<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>SCMS: Classical Conversation Podcast</title><link>https://www.spreaker.com/show/scms-classical-conversation-podcast</link><description><![CDATA[As part of its Winter and Summer Festivals, Seattle Chamber Music Society presents informal, in-depth discussions with Classical KING FM 98.1  host Dave Beck and Festival musicians. These Classical Conversation Podcast interviews give an inside look at the Chamber Music repertoire performed during the Festivals with world-class performers’ insight. Classical KING FM and Seattle Chamber Music Society, Producers. Bill Levey, Recording Engineer and Technical Production.]]></description><atom:link href="https://www.spreaker.com/show/3298939/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Music</category><copyright>Copyright Seattle Chamber Music Society</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg</url><title>SCMS: Classical Conversation Podcast</title><link>https://www.spreaker.com/show/scms-classical-conversation-podcast</link></image><lastBuildDate>Wed, 16 Jan 2019 23:20:46 +0000</lastBuildDate><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:owner><itunes:name>Seattle Chamber Music Society</itunes:name><itunes:email>feeds@spreaker.com</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:subtitle>As part of its Winter and Summer Festivals, Seattle Chamber Music Society presents informal, in-depth discussions with Classical KING FM 98.1  host Dave Beck and Festival musicians. These Classical Conversation Podcast interviews give an inside look...</itunes:subtitle><itunes:summary><![CDATA[As part of its Winter and Summer Festivals, Seattle Chamber Music Society presents informal, in-depth discussions with Classical KING FM 98.1  host Dave Beck and Festival musicians. These Classical Conversation Podcast interviews give an inside look at the Chamber Music repertoire performed during the Festivals with world-class performers’ insight. Classical KING FM and Seattle Chamber Music Society, Producers. Bill Levey, Recording Engineer and Technical Production.]]></itunes:summary><itunes:category text="Music"/><itunes:explicit>clean</itunes:explicit><itunes:type>episodic</itunes:type><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:email>feeds@spreaker.com</googleplay:email><googleplay:description>As part of its Winter and Summer Festivals, Seattle Chamber Music Society presents informal, in-depth discussions with Classical KING FM 98.1  host Dave Beck and Festival musicians. These Classical Conversation Podcast interviews give an inside look at the Chamber Music repertoire performed during the Festivals with world-class performers’ insight. Classical KING FM and Seattle Chamber Music Society, Producers. Bill Levey, Recording Engineer and Technical Production.</googleplay:description><googleplay:category text="Music"/><googleplay:explicit>No</googleplay:explicit><item><title>#44: Nurit Bar-Josef, Part IV - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/44-nurit-bar-josef-part-iv-2018-summer-f</link><description><![CDATA[The final part of our conversation with violinist Nurit Bar-Josef talks about learning the demanding and cinematic chamber music of Erich Wolfgang Korngold. She also talks about discovering the joys of playing in an orchestra while performing Stravinsky’s “Rite of Spring” as a student at the Curtis Institute. That initial experience led Nurit to leadership positions in St. Louis, Boston, and now as concertmaster at the National Symphony Orchestra.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Nurit_BarJosef_Part4_07_18_2018.mp3</guid><pubDate>Tue, 04 Dec 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732438/scms_steinway_nurit_barjosef_part4_07_18_2018.mp3" length="34034898" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>The final part of our conversation with violinist Nurit Bar-Josef talks about learning the demanding and cinematic chamber music of Erich Wolfgang Korngold. She also talks about discovering the joys of playing in an orchestra while performing...</itunes:subtitle><itunes:summary><![CDATA[The final part of our conversation with violinist Nurit Bar-Josef talks about learning the demanding and cinematic chamber music of Erich Wolfgang Korngold. She also talks about discovering the joys of playing in an orchestra while performing Stravinsky’s “Rite of Spring” as a student at the Curtis Institute. That initial experience led Nurit to leadership positions in St. Louis, Boston, and now as concertmaster at the National Symphony Orchestra.]]></itunes:summary><itunes:duration>851</itunes:duration><itunes:keywords>interview,violin,festival,classical music,chamber music,korngold,stravinsky,rite of spring,seattle chamber music society,scms,nurit bar-josef</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>The final part of our conversation with violinist Nurit Bar-Josef talks about learning the demanding and cinematic chamber music of Erich Wolfgang Korngold. She also talks about discovering the joys of playing in an orchestra while performing Stravinsky’s “Rite of Spring” as a student at the Curtis Institute. That initial experience led Nurit to leadership positions in St. Louis, Boston, and now as concertmaster at the National Symphony Orchestra.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#43: Inon Barnatan, Part IV - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/43-inon-barnatan-part-iv-2018-summer-fes</link><description><![CDATA[The final part of our conversation with pianist Inon Barnatan includes the excitement and challenges of his new role as artistic director of the La Jolla Music Society in San Diego; he speaks about how ideas from literature, painting, and the collections of great international museums shape the way he thinks about presenting and programming music. Inon also reflects on the music of Thomas Ades from his recording “Darknesse Visible.”]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Inon_Barnatan_Part4_07_11_2018.mp3</guid><pubDate>Tue, 20 Nov 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732439/scms_steinway_inon_barnatan_part4_07_11_2018.mp3" length="17996494" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>The final part of our conversation with pianist Inon Barnatan includes the excitement and challenges of his new role as artistic director of the La Jolla Music Society in San Diego; he speaks about how ideas from literature, painting, and the...</itunes:subtitle><itunes:summary><![CDATA[The final part of our conversation with pianist Inon Barnatan includes the excitement and challenges of his new role as artistic director of the La Jolla Music Society in San Diego; he speaks about how ideas from literature, painting, and the collections of great international museums shape the way he thinks about presenting and programming music. Inon also reflects on the music of Thomas Ades from his recording “Darknesse Visible.”]]></itunes:summary><itunes:duration>450</itunes:duration><itunes:keywords>interview,piano,festival,chamber music,seattle chamber music society,scms,&gt;classical music,inon barnatan,la jolla</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>The final part of our conversation with pianist Inon Barnatan includes the excitement and challenges of his new role as artistic director of the La Jolla Music Society in San Diego; he speaks about how ideas from literature, painting, and the collections of great international museums shape the way he thinks about presenting and programming music. Inon also reflects on the music of Thomas Ades from his recording “Darknesse Visible.”</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#42: Jeewon Park, Part III - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/42-jeewon-park-part-iii-2018-summer-fest</link><description><![CDATA[Part 3 of our conversation with pianist Jeewon Park begins with the story of how she met her husband, SCMS Festival Artist Edward Arron. She reflects on their musical chemistry and <br />their recent recording of all Beethoven's works for cello and piano. We hear the recording of couple playing Beethoven’s 3rd Cello Sonata in A Major.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Jeewon_Park_Part3_07_25_2018.mp3</guid><pubDate>Tue, 06 Nov 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732440/scms_steinway_jeewon_park_part3_07_25_2018.mp3" length="9212446" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>Part 3 of our conversation with pianist Jeewon Park begins with the story of how she met her husband, SCMS Festival Artist Edward Arron. She reflects on their musical chemistry and 
their recent recording of all Beethoven's works for cello and piano....</itunes:subtitle><itunes:summary><![CDATA[Part 3 of our conversation with pianist Jeewon Park begins with the story of how she met her husband, SCMS Festival Artist Edward Arron. She reflects on their musical chemistry and <br />their recent recording of all Beethoven's works for cello and piano. We hear the recording of couple playing Beethoven’s 3rd Cello Sonata in A Major.]]></itunes:summary><itunes:duration>576</itunes:duration><itunes:keywords>interview,piano,festival,classical music,bach,chamber music,goldberg variations,seattle chamber music society,scms,jeewon park</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>Part 3 of our conversation with pianist Jeewon Park begins with the story of how she met her husband, SCMS Festival Artist Edward Arron. She reflects on their musical chemistry and 
their recent recording of all Beethoven's works for cello and piano. We hear the recording of couple playing Beethoven’s 3rd Cello Sonata in A Major.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#41: Nurit Bar-Josef, Part III - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/41-nurit-bar-josef-part-iii-2018-summer-</link><description><![CDATA[In Part 3 of our conversation with violinist Nurit Bar-Josef, she talks about mentors who shaped her career: Russian violinist Rostislav Dubinsky of the Borodin Trio, and (during her time at the Julliard School) the violinist Robert Mann, who passed away early in 2018 at the age of 97. Nurit speaks about the impact of her studies - how she was encouraged her to become a deeply analytical and thoughtful player.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Nurit_BarJosef_Part3_07_18_2018.mp3</guid><pubDate>Tue, 23 Oct 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732441/scms_steinway_nurit_barjosef_part3_07_18_2018.mp3" length="19735530" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>In Part 3 of our conversation with violinist Nurit Bar-Josef, she talks about mentors who shaped her career: Russian violinist Rostislav Dubinsky of the Borodin Trio, and (during her time at the Julliard School) the violinist Robert Mann, who passed...</itunes:subtitle><itunes:summary><![CDATA[In Part 3 of our conversation with violinist Nurit Bar-Josef, she talks about mentors who shaped her career: Russian violinist Rostislav Dubinsky of the Borodin Trio, and (during her time at the Julliard School) the violinist Robert Mann, who passed away early in 2018 at the age of 97. Nurit speaks about the impact of her studies - how she was encouraged her to become a deeply analytical and thoughtful player.]]></itunes:summary><itunes:duration>824</itunes:duration><itunes:keywords>interview,violin,festival,classical music,chamber music,juilliard,seattle chamber music society,scms,nurit bar-josef,robert mann</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>In Part 3 of our conversation with violinist Nurit Bar-Josef, she talks about mentors who shaped her career: Russian violinist Rostislav Dubinsky of the Borodin Trio, and (during her time at the Julliard School) the violinist Robert Mann, who passed away early in 2018 at the age of 97. Nurit speaks about the impact of her studies - how she was encouraged her to become a deeply analytical and thoughtful player.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#40: Inon Barnatan, Part III - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/40-inon-barnatan-part-iii-2018-summer-fe</link><description><![CDATA[Part 3 of our conversation with pianist Inon Barnatan speaks about the excitement and the challenges of becoming an Artistic Director for a music festival. We hear a recording of Thomas Ades work "Darkness Visible," and discuss the intricacies of choosing pieces for concert programs.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Inon_Barnatan_Part3_07_11_2018.mp3</guid><pubDate>Tue, 09 Oct 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732443/scms_steinway_inon_barnatan_part3_07_11_2018.mp3" length="32674950" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>Part 3 of our conversation with pianist Inon Barnatan speaks about the excitement and the challenges of becoming an Artistic Director for a music festival. We hear a recording of Thomas Ades work "Darkness Visible," and discuss the intricacies of...</itunes:subtitle><itunes:summary><![CDATA[Part 3 of our conversation with pianist Inon Barnatan speaks about the excitement and the challenges of becoming an Artistic Director for a music festival. We hear a recording of Thomas Ades work "Darkness Visible," and discuss the intricacies of choosing pieces for concert programs.]]></itunes:summary><itunes:duration>817</itunes:duration><itunes:keywords>interview,piano,festival,chamber music,seattle chamber music society,scms,&gt;classical music,inon barnatan,la jolla</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>Part 3 of our conversation with pianist Inon Barnatan speaks about the excitement and the challenges of becoming an Artistic Director for a music festival. We hear a recording of Thomas Ades work "Darkness Visible," and discuss the intricacies of choosing pieces for concert programs.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#39: Jeewon Park, Part II - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/39-jeewon-park-part-ii-2018-summer-festi</link><description><![CDATA[In Part 2 of our conversation with pianist Jeewon Park, she talks about her holiday tradition of playing J.S. Bach’s “Goldberg Variations,”  we hear the playing of pianist Glenn Gould <br />whose famous recording of it sparked her original interest in the music, and Jeewon explains why this extraordinary set of theme and variations by Bach has so captured the human imagination.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Jeewon_Park_Part2_07_25_2018.mp3</guid><pubDate>Tue, 18 Sep 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732445/scms_steinway_jeewon_park_part2_07_25_2018.mp3" length="14597529" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>In Part 2 of our conversation with pianist Jeewon Park, she talks about her holiday tradition of playing J.S. Bach’s “Goldberg Variations,”  we hear the playing of pianist Glenn Gould 
whose famous recording of it sparked her original interest in the...</itunes:subtitle><itunes:summary><![CDATA[In Part 2 of our conversation with pianist Jeewon Park, she talks about her holiday tradition of playing J.S. Bach’s “Goldberg Variations,”  we hear the playing of pianist Glenn Gould <br />whose famous recording of it sparked her original interest in the music, and Jeewon explains why this extraordinary set of theme and variations by Bach has so captured the human imagination.]]></itunes:summary><itunes:duration>608</itunes:duration><itunes:keywords>interview,piano,festival,classical music,bach,chamber music,goldberg variations,seattle chamber music society,scms,jeewon park</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>In Part 2 of our conversation with pianist Jeewon Park, she talks about her holiday tradition of playing J.S. Bach’s “Goldberg Variations,”  we hear the playing of pianist Glenn Gould 
whose famous recording of it sparked her original interest in the music, and Jeewon explains why this extraordinary set of theme and variations by Bach has so captured the human imagination.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#38: Nurit Bar-Josef, Part II - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/38-nurit-bar-josef-part-ii-2018-summer-f</link><description><![CDATA[In Part 2 of our conversation with violinist Nurit-Bar-Josef, she talks about her experiences performing with the Dryden String Quartet - telling the 2002 origin story of the ensemble. She believes that chamber music is the single most important activity for classical musicians.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Nurit_BarJosef_Part2_07_18_2018.mp3</guid><pubDate>Tue, 11 Sep 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732448/scms_steinway_nurit_barjosef_part2_07_18_2018.mp3" length="14046987" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>In Part 2 of our conversation with violinist Nurit-Bar-Josef, she talks about her experiences performing with the Dryden String Quartet - telling the 2002 origin story of the ensemble. She believes that chamber music is the single most important...</itunes:subtitle><itunes:summary><![CDATA[In Part 2 of our conversation with violinist Nurit-Bar-Josef, she talks about her experiences performing with the Dryden String Quartet - telling the 2002 origin story of the ensemble. She believes that chamber music is the single most important activity for classical musicians.]]></itunes:summary><itunes:duration>585</itunes:duration><itunes:keywords>interview,violin,festival,classical music,chamber music,haydn,string quartet,seattle chamber music society,scms,nurit bar-josef,dryden string quartet</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>In Part 2 of our conversation with violinist Nurit-Bar-Josef, she talks about her experiences performing with the Dryden String Quartet - telling the 2002 origin story of the ensemble. She believes that chamber music is the single most important activity for classical musicians.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#37: Inon Barnatan, Part II - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/37-inon-barnatan-part-ii-2018-summer-fes</link><description><![CDATA[In Part 2 of our conversation with pianist Inon Barnatan, hear musical selections by Ravel and Chopin and a discussion of his excitement and vision for programming next summer as the newly appointed artistic director for La Jolla California Chamber Music Society.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Inon_Barnatan_Part2_07_11_2018.mp3</guid><pubDate>Tue, 21 Aug 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732449/scms_steinway_inon_barnatan_part2_07_11_2018.mp3" length="20258296" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>In Part 2 of our conversation with pianist Inon Barnatan, hear musical selections by Ravel and Chopin and a discussion of his excitement and vision for programming next summer as the newly appointed artistic director for La Jolla California Chamber...</itunes:subtitle><itunes:summary><![CDATA[In Part 2 of our conversation with pianist Inon Barnatan, hear musical selections by Ravel and Chopin and a discussion of his excitement and vision for programming next summer as the newly appointed artistic director for La Jolla California Chamber Music Society.]]></itunes:summary><itunes:duration>845</itunes:duration><itunes:keywords>interview,piano,festival,chamber music,seattle chamber music society,scms,&gt;classical music,inon barnatan,la jolla</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>In Part 2 of our conversation with pianist Inon Barnatan, hear musical selections by Ravel and Chopin and a discussion of his excitement and vision for programming next summer as the newly appointed artistic director for La Jolla California Chamber Music Society.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#36: Jeewon Park, Part I - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/36-jeewon-park-part-i-2018-summer-festiv</link><description><![CDATA[In Part 1 of our conversation with pianist Jeewon Park, she speaks about her deep attraction to the music of Robert Schumann. She finds a rich mix of joy and melancholy in his music. Jeewon <br />played Schumann at the 2013 SCMS Summer Festival, and she shares excerpts from that recording and talks about how meaningful that summer was for her on many levels.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Jeewon_Park_Part1_07_25_2018.mp3</guid><pubDate>Wed, 25 Jul 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732453/scms_steinway_jeewon_park_part1_07_25_2018.mp3" length="29105900" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>In Part 1 of our conversation with pianist Jeewon Park, she speaks about her deep attraction to the music of Robert Schumann. She finds a rich mix of joy and melancholy in his music. Jeewon 
played Schumann at the 2013 SCMS Summer Festival, and she...</itunes:subtitle><itunes:summary><![CDATA[In Part 1 of our conversation with pianist Jeewon Park, she speaks about her deep attraction to the music of Robert Schumann. She finds a rich mix of joy and melancholy in his music. Jeewon <br />played Schumann at the 2013 SCMS Summer Festival, and she shares excerpts from that recording and talks about how meaningful that summer was for her on many levels.]]></itunes:summary><itunes:duration>1213</itunes:duration><itunes:keywords>interview,piano,festival,classical music,chamber music,schumann,seattle chamber music society,scms,jeewon park</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>In Part 1 of our conversation with pianist Jeewon Park, she speaks about her deep attraction to the music of Robert Schumann. She finds a rich mix of joy and melancholy in his music. Jeewon 
played Schumann at the 2013 SCMS Summer Festival, and she shares excerpts from that recording and talks about how meaningful that summer was for her on many levels.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#35: Nurit Bar-Josef, Part I - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/35-nurit-bar-josef-part-i-2018-summer-fe</link><description><![CDATA[In Part 1 of our conversation with violinist Nurit-Bar-Josef, listen to a fascinating discussion about playing the violin of one of your mentors, as Nurit's current instrument was previously owned by Joseph Silverstein. He was the concertmaster of the Boston Symphony until 1984, as well as a conductor and teacher. Nurit's connection to him began prior to her taking the concertmaster job at Washington DC/National Symphony.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Nurit_BarJosef_Part1_07_18_2018.mp3</guid><pubDate>Wed, 18 Jul 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732457/scms_steinway_nurit_barjosef_part1_07_18_2018.mp3" length="39266128" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>In Part 1 of our conversation with violinist Nurit-Bar-Josef, listen to a fascinating discussion about playing the violin of one of your mentors, as Nurit's current instrument was previously owned by Joseph Silverstein. He was the concertmaster of the...</itunes:subtitle><itunes:summary><![CDATA[In Part 1 of our conversation with violinist Nurit-Bar-Josef, listen to a fascinating discussion about playing the violin of one of your mentors, as Nurit's current instrument was previously owned by Joseph Silverstein. He was the concertmaster of the Boston Symphony until 1984, as well as a conductor and teacher. Nurit's connection to him began prior to her taking the concertmaster job at Washington DC/National Symphony.]]></itunes:summary><itunes:duration>982</itunes:duration><itunes:keywords>interview,violin,festival,classical music,chamber music,seattle chamber music society,scms,nurit bar-josef,joseph silverstein</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>In Part 1 of our conversation with violinist Nurit-Bar-Josef, listen to a fascinating discussion about playing the violin of one of your mentors, as Nurit's current instrument was previously owned by Joseph Silverstein. He was the concertmaster of the Boston Symphony until 1984, as well as a conductor and teacher. Nurit's connection to him began prior to her taking the concertmaster job at Washington DC/National Symphony.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#34: Inon Barnatan, Part I - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/34-inon-barnatan-part-i-2018-summer-fest</link><description><![CDATA[In Part 1 of our conversation with pianist Inon Barnatan, hear about the adrenaline rush of being called on to perform at the last minute---which happened recently when Inon performed with the Seattle Symphony on 24 hours notice. Learn about his early introduction to piano in Israel, and about his love of Schubert, including hearing him play a Schubert Impromptu.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Inon_Barnatan_Part1_07_11_2018.mp3</guid><pubDate>Wed, 11 Jul 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732458/scms_steinway_inon_barnatan_part1_07_11_2018.mp3" length="25285999" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>In Part 1 of our conversation with pianist Inon Barnatan, hear about the adrenaline rush of being called on to perform at the last minute---which happened recently when Inon performed with the Seattle Symphony on 24 hours notice. Learn about his early...</itunes:subtitle><itunes:summary><![CDATA[In Part 1 of our conversation with pianist Inon Barnatan, hear about the adrenaline rush of being called on to perform at the last minute---which happened recently when Inon performed with the Seattle Symphony on 24 hours notice. Learn about his early introduction to piano in Israel, and about his love of Schubert, including hearing him play a Schubert Impromptu.]]></itunes:summary><itunes:duration>1055</itunes:duration><itunes:keywords>interview,piano,festival,classical music,chamber music,schubert,seattle chamber music society,scms,inon barnatan</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>In Part 1 of our conversation with pianist Inon Barnatan, hear about the adrenaline rush of being called on to perform at the last minute---which happened recently when Inon performed with the Seattle Symphony on 24 hours notice. Learn about his early introduction to piano in Israel, and about his love of Schubert, including hearing him play a Schubert Impromptu.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#33: James Ehnes, Part II - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/33-james-ehnes-part-ii-2018-summer-festi</link><description><![CDATA[SCMS Artistic Director and violinist James Ehnes gives a preview of the 2018 Summer Festival of chamber music. This second half of a 2-part Festival Teaser episode features James Ehnes talking about his excitement around programming pieces that he has always wanted to perform, like the Enescu Octet, and the importance of revisiting old favorites like Brahms, Beethoven, and Bach who are heavily featured this year. Also discussed: James Newton Howard's newly commissioned work.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_KINGFMStudio_James_Ehnes_Part2_6_22_18.mp3</guid><pubDate>Mon, 25 Jun 2018 17:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732460/scms_kingfmstudio_james_ehnes_part2_6_22_18.mp3" length="22114146" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>SCMS Artistic Director and violinist James Ehnes gives a preview of the 2018 Summer Festival of chamber music. This second half of a 2-part Festival Teaser episode features James Ehnes talking about his excitement around programming pieces that he has...</itunes:subtitle><itunes:summary><![CDATA[SCMS Artistic Director and violinist James Ehnes gives a preview of the 2018 Summer Festival of chamber music. This second half of a 2-part Festival Teaser episode features James Ehnes talking about his excitement around programming pieces that he has always wanted to perform, like the Enescu Octet, and the importance of revisiting old favorites like Brahms, Beethoven, and Bach who are heavily featured this year. Also discussed: James Newton Howard's newly commissioned work.]]></itunes:summary><itunes:duration>553</itunes:duration><itunes:keywords>interview,violin,beethoven,festival,classical music,chamber music,brahms,james newton howard,james ehnes,seattle chamber music society,scms,enescu</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>SCMS Artistic Director and violinist James Ehnes gives a preview of the 2018 Summer Festival of chamber music. This second half of a 2-part Festival Teaser episode features James Ehnes talking about his excitement around programming pieces that he has always wanted to perform, like the Enescu Octet, and the importance of revisiting old favorites like Brahms, Beethoven, and Bach who are heavily featured this year. Also discussed: James Newton Howard's newly commissioned work.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#32: James Ehnes, Part I - 2018 Summer Festival</title><link>https://www.spreaker.com/user/scms/32-james-ehnes-part-i-2018-summer-festiv</link><description><![CDATA[SCMS Artistic Director and violinist James Ehnes gives a preview of the 2018 Summer Festival of chamber music. This first half of a 2-part Festival Teaser episode is about solving puzzles – the puzzles of programming a major festival with many different artists and repertoire, as well as the musical puzzles that Bach solves in “The Musical Offering” which will be the grand finale of the SCMS Summer Festival this year.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_KINGFMStudio_James_Ehnes_06_07_2018.mp3</guid><pubDate>Mon, 11 Jun 2018 18:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732461/scms_kingfmstudio_james_ehnes_06_07_2018.mp3" length="23145469" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>SCMS Artistic Director and violinist James Ehnes gives a preview of the 2018 Summer Festival of chamber music. This first half of a 2-part Festival Teaser episode is about solving puzzles – the puzzles of programming a major festival with many...</itunes:subtitle><itunes:summary><![CDATA[SCMS Artistic Director and violinist James Ehnes gives a preview of the 2018 Summer Festival of chamber music. This first half of a 2-part Festival Teaser episode is about solving puzzles – the puzzles of programming a major festival with many different artists and repertoire, as well as the musical puzzles that Bach solves in “The Musical Offering” which will be the grand finale of the SCMS Summer Festival this year.]]></itunes:summary><itunes:duration>579</itunes:duration><itunes:keywords>interview,violin,festival,classical music,bach,chamber music,james ehnes,seattle chamber music society,scms</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>SCMS Artistic Director and violinist James Ehnes gives a preview of the 2018 Summer Festival of chamber music. This first half of a 2-part Festival Teaser episode is about solving puzzles – the puzzles of programming a major festival with many different artists and repertoire, as well as the musical puzzles that Bach solves in “The Musical Offering” which will be the grand finale of the SCMS Summer Festival this year.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#31: Saeunn Thorsteinsdottir - 2018 Winter Festival</title><link>https://www.spreaker.com/user/scms/31-saeunn-thorsteinsdottir-2018-winter-f</link><description><![CDATA[SCMS Festival Artist and cellist Sæunn Thorsteinsdóttir discusses her musical education in her home country of Iceland and in the United States, her collaborations and recordings, and her experience as a teacher.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Saeunn_Thorsteinsdottir_01_19_18.mp3</guid><pubDate>Sat, 27 Jan 2018 20:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732462/scms_soundbridge_astrid_schween_07_21_17.mp3" length="78795738" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>SCMS Festival Artist and cellist Sæunn Thorsteinsdóttir discusses her musical education in her home country of Iceland and in the United States, her collaborations and recordings, and her experience as a teacher.</itunes:subtitle><itunes:summary><![CDATA[SCMS Festival Artist and cellist Sæunn Thorsteinsdóttir discusses her musical education in her home country of Iceland and in the United States, her collaborations and recordings, and her experience as a teacher.]]></itunes:summary><itunes:duration>2466</itunes:duration><itunes:keywords>interview,festival,classical music,cello,chamber music,seattle chamber music society,saeunn thorsteinsdottir</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>SCMS Festival Artist and cellist Sæunn Thorsteinsdóttir discusses her musical education in her home country of Iceland and in the United States, her collaborations and recordings, and her experience as a teacher.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#30: Roberto Diaz - 2018 Winter Festival</title><link>https://www.spreaker.com/user/scms/30-roberto-diaz-2018-winter-festival</link><description><![CDATA[Roberto Diaz is a renowned violist and President of the Curtis Institute of Music. In this Conversation, he speaks about his vision for the Curtis Institute and some of the innovative programs he has brought to the school. He also talks about his background, recordings, and his special connection to violist William Primrose.]]></description><guid isPermaLink="false">https://www.seattlechambermusic.org/podcasts/SCMS_Steinway_Roberto_Diaz_01_27_18.mp3</guid><pubDate>Fri, 19 Jan 2018 20:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732464/scms_soundbridge_astrid_schween_07_21_17.mp3" length="78795738" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>Roberto Diaz is a renowned violist and President of the Curtis Institute of Music. In this Conversation, he speaks about his vision for the Curtis Institute and some of the innovative programs he has brought to the school. He also talks about his...</itunes:subtitle><itunes:summary><![CDATA[Roberto Diaz is a renowned violist and President of the Curtis Institute of Music. In this Conversation, he speaks about his vision for the Curtis Institute and some of the innovative programs he has brought to the school. He also talks about his background, recordings, and his special connection to violist William Primrose.]]></itunes:summary><itunes:duration>2466</itunes:duration><itunes:keywords>interview,viola,festival,classical music,chamber music,roberto diaz,seattle chamber music society,curtis institute of music</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>Roberto Diaz is a renowned violist and President of the Curtis Institute of Music. In this Conversation, he speaks about his vision for the Curtis Institute and some of the innovative programs he has brought to the school. He also talks about his background, recordings, and his special connection to violist William Primrose.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item><item><title>#29: Astrid Schween - 2017 Summer Festival</title><link>https://www.spreaker.com/user/scms/29-astrid-schween-2017-summer-festival</link><description><![CDATA[SCMS Festival Artist and cellist Astrid Schween speaks about her history with illustrious cello teachers, becoming the newest member of the Juilliard String Quartet, and her recent project performing a new multi-media work Rhapsody, composed for her by her husband Gordon Greene. She also discusses her teaching philosophy, history with the Lark Quartet, and her three cellos.]]></description><guid isPermaLink="false">http://www.seattlechambermusic.org/podcasts/SCMS_soundbridge_Astrid_Schween_07_21_17.mp3</guid><pubDate>Sat, 22 Jul 2017 22:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16732465/scms_soundbridge_astrid_schween_07_21_17.mp3" length="78795738" type="audio/mpeg"/><itunes:author>Seattle Chamber Music Society</itunes:author><itunes:subtitle>SCMS Festival Artist and cellist Astrid Schween speaks about her history with illustrious cello teachers, becoming the newest member of the Juilliard String Quartet, and her recent project performing a new multi-media work Rhapsody, composed for her...</itunes:subtitle><itunes:summary><![CDATA[SCMS Festival Artist and cellist Astrid Schween speaks about her history with illustrious cello teachers, becoming the newest member of the Juilliard String Quartet, and her recent project performing a new multi-media work Rhapsody, composed for her by her husband Gordon Greene. She also discusses her teaching philosophy, history with the Lark Quartet, and her three cellos.]]></itunes:summary><itunes:duration>2466</itunes:duration><itunes:keywords>interview,festival,classical music,cello,chamber music,seattle chamber music society,astrid schween,juilliard quartet</itunes:keywords><itunes:explicit>clean</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><itunes:episodeType>full</itunes:episodeType><googleplay:author>Seattle Chamber Music Society</googleplay:author><googleplay:description>SCMS Festival Artist and cellist Astrid Schween speaks about her history with illustrious cello teachers, becoming the newest member of the Juilliard String Quartet, and her recent project performing a new multi-media work Rhapsody, composed for her by her husband Gordon Greene. She also discusses her teaching philosophy, history with the Lark Quartet, and her three cellos.</googleplay:description><googleplay:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6c0be3737c4617acd856f60cf94410d4.jpg"/><googleplay:explicit>No</googleplay:explicit></item></channel></rss>
