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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Producing The Beatles</title><link>https://www.spreaker.com/podcast/producing-the-beatles--3131416</link><description><![CDATA[The podcast dedicated to exploring the untold story behind producer George Martin's revolutionary collaboration with The Beatles.]]></description><atom:link href="https://www.spreaker.com/show/3131416/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Music</category><copyright>Copyright Jason Kruppa</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/45864bffa87447d97c16cacbe63e34d7.jpg</url><title>Producing The Beatles</title><link>https://www.spreaker.com/podcast/producing-the-beatles--3131416</link></image><lastBuildDate>Tue, 20 Jun 2023 17:13:20 +0000</lastBuildDate><itunes:author>Jason Kruppa</itunes:author><itunes:owner><itunes:name>Jason Kruppa</itunes:name><itunes:email>feeds@spreaker.com</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/45864bffa87447d97c16cacbe63e34d7.jpg"/><itunes:subtitle>The podcast dedicated to exploring the untold story behind producer George Martin's revolutionary collaboration with The Beatles.</itunes:subtitle><itunes:summary><![CDATA[The podcast dedicated to exploring the untold story behind producer George Martin's revolutionary collaboration with The Beatles.]]></itunes:summary><itunes:category text="Music"/><itunes:explicit>false</itunes:explicit><podcast:guid>e15d9ffa-3f4e-5015-a751-f44a9f851e27</podcast:guid><itunes:type>episodic</itunes:type><item><title>015 Paul McCartney and Wings, "Live and Let Die"</title><link>https://www.spreaker.com/episode/015-paul-mccartney-and-wings-live-and-let-die--54096098</link><description><![CDATA[Kozinn, co-author of The McCartney Legacy Volume 1, who takes us through all the details of the writing and recording process. We also learn how Paul debuted the song before the film’s release, we walk through George Martin’s Grammy-winning arrangement, and we consider Martin’s droll story about the film’s producer, as well as what Martin left out of that story.]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:6478f3901766bf6ee8d5e60d</guid><pubDate>Mon, 05 Jun 2023 04:05:51 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/54096098/015_live_and_let_die.mp3" length="27568213" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>Kozinn, co-author of The McCartney Legacy Volume 1, who takes us through all the details of the writing and recording process. We also learn how Paul debuted the song before the film’s release, we walk through George Martin’s Grammy-winning...</itunes:subtitle><itunes:summary><![CDATA[Kozinn, co-author of The McCartney Legacy Volume 1, who takes us through all the details of the writing and recording process. We also learn how Paul debuted the song before the film’s release, we walk through George Martin’s Grammy-winning arrangement, and we consider Martin’s droll story about the film’s producer, as well as what Martin left out of that story.]]></itunes:summary><itunes:duration>1723</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/b0331a82adf6f5b72420ffbc82c3a786.jpg"/><itunes:episode>15</itunes:episode><itunes:episodeType>full</itunes:episodeType></item><item><title>014 George Harrison, "Isn't It A Pity"</title><link>https://www.spreaker.com/episode/014-george-harrison-isn-t-it-a-pity--52915436</link><description><![CDATA[In the second episode looking at the making of All Things Must Pass, we explore the recording of the largest production on the album. We hear from participants at the sessions, listen to outtakes and isolations, peek into Mal Evans’ diaries, and sample a reconstruction of the song’s epic orchestral score.]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:63a14f6e6501a75c105ef9f6</guid><pubDate>Tue, 20 Dec 2022 06:10:42 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/52915436/ptb_014_isn_t_it_a_pity.mp3" length="22702026" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>In the second episode looking at the making of All Things Must Pass, we explore the recording of the largest production on the album. We hear from participants at the sessions, listen to outtakes and isolations, peek into Mal Evans’ diaries, and...</itunes:subtitle><itunes:summary><![CDATA[In the second episode looking at the making of All Things Must Pass, we explore the recording of the largest production on the album. We hear from participants at the sessions, listen to outtakes and isolations, peek into Mal Evans’ diaries, and sample a reconstruction of the song’s epic orchestral score.]]></itunes:summary><itunes:duration>1419</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7268e98eb8f42a9c3539a7b6982705e6.jpg"/><itunes:season>1</itunes:season><itunes:episode>14</itunes:episode><itunes:episodeType>full</itunes:episodeType></item><item><title>013 George Harrison, "My Sweet Lord"</title><link>https://www.spreaker.com/episode/013-george-harrison-my-sweet-lord--49543018</link><description><![CDATA[Today, the first of two episodes exploring the production of George Harrison’s first solo album, All Things Must Pass, with new research and interviews drawn from the book Ken Womack and I wrote on the making of the album. In this episode, we cover the intricate and painstaking production of “My Sweet Lord.” We explode the myth of Phil Spector’s contributions, speak to a number of people who were there, and get an exclusive sneak preview of the contents of Mal Evans’ diary entries about these sessions, courtesy Ken Womack.]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:626628d21679c8484e3ff12b</guid><pubDate>Mon, 25 Apr 2022 05:20:51 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/49543018/ptb_013_my_sweet_lord.mp3" length="36477122" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>Today, the first of two episodes exploring the production of George Harrison’s first solo album, All Things Must Pass, with new research and interviews drawn from the book Ken Womack and I wrote on the making of the album. In this episode, we cover...</itunes:subtitle><itunes:summary><![CDATA[Today, the first of two episodes exploring the production of George Harrison’s first solo album, All Things Must Pass, with new research and interviews drawn from the book Ken Womack and I wrote on the making of the album. In this episode, we cover the intricate and painstaking production of “My Sweet Lord.” We explode the myth of Phil Spector’s contributions, speak to a number of people who were there, and get an exclusive sneak preview of the contents of Mal Evans’ diary entries about these sessions, courtesy Ken Womack.]]></itunes:summary><itunes:duration>2280</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/da8295f7d1c348b30afb2f49e8cf3b80.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>012 John Lennon, "Love" (S1 bonus episode)</title><link>https://www.spreaker.com/episode/012-john-lennon-love-s1-bonus-episode--43577896</link><description><![CDATA[In the first bonus episode for Season 1, we step outside of our regular format and take a peek into solo Beatles territory, with a look at the recording of John Lennon’s song “Love” from his first post-Beatles solo album, John Lennon/Plastic Ono Band. We trace the song’s development all the way from home demo to finished recording, sampling the session tapes and discovering the role both Yoko and Phil Spector played in reaching the final take.]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:60332cf35a30be43ec056889</guid><pubDate>Mon, 22 Feb 2021 07:00:00 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/43577896/ptb_012_john_lennon_love_bonus_episode.mp3" length="21160436" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>In the first bonus episode for Season 1, we step outside of our regular format and take a peek into solo Beatles territory, with a look at the recording of John Lennon’s song “Love” from his first post-Beatles solo album, John Lennon/Plastic Ono Band....</itunes:subtitle><itunes:summary><![CDATA[In the first bonus episode for Season 1, we step outside of our regular format and take a peek into solo Beatles territory, with a look at the recording of John Lennon’s song “Love” from his first post-Beatles solo album, John Lennon/Plastic Ono Band. We trace the song’s development all the way from home demo to finished recording, sampling the session tapes and discovering the role both Yoko and Phil Spector played in reaching the final take.]]></itunes:summary><itunes:duration>1323</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bfb68d3435da982173e37f211f87b483.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>011 Nothing is Real: Strawberry Fields Forever, take 26</title><link>https://www.spreaker.com/episode/011-nothing-is-real-strawberry-fields-forever-take-26--25400044</link><description><![CDATA[Examining the making of Strawberry Fields Forever, with special focus on George Martin's score for three cellos and four trumpets]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5e93c9d921219916190d86d3</guid><pubDate>Mon, 13 Apr 2020 06:19:48 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/25400044/ptb_011_strawberry_fields_forever.mp3" length="26243124" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>Examining the making of Strawberry Fields Forever, with special focus on George Martin's score for three cellos and four trumpets</itunes:subtitle><itunes:summary><![CDATA[Examining the making of Strawberry Fields Forever, with special focus on George Martin's score for three cellos and four trumpets]]></itunes:summary><itunes:duration>1641</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/b489a158e73dd616c2047187a59c4a19.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>010 It's Gonna Be Alright: The Revolution Trilogy — Part II</title><link>https://www.spreaker.com/episode/010-it-s-gonna-be-alright-the-revolution-trilogy-part-ii--19044323</link><description><![CDATA[In Part 2 of our look at the trio of songs titled “Revolution,” we dive into the recording of the electric guitar driven single version of the song.]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5d758fe36d7e84225d946ae2</guid><pubDate>Mon, 09 Sep 2019 05:47:20 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/19044323/ptb_010_it_s_gonna_be_alright_part_2.mp3" length="22600203" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>In Part 2 of our look at the trio of songs titled “Revolution,” we dive into the recording of the electric guitar driven single version of the song.</itunes:subtitle><itunes:summary><![CDATA[In Part 2 of our look at the trio of songs titled “Revolution,” we dive into the recording of the electric guitar driven single version of the song.]]></itunes:summary><itunes:duration>1413</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/78eb93635aad35f8e74d02f1b99da427.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>009 It's Gonna Be Alright - Part I</title><link>https://www.spreaker.com/episode/009-it-s-gonna-be-alright-part-i--18608322</link><description><![CDATA[John lying on the studio floor recording his vocal for “Revolution 1” (photo by Tony Bramwell)<br />          <br />          <br /><br />        <br />      <br />      <br />    <br /><br />  <br /><br /><br />Sparked by the air of social upheaval in 1968, John's song "Revolution" spawned three very different recordings: “Revolution 1,” “Revolution 9,” and “Revolution” (the single version). Today in the first of a two part episode, we look at how “Revolution 1” gave birth to “Revolution 9,” and discover the mesmerizing missing link between the two. Former New York Times music critic Allan Kozinn helps us deconstruct “Revolution 9,” and to make sense of why John created such a challenging recording in the first place.<br /><br /><br /><br />MUSIC“Gesang de Junglinge” by Karlheinz Stockhausen“Hymnen” by Karlheinz StockhausenSymphonic Etudes, Op 13, No XII by Robert Schumann, performed by Dame Myra Hess“O Clap Your Hands” by Ralph Vaughn WilliamsSymphony No. 7 by Jean Sibelius, performed by John Barbirolli“Awal Hamsa” by Farid al-AtrashREFERENCESKehew, Brian, and Ryan, Kevin. Recording The Beatles.Lewisohn, Mark. The Beatles Complete Recording Sessions.]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5d34015815cffe0001809f43</guid><pubDate>Mon, 22 Jul 2019 06:26:12 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/18608322/ptb_009_it_s_gonna_be_alright_part_1.mp3" length="34833862" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>John lying on the studio floor recording his vocal for “Revolution 1” (photo by Tony Bramwell)
          
          

        
      
      
    

  


Sparked by the air of social upheaval in 1968, John's song "Revolution" spawned three very...</itunes:subtitle><itunes:summary><![CDATA[John lying on the studio floor recording his vocal for “Revolution 1” (photo by Tony Bramwell)<br />          <br />          <br /><br />        <br />      <br />      <br />    <br /><br />  <br /><br /><br />Sparked by the air of social upheaval in 1968, John's song "Revolution" spawned three very different recordings: “Revolution 1,” “Revolution 9,” and “Revolution” (the single version). Today in the first of a two part episode, we look at how “Revolution 1” gave birth to “Revolution 9,” and discover the mesmerizing missing link between the two. Former New York Times music critic Allan Kozinn helps us deconstruct “Revolution 9,” and to make sense of why John created such a challenging recording in the first place.<br /><br /><br /><br />MUSIC“Gesang de Junglinge” by Karlheinz Stockhausen“Hymnen” by Karlheinz StockhausenSymphonic Etudes, Op 13, No XII by Robert Schumann, performed by Dame Myra Hess“O Clap Your Hands” by Ralph Vaughn WilliamsSymphony No. 7 by Jean Sibelius, performed by John Barbirolli“Awal Hamsa” by Farid al-AtrashREFERENCESKehew, Brian, and Ryan, Kevin. Recording The Beatles.Lewisohn, Mark. The Beatles Complete Recording Sessions.]]></itunes:summary><itunes:duration>2178</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/db2af20b63725e707968cca872001dc7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Upcoming Side Project: Sister Tempest soundtrack</title><link>https://www.spreaker.com/episode/upcoming-side-project-sister-tempest-soundtrack--17706564</link><description><![CDATA[A brief message about an upcoming project I'm excited to be working on, and how you can contribute.]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5cbcd2bc038c4900019aa172</guid><pubDate>Sun, 21 Apr 2019 20:39:24 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/17706564/sister_tempest_podcast_message.mp3" length="1971696" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>A brief message about an upcoming project I'm excited to be working on, and how you can contribute.</itunes:subtitle><itunes:summary><![CDATA[A brief message about an upcoming project I'm excited to be working on, and how you can contribute.]]></itunes:summary><itunes:duration>124</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/45864bffa87447d97c16cacbe63e34d7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>008 Producing an "Unproduced" Album - Get Back/Let It Be</title><link>https://www.spreaker.com/episode/008-producing-an-unproduced-album-get-back-let-it-be--17284983</link><description><![CDATA[In this episode, we discover what role George Martin played in the infamous Get Back sessions of January 1969, a project where John Lennon made clear they didn't want any of Martin's "production shit."]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5c85e6f6eb393173c6ec3933</guid><pubDate>Mon, 11 Mar 2019 05:07:44 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/17284983/ptb_008_get_back.mp3" length="32673385" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>In this episode, we discover what role George Martin played in the infamous Get Back sessions of January 1969, a project where John Lennon made clear they didn't want any of Martin's "production shit."</itunes:subtitle><itunes:summary><![CDATA[In this episode, we discover what role George Martin played in the infamous Get Back sessions of January 1969, a project where John Lennon made clear they didn't want any of Martin's "production shit."]]></itunes:summary><itunes:duration>2043</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c56f997aa6034b0d6ad598748a5fb2d8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>007 Changing Speeds - The 'Varispeed' Technique</title><link>https://www.spreaker.com/episode/007-changing-speeds-the-varispeed-technique--16597896</link><description><![CDATA[Starting in 1966, George Martin and The Beatles used varispeed – variable speed recording – to change the textures of their recordings to create a variety of effects.]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5c29cca1c2241bc8b4f1b52c</guid><pubDate>Mon, 31 Dec 2018 08:15:10 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16597896/007_changing_speeds_the_varispeed_technique.mp3" length="33653778" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>Starting in 1966, George Martin and The Beatles used varispeed – variable speed recording – to change the textures of their recordings to create a variety of effects.</itunes:subtitle><itunes:summary><![CDATA[Starting in 1966, George Martin and The Beatles used varispeed – variable speed recording – to change the textures of their recordings to create a variety of effects.]]></itunes:summary><itunes:duration>1202</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8ddbf8b6f48c6b99fc6524619e467186.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>006 Not So Simple - "From Me To You" and other early singles</title><link>https://www.spreaker.com/episode/006-not-so-simple-from-me-to-you-and-other-early-singles--16264380</link><description><![CDATA[The Beatles’ first four singles seem to be fairly straightforward live studio recordings, but George Martin expended a good bit of effort to polish these songs up for release. Today, we listen through the session tapes for The Beatles’ third single, “From Me To You,” to trace Martin’s process for crafting the record, and we’ll discuss how Martin applied the same process in the recording of The Beatles’ other early singles. We also talk with writer and music producer Jerry Hammack, who helps us understand how all of this was accomplished using 1963 technology.<br /><br /><br /><br />MUSIC“Blueberry Hill” by Fats Domino“I Love You So: by Cliff Richard“Ringo’s Theme” by The George Martin OrchestraREFERENCESLewisohn, Mark. The Complete Beatles Recording Sessions.Martin, George. With A Little Help From My Friends.Winn, John. Lifting Latches.McCartney on McCartney. BBC 6George Martin: The Interview (2001) ]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5bf36fcc88251bf85f8bedff</guid><pubDate>Tue, 20 Nov 2018 02:40:31 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16264380/ptb_006_from_me_to_you.mp3" length="20053543" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>The Beatles’ first four singles seem to be fairly straightforward live studio recordings, but George Martin expended a good bit of effort to polish these songs up for release. Today, we listen through the session tapes for The Beatles’ third single,...</itunes:subtitle><itunes:summary><![CDATA[The Beatles’ first four singles seem to be fairly straightforward live studio recordings, but George Martin expended a good bit of effort to polish these songs up for release. Today, we listen through the session tapes for The Beatles’ third single, “From Me To You,” to trace Martin’s process for crafting the record, and we’ll discuss how Martin applied the same process in the recording of The Beatles’ other early singles. We also talk with writer and music producer Jerry Hammack, who helps us understand how all of this was accomplished using 1963 technology.<br /><br /><br /><br />MUSIC“Blueberry Hill” by Fats Domino“I Love You So: by Cliff Richard“Ringo’s Theme” by The George Martin OrchestraREFERENCESLewisohn, Mark. The Complete Beatles Recording Sessions.Martin, George. With A Little Help From My Friends.Winn, John. Lifting Latches.McCartney on McCartney. BBC 6George Martin: The Interview (2001) ]]></itunes:summary><itunes:duration>1254</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/6faf7fd870cd93ea4adabe4e479b668d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>005 The clarinet score for "When I'm Sixty-Four"</title><link>https://www.spreaker.com/episode/005-the-clarinet-score-for-when-i-m-sixty-four--16080418</link><description><![CDATA[We re-record George Martin's clarinet score in a recording studio and examine the arrangement with Professor of Music John Reeks to see what makes it tick.]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5bd6b9fa24a69425bd14e981</guid><pubDate>Mon, 29 Oct 2018 08:44:21 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/16080418/ptb_005_when_i_m_sixty_four.mp3" length="21338778" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>We re-record George Martin's clarinet score in a recording studio and examine the arrangement with Professor of Music John Reeks to see what makes it tick.</itunes:subtitle><itunes:summary><![CDATA[We re-record George Martin's clarinet score in a recording studio and examine the arrangement with Professor of Music John Reeks to see what makes it tick.]]></itunes:summary><itunes:duration>1334</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ca23dc3ebec6df1a8dd00cd0dec016ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>004 The Beatles on Multitrack, Part 2</title><link>https://www.spreaker.com/episode/004-the-beatles-on-multitrack-part-2--15963200</link><description><![CDATA[The Beatles push four-track to its limit, and finally make the jump to eight-track recording]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5bc2e46815fcc00e13af6706</guid><pubDate>Mon, 15 Oct 2018 06:20:35 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/15963200/ptb_004_the_beatles_on_multitrack_part_2.mp3" length="17090667" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>The Beatles push four-track to its limit, and finally make the jump to eight-track recording</itunes:subtitle><itunes:summary><![CDATA[The Beatles push four-track to its limit, and finally make the jump to eight-track recording]]></itunes:summary><itunes:duration>1069</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/7bf76d841fd22595036dde6ebef1b3dd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>003 The Beatles on Multitrack, Part 1</title><link>https://www.spreaker.com/episode/003-the-beatles-on-multitrack-part-1--15848629</link><description><![CDATA[One of the most fascinating aspects of The Beatles’ career is how, with George Martin’s guidance, they advanced the art of recording as they went from twin track to four track to eight track tape. Today, we examine how The Beatles progressed from learning the basics of the studio on twin track, to realizing the creative possibilities of four track. To understand how their ideas developed, we’ll listen to individual tracks from six multitrack recordings from 1963-66, and consider George Martin’s role during this period.<br /><br /><br /><br />REFERENCESLewisohn, Mark. The Complete Beatles Recording Sessions.Martin, George. All You Need Is Ears.Martin, George. With A Little Help From My Friends.Ryan, Kevin and Kehew, Brian. Recording The Beatles.Winn, John. Way Beyond Compare: The Beatles’ Recorded Legacy, 1957-1965.]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5bb1c666652dea8b18e03959</guid><pubDate>Mon, 01 Oct 2018 07:12:11 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/15848629/ptb_003_the_beatles_on_multitrack_part_1.mp3" length="21732526" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>One of the most fascinating aspects of The Beatles’ career is how, with George Martin’s guidance, they advanced the art of recording as they went from twin track to four track to eight track tape. Today, we examine how The Beatles progressed from...</itunes:subtitle><itunes:summary><![CDATA[One of the most fascinating aspects of The Beatles’ career is how, with George Martin’s guidance, they advanced the art of recording as they went from twin track to four track to eight track tape. Today, we examine how The Beatles progressed from learning the basics of the studio on twin track, to realizing the creative possibilities of four track. To understand how their ideas developed, we’ll listen to individual tracks from six multitrack recordings from 1963-66, and consider George Martin’s role during this period.<br /><br /><br /><br />REFERENCESLewisohn, Mark. The Complete Beatles Recording Sessions.Martin, George. All You Need Is Ears.Martin, George. With A Little Help From My Friends.Ryan, Kevin and Kehew, Brian. Recording The Beatles.Winn, John. Way Beyond Compare: The Beatles’ Recorded Legacy, 1957-1965.]]></itunes:summary><itunes:duration>1353</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/78eb93635aad35f8e74d02f1b99da427.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>002 Look At Him Working -- Writing the string score for "Eleanor Rigby"</title><link>https://www.spreaker.com/episode/002-look-at-him-working-writing-the-string-score-for-eleanor-rigby--15734833</link><description><![CDATA[A page from George Martin’s handwritten manuscript for “Eleanor Rigby”<br />          <br />          <br /><br />        <br />      <br />      <br />    <br /><br />  <br /><br /><br />George Martin’s score for “Eleanor Rigby” builds on the classical string quartet form that the producer introduced The Beatles to on the song “Yesterday.” In this episode, we examine the writing and recording of the score with cellist Karen Ray, and we also consider Martin’s unusual source of inspiration for this dramatic piece of music.<br /><br /><br /><br />MUSIC“The Road,” from Fahrenheit 451 by Bernard Herrmann“Pavane for a Dead Princess” by Maurice Ravel“The Murder” from Psycho by Bernard HerrmannThe “Little” Fugue in G minor, by Johann Sebastian Bach, performed by Dario Ronchi“Help Me Rhonda” by The Beach Boys“What A Friend We Have In Jesus” by Matt LemmlerREFERENCESLewisohn, Mark. The Complete Beatles Recording SessionsMartin, George. All You Need Is EarsMartin, George. Playback.Martin, George. With A Little Help From My FriendsMiles, Barry. Many Years From NowPorter, Steven Clark. Rhythm and Harmony in the music of The Beatles (PhD dissertation, 1977)Rebello, Stephen. Alfred Hitchcock and the Making of Psycho Ryan, Kevin and Kehew, Brian. Recording The BeatlesShotton, Pete.  In My LifeSmith, Steven C.  A Heart at Fire’s Center]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5b9f4f3e352f5327a14b770b</guid><pubDate>Mon, 17 Sep 2018 07:20:09 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/15734833/ptb_002_scoring_eleanor_rigby.mp3" length="35373020" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>A page from George Martin’s handwritten manuscript for “Eleanor Rigby”
          
          

        
      
      
    

  


George Martin’s score for “Eleanor Rigby” builds on the classical string quartet form that the producer introduced The...</itunes:subtitle><itunes:summary><![CDATA[A page from George Martin’s handwritten manuscript for “Eleanor Rigby”<br />          <br />          <br /><br />        <br />      <br />      <br />    <br /><br />  <br /><br /><br />George Martin’s score for “Eleanor Rigby” builds on the classical string quartet form that the producer introduced The Beatles to on the song “Yesterday.” In this episode, we examine the writing and recording of the score with cellist Karen Ray, and we also consider Martin’s unusual source of inspiration for this dramatic piece of music.<br /><br /><br /><br />MUSIC“The Road,” from Fahrenheit 451 by Bernard Herrmann“Pavane for a Dead Princess” by Maurice Ravel“The Murder” from Psycho by Bernard HerrmannThe “Little” Fugue in G minor, by Johann Sebastian Bach, performed by Dario Ronchi“Help Me Rhonda” by The Beach Boys“What A Friend We Have In Jesus” by Matt LemmlerREFERENCESLewisohn, Mark. The Complete Beatles Recording SessionsMartin, George. All You Need Is EarsMartin, George. Playback.Martin, George. With A Little Help From My FriendsMiles, Barry. Many Years From NowPorter, Steven Clark. Rhythm and Harmony in the music of The Beatles (PhD dissertation, 1977)Rebello, Stephen. Alfred Hitchcock and the Making of Psycho Ryan, Kevin and Kehew, Brian. Recording The BeatlesShotton, Pete.  In My LifeSmith, Steven C.  A Heart at Fire’s Center]]></itunes:summary><itunes:duration>1260</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/90336c9847474f86113a0c1b57c49d5f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>001 Wind Up Piano - The "In My Life" solo and more</title><link>https://www.spreaker.com/episode/001-wind-up-piano-the-in-my-life-solo-and-more--15628213</link><description><![CDATA[George Martin’s memorable piano solo for “In My Life” was one of his favorite contributions to any Beatles recording. In this episode, we examine the special technique Martin used to capture this solo on tape, as well as how he used this same technique in a variety of other recordings. We also look into Martin's background as a pianist, and we sit down with the organist from St Louis Cathedral, Jesse Reeks, to discuss the origins of this solo in Baroque music.<br /><br />  <br /><br />  <br />      <br />      <br />        <br />          <br />            <br />              <br />            <br />          <br /><br />          <br /><br />        <br />      <br />      <br />    <br /><br />  <br /><br /><br />George Martin's piano solo for In My Life (from The Complete Beatles Scores)<br /><br /><br /><br />MUSICIn My Life – alternate organ soloThe Warsaw Concerto - Riccardo Caramella, solo pianoSadness - Matt LemmlerSpirits - Matt LemmlerHow High The Moon – Les Paul and Mary FordThe Chipmunks Song – The ChipmunksVolare – Charlie DrakeMisery – The BeatlesDo You Want To Know A Secret – Billy J Kramer at the DakotasFrom Russia With Love – Matt MonroA Hard Day’s Night – The BeatlesYou Never Give Me Your Money – The Beatles SOURCESDowdling, William.  Beatlesongs.Lewisohn, Mark. The Complete Beatles Recording SessionsMartin, George. All You Need Is Ears.Martin, George. Playback.Winn, John. Way Beyond Compare: The Beatles’ Recorded Legacy, 1957-1965Womack, Kenneth. Maximum Volume: The Life of Beatles Producer George Martin, The Early Years 1926-1966 ]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5b7dce7a4ae2372277165e7c</guid><pubDate>Mon, 03 Sep 2018 04:49:39 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/15628213/ptb001_wind_up_piano.mp3" length="20609566" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>George Martin’s memorable piano solo for “In My Life” was one of his favorite contributions to any Beatles recording. In this episode, we examine the special technique Martin used to capture this solo on tape, as well as how he used this same...</itunes:subtitle><itunes:summary><![CDATA[George Martin’s memorable piano solo for “In My Life” was one of his favorite contributions to any Beatles recording. In this episode, we examine the special technique Martin used to capture this solo on tape, as well as how he used this same technique in a variety of other recordings. We also look into Martin's background as a pianist, and we sit down with the organist from St Louis Cathedral, Jesse Reeks, to discuss the origins of this solo in Baroque music.<br /><br />  <br /><br />  <br />      <br />      <br />        <br />          <br />            <br />              <br />            <br />          <br /><br />          <br /><br />        <br />      <br />      <br />    <br /><br />  <br /><br /><br />George Martin's piano solo for In My Life (from The Complete Beatles Scores)<br /><br /><br /><br />MUSICIn My Life – alternate organ soloThe Warsaw Concerto - Riccardo Caramella, solo pianoSadness - Matt LemmlerSpirits - Matt LemmlerHow High The Moon – Les Paul and Mary FordThe Chipmunks Song – The ChipmunksVolare – Charlie DrakeMisery – The BeatlesDo You Want To Know A Secret – Billy J Kramer at the DakotasFrom Russia With Love – Matt MonroA Hard Day’s Night – The BeatlesYou Never Give Me Your Money – The Beatles SOURCESDowdling, William.  Beatlesongs.Lewisohn, Mark. The Complete Beatles Recording SessionsMartin, George. All You Need Is Ears.Martin, George. Playback.Winn, John. Way Beyond Compare: The Beatles’ Recorded Legacy, 1957-1965Womack, Kenneth. Maximum Volume: The Life of Beatles Producer George Martin, The Early Years 1926-1966 ]]></itunes:summary><itunes:duration>1289</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5ea89578914cd53252fa42a3ebdbe744.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Producing The Beatles - Podcast Intro</title><link>https://www.spreaker.com/episode/producing-the-beatles-podcast-intro--15627561</link><description><![CDATA[Welcome to the podcast dedicated to exploring the revolutionary collaboration between producer George Martin and The Beatles. Join us each episode as we not only discuss the making of Beatles songs from their producer's point of view, but also examine different aspects of George Martin's unique approach to production.]]></description><guid isPermaLink="false">5b04f72e96d455bcadf62b93:5b06ebd503ce6436fbf9d061:5b75ccc10ebbe88698c47e34</guid><pubDate>Thu, 16 Aug 2018 19:21:08 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/15627561/ptb_000.mp3" length="1775907" type="audio/mpeg"/><itunes:author>Jason Kruppa</itunes:author><itunes:subtitle>Welcome to the podcast dedicated to exploring the revolutionary collaboration between producer George Martin and The Beatles. Join us each episode as we not only discuss the making of Beatles songs from their producer's point of view, but also examine...</itunes:subtitle><itunes:summary><![CDATA[Welcome to the podcast dedicated to exploring the revolutionary collaboration between producer George Martin and The Beatles. Join us each episode as we not only discuss the making of Beatles songs from their producer's point of view, but also examine different aspects of George Martin's unique approach to production.]]></itunes:summary><itunes:duration>111</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/92dcf654f2c3262d3b1e2cbdfe3bebbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
