spreaker.comSongs of work, songs of struggle, songs of solidarity, songs of prison...cleanepisodichttps://www.spreaker.com/episode/e25-boris-kagarlitsky-a-plea-to-my-western-progressive-friends-by-arkadiy-kots-band--56664214https://freeboris.info/
Download track https://arkadiy.bandcamp.com/track/bo...

A Very Simple Request A plea to my Western progressive friends https://russiandissent.substack.com/p...

Idea - Arkadiy Kots band
Voice - Nikolay Oleynikov
Prod. - Mikhail Griboedov]]>https://api.spreaker.com/episode/56664214Fri, 01 Sep 2023 21:33:41 +0000firefly frequenciesOn the birthday of Boris Kagarlitsky, Russian sociologist, Marxist and left-wing dissident, now in Putin's prison, the Arkady Kots band puts out a track on his recent manifesto and demands the immediate release of our comrade! Join the campaign!...https://freeboris.info/
Download track https://arkadiy.bandcamp.com/track/bo...

A Very Simple Request A plea to my Western progressive friends https://russiandissent.substack.com/p...

Idea - Arkadiy Kots band
Voice - Nikolay Oleynikov
Prod. - Mikhail Griboedov]]>461cleanfullhttps://www.spreaker.com/episode/e24-reponds-by-arrivati-schwabinggrad-ballett--53237356
This tune is from their Beyond Welcome LP recorded and published in 2016 by Buback Tonträger

Line-up: Latoya Mainly Spain, Peter Ott, Asuquo Udo, Heike Nöth, Christine Schulz, Ted Gaier, Jeano Elong, Dodi Eboth, Christoph Twickel, Charanotis Ganotis, Liz Rech, Margarita Tsumo, Oumar Traoré, Sylvi Kretschmar. Heiko Marn]]>https://api.spreaker.com/episode/53237356Fri, 17 Mar 2023 15:51:34 +0000firefly frequenciesSchwabinggrad Ballett/Arrivati is a collective of migrants' and refugees' rights activists, musiciants, and performers from Hamurg This tune is from their Beyond Welcome LP recorded and published in 2016 by Buback Tonträger Line-up: Latoya Mainly...
This tune is from their Beyond Welcome LP recorded and published in 2016 by Buback Tonträger

Line-up: Latoya Mainly Spain, Peter Ott, Asuquo Udo, Heike Nöth, Christine Schulz, Ted Gaier, Jeano Elong, Dodi Eboth, Christoph Twickel, Charanotis Ganotis, Liz Rech, Margarita Tsumo, Oumar Traoré, Sylvi Kretschmar. Heiko Marn]]>254cleanfullhttps://www.spreaker.com/episode/e23-bodies-will-be-back-by-schwabinggrad-ballett-arrivati--53237229
Line-up: Latoya Mainly Spain, Peter Ott, Asuquo Udo, Heike Nöth, Christine Schulz, Ted Gaier, Jeano Elong, Dodi Eboth, Christoph Twickel, Charanotis Ganotis, Liz Rech, Margarita Tsumo, Oumar Traoré, Sylvi Kretschmar. Heiko Marn]]>https://api.spreaker.com/episode/53237229Fri, 17 Mar 2023 15:44:40 +0000firefly frequenciesSchwabinggrad Ballett/Arrivati is a collective of migrants' and refugees' rights activists, musiciants, and performers from Hamurg this is the tune from their LP called Beyond Welcome recorded and published in 2016 by Buback Tonträger Line-up: Latoya...
Line-up: Latoya Mainly Spain, Peter Ott, Asuquo Udo, Heike Nöth, Christine Schulz, Ted Gaier, Jeano Elong, Dodi Eboth, Christoph Twickel, Charanotis Ganotis, Liz Rech, Margarita Tsumo, Oumar Traoré, Sylvi Kretschmar. Heiko Marn]]>194cleanfullhttps://www.spreaker.com/episode/e20-those-shoot-n-at-workers-will-burn-in-hell-by-arkadiy-kots-band--48182066This piece of the Moscow-based folk-punks was dediated to the Zhanaozen Massacre tragedy (rec 2015) unfortunately is still more than relevant today.
The recording includes Adrian Mitchell's poem translated in Russian by Kirill Medvedev]]>https://api.spreaker.com/episode/48182066Wed, 05 Jan 2022 20:58:51 +0000firefly frequenciesIn 2011 the Zhanaozen massacre in the South-West Kazakhstan took place. Dosens of the insurgent oil-industry tradeunionists were killed during the uprising, other hundreds severely injured, miriads imprisoned, procecuted, suppressed. Today in the...This piece of the Moscow-based folk-punks was dediated to the Zhanaozen Massacre tragedy (rec 2015) unfortunately is still more than relevant today.
The recording includes Adrian Mitchell's poem translated in Russian by Kirill Medvedev]]>218music_and_sonic_artscleanfullhttps://www.spreaker.com/episode/e17-palamaan-pahan-kukat-by-paleface--42902134https://api.spreaker.com/episode/42902134Tue, 12 Jan 2021 16:58:30 +0000firefly frequencies264cleanfullhttps://www.spreaker.com/episode/e15-laulu-sisallissodasta-by-paleface--42902092https://api.spreaker.com/episode/42902092Tue, 12 Jan 2021 16:55:13 +0000firefly frequencies210cleanfullhttps://www.spreaker.com/episode/e14-njet-njet-by-rajat-feat-paleface-ramy-essam--42902071https://api.spreaker.com/episode/42902071Tue, 12 Jan 2021 16:53:55 +0000firefly frequencies239cleanfullhttps://www.spreaker.com/episode/e13-a-second-notice-by-mikko-karjalainen-fellowship-quintet-feat-paleface--42901941https://api.spreaker.com/episode/42901941Tue, 12 Jan 2021 16:50:01 +0000firefly frequencies330cleanfullhttps://www.spreaker.com/episode/e12-juno-luokkasota-ft-lempijoe-paleface--42901931https://api.spreaker.com/episode/42901931Tue, 12 Jan 2021 16:49:17 +0000firefly frequencies277cleanfullhttps://www.spreaker.com/episode/e06-kontrataka-arkadiy-kots-band-and-transeuropean-partizan-jam--42786474The people regained their agency and when they died, they died as fighters not victims. Nobody expressed the power of resistance to restore humanity to the downtrodden better than Wladyslaw Szlengel in his poem Counterattack. Szlengel, born in 1914, wrote it in reaction to the first clashes in the Ghetto in January and it was probably one of the last poems written before his death in the Ghetto Uprising.
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For more on the song's story and a video art piece by Haim Sokol check here:
https://partisan-jam.fhu.art/songs/counterattack--song
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This tune is a part of the Partizan Jam project meant to learn with Antifascism was initiated by Free Home University together with Arkadiy Kots Band.]]>https://api.spreaker.com/episode/42786474Mon, 04 Jan 2021 18:07:08 +0000firefly frequenciesOn 18 January 1943, when another wave of deportations began, Jewish underground organisations decided to resist. There were perhaps only some 50,000 people left in the Ghetto by that point, and no more than a 1000 members of the underground combat...The people regained their agency and when they died, they died as fighters not victims. Nobody expressed the power of resistance to restore humanity to the downtrodden better than Wladyslaw Szlengel in his poem Counterattack. Szlengel, born in 1914, wrote it in reaction to the first clashes in the Ghetto in January and it was probably one of the last poems written before his death in the Ghetto Uprising.
---

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For more on the song's story and a video art piece by Haim Sokol check here:
https://partisan-jam.fhu.art/songs/counterattack--song
--
This tune is a part of the Partizan Jam project meant to learn with Antifascism was initiated by Free Home University together with Arkadiy Kots Band.]]>241cleanfullhttps://www.spreaker.com/episode/e05-zog-nit-keynmol-song-of-the-jewish-partosans-arkadiy-kots-band-and-transeuropean-partizan-jam--42786392--
For more on the song's story and a video art piece by Haim Sokol check here:
https://partisan-jam.fhu.art/songs/zog-nit-keynmol-song
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This tune is a part pf the Partizan Jam project meant to learn with Antifascism was initiated by Free Home University together with Arkadiy Kots Band.]]>https://api.spreaker.com/episode/42786392Mon, 04 Jan 2021 18:04:44 +0000firefly frequencies‘Zog nit keynmol...' is perhaps the best-known of the Yiddish songs created during the Holocaust. It was written by the young Vilna poet Hirsh Glik, and based on a pre-existing melody by the Soviet-Jewish composer Dimitri Pokrass. Inspired by the news...--
For more on the song's story and a video art piece by Haim Sokol check here:
https://partisan-jam.fhu.art/songs/zog-nit-keynmol-song
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This tune is a part pf the Partizan Jam project meant to learn with Antifascism was initiated by Free Home University together with Arkadiy Kots Band.]]>381cleanfullhttps://www.spreaker.com/episode/e03-bella-ciao-arkadiy-kots-band-and-transeuropean-partizan-jam--42258090https://api.spreaker.com/episode/42258090Tue, 01 Dec 2020 13:50:54 +0000firefly frequencies187cleanfullhttps://www.spreaker.com/episode/e02-ay-carmela-arkadiy-kots-band-and-transeuropean-partizan-jam--42258030Trans-European Partisan Jam is a collection of historical resistance songs from Italy, Spain, Yugoslavia, France, Roma and Jewish Peoples, Greece, and USSR.

Arkadi Kots initiates this project as a new session of Free Home University in continuity with its ongoing collaboration with trade-unions, feminist, environmentalist, and migrant movements and communities, which has constituted a central focus throughout the past 10 years of the band’s activities. Arkadiy Kots considers folk music culture as a great pedagogical tool to share knowledge, express solidarity, and reinforce resistance. The translation is also an important instrument for the band, that rearranges, re-adapts, and translates songs from many places, languages, cultures, and contexts of struggles, enhancing a spirit of togetherness and a sense of unity.
This record was supported by Ecoversities Alliance]]>https://api.spreaker.com/episode/42258030Tue, 01 Dec 2020 13:48:06 +0000firefly frequenciesArkadiy Kotz Band is a Russian combat-folk-punk collective. Trans-European Partisan Jam is a collection of historical resistance songs from Italy, Spain, Yugoslavia, France, Roma and Jewish Peoples, Greece, and USSR. Arkadi Kots initiates this...Trans-European Partisan Jam is a collection of historical resistance songs from Italy, Spain, Yugoslavia, France, Roma and Jewish Peoples, Greece, and USSR.

Arkadi Kots initiates this project as a new session of Free Home University in continuity with its ongoing collaboration with trade-unions, feminist, environmentalist, and migrant movements and communities, which has constituted a central focus throughout the past 10 years of the band’s activities. Arkadiy Kots considers folk music culture as a great pedagogical tool to share knowledge, express solidarity, and reinforce resistance. The translation is also an important instrument for the band, that rearranges, re-adapts, and translates songs from many places, languages, cultures, and contexts of struggles, enhancing a spirit of togetherness and a sense of unity.
This record was supported by Ecoversities Alliance]]>253cleanfull