https://www.spreaker.com/show/flush-studios-podcast
Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)]]>enTV & FilmFlush Studios, LLC.https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6d17a56e7cf5d92d08e846a576cbf76f.jpghttps://www.spreaker.com/show/flush-studios-podcastMon, 30 Mar 2026 13:34:03 +0000Josh StifterFlush Studiossupport@indiefilmhustle.comIndependent Filmmaker Josh Stifter of Flush Studios and Robert Rodriguez's show "Rebel with a Crew," sits down and speaks with indie filmmakers, creative artists about life in independent filmmaking, and making it the crazy film business.
Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)]]>falseepisodichttps://www.spreaker.com/episode/building-your-film-family-how-great-film-teams-are-made--70997330🎬 Welcome back, Rebels!

In this episode of Low-Budget Rebels, we’re wrapping up this run of conversations with a topic that sits at the heart of every film production: building your film family. No movie gets made alone. Behind every project is a group of collaborators who trust each other, support the vision, and help navigate the chaos that inevitably comes with making a film. This episode is about finding those people, building relationships over time, and creating a team that wants to keep coming back to make movies together.

We kick things off with Joshua Caldwell, director of Layover, Mending the Line, and Three People in the Woods. Joshua talks about how the professional work he did early in his career helped him form relationships that later became essential when making his own films. He also discusses how short films can act as a training ground for collaboration, allowing filmmakers to learn how to communicate with their teams, build trust on set, and develop a working rhythm together. At the same time, Joshua explains why it’s important to push yourself to work with new collaborators when the situation calls for it.

Next up, Jake Jarvi, director of Haunt Season and Exes of Christmas Past, dives into the impact that attitude and enthusiasm can have on a set. Jake talks about how energy is contagious in filmmaking, and how the tone of a production can shift dramatically depending on the people involved. He also discusses the realities of paying cast and crew, noting that even modest compensation can change the dynamic on set. Understanding why someone is there — whether it’s passion, experience, or financial motivation — helps filmmakers guide their teams and keep everyone moving in the same direction.

Then we hear from Scarlet Moreno, director of Phaedra and Little Lucha and The Big Deal. Scarlet shares her perspective from both sides of the camera, explaining how acting in projects has taught her how much trust performers place in the crew around them. When that trust exists, it allows everyone to focus on the work instead of worrying about whether things will come together. She also talks about the importance of communication when disagreements arise and how a strong film family can work through creative differences while keeping the story at the center of the conversation.

Finally, Alex Alessi, director of Nomad, When Everything’s Gone, and the upcoming Homebody, discusses the kind of shorthand that develops when a team works together over time. When that trust and familiarity exists, crews can respond quickly when problems arise and find solutions together. Alex explains how a strong team dynamic can turn potential disasters into solvable problems and keep a production moving forward even when things go wrong.

This episode is about relationships. The longer you make movies, the more you realize that filmmaking isn’t just about cameras, lighting, or budgets. It’s about people. It’s about building a group that believes in the work and wants to keep showing up to make the next one together. Huge thanks to everyone supporting Flush Studios on Patreon. Your support keeps Low-Budget Rebels ad-free and helps us continue having honest conversations about what it really takes to make independent films.

If you’re not already part of the community, you can join us at patreon.com/flushstudios. That wraps this run of episodes. More conversations are coming.

Cheers,
Josh]]>https://api.spreaker.com/episode/70997330Mon, 30 Mar 2026 13:32:04 +0000Josh Stifter🎬 Welcome back, Rebels! In this episode of Low-Budget Rebels, we’re wrapping up this run of conversations with a topic that sits at the heart of every film production: building your film family. No movie gets made alone. Behind every project is a...🎬 Welcome back, Rebels!

In this episode of Low-Budget Rebels, we’re wrapping up this run of conversations with a topic that sits at the heart of every film production: building your film family. No movie gets made alone. Behind every project is a group of collaborators who trust each other, support the vision, and help navigate the chaos that inevitably comes with making a film. This episode is about finding those people, building relationships over time, and creating a team that wants to keep coming back to make movies together.

We kick things off with Joshua Caldwell, director of Layover, Mending the Line, and Three People in the Woods. Joshua talks about how the professional work he did early in his career helped him form relationships that later became essential when making his own films. He also discusses how short films can act as a training ground for collaboration, allowing filmmakers to learn how to communicate with their teams, build trust on set, and develop a working rhythm together. At the same time, Joshua explains why it’s important to push yourself to work with new collaborators when the situation calls for it.

Next up, Jake Jarvi, director of Haunt Season and Exes of Christmas Past, dives into the impact that attitude and enthusiasm can have on a set. Jake talks about how energy is contagious in filmmaking, and how the tone of a production can shift dramatically depending on the people involved. He also discusses the realities of paying cast and crew, noting that even modest compensation can change the dynamic on set. Understanding why someone is there — whether it’s passion, experience, or financial motivation — helps filmmakers guide their teams and keep everyone moving in the same direction.

Then we hear from Scarlet Moreno, director of Phaedra and Little Lucha and The Big Deal. Scarlet shares her perspective from both sides of the camera, explaining how acting in projects has taught her how much trust performers place in the crew around them. When that trust exists, it allows everyone to focus on the work instead of worrying about whether things will come together. She also talks about the importance of communication when disagreements arise and how a strong film family can work through creative differences while keeping the story at the center of the conversation.

Finally, Alex Alessi, director of Nomad, When Everything’s Gone, and the upcoming Homebody, discusses the kind of shorthand that develops when a team works together over time. When that trust and familiarity exists, crews can respond quickly when problems arise and find solutions together. Alex explains how a strong team dynamic can turn potential disasters into solvable problems and keep a production moving forward even when things go wrong.

This episode is about relationships. The longer you make movies, the more you realize that filmmaking isn’t just about cameras, lighting, or budgets. It’s about people. It’s about building a group that believes in the work and wants to keep showing up to make the next one together. Huge thanks to everyone supporting Flush Studios on Patreon. Your support keeps Low-Budget Rebels ad-free and helps us continue having honest conversations about what it really takes to make independent films.

If you’re not already part of the community, you can join us at patreon.com/flushstudios. That wraps this run of episodes. More conversations are coming.

Cheers,
Josh]]>4249false624fullhttps://www.spreaker.com/episode/lighting-your-film-creating-style-on-a-low-budget--70828577🎬 Welcome back, Rebels!

In this episode of Low-Budget Rebels, we’re diving into one of the most powerful tools in a filmmaker’s arsenal: lighting. When you’re working on a limited budget, lighting choices can define the entire visual identity of your film. Whether it’s creating mood, shaping tone, or simply making sure the audience can see what’s happening, the way you approach lighting can dramatically influence how your story feels on screen.This episode is all about collaboration between directors and cinematographers, and how clear communication, planning, and smart technical decisions can help you achieve a strong visual style without a massive budget.

We start with Joshua Caldwell, director of Layover, Mending the Line, and Three People in the Woods. Joshua breaks down the difference between motivated and unmotivated lighting and explains why his focus has shifted toward realism and simplicity in recent years. Instead of chasing increasingly high camera resolutions, Joshua talks about how understanding ISO and exposure can make a much bigger difference in how your film actually looks and feels. For him, the goal isn’t flashy lighting — it’s making the image interesting while staying grounded in the reality of the scene.

Next up, Jake Jarvi, director of Haunt Season and Exes of Christmas Past, discusses how lighting supports tone and theme rather than dominating the filmmaking process. Jake explains why he prefers to keep lighting from becoming an overwhelming concern during production so he can stay focused on performance, blocking, and the overall flow of a scene. He also talks about how having control over your lights allows you to refine the look on set, while smart color correction in post-production can give filmmakers extra flexibility when working with limited lighting setups.

Then we hear from Scarlet Moreno, director of Phaedra and Little Lucha and The Big Deal. Scarlet discusses the importance of mood boards when defining a film’s visual identity. By exploring references for tone, color, and lighting early in the process, she’s able to create a clear visual direction before the cameras ever roll. She also emphasizes how crucial communication is between director and cinematographer, explaining that a shared understanding of what the film should feel like makes it far easier to achieve the desired look once production begins.

Finally, Alex Alessi, director of Nomad, When Everything’s Gone, and the upcoming Homebody, talks about thinking about the look of a film from the very beginning of development. Alex explains how identifying the visual inspiration for a project can shape everything from lighting choices to production design. He also highlights the value of working with a strong cinematographer who is willing to test cameras, lenses, and lighting setups in advance, building a visual approach long before the first day on set.

This episode is about intentional filmmaking. Lighting doesn’t have to be complicated or expensive to be effective. What matters most is understanding the tone of your film, communicating clearly with your collaborators, and making choices that support the story you’re trying to tell.Huge thanks to everyone supporting Flush Studios on Patreon. Your support keeps Low-Budget Rebels ad-free and allows us to keep having honest conversations about the realities of independent filmmaking. If you’re not already part of the community, you can join us at patreon.com/flushstudios.

More episodes are on the way.

Cheers,
Josh]]>https://api.spreaker.com/episode/70828577Mon, 23 Mar 2026 12:53:35 +0000Josh Stifter🎬 Welcome back, Rebels! In this episode of Low-Budget Rebels, we’re diving into one of the most powerful tools in a filmmaker’s arsenal: lighting. When you’re working on a limited budget, lighting choices can define the entire visual identity of your...🎬 Welcome back, Rebels!

In this episode of Low-Budget Rebels, we’re diving into one of the most powerful tools in a filmmaker’s arsenal: lighting. When you’re working on a limited budget, lighting choices can define the entire visual identity of your film. Whether it’s creating mood, shaping tone, or simply making sure the audience can see what’s happening, the way you approach lighting can dramatically influence how your story feels on screen.This episode is all about collaboration between directors and cinematographers, and how clear communication, planning, and smart technical decisions can help you achieve a strong visual style without a massive budget.

We start with Joshua Caldwell, director of Layover, Mending the Line, and Three People in the Woods. Joshua breaks down the difference between motivated and unmotivated lighting and explains why his focus has shifted toward realism and simplicity in recent years. Instead of chasing increasingly high camera resolutions, Joshua talks about how understanding ISO and exposure can make a much bigger difference in how your film actually looks and feels. For him, the goal isn’t flashy lighting — it’s making the image interesting while staying grounded in the reality of the scene.

Next up, Jake Jarvi, director of Haunt Season and Exes of Christmas Past, discusses how lighting supports tone and theme rather than dominating the filmmaking process. Jake explains why he prefers to keep lighting from becoming an overwhelming concern during production so he can stay focused on performance, blocking, and the overall flow of a scene. He also talks about how having control over your lights allows you to refine the look on set, while smart color correction in post-production can give filmmakers extra flexibility when working with limited lighting setups.

Then we hear from Scarlet Moreno, director of Phaedra and Little Lucha and The Big Deal. Scarlet discusses the importance of mood boards when defining a film’s visual identity. By exploring references for tone, color, and lighting early in the process, she’s able to create a clear visual direction before the cameras ever roll. She also emphasizes how crucial communication is between director and cinematographer, explaining that a shared understanding of what the film should feel like makes it far easier to achieve the desired look once production begins.

Finally, Alex Alessi, director of Nomad, When Everything’s Gone, and the upcoming Homebody, talks about thinking about the look of a film from the very beginning of development. Alex explains how identifying the visual inspiration for a project can shape everything from lighting choices to production design. He also highlights the value of working with a strong cinematographer who is willing to test cameras, lenses, and lighting setups in advance, building a visual approach long before the first day on set.

This episode is about intentional filmmaking. Lighting doesn’t have to be complicated or expensive to be effective. What matters most is understanding the tone of your film, communicating clearly with your collaborators, and making choices that support the story you’re trying to tell.Huge thanks to everyone supporting Flush Studios on Patreon. Your support keeps Low-Budget Rebels ad-free and allows us to keep having honest conversations about the realities of independent filmmaking. If you’re not already part of the community, you can join us at patreon.com/flushstudios.

More episodes are on the way.

Cheers,
Josh]]>3806false623fullhttps://www.spreaker.com/episode/preparing-to-release-a-film-festivals-strategy-and-the-long-road-to-an-audience--70656982
In this episode of Low-Budget Rebels, we’re diving into one of the most misunderstood parts of the filmmaking process: releasing your movie. Finishing a film is a huge accomplishment, but getting people to actually see it is an entirely different challenge. From film festivals to distribution strategies to building excitement around your project, this episode explores the many ways independent filmmakers can bring their work to an audience.

Every film has a different path. Some thrive on the festival circuit. Others find their audience online. The key is understanding what you have, who the audience is, and how to create a release strategy that actually makes sense for your project.

We kick things off with Scarlet Moreno, director of Phaedra and Little Lucha and The Big Deal. Scarlet talks about planning a festival run strategically and using that time on the circuit to meet collaborators, build relationships, and get the right people to see her work. She also breaks down the challenge of releasing short films, and how thoughtful marketing and targeted online platforms can help ensure a film doesn’t disappear after its festival life ends.

Next up is Joshua Caldwell, director of Layover, Mending the Line, and Three People in the Woods. Joshua discusses the importance of understanding what kind of film you’ve made and finding the right premiere to launch it. He also dives into the common misconception that distribution automatically leads to money and audiences, explaining the reality behind how much work is required to properly release a film and make it stand out.

Then we hear from Jake Jarvi, director of Haunt Season and Exes of Christmas Past. Jake emphasizes the importance of thinking about distribution before production even begins. He explains how knowing your potential release path early can influence creative and logistical decisions throughout the filmmaking process. Jake also talks about the real costs associated with festivals and representation, and how filmmakers can approach those investments strategically.

Finally, Alex Alessi, director of Nomad, When Everything’s Gone, and the upcoming Homebody, talks about the power of community when it comes to releasing a film. Alex discusses how an enthusiastic cast and crew can help build momentum and visibility for a project, creating a snowball effect that pushes the film into wider conversations. He also breaks down how social media can help connect filmmakers with their audience while building excitement around a project long before and long after release.

This episode is all about strategy and awareness. Releasing a movie isn’t just about uploading it somewhere and hoping people find it. It’s about understanding your film, identifying your audience, and creating a plan that helps your work reach the people who will connect with it most.Huge thanks to everyone supporting Flush Studios on Patreon. Because of you, Low-Budget Rebels stays ad-free and continues to be a place for honest conversations about the realities of independent filmmaking. If you’re not already part of the community, you can join us at patreon.com/flushstudios.

More episodes are on the way.

Cheers,
Josh]]>https://api.spreaker.com/episode/70656982Mon, 16 Mar 2026 11:31:10 +0000Josh Stifter🎬 Welcome back, Rebels! In this episode of Low-Budget Rebels, we’re diving into one of the most misunderstood parts of the filmmaking process: releasing your movie. Finishing a film is a huge accomplishment, but getting people to actually see it is...
In this episode of Low-Budget Rebels, we’re diving into one of the most misunderstood parts of the filmmaking process: releasing your movie. Finishing a film is a huge accomplishment, but getting people to actually see it is an entirely different challenge. From film festivals to distribution strategies to building excitement around your project, this episode explores the many ways independent filmmakers can bring their work to an audience.

Every film has a different path. Some thrive on the festival circuit. Others find their audience online. The key is understanding what you have, who the audience is, and how to create a release strategy that actually makes sense for your project.

We kick things off with Scarlet Moreno, director of Phaedra and Little Lucha and The Big Deal. Scarlet talks about planning a festival run strategically and using that time on the circuit to meet collaborators, build relationships, and get the right people to see her work. She also breaks down the challenge of releasing short films, and how thoughtful marketing and targeted online platforms can help ensure a film doesn’t disappear after its festival life ends.

Next up is Joshua Caldwell, director of Layover, Mending the Line, and Three People in the Woods. Joshua discusses the importance of understanding what kind of film you’ve made and finding the right premiere to launch it. He also dives into the common misconception that distribution automatically leads to money and audiences, explaining the reality behind how much work is required to properly release a film and make it stand out.

Then we hear from Jake Jarvi, director of Haunt Season and Exes of Christmas Past. Jake emphasizes the importance of thinking about distribution before production even begins. He explains how knowing your potential release path early can influence creative and logistical decisions throughout the filmmaking process. Jake also talks about the real costs associated with festivals and representation, and how filmmakers can approach those investments strategically.

Finally, Alex Alessi, director of Nomad, When Everything’s Gone, and the upcoming Homebody, talks about the power of community when it comes to releasing a film. Alex discusses how an enthusiastic cast and crew can help build momentum and visibility for a project, creating a snowball effect that pushes the film into wider conversations. He also breaks down how social media can help connect filmmakers with their audience while building excitement around a project long before and long after release.

This episode is all about strategy and awareness. Releasing a movie isn’t just about uploading it somewhere and hoping people find it. It’s about understanding your film, identifying your audience, and creating a plan that helps your work reach the people who will connect with it most.Huge thanks to everyone supporting Flush Studios on Patreon. Because of you, Low-Budget Rebels stays ad-free and continues to be a place for honest conversations about the realities of independent filmmaking. If you’re not already part of the community, you can join us at patreon.com/flushstudios.

More episodes are on the way.

Cheers,
Josh]]>4468cinema,diy,film,filmmaking,independent,indie,indiefilm,lowbudget,movie,moviemakingfalse622fullhttps://www.spreaker.com/episode/funding-your-film-the-real-ways-indie-films-get-financed--70555496🎬 Welcome back, Rebels!

In this episode of Low-Budget Rebels, we’re tackling one of the biggest hurdles every filmmaker faces: how to fund your film. Whether it’s self-financing, attracting investors, building a network through short films, or finding creative ways to stretch the resources you already have, this episode is all about the many paths filmmakers take to get a project off the ground.

Every film has a budget — even if that budget is whatever happens to be in your bank account at the moment. The question isn’t just how much money you have, but how you think about that money, how you use it, and how it shapes the film you’re able to make.

We kick things off with Joshua Caldwell, director of Layover, Mending the Line, and Three People in the Woods. Joshua talks about making Layover with money out of pocket, teaming up with a friend to self-finance the project and proving that a feature can be made with extremely limited resources. He also dives into how the idea of “budget” evolves as your films get bigger, and why understanding where that money goes becomes increasingly important as the scale of production grows.

Next up is Jake Jarvi, director of Haunt Season and Exes of Christmas Past. Jake discusses raising money through an investment platform and working with actual investors to finance his films. He breaks down how building trust with backers can open the door for future projects, and how thoughtful budgeting and transparency can help turn a one-time investment into a long-term filmmaking relationship.

Then we hear from Scarlet Moreno, director of Phaedra and Little Lucha And The Big Deal. Scarlet talks about working within the $7,000 constraints of Rebel Without a Crew: The Series and how that experience taught her invaluable lessons about production, budgeting, and problem-solving. She also discusses the importance of making short films to build both your creative voice and your professional network, and how understanding the context of your story can help guide realistic production decisions.

Finally, Alex Alessi, director of Nomad, When Everything's Gone, and the upcoming Homebody, talks about self-financing and designing stories around the resources you actually have. Alex shares how indie filmmakers can maximize their budgets by focusing on what they can realistically accomplish and how determination can sometimes be more valuable than money — including reaching out through agents to attach recognizable talent who believe in the story you’re trying to tell.

This episode is about resourcefulness. About understanding that there’s no single path to financing a film. Some filmmakers invest their own money. Some bring in partners. Some build their careers one short film at a time. But in every case, it comes down to knowing your resources, believing in the project, and finding creative ways to make the numbers work.Huge thanks to everyone supporting Flush Studios on Patreon. Because of you, Low-Budget Rebels stays ad-free and continues to be a space for honest conversations about the realities of independent filmmaking. If you’re not already part of the community, you can join us at patreon.com/flushstudios.

More lessons from the trenches are coming.

Cheers,
Josh]]>https://api.spreaker.com/episode/70555496Mon, 09 Mar 2026 21:21:38 +0000Josh Stifter🎬 Welcome back, Rebels! In this episode of Low-Budget Rebels, we’re tackling one of the biggest hurdles every filmmaker faces: how to fund your film. Whether it’s self-financing, attracting investors, building a network through short films, or...🎬 Welcome back, Rebels!

In this episode of Low-Budget Rebels, we’re tackling one of the biggest hurdles every filmmaker faces: how to fund your film. Whether it’s self-financing, attracting investors, building a network through short films, or finding creative ways to stretch the resources you already have, this episode is all about the many paths filmmakers take to get a project off the ground.

Every film has a budget — even if that budget is whatever happens to be in your bank account at the moment. The question isn’t just how much money you have, but how you think about that money, how you use it, and how it shapes the film you’re able to make.

We kick things off with Joshua Caldwell, director of Layover, Mending the Line, and Three People in the Woods. Joshua talks about making Layover with money out of pocket, teaming up with a friend to self-finance the project and proving that a feature can be made with extremely limited resources. He also dives into how the idea of “budget” evolves as your films get bigger, and why understanding where that money goes becomes increasingly important as the scale of production grows.

Next up is Jake Jarvi, director of Haunt Season and Exes of Christmas Past. Jake discusses raising money through an investment platform and working with actual investors to finance his films. He breaks down how building trust with backers can open the door for future projects, and how thoughtful budgeting and transparency can help turn a one-time investment into a long-term filmmaking relationship.

Then we hear from Scarlet Moreno, director of Phaedra and Little Lucha And The Big Deal. Scarlet talks about working within the $7,000 constraints of Rebel Without a Crew: The Series and how that experience taught her invaluable lessons about production, budgeting, and problem-solving. She also discusses the importance of making short films to build both your creative voice and your professional network, and how understanding the context of your story can help guide realistic production decisions.

Finally, Alex Alessi, director of Nomad, When Everything's Gone, and the upcoming Homebody, talks about self-financing and designing stories around the resources you actually have. Alex shares how indie filmmakers can maximize their budgets by focusing on what they can realistically accomplish and how determination can sometimes be more valuable than money — including reaching out through agents to attach recognizable talent who believe in the story you’re trying to tell.

This episode is about resourcefulness. About understanding that there’s no single path to financing a film. Some filmmakers invest their own money. Some bring in partners. Some build their careers one short film at a time. But in every case, it comes down to knowing your resources, believing in the project, and finding creative ways to make the numbers work.Huge thanks to everyone supporting Flush Studios on Patreon. Because of you, Low-Budget Rebels stays ad-free and continues to be a space for honest conversations about the realities of independent filmmaking. If you’re not already part of the community, you can join us at patreon.com/flushstudios.

More lessons from the trenches are coming.

Cheers,
Josh]]>5095budget,earning,fest,film,filmfestivals,filmmaking,independent,indie,money,movie,movies,roifalse621fullhttps://www.spreaker.com/episode/the-low-budget-advantage-the-indie-filmmaker-s-survival-mindset--70224663
In this episode of Low-Budget Rebels, we’re closing out this run with a survival guide for independent filmmakers who are in the trenches right now. This one is all about the tricks, philosophies, and mindsets that make low-budget filmmaking not just possible, but actually fun. When resources are thin, every choice matters. What you spend on, what you save on, who you bring in, and how you adapt can be the difference between finishing a movie or burning out halfway through. This week’s guests share the hard-earned lessons that helped them survive the chaos and keep making work they’re proud of.

We kick things off with Dan Lotz, director of Chlorine, The Long Con, and Sheep Theater. Dan talks about the importance of being honest with yourself about what roles you can and cannot realistically fill on set. He shares how trying to do everything can hurt a project, and how working with a strong cinematographer helped him discover what he actually likes visually and begin building a personal style. Dan also digs into the deeper “why” behind making movies at all, and how staying connected to that reason becomes the greatest low-budget hack of all when things get hard.

Next up, Nick Psinakis, co-director of Cheat and Valley View Motel, lays down one of the most crucial truths in indie film: sound is king. Nick breaks down why investing in audio gear and learning how to use it properly can elevate a film more than almost any other upgrade. He talks about how bad sound can sink even the most visually interesting movie, and shares creative ways to use limited tools differently so your work stands out instead of blending into the noise.

Then Joe Sherlock, the force behind Trailer Park Double Wide Trilogy of Terror, The Haunting of Heather Black, and the Weird House films, gets into the art of using your surroundings to fake new locations and stretch a tiny budget into multiple worlds. Joe talks about how changing small details can help you shoot more projects without burning out your locations. We also get into the very real, very controversial topic of coffee for cast and crew, and why taking care of people matters more than filmmakers sometimes admit. He shares why spending money on reusable props and assets pays off over time, especially when you’re building a body of work instead of just one film.

Finally, R.S. Trashley (Sean Ashley), director of the Homicide McLeod films and producer of Get That Dick, talks about prioritizing time over everything else. Sean makes the case for spending money on more days of production so you are not constantly rushing and cutting corners. He breaks down how to hide your weakest elements by focusing on what you can show well, whether that’s performance, a clever effect, or a single strong visual idea. We also share the infamous “It’s HIS BUDDY!” story from Get That Dick, which perfectly sums up the chaos, problem-solving, and weird magic of low-budget filmmaking.

This episode is about survival, yes. But it’s also about mindset. It’s about learning where to be scrappy, where to be intentional, and how to turn limitations into a style instead of a frustration. Low-budget filmmaking isn’t just a phase. For a lot of us, it’s the training ground that shapes who we become as artists.

Thank you so much for supporting Low-Budget Rebels. Your support keeps these episodes ad free and helps us continue having honest, practical conversations about what it really takes to make movies outside the system. If you’re not already a member, you can join us at patreon.com/flushstudios.

And don’t forget to follow and support this episode’s incredible guests:
Dan Lotz – Chlorine, The Long Con, Sheep Theater
Nick Psinakis – Cheat, Valley View Motel
Joe Sherlock – Trailer Park Double Wide Trilogy of Terror, The Haunting of Heather Black, Weird House films
R.S. Trashley (Sean Ashley) – Homicide McLeod films, Get That Dick

That wraps this run of episodes. More conversations are coming. Keep making the work you want to see, take care of your people, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/70224663Mon, 23 Feb 2026 11:40:26 +0000Josh Stifter🎬 Welcome back, Rebels! In this episode of Low-Budget Rebels, we’re closing out this run with a survival guide for independent filmmakers who are in the trenches right now. This one is all about the tricks, philosophies, and mindsets that make...
In this episode of Low-Budget Rebels, we’re closing out this run with a survival guide for independent filmmakers who are in the trenches right now. This one is all about the tricks, philosophies, and mindsets that make low-budget filmmaking not just possible, but actually fun. When resources are thin, every choice matters. What you spend on, what you save on, who you bring in, and how you adapt can be the difference between finishing a movie or burning out halfway through. This week’s guests share the hard-earned lessons that helped them survive the chaos and keep making work they’re proud of.

We kick things off with Dan Lotz, director of Chlorine, The Long Con, and Sheep Theater. Dan talks about the importance of being honest with yourself about what roles you can and cannot realistically fill on set. He shares how trying to do everything can hurt a project, and how working with a strong cinematographer helped him discover what he actually likes visually and begin building a personal style. Dan also digs into the deeper “why” behind making movies at all, and how staying connected to that reason becomes the greatest low-budget hack of all when things get hard.

Next up, Nick Psinakis, co-director of Cheat and Valley View Motel, lays down one of the most crucial truths in indie film: sound is king. Nick breaks down why investing in audio gear and learning how to use it properly can elevate a film more than almost any other upgrade. He talks about how bad sound can sink even the most visually interesting movie, and shares creative ways to use limited tools differently so your work stands out instead of blending into the noise.

Then Joe Sherlock, the force behind Trailer Park Double Wide Trilogy of Terror, The Haunting of Heather Black, and the Weird House films, gets into the art of using your surroundings to fake new locations and stretch a tiny budget into multiple worlds. Joe talks about how changing small details can help you shoot more projects without burning out your locations. We also get into the very real, very controversial topic of coffee for cast and crew, and why taking care of people matters more than filmmakers sometimes admit. He shares why spending money on reusable props and assets pays off over time, especially when you’re building a body of work instead of just one film.

Finally, R.S. Trashley (Sean Ashley), director of the Homicide McLeod films and producer of Get That Dick, talks about prioritizing time over everything else. Sean makes the case for spending money on more days of production so you are not constantly rushing and cutting corners. He breaks down how to hide your weakest elements by focusing on what you can show well, whether that’s performance, a clever effect, or a single strong visual idea. We also share the infamous “It’s HIS BUDDY!” story from Get That Dick, which perfectly sums up the chaos, problem-solving, and weird magic of low-budget filmmaking.

This episode is about survival, yes. But it’s also about mindset. It’s about learning where to be scrappy, where to be intentional, and how to turn limitations into a style instead of a frustration. Low-budget filmmaking isn’t just a phase. For a lot of us, it’s the training ground that shapes who we become as artists.

Thank you so much for supporting Low-Budget Rebels. Your support keeps these episodes ad free and helps us continue having honest, practical conversations about what it really takes to make movies outside the system. If you’re not already a member, you can join us at patreon.com/flushstudios.

And don’t forget to follow and support this episode’s incredible guests:
Dan Lotz – Chlorine, The Long Con, Sheep Theater
Nick Psinakis – Cheat, Valley View Motel
Joe Sherlock – Trailer Park Double Wide Trilogy of Terror,...]]>4190art,cinema,film,filmmaking,indie,lowbudget,makemovies,moviesfalse620fullhttps://www.spreaker.com/episode/finding-the-performance-directing-first-timers-and-non-actors--70081094
In this episode of Low-Budget Rebels, we’re digging into one of the most intimidating — and most rewarding — parts of indie filmmaking: working with actors. When you’re making movies with tiny budgets, tight schedules, and often first-time performers, directing performances becomes less about “perfection” and more about trust, communication, and creating an environment where people feel safe to try things. This week’s guests share how they’ve learned to guide performances, build confidence, and get honest, compelling work from actors under low-budget conditions.

We kick things off with Dan Lotz, director of Chlorine, The Long Con, and Sheep Theater. Dan reflects on making movies with his friends as a kid and how those early experiments taught him what kinds of performances you can realistically get from people. He opens up about the fear of stepping in front of the camera himself and carrying a film as a performer, and how learning to act gave him empathy for what actors go through. Dan also talks about the unique challenges of directing performances within an improvisational style, where structure and freedom have to exist at the same time.

Next up, Nick Psinakis, co-director of Cheat and Valley View Motel, breaks down how studying acting changed the way he directs. Nick shares how learning performance from the inside helped him communicate more clearly with actors, listen more closely, and build real relationships with his cast. We talk about techniques for getting organic, natural performances on set, and how often actors will surprise you when you give them the space and trust to bring their own instincts into a scene.

Then Joe Sherlock, the mind behind Trailer Park Double Wide Trilogy of Terror, The Haunting of Heather Black, and the Weird House films, talks about his approach to finding and working with actors. Joe dives into the importance of being upfront about the kinds of movies you’re making and the tone you’re going for, so the people who show up are aligned with the vision. He shares how openness and communication lead to better buy-in from the cast, and how being honest about the limitations of a low-budget production helps actors give you their best work instead of feeling misled or frustrated.

Finally, Sean Ashley (R.S. Trashley), director of the Homicide McLeod films and producer of Get That Dick, talks about finding talent through festivals and community. Sean reflects on meeting incredible actors through the Atlanta film scene, including collaborations that came directly from simply showing up and engaging with people. We dig into the anxiety of bringing new talent onto a project, not knowing what they’ll bring to the table, and the techniques he uses to steer performances without crushing what makes an actor unique.

This episode is all about trust, communication, and empathy — learning how to meet actors where they are, especially when you’re working with first-timers or friends who are learning alongside you. It’s a reminder that great performances don’t come from control. They come from collaboration.Thank you so much for supporting Low-Budget Rebels. Your support keeps these conversations ad free and helps us keep bringing real, honest filmmaking discussions to the table. If you’re not already a member, you can join us at patreon.com/flushstudios.

And don’t forget to follow and support this episode’s incredible guests:
Dan Lotz – Chlorine, The Long Con, Sheep Theater
Nick Psinakis – Cheat, Valley View Motel
Joe Sherlock – Trailer Park Double Wide Trilogy of Terror, The Haunting of Heather Black, Weird House films
R.S. Trashley (Sean Ashley) – Homicide McLeod films, Get That Dick

More fearless filmmaking conversations are on the way. Stay scrappy, keep learning, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/70081094Mon, 16 Feb 2026 13:44:44 +0000Josh StifterWelcome back, Rebels! In this episode of Low-Budget Rebels, we’re digging into one of the most intimidating — and most rewarding — parts of indie filmmaking: working with actors. When you’re making movies with tiny budgets, tight schedules, and often...
In this episode of Low-Budget Rebels, we’re digging into one of the most intimidating — and most rewarding — parts of indie filmmaking: working with actors. When you’re making movies with tiny budgets, tight schedules, and often first-time performers, directing performances becomes less about “perfection” and more about trust, communication, and creating an environment where people feel safe to try things. This week’s guests share how they’ve learned to guide performances, build confidence, and get honest, compelling work from actors under low-budget conditions.

We kick things off with Dan Lotz, director of Chlorine, The Long Con, and Sheep Theater. Dan reflects on making movies with his friends as a kid and how those early experiments taught him what kinds of performances you can realistically get from people. He opens up about the fear of stepping in front of the camera himself and carrying a film as a performer, and how learning to act gave him empathy for what actors go through. Dan also talks about the unique challenges of directing performances within an improvisational style, where structure and freedom have to exist at the same time.

Next up, Nick Psinakis, co-director of Cheat and Valley View Motel, breaks down how studying acting changed the way he directs. Nick shares how learning performance from the inside helped him communicate more clearly with actors, listen more closely, and build real relationships with his cast. We talk about techniques for getting organic, natural performances on set, and how often actors will surprise you when you give them the space and trust to bring their own instincts into a scene.

Then Joe Sherlock, the mind behind Trailer Park Double Wide Trilogy of Terror, The Haunting of Heather Black, and the Weird House films, talks about his approach to finding and working with actors. Joe dives into the importance of being upfront about the kinds of movies you’re making and the tone you’re going for, so the people who show up are aligned with the vision. He shares how openness and communication lead to better buy-in from the cast, and how being honest about the limitations of a low-budget production helps actors give you their best work instead of feeling misled or frustrated.

Finally, Sean Ashley (R.S. Trashley), director of the Homicide McLeod films and producer of Get That Dick, talks about finding talent through festivals and community. Sean reflects on meeting incredible actors through the Atlanta film scene, including collaborations that came directly from simply showing up and engaging with people. We dig into the anxiety of bringing new talent onto a project, not knowing what they’ll bring to the table, and the techniques he uses to steer performances without crushing what makes an actor unique.

This episode is all about trust, communication, and empathy — learning how to meet actors where they are, especially when you’re working with first-timers or friends who are learning alongside you. It’s a reminder that great performances don’t come from control. They come from collaboration.Thank you so much for supporting Low-Budget Rebels. Your support keeps these conversations ad free and helps us keep bringing real, honest filmmaking discussions to the table. If you’re not already a member, you can join us at patreon.com/flushstudios.

And don’t forget to follow and support this episode’s incredible guests:
Dan Lotz – Chlorine, The Long Con, Sheep Theater
Nick Psinakis – Cheat, Valley View Motel
Joe Sherlock – Trailer Park Double Wide Trilogy of Terror, The Haunting of Heather Black, Weird House films
R.S. Trashley (Sean Ashley) – Homicide McLeod films, Get That Dick

More fearless filmmaking conversations are on the way. Stay scrappy, keep learning, and stay rebellious.4321behindthescenes,comedy,film,filmmaking,horror,independent,indie,lowbudget,moviemaking,movies,youtubefalse619fullhttps://www.spreaker.com/episode/stories-from-set-disasters-and-survival-making-indie-movies--69885365🎬 Welcome back, Rebels!

On this episode of Low-Budget Rebels, we’re swapping theory for survival stories. This week is all about war stories from production — the moments where everything goes sideways, emotions run high, plans fall apart, and somehow the movie still gets made. These are the stories you don’t hear in film school, but the ones that actually teach you how to endure this craft.

Every filmmaker has them. The days where the problem isn’t the shot list or the budget, but life, weather, people, or pure chaos. This episode is about how you respond when the plan breaks — and how resilience, adaptability, and stubbornness become your most valuable tools.

We kick things off with Dan Lotz, director of Chlorine, The Long Con, and Sheep Theater. Dan opens up about losing his father during production and how that loss deeply affected the work. He talks honestly about grief colliding with responsibility, and the emotional weight of trying to keep a project moving forward while processing something that life-altering. Dan also dives into the unseen toll of visual effects-heavy projects, breaking down how ambitious VFX work can quietly multiply the workload in ways most people never realize until they’re buried in it.

Next, Nick Psinakis, co-director of Cheat and Valley View Motel, shares how something as uncontrollable as snow completely reshaped his production. Locations had to change. Plans had to be thrown out. Expectations had to shift. What started as an obstacle turned into a defining element of the film’s atmosphere. Nick talks about staying mentally prepared for the fact that anything can go wrong at any moment — and how that mindset allows you to pivot instead of panic.

Then we hear from Joe Sherlock, known for the Trailer Park Double Wide Trilogy of Terror, The Haunting of Heather Black, and the Weird House films, who brings the wildest stories of the episode. Joe recounts how filming in public spaces with an ape mask led to a hilariously chaotic misadventure, including the very real possibility of law enforcement involvement. He talks about having the cops called on productions, the importance of adaptability, and how filming multiple projects around the same locations can turn a stressful situation into an opportunity if you’re willing to think fast and shoot smarter.

Finally, R.S. Trashley, director of the Homicide McLeod films and producer of Get That Dick, breaks down the slow burn of production chaos. Not one big disaster, but a constant stream of small things going wrong. He talks about learning to move forward through frustration, recognizing when to stop fighting circumstances, and making peace with the idea that finishing the project matters more than perfection. For him, persistence isn’t glamorous, but it’s essential.

This episode is about endurance. About finishing when it hurts. About adapting when nothing goes according to plan. And about understanding that the scars you earn on set are often the ones that shape you into a better filmmaker.

Huge thanks to everyone supporting Flush Studios on Patreon. Because of you, Low-Budget Rebels stays ad-free and honest, with room for real conversations about the hard parts of making movies. If you’re not already part of the community, you can join us at patreon.com/flushstudios.

More hard-earned lessons are coming.

Cheers,
Josh]]>https://api.spreaker.com/episode/69885365Mon, 09 Feb 2026 11:30:41 +0000Josh Stifter🎬 Welcome back, Rebels! On this episode of Low-Budget Rebels, we’re swapping theory for survival stories. This week is all about war stories from production — the moments where everything goes sideways, emotions run high, plans fall apart, and...🎬 Welcome back, Rebels!

On this episode of Low-Budget Rebels, we’re swapping theory for survival stories. This week is all about war stories from production — the moments where everything goes sideways, emotions run high, plans fall apart, and somehow the movie still gets made. These are the stories you don’t hear in film school, but the ones that actually teach you how to endure this craft.

Every filmmaker has them. The days where the problem isn’t the shot list or the budget, but life, weather, people, or pure chaos. This episode is about how you respond when the plan breaks — and how resilience, adaptability, and stubbornness become your most valuable tools.

We kick things off with Dan Lotz, director of Chlorine, The Long Con, and Sheep Theater. Dan opens up about losing his father during production and how that loss deeply affected the work. He talks honestly about grief colliding with responsibility, and the emotional weight of trying to keep a project moving forward while processing something that life-altering. Dan also dives into the unseen toll of visual effects-heavy projects, breaking down how ambitious VFX work can quietly multiply the workload in ways most people never realize until they’re buried in it.

Next, Nick Psinakis, co-director of Cheat and Valley View Motel, shares how something as uncontrollable as snow completely reshaped his production. Locations had to change. Plans had to be thrown out. Expectations had to shift. What started as an obstacle turned into a defining element of the film’s atmosphere. Nick talks about staying mentally prepared for the fact that anything can go wrong at any moment — and how that mindset allows you to pivot instead of panic.

Then we hear from Joe Sherlock, known for the Trailer Park Double Wide Trilogy of Terror, The Haunting of Heather Black, and the Weird House films, who brings the wildest stories of the episode. Joe recounts how filming in public spaces with an ape mask led to a hilariously chaotic misadventure, including the very real possibility of law enforcement involvement. He talks about having the cops called on productions, the importance of adaptability, and how filming multiple projects around the same locations can turn a stressful situation into an opportunity if you’re willing to think fast and shoot smarter.

Finally, R.S. Trashley, director of the Homicide McLeod films and producer of Get That Dick, breaks down the slow burn of production chaos. Not one big disaster, but a constant stream of small things going wrong. He talks about learning to move forward through frustration, recognizing when to stop fighting circumstances, and making peace with the idea that finishing the project matters more than perfection. For him, persistence isn’t glamorous, but it’s essential.

This episode is about endurance. About finishing when it hurts. About adapting when nothing goes according to plan. And about understanding that the scars you earn on set are often the ones that shape you into a better filmmaker.

Huge thanks to everyone supporting Flush Studios on Patreon. Because of you, Low-Budget Rebels stays ad-free and honest, with room for real conversations about the hard parts of making movies. If you’re not already part of the community, you can join us at patreon.com/flushstudios.

More hard-earned lessons are coming.

Cheers,
Josh]]>4429art,diy,film,filmmaking,independent,indie,making,moviesfalse618fullhttps://www.spreaker.com/episode/find-your-strengths-building-films-around-what-you-do-best--69725935
In this week’s episode of Low-Budget Rebels, we dig into something that doesn’t get talked about nearly enough: knowing your strengths as a filmmaker and building your process around them. Not every director works the same way, and that’s the point. The key isn’t forcing yourself into someone else’s workflow, but recognizing what you’re good at and leaning into it hard.

This episode is all about self-awareness, trust, and momentum. How do you make movies in a way that actually works for you? And how do you turn your instincts, habits, and even your chaos into creative advantages?

We start with Dan Lotz, director of Chlorine, The Long Con, and Sheep Theater. Dan talks about embracing an improvisational mindset as a director. Figuring things out on the fly, experimenting, staying loose, and allowing raw filmmaking instincts to guide the work. Instead of locking himself into rigid plans, Dan finds strength in adaptability and discovery, letting the movie reveal itself during production.

Next up is Nick Psinakis, co-director of Cheat and Valley View Motel, who brings a counterbalance to that approach. Nick dives into the power of planning ahead and the importance of working with a creative partner who has your back. He talks about building projects through collaboration, trust, and preparation, and how balancing ideas with a teammate can turn limitations into structure instead of stress.

Then we’re joined by Joe Sherlock, known for the Trailer Park Double Wide Trilogy of Terror, The Haunting of Heather Black, and the Weird House films. Joe breaks down one of his greatest strengths: finishing things. He talks about harnessing his night-owl energy, working late when the world is quiet, and using drawing as part of his creative process to stay focused and aligned. For Joe, motivation mixed with a refusal to leave projects unfinished is what keeps his films moving forward.

Finally, Sean Ashley (R.S. Trashley), director of the Homicide McLeod films and producer of Get That Dick, talks about trusting himself. Trusting his gut. Trusting his vision. And learning how to trust the visions of others as well. Sean embraces the madness of collaboration, the chaos of team-based filmmaking, and the beauty that comes from letting that energy become a strength instead of something to control or fear.

This episode is a reminder that there is no single “correct” way to make a movie. Your strengths are personal. Your process should be too. When you understand how you work best, you stop fighting yourself and start finishing stronger films.A huge thank you to everyone supporting Flush Studios on Patreon. Because of you, Low-Budget Rebels stays completely ad-free here, with space for longer, more honest conversations about what it really takes to make movies independently.

If you’re not already a member, head to patreon.com/flushstudios to join and support the show.More real, messy, and meaningful filmmaking conversations are on the way.

Cheers,
Josh]]>https://api.spreaker.com/episode/69725935Sun, 01 Feb 2026 22:07:06 +0000Josh Stifter🎬 Welcome back, Rebels! In this week’s episode of Low-Budget Rebels, we dig into something that doesn’t get talked about nearly enough: knowing your strengths as a filmmaker and building your process around them. Not every director works the same...
In this week’s episode of Low-Budget Rebels, we dig into something that doesn’t get talked about nearly enough: knowing your strengths as a filmmaker and building your process around them. Not every director works the same way, and that’s the point. The key isn’t forcing yourself into someone else’s workflow, but recognizing what you’re good at and leaning into it hard.

This episode is all about self-awareness, trust, and momentum. How do you make movies in a way that actually works for you? And how do you turn your instincts, habits, and even your chaos into creative advantages?

We start with Dan Lotz, director of Chlorine, The Long Con, and Sheep Theater. Dan talks about embracing an improvisational mindset as a director. Figuring things out on the fly, experimenting, staying loose, and allowing raw filmmaking instincts to guide the work. Instead of locking himself into rigid plans, Dan finds strength in adaptability and discovery, letting the movie reveal itself during production.

Next up is Nick Psinakis, co-director of Cheat and Valley View Motel, who brings a counterbalance to that approach. Nick dives into the power of planning ahead and the importance of working with a creative partner who has your back. He talks about building projects through collaboration, trust, and preparation, and how balancing ideas with a teammate can turn limitations into structure instead of stress.

Then we’re joined by Joe Sherlock, known for the Trailer Park Double Wide Trilogy of Terror, The Haunting of Heather Black, and the Weird House films. Joe breaks down one of his greatest strengths: finishing things. He talks about harnessing his night-owl energy, working late when the world is quiet, and using drawing as part of his creative process to stay focused and aligned. For Joe, motivation mixed with a refusal to leave projects unfinished is what keeps his films moving forward.

Finally, Sean Ashley (R.S. Trashley), director of the Homicide McLeod films and producer of Get That Dick, talks about trusting himself. Trusting his gut. Trusting his vision. And learning how to trust the visions of others as well. Sean embraces the madness of collaboration, the chaos of team-based filmmaking, and the beauty that comes from letting that energy become a strength instead of something to control or fear.

This episode is a reminder that there is no single “correct” way to make a movie. Your strengths are personal. Your process should be too. When you understand how you work best, you stop fighting yourself and start finishing stronger films.A huge thank you to everyone supporting Flush Studios on Patreon. Because of you, Low-Budget Rebels stays completely ad-free here, with space for longer, more honest conversations about what it really takes to make movies independently.

If you’re not already a member, head to patreon.com/flushstudios to join and support the show.More real, messy, and meaningful filmmaking conversations are on the way.

Cheers,
Josh]]>4573creating,creative,diy,film,filmmaking,independent,indie,lowbudget,movie,moviesfalse617fullhttps://www.spreaker.com/episode/lighting-blocking-and-framing-how-to-make-a-movie-look-like-your-movie--69170655
In this episode of Low-Budget Rebels, we’re digging into one of the most defining — and often most misunderstood — aspects of filmmaking: how your movie looks like your movie. From lighting choices to blocking to camera framing, every decision shapes the emotional language of your story. And when you’re working on a small budget, those decisions matter even more. This week’s guests break down how they craft their visual style in ways that are practical, personal, and deeply connected to the filmmaking process.

We open with Alejandro Montoya Marin, director of Monday, Millennium Bugs, and The Unexpecteds. Alejandro talks about not locking himself into a rigid “signature style,” but instead embracing the moment. He breaks down how he listens to the environment, the actors, and the energy of the scene — and how he lets ideas from his team marinate and evolve rather than forcing his own. For Alejandro, style emerges from collaboration, instinct, and trusting the creative flow on set.

Next up, Taylor Morden, known for The Last Blockbuster, Getting Lost, and Bampire, shares how he builds consistency into his visual approach. Taylor digs into the lighting setups, framing preferences, and camera rules he uses to give each film a cohesive look — even when resources are limited. He emphasizes how limitations aren’t obstacles but the sparks that ignite creative direction, helping him make bold, memorable choices that give each project its own identity.

Then we turn to Christopher Fox, director of Rub and My Father’s Echo, who explains how his visual style really begins in preproduction. Christopher talks about testing gear, experimenting with setups, and even conducting practice shoots to discover what the film wants to be before the first official shot rolls. He breaks down how carving out time to play — to fail, adjust, and experiment — leads to breakthroughs that carry into production and define the look and tone of the final film.

Finally, Aaron Carlson, creator of The Outrider and The Horrorverse Fan Film Series, brings us home with a focus on motion. Aaron discusses how thoughtful camera movement breathes life into scenes, elevates blocking, and creates a dynamic rhythm even in the simplest locations. Through movement, he shapes mood, tension, and energy — proving that the camera itself can be the most expressive character in a low-budget film.

This episode is all about intentionality and adaptability — how indie filmmakers use lighting, framing, blocking, and movement not to mimic Hollywood productions, but to define who they are. Whether you rely on available light, tight spaces, improvisational instincts, or meticulously planned storyboards, your visual voice can shine through in every frame.

If you're sick of the ads or want to help support Flush Studios, head over to patreon.com/flushstudios and subscribe today! Not only do you get the episodes of this podcast early, you also get tons of behind-the-scenes, comics, and other fun filmmaking antics to enjoy! 

More creative insights are coming your way — stay tuned, keep experimenting, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/69170655Mon, 22 Dec 2025 19:23:14 +0000Josh Stifter🎬 Welcome back, Rebels! In this episode of Low-Budget Rebels, we’re digging into one of the most defining — and often most misunderstood — aspects of filmmaking: how your movie looks like your movie. From lighting choices to blocking to camera...
In this episode of Low-Budget Rebels, we’re digging into one of the most defining — and often most misunderstood — aspects of filmmaking: how your movie looks like your movie. From lighting choices to blocking to camera framing, every decision shapes the emotional language of your story. And when you’re working on a small budget, those decisions matter even more. This week’s guests break down how they craft their visual style in ways that are practical, personal, and deeply connected to the filmmaking process.

We open with Alejandro Montoya Marin, director of Monday, Millennium Bugs, and The Unexpecteds. Alejandro talks about not locking himself into a rigid “signature style,” but instead embracing the moment. He breaks down how he listens to the environment, the actors, and the energy of the scene — and how he lets ideas from his team marinate and evolve rather than forcing his own. For Alejandro, style emerges from collaboration, instinct, and trusting the creative flow on set.

Next up, Taylor Morden, known for The Last Blockbuster, Getting Lost, and Bampire, shares how he builds consistency into his visual approach. Taylor digs into the lighting setups, framing preferences, and camera rules he uses to give each film a cohesive look — even when resources are limited. He emphasizes how limitations aren’t obstacles but the sparks that ignite creative direction, helping him make bold, memorable choices that give each project its own identity.

Then we turn to Christopher Fox, director of Rub and My Father’s Echo, who explains how his visual style really begins in preproduction. Christopher talks about testing gear, experimenting with setups, and even conducting practice shoots to discover what the film wants to be before the first official shot rolls. He breaks down how carving out time to play — to fail, adjust, and experiment — leads to breakthroughs that carry into production and define the look and tone of the final film.

Finally, Aaron Carlson, creator of The Outrider and The Horrorverse Fan Film Series, brings us home with a focus on motion. Aaron discusses how thoughtful camera movement breathes life into scenes, elevates blocking, and creates a dynamic rhythm even in the simplest locations. Through movement, he shapes mood, tension, and energy — proving that the camera itself can be the most expressive character in a low-budget film.

This episode is all about intentionality and adaptability — how indie filmmakers use lighting, framing, blocking, and movement not to mimic Hollywood productions, but to define who they are. Whether you rely on available light, tight spaces, improvisational instincts, or meticulously planned storyboards, your visual voice can shine through in every frame.

If you're sick of the ads or want to help support Flush Studios, head over to patreon.com/flushstudios and subscribe today! Not only do you get the episodes of this podcast early, you also get tons of behind-the-scenes, comics, and other fun filmmaking antics to enjoy! 

More creative insights are coming your way — stay tuned, keep experimenting, and stay rebellious.

Cheers,
Josh]]>4225falsefullhttps://www.spreaker.com/episode/crafting-characters-on-a-budget-building-people-who-feel-real--69046815
Today’s episode of Low-Budget Rebels explores one of the most essential, and deceptively challenging, parts of filmmaking: crafting characters who feel real, grounded, and unforgettable… all without the luxury of big budgets. When you don’t have massive sets, expensive wardrobe, or endless rehearsal time, your characters need to come alive through intention, collaboration, and creativity. And for indie filmmakers, that constraint can actually become a superpower.

Our guests this week show how character-building isn’t about money; it’s about clarity, connection, and confidence in the people who bring your story to life.

We kick things off with Aaron Carlson, creator of The Outrider and The Horrorverse Fan Film Series. Aaron dives into how he gives actors strong emotional motivation using clear, personal examples that anchor them instantly into who the character is. He talks about ignoring budget anxiety during the creative phase and instead focusing on what matters most: loving the characters so deeply you don’t want to leave them behind. That passion becomes the foundation that makes low-budget performances resonate with audiences.

Next up, Alejandro Montoya Marin, director of Monday, Millennium Bugs, and The Unexpecteds, digs into the heart of character development. Creating people the audience genuinely cares about. Alejandro breaks down how he finds personal connections to his cast of characters and invites his actors to explore, play, and discover new layers on set. By allowing room for interpretation and collaboration, he turns limitations into opportunities for deeper, more honest performances.

Then we turn to Taylor Morden, director of The Last Blockbuster, Getting Lost, and Bampire. Taylor shares the unique perspective he gained from documentaries and how that informs his narrative directing. He explains how staying attentive to an actor’s emotional state and helping them stay anchored in the story can elevate low-budget scenes dramatically. Instead of pushing a predetermined performance or style, Taylor focuses on pulling out an actor’s authentic instincts and the details that make a character feel lived-in instead of manufactured.

Finally, Christopher Fox, director of Rub and My Father’s Echo, expands the conversation by talking about worldbuilding even on the smallest scale. Christopher explains how giving actors props, textures, spaces, and story details helps them fully inhabit their characters. He also dives into how locations themselves can become characters, shaping behavior, mood, and tone in ways far more powerful than expensive sets. For low-budget filmmakers, embracing the environment rather than fighting it can unlock an entirely new layer of character depth.

This episode is all about the craft of building people, not just plot points — characters who feel emotionally grounded, visually expressive, and fully dimensional, no matter the size of your budget. It’s a deep dive into the art of trusting your actors, embracing your limitations, and shaping performances that stick with the audience long after the credits roll.

Thank you again everyone for joining me on the filmmaking journey on Patreon! If you'd like to subscribe and hear the show ad-free, head over to patreon.com/flushstudios. Your support keeps this show going and fuels the next wave of rebellious indie filmmaking.More bold filmmaking conversations are on the way. Stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/69046815Sun, 14 Dec 2025 23:42:36 +0000Josh Stifter🎬 Welcome back, Rebels! Today’s episode of Low-Budget Rebels explores one of the most essential, and deceptively challenging, parts of filmmaking: crafting characters who feel real, grounded, and unforgettable… all without the luxury of big budgets....
Today’s episode of Low-Budget Rebels explores one of the most essential, and deceptively challenging, parts of filmmaking: crafting characters who feel real, grounded, and unforgettable… all without the luxury of big budgets. When you don’t have massive sets, expensive wardrobe, or endless rehearsal time, your characters need to come alive through intention, collaboration, and creativity. And for indie filmmakers, that constraint can actually become a superpower.

Our guests this week show how character-building isn’t about money; it’s about clarity, connection, and confidence in the people who bring your story to life.

We kick things off with Aaron Carlson, creator of The Outrider and The Horrorverse Fan Film Series. Aaron dives into how he gives actors strong emotional motivation using clear, personal examples that anchor them instantly into who the character is. He talks about ignoring budget anxiety during the creative phase and instead focusing on what matters most: loving the characters so deeply you don’t want to leave them behind. That passion becomes the foundation that makes low-budget performances resonate with audiences.

Next up, Alejandro Montoya Marin, director of Monday, Millennium Bugs, and The Unexpecteds, digs into the heart of character development. Creating people the audience genuinely cares about. Alejandro breaks down how he finds personal connections to his cast of characters and invites his actors to explore, play, and discover new layers on set. By allowing room for interpretation and collaboration, he turns limitations into opportunities for deeper, more honest performances.

Then we turn to Taylor Morden, director of The Last Blockbuster, Getting Lost, and Bampire. Taylor shares the unique perspective he gained from documentaries and how that informs his narrative directing. He explains how staying attentive to an actor’s emotional state and helping them stay anchored in the story can elevate low-budget scenes dramatically. Instead of pushing a predetermined performance or style, Taylor focuses on pulling out an actor’s authentic instincts and the details that make a character feel lived-in instead of manufactured.

Finally, Christopher Fox, director of Rub and My Father’s Echo, expands the conversation by talking about worldbuilding even on the smallest scale. Christopher explains how giving actors props, textures, spaces, and story details helps them fully inhabit their characters. He also dives into how locations themselves can become characters, shaping behavior, mood, and tone in ways far more powerful than expensive sets. For low-budget filmmakers, embracing the environment rather than fighting it can unlock an entirely new layer of character depth.

This episode is all about the craft of building people, not just plot points — characters who feel emotionally grounded, visually expressive, and fully dimensional, no matter the size of your budget. It’s a deep dive into the art of trusting your actors, embracing your limitations, and shaping performances that stick with the audience long after the credits roll.

Thank you again everyone for joining me on the filmmaking journey on Patreon! If you'd like to subscribe and hear the show ad-free, head over to patreon.com/flushstudios. Your support keeps this show going and fuels the next wave of rebellious indie filmmaking.More bold filmmaking conversations are on the way. Stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>4649falsefullhttps://www.spreaker.com/episode/festivals-and-self-distribution-choosing-the-right-path-for-your-film--68942613
Today’s episode of Low-Budget Rebels tackles one of the biggest, most confusing, and most career-defining decisions indie filmmakers face: What the hell do you do with your movie once it’s finished? Do you take the festival route and hope the right people notice? Or do you skip the gatekeepers entirely and push your film straight to the audience that actually wants it? There isn’t a universal “correct” answer — but there are smart ways to evaluate your options. And today’s guests bring a wealth of real-world experience to help you figure out which path is truly right for your film.

We kick things off with Taylor Morden, director of The Last Blockbuster, Getting Lost, and Bampire. Taylor lays out something that not enough filmmakers talk about: not every movie is meant for every release strategy. Different types of films thrive in different environments, and knowing your film’s identity early can save you pain and money later. Taylor digs into how he starts thinking about distribution before he even commits to a project — how the tone, subject matter, and intended audience can shape whether a film belongs on the festival circuit, in niche streaming spaces, or in the hands of fans as soon as possible.

Next up, Alejandro Montoya Marin, the mind behind Monday, Millennium Bugs, and The Unexpecteds, shares how community, relationships, and momentum play into distribution decisions. Alejandro talks about the emotional side of releasing a film, the importance of building a loyal fanbase, and how festivals can be part of a larger ecosystem — not the only metric of success.

Then Christopher Fox, director of Rub and My Father’s Echo, brings in a vital perspective on the business side: distribution red flags. We break down the bad deals, the traps hidden in contracts, and the promises distributors love to make but rarely deliver. Christopher offers invaluable insight into protecting your film, your rights, and your long-term career by recognizing when a deal simply isn’t worth it.

Finally, Aaron Carlson, creator of The Outrider and The Horrorverse Fan Film Series, talks about choosing a completely different path — skipping festivals altogether. Aaron dives into how YouTube, Filmhub, social media, and a direct connection to viewers can create more impact than a traditional festival run. He shares how building your own audience, controlling your release, and understanding modern viewing habits can turn a low-budget film into a real career stepping stone.

For filmmakers who feel shut out of festivals or simply uninterested in that route, Aaron offers a roadmap that’s refreshingly honest and achievable. This episode is all about clarity and empowerment. Whether you’re chasing laurels or bypassing them entirely, the goal is the same: find the path that aligns with your film, your resources, and your long-term creative goals.

And a huge thank you to everyone supporting Flush Studios on Patreon. Thanks to you, these episodes stay completely ad-free over there, allowing for deeper, uninterrupted conversations about the realities of indie filmmaking.

If you’re not already part of the community, you can join at patreon.com/flushstudios for early access, bonus content, and a direct line into the rebellion. More fearless filmmaking conversations are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/68942613Mon, 08 Dec 2025 12:25:00 +0000Josh Stifter🎬 Welcome back, Rebels! Today’s episode of Low-Budget Rebels tackles one of the biggest, most confusing, and most career-defining decisions indie filmmakers face: What the hell do you do with your movie once it’s finished? Do you take the festival...
Today’s episode of Low-Budget Rebels tackles one of the biggest, most confusing, and most career-defining decisions indie filmmakers face: What the hell do you do with your movie once it’s finished? Do you take the festival route and hope the right people notice? Or do you skip the gatekeepers entirely and push your film straight to the audience that actually wants it? There isn’t a universal “correct” answer — but there are smart ways to evaluate your options. And today’s guests bring a wealth of real-world experience to help you figure out which path is truly right for your film.

We kick things off with Taylor Morden, director of The Last Blockbuster, Getting Lost, and Bampire. Taylor lays out something that not enough filmmakers talk about: not every movie is meant for every release strategy. Different types of films thrive in different environments, and knowing your film’s identity early can save you pain and money later. Taylor digs into how he starts thinking about distribution before he even commits to a project — how the tone, subject matter, and intended audience can shape whether a film belongs on the festival circuit, in niche streaming spaces, or in the hands of fans as soon as possible.

Next up, Alejandro Montoya Marin, the mind behind Monday, Millennium Bugs, and The Unexpecteds, shares how community, relationships, and momentum play into distribution decisions. Alejandro talks about the emotional side of releasing a film, the importance of building a loyal fanbase, and how festivals can be part of a larger ecosystem — not the only metric of success.

Then Christopher Fox, director of Rub and My Father’s Echo, brings in a vital perspective on the business side: distribution red flags. We break down the bad deals, the traps hidden in contracts, and the promises distributors love to make but rarely deliver. Christopher offers invaluable insight into protecting your film, your rights, and your long-term career by recognizing when a deal simply isn’t worth it.

Finally, Aaron Carlson, creator of The Outrider and The Horrorverse Fan Film Series, talks about choosing a completely different path — skipping festivals altogether. Aaron dives into how YouTube, Filmhub, social media, and a direct connection to viewers can create more impact than a traditional festival run. He shares how building your own audience, controlling your release, and understanding modern viewing habits can turn a low-budget film into a real career stepping stone.

For filmmakers who feel shut out of festivals or simply uninterested in that route, Aaron offers a roadmap that’s refreshingly honest and achievable. This episode is all about clarity and empowerment. Whether you’re chasing laurels or bypassing them entirely, the goal is the same: find the path that aligns with your film, your resources, and your long-term creative goals.

And a huge thank you to everyone supporting Flush Studios on Patreon. Thanks to you, these episodes stay completely ad-free over there, allowing for deeper, uninterrupted conversations about the realities of indie filmmaking.

If you’re not already part of the community, you can join at patreon.com/flushstudios for early access, bonus content, and a direct line into the rebellion. More fearless filmmaking conversations are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>4315chaos,diy,film,filmmaking,independent,indie,lowbudget,movie,rebelfilm,rebelsfalse614fullhttps://www.spreaker.com/episode/building-your-film-family-creating-a-trusted-circle-of-cast-and-crew--68826030
In this episode of Low-Budget Rebels, we’re exploring one of the most essential — and most personal — parts of indie filmmaking: building your film family. Cameras, lights, gear… those things matter. But nothing shapes a movie more than the people you choose to make it with. Your cast. Your crew. Your collaborators. Your circle.

This week, we’re breaking down what it really takes to create a trusted, long-term team and how to nurture those relationships so your film family grows stronger with every project.

We kick things off with Alejandro Montoya Marin (Monday, Millennium Bugs, The Unexpecteds), who dives into the power of playfulness on set. For Alejandro, filmmaking isn’t just work. It’s a shared addiction to creativity. He talks about keeping the environment fun, collaborative, and alive, because the best film families grow out of joy, not stress. If people love being there, they’ll keep coming back.

Next, Taylor Morden (The Last Blockbuster, Getting Lost, Bampire) discusses the value of building community from the ground up. Taylor’s all about finding the people in your town, your scene, your orbit who not only want to help you make films but want to help build the actual film community with you. It’s about creating a circle that lifts each other up, project after project.

Then we talk with Christopher Fox (Rub, My Father’s Echo), who breaks down the importance of bringing in collaborators who aren’t above rolling up their sleeves on a low-budget project. Christopher shares how giving people creative freedom and treating them like true collaborators fosters loyalty and how that respect keeps them coming back film after film.

Finally, Aaron Carlson (The Outrider, The Horrorverse Fan Film Series) shares his perspective on long-term creative relationships: water them. Treat people with respect, nurture those connections, and let them blossom naturally. Aaron talks about how kindness and professionalism build bonds stronger than any contract and how people who don't meld with the flow of your projects will naturally fall away.

This episode digs into the heart of filmmaking: trust, consistency, communication, investment, and genuine connection. How do you choose who belongs in your circle? How do you build trust with new collaborators? How do you keep relationships alive between projects? And what happens when someone no longer fits the family?

Your support makes these episodes possible — thank you for being part of this growing, rebellious community. If you’re not a member yet and want ad-free episodes plus bonus conversations, head to patreon.com/flushstudios to join.And don’t forget to follow and support this episode’s incredible guests:

Alejandro Montoya Marin – Monday, Millennium Bugs, The Unexpecteds
Taylor Morden – The Last Blockbuster, Getting Lost, Bampire
Christopher Fox – Rub, My Father’s Echo
Aaron Carlson – The Outrider, The Horrorverse Fan Film Series

More bold, independent filmmaking conversations are on the way . Stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/68826030Tue, 02 Dec 2025 01:28:10 +0000Josh Stifter🎬 Welcome back, Rebels! In this episode of Low-Budget Rebels, we’re exploring one of the most essential — and most personal — parts of indie filmmaking: building your film family. Cameras, lights, gear… those things matter. But nothing shapes a movie...
In this episode of Low-Budget Rebels, we’re exploring one of the most essential — and most personal — parts of indie filmmaking: building your film family. Cameras, lights, gear… those things matter. But nothing shapes a movie more than the people you choose to make it with. Your cast. Your crew. Your collaborators. Your circle.

This week, we’re breaking down what it really takes to create a trusted, long-term team and how to nurture those relationships so your film family grows stronger with every project.

We kick things off with Alejandro Montoya Marin (Monday, Millennium Bugs, The Unexpecteds), who dives into the power of playfulness on set. For Alejandro, filmmaking isn’t just work. It’s a shared addiction to creativity. He talks about keeping the environment fun, collaborative, and alive, because the best film families grow out of joy, not stress. If people love being there, they’ll keep coming back.

Next, Taylor Morden (The Last Blockbuster, Getting Lost, Bampire) discusses the value of building community from the ground up. Taylor’s all about finding the people in your town, your scene, your orbit who not only want to help you make films but want to help build the actual film community with you. It’s about creating a circle that lifts each other up, project after project.

Then we talk with Christopher Fox (Rub, My Father’s Echo), who breaks down the importance of bringing in collaborators who aren’t above rolling up their sleeves on a low-budget project. Christopher shares how giving people creative freedom and treating them like true collaborators fosters loyalty and how that respect keeps them coming back film after film.

Finally, Aaron Carlson (The Outrider, The Horrorverse Fan Film Series) shares his perspective on long-term creative relationships: water them. Treat people with respect, nurture those connections, and let them blossom naturally. Aaron talks about how kindness and professionalism build bonds stronger than any contract and how people who don't meld with the flow of your projects will naturally fall away.

This episode digs into the heart of filmmaking: trust, consistency, communication, investment, and genuine connection. How do you choose who belongs in your circle? How do you build trust with new collaborators? How do you keep relationships alive between projects? And what happens when someone no longer fits the family?

Your support makes these episodes possible — thank you for being part of this growing, rebellious community. If you’re not a member yet and want ad-free episodes plus bonus conversations, head to patreon.com/flushstudios to join.And don’t forget to follow and support this episode’s incredible guests:

Alejandro Montoya Marin – Monday, Millennium Bugs, The Unexpecteds
Taylor Morden – The Last Blockbuster, Getting Lost, Bampire
Christopher Fox – Rub, My Father’s Echo
Aaron Carlson – The Outrider, The Horrorverse Fan Film Series

More bold, independent filmmaking conversations are on the way . Stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>4510creative,family,film,filmmaking,indie,kevinsmith,lowbudget,milleniumbugs,movie,movies,podcast,rebelfalse613fullhttps://www.spreaker.com/episode/finding-movie-magic-improvisation-on-set--68725874
In this episode of Low-Budget Rebels, we’re diving into one of the most unpredictable — and genuinely exhilarating — parts of indie filmmaking: improvisation on set. Scripts are the backbone of any movie, but once you’re on location with your cast, crew, props, chaos, and surprises… the real magic often comes from the unexpected. This week’s guests break down how they use improvisation as a tool — not to lose control of a scene, but to elevate it.

We kick things off with Mitch McLeod, director of Silhouette and Marrow, who talks about how meticulous shotlisting gives him the freedom to be spontaneous. By knowing exactly what he must capture, Mitch creates space for creativity, experimentation, and on-the-spot problem solving. He shares how some of his favorite moments came from simply staying open to new ideas on the day.

Next up, Traci and Jon Russell Cring — the duo behind Little Bi Peep, The Night We Met, and Sky Valley — dig into the importance of trust. Trusting your cast. Trusting your crew. Trusting the process enough to let people play while still maintaining structure. They talk about managing egos, avoiding messes, and giving every department room to shine so improvisation becomes an asset, not a distraction.

Then we talk with Max Remmler, creator of 4 Clones Alone, who explores how smart casting opens the door to great improv. When actors naturally embody the energy of their roles, they’re able to try new things, explore, and find moments that feel alive and honest. Max shares how some of his most memorable beats were discovered through letting performers, including family members, bring their own instincts into the frame.

Finally, Ricky Glore — writer/director of Sweet Meats and Casually Cool! — breaks down how embracing genre, tone, and environment can lead to powerful improvised moments. He talks about using what’s around you, reshaping scenes on the fly, and letting trial and error guide you toward something unique and unexpected. He also takes a phone call.This episode is all about flexibility, intuition, and trusting your team — a look at how improvisation can deepen performances, sharpen scenes, and unlock those cinematic moments you could never have planned on paper.

Thank you so much for supporting Low-Budget Rebels! Your support keeps this show going and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:
Traci and Jon Russell Cring – Little Bi Peep, The Night We Met, Sky Valley
Max Remmler – 4 Clones Alone
Ricky Glore – Sweet Meats, Casually Cool!
Mitch McLeod – Silhouette, Marrow

More bold, independent filmmaking conversations are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/68725874Mon, 24 Nov 2025 17:44:49 +0000Josh Stifter🎬 Welcome back, Rebels! In this episode of Low-Budget Rebels, we’re diving into one of the most unpredictable — and genuinely exhilarating — parts of indie filmmaking: improvisation on set. Scripts are the backbone of any movie, but once you’re on...
In this episode of Low-Budget Rebels, we’re diving into one of the most unpredictable — and genuinely exhilarating — parts of indie filmmaking: improvisation on set. Scripts are the backbone of any movie, but once you’re on location with your cast, crew, props, chaos, and surprises… the real magic often comes from the unexpected. This week’s guests break down how they use improvisation as a tool — not to lose control of a scene, but to elevate it.

We kick things off with Mitch McLeod, director of Silhouette and Marrow, who talks about how meticulous shotlisting gives him the freedom to be spontaneous. By knowing exactly what he must capture, Mitch creates space for creativity, experimentation, and on-the-spot problem solving. He shares how some of his favorite moments came from simply staying open to new ideas on the day.

Next up, Traci and Jon Russell Cring — the duo behind Little Bi Peep, The Night We Met, and Sky Valley — dig into the importance of trust. Trusting your cast. Trusting your crew. Trusting the process enough to let people play while still maintaining structure. They talk about managing egos, avoiding messes, and giving every department room to shine so improvisation becomes an asset, not a distraction.

Then we talk with Max Remmler, creator of 4 Clones Alone, who explores how smart casting opens the door to great improv. When actors naturally embody the energy of their roles, they’re able to try new things, explore, and find moments that feel alive and honest. Max shares how some of his most memorable beats were discovered through letting performers, including family members, bring their own instincts into the frame.

Finally, Ricky Glore — writer/director of Sweet Meats and Casually Cool! — breaks down how embracing genre, tone, and environment can lead to powerful improvised moments. He talks about using what’s around you, reshaping scenes on the fly, and letting trial and error guide you toward something unique and unexpected. He also takes a phone call.This episode is all about flexibility, intuition, and trusting your team — a look at how improvisation can deepen performances, sharpen scenes, and unlock those cinematic moments you could never have planned on paper.

Thank you so much for supporting Low-Budget Rebels! Your support keeps this show going and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:
Traci and Jon Russell Cring – Little Bi Peep, The Night We Met, Sky Valley
Max Remmler – 4 Clones Alone
Ricky Glore – Sweet Meats, Casually Cool!
Mitch McLeod – Silhouette, Marrow

More bold, independent filmmaking conversations are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>4680falsefullhttps://www.spreaker.com/episode/turning-one-film-into-the-next-keeping-enthusiasm-and-momentum--68639490
In this episode of Low-Budget Rebels, we’re digging into one of the toughest challenges indie filmmakers face: keeping the spark alive. Finishing a movie is a huge accomplishment — but what happens next? How do you refill the creative tank, carry momentum into the next project, and keep building a body of work without burning out? This week’s guests share the honest, practical, and personal ways they turn one film into the next.

We kick things off with Traci and Jon Russell Cring, creators of Little Bi Peep, The Night We Met, and Sky Valley. They dive into how ideas evolve, where inspiration comes from, and how allowing yourself time, grace, and space between projects can lead you to the story you’re meant to tell next. They talk about reconnecting with what speaks to you — and letting that guide your next move.

Next, Max Remmler, director of 4 Clones Alone, opens up about what it means to live with a film after you’ve wrapped. He talks about how audience reactions shape his understanding of what he actually made, and how riding that wave of energy helps him stay enthusiastic as he transitions into the next creative chapter.

Then we’re joined by Ricky Glore, writer/director of Sweet Meats (available on TromaNOW! this Thanksgiving) and Casually Cool! Ricky breaks down how he chooses his next project by focusing on stories that truly resonate — ones that are both creatively exciting and realistically achievable. We discuss budgeting, pivoting when needed, and how staying grounded in what’s possible can keep the momentum rolling.

Finally, Mitch McLeod, director of Silhouette and Marrow, talks about how enthusiasm is one of the most powerful tools a filmmaker has. He shares why planning ahead and knowing your upcoming ideas can create a natural workflow, giving you the motivation and clarity to keep moving from film to film without losing steam.

This episode is all about energy, inspiration, and sustainability — a look at how independent creators keep going, keep growing, and keep making films even when the process gets tough.

Thank you so much for supporting Low-Budget Rebels! Your support keeps this show going and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:
Traci and Jon Russell Cring – Little Bi Peep, The Night We Met, Sky Valley
Max Remmler – 4 Clones Alone
Ricky Glore – Sweet Meats, Casually Cool!
Mitch McLeod – Silhouette, Marrow

More bold, independent filmmaking conversations are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/68639490Wed, 19 Nov 2025 13:44:21 +0000Josh Stifter🎬 Welcome back, Rebels! In this episode of Low-Budget Rebels, we’re digging into one of the toughest challenges indie filmmakers face: keeping the spark alive. Finishing a movie is a huge accomplishment — but what happens next? How do you refill the...
In this episode of Low-Budget Rebels, we’re digging into one of the toughest challenges indie filmmakers face: keeping the spark alive. Finishing a movie is a huge accomplishment — but what happens next? How do you refill the creative tank, carry momentum into the next project, and keep building a body of work without burning out? This week’s guests share the honest, practical, and personal ways they turn one film into the next.

We kick things off with Traci and Jon Russell Cring, creators of Little Bi Peep, The Night We Met, and Sky Valley. They dive into how ideas evolve, where inspiration comes from, and how allowing yourself time, grace, and space between projects can lead you to the story you’re meant to tell next. They talk about reconnecting with what speaks to you — and letting that guide your next move.

Next, Max Remmler, director of 4 Clones Alone, opens up about what it means to live with a film after you’ve wrapped. He talks about how audience reactions shape his understanding of what he actually made, and how riding that wave of energy helps him stay enthusiastic as he transitions into the next creative chapter.

Then we’re joined by Ricky Glore, writer/director of Sweet Meats (available on TromaNOW! this Thanksgiving) and Casually Cool! Ricky breaks down how he chooses his next project by focusing on stories that truly resonate — ones that are both creatively exciting and realistically achievable. We discuss budgeting, pivoting when needed, and how staying grounded in what’s possible can keep the momentum rolling.

Finally, Mitch McLeod, director of Silhouette and Marrow, talks about how enthusiasm is one of the most powerful tools a filmmaker has. He shares why planning ahead and knowing your upcoming ideas can create a natural workflow, giving you the motivation and clarity to keep moving from film to film without losing steam.

This episode is all about energy, inspiration, and sustainability — a look at how independent creators keep going, keep growing, and keep making films even when the process gets tough.

Thank you so much for supporting Low-Budget Rebels! Your support keeps this show going and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:
Traci and Jon Russell Cring – Little Bi Peep, The Night We Met, Sky Valley
Max Remmler – 4 Clones Alone
Ricky Glore – Sweet Meats, Casually Cool!
Mitch McLeod – Silhouette, Marrow

More bold, independent filmmaking conversations are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>4906behind,film,filmmaking,howto,indie,movienight,movies,rebel,rodriguez,scenes,tromafalsefullhttps://www.spreaker.com/episode/getting-the-shot-crafting-cinematic-moments-on-a-budget--68206692
In this episode of Low-Budget Rebels, we’re diving into one of the most essential — and often overlooked — parts of indie filmmaking: finding the shot. Whether you’re working with a full crew or flying solo, every decision behind the camera shapes the story you’re telling. This week’s guests share how planning, collaboration, and spontaneity all come together to create the visual language of a film.

We start with Max Remmler, director of 4 Clones Alone, who breaks down the challenges of filming himself and working with an incredibly small crew. He talks about how storyboards changed his approach to production, and how being deliberate about shot planning can still leave room for discovery on set.

Then, Traci and Jon Russell Cring, the team behind Little Bi Peep, The Night We Met, and Sky Valley, talk about the delicate balance between capturing the perfect shot and getting the right performance. They share why doing a thorough breakdown before filming is key to staying organized and creative when it’s time to roll.

Next up, Ricky Glore, writer and director of Sweet Meats and Casually Cool!, opens up about working with trusted collaborators — friends who know how to communicate and understand his creative instincts. That trust, he says, is what ensures he always gets the shots he needs without second-guessing the process.

Finally, Mitch McLeod, director of Silhouette and Marrow, dives into how a detailed shotlist keeps his productions efficient and focused. He talks about identifying where coverage is crucial, planning the “fun” shots, and the energy that comes alive on set when everything comes together to nail the perfect frame.

This episode is all about collaboration, intuition, and the craft of building your movie one shot at a time — a reminder that even the smallest setups can lead to the biggest cinematic moments.

Thank you so much for supporting Low-Budget Rebels! Your support keeps this show going and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:
Traci and Jon Russell Cring – Little Bi Peep, The Night We Met, Sky Valley
Max Remmler – 4 Clones Alone
Ricky Glore – Sweet Meats, Casually Cool!
Mitch McLeod – Silhouette, Marrow

More bold, independent filmmaking conversations are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh
]]>https://api.spreaker.com/episode/68206692Sun, 19 Oct 2025 21:48:49 +0000Josh Stifter🎬 Welcome back, Rebels! In this episode of Low-Budget Rebels, we’re diving into one of the most essential — and often overlooked — parts of indie filmmaking: finding the shot. Whether you’re working with a full crew or flying solo, every decision...
In this episode of Low-Budget Rebels, we’re diving into one of the most essential — and often overlooked — parts of indie filmmaking: finding the shot. Whether you’re working with a full crew or flying solo, every decision behind the camera shapes the story you’re telling. This week’s guests share how planning, collaboration, and spontaneity all come together to create the visual language of a film.

We start with Max Remmler, director of 4 Clones Alone, who breaks down the challenges of filming himself and working with an incredibly small crew. He talks about how storyboards changed his approach to production, and how being deliberate about shot planning can still leave room for discovery on set.

Then, Traci and Jon Russell Cring, the team behind Little Bi Peep, The Night We Met, and Sky Valley, talk about the delicate balance between capturing the perfect shot and getting the right performance. They share why doing a thorough breakdown before filming is key to staying organized and creative when it’s time to roll.

Next up, Ricky Glore, writer and director of Sweet Meats and Casually Cool!, opens up about working with trusted collaborators — friends who know how to communicate and understand his creative instincts. That trust, he says, is what ensures he always gets the shots he needs without second-guessing the process.

Finally, Mitch McLeod, director of Silhouette and Marrow, dives into how a detailed shotlist keeps his productions efficient and focused. He talks about identifying where coverage is crucial, planning the “fun” shots, and the energy that comes alive on set when everything comes together to nail the perfect frame.

This episode is all about collaboration, intuition, and the craft of building your movie one shot at a time — a reminder that even the smallest setups can lead to the biggest cinematic moments.

Thank you so much for supporting Low-Budget Rebels! Your support keeps this show going and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:
Traci and Jon Russell Cring – Little Bi Peep, The Night We Met, Sky Valley
Max Remmler – 4 Clones Alone
Ricky Glore – Sweet Meats, Casually Cool!
Mitch McLeod – Silhouette, Marrow

More bold, independent filmmaking conversations are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh
]]>4451behind,diy,film,filmmaker,filmmakers,filmmaking,indepenent,indie,movies,scenesfalse610fullhttps://www.spreaker.com/episode/marketing-beyond-social-media-how-to-get-your-movie-seen--68121609
In this week’s episode, I’m joined by some amazing filmmakers to dig deep into one of the hardest parts of indie filmmaking — getting people to actually watch your movie.

• Traci and Jon Russell Cring talk about how filmmakers can get creative with marketing, involve their audiences in promotion, and use their unique voice as a selling point to build real connections and get people out to screenings.

• Max Remmler dives into the power of titles and posters — how small changes can make your film more accessible, memorable, and easier for audiences to find.

• Ricky Glore shares the success and failures of attempting to take his movie on tour with Troma, booking screenings across indie theaters, and finding the right balance between appealing to a specific genre while still telling your own story.

• Mitch McLeod and I wrap things up by discussing festival strategy, how to engage people to leave reviews, and experimenting on social media in ways that actually get attention.

Every one of these conversations is packed with honest, practical insight — the kind of stuff that helps filmmakers like us not just make movies, but get them seen.

Thank you so much for supporting Low-Budget Rebels! Your support keeps this show going and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:
Traci and Jon Russell Cring – Little Bi Peep, The Night We Met, Sky Valley
Max Remmler – 4 Clones Alone
Ricky Glore – Sweet Meats, and go check out the IndieGoGo for Casually Cool!
Mitch McLeod – Silhouette, Marrow

More bold, independent filmmaking conversations are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/68121609Mon, 13 Oct 2025 18:56:42 +0000Josh Stifter🎬 New Low-Budget Rebels Episode: The Art of Marketing Your Indie FilmHey Rebels! In this week’s episode, I’m joined by some amazing filmmakers to dig deep into one of the hardest parts of indie filmmaking — getting people to actually watch your...
In this week’s episode, I’m joined by some amazing filmmakers to dig deep into one of the hardest parts of indie filmmaking — getting people to actually watch your movie.

• Traci and Jon Russell Cring talk about how filmmakers can get creative with marketing, involve their audiences in promotion, and use their unique voice as a selling point to build real connections and get people out to screenings.

• Max Remmler dives into the power of titles and posters — how small changes can make your film more accessible, memorable, and easier for audiences to find.

• Ricky Glore shares the success and failures of attempting to take his movie on tour with Troma, booking screenings across indie theaters, and finding the right balance between appealing to a specific genre while still telling your own story.

• Mitch McLeod and I wrap things up by discussing festival strategy, how to engage people to leave reviews, and experimenting on social media in ways that actually get attention.

Every one of these conversations is packed with honest, practical insight — the kind of stuff that helps filmmakers like us not just make movies, but get them seen.

Thank you so much for supporting Low-Budget Rebels! Your support keeps this show going and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:
Traci and Jon Russell Cring – Little Bi Peep, The Night We Met, Sky Valley
Max Remmler – 4 Clones Alone
Ricky Glore – Sweet Meats, and go check out the IndieGoGo for Casually Cool!
Mitch McLeod – Silhouette, Marrow

More bold, independent filmmaking conversations are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>5061creating,creative,diy,film,filmfest,filmmaking,marketing,moviefan,movies,socialmediafalse69fullhttps://www.spreaker.com/episode/build-your-audience-release-is-not-the-finish-line--68037057
In this episode of Low-Budget Rebels, we’re digging into one of the most crucial — and often overlooked — parts of filmmaking: building your audience. Making a great film is only half the battle; finding the people who’ll connect with it, share it, and keep you creating is the real challenge. Today’s guests open up about how they discovered their audiences, how their expectations changed once the film was finished, and how that process shapes what they make next.

First up, I talk with Jason Zink, filmmaker behind Looky-Loo, about making the movie for yourself first — and then realizing your audience might be completely different than you imagined. We discuss learning to pivot, finding where your film truly belongs, and navigating both distribution companies and self-distribution paths.

Next, Trenton Judson, director of Bad B*tch, joins me to talk about trusting your gut. He dives into making the kind of films he personally loves and having faith that others out there share that same weird, passionate taste.

Then I sit down with Jaysen Buterin, writer/director of Kill Giggles, to explore how feedback from your audience — whether it’s festival screenings, reviews, or critiques — can evolve your film even after it’s finished. We also talk about why festivals are such an essential way to grow your audience and get the word-of-mouth rolling.

Finally, Dennis Cahlo, director of The Trouble with Tessa, discusses how knowing your distributor or target audience early on can shape how you build the film itself — from tone to genre to marketing. He also shares how trusted viewers giving notes can influence the artistic decisions you make in the final cut.This episode is all about connection — finding the people who get what you’re doing and using that energy to keep creating, growing, and getting your work seen.

Thank you so much for supporting Low-Budget Rebels! Your support keeps the show alive and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:

• Jason Zink – Looky-Loo
• Trenton Judson – Bad B*tch
• Jaysen Buterin – Kill Giggles
• Dennis Cahlo – The Trouble with Tessa

More conversations with bold, independent filmmakers are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/68037057Mon, 06 Oct 2025 22:08:21 +0000Josh Stifter🎬 Welcome back, Rebels! In this episode of Low-Budget Rebels, we’re digging into one of the most crucial — and often overlooked — parts of filmmaking: building your audience. Making a great film is only half the battle; finding the people who’ll...
In this episode of Low-Budget Rebels, we’re digging into one of the most crucial — and often overlooked — parts of filmmaking: building your audience. Making a great film is only half the battle; finding the people who’ll connect with it, share it, and keep you creating is the real challenge. Today’s guests open up about how they discovered their audiences, how their expectations changed once the film was finished, and how that process shapes what they make next.

First up, I talk with Jason Zink, filmmaker behind Looky-Loo, about making the movie for yourself first — and then realizing your audience might be completely different than you imagined. We discuss learning to pivot, finding where your film truly belongs, and navigating both distribution companies and self-distribution paths.

Next, Trenton Judson, director of Bad B*tch, joins me to talk about trusting your gut. He dives into making the kind of films he personally loves and having faith that others out there share that same weird, passionate taste.

Then I sit down with Jaysen Buterin, writer/director of Kill Giggles, to explore how feedback from your audience — whether it’s festival screenings, reviews, or critiques — can evolve your film even after it’s finished. We also talk about why festivals are such an essential way to grow your audience and get the word-of-mouth rolling.

Finally, Dennis Cahlo, director of The Trouble with Tessa, discusses how knowing your distributor or target audience early on can shape how you build the film itself — from tone to genre to marketing. He also shares how trusted viewers giving notes can influence the artistic decisions you make in the final cut.This episode is all about connection — finding the people who get what you’re doing and using that energy to keep creating, growing, and getting your work seen.

Thank you so much for supporting Low-Budget Rebels! Your support keeps the show alive and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:

• Jason Zink – Looky-Loo
• Trenton Judson – Bad B*tch
• Jaysen Buterin – Kill Giggles
• Dennis Cahlo – The Trouble with Tessa

More conversations with bold, independent filmmakers are on the way — stay tuned, keep creating, and stay rebellious.

Cheers,
Josh]]>3824art,festival,film,filmfest,filmmaking,independent,lowbudget,making,movie,movies,rebelsfalse68fullhttps://www.spreaker.com/episode/find-the-film-discovering-the-story-in-the-edit--67765029
In this episode of Low-Budget Rebels, we’re digging into one of the most transformative stages of filmmaking: editing. When you finally sit down with your footage, the real story emerges — tone, pace, and emotion all come together in the cut. Today’s guests share how they approach the edit as both a creative playground and a problem-solving tool, shaping their films into their strongest possible versions.

First up, I talk with Jason Zink, filmmaker behind Looky-Loo, about the meticulous planning required for found footage films and how to make sure the edit feels authentically first-person while still telling a compelling story.

Next, Trenton Judson, director of Bad B*tch, joins me to discuss analyzing your footage with a critical eye — what to cut, what to keep, and how studying other films can guide your tone. We also dive into choosing takes for action sequences and effects shots, and the tough decisions that come with shaping a final cut.

Then I sit down with Jaysen Buterin, writer/director of Kill Giggles, to talk about layering your film in post — from score and color to sound design — and the importance of trusting your editor to understand and elevate your vision.

Finally, Dennis Cahlo, director of The Trouble with Tessa, shares why having a fresh set of eyes on your cut can be invaluable. We also discuss finding the right tone during production so that color, mood, and performance all translate seamlessly into the edit.

This episode is all about seeing your film anew in the editing room — finding its true shape, refining its tone, and discovering the story you’re really telling.Thank you so much for supporting Low-Budget Rebels. Your support keeps the show alive and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:

• Jason Zink – Looky-Loo
• Trenton Judson – Bad B*tch
• Jaysen Buterin – Kill Giggles
• Dennis Cahlo – The Trouble with Tessa

Stay tuned for more conversation about the craft of low-budget filmmaking, keep kicking ass, making art, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/67765029Wed, 17 Sep 2025 17:00:31 +0000Josh StifterWelcome back, Rebels! In this episode of Low-Budget Rebels, we’re digging into one of the most transformative stages of filmmaking: editing. When you finally sit down with your footage, the real story emerges — tone, pace, and emotion all come...
In this episode of Low-Budget Rebels, we’re digging into one of the most transformative stages of filmmaking: editing. When you finally sit down with your footage, the real story emerges — tone, pace, and emotion all come together in the cut. Today’s guests share how they approach the edit as both a creative playground and a problem-solving tool, shaping their films into their strongest possible versions.

First up, I talk with Jason Zink, filmmaker behind Looky-Loo, about the meticulous planning required for found footage films and how to make sure the edit feels authentically first-person while still telling a compelling story.

Next, Trenton Judson, director of Bad B*tch, joins me to discuss analyzing your footage with a critical eye — what to cut, what to keep, and how studying other films can guide your tone. We also dive into choosing takes for action sequences and effects shots, and the tough decisions that come with shaping a final cut.

Then I sit down with Jaysen Buterin, writer/director of Kill Giggles, to talk about layering your film in post — from score and color to sound design — and the importance of trusting your editor to understand and elevate your vision.

Finally, Dennis Cahlo, director of The Trouble with Tessa, shares why having a fresh set of eyes on your cut can be invaluable. We also discuss finding the right tone during production so that color, mood, and performance all translate seamlessly into the edit.

This episode is all about seeing your film anew in the editing room — finding its true shape, refining its tone, and discovering the story you’re really telling.Thank you so much for supporting Low-Budget Rebels. Your support keeps the show alive and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:

• Jason Zink – Looky-Loo
• Trenton Judson – Bad B*tch
• Jaysen Buterin – Kill Giggles
• Dennis Cahlo – The Trouble with Tessa

Stay tuned for more conversation about the craft of low-budget filmmaking, keep kicking ass, making art, and stay rebellious.

Cheers,
Josh]]>4692blocking,cinema,collaboration,creativity,directing,editing,efficiency,filmmaking,hustle,indie,lowbudget,problemsolving,producing,shootingfalse67fullhttps://www.spreaker.com/episode/work-fast-work-smart-the-art-of-preparation-and-pivoting--67680177
In this episode of Low-Budget Rebels, we’re diving into one of the most crucial parts of indie filmmaking: working fast and smart on set. When time and money are tight, preparation, communication, and creativity become the tools that keep your project alive. Today’s guests share how they maximize efficiency, adapt when things go wrong, and keep their sets moving without losing the heart of their films.

First up, I talk with Dennis Cahlo, director of The Trouble with Tessa, about the importance of communicating clearly with your crew and collaborators, knowing where you need help, and finding the right people who can elevate your vision.

Then I sit down with Jaysen Buterin, writer and director of Kill Giggles, to dig into the value of walkthroughs, prepping your blocking, and setting an atmosphere that keeps your cast and crew sharp, energized, and creative.

Next, Trenton Judson, director of Bad B*tch, joins me to talk about what to do when things go wrong on set, how to pivot quickly, and why casting people who understand the objective of the film can save precious time.

Finally, I chat with Jason Zink, the filmmaker behind Looky-Loo, about embracing the edit while shooting, discovering the good in the moment, and using subtle nuances to enhance the film in ways only low-budget filmmaking can offer.

This episode is all about efficiency, adaptability, and keeping your creative energy flowing no matter the challenges. With the right mindset and preparation, you can make every day on set count — and make your film shine.

Thank you so much for supporting Low-Budget Rebels. Your support keeps the show alive and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:

• Dennis Cahlo – The Trouble with Tessa
• Jaysen Buterin – Kill Giggles
• Trenton Judson – Bad B*tch
• Jason Zink – Looky-Loo

More conversations with bold, independent filmmakers are on the way — stay tuned, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/67680177Mon, 08 Sep 2025 19:39:04 +0000Josh StifterWelcome back, Rebels! In this episode of Low-Budget Rebels, we’re diving into one of the most crucial parts of indie filmmaking: working fast and smart on set. When time and money are tight, preparation, communication, and creativity become the tools...
In this episode of Low-Budget Rebels, we’re diving into one of the most crucial parts of indie filmmaking: working fast and smart on set. When time and money are tight, preparation, communication, and creativity become the tools that keep your project alive. Today’s guests share how they maximize efficiency, adapt when things go wrong, and keep their sets moving without losing the heart of their films.

First up, I talk with Dennis Cahlo, director of The Trouble with Tessa, about the importance of communicating clearly with your crew and collaborators, knowing where you need help, and finding the right people who can elevate your vision.

Then I sit down with Jaysen Buterin, writer and director of Kill Giggles, to dig into the value of walkthroughs, prepping your blocking, and setting an atmosphere that keeps your cast and crew sharp, energized, and creative.

Next, Trenton Judson, director of Bad B*tch, joins me to talk about what to do when things go wrong on set, how to pivot quickly, and why casting people who understand the objective of the film can save precious time.

Finally, I chat with Jason Zink, the filmmaker behind Looky-Loo, about embracing the edit while shooting, discovering the good in the moment, and using subtle nuances to enhance the film in ways only low-budget filmmaking can offer.

This episode is all about efficiency, adaptability, and keeping your creative energy flowing no matter the challenges. With the right mindset and preparation, you can make every day on set count — and make your film shine.

Thank you so much for supporting Low-Budget Rebels. Your support keeps the show alive and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:

• Dennis Cahlo – The Trouble with Tessa
• Jaysen Buterin – Kill Giggles
• Trenton Judson – Bad B*tch
• Jason Zink – Looky-Loo

More conversations with bold, independent filmmakers are on the way — stay tuned, and stay rebellious.

Cheers,
Josh]]>4066adaptability,blocking,casting,cinema,collaboration,creativity,crew,directing,efficiency,filmmaking,hustle,indie,lowbudget,performance,pivoting,planning,producing,rehearsal,shooting,storytellingfalse66fullhttps://www.spreaker.com/episode/from-location-to-luck-making-movies-with-what-s-around-you--67506289
In this episode of Low-Budget Rebels, we’re tackling one of the most important skills in indie filmmaking: building a film around what you have.From choosing the right location to balancing ambition with practicality, today’s guests share how they shape their movies by leaning into their resources — not fighting against them. We talk about making the most of time and space on set, finding creative solutions when money is tight, and how passion fuels projects when budgets can’t.

First up, I talk with Trenton Judson, director of Bad B*tch, about the realities of using your environment as a character in itself and how limitations can fuel creativity.

Then Dennis Cahlo, director of The Trouble with Tessa, joins me to discuss building projects around accessibility, collaboration, and letting necessity inspire story choices.

Next, I sit down with Jason Zink, the filmmaker behind Looky-Loo, to dig into how he embraces small resources to tell big stories and why scaling to your means can actually improve your film.

Finally, Jaysen Buterin, writer and director of Kill Giggles, talks about tailoring your script to what you have in front of you, avoiding wasted time on set, and keeping the vision intact while staying realistic.

This episode is all about turning limitations into strengths and showing that with the right mindset, passion, and creativity, you can craft something unforgettable without waiting for a big budget.Thank you so much for supporting Low-Budget Rebels. Your support keeps the show alive and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:

• Trenton Judson – Bad B*tch
• Dennis Cahlo – The Trouble with Tessa
• Jason Zink – Looky-Loo
• Jaysen Buterin – Kill Giggles

More conversations with bold, independent filmmakers are on the way — stay tuned, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/67506289Mon, 25 Aug 2025 13:59:03 +0000Josh StifterWelcome back, Rebels! In this episode of Low-Budget Rebels, we’re tackling one of the most important skills in indie filmmaking: building a film around what you have.From choosing the right location to balancing ambition with practicality, today’s...
In this episode of Low-Budget Rebels, we’re tackling one of the most important skills in indie filmmaking: building a film around what you have.From choosing the right location to balancing ambition with practicality, today’s guests share how they shape their movies by leaning into their resources — not fighting against them. We talk about making the most of time and space on set, finding creative solutions when money is tight, and how passion fuels projects when budgets can’t.

First up, I talk with Trenton Judson, director of Bad B*tch, about the realities of using your environment as a character in itself and how limitations can fuel creativity.

Then Dennis Cahlo, director of The Trouble with Tessa, joins me to discuss building projects around accessibility, collaboration, and letting necessity inspire story choices.

Next, I sit down with Jason Zink, the filmmaker behind Looky-Loo, to dig into how he embraces small resources to tell big stories and why scaling to your means can actually improve your film.

Finally, Jaysen Buterin, writer and director of Kill Giggles, talks about tailoring your script to what you have in front of you, avoiding wasted time on set, and keeping the vision intact while staying realistic.

This episode is all about turning limitations into strengths and showing that with the right mindset, passion, and creativity, you can craft something unforgettable without waiting for a big budget.Thank you so much for supporting Low-Budget Rebels. Your support keeps the show alive and gives you ad-free access to these conversations. If you’re not already a member, head to patreon.com/flushstudios to join.

And don’t forget to follow and support this episode’s incredible guests:

• Trenton Judson – Bad B*tch
• Dennis Cahlo – The Trouble with Tessa
• Jason Zink – Looky-Loo
• Jaysen Buterin – Kill Giggles

More conversations with bold, independent filmmakers are on the way — stay tuned, and stay rebellious.

Cheers,
Josh]]>4574budget,budget independent,film,filmmaking,filmmaking creative,filmmaking film,filmmaking indie,industry,interview filmmaking,interview how,low,movies diy,on,podcast behind,podcast independent,scenes,stories filmmaking,tips microbudgetfalse65fullhttps://www.spreaker.com/episode/framing-your-vision-finding-the-best-shots-on-a-budget--67403657
First up, I talk with Alex Kahuam about his approach to planning and executing shots for his single-take thriller Failure. We dig into the preparation needed to make every frame count, how to coordinate with your DP under pressure, and why flexibility is crucial when perfection isn’t possible.

Next, Spooky Madison joins me to discuss her process for blocking actors with the camera in mind, and how she works with her DP to bring energy and personality to every setup. We also talk about making creative decisions on the fly while keeping the film’s visual tone consistent.

Then I’m joined by Dillon Brown, who shares how he approaches shot planning for found footage horror. Dillon breaks down the delicate balance between “planned chaos” and true improvisation, and how letting the camera feel like part of the world heightens tension and realism.

Finally, I wrap the episode with Michael Pierro, director of Self Driver. Michael talks about the logistics of running and gunning in small spaces, the importance of efficiency when building a shot list, and finding creative solutions when the perfect shot isn’t possible.This episode is all about the visual side of storytelling — blocking, working with your DP, adapting under pressure, and making the most of your time on set to capture the shots that will make your story shine.

Thank you so much for supporting Low-Budget Rebels. Your support helps keep the show going and gives you access to these episodes completely ad-free. If you’re not already a member, head to patreon.com/flushstudios to join.

And be sure to follow and support this episode’s amazing guests:
Alex Kahuam – kahuamfilms.com | @alexkahuam
Spooky Madison – @finalghoulfilms | Final Ghoul on YouTube
Dillon Brown – @horrornerdproductions | Films on Tubi and Amazon
Michael Pierro – @m_pierro

More conversations with bold, independent filmmakers are coming your way this season — stay tuned, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/67403657Sun, 17 Aug 2025 17:14:54 +0000Josh StifterWelcome back, Rebels! In this episode of Low-Budget Rebels, we’re focusing on one of the most visually exciting — and challenging — parts of filmmaking: finding the best shots. From building a shot list to collaborating with your DP, blocking scenes,...
First up, I talk with Alex Kahuam about his approach to planning and executing shots for his single-take thriller Failure. We dig into the preparation needed to make every frame count, how to coordinate with your DP under pressure, and why flexibility is crucial when perfection isn’t possible.

Next, Spooky Madison joins me to discuss her process for blocking actors with the camera in mind, and how she works with her DP to bring energy and personality to every setup. We also talk about making creative decisions on the fly while keeping the film’s visual tone consistent.

Then I’m joined by Dillon Brown, who shares how he approaches shot planning for found footage horror. Dillon breaks down the delicate balance between “planned chaos” and true improvisation, and how letting the camera feel like part of the world heightens tension and realism.

Finally, I wrap the episode with Michael Pierro, director of Self Driver. Michael talks about the logistics of running and gunning in small spaces, the importance of efficiency when building a shot list, and finding creative solutions when the perfect shot isn’t possible.This episode is all about the visual side of storytelling — blocking, working with your DP, adapting under pressure, and making the most of your time on set to capture the shots that will make your story shine.

Thank you so much for supporting Low-Budget Rebels. Your support helps keep the show going and gives you access to these episodes completely ad-free. If you’re not already a member, head to patreon.com/flushstudios to join.

And be sure to follow and support this episode’s amazing guests:
Alex Kahuam – kahuamfilms.com | @alexkahuam
Spooky Madison – @finalghoulfilms | Final Ghoul on YouTube
Dillon Brown – @horrornerdproductions | Films on Tubi and Amazon
Michael Pierro – @m_pierro

More conversations with bold, independent filmmakers are coming your way this season — stay tuned, and stay rebellious.

Cheers,
Josh]]>4700a,budget,budget independent,film,filmmaking,filmmaking creative,filmmaking film,filmmaking indie,industry,interview filmmaking,interview how,low,movies diy,on,podcast behind,podcast independent,scenes,stories filmmaking,the,tips microbudgetfalse64fullhttps://www.spreaker.com/episode/directing-actors-casting-rehearsal-and-getting-the-best-performance--67325310
First up, I talk with Alex Kahuam about his approach to working with actors on his single-take thriller Failure. We get into the unique challenges of one-take filmmaking, how to keep performances consistent over long stretches, and how to give actors the confidence to take risks.

Next, Spooky Madison joins me to discuss building trust with your cast, creating a comfortable environment, and allowing for collaboration while keeping the tone of the film intact. We also talk about how rehearsal can open the door for unexpected discoveries on set.

Then I’m joined by Dillon Brown, who shares how he approaches directing actors in found footage films, where improvisation and naturalistic performances are key. Dillon talks about creating believable tension without over-directing and letting his cast lean into their instincts.

Finally, I wrap the episode with Michael Pierro, director of Self Driver. Michael shares his process for casting actors who can bring authenticity to heightened sci-fi situations, as well as strategies for helping performers adapt quickly in tight shooting schedules and small locations.

This episode is all about the director–actor relationship — casting, rehearsals, on-set communication, and creating the space for great performances that serve the story. Thank you so much for supporting Low-Budget Rebels. Your support helps keep the show going and gives you access to these episodes completely ad-free. If you’re not already a member, head to patreon.com/flushstudios to join.

And be sure to follow and support this episode’s amazing guests: Alex Kahuam –
kahuamfilms.com | @alexkahuam
Spooky Madison – @finalghoulfilms | Final Ghoul on YouTube
Dillon Brown – @horrornerdproductions | Films on Tubi and Amazon
Michael Pierro – @m_pierro

More conversations with bold, independent filmmakers are coming your way this season — stay tuned, and stay rebellious. Cheers,
Josh]]>https://api.spreaker.com/episode/67325310Mon, 11 Aug 2025 00:05:46 +0000Josh StifterWelcome back, Rebels! In this episode of Low-Budget Rebels, we’re digging into the heart of filmmaking — directing actors and finding authentic performances. From casting the right people to running rehearsals, to supporting your cast through the...
First up, I talk with Alex Kahuam about his approach to working with actors on his single-take thriller Failure. We get into the unique challenges of one-take filmmaking, how to keep performances consistent over long stretches, and how to give actors the confidence to take risks.

Next, Spooky Madison joins me to discuss building trust with your cast, creating a comfortable environment, and allowing for collaboration while keeping the tone of the film intact. We also talk about how rehearsal can open the door for unexpected discoveries on set.

Then I’m joined by Dillon Brown, who shares how he approaches directing actors in found footage films, where improvisation and naturalistic performances are key. Dillon talks about creating believable tension without over-directing and letting his cast lean into their instincts.

Finally, I wrap the episode with Michael Pierro, director of Self Driver. Michael shares his process for casting actors who can bring authenticity to heightened sci-fi situations, as well as strategies for helping performers adapt quickly in tight shooting schedules and small locations.

This episode is all about the director–actor relationship — casting, rehearsals, on-set communication, and creating the space for great performances that serve the story. Thank you so much for supporting Low-Budget Rebels. Your support helps keep the show going and gives you access to these episodes completely ad-free. If you’re not already a member, head to patreon.com/flushstudios to join.

And be sure to follow and support this episode’s amazing guests: Alex Kahuam –
kahuamfilms.com | @alexkahuam
Spooky Madison – @finalghoulfilms | Final Ghoul on YouTube
Dillon Brown – @horrornerdproductions | Films on Tubi and Amazon
Michael Pierro – @m_pierro

More conversations with bold, independent filmmakers are coming your way this season — stay tuned, and stay rebellious. Cheers,
Josh]]>4098a,budget,budget independent,film,filmmaking,filmmaking creative,filmmaking film,filmmaking indie,industry,interview filmmaking,interview how,low,movies diy,on,podcast behind,podcast independent,scenes,stories filmmaking,the,tips microbudgetfalse63fullhttps://www.spreaker.com/episode/the-sound-of-indie-film-designing-audio-on-a-budget--67244570
First up, I talk with Spooky Madison about building strong communication with your sound team and being aware of audio issues before they become problems. We also discuss what it’s like to mix and master your own projects early on, and how that DIY mindset can give you more control and creative freedom.

Next, I’m joined by Alex Kahuam, who breaks down how he captured clean audio during the intense, one-take production of Failure. We also dig into the role of score in storytelling, and how music can shape the emotional rhythm of a film when used with intention.

Then I sit down with Dillon Brown to talk about sound design in found footage horror. Dillon shares how using directional audio and tonal shifts can heighten scares, build tension, and sell the realism of a scene — especially when you’re working with minimal visual effects or coverage.

Finally, I wrap the episode with Michael Pierro, director of Self Driver. We talk about the importance of planning ahead to capture usable sound in tight locations and fast shoots, as well as the creative side of post — including recording foley and maintaining consistency across a film’s soundscape.

This episode touches on everything from prepping for sound on set to mixing score, creating tone, and layering foley, showing how much audio influences the final product — and how indie filmmakers can use sound to elevate their work, even on a budget.

Thank you so much for supporting Low-Budget Rebels.Your support helps keep the show going and gives you access to these episodes completely ad-free. If you’re not already a member, head to patreon.com/flushstudios to join. And be sure to follow and support this episode’s amazing guests:

• Alex Kahuam – kahuamfilms.com | @alexkahuam
• Spooky Madison – @finalghoulfilms | Final Ghoul on YouTube
• Dillon Brown – @horrornerdproductions | Films on Tubi and Amazon
• Michael Pierro – @m_pierro

More conversations with bold, independent filmmakers are coming your way this season — stay tuned, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/67244570Mon, 04 Aug 2025 12:34:11 +0000Josh StifterWelcome back, Rebels! In this episode of Low-Budget Rebels, we’re diving into a part of filmmaking that’s often overlooked but absolutely essential — sound design. From capturing clean dialogue on set to mixing score and building tension through...
First up, I talk with Spooky Madison about building strong communication with your sound team and being aware of audio issues before they become problems. We also discuss what it’s like to mix and master your own projects early on, and how that DIY mindset can give you more control and creative freedom.

Next, I’m joined by Alex Kahuam, who breaks down how he captured clean audio during the intense, one-take production of Failure. We also dig into the role of score in storytelling, and how music can shape the emotional rhythm of a film when used with intention.

Then I sit down with Dillon Brown to talk about sound design in found footage horror. Dillon shares how using directional audio and tonal shifts can heighten scares, build tension, and sell the realism of a scene — especially when you’re working with minimal visual effects or coverage.

Finally, I wrap the episode with Michael Pierro, director of Self Driver. We talk about the importance of planning ahead to capture usable sound in tight locations and fast shoots, as well as the creative side of post — including recording foley and maintaining consistency across a film’s soundscape.

This episode touches on everything from prepping for sound on set to mixing score, creating tone, and layering foley, showing how much audio influences the final product — and how indie filmmakers can use sound to elevate their work, even on a budget.

Thank you so much for supporting Low-Budget Rebels.Your support helps keep the show going and gives you access to these episodes completely ad-free. If you’re not already a member, head to patreon.com/flushstudios to join. And be sure to follow and support this episode’s amazing guests:

• Alex Kahuam – kahuamfilms.com | @alexkahuam
• Spooky Madison – @finalghoulfilms | Final Ghoul on YouTube
• Dillon Brown – @horrornerdproductions | Films on Tubi and Amazon
• Michael Pierro – @m_pierro

More conversations with bold, independent filmmakers are coming your way this season — stay tuned, and stay rebellious.

Cheers,
Josh]]>3541audio diy,design film,film,film audio,film film,film independent,filmmaking low-budget,filmmaking microbudget,filmmaking post-production adr,filmmaking sound,footage horror,independent,indie,mixing directing,production,scenes one-take,score found,sound film,the,tips behindfalse62fullhttps://www.spreaker.com/episode/find-your-voice-discovering-your-genre-storytelling-style--66057054
First up is Alex Kahuam, director of Forgiveness and the one-take thriller Failure, starring Ted Raimi. Alex and I talk about choosing a subject that resonates deeply, especially when you know you’ll be living with it through the entire filmmaking process. Then I’m joined by Spooky Madison, an actress, writer, and director whose upcoming film Fiber Burn and writing on What’s Wrong Wendy reflect her collaborative, music-driven approach. We discuss how writing in a freeform way can open the door to on-set discoveries, creative rewrites, and trusting the interpretations of your cast and crew.

Next is Dillon Brown, the filmmaker behind the Tahoe Joe series and The Summer We Died. He shares how he outlines found footage films, sticks to personal genre instincts, and navigates the pressures of creating in an age of instant online reactions and reviews. We also talk about staying true to your voice while making something entertaining and marketable. Finally, I wrap the episode with Michael Pierro, director of Self Driver, a low-budget sci-fi thriller that recently won awards at Fantasia Fest. Michael and I dig into how life experience and personal ideals shape story structure, how to follow a creative framework while breaking rules when necessary, and how to balance audience appeal with originality.

Some of the big themes that came up throughout this episode include choosing a genre that speaks to you, writing with flexibility and openness to collaboration, rehearsal techniques and directing performance, planning complex shots and long takes, and making films that are both personal and marketable.

Thank you so much for supporting Low-Budget Rebels here on Patreon. Your support helps keep the show going and gives you access to these episodes completely ad-free. If you’re not already a member, head to patreon.com/flushstudios to join.And be sure to follow and support this episode’s amazing guests:

• Alex Kahuam – kahuamfilms.com | @alexkahuam
• Spooky Madison – @finalghoulfilms | Final Ghoul on YouTube
• Dillon Brown – @horrornerproductions | Films on Tubi and Amazon
• Michael Pierro – @m_pierro

More conversations with bold, independent filmmakers coming your way this season — stay tuned, and stay rebellious.

Cheers,
Josh]]>https://api.spreaker.com/episode/66057054Mon, 12 May 2025 16:15:53 +0000Josh StifterWelcome back, Rebels! We’re kicking off Season 6 with a deep conversation about finding your genre, defining your storytelling process, and building creative momentum even when things get tough. I’m joined by four incredible filmmakers — each with a...
First up is Alex Kahuam, director of Forgiveness and the one-take thriller Failure, starring Ted Raimi. Alex and I talk about choosing a subject that resonates deeply, especially when you know you’ll be living with it through the entire filmmaking process. Then I’m joined by Spooky Madison, an actress, writer, and director whose upcoming film Fiber Burn and writing on What’s Wrong Wendy reflect her collaborative, music-driven approach. We discuss how writing in a freeform way can open the door to on-set discoveries, creative rewrites, and trusting the interpretations of your cast and crew.

Next is Dillon Brown, the filmmaker behind the Tahoe Joe series and The Summer We Died. He shares how he outlines found footage films, sticks to personal genre instincts, and navigates the pressures of creating in an age of instant online reactions and reviews. We also talk about staying true to your voice while making something entertaining and marketable. Finally, I wrap the episode with Michael Pierro, director of Self Driver, a low-budget sci-fi thriller that recently won awards at Fantasia Fest. Michael and I dig into how life experience and personal ideals shape story structure, how to follow a creative framework while breaking rules when necessary, and how to balance audience appeal with originality.

Some of the big themes that came up throughout this episode include choosing a genre that speaks to you, writing with flexibility and openness to collaboration, rehearsal techniques and directing performance, planning complex shots and long takes, and making films that are both personal and marketable.

Thank you so much for supporting Low-Budget Rebels here on Patreon. Your support helps keep the show going and gives you access to these episodes completely ad-free. If you’re not already a member, head to patreon.com/flushstudios to join.And be sure to follow and support this episode’s amazing guests:

• Alex Kahuam – kahuamfilms.com | @alexkahuam
• Spooky Madison – @finalghoulfilms | Final Ghoul on YouTube
• Dillon Brown – @horrornerproductions | Films on Tubi and Amazon
• Michael Pierro – @m_pierro

More conversations with bold, independent filmmakers coming your way this season — stay tuned, and stay rebellious.

Cheers,
Josh]]>3705film,filmmaking,indie,movie,moviemaking,screen,screenplay,script,story,storytellingfalse61fullhttps://www.spreaker.com/episode/bonus-episode-failure-director-alex-kuhuam--64676693
In this episode we discuss finding a genre and story that speaks to you, making a single-take movie, writing for your cast, blocking and planning for the best shot possible, directing a crew during production, finding the best performances and utilizing the rehearsal process, tricks to getting the best sound design on set, and more.Check out Alex's film FAILURE! now available on all Apple+, Fandago at Home, and other platforms.

Find out more at alexkahuam.com  And join the conversation and be a part of the FLUSH community by heading over to our discord today! https://discord.gg/TzGYXdJw

Cheers!
Josh]]>https://api.spreaker.com/episode/64676693Mon, 03 Mar 2025 17:40:01 +0000Josh StifterOn a bonus episode of Low-Budget Rebels podcast, I sat down with Alex Kuhuam to discuss his new impressive, one-take movie FAILURE! starring Ted Raimi. In this episode we discuss finding a genre and story that speaks to you, making a single-take...
In this episode we discuss finding a genre and story that speaks to you, making a single-take movie, writing for your cast, blocking and planning for the best shot possible, directing a crew during production, finding the best performances and utilizing the rehearsal process, tricks to getting the best sound design on set, and more.Check out Alex's film FAILURE! now available on all Apple+, Fandago at Home, and other platforms.

Find out more at alexkahuam.com  And join the conversation and be a part of the FLUSH community by heading over to our discord today! https://discord.gg/TzGYXdJw

Cheers!
Josh]]>4667film,filmmaking,independent,indie,moviefalsefullhttps://www.spreaker.com/episode/season-5-episode-24-old-man-slaughter-director-r-s-trashley--62794766
My good pal and co-conspirator, Sean Ashley, aka R. S. Trashley, joined me to talk about his latest films, Old Man Slaughter and El Ron.

We also talked about what's happened since our first conversation way back in July of 2019, how to get your movie in a theater, the challenges of pulling together a community, and the process of working collaboratively with your peers on a set.

Check out Sean's Homicide McLeod at https://www.homicidemcleod.com/ and follow Sean at @rstrashley on Instagram!

From the bottom of my heart, thank you to everyone who has supported this show in season 5! Talking to so many filmmakers was incredible, and I learned so much from hearing about their experiences. I look forward to diving into Season 6 after a little break. If you have any specific topics you'd like me to discuss with the indie filmmaking community, let me know!

Cheers,
Josh]]>https://api.spreaker.com/episode/62794766Tue, 19 Nov 2024 00:50:25 +0000Josh Stifter🎙️ This Week on Low-Budget Rebels My good pal and co-conspirator, Sean Ashley, aka R. S. Trashley, joined me to talk about his latest films, Old Man Slaughter and El Ron. We also talked about what's happened since our first conversation way back in...
My good pal and co-conspirator, Sean Ashley, aka R. S. Trashley, joined me to talk about his latest films, Old Man Slaughter and El Ron.

We also talked about what's happened since our first conversation way back in July of 2019, how to get your movie in a theater, the challenges of pulling together a community, and the process of working collaboratively with your peers on a set.

Check out Sean's Homicide McLeod at https://www.homicidemcleod.com/ and follow Sean at @rstrashley on Instagram!

From the bottom of my heart, thank you to everyone who has supported this show in season 5! Talking to so many filmmakers was incredible, and I learned so much from hearing about their experiences. I look forward to diving into Season 6 after a little break. If you have any specific topics you'd like me to discuss with the indie filmmaking community, let me know!

Cheers,
Josh]]>4457false524fullhttps://www.spreaker.com/episode/season-5-episode-23-evil-sublet-director-allan-piper--62690890
I was joined by filmmaker and editor Allan Piper to talk about his new movie EVIL SUBLET.

We discuss mixing horror with comedy and the art of surprising the audience, the benefits of working with film, and the challenges that can arise on a film set. We also talked about the gaps between projects, self-funding, ways to adapt and utilize what you have at your disposal, and the joys of screening your movie with people who don't generally watch the types of movies we've made.

Allan and I also discuss his experience on his first film STARVING ARTIST and follow-up documentary MARRIED AND COUNTING.

Check out EVIL SUBLET now on Amazon, Fandango, and Spectrum, and follow Allan at @apiper13!

Cheers,
Josh ]]>https://api.spreaker.com/episode/62690890Mon, 11 Nov 2024 15:21:02 +0000Josh Stifter🎙️ This Week on Low-Budget Rebels I was joined by filmmaker and editor Allan Piper to talk about his new movie EVIL SUBLET. We discuss mixing horror with comedy and the art of surprising the audience, the benefits of working with film, and the...
I was joined by filmmaker and editor Allan Piper to talk about his new movie EVIL SUBLET.

We discuss mixing horror with comedy and the art of surprising the audience, the benefits of working with film, and the challenges that can arise on a film set. We also talked about the gaps between projects, self-funding, ways to adapt and utilize what you have at your disposal, and the joys of screening your movie with people who don't generally watch the types of movies we've made.

Allan and I also discuss his experience on his first film STARVING ARTIST and follow-up documentary MARRIED AND COUNTING.

Check out EVIL SUBLET now on Amazon, Fandango, and Spectrum, and follow Allan at @apiper13!

Cheers,
Josh ]]>3980false523fullhttps://www.spreaker.com/episode/season-5-episode-22-cooke-concrete-director-ian-martin--62528627
I was joined by Ian Martin to discuss his film Cooke Concrete. This unique and methodical film stands out in the low-budget scene, showcasing a sincere commitment to its vision. Blending genres, Cooke Concrete consistently surprises with bold stylistic choices and innovative filmmaking techniques.

In our conversation, Ian and I explored ways to the right tone for your film, understanding your creative process, the early experiences that shape our storytelling, unique distribution opportunities through streaming, and the importance of personal storytelling.

We also chatted about the intriguing mystery behind Cooke Concrete, crafting a film with intentional pacing, and encouraging audiences to engage with a central question early on.

This and so much more!

Make sure to check out Cooke Concrete, available on Tubi, Amazon, and Hoopla:
https://tubitv.com/movies/682678/cooke-concrete?start=true


Follow Ian Martin at ianmartin.works or on Twitter @ianmartinhello.

Cheers,
Josh]]>https://api.spreaker.com/episode/62528627Mon, 28 Oct 2024 12:07:16 +0000Josh Stifter🎙️ This Week on Low-Budget Rebels I was joined by Ian Martin to discuss his film Cooke Concrete. This unique and methodical film stands out in the low-budget scene, showcasing a sincere commitment to its vision. Blending genres, Cooke Concrete...
I was joined by Ian Martin to discuss his film Cooke Concrete. This unique and methodical film stands out in the low-budget scene, showcasing a sincere commitment to its vision. Blending genres, Cooke Concrete consistently surprises with bold stylistic choices and innovative filmmaking techniques.

In our conversation, Ian and I explored ways to the right tone for your film, understanding your creative process, the early experiences that shape our storytelling, unique distribution opportunities through streaming, and the importance of personal storytelling.

We also chatted about the intriguing mystery behind Cooke Concrete, crafting a film with intentional pacing, and encouraging audiences to engage with a central question early on.

This and so much more!

Make sure to check out Cooke Concrete, available on Tubi, Amazon, and Hoopla:
https://tubitv.com/movies/682678/cooke-concrete?start=true


Follow Ian Martin at ianmartin.works or on Twitter @ianmartinhello.

Cheers,
Josh]]>4864film,filmmaking,films,independent,indie,lowbudget,movie,moviesfalse522fullhttps://www.spreaker.com/episode/season-5-episode-21-plaga-zombie-american-invasion-creators-garry-medeiros-and-walter-rivero--62437774
We discuss the process of being able to make a sequel to a cult camp film and why this movie seemed like the right first for the team. We also talked about the styles and movies that influenced their passion for filmmaking, finding locations and people to help with visual effects, finding the motivation to keep going when things hit rock bottom, scheduling, and tricks we've learned over the years making projects on minimal budgets.

Make sure to follow Plaga Zombie: American Invasion on Instagram at @plagazombi.4 and check the movie out on TUBI. To learn more about their upcoming film Sins of the Devil follow @sinsofthedevil24 on Instagram!

Cheers,
Josh]]>https://api.spreaker.com/episode/62437774Mon, 21 Oct 2024 12:25:17 +0000Josh StifterOn today's episode of Low-Budget Rebels, I chatted with director Garry Medeiros and producer Walter Rivero about their film Plaga Zombie: American Invasion, a comedy zombie movie filmed with hilarious camp, nasty jokes, and a relentlessly fun style....
We discuss the process of being able to make a sequel to a cult camp film and why this movie seemed like the right first for the team. We also talked about the styles and movies that influenced their passion for filmmaking, finding locations and people to help with visual effects, finding the motivation to keep going when things hit rock bottom, scheduling, and tricks we've learned over the years making projects on minimal budgets.

Make sure to follow Plaga Zombie: American Invasion on Instagram at @plagazombi.4 and check the movie out on TUBI. To learn more about their upcoming film Sins of the Devil follow @sinsofthedevil24 on Instagram!

Cheers,
Josh]]>4608art,film,filmmaking,films,independent,movie,moviesfalse521fullhttps://www.spreaker.com/episode/season-5-episode-20-the-beast-of-walton-st-director-dusty-austen--62374773
We also discussed finding the genre you prefer, self-discovery of the type of director you want to be,  the challenges of adapting on set when things go wrong, taking the "No's" you receive as possibilities, and trying to balance what you can do to help the independent film community while also creating your own art.Make sure to follow Dusty online and keep an eye out for The Beast of Walton St. this November from Scream Team Releasing!

CHEERS!
Josh]]>https://api.spreaker.com/episode/62374773Tue, 15 Oct 2024 15:31:10 +0000Josh StifterOn this week's episode of LOW-BUDGET REBELS, I sat down to chat with director and amazing human Dusty Austin. We discussed her new movie The Beast of Walton St. and how a love of visual effects led to experiments with film and made the process seem...
We also discussed finding the genre you prefer, self-discovery of the type of director you want to be,  the challenges of adapting on set when things go wrong, taking the "No's" you receive as possibilities, and trying to balance what you can do to help the independent film community while also creating your own art.Make sure to follow Dusty online and keep an eye out for The Beast of Walton St. this November from Scream Team Releasing!

CHEERS!
Josh]]>4470false520fullhttps://www.spreaker.com/episode/season-5-episode-19-this-must-be-it-director-tommy-baker--62269577
We discussed working with his brother at Half Brothers Media, a production company that they started together, and how they balance contract work with creative ideas. We also talked about how making a film is similar to being in a band, the benefits of learning the craft doing behind-the-scenes projects, getting access to locations that you have available, knowing your role in a specific project, and using the knowledge you've gained throughout your life to write a story you know.

This and so much more!

Make sure to check out https://halfbrothersmedia.com/ to find out more about Tommy's films and creative work.

Cheers,
Josh]]>https://api.spreaker.com/episode/62269577Mon, 07 Oct 2024 12:39:14 +0000Josh StifterIn this episode of Low-Budget Rebels Podcast, I had a cup of coffee and chatted with Facing East and This Must Be It director Tommy Baker. We discussed working with his brother at Half Brothers Media, a production company that they started together,...
We discussed working with his brother at Half Brothers Media, a production company that they started together, and how they balance contract work with creative ideas. We also talked about how making a film is similar to being in a band, the benefits of learning the craft doing behind-the-scenes projects, getting access to locations that you have available, knowing your role in a specific project, and using the knowledge you've gained throughout your life to write a story you know.

This and so much more!

Make sure to check out https://halfbrothersmedia.com/ to find out more about Tommy's films and creative work.

Cheers,
Josh]]>4555budget,comedy,diy,festival,film,filmmaking,films,horror,independent,indie,low,movie,moviemaking,movies,podcastfalse519fullhttps://www.spreaker.com/episode/season-5-episode-18-pizza-guy-8-director-tate-hoffmaster--62164264
We also discuss working with VHS and other media to create art, Troma and its influence on low-budget filmmaking, assessing criticism of films, and things we've learned on set. We also talk about our scripting process and improvising ideas. This and so much more! Ch

eck out Tate's work at https://www.youtube.com/@GuyBacon13 and follow him on social media @xfilescabinet

Have a great week and don't let your meat loaf!
Josh]]>https://api.spreaker.com/episode/62164264Mon, 30 Sep 2024 13:08:16 +0000Josh StifterThis week I sat down on two occasions (thanks Hurrican Helene) to chat with filmmaker and genuinely nice guy Tate Hoffmaster about filmmaking and his new movie Pizza Guy 8. We also discuss working with VHS and other media to create art, Troma and...
We also discuss working with VHS and other media to create art, Troma and its influence on low-budget filmmaking, assessing criticism of films, and things we've learned on set. We also talk about our scripting process and improvising ideas. This and so much more! Ch

eck out Tate's work at https://www.youtube.com/@GuyBacon13 and follow him on social media @xfilescabinet

Have a great week and don't let your meat loaf!
Josh]]>4457false517fullhttps://www.spreaker.com/episode/season-5-episode-17-the-zombie-wedding-director-micah-khan--62079272
Micah and I discussed what it's like to work on projects that we didn't write or are outside of the norm for us, especially projects where you're working with other people's money. We also discuss lost old movies, the cringiness of where you begin and how to enjoy it, Micah's festival that revolves around showing early films, working with your cast and crew, how to fake shots and utilize a small room, and so much more! 

Check out Micah's film The Zombie Wedding - available now to rent or purchase and screening in limited theaters! 

Visit Micah's website to find out more: https://micahazamkhan.com/

Have a great week, everyone! ]]>https://api.spreaker.com/episode/62079272Mon, 23 Sep 2024 15:55:02 +0000Josh StifterI had the pleasure of hopping on a call with Micah Khan and discussing his new feature film The Zombie Wedding. Unrelated, but I also had my mic backward the whole time I recorded like an absolute moron. Technical difficulties aside, it was still a...
Micah and I discussed what it's like to work on projects that we didn't write or are outside of the norm for us, especially projects where you're working with other people's money. We also discuss lost old movies, the cringiness of where you begin and how to enjoy it, Micah's festival that revolves around showing early films, working with your cast and crew, how to fake shots and utilize a small room, and so much more! 

Check out Micah's film The Zombie Wedding - available now to rent or purchase and screening in limited theaters! 

Visit Micah's website to find out more: https://micahazamkhan.com/

Have a great week, everyone! ]]>4562false517fullhttps://www.spreaker.com/episode/season-5-episode-16-the-wedding-night-director-jamie-h-jung--60409720
Jamie and I were both part of the the Rebel Without A Crew: The Series process but in very different capacities. Jamie was an actor in Alejandro Montoya Marin's movie Monday; and on this episode, we compared experiences of what it was like to be on reality TV. Jamie also discusses his adventure in producing his first film The Wedding Night which will be premiering at the Manhattan Film Festival on June 22.

We also discussed the challenges of adapting your project with no money, finding a character, and learning your process through life experiences.

Follow Jamie on social media @jamiehjung and check out more from Jamie at jamihjung.com ]]>https://api.spreaker.com/episode/60409720Mon, 17 Jun 2024 10:42:39 +0000Josh StifterThis weekend I had the pleasure of chatting with actor and filmmaker Jamie H Jung about all things independent filmmaking! Jamie and I were both part of the the Rebel Without A Crew: The Series process but in very different capacities. Jamie was an...
Jamie and I were both part of the the Rebel Without A Crew: The Series process but in very different capacities. Jamie was an actor in Alejandro Montoya Marin's movie Monday; and on this episode, we compared experiences of what it was like to be on reality TV. Jamie also discusses his adventure in producing his first film The Wedding Night which will be premiering at the Manhattan Film Festival on June 22.

We also discussed the challenges of adapting your project with no money, finding a character, and learning your process through life experiences.

Follow Jamie on social media @jamiehjung and check out more from Jamie at jamihjung.com ]]>4014false516fullhttps://www.spreaker.com/episode/season-5-episode-15-the-legend-of-el-chupacabra-director-rob-mabry--60339256
Rob and I discussed his rise from early days of playing with cameras, to the break in his filmmaking process and coming back to it through 48 hour film fests and making a plethora of shorts, to eventually making his first feature film. We also chat about Rob's preproduction process, finding the shot in the moment, messy effects shots, and the fun of creating monsters with practical visual effects.This and so much more!

 Make sure to follow @thechupacabramovie to find out more about Rob's movie.]]>https://api.spreaker.com/episode/60339256Mon, 10 Jun 2024 13:09:17 +0000Josh StifterThis week I had the pleasure of chatting with writer and director Rob Mabry.If you look at our film's synopsis, you can instantly see that my film Greywood's Plot and his The Legend of El Chupacabra have some things in common. Watching the movies,...
Rob and I discussed his rise from early days of playing with cameras, to the break in his filmmaking process and coming back to it through 48 hour film fests and making a plethora of shorts, to eventually making his first feature film. We also chat about Rob's preproduction process, finding the shot in the moment, messy effects shots, and the fun of creating monsters with practical visual effects.This and so much more!

 Make sure to follow @thechupacabramovie to find out more about Rob's movie.]]>4465false515fullhttps://www.spreaker.com/episode/season-5-episode-14-fey-director-scott-mcelroy--60263176
We discuss a wide variety of independent filmmaking topics including how to direct when you don't have technical knowledge, building a friend and family group that you can call on for help when it's time to get out and make a movie, and tricks for taking advantage of sound design to build the mood. We also chatted about music and how other forms of art beyond filmmaking help to build storytelling and structural style when it is time to make a feature length movie.

Make sure to follow Fey on social media @feythemovie on instagram and stay tuned for the release of this truly independent, twisted flick!]]>https://api.spreaker.com/episode/60263176Mon, 03 Jun 2024 14:41:27 +0000Josh StifterDirector Scott McElroy came on the show to discuss his feature film Fey, a twisting, independent psychological-thriller about a rock band that goes to a secluded studio to record their album and finds out they may be in for more than creating tunes...
We discuss a wide variety of independent filmmaking topics including how to direct when you don't have technical knowledge, building a friend and family group that you can call on for help when it's time to get out and make a movie, and tricks for taking advantage of sound design to build the mood. We also chatted about music and how other forms of art beyond filmmaking help to build storytelling and structural style when it is time to make a feature length movie.

Make sure to follow Fey on social media @feythemovie on instagram and stay tuned for the release of this truly independent, twisted flick!]]>5011false514fullhttps://www.spreaker.com/episode/season-5-episode-13-my-friend-molly-filmmakers-the-farx-brothers--60200141
While they're called The Farx Brothers, you'll find out early in this episode that they are not actually brothers. Nick and Kyle are two Minnesota based filmmakers creating short form movies and proof of concept videos. We discuss their background, how they each bring different ideas and style to the projects they make, and new ideas about how they want to distribute their films this year.

They also discuss four walling, new projects, and working in the industry versus having a day job outside of filmmaking.

This and much more!]]>https://api.spreaker.com/episode/60200141Tue, 28 May 2024 16:55:49 +0000Josh StifterEven with the busy holiday weekend, I was able to chat with two indie filmmakers who've made some interesting movies and are looking to take them out to theaters and try a new model of low-budget film distribution. While they're called The Farx...
While they're called The Farx Brothers, you'll find out early in this episode that they are not actually brothers. Nick and Kyle are two Minnesota based filmmakers creating short form movies and proof of concept videos. We discuss their background, how they each bring different ideas and style to the projects they make, and new ideas about how they want to distribute their films this year.

They also discuss four walling, new projects, and working in the industry versus having a day job outside of filmmaking.

This and much more!]]>4541false513fullhttps://www.spreaker.com/episode/season-5-episode-12-kuyashii-gonzo-director-jeff-frumess--60096253
Not only has he been running his patreon page and youtube channel, he's also directed a new film called Gouge Away, and created a gonzo style documentary using diaries and home videos called Kuyashii Gonzo: Blood Visions and Chaos Magic! We also discuss a wide range of topics from the process of finishing a feature and setting deadlines to the benefits of table readings to how important it is to find a way to distribute your own projects in the modern era of film. 

Head over to https://www.frumess.com/ to learn more about where you can see Jeff's films.

Follow Jeff on Social Media:
X : https://x.com/Jfrumess
Instagram: https://www.instagram.com/screaminjfrumess/

Check out more from Low-Budget Rebels and hear all the episode ad free at patreon.com/flushstudios 

Cheers,
Josh]]>https://api.spreaker.com/episode/60096253Mon, 20 May 2024 12:08:44 +0000Josh StifterI'm in my studio and recording new episodes of Low-Budget Rebels Podcast! For my first episode in the new studio, I have Romeo's Distress director Jeff Frumess on to talk about what he's been up to since the last time we chatted on the show. Not only...
Not only has he been running his patreon page and youtube channel, he's also directed a new film called Gouge Away, and created a gonzo style documentary using diaries and home videos called Kuyashii Gonzo: Blood Visions and Chaos Magic! We also discuss a wide range of topics from the process of finishing a feature and setting deadlines to the benefits of table readings to how important it is to find a way to distribute your own projects in the modern era of film. 

Head over to https://www.frumess.com/ to learn more about where you can see Jeff's films.

Follow Jeff on Social Media:
X : https://x.com/Jfrumess
Instagram: https://www.instagram.com/screaminjfrumess/

Check out more from Low-Budget Rebels and hear all the episode ad free at patreon.com/flushstudios 

Cheers,
Josh]]>4820false512fullhttps://www.spreaker.com/episode/season-5-episode-11-bampire-director-taylor-morden--59352074 Taylor Morden. They discuss what has happened since they recorded the last episode, The Last Blockbuster and it's run on Netflix, the challenges of getting projects off the ground, being hired to direct a movie about Build-a-Bear Workshops, and Taylor's newest adventure in crowdfunding with his horror/comedy Bampire! 

Make sure to go over to bampiremovie.com and help support this fun and unique take on indie monster movies. 

Follow the film on social media @bampiremovie

Cheers!]]>https://api.spreaker.com/episode/59352074Mon, 08 Apr 2024 20:10:46 +0000Josh StifterOn this episode of the podcast, Josh Stifter sits down for a conversation with returning guest Taylor Morden. They discuss what has happened since they recorded the last episode, The Last Blockbuster and it's run on Netflix, the challenges of getting... Taylor Morden. They discuss what has happened since they recorded the last episode, The Last Blockbuster and it's run on Netflix, the challenges of getting projects off the ground, being hired to direct a movie about Build-a-Bear Workshops, and Taylor's newest adventure in crowdfunding with his horror/comedy Bampire! 

Make sure to go over to bampiremovie.com and help support this fun and unique take on indie monster movies. 

Follow the film on social media @bampiremovie

Cheers!]]>4062bambi,bampire,comedy,crowdfunding,film,horror,independent,indie,indiegogo,morden,taylorfalse511fullhttps://www.spreaker.com/episode/season-5-episode-10-once-and-future-smash-director-michael-j-epstein--58126304
Make sure to check out the kickstarter for the release of The Once and Future Smash here: https://launchover.com/launch/film/the-once-and-future-smash/

And follow Michael J Epstein on social media by going to launchover.com

Cheers,
Josh]]>https://api.spreaker.com/episode/58126304Wed, 27 Dec 2023 00:28:44 +0000Josh StifterOn this episode of the podcast, I had the pleasure of chatting with Michael J Epstein. In his second appearance on the show, he discussed the movies he's directed since the pandemic. Experimenting with mocumentary mixed media projects that included...
Make sure to check out the kickstarter for the release of The Once and Future Smash here: https://launchover.com/launch/film/the-once-and-future-smash/

And follow Michael J Epstein on social media by going to launchover.com

Cheers,
Josh]]>5183film,horror,indie,lowbudget,movie,moviemaking,moviesfalse510fullhttps://www.spreaker.com/episode/season-5-episode-9-this-is-your-song-director-hassan-said--57750289This Is Your Song is a beautiful, sad, and completely unique film about relationships gained and lost.

I had the pleasure of sitting down with independent filmmaker Hassan Said to talk about the process of making such an ambitious film. Filmed as one long take, the movie tells a story that many of us can relate to - but also will impress the hell out of all you indie filmmakers.

We discussed the casting process, the massive endeavor that is filming large takes, things that can go wrong on a film like this, and why his director of photography had to build her core before production. Six weeks of rehearsal and preproduction, screenings of the film, getting permits for the shoot, color correcting a movie for mood, distribution of a film like this, and finding the right locations are just some of the topics we discuss! Make sure to follow Hassan Said by checking out his website at https://hassansaid.com/ and look for THIS IS YOUR SONG through Indie Rights available now!

Have a great week, everybody!

Cheers,
Josh Stifter]]>https://api.spreaker.com/episode/57750289Tue, 21 Nov 2023 15:53:04 +0000Josh StifterThis Is Your Song is a beautiful, sad, and completely unique film about relationships gained and lost. I had the pleasure of sitting down with independent filmmaker Hassan Said to talk about the process of making such an ambitious film. Filmed as one...This Is Your Song is a beautiful, sad, and completely unique film about relationships gained and lost.

I had the pleasure of sitting down with independent filmmaker Hassan Said to talk about the process of making such an ambitious film. Filmed as one long take, the movie tells a story that many of us can relate to - but also will impress the hell out of all you indie filmmakers.

We discussed the casting process, the massive endeavor that is filming large takes, things that can go wrong on a film like this, and why his director of photography had to build her core before production. Six weeks of rehearsal and preproduction, screenings of the film, getting permits for the shoot, color correcting a movie for mood, distribution of a film like this, and finding the right locations are just some of the topics we discuss! Make sure to follow Hassan Said by checking out his website at https://hassansaid.com/ and look for THIS IS YOUR SONG through Indie Rights available now!

Have a great week, everybody!

Cheers,
Josh Stifter]]>3925diy,film,filmmaking,hassan,how,indie,low-budget,make,said,song,tofalse59fullhttps://www.spreaker.com/episode/season-5-episode-8-love-virtually-director-l-e-staiman-co-writer-cheston-mizel--57530250
We discussed how they got into making movies and why a comedy about the Metaverse seemed enticing. They tell me about the writing process and how it came together during the Covid quarantine, what the biggest challenges were, and how the process of editing this movie challenged them. They also discuss the benefits and shortcomings of relying on visual effects and animation and how Cheston learned animation based on the needs of the film.

This and much more!

Love Virtually is releasing November 7th on digital and on demand.

Cheers,
Josh]]>https://api.spreaker.com/episode/57530250Mon, 06 Nov 2023 11:55:07 +0000Josh StifterOn this weeks episode of Low-Budget Rebels, I had the pleasure of talking with first time feature filmmaker of the new sci-fi comedy Love Virtually L.E. Staiman and his co-writer Cheston Mizel. We discussed how they got into making movies and why a...
We discussed how they got into making movies and why a comedy about the Metaverse seemed enticing. They tell me about the writing process and how it came together during the Covid quarantine, what the biggest challenges were, and how the process of editing this movie challenged them. They also discuss the benefits and shortcomings of relying on visual effects and animation and how Cheston learned animation based on the needs of the film.

This and much more!

Love Virtually is releasing November 7th on digital and on demand.

Cheers,
Josh]]>3213diy,film,filmmaking,indie,love,lowbudget,metaverse,virtuallyfalse58fullhttps://www.spreaker.com/episode/season-5-episode-7-frogman-director-anthony-cousins--57353966
My friend Anthony Cousins hopped on the show to talk about his new film FROGMAN and the shorts that helped him get to where he is. We discussed the movies and t.v. shows that introduced us to the world of filmmaking, his decision to pursue filmmaking, and the sacrifices that you have to make to do what you love. We also discuss the challenges of moving from short films to features and the inspiration behind the stories we tell, working with collaborators, and the challenges that come with making a found footage film. This and so much more!

Make sure to follow Anthony on instagram at @cousins_anthony, check out his short films and segments from the SCARE PACKAGE films, and keep an eye out for where you can see FROGMAN!

Have a great week, everybody.

Cheers,
Josh]]>https://api.spreaker.com/episode/57353966Mon, 23 Oct 2023 12:59:37 +0000Josh StifterI am so excited for you all to hear this weeks episode of Low-Budget Rebels! My friend Anthony Cousins hopped on the show to talk about his new film FROGMAN and the shorts that helped him get to where he is. We discussed the movies and t.v. shows...
My friend Anthony Cousins hopped on the show to talk about his new film FROGMAN and the shorts that helped him get to where he is. We discussed the movies and t.v. shows that introduced us to the world of filmmaking, his decision to pursue filmmaking, and the sacrifices that you have to make to do what you love. We also discuss the challenges of moving from short films to features and the inspiration behind the stories we tell, working with collaborators, and the challenges that come with making a found footage film. This and so much more!

Make sure to follow Anthony on instagram at @cousins_anthony, check out his short films and segments from the SCARE PACKAGE films, and keep an eye out for where you can see FROGMAN!

Have a great week, everybody.

Cheers,
Josh]]>3881bmovie,diy,film,filmmaking,foundfootage,frogman,independent,indie,lowbudget,monster,movie,moviesfalse57fullhttps://www.spreaker.com/episode/season-5-episode-6-bread-and-butter-director-liz-manashil--57244281
And we're rollin' into it with a brand new podcast episode. Liz Manashil is a wonderfully different type of director than the folks I usually get on the show. Her two features, Bread & Butter and Speed of Life, are fascinating character studies that are not only low-budget inspiring but a type of movie that makes me want to work outside of the box. She also was the kind of candid chatter that I LOVE to have on the show. She discussed growing up as a precocious and quiet child, the anxiety that comes with filmmaking, and balancing being a parent with creating art. She also discussed going to film school at USC, working with actors, and the benefits of doing shorts as well as features.

All of this and so much more.

Make sure to follow her on twitter @LizManashil and check out her films Bread and Butter and Speed of Life, available now on Amazon and other streaming sites.

Also, head over to speakpipe.com/lowbudgetrebels and leave me an audio message! Ask questions, leave indie film reviews, and have your voice heard!

Cheers,
Josh]]>https://api.spreaker.com/episode/57244281Sun, 15 Oct 2023 23:58:24 +0000Josh StifterHappy Monday! And we're rollin' into it with a brand new podcast episode. Liz Manashil is a wonderfully different type of director than the folks I usually get on the show. Her two features, Bread & Butter and Speed of Life, are fascinating...
And we're rollin' into it with a brand new podcast episode. Liz Manashil is a wonderfully different type of director than the folks I usually get on the show. Her two features, Bread & Butter and Speed of Life, are fascinating character studies that are not only low-budget inspiring but a type of movie that makes me want to work outside of the box. She also was the kind of candid chatter that I LOVE to have on the show. She discussed growing up as a precocious and quiet child, the anxiety that comes with filmmaking, and balancing being a parent with creating art. She also discussed going to film school at USC, working with actors, and the benefits of doing shorts as well as features.

All of this and so much more.

Make sure to follow her on twitter @LizManashil and check out her films Bread and Butter and Speed of Life, available now on Amazon and other streaming sites.

Also, head over to speakpipe.com/lowbudgetrebels and leave me an audio message! Ask questions, leave indie film reviews, and have your voice heard!

Cheers,
Josh]]>3671art,behindthescenes,breadandbutter,crew,film,filmmaking,independent,indie,manashil,movie,moviemaking,movies,production,rebelfalse56fullhttps://www.spreaker.com/episode/season-5-episode-5-house-of-ashes-director-izzy-lee--57047119
Izzy Lee is a visionary low-budget short film director who is embarking on the adventure of creating her first feature length horror film called House of Ashes. You can help donate to the campaign today by going to : https://www.kickstarter.com/projects/izzylee/house-of-ashes-a-horror-feature-film-by-izzy-lee

In this episode, Izzy and I talk about the social issues that had her go from acting, journalism, and illustration to directing her very large catalogue of short films. We also talked about the challenges in making low-budget films, the joy of learning on each different shoot, and crippling terror that comes along with crowdfunding. She also discuss taking part in Sundance Collab courses, the fear of not being ready to take on larger projects, and the benefits of networking at film festivals. We also dive deep into the crowdfunding process and what you can learn from the process. All this and so much more!

Make sure to check out everything Izzy is doing at https://www.nihilnoctem.com and make sure to follow her social profiles there as well!

Cheers,
Josh]]>https://api.spreaker.com/episode/57047119Fri, 06 Oct 2023 14:32:07 +0000Josh StifterI've decide to release this episode early for everyone so that we can help get the word out that the amazingly talents and interesting Izzy Lee is making a feature film and needs your support! Izzy Lee is a visionary low-budget short film director...
Izzy Lee is a visionary low-budget short film director who is embarking on the adventure of creating her first feature length horror film called House of Ashes. You can help donate to the campaign today by going to : https://www.kickstarter.com/projects/izzylee/house-of-ashes-a-horror-feature-film-by-izzy-lee

In this episode, Izzy and I talk about the social issues that had her go from acting, journalism, and illustration to directing her very large catalogue of short films. We also talked about the challenges in making low-budget films, the joy of learning on each different shoot, and crippling terror that comes along with crowdfunding. She also discuss taking part in Sundance Collab courses, the fear of not being ready to take on larger projects, and the benefits of networking at film festivals. We also dive deep into the crowdfunding process and what you can learn from the process. All this and so much more!

Make sure to check out everything Izzy is doing at https://www.nihilnoctem.com and make sure to follow her social profiles there as well!

Cheers,
Josh]]>4617ashes,budget,film,filmmaking,house,hustle,indie,izzy,lee,low,lowbudget,moviesfalse55fullhttps://www.spreaker.com/episode/season-5-episode-4-rub-director-chistopher-fox--57027737
On this weeks episode, I talked to RUB director and writer Christopher Fox about his style of filmmaking. We discussed his start in audio recording and engineering, along with playing in bands, and how it led him to making movies. We also chat about the writing process, wearing multiple hats on a movie set, the few positive things that can come creatively from utilizing AI, watching movies that inspired us as kids, finding ideas for films in your reality, hunting down sets that you know you have access to, the early work that motivated us to keep trying, and reassessing our goals, especially during the pandemic. This and so much more. Remember to send your audio messages into speakpipe.com/lowbudgetrebels and if you have any questions or comments, send them to flushstudios@gmail.com!

Follow Christopher on social media @cfoxv1027 or on facebook @christopherfox

Watch RUB on VUDU: https://www.vudu.com/content/movies/details/title/2436406

Have a great week.
Cheers,
Josh]]>https://api.spreaker.com/episode/57027737Mon, 02 Oct 2023 12:31:11 +0000Josh StifterHappy Monday! On this weeks episode, I talked to RUB director and writer Christopher Fox about his style of filmmaking. We discussed his start in audio recording and engineering, along with playing in bands, and how it led him to making movies. We...
On this weeks episode, I talked to RUB director and writer Christopher Fox about his style of filmmaking. We discussed his start in audio recording and engineering, along with playing in bands, and how it led him to making movies. We also chat about the writing process, wearing multiple hats on a movie set, the few positive things that can come creatively from utilizing AI, watching movies that inspired us as kids, finding ideas for films in your reality, hunting down sets that you know you have access to, the early work that motivated us to keep trying, and reassessing our goals, especially during the pandemic. This and so much more. Remember to send your audio messages into speakpipe.com/lowbudgetrebels and if you have any questions or comments, send them to flushstudios@gmail.com!

Follow Christopher on social media @cfoxv1027 or on facebook @christopherfox

Watch RUB on VUDU: https://www.vudu.com/content/movies/details/title/2436406

Have a great week.
Cheers,
Josh]]>4005art,diy,film,filmmaking,horror,independent,indie,lowbudget,movie,movies,photographyfalse54fullhttps://www.spreaker.com/episode/season-5-episode-3-barbara-director-rob-hagans--56885512
In this episode, Rob Hagans and I sat down to chat about his films and the process of making them. Rob is the talented DIY filmmaker behind indie films such as Barbara and Around the World. We discuss filmmaker gear and the ability to use what you have to bring your stories to life, how the low-budget film medium allows for you to make raw and unique films, the joys of American filmmaking and the ability it grants low-budget filmmakers to have so much at their disposal, and how to get away with run n' gun filmmaking with a small crew. We also discuss Rob's background and the wild jobs that brought him into the type of films he makes.

This and so much more. Make sure to follow Rob on social media at @BspectacledMofo Check out his youtube channel for a lot more filmmaking content: https://www.youtube.com/@BespectacledMofoHave a great week.

Cheers,
Josh]]>https://api.spreaker.com/episode/56885512Mon, 25 Sep 2023 23:52:38 +0000Josh StifterHey, everybody. It's time for another Low-Budget Rebels conversation! In this episode, Rob Hagans and I sat down to chat about his films and the process of making them. Rob is the talented DIY filmmaker behind indie films such as Barbara and Around...
In this episode, Rob Hagans and I sat down to chat about his films and the process of making them. Rob is the talented DIY filmmaker behind indie films such as Barbara and Around the World. We discuss filmmaker gear and the ability to use what you have to bring your stories to life, how the low-budget film medium allows for you to make raw and unique films, the joys of American filmmaking and the ability it grants low-budget filmmakers to have so much at their disposal, and how to get away with run n' gun filmmaking with a small crew. We also discuss Rob's background and the wild jobs that brought him into the type of films he makes.

This and so much more. Make sure to follow Rob on social media at @BspectacledMofo Check out his youtube channel for a lot more filmmaking content: https://www.youtube.com/@BespectacledMofoHave a great week.

Cheers,
Josh]]>4636barbara,budget,diy,filmfestival,filmfun,filmmaking,indie,indiefilm,iphone,iphonefilmmaking,iphonemovie,lowbudget,moviemaking,moviesfalse53fullhttps://www.spreaker.com/episode/season-5-episode-2-faith-ba-ed-filmmaker-luke-barnett--56839973
On this weeks LOW-BUDGET REBELS, I chatted with the wonderful producer of FAITH BA$ED - Luke Barnett. I've chatted with Luke a bit on social media and we've tried to put together an episode for awhile but it's finally come together into one of the most informative podcast episodes to date!Luke and I discussed the shift from focusing on acting to producing and what lead him to making his movie Faith Ba$ed the way that he and his team did.

He talks about his start at Funny Or Die and how it lead him into writing and producing. What film festivals are helpful in distribution of your film, how ideas get put on the "backburner", finding cast that elevates your film, how agencies can help you get your movie into the right festivals, low-budget distribution, and new methods for funding your films are only a few of the topics we tackle in this jam packed episode.

Follow look on social media @lukebarnett

Check out Faith Ba$ed at https://www.amazon.com/Faith-Based-Luke-Barnett/dp/B08KGRJJMR

Have a great week, everybody!
Cheers,
Josh]]>https://api.spreaker.com/episode/56839973Mon, 18 Sep 2023 10:58:38 +0000Josh StifterHappy Monday, everyone! On this weeks LOW-BUDGET REBELS, I chatted with the wonderful producer of FAITH BA$ED - Luke Barnett. I've chatted with Luke a bit on social media and we've tried to put together an episode for awhile but it's finally come...
On this weeks LOW-BUDGET REBELS, I chatted with the wonderful producer of FAITH BA$ED - Luke Barnett. I've chatted with Luke a bit on social media and we've tried to put together an episode for awhile but it's finally come together into one of the most informative podcast episodes to date!Luke and I discussed the shift from focusing on acting to producing and what lead him to making his movie Faith Ba$ed the way that he and his team did.

He talks about his start at Funny Or Die and how it lead him into writing and producing. What film festivals are helpful in distribution of your film, how ideas get put on the "backburner", finding cast that elevates your film, how agencies can help you get your movie into the right festivals, low-budget distribution, and new methods for funding your films are only a few of the topics we tackle in this jam packed episode.

Follow look on social media @lukebarnett

Check out Faith Ba$ed at https://www.amazon.com/Faith-Based-Luke-Barnett/dp/B08KGRJJMR

Have a great week, everybody!
Cheers,
Josh]]>3722barnett,based,budget,cinema,diy,faith,film,filmmaking,independent,indie,lowbudget,movie,moviemakingfalse52fullhttp://patreon.com/flushstudios
In this episode, I sat down with the director of an interesting dark comedy called THE IMPROVISOR to talk about his film, the process of making it, and what he learned about filmmaking along the way. We discuss the early stages of finding inspiration and attempting to learn the craft of storytelling, the amount of time it can take to create a low-budget feature, ways to work with your cast and crew when you don't have a large budget, and tricks to pulling people together to get the most out of your film. Daniel also discusses working with his partner and the distribution process with Indie Rights. This and so much more!

Check out The Improvisor here: https://tubitv.com/movies/659154/the-improviser?start=true&tracking=google-feed&utm_source=google-feed

And follow along with everything Daniel is making at https://rebellensfilms.com

Cheers,
Josh]]>https://api.spreaker.com/episode/56761250Mon, 11 Sep 2023 10:51:49 +0000Josh StifterWe're back with a brand new season of Low-Budget Rebels podcast! In this episode, I sat down with the director of an interesting dark comedy called THE IMPROVISOR to talk about his film, the process of making it, and what he learned about filmmaking...
In this episode, I sat down with the director of an interesting dark comedy called THE IMPROVISOR to talk about his film, the process of making it, and what he learned about filmmaking along the way. We discuss the early stages of finding inspiration and attempting to learn the craft of storytelling, the amount of time it can take to create a low-budget feature, ways to work with your cast and crew when you don't have a large budget, and tricks to pulling people together to get the most out of your film. Daniel also discusses working with his partner and the distribution process with Indie Rights. This and so much more!

Check out The Improvisor here: https://tubitv.com/movies/659154/the-improviser?start=true&tracking=google-feed&utm_source=google-feed

And follow along with everything Daniel is making at https://rebellensfilms.com

Cheers,
Josh]]>4338art,behind,behindthescenes,crew,diy,film,filmmaking,films,florio,indie,movie,moviemaking,photography,rebels,rodriguez,scenes,set,setlifefalse51fullhttps://www.spreaker.com/episode/season-4-episode-22-placid-park-director-roman-jossart--53571093We've reached the end of Season 4!

On this episode, I was joined by the highly recommended Roman Jossart. He's directed multiple feature films and produced a plethora of content over his short but prolific career in indie horror. In this episode, Roman and I discuss those early days of having the realization that, 'It's time to just go make a movie!'

He tells the tale of how he gambled on himself and bought his first gear to make his first feature (without ever making a real short!) and how his friend who convinced him backed out of the production. He also discusses how Tim Burton's films inspired him, learning from youtube videos, buying his own gear to build his production company, and starting 605 Films.

This was an absolutely wonderful episode and I really hope to have Roman back on sometime during Season 5 of LOW-BUDGET REBELS. Make sure to follow Roman and his company 605 Films!

Twitter: @Studio605films
Facebook: https://www.facebook.com/studio605productions
Instagram: @studio605

Cheers,
Josh]]>https://api.spreaker.com/episode/53571093Tue, 18 Apr 2023 14:10:29 +0000Josh StifterWe've reached the end of Season 4! On this episode, I was joined by the highly recommended Roman Jossart. He's directed multiple feature films and produced a plethora of content over his short but prolific career in indie horror. In this episode,...We've reached the end of Season 4!

On this episode, I was joined by the highly recommended Roman Jossart. He's directed multiple feature films and produced a plethora of content over his short but prolific career in indie horror. In this episode, Roman and I discuss those early days of having the realization that, 'It's time to just go make a movie!'

He tells the tale of how he gambled on himself and bought his first gear to make his first feature (without ever making a real short!) and how his friend who convinced him backed out of the production. He also discusses how Tim Burton's films inspired him, learning from youtube videos, buying his own gear to build his production company, and starting 605 Films.

This was an absolutely wonderful episode and I really hope to have Roman back on sometime during Season 5 of LOW-BUDGET REBELS. Make sure to follow Roman and his company 605 Films!

Twitter: @Studio605films
Facebook: https://www.facebook.com/studio605productions
Instagram: @studio605

Cheers,
Josh]]>4142art,create,diy,film,filmmaking,indie,jossart,movie,moviesfalse418fullhttps://www.spreaker.com/episode/season-4-episode-21-ghosted-director-daniel-pacquette--53497147
On this week's episode, I had a blast chatting with U.K.-based filmmaker Daniel Pacquette. Daniel has been a part of many productions (including one of my favorite films ever!) and has made low-budget features such as the romantic comedy Ghosted. In this episode, we talk about balancing creativity with practicality, the plight of the independent filmmaker to overcome falling into only seeing our faults but instead, learning to grow, and the building blocks that you can learn from on every project. We also talk about self-motivation and the passion that has to go into every project, even when you aren't ever sure of the outcome. Daniel also tells the story of how he was inspired by hardware to become a filmmaker.

While the audio quality of this episode is a little lower than normal, I thought that this episode was one of the most inspirational I've ever done. Daniel is a wealth of knowledge on creative thinking! Make sure to check out Daniel's film Ghosted!

Cheers,
Josh]]>https://api.spreaker.com/episode/53497147Mon, 10 Apr 2023 23:23:51 +0000Josh StifterIt's time once again for another Low-Budget Rebels podcast. On this week's episode, I had a blast chatting with U.K.-based filmmaker Daniel Pacquette. Daniel has been a part of many productions (including one of my favorite films ever!) and has made...
On this week's episode, I had a blast chatting with U.K.-based filmmaker Daniel Pacquette. Daniel has been a part of many productions (including one of my favorite films ever!) and has made low-budget features such as the romantic comedy Ghosted. In this episode, we talk about balancing creativity with practicality, the plight of the independent filmmaker to overcome falling into only seeing our faults but instead, learning to grow, and the building blocks that you can learn from on every project. We also talk about self-motivation and the passion that has to go into every project, even when you aren't ever sure of the outcome. Daniel also tells the story of how he was inspired by hardware to become a filmmaker.

While the audio quality of this episode is a little lower than normal, I thought that this episode was one of the most inspirational I've ever done. Daniel is a wealth of knowledge on creative thinking! Make sure to check out Daniel's film Ghosted!

Cheers,
Josh]]>3964false421fullhttps://www.spreaker.com/episode/season-4-episode-20-thulsa-doom-films-filmmaker-hector-helsing--53432670
A brand new Low-Budget Rebels podcast episode is here!

I sat down to chat with U.K. producer, actor, writer and filmmaker Hector Helsing. His company, Thulsa Doom Video, has produced over 40 short films and two features over the past few years. He talks about forming this business with two other filmmakers, how the pandemic pushed them to begin this artistic journey, and where it's led them to today. He also discusses his journey from studying with the prospect of being a doctor, to going to acting school, and the sudden life changes needed when his brother got cancer, to finally getting back to acting and producing. He also tells a wild story about being robbed by a man with a machete during the production of the Thulsa Doom Video feature Bilby.
This and much more!

Check out Thulsa Doom Videos at https://www.thulsadoomvideo.com
Follow Thulsa Doom Videos on Twitter: @thulsadoomvideo
Watch Thulsa Doom Videos short films and trailers on Vimeo: https://vimeo.com/thulsadoom

Cheers!
Josh]]>https://api.spreaker.com/episode/53432670Mon, 03 Apr 2023 18:47:03 +0000Josh StifterIt's that time of the week! A brand new Low-Budget Rebels podcast episode is here! I sat down to chat with U.K. producer, actor, writer and filmmaker Hector Helsing. His company, Thulsa Doom Video, has produced over 40 short films and two features...
A brand new Low-Budget Rebels podcast episode is here!

I sat down to chat with U.K. producer, actor, writer and filmmaker Hector Helsing. His company, Thulsa Doom Video, has produced over 40 short films and two features over the past few years. He talks about forming this business with two other filmmakers, how the pandemic pushed them to begin this artistic journey, and where it's led them to today. He also discusses his journey from studying with the prospect of being a doctor, to going to acting school, and the sudden life changes needed when his brother got cancer, to finally getting back to acting and producing. He also tells a wild story about being robbed by a man with a machete during the production of the Thulsa Doom Video feature Bilby.
This and much more!

Check out Thulsa Doom Videos at https://www.thulsadoomvideo.com
Follow Thulsa Doom Videos on Twitter: @thulsadoomvideo
Watch Thulsa Doom Videos short films and trailers on Vimeo: https://vimeo.com/thulsadoom

Cheers!
Josh]]>4160false420fullhttps://www.spreaker.com/episode/season-4-episode-19-blue-moon-director-matthew-alson-thornbury--53350716
We talk about those early memories in our lives and how they shaped our filmmaking goals, getting ideas out of our heads, the cathartic need to put ideas out in whatever way possible, and the strange art of directing ourselves in features.

We also talk about the wonderful John Orr, the benefit of being able to call on friends to help on truly indie projects, and the wild techniques we've had to use to get our low-budget movies made. All of this and so much more!

Make sure to follow Matt on social media: @mediaartstalent

Check out all the things and learn more about his films: https://www.mediaartsandtalent.com/

Cheers,
Josh]]>https://api.spreaker.com/episode/53350716Mon, 27 Mar 2023 11:41:19 +0000Josh StifterOn this week's episode of Low-Budget Rebels, I was finally able to get BLUE MOON director Matthew Alson Thornbury on to talk about his process and all this independent film. We talk about those early memories in our lives and how they shaped our...
We talk about those early memories in our lives and how they shaped our filmmaking goals, getting ideas out of our heads, the cathartic need to put ideas out in whatever way possible, and the strange art of directing ourselves in features.

We also talk about the wonderful John Orr, the benefit of being able to call on friends to help on truly indie projects, and the wild techniques we've had to use to get our low-budget movies made. All of this and so much more!

Make sure to follow Matt on social media: @mediaartstalent

Check out all the things and learn more about his films: https://www.mediaartsandtalent.com/

Cheers,
Josh]]>4370bluemoon,diy,festivals,film,filmfest,filmfestivals,howto,independent,indie,lowbudget,movie,movienight,moviesfalse419fullhttps://www.spreaker.com/episode/season-4-episode-18-last-chance-charlene-director-tony-gapastione--53183955
This week's guest - Tony Gapastione - did exactly that. In my research for the episode, I looked into Tony's background and came to find out we had a similar upbringing. An upbringing that eventually led us both to making low-budget indie films. Tony has a wonderfully positive perspective, even through some trying and difficult situations. He talks about how using letdowns and trials to motivate him.

We talk about how going to film festivals, even festivals that have turned your film down, can be a great way to network and push forward with your projects. Tony also discusses how he kickstarted his first short film and learned to utilize his budget as he moved forward into his first low-budget feature: Last Chance Charlene.

This and so much more!

Make sure to follow Tony on social media @tonygapastione
Find out more about Tony at http://www.tonygapastione.com/
Check out where you can watch LAST CHANCE CHARLENE today: https://bravemaker.com/last-chance-charlene/

Cheers,
Josh Stifter]]>https://api.spreaker.com/episode/53183955Mon, 13 Mar 2023 15:38:54 +0000Josh StifterEvery once in a while I do one of these shows and someone brings a completely unique perspective that surprises me. This week's guest - Tony Gapastione - did exactly that. In my research for the episode, I looked into Tony's background and came to...
This week's guest - Tony Gapastione - did exactly that. In my research for the episode, I looked into Tony's background and came to find out we had a similar upbringing. An upbringing that eventually led us both to making low-budget indie films. Tony has a wonderfully positive perspective, even through some trying and difficult situations. He talks about how using letdowns and trials to motivate him.

We talk about how going to film festivals, even festivals that have turned your film down, can be a great way to network and push forward with your projects. Tony also discusses how he kickstarted his first short film and learned to utilize his budget as he moved forward into his first low-budget feature: Last Chance Charlene.

This and so much more!

Make sure to follow Tony on social media @tonygapastione
Find out more about Tony at http://www.tonygapastione.com/
Check out where you can watch LAST CHANCE CHARLENE today: https://bravemaker.com/last-chance-charlene/

Cheers,
Josh Stifter]]>3986budget,film,filmmaking,independent,low,lowbudget,movie,moviemaking,podcast,tonyfalse418fullhttps://www.spreaker.com/episode/season-4-episode-17-crave-director-j-horton--53108274
We talk about how to make money as an independent filmmaker, the way documentaries can help fund passion projects, and the need to find a niche in the market when looking to find an audience. We also discuss his means of getting into the film industry, taking jobs that would help him learn the ins and outs of filmmaking, the specific types of documentaries he made that helped him make money, along with the films that didn't do as well as he expected. This and so much more!

Check out J. Horton's work on youtube - https://www.youtube.com/@JHorton

Also, make sure to follow him on social media.
Twitter - @thejhorton
Facebook - @thejhortonWebsite - https://www.thejhorton.com/

Cheers,
Josh]]>https://api.spreaker.com/episode/53108274Mon, 06 Mar 2023 12:19:05 +0000Josh StifterOn this week's episode of the Indie Film Hustle Network podcast LOW-BUDGET REBELS, I sat down with Director and Producer of many films including the up-and-coming CRAVE, Jason Horton, to discuss all this indie film. We talk about how to make money...
We talk about how to make money as an independent filmmaker, the way documentaries can help fund passion projects, and the need to find a niche in the market when looking to find an audience. We also discuss his means of getting into the film industry, taking jobs that would help him learn the ins and outs of filmmaking, the specific types of documentaries he made that helped him make money, along with the films that didn't do as well as he expected. This and so much more!

Check out J. Horton's work on youtube - https://www.youtube.com/@JHorton

Also, make sure to follow him on social media.
Twitter - @thejhorton
Facebook - @thejhortonWebsite - https://www.thejhorton.com/

Cheers,
Josh]]>3925crave,cravefilm,film,filmmaking,horror,horton,independent,indie,jason,jhorton,lowbudgetfalsefullhttps://www.spreaker.com/episode/season-4-episode-16-birdies-and-harbor-producer-director-samuel-w-reed--52864279
Samuel also opens up about how the low-budget film he produced, BIRDIES, ended up gaining a following that turned into a profit for the film. If you want to get an understanding of how your low-budget movie can make money, this is wonderfully inspiring. This and so much more!

Follow him @SamuelWReed on Social Media.
Check out his website: samuelwreed.com Cheers,
Josh]]>https://api.spreaker.com/episode/52864279Mon, 27 Feb 2023 12:19:01 +0000Josh StifterThere's nothing better than being inspired by one of my own podcasts -- and this was definitely one of those! Writer turned producer turned director Samuel W. Reed joined me to have a conversation about how he went from attempting to make a living...
Samuel also opens up about how the low-budget film he produced, BIRDIES, ended up gaining a following that turned into a profit for the film. If you want to get an understanding of how your low-budget movie can make money, this is wonderfully inspiring. This and so much more!

Follow him @SamuelWReed on Social Media.
Check out his website: samuelwreed.com Cheers,
Josh]]>4372false416fullhttps://www.spreaker.com/episode/season-4-episode-15-the-outwaters-director-robbie-banfitch--52720749
We discuss the pressures of releasing a film, the process of creating a found footage movie and where the title "The Outwaters" came from, our love of reality t.v., making of documentaries that inspire us to want to make films, and people from our past seeing the art we've made.

We also discussed filming in the desert, how to film yourself naked in a scene, reasons for a good soundtrack on a film, and terrible criticisms of your films and how we deal with them. This and so much more!

The Outwaters is playing in theaters all over the U.S. right now so make sure to go check it out and follow @TheOutwaters on twitter!]]>https://api.spreaker.com/episode/52720749Mon, 13 Feb 2023 21:07:53 +0000Josh StifterIf you like creepy, messed up, visually stimulating found-footage movies - have I got a picture for you! Robbie Banfitch took time to join me to discuss his new film THE OUTWATERS. It's a trip of a flick made on a shoestring budget. It is the exact...
We discuss the pressures of releasing a film, the process of creating a found footage movie and where the title "The Outwaters" came from, our love of reality t.v., making of documentaries that inspire us to want to make films, and people from our past seeing the art we've made.

We also discussed filming in the desert, how to film yourself naked in a scene, reasons for a good soundtrack on a film, and terrible criticisms of your films and how we deal with them. This and so much more!

The Outwaters is playing in theaters all over the U.S. right now so make sure to go check it out and follow @TheOutwaters on twitter!]]>3770diy,film,filmmaking,footage,found,foundfootage,horror,monster,movie,movies,outwater,outwaters,scary,theoutwatersfalse415fullhttps://www.spreaker.com/episode/season-4-episode-14-millennium-bugs-director-alejandro-montoya-marin--52650168
We also discussed anxiety and ways we've found to overcome the stress that comes with directing feature films.

Plus, we do a deep dive into problems that can come up during the distribution process. This and so much more!

Follow Alejandro:
instagram.com/alejandromontoyamarin
https://twitter.com/pushstartfilms

Check out Millennium Bugs:
https://itunes.apple.com/us/movie/millennium-bugs/id1660828042Cheers,
Josh]]>https://api.spreaker.com/episode/52650168Mon, 06 Feb 2023 14:32:17 +0000Josh StifterIt's exciting to have been doing this podcast for so long that I'm getting guests back who are finding distribution and releasing their follow-up films! This week I had the pleasure of chatting with my friend Alejandro Montoya Marin about his new film...
We also discussed anxiety and ways we've found to overcome the stress that comes with directing feature films.

Plus, we do a deep dive into problems that can come up during the distribution process. This and so much more!

Follow Alejandro:
instagram.com/alejandromontoyamarin
https://twitter.com/pushstartfilms

Check out Millennium Bugs:
https://itunes.apple.com/us/movie/millennium-bugs/id1660828042Cheers,
Josh]]>4232austin,budget,diy,film,filmfest,filmmaking,independent,indie,indiefilm,low,lowbudget,minneapolis,minnesota,movie,moviemagic,moviemaking,movies,sundance,sxsw,texasfalse414fullhttps://www.spreaker.com/episode/season-4-episode-13-killer-pinata-director-stephen-tramontana--52582218
Remember to head over to speakpipe.com/lowbudgetrebels and leave us a low-budget film question, comment, or recommendation!

Thanks for listening!
Josh]]>https://api.spreaker.com/episode/52582218Mon, 30 Jan 2023 12:02:03 +0000Josh StifterThis week, I had the pleasure of talking with director Stephen Tramontana about his adventures in low-budget filmmaking. We talk about growing up around the horror of the '80's, Charlie Band and Brian Yuzna, the movies we missed and found later in...
Remember to head over to speakpipe.com/lowbudgetrebels and leave us a low-budget film question, comment, or recommendation!

Thanks for listening!
Josh]]>4508behindthescenes,camera,film,filmmaking,gear,horror,howto,independent,indie,indiefilm,lowbudget,moviemaking,movies,screenplay,screenwritingfalse413fullhttps://www.spreaker.com/episode/season-4-episode-12-red-snow-director-sean-nichols-lynch--52488211
In this episode, Sean and I discuss the film festivals we enjoyed with our films, the process of making a film like Red Snow, watching VHS films as kids, regrettable attempts at films and learning from mistakes, trailers ruining films, and sitting down to dinner with interesting characters. Plus so much more. Remember to head over to speakpipe.com/lowbudgetrebels and leave us questions, comments, and low-budget film recommendations!

Cheers,
Josh]]>https://api.spreaker.com/episode/52488211Thu, 19 Jan 2023 21:52:26 +0000Josh StifterIt's been a while! I took a little break from podcasting for the holidays, but I'm excited to be back with another fantastic conversation with another wonderful filmmaker. Sean Nichols Lynch is the creative mind behind Red Snow, a vampire Christmas...
In this episode, Sean and I discuss the film festivals we enjoyed with our films, the process of making a film like Red Snow, watching VHS films as kids, regrettable attempts at films and learning from mistakes, trailers ruining films, and sitting down to dinner with interesting characters. Plus so much more. Remember to head over to speakpipe.com/lowbudgetrebels and leave us questions, comments, and low-budget film recommendations!

Cheers,
Josh]]>4674festival,film,filmfestival,filmfests,filmmaking,horror,horrormovies,independent,indie,movie,movies,red,redsnow,snowfalse412fullhttps://www.spreaker.com/episode/season-4-episode-11-scare-me-werewolves-within-director-josh-ruben--52214891
One of my favorite director/actors, Josh Ruben, took time out of his busy schedule to jump on the show to talk about his start in indie filmmaking and how he went from working for CollegeHumor to directing his first feature and building his career of that. He also discusses what thing he learned in the early days of creating shorts, the importance of score in films, utilizing small budgets, hitting a creative wall and finding inspiration, acting in a film shot on 16mm, putting your stamp on a script you didn't write, and much more.

Follow Josh on social media:
Instagram @joshruben

https://joshruben.onfabrik.com/

Cheers,Josh Stifter]]>https://api.spreaker.com/episode/52214891Sun, 18 Dec 2022 01:11:01 +0000Josh StifterThis was a FUN one. One of my favorite director/actors, Josh Ruben, took time out of his busy schedule to jump on the show to talk about his start in indie filmmaking and how he went from working for CollegeHumor to directing his first feature and...
One of my favorite director/actors, Josh Ruben, took time out of his busy schedule to jump on the show to talk about his start in indie filmmaking and how he went from working for CollegeHumor to directing his first feature and building his career of that. He also discusses what thing he learned in the early days of creating shorts, the importance of score in films, utilizing small budgets, hitting a creative wall and finding inspiration, acting in a film shot on 16mm, putting your stamp on a script you didn't write, and much more.

Follow Josh on social media:
Instagram @joshruben

https://joshruben.onfabrik.com/

Cheers,Josh Stifter]]>3278budget,college,collegehumor,film,filmmaking,humor,hustle,independent,indie,josh,low,me,movies,podcast,rebels,ruben,scare,werewolves,withinfalse411fullhttps://www.spreaker.com/episode/season-4-episode-10-go-don-t-go-director-alex-knapp-producer-max-gardner--52193813
In this episode we get a little emo, discussing the emotional impact filmmaking has on the artist, as well as the struggle and challenges that come with attempting to release a low-budget film. We also discuss how the pandemic affected our creativity and progress as artists, why we look for the benefits of forcing ourselves to write inside of a box of what we know is possible, balancing professional work with creative work, and how important knowing your location and schedule is.


Follow Alex and Max everywhere!
On Instagram:
@maxmgardner
@alexknapp
@amcreativenyc

Websites:
www.maxmgardner.com
www.Alex-Knapp.com
www.amcreative.nyc
www.godontgo.film

Cheers,
Josh]]>https://api.spreaker.com/episode/52193813Thu, 15 Dec 2022 12:41:55 +0000Josh StifterOn this very special episode of Low-Budget Rebels, I had the pleasure of chatting with the filmmaking team of Alex Knapp and Max Gardner. Their film Go/Don't Go is a genre-bending, slow-burn thriller set in a post-apocalyptic world. A movie made on a...
In this episode we get a little emo, discussing the emotional impact filmmaking has on the artist, as well as the struggle and challenges that come with attempting to release a low-budget film. We also discuss how the pandemic affected our creativity and progress as artists, why we look for the benefits of forcing ourselves to write inside of a box of what we know is possible, balancing professional work with creative work, and how important knowing your location and schedule is.


Follow Alex and Max everywhere!
On Instagram:
@maxmgardner
@alexknapp
@amcreativenyc

Websites:
www.maxmgardner.com
www.Alex-Knapp.com
www.amcreative.nyc
www.godontgo.film

Cheers,
Josh]]>4642alex,budget,don't,festival,film,filmfestival,filmmaking,gardner,go,go/dontgo,independent,indie,knapp,low,max,movie,moviesfalse410fullhttps://www.spreaker.com/episode/season-4-episode-9-forgiveness-and-failure-director-alex-kahuam--52130768
We talk about our adventures in the U.K. and the wild fun that was had at Fright Fest, his feature film Forgiveness, working with Ted Raimi, and the the process of making films with minimal takes. We also discuss finding name talent for your film and the benefits, creating projects inside of the limitations that you set for yourself, and the benefits of creating a professional short film like Alex's Redlight.

Follow Alex on Instagram @alexkahuam

Make sure to watch for the release of Forgiveness and check out Failure as it hits festivals in the coming year!
Also, make sure to head over to speakpipe.com/lowbudgetrebels and leave me a message! I'll play it on the next episode of the podcast.

As always, stay rebellious and keep making your art!

Cheers,
Josh]]>https://api.spreaker.com/episode/52130768Thu, 08 Dec 2022 15:35:41 +0000Josh StifterOn this weeks episode of Low-Budget Rebels, I was able to sit down and chat with my good friend Alex Kahuam. We talk about our adventures in the U.K. and the wild fun that was had at Fright Fest, his feature film Forgiveness, working with Ted...
We talk about our adventures in the U.K. and the wild fun that was had at Fright Fest, his feature film Forgiveness, working with Ted Raimi, and the the process of making films with minimal takes. We also discuss finding name talent for your film and the benefits, creating projects inside of the limitations that you set for yourself, and the benefits of creating a professional short film like Alex's Redlight.

Follow Alex on Instagram @alexkahuam

Make sure to watch for the release of Forgiveness and check out Failure as it hits festivals in the coming year!
Also, make sure to head over to speakpipe.com/lowbudgetrebels and leave me a message! I'll play it on the next episode of the podcast.

As always, stay rebellious and keep making your art!

Cheers,
Josh]]>4172budget,diy,film,filmmaking,funding,independent,indie,low,movie,movies,rebelsfalse49fullhttps://www.spreaker.com/episode/season-4-episode-8-slapface-director-jeremiah-kipp--51990526
One of the films I saw because of this is SLAPFACE.

I had the pleasure of chatting with Jeremiah Kipp about where he started, his career trajectory, and diving deep into why horror films have become such an important expression of art. We also discuss where the idea for Slapface came from and how the process of working on his own film differed from being a "hired gun" on other projects.

Make sure to check out Slapface on Shudder and follow Jeremiah Kipp on Instagram and Facebook!

https://www.shudder.com/play/5c9da4c647252821

Cheers,
Josh]]>https://api.spreaker.com/episode/51990526Wed, 23 Nov 2022 15:05:43 +0000Josh StifterShudder has been one of my favorite streaming platforms over the last few years. They consistently release wonderful new horror films and independent features I probably wouldn't see anything else. They also feature these lower-budget films on their...
One of the films I saw because of this is SLAPFACE.

I had the pleasure of chatting with Jeremiah Kipp about where he started, his career trajectory, and diving deep into why horror films have become such an important expression of art. We also discuss where the idea for Slapface came from and how the process of working on his own film differed from being a "hired gun" on other projects.

Make sure to check out Slapface on Shudder and follow Jeremiah Kipp on Instagram and Facebook!

https://www.shudder.com/play/5c9da4c647252821

Cheers,
Josh]]>5089diy,film,filmfest,filmfestivals,filmmaker,filmmaking,independent,indie,indiefilm,kipp,lowbudget,movie,nobudget,nobudgetfilmmaking,shudder,slapfacefalse48fullhttps://www.spreaker.com/episode/season-4-episode-7-i-m-totally-fine-filmmakers-brandon-dermer-and-kyle-newacheck--51910037
Our conversation twists and turns from the early projects that inspired them like The Big Lebowski and Aerosmith music videos, to the creative process in writing a movie with limited resources, to the tricks and movie magic you can get away with when you can convince an audience to suspend disbelief. We also discuss the writing process and how the pandemic affected many filmmakers in both positive and negative ways. This and much more!

Make sure to rent or purchase I'M TOTALLY FINE wherever you watch movies and help support independent filmmaking.

Also, make sure to head over to speakpipe.com/lowbudgetrebels and leave me a message! I'll play it on the next episode of the podcast.

As always, stay rebellious and keep making your art!

Cheers,
Josh]]>https://api.spreaker.com/episode/51910037Wed, 16 Nov 2022 12:12:57 +0000Josh StifterThis week I was joined by two wonderful directors, Brandon Dermer & Kyle Newacheck, to discuss their new independent film I'm Totally Fine. Our conversation twists and turns from the early projects that inspired them like The Big Lebowski and...
Our conversation twists and turns from the early projects that inspired them like The Big Lebowski and Aerosmith music videos, to the creative process in writing a movie with limited resources, to the tricks and movie magic you can get away with when you can convince an audience to suspend disbelief. We also discuss the writing process and how the pandemic affected many filmmakers in both positive and negative ways. This and much more!

Make sure to rent or purchase I'M TOTALLY FINE wherever you watch movies and help support independent filmmaking.

Also, make sure to head over to speakpipe.com/lowbudgetrebels and leave me a message! I'll play it on the next episode of the podcast.

As always, stay rebellious and keep making your art!

Cheers,
Josh]]>3489brandondermer,dermer,film,filmmaker,filmmaking,howtomakeamovie,imtotallyfine,indie,indiefilm,kylenewacheck,lowbudget,movie,newacheck,newmovie,screenplay,screenwritingfalse47fullhttps://www.spreaker.com/episode/season-4-episode-6-filmmakers-mike-l-germaine-and-theresa-frankel--51850353
Director and Producer team Mike L. Germaine and Theresa Frankel took time away from their busy schedules to join me to talk about their new low-budget film Church of Darkness! We discussed why Mike chose this project to be his directorial debut and how working as a professional for many years effected how he made the film. We also talked about time management on low-budget sets, working with a new cast and working with seasoned professionals, how our pasts have shaped our process, and the challenges that come with working on projects like these.

Make sure to follow them:

Twitter: @theresafrankel @churchofdark
Instagram: @theresafrankel_912 @starlightfilms_tmfg

https://www.amazon.com/gp/video/detail/amzn1.dv.gti.8f21392b-142f-47c5-99e4-10978129aa1d?autoplay=0&ref_=atv_cf_strg_wb

CHEERS!
Josh]]>https://api.spreaker.com/episode/51850353Thu, 10 Nov 2022 13:31:33 +0000Josh StifterHey there! Director and Producer team Mike L. Germaine and Theresa Frankel took time away from their busy schedules to join me to talk about their new low-budget film Church of Darkness! We discussed why Mike chose this project to be his...
Director and Producer team Mike L. Germaine and Theresa Frankel took time away from their busy schedules to join me to talk about their new low-budget film Church of Darkness! We discussed why Mike chose this project to be his directorial debut and how working as a professional for many years effected how he made the film. We also talked about time management on low-budget sets, working with a new cast and working with seasoned professionals, how our pasts have shaped our process, and the challenges that come with working on projects like these.

Make sure to follow them:

Twitter: @theresafrankel @churchofdark
Instagram: @theresafrankel_912 @starlightfilms_tmfg

https://www.amazon.com/gp/video/detail/amzn1.dv.gti.8f21392b-142f-47c5-99e4-10978129aa1d?autoplay=0&ref_=atv_cf_strg_wb

CHEERS!
Josh]]>4870budget,diy,film,filmfest,filmfestival,filmmaking,filmtwitter,independent,indie,indiefilm,low,lowbudget,podcastfalse42fullhttps://www.spreaker.com/episode/season-4-episode-5-crabs-director-pierce-berolzheimer--51775679
This week I had the privilege to sit down and chat with Pierce Berolzheimer, a filmmaker I met at Frightfest Film Festival in the U.K. His movie CRABS! was one of the opening films at the festival on the main screen and it was an absolute blast to watch with that audience.

In the episode we talk about the amount of work that goes into low-budget films, the hurdles you have to jump through to keep moving forward, trends and creating your own universes. We also chatted about Pierce's early days of filmmaking with friends and how he finally made the decision to make his first feature.

All this and so much more!

Make sure to follow Pierce on Social Media @piberolz

And check out CRABS on AppleTV or pick up the BluRay on Amazon when it releases. It's a blast.

Cheers,

Josh]]>https://api.spreaker.com/episode/51775679Thu, 03 Nov 2022 14:57:57 +0000Josh StifterAnd WE'RE BACK on the AIRWAVES! This week I had the privilege to sit down and chat with Pierce Berolzheimer, a filmmaker I met at Frightfest Film Festival in the U.K. His movie CRABS! was one of the opening films at the festival on the main screen...
This week I had the privilege to sit down and chat with Pierce Berolzheimer, a filmmaker I met at Frightfest Film Festival in the U.K. His movie CRABS! was one of the opening films at the festival on the main screen and it was an absolute blast to watch with that audience.

In the episode we talk about the amount of work that goes into low-budget films, the hurdles you have to jump through to keep moving forward, trends and creating your own universes. We also chatted about Pierce's early days of filmmaking with friends and how he finally made the decision to make his first feature.

All this and so much more!

Make sure to follow Pierce on Social Media @piberolz

And check out CRABS on AppleTV or pick up the BluRay on Amazon when it releases. It's a blast.

Cheers,

Josh]]>5312berolzheimer,budget,crabs,film,filmcast,filmmaking,fright,frightfest,horror,horrorfilms,indie,josh,lowbudget,lowbudgetfilm,mutant,mutantfam,pierce,podcast,stifter,terrorfalse45fullhttps://www.spreaker.com/episode/season-4-episode-4-documentary-filmmaker-tommy-avallone--51696462
We made it to another episode of the Low-Budget Rebels podcast!

On this episode of the show, I had the pleasure of chatting with returning guest Tommy Avallone. His new documentary I Love You, You Hate Me is available now on Peacock and he has a kickstarter for his next project The House From... running as this podcast is being posted. We discussed the differences between low-budget process and having a budget and a studio involved. We also talked about different things you can learn on any film set, defining your style as a filmmaker in documentary projects, the choices of creating something like documentary about Barney, and much more!



Follow Tommy on social media -

Twitter: @TommyAvallone3

Instagram:@TommyAvallone3

Help him fund his next me "The House From..." on Kickstarter at: thehousefrom.com]]>https://api.spreaker.com/episode/51696462Wed, 26 Oct 2022 17:25:06 +0000Josh StifterHEY! We made it to another episode of the Low-Budget Rebels podcast! On this episode of the show, I had the pleasure of chatting with returning guest Tommy Avallone. His new documentary I Love You, You Hate Me is available now on Peacock and he...
We made it to another episode of the Low-Budget Rebels podcast!

On this episode of the show, I had the pleasure of chatting with returning guest Tommy Avallone. His new documentary I Love You, You Hate Me is available now on Peacock and he has a kickstarter for his next project The House From... running as this podcast is being posted. We discussed the differences between low-budget process and having a budget and a studio involved. We also talked about different things you can learn on any film set, defining your style as a filmmaker in documentary projects, the choices of creating something like documentary about Barney, and much more!



Follow Tommy on social media -

Twitter: @TommyAvallone3

Instagram:@TommyAvallone3

Help him fund his next me "The House From..." on Kickstarter at: thehousefrom.com]]>3699budget,crew,diy,doc,documentary,film,filmmaking,independent,indie,low,lowbudget,movie,movies,podcast,rebel,rebels,rodriguezfalse44fullhttps://www.spreaker.com/episode/season-4-episode-3-film-director-addison-binek--51633033
We discuss where the initial inspirations for getting into filmmaking come from and how to move forward with a project - even when you don't have funding. Addison also talks about how he began doing his own style of "run and gun", improv filmmaking and how challenging it can be to stay motivated as you make something you know isn't going to be for everyone.

Follow Addison on Social Media:

Twitter: @Addison_Binek

YOUTUBE: https://www.youtube.com/JABproducts

WATCH PSYCHO APE!: https://www.amazon.com/Psycho-Ape-Kansas-Bowling/dp/B08NDN4BKB

Cheers, everyone!
Josh]]>https://api.spreaker.com/episode/51633033Thu, 20 Oct 2022 13:42:18 +0000Josh StifterOn this week's Low-Budget Rebels conversation, I was able to chat with the very interesting and fun filmmaker Addison Binek about his movie Psycho Ape! We discuss where the initial inspirations for getting into filmmaking come from and how to move...
We discuss where the initial inspirations for getting into filmmaking come from and how to move forward with a project - even when you don't have funding. Addison also talks about how he began doing his own style of "run and gun", improv filmmaking and how challenging it can be to stay motivated as you make something you know isn't going to be for everyone.

Follow Addison on Social Media:

Twitter: @Addison_Binek

YOUTUBE: https://www.youtube.com/JABproducts

WATCH PSYCHO APE!: https://www.amazon.com/Psycho-Ape-Kansas-Bowling/dp/B08NDN4BKB

Cheers, everyone!
Josh]]>3932addison,ape,behindthescenes,binek,conversation,diy,film,filmmaker,filmmaking,horror,hustle,indie,indiefilm,lowbudget,psycho,rebels,rodriguezfalse43fullhttps://www.spreaker.com/episode/season-4-episode-2-director-nick-mcanulty--51563196
There were technical issues that almost kept this from being able to be released. But through editing magic and Adobe Audition filters, I was able to turn this into a fantastically interesting episode that I'm proud to show you all.

Nick McAnulty joined me this week to talk about his low-budget found footage film Capture Kill Release. It's a wonderfully dark movie about two people who are connecting over something truly sinister. It's truly unlike any film I've seen - and made me really want to talk to Nick about why and how he made it.

We discuss everything from the egotistical and arrogant nature of thinking you can make a feature, the fear that the first film won't be good enough, and the trials of creating a found footage movie on a meager budget.

Follow Nick on twitter at @NickMcAnulty

Watch CAPTURE KILL RELEASE on Tubi https://tubitv.com/movies/553962/capture-kill-release?start=true

Cheers!
Josh]]>https://api.spreaker.com/episode/51563196Thu, 13 Oct 2022 11:41:08 +0000Josh StifterThis week's episode of the Low-Budget Rebels podcast almost didn't happen! There were technical issues that almost kept this from being able to be released. But through editing magic and Adobe Audition filters, I was able to turn this into a...
There were technical issues that almost kept this from being able to be released. But through editing magic and Adobe Audition filters, I was able to turn this into a fantastically interesting episode that I'm proud to show you all.

Nick McAnulty joined me this week to talk about his low-budget found footage film Capture Kill Release. It's a wonderfully dark movie about two people who are connecting over something truly sinister. It's truly unlike any film I've seen - and made me really want to talk to Nick about why and how he made it.

We discuss everything from the egotistical and arrogant nature of thinking you can make a feature, the fear that the first film won't be good enough, and the trials of creating a found footage movie on a meager budget.

Follow Nick on twitter at @NickMcAnulty

Watch CAPTURE KILL RELEASE on Tubi https://tubitv.com/movies/553962/capture-kill-release?start=true

Cheers!
Josh]]>3245art,cinema,cinematography,comedy,creative,film,filmmaking,horror,hustle,indiefilm,movie,moviemaking,movies,rebelfalse42fullhttps://www.spreaker.com/episode/season-4-episode-1-director-james-dean--51482175
Wow. I never thought it would happen but here we are!

This episode was recorded many, many months ago. Like, back in February... I'm embarrassed as hell that it took this long to get back on the trolley, but at least I'm persistent enough to actually get this finished and out there.

And if I remember right, this was a wonderful conversation. James and I talked about the perils of indie filmmaking, his grindhouse movie, the way the pandemic and internet culture has helped (and hindered) us as filmmakers, and so much more!

Make sure to follow James on social media:


Twitter @jamesd7004
Instagram @monster_kid_productions

WATCH
Fountain and the Vengeful Nun Who Wouldn't Die: https://tubitv.com/movies/641844/fountaine-and-the-vengeful-nun-who-wouldnt-die?start=true&utm_source=google-feed&tracking=google-feed

Enjoy!

Josh Stifter]]>https://api.spreaker.com/episode/51482175Wed, 05 Oct 2022 23:55:56 +0000Josh StifterWE'RE BACK Wow. I never thought it would happen but here we are! This episode was recorded many, many months ago. Like, back in February... I'm embarrassed as hell that it took this long to get back on the trolley, but at least I'm persistent...
Wow. I never thought it would happen but here we are!

This episode was recorded many, many months ago. Like, back in February... I'm embarrassed as hell that it took this long to get back on the trolley, but at least I'm persistent enough to actually get this finished and out there.

And if I remember right, this was a wonderful conversation. James and I talked about the perils of indie filmmaking, his grindhouse movie, the way the pandemic and internet culture has helped (and hindered) us as filmmakers, and so much more!

Make sure to follow James on social media:


Twitter @jamesd7004
Instagram @monster_kid_productions

WATCH
Fountain and the Vengeful Nun Who Wouldn't Die: https://tubitv.com/movies/641844/fountaine-and-the-vengeful-nun-who-wouldnt-die?start=true&utm_source=google-feed&tracking=google-feed

Enjoy!

Josh Stifter]]>4096false4fullhttps://www.spreaker.com/episode/season-3-episode-22-what-to-do-with-a-short-film-with-filmmaker-brian-lonano--44098021
On this episode we talked about the struggles of making "trash", the importance of knowing what kind of films you're making, content, paying for your art out of your own pocket, trying to strive for more than mediocrity, and staying grounded. This and so much more.

Follow Brian on social media and check out his work at http://www.brianlonano.com/

Cheers, everyone!
Have a great week.
Josh]]>https://api.spreaker.com/episode/44098021Mon, 29 Mar 2021 13:09:32 +0000Josh StifterI stumbled onto Brian Lonano's short films on Arrow Player and instantly knew I needed to talk to this guy. His sort of insanity is not only entertaining as hell, but also inspiring for any filmmaker or artist who has crazy ideas they just need to get...
On this episode we talked about the struggles of making "trash", the importance of knowing what kind of films you're making, content, paying for your art out of your own pocket, trying to strive for more than mediocrity, and staying grounded. This and so much more.

Follow Brian on social media and check out his work at http://www.brianlonano.com/

Cheers, everyone!
Have a great week.
Josh]]>4285creating,film,filmmaking,films,horror,independent,indie,inspiration,movie,movies,shortfalsefullhttps://www.spreaker.com/episode/season-3-episode-21-women-in-independent-filmmaking-with-theresa-frankel-amalia-may-and-julianna-pitt--44002580
Theresa, Amalia, and Julianna all work in varying degrees in the film industry, so having them on the show to express their perspective was not only insightful, but also completely entertaining! Topics for this week included how they started on a new projects during the pandemic, the struggles of bringing your own voice to a film, Seed&Spark funding for films, the importance of different voices in storytelling, the writing process and attempting to find the right tone in any story, directing a project that isn't your own, producing and scheduling in the independent world of film, and how you can learn something on any project!

Make sure to check out https://www.onepercent2021.com/ and sign up for their mailing list update.

And make sure to check out seedandspark.com in the coming week and help support their film One Percent!

Have a great week everyone!
Cheers,
Josh]]>https://api.spreaker.com/episode/44002580Mon, 22 Mar 2021 16:07:29 +0000Josh StifterThis was a very special episode to me! Not only is the most guests I've ever had on one episode, but it also was the first time I tried to tackle a specific topic like this - Woman in independent filmmaking. Theresa, Amalia, and Julianna all work in...
Theresa, Amalia, and Julianna all work in varying degrees in the film industry, so having them on the show to express their perspective was not only insightful, but also completely entertaining! Topics for this week included how they started on a new projects during the pandemic, the struggles of bringing your own voice to a film, Seed&Spark funding for films, the importance of different voices in storytelling, the writing process and attempting to find the right tone in any story, directing a project that isn't your own, producing and scheduling in the independent world of film, and how you can learn something on any project!

Make sure to check out https://www.onepercent2021.com/ and sign up for their mailing list update.

And make sure to check out seedandspark.com in the coming week and help support their film One Percent!

Have a great week everyone!
Cheers,
Josh]]>6106falsefullhttps://www.spreaker.com/episode/season-3-episode-20-how-to-make-a-grindhouse-movie-with-mj-dixon--43888406
I love how many filmmakers I've been able to find who truly embody this concept of low-budget, independent spirit, and MJ is now exception!

Make sure to check out all of his stuff at mycho.co.uk

Cheers! Have a great week everyone.
Josh]]>https://api.spreaker.com/episode/43888406Mon, 15 Mar 2021 03:36:24 +0000Josh StifterThis week on the podcast I had the chance to talk with horror exploitation filmmaker M.J. Dixon about his movies, what it's like making movies in Great Britain, the struggles of getting the take, and how to limit yourself. I love how many filmmakers...
I love how many filmmakers I've been able to find who truly embody this concept of low-budget, independent spirit, and MJ is now exception!

Make sure to check out all of his stuff at mycho.co.uk

Cheers! Have a great week everyone.
Josh]]>3937cinema,film,filmmaking,gore,grindhouse,horror,hustle,indie,movie,movies,tutorialfalsefullhttps://www.spreaker.com/episode/season-3-episode-19-where-do-you-get-an-idea-with-filmmaker-timothy-troy--43685650
We discussed where our ideas come from, learning from professional film sets, exploring the concept of what actually fuels our inspiration and who we're making our movies for, where money should go when you do have some funding, Mike Flanagan, how ego can get in the way, and watching old projects.

Have a great day everyone! CHEERS!

Josh]]>https://api.spreaker.com/episode/43685650Mon, 01 Mar 2021 13:31:58 +0000Josh StifterThis week I had the pleasure of sitting down with Timothy Troy, a really talented short film director and veteran to the industry. He's work as a dolly grip on MANY really amazing features and his resume is incredibly impressive. We discussed where...
We discussed where our ideas come from, learning from professional film sets, exploring the concept of what actually fuels our inspiration and who we're making our movies for, where money should go when you do have some funding, Mike Flanagan, how ego can get in the way, and watching old projects.

Have a great day everyone! CHEERS!

Josh]]>3981a,art,crew,film,filmmaking,genre,hustle,idea,ideas,independent,indie,movie,movies,rebel,rodriguez,withoutfalsefullhttps://www.spreaker.com/episode/season-3-episode-18-filmmaker-rachel-s-thomas-medwid--43569825
Make sure to check out her website: rachelspoonerthomas.com and follow her adventures to see In the Company of Crows soon!

Have a great weekend, everyone!]]>https://api.spreaker.com/episode/43569825Sun, 21 Feb 2021 16:06:13 +0000Josh StifterOn this weeks Low-Budget Rebels episode, I sat down with filmmaker Rachel S. Thomas-Medwid to talk about her adventures in indie filmmaking, the problem with squirrels, filmmaking with your family, trying to stay creative during the pandemic, finding...
Make sure to check out her website: rachelspoonerthomas.com and follow her adventures to see In the Company of Crows soon!

Have a great weekend, everyone!]]>3994film,filmmaking,horror,indie,podcastfalsefullhttps://www.spreaker.com/episode/season-3-episode-17-producer-and-director-cameron-fife--43476896I took a week off from podcasting but I'm back now and SUPER excited to get back to work on getting new shows recorded, promoting the podcast, and hopefully making this show a little more interactive. Anyone listening probably know about speakpipe.com/lowbudgetrebels, the site you can go to and leave me audio messages to play on the show!

This weeks guest was great.
Cameron Fife has not only directed two feature films and a bunch of shorts, he's also an actor and performer, as well as working on countless music videos and other professional projects. He has a very interesting background, with a family that worked in show business and entertainment for years! We discuss what motivates us, odd film festival experiences, being told you aren't good enough, faking it til you make it, and Jordan Peele. This and much more!

Thanks, everyone, for listening!

Cheers,

Josh]]>https://api.spreaker.com/episode/43476896Mon, 15 Feb 2021 17:03:21 +0000Josh StifterHEYO! I took a week off from podcasting but I'm back now and SUPER excited to get back to work on getting new shows recorded, promoting the podcast, and hopefully making this show a little more interactive. Anyone listening probably know about...I took a week off from podcasting but I'm back now and SUPER excited to get back to work on getting new shows recorded, promoting the podcast, and hopefully making this show a little more interactive. Anyone listening probably know about speakpipe.com/lowbudgetrebels, the site you can go to and leave me audio messages to play on the show!

This weeks guest was great.
Cameron Fife has not only directed two feature films and a bunch of shorts, he's also an actor and performer, as well as working on countless music videos and other professional projects. He has a very interesting background, with a family that worked in show business and entertainment for years! We discuss what motivates us, odd film festival experiences, being told you aren't good enough, faking it til you make it, and Jordan Peele. This and much more!

Thanks, everyone, for listening!

Cheers,

Josh]]>3718budget,comedy,film,filmmaking,indie,low,lowbudget,movies,podcastfalsefullhttps://www.spreaker.com/episode/season-3-episode-16-producer-gina-gomez-dunn-director-scotty-dunn--43227845My membership
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MAY 29, 2020 AT 2:38 PM

Unlocked
GREYWOOD'S PLOT | The Second Flush Moving Picture





There are only a few short days until Greywood's Plot will be screening online with the live Q&A - but I wanted to share the movie early with all my subscribers in case you aren't able to watch Sunday.

Password is: alchemy

If you have any questions you'd like Daniel and I to answer in the Q&A, leave them in the comments.

Continue reading
Greywood's Plot

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Join the conversation...
JAN 29, 2021 AT 9:48 AM

Unlocked
EARLY ACCESS: Podcast - Filmmaking Team Gina and Scott Dunn
LowBudgetRebels_ProducerGinaDunnDirectorScottDunn.mp3












Hey, everyone!

On this weeks podcast I was able to sit down with filmmaking couple Gina Gomez Dunn and Scott Dunn to talk about their film Mandao Returns. We discuss little tricks to improve independent films, use of props, vhs tapes, adding proper visual effects, finding funding, and learning about distribution.

This was such a fun episode and I highly recommend following Gina and Scott on social media and supporting their filmmaking endeavors in the future.

Follow Scott at @ScottyDUNNi on twitter and check out his youtube channel: https://www.youtube.com/user/scottdunnjadedactor

Follow Gina on twitter at @GinaGomezDunn.

And make sure to check out more of their stuff and keep up to date with their new projects at dunnitfilms.com

--------------------------
Help support independent filmmaking.
SUBSCRIBE TO THE FLUSH STUDIOS PATREON TODAY!
patreon.com/flushstudios

Get early access to the podcast
Exclusive features and short films
Behind-the-Scenes
Live Streams
And More!]]>https://api.spreaker.com/episode/43227845Mon, 01 Feb 2021 14:23:41 +0000Josh StifterPosts My membership Community FLUSH STUDIOS is creating Independent Films 81 PATRONS Private $280 PER MONTH Posts Media type Tier Month Search posts Search posts 129 more... Newest to oldest PINNED Pinned only for patrons MAY 29, 2020 AT 2:38 PM...My membership
Community
FLUSH STUDIOS
is creating Independent Films
81
PATRONS
Private
$280
PER MONTH
Posts

Media type

Tier

Month
Search posts
Search posts

129 more...

Newest to oldest
PINNED
Pinned only for patrons

MAY 29, 2020 AT 2:38 PM

Unlocked
GREYWOOD'S PLOT | The Second Flush Moving Picture





There are only a few short days until Greywood's Plot will be screening online with the live Q&A - but I wanted to share the movie early with all my subscribers in case you aren't able to watch Sunday.

Password is: alchemy

If you have any questions you'd like Daniel and I to answer in the Q&A, leave them in the comments.

Continue reading
Greywood's Plot

feature film





4 Likes
Join the conversation...
JAN 29, 2021 AT 9:48 AM

Unlocked
EARLY ACCESS: Podcast - Filmmaking Team Gina and Scott Dunn
LowBudgetRebels_ProducerGinaDunnDirectorScottDunn.mp3












Hey, everyone!

On this weeks podcast I was able to sit down with filmmaking couple Gina Gomez Dunn and Scott Dunn to talk about their film Mandao Returns. We discuss little tricks to improve independent films, use of props, vhs tapes, adding proper visual effects, finding funding, and learning about distribution.

This was such a fun episode and I highly recommend following Gina and Scott on social media and supporting their filmmaking endeavors in the future.

Follow Scott at @ScottyDUNNi on twitter and check out his youtube channel: https://www.youtube.com/user/scottdunnjadedactor

Follow Gina on twitter at @GinaGomezDunn.

And make sure to check out more of their stuff and keep up to date with their new projects at dunnitfilms.com

--------------------------
Help support independent filmmaking.
SUBSCRIBE TO THE FLUSH STUDIOS PATREON TODAY!
patreon.com/flushstudios

Get early access to the podcast
Exclusive features and short films
Behind-the-Scenes
Live Streams
And More!]]>4942artist,comedy,film,filmmaking,horror,hustle,independent,indie,movie,movies,rebelfalsefullhttps://www.spreaker.com/episode/season-3-episode-15-director-justin-rodriguez--43113255
This week, I had the pleasure to chat with Justin Rodriguez, a Texas based filmmaker who is early on in his career, but has a vision and eye for what he's doing that captured my imagination. We talked about the importance of forming a community, finding a rawness in your process, working with new people on every project, and kinds of art we surround ourselves with.

If you like this episode, make sure to go check out Justin's film GLOSSOLALIA on Amazon Prime and follow Justin as he continues to make movies in 2021.

Cheers,

Josh]]>https://api.spreaker.com/episode/43113255Mon, 25 Jan 2021 20:27:35 +0000Josh StifterOne of the things I love about this podcast is the variety of filmmakers I can find. Low-budget filmmaking is a diverse topic ranging from people just running and gunning, to folks running kickstarters to just get that extra little bit of cash to help...
This week, I had the pleasure to chat with Justin Rodriguez, a Texas based filmmaker who is early on in his career, but has a vision and eye for what he's doing that captured my imagination. We talked about the importance of forming a community, finding a rawness in your process, working with new people on every project, and kinds of art we surround ourselves with.

If you like this episode, make sure to go check out Justin's film GLOSSOLALIA on Amazon Prime and follow Justin as he continues to make movies in 2021.

Cheers,

Josh]]>3566film,films,independent,indie,movie,movies,podcast,shortfalsefullhttps://www.spreaker.com/episode/season-3-episode-14-writer-and-director-vincente-disanti--42997161
This weeks episode I had the pleasure to chat with Vincente DiSanti about his film Never Hike Alone. We discussed the process of making a fan film, the things you can learn from working in animation, what can go wrong working with old vehicles, tricks we've learned from watching other directors, Hitchcock, and so much more.

Make sure to check out his Womp Stomp Films youtube channel!

Cheers,
Josh]]>https://api.spreaker.com/episode/42997161Mon, 18 Jan 2021 21:31:17 +0000Josh StifterHey everyone, This weeks episode I had the pleasure to chat with Vincente DiSanti about his film Never Hike Alone. We discussed the process of making a fan film, the things you can learn from working in animation, what can go wrong working with old...
This weeks episode I had the pleasure to chat with Vincente DiSanti about his film Never Hike Alone. We discussed the process of making a fan film, the things you can learn from working in animation, what can go wrong working with old vehicles, tricks we've learned from watching other directors, Hitchcock, and so much more.

Make sure to check out his Womp Stomp Films youtube channel!

Cheers,
Josh]]>5373art,director,fan,fanfilm,film,filmmaker,filmmaking,horror,hustle,indie,movie,movies,writerfalsefullhttps://www.spreaker.com/episode/season-3-episode-13-flickmaker-jeremy-sumrall--42883078
His movie Pickaxe is the type of boobs and blood movie a lot of us grew up on in the 80's and he is continuing to make grindhouse style movies. We discuss everything from how covid could change indie filmmaking and film audiences, to film audio, how we got into the genre we work in, John Carpenter , and so much more!

Go check out Jeremy's work at firstweekofwinterfilms.com and check out Pickaxe on Amazon Prime!]]>https://api.spreaker.com/episode/42883078Mon, 11 Jan 2021 15:52:09 +0000Josh StifterThis week I had the amazing opportunity to chat with exploitation filmmaker Jeremy Sumrall about why we do what we do. His movie Pickaxe is the type of boobs and blood movie a lot of us grew up on in the 80's and he is continuing to make grindhouse...
His movie Pickaxe is the type of boobs and blood movie a lot of us grew up on in the 80's and he is continuing to make grindhouse style movies. We discuss everything from how covid could change indie filmmaking and film audiences, to film audio, how we got into the genre we work in, John Carpenter , and so much more!

Go check out Jeremy's work at firstweekofwinterfilms.com and check out Pickaxe on Amazon Prime!]]>5182falsefullhttps://www.spreaker.com/episode/season-3-episode-12-film-festival-director-nathan-ludwig--42600491
This week I had the pleasure to sit down and chat with Nathan Ludwig. Nathan is the film festival director of GenreBlast Film Fest, a festival I met many of my past guests at. Because Nathan was a pretty open book and is putting on a fest I truly respect, I thought he would be the perfect guest to chat with about the inner workings of festivals.

We also discuss going from being filmmaker and attending fests to starting a festival, the stress that goes along with a massive event like a film festival, what the best practices for submitting your film to a festival would be, problems festivals see with submissions, the fun of attending festivals, and so much more!

Thank you to everyone who sent in comments and questions to speakpipe.com/lowbudgetrebels! If you have anything you'd like to ask, advice for filmmakers that you have to offer, or low-budget film recommendations, don't be afraid to send 'em. I love hearing from you.

If you're a filmmaker thinking about sending your films to festivals soon, this episode might just be for you :)

CHEERS!]]>https://api.spreaker.com/episode/42600491Mon, 21 Dec 2020 20:36:41 +0000Josh StifterIt's Friday and I'm actually on time to post an episode on Patreon! This week I had the pleasure to sit down and chat with Nathan Ludwig. Nathan is the film festival director of GenreBlast Film Fest, a festival I met many of my past guests at....
This week I had the pleasure to sit down and chat with Nathan Ludwig. Nathan is the film festival director of GenreBlast Film Fest, a festival I met many of my past guests at. Because Nathan was a pretty open book and is putting on a fest I truly respect, I thought he would be the perfect guest to chat with about the inner workings of festivals.

We also discuss going from being filmmaker and attending fests to starting a festival, the stress that goes along with a massive event like a film festival, what the best practices for submitting your film to a festival would be, problems festivals see with submissions, the fun of attending festivals, and so much more!

Thank you to everyone who sent in comments and questions to speakpipe.com/lowbudgetrebels! If you have anything you'd like to ask, advice for filmmakers that you have to offer, or low-budget film recommendations, don't be afraid to send 'em. I love hearing from you.

If you're a filmmaker thinking about sending your films to festivals soon, this episode might just be for you :)

CHEERS!]]>4485comedy,competition,fest,festival,film,filmfest,independent,indie,moviesfalsefullhttps://www.spreaker.com/episode/season-3-episode-11-filmmaker-bj-colangelo--42481126


We discuss lots of things including her overcoming cancer and realizing she wanted to make movies, starting as a film critic, the cringe writings of our youth, people saying we "wear a lot of hats", being a poor filmmaker, staying outspoken and honest, and John Waters. All of this and so much more!

Make sure to follow her on twitter @bjcolangelo. Go watch Powerbomb and all of her shorts. Check her out on imdb at https://www.imdb.com/name/nm2432090/?ref_=fn_al_nm_1#director.

Cheers and thanks for listening!]]>https://api.spreaker.com/episode/42481126Mon, 14 Dec 2020 14:47:16 +0000Josh StifterI had no idea what to expect from this podcast with filmmaker and producer B.J. Colangelo. I started following her on twitter a few years ago, and since then she's become one of those people that I truly look forward to seeing tweets from. She has a...


We discuss lots of things including her overcoming cancer and realizing she wanted to make movies, starting as a film critic, the cringe writings of our youth, people saying we "wear a lot of hats", being a poor filmmaker, staying outspoken and honest, and John Waters. All of this and so much more!

Make sure to follow her on twitter @bjcolangelo. Go watch Powerbomb and all of her shorts. Check her out on imdb at https://www.imdb.com/name/nm2432090/?ref_=fn_al_nm_1#director.

Cheers and thanks for listening!]]>3901art,film,filmmaking,horror,independent,indie,movies,podcast,powerbombfalsefullhttps://www.spreaker.com/episode/season-3-episode-10-filmmaker-and-documentary-director-taylor-morden--42365918
Make sure to check out The Last Blockbuster when it releases on 12/15 and follow them at @LastBlockDoc on twitter.



There's also a really fun, little Speakpipe segment at the end of this episode where a few folks sent in messages about their favorite low-budget films! Make sure to send in your comments and questions and favorite low-budget recommendations to speakpipe.com/lowbudgetrebels !!

You can follow Taylow Morden on facebook at https://www.facebook.com/TayloR2D2 and on instagram https://www.instagram.com/taylor2d2

Cheers! Have a great week everyone.]]>https://api.spreaker.com/episode/42365918Mon, 07 Dec 2020 20:12:52 +0000Josh StifterOn this weeks episode, I hopped on Zoom to talk with documentary filmmaker Taylor Morden (for the second time) to talk about his new feature film The Last Blockbuster. We not only talked about his new movies but also chatted about finding talent to be...
Make sure to check out The Last Blockbuster when it releases on 12/15 and follow them at @LastBlockDoc on twitter.



There's also a really fun, little Speakpipe segment at the end of this episode where a few folks sent in messages about their favorite low-budget films! Make sure to send in your comments and questions and favorite low-budget recommendations to speakpipe.com/lowbudgetrebels !!

You can follow Taylow Morden on facebook at https://www.facebook.com/TayloR2D2 and on instagram https://www.instagram.com/taylor2d2

Cheers! Have a great week everyone.]]>5084blockbuster,comedy,documetary,film,filmmaking,horror,independent,indie,moviesfalsefullhttps://www.spreaker.com/episode/season-3-episode-9-director-and-animator-eric-power--42145191
Eric Power is an extremely talented cut out animation filmmaker. He's not only created multiple animation for youtube, many of which have hit viral success, but he's also directed and animated TWO feature length animated films. His style is completely original and his take on the medium is like nothing I've ever seen.



In this episode, we discuss the differences between live-action and animation directing, the challenges of asking friends to help on work, how good food on set can make a complete difference, cut out animation versus traditional animation, how to overcome your own shortcomings, the tedium of creating art, different steps to making animation, and comfort movies.



Make sure to follower Eric on social media:
@ericpowerup
ericpowerup.net

Cheers, everyone!]]>https://api.spreaker.com/episode/42145191Tue, 24 Nov 2020 18:09:58 +0000Josh StifterIt's amazing how unique each of my guests on Low-Budget Rebels has been. Each one has brought different insight and a different take on what low-budget filmmaking is. This week is definitely not an exception to that. Eric Power is an extremely...
Eric Power is an extremely talented cut out animation filmmaker. He's not only created multiple animation for youtube, many of which have hit viral success, but he's also directed and animated TWO feature length animated films. His style is completely original and his take on the medium is like nothing I've ever seen.



In this episode, we discuss the differences between live-action and animation directing, the challenges of asking friends to help on work, how good food on set can make a complete difference, cut out animation versus traditional animation, how to overcome your own shortcomings, the tedium of creating art, different steps to making animation, and comfort movies.



Make sure to follower Eric on social media:
@ericpowerup
ericpowerup.net

Cheers, everyone!]]>4263falsefullhttps://www.spreaker.com/episode/season-3-episode-8-editor-and-vfx-artist-jeremy-wanek--42004970
Jeremy Wanek and I have been friends for many years and worked together on more projects than I can even remember. He's one of the hardest working people I've met in the industry and has worn all kinds of hats from editor to camera operator to colorist to vfx artist. He's done it all.



Our conversation goes all over the place, as you'd expect a chat between two friends would. We talk about why Jeremy and I like to jump around from different types of work, how he started in the industry, being understanding and kind to each other and the effect that can have on a career, and much more!



Remember to head over to speakpipe.com/lowbudgetrebels and leave me a message! It's a great way to get involved with the show and to let us know what YOU'D like to learn more about in the venture of low-budget filmmaking.

Cheers!]]>https://api.spreaker.com/episode/42004970Mon, 16 Nov 2020 18:49:39 +0000Josh StifterThis is a special episode for me. Jeremy Wanek and I have been friends for many years and worked together on more projects than I can even remember. He's one of the hardest working people I've met in the industry and has worn all kinds of hats from...
Jeremy Wanek and I have been friends for many years and worked together on more projects than I can even remember. He's one of the hardest working people I've met in the industry and has worn all kinds of hats from editor to camera operator to colorist to vfx artist. He's done it all.



Our conversation goes all over the place, as you'd expect a chat between two friends would. We talk about why Jeremy and I like to jump around from different types of work, how he started in the industry, being understanding and kind to each other and the effect that can have on a career, and much more!



Remember to head over to speakpipe.com/lowbudgetrebels and leave me a message! It's a great way to get involved with the show and to let us know what YOU'D like to learn more about in the venture of low-budget filmmaking.

Cheers!]]>4525effects,film,filmmaking,movies,podcast,sfx,vfx,visualfalsefullhttps://www.spreaker.com/episode/season-3-episode-7-punk-rock-filmmaker-jason-zink--41882507
It's not only a nod to an "edgy" style, but also a nice way to discuss folks who use what they have, break the rules of the process, and do whatever the hell they want to get their movie made. This weeks guest, Jason Zink, embodies this idea of doing whatever you can to get your movie made and then doing whatever you can to get your movie seen, and working your ass off to find an audience for what you do.



From his start of just pushing out a few features and shorts, doing whatever he can to learn and prepare to make Straight Edge Kegger, to his crazy adventure of getting the movie on Shudder - Jason Zink is one of those filmmakers that plays by his own rules and proves that the crazy amount of work and blood and ideas and money can pay off if you keep hustling.



Go watch Straight Edge Kegger when it drops on Shudder soon and make sure to follow and watch Jason as he continues his adventure in filmmaking!

Website: weirdontoppictures.com
IMBD: https://www.imdb.com/name/nm3679749/
Staight Edge Kegger: https://screamteamreleasing.com/products/straight-edge-kegger-blu-ray]]>https://api.spreaker.com/episode/41882507Mon, 09 Nov 2020 18:24:05 +0000Josh StifterI like to use the term "punk rock filmmaker" a lot recently. It's not only a nod to an "edgy" style, but also a nice way to discuss folks who use what they have, break the rules of the process, and do whatever the hell they want to get their movie...
It's not only a nod to an "edgy" style, but also a nice way to discuss folks who use what they have, break the rules of the process, and do whatever the hell they want to get their movie made. This weeks guest, Jason Zink, embodies this idea of doing whatever you can to get your movie made and then doing whatever you can to get your movie seen, and working your ass off to find an audience for what you do.



From his start of just pushing out a few features and shorts, doing whatever he can to learn and prepare to make Straight Edge Kegger, to his crazy adventure of getting the movie on Shudder - Jason Zink is one of those filmmakers that plays by his own rules and proves that the crazy amount of work and blood and ideas and money can pay off if you keep hustling.



Go watch Straight Edge Kegger when it drops on Shudder soon and make sure to follow and watch Jason as he continues his adventure in filmmaking!

Website: weirdontoppictures.com
IMBD: https://www.imdb.com/name/nm3679749/
Staight Edge Kegger: https://screamteamreleasing.com/products/straight-edge-kegger-blu-ray]]>4446diy,film,filmmaking,hustle,independent,indie,low,movie,punkfalsefullhttps://www.spreaker.com/episode/season-3-episode-6-director-and-actress-elena-weinberg--41747511
We discuss everything from transitioning from shorts to features, the benefits and challenges of working with a partner, the ups and downs of filming in different cities, and our favorite event in the world.... but you'll have to listen to find out what it is!

You can follow Elena on social media at:
Twitter: @ElenaWeinberg
Instagram: @ElenaIsRad
elenaweinberg.com

Cheers everyone! Make sure to leave me a voice message at speakpipe.com/lowbudgetrebels]]>https://api.spreaker.com/episode/41747511Mon, 02 Nov 2020 21:32:29 +0000Josh StifterIt seems like a lot of my episodes of this Low-Budget Rebels podcast start out the same. I ask the guest how they started, they say they picked up a camera when they were 7, and the rest is history. But not this week. Elena Weinberg didn't get into...
We discuss everything from transitioning from shorts to features, the benefits and challenges of working with a partner, the ups and downs of filming in different cities, and our favorite event in the world.... but you'll have to listen to find out what it is!

You can follow Elena on social media at:
Twitter: @ElenaWeinberg
Instagram: @ElenaIsRad
elenaweinberg.com

Cheers everyone! Make sure to leave me a voice message at speakpipe.com/lowbudgetrebels]]>3833art,budget,crew,film,filmmaking,hustle,independent,indie,low,making,movie,punk,rebelfalsefullhttps://www.spreaker.com/episode/season-3-episode-5-filmmaker-noam-kroll--41646021
As you'll find out, I'm also extremely jealous that he got to shoot on Super 16mm....

We cover a lot of topics including how Noam started out filming videos with his brother, the benefits of being a jack of all trades, the importance of good casting, filming with 16mm, getting back to the roots of why we started a project, and the importance of managing your restrictions on any project.

You can follow Noam @noamkroll on most social medias and check out his movies, podcasts, blog, and LUTs at noamkroll.com

Cheers!]]>https://api.spreaker.com/episode/41646021Mon, 26 Oct 2020 15:38:33 +0000Josh StifterAfter a week off, I think I've come back with one of the most knowledgeable guests yet. Noam Kroll is known for many things. A jack of all trades in every regard, Noam has not only made multiple feature films and shorts, he's created a reputation as...
As you'll find out, I'm also extremely jealous that he got to shoot on Super 16mm....

We cover a lot of topics including how Noam started out filming videos with his brother, the benefits of being a jack of all trades, the importance of good casting, filming with 16mm, getting back to the roots of why we started a project, and the importance of managing your restrictions on any project.

You can follow Noam @noamkroll on most social medias and check out his movies, podcasts, blog, and LUTs at noamkroll.com

Cheers!]]>4283budget,diy,film,filmmaker,filmmaking,hustle,indie,kroll,low,movie,movies,noam,rebelfalsefullhttps://www.spreaker.com/episode/season-3-episode-4-director-john-hale--41410995
You can follow John all over the social medias as @darkdragonfilms and check out his website https://www.darkdragonfilms.net/

The Conduit is available on BluRay and DVD, as well as on Amazon Prime!

CHEERS!]]>https://api.spreaker.com/episode/41410995Sun, 11 Oct 2020 20:22:36 +0000Josh StifterThis week on Low-Budget Rebels, I'm joined by one of the coolest humans I know, and someone who I might have more in common with than anyone I've ever met. John Hale started making stop-motion movies as a kid (sound familiar?) and taught himself every...
You can follow John all over the social medias as @darkdragonfilms and check out his website https://www.darkdragonfilms.net/

The Conduit is available on BluRay and DVD, as well as on Amazon Prime!

CHEERS!]]>5021action,budget,diy,film,filmmaking,horror,independent,indie,low,movie,movies,shortfalsefullhttps://www.spreaker.com/episode/season-3-episode-3-director-and-documentarian-tommy-avallone--41298723
Make sure to check out all of Tommy's movies I Am Santa Clause (which apparently IS on Amazon Prime and I'm just an idiot), The Bill Murray Stories: Life Lessons Learned from a Mythical Man, and Waldo on Weed - along with everything else he's created in the past!

IMDB: https://www.imdb.com/name/nm2056650/
Twitter: @TommyAvallone3
Facebook: https://www.facebook.com/rockhardkilla]]>https://api.spreaker.com/episode/41298723Mon, 05 Oct 2020 19:17:38 +0000Josh StifterOn this episode of the Low-Budget Rebels Podcast, I sat down with the incredible documentary filmmaker Tommy Avallone to talk about his 3 doc features, his one narrative film, his process coming up with documentary ideas, movies that are hard to...
Make sure to check out all of Tommy's movies I Am Santa Clause (which apparently IS on Amazon Prime and I'm just an idiot), The Bill Murray Stories: Life Lessons Learned from a Mythical Man, and Waldo on Weed - along with everything else he's created in the past!

IMDB: https://www.imdb.com/name/nm2056650/
Twitter: @TommyAvallone3
Facebook: https://www.facebook.com/rockhardkilla]]>3830crew,diy,doc,documentary,film,filmmaking,indie,lowbudget,movie,movies,rebelfalsefullhttps://www.spreaker.com/episode/season-3-episode-2-director-writer-and-actress-rakefet-abergel--41164185
I had the pleasure to chat with the extremely fun and energetic Rakefet Abergel. You may know her from Superbad, New Girl, or the Disney Channel - but she has really impressed the horror community with her short films Jax in Love and Boo. On this episode, we discuss the jump from acting to writing to directing, the genre film scene, influences to get into acting, accidentally becoming a horror filmmaker, being easily scared, comedy mixing with horr, kids being scared of dolls, falling for the trick of the Blair Witch, trying not to post spoilers, festival awards, and so much more!

This was such a fun conversation and you can tell I was having a blast by my visceral laughter in the background through the whole episode.

Make sure to follow Rakefet and Boo on social media and check out Boo when it premieres on ALTER October 19th.

Twitter @rakefet27
Instagram @kef827
IMDB https://www.imdb.com/name/nm1679525/]]>https://api.spreaker.com/episode/41164185Sun, 27 Sep 2020 19:58:48 +0000Josh StifterA second episode already!?? Yes. Yes it it. I had the pleasure to chat with the extremely fun and energetic Rakefet Abergel. You may know her from Superbad, New Girl, or the Disney Channel - but she has really impressed the horror community with her...
I had the pleasure to chat with the extremely fun and energetic Rakefet Abergel. You may know her from Superbad, New Girl, or the Disney Channel - but she has really impressed the horror community with her short films Jax in Love and Boo. On this episode, we discuss the jump from acting to writing to directing, the genre film scene, influences to get into acting, accidentally becoming a horror filmmaker, being easily scared, comedy mixing with horr, kids being scared of dolls, falling for the trick of the Blair Witch, trying not to post spoilers, festival awards, and so much more!

This was such a fun conversation and you can tell I was having a blast by my visceral laughter in the background through the whole episode.

Make sure to follow Rakefet and Boo on social media and check out Boo when it premieres on ALTER October 19th.

Twitter @rakefet27
Instagram @kef827
IMDB https://www.imdb.com/name/nm1679525/]]>4250acting,actress,comedy,film,filmfest,filmmaking,horror,independent,indie,movie,podcast,rebelfalsefullhttps://www.spreaker.com/episode/season-3-episode-1-writer-and-director-jaysen-buterin--41043187
All of this and even more! Cheers!]]>https://api.spreaker.com/episode/41043187Mon, 21 Sep 2020 14:56:44 +0000Josh StifterOn this riveting episode of the Low-Budget Rebels podcast, I sat down with the extremely talented Jaysen Buterin to talk about his award winning feature Kill Giggles. We chat about first experiments with heavy cameras, hoarding props from past movies,...
All of this and even more! Cheers!]]>3259falsefullhttps://www.spreaker.com/episode/director-ryan-krueger--40506289
His movie Fried Barry (starring Gary) is playing On Demand at Fantasia film fest in the coming weeks and looks to be one helluva' weird trip! You can check it out at fantasiafestival.com/en/

Make sure to follow Ryan on social media to keep up with future projects and to find out when and where you can see Fried Barry next!]]>tag:soundcloud,2010:tracks/881190943Mon, 24 Aug 2020 15:30:00 +0000Josh StifterThis is seriously one of my favorite chats I've had. Cape Town, South Africa director and actor Ryan Kruger has an incredibly interesting background and enough insight to make me get off our Zoom conversation and instantly want to start making more...
His movie Fried Barry (starring Gary) is playing On Demand at Fantasia film fest in the coming weeks and looks to be one helluva' weird trip! You can check it out at fantasiafestival.com/en/

Make sure to follow Ryan on social media to keep up with future projects and to find out when and where you can see Fried Barry next!]]>3568falsefullhttps://www.spreaker.com/episode/filmmaker-musician-michael-j-epstein--40506295
This week, I have the extremely inspiring Michael J Epstein, who I met at South Texas Underground Film Fest earlier this year. His short documentary/mocumentary played before Greywood's Plot and completely set the mood for the night. He's written and directed several features, played in bands, and much more. This dude is prolific as all get up! After you listen to this episode, go watch some of his twisted, crazy content. You will be utterly impressed, not only by the amount he's produced, but also by how intense and original it all is.

Follow him on social media, check out his site (https://www.michaeljepstein.com & launchover.com), and go watch his movies!

CHEERS!]]>tag:soundcloud,2010:tracks/874120342Tue, 11 Aug 2020 19:24:34 +0000Josh StifterI've been busy as hell doing contracts, building the Flush audience, finishing up The Good Exorcist for Troma, writing Keith., writing Static Requiem, talking to Strauss about puppets, getting comics made, planning the future, and about a million...
This week, I have the extremely inspiring Michael J Epstein, who I met at South Texas Underground Film Fest earlier this year. His short documentary/mocumentary played before Greywood's Plot and completely set the mood for the night. He's written and directed several features, played in bands, and much more. This dude is prolific as all get up! After you listen to this episode, go watch some of his twisted, crazy content. You will be utterly impressed, not only by the amount he's produced, but also by how intense and original it all is.

Follow him on social media, check out his site (https://www.michaeljepstein.com & launchover.com), and go watch his movies!

CHEERS!]]>3614falsefullhttps://www.spreaker.com/episode/filmmaker-director-actor-reality-tv-star-john-valley--40506309
We discuss making movies, I ask some hypothetical questions, and John talks about getting hit in the nuts in front of Robert Rodriguez.

ENJOY!

P.S. I'm starting a list of hypothetical questions. If you have any that you'd like me to ask of my guests, let me know! I'm creating a big ol' tag board of them so that I can grab at random (or not) and go on wild conversational tangents with my guests.]]>tag:soundcloud,2010:tracks/869431927Mon, 03 Aug 2020 15:18:15 +0000Josh StifterThis week, I have the amazing John Valley on the show. I met John on Rebel Without A Crew: The Series and we seemed to have a lot in common. He recently finished his feature film Duncan, which I had the pleasure of viewing early and, as you'll hear in...
We discuss making movies, I ask some hypothetical questions, and John talks about getting hit in the nuts in front of Robert Rodriguez.

ENJOY!

P.S. I'm starting a list of hypothetical questions. If you have any that you'd like me to ask of my guests, let me know! I'm creating a big ol' tag board of them so that I can grab at random (or not) and go on wild conversational tangents with my guests.]]>4520falsefullhttps://www.spreaker.com/episode/filmmaker-natalie-rodriguez--40506291
Regardless of all that, I actually had time to sit down with two really talented filmmakers and chat this weekend! In this first episode, I was joined at Flush Studios via Zoom by the extremely talented Natalie Rodriguez.

Natalie is in the process of putting out her first feature film, The Extraordinary Ordinary, and is in post on her second feature. She's made shorts and is also an author! We talk about the stresses of the process and how we cope with the pressure and self doubt that comes with making art.

You can check out Natalie's work at extraordpictures.com and follow her on social media @extraordpictures!
Cheers!

P.S. I hope you all enjoy the new theme song by Curtis Allen Hager featuring the wonderful voice over work of my buddy Bentley Michaels! If you're in need of score or V.O. - these are two that you should definitely hit up.]]>tag:soundcloud,2010:tracks/865400143Mon, 27 Jul 2020 15:00:54 +0000Josh StifterGood morning! I hope everyone is doing well and keeping motivated. It's been a helluva' struggle for a lot of us, including myself. But this past weekend I really tried to push myself to get some stuff done. I began working on my newest animation. I...
Regardless of all that, I actually had time to sit down with two really talented filmmakers and chat this weekend! In this first episode, I was joined at Flush Studios via Zoom by the extremely talented Natalie Rodriguez.

Natalie is in the process of putting out her first feature film, The Extraordinary Ordinary, and is in post on her second feature. She's made shorts and is also an author! We talk about the stresses of the process and how we cope with the pressure and self doubt that comes with making art.

You can check out Natalie's work at extraordpictures.com and follow her on social media @extraordpictures!
Cheers!

P.S. I hope you all enjoy the new theme song by Curtis Allen Hager featuring the wonderful voice over work of my buddy Bentley Michaels! If you're in need of score or V.O. - these are two that you should definitely hit up.]]>4462falsefullhttps://www.spreaker.com/episode/filmmaker-evan-kidd--40506305
Evan is a shoestring budget filmmaker who has been going out and making his own ideas, whether documentary, short, or feature length. We chatted about his process, how he got into making his own movies outside of the studio system, the challenges of DIY film, trying interesting things, and discusses where filmmakers can get their movies seen once they're completed.

You can check out Evan's movie Son of Clowns on Amazon Prime right now and be sure to follow him on twitter @MrEvanKid

Cheers!]]>tag:soundcloud,2010:tracks/857862946Tue, 14 Jul 2020 16:06:52 +0000Josh StifterIt's been way too long since I've been able to sit down in Flush Studios with a guest and just chat about film making, but luckily Evan Kidd reached out to me at the perfect time! Evan is a shoestring budget filmmaker who has been going out and...
Evan is a shoestring budget filmmaker who has been going out and making his own ideas, whether documentary, short, or feature length. We chatted about his process, how he got into making his own movies outside of the studio system, the challenges of DIY film, trying interesting things, and discusses where filmmakers can get their movies seen once they're completed.

You can check out Evan's movie Son of Clowns on Amazon Prime right now and be sure to follow him on twitter @MrEvanKid

Cheers!]]>4014falsefullhttps://www.spreaker.com/episode/director-tyler-macintyre--40506327
This week I was able to chat with Tragedy Girls director, Tyler MacIntyre, about the challenges and fun that goes into filmmaking. We talk about where the script and idea for the brutal satire came from, issues that arise in filmmaking, how we can often find our features in the edit, making a good murder, the fun of special effects, and much more.

You can see Tragedy Girls right now on HULU!]]>tag:soundcloud,2010:tracks/797627839Mon, 13 Apr 2020 16:57:51 +0000Josh StifterHey everyone! Quarantine life goes on and on, but so does the Flush Studios podcast. This week I was able to chat with Tragedy Girls director, Tyler MacIntyre, about the challenges and fun that goes into filmmaking. We talk about where the script and...
This week I was able to chat with Tragedy Girls director, Tyler MacIntyre, about the challenges and fun that goes into filmmaking. We talk about where the script and idea for the brutal satire came from, issues that arise in filmmaking, how we can often find our features in the edit, making a good murder, the fun of special effects, and much more.

You can see Tragedy Girls right now on HULU!]]>3469falsefullhttps://www.spreaker.com/episode/filmmaker-brendan-steere--40506325Stressed?
Bored?
Adapting?

I get it. On the plus side, I had the chance to sit down with one of the sweetest, nicest people ever, Brendan Steere, to talk about his movie The VelociPastor.

We chatted about where the idea came from, how music influenced our process in film, great band names, the challenges of working with a minuscule budget, the importance of a strong script, how this pandemic has effected our process, the amazingly awful feeling of watching your movie with an audience, and some of the fun "mistakes" that made it into our final films.

This was seriously one of the most fun and enjoyable podcasts I've ever done thanks to Brendan's willingness to be completely candid and so extremely nice. Hopefully you all enjoy it as well!

You can see more from Brendan by following him @brendansteere and checking out thevelocipastor.com to keep up on his movie!

Cheers!]]>tag:soundcloud,2010:tracks/792201529Mon, 06 Apr 2020 14:20:52 +0000Josh StifterHow's everyone doing during these very confusing times? Stressed? Bored? Adapting? I get it. On the plus side, I had the chance to sit down with one of the sweetest, nicest people ever, Brendan Steere, to talk about his movie The VelociPastor. We...Stressed?
Bored?
Adapting?

I get it. On the plus side, I had the chance to sit down with one of the sweetest, nicest people ever, Brendan Steere, to talk about his movie The VelociPastor.

We chatted about where the idea came from, how music influenced our process in film, great band names, the challenges of working with a minuscule budget, the importance of a strong script, how this pandemic has effected our process, the amazingly awful feeling of watching your movie with an audience, and some of the fun "mistakes" that made it into our final films.

This was seriously one of the most fun and enjoyable podcasts I've ever done thanks to Brendan's willingness to be completely candid and so extremely nice. Hopefully you all enjoy it as well!

You can see more from Brendan by following him @brendansteere and checking out thevelocipastor.com to keep up on his movie!

Cheers!]]>5828falsefullhttps://www.spreaker.com/episode/season-2-episode-10-producer-filmsman-parker-gibbs--40506329
But it didn't stop me from podcasting and starting on some other fun projects as well! Gotta' keep moving forward, right? Adapt!

This week, I wanted an easy, relaxing conversation, so I sat down with Parker (aka Fresh Pot) Gibbs to talk about what this outbreak has done to the film community and people who work in our industry. We also discuss The Purge, new ideas coming from this quarantine, the worry over toilet paper, how this virus could change the industry for awhile (or possibly forever), and waking up in the morning to watch TV as a kid.

All of this and way more!

Stay positive, everyone. Keep each other motivated and assured that this too will pass. If anyone needs anything from me, don't be afraid to reach out. We're in this together and we're quarantining and staying safe for each other.

Cheers.]]>tag:soundcloud,2010:tracks/786801463Mon, 30 Mar 2020 14:18:14 +0000Josh StifterThis has been one helluva' week. We've been self-quarantined, while I took on way too many contracts and other little projects (including the Project 88 video with Max and a Corona Virus related gig, AND started my new job to make sure that my family...
But it didn't stop me from podcasting and starting on some other fun projects as well! Gotta' keep moving forward, right? Adapt!

This week, I wanted an easy, relaxing conversation, so I sat down with Parker (aka Fresh Pot) Gibbs to talk about what this outbreak has done to the film community and people who work in our industry. We also discuss The Purge, new ideas coming from this quarantine, the worry over toilet paper, how this virus could change the industry for awhile (or possibly forever), and waking up in the morning to watch TV as a kid.

All of this and way more!

Stay positive, everyone. Keep each other motivated and assured that this too will pass. If anyone needs anything from me, don't be afraid to reach out. We're in this together and we're quarantining and staying safe for each other.

Cheers.]]>3348falsefullhttps://www.spreaker.com/episode/season-2-episode-9-filmmakers-and-festival-runners-mariella-and-robert-perez--40506343
I had the pleasure to hop on skype with Mariella And Robert Perez to talk about how their amazing festival got started, the effect the coronavirus has had on film fests, why they're festival is different than others, and how important it is to care about what you're doing. Also, a man might be pooping behind the electrical box....

ENJOY!]]>tag:soundcloud,2010:tracks/781294639Mon, 23 Mar 2020 02:05:43 +0000Josh StifterI've talked a lot about film festivals recently and how difficult it can be to navigate which ones work for a film. The cost and the effort can be completely not worth it when all is said and done. However, with the South Texas Underground Film...
I had the pleasure to hop on skype with Mariella And Robert Perez to talk about how their amazing festival got started, the effect the coronavirus has had on film fests, why they're festival is different than others, and how important it is to care about what you're doing. Also, a man might be pooping behind the electrical box....

ENJOY!]]>4444falsefullhttps://www.spreaker.com/episode/season-2-episode-8-documentary-filmmaker-taylor-morden--40506315
Check out everything from Taylor Morden at popmotionpictures.com including the brand new trailer for The Last Blockbuster.

Enjoy!]]>tag:soundcloud,2010:tracks/777049330Mon, 16 Mar 2020 14:54:47 +0000Josh StifterThis week, I'm joined by documentary filmmaker Taylor Morden from PopMotion Pictures to discuss his process and how he got started making documentary feature films. We also chat about ska music, movie renting, challenges and differences between...
Check out everything from Taylor Morden at popmotionpictures.com including the brand new trailer for The Last Blockbuster.

Enjoy!]]>4091falsefullhttps://www.spreaker.com/episode/season-2-episode-7-filmmaker-j-j-perez--40506321
Check out the trailer for Beneath here - https://www.youtube.com/watch?v=y3Pw5WRVQgE

ENJOY!]]>tag:soundcloud,2010:tracks/767518552Thu, 27 Feb 2020 17:26:33 +0000Josh StifterThis is the last of three podcast episodes recorded at South Texas Underground Film Festival, but it won't be the last time I talk to someone from that fest. It was such an amazing time and I'm honored to have the opportunity to sit down with J.J....
Check out the trailer for Beneath here - https://www.youtube.com/watch?v=y3Pw5WRVQgE

ENJOY!]]>3318falsefullhttps://www.spreaker.com/episode/season-2-episode-6-short-film-director-and-producer-lisa-belcher--40506326
A new podcast is here! I was able to hop on Skype with Lisa Belcher to chat about how she went from working in business to moving to Hong Kong to making short films to starting on a feature. We also discuss the pantsless professional that is Avery Merrifield, film festivals, how important business is in filmmaking, and the different struggles that directors face.... oh, and business cards. We talk about business cards...

Lisa's short film Guest of Honor will be available online on the 18th of February and you can see Javelina Run (starring the ever amazing Avery Merrifield and Aaron Hale) at film festivals around the country soon!

You can see more from Lisa at:

jumprockpictures.com

And make sure to check out Guest of Honor at : https://youtu.be/Eqfbmv4mIe0

Cheers!]]>tag:soundcloud,2010:tracks/762676114Tue, 18 Feb 2020 14:20:56 +0000Josh StifterHey friends! A new podcast is here! I was able to hop on Skype with Lisa Belcher to chat about how she went from working in business to moving to Hong Kong to making short films to starting on a feature. We also discuss the pantsless professional...
A new podcast is here! I was able to hop on Skype with Lisa Belcher to chat about how she went from working in business to moving to Hong Kong to making short films to starting on a feature. We also discuss the pantsless professional that is Avery Merrifield, film festivals, how important business is in filmmaking, and the different struggles that directors face.... oh, and business cards. We talk about business cards...

Lisa's short film Guest of Honor will be available online on the 18th of February and you can see Javelina Run (starring the ever amazing Avery Merrifield and Aaron Hale) at film festivals around the country soon!

You can see more from Lisa at:

jumprockpictures.com

And make sure to check out Guest of Honor at : https://youtu.be/Eqfbmv4mIe0

Cheers!]]>3338falsefullhttps://www.spreaker.com/episode/season-2-episode-5-actor-and-podcaster-nasty-neal-jones--40506333
I've stockpiled quite a few episodes and I really hate to behind with these. Also, I've been so busy with preproduction, contract work, and prepping some other cool stuff that I just haven't had time to post all that much. But this is a good one -

I was joined by podcast/actor Neal Jones a.k.a. NASTY Neal to talk about podcasting, acting, and being sans bellybutton. I met Neal at stuff when the short documentary Umbilicus Desidero played before Greywood's Plot. It was an awesome block of films and this one couldn't have fit better with my feature. Neal also does a podcast that you should check out. As you'll hear, he's had some really fantastic guests!

Check out Neal's podcast Without Your Head at withoutyourhead.com or wherever podcasts are listened to!]]>tag:soundcloud,2010:tracks/762281569Mon, 17 Feb 2020 19:17:42 +0000Josh StifterTWO POSTS IN ONE DAY! I've stockpiled quite a few episodes and I really hate to behind with these. Also, I've been so busy with preproduction, contract work, and prepping some other cool stuff that I just haven't had time to post all that much. But...
I've stockpiled quite a few episodes and I really hate to behind with these. Also, I've been so busy with preproduction, contract work, and prepping some other cool stuff that I just haven't had time to post all that much. But this is a good one -

I was joined by podcast/actor Neal Jones a.k.a. NASTY Neal to talk about podcasting, acting, and being sans bellybutton. I met Neal at stuff when the short documentary Umbilicus Desidero played before Greywood's Plot. It was an awesome block of films and this one couldn't have fit better with my feature. Neal also does a podcast that you should check out. As you'll hear, he's had some really fantastic guests!

Check out Neal's podcast Without Your Head at withoutyourhead.com or wherever podcasts are listened to!]]>3540falsefullhttps://www.spreaker.com/episode/season-2-episode-4-filmmakers-riley-cusick-and-carson-bailie--40506358
I love that podcasting affords me the opportunity to sit down with all kinds of different artists and creative people to talk about why and how we do the things we do, and this week was no different. I was joined by director and writer Riley Cusick and his writing/film making partner Carson Bailie to talk about film festivals, collaborating on projects, and their short film Sweetie.

Enjoy.]]>tag:soundcloud,2010:tracks/758336416Mon, 10 Feb 2020 17:58:11 +0000Josh StifterHey everyone! I love that podcasting affords me the opportunity to sit down with all kinds of different artists and creative people to talk about why and how we do the things we do, and this week was no different. I was joined by director and writer...
I love that podcasting affords me the opportunity to sit down with all kinds of different artists and creative people to talk about why and how we do the things we do, and this week was no different. I was joined by director and writer Riley Cusick and his writing/film making partner Carson Bailie to talk about film festivals, collaborating on projects, and their short film Sweetie.

Enjoy.]]>3621falsefullhttps://www.spreaker.com/episode/season-2-episode-3-photographer-and-artist-moustache-jim--40506296
This week I'm joined again by the Emmy Award winning animation director Mike Owens and his friend Moustache Jim. Moustache Jim is a ridiculously talented photographer, a master barber, a kind soul, and one helluva' moustache wearer. We discuss creativity, where Moustache Jim got his name, the artistic process, telling a story through photos or any other form of art, thinking outside of the box to create something new, and the ability to be able to talk to anyone.

This and so much more!

Also, you can watch Moustache Jim shave a man here:
https://www.youtube.com/watch?v=rfx1GnYGFs8

moustachejimstudios.com

If you have any questions for Mike Owens, he'll be returning SOON to talk about his new comic, animation, WOMO Studios, and more! Check out his Emmy Award winning show Danger and Eggs on AMAZON and feel free to leave any questions you might have for him here!]]>tag:soundcloud,2010:tracks/758333218Mon, 10 Feb 2020 17:51:00 +0000Josh StifterIt's Monday, which means there's a brand new podcast! This week I'm joined again by the Emmy Award winning animation director Mike Owens and his friend Moustache Jim. Moustache Jim is a ridiculously talented photographer, a master barber, a kind...
This week I'm joined again by the Emmy Award winning animation director Mike Owens and his friend Moustache Jim. Moustache Jim is a ridiculously talented photographer, a master barber, a kind soul, and one helluva' moustache wearer. We discuss creativity, where Moustache Jim got his name, the artistic process, telling a story through photos or any other form of art, thinking outside of the box to create something new, and the ability to be able to talk to anyone.

This and so much more!

Also, you can watch Moustache Jim shave a man here:
https://www.youtube.com/watch?v=rfx1GnYGFs8

moustachejimstudios.com

If you have any questions for Mike Owens, he'll be returning SOON to talk about his new comic, animation, WOMO Studios, and more! Check out his Emmy Award winning show Danger and Eggs on AMAZON and feel free to leave any questions you might have for him here!]]>5181falsefullhttps://www.spreaker.com/episode/season-2-episode-2-flush-studios-a-d-vfx-artist-and-right-hand-guy-nathan-strauss--40506318
I'm into week one of the podcast schedule and so far I've made it! Wednesday's podcast will be the Josh and Jenny show; while Mondays will be with a guest or two.

And this week, I have two of my favorite guests in the world. I'm joined by Daniel Degnan (Father Gil) and Nathan Strauss (Fly Guy/Igor) to chat about how I met Strauss, living in the sub-basement, our first films, failure, Greywood's Plot fun, and making the dog man mask.

We also awkwardly face technical difficulties... don't worry about it!

Next week I'll have another awesome guest or two and we'll keep it going as long as we can! Who's excited about the new schedule?]]>tag:soundcloud,2010:tracks/746429299Mon, 20 Jan 2020 15:21:24 +0000Josh StifterHAPPY MONDAY!!! I'm into week one of the podcast schedule and so far I've made it! Wednesday's podcast will be the Josh and Jenny show; while Mondays will be with a guest or two. And this week, I have two of my favorite guests in the world. I'm...
I'm into week one of the podcast schedule and so far I've made it! Wednesday's podcast will be the Josh and Jenny show; while Mondays will be with a guest or two.

And this week, I have two of my favorite guests in the world. I'm joined by Daniel Degnan (Father Gil) and Nathan Strauss (Fly Guy/Igor) to chat about how I met Strauss, living in the sub-basement, our first films, failure, Greywood's Plot fun, and making the dog man mask.

We also awkwardly face technical difficulties... don't worry about it!

Next week I'll have another awesome guest or two and we'll keep it going as long as we can! Who's excited about the new schedule?]]>4141falsefullhttps://www.spreaker.com/episode/season-2-episode-1-filmmaker-and-podcaster-alex-ferrari--40506299
Alex Ferrari not only came on to talk about his book, but to discuss how he turned failure into success, predatory film distribution tactics, how you can make money off of your independent feature and the need for change in the community. An independent film revolution is on the rise, and Alex is ready to lead it.

While this episode is VERY centered towards indie filmmakers, I think there's something everyone can learn from his lessons here.

Alex's book can be purchased here - https://filmtrepreneur.com/rise-of-the-filmtrepreneur-book/

Make sure to follow Indie Film Hustle and Alex on all social media platforms you use!
Twitter - https://twitter.com/indiefilmhustle
Instagram - https://www.instagram.com/ifilmhustle/
Facebook - https://www.facebook.com/indiefilmhustle
Youtube - https://www.youtube.com/channel/UCdTCujcLOEJe4ujH-NL6oUg

You can get in contact with Alex through http://alexferrari.com/

And definitely check out INDIE FILM HUSTLE TV ! They not only feature a ton of great content, but it'll also be home to some exclusive The Good Exorcist stuff soon!!! I can't freakin' wait!

Cheers.
Josh]]>tag:soundcloud,2010:tracks/731473522Fri, 20 Dec 2019 16:01:00 +0000Josh StifterThis is one of my favorite episodes of the podcast I've ever done. Very often, I record these episodes, and while I learn a little bit about the guest or am inspired to create, I rarely can say it changed my process or the way I work. That can not be...
Alex Ferrari not only came on to talk about his book, but to discuss how he turned failure into success, predatory film distribution tactics, how you can make money off of your independent feature and the need for change in the community. An independent film revolution is on the rise, and Alex is ready to lead it.

While this episode is VERY centered towards indie filmmakers, I think there's something everyone can learn from his lessons here.

Alex's book can be purchased here - https://filmtrepreneur.com/rise-of-the-filmtrepreneur-book/

Make sure to follow Indie Film Hustle and Alex on all social media platforms you use!
Twitter - https://twitter.com/indiefilmhustle
Instagram - https://www.instagram.com/ifilmhustle/
Facebook - https://www.facebook.com/indiefilmhustle
Youtube - https://www.youtube.com/channel/UCdTCujcLOEJe4ujH-NL6oUg

You can get in contact with Alex through http://alexferrari.com/

And definitely check out INDIE FILM HUSTLE TV ! They not only feature a ton of great content, but it'll also be home to some exclusive The Good Exorcist stuff soon!!! I can't freakin' wait!

Cheers.
Josh]]>4801falsefullhttps://www.spreaker.com/episode/episode-116-fresh-pot-saves-the-good-exorcist--40506339
This week I had the privilege of jumping on skype and having a few drinks with Parker "Fresh Pot" Gibbs to talk about what it was like for him being behind the scenes on Rebel Without A Crew. We discuss the success and shortcomings of the show and the movie. We also talk about some of the things we would've loved to see on the show that didn't make the cut, the rules that we had to break to get the movie done, my struggles with putting together a simple slider, being a patron, and salads.]]>tag:soundcloud,2010:tracks/729591397Tue, 17 Dec 2019 18:52:12 +0000Josh StifterI've told the story a few times on the podcast or in interviews about the PA with a heart of gold that saved me from quitting Rebel Without A Crew when I got bronchitis. This week I had the privilege of jumping on skype and having a few drinks with...
This week I had the privilege of jumping on skype and having a few drinks with Parker "Fresh Pot" Gibbs to talk about what it was like for him being behind the scenes on Rebel Without A Crew. We discuss the success and shortcomings of the show and the movie. We also talk about some of the things we would've loved to see on the show that didn't make the cut, the rules that we had to break to get the movie done, my struggles with putting together a simple slider, being a patron, and salads.]]>5498falsefullhttps://www.spreaker.com/episode/director-bryan-winn--40506364
In this episode, Bryan talks about his movie THIEVES, We discuss the independent spirit and what it takes to complete a feature film. We pontificate about how important having good people around you is, discuss using what you have to add value to your movie, and get really excited about not getting permits to shoot our movies. Bryan also tells us how he blew up a strangers car without them knowing.

All of this AND MORE!!!

Follow THIEVES on social media:
Facebook - https://www.facebook.com/Thievesmovie
Instagram - https://www.instagram.com/thieves_movie/]]>tag:soundcloud,2010:tracks/706011001Thu, 31 Oct 2019 18:04:47 +0000Josh StifterBryan Winn made a black and white movie as well. His is MUCH different than mine. In this episode, Bryan talks about his movie THIEVES, We discuss the independent spirit and what it takes to complete a feature film. We pontificate about how...
In this episode, Bryan talks about his movie THIEVES, We discuss the independent spirit and what it takes to complete a feature film. We pontificate about how important having good people around you is, discuss using what you have to add value to your movie, and get really excited about not getting permits to shoot our movies. Bryan also tells us how he blew up a strangers car without them knowing.

All of this AND MORE!!!

Follow THIEVES on social media:
Facebook - https://www.facebook.com/Thievesmovie
Instagram - https://www.instagram.com/thieves_movie/]]>3893falsefullhttps://www.spreaker.com/episode/episode-113-mary-c-russell-will-mess-you-up--40506330
We also discuss the time I got kicked out of my own movie, her short film Carved, the struggle of getting a pitch off the ground, the joys and woes of film festivals, dream film projects, the problem with looking young, and how film sets are like family.

Follow Mary on social media:
https://www.instagram.com/maryr13
https://www.facebook.com/mcrussell1

and check out her website
marycrussell.com

This and SO much more!]]>tag:soundcloud,2010:tracks/701182111Thu, 24 Oct 2019 18:14:34 +0000Josh StifterDirector, Writer, Cinematographer, and all around talent, Mary C Russell joins me on this episode of the podcast to talk about how she went from script supervisor, to writer, to director and camera operator. We also discuss the time I got kicked out...
We also discuss the time I got kicked out of my own movie, her short film Carved, the struggle of getting a pitch off the ground, the joys and woes of film festivals, dream film projects, the problem with looking young, and how film sets are like family.

Follow Mary on social media:
https://www.instagram.com/maryr13
https://www.facebook.com/mcrussell1

and check out her website
marycrussell.com

This and SO much more!]]>3659falsefullhttps://www.spreaker.com/episode/episode-112-jeff-frumess-is-gothic-noire--40506374
This week I'm joined by Jeff Frumess to talk about the making of and hardships behind no budget films. His film Romeo's Distress screened as a midnight movie at Nightmares Film Festival and can be seen on Amazon right now. It's a trip of horror, insanity, and Lynchian oddness. If you want to go on a wild, guerrilla film making ride, you couldn't pick a better movie.

We also discuss mispronounced names, color correction, making a movie in black and white, the troubles with sound design, finding the right crew, punk rock distribution and much more!

Romeo's Distress on IMDB
TRAILER
frumess.com

CHEERS

Josh]]>tag:soundcloud,2010:tracks/697884418Thu, 17 Oct 2019 19:16:48 +0000Josh StifterFor those of you who like digging into the minutiae and details of the indie film process, have I got an episode for you! This week I'm joined by Jeff Frumess to talk about the making of and hardships behind no budget films. His film Romeo's Distress...
This week I'm joined by Jeff Frumess to talk about the making of and hardships behind no budget films. His film Romeo's Distress screened as a midnight movie at Nightmares Film Festival and can be seen on Amazon right now. It's a trip of horror, insanity, and Lynchian oddness. If you want to go on a wild, guerrilla film making ride, you couldn't pick a better movie.

We also discuss mispronounced names, color correction, making a movie in black and white, the troubles with sound design, finding the right crew, punk rock distribution and much more!

Romeo's Distress on IMDB
TRAILER
frumess.com

CHEERS

Josh]]>4630falsefullhttps://www.spreaker.com/episode/episode-111-jessica-ellis-went-hiking--40506297
While the film might not be the normal "Flush Studios fare", I found the movie to be really important for independent filmmakers. It shows how crowdfunding can work. It shows how independent films need to start breaking molds and norms even more from the system. Jessica also has a helluva' story about having HEART SURGERY in the middle of crowdfunding the film!! And there were fires...

Follow her on @baddestmamajama

And get tickets today for What Lies West - https://www.showplaceicon.com/Browsing/Movies/Details/h-HO00002817]]>tag:soundcloud,2010:tracks/693826357Thu, 10 Oct 2019 16:43:06 +0000Josh StifterIn this fantastically inspiring episode of the podcast, I talked to filmmaker and soon to be Twin Cities Film Fest alum Jessica Ellis about what it was like to make her first feature! While the film might not be the normal "Flush Studios fare", I...
While the film might not be the normal "Flush Studios fare", I found the movie to be really important for independent filmmakers. It shows how crowdfunding can work. It shows how independent films need to start breaking molds and norms even more from the system. Jessica also has a helluva' story about having HEART SURGERY in the middle of crowdfunding the film!! And there were fires...

Follow her on @baddestmamajama

And get tickets today for What Lies West - https://www.showplaceicon.com/Browsing/Movies/Details/h-HO00002817]]>3568falsefullhttps://www.spreaker.com/episode/episode-110-brian-darwas-vs-a-leaf-blower--40506346
Plus, the filmmaker behind the film, Brian Darwas, turns out to be a really great guy. So, we sat down this morning to b.s. about his process, critics, guerrilla style shooting in New York, guys with leaf blowers, and more.

Make sure to check out Get My Gun on SHUDDER today!

ENJOY!]]>tag:soundcloud,2010:tracks/690457252Thu, 03 Oct 2019 13:00:08 +0000Josh StifterA while ago, I saw this amazing, indie film called Get My Gun. As I watched it, I kept just thinking about how wonderfully polarizing the flick would likely be and how it doesn't give a shit what you want to happen. It just goes for it. Exploitation...
Plus, the filmmaker behind the film, Brian Darwas, turns out to be a really great guy. So, we sat down this morning to b.s. about his process, critics, guerrilla style shooting in New York, guys with leaf blowers, and more.

Make sure to check out Get My Gun on SHUDDER today!

ENJOY!]]>3438falsefullhttps://www.spreaker.com/episode/episode-109-daniel-degnan-makes-a-bold-choice--40506298
Between finishing Greywood's Plot, getting Scumbag going, going to Scotland, and everything else, I have been terrible about podcasting. But I have 4 more amazing guests lined up that I couldn't be more excited about!

This week... not so much...

JKJKJJJjjjjkkkjJKJKKJJJKJjjjkkk!!!! This week I was blessed to be joined by Daniel to talk about things I've talked about with Jenny. Daniel gives us the skinny on an audition he went to for a movie that's NOT being made by me. We also do some really awful Italian impressions and pontificate about the Super Mario Bros movie.]]>tag:soundcloud,2010:tracks/687070396Thu, 26 Sep 2019 13:26:17 +0000Josh StifterHoly Meatballs! We're back! Between finishing Greywood's Plot, getting Scumbag going, going to Scotland, and everything else, I have been terrible about podcasting. But I have 4 more amazing guests lined up that I couldn't be more excited about!...
Between finishing Greywood's Plot, getting Scumbag going, going to Scotland, and everything else, I have been terrible about podcasting. But I have 4 more amazing guests lined up that I couldn't be more excited about!

This week... not so much...

JKJKJJJjjjjkkkjJKJKKJJJKJjjjkkk!!!! This week I was blessed to be joined by Daniel to talk about things I've talked about with Jenny. Daniel gives us the skinny on an audition he went to for a movie that's NOT being made by me. We also do some really awful Italian impressions and pontificate about the Super Mario Bros movie.]]>4340falsefullhttps://www.spreaker.com/episode/episode-107-john-bivens-draws-heavy-metal--40506303
This week I was able to head over to the World Monster HQ studio to sit down and chat with John Bivens about comic book art, old comic stores, how he got into working on the amazing projects he's been a part of and SO much more.

If you want to check out John's work head over to his site and/or follow him on social media at any of these locations:

http://john-bivens.com/

twitter - @John_Bivens
instagram - https://www.instagram.com/bivensjohn/
facebook - https://www.facebook.com/ArtOfJohnThomasBivens?ref=nf

CHEERS!

Josh]]>tag:soundcloud,2010:tracks/670047515Fri, 23 Aug 2019 17:38:40 +0000Josh StifterAnother Sunday. Another art and inspiration filled podcast! This week I was able to head over to the World Monster HQ studio to sit down and chat with John Bivens about comic book art, old comic stores, how he got into working on the amazing...
This week I was able to head over to the World Monster HQ studio to sit down and chat with John Bivens about comic book art, old comic stores, how he got into working on the amazing projects he's been a part of and SO much more.

If you want to check out John's work head over to his site and/or follow him on social media at any of these locations:

http://john-bivens.com/

twitter - @John_Bivens
instagram - https://www.instagram.com/bivensjohn/
facebook - https://www.facebook.com/ArtOfJohnThomasBivens?ref=nf

CHEERS!

Josh]]>3670falsefullhttps://www.spreaker.com/episode/episode-106-ryan-prows-jumps-genres--40506351
On this weeks episode, I hopped on skype to chat with the amazingly talented RYAN PROWS about everything from making films in highschool to his opinions on film school now that he's made a movie. We also discuss our first features, collaborating with a team, adventures on the film festival circuit, why we don't watch TV shows very often, and when waiting to make something becomes too much and you have to just go out and do it yourself!

You can watch LOWLIFE right now on Hulu or get the BluRay that's packed with bonus content.

AND FOLLOW RYAN on SOCIAL MEDIA to keep up with everything he's working on -

@ryanprows

CHEERS!

Josh]]>tag:soundcloud,2010:tracks/666277463Thu, 15 Aug 2019 17:35:04 +0000Josh StifterIt's pretty rare that I get nervous before a podcast, but it's also pretty rare that I see a movie but an independent filmmaker that strikes me in the way that Lowlife did! On this weeks episode, I hopped on skype to chat with the amazingly talented...
On this weeks episode, I hopped on skype to chat with the amazingly talented RYAN PROWS about everything from making films in highschool to his opinions on film school now that he's made a movie. We also discuss our first features, collaborating with a team, adventures on the film festival circuit, why we don't watch TV shows very often, and when waiting to make something becomes too much and you have to just go out and do it yourself!

You can watch LOWLIFE right now on Hulu or get the BluRay that's packed with bonus content.

AND FOLLOW RYAN on SOCIAL MEDIA to keep up with everything he's working on -

@ryanprows

CHEERS!

Josh]]>3615falsefullhttps://www.spreaker.com/episode/episode-104-dallas-gibson-writes-movies--40506308
Follow Dallas on Social Media and check out his screenplays on amazon!

https://twitter.com/thedallasgibson

https://www.madkodeyfilms.com/

THE GLADE Screenplay is on AMAZON NOW! Just search Dallas Gibson The Glade.

CHEERS!
Josh Stifter]]>tag:soundcloud,2010:tracks/659854724Thu, 01 Aug 2019 22:58:06 +0000Josh StifterI found time, even with my ridiculously busy schedule these days, to chat with the really awesome Dallas Gibson about his writing process, filmmaking, getting work published and seen, and so much more. It was a wonderfully chill little chat and it...
Follow Dallas on Social Media and check out his screenplays on amazon!

https://twitter.com/thedallasgibson

https://www.madkodeyfilms.com/

THE GLADE Screenplay is on AMAZON NOW! Just search Dallas Gibson The Glade.

CHEERS!
Josh Stifter]]>3441falsefullhttps://www.spreaker.com/episode/episode-103-sean-ashley-makes-trash--40506356
Sean Ashley is one of these people who has inspired me.

He created a no budget film, Homicide McLeod, that was not only fun to watch, it was picked up by Troma Entertainment and has built a cult following of fans. His persistence and DIY spirit proves that "one mans trash is another mans treasure" truly applies to film making.

On this episode, Sean and I talk about making our first features, getting something done and putting it out there, the challenges of finishing a project, comic book convention experiences, and much more!



You can check out Homicide McLeod on TROMA NOW! and make sure to follow along as Sean makes Homicide McLeod 2: Homicide Never Dies (HAHAHA)

Follow Sean at:
Twitter - @HomicideMcLeod
Instagram - @rtrashley

CHEERS!]]>tag:soundcloud,2010:tracks/653459447Fri, 19 Jul 2019 13:22:55 +0000Josh StifterFirst time filmmakers in the digital era are an interesting breed. Many of them aren't trained through filmschool but rather have learned from youtube or trial and error. They often aren't afraid to make something, learn from it, and move on. Some...
Sean Ashley is one of these people who has inspired me.

He created a no budget film, Homicide McLeod, that was not only fun to watch, it was picked up by Troma Entertainment and has built a cult following of fans. His persistence and DIY spirit proves that "one mans trash is another mans treasure" truly applies to film making.

On this episode, Sean and I talk about making our first features, getting something done and putting it out there, the challenges of finishing a project, comic book convention experiences, and much more!



You can check out Homicide McLeod on TROMA NOW! and make sure to follow along as Sean makes Homicide McLeod 2: Homicide Never Dies (HAHAHA)

Follow Sean at:
Twitter - @HomicideMcLeod
Instagram - @rtrashley

CHEERS!]]>4722falsefullhttps://www.spreaker.com/episode/troma-film-director-and-producer-lloyd-kaufman--40506361
LLOYD KAUFMAN called me to chat! Can you believe it!?

In this episode we talked about #shakespearesShitstorm, my animation, his influence on young filmmakers, our love for the film Society, sheep vaginas, Troma documentaries, bootlegs in China, a new Troma/Flush crossover Valentine's Day animation, and so much more.

Lloyd is not only an inspiration, but he's also entertaining as hell.

---------------------------------

For those subscribed to the patreon - The Phantasm episode of The MOVIE Meatloaf podcast should be up now on PATREON as well! It's a goodin'

CHEERS! Have a great week!]]>tag:soundcloud,2010:tracks/646766640Fri, 05 Jul 2019 19:36:27 +0000Josh StifterHoly hanna, I can't believe this happened. LLOYD KAUFMAN called me to chat! Can you believe it!? In this episode we talked about #shakespearesShitstorm, my animation, his influence on young filmmakers, our love for the film Society, sheep vaginas,...
LLOYD KAUFMAN called me to chat! Can you believe it!?

In this episode we talked about #shakespearesShitstorm, my animation, his influence on young filmmakers, our love for the film Society, sheep vaginas, Troma documentaries, bootlegs in China, a new Troma/Flush crossover Valentine's Day animation, and so much more.

Lloyd is not only an inspiration, but he's also entertaining as hell.

---------------------------------

For those subscribed to the patreon - The Phantasm episode of The MOVIE Meatloaf podcast should be up now on PATREON as well! It's a goodin'

CHEERS! Have a great week!]]>2997falsefullhttps://www.spreaker.com/episode/episode-100-with-keith-radichel-and-funky-chunk--40506335
JK JKJKJJ JKJKJ. You all should have received a private screener link in your inbox. If you did see it, shoot me over feedback and fill out the the survey - (https://www.surveymonkey.com/r/WGMN59M) I'm also trying to think of fun ways to discuss the movie, the process, etc. Should we all do a live chat via Discord or Hangouts? Maybe answer some questions?


I'll be posting behind-the-scenes videos over the next few weeks as I start to build my documentary "Starting Fresh"

Anyways....

This episode, EPISODE 100!!!! (insert fanfare and confetti falling), is a really special on. I sat down with my costar of Greywood's Plot and life long friend Keith Radichel LIVE during the patreon rough cut screening. We chatted about growing up together, making movies from a young age, Keith's stubbornness, the process of making Greywood's Plot, and answer a few questions. Keith also explains why you "don't funk with the Chunk."]]>tag:soundcloud,2010:tracks/633174705Fri, 07 Jun 2019 14:06:25 +0000Josh StifterI hope you all enjoyed Greywood's Plot if you were able to watch it. And if you didn't enjoy it or weren't able to watch it, well... TOUGH SHIT! JK JKJKJJ JKJKJ. You all should have received a private screener link in your inbox. If you did see it,...
JK JKJKJJ JKJKJ. You all should have received a private screener link in your inbox. If you did see it, shoot me over feedback and fill out the the survey - (https://www.surveymonkey.com/r/WGMN59M) I'm also trying to think of fun ways to discuss the movie, the process, etc. Should we all do a live chat via Discord or Hangouts? Maybe answer some questions?


I'll be posting behind-the-scenes videos over the next few weeks as I start to build my documentary "Starting Fresh"

Anyways....

This episode, EPISODE 100!!!! (insert fanfare and confetti falling), is a really special on. I sat down with my costar of Greywood's Plot and life long friend Keith Radichel LIVE during the patreon rough cut screening. We chatted about growing up together, making movies from a young age, Keith's stubbornness, the process of making Greywood's Plot, and answer a few questions. Keith also explains why you "don't funk with the Chunk."]]>2917falsefullhttps://www.spreaker.com/episode/episode-99-john-brennan-fights-trolls-and-makes-tunes--40506317
We discuss our introductions to Troma, old movie rental stores, horror films, making music, Joe Bob Briggs' amazing Shudder show LAST DRIVE-IN and how he got involved, script writing, Shakespeare's Shitstorm, lizard shit, Tromagate, and much more. This was one full episode!

Make sure to follow John on social media @badtechno and check out his website - http://www.badtechno.com/

-------------------------------
THIS IS THE WEEK EVERYBODY!

Friday, only on patreon, you be able to be part of the TEST SCREENING of Greywood's Plot. This is a rough cut with sloppy sound, missing visual effects, temp score, and some other unfinished features... and that's a good thing!

You'll actually be able to be a part of the film making process by tuning into this test screening. Help us improve the movie. Help us get it done. Help me help you!

Shit. I just went full Jerry Maguire, didn't I? Oh well.

Anyways, make sure to share the teaser trailer - https://youtu.be/XGOPFAHXv-s

CHEERS!
Josh]]>tag:soundcloud,2010:tracks/626882337Sun, 26 May 2019 15:01:14 +0000Josh StifterThis weeks guest was fantastic. Not only is John Brennan a huge inspiration to me, but he's also just downright fun to talk to. We discuss our introductions to Troma, old movie rental stores, horror films, making music, Joe Bob Briggs' amazing...
We discuss our introductions to Troma, old movie rental stores, horror films, making music, Joe Bob Briggs' amazing Shudder show LAST DRIVE-IN and how he got involved, script writing, Shakespeare's Shitstorm, lizard shit, Tromagate, and much more. This was one full episode!

Make sure to follow John on social media @badtechno and check out his website - http://www.badtechno.com/

-------------------------------
THIS IS THE WEEK EVERYBODY!

Friday, only on patreon, you be able to be part of the TEST SCREENING of Greywood's Plot. This is a rough cut with sloppy sound, missing visual effects, temp score, and some other unfinished features... and that's a good thing!

You'll actually be able to be a part of the film making process by tuning into this test screening. Help us improve the movie. Help us get it done. Help me help you!

Shit. I just went full Jerry Maguire, didn't I? Oh well.

Anyways, make sure to share the teaser trailer - https://youtu.be/XGOPFAHXv-s

CHEERS!
Josh]]>4909falsefullhttps://www.spreaker.com/episode/episode-97-with-alex-ferrari--40506323
Indie Film Hustles own ALEX FERRARI is here to discuss the indie spirit, how to hustle, his new movie, and his new book!

We dive into topics such as his start in the industry, meditation, diet, what the true spirit of indie filmmaking is, being self aware, earthing, shooting a movie AT Sundance (yes, you read that right), working for the devil and how that came to be, and so much more.

This really was one of my favorite podcasts I've ever done :)



-FOLLOW ALEX ON SOCIAL MEDIA AND CHECK OUT ALL OF HIS CONTENT-

Twitter - @indieFilmHustle
Facebook - https://www.facebook.com/indiefilmhustle
Get his book now at shootingforthemob.com
See where to see his movie at egoanddesirefilm.com
And get all the INDIE FILM HUSTLE info at indiefilmhustle.com

----------------------

Also, check out Alejandro Montoya Marin's TIPS TO CROWDFUNDING YOUR MOVIE on my patreon now!

----------------------

Remember, May 31st will be the TEST SCREENING of Greywood's Plot!

MAY 18th and 19th, I'll be appearing at Spring Con in Minneapolis. Come say hi, get some The Good Exorcist merch or a Greywood's Plot poster. And make sure to ask me about my bootleg :)

I hope to see you there.

CHEERS!

Josh Stifter]]>tag:soundcloud,2010:tracks/619904346Mon, 13 May 2019 13:09:48 +0000Josh StifterIt's another week and another really riveting, raw, and amazing podcast. Indie Film Hustles own ALEX FERRARI is here to discuss the indie spirit, how to hustle, his new movie, and his new book! We dive into topics such as his start in the...
Indie Film Hustles own ALEX FERRARI is here to discuss the indie spirit, how to hustle, his new movie, and his new book!

We dive into topics such as his start in the industry, meditation, diet, what the true spirit of indie filmmaking is, being self aware, earthing, shooting a movie AT Sundance (yes, you read that right), working for the devil and how that came to be, and so much more.

This really was one of my favorite podcasts I've ever done :)



-FOLLOW ALEX ON SOCIAL MEDIA AND CHECK OUT ALL OF HIS CONTENT-

Twitter - @indieFilmHustle
Facebook - https://www.facebook.com/indiefilmhustle
Get his book now at shootingforthemob.com
See where to see his movie at egoanddesirefilm.com
And get all the INDIE FILM HUSTLE info at indiefilmhustle.com

----------------------

Also, check out Alejandro Montoya Marin's TIPS TO CROWDFUNDING YOUR MOVIE on my patreon now!

----------------------

Remember, May 31st will be the TEST SCREENING of Greywood's Plot!

MAY 18th and 19th, I'll be appearing at Spring Con in Minneapolis. Come say hi, get some The Good Exorcist merch or a Greywood's Plot poster. And make sure to ask me about my bootleg :)

I hope to see you there.

CHEERS!

Josh Stifter]]>5252falsefullhttps://www.spreaker.com/episode/episode-96-alejandro-talks-about-crowd-funding--40506320
Alejandro Montoya Marin is slippin' his way back onto the podcast to bullshit about a TON of important stuff, primarily CROWD FUNDING YOUR MOVIE!

We tackle topics like the amount of work that goes into an IndieGoGo campaign, the toll it takes physically and mentally on someone, the fun that can come from it, and the confidence it can give you. Ale explains how he reached out to people, found podcasts to go on, and his general marketing campaign.

He also provided some EXCLUSIVE Behind-the-Scenes photos EXCLUSIVELY on my patreon!

Make sure to follow Alejandro on Social Media!
twitter - @fourpoint5films
Instagram - alejandromontoyamarin
Facebook - https://www.facebook.com/FilmmakerAMM/]]>tag:soundcloud,2010:tracks/618001527Thu, 09 May 2019 13:49:18 +0000Josh StifterHe's back, everyone! Alejandro Montoya Marin is slippin' his way back onto the podcast to bullshit about a TON of important stuff, primarily CROWD FUNDING YOUR MOVIE! We tackle topics like the amount of work that goes into an IndieGoGo campaign,...
Alejandro Montoya Marin is slippin' his way back onto the podcast to bullshit about a TON of important stuff, primarily CROWD FUNDING YOUR MOVIE!

We tackle topics like the amount of work that goes into an IndieGoGo campaign, the toll it takes physically and mentally on someone, the fun that can come from it, and the confidence it can give you. Ale explains how he reached out to people, found podcasts to go on, and his general marketing campaign.

He also provided some EXCLUSIVE Behind-the-Scenes photos EXCLUSIVELY on my patreon!

Make sure to follow Alejandro on Social Media!
twitter - @fourpoint5films
Instagram - alejandromontoyamarin
Facebook - https://www.facebook.com/FilmmakerAMM/]]>3579falsefullhttps://www.spreaker.com/episode/episode-95-with-antonio-panotoja-parttwo--40506341
In this episode, we chat about film festivals, stealing ideas, the fear of not accomplishing something, attempting to be prolific, self actualizing, filling out the form to go on Rebel, and so much more.

Make sure to check out ONE MUST FALL if it's in your location and keep up to date by following Antonio on Social Media! Twitter: @antoniopantoja Instagram: @antoniopantoja AND Check out the Trailer for One Must Fall: https://www.youtube.com/watch?v=UAT6l5npavI

ALSO, check out the video of Antonio on LIVE TV - https://www.facebook.com/antonio.pantoja1/videos/10161642062840565/UzpfSTY5NzcxNTU2NDozMDYwNjExMjk0OTk0MTQ6MTA6MDoxNTU2NjkzOTk5OjEyMjkxNTU5MDcwNTkwMDgwOTE/

----------------------

The OFFICIAL new Podcast schedule starting this week. New episodes on Sunday exclusively for patrons. Then the episodes will go live to the public every Thursday morning. How does that sound?

I've already got some amazing guests lined up including the two parter with Antonio Pantoja, an episode about crowdfunding with Alex Montoya Marin, the inaugural episode of The Movie Meatloaf Podshow, indie film guru Alex Ferrari, what I assume will be one of my most ridiculous episodes yet withAvery Merrifield, the 100TH EPISODE GREYWOOD'S PLOT SPECTACULAR, and a SUPER special guest that I'm too nervous to announce already... Who's excited?

----------------------

Remember, May 31st will be the TEST SCREENING of Greywood's Plot!

MAY 18th and 19th, I'll be appearing at Spring Con in Minneapolis. Come say hi, get some The Good Exorcist merch or a Greywood's Plot poster. And make sure to ask me about my bootleg :)

I hope to see you there.

CHEERS!

Josh Stifter]]>tag:soundcloud,2010:tracks/614626389Thu, 02 May 2019 13:37:57 +0000Josh StifterHe's back for a second part! Antonio and I bullshitted for so long, I had to split this episode into twosies but we FINALLY in part 2 get to the topic he originally came on for. In this episode, we chat about film festivals, stealing ideas, the fear...
In this episode, we chat about film festivals, stealing ideas, the fear of not accomplishing something, attempting to be prolific, self actualizing, filling out the form to go on Rebel, and so much more.

Make sure to check out ONE MUST FALL if it's in your location and keep up to date by following Antonio on Social Media! Twitter: @antoniopantoja Instagram: @antoniopantoja AND Check out the Trailer for One Must Fall: https://www.youtube.com/watch?v=UAT6l5npavI

ALSO, check out the video of Antonio on LIVE TV - https://www.facebook.com/antonio.pantoja1/videos/10161642062840565/UzpfSTY5NzcxNTU2NDozMDYwNjExMjk0OTk0MTQ6MTA6MDoxNTU2NjkzOTk5OjEyMjkxNTU5MDcwNTkwMDgwOTE/

----------------------

The OFFICIAL new Podcast schedule starting this week. New episodes on Sunday exclusively for patrons. Then the episodes will go live to the public every Thursday morning. How does that sound?

I've already got some amazing guests lined up including the two parter with Antonio Pantoja, an episode about crowdfunding with Alex Montoya Marin, the inaugural episode of The Movie Meatloaf Podshow, indie film guru Alex Ferrari, what I assume will be one of my most ridiculous episodes yet withAvery Merrifield, the 100TH EPISODE GREYWOOD'S PLOT SPECTACULAR, and a SUPER special guest that I'm too nervous to announce already... Who's excited?

----------------------

Remember, May 31st will be the TEST SCREENING of Greywood's Plot!

MAY 18th and 19th, I'll be appearing at Spring Con in Minneapolis. Come say hi, get some The Good Exorcist merch or a Greywood's Plot poster. And make sure to ask me about my bootleg :)

I hope to see you there.

CHEERS!

Josh Stifter]]>3876falsefullhttps://www.spreaker.com/episode/episode-94-with-antonio-panotoja-part-one--40506387
It's always a blast to have him on, and because it's such a blast, it only goes much longer than expected. Which is why this episode has been divided into two episodes. If you're a patreon subscriber you can listen to both episodes now (with a bonus PATREON EXCLUSIVE podcast with Jennifer next Sunday)

On this first episode, we talk about all sorts of film-making stuff like building your audience, helping your community, realizing that you don't need to fear someone stealing your style, breaking my Les Paul, come up with ideas for a movie, studios wanting trailer moments, and TONS MORE!



Make sure to check out ONE MUST FALL if it's in your location and keep up to date by following Antonio on Social Media!

Twitter: @antoniopantoja
Instagram: @antoniopantoja
AND
Check out the Trailer for One Must Fall:
https://www.youtube.com/watch?v=UAT6l5npavI

ALSO, check out the video of Antonio on LIVE TV -
https://www.facebook.com/antonio.pantoja1/videos/10161642062840565/UzpfSTY5NzcxNTU2NDozMDYwNjExMjk0OTk0MTQ6MTA6MDoxNTU2NjkzOTk5OjEyMjkxNTU5MDcwNTkwMDgwOTE/

----------------------

The OFFICIAL new Podcast schedule starting this week. New episodes on Sunday exclusively for patrons. Then the episodes will go live to the public every Thursday morning. How does that sound?

I've already got some amazing guests lined up including the two parter with Antonio Pantoja, an episode about crowdfunding with Alex Montoya Marin, the inaugural episode of The Movie Meatloaf Podshow, indie film guru Alex Ferrari, what I assume will be one of my most ridiculous episodes yet withAvery Merrifield, the 100TH EPISODE GREYWOOD'S PLOT SPECTACULAR, and a SUPER special guest that I'm too nervous to announce already... Who's excited?

----------------------

Remember, May 31st will be the TEST SCREENING of Greywood's Plot!

MAY 18th and 19th, I'll be appearing at Spring Con in Minneapolis. Come say hi, get some The Good Exorcist merch or a Greywood's Plot poster. And make sure to ask me about my bootleg :)

I hope to see you there.

CHEERS!

Josh Stifter]]>tag:soundcloud,2010:tracks/611173965Thu, 25 Apr 2019 12:17:37 +0000Josh StifterIt's been an honor to be able to call Antonio Pantoja a friend and at this point, he's basically become like my podcast cohost... It's always a blast to have him on, and because it's such a blast, it only goes much longer than expected. Which is why...
It's always a blast to have him on, and because it's such a blast, it only goes much longer than expected. Which is why this episode has been divided into two episodes. If you're a patreon subscriber you can listen to both episodes now (with a bonus PATREON EXCLUSIVE podcast with Jennifer next Sunday)

On this first episode, we talk about all sorts of film-making stuff like building your audience, helping your community, realizing that you don't need to fear someone stealing your style, breaking my Les Paul, come up with ideas for a movie, studios wanting trailer moments, and TONS MORE!



Make sure to check out ONE MUST FALL if it's in your location and keep up to date by following Antonio on Social Media!

Twitter: @antoniopantoja
Instagram: @antoniopantoja
AND
Check out the Trailer for One Must Fall:
https://www.youtube.com/watch?v=UAT6l5npavI

ALSO, check out the video of Antonio on LIVE TV -
https://www.facebook.com/antonio.pantoja1/videos/10161642062840565/UzpfSTY5NzcxNTU2NDozMDYwNjExMjk0OTk0MTQ6MTA6MDoxNTU2NjkzOTk5OjEyMjkxNTU5MDcwNTkwMDgwOTE/

----------------------

The OFFICIAL new Podcast schedule starting this week. New episodes on Sunday exclusively for patrons. Then the episodes will go live to the public every Thursday morning. How does that sound?

I've already got some amazing guests lined up including the two parter with Antonio Pantoja, an episode about crowdfunding with Alex Montoya Marin, the inaugural episode of The Movie Meatloaf Podshow, indie film guru Alex Ferrari, what I assume will be one of my most ridiculous episodes yet withAvery Merrifield, the 100TH EPISODE GREYWOOD'S PLOT SPECTACULAR, and a SUPER special guest that I'm too nervous to announce already... Who's excited?

----------------------

Remember, May 31st will be the TEST SCREENING of Greywood's Plot!

MAY 18th and 19th, I'll be appearing at Spring Con in Minneapolis. Come say hi, get some The Good Exorcist merch or a Greywood's Plot poster. And make sure to ask me about my bootleg :)

I hope to see you there.

CHEERS!

Josh Stifter]]>2803falsefullhttps://www.spreaker.com/episode/episode-91-dan-lotz--40506316
I plan to do something really special for episode 100. Maybe the whole Greywood's crew in a drunken round table discussion?! WITH VIDEO!?.... What do you all think of that?

This week, I had the pleasure of bullsh!tt!n' with filmmaker and fellow patreon filmmaker Dan Lotz. He's been an amazing inspiration as to what you can do with no budget and I haven't even seen his film yet.

In this episode we discuss where budget goes on a nearly zero budget film, how he felt about not getting on Rebel Without A Crew, Dan's movie The Long Con, how you make the most of locations, how to get around the competitive urge to put down other filmmakers, and why making a feature for no money is so exciting.

This is a film heavy podcast, but I think it's an interesting conversation for everyone!

Give it a listen, yo!

------------------------

Follow Dan on Social Medias-
PATREON - patreon.com/5dollarfilmschool
twitter - @danlotz
instagram - @danfilmman
Youtube - Dan Lotz on youtube]]>tag:soundcloud,2010:tracks/602820933Mon, 08 Apr 2019 14:56:18 +0000Josh StifterBLAM! Can you believe it? We're already at podcast episode 91! I plan to do something really special for episode 100. Maybe the whole Greywood's crew in a drunken round table discussion?! WITH VIDEO!?.... What do you all think of that? This week, I...
I plan to do something really special for episode 100. Maybe the whole Greywood's crew in a drunken round table discussion?! WITH VIDEO!?.... What do you all think of that?

This week, I had the pleasure of bullsh!tt!n' with filmmaker and fellow patreon filmmaker Dan Lotz. He's been an amazing inspiration as to what you can do with no budget and I haven't even seen his film yet.

In this episode we discuss where budget goes on a nearly zero budget film, how he felt about not getting on Rebel Without A Crew, Dan's movie The Long Con, how you make the most of locations, how to get around the competitive urge to put down other filmmakers, and why making a feature for no money is so exciting.

This is a film heavy podcast, but I think it's an interesting conversation for everyone!

Give it a listen, yo!

------------------------

Follow Dan on Social Medias-
PATREON - patreon.com/5dollarfilmschool
twitter - @danlotz
instagram - @danfilmman
Youtube - Dan Lotz on youtube]]>4636falsefullhttps://www.spreaker.com/episode/podcast-episode-89-sxsw-2018-retrospective--40506395
*BONUS* Stay tuned after the closing theme for a bonus podcast with Raphie!]]>tag:soundcloud,2010:tracks/597544515Thu, 28 Mar 2019 22:08:01 +0000Josh StifterJenny and I had an extra hour to sit down and chit-chat about last years SXSW adventure. We talk about our favorite moments from 2018's SXSW, what we love about Austin, and how I fear this year being less fun. We also talk about how relative success...
*BONUS* Stay tuned after the closing theme for a bonus podcast with Raphie!]]>2807falsefullhttps://www.spreaker.com/episode/episode-87-peter-mahaffey-part-two--40506322
ENJOY!]]>tag:soundcloud,2010:tracks/584882694Mon, 04 Mar 2019 18:18:52 +0000Josh StifterHere's the second part of my interview with Peter Mahaffey about shooting his 16mm movie! In this episode he talks about working with his cast and more challenges to working with the equipment he had! ENJOY!
ENJOY!]]>4613falsefullhttps://www.spreaker.com/episode/episode-86-peter-mahaffey-part-one--40506362tag:soundcloud,2010:tracks/575288220Thu, 14 Feb 2019 14:53:09 +0000Josh StifterThis week I'm joined by filmmaker and Rebel Without A Crew reality crew member Peter Mahaffey to talk about his adventure in 16mm filmmaking. Peter has A LOT to say, so this episode is being split into two parts. Hear about the process of shooting a...3907falsefullhttps://www.spreaker.com/episode/episode-85-antonio-pantoja--40506380
ENJOY.

Follow Antonio on Social Media:
Twitter: @antoniopantoja
Instagram: @antoniopantoja
AND
Check out the Trailer for One Must Fall:
https://www.youtube.com/watch?v=UAT6l5npavI]]>tag:soundcloud,2010:tracks/570552933Tue, 05 Feb 2019 15:24:56 +0000Josh StifterOn this weeks episode of the podcast, I'm joined by "One Must Fall" writer and director Antonio Pantoja to talk about making our first features. We discuss the process of starting preproduction, things that can go wrong when making no budget films,...
ENJOY.

Follow Antonio on Social Media:
Twitter: @antoniopantoja
Instagram: @antoniopantoja
AND
Check out the Trailer for One Must Fall:
https://www.youtube.com/watch?v=UAT6l5npavI]]>6005falsefullhttps://www.spreaker.com/episode/episode-84-alejandro-returns--40506355
Go help Ale make his next movie MILLENNIUM BUGS here : https://www.indiegogo.com/projects/millennium-bugs-film?fbclid=IwAR17b8-WnRbBGjpnfuy3Wsa6ggosg8HxS-1MH3INbmt2Gh09P_eqUccpCZQ#

Anything helps. Spread the word and get this fuggin' movie made.

ENJOY!]]>tag:soundcloud,2010:tracks/567301296Wed, 30 Jan 2019 20:14:18 +0000Josh StifterOn a brand new Flush Studios Podcast, Alejandro Montoya Marin returns to discuss filmmaking, getting into film, and crowd sourcing his next movie. Go help Ale make his next movie MILLENNIUM BUGS here :...
Go help Ale make his next movie MILLENNIUM BUGS here : https://www.indiegogo.com/projects/millennium-bugs-film?fbclid=IwAR17b8-WnRbBGjpnfuy3Wsa6ggosg8HxS-1MH3INbmt2Gh09P_eqUccpCZQ#

Anything helps. Spread the word and get this fuggin' movie made.

ENJOY!]]>5408falsefullhttps://www.spreaker.com/episode/episode-83-troma-s-arlo-sanchez--40506324tag:soundcloud,2010:tracks/562598814Mon, 21 Jan 2019 21:25:09 +0000Josh StifterThis week, I have the pleasure of hopping on skype to talk to Troma Entertainment's Director of Sales and Marketing Arlo Sanchez. We discuss our love of movies, how Troma and Troublemaker have effected us, how he got started at Troma, and tell tales...4791falsefullhttps://www.spreaker.com/episode/episode-82-with-kanan-capshaw--40506402
This week I'm joined by Rebel Without a Crew editor and Headphones director Kanan Capshaw to talk about movie making, being a part of reality TV, starting in the industry, having film parent, and facing the fears filmmakers deal with.

This and so much more!]]>tag:soundcloud,2010:tracks/558889371Mon, 14 Jan 2019 15:39:51 +0000Josh StifterHere's a new episode of the Podcast! This week I'm joined by Rebel Without a Crew editor and Headphones director Kanan Capshaw to talk about movie making, being a part of reality TV, starting in the industry, having film parent, and facing the fears...
This week I'm joined by Rebel Without a Crew editor and Headphones director Kanan Capshaw to talk about movie making, being a part of reality TV, starting in the industry, having film parent, and facing the fears filmmakers deal with.

This and so much more!]]>4816falsefullhttps://www.spreaker.com/episode/episode-69-josh-and-daniel-wine-and-whine-part-three--40506353
We also have a BIG announcement on this episode.... ENJOY!]]>tag:soundcloud,2010:tracks/481609230Sun, 05 Aug 2018 23:39:35 +0000Josh StifterWe're back for the finale of our trilogy of winin' and cryin' podcasts. This time we're about 5 glasses in and getting a little silly. We also have a BIG announcement on this episode.... ENJOY!
We also have a BIG announcement on this episode.... ENJOY!]]>2985falsefullhttps://www.spreaker.com/episode/episode-68-josh-and-daniel-wine-and-whine-part-two--40506360
This week, Daniel and I discuss Daniel's acting career. Josh also discusses what made Rebel Without A Crew great but what's going to make going into Greywood's Plot without a reality crew easier. They also go way down a rabbit-hole into a nonsensical metaphor and try to talk about what life is like after Rebel Without A Crew: The Series.

This and so god damn much more!!!

Remember to share this podcast with your friends. Tell them about the patreon, Flush Studios, our youtube, the screening coming up on August 22nd, and everything else. Thanks.]]>tag:soundcloud,2010:tracks/478646856Mon, 30 Jul 2018 12:39:07 +0000Josh StifterIt's Monday, and that means a brand new podcast! This week, Daniel and I discuss Daniel's acting career. Josh also discusses what made Rebel Without A Crew great but what's going to make going into Greywood's Plot without a reality crew easier. They...
This week, Daniel and I discuss Daniel's acting career. Josh also discusses what made Rebel Without A Crew great but what's going to make going into Greywood's Plot without a reality crew easier. They also go way down a rabbit-hole into a nonsensical metaphor and try to talk about what life is like after Rebel Without A Crew: The Series.

This and so god damn much more!!!

Remember to share this podcast with your friends. Tell them about the patreon, Flush Studios, our youtube, the screening coming up on August 22nd, and everything else. Thanks.]]>3591falsefullhttps://www.spreaker.com/episode/episode-67-josh-and-daniel-wine-and-whine-part-one--40506386We also discuss Dan's beard.

Movies, wine, and dads having a good time! Tune in next week for Part 2 of the Wine and Whine series and hear more of Josh and Dan's plans moving forward with Flush Studios.]]>tag:soundcloud,2010:tracks/476057607Tue, 24 Jul 2018 14:14:46 +0000Josh StifterDaniel and I got together for the first of a three part series where we discuss our past, our present and our future as we sip on red wine. In this episode, we dive deep into how are childhood influenced my film making style and the way we go about...We also discuss Dan's beard.

Movies, wine, and dads having a good time! Tune in next week for Part 2 of the Wine and Whine series and hear more of Josh and Dan's plans moving forward with Flush Studios.]]>4807falsefullhttps://www.spreaker.com/episode/episode-66-mike-owens-art-attack-part-two--40506401It's been a while since I've posted a podcast, so I figured I'd give you all a treat and post an episode of the show that I really loved that was, until now, buried under the $1 patreon subscription. Mike has since this episode gone on to win an Emmy and I've finished a feature film, so it's cool to dig back into the vault before these successes.

The conversation with Mike continues from part one as Josh tells a story about attacking ducks and being very awkward in front of mowers. Then, Mike goes on to tell the most amazing story of proving his manhood by nearly dying.

This and much, much more!]]>tag:soundcloud,2010:tracks/473889099Thu, 19 Jul 2018 16:14:46 +0000Josh StifterHERE'S A THROWBACK EPISODE!!! It's been a while since I've posted a podcast, so I figured I'd give you all a treat and post an episode of the show that I really loved that was, until now, buried under the $1 patreon subscription. Mike has since this...It's been a while since I've posted a podcast, so I figured I'd give you all a treat and post an episode of the show that I really loved that was, until now, buried under the $1 patreon subscription. Mike has since this episode gone on to win an Emmy and I've finished a feature film, so it's cool to dig back into the vault before these successes.

The conversation with Mike continues from part one as Josh tells a story about attacking ducks and being very awkward in front of mowers. Then, Mike goes on to tell the most amazing story of proving his manhood by nearly dying.

This and much, much more!]]>4641falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-commentary-ryan-crow--40506372We also talk about being buried underground and how I got on Rebel Without A Crew.

That and so much more!]]>tag:soundcloud,2010:tracks/463202388Mon, 25 Jun 2018 14:07:31 +0000Josh StifterWhile in LA, I had the opportunity to sit down with Ryan Crow, show runner and all around good guy, to discuss how he began his career in television, how the Rebel Without A Crew got started, the process in which the filmmakers were chosen, and where...We also talk about being buried underground and how I got on Rebel Without A Crew.

That and so much more!]]>5303falsefullhttps://www.spreaker.com/episode/josh-and-scarlet-dreamcast--40506357tag:soundcloud,2010:tracks/461404701Thu, 21 Jun 2018 14:09:21 +0000Josh StifterScarlet and I sat down at Casa de Elvis the Dog to discuss how Scarlet is the "famous one" on Rebel and what it's like now that the show is over. We also talked a lot about dreams and why Scarlet hates when I call my movie stupid.... ENJOY!!!3251falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-commentary-episode-12-with-alejandro-montoya-marin--40506404
If you all want more podcasts from the two of us, make sure to comment below and/or subscribe to the patreon! We'd love to do more but only if people are going to listen, so let us know that you listened!!!]]>tag:soundcloud,2010:tracks/454612404Wed, 06 Jun 2018 14:03:14 +0000Josh StifterAlejandro and I got together to do our commentary and answer your questions about the FINAL episode of Rebel Without A Crew. We discuss seeing our movies together, taking a photo with Robert, SXSW, what we want to do next, who we would've cast in our...
If you all want more podcasts from the two of us, make sure to comment below and/or subscribe to the patreon! We'd love to do more but only if people are going to listen, so let us know that you listened!!!]]>3567falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-commentary-episode-11-with-jennifer-stifter--40506373In this episode we talk about the importance of the sizzle reel, meeting with Robert for the last time, working together to finish the projects, and my inability to be sentimental.]]>tag:soundcloud,2010:tracks/454611018Wed, 06 Jun 2018 13:58:44 +0000Josh StifterJenny and I have been crazy busy doing screenings, taking a mini-vacation, trying to get some short films and other art done, and more... so Jenny was very, very tired on this commentary. Nevertheless, we muscled through it to talk about my favorite...In this episode we talk about the importance of the sizzle reel, meeting with Robert for the last time, working together to finish the projects, and my inability to be sentimental.]]>2029falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-commentary-episode-10-with-jennifer-stifter--40506370
All this and more!]]>tag:soundcloud,2010:tracks/448064625Wed, 23 May 2018 14:39:38 +0000Josh StifterIt's another episode of Rebel Without A Crew and that means another podcast commentary where I indulge in discussing how I feel. This time, I'm joined by my beautiful wife to discuss the things I wish had been shown. Pierce Brosnan tries to ruin my...
All this and more!]]>3154falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-commentary-episode-9-with-alejandro--40506408BOYS NIGHT IN!

I was joined by Alejandro "Alejandor" Montoya Marin to discuss episode 9 and answer your questions on this weeks podcast. Listen as we direct each others movies, eat all of the foods, and use too many bad words.

ENJOY!]]>tag:soundcloud,2010:tracks/448061358Wed, 23 May 2018 14:30:42 +0000Josh StifterOOOOOOOOooooOOooo!!!!11!1111 BOYS NIGHT IN! I was joined by Alejandro "Alejandor" Montoya Marin to discuss episode 9 and answer your questions on this weeks podcast. Listen as we direct each others movies, eat all of the foods, and use too many bad...BOYS NIGHT IN!

I was joined by Alejandro "Alejandor" Montoya Marin to discuss episode 9 and answer your questions on this weeks podcast. Listen as we direct each others movies, eat all of the foods, and use too many bad words.

ENJOY!]]>3642falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-commentary-episode-8-with-john-staffler--40506375
In this podcast, I discuss my inner struggles and emotional journey up until this point on the show. I also discuss my nervousness of directing someone in their "grunders" (and explain where grunders comes from)

Plus much, much more!]]>tag:soundcloud,2010:tracks/441435555Wed, 09 May 2018 03:13:49 +0000Josh StifterI'm flying solo for this and getting VERY personal. This might be the worst podcast every recorded, but I hope you all can enjoy listening to me divulge some personal information and dig really deep into this weeks episode of Rebel Without A Crew....
In this podcast, I discuss my inner struggles and emotional journey up until this point on the show. I also discuss my nervousness of directing someone in their "grunders" (and explain where grunders comes from)

Plus much, much more!]]>3103falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-commentary-episode-7-with-daniel-degnan--40506429
I was joined by Daniel Degnan to discuss the seventh episode of RWAC. In this episode we talk about snow melting, getting sick, getting drunk, hugging, and rebelling. We also chat about Rebel episode 7, Daniel meeting Robert, me giving myself chills, and much more!

You're in for a treat...]]>tag:soundcloud,2010:tracks/438283359Wed, 02 May 2018 13:56:01 +0000Josh StifterSo it's come to this. THE GREATEST CONVERSATION EVER HAD! I was joined by Daniel Degnan to discuss the seventh episode of RWAC. In this episode we talk about snow melting, getting sick, getting drunk, hugging, and rebelling. We also chat about Rebel...
I was joined by Daniel Degnan to discuss the seventh episode of RWAC. In this episode we talk about snow melting, getting sick, getting drunk, hugging, and rebelling. We also chat about Rebel episode 7, Daniel meeting Robert, me giving myself chills, and much more!

You're in for a treat...]]>4532falsefullhttps://www.spreaker.com/episode/flush-studios-podcast-with-bonnie-kathleen-ryan--40506388
It's taken some time but I had the pleasure to have Bonnie (known on Rebel as BK) on the podcast to tell me a little more about herself and why she makes films! We discuss topics including nicknames, making kids pay to watch you perform, oatmeal, trying to be original, and crying.

This and much more!
Follow Bonnie on instagram: @bonniekathleenryan]]>tag:soundcloud,2010:tracks/437907921Tue, 01 May 2018 18:13:37 +0000Josh StifterFINALLY! It's taken some time but I had the pleasure to have Bonnie (known on Rebel as BK) on the podcast to tell me a little more about herself and why she makes films! We discuss topics including nicknames, making kids pay to watch you perform,...
It's taken some time but I had the pleasure to have Bonnie (known on Rebel as BK) on the podcast to tell me a little more about herself and why she makes films! We discuss topics including nicknames, making kids pay to watch you perform, oatmeal, trying to be original, and crying.

This and much more!
Follow Bonnie on instagram: @bonniekathleenryan]]>3696falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-commentary-6-with-scarlet-moreno--40506345
In this commentary, Scarlet and I discuss what our first few days were like, how we prepped our actors, the stresses involved with those first days, how we felt seeing the other rebels on their sets, how terrible of a cook I am and LOTS more.

#HideTheRaisinBran]]>tag:soundcloud,2010:tracks/437906241Tue, 01 May 2018 18:09:32 +0000Josh StifterWe're halfway through the episodes! On Episode 6 of Rebel we FINALLY get to really see what it's like on Stifter set, which is super exciting for me. We ... don't get to see... as much of Scarlet... BUT THAT'S WHY SHE'S HERE!!!! In this commentary,...
In this commentary, Scarlet and I discuss what our first few days were like, how we prepped our actors, the stresses involved with those first days, how we felt seeing the other rebels on their sets, how terrible of a cook I am and LOTS more.

#HideTheRaisinBran]]>3943falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-commentary-episode-5-with-bola-ogun--40506417
Rebel Without A Crew has a new episode, which means I need to get on the mic and talk about it! This week I was joined by Bola Ogun via skype, to discuss her first day of shooting, our 15 minutes with Robert, what we did in the car when we couldn't listen to music, and how the reality crew made shooting far more difficult.

This and MORE!!!]]>tag:soundcloud,2010:tracks/437904543Tue, 01 May 2018 18:06:00 +0000Josh StifterEpisode 5 already!?! Rebel Without A Crew has a new episode, which means I need to get on the mic and talk about it! This week I was joined by Bola Ogun via skype, to discuss her first day of shooting, our 15 minutes with Robert, what we did in the...
Rebel Without A Crew has a new episode, which means I need to get on the mic and talk about it! This week I was joined by Bola Ogun via skype, to discuss her first day of shooting, our 15 minutes with Robert, what we did in the car when we couldn't listen to music, and how the reality crew made shooting far more difficult.

This and MORE!!!]]>3964falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-commentary-episode-4-with-alejandro-montoya-marin--40506389If you haven't, go check out Episode 4 on go90.com and make sure to comment and like the episode. Let go90 know you're enjoying it on social media and by telling your friends and fam to watch.]]>tag:soundcloud,2010:tracks/437903592Tue, 01 May 2018 18:03:55 +0000Josh StifterAlejandro and I are back to answer your Rebel Without A Crew questions and talk about pooping bandits! If you haven't, go check out Episode 4 on go90.com and make sure to comment and like the episode. Let go90 know you're enjoying it on social media...If you haven't, go check out Episode 4 on go90.com and make sure to comment and like the episode. Let go90 know you're enjoying it on social media and by telling your friends and fam to watch.]]>3470falsefullhttps://www.spreaker.com/episode/a-conversation-with-scarlet-moreno--40506378Scarlet and I chatted about lots of fun stuff including me freaking here out about Premiere, her freaking me out with all her fancy clothes, me broking down when the show wrapped, and Scarlet crying a few times about other things. We also give some sage advice about casting, adapting, and spillin' blood on stuff.

All this and so much more!

Check out more of Scarlet's work at:

http://www.scarletmoreno.com/

and follow her on instagram: @scarletinni]]>tag:soundcloud,2010:tracks/428207481Wed, 11 Apr 2018 16:01:16 +0000Josh StifterWant more of me and filmmaker friends b.s.in' about filmmaking and reality TV life? Well, here ya' go! Scarlet and I chatted about lots of fun stuff including me freaking here out about Premiere, her freaking me out with all her fancy clothes, me...Scarlet and I chatted about lots of fun stuff including me freaking here out about Premiere, her freaking me out with all her fancy clothes, me broking down when the show wrapped, and Scarlet crying a few times about other things. We also give some sage advice about casting, adapting, and spillin' blood on stuff.

All this and so much more!

Check out more of Scarlet's work at:

http://www.scarletmoreno.com/

and follow her on instagram: @scarletinni]]>2256falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-commentary-episode-3-with-alejandro--40506424If you have any more questions about Episode 3 or if you want to know about anything else with the show, feel free to leave your questions here or reach out to me or Alejandro on social media!]]>tag:soundcloud,2010:tracks/424781184Wed, 04 Apr 2018 17:50:02 +0000Josh StifterAlejandro and I were able to hop on skype and discuss casting, the stress, Scarlet crying, Avery's cuteness, and much more! If you have any more questions about Episode 3 or if you want to know about anything else with the show, feel free to leave...If you have any more questions about Episode 3 or if you want to know about anything else with the show, feel free to leave your questions here or reach out to me or Alejandro on social media!]]>3496falsefullhttps://www.spreaker.com/episode/a-conversation-with-alejandro--40506409On this episode, we ramble about filmmaking, discuss the honesty and integrity of Rebel Without A Crew, feeling pride for your own work, and getting mugged.

Social Media:
Instagram: @alejandromontoyamarin
Twitter: https://twitter.com/fourpoint5films
Facebook: https://www.facebook.com/FilmmakerAMM/

http://www.alejandromontoyamarin.com/]]>tag:soundcloud,2010:tracks/423679218Mon, 02 Apr 2018 15:54:47 +0000Josh StifterI had the pleasure of chillin' out at my makeshift podcast studio in Avery Merrifield's bedroom again with my main squeeze Alejandro Montoya Marin! This dude helped me so much on the show, from talking through what I should get for the shoot, to just...On this episode, we ramble about filmmaking, discuss the honesty and integrity of Rebel Without A Crew, feeling pride for your own work, and getting mugged.

Social Media:
Instagram: @alejandromontoyamarin
Twitter: https://twitter.com/fourpoint5films
Facebook: https://www.facebook.com/FilmmakerAMM/

http://www.alejandromontoyamarin.com/]]>2509falsefullhttps://www.spreaker.com/episode/rebel-without-a-crew-episode-one-commentary--40506427
Me and my wife decided to sit down and discuss the first episode of Rebel Without A Crew: The Series, along with answering questions that my friends, family, twitter followers, and others have about the show! If you have questions about what happened during the Rebel Challenge or if you want to know more about how our films were made, follow me on twitter (@joshstifter) on instagram (@flushstudios) or on facebook (facebook.com/flushstudios). Or comment on this episode or on my patreon page!

ENJOY!]]>tag:soundcloud,2010:tracks/421353753Wed, 28 Mar 2018 15:07:34 +0000Josh StifterIf you've got questions, Josh and Jenny have answers! Well, some of them... Me and my wife decided to sit down and discuss the first episode of Rebel Without A Crew: The Series, along with answering questions that my friends, family, twitter...
Me and my wife decided to sit down and discuss the first episode of Rebel Without A Crew: The Series, along with answering questions that my friends, family, twitter followers, and others have about the show! If you have questions about what happened during the Rebel Challenge or if you want to know more about how our films were made, follow me on twitter (@joshstifter) on instagram (@flushstudios) or on facebook (facebook.com/flushstudios). Or comment on this episode or on my patreon page!

ENJOY!]]>2352falsefullhttps://www.spreaker.com/episode/flush-studios-podcast-bola-ogun--40506418For the first episode, I had a wonderful conversation with Bola Ogun about the struggles of being a production assistant (PA) and pushing forward with your career. We also discussed Kevin Sorbo, SXSW films, what we wish we had been told early on, and what we hope to do now that Rebel Without a Crew is over.

Watch for Bola's film THE WATER PHOENIX to drop soon.

-Follow Bola on social media-
Twitter: @onebolafun
Instagram: @onebolafun
Facebook: https://www.facebook.com/IamBolaOgun]]>tag:soundcloud,2010:tracks/420124264Mon, 26 Mar 2018 14:23:03 +0000Josh StifterI had the pleasure to have the other filmmakers join me at my makeshift podcast studio in Avery Merrifield's bedroom to bullshit about our pasts and futures. For the first episode, I had a wonderful conversation with Bola Ogun about the struggles of...For the first episode, I had a wonderful conversation with Bola Ogun about the struggles of being a production assistant (PA) and pushing forward with your career. We also discussed Kevin Sorbo, SXSW films, what we wish we had been told early on, and what we hope to do now that Rebel Without a Crew is over.

Watch for Bola's film THE WATER PHOENIX to drop soon.

-Follow Bola on social media-
Twitter: @onebolafun
Instagram: @onebolafun
Facebook: https://www.facebook.com/IamBolaOgun]]>2827falsefullhttps://www.spreaker.com/episode/art-attack-show-matt-thelin-part-one--40506415tag:soundcloud,2010:tracks/339846811Mon, 28 Aug 2017 14:28:57 +0000Josh StifterI was joined at Flush Studios this week by medical animation lighting and rendering guru Matt Thelin to have a conversation about 3d Animation. This dude's been working in 3d animation since the very beginning and has amazing and honest insight into...2277falsefullhttps://www.spreaker.com/episode/art-attack-show-nathan-strauss-part-one--40506412ENJOY!]]>tag:soundcloud,2010:tracks/339785941Mon, 28 Aug 2017 01:47:30 +0000Josh StifterI had the opportunity to sit down with Nathan Strauss of Faffy Ham fame to talk about his business and how he went from a degree in Psychology to print design. We also discuss his cease and desist from a "famous individual" and how to use unemployment...ENJOY!]]>2312falsefullhttps://www.spreaker.com/episode/art-attack-show-bentley-michaels--40506445Follow him on twitter @bentleywho

Check out his podcasts:
https://www.45thparallelpodcast.com/
https://www.chaoticamateurs.com/podcast/

And watch the Clerks short film here:
https://www.youtube.com/watch?v=3B3lJiaqOQM&feature=youtu.be]]>tag:soundcloud,2010:tracks/336915155Mon, 07 Aug 2017 23:28:53 +0000Josh StifterThis week, I had the pleasure to sit chat over skype with Bentley Michaels! He tells me all about living in L.A., making short films, doing V.O., his dogs, doing ADR for porn, and how he relaxes. Josh gets drunk and crawls under a truck dressed like a...Follow him on twitter @bentleywho

Check out his podcasts:
https://www.45thparallelpodcast.com/
https://www.chaoticamateurs.com/podcast/

And watch the Clerks short film here:
https://www.youtube.com/watch?v=3B3lJiaqOQM&feature=youtu.be]]>5961falsefullhttps://www.spreaker.com/episode/art-attack-show-erik-klaus-part-one--40506391
Check out Erik's kickstarter at:
https://www.kickstarter.com/projects/349950261/ninjas-and-robots?ref=nav_search

Follow him on instagram: @interstateninja

ENJOY!]]>tag:soundcloud,2010:tracks/335649039Mon, 31 Jul 2017 15:24:18 +0000Josh StifterOn this weeks podcast, I sit down with Erik Klaus the creator and artist of a new independent graphic novel called NINJAS AND ROBOTS. We shoot the shit about kickstarter, The Kubert School, promoting, finding your style, and much more. Check out...
Check out Erik's kickstarter at:
https://www.kickstarter.com/projects/349950261/ninjas-and-robots?ref=nav_search

Follow him on instagram: @interstateninja

ENJOY!]]>1981falsefullhttps://www.spreaker.com/episode/art-attack-show-matt-oberdalhoff--40506442
ENJOY!]]>tag:soundcloud,2010:tracks/334781637Tue, 25 Jul 2017 16:27:19 +0000Josh StifterMatt and I got drinks while talking and being dumb dumbs. This was recorded a while ago but I totally forgot to upload it so I have no idea what we talk about. This is probably a sloppy mess of fun, excitement, silliness, and stupidity; plus there's...
ENJOY!]]>3089falsefullhttps://www.spreaker.com/episode/art-attack-show-lindsey-stupica-part-one--40506416ENJOY!

---------------------------------------------------
Follow her and check out her art at:

twitter: @AnimatorLindsey
instagram: @luxaroo]]>tag:soundcloud,2010:tracks/333564236Mon, 17 Jul 2017 14:01:25 +0000Josh StifterToday, I was joined by animator and illustrator Lindsey Stupica to discuss her process, why she digs unicorns, her first animations and the early days of the internet. We also talked about favorite parts of the process, appreciating animation, and...ENJOY!

---------------------------------------------------
Follow her and check out her art at:

twitter: @AnimatorLindsey
instagram: @luxaroo]]>2501falsefullhttps://www.spreaker.com/episode/art-attack-show-lauren-addy-part-one--40506376tag:soundcloud,2010:tracks/331376171Mon, 03 Jul 2017 17:02:09 +0000Josh StifterI was able to sit down with my cohort in cartooning, Lauren Addy, to discuss criticism, comics, and college. She also burps into the microphone...1998falsefullhttps://www.spreaker.com/episode/art-attack-show-andrew-hunt-part-one--40506413Subscribe for $1 to the patreon to hear another HOUR AND A HALF of these two dudes rambling about movies and find out why Andy wanted to make a movie by age 24.]]>tag:soundcloud,2010:tracks/330195377Mon, 26 Jun 2017 15:57:52 +0000Josh StifterJosh sits down Andrew (James "Andy [Asshole]") Hunt to talk about lots and lots and lots of stuff. The two directors discuss filmmaking and the difficulty in explaining that to people, working on Jaws 4, porn, the writing process, the challenges in...Subscribe for $1 to the patreon to hear another HOUR AND A HALF of these two dudes rambling about movies and find out why Andy wanted to make a movie by age 24.]]>3484falsefullhttps://www.spreaker.com/episode/art-attack-show-mike-bloom-part-one--40506382tag:soundcloud,2010:tracks/328846336Mon, 19 Jun 2017 16:24:28 +0000Josh StifterI've always wondered about how people go about preparing to launch a kickstarter or other short term crowd funding project. This week I had the opportunity to talk to Mike Bloom who is in the process of kickstarting his comic book series ITALIANO...2075falsefullhttps://www.spreaker.com/episode/art-attack-show-ian-withey-part-one--40506426
CHEERS n' ENJOY!]]>tag:soundcloud,2010:tracks/328759568Mon, 19 Jun 2017 01:35:03 +0000Josh StifterI had the pleasure of talking to editor, director, get-it-doner Ian Withey. We discuss his short film Shear Madness, wrestling and the AWF, writing scripts, being on set, future film ideas, and more! CHEERS n' ENJOY!
CHEERS n' ENJOY!]]>1910falsefullhttps://www.spreaker.com/episode/art-attack-show-ben-enke-part-one--40506440ENJOY!]]>tag:soundcloud,2010:tracks/328758366Mon, 19 Jun 2017 01:22:51 +0000Josh StifterOne of the most talented dude's I know, BEN ENKE, joins me this week on the podcast. Not only is he the best D.P. I've ever worked with, he's also just a cool dude in general. Topics include cinematographer vs. director of photography, shooting...ENJOY!]]>1782falsefullhttps://www.spreaker.com/episode/art-attack-show-jay-ness-part-one--40506434
This and so much!

Subscribe for $1 to hear more from Jay Ness on Part Two!]]>tag:soundcloud,2010:tracks/328716864Sun, 18 Jun 2017 19:04:01 +0000Josh StifterJosh has Jay Ness over to Flush Studios early on a Saturday morning to discuss directing, editing and filming. The two jump between topics like sleep issues, Mortal Kombat and Beetlejuice action figures, Star Wars reissues, Point Break sequels, trips...
This and so much!

Subscribe for $1 to hear more from Jay Ness on Part Two!]]>2967falsefullhttps://www.spreaker.com/episode/art-attack-show-anton-horishnyk-part-one--40506403tag:soundcloud,2010:tracks/328716078Sun, 18 Jun 2017 18:57:31 +0000Josh StifterThis week I have the pleasure to talk to an artist I've really enjoyed recently! Anton Horishnyk (Anton's Artworks) is a painter and airbrush artist with a very distinct and specific style that I really enjoy. He discusses the stress of creating art,...1770falsefullhttps://www.spreaker.com/episode/art-attack-podcast-mike-owens--40506398
This is the Art Attack. On the show this week, I had the pleasure of talking to Mike Owens. Mike is an animation director who's past work includes Danger & Eggs, Super, and Animaniacs!
Some of the topics include where Mike started, what it's like directing a large production, the importance in timing, talking to your past self, favorite animations to work on, masturbating cats, dream projects and much more!

To hear more from Mike, including the most amazing near death experience story, subscribe for $1 for Part Two!]]>tag:soundcloud,2010:tracks/328647014Sun, 18 Jun 2017 05:53:10 +0000Josh StifterIt's a brand new audio show for the Patreon!!! This is the Art Attack. On the show this week, I had the pleasure of talking to Mike Owens. Mike is an animation director who's past work includes Danger & Eggs, Super, and Animaniacs! Some of the...
This is the Art Attack. On the show this week, I had the pleasure of talking to Mike Owens. Mike is an animation director who's past work includes Danger & Eggs, Super, and Animaniacs!
Some of the topics include where Mike started, what it's like directing a large production, the importance in timing, talking to your past self, favorite animations to work on, masturbating cats, dream projects and much more!

To hear more from Mike, including the most amazing near death experience story, subscribe for $1 for Part Two!]]>2868falsefullhttps://www.spreaker.com/episode/art-attack-podcast-keith-radichel--40506436My plan is to get an offiical talk show going again in the next couple weeks with a brand new theme song, segments and all sorts of other fun jazz. But for now, this'll have to do. Enjoy!]]>tag:soundcloud,2010:tracks/328642154Sun, 18 Jun 2017 04:38:50 +0000Josh StifterI needed to test out my audio equipment this weekend in order to try to get a new podcast going, so I had Keith jump on skype to test it out. This isn't really an "official podast" episode, but I thought we had an interesting conversation... at least...My plan is to get an offiical talk show going again in the next couple weeks with a brand new theme song, segments and all sorts of other fun jazz. But for now, this'll have to do. Enjoy!]]>2071falsefullhttps://www.spreaker.com/episode/art-attack-podcast-josh-roush-part-one--40506437tag:soundcloud,2010:tracks/328640905Sun, 18 Jun 2017 04:22:40 +0000Josh StifterFor the last year I've been working on this short film called Other Fish with a very talented dude. Josh Roush wrote the film and co-directed it with me. Since we've officially announced the cast (Michael Parks, Harley Quinn Smith, Jacqui Duncan), I...1865falsefull