<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Alphabetti Audio plays</title><link>https://www.spreaker.com/podcast/alphabetti-audio-plays--4574790</link><description><![CDATA[Alphabetti Theatre (founded 2012) is an intimate artist lead award winning theatre in Newcastle upon Tyne, UK. Before Covid-19 Our 80 seater theatre held on average each year 320 performances, worked with/supported 2,000 artists & welcomed 15,000 audience members - with 60% of our programme part of our Pay What You Feel ticket scheme, with all remaining tickets £10 or under.]]></description><atom:link href="https://www.spreaker.com/show/4574790/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Performing Arts</category><copyright>Copyright Alphabetti Theatre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49f638e9e8d660594ec205120989bd3f.jpg</url><title>Alphabetti Audio plays</title><link>https://www.spreaker.com/podcast/alphabetti-audio-plays--4574790</link></image><lastBuildDate>Sat, 11 May 2024 10:13:32 +0000</lastBuildDate><itunes:author>Alphabetti Theatre</itunes:author><itunes:owner><itunes:name>Alphabetti Theatre</itunes:name><itunes:email>feeds@spreaker.com</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49f638e9e8d660594ec205120989bd3f.jpg"/><itunes:subtitle>Alphabetti Theatre (founded 2012) is an intimate artist lead award winning theatre in Newcastle upon Tyne, UK. Before Covid-19 Our 80 seater theatre held on average each year 320 performances, worked with/supported 2,000 artists &amp; welcomed 15,000...</itunes:subtitle><itunes:summary><![CDATA[Alphabetti Theatre (founded 2012) is an intimate artist lead award winning theatre in Newcastle upon Tyne, UK. Before Covid-19 Our 80 seater theatre held on average each year 320 performances, worked with/supported 2,000 artists & welcomed 15,000 audience members - with 60% of our programme part of our Pay What You Feel ticket scheme, with all remaining tickets £10 or under.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Performing Arts"/></itunes:category><itunes:explicit>true</itunes:explicit><podcast:guid>5138d0d2-0809-518a-a58a-10e9735366e7</podcast:guid><itunes:type>episodic</itunes:type><item><title>HOPE IS A FOUR LETTER WORD by Gobscure</title><link>https://www.spreaker.com/episode/hope-is-a-four-letter-word-by-gobscure--59978709</link><description><![CDATA[<b>HOPE IS A FOUR LETTER WORD</b><br />written by Gobscure<br />directed by Ali Pritchard<br />performed by Zoe Labert and Rebecca Glendenning-Laycock<br />with additional material written and performed by Harrison Rowley-Lynn<br /><br /><i>"Under Pritchard's nimble direction, the piece offers light and dark in equal measure, laced with both broad humour and dry wit. It is often very funny, with a beautifully nuanced Glendenning-Laycock deploying expert comic timing without ever undermining the seriousness of the subject matter." Tracey Sinclair - THE STAGE - 4 Stars</i><br /><br />Experience a groundbreaking production crafted by an award-winning creative team – two intertwining monologues that delve into similar themes from opposing perspectives. ​<br /><br />‘I lost my way. Twelve years underground, isolation, different names, a lost self. I had arrived at a deeply wrong way of responding to social problems. Prison lies at the end of a road taken. ... now more than twenty years in prison, I share with other women daily issues of parenting, education, and health. I have turned sixty. I think about how do we protect our planet’ These profound words are from Kathy Boudin, a convicted terrorist and founding member of the US militant Weather Underground organization. The group engaged in bombings of government buildings to express opposition to U.S. foreign policy and racism.   <br /><br />The second narrative unfolds after enduring two serious crimes without support. Our character finds themselves in a psych-ICU-prison, where they encounter Kathy Boudin's words. This unbelievable and true tale is rife with ridiculous and cruel absurdities. Beginning in a psych-ICU-prison and concluding in a river with water cooling and drowning the insane narrative, it liberates our character as a kingfisher gracefully flies past.<br /><br />Witness an extraordinary journey that challenges perceptions and captivates audiences with its raw, emotional intensity. <br /><br />Recorded live at Alphabetti Theatre 2024<br />(audio version recorded and edited by Matt Jamie)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/59978709</guid><pubDate>Sat, 11 May 2024 10:10:36 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/59978709/hope_is_audio_play_mixdown.mp3" length="118608488" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>HOPE IS A FOUR LETTER WORD
written by Gobscure
directed by Ali Pritchard
performed by Zoe Labert and Rebecca Glendenning-Laycock
with additional material written and performed by Harrison Rowley-Lynn

"Under Pritchard's nimble direction, the piece...</itunes:subtitle><itunes:summary><![CDATA[<b>HOPE IS A FOUR LETTER WORD</b><br />written by Gobscure<br />directed by Ali Pritchard<br />performed by Zoe Labert and Rebecca Glendenning-Laycock<br />with additional material written and performed by Harrison Rowley-Lynn<br /><br /><i>"Under Pritchard's nimble direction, the piece offers light and dark in equal measure, laced with both broad humour and dry wit. It is often very funny, with a beautifully nuanced Glendenning-Laycock deploying expert comic timing without ever undermining the seriousness of the subject matter." Tracey Sinclair - THE STAGE - 4 Stars</i><br /><br />Experience a groundbreaking production crafted by an award-winning creative team – two intertwining monologues that delve into similar themes from opposing perspectives. ​<br /><br />‘I lost my way. Twelve years underground, isolation, different names, a lost self. I had arrived at a deeply wrong way of responding to social problems. Prison lies at the end of a road taken. ... now more than twenty years in prison, I share with other women daily issues of parenting, education, and health. I have turned sixty. I think about how do we protect our planet’ These profound words are from Kathy Boudin, a convicted terrorist and founding member of the US militant Weather Underground organization. The group engaged in bombings of government buildings to express opposition to U.S. foreign policy and racism.   <br /><br />The second narrative unfolds after enduring two serious crimes without support. Our character finds themselves in a psych-ICU-prison, where they encounter Kathy Boudin's words. This unbelievable and true tale is rife with ridiculous and cruel absurdities. Beginning in a psych-ICU-prison and concluding in a river with water cooling and drowning the insane narrative, it liberates our character as a kingfisher gracefully flies past.<br /><br />Witness an extraordinary journey that challenges perceptions and captivates audiences with its raw, emotional intensity. <br /><br />Recorded live at Alphabetti Theatre 2024<br />(audio version recorded and edited by Matt Jamie)]]></itunes:summary><itunes:duration>2966</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/13eeeb1859be6af9ded2371412a37dd7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>IMAGINARY FRIENDS by Daniel Bye</title><link>https://www.spreaker.com/episode/imaginary-friends-by-daniel-bye--59942209</link><description><![CDATA[This solo show from Daniel Bye is a surreal and often very funny take on deeply unfunny subjects – grief, environmental devastation and the possible end of the world....<br /><br />Bye is a TV comic tasked with turning the week’s events into bit-sized satirical shows. But when his big-hearted brother dies, it throws his cynicism into sharp relief. What kind of person, he wonders, stands at a sibling’s deathbed and ponders how he would rewrite the scene? His character is further tested when an unlikely celebrity suicide brings out his dark side. When he finds himself in a creative crisis, help comes from the most unlikely source: a spectral Piers Morgan.<br /><br />Tracey Sinclair THE STAGE<br /><br />Written and performed by Daniel Bye<br />Produced by Alphabetti Theatre and ARC Stockton<br />Recorded live at Alphabetti Theatre by Matt Jamie<br />Sound Design by Ziad Jabero<br />Technical Operations by Chris Foley<br />Special Thanks to Annabel Turpin, Veronica Johnson and Sarah Pushon<br />]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/59942209</guid><pubDate>Thu, 09 May 2024 10:08:44 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/59942209/imaginary_friends_final_mix.mp3" length="172803165" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>This solo show from Daniel Bye is a surreal and often very funny take on deeply unfunny subjects – grief, environmental devastation and the possible end of the world....

Bye is a TV comic tasked with turning the week’s events into bit-sized satirical...</itunes:subtitle><itunes:summary><![CDATA[This solo show from Daniel Bye is a surreal and often very funny take on deeply unfunny subjects – grief, environmental devastation and the possible end of the world....<br /><br />Bye is a TV comic tasked with turning the week’s events into bit-sized satirical shows. But when his big-hearted brother dies, it throws his cynicism into sharp relief. What kind of person, he wonders, stands at a sibling’s deathbed and ponders how he would rewrite the scene? His character is further tested when an unlikely celebrity suicide brings out his dark side. When he finds himself in a creative crisis, help comes from the most unlikely source: a spectral Piers Morgan.<br /><br />Tracey Sinclair THE STAGE<br /><br />Written and performed by Daniel Bye<br />Produced by Alphabetti Theatre and ARC Stockton<br />Recorded live at Alphabetti Theatre by Matt Jamie<br />Sound Design by Ziad Jabero<br />Technical Operations by Chris Foley<br />Special Thanks to Annabel Turpin, Veronica Johnson and Sarah Pushon<br />]]></itunes:summary><itunes:duration>4321</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/918afb0608a0c52d3dd72bfcf5d4256d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Angela by Charlotte Small</title><link>https://www.spreaker.com/episode/angela-by-charlotte-small--57942048</link><description><![CDATA[<b>Angela</b><br /><i>a Darkly Funny Journey through Innocence and Disillusionment.</i><br />written by Charlotte Small<br /><br />Alphabetti’s Autumn 2023 season continues with a debut show from local writer, Charlotte Small. Girl-guides, talking eggcups and wildlife disposal, Angela promises to be one of the most bizarre and hilarious stories to debut at the Award-Winning Fringe Venue. Angela is a play for everyone who has ever felt like a no one. She wants more than she has and commits one and a half hours per week volunteering as a Guide Leader to try and get it. And even when she fails, and fails again, she keeps going, and keeps us going with her.<br /><br />The play builds on its origins as a 2023 Winner of Alphabetti’s Response Writing programme. Angela will be contributing to a decade’s old tradition of new writing created and nurtured by Alphabetti in the North East. It promises a hilarious, heart wrenching yet uplifting tale of talking eggcups, a beatboxing Spiderman, and finding your power when you feel powerless.<br /><br />Writer: Charlotte Small (she/her)<br />Director: Ruth Mary Johnson (she/her)<br />Performer: Rebecca Glendenning-Laycock (she/they)<br />Sound Designer: Calum Howard (he/him)<br />Dramaturg: Tamsin Rees (they/them)<br />Producer: Gina Ruffin (she/her)<br />Stage Manager: Hannah Richardson (she/her) <br />Technical Coordination: Chris Foley <br />Audio recording, adaptation and editing: Matt Jamie<br />Closing Music: Jahzzar (https://freemusicarchive.org/music/Jahzzar/ - used under CC license: https://creativecommons.org/licenses/by-sa/4.0/)<br />Production Company: Alphabetti Theatre]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/57942048</guid><pubDate>Thu, 07 Dec 2023 17:14:30 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/57942048/angela_audio_play_new_ending.mp3" length="152207924" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>Angela
a Darkly Funny Journey through Innocence and Disillusionment.
written by Charlotte Small

Alphabetti’s Autumn 2023 season continues with a debut show from local writer, Charlotte Small. Girl-guides, talking eggcups and wildlife disposal, Angela...</itunes:subtitle><itunes:summary><![CDATA[<b>Angela</b><br /><i>a Darkly Funny Journey through Innocence and Disillusionment.</i><br />written by Charlotte Small<br /><br />Alphabetti’s Autumn 2023 season continues with a debut show from local writer, Charlotte Small. Girl-guides, talking eggcups and wildlife disposal, Angela promises to be one of the most bizarre and hilarious stories to debut at the Award-Winning Fringe Venue. Angela is a play for everyone who has ever felt like a no one. She wants more than she has and commits one and a half hours per week volunteering as a Guide Leader to try and get it. And even when she fails, and fails again, she keeps going, and keeps us going with her.<br /><br />The play builds on its origins as a 2023 Winner of Alphabetti’s Response Writing programme. Angela will be contributing to a decade’s old tradition of new writing created and nurtured by Alphabetti in the North East. It promises a hilarious, heart wrenching yet uplifting tale of talking eggcups, a beatboxing Spiderman, and finding your power when you feel powerless.<br /><br />Writer: Charlotte Small (she/her)<br />Director: Ruth Mary Johnson (she/her)<br />Performer: Rebecca Glendenning-Laycock (she/they)<br />Sound Designer: Calum Howard (he/him)<br />Dramaturg: Tamsin Rees (they/them)<br />Producer: Gina Ruffin (she/her)<br />Stage Manager: Hannah Richardson (she/her) <br />Technical Coordination: Chris Foley <br />Audio recording, adaptation and editing: Matt Jamie<br />Closing Music: Jahzzar (https://freemusicarchive.org/music/Jahzzar/ - used under CC license: https://creativecommons.org/licenses/by-sa/4.0/)<br />Production Company: Alphabetti Theatre]]></itunes:summary><itunes:duration>3809</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/f0e4dcfbda649726d4ad7acf6a8d21b5.jpg"/><itunes:season>1</itunes:season><itunes:episode>1</itunes:episode><itunes:episodeType>full</itunes:episodeType></item><item><title>Roots Food by Jaz Craddock-Jones</title><link>https://www.spreaker.com/episode/roots-food-by-jaz-craddock-jones--44000528</link><description><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the ninth of nine short plays written by underrepresented writers in the North East.<br /><br />Jaz is a Northern writer and NHS biomedical scientist. As a BAME artist she enjoys writing stories about Black British experiences. Her stage work has been performed in Sheffield, Leeds and Manchester and she has written a short film as part of the BFI Network Film Hub North 'Script Lab'.<br /><br />Tricia Wey is a 25-year-old London-based multi-disciplined creative and describes herself as a General Maker of Things. She is passionate about removing passivity from theatre and is an advocate for encouraging those who don't see themselves in theatre to take up space. She is particularly interested in creating and producing work that represents marginalised groups, and aims to instill young creatives with the confidence to explore their various artforms. When life begins to open up again, she would like to get more involved with the London cabaret and drag scene.<br /><br />She has written and performed work at the Bunker Theatre, the Vaults, Bethnal Green Working Men's Club, the World Transformed Festival, and the National Theatre. She also recently partook in WoLab's actor-writer programme. This is her first radio play and she was absolutely honoured to work with the cast and creatives. She hopes you enjoy this little slice of domestic Black life.<br /><br />Music by Ketsa<br />freemusicarchive.org/music/Ketsa<br />CC lIcence:<br />creativecommons.org/licenses/by-nc-nd/4.0/]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/44000528</guid><pubDate>Mon, 22 Mar 2021 19:30:11 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/44000528/roots_food_final.mp3" length="16117847" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>As part of Alphabetti Theatre’s Listen Up project comes the ninth of nine short plays written by underrepresented writers in the North East.

Jaz is a Northern writer and NHS biomedical scientist. As a BAME artist she enjoys writing stories about...</itunes:subtitle><itunes:summary><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the ninth of nine short plays written by underrepresented writers in the North East.<br /><br />Jaz is a Northern writer and NHS biomedical scientist. As a BAME artist she enjoys writing stories about Black British experiences. Her stage work has been performed in Sheffield, Leeds and Manchester and she has written a short film as part of the BFI Network Film Hub North 'Script Lab'.<br /><br />Tricia Wey is a 25-year-old London-based multi-disciplined creative and describes herself as a General Maker of Things. She is passionate about removing passivity from theatre and is an advocate for encouraging those who don't see themselves in theatre to take up space. She is particularly interested in creating and producing work that represents marginalised groups, and aims to instill young creatives with the confidence to explore their various artforms. When life begins to open up again, she would like to get more involved with the London cabaret and drag scene.<br /><br />She has written and performed work at the Bunker Theatre, the Vaults, Bethnal Green Working Men's Club, the World Transformed Festival, and the National Theatre. She also recently partook in WoLab's actor-writer programme. This is her first radio play and she was absolutely honoured to work with the cast and creatives. She hopes you enjoy this little slice of domestic Black life.<br /><br />Music by Ketsa<br />freemusicarchive.org/music/Ketsa<br />CC lIcence:<br />creativecommons.org/licenses/by-nc-nd/4.0/]]></itunes:summary><itunes:duration>671</itunes:duration><itunes:keywords>alphabetti,audio,in,listen,plays,theatre</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49f638e9e8d660594ec205120989bd3f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Giraffe By Julie Tsang</title><link>https://www.spreaker.com/episode/giraffe-by-julie-tsang--43841747</link><description><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the eighth of nine short plays written by underrepresented writers in the North East.<br /><br />Celine and Malik made a pact and now the day has come to face their fear together.<br /><br />Giraffe is a short audio drama about loss, honour and the childhood friendships which shape you as an adult.  <br /><br />Julie Tsang is an award-winning playwright. Her recent work includes: All Noise – Imagination project with Theatre Centre and Theatre 503, Spring Lantern Riddles - Lyceum theatre/Royal Shakespeare Company, Fix - Pleasance theatre. Julie's work will be staged as part of the 12th Women's International Playwrights Conference in Montréal 2022.<br /><br />Find out more about Julie’s work by following her on Twitter: @executetheatre<br /><br />Music by Borrtex: Distant Sphere<br /><a href="https://freemusicarchive.org/music/Borrtex/Distant_Sphere" rel="noopener">https://freemusicarchive.org/music/Borrtex/Distant_Sphere</a><br />Used under Creative Commons Licence<br /><a href="https://creativecommons.org/licenses/by-nc/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc/4.0/</a>]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/43841747</guid><pubDate>Mon, 15 Mar 2021 19:30:22 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/43841747/giraffe_final_mixdown.mp3" length="24331241" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>As part of Alphabetti Theatre’s Listen Up project comes the eighth of nine short plays written by underrepresented writers in the North East.

Celine and Malik made a pact and now the day has come to face their fear together.

Giraffe is a short audio...</itunes:subtitle><itunes:summary><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the eighth of nine short plays written by underrepresented writers in the North East.<br /><br />Celine and Malik made a pact and now the day has come to face their fear together.<br /><br />Giraffe is a short audio drama about loss, honour and the childhood friendships which shape you as an adult.  <br /><br />Julie Tsang is an award-winning playwright. Her recent work includes: All Noise – Imagination project with Theatre Centre and Theatre 503, Spring Lantern Riddles - Lyceum theatre/Royal Shakespeare Company, Fix - Pleasance theatre. Julie's work will be staged as part of the 12th Women's International Playwrights Conference in Montréal 2022.<br /><br />Find out more about Julie’s work by following her on Twitter: @executetheatre<br /><br />Music by Borrtex: Distant Sphere<br /><a href="https://freemusicarchive.org/music/Borrtex/Distant_Sphere" rel="noopener">https://freemusicarchive.org/music/Borrtex/Distant_Sphere</a><br />Used under Creative Commons Licence<br /><a href="https://creativecommons.org/licenses/by-nc/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc/4.0/</a>]]></itunes:summary><itunes:duration>1013</itunes:duration><itunes:keywords>alphabetti,audio,creative,east,fringe,newcastle,north,play,plays,theatre</itunes:keywords><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49f638e9e8d660594ec205120989bd3f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mystery Tour by Hannah Sowerby</title><link>https://www.spreaker.com/episode/mystery-tour-by-hannah-sowerby--43674403</link><description><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the seventh of nine short plays written by underrepresented writers in the North East.<br /><br />Janet, recently retired and bored of it already, loves a good bus tour. She’s been all over: Loch Lomond, Stratford-upon-Avon, even the Isle of Weight. It’s time to try something new, so she books herself on a mystery bus tour. Where on earth will she end up? And what on earth will she end up doing?<br /><br />Directed by Paula Penman<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Zoe Lambert<br /><br />Hannah is an emerging writer and performer originally from Cumbria. She’s had short many plays staged in theatres such as The Southwark Playhouse, Union Theatre, Canal Café Theatre and Alphabetti Theatre. She loves comedy and was one of the regular writer-performers on BBC Newcastle’s radio sketch show ‘It’s Grin Up North’.<br /><br />Find out more about Hannah’s work by following her on twitter: @hannahsowerby1 or visiting her website <a href="http://www.hannahsowerbywriter.co.uk" rel="noopener">www.hannahsowerbywriter.co.uk</a> <br /><br />Music by Ketsa<br /><a href="https://freemusicarchive.org/music/Ketsa" rel="noopener">https://freemusicarchive.org/music/Ketsa</a><br />CC licence<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc-nd/4.0/</a><br />And Swing Music clip from Moson Big Band <br /><a href="http://mosonbigband.hu" rel="noopener">http://mosonbigband.hu</a>]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/43674403</guid><pubDate>Mon, 08 Mar 2021 19:30:04 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/43674403/mystery_tour_mixdown.mp3" length="17707068" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>As part of Alphabetti Theatre’s Listen Up project comes the seventh of nine short plays written by underrepresented writers in the North East.

Janet, recently retired and bored of it already, loves a good bus tour. She’s been all over: Loch Lomond,...</itunes:subtitle><itunes:summary><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the seventh of nine short plays written by underrepresented writers in the North East.<br /><br />Janet, recently retired and bored of it already, loves a good bus tour. She’s been all over: Loch Lomond, Stratford-upon-Avon, even the Isle of Weight. It’s time to try something new, so she books herself on a mystery bus tour. Where on earth will she end up? And what on earth will she end up doing?<br /><br />Directed by Paula Penman<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Zoe Lambert<br /><br />Hannah is an emerging writer and performer originally from Cumbria. She’s had short many plays staged in theatres such as The Southwark Playhouse, Union Theatre, Canal Café Theatre and Alphabetti Theatre. She loves comedy and was one of the regular writer-performers on BBC Newcastle’s radio sketch show ‘It’s Grin Up North’.<br /><br />Find out more about Hannah’s work by following her on twitter: @hannahsowerby1 or visiting her website <a href="http://www.hannahsowerbywriter.co.uk" rel="noopener">www.hannahsowerbywriter.co.uk</a> <br /><br />Music by Ketsa<br /><a href="https://freemusicarchive.org/music/Ketsa" rel="noopener">https://freemusicarchive.org/music/Ketsa</a><br />CC licence<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc-nd/4.0/</a><br />And Swing Music clip from Moson Big Band <br /><a href="http://mosonbigband.hu" rel="noopener">http://mosonbigband.hu</a>]]></itunes:summary><itunes:duration>739</itunes:duration><itunes:keywords>alphabetti,audio,creative,newcastle,play,theatre</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49f638e9e8d660594ec205120989bd3f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hearing Voices by Richard Boggie</title><link>https://www.spreaker.com/episode/hearing-voices-by-richard-boggie--43674305</link><description><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the sixth of nine short plays written by underrepresented writers in the North East.<br /><br />This is a play about voices – those we choose to adopt when it suits us, and those we choose to ignore when it...suits us. For Matt, the voice is a familiar one, but the conversation is anything but.<br /><br />Directed by Karen Traynor<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Adam Donaldson<br /><br />Richard Boggie is an emerging writer from Newcastle. He can normally be found performing spoken word as Bogsey. His work is often playful and comedic, but can also offer Serious insight into life with sight loss and disability.<br /><br />Find out more about Richard by following him on Twitter @reb_678<br /><br />Music by Chad Crouch<br /><a href="https://freemusicarchive.org/music/Chad_Crouch" rel="noopener">https://freemusicarchive.org/music/Chad_Crouch</a><br />Creative Commons Licence<br /><a href="https://creativecommons.org/licenses/by-nc/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc/4.0/</a>]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/43674305</guid><pubDate>Mon, 01 Mar 2021 19:30:02 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/43674305/hearing_voices_final_dub.mp3" length="15989324" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>As part of Alphabetti Theatre’s Listen Up project comes the sixth of nine short plays written by underrepresented writers in the North East.

This is a play about voices – those we choose to adopt when it suits us, and those we choose to ignore when...</itunes:subtitle><itunes:summary><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the sixth of nine short plays written by underrepresented writers in the North East.<br /><br />This is a play about voices – those we choose to adopt when it suits us, and those we choose to ignore when it...suits us. For Matt, the voice is a familiar one, but the conversation is anything but.<br /><br />Directed by Karen Traynor<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Adam Donaldson<br /><br />Richard Boggie is an emerging writer from Newcastle. He can normally be found performing spoken word as Bogsey. His work is often playful and comedic, but can also offer Serious insight into life with sight loss and disability.<br /><br />Find out more about Richard by following him on Twitter @reb_678<br /><br />Music by Chad Crouch<br /><a href="https://freemusicarchive.org/music/Chad_Crouch" rel="noopener">https://freemusicarchive.org/music/Chad_Crouch</a><br />Creative Commons Licence<br /><a href="https://creativecommons.org/licenses/by-nc/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc/4.0/</a>]]></itunes:summary><itunes:duration>668</itunes:duration><itunes:keywords>alphabetti,audio,creative,drama,newcastle,play,theatre</itunes:keywords><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49f638e9e8d660594ec205120989bd3f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Jigsaw by Beth Nolan</title><link>https://www.spreaker.com/episode/jigsaw-by-beth-nolan--43530431</link><description><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the fifth of nine short plays written by underrepresented writers in the North East.<br /><br /><br />Liam and his mum decided to become a foster family. Now he invites you to listen to his side of the story. The side that doesn't get asked about.  Discover the highs, the lows, the brutal truths and emotions that come along with foster caring and inevitably, letting go. A beautiful heart wrenching drama about a side we don’t hear about in the foster system.<br /><br /><br />Directed by Paula Penman<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Arabella Arnott & Bob Nicholson <br /><br />Beth is an 23 year old emerging northern writer and actor. Jigsaw is about foster caring from the perspective of a Foster Carer's birth child- something she experienced. It's a specific voice in society which rarely gets heard, she feel it's under, and sometimes, falsely represented within media. It's her mission to write something which gives an accurate insight into the foster caring experience.  Away from writing, she loves creating comedy sketches with her best friend, playing the ukulele, performing their own spoken word and hiking in the lakes!<br /><br />Music by Ketsa<br /><a href="https://freemusicarchive.org/music/Ketsa/" rel="noopener">https://freemusicarchive.org/music/Ketsa/</a><br />Used under Creative Commons license:<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc-nd/4.0/</a>]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/43530431</guid><pubDate>Mon, 22 Feb 2021 19:30:17 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/43530431/jigsaw_edit1.mp3" length="21571067" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>As part of Alphabetti Theatre’s Listen Up project comes the fifth of nine short plays written by underrepresented writers in the North East.


Liam and his mum decided to become a foster family. Now he invites you to listen to his side of the story....</itunes:subtitle><itunes:summary><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the fifth of nine short plays written by underrepresented writers in the North East.<br /><br /><br />Liam and his mum decided to become a foster family. Now he invites you to listen to his side of the story. The side that doesn't get asked about.  Discover the highs, the lows, the brutal truths and emotions that come along with foster caring and inevitably, letting go. A beautiful heart wrenching drama about a side we don’t hear about in the foster system.<br /><br /><br />Directed by Paula Penman<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Arabella Arnott & Bob Nicholson <br /><br />Beth is an 23 year old emerging northern writer and actor. Jigsaw is about foster caring from the perspective of a Foster Carer's birth child- something she experienced. It's a specific voice in society which rarely gets heard, she feel it's under, and sometimes, falsely represented within media. It's her mission to write something which gives an accurate insight into the foster caring experience.  Away from writing, she loves creating comedy sketches with her best friend, playing the ukulele, performing their own spoken word and hiking in the lakes!<br /><br />Music by Ketsa<br /><a href="https://freemusicarchive.org/music/Ketsa/" rel="noopener">https://freemusicarchive.org/music/Ketsa/</a><br />Used under Creative Commons license:<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc-nd/4.0/</a>]]></itunes:summary><itunes:duration>899</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49f638e9e8d660594ec205120989bd3f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Laundry By Assad Zaman</title><link>https://www.spreaker.com/episode/laundry-by-assad-zaman--43478355</link><description><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the fourth of nine short plays written by underrepresented writers in the North East.<br /><br />It’s hard to talk about the thing you really want to talk about, especially if you’re British – Tea? When Sam goes over to her ex-Rob to use his washing machine, he hopes to be able to talk all things they never were able to finish…A comedy drama about so much more than dirty clothes.<br /><br />Directed by Paula Penman<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Craig Fairburn & Hannah Walker<br /><br />Assad grew up in the west end of Newcastle, in a bustling Asian neighbourhood full of loudness and drama, where his love for storytelling was born. He’s fascinated by human nature and how we navigate relationships, ambitions, fears and everything in between. He’s had the privilege of exploring these as an actor and now curious to explore as a writer<br /><br /><br />Music by KETSA<br /><br /><a href="https://freemusicarchive.org/music/Ketsa" rel="noopener">https://freemusicarchive.org/music/Ketsa</a><br /><br />Used under CC license<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc-nd/4.0/</a>]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/43478355</guid><pubDate>Mon, 15 Feb 2021 19:30:01 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/43478355/laundry_by_assad_zaman.mp3" length="20447139" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>As part of Alphabetti Theatre’s Listen Up project comes the fourth of nine short plays written by underrepresented writers in the North East.

It’s hard to talk about the thing you really want to talk about, especially if you’re British – Tea? When...</itunes:subtitle><itunes:summary><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the fourth of nine short plays written by underrepresented writers in the North East.<br /><br />It’s hard to talk about the thing you really want to talk about, especially if you’re British – Tea? When Sam goes over to her ex-Rob to use his washing machine, he hopes to be able to talk all things they never were able to finish…A comedy drama about so much more than dirty clothes.<br /><br />Directed by Paula Penman<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Craig Fairburn & Hannah Walker<br /><br />Assad grew up in the west end of Newcastle, in a bustling Asian neighbourhood full of loudness and drama, where his love for storytelling was born. He’s fascinated by human nature and how we navigate relationships, ambitions, fears and everything in between. He’s had the privilege of exploring these as an actor and now curious to explore as a writer<br /><br /><br />Music by KETSA<br /><br /><a href="https://freemusicarchive.org/music/Ketsa" rel="noopener">https://freemusicarchive.org/music/Ketsa</a><br /><br />Used under CC license<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc-nd/4.0/</a>]]></itunes:summary><itunes:duration>853</itunes:duration><itunes:keywords>alphabetti,audio,audioplay,drama,newcastle,play,show,theatre</itunes:keywords><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49f638e9e8d660594ec205120989bd3f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Transmission by James Piercy</title><link>https://www.spreaker.com/episode/transmission-by-james-piercy--43353329</link><description><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the third of nine short plays written by underrepresented writers in the North East.<br /><br /> Jimmy has been missing for two days, his partner Vivien is distraught with worry. When a boy comes knocking on the door with answers, they don’t know what to believe. A queer love-loss story with a twist.<br /><br />Directed by Paul James<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Samantha Bell & Luke Maddison<br /><br />James Piercy is a writer from the West Midlands. He graduated from Northumbria University with a BA in drama & scriptwriting. His debut play 'Waiting for Garbo' ran at the crescent theatre, in Birmingham, garnering rave reviews. Several of his one act plays; 'Oscar',  'Out in the streets' and 'Margie' have been produced in cities all around the U.K, including Newcastle's Northern Stage.  He has also written four screenplays, including his directorial debut 'Known Voices' which is available online. <br /><br />He is interested in ways of telling more authentic LGBTQ+ stories, wanting to tell queer stories that don't always focus on our sexuality but our existence.<br /><br />“Queer people still have to fight for our rights, battle addition, debt. We want to get married and have children. I want to offer real stories about real people, not the usual stereotypes.” <br /><br /> This is James’s debut audio commission, find out more about James work via their Twitter: @mrjamespiercy<br /><br />Music by Blear Moon<br /><a href="https://freemusicarchive.org/music/Blear_Moon" rel="noopener">https://freemusicarchive.org/music/Blear_Moon</a><br />Used under CC license<br /><a href="https://creativecommons.org/licenses/by-nc/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc/4.0/</a>]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/43353329</guid><pubDate>Mon, 08 Feb 2021 20:15:22 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/43353329/transmission_final_edit.mp3" length="25808929" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>As part of Alphabetti Theatre’s Listen Up project comes the third of nine short plays written by underrepresented writers in the North East.

 Jimmy has been missing for two days, his partner Vivien is distraught with worry. When a boy comes knocking...</itunes:subtitle><itunes:summary><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the third of nine short plays written by underrepresented writers in the North East.<br /><br /> Jimmy has been missing for two days, his partner Vivien is distraught with worry. When a boy comes knocking on the door with answers, they don’t know what to believe. A queer love-loss story with a twist.<br /><br />Directed by Paul James<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Samantha Bell & Luke Maddison<br /><br />James Piercy is a writer from the West Midlands. He graduated from Northumbria University with a BA in drama & scriptwriting. His debut play 'Waiting for Garbo' ran at the crescent theatre, in Birmingham, garnering rave reviews. Several of his one act plays; 'Oscar',  'Out in the streets' and 'Margie' have been produced in cities all around the U.K, including Newcastle's Northern Stage.  He has also written four screenplays, including his directorial debut 'Known Voices' which is available online. <br /><br />He is interested in ways of telling more authentic LGBTQ+ stories, wanting to tell queer stories that don't always focus on our sexuality but our existence.<br /><br />“Queer people still have to fight for our rights, battle addition, debt. We want to get married and have children. I want to offer real stories about real people, not the usual stereotypes.” <br /><br /> This is James’s debut audio commission, find out more about James work via their Twitter: @mrjamespiercy<br /><br />Music by Blear Moon<br /><a href="https://freemusicarchive.org/music/Blear_Moon" rel="noopener">https://freemusicarchive.org/music/Blear_Moon</a><br />Used under CC license<br /><a href="https://creativecommons.org/licenses/by-nc/4.0/" rel="noopener">https://creativecommons.org/licenses/by-nc/4.0/</a>]]></itunes:summary><itunes:duration>1076</itunes:duration><itunes:keywords>alphabetti,drama,lgtbq,theatre</itunes:keywords><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49f638e9e8d660594ec205120989bd3f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Contactless by Elijah Young</title><link>https://www.spreaker.com/episode/contactless-by-elijah-young--43227204</link><description><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the second of nine short plays written by underrepresented writers in the North East.<br /><br /><br /><br />A nameless woman working long hours behind a till begins to feel her body failing her. She's desperate for her ordinary life to leave an extraordinary mark on the world but believes she isn't doing enough. Time is not on her side but her sister definitely is. A heartfelt comedy drama about growing old and dealing with loss.<br /><br /><br /><br />Directed by Paula Penman<br /><br />Dramaturged &amp; Produced by Ali Pritchard<br /><br />Recording, Editing &amp; Sound Design by Matt Jamie<br /><br />Performed by Rebecca Glendenning-Laycock &amp; Hannah Walker<br /><br /><br /><br />Elijah is a playwright from Middlesbrough. His identity heavily influences his work and that’s why his writing tends to celebrate being queer and northern. He was the 2019 Young Writer residency at the Customs House where his play Isolation premiered which was later revived at Alphabetti. His last time working with Alphabetti was for Three Shorts and he is thrilled to be commissioned by this brilliant venue again. <br /><br /><br /><br />This is Elijah’s debut audio commission, find out more about Elijah’s work via their social Twitter @ElijahYoung1998 &amp; Instagram @elijahyoung__<br /><br /><br />Music by Ketsa, used under Creative Commons License <br />freemusicarchive.org/music/Ketsa/5d/sun-hope]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/43227204</guid><pubDate>Mon, 01 Feb 2021 18:55:09 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/43227204/contactless_elijah_young.mp3" length="21185615" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>As part of Alphabetti Theatre’s Listen Up project comes the second of nine short plays written by underrepresented writers in the North East.



A nameless woman working long hours behind a till begins to feel her body failing her. She's desperate for...</itunes:subtitle><itunes:summary><![CDATA[As part of Alphabetti Theatre’s Listen Up project comes the second of nine short plays written by underrepresented writers in the North East.<br /><br /><br /><br />A nameless woman working long hours behind a till begins to feel her body failing her. She's desperate for her ordinary life to leave an extraordinary mark on the world but believes she isn't doing enough. Time is not on her side but her sister definitely is. A heartfelt comedy drama about growing old and dealing with loss.<br /><br /><br /><br />Directed by Paula Penman<br /><br />Dramaturged &amp; Produced by Ali Pritchard<br /><br />Recording, Editing &amp; Sound Design by Matt Jamie<br /><br />Performed by Rebecca Glendenning-Laycock &amp; Hannah Walker<br /><br /><br /><br />Elijah is a playwright from Middlesbrough. His identity heavily influences his work and that’s why his writing tends to celebrate being queer and northern. He was the 2019 Young Writer residency at the Customs House where his play Isolation premiered which was later revived at Alphabetti. His last time working with Alphabetti was for Three Shorts and he is thrilled to be commissioned by this brilliant venue again. <br /><br /><br /><br />This is Elijah’s debut audio commission, find out more about Elijah’s work via their social Twitter @ElijahYoung1998 &amp; Instagram @elijahyoung__<br /><br /><br />Music by Ketsa, used under Creative Commons License <br />freemusicarchive.org/music/Ketsa/5d/sun-hope]]></itunes:summary><itunes:duration>884</itunes:duration><itunes:keywords>alphabetti,drama,newcastle,theatre</itunes:keywords><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49f638e9e8d660594ec205120989bd3f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>There’s Nothing To Worry About By Julie Burrow</title><link>https://www.spreaker.com/episode/there-s-nothing-to-worry-about-by-julie-burrow--43105398</link><description><![CDATA[Premieres: Monday 25th January at 7.30pm <br /><br />Tickets: Donate if you can Booking NOT essential<br /><br />Age recommendation: 14+ <br /><br />Running time: Approx. 10 mins<br /><br />Available Online indefinitely - AUDIO LINK.<br /><br />​<br /><br />As part of Alphabetti Theatre’s Listen Up project comes the first of nine short plays written by underrepresented writers in the North East.<br /><br /> <br /><br />The radio is on the blink but Rennie, refuses to replace it. When we hear things that aren’t broadcast do, we fear for our sanity? Or is there something more troublesome a foot? An exciting audio thriller. <br /><br /> <br /><br />Directed by Paula Penman<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Natasha Haws & Karen Traynor]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/43105398</guid><pubDate>Mon, 25 Jan 2021 19:30:11 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/43105398/theres_nothing_to_worry_about_alphabetti_theatre_audio.mp3" length="16722676" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>Premieres: Monday 25th January at 7.30pm 

Tickets: Donate if you can Booking NOT essential

Age recommendation: 14+ 

Running time: Approx. 10 mins

Available Online indefinitely - AUDIO LINK.

​

As part of Alphabetti Theatre’s Listen Up project...</itunes:subtitle><itunes:summary><![CDATA[Premieres: Monday 25th January at 7.30pm <br /><br />Tickets: Donate if you can Booking NOT essential<br /><br />Age recommendation: 14+ <br /><br />Running time: Approx. 10 mins<br /><br />Available Online indefinitely - AUDIO LINK.<br /><br />​<br /><br />As part of Alphabetti Theatre’s Listen Up project comes the first of nine short plays written by underrepresented writers in the North East.<br /><br /> <br /><br />The radio is on the blink but Rennie, refuses to replace it. When we hear things that aren’t broadcast do, we fear for our sanity? Or is there something more troublesome a foot? An exciting audio thriller. <br /><br /> <br /><br />Directed by Paula Penman<br /><br />Dramaturged & Produced by Ali Pritchard<br /><br />Recording, Editing & Sound Design by Matt Jamie<br /><br />Performed by Natasha Haws & Karen Traynor]]></itunes:summary><itunes:duration>695</itunes:duration><itunes:keywords>alphabetti,newcastle,play,theatre,thriller</itunes:keywords><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/49f638e9e8d660594ec205120989bd3f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Love from... By Ali Pritchard</title><link>https://www.spreaker.com/episode/love-from-by-ali-pritchard--42592822</link><description><![CDATA[An audio experience of Alphabetti Theatre & Woven Nest's 2020 festive family production.<br /><br />Premiered: Monday 21st December at 12:00pm <br />Tickets: Donate if you can Booking NOT essential<br />Age recommendation: Suitable for all the family <br />Running time: 55 mins<br /><br />Love and magic is being sucked out of our world.<br />Can you help us, find out how and why and SAVE Christmas?<br /><br />Alphabetti Theatre and Woven Nest present a new Christmas show for you to enjoy online. Originally intended for single household performances the team have adapted to bring you something really special online. Created by Alphabetti’s award-winning Artistic / Executive Director (Ali Pritchard) comes a mesmerizing show created for these unfamiliar times. Despite the global pandemic production partners Woven Nest have been running workshops outside, online and anyway they can with West Rainton Primary School, Springfield Lodge Care Home, Carr Hill Community Primary School, and Hotspur Primary School to devise details and colour that writer Ali Pritchard has weaved into a script. With a villain who only eats raw turnips and rat stew – subsequently needing to douse themselves in sickly-sweet tropical perfume to her invisible gargoyle subordinates; this is a online production suitable for all the family.<br />​<br /><br />Written by Ali Pritchard<br />Story & Characters ideas by participants from West Rainton Primary School, Springfield Lodge Care Home, Carr Hill Community Primary School, St Mark's Court Care Home & Hotspur Primary School<br />Workshops run by Woven Nest<br />Performed by Diji Solanke<br />Directed by Ali Pritchard<br />Assistant Directors: Olivia Hunt & Poppy Crawshaw<br />Designed by Molly Barrett<br />Assistant designer Anna Robinson<br />Set built by James Pickering & Dan Brown<br />Lighting design by Dan Saggars<br />Videographer Jacob Garthwaite<br />Composer / Sound designer Wilf Stone<br />Automata designer/technician Rachel Glover<br />Produced by Esther Fearn & Ali Pritchard<br />Stage managers Becky Glendenning-Laycock, Andrea Scrimshaw & Rachel Glover<br />Creative runner Izaak Gledhill<br />Pre-recorded Wanda Judi Earl<br />Pre-recorded Gary The Gargoyle Steve Byron<br />Gargoyle maker Nicole Freeman<br />Hessian Assistants Tommy Tyler & Eilis McGowan<br />Stop Motion by Steve Byron<br />Captions & Audio description by Matt Jamie<br />With Thanks to Open Clasp, Northern Stage, Live Theatre, Dance City, Durham Gala Theatre, Cap-a-pie & Curious Monkey<br />Funded by Arts Council England]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/42592822</guid><pubDate>Mon, 21 Dec 2020 09:44:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/42592822/love_from_final_mix.mp3" length="76964576" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>An audio experience of Alphabetti Theatre &amp; Woven Nest's 2020 festive family production.

Premiered: Monday 21st December at 12:00pm 
Tickets: Donate if you can Booking NOT essential
Age recommendation: Suitable for all the family 
Running...</itunes:subtitle><itunes:summary><![CDATA[An audio experience of Alphabetti Theatre & Woven Nest's 2020 festive family production.<br /><br />Premiered: Monday 21st December at 12:00pm <br />Tickets: Donate if you can Booking NOT essential<br />Age recommendation: Suitable for all the family <br />Running time: 55 mins<br /><br />Love and magic is being sucked out of our world.<br />Can you help us, find out how and why and SAVE Christmas?<br /><br />Alphabetti Theatre and Woven Nest present a new Christmas show for you to enjoy online. Originally intended for single household performances the team have adapted to bring you something really special online. Created by Alphabetti’s award-winning Artistic / Executive Director (Ali Pritchard) comes a mesmerizing show created for these unfamiliar times. Despite the global pandemic production partners Woven Nest have been running workshops outside, online and anyway they can with West Rainton Primary School, Springfield Lodge Care Home, Carr Hill Community Primary School, and Hotspur Primary School to devise details and colour that writer Ali Pritchard has weaved into a script. With a villain who only eats raw turnips and rat stew – subsequently needing to douse themselves in sickly-sweet tropical perfume to her invisible gargoyle subordinates; this is a online production suitable for all the family.<br />​<br /><br />Written by Ali Pritchard<br />Story & Characters ideas by participants from West Rainton Primary School, Springfield Lodge Care Home, Carr Hill Community Primary School, St Mark's Court Care Home & Hotspur Primary School<br />Workshops run by Woven Nest<br />Performed by Diji Solanke<br />Directed by Ali Pritchard<br />Assistant Directors: Olivia Hunt & Poppy Crawshaw<br />Designed by Molly Barrett<br />Assistant designer Anna Robinson<br />Set built by James Pickering & Dan Brown<br />Lighting design by Dan Saggars<br />Videographer Jacob Garthwaite<br />Composer / Sound designer Wilf Stone<br />Automata designer/technician Rachel Glover<br />Produced by Esther Fearn & Ali Pritchard<br />Stage managers Becky Glendenning-Laycock, Andrea Scrimshaw & Rachel Glover<br />Creative runner Izaak Gledhill<br />Pre-recorded Wanda Judi Earl<br />Pre-recorded Gary The Gargoyle Steve Byron<br />Gargoyle maker Nicole Freeman<br />Hessian Assistants Tommy Tyler & Eilis McGowan<br />Stop Motion by Steve Byron<br />Captions & Audio description by Matt Jamie<br />With Thanks to Open Clasp, Northern Stage, Live Theatre, Dance City, Durham Gala Theatre, Cap-a-pie & Curious Monkey<br />Funded by Arts Council England]]></itunes:summary><itunes:duration>3207</itunes:duration><itunes:keywords>alphabetti,audio,children,christmas,family,festive,friendly,play,pritchard,theatre</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c3d05e2e45c10b4e3444d366640c464c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bacon Knees and Sausage Fingers</title><link>https://www.spreaker.com/episode/bacon-knees-and-sausage-fingers--41573872</link><description><![CDATA[Alphabetti Theatre & The Worriers presents:<br /><br />Bacon Knees & Sausage Fingers Written & performed by Steve Byron & Gary Kitching<br /><br />*Back due to popular demand and now as an audio play following the sell-out run in 2016 and for all of February in 2019.*<br /><br />TRIGGER WARNING: This show deals with extremely difficult issues from the start and throughout. If this is a concern and you would like more information please contact our general manager, Alex Fisher, on <a href="mailto:bar@alphabettitheatre.co.uk">bar@alphabettitheatre.co.uk</a><br /><br />Bacon Knees has always been fast. His parents were very proud. They would watch him running around the garden in circles for hours on end. In 1989 he found his calling…Crufts was on TV. 27 years later and Bacon Knees finds himself on his home track – the High Level Bridge, Newcastle upon Tyne - up against a new opponent...<br /><br />Bacon Knees & Sausage Fingers is a harrowing, heart-warming and hilarious play written and performed by Gary Kitching and Steve Byron, directed by Ali Pritchard; it tells the tale of a meeting between two social outsiders and their new bizarre friendship.<br /><br />Directed by Ali Pritchard<br />Sound Recording & Editing by Matt Jamie<br />Sound Design by Nick Tyler]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/41573872</guid><pubDate>Wed, 21 Oct 2020 19:24:19 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/41573872/bksf_sounddraft4.mp3" length="51365092" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>Alphabetti Theatre &amp; The Worriers presents:

Bacon Knees &amp; Sausage Fingers Written &amp; performed by Steve Byron &amp; Gary Kitching

*Back due to popular demand and now as an audio play following the sell-out run in 2016 and for all of February in 2019.*...</itunes:subtitle><itunes:summary><![CDATA[Alphabetti Theatre & The Worriers presents:<br /><br />Bacon Knees & Sausage Fingers Written & performed by Steve Byron & Gary Kitching<br /><br />*Back due to popular demand and now as an audio play following the sell-out run in 2016 and for all of February in 2019.*<br /><br />TRIGGER WARNING: This show deals with extremely difficult issues from the start and throughout. If this is a concern and you would like more information please contact our general manager, Alex Fisher, on <a href="mailto:bar@alphabettitheatre.co.uk">bar@alphabettitheatre.co.uk</a><br /><br />Bacon Knees has always been fast. His parents were very proud. They would watch him running around the garden in circles for hours on end. In 1989 he found his calling…Crufts was on TV. 27 years later and Bacon Knees finds himself on his home track – the High Level Bridge, Newcastle upon Tyne - up against a new opponent...<br /><br />Bacon Knees & Sausage Fingers is a harrowing, heart-warming and hilarious play written and performed by Gary Kitching and Steve Byron, directed by Ali Pritchard; it tells the tale of a meeting between two social outsiders and their new bizarre friendship.<br /><br />Directed by Ali Pritchard<br />Sound Recording & Editing by Matt Jamie<br />Sound Design by Nick Tyler]]></itunes:summary><itunes:duration>3211</itunes:duration><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54497aeade4056877882528b8603bcca.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Wrong Place Wrong Time by Steve Byron</title><link>https://www.spreaker.com/episode/wrong-place-wrong-time-by-steve-byron--40929685</link><description><![CDATA[There is only so long you can poke a monkey with a stick before it grabs it off you and beats you with it. Nicky is a gentle soul in a savage jungle trying to survive, and looking for acceptance within the right tribe. Wrong Place, Wrong Time is a short piece about the results of nature vs nurture, and how wrong place, wrong time can have life effecting consequences.<br /><br /> <br /><br />Directed by Laura Lindow<br /><br />Performed by Paula Penman<br /><br />Dramaturged by Ali Pritchard<br /><br /> <br /><br />Please be aware that there is strong language used from the start and themes some might find upsetting for more information please visit the website.<br /><br /> <br /><br />Originally performed in 2016 in reaction to How Did We Get To This Point? By Ali Pritchard. The script for Wrong Place, Wrong Time was based on a creative writing materials produced by members of the creative writing class at Crisis Skylight Newcastle Upon Tyne. After a series of workshops hosted by Ali using the script for How Did We Get To This Point? as stimulus - the members, produced their own scripts, poems and short stories. These were then inter woven together by Steve Byron for this short play.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/40929685</guid><pubDate>Wed, 16 Sep 2020 19:30:16 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/40929685/time_place_final_b.mp3" length="46634104" type="audio/mpeg"/><itunes:author>Alphabetti Theatre</itunes:author><itunes:subtitle>There is only so long you can poke a monkey with a stick before it grabs it off you and beats you with it. Nicky is a gentle soul in a savage jungle trying to survive, and looking for acceptance within the right tribe. Wrong Place, Wrong Time is a...</itunes:subtitle><itunes:summary><![CDATA[There is only so long you can poke a monkey with a stick before it grabs it off you and beats you with it. Nicky is a gentle soul in a savage jungle trying to survive, and looking for acceptance within the right tribe. Wrong Place, Wrong Time is a short piece about the results of nature vs nurture, and how wrong place, wrong time can have life effecting consequences.<br /><br /> <br /><br />Directed by Laura Lindow<br /><br />Performed by Paula Penman<br /><br />Dramaturged by Ali Pritchard<br /><br /> <br /><br />Please be aware that there is strong language used from the start and themes some might find upsetting for more information please visit the website.<br /><br /> <br /><br />Originally performed in 2016 in reaction to How Did We Get To This Point? By Ali Pritchard. The script for Wrong Place, Wrong Time was based on a creative writing materials produced by members of the creative writing class at Crisis Skylight Newcastle Upon Tyne. After a series of workshops hosted by Ali using the script for How Did We Get To This Point? as stimulus - the members, produced their own scripts, poems and short stories. These were then inter woven together by Steve Byron for this short play.]]></itunes:summary><itunes:duration>1166</itunes:duration><itunes:keywords>arts,byron,newcastle,performing,place,steve,theatre,time,wrong</itunes:keywords><itunes:explicit>true</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/b42bedcb42d11c4377ad0cb7c732caf8.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
