https://radioart106.org
The program explores radiophonic works of worldwide radio artists.
Radio art is a subset of Sound art where radio art is produced for the medium of radio and is specifically intended for broadcast. It opens new ways and approaches to radio making, where the audience is assumed to embrace, or even demand, a deep, intense and stimulating listening/participatory experience.

via http://radioart106.org]]>ieSociety & CultureCopyright USMARADIOhttps://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/99caedfb456975f1107597886e3bb9bc.jpghttps://radioart106.orgWed, 13 Dec 2023 22:03:24 +0000USMARADIOUSMARADIOlab@usmaradio.orgStarted as a weekly Radioart program produced and presented by Meira Asher. The program explores radiophonic works of worldwide radio artists. Radio art is a subset of Sound art where radio art is produced for the medium of radio and is specifically...
The program explores radiophonic works of worldwide radio artists.
Radio art is a subset of Sound art where radio art is produced for the medium of radio and is specifically intended for broadcast. It opens new ways and approaches to radio making, where the audience is assumed to embrace, or even demand, a deep, intense and stimulating listening/participatory experience.

via http://radioart106.org]]>falsed2841348-be9c-5f59-ace2-e771af9704a1episodichttps://www.spreaker.com/episode/al-khalil-no-settlement--27221266https://api.spreaker.com/episode/27221266Wed, 13 May 2020 07:43:51 +0000USMARADIO3008falsefullhttps://www.spreaker.com/episode/lookup-lockdown--26768060Five radio artists and musicians sharing their experiences of this moment in time: Anna Raimondo (Brussels), Danielle Ravitzki (New York), Assaf Talmudi (Tel Aviv),
Karen Werner (Bergen) and Ilan Volkov (Tel Aviv).

> Playlist:
Anna Raimondo - Domestic recordings for urgent matters
Danielle Ravitzki
Placebo - Twenty Years
Assaf Talmudi
Ralph Stanley - O Death
Karen Werner
David Clark
Ilan Volkov
Jerry Hunt - Transform

Photo: Jerry Hunt 1985]]>https://api.spreaker.com/episode/26768060Wed, 08 Apr 2020 13:42:00 +0000USMARADIOFourth contribution of 2020 for our partner Radioart106: "Look Up Lock Down" - is a special radio work recorder on March 28 during partial lockdown in Israel and Palestine. Five radio artists and musicians sharing their experiences of this moment in...Five radio artists and musicians sharing their experiences of this moment in time: Anna Raimondo (Brussels), Danielle Ravitzki (New York), Assaf Talmudi (Tel Aviv),
Karen Werner (Bergen) and Ilan Volkov (Tel Aviv).

> Playlist:
Anna Raimondo - Domestic recordings for urgent matters
Danielle Ravitzki
Placebo - Twenty Years
Assaf Talmudi
Ralph Stanley - O Death
Karen Werner
David Clark
Ilan Volkov
Jerry Hunt - Transform

Photo: Jerry Hunt 1985]]>3428annaraimondo,assaftalmundi,covid19,danielleravitzki,ilanvolkov,israel,jerryhunt,karenwerner,lockdown,lockuplockdown,meiraasher,palestine,podcast,radioart,radioart106,soundartfalsefullhttps://www.spreaker.com/episode/prison-without-trial--23474164 Radioart106_#124 - Special broadcast for International Women’s day 2020
length: 58:31

This is a reading of “Prison Without Trial”, a conference from January 2nd 2020, about the struggle against Administrative Detention of Palestinians by the Israeli state. The conference was organised by The Ad-hoc Committee to Abolish the Israeli Use of Administrative Detention.
It took place at the Khashabi theatre in the city of Haifa.
The speakers and readers of this conference and broadcast are all female activists.

Featuring: Dareen Tatour (poet, photographer) - Read by Elham (actress, singer).
Abeer Baker (lawyer) - Read by Meira Asher (sound/radio artist).
Dr. Anat Matar (philosopher) - Read by Smadar Yaaron (actress, interdisciplinary artist).
Chaired by Dr. Yali Hashash (social historian) - Read by Orna Akad (author, playwright).
Music by Kamilya Jubran and Werner Hasler
playlist: Yaday, Aux enfants, Nafad Al-Ahwal 3, Asra (fragment).
Produced by Meira Asher, radioart106
Lexical assistance: Liam Evans
Image: Reut Gat

More information:
http://addameer.org
http://mixcloud.com/radioart106]]>https://api.spreaker.com/episode/23474164Wed, 04 Mar 2020 18:02:13 +0000USMARADIO> Radioart106_#124 - Special broadcast for International Women’s day 2020 length: 58:31 This is a reading of “Prison Without Trial”, a conference from January 2nd 2020, about the struggle against Administrative Detention of Palestinians by the... Radioart106_#124 - Special broadcast for International Women’s day 2020
length: 58:31

This is a reading of “Prison Without Trial”, a conference from January 2nd 2020, about the struggle against Administrative Detention of Palestinians by the Israeli state. The conference was organised by The Ad-hoc Committee to Abolish the Israeli Use of Administrative Detention.
It took place at the Khashabi theatre in the city of Haifa.
The speakers and readers of this conference and broadcast are all female activists.

Featuring: Dareen Tatour (poet, photographer) - Read by Elham (actress, singer).
Abeer Baker (lawyer) - Read by Meira Asher (sound/radio artist).
Dr. Anat Matar (philosopher) - Read by Smadar Yaaron (actress, interdisciplinary artist).
Chaired by Dr. Yali Hashash (social historian) - Read by Orna Akad (author, playwright).
Music by Kamilya Jubran and Werner Hasler
playlist: Yaday, Aux enfants, Nafad Al-Ahwal 3, Asra (fragment).
Produced by Meira Asher, radioart106
Lexical assistance: Liam Evans
Image: Reut Gat

More information:
http://addameer.org
http://mixcloud.com/radioart106]]>3515radioart,radioart106,radiowork,soundartfalsefullhttps://www.spreaker.com/episode/biosignals-6-antye-greie-aka-agf-poemproducer-mixtape--22370509
The mixtape is compiled and composed from audio materials recorded or curated during the BioSignals networked events and field-recordings.

Commissioned by Pixelache producers Andrew Gryf Paterson and Mikko Lipiäinen, the ambition of the new work by AGF as a mixtape is to hightlight the potential of making audio archives of both recordings of humans and non-human biosignals available with commons-orientated licenses, so that they can be creatively used and remixed to make new audio works that offer creativity, poetics and discursive insight in non-scientific formats.

BioSignals project is a series of site-specific events that has explored the overlaps of sound art, narrations and nature-based data streams by human and non-human cultural producers involving Pixelache members and other invited guests, that began in Spring 2018. 
 
More info: https://www.pixelache.ac/projects/biosignals]]>https://api.spreaker.com/episode/22370509Mon, 03 Feb 2020 15:11:22 +0000USMARADIOThis entry shares a newly commissioned  sound art-work 'BioSignals Mixtape' by Antye Greie aka AGF, poemproducer, as the final event related to the BioSignals programme, produced by Pixelache Helsinki during 2018-2019. The mixtape is compiled and...
The mixtape is compiled and composed from audio materials recorded or curated during the BioSignals networked events and field-recordings.

Commissioned by Pixelache producers Andrew Gryf Paterson and Mikko Lipiäinen, the ambition of the new work by AGF as a mixtape is to hightlight the potential of making audio archives of both recordings of humans and non-human biosignals available with commons-orientated licenses, so that they can be creatively used and remixed to make new audio works that offer creativity, poetics and discursive insight in non-scientific formats.

BioSignals project is a series of site-specific events that has explored the overlaps of sound art, narrations and nature-based data streams by human and non-human cultural producers involving Pixelache members and other invited guests, that began in Spring 2018. 
 
More info: https://www.pixelache.ac/projects/biosignals]]>3394biosignals,pixelache,radioart,radioart106,radiowork,soundartfalsefullhttps://www.spreaker.com/episode/shane-akkamiau-roessler-asher--21467395The Juicy Part (2019) - Jess Shane
Krabat (2019, InTerjeCtions EP) - Akkamiau
Goa Live set (2018) - Leonie Roessler
One Blanket Lost (2010 short version) - Meira Asher


Jess Shane is a Canadian audio producer based in New York. Her work has aired on programs including the BBC's Short Cuts, WBEZ’s Re:Sound, and CBC’s The Doc Project, Love Me, and Ideas.  She is also the co-founder of Constellations, a collective and podcast for sound art and experimental audio. Jess was a producer on CBC's Personal Best and Mic Drop. Her love of audio was born from her community arts practice, where she collaborated with communities in spaces across Toronto to design collaborative audio-visual celebrations and installations. She is currently pursuing an MFA candidate in Hunter College's Integrated Media Arts program, with a focus on collaborative documentary practices. 

About ‘The Juicy Part’:
I’ve noticed a mounting and disturbing trend in ‘content’ and documentary, whereby makers contextualize their traumatic experiences in terms of traditional narrative arcs, creating suspense, climax, and resolution. In so doing, they position ‘story’ as trauma as opposed to the systems and power structures that enable such trauma to occur. This is not to say I don’t believe that retelling details of trama are not important -- but I feel that retelling them in the context of an uncontrolled broadcast environment, or in terms of entertainment platforms, is very different from recounting them to a loved one or a therapist.
On YouTube, I see this trend in abundance. It’s difficult to generalize because different users us the platform to share stories in different contexts: their words are directed towards various audiences even though they’re available to all. For this piece, I sourced segments of confessional Youtube videos in which this occurs; I often noted a disconnect between people relaying their trauma with sincerity, while also using devices of narrative structure to entice listeners to listen in closer. I am skeptical of the benefit of people commodifying their own stories in this way.





Akkamiau has performed experimental audiovisual shows since 2006. In 2012 she co-founded audiovisual interactive collective StratoFyzika, and has launched and performs live with the latest experimental techno project hiT͟Hərˈto͞o. Akkamiau hosted radio shows at Colaboradio and Cashmere radio and regularly DJs on local techno events in Berlin. 

About ‘Krabat’:
It deals with human sounds, spoken language and its emotional charge, and with a subjective sound environment, in a way of internal sound ecology. It is part of her InTerjeCtions EP from 2019.


Leonie Roessler - Composer and Performer raised in Germany and the US, now based in The Hague, Netherlands. Leonie captures her environment through field recordings, which she uses for radio pieces, sound installations, and compositions for soloists and ensembles. She had recent residencies at New Media Society and Limited Access Festival (Iran), Forum Wallis (Switzerland), and The Story of Space Festival (India), and Berlin Circus Biennale (Germany), and Studio LOOS (Netherlands).

About ‘Goa Live Set’:
This piece was performed live at Helicopter, Den Haag in November of 2018. It is entirely made of field recordings that Leonie recorded in Goa in 2017 during her residency for The Story of Space Festival.


Meira Asher -The research areas of composer, performer and HR activist Meira Asher include Social Documentary and the Amplification of the Human Body.
When living in The Netherlands she was co-founder of the bodylab art foundation in The Hague (2001-2011). Currently she is a lecturer at Haifa University’s Art School, and curator-presenter of the independent Radio Art program radioart106 since 2014, affiliated with the Radia.fm network.
Her recent works include “from the Red Sea to the Dead Sea - a Soundscape of an Occupation” for KUNSTRADIO (Vienna) and a 2LP album and performance of Antonin Artaud’s radio creation “To Have Done with the Judgement of God” (1947).

About ‘One Blanket Lost’:
The trafficking of Nigerian girls for prostitution in Spain started in the early 90s, frequently involving long transits in the Algerian and Moroccan deserts. 'One blanket lost', a common expression used by the traffickers, 'mourns' the loss of blankets in which they buried girls who died on the way.

Erica was the sole surviver from the boat which carried her to Spanish waters. She lost her baby girl and boyfriend at sea, after which she started paying a 42,000 Euro debt to her madam. Mixed and mastered by Paul Kendall, Commissioned by ORF Kunstradio, Austria.

With:
Erica Osemwigie protagonist (trafficked Nigeria-Spain)
RitaErica's friend (trafficked Nigeria-Spain)
HappyErica's friend (trafficked Nigeria-Spain)
Norbertolawyer, Acción en red-Canaries]]>https://api.spreaker.com/episode/21467395Wed, 08 Jan 2020 10:13:11 +0000USMARADIOPlaylist: The Juicy Part (2019) - Jess Shane Krabat (2019, InTerjeCtions EP) - Akkamiau Goa Live set (2018) - Leonie Roessler One Blanket Lost (2010 short version) - Meira Asher Jess Shane is a Canadian audio producer based in New York. Her...The Juicy Part (2019) - Jess Shane
Krabat (2019, InTerjeCtions EP) - Akkamiau
Goa Live set (2018) - Leonie Roessler
One Blanket Lost (2010 short version) - Meira Asher


Jess Shane is a Canadian audio producer based in New York. Her work has aired on programs including the BBC's Short Cuts, WBEZ’s Re:Sound, and CBC’s The Doc Project, Love Me, and Ideas.  She is also the co-founder of Constellations, a collective and podcast for sound art and experimental audio. Jess was a producer on CBC's Personal Best and Mic Drop. Her love of audio was born from her community arts practice, where she collaborated with communities in spaces across Toronto to design collaborative audio-visual celebrations and installations. She is currently pursuing an MFA candidate in Hunter College's Integrated Media Arts program, with a focus on collaborative documentary practices. 

About ‘The Juicy Part’:
I’ve noticed a mounting and disturbing trend in ‘content’ and documentary, whereby makers contextualize their traumatic experiences in terms of traditional narrative arcs, creating suspense, climax, and resolution. In so doing, they position ‘story’ as trauma as opposed to the systems and power structures that enable such trauma to occur. This is not to say I don’t believe that retelling details of trama are not important -- but I feel that retelling them in the context of an uncontrolled broadcast environment, or in terms of entertainment platforms, is very different from recounting them to a loved one or a therapist.
On YouTube, I see this trend in abundance. It’s difficult to generalize because different users us the platform to share stories in different contexts: their words are directed towards various audiences even though they’re available to all. For this piece, I sourced segments of confessional Youtube videos in which this occurs; I often noted a disconnect between people relaying their trauma with sincerity, while also using devices of narrative structure to entice listeners to listen in closer. I am skeptical of the benefit of people commodifying their own stories in this way.





Akkamiau has performed experimental audiovisual shows since 2006. In 2012 she co-founded audiovisual interactive collective StratoFyzika, and has launched and performs live with the latest experimental techno project hiT͟Hərˈto͞o. Akkamiau hosted radio shows at Colaboradio and Cashmere radio and regularly DJs on local techno events in Berlin. 

About ‘Krabat’:
It deals with human sounds, spoken language and its emotional charge, and with a subjective sound environment, in a way of internal sound ecology. It is part of her InTerjeCtions EP from 2019.


Leonie Roessler - Composer and Performer raised in Germany and the US, now based in The Hague, Netherlands. Leonie captures her environment through field recordings, which she uses for radio pieces, sound installations, and compositions for soloists and ensembles. She had recent residencies at New Media Society and Limited Access Festival (Iran), Forum Wallis (Switzerland), and The Story of Space Festival (India), and Berlin Circus Biennale (Germany), and Studio LOOS (Netherlands).

About ‘Goa Live Set’:
This piece was performed live at Helicopter, Den Haag in November of 2018. It is entirely made of field recordings that Leonie recorded in Goa in 2017 during her residency for The Story of Space Festival.


Meira Asher -The research areas of composer, performer and HR activist Meira Asher include Social Documentary and the Amplification of the Human Body.
When living in The Netherlands she was co-founder of the bodylab art foundation in The Hague (2001-2011). Currently she is a lecturer at Haifa University’s Art School, and curator-presenter of the independent Radio Art program radioart106 since 2014, affiliated with the Radia.fm network.
Her...]]>3475akkamiau,asher,radioart,radioart106,radiowork,roessler,shane,soundartfalsefullhttps://www.spreaker.com/episode/jean-claude-jones--2044973359:30
Artist: Jean Claude Jones

The free improviser and double bass player Jean-Claude Jones was born in Tunisia and lives in Jerusalem. A Music teacher, former head of the jazz department at the Jerusalem Academy of Music and Dance in the late 1990s. In 2005 Jones founded "Kadima" - a collective of free improvising musicians and visual artists, and the artistic label KCR.

In the open project Myelination, Jean-Claude Jones creates a meeting space for his fellow musicians along with the disease of multiple sclerosis from which he has been suffering since the mid 80s.
The encounter takes place via sound and it has been documented in three separate performances and albums so far. They are based on the artists' communication with the sounds of myelin - a fatty substance that isolates the nerve fibres and assists in the transfer of electrical currents between the nerve cells. Multiple sclerosis, a chronic disease of the nervous system, impacts the normal function of nerve cells by damaging and reducing myelin. Myelin protein is based on a long chain of molecules called amino acids. Jean-Claude Jones's friend, chemist Andy Shipway, programmed and slowed the vibration of each molecule in the chain to an audible frequency band. And so the sound of the myelin was born, the core of the project.

Featuring:
Harold Rubin-clarinet and voice, Stephen Hornstein-baritone saxophone,
Yoni Silver-bass clarinet, Ariel Shibolet-soprano saxophone, Yael Thai-Voice,
Hagai Fershtman-percussion, And jazz poet Jake Marmer, in the first part of the project, 2011.
myelination 2, 2013 with Meira Asher-voice and electronics, recorded live at the Uganda Bar, Jerusalem.
myelination 3, 2014 featuring vocal artists Anat Pick, Ayelet Lerman and
Joseph Sprinzak, recorded live at the Mazkeka, Jerusalem.
Mix and Mastering by Jean Claude Jones.

Playlist:

> myelination (2011): 18Aas, Inducing One, Arihag
> myelination 2 (2013): One Out, Two In, Four In
> myelination (2011): JC's remix, Voices
> myelination 2 (2013): Seven Out, Three Out
> myelination 3 (2014)]]>https://api.spreaker.com/episode/20449733Tue, 03 Dec 2019 11:13:17 +0000USMARADIOprogram #115 59:30 Artist: Jean Claude Jones The free improviser and double bass player Jean-Claude Jones was born in Tunisia and lives in Jerusalem. A Music teacher, former head of the jazz department at the Jerusalem Academy of Music and Dance in...59:30
Artist: Jean Claude Jones

The free improviser and double bass player Jean-Claude Jones was born in Tunisia and lives in Jerusalem. A Music teacher, former head of the jazz department at the Jerusalem Academy of Music and Dance in the late 1990s. In 2005 Jones founded "Kadima" - a collective of free improvising musicians and visual artists, and the artistic label KCR.

In the open project Myelination, Jean-Claude Jones creates a meeting space for his fellow musicians along with the disease of multiple sclerosis from which he has been suffering since the mid 80s.
The encounter takes place via sound and it has been documented in three separate performances and albums so far. They are based on the artists' communication with the sounds of myelin - a fatty substance that isolates the nerve fibres and assists in the transfer of electrical currents between the nerve cells. Multiple sclerosis, a chronic disease of the nervous system, impacts the normal function of nerve cells by damaging and reducing myelin. Myelin protein is based on a long chain of molecules called amino acids. Jean-Claude Jones's friend, chemist Andy Shipway, programmed and slowed the vibration of each molecule in the chain to an audible frequency band. And so the sound of the myelin was born, the core of the project.

Featuring:
Harold Rubin-clarinet and voice, Stephen Hornstein-baritone saxophone,
Yoni Silver-bass clarinet, Ariel Shibolet-soprano saxophone, Yael Thai-Voice,
Hagai Fershtman-percussion, And jazz poet Jake Marmer, in the first part of the project, 2011.
myelination 2, 2013 with Meira Asher-voice and electronics, recorded live at the Uganda Bar, Jerusalem.
myelination 3, 2014 featuring vocal artists Anat Pick, Ayelet Lerman and
Joseph Sprinzak, recorded live at the Mazkeka, Jerusalem.
Mix and Mastering by Jean Claude Jones.

Playlist:

> myelination (2011): 18Aas, Inducing One, Arihag
> myelination 2 (2013): One Out, Two In, Four In
> myelination (2011): JC's remix, Voices
> myelination 2 (2013): Seven Out, Three Out
> myelination 3 (2014)]]>3571jeanclaudejones,radioart,radioart106,radiowork,soundartfalsefullhttps://www.spreaker.com/episode/female-pressure-rojava--19847489 Radioart106_#50

artists:
female:pressure_ROJAVA

playlist:
hiT͟Hərˈto͞o - THOREAU / KOMATIK HAI
Sky Deep feat. Hevî - Woman & The Gun
Miranda De La Frontera - Dear Viyan (feat. Viyan Payman & Dilar Dirik
Julie Rousse - JIR - Fire Fighter
Olivia Louvel - 'Afraid Of Women'
Inge van den Kroonenberg - ROJAVA Tryptich
chra - Rojava Belong Here
LaPelleMuta's Sounds - Tingis: Bombs
Anne Lepère - Traverser sa Manche

The Turkish invasion of Rojava, the autonomous region in northeastern Syria, has started in October 2019. F16s are leaving to strike Rojava from the same airbase they left to strike ISIS. An attack on Rojava is an attack on the people’s right to live, their democracy, solidarity, and women’s liberation.

In March 2016, female:pressure launched the Rojava campaign aimed at raising awareness of the #Rojava resistance movement in northern Syria.
There, women partner at all levels of decision-making and were building a new society with social justice, religious freedom, ecological principles and gender equality.

This program contains a mix from the compilation prepared by female:pressure, broadcasted first on Women’s day 2016.

female pressure is an international network of female, transgender and non-binary artists in the fields of electronic music and digital arts, with more than 2.500 members from 79 countries.

All the proceeds from the Rojava campaign were/are dedicated to Rojava’s women for the construction of a women's village, called Jinwar - village of free women.
The compilation is available at Bandcamp under the name Music, Awareness & Solidarity w/ Rojava Revolution.
]]>https://api.spreaker.com/episode/19847489Mon, 04 Nov 2019 11:48:54 +0000USMARADIO> Radioart106_#50 artists: female:pressure_ROJAVA playlist: hiT͟Hərˈto͞o - THOREAU / KOMATIK HAI Sky Deep feat. Hevî - Woman & The Gun Miranda De La Frontera - Dear Viyan (feat. Viyan Payman & Dilar Dirik Julie Rousse - JIR - Fire Fighter Olivia... Radioart106_#50

artists:
female:pressure_ROJAVA

playlist:
hiT͟Hərˈto͞o - THOREAU / KOMATIK HAI
Sky Deep feat. Hevî - Woman & The Gun
Miranda De La Frontera - Dear Viyan (feat. Viyan Payman & Dilar Dirik
Julie Rousse - JIR - Fire Fighter
Olivia Louvel - 'Afraid Of Women'
Inge van den Kroonenberg - ROJAVA Tryptich
chra - Rojava Belong Here
LaPelleMuta's Sounds - Tingis: Bombs
Anne Lepère - Traverser sa Manche

The Turkish invasion of Rojava, the autonomous region in northeastern Syria, has started in October 2019. F16s are leaving to strike Rojava from the same airbase they left to strike ISIS. An attack on Rojava is an attack on the people’s right to live, their democracy, solidarity, and women’s liberation.

In March 2016, female:pressure launched the Rojava campaign aimed at raising awareness of the #Rojava resistance movement in northern Syria.
There, women partner at all levels of decision-making and were building a new society with social justice, religious freedom, ecological principles and gender equality.

This program contains a mix from the compilation prepared by female:pressure, broadcasted first on Women’s day 2016.

female pressure is an international network of female, transgender and non-binary artists in the fields of electronic music and digital arts, with more than 2.500 members from 79 countries.

All the proceeds from the Rojava campaign were/are dedicated to Rojava’s women for the construction of a women's village, called Jinwar - village of free women.
The compilation is available at Bandcamp under the name Music, Awareness & Solidarity w/ Rojava Revolution.
]]>3571radioart,radioart106,radiowork,rojava,soundartfalsefullhttps://www.spreaker.com/episode/anna-raimondo-younes-baba-ali-fearless-speech--19320201 Radioart106_#117_Fearless Speech

Part of the series fearless radio curated by Anna Raimondo and Younes Baba Ali who initiated the sound and radio art platform Saout Radio in Morocco. Initial broadcast by Kunstradio ORF on 2 March 2014.

This program deals with the reality of minors in some militarised societies. From the minds of teenagers who refuse to serve in the Israeli army (in 'refuse: military.01’), to the experience of female ex-child combatants in Sierra Leone.

Challenged by Foucaoult's concept of Parrhesia, this show transmits the voices of children and youth who were appropriated/abused/killed by adults and armed forces.

'… it is a verbal activity in which the subject express his personal relation to truth taking the risk of life because he recognises that telling the truth is his own duty in order to improve or help other people. In Parrhesia the speaker uses his freedom and chooses truth instead of lie, death instead of life and security, criticism instead of flattery, duty instead of interest and selfishness…" (Michel Foucault Audio Archive. Discourse and Truth: Parrhesia, 1983).

Segments from three separate projects are complied here:
refuse: military.01 (2014, HearSay Radio Art Prize 2015),
Infantry (2002), and Face_WSLOT (2004-06).

featuring: Issa Amro, Guy Harries, Floy Krouchi, Paul Kendall, Noam Gur, Anita Jackson, Mahade Pako, Chris Conteh, Yan Keller.

Playlist:
refuse: military.01
(Anita Jackson)_Suzanna (from Face_WSLOT)
(Collective)_GoodToGo (Face_WSLOT)
(Chris Conteh)_OperationStampin'Stomach (Face_WSLOT)
(Chris Conteh)_Options (Face_WSLOT)
(Collective)_Mummy (Face_WSLOT)
(Collective)_Touch (Face_WSLOT)
The School (from Infantry)
Box (Infantry)
The Car (Infantry)
Bad Toys (Infantry)
The Hospital (Infantry)]]>https://api.spreaker.com/episode/19320201Wed, 02 Oct 2019 07:25:29 +0000USMARADIO> Radioart106_#117_Fearless Speech Part of the series fearless radio curated by Anna Raimondo and Younes Baba Ali who initiated the sound and radio art platform Saout Radio in Morocco. Initial broadcast by Kunstradio ORF on 2 March 2014. This... Radioart106_#117_Fearless Speech

Part of the series fearless radio curated by Anna Raimondo and Younes Baba Ali who initiated the sound and radio art platform Saout Radio in Morocco. Initial broadcast by Kunstradio ORF on 2 March 2014.

This program deals with the reality of minors in some militarised societies. From the minds of teenagers who refuse to serve in the Israeli army (in 'refuse: military.01’), to the experience of female ex-child combatants in Sierra Leone.

Challenged by Foucaoult's concept of Parrhesia, this show transmits the voices of children and youth who were appropriated/abused/killed by adults and armed forces.

'… it is a verbal activity in which the subject express his personal relation to truth taking the risk of life because he recognises that telling the truth is his own duty in order to improve or help other people. In Parrhesia the speaker uses his freedom and chooses truth instead of lie, death instead of life and security, criticism instead of flattery, duty instead of interest and selfishness…" (Michel Foucault Audio Archive. Discourse and Truth: Parrhesia, 1983).

Segments from three separate projects are complied here:
refuse: military.01 (2014, HearSay Radio Art Prize 2015),
Infantry (2002), and Face_WSLOT (2004-06).

featuring: Issa Amro, Guy Harries, Floy Krouchi, Paul Kendall, Noam Gur, Anita Jackson, Mahade Pako, Chris Conteh, Yan Keller.

Playlist:
refuse: military.01
(Anita Jackson)_Suzanna (from Face_WSLOT)
(Collective)_GoodToGo (Face_WSLOT)
(Chris Conteh)_OperationStampin'Stomach (Face_WSLOT)
(Chris Conteh)_Options (Face_WSLOT)
(Collective)_Mummy (Face_WSLOT)
(Collective)_Touch (Face_WSLOT)
The School (from Infantry)
Box (Infantry)
The Car (Infantry)
Bad Toys (Infantry)
The Hospital (Infantry)]]>3305radioart,radioart106,saoutradio,soundartfalsefullhttps://www.spreaker.com/episode/antonine-artaud-pour-en-finir-avec-le-judgement-de-dieu-snippet--19305726Translated to Hebrew by Aviva Barak / Meira Asher - Voice, Electronics, Objects / Haggai Fershtman - Drums, Voice, Objects / Amir Bolzman - Electronics, Turntables, Bass / Eran Sachs - No input mixer, Voice / Boris Martzinovsky - Accordion.
'Pour en finir avec le jugement de Dieu ' is the last work by Artaud, recorded in several sessions in the broadcasting studios of the Radiodiffusion Française (RDF) in Paris in
November 22-29,1947. The general manager of the radio immediately banned it from the air on the planned evening of the broadcast February 2,1948. Artaud passed away about
a month later. In his letter of protest to Wladimir Porché, director of the Radiodiffusion, Artaud wrote:
"I wanted a new work that catches certain organic points in life, a work in which we feel the whole nervous system burning like an incandescent lamp with vibrations, consonance which invite man TO GO OUT WITH his body in pursuit of this new, strange and radiant Epiphany in the sky.
(...)

Anybody, down to the coal merchant, must understand being fed up with the filth- physical, as well as physiological -, and DESIRES an in-depth CORPORAL change."

(Paule Thévenin, Artaud, op. cit., pp. 130-132, Gallimard)
Adapted by Meira Asher and Haggai Fershtman / Produced by Meira Asher
Recorded by Ronald Boersen at Hateva, Yaffa / “La question se pose de” recorded by Ronen Hajaj / Mixed by Daniel Meir / Mastered by Rashad Becker at Dubplates & Mastering, Berlin / Artwork by David Opp

Produced with the support of the Israel Lottery Council For Culture & Art

Playlist :
kré kré pek kré
J’ai appris hier
Tutuguri - Le rite du soleil noir
La recherche de la fécalité
La question se pose de
Conclusion

> Bandcamp: http://meiraasher.bandcamp.com/album/pour-en-finir-avec-le-jugement-de-dieu
> Read text: http://meiraasher.net/artaud

Published on January 1, 2019
#radioart106 #soundart]]>https://api.spreaker.com/episode/19305726Mon, 09 Sep 2019 13:55:00 +0000USMARADIOA Radio creation by Antonin Artaud (1947) Translated to Hebrew by Aviva Barak / Meira Asher - Voice, Electronics, Objects / Haggai Fershtman - Drums, Voice, Objects / Amir Bolzman - Electronics, Turntables, Bass / Eran Sachs - No input mixer, Voice /...Translated to Hebrew by Aviva Barak / Meira Asher - Voice, Electronics, Objects / Haggai Fershtman - Drums, Voice, Objects / Amir Bolzman - Electronics, Turntables, Bass / Eran Sachs - No input mixer, Voice / Boris Martzinovsky - Accordion.
'Pour en finir avec le jugement de Dieu ' is the last work by Artaud, recorded in several sessions in the broadcasting studios of the Radiodiffusion Française (RDF) in Paris in
November 22-29,1947. The general manager of the radio immediately banned it from the air on the planned evening of the broadcast February 2,1948. Artaud passed away about
a month later. In his letter of protest to Wladimir Porché, director of the Radiodiffusion, Artaud wrote:
"I wanted a new work that catches certain organic points in life, a work in which we feel the whole nervous system burning like an incandescent lamp with vibrations, consonance which invite man TO GO OUT WITH his body in pursuit of this new, strange and radiant Epiphany in the sky.
(...)

Anybody, down to the coal merchant, must understand being fed up with the filth- physical, as well as physiological -, and DESIRES an in-depth CORPORAL change."

(Paule Thévenin, Artaud, op. cit., pp. 130-132, Gallimard)
Adapted by Meira Asher and Haggai Fershtman / Produced by Meira Asher
Recorded by Ronald Boersen at Hateva, Yaffa / “La question se pose de” recorded by Ronen Hajaj / Mixed by Daniel Meir / Mastered by Rashad Becker at Dubplates & Mastering, Berlin / Artwork by David Opp

Produced with the support of the Israel Lottery Council For Culture & Art

Playlist :
kré kré pek kré
J’ai appris hier
Tutuguri - Le rite du soleil noir
La recherche de la fécalité
La question se pose de
Conclusion

> Bandcamp: http://meiraasher.bandcamp.com/album/pour-en-finir-avec-le-jugement-de-dieu
> Read text: http://meiraasher.net/artaud

Published on January 1, 2019
#radioart106 #soundart]]>302antoninartaud,artaud,radioart,radioart106,radiowork,soundartfalsefullhttps://www.spreaker.com/episode/guy-harries--18705022 Radioart106_#91_Guy Harries

Composer and performer Guy Harris was born in Israel and is living in London. As a performer, he combines work with voice, electronics and wind instruments. His projects include political operas, sound art, rock shows, and multimedia. He has recorded several solo albums as well as collaborations with the Dutch Pow ensemble, with Meira Asher and Yumi Hara on the labels X-OR, Sub Rosa, Sombre Soniks and Migro.

The mix he edited for this set include excerpts from works that combine field recordings, voices, objects, and analog synthesisers to suggest imaginary landscapes and narratives open to the listener’s interpretation.

Playlist:

Out of the Window excerpt (1999) - voices: Israel Golani, Anna Levenstein
Lumens excerpt (2016) - from the album Fault Line (released on Sombre Soniks)
Little Songs excerpt (2002)
Shadowgraphs excerpt (2009) - voices: Airlie Scott, Guy Harries
Memory Dune (2016) - from the Audio-DH project (http://audiodh.nl)
Crunch (2011) from the Muse Hack EP (Halas - http://freemusicarchive.org/music/Guy_Harries/Muse_Hack_Ep/)
Shadowgraphs excerpt (2009) - voices: Airlie Scott, Guy Harries

#radioart106]]>https://api.spreaker.com/episode/18705022Fri, 02 Aug 2019 10:25:20 +0000USMARADIO> Radioart106_#91_Guy Harries Composer and performer Guy Harris was born in Israel and is living in London. As a performer, he combines work with voice, electronics and wind instruments. His projects include political operas, sound art, rock shows,... Radioart106_#91_Guy Harries

Composer and performer Guy Harris was born in Israel and is living in London. As a performer, he combines work with voice, electronics and wind instruments. His projects include political operas, sound art, rock shows, and multimedia. He has recorded several solo albums as well as collaborations with the Dutch Pow ensemble, with Meira Asher and Yumi Hara on the labels X-OR, Sub Rosa, Sombre Soniks and Migro.

The mix he edited for this set include excerpts from works that combine field recordings, voices, objects, and analog synthesisers to suggest imaginary landscapes and narratives open to the listener’s interpretation.

Playlist:

Out of the Window excerpt (1999) - voices: Israel Golani, Anna Levenstein
Lumens excerpt (2016) - from the album Fault Line (released on Sombre Soniks)
Little Songs excerpt (2002)
Shadowgraphs excerpt (2009) - voices: Airlie Scott, Guy Harries
Memory Dune (2016) - from the Audio-DH project (http://audiodh.nl)
Crunch (2011) from the Muse Hack EP (Halas - http://freemusicarchive.org/music/Guy_Harries/Muse_Hack_Ep/)
Shadowgraphs excerpt (2009) - voices: Airlie Scott, Guy Harries

#radioart106]]>3552guyharries,radioart,radioart106falsefullhttps://www.spreaker.com/episode/claudia-wegener-radio-continental-drift--18621102 Radioart106_#111_Claudia Wegener_Radio Continental Drift

Radio Continental Drift celebrates the art of listening and the power of storytelling in local recordings, especially on the African continent. The “dramatic” field-recordings are presented in playlists on the Internet Archive and shared under creative commons license with the invitation to global listeners to explore and use the archived audio.

radiocontinentaldrift.wordpress.com

Playlist:

1. radioart106fm Signature Tone
2. Spigelsound Mix - Women of The Great River -
3. meira asher - Introduction
4. Claudia Wegener, Knut Auferman - 6 June 2014 Mobile Radio I
5. Radio Continental Drift - ZAMBEZI WOMEN CALL OUT
6. Inge van den Kroonenberg - Virginia Phiri - AFRICAN DRUM
7. Eunice Mwinde - Banene Eunice About Bush fruits
8. Dixie Treichel - Mavis Moyo - Media women take over
9. Claudia Wegener, Knut Auferman - 6 June 2014 Mobile Radio II
10. Gael Segalen - Born Free
11. Chipata DMI women meet Radio Continental Drift
12. Sithandazile Dube - My Time
13. Antye Greie - Ruvimbos Voice, How is Europe worlds apart?
14. Spigelsound Mix - Women Of The Great River
15. Claudia Wegener, Knut Auferman - 6 June 2014 Mobile Radio III
16. Penny Yon - Black N White
17. Under The Siachilaba Baobab
18. Esnart Mweemba - My Mums Baskets 1
19-20. Barbara N Viola - The Uses Of Baskets
21. Abbigal Muleya - Women Team-working 2

#radioart106]]>https://api.spreaker.com/episode/18621102Sat, 06 Jul 2019 14:07:00 +0000USMARADIO> Radioart106_#111_Claudia Wegener_Radio Continental Drift Radio Continental Drift celebrates the art of listening and the power of storytelling in local recordings, especially on the African continent. The “dramatic” field-recordings are presented... Radioart106_#111_Claudia Wegener_Radio Continental Drift

Radio Continental Drift celebrates the art of listening and the power of storytelling in local recordings, especially on the African continent. The “dramatic” field-recordings are presented in playlists on the Internet Archive and shared under creative commons license with the invitation to global listeners to explore and use the archived audio.

radiocontinentaldrift.wordpress.com

Playlist:

1. radioart106fm Signature Tone
2. Spigelsound Mix - Women of The Great River -
3. meira asher - Introduction
4. Claudia Wegener, Knut Auferman - 6 June 2014 Mobile Radio I
5. Radio Continental Drift - ZAMBEZI WOMEN CALL OUT
6. Inge van den Kroonenberg - Virginia Phiri - AFRICAN DRUM
7. Eunice Mwinde - Banene Eunice About Bush fruits
8. Dixie Treichel - Mavis Moyo - Media women take over
9. Claudia Wegener, Knut Auferman - 6 June 2014 Mobile Radio II
10. Gael Segalen - Born Free
11. Chipata DMI women meet Radio Continental Drift
12. Sithandazile Dube - My Time
13. Antye Greie - Ruvimbos Voice, How is Europe worlds apart?
14. Spigelsound Mix - Women Of The Great River
15. Claudia Wegener, Knut Auferman - 6 June 2014 Mobile Radio III
16. Penny Yon - Black N White
17. Under The Siachilaba Baobab
18. Esnart Mweemba - My Mums Baskets 1
19-20. Barbara N Viola - The Uses Of Baskets
21. Abbigal Muleya - Women Team-working 2

#radioart106]]>3587claudiawegener,continentaldrift,radio,radioart,radioart106,radioworkfalsefullhttps://www.spreaker.com/episode/poemontrial-mixtape-for-dareen--18431561
Palestinian poet Dareen Tatour was convicted by an Israeli court in Nazareth of “incitement to violence” for a poem she wrote. She spent a total of THREE years under house arrest and in prison, between October 2015 and September 2018. On December 25th, 2018 she stood before the court once again, appealing against her verdict.

A group of artists and activists issued a call inviting musicians to contribute to a digital compilation album in protest at Dareen’s conviction, called Poem On Trial. This album, in tandem with a radio broadcast with Dareen, was released on November 11, 2018.
The project aims to undermine and expose the true basis of her conviction by repeating and distributing her 'illegal' poem via the medium of music and art.
#poemontrial team: Meira Asher, Antye Greie, Liam Evans, Yoav Haifawi, Smadar Yaaron and Dganit Elyakim.

Produced by Meira Asher and Antye Greie for Radioart106.

Playlist (from the album #poemontrial):
Isabel Nogueira - Resist them
Anne-Line Drocourt - écrivez moi en prose dans le bois d’agar
Monika Pich - For Ali
Isa Stragliati - R E S I S T S I S T E R
Ismael Gherzoul - DAREEN
Dror Feiler - Resist my people resist
Dalila Tehami - قاوِمْهُمْ يا شَعْبي
Selma Zghidi - اوِمْهُمْ يا شَعْبي
Tavishi - You are not alone
FeralMind feat. Claudia Wegener - Resist
Dixie Treichel - Resist them
Osea Merdis feat. Samira Deeb - poem on trial
AGF - RES-IST-for Dareen
Meira Asher feat. Young Thunder - Response to my Remains
Valerie Vivancos feat. Bernard Clarke & Dinah Bird - Restless till Kairos
SpecImEn - Résiste mon Peuple
Jupitter-Larsen - Resist
Smadar Yaaron - In my (not) Quds
MARUDA feat. Mounia R. - resist
Gugie-Wahabistas - Soloterra
David Oppenheim - Alex reads a poem
Vagné - resist-my-people

#radioart106]]>https://api.spreaker.com/episode/18431561Sat, 08 Jun 2019 13:00:00 +0000USMARADIO#poemontrial_Mixtape for Dareen Palestinian poet Dareen Tatour was convicted by an Israeli court in Nazareth of “incitement to violence” for a poem she wrote. She spent a total of THREE years under house arrest and in prison, between October 2015 and...
Palestinian poet Dareen Tatour was convicted by an Israeli court in Nazareth of “incitement to violence” for a poem she wrote. She spent a total of THREE years under house arrest and in prison, between October 2015 and September 2018. On December 25th, 2018 she stood before the court once again, appealing against her verdict.

A group of artists and activists issued a call inviting musicians to contribute to a digital compilation album in protest at Dareen’s conviction, called Poem On Trial. This album, in tandem with a radio broadcast with Dareen, was released on November 11, 2018.
The project aims to undermine and expose the true basis of her conviction by repeating and distributing her 'illegal' poem via the medium of music and art.
#poemontrial team: Meira Asher, Antye Greie, Liam Evans, Yoav Haifawi, Smadar Yaaron and Dganit Elyakim.

Produced by Meira Asher and Antye Greie for Radioart106.

Playlist (from the album #poemontrial):
Isabel Nogueira - Resist them
Anne-Line Drocourt - écrivez moi en prose dans le bois d’agar
Monika Pich - For Ali
Isa Stragliati - R E S I S T S I S T E R
Ismael Gherzoul - DAREEN
Dror Feiler - Resist my people resist
Dalila Tehami - قاوِمْهُمْ يا شَعْبي
Selma Zghidi - اوِمْهُمْ يا شَعْبي
Tavishi - You are not alone
FeralMind feat. Claudia Wegener - Resist
Dixie Treichel - Resist them
Osea Merdis feat. Samira Deeb - poem on trial
AGF - RES-IST-for Dareen
Meira Asher feat. Young Thunder - Response to my Remains
Valerie Vivancos feat. Bernard Clarke & Dinah Bird - Restless till Kairos
SpecImEn - Résiste mon Peuple
Jupitter-Larsen - Resist
Smadar Yaaron - In my (not) Quds
MARUDA feat. Mounia R. - resist
Gugie-Wahabistas - Soloterra
David Oppenheim - Alex reads a poem
Vagné - resist-my-people

#radioart106]]>3577dareen,poemontrial,radioart,radioart106,radioworkfalsefullhttps://www.spreaker.com/episode/dareen-tatour-poem-on-trial--18168299Dareen spent a total of THREE years under house arrest and in prison, between October 2015 - September 2018. She was released on September 21, 2018 on probation with the condition that she not publish any political art work.

On November 29, 2018 she will stand before the court once again, appealing against her verdict.
A group of artists and activists issued a call inviting musicians to contribute to a forthcoming digital compilation album in protest at Dareen’s conviction, called Poem On Trial.
Each musician was invited to contribute a piece of work in any genre using, as their lyrical base, the text of the poem by Dareen. The project aims to undermine and expose the true basis of her conviction by repeating and distributing her 'illegal' poem via the medium of music and art. Some of these new creations are featured in the radio program.
Recorded, edited and produced by Meira Asher

Voiceover by Antye Geri

Featuring the voices of Dareen Tatour and Antye Greie

Sounds by
AGF / David Oppenheim / Dror Feiler / Anne-Line Drocourt / FeralMind (feat. Claudia Wegener) / Wild Anima (feat. Selma Zghidi) /
Valerie Vivancos (feat. Bernard Clarke and Dinah Bird) / Rim Banna / Maruda (feat. Mounia R.) / Phill Will / Naseer Shamma / Köhn / Floy Krouchi / Meira Asher.

Image by Dareen Tatour

Poemontrial team are Meira Asher, Antye Greie, Liam Evans, Yoav Haifawi, Dganit Elyakim and Smadar Yaaron.
Thank you Orna Akad, Ali Salem, Dr. Fuad Azam and Floy Krouchi.]]>https://api.spreaker.com/episode/18168299Tue, 04 Jun 2019 12:18:42 +0000USMARADIOPalestinian poet Dareen Tatour was convicted by an Israeli court in Nazareth of “incitement to violence” for a poem she wrote. The prosecution demanded a long prison sentence and final sentencing was announced on Tuesday, July 31, 2018. Dareen spent...Dareen spent a total of THREE years under house arrest and in prison, between October 2015 - September 2018. She was released on September 21, 2018 on probation with the condition that she not publish any political art work.

On November 29, 2018 she will stand before the court once again, appealing against her verdict.
A group of artists and activists issued a call inviting musicians to contribute to a forthcoming digital compilation album in protest at Dareen’s conviction, called Poem On Trial.
Each musician was invited to contribute a piece of work in any genre using, as their lyrical base, the text of the poem by Dareen. The project aims to undermine and expose the true basis of her conviction by repeating and distributing her 'illegal' poem via the medium of music and art. Some of these new creations are featured in the radio program.
Recorded, edited and produced by Meira Asher

Voiceover by Antye Geri

Featuring the voices of Dareen Tatour and Antye Greie

Sounds by
AGF / David Oppenheim / Dror Feiler / Anne-Line Drocourt / FeralMind (feat. Claudia Wegener) / Wild Anima (feat. Selma Zghidi) /
Valerie Vivancos (feat. Bernard Clarke and Dinah Bird) / Rim Banna / Maruda (feat. Mounia R.) / Phill Will / Naseer Shamma / Köhn / Floy Krouchi / Meira Asher.

Image by Dareen Tatour

Poemontrial team are Meira Asher, Antye Greie, Liam Evans, Yoav Haifawi, Dganit Elyakim and Smadar Yaaron.
Thank you Orna Akad, Ali Salem, Dr. Fuad Azam and Floy Krouchi.]]>3574dareentatour,radioart,radioart106,radioworkfalsefullhttps://www.spreaker.com/episode/natacha-orestes-silence-to-language--17679857
Her goals as a Brazilian activist is to withdraw a law (12.318/2010) based on Gardner's pedophile theories and to abolish child marriage in Brazil.

In Brazil, official data clearly shows that the most dangerous place for a child is their home. More than 50% of reported rapes are against children, 80% of these children are abused in their houses and 50% by fathers/fathers in law. The other 50% are raped by other male family members.

sominas-e-music.tumblr.com
soundcloud.com/sominas
aredatora.wixsite.com/mulherartistaresista

IG:
@natacha_o
@sominasemusic
@brasilcontrasap
@fimdocasamentoinfantil
@mulherartistaresista]]>https://api.spreaker.com/episode/17679857Fri, 12 Apr 2019 17:42:00 +0000USMARADIONatacha Orestes aka #ProjetoHisteria is a lesbian mother artist who mixes her communication skills as a copywriter/creative planner/social media analyst and also her self-taught DJ abilities with the purpose of creating global awareness to the...
Her goals as a Brazilian activist is to withdraw a law (12.318/2010) based on Gardner's pedophile theories and to abolish child marriage in Brazil.

In Brazil, official data clearly shows that the most dangerous place for a child is their home. More than 50% of reported rapes are against children, 80% of these children are abused in their houses and 50% by fathers/fathers in law. The other 50% are raped by other male family members.

sominas-e-music.tumblr.com
soundcloud.com/sominas
aredatora.wixsite.com/mulherartistaresista

IG:
@natacha_o
@sominasemusic
@brasilcontrasap
@fimdocasamentoinfantil
@mulherartistaresista]]>3539brazil,radioart,radioart106,radioworkfalsefullhttps://www.spreaker.com/episode/from-the-red-sea-to-the-dead-sea-a-soundscape-of-an-occupation-2018--17230260

program #110
length: 59 min.

from the Red Sea to the Dead Sea: a Soundscape of an Occupation 2018

New Radiophonic compositions, Curated and Produced for Radiokunst-Kunstradio ORF Vienna, in the frame of the Nebenan - Erkundungen in Europas Nachbarschaft: Israel Serie.
kunstradio.at/2018A/04_02_18en.html
Image by Muhammad Jabali

North Jordan Valley 2018 by Meira Asher

There is a project by the Israeli state to make life intolerable for the Palestinians remaining in the Jordan valley, the West Bank, for the purposes of de-facto annexation of this land and its resources. This introductory composition is focused on the evacuation/demolition orders issued to the Palestinian communities by the Israeli Civil Administration.
Voices: families of the North Jordan Valley, Guy Hircefeld, Meira Asher
Lexical assistance: Liam Evans
Thanks: Elisabeth Zimmermann, Susanna Niedermayr.
* if you wish to help the Palestinian community at the North Jordan Valley, please contact me at: radioart106@gmail.com

Soundinista Meira Asher is occupied with HR intervention, social documentary, radio art, and the expression/transition of traditional rhythms in/to contemporary music. Her work has been released on Crammed, Sub Rosa and Auditorium. Co-founder of the ‘bodylab art foundation’ in The Hague (2001-2011), Lecturer at the University of Haifa, and producer of radioart106. In 2018 she will release a vinyl based on Antonin Artaud’s last radio play ‘to have done with the Judgement of god’ in the Hebrew language.

The Sea That You Cannot See by Dganit Elyakim
dedicated to Haitham Khatib

How do you deliver a message of hope in our forlorn reality? Maybe the answer lies in the sea, which is completely indifferent to the nations that “rule” its beach shores, they rise and fall, like the sea waves.

I asked my friends to describe the sea to their beloveds from the other side of the barrier, the ones who are prevented from approaching it.
The actor, director and writer Mohamad Bakri described the sea to his friend Hassan;
Hanan Zaid Elkilani, a young, emerging art student, portrayed the sea to her father’s friend, Prof. Ahsan Eldick, from Nablus; Maya Felixbrodt (viola) played for the freedom fighters Ahed (16) and Nariman Tamimi from Nabi Saleh; Adaya Godlevsky (harp) dedicated her playing to the children of Palestine; and Samira Saraya painted the sea in words and sang for her family in the refugee camp in Jenin.

Dganit Elyakim is a composer and an artist. Her music depicts various aspects of the human and digital paradigm. Her oeuvre includes chamber, vocal, and electroacoustic compositions, as well as music for theatre, dance, new-media and video. In 2016, she released her debut album “Failing Better”. Lecturer at Shenkar College and artistic director of “The Unbearable Lightness of Coherency” concert series. In 2018, she will be a guest artist at La Cité Internationale Des Arts in Paris and at Styria Artist in Residence in Graz.


Lascia Vibrare: There’s a Family Living by Eran Sachs
Dedicated to Michael Zupraner

At the center of this piece there is a field recording of a family, captured from a distance. On first listen there doesn’t seem to be anything particularly special about this recording; but over the course of this reportage it becomes apparent that the act of documentation may register more than one might have initially suspected.

Eran Sachs is a composer, improviser and sound-artist working in Jerusalem and Tel-Aviv. He has been playing his unpredictable analogue system - the No-input Mixer - both solo and in various collaborative projects. He was a member of the International Hyperion Ensemble, which revolves around the works of the Romanian composers Iancu Dumitrescu and Ana-Maria Avram. His work oftentime fuses the political and the sonic, drawing on the multilayered complex context of the unfortunate region in which he lives.


An Audio Guide to Occupation_part01_A-D by Ma’ayan Tsadka

an audio guide to occupation is a sonic archive, using found materials from the daily life in occupied Palestine. It makes use of minimum sound manipulations.Mostly isolating moments, categorizing, and at times layering. It is intended to be an ongoing documentation

A. Means of Intimidation
Israeli military night raid
B. Means of Crowd Control
Tear Gas
The Skunk: Water Cannon
C. Means of Killing
Rubber-Coated Steel Bullets
Live Ammunition
Snipers
Air Strike on Gaza
D.Means of resistance

Musician, composer and teacher Ma’ayan Tsadka, composes sounds for people, instruments, objects, buildings, metal rails, and more. Current activity and research topics include: underwater sonic-scapes, site-specific pieces, audio/visual pieces, and echo/resonance in musical, political, and social context: from the rhythms of protest chants, to a series of site-specific pieces which calls for active participation and challenges common musical hierarchies. Completed a DMA in music composition at UCSC, Currently resides in Jaffa and teaches at Haifa university.


Special thanks to Meira Asher
Image by Muhammad Jabali]]>https://api.spreaker.com/episode/17230260Tue, 05 Mar 2019 16:44:48 +0000USMARADIOradioart106 @ USMARADIO program #110 length: 59 min. from the Red Sea to the Dead Sea: a Soundscape of an Occupation 2018 New Radiophonic compositions, Curated and Produced for Radiokunst-Kunstradio ORF Vienna, in the frame of the Nebenan -...

program #110
length: 59 min.

from the Red Sea to the Dead Sea: a Soundscape of an Occupation 2018

New Radiophonic compositions, Curated and Produced for Radiokunst-Kunstradio ORF Vienna, in the frame of the Nebenan - Erkundungen in Europas Nachbarschaft: Israel Serie.
kunstradio.at/2018A/04_02_18en.html
Image by Muhammad Jabali

North Jordan Valley 2018 by Meira Asher

There is a project by the Israeli state to make life intolerable for the Palestinians remaining in the Jordan valley, the West Bank, for the purposes of de-facto annexation of this land and its resources. This introductory composition is focused on the evacuation/demolition orders issued to the Palestinian communities by the Israeli Civil Administration.
Voices: families of the North Jordan Valley, Guy Hircefeld, Meira Asher
Lexical assistance: Liam Evans
Thanks: Elisabeth Zimmermann, Susanna Niedermayr.
* if you wish to help the Palestinian community at the North Jordan Valley, please contact me at: radioart106@gmail.com

Soundinista Meira Asher is occupied with HR intervention, social documentary, radio art, and the expression/transition of traditional rhythms in/to contemporary music. Her work has been released on Crammed, Sub Rosa and Auditorium. Co-founder of the ‘bodylab art foundation’ in The Hague (2001-2011), Lecturer at the University of Haifa, and producer of radioart106. In 2018 she will release a vinyl based on Antonin Artaud’s last radio play ‘to have done with the Judgement of god’ in the Hebrew language.

The Sea That You Cannot See by Dganit Elyakim
dedicated to Haitham Khatib

How do you deliver a message of hope in our forlorn reality? Maybe the answer lies in the sea, which is completely indifferent to the nations that “rule” its beach shores, they rise and fall, like the sea waves.

I asked my friends to describe the sea to their beloveds from the other side of the barrier, the ones who are prevented from approaching it.
The actor, director and writer Mohamad Bakri described the sea to his friend Hassan;
Hanan Zaid Elkilani, a young, emerging art student, portrayed the sea to her father’s friend, Prof. Ahsan Eldick, from Nablus; Maya Felixbrodt (viola) played for the freedom fighters Ahed (16) and Nariman Tamimi from Nabi Saleh; Adaya Godlevsky (harp) dedicated her playing to the children of Palestine; and Samira Saraya painted the sea in words and sang for her family in the refugee camp in Jenin.

Dganit Elyakim is a composer and an artist. Her music depicts various aspects of the human and digital paradigm. Her oeuvre includes chamber, vocal, and electroacoustic compositions, as well as music for theatre, dance, new-media and video. In 2016, she released her debut album “Failing Better”. Lecturer at Shenkar College and artistic director of “The Unbearable Lightness of Coherency” concert series. In 2018, she will be a guest artist at La Cité Internationale Des Arts in Paris and at Styria Artist in Residence in Graz.


Lascia Vibrare: There’s a Family Living by Eran Sachs
Dedicated to Michael Zupraner

At the center of this piece there is a field recording of a family, captured from a distance. On first listen there doesn’t seem to be anything particularly special about this recording; but over the course of this reportage it becomes apparent that the act of documentation may register more than one might have initially suspected.

Eran Sachs is a composer, improviser and sound-artist working in Jerusalem and Tel-Aviv. He has been playing his unpredictable analogue system - the No-input Mixer - both solo and in various collaborative projects. He was a member of the International Hyperion Ensemble, which revolves around the works of the Romanian composers Iancu Dumitrescu...]]>3360occupation,radioart,radioart106,radioworksfalsefull