https://heavymag.com.au
HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music.

We will upload the latest interviews regularly so before to follow our social accounts and our podcast account on www.speaker.com/user/heavy

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>enMusic Interviews© HEAVY 2025https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/012f6cf63bbee439405788997bb19fdc.jpghttps://heavymag.com.auFri, 07 Aug 2026 21:49:11 +0000HEAVY MagazineHEAVY Magazinekris@heavymag.com.auAll the latest music interviews from the team at HEAVY Magazine. HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music. We will upload the latest interviews regularly so before to follow our...
HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music.

We will upload the latest interviews regularly so before to follow our social accounts and our podcast account on www.speaker.com/user/heavy

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>trueepisodicSupport the podcast!https://www.spreaker.com/episode/small-name-big-noise-with-jesse-attard-from-runt--73061884The brainchild of singer, guitarist, and main songwriter Jesse Attard - who some would know as having played Angus Young with Accadacca across the world - Runt are a band born from the road and custom-built to survive. Attard quietly amassed a deep treasure trove of killer material while touring internationally as a hired gun, but realised these songs needed an assortment of like -minded, talented musicians to do them justice. Settling on guitarist John Dempsey, bassist Damian Bell, and drummer Robbie Wheeler, Attard had the foundations for success and took the next step as a fully fledged original band.
The music industry is officially on notice. Runt’s highly anticipated, self-titled debut album drops like a bomb on August 7, 2026, through independent Australian powerhouse label XMusic. Moving completely away from predictable commercial trends, Runt approached their debut not as a lazy playlist, but as a lean, curated collection of stories where each track has its own distinct pulse, purpose, and attitude. Sonically, this record leans hard into the dark, atmospheric, and beautifully heavy territory carved out by 1990s grunge heavyweights like Alice In Chains, Soundgarden, and Stone Temple Pilots, but with a distinctly unique flavour that stamps a fresh take on the genre.
HEAVY sat down with Attard to find out more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/73061884Fri, 07 Aug 2026 21:34:06 +0000HEAVY MagazineBrisbane has a fiercely proud history of producing world-class rock performers, with the production line rolling out yet another slab of excellence to continue the momentum. The newest addition is Runt, a powerhouse four-piece alternative rock and...The brainchild of singer, guitarist, and main songwriter Jesse Attard - who some would know as having played Angus Young with Accadacca across the world - Runt are a band born from the road and custom-built to survive. Attard quietly amassed a deep treasure trove of killer material while touring internationally as a hired gun, but realised these songs needed an assortment of like -minded, talented musicians to do them justice. Settling on guitarist John Dempsey, bassist Damian Bell, and drummer Robbie Wheeler, Attard had the foundations for success and took the next step as a fully fledged original band.
The music industry is officially on notice. Runt’s highly anticipated, self-titled debut album drops like a bomb on August 7, 2026, through independent Australian powerhouse label XMusic. Moving completely away from predictable commercial trends, Runt approached their debut not as a lazy playlist, but as a lean, curated collection of stories where each track has its own distinct pulse, purpose, and attitude. Sonically, this record leans hard into the dark, atmospheric, and beautifully heavy territory carved out by 1990s grunge heavyweights like Alice In Chains, Soundgarden, and Stone Temple Pilots, but with a distinctly unique flavour that stamps a fresh take on the genre.
HEAVY sat down with Attard to find out more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>909album,alternativerock,aussiemetal,aussierock,australia,band,grunge,hardrock,heavy,heavymetal,interview,jesseattard,krispeters,livemusic,music,rock,rockinterview,rockpodcast,runt,xmusicfalsefullhttps://www.spreaker.com/episode/australia-prepare-for-a-long-overdue-dose-of-sonic-brilliance-with-soen--73105709Led by the rhythmic powerhouse Martin Lopez and the fiercely captivating vocals of Joel Ekelöf, SOEN has built a reputation as a band that doesn’t just play music; they craft worlds. Ever since their groundbreaking 2012 debut album Cognitive, they have consistently evolved, layering their sound with deep atmospheric tension, crushing sonic weight, and a level of melancholic beauty that few can replicate. They possess that rare live alchemy that turns a standard metal gig into a borderline religious experience.
Starting Friday, 16 October at 170 Russell in Melbourne, before moving to Sydney’s Manning Bar on 17 October and wrapping up at Brisbane’s beloved heavy haven, the Crowbar, on 19 October, this run promises to be an absolute masterclass in live performance. Adding absolute fuel to the fire, Aussie homegrown instrumental progressive royalty The Omnific are jumping on as special guests, celebrating their monumental 10th anniversary.
HEAVY caught up with the mastermind himself, Martin Lopez, to get the absolute lowdown on what took them so long to get here, how they plan to condense a massive, career-spanning discography into a single, explosive headlining set, what Australian fans can expect when Sweden’s premier sonic architects finally unleash their live show on our stages and more.
SOEN + THE OMNIFIC October 2026 Australian Tour Dates
Friday 16th October MELBOURNE, 170 Russell
Saturday 17th October SYDNEY, Manning Bar
Monday 19th October BRISBANE, Crowbar
Tickets thephoenix.au


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/73105709Thu, 06 Aug 2026 20:28:22 +0000HEAVY MagazineAustralian progressive metal fans, it is finally time to stop pinching yourselves because the wait is officially over. Sweden’s undisputed kings of cognitive, emotionally driven heavy music, SOEN, are finally hitting our shores this October. For a...Led by the rhythmic powerhouse Martin Lopez and the fiercely captivating vocals of Joel Ekelöf, SOEN has built a reputation as a band that doesn’t just play music; they craft worlds. Ever since their groundbreaking 2012 debut album Cognitive, they have consistently evolved, layering their sound with deep atmospheric tension, crushing sonic weight, and a level of melancholic beauty that few can replicate. They possess that rare live alchemy that turns a standard metal gig into a borderline religious experience.
Starting Friday, 16 October at 170 Russell in Melbourne, before moving to Sydney’s Manning Bar on 17 October and wrapping up at Brisbane’s beloved heavy haven, the Crowbar, on 19 October, this run promises to be an absolute masterclass in live performance. Adding absolute fuel to the fire, Aussie homegrown instrumental progressive royalty The Omnific are jumping on as special guests, celebrating their monumental 10th anniversary.
HEAVY caught up with the mastermind himself, Martin Lopez, to get the absolute lowdown on what took them so long to get here, how they plan to condense a massive, career-spanning discography into a single, explosive headlining set, what Australian fans can expect when Sweden’s premier sonic architects finally unleash their live show on our stages and more.
SOEN + THE OMNIFIC October 2026 Australian Tour Dates
Friday 16th October MELBOURNE, 170 Russell
Saturday 17th October SYDNEY, Manning Bar
Monday 19th October BRISBANE, Crowbar
Tickets thephoenix.au


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>699bands,hardrock,heavy,heavymetal,krispeters,livemusic,martinlopez,metal,music,musicinterview,musicpodcast,progressivemetal,progressiverock,rock,soen,tourfalsefullhttps://www.spreaker.com/episode/finding-your-niche-with-kyle-bloksgaard-from-barriers--73018127Hailing from the southern heavy hotbeds of Adelaide and Melbourne, this crushing four-piece outfit does not just play heavy music—they manipulate it. They have engineered a sonic identity that stands defiantly apart from the standard cookie-cutter template. By blending the progressive complexity of Meshuggah, the expansive, atmospheric dread of Cult of Luna, and the sheer, mid-paced tectonic groove of Gojira, Barriers have created a monster. It is raw, minimal, and completely unsettling.
If you have spun their debut EP, Decay, you already know the band relies heavily on dark contrasts. They masterfully balance suffocating doom with sudden, violent bursts of death metal intensity. Frontman and producer Kyle Bloksgaard injects a vocal dynamic that handles deeply personal torment just as easily as it spits socio-political venom. 
At HEAVY, we love throwing down a challenge. We sent out our traditional Q&A sheet to the entire Necrosonic lineup, warning every band that a failure to reply meant buying the HEAVY crew a beer at the venue. While we were quietly hoping to score a mountain of free pints, the Barriers boys ruined our plans by being some of the very first to get back to us! They are hungry, they are focused, and they are ready to lay waste to Brisbane. Do not sleep on this set.
HEAVY spoke with Kyle to get the lowdown.
Necrosonic tickets and more information: https://necrosonicfestival.com/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/73018127Thu, 06 Aug 2026 20:24:51 +0000HEAVY MagazineBrisbane is about to get hit by an absolute wall of sonic destruction. The third annual Necrosonic Festival is locking and loading for its most brutal ritual yet, taking over the legendary Mansfield Tavern on Saturday, August 22, 2026. We are talking...Hailing from the southern heavy hotbeds of Adelaide and Melbourne, this crushing four-piece outfit does not just play heavy music—they manipulate it. They have engineered a sonic identity that stands defiantly apart from the standard cookie-cutter template. By blending the progressive complexity of Meshuggah, the expansive, atmospheric dread of Cult of Luna, and the sheer, mid-paced tectonic groove of Gojira, Barriers have created a monster. It is raw, minimal, and completely unsettling.
If you have spun their debut EP, Decay, you already know the band relies heavily on dark contrasts. They masterfully balance suffocating doom with sudden, violent bursts of death metal intensity. Frontman and producer Kyle Bloksgaard injects a vocal dynamic that handles deeply personal torment just as easily as it spits socio-political venom. 
At HEAVY, we love throwing down a challenge. We sent out our traditional Q&A sheet to the entire Necrosonic lineup, warning every band that a failure to reply meant buying the HEAVY crew a beer at the venue. While we were quietly hoping to score a mountain of free pints, the Barriers boys ruined our plans by being some of the very first to get back to us! They are hungry, they are focused, and they are ready to lay waste to Brisbane. Do not sleep on this set.
HEAVY spoke with Kyle to get the lowdown.
Necrosonic tickets and more information: https://necrosonicfestival.com/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>430bands,barriers,deathmetal,extrememetal,hardcore,heavy,heavymetal,krispeters,livemusic,mansfieldtavern,metalcore,metalfestivals,music,musicfestival,necrosonicfestivalfalsefullhttps://www.spreaker.com/episode/owning-your-legacy-with-zoltan-bathory-from-five-finger-death-punch--72696043The record kicks off like a sledgehammer to the jaw with the fierce album opener, Legacy, instantly setting a thunderous tone for the ten tracks that follow and showcasing guitarist Zoltan Bathory's striking, original guitar punches alongside Andy James’ technical precision. Frontman Ivan Moody sounds completely possessed here, teetering his vocals between pure desperation and soaring, melodic, hook-laden possibility.
What makes Legacy work so fabulously is its relentless, structured information density; the songs are succinct, intentional, and strip away all unnecessary filler. Coinciding with their massive 2026-2028 world tour, the album masterfully captures heavy themes of exhaustion, frustration, and ultimate artistic survival. 
HEAVY sat down with Bathory to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72696043Fri, 31 Jul 2026 09:18:00 +0000HEAVY MagazineFive Finger Death Punch are back with absolute chaos on their tenth studio album, Legacy. Formed in Las Vegas, the multi-platinum metal titans are marking their 20th anniversary by delivering an aggressive masterclass in modern hard rock. If you...The record kicks off like a sledgehammer to the jaw with the fierce album opener, Legacy, instantly setting a thunderous tone for the ten tracks that follow and showcasing guitarist Zoltan Bathory's striking, original guitar punches alongside Andy James’ technical precision. Frontman Ivan Moody sounds completely possessed here, teetering his vocals between pure desperation and soaring, melodic, hook-laden possibility.
What makes Legacy work so fabulously is its relentless, structured information density; the songs are succinct, intentional, and strip away all unnecessary filler. Coinciding with their massive 2026-2028 world tour, the album masterfully captures heavy themes of exhaustion, frustration, and ultimate artistic survival. 
HEAVY sat down with Bathory to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1342album,betternoisemusic,fivefingerdeathpunch,heavy,heavymetal,krispeters,legacy,metal,metalinterview,musicinterview,musicpodcast,newmusic,zoltanbathorytruefullhttps://www.spreaker.com/episode/the-shadows-of-death-with-rohan-stevenson-from-sunk-loto--73104303For those who need a quick history lesson, Sunk Loto dominated the Australian heavy music landscape in the late '90s and early 2000s, standing shoulder-to-shoulder with international giants like Korn and Deftones. Their seminal 2003 masterpiece, Between Birth and Death, became a gold-standard textbook for Aussie metalcore. Then, they abruptly vanished into the ether for fifteen years.
When they burst back onto the live circuit in 2022, they didn't just play shows; they absolutely decimated venues across the country to a multi-generational, bloodthirsty crowd. Last year, they threw even more fuel on the fire by welcoming guitar wizard Rohan Stevenson (from I Built The Sky) into the fold, instantly locking in an explosive new creative energy.
Now, the boys are back to unleash their brand new single, Dead Shadows, tracked alongside the legendary producer Forrester Savell. To celebrate, they are completely ditching the sterile festival barriers and massive production rigs. Instead, they are opting for the sweaty, high-octane violence of intimate, grassroots rooms.
This brief, relentless East Coast trek will see the band tear through the Coolongatta Hotel on August 7 before two shows at Brisbane’s Crowbar on August 8 and 11, Sydney’s Crowbar on August 13, and finish by ripping the roof off Melbourne’s legendary Corner Hotel on August 14. Tickets are already flying out the door, and if you know anything about a Sunk Loto mosh pit, you know the band actively instigates absolute madness from the barrier to the back wall. Fans can expect a massive, curated setlist packed with deep cuts that haven't seen the light of day in decades, mixed with the crushing weight of their new material.
HEAVY sat down with Stevenson to chew the fat over the creation of Dead Shadows, navigating their brutal new lineup dynamics, and exactly what kind of beautiful insanity they plan to bring to Australian stages next month.
Tickets https://teamwrktouring.com/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/73104303Wed, 22 Jul 2026 09:56:30 +0000HEAVY MagazineIf you like your heavy music served with a side of absolute, unadulterated chaos, then grab a cold beer and brace yourself. Gold Coast alternative metal titans Sunk Loto are officially heading back out on the road this August for their highly...For those who need a quick history lesson, Sunk Loto dominated the Australian heavy music landscape in the late '90s and early 2000s, standing shoulder-to-shoulder with international giants like Korn and Deftones. Their seminal 2003 masterpiece, Between Birth and Death, became a gold-standard textbook for Aussie metalcore. Then, they abruptly vanished into the ether for fifteen years.
When they burst back onto the live circuit in 2022, they didn't just play shows; they absolutely decimated venues across the country to a multi-generational, bloodthirsty crowd. Last year, they threw even more fuel on the fire by welcoming guitar wizard Rohan Stevenson (from I Built The Sky) into the fold, instantly locking in an explosive new creative energy.
Now, the boys are back to unleash their brand new single, Dead Shadows, tracked alongside the legendary producer Forrester Savell. To celebrate, they are completely ditching the sterile festival barriers and massive production rigs. Instead, they are opting for the sweaty, high-octane violence of intimate, grassroots rooms.
This brief, relentless East Coast trek will see the band tear through the Coolongatta Hotel on August 7 before two shows at Brisbane’s Crowbar on August 8 and 11, Sydney’s Crowbar on August 13, and finish by ripping the roof off Melbourne’s legendary Corner Hotel on August 14. Tickets are already flying out the door, and if you know anything about a Sunk Loto mosh pit, you know the band actively instigates absolute madness from the barrier to the back wall. Fans can expect a massive, curated setlist packed with deep cuts that haven't seen the light of day in decades, mixed with the crushing weight of their new material.
HEAVY sat down with Stevenson to chew the fat over the creation of Dead Shadows, navigating their brutal new lineup dynamics, and exactly what kind of beautiful insanity they plan to bring to Australian stages next month.
Tickets https://teamwrktouring.com/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>655alternativemetal,alternativerock,australia,hardrock,heavy,heavymetal,krispeters,livemusic,metalinterview,music,musicinterview,numetal,sunkloto,tourfalsefullhttps://www.spreaker.com/episode/paradise-lost-greg-mackintosh-finds-ascension-in-the-ashes--73098033PARADISE LOST have spent close to four decades making misery sound magnificent. While countless bands have shuffled through genres, line-ups and ill-advised creative awakenings, the UK veterans have built an entire legacy from heaviness, melancholy and the endless human capacity to stare into the void and find a decent guitar melody lurking inside it. 
After almost a decade-long absence, Paradise Lost are finally returning to Australia. Guitarist and songwriter Gregor Mackintosh joined HEAVY’s Ali Williams to discuss the band’s long-awaited visit, their latest album Ascension, the record he threw away before writing it properly, and why owning an album once required commitment, patience and occasionally forcing yourself to enjoy something because the record shop refused to take it back. 
The Australian dates arrive at the end of a substantial journey through Japan and China, opening their Downunder at Brisbane’s The Triffid on October 18 before heading to Sydney’s Factory Theatre on October 19 and Melbourne’s Max Watt’s on October 20. Understandably, Mackintosh is eager to return, although asking him for the exact itinerary produced the kind of uncertainty normally reserved for musicians who have sensibly chosen not to examine how many airports stand between Yorkshire and Brisbane. 
“I don’t know how my itinerary works,” he admitted.  Probably best. Nothing good comes from learning too early how long you will be sitting upright while crossing continents. 
Check out the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/73098033Wed, 22 Jul 2026 06:45:28 +0000HEAVY MagazineInterview by Ali Williams PARADISE LOST have spent close to four decades making misery sound magnificent. While countless bands have shuffled through genres, line-ups and ill-advised creative awakenings, the UK veterans have built an entire legacy...PARADISE LOST have spent close to four decades making misery sound magnificent. While countless bands have shuffled through genres, line-ups and ill-advised creative awakenings, the UK veterans have built an entire legacy from heaviness, melancholy and the endless human capacity to stare into the void and find a decent guitar melody lurking inside it. 
After almost a decade-long absence, Paradise Lost are finally returning to Australia. Guitarist and songwriter Gregor Mackintosh joined HEAVY’s Ali Williams to discuss the band’s long-awaited visit, their latest album Ascension, the record he threw away before writing it properly, and why owning an album once required commitment, patience and occasionally forcing yourself to enjoy something because the record shop refused to take it back. 
The Australian dates arrive at the end of a substantial journey through Japan and China, opening their Downunder at Brisbane’s The Triffid on October 18 before heading to Sydney’s Factory Theatre on October 19 and Melbourne’s Max Watt’s on October 20. Understandably, Mackintosh is eager to return, although asking him for the exact itinerary produced the kind of uncertainty normally reserved for musicians who have sensibly chosen not to examine how many airports stand between Yorkshire and Brisbane. 
“I don’t know how my itinerary works,” he admitted.  Probably best. Nothing good comes from learning too early how long you will be sitting upright while crossing continents. 
Check out the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1346aliwilliams,australia,heavy,heavymetal,hornsup,livemusic,metalinterview,metalpodcast,music,paradiselost,tourtruefullhttps://www.spreaker.com/episode/total-annihilation-with-gravemind--73018262These guys have spent years mastering a sound that functions like a well-oiled killing machine. They don't just write breakdowns; they engineer sonic earthquakes that blend punishing, technical riffs with vast, cinematic atmosphere. 
Following the massive success of their critically acclaimed sophomore album Introsphere, released via Greyscale Records, Gravemind have proven they are not content with sitting safely inside the boundaries of traditional deathcore. They weaponise melody, injecting dark progressive layers and experimental dynamics that keep listeners totally off-balance before delivering a swift, blunt-force trauma to the jaw.
HEAVY sat down with vocalist Bailey to find out more about what to expect at Necrosonic.
Tickets to Necrosonic and more information https://necrosonicfestival.com/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/73018262Tue, 21 Jul 2026 14:52:12 +0000HEAVY MagazineBrisbane’s Mansfield Tavern is locking its doors and bracing for total structural failure. The third annual Necrosonic Festival is descending on Saturday, August 22, 2026, delivering 12-plus hours of unrelenting extremity across three stages. While...These guys have spent years mastering a sound that functions like a well-oiled killing machine. They don't just write breakdowns; they engineer sonic earthquakes that blend punishing, technical riffs with vast, cinematic atmosphere. 
Following the massive success of their critically acclaimed sophomore album Introsphere, released via Greyscale Records, Gravemind have proven they are not content with sitting safely inside the boundaries of traditional deathcore. They weaponise melody, injecting dark progressive layers and experimental dynamics that keep listeners totally off-balance before delivering a swift, blunt-force trauma to the jaw.
HEAVY sat down with vocalist Bailey to find out more about what to expect at Necrosonic.
Tickets to Necrosonic and more information https://necrosonicfestival.com/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>525aussieband,australia,deathcore,gravemind,heavy,heavymetal,krispeters,livemusic,mansfieldtavern,metal,metalfestival,metalinterview,music,necrosonicfestival,psycroptic,riversofnihilfalsefullhttps://www.spreaker.com/episode/waging-war-down-under-with-cody-and-briton-from-wage-war--73020789The demand out there is already completely mental. We have already seen the Melbourne show get a massive venue upgrade to The Forum because Aussie heavy music fans simply cannot get enough of what these guys bring to the table. Brisbane and Sydney are staring down the barrel of selling out entirely. If you are sitting on the fence waiting to grab your tickets, you are going to miss out on one of the most essential heavy packages of the entire year.
What makes Wage War such a beautiful, brutal force of nature is their incredible ability to balance sheer, unadulterated chaos with absolute melodic perfection. They throw down some of the most bone-shattering, snarling breakdowns you will ever hear in your life, but they seamlessly back it up with these infectious, soaring hooks that just get completely buried in your head. Tracks from their brand-new EP It Calls Me By Name, alongside their massive back catalogue, are built specifically to ignite the mosh pit.
And let’s talk about the supports, because this line-up is completely stacked from top to bottom. Sharing the stage on this absolute monster of a tour are Nashville hardcore legends Orthodox, who bring a filthy, aggressive edge, and Melbourne's very own rising heavy juggernauts Heavensgate.
HEAVY caught up with vocalist Briton Bond and guitars/clean vocals Cody Quistad to chat more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/73020789Tue, 21 Jul 2026 14:39:22 +0000HEAVY MagazineIf you call yourself a fan of heavy music and your pulse isn't already racing, you need to check your vitals right now. The absolute masters of Floridian metalcore, Wage War, are officially gearing up to bring their massive, unrelenting It Calls Me By...The demand out there is already completely mental. We have already seen the Melbourne show get a massive venue upgrade to The Forum because Aussie heavy music fans simply cannot get enough of what these guys bring to the table. Brisbane and Sydney are staring down the barrel of selling out entirely. If you are sitting on the fence waiting to grab your tickets, you are going to miss out on one of the most essential heavy packages of the entire year.
What makes Wage War such a beautiful, brutal force of nature is their incredible ability to balance sheer, unadulterated chaos with absolute melodic perfection. They throw down some of the most bone-shattering, snarling breakdowns you will ever hear in your life, but they seamlessly back it up with these infectious, soaring hooks that just get completely buried in your head. Tracks from their brand-new EP It Calls Me By Name, alongside their massive back catalogue, are built specifically to ignite the mosh pit.
And let’s talk about the supports, because this line-up is completely stacked from top to bottom. Sharing the stage on this absolute monster of a tour are Nashville hardcore legends Orthodox, who bring a filthy, aggressive edge, and Melbourne's very own rising heavy juggernauts Heavensgate.
HEAVY caught up with vocalist Briton Bond and guitars/clean vocals Cody Quistad to chat more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>473australia,destroyalllines,hardcore,heavensgate,heavy,heavymetal,hornsup,krispeters,metal,metalcore,metalinterview,metalpodcast,music,orthodox,tour,wagewarfalsefullhttps://www.spreaker.com/episode/returning-to-take-care-of-unfinished-business-with-marc-zellweger-from-paleface-swiss--73017810If you like your heavy music served with a side of absolute, unadulterated chaos, then grab a cold beer and brace yourself, because Swiss deathcore juggernauts Paleface Swiss are heading back Down Under. After completely decimating venues across the country on their sold-out 2025 run, the Zurich four-piece have just announced a massive seven-date Australian headline tour for January and February 2027. Trust me when I say this is shaping up to be one of the absolute heaviest and most anticipated tours of the year.
Ever since they detonated onto the global metal scene, Paleface Swiss have earned a formidable reputation for unleashing some of the most volatile and relentlessly aggressive live shows on the planet. Led by the maniacal vocal delivery of frontman Marc "Zelli" Zellweger, the band has been steadily conquering the heavy music world, a fact proven by their latest record, Cursed, smashing its way into the top ten of the Spotify Global Charts. Now, armed with a brand new EP, The Wilted, and a hunger to tear our rooms apart, they are ready to level up the aggression for Aussie crowds.
But they aren’t coming alone. To ensure maximum sonic devastation, they are bringing Canadian metalcore powerhouses Counterparts - fronted by the unfiltered Brendan Murphy - and Colorado’s crushing hardcore-groove outfit Fox Lake along for the ride. The tour kicks off at the Astor Theatre in Perth on Wednesday, 27 January, before hitting Adelaide’s ferocious Froth & Fury Festival, Melbourne's iconic Forum, Canberra, Sydney, Brisbane, and wrapping up in Townsville. It is a massive, comprehensive lap of honour that proves just how much these Swiss heavyweights love the insane energy of the Australian metal community.
I had the absolute pleasure of pulling up a virtual barstool with the main man himself, Marc "Zelli" Zellweger, to find out exactly what the band has in store for us. We chatted all about the chaotic memories from their last Australian visit, the intense sonic evolution behind their latest brutal material, and what it feels like to lead one of the fastest-growing forces in modern extreme music. Zelli is always one of the most passionate, down-to-earth guys to speak to in the business, and his excitement for this upcoming run is completely infectious. So, turn the volume up to eleven, check out our full chat below, and make sure you secure your tickets before they inevitably vanish!
Tickets www.thephoenix.au

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/73017810Fri, 17 Jul 2026 06:17:46 +0000HEAVY MagazineInterview by Kris Peters If you like your heavy music served with a side of absolute, unadulterated chaos, then grab a cold beer and brace yourself, because Swiss deathcore juggernauts Paleface Swiss are heading back Down Under. After completely...If you like your heavy music served with a side of absolute, unadulterated chaos, then grab a cold beer and brace yourself, because Swiss deathcore juggernauts Paleface Swiss are heading back Down Under. After completely decimating venues across the country on their sold-out 2025 run, the Zurich four-piece have just announced a massive seven-date Australian headline tour for January and February 2027. Trust me when I say this is shaping up to be one of the absolute heaviest and most anticipated tours of the year.
Ever since they detonated onto the global metal scene, Paleface Swiss have earned a formidable reputation for unleashing some of the most volatile and relentlessly aggressive live shows on the planet. Led by the maniacal vocal delivery of frontman Marc "Zelli" Zellweger, the band has been steadily conquering the heavy music world, a fact proven by their latest record, Cursed, smashing its way into the top ten of the Spotify Global Charts. Now, armed with a brand new EP, The Wilted, and a hunger to tear our rooms apart, they are ready to level up the aggression for Aussie crowds.
But they aren’t coming alone. To ensure maximum sonic devastation, they are bringing Canadian metalcore powerhouses Counterparts - fronted by the unfiltered Brendan Murphy - and Colorado’s crushing hardcore-groove outfit Fox Lake along for the ride. The tour kicks off at the Astor Theatre in Perth on Wednesday, 27 January, before hitting Adelaide’s ferocious Froth & Fury Festival, Melbourne's iconic Forum, Canberra, Sydney, Brisbane, and wrapping up in Townsville. It is a massive, comprehensive lap of honour that proves just how much these Swiss heavyweights love the insane energy of the Australian metal community.
I had the absolute pleasure of pulling up a virtual barstool with the main man himself, Marc "Zelli" Zellweger, to find out exactly what the band has in store for us. We chatted all about the chaotic memories from their last Australian visit, the intense sonic evolution behind their latest brutal material, and what it feels like to lead one of the fastest-growing forces in modern extreme music. Zelli is always one of the most passionate, down-to-earth guys to speak to in the business, and his excitement for this upcoming run is completely infectious. So, turn the volume up to eleven, check out our full chat below, and make sure you secure your tickets before they inevitably vanish!
Tickets www.thephoenix.au

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>910australia,counterparts,deathcore,foxlake,heavy,heavymetal,hornsup,krispeters,metalcore,metalhead,metalinterview,metalmusic,metalpodcast,music,palefaceswiss,tourtruefullhttps://www.spreaker.com/episode/balance-in-artistic-evolution-with-chris-motionless-from-motionless-in-white--72688312When American metal titans Motionless In White announce a new record, the heavy music community stands up and takes notice. 
Celebrating two decades of sonic devastation, Chris Motionless and his gothic-metalcore troupe are poised to unleash their highly anticipated seventh studio album, Decades, on July 17. It is a monstrous, career-defining release that effortlessly honours their dark history while forcefully kicking down the doors to the future.  From the industrial venom of the lead singles to the monumental collaborations featuring massive names like Slipknot's Corey Taylor plus Skylar Grey, Decades is a masterclass in survival, raw passion, and artistic evolution.
HEAVY sat down with frontman Chris Motionless to find out more.
"It's an exciting time," he enthused when asked how he is feeling about the new album. "We have been working for what feels like literally forever on the record, (laughs) so it's still very weird for me to think that we even have singles out… It's just a very different shift in life, but it's really cool because finally the music gets to see the light of day."
We ask Chris to tell us more about Decades musically.
"This one was definitely - as every band's gonna tell you (smiles) - trying to go above everything we've ever done," he replied. "Catchier. Heavier, blah blah blah, but it's true. We definitely wanted to make sure that everything that we do, that I think the fans love the most, was considered heavily on this one. We really wanted to try and make sure that their feedback was listened to and that we were integrating what fans love the most and then what we love most about the band, and I think that's maybe the reason why things feel pretty positive so far."
We bring up the heavier aspect alluded to on Decades, asking what he means specifically by heavier.
"I would say it's a mixture of everything," he measured. "I think the music may not be so much heavier all around, but there's definitely much more energy. There's so much more fast-paced, or more… just much more energy in every way. There's only one sad, emotional song, per se. Usually, we have three or four, but this one's only got the main one, and the rest is constant rolling energy that I think really helps the album feel different from any other Motionless record. The lyrical content, yeah. Some of it's heavy, some of it's fun. It's a good mixture of everything. I wouldn't say that there's too much, like, you're gonna hear and go (exhales deeply) I need a break from that. It's more meant to be an exciting and uplifting experience."
In the full interview, Chris dives deeper into the musicality of Decades, including the well-documented writer's block he had early in the process, what snapped that and how it impacted the rest of the album. He talked us through the opening track, Decades, and why it was chosen to introduce the album, as well as the momentum shift between songs on the album and how Motionless In White allow for a smooth transition.
We talked about the different genres expressed in Motionless In White's music, and how they find the balance in the creative process, the first time he heard one of their songs on the radio and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72688312Thu, 16 Jul 2026 16:03:09 +0000HEAVY MagazineInterview by Kris Peters When American metal titans Motionless In White announce a new record, the heavy music community stands up and takes notice.  Celebrating two decades of sonic devastation, Chris Motionless and his gothic-metalcore troupe are...When American metal titans Motionless In White announce a new record, the heavy music community stands up and takes notice. 
Celebrating two decades of sonic devastation, Chris Motionless and his gothic-metalcore troupe are poised to unleash their highly anticipated seventh studio album, Decades, on July 17. It is a monstrous, career-defining release that effortlessly honours their dark history while forcefully kicking down the doors to the future.  From the industrial venom of the lead singles to the monumental collaborations featuring massive names like Slipknot's Corey Taylor plus Skylar Grey, Decades is a masterclass in survival, raw passion, and artistic evolution.
HEAVY sat down with frontman Chris Motionless to find out more.
"It's an exciting time," he enthused when asked how he is feeling about the new album. "We have been working for what feels like literally forever on the record, (laughs) so it's still very weird for me to think that we even have singles out… It's just a very different shift in life, but it's really cool because finally the music gets to see the light of day."
We ask Chris to tell us more about Decades musically.
"This one was definitely - as every band's gonna tell you (smiles) - trying to go above everything we've ever done," he replied. "Catchier. Heavier, blah blah blah, but it's true. We definitely wanted to make sure that everything that we do, that I think the fans love the most, was considered heavily on this one. We really wanted to try and make sure that their feedback was listened to and that we were integrating what fans love the most and then what we love most about the band, and I think that's maybe the reason why things feel pretty positive so far."
We bring up the heavier aspect alluded to on Decades, asking what he means specifically by heavier.
"I would say it's a mixture of everything," he measured. "I think the music may not be so much heavier all around, but there's definitely much more energy. There's so much more fast-paced, or more… just much more energy in every way. There's only one sad, emotional song, per se. Usually, we have three or four, but this one's only got the main one, and the rest is constant rolling energy that I think really helps the album feel different from any other Motionless record. The lyrical content, yeah. Some of it's heavy, some of it's fun. It's a good mixture of everything. I wouldn't say that there's too much, like, you're gonna hear and go (exhales deeply) I need a break from that. It's more meant to be an exciting and uplifting experience."
In the full interview, Chris dives deeper into the musicality of Decades, including the well-documented writer's block he had early in the process, what snapped that and how it impacted the rest of the album. He talked us through the opening track, Decades, and why it was chosen to introduce the album, as well as the momentum shift between songs on the album and how Motionless In White allow for a smooth transition.
We talked about the different genres expressed in Motionless In White's music, and how they find the balance in the creative process, the first time he heard one of their songs on the radio and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>678chrismotionless,heavy,heavymetal,hornsup,krispeters,metalcore,metalhead,metalinterview,metalpodcast,motionlessinwhite,music,newalbum,newmusic,roadrunnerrecords,warnermusicfalsefullhttps://www.spreaker.com/episode/teaching-old-bulls-new-tricks-with-link-meanie--72937392If you think these veteran punks are slowing down, you are dead wrong. The rest of 2026 is completely packed with heavy riffs, interstate chaos, and killer new wax. The band is currently crisscrossing the country on a huge national run. They are teaming up with their longtime brothers-in-arms, Spiderbait, acting as the main support on the massive Ivy & The Big Apples anniversary tour. This means they are bringing their blistering noise to huge venues like Adelaide's Hindley Street Music Hall on 25 July and Canberra's legendary venue The Baso on 30 July.
Right after the arena-sized rock shows, The Meanies are jumping straight back into the sweaty club trenches. They have joined forces with Queensland punk unit Dad Fight for a brutal split 7-inch vinyl release featuring fresh tracks from both bands. Dubbed "the old bull and the young calf, together at last," they are launching the wax with a lethal East Coast tour. 
HEAVY caught up with Link Meanie to find out more, asking how the body is holding up these days.
"Oh, pretty shit," he laughed. "Yeah, I was just rueing selling the comfy chair that I had here, and now I'm just sitting on a drum stool. My back's fucking killing me! I've done so much damage over the years that I knew it would come back and bite me at some stage."
We follow up by asking Link if he finds the need to do more stretches and warm-ups now before hitting the stage.
"The only time I was ever fit in my life was probably the turn of the millennium when I was doing Kung Fu, and I was actually quite fit then," he smiled. "God, I'm a couch potato now (laughs)."
In the full interview, we chat more about life on the road and the perils of ageing. We discussed still touring with Spiderbait and Link's memories of the very first time they played together, as well as a list of upcoming shows this year.
The run of shows with Dad Fight was discussed, including the nurturing role The Meanies play when hitting the road with the next generation of bands. We talked about the 7" split single release between The Meanies and Dad Fight and where to get it, as well as the possibility of a new album in the near future and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72937392Thu, 16 Jul 2026 02:57:22 +0000HEAVY MagazineThe Meanies are absolute legends of Australian punk rock, and they are tearing through 2026 like a runaway train. Formed in Melbourne back in 1988, these sonic maniacs have spent nearly four decades delivering chaotic, high-energy pop-punk packed with...If you think these veteran punks are slowing down, you are dead wrong. The rest of 2026 is completely packed with heavy riffs, interstate chaos, and killer new wax. The band is currently crisscrossing the country on a huge national run. They are teaming up with their longtime brothers-in-arms, Spiderbait, acting as the main support on the massive Ivy & The Big Apples anniversary tour. This means they are bringing their blistering noise to huge venues like Adelaide's Hindley Street Music Hall on 25 July and Canberra's legendary venue The Baso on 30 July.
Right after the arena-sized rock shows, The Meanies are jumping straight back into the sweaty club trenches. They have joined forces with Queensland punk unit Dad Fight for a brutal split 7-inch vinyl release featuring fresh tracks from both bands. Dubbed "the old bull and the young calf, together at last," they are launching the wax with a lethal East Coast tour. 
HEAVY caught up with Link Meanie to find out more, asking how the body is holding up these days.
"Oh, pretty shit," he laughed. "Yeah, I was just rueing selling the comfy chair that I had here, and now I'm just sitting on a drum stool. My back's fucking killing me! I've done so much damage over the years that I knew it would come back and bite me at some stage."
We follow up by asking Link if he finds the need to do more stretches and warm-ups now before hitting the stage.
"The only time I was ever fit in my life was probably the turn of the millennium when I was doing Kung Fu, and I was actually quite fit then," he smiled. "God, I'm a couch potato now (laughs)."
In the full interview, we chat more about life on the road and the perils of ageing. We discussed still touring with Spiderbait and Link's memories of the very first time they played together, as well as a list of upcoming shows this year.
The run of shows with Dad Fight was discussed, including the nurturing role The Meanies play when hitting the road with the next generation of bands. We talked about the 7" split single release between The Meanies and Dad Fight and where to get it, as well as the possibility of a new album in the near future and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>857aussiemusic,dadfight,hardrock,heavy,krispeters,livemusic,music,musicinterview,musicpodcast,punk,punkrock,themeanies,tourtruefullhttps://www.spreaker.com/episode/manifesting-your-desires-with-plini--72941095If you thought his previous masterpieces like Handmade Cities or Impulse Voices were the pinnacle of modern guitar music, prepare to have your mind completely blown. An Unnameable Desire is a cinematic rollercoaster that perfectly balances jaw-dropping polyrhythms with celestial jazz-fusion soundscapes. Plini has reunited with his powerhouse rhythm section—bassist Simon Grove and drummer Chris Allison—to create something truly magical. The album also features mind-melting guest spots from Polish guitar icon Jakub Zytecki and experimental harpist Emily Hopkins. It is an ambitious, beautiful sonic journey that demands your full attention from the very first note.
But the masterclass doesn’t stop in the studio. Plini is about to take this new material on the road for the massive An Unnameable Desire Australia and New Zealand Tour this August. This isn’t just your standard run-of-the-mill club shows. Plini is promising his biggest, most immersive live production to date, complete with an incredible international and local lineup. Joining him on this epic trek are UK math-rock heavyweights Delta Sleep, Melbourne progressive newcomers Nightdive, and the phenomenal solo project Cenobia. It is a dream bill for anyone who loves their riffs complex and their melodies massive.
The tour kicks off on August 6 at Brisbane's Princess Theatre, before tearing through Sydney's Liberty Hall, Melbourne's Northcote Theatre, Adelaide's Lion Arts Factory, and Magnet House in Perth. Today, we are diving deep into the creative madness behind the new record, the pressure of evolving his sound, and what fans can expect from this monster live show. Grab a cold one, settle in, and check out our full chat with the man himself, Plini!
"I will be playing a lot of the new album and a lot of the older stuff that people seem to love," he revealed. "It's going to be really fun. We just did it in Europe for about four or five weeks, and the new stuff was especially fun to play."
We ask Plini how different it is playing to audiences overseas compared to those in Australia.
"It depends on the place," he measured. "I think in general, everywhere they get into it as much, but their way of showing it can be different. The music I make… some of it is energetic, but it's not always so there will be a lot of people just standing and watching, and they could be having an amazing time, but it's not necessarily the same feedback as seeing a circle pit (laughs) or people moshing."
In the full interview, Plini talks more about the tour and what we can expect, overseas crowds and how they relate to his music, connecting with fans on different levels, his new album and what to expect, plus more.
Tickets https://www.plini.co/anztour


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72941095Tue, 14 Jul 2026 05:20:09 +0000HEAVY MagazineSydney six-string maestro Plini has just unleashed his monumental third studio album, An Unnameable Desire, and it is a certified masterpiece. For a musician who already operates in the absolute stratosphere of technical guitar playing, this new...If you thought his previous masterpieces like Handmade Cities or Impulse Voices were the pinnacle of modern guitar music, prepare to have your mind completely blown. An Unnameable Desire is a cinematic rollercoaster that perfectly balances jaw-dropping polyrhythms with celestial jazz-fusion soundscapes. Plini has reunited with his powerhouse rhythm section—bassist Simon Grove and drummer Chris Allison—to create something truly magical. The album also features mind-melting guest spots from Polish guitar icon Jakub Zytecki and experimental harpist Emily Hopkins. It is an ambitious, beautiful sonic journey that demands your full attention from the very first note.
But the masterclass doesn’t stop in the studio. Plini is about to take this new material on the road for the massive An Unnameable Desire Australia and New Zealand Tour this August. This isn’t just your standard run-of-the-mill club shows. Plini is promising his biggest, most immersive live production to date, complete with an incredible international and local lineup. Joining him on this epic trek are UK math-rock heavyweights Delta Sleep, Melbourne progressive newcomers Nightdive, and the phenomenal solo project Cenobia. It is a dream bill for anyone who loves their riffs complex and their melodies massive.
The tour kicks off on August 6 at Brisbane's Princess Theatre, before tearing through Sydney's Liberty Hall, Melbourne's Northcote Theatre, Adelaide's Lion Arts Factory, and Magnet House in Perth. Today, we are diving deep into the creative madness behind the new record, the pressure of evolving his sound, and what fans can expect from this monster live show. Grab a cold one, settle in, and check out our full chat with the man himself, Plini!
"I will be playing a lot of the new album and a lot of the older stuff that people seem to love," he revealed. "It's going to be really fun. We just did it in Europe for about four or five weeks, and the new stuff was especially fun to play."
We ask Plini how different it is playing to audiences overseas compared to those in Australia.
"It depends on the place," he measured. "I think in general, everywhere they get into it as much, but their way of showing it can be different. The music I make… some of it is energetic, but it's not always so there will be a lot of people just standing and watching, and they could be having an amazing time, but it's not necessarily the same feedback as seeing a circle pit (laughs) or people moshing."
In the full interview, Plini talks more about the tour and what we can expect, overseas crowds and how they relate to his music, connecting with fans on different levels, his new album and what to expect, plus more.
Tickets https://www.plini.co/anztour


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>799australia,guitar,guitarsolo,hardrock,heavy,heavymetal,instrumentalrock,krispeters,livemusic,music,musicinterview,musicpodcast,plini,tourtruefullhttps://www.spreaker.com/episode/you-am-i-pull-some-strings-to-give-new-life-to-some-old-loves--72937496There are few bands in Australia who can announce they are taking a string quartet on tour and not have the nation immediately clutching its pearls in fear of acoustic violations. You Am I, thankfully, are not most bands. 
When HEAVY’s Ali Williams caught up with bassist Andy Kent, the news was as unexpected as it was oddly perfect: You Am I are heading into theatre territory with a string quartet in tow, giving selected songs from across their catalogue a more considered, cinematic, and potentially spine-tingling treatment. And no, before anyone starts picturing a heritage rock band gently apologising for distortion, Andy was quick to make it clear this is not about turning You Am I into something polite, sleepy, or suspiciously beige.
Check out the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72937496Mon, 13 Jul 2026 09:20:48 +0000HEAVY MagazineInterview by Ali Williams There are few bands in Australia who can announce they are taking a string quartet on tour and not have the nation immediately clutching its pearls in fear of acoustic violations. You Am I, thankfully, are not most bands. ...There are few bands in Australia who can announce they are taking a string quartet on tour and not have the nation immediately clutching its pearls in fear of acoustic violations. You Am I, thankfully, are not most bands. 
When HEAVY’s Ali Williams caught up with bassist Andy Kent, the news was as unexpected as it was oddly perfect: You Am I are heading into theatre territory with a string quartet in tow, giving selected songs from across their catalogue a more considered, cinematic, and potentially spine-tingling treatment. And no, before anyone starts picturing a heritage rock band gently apologising for distortion, Andy was quick to make it clear this is not about turning You Am I into something polite, sleepy, or suspiciously beige.
Check out the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>513aliwilliams,aussieband,australia,hardrock,heavy,livemusic,music,musicinterview,punk,punkrock,rock,tour,youamitruefullhttps://www.spreaker.com/episode/returning-to-your-roots-with-horst-tessmann-from-stormhammer--72938602German power metal veterans StormHammer are embracing a heavier, more aggressive direction on their upcoming album Wrath of the Hammer, due for release on July 17, while still staying true to their melodic foundations.
Bassist Horst Tessmann revealed the album marks a deliberate shift back towards the sound of Welcome to the End after the more melodic approach of Seven Seals. Following years of lineup changes and delays, he said the band is finally where they want to be creatively.
"The title track represents the new album and the style of the band quite well," Horst explained, describing it as the perfect introduction to StormHammer's evolved sound.
Rather than drawing from any single influence, Horst credited guitarists Phil and Christos for naturally blending classic heavy metal, thrash, progressive and punk elements into the songwriting. He also praised producer Alexander Krull, whose experience as a vocalist helped push singer Manuel into delivering more emotionally charged performances.
Although Australian fans may have to wait for a live appearance due to touring costs, Horst said StormHammer hopes strong support for Wrath of the Hammer could eventually make it happen, but the band are already looking ahead, with work on their next album underway and a planned release targeted for autumn 2027.
Check out the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72938602Mon, 13 Jul 2026 09:18:57 +0000HEAVY MagazineInterview by Angela Croudace German power metal veterans StormHammer are embracing a heavier, more aggressive direction on their upcoming album Wrath of the Hammer, due for release on July 17, while still staying true to their melodic foundations....German power metal veterans StormHammer are embracing a heavier, more aggressive direction on their upcoming album Wrath of the Hammer, due for release on July 17, while still staying true to their melodic foundations.
Bassist Horst Tessmann revealed the album marks a deliberate shift back towards the sound of Welcome to the End after the more melodic approach of Seven Seals. Following years of lineup changes and delays, he said the band is finally where they want to be creatively.
"The title track represents the new album and the style of the band quite well," Horst explained, describing it as the perfect introduction to StormHammer's evolved sound.
Rather than drawing from any single influence, Horst credited guitarists Phil and Christos for naturally blending classic heavy metal, thrash, progressive and punk elements into the songwriting. He also praised producer Alexander Krull, whose experience as a vocalist helped push singer Manuel into delivering more emotionally charged performances.
Although Australian fans may have to wait for a live appearance due to touring costs, Horst said StormHammer hopes strong support for Wrath of the Hammer could eventually make it happen, but the band are already looking ahead, with work on their next album underway and a planned release targeted for autumn 2027.
Check out the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>979album,angelacroudace,hardrock,heavy,heavymetal,hornsup,metal,metalinterview,metalpodcast,music,musicinterview,musicpodcast,newmusic,powermetal,stormhammerfalsefullhttps://www.spreaker.com/episode/prepare-for-annihilation-with-dave-haley-from-psycroptic--72770069Now, they are gearing up to unleash their ninth studio weapon, The Pulse of Annihilation, landing July 17, 2026. And it gets better. They have officially signed with the absolute giants at Metal Blade Records, proving that true Australian grit always cuts through on the global stage.
The album is heavy, it is experimental, and it is exactly what the scene needs. This isn’t a band resting on its laurels. They are pushing boundaries, raising bars, and fixing to hit the road this August with Rivers of Nihil for what will easily be the tour of the year. Get your pre-orders sorted, lock in your tickets, and support local metal.
HEAVY sat down with drummer Dave Haley to get the lowdown, asking how he is feeling with the album release imminent.
"It's pretty good," he smiled. "We're all very excited in the band. We feel like we're in a creative hotspot at the moment, and we're definitely not tired of the band or over it. It feels like… at least over the last couple of years, it's been a new lease on the band's life. We're nervous but happy."
We ask Dave to dive deeper into the musical side of The Pulse of Annihilation and what Psycroptic were going for this time around.
"We never really know how an album's going to turn out until it's finished, to be honest," he measured. "It sounds pretty cliché, but we just let the songs write themselves. So by the end of the process, when we sat and listened to it, I noticed it was a bit more of a mid-tempo, mid-paced album than previous albums. Maybe a lot more catchy on the first listen as well. With anything Psycroptic, we just try to build on what we've done before or try to move into some new territories for us. There are definitely some fun songs to play. It's hard to appreciate the songs until you've had a bit of a minute and sat back from the recording process."
In the full interview, we explore the musical side of The Pulse of Annihilation in more detail, including the singles released and how they reflect the album overall. We talked about entering a new sonic chapter with the band, highlighting the growing chemistry between the dual vocalists Jason Peppiatt and Jason Keyser, who are on their second album together now.
Dave told us about the album cover art and what it represents, and also spoke about signing with Metal Blade Records and what it means for Psycroptic moving forward. Their upcoming home town shows were discussed, as was the August tour with Rivers Of Nihil, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72770069Sun, 12 Jul 2026 07:50:35 +0000HEAVY MagazineLet’s be honest: when you talk about Aussie heavy music, you cannot look past the absolute legends in Psycroptic. For over twenty-five years, these boys from Hobart have been wave-makers. They show the rest of the world that Australia doesn’t just do...Now, they are gearing up to unleash their ninth studio weapon, The Pulse of Annihilation, landing July 17, 2026. And it gets better. They have officially signed with the absolute giants at Metal Blade Records, proving that true Australian grit always cuts through on the global stage.
The album is heavy, it is experimental, and it is exactly what the scene needs. This isn’t a band resting on its laurels. They are pushing boundaries, raising bars, and fixing to hit the road this August with Rivers of Nihil for what will easily be the tour of the year. Get your pre-orders sorted, lock in your tickets, and support local metal.
HEAVY sat down with drummer Dave Haley to get the lowdown, asking how he is feeling with the album release imminent.
"It's pretty good," he smiled. "We're all very excited in the band. We feel like we're in a creative hotspot at the moment, and we're definitely not tired of the band or over it. It feels like… at least over the last couple of years, it's been a new lease on the band's life. We're nervous but happy."
We ask Dave to dive deeper into the musical side of The Pulse of Annihilation and what Psycroptic were going for this time around.
"We never really know how an album's going to turn out until it's finished, to be honest," he measured. "It sounds pretty cliché, but we just let the songs write themselves. So by the end of the process, when we sat and listened to it, I noticed it was a bit more of a mid-tempo, mid-paced album than previous albums. Maybe a lot more catchy on the first listen as well. With anything Psycroptic, we just try to build on what we've done before or try to move into some new territories for us. There are definitely some fun songs to play. It's hard to appreciate the songs until you've had a bit of a minute and sat back from the recording process."
In the full interview, we explore the musical side of The Pulse of Annihilation in more detail, including the singles released and how they reflect the album overall. We talked about entering a new sonic chapter with the band, highlighting the growing chemistry between the dual vocalists Jason Peppiatt and Jason Keyser, who are on their second album together now.
Dave told us about the album cover art and what it represents, and also spoke about signing with Metal Blade Records and what it means for Psycroptic moving forward. Their upcoming home town shows were discussed, as was the August tour with Rivers Of Nihil, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>839album,aussiemetal,davehaley,extrememetal,heavy,heavymetal,hornsup,krispeters,livemusic,metalbladerecords,music,newmusic,psycroptic,riversofnihil,tourtruefullhttps://www.spreaker.com/episode/screamfeeder-still-keeping-at-it-after-a-million-years--72911547SCREAMFEEDER, the beloved Brisbane Indie Rock Trio, formed back in 1991, and in 2026 have proven to be one of this country's influential groups in the industry. They’re best known for turning down major-label offers throughout the 90’s as a way of maintaining their independence and ultimately having control over where and how their music was created and displayed. Their decision to do this inspired an entire generation of Australian alternative musicians by showing them that they had options and to seriously consider exercising them.
Tim Steward has been doing this long enough to know when a band is repeating itself, when a room feels right, and when a stranger in her twenties accidentally delivers the funniest career review imaginable.
Speaking with HEAVY’s Ali Williams ahead of Screamfeeder’s run of July shows, Steward was relaxed, generous and wonderfully unfazed by the fact that his band has now lived through more musical eras than most streaming services have patience for. 
Screamfeeder are not a band having a comeback, exactly. Comebacks are for acts that disappeared properly. Screamfeeder never really did. They just wandered through the strange machinery of time, vinyl reissues, loyal punters, new songs, old bruises, and the occasional “last ever show” that, naturally, turned out to be no such thing.
“We’ve been around for a million years,” Steward laughed, which is not strictly true but emotionally accurate enough to pass in court.
The band are currently working on new material, though Tim is the first to admit it is moving at the sort of pace that suggests creativity has its own union and refuses to be rushed on a Monday. After eight albums, the challenge is not whether Screamfeeder can still write songs. That part is handled. The problem is making sure they do not fall back into old habits simply because those habits know where the kettle is.
Check out the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72911547Fri, 10 Jul 2026 09:33:42 +0000HEAVY MagazineInterview by Ali Williams SCREAMFEEDER, the beloved Brisbane Indie Rock Trio, formed back in 1991, and in 2026 have proven to be one of this country's influential groups in the industry. They’re best known for turning down major-label offers...SCREAMFEEDER, the beloved Brisbane Indie Rock Trio, formed back in 1991, and in 2026 have proven to be one of this country's influential groups in the industry. They’re best known for turning down major-label offers throughout the 90’s as a way of maintaining their independence and ultimately having control over where and how their music was created and displayed. Their decision to do this inspired an entire generation of Australian alternative musicians by showing them that they had options and to seriously consider exercising them.
Tim Steward has been doing this long enough to know when a band is repeating itself, when a room feels right, and when a stranger in her twenties accidentally delivers the funniest career review imaginable.
Speaking with HEAVY’s Ali Williams ahead of Screamfeeder’s run of July shows, Steward was relaxed, generous and wonderfully unfazed by the fact that his band has now lived through more musical eras than most streaming services have patience for. 
Screamfeeder are not a band having a comeback, exactly. Comebacks are for acts that disappeared properly. Screamfeeder never really did. They just wandered through the strange machinery of time, vinyl reissues, loyal punters, new songs, old bruises, and the occasional “last ever show” that, naturally, turned out to be no such thing.
“We’ve been around for a million years,” Steward laughed, which is not strictly true but emotionally accurate enough to pass in court.
The band are currently working on new material, though Tim is the first to admit it is moving at the sort of pace that suggests creativity has its own union and refuses to be rushed on a Monday. After eight albums, the challenge is not whether Screamfeeder can still write songs. That part is handled. The problem is making sure they do not fall back into old habits simply because those habits know where the kettle is.
Check out the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>782aliwilliams,australia,band,hardrock,heavy,indierock,music,rock,screamfeeder,tourtruefullhttps://www.spreaker.com/episode/victim-or-villain-a-sonic-journey-with-amanda-lyberg-from-eva-under-fire--72783419Led by frontwoman Amanda Lyberg - who masterfully balances her dual life as a licensed therapist and a powerhouse rock vocalist - the band dives straight into the darkest corners of human emotion. They have traded compliance for complete defiance. Nowhere is this more obvious than on the blistering title track, featuring a monumental vocal pairing with Maria Brink of In This Moment. It is laced with late-'90s industrial crunch combined with a fierce, modern punch that proves standing up for your truth sometimes means looking like the bad guy to everyone you left behind.
From the explosive opening salvos of Awakening to the unapologetic, venomous delivery of Murder Scene, Villainous is an unflinching look at grief, identity, and hard-won self-acceptance. This isn't just standard radio rock; it's a statement of absolute confidence from a band that has already amassed over 100 million streams and dominated the Billboard charts.
HEAVY caught up with the phenomenal Amanda Lyberg to dissect the creative chaos behind the record.
"It's an exciting time," she enthused. "It feels like a long time coming. We spent two years writing this album, which feels like forever when you're so focused on playing live shows. It feels really great to finally be at a point where we're releasing it and getting back into the swing of things and seeing all our hard work come to fruition."
We ask Amanda to tell us what Eva Under Fire were going for musically with Villainous.
"Album one felt great, but it felt like there were a lot of people telling us what we were supposed to be doing," she sighed. "So this time around, it was way more important for us to say no, we're gonna throw out the rule book and do what we wanna do. We wanna say what we wanna say. We wanna say it how we wanna say it. And I was very excited that my guys were all happy, it was going to be more of an Amanda kind of lyrics on this album. I feel like it was more poetic; I feel like it was darker and grittier and had a lot of honest themes. It felt more like a self-discovery journey and a lot more authentic than the first record. We really felt like we were stepping into our own writing this album."
In the full interview, we explored the singles released and how they represent the album, the more personal nature of the lyrics and how Villainous differs from their debut album Love, Drugs And Misery. Amanda talks about her vocation as a professional therapist and how the music world combined with that side of her personality in the creative process.
Amanda also spoke about the ambiguity in the album title, as well as the charity that Eva Under Fire donated portions of their takings to for the title track. We talked about the band's transition from being a garage band to now playing stadiums and how that has impacted dynamics along the way, their current massive tour and the chances of it coming to Australia and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72783419Thu, 09 Jul 2026 07:29:57 +0000HEAVY MagazineDetroit rock quintet Eva Under Fire are about to unleash their most ambitious, vulnerable, and absolutely crushing record to date with Villainous, dropping on July 10, 2026, via Better Noise Music. If you thought their 2022 debut Love, Drugs &...Led by frontwoman Amanda Lyberg - who masterfully balances her dual life as a licensed therapist and a powerhouse rock vocalist - the band dives straight into the darkest corners of human emotion. They have traded compliance for complete defiance. Nowhere is this more obvious than on the blistering title track, featuring a monumental vocal pairing with Maria Brink of In This Moment. It is laced with late-'90s industrial crunch combined with a fierce, modern punch that proves standing up for your truth sometimes means looking like the bad guy to everyone you left behind.
From the explosive opening salvos of Awakening to the unapologetic, venomous delivery of Murder Scene, Villainous is an unflinching look at grief, identity, and hard-won self-acceptance. This isn't just standard radio rock; it's a statement of absolute confidence from a band that has already amassed over 100 million streams and dominated the Billboard charts.
HEAVY caught up with the phenomenal Amanda Lyberg to dissect the creative chaos behind the record.
"It's an exciting time," she enthused. "It feels like a long time coming. We spent two years writing this album, which feels like forever when you're so focused on playing live shows. It feels really great to finally be at a point where we're releasing it and getting back into the swing of things and seeing all our hard work come to fruition."
We ask Amanda to tell us what Eva Under Fire were going for musically with Villainous.
"Album one felt great, but it felt like there were a lot of people telling us what we were supposed to be doing," she sighed. "So this time around, it was way more important for us to say no, we're gonna throw out the rule book and do what we wanna do. We wanna say what we wanna say. We wanna say it how we wanna say it. And I was very excited that my guys were all happy, it was going to be more of an Amanda kind of lyrics on this album. I feel like it was more poetic; I feel like it was darker and grittier and had a lot of honest themes. It felt more like a self-discovery journey and a lot more authentic than the first record. We really felt like we were stepping into our own writing this album."
In the full interview, we explored the singles released and how they represent the album, the more personal nature of the lyrics and how Villainous differs from their debut album Love, Drugs And Misery. Amanda talks about her vocation as a professional therapist and how the music world combined with that side of her personality in the creative process.
Amanda also spoke about the ambiguity in the album title, as well as the charity that Eva Under Fire donated portions of their takings to for the title track. We talked about the band's transition from being a garage band to now playing stadiums and how that has impacted dynamics along the way, their current massive tour and the chances of it coming to Australia and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>828band,betternoisemusic,evaunderfire,hardrockmusic,heavy,heavymetal,inthismoment,krispeters,music,musicinterview,musicpodcast,newmusic,rock,rockmusicfalsefullhttps://www.spreaker.com/episode/spreading-chaos-through-the-orthodox-with-adam-easterling--72866029Led by the chaotic energy of frontman Adam Easterling, Orthodox are a unique but undeniable powerhouse that absolutely refuses to compromise. These guys have made nu-metal feel genuinely new and dangerous again. They take the absolute best elements of Converge’s start-and-stop metallic hardcore, throw it in a blender with the unhinged fury of early Slipknot and Korn, and channel it through their own signature, modern style. It is a molten alloy of sonic violence that hits you like a freight train, reminiscent of Knocked Loose or Harm’s Way but with an entirely different breed of aggression.
Having just dropped their massive fifth studio album, A Door Left Open, Orthodox are returning to Australia with a massive point to prove. Aussie fans got a small taste of their visceral live show last year when they supported Stray From The Path on their final run down under, but this time around, the gloves are completely off. This isn't just music; it's a therapeutic, audio beatdown.
This epic winter tour is shaping up to be an absolute ripper. Melbourne demand has already forced a massive venue upgrade to the iconic Forum, while Brisbane's Tivoli and Sydney's Metro Theatre are selling out faster than a bad decision at 2:00 AM. Alongside local legends Heavensgate, Orthodox are primed to deliver a masterclass in pure, unadulterated hardcore violence. If your neck isn't broken by the end of their set, you simply weren't doing it right. Get your tickets now via Destroy All Lines before you’re left with major FOMO. Tickets HERE


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72866029Wed, 08 Jul 2026 08:47:36 +0000HEAVY MagazineAustralia, get ready to have your faces completely melted because some spectacular savagery is heading down under this winter. Floridian metalcore titans Wage War are returning to our shores for their first-ever nationwide headline tour, and if you...Led by the chaotic energy of frontman Adam Easterling, Orthodox are a unique but undeniable powerhouse that absolutely refuses to compromise. These guys have made nu-metal feel genuinely new and dangerous again. They take the absolute best elements of Converge’s start-and-stop metallic hardcore, throw it in a blender with the unhinged fury of early Slipknot and Korn, and channel it through their own signature, modern style. It is a molten alloy of sonic violence that hits you like a freight train, reminiscent of Knocked Loose or Harm’s Way but with an entirely different breed of aggression.
Having just dropped their massive fifth studio album, A Door Left Open, Orthodox are returning to Australia with a massive point to prove. Aussie fans got a small taste of their visceral live show last year when they supported Stray From The Path on their final run down under, but this time around, the gloves are completely off. This isn't just music; it's a therapeutic, audio beatdown.
This epic winter tour is shaping up to be an absolute ripper. Melbourne demand has already forced a massive venue upgrade to the iconic Forum, while Brisbane's Tivoli and Sydney's Metro Theatre are selling out faster than a bad decision at 2:00 AM. Alongside local legends Heavensgate, Orthodox are primed to deliver a masterclass in pure, unadulterated hardcore violence. If your neck isn't broken by the end of their set, you simply weren't doing it right. Get your tickets now via Destroy All Lines before you’re left with major FOMO. Tickets HERE


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>961destroyalllines,hardcore,heavensgate,heavy,heavymetal,krispeters,livemetal,livemusic,metal,metalinterview,music,musicinterview,musicpodcast,orthodox,tour,wagewartruefullhttps://www.spreaker.com/episode/the-distinguished-art-of-staying-heavy-mat-sinner-talks-about-sinner-s-final-album-release--72849535Most legacy bands eventually announce one final album before quietly discovering that "farewell" is a surprisingly flexible word. MAT SINNER never bothered with any of that. He simply got busy.
For decades, the German bassist, songwriter and producer has been balancing more projects than most people have unread emails, with PRIMAL FEAR naturally becoming the priority. SINNER, the band that started it all, quietly slipped into the background. Not because the passion disappeared. Life just had other ideas.
Then a handful of songs started stirring the creative pot..


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72849535Tue, 07 Jul 2026 05:14:27 +0000HEAVY MagazineInterview by Ali Williams Most legacy bands eventually announce one final album before quietly discovering that "farewell" is a surprisingly flexible word. MAT SINNER never bothered with any of that. He simply got busy. For decades, the German...Most legacy bands eventually announce one final album before quietly discovering that "farewell" is a surprisingly flexible word. MAT SINNER never bothered with any of that. He simply got busy.
For decades, the German bassist, songwriter and producer has been balancing more projects than most people have unread emails, with PRIMAL FEAR naturally becoming the priority. SINNER, the band that started it all, quietly slipped into the background. Not because the passion disappeared. Life just had other ideas.
Then a handful of songs started stirring the creative pot..


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1214hardrock,hardrockmusic,heavy,heavymetal,matsinner,music,musicinterview,musicpodcast,newmusic,primalfear,rock,sinnertruefullhttps://www.spreaker.com/episode/double-trouble-down-under-with-dani-filth-and-dez-fafara--72824187HEAVY is absolutely stoked to bring you a rare, face-to-face breakdown with two of the most uncompromising, venomous, and legendary frontmen to ever grace a festival stage: Dani Filth of black metal royalty Cradle of Filth and Dez Fafara, the groove-metal mastermind driving DevilDriver. 
After completely decimating the United States on their co-headlining run, these long-time partners-in-crime are packing up their Double Trouble tour and unleashing it on Aussie fans at massive stops like Sydney's Enmore Theatre and Brisbane's The Tivoli. We sat down with the iconic duo to find out exactly how they plan to tear our concert halls apart, why their brotherhood makes this the must-see ticket of the year, and just how chaotic things are going to get when they finally touch down down under.
"It worked really well in America," Dez enthused, "and it's two bands that are obviously quite different. But man, it really works. Our fans love Cradle. Cradle's fans love DevilDriver. And I think there's just something special. We've obviously done a lot of interviews, right? And a lot of people have said, you know, it's refreshing. Like this tour is refreshing. You're not getting just four or five of the same bands."
Cradle Of Filth and DevilDriver Australian Tour Dates
Thursday 9th July BRISBANE, The Tivoli
Friday 10th July SYDNEY, The Enmore
Saturday 11th July MELBOURNE, The Forum
Tuesday 14th July ADELAIDE, Hindley Street Music Hall
Thursday 16th July PERTH, The Astor
Tickets on sale: https://thephoenix.au/cradle-of-filth-and-devildriver/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72824187Sun, 05 Jul 2026 03:10:35 +0000HEAVY MagazineLock up your eldest, dust off your leather, and brace your ear canals, because a metal storm of apocalyptic proportions is officially tracking straight for Australian shores!  HEAVY is absolutely stoked to bring you a rare, face-to-face breakdown with...HEAVY is absolutely stoked to bring you a rare, face-to-face breakdown with two of the most uncompromising, venomous, and legendary frontmen to ever grace a festival stage: Dani Filth of black metal royalty Cradle of Filth and Dez Fafara, the groove-metal mastermind driving DevilDriver. 
After completely decimating the United States on their co-headlining run, these long-time partners-in-crime are packing up their Double Trouble tour and unleashing it on Aussie fans at massive stops like Sydney's Enmore Theatre and Brisbane's The Tivoli. We sat down with the iconic duo to find out exactly how they plan to tear our concert halls apart, why their brotherhood makes this the must-see ticket of the year, and just how chaotic things are going to get when they finally touch down down under.
"It worked really well in America," Dez enthused, "and it's two bands that are obviously quite different. But man, it really works. Our fans love Cradle. Cradle's fans love DevilDriver. And I think there's just something special. We've obviously done a lot of interviews, right? And a lot of people have said, you know, it's refreshing. Like this tour is refreshing. You're not getting just four or five of the same bands."
Cradle Of Filth and DevilDriver Australian Tour Dates
Thursday 9th July BRISBANE, The Tivoli
Friday 10th July SYDNEY, The Enmore
Saturday 11th July MELBOURNE, The Forum
Tuesday 14th July ADELAIDE, Hindley Street Music Hall
Thursday 16th July PERTH, The Astor
Tickets on sale: https://thephoenix.au/cradle-of-filth-and-devildriver/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>957australia,blackmetal,cradleoffilth,danifilth,devildriver,dezfafara,groovemetal,heavy,heavymetal,hornsup,krispeters,livemusic,metal,metalinterview,metalpodcast,musicinterview,musicpodcast,tourtruefullhttps://www.spreaker.com/episode/x-marks-the-spot-with-dan-marazita-from-xcalibre--72775224If you thought the standard version of X was a total monster, this deluxe package turns the volume knob way past ten. It is packed with raw emotion, massive, ground-shaking guitar riffs, and anthemic choruses that demand to be heard live. The band has masterfully mixed classic rock intensity with cinematic scale. Highlights like the crushing single House Of Pain still feel entirely unstoppable, capturing the spirit of fighting back and reclaiming your domain.
The expansion tracks lift this release into legendary status. The brilliant single DEAD2ME hits hard with pure sonic aggression and relentless energy. Other new additions include the single Calling You Out!, an acoustic rendition of Scars and a live, intimate recording of Gravity.
HEAVY sat down with Dan on the eve of the album's release to find out more, asking what the thought process generally is behind releasing deluxe editions of an existing album.
"It's about having more content as you go," he answered. "It's a different feel. When you go through an album, it's like a roller coaster. It's like you've got a feeling when you're sitting there in the background, and the deluxe album is different from the normal album. Because you have those stripped-back songs, it's a different energy altogether."
It's been a whirlwind ride so far for XCalibre, and we ask Dan what lessons the band has taken from the whole debut album cycle into preparation for the follow-up.
"Every time you're in the studio, you're just listening to your gut," he measured, "Not going with what you think is 'in'. You're going with what you feel that you know the song deserves and not procrastinating too much on it by sitting with it too long. Sometimes your first idea is the best idea, and you're always going to go back to that."
In the full interview, Dan ran us through each of the four new songs in greater detail and explained why they were chosen for the deluxe edition. He recalled the recording process at Matt Sorum's studio in LA, as well as the guest collaborations with DJ Lethal from Limp Bizkit and Marcos Curiel from POD.
We spoke about how they approached the album process and what they learned from working with and alongside some of the biggest names in music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72775224Fri, 03 Jul 2026 07:37:32 +0000HEAVY MagazineMelbourne's powerhouse hard rock trio XCalibre are gear-jamming their way back into the spotlight, less than half a year since they delivered their crushing debut album X. Born from the chaos of lockdowns, frontman Dan Marazita, guitarist Vinny...If you thought the standard version of X was a total monster, this deluxe package turns the volume knob way past ten. It is packed with raw emotion, massive, ground-shaking guitar riffs, and anthemic choruses that demand to be heard live. The band has masterfully mixed classic rock intensity with cinematic scale. Highlights like the crushing single House Of Pain still feel entirely unstoppable, capturing the spirit of fighting back and reclaiming your domain.
The expansion tracks lift this release into legendary status. The brilliant single DEAD2ME hits hard with pure sonic aggression and relentless energy. Other new additions include the single Calling You Out!, an acoustic rendition of Scars and a live, intimate recording of Gravity.
HEAVY sat down with Dan on the eve of the album's release to find out more, asking what the thought process generally is behind releasing deluxe editions of an existing album.
"It's about having more content as you go," he answered. "It's a different feel. When you go through an album, it's like a roller coaster. It's like you've got a feeling when you're sitting there in the background, and the deluxe album is different from the normal album. Because you have those stripped-back songs, it's a different energy altogether."
It's been a whirlwind ride so far for XCalibre, and we ask Dan what lessons the band has taken from the whole debut album cycle into preparation for the follow-up.
"Every time you're in the studio, you're just listening to your gut," he measured, "Not going with what you think is 'in'. You're going with what you feel that you know the song deserves and not procrastinating too much on it by sitting with it too long. Sometimes your first idea is the best idea, and you're always going to go back to that."
In the full interview, Dan ran us through each of the four new songs in greater detail and explained why they were chosen for the deluxe edition. He recalled the recording process at Matt Sorum's studio in LA, as well as the guest collaborations with DJ Lethal from Limp Bizkit and Marcos Curiel from POD.
We spoke about how they approached the album process and what they learned from working with and alongside some of the biggest names in music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>683australia,deluxealbum,hardrock,heavy,heavymetal,krispeters,music,musicinterview,musicpodcast,newmusic,rock,xcalibre,xmusicfalsefullhttps://www.spreaker.com/episode/sonic-journeys-and-canadian-summers-with-dallas-frasca--72768298Pack your bags and fire up the engines, because Frasca is heading across the Pacific to Canada to record her highly anticipated fifth studio album. Supported by a prestigious grant from the Record in BC Program, this isn't just a simple trip to lay down some vocal tracks. This is an all-out international collaboration designed to push her massive blues-rock sound into entirely new territory.
Once she lands in Canada, the magic truly begins. Frasca is teaming up with a world-class production unit, tracking at the legendary Smooth Operator Studios in Vancouver and the serene, isolated Capsule Studios on Bowen Island. Behind the desk is producer and engineer Janey Aurora, alongside multi-instrumentalist Erik Nielsen, known for his stellar work with City and Colour. If that layout wasn't enough to get your heart pumping, iconic Canadian drummer Pat Steward - who has kept time for Bryan Adams - is stepping behind the kit to lock down the rhythm section.
This next chapter promises to be an absolute ripper of a record. With Frasca’s signature powerhouse vocals, face-melting guitar work, and a legendary international crew in her corner, the rock world needs to brace itself. Canada won't know what hit it.
HEAVY sat down with Dallas before she left to dive deeper, asking her the reasons behind relocating to Canada for a month or so.
"A producer (Janey Aurora) reached out to me late last year and sent me this really amazing email about why she wanted to make the album with me," she began. "And it really resonated quite deeply with me. Plus, I think I'm also ready to do something quite different sonically to extend what I've been working on for the last couple of years and the songs I've been writing."
In the full interview, we discussed why Dallas is heading overseas to record in more detail, the musicians she is working with in Canada and what she is expecting. She ran us through recording outside of your comfort zone and the different ways being in that position can impact your songwriting and the way you approach music.
Dallas told us more about what we could possibly expect from the new music, including the use of a Gospel choir. She told us about the songs she has already written and her mindset going into recording, including the challenges and advantages of doing so. We talked about the success of her previous album, Force Of Nature and the importance of challenging yourself musically and growing as a person and musician between albums, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72768298Thu, 02 Jul 2026 06:03:03 +0000HEAVY MagazineIf there is one thing you can always count on in this crazy, beautiful thing we call the rock and roll landscape, it’s that Dallas Frasca does not do things by halves. She doesn’t just play music; she lives it, breathes it, and commands it like a...Pack your bags and fire up the engines, because Frasca is heading across the Pacific to Canada to record her highly anticipated fifth studio album. Supported by a prestigious grant from the Record in BC Program, this isn't just a simple trip to lay down some vocal tracks. This is an all-out international collaboration designed to push her massive blues-rock sound into entirely new territory.
Once she lands in Canada, the magic truly begins. Frasca is teaming up with a world-class production unit, tracking at the legendary Smooth Operator Studios in Vancouver and the serene, isolated Capsule Studios on Bowen Island. Behind the desk is producer and engineer Janey Aurora, alongside multi-instrumentalist Erik Nielsen, known for his stellar work with City and Colour. If that layout wasn't enough to get your heart pumping, iconic Canadian drummer Pat Steward - who has kept time for Bryan Adams - is stepping behind the kit to lock down the rhythm section.
This next chapter promises to be an absolute ripper of a record. With Frasca’s signature powerhouse vocals, face-melting guitar work, and a legendary international crew in her corner, the rock world needs to brace itself. Canada won't know what hit it.
HEAVY sat down with Dallas before she left to dive deeper, asking her the reasons behind relocating to Canada for a month or so.
"A producer (Janey Aurora) reached out to me late last year and sent me this really amazing email about why she wanted to make the album with me," she began. "And it really resonated quite deeply with me. Plus, I think I'm also ready to do something quite different sonically to extend what I've been working on for the last couple of years and the songs I've been writing."
In the full interview, we discussed why Dallas is heading overseas to record in more detail, the musicians she is working with in Canada and what she is expecting. She ran us through recording outside of your comfort zone and the different ways being in that position can impact your songwriting and the way you approach music.
Dallas told us more about what we could possibly expect from the new music, including the use of a Gospel choir. She told us about the songs she has already written and her mindset going into recording, including the challenges and advantages of doing so. We talked about the success of her previous album, Force Of Nature and the importance of challenging yourself musically and growing as a person and musician between albums, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1111album,aussierock,australia,band,dallasfrasca,folkrock,hardrock,heavy,krispeters,livemusic,music,musician,musicinterview,newmusic,rock,rockinterview,rockmusicfalsefullhttps://www.spreaker.com/episode/settling-scores-through-music-with-adam-de-micco-from-lorna-shore--72782713This October, Lorna Shore is set to achieve another historic milestone: their largest headlining tour of Australia to date. Teaming up with heavy heavyweights Whitechapel and The Acacia Strain, the band is trading the packed club rooms of their previous visits for iconic, large-scale venues like Sydney’s Hordern Pavilion and Melbourne’s John Cain Arena. The upcoming run marks a triumphant victory lap for a group that has completely redefined what extreme music can achieve on the global stage.
Ahead of the highly anticipated tour, we sat down with Adam De Micco to discuss the logistical and creative realities of bringing their massive orchestral production across the globe. In this insightful conversation, De Micco opens up about the pressure of headlining Australian arenas, his evolving approach to guitar craftsmanship, and how the band maintains their tight-knit chemistry on the road. He also reflects on the enduring loyalty of the Australian heavy music community and teases what fans can expect from their most ambitious live visual production yet.
One of the first questions we asked Adam was why he thinks Australian audiences connect so well with Lorna Shore, considering this will be their third tour here in under two years.
"It seems like we owe them a debt, is what I would say," he laughed. "We probably owe someone some money, which is why we keep returning so much. But honestly, it's been awesome. Every time we have been there, the shows have gotten better, so that's kind of the plan for this tour, to do it bigger than we did the last time. The first time we were here was… for a place that we'd never been to, to go on sale and all the shows sell out… none of us were expecting that. Somewhere we had never been to. It took us a while to sell out those kinds of rooms in Europe in our own backyard. So for that to exist in our first go around, it was like, maybe we should return. People seem to be interested in hearing us. And then we came back for the festivals, and that went over amazingly. Minus the heat (laughs). It's more returning to where people seem to want you, and it seems to be on this long 16-hour flight to Australia is where people want us to return (laughs)."
Check out the full interview for much more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72782713Thu, 02 Jul 2026 02:11:56 +0000HEAVY MagazineThe meteoric rise of New Jersey deathcore titans Lorna Shore stands as one of the most remarkable modern success stories in heavy music. At the centre of this sonic storm is lead guitarist and primary songwriter Adam De Micco. Since co-founding the...This October, Lorna Shore is set to achieve another historic milestone: their largest headlining tour of Australia to date. Teaming up with heavy heavyweights Whitechapel and The Acacia Strain, the band is trading the packed club rooms of their previous visits for iconic, large-scale venues like Sydney’s Hordern Pavilion and Melbourne’s John Cain Arena. The upcoming run marks a triumphant victory lap for a group that has completely redefined what extreme music can achieve on the global stage.
Ahead of the highly anticipated tour, we sat down with Adam De Micco to discuss the logistical and creative realities of bringing their massive orchestral production across the globe. In this insightful conversation, De Micco opens up about the pressure of headlining Australian arenas, his evolving approach to guitar craftsmanship, and how the band maintains their tight-knit chemistry on the road. He also reflects on the enduring loyalty of the Australian heavy music community and teases what fans can expect from their most ambitious live visual production yet.
One of the first questions we asked Adam was why he thinks Australian audiences connect so well with Lorna Shore, considering this will be their third tour here in under two years.
"It seems like we owe them a debt, is what I would say," he laughed. "We probably owe someone some money, which is why we keep returning so much. But honestly, it's been awesome. Every time we have been there, the shows have gotten better, so that's kind of the plan for this tour, to do it bigger than we did the last time. The first time we were here was… for a place that we'd never been to, to go on sale and all the shows sell out… none of us were expecting that. Somewhere we had never been to. It took us a while to sell out those kinds of rooms in Europe in our own backyard. So for that to exist in our first go around, it was like, maybe we should return. People seem to be interested in hearing us. And then we came back for the festivals, and that went over amazingly. Minus the heat (laughs). It's more returning to where people seem to want you, and it seems to be on this long 16-hour flight to Australia is where people want us to return (laughs)."
Check out the full interview for much more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>710australia,band,blackmetal,deathcore,heavy,heavymetal,krisppeters,livemusic,lornashore,metal,metalmusic,music,musicinterview,musicpodcast,theacaciastrain,tour,whitechapelfalsefullhttps://www.spreaker.com/episode/still-figuring-out-how-it-works-after-25-years-with-cam-baines-from-bodyjar--72494874Bodyjar is bringing the machine back in for its 25-year scheduled service this July and August 2026, proving that classic Aussie punk rock never goes out of style. Celebrating a quarter-century of their iconic, gold-selling fourth album How It Works, the Melbourne legends are hitting the highway for the massive How It Still Works national tour.
Let’s be honest: when an album like How It Works drops in 2000 and completely reshapes the landscape of Australian punk, you don't just let it gather dust. You polish up the riffs, lube up the kit, and drag it back out to blow the roof off venues across the country. The boys have made it very clear that the odometer might be clocked, but the vehicle is fully serviced and ready to put on some serious mileage. Frontman Cam Baines has reportedly undergone a full grease and oil change, Tommy Read has a fresh set of strings, and the whole unit is primed to deliver that signature, hard-hitting sonic assault we've been craving.
The 11-date run kicks off on July 9 at the King Street Bandroom in Newcastle, before tearing through a ruthless schedule of metro and regional venues. Fans can look forward to hearing anthems like Not The Same and Feed It exactly how they were meant to be experienced: loud, fast, and surrounded by a sweaty, fist-pumping mosh pit.
HEAVY caught up with Cam Baines to dig deeper.
"We've been around for probably 30 years, 29 years or something, and probably even a bit longer if you go back a little bit further," he began. "We had a different name and everything, but we're doing a tour in July for our album, How It Works, and it's the 25-year scheduled service we're calling it.
Just getting this album back on the road and playing all the songs we never play live, and trying to play some of the other tracks that people never hear, is exciting. And because it was a pretty successful album for us, we sort of thought, let's just do this, and we're working on a new album at the same time. We've actually got a new song coming out pretty soon with a video and everything!"
In the full interview, Cam explained that the shows will focus on How It Works combined with fan favourites, use an Instagram poll to select additional songs, and randomise song order so performances can be swapped on the night to stay fresh. He told us about the special guests, describing the support act as a punk-rock "supergroup" composed of members from $1 Short, Frenzal Rhomb, and Something With Numbers assembled specifically for the run.
We talked about the making of How It Works, including the band's decision to join a major label prior to the release and how that impacted the final result. Cam said the band aimed for a big melodic rock sound on How It Works and felt the record achieved that ambition.
Cam recalled the success of How It Works, including being showcased on Tony Hawk's video game, future music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72494874Fri, 26 Jun 2026 05:04:33 +0000HEAVY MagazineInterview by Kris Peters Bodyjar is bringing the machine back in for its 25-year scheduled service this July and August 2026, proving that classic Aussie punk rock never goes out of style. Celebrating a quarter-century of their iconic, gold-selling...Bodyjar is bringing the machine back in for its 25-year scheduled service this July and August 2026, proving that classic Aussie punk rock never goes out of style. Celebrating a quarter-century of their iconic, gold-selling fourth album How It Works, the Melbourne legends are hitting the highway for the massive How It Still Works national tour.
Let’s be honest: when an album like How It Works drops in 2000 and completely reshapes the landscape of Australian punk, you don't just let it gather dust. You polish up the riffs, lube up the kit, and drag it back out to blow the roof off venues across the country. The boys have made it very clear that the odometer might be clocked, but the vehicle is fully serviced and ready to put on some serious mileage. Frontman Cam Baines has reportedly undergone a full grease and oil change, Tommy Read has a fresh set of strings, and the whole unit is primed to deliver that signature, hard-hitting sonic assault we've been craving.
The 11-date run kicks off on July 9 at the King Street Bandroom in Newcastle, before tearing through a ruthless schedule of metro and regional venues. Fans can look forward to hearing anthems like Not The Same and Feed It exactly how they were meant to be experienced: loud, fast, and surrounded by a sweaty, fist-pumping mosh pit.
HEAVY caught up with Cam Baines to dig deeper.
"We've been around for probably 30 years, 29 years or something, and probably even a bit longer if you go back a little bit further," he began. "We had a different name and everything, but we're doing a tour in July for our album, How It Works, and it's the 25-year scheduled service we're calling it.
Just getting this album back on the road and playing all the songs we never play live, and trying to play some of the other tracks that people never hear, is exciting. And because it was a pretty successful album for us, we sort of thought, let's just do this, and we're working on a new album at the same time. We've actually got a new song coming out pretty soon with a video and everything!"
In the full interview, Cam explained that the shows will focus on How It Works combined with fan favourites, use an Instagram poll to select additional songs, and randomise song order so performances can be swapped on the night to stay fresh. He told us about the special guests, describing the support act as a punk-rock "supergroup" composed of members from $1 Short, Frenzal Rhomb, and Something With Numbers assembled specifically for the run.
We talked about the making of How It Works, including the band's decision to join a major label prior to the release and how that impacted the final result. Cam said the band aimed for a big melodic rock sound on How It Works and felt the record achieved that ambition.
Cam recalled the success of How It Works, including being showcased on Tony Hawk's video game, future music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>826australia,band,bodyjar,cambaines,hardrock,heavy,krispeters,livemusic,music,musicinterview,musicpodcast,poppunk,punk,tourtruefullhttps://www.spreaker.com/episode/the-art-of-sonic-seduction-with-carina-round-and-mat-mitchell-from-puscifer--72621404If you’ve been living under a rock, you’d know it’s been more than a decade since A Perfect Circle last graced our shores. But the real kicker here is the inclusion of Puscifer, who are locked and loaded to push the boundaries of reality with their bizarre, post-punk electronics and absurdist storytelling. Adding serious fuel to the fire, the band just dropped their brand-new, ultra-dark studio album Normal Isn't earlier this year. Trust me when I say this record is custom-built to be experienced live, packed with the kind of crushing, experimental tension that gets your blood running.
This isn't just a standard rock show; it's a 21st-century freak show where anything goes. Alongside mastermind Mat Mitchell and the mesmerizing vocal powerhouse Carina Round, Maynard treats a Puscifer gig like an immersive, theatrical assault on the senses. Expect alien landscapes, bizarre characters, and a massive wall of sound that seamlessly jumps from fuzzy garage-metal to spaced-out, electronic soundscapes.
Mat and Carina sat down with HEAVY to talk more. With the Puscifer live experience relying heavily on production and atmosphere, we ask if the band are in a position to bring their full set-up with them.
"It'll be full production," Mat affirmed. "I think that it's as important as hearing the songs is the experience of what we do. So we try to bring everything and give everyone the best possible show we can."
"There's not really a stripped-down version," Carina added. "It's all one big vehicle for the story, and if something gets taken away, then it takes away from the story. So it's always going to be the full show."
In the full interview, Mat and Carina talk more about the stage production and how important it is to the live show. They tell us why it has been so long since their last visit, and what has changed with the band in that time.
We talk about their pairing with A Perfect Circle and why it works, conveying the emotive aspects of their music in a live setting, how they get themselves into character before each show and small rituals they have for doing so. Carina talked us through her on-stage chemistry with Maynard, highlighting their vocal roles when performing together.
Puscifer's recent album Normal Isn't was also discussed, with Mat and Carina talking us through the creative process and getting the balance right in the early stages plus more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72621404Thu, 25 Jun 2026 11:39:25 +0000HEAVY MagazineGet ready to have your absolute minds melted, Australia. The legendary Maynard James Keenan is pulling a massive double shift this December, bringing his electro-rock side-project Puscifer down under to open for none other than his own alternative...If you’ve been living under a rock, you’d know it’s been more than a decade since A Perfect Circle last graced our shores. But the real kicker here is the inclusion of Puscifer, who are locked and loaded to push the boundaries of reality with their bizarre, post-punk electronics and absurdist storytelling. Adding serious fuel to the fire, the band just dropped their brand-new, ultra-dark studio album Normal Isn't earlier this year. Trust me when I say this record is custom-built to be experienced live, packed with the kind of crushing, experimental tension that gets your blood running.
This isn't just a standard rock show; it's a 21st-century freak show where anything goes. Alongside mastermind Mat Mitchell and the mesmerizing vocal powerhouse Carina Round, Maynard treats a Puscifer gig like an immersive, theatrical assault on the senses. Expect alien landscapes, bizarre characters, and a massive wall of sound that seamlessly jumps from fuzzy garage-metal to spaced-out, electronic soundscapes.
Mat and Carina sat down with HEAVY to talk more. With the Puscifer live experience relying heavily on production and atmosphere, we ask if the band are in a position to bring their full set-up with them.
"It'll be full production," Mat affirmed. "I think that it's as important as hearing the songs is the experience of what we do. So we try to bring everything and give everyone the best possible show we can."
"There's not really a stripped-down version," Carina added. "It's all one big vehicle for the story, and if something gets taken away, then it takes away from the story. So it's always going to be the full show."
In the full interview, Mat and Carina talk more about the stage production and how important it is to the live show. They tell us why it has been so long since their last visit, and what has changed with the band in that time.
We talk about their pairing with A Perfect Circle and why it works, conveying the emotive aspects of their music in a live setting, how they get themselves into character before each show and small rituals they have for doing so. Carina talked us through her on-stage chemistry with Maynard, highlighting their vocal roles when performing together.
Puscifer's recent album Normal Isn't was also discussed, with Mat and Carina talking us through the creative process and getting the balance right in the early stages plus more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>846aperfectcircle,australia,hardrock,heavy,krispeters,livemusic,livenation,maynardjameskeenan,music,musicinterview,musicpodcast,puscifer,rock,rockmusic,tourtruefullhttps://www.spreaker.com/episode/embracing-the-anger-with-grace-pasturini-from-vindicta--72660477VINDICTA are heading Down Under this month and are starting a new era by becoming louder, angrier and significantly harder to ignore. Freshly formed by vocalist Grace Pasturini, formally of Dutch band Dogma, Pasturini and other former members are diving headfirst into ensuring VINDICTA hits in all the right spots, following the chaotic demise of their previous band. 
Chatting with HEAVY’s Ali Williams, Grace assures that the band’s next chapter is not a polite little adjustment or a cautious shuffle into slightly different shoes. It is a full creative shift, backed by new music, a concept album in progress, a fresh music video, a run of singles and, most importantly for Australian fans, the band’s first ever trip to this side of the world. 
Grace made it clear that VINDICTA are moving into a sharper, more aggressive space. Their previous sound carried more melody and power metal brightness, but the new material has a nastier pulse to it. Not in a forced “look how dangerous we are” way either. More in the sense that this time they aren't going to be singing pretty ot dressing the truth up to look cute. 
“We’re pulling a little bit away from our older sound,” she explains. “It’s a bit more aggressive; it’s more honest.” 
That honesty seems to suit her voice as much as the band’s direction. While plenty of vocalists treat aggression like something they have to wrestle into place, Pasturini says this heavier delivery actually comes more naturally. The rawer edge is not just better for the songs; it is gentler on her voice. Some singers are out here fighting for their lives, trying to sound melodic, and Grace is finding relief in going harder.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72660477Wed, 24 Jun 2026 02:40:33 +0000HEAVY MagazineInterview by Ali Williams VINDICTA are heading Down Under this month and are starting a new era by becoming louder, angrier and significantly harder to ignore. Freshly formed by vocalist Grace Pasturini, formally of Dutch band Dogma, Pasturini and...VINDICTA are heading Down Under this month and are starting a new era by becoming louder, angrier and significantly harder to ignore. Freshly formed by vocalist Grace Pasturini, formally of Dutch band Dogma, Pasturini and other former members are diving headfirst into ensuring VINDICTA hits in all the right spots, following the chaotic demise of their previous band. 
Chatting with HEAVY’s Ali Williams, Grace assures that the band’s next chapter is not a polite little adjustment or a cautious shuffle into slightly different shoes. It is a full creative shift, backed by new music, a concept album in progress, a fresh music video, a run of singles and, most importantly for Australian fans, the band’s first ever trip to this side of the world. 
Grace made it clear that VINDICTA are moving into a sharper, more aggressive space. Their previous sound carried more melody and power metal brightness, but the new material has a nastier pulse to it. Not in a forced “look how dangerous we are” way either. More in the sense that this time they aren't going to be singing pretty ot dressing the truth up to look cute. 
“We’re pulling a little bit away from our older sound,” she explains. “It’s a bit more aggressive; it’s more honest.” 
That honesty seems to suit her voice as much as the band’s direction. While plenty of vocalists treat aggression like something they have to wrestle into place, Pasturini says this heavier delivery actually comes more naturally. The rawer edge is not just better for the songs; it is gentler on her voice. Some singers are out here fighting for their lives, trying to sound melodic, and Grace is finding relief in going harder.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>743aliwilliams,australia,heavy,heavymetal,livemusic,metal,music,powermetal,tour,vindictatruefullhttps://www.spreaker.com/episode/absence-makes-the-riffs-grow-stronger-with-jenni-and-marty-powell-from-riff-raiders--72564348On 7 June 2026, the band ended a six-year album hiatus by releasing their highly anticipated third studio record, Welcome to Mars. Released worldwide across streaming platforms like Spotify and YouTube Music, the tightly constructed 11-track project serves as a grand "rock ’n’ roll re-entry".  Welcome to Mars is a genre-blurring collection that explores diverse musical flavours while staying rooted in hard rock. The album's roll-out was driven by three standout singles that showcase the band's creative evolution: Nothing to Lose, Broken Halo and Welcome To Mars.
To support the release, Riff Raiders are breaking their long absence from the live stage. They will celebrate their official live comeback on August 28 in Melbourne as part of the Rock Is Not Dead festival, bringing their new space-age stadium anthems directly to the fans. HEAVY caught up with Jenni and Marty to chat more, asking them to describe Welcome To Mars from a musical point of view.
"On the last album, Rock and Roll Daydream, we did a lot more overdubbing and went for a bigger production sort of sound," Marty measured. "So this time we stripped it right back and brought the bass and drums right up into the picture and kept the guitars pretty dry and simple and really showcased the vocals. The idea of the band with Riff Raiders is we do a few different styles of hard rock, which hopefully tie together under the theme of Welcome to Mars this time."
In the full interview, Jenni and Marty dive deeper into Welcome To Mars, including the three singles released and how they reflect the album overall. We spoke about the different layers of rock throughout the album and finding the balance and cohesiveness to keep the flow going.
We talked about Riff Raiders' prolonged absence from the stage and the reasons behind it, the upcoming Rock Is Not Dead show, future gigs and more.
Welcome To Mars is out now: https://tinyurl.com/WelcomeToMars


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72564348Fri, 19 Jun 2026 07:15:29 +0000HEAVY MagazineMelbourne outfit Riff Raiders are a powerhouse hard rock outfit known for their explosive live energy, massive hooks, and crunching guitar riffs. Formed in 2017, the band features core members Jenni Powell on soaring lead vocals and Marty Powell on...On 7 June 2026, the band ended a six-year album hiatus by releasing their highly anticipated third studio record, Welcome to Mars. Released worldwide across streaming platforms like Spotify and YouTube Music, the tightly constructed 11-track project serves as a grand "rock ’n’ roll re-entry".  Welcome to Mars is a genre-blurring collection that explores diverse musical flavours while staying rooted in hard rock. The album's roll-out was driven by three standout singles that showcase the band's creative evolution: Nothing to Lose, Broken Halo and Welcome To Mars.
To support the release, Riff Raiders are breaking their long absence from the live stage. They will celebrate their official live comeback on August 28 in Melbourne as part of the Rock Is Not Dead festival, bringing their new space-age stadium anthems directly to the fans. HEAVY caught up with Jenni and Marty to chat more, asking them to describe Welcome To Mars from a musical point of view.
"On the last album, Rock and Roll Daydream, we did a lot more overdubbing and went for a bigger production sort of sound," Marty measured. "So this time we stripped it right back and brought the bass and drums right up into the picture and kept the guitars pretty dry and simple and really showcased the vocals. The idea of the band with Riff Raiders is we do a few different styles of hard rock, which hopefully tie together under the theme of Welcome to Mars this time."
In the full interview, Jenni and Marty dive deeper into Welcome To Mars, including the three singles released and how they reflect the album overall. We spoke about the different layers of rock throughout the album and finding the balance and cohesiveness to keep the flow going.
We talked about Riff Raiders' prolonged absence from the stage and the reasons behind it, the upcoming Rock Is Not Dead show, future gigs and more.
Welcome To Mars is out now: https://tinyurl.com/WelcomeToMars


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>694album,australia,hardrock,heavy,krispeters,music,musicinterview,musicpodcast,newmusic,riffraiders,rocktruefullhttps://www.spreaker.com/episode/from-calm-comes-chaos-with-jaytanic-ritual-from-the-neptune-power-federation--72570839Dead of Winter Festival is officially back, resurrecting its glorious, dark alternative underworld at Brisbane’s iconic Mansfield Tavern on Saturday, 27 June 2026. After six long years in the shadows, this absolute staple of the heavy music calendar is rising like a Phoenix. Organisers have curated a massive line-up of 31 bands, performance art, and horror cosplay. Yet, out of all the distortion and chaos set to take over the multiple stages, one band is uniquely poised to completely steal the show: The Neptune Power Federation.
Fresh off massive European touring, the Sydney-based rock outfit is making their highly anticipated return to Australian soil. If you have ever witnessed them live, you already know it is an over-the-top, mind-bending experience. If you haven't, prepare your soul. Fronted by the utterly hypnotic and fiercely commanding Imperial Priestess, Screaming Loz Sfire, the band seamlessly blends 1970s heavy psych, punk-driven aggression, and pure, unadulterated stadium rock theatrics. They do not just play a set; they bring a full cosmic ritual that forces your feet to tap and your neck to snap.
What makes their inclusion at Dead of Winter so perfect is how seamlessly their occult energy meshes with the festival's community atmosphere. Backed by a razor-sharp rhythm section and an onslaught of massive, screeching guitar riffs, they are an absolute powerhouse of rock 'n' roll. Dead of Winter has always built its legacy on being a super fun, super safe space for sub-genres to collide. The Neptune Power Federation delivers exactly that brand of welcoming, theatrical madness.
HEAVY sat down with bass player Jaytanic Ritual (a.k.a Jason Whalley from Frenzal Rhomb) to better prepare ourselves for the show and asked about the genesis of the band.
"We were formed on a distant planet," he began. "We were summoned by Her Majesty the Imperial Priestess to basically support her in all her endeavours. Those endeavors being traveling through time to destroy the patriarchy. So we've basically been doing her bidding now for about 10 years in our time, but it spans the millennia in other people's time. We also have all these rules. So, none of the men in the band are allowed to speak. She's deemed that it's okay for me to talk today, so I can talk candidly, but for the most part, we're there just to do her bidding. And apparently, her bidding is to play 1970s psychedelic rock."
We mention that it must be an exercise in futility expecting Jaytanic Ritual to say nothing from the stage, to which his tone became more sombre.
"The consequences of speaking are so dire that it's better off just doing what she wants," he replied, fear in his eyes. "The other thing we're not allowed to do is smile, because what we're doing is very serious. Plus, we're not allowed to wear band shirts because we're the only band from our planet, so there are a lot of rules, but I do like the boundaries."
In the full interview, we explore the world of The Neptune Power Federation in greater detail, finding out what makes them tick and the driving force behind their music. Jaytanic Ritual runs us through their live performance and what to expect, offering three songs concert goers can listen to in order to get to know the band better if they are only new to the party.
We talk about the new album Mondo Tomorrow and its musical psyche, including the move away from recounting the adventures of the High Priestess in favour of technology. Jaytanic Ritual explains how the album sees The Neptune Power Federation return more to their punk roots, the surprise album that was recorded at the same time and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72570839Fri, 19 Jun 2026 07:13:15 +0000HEAVY MagazineInterview by Kris Peters Dead of Winter Festival is officially back, resurrecting its glorious, dark alternative underworld at Brisbane’s iconic Mansfield Tavern on Saturday, 27 June 2026. After six long years in the shadows, this absolute staple of...Dead of Winter Festival is officially back, resurrecting its glorious, dark alternative underworld at Brisbane’s iconic Mansfield Tavern on Saturday, 27 June 2026. After six long years in the shadows, this absolute staple of the heavy music calendar is rising like a Phoenix. Organisers have curated a massive line-up of 31 bands, performance art, and horror cosplay. Yet, out of all the distortion and chaos set to take over the multiple stages, one band is uniquely poised to completely steal the show: The Neptune Power Federation.
Fresh off massive European touring, the Sydney-based rock outfit is making their highly anticipated return to Australian soil. If you have ever witnessed them live, you already know it is an over-the-top, mind-bending experience. If you haven't, prepare your soul. Fronted by the utterly hypnotic and fiercely commanding Imperial Priestess, Screaming Loz Sfire, the band seamlessly blends 1970s heavy psych, punk-driven aggression, and pure, unadulterated stadium rock theatrics. They do not just play a set; they bring a full cosmic ritual that forces your feet to tap and your neck to snap.
What makes their inclusion at Dead of Winter so perfect is how seamlessly their occult energy meshes with the festival's community atmosphere. Backed by a razor-sharp rhythm section and an onslaught of massive, screeching guitar riffs, they are an absolute powerhouse of rock 'n' roll. Dead of Winter has always built its legacy on being a super fun, super safe space for sub-genres to collide. The Neptune Power Federation delivers exactly that brand of welcoming, theatrical madness.
HEAVY sat down with bass player Jaytanic Ritual (a.k.a Jason Whalley from Frenzal Rhomb) to better prepare ourselves for the show and asked about the genesis of the band.
"We were formed on a distant planet," he began. "We were summoned by Her Majesty the Imperial Priestess to basically support her in all her endeavours. Those endeavors being traveling through time to destroy the patriarchy. So we've basically been doing her bidding now for about 10 years in our time, but it spans the millennia in other people's time. We also have all these rules. So, none of the men in the band are allowed to speak. She's deemed that it's okay for me to talk today, so I can talk candidly, but for the most part, we're there just to do her bidding. And apparently, her bidding is to play 1970s psychedelic rock."
We mention that it must be an exercise in futility expecting Jaytanic Ritual to say nothing from the stage, to which his tone became more sombre.
"The consequences of speaking are so dire that it's better off just doing what she wants," he replied, fear in his eyes. "The other thing we're not allowed to do is smile, because what we're doing is very serious. Plus, we're not allowed to wear band shirts because we're the only band from our planet, so there are a lot of rules, but I do like the boundaries."
In the full interview, we explore the world of The Neptune Power Federation in greater detail, finding out what makes them tick and the driving force behind their music. Jaytanic Ritual runs us through their live performance and what to expect, offering three songs concert goers can listen to in order to get to know the band better if they are only new to the party.
We talk about the new album Mondo Tomorrow and its musical psyche, including the move away from recounting the adventures of the High Priestess in favour of technology. Jaytanic Ritual explains how the album sees The Neptune Power Federation return more to their punk roots, the surprise album that was recorded at the same time and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>879band,deadofwinterfestival,dzdeathrays,frenzalrhomb,hardrock,heavy,heavymetal,hornsup,jasonwhalley,krispeters,livemusic,mammal,metal,music,musicfestival,musicinterview,psychedelicrock,punk,rock,theneptunepowerfederationtruefullhttps://www.spreaker.com/episode/finding-salvation-in-loss-with-alpha-from-gaerea--72516475Portuguese masked metal maestros Gaerea will embark on their highly anticipated debut tour of Australia next month. Presented by Soundworks Direct, the five-date national run is officially titled the Loss Australian Tour. This run marks the very first time the cathartic extreme metal band will bring their intense live performance down under.
Known for their signature black hoods and a sound that blends crushing breakdowns with soaring, emotional melodies, Gaerea has built a formidable reputation in the global heavy music scene. The upcoming shows promise to deliver immense emotional impact and raw live energy.
Vocalist Alpha shared that the tour is a massive milestone for the group. While Australian promoters have shown eager interest since Gaerea's early days, the high financial barrier of international travel delayed the trip until the band reached a stable position. Now celebrating a ten-year journey, the band is thrilled to bridge the physical gap with their long-time supporters.
The nightly setlists will span Gaerea’s entire discography. Audiences can expect to hear definitive tracks from earlier foundational releases like Unsettling Whispers, Limbo, and Mirage. The performance will heavily highlight material from their 2024 album Coma, alongside an immersive exploration of their newest sonic era, Loss. Supporting the band across the East Coast leg of the tour is Melbourne-based progressive tech-metal act Ironstone, adding exceptional local flavour to the brutal bill.
HEAVY caught up with Alpha to find out more, asking him to run us through what fans can expect from the shows.
"Well, I always say that it is the best cocktail mix that we can do to make a very aggressive show," he replied, "together with minimalistic, super melodramatic emotional moments where we go through the motions of anger, but also loss, for example, or sadness. There's a bit of everything in terms of the extremes of emotions in the show. We try to be very visual with that. And yeah, I'm pretty sure it's going to be a good, striking, emotional ride.
That's what we set ourselves to do 10 years ago, and we've been doing that. So again, it feels good to be able to do it for the first time in a country. But I heard the fans go completely wild in Australia, so that's always something that gets our blood running for even better shows."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72516475Thu, 18 Jun 2026 07:31:51 +0000HEAVY MagazineInterview by Kris Peters Portuguese masked metal maestros Gaerea will embark on their highly anticipated debut tour of Australia next month. Presented by Soundworks Direct, the five-date national run is officially titled the Loss Australian Tour. This...Portuguese masked metal maestros Gaerea will embark on their highly anticipated debut tour of Australia next month. Presented by Soundworks Direct, the five-date national run is officially titled the Loss Australian Tour. This run marks the very first time the cathartic extreme metal band will bring their intense live performance down under.
Known for their signature black hoods and a sound that blends crushing breakdowns with soaring, emotional melodies, Gaerea has built a formidable reputation in the global heavy music scene. The upcoming shows promise to deliver immense emotional impact and raw live energy.
Vocalist Alpha shared that the tour is a massive milestone for the group. While Australian promoters have shown eager interest since Gaerea's early days, the high financial barrier of international travel delayed the trip until the band reached a stable position. Now celebrating a ten-year journey, the band is thrilled to bridge the physical gap with their long-time supporters.
The nightly setlists will span Gaerea’s entire discography. Audiences can expect to hear definitive tracks from earlier foundational releases like Unsettling Whispers, Limbo, and Mirage. The performance will heavily highlight material from their 2024 album Coma, alongside an immersive exploration of their newest sonic era, Loss. Supporting the band across the East Coast leg of the tour is Melbourne-based progressive tech-metal act Ironstone, adding exceptional local flavour to the brutal bill.
HEAVY caught up with Alpha to find out more, asking him to run us through what fans can expect from the shows.
"Well, I always say that it is the best cocktail mix that we can do to make a very aggressive show," he replied, "together with minimalistic, super melodramatic emotional moments where we go through the motions of anger, but also loss, for example, or sadness. There's a bit of everything in terms of the extremes of emotions in the show. We try to be very visual with that. And yeah, I'm pretty sure it's going to be a good, striking, emotional ride.
That's what we set ourselves to do 10 years ago, and we've been doing that. So again, it feels good to be able to do it for the first time in a country. But I heard the fans go completely wild in Australia, so that's always something that gets our blood running for even better shows."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>894australia,blackmetal,deathmetal,gaerea,heavy,heavymetal,hornsup,krispeters,livemusic,metal,metalcore,metalhead,metalinterviews,metalpodcast,musicinterviews,musicpodcast,soundworksdirect,tourfalsefullhttps://www.spreaker.com/episode/growing-pains-with-nathan-cavaleri--72564848This isn't your standard, ego-driven rock retrospective. This is an intimate, solo performance that beautifully blends heavy storytelling with the soulful, blues-infused musical prowess that made him a household name. Cavaleri is taking audiences on an emotional rollercoaster, tracking his journey from busking on the streets of Campbelltown to conquering international stages, battling leukaemia, and surviving a full-blown mental health collapse that once left him terrified to even pick up a guitar.
What makes Growing Pains so essential is its unapologetic vulnerability. Cavaleri openly admits to feeling "nervous as hell" about putting his darkest moments under the theatre spotlight. Yet, it’s exactly that honesty—paired with his undeniable guitar wizardry—that leaves the crowd uplifted, inspired, and completely in awe. It is a powerful reminder of how music can serve as ultimate therapy.
HEAVY sat down with Nathan to chat about the run of shows and the subject matter, asking where the idea came from.
"When I got back into it, I was actually just starting to share my experiences," he began, "like growing up on tour and playing with all these amazing legends, but also making sense of life along the way and some of the challenges I went through. I was getting a lot of feedback from members of the audience saying that they loved the songs, but they really loved the stories and wanted more of them, and suggested I write a book. I've lived this life, so it's not... it just feels pretty normal to me. And I thought, well, I don't want to write a book. It feels a little bit premature, but they were barking at me for a long time. So I thought, all right, well, why don't I try something different and bring it to the stage and create a live show out of it?"
In the full interview, Nathan talks more about the genesis of the idea, including how he decided what subject matter to cover. He detailed the difficulties he faced confronting some of those memories and working them into a narrative, offering up some stories that made the final cut along the way.
He talked about some of his best memories, how music ultimately affected his mental health and the steps he has taken to get through it. The format of the shows was discussed, as was the level of crowd interaction, as well as new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72564848Thu, 18 Jun 2026 02:57:05 +0000HEAVY MagazineThere are few stories in Australian rock history as heavy or as real as Nathan Cavaleri’s. We all remember the kid—the pint-sized blues prodigy who jammed with B.B. King, signed global deals, and made the guitar sing like a seasoned delta master...This isn't your standard, ego-driven rock retrospective. This is an intimate, solo performance that beautifully blends heavy storytelling with the soulful, blues-infused musical prowess that made him a household name. Cavaleri is taking audiences on an emotional rollercoaster, tracking his journey from busking on the streets of Campbelltown to conquering international stages, battling leukaemia, and surviving a full-blown mental health collapse that once left him terrified to even pick up a guitar.
What makes Growing Pains so essential is its unapologetic vulnerability. Cavaleri openly admits to feeling "nervous as hell" about putting his darkest moments under the theatre spotlight. Yet, it’s exactly that honesty—paired with his undeniable guitar wizardry—that leaves the crowd uplifted, inspired, and completely in awe. It is a powerful reminder of how music can serve as ultimate therapy.
HEAVY sat down with Nathan to chat about the run of shows and the subject matter, asking where the idea came from.
"When I got back into it, I was actually just starting to share my experiences," he began, "like growing up on tour and playing with all these amazing legends, but also making sense of life along the way and some of the challenges I went through. I was getting a lot of feedback from members of the audience saying that they loved the songs, but they really loved the stories and wanted more of them, and suggested I write a book. I've lived this life, so it's not... it just feels pretty normal to me. And I thought, well, I don't want to write a book. It feels a little bit premature, but they were barking at me for a long time. So I thought, all right, well, why don't I try something different and bring it to the stage and create a live show out of it?"
In the full interview, Nathan talks more about the genesis of the idea, including how he decided what subject matter to cover. He detailed the difficulties he faced confronting some of those memories and working them into a narrative, offering up some stories that made the final cut along the way.
He talked about some of his best memories, how music ultimately affected his mental health and the steps he has taken to get through it. The format of the shows was discussed, as was the level of crowd interaction, as well as new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1239australia,guitar,hardrock,heavy,krispeters,livemusic,music,musicinterview,musicpodcast,nathancavaleri,rock,rockmusic,tourfalsefullhttps://www.spreaker.com/episode/the-damned-s-captain-sensible-reflects-on-50-years-of-punk-chaos--72462401Fifty years after helping ignite the UK punk movement, Captain Sensible still sounds pleasantly surprised that The Damned are standing strong.
Speaking ahead of the band's Australian 50th Anniversary Tour this September, the guitarist reflected on a career that has taken the group from playing tiny pubs to prestigious venues that once wanted nothing to do with them.
"When we started, I never thought it would last more than three or four weeks," he laughed. "We were playing this uncompromising noise music and upsetting audiences. I never thought anyone would let us make an album, let alone still be doing it 50 years later."
For Sensible, The Damned's longevity comes down to authenticity. Despite five decades on the road, the band continues to embrace unpredictability.
"You never know what's going to happen next, even we don't know," he said. "That's the great thing about proper, organic rock and roll."
The celebrations arrive during what Sensible calls a "golden period" for the band. One particularly satisfying milestone has been performing at iconic venues that once rejected them.
"We're playing places that banned us back in the day," he said. "The Royal Albert Hall didn't want us in the late '70s, and now we're playing places like the Sydney Opera House. For a band that's always been anti-establishment, that's pretty ridiculous."
The conversation also unearthed one of punk's more bizarre stories, with Sensible confirming a bit of family lore for me; a tale involving an inflatable dinosaur costume at London's Rainbow Theatre. After being dragged into the crowd by the costume's tail, he emerged without it and finished the show naked.
"It's why there was never a repeat performance," he joked.
Fifty years on, The Damned remain rebellious, unpredictable and, somehow, still surprising themselves.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72462401Tue, 16 Jun 2026 05:35:31 +0000HEAVY MagazineInterview by Angela Croudace Fifty years after helping ignite the UK punk movement, Captain Sensible still sounds pleasantly surprised that The Damned are standing strong. Speaking ahead of the band's Australian 50th Anniversary Tour this September,...Fifty years after helping ignite the UK punk movement, Captain Sensible still sounds pleasantly surprised that The Damned are standing strong.
Speaking ahead of the band's Australian 50th Anniversary Tour this September, the guitarist reflected on a career that has taken the group from playing tiny pubs to prestigious venues that once wanted nothing to do with them.
"When we started, I never thought it would last more than three or four weeks," he laughed. "We were playing this uncompromising noise music and upsetting audiences. I never thought anyone would let us make an album, let alone still be doing it 50 years later."
For Sensible, The Damned's longevity comes down to authenticity. Despite five decades on the road, the band continues to embrace unpredictability.
"You never know what's going to happen next, even we don't know," he said. "That's the great thing about proper, organic rock and roll."
The celebrations arrive during what Sensible calls a "golden period" for the band. One particularly satisfying milestone has been performing at iconic venues that once rejected them.
"We're playing places that banned us back in the day," he said. "The Royal Albert Hall didn't want us in the late '70s, and now we're playing places like the Sydney Opera House. For a band that's always been anti-establishment, that's pretty ridiculous."
The conversation also unearthed one of punk's more bizarre stories, with Sensible confirming a bit of family lore for me; a tale involving an inflatable dinosaur costume at London's Rainbow Theatre. After being dragged into the crowd by the costume's tail, he emerged without it and finished the show naked.
"It's why there was never a repeat performance," he joked.
Fifty years on, The Damned remain rebellious, unpredictable and, somehow, still surprising themselves.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1337angelacroudace,captinsensible,heavy,livemusic,punk,punkrockaustralia,thedamned,tourtruefullhttps://www.spreaker.com/episode/not-beating-around-the-bush-with-brent-smith-from-shinedown--72472411Shinedown brings a precise, high-octane live production to the stage, fueled by a record-breaking 24 number-one rock hits and more than 8.3 billion global streams. Local audiences can expect a dense, anthemic setlist packed with their definitive mainstream radio hits like Second Chance, Sound of Madness, and Monsters. The Florida-based rockers are also using this international trek to showcase brand-new material from their eighth studio album, EI8HT, which launched recently with widespread critical acclaim.
Complementing Shinedown's arena-ready energy is the raw post-grunge power of Bush, anchored by the iconic charisma of frontman Gavin Rossdale. With over three decades of global success and a billion streams, the London-born outfit remains an essential fixture of modern alternative rock. Their performance will highlight definitive mid-90s hits from their seminal, multi-platinum debut record Sixteen Stone, treating fans to live renditions of Glycerine, Comedown, and Machinehead. Additionally, Bush will perform tracks from their tenth studio album, I Beat Loneliness, demonstrating their continuing creative evolution.
HEAVY sat down with Shinedown frontman Brent Smith to get his thoughts on the tour. It's been 16 years since Shinedown last toured this country, so we ask Brent what has changed with the band over that period.
"Just the trajectory of the band," he measured. "The albums. Life. Experience… The thing that I never take for granted is that I can look back and say to myself, I feel very, very fortunate that from the moment I could have a conscious thought… what I wanted to do with my life, I'm doing. And to still be 25 years into being in this band… You don't ever want to have this big, meteoric rise. I don't know the way I should say this, but I can only say it in the most authentic way possible. Experience is something that you need in this industry. Sometimes, when you get a big jump, there can be a heavy fall. It's a very difficult industry to navigate, the music business and however you want to look at it. But the reality is it all comes down to the audience and the artist. I've said this before, and I mean it. In Shinedown, we only have one boss. It's just everybody in the audience. And Shinedown is also everyone's band."
In the full interview, Brent makes apologies for taking so long to get back to Australia, promising the band will more than make up for lost time. He spoke about the evolution of Shinedown over their musical journey and the importance of staying grounded, no matter what else is happening.
He recounted how the initial discussion to pair Shinedown and Bush on tour came about, expressing his respect and love for their touring partners and how their music will compliment the other. Brent talked about Shinedown's recent album Ei8ht and its reception, highlighting the positive reaction by fans and critics alike, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72472411Tue, 16 Jun 2026 05:32:43 +0000HEAVY MagazineAmerican rock titans Shinedown and British alternative legends Bush are uniting for a massive co-headline tour across Australia and New Zealand in September 2026. Promoted by Destroy All Lines, this blockbuster arena run bridges two distinct eras of...Shinedown brings a precise, high-octane live production to the stage, fueled by a record-breaking 24 number-one rock hits and more than 8.3 billion global streams. Local audiences can expect a dense, anthemic setlist packed with their definitive mainstream radio hits like Second Chance, Sound of Madness, and Monsters. The Florida-based rockers are also using this international trek to showcase brand-new material from their eighth studio album, EI8HT, which launched recently with widespread critical acclaim.
Complementing Shinedown's arena-ready energy is the raw post-grunge power of Bush, anchored by the iconic charisma of frontman Gavin Rossdale. With over three decades of global success and a billion streams, the London-born outfit remains an essential fixture of modern alternative rock. Their performance will highlight definitive mid-90s hits from their seminal, multi-platinum debut record Sixteen Stone, treating fans to live renditions of Glycerine, Comedown, and Machinehead. Additionally, Bush will perform tracks from their tenth studio album, I Beat Loneliness, demonstrating their continuing creative evolution.
HEAVY sat down with Shinedown frontman Brent Smith to get his thoughts on the tour. It's been 16 years since Shinedown last toured this country, so we ask Brent what has changed with the band over that period.
"Just the trajectory of the band," he measured. "The albums. Life. Experience… The thing that I never take for granted is that I can look back and say to myself, I feel very, very fortunate that from the moment I could have a conscious thought… what I wanted to do with my life, I'm doing. And to still be 25 years into being in this band… You don't ever want to have this big, meteoric rise. I don't know the way I should say this, but I can only say it in the most authentic way possible. Experience is something that you need in this industry. Sometimes, when you get a big jump, there can be a heavy fall. It's a very difficult industry to navigate, the music business and however you want to look at it. But the reality is it all comes down to the audience and the artist. I've said this before, and I mean it. In Shinedown, we only have one boss. It's just everybody in the audience. And Shinedown is also everyone's band."
In the full interview, Brent makes apologies for taking so long to get back to Australia, promising the band will more than make up for lost time. He spoke about the evolution of Shinedown over their musical journey and the importance of staying grounded, no matter what else is happening.
He recounted how the initial discussion to pair Shinedown and Bush on tour came about, expressing his respect and love for their touring partners and how their music will compliment the other. Brent talked about Shinedown's recent album Ei8ht and its reception, highlighting the positive reaction by fans and critics alike, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>950alternativerock,australia,bush,destroyalllines,hardrock,hardrockmusic,heavy,krispeters,livemusic,metal,music,musicinterview,musicpodcast,rock,rockinterview,rockmusic,shinedown,tourfalsefullhttps://www.spreaker.com/episode/keeping-death-metal-honest-with-borisz-the-savage-and-bastian-herzog-from-fleshcrawl--72473233German death metal veterans FLESHCRAWL are entering a major new chapter with Epitome Of Carnage, their 10th studio album and the first to feature Borisz (The Savage) Sarafutgyinov handling all vocals and lyrics. In conversation with HEAVY’s Ali Williams, founding drummer Bastian Herzog and Borisz spoke about the refreshed lineup, the record’s old-school approach, the pressure of carrying a long-running name forward, and the small matter of trying to get the band to Australia without financially maiming everyone involved.
It is a big moment for FLESHCRAWL, although neither Borisz nor Bastian seem interested in dressing it up as some grand reinvention. The feeling is more practical than theatrical. The lineup has changed, the energy has shifted, and the band have used that movement to build something that still sounds unmistakably like FLESHCRAWL. 
Borisz joined the band in 2021 following the passing of longtime vocalist Sven Gross, and Epitome Of Carnage marks his first album taking full control of the vocals and lyrics. That is no small handover. FLESHCRAWL have been part of the European death metal landscape since 1987, and walking into that kind of history requires more than a decent growl and a reliable calendar. 
For Borisz, the change in sound comes naturally from the people now in the room. “The lineup is pretty fresh,” he explained, pointing to the two newer guitar players as part of the reason this album feels different. His own voice and lyrics also helped push the material into its current shape, giving the band a new angle while keeping the core intact. 
Bastian sees it as a new start as well. Coming from a founding member, that carries weight. He has been there since the earliest days, long enough to make most band origin stories look like recent lunch orders. Yet there is no sense of him clinging to the past with both hands and a suspiciously labelled backup hard drive. He sounds ready for this version of FLESHCRAWL to stand on its own. 
The lyrical direction on Epitome Of Carnage came from a darker place, although Borisz admitted he only fully recognised the pattern once interviews for the album began. War, media doom, social decay and the world’s apparent commitment to behaving like a malfunctioning meat grinder all worked their way into the songs. 
When asked what drove the album, his answer was refreshingly direct. ‘Being pissed off’. Fair. Death metal has never exactly demanded a vision board and has launched entire careers on less.
That anger, however, has been channelled with purpose. FLESHCRAWL were clear about wanting the album to feel organic, not manufactured into something overly slick. Borisz spoke about avoiding modern production techniques such as enhanced drums, triggers and excessive studio layering. The aim was to create a record that could connect with older fans while still making sense in 2026. 
Bastian contributed riffs and also wrote a short instrumental piece for the album, although he was typically understated about his role. Borisz was quicker to point out that everyone contributed across the record, with no strict divisions in the writing process. The band worked as a unit, which also means everyone had the pleasure of annoying everyone else in useful ways. 
Check out the full interview for much more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72473233Fri, 12 Jun 2026 01:53:26 +0000HEAVY MagazineInterview by Ali Williams German death metal veterans FLESHCRAWL are entering a major new chapter with Epitome Of Carnage, their 10th studio album and the first to feature Borisz (The Savage) Sarafutgyinov handling all vocals and lyrics. In...German death metal veterans FLESHCRAWL are entering a major new chapter with Epitome Of Carnage, their 10th studio album and the first to feature Borisz (The Savage) Sarafutgyinov handling all vocals and lyrics. In conversation with HEAVY’s Ali Williams, founding drummer Bastian Herzog and Borisz spoke about the refreshed lineup, the record’s old-school approach, the pressure of carrying a long-running name forward, and the small matter of trying to get the band to Australia without financially maiming everyone involved.
It is a big moment for FLESHCRAWL, although neither Borisz nor Bastian seem interested in dressing it up as some grand reinvention. The feeling is more practical than theatrical. The lineup has changed, the energy has shifted, and the band have used that movement to build something that still sounds unmistakably like FLESHCRAWL. 
Borisz joined the band in 2021 following the passing of longtime vocalist Sven Gross, and Epitome Of Carnage marks his first album taking full control of the vocals and lyrics. That is no small handover. FLESHCRAWL have been part of the European death metal landscape since 1987, and walking into that kind of history requires more than a decent growl and a reliable calendar. 
For Borisz, the change in sound comes naturally from the people now in the room. “The lineup is pretty fresh,” he explained, pointing to the two newer guitar players as part of the reason this album feels different. His own voice and lyrics also helped push the material into its current shape, giving the band a new angle while keeping the core intact. 
Bastian sees it as a new start as well. Coming from a founding member, that carries weight. He has been there since the earliest days, long enough to make most band origin stories look like recent lunch orders. Yet there is no sense of him clinging to the past with both hands and a suspiciously labelled backup hard drive. He sounds ready for this version of FLESHCRAWL to stand on its own. 
The lyrical direction on Epitome Of Carnage came from a darker place, although Borisz admitted he only fully recognised the pattern once interviews for the album began. War, media doom, social decay and the world’s apparent commitment to behaving like a malfunctioning meat grinder all worked their way into the songs. 
When asked what drove the album, his answer was refreshingly direct. ‘Being pissed off’. Fair. Death metal has never exactly demanded a vision board and has launched entire careers on less.
That anger, however, has been channelled with purpose. FLESHCRAWL were clear about wanting the album to feel organic, not manufactured into something overly slick. Borisz spoke about avoiding modern production techniques such as enhanced drums, triggers and excessive studio layering. The aim was to create a record that could connect with older fans while still making sense in 2026. 
Bastian contributed riffs and also wrote a short instrumental piece for the album, although he was typically understated about his role. Borisz was quicker to point out that everyone contributed across the record, with no strict divisions in the writing process. The band worked as a unit, which also means everyone had the pleasure of annoying everyone else in useful ways. 
Check out the full interview for much more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1052album,aliwilliams,deathmetal,fleshcrawl,heavy,heavymetal,hornsup,metal,metalinterview,newmusic,tradionaldeathmetaltruefullhttps://www.spreaker.com/episode/waking-up-the-dead-with-steve-francis-from-bulletbelt--72475028The Wellington metal veterans are locked and loaded for the highly anticipated resurrection of Dead of Winter Festival. Taking place on Saturday, June 27, 2026, at its brand-new stomping ground the Mansfield Tavern, this iconic alternative counter-culture gathering is officially back after a multi-year hiatus. While Aussie heavyweights like DZ Deathrays and Mammal are ready to hold down the home front, Bulletbelt represents the absolute pinnacle of relentless, sonic savagery coming from across the Tasman.
If you have ever witnessed Bulletbelt live, you know they do not just play music; they deliver a sonic assault that leaves your ears ringing and your feet bruised. Their signature blend of old-school thrash velocity and cold, uncompromising black metal atmospheric filth creates a hellish wall of sound. It is the kind of measured aggression that instantly gets your head snapping. For years, these guys have carved out a reputation as one of the hardest-working, most road-hardened extreme metal forces in the Southern Hemisphere.
Dead of Winter has always been a sanctuary for the outsiders, the riff-lords, and the beautiful weirdos of the heavy music community. Moving the madness to the legendary Mansfield Tavern means 34 acts will split your skull across multiple stages. It offers the perfect, high-intensity indoor environment for Bulletbelt to do what they do best: decimate crowds. Expect sweat-soaked leather, full-throttle blast beats, and a wave of pure, unadulterated energy that hits with the subtle force of a flying brick.
HEAVY caught up with drummer Steve Francis to find out more. With Dead Of Winter returning after a number of years, we ask Steve just how important festivals that nurture homegrown talent are to the continued growth of Australian and New Zealand music.
"They're huge," he replied instantly. "And look at Australia. Look at how many amazing heavy bands there are at the moment, and a little bit of a parallel to back here in Wellington. I think the local scene at the moment here in Wellington and the bigger New Zealand is probably better than it's ever been. There's so many bands that are getting overseas and getting signed to international labels and coming over to play Brisbane with such a really cool, diverse lineup as well.
We came two years ago and played Necrosonic Festival, and that was catered a little bit more to the heavier side of the rock genre. But this one is really exciting because we're going to be presenting ourselves in front of a bunch of people who aren't just into heavy music, they're into all sorts of rock-oriented music. So, yeah, really excited."
In the full interview, Steve reported that Bulletbelt has been off the road since a November 2024 15th‑anniversary show while recording a new album, which is finished and produced by U.S. producer Damien Reynard to achieve a “world‑class” sound. The record emphasizes more melody, higher tempos (including songs near 200 BPM) and power‑metal influences, and is planned for release around October; release timing is partly delayed by the postponed film Deathgasm 2, for which Bulletbelt wrote the theme.
Steve characterized the band’s festival approach as high‑energy, crowd‑engaging “party band” sets and said festivals are crucial for reaching broader rock audiences beyond heavy‑music niches. He confirmed the band will perform two new songs during the Australian shows and named local bands he’s anticipating at Dead of Winter and more.
Dead Of Winter will be held at the Mansfield Tavern in Brisbane on June 27, featuring Mammal, DZ Deathrays, Jay and Lindsay, Beanflipper, Toe to Toe, Slim Krusty and many more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72475028Fri, 12 Jun 2026 01:51:56 +0000HEAVY MagazineGet ready to snap your necks, Australia, because New Zealand black-thrash titans Bulletbelt are crossing the ditch this June to tear you all a new one. The Wellington metal veterans are locked and loaded for the highly anticipated resurrection of Dead...The Wellington metal veterans are locked and loaded for the highly anticipated resurrection of Dead of Winter Festival. Taking place on Saturday, June 27, 2026, at its brand-new stomping ground the Mansfield Tavern, this iconic alternative counter-culture gathering is officially back after a multi-year hiatus. While Aussie heavyweights like DZ Deathrays and Mammal are ready to hold down the home front, Bulletbelt represents the absolute pinnacle of relentless, sonic savagery coming from across the Tasman.
If you have ever witnessed Bulletbelt live, you know they do not just play music; they deliver a sonic assault that leaves your ears ringing and your feet bruised. Their signature blend of old-school thrash velocity and cold, uncompromising black metal atmospheric filth creates a hellish wall of sound. It is the kind of measured aggression that instantly gets your head snapping. For years, these guys have carved out a reputation as one of the hardest-working, most road-hardened extreme metal forces in the Southern Hemisphere.
Dead of Winter has always been a sanctuary for the outsiders, the riff-lords, and the beautiful weirdos of the heavy music community. Moving the madness to the legendary Mansfield Tavern means 34 acts will split your skull across multiple stages. It offers the perfect, high-intensity indoor environment for Bulletbelt to do what they do best: decimate crowds. Expect sweat-soaked leather, full-throttle blast beats, and a wave of pure, unadulterated energy that hits with the subtle force of a flying brick.
HEAVY caught up with drummer Steve Francis to find out more. With Dead Of Winter returning after a number of years, we ask Steve just how important festivals that nurture homegrown talent are to the continued growth of Australian and New Zealand music.
"They're huge," he replied instantly. "And look at Australia. Look at how many amazing heavy bands there are at the moment, and a little bit of a parallel to back here in Wellington. I think the local scene at the moment here in Wellington and the bigger New Zealand is probably better than it's ever been. There's so many bands that are getting overseas and getting signed to international labels and coming over to play Brisbane with such a really cool, diverse lineup as well.
We came two years ago and played Necrosonic Festival, and that was catered a little bit more to the heavier side of the rock genre. But this one is really exciting because we're going to be presenting ourselves in front of a bunch of people who aren't just into heavy music, they're into all sorts of rock-oriented music. So, yeah, really excited."
In the full interview, Steve reported that Bulletbelt has been off the road since a November 2024 15th‑anniversary show while recording a new album, which is finished and produced by U.S. producer Damien Reynard to achieve a “world‑class” sound. The record emphasizes more melody, higher tempos (including songs near 200 BPM) and power‑metal influences, and is planned for release around October; release timing is partly delayed by the postponed film Deathgasm 2, for which Bulletbelt wrote the theme.
Steve characterized the band’s festival approach as high‑energy, crowd‑engaging “party band” sets and said festivals are crucial for reaching broader rock audiences beyond heavy‑music niches. He confirmed the band will perform two new songs during the Australian shows and named local bands he’s anticipating at Dead of Winter and more.
Dead Of Winter will be held at the Mansfield Tavern in Brisbane on June 27, featuring Mammal, DZ Deathrays, Jay and Lindsay, Beanflipper, Toe to Toe, Slim Krusty and many more.


Become a supporter of this podcast: 632australia,bulletbelt,deadofwinterfestival,deathmetal,hardrock,heavy,heavymetal,livemusic,mansfieldtavern,metal,metalcore,metalfestival,metalmusic,music,musicfestival,musicinterview,punk,rock,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/the-power-of-music-with-gregg-deal-from-dead-pioneers--72461361Fronted by Indigenous visual performance artist and activist Gregg Deal, Dead Pioneers' continue to blend the raw fury of hardcore punk with biting spoken-word commentary, channelling the contemporary Indigenous experience, historical trauma, and political resistance.
While their previous work relied heavily on targeted individual statements, Wagon Burner represents a more unified, collaborative writing effort by the full band. Musically, it is their heaviest and hardest record to date, yet it remains intensely accessible, striking a delicate balance between abrasive noise-punk melee and viciously catchy hooks.
HEAVY caught up with Deal to find out more, asking him how he is feeling about the album close to release date.
"Honestly, there's a lot of emotions," he measured. "I kind of go through peaks and valleys. I'm excited about it, and then I'm not sure. We do these releases, and sometimes they do really well. And sometimes they're not doing as well as I'd like, and so it gets in my head. I'm excited about it, but it's been a bit of a mind F."
Spoken word and narrative pieces play a major role in the feel and message of the album, with Deal agreeing that there was much thought put into getting even the smallest of details correct.
"Yeah, I think so," he nodded. "We actually recorded so much that we have enough for another half a record. We have enough for like an EP, and so we're trying to pick and choose. We want a narrative and a sound that can live in that space. We came into this record trying to be as articulate as possible, but also not pulling any punches from everything that has been happening, everything that is happening in the United States.
And so it is meant to be political, social and cultural. We're trying to find a medium in there with that, because it's a lot of heavy stuff. So the humour that has existed in other places is a little bit more subtle on this one, but it's still there. We definitely are trying to curate something that makes sense audibly and in the information that exists lyrically."
In the full interview, Gregg talks more about the musical side of Wagon Burner and how it differs to Dead Pioneers' first two albums. We run through the themes that permeate through the album and their connection to Gregg personally.
The constant battle against oppression in all forms is discussed, along with the impact bands such as Dead Pioneers have on the global landscape through their music. Gregg ran us through some of the spoken word pieces and elaborated on their meaning, diving deeper into the guest artists and why they were chosen.
Gregg also detailed the genesis of the band and how it has evolved over the years, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72461361Thu, 11 Jun 2026 06:37:08 +0000HEAVY MagazineDenver, Colorado punk collective Dead Pioneers return with their fierce third studio album, Wagon Burner. Set for release on 26 June 2026 via Hassle Records, the project builds upon the momentum of their 2023 self-titled debut and 2025’s acclaimed...Fronted by Indigenous visual performance artist and activist Gregg Deal, Dead Pioneers' continue to blend the raw fury of hardcore punk with biting spoken-word commentary, channelling the contemporary Indigenous experience, historical trauma, and political resistance.
While their previous work relied heavily on targeted individual statements, Wagon Burner represents a more unified, collaborative writing effort by the full band. Musically, it is their heaviest and hardest record to date, yet it remains intensely accessible, striking a delicate balance between abrasive noise-punk melee and viciously catchy hooks.
HEAVY caught up with Deal to find out more, asking him how he is feeling about the album close to release date.
"Honestly, there's a lot of emotions," he measured. "I kind of go through peaks and valleys. I'm excited about it, and then I'm not sure. We do these releases, and sometimes they do really well. And sometimes they're not doing as well as I'd like, and so it gets in my head. I'm excited about it, but it's been a bit of a mind F."
Spoken word and narrative pieces play a major role in the feel and message of the album, with Deal agreeing that there was much thought put into getting even the smallest of details correct.
"Yeah, I think so," he nodded. "We actually recorded so much that we have enough for another half a record. We have enough for like an EP, and so we're trying to pick and choose. We want a narrative and a sound that can live in that space. We came into this record trying to be as articulate as possible, but also not pulling any punches from everything that has been happening, everything that is happening in the United States.
And so it is meant to be political, social and cultural. We're trying to find a medium in there with that, because it's a lot of heavy stuff. So the humour that has existed in other places is a little bit more subtle on this one, but it's still there. We definitely are trying to curate something that makes sense audibly and in the information that exists lyrically."
In the full interview, Gregg talks more about the musical side of Wagon Burner and how it differs to Dead Pioneers' first two albums. We run through the themes that permeate through the album and their connection to Gregg personally.
The constant battle against oppression in all forms is discussed, along with the impact bands such as Dead Pioneers have on the global landscape through their music. Gregg ran us through some of the spoken word pieces and elaborated on their meaning, diving deeper into the guest artists and why they were chosen.
Gregg also detailed the genesis of the band and how it has evolved over the years, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1326album,deadpioneers,greggdeal,hardrock,hasslerecords,heavy,heavymetal,interview,krispeters,music,musicinterview,musicpodcast,newmusic,punk,rockfalsefullhttps://www.spreaker.com/episode/death-metal-for-the-disconnected-with-diva-satanica-from-bloodhunter--72457690Spanish melodic death metal force BLOODHUNTER returns on June 12 with their new album, Sons Of The Abandoned. It has been both a long wait and a very deliberate one for the band. Four years have passed since the band’s previous album, and while fans have been understandably circling the release date like metalheads around a merch table with limited sizes, BLOODHUNTER have not spent that time idling around waiting for inspiration to knock. “It’s been a long wait until we finally release the album,” vocalist Diva Satanica explained to HEAVY's Ali Williams, adding that the response from fans has already been overwhelming. “We are very thankful for that.”
For Diva, Sons Of The Abandoned is not simply another BLOODHUNTER record with the distortion turned up and the emotional damage left to fend for itself. This time, something shifted. The music still carries that death metal edge, but the album and its inspiration step into more exposed territory lyrically. 
Diva admits that previously she had hidden behind the metaphors in their lyrics, but this time the writing became more direct. “It has been different this time,” she explains. “Usually, I feel like I hide myself behind the metaphors. It’s difficult when you play death metal to find this balance between speaking about things that everybody has in common, but without sounding too cheesy.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72457690Wed, 10 Jun 2026 21:39:17 +0000HEAVY MagazineInterview by Ali Williams Spanish melodic death metal force BLOODHUNTER returns on June 12 with their new album, Sons Of The Abandoned. It has been both a long wait and a very deliberate one for the band. Four years have passed since the band’s...Spanish melodic death metal force BLOODHUNTER returns on June 12 with their new album, Sons Of The Abandoned. It has been both a long wait and a very deliberate one for the band. Four years have passed since the band’s previous album, and while fans have been understandably circling the release date like metalheads around a merch table with limited sizes, BLOODHUNTER have not spent that time idling around waiting for inspiration to knock. “It’s been a long wait until we finally release the album,” vocalist Diva Satanica explained to HEAVY's Ali Williams, adding that the response from fans has already been overwhelming. “We are very thankful for that.”
For Diva, Sons Of The Abandoned is not simply another BLOODHUNTER record with the distortion turned up and the emotional damage left to fend for itself. This time, something shifted. The music still carries that death metal edge, but the album and its inspiration step into more exposed territory lyrically. 
Diva admits that previously she had hidden behind the metaphors in their lyrics, but this time the writing became more direct. “It has been different this time,” she explains. “Usually, I feel like I hide myself behind the metaphors. It’s difficult when you play death metal to find this balance between speaking about things that everybody has in common, but without sounding too cheesy.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>938album,aliwilliams,bloodhunter,deathmetal,heavy,heavymetal,melodicdeathmetal,metal,metalinterview,metalpodcast,music,newmusic,nuclearblastrecordsfalsefullhttps://www.spreaker.com/episode/the-end-is-just-the-beginning-with-jakob-nowell-from-sublime--72456870Thirty years after the tragic loss of frontman Bradley Nowell, California’s premier ska-punk icons Sublime have defied the impossible. The band has returned with their new album Until the Sun Explodes (June 15), their first full-length studio album of entirely original material since 1996. Arriving via Atlantic Records, this highly anticipated 21-track LP is a monumental generational handoff. Stepping into the frontman role is Bradley’s son, Jakob Nowell, who unites with original founding members Eric Wilson (bass) and Bud Gaugh (drums) to create a record that feels less like a modern reboot and more like a beautifully crafted epilogue.
To capture the definitive, sun-soaked identity of the band, Jakob and producer Jon Joseph meticulously catalogued every chord progression, sonic texture, and lyrical boundary of the classic Sublime discography. The result is a vibrant resurrection of their signature formula: an intoxicating blend of reggae-infused punk, dub, hip-hop, and Southern California absurdism. The rollout has already proven historically successful; the explosive lead single Ensenada spent eight weeks at No. 1 on Billboard’s Alternative Airplay chart, eclipsing the chart-topping run of their 1996 timeless hit What I Got.
While the music captures the nostalgic energy of the 1990s, the thematic core of the album rests heavily on legacy, sobriety, and profound gratitude. On the poignant title track, Until the Sun Explodes, Jakob’s vocals eerily mirror his father’s chill cadence as he sings directly to Bradley's memory: “Until the sun blows up in the sky/I owe you my life”. Rather than trying to rewrite history, Jakob has explicitly framed this album as a final, heartfelt thank-you letter to his father and the fans who kept the scene alive.
HEAVY sat down with Jakob to dive deeper. We ask about the difficulties he faced with making an album that represented the entire career of Sublime, while still making it sound fresh and vibrant, asking if he and the rest of the band sat down and studied past releases to get the sound they were after or if it was more of a natural process.
"A little bit of both," he replied. "There's a lot of study going into it for me and our producer, John. We wanted to really do our work and take this gig seriously. Every single released piece of Sublime media and all of the interviews and the bootlegs, and then going back and listening to all of their influences and all the bands that really made them excited. We wanted to factor all this in so the sounds we were using had some precedent in the Sublime release catalogue, so we weren't just pushing the sound in some random directions for no reason. Then bringing Bud and Eric in to write these songs and fleshing them out with those two, who obviously already know how to make Sublime records, that part was the most natural part."
We ask Jakob if he felt much internal or external pressure to get it right on the album.
"Yeah, yeah," he nodded. "Pressure abounds, for sure. We all deal with pressure differently, but acknowledging it is a big part of the process. I know how many people love Sublime, and I know how much my Father's legacy and memory mean to me and how much the very idea of even doing this might be ill-advised or fraught with peril. I think I had to go into it with that amount of respect. The way that I deal with all those expectations and fears and imposter syndrome is I try to remember at the end of the day, 'okay, this is important and is deserving of my respect, and I'm gonna take this job seriously as a professional'. But at the end of the day, I always say we're not curing cancer here. We're making rock and roll music (laughs). That is something I believe I know how to do."
In the full interview, Jakob talks more about the new and final Sublime album, including the musicality present and what they were going for. He tells us about the pressures of not only filling his Father's shoes as frontman, but also personal fears and expectations around doing his Dad justice.
We spoke about Jakob's first time fronting Sublime in the studio and how he feels about it, the fact that this is Sublime's final album and what the future holds. The album collaborations were fleshed out, and we talked about Sublime's recent shows at Red Rock Ampitheatre and plans for the rest of the year, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72456870Wed, 10 Jun 2026 10:48:51 +0000HEAVY MagazineInterview by Kris Peters Thirty years after the tragic loss of frontman Bradley Nowell, California’s premier ska-punk icons Sublime have defied the impossible. The band has returned with their new album Until the Sun Explodes (June 15), their first...Thirty years after the tragic loss of frontman Bradley Nowell, California’s premier ska-punk icons Sublime have defied the impossible. The band has returned with their new album Until the Sun Explodes (June 15), their first full-length studio album of entirely original material since 1996. Arriving via Atlantic Records, this highly anticipated 21-track LP is a monumental generational handoff. Stepping into the frontman role is Bradley’s son, Jakob Nowell, who unites with original founding members Eric Wilson (bass) and Bud Gaugh (drums) to create a record that feels less like a modern reboot and more like a beautifully crafted epilogue.
To capture the definitive, sun-soaked identity of the band, Jakob and producer Jon Joseph meticulously catalogued every chord progression, sonic texture, and lyrical boundary of the classic Sublime discography. The result is a vibrant resurrection of their signature formula: an intoxicating blend of reggae-infused punk, dub, hip-hop, and Southern California absurdism. The rollout has already proven historically successful; the explosive lead single Ensenada spent eight weeks at No. 1 on Billboard’s Alternative Airplay chart, eclipsing the chart-topping run of their 1996 timeless hit What I Got.
While the music captures the nostalgic energy of the 1990s, the thematic core of the album rests heavily on legacy, sobriety, and profound gratitude. On the poignant title track, Until the Sun Explodes, Jakob’s vocals eerily mirror his father’s chill cadence as he sings directly to Bradley's memory: “Until the sun blows up in the sky/I owe you my life”. Rather than trying to rewrite history, Jakob has explicitly framed this album as a final, heartfelt thank-you letter to his father and the fans who kept the scene alive.
HEAVY sat down with Jakob to dive deeper. We ask about the difficulties he faced with making an album that represented the entire career of Sublime, while still making it sound fresh and vibrant, asking if he and the rest of the band sat down and studied past releases to get the sound they were after or if it was more of a natural process.
"A little bit of both," he replied. "There's a lot of study going into it for me and our producer, John. We wanted to really do our work and take this gig seriously. Every single released piece of Sublime media and all of the interviews and the bootlegs, and then going back and listening to all of their influences and all the bands that really made them excited. We wanted to factor all this in so the sounds we were using had some precedent in the Sublime release catalogue, so we weren't just pushing the sound in some random directions for no reason. Then bringing Bud and Eric in to write these songs and fleshing them out with those two, who obviously already know how to make Sublime records, that part was the most natural part."
We ask Jakob if he felt much internal or external pressure to get it right on the album.
"Yeah, yeah," he nodded. "Pressure abounds, for sure. We all deal with pressure differently, but acknowledging it is a big part of the process. I know how many people love Sublime, and I know how much my Father's legacy and memory mean to me and how much the very idea of even doing this might be ill-advised or fraught with peril. I think I had to go into it with that amount of respect. The way that I deal with all those expectations and fears and imposter syndrome is I try to remember at the end of the day, 'okay, this is important and is deserving of my respect, and I'm gonna take this job seriously as a professional'. But at the end of the day, I always say we're not curing cancer here. We're making rock and roll music (laughs). That is something I believe I know how to do."
In the full interview, Jakob talks more about the new and final Sublime album, including the musicality present and what they were going for. He tells us about the pressures of not only filling his...]]>807album,atlanticrecords,bradleynowell,hardrock,heavy,jakobnowell,krispeters,music,musicinterview,musicpodcast,newmusic,rapreggae,rock,rockmusic,skapunk,sublimetruefullhttps://www.spreaker.com/episode/calm-amidst-the-chaos-with-greg-kubacki-from-car-bomb--72454334Let’s be honest for a second. When you hear that Karnivool is touring, your ears instantly prick up. They are the undisputed kings of Australian progressive rock, a band that makes complexity sound like second nature. But when the tour announcement dropped, the words Car Bomb and TesseracT were slapped on the bill alongside them, things suddenly took an even bigger turn for the better. This isn’t just a concert line-up; it’s an absolute musical assault on the senses.
HEAVY has always loved music that challenges you—the kind of tracks that don’t just sit in the background but grab you by the throat and force you to pay attention. That is exactly what this tour is going to do. If Karnivool is the masterclass in sonic atmosphere, deep groove, and sweeping, emotional melodies, then Car Bomb is the chaotic entity sent to tear the room to pieces before the headliners even touch the stage.
For the uninitiated, Car Bomb doesn’t just play metal; they weaponise time signatures. Their style is a dizzying, frantic, and claustrophobic mathcore that feels like a glitching supercomputer trying to punch its way out of your speakers. Pairing their jagged, laser-guided ferocity with Karnivool’s lush, towering soundscapes and the wizardry of TesseracT is a stroke of absolute genius. It’s a beautiful contrast between absolute, calculated chaos and pristine, progressive beauty.
HEAVY sat down with Car Bomb's guitarist Greg Kubacki to find out more. One of the topics of discussion is how Car Bomb find the balance between styles and genres in the creative process.
"I do the majority of the writing these days," Greg replied. "Back in the day, it was all of us working together in a room, but now we all have responsibilities, so I do the majority of the stuff. When the song starts, I start with an idea and put it on the shelf for a month or two and come back to it and see if I like it. And if I like something - whether it's technical or it's knuckle-dragging, really simple stuff - I'll just start working on a song from there.
When I run out of ideas, that's when I usually know a song's done. Or if I put the song again on the shelf for another month and listen to it, and I don't find anything wrong with it, then I'm like, okay, it's good. But usually we have so many ideas that we're always working on. It's not like the movie Amadeus, where we're just writing it out, and it's written in five minutes (laughs)."
In the full interview, Greg explains why it has taken Car Bomb so long to make it to Australia, how he prepares to tour a country for the first time and what they are expecting. He talked about the live show and what to expect, including what three songs people going to the show should listen to in order to get to know the band and music more.
Greg ran us through difficulties in transforming the musical complexities into the live arena, as well as finding the balance between styles in the creative process. We spoke about the early days of Car bomb and the musical climate that gave birth to the band, the first time he heard one of his own songs on the radio and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72454334Wed, 10 Jun 2026 08:07:57 +0000HEAVY MagazineInterview by Kris Peters Let’s be honest for a second. When you hear that Karnivool is touring, your ears instantly prick up. They are the undisputed kings of Australian progressive rock, a band that makes complexity sound like second nature. But when...Let’s be honest for a second. When you hear that Karnivool is touring, your ears instantly prick up. They are the undisputed kings of Australian progressive rock, a band that makes complexity sound like second nature. But when the tour announcement dropped, the words Car Bomb and TesseracT were slapped on the bill alongside them, things suddenly took an even bigger turn for the better. This isn’t just a concert line-up; it’s an absolute musical assault on the senses.
HEAVY has always loved music that challenges you—the kind of tracks that don’t just sit in the background but grab you by the throat and force you to pay attention. That is exactly what this tour is going to do. If Karnivool is the masterclass in sonic atmosphere, deep groove, and sweeping, emotional melodies, then Car Bomb is the chaotic entity sent to tear the room to pieces before the headliners even touch the stage.
For the uninitiated, Car Bomb doesn’t just play metal; they weaponise time signatures. Their style is a dizzying, frantic, and claustrophobic mathcore that feels like a glitching supercomputer trying to punch its way out of your speakers. Pairing their jagged, laser-guided ferocity with Karnivool’s lush, towering soundscapes and the wizardry of TesseracT is a stroke of absolute genius. It’s a beautiful contrast between absolute, calculated chaos and pristine, progressive beauty.
HEAVY sat down with Car Bomb's guitarist Greg Kubacki to find out more. One of the topics of discussion is how Car Bomb find the balance between styles and genres in the creative process.
"I do the majority of the writing these days," Greg replied. "Back in the day, it was all of us working together in a room, but now we all have responsibilities, so I do the majority of the stuff. When the song starts, I start with an idea and put it on the shelf for a month or two and come back to it and see if I like it. And if I like something - whether it's technical or it's knuckle-dragging, really simple stuff - I'll just start working on a song from there.
When I run out of ideas, that's when I usually know a song's done. Or if I put the song again on the shelf for another month and listen to it, and I don't find anything wrong with it, then I'm like, okay, it's good. But usually we have so many ideas that we're always working on. It's not like the movie Amadeus, where we're just writing it out, and it's written in five minutes (laughs)."
In the full interview, Greg explains why it has taken Car Bomb so long to make it to Australia, how he prepares to tour a country for the first time and what they are expecting. He talked about the live show and what to expect, including what three songs people going to the show should listen to in order to get to know the band and music more.
Greg ran us through difficulties in transforming the musical complexities into the live arena, as well as finding the balance between styles in the creative process. We spoke about the early days of Car bomb and the musical climate that gave birth to the band, the first time he heard one of his own songs on the radio and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>658carbomb,hardrock,heavy,heavymetal,karnivool,krispeters,livemusic,metal,metalinterview,metalmusic,metalpodcast,music,musicinterview,musicpodcast,progressiverock,tesseract,tourfalsefullhttps://www.spreaker.com/episode/bringing-the-message-home-with-joel-o-keeffe-from-airbourne--72410649Australia's hardest working rock outfit Airbourne are the official supporting act for Guns N' Roses across the Australia and New Zealand leg of their World Tour. This high-voltage stadium tour pairs two generations of fierce rock icons.
Hailing from Warrnambool, Victoria, Airbourne was formed by brothers Joel and Ryan O'Keeffe and are a seamless fit for the legendary Los Angeles band. Airbourne has spent decades carrying the torch for raw, traditional Australian hard rock. Their straight-ahead rock 'n' roll style is heavily reminiscent of pub-rock pioneers like AC/DC, slotting comfortably alongside Guns N’ Roses' multi-platinum, stadium-sized catalogue.
The stadium series of shows brings out the principal star power of Guns N' Roses, with original members Axl Rose, Slash, and Duff McKagan completely committed to the line-up, promising a blending of classic anthems like Sweet Child O' Mine and Welcome to the Jungle, mixed with fresh, contrasting modern tracks Atlas and Nothin'.
Airbourne acts as the perfect match to ignite the stadium environment. Frontman Joel O’Keeffe is legendary for his reckless live antics, which include climbing high stage scaffolding and tearing through blazing guitar solos. Criminally more popular overseas than in their own back yard, this upcoming tour will hopefully help Airbourne gain wider acceptance where it matters.
At home.
HEAVY caught up with Joel to talk about the tour and the excitement of sharing the stage with Guns 'N Roses.
"We're coming back to tour Australia!" he enthused, "And we are very excited because one of our favorite bands of all time - Guns N' Roses - has decided to take us with them! So we're going all around Australia and it's gonna be a blast. In the world that we live in today you've got everyone attached to their phones, or you got to go to work tomorrow. We're always thinking about the future; thinking about the past, chained to this; chained to that. This is the opportunity to literally live right in the present and rock and just be purely free. No phone. No job. Nothing but beers and Guns 'N Roses. What gets better than that?"
In the full interview, Joel talked more about the upcoming tour and what it means to Airbourne to be playing. He described role as openers and the expectations on the band, as well as the potential for learning by watching one of the worlds best in action.
We talked about Airbourne's live show and what to expect, including his own high energy performances. Airbourne's recently released new single was spoken about, as was their upcoming album and what to expect. Joel went deeper into how the album respects the life and legacy of Lemmy Kilmeister and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72410649Wed, 10 Jun 2026 06:58:10 +0000HEAVY MagazineInterview by Kris Peters Australia's hardest working rock outfit Airbourne are the official supporting act for Guns N' Roses across the Australia and New Zealand leg of their World Tour. This high-voltage stadium tour pairs two generations of fierce...Australia's hardest working rock outfit Airbourne are the official supporting act for Guns N' Roses across the Australia and New Zealand leg of their World Tour. This high-voltage stadium tour pairs two generations of fierce rock icons.
Hailing from Warrnambool, Victoria, Airbourne was formed by brothers Joel and Ryan O'Keeffe and are a seamless fit for the legendary Los Angeles band. Airbourne has spent decades carrying the torch for raw, traditional Australian hard rock. Their straight-ahead rock 'n' roll style is heavily reminiscent of pub-rock pioneers like AC/DC, slotting comfortably alongside Guns N’ Roses' multi-platinum, stadium-sized catalogue.
The stadium series of shows brings out the principal star power of Guns N' Roses, with original members Axl Rose, Slash, and Duff McKagan completely committed to the line-up, promising a blending of classic anthems like Sweet Child O' Mine and Welcome to the Jungle, mixed with fresh, contrasting modern tracks Atlas and Nothin'.
Airbourne acts as the perfect match to ignite the stadium environment. Frontman Joel O’Keeffe is legendary for his reckless live antics, which include climbing high stage scaffolding and tearing through blazing guitar solos. Criminally more popular overseas than in their own back yard, this upcoming tour will hopefully help Airbourne gain wider acceptance where it matters.
At home.
HEAVY caught up with Joel to talk about the tour and the excitement of sharing the stage with Guns 'N Roses.
"We're coming back to tour Australia!" he enthused, "And we are very excited because one of our favorite bands of all time - Guns N' Roses - has decided to take us with them! So we're going all around Australia and it's gonna be a blast. In the world that we live in today you've got everyone attached to their phones, or you got to go to work tomorrow. We're always thinking about the future; thinking about the past, chained to this; chained to that. This is the opportunity to literally live right in the present and rock and just be purely free. No phone. No job. Nothing but beers and Guns 'N Roses. What gets better than that?"
In the full interview, Joel talked more about the upcoming tour and what it means to Airbourne to be playing. He described role as openers and the expectations on the band, as well as the potential for learning by watching one of the worlds best in action.
We talked about Airbourne's live show and what to expect, including his own high energy performances. Airbourne's recently released new single was spoken about, as was their upcoming album and what to expect. Joel went deeper into how the album respects the life and legacy of Lemmy Kilmeister and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>763airbourne,aussierock,gunsnroses,hardrock,heavy,heavymetal,krispeters,livemusic,metal,metalhead,musicinterview,musicpodcast,rock,tourtruefullhttps://www.spreaker.com/episode/the-art-of-loving-spiders-with-luke-severeid--72397210Seattle’s favourite bald, bearded, heavy metal comedian, Luke Severeid, is returning Down Under this September for his highly anticipated headline stand-up tour, aptly titled Here To F#@k Spiders. Presented by premier music and entertainment promoter Destroy All Lines, this national run cements Severeid's status as one of the most explosive, must-see comedy acts in the global circuit today. 
Severeid first won over massive Australian audiences with a breakout run on the KNOTFEST Australia circuit, followed by an appearance on Aussie television's The Project. Known for his self-described "unmedicated ADHD in action" comedic style, he effortlessly fuses the high-octane energy of a heavy metal show with brutally honest, aggressively absurd, and insightfully idiotic storytelling. Severeid's unique ability to connect with heavy music fans and comedy lovers alike has earned him over half a million followers online, as well as the distinction of filming the first-ever stand-up comedy specials released exclusively through the KNOTFEST platform.
The Here To F#@k Spiders tour will bring Severeid's chaotic observations, raw punchlines, and famously energetic facial expressions to premier comedy rooms across the country. Fans can expect a loud, unfiltered, and hilariously unpredictable night of storytelling that hits harder than a double bass drum. Reflecting on his return, Severeid shared his immense excitement for Australian crowds, warmly comparing them to a room full of country cousins who get to laugh with complete, gleeful impunity.
Of course, one of the topics of conversation was the name of the tour and why spiders are the flavour of the month.
"You guys have terrifying, terrifying spiders and other small critters," he answered. "I'm going to keep my genitals away from them. But I thought it was a funny name, and I hope you do too."
We ask Luke about his last Australian experience in 2025 as part of the travelling Knotfest Festival.
"Everyone was super cool," he smiled, "but I felt like I was a transfer student to a high school that everyone... I mean, my shows were at a different time than the actual festival. Because to actually compete with that would be just asking to lose (laughs). But I got to hang out backstage and do that in the back area, and everyone was super cool; this is what they do for a living. This was a new experience for me, where I've been a touring comedian before, but not part of a large festival. So I'm talking to the crew way more easily than I am talking to musicians. People would look at me and go, are you the bass player from Hatebreed? I got that so many times. I'm not that guy, but I've written probably at least 20 minutes of jokes that would make that individual man laugh very hard based on just me talking about how I look and how he looks."
In the full interview, Luke characterized his stage style as high-energy and noisy, built from short, social-media-friendly bits and improvised material rather than a fixed hour. He said he uses crowd work selectively and adapts his set dynamically to the room and lineup position. Luke also discussed his association with heavy metal branding, explaining it is partly intentional marketing and partly driven by material about the genre, and that he sometimes withholds mentioning metal to surprise audiences.
We spoke about his two Knotfest comedy specials, what Australians fans can expect from the shows, the tour name and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72397210Mon, 08 Jun 2026 11:49:41 +0000HEAVY MagazineInterview by Kris Peters Seattle’s favourite bald, bearded, heavy metal comedian, Luke Severeid, is returning Down Under this September for his highly anticipated headline stand-up tour, aptly titled Here To F#@k Spiders. Presented by premier music...Seattle’s favourite bald, bearded, heavy metal comedian, Luke Severeid, is returning Down Under this September for his highly anticipated headline stand-up tour, aptly titled Here To F#@k Spiders. Presented by premier music and entertainment promoter Destroy All Lines, this national run cements Severeid's status as one of the most explosive, must-see comedy acts in the global circuit today. 
Severeid first won over massive Australian audiences with a breakout run on the KNOTFEST Australia circuit, followed by an appearance on Aussie television's The Project. Known for his self-described "unmedicated ADHD in action" comedic style, he effortlessly fuses the high-octane energy of a heavy metal show with brutally honest, aggressively absurd, and insightfully idiotic storytelling. Severeid's unique ability to connect with heavy music fans and comedy lovers alike has earned him over half a million followers online, as well as the distinction of filming the first-ever stand-up comedy specials released exclusively through the KNOTFEST platform.
The Here To F#@k Spiders tour will bring Severeid's chaotic observations, raw punchlines, and famously energetic facial expressions to premier comedy rooms across the country. Fans can expect a loud, unfiltered, and hilariously unpredictable night of storytelling that hits harder than a double bass drum. Reflecting on his return, Severeid shared his immense excitement for Australian crowds, warmly comparing them to a room full of country cousins who get to laugh with complete, gleeful impunity.
Of course, one of the topics of conversation was the name of the tour and why spiders are the flavour of the month.
"You guys have terrifying, terrifying spiders and other small critters," he answered. "I'm going to keep my genitals away from them. But I thought it was a funny name, and I hope you do too."
We ask Luke about his last Australian experience in 2025 as part of the travelling Knotfest Festival.
"Everyone was super cool," he smiled, "but I felt like I was a transfer student to a high school that everyone... I mean, my shows were at a different time than the actual festival. Because to actually compete with that would be just asking to lose (laughs). But I got to hang out backstage and do that in the back area, and everyone was super cool; this is what they do for a living. This was a new experience for me, where I've been a touring comedian before, but not part of a large festival. So I'm talking to the crew way more easily than I am talking to musicians. People would look at me and go, are you the bass player from Hatebreed? I got that so many times. I'm not that guy, but I've written probably at least 20 minutes of jokes that would make that individual man laugh very hard based on just me talking about how I look and how he looks."
In the full interview, Luke characterized his stage style as high-energy and noisy, built from short, social-media-friendly bits and improvised material rather than a fixed hour. He said he uses crowd work selectively and adapts his set dynamically to the room and lineup position. Luke also discussed his association with heavy metal branding, explaining it is partly intentional marketing and partly driven by material about the genre, and that he sometimes withholds mentioning metal to surprise audiences.
We spoke about his two Knotfest comedy specials, what Australians fans can expect from the shows, the tour name and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1012australia,comedian,comedy,entertainment,heavymetal,hornsup,knotfest,liveconcert,lukesevereid,metal,metalhead,touringtruefullhttps://www.spreaker.com/episode/finding-your-peace-with-ryan-primack-from-poison-the-well--72359001Promoted by Destroy All Lines, the national tour features a heavily stacked bill of elite hardcore talent. Poison The Well is joined by Boston hardcore disruptors Haywire, making their debut Australian appearances, alongside iconic Melbourne road warriors Iron Mind.
HEAVY spoke with guitarist Ryan Primack to find out more about what the band has in store for Australian fans.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72359001Fri, 05 Jun 2026 02:59:35 +0000HEAVY MagazinePoison The Well is touring Australia in June 2026, marking their highly anticipated return to the region for the first time since 2009. This massive headlining run celebrates a monumental new era for the Florida metalcore heavyweights following the...Promoted by Destroy All Lines, the national tour features a heavily stacked bill of elite hardcore talent. Poison The Well is joined by Boston hardcore disruptors Haywire, making their debut Australian appearances, alongside iconic Melbourne road warriors Iron Mind.
HEAVY spoke with guitarist Ryan Primack to find out more about what the band has in store for Australian fans.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>646australia,destroyalllines,heavy,heavymetal,hornsup,krispeters,livemusic,metalcore,metalhead,metalinterview,music,musicinterview,poisonthewell,tourfalsefullhttps://www.spreaker.com/episode/25-years-of-jetsetting-with-stuart-rudd-from-the-superjesus--72339677Released in October 2000 through EastWest Records, Jet Age marked a massive creative and commercial evolution for the Adelaide-formed band. Following the gritty, raw, grunge-fuelled success of their 1998 debut album Sumo, The Superjesus faced heavy industry pressure and unexpected internal turmoil. This included the departure of founding guitarist and co-writer Chris Tennent.
Rather than collapsing, frontwoman Sarah McLeod and bassist Stuart Rudd recruited new guitarist Tim Henwood. This lineup change completely transformed their musical direction. Moving away from the heavy distortion of the '90s grunge era, they embraced a more sophisticated, melodic "dark pop" and alternative power-rock aesthetic. The shift paid off brilliantly; Jet Age debuted and peaked at number 5 on the ARIA Albums Chart and officially reached Platinum status.
The album delivered some of the most enduring rock anthems of the turn-of-the-millennium era. The soaring lead single Gravity became a definitive radio staple, landing at number 17 on the Triple J Hottest 100. Other massive tracks like Secret Agent Man and Enough To Know solidified their status as titans of the Australian live music circuit, a position where the band has remained to this day.
HEAVY sat down with bass player Stuart Rudd to talk about the album and the history of The Superjesus, at one point asking about the emotional side of doing an album anniversary tour.
"Just going through the songs is kind of reawakening these tunes that have sat dormant for probably since we… some of them we actually haven't played live since we recorded them," he smiled. "So to reawaken some of these songs is fantastic, and it's sounding great. We're always keen on doing this sort of thing and touching back on the history. We think it's a great vibe all around, just connecting with the audiences."
We reflect back on the pressures on The Superjesus when making Jet Age, particularly after the universal success of their debut album Sumo.
"We'd just come off the back of touring worldwide, so we had been on the road for 18 months," he recalled. "Maybe more. It was hard. I know touring sounds like a dream - and it is - however if you're sleep deprivated for 18 months it can be quite an insane experience. We came off the road, and it was time to write because we hadn't been writing on the road. We'd just been touring, touring, touring, so yeah, it was difficult. And it was one of those things where we lost a band member through all the touring and the pressures of the road. 
It was a real roll up the sleeves effort, and we moved to Melbourne on this one just to get out of the comfort zone and find a new guitarist, then start working the only way we knew how. The only way we knew from the inception of the band was to roll up our sleeves and get the work done, and that's what we did. We listen to the album now through rehearsals and touching back on it, and we're super proud it."
In the full interview, Stuart talks more about Jet Age and the process behind it. We run through the album and his personal favourites, focusing on the live component and bringing the music to life. Stuart spoke about the history of The Superjesus and the pressures on the band following the massive success of Sumo, detailing how Jet Age had to be a step forward for the band and more.
Tickets for the Jet Age 25th Anniversary Tour can be found here: https://www.thesuperjesus.com/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72339677Fri, 05 Jun 2026 02:43:36 +0000HEAVY MagazineAustralian rock legends The Superjesus are celebrating the 25th anniversary of their landmark sophomore album, Jet Age, with a national tour that kicks off in Brisbane tonight, June 5. Released in October 2000 through EastWest Records, Jet Age marked...Released in October 2000 through EastWest Records, Jet Age marked a massive creative and commercial evolution for the Adelaide-formed band. Following the gritty, raw, grunge-fuelled success of their 1998 debut album Sumo, The Superjesus faced heavy industry pressure and unexpected internal turmoil. This included the departure of founding guitarist and co-writer Chris Tennent.
Rather than collapsing, frontwoman Sarah McLeod and bassist Stuart Rudd recruited new guitarist Tim Henwood. This lineup change completely transformed their musical direction. Moving away from the heavy distortion of the '90s grunge era, they embraced a more sophisticated, melodic "dark pop" and alternative power-rock aesthetic. The shift paid off brilliantly; Jet Age debuted and peaked at number 5 on the ARIA Albums Chart and officially reached Platinum status.
The album delivered some of the most enduring rock anthems of the turn-of-the-millennium era. The soaring lead single Gravity became a definitive radio staple, landing at number 17 on the Triple J Hottest 100. Other massive tracks like Secret Agent Man and Enough To Know solidified their status as titans of the Australian live music circuit, a position where the band has remained to this day.
HEAVY sat down with bass player Stuart Rudd to talk about the album and the history of The Superjesus, at one point asking about the emotional side of doing an album anniversary tour.
"Just going through the songs is kind of reawakening these tunes that have sat dormant for probably since we… some of them we actually haven't played live since we recorded them," he smiled. "So to reawaken some of these songs is fantastic, and it's sounding great. We're always keen on doing this sort of thing and touching back on the history. We think it's a great vibe all around, just connecting with the audiences."
We reflect back on the pressures on The Superjesus when making Jet Age, particularly after the universal success of their debut album Sumo.
"We'd just come off the back of touring worldwide, so we had been on the road for 18 months," he recalled. "Maybe more. It was hard. I know touring sounds like a dream - and it is - however if you're sleep deprivated for 18 months it can be quite an insane experience. We came off the road, and it was time to write because we hadn't been writing on the road. We'd just been touring, touring, touring, so yeah, it was difficult. And it was one of those things where we lost a band member through all the touring and the pressures of the road. 
It was a real roll up the sleeves effort, and we moved to Melbourne on this one just to get out of the comfort zone and find a new guitarist, then start working the only way we knew how. The only way we knew from the inception of the band was to roll up our sleeves and get the work done, and that's what we did. We listen to the album now through rehearsals and touching back on it, and we're super proud it."
In the full interview, Stuart talks more about Jet Age and the process behind it. We run through the album and his personal favourites, focusing on the live component and bringing the music to life. Stuart spoke about the history of The Superjesus and the pressures on the band following the massive success of Sumo, detailing how Jet Age had to be a step forward for the band and more.
Tickets for the Jet Age 25th Anniversary Tour can be found here: https://www.thesuperjesus.com/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>953australia,hardrock,hardrockmusic,heavy,jetage,krispeters,livemusic,music,musicinterview,rock,rockinterview,rockmusic,sarahmcleod,stuartrudd,thesuperjesus,tourfalsefullhttps://www.spreaker.com/episode/still-sinning-25-years-later-with-cj-pierce-from-drowning-pool--72333664Drowning Pool's multi-platinum debut album, Sinner, celebrates its 25th anniversary with a special reissue via Craft Recordings, marking its release date on June 5. 
First unleashed in 2001, Sinner remains a towering monument of the nu metal era. It quickly rocketed the Dallas-based heavy metal band into global stardom, debuting at No. 14 on the Billboard 200 and achieving RIAA Platinum status within its first six weeks. 
At the absolute centre of the album's cultural impact is the explosive hit single, Bodies. Instantly recognizable by its blunt, repetitive, and devastating opening riff, the track became an omnipresent cultural staple. It has soundtracked countless action sports videos, movie trailers, professional wrestling promos, and festival mosh pits and has been a life mantra for countless fans around the world. 
Alongside Bodies, standout tracks like Tear Away and the aggressive title track Sinner gave the record its thematic weight, exploring internal conflict and religious pressures. Sinner was also the first, and only, Drowning Pool album to feature original vocalist Dave Williams before his tragic passing in 2002 and remains the benchmark for debut albums across all genres.
With the Anniversary issue out this Friday, and Drowning Pool preparing to hit the road where they will be playing Sinner in full, guitarist and founding member CJ Pierce has donated some of his time to chat with his Australian family about the album and plenty more. One of the topics of discussion was Williams and the emotions that invariably arise when Sinner is mentioned.
"Dave Williams was such a great human being, and he was excited to play rock music," CJ reminisced. "And just the stuff you don't think about, man, because life is just going, going, going. So it's been a time of self-reflection. And then us going over all the songs on the entire record. I'm excited to play this live, and I've been re-inspired by it, all three of us. And we just started writing all this new stuff.
We walked into the studio with all these ideas we've been working on all year long, and all of a sudden, it's just like, it just started pouring out of us, man. So, I'm super excited about this song because we've been really inspired by the first record, and we're here doing it. The other thing that's exciting is we haven't been able to play the record in its entirety in so long. So the hardcore fans that have been with us get to see that again. And then there's a whole new generation of teenagers to 20-year-olds that are coming out that are finding nu metal again. So, for us to be able to play this record for them, for them to see it after so much time is super exciting. So, I'm all jacked up about it, man. I can't wait."
In the full interview, CJ ran through his memories of making Sinner, their hopes for how it would be received and the weight of a massive commercial success. He reluctantly picked his personal favourite song from Sinner, running us through stories on a number of the songs and how they came into being.
We discussed the limited edition vinyl release of the album as well as the three bonus tracks on the digital release, including Rob Zombie's The Man Without Fear. Drowning Pool's upcoming tour was mentioned, as was the possibility of an Australian tour early next year. CJ spoke of his fondness for Australia and the relationships he has built here, before moving on to new material and what we can expect and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72333664Thu, 04 Jun 2026 00:45:29 +0000HEAVY MagazineInterview by Kris Peters Drowning Pool's multi-platinum debut album, Sinner, celebrates its 25th anniversary with a special reissue via Craft Recordings, marking its release date on June 5.  First unleashed in 2001, Sinner remains a towering monument...Drowning Pool's multi-platinum debut album, Sinner, celebrates its 25th anniversary with a special reissue via Craft Recordings, marking its release date on June 5. 
First unleashed in 2001, Sinner remains a towering monument of the nu metal era. It quickly rocketed the Dallas-based heavy metal band into global stardom, debuting at No. 14 on the Billboard 200 and achieving RIAA Platinum status within its first six weeks. 
At the absolute centre of the album's cultural impact is the explosive hit single, Bodies. Instantly recognizable by its blunt, repetitive, and devastating opening riff, the track became an omnipresent cultural staple. It has soundtracked countless action sports videos, movie trailers, professional wrestling promos, and festival mosh pits and has been a life mantra for countless fans around the world. 
Alongside Bodies, standout tracks like Tear Away and the aggressive title track Sinner gave the record its thematic weight, exploring internal conflict and religious pressures. Sinner was also the first, and only, Drowning Pool album to feature original vocalist Dave Williams before his tragic passing in 2002 and remains the benchmark for debut albums across all genres.
With the Anniversary issue out this Friday, and Drowning Pool preparing to hit the road where they will be playing Sinner in full, guitarist and founding member CJ Pierce has donated some of his time to chat with his Australian family about the album and plenty more. One of the topics of discussion was Williams and the emotions that invariably arise when Sinner is mentioned.
"Dave Williams was such a great human being, and he was excited to play rock music," CJ reminisced. "And just the stuff you don't think about, man, because life is just going, going, going. So it's been a time of self-reflection. And then us going over all the songs on the entire record. I'm excited to play this live, and I've been re-inspired by it, all three of us. And we just started writing all this new stuff.
We walked into the studio with all these ideas we've been working on all year long, and all of a sudden, it's just like, it just started pouring out of us, man. So, I'm super excited about this song because we've been really inspired by the first record, and we're here doing it. The other thing that's exciting is we haven't been able to play the record in its entirety in so long. So the hardcore fans that have been with us get to see that again. And then there's a whole new generation of teenagers to 20-year-olds that are coming out that are finding nu metal again. So, for us to be able to play this record for them, for them to see it after so much time is super exciting. So, I'm all jacked up about it, man. I can't wait."
In the full interview, CJ ran through his memories of making Sinner, their hopes for how it would be received and the weight of a massive commercial success. He reluctantly picked his personal favourite song from Sinner, running us through stories on a number of the songs and how they came into being.
We discussed the limited edition vinyl release of the album as well as the three bonus tracks on the digital release, including Rob Zombie's The Man Without Fear. Drowning Pool's upcoming tour was mentioned, as was the possibility of an Australian tour early next year. CJ spoke of his fondness for Australia and the relationships he has built here, before moving on to new material and what we can expect and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>966album,cjpierce,davewilliams,drowningpool,heavy,heavymetal,hornsup,krispeters,metal,metalheads,metalinterview,metalpodcast,music,musicinterview,musicpodcast,numetal,sinnerfalsefullhttps://www.spreaker.com/episode/ben-kweller-brings-cover-the-mirrors-down-under--72324259Ben Kweller is excited to be heading back to Australia in July with his Cover The Mirrors tour. It has been a while between visits. Kweller says he has not toured Australia since before the pandemic, making this run something of a proper return after the world decided to collectively lose the plot for a few years. 
“I’m so excited,” he says. “I love Australia. I haven’t been there since the pandemic, so this is my big return since the world shut down.” 
That excitement is not the polished, copy-and-paste version artists sometimes pull out when talking about every country on an itinerary. Kweller speaks about Australia with real affection. His fans are keen, he is keen, and the timing feels right. Cover The Mirrors has now had time to live out in the world, and Australia gets to be part of the international stretch of the album cycle. 
Released in 2025, Cover The Mirrors is the latest chapter in a career that started ridiculously early. Kweller began writing songs when he was eight and formed his first band around the age of 12 or 13. By his teens, he was fronting Radish, the Texas band that first put him on the map and gave him one of those music memories that still lights him up. 
He remembers being 14 when a Radish song, Dear Antarctica, was played on Q102 FM in Dallas by the gloriously named DJ Redbeard. Kweller and his bandmates piled into a car, because only one of them was old enough to drive, and circled the block until the song came on.  It is the kind of story that sounds small until you remember how massive it would have felt at the time. Three young musicians, one working car, a local radio station, and proof that something they made had escaped into the world. That is the sort of thing that keeps people writing songs long after common sense has suggested a more stable hobby.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72324259Wed, 03 Jun 2026 14:44:21 +0000HEAVY MagazineWords by Ali Williams Ben Kweller is excited to be heading back to Australia in July with his Cover The Mirrors tour. It has been a while between visits. Kweller says he has not toured Australia since before the pandemic, making this run something of...Ben Kweller is excited to be heading back to Australia in July with his Cover The Mirrors tour. It has been a while between visits. Kweller says he has not toured Australia since before the pandemic, making this run something of a proper return after the world decided to collectively lose the plot for a few years. 
“I’m so excited,” he says. “I love Australia. I haven’t been there since the pandemic, so this is my big return since the world shut down.” 
That excitement is not the polished, copy-and-paste version artists sometimes pull out when talking about every country on an itinerary. Kweller speaks about Australia with real affection. His fans are keen, he is keen, and the timing feels right. Cover The Mirrors has now had time to live out in the world, and Australia gets to be part of the international stretch of the album cycle. 
Released in 2025, Cover The Mirrors is the latest chapter in a career that started ridiculously early. Kweller began writing songs when he was eight and formed his first band around the age of 12 or 13. By his teens, he was fronting Radish, the Texas band that first put him on the map and gave him one of those music memories that still lights him up. 
He remembers being 14 when a Radish song, Dear Antarctica, was played on Q102 FM in Dallas by the gloriously named DJ Redbeard. Kweller and his bandmates piled into a car, because only one of them was old enough to drive, and circled the block until the song came on.  It is the kind of story that sounds small until you remember how massive it would have felt at the time. Three young musicians, one working car, a local radio station, and proof that something they made had escaped into the world. That is the sort of thing that keeps people writing songs long after common sense has suggested a more stable hobby.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>737australia,benkweller,heavy,livemusic,music,rock,tourtruefullhttps://www.spreaker.com/episode/gavin-rossdale-reflects-on-bush-s-resurgence-ahead-of-australian-tour--72312124For more than three decades, Bush frontman Gavin Rossdale has weathered the highs and lows of the music industry, but the band's current resurgence feels less like a comeback and more like the reward for years of persistence.
Speaking ahead of Bush's Australian tour this September alongside Shinedown, Rossdale reflects on the band's renewed popularity, comparing success to a carousel that eventually brings artists back into the spotlight. "You've got to keep going," he said. "As long as you stay on and do your best, there's a chance it comes back around again."
Rossdale credits Bush's longevity to a simple philosophy: focus on your craft, stay likeable, and never stop improving. Despite selling millions of records worldwide, he admitted the uncertainty never disappears, recalling conversations with actor Keanu Reeves that reminded him even the most successful people still wonder what comes next.
Away from music, Rossdale has also found success with his cooking and interview series, which he hopes to continue with a second season. He described the show as an opportunity to reveal the human side of well-known figures.
As for Bush's upcoming Australian dates, Rossdale is eager to return, promising fans a refreshed setlist featuring deeper cuts alongside the band's biggest hits. Tickets from destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72312124Wed, 03 Jun 2026 03:49:15 +0000HEAVY MagazineInterview by Angela Croudace For more than three decades, Bush frontman Gavin Rossdale has weathered the highs and lows of the music industry, but the band's current resurgence feels less like a comeback and more like the reward for years of...For more than three decades, Bush frontman Gavin Rossdale has weathered the highs and lows of the music industry, but the band's current resurgence feels less like a comeback and more like the reward for years of persistence.
Speaking ahead of Bush's Australian tour this September alongside Shinedown, Rossdale reflects on the band's renewed popularity, comparing success to a carousel that eventually brings artists back into the spotlight. "You've got to keep going," he said. "As long as you stay on and do your best, there's a chance it comes back around again."
Rossdale credits Bush's longevity to a simple philosophy: focus on your craft, stay likeable, and never stop improving. Despite selling millions of records worldwide, he admitted the uncertainty never disappears, recalling conversations with actor Keanu Reeves that reminded him even the most successful people still wonder what comes next.
Away from music, Rossdale has also found success with his cooking and interview series, which he hopes to continue with a second season. He described the show as an opportunity to reveal the human side of well-known figures.
As for Bush's upcoming Australian dates, Rossdale is eager to return, promising fans a refreshed setlist featuring deeper cuts alongside the band's biggest hits. Tickets from destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1191angelacroudace,australia,bush,destroyalllines,hardrock,hardrockmusic,heavy,livemusic,music,musicinterview,musicpodcast,rockconcert,rockmusic,shinedown,tourtruefullhttps://www.spreaker.com/episode/an-apple-a-day-with-kram-from-spiderbait--72255780Spiderbait stands as one of Australia’s most enduring alternative rock bands. Formed in 1989 in the small town of Finley, New South Wales, the trio comprises Janet English on bass and vocals, Whitt (Damian Whitty) on guitar, andKram (Mark Maher) on drums and vocals. The childhood friends began playing in a local tractor shed, forging a unique, high-energy sound that blended punk rock, thrash metal, and catchy pop sensibilities. Their tight-knit personal bond and minimal three-piece lineup became the foundation for a career spanning more than three decades.
The band rose to national prominence through Australia’s independent touring circuit and constant support from youth radio station Triple J. They achieved a historic milestone in 1996 when their frantic track Buy Me a Pony became the first Australian song to top the Triple J Hottest 100. This success catapulted their third studio album, Ivy & the Big Apples, into multi-platinum status. The album showcased their versatility, juxtaposing heavy guitar riffs with sweet, melodic vocals, exemplified by the chart-topping, acoustic-driven single Calypso.
Spiderbait solidified their global and commercial legacy in 2004 with a blistering, hard-rock cover of the traditional folk song Black Betty. The track reached number one on the ARIA Singles Chart and gained massive international exposure through video games, television, and film soundtracks. Known for their explosive live performances, the band transitioned seamlessly from sweaty pub rock venues to headlining major festivals like the Big Day Out.
Decades after their formation, Spiderbait remains highly relevant to the Australian music landscape. The group continues to tour to sold-out crowds, celebrating milestone anniversaries of their classic albums and introducing their raw, energetic catalog to new generations of fans. Their longevity, commercial triumphs, and fiercely independent spirit have earned them a permanent place among the legends of Australian rock music history.
HEAVY'sAli Williams sat down for a nostalgic chat with Kram ahead of Spiderbait'sIvy & the Big Apples 30th anniversary tour.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72255780Sat, 30 May 2026 23:16:59 +0000HEAVY MagazineInterview by Ali Williams Spiderbait stands as one of Australia’s most enduring alternative rock bands. Formed in 1989 in the small town of Finley, New South Wales, the trio comprises Janet English on bass and vocals, Whitt (Damian Whitty) on guitar,...Spiderbait stands as one of Australia’s most enduring alternative rock bands. Formed in 1989 in the small town of Finley, New South Wales, the trio comprises Janet English on bass and vocals, Whitt (Damian Whitty) on guitar, andKram (Mark Maher) on drums and vocals. The childhood friends began playing in a local tractor shed, forging a unique, high-energy sound that blended punk rock, thrash metal, and catchy pop sensibilities. Their tight-knit personal bond and minimal three-piece lineup became the foundation for a career spanning more than three decades.
The band rose to national prominence through Australia’s independent touring circuit and constant support from youth radio station Triple J. They achieved a historic milestone in 1996 when their frantic track Buy Me a Pony became the first Australian song to top the Triple J Hottest 100. This success catapulted their third studio album, Ivy & the Big Apples, into multi-platinum status. The album showcased their versatility, juxtaposing heavy guitar riffs with sweet, melodic vocals, exemplified by the chart-topping, acoustic-driven single Calypso.
Spiderbait solidified their global and commercial legacy in 2004 with a blistering, hard-rock cover of the traditional folk song Black Betty. The track reached number one on the ARIA Singles Chart and gained massive international exposure through video games, television, and film soundtracks. Known for their explosive live performances, the band transitioned seamlessly from sweaty pub rock venues to headlining major festivals like the Big Day Out.
Decades after their formation, Spiderbait remains highly relevant to the Australian music landscape. The group continues to tour to sold-out crowds, celebrating milestone anniversaries of their classic albums and introducing their raw, energetic catalog to new generations of fans. Their longevity, commercial triumphs, and fiercely independent spirit have earned them a permanent place among the legends of Australian rock music history.
HEAVY'sAli Williams sat down for a nostalgic chat with Kram ahead of Spiderbait'sIvy & the Big Apples 30th anniversary tour.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1251album,australia,hardrock,heavy,music,musicinterview,rock,spiderbait,tourtruefullhttps://www.spreaker.com/episode/respect-where-it-s-due-with-adam-biggs-from-rivers-of-nihil--72041862This August, Tasmania's finest export, extreme metal pioneers, Psycroptic join like-minded-and-saxophone-wielding US progressive death wizards Rivers of Nihil for a co-headline tour that brings together two elite bands operating at the highest tier of modern death metal.
For Psycroptic, the timing couldn’t be stronger. Off the back of relentless global touring alongside the likes of Dying Fetus, Ne Obliviscaris and Six Feet Under, the recently released singles, Architecture of Extinction and Falling, plus their ninth studio album set for a mid year release via Metal Blade Records, the band continue to prove why they remain Australia’s most respected technical metal export more than two decades in.
Fellow Metal Blade label mates, Rivers of Nihil arrive riding the momentum of their 2025 self-titled release, a record that tightened their sound without losing the scope that has defined them since Where Owls Know My Name. Now fronted by bassist Adam Biggs, the band’s current form is more potent than it ever was.
Joining them on all dates are Melbourne’s psychologically charged Growth who are on the eve of releasing part two of their highly anticipated album trilogy, Under The Under, and Sydney’s uncompromisingly brutal, Slaughtercult, rounding out a bill that is equal parts precision, atmosphere and outright savagery.
HEAVY caught up with Biggs to find out more, starting with what has changed with Rivers Of Nihil since they were last out here in 2023.
"Since then we've put out a new record that we did last year," he measured. "It's our fifth studio album and a self-titled record, and is the first one with yours truly on on vocals alongside our new guitarist, Andy Thomas, also providing his soaring clean vocals and such like that. So it's a mix up in the lineup of the band, but I think we've put together a strong cluster of songs, especially to bring to the stage."
With the tour being billed as a co-headline event, we ask Biggs if that means themselves and Psycroptic will alternate playing last each night or whether it means something else.
"I think we're playing the same length set," he replied, obviously unsure himself. "I can't remember if we are alternating or not, but I'm fairly certain it's Psycroptic closing the show for the most part. I mean, we're on on their home turf and they're the national Australian death metal band so it's hard to argue with that (laughs)."
In the full interview, Adam spoke more about the tour and what to expect, including having the final date at Necrosonic Festival in Brisbane. We talked about what fans can expect, as well as his recent transition to frontman and how easy that move was for him.
Their latest self titled album was mentioned, including which album song was the most challenging to learn to play live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72041862Wed, 27 May 2026 05:31:10 +0000HEAVY MagazineInterview by Kris Peters This August, Tasmania's finest export, extreme metal pioneers, Psycroptic join like-minded-and-saxophone-wielding US progressive death wizards Rivers of Nihil for a co-headline tour that brings together two elite bands...This August, Tasmania's finest export, extreme metal pioneers, Psycroptic join like-minded-and-saxophone-wielding US progressive death wizards Rivers of Nihil for a co-headline tour that brings together two elite bands operating at the highest tier of modern death metal.
For Psycroptic, the timing couldn’t be stronger. Off the back of relentless global touring alongside the likes of Dying Fetus, Ne Obliviscaris and Six Feet Under, the recently released singles, Architecture of Extinction and Falling, plus their ninth studio album set for a mid year release via Metal Blade Records, the band continue to prove why they remain Australia’s most respected technical metal export more than two decades in.
Fellow Metal Blade label mates, Rivers of Nihil arrive riding the momentum of their 2025 self-titled release, a record that tightened their sound without losing the scope that has defined them since Where Owls Know My Name. Now fronted by bassist Adam Biggs, the band’s current form is more potent than it ever was.
Joining them on all dates are Melbourne’s psychologically charged Growth who are on the eve of releasing part two of their highly anticipated album trilogy, Under The Under, and Sydney’s uncompromisingly brutal, Slaughtercult, rounding out a bill that is equal parts precision, atmosphere and outright savagery.
HEAVY caught up with Biggs to find out more, starting with what has changed with Rivers Of Nihil since they were last out here in 2023.
"Since then we've put out a new record that we did last year," he measured. "It's our fifth studio album and a self-titled record, and is the first one with yours truly on on vocals alongside our new guitarist, Andy Thomas, also providing his soaring clean vocals and such like that. So it's a mix up in the lineup of the band, but I think we've put together a strong cluster of songs, especially to bring to the stage."
With the tour being billed as a co-headline event, we ask Biggs if that means themselves and Psycroptic will alternate playing last each night or whether it means something else.
"I think we're playing the same length set," he replied, obviously unsure himself. "I can't remember if we are alternating or not, but I'm fairly certain it's Psycroptic closing the show for the most part. I mean, we're on on their home turf and they're the national Australian death metal band so it's hard to argue with that (laughs)."
In the full interview, Adam spoke more about the tour and what to expect, including having the final date at Necrosonic Festival in Brisbane. We talked about what fans can expect, as well as his recent transition to frontman and how easy that move was for him.
Their latest self titled album was mentioned, including which album song was the most challenging to learn to play live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>767australia,band,deathmetal,destroyalllines,extrememetal,heavy,heavymetal,krispeters,metal,metalband,metalinterview,metalpodcast,music,musicinterview,musicpodcast,progressivedeathmetal,psycroptic,riversofnihil,tourtruefullhttps://www.spreaker.com/episode/the-living-end-still-trusting-rock-and-roll-with-scott-owen--72053886Some bands age quietly into legacy status, then there is The Living End, who appear to have treated the passing of time as a personal dare.
After decades of twisting punk, rockabilly, sharp-suited swagger and full-throttle Australian rock into something entirely their own, the band are now being welcomed into the ARIA Hall of Fame. For bass player Scott Owen, speaking with HEAVY Magazine’s Ali Williams, the honour is still landing somewhere between pride, disbelief and that very Australian instinct to not make too much of the emotional bit in case someone notices.
He admits the induction has made the band stop and reflect, which is no small task when you are part of a group that has spent most of its life moving at the speed of a getaway car with a double bass in the back seat. The Living End’s first EP arrived in the mid-’90s, the first record followed in 1998, and Scott and Chris Cheney had already been playing together since around 1990. The mathematics, as Scott cheerfully points out, are “confronting”. Fair. Nobody asked time to come in here with a calculator and start being rude.
But that long history is exactly why The Living End still matter. They were never neatly slotted into the machinery around them. In the ’90s, when Triple J was a very different beast and Australian alternative music had its own wild ecosystem, The Living End were not simply alternative. They were, in Scott’s words, “the alternative to the alternative” - a strange, sharp, highly flammable hybrid of rockabilly and punk that did not fit anywhere and therefore carved out its own corner by force.
That identity has not softened. It has become the band’s signature. 
Scott’s double bass remains one of Australian rock’s great visual and sonic weapons. It is not just an instrument in The Living End; it is part of the architecture. Alongside Chris Cheney’s famously elastic guitar work and the locked-in chemistry that only comes from surviving decades of stages, buses, hotels, rehearsals, chaos and suspiciously romantic dinners together, the band still carry a sense of occasion every time they step up. Scott jokes that he and Chris have probably had more romantic dinners together than any couple in the world. Somewhere, a relationship counsellor just threw away their notebook.
That chemistry also includes Andy Strachan, affectionately referred to by Scott as “the new guy”, despite having been in the band for around 20 years. Rock and roll timelines are ridiculous. A man can spend two decades behind the kit and still be treated like he has just wandered in with fresh ID and a lunchbox.
Swinging back to one of the year’s great live surprises: Jimmy Barnes joining The Living End onstage at the Hotel Brunswick. Scott says it was a hard secret to keep after finding out that morning, because the whole point was to blow everyone’s minds without warning. Mission accomplished. When Barnesy appears unannounced at a pub gig, that is not a cameo. That is a national incident with vocals.
For Ali, who had been in work mode in the media pit before realising she was casually talking to Jimmy Barnes himself, the moment became one of those live music memories that gets filed under: “This is why we leave the house.” It also reinforced something that runs right through the interview: the irreplaceable magic of real bodies, real instruments, sweaty venues and the shared lunacy of a crowd being lifted by noise.
That idea sits at the heart of The Living End’s current chapter. Their upcoming run carries the spirit of I Only Trust Rock N Roll, a sentiment Scott says came from the same place many of the new songs did: the strange, rattled, post-2020 world where everything suddenly felt unstable and everyone started wondering what, if anything, could still be trusted.
For Scott, the answer is simple. Rock and roll still feels real. 
Still, for all the shifts around them, The Living End’s purpose remains gloriously direct. They like to put on a show. They like leaving people wondering what the hell just happened. They like blowing the roof off the joint, whether that joint is a festival stage, a regional venue, or the kind of pub where the walls know more secrets than the patrons.
Their latest album bares the same namesake as their upcoming tour - I Only Trust Rock N Roll. The album is available now on all platforms and for tickets and tour information head to www.thelivingend.com.au


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72053886Wed, 27 May 2026 05:24:23 +0000HEAVY MagazineInterview by Ali Williams Some bands age quietly into legacy status, then there is The Living End, who appear to have treated the passing of time as a personal dare. After decades of twisting punk, rockabilly, sharp-suited swagger and full-throttle...Some bands age quietly into legacy status, then there is The Living End, who appear to have treated the passing of time as a personal dare.
After decades of twisting punk, rockabilly, sharp-suited swagger and full-throttle Australian rock into something entirely their own, the band are now being welcomed into the ARIA Hall of Fame. For bass player Scott Owen, speaking with HEAVY Magazine’s Ali Williams, the honour is still landing somewhere between pride, disbelief and that very Australian instinct to not make too much of the emotional bit in case someone notices.
He admits the induction has made the band stop and reflect, which is no small task when you are part of a group that has spent most of its life moving at the speed of a getaway car with a double bass in the back seat. The Living End’s first EP arrived in the mid-’90s, the first record followed in 1998, and Scott and Chris Cheney had already been playing together since around 1990. The mathematics, as Scott cheerfully points out, are “confronting”. Fair. Nobody asked time to come in here with a calculator and start being rude.
But that long history is exactly why The Living End still matter. They were never neatly slotted into the machinery around them. In the ’90s, when Triple J was a very different beast and Australian alternative music had its own wild ecosystem, The Living End were not simply alternative. They were, in Scott’s words, “the alternative to the alternative” - a strange, sharp, highly flammable hybrid of rockabilly and punk that did not fit anywhere and therefore carved out its own corner by force.
That identity has not softened. It has become the band’s signature. 
Scott’s double bass remains one of Australian rock’s great visual and sonic weapons. It is not just an instrument in The Living End; it is part of the architecture. Alongside Chris Cheney’s famously elastic guitar work and the locked-in chemistry that only comes from surviving decades of stages, buses, hotels, rehearsals, chaos and suspiciously romantic dinners together, the band still carry a sense of occasion every time they step up. Scott jokes that he and Chris have probably had more romantic dinners together than any couple in the world. Somewhere, a relationship counsellor just threw away their notebook.
That chemistry also includes Andy Strachan, affectionately referred to by Scott as “the new guy”, despite having been in the band for around 20 years. Rock and roll timelines are ridiculous. A man can spend two decades behind the kit and still be treated like he has just wandered in with fresh ID and a lunchbox.
Swinging back to one of the year’s great live surprises: Jimmy Barnes joining The Living End onstage at the Hotel Brunswick. Scott says it was a hard secret to keep after finding out that morning, because the whole point was to blow everyone’s minds without warning. Mission accomplished. When Barnesy appears unannounced at a pub gig, that is not a cameo. That is a national incident with vocals.
For Ali, who had been in work mode in the media pit before realising she was casually talking to Jimmy Barnes himself, the moment became one of those live music memories that gets filed under: “This is why we leave the house.” It also reinforced something that runs right through the interview: the irreplaceable magic of real bodies, real instruments, sweaty venues and the shared lunacy of a crowd being lifted by noise.
That idea sits at the heart of The Living End’s current chapter. Their upcoming run carries the spirit of I Only Trust Rock N Roll, a sentiment Scott says came from the same place many of the new songs did: the strange, rattled, post-2020 world where everything suddenly felt unstable and everyone started wondering what, if anything, could still be trusted.
For Scott, the answer is simple. Rock and roll still feels real. 
Still, for all the shifts around them, The Living End’s purpose...]]>1015aliwilliams,australia,chrischeney,hardrock,heavy,livemusic,music,musicinterview,rock,rockabilly,rockmusic,scottowen,thelivingend,tourtruefullhttps://www.spreaker.com/episode/august-burns-red-s-matt-greiner-promises-emotional-australian-return-this-september--72054220After more than two decades as one of metalcore’s most respected bands, August Burns Red are finally heading back to Australia this September, and drummer Matt Greiner says the excitement from fans has been overwhelming. Speaking ahead of the tour, Greiner revealed Australia will be the first country to experience a full headline run celebrating the band’s upcoming album Season Of Surrender.
Greiner admitted the response to the announcement caught him off guard, comparing it to the excitement the band experienced when first touring internationally in the late 2000s. “It felt like that level of excitement again,” he shared, reflecting on the flood of messages from Australian fans eager to welcome the band back after such a long absence.
The veteran drummer also opened up about how surreal it feels to still be connecting with audiences after 23 years. These days, Greiner is not only performing to longtime supporters, but also teaching drum lessons to the children of fans who grew up with August Burns Red. He described it as both humbling and rewarding to see the band’s music continuing to inspire a new generation of heavy music fans.
Family was another major topic during the conversation, with Greiner speaking warmly about balancing life on the road with being a father. He praised his wife for supporting the demanding touring lifestyle and shared how much it means to have his family behind him while continuing to chase opportunities around the world.
Matt also expressed excitement about touring alongside rising Australian acts Bloom and I Promise The World, explaining that helping younger bands grow is something he deeply values. Looking ahead to September, he promised Australian crowds energetic shows, genuine fan interaction and a celebration of the connection that has kept August Burns Red thriving for more than two decades.
Check out the full interview for plenty more...


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72054220Wed, 27 May 2026 05:21:41 +0000HEAVY MagazineInterview by Angela Croudace After more than two decades as one of metalcore’s most respected bands, August Burns Red are finally heading back to Australia this September, and drummer Matt Greiner says the excitement from fans has been overwhelming....After more than two decades as one of metalcore’s most respected bands, August Burns Red are finally heading back to Australia this September, and drummer Matt Greiner says the excitement from fans has been overwhelming. Speaking ahead of the tour, Greiner revealed Australia will be the first country to experience a full headline run celebrating the band’s upcoming album Season Of Surrender.
Greiner admitted the response to the announcement caught him off guard, comparing it to the excitement the band experienced when first touring internationally in the late 2000s. “It felt like that level of excitement again,” he shared, reflecting on the flood of messages from Australian fans eager to welcome the band back after such a long absence.
The veteran drummer also opened up about how surreal it feels to still be connecting with audiences after 23 years. These days, Greiner is not only performing to longtime supporters, but also teaching drum lessons to the children of fans who grew up with August Burns Red. He described it as both humbling and rewarding to see the band’s music continuing to inspire a new generation of heavy music fans.
Family was another major topic during the conversation, with Greiner speaking warmly about balancing life on the road with being a father. He praised his wife for supporting the demanding touring lifestyle and shared how much it means to have his family behind him while continuing to chase opportunities around the world.
Matt also expressed excitement about touring alongside rising Australian acts Bloom and I Promise The World, explaining that helping younger bands grow is something he deeply values. Looking ahead to September, he promised Australian crowds energetic shows, genuine fan interaction and a celebration of the connection that has kept August Burns Red thriving for more than two decades.
Check out the full interview for plenty more...


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1078angelacroudace,augustburnsred,australia,band,heavy,heavymetal,livemusic,metal,metalpodcast,music,musicinterview,tour,touringbandtruefullhttps://www.spreaker.com/episode/rockin-down-under-with-benjamin-berdous-from-slomosa--72051740This week the global rock underground is shifting its focus Down Under as Norwegian stoner rock prodigies Slomosa touch down for their first-ever Australian headline tour. Armed with their critically acclaimed album Tundra Rock, the Bergen-based quartet is prepared to bring a sonic avalanche to local music venues.
Dubbed the "New Kings of the Stone Age" by critics, Slomosa has captured global attention by bridging continents with their self-coined genre, Tundra Rock. Their signature sound seamlessly fuses the classic, sun-baked distortion of the California desert rock scene with the icy, atmospheric weight of their Nordic homeland. The result is a monolithic wall of sound packed with Kyuss-style riff worship, grunge-laced hooks, and a relentless punk energy. 
This devastating live reputation is no mere internet hype; the band has already spent years leveling massive European festival stages and earning public praise from legendary heavy hitters like Helmet, Mastodon, and Alkaline Trio. This lightning-fast, three-night headline run promises to turn local rooms into sweaty, high-octane mosh pits. 
Joined by Australian heavy-rock mainstays Khan, the tour kicks off on Friday, 22 May at Max Watts in Melbourne, moves to Crowbar Sydney on Saturday, 23 May, and wraps up at Crowbar Brisbane on Sunday, 24 May. With tickets selling fast and Aussie fans eager to witness this sonic collision of desert heat and Arctic frost, this is a landmark debut tour you cannot afford to miss. 
HEAVY caught up with frontman Benjamin Berdous on his day off to find out more. We spoke about what the band are doing in their down time, their excitement to finally make it to Australia and their determination to leave everything on stage.
Benjamin talked about playing smaller, more intimate venues as opposed to larger festival stages, their nightly mission when they hit the stage, mixing songs from the bands two albums into a setlist and more.
Tickets www.thephoenix.au


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72051740Thu, 21 May 2026 08:58:22 +0000HEAVY MagazineInterview by Kris Peters This week the global rock underground is shifting its focus Down Under as Norwegian stoner rock prodigies Slomosa touch down for their first-ever Australian headline tour. Armed with their critically acclaimed album Tundra...This week the global rock underground is shifting its focus Down Under as Norwegian stoner rock prodigies Slomosa touch down for their first-ever Australian headline tour. Armed with their critically acclaimed album Tundra Rock, the Bergen-based quartet is prepared to bring a sonic avalanche to local music venues.
Dubbed the "New Kings of the Stone Age" by critics, Slomosa has captured global attention by bridging continents with their self-coined genre, Tundra Rock. Their signature sound seamlessly fuses the classic, sun-baked distortion of the California desert rock scene with the icy, atmospheric weight of their Nordic homeland. The result is a monolithic wall of sound packed with Kyuss-style riff worship, grunge-laced hooks, and a relentless punk energy. 
This devastating live reputation is no mere internet hype; the band has already spent years leveling massive European festival stages and earning public praise from legendary heavy hitters like Helmet, Mastodon, and Alkaline Trio. This lightning-fast, three-night headline run promises to turn local rooms into sweaty, high-octane mosh pits. 
Joined by Australian heavy-rock mainstays Khan, the tour kicks off on Friday, 22 May at Max Watts in Melbourne, moves to Crowbar Sydney on Saturday, 23 May, and wraps up at Crowbar Brisbane on Sunday, 24 May. With tickets selling fast and Aussie fans eager to witness this sonic collision of desert heat and Arctic frost, this is a landmark debut tour you cannot afford to miss. 
HEAVY caught up with frontman Benjamin Berdous on his day off to find out more. We spoke about what the band are doing in their down time, their excitement to finally make it to Australia and their determination to leave everything on stage.
Benjamin talked about playing smaller, more intimate venues as opposed to larger festival stages, their nightly mission when they hit the stage, mixing songs from the bands two albums into a setlist and more.
Tickets www.thephoenix.au


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>804australia,desertrock,hardrock,heavy,heavymetal,krispeters,metal,metalinterview,metalpodcast,music,rock,slomosa,stonerrock,tourtruefullhttps://www.spreaker.com/episode/lex-legion-old-school-metal-mixed-with-fresh-blood--72050266Metal legends Andy La Rocque (King Diamond) and Nils K Rue (Pagans Mind) hooked up with HEAVY Mag's Ali Williams to chat about their new project Lex Legion and their new album. 
Joining La Rocque and Rue are Pete Blakk (King Diamond), Mikkey Dee (King Diamond, Scorpions, Mötorhead) and Hal Patino (King Diamond). Lex Legion’s debut album is set for release on June 12, and while the band may be newly announced to the world, the machinery behind it has been grinding away for years. What began as riffs and ideas between Andy and Pete back in 2008 was left sitting in the heavy metal vault for a while, not forgotten so much as waiting for the right moment to come stomping back through the door wearing boots. 
That moment arrived during the pandemic, when the world had been forcibly unplugged and musicians, like the rest of us, suddenly found themselves staring at time like it was an unfamiliar household appliance. Pete started writing again, played some material for Mikkey Dee, and the wheels began turning. Mikkey heard something worth chasing, Andy was pulled back into the fold, and what had once been a half-shelved idea began growing teeth. 
From there, the lineup expanded with Hal Patino joining the project, before the search began for the right voice. There were names considered, big ones too, but Andy already had someone in mind. Having worked with Nils K. Rue years earlier, he knew the Pagan’s Mind vocalist had the right kind of power, range and character to carry what Lex Legion were building. Mikkey agreed fairly quickly, apparently needing only to hear Nils before deciding that, yes, that was the bloke for the job. Convenient, really, when the singer turns out to be the missing piece instead of another three-month committee discussion.
The result is a band that may be fresh on paper but is hardly operating on beginner settings. These are players with serious history behind them, but Lex Legion has no interest in being a nostalgia project or a backdoor continuation of King Diamond. Andy was clear that while the connection between members is obvious, the intention was never to clone the past. King Diamond is its own beast. Lex Legion, he explained, needed to be something separate. 
That distinction matters. The album carries the spirit of late ’70s and early ’80s heavy metal, the kind that still had grease under its fingernails and a pulse you could feel through the floor, but it is not trapped in a museum cabinet. Andy described the material as less complex and less progressive than some of the old King Diamond work, with more emphasis on flow, melody and straight-up heavy metal punch. In other words, it knows where it came from, but it is not standing there waving a faded flag and yelling at clouds.
Lex Legion does not sound like a file-sharing experiment held together by Wi-Fi and optimism. It sounds like musicians who know each other’s instincts, know when to push, and know when not to smother a song under unnecessary cleverness. The first single, Sleep Eternally, has already landed with a response that surpassed Andy’s expectations, and with another single due before the album, the early signs are strong. 
The band is not rushing straight onto the road, though. Mikkey’s commitments with Scorpions keep him busy through much of the year, so touring is more likely to become a serious discussion for next year. Importantly, Lex Legion is not being treated as a studio-only side quest. Andy made it clear that live shows are part of the plan when the timing lines up, and there are already ideas forming for a second album. Ambitious, yes. Reckless? Maybe a little. But metal has never exactly thrived on sensible office planning. 
As for Australia, Andy admitted he has never made it down here with King Diamond, though other members have done the trip with their respective bands. The prospect of Lex Legion eventually making their way Down Under was warmly welcomed, and judging by the appetite here for heavy metal with roots, weight and actual identity, there will be no shortage of people ready to greet them with raised horns and mildly concerning enthusiasm. 
Lex Legion now stand at the beginning of their own first chapter, albeit with a few veterans at the wheel and absolutely no need for learner plates. The debut album arrives June 12, Sleep Eternally is already out in the wild, and if the early reaction is anything to go by, this is not just a side project shuffling politely into the room. 
It is old-school heavy metal with fresh intent, built by people who know exactly what they are doing and, mercifully, are not interested in polishing all the bite out of it.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72050266Mon, 18 May 2026 16:47:15 +0000HEAVY MagazineInterview by Ali Williams Metal legends Andy La Rocque (King Diamond) and Nils K Rue (Pagans Mind) hooked up with HEAVY Mag's Ali Williams to chat about their new project Lex Legion and their new album.  Joining La Rocque and Rue are Pete Blakk (King...Metal legends Andy La Rocque (King Diamond) and Nils K Rue (Pagans Mind) hooked up with HEAVY Mag's Ali Williams to chat about their new project Lex Legion and their new album. 
Joining La Rocque and Rue are Pete Blakk (King Diamond), Mikkey Dee (King Diamond, Scorpions, Mötorhead) and Hal Patino (King Diamond). Lex Legion’s debut album is set for release on June 12, and while the band may be newly announced to the world, the machinery behind it has been grinding away for years. What began as riffs and ideas between Andy and Pete back in 2008 was left sitting in the heavy metal vault for a while, not forgotten so much as waiting for the right moment to come stomping back through the door wearing boots. 
That moment arrived during the pandemic, when the world had been forcibly unplugged and musicians, like the rest of us, suddenly found themselves staring at time like it was an unfamiliar household appliance. Pete started writing again, played some material for Mikkey Dee, and the wheels began turning. Mikkey heard something worth chasing, Andy was pulled back into the fold, and what had once been a half-shelved idea began growing teeth. 
From there, the lineup expanded with Hal Patino joining the project, before the search began for the right voice. There were names considered, big ones too, but Andy already had someone in mind. Having worked with Nils K. Rue years earlier, he knew the Pagan’s Mind vocalist had the right kind of power, range and character to carry what Lex Legion were building. Mikkey agreed fairly quickly, apparently needing only to hear Nils before deciding that, yes, that was the bloke for the job. Convenient, really, when the singer turns out to be the missing piece instead of another three-month committee discussion.
The result is a band that may be fresh on paper but is hardly operating on beginner settings. These are players with serious history behind them, but Lex Legion has no interest in being a nostalgia project or a backdoor continuation of King Diamond. Andy was clear that while the connection between members is obvious, the intention was never to clone the past. King Diamond is its own beast. Lex Legion, he explained, needed to be something separate. 
That distinction matters. The album carries the spirit of late ’70s and early ’80s heavy metal, the kind that still had grease under its fingernails and a pulse you could feel through the floor, but it is not trapped in a museum cabinet. Andy described the material as less complex and less progressive than some of the old King Diamond work, with more emphasis on flow, melody and straight-up heavy metal punch. In other words, it knows where it came from, but it is not standing there waving a faded flag and yelling at clouds.
Lex Legion does not sound like a file-sharing experiment held together by Wi-Fi and optimism. It sounds like musicians who know each other’s instincts, know when to push, and know when not to smother a song under unnecessary cleverness. The first single, Sleep Eternally, has already landed with a response that surpassed Andy’s expectations, and with another single due before the album, the early signs are strong. 
The band is not rushing straight onto the road, though. Mikkey’s commitments with Scorpions keep him busy through much of the year, so touring is more likely to become a serious discussion for next year. Importantly, Lex Legion is not being treated as a studio-only side quest. Andy made it clear that live shows are part of the plan when the timing lines up, and there are already ideas forming for a second album. Ambitious, yes. Reckless? Maybe a little. But metal has never exactly thrived on sensible office planning. 
As for Australia, Andy admitted he has never made it down here with King Diamond, though other members have done the trip with their respective bands. The prospect of Lex Legion eventually making their way Down Under was warmly...]]>917album,aliwilliams,hardrock,heavy,heavymetal,kingdiamond,lexlegion,metalinterview,metalpodcast,motorhead,music,newmusictruefullhttps://www.spreaker.com/episode/going-it-alone-with-rachel-bolan--72042165Gargoyle of the Garden State, the highly anticipated debut solo album from Skid Row co-founder and bassist Rachel Bolan, releases on 12 June 2026 via earMUSIC. 
Stepping into the spotlight under the moniker BOLAN, this record marks a monumental milestone in the musician's four-decade career. Driven by a desire to craft something entirely his own, Bolan handles the vast majority of the recording duties himself, taking over lead vocals, bass, and most of the guitar tracks.
Rooted deeply in the grit, attitude, and storytelling traditions of his New Jersey upbringing, the album is a high-octane sonic journey. Musically, it breaks away from standard hair metal conventions, leaning instead into a raw, hook-driven fusion of punk rock energy and melodic sensibilities. Bolan weaves a lifetime of diverse influences into the tracklist, drawing inspiration from Britpop, glam, new wave, and 1980s John Hughes cinema, even incorporating a sitar on the distinctly pop-punk track Memory.
Though it is a solo venture, Bolan shares the experience with an impressive, star-studded lineup of close friends and peers. Listeners can expect guest appearances from legendary artists like Corey Taylor (Slipknot), Nuno Bettencourt (Extreme), Steve Conte, and Damon Johnson. Furthermore, Bolan’s Skid Row family - including Scotti Hill, Dave "Snake" Sabo, and drummer Rob Hammersmith - lend their talents to various tracks. Ultimately, Gargoyle of the Garden State serves as an uncompromising, honest reflection of Bolan’s true musical identity, balancing serious, reflective songwriting with an undeniable, upbeat rock-and-roll party atmosphere.
HEAVY sat down with Bolan to find out more, asking him to describe what he was going for musically with the album.
"I was just going for a raw feel," he explained. "This record sums up me and what's going on in my head, you know, and it was fun to play guitar. I played all the rhythms and the bass, did most of the singing and then had a whole bunch of friends come in and contribute, which meant the world to me."
We ask why now, after more than 40 years in music, is the right time to make a solo album.
"You know, I didn't find the time. The time kind of found me," he smiled. "We had downtime with Skid Row while we were searching for a vocalist and I had a bunch of songs. I kept writing through the whole process and it was more it's not now or never, but now would be a good time (laughs)."
In the full interview, Rachel speaks more about Gargoyle of the Garden State and the songs on it, reflecting on the two singles released to date and if they are a good sonic representation of the album as a whole. We talked about lead track Anything But You and why it was chosen as first introduction to his solo work, plus the influence New Jersey and its way of life had on the album.
We talked more about the guest artists and why they were chosen, having his Skid Row bandmates on there and why, the title and where it comes from, playing these songs live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72042165Mon, 18 May 2026 09:55:09 +0000HEAVY MagazineInterview by Kris Peters Gargoyle of the Garden State, the highly anticipated debut solo album from Skid Row co-founder and bassist Rachel Bolan, releases on 12 June 2026 via earMUSIC.  Stepping into the spotlight under the moniker BOLAN, this record...Gargoyle of the Garden State, the highly anticipated debut solo album from Skid Row co-founder and bassist Rachel Bolan, releases on 12 June 2026 via earMUSIC. 
Stepping into the spotlight under the moniker BOLAN, this record marks a monumental milestone in the musician's four-decade career. Driven by a desire to craft something entirely his own, Bolan handles the vast majority of the recording duties himself, taking over lead vocals, bass, and most of the guitar tracks.
Rooted deeply in the grit, attitude, and storytelling traditions of his New Jersey upbringing, the album is a high-octane sonic journey. Musically, it breaks away from standard hair metal conventions, leaning instead into a raw, hook-driven fusion of punk rock energy and melodic sensibilities. Bolan weaves a lifetime of diverse influences into the tracklist, drawing inspiration from Britpop, glam, new wave, and 1980s John Hughes cinema, even incorporating a sitar on the distinctly pop-punk track Memory.
Though it is a solo venture, Bolan shares the experience with an impressive, star-studded lineup of close friends and peers. Listeners can expect guest appearances from legendary artists like Corey Taylor (Slipknot), Nuno Bettencourt (Extreme), Steve Conte, and Damon Johnson. Furthermore, Bolan’s Skid Row family - including Scotti Hill, Dave "Snake" Sabo, and drummer Rob Hammersmith - lend their talents to various tracks. Ultimately, Gargoyle of the Garden State serves as an uncompromising, honest reflection of Bolan’s true musical identity, balancing serious, reflective songwriting with an undeniable, upbeat rock-and-roll party atmosphere.
HEAVY sat down with Bolan to find out more, asking him to describe what he was going for musically with the album.
"I was just going for a raw feel," he explained. "This record sums up me and what's going on in my head, you know, and it was fun to play guitar. I played all the rhythms and the bass, did most of the singing and then had a whole bunch of friends come in and contribute, which meant the world to me."
We ask why now, after more than 40 years in music, is the right time to make a solo album.
"You know, I didn't find the time. The time kind of found me," he smiled. "We had downtime with Skid Row while we were searching for a vocalist and I had a bunch of songs. I kept writing through the whole process and it was more it's not now or never, but now would be a good time (laughs)."
In the full interview, Rachel speaks more about Gargoyle of the Garden State and the songs on it, reflecting on the two singles released to date and if they are a good sonic representation of the album as a whole. We talked about lead track Anything But You and why it was chosen as first introduction to his solo work, plus the influence New Jersey and its way of life had on the album.
We talked more about the guest artists and why they were chosen, having his Skid Row bandmates on there and why, the title and where it comes from, playing these songs live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1131album,hardrock,hardrockmusic,heavy,heavymetal,hornsup,krispeters,metal,metalinterview,metalpodcast,music,newmusic,rachelbolan,rock,rockmusic,skidrowtruefullhttps://www.spreaker.com/episode/a-sense-of-familiarity-with-robert-ortiz-from-escape-the-fate--71997657For over two decades now, Escape The Fate have been one of the most recognisable names in modern hard rock, building an incredible catalogue packed with stadium-wrecking hooks, ferocious riffs and the kind of jackhammer heaviness that has kept fans coming back since their breakthrough record, 2008’s This War Is Ours. The bands latest release, 2025’s Redefined, once again showcases a band that comfortably moves between crushing heaviness, soaring choruses and anthemic rock moments like true masters of their craft.
Australia has always held Escape The Fate close to their hearts with the bands fanbase being one of the most loyal in the world, patiently waiting three long years for their return. That patience will be rewarded with a live show packed with fan favourites, massive singalongs and the kind of explosive energy that has defined Escape The Fate’s reputation as one of the greatest live acts of their era.
HEAVY sat down with drummer and founding member Robert Ortiz to find out more, asking him what has changed with the band since their last visit three years ago.
"I can't believe it's been that long," he almost apologised. "That's insane. Mainly it's just the dynamic that has changed. The vision, the devotion, the hard work, the dedication, as Floyd Mayweather always used to like to say. We're very excited about the new album. We spent the majority of the last two years writing, recording and relaxing a little bit. There's been some stuff where, personally, I had to deal with a couple of things with my family and some loss and things like that, but I spent time with my daughters and all that kind of stuff while working on new music, which we're so incredibly excited for."
In the full interview, Robert emphasized Escape The Fate's energetic, authentic live presence and praised guitarist Matty's musicianship, contrasting current purpose-driven touring with earlier, less focused periods. He recounted recent touring with Lacuna Coil and audience engagement varying by market. He also summarized the band's origins in the Las Vegas scene and how regional club touring shaped their development.
Robert described their most recent single Deja Vu as lyrically focused on vocalist Craig's sobriety and recurring fears and musically introducing a darker digital element. He said the single signals the album's direction but does not represent the whole record. The album is characterized as the band's most cohesive to date while stylistically diverse, containing a full thrash song featuring blast beats and double bass, some pop-leaning tracks that retain dark tones and plenty more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71997657Sun, 17 May 2026 14:06:40 +0000HEAVY MagazineInterview by Kris Peters For over two decades now, Escape The Fate have been one of the most recognisable names in modern hard rock, building an incredible catalogue packed with stadium-wrecking hooks, ferocious riffs and the kind of jackhammer...For over two decades now, Escape The Fate have been one of the most recognisable names in modern hard rock, building an incredible catalogue packed with stadium-wrecking hooks, ferocious riffs and the kind of jackhammer heaviness that has kept fans coming back since their breakthrough record, 2008’s This War Is Ours. The bands latest release, 2025’s Redefined, once again showcases a band that comfortably moves between crushing heaviness, soaring choruses and anthemic rock moments like true masters of their craft.
Australia has always held Escape The Fate close to their hearts with the bands fanbase being one of the most loyal in the world, patiently waiting three long years for their return. That patience will be rewarded with a live show packed with fan favourites, massive singalongs and the kind of explosive energy that has defined Escape The Fate’s reputation as one of the greatest live acts of their era.
HEAVY sat down with drummer and founding member Robert Ortiz to find out more, asking him what has changed with the band since their last visit three years ago.
"I can't believe it's been that long," he almost apologised. "That's insane. Mainly it's just the dynamic that has changed. The vision, the devotion, the hard work, the dedication, as Floyd Mayweather always used to like to say. We're very excited about the new album. We spent the majority of the last two years writing, recording and relaxing a little bit. There's been some stuff where, personally, I had to deal with a couple of things with my family and some loss and things like that, but I spent time with my daughters and all that kind of stuff while working on new music, which we're so incredibly excited for."
In the full interview, Robert emphasized Escape The Fate's energetic, authentic live presence and praised guitarist Matty's musicianship, contrasting current purpose-driven touring with earlier, less focused periods. He recounted recent touring with Lacuna Coil and audience engagement varying by market. He also summarized the band's origins in the Las Vegas scene and how regional club touring shaped their development.
Robert described their most recent single Deja Vu as lyrically focused on vocalist Craig's sobriety and recurring fears and musically introducing a darker digital element. He said the single signals the album's direction but does not represent the whole record. The album is characterized as the band's most cohesive to date while stylistically diverse, containing a full thrash song featuring blast beats and double bass, some pop-leaning tracks that retain dark tones and plenty more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1308australia,band,destroyalllines,emo,escapethefate,hardrock,heavy,heavymetal,krispeters,livemusic,metal,music,musicinterview,musicpodcast,rock,thewordalive,tourtruefullhttps://www.spreaker.com/episode/the-birth-of-bitchin-blues-rock-with-rose-carleo--72016056Australia’s own Rose Carleo Band returns with a bold, soul-stirring new album, 42 Days, out now. A deeply personal and sonically rich collection, this release captures the very essence of resilience, transformation, and raw human emotion.
Fronted by acclaimed vocalist, songwriter, and next Queen of Rock Rose Carleo, the band has carved out a reputation for blending blues, rock, and roots with heartfelt storytelling. Joining Rose is a powerhouse line-up featuring guitarist and co-writer Mick Adkins, bassist Bill Kervin, and drummer Mick O’Shea. 42 Days marks a defining chapter, an album born from a period of intense reflection and creative rebirth.
Leading the release is the focus track, 42 Days, a powerful centrepiece that encapsulates the spirit of the record. Driven by Carleo’s commanding vocal performance and anchored by gritty instrumentation, the track explores endurance, healing, and the emotional weight of time. It’s both deeply personal and universally relatable – a song that lingers long after the final note.
HEAVY sat down with Rose Carleo to find out more, starting by asking how she is feeling with the album finally out.
"Over the moon," she enthused. "It's finally here. Yeah, really, really happy. It's a very personal album, as I guess all albums are, but this is especially. And we had to put it off for about six months due to some commitments I had earlier last year and here it is finally."
We ask Rose to describe the album musically.
"It's an honest album," she replied. "It's an album full of emotion and I guess real life experience. And it's a rock and Bitchin' Blues rock album, I reckon that's sort of how we feel about it. We're not just blues, we're not just rock, we're not just heavy rock, we're a bit of everything, so we like to call it Bitchin' Blues rock."
In the full interview, Rose described 42 Days as a personal record blending hard rock and blues she calls Bitchin' Blues rock, with the opening track You Ain't Foolin' Me selected for strong impact. The album was delayed about six months because of earlier commitments. Rose said the record lacks a single defining track due to its eclectic mix and that surplus recorded songs allowed careful sequencing.
We spoke about Rose's appearance on The Voice and how it influenced the album, her journey through music, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/72016056Fri, 15 May 2026 05:53:12 +0000HEAVY MagazineInterview by Kris Peters Australia’s own Rose Carleo Band returns with a bold, soul-stirring new album, 42 Days, out now. A deeply personal and sonically rich collection, this release captures the very essence of resilience, transformation, and raw...Australia’s own Rose Carleo Band returns with a bold, soul-stirring new album, 42 Days, out now. A deeply personal and sonically rich collection, this release captures the very essence of resilience, transformation, and raw human emotion.
Fronted by acclaimed vocalist, songwriter, and next Queen of Rock Rose Carleo, the band has carved out a reputation for blending blues, rock, and roots with heartfelt storytelling. Joining Rose is a powerhouse line-up featuring guitarist and co-writer Mick Adkins, bassist Bill Kervin, and drummer Mick O’Shea. 42 Days marks a defining chapter, an album born from a period of intense reflection and creative rebirth.
Leading the release is the focus track, 42 Days, a powerful centrepiece that encapsulates the spirit of the record. Driven by Carleo’s commanding vocal performance and anchored by gritty instrumentation, the track explores endurance, healing, and the emotional weight of time. It’s both deeply personal and universally relatable – a song that lingers long after the final note.
HEAVY sat down with Rose Carleo to find out more, starting by asking how she is feeling with the album finally out.
"Over the moon," she enthused. "It's finally here. Yeah, really, really happy. It's a very personal album, as I guess all albums are, but this is especially. And we had to put it off for about six months due to some commitments I had earlier last year and here it is finally."
We ask Rose to describe the album musically.
"It's an honest album," she replied. "It's an album full of emotion and I guess real life experience. And it's a rock and Bitchin' Blues rock album, I reckon that's sort of how we feel about it. We're not just blues, we're not just rock, we're not just heavy rock, we're a bit of everything, so we like to call it Bitchin' Blues rock."
In the full interview, Rose described 42 Days as a personal record blending hard rock and blues she calls Bitchin' Blues rock, with the opening track You Ain't Foolin' Me selected for strong impact. The album was delayed about six months because of earlier commitments. Rose said the record lacks a single defining track due to its eclectic mix and that surplus recorded songs allowed careful sequencing.
We spoke about Rose's appearance on The Voice and how it influenced the album, her journey through music, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>583album,australia,blues,bluesrock,bluesrockmusic,heavy,krispeters,music,musicinterview,musicpodcast,newmusic,rock,rockmusic,rosecarleo,rosecarleobandfalsefullhttps://www.spreaker.com/episode/casting-a-sonic-spell-with-bailey-spinn--71988701Rising rock force Bailey Spinn is casting a spell with her hypnotic new single, “Voodoo,” out Friday, May 15. Dark, addictive, and laced with attitude, the track leans into a moody rock soundscape built on pulsing production, gritty guitars, and Bailey’s signature bite. 
Co-written and produced by Jon Lundin (FEVER 333, State Champs, Senses Fail), “voodoo” captures the intoxicating push-and-pull of parasocial relationships. With its haunting atmosphere and cathartic chorus, the track feels tailor-made for late-night drives and scream-at-the-top-of-your-lungs moments alike. 
“Voodoo” follows Bailey’s biting anti-Valentine’s Day anthem “Homicide,” along with standout singles “Critical” and “Fear Of Going Out,” which earned praise in the press and showed the artist venturing into heavier sonic territory. 
Artists such as Bailey Spinn are pivotal in bridging the divide many younger listeners find between pop music and the heavier elements, with their deviations into heavier landscapes lessening the blow felt by some growing musical tastebuds when it comes to rock and metal. Bailey is perhaps at the forefront of the current transition, mixing pop, punk, rock and attitude into an easily digestable sonic experience that acts as an ideal stepping stone between a plethora of genres.
HEAVY sat down with Bailey to discuss her new single Voodoo and her shift into heavier territory.
"I definitely like to do a little bit of metalcore," she smiled. "I like to get as close to a metal song as I can, but I also don't know how to scream so I love to teeter on the line of how far can I go without screaming (laughs). There's a really heavier, breakdown bit - as I love to do - and I really wanted to do something dark and a little bit scary. A lot of my imagery for the song was haunted and a bit scary, kind of based around a voodoo doll."
Voodoo continues Bailey's recent flirtation with heavier music, leading HEAVY to ask if it is a conscious shift towards such elements, orif it has been more of a natural progression.
"I think it definitely was a conscious shift," she nodded. "I had tried to put some heavier songs on the past album and they didn't really feel like a good fit at the time. When I was writing the new stuff, I kept trying to do pop rock and it just wasn't sitting with me as much as it used to. I had been really diving into listening to heavier music and going to a lot of heavier festivals myself, and what I was inspired by was very different from what I started out being inspired by. Avril Lavigne and Paramore moved to (bands like) Bring Me the Horizon and Pierce the Veil and Motionless In White and started veering more heavy than poppy. So I decided I wanted to try heavier and I loved it. The first song, I just felt right when I did it. I was like, I think this is the right step for me."
In the full interview Bailey discusses Voodoo in greater detail as well as her gradual shift into heavier music. She describes her influences and how they have impacted her music, including the use of breakdowns in her songs.
Bailey addresses the potential for younger, existing fans to be confused at her shifting between genres, as well as the importance of staying true to yourself and inviting listeners to experience such changes with you. She discussed her new album and how the three singles released so far reflect the overall sonic structure of the album, as well as the personal nature of her lyrics and how they connect with her fanbase.
Her transition from TikTok personality into cover songs and ultimately original music was discussed, including different demands each platform can create and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71988701Thu, 14 May 2026 07:05:20 +0000HEAVY MagazineInterview by Kris Peters Rising rock force Bailey Spinn is casting a spell with her hypnotic new single, “Voodoo,” out Friday, May 15. Dark, addictive, and laced with attitude, the track leans into a moody rock soundscape built on pulsing production,...Rising rock force Bailey Spinn is casting a spell with her hypnotic new single, “Voodoo,” out Friday, May 15. Dark, addictive, and laced with attitude, the track leans into a moody rock soundscape built on pulsing production, gritty guitars, and Bailey’s signature bite. 
Co-written and produced by Jon Lundin (FEVER 333, State Champs, Senses Fail), “voodoo” captures the intoxicating push-and-pull of parasocial relationships. With its haunting atmosphere and cathartic chorus, the track feels tailor-made for late-night drives and scream-at-the-top-of-your-lungs moments alike. 
“Voodoo” follows Bailey’s biting anti-Valentine’s Day anthem “Homicide,” along with standout singles “Critical” and “Fear Of Going Out,” which earned praise in the press and showed the artist venturing into heavier sonic territory. 
Artists such as Bailey Spinn are pivotal in bridging the divide many younger listeners find between pop music and the heavier elements, with their deviations into heavier landscapes lessening the blow felt by some growing musical tastebuds when it comes to rock and metal. Bailey is perhaps at the forefront of the current transition, mixing pop, punk, rock and attitude into an easily digestable sonic experience that acts as an ideal stepping stone between a plethora of genres.
HEAVY sat down with Bailey to discuss her new single Voodoo and her shift into heavier territory.
"I definitely like to do a little bit of metalcore," she smiled. "I like to get as close to a metal song as I can, but I also don't know how to scream so I love to teeter on the line of how far can I go without screaming (laughs). There's a really heavier, breakdown bit - as I love to do - and I really wanted to do something dark and a little bit scary. A lot of my imagery for the song was haunted and a bit scary, kind of based around a voodoo doll."
Voodoo continues Bailey's recent flirtation with heavier music, leading HEAVY to ask if it is a conscious shift towards such elements, orif it has been more of a natural progression.
"I think it definitely was a conscious shift," she nodded. "I had tried to put some heavier songs on the past album and they didn't really feel like a good fit at the time. When I was writing the new stuff, I kept trying to do pop rock and it just wasn't sitting with me as much as it used to. I had been really diving into listening to heavier music and going to a lot of heavier festivals myself, and what I was inspired by was very different from what I started out being inspired by. Avril Lavigne and Paramore moved to (bands like) Bring Me the Horizon and Pierce the Veil and Motionless In White and started veering more heavy than poppy. So I decided I wanted to try heavier and I loved it. The first song, I just felt right when I did it. I was like, I think this is the right step for me."
In the full interview Bailey discusses Voodoo in greater detail as well as her gradual shift into heavier music. She describes her influences and how they have impacted her music, including the use of breakdowns in her songs.
Bailey addresses the potential for younger, existing fans to be confused at her shifting between genres, as well as the importance of staying true to yourself and inviting listeners to experience such changes with you. She discussed her new album and how the three singles released so far reflect the overall sonic structure of the album, as well as the personal nature of her lyrics and how they connect with her fanbase.
Her transition from TikTok personality into cover songs and ultimately original music was discussed, including different demands each platform can create and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>764baileyspinn,breakdowns,hardrock,heavy,krispeters,metal,music,musicinterview,musicpodcast,poprock,rockfalsefullhttps://www.spreaker.com/episode/immersive-soundscapes-and-their-inherent-beauty-with-tarja--71988251Since launching her solo career, Tarja has consistently charted internationally and built one of the most loyal fanbases in the genre, willing to follow her in every new adventure.
Across more than two decades, Tarja has released a highly successful catalogue, reaching the Top 10 of multiple European album charts and establishing herself as an artist of rare consistency and presence. Her live performances have become a defining element of her career: touring worldwide and appearing as a celebrated guest at major metal festivals, Tarja creates a powerful and emotional connection with audiences, turning every show into a memorable experience.
Tarja will release her new album Frisson Noir on June 12, an album which reflects her ongoing dialogue between cinematic orchestration, classical heritage, and the power and intensity of contemporary metal. The album moves between intimate piano passages, dramatic orchestral textures, and powerful guitar-driven moments, creating a sonic tapestry that enriches the experience.
At the center of the soundscape is Tarja’s distinctive voice, moving effortlessly between fragile emotional expression and operatic power. Around it, orchestral arrangements, choirs, and layered instrumentation create a cinematic world that constantly shifts between darkness and light, exploring deeply human themes such as fear, beauty, nostalgia, resilience, defiance, transformation, identity, disappearance, independence, trust, and perseverance.
HEAVY sat down with Tarja to discuss the album in greater detail. 


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71988251Wed, 13 May 2026 10:24:36 +0000HEAVY MagazineInterview by Cecilia Pattison-Levi Since launching her solo career, Tarja has consistently charted internationally and built one of the most loyal fanbases in the genre, willing to follow her in every new adventure. Across more than two decades, Tarja...Since launching her solo career, Tarja has consistently charted internationally and built one of the most loyal fanbases in the genre, willing to follow her in every new adventure.
Across more than two decades, Tarja has released a highly successful catalogue, reaching the Top 10 of multiple European album charts and establishing herself as an artist of rare consistency and presence. Her live performances have become a defining element of her career: touring worldwide and appearing as a celebrated guest at major metal festivals, Tarja creates a powerful and emotional connection with audiences, turning every show into a memorable experience.
Tarja will release her new album Frisson Noir on June 12, an album which reflects her ongoing dialogue between cinematic orchestration, classical heritage, and the power and intensity of contemporary metal. The album moves between intimate piano passages, dramatic orchestral textures, and powerful guitar-driven moments, creating a sonic tapestry that enriches the experience.
At the center of the soundscape is Tarja’s distinctive voice, moving effortlessly between fragile emotional expression and operatic power. Around it, orchestral arrangements, choirs, and layered instrumentation create a cinematic world that constantly shifts between darkness and light, exploring deeply human themes such as fear, beauty, nostalgia, resilience, defiance, transformation, identity, disappearance, independence, trust, and perseverance.
HEAVY sat down with Tarja to discuss the album in greater detail. 


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>724album,hardrock,heavy,heavymetal,metal,music,musicinterview,musicpodcast,rock,symphonicmetal,tarjafalsefullhttps://www.spreaker.com/episode/an-expansion-of-sound-with-pk-from-prompts--71987803Known for redefining genre boundaries, Prompts have built a reputation for masterfully fusing elements of nü-metal, mathcore, djent and deathcore, crafting a sound that is entirely unique to them that feels both experimental and refined. With members hailing from both Japan and South Korea, the band’s dual heritage continues to shape their distinctive sound - a melding of contrasting influences and cultures.
Continuing to prove themselves as one of metals most exciting up and coming acts, Japan-based metalcore outfit Prompts tread new ground on silky smooth new single "Death of Me", out now via Greyscale Records in partnership with Papercut Records (US).
Leaning into a more subdued and atmospheric direction, "Death of Me" sees the band trade thrashing undercurrents for a slow-burning sense of yearning. The track lingers and aches, built around a deeply human contradiction - the kind of love where wanting the best for someone means convincing yourself to walk away. "One part of you swears letting go is the right thing to do, while the most honest part of you is quietly begging for the exact opposite," says the band. Ultimately, "Death of Me" unfolds as a confession confronting vulnerability and embracing softer truths. "It is about finally facing the softer, weaker parts of yourself you were trying to hide, and admitting that all you really wanted was to stay close to the person who never left your heart.”
HEAVY sat down with frontman PK while he was in Australia as guest vocalist for Crystal Lake to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71987803Wed, 13 May 2026 09:33:57 +0000HEAVY MagazineInterview by Kris Peters Known for redefining genre boundaries, Prompts have built a reputation for masterfully fusing elements of nü-metal, mathcore, djent and deathcore, crafting a sound that is entirely unique to them that feels both experimental...Known for redefining genre boundaries, Prompts have built a reputation for masterfully fusing elements of nü-metal, mathcore, djent and deathcore, crafting a sound that is entirely unique to them that feels both experimental and refined. With members hailing from both Japan and South Korea, the band’s dual heritage continues to shape their distinctive sound - a melding of contrasting influences and cultures.
Continuing to prove themselves as one of metals most exciting up and coming acts, Japan-based metalcore outfit Prompts tread new ground on silky smooth new single "Death of Me", out now via Greyscale Records in partnership with Papercut Records (US).
Leaning into a more subdued and atmospheric direction, "Death of Me" sees the band trade thrashing undercurrents for a slow-burning sense of yearning. The track lingers and aches, built around a deeply human contradiction - the kind of love where wanting the best for someone means convincing yourself to walk away. "One part of you swears letting go is the right thing to do, while the most honest part of you is quietly begging for the exact opposite," says the band. Ultimately, "Death of Me" unfolds as a confession confronting vulnerability and embracing softer truths. "It is about finally facing the softer, weaker parts of yourself you were trying to hide, and admitting that all you really wanted was to stay close to the person who never left your heart.”
HEAVY sat down with frontman PK while he was in Australia as guest vocalist for Crystal Lake to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>828crystallake,heavy,heavymetal,krispeters,metal,metalcore,metalinterview,metalmusic,metalpodcast,music,pk,promptstruefullhttps://www.spreaker.com/episode/a-fans-perspective-on-bailey-spinn--71986500Music and musical tastes are very much an individual and personal thing, with heavy metal and hard rock being more of an acquired taste for the younger generation rather than a natural progression.
Put simply, it's not easy to steer the youth of today down a path to harder edged music, especially when competing with things like K-Pop and the likes. But music can also be a transitional thing, with different gateways and inroads into new genres often coming from within. There are many bands/singers with more pop leanings that dabble in harder music, thus inviting their fans - many of whom are in that younger age demographic - to taste the sonic pleasures inherent in heavier music.
One such artist is Bailey Spinn, a singer with a massive global following that also has rock coursing through her veins. Starting with last years track Critical, then Homicide earlier this year, Bailey Spinn has embraced subtle elements of hard rock, progressively showcasing a darker, harder edge to her music without pushing her existing envelope too far.
That flirtation continues on Spinn's latest single Voodoo, which is released this Friday, May 15. Another step further into rock territory, Voodoo perfectly encapsulates the growing corrolation between pop and rock music without becoming too dark to alienate her existing fanbase.
And what better way to showcase that musical transition than through the thoughts and feelings of one of Bailey Spinn's younger fans? Which is why HEAVY booked some time with Spinn to discuss Voodoo, with one of her fans - 12 year old Scarlett Myors - exploring the new song and more. She started by asking what the inspiration was behind Voodoo.
"I decided to make Voodoo because I had an old friend who was doing some shady stuff," Bailey smiled, "and I wanted to get my feelings out there. I really like to write songs to get over it and we've all had a bad friend once in a while so I wanted to write it all down and get it off my chest. I love making heavier music, so I wanted it to feel a little spooky and scary with kind of BabyDoll vibes. I made a teddy bear for the visual stuff that's coming out very soon, so I just wanted to talk about my experience with that person and how they were stalking me on lione. It's very easy to stalk people on the internet nowadays (laughs)."
In the full interview Bailey talks about what made her want to be a singer, the inspiration for her songs and music, who she would love to collaborate with in the future, words of advice for aspiring musicians, future goals and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71986500Wed, 13 May 2026 06:23:52 +0000HEAVY MagazineInterview by Scarlett Myors (12 years old) Music and musical tastes are very much an individual and personal thing, with heavy metal and hard rock being more of an acquired taste for the younger generation rather than a natural progression. Put...Music and musical tastes are very much an individual and personal thing, with heavy metal and hard rock being more of an acquired taste for the younger generation rather than a natural progression.
Put simply, it's not easy to steer the youth of today down a path to harder edged music, especially when competing with things like K-Pop and the likes. But music can also be a transitional thing, with different gateways and inroads into new genres often coming from within. There are many bands/singers with more pop leanings that dabble in harder music, thus inviting their fans - many of whom are in that younger age demographic - to taste the sonic pleasures inherent in heavier music.
One such artist is Bailey Spinn, a singer with a massive global following that also has rock coursing through her veins. Starting with last years track Critical, then Homicide earlier this year, Bailey Spinn has embraced subtle elements of hard rock, progressively showcasing a darker, harder edge to her music without pushing her existing envelope too far.
That flirtation continues on Spinn's latest single Voodoo, which is released this Friday, May 15. Another step further into rock territory, Voodoo perfectly encapsulates the growing corrolation between pop and rock music without becoming too dark to alienate her existing fanbase.
And what better way to showcase that musical transition than through the thoughts and feelings of one of Bailey Spinn's younger fans? Which is why HEAVY booked some time with Spinn to discuss Voodoo, with one of her fans - 12 year old Scarlett Myors - exploring the new song and more. She started by asking what the inspiration was behind Voodoo.
"I decided to make Voodoo because I had an old friend who was doing some shady stuff," Bailey smiled, "and I wanted to get my feelings out there. I really like to write songs to get over it and we've all had a bad friend once in a while so I wanted to write it all down and get it off my chest. I love making heavier music, so I wanted it to feel a little spooky and scary with kind of BabyDoll vibes. I made a teddy bear for the visual stuff that's coming out very soon, so I just wanted to talk about my experience with that person and how they were stalking me on lione. It's very easy to stalk people on the internet nowadays (laughs)."
In the full interview Bailey talks about what made her want to be a singer, the inspiration for her songs and music, who she would love to collaborate with in the future, words of advice for aspiring musicians, future goals and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>364baileyspinn,hardrock,heavy,metal,music,musicinterview,musicpodcast,pop,poprock,singerfalsefullhttps://www.spreaker.com/episode/yoth-iria-from-hellenic-roots-to-heavy-metal-heaven--71946425If there’s one thing metal fans adore, it’s passion — and talking to Yoth Iria’s Nikolas and Jim (the legendary Jim Mutilator, no less) proves the Greeks have it in spades. Despite what might be the most lag-ridden Zoom call in human history, we all the patience of monks and the enthusiasm of headbangers at their first gig. And managed to have a conversation bursting with humour, honesty, and riffs of wisdom about their latest album, the evolution of Hellenic metal, and why live music is the truest form of human connection. 
Yoth Iria’s sound is best described as new wave of Hellenic darkness— unmistakably forged in the fires of the Greek black metal scene — continues its ascent with new album which was unleashed late last week. Jim describes it as “the new wave of Hellenic black metal”, but with experimentation that stretches far beyond borders. The record blends everything from gothic metal and thrash to traditional Greek folk motifs and the odd splash of punk — a sonic gyros with a side of dark melody. 
Nikolas adds with a grin that the secret to their evolution lies in balance: “You have to keep your identity but explore new worlds. You can’t just replicate yourself forever — that’s not art, that’s photocopying.”
There is undeniable chemistry behind the chaos, and artistic chemistry, seems to be their real superpower. Jim and Nikolas compose like siblings who occasionally disagree but always end up laughing about it over beers. “We’re different in style,” Jim admits, “but that’s our secret to success. It’s the difference that makes the music breathe.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71946425Sun, 10 May 2026 12:32:54 +0000HEAVY MagazineInterview by Ali Williams If there’s one thing metal fans adore, it’s passion — and talking to Yoth Iria’s Nikolas and Jim (the legendary Jim Mutilator, no less) proves the Greeks have it in spades. Despite what might be the most lag-ridden Zoom call...If there’s one thing metal fans adore, it’s passion — and talking to Yoth Iria’s Nikolas and Jim (the legendary Jim Mutilator, no less) proves the Greeks have it in spades. Despite what might be the most lag-ridden Zoom call in human history, we all the patience of monks and the enthusiasm of headbangers at their first gig. And managed to have a conversation bursting with humour, honesty, and riffs of wisdom about their latest album, the evolution of Hellenic metal, and why live music is the truest form of human connection. 
Yoth Iria’s sound is best described as new wave of Hellenic darkness— unmistakably forged in the fires of the Greek black metal scene — continues its ascent with new album which was unleashed late last week. Jim describes it as “the new wave of Hellenic black metal”, but with experimentation that stretches far beyond borders. The record blends everything from gothic metal and thrash to traditional Greek folk motifs and the odd splash of punk — a sonic gyros with a side of dark melody. 
Nikolas adds with a grin that the secret to their evolution lies in balance: “You have to keep your identity but explore new worlds. You can’t just replicate yourself forever — that’s not art, that’s photocopying.”
There is undeniable chemistry behind the chaos, and artistic chemistry, seems to be their real superpower. Jim and Nikolas compose like siblings who occasionally disagree but always end up laughing about it over beers. “We’re different in style,” Jim admits, “but that’s our secret to success. It’s the difference that makes the music breathe.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1712aliwilliams,band,blackmetal,darkmetal,heavy,heavymetal,heavymetalmusic,metalinterview,music,musicinterview,yothiriafalsefullhttps://www.spreaker.com/episode/bringing-big-screen-energy-to-your-music-vido-with-chris-sun-from-sun-entertainment--71926682What started as a small, passionate setup with his son Kyle has rapidly evolved into a full-scale production powerhouse. Today, Sun Entertainment is backed by a team of producers, editors, set builders, and creative artists, many of whom have worked alongside Chris on his feature films. The result? A crew that knows how to bring big-screen energy into the world of music.
“We want to be able to shoot incredible music videos at almost any budget level,” Sun explains. “From simple performance shoots to full cinematic story-driven productions it all comes down to the artists' budget and how far they want to push it. We’ll meet them there.”
That flexibility is a huge part of what sets Sun Entertainment apart from other production companies. While many directors lock into one style or genre, Chris is flipping that idea on its head. Despite his horror roots, he’s making it clear this is about all music. All artists. All visions.
“I’m not here just to shoot horror-style clips,” he says. “If you’ve got a song and a vision, I want to bring it to life no matter the genre.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71926682Sat, 09 May 2026 01:52:33 +0000HEAVY MagazineAustralian filmmaker Chris Sun has spent over 15 years building a reputation in the horror world crafting brutal, unforgettable films like Daddy’s Little Girl, Charlie’s Farm and BOAR. Now, he’s turning that same cinematic intensity toward a new...What started as a small, passionate setup with his son Kyle has rapidly evolved into a full-scale production powerhouse. Today, Sun Entertainment is backed by a team of producers, editors, set builders, and creative artists, many of whom have worked alongside Chris on his feature films. The result? A crew that knows how to bring big-screen energy into the world of music.
“We want to be able to shoot incredible music videos at almost any budget level,” Sun explains. “From simple performance shoots to full cinematic story-driven productions it all comes down to the artists' budget and how far they want to push it. We’ll meet them there.”
That flexibility is a huge part of what sets Sun Entertainment apart from other production companies. While many directors lock into one style or genre, Chris is flipping that idea on its head. Despite his horror roots, he’s making it clear this is about all music. All artists. All visions.
“I’m not here just to shoot horror-style clips,” he says. “If you’ve got a song and a vision, I want to bring it to life no matter the genre.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1732band,filmmaking,hardrock,heavy,heavymetal,horror,krispeters,metal,movies,music,musician,musicvideo,rock,sunentertainment,universalpictures,videotruefullhttps://www.spreaker.com/episode/35-years-of-fear-with-dino-cazeres-from-fear-factory--71893994One can’t overstate the size of the FEAR FACTORY boot print on the neck of heavy metal. Unleashing influential albums with devastating anthems for 35 years now, they are widely recognized as both crucial and innovative in extreme metal circles. 
FEAR FACTORY manufactured, demanufactured, and remanufactured a sound that reverberates across several subgenres. They perfected an explosive blend of staccato paint-stripping riffs, industrial- tinged drums, electronic flourishes, and a scream/sing dichotomy, all of which became staples in heavy music, ever since the group first emerged in L.A.
Celebrating 35 Years Of Fear, FEAR FACTORY are dialing in a Cybernetic Domination of Australia for their first full headlining tour in 10 years and finally for New Zealand, they perform for the first time since 2012!
The signature sounds, concepts, and passions remain, as FEAR FACTORY salutes its past, present, and future. HEAVY caught up with guitarist Dino Cazeres to find out more.
"We've been coming to Australia since 1993," he began. "This is gonna be our 15th time there, and I can't wait to get there. We have a huge catalogue of songs to sift through and create a perfect set for a killer live show in Australia."
Fear Factory often deal with subjects of dystopia and control, the rise of the machines being a dominant landscape. Which begs the question, does Dino see the world today as closer to those themes than when the band first started?
"100%," he nodded. "And I believe we are at fault, you know what I mean? We're the ones who are allowing this to happen. Sure, there are higher people who are making these kind of executive decisions and developing this technology, but a lot of the stuff that we sang about in the past has definitely come to fruition, and it's just… this technology's gonna keep on evolving."
In the full interview, we covered Fear Factory's current creative state, touring plans, and forthcoming releases, with Dino explaining his songwriting and performance perspective. Dino described himself as a rhythmic writer who composes riffs with drum patterns in mind and said he writes whatever he feels, whether melodic or brutal; he noted his performance approach and enjoyment of entertaining fans remain consistent with his work since the 1990s. 
The conversation addressed touring improvements, and emphasized that studio collaboration keeps the project enjoyable and motivating. Dino confirmed that new singles and a new Fear Factory record will be released soon and directed fans to fearfactory.com for tour dates and VIP packages and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71893994Fri, 08 May 2026 03:36:23 +0000HEAVY MagazineInterview by Angela Croudace One can’t overstate the size of the FEAR FACTORY boot print on the neck of heavy metal. Unleashing influential albums with devastating anthems for 35 years now, they are widely recognized as both crucial and innovative in...One can’t overstate the size of the FEAR FACTORY boot print on the neck of heavy metal. Unleashing influential albums with devastating anthems for 35 years now, they are widely recognized as both crucial and innovative in extreme metal circles. 
FEAR FACTORY manufactured, demanufactured, and remanufactured a sound that reverberates across several subgenres. They perfected an explosive blend of staccato paint-stripping riffs, industrial- tinged drums, electronic flourishes, and a scream/sing dichotomy, all of which became staples in heavy music, ever since the group first emerged in L.A.
Celebrating 35 Years Of Fear, FEAR FACTORY are dialing in a Cybernetic Domination of Australia for their first full headlining tour in 10 years and finally for New Zealand, they perform for the first time since 2012!
The signature sounds, concepts, and passions remain, as FEAR FACTORY salutes its past, present, and future. HEAVY caught up with guitarist Dino Cazeres to find out more.
"We've been coming to Australia since 1993," he began. "This is gonna be our 15th time there, and I can't wait to get there. We have a huge catalogue of songs to sift through and create a perfect set for a killer live show in Australia."
Fear Factory often deal with subjects of dystopia and control, the rise of the machines being a dominant landscape. Which begs the question, does Dino see the world today as closer to those themes than when the band first started?
"100%," he nodded. "And I believe we are at fault, you know what I mean? We're the ones who are allowing this to happen. Sure, there are higher people who are making these kind of executive decisions and developing this technology, but a lot of the stuff that we sang about in the past has definitely come to fruition, and it's just… this technology's gonna keep on evolving."
In the full interview, we covered Fear Factory's current creative state, touring plans, and forthcoming releases, with Dino explaining his songwriting and performance perspective. Dino described himself as a rhythmic writer who composes riffs with drum patterns in mind and said he writes whatever he feels, whether melodic or brutal; he noted his performance approach and enjoyment of entertaining fans remain consistent with his work since the 1990s. 
The conversation addressed touring improvements, and emphasized that studio collaboration keeps the project enjoyable and motivating. Dino confirmed that new singles and a new Fear Factory record will be released soon and directed fans to fearfactory.com for tour dates and VIP packages and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>504australia,dinocazeres,fearfactory,hardrock,heavy,heavymetal,industrialmetal,livemusic,metal,metalinterview,metalpodcast,music,musicinterview,musicpodcast,tourfalsefullhttps://www.spreaker.com/episode/welcome-to-the-enchanted-rock-palace-with-robert-nixon-from-weary-wizards-federation--71899765Magic DOES happen!
Weary Wizards Federation are coming back after a brief slumber and have declared a welcome home party for one and all Mo’s Desert Clubhouse on May 16. While your attendance stops short of being compulsory, if you’re NOT there you will miss out on not only the Wizards’ first live performance in over 365 days, but also the debut show from the fresh assortment of Wizards who now call the stage their home as part of Weary Wizards Federation.
The Weary Wizards Federation have awoken from hibernation and are ready to once more unleash a thunderous sound rich in sonic beauty. And what would a welcome home party be without a few friends? Pretty boring that’s what! So to ensure everybody enjoys themselves Chase the Wolves, Birds are Fake, and Dirty Jox have all sent in their RSVP’s with a promise to do justice to this momentous occassion.
Even better, you can bring your aspiring Wizards and Enchantresses because the whole celebration will be open to music lovers of all ages. To catch up on all of the spellbinding happenings, HEAVY nailed down the man behind Weary Wizards Federation, Robert Nixon. One topic of discussion is preperations for the comeback show and how Robert is feeling only a week or so out.
"It's been a really interesting change for me," he measured. "From going from the previous members who were guys that have played in multiple bands and were very much familiar with playing on stage and in a band setting, to now, our new drummer Tom, it will be his first time playing in any kind of band. And the first time getting up on stage in front of a live audience. But he's stoked. He's pumped as. It's great for me - I have been doing this since I was 16 or 17 - so to see a guy doing his first show and to be lucky enough to get to do that at somewhere like Mo's Desert Clubhouse… We've struck it pretty lucky to be honest."
In the full interview, Robert talks more about the show and what to expects. He talks us through the three other bands playing - Dirty Jox, Birds Are Fake and Chase The Wolves - and what they bring to the table. We talk about the lunchtime start and the fact it is an all ages gig and the benefits of that to the next generation of music lovers plus the diversity of genres across all four bands.
We spoke about the re-recorded version of the band's 2023 debut EP and what to expect from that, including a brief history of Weary Wizards Federation and their plans moving forward plus more.
Weary Wizards Federation play at Mo's Desert Clubhouse, Saturday, May 16 with Dirty Jox, Birds Are Fake and Chase The Wolves. Show starts at 12 pm and is an all ages event.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71899765Thu, 07 May 2026 17:41:38 +0000HEAVY MagazineInterview by Kris Peters Magic DOES happen! Weary Wizards Federation are coming back after a brief slumber and have declared a welcome home party for one and all Mo’s Desert Clubhouse on May 16. While your attendance stops short of being compulsory,...Magic DOES happen!
Weary Wizards Federation are coming back after a brief slumber and have declared a welcome home party for one and all Mo’s Desert Clubhouse on May 16. While your attendance stops short of being compulsory, if you’re NOT there you will miss out on not only the Wizards’ first live performance in over 365 days, but also the debut show from the fresh assortment of Wizards who now call the stage their home as part of Weary Wizards Federation.
The Weary Wizards Federation have awoken from hibernation and are ready to once more unleash a thunderous sound rich in sonic beauty. And what would a welcome home party be without a few friends? Pretty boring that’s what! So to ensure everybody enjoys themselves Chase the Wolves, Birds are Fake, and Dirty Jox have all sent in their RSVP’s with a promise to do justice to this momentous occassion.
Even better, you can bring your aspiring Wizards and Enchantresses because the whole celebration will be open to music lovers of all ages. To catch up on all of the spellbinding happenings, HEAVY nailed down the man behind Weary Wizards Federation, Robert Nixon. One topic of discussion is preperations for the comeback show and how Robert is feeling only a week or so out.
"It's been a really interesting change for me," he measured. "From going from the previous members who were guys that have played in multiple bands and were very much familiar with playing on stage and in a band setting, to now, our new drummer Tom, it will be his first time playing in any kind of band. And the first time getting up on stage in front of a live audience. But he's stoked. He's pumped as. It's great for me - I have been doing this since I was 16 or 17 - so to see a guy doing his first show and to be lucky enough to get to do that at somewhere like Mo's Desert Clubhouse… We've struck it pretty lucky to be honest."
In the full interview, Robert talks more about the show and what to expects. He talks us through the three other bands playing - Dirty Jox, Birds Are Fake and Chase The Wolves - and what they bring to the table. We talk about the lunchtime start and the fact it is an all ages gig and the benefits of that to the next generation of music lovers plus the diversity of genres across all four bands.
We spoke about the re-recorded version of the band's 2023 debut EP and what to expect from that, including a brief history of Weary Wizards Federation and their plans moving forward plus more.
Weary Wizards Federation play at Mo's Desert Clubhouse, Saturday, May 16 with Dirty Jox, Birds Are Fake and Chase The Wolves. Show starts at 12 pm and is an all ages event.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>792allages,australia,hardrock,heavy,heavymetal,krispeters,liveband,livemusic,metal,mosdesertclubhouse,music,musicinterview,punk,rock,stonerrock,wearywizardsfederationfalsefullhttps://www.spreaker.com/episode/finding-yourself-with-rou-reynolds-from-enter-shikari--71909896A band who transcend genre and have transfixed fans across the globe since emerging in 2003, ENTER SHIKARI weave an unforgettable blend of post hardcore rock and electronic wizardry, while also flying the flag for meaningful lyricism that spans politics, climate change and the very gamut of the human experience.
During their remarkable and celebrated career, Enter Shikari have received several accolades in the form of gongs from NME, Kerrang!, Rock Sound, Heavy Music Awards and more. They have played a whopping 3000+ live shows around the world including three headline arena tours in the UK, supported the likes of The Prodigy and Linkin Park and played festivals such as Glastonbury, Reading & Leeds, Download and Slam Dunk where they also headlined in 2023.
And now it's Australia's turn, as Enter Shikari ready for their first headline tour of this country since 2022 on the back of dropping their most recent album, Lose Your Self, as a well kept secret with no singles, no promotion. Nothing. A band who have never been afraid to shun convention, Enter Shikari remain as fresh and relevant today as when they first burst onto the scene in 2003. 
HEAVY took the opportunity to chat with frontman Rou Reynolds ahead of the tour, starting by asking if he is packed and ready to fly. "Getting there," he laughed. "We're all very excited to get back to Australia. It's one of our favourite places to play."
Australian fans got to see Enter Shikari live earlier last year as part of Knotfest 2025, so we ask Rou what has changed with the band since that tour.
"Oh, blimey," he countered. "We finished up our record and released that. That was a long, arduous process (smiles). All sorts of life stuff has been going on… It's been all change really. But at the same time it doesn't feel like that long ago we were in Australia but that's an example of how quickly time seems to ebb away at the moment (laughs)."
Talk turns to last months unconventional release of Enter Shikari's new album Lose Your Self, which was granted no advance publicity or convential single release schedule and was instead set forth on the world to little fanfare and much surprise. We ask Rou about the thought process behind such a potentially risky move.
"I think once we finished the album we really saw it as a body of work; as one entity," he replied, choosing his words carefully. "And that was kind of a shock really, because the album was recorded in such a disjointed way over a long period of time. There was a worry that it wouldn't come together as one solid body of work but it did, quite effortlessly. At that point we were trying to think how did we want to release this and we basically just thought it would be a credit to the art of it if we just released it. How do we want people to approach this album? How do we want them to absorb it? And I think the traditional way of releasing three or four singles before a reord just didn't excite us. I think just dropping a record in people's laps forces them to take it in as an album. The focus then becomes not about the hype or trying to make a really successful album. It actually becomes about how do people react to the album? How do people indulge in it and make it their own when they take one body of work and immerse themselves in it. That's really exciting to us."
In the full interview Rou talks more about the tour and what we can expect, running us through an Enter Shikari live show and the synergy between the band and the crowd that creates a welcoming and comfortable experience.
We spoke more about Lose Your Self and the surprise release, including the changes in approach and pressure the band experienced by not having to meet pre-album obligations and expectations. Rou talked about the darkness inherent in the album material and how it represents Enter Shikari moving forward and much more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71909896Thu, 07 May 2026 17:38:59 +0000HEAVY MagazineInterview by Kris Peters A band who transcend genre and have transfixed fans across the globe since emerging in 2003, ENTER SHIKARI weave an unforgettable blend of post hardcore rock and electronic wizardry, while also flying the flag for meaningful...A band who transcend genre and have transfixed fans across the globe since emerging in 2003, ENTER SHIKARI weave an unforgettable blend of post hardcore rock and electronic wizardry, while also flying the flag for meaningful lyricism that spans politics, climate change and the very gamut of the human experience.
During their remarkable and celebrated career, Enter Shikari have received several accolades in the form of gongs from NME, Kerrang!, Rock Sound, Heavy Music Awards and more. They have played a whopping 3000+ live shows around the world including three headline arena tours in the UK, supported the likes of The Prodigy and Linkin Park and played festivals such as Glastonbury, Reading & Leeds, Download and Slam Dunk where they also headlined in 2023.
And now it's Australia's turn, as Enter Shikari ready for their first headline tour of this country since 2022 on the back of dropping their most recent album, Lose Your Self, as a well kept secret with no singles, no promotion. Nothing. A band who have never been afraid to shun convention, Enter Shikari remain as fresh and relevant today as when they first burst onto the scene in 2003. 
HEAVY took the opportunity to chat with frontman Rou Reynolds ahead of the tour, starting by asking if he is packed and ready to fly. "Getting there," he laughed. "We're all very excited to get back to Australia. It's one of our favourite places to play."
Australian fans got to see Enter Shikari live earlier last year as part of Knotfest 2025, so we ask Rou what has changed with the band since that tour.
"Oh, blimey," he countered. "We finished up our record and released that. That was a long, arduous process (smiles). All sorts of life stuff has been going on… It's been all change really. But at the same time it doesn't feel like that long ago we were in Australia but that's an example of how quickly time seems to ebb away at the moment (laughs)."
Talk turns to last months unconventional release of Enter Shikari's new album Lose Your Self, which was granted no advance publicity or convential single release schedule and was instead set forth on the world to little fanfare and much surprise. We ask Rou about the thought process behind such a potentially risky move.
"I think once we finished the album we really saw it as a body of work; as one entity," he replied, choosing his words carefully. "And that was kind of a shock really, because the album was recorded in such a disjointed way over a long period of time. There was a worry that it wouldn't come together as one solid body of work but it did, quite effortlessly. At that point we were trying to think how did we want to release this and we basically just thought it would be a credit to the art of it if we just released it. How do we want people to approach this album? How do we want them to absorb it? And I think the traditional way of releasing three or four singles before a reord just didn't excite us. I think just dropping a record in people's laps forces them to take it in as an album. The focus then becomes not about the hype or trying to make a really successful album. It actually becomes about how do people react to the album? How do people indulge in it and make it their own when they take one body of work and immerse themselves in it. That's really exciting to us."
In the full interview Rou talks more about the tour and what we can expect, running us through an Enter Shikari live show and the synergy between the band and the crowd that creates a welcoming and comfortable experience.
We spoke more about Lose Your Self and the surprise release, including the changes in approach and pressure the band experienced by not having to meet pre-album obligations and expectations. Rou talked about the darkness inherent in the album material and how it represents Enter Shikari moving forward and much more.


Become a supporter of this podcast: 630album,australia,destroyalllines,electronicmetal,entershikari,hardrock,heavy,heavymetal,krispeters,metal,metalinterview,metalmusic,music,musicnews,musicpodcast,rock,roureynolds,tourfalsefullhttps://www.spreaker.com/episode/everything-s-better-with-ice-cream-according-to-steve-harris-from-hillbilly-vegas--71891681Hillbilly Vegas’ dynamic sound caught the ears of an independent label in Nashville in 2011, and their first album Ringo Manor was released and sold more than 10,000 copies – driven by the hit single Little Miss Rough and Tumble.
The band has gone onto chart five songs on Billboard’s Rock charts, including Let It Ride – which remained on the chart for 13 weeks and reached #10, Feels Good, High Time For A Good Time, Hell To Pay, Two GunTown, and fan favorite Shake It Like A Hillbilly. The band has earned a reputation for rousing live shows-bringing a loud, party-like atmosphere that is all-inclusive.
They’ve shown they have a broad appeal across different genres, pleasing crowds while performing shows with rockers Blackberry Smoke, The Kentucky Headhunters, Wolfsbane and Ted Nugent; along with country icons Alabama, Travis Tritt, Blake Shelton, and Wynonna Judd. Hillbilly Vegas has played before huge crowds at NASCA Revents, as well as many major bike rallies, including the legendary annual Sturgis Motorcycle rally.They have a strong UK following, and have played the Maid of Stone and Steelhouse festivals.
Now, Hillbilly Vegas are set to raise the stakes even higher with the release of their new album A La Mode, slated for release this Friday, May 8. With everything you love about Hillbilly Vegas and fresh characteristics that expand their sound even further, A La Mode epitomises the rock and roll spirit unlike anything you have heard in recent memory.
HEAVY sat down with vocalist and original member Steve Harris to find out more, starting by asking how he is feeling about the release.
"We feel good about it," he enthused. "We like what we've done. The name A La Mode is a silly name, but it's a fun name. We hope that everybody enjoys it as much as we enjoyed doing it."
We ask Steve to dive deeper into the musical side of the album.
"Well, I wish I could say there's a bunch of deep meaning in it," he smiled, "but we just write songs and when I hear the music that the guys start writing, I just... Sometimes it tells a story, sometimes it paints a picture, and then I start writing from there. I do a lot of observational stuff, and people I know are just things I've seen, and there's a lot of things on there. There's a good story in every song, even the silly ones, and we hope everybody finds their story in our story."
In the full interview we covered Hillbilly Vegas’ new album A La Mode, its musical character, notable collaborations, and upcoming touring plans. Steve introduced the band lineup and described the record as a mix of ballads, heavy rockers, country, and boogie-woogie, explaining the title reflects the idea that “everything’s better with ice cream” rather than any title track. He also highlighted the single Mr. Midnight, noting Paul Rodgers contributed vocals, appears in the song and video, and was praised as a defining rock voice and a generous collaborator.
The conversation then reviewed the band’s origins and early Nashville experience, with Steve saying the Nashville songwriting-factory environment conflicted with their broader rock-and-roll approach. He recounted how their first radio play led to a Nashville record deal. Steve also announced a U.S. summer tour planned for June–August, the band’s first U.S. tour in three years, and noted several of their top streaming cities are in Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71891681Thu, 07 May 2026 04:40:29 +0000HEAVY MagazineInterview by Kris Peters Hillbilly Vegas’ dynamic sound caught the ears of an independent label in Nashville in 2011, and their first album Ringo Manor was released and sold more than 10,000 copies – driven by the hit single Little Miss Rough and...Hillbilly Vegas’ dynamic sound caught the ears of an independent label in Nashville in 2011, and their first album Ringo Manor was released and sold more than 10,000 copies – driven by the hit single Little Miss Rough and Tumble.
The band has gone onto chart five songs on Billboard’s Rock charts, including Let It Ride – which remained on the chart for 13 weeks and reached #10, Feels Good, High Time For A Good Time, Hell To Pay, Two GunTown, and fan favorite Shake It Like A Hillbilly. The band has earned a reputation for rousing live shows-bringing a loud, party-like atmosphere that is all-inclusive.
They’ve shown they have a broad appeal across different genres, pleasing crowds while performing shows with rockers Blackberry Smoke, The Kentucky Headhunters, Wolfsbane and Ted Nugent; along with country icons Alabama, Travis Tritt, Blake Shelton, and Wynonna Judd. Hillbilly Vegas has played before huge crowds at NASCA Revents, as well as many major bike rallies, including the legendary annual Sturgis Motorcycle rally.They have a strong UK following, and have played the Maid of Stone and Steelhouse festivals.
Now, Hillbilly Vegas are set to raise the stakes even higher with the release of their new album A La Mode, slated for release this Friday, May 8. With everything you love about Hillbilly Vegas and fresh characteristics that expand their sound even further, A La Mode epitomises the rock and roll spirit unlike anything you have heard in recent memory.
HEAVY sat down with vocalist and original member Steve Harris to find out more, starting by asking how he is feeling about the release.
"We feel good about it," he enthused. "We like what we've done. The name A La Mode is a silly name, but it's a fun name. We hope that everybody enjoys it as much as we enjoyed doing it."
We ask Steve to dive deeper into the musical side of the album.
"Well, I wish I could say there's a bunch of deep meaning in it," he smiled, "but we just write songs and when I hear the music that the guys start writing, I just... Sometimes it tells a story, sometimes it paints a picture, and then I start writing from there. I do a lot of observational stuff, and people I know are just things I've seen, and there's a lot of things on there. There's a good story in every song, even the silly ones, and we hope everybody finds their story in our story."
In the full interview we covered Hillbilly Vegas’ new album A La Mode, its musical character, notable collaborations, and upcoming touring plans. Steve introduced the band lineup and described the record as a mix of ballads, heavy rockers, country, and boogie-woogie, explaining the title reflects the idea that “everything’s better with ice cream” rather than any title track. He also highlighted the single Mr. Midnight, noting Paul Rodgers contributed vocals, appears in the song and video, and was praised as a defining rock voice and a generous collaborator.
The conversation then reviewed the band’s origins and early Nashville experience, with Steve saying the Nashville songwriting-factory environment conflicted with their broader rock-and-roll approach. He recounted how their first radio play led to a Nashville record deal. Steve also announced a U.S. summer tour planned for June–August, the band’s first U.S. tour in three years, and noted several of their top streaming cities are in Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>854album,hardrock,heavy,hillbillyvegas,krispeters,music,musicinterview,newmusic,rock,rockinterview,rockmusic,rocknrollfalsefullhttps://www.spreaker.com/episode/killer-instinct-with-mike-ness-from-social-distortion--71834691This Friday, May 8, California’s legendary iconic band Social Distortion release their eighth studio album, Born To Kill, via Epitaph Records.
Born To Kill is more than the conclusion to a 15-year wait between Social Distortion albums, it’s a revelation: 11 songs of pure, unadulterated rock ’n' roll fury, joy and catharsis, all imbued with the signature blend of defiance and world-weariness that has made founder Mike Ness a poet and sage to the dispossessed for more than 40 years.
The first Social Distortion album since Ness’ recovery from a bout with cancer, Born To Kill brims with aggressive optimism. The album wastes no time letting the listener know where its heart is, with its title track and mission statement dropping nods to Lou Reed (Rock ’n’ Roll Animal gonna come your way!) and Iggy and the Stooges (“The agenda is yeah to Search and Destroy”) and a homage to David Bowie (“It’s a Rock ’n’ Roll Suicide”) following a few songs later on Partners In Crime.
This is a man, a band and a record that wear their influences proudly while creating timeless anthems and ballads that both chart Social Distortion’s path forward and celebrate its storied past: Tonight and The Way Things Were are emotionally charged reminiscences in the vein of classics like Story of My Life from the band’s eponymous 1990 breakthrough and I Was Wrong from 1996’s White Light, White Heat, White Trash, the latter containing a potent distillation of the Social D ethos: "I wrote a song with a stolen riff / If you ain’t got a song you ain’t got shit.”
HEAVY sat down for an interesting chat with Ness about the new album, the history of Social Distortion and much, much more. One of the early questions was about expectation and if he felt any outside pressure due to the length of time since 2011's Hard Times and Nursery Rhymes?
"I mean, a little bit," Ness measured. "I mean, I didn't mean for 15 years to go by, but a lot of things in life came up in the last 15 years. But I did know it was definitely a thought in the forefront of my mind that when it was time to make this record, it couldn't be a sleeper. It needed to be... it needed to get people's attention."
We ask Mike to dive deeper into the musicality on Born To Kill and what he was going for this time around.
"With every record you want to try and reinvent yourself," he replied, pausing to reflect. "But for me it was as simple as just going back to the late 70s and the music I was listening to, just to inspire me. It was a chance to pay homage, if you will, to some of my idols and play around with some different grooves and rhythms. I tried to go back to a little bit more primitive style. Primitive is good (smiles)."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71834691Wed, 06 May 2026 10:58:28 +0000HEAVY MagazineInterview by Kris Peters This Friday, May 8, California’s legendary iconic band Social Distortion release their eighth studio album, Born To Kill, via Epitaph Records. Born To Kill is more than the conclusion to a 15-year wait between Social...This Friday, May 8, California’s legendary iconic band Social Distortion release their eighth studio album, Born To Kill, via Epitaph Records.
Born To Kill is more than the conclusion to a 15-year wait between Social Distortion albums, it’s a revelation: 11 songs of pure, unadulterated rock ’n' roll fury, joy and catharsis, all imbued with the signature blend of defiance and world-weariness that has made founder Mike Ness a poet and sage to the dispossessed for more than 40 years.
The first Social Distortion album since Ness’ recovery from a bout with cancer, Born To Kill brims with aggressive optimism. The album wastes no time letting the listener know where its heart is, with its title track and mission statement dropping nods to Lou Reed (Rock ’n’ Roll Animal gonna come your way!) and Iggy and the Stooges (“The agenda is yeah to Search and Destroy”) and a homage to David Bowie (“It’s a Rock ’n’ Roll Suicide”) following a few songs later on Partners In Crime.
This is a man, a band and a record that wear their influences proudly while creating timeless anthems and ballads that both chart Social Distortion’s path forward and celebrate its storied past: Tonight and The Way Things Were are emotionally charged reminiscences in the vein of classics like Story of My Life from the band’s eponymous 1990 breakthrough and I Was Wrong from 1996’s White Light, White Heat, White Trash, the latter containing a potent distillation of the Social D ethos: "I wrote a song with a stolen riff / If you ain’t got a song you ain’t got shit.”
HEAVY sat down for an interesting chat with Ness about the new album, the history of Social Distortion and much, much more. One of the early questions was about expectation and if he felt any outside pressure due to the length of time since 2011's Hard Times and Nursery Rhymes?
"I mean, a little bit," Ness measured. "I mean, I didn't mean for 15 years to go by, but a lot of things in life came up in the last 15 years. But I did know it was definitely a thought in the forefront of my mind that when it was time to make this record, it couldn't be a sleeper. It needed to be... it needed to get people's attention."
We ask Mike to dive deeper into the musicality on Born To Kill and what he was going for this time around.
"With every record you want to try and reinvent yourself," he replied, pausing to reflect. "But for me it was as simple as just going back to the late 70s and the music I was listening to, just to inspire me. It was a chance to pay homage, if you will, to some of my idols and play around with some different grooves and rhythms. I tried to go back to a little bit more primitive style. Primitive is good (smiles)."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1153band,epitaphrecords,hardcore,hardcorepunk,hardrock,heavy,krispeters,mikeness,music,musicinterview,musicpodcast,newmusic,punk,punkrock,socialdistortionfalsefullhttps://www.spreaker.com/episode/keep-on-digging-until-you-make-it-with-ned-smelly-from-gopher--71804788Featuring the forever young looking and current world mahjong champion Ernie Bingo on vocals, and perpetually complimented by the effervescent ladies man Ned Smelly on guitars, they prove without a doubt that you are never too old to hail the horns and bang your head. Even if it is fused to your neck.
GOPHER’s infectious debut album Tunnel Buddies knits together a cohesive fusion of knee wobbling groovy grind, back breaking death/slam, slinky massaging synths, sedating sing along anthemic choruses, and most importantly FUN! Like a bit of diversity in your heavies and looking for something new to gnash your gums on? GOPHER, unlike Australia Post, delivers!
To coincide the album’s release is a brand spanking new single and video for their about to be shindig hit Party In The Sky - a tale of guitarist and scrabble shark Ned Smelly’s passion for guzzling grog on flights and expertly making the time whizz by. Ned states, ‘When you’re up in the air for hours on end and with only shitty modern-day entertainment on offer, what better way to kill the time than drinking the plane dry, charming the hosties and passing the fuck out. We’ve all got a plane face and my ancient wrinkly noggin is the best of ‘em! This splendid ditty kicks off with a catchy synth intro before launching into an all-out groove riff spread and then cleverly leading into an all-time party sing along anthem. Get your boarding pass and come ‘Party In The Sky’ with us."
Disturbed by the happenings with Gopher's sudden rise through the ranks, HEAVY tracked Ned down at his tropical hideaway to figure out whether or not to take Gopher's threats seriously. But first we thought we would compliment him on how good he looks today.
"Look, when you're this old, everything freezes up," he spat back, possibly not believing I was being genuine. "Your muscles are fucked. Everything's just gone to shit. So I'm doing the best I can with what I've got to work with, you know? It's not easy. We do what we do. 250 years old, man."
We turn our attention to Gopher's new single, Party In The Sky, with much the same result.
"Yes. Yes," he nodded. "We like to party. We like to drink every day and smoke dairy and not do much else. We'll play guitars and write some music and do this crazy stuff. But yes, that's what we do. Flying in a plane is really boring, so what better way to pass the time than just to get really pissed, drink the plane dry and just pass the fuck out and voila, you land and you're good to go. Well, not so good, you're shit really, but at least you slept those six hours and then the time's gone."
In the full interview, Ned described Party in the Sky as party metal about partying on a plane, explaining the song's themes and the video concept of staged on-the-road misbehavior, and positioned the album as a mix of metal subgenres with heavy riffs, synth elements, and singalong choruses.
We talked about the past, present and future of Gopher, digging holes in Indonesia and their fun first ethos and attitude to music. Ned went off track more than a few times, but when he regained his focus we talked more about the musical side of Gopher's music, what they hope to bring to the music scene, playing live and much more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71804788Fri, 01 May 2026 04:31:51 +0000HEAVY MagazineWheezing new life and enjoyment into the current Australian heavy music climate, the arthritic riddled retirees known as GOPHER have released their astonishing, must hear debut album Tunnel Buddies. Featuring the forever young looking and current...Featuring the forever young looking and current world mahjong champion Ernie Bingo on vocals, and perpetually complimented by the effervescent ladies man Ned Smelly on guitars, they prove without a doubt that you are never too old to hail the horns and bang your head. Even if it is fused to your neck.
GOPHER’s infectious debut album Tunnel Buddies knits together a cohesive fusion of knee wobbling groovy grind, back breaking death/slam, slinky massaging synths, sedating sing along anthemic choruses, and most importantly FUN! Like a bit of diversity in your heavies and looking for something new to gnash your gums on? GOPHER, unlike Australia Post, delivers!
To coincide the album’s release is a brand spanking new single and video for their about to be shindig hit Party In The Sky - a tale of guitarist and scrabble shark Ned Smelly’s passion for guzzling grog on flights and expertly making the time whizz by. Ned states, ‘When you’re up in the air for hours on end and with only shitty modern-day entertainment on offer, what better way to kill the time than drinking the plane dry, charming the hosties and passing the fuck out. We’ve all got a plane face and my ancient wrinkly noggin is the best of ‘em! This splendid ditty kicks off with a catchy synth intro before launching into an all-out groove riff spread and then cleverly leading into an all-time party sing along anthem. Get your boarding pass and come ‘Party In The Sky’ with us."
Disturbed by the happenings with Gopher's sudden rise through the ranks, HEAVY tracked Ned down at his tropical hideaway to figure out whether or not to take Gopher's threats seriously. But first we thought we would compliment him on how good he looks today.
"Look, when you're this old, everything freezes up," he spat back, possibly not believing I was being genuine. "Your muscles are fucked. Everything's just gone to shit. So I'm doing the best I can with what I've got to work with, you know? It's not easy. We do what we do. 250 years old, man."
We turn our attention to Gopher's new single, Party In The Sky, with much the same result.
"Yes. Yes," he nodded. "We like to party. We like to drink every day and smoke dairy and not do much else. We'll play guitars and write some music and do this crazy stuff. But yes, that's what we do. Flying in a plane is really boring, so what better way to pass the time than just to get really pissed, drink the plane dry and just pass the fuck out and voila, you land and you're good to go. Well, not so good, you're shit really, but at least you slept those six hours and then the time's gone."
In the full interview, Ned described Party in the Sky as party metal about partying on a plane, explaining the song's themes and the video concept of staged on-the-road misbehavior, and positioned the album as a mix of metal subgenres with heavy riffs, synth elements, and singalong choruses.
We talked about the past, present and future of Gopher, digging holes in Indonesia and their fun first ethos and attitude to music. Ned went off track more than a few times, but when he regained his focus we talked more about the musical side of Gopher's music, what they hope to bring to the music scene, playing live and much more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1218australia,band,bandinterview,deathmetal,electronicmetal,gopher,grindcore,heavy,heavymetal,krispeters,metal,metalinterview,music,musicinterview,newmusic,slammetaltruefullhttps://www.spreaker.com/episode/expressing-yourself-with-spruce-from-hzed--71701605HZED is a powerhouse riff-driven rock band hailing from Melbourne, Australia, known for their high-octane energy and authentic, rock drenched sound. The band’s current lineup features vocalist Tenaye, guitarist Spruce, drummer Sam, and members Hannah and Piddo.
Musically, HZED is defined by raw, "in-your-face" rock anthems. Their songwriting process often begins with a riff or track idea from Spruce, which is then passed to Tenaye to develop lyrics and a  vibe. This collaborative approach has resulted in standout tracks like No Colour and the hard-hitting single Heartbreaker.
Following the release of Rising Up Above in March, HZED today release their new single Say Whatcha Want. Produced by Rusty Brown (of the legendary Electric Mary), the track is a masterclass in short and punchy rock and roll. To turn the heat up even further, HZED recruited Aussie rock icon Dave Leslie (Baby Animals) to lend his signature searing guitar work to the track, creating a high-octane collaboration that demands to be heard at maximum volume.
HEAVY caught up with Spruce ahead of the release to find out more.
"This one's a bit heavier and faster than what we've done before," he began, "and a bit more in your face. It's a bit more punk rock as well. We had Dave Leslie jump on board and do some guitar work on there for us as well, and Rusty (Electric Mary) produced it as usual so it's pumping."
In the full interview we discussed musical and production details for the new song. Spruce described the single as heavier, faster, and more punk-influenced, noting guest guitarist Dave Leslie’s contribution, and credited producer Rusty Brown for mentoring and improving their songs since 2021. 
He confirmed two immediate single-launch shows on May 2 in Collingwood and May 8 in Frankston, with ticket links available via their socials and Linktree. Spruce also outlined plans for an EP and two additional releases around October and the end of the year, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71701605Fri, 01 May 2026 00:22:33 +0000HEAVY MagazineInterview by Kris Peters HZED is a powerhouse riff-driven rock band hailing from Melbourne, Australia, known for their high-octane energy and authentic, rock drenched sound. The band’s current lineup features vocalist Tenaye, guitarist Spruce, drummer...HZED is a powerhouse riff-driven rock band hailing from Melbourne, Australia, known for their high-octane energy and authentic, rock drenched sound. The band’s current lineup features vocalist Tenaye, guitarist Spruce, drummer Sam, and members Hannah and Piddo.
Musically, HZED is defined by raw, "in-your-face" rock anthems. Their songwriting process often begins with a riff or track idea from Spruce, which is then passed to Tenaye to develop lyrics and a  vibe. This collaborative approach has resulted in standout tracks like No Colour and the hard-hitting single Heartbreaker.
Following the release of Rising Up Above in March, HZED today release their new single Say Whatcha Want. Produced by Rusty Brown (of the legendary Electric Mary), the track is a masterclass in short and punchy rock and roll. To turn the heat up even further, HZED recruited Aussie rock icon Dave Leslie (Baby Animals) to lend his signature searing guitar work to the track, creating a high-octane collaboration that demands to be heard at maximum volume.
HEAVY caught up with Spruce ahead of the release to find out more.
"This one's a bit heavier and faster than what we've done before," he began, "and a bit more in your face. It's a bit more punk rock as well. We had Dave Leslie jump on board and do some guitar work on there for us as well, and Rusty (Electric Mary) produced it as usual so it's pumping."
In the full interview we discussed musical and production details for the new song. Spruce described the single as heavier, faster, and more punk-influenced, noting guest guitarist Dave Leslie’s contribution, and credited producer Rusty Brown for mentoring and improving their songs since 2021. 
He confirmed two immediate single-launch shows on May 2 in Collingwood and May 8 in Frankston, with ticket links available via their socials and Linktree. Spruce also outlined plans for an EP and two additional releases around October and the end of the year, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>704australia,band,hardrock,heavy,heavymetal,hzed,krispeters,music,musicinterview,musicpodcast,newmusic,rock,rockmusic,singlefalsefullhttps://www.spreaker.com/episode/a-thirst-for-music-with-mike-scott-from-the-waterboys--71715596Led by the incomparable Mike Scott and critically acclaimed as one of the best live bands on the planet, the 2025 band also features double keyboard players Brother Paul from Memphis and James Hallawell from Cornwall and is grounded by killer Irish rhythm section Aongus Ralston (bass) and Eamon Ferris (drums).
THE WATERBOYS will be performing tracks from their audacious new album, Life, Death and Dennis Hopper: a bold, cinematic tribute to the maverick American actor and cultural icon, along with material across their storied catalogue. From the early "big music" of The Whole Of The Moon and classic album This Is The Sea through to the roots-inspired Fisherman's Blues era and music from their ambitious post-2015 output.
HEAVY sat down with Mike for a chat ahead of the tour, asking him about The Waterboys reputation as one of the best live bands on the planet and what it is about their performances that makes them so special.
"Well, they're always different," he shrugged. "We don't repeat the show. We improvise on stage and I like being able to to take a left turn in the music anytime that it occurs to me. I like to do what the music tells me and I get instructions in the moment when we're on stage. I get a little sort of advanced notice in my mind of what the next phrase or the next musical action is going to be and I like to go with those and obey them basically, and it's wonderful to have a band that can deal with that and that likes to improvise themselves.
All the band members are able to make up their own parts and to head off into something they've never done before. And I like that. I think that unpredictable quality and the sense of excitement that you get when something unforeseen happens and it's magic... I think that helps bring people back to see us again and again. Also we play with a particular intensity, I know we do. We play with our lives."
In the full interview, Mike talks more about what we can expect from the shows and runs us through the changes in the band since they toured here last. We discussed the virtues of having two live keyboard players and how it enhances their sound, as well as most recent album Life, Death and Dennis Hopper and how it was received.
We run through the concept and how easily it translated to music, running through two of the albums songs and finding out the story behind them. Mike took us back to the early days of The Waterboys and the musical climate that gave birth to the band, emphasing their musical evolution and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71715596Wed, 29 Apr 2026 23:51:05 +0000HEAVY MagazineTHE WATERBOYS make their long-awaited return to Australia and New Zealand in May 2026 their first tour in over a decade. Led by the incomparable Mike Scott and critically acclaimed as one of the best live bands on the planet, the 2025 band also...Led by the incomparable Mike Scott and critically acclaimed as one of the best live bands on the planet, the 2025 band also features double keyboard players Brother Paul from Memphis and James Hallawell from Cornwall and is grounded by killer Irish rhythm section Aongus Ralston (bass) and Eamon Ferris (drums).
THE WATERBOYS will be performing tracks from their audacious new album, Life, Death and Dennis Hopper: a bold, cinematic tribute to the maverick American actor and cultural icon, along with material across their storied catalogue. From the early "big music" of The Whole Of The Moon and classic album This Is The Sea through to the roots-inspired Fisherman's Blues era and music from their ambitious post-2015 output.
HEAVY sat down with Mike for a chat ahead of the tour, asking him about The Waterboys reputation as one of the best live bands on the planet and what it is about their performances that makes them so special.
"Well, they're always different," he shrugged. "We don't repeat the show. We improvise on stage and I like being able to to take a left turn in the music anytime that it occurs to me. I like to do what the music tells me and I get instructions in the moment when we're on stage. I get a little sort of advanced notice in my mind of what the next phrase or the next musical action is going to be and I like to go with those and obey them basically, and it's wonderful to have a band that can deal with that and that likes to improvise themselves.
All the band members are able to make up their own parts and to head off into something they've never done before. And I like that. I think that unpredictable quality and the sense of excitement that you get when something unforeseen happens and it's magic... I think that helps bring people back to see us again and again. Also we play with a particular intensity, I know we do. We play with our lives."
In the full interview, Mike talks more about what we can expect from the shows and runs us through the changes in the band since they toured here last. We discussed the virtues of having two live keyboard players and how it enhances their sound, as well as most recent album Life, Death and Dennis Hopper and how it was received.
We run through the concept and how easily it translated to music, running through two of the albums songs and finding out the story behind them. Mike took us back to the early days of The Waterboys and the musical climate that gave birth to the band, emphasing their musical evolution and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1267australia,band,hardrock,heavy,krispeters,livemusic,mikescott,music,musicinterview,rock,rockandroll,rockinterview,thewaterboys,tourfalsefullhttps://www.spreaker.com/episode/a-life-outta-control-with-david-and-michelle-from-crispy-danger--71705046Crispy Danger isn’t just another new band. Formed in Birmingham in 2025 at the Back to the Beginning Festival, and residing in Melbourne, Crispy Danger’s soul comes from a heavy metal heritage, yet their music combines riff driven rock with catchy pop sensibilities and hard hitting lyrics, carving out a genre unique to themselves.
Fronted by brother/sister duo of David Rex - vocals, guitars and Michelle Maxx - bass, Crispy Danger is completed by Frankie Demuru on drums. With all three sharing a love of different musical genres the resulting sonic impact is confronting, eclectic and... fun.
Their debut single Outta Control is a catchy blend of rock, metal, and dark wave, best described as “heavy metal disco”. The single features a killer bass groove, raspy spoken verses and catchy sung choruses all set to disco beats and hip-hop inspired rhythms, with Crispy Danger promising this is only the tip of the iceberg.
HEAVY sat down with siblings David and Michelle to find out more.
"It's it's an interesting track," David measured. "We went for something a little different sounding I think to a lot of bands, going for vocals that are almost spoken, almost rapped, and then the choruses just kick out to a proper heavy metal sung chorus. It's quite catchy."
Outta Control is the musical equivelant of just that, with a lot going on within that one song musically. Crispy Danger bounce dip their toes into funk plus there's some pop sensibilities and heavy riffs, guitar solos and a hell of a lot of groove, begging the question of where did it come from and how difficult is it to get the balance right?
"I think the most important thing with a song like that is not to go overboard with each part," David replied. "If you actually listen to it there's only a few instruments playing at each time. Then the whole band sort of kicks in. And then when the verse starts, it is just bass, drums, vocals. There is nothing else. It lets the vocals set forward and then it kicks up a notch for the chorus with the whole band kicking back in."
"And it kind of builds up," Michelle added.
In the full interview, David and Michelle go deeper into Outta Control, describing the track as groove-driven with spoken/rap-style verses and heavy sung choruses, characterizing their sound as "heavy metal disco". They explained why the recording took place in Melbourne and the mix was done in Los Angeles by Chris Lord‑Alge, citing Lord-Alge's track record with established artists such as Green Day, My Chemical Romance and Rise Against.
We spoke about why this song was chosen to introduce Crispy Danger to the world and if it is an accurate snapshot of what to expect from future releases. The accompanying music video was mentioned, with the band running us through the old school style and approach to most things they do, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71705046Tue, 28 Apr 2026 13:01:28 +0000HEAVY MagazineInterview by Kris Peters Crispy Danger isn’t just another new band. Formed in Birmingham in 2025 at the Back to the Beginning Festival, and residing in Melbourne, Crispy Danger’s soul comes from a heavy metal heritage, yet their music combines riff...Crispy Danger isn’t just another new band. Formed in Birmingham in 2025 at the Back to the Beginning Festival, and residing in Melbourne, Crispy Danger’s soul comes from a heavy metal heritage, yet their music combines riff driven rock with catchy pop sensibilities and hard hitting lyrics, carving out a genre unique to themselves.
Fronted by brother/sister duo of David Rex - vocals, guitars and Michelle Maxx - bass, Crispy Danger is completed by Frankie Demuru on drums. With all three sharing a love of different musical genres the resulting sonic impact is confronting, eclectic and... fun.
Their debut single Outta Control is a catchy blend of rock, metal, and dark wave, best described as “heavy metal disco”. The single features a killer bass groove, raspy spoken verses and catchy sung choruses all set to disco beats and hip-hop inspired rhythms, with Crispy Danger promising this is only the tip of the iceberg.
HEAVY sat down with siblings David and Michelle to find out more.
"It's it's an interesting track," David measured. "We went for something a little different sounding I think to a lot of bands, going for vocals that are almost spoken, almost rapped, and then the choruses just kick out to a proper heavy metal sung chorus. It's quite catchy."
Outta Control is the musical equivelant of just that, with a lot going on within that one song musically. Crispy Danger bounce dip their toes into funk plus there's some pop sensibilities and heavy riffs, guitar solos and a hell of a lot of groove, begging the question of where did it come from and how difficult is it to get the balance right?
"I think the most important thing with a song like that is not to go overboard with each part," David replied. "If you actually listen to it there's only a few instruments playing at each time. Then the whole band sort of kicks in. And then when the verse starts, it is just bass, drums, vocals. There is nothing else. It lets the vocals set forward and then it kicks up a notch for the chorus with the whole band kicking back in."
"And it kind of builds up," Michelle added.
In the full interview, David and Michelle go deeper into Outta Control, describing the track as groove-driven with spoken/rap-style verses and heavy sung choruses, characterizing their sound as "heavy metal disco". They explained why the recording took place in Melbourne and the mix was done in Los Angeles by Chris Lord‑Alge, citing Lord-Alge's track record with established artists such as Green Day, My Chemical Romance and Rise Against.
We spoke about why this song was chosen to introduce Crispy Danger to the world and if it is an accurate snapshot of what to expect from future releases. The accompanying music video was mentioned, with the band running us through the old school style and approach to most things they do, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>959australia,crispydanger,funk,hardrock,heavy,heavymetal,krispeters,music,musicinterview,newmusic,rock,singletruefullhttps://www.spreaker.com/episode/fifty-years-young-with-greg-ginn-from-black-flag--71691785BLACK FLAG, the American band formed in 1976 in Hermosa Beach, California, has turned a new page and begun a bold new chapter with the addition of three new members: Max Zanelly (vocals), David Rodriguez (bass), and Bryce Weston (drums), joining founding guitarist Greg Ginn.
With a fresh lineup - and their first ever female vocalist - and renewed creative energy, BLACK FLAG is gearing up for exciting live shows and new music production. The group has already begun writing and rehearsing together, building on their signature sound while embracing new influences brought in by the latest members.
In what is an exciting new era for Black Flag as they enter their 50th year, Max becomes the first female vocalist for the legendary outfit, bringing with her a youthful exhuberance and passion that Ginn says is infectious and vital to the bands sustained career. The fact this is her first time ever fronting a band has not seemed to faze Max - aside from her wanting to return to the venue of her very first show in Bulgeria to do it all over again.
Ginn tells this story and more as HEAVY catches up with him weeks out from Black Flag's May Australian tour.
"Oh, they bring so much," he enthused when we ask him about the three new band members. "First of all, I just love playing with them. I think it's the best the band has ever been and certainly I'm enjoying it more than ever. One thing I wanted to do was get people that live close and David and Bryce live very close. So we can get together and we've been able to work on a lot of songs. And they're just incredible musicians. Max, she's just incredible. It's the first band she's ever ever sang in, but she's just excellent."
We bring up the fact that all three are young musicians, not even born when Black Flag were at their peak, and ask if that was a problem when it comes to relating to the band's music and legacy.
"Yeah, but that doesn't matter," Ginn shook his head. "I think our songs aren't really attached to a particular time in terms of the themes. They're about personal stuff. Real stuff. Real people. Real feelings. Real situations. A lot of our fans are younger. It's amazing how many young people are in our crowd. It doesn't make any difference. If people are involved with the music, I don't see it as being from a period, a particular period of time. But I know people can think that, and some people before they see us play they might think that, but generally not afterwards."
The full interview reviewed Black Flag's upcoming Australian tour, with Greg outlining the concert format as two long sets of roughly 50–55 minutes with a short intermission for meeting fans and selling merchandise.
Discussion turned to personnel: Ginn introduced the three new members in greater detail and explained the choices were driven by musicianship and availability for heavy touring. Ginn noted Max had limited prior band experience but was selected because she fit best, and that rehearsal and touring have increased her confidence. The group plans to mix songs from across Black Flag’s eras rather than segregating material by period for the shows, with Greg expressing excitement to be coming back. 
We spoke about the early days of Black Flag and the musical climate that gave birth to the band, the genesis of the famous band logo and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71691785Tue, 28 Apr 2026 00:59:08 +0000HEAVY MagazineInterview by Kris Peters BLACK FLAG, the American band formed in 1976 in Hermosa Beach, California, has turned a new page and begun a bold new chapter with the addition of three new members: Max Zanelly (vocals), David Rodriguez (bass), and Bryce...BLACK FLAG, the American band formed in 1976 in Hermosa Beach, California, has turned a new page and begun a bold new chapter with the addition of three new members: Max Zanelly (vocals), David Rodriguez (bass), and Bryce Weston (drums), joining founding guitarist Greg Ginn.
With a fresh lineup - and their first ever female vocalist - and renewed creative energy, BLACK FLAG is gearing up for exciting live shows and new music production. The group has already begun writing and rehearsing together, building on their signature sound while embracing new influences brought in by the latest members.
In what is an exciting new era for Black Flag as they enter their 50th year, Max becomes the first female vocalist for the legendary outfit, bringing with her a youthful exhuberance and passion that Ginn says is infectious and vital to the bands sustained career. The fact this is her first time ever fronting a band has not seemed to faze Max - aside from her wanting to return to the venue of her very first show in Bulgeria to do it all over again.
Ginn tells this story and more as HEAVY catches up with him weeks out from Black Flag's May Australian tour.
"Oh, they bring so much," he enthused when we ask him about the three new band members. "First of all, I just love playing with them. I think it's the best the band has ever been and certainly I'm enjoying it more than ever. One thing I wanted to do was get people that live close and David and Bryce live very close. So we can get together and we've been able to work on a lot of songs. And they're just incredible musicians. Max, she's just incredible. It's the first band she's ever ever sang in, but she's just excellent."
We bring up the fact that all three are young musicians, not even born when Black Flag were at their peak, and ask if that was a problem when it comes to relating to the band's music and legacy.
"Yeah, but that doesn't matter," Ginn shook his head. "I think our songs aren't really attached to a particular time in terms of the themes. They're about personal stuff. Real stuff. Real people. Real feelings. Real situations. A lot of our fans are younger. It's amazing how many young people are in our crowd. It doesn't make any difference. If people are involved with the music, I don't see it as being from a period, a particular period of time. But I know people can think that, and some people before they see us play they might think that, but generally not afterwards."
The full interview reviewed Black Flag's upcoming Australian tour, with Greg outlining the concert format as two long sets of roughly 50–55 minutes with a short intermission for meeting fans and selling merchandise.
Discussion turned to personnel: Ginn introduced the three new members in greater detail and explained the choices were driven by musicianship and availability for heavy touring. Ginn noted Max had limited prior band experience but was selected because she fit best, and that rehearsal and touring have increased her confidence. The group plans to mix songs from across Black Flag’s eras rather than segregating material by period for the shows, with Greg expressing excitement to be coming back. 
We spoke about the early days of Black Flag and the musical climate that gave birth to the band, the genesis of the famous band logo and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1123australia,band,blackflag,gregginn,hardcore,hardcorepunk,heavy,heavymetal,hornsup,krispeters,livemusic,music,musicinterview,musicpodcast,punk,punkrock,tourfalsefullhttps://www.spreaker.com/episode/ten-years-on-with-matthew-gravolin-from-hellions--71656758Sydney's genre-defying rock titans, HELLIONS, are celebrating the 10th anniversary of their ARIA-nominated, career-defining album, Opera Oblivia, with a massive Australian tour in May 2026. Full details below.
Opera Oblivia is the album that smashed expectations, redefined the boundaries of Australian heavy music, and delivered a phenomenal #4 debut on the ARIA Charts. Declared a "genre great" by the wider music community for its sheer theatricality and ambition, Opera Oblivia cemented HELLIONS's reputation for innovation and audacious songwriting. From the explosive, anthemic hooks of 'Quality of Life' and 'Thresher' to the intricate, dramatic beauty of its theatrical movements, this record is a modern classic.
HEAVY sat down with frontman Matthew Gravolin to talk more about the album and tour. One of the things we ask is if the band had any difficulties learning the whole album to play live, given that when they wrote it initially chances are there was no plan to ever have to reproduce the entire release.
"We have done it once before," he measured. "I think it was in 2016 at the Oxford Arts Factory in Sydney, from memory. We did that record front to back. Obviously, it was a very long time ago now, so I can't remember how it went. From a vague memory it felt good, and obviously it has been a very long time now, and there were some things that we hadn't anticipated playing live so there are a couple of little challenges in there. But for the most part what we have rehearsed at the start of the year and at the end of last year felt really good."
In the full interview, discussion covered rehearsal timing and technical challenges reproducing older material live: identifying a few passages that present "little challenges" when translated to the live performances. 
The conversation also addressed Opera Oblivia's career impact on Hellions, with Matt describing how the record's unexpected success expanded opportunities, increased pressure, and contributed to burnout that factored into his 2019 departure. The reunion was characterized as a revitalized era built on long-standing bonds and renewed creative energy, and the band intends to continue writing new material after the tour.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71656758Mon, 27 Apr 2026 10:40:04 +0000HEAVY MagazineInterview by Kris Peters Sydney's genre-defying rock titans, HELLIONS, are celebrating the 10th anniversary of their ARIA-nominated, career-defining album, Opera Oblivia, with a massive Australian tour in May 2026. Full details below. Opera Oblivia is...Sydney's genre-defying rock titans, HELLIONS, are celebrating the 10th anniversary of their ARIA-nominated, career-defining album, Opera Oblivia, with a massive Australian tour in May 2026. Full details below.
Opera Oblivia is the album that smashed expectations, redefined the boundaries of Australian heavy music, and delivered a phenomenal #4 debut on the ARIA Charts. Declared a "genre great" by the wider music community for its sheer theatricality and ambition, Opera Oblivia cemented HELLIONS's reputation for innovation and audacious songwriting. From the explosive, anthemic hooks of 'Quality of Life' and 'Thresher' to the intricate, dramatic beauty of its theatrical movements, this record is a modern classic.
HEAVY sat down with frontman Matthew Gravolin to talk more about the album and tour. One of the things we ask is if the band had any difficulties learning the whole album to play live, given that when they wrote it initially chances are there was no plan to ever have to reproduce the entire release.
"We have done it once before," he measured. "I think it was in 2016 at the Oxford Arts Factory in Sydney, from memory. We did that record front to back. Obviously, it was a very long time ago now, so I can't remember how it went. From a vague memory it felt good, and obviously it has been a very long time now, and there were some things that we hadn't anticipated playing live so there are a couple of little challenges in there. But for the most part what we have rehearsed at the start of the year and at the end of last year felt really good."
In the full interview, discussion covered rehearsal timing and technical challenges reproducing older material live: identifying a few passages that present "little challenges" when translated to the live performances. 
The conversation also addressed Opera Oblivia's career impact on Hellions, with Matt describing how the record's unexpected success expanded opportunities, increased pressure, and contributed to burnout that factored into his 2019 departure. The reunion was characterized as a revitalized era built on long-standing bonds and renewed creative energy, and the band intends to continue writing new material after the tour.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>819aussiemetal,australia,heavy,heavymetal,hellions,krispeters,metal,metalcore,metalinterview,metalpodcast,music,musicinterview,musicpodcast,tourfalsefullhttps://www.spreaker.com/episode/reactive-elements-in-music-with-fabian-jochum-from-the-narrator--71657255THE NARRATOR were founded in 2017 in Essen, Germany and have since established themselves in the German metalcore scene with energetic songwriting and electrifying live performances. After successful tours and festival appearances, THE NARRATOR released their highly anticipated debut album, Lore, in September 2024, which has now accumulated over 11 million streams, and led to a huge EU/UK support tour with Annisokay at the end of 2025.
And that was just the beginning: On May 8, 2026, their second studio album Phosphor will be released, once again mastered by Ted Jensen (Sterling Sound – Bring Me the Horizon, Green Day, Korn, and many more). With ten songs that respond to the global crisis with inner exhaustion, Phosphor shows how close hope and self-destruction are to each other.
HEAVY sat down with frontman Fabian Jochum to find out more.
"Absolutely exciting," he smiled when we ask how he is feeling with the release date of May 8 drawing near. "Finally it's close to when the album is going to be released and I couldn't be more excited."
We ask Fabian to dive into the musical side of Phosphor and what The Narrator were going for with it.
"After our first album Lore we wanted to change our sound a little bit," he measured. "What was cool about that album was basically Tom and me wrote it, but on this one another person from Cologne that helped us write the album. Not actually writing songs, but helping us to improve and evolve our sound with more… if I call it electronic influences it maybe gets the wrong point, but there's a lot of noise stuff happening that makes the whole sound of the album more huge. The whole recording process was fun because we structured everything different from the album before because we had way less time than before. We are absolutely happy with the result. We definitely pushed the boundaries of the genre. Of course, we are a metalcore band but for us we created a sound that we like to listen to."
In the full interview, Fabian talks more about the musicality of Phosphor, how it differs to their debut Lore, the importance of changing things up despite the success of Lore and how The Narrator are better at what they do now.
We spoke about the early days of The Narrator and where they fit in, their decision to tour relentlessly before releasing an album, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71657255Sun, 26 Apr 2026 22:37:19 +0000HEAVY MagazineInterview by Kris Peters THE NARRATOR were founded in 2017 in Essen, Germany and have since established themselves in the German metalcore scene with energetic songwriting and electrifying live performances. After successful tours and festival...THE NARRATOR were founded in 2017 in Essen, Germany and have since established themselves in the German metalcore scene with energetic songwriting and electrifying live performances. After successful tours and festival appearances, THE NARRATOR released their highly anticipated debut album, Lore, in September 2024, which has now accumulated over 11 million streams, and led to a huge EU/UK support tour with Annisokay at the end of 2025.
And that was just the beginning: On May 8, 2026, their second studio album Phosphor will be released, once again mastered by Ted Jensen (Sterling Sound – Bring Me the Horizon, Green Day, Korn, and many more). With ten songs that respond to the global crisis with inner exhaustion, Phosphor shows how close hope and self-destruction are to each other.
HEAVY sat down with frontman Fabian Jochum to find out more.
"Absolutely exciting," he smiled when we ask how he is feeling with the release date of May 8 drawing near. "Finally it's close to when the album is going to be released and I couldn't be more excited."
We ask Fabian to dive into the musical side of Phosphor and what The Narrator were going for with it.
"After our first album Lore we wanted to change our sound a little bit," he measured. "What was cool about that album was basically Tom and me wrote it, but on this one another person from Cologne that helped us write the album. Not actually writing songs, but helping us to improve and evolve our sound with more… if I call it electronic influences it maybe gets the wrong point, but there's a lot of noise stuff happening that makes the whole sound of the album more huge. The whole recording process was fun because we structured everything different from the album before because we had way less time than before. We are absolutely happy with the result. We definitely pushed the boundaries of the genre. Of course, we are a metalcore band but for us we created a sound that we like to listen to."
In the full interview, Fabian talks more about the musicality of Phosphor, how it differs to their debut Lore, the importance of changing things up despite the success of Lore and how The Narrator are better at what they do now.
We spoke about the early days of The Narrator and where they fit in, their decision to tour relentlessly before releasing an album, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>841album,heavy,heavymetal,hornsup,krispeters,metal,metalcore,metalinterview,metalpodcast,music,newmusic,thenarratortruefullhttps://www.spreaker.com/episode/sonic-dimensions-with-frida-and-jonas-from-rexoria--71659695REXORIA returns with their signature Royal Metal sound on the brand‑new album Fallen Dimension - out May 8 via Black Lodge - delivering towering choruses, vivid storytelling, emotional depth, and raw, commanding vocals.
Formed in 2016 in Småland, Sweden, REXORIA quickly evolved into something distinct within the metal landscape, embarking on their first European tour only months after releasing their first EP. Unbound by traditional genre definitions, the band blends heavy metal, power metal, symphonic, cinematic and electronic influences into a unified sound, driven by Frida Ohlin’s distinctive voice; powerful, raspy and deeply emotional.
Rexoria's fourth studio album, Fallen Dimension is the successor to the acclaimed Imperial Dawn, taking a bold and focused step forward. Fallen Dimension spans a wide emotional and thematic spectrum, from social commentary and war‑driven narratives to heartfelt power ballads and uplifting, hook‑laden anthems. It is an album built on atmosphere, intensity, and the unmistakable REXORIA spirit.
HEAVY caught up with vocalist Frida and guitarist Jonas to find out more.
"This one is a little bit more based on the guitar riffs," Jonas replied when we ask how Fallen Dimension differs to Imperial Dawn musically. "It's a little bit darker. Still, of course, we have the melody in our songs and the catchy choruses and so on, but it's more balanced between the keyboard and the guitars. So it's a little bit more of heavy metal riffs here and there, blended with the keyboard. And I think also the backing vocals are bit more more powerful. Frida has a lot of grit in her voice and she is challenging herself a lot in the studio. I think you can hear that on the album."
In the full interview, Frida and Jonas expressed mixed excitement and nerves about the impending release date. They described a shift toward heavier guitar riffs and darker tones while retaining melodic choruses and stronger backing vocals, framing the overall style as “Royal Metal” to convey unity, empowerment, and a blend of power, symphonic, and heavy elements.
Discussion moved to writing and sequencing choices, explaining how they get the balance of styles and influences right in the creative process. We spoke about album opener, Metallic Rage, and how tempo and arrangement changes converted a last-written riff into the starting track and an added wartime-style intro. The Fallen Dimension title was explained as reflecting societal themes with a hint of hope, while guest vocal contributions from Johnny Gioeli and Mike Andersson were discussed and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71659695Sun, 26 Apr 2026 21:26:39 +0000HEAVY MagazineInterview by Kris Peters REXORIA returns with their signature Royal Metal sound on the brand‑new album Fallen Dimension - out May 8 via Black Lodge - delivering towering choruses, vivid storytelling, emotional depth, and raw, commanding vocals. Formed...REXORIA returns with their signature Royal Metal sound on the brand‑new album Fallen Dimension - out May 8 via Black Lodge - delivering towering choruses, vivid storytelling, emotional depth, and raw, commanding vocals.
Formed in 2016 in Småland, Sweden, REXORIA quickly evolved into something distinct within the metal landscape, embarking on their first European tour only months after releasing their first EP. Unbound by traditional genre definitions, the band blends heavy metal, power metal, symphonic, cinematic and electronic influences into a unified sound, driven by Frida Ohlin’s distinctive voice; powerful, raspy and deeply emotional.
Rexoria's fourth studio album, Fallen Dimension is the successor to the acclaimed Imperial Dawn, taking a bold and focused step forward. Fallen Dimension spans a wide emotional and thematic spectrum, from social commentary and war‑driven narratives to heartfelt power ballads and uplifting, hook‑laden anthems. It is an album built on atmosphere, intensity, and the unmistakable REXORIA spirit.
HEAVY caught up with vocalist Frida and guitarist Jonas to find out more.
"This one is a little bit more based on the guitar riffs," Jonas replied when we ask how Fallen Dimension differs to Imperial Dawn musically. "It's a little bit darker. Still, of course, we have the melody in our songs and the catchy choruses and so on, but it's more balanced between the keyboard and the guitars. So it's a little bit more of heavy metal riffs here and there, blended with the keyboard. And I think also the backing vocals are bit more more powerful. Frida has a lot of grit in her voice and she is challenging herself a lot in the studio. I think you can hear that on the album."
In the full interview, Frida and Jonas expressed mixed excitement and nerves about the impending release date. They described a shift toward heavier guitar riffs and darker tones while retaining melodic choruses and stronger backing vocals, framing the overall style as “Royal Metal” to convey unity, empowerment, and a blend of power, symphonic, and heavy elements.
Discussion moved to writing and sequencing choices, explaining how they get the balance of styles and influences right in the creative process. We spoke about album opener, Metallic Rage, and how tempo and arrangement changes converted a last-written riff into the starting track and an added wartime-style intro. The Fallen Dimension title was explained as reflecting societal themes with a hint of hope, while guest vocal contributions from Johnny Gioeli and Mike Andersson were discussed and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>921electronicmetal,hardrock,heavy,heavymetal,krispeters,metal,metalalbum,metalinterview,music,powermetal,rexoria,symphonicmetalfalsefullhttps://www.spreaker.com/episode/five-years-of-supporting-australian-music-with-tim-mclean-smith-from-xmusic--71584230Started in 2020 by by former Sony Music executive and current Australian representative for Better Noise Music, Tim McLean-Smith, XMusic was founded with a view dedicated to artist development, offering a traditional A&R development approach combined with modern rollout strategies. 
The label supports a diverse group of rock acts, including Sisters Doll, Dellacoma, Karly Jewell, Electric State, Frankenbok, Engraved, Stormflower, and Wicked Things and recently signed their first international act, Blvd of Eyes. The rapid growth and exposure generated for emerging talent in this country has been immeasurable, even given the label's relative youth. Through showcase events and detailed release strategies, XMusic has seen their roster grow almost as quickly as their reputation, but now it's time to focus on themselves and give themselves a pat on the back of sorts with a series of celebration events locked in for Melbourne, Newcastle and Brisbane next weekend.
HEAVY sat down with Tim to go back over the last five years and the growth of XMusic. One of the topics was the role of XMusic in the music industry and the benefits for bands on the label.
"XMUSIC is actually a big part of a sports entity business that is due to launch in the next year or so," he replied. "It has been worked on for about five years now. The events that we do will have world-class music and and AAA artists so we are developing local artists to be a part of that as well. And from that we wrote some theme songs and started getting into some music, and then we started looking at bands and signing them, thinking it was going to be three or four bands for a little while and see how we go. But in the last three years, especially, it's growing quite well and growing a great reputation and opening ears to the point we are looking around and trying to help local bands get to a world stage."
In the full interview Tim discussed his vision behind XMusic and how it has grown from the early days. He outlined the benefits of having label representation and what bands should have in place themselves before approaching outside help.
He discussed some of the strategies XMusic employs in order to gain greater exposure for their bands and the basics and mechanisms of working with the artists on a personable level and establishing a rapport with everyone involved. Talk turned to next weekends series of birthday celebration parties as well as the limited range of XMusic alcohol and where to get it and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71584230Fri, 24 Apr 2026 07:23:37 +0000HEAVY MagazineOne of Australia's newest music labels isn't so new any more, with Sydney based label XMusic this year celebrating their fifth year of providing support to Australian bands and musicians, with a venture into the overseas market last year increasing...Started in 2020 by by former Sony Music executive and current Australian representative for Better Noise Music, Tim McLean-Smith, XMusic was founded with a view dedicated to artist development, offering a traditional A&R development approach combined with modern rollout strategies. 
The label supports a diverse group of rock acts, including Sisters Doll, Dellacoma, Karly Jewell, Electric State, Frankenbok, Engraved, Stormflower, and Wicked Things and recently signed their first international act, Blvd of Eyes. The rapid growth and exposure generated for emerging talent in this country has been immeasurable, even given the label's relative youth. Through showcase events and detailed release strategies, XMusic has seen their roster grow almost as quickly as their reputation, but now it's time to focus on themselves and give themselves a pat on the back of sorts with a series of celebration events locked in for Melbourne, Newcastle and Brisbane next weekend.
HEAVY sat down with Tim to go back over the last five years and the growth of XMusic. One of the topics was the role of XMusic in the music industry and the benefits for bands on the label.
"XMUSIC is actually a big part of a sports entity business that is due to launch in the next year or so," he replied. "It has been worked on for about five years now. The events that we do will have world-class music and and AAA artists so we are developing local artists to be a part of that as well. And from that we wrote some theme songs and started getting into some music, and then we started looking at bands and signing them, thinking it was going to be three or four bands for a little while and see how we go. But in the last three years, especially, it's growing quite well and growing a great reputation and opening ears to the point we are looking around and trying to help local bands get to a world stage."
In the full interview Tim discussed his vision behind XMusic and how it has grown from the early days. He outlined the benefits of having label representation and what bands should have in place themselves before approaching outside help.
He discussed some of the strategies XMusic employs in order to gain greater exposure for their bands and the basics and mechanisms of working with the artists on a personable level and establishing a rapport with everyone involved. Talk turned to next weekends series of birthday celebration parties as well as the limited range of XMusic alcohol and where to get it and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1836australia,bandmanagement,bands,hardrock,heavy,heavymetal,krispeters,management,music,musicians,musicindustryinterview,musicinterview,musiclabel,rock,timmcleansmith,xmusicfalsefullhttps://www.spreaker.com/episode/keeping-your-emotions-in-check-with-joey-vera-from-armored-saint--71439451“Each Armored Saint record, to me, is like a new skin for the band, a different chapter. I don't think we've ever repeated ourselves,” stated bassist Joey Vera. “Every album has been pretty different from the previous one, a snapshot in time. In 2026, Emotion Factory Reset is where our heads are at.”
Emotion Factory Reset, Armored Saint's ninth full-length studio album since 1984’s March of the Saint, bears out his words, the LP a resurrection of sorts, a tearing down and a rebuilding in 11 songs of diverse musicality and lyrical themes. Produced, as were the previous four albums, by Vera and mixed by Jay Ruston (Anthrax, Stone Sour), Emotion Factory Reset finds the quintet challenging themselves. Songs like Close to the Bone, Hit a Moonshot and Every Man-Any Man has Saint honoring their past as one of the most respected and recognizable bands in heavy music while making forward-thinking music rooted in the present.
As with 2020’s Punching the Sky, Armored Saint are always about punching above their weight and succeeding. Emotion Factory Reset reaches further, both inward and outward. “I mean, there’s never gonna be another Master of Puppets or Appetite for Destruction,” vocalist John Bush says. “We can all take inspiration from our previous records, but that was a different time. Armored Saint don't want to make another March of the Saint. I want to keep moving forward, but we know who we are, it’s not like we're going to dish out the new trip hop, black metal, bluegrass album.”
HEAVY sat down with Vera to dig deeper.
"You know, every time we make a record, I try not to think too much about that," he replied when asked to describe what the band were going for musically with the album. "Like what are we going to do? What kind of a record are we going to make? Or what direction are we going in? All that stuff. I don't like to really talk about it too much. Because for me, it puts on a little bit too much expectation; it puts like a boundary on it and I'd rather the playing field be able to just be wide open.
So the only thing that I really was attempting to do this time was to write songs that were a little more concise in their arrangements and the song length. I have a tendency to write long songs; longer songs than normal. So I wanted to challenge myself and challenge the listeners along the way to see if I could write shorter songs, basically, for lack of a better explanation.
Our goal is to really just challenge ourselves as songwriters and try not to make the same record twice. We're always trying to push the boundaries a little bit without alienating all our fans, of course. So there's a fine line between brilliance and stupidity (laughs), but there is a fine line between and paying homage to where we come from."
In the full interview, Joey described the band's deliberate songwriting approach for this record, noting they intentionally wrote shorter, more concise arrangements while pushing stylistic boundaries and maintaining continuity with their past work. He explained the album balances influences from 1970s classic rock, early 1980s hard rock, and contemporary sounds to produce a fresh yet familiar record for longtime fans.
Joey also described the album-title selection process, saying the title came from a line in the song Close to the Bone after the band considered many lyrical options before settling on Emotion Factory Reset. He reflected on the creative challenge of beginning a record, stating that starting the first songs is the hardest part and that inspiration requires sustained effort and patience, the early days of the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71439451Thu, 23 Apr 2026 05:38:42 +0000HEAVY MagazineInterview by Kris Peters “Each Armored Saint record, to me, is like a new skin for the band, a different chapter. I don't think we've ever repeated ourselves,” stated bassist Joey Vera. “Every album has been pretty different from the previous one, a...“Each Armored Saint record, to me, is like a new skin for the band, a different chapter. I don't think we've ever repeated ourselves,” stated bassist Joey Vera. “Every album has been pretty different from the previous one, a snapshot in time. In 2026, Emotion Factory Reset is where our heads are at.”
Emotion Factory Reset, Armored Saint's ninth full-length studio album since 1984’s March of the Saint, bears out his words, the LP a resurrection of sorts, a tearing down and a rebuilding in 11 songs of diverse musicality and lyrical themes. Produced, as were the previous four albums, by Vera and mixed by Jay Ruston (Anthrax, Stone Sour), Emotion Factory Reset finds the quintet challenging themselves. Songs like Close to the Bone, Hit a Moonshot and Every Man-Any Man has Saint honoring their past as one of the most respected and recognizable bands in heavy music while making forward-thinking music rooted in the present.
As with 2020’s Punching the Sky, Armored Saint are always about punching above their weight and succeeding. Emotion Factory Reset reaches further, both inward and outward. “I mean, there’s never gonna be another Master of Puppets or Appetite for Destruction,” vocalist John Bush says. “We can all take inspiration from our previous records, but that was a different time. Armored Saint don't want to make another March of the Saint. I want to keep moving forward, but we know who we are, it’s not like we're going to dish out the new trip hop, black metal, bluegrass album.”
HEAVY sat down with Vera to dig deeper.
"You know, every time we make a record, I try not to think too much about that," he replied when asked to describe what the band were going for musically with the album. "Like what are we going to do? What kind of a record are we going to make? Or what direction are we going in? All that stuff. I don't like to really talk about it too much. Because for me, it puts on a little bit too much expectation; it puts like a boundary on it and I'd rather the playing field be able to just be wide open.
So the only thing that I really was attempting to do this time was to write songs that were a little more concise in their arrangements and the song length. I have a tendency to write long songs; longer songs than normal. So I wanted to challenge myself and challenge the listeners along the way to see if I could write shorter songs, basically, for lack of a better explanation.
Our goal is to really just challenge ourselves as songwriters and try not to make the same record twice. We're always trying to push the boundaries a little bit without alienating all our fans, of course. So there's a fine line between brilliance and stupidity (laughs), but there is a fine line between and paying homage to where we come from."
In the full interview, Joey described the band's deliberate songwriting approach for this record, noting they intentionally wrote shorter, more concise arrangements while pushing stylistic boundaries and maintaining continuity with their past work. He explained the album balances influences from 1970s classic rock, early 1980s hard rock, and contemporary sounds to produce a fresh yet familiar record for longtime fans.
Joey also described the album-title selection process, saying the title came from a line in the song Close to the Bone after the band considered many lyrical options before settling on Emotion Factory Reset. He reflected on the creative challenge of beginning a record, stating that starting the first songs is the hardest part and that inspiration requires sustained effort and patience, the early days of the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1398album,armoredsaint,heavy,heavymetal,hornsup,krispeters,metal,metalbladerecords,metalinterview,metalpodcast,music,musicinterview,newmusic,thrashmetaltruefullhttps://www.spreaker.com/episode/keeping-it-real-with-frank-turner--71530439Coming up very soon in May, Frank Turner & The Sleeping Souls will be joining long time buddies Bowling For Soup on their Bowl Your Bones Australian Tour. Frank Turner graciously jumped on to chat with HEAVY MAG before making the long journey to our shores!
Luckily this isn’t Frank’s first time visiting us, he's played some great shows and festivals in Australia over the years. We spoke about playing the iconic Byron Bay Bluesfest in particular taking a moment to reminisce on what it was like and being a part of the artist community. According to Frank the news about Bluesfest collapsing, AKA another tombstone added to Australia's 'festival graveyard', has been shared and felt all around the world. It’s nice to hear that our little Byron Bay festival had such a positive impact on international visitors and I hope one day we can fill those shoes again with a new music haven.
This particular interview was so much fun to research. When looking up what Frank Turner has been up to, I was hit with some crazy stats. Things like casually travelling to 50 states in 50 days in the US, 15 cities played in 24-hours and 24 shows in 24-hours in London. Along with having his own annual festival Lost Evenings that’s a force in itself and massive accomplishment, he’s also checked off playing Wembley and Alexandra Palace to an enormous amount of adoring fans.
What I was most impressed about was finding out that Frank actively donates his time and fundraise for charities close to his heart like protecting grass root venues, mental and community health support and taking on a massive project to restore housing in Sierra Leone after being destroyed by floods. Yeah I know, I’m wondering what the fuck I’ve been doing with my life too. Remind me never to play two truths and a lie with this guy! All jokes aside, Frank is an amazing person. It’s very rare to see people put their money where their mouth is and I have huge respect for the work he’s done.
There’s plenty of Easter Eggs in the full interview, you’ll just have to watch it yourself to find them. Yes, I left my stuttering ass in there because although I’m an embarrassment to myself; I’m only human. I get nervous and sometimes can’t get my words out but it’s important to be real in a world where people only want you to see them through their ‘curated lens of perfection.’ Luckily this time I had Frank Turner sitting there with a kind smile on his face while casually rocking his bath robe. Dress for the job you want, right?! Genius. I took a leaf out of his book, if he’s giving off the ‘zero fucks’ chill vibe, then I am too.
Humans aren’t perfect and we should all be a little kinder to ourselves.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71530439Wed, 22 Apr 2026 09:59:45 +0000HEAVY MagazineWords and interview by: Kyra Jade Coming up very soon in May, Frank Turner & The Sleeping Souls will be joining long time buddies Bowling For Soup on their Bowl Your Bones Australian Tour. Frank Turner graciously jumped on to chat with HEAVY MAG...Coming up very soon in May, Frank Turner & The Sleeping Souls will be joining long time buddies Bowling For Soup on their Bowl Your Bones Australian Tour. Frank Turner graciously jumped on to chat with HEAVY MAG before making the long journey to our shores!
Luckily this isn’t Frank’s first time visiting us, he's played some great shows and festivals in Australia over the years. We spoke about playing the iconic Byron Bay Bluesfest in particular taking a moment to reminisce on what it was like and being a part of the artist community. According to Frank the news about Bluesfest collapsing, AKA another tombstone added to Australia's 'festival graveyard', has been shared and felt all around the world. It’s nice to hear that our little Byron Bay festival had such a positive impact on international visitors and I hope one day we can fill those shoes again with a new music haven.
This particular interview was so much fun to research. When looking up what Frank Turner has been up to, I was hit with some crazy stats. Things like casually travelling to 50 states in 50 days in the US, 15 cities played in 24-hours and 24 shows in 24-hours in London. Along with having his own annual festival Lost Evenings that’s a force in itself and massive accomplishment, he’s also checked off playing Wembley and Alexandra Palace to an enormous amount of adoring fans.
What I was most impressed about was finding out that Frank actively donates his time and fundraise for charities close to his heart like protecting grass root venues, mental and community health support and taking on a massive project to restore housing in Sierra Leone after being destroyed by floods. Yeah I know, I’m wondering what the fuck I’ve been doing with my life too. Remind me never to play two truths and a lie with this guy! All jokes aside, Frank is an amazing person. It’s very rare to see people put their money where their mouth is and I have huge respect for the work he’s done.
There’s plenty of Easter Eggs in the full interview, you’ll just have to watch it yourself to find them. Yes, I left my stuttering ass in there because although I’m an embarrassment to myself; I’m only human. I get nervous and sometimes can’t get my words out but it’s important to be real in a world where people only want you to see them through their ‘curated lens of perfection.’ Luckily this time I had Frank Turner sitting there with a kind smile on his face while casually rocking his bath robe. Dress for the job you want, right?! Genius. I took a leaf out of his book, if he’s giving off the ‘zero fucks’ chill vibe, then I am too.
Humans aren’t perfect and we should all be a little kinder to ourselves.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1123australia,bowlingforsoup,concert,frankturner,hardrock,heavy,kyrajade,liveconcert,music,musicinterview,musicpodcast,punk,rock,tourtruefullhttps://www.spreaker.com/episode/red-capes-dark-lore-and-zero-chill-hokka-arrive-and-kick-open-the-door--71550391HOKKA are not easing their way into their new release. They are kicking the door off the hinges, draping the room in red capes and dark mythology, then having the nerve to make it all look effortless. 
Speaking with HEAVY, Joel Hokka comes across as the kind of frontman who has already lived enough band life to know exactly what matters and exactly what doesn’t. There is no wide-eyed “we just got lucky” routine here. HOKKA might be new on paper, but this is not a band fumbling around in the dark hoping to strike a chord. This is the sound of seasoned musicians taking the scenic route through chaos and somehow arriving with a debut album, a label, festival slots and a clear creative identity before most bands have even agreed on a decent group photo. 
The origin story is almost insultingly efficient. After Joel’s split from Blind Channel, he linked up with Pauli, formerly from The Rasmus with both men bringing years of Finnish rock pedigree and enough experience to avoid wasting time pretending the business side of music is some mystical accident. What began as informal sessions and song ideas quickly snowballed into a real band, real momentum and a debut release in MiSERIA IV. That sort of rise would be nauseating if it did not also make perfect sense. When two people with history, hunger and unfinished business get in a room together, things tend to move.
And that unfinished business matters. One of the more entertaining truths to emerge from the chat is that HOKKA’s creative engine is not powered by incense, deep breathing and trust falls. It is powered, at least in part, by revenge. Joel says it plainly, with the kind of grin you can almost hear through the transcript: revenge is a fantastic motivator. It is a wonderfully unpretentious admission, and honestly, a refreshing one. Rock music has always done some of its best work when someone is at least a little bit annoyed. HOKKA are simply organised enough to turn that irritation into riffs, spectacle and a whole new era.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71550391Wed, 22 Apr 2026 09:56:21 +0000HEAVY MagazineInterview by Ali Williams HOKKA are not easing their way into their new release. They are kicking the door off the hinges, draping the room in red capes and dark mythology, then having the nerve to make it all look effortless.  Speaking with HEAVY,...HOKKA are not easing their way into their new release. They are kicking the door off the hinges, draping the room in red capes and dark mythology, then having the nerve to make it all look effortless. 
Speaking with HEAVY, Joel Hokka comes across as the kind of frontman who has already lived enough band life to know exactly what matters and exactly what doesn’t. There is no wide-eyed “we just got lucky” routine here. HOKKA might be new on paper, but this is not a band fumbling around in the dark hoping to strike a chord. This is the sound of seasoned musicians taking the scenic route through chaos and somehow arriving with a debut album, a label, festival slots and a clear creative identity before most bands have even agreed on a decent group photo. 
The origin story is almost insultingly efficient. After Joel’s split from Blind Channel, he linked up with Pauli, formerly from The Rasmus with both men bringing years of Finnish rock pedigree and enough experience to avoid wasting time pretending the business side of music is some mystical accident. What began as informal sessions and song ideas quickly snowballed into a real band, real momentum and a debut release in MiSERIA IV. That sort of rise would be nauseating if it did not also make perfect sense. When two people with history, hunger and unfinished business get in a room together, things tend to move.
And that unfinished business matters. One of the more entertaining truths to emerge from the chat is that HOKKA’s creative engine is not powered by incense, deep breathing and trust falls. It is powered, at least in part, by revenge. Joel says it plainly, with the kind of grin you can almost hear through the transcript: revenge is a fantastic motivator. It is a wonderfully unpretentious admission, and honestly, a refreshing one. Rock music has always done some of its best work when someone is at least a little bit annoyed. HOKKA are simply organised enough to turn that irritation into riffs, spectacle and a whole new era.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1049album,aliwilliams,hardrock,heavy,heavymetal,hokka,melodicmetal,melodicrock,metal,music,musicinterview,nuclearblastrecords,rockfalsefullhttps://www.spreaker.com/episode/before-we-all-die-clawfinger-return-with-perfectly-timed-fury--71528793Clawfinger's Bård Torstensen stopped in for a chat with HEAVY Magzine's Ali Williams to fill in the gaps after their long standing hiatus on new releases. After nineteen years between albums, Clawfinger could have returned with something painfully self-important, full of mythology and creative suffering. Instead, Bård talks about it with the kind of dry honesty that makes the whole thing far more endearing. Before We All Die arrives not as some grand rock resurrection, but as the product of a band that simply figured out how to make it work in a world that had changed around them. 
Back when the CD market collapsed, the practical choice was to get jobs, keep playing the good gigs, and stop pretending the old model still paid the bills. That pause stretched into nearly two decades, which is a long time to leave fans hanging, but Clawfinger have enough self-awareness to see the humour in that too. 
One of the key points of interest is that the new record was built remotely, with files flying back and forth instead of bodies standing around a studio trying not to annoy each other. Torstensen makes it sound almost civilised. He could sit with an idea, have a coffee, eat dinner, decide a part sounded awful, sleep on it, then come back the next day and fix it without the pressure of a studio clock ticking away in the background. For a band that has been together long enough to know exactly how each other thinks, that distance sounds less like compromise and more like self-preservation with better acoustics. The result is a process that feels modern without being clinical, and flexible without losing the band’s bite. 
The album title itself came from a manager’s plea for the band to make another record “before we all die”, which is funny on its face but also lands neatly in Clawfinger territory. This has never been a band interested in dressing things up with delicate metaphors and interpretive dance. Their whole identity has long been built on staring directly at the mess and saying it plainly. Torstensen points to war, political absurdity and environmental collapse as the obvious backdrop, and in that light Before We All Die stops sounding like a throwaway joke and starts sounding like the most Clawfinger title possible. Grim, blunt, slightly hilarious, and uncomfortably on the money. 
There's a significant element of reassuring unglamorous quality about the way Clawfinger still operate. The band only rehearses together once or twice a year, which sounds reckless until Torstensen shrugs and points out that sometimes they just walk onstage after months apart and it still works. That kind of confidence only comes from years in the trenches, though he does admit a full new album means a little more homework than the occasional stray song. He also jokes about past drummer changes being a bit Spinal Tap, but beyond that the line-up has been largely steady since 2007, which probably helps when you are trying to restart the machine after a nineteen-year recording gap without the whole thing flying off the rails. 
For now, the action is centred in Europe, where summer festivals and an upcoming club run through Central Europe have the band moving with real momentum again. Torstensen sounds genuinely excited by the prospect of getting back on a bus and doing a proper tour, and even more encouraged by the fact that tickets are moving well enough for venues to be upgraded. Australia, sadly, remains on the wish list rather than the itinerary. Clawfinger have never played here, and Torstensen himself has never even visited, describing the country as “exotic” in a way that will probably make Australian readers laugh into their coffee. Still, between a new album, a receptive European market and a global fanbase that has clearly not forgotten them, there is a sense that Clawfinger are not just returning for nostalgia’s sake. They sound like a band that still has something to say and, more importantly, still knows exactly how to say it without wasting everyone’s time. 
New album out now available on all platforms. 


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71528793Tue, 21 Apr 2026 18:20:42 +0000HEAVY MagazineInterview by Ali Williams Clawfinger's Bård Torstensen stopped in for a chat with HEAVY Magzine's Ali Williams to fill in the gaps after their long standing hiatus on new releases. After nineteen years between albums, Clawfinger could have returned...Clawfinger's Bård Torstensen stopped in for a chat with HEAVY Magzine's Ali Williams to fill in the gaps after their long standing hiatus on new releases. After nineteen years between albums, Clawfinger could have returned with something painfully self-important, full of mythology and creative suffering. Instead, Bård talks about it with the kind of dry honesty that makes the whole thing far more endearing. Before We All Die arrives not as some grand rock resurrection, but as the product of a band that simply figured out how to make it work in a world that had changed around them. 
Back when the CD market collapsed, the practical choice was to get jobs, keep playing the good gigs, and stop pretending the old model still paid the bills. That pause stretched into nearly two decades, which is a long time to leave fans hanging, but Clawfinger have enough self-awareness to see the humour in that too. 
One of the key points of interest is that the new record was built remotely, with files flying back and forth instead of bodies standing around a studio trying not to annoy each other. Torstensen makes it sound almost civilised. He could sit with an idea, have a coffee, eat dinner, decide a part sounded awful, sleep on it, then come back the next day and fix it without the pressure of a studio clock ticking away in the background. For a band that has been together long enough to know exactly how each other thinks, that distance sounds less like compromise and more like self-preservation with better acoustics. The result is a process that feels modern without being clinical, and flexible without losing the band’s bite. 
The album title itself came from a manager’s plea for the band to make another record “before we all die”, which is funny on its face but also lands neatly in Clawfinger territory. This has never been a band interested in dressing things up with delicate metaphors and interpretive dance. Their whole identity has long been built on staring directly at the mess and saying it plainly. Torstensen points to war, political absurdity and environmental collapse as the obvious backdrop, and in that light Before We All Die stops sounding like a throwaway joke and starts sounding like the most Clawfinger title possible. Grim, blunt, slightly hilarious, and uncomfortably on the money. 
There's a significant element of reassuring unglamorous quality about the way Clawfinger still operate. The band only rehearses together once or twice a year, which sounds reckless until Torstensen shrugs and points out that sometimes they just walk onstage after months apart and it still works. That kind of confidence only comes from years in the trenches, though he does admit a full new album means a little more homework than the occasional stray song. He also jokes about past drummer changes being a bit Spinal Tap, but beyond that the line-up has been largely steady since 2007, which probably helps when you are trying to restart the machine after a nineteen-year recording gap without the whole thing flying off the rails. 
For now, the action is centred in Europe, where summer festivals and an upcoming club run through Central Europe have the band moving with real momentum again. Torstensen sounds genuinely excited by the prospect of getting back on a bus and doing a proper tour, and even more encouraged by the fact that tickets are moving well enough for venues to be upgraded. Australia, sadly, remains on the wish list rather than the itinerary. Clawfinger have never played here, and Torstensen himself has never even visited, describing the country as “exotic” in a way that will probably make Australian readers laugh into their coffee. Still, between a new album, a receptive European market and a global fanbase that has clearly not forgotten them, there is a sense that Clawfinger are not just returning for nostalgia’s sake. They sound like a band that still has something to say and, more...]]>806aliwilliams,clawfinger,hardrock,heavy,music,musicinterview,rock,rockinterview,rockmusicfalsefullhttps://www.spreaker.com/episode/blending-chaos-and-cinema-george-marios-chases-bigger-sound-and-vision--71528095Photo credit Diana Seifert
For George Marios, influence isn’t something he carefully maps out, it happens instinctively. Drawing from artists like Alter Bridge and Dream Theater, he describes his sound as a kind of “musical osmosis,” where ideas naturally collide and evolve. Even unexpected touchpoints, like the atmospheric pull of Jeff Buckley, can surface in his work before giving way to massive, anthemic choruses.
That same ambition extends visually. His Crash Burn music video embraces a cinematic scale inspired by The Karate Kid and the modern grit of Monkey Man. Taking on multiple roles (director, producer, editor), George pushed through tight timelines and unpredictable challenges to realise a long-held vision. The result is something he considers creatively complete, a rare milestone.
Looking ahead, upcoming album Accidental Hero promises a more layered, diverse sound, weaving orchestral elements with organic production choices. Influences stretch as far as Kimbra, while retaining the raw humanity he admires in artists like Adele.
George hopes the record inspires listeners to take risks: seize the day, and try anyway.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71528095Tue, 21 Apr 2026 17:49:05 +0000HEAVY MagazineInterview by Angela Croudace Photo credit Diana Seifert For George Marios, influence isn’t something he carefully maps out, it happens instinctively. Drawing from artists like Alter Bridge and Dream Theater, he describes his sound as a kind of...Photo credit Diana Seifert
For George Marios, influence isn’t something he carefully maps out, it happens instinctively. Drawing from artists like Alter Bridge and Dream Theater, he describes his sound as a kind of “musical osmosis,” where ideas naturally collide and evolve. Even unexpected touchpoints, like the atmospheric pull of Jeff Buckley, can surface in his work before giving way to massive, anthemic choruses.
That same ambition extends visually. His Crash Burn music video embraces a cinematic scale inspired by The Karate Kid and the modern grit of Monkey Man. Taking on multiple roles (director, producer, editor), George pushed through tight timelines and unpredictable challenges to realise a long-held vision. The result is something he considers creatively complete, a rare milestone.
Looking ahead, upcoming album Accidental Hero promises a more layered, diverse sound, weaving orchestral elements with organic production choices. Influences stretch as far as Kimbra, while retaining the raw humanity he admires in artists like Adele.
George hopes the record inspires listeners to take risks: seize the day, and try anyway.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1439angelacroudace,georgemarios,hardrock,heavy,interview,music,musicinterview,musicpodcast,rock,softrockfalsefullhttps://www.spreaker.com/episode/the-serpent-rises-with-silenoz-from-dimmu-borgir--71438874Waiting for something you truly desire can be pure agony and loyal fans of Norwegian extreme metal royalty Dimmu Borgir know that feeling better than most. Ever since guitarist Sven “Silenoz” Kopperud and vocalist Stian “Shagrath” Thoresen formed the band amid Norway’s shadowed forestlands in 1993 - at the height of second-wave black metal’s triumphant aeons - rushing the creative process has never been part of the equation. 
Especially since Abrahadabra (2010), Dimmu Borgir’s latter-day opuses have arrived only when every last detail has been carved into place, never when trends, algorithms, or schedules demanded it. It has proven to be the right path for these northern devotees of the underworld: Dimmu Borgir’s records have gone on to become all-time metal classics.
Eight years after their previous studio release Eonian, Dimmu Borgir return with thirteen punishing yet remarkably diverse tracks under the banner Grand Serpent Rising on May 22, and even the sheer weight of the album title alone speaks volumes.
HEAVY caught up with Silenoz to find out more, asking him to describe Grand Serpent Rising from a musical point of view and what Dimmu Borgir were going for with it.
"I think we've just approached it like we always approach a new album," he shrugged. "We don't really have a specific recipe in that sense. We get together with stuff that we have collected individually and basically throw it into the pot and stir around and see what brew comes out of it in the end. It's nothing more dramatical than that. But yeah, some songs needs a little bit more time than others. It all it all depends. You don't really have an off and on switch or creative button, so to speak. So you just have to try and go about it while the iron is hot, so to speak."
In the full interview, Silenoz described Grand Serpent Rising's background and the band's plans around its release. He revealed the album gathers songs written over several years and that the band achieved its creative aims for this release; explaining Dimmu Borgir's process of assembling individual ideas without a fixed recipe, allowing songs to mature at different rates and intentionally showcasing the band's different eras and dynamics.
The conversation covered artistic choices and practical changes. Silenoz explained the opening string-led intro for Tridentium and the decision to keep the album lengthy rather than shorten it for attention-span concerns, and noted that the title serves lyrical depth rather than denoting a title track. He also described a shift in songwriting responsibility toward himself and Shagrath after longtime guitarist Galder's departure, the selective use of Norwegian when English did not convey feelings on some songs, plans for shorter, more frequent touring runs following the May 22 release and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71438874Tue, 21 Apr 2026 17:24:53 +0000HEAVY MagazineInterview by Kris Peters Waiting for something you truly desire can be pure agony and loyal fans of Norwegian extreme metal royalty Dimmu Borgir know that feeling better than most. Ever since guitarist Sven “Silenoz” Kopperud and vocalist Stian...Waiting for something you truly desire can be pure agony and loyal fans of Norwegian extreme metal royalty Dimmu Borgir know that feeling better than most. Ever since guitarist Sven “Silenoz” Kopperud and vocalist Stian “Shagrath” Thoresen formed the band amid Norway’s shadowed forestlands in 1993 - at the height of second-wave black metal’s triumphant aeons - rushing the creative process has never been part of the equation. 
Especially since Abrahadabra (2010), Dimmu Borgir’s latter-day opuses have arrived only when every last detail has been carved into place, never when trends, algorithms, or schedules demanded it. It has proven to be the right path for these northern devotees of the underworld: Dimmu Borgir’s records have gone on to become all-time metal classics.
Eight years after their previous studio release Eonian, Dimmu Borgir return with thirteen punishing yet remarkably diverse tracks under the banner Grand Serpent Rising on May 22, and even the sheer weight of the album title alone speaks volumes.
HEAVY caught up with Silenoz to find out more, asking him to describe Grand Serpent Rising from a musical point of view and what Dimmu Borgir were going for with it.
"I think we've just approached it like we always approach a new album," he shrugged. "We don't really have a specific recipe in that sense. We get together with stuff that we have collected individually and basically throw it into the pot and stir around and see what brew comes out of it in the end. It's nothing more dramatical than that. But yeah, some songs needs a little bit more time than others. It all it all depends. You don't really have an off and on switch or creative button, so to speak. So you just have to try and go about it while the iron is hot, so to speak."
In the full interview, Silenoz described Grand Serpent Rising's background and the band's plans around its release. He revealed the album gathers songs written over several years and that the band achieved its creative aims for this release; explaining Dimmu Borgir's process of assembling individual ideas without a fixed recipe, allowing songs to mature at different rates and intentionally showcasing the band's different eras and dynamics.
The conversation covered artistic choices and practical changes. Silenoz explained the opening string-led intro for Tridentium and the decision to keep the album lengthy rather than shorten it for attention-span concerns, and noted that the title serves lyrical depth rather than denoting a title track. He also described a shift in songwriting responsibility toward himself and Shagrath after longtime guitarist Galder's departure, the selective use of Norwegian when English did not convey feelings on some songs, plans for shorter, more frequent touring runs following the May 22 release and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>694album,dimmuborgir,extrememetal,heavy,heavymetal,hornsup,krispeters,metalinterview,metalmusic,music,musicinterview,musicpodcast,newmusicfalsefullhttps://www.spreaker.com/episode/sepultura-s-final-curtain-call-with-andreas-kisser--71525654Even if you chose the hermit crab life, you’ve still most likely heard the name Sepultura. They aren’t strangers around here and have been showing us how it’s done for over 40 years. Their fanbase are notoriously passionate and loyal to the band often stating they are not only pioneers, they are one of the most influential metal bands in history. You'll only need to scratch the surface of Sepultura’s lore to see the influence they’ve had on metal music over the years, never afraid to bend genres and play from the heart.
Sadly all good things must come to an end and after years of dedicating themselves to life on the road, it's time for their final curtain call. Long standing Sepultura guitarist Andreas Kisser was kind enough to spend time with HEAVY MAG to reminisce about memories spanning from the start of the band to recent times.
Their Celebrating Life Through Death farewell tour has been in motion for two years now and I wanted to know how the whole experience has been so far and if fans are showing up with different emotions being their last soirée. 
Andreas unpacked their upcoming EP The Cloud of Unknowing by sharing what their goals were for this release to how they went about the writing and recording process. I was curious to hear about Andreas’ influences and gain insight about growing up in Brazil with minimal exposure to international bands - yet still manage to find his calling to metal. Once that phone is ringing, it’s hard not to pick up!
It would be remiss and down right irresponsible of me not asking about the Roadrunner United 25th anniversary showcase, right? On paper it seems impossible to have so many talented musicians coming together to pull off this one of a kind meeting of the gods, but they did. I’ll confess, I would have sacrificed my first born child to be at that showcase and hearing these memories spoken about with such love and fondness via Andreas was like Christmas morning for me.
After reminding myself that I can’t fan girl or geek out right now, we finished the interview off bonding over mutual love for our fallen heroes. I mentioned my Mt. Rushmore would have to be Jimi Hendrix, Ozzy Osbourne, Eddie Van Halen and of course, Lemmy Kilmister. Without hesitation Andreas lit up and uttered a sentence that immediately cemented him as a certified legend in my books,
“Motorhead is alive and well in my heart and soul forever, until I die. Lemmy is one of the gods you know? He is going to guide us forever.” 
I couldn’t agree more. In fact, to summon Lemmy; all you need is a well made Jack Daniel’s and coke with a side of cigarette smoke and he will appear quicker than saying Beetlejuice three times. Best spirit guide anyone could ask for. I’ve done what I always do by getting too excited and over sharing… go check out the rest of the interview for yourself. I hope you enjoy it.
Until next time, legends!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71525654Tue, 21 Apr 2026 16:35:28 +0000HEAVY MagazineWords and interview by: Kyra Jade Even if you chose the hermit crab life, you’ve still most likely heard the name Sepultura. They aren’t strangers around here and have been showing us how it’s done for over 40 years. Their fanbase are notoriously...Even if you chose the hermit crab life, you’ve still most likely heard the name Sepultura. They aren’t strangers around here and have been showing us how it’s done for over 40 years. Their fanbase are notoriously passionate and loyal to the band often stating they are not only pioneers, they are one of the most influential metal bands in history. You'll only need to scratch the surface of Sepultura’s lore to see the influence they’ve had on metal music over the years, never afraid to bend genres and play from the heart.
Sadly all good things must come to an end and after years of dedicating themselves to life on the road, it's time for their final curtain call. Long standing Sepultura guitarist Andreas Kisser was kind enough to spend time with HEAVY MAG to reminisce about memories spanning from the start of the band to recent times.
Their Celebrating Life Through Death farewell tour has been in motion for two years now and I wanted to know how the whole experience has been so far and if fans are showing up with different emotions being their last soirée. 
Andreas unpacked their upcoming EP The Cloud of Unknowing by sharing what their goals were for this release to how they went about the writing and recording process. I was curious to hear about Andreas’ influences and gain insight about growing up in Brazil with minimal exposure to international bands - yet still manage to find his calling to metal. Once that phone is ringing, it’s hard not to pick up!
It would be remiss and down right irresponsible of me not asking about the Roadrunner United 25th anniversary showcase, right? On paper it seems impossible to have so many talented musicians coming together to pull off this one of a kind meeting of the gods, but they did. I’ll confess, I would have sacrificed my first born child to be at that showcase and hearing these memories spoken about with such love and fondness via Andreas was like Christmas morning for me.
After reminding myself that I can’t fan girl or geek out right now, we finished the interview off bonding over mutual love for our fallen heroes. I mentioned my Mt. Rushmore would have to be Jimi Hendrix, Ozzy Osbourne, Eddie Van Halen and of course, Lemmy Kilmister. Without hesitation Andreas lit up and uttered a sentence that immediately cemented him as a certified legend in my books,
“Motorhead is alive and well in my heart and soul forever, until I die. Lemmy is one of the gods you know? He is going to guide us forever.” 
I couldn’t agree more. In fact, to summon Lemmy; all you need is a well made Jack Daniel’s and coke with a side of cigarette smoke and he will appear quicker than saying Beetlejuice three times. Best spirit guide anyone could ask for. I’ve done what I always do by getting too excited and over sharing… go check out the rest of the interview for yourself. I hope you enjoy it.
Until next time, legends!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1585andreaskisser,heavy,heavymetal,hornsup,kyrajade,metal,metalinterview,metalpodcast,music,musicinterview,musicpodcast,roadrunnerunited,sepultura,thrashmetalfalsefullhttps://www.spreaker.com/episode/the-cutting-edge-of-metal-with-jamie-saint-merat-from-ulcerate--71322144After triumphantly casting off the shackles of claustrophobic dissonance on 2020's lauded Stare Into Death and Be Still, New Zealand unorthodox death metal legends ULCERATE up the ante even further with mind-bending 7th album Cutting the Throat of God. 
An acknowledgement that the band's most powerful and affecting material leans to the melodic side, this refined and hook-laden new record is a self-sufficient universe unto itself, a conflagration of inventively visceral death/black metal where dizzying experimentation meets head-nodding abandon - obscenely twisted and addictive, heart-stopping in its depth of feeling.
To complete the touring cycle for Cutting…, ULCERATE will undertake seven Australasian headlining dates starting in Christchurch this Saturday, with Australian support from The Amenta - who will be performing their debut album Occasus in full - plus New Zealand black/death metal outfit Vicissitude for the home shows.
HEAVY sat down with Ulcerate drummer Jamie Saint Merat to find out more.
ULCERATE with guests THE AMENTA and VICISSITUDE performing at:
April 18th – Christchurch, Loons + 
April 25th – Auckland, Double Whammy +
May 2nd – Wellington, San Fran +
May 7th – Adelaide, Ed Castle* w/ Lumen Ad Mortem 
May 8th – Melbourne, Max Watts* w/ Munt 
May 9th – Sydney, Crowbar* w/ Sorathian Dawn
May 10th – Brisbane, Crowbar* w/ Hebephrenique 
+Vicissitude New Zealand only, no local supports
*The Amenta Australia only


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71322144Sat, 18 Apr 2026 01:01:02 +0000HEAVY MagazineInterview by Kris Peters After triumphantly casting off the shackles of claustrophobic dissonance on 2020's lauded Stare Into Death and Be Still, New Zealand unorthodox death metal legends ULCERATE up the ante even further with mind-bending 7th album...After triumphantly casting off the shackles of claustrophobic dissonance on 2020's lauded Stare Into Death and Be Still, New Zealand unorthodox death metal legends ULCERATE up the ante even further with mind-bending 7th album Cutting the Throat of God. 
An acknowledgement that the band's most powerful and affecting material leans to the melodic side, this refined and hook-laden new record is a self-sufficient universe unto itself, a conflagration of inventively visceral death/black metal where dizzying experimentation meets head-nodding abandon - obscenely twisted and addictive, heart-stopping in its depth of feeling.
To complete the touring cycle for Cutting…, ULCERATE will undertake seven Australasian headlining dates starting in Christchurch this Saturday, with Australian support from The Amenta - who will be performing their debut album Occasus in full - plus New Zealand black/death metal outfit Vicissitude for the home shows.
HEAVY sat down with Ulcerate drummer Jamie Saint Merat to find out more.
ULCERATE with guests THE AMENTA and VICISSITUDE performing at:
April 18th – Christchurch, Loons + 
April 25th – Auckland, Double Whammy +
May 2nd – Wellington, San Fran +
May 7th – Adelaide, Ed Castle* w/ Lumen Ad Mortem 
May 8th – Melbourne, Max Watts* w/ Munt 
May 9th – Sydney, Crowbar* w/ Sorathian Dawn
May 10th – Brisbane, Crowbar* w/ Hebephrenique 
+Vicissitude New Zealand only, no local supports
*The Amenta Australia only


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>559australia,deathmetal,heavy,heavymetal,krispeters,livemusic,metal,metalinterview,metalpodcast,music,musicinterview,musicpodcast,soundworksdirect,theamenta,tour,ulceratetruefullhttps://www.spreaker.com/episode/all-roads-lead-to-wacken-with-travis-everett-from-witchgrinder--71424788Wacken Open Air is one of the most recognisable names in heavy music anywhere on the planet. Now in its 35th year, the legendary German festival has become a global meeting point for metal fans, bands and industry alike. A place where the underground and the established stand shoulder to shoulder.
On April 18, the spirit of Wacken lands in Sydney.
As part of a worldwide celebration marking 35 years of Wacken, 35 official Warm Up shows will take place across the globe on the same day, stretching from Europe and the UK through Asia, the Americas and Australia. Sydney will host one of only a handful of events in the southern hemisphere, bringing a piece of the Wacken experience to local soil while connecting with a truly international metal community.
Taking place at Sydney’s Crowbar, the night will be co-headlined by
Our Last Enemy and Witchgrinder
and rounded out by
Küntsquäd, Shatterface and Age of Emergence
For one day, borders disappear. Scenes connect. The underground stands united. HEAVY sat down with Witchgrinder frontman Travis Everett to discuss the show and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71424788Sat, 18 Apr 2026 01:00:14 +0000HEAVY MagazineInterview by Kris Peters Wacken Open Air is one of the most recognisable names in heavy music anywhere on the planet. Now in its 35th year, the legendary German festival has become a global meeting point for metal fans, bands and industry alike. A...Wacken Open Air is one of the most recognisable names in heavy music anywhere on the planet. Now in its 35th year, the legendary German festival has become a global meeting point for metal fans, bands and industry alike. A place where the underground and the established stand shoulder to shoulder.
On April 18, the spirit of Wacken lands in Sydney.
As part of a worldwide celebration marking 35 years of Wacken, 35 official Warm Up shows will take place across the globe on the same day, stretching from Europe and the UK through Asia, the Americas and Australia. Sydney will host one of only a handful of events in the southern hemisphere, bringing a piece of the Wacken experience to local soil while connecting with a truly international metal community.
Taking place at Sydney’s Crowbar, the night will be co-headlined by
Our Last Enemy and Witchgrinder
and rounded out by
Küntsquäd, Shatterface and Age of Emergence
For one day, borders disappear. Scenes connect. The underground stands united. HEAVY sat down with Witchgrinder frontman Travis Everett to discuss the show and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>723australia,heavy,heavymetal,industrialmetal,krispeters,metal,metalfestival,metalinterview,music,musicinterview,wackenopenairtruefullhttps://www.spreaker.com/episode/reflections-of-life-with-danny-case-of-from-ashes-to-new--71319533From Ashes to New are entering a new era with Reflections, a record shaped by honesty, pressure, and a refusal to settle. Speaking on the band’s latest single Die For You, frontman Danny Case explained how the track grew from deeply personal experiences, capturing the exhaustion of giving everything in a relationship and finally drawing a line.
That emotional weight drove every creative decision. Rather than overbuilding the song, the band chose to cut straight to the core, letting the vulnerability hit immediately. It’s a mindset that carried across the album, with the band scrapping large portions of early demos when they realised the material simply “wasn’t moving” them.
The result is their most detailed and ambitious work yet, both musically and vocally. For Danny, that meant pushing beyond his comfort zone and embracing discomfort as a catalyst for growth.
At its heart, Reflections is about perspective, learning to let go of bitterness, appreciate the present, and recognise that even the darkest moments can lead to something meaningful. Check out the full interview above.
Pre-order/order Reflections: https://fatn.lnk.to/reflections


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71319533Thu, 16 Apr 2026 07:12:50 +0000HEAVY MagazineInterview by Angela Croudace From Ashes to New are entering a new era with Reflections, a record shaped by honesty, pressure, and a refusal to settle. Speaking on the band’s latest single Die For You, frontman Danny Case explained how the track grew...From Ashes to New are entering a new era with Reflections, a record shaped by honesty, pressure, and a refusal to settle. Speaking on the band’s latest single Die For You, frontman Danny Case explained how the track grew from deeply personal experiences, capturing the exhaustion of giving everything in a relationship and finally drawing a line.
That emotional weight drove every creative decision. Rather than overbuilding the song, the band chose to cut straight to the core, letting the vulnerability hit immediately. It’s a mindset that carried across the album, with the band scrapping large portions of early demos when they realised the material simply “wasn’t moving” them.
The result is their most detailed and ambitious work yet, both musically and vocally. For Danny, that meant pushing beyond his comfort zone and embracing discomfort as a catalyst for growth.
At its heart, Reflections is about perspective, learning to let go of bitterness, appreciate the present, and recognise that even the darkest moments can lead to something meaningful. Check out the full interview above.
Pre-order/order Reflections: https://fatn.lnk.to/reflections


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1386album,angelacroudace,betternoisemusic,fromashestonew,hardrock,heavy,heavymetal,hornsup,interviews,metalinterview,metalmusic,metalpodcast,music,newmusic,rockfalsefullhttps://www.spreaker.com/episode/the-life-of-the-party-with-jaret-reddick-from-bowling-for-soup--71335138Australia, get set to be bowled over in 2026, with beloved UK folk punk act FRANK TURNER & THE SLEEPING SOULS joining forces with Texan pop punk mainstays BOWLING FOR SOUP for a monumental co-headline Australian tour next month.
When a band can make it feel like a summer party anywhere they go, you know you're in for a good time. And with over three decades in their wake as a band, BOWLING FOR SOUP, aka the self-proclaimed "9th greatest pop punk band in history", have left an indelible mark on their genre and pop culture in general, roaring out of Texas in 1994 and never looking back. Eleven studio albums, including two Silver and Gold certified LPs? Yes. Appearances on multiple high-profile soundtracks, including a Disney Channel theme song staple? You bet. Endless amounts of humour, high-octane performances and earworm hits that you'll still know the lyrics to decades after their release? Suffice to say, BOWLING FOR SOUP are here for a good time and a long time, and are definitely not slowing down anytime soon.
Recently celebrating the 20th anniversary of their iconic 2004 album A Hangover You Don't Deserve, which also included their biggest UK tour to date, BOWLING FOR SOUP are set to continue their path to world domination. And in 2026, BOWLING FOR SOUP will continue to jubilantly fly the flag for pop punk, including a return to Australian stages this May after their acclaimed appearances at 2024's Good Things Festival and headline sideshows.
HEAVY caught up with frontman Jaret Reddick to talk more.
"After we got back from Good Things I was thinking, why aren't we coming here more?" Jaret began. "So we were talking to Destroy All Lines and trying to think of a good band that we can tour with and we had just watched Frank Carter And The Sleeping Souls and I said why don't we just come over here with Frank Turner? A lot of things have to align for that to happen. Bands are always talking to each other saying hey we should tour together, or we should do this but you've gotta have agents and managers and schedules and so many things come together for it to actually happen so we were really, really lucky that it went down this way. It's gonna be a really fun, early Summer for us."
The tour is being billed as a co-headlining event, prompting us to ask if that means both bands will be alternating the late slot each night or more just both playing headline length sets.
"I'm not really sure how it's worked out yet," Jaret replied. "I know this. I've seen his band and he's seen mine so we both know that the others band is pretty good (laughs), so there is a bit of pressure for both of us to get out there and put on the best show we can. I'm a huge Frank fan, so whether he plays before or after us, I will be side of stage watching every night. And I'm sure he will be doing the same thing."
In the full interview Jaret talks more about what we can expect from the shows, what has changed with Bowling For Soup since their last visit and how this run of shows will be different.
We also go back to the early days of Bowling For Soup, talking about the musical climate that gave birth to the band and where they fit in. We speak about the first time he heard one of his songs on radio and where he was at the time, how the band has changed over the 30 plus years they have been together, new music and plenty more.
Tickets from www.destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71335138Wed, 15 Apr 2026 05:23:22 +0000HEAVY MagazineInterview by Kris Peters Australia, get set to be bowled over in 2026, with beloved UK folk punk act FRANK TURNER & THE SLEEPING SOULS joining forces with Texan pop punk mainstays BOWLING FOR SOUP for a monumental co-headline Australian tour next...Australia, get set to be bowled over in 2026, with beloved UK folk punk act FRANK TURNER & THE SLEEPING SOULS joining forces with Texan pop punk mainstays BOWLING FOR SOUP for a monumental co-headline Australian tour next month.
When a band can make it feel like a summer party anywhere they go, you know you're in for a good time. And with over three decades in their wake as a band, BOWLING FOR SOUP, aka the self-proclaimed "9th greatest pop punk band in history", have left an indelible mark on their genre and pop culture in general, roaring out of Texas in 1994 and never looking back. Eleven studio albums, including two Silver and Gold certified LPs? Yes. Appearances on multiple high-profile soundtracks, including a Disney Channel theme song staple? You bet. Endless amounts of humour, high-octane performances and earworm hits that you'll still know the lyrics to decades after their release? Suffice to say, BOWLING FOR SOUP are here for a good time and a long time, and are definitely not slowing down anytime soon.
Recently celebrating the 20th anniversary of their iconic 2004 album A Hangover You Don't Deserve, which also included their biggest UK tour to date, BOWLING FOR SOUP are set to continue their path to world domination. And in 2026, BOWLING FOR SOUP will continue to jubilantly fly the flag for pop punk, including a return to Australian stages this May after their acclaimed appearances at 2024's Good Things Festival and headline sideshows.
HEAVY caught up with frontman Jaret Reddick to talk more.
"After we got back from Good Things I was thinking, why aren't we coming here more?" Jaret began. "So we were talking to Destroy All Lines and trying to think of a good band that we can tour with and we had just watched Frank Carter And The Sleeping Souls and I said why don't we just come over here with Frank Turner? A lot of things have to align for that to happen. Bands are always talking to each other saying hey we should tour together, or we should do this but you've gotta have agents and managers and schedules and so many things come together for it to actually happen so we were really, really lucky that it went down this way. It's gonna be a really fun, early Summer for us."
The tour is being billed as a co-headlining event, prompting us to ask if that means both bands will be alternating the late slot each night or more just both playing headline length sets.
"I'm not really sure how it's worked out yet," Jaret replied. "I know this. I've seen his band and he's seen mine so we both know that the others band is pretty good (laughs), so there is a bit of pressure for both of us to get out there and put on the best show we can. I'm a huge Frank fan, so whether he plays before or after us, I will be side of stage watching every night. And I'm sure he will be doing the same thing."
In the full interview Jaret talks more about what we can expect from the shows, what has changed with Bowling For Soup since their last visit and how this run of shows will be different.
We also go back to the early days of Bowling For Soup, talking about the musical climate that gave birth to the band and where they fit in. We speak about the first time he heard one of his songs on radio and where he was at the time, how the band has changed over the 30 plus years they have been together, new music and plenty more.
Tickets from www.destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>897australia,bowlingforsoup,concert,destroyalllines,frankcarter,hardrock,heavy,interview,krispeters,livemusic,music,musicinterview,musicpodcast,poppunk,punkmusic,rock,rockmusic,tourfalsefullhttps://www.spreaker.com/episode/reclaiming-the-crown-with-beau-bokan-from-blessthefall--71265766Phoenix Arizona legends BLESSTHEFALL are headed our way with Memphis May Fire later this month, for their first Australian shows in over a decade.
Following a hiatus after their 2018 album Hard Feelings, BLESSTHEFALL returned, teasing new music in 2025 and embracing their "mallcore" roots. Formed in the early 2000s, they are considered veterans of the post-hardcore/metalcore scene, having gone through various lineup changes while keeping key members like vocalist Beau Bokan and bassist/vocalist Jared Warth and have hit the ground running since their return.
The pairing of Memphis May Fire is a seismic team-up that promises to redefine metalcore, delivering unrelenting riffs, breakdowns, and anthemic screams to ravenous crowds. With over two decades of combined touring dominance, these two bands have shared stages worldwide, from Warped Tour to packed U.S. arenas, and now they're bringing their explosive synergy to Australia!
HEAVY sat down for an entertaining chat with Bokan, starting by asking what has changed with Blessthefall since their last visit in 2014.
"We've gotten a little older," Bokan smiled. "We've gotten a little wiser - maybe not too much wiser (laughs). We took a hiatus for a little bit and came back in in 2023 and it's been so fun to be back and active and seeing metalcore thriving. So many people are rediscovering us or discovering us for the first time so it's really cool. We're just...  we do what we do. We like to have fun on stage, so we like to party. But I think a little bit of the stuff that's changed is trying to just sound better on stage, you know. Obviously, we like to jump and run around and be exciting, but at the same time we don't want to sacrifice our sound too much. 
I feel like now, more than ever... you play a show and it's on the internet in five minutes so the bar is set really high. So just focusing, and for me, personally, singing better and trying to make sure I'm hitting the notes but also putting on a show. We don't want to sacrifice too much of the excitement and the showmanship, stuff like that."
In the full interview, Beau spoke more about the tour and what we can expect from Blessthefall. He told us why themselves and Memphis May Fire compliment each other beautifully in the live arena, highlighting past shows they have played together and their close friendship outside of touring.
He spoke about their 'comeback album Gallows and how it was received, admitting there were a few nervous moments before it was released in relation to how much their time off would actually impact the band moving forward. We spoke about Blessthefall moving forward, including playing some of the worlds biggest festivals after they finish in Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71265766Tue, 14 Apr 2026 11:00:48 +0000HEAVY MagazineInterview by Kris Peters Phoenix Arizona legends BLESSTHEFALL are headed our way with Memphis May Fire later this month, for their first Australian shows in over a decade. Following a hiatus after their 2018 album Hard Feelings, BLESSTHEFALL returned,...Phoenix Arizona legends BLESSTHEFALL are headed our way with Memphis May Fire later this month, for their first Australian shows in over a decade.
Following a hiatus after their 2018 album Hard Feelings, BLESSTHEFALL returned, teasing new music in 2025 and embracing their "mallcore" roots. Formed in the early 2000s, they are considered veterans of the post-hardcore/metalcore scene, having gone through various lineup changes while keeping key members like vocalist Beau Bokan and bassist/vocalist Jared Warth and have hit the ground running since their return.
The pairing of Memphis May Fire is a seismic team-up that promises to redefine metalcore, delivering unrelenting riffs, breakdowns, and anthemic screams to ravenous crowds. With over two decades of combined touring dominance, these two bands have shared stages worldwide, from Warped Tour to packed U.S. arenas, and now they're bringing their explosive synergy to Australia!
HEAVY sat down for an entertaining chat with Bokan, starting by asking what has changed with Blessthefall since their last visit in 2014.
"We've gotten a little older," Bokan smiled. "We've gotten a little wiser - maybe not too much wiser (laughs). We took a hiatus for a little bit and came back in in 2023 and it's been so fun to be back and active and seeing metalcore thriving. So many people are rediscovering us or discovering us for the first time so it's really cool. We're just...  we do what we do. We like to have fun on stage, so we like to party. But I think a little bit of the stuff that's changed is trying to just sound better on stage, you know. Obviously, we like to jump and run around and be exciting, but at the same time we don't want to sacrifice our sound too much. 
I feel like now, more than ever... you play a show and it's on the internet in five minutes so the bar is set really high. So just focusing, and for me, personally, singing better and trying to make sure I'm hitting the notes but also putting on a show. We don't want to sacrifice too much of the excitement and the showmanship, stuff like that."
In the full interview, Beau spoke more about the tour and what we can expect from Blessthefall. He told us why themselves and Memphis May Fire compliment each other beautifully in the live arena, highlighting past shows they have played together and their close friendship outside of touring.
He spoke about their 'comeback album Gallows and how it was received, admitting there were a few nervous moments before it was released in relation to how much their time off would actually impact the band moving forward. We spoke about Blessthefall moving forward, including playing some of the worlds biggest festivals after they finish in Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1136blessthefall,heavy,heavymetal,interview,krispeters,livemusic,memphismayfire,metal,metalband,metalcore,metalinterview,metalmusic,metalpodcast,music,musicinterview,musicpodcast,tourtruefullhttps://www.spreaker.com/episode/the-reaper-returns-with-joe-mulherin-from-nothing-nowhere--71268772Returning to Australia after a three-year absence, nothing, nowhere. is set to reconnect with a fanbase he clearly holds close. Speaking ahead of the tour, the man behind nothing, nowhere, Joe Mulherin reflects on the long gap between visits, admitting it feels like he “just” played here, only to realise how much time has passed. That distance has only heightened his anticipation, especially when it comes to Australian crowds, which he describes as among the most passionate in the world.
There’s a genuine affection in the way he talks about the country, not just the shows, but the experience itself. From ferry rides into Sydney to snorkelling and embracing the unfamiliar, his last trip left a lasting impression. With family ties now rooted here, Australia feels less like a stop on the map and more like a second home.
This upcoming run isn’t just another tour; it’s a celebration. Marking a decade of nothing, nowhere.
The Return of the Reaper tour will blend old favourites with newer material, offering fans a full-circle moment. Joe’s excitement also extends to the lineup, bringing along close friends and collaborators, creating what he describes as a “summer camp” atmosphere on the road.
After an intensely isolating period writing in Vermont, this tour arrives at the perfect time—both a creative release and a reminder of connection.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71268772Sun, 12 Apr 2026 06:20:22 +0000HEAVY MagazineInterview by Angela Croudace Returning to Australia after a three-year absence, nothing, nowhere. is set to reconnect with a fanbase he clearly holds close. Speaking ahead of the tour, the man behind nothing, nowhere, Joe Mulherin reflects on the long...Returning to Australia after a three-year absence, nothing, nowhere. is set to reconnect with a fanbase he clearly holds close. Speaking ahead of the tour, the man behind nothing, nowhere, Joe Mulherin reflects on the long gap between visits, admitting it feels like he “just” played here, only to realise how much time has passed. That distance has only heightened his anticipation, especially when it comes to Australian crowds, which he describes as among the most passionate in the world.
There’s a genuine affection in the way he talks about the country, not just the shows, but the experience itself. From ferry rides into Sydney to snorkelling and embracing the unfamiliar, his last trip left a lasting impression. With family ties now rooted here, Australia feels less like a stop on the map and more like a second home.
This upcoming run isn’t just another tour; it’s a celebration. Marking a decade of nothing, nowhere.
The Return of the Reaper tour will blend old favourites with newer material, offering fans a full-circle moment. Joe’s excitement also extends to the lineup, bringing along close friends and collaborators, creating what he describes as a “summer camp” atmosphere on the road.
After an intensely isolating period writing in Vermont, this tour arrives at the perfect time—both a creative release and a reminder of connection.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>886angelacroudace,australia,closure,heavy,heavymetal,interview,livemusic,metal,music,musicinterview,musicpodcast,nothingnowhere,rapmetal,sace6,tourfalsefullhttps://www.spreaker.com/episode/musical-reassurance-with-benji-webbe-from-skindred--71247891Australia, prepare to set your fazers to stun this September, with Welsh ragga metal legends SKINDRED primed to return to our shores for their biggest ever Australian headline tour! Opening proceedings on Tuesday 1 September in Perth, SKINDRED will head through Adelaide, Melbourne and Sydney, and close out on Sunday 6 September in Brisbane.
Wielding a formidable (and deserved) reputation as one of the best live bands on the planet, SKINDRED have been stupefying audiences with their heart-thumping blend of reggae, punk, hip hop, nu metal, rock and electronica since forming in the late 90s. Hailing from Newport in Wales, SKINDRED's innovation and hybrid agility saw the group explode out of the underground and into enduring infamy, now with eight studio albums to date, multiple award wins, countless performances and millions of fans spanning the globe, all under the ardent gaze of frontman Benji Webbe.
Releasing their debut album Babylon in 2002, SKINDRED have consistently unleashed new music throughout their career, and 2026 is no exception with the hotly-anticipated release of their ninth studio album You Got This due out on April 17. Featuring the newly slimmed-down trio of Webbe, Mikey Demus and Arya Goggin working alongside GRAMMY-winning producer Jay Ruston (Diana Ross, Meat Loaf, Mr Bungle), You Got This picks up where the band's acclaimed 2023 album Smile left off, with vibrant dancehall hues fused with hooks, earworms and hard-hitting slammers all lying in wait on album #9; and it's a collection of songs that are also set to inevitably stun in a live setting.
On a live front, SKINDRED are certainly not your average band, with their exuberant brand of chaos never skimping on unity as well as pedal-to-the-metal technicality. Whether performing alongside the likes of KISS, Korn, Papa Roach and Rob Zombie, or leaving festival crowds in a sweaty euphoria on some of the biggest global stages, it's not hyperbole to declare that a SKINDRED live show is something you'll be talking about for years, if not decades, to come. Most recently delighting Aussie fans in 2024, performing as part of Knotfest Australia, SKINDRED's previous down under performances have been praised time and time again.
HEAVY sat down with Webbe to talk about the album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71247891Sat, 11 Apr 2026 02:21:04 +0000HEAVY MagazineInterview by Kris Peters Australia, prepare to set your fazers to stun this September, with Welsh ragga metal legends SKINDRED primed to return to our shores for their biggest ever Australian headline tour! Opening proceedings on Tuesday 1 September...Australia, prepare to set your fazers to stun this September, with Welsh ragga metal legends SKINDRED primed to return to our shores for their biggest ever Australian headline tour! Opening proceedings on Tuesday 1 September in Perth, SKINDRED will head through Adelaide, Melbourne and Sydney, and close out on Sunday 6 September in Brisbane.
Wielding a formidable (and deserved) reputation as one of the best live bands on the planet, SKINDRED have been stupefying audiences with their heart-thumping blend of reggae, punk, hip hop, nu metal, rock and electronica since forming in the late 90s. Hailing from Newport in Wales, SKINDRED's innovation and hybrid agility saw the group explode out of the underground and into enduring infamy, now with eight studio albums to date, multiple award wins, countless performances and millions of fans spanning the globe, all under the ardent gaze of frontman Benji Webbe.
Releasing their debut album Babylon in 2002, SKINDRED have consistently unleashed new music throughout their career, and 2026 is no exception with the hotly-anticipated release of their ninth studio album You Got This due out on April 17. Featuring the newly slimmed-down trio of Webbe, Mikey Demus and Arya Goggin working alongside GRAMMY-winning producer Jay Ruston (Diana Ross, Meat Loaf, Mr Bungle), You Got This picks up where the band's acclaimed 2023 album Smile left off, with vibrant dancehall hues fused with hooks, earworms and hard-hitting slammers all lying in wait on album #9; and it's a collection of songs that are also set to inevitably stun in a live setting.
On a live front, SKINDRED are certainly not your average band, with their exuberant brand of chaos never skimping on unity as well as pedal-to-the-metal technicality. Whether performing alongside the likes of KISS, Korn, Papa Roach and Rob Zombie, or leaving festival crowds in a sweaty euphoria on some of the biggest global stages, it's not hyperbole to declare that a SKINDRED live show is something you'll be talking about for years, if not decades, to come. Most recently delighting Aussie fans in 2024, performing as part of Knotfest Australia, SKINDRED's previous down under performances have been praised time and time again.
HEAVY sat down with Webbe to talk about the album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1559album,hardrock,heavy,heavymetal,interview,krispeters,livemusic,metalinterview,metalpodcast,music,musicpodcast,newmusic,reggae,rockmusic,skindred,tour,tournewstruefullhttps://www.spreaker.com/episode/are-tribute-bands-the-way-of-the-future-an-insiders-view-with-andre-joyzi-from-chop-suey--71184286That debate has recently spread to social media platforms like Facebook, whose new META algorythm has censored tribute bands and their videos, to the extent of closing down pages dedicated to tribute acts. With two successful international tribute bands in CHOP SUEY and SLIP NOT heading to Australia this May for a run of shows, HEAVY took the opportunity to sit down with the man behind these two bands and one of the world's leading experts on the tribute market, ANDRE JOYZI, to get his perspective on the global tribute band phenomina.  ANDRE JOYZI, to get his perspective on the global tribute band phenomina. 
"Basically, if you don't think with your ego there's nothing wrong with playing in a covers or tribute band," Joyzi began. "When I was 23 I decided I was going to be a professional metal drummer. There was nothing specific like it's going to have to be death metal or It's going to have to be this or that, because there's nothing I love more than playing metal live and the feeling you get from that. I made the early decision that I was going to do both (covers/tribute and originals), because nothing says that you can't".


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71184286Fri, 10 Apr 2026 07:16:11 +0000HEAVY MagazineIf there's one topic sure to divide opinion in the world of music it's tribute bands and the rapid growth of such bands around the globe. Those who support tribute bands argue points such as providing accessible, affordable entertainment, keeping...That debate has recently spread to social media platforms like Facebook, whose new META algorythm has censored tribute bands and their videos, to the extent of closing down pages dedicated to tribute acts. With two successful international tribute bands in CHOP SUEY and SLIP NOT heading to Australia this May for a run of shows, HEAVY took the opportunity to sit down with the man behind these two bands and one of the world's leading experts on the tribute market, ANDRE JOYZI, to get his perspective on the global tribute band phenomina.  ANDRE JOYZI, to get his perspective on the global tribute band phenomina. 
"Basically, if you don't think with your ego there's nothing wrong with playing in a covers or tribute band," Joyzi began. "When I was 23 I decided I was going to be a professional metal drummer. There was nothing specific like it's going to have to be death metal or It's going to have to be this or that, because there's nothing I love more than playing metal live and the feeling you get from that. I made the early decision that I was going to do both (covers/tribute and originals), because nothing says that you can't".


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1985andrejoyzi,australia,band,chopsuey,concert,livemusic,metal,metalinterview,metalpodcast,metaltour,musicinterview,musicpodcast,numetal,rockconcert,samtotman,systemofadown,theviolentinzident,tour,tribute,tributeshowtruefullhttps://www.spreaker.com/episode/hot-mulligan-are-back-for-seconds-and-australia-s-clearly-still-hungry--71201250Hot Mulligan’s latest chat with HEAVY finds the band exactly where good bands tend to be after years of grinding away: confident, funny, slightly unhinged in the best way, and still refreshingly free of self-important rubbish. Speaking with Ali Williams ahead of their April return to Australia, the group as a band, have earned its growing reputation. These guys roll on in with the kind of dry humour and sideways banter that suggests Hot Mulligan are far more interested in taking the piss out of themselves than posing like tortured visionaries. Just like their music, their attitudes have pulse, and more importantly, it makes them feel like actual people rather than another touring act reciting the usual promo script. 
The band are heading back to Australia after a warmly received first visit in 2024, this time with bigger rooms, stronger ticket sales, and enough demand to add a second Melbourne show after the first sold out. They speak about that first Australian run with genuine fondness, describing it as a leap into the unknown that paid off far better than expected. There is a clear affection for the smaller, more intimate venues too, with Hot Mulligan admitting they thrive in rooms where the barrier between band and audience is basically nonexistent. That detail says plenty. For all the upward momentum behind them, they still seem most at home when a show feels sweaty, immediate, and a little rough around the edges. Australia, clearly, gave them exactly that, and now they’re coming back for six shows as part of a schedule that barely lets them breathe before moving on to Singapore and then their first-ever tour of Japan. 
They explain the the band’s history without wasting time trying to inflate it into some grand rock fairytale. Their beginnings were deeply DIY, gloriously unflashy, and stitched together from local bands, trial and error, and the kind of long-term persistence that most “overnight success” stories quietly leave out. They talk openly about how the band’s growth was gradual at first, before a pandemic-era release gave things a serious push and shifted them into a different gear. Even then, there’s no victory lap in the way they tell it. Hot Mulligan sound more amused than amazed by their own rise, which somehow makes it more impressive. They have been at this for over a decade, building audience trust the slow way, and the result is a band with real international pull that still behaves like it can’t quite believe people in London, Australia, and now Japan are yelling for them to show up. 
Between the deadpan cracks about their past, the tongue-in-cheek nonsense about genre labels, and the general feeling that any one of them would happily derail a serious moment for a laugh, there is still a strong sense of gratitude running underneath it all. Hot Mulligan sound like a band fully aware of how lucky they are to be hauling their songs across the world, but also one that has worked hard enough to deserve every sold-out room and every passport stamp. That is really the takeaway here: not some neat genre tag or tidy career narrative, but a portrait of a band whose personality has grown right alongside its audience. They are funny without being flippant, sincere without getting sappy, and busy carving out a global path that still feels grounded in the scrappy spirit that got them moving in the first place. Go check them out and show them some lovin. Tickets, tour dates and information are available at www.ticketek.com.au as well as the bands page https://hotmulligan.band/pages/tour


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71201250Thu, 09 Apr 2026 02:32:03 +0000HEAVY MagazineInterview by Ali Williams Hot Mulligan’s latest chat with HEAVY finds the band exactly where good bands tend to be after years of grinding away: confident, funny, slightly unhinged in the best way, and still refreshingly free of self-important...Hot Mulligan’s latest chat with HEAVY finds the band exactly where good bands tend to be after years of grinding away: confident, funny, slightly unhinged in the best way, and still refreshingly free of self-important rubbish. Speaking with Ali Williams ahead of their April return to Australia, the group as a band, have earned its growing reputation. These guys roll on in with the kind of dry humour and sideways banter that suggests Hot Mulligan are far more interested in taking the piss out of themselves than posing like tortured visionaries. Just like their music, their attitudes have pulse, and more importantly, it makes them feel like actual people rather than another touring act reciting the usual promo script. 
The band are heading back to Australia after a warmly received first visit in 2024, this time with bigger rooms, stronger ticket sales, and enough demand to add a second Melbourne show after the first sold out. They speak about that first Australian run with genuine fondness, describing it as a leap into the unknown that paid off far better than expected. There is a clear affection for the smaller, more intimate venues too, with Hot Mulligan admitting they thrive in rooms where the barrier between band and audience is basically nonexistent. That detail says plenty. For all the upward momentum behind them, they still seem most at home when a show feels sweaty, immediate, and a little rough around the edges. Australia, clearly, gave them exactly that, and now they’re coming back for six shows as part of a schedule that barely lets them breathe before moving on to Singapore and then their first-ever tour of Japan. 
They explain the the band’s history without wasting time trying to inflate it into some grand rock fairytale. Their beginnings were deeply DIY, gloriously unflashy, and stitched together from local bands, trial and error, and the kind of long-term persistence that most “overnight success” stories quietly leave out. They talk openly about how the band’s growth was gradual at first, before a pandemic-era release gave things a serious push and shifted them into a different gear. Even then, there’s no victory lap in the way they tell it. Hot Mulligan sound more amused than amazed by their own rise, which somehow makes it more impressive. They have been at this for over a decade, building audience trust the slow way, and the result is a band with real international pull that still behaves like it can’t quite believe people in London, Australia, and now Japan are yelling for them to show up. 
Between the deadpan cracks about their past, the tongue-in-cheek nonsense about genre labels, and the general feeling that any one of them would happily derail a serious moment for a laugh, there is still a strong sense of gratitude running underneath it all. Hot Mulligan sound like a band fully aware of how lucky they are to be hauling their songs across the world, but also one that has worked hard enough to deserve every sold-out room and every passport stamp. That is really the takeaway here: not some neat genre tag or tidy career narrative, but a portrait of a band whose personality has grown right alongside its audience. They are funny without being flippant, sincere without getting sappy, and busy carving out a global path that still feels grounded in the scrappy spirit that got them moving in the first place. Go check them out and show them some lovin. Tickets, tour dates and information are available at www.ticketek.com.au as well as the bands page https://hotmulligan.band/pages/tour


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>688aliwilliams,australia,band,concert,heavy,hotmulligan,livemusic,rock,rockinterview,rockmusic,rockpodcast,tourtruefullhttps://www.spreaker.com/episode/from-stockholm-with-volume-h-e-a-t-lock-in-load-up-and-head-down-under--71168226
H.E.A.T are not exactly sitting around polishing old trophies and talking about the glory days. When HEAVY's Ali Williams caught up with Jimmy Jay, the Swedish melodic rock machine was holed up in rehearsal mode, fresh off the Spanish leg of their Welcome To The Future 2026 run and already gearing up for the next round of work. 
In classic H.E.A.T fashion, there is no neat little pause between touring and recording. The band is heading into Hamburg to start work on the next album, with more than twenty songs already written and waiting to be narrowed down to the strongest ten or so. Jimmy made it clear this one is being approached with a more live, in-the-room mindset too, leaning back toward the kind of energy that made earlier releases hit so hard. Less stitched together in separate corners, more five blokes in a room pushing air and rattling the walls. That alone should be enough to get fans interested before a single note has even escaped into the wild. 
There is also something deeply satisfying about hearing a band twenty years in still sound hungry rather than merely organised. H.E.A.T hit their 20-year anniversary next year, which is long enough for most bands to either implode, become a tribute act to themselves, or start releasing albums that sound like they were assembled by committee and a legal team. Jimmy, though, spoke with the kind of grounded pride that only comes from a band that has genuinely worked for its place. He describes H.E.A.T as classic Scandinavian melodic heavy metal and hard rock, and there is no need to dress that up in fancier language than it deserves. They know what they are, they know what they do well, and they have built a loyal following by sticking a boot through the door not by politely knocking. 
Coming out of the Stockholm suburbs, with the broader Scandinavian legacy of hard rock and metal humming in the background, has clearly helped shape that instinct. Not in a smug, self-congratulatory way, either. More in the sense that if you grow up in a place where this music is woven into the cultural fabric, it is easier to treat it as something lived rather than borrowed. 
That authenticity carries through to the band’s line-up story, which Jimmy recounted without turning it into some dramatic soap opera. H.E.A.T began as a six-piece, later dropped to five, and have only really had one major shake-up at the microphone. After original vocalist Kenny Leckremo left, Erik Grönwall stepped in for a decade-long run before moving on, with Kenny eventually returning and bringing things full circle. The result now is a band that feels about as close to its original DNA as it possibly can. 
For longtime fans, that matters. For newer ones, it explains why H.E.A.T still feel connected to their roots instead of merely trading on them. Jimmy also touched on the audience the band attracts, and it was one of the more telling parts of the chat. He reckons the crowd seems to stay roughly the same age, which is a very funny way of saying younger fans keep finding them while the old guard refuses to bugger off. That is not a bad place to be. It means the band has managed the rare trick of staying relevant without trying to act twenty years younger than they are. No desperate trend-chasing, no identity crisis, just a solid crowd of people who actually give a damn about music. 
Of course, for Australian fans, the immediate excitement is the upcoming run of shows in Brisbane, Melbourne and Sydney this April. It will be the band’s third trip Down Under, which means they are well past the polite “great to be here” stage and into the territory of knowing what they are in for. Jimmy spoke warmly about returning, even if the small matter of a 25-hour flight sits between Stockholm and Brisbane like a punishment designed by an especially vindictive travel agent. 

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71168226Tue, 07 Apr 2026 22:52:50 +0000HEAVY MagazineInterview by Ali Williams H.E.A.T are not exactly sitting around polishing old trophies and talking about the glory days. When HEAVY's Ali Williams caught up with Jimmy Jay, the Swedish melodic rock machine was holed up in rehearsal mode, fresh off...
H.E.A.T are not exactly sitting around polishing old trophies and talking about the glory days. When HEAVY's Ali Williams caught up with Jimmy Jay, the Swedish melodic rock machine was holed up in rehearsal mode, fresh off the Spanish leg of their Welcome To The Future 2026 run and already gearing up for the next round of work. 
In classic H.E.A.T fashion, there is no neat little pause between touring and recording. The band is heading into Hamburg to start work on the next album, with more than twenty songs already written and waiting to be narrowed down to the strongest ten or so. Jimmy made it clear this one is being approached with a more live, in-the-room mindset too, leaning back toward the kind of energy that made earlier releases hit so hard. Less stitched together in separate corners, more five blokes in a room pushing air and rattling the walls. That alone should be enough to get fans interested before a single note has even escaped into the wild. 
There is also something deeply satisfying about hearing a band twenty years in still sound hungry rather than merely organised. H.E.A.T hit their 20-year anniversary next year, which is long enough for most bands to either implode, become a tribute act to themselves, or start releasing albums that sound like they were assembled by committee and a legal team. Jimmy, though, spoke with the kind of grounded pride that only comes from a band that has genuinely worked for its place. He describes H.E.A.T as classic Scandinavian melodic heavy metal and hard rock, and there is no need to dress that up in fancier language than it deserves. They know what they are, they know what they do well, and they have built a loyal following by sticking a boot through the door not by politely knocking. 
Coming out of the Stockholm suburbs, with the broader Scandinavian legacy of hard rock and metal humming in the background, has clearly helped shape that instinct. Not in a smug, self-congratulatory way, either. More in the sense that if you grow up in a place where this music is woven into the cultural fabric, it is easier to treat it as something lived rather than borrowed. 
That authenticity carries through to the band’s line-up story, which Jimmy recounted without turning it into some dramatic soap opera. H.E.A.T began as a six-piece, later dropped to five, and have only really had one major shake-up at the microphone. After original vocalist Kenny Leckremo left, Erik Grönwall stepped in for a decade-long run before moving on, with Kenny eventually returning and bringing things full circle. The result now is a band that feels about as close to its original DNA as it possibly can. 
For longtime fans, that matters. For newer ones, it explains why H.E.A.T still feel connected to their roots instead of merely trading on them. Jimmy also touched on the audience the band attracts, and it was one of the more telling parts of the chat. He reckons the crowd seems to stay roughly the same age, which is a very funny way of saying younger fans keep finding them while the old guard refuses to bugger off. That is not a bad place to be. It means the band has managed the rare trick of staying relevant without trying to act twenty years younger than they are. No desperate trend-chasing, no identity crisis, just a solid crowd of people who actually give a damn about music. 
Of course, for Australian fans, the immediate excitement is the upcoming run of shows in Brisbane, Melbourne and Sydney this April. It will be the band’s third trip Down Under, which means they are well past the polite “great to be here” stage and into the territory of knowing what they are in for. Jimmy spoke warmly about returning, even if the small matter of a 25-hour flight sits between Stockholm and Brisbane like a punishment designed by an especially vindictive travel agent. 

Become a supporter of this podcast: 801australia,hardrock,heat,heavy,livemusic,melodicrock,music,musicinterview,musicpodcast,rock,rockconcert,rockmusic,tourfalsefullhttps://www.spreaker.com/episode/the-integration-of-synth-into-heavy-metal-as-told-by-dr-mike-trubetskov--71162838Dr. Mike Trubetskov isn’t just a metal producer—he’s a guide into one of the genre’s most misunderstood elements: synths. Based in Melbourne, he works with heavy bands to shape what he calls their “cinematic sound,” and a huge part of that comes from what sits beneath the obvious.
For Mike, synths aren’t always meant to be heard, they’re meant to be felt. Whether it’s a subtle, slow-moving pad or an industrial, distorted layer cutting through dense guitars, these sounds define the emotional weight of a track. Remove them, and something vital disappears.
What stands out is his balance between creativity and restraint. He approaches each song like a puzzle, filling gaps instinctively while respecting the band’s vision. Too much layering? It kills the song. The right touch? It elevates everything.
He’s also quick to point out that great synth work starts with songwriting, not sound design. A strong melody that fits naturally within the track will always win over something overly complex. From following vocal lines to adding hidden counter-melodies deep in the mix, these small, often unnoticed details are what transform a good track into something immersive and alive.
There’s also a technical intensity behind it all. In a genre built on distortion, synths need to fight for space—often pushed through layers of saturation to cut through, or buried with reverb to create an eerie, almost subconscious presence. It’s this constant push and pull between clarity and atmosphere that defines modern metal production.
For anyone looking to learn, Mike’s approach is both reassuring and challenging: trust your instincts, focus on the music first, and don’t rely on trends to carry your sound. He shares more of this insight on his YouTube channel, Doctor Mike Metal, where he breaks down techniques and encourages artists to experiment, refine, and ultimately find their own voice.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71162838Tue, 07 Apr 2026 17:47:23 +0000HEAVY MagazineInterview by Angela Croudace Dr. Mike Trubetskov isn’t just a metal producer—he’s a guide into one of the genre’s most misunderstood elements: synths. Based in Melbourne, he works with heavy bands to shape what he calls their “cinematic sound,” and a...Dr. Mike Trubetskov isn’t just a metal producer—he’s a guide into one of the genre’s most misunderstood elements: synths. Based in Melbourne, he works with heavy bands to shape what he calls their “cinematic sound,” and a huge part of that comes from what sits beneath the obvious.
For Mike, synths aren’t always meant to be heard, they’re meant to be felt. Whether it’s a subtle, slow-moving pad or an industrial, distorted layer cutting through dense guitars, these sounds define the emotional weight of a track. Remove them, and something vital disappears.
What stands out is his balance between creativity and restraint. He approaches each song like a puzzle, filling gaps instinctively while respecting the band’s vision. Too much layering? It kills the song. The right touch? It elevates everything.
He’s also quick to point out that great synth work starts with songwriting, not sound design. A strong melody that fits naturally within the track will always win over something overly complex. From following vocal lines to adding hidden counter-melodies deep in the mix, these small, often unnoticed details are what transform a good track into something immersive and alive.
There’s also a technical intensity behind it all. In a genre built on distortion, synths need to fight for space—often pushed through layers of saturation to cut through, or buried with reverb to create an eerie, almost subconscious presence. It’s this constant push and pull between clarity and atmosphere that defines modern metal production.
For anyone looking to learn, Mike’s approach is both reassuring and challenging: trust your instincts, focus on the music first, and don’t rely on trends to carry your sound. He shares more of this insight on his YouTube channel, Doctor Mike Metal, where he breaks down techniques and encourages artists to experiment, refine, and ultimately find their own voice.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1694angelacroudace,australia,drmiketrubetskov,heavy,heavymetal,interview,metal,metalinterview,metalpodcast,music,musicinterview,musicproducer,synthesiserfalsefullhttps://www.spreaker.com/episode/beauty-in-the-brutal-sace6-s-rise-and-first-trip-down-under--71089615Los Angeles duo sace6 are carving out a striking space in modern heavy music, blending R&B melodies with emotionally charged metal textures. In conversation with HEAVY, Sace and Noah reveal the deeply personal roots behind their name, with 6 honouring Sace’s father as a baseball player and serving as a symbol of inspiration.
Their latest project, Brutalist, reflects both sonic intensity and immersive world-building, pairing pop-forward vocals with what the band describes as “brutal” emotional weight. The duo emphasised a unique creative process built on trust, often working separately to fully realise ideas before combining them into something cohesive. That authenticity has helped shape a sound that feels both unpredictable and intentional, with tracks like Ego marking defining moments in their evolution.
Celebrating a decade of darkness, nothing, nowhere. returns to Australia this month, bringing The Return Of The Reaper tour with special guests sace6 and Closure. The run begins April 16 in Brisbane before hitting Sydney, Melbourne, Adelaide and concluding in Perth on April 23.
For sace6, the tour marks a major milestone and their first chance to connect with Australian audiences face-to-face for the first time ever. Check out the full interview above.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71089615Tue, 07 Apr 2026 14:25:08 +0000HEAVY MagazineInterview by Angela Croudace Los Angeles duo sace6 are carving out a striking space in modern heavy music, blending R&B melodies with emotionally charged metal textures. In conversation with HEAVY, Sace and Noah reveal the deeply personal roots...Los Angeles duo sace6 are carving out a striking space in modern heavy music, blending R&B melodies with emotionally charged metal textures. In conversation with HEAVY, Sace and Noah reveal the deeply personal roots behind their name, with 6 honouring Sace’s father as a baseball player and serving as a symbol of inspiration.
Their latest project, Brutalist, reflects both sonic intensity and immersive world-building, pairing pop-forward vocals with what the band describes as “brutal” emotional weight. The duo emphasised a unique creative process built on trust, often working separately to fully realise ideas before combining them into something cohesive. That authenticity has helped shape a sound that feels both unpredictable and intentional, with tracks like Ego marking defining moments in their evolution.
Celebrating a decade of darkness, nothing, nowhere. returns to Australia this month, bringing The Return Of The Reaper tour with special guests sace6 and Closure. The run begins April 16 in Brisbane before hitting Sydney, Melbourne, Adelaide and concluding in Perth on April 23.
For sace6, the tour marks a major milestone and their first chance to connect with Australian audiences face-to-face for the first time ever. Check out the full interview above.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>915angelacroudace,band,heavy,interview,livemusic,music,musicinterview,musicpodcast,rock,rockconcert,rockmusic,sace6,tourfalsefullhttps://www.spreaker.com/episode/in-the-throes-of-death-with-tobias-gustafsson-from-vomitory--71082697In any serious conversation about death metal, Vomitory’s name is a must-mention. Formed in 1989, the Swedish band unleashed eight blistering albums between 1996 and 2011, cementing their status as genre titans before parting ways in 2013. However, their retirement was short-lived, as they returned to the stage in 2019 to mark their 30th anniversary. Now, three years after the release of their critically acclaimed comeback album All Heads Are Gonna Roll in 2023, Vomitory are back with their latest beast, In Death Throes, due out on April 10.
According to drummer Tobias Gustafsson, while the unmistakable Vomitory sound remains, the new album cranks up the intensity. “In Death Throes picks up where All Heads Are Gonna Roll left off, but we’ve turned the intensity up a notch. Christian (Fredriksson, new guitarist) quickly found his place and even contributed music to four killer tracks. These additions bring a bit of diversity to our sound without straying too far from the formula.”
HEAVY sat down with drummer Gustafsson to get the full rundown, asking him to dive deeper into the musical side of the album and what Vomitory were going for this time around.
"We continued on the same path as we did on our comeback album All Heads Are Going to Roll," he offered. "So we continued writing in the in the same way. But in hindsight, this new album turned out a bit more intense than the previous one, which is not a bad thing for a death metal band (laughs)."
In the full interview, Tobias goes into more detail about how In Death Throes picks up where All Heads Are Gonna Roll left off, the added intensity in the music, and how new guitarist Christian Fredriksson contributed to the overall product.
We spoke about the early days of the band and where they fit in, the parting of ways in 2013 and his feelings at the time, the circumstances that brought them back together and how much planning was behind that decision, the importance of their comeback album All Heads Are Going to Roll and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71082697Tue, 07 Apr 2026 14:23:58 +0000HEAVY MagazineInterview by Kris Peters In any serious conversation about death metal, Vomitory’s name is a must-mention. Formed in 1989, the Swedish band unleashed eight blistering albums between 1996 and 2011, cementing their status as genre titans before parting...In any serious conversation about death metal, Vomitory’s name is a must-mention. Formed in 1989, the Swedish band unleashed eight blistering albums between 1996 and 2011, cementing their status as genre titans before parting ways in 2013. However, their retirement was short-lived, as they returned to the stage in 2019 to mark their 30th anniversary. Now, three years after the release of their critically acclaimed comeback album All Heads Are Gonna Roll in 2023, Vomitory are back with their latest beast, In Death Throes, due out on April 10.
According to drummer Tobias Gustafsson, while the unmistakable Vomitory sound remains, the new album cranks up the intensity. “In Death Throes picks up where All Heads Are Gonna Roll left off, but we’ve turned the intensity up a notch. Christian (Fredriksson, new guitarist) quickly found his place and even contributed music to four killer tracks. These additions bring a bit of diversity to our sound without straying too far from the formula.”
HEAVY sat down with drummer Gustafsson to get the full rundown, asking him to dive deeper into the musical side of the album and what Vomitory were going for this time around.
"We continued on the same path as we did on our comeback album All Heads Are Going to Roll," he offered. "So we continued writing in the in the same way. But in hindsight, this new album turned out a bit more intense than the previous one, which is not a bad thing for a death metal band (laughs)."
In the full interview, Tobias goes into more detail about how In Death Throes picks up where All Heads Are Gonna Roll left off, the added intensity in the music, and how new guitarist Christian Fredriksson contributed to the overall product.
We spoke about the early days of the band and where they fit in, the parting of ways in 2013 and his feelings at the time, the circumstances that brought them back together and how much planning was behind that decision, the importance of their comeback album All Heads Are Going to Roll and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>680album,band,deathmetal,heavy,heavymetal,krispeters,metal,metalinterview,metalpodcast,music,musicinterview,newmusic,swedishdeathmetal,vomitoryfalsefullhttps://www.spreaker.com/episode/putting-on-a-show-with-tom-kiely-from-patient-sixty-seven--71075468Patient Sixty-Seven have become one of the most compelling and community‑driven voices in modern metalcore - a band built not on hype or industry shortcuts, but on heart, resilience, and the belief that heavy music can be a lifeline. Emerging from the isolated but fiercely creative city of Perth, Australia, P67 have spent the past decade turning personal struggle into connection, and connection into a movement that now has reached metalcore fans across the globe.
From their earliest releases, Patient Sixty-Seven stood out for their emotional honesty - songs that didn’t shy away from fear, grief, or self‑doubt, but instead embraced them as part of the human experience. That vulnerability resonated deeply, helping the band build a loyal, engaged, and heartfelt community long before the industry took notice. Fans didn’t just listen; they shared stories, found comfort in the lyrics, and formed bonds with each other that extended far beyond the music.
Now, Patient Sixty-Seven are stepping into their most significant chapter yet. In May this year, the band will join Of Mice & Men and Crystal Lake on a major Australian tour - a career‑defining moment that places them alongside some of the most influential names in modern heavy music. It’s a testament to how far they’ve come, and a signal of where they’re headed next.
HEAVY caught up with vocalist Tom Kiely to find out more. One of the topics of discussion is how the band approaches major International supports. Do they go out there to warm the crowd up and play a role, or do they attack it with more vigour and go out there with a view to blowing everyone else off stage?
"I think for us, we just want to be ourselves," Tom measured. "I think obviously we want to make sure that we bring a high level of energy and intensity, because we know that ultimately our role on the tour is to get the crowd warmed up; to get the crowd moving; to get the crowd excited for the bands that are coming after us. By doing that it leans nicely into what we like to do anyway, which is play with a lot of energy and get the crowd involved. We try to be interactive and try and bring that spark to the stage and after our set's finished, hopefully people are even more excited for the next few bands.
Opening is always tricky because you know the crowd's definitely still getting warmed up and maybe not moving as much, so it's our job to shake off any cobwebs people have if they haven't been to a show in a while. We do what we can to get people banging their heads and maybe getting a mosh pit going. We find that a lot of the times once you start talking to the crowd and interacting with them there's a lot of people who are ready to get moving. If we can get a few mosh pits going, that'll be a highlight for sure (laughs)."
In the full interview, Tom talked more about the run of shows with Of Mice & Men and Crystal Lake, where they fit in with the line-up, what to expect from their live show and what three songs concert goers can listen to in order to get to know the band before the shows.
He also spoke about curating a set list to appeal to fans of the headliners while also playing their strongest material, how far advanced work is on their new album, what direction it is going to take musically and more.
Of Mice & Men 2026 Australian Tour Dates With Crystal Lake
Tuesday 5th May – PERTH, Magnet House
Thursday 7th May – ADELAIDE, Lion Arts Factory
Friday 8th May – MELBOURNE, 170 Russell
Saturday 9th May – SYDNEY, Manning Bar
Sunday 10th May – BRISBANE, The Triffid
Tickets https://thephoenix.au/of-mice-and-men/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71075468Fri, 03 Apr 2026 02:32:38 +0000HEAVY MagazineInterview by Kris Peters Patient Sixty-Seven have become one of the most compelling and community‑driven voices in modern metalcore - a band built not on hype or industry shortcuts, but on heart, resilience, and the belief that heavy music can be a...Patient Sixty-Seven have become one of the most compelling and community‑driven voices in modern metalcore - a band built not on hype or industry shortcuts, but on heart, resilience, and the belief that heavy music can be a lifeline. Emerging from the isolated but fiercely creative city of Perth, Australia, P67 have spent the past decade turning personal struggle into connection, and connection into a movement that now has reached metalcore fans across the globe.
From their earliest releases, Patient Sixty-Seven stood out for their emotional honesty - songs that didn’t shy away from fear, grief, or self‑doubt, but instead embraced them as part of the human experience. That vulnerability resonated deeply, helping the band build a loyal, engaged, and heartfelt community long before the industry took notice. Fans didn’t just listen; they shared stories, found comfort in the lyrics, and formed bonds with each other that extended far beyond the music.
Now, Patient Sixty-Seven are stepping into their most significant chapter yet. In May this year, the band will join Of Mice & Men and Crystal Lake on a major Australian tour - a career‑defining moment that places them alongside some of the most influential names in modern heavy music. It’s a testament to how far they’ve come, and a signal of where they’re headed next.
HEAVY caught up with vocalist Tom Kiely to find out more. One of the topics of discussion is how the band approaches major International supports. Do they go out there to warm the crowd up and play a role, or do they attack it with more vigour and go out there with a view to blowing everyone else off stage?
"I think for us, we just want to be ourselves," Tom measured. "I think obviously we want to make sure that we bring a high level of energy and intensity, because we know that ultimately our role on the tour is to get the crowd warmed up; to get the crowd moving; to get the crowd excited for the bands that are coming after us. By doing that it leans nicely into what we like to do anyway, which is play with a lot of energy and get the crowd involved. We try to be interactive and try and bring that spark to the stage and after our set's finished, hopefully people are even more excited for the next few bands.
Opening is always tricky because you know the crowd's definitely still getting warmed up and maybe not moving as much, so it's our job to shake off any cobwebs people have if they haven't been to a show in a while. We do what we can to get people banging their heads and maybe getting a mosh pit going. We find that a lot of the times once you start talking to the crowd and interacting with them there's a lot of people who are ready to get moving. If we can get a few mosh pits going, that'll be a highlight for sure (laughs)."
In the full interview, Tom talked more about the run of shows with Of Mice & Men and Crystal Lake, where they fit in with the line-up, what to expect from their live show and what three songs concert goers can listen to in order to get to know the band before the shows.
He also spoke about curating a set list to appeal to fans of the headliners while also playing their strongest material, how far advanced work is on their new album, what direction it is going to take musically and more.
Of Mice & Men 2026 Australian Tour Dates With Crystal Lake
Tuesday 5th May – PERTH, Magnet House
Thursday 7th May – ADELAIDE, Lion Arts Factory
Friday 8th May – MELBOURNE, 170 Russell
Saturday 9th May – SYDNEY, Manning Bar
Sunday 10th May – BRISBANE, The Triffid
Tickets https://thephoenix.au/of-mice-and-men/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>789australia,band,crystallake,hardrock,heavy,heavymetal,internationaltour,krispeters,livemusic,metal,metalcore,metalinterview,metalpodcast,music,musicinterview,ofmice&men,patientsixtyseven,thephoenix,tourfalsefullhttps://www.spreaker.com/episode/ready-to-rock-with-jacoby-shaddix-from-papa-roach--71063560Australia and New Zealand, big things are coming! In just a matter of days, two musical heavyweights will begin a colossal arena run, with Florida hybrid heavies A DAY TO REMEMBER and California mainstays PAPA ROACH joining forces for the BIG ROCK TOUR, joined by special guests LANDMVRKS.
Set to commence on Saturday, April 4 in Perth, A DAY TO REMEMBER and PAPA ROACH will journey the BIG ROCK TOUR through Adelaide, Melbourne, Sydney and Brisbane arenas, before closing out in Auckland on Wednesday 15 April.
Two-time GRAMMY-nominated and Platinum-selling rockers PAPA ROACH have perfected evolution and raw power over the course of 30 years. Hailing from Vacaville, California and forming back in the early 90s, PAPA ROACH embody resilience in every sense of the word.
Teaming up with The Used in 2023 for a double-header Australian run, PAPA ROACH balanced fan-favourites with plenty of surprises for their Aussie fans. And if the walls could talk at any of the countless venues PAPA ROACH have played throughout their careers across the globe, both as the main event and alongside Red Hot Chili Peppers, Limp Bizkit, Eminem and more, the resounding sentiment would be that PAPA ROACH aren't just revered for their longevity; this is a band who can adapt, survive and thrive, brandishing an underdog spirit with prime-time appeal. And they'll be bringing it with spades alongside A DAY TO REMEMBER.
HEAVY sat down with frontman Jacoby Shaddix to chat more.
"It's gonna be a banger of a tour, man. We're super excited about it," he beamed. "I've been anticipating this one for a minute, so it's great to be here in Australia, and great to be on the Big Rock Tour - I love that name too (laughs)."
We ask what has changed with Papa Roach since they were here last with The Used in 2023.
"Oh man…" he measured. "A bunch of new music. We've been writing new music and we've got something that we're really excited about. We've been releasing new music and we've had some great successes recently worldwide that are just blowing my mind. We've got this song right now, Wake Up Calling, that's in it's third week at number one in the rock charts in America which is awesome. To be stepping into 2026 and kicking it off here in Australia is going to be amazing. We've got a big year planned ahead of us so there's a lot of good things going on in the P Roach world."
Down the track we dive deeper into the history of Papa Roach, touching on the success of their second album Infest and what his initial thoughts of the album were.
"It was special to us," he recalled, smiling "I really feel that we thought we had something special, we just didn't know the world was gonna connect with it in such a way that they did. We thought we were gonna put out an album, tour in a van and maybe sell 150, 200 000 records, and that's not what happened (smiles). We put out an album and it was like a rocket ship ride to the top. I didn't know how to handle fame. I didn't know how to handle success, and it was just a very wild time for us. I'll tell you this, we had a lot of great times in that era and a lot of big wins and a lot of big moments. I look back upon that time of my life with a lot of… there were great moments that I was proud of, and then there were moments that I was like 'man, I regret that'. There's no handbook to becoming famous. There were moments that I handled it gracefully, and moments that I just went at it like an idiot."
In the full interview, Jacoby talks more about the tour and what to expect, the three bands on the Big Rock Tour and how they compliment each other, the early days of Papa Roach, the success of Infest, sticking to their own path musically, mental health and more.
Tickets from www.destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71063560Thu, 02 Apr 2026 14:56:43 +0000HEAVY MagazineInterview by Kris Peters Australia and New Zealand, big things are coming! In just a matter of days, two musical heavyweights will begin a colossal arena run, with Florida hybrid heavies A DAY TO REMEMBER and California mainstays PAPA ROACH joining...Australia and New Zealand, big things are coming! In just a matter of days, two musical heavyweights will begin a colossal arena run, with Florida hybrid heavies A DAY TO REMEMBER and California mainstays PAPA ROACH joining forces for the BIG ROCK TOUR, joined by special guests LANDMVRKS.
Set to commence on Saturday, April 4 in Perth, A DAY TO REMEMBER and PAPA ROACH will journey the BIG ROCK TOUR through Adelaide, Melbourne, Sydney and Brisbane arenas, before closing out in Auckland on Wednesday 15 April.
Two-time GRAMMY-nominated and Platinum-selling rockers PAPA ROACH have perfected evolution and raw power over the course of 30 years. Hailing from Vacaville, California and forming back in the early 90s, PAPA ROACH embody resilience in every sense of the word.
Teaming up with The Used in 2023 for a double-header Australian run, PAPA ROACH balanced fan-favourites with plenty of surprises for their Aussie fans. And if the walls could talk at any of the countless venues PAPA ROACH have played throughout their careers across the globe, both as the main event and alongside Red Hot Chili Peppers, Limp Bizkit, Eminem and more, the resounding sentiment would be that PAPA ROACH aren't just revered for their longevity; this is a band who can adapt, survive and thrive, brandishing an underdog spirit with prime-time appeal. And they'll be bringing it with spades alongside A DAY TO REMEMBER.
HEAVY sat down with frontman Jacoby Shaddix to chat more.
"It's gonna be a banger of a tour, man. We're super excited about it," he beamed. "I've been anticipating this one for a minute, so it's great to be here in Australia, and great to be on the Big Rock Tour - I love that name too (laughs)."
We ask what has changed with Papa Roach since they were here last with The Used in 2023.
"Oh man…" he measured. "A bunch of new music. We've been writing new music and we've got something that we're really excited about. We've been releasing new music and we've had some great successes recently worldwide that are just blowing my mind. We've got this song right now, Wake Up Calling, that's in it's third week at number one in the rock charts in America which is awesome. To be stepping into 2026 and kicking it off here in Australia is going to be amazing. We've got a big year planned ahead of us so there's a lot of good things going on in the P Roach world."
Down the track we dive deeper into the history of Papa Roach, touching on the success of their second album Infest and what his initial thoughts of the album were.
"It was special to us," he recalled, smiling "I really feel that we thought we had something special, we just didn't know the world was gonna connect with it in such a way that they did. We thought we were gonna put out an album, tour in a van and maybe sell 150, 200 000 records, and that's not what happened (smiles). We put out an album and it was like a rocket ship ride to the top. I didn't know how to handle fame. I didn't know how to handle success, and it was just a very wild time for us. I'll tell you this, we had a lot of great times in that era and a lot of big wins and a lot of big moments. I look back upon that time of my life with a lot of… there were great moments that I was proud of, and then there were moments that I was like 'man, I regret that'. There's no handbook to becoming famous. There were moments that I handled it gracefully, and moments that I just went at it like an idiot."
In the full interview, Jacoby talks more about the tour and what to expect, the three bands on the Big Rock Tour and how they compliment each other, the early days of Papa Roach, the success of Infest, sticking to their own path musically, mental health and more.
Tickets from www.destroyalllines.com


Become a supporter of this podcast: 757adaytoremember,destroyalllines,hardrock,heavy,heavymetal,jacobyshaddix,krispeters,landmvrks,liveconcert,metal,metalconcert,metalinterview,metalpodcast,music,numetal,paparoach,rock,tourfalsefullhttps://www.spreaker.com/episode/embracing-perpetual-selection-with-ferdi-from-vanta--71063164Perth based melodic death metal outfit VANTA returned with their debut full length album Perpetual Selection on March 13, a cinematic andconcept driven record that explores humanity’s darker instincts through the lens of cosmic horror, mythology and dystopian sci-fi.
Perpetual Selection is a sonic and visual journey inspired by Indonesian dark folklore and survival horror games to the brutal sci-fi landscapes of Dune and Warhammer 40K, transforming real world anxieties into symbolic narratives of monsters, collapse and rebirth. At its core, the album honours melodeath roots by fusing the aggression and heaviness of modern american death metal with the folkiness and melodic sway of early euro death metal.
The band literally ‘breaks down’ trauma, inner collapse and humanity’s obsession with forces it barely understands in songs like Stillwater and Sacred Light. VANTA’s creativity and experimentation in different extreme sub-genres can be heard throughout this album and is a bold statement that the pack are not afraid to push the boundaries and even make some of you...uncomfortable. As well as their sound, their art, lyrics and their symbolic music videos such as Kuyang, Empty Shells and Alchemy mirror the reality that is currently unfolding before us.
HEAVY spoke with drummer Ferdi to find out more, asking him to dive deeper into the musical side of the album.
"We want to explore the darker side of humanity and just where we're heading in general," he began. "Like you see all the things unfolding before our eyes and just around us. Compared to our Gravemind era, we sort of like touched on that more traditional Euro mellodeath sound. Like the Gothenburg riffs, the kind of early Children Of Bodum sound, and a mix with Dahlia nuance.
But with this album - because we wanted to explore more into the whole narrative about collapse and rebirth and just where the society is heading in general, we wanted something more extreme, more aggressive. And the three of us all love black metal very much. We love the early Dimmu Borgir gear, the Belphegor sort of sound, and the early Behemoth riffs. But all in all, the core sound is still MelloDeath and just blending it in more with modern influences, I would say."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/71063164Thu, 02 Apr 2026 14:02:51 +0000HEAVY MagazineInterview by Kris Peters Perth based melodic death metal outfit VANTA returned with their debut full length album Perpetual Selection on March 13, a cinematic andconcept driven record that explores humanity’s darker instincts through the lens of...Perth based melodic death metal outfit VANTA returned with their debut full length album Perpetual Selection on March 13, a cinematic andconcept driven record that explores humanity’s darker instincts through the lens of cosmic horror, mythology and dystopian sci-fi.
Perpetual Selection is a sonic and visual journey inspired by Indonesian dark folklore and survival horror games to the brutal sci-fi landscapes of Dune and Warhammer 40K, transforming real world anxieties into symbolic narratives of monsters, collapse and rebirth. At its core, the album honours melodeath roots by fusing the aggression and heaviness of modern american death metal with the folkiness and melodic sway of early euro death metal.
The band literally ‘breaks down’ trauma, inner collapse and humanity’s obsession with forces it barely understands in songs like Stillwater and Sacred Light. VANTA’s creativity and experimentation in different extreme sub-genres can be heard throughout this album and is a bold statement that the pack are not afraid to push the boundaries and even make some of you...uncomfortable. As well as their sound, their art, lyrics and their symbolic music videos such as Kuyang, Empty Shells and Alchemy mirror the reality that is currently unfolding before us.
HEAVY spoke with drummer Ferdi to find out more, asking him to dive deeper into the musical side of the album.
"We want to explore the darker side of humanity and just where we're heading in general," he began. "Like you see all the things unfolding before our eyes and just around us. Compared to our Gravemind era, we sort of like touched on that more traditional Euro mellodeath sound. Like the Gothenburg riffs, the kind of early Children Of Bodum sound, and a mix with Dahlia nuance.
But with this album - because we wanted to explore more into the whole narrative about collapse and rebirth and just where the society is heading in general, we wanted something more extreme, more aggressive. And the three of us all love black metal very much. We love the early Dimmu Borgir gear, the Belphegor sort of sound, and the early Behemoth riffs. But all in all, the core sound is still MelloDeath and just blending it in more with modern influences, I would say."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>683australia,deathmetal,heavy,heavymetal,krispeters,melodicdeathmetal,metal,metalinterview,metalpodcast,music,newmusic,vantatruefullhttps://www.spreaker.com/episode/architects-of-your-own-demise-with-tom-englund-from-evergrey--70958028Gothenburg's finest musical expert Evergrey are returning with their fifteenth studio album Architects Of A New Weave, set for release on June 5, 2026 via Napalm Records. 
Whether it launches EVERGREY’s boldest era yet, stands as a fierce standalone declaration, or serves as the pivotal bridge chapter that redefines their path, Architects Of A New Weave is pure cinematic motivation—ready to charge your playlist and propel your momentum forward. 
It’s as though EVERGREY don’t merely survive adversity—they rise and expand because of it. Every challenge, every setback, every wound seems to become the very oxygen that fuels their music. The darker the storm that once threatened to break them, the more powerfully each note draws breath from that same pain, transforming what hurt them yesterday into the soaring, living heart of their songs today. 
Architects Of A New Weave seals it: we are no longer victims of the night, but creators of new skies, new beliefs, and entirely new heavens. Grab it now. Let it arm you. This isn’t just an album – it’s the sound of you seizing control and building what’s next. HEAVY sat down with vocalist Tom Englund to find out more, starting by asking how he feels about the album's impending release.
"Great. Honestly, really, really good," he smiled. "The first reactions are coming in with a few albums of the month and a bunch of great reviews. The reception from from the fans have been stellar. So far, we have released two different kinds of songs from this album; one we released prior to the album announcement called Oxygen which is an obnoxious, dark, brooding, complex song at six minutes and 20 seconds. And then we released the song called Architects of The New Weave, which is four minutes, straight to the point, sing along heavy metal.
So in between those two worlds is where this album lives, which I love. That's the cool thing about being in Evergrey. We we can do pretty much whatever we want and fit everything into the Evergrey package."
In the full interview, Tom framed the material as a response to current global events and a perceived loss of compassion, citing the single The World is on Fire as especially timely. He explained production goals: deliver immediate songs that reveal layered, cinematic production over repeated listens, and keep the album concise to avoid the expense of a double-vinyl package. 
Tom also discussed guest vocalist Michael Stanne, chosen because the melody suited his voice, and acknowledged influence from Gothenburg peers including the late Tomas Lindberg. Tour logistics for late April–early May in Australia were confirmed, with Tom admitting the difficulty of constructing setlists from a 15-album catalogue while balancing fan favourites and new material, what to expect from the shows and more.
Pre-Order Architects Of A New Weave: http://lnk.to/Evergrey-ArchitectsOfANewWeave
Australian Tour April
28.04 - The Rosemount, Perth
30.04 - The Baso, Canberra
01.05 - Crowbar, Sydney
02.05 - The Corner, Melbourne
03.05 - Crowbar, Brisbane
https://yourmatebookings.com/tours/evergrey-australia-2026/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70958028Mon, 30 Mar 2026 03:17:58 +0000HEAVY MagazineInterview by Kris Peters Gothenburg's finest musical expert Evergrey are returning with their fifteenth studio album Architects Of A New Weave, set for release on June 5, 2026 via Napalm Records.  Whether it launches EVERGREY’s boldest era yet, stands...Gothenburg's finest musical expert Evergrey are returning with their fifteenth studio album Architects Of A New Weave, set for release on June 5, 2026 via Napalm Records. 
Whether it launches EVERGREY’s boldest era yet, stands as a fierce standalone declaration, or serves as the pivotal bridge chapter that redefines their path, Architects Of A New Weave is pure cinematic motivation—ready to charge your playlist and propel your momentum forward. 
It’s as though EVERGREY don’t merely survive adversity—they rise and expand because of it. Every challenge, every setback, every wound seems to become the very oxygen that fuels their music. The darker the storm that once threatened to break them, the more powerfully each note draws breath from that same pain, transforming what hurt them yesterday into the soaring, living heart of their songs today. 
Architects Of A New Weave seals it: we are no longer victims of the night, but creators of new skies, new beliefs, and entirely new heavens. Grab it now. Let it arm you. This isn’t just an album – it’s the sound of you seizing control and building what’s next. HEAVY sat down with vocalist Tom Englund to find out more, starting by asking how he feels about the album's impending release.
"Great. Honestly, really, really good," he smiled. "The first reactions are coming in with a few albums of the month and a bunch of great reviews. The reception from from the fans have been stellar. So far, we have released two different kinds of songs from this album; one we released prior to the album announcement called Oxygen which is an obnoxious, dark, brooding, complex song at six minutes and 20 seconds. And then we released the song called Architects of The New Weave, which is four minutes, straight to the point, sing along heavy metal.
So in between those two worlds is where this album lives, which I love. That's the cool thing about being in Evergrey. We we can do pretty much whatever we want and fit everything into the Evergrey package."
In the full interview, Tom framed the material as a response to current global events and a perceived loss of compassion, citing the single The World is on Fire as especially timely. He explained production goals: deliver immediate songs that reveal layered, cinematic production over repeated listens, and keep the album concise to avoid the expense of a double-vinyl package. 
Tom also discussed guest vocalist Michael Stanne, chosen because the melody suited his voice, and acknowledged influence from Gothenburg peers including the late Tomas Lindberg. Tour logistics for late April–early May in Australia were confirmed, with Tom admitting the difficulty of constructing setlists from a 15-album catalogue while balancing fan favourites and new material, what to expect from the shows and more.
Pre-Order Architects Of A New Weave: http://lnk.to/Evergrey-ArchitectsOfANewWeave
Australian Tour April
28.04 - The Rosemount, Perth
30.04 - The Baso, Canberra
01.05 - Crowbar, Sydney
02.05 - The Corner, Melbourne
03.05 - Crowbar, Brisbane
https://yourmatebookings.com/tours/evergrey-australia-2026/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>758album,evergrey,hardrock,heavy,heavymetal,krispeters,liveconcert,metalalbum,metalconcert,metalinterview,metalpodcast,metaltour,music,napalmrecords,newalbum,newmusic,progmetal,progressivemetal,rock,tourtruefullhttps://www.spreaker.com/episode/becoming-one-with-the-music-with-andreas-clark-from-self-deception--70957460Known for their fiery fusion of anthemic modern metal and powerful melodic rock, Sweden's SELF DECEPTION have shared stages with the likes of Electric Callboy, Danko Jones, and Adept since their 2009 debut, while racking up millions of streams and video views – including their viral 2022 hit, Fight Fire With Gasoline, with tens of millions of streams. 
Written on the road during the heaviest touring of SELF DECEPTION’s career so far, their upcoming album One Of Us is a cohesive record full of character, made for the stage – and the pit!
From massive pit churners to creative storylines and choruses full of hit potential, the energy on One Of Us is unmatched. The band has a busy festival summer following the album’s release, so fans will get the first chance to experience these new tracks live at several major European rock and metal festivals. 
With One Of Us, SELF DECEPTION is ready to push contemporary rock to the next level, but to find out more HEAVY sat down with vocalist Andreas Clark, asking him to describe One Of Us musically.
"We never have a plan beforehand," he began. "It kind of becomes what it is. When we started on our own feet, we just decided one day that we wanted to try some new stuff. And every new idea that we can throw into the songs, however crazy it sounds, we've got to try it first. Ever since then, it's been a motto for us to do that. And so this album is written a lot on tour.
We've been touring extensively and we've realized during touring and during writing this album that's what we wanted to capture. We wanted to capture so it feels like it's live and has actual musicians behind it. We used to think that perfecting everything was the way to go, but now every imperfection can add quality to it so it's a more organic album than we've ever done."
In the full interview, Andreas explained that signing with Napalm Records eased the burden the band had carried while crowdfunding and self-managing, providing reduced pressure and additional collaborative support. He described the album as largely written on the road with the aim of capturing a live, organic feel, deliberately accepting imperfections rather than chasing studio polish.
He said the band avoided strict pre-planning, experimenting with many ideas during songwriting and that despite that variety and diversity within their music, the record remains cohesive through consistent vocals and signature drum fills. Specific elements discussed included the song title Ketamine Cowboy, which grew from tour conversations, and the monkey-mask album artwork, chosen to symbolize the mosh-pit persona and the communal energy of live metal shows. 
We spoke about the recently postponed Australian tour and when they might be rescheduled, the genesis of the band name and more.
Get your copy of One Of Us: lnk.to/SelfDeception-ONEOFUS/napalmrecords


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70957460Sun, 29 Mar 2026 14:13:21 +0000HEAVY MagazineInterview by Kris Peters Known for their fiery fusion of anthemic modern metal and powerful melodic rock, Sweden's SELF DECEPTION have shared stages with the likes of Electric Callboy, Danko Jones, and Adept since their 2009 debut, while racking up...Known for their fiery fusion of anthemic modern metal and powerful melodic rock, Sweden's SELF DECEPTION have shared stages with the likes of Electric Callboy, Danko Jones, and Adept since their 2009 debut, while racking up millions of streams and video views – including their viral 2022 hit, Fight Fire With Gasoline, with tens of millions of streams. 
Written on the road during the heaviest touring of SELF DECEPTION’s career so far, their upcoming album One Of Us is a cohesive record full of character, made for the stage – and the pit!
From massive pit churners to creative storylines and choruses full of hit potential, the energy on One Of Us is unmatched. The band has a busy festival summer following the album’s release, so fans will get the first chance to experience these new tracks live at several major European rock and metal festivals. 
With One Of Us, SELF DECEPTION is ready to push contemporary rock to the next level, but to find out more HEAVY sat down with vocalist Andreas Clark, asking him to describe One Of Us musically.
"We never have a plan beforehand," he began. "It kind of becomes what it is. When we started on our own feet, we just decided one day that we wanted to try some new stuff. And every new idea that we can throw into the songs, however crazy it sounds, we've got to try it first. Ever since then, it's been a motto for us to do that. And so this album is written a lot on tour.
We've been touring extensively and we've realized during touring and during writing this album that's what we wanted to capture. We wanted to capture so it feels like it's live and has actual musicians behind it. We used to think that perfecting everything was the way to go, but now every imperfection can add quality to it so it's a more organic album than we've ever done."
In the full interview, Andreas explained that signing with Napalm Records eased the burden the band had carried while crowdfunding and self-managing, providing reduced pressure and additional collaborative support. He described the album as largely written on the road with the aim of capturing a live, organic feel, deliberately accepting imperfections rather than chasing studio polish.
He said the band avoided strict pre-planning, experimenting with many ideas during songwriting and that despite that variety and diversity within their music, the record remains cohesive through consistent vocals and signature drum fills. Specific elements discussed included the song title Ketamine Cowboy, which grew from tour conversations, and the monkey-mask album artwork, chosen to symbolize the mosh-pit persona and the communal energy of live metal shows. 
We spoke about the recently postponed Australian tour and when they might be rescheduled, the genesis of the band name and more.
Get your copy of One Of Us: lnk.to/SelfDeception-ONEOFUS/napalmrecords


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>873band,hardcore,heavy,heavymetal,metalalbum,metalband,metalinterview,metalpodcast,modernmetal,music,newmusic,selfdeceptionfalsefullhttps://www.spreaker.com/episode/fractured-spirits-with-pierina-o-brien-from-devil-electric--70950035Last month, Melbourne's elite vintage rock act, Devil Electric came roaring back with Tahlia, the first single from their upcoming third studio album of the same name. It was their first music in half a decade and what a triumphant return it was.
The song was taken from Devil Electric's new album of the same name, which is out now.
At its core, Tahlia is an album about fracture and survival, pain, frustration, and relationships breaking under pressure. Uncannily, its themes mirror the years that followed its recording, which only strengthen the emotive undertones of Tahlia. Delivered through soaring vocals, unforgettable hooks, and searing riffs.
Balancing heavy rock and doom with a contemporary edge, Tahlia is an album that demands to be felt start to finish. Soaring, immersive, and deeply personal, it marks a powerful chapter for Devil Electric and one well worth the wait. HEAVY sat down with Pierina O'Brien (vocals) on the eve of the albums release to find out more, starting by asking how the general feel is in the Devil Electric camp to finally get it out there.
"Yeah, amazing," she enthused. "It's been too long coming, I'd say. We've had this album for a while and COVID really impacted our ability to release it, essentially. We wanted to release it much earlier, but here we are. We're finally in the day. I'm so excited. I love this album. I love the songs on it. I hope everyone else loves this album too (laughs)."
We ask Pierina to dive deeper into the musical side of the album.
"It's an interesting question," she measured. "I've had to reflect back on this because... there was sort of this tumultuous period of my life in which I was writing both of these albums - Godless and Talia -, and little did I know it was going to get profoundly worse before it got better (laughs). But yeah, but there was this bookcase in my lounge room and I used to sit in the every night and sort of, you know, tinkering around.
"I was going through this time sitting in my lounge room and looking at this bookcase, so I wrote a lot of the music around the themes of these different books on the shelf. It sounds so cliche, but it actually was kind of a nice stimulant for me to look at when I'm trying to write lyrics. And so thematically they're quite similar, but I'd say all of the most probably painful songs ended up on Talia."
In the full interview, Pierina described Tahlia as a six-song, lyrically dark and personal record; she emphasized her strong attachment to the material and relief at finally releasing it. She noted some songs were written alongside the previous album Godless and highlighted the closing track "Hereafter" as a nine-minute, emotionally difficult piece that ultimately ends on a hopeful note.
The discussion moved into track-by-track commentary, with Pip summarizing the tone and themes of "Talia," "Jill and Jack Shit," "Weirdos," "When We Talk About Nothing," and the instrumental "Acid Bath," and naming collaborators involved. They covered the music-video creative process, getting the musical balance correct in the writing process and more.
Get your copy of Tahlia: devilelectric.bandcamp.com/album/tahlia


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70950035Sat, 28 Mar 2026 08:46:02 +0000HEAVY MagazineInterview by Kris Peters Last month, Melbourne's elite vintage rock act, Devil Electric came roaring back with Tahlia, the first single from their upcoming third studio album of the same name. It was their first music in half a decade and what a...Last month, Melbourne's elite vintage rock act, Devil Electric came roaring back with Tahlia, the first single from their upcoming third studio album of the same name. It was their first music in half a decade and what a triumphant return it was.
The song was taken from Devil Electric's new album of the same name, which is out now.
At its core, Tahlia is an album about fracture and survival, pain, frustration, and relationships breaking under pressure. Uncannily, its themes mirror the years that followed its recording, which only strengthen the emotive undertones of Tahlia. Delivered through soaring vocals, unforgettable hooks, and searing riffs.
Balancing heavy rock and doom with a contemporary edge, Tahlia is an album that demands to be felt start to finish. Soaring, immersive, and deeply personal, it marks a powerful chapter for Devil Electric and one well worth the wait. HEAVY sat down with Pierina O'Brien (vocals) on the eve of the albums release to find out more, starting by asking how the general feel is in the Devil Electric camp to finally get it out there.
"Yeah, amazing," she enthused. "It's been too long coming, I'd say. We've had this album for a while and COVID really impacted our ability to release it, essentially. We wanted to release it much earlier, but here we are. We're finally in the day. I'm so excited. I love this album. I love the songs on it. I hope everyone else loves this album too (laughs)."
We ask Pierina to dive deeper into the musical side of the album.
"It's an interesting question," she measured. "I've had to reflect back on this because... there was sort of this tumultuous period of my life in which I was writing both of these albums - Godless and Talia -, and little did I know it was going to get profoundly worse before it got better (laughs). But yeah, but there was this bookcase in my lounge room and I used to sit in the every night and sort of, you know, tinkering around.
"I was going through this time sitting in my lounge room and looking at this bookcase, so I wrote a lot of the music around the themes of these different books on the shelf. It sounds so cliche, but it actually was kind of a nice stimulant for me to look at when I'm trying to write lyrics. And so thematically they're quite similar, but I'd say all of the most probably painful songs ended up on Talia."
In the full interview, Pierina described Tahlia as a six-song, lyrically dark and personal record; she emphasized her strong attachment to the material and relief at finally releasing it. She noted some songs were written alongside the previous album Godless and highlighted the closing track "Hereafter" as a nine-minute, emotionally difficult piece that ultimately ends on a hopeful note.
The discussion moved into track-by-track commentary, with Pip summarizing the tone and themes of "Talia," "Jill and Jack Shit," "Weirdos," "When We Talk About Nothing," and the instrumental "Acid Bath," and naming collaborators involved. They covered the music-video creative process, getting the musical balance correct in the writing process and more.
Get your copy of Tahlia: devilelectric.bandcamp.com/album/tahlia


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>947album,australia,devilelectric,hardrock,heavy,heavymetal,krispeters,musicinterview,musicpodcast,newmusic,rock,rockmusictruefullhttps://www.spreaker.com/episode/live-raw-and-uncensored-with-doug-aldrich-from-the-dead-daisies--70862121After releasing their self titled debut album the following year and hitting the road with the first official line-up of The Dead Daisies - Lowy (guitar), Stevens (vocals), drummer Frank Ferrer (Guns N' Roses), guitarist Richard Fortus (Guns N' Roses, Thin Lizzy, Psychedelic Furs), bassist Marco Mendoza (Whitesnake/Thin Lizzy), and pianist Dizzy Reed (Guns N' Roses) - the first major change came when John Corabi (Motley Crue) replaced Stevens in April 2015 and ever since the open door policy of The Dead Daisies has seen a plethora of established musicians pass through the group, each adding their own unique stamp of authority on the music.
After passing the batton to Glenn Hughes (Deep Purple) in 2019 Corabi returned to the family in 2023, with the band releasing Light Em Up in 2024 and Lookin' For Trouble - a collection of covers originally performed by blues legends such as Robert Johnson, Muddy Waters, John Lee Hooker and BB King - the following year. These albums saw The Dead Daisies once more return to the stage, with their 2025 performance as part of Stonedead Festival being recorded and released later that year on digital and streaming platforms only.
The album resonated so well that the decision to release physical copies was made, with the performance repackaged and beefed up with five live cuts from selected other shows to become Live Plus Five, arriving on CD and Vinyl Friday May 1 and May 15 in the USA and Canada. HEAVY sat down with guitarist Doug Aldrich to find out more.
"It's different. It's a totally different thing," he replied when we ask if he gets the same feelings of anticipation before the release of a live album as he does original albums, "because, obviously, you create new music. It is very exciting because you've got something that no one's ever heard and you're going to present it to your fans and to the community. And in this situation, we just had a bunch of... we had new material from two albums - Light Em Up and Lookin for Trouble and so we were performing those songs live last year and the last show of the tour, we just happened to record it and it turned out great. It's just very raw and very real. It's honest. No fixes, no A.I., no nothing. It's just how it was on stage. And I got to say, the audience was incredible. So that was great."
In the full interview, Doug articulated the band's philosophy of preserving raw live energy rather than over‑polishing recordings, while acknowledging occasional selective fixes when necessary and citing past projects to illustrate that approach.
Aldrich described how the five bonus tracks were chosen based on available recording quality and input from the front-of-house engineer and management to ensure cohesion with the main show. The conversation reviewed several cover selections on the release such as The Angels' Take a Long Line, the Beatles' Helter Skelter, and George Thorogood's Get a Haircut and covered how the band arranges covers to fit their sound and set dynamics, plus more.
Pre-Order link for all configurations: thedeaddaisies.lnk.to/LivePlusFive


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70862121Wed, 25 Mar 2026 01:20:35 +0000HEAVY MagazineFormed in Sydney by Jon Stevens (formerly of Noiseworks, INXS) and David Lowy (formerly from Mink) in 2012, The Dead Daisies started life with a view to being a platform for musicians to traverse at will. While always intended to be a permanent, fully...After releasing their self titled debut album the following year and hitting the road with the first official line-up of The Dead Daisies - Lowy (guitar), Stevens (vocals), drummer Frank Ferrer (Guns N' Roses), guitarist Richard Fortus (Guns N' Roses, Thin Lizzy, Psychedelic Furs), bassist Marco Mendoza (Whitesnake/Thin Lizzy), and pianist Dizzy Reed (Guns N' Roses) - the first major change came when John Corabi (Motley Crue) replaced Stevens in April 2015 and ever since the open door policy of The Dead Daisies has seen a plethora of established musicians pass through the group, each adding their own unique stamp of authority on the music.
After passing the batton to Glenn Hughes (Deep Purple) in 2019 Corabi returned to the family in 2023, with the band releasing Light Em Up in 2024 and Lookin' For Trouble - a collection of covers originally performed by blues legends such as Robert Johnson, Muddy Waters, John Lee Hooker and BB King - the following year. These albums saw The Dead Daisies once more return to the stage, with their 2025 performance as part of Stonedead Festival being recorded and released later that year on digital and streaming platforms only.
The album resonated so well that the decision to release physical copies was made, with the performance repackaged and beefed up with five live cuts from selected other shows to become Live Plus Five, arriving on CD and Vinyl Friday May 1 and May 15 in the USA and Canada. HEAVY sat down with guitarist Doug Aldrich to find out more.
"It's different. It's a totally different thing," he replied when we ask if he gets the same feelings of anticipation before the release of a live album as he does original albums, "because, obviously, you create new music. It is very exciting because you've got something that no one's ever heard and you're going to present it to your fans and to the community. And in this situation, we just had a bunch of... we had new material from two albums - Light Em Up and Lookin for Trouble and so we were performing those songs live last year and the last show of the tour, we just happened to record it and it turned out great. It's just very raw and very real. It's honest. No fixes, no A.I., no nothing. It's just how it was on stage. And I got to say, the audience was incredible. So that was great."
In the full interview, Doug articulated the band's philosophy of preserving raw live energy rather than over‑polishing recordings, while acknowledging occasional selective fixes when necessary and citing past projects to illustrate that approach.
Aldrich described how the five bonus tracks were chosen based on available recording quality and input from the front-of-house engineer and management to ensure cohesion with the main show. The conversation reviewed several cover selections on the release such as The Angels' Take a Long Line, the Beatles' Helter Skelter, and George Thorogood's Get a Haircut and covered how the band arranges covers to fit their sound and set dynamics, plus more.
Pre-Order link for all configurations: thedeaddaisies.lnk.to/LivePlusFive


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>931concert,dougalrich,guitar,hardrock,heavy,krispeters,livealbum,music,musicinterview,musicpodcast,rock,rockband,rockinterview,rockmusic,rocknroll,thedeaddaisiesfalsefullhttps://www.spreaker.com/episode/black-ties-and-symphonies-with-bert-mccracken-from-the-used--70841519For more than 25 years, The Used have built their legacy on chaos, catharsis and connection, but in 2026, they’re stepping into entirely new territory with a landmark performance at the Sydney Opera House.
Taking place on March 29, the one-night-only event, titled A Mid Summer Night’s Symphony, will see the band joined by a full orchestra and choir for the first time in their career. The black-tie performance promises to reimagine beloved tracks with sweeping arrangements, elevating their signature intensity into something grander and more cinematic.
Frontman Bert McCracken described the opportunity as “otherworldly,” revealing it’s been a dream since first seeing the venue in 2005. He also noted the iconic setting has reshaped their approach, leaning into a more “beautiful, romantic” atmosphere to match the space.
Songs like The Bird and the Worm have already been reworked to suit the scale of a full orchestral production, with McCracken promising the night will feel “magic” for both the band and fans alike.
Following their recent 25th anniversary Australian tour, this ambitious performance marks a bold new chapter—one that proves The Used are still evolving, even after decades at the forefront of alternative music.
Tickets from sydneyoperahouse.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70841519Tue, 24 Mar 2026 01:23:09 +0000HEAVY MagazineInterview by Angela Croudace For more than 25 years, The Used have built their legacy on chaos, catharsis and connection, but in 2026, they’re stepping into entirely new territory with a landmark performance at the Sydney Opera House. Taking place on...For more than 25 years, The Used have built their legacy on chaos, catharsis and connection, but in 2026, they’re stepping into entirely new territory with a landmark performance at the Sydney Opera House.
Taking place on March 29, the one-night-only event, titled A Mid Summer Night’s Symphony, will see the band joined by a full orchestra and choir for the first time in their career. The black-tie performance promises to reimagine beloved tracks with sweeping arrangements, elevating their signature intensity into something grander and more cinematic.
Frontman Bert McCracken described the opportunity as “otherworldly,” revealing it’s been a dream since first seeing the venue in 2005. He also noted the iconic setting has reshaped their approach, leaning into a more “beautiful, romantic” atmosphere to match the space.
Songs like The Bird and the Worm have already been reworked to suit the scale of a full orchestral production, with McCracken promising the night will feel “magic” for both the band and fans alike.
Following their recent 25th anniversary Australian tour, this ambitious performance marks a bold new chapter—one that proves The Used are still evolving, even after decades at the forefront of alternative music.
Tickets from sydneyoperahouse.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>572angelacroudace,australia,band,hardrock,heavy,live,liveconcert,livemusic,music,rock,rockinterview,rockmusic,theusedtruefullhttps://www.spreaker.com/episode/no-shortcuts-obscura-are-recording-everything-australia-behave-accordingly--70840011Trying to kick off an interview while your tech does that fun little “betrayal at the worst possible moment” routine is a very modern way to start talking to the frontman of Obscura. Thankfully, Steffen Kummerer was unbothered, cheerful, and immediately in touring mode, calling in from Munich while the band’s next moves were already stacked: flying to the US on Sunday, detouring through France for rehearsals and pre-production, then rolling straight into a year that’s shaping up to be a monster. He casually drops that Obscura are playing 80 to 100 shows this year, then lists off a “long Asian run” that includes China, India, Japan, Mongolia, Armenia and Georgia. Most people need a nap after saying those words out loud. Steffen sounds excited. 
The real reason for the chat, though, is Shredfest. Obscura have been here twice already: 2019 (a handful of shows with Alarum) and 2023 (a festival plus one sideshow), with that last visit being so tight they were in the country for less than 48 hours. Steffen calls it “brutal” in that very touring-band way: great show, great people, no time to actually be here. This time is the opposite. Shredfest brings Obscura back for 11 shows across Australia and New Zealand, including stops in Darwin and Hobart which even Steffen has been told are “absolutely not common” for international tours. He genuinely doesn’t know what to expect, which is half the fun. 
He also explains why this run is set up the way it is. Shredfest is a travelling festival with five bands each night: two international acts (Obscura and Fallujah) plus two Australian bands (Ashen and Anoxia), then special guests added per show. The point is not to drag everyone through a “support acts are background noise” evening. The goal is a full day that rewards people who show up early, with proper production and a line-up designed to cover different corners of extreme metal. Ashen bring the more “orthodox” death metal end, Fallujah sit in the progressive lane, and Obscura… well, Steffen gives the diplomatic version: “techy or melodic, whatever you call it.” That little shrug of a line tells you a lot about the man. 
There’s also a tasty detail for the collectors and the “I was there” crowd: Obscura are recording every show on this cycle, including audience mics, with the idea that one of these performances might become a future live release. Steffen is honest about the variables: the band has to play well (because, yes, not every day is perfect), and the crowd has to bring the noise. Then he throws the challenge back to fans: come through, have a good time, and you might end up on the next live album. No pressure, Australia.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70840011Mon, 23 Mar 2026 22:56:15 +0000HEAVY MagazineInterview by Ali Williams Trying to kick off an interview while your tech does that fun little “betrayal at the worst possible moment” routine is a very modern way to start talking to the frontman of Obscura. Thankfully, Steffen Kummerer was...Trying to kick off an interview while your tech does that fun little “betrayal at the worst possible moment” routine is a very modern way to start talking to the frontman of Obscura. Thankfully, Steffen Kummerer was unbothered, cheerful, and immediately in touring mode, calling in from Munich while the band’s next moves were already stacked: flying to the US on Sunday, detouring through France for rehearsals and pre-production, then rolling straight into a year that’s shaping up to be a monster. He casually drops that Obscura are playing 80 to 100 shows this year, then lists off a “long Asian run” that includes China, India, Japan, Mongolia, Armenia and Georgia. Most people need a nap after saying those words out loud. Steffen sounds excited. 
The real reason for the chat, though, is Shredfest. Obscura have been here twice already: 2019 (a handful of shows with Alarum) and 2023 (a festival plus one sideshow), with that last visit being so tight they were in the country for less than 48 hours. Steffen calls it “brutal” in that very touring-band way: great show, great people, no time to actually be here. This time is the opposite. Shredfest brings Obscura back for 11 shows across Australia and New Zealand, including stops in Darwin and Hobart which even Steffen has been told are “absolutely not common” for international tours. He genuinely doesn’t know what to expect, which is half the fun. 
He also explains why this run is set up the way it is. Shredfest is a travelling festival with five bands each night: two international acts (Obscura and Fallujah) plus two Australian bands (Ashen and Anoxia), then special guests added per show. The point is not to drag everyone through a “support acts are background noise” evening. The goal is a full day that rewards people who show up early, with proper production and a line-up designed to cover different corners of extreme metal. Ashen bring the more “orthodox” death metal end, Fallujah sit in the progressive lane, and Obscura… well, Steffen gives the diplomatic version: “techy or melodic, whatever you call it.” That little shrug of a line tells you a lot about the man. 
There’s also a tasty detail for the collectors and the “I was there” crowd: Obscura are recording every show on this cycle, including audience mics, with the idea that one of these performances might become a future live release. Steffen is honest about the variables: the band has to play well (because, yes, not every day is perfect), and the crowd has to bring the noise. Then he throws the challenge back to fans: come through, have a good time, and you might end up on the next live album. No pressure, Australia.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>992aliwilliams,australia,deathmetal,heavy,heavymetal,liveband,metal,music,obscura,shredfest,tourtruefullhttps://www.spreaker.com/episode/you-are-what-you-eat-with-matt-verinder-from-grim-rhythm--70788331Some interviews kick off with grand statements about art and purpose. This one started with me trying to bully the internet into a split-screen format while Matt from Grim Rhythm sat there, politely hungover and fully accepting his fate. The reason for the state of him? The band’s second album had dropped the day before, which apparently required a studio party that ran all the way to 2am Aerosmith karaoke. Classy behaviour. Very rock’n’roll. 
That album title, Forever Eating Shit, is exactly what it sounds like and also not what it sounds like. Matt explains it as the unglamorous reality of being a working band: six-hour drives to play to five people, swallowing the grind for the chance that one out of twenty shows is the one where everything clicks, sells out, and reminds you why you bothered in the first place. It’s crude, it’s honest, and it’s weirdly uplifting in the way only musicians can manage, turning misery into momentum and calling it “the pursuit.” 
We also got into the slow, messy death of the big Australian festival era. Matt’s not mourning the corporate bloat of it all, and he reckons the decline has pushed people back into “real venues and real gigs” for the right reasons, not just a weekend bender with a wristband. The upside is a return to sweaty rooms, proper bills, and crowds that actually remember what they saw. It’s not a nostalgia trip, it’s more a recalibration: bands building followings one room at a time, and venues becoming the heartbeat again.
There’s also a very human reset in the story. Between the first record and this one, the band stepped away for a while and Matt openly references getting into trouble with substances. Coming back wasn’t forced or deadline-driven, it happened naturally, helped by having their own studio and a crew who stay busy across other projects. Once the momentum returned, the album came together over roughly a year and a half, without the pressure-cooker vibe that can kill the fun. 
On the nuts-and-bolts side, Matt talks recording approach too. The first record was tracked live; this one was built for tightness, with click tracks and obsessive attention to detail to nail that classic heavy metal precision. The studio situation is both blessing and curse, because unlimited time can turn into endless tinkering unless you know when to walk away. Also, for the record: Matt’s a bassist, which means we briefly bonded over the sacred duty of being the reason the crowd moves while guitarists soak up the spotlight. 
Even though Grim Rhythm are instrumental, the band isn’t short on voices. Matt and other members sing in their other projects, they just choose to keep this one wordless, and it works because the focus is pure muscle and movement. When we touched on fanbase, Matt didn’t pretend he’s above it all either: validation matters. One person coming up after a set and telling you it ruled can be enough to fuel the next round of “eating shit,” and he calls out the “we don’t care” crowd as liars. You don’t have to be an egomaniac to want your work to land. You just have to be human. 
To top it off, the band’s not sitting still. They’re launching the album in Melbourne on 4 April, then heading up for shows on the Gold Coast and Brisbane, with more dates and festival slots in the mix, before a proper two-month Europe run. They’ve done a handful of U.S. shows previously, but this is framed as the first real European tour. And because sleep is clearly optional in this camp, Matt’s already booked in to record another album in June and says they’ve got the next one written. No eight-year wait required this time, apparently. 

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70788331Fri, 20 Mar 2026 23:00:56 +0000HEAVY MagazineInterview by Ali Williams Some interviews kick off with grand statements about art and purpose. This one started with me trying to bully the internet into a split-screen format while Matt from Grim Rhythm sat there, politely hungover and fully...Some interviews kick off with grand statements about art and purpose. This one started with me trying to bully the internet into a split-screen format while Matt from Grim Rhythm sat there, politely hungover and fully accepting his fate. The reason for the state of him? The band’s second album had dropped the day before, which apparently required a studio party that ran all the way to 2am Aerosmith karaoke. Classy behaviour. Very rock’n’roll. 
That album title, Forever Eating Shit, is exactly what it sounds like and also not what it sounds like. Matt explains it as the unglamorous reality of being a working band: six-hour drives to play to five people, swallowing the grind for the chance that one out of twenty shows is the one where everything clicks, sells out, and reminds you why you bothered in the first place. It’s crude, it’s honest, and it’s weirdly uplifting in the way only musicians can manage, turning misery into momentum and calling it “the pursuit.” 
We also got into the slow, messy death of the big Australian festival era. Matt’s not mourning the corporate bloat of it all, and he reckons the decline has pushed people back into “real venues and real gigs” for the right reasons, not just a weekend bender with a wristband. The upside is a return to sweaty rooms, proper bills, and crowds that actually remember what they saw. It’s not a nostalgia trip, it’s more a recalibration: bands building followings one room at a time, and venues becoming the heartbeat again.
There’s also a very human reset in the story. Between the first record and this one, the band stepped away for a while and Matt openly references getting into trouble with substances. Coming back wasn’t forced or deadline-driven, it happened naturally, helped by having their own studio and a crew who stay busy across other projects. Once the momentum returned, the album came together over roughly a year and a half, without the pressure-cooker vibe that can kill the fun. 
On the nuts-and-bolts side, Matt talks recording approach too. The first record was tracked live; this one was built for tightness, with click tracks and obsessive attention to detail to nail that classic heavy metal precision. The studio situation is both blessing and curse, because unlimited time can turn into endless tinkering unless you know when to walk away. Also, for the record: Matt’s a bassist, which means we briefly bonded over the sacred duty of being the reason the crowd moves while guitarists soak up the spotlight. 
Even though Grim Rhythm are instrumental, the band isn’t short on voices. Matt and other members sing in their other projects, they just choose to keep this one wordless, and it works because the focus is pure muscle and movement. When we touched on fanbase, Matt didn’t pretend he’s above it all either: validation matters. One person coming up after a set and telling you it ruled can be enough to fuel the next round of “eating shit,” and he calls out the “we don’t care” crowd as liars. You don’t have to be an egomaniac to want your work to land. You just have to be human. 
To top it off, the band’s not sitting still. They’re launching the album in Melbourne on 4 April, then heading up for shows on the Gold Coast and Brisbane, with more dates and festival slots in the mix, before a proper two-month Europe run. They’ve done a handful of U.S. shows previously, but this is framed as the first real European tour. And because sleep is clearly optional in this camp, Matt’s already booked in to record another album in June and says they’ve got the next one written. No eight-year wait required this time, apparently. 

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1086australia,grimrhythm,hardrock,heavy,metal,metalcommunity,metalnews,metalpodcast,metalshow,music,musicinterview,rock,rockmusic,rocknrolltruefullhttps://www.spreaker.com/episode/triumph-of-the-spirit-with-tyler-beam-from-the-last-ten-seconds-of-life--70784701With a total of 50+ tours since 2011 with bands including Sepultura, Cattle Decapitation and The Black Dahlia Murder, TLTSOL are showing no signs of slowing down. On the contrary, they’re looking to a 2026-2027 that’s among the busiest times in the band’s history. “Everyone in the group was a teenager or in their early 20s when this band started,” says guitarist Wyatt McLaughlin, concluding, “The sonic and lyrical growth has been immeasurable in ability and maturity. At this point it seems like another life!”
Intense and intensely personal, the band's upcoming new album The Dead Ones marks THE LAST TEN SECONDS OF LIFE’s Metal Blade Records debut. For the ten original tracks of pulverizing deathcore produced by Carson Slovak and Grant McFarland of Pennsylvania’s Atrium Audio, the band focused on the guitar, bass, and drum tones as well as the mix/master to achieve what McLaughlin calls, “a super-thick sonic output and ‘rolling-tank’-like feel.”
Lyrically, The Dead Ones follows 2024’s acclaimed No Name Graves in the theme of death and rebirth, but in contrast, is directly focused on the human experience and the band members’ own struggles. The Last Ten Seconds of Life have never been stronger as a unit. With singer Tyler Beam, bassist Andrew Petway and drummer Dylan Potts in the band since 2022, the chemistry is super-charged. “Everyone is very direct and any bumps in the road are solved through group conversations,” McLaughlin says. “Sometimes it takes years to find the right mix of people who all coincide at the right times in their lives to coexist and elevate each other and this is it for us.”
HEAVY caught up with Tyler to find out more. We start by asking how he is feeling about the release.
"It is without a doubt the best piece of music that any of us have created or collaborated on," he replied confidently and honestly. "It's got a little piece of everything that we've ever made, put all together in one big album. And we touched on everything that the band has kind of touched on before since the beginning of the discography up into right now. So it's just a potpourri of everything that we absolutely love about the band."
In the full interview, Tyler described the record as a concentrated blend of the band's past styles with an emphasis on heavy, groovy songwriting and tighter song structures after prior experimentation.
Discussion then covered personnel and influences that shaped the record: the drummer's precision-focused death metal background, the bassist's Northeast deathcore roots, and Tyler's expanded songwriting role on this album. Guest appearances were drawn from longtime friends and alumni, including the original lead singer on one track as an homage to the band's past. Technical choices contributing to the band's distinct low-end included a six-string baritone tuned to drop F. He outlined the album's lyrical and conceptual focus that centers on themes of death, rebirth, and community identity as The Dead Ones and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70784701Fri, 20 Mar 2026 18:53:12 +0000HEAVY MagazineThe Last Ten Seconds of Life were forged in 2010. Within a year, they were touring regularly and had self-released their debut album, Know Your Exits. By 2013, they unleashed their second album, Invivo [Exvivo], the prolific act would go on to release...With a total of 50+ tours since 2011 with bands including Sepultura, Cattle Decapitation and The Black Dahlia Murder, TLTSOL are showing no signs of slowing down. On the contrary, they’re looking to a 2026-2027 that’s among the busiest times in the band’s history. “Everyone in the group was a teenager or in their early 20s when this band started,” says guitarist Wyatt McLaughlin, concluding, “The sonic and lyrical growth has been immeasurable in ability and maturity. At this point it seems like another life!”
Intense and intensely personal, the band's upcoming new album The Dead Ones marks THE LAST TEN SECONDS OF LIFE’s Metal Blade Records debut. For the ten original tracks of pulverizing deathcore produced by Carson Slovak and Grant McFarland of Pennsylvania’s Atrium Audio, the band focused on the guitar, bass, and drum tones as well as the mix/master to achieve what McLaughlin calls, “a super-thick sonic output and ‘rolling-tank’-like feel.”
Lyrically, The Dead Ones follows 2024’s acclaimed No Name Graves in the theme of death and rebirth, but in contrast, is directly focused on the human experience and the band members’ own struggles. The Last Ten Seconds of Life have never been stronger as a unit. With singer Tyler Beam, bassist Andrew Petway and drummer Dylan Potts in the band since 2022, the chemistry is super-charged. “Everyone is very direct and any bumps in the road are solved through group conversations,” McLaughlin says. “Sometimes it takes years to find the right mix of people who all coincide at the right times in their lives to coexist and elevate each other and this is it for us.”
HEAVY caught up with Tyler to find out more. We start by asking how he is feeling about the release.
"It is without a doubt the best piece of music that any of us have created or collaborated on," he replied confidently and honestly. "It's got a little piece of everything that we've ever made, put all together in one big album. And we touched on everything that the band has kind of touched on before since the beginning of the discography up into right now. So it's just a potpourri of everything that we absolutely love about the band."
In the full interview, Tyler described the record as a concentrated blend of the band's past styles with an emphasis on heavy, groovy songwriting and tighter song structures after prior experimentation.
Discussion then covered personnel and influences that shaped the record: the drummer's precision-focused death metal background, the bassist's Northeast deathcore roots, and Tyler's expanded songwriting role on this album. Guest appearances were drawn from longtime friends and alumni, including the original lead singer on one track as an homage to the band's past. Technical choices contributing to the band's distinct low-end included a six-string baritone tuned to drop F. He outlined the album's lyrical and conceptual focus that centers on themes of death, rebirth, and community identity as The Dead Ones and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1027album,heavy,heavymetal,krispeters,metal,metalband,metalhead,metalinterview,music,thelasttensecondsoflifetruefullhttps://www.spreaker.com/episode/a-welcome-distraction-with-olle-hillborg-from-glorious-bankrobbers--70784226By 1989, the group cemented their place in rock history with Dynamite Sex Doze—a landmark release that became a cornerstone of Swedish sleaze and action rock. The title track earned rotation on MTV’s Headbangers Ball, while their U.S. promo tour, including the cult live album Live at CBGB’s N.Y.C., expanded their reputation worldwide.
Now entering a new era with Wild Kingdom Records, Glorious Bankrobbers recently released Intruder in late February. Delivering 12 brand-new tracks, the album distills everything that defines the band—grit, swagger, and heart—while propelling their sound into bold new territory. With Intruder, Glorious Bankrobbers reaffirm their place at the forefront of Scandinavian rock. Louder, harder, and hungrier than ever, the band stands as living proof that true rock ’n’ roll never dies.
HEAVY caught up with frontman Olle Hillborg to find out more. We start by asking him how the early response has been for Intruder.
"It's been great, actually," he smiled. "We've got so many responses from all over the world, thinking that this is the best album of the three releases. We have released three albums in the last three to four years and this is the best one, people have been thinking."
In the full interview, Olle emphasized that Glorious Bankrobbers deliberately retained a straight rock-and-roll sound, recorded without AI and using classic gear with recurring producer Robert Pehrsson. The conversation reviewed the band's origins in Stockholm in 1984, early influences from sleaze/glam and punk-pop, and how their timing aligned them with the broader sleaze wave of the late 1980s and early 1990s.
Discussion moved to the band's live reputation and early-stage behavior at pubs and parties, followed by the impact of a drummer's death that led to a 16-year recording hiatus. Olle explained the rationale for restarting with a sound consistent with their legacy rather than shifting styles and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70784226Fri, 20 Mar 2026 18:27:44 +0000HEAVY MagazineFormed in Stockholm in 1983, Glorious Bankrobbers quickly earned notoriety for their uncompromising sound and electrifying live performances. Their 1984 debut, produced by Kee Marcello (Easy Action/Europe), marked the arrival of a band destined to...By 1989, the group cemented their place in rock history with Dynamite Sex Doze—a landmark release that became a cornerstone of Swedish sleaze and action rock. The title track earned rotation on MTV’s Headbangers Ball, while their U.S. promo tour, including the cult live album Live at CBGB’s N.Y.C., expanded their reputation worldwide.
Now entering a new era with Wild Kingdom Records, Glorious Bankrobbers recently released Intruder in late February. Delivering 12 brand-new tracks, the album distills everything that defines the band—grit, swagger, and heart—while propelling their sound into bold new territory. With Intruder, Glorious Bankrobbers reaffirm their place at the forefront of Scandinavian rock. Louder, harder, and hungrier than ever, the band stands as living proof that true rock ’n’ roll never dies.
HEAVY caught up with frontman Olle Hillborg to find out more. We start by asking him how the early response has been for Intruder.
"It's been great, actually," he smiled. "We've got so many responses from all over the world, thinking that this is the best album of the three releases. We have released three albums in the last three to four years and this is the best one, people have been thinking."
In the full interview, Olle emphasized that Glorious Bankrobbers deliberately retained a straight rock-and-roll sound, recorded without AI and using classic gear with recurring producer Robert Pehrsson. The conversation reviewed the band's origins in Stockholm in 1984, early influences from sleaze/glam and punk-pop, and how their timing aligned them with the broader sleaze wave of the late 1980s and early 1990s.
Discussion moved to the band's live reputation and early-stage behavior at pubs and parties, followed by the impact of a drummer's death that led to a 16-year recording hiatus. Olle explained the rationale for restarting with a sound consistent with their legacy rather than shifting styles and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>570album,glammetal,glamrock,gloriousbankrobbers,hardrock,heavy,intervie,krispeters,musicinterview,rock,rockmusic,sleazerock,wildkingdomrecordsfalsefullhttps://www.spreaker.com/episode/no-bollywood-all-backbone-girish-and-the-chronicles-fly-the-rock-flag--70776114If you’ve ever wondered what it takes to fly the classic hard-rock flag out of a country where Bollywood runs the audio monopoly, Girish and the Chronicles have the answer: persistence, volume, and a deep love of the big-chorus, big-guitar stuff that got most of us into this mess in the first place. Ali’s chat with bassist Yogi quickly locks into the band’s origin story, which starts simple and very rock’n’roll: Girish was gigging solo as “Girish Unplugged,” the rest of the crew jumped in, “The Chronicles” got scribbled onto the poster, and suddenly it was a full band with a proper name and a mission. 
Musically, they’re not pretending to reinvent the wheel, they’re polishing it and lighting it on fire. Yogi straight-up credits the holy trinity of hard rock and metal upbringing: Guns N’ Roses, AC/DC and Iron Maiden, and you can hear that DNA all over the newer material. Ali clocks it immediately and calls out the classic-rock backbone, which Yogi happily owns. 
On home turf, the Indian heavy scene sits in the shadow of a massive mainstream industry, but Yogi explains the maths of it: even a “small percentage” of rock and metal fans becomes a serious crowd when your population is… well, India. He points to the proof: when international bands hit major cities like Bangalore, Mumbai and Delhi, the rooms are stacked and the fans actually know the songs, sing along, and show up loud. 
The conversation also ducks into Asia and the band’s wider wish-list. Japan sits high on it, with Yogi nerding out over anime and shouting out Japan’s long-standing rock culture, plus names like Marty Friedman and Paul Gilbert as examples of how deep that scene runs. They’ve already played Thailand and Vietnam, and he’s clear-eyed about the next step: Southeast Asia needs more work, more shows, more presence. 
Then comes the bit Australia always cares about: yes, they’re coming here, and it’s soon. Yogi says they land on the 15th March for their first ever trip “Down Under” not just as a band, but as tourists too. They’re lining up roughly five to six shows across the major cities, plus a New Zealand date. The tour kicks off in Brisbane, at the Crow Bar, and they’ve got a couple of days between landing and the first show (they mention the first gig being on the 19th) to explore, soak up the country and, naturally, sample the pub culture that keeps this nation emotionally upright. Ali does her civic duty and warns them about drop bears, prompting Yogi to promise he’ll Google it, which is the correct response to any Australian wildlife briefing. 
Fresh music is also on the immediate horizon. Yogi says a new album is coming, with a couple of singles released first, and that the full production is finished, they’re just waiting on the official release date. They’re also tossing around music video ideas and hoping to shoot footage while in Australia. Their video “process” is pleasingly human: start with an idea that fits the song, then accept that things drift off-script and sometimes the unplanned bits end up being the best bits. 
There’s a quick peek behind the curtain on what else the band has been up to too. Yogi notes that while the group’s focus is firmly on Girish and the Chronicles, Girish has been involved in side projects with some serious names (George Lynch and Jeff Pilson get mentioned, along with Chris Adler and Joel Hoekstra), especially after signing with Frontiers. It’s a neat reminder that while the band has that classic-rock heart, they’re plugged into the wider rock world and they’re not shy about doing the work to stay there. 
Bottom line: Girish and the Chronicles aren’t selling a gimmick. They’re a hard-rock band from a country where rock isn’t the default setting, who’ve still managed to stack up major support slots, years of European touring, a surprise AGT run, and now an Aussie/NZ tour with a new album loading in the chamber. If you want to see what happens when the “classic” part of classic rock turns out to be alive, sweaty, and very ready to prove a point, grab a ticket and give them some lovin.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70776114Fri, 20 Mar 2026 09:57:50 +0000HEAVY MagazineInterview by Ali Williams If you’ve ever wondered what it takes to fly the classic hard-rock flag out of a country where Bollywood runs the audio monopoly, Girish and the Chronicles have the answer: persistence, volume, and a deep love of the...If you’ve ever wondered what it takes to fly the classic hard-rock flag out of a country where Bollywood runs the audio monopoly, Girish and the Chronicles have the answer: persistence, volume, and a deep love of the big-chorus, big-guitar stuff that got most of us into this mess in the first place. Ali’s chat with bassist Yogi quickly locks into the band’s origin story, which starts simple and very rock’n’roll: Girish was gigging solo as “Girish Unplugged,” the rest of the crew jumped in, “The Chronicles” got scribbled onto the poster, and suddenly it was a full band with a proper name and a mission. 
Musically, they’re not pretending to reinvent the wheel, they’re polishing it and lighting it on fire. Yogi straight-up credits the holy trinity of hard rock and metal upbringing: Guns N’ Roses, AC/DC and Iron Maiden, and you can hear that DNA all over the newer material. Ali clocks it immediately and calls out the classic-rock backbone, which Yogi happily owns. 
On home turf, the Indian heavy scene sits in the shadow of a massive mainstream industry, but Yogi explains the maths of it: even a “small percentage” of rock and metal fans becomes a serious crowd when your population is… well, India. He points to the proof: when international bands hit major cities like Bangalore, Mumbai and Delhi, the rooms are stacked and the fans actually know the songs, sing along, and show up loud. 
The conversation also ducks into Asia and the band’s wider wish-list. Japan sits high on it, with Yogi nerding out over anime and shouting out Japan’s long-standing rock culture, plus names like Marty Friedman and Paul Gilbert as examples of how deep that scene runs. They’ve already played Thailand and Vietnam, and he’s clear-eyed about the next step: Southeast Asia needs more work, more shows, more presence. 
Then comes the bit Australia always cares about: yes, they’re coming here, and it’s soon. Yogi says they land on the 15th March for their first ever trip “Down Under” not just as a band, but as tourists too. They’re lining up roughly five to six shows across the major cities, plus a New Zealand date. The tour kicks off in Brisbane, at the Crow Bar, and they’ve got a couple of days between landing and the first show (they mention the first gig being on the 19th) to explore, soak up the country and, naturally, sample the pub culture that keeps this nation emotionally upright. Ali does her civic duty and warns them about drop bears, prompting Yogi to promise he’ll Google it, which is the correct response to any Australian wildlife briefing. 
Fresh music is also on the immediate horizon. Yogi says a new album is coming, with a couple of singles released first, and that the full production is finished, they’re just waiting on the official release date. They’re also tossing around music video ideas and hoping to shoot footage while in Australia. Their video “process” is pleasingly human: start with an idea that fits the song, then accept that things drift off-script and sometimes the unplanned bits end up being the best bits. 
There’s a quick peek behind the curtain on what else the band has been up to too. Yogi notes that while the group’s focus is firmly on Girish and the Chronicles, Girish has been involved in side projects with some serious names (George Lynch and Jeff Pilson get mentioned, along with Chris Adler and Joel Hoekstra), especially after signing with Frontiers. It’s a neat reminder that while the band has that classic-rock heart, they’re plugged into the wider rock world and they’re not shy about doing the work to stay there. 
Bottom line: Girish and the Chronicles aren’t selling a gimmick. They’re a hard-rock band from a country where rock isn’t the default setting, who’ve still managed to stack up major support slots, years of European touring, a surprise AGT run, and now an Aussie/NZ tour with a new album loading in the chamber. If you want to see what happens...]]>913australia,girishandthechronicles,hardrock,heavy,heavymetal,music,musicinterview,rock,shotgunmistress,tourfalsefullhttps://www.spreaker.com/episode/keeping-your-head-above-the-surface-with-tristan-barnes-from-growth--70773112On March 27, Growth release their first album in more than half a decade, Under The Under. The gap between releases has been deliberate….and necessary. Where The Smothering Arms of Mercy was written from within collapse, sickness and isolation, Under the Under exists in the far more uncomfortable space that follows: what happens when survival is no longer the question and you’re forced to confront who you are once the wreckage settles. In the bands own words, healing, is not gentle. It is an ugly process. Chaotic, disorienting and often more confronting than the pain that preceded it.
Under the Under is an album that documents six stages of recovery - not as levels to be celebrated, but as thresholds to be endured. Across the record, Growth interrogates the dignity we attach to suffering, the comfort of identifying solely with trauma and the terrifying possibility that we might be more than the stories that have kept us alive.
HEAVY sat down with guitarist Tristan Barnes to find out more. Under the Under is set for release on March 27 via Wild Thing Records. Pre Orders available now https://orcd.co/undertheunder. Growth will be touring Australia in August as part of the epic Psycroptic & Rivers of Nihil tour.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70773112Fri, 20 Mar 2026 06:17:07 +0000HEAVY MagazineMelbourne based progressive death metal outfit Growth began in 2017 as a reflective space for brothers Tristan Barnes (guitar/bass/artwork) and Nelson Barnes (drums), and vocalist LF, later joined by Nick Rackham (bass) and Ben Boyle (guitar), to...On March 27, Growth release their first album in more than half a decade, Under The Under. The gap between releases has been deliberate….and necessary. Where The Smothering Arms of Mercy was written from within collapse, sickness and isolation, Under the Under exists in the far more uncomfortable space that follows: what happens when survival is no longer the question and you’re forced to confront who you are once the wreckage settles. In the bands own words, healing, is not gentle. It is an ugly process. Chaotic, disorienting and often more confronting than the pain that preceded it.
Under the Under is an album that documents six stages of recovery - not as levels to be celebrated, but as thresholds to be endured. Across the record, Growth interrogates the dignity we attach to suffering, the comfort of identifying solely with trauma and the terrifying possibility that we might be more than the stories that have kept us alive.
HEAVY sat down with guitarist Tristan Barnes to find out more. Under the Under is set for release on March 27 via Wild Thing Records. Pre Orders available now https://orcd.co/undertheunder. Growth will be touring Australia in August as part of the epic Psycroptic & Rivers of Nihil tour.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>746album,australia,deathmetal,growth,heavy,heavymetal,krispeters,metal,metalinterview,metalpodcast,music,musicpodcast,progressivedeathmetal,psycroptic,riversofnihil,tourfalsefullhttps://www.spreaker.com/episode/revved-up-to-hit-the-road-with-the-datsuns--70710548The Datsuns blazed into global consciousness with their 2002 self-titled debut, a record that topped the NZ charts and hurled them onto stages with Metallica, The White Stripes, and Queens of the Stone Age. Over the past two decades, they’ve released seven albums, worked with Led Zeppelin’s John Paul Jones, and remain an absolutely potent live act. Their Aussie run promises to be filled with savage hooks, honed to perfection, delivering Stoogeoid evil, powerpop crunch and the classic proto rawk assault & battery they are world renowned for.
Scandinavian drummer Adam Lindmark will drive the beast forward locking in with Dolf de Borst on bass. While upfront lead string wrangler and vocalist, Christian Livingstone, and rhythmic meister Phil Somervell bring a stack of raw, unfiltered and oh so good riffage.
Expect the full sweep of The Datsuns’ catalogue, from the anthems that scorched their early path to the first sparks of their eighth studio album, set to arrive in 2026. HEAVY caught up with vocalist/guitarist Christian Livingstone to find out more.
"We've been around for a long time now," he began when we ask what fans can expect from the shows. "We've got quite a few albums, so we're going to try and do a kind of cover everything, as it were, nice retrospective, and also throw in a few new songs from a record that we're hoping to release kind of middle of this year."
Check out the full interview for the full discussion.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70710548Thu, 19 Mar 2026 07:53:41 +0000HEAVY MagazineOne of New Zealand’s fiercest rock exports, The Datsuns, will bring their all thrills and no frills brand of sleazy garage rock to their Australian fans next March. The Datsuns blazed into global consciousness with their 2002 self-titled debut, a...The Datsuns blazed into global consciousness with their 2002 self-titled debut, a record that topped the NZ charts and hurled them onto stages with Metallica, The White Stripes, and Queens of the Stone Age. Over the past two decades, they’ve released seven albums, worked with Led Zeppelin’s John Paul Jones, and remain an absolutely potent live act. Their Aussie run promises to be filled with savage hooks, honed to perfection, delivering Stoogeoid evil, powerpop crunch and the classic proto rawk assault & battery they are world renowned for.
Scandinavian drummer Adam Lindmark will drive the beast forward locking in with Dolf de Borst on bass. While upfront lead string wrangler and vocalist, Christian Livingstone, and rhythmic meister Phil Somervell bring a stack of raw, unfiltered and oh so good riffage.
Expect the full sweep of The Datsuns’ catalogue, from the anthems that scorched their early path to the first sparks of their eighth studio album, set to arrive in 2026. HEAVY caught up with vocalist/guitarist Christian Livingstone to find out more.
"We've been around for a long time now," he began when we ask what fans can expect from the shows. "We've got quite a few albums, so we're going to try and do a kind of cover everything, as it were, nice retrospective, and also throw in a few new songs from a record that we're hoping to release kind of middle of this year."
Check out the full interview for the full discussion.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>484australia,hardrock,heavy,krispeters,metal,metalinterview,music,rock,rockinterview,rockmusic,thedatsuns,tourtruefullhttps://www.spreaker.com/episode/amorphis-reflect-on-evolution-freedom-and-their-long-awaited-return-to-australia--70709481Balancing a 15-album catalogue and passionate fan expectations, the band still approaches setlists and songwriting with fresh intent. Koivusaari describes an instinctive, cinematic writing process shaped by nature and mood rather than rigid plans. He admits the band once lost direction experimenting, but sees that era as essential growth that ultimately defined their sound. 
With multiple members contributing ideas, producers now help shape each album’s final form. As they prepare to return to Australian stages, Koivusaari promises a career-spanning set and a tighter, more confident live experience. Despite decades in the industry, he remains driven to improve and explore.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70709481Wed, 18 Mar 2026 05:33:48 +0000HEAVY MagazineFinnish metal veterans Amorphis continue to evolve without losing their identity, guitarist Tomi Koivusaari explains in a candid interview about creativity, risk, and returning to Australia.  Balancing a 15-album catalogue and passionate fan...Balancing a 15-album catalogue and passionate fan expectations, the band still approaches setlists and songwriting with fresh intent. Koivusaari describes an instinctive, cinematic writing process shaped by nature and mood rather than rigid plans. He admits the band once lost direction experimenting, but sees that era as essential growth that ultimately defined their sound. 
With multiple members contributing ideas, producers now help shape each album’s final form. As they prepare to return to Australian stages, Koivusaari promises a career-spanning set and a tighter, more confident live experience. Despite decades in the industry, he remains driven to improve and explore.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1157amorphis,angelacroudace,australia,gothismetal,heavy,heavymetal,metal,metalinterview,metalpodcast,progressivemetal,tourtruefullhttps://www.spreaker.com/episode/from-an-echo-to-a-roar-with-nick-rivett--70678593Curated for fans of expansive instrumental rock, post-metal, and boundary-pushing alternative music, Echoes Festival brings together an eclectic and powerful lineup of interstate and local artists: which include the internationally renowned Mensicus who are playing in Adelaide for the very first time.
With two stages operating across Rhino Room and Lowlife Bar, Echoes Festival will offer nonstop performances, allowing fans to experience everything and immerse in over 7 hours of non stop. Combining visual and lighting with state of the art sound - this event aims to change how you consume sound.
HEAVY caught up with one of the people behind Echoes Festival, Nick Rivett.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70678593Tue, 17 Mar 2026 07:38:30 +0000HEAVY MagazineEchoes Festival, a new immersive celebration of post-rock, experimental, and cinematic heavy music, will make its debut on Saturday, May 9, 2026, taking over both Rhino Room and Lowlife Bar for one day and night. Curated for fans of expansive...Curated for fans of expansive instrumental rock, post-metal, and boundary-pushing alternative music, Echoes Festival brings together an eclectic and powerful lineup of interstate and local artists: which include the internationally renowned Mensicus who are playing in Adelaide for the very first time.
With two stages operating across Rhino Room and Lowlife Bar, Echoes Festival will offer nonstop performances, allowing fans to experience everything and immerse in over 7 hours of non stop. Combining visual and lighting with state of the art sound - this event aims to change how you consume sound.
HEAVY caught up with one of the people behind Echoes Festival, Nick Rivett.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>690adelaide,australia,echoesfestival,hardrock,heavy,krispeters,music,musicfestival,musicinterview,musicpodcast,postrock,rockfalsefullhttps://www.spreaker.com/episode/built-on-grit-and-growing-fast-alien-weapon-ready-for-aussie-run--70659488Alien Weaponry might have been speaking to HEAVY from Barcelona only a couple of hours after leaving the stage, but there was nothing flat about the energy. If anything, the interview captured a band running on that familiar touring cocktail of adrenaline, sleep deprivation and sheer gratitude for being able to do the thing in the first place. 
Midway through a European run with Avatar, the New Zealand trio sounded road-hardened but still properly hungry, laughing their way through stories of disrupted schedules, long drives and the weird limbo that hits when a tour suddenly loses momentum. After a run of cancellations due to illness in the headlining camp, Alien Weaponry found themselves stuck in the rare position of wanting less sightseeing and more stage time. A deeply metal problem, really. 
That restless energy says a lot about where Alien Weaponry are at right now. What began in 2010 as a project between brothers Lewis and Henry de Jong has grown steadily into one of the most distinctive heavy acts in the region, now rounded out by Tūranga Morgan-Edmonds on bass. There was no inflated self-mythology in the conversation, no grand speech about destiny or conquest, just the kind of grounded honesty that tends to come from bands who have actually done the work. Tour, write, repeat. Then do it again, preferably with less airport food. Their current run with Avatar, plus support acts Witch Club Satan and Agabas, has only reinforced that sense of upward momentum, with the band clearly relishing the chance to keep testing themselves in front of bigger and broader audiences. 
The Australian leg, naturally, loomed large in the conversation. Alien Weaponry know full well that Australian fans have been nagging, pleading and emotionally blackmailing them into returning for years, and they seem genuinely touched by the enthusiasm. Their past visits have been enough to build affection, but not enough to satisfy the appetite for a proper headline run. This tour is still another support slot, yet there was no trace of complaint in the band’s tone. Quite the opposite. They sounded genuinely stoked to get back across the ditch, reconnect with fans who have been waiting impatiently, and introduce themselves to fresh ears in the process. That blend of familiarity and unfinished business gives this next trip a bit of extra charge. Australia may not officially own Alien Weaponry, but the adoption papers are clearly halfway filled out. 
What also came through strongly was the band’s appreciation for the support slots themselves. Lewis was refreshingly realistic about the whole thing: when you are opening for another band, there is no guarantee anyone in the room knows who you are, let alone likes what you do. That is the gamble. But on this run, the reception has been encouraging, especially in Spain, where crowds were already singing along and throwing themselves into the set. For a band like Alien Weaponry, whose music carries both cultural depth and pure physical force, that kind of response matters. It means the connection is happening in real time, not just in algorithms and streaming numbers. It means the songs are landing where they are supposed to: right in the chest. 
There was also a nice sense throughout the interview that Alien Weaponry are not taking any of this for granted. The discussion drifted naturally into the wider value of live music, with both band and interviewer reflecting on how audiences have changed since the COVID years. People are showing up differently now. They are less casual, more invested, more willing to throw themselves into the experience whether they know every lyric or not. That suits Alien Weaponry just fine. They are the kind of band built for discovery, the kind that can walk on as support and leave with a chunk of the room mentally recalibrated. Not bad for a group chatting after a show while preparing for a nap and the next drive to Madrid. Human endurance is such a stupid little miracle. 
For all the momentum, though, the band already has one eye on what comes next. Once the touring cycle wraps and the Australian dates are done, the plan is to get home, reacquaint themselves with their own beds, their own showers and the radical luxury of not living out of a suitcase, then begin work on album number four. They also spoke excitedly about the idea of eventually reaching Japan, a place high on their wishlist and one they clearly see as a natural fit. 
So while this interview caught Alien Weaponry in transit, somewhere between Barcelona, Belgium, Australia and the next motorway nap, it also caught a band with a very clear sense of direction. Still climbing, still evolving, still carrying themselves with humility, humour and just enough chaos to make the whole thing interesting. Which, in heavy music, is usually a very good sign indeed.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70659488Mon, 16 Mar 2026 15:26:33 +0000HEAVY MagazineInterview by Ali Williams Alien Weaponry might have been speaking to HEAVY from Barcelona only a couple of hours after leaving the stage, but there was nothing flat about the energy. If anything, the interview captured a band running on that familiar...Alien Weaponry might have been speaking to HEAVY from Barcelona only a couple of hours after leaving the stage, but there was nothing flat about the energy. If anything, the interview captured a band running on that familiar touring cocktail of adrenaline, sleep deprivation and sheer gratitude for being able to do the thing in the first place. 
Midway through a European run with Avatar, the New Zealand trio sounded road-hardened but still properly hungry, laughing their way through stories of disrupted schedules, long drives and the weird limbo that hits when a tour suddenly loses momentum. After a run of cancellations due to illness in the headlining camp, Alien Weaponry found themselves stuck in the rare position of wanting less sightseeing and more stage time. A deeply metal problem, really. 
That restless energy says a lot about where Alien Weaponry are at right now. What began in 2010 as a project between brothers Lewis and Henry de Jong has grown steadily into one of the most distinctive heavy acts in the region, now rounded out by Tūranga Morgan-Edmonds on bass. There was no inflated self-mythology in the conversation, no grand speech about destiny or conquest, just the kind of grounded honesty that tends to come from bands who have actually done the work. Tour, write, repeat. Then do it again, preferably with less airport food. Their current run with Avatar, plus support acts Witch Club Satan and Agabas, has only reinforced that sense of upward momentum, with the band clearly relishing the chance to keep testing themselves in front of bigger and broader audiences. 
The Australian leg, naturally, loomed large in the conversation. Alien Weaponry know full well that Australian fans have been nagging, pleading and emotionally blackmailing them into returning for years, and they seem genuinely touched by the enthusiasm. Their past visits have been enough to build affection, but not enough to satisfy the appetite for a proper headline run. This tour is still another support slot, yet there was no trace of complaint in the band’s tone. Quite the opposite. They sounded genuinely stoked to get back across the ditch, reconnect with fans who have been waiting impatiently, and introduce themselves to fresh ears in the process. That blend of familiarity and unfinished business gives this next trip a bit of extra charge. Australia may not officially own Alien Weaponry, but the adoption papers are clearly halfway filled out. 
What also came through strongly was the band’s appreciation for the support slots themselves. Lewis was refreshingly realistic about the whole thing: when you are opening for another band, there is no guarantee anyone in the room knows who you are, let alone likes what you do. That is the gamble. But on this run, the reception has been encouraging, especially in Spain, where crowds were already singing along and throwing themselves into the set. For a band like Alien Weaponry, whose music carries both cultural depth and pure physical force, that kind of response matters. It means the connection is happening in real time, not just in algorithms and streaming numbers. It means the songs are landing where they are supposed to: right in the chest. 
There was also a nice sense throughout the interview that Alien Weaponry are not taking any of this for granted. The discussion drifted naturally into the wider value of live music, with both band and interviewer reflecting on how audiences have changed since the COVID years. People are showing up differently now. They are less casual, more invested, more willing to throw themselves into the experience whether they know every lyric or not. That suits Alien Weaponry just fine. They are the kind of band built for discovery, the kind that can walk on as support and leave with a chunk of the room mentally recalibrated. Not bad for a group chatting after a show while preparing for a nap and the next drive to Madrid....]]>613alienweaponry,anthrax,australia,hardrock,heavy,heavymetal,hornsup,metal,metalinterview,metalpodcast,tourtruefullhttps://www.spreaker.com/episode/welcome-to-the-freakshow-with-samora-squid--70521855Internationally renowned Lutruwita/Tasmanian genuine sideshow freak Samora Squid will be doing an hour of their most full-on material for SQUID’S SUNDAY SIDESHOW, a DIY punk residency at famed Naarm/Melbourne venue The Tote, and don’t say you weren’t warned.
Sword swallowing. Live piercing. Extreme contortion. A Samora Squid show is shocking, confronting, hilarious and not for the faint of heart. “What I do, it’s not stand up, though I’m sure I’ll say some dumb shit that people will laugh at. There’ll be a lot of non-verbal storytelling, involving sharp pointy things and burny things. When I registered the show, I ticked all the trigger warnings. [Laughs] Not all of them were in the show yet, but I wanted to cover my bases.”
Having spent years performing everywhere from Europe to Dubai, SQUID’S SUNDAY SIDESHOW was born when the Melbourne Comedy Festival put out applications. “I thought, “It’s been a while since I’ve staged something I’ve made … This is a good chance for me to make a new show, to revitalise old stuff, to try new stuff out, and do something that encompasses the range of skills that I’ve acquired over the last thirty years. This show’s got my original music in it, as abrasive, industrial and dystopian as it is. I’ll be using all my physical theatre training, and all of my knowledge of theatre to turn a dive bar into a unique experience. The Tote is one of my favourite places for live music.”
HEAVY caught up with the man himself to peek behind the curtain some more...


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70521855Thu, 12 Mar 2026 02:29:40 +0000HEAVY MagazinePhoto by Matthew Hedges Internationally renowned Lutruwita/Tasmanian genuine sideshow freak Samora Squid will be doing an hour of their most full-on material for SQUID’S SUNDAY SIDESHOW, a DIY punk residency at famed Naarm/Melbourne venue The Tote,...Internationally renowned Lutruwita/Tasmanian genuine sideshow freak Samora Squid will be doing an hour of their most full-on material for SQUID’S SUNDAY SIDESHOW, a DIY punk residency at famed Naarm/Melbourne venue The Tote, and don’t say you weren’t warned.
Sword swallowing. Live piercing. Extreme contortion. A Samora Squid show is shocking, confronting, hilarious and not for the faint of heart. “What I do, it’s not stand up, though I’m sure I’ll say some dumb shit that people will laugh at. There’ll be a lot of non-verbal storytelling, involving sharp pointy things and burny things. When I registered the show, I ticked all the trigger warnings. [Laughs] Not all of them were in the show yet, but I wanted to cover my bases.”
Having spent years performing everywhere from Europe to Dubai, SQUID’S SUNDAY SIDESHOW was born when the Melbourne Comedy Festival put out applications. “I thought, “It’s been a while since I’ve staged something I’ve made … This is a good chance for me to make a new show, to revitalise old stuff, to try new stuff out, and do something that encompasses the range of skills that I’ve acquired over the last thirty years. This show’s got my original music in it, as abrasive, industrial and dystopian as it is. I’ll be using all my physical theatre training, and all of my knowledge of theatre to turn a dive bar into a unique experience. The Tote is one of my favourite places for live music.”
HEAVY caught up with the man himself to peek behind the curtain some more...


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1267arts,australia,comedyact,freahshow,grindcore,heavy,krispeters,music,samorasquidtruefullhttps://www.spreaker.com/episode/bringing-the-poison-down-under-with-scott-ian-from-anthrax--70601582On their 2026 Australian tour, ANTHRAX will ignite stages in Brisbane, Adelaide, Melbourne and Sydney, performing a career-spanning arsenal of classics. Fans can expect a high-octane set packed with fan favourites, deep cuts and new-era highlights as Anthrax once again prove why they remain one of metal’s most vital live forces.
HEAVY caught up with guitarist Scott Ian to find out more. One of the things we ask is what has changed with the band since they were last here in 2019.
"The main thing is we made a record," he replied with a sense of pride. "We finished an album. It's done and it's coming out soon. There will be an announcement soon. That's all the information I have or that I can give. And we're very I'm very, very, very excited about it. And maybe people in Australia will get to hear a little bit of it when we're down there at the end of the month. That's the that's the major, the major change from six years ago, for sure."
In the full interview, Scott addressed setlist strategy, noting the band balances staple hits with rotating deeper cuts because it is impossible to please every fan, and the group continues to adjust choices to keep shows engaging. Scott reviewed geographic differences in crowd energy, highlighting particularly passionate responses in Melbourne and several South American cities. He also described a recent back injury sustained during a cold outdoor cruise show, his appearance in Iron Maiden: Burning Ambition and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70601582Thu, 12 Mar 2026 00:54:21 +0000HEAVY MagazineThrash metal titans ANTHRAX return to Australia later this month for four huge shows. Bold and uncompromising, ANTHRAX stands as one of the legendary “Big Four” of thrash, a band whose breakneck riffs and mosh-pit anthems have shaped heavy music for...On their 2026 Australian tour, ANTHRAX will ignite stages in Brisbane, Adelaide, Melbourne and Sydney, performing a career-spanning arsenal of classics. Fans can expect a high-octane set packed with fan favourites, deep cuts and new-era highlights as Anthrax once again prove why they remain one of metal’s most vital live forces.
HEAVY caught up with guitarist Scott Ian to find out more. One of the things we ask is what has changed with the band since they were last here in 2019.
"The main thing is we made a record," he replied with a sense of pride. "We finished an album. It's done and it's coming out soon. There will be an announcement soon. That's all the information I have or that I can give. And we're very I'm very, very, very excited about it. And maybe people in Australia will get to hear a little bit of it when we're down there at the end of the month. That's the that's the major, the major change from six years ago, for sure."
In the full interview, Scott addressed setlist strategy, noting the band balances staple hits with rotating deeper cuts because it is impossible to please every fan, and the group continues to adjust choices to keep shows engaging. Scott reviewed geographic differences in crowd energy, highlighting particularly passionate responses in Melbourne and several South American cities. He also described a recent back injury sustained during a cold outdoor cruise show, his appearance in Iron Maiden: Burning Ambition and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>884anthrax,australia,heavy,heavymetal,hornsup,ironmaiden,krispeters,metal,metalhead,metalinterview,metalpodcast,music,scottian,thrash,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/not-so-precious-with-guernica-mancini-from-the-gems--70523501The Swedish trio solidifies their position as a strong player in modern hard rock with Year Of The Snake. Their very first single, Like A Phoenix, instantly hit #2 on the German Rock Radio Airplay Charts and they impressed both fans and critics with their debut record Phoenix (2024). With one album under their belt, and numerous electrifying live shows, THE GEMS quickly established what Year Of The Snake now effortlessly proves: this is the future of rock!
In less than three years of existing as a band, THE GEMS have managed to shape modern rock like few other bands. Year Of The Snake is an impressive follow-up to their debut, filled to the brim with catchy anthems and groovy hits. 
To find out more about the rise and rise of The Gems, HEAVY caught up with vocalist Guernica Mancini.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70523501Wed, 11 Mar 2026 10:37:32 +0000HEAVY MagazineRock sensation THE GEMS return with their second album Year Of The Snake, out on March 13, 2026.  The Swedish trio solidifies their position as a strong player in modern hard rock with Year Of The Snake. Their very first single, Like A Phoenix,...The Swedish trio solidifies their position as a strong player in modern hard rock with Year Of The Snake. Their very first single, Like A Phoenix, instantly hit #2 on the German Rock Radio Airplay Charts and they impressed both fans and critics with their debut record Phoenix (2024). With one album under their belt, and numerous electrifying live shows, THE GEMS quickly established what Year Of The Snake now effortlessly proves: this is the future of rock!
In less than three years of existing as a band, THE GEMS have managed to shape modern rock like few other bands. Year Of The Snake is an impressive follow-up to their debut, filled to the brim with catchy anthems and groovy hits. 
To find out more about the rise and rise of The Gems, HEAVY caught up with vocalist Guernica Mancini.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>814album,hardrock,heavy,heavymetal,mizziemaxx,music,musicinterview,musicpodcast,rock,thegemstruefullhttps://www.spreaker.com/episode/taking-the-world-and-everything-in-it-with-tim-richmond-from-munt--70521673Across thirteen relentless tracks on The World Is Not Yours, MUNT forges black metal, death metal, grindcore, hardcore, and noise into a dense slab of raw aggression, sharpened by a bitter philosophical edge. This edge cuts like a rusted scalpel, dissecting the hubris, corruption, indifference, and complacency that underlie our sick society.
From start to finish, the album drags the listener through an urban hellscape of despair, disillusion, and the realisation of powerlessness. This is MUNT at their most focused, dynamic, and driven — Their sound, distilled into its purest and most caustic form, stands as one defining statement: THE WORLD IS NOT YOURS.
HEAVY caught up with vocalist Tim Richmond to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70521673Wed, 11 Mar 2026 10:34:57 +0000HEAVY MagazineIn support or their the long-overdue debut album ‘The World Is Not Yours’, Melbourne based purveyors of blackened grinding death, MUNT embark on a spiteful nine show Australian east coast throughout March and April of 2026. Supported by death / groove...Across thirteen relentless tracks on The World Is Not Yours, MUNT forges black metal, death metal, grindcore, hardcore, and noise into a dense slab of raw aggression, sharpened by a bitter philosophical edge. This edge cuts like a rusted scalpel, dissecting the hubris, corruption, indifference, and complacency that underlie our sick society.
From start to finish, the album drags the listener through an urban hellscape of despair, disillusion, and the realisation of powerlessness. This is MUNT at their most focused, dynamic, and driven — Their sound, distilled into its purest and most caustic form, stands as one defining statement: THE WORLD IS NOT YOURS.
HEAVY caught up with vocalist Tim Richmond to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>689australia,blackmetal,grindcore,heavy,heavymetal,krispeters,metal,munt,music,tourtruefullhttps://www.spreaker.com/episode/the-skies-the-limit-with-benny-whiskey-from-the-final-fall--70561496After a prolongued period of inactivity, The Final Fall resurfaced in 2024 with the single Sold, reminding fans and music punters alike of the depth of their talent and the diversity within their music. At the time teasing the possibility of an EP in the near future, The Final Fall instead retreated to the sanctity of the rehearsal room for another extended period, intent on writing enovugh quality songs to realise their goal of releasing another album more than ten years after their debut.
The first seeds of that new album have been cast into the wind, with The Final Fall releasing the first piece of new material in two years with I'm On My Way, a rollicking, fun and eclectic slab of music that accentuates the band's strengths but also introduces more elements and sonic layers to their range.
HEAVY caught up with frontman Benny Whiskey to find out more, with I'm On My Way set to premiere via HEAVY at 5.pm, Tuesday March 11.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70561496Tue, 10 Mar 2026 05:37:48 +0000HEAVY MagazineThe Final Fall have never been a band to rush things. Instead, they have always written and released material when they are ready and feel like they have something relevant and important to say. After a prolongued period of inactivity, The Final Fall...After a prolongued period of inactivity, The Final Fall resurfaced in 2024 with the single Sold, reminding fans and music punters alike of the depth of their talent and the diversity within their music. At the time teasing the possibility of an EP in the near future, The Final Fall instead retreated to the sanctity of the rehearsal room for another extended period, intent on writing enovugh quality songs to realise their goal of releasing another album more than ten years after their debut.
The first seeds of that new album have been cast into the wind, with The Final Fall releasing the first piece of new material in two years with I'm On My Way, a rollicking, fun and eclectic slab of music that accentuates the band's strengths but also introduces more elements and sonic layers to their range.
HEAVY caught up with frontman Benny Whiskey to find out more, with I'm On My Way set to premiere via HEAVY at 5.pm, Tuesday March 11.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>766aussiemetal,hardcore,heavy,heavymetal,hornsup,krispeters,metal,metalinterview,music,musicinterview,musicpodcast,punk,thefinalfalltruefullhttps://www.spreaker.com/episode/a-homecoming-in-sound-eivor-prepares-for-australian-headline-tour--70518722Fresh from a powerful return to the region in 2024, Faroese artist Eivør is set to bring her first-ever headline tour of Australia this March, marking a long-anticipated homecoming of sorts. After opening for Heilung last year, the experience left a lasting imprint on the singer, who describes the visit as the fulfilment of a long-held dream and the catalyst for returning with her full band and production .
Known for live performances that feel closer to ritual than concert, Eivør approaches each setlist as an emotional journey, carefully shaping the arc of every show while allowing room for spontaneity and connection. “It’s about taking people somewhere,” she explains, noting that no two nights are ever exactly the same .
Australian audiences can also expect elements drawn from her work on The Last Kingdom, where her voice reached a global audience and reconnected her deeply with her Nordic roots, threads that continue to weave naturally into her live shows .
Above all, this tour is about community. Eivør speaks warmly of the love she felt from Australian crowds last time, describing the experience as family-like and deeply affirming. For first-time headline attendees, she hopes audiences leave feeling “something”; whether joy, release, or simply love."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70518722Sat, 07 Mar 2026 02:33:12 +0000HEAVY MagazineInterview by Angela Croudace Fresh from a powerful return to the region in 2024, Faroese artist Eivør is set to bring her first-ever headline tour of Australia this March, marking a long-anticipated homecoming of sorts. After opening for Heilung last...Fresh from a powerful return to the region in 2024, Faroese artist Eivør is set to bring her first-ever headline tour of Australia this March, marking a long-anticipated homecoming of sorts. After opening for Heilung last year, the experience left a lasting imprint on the singer, who describes the visit as the fulfilment of a long-held dream and the catalyst for returning with her full band and production .
Known for live performances that feel closer to ritual than concert, Eivør approaches each setlist as an emotional journey, carefully shaping the arc of every show while allowing room for spontaneity and connection. “It’s about taking people somewhere,” she explains, noting that no two nights are ever exactly the same .
Australian audiences can also expect elements drawn from her work on The Last Kingdom, where her voice reached a global audience and reconnected her deeply with her Nordic roots, threads that continue to weave naturally into her live shows .
Above all, this tour is about community. Eivør speaks warmly of the love she felt from Australian crowds last time, describing the experience as family-like and deeply affirming. For first-time headline attendees, she hopes audiences leave feeling “something”; whether joy, release, or simply love."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1665angelacroudace,australia,eivor,folkmetal,heavy,heavymetal,music,nordicmetal,thelastkingdon,tourfalsefullhttps://www.spreaker.com/episode/unravelling-the-mystery-of-guitar-with-diesel--70518273The 2026 program features performances, workshops and conversations with some of the most exciting and innovative guitarists in the country, including Diesel, Plini, Hussy Hicks, Tash Wolf, and international guest Larry Mitchell (US). Highlights include Diesel’s exclusive Decoding The Dream conversation with Fender Custom Shop Master Builder David Brown, Plini showcasing the future of instrumental rock, and deep-dive workshops spanning tone, songwriting, recording and guitar craft.
Beyond the stage, the event is a playground for players and fans alike — from boutique Australian luthiers and global brands like Fender, Gibson and PRS, to pedal launches, a dedicated Studio Room for home recording, a Pedal Party spotlighting Australian effects builders, and a brand-new Kids Room designed to inspire the next generation of guitarists. To put it plainly, there is something for everyone.
HEAVY caught up with Diesel to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70518273Sat, 07 Mar 2026 01:50:06 +0000HEAVY MagazineFor the first time ever, the Sydney Guitar Show will take over Sydney Olympic Park on Saturday 7 and Sunday 8 March 2026, delivering two super-sized days of guitar gear, live performances, workshops and immersive experiences celebrating the world’s...The 2026 program features performances, workshops and conversations with some of the most exciting and innovative guitarists in the country, including Diesel, Plini, Hussy Hicks, Tash Wolf, and international guest Larry Mitchell (US). Highlights include Diesel’s exclusive Decoding The Dream conversation with Fender Custom Shop Master Builder David Brown, Plini showcasing the future of instrumental rock, and deep-dive workshops spanning tone, songwriting, recording and guitar craft.
Beyond the stage, the event is a playground for players and fans alike — from boutique Australian luthiers and global brands like Fender, Gibson and PRS, to pedal launches, a dedicated Studio Room for home recording, a Pedal Party spotlighting Australian effects builders, and a brand-new Kids Room designed to inspire the next generation of guitarists. To put it plainly, there is something for everyone.
HEAVY caught up with Diesel to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>953aussierock,diesel,guitar,guitarshow,hardrock,heavy,krispeters,music,plini,rock,rockmusic,rockmusicinterview,sydneyguitarshowfalsefullhttps://www.spreaker.com/episode/the-struggle-within-ready-to-leave-hell-with-hayden-mcgoogan--70403357Fresh off the release of his latest single Relapse, Sydney singer-songwriter Hayden McGoogan is writing from a place of hard-won clarity. Penned just after a month into sobriety, the stripped-back track captures a fragile headspace: doing well, but fearing it could all unravel. “It’s not about relapsing,” he explains. “It’s about hoping I don’t.”
Recorded live with a full band, including pedal steel, piano and violin, Relapse deliberately resists the urge to rush. The restrained tempo mirrors recovery itself; staying present, letting things breathe. For McGoogan, sobriety lifted a creative fog. Songs began pouring out after a period where he “just didn’t have the brain capacity” to write.
Over the years, Hayden has shared stages with some formidable names, experiences that have quietly shaped his outlook on longevity and authenticity. From the Celtic punk fire of Flogging Molly to the thunderous hard rock charge of Danko Jones and the trailblazing Belfast punk spirit of Stiff Little Fingers, McGoogan has witnessed firsthand what it takes to hold a crowd. He’s also played alongside punk royalty Marky Ramone and CJ Ramone — a full-circle moment for a musician raised on that era’s raw urgency. Watching seasoned performers command a room night after night confirmed for McGoogan that connection, not spectacle, is what turns a gig into something unforgettable.
Known for his raw, raspy vocal edge, he now leans into vulnerability over perfection. Influenced by artists like Social Distortion and Jason Isbell, McGoogan sits somewhere between grit and brutal honesty.
With an EP set for release on March 28, his mission is simple: be authentic. “Worst thing than failing,” he says, “is not trying.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70403357Sat, 07 Mar 2026 01:34:59 +0000HEAVY MagazineInterview by Angela Croudace Fresh off the release of his latest single Relapse, Sydney singer-songwriter Hayden McGoogan is writing from a place of hard-won clarity. Penned just after a month into sobriety, the stripped-back track captures a fragile...Fresh off the release of his latest single Relapse, Sydney singer-songwriter Hayden McGoogan is writing from a place of hard-won clarity. Penned just after a month into sobriety, the stripped-back track captures a fragile headspace: doing well, but fearing it could all unravel. “It’s not about relapsing,” he explains. “It’s about hoping I don’t.”
Recorded live with a full band, including pedal steel, piano and violin, Relapse deliberately resists the urge to rush. The restrained tempo mirrors recovery itself; staying present, letting things breathe. For McGoogan, sobriety lifted a creative fog. Songs began pouring out after a period where he “just didn’t have the brain capacity” to write.
Over the years, Hayden has shared stages with some formidable names, experiences that have quietly shaped his outlook on longevity and authenticity. From the Celtic punk fire of Flogging Molly to the thunderous hard rock charge of Danko Jones and the trailblazing Belfast punk spirit of Stiff Little Fingers, McGoogan has witnessed firsthand what it takes to hold a crowd. He’s also played alongside punk royalty Marky Ramone and CJ Ramone — a full-circle moment for a musician raised on that era’s raw urgency. Watching seasoned performers command a room night after night confirmed for McGoogan that connection, not spectacle, is what turns a gig into something unforgettable.
Known for his raw, raspy vocal edge, he now leans into vulnerability over perfection. Influenced by artists like Social Distortion and Jason Isbell, McGoogan sits somewhere between grit and brutal honesty.
With an EP set for release on March 28, his mission is simple: be authentic. “Worst thing than failing,” he says, “is not trying.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1662alternativerock,angelacroudace,australia,hardrock,haydenmcgoogan,heavy,interview,music,musician,musicinterview,rock,rockinterviewfalsefullhttps://www.spreaker.com/episode/double-trouble-down-under-with-dani-filth-from-cradle-of-filth--70500121Now Australia will  finally experience this much lauded team-up in July of this year as the two titans bring full headline sets packed with classics, to deliver a night of unrelenting intensity, theatrical horror, and crushing grooves.
 Cradle of Filth, led by the inimitable Dani Filth, continue to reign as the most influential and enduring name in extreme metal. Their reputation as a singular artistic force and as one of the most insanely entertaining live acts metal has ever produced remains unchallenged. Fresh off the success of their acclaimed 14th studio album The Screaming of the Valkyries, the band is ready to unleash their signature blend of blackened gothic metal, orchestral grandeur, and venomous lyricism on Australian fans who in turn rewarded the band with a fully sold-out tour on their last visit.
HEAVY caught up with Dani to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70500121Fri, 06 Mar 2026 05:54:09 +0000HEAVY MagazineWhen British extreme metal legends CRADLE OF FILTH and American metal titans DEVILDRIVER, two of heavy music’s most iconic and ferocious bands - each with a stellar reputation for incredible live shows - joined forces for a North American tour in 2023...Now Australia will  finally experience this much lauded team-up in July of this year as the two titans bring full headline sets packed with classics, to deliver a night of unrelenting intensity, theatrical horror, and crushing grooves.
 Cradle of Filth, led by the inimitable Dani Filth, continue to reign as the most influential and enduring name in extreme metal. Their reputation as a singular artistic force and as one of the most insanely entertaining live acts metal has ever produced remains unchallenged. Fresh off the success of their acclaimed 14th studio album The Screaming of the Valkyries, the band is ready to unleash their signature blend of blackened gothic metal, orchestral grandeur, and venomous lyricism on Australian fans who in turn rewarded the band with a fully sold-out tour on their last visit.
HEAVY caught up with Dani to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>743australia,cradleoffilth,danifilth,devildriver,extrememetal,gothicmetal,heavy,heavymetal,krispeters,metal,metalinterview,metalpodcast,music,tourtruefullhttps://www.spreaker.com/episode/prepare-for-take-off-with-ryan-and-alexander-from-cryptic-shift--70398981While not commonly known as an extraterrestrial hotspot, Leeds faced an encounter of another kind in 2015 when vocalist/guitarist Alexander Bradley and drummer Ryan Sheperson set out to accomplish a project embodying their joint passion for the art of science fiction and heavy metal music. With CRYPTIC SHIFT taking form as a crossover between the worlds of technical thrash/death metal and all things sci-fi, the two set out to spread their influence across the UK and soon ventured across the globe.
CRYPTIC SHIFT unveiled their debut full-length, Visitations From Enceladus, in 2020. The offering helped bring the band to the worldwide playing-field, receiving critical acclaim for its adventurous, progressive technical death thrash compositions, a twisted form of extreme metal simply referred to as the “Phenomenal Technological Astrodeath.”
This year’s Overspace & Supertime continues the conceptual and musical themes of their debut and delivers a new standard of technical thrash/death metal showmanship, including returning influences of progressive writing, harmonized with their fantastical storytelling.
“The concept of Overspace & Supertime plays as an alternative reality to the happenings of Visitations From Enceladus, taking our character into new dimensions filled with both greater adventures and more bizarre encounters,” notes drummer Ryan Sheperson. “Whilst the concept themes of our sci-fi tale have grown, so have our efforts in synthesizing it with the ultimate Astrodeath soundscape. The record takes the listener on a deeper journey through the fusion of our influences, with some exciting twists and turns along the way.”
HEAVY sat down with both Ryan and Alexander to get more information.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70398981Mon, 02 Mar 2026 23:33:38 +0000HEAVY MagazineUK progressive death metal outfit CRYPTIC SHIFT released their Overspace & Supertime full-length on February 27 through Metal Blade Records. While not commonly known as an extraterrestrial hotspot, Leeds faced an encounter of another kind in 2015...While not commonly known as an extraterrestrial hotspot, Leeds faced an encounter of another kind in 2015 when vocalist/guitarist Alexander Bradley and drummer Ryan Sheperson set out to accomplish a project embodying their joint passion for the art of science fiction and heavy metal music. With CRYPTIC SHIFT taking form as a crossover between the worlds of technical thrash/death metal and all things sci-fi, the two set out to spread their influence across the UK and soon ventured across the globe.
CRYPTIC SHIFT unveiled their debut full-length, Visitations From Enceladus, in 2020. The offering helped bring the band to the worldwide playing-field, receiving critical acclaim for its adventurous, progressive technical death thrash compositions, a twisted form of extreme metal simply referred to as the “Phenomenal Technological Astrodeath.”
This year’s Overspace & Supertime continues the conceptual and musical themes of their debut and delivers a new standard of technical thrash/death metal showmanship, including returning influences of progressive writing, harmonized with their fantastical storytelling.
“The concept of Overspace & Supertime plays as an alternative reality to the happenings of Visitations From Enceladus, taking our character into new dimensions filled with both greater adventures and more bizarre encounters,” notes drummer Ryan Sheperson. “Whilst the concept themes of our sci-fi tale have grown, so have our efforts in synthesizing it with the ultimate Astrodeath soundscape. The record takes the listener on a deeper journey through the fusion of our influences, with some exciting twists and turns along the way.”
HEAVY sat down with both Ryan and Alexander to get more information.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>745album,crypticshift,deathmetal,heavy,heavymetal,krispeters,metal,metalbladerecords,metalpodcast,music,progressivedeathmetal,scifimetal,thrashmetalfalsefullhttps://www.spreaker.com/episode/from-dark-rooms-to-loud-truths-lost-society-are-still-standing--70390135Samy Elbanna of Lost Society caught up with HEAVY's Ali Williams to talk about all things dark and the journey of coming out the other side. Their chat feels less like a promo interview and more like a long, honest exhale. There’s humour, perspective, and the unmistakable tone of someone who’s been through the grinder, come out the other side, and is now enjoying the simple pleasure of writing loud music without staring into the void between riffs. 
Lost Society’s sixth album, Hell Is a State of Mind, arrives March 6, and Elbanna doesn’t sugarcoat how close it came to not existing at all. The band’s previous record was written during an extremely dark period in his life, one where the idea of a future album felt wildly optimistic at best. That’s what makes this release feel different. It’s not fuelled by misery or desperation, but by rediscovering the fun of being in a studio and remembering why making music mattered in the first place. 
Rather than chasing trends or trying to outsmart algorithms, Elbanna talks about returning to instinct. Writing music he actually likes. Melodies that feel good to sing. Lyrics that say something without needing to be cryptic for the sake of it. He’s visibly proud of this record, and not in the chest-beating way, more in the “I can finally enjoy this again” sense. Hell Is a State of Mind is heavy, unapologetically so, but lyrically it leans toward empowerment and self-acceptance, which is a pretty solid bait-and-switch for a metal album in 2026. 
The conversation drifts back to Lost Society’s early days, which read less like a fairytale and more like a DIY survival manual. Underage, unable to play bars, the band organised their own shows, youth centre gigs, and mini-festivals, entered every competition they could find, and sold homemade demo CDs the old-fashioned way: face to face. No viral clips, no shortcuts, just persistence and a worrying amount of faith. Eventually, a televised performance landed in front of a Nuclear Blast A&R, and things slowly started to snowball. Slowly being the key word. 
Elbanna is refreshingly realistic about the modern music industry. He’s not anti-streaming or anti-TikTok, just anti-bullshit. He points out that “overnight success” usually follows years of unseen work, and that skipping those years doesn’t exactly prepare artists for pressure, touring life, or longevity. Social platforms, he says, are tools, not commandments. Not every metal band needs to dance for clicks, and not every promotion strategy has to look identical. Radical concept, apparently. 
Finland, unsurprisingly, gets its moment in the spotlight. Elbanna credits the country as one of the best places on earth to start a metal band, thanks to accessible venues, youth programs, and a culture that doesn’t clutch its pearls when teenagers plug in guitars. Born and raised there, with Egyptian heritage and English as his first language, he’s grown up in a musical environment that encourages experimentation rather than punishing it, which helps explain Lost Society’s longevity. 
Looking ahead, the band aren’t easing into anything. The album release is immediately followed by a three-week European headline tour, a major Helsinki show, and then straight into festival season. Touring remains the heartbeat of the band, not just for exposure or income, but because that’s where the music actually comes alive. Bus life, inside jokes, and temporary escape from normal reality included. 
Australian fans also get a nod. Elbanna recently toured Australia and New Zealand as a fill-in member for Amaranthe and fell hard for the place, despite being deeply disappointed by the lack of constant spider attacks promised by the internet. Lost Society haven’t toured here yet, but it’s firmly on the wish list, with this album shaping up as the one that could finally bring them Down Under. 
At its core, Hell Is a State of Mind isn’t a comeback story or a carefully packaged redemption arc. It’s a heavy record made by someone who didn’t expect to still be doing this, now offering listeners half an hour of noise, catharsis, and a brief sense that things might not be completely cooked after all. Loud therapy, if you will. 
And honestly, that’s a pretty decent reason to press play.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70390135Mon, 02 Mar 2026 21:59:05 +0000HEAVY MagazineInterview by Ali Williams Samy Elbanna of Lost Society caught up with HEAVY's Ali Williams to talk about all things dark and the journey of coming out the other side. Their chat feels less like a promo interview and more like a long, honest exhale....Samy Elbanna of Lost Society caught up with HEAVY's Ali Williams to talk about all things dark and the journey of coming out the other side. Their chat feels less like a promo interview and more like a long, honest exhale. There’s humour, perspective, and the unmistakable tone of someone who’s been through the grinder, come out the other side, and is now enjoying the simple pleasure of writing loud music without staring into the void between riffs. 
Lost Society’s sixth album, Hell Is a State of Mind, arrives March 6, and Elbanna doesn’t sugarcoat how close it came to not existing at all. The band’s previous record was written during an extremely dark period in his life, one where the idea of a future album felt wildly optimistic at best. That’s what makes this release feel different. It’s not fuelled by misery or desperation, but by rediscovering the fun of being in a studio and remembering why making music mattered in the first place. 
Rather than chasing trends or trying to outsmart algorithms, Elbanna talks about returning to instinct. Writing music he actually likes. Melodies that feel good to sing. Lyrics that say something without needing to be cryptic for the sake of it. He’s visibly proud of this record, and not in the chest-beating way, more in the “I can finally enjoy this again” sense. Hell Is a State of Mind is heavy, unapologetically so, but lyrically it leans toward empowerment and self-acceptance, which is a pretty solid bait-and-switch for a metal album in 2026. 
The conversation drifts back to Lost Society’s early days, which read less like a fairytale and more like a DIY survival manual. Underage, unable to play bars, the band organised their own shows, youth centre gigs, and mini-festivals, entered every competition they could find, and sold homemade demo CDs the old-fashioned way: face to face. No viral clips, no shortcuts, just persistence and a worrying amount of faith. Eventually, a televised performance landed in front of a Nuclear Blast A&R, and things slowly started to snowball. Slowly being the key word. 
Elbanna is refreshingly realistic about the modern music industry. He’s not anti-streaming or anti-TikTok, just anti-bullshit. He points out that “overnight success” usually follows years of unseen work, and that skipping those years doesn’t exactly prepare artists for pressure, touring life, or longevity. Social platforms, he says, are tools, not commandments. Not every metal band needs to dance for clicks, and not every promotion strategy has to look identical. Radical concept, apparently. 
Finland, unsurprisingly, gets its moment in the spotlight. Elbanna credits the country as one of the best places on earth to start a metal band, thanks to accessible venues, youth programs, and a culture that doesn’t clutch its pearls when teenagers plug in guitars. Born and raised there, with Egyptian heritage and English as his first language, he’s grown up in a musical environment that encourages experimentation rather than punishing it, which helps explain Lost Society’s longevity. 
Looking ahead, the band aren’t easing into anything. The album release is immediately followed by a three-week European headline tour, a major Helsinki show, and then straight into festival season. Touring remains the heartbeat of the band, not just for exposure or income, but because that’s where the music actually comes alive. Bus life, inside jokes, and temporary escape from normal reality included. 
Australian fans also get a nod. Elbanna recently toured Australia and New Zealand as a fill-in member for Amaranthe and fell hard for the place, despite being deeply disappointed by the lack of constant spider attacks promised by the internet. Lost Society haven’t toured here yet, but it’s firmly on the wish list, with this album shaping up as the one that could finally bring them Down Under. 
At its core, Hell Is a State of Mind isn’t a comeback...]]>1482album,aliwilliams,hardrock,heavy,heavymetal,hornsup,lostsociety,metalinterview,modernmetal,musictruefullhttps://www.spreaker.com/episode/fun-after-dark-with-magnolia-park--70327215The heavy genre-bending five-piece have announced NIGHTS AFTER VAMP, the deluxe version of their ambitious concept album VAMP released last year. Out on March 13 via Epitaph, the band picks up where they left off with six explosive bonus tracks that expand the soundscape of their dystopian universe.
With NIGHTS AFTER VAMP, Magnolia Park have spun an electrifying mix of hard rock, punk, nu-metal, hip-hop and metalcore into a dizzying, multi-sensory experience. Throughout its 17 songs, the record soundtracks an ominous journey through the fictional world of Nocturne Nexus; where rulers and rebels battle with the future hanging in the balance. Heavily inspired by the band’s love of anime, horror and fantasy, the album’s narrative was spurred by the long-running Vampire Hunter D, iconic works like Star Wars, Dracula and Joseph Campbell’s legendary monomyth.
Magnolia Park will be in Australia this March supporting BABYMETAL, so to bring us up to speed HEAVY sat down for a chat with the whole band.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70327215Mon, 02 Mar 2026 21:57:12 +0000HEAVY MagazineSince forming in Orlando, FL in 2018, Magnolia Park - vocalist Joshua Roberts, guitarists Tristan Torres and Freddie Criales, drummer Joe Horsham and bassist Vincent Ernst - have repeatedly proven themselves to be one of the most exciting and...The heavy genre-bending five-piece have announced NIGHTS AFTER VAMP, the deluxe version of their ambitious concept album VAMP released last year. Out on March 13 via Epitaph, the band picks up where they left off with six explosive bonus tracks that expand the soundscape of their dystopian universe.
With NIGHTS AFTER VAMP, Magnolia Park have spun an electrifying mix of hard rock, punk, nu-metal, hip-hop and metalcore into a dizzying, multi-sensory experience. Throughout its 17 songs, the record soundtracks an ominous journey through the fictional world of Nocturne Nexus; where rulers and rebels battle with the future hanging in the balance. Heavily inspired by the band’s love of anime, horror and fantasy, the album’s narrative was spurred by the long-running Vampire Hunter D, iconic works like Star Wars, Dracula and Joseph Campbell’s legendary monomyth.
Magnolia Park will be in Australia this March supporting BABYMETAL, so to bring us up to speed HEAVY sat down for a chat with the whole band.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>641australia,babymetal,bloodywood,heavy,heavymetal,krispeters,magnoliapark,music,numetal,punk,rock,tourtruefullhttps://www.spreaker.com/episode/necrofier-transcend-into-oblivion-and-take-their-loyal-fans-with-them--70385193Necrofier are in that familiar pre-release purgatory where everything important is finished and everything annoying begins. When HEAVY caught up with Christian Larson (guitar, vocals), it was early, coffee was scarce on both sides of the planet, and the band’s third full-length was suddenly two weeks from release. No drama, no manufactured hype. Just the calm chaos of a band doing the work. 
The  bands latest record Transcend Into Oblivion -out now - , marks Necrofier’s first release on Metal Blade Records, following earlier releases with Season of Mist. Larson talks about it like someone who’s already emotionally moved on, not because it fell short, but because it was finished nearly a year ago. That distance has given the band clarity and allowed them to be confident in the songs, the mix, and the overall execution, even if revisiting the material now feels like reopening a time capsule from a previous headspace. 
Originally conceived as a non-live studio project, Necrofier evolved quickly into a full touring entity, and the resume reflects it. US tours, major festivals, and shared stages with the likes of UADA and 1349 haven’t shifted the band’s core focus. They’re still firmly rooted in black metal, without getting distracted by the endless micro-labels that seem to appear every six months. Larson is refreshingly blunt about it. They know what they are, they know what they play, and they’re not interested in inventing a new genre name just to keep up with internet trends. 
The album itself took a more layered approach than previous releases. Songs were written in advance, tracked across multiple studios, and refined with more breathing room than the band had previously allowed themselves. That extra time wasn’t about over-polishing, but control. It gave Necrofier the ability to think, adjust, and add texture without the pressure cooker environment of a single studio lock-in. The result, by Larson’s account, is a record that feels deliberate rather than rushed. 
Visuals played a larger role this time too. Multiple music videos were shot with both long-time collaborators and new creatives, blending live performance footage with subtle narrative and animated elements. Nothing overcooked. Just enough to complement the songs without distracting from them.
Away from the album cycle, Larson comes across as a lifer. Someone who’s been in doom bands, punk bands, death metal bands, and everything in between. His vinyl collection, stacked somewhere behind him on the call, mirrors that history. Old punk, classic metal, country records, black metal staples. Records he’s owned since he was fifteen and still spins, not museum pieces collecting dust. 
Touring plans are in motion but intentionally unannounced. Europe is on the horizon, the US will follow, and Australia has been discussed, if not yet mapped. There’s no false certainty offered, just the quiet confidence of a band that knows momentum doesn’t need to be shouted about to be real. 
Necrofier sound like a band comfortable in their lane, uninterested in chasing novelty, and focused on longevity rather than noise. With their third album about to land and a bigger platform beneath them, they’re not reinventing themselves. They’re sharpening what already works. 
And honestly, that restraint might be the most telling thing of all.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70385193Mon, 02 Mar 2026 10:16:05 +0000HEAVY MagazineInterview by Ali Williams Necrofier are in that familiar pre-release purgatory where everything important is finished and everything annoying begins. When HEAVY caught up with Christian Larson (guitar, vocals), it was early, coffee was scarce on both...Necrofier are in that familiar pre-release purgatory where everything important is finished and everything annoying begins. When HEAVY caught up with Christian Larson (guitar, vocals), it was early, coffee was scarce on both sides of the planet, and the band’s third full-length was suddenly two weeks from release. No drama, no manufactured hype. Just the calm chaos of a band doing the work. 
The  bands latest record Transcend Into Oblivion -out now - , marks Necrofier’s first release on Metal Blade Records, following earlier releases with Season of Mist. Larson talks about it like someone who’s already emotionally moved on, not because it fell short, but because it was finished nearly a year ago. That distance has given the band clarity and allowed them to be confident in the songs, the mix, and the overall execution, even if revisiting the material now feels like reopening a time capsule from a previous headspace. 
Originally conceived as a non-live studio project, Necrofier evolved quickly into a full touring entity, and the resume reflects it. US tours, major festivals, and shared stages with the likes of UADA and 1349 haven’t shifted the band’s core focus. They’re still firmly rooted in black metal, without getting distracted by the endless micro-labels that seem to appear every six months. Larson is refreshingly blunt about it. They know what they are, they know what they play, and they’re not interested in inventing a new genre name just to keep up with internet trends. 
The album itself took a more layered approach than previous releases. Songs were written in advance, tracked across multiple studios, and refined with more breathing room than the band had previously allowed themselves. That extra time wasn’t about over-polishing, but control. It gave Necrofier the ability to think, adjust, and add texture without the pressure cooker environment of a single studio lock-in. The result, by Larson’s account, is a record that feels deliberate rather than rushed. 
Visuals played a larger role this time too. Multiple music videos were shot with both long-time collaborators and new creatives, blending live performance footage with subtle narrative and animated elements. Nothing overcooked. Just enough to complement the songs without distracting from them.
Away from the album cycle, Larson comes across as a lifer. Someone who’s been in doom bands, punk bands, death metal bands, and everything in between. His vinyl collection, stacked somewhere behind him on the call, mirrors that history. Old punk, classic metal, country records, black metal staples. Records he’s owned since he was fifteen and still spins, not museum pieces collecting dust. 
Touring plans are in motion but intentionally unannounced. Europe is on the horizon, the US will follow, and Australia has been discussed, if not yet mapped. There’s no false certainty offered, just the quiet confidence of a band that knows momentum doesn’t need to be shouted about to be real. 
Necrofier sound like a band comfortable in their lane, uninterested in chasing novelty, and focused on longevity rather than noise. With their third album about to land and a bigger platform beneath them, they’re not reinventing themselves. They’re sharpening what already works. 
And honestly, that restraint might be the most telling thing of all.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>792album,aliwilliams,blackmetal,heavy,heavymetal,metal,metalbladerecords,metalhead,metalinterview,music,necrofiertruefullhttps://www.spreaker.com/episode/the-blossoming-tides-of-change-with-damien-kechagias-from-dreamkillers--70312801That evolution has never been more apparent than on new album, Proiphys Cunninghamii, that is out and ready for your listening pleasure now.
Proiphys Cunninghamii is a no-holds-barred album that blends fire, fury and defiance in equal measure. Named after a rare native plant found only in Brisbane, commonly known as the Brisbane lily, the title reflects the band’s roots and resilience — thriving in harsh conditions, unapologetically local, and impossible to ignore.
HEAVY caught up with guitarist Damien Kechagias to find out more, asking him to describe the musical side of the album.
"We've tried to use as many different musical inferences as we can throughout the whole process," he measured, "keeping it true to original Dreamkillers from day one. You've never known what you were going to get, back from the original days to now. But as we've gotten older, political views change, personal views change. There's new stories out there. But the main thing that has stayed constant was giving Les the voice pad to bring those stories to life.
Giving him the storyboard. And that's where we took the time to go, right, here's the songs that we're working on. Let's make them the best we can. So, not everything fits in a pigeonhole. Yeah, you've got Dreamkillers sound, but we had to look at what makes Dreamkillers sound now. We can always look back to influence the future. So that's what we've tried to do."
In the full interview, Damien went through the recording process in greater detail, the importance of maintaining the old school sound and ethos of Dreamkillers while also representing them now, and the writing process for new material.
He ran through each of the eight songs on the album, explaining the musicality in more depth, as well as the subtle and not-so-subtle nuances vocalist Les Jobson brought to the tracks. We discussed their upcoming appearance at Necrosonic Festival 2026, including their promise to play Poison In The Soup and Carnival Of Skin back to back and more.
Proiphys Cunninghamii is available now: https://lnk.to/g37LSG


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70312801Fri, 27 Feb 2026 01:52:15 +0000HEAVY MagazineA relentless force in the underground scene, Brisbane metal outfit Dreamkillers are known for their raw intensity, genre-defying sound, and fiercely DIY ethos. Fusing thrash, English punk and melodic metal into a sonic assault that is both unrelenting...That evolution has never been more apparent than on new album, Proiphys Cunninghamii, that is out and ready for your listening pleasure now.
Proiphys Cunninghamii is a no-holds-barred album that blends fire, fury and defiance in equal measure. Named after a rare native plant found only in Brisbane, commonly known as the Brisbane lily, the title reflects the band’s roots and resilience — thriving in harsh conditions, unapologetically local, and impossible to ignore.
HEAVY caught up with guitarist Damien Kechagias to find out more, asking him to describe the musical side of the album.
"We've tried to use as many different musical inferences as we can throughout the whole process," he measured, "keeping it true to original Dreamkillers from day one. You've never known what you were going to get, back from the original days to now. But as we've gotten older, political views change, personal views change. There's new stories out there. But the main thing that has stayed constant was giving Les the voice pad to bring those stories to life.
Giving him the storyboard. And that's where we took the time to go, right, here's the songs that we're working on. Let's make them the best we can. So, not everything fits in a pigeonhole. Yeah, you've got Dreamkillers sound, but we had to look at what makes Dreamkillers sound now. We can always look back to influence the future. So that's what we've tried to do."
In the full interview, Damien went through the recording process in greater detail, the importance of maintaining the old school sound and ethos of Dreamkillers while also representing them now, and the writing process for new material.
He ran through each of the eight songs on the album, explaining the musicality in more depth, as well as the subtle and not-so-subtle nuances vocalist Les Jobson brought to the tracks. We discussed their upcoming appearance at Necrosonic Festival 2026, including their promise to play Poison In The Soup and Carnival Of Skin back to back and more.
Proiphys Cunninghamii is available now: https://lnk.to/g37LSG


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1735album,australia,dreamkillers,groovemetal,hardrock,heavy,heavymetal,krispeters,lesjobson,metal,punk,xmusictruefullhttps://www.spreaker.com/episode/double-trouble-on-the-menu-down-under-with-dez-fafara-from-devildriver--70288427Together, Devildriver and Cradle Of Filth created a live spectacle running the complete gammit of metal emotions, the sheer, aggressive nature of Devildriver providing the perfect folly for the more cinematic and theatrical world inhabited by Cradle Of Filth.
With demand for the tour rampant across the globe, Australia has been chosen as the next destination to receive a welcome dose of Double Trouble with both bands touching down in this country for five shows across the country this July.
HEAVY managed to track down Devildriver frontman Dez Fafara to get the rundown.
"It's incredible," he smiled when we mention the epicness of the double header. "When we did this in the United States it all sold out pretty quickly so we decided to bring it over. I mean, there's a couple of places around the world that are saying, come bring this tour. And of course, I'm great friends with Danny (Filth) so I'm proud to come out with him.
We were going over the set list last night with the band, deciding what we were going to play and also going over production. It's going to be a good time. When we first started talking about it you could feel the energy in the room from both of the bands. It was like, let's go do this so it's going to be a great time. Much looking forward to it."
We bring up the fact that the aggressiveness energy from Devildriver is a stark contrast to the more theatrical and cinematic stage show preferred by Cradle Of Filth, but Fafara, while acknowledging it isn't your standard teaming of bands, was quick to stress that sometimes opposites DO attract.
"For some reason the bands work together really well," he shrugged. "We're so separate musically, but it's a one-two punch that when you get done with the gig, you're walking out going okay, that's a proper heavy metal show."
In the full interview, Dez described recent work on set lists and production planning, confirming that DevilDriver will perform an intense, non-stop hour-plus set. Conversation covered the pairing of the two band's origin and their chemistry, crediting a mutual respect between the bands based on the successful U.S. run.
We spoke about the experiences for fans, including a special meet and greet, what material will be covered over the tour, the possibility of new music and never-heard-live-before songs and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70288427Thu, 26 Feb 2026 01:43:47 +0000HEAVY MagazineThree short years ago, two heavyweights of the metal scene joined forces for what would become known as the Double Trouble tour across Northern America. It was an ambitious and unlikely pairing, with the two co-headliners coming from completely...Together, Devildriver and Cradle Of Filth created a live spectacle running the complete gammit of metal emotions, the sheer, aggressive nature of Devildriver providing the perfect folly for the more cinematic and theatrical world inhabited by Cradle Of Filth.
With demand for the tour rampant across the globe, Australia has been chosen as the next destination to receive a welcome dose of Double Trouble with both bands touching down in this country for five shows across the country this July.
HEAVY managed to track down Devildriver frontman Dez Fafara to get the rundown.
"It's incredible," he smiled when we mention the epicness of the double header. "When we did this in the United States it all sold out pretty quickly so we decided to bring it over. I mean, there's a couple of places around the world that are saying, come bring this tour. And of course, I'm great friends with Danny (Filth) so I'm proud to come out with him.
We were going over the set list last night with the band, deciding what we were going to play and also going over production. It's going to be a good time. When we first started talking about it you could feel the energy in the room from both of the bands. It was like, let's go do this so it's going to be a great time. Much looking forward to it."
We bring up the fact that the aggressiveness energy from Devildriver is a stark contrast to the more theatrical and cinematic stage show preferred by Cradle Of Filth, but Fafara, while acknowledging it isn't your standard teaming of bands, was quick to stress that sometimes opposites DO attract.
"For some reason the bands work together really well," he shrugged. "We're so separate musically, but it's a one-two punch that when you get done with the gig, you're walking out going okay, that's a proper heavy metal show."
In the full interview, Dez described recent work on set lists and production planning, confirming that DevilDriver will perform an intense, non-stop hour-plus set. Conversation covered the pairing of the two band's origin and their chemistry, crediting a mutual respect between the bands based on the successful U.S. run.
We spoke about the experiences for fans, including a special meet and greet, what material will be covered over the tour, the possibility of new music and never-heard-live-before songs and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>567australia,cradleoffilth,devildriver,dezfafara,doubletroubletour,groovemetal,heavy,heavymetal,krispeters,livemusic,metalhead,metalinterview,music,musicinterview,tourtruefullhttps://www.spreaker.com/episode/flesh-and-blood-with-josh-middleton-from-sylosis--70286020They exploded into the metal scene with their 2008 debut album Conclusion Of An Age, and have been repeatedly upping the ante for homegrown heaviness ever since. From the epic, thrash complexity of 2011’s Edge Of The Earth and its swiftly-assembled follow-up Monolith in 2012, to the bruised and brooding Dormant Heart (2015), and 2020’s deliriously intense Cycle Of Suffering, frontman Josh Middleton and his henchmen have been consistently at the forefront of all things heavy and brutal throughout their career. 
As they approach veteran status, Sylosis have sharpened their focus and are now making their greatest music yet. As with The Sign Of Things To Come, Middleton believes that the band's new album The New Flesh is a bold leap forward into more incisive and impressive songwriting territory. A towering testament to destructive riffing, incisive melody and refined brute force, Sylosis’ seventh full-length offering is a powerful showcase for the state of SYLOSIS in 2025: lethal, uncompromising, and avowedly metal as all hell.
HEAVY sat down with frontman Josh Middleton to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70286020Thu, 26 Feb 2026 00:35:38 +0000HEAVY MagazineSylosis have been hacking away at metal’s enduring coalface for the last 25 years.  They exploded into the metal scene with their 2008 debut album Conclusion Of An Age, and have been repeatedly upping the ante for homegrown heaviness ever since. From...They exploded into the metal scene with their 2008 debut album Conclusion Of An Age, and have been repeatedly upping the ante for homegrown heaviness ever since. From the epic, thrash complexity of 2011’s Edge Of The Earth and its swiftly-assembled follow-up Monolith in 2012, to the bruised and brooding Dormant Heart (2015), and 2020’s deliriously intense Cycle Of Suffering, frontman Josh Middleton and his henchmen have been consistently at the forefront of all things heavy and brutal throughout their career. 
As they approach veteran status, Sylosis have sharpened their focus and are now making their greatest music yet. As with The Sign Of Things To Come, Middleton believes that the band's new album The New Flesh is a bold leap forward into more incisive and impressive songwriting territory. A towering testament to destructive riffing, incisive melody and refined brute force, Sylosis’ seventh full-length offering is a powerful showcase for the state of SYLOSIS in 2025: lethal, uncompromising, and avowedly metal as all hell.
HEAVY sat down with frontman Josh Middleton to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>842album,hardrock,heavy,heavymetal,krispeters,metal,music,musicinterview,musicpodcast,rock,sylosistruefullhttps://www.spreaker.com/episode/watts-the-big-idea-lime-cordiale-s-biggest-experiment-yet--70139957Some bands talk about changing the world. Others actually try to rewire the power source. 
When HEAVY’s Ali Williams caught up with Lime Cordiale’s Ollie Leimbach, he was literally on the floor, charging his laptop somewhere five hours north of Sydney. Very rock ’n’ roll. Very Northern Rivers. Very “I may or may not be barefoot and slightly stinky.” Which, frankly, checks out. 
Between laughs about weather patterns and mild coastal smugness, Ollie casually dropped the fact that Lime Cordiale are putting the finishing touches on album number four . Not that they’re rushing it. “We’re not a three-week studio band,” he admits. This one’s only taken about a year. Growth. Maturity. Slightly less agonising perfectionism. 
But the real headline here isn’t just new music. It’s Lime Green Festival, their upcoming off-grid, battery-powered, 5,000-capacity experiment-slash-party happening April 18 off the coast of Adelaide . Yes, battery powered. As in, no diesel generators chugging away backstage. As in, the band is fully prepared to risk a blackout mid-set in the name of progress. 
Bold. Slightly terrifying. Excellent content. 
The Lime Green concept was born out of a crisis of conscience. During COVID, the band were working on a farm on the Mid-North Coast, diving into regenerative agriculture and learning how to reduce their footprint. Then touring came back. Planes. Diesel buses. Global laps. Cue existential whiplash. 
Rather than retreat into eco-guilt or write twelve reggae protest songs (no dreadlocks involved, he promises), Lime Cordiale decided to tackle the industry from within. Their approach is refreshingly non-preachy. No finger wagging. No “stop living your life.” Just practical shifts. 
They’ve trialled biodiesel buses in Europe, slashing touring emissions by around 98 percent. They’ve put a dollar from every ticket toward environmental causes they genuinely connect with. In Adelaide, that means supporting awareness around the current algal bloom crisis devastating local waters . Dead fish, stinging water, beaches people can’t swim in. Not exactly tourism brochure material. 
The Lime Green Festival, though, is the big swing. Fully off-grid. Fully battery-powered. A case study in proving that you can run a major event without defaulting to fossil fuel generators. The battery companies are confident. The production crews are cautious. Ollie seems almost excited about the possibility of chaos. “If there is a blackout halfway through, that’s part of the journey,” he shrugs . 
That’s the spirit. Punk rock, but with renewable infrastructure. 
The lineup includes The Dreggs alongside Adelaide locals Alexia, Pash, and a Triple J Unearthed winner . Capacity sits at 5,000, which would make it Australia’s largest fully battery-powered festival to date . Casual. 
Beyond the headline tech flex, Lime Green will feature practical green initiatives: better waste sorting, encouragement to bring reusable bottles, conscious messaging. Not exactly radical ideas, but when you’ve ever seen a post-gig floor that looks like a plastic tornado hit a bar fridge, you understand why it matters. 
Throughout the chat, Ollie keeps circling back to one core idea: don’t shame people into change. Don’t demand everyone bin their petrol cars tomorrow. Replace things when they break. Upgrade when it makes sense. Let progress feel possible, not punitive. It’s a refreshingly pragmatic take in a space that often devolves into moral Olympics. 
At the end of the day, Lime Green will still be what everyone actually shows up for: good music, a crowd, and a reason to forget your inbox for a few hours. The difference is that it might also quietly prove that the industry can do better without killing the vibe. 
Album number four is brewing. The future might be battery powered. And if the lights flicker mid-chorus on April 18, at least you’ll know you’re witnessing a social experiment in real time. Tickets for Lime Green Festival are available now at limegreenfest.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70139957Wed, 25 Feb 2026 09:03:58 +0000HEAVY MagazineInterview by Ali Williams Some bands talk about changing the world. Others actually try to rewire the power source.  When HEAVY’s Ali Williams caught up with Lime Cordiale’s Ollie Leimbach, he was literally on the floor, charging his laptop somewhere...Some bands talk about changing the world. Others actually try to rewire the power source. 
When HEAVY’s Ali Williams caught up with Lime Cordiale’s Ollie Leimbach, he was literally on the floor, charging his laptop somewhere five hours north of Sydney. Very rock ’n’ roll. Very Northern Rivers. Very “I may or may not be barefoot and slightly stinky.” Which, frankly, checks out. 
Between laughs about weather patterns and mild coastal smugness, Ollie casually dropped the fact that Lime Cordiale are putting the finishing touches on album number four . Not that they’re rushing it. “We’re not a three-week studio band,” he admits. This one’s only taken about a year. Growth. Maturity. Slightly less agonising perfectionism. 
But the real headline here isn’t just new music. It’s Lime Green Festival, their upcoming off-grid, battery-powered, 5,000-capacity experiment-slash-party happening April 18 off the coast of Adelaide . Yes, battery powered. As in, no diesel generators chugging away backstage. As in, the band is fully prepared to risk a blackout mid-set in the name of progress. 
Bold. Slightly terrifying. Excellent content. 
The Lime Green concept was born out of a crisis of conscience. During COVID, the band were working on a farm on the Mid-North Coast, diving into regenerative agriculture and learning how to reduce their footprint. Then touring came back. Planes. Diesel buses. Global laps. Cue existential whiplash. 
Rather than retreat into eco-guilt or write twelve reggae protest songs (no dreadlocks involved, he promises), Lime Cordiale decided to tackle the industry from within. Their approach is refreshingly non-preachy. No finger wagging. No “stop living your life.” Just practical shifts. 
They’ve trialled biodiesel buses in Europe, slashing touring emissions by around 98 percent. They’ve put a dollar from every ticket toward environmental causes they genuinely connect with. In Adelaide, that means supporting awareness around the current algal bloom crisis devastating local waters . Dead fish, stinging water, beaches people can’t swim in. Not exactly tourism brochure material. 
The Lime Green Festival, though, is the big swing. Fully off-grid. Fully battery-powered. A case study in proving that you can run a major event without defaulting to fossil fuel generators. The battery companies are confident. The production crews are cautious. Ollie seems almost excited about the possibility of chaos. “If there is a blackout halfway through, that’s part of the journey,” he shrugs . 
That’s the spirit. Punk rock, but with renewable infrastructure. 
The lineup includes The Dreggs alongside Adelaide locals Alexia, Pash, and a Triple J Unearthed winner . Capacity sits at 5,000, which would make it Australia’s largest fully battery-powered festival to date . Casual. 
Beyond the headline tech flex, Lime Green will feature practical green initiatives: better waste sorting, encouragement to bring reusable bottles, conscious messaging. Not exactly radical ideas, but when you’ve ever seen a post-gig floor that looks like a plastic tornado hit a bar fridge, you understand why it matters. 
Throughout the chat, Ollie keeps circling back to one core idea: don’t shame people into change. Don’t demand everyone bin their petrol cars tomorrow. Replace things when they break. Upgrade when it makes sense. Let progress feel possible, not punitive. It’s a refreshingly pragmatic take in a space that often devolves into moral Olympics. 
At the end of the day, Lime Green will still be what everyone actually shows up for: good music, a crowd, and a reason to forget your inbox for a few hours. The difference is that it might also quietly prove that the industry can do better without killing the vibe. 
Album number four is brewing. The future might be battery powered. And if the lights flicker mid-chorus on April 18, at least you’ll know you’re witnessing a...]]>1190australia,dreggs,heavy,limecordiale,limegreenfestival,music,musicfestival,rock,rockmusic,tourtruefullhttps://www.spreaker.com/episode/nothing-confronting-decay-and-chasing-the-uncomfortable--70256988In conversation with Dominic (Nicky) Palermo, the driving force behind Nothing, it’s clear that A Short History of Decay isn’t just another chapter for the long-running shoegaze outfit, it’s a reckoning. Described as their most emotionally direct release to date, the record finds Palermo shedding vagueness in favour of brutal self-examination.
“I just had to look at myself in the mirror a little bit more,” he admits. Time away from the relentless album-tour cycle forced reflection on family, identity and the distractions that once kept deeper truths at bay. The result is a body of work that feels less like therapy and more like confrontation.
Borrowing its title from Romanian philosopher Emil Cioran’s book of the same name, the album also draws inspiration from William H. Gass’s novel The Tunnel, literature steeped in guilt, introspection and uncomfortable honesty. Palermo also carried a stark line from ancient philosopher Anaxagoras with him throughout recording: “The descent to hell is the same from every place.” It became a kind of thesis statement, there's no holding back with this record.
Sonically, singles like Toothless Coal push into industrial territory, reflecting a band no longer trying to fit neatly into any box. After 15 years, Nothing still thrives in that tension; not heavy enough for some, not soft enough for others.
And for Australian fans? Palermo hints there’s a strong chance we’ll see Nothing return this year — perhaps even for a festival slot. If this turns out to be true, you heard it here first! Fingers crossed.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70256988Wed, 25 Feb 2026 09:02:09 +0000HEAVY MagazineInterview by Angela Croudace In conversation with Dominic (Nicky) Palermo, the driving force behind Nothing, it’s clear that A Short History of Decay isn’t just another chapter for the long-running shoegaze outfit, it’s a reckoning. Described as their...In conversation with Dominic (Nicky) Palermo, the driving force behind Nothing, it’s clear that A Short History of Decay isn’t just another chapter for the long-running shoegaze outfit, it’s a reckoning. Described as their most emotionally direct release to date, the record finds Palermo shedding vagueness in favour of brutal self-examination.
“I just had to look at myself in the mirror a little bit more,” he admits. Time away from the relentless album-tour cycle forced reflection on family, identity and the distractions that once kept deeper truths at bay. The result is a body of work that feels less like therapy and more like confrontation.
Borrowing its title from Romanian philosopher Emil Cioran’s book of the same name, the album also draws inspiration from William H. Gass’s novel The Tunnel, literature steeped in guilt, introspection and uncomfortable honesty. Palermo also carried a stark line from ancient philosopher Anaxagoras with him throughout recording: “The descent to hell is the same from every place.” It became a kind of thesis statement, there's no holding back with this record.
Sonically, singles like Toothless Coal push into industrial territory, reflecting a band no longer trying to fit neatly into any box. After 15 years, Nothing still thrives in that tension; not heavy enough for some, not soft enough for others.
And for Australian fans? Palermo hints there’s a strong chance we’ll see Nothing return this year — perhaps even for a festival slot. If this turns out to be true, you heard it here first! Fingers crossed.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1127album,angelacroudace,hardrock,heavy,heavymetal,metal,metalhead,metalinterview,music,musicinterview,nothing,rocktruefullhttps://www.spreaker.com/episode/fast-feral-and-fully-hatched-media-puzzle-join-regurgitator-for-jukeboxxin-tour--70255317Generally speaking, bands spend years in rehearsal rooms crafting a “carefully curated sonic identity.” Others however, make an EP in a uni dorm room in a single day just to “see what happens”. Meet Tom, the founding member of Lismore’s Media Puzzle, who definately falls in the latter category. 
In this week’s chat with HEAVY Mag's Ali Williams, Tom proves that sometimes the best things start as a joke and spiral wildly into something very real. What began as a one-man experiment with a drum machine and a “let’s just put it out and see” attitude quickly snowballed into a full five-piece outfit reverse-engineering lo-fi chaos into tight, high-energy live shows . 
Tom describes Media Puzzle as falling somewhere under punk, synth punk and the wonderfully unserious label of “egg punk.” Yes, egg punk. It’s fast, scrappy, lo-fi, and occasionally powered by a drum machine that had to be dragged from bedroom obscurity into full band reality . The early worlds of Media Puzzle had no band at all, it was just Tom in his bedroom with a laptop, guitar ,drum machine he could use with synth samples. After showing his one day work of art to his friends, they loved it and wanted in. Tom found himself pulling apart his own recordings, rebuilding them piece by piece like some musical Rubik’s Cube. ranslating bedroom experiments into something a five-piece could detonate onstage . 
There’s something beautifully chaotic about having to reverse engineer your own songs because you can’t quite remember how you made them in the first place. Most bands polish demos. Media Puzzle disassemble them like they’re defusing a bomb. 
Their upcoming run supporting Regurgitator is a genuine full-circle moment for the band. Ten shows across Ulladulla, Canberra, Albury, Melbourne, Brisbane, Sydney and Bathurst are locked in , kicking off March 13 , marking their first proper tour invite and easily their biggest leap so far . For a few members, it’s poetic. Bassist Kelly once snuck into a Regurgitator show at 16 . Now she’s sharing the bill. That’s not just ironic nostalgia. That’s rock and roll karma doing its job. 
The timing couldn’t be better. Media Puzzle are dropping a new album around the same time the tour kicks off . According to Tom, it’s a step in a “somewhat different direction” while still sounding like them, which in Media Puzzle terms probably means faster, weirder and somehow tighter all at once. 
The interview drifts into everything from the widely recognised, now redundant Southern Cross University’s Bachelor of Contemporary Music that helped shape Tom and a generation of musicians drawn to the Northern Rivers, to the glamorous reality of balancing band life with a day job at Bunnings. Rock and roll might be chaotic, but sausage sizzles keep the lights on. 
What makes Media Puzzle compelling isn’t just the genre-blending, DIY approach or the scrappy origins. It’s the freedom. Tom describes the project as something without rules, a space to try anything and learn in public . In an industry obsessed with strategy, that kind of creative recklessness feels refreshing. 
From dorm-room experiment to national tour support for one of Australia’s most iconic alternative acts, Media Puzzle are no longer just “seeing what happens.” They’re making it happen. And come March 13, they’ll be doing it loud, fast and proudly egg-shaped. 
For more info and links to tickets for all of Regurgitators Jukeboxxin Tour head to https://www.regurgitator.net/blog Tell ‘em ya mum sent ya and they'll tell you she loves it.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70255317Tue, 24 Feb 2026 20:03:09 +0000HEAVY MagazineInterview by Ali Williams Generally speaking, bands spend years in rehearsal rooms crafting a “carefully curated sonic identity.” Others however, make an EP in a uni dorm room in a single day just to “see what happens”. Meet Tom, the founding member...Generally speaking, bands spend years in rehearsal rooms crafting a “carefully curated sonic identity.” Others however, make an EP in a uni dorm room in a single day just to “see what happens”. Meet Tom, the founding member of Lismore’s Media Puzzle, who definately falls in the latter category. 
In this week’s chat with HEAVY Mag's Ali Williams, Tom proves that sometimes the best things start as a joke and spiral wildly into something very real. What began as a one-man experiment with a drum machine and a “let’s just put it out and see” attitude quickly snowballed into a full five-piece outfit reverse-engineering lo-fi chaos into tight, high-energy live shows . 
Tom describes Media Puzzle as falling somewhere under punk, synth punk and the wonderfully unserious label of “egg punk.” Yes, egg punk. It’s fast, scrappy, lo-fi, and occasionally powered by a drum machine that had to be dragged from bedroom obscurity into full band reality . The early worlds of Media Puzzle had no band at all, it was just Tom in his bedroom with a laptop, guitar ,drum machine he could use with synth samples. After showing his one day work of art to his friends, they loved it and wanted in. Tom found himself pulling apart his own recordings, rebuilding them piece by piece like some musical Rubik’s Cube. ranslating bedroom experiments into something a five-piece could detonate onstage . 
There’s something beautifully chaotic about having to reverse engineer your own songs because you can’t quite remember how you made them in the first place. Most bands polish demos. Media Puzzle disassemble them like they’re defusing a bomb. 
Their upcoming run supporting Regurgitator is a genuine full-circle moment for the band. Ten shows across Ulladulla, Canberra, Albury, Melbourne, Brisbane, Sydney and Bathurst are locked in , kicking off March 13 , marking their first proper tour invite and easily their biggest leap so far . For a few members, it’s poetic. Bassist Kelly once snuck into a Regurgitator show at 16 . Now she’s sharing the bill. That’s not just ironic nostalgia. That’s rock and roll karma doing its job. 
The timing couldn’t be better. Media Puzzle are dropping a new album around the same time the tour kicks off . According to Tom, it’s a step in a “somewhat different direction” while still sounding like them, which in Media Puzzle terms probably means faster, weirder and somehow tighter all at once. 
The interview drifts into everything from the widely recognised, now redundant Southern Cross University’s Bachelor of Contemporary Music that helped shape Tom and a generation of musicians drawn to the Northern Rivers, to the glamorous reality of balancing band life with a day job at Bunnings. Rock and roll might be chaotic, but sausage sizzles keep the lights on. 
What makes Media Puzzle compelling isn’t just the genre-blending, DIY approach or the scrappy origins. It’s the freedom. Tom describes the project as something without rules, a space to try anything and learn in public . In an industry obsessed with strategy, that kind of creative recklessness feels refreshing. 
From dorm-room experiment to national tour support for one of Australia’s most iconic alternative acts, Media Puzzle are no longer just “seeing what happens.” They’re making it happen. And come March 13, they’ll be doing it loud, fast and proudly egg-shaped. 
For more info and links to tickets for all of Regurgitators Jukeboxxin Tour head to https://www.regurgitator.net/blog Tell ‘em ya mum sent ya and they'll tell you she loves it.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>673aliwilliams,australia,hardrock,heavy,mediapuzzle,music,musicpodcast,punk,regurgitatot,rock,synthpunk,tourtruefullhttps://www.spreaker.com/episode/unburdening-the-truth-with-david-simonich-from-signs-of-the-swarm--70248461After recently completing a sold out US tour to celebrate ten years as a band, Signs Of The Swarm have now set their sights on Australia, heading Down Under for a string of shows with Born Of Osiris in March.
Over six studio albums - the most recent of which being last years To Rid Myself Of Truth - Signs Of The Swarm have embedded themselves in the upper echelon of metal bands worldwide, with an unrelenting presence and dynamic output that looks set to dominate well beyond their current decade of dominance.
HEAVY caught up with frontman David Simonich to find out more. We question David about their ferocious reputation and ask if it is a badge of honour worn proudly by the band.
"Absolutely," he smiled. "I feel like that we bring an attitude that a lot of people can't imitate because it's very organic. We just try to be ourselves and that's just the energy that conveys of us being ourselves, you know? Good old American deathcore, brother."
With the band recently celebrating ten years together, we take the opportunity to ask David what sorts of things he has learnt about himself and his music over the journey.
"There's been a lot of learning curves professionally and musically," he measured, "always figuring out, like, sometimes you have to find the right balance of what you want to do and what your fans will like, where you'll be happy to play it for 10 more years. You know what I mean? So there's some songs on other records where I'm like, man, I hope I never have to play that one. Just my head was in the wrong place at the wrong time, you know?"
In the full interview David answers the last question in more detail, talks about touring with Born Of Osiris and what fans can expect from the shows, celebrating ten years, how Signs Of The Swarm have grown as a band, how their live show has expanded since the last Australian tour with Within Destruction in 2022, some funny tales from that tour and more.
BORN OF OSIRIS and SIGNS OF THE SWARM 2026 Australian Tour Dates
Wednesday 18th March ADELAIDE, Lion Arts Factory
Thursday 19th March MELBOURNE, Max Watts
Friday 20th March BRISBANE, Brightside Outdoors
Saturday 21st March SYDNEY, Manning Bar
 





Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70248461Tue, 24 Feb 2026 12:58:46 +0000HEAVY MagazineAmerican deathcore outfit Signs of the Swarm are widely regarded as deathcore's most ferocious bands. After recently completing a sold out US tour to celebrate ten years as a band, Signs Of The Swarm have now set their sights on Australia, heading...After recently completing a sold out US tour to celebrate ten years as a band, Signs Of The Swarm have now set their sights on Australia, heading Down Under for a string of shows with Born Of Osiris in March.
Over six studio albums - the most recent of which being last years To Rid Myself Of Truth - Signs Of The Swarm have embedded themselves in the upper echelon of metal bands worldwide, with an unrelenting presence and dynamic output that looks set to dominate well beyond their current decade of dominance.
HEAVY caught up with frontman David Simonich to find out more. We question David about their ferocious reputation and ask if it is a badge of honour worn proudly by the band.
"Absolutely," he smiled. "I feel like that we bring an attitude that a lot of people can't imitate because it's very organic. We just try to be ourselves and that's just the energy that conveys of us being ourselves, you know? Good old American deathcore, brother."
With the band recently celebrating ten years together, we take the opportunity to ask David what sorts of things he has learnt about himself and his music over the journey.
"There's been a lot of learning curves professionally and musically," he measured, "always figuring out, like, sometimes you have to find the right balance of what you want to do and what your fans will like, where you'll be happy to play it for 10 more years. You know what I mean? So there's some songs on other records where I'm like, man, I hope I never have to play that one. Just my head was in the wrong place at the wrong time, you know?"
In the full interview David answers the last question in more detail, talks about touring with Born Of Osiris and what fans can expect from the shows, celebrating ten years, how Signs Of The Swarm have grown as a band, how their live show has expanded since the last Australian tour with Within Destruction in 2022, some funny tales from that tour and more.
BORN OF OSIRIS and SIGNS OF THE SWARM 2026 Australian Tour Dates
Wednesday 18th March ADELAIDE, Lion Arts Factory
Thursday 19th March MELBOURNE, Max Watts
Friday 20th March BRISBANE, Brightside Outdoors
Saturday 21st March SYDNEY, Manning Bar
 





Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>804australia,bornofosiris,deathcore,heavy,heavymetal,krispeters,metal,metalhead,metalinterview,metalpodcast,signsoftheswarm,tourtruefullhttps://www.spreaker.com/episode/electric-six-refined-and-ready-to-ignite-australia--70248297Electric Six are heading back to Australia, and according to frontman Dick Valentine, there’s “no reason not to do it.” Big, profitable shows, short flights between cities and a guaranteed good time keep the band returning Down Under.
This run promises refinement over chaos. “We’re respectful, polite… and we have a good time,” Valentine laughs, describing the live show as “drunk karaoke” backed by seriously tight musicianship. Expect the hits, including the ever-electric Gay Bar, plus deep cuts for diehards yelling requests.
Beyond the stage, it’s the simple pleasures that win them over: hotel television, great food, and elite pre-flight rituals at the Virgin Australia Lounge.
After 25 years, Electric Six remain shocked they’re still doing this, but Australia keeps proving why they should.
And if Valentine gets his way, fans will walk out of the final Melbourne show already demanding their return. In a world that feels increasingly chaotic, he half-jokes that Australia might be “our only hope.” Refined or ridiculous, Electric Six are ready to plug back in and let the absurdity roar.
Tix from: https://metropolistouring.com/electric-six-2026/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70248297Tue, 24 Feb 2026 12:25:37 +0000HEAVY MagazineInterview by Angela Croudace Electric Six are heading back to Australia, and according to frontman Dick Valentine, there’s “no reason not to do it.” Big, profitable shows, short flights between cities and a guaranteed good time keep the band returning...Electric Six are heading back to Australia, and according to frontman Dick Valentine, there’s “no reason not to do it.” Big, profitable shows, short flights between cities and a guaranteed good time keep the band returning Down Under.
This run promises refinement over chaos. “We’re respectful, polite… and we have a good time,” Valentine laughs, describing the live show as “drunk karaoke” backed by seriously tight musicianship. Expect the hits, including the ever-electric Gay Bar, plus deep cuts for diehards yelling requests.
Beyond the stage, it’s the simple pleasures that win them over: hotel television, great food, and elite pre-flight rituals at the Virgin Australia Lounge.
After 25 years, Electric Six remain shocked they’re still doing this, but Australia keeps proving why they should.
And if Valentine gets his way, fans will walk out of the final Melbourne show already demanding their return. In a world that feels increasingly chaotic, he half-jokes that Australia might be “our only hope.” Refined or ridiculous, Electric Six are ready to plug back in and let the absurdity roar.
Tix from: https://metropolistouring.com/electric-six-2026/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>930angelacroudace,australia,electricsix,hardrock,heavy,music,musicinterview,rock,tourtruefullhttps://www.spreaker.com/episode/burning-up-with-dan-marsala-from-story-of-the-year--70194330The breakout single “Until the Day I Die” quickly became both an enduring anthem and a mission statement for the band. What began as four friends working in a St. Louis pizza joint evolved into a movement, connecting deeply with fans through every era. From Page Avenue (2003) to In the Wake of Determination (2005), The Black Swan (2008), The Constant (2010), Wolves (2017), and Tear Me to Pieces (2023) the band, comprised of Dan Marsala, Ryan Phillips, Josh Wills, and Adam Russell, has delivered a signature blend of melodic aggression, raw vulnerability, and anthems built to scream along to in the dark.
And, fans will be pleased to confirm, Story Of The Year are back bigger and better with A.R.S.O.N., marking the next evolution of the band's signature sound and raw, personal lyricism - elements that have earned the band a dedicated global following. An acronym for “All Rage, Still Only Numb,” the album channels their trademark energy into a powerful exploration of anxiety, emotional turmoil and inner darkness. With a dynamic blend of modern post-hardcore, polished production, and nods to their emo roots, A.R.S.O.N. delivers a compelling, storied sonic journey through the fight of Story Of The Year to make it through this life.
HEAVY recently caught up with vocalist/drummer Dan Marsala to find out more, running through our review of the album track by track and listening to his thoughts on our thoughts...


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70194330Sat, 21 Feb 2026 17:19:51 +0000HEAVY MagazineU.S rock/metal outfit Story Of The Year exploded onto the scene with their groundbreaking debut Page Avenue, one of the first albums of its kind to sell over a million copies. The breakout single “Until the Day I Die” quickly became both an enduring...The breakout single “Until the Day I Die” quickly became both an enduring anthem and a mission statement for the band. What began as four friends working in a St. Louis pizza joint evolved into a movement, connecting deeply with fans through every era. From Page Avenue (2003) to In the Wake of Determination (2005), The Black Swan (2008), The Constant (2010), Wolves (2017), and Tear Me to Pieces (2023) the band, comprised of Dan Marsala, Ryan Phillips, Josh Wills, and Adam Russell, has delivered a signature blend of melodic aggression, raw vulnerability, and anthems built to scream along to in the dark.
And, fans will be pleased to confirm, Story Of The Year are back bigger and better with A.R.S.O.N., marking the next evolution of the band's signature sound and raw, personal lyricism - elements that have earned the band a dedicated global following. An acronym for “All Rage, Still Only Numb,” the album channels their trademark energy into a powerful exploration of anxiety, emotional turmoil and inner darkness. With a dynamic blend of modern post-hardcore, polished production, and nods to their emo roots, A.R.S.O.N. delivers a compelling, storied sonic journey through the fight of Story Of The Year to make it through this life.
HEAVY recently caught up with vocalist/drummer Dan Marsala to find out more, running through our review of the album track by track and listening to his thoughts on our thoughts...


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1040danmarsala,heavy,heavymetal,krispeters,metal,metalcore,metalmusic,music,musicinterview,storyoftheyeartruefullhttps://www.spreaker.com/episode/memoirs-of-a-metal-warrior-with-david-gunn-from-king-810--70134187Earlier this year, KING 810 unveiled two palpitating releases, Rustbelt Nu Metal and K7 Rustbelt Nu Metal 2, with both LPs captured in front of a live audience in compelling and rambunctious fashion, and a promised third album in the Rustbelt series still yet to come.
A band renowned for never holding back when it comes to their performances, KING 810 surge with chaos and intensity in a live setting, balanced with raw catharsis and an unwavering audience connection driven by lead vocalist David Gunn. And while often perceived as controversial due to the reality of their lives spent growing up on the streets of a deeply troubled city, the band's balance of heavy discomfort and spiritual insight has led to them becoming seasoned festival performers, with the likes of Download Festival, Rock am Ring in their wake, along with their own acclaimed headline shows and sharing stages with many of the scene's elite, including Korn, Slipknot and Alpha Wolf. 
Previously appearing at the final edition of Soundwave in 2015, KING 810 also most recently toured Australia in 2024, supporting In Hearts Wake, with Everblack Media noting of their Brisbane support slot: "for a band who has not been to Australia in over 10 years, they certainly got a warm welcome back with the crowd moshing to every song". But in 2026, it's headline prime-time for the ferocious quartet; and KING 810 will not be pulling any punches.
HEAVY spoke with Gunn to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70134187Sat, 21 Feb 2026 15:42:24 +0000HEAVY MagazineHailing from America's Rust Belt, hardened nu-metal underdogs KING 810 have built a towering sonic reputation around themes of poverty, crime and the real-world experiences linked to their hometown of Flint, Michigan. Unleashing their debut album...Earlier this year, KING 810 unveiled two palpitating releases, Rustbelt Nu Metal and K7 Rustbelt Nu Metal 2, with both LPs captured in front of a live audience in compelling and rambunctious fashion, and a promised third album in the Rustbelt series still yet to come.
A band renowned for never holding back when it comes to their performances, KING 810 surge with chaos and intensity in a live setting, balanced with raw catharsis and an unwavering audience connection driven by lead vocalist David Gunn. And while often perceived as controversial due to the reality of their lives spent growing up on the streets of a deeply troubled city, the band's balance of heavy discomfort and spiritual insight has led to them becoming seasoned festival performers, with the likes of Download Festival, Rock am Ring in their wake, along with their own acclaimed headline shows and sharing stages with many of the scene's elite, including Korn, Slipknot and Alpha Wolf. 
Previously appearing at the final edition of Soundwave in 2015, KING 810 also most recently toured Australia in 2024, supporting In Hearts Wake, with Everblack Media noting of their Brisbane support slot: "for a band who has not been to Australia in over 10 years, they certainly got a warm welcome back with the crowd moshing to every song". But in 2026, it's headline prime-time for the ferocious quartet; and KING 810 will not be pulling any punches.
HEAVY spoke with Gunn to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1037australia,davidgunn,hardcore,heavy,heavymetal,king810,krispeters,metal,metalpodcast,music,numetal,tourtruefullhttps://www.spreaker.com/episode/evolution-through-revolution-with-mikey-arthur-from-the-gloom-in-the-corner--70132377A record that could readily soundtrack an Anime epic, a Netflix smash series, or a sprawling open-world game, Royal Discordance is certainly not your average metalcore album. An action-packed opus hell-bent on sharp narratives and astonishing sonic dexterity, Royal Discordance journeys between an all-out onslaught (previous single Assassination Run) through to cinematic-yet-sinister brutality on Nope (Hollow Point Elysium), grinning chaotic frenzy on You Didn't Like Me Then (You Won't Like Me Now), and a double closing sucker punch via the two-track suite Love 1: A Quaver Through the Pale and Love 2: A Walk Amongst The Poppy Fields.
HEAVY caught up with Mikey Arthur to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70132377Wed, 18 Feb 2026 21:47:19 +0000HEAVY MagazineA whole new world of inventive, insidious and infectious metalcore awaits in 2026, with Melbourne's The Gloom In The Corner -- Mikey Arthur (vocals), Jesse Abdurazak (guitar), Paul Musolino (bass) and Joshua Clinch (drums) -- on the cusp of releasing...A record that could readily soundtrack an Anime epic, a Netflix smash series, or a sprawling open-world game, Royal Discordance is certainly not your average metalcore album. An action-packed opus hell-bent on sharp narratives and astonishing sonic dexterity, Royal Discordance journeys between an all-out onslaught (previous single Assassination Run) through to cinematic-yet-sinister brutality on Nope (Hollow Point Elysium), grinning chaotic frenzy on You Didn't Like Me Then (You Won't Like Me Now), and a double closing sucker punch via the two-track suite Love 1: A Quaver Through the Pale and Love 2: A Walk Amongst The Poppy Fields.
HEAVY caught up with Mikey Arthur to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>871australia,band,heavy,heavymetal,king810,krispeters,metal,metalband,metalcore,metalinterview,metalpodcast,music,thegloominthecornertruefullhttps://www.spreaker.com/episode/venturing-into-heavier-territory-with-kurt-from-varrim--70132680Following up with Spirit Bomb - inspired by vocalist Kurt’s love for Goku from Dragon Ball Z - the band continued to refine their sound — blending brutal heaviness with melodic and chaotic energy. In April 2023, Varrim released Hunger for the Taste of Conquer, while simultaneously chipping away at their debut EP, Funeral for the Undead, featuring four tracks: Funeral for the Undead, Slaves, Genetic Hell, and Dethroned.
The EP launched Varrim into live performance mode, securing shows across Cairns, Townsville, Mackay, Rockhampton, and Yeppoon. Known for their high-energy, brutal live sets, Varrim quickly gained a reputation as a band to watch in the local heavy scene.
In December 2024, the band teamed up with local filmmaker Arik to release their debut music video for the single Exhume, featuring vocals from Yowie Smith. Exhume showcased a new direction for Varrim — darker, heavier, and packed with groove-laden, crushing breakdowns — setting the stage for the band’s next evolution.
Throughout the following year, Varrim focused on recording their next single, Carnography, and developing a music video to match. Despite a busy year of recording and production, the band still tore up stages alongside acts like Hidden Intent, King Parrot, and Pig Destroyer, as well as performing with numerous local heavy bands, steadily building a devoted following.
Carnography, dropping 21/02/26, will be the first release from Varrim’s upcoming 5-track EP Devourance. With more music, more live shows, and a relentless drive, 2026 promises to be another year of growth, aggression, and pure Varrim energy. HEAVY caught up with vocalist Kurt to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70132680Wed, 18 Feb 2026 21:43:04 +0000HEAVY MagazineFormed in early 2022, Townsville metal outfit Varrim burst onto the scene with their debut single Buried in the Hills in August 2022, immediately setting the tone for their signature sound: angry, heavy, and groovy, with blasts of rage, wicked hooks,...Following up with Spirit Bomb - inspired by vocalist Kurt’s love for Goku from Dragon Ball Z - the band continued to refine their sound — blending brutal heaviness with melodic and chaotic energy. In April 2023, Varrim released Hunger for the Taste of Conquer, while simultaneously chipping away at their debut EP, Funeral for the Undead, featuring four tracks: Funeral for the Undead, Slaves, Genetic Hell, and Dethroned.
The EP launched Varrim into live performance mode, securing shows across Cairns, Townsville, Mackay, Rockhampton, and Yeppoon. Known for their high-energy, brutal live sets, Varrim quickly gained a reputation as a band to watch in the local heavy scene.
In December 2024, the band teamed up with local filmmaker Arik to release their debut music video for the single Exhume, featuring vocals from Yowie Smith. Exhume showcased a new direction for Varrim — darker, heavier, and packed with groove-laden, crushing breakdowns — setting the stage for the band’s next evolution.
Throughout the following year, Varrim focused on recording their next single, Carnography, and developing a music video to match. Despite a busy year of recording and production, the band still tore up stages alongside acts like Hidden Intent, King Parrot, and Pig Destroyer, as well as performing with numerous local heavy bands, steadily building a devoted following.
Carnography, dropping 21/02/26, will be the first release from Varrim’s upcoming 5-track EP Devourance. With more music, more live shows, and a relentless drive, 2026 promises to be another year of growth, aggression, and pure Varrim energy. HEAVY caught up with vocalist Kurt to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>631australia,heavy,heavymetal,krispeters,metal,metalcore,metalhorns,metalinterview,metalmusic,music,single,varrimtruefullhttps://www.spreaker.com/episode/too-old-for-tiktok-too-loud-for-silence-lord-of-the-lost-head-down-under--70133217Lord of the Lost are currently somewhere between frostbite and frequent flyer miles. When HEAVY’s Ali Williams caught up with frontman Chris Harms, the band were enjoying an “off day” in Las Vegas, which sounds glamorous until you realise it comes after three straight weeks of snow and a delightful minus 25 degrees in Canada. Celsius, for the record. The kind of cold that makes you reconsider every life choice that led you there. 
The German dark rock outfit are wrapping up the North American leg of their tour before pointing themselves toward Australia for the very first time. Yes, first time. Seventeen years into their career and they’ve somehow never made it Down Under.  Not for lack of trying either. A previous Australian run collapsed thanks to the classic rock’n’roll villain arc of a disappearing promoter and vanishing ticket money . 
Enter Hardline Media and Extratours, who stepped in to resurrect the tour and finally get the band on a plane for the 28-hour trek south That’s commitment. Or madness. Possibly both. 
The Australian run kicks off in Brisbane on February 19 before heading through Melbourne, Sydney and wrapping up in Adelaide It’s a tight schedule. Fly in the night before the first show, play, fly, repeat, and then straight back out again No cuddling koalas, no hunting for drop bears, no leisurely beach days. Just work, work, work. Romantic, isn’t it? 
Musically, Lord of the Lost are in the middle of rolling out their ambitious Opus trilogy. Volumes 1 and 2 are already out in the world, with Volume 3 on the way. Two singles from the final instalment have already dropped, meaning Aussie fans will get a taste of the new material alongside the older cuts that built their reputation Harms promises a set that represents the whole journey, not just the shiny new toys. 
And journey is the right word. Over 17 years, the band have evolved through multiple musical styles, toured with Iron Maiden and even dipped into the Eurovision Song Contest in 2023 tghe result is a fanbase that’s gloriously mixed. Older devotees have grown up with the band, while younger fans keep discovering them through playlists and, somehow, TikTok Harms jokes they’re “too old for TikTok,” but the algorithm clearly disagrees. 
As for what Aussie audiences can expect? According to Harms (who answered in jest), “extremely boring shows” with zero effort and maximum disappointment. Given their reputation for theatrical impact and high-energy performances, we’ll assume that’s the driest German humour you’ll hear all summer. After surviving Canadian blizzards and Vegas temptations, Lord of the Lost are trading snow boots for sunscreen and finally ticking Australia off the bucket list. Brisbane, Melbourne, Sydney and Adelaide, prepare yourselves. Seventeen years in the making, and they’re not flying 28 hours for a quiet night out.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70133217Wed, 18 Feb 2026 14:51:45 +0000HEAVY MagazineInterview by Ali Williams Lord of the Lost are currently somewhere between frostbite and frequent flyer miles. When HEAVY’s Ali Williams caught up with frontman Chris Harms, the band were enjoying an “off day” in Las Vegas, which sounds glamorous...Lord of the Lost are currently somewhere between frostbite and frequent flyer miles. When HEAVY’s Ali Williams caught up with frontman Chris Harms, the band were enjoying an “off day” in Las Vegas, which sounds glamorous until you realise it comes after three straight weeks of snow and a delightful minus 25 degrees in Canada. Celsius, for the record. The kind of cold that makes you reconsider every life choice that led you there. 
The German dark rock outfit are wrapping up the North American leg of their tour before pointing themselves toward Australia for the very first time. Yes, first time. Seventeen years into their career and they’ve somehow never made it Down Under.  Not for lack of trying either. A previous Australian run collapsed thanks to the classic rock’n’roll villain arc of a disappearing promoter and vanishing ticket money . 
Enter Hardline Media and Extratours, who stepped in to resurrect the tour and finally get the band on a plane for the 28-hour trek south That’s commitment. Or madness. Possibly both. 
The Australian run kicks off in Brisbane on February 19 before heading through Melbourne, Sydney and wrapping up in Adelaide It’s a tight schedule. Fly in the night before the first show, play, fly, repeat, and then straight back out again No cuddling koalas, no hunting for drop bears, no leisurely beach days. Just work, work, work. Romantic, isn’t it? 
Musically, Lord of the Lost are in the middle of rolling out their ambitious Opus trilogy. Volumes 1 and 2 are already out in the world, with Volume 3 on the way. Two singles from the final instalment have already dropped, meaning Aussie fans will get a taste of the new material alongside the older cuts that built their reputation Harms promises a set that represents the whole journey, not just the shiny new toys. 
And journey is the right word. Over 17 years, the band have evolved through multiple musical styles, toured with Iron Maiden and even dipped into the Eurovision Song Contest in 2023 tghe result is a fanbase that’s gloriously mixed. Older devotees have grown up with the band, while younger fans keep discovering them through playlists and, somehow, TikTok Harms jokes they’re “too old for TikTok,” but the algorithm clearly disagrees. 
As for what Aussie audiences can expect? According to Harms (who answered in jest), “extremely boring shows” with zero effort and maximum disappointment. Given their reputation for theatrical impact and high-energy performances, we’ll assume that’s the driest German humour you’ll hear all summer. After surviving Canadian blizzards and Vegas temptations, Lord of the Lost are trading snow boots for sunscreen and finally ticking Australia off the bucket list. Brisbane, Melbourne, Sydney and Adelaide, prepare yourselves. Seventeen years in the making, and they’re not flying 28 hours for a quiet night out.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>745australia,darkrock,gothicmetal,heavy,heavymetal,lordofthelost,music,rock,rockmusic,tourtruefullhttps://www.spreaker.com/episode/the-sound-of-persistence-a-wilhelm-scream-down-under--70130935A Wilhelm Scream are heading back to Australia this March and if you know AWS you know that these guys, much like myself, love a chat! So much in fact, that we had to schedule two interviews just to get through all my questions. Thank you for the laughs guys, I sincerely needed that after the week I was having, anyway, let’s get into what we discussed.
Our interview with Trev and Ben started off strong talking of coffee rituals, the band’s unfiltered group chat, and the ever-expanding “Wilhelm Scream” lore that continually grows more nuanced.
Beneath the laughs, though, was something more telling. Trev spoke about constantly chasing the next goal, never settling, never coasting. It’s that mindset that’s fuelled a career built on integrity rather than trends. Far from a cliché quintet, A Wilhelm Scream have carved out their lane with staggeringly rich albums of ultra-technical, melodic punk firestorms, drawing from their deep catalogue when shaping new material instead of reinventing themselves for relevance.
Joining them in Melbourne on March 8 are Authority Zero and Aussie punks The Decline. Expect riffs, sweat and zero complacency, oh yeah and maybe a dash of yapping.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70130935Wed, 18 Feb 2026 11:18:08 +0000HEAVY MagazineInterview by Angela Croudace A Wilhelm Scream are heading back to Australia this March and if you know AWS you know that these guys, much like myself, love a chat! So much in fact, that we had to schedule two interviews just to get through all my...A Wilhelm Scream are heading back to Australia this March and if you know AWS you know that these guys, much like myself, love a chat! So much in fact, that we had to schedule two interviews just to get through all my questions. Thank you for the laughs guys, I sincerely needed that after the week I was having, anyway, let’s get into what we discussed.
Our interview with Trev and Ben started off strong talking of coffee rituals, the band’s unfiltered group chat, and the ever-expanding “Wilhelm Scream” lore that continually grows more nuanced.
Beneath the laughs, though, was something more telling. Trev spoke about constantly chasing the next goal, never settling, never coasting. It’s that mindset that’s fuelled a career built on integrity rather than trends. Far from a cliché quintet, A Wilhelm Scream have carved out their lane with staggeringly rich albums of ultra-technical, melodic punk firestorms, drawing from their deep catalogue when shaping new material instead of reinventing themselves for relevance.
Joining them in Melbourne on March 8 are Authority Zero and Aussie punks The Decline. Expect riffs, sweat and zero complacency, oh yeah and maybe a dash of yapping.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2185angelacroudace,australia,awilhelmscream,heavy,heavymetal,hornsup,metal,metalhead,metalpodcast,music,tourtruefullhttps://www.spreaker.com/episode/better-days-and-plenty-more-ahead-with-sean-mackin-from-yellowcard--70128967Alt rock icons Yellowcard have released a new version of their track Bedroom Posters which features current touring partners Good Charlotte. The original version of Bedroom Posters can be found on their 2025 album, Better Days.
“GC and Yellowcard finally have a song together and it feels so right”, Good Charlotte lead vocalist Joel Madden says. "I love this band and this song and I’m so happy we got the GCXYC collab. And now we are going on tour! This is our love language and I hope everyone that listens feels the love that both our bands have for each other, our fans, and for the music. I can’t wait for tour!”
Better Days is Yellowcard’s first new album in almost a decade and first with executive producer Travis Barker, with Barker also playing drums on every song including Bedroom Posters, Better Days, honestly I and Take What you Want.
Yellowcard join Good Charlotte in Australia on their Motel Du Cap World Tour, GC's first shows down under in eight years! The tour hits Australia & New Zealand, starting on February 17. HEAVY's Mizzie Maxx spoke with Yellowcard violinist Sean Mackin to find out more.
"We were just here celebrating 20 years of Ocean Avenue, so we're going to mix up the set a little bit," Mackin began. "We have this new batch of songs from the album Better Days with Travis Barker producing, and hopefully everyone in Australia is aware of those songs and we can play a couple off of that. It's a small milestone for us, we've never had a number one song before with Better Days reaching number one on the charts in the United States."
In the full interview, Sean spoke more about Yellowcard's visit to Australia, their upcoming live-show plans, and creative work around the new album Better Days. He said the Australian performances will blend Ocean Avenue anniversary material with tracks from Better Days. 
Sean highlighted the single Bedroom Posters, which features Joel Madden of Good Charlotte, revealing that collaboration grew out of long-standing Warped Tour relationships and a backstage conversation that led Joel to agree to contribute quickly. Conversation then turned to songwriting and production choices for Better Days, including collaborative sessions with songwriter Nick Long and producer Travis Barker, who invited the band to his studio and helped write multiple songs. 
He group discussed the album's emotional content, Sean’s violin contributions—traced to his mother's influence—and practical advice for emerging bands to stay genuine and outwork competitors plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70128967Wed, 18 Feb 2026 07:53:58 +0000HEAVY MagazineInterview by Mizzie Maxx Alt rock icons Yellowcard have released a new version of their track Bedroom Posters which features current touring partners Good Charlotte. The original version of Bedroom Posters can be found on their 2025 album, Better...Alt rock icons Yellowcard have released a new version of their track Bedroom Posters which features current touring partners Good Charlotte. The original version of Bedroom Posters can be found on their 2025 album, Better Days.
“GC and Yellowcard finally have a song together and it feels so right”, Good Charlotte lead vocalist Joel Madden says. "I love this band and this song and I’m so happy we got the GCXYC collab. And now we are going on tour! This is our love language and I hope everyone that listens feels the love that both our bands have for each other, our fans, and for the music. I can’t wait for tour!”
Better Days is Yellowcard’s first new album in almost a decade and first with executive producer Travis Barker, with Barker also playing drums on every song including Bedroom Posters, Better Days, honestly I and Take What you Want.
Yellowcard join Good Charlotte in Australia on their Motel Du Cap World Tour, GC's first shows down under in eight years! The tour hits Australia & New Zealand, starting on February 17. HEAVY's Mizzie Maxx spoke with Yellowcard violinist Sean Mackin to find out more.
"We were just here celebrating 20 years of Ocean Avenue, so we're going to mix up the set a little bit," Mackin began. "We have this new batch of songs from the album Better Days with Travis Barker producing, and hopefully everyone in Australia is aware of those songs and we can play a couple off of that. It's a small milestone for us, we've never had a number one song before with Better Days reaching number one on the charts in the United States."
In the full interview, Sean spoke more about Yellowcard's visit to Australia, their upcoming live-show plans, and creative work around the new album Better Days. He said the Australian performances will blend Ocean Avenue anniversary material with tracks from Better Days. 
Sean highlighted the single Bedroom Posters, which features Joel Madden of Good Charlotte, revealing that collaboration grew out of long-standing Warped Tour relationships and a backstage conversation that led Joel to agree to contribute quickly. Conversation then turned to songwriting and production choices for Better Days, including collaborative sessions with songwriter Nick Long and producer Travis Barker, who invited the band to his studio and helped write multiple songs. 
He group discussed the album's emotional content, Sean’s violin contributions—traced to his mother's influence—and practical advice for emerging bands to stay genuine and outwork competitors plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>757alternativerock,australia,goodcharlotte,hardrock,heavy,mizziemaxx,music,musicinterview,musicpodcast,rock,rockmusic,tour,yellowcardfalsefullhttps://www.spreaker.com/episode/drinking-from-the-poisoned-chalice-with-space-of-variations--70128843Bold as ever, Poisoned Art explores the boundaries of modern sounds. SPACE OF VARIATIONS directs the way into the future of metalcore: unbroken, unapologetic—unstoppable.
HEAVY caught up with the band to find out more, starting by asking how they were feeling about Poisoned Art just out from last weeks release.
"I'm excited, confident, but in the same way, I'm thinking how to play these songs live," Dima Kozhuhar (vocals) replied. "It's both things for me. It's like excitement and a little bit of like fear, you know, how the people will react. But in the end, I'm happy that we did this album and finished it."
We ask the band to dive deeper into the album from a musical point of view.
"What can I say about musical parts from a musical point of view?" Alex Zatserkovny (guitar, vocals) measured. "It's a natural extension of our previous art. For me it's still Space Of Variations and we always change something when we're recording. It's like normal, organic and natural stuff. I don't know, we're always looking for some new angles, new points of view or art. No dramatic changes, I believe, but at the same time, I believe this album sounds very different from all previous albums."
Discussion then moved into musical intent and composition: the band described the album as a natural extension of prior work, blending genres and seeking new angles in composition and sound. They explained the singles strategy—releasing varied tracks (Halo, Tribe, Lies, Doppelganger, Ghost Town) to keep listeners uncertain about the album’s full scope—and confirmed Tribe was chosen as opener and lead single for its impactful qualities. 
They addressed bilingual lyrics as a nod to Ukrainian fans and discussed touring ambitions including a clear interest in playing Australia, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70128843Wed, 18 Feb 2026 07:19:28 +0000HEAVY MagazineExplosive Ukrainian metalcore force SPACE OF VARIATIONS returns with their new album, Poisoned Art, out now via Napalm Records. Blending furious brutality with heartfelt emotion, the four-piece band sheds their skin and continues to push the...Bold as ever, Poisoned Art explores the boundaries of modern sounds. SPACE OF VARIATIONS directs the way into the future of metalcore: unbroken, unapologetic—unstoppable.
HEAVY caught up with the band to find out more, starting by asking how they were feeling about Poisoned Art just out from last weeks release.
"I'm excited, confident, but in the same way, I'm thinking how to play these songs live," Dima Kozhuhar (vocals) replied. "It's both things for me. It's like excitement and a little bit of like fear, you know, how the people will react. But in the end, I'm happy that we did this album and finished it."
We ask the band to dive deeper into the album from a musical point of view.
"What can I say about musical parts from a musical point of view?" Alex Zatserkovny (guitar, vocals) measured. "It's a natural extension of our previous art. For me it's still Space Of Variations and we always change something when we're recording. It's like normal, organic and natural stuff. I don't know, we're always looking for some new angles, new points of view or art. No dramatic changes, I believe, but at the same time, I believe this album sounds very different from all previous albums."
Discussion then moved into musical intent and composition: the band described the album as a natural extension of prior work, blending genres and seeking new angles in composition and sound. They explained the singles strategy—releasing varied tracks (Halo, Tribe, Lies, Doppelganger, Ghost Town) to keep listeners uncertain about the album’s full scope—and confirmed Tribe was chosen as opener and lead single for its impactful qualities. 
They addressed bilingual lyrics as a nod to Ukrainian fans and discussed touring ambitions including a clear interest in playing Australia, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1042heavy,heavymetal,krispeters,metal,metalcore,metalhead,metalpodcast,musicinterview,napalmrecords,spaceofvariationstruefullhttps://www.spreaker.com/episode/new-world-disorder-with-darius-tehrani-from-spite--69949806Their rise has been fast and impossible to ignore, seeing the band collect millions of streams and hundreds of thousands of social media followers.Unafraid to experiment and unfazed by expectation, Spite have continually expanded their sonic palate with each new release, culminating with last year's well received album New World Killer, which will be the focus of the band's debut Australian headline performances.
Through past visits sharing the stage with Make Them Suffer and Thy Art Is Murder, Spite have integrated themselves into the lives of Australian music lovers with their uncompromising live assault and inate ability to genuinely enjoy each passing moment as a band.
With the tour set to kick off in Brisbane on April 24, HEAVY caught up with frontman Darius Tehrani to guage just how much carnage Spite plans to reign down on us all.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69949806Wed, 18 Feb 2026 06:13:58 +0000HEAVY MagazineIn recent years, California deathcore juggernauts Spite have risen to the forefront of modern heavy music, building a reputation as one of the most formidable forces in the genre. They've drawn comparisons to Thy Art Is Murder, The Acacia Strain and...Their rise has been fast and impossible to ignore, seeing the band collect millions of streams and hundreds of thousands of social media followers.Unafraid to experiment and unfazed by expectation, Spite have continually expanded their sonic palate with each new release, culminating with last year's well received album New World Killer, which will be the focus of the band's debut Australian headline performances.
Through past visits sharing the stage with Make Them Suffer and Thy Art Is Murder, Spite have integrated themselves into the lives of Australian music lovers with their uncompromising live assault and inate ability to genuinely enjoy each passing moment as a band.
With the tour set to kick off in Brisbane on April 24, HEAVY caught up with frontman Darius Tehrani to guage just how much carnage Spite plans to reign down on us all.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>963australia,deathcore,destroyalllines,hardcore,heavy,heavymetal,krispeters,metal,metalhead,metalpodcast,music,musicinterview,numetal,spite,tourtruefullhttps://www.spreaker.com/episode/peeling-back-the-layers-with-sound-affliction--70054611The band comment "Behind The Walls is a cumulation of several years of hard work, writing, recording and performing songs we love. It features a diverse range of songs but sticks to the band’s core theme of hard rock with emotive lyrics.
Our songs are known for dealing with issues that many people face in modern society, such as depression, anxiety and addiction. As the title suggests we all build walls around us to protect ourselves from the outside world, but who really knows what is going on behind those walls."
XMusic's Tim McLean-Smith adds "Sound Affliction have delivered an amazing debut album full of driving riffs overlayed by melodies and incredible vocal performances. You discover more the more you listen to this album. Turn it UP! And enjoy."
Sound Affliction have shown their tremendous range via four widely diverse singles, the emotionally charged Sober, the riff frenzy of Devil In Me and the powerful songwriting of Leave The Light On and the angst filled The End. To celebrate the release of the album, they have also dropped the final single from it, Fly.
HEAVY caught up with the band to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70054611Sat, 14 Feb 2026 02:33:02 +0000HEAVY MagazineBrisbane rock outfit Sound Affliction are proud to release their debut album, Behind The Walls, available now via Australia's only independent rock music label XMusic. The band comment "Behind The Walls is a cumulation of several years of hard work,...The band comment "Behind The Walls is a cumulation of several years of hard work, writing, recording and performing songs we love. It features a diverse range of songs but sticks to the band’s core theme of hard rock with emotive lyrics.
Our songs are known for dealing with issues that many people face in modern society, such as depression, anxiety and addiction. As the title suggests we all build walls around us to protect ourselves from the outside world, but who really knows what is going on behind those walls."
XMusic's Tim McLean-Smith adds "Sound Affliction have delivered an amazing debut album full of driving riffs overlayed by melodies and incredible vocal performances. You discover more the more you listen to this album. Turn it UP! And enjoy."
Sound Affliction have shown their tremendous range via four widely diverse singles, the emotionally charged Sober, the riff frenzy of Devil In Me and the powerful songwriting of Leave The Light On and the angst filled The End. To celebrate the release of the album, they have also dropped the final single from it, Fly.
HEAVY caught up with the band to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>715album,hardrock,heavy,krispeters,music,rock,soundaffliction,xmusictruefullhttps://www.spreaker.com/episode/exciting-beginnings-ahead-of-australian-tour-with-eero-sipila-and-marina-la-torraca-from-battle-beast--70031439Marina La Torraca is a Brazilian vocalist from São Paulo, best known as the powerhouse frontwoman of modern metal band Phantom Elite and as a member of the symphonic metal project Exit Eden. She began performing in her teens in local cover bands before moving into formal training, including studying musical theatre in New York.
Renowned for her versatile, commanding vocal range, Marina effortlessly transitions from dramatic, melodic passages to fierce, harsh screams. Alongside her career in metal, she has starred in professional musical theatre productions across German-speaking countries. Beyond the stage, she is also an accomplished graphic designer, vocal coach, producer, and songwriter.
Now, those talents are joining with Battle Beast to begin the next phase in the evoltion and growth of this great Swedish band. HEAVY sat down with founding member and bassist Eero Sipilä and Marina La Torraca to find out more.
The dates are below:
March 10, 2026 North Perth – Magnet House
March 11, 2026 Adelaide – Lion Arts Factory
March 13, 2026 Melbourne – Max Watts Melbourne
March 14, 2026 Sydney – Manning Bar
March 15, 2026 Brisbane – Crowbar
Tickets on sale now  from: https://thephoenix.au/battle-beast/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/70031439Fri, 13 Feb 2026 05:17:55 +0000HEAVY MagazineMighty Swedish Modern Melodic Metallers, BATTLE BEAST head here for the first time EVER in March and the first shows with NEW singer Marina La Torraca. And not only will the shows be their first Down Under, but the opening performance in Perth will...Marina La Torraca is a Brazilian vocalist from São Paulo, best known as the powerhouse frontwoman of modern metal band Phantom Elite and as a member of the symphonic metal project Exit Eden. She began performing in her teens in local cover bands before moving into formal training, including studying musical theatre in New York.
Renowned for her versatile, commanding vocal range, Marina effortlessly transitions from dramatic, melodic passages to fierce, harsh screams. Alongside her career in metal, she has starred in professional musical theatre productions across German-speaking countries. Beyond the stage, she is also an accomplished graphic designer, vocal coach, producer, and songwriter.
Now, those talents are joining with Battle Beast to begin the next phase in the evoltion and growth of this great Swedish band. HEAVY sat down with founding member and bassist Eero Sipilä and Marina La Torraca to find out more.
The dates are below:
March 10, 2026 North Perth – Magnet House
March 11, 2026 Adelaide – Lion Arts Factory
March 13, 2026 Melbourne – Max Watts Melbourne
March 14, 2026 Sydney – Manning Bar
March 15, 2026 Brisbane – Crowbar
Tickets on sale now  from: https://thephoenix.au/battle-beast/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1113australia,battlebeast,heavy,heavymetal,krispeters,metal,modernmetal,musicinterview,powermetal,tourtruefullhttps://www.spreaker.com/episode/freshly-squeezed-and-home-grown-failsafe-fly-the-flag-for-the-future-of-aussie-rock--69948551Those humble beginnings quickly spilled into local bowlo shows before snowballing into a relentless run of gigs across the city. In just two short years, Failsafe have become familiar faces in their local music scene, earning a loyal following through sweat-soaked, bleeding-heart rock performances that feel urgent and alive. They’re not just playing punk and rock, they’re actively pulling it back to what it was always meant to be: community, expression and somewhat-controlled chaos.
Their fiercely DIY ethos defines everything they do. From generator-powered skate park and park pop ups to all-ages gigs, Failsafe prioritise inclusion, even inviting fans to be part of one their music videos. Musically, Theo Fernandez’s fast-footed pulse drives the momentum, Anna Morrow’s groovy bass anchors it, and Liam Elwing’s screeching guitar and raw vocals cut deep.
As Anna explains, “Growing up I felt like I could really understand what other people put out, but not really express myself verbally… being able to do that through music is an entirely different skill… it’s being really vulnerable and also incredibly dangerous and exciting.” It’s that intelligence and drive to take hold of goal after goal that sets Failsafe apart from all the garage bands that never get beyond the garage.
They may be young, but these guys are mighty. Check them out on spotify: Failsafe or Youtube: failsafesydney


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69948551Tue, 10 Feb 2026 10:27:43 +0000HEAVY MagazineFailsafe are proof that age has nothing to do with impact. The Sydney trio are only 18, yet they carry themselves with the confidence, humility and purpose of a band far beyond their years (oh yeah and they have a whopping three releases under their...Those humble beginnings quickly spilled into local bowlo shows before snowballing into a relentless run of gigs across the city. In just two short years, Failsafe have become familiar faces in their local music scene, earning a loyal following through sweat-soaked, bleeding-heart rock performances that feel urgent and alive. They’re not just playing punk and rock, they’re actively pulling it back to what it was always meant to be: community, expression and somewhat-controlled chaos.
Their fiercely DIY ethos defines everything they do. From generator-powered skate park and park pop ups to all-ages gigs, Failsafe prioritise inclusion, even inviting fans to be part of one their music videos. Musically, Theo Fernandez’s fast-footed pulse drives the momentum, Anna Morrow’s groovy bass anchors it, and Liam Elwing’s screeching guitar and raw vocals cut deep.
As Anna explains, “Growing up I felt like I could really understand what other people put out, but not really express myself verbally… being able to do that through music is an entirely different skill… it’s being really vulnerable and also incredibly dangerous and exciting.” It’s that intelligence and drive to take hold of goal after goal that sets Failsafe apart from all the garage bands that never get beyond the garage.
They may be young, but these guys are mighty. Check them out on spotify: Failsafe or Youtube: failsafesydney


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1562angelacroudace,aussierock,band,failsafe,hardrock,heavy,heavymetal,interview,music,musicinterview,newmusic,rocktruefullhttps://www.spreaker.com/episode/regurgitator-the-real-the-ridiculous-and-the-weed-with-quan-yeomans--69805895Ali Williams catches up with Quan mid-tour, somewhere between a billion-degree beach day and Quan’s Melbourne “hoodie weather.” Regurgitator’s recent shows clock in at a marathon hour and 55 minutes, a feat even Quan admits is “too much for me.” The band briefly flirted with the idea of an intermission—abandoned after realising it just broke the groove. Audiences now get an uninterrupted slab of Gurge, and honestly, no one’s screaming for an encore after that much garage rock. As Quan puts it: “I played everything!”
The current tour isn’t just another lap around the sun—it’s a madcap dive into the Regurgitator singles catalogue, dusting off tracks they haven’t played in years (thank you, Google, for those forgotten lyrics). There are over 50 singles, so no, they’re not playing them all (unless you fancy a three-hour endurance test). But the setlist is a living, breathing thing, evolving with every gig—much like the band themselves. Expect some surprises, and don’t get too comfortable: they change it up to avoid “getting bored” and keep the fans guessing.
Forget the urban legend about meeting band members Ben Ely and Quan meeting on a Brisbane bus—turns out Ben first rocked up at Quan’s mum’s place to score weed. “He just happened to walk downstairs where I was tinkering with my 4-track,” says Quan, and the rest is history. Brisbane in those days was a tight little scene: cross a few one-way streets and you’d bump into half your future bandmates (or get hopelessly lost, if you’re Ali).
Regurgitator’s music has always balanced piss-taking parody with actual substance—something Quan admits is often missed by casual listeners. “I’m amazed how many people don’t listen to the lyrics,” he laughs, despite the fact he obsesses over every word. These days, their songs show up on random playlists, introducing a whole new generation of fans (many thanks to TikTok and Spotify—“even if Spotify’s evil,” Quan quips). The band’s legacy now stretches from ‘90s moshers to 19-year-olds who think The Angels are edgy vintage.
Despite three decades of gigging and a few legendary bust-ups (including one that almost ended in a lawsuit—cheers, Martin), Quan says the band feels more like a family than ever. New members like Sarah have slotted in seamlessly, proving sometimes a bit of stability trumps creative friction. That said, Quan reckons the secret to not going stale is “reinventing yourself—take a page from Bowie.” But these days, the wild competitive spark of youth has mellowed into something more sustainable: “Now it’s way easier to tour. It’s easygoing, it’s lovely.”
Swerving into songwriting, journalism, and the perils of letting technology do all the heavy lifting. Quan’s not shy about the state of AI writing: “My god, the writing part is so bad. It’s terrible… it just messes it up every time. It’s such a slop.” For Regurgitator, the real art comes from putting in the work, not “pressing buttons.” So, aspiring artists—take note: it’s called a work of art for a reason.
As Quan wraps up, he drops the essential plug: “You can catch us playing at a rural town near you, and probably a big city as well, so please come along. We’d love to see your face. It’ll be a good time.” So, whether you’re an OG Gurge tragic or a TikTok kid who thinks Polyester Girl is a deep cut, Regurgitator’s Jukeboxxin’ tour is your chance to see living legends in the flesh.
Check out Regurgitator’s upcoming Jukeboxxin’ dates—from the Top end to Tassie and everywhere in between. Expect singalongs, sweat, and possibly a history lesson in Aussie music, all delivered with Regurgitator’s signature sideways grin. Tickets available now—don’t sleep on it.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69805895Thu, 05 Feb 2026 07:23:02 +0000HEAVY MagazineIf you’ve ever wondered what it’s like to survive 30 years in an Australian band without a punch-up, a lawsuit, or at least a few costume changes, Quan Yeomans of Regurgitator is here to tell you—it’s mostly sweat, setlist amnesia, and just the right...Ali Williams catches up with Quan mid-tour, somewhere between a billion-degree beach day and Quan’s Melbourne “hoodie weather.” Regurgitator’s recent shows clock in at a marathon hour and 55 minutes, a feat even Quan admits is “too much for me.” The band briefly flirted with the idea of an intermission—abandoned after realising it just broke the groove. Audiences now get an uninterrupted slab of Gurge, and honestly, no one’s screaming for an encore after that much garage rock. As Quan puts it: “I played everything!”
The current tour isn’t just another lap around the sun—it’s a madcap dive into the Regurgitator singles catalogue, dusting off tracks they haven’t played in years (thank you, Google, for those forgotten lyrics). There are over 50 singles, so no, they’re not playing them all (unless you fancy a three-hour endurance test). But the setlist is a living, breathing thing, evolving with every gig—much like the band themselves. Expect some surprises, and don’t get too comfortable: they change it up to avoid “getting bored” and keep the fans guessing.
Forget the urban legend about meeting band members Ben Ely and Quan meeting on a Brisbane bus—turns out Ben first rocked up at Quan’s mum’s place to score weed. “He just happened to walk downstairs where I was tinkering with my 4-track,” says Quan, and the rest is history. Brisbane in those days was a tight little scene: cross a few one-way streets and you’d bump into half your future bandmates (or get hopelessly lost, if you’re Ali).
Regurgitator’s music has always balanced piss-taking parody with actual substance—something Quan admits is often missed by casual listeners. “I’m amazed how many people don’t listen to the lyrics,” he laughs, despite the fact he obsesses over every word. These days, their songs show up on random playlists, introducing a whole new generation of fans (many thanks to TikTok and Spotify—“even if Spotify’s evil,” Quan quips). The band’s legacy now stretches from ‘90s moshers to 19-year-olds who think The Angels are edgy vintage.
Despite three decades of gigging and a few legendary bust-ups (including one that almost ended in a lawsuit—cheers, Martin), Quan says the band feels more like a family than ever. New members like Sarah have slotted in seamlessly, proving sometimes a bit of stability trumps creative friction. That said, Quan reckons the secret to not going stale is “reinventing yourself—take a page from Bowie.” But these days, the wild competitive spark of youth has mellowed into something more sustainable: “Now it’s way easier to tour. It’s easygoing, it’s lovely.”
Swerving into songwriting, journalism, and the perils of letting technology do all the heavy lifting. Quan’s not shy about the state of AI writing: “My god, the writing part is so bad. It’s terrible… it just messes it up every time. It’s such a slop.” For Regurgitator, the real art comes from putting in the work, not “pressing buttons.” So, aspiring artists—take note: it’s called a work of art for a reason.
As Quan wraps up, he drops the essential plug: “You can catch us playing at a rural town near you, and probably a big city as well, so please come along. We’d love to see your face. It’ll be a good time.” So, whether you’re an OG Gurge tragic or a TikTok kid who thinks Polyester Girl is a deep cut, Regurgitator’s Jukeboxxin’ tour is your chance to see living legends in the flesh.
Check out Regurgitator’s upcoming Jukeboxxin’ dates—from the Top end to Tassie and everywhere in between. Expect singalongs, sweat, and possibly a history lesson in Aussie music, all delivered with Regurgitator’s signature sideways grin....]]>1562aliwilliams,aussiemusic,australia,electricrock,hardrock,heavy,interview,music,podcast,quan,regurgitator,rock,thegurge,tourtruefullhttps://www.spreaker.com/episode/lacuna-coil-finally-bring-a-full-headline-tour-back-to-australia--69798541Following a standout appearance at Good Things Festival 2022, the band are eager to reconnect with their dedicated Australian fanbase while showcasing material from their latest record .While Andrea only learned through our interview that their Good Things set was hailed as one of the festival’s best, he says the decision to return was driven by a mix of unfinished business and excitement around new music. “We don’t come there so often because of distance and cost,” he explains, “but we know we have a very solid fan base, so we couldn’t wait to be back” .
The tour also marks a rare opportunity for the band to fully immerse themselves in Australia again, something Andrea describes as uniquely special compared to touring Europe or the US.
“When we’re there, I really feel I’m somewhere else,” he says, noting the landscapes, cities, and wildlife that make each visit memorable .
With new songs primed for the live stage and long-awaited headline shows ahead, Lacuna Coil’s Australian return promises to be a powerful start to the year.
Tickets:  https://www.destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69798541Thu, 05 Feb 2026 02:42:37 +0000HEAVY MagazineItalian metal icons Lacuna Coil are set to return to Australia for their first full headline tour in nearly a decade, and according to bassist Andrea Ferro, the timing couldn’t feel more right. Following a standout appearance at Good Things Festival...Following a standout appearance at Good Things Festival 2022, the band are eager to reconnect with their dedicated Australian fanbase while showcasing material from their latest record .While Andrea only learned through our interview that their Good Things set was hailed as one of the festival’s best, he says the decision to return was driven by a mix of unfinished business and excitement around new music. “We don’t come there so often because of distance and cost,” he explains, “but we know we have a very solid fan base, so we couldn’t wait to be back” .
The tour also marks a rare opportunity for the band to fully immerse themselves in Australia again, something Andrea describes as uniquely special compared to touring Europe or the US.
“When we’re there, I really feel I’m somewhere else,” he says, noting the landscapes, cities, and wildlife that make each visit memorable .
With new songs primed for the live stage and long-awaited headline shows ahead, Lacuna Coil’s Australian return promises to be a powerful start to the year.
Tickets:  https://www.destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>989angelacroudace,australia,destroyalllines,heavy,heavymetal,industrialmetal,lacunacoil,metal,metalinterview,metalpodcast,music,symphonicmetal,tourtruefullhttps://www.spreaker.com/episode/thrice-return-to-australia-riding-momentum-and-reflection--69798298This upcoming tour sees Thrice bringing Horizons West to Australian stages for the first time, a record shaped by reconnection both musically and physically. Unlike Horizons East that was written remotely, West was crafted together in the same room, allowing the band to focus on how songs would translate live. The result, Breckenridge says, is some of their strongest live material in years.
That sense of evolution also extends to Thrice’s legacy. Revisiting The Artist in the Ambulance has given the songs new life, refined by decades of growth while retaining their emotional urgency. “A lot of it has aged like a fine wine,” he reflects.
With a setlist spanning over two decades, Breckenridge promises a cohesive, dynamic journey that honours the past while celebrating where Thrice are now. As always, Australia remains central to that story. Riley even shared that he'd move here if he could and if he does you can thank me for encouraging him to do so, so that his family can witness kookaburra's first hand.
Tickets: https://sbmpresents.com/tour/thrice-2026


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69798298Thu, 05 Feb 2026 02:25:15 +0000HEAVY MagazineFor Thrice drummer Riley Breckenridge, returning to Australia is never just another tour stop, it’s a highlight etched deep into the band’s history. From their earliest visits alongside Hot Water Music and Alkaline Trio to their most recent run in...This upcoming tour sees Thrice bringing Horizons West to Australian stages for the first time, a record shaped by reconnection both musically and physically. Unlike Horizons East that was written remotely, West was crafted together in the same room, allowing the band to focus on how songs would translate live. The result, Breckenridge says, is some of their strongest live material in years.
That sense of evolution also extends to Thrice’s legacy. Revisiting The Artist in the Ambulance has given the songs new life, refined by decades of growth while retaining their emotional urgency. “A lot of it has aged like a fine wine,” he reflects.
With a setlist spanning over two decades, Breckenridge promises a cohesive, dynamic journey that honours the past while celebrating where Thrice are now. As always, Australia remains central to that story. Riley even shared that he'd move here if he could and if he does you can thank me for encouraging him to do so, so that his family can witness kookaburra's first hand.
Tickets: https://sbmpresents.com/tour/thrice-2026


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1187australia,hardrock,hardrockmusic,heavy,heavymetal,hornsup,metal,metalhead',metalpodcast,music,musicinterview,progmetal,thrice,tourtruefullhttps://www.spreaker.com/episode/from-chaos-comes-catharsis-with-andrew-glass-from-we-came-as-romans--69715058Stepping into view in 2009 via their debut album To Plant a Seed, We Came As Romans have remained a powerful force of sharp melodies, thick guitars, grooves and unwavering positivity in the face of an uncertain world. Between countless sold out shows, over 250 million streams, seven studio albums and ongoing critical acclaim, We Came As Romans relentlessly forge ahead with a sonic blend that spans metalcore, post-harcore, electronic hues at times and an urgency that captivates in any and every live setting.
Traversing tragedy and tenacity along the way, the band returned with gusto in 2025 with the recent release of their seventh studio album All Is Beautiful…Because We're Doomed; the band's second studio album since the tragic passing of their brother Kyle Pavone, and a collection of tracks that wrestles with the highs and lows of humanity.
In a live setting, We Came As Romans have spent their storied career touring with some of the giants of the scene, spanning Bring Me The Horizon, I Prevail, The Used, Sleeping With Sirens, Parkway Drive and countless others, with WCAR performing down under most recently in 2023 which marked their first Aussie performances since 2015.
HEAVY sat down to chat with frontman Andrew Glass ahead of this months tour to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69715058Sun, 01 Feb 2026 05:50:54 +0000HEAVY MagazineSet to bring their monstrous headline show to Australian shores next month, Michigan metalcore titans We Came As Romans return to Australia in support of their new album All is Beautiful.. Because We're Doomed, joined by very special guests Caskets...Stepping into view in 2009 via their debut album To Plant a Seed, We Came As Romans have remained a powerful force of sharp melodies, thick guitars, grooves and unwavering positivity in the face of an uncertain world. Between countless sold out shows, over 250 million streams, seven studio albums and ongoing critical acclaim, We Came As Romans relentlessly forge ahead with a sonic blend that spans metalcore, post-harcore, electronic hues at times and an urgency that captivates in any and every live setting.
Traversing tragedy and tenacity along the way, the band returned with gusto in 2025 with the recent release of their seventh studio album All Is Beautiful…Because We're Doomed; the band's second studio album since the tragic passing of their brother Kyle Pavone, and a collection of tracks that wrestles with the highs and lows of humanity.
In a live setting, We Came As Romans have spent their storied career touring with some of the giants of the scene, spanning Bring Me The Horizon, I Prevail, The Used, Sleeping With Sirens, Parkway Drive and countless others, with WCAR performing down under most recently in 2023 which marked their first Aussie performances since 2015.
HEAVY sat down to chat with frontman Andrew Glass ahead of this months tour to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1231destroyalllines,heavy,heavymetal,krispeters,lifesabeach,metal,metalmusic,metalpodcast,musicfestival,polaris,tour,wecameasromanstruefullhttps://www.spreaker.com/episode/x-marks-the-spot-with-dan-marazita-from-xcalibre--69677204XCalibre channel life’s chaos, resilience, and redemption into every note, crafting songs that hit as hard emotionally as they do sonically. Their music fuses modern hard rock intensity with classic influences, creating a sound that’s both anthemic and deeply personal.
To celebrate the release of X, the band have released their most touching yet enormous song to date. Lights and Sound. With a feeling evoking the epic melodies of Lanterns by Birds of Tokyo, Lights and Sound is, as frontman Dan Marazita explains, "inspired by a big chapter from earlier in life and the need for closure. The song explores what it feels like to stand at the edge of change. Looking back on a meaningful connection, recognising that people grow in different directions and stepping forward without bitterness.
It’s reflective, emotional and grounded in respect. Sonically, it strips back the big riffs but holds onto Xcalibre’s emotional core and melody. Even without the heaviness, it still feels massive.”
HEAVY's Angela Croudace spoke with Marazita to find out more.
X also features the unstoppable House Of Pain and Gravity (Through It All), which features DJ Lethal (Limp Bizkit) and Marcos Curiel (P.O.D.), and was recorded at Matt Sorum’s studio in Los Angeles. X is out now via XMusic: https://lnk.to/HHI9cx


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69677204Fri, 30 Jan 2026 03:22:21 +0000HEAVY MagazineMelbourne’s high energy rockers, XCalibre release their brand new album, X, today! Born from grit, fire, and raw emotion, XCalibre are a powerhouse rock trio from Melbourne, Australia, blending hard-hitting riffs with cinematic energy and heartfelt...XCalibre channel life’s chaos, resilience, and redemption into every note, crafting songs that hit as hard emotionally as they do sonically. Their music fuses modern hard rock intensity with classic influences, creating a sound that’s both anthemic and deeply personal.
To celebrate the release of X, the band have released their most touching yet enormous song to date. Lights and Sound. With a feeling evoking the epic melodies of Lanterns by Birds of Tokyo, Lights and Sound is, as frontman Dan Marazita explains, "inspired by a big chapter from earlier in life and the need for closure. The song explores what it feels like to stand at the edge of change. Looking back on a meaningful connection, recognising that people grow in different directions and stepping forward without bitterness.
It’s reflective, emotional and grounded in respect. Sonically, it strips back the big riffs but holds onto Xcalibre’s emotional core and melody. Even without the heaviness, it still feels massive.”
HEAVY's Angela Croudace spoke with Marazita to find out more.
X also features the unstoppable House Of Pain and Gravity (Through It All), which features DJ Lethal (Limp Bizkit) and Marcos Curiel (P.O.D.), and was recorded at Matt Sorum’s studio in Los Angeles. X is out now via XMusic: https://lnk.to/HHI9cx


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1059aussierock,hardrock,heavy,heavyinterview,heavymetal,heavypodcast,metal,music,newmusic,rock,rockmusic,xcalibre,xmusictruefullhttps://www.spreaker.com/episode/indecent-with-a-twist-of-metal-copperhead-talk-new-music-and-song-titles--69634389Fronted by Charlie Wicks (15) on guitar and vocals, alongside Nate Starkey (16) on bass and Charlie Williams (19) on drums, Copperhead already show the chemistry and focus of a band built for bigger stages. Despite their young age, their sound is confident, aggressive, and unapologetically heavy and wearing their influences like a badge of honour, unashamedly drawing from the power and grit of bands such as Metallica, Nirvana, Alice in Chains, and even flashes of early Silverchair.
After travelling to Melbourne to record with producer Tyson Fish (Mammal, Vance Joy), the band went on to dominate at the Rock Challenge in Tasmania, the state’s elite school band competition, taking out both their heat and the state finals in the high school division.
Their debut single Mortal Souls delivered hard-hitting riffs and relentless energy and quickly racking up thousands of streams across Spotify, establishing Copperhead as one of Tasmania’s most exciting emerging heavy acts.
Now gearing up for the release of their new single Public Indecency, Copperhead continue to push an old-school rock/metal sound with a modern edge. Early listeners have already described the track as something that “could fit perfectly on Metallica’s Black Album.”
Both songs have been co-written with Australian punk band Captives and Public Indecency is shaping up to be a defining moment, not just for the band, but for the next generation of Tasmanian heavy music.
HEAVY caught up for a chat with all three band members ahead of Friday's release and start by ask how they are feeling just a couple of days out.
"We're extremely excited," drummer Charlie Williams exclaimed. "We've had this song in the files for months now and we've just been so eager to it out to the world. And now it's finally happening and it's going to be out next week."
Public Indecency follows Copperhead's debut single Mortal Souls, and we ask the boys what their thought process was when deciding which song to lead with.
"We released Mortal Souls first because we thought it was just a good way to really show people who we are," Williams replied. "But Public Indecency is our favorite out of the two songs. We kind of wanted to hold off on releasing the better song because people are going to be surprised on how different it is musically. Mortal Souls is just a thrash it out, fucking just go hard all the time, and Public Indecency is also that in a way, but it's a lot more like… I don't even know how to describe it (laughs)."
In the full interview, Copperhead spoke more about Public Indecency and how it represents them as a band. They talked about the title and subject matter, emphasing the need to have fun with your music whenever possible.
The band spoke about their youth and love for old school rock and metal, recording in Melbourne, co-writing both songs with Captives, album and tour plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69634389Wed, 28 Jan 2026 02:25:55 +0000HEAVY MagazineCOPPERHEAD are a three-piece heavy rock/metal band from North-West Tasmania, delivering a powerful no-nonsense sound that punches well beyond their years. Fronted by Charlie Wicks (15) on guitar and vocals, alongside Nate Starkey (16) on bass and...Fronted by Charlie Wicks (15) on guitar and vocals, alongside Nate Starkey (16) on bass and Charlie Williams (19) on drums, Copperhead already show the chemistry and focus of a band built for bigger stages. Despite their young age, their sound is confident, aggressive, and unapologetically heavy and wearing their influences like a badge of honour, unashamedly drawing from the power and grit of bands such as Metallica, Nirvana, Alice in Chains, and even flashes of early Silverchair.
After travelling to Melbourne to record with producer Tyson Fish (Mammal, Vance Joy), the band went on to dominate at the Rock Challenge in Tasmania, the state’s elite school band competition, taking out both their heat and the state finals in the high school division.
Their debut single Mortal Souls delivered hard-hitting riffs and relentless energy and quickly racking up thousands of streams across Spotify, establishing Copperhead as one of Tasmania’s most exciting emerging heavy acts.
Now gearing up for the release of their new single Public Indecency, Copperhead continue to push an old-school rock/metal sound with a modern edge. Early listeners have already described the track as something that “could fit perfectly on Metallica’s Black Album.”
Both songs have been co-written with Australian punk band Captives and Public Indecency is shaping up to be a defining moment, not just for the band, but for the next generation of Tasmanian heavy music.
HEAVY caught up for a chat with all three band members ahead of Friday's release and start by ask how they are feeling just a couple of days out.
"We're extremely excited," drummer Charlie Williams exclaimed. "We've had this song in the files for months now and we've just been so eager to it out to the world. And now it's finally happening and it's going to be out next week."
Public Indecency follows Copperhead's debut single Mortal Souls, and we ask the boys what their thought process was when deciding which song to lead with.
"We released Mortal Souls first because we thought it was just a good way to really show people who we are," Williams replied. "But Public Indecency is our favorite out of the two songs. We kind of wanted to hold off on releasing the better song because people are going to be surprised on how different it is musically. Mortal Souls is just a thrash it out, fucking just go hard all the time, and Public Indecency is also that in a way, but it's a lot more like… I don't even know how to describe it (laughs)."
In the full interview, Copperhead spoke more about Public Indecency and how it represents them as a band. They talked about the title and subject matter, emphasing the need to have fun with your music whenever possible.
The band spoke about their youth and love for old school rock and metal, recording in Melbourne, co-writing both songs with Captives, album and tour plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>875australia,band,copperhead,hardrock,heavy,heavymetal,krispeters,metal,music,musicinterview,musicpodcast,newmusic,rock,singletruefullhttps://www.spreaker.com/episode/good-things-come-to-those-who-wait-with-ian-kenny-from-karnivool--69633801This is NOT a drill. Karnivool has gifted us a new album - In Verses - after a cool 13 years carefully curating each song. Spoiler alert, it’s every bit as magical as you are imaging!  Just like Karnivool I’m from Perth myself and have always carried this sense of pride and connection to the band through their music. Sometimes it feels like you are isolated away from the rest of the world in W.A so to see a band from there successfully take on the rest of Australia and then the world is nothing short of amazing.  
Now, nothing really gets me more excited than a message from my boss Kris at HEAVY MAG that says ‘You’re a big Karnivool fan, right?’. Whatever it is, yes count me in. Before I knew it, I was locked in for an interview on my lunch break from my work ute the following Monday. The makings of a true interviewer I've since been told… thus starting the first of my His-Vis interview series.
Monday rolls around and it's time to dig in and see what’s been going on in the Karnivool camp! What was the moment they decided it was ‘time’ to put it all together and release the music that’s been burning a hole in their pocket for so long? I'll take the chance to fire away all the questions that have been burning a hole in my pockets for years too! Lucky for me the man with all the answers, frontman Ian Kenny, just entered my Zoom and I couldn't be more excited to hear what he has to say.
We took a walk down memory lane and reflected on releasing their 2001 debut EP Persona. Mostly I was curious to know if they would, or have, played it live cover-to-cover and Ian's reaction was pretty much 'Shut it down' 😂 - deeming it an 'interesting conversation' at most'. Does this mean Persona has become the ugly step kid put in the corner? Fade off the EP was my gateway drug to Karnivool and as far as debuts go, they smashed onto the scene with songs that were humbly created in their parent's back shed without the young lads realising that they have just started to build the foundations on which they stand on today.
Karnivool's lyrics are deep and I wanted to take the opportunity to peak into the creative process and what it looks like building a song. Has the formula changed from their last album? Ian's answer was a great insight into harnessing his creativity to navigate his wonderful & intellectually complex mind. He confessed 'I find writing challenging because the music is so obscure I get lost and have to pull myself out again‘. I couldn’t help but think to myself, ‘Well, that’s fitting, because when I listen to Karnivool I find myself in an almost trans like state - lost in the music too.'
Although sometimes the lyrics that came through didn't exactly make sense to Ian at the time, as the years went by he began to resonate and connect with their intended meanings. Music is such a powerful tool and for musicians, it's pretty much being their diary. It's a beautiful journey of discovery that I can only imagine would feel like a gift from the 'past you' patiently waiting to reveal it's true meaning when the time is right.
‘Trying to find pure flow state where you would unearth things from your subconscious and some of that shits important because you don’t know what it means most the time and then after the fact it really comes to how you are living or what are you doing, and you think... how does that line up now?’ 
This interview was so much fun. I can’t thank Ian Kenny enough for having a good laugh with me and being open to sharing his personal experiences and stories from over the years. You always hope that your hero's are everything you want them to be in 'real life' and I feel so lucky on this occasion to be greeted by a friendly face that seamlessly gave way to a conversation I wish could have gone for hours. 
Hope you enjoy the full interview. Until next time, legends!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69633801Wed, 28 Jan 2026 01:37:37 +0000HEAVY MagazineWords and Interview by Kyra Jade This is NOT a drill. Karnivool has gifted us a new album - In Verses - after a cool 13 years carefully curating each song. Spoiler alert, it’s every bit as magical as you are imaging!  Just like Karnivool I’m from...This is NOT a drill. Karnivool has gifted us a new album - In Verses - after a cool 13 years carefully curating each song. Spoiler alert, it’s every bit as magical as you are imaging!  Just like Karnivool I’m from Perth myself and have always carried this sense of pride and connection to the band through their music. Sometimes it feels like you are isolated away from the rest of the world in W.A so to see a band from there successfully take on the rest of Australia and then the world is nothing short of amazing.  
Now, nothing really gets me more excited than a message from my boss Kris at HEAVY MAG that says ‘You’re a big Karnivool fan, right?’. Whatever it is, yes count me in. Before I knew it, I was locked in for an interview on my lunch break from my work ute the following Monday. The makings of a true interviewer I've since been told… thus starting the first of my His-Vis interview series.
Monday rolls around and it's time to dig in and see what’s been going on in the Karnivool camp! What was the moment they decided it was ‘time’ to put it all together and release the music that’s been burning a hole in their pocket for so long? I'll take the chance to fire away all the questions that have been burning a hole in my pockets for years too! Lucky for me the man with all the answers, frontman Ian Kenny, just entered my Zoom and I couldn't be more excited to hear what he has to say.
We took a walk down memory lane and reflected on releasing their 2001 debut EP Persona. Mostly I was curious to know if they would, or have, played it live cover-to-cover and Ian's reaction was pretty much 'Shut it down' 😂 - deeming it an 'interesting conversation' at most'. Does this mean Persona has become the ugly step kid put in the corner? Fade off the EP was my gateway drug to Karnivool and as far as debuts go, they smashed onto the scene with songs that were humbly created in their parent's back shed without the young lads realising that they have just started to build the foundations on which they stand on today.
Karnivool's lyrics are deep and I wanted to take the opportunity to peak into the creative process and what it looks like building a song. Has the formula changed from their last album? Ian's answer was a great insight into harnessing his creativity to navigate his wonderful & intellectually complex mind. He confessed 'I find writing challenging because the music is so obscure I get lost and have to pull myself out again‘. I couldn’t help but think to myself, ‘Well, that’s fitting, because when I listen to Karnivool I find myself in an almost trans like state - lost in the music too.'
Although sometimes the lyrics that came through didn't exactly make sense to Ian at the time, as the years went by he began to resonate and connect with their intended meanings. Music is such a powerful tool and for musicians, it's pretty much being their diary. It's a beautiful journey of discovery that I can only imagine would feel like a gift from the 'past you' patiently waiting to reveal it's true meaning when the time is right.
‘Trying to find pure flow state where you would unearth things from your subconscious and some of that shits important because you don’t know what it means most the time and then after the fact it really comes to how you are living or what are you doing, and you think... how does that line up now?’ 
This interview was so much fun. I can’t thank Ian Kenny enough for having a good laugh with me and being open to sharing his personal experiences and stories from over the years. You always hope that your hero's are everything you want them to be in 'real life' and I feel so lucky on this occasion to be greeted by a friendly face that seamlessly gave way to a conversation I wish could have gone for hours. 
Hope you enjoy the full interview. Until next time, legends!


Become a supporter of this podcast: 983album,australia,hardrock,heavy,iankenny,karnivool,metal,music,progressiverock,rock,tourtruefullhttps://www.spreaker.com/episode/taming-the-elements-with-jeff-martin-from-the-tea-party--69630642Performing five shows in Australia, The Tea Party explore a new live musical theme around Elements, with Symphony shows in Melbourne and Sydney aligned to wind, and rock shows in Thirroul, Brisbane and Adelaide aligned to fire. In both formats, The Tea Party will be playing a set that features their greatest hits.
The Fire shows will feature the three-piece tour de force fans are very familiar with, while the Wind show will bring a new dynamic to the live shows with The Tea Party accompanied by a fifty-piece Orchestra. Conducted by Sarah-Grace Williams, Hamer Hall in Melbourne will play host to The Tea Party with Orchestra Victoria, while the iconic Opera House in Sydney will feature a performance with The Metropolitan Orchestra and mark the rock outfit's first performance at the famed Opera House.
HEAVY sat down with frontman Jeff Martin to discuss the intricacies of the tour, starting with a breakdown on the two differing shows.
"Well, the fire part is basically…" he measured. "There's going to be three standalone rock shows where it's just the three of us on stage doing what we do best. If you've ever seen the Tea Party live, it's a very, very powerful experience. It's very emotional because the roller coaster that we take the audience on. It can be some of the heaviest music and then some of the most romantic, gentle moments as well.
So it really travels the whole kaleidoscope of the emotional spectrum. But then there's the wind elements of the tour as well. We are going to be playing one of the seven wonders of the world, the Sydney Opera House, with the symphony. And we're also doing the home of classical music here in Australia at Hamer Hall in Melbourne with the Melbourne Symphony Orchestra. We've done symphonies before, and it's always been a great success, but it's an honour to play one of the most iconic iconic buildings in the world."
In the full interview, Jeff talks more about the opposing musical forces of nature with the Wind and Fire elements of the tour, taking us deeper into the mechanics of playing with an orchestra and the level of commitment required to make it work and how different the set lists will be between elements.
He highlighted the different emotions he gets from playing a full rock show as opposed to an orchestral performance, 35 years of The Tea Party and his personal journey, future plans and more.
Tickets for all shows: https://www.livenation.com.au/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69630642Tue, 27 Jan 2026 22:53:34 +0000HEAVY MagazineLive Nation are bringing iconic Canadian band The Tea Party back to Australia next month (February), bringing a unique live experience to our shores with the Elements Tour, celebrating the 35th anniversary of the band. Performing five shows in...Performing five shows in Australia, The Tea Party explore a new live musical theme around Elements, with Symphony shows in Melbourne and Sydney aligned to wind, and rock shows in Thirroul, Brisbane and Adelaide aligned to fire. In both formats, The Tea Party will be playing a set that features their greatest hits.
The Fire shows will feature the three-piece tour de force fans are very familiar with, while the Wind show will bring a new dynamic to the live shows with The Tea Party accompanied by a fifty-piece Orchestra. Conducted by Sarah-Grace Williams, Hamer Hall in Melbourne will play host to The Tea Party with Orchestra Victoria, while the iconic Opera House in Sydney will feature a performance with The Metropolitan Orchestra and mark the rock outfit's first performance at the famed Opera House.
HEAVY sat down with frontman Jeff Martin to discuss the intricacies of the tour, starting with a breakdown on the two differing shows.
"Well, the fire part is basically…" he measured. "There's going to be three standalone rock shows where it's just the three of us on stage doing what we do best. If you've ever seen the Tea Party live, it's a very, very powerful experience. It's very emotional because the roller coaster that we take the audience on. It can be some of the heaviest music and then some of the most romantic, gentle moments as well.
So it really travels the whole kaleidoscope of the emotional spectrum. But then there's the wind elements of the tour as well. We are going to be playing one of the seven wonders of the world, the Sydney Opera House, with the symphony. And we're also doing the home of classical music here in Australia at Hamer Hall in Melbourne with the Melbourne Symphony Orchestra. We've done symphonies before, and it's always been a great success, but it's an honour to play one of the most iconic iconic buildings in the world."
In the full interview, Jeff talks more about the opposing musical forces of nature with the Wind and Fire elements of the tour, taking us deeper into the mechanics of playing with an orchestra and the level of commitment required to make it work and how different the set lists will be between elements.
He highlighted the different emotions he gets from playing a full rock show as opposed to an orchestral performance, 35 years of The Tea Party and his personal journey, future plans and more.
Tickets for all shows: https://www.livenation.com.au/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>972australia,hardrock,heavy,interview,jeffmartin,krispeters,livenation,music,musicinterview,musicpodcast,rock,rocktour,theteaparty,tourfalsefullhttps://www.spreaker.com/episode/backstage-hangs-with-better-lovers--69621562Videography and editing by Rashid AlKamraikhi

Metallic hardcore punk band Better Lovers are currently in the country for their Aussie live debut tour, joined by special guests Split Chain and Blind Girls. After tearing it up around the world for the last two years, and dropping the absolutely killer 2024 album Highly Irresponsible, the legends are finally hitting Australia for some massive shows and HEAVY had the pleasure of chatting with the band before the first show of the tour in Brisbane.
But first, have a read of part of reviewer/interviewer Simon Russel-White's thoughts after the show...
"Collectively Better Lovers crushed Crowbar, and having no barrier made for an all out old school crowd surfing bonanza, having positioned my 42 year old self in front of bassist Stephen Micciche I was soon reminded of the roughness that had already ensued, as a result my left eye now has a Frank-N-Furteresk look about it, but no complaints here as I will wear this ‘shiner’ with pride as it’s a small price for admission for what was witnessed."



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69621562Tue, 27 Jan 2026 14:34:14 +0000HEAVY MagazineInterview by Simon Russell-White Videography and editing by Rashid AlKamraikhi Metallic hardcore punk band Better Lovers are currently in the country for their Aussie live debut tour, joined by special guests Split Chain and Blind Girls. After...Videography and editing by Rashid AlKamraikhi

Metallic hardcore punk band Better Lovers are currently in the country for their Aussie live debut tour, joined by special guests Split Chain and Blind Girls. After tearing it up around the world for the last two years, and dropping the absolutely killer 2024 album Highly Irresponsible, the legends are finally hitting Australia for some massive shows and HEAVY had the pleasure of chatting with the band before the first show of the tour in Brisbane.
But first, have a read of part of reviewer/interviewer Simon Russel-White's thoughts after the show...
"Collectively Better Lovers crushed Crowbar, and having no barrier made for an all out old school crowd surfing bonanza, having positioned my 42 year old self in front of bassist Stephen Micciche I was soon reminded of the roughness that had already ensued, as a result my left eye now has a Frank-N-Furteresk look about it, but no complaints here as I will wear this ‘shiner’ with pride as it’s a small price for admission for what was witnessed."



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>825australia,band,betterlovers,destroyalllines,hardcore,heavy,heavymetal,metal,metalband,metalinterview,metalpodcast,music,tourtruefullhttps://www.spreaker.com/episode/backstage-hangs-with-split-chain--69621195Videography and editing by Rashid AlKamraikhi
There’s a phrase you’ll hear repeatedly when in the company of Split Chain: “The Chain does what it wants”. As mantras go, it’s used by the Bristol, UK quintet as a means of encapsulating the broad-minded, unconstrained creative freedom with which they approach their art, as well as a means through which to try to make sense of the sky-rocketing trajectory the band have found themselves on.
Call it instinct, fate, divine intervention, whatever – the whims of ‘The Chain’ have led to a moment where one thing is abundantly clear: Split Chain are one of the hottest, zeitgeist-capturing new bands in the world.
In Australia right now on tour with Better Lovers, this is Split Chains first ever trip Down Under, and this is what HEAVY reviewer and conductor of this interview, Simon Russell-White, thought of their live performance in Brisbane...
"It’s currently 6° Celsius in Bristol, UK, this being the hometown of English rockers Split Chain. If the hot and humid weather in Queensland bothered anyone on stage, then they sure didn’t show it. Split Chain delivers a heavy and emotive set, emotive in the way of musical notation and all out deep feels. Singer “Bert” Martinez-Cowles voice sails through the PA system as the band cruises through their eclectic tracks including stand out (for me) ‘who am i?’ drawing serious attention and crowd participation.
It’s been a whirlwind two plus years for the lads, from playing small hometown shows, to signing with Epitaph soon after now Bert, Jake, Oliver, Tom and Aaron have embarked on their first ever Australian tour, and tonight’s show along with Better Lovers is their first here in the land of Oz. It was special, and the reception the quintet received will surely see them return very soon!"
With three shows left in Melbourne, Belgrave and Adelaide be sure to catch this epic line-up for yourself.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69621195Tue, 27 Jan 2026 14:14:33 +0000HEAVY MagazineInterview by Simon Russell-White Videography and editing by Rashid AlKamraikhi There’s a phrase you’ll hear repeatedly when in the company of Split Chain: “The Chain does what it wants”. As mantras go, it’s used by the Bristol, UK quintet as a means...Videography and editing by Rashid AlKamraikhi
There’s a phrase you’ll hear repeatedly when in the company of Split Chain: “The Chain does what it wants”. As mantras go, it’s used by the Bristol, UK quintet as a means of encapsulating the broad-minded, unconstrained creative freedom with which they approach their art, as well as a means through which to try to make sense of the sky-rocketing trajectory the band have found themselves on.
Call it instinct, fate, divine intervention, whatever – the whims of ‘The Chain’ have led to a moment where one thing is abundantly clear: Split Chain are one of the hottest, zeitgeist-capturing new bands in the world.
In Australia right now on tour with Better Lovers, this is Split Chains first ever trip Down Under, and this is what HEAVY reviewer and conductor of this interview, Simon Russell-White, thought of their live performance in Brisbane...
"It’s currently 6° Celsius in Bristol, UK, this being the hometown of English rockers Split Chain. If the hot and humid weather in Queensland bothered anyone on stage, then they sure didn’t show it. Split Chain delivers a heavy and emotive set, emotive in the way of musical notation and all out deep feels. Singer “Bert” Martinez-Cowles voice sails through the PA system as the band cruises through their eclectic tracks including stand out (for me) ‘who am i?’ drawing serious attention and crowd participation.
It’s been a whirlwind two plus years for the lads, from playing small hometown shows, to signing with Epitaph soon after now Bert, Jake, Oliver, Tom and Aaron have embarked on their first ever Australian tour, and tonight’s show along with Better Lovers is their first here in the land of Oz. It was special, and the reception the quintet received will surely see them return very soon!"
With three shows left in Melbourne, Belgrave and Adelaide be sure to catch this epic line-up for yourself.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>760australia,betterlovers,hardcore,heavy,heavymetal,metal,metalinterview,music,splitchain,tourtruefullhttps://www.spreaker.com/episode/australia-bound-benjamin-berdous-from-slomosa-addresses-the-question-and-more--69555615“‘Tundra Rock’ is ‘Desert Rock’ in our terms,” frontman Benjamin Berdous observes. “A desert doesn’t have to be warm. If you think about it, the biggest desert in the world is Antarctica. In this respect, the tundra is our desert. We thought it would be cool to coin a genre, and it’s stuck to us. You could certainly say the grandiosity of nature is evident in the songs.”
Nearly ten years ago, Ben planted the seeds for Slomosa as a “casual excuse to drink beer, smoke, and play rock music with friends.” Without pressure or expectations, songs naturally took shape under the influence of everyone from Kyuss, Queens of the Stone Age, and Sleep to Nirvana, Alice In Chains, and Soundgarden. 
The band’s 2020 eponymous debut, SLOMOSA, has piled up over 10 million streams fueled by Kevin, In My Mind’s Desert, There Is Nothing New Under The Sun, and Horses. With Tundra Rock further cementing Slomosa amongst rocks elite, HEAVY felt it was time to have a chat with these legends in the makings ourselves. We start by asking if Tundra Rocks was received as well as the band had hoped.
"Yeah, and even more," Benjamin smiled. "It's the hard second album, the difficult second album. So I mean, it was excitement around it. And you never know. You never know what the reception will be like, And we released it on some new labels as well. So, yeah, it was all not nerve wracking, but of course, excited. But after a day or two, it became pretty clear that the reception was good. And yeah, I'm very pleased with how it went."
Whispers have been circulating of late about Slomosa finally making their way to Australia, so, attempting to put rumours to rest, we ask Benjamin straight out if they are true.
"It might be…" he grinned. "We definitely want to come to Australia and New Zealand. We get a lot of messages from people down there. So that's definitely something that we have to do. And yeah, it does look like there might be some news on the horizon, but I can't say much more than that."
In the full interview, Benjamin reflected more on the success of Slomosa's second album, Tundra Rock, released in September 2024, noting the challenges of following up a successful debut and the evolution of the band's sound over the years. He introduced the term "Tundra Rock" to describe their unique musical style, influenced by desert rock bands, and discussed the balance between touring and songwriting.
He highlighted how the band aims to innovate while maintaining their identity, with plans for future projects, including a sludge album. We discussed the blending of genres in Slomosa's music and how they get the balance right in the creative process, the early days of the band, touring Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69555615Fri, 23 Jan 2026 07:21:28 +0000HEAVY MagazineHailing from the city of Bergen, Norway, Slomosa channel the sprawl of their surroundings through a sweeping signature hybrid of revved-up stoner rock riffage, grungy hooks, and a concentrated punk wallop. As if holding up a sonic mirror image to the...“‘Tundra Rock’ is ‘Desert Rock’ in our terms,” frontman Benjamin Berdous observes. “A desert doesn’t have to be warm. If you think about it, the biggest desert in the world is Antarctica. In this respect, the tundra is our desert. We thought it would be cool to coin a genre, and it’s stuck to us. You could certainly say the grandiosity of nature is evident in the songs.”
Nearly ten years ago, Ben planted the seeds for Slomosa as a “casual excuse to drink beer, smoke, and play rock music with friends.” Without pressure or expectations, songs naturally took shape under the influence of everyone from Kyuss, Queens of the Stone Age, and Sleep to Nirvana, Alice In Chains, and Soundgarden. 
The band’s 2020 eponymous debut, SLOMOSA, has piled up over 10 million streams fueled by Kevin, In My Mind’s Desert, There Is Nothing New Under The Sun, and Horses. With Tundra Rock further cementing Slomosa amongst rocks elite, HEAVY felt it was time to have a chat with these legends in the makings ourselves. We start by asking if Tundra Rocks was received as well as the band had hoped.
"Yeah, and even more," Benjamin smiled. "It's the hard second album, the difficult second album. So I mean, it was excitement around it. And you never know. You never know what the reception will be like, And we released it on some new labels as well. So, yeah, it was all not nerve wracking, but of course, excited. But after a day or two, it became pretty clear that the reception was good. And yeah, I'm very pleased with how it went."
Whispers have been circulating of late about Slomosa finally making their way to Australia, so, attempting to put rumours to rest, we ask Benjamin straight out if they are true.
"It might be…" he grinned. "We definitely want to come to Australia and New Zealand. We get a lot of messages from people down there. So that's definitely something that we have to do. And yeah, it does look like there might be some news on the horizon, but I can't say much more than that."
In the full interview, Benjamin reflected more on the success of Slomosa's second album, Tundra Rock, released in September 2024, noting the challenges of following up a successful debut and the evolution of the band's sound over the years. He introduced the term "Tundra Rock" to describe their unique musical style, influenced by desert rock bands, and discussed the balance between touring and songwriting.
He highlighted how the band aims to innovate while maintaining their identity, with plans for future projects, including a sludge album. We discussed the blending of genres in Slomosa's music and how they get the balance right in the creative process, the early days of the band, touring Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1308australia,hardrock,heavy,heavymetal,krispeters,metal,metalinterview,metalpodcast,music,rock,rockmusic,slomosa,stonerrock,tour,tundrarockfalsefullhttps://www.spreaker.com/episode/steady-as-she-goes-with-lucas-stone-and-ruckus-from-hammers--69519088The release of their debut EP Homeblokes in 2018, and a sophomore 2020 EP Kicking Goals, saw Hammers entrench themselves in the ears and minds of a faithful following, but despite a chorus of concerns about capitalizing on their growing momentum Hammers continued to let their back catalogue of music and their volatile live performances steer their path. In a world where content was rapidly becoming King, Hammers again resisted the temptation to rush out a new release, toiling away in the background and nurturing the seeds that were to become their first full collection of songs to catapult Hammers into the next phase of their career.
Not that rising through the proverbial ranks was, is, or ever will be top of Hammers agenda. It was more about taking the time to get things right for themselves. Give them something to set loose of the world free of burdens and expectations, or simply put, something that was good enough for them. And if its good enough for them then…
HEAVY spent some time with Lucas Stone (vocals + guitar) and Ryan 'Ruckus' Lucas (drums) to dive deeper into the creation of their album Death Wobbles, which will be out on January 23. We start by asking if they still felt nervous going into the release of their debut full-length Death Wobbles, despite the fact Hammers have already built themselves a solid name and fanbase.
"I think I'm always, no matter what I do, an equal parts nervous and don't give a fuck what people think kind of person," Stone laughed. "As a writer I've been doing this a long time and Hammers haven't released a full-length album yet, but we did that strategically so we could grow as a band and become what we are. I think I'm excitingly nervous, bro. Essentially, as a band, the way it should be is you do it for yourselves. As much as you pass it on to the fans and whoever comes into your camp, over time you are essentially doing a selfish thing. So we're excited about what we've done, and we can't wait to get it out, but it's like just handing your kids over to a babysitter you don't know (laughs)."
In the full interview, Stone and Ruckus highlighted Death Wobbles as a reflection of Hammers growth from their touring experiences and previous EPs. The discussion emphasized their commitment to authenticity and a desire to create unique music that challenges listeners. We spoke about not playing by the rules and the risks of alienation, as well as the burdens of expectation and commitment.
The boys talked about their sound and finding the sonic balance to it, the opening track Apeshit and how it represents the full album, upcoming tours and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69519088Tue, 20 Jan 2026 23:12:55 +0000HEAVY MagazineGold Coast hard rock outfit Hammers have always been a band who put themselves and their music first, even to the point of possible self harm. They have steadfastly refused to follow convention or fall into the mass-produced assembly line of artists...The release of their debut EP Homeblokes in 2018, and a sophomore 2020 EP Kicking Goals, saw Hammers entrench themselves in the ears and minds of a faithful following, but despite a chorus of concerns about capitalizing on their growing momentum Hammers continued to let their back catalogue of music and their volatile live performances steer their path. In a world where content was rapidly becoming King, Hammers again resisted the temptation to rush out a new release, toiling away in the background and nurturing the seeds that were to become their first full collection of songs to catapult Hammers into the next phase of their career.
Not that rising through the proverbial ranks was, is, or ever will be top of Hammers agenda. It was more about taking the time to get things right for themselves. Give them something to set loose of the world free of burdens and expectations, or simply put, something that was good enough for them. And if its good enough for them then…
HEAVY spent some time with Lucas Stone (vocals + guitar) and Ryan 'Ruckus' Lucas (drums) to dive deeper into the creation of their album Death Wobbles, which will be out on January 23. We start by asking if they still felt nervous going into the release of their debut full-length Death Wobbles, despite the fact Hammers have already built themselves a solid name and fanbase.
"I think I'm always, no matter what I do, an equal parts nervous and don't give a fuck what people think kind of person," Stone laughed. "As a writer I've been doing this a long time and Hammers haven't released a full-length album yet, but we did that strategically so we could grow as a band and become what we are. I think I'm excitingly nervous, bro. Essentially, as a band, the way it should be is you do it for yourselves. As much as you pass it on to the fans and whoever comes into your camp, over time you are essentially doing a selfish thing. So we're excited about what we've done, and we can't wait to get it out, but it's like just handing your kids over to a babysitter you don't know (laughs)."
In the full interview, Stone and Ruckus highlighted Death Wobbles as a reflection of Hammers growth from their touring experiences and previous EPs. The discussion emphasized their commitment to authenticity and a desire to create unique music that challenges listeners. We spoke about not playing by the rules and the risks of alienation, as well as the burdens of expectation and commitment.
The boys talked about their sound and finding the sonic balance to it, the opening track Apeshit and how it represents the full album, upcoming tours and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1694album,australia,hammers,hardrock,heavy,heavymetal,helm,krispeters,metal,metalinterview,metalpodcast,music,newmusic,rocktruefullhttps://www.spreaker.com/episode/finally-heading-to-australia-with-lauri-ylonen-from-the-rasmus--69461729Weirdo was a blast back to the roots of The Rasmus, tapping into the psyche of the underdog which has been the band's hallmark throughout. Underdogs, outcasts, and perceived weirdo's themselves, The Rasmus have stood up for the underdogs their whole career, even when the band became far from that themselves.
The fact their have never set foot in Australia has not been lost on them or their fans. It is something that will be remedied later this month, as The Rasmus touch down in this country for three select shows. Frontman Lauri Ylönen joined HEAVY to talk more. We start by asking if he is packed and ready to go.
"No," he laughed. "I always pack like one hour before I leave, so I'm pretty used to doing that. But yeah, it's exciting. You know, the first time can always happen once. And now, after a couple of decades, we are coming over to play there, which is kind of sad that it didn't happen before. But, you know, it's happening now, and we're happy. We're going to play quite intimate shows in these rather small clubs, so I'm expecting that to be really good. We've been playing this tour with this album for three months now, and the band is in really good shap,e and we're having an incredible feeling within the band, and now hitting smaller clubs… it's gonna be really intense. And it's going to be really interesting to finally meet these fans that have been writing and contacting us on social media for years and years. It's going to be so emotional."
In the full interview, Lauri spoke more about the tour and what to expect. Reflecting on the band's three-decade journey, he noted that themes of individuality and feeling like a "weirdo" remain central to their music. Lauri also mentioned the positive reception of their latest album, "Weirdo," and confirmed plans to enter the studio for new music after the tour, aiming to evolve while remaining true to their roots and more.
Fri, Jan 30: The Triffid, Brisbane
Sat, Jan 31: Manning Bar, Sydney
Sun, Feb 1: Max Watts, Melbourne
Tix: https://thephoenix.au/



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69461729Fri, 16 Jan 2026 05:14:28 +0000HEAVY MagazineRock stars in their homeland of Finland since their first album, Peep, went Gold when they were just 16 years old, The Rasmus have built a legacy that stretches across 11 albums. Their music and engaging approach to life have won them legions of fans...Weirdo was a blast back to the roots of The Rasmus, tapping into the psyche of the underdog which has been the band's hallmark throughout. Underdogs, outcasts, and perceived weirdo's themselves, The Rasmus have stood up for the underdogs their whole career, even when the band became far from that themselves.
The fact their have never set foot in Australia has not been lost on them or their fans. It is something that will be remedied later this month, as The Rasmus touch down in this country for three select shows. Frontman Lauri Ylönen joined HEAVY to talk more. We start by asking if he is packed and ready to go.
"No," he laughed. "I always pack like one hour before I leave, so I'm pretty used to doing that. But yeah, it's exciting. You know, the first time can always happen once. And now, after a couple of decades, we are coming over to play there, which is kind of sad that it didn't happen before. But, you know, it's happening now, and we're happy. We're going to play quite intimate shows in these rather small clubs, so I'm expecting that to be really good. We've been playing this tour with this album for three months now, and the band is in really good shap,e and we're having an incredible feeling within the band, and now hitting smaller clubs… it's gonna be really intense. And it's going to be really interesting to finally meet these fans that have been writing and contacting us on social media for years and years. It's going to be so emotional."
In the full interview, Lauri spoke more about the tour and what to expect. Reflecting on the band's three-decade journey, he noted that themes of individuality and feeling like a "weirdo" remain central to their music. Lauri also mentioned the positive reception of their latest album, "Weirdo," and confirmed plans to enter the studio for new music after the tour, aiming to evolve while remaining true to their roots and more.
Fri, Jan 30: The Triffid, Brisbane
Sat, Jan 31: Manning Bar, Sydney
Sun, Feb 1: Max Watts, Melbourne
Tix: https://thephoenix.au/



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1045australiatour,betternoisemusic,hardrock,heavy,heavymetal,interview,krispeters,metal,metaltour,music,musicinterview,musicpodcast,rock,rockinterview,rockpodcast,therasmus,tourtruefullhttps://www.spreaker.com/episode/bringing-the-music-to-life-with-lee-jennings-from-the-funeral-portrait--69450045“‘Stay Weird’ has always been our love letter to the beautifully strange souls who’ve supported this band from day one,” declares frontman Lee Jennings. “Hearing The Coffin Crew scream it back at us in Atlanta during our Suffocate City Town Hall Meeting was unreal. That night captured everything we stand for—individuality, belonging, and the freedom to be exactly who you are. I’m beyond excited that this live album lets the world feel that energy.”
On LIVE FROM SUFFOCATE CITY, fans are invited to step inside the chaos and catharsis of THE FUNERAL PORTRAIT’s first-ever Suffocate City Town Hall Meeting, captured live from their sold-out hometown show at The Masquerade in Atlanta, GA in 2025. The exclusive Blu-ray documents the band’s legendary performance in front of a packed house of diehard fans. It’s a thrilling night of raw emotion, high-energy theatrics, and fan-favourite anthems.
Frontman Jennings joined HEAVY to tell us more. We start by asking why now is the right time to release a live album.
"I don't know…," he measured. "I think I just wanted something… I wanted something when we were ready, right? Because a lot of bands don't even do live records any more, and for me, growing up, that was such a big thing. I wanted that. I wanted to see a band live. And especially our band, we're very, very theatrical and over the top. So I wanted to bring that on stage and show it to everyone."
In the full interview, Lee discussed the upcoming release of Live from Suffocate City in greater detail, highlighting the challenges of producing a live record that authentically captures the atmosphere of their performances, including audience interactions and background sounds. He expressed a desire to evolve the set list by focusing on songs that resonate with his current emotions, despite potential backlash from fans regarding the removal of older tracks.
The conversation also covered plans for an upcoming concert where they will perform the album in its entirety, accompanied by a Blu-ray release featuring dynamic footage filmed with 12 cameras. Lee shared insights on the band's success following the release of Greetings from Suffocate City in September 2024, mentioning plans for a potential tour in Australia and the challenges of touring while emphasizing their commitment to engaging with fans and expanding their international presence and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69450045Thu, 15 Jan 2026 07:15:35 +0000HEAVY MagazineTHE FUNERAL PORTRAIT has jumped headlong into 2026 with the January 16 release of their first-ever live album, LIVE FROM SUFFOCATE CITY via Better Noise Music. To coincide with the album, the band is bringing the track Stay Weird to cinematic life as...“‘Stay Weird’ has always been our love letter to the beautifully strange souls who’ve supported this band from day one,” declares frontman Lee Jennings. “Hearing The Coffin Crew scream it back at us in Atlanta during our Suffocate City Town Hall Meeting was unreal. That night captured everything we stand for—individuality, belonging, and the freedom to be exactly who you are. I’m beyond excited that this live album lets the world feel that energy.”
On LIVE FROM SUFFOCATE CITY, fans are invited to step inside the chaos and catharsis of THE FUNERAL PORTRAIT’s first-ever Suffocate City Town Hall Meeting, captured live from their sold-out hometown show at The Masquerade in Atlanta, GA in 2025. The exclusive Blu-ray documents the band’s legendary performance in front of a packed house of diehard fans. It’s a thrilling night of raw emotion, high-energy theatrics, and fan-favourite anthems.
Frontman Jennings joined HEAVY to tell us more. We start by asking why now is the right time to release a live album.
"I don't know…," he measured. "I think I just wanted something… I wanted something when we were ready, right? Because a lot of bands don't even do live records any more, and for me, growing up, that was such a big thing. I wanted that. I wanted to see a band live. And especially our band, we're very, very theatrical and over the top. So I wanted to bring that on stage and show it to everyone."
In the full interview, Lee discussed the upcoming release of Live from Suffocate City in greater detail, highlighting the challenges of producing a live record that authentically captures the atmosphere of their performances, including audience interactions and background sounds. He expressed a desire to evolve the set list by focusing on songs that resonate with his current emotions, despite potential backlash from fans regarding the removal of older tracks.
The conversation also covered plans for an upcoming concert where they will perform the album in its entirety, accompanied by a Blu-ray release featuring dynamic footage filmed with 12 cameras. Lee shared insights on the band's success following the release of Greetings from Suffocate City in September 2024, mentioning plans for a potential tour in Australia and the challenges of touring while emphasizing their commitment to engaging with fans and expanding their international presence and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>726betternoisemusic,emo,hardrock,heavy,heavymetal,krispeters,leejennings,livealbum,metalinterview,metalpodcast,music,rock,thefuneralportraittruefullhttps://www.spreaker.com/episode/the-sands-of-time-with-kyle-brandt-and-jeff-irvine-from-a-light-within--69380682Dying Clock arrived as the band continues rebuilding after a turbulent few years. A Light Within carefully crafted the track throughout 2025 and enlisted Failure drummer Kelli Scott to add his signature sound during the session. The song, clocking in at just over nine minutes, wastes no time and takes the listener on an auditory journey with an ending that even the most discerning post-rock and metal fans will appreciate. Bass on the track comes courtesy of Madelyn Robertson. Their last full release, Epilogue in 2018, concluded a conceptual trilogy built from transcribed diary entries and was recorded by respected engineer Paul Malinowski (Season to Risk, Shiner, The Life and Times) and mastered by Acle Kahney of TesseracT.
Kyle Brandt (vocals, keys, production) and Jeff Irvine (guitar) joined HEAVY to bring us up to speed.
"It's been well received so far, and I'm glad to hear that," Kyle smiled when we asked how the new single was received. "That keeps the motivation strong and healthy. Even though mainly we make music for ourselves, when anybody else enjoys it, it's like icing on the cake, so to speak."
We ask the boys to take us deeper into the musical side of Dying Clock.
"It kind of started as a jam in the room, and then it got to not very far," Jeff laughed. "And Kyle took that room recording and made a really killer demo out of it, like fully structured it out. We had an idea of wanting it to be two songs in one song type thing, a song with two parts, if you will. And he did that, and it was really cool. I came over and did some demo guitar recordings on it, fully digital, which I had never done. He had me kicking and screaming to pull me into that direction. But I did it. And some of those guitar tracks are still on the demo or on the song now."
In the full interview, Jeff and Kyle shared insights into the creative process behind their songs, highlighting the contributions of drummer Kelli Scott (Failure), whose unique style transformed their sound. They emphasized a shift towards a more independent writing approach, with a focus on emotional expression rather than technicality, resulting in a blend of post-rock and melodic prog rock influences. 
The conversation also touched on the challenges of adapting to remote recording during the COVID-19pandemic, as well as the transition from analogue to digital production methods. Kyle discussed his previous work, a conceptual trilogy inspired by the album Posthumous Silence, and shared personal anecdotes related to his songwriting and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69380682Thu, 15 Jan 2026 06:35:42 +0000HEAVY MagazineKansas City atmospheric prog-rock band A Light Within returned late last year with their haunting new single Dying Clock, marking their first new single since 2024’s Identity and the next step in their slow-burning creative evolution. Known for their...Dying Clock arrived as the band continues rebuilding after a turbulent few years. A Light Within carefully crafted the track throughout 2025 and enlisted Failure drummer Kelli Scott to add his signature sound during the session. The song, clocking in at just over nine minutes, wastes no time and takes the listener on an auditory journey with an ending that even the most discerning post-rock and metal fans will appreciate. Bass on the track comes courtesy of Madelyn Robertson. Their last full release, Epilogue in 2018, concluded a conceptual trilogy built from transcribed diary entries and was recorded by respected engineer Paul Malinowski (Season to Risk, Shiner, The Life and Times) and mastered by Acle Kahney of TesseracT.
Kyle Brandt (vocals, keys, production) and Jeff Irvine (guitar) joined HEAVY to bring us up to speed.
"It's been well received so far, and I'm glad to hear that," Kyle smiled when we asked how the new single was received. "That keeps the motivation strong and healthy. Even though mainly we make music for ourselves, when anybody else enjoys it, it's like icing on the cake, so to speak."
We ask the boys to take us deeper into the musical side of Dying Clock.
"It kind of started as a jam in the room, and then it got to not very far," Jeff laughed. "And Kyle took that room recording and made a really killer demo out of it, like fully structured it out. We had an idea of wanting it to be two songs in one song type thing, a song with two parts, if you will. And he did that, and it was really cool. I came over and did some demo guitar recordings on it, fully digital, which I had never done. He had me kicking and screaming to pull me into that direction. But I did it. And some of those guitar tracks are still on the demo or on the song now."
In the full interview, Jeff and Kyle shared insights into the creative process behind their songs, highlighting the contributions of drummer Kelli Scott (Failure), whose unique style transformed their sound. They emphasized a shift towards a more independent writing approach, with a focus on emotional expression rather than technicality, resulting in a blend of post-rock and melodic prog rock influences. 
The conversation also touched on the challenges of adapting to remote recording during the COVID-19pandemic, as well as the transition from analogue to digital production methods. Kyle discussed his previous work, a conceptual trilogy inspired by the album Posthumous Silence, and shared personal anecdotes related to his songwriting and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1173alightwithin,hardrock,heavy,heavymetal,interview,krispeters,metalhead,metalinterview,progressivemetal,progressiverock,progrocktruefullhttps://www.spreaker.com/episode/a-good-day-to-be-alive-with-brennan-mileto-from-sisters-doll--69350974Which is why it came as a bit of a surprise to hear the band have not toured here in their own backyard on a larger scale for a couple of years, but that is about to be rectified when Sisters Doll hit the road for the Good Day To Be Alive 2026 Tour, starting in Melbourne on January 31. It is being touted as their biggest Australian headline tour to date, and promises to reinvigorate the Doll Army, who have been waiting patiently for a fresh dose of one of the finest rock acts currently touring this country.
With the tour only a matter of weeks away, HEAVY spoke with frontman Brennan Mileto to find out more.
"We haven't done an Australian tour for so long," he almost apologised. "We've been overseas a lot of times. We've been to America. We had our first UK tour last year. Obviously, we've gone up to Sydney occasionally and done the odd Sydney show, but we haven't actually gone to all of the other states since 2023. So we kind of thought it's time, you know, we probably should have done it last year when the album dropped, but obviously logistically it just didn't happen."
In the full interview, we discussed the upcoming Australian tour, which begins in Melbourne on January 31, emphasising the band's excitement to reconnect with fans after an unusually long hiatus. Brennan highlighted the positive reception of their re-released song Good Day To Be Alive and the success of their last album, Scars, while hinting at a heavier sound for their next project.
The conversation also touched on fan dedication, with Brennan sharing stories about fans getting tattoos of their favourite artists and his own memorable experience performing with his idol, Ace Frehley. We talked about Sisters Doll's live show and what to expect, how it has changed over the years, the 16th anniversary of the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69350974Thu, 08 Jan 2026 23:30:33 +0000HEAVY MagazineMelbourne-based rockers Sisters Doll have always been a band who value their support base. From driving 30 hours to play a handful of shows in Far North Queensland to playing on the open waters of America as part of the Monsters Of Rock Cruise,...Which is why it came as a bit of a surprise to hear the band have not toured here in their own backyard on a larger scale for a couple of years, but that is about to be rectified when Sisters Doll hit the road for the Good Day To Be Alive 2026 Tour, starting in Melbourne on January 31. It is being touted as their biggest Australian headline tour to date, and promises to reinvigorate the Doll Army, who have been waiting patiently for a fresh dose of one of the finest rock acts currently touring this country.
With the tour only a matter of weeks away, HEAVY spoke with frontman Brennan Mileto to find out more.
"We haven't done an Australian tour for so long," he almost apologised. "We've been overseas a lot of times. We've been to America. We had our first UK tour last year. Obviously, we've gone up to Sydney occasionally and done the odd Sydney show, but we haven't actually gone to all of the other states since 2023. So we kind of thought it's time, you know, we probably should have done it last year when the album dropped, but obviously logistically it just didn't happen."
In the full interview, we discussed the upcoming Australian tour, which begins in Melbourne on January 31, emphasising the band's excitement to reconnect with fans after an unusually long hiatus. Brennan highlighted the positive reception of their re-released song Good Day To Be Alive and the success of their last album, Scars, while hinting at a heavier sound for their next project.
The conversation also touched on fan dedication, with Brennan sharing stories about fans getting tattoos of their favourite artists and his own memorable experience performing with his idol, Ace Frehley. We talked about Sisters Doll's live show and what to expect, how it has changed over the years, the 16th anniversary of the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1115aussierock,australia,glamrock,hardrock,heavy,interview,krispeters,music,musicinterview,rock,rockpodcast,sistersdoll,tourfalsefullhttps://www.spreaker.com/episode/fast-riffs-and-flying-shoes-archspire-gear-up-for-aussie-tour--69322987He recalls being blown away by the sheer number of shoeys happening on stage during their last visit, and hints they may make a return. With a new drummer joining the line-up and a freshly self-produced album funded largely by fans, Archspire are entering an exciting new chapter. 
Oliver admits perfection isn’t the goal live; having fun, staying relaxed, and connecting with the crowd matters most. Check out everything he had to say in the full interview.
Archspire - Return To Prison Island Australian Tour  with Aborted and Organectomy
Jan 24 - Froth & Fury Perth
Jan 27 - The Croxton, Melbourne
Jan 28 - The Triffid, Brisbane
Jan 29 at The Baso, Canberra
Jan 30 - Liberty Hall, Sydney
Jan 31 - Froth & Fury Adelaide
https://swdpresents.com/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69322987Thu, 08 Jan 2026 05:58:45 +0000HEAVY MagazineArchspire vocalist Oliver “Oli” Alleron is clearly excited about returning to Australia, with the band set to tour in January. From his love of Australian crowds to his unexpected obsession with The Block, Oliver speaks warmly about the country, its...He recalls being blown away by the sheer number of shoeys happening on stage during their last visit, and hints they may make a return. With a new drummer joining the line-up and a freshly self-produced album funded largely by fans, Archspire are entering an exciting new chapter. 
Oliver admits perfection isn’t the goal live; having fun, staying relaxed, and connecting with the crowd matters most. Check out everything he had to say in the full interview.
Archspire - Return To Prison Island Australian Tour  with Aborted and Organectomy
Jan 24 - Froth & Fury Perth
Jan 27 - The Croxton, Melbourne
Jan 28 - The Triffid, Brisbane
Jan 29 at The Baso, Canberra
Jan 30 - Liberty Hall, Sydney
Jan 31 - Froth & Fury Adelaide
https://swdpresents.com/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1156aborted,archspire,australia,deathmetal,extrememetal,froth&furyfestival,heavy,heavymetal,metalfestival,metalhead,metalinterview,metalpodcast,music,tourtruefullhttps://www.spreaker.com/episode/40-years-young-with-jordan-rudess-from-dream-theater--69264397Simultaneously, these five old friends enter a bold new era fuelled by some of the most focused, formidable, and fiery music of their career. They’re harnessing the memories of the past and the promise of the future in order to make the most of the present. Ultimately, the group’s sixteenth full-length album, Parasomnia [Inside Out Music/Sony Music], represents both where they came from and where they’re going as not only bandmates, but as brothers. HEAVY spent some time with Rudess to find out more.
In the interview, we spoke about the band's upcoming Australian tour in February 2026, marking their first tour with Mike Portnoy on drums in 15 years. Jordan highlighted Portnoy's significant contributions to the band's sound and described how his return has enhanced their live performances with his unique skills as a drummer and creative director. The tour will kick off in Adelaide on February 10 and conclude in Brisbane on February 15th, following a year-long world tour.
Jordan discussed joining Dream Theater after playing with John and Mike in Liquid Tension Experiment, initially declining the offer before later accepting it. He described the transition as a significant life change, noting the differences between Liquid Tension's open creative style and Dream Theater's structured approach, as well as the band's international fan base and media presence. He discussed the challenges of joining Dream Theater, a band known for its distinct sound and brand identity. He acknowledged that while the band is not strictly limited to three-chord rock, there is an expectation to remain true to the established style that fans appreciate. Jordan noted that while the band has evolved over time, there is a balance between innovation and respecting the band's heritage.
Jordan explained that Dream Theater's appeal lies in their ability to combine technical virtuosity with emotional depth, creating music that appeals both to serious musicians and general audiences. He noted that the band's shows often feature accessible melodies that engage fans, as demonstrated by their experiences performing in Italy where audiences sing along and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69264397Thu, 01 Jan 2026 04:28:31 +0000HEAVY MagazineWith the worldwide excitement around the recently completed European tour, GRAMMY®-winning, progressive music titans Dream Theater have announced their 40th Anniversary Tour 2026 leg for Australia. The tour will be An Evening With Dream Theater and...Simultaneously, these five old friends enter a bold new era fuelled by some of the most focused, formidable, and fiery music of their career. They’re harnessing the memories of the past and the promise of the future in order to make the most of the present. Ultimately, the group’s sixteenth full-length album, Parasomnia [Inside Out Music/Sony Music], represents both where they came from and where they’re going as not only bandmates, but as brothers. HEAVY spent some time with Rudess to find out more.
In the interview, we spoke about the band's upcoming Australian tour in February 2026, marking their first tour with Mike Portnoy on drums in 15 years. Jordan highlighted Portnoy's significant contributions to the band's sound and described how his return has enhanced their live performances with his unique skills as a drummer and creative director. The tour will kick off in Adelaide on February 10 and conclude in Brisbane on February 15th, following a year-long world tour.
Jordan discussed joining Dream Theater after playing with John and Mike in Liquid Tension Experiment, initially declining the offer before later accepting it. He described the transition as a significant life change, noting the differences between Liquid Tension's open creative style and Dream Theater's structured approach, as well as the band's international fan base and media presence. He discussed the challenges of joining Dream Theater, a band known for its distinct sound and brand identity. He acknowledged that while the band is not strictly limited to three-chord rock, there is an expectation to remain true to the established style that fans appreciate. Jordan noted that while the band has evolved over time, there is a balance between innovation and respecting the band's heritage.
Jordan explained that Dream Theater's appeal lies in their ability to combine technical virtuosity with emotional depth, creating music that appeals both to serious musicians and general audiences. He noted that the band's shows often feature accessible melodies that engage fans, as demonstrated by their experiences performing in Italy where audiences sing along and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>852australia,dreamtheater,heavy,heavymetal,interview,krispeters,metal,metalinterview,mikeportnoy,progressivemetal,progressiverock,tourfalsefullhttps://www.spreaker.com/episode/anberlin-are-back-new-blood-old-anthems-and-zero-chill-with-nate-young--69000865If there were a Frequent Flyer program for alternative rock bands visiting Australia, Anberlin would have Platinum for life. In this sun-drenched, laugh-out-loud podcast throwdown, HEAVY's Ali Williams checks in with Anberlin’s resident rhythm wizard, Nate Young—straight from muggy Florida to the Gold Coast—about their upcoming Aussie invasion, a band that keeps dodging retirement like it’s a game of whack-a-mole, and why their passports deserve a spot in the ARIA Hall of Fame. 
Anberlin are rolling in with a brand-new frontman, a rebooted classic album, and a fan base that’s as loyal (and occasionally unhinged) as a Queensland summer. With headline shows locked in, for An Emo Extravaganza presented by Destroy All Lines, Anberlin aren’t just making another comeback—they’re turning it into an art form. 
It’s official: Anberlin is heading back to Oz in February 2026, and if anyone knows how to party like it’s 2005, it’s these guys. After racking up at least a dozen prior Australian jaunts, “I keep throwing around 12 or 13,” Nate confesses, they’re still genuinely excited—borderline addicted—to our beaches, weather, and, let’s be honest, fans who go harder than the humidity in a long hot Oz summer. 
On this tour, Anberlin will be hitting Brisbane, Melbourne, and Sydney, with a power-packed line-up including Cartel, This Wild Life, and Hot Chelle Rae. Yes, they’re headlining, and yes, it’s going to be loud. Plus, as if that wasn’t enough, they’re also landing at the Froth and Fury Festival, so get ready for an emotional, sweaty sing-along with thousands of other kids who still pretend they’re 22 at heart. 
What’s a reunion tour without a twist? This time, Anberlin’s dusting off their classic album Never Take Friendship Personal—but giving it a fresh coat of paint thanks to new frontman Matty Mullins. After re-recording the album with Matty's pipes - “just to give fans a way to hear what these songs are going to sound like with him singing” - Nate admits the switch wasn’t exactly easy street—“switching out a singer is not easy and usually just doesn’t work… but we’re thankful fans seem to be cool with it.” And if any hardcore purists complain? Well, that’s just part of being a band with a pulse. 
Mullins isn’t just a newbie, either—he grew up a genuine Anberlin fan. Nate grins, “He’s an absolutely ripping singer and just a good frontman, really positive energy for us.” The new era isn’t just a reboot—it’s evolution, and for Anberlin it’s proof you can keep relevant by daring to change (instead of fading into permanent hiatus, or, worse, nostalgia-bloated obscurity). 
The pair get real about age, confidence, and what it means to be an “alternative rock” band in a post-genre world. For Nate, growing up in the spotlight since he was 14 means he’s learned not to sweat the small stuff (or the labels). “Time is a construct,” he deadpans, “so none of it matters.” Emo, alt-rock, post-hardcore—whatever you call it, Anberlin’s brand of high-octane anthems and gratitude-fuelled stage presence hasn’t aged a day. 
From message boards to TikTok, Nate reflects on the perks (and weirdness) of being able to actually connect with fans now—sometimes for better, sometimes for audacity that’s usually… for sure, or respectfully if you will. Still, he wouldn’t trade the chaos of social media for the pre-Internet “mystique” of old: “It’s given us a connection with our fans that’s really special.” 
Anberlin are back in Australia in February 2026, headlining shows in the main capitals, a big set at Froth and Fury Festival, and an all-new take on Never Take Friendship Personal that’ll remind you why this band has lasted the distance. And in true Anberlin fashion, they’re not slowing down or growing up quietly—just growing better, louder, and a hell of a lot wiser. 
Tickets and event info at official outlets—don’t snooze, or you’ll be stuck watching old clips on TikTok, wondering why you missed the reunion of the year.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69000865Wed, 24 Dec 2025 19:19:54 +0000HEAVY MagazineInterview by Ali Williams If there were a Frequent Flyer program for alternative rock bands visiting Australia, Anberlin would have Platinum for life. In this sun-drenched, laugh-out-loud podcast throwdown, HEAVY's Ali Williams checks in with...If there were a Frequent Flyer program for alternative rock bands visiting Australia, Anberlin would have Platinum for life. In this sun-drenched, laugh-out-loud podcast throwdown, HEAVY's Ali Williams checks in with Anberlin’s resident rhythm wizard, Nate Young—straight from muggy Florida to the Gold Coast—about their upcoming Aussie invasion, a band that keeps dodging retirement like it’s a game of whack-a-mole, and why their passports deserve a spot in the ARIA Hall of Fame. 
Anberlin are rolling in with a brand-new frontman, a rebooted classic album, and a fan base that’s as loyal (and occasionally unhinged) as a Queensland summer. With headline shows locked in, for An Emo Extravaganza presented by Destroy All Lines, Anberlin aren’t just making another comeback—they’re turning it into an art form. 
It’s official: Anberlin is heading back to Oz in February 2026, and if anyone knows how to party like it’s 2005, it’s these guys. After racking up at least a dozen prior Australian jaunts, “I keep throwing around 12 or 13,” Nate confesses, they’re still genuinely excited—borderline addicted—to our beaches, weather, and, let’s be honest, fans who go harder than the humidity in a long hot Oz summer. 
On this tour, Anberlin will be hitting Brisbane, Melbourne, and Sydney, with a power-packed line-up including Cartel, This Wild Life, and Hot Chelle Rae. Yes, they’re headlining, and yes, it’s going to be loud. Plus, as if that wasn’t enough, they’re also landing at the Froth and Fury Festival, so get ready for an emotional, sweaty sing-along with thousands of other kids who still pretend they’re 22 at heart. 
What’s a reunion tour without a twist? This time, Anberlin’s dusting off their classic album Never Take Friendship Personal—but giving it a fresh coat of paint thanks to new frontman Matty Mullins. After re-recording the album with Matty's pipes - “just to give fans a way to hear what these songs are going to sound like with him singing” - Nate admits the switch wasn’t exactly easy street—“switching out a singer is not easy and usually just doesn’t work… but we’re thankful fans seem to be cool with it.” And if any hardcore purists complain? Well, that’s just part of being a band with a pulse. 
Mullins isn’t just a newbie, either—he grew up a genuine Anberlin fan. Nate grins, “He’s an absolutely ripping singer and just a good frontman, really positive energy for us.” The new era isn’t just a reboot—it’s evolution, and for Anberlin it’s proof you can keep relevant by daring to change (instead of fading into permanent hiatus, or, worse, nostalgia-bloated obscurity). 
The pair get real about age, confidence, and what it means to be an “alternative rock” band in a post-genre world. For Nate, growing up in the spotlight since he was 14 means he’s learned not to sweat the small stuff (or the labels). “Time is a construct,” he deadpans, “so none of it matters.” Emo, alt-rock, post-hardcore—whatever you call it, Anberlin’s brand of high-octane anthems and gratitude-fuelled stage presence hasn’t aged a day. 
From message boards to TikTok, Nate reflects on the perks (and weirdness) of being able to actually connect with fans now—sometimes for better, sometimes for audacity that’s usually… for sure, or respectfully if you will. Still, he wouldn’t trade the chaos of social media for the pre-Internet “mystique” of old: “It’s given us a connection with our fans that’s really special.” 
Anberlin are back in Australia in February 2026, headlining shows in the main capitals, a big set at Froth and Fury Festival, and an all-new take on Never Take Friendship Personal that’ll remind you why this band has lasted the distance. And in true Anberlin fashion, they’re not slowing down or growing up quietly—just growing better, louder, and a hell of a lot wiser. 
Tickets and event info at official outlets—don’t snooze, or you’ll be stuck watching old clips on TikTok, wondering...]]>884alternative,alternativerock,anberlin,destroyalllines,emo,frothandfuryfestival,hardrock,heavy,metal,music,tourtruefullhttps://www.spreaker.com/episode/matty-mullins-from-memphis-may-fire-talks-about-next-aussie-invasion--69075845If you think the wildest part of touring is the fans, you’ve clearly never tried to drive a truck through an American winter. HEAVY caught up with Matty Mullins—frontman, ice-road survivor, and Memphis May Fire’s resident optimist—while he was holed up in Salt Lake City after some “eventful” /white-knuckle drives that would’ve had most people praying to whatever rock gods they believe in. Turns out, touring with Memphis May Fire is less “luxury tour bus” and more ‘Frostpunk on wheels’. 
Memphis May Fire will be returning Down Under with BLESSTHEFALL in April 2026. Matty’s racking up more frequent flyer miles than your average travel vlogger, but in his words, “we owed our Australian fans a proper return after too long away". As a regular coming to Australia so often, he might as well apply for citizenship and start calling Vegemite “delicious” with a straight face. 
Whilst he assured me there will be no pyrotechnic awesomeness or indoor fireworks this time—(insurance companies everywhere just collectively sighed in relief), the band’s packing a new setlist, bigger production, and some mates from Blessthefall. The only thing going up in flames will be the crowd’s energy and maybe a box of your possessions you left at an unhinged ex’s place. 
Matty laughs off the chaos, proving he’s either a genuinely chill dude or just totally numb to tour madness at this point. “I never, ever know what day it is,” he laughs. 
Touring sounds glamorous, right up until you’re living out of a suitcase and arguing with the GPS about which patch of ice to die on next. For Matty, it’s been night after night of long, snowy drives and just enough adrenaline to keep things interesting. What keeps Memphis May Fire alive after years of this chaos? Stubbornness, a refusal to quit, and the knowledge that some maniac on the internet will have a hot take on whatever you do anyway. Matty’s refreshingly honest about the ups, the downs, and the sheer weirdness that comes with being in a band in 2025. There’s no pretending it’s all sunshine and sold-out shows—but there’s a hell of a lot of laughter along the way. 
Every touring band has wild stories, but Matty’s “unhinged moment” takes the cake (and probably an earlobe). He tells of a band trip to a South African wildlife preserve, one overly friendly baby leopard, and a bass player who learns the hard way what “bite force” means. The aftermath? Paper towels, disinfectant spray, and a new story to explain at airport security. Scar stories: not just for mosh pits. 
He gives a few hints about what’s in the pipeline for Memphis May Fire—new music, surprise setlists. He doesn’t spill everything, but has promised that they're bringing something new and exciting the second time around, and those who saw them recently won't be disappointed because it's not going to be just a repeat of their last shows, so watch this space! 
Memphis May Fire are still out there, still grinding, still finding new ways to laugh at the madness. Get to a show, bring the good vibes, and maybe offer to drive the van if it snows. 
Tickets for Memphis May Fire’s next Australian tour are going fast—for all the details and your backstage pass, head to https://thephoenix.au/memphis-may-fire-2026/, and maybe, just maybe, send Matty a warm pair of socks. Catch you in the pit, or over at the bar.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69075845Tue, 23 Dec 2025 05:27:03 +0000HEAVY MagazineInterview by Ali Williams If you think the wildest part of touring is the fans, you’ve clearly never tried to drive a truck through an American winter. HEAVY caught up with Matty Mullins—frontman, ice-road survivor, and Memphis May Fire’s resident...If you think the wildest part of touring is the fans, you’ve clearly never tried to drive a truck through an American winter. HEAVY caught up with Matty Mullins—frontman, ice-road survivor, and Memphis May Fire’s resident optimist—while he was holed up in Salt Lake City after some “eventful” /white-knuckle drives that would’ve had most people praying to whatever rock gods they believe in. Turns out, touring with Memphis May Fire is less “luxury tour bus” and more ‘Frostpunk on wheels’. 
Memphis May Fire will be returning Down Under with BLESSTHEFALL in April 2026. Matty’s racking up more frequent flyer miles than your average travel vlogger, but in his words, “we owed our Australian fans a proper return after too long away". As a regular coming to Australia so often, he might as well apply for citizenship and start calling Vegemite “delicious” with a straight face. 
Whilst he assured me there will be no pyrotechnic awesomeness or indoor fireworks this time—(insurance companies everywhere just collectively sighed in relief), the band’s packing a new setlist, bigger production, and some mates from Blessthefall. The only thing going up in flames will be the crowd’s energy and maybe a box of your possessions you left at an unhinged ex’s place. 
Matty laughs off the chaos, proving he’s either a genuinely chill dude or just totally numb to tour madness at this point. “I never, ever know what day it is,” he laughs. 
Touring sounds glamorous, right up until you’re living out of a suitcase and arguing with the GPS about which patch of ice to die on next. For Matty, it’s been night after night of long, snowy drives and just enough adrenaline to keep things interesting. What keeps Memphis May Fire alive after years of this chaos? Stubbornness, a refusal to quit, and the knowledge that some maniac on the internet will have a hot take on whatever you do anyway. Matty’s refreshingly honest about the ups, the downs, and the sheer weirdness that comes with being in a band in 2025. There’s no pretending it’s all sunshine and sold-out shows—but there’s a hell of a lot of laughter along the way. 
Every touring band has wild stories, but Matty’s “unhinged moment” takes the cake (and probably an earlobe). He tells of a band trip to a South African wildlife preserve, one overly friendly baby leopard, and a bass player who learns the hard way what “bite force” means. The aftermath? Paper towels, disinfectant spray, and a new story to explain at airport security. Scar stories: not just for mosh pits. 
He gives a few hints about what’s in the pipeline for Memphis May Fire—new music, surprise setlists. He doesn’t spill everything, but has promised that they're bringing something new and exciting the second time around, and those who saw them recently won't be disappointed because it's not going to be just a repeat of their last shows, so watch this space! 
Memphis May Fire are still out there, still grinding, still finding new ways to laugh at the madness. Get to a show, bring the good vibes, and maybe offer to drive the van if it snows. 
Tickets for Memphis May Fire’s next Australian tour are going fast—for all the details and your backstage pass, head to https://thephoenix.au/memphis-may-fire-2026/, and maybe, just maybe, send Matty a warm pair of socks. Catch you in the pit, or over at the bar.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>924australia,blessthefall,hardrock,heavy,heavymetal,hornsup,mattymullins,memphismayfire,metal,metalband,metalhead,metalinterview,metalpodcast,musicinterview,tourtruefullhttps://www.spreaker.com/episode/25-years-and-still-a-dirtbag-with-brendan-brown-from-wheatus--69108937While no one could have foreseen or even guessed the impact that one song would have on not only the band but a whole generation of movies through to fashion trends, its enduring appeal has, at the very least, kept Wheatus and frontman Brendan Brown young at heart and ready for the next adventure. The viral "Teenage Dirtbag photos" trend on TikTok has attracted over a million participants, including celebs like Madonna, Lady Gaga, Mark Ruffalo, Lil Nas X, Jon Bon Jovi, Chevy Chase and the hashtag #teenagedirtbag has been viewed over 2 billion times. The song’s universal appeal has also led to it being featured in Netflix’s Big Mouth, Disney’s Cruel Summer, and, in 2023, the song incredibly re-entered the UK Top 40 charts.
Not bad for a song about life in general.
While Wheatus' musical journey exploded from the very outset because of that track, their sudden success was casually taken in the band's stride, who refused to succumb to the weight of public expectation and continued on their own trajectory that somehow has always managed to stay on a similar path with their famous debut song.
The band are regular visitors to these shores and have a devoted and loyal following, which in turn allows Brendan and co the freedom and ability to make these regular and always fun stopovers. They are one of the few bands who need no reason or gimmick to draw crowds in Australia, which is why the fact that Wheatus' tour in January next year to celebrate 25 years since their world was turned upside down has already been received as a celebration of music rather than a clever marketing strategy to keep the tills ringing.
Always happy to chat, Brendan joined HEAVY recently to discuss the tour and the continued success of Teenage Dirtbag, including their birthday present to themselves by playing their debut album in full.
"We've been playing that album for years," he smiled, "we never laid off of it. We didn't have to relearn a thing. There are a couple of tweaks we have had to make to the back catalogue to make sure that we get everything in order, should anybody call out anything. But you know, we don't do any set lists. It's all request sets. So, kids are shouting, people are shouting and telling us what to play. You say it, we play it, that's how we do it."
We bring up the massive success of Teenage Dirtbag and ask if it sometimes feels like going through the motions, having played it so often.
"No, man, absolutely not," he stressed. "Never. It's a weird song, you know. I hadn't considered that it would ever be a single. I'd kind of written that off. I didn't think it could be one because it was too long, and it had this meandering story and switched characters and all that stuff. So I didn't think that it would happen. The way that it has is incredible. I mean, I don't know what to make of it, but as a song, I'm quite proud of it."
In the full interview, Brendan talked more about the band's upcoming 2026 tour of Australia celebrating the 25th anniversary of their self-titled album, starting in Brisbane on January 15 and concluding with three shows in New Zealand. He confirmed plans to take a break over Christmas to recharge before the tour and noted that the band has consistently performed songs from the album, negating the need for extensive relearning. The band will feature all request sets, allowing fans to choose their preferred songs.
We discussed the success of Teenage Dirtbag, with Brendan sharing insights into the song's origins, it's recording in his mother's basement, and the album's snarky tone reflecting his frustrations in the music industry. Talk turned to the song's lasting impact on audiences and his initial thoughts on Teenage Dirtbag, including how he didn't really have much confidence in the song when it was first written and plenty more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69108937Tue, 23 Dec 2025 05:18:15 +0000HEAVY MagazineNo matter what they do musically from now until eternity, New York rockers Wheatus will always be known as the Dirtbag band. The fact that Teenage Dirtbag is probably bigger today than when it first smashed the air waves 25 years ago is made even more...While no one could have foreseen or even guessed the impact that one song would have on not only the band but a whole generation of movies through to fashion trends, its enduring appeal has, at the very least, kept Wheatus and frontman Brendan Brown young at heart and ready for the next adventure. The viral "Teenage Dirtbag photos" trend on TikTok has attracted over a million participants, including celebs like Madonna, Lady Gaga, Mark Ruffalo, Lil Nas X, Jon Bon Jovi, Chevy Chase and the hashtag #teenagedirtbag has been viewed over 2 billion times. The song’s universal appeal has also led to it being featured in Netflix’s Big Mouth, Disney’s Cruel Summer, and, in 2023, the song incredibly re-entered the UK Top 40 charts.
Not bad for a song about life in general.
While Wheatus' musical journey exploded from the very outset because of that track, their sudden success was casually taken in the band's stride, who refused to succumb to the weight of public expectation and continued on their own trajectory that somehow has always managed to stay on a similar path with their famous debut song.
The band are regular visitors to these shores and have a devoted and loyal following, which in turn allows Brendan and co the freedom and ability to make these regular and always fun stopovers. They are one of the few bands who need no reason or gimmick to draw crowds in Australia, which is why the fact that Wheatus' tour in January next year to celebrate 25 years since their world was turned upside down has already been received as a celebration of music rather than a clever marketing strategy to keep the tills ringing.
Always happy to chat, Brendan joined HEAVY recently to discuss the tour and the continued success of Teenage Dirtbag, including their birthday present to themselves by playing their debut album in full.
"We've been playing that album for years," he smiled, "we never laid off of it. We didn't have to relearn a thing. There are a couple of tweaks we have had to make to the back catalogue to make sure that we get everything in order, should anybody call out anything. But you know, we don't do any set lists. It's all request sets. So, kids are shouting, people are shouting and telling us what to play. You say it, we play it, that's how we do it."
We bring up the massive success of Teenage Dirtbag and ask if it sometimes feels like going through the motions, having played it so often.
"No, man, absolutely not," he stressed. "Never. It's a weird song, you know. I hadn't considered that it would ever be a single. I'd kind of written that off. I didn't think it could be one because it was too long, and it had this meandering story and switched characters and all that stuff. So I didn't think that it would happen. The way that it has is incredible. I mean, I don't know what to make of it, but as a song, I'm quite proud of it."
In the full interview, Brendan talked more about the band's upcoming 2026 tour of Australia celebrating the 25th anniversary of their self-titled album, starting in Brisbane on January 15 and concluding with three shows in New Zealand. He confirmed plans to take a break over Christmas to recharge before the tour and noted that the band has consistently performed songs from the album, negating the need for extensive relearning. The band will feature all request sets, allowing fans to choose their preferred songs.
We discussed the success of Teenage Dirtbag, with Brendan sharing insights into the song's origins, it's recording in his mother's basement, and the album's snarky tone reflecting his frustrations in the music...]]>442australia,brendanbrown,heavy,krispeters,music,rock,rockinterview,teenagedirtbag,tour,wheatustruefullhttps://www.spreaker.com/episode/humility-honesty-and-heat-with-better-lovers--69164954Though Australia is familiar territory for the members of Better Lovers - Jordan Buckley (guitarist/ex Every Time I Die) and Will Putney (guitarist/producer/Fit For An Autopsy) - there is an air of honesty and humility about the debut Australian tour for the five piece, also featuring Greg Puciato (vocals/ex Dillinger Escape Plan/Killer be Killed & The Black Queen), Steve Micciche (bass/ex Every Time I Die) and Clayton "Goose" Holyoak (drums/ex Every Time I Die).
For Jordan, it’s been 6 years since he travelled to this Great Southern Land, and when asked the obvious question about how excited the band is about finally coming out to Australia, his reply was in the form of a question: “Be honest, is it gonna be good?!"
Between Jordan, Will, Greg, Steve & Clayton, the discographies, tours and (dead set) legacies these guys possess is something to be in awe of and has earned each member much respect in the industry, especially in the genre, a genre that is tackled by many and has become saturated.
To give an answer on how the tour will go, made for an easy reply, one in which I hope offered reassurance of how excited the Better Lovers punters of Australia truly are!
To mix things up, joining Better Lovers on the tour is the Gold Coast’s own Blind Girls and English nu metallers Split Chain. “It’s a cool, mixed bill, always love a good mixed bill,” says Putney as the conversation leans into what to expect from the tour. “Reminds me of being a kid, when I first started going to shows,” he adds, as he reminisces and reels off some absolute classic gig line ups he attended many moons ago.
The band's debut album, Highly Irresponsible, came into this world just over a year ago, and more recently as a deluxe edition with some extra absolute slammers of tracks. “So grateful and doesn’t get any better,” says Buckley when discussing the reception the album has received worldwide. Be sure to check out those extra tracks, sitting at the end of such an album makes for a huge ending to it!
Before you settle in and enjoy this conversation, as a collective, be it organisers, fans, even the sometimes unsung door people, can we please guarantee two things for the band?!
Make sure the AC is in working order at all venues.
Adelaide fans, make sure the last show of the tour, the best show of the tour. 
Amongst the insanity that will be Better Lovers' debut Australian tour, kicking off in Brisbane, there will no doubt be appreciation, sweet relief and a love for music that will be palpable for all involved, let’s get hot, Australia!
Tickets from destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69164954Mon, 22 Dec 2025 09:31:44 +0000HEAVY MagazineInterview by Simon Russell-White Though Australia is familiar territory for the members of Better Lovers - Jordan Buckley (guitarist/ex Every Time I Die) and Will Putney (guitarist/producer/Fit For An Autopsy) - there is an air of honesty and humility...Though Australia is familiar territory for the members of Better Lovers - Jordan Buckley (guitarist/ex Every Time I Die) and Will Putney (guitarist/producer/Fit For An Autopsy) - there is an air of honesty and humility about the debut Australian tour for the five piece, also featuring Greg Puciato (vocals/ex Dillinger Escape Plan/Killer be Killed & The Black Queen), Steve Micciche (bass/ex Every Time I Die) and Clayton "Goose" Holyoak (drums/ex Every Time I Die).
For Jordan, it’s been 6 years since he travelled to this Great Southern Land, and when asked the obvious question about how excited the band is about finally coming out to Australia, his reply was in the form of a question: “Be honest, is it gonna be good?!"
Between Jordan, Will, Greg, Steve & Clayton, the discographies, tours and (dead set) legacies these guys possess is something to be in awe of and has earned each member much respect in the industry, especially in the genre, a genre that is tackled by many and has become saturated.
To give an answer on how the tour will go, made for an easy reply, one in which I hope offered reassurance of how excited the Better Lovers punters of Australia truly are!
To mix things up, joining Better Lovers on the tour is the Gold Coast’s own Blind Girls and English nu metallers Split Chain. “It’s a cool, mixed bill, always love a good mixed bill,” says Putney as the conversation leans into what to expect from the tour. “Reminds me of being a kid, when I first started going to shows,” he adds, as he reminisces and reels off some absolute classic gig line ups he attended many moons ago.
The band's debut album, Highly Irresponsible, came into this world just over a year ago, and more recently as a deluxe edition with some extra absolute slammers of tracks. “So grateful and doesn’t get any better,” says Buckley when discussing the reception the album has received worldwide. Be sure to check out those extra tracks, sitting at the end of such an album makes for a huge ending to it!
Before you settle in and enjoy this conversation, as a collective, be it organisers, fans, even the sometimes unsung door people, can we please guarantee two things for the band?!
Make sure the AC is in working order at all venues.
Adelaide fans, make sure the last show of the tour, the best show of the tour. 
Amongst the insanity that will be Better Lovers' debut Australian tour, kicking off in Brisbane, there will no doubt be appreciation, sweet relief and a love for music that will be palpable for all involved, let’s get hot, Australia!
Tickets from destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>873australia,betterlovers,destroyalllines,gregpuciato,hardcore,heavy,heavymetal,metal,metalcore,metalhead,metalinterview,metalpodcast,tourtruefullhttps://www.spreaker.com/episode/persefone-s-bobby-verdeguer-talks-new-album-and-orchestral-madness--69106762If you’ve ever wondered what happens when progressive death metal collides head-on with a full-blown orchestra (spoiler: nobody wears a tux, but plenty of heads bang), Persefone’s latest adventure has the answer. In a good vibes interview with HEAVY Magazine’s Ali Williams, Bobby Verdeguer from Persefone takes us behind the scenes of the band’s new live album, out now, and gives us a taste of the chaos, genius, and caffeine that went into its creation. 
Persefone’s new release, Live In Andorra, isn’t just another concert recording—it’s a mad scientist experiment: death progressive metal and live orchestra in the same room. Recorded during a one-off orchestral show at the National Auditorium of Andorra in May 2024, the album celebrates the band’s 20-year history and their return home after a decade, featuring a full collaboration with the Orquestra Nacional Clàssica d’Andorra. 
Bobby admits that making a live album in today’s “attention-deficit” age is, in his words, “a stupid idea.” But when the end result is this sublime, who cares about market logic? If you want new music, you’re out of luck—this is a celebration of the band’s 20th anniversary, featuring songs from across their catalogue, played with enough complexity to make even a Swiss watch blush. 
What results when you have an orchestra, a death metal band, and two rehearsals—one the morning of the show? “Stressful” is an understatement. The orchestra arrived the day before the recording, and after a couple of quick run-throughs, it was showtime. The whole thing was captured live, meaning there was “extra pressure of not fucking things up,” as Bobby charmingly put it. The musical tightrope walk paid off, resulting in a performance that’s as raw as it is sophisticated. 
The artwork for their latest release is mint, so you know the merch is gonna slap. As for vinyl? You’d better buy two copies: “One you open, one you keep sealed for street cred.” He’s not joking about the collector mentality, either—just don’t expect to find a Persefone vinyl in a bargain bin anytime soon. 
Touring has been relentless, including recent festival runs in the US and a debut Australian tour with Belakor and Orpheus Omega. Oh, and if you’re ever planning to fly from Andorra to Australia, prepare for two days, four stopovers, and a test of your will to live (someone, please, sponsor these guys an airline). 
With the live album freshly set forth on the world, Persefone aren’t about to rest on their laurels. Upcoming plans include shows in France, a stint on the 70,000 Tons of Metal cruise (yep, the floating festival of your dreams), and a US tour (still under wraps). Most importantly for fans: they’re already working on a new studio album of fresh material, aiming to top even this ambitious milestone. 
If you’re new to Persefone, Bobby promises this album is the perfect entry point—a wild snapshot of the band’s evolution, energy, and international weirdness. For longtime fans, it’s a high-octane victory lap, packed with classic tracks and orchestral bombast. In the immortal words of Bobby: “Go listen.” 
Live in Andorra is out now —get ready to be crushed, caressed, and possibly convinced you need more vinyl in your life. For more interviews, reviews, and unfiltered metal mayhem, keep it locked on HEAVY Magazine.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69106762Mon, 22 Dec 2025 08:45:16 +0000HEAVY MagazineInterview by Ali Williams If you’ve ever wondered what happens when progressive death metal collides head-on with a full-blown orchestra (spoiler: nobody wears a tux, but plenty of heads bang), Persefone’s latest adventure has the answer. In a good...If you’ve ever wondered what happens when progressive death metal collides head-on with a full-blown orchestra (spoiler: nobody wears a tux, but plenty of heads bang), Persefone’s latest adventure has the answer. In a good vibes interview with HEAVY Magazine’s Ali Williams, Bobby Verdeguer from Persefone takes us behind the scenes of the band’s new live album, out now, and gives us a taste of the chaos, genius, and caffeine that went into its creation. 
Persefone’s new release, Live In Andorra, isn’t just another concert recording—it’s a mad scientist experiment: death progressive metal and live orchestra in the same room. Recorded during a one-off orchestral show at the National Auditorium of Andorra in May 2024, the album celebrates the band’s 20-year history and their return home after a decade, featuring a full collaboration with the Orquestra Nacional Clàssica d’Andorra. 
Bobby admits that making a live album in today’s “attention-deficit” age is, in his words, “a stupid idea.” But when the end result is this sublime, who cares about market logic? If you want new music, you’re out of luck—this is a celebration of the band’s 20th anniversary, featuring songs from across their catalogue, played with enough complexity to make even a Swiss watch blush. 
What results when you have an orchestra, a death metal band, and two rehearsals—one the morning of the show? “Stressful” is an understatement. The orchestra arrived the day before the recording, and after a couple of quick run-throughs, it was showtime. The whole thing was captured live, meaning there was “extra pressure of not fucking things up,” as Bobby charmingly put it. The musical tightrope walk paid off, resulting in a performance that’s as raw as it is sophisticated. 
The artwork for their latest release is mint, so you know the merch is gonna slap. As for vinyl? You’d better buy two copies: “One you open, one you keep sealed for street cred.” He’s not joking about the collector mentality, either—just don’t expect to find a Persefone vinyl in a bargain bin anytime soon. 
Touring has been relentless, including recent festival runs in the US and a debut Australian tour with Belakor and Orpheus Omega. Oh, and if you’re ever planning to fly from Andorra to Australia, prepare for two days, four stopovers, and a test of your will to live (someone, please, sponsor these guys an airline). 
With the live album freshly set forth on the world, Persefone aren’t about to rest on their laurels. Upcoming plans include shows in France, a stint on the 70,000 Tons of Metal cruise (yep, the floating festival of your dreams), and a US tour (still under wraps). Most importantly for fans: they’re already working on a new studio album of fresh material, aiming to top even this ambitious milestone. 
If you’re new to Persefone, Bobby promises this album is the perfect entry point—a wild snapshot of the band’s evolution, energy, and international weirdness. For longtime fans, it’s a high-octane victory lap, packed with classic tracks and orchestral bombast. In the immortal words of Bobby: “Go listen.” 
Live in Andorra is out now —get ready to be crushed, caressed, and possibly convinced you need more vinyl in your life. For more interviews, reviews, and unfiltered metal mayhem, keep it locked on HEAVY Magazine.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1127hardrock,heavy,heavymetal,livealbum,metal,musicinterview,persefone,progressivedeathmetal,tourtruefullhttps://www.spreaker.com/episode/sarah-mcleod-and-dallas-frasca-talk-about-sustainability-music-and-touring-to-solidify-our-future--69112969ARIA winner and South Australian Music Hall of Fame inductee Sarah McLeod, both as a solo performer and frontwoman of Australian rock legends The Superjesus, has remained a passionate advocate for change and progress within the Australian music space while APRA and AWMA nominated artist Dallas Frasca is a kindred spirit of sorts for Sarah, again another artist who has brought bold and visceral energy to her expansive catalogue of music and live performances across many years.
So it should come as no surprise to find that both of their lives and careers have become entwined for the 2026 GREEN ELECTRIC TOUR, which represents both McLeod and Frasca’s ongoing commitment to sustainability; more specifically, sustainable touring. It is a highly ambitious journey into the unknown, with little by way of previous undertakings by other bands from which to use as a reference.
Instead, the two have chosen to dive in headfirst, supported by Music Australia, The Harbour Agency and Spank Betty Records. The tour also supports Seed Mob, Australia’s first Indigenous youth-led climate justice organisation in their ongoing fight for climate justice. From recycled merchandise and sustainable travel routes to meat-free catering and eco-certified accommodation, every detail has been designed to minimise impact. Fans are invited to join the movement by wearing their best sustainable fashion to the gigs, and carpooling, taking public transport, walking, or riding bikes to venues wherever possible — making the audience part of the solution, not just the show.
For both McLeod and Frasca, the launch of the GREEN ELECTRIC TOUR also aims to inspire other musicians, and their fans, to reconsider their own approach to experiencing live music and touring – with a shift in mindset and a turn toward more sustainable pathways, the future of this industry is greener, healthier, and more long-lasting.
HEAVY was fortunate enough to nail down both Sarah and Dallas during a welcome break to their busy schedules, and we started by asking if they were prepared for the magnitude of the task they have set for themselves.
"It's hard, actually," Sarah replied.
"It is," Dallas reiterated. "I think… putting a tour together is a massive workload as it is, and even doing four weeks of touring is huge in the matrix of that. But this is a whole other element, and maybe when we get to the end of it, I think we would have gone, okay, we've sort of normalized this new thinking around things, and it will be easier. But we've got the machete out in the jungle at the moment, and we're just figuring things out. There's no one perfect way to do it either. Sarah and I have got a few non-negotiables that we can't move on, with venues and things like that. And then we're just sort of piecing things around it. So we'll make some mistakes along the way. We'll probably get to the other end and think we should have done it that way, and hopefully we'll walk in that direction afterwards, but we're learning. We are both definitely learning along the way. And it's a lot more work than your normal tour. Yes, we have put our hands on our faces many times (laughs)."
In the full interview, Sarah and Dallas run through the idea behind sustainable touring and how they plan to make the run of shows as faithful to their cause as possible. They discussed some of their ideas to do that and ways in which the crowd can participate, while highlighting the fact that the very nature of touring makes it difficult to adhere strictly to some of the protocol.
We talked about their musical union and the benefits of musicians investing actual time into sustainable touring, suggesting ideas along the way which would be beneficial to the planet as a whole if more people invested in them. Talk turned to an unplanned sonic union that has already blossomed, with plans already in place to film a music video for the newly written track, which you will have to watch to find out more about.
The basic structure of the live shows was discussed, along with the two drummers who are special guests for the tour, with Sarah and Dallas both expressing excitement for the plethora of possibilities this one journey into sustainability can raise.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69112969Mon, 22 Dec 2025 08:42:18 +0000HEAVY MagazineIndividually, Sarah McLeod and Dallas Frasca are two of the most powerful voices in Australian rock. Not only have they both had successful careers - McLeod with The Superjesus and Frasca with her band of the same name - but they have both contributed...ARIA winner and South Australian Music Hall of Fame inductee Sarah McLeod, both as a solo performer and frontwoman of Australian rock legends The Superjesus, has remained a passionate advocate for change and progress within the Australian music space while APRA and AWMA nominated artist Dallas Frasca is a kindred spirit of sorts for Sarah, again another artist who has brought bold and visceral energy to her expansive catalogue of music and live performances across many years.
So it should come as no surprise to find that both of their lives and careers have become entwined for the 2026 GREEN ELECTRIC TOUR, which represents both McLeod and Frasca’s ongoing commitment to sustainability; more specifically, sustainable touring. It is a highly ambitious journey into the unknown, with little by way of previous undertakings by other bands from which to use as a reference.
Instead, the two have chosen to dive in headfirst, supported by Music Australia, The Harbour Agency and Spank Betty Records. The tour also supports Seed Mob, Australia’s first Indigenous youth-led climate justice organisation in their ongoing fight for climate justice. From recycled merchandise and sustainable travel routes to meat-free catering and eco-certified accommodation, every detail has been designed to minimise impact. Fans are invited to join the movement by wearing their best sustainable fashion to the gigs, and carpooling, taking public transport, walking, or riding bikes to venues wherever possible — making the audience part of the solution, not just the show.
For both McLeod and Frasca, the launch of the GREEN ELECTRIC TOUR also aims to inspire other musicians, and their fans, to reconsider their own approach to experiencing live music and touring – with a shift in mindset and a turn toward more sustainable pathways, the future of this industry is greener, healthier, and more long-lasting.
HEAVY was fortunate enough to nail down both Sarah and Dallas during a welcome break to their busy schedules, and we started by asking if they were prepared for the magnitude of the task they have set for themselves.
"It's hard, actually," Sarah replied.
"It is," Dallas reiterated. "I think… putting a tour together is a massive workload as it is, and even doing four weeks of touring is huge in the matrix of that. But this is a whole other element, and maybe when we get to the end of it, I think we would have gone, okay, we've sort of normalized this new thinking around things, and it will be easier. But we've got the machete out in the jungle at the moment, and we're just figuring things out. There's no one perfect way to do it either. Sarah and I have got a few non-negotiables that we can't move on, with venues and things like that. And then we're just sort of piecing things around it. So we'll make some mistakes along the way. We'll probably get to the other end and think we should have done it that way, and hopefully we'll walk in that direction afterwards, but we're learning. We are both definitely learning along the way. And it's a lot more work than your normal tour. Yes, we have put our hands on our faces many times (laughs)."
In the full interview, Sarah and Dallas run through the idea behind sustainable touring and how they plan to make the run of shows as faithful to their cause as possible. They discussed some of their ideas to do that and ways in which the crowd can participate, while highlighting the fact that the very nature of touring makes it difficult to adhere strictly to some of the protocol.
We talked about their musical union and the benefits of musicians investing actual...]]>1273australia,dallasfrasca,hardrock,heavy,krispeters,liveshows,music,rock,rockmusic,sarahmcleod,sustainabletouring,thesuperjesus,tourtruefullhttps://www.spreaker.com/episode/the-art-of-hard-rock-drumming-with-moni-lashes--69093772Which is just one of the reasons that the newly released book from The Babes' drummer Moni Lashes, THE ART OF HARD ROCK DRUMMING - A COMPREHENSIVE TOOLKIT FOR THE MODERN HARD ROCK DRUMMER, is not only a brilliant idea, but also one which may just clear some of the mystery surrounding the person who sits at the rear of the band and makes all the noise.
By stripping the craft back before slowly reassembling it with an easy-to-digest handbook, Lashes has poured every ounce of her 30 years of experience into the publication, aiming to provide a complete and rounded insight into both the teachings and the pleasures of drumming. It is a book written through blood, sweat and tears, from the good times through the bad, and, most importantly, from the perspective of someone who has fought in the trenches and loves her art just as much as her passion.
Featuring tutorials, play-throughs, video demonstrations and more, The Art Of Hard Rock Drumming provides an invaluable insight into the mechanics of drumming, providing tips and exercises to help everyone from beginners to seasoned veterans to help gain more understanding of what it takes to be the best and stay at the top of your game, all the while enjoying every moment of the journey.
To take us deeper into the book and explain the methodology behind the words, HEAVY sat down for an engaging chat with drumming legend and author of the book, Moni Lashes.
"It's been really positive, and I'm very fortunate to have such support," Lashes enthused when we asked how the early reception has been. "I've had some great testimonials from drummers that I actually look up to myself, so it gives me the boost and the confidence to just keep pushing with this. I basically wrote this book as a drum educator, because when I'm not on tour with a band, I teach drums. And I grew up learning from drum books and picking and choosing things I liked. And for the authors of those books to actually give me testimonials has blown my mind."
With a plethora of influences surrounding her on a daily basis, Lashes admits finding subject matter was only as difficult as she allowed it to be.
"The book is a combination of what I learned, my learnings and style from my teachers as well as what I find is beneficial for my students," she offered. "And a couple of my students have actually gone on to get scholarships at the conservatorium and international music colleges, so I think I've got some success stories from my method of teaching. I really believe that we need to have more kids playing instruments. I don't think we need to be so rigid and make it as boring as maybe history did. You've got to give and take and make it fun and still get the fundamentals down, which is what I hope my book does."
In the full interview, Lashes emphasized the importance of structured practice, innovative teaching methods that are essential when learning to be a drummer. She outlined some of the teaching methods she has applied to the book, including the use of QR codes for video demonstrations and the role of silence over volume in enhancing performances.
She highlighted certain sections of the book, running through four essential elements of learning that she has focused on. Moni explained her teaching methods and how they have been shaped through experience, offering tips and advice for beginners through to professionals, detailing how different stages or chapters of the book can be used for maximum effect.
The levels of commitment required to master the drums was also discussed, with Lashes giving some valuable insights into different methods and processes which have guided her through her own personal journey. She covered more ground in select chapters, explaining the whys and hows of her teachings, and used her own experiences to relate to different levels of the learning process.
Her band, The Babes, was discussed along with upcoming new music from the band, her love of performing and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69093772Thu, 18 Dec 2025 06:05:00 +0000HEAVY MagazineAs with any musical experience, drumming can be either the most frustrating thing on the planet or one of the most beautiful things on Earth. It is, by very definition, the loudest part of any band, but there is far more to mastering the craft than...Which is just one of the reasons that the newly released book from The Babes' drummer Moni Lashes, THE ART OF HARD ROCK DRUMMING - A COMPREHENSIVE TOOLKIT FOR THE MODERN HARD ROCK DRUMMER, is not only a brilliant idea, but also one which may just clear some of the mystery surrounding the person who sits at the rear of the band and makes all the noise.
By stripping the craft back before slowly reassembling it with an easy-to-digest handbook, Lashes has poured every ounce of her 30 years of experience into the publication, aiming to provide a complete and rounded insight into both the teachings and the pleasures of drumming. It is a book written through blood, sweat and tears, from the good times through the bad, and, most importantly, from the perspective of someone who has fought in the trenches and loves her art just as much as her passion.
Featuring tutorials, play-throughs, video demonstrations and more, The Art Of Hard Rock Drumming provides an invaluable insight into the mechanics of drumming, providing tips and exercises to help everyone from beginners to seasoned veterans to help gain more understanding of what it takes to be the best and stay at the top of your game, all the while enjoying every moment of the journey.
To take us deeper into the book and explain the methodology behind the words, HEAVY sat down for an engaging chat with drumming legend and author of the book, Moni Lashes.
"It's been really positive, and I'm very fortunate to have such support," Lashes enthused when we asked how the early reception has been. "I've had some great testimonials from drummers that I actually look up to myself, so it gives me the boost and the confidence to just keep pushing with this. I basically wrote this book as a drum educator, because when I'm not on tour with a band, I teach drums. And I grew up learning from drum books and picking and choosing things I liked. And for the authors of those books to actually give me testimonials has blown my mind."
With a plethora of influences surrounding her on a daily basis, Lashes admits finding subject matter was only as difficult as she allowed it to be.
"The book is a combination of what I learned, my learnings and style from my teachers as well as what I find is beneficial for my students," she offered. "And a couple of my students have actually gone on to get scholarships at the conservatorium and international music colleges, so I think I've got some success stories from my method of teaching. I really believe that we need to have more kids playing instruments. I don't think we need to be so rigid and make it as boring as maybe history did. You've got to give and take and make it fun and still get the fundamentals down, which is what I hope my book does."
In the full interview, Lashes emphasized the importance of structured practice, innovative teaching methods that are essential when learning to be a drummer. She outlined some of the teaching methods she has applied to the book, including the use of QR codes for video demonstrations and the role of silence over volume in enhancing performances.
She highlighted certain sections of the book, running through four essential elements of learning that she has focused on. Moni explained her teaching methods and how they have been shaped through experience, offering tips and advice for beginners through to professionals, detailing how different stages or chapters of the book can be used for maximum effect.
The levels of commitment required to master...]]>1261australia,band,book,drumming,drums,education,handibook,hardrock,heavy,heavymetal,krispeters,metalpodcast,monilashes,music,novel,rock,rockinterview,thebabesfalsefullhttps://www.spreaker.com/episode/mortal-sin-are-back-40-years-vinyl-secrets-and-a-tour-bus-with-no-brakes--69092633Strap yourselves in, metalheads, because the legends in Mortal Sin are roaring back onto the scene, and they’re not tiptoeing in—they’re drop-kicking the door open and headbanging straight through it. HEAVY Mag’s Ali Williams caught up with frontman Mat Maurer for a chat. 
It’s been a minute (okay, a decade or so) since Mortal Sin hit the highways, but when Mat ran into Andy and Nathan at a Baby Animals gig, talk of the band’s 40th anniversary snowballed into what’s become the biggest tour in their history. They’re talking nine shows up and down the East Coast, Froth and Fury Festival in Adelaide, a Perth date, and even more to come with Part 2 hitting North Queensland, Tasmania, and (possibly) New Zealand. Hell, there might even be a Broken Hill pitstop, just to prove they’re covering every inch of Oz. 
And no, it’s not just the “old die-hards” crawling out of their man-caves—Mat reckons even the grandkids are getting in on the action. “All the grandkids,” he laughs. “That’s the cycle of heavy metal for you.” 
If you thought a mega-tour was enough, think again. Mortal Sin are celebrating with a special 40th anniversary vinyl reissue of their 1986 classic Mayhemic Destruction. But in true Mortal Sin style, there’s a twist: the cover art is so secret, only the band has seen it. “We’re even going to release it in a brown paper bag,” Mat teases. “You won’t see it till you crack it open—and trust me, you’re gonna lose your mind when you do.” Vinyl nerds, start queuing now—Mat’s even promising a splatter-wax collector’s edition.
The guys are taking the mayhem global, with Germany’s Keep It True Festival on the cards, a month of shows across Europe in August, and the calendar jammed so tight they’re turning down offers from South America just to catch their breath. Locally, they’ll be headlining Shredfest in Brisbane on May 2 at The Mansfield Tavern, with more Gold Coast and regional shows in the pipeline. If you’re not planning on seeing Mortal Sin live in 2026, are you even trying? 
When HEAVY asked Mat for some of his most memorable highlights from decades of carnage, he rattles off support slots for Metallica’s ...And Justice For All tour and opening the main stage at Wacken in front of 60,000 maniacs. Not bad for a band that’s survived line up changes, pandemic boredom, and the rising cost of vinyl pressing (seriously, it’s not cheap). 
And just so you know, Mat collects PEZ dispensers—1,500 of the little suckers—Ali confesses she’s been hunting for the elusive Elvis model, and Mat says he’s still yet to find one himself. Metal never dies, and apparently, neither does novelty candy. 
There’s a lot of love in the air—between the band, their fans, and the sheer thrill of playing live again. There’s are weird magic that happens when artists and fans meet face-to-face, sober (usually), and sweating it out at the front of the stage. “Playing is always a highlight,” Mat says. “You can’t do that from your lounge chair.” 
Mortal Sin are back, bigger and rowdier than ever, serving up nostalgia with a side of fresh chaos. Don’t sleep on this—unless you’re too old to mosh, in which case, bring the grandkids and let them jump in the pit for you. Make sure you save the dates and find a local show for their 40th anniversary. Grab your tickets at www.churchesofsteel.com or hit up their Facebook page. See you on the road!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69092633Wed, 17 Dec 2025 09:33:32 +0000HEAVY MagazineInterview by Ali Williams Strap yourselves in, metalheads, because the legends in Mortal Sin are roaring back onto the scene, and they’re not tiptoeing in—they’re drop-kicking the door open and headbanging straight through it. HEAVY Mag’s Ali Williams...Strap yourselves in, metalheads, because the legends in Mortal Sin are roaring back onto the scene, and they’re not tiptoeing in—they’re drop-kicking the door open and headbanging straight through it. HEAVY Mag’s Ali Williams caught up with frontman Mat Maurer for a chat. 
It’s been a minute (okay, a decade or so) since Mortal Sin hit the highways, but when Mat ran into Andy and Nathan at a Baby Animals gig, talk of the band’s 40th anniversary snowballed into what’s become the biggest tour in their history. They’re talking nine shows up and down the East Coast, Froth and Fury Festival in Adelaide, a Perth date, and even more to come with Part 2 hitting North Queensland, Tasmania, and (possibly) New Zealand. Hell, there might even be a Broken Hill pitstop, just to prove they’re covering every inch of Oz. 
And no, it’s not just the “old die-hards” crawling out of their man-caves—Mat reckons even the grandkids are getting in on the action. “All the grandkids,” he laughs. “That’s the cycle of heavy metal for you.” 
If you thought a mega-tour was enough, think again. Mortal Sin are celebrating with a special 40th anniversary vinyl reissue of their 1986 classic Mayhemic Destruction. But in true Mortal Sin style, there’s a twist: the cover art is so secret, only the band has seen it. “We’re even going to release it in a brown paper bag,” Mat teases. “You won’t see it till you crack it open—and trust me, you’re gonna lose your mind when you do.” Vinyl nerds, start queuing now—Mat’s even promising a splatter-wax collector’s edition.
The guys are taking the mayhem global, with Germany’s Keep It True Festival on the cards, a month of shows across Europe in August, and the calendar jammed so tight they’re turning down offers from South America just to catch their breath. Locally, they’ll be headlining Shredfest in Brisbane on May 2 at The Mansfield Tavern, with more Gold Coast and regional shows in the pipeline. If you’re not planning on seeing Mortal Sin live in 2026, are you even trying? 
When HEAVY asked Mat for some of his most memorable highlights from decades of carnage, he rattles off support slots for Metallica’s ...And Justice For All tour and opening the main stage at Wacken in front of 60,000 maniacs. Not bad for a band that’s survived line up changes, pandemic boredom, and the rising cost of vinyl pressing (seriously, it’s not cheap). 
And just so you know, Mat collects PEZ dispensers—1,500 of the little suckers—Ali confesses she’s been hunting for the elusive Elvis model, and Mat says he’s still yet to find one himself. Metal never dies, and apparently, neither does novelty candy. 
There’s a lot of love in the air—between the band, their fans, and the sheer thrill of playing live again. There’s are weird magic that happens when artists and fans meet face-to-face, sober (usually), and sweating it out at the front of the stage. “Playing is always a highlight,” Mat says. “You can’t do that from your lounge chair.” 
Mortal Sin are back, bigger and rowdier than ever, serving up nostalgia with a side of fresh chaos. Don’t sleep on this—unless you’re too old to mosh, in which case, bring the grandkids and let them jump in the pit for you. Make sure you save the dates and find a local show for their 40th anniversary. Grab your tickets at www.churchesofsteel.com or hit up their Facebook page. See you on the road!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>815aussiemetal,australia,heavy,heavymetal,hornsup,metalinterview,mortalsin,music,musicinterview,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/making-a-sonic-statement-with-elias-soriano-from-nonpoint-if-it-ain-t-broke--69090186Two of those bands were hed (pe) and Nonpoint, both of whom released memorable albums in the height of nu metal's expansion. For hed (pe) it was their second album, Broke, and for Nonpoint it was their debut, Statement. Both albums elevated the respective bands' career trajectories, and that success led to numerous tours involving hed (pe) and Nonpoint that forged an unbreakable bond between the two bands that continues to this day.
Both of those albums turned 25 this year, with both remaining as poignant and relevant today as they did upon release. So much so that both bands are uniting once more for a road trip from Hell, with Australia firmly in their sights early next year. Known for their legendary live performances and explosive tracks such as Bullet with a Name, What a Day, Ruthless, and more, Nonpoint has consistently captivated audiences with infectious riffs, compelling lyrics, and an uncompromising raw energy. Their discography and stagecraft have made them staples at rock radio and fixtures on festival line ups, earning them a dedicated international following.
And now they have one more reason to celebrate, one more reason to tear up the stage, and one more reason to deliver Australian audiences a full-blown sonic assault rarely seen or heard on these shores.
With anticipation for the February tour intensifying by the day, HEAVY accepted the offer to spend some time with Nonpoint frontman Elias Soriano to delve into the history of Nonpoint and what we can expect from their impending visit. One of the topics of discussion was the pairing of hed (pe) and Nonpoint on the same line-up and the sense of impending doom that has developed because of it.
"Yeah, those guys put on a great show," he smiled. "We're glad to team up with them again. The last run was really, really fun, so we're definitely going to be enjoying some good times on this one."
The two bands have been touring and playing together since the turn of the century, and we asked Elias what his memories were of those early days and if the mentality of the earlier nu metal bands was more of an us-against-them feeling.
"At that time, everything was really moving in a big way," he recalled. "There were a lot of bands touring at that time. The big festivals and the touring festivals were really popular, especially with OzFest and Warped Tour and festivals like that. So being a part of that and being a part of the meld of hip-hop and rock that was happening at our time, that was an interesting culture that a different type of fan gravitated towards. So it's good to tour with bands like that, that share those types of fans and share that type of show."
In the full interview, Elias talks more about the upcoming tour and what to expect, Nonpoint's first visit to Australia as part of Soundwave in 2010, the early days of nu metal and what it was like playing what was essentially a new cross-pollination of music to a non-existent fan base.
He recalled his first reactions to hed (pe)'s album Broke and outlined similarities between that record and Nonpoint's release in the same year, Statement. Talk diverted to the early days of Nonpoint and the musical climate that gave birth to the band, the birth and sustainability of nu metal, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69090186Wed, 17 Dec 2025 08:02:40 +0000HEAVY MagazineThe turn of the century was a significant period for the nu metal scene, with the genre building off the back of a string of breakout bands from the mid to late 90s onwards that saw the rap/metal hybrid style of music surge in popularity. Bands such...Two of those bands were hed (pe) and Nonpoint, both of whom released memorable albums in the height of nu metal's expansion. For hed (pe) it was their second album, Broke, and for Nonpoint it was their debut, Statement. Both albums elevated the respective bands' career trajectories, and that success led to numerous tours involving hed (pe) and Nonpoint that forged an unbreakable bond between the two bands that continues to this day.
Both of those albums turned 25 this year, with both remaining as poignant and relevant today as they did upon release. So much so that both bands are uniting once more for a road trip from Hell, with Australia firmly in their sights early next year. Known for their legendary live performances and explosive tracks such as Bullet with a Name, What a Day, Ruthless, and more, Nonpoint has consistently captivated audiences with infectious riffs, compelling lyrics, and an uncompromising raw energy. Their discography and stagecraft have made them staples at rock radio and fixtures on festival line ups, earning them a dedicated international following.
And now they have one more reason to celebrate, one more reason to tear up the stage, and one more reason to deliver Australian audiences a full-blown sonic assault rarely seen or heard on these shores.
With anticipation for the February tour intensifying by the day, HEAVY accepted the offer to spend some time with Nonpoint frontman Elias Soriano to delve into the history of Nonpoint and what we can expect from their impending visit. One of the topics of discussion was the pairing of hed (pe) and Nonpoint on the same line-up and the sense of impending doom that has developed because of it.
"Yeah, those guys put on a great show," he smiled. "We're glad to team up with them again. The last run was really, really fun, so we're definitely going to be enjoying some good times on this one."
The two bands have been touring and playing together since the turn of the century, and we asked Elias what his memories were of those early days and if the mentality of the earlier nu metal bands was more of an us-against-them feeling.
"At that time, everything was really moving in a big way," he recalled. "There were a lot of bands touring at that time. The big festivals and the touring festivals were really popular, especially with OzFest and Warped Tour and festivals like that. So being a part of that and being a part of the meld of hip-hop and rock that was happening at our time, that was an interesting culture that a different type of fan gravitated towards. So it's good to tour with bands like that, that share those types of fans and share that type of show."
In the full interview, Elias talks more about the upcoming tour and what to expect, Nonpoint's first visit to Australia as part of Soundwave in 2010, the early days of nu metal and what it was like playing what was essentially a new cross-pollination of music to a non-existent fan base.
He recalled his first reactions to hed (pe)'s album Broke and outlined similarities between that record and Nonpoint's release in the same year, Statement. Talk diverted to the early days of Nonpoint and the musical climate that gave birth to the band, the birth and sustainability of nu metal, new music and more.


Become a supporter of this podcast: 704australia,heavy,heavymetal,hedpe,krispeters,metal,metalinterview,music,musicinterview,nonpoint,numetal,octoberpresents,tourtruefullhttps://www.spreaker.com/episode/earning-your-right-of-passage-touring-australia-and-beyond-with-nergal-from-behemoth--69085527Fresh from releasing their most recent album – The Shit Ov God - in May this year on Nuclear Blast, Behemoth have set their sights on Australia in February 2026 to perform tracks from their storied discography alongside new material. Straddling the line between the sacred and profane, Behemoth has risen to become extreme metal’s most revered and provocative band, steeped in anti-authoritarian fire. Renowned for their elaborate live performances, the band continues to push boundaries with their fearless artistry and vision, and have vowed to bring their menacing glory to Australian fans on the upcoming tour.
To celebrate the momentous occasion, HEAVY recently sat down with guitarist/vocalist Nergal to journey through the sordid world of Behemoth. We ask if his excitement levels remain as high despite touring most countries multiple times.
"Yes," he smiled warmly. "I don't want to sound arrogant here, because the fact is that from the first tour that we did in Australia to the next one, it just grew by a few per cent. But every time it was bigger and bigger crowds. We even did some like big festival appearances, so we played in front of really big crowds there as well. Mostly, it's club tours, but still, I don't want to be like, oh, Behemoth is coming back, everyone is just fucking bowing. No, no, you always have to earn that. You have to work hard. We have a new record called The Shit Ov God, and I don't know how it's going over there in Australia. So it's always a test.
It's always a question of how many people would like to go and check it out again if they've seen us before? And I hope they will. And how many of the newcomers are going to show up? So it's always a question mark, you know. I don't want to sound too full of myself, like it's a royal return of Behemoth. No, no. We do work hard; we do care about it, and we would love to have the biggest run yet in Australia."
In the full interview, Nergal discussed Behemoth's upcoming tour in Australia in greater detail, highlighting the band's strong connections and positive experiences in the country. Nergal expressed enthusiasm for returning to Australia, noting the growth of their audience and the importance of continually earning their place in the music scene. He shared personal reflections on his career, emphasizing the gradual success of Behemoth over 34 years and the evolution of their live performances into elaborate spectacles.
He also mentioned the financial challenges of live show production, drawing inspiration from other bands like Rammstein while remaining committed to enhancing their stage presence. The conversation further explored Nergal's creative process, which he described as organic and akin to piecing together a puzzle. He emphasized the need to capture fleeting ideas through notes to avoid losing creative opportunities and the challenges that come with longevity in the music scene. 
Nergal also discussed Behemoth's latest album, The Shit Ov God, acknowledging its potential for mixed reactions while highlighting its philosophical significance. He talked about the themes of the album and the title, expressing his thoughts going into an album cycle and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69085527Tue, 16 Dec 2025 23:55:00 +0000HEAVY MagazineFor 35 years, Poland's unholy giants Behemoth have flown the flag for blackened death metal not only in their home country, but in all corners of the world. Along with Vader and Hate, Behemoth have played an important role in establishing the Polish...Fresh from releasing their most recent album – The Shit Ov God - in May this year on Nuclear Blast, Behemoth have set their sights on Australia in February 2026 to perform tracks from their storied discography alongside new material. Straddling the line between the sacred and profane, Behemoth has risen to become extreme metal’s most revered and provocative band, steeped in anti-authoritarian fire. Renowned for their elaborate live performances, the band continues to push boundaries with their fearless artistry and vision, and have vowed to bring their menacing glory to Australian fans on the upcoming tour.
To celebrate the momentous occasion, HEAVY recently sat down with guitarist/vocalist Nergal to journey through the sordid world of Behemoth. We ask if his excitement levels remain as high despite touring most countries multiple times.
"Yes," he smiled warmly. "I don't want to sound arrogant here, because the fact is that from the first tour that we did in Australia to the next one, it just grew by a few per cent. But every time it was bigger and bigger crowds. We even did some like big festival appearances, so we played in front of really big crowds there as well. Mostly, it's club tours, but still, I don't want to be like, oh, Behemoth is coming back, everyone is just fucking bowing. No, no, you always have to earn that. You have to work hard. We have a new record called The Shit Ov God, and I don't know how it's going over there in Australia. So it's always a test.
It's always a question of how many people would like to go and check it out again if they've seen us before? And I hope they will. And how many of the newcomers are going to show up? So it's always a question mark, you know. I don't want to sound too full of myself, like it's a royal return of Behemoth. No, no. We do work hard; we do care about it, and we would love to have the biggest run yet in Australia."
In the full interview, Nergal discussed Behemoth's upcoming tour in Australia in greater detail, highlighting the band's strong connections and positive experiences in the country. Nergal expressed enthusiasm for returning to Australia, noting the growth of their audience and the importance of continually earning their place in the music scene. He shared personal reflections on his career, emphasizing the gradual success of Behemoth over 34 years and the evolution of their live performances into elaborate spectacles.
He also mentioned the financial challenges of live show production, drawing inspiration from other bands like Rammstein while remaining committed to enhancing their stage presence. The conversation further explored Nergal's creative process, which he described as organic and akin to piecing together a puzzle. He emphasized the need to capture fleeting ideas through notes to avoid losing creative opportunities and the challenges that come with longevity in the music scene. 
Nergal also discussed Behemoth's latest album, The Shit Ov God, acknowledging its potential for mixed reactions while highlighting its philosophical significance. He talked about the themes of the album and the title, expressing his thoughts going into an album cycle and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1774australia,behemoth,blackmetal,extrememetal,heavy,heavymetal,hornsup,krispeters,metal,metalhead,metalinterview,metalpodcast,music,nergal,tourtruefullhttps://www.spreaker.com/episode/the-bloody-beetroots-return-bob-rifo-fills-in-the-blanks--69084037After more than two decades of pushing boundaries, Bob Rifo or Sir Bob Cornelius Rifo from The Bloody Beetroots, remains committed to honesty, discipline and human connection. Speaking about his recently dropped EP Forever Part One, Bob explains that the project is a direct reflection of his life, shaped by a long creative journey that began after COVID and led to splitting the release into two parts.
Looking back on 20-plus years in the industry, Bob says the time has flown, but credits discipline as the key to longevity, both creatively and personally. He reflects on early burnout, learning the hard way that sustainability requires balance and self-awareness.
Bob also discusses his iconic mask, which allows him to protect his privacy while keeping the focus on the music.
As he enters what he calls the most 'open era' of The Bloody Beetroots, Bob is finally able to articulate the ideas and emotions behind his work, rejecting conformity and embracing authenticity.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69084037Tue, 16 Dec 2025 21:31:54 +0000HEAVY MagazineInterview by Angela Croudace After more than two decades of pushing boundaries, Bob Rifo or Sir Bob Cornelius Rifo from The Bloody Beetroots, remains committed to honesty, discipline and human connection. Speaking about his recently dropped EP Forever...After more than two decades of pushing boundaries, Bob Rifo or Sir Bob Cornelius Rifo from The Bloody Beetroots, remains committed to honesty, discipline and human connection. Speaking about his recently dropped EP Forever Part One, Bob explains that the project is a direct reflection of his life, shaped by a long creative journey that began after COVID and led to splitting the release into two parts.
Looking back on 20-plus years in the industry, Bob says the time has flown, but credits discipline as the key to longevity, both creatively and personally. He reflects on early burnout, learning the hard way that sustainability requires balance and self-awareness.
Bob also discusses his iconic mask, which allows him to protect his privacy while keeping the focus on the music.
As he enters what he calls the most 'open era' of The Bloody Beetroots, Bob is finally able to articulate the ideas and emotions behind his work, rejecting conformity and embracing authenticity.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1275electronic,heavy,music,musicinterview,musicpodcast,punk,rock,thebloodybeetrootstruefullhttps://www.spreaker.com/episode/backstage-chats-with-bad-nerves-at-good-things-2025--68979152Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.
Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68979152Tue, 16 Dec 2025 18:20:04 +0000HEAVY MagazineHEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Geoffro and Angela get up close and personal with Bad Nerves. Big thanks to Destroy All Lines and the team at Dallas...Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.
Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>833australia,badnerves,destroyalllines,goodthingsfestivalmusicfestiva,music,musicpodcasttruefullhttps://www.spreaker.com/episode/backstage-chats-with-palaye-royale-at-good-things-2025--68981937Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook. 

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68981937Sun, 14 Dec 2025 14:27:00 +0000HEAVY MagazineHEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela catches up with Palaye Royale. Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us...Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook. 

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>846australia,festival,goodthingsfestival,heavy,musicfestival,musicinterview,palayeroyale,rock,rockmusictruefullhttps://www.spreaker.com/episode/backstage-chats-with-scene-queen-at-good-things-2025--68982107Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68982107Sun, 14 Dec 2025 14:24:30 +0000HEAVY MagazineHEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela tackles Scene Queen to get the low down. Big thanks to Destroy All Lines and the team at Dallas Does PR for...Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>411australia,funkmetal,goodthingsfestival,heavy,heavymetal,industrialmetal,metal,metalinterview,music,musicinterview,punk,scenequeentruefullhttps://www.spreaker.com/episode/backstage-chats-with-wargasm-at-good-things-2025--68982567
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68982567Sun, 14 Dec 2025 14:20:54 +0000HEAVY MagazineBig thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>807australia,backstage,goodthingsfestival,hardrock,heavy,heavymetal,industrialmetal,metal,music,musicinterview,wargasmtruefullhttps://www.spreaker.com/episode/deeper-wells-and-deeper-laughs-dyssidia-s-mitch-brackman-gets-real--69002048If you thought progressive metal was all serious faces and minor chords, think again. Mitch from Dyssidia joined HEAVY’s own Ali Williams for a wild, winding, and refreshingly unfiltered chat—spanning everything from vinyl snobbery to deadly Frisbees and Adelaide’s criminally underrated music scene.
Dyssidia just dropped their sophomore album Deeper Wells of Meaning—only five years after their debut, because, you know, global pandemics and musicians’ creative “pauses.” Mitch spills on the pain of planning an album launch, only to have COVID crash the party two weeks later. The silver lining? More time to marinate, mature, and, presumably, stare at the ceiling thinking about vinyl colour options. 
Forget digital downloads; Mitch’s passion for vinyl is a religion. The band doesn’t just release albums—they curate tactile experiences. The latest artwork, painted by Adam Burke (with an actual brush—no AI here, people), is so gorgeous that Mitch reckons at least 20% of positive feedback is just fans drooling over the cover. Want a double LP with wild colours? Dyssidia’s got you. Want a band-branded stubby cooler? Even better—just watch out for Mitch’s plans to weaponize plastic frisbees at shows. Rock and roll, but with dental insurance. 
The band’s gearing up for their album launch in Adelaide, with Adriatic, Wings of Thanatos, and Kuiper joining the chaos. Touring across Australia is like prepping for the Olympics—distances are brutal, costs are bonkers, and sometimes even the koalas get confused by daylight savings. Perth fans: you’re loved, you’re loyal, but unless someone donates a private jet, don’t hold your breath for monthly Dyssidia visits.
Dyssidia have re-joined forces with Wild Thing Records—mainly because the contracts are so chill they’re basically handshakes, and the friendships are the real glue. According to Mitch, it’s not about the business as much as it is about the hang. “Most of the time, you’re just trying to survive and connect with other bands, so your mini-tour isn’t just you in a van talking to yourself.
”There’s no road map for being a modern prog-metal band. Dyssidia is all about that flexible, DIY, make-it-work spirit—embracing the weirdness of the times, working from home, and enjoying the freedom to create on your own terms. New music is brewing (eventually), Adelaide is still underrated, and at least Ali and Mitch are now Facebook friends. In the words of the great philosopher: Thanks babe.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/69002048Fri, 12 Dec 2025 03:51:22 +0000HEAVY MagazineInterview by Ali Williams If you thought progressive metal was all serious faces and minor chords, think again. Mitch from Dyssidia joined HEAVY’s own Ali Williams for a wild, winding, and refreshingly unfiltered chat—spanning everything from vinyl...If you thought progressive metal was all serious faces and minor chords, think again. Mitch from Dyssidia joined HEAVY’s own Ali Williams for a wild, winding, and refreshingly unfiltered chat—spanning everything from vinyl snobbery to deadly Frisbees and Adelaide’s criminally underrated music scene.
Dyssidia just dropped their sophomore album Deeper Wells of Meaning—only five years after their debut, because, you know, global pandemics and musicians’ creative “pauses.” Mitch spills on the pain of planning an album launch, only to have COVID crash the party two weeks later. The silver lining? More time to marinate, mature, and, presumably, stare at the ceiling thinking about vinyl colour options. 
Forget digital downloads; Mitch’s passion for vinyl is a religion. The band doesn’t just release albums—they curate tactile experiences. The latest artwork, painted by Adam Burke (with an actual brush—no AI here, people), is so gorgeous that Mitch reckons at least 20% of positive feedback is just fans drooling over the cover. Want a double LP with wild colours? Dyssidia’s got you. Want a band-branded stubby cooler? Even better—just watch out for Mitch’s plans to weaponize plastic frisbees at shows. Rock and roll, but with dental insurance. 
The band’s gearing up for their album launch in Adelaide, with Adriatic, Wings of Thanatos, and Kuiper joining the chaos. Touring across Australia is like prepping for the Olympics—distances are brutal, costs are bonkers, and sometimes even the koalas get confused by daylight savings. Perth fans: you’re loved, you’re loyal, but unless someone donates a private jet, don’t hold your breath for monthly Dyssidia visits.
Dyssidia have re-joined forces with Wild Thing Records—mainly because the contracts are so chill they’re basically handshakes, and the friendships are the real glue. According to Mitch, it’s not about the business as much as it is about the hang. “Most of the time, you’re just trying to survive and connect with other bands, so your mini-tour isn’t just you in a van talking to yourself.
”There’s no road map for being a modern prog-metal band. Dyssidia is all about that flexible, DIY, make-it-work spirit—embracing the weirdness of the times, working from home, and enjoying the freedom to create on your own terms. New music is brewing (eventually), Adelaide is still underrated, and at least Ali and Mitch are now Facebook friends. In the words of the great philosopher: Thanks babe.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1091album,australia,band,dyssidia,headbanger,heavy,heavymetal,hornsup,krispeters,metal,metalhead,metalinterview,metalpodcast,musictruefullhttps://www.spreaker.com/episode/backstage-chats-with-all-time-low-at-good-things-2025--68978706Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68978706Thu, 11 Dec 2025 06:42:29 +0000HEAVY MagazineHEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela gets cozy with All Time Low. Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us...Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>533alltimelow,australia,destroyalllines,goodthingsfestival,heavy,music,musicfestival,musicinterview,poppunk,punktruefullhttps://www.spreaker.com/episode/backstage-chats-with-yours-truly-at-good-things-2025--68982782Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68982782Thu, 11 Dec 2025 06:14:43 +0000HEAVY MagazineHEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra and Angela get up close with Yours Truly.  Big thanks to Destroy All Lines and the team at Dallas Does PR for...Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>812australia,backstage,heavy,heavymetal,interviews,metal,music,musicfestival,musicinterview,yourstrulytruefullhttps://www.spreaker.com/episode/living-in-a-perfect-world-with-steve-tulipana-from-season-to-risk--68978170The band decided instead to work with Martin Bisi (producer of Sonic Youth, Foetus, Swans, Cop Shoot Cop) and use their major label money to deliver a punishing post hardcore masterpiece of crushing noise rock, In A Perfect World. The album has become a cult classic and over the course of the past 30 years, some of the songs off In A Perfect World became mainstays in live shows.
And now, Season To Risk have decided the time is right to revisit that timeless album, having In A Perfect World remastered by Duane Trower (Weights & Measures Soundlab), creating a reissue that gains new clarity without losing its raw urgency. Released on Record Store Day in the United States, In A Perfect World has been rejigged to embrace the modern sound, with Season To Risk using the experience to harness their focus and energy into live shows and a new record.
Singer Steve Tulipana joined HEAVY to take us behind the scenes. We start by asking if the nerves are any different, releasing the same album three decades later.
"I mean, it's weird," he smiled, "It's 30 years old, which is kind of a trip obviously for us. To think about how much time has passed… It doesn't feel like 30 years ago by any means, which is over half my life. I'm more nervous because we have some US dates we're going to start. It's a pretty gruelling little run of shows we're doing, and we haven't done that in many, many years. So that's got me nervous, more than the record coming out".
Going into In A Perfect World back in 1994, Season To Risk had just finished four years on the road and were understandably more than a little jaded. We ask Steve if this had any effect on the finished product.
"Yes, I do think we were (jaded)," he nodded. "So a lot of the material from the first record - and it's a cleaner record for sure - we were young, and it was our first material that you take a bunch of years to write. Then you get signed, and then it was delayed forever. We were always trying to challenge ourselves, and we were wanting to be more… it's not like it was incredibly conscious. I mean, we didn't want to sell out, but we were trying to find this heavy thing. We had some road on us, and we had some life experience on us at that point so it was darker and things were a little more fucked up. To be candid, I was a little more fucked up in my head, but that's the experience you go through, right?"
In the full interview, Steve focused on the reissue of In A Perfect World, reflecting on the surreal nature of the album's 30-year anniversary. The remastering process was highlighted, with improvements made by guitarist Duane Trower being explained, although digital rights for a remastered version have not been granted by Sony, leaving fans without a digital option for now.
The conversation also explored the band's artistic evolution, with Steve discussing their maturation and the incorporation of new elements like synthesizers in their upcoming material. The importance of clarity in lyrics while maintaining a unique sound was emphasized. We spoke about the release of a new album, with the aim for completion by the first quarter of the next year.
Steve discussed the natural evolution of Season To Risk and how it has impacted their music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68978170Thu, 11 Dec 2025 05:09:22 +0000HEAVY MagazineIn 1994, Season to Risk had been on tour for the past four years, playing as a young opening band on legendary shows with Killdozer, Unsane, Neurosis, Prong and Killing Joke. Their first album had sold well, with songs charting on radio and getting...The band decided instead to work with Martin Bisi (producer of Sonic Youth, Foetus, Swans, Cop Shoot Cop) and use their major label money to deliver a punishing post hardcore masterpiece of crushing noise rock, In A Perfect World. The album has become a cult classic and over the course of the past 30 years, some of the songs off In A Perfect World became mainstays in live shows.
And now, Season To Risk have decided the time is right to revisit that timeless album, having In A Perfect World remastered by Duane Trower (Weights & Measures Soundlab), creating a reissue that gains new clarity without losing its raw urgency. Released on Record Store Day in the United States, In A Perfect World has been rejigged to embrace the modern sound, with Season To Risk using the experience to harness their focus and energy into live shows and a new record.
Singer Steve Tulipana joined HEAVY to take us behind the scenes. We start by asking if the nerves are any different, releasing the same album three decades later.
"I mean, it's weird," he smiled, "It's 30 years old, which is kind of a trip obviously for us. To think about how much time has passed… It doesn't feel like 30 years ago by any means, which is over half my life. I'm more nervous because we have some US dates we're going to start. It's a pretty gruelling little run of shows we're doing, and we haven't done that in many, many years. So that's got me nervous, more than the record coming out".
Going into In A Perfect World back in 1994, Season To Risk had just finished four years on the road and were understandably more than a little jaded. We ask Steve if this had any effect on the finished product.
"Yes, I do think we were (jaded)," he nodded. "So a lot of the material from the first record - and it's a cleaner record for sure - we were young, and it was our first material that you take a bunch of years to write. Then you get signed, and then it was delayed forever. We were always trying to challenge ourselves, and we were wanting to be more… it's not like it was incredibly conscious. I mean, we didn't want to sell out, but we were trying to find this heavy thing. We had some road on us, and we had some life experience on us at that point so it was darker and things were a little more fucked up. To be candid, I was a little more fucked up in my head, but that's the experience you go through, right?"
In the full interview, Steve focused on the reissue of In A Perfect World, reflecting on the surreal nature of the album's 30-year anniversary. The remastering process was highlighted, with improvements made by guitarist Duane Trower being explained, although digital rights for a remastered version have not been granted by Sony, leaving fans without a digital option for now.
The conversation also explored the band's artistic evolution, with Steve discussing their maturation and the incorporation of new elements like synthesizers in their upcoming material. The importance of clarity in lyrics while maintaining a unique sound was emphasized. We spoke about the release of a new album, with the aim for completion by the first quarter of the next year.
Steve discussed the natural evolution of Season To Risk and how it has impacted their music and more.

Become a supporter of this podcast: 1389hardcore,heavy,heavymetal,krispeters,metal,music,musicinterview,musicpodcast,seasontoricktruefullhttps://www.spreaker.com/episode/backstage-chats-with-cobra-starship-at-good-things-2025--68979529Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68979529Wed, 10 Dec 2025 17:55:54 +0000HEAVY MagazineHEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela sits down for an awesome one on one with Cobra Starship. Big thanks to Destroy All Lines and the team at...Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>536australia,cobrastarship,goodthingsfestival,heavy,music,musicfestival,musicinterview,rocktruefullhttps://www.spreaker.com/episode/backstage-chats-with-windwaker-at-good-things-2025--68977577Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.
Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68977577Wed, 10 Dec 2025 15:38:59 +0000HEAVY MagazineHEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra gets to know Aussie metal sensations Windwaker. Big thanks to Destroy All Lines and the team at Dallas Does PR...Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.
Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>709destroyalllines,goodthings,heavy,heavymetal,metal,metalcore,music,windwakertruefullhttps://www.spreaker.com/episode/bringing-the-discovery-down-under-with-cameron-losch-from-born-of-osiris--68976668After years of anticipation, Born of Osiris are finally set to return to Australia this coming March and for drummer Cameron Losch, the excitement is doubled. While the band last toured the country six years ago, Cameron himself hasn’t performed on Australian soil for roughly a decade due to an injury during their previous run. “I am just so excited. It’s been way too long,” he says, reflecting on how much he loved every visit in the past.
Some of his clearest memories include being pranked about “drop bears” moments after landing, and wandering through bushland stunned by wild kangaroos an experience far removed from his Midwest home. This time, he’s hoping for more of those uniquely Australian moments, plus a chance to reconnect with fans face-to-face, something he’s grown to treasure deeply on recent tours.
Australia will also be among the first to witness a major milestone: the 15-year anniversary celebration of The Discovery. The band is performing eight tracks from the beloved album, reworked with fresh flair. Cameron promises surprises, intensity, and some of the most challenging drumming of his career.
Sharing the bill with the crushing Signs of the Swarm, Born of Osiris’ March run is shaping up to be an unmissable blend of nostalgia, evolution, and explosive energy. Australia, get ready, they’re coming back stronger than ever.
BORN OF OSIRIS and SIGNS OF THE SWARM 2026 Australian Tour Dates
Wednesday 18th March ADELAIDE, Lion Arts Factory
Thursday 19th March MELBOURNE, Max Watts
Friday 20th March BRISBANE, Brightside Outdoors
Saturday 21st March SYDNEY, Manning Bar
Tickets From: https://thephoenix.au/born-of-osiris-2026/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68976668Wed, 10 Dec 2025 14:55:03 +0000HEAVY MagazineInterview by Angela Croudace After years of anticipation, Born of Osiris are finally set to return to Australia this coming March and for drummer Cameron Losch, the excitement is doubled. While the band last toured the country six years ago, Cameron...After years of anticipation, Born of Osiris are finally set to return to Australia this coming March and for drummer Cameron Losch, the excitement is doubled. While the band last toured the country six years ago, Cameron himself hasn’t performed on Australian soil for roughly a decade due to an injury during their previous run. “I am just so excited. It’s been way too long,” he says, reflecting on how much he loved every visit in the past.
Some of his clearest memories include being pranked about “drop bears” moments after landing, and wandering through bushland stunned by wild kangaroos an experience far removed from his Midwest home. This time, he’s hoping for more of those uniquely Australian moments, plus a chance to reconnect with fans face-to-face, something he’s grown to treasure deeply on recent tours.
Australia will also be among the first to witness a major milestone: the 15-year anniversary celebration of The Discovery. The band is performing eight tracks from the beloved album, reworked with fresh flair. Cameron promises surprises, intensity, and some of the most challenging drumming of his career.
Sharing the bill with the crushing Signs of the Swarm, Born of Osiris’ March run is shaping up to be an unmissable blend of nostalgia, evolution, and explosive energy. Australia, get ready, they’re coming back stronger than ever.
BORN OF OSIRIS and SIGNS OF THE SWARM 2026 Australian Tour Dates
Wednesday 18th March ADELAIDE, Lion Arts Factory
Thursday 19th March MELBOURNE, Max Watts
Friday 20th March BRISBANE, Brightside Outdoors
Saturday 21st March SYDNEY, Manning Bar
Tickets From: https://thephoenix.au/born-of-osiris-2026/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1596australia,bornofosiris,heavy,heavymetal,metal,metalcore,metalinterview,metalpodcast,music,progressivemetal,tourtruefullhttps://www.spreaker.com/episode/backstage-chats-with-lorna-shore-at-good-things-2025--68976057Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.
Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68976057Wed, 10 Dec 2025 14:22:36 +0000HEAVY MagazineHEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra and Angela chat with the most brutal band on the bill, Lorna Shore.  Big thanks to Destroy All Lines and the...Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.
Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>912deathmetal,destroyalllines,extrememetal,goodthingsfestival,heavy,heavymetal,lornashore,metal,metalfestival,metalinterviews,music,musicfestivaltruefullhttps://www.spreaker.com/episode/backstage-chats-with-new-found-glory-at-good-things-2025--68975820Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.
Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68975820Wed, 10 Dec 2025 14:12:30 +0000HEAVY MagazineHEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela and Kris speak with New Found Glory, who were the perfect band to start the day. Big thanks to Destroy All...Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.
Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>757goodthingsfestival,heavy,heavymetal,music,musicfestival,musicinterview,newfoundglory,poppunk,punktruefullhttps://www.spreaker.com/episode/backstage-chats-with-gwar-at-good-things-2025--68975708Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.
Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68975708Wed, 10 Dec 2025 14:01:23 +0000HEAVY MagazineHEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Kyra and Geoffro have their hands full with GWAR...  Big thanks to Destroy All Lines and the team at Dallas Does PR...Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.
Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>554destroyalllines,goodthingsfestival,gwar,heavy,heavymetal,metal,metalfestival,metalinterview,metalpodcast,music,musicfestivaltruefullhttps://www.spreaker.com/episode/andre-joyzi-gives-world-exclusive-interview-about-taking-over-from-his-hero-joey-jordison-in-sinsaenum--68882333Music lovers and fans of blackened death metal outfit Sinsaenum had their pain tempered somewhat earlier this year when Joey Jordison's drum tech and personal friend, Andre Joyzi, was announced as the drummer to fill the void left by Jordison in the band.
It was a romantic and logical choice to not only continue Jordison's legacy, but also to carry Sinsaenum into the exciting future they have always been destined for. But amid the public scrutiny and acceptance, Joyzi suddenly found himself answering to demons of his own when personal doubts and the weight of public expectation quickly replaced the sense of loss and grief that had dominated both the musical landscape and the waking thoughts of a person who had lost more than a friend. He had also lost a mentor, a muse, and someone who had played a major role in his musical journey.
Despite his best efforts to concentrate on the future, Joyzi found himself living in the past, unable to fully embrace the plethora of options and possibilities that had now attached themselves to his life. What should have been a time for celebration, Joyzi's newfound path left him feeling vulnerable, lost, and perhaps a little scared. His grief became a walking time bomb with no thought for rhyme or reason, while the world around him seemed to move on.
Now, for the first time, Joyzi is ready to share his story with the world. Share his feelings, but more importantly, purge his grief. A long-time friend of Joyzi's, HEAVY found ourselves in the unique position of being one of the outlets for his pain. A pain that also affected fans as far out as Australia, and one which needed to be discussed openly. Needed to be discussed without judgment. And needed to be voiced out loud. The result was a deeply personal and emotional interview for both parties, and one which Joyzi has granted permission for us to share with you.
Like most drummers of the modern generation, Andre Joyzi was heavily influenced by Joey Jordison in his formative years behind the kit. But, as fate would have it, Joyzi would one day get to do the unthinkable for many aspiring musicians when he got to not only meet the man who had helped forge his path in music, but also work with and alongside that same person. It was a journey that quickly transformed into a friendship, but looking back on the day that in many ways changed his future, Joyzi still has that same twinkle in his eye that must have caught the attention and trust of Joey Jordison when they first met back in 2018 after Joyzi accepted the highly sought after position as Jordison's drum tech in Sinsaenum.
"It was in France on the first pre-production day of rehearsal for Sinsaenum's tour," Joyzi recalled, his eyes smiling almost as brightly as his lips. "I arrived and the band was already in the rehearsal space. When I got there Fred (Leclercq, who Joyzi had worked previously with in Dragonforce) came out and looked at me. We never really talked too much about the factor as in, 'oh my God, you're going to work with Joey' (laughs). It was just like, okay, I'm going to go and do my job. I was the tour manager as well, so I couldn't really let Joey know that I was a huge fan. That was the top priority. I kept telling myself on the whole journey that, as the tour manager, Joey cannot know that you're a huge fanboy. So I got there and I'm outside the room with my bags and Fred comes out and he just looked at me and he said, he's over there.
I'm nervous as fuck to meet my hero but thought all right, here I go, and then I just walked in. I started speaking to Joey like I didn't know who he was. 'Hey, man. So how's it going? Let's set up your drums', and he was just really nice and easy to do everything with. So, yeah, I perfectly remember. We started setting up his drums straight away, just him and I, talking like two normal people.
This process took two or three hours, and I was already past the, 'okay, I've just met my hero part' so I was in work mode. I said, 'Joey, do you mind sitting there and trying it? Trying your kit?' And he did and I remember I was looking somewhere else and Joey hit the snare and immediately I felt like, holy fuck, this is the guy I've been listening to my whole life. This is Joey Jordison! I can try to hit the snare - anyone in the world, you can hit the snare - but you will not sound like Joey. So at that moment I was like, 'fuck, this is the guy from all the Slipknot albums!' That was a really, really special moment, just unique. I'll never not be grateful for this opportunity."
From there the relationship between Jordison and Joyzi became more personal, an inevitable friendship of two kindred spirits forged by time spent on the road together and a common love for music. Which is what made Jordison's passing in 2021 so much harder for Joyzi who had lost more than a collegue. He had also lost a close friend, ally and confidant. Respectfully, we ask Joyzi to describe Jordison as a person and what having him in his life meant.
"When I met Joey he had already gone through a lot," Joyzi recalled, his gaze distant. "By the time I met him he had had his years in Slipknot and been on top of the world. He had already left Slipknot and done a few other things and he was in a different place than that period. But essentially, he was the most positive person you could you could meet. It was all about love and he was a really friendly person. He knew that a small gesture from him meant the world to me or to any of his fans, and so he did it all the time. I think it was the first thing on his mind, making sure that if he could do something to make someone's day, he would. He was a really, really, really good person and he was incredibly passionate about music.
If you wanted to get Joey talking bring up a name of a band - like Morbid Angel - and away you go (laughs). As a person he was a funny guy, with a great sense of humor, and his musical knowledge was incredible. Just a really positive person, really easy to work with. A lovely guy with a great heart and it's a very sad loss."
Joyzi found himself in the unique position of having the best seat in the house to witness the spectacle that was Jordison's professionalism night after night. While his drumming will mean many different things to many different people, Joyzi put a large part of Jordison's universal appeal down to one factor.
"Personality," he replied without hesitation. "I think that is part of what's lacking in modern drummers; everyone sounds the same. (But) Joey sounds like Joey. That's it. He has his style. First of all, he revolutionized the world of metal drumming. Sometimes younger people may not know that, but Joey was the drummer that everyone my age looked up to. He changed the world of drumming.
I was a nu metal basic drummer before I first heard Slipknot and immediately the goalposts changed by hearing Joey - and not just for me, but millions of people around the world. On the Sinsaenum tour I got a glimpse of what Joey's life was like. Every day, hundreds of fans wanted to tell him that they started playing drums because of him. You just cannot compare Joey to anyone else. He was a revolutionary drummer that changed metal drumming. But yeah, it was that moment when I heard him hit the snare for the first time… I think what was more special about his drumming is that he still sounded like himself. You know, that's what it is. But at the time he revolutionized metal by incorporating loads of different styles and doing things that hadn't been done until he came out."
With Jordison's passing came a time for not only grief, but also reflection. Reflection on the man, his life, his legacy, and his music. Little thought or discussion was initially given to finding a replacement for him in Sinsaenum, with the mere suggestion that life could continue quickly as a band being incomprehensible. Such was the respect shown - and deserved - for Jordison that, for once, the rumour mills and speculations that generally surround the replacing of a fallen comrade in a band were rightfully quiet, with the decision on even if to continue being left to his bandmates without media scrutiny.
When the news came in June 2025 that Sinsaenum would continue, it also came with the announcement of a new album - In Devastation - and a renewed commitment to do Jordison's life and memory proud. The man named to fill the void? 
Andre Joyzi.
While the official announcement was welcomed by fans and peers the world over, the process of getting to that point was not easy for Sinsaenum or for Joyzi. It was never a matter of finding a fill in or like for like replacement. It was more about finding someone who could continue the upward trajectory of Sinsaenum while still paying respect to the band's original drummer. While it was not a decision made lightly by either the band nor Joyzi, it was one which Joyzi embraced with both hands, determined to pay homage to Jordison and his drumming in every conceivable way.
"To me there was no decision to be made," Joyzi shrugged. "The second Fred asked… all he said was, 'I wonder what Sinsaenum would sound like with you on drums'? But it was very complicated for me because the band wasn't auditioning other drummers. It was just either I can do it or I can't. And that was worse. I would rather lose to someone who's a better drummer than have a chance that's all yours and then you fuck it up (laughs).
So I think there was a lot more pressure, but for me there was no decision to be made. I got the message from Fred and I said to myself, you either accomplish this, or you give up and you're a piece of shit. You're a useless drummer. So that's the standard I set, you're either a shit drummer or you got this and you put everything into that. So that's what I did and I immediately changed my life around it. I had help from my family, because it was during the p

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68882333Fri, 05 Dec 2025 12:49:06 +0000HEAVY MagazineInterview by Kris Peters Music lovers and fans of blackened death metal outfit Sinsaenum had their pain tempered somewhat earlier this year when Joey Jordison's drum tech and personal friend, Andre Joyzi, was announced as the drummer to fill the void...Music lovers and fans of blackened death metal outfit Sinsaenum had their pain tempered somewhat earlier this year when Joey Jordison's drum tech and personal friend, Andre Joyzi, was announced as the drummer to fill the void left by Jordison in the band.
It was a romantic and logical choice to not only continue Jordison's legacy, but also to carry Sinsaenum into the exciting future they have always been destined for. But amid the public scrutiny and acceptance, Joyzi suddenly found himself answering to demons of his own when personal doubts and the weight of public expectation quickly replaced the sense of loss and grief that had dominated both the musical landscape and the waking thoughts of a person who had lost more than a friend. He had also lost a mentor, a muse, and someone who had played a major role in his musical journey.
Despite his best efforts to concentrate on the future, Joyzi found himself living in the past, unable to fully embrace the plethora of options and possibilities that had now attached themselves to his life. What should have been a time for celebration, Joyzi's newfound path left him feeling vulnerable, lost, and perhaps a little scared. His grief became a walking time bomb with no thought for rhyme or reason, while the world around him seemed to move on.
Now, for the first time, Joyzi is ready to share his story with the world. Share his feelings, but more importantly, purge his grief. A long-time friend of Joyzi's, HEAVY found ourselves in the unique position of being one of the outlets for his pain. A pain that also affected fans as far out as Australia, and one which needed to be discussed openly. Needed to be discussed without judgment. And needed to be voiced out loud. The result was a deeply personal and emotional interview for both parties, and one which Joyzi has granted permission for us to share with you.
Like most drummers of the modern generation, Andre Joyzi was heavily influenced by Joey Jordison in his formative years behind the kit. But, as fate would have it, Joyzi would one day get to do the unthinkable for many aspiring musicians when he got to not only meet the man who had helped forge his path in music, but also work with and alongside that same person. It was a journey that quickly transformed into a friendship, but looking back on the day that in many ways changed his future, Joyzi still has that same twinkle in his eye that must have caught the attention and trust of Joey Jordison when they first met back in 2018 after Joyzi accepted the highly sought after position as Jordison's drum tech in Sinsaenum.
"It was in France on the first pre-production day of rehearsal for Sinsaenum's tour," Joyzi recalled, his eyes smiling almost as brightly as his lips. "I arrived and the band was already in the rehearsal space. When I got there Fred (Leclercq, who Joyzi had worked previously with in Dragonforce) came out and looked at me. We never really talked too much about the factor as in, 'oh my God, you're going to work with Joey' (laughs). It was just like, okay, I'm going to go and do my job. I was the tour manager as well, so I couldn't really let Joey know that I was a huge fan. That was the top priority. I kept telling myself on the whole journey that, as the tour manager, Joey cannot know that you're a huge fanboy. So I got there and I'm outside the room with my bags and Fred comes out and he just looked at me and he said, he's over there.
I'm nervous as fuck to meet my hero but thought all right, here I go, and then I just walked in. I started speaking to Joey like I didn't know who he was. 'Hey, man. So how's it going? Let's set up your drums', and he was just really nice and easy to do everything with. So, yeah, I perfectly remember. We started setting up his drums straight away, just him and I, talking like two normal people.
This process took two or three hours, and I was already past the, 'okay, I've just...]]>1653andrejoyzi,deathmetal,dragonforce,drummer,heavy,heavymetal,joeyjordison,krispeters,metal,metalinterview,music,numetal,sinsaenum,slipknot,slipknotinterviewtruefullhttps://www.spreaker.com/episode/bowling-beaches-bangers-joey-cape-spills-on-31-years-of-lagwagon--68887207If you thought punk rockers lived only for chaos, let Joey Cape of Lagwagon shatter that illusion—with a story or two about lawn bowling and beer in the sunshine. In a recent HEAVY podcast sit-down with Ali Williams, Joey offered up vintage Lagwagon charm, plenty of self-deprecating wit, and a clear message: after 34 years on the circuit, he and the crew are still stoked to be heading Down Under for another round of Australian mayhem. 
Joey barely remembers his first Australian tour in the mid-90s—blame it on time, touring, or maybe just the volume of beers shared with local mates like Melbourne’s One Inch Punch. These days, he jokes, it’s less punk bars and more dinner with friends (and, yes, the occasional barefoot lawn bowl). Apparently, there’s nothing quite like sizing up a crew of retirees on the green and wondering if you’re officially “the young guy” again. 
Lagwagon is hitting the Australian summer hard in late January, with a run that includes the Froth and Fury Festival and a string of headlining shows, before popping over to New Zealand and—on brand—wrapping up with some R&R in Hawaii. Joey’s bringing his partner along for the ride, so expect extra stories and possibly a few more lawn bowling anecdotes at the merch table. 
This tour is something of a “31st Anniversary” bash for their classic album Hoss (punk math: book a 30th, play the 31st, still call it a party). But, as Joey laughs, “Old albums are 30 minutes long—so you basically play the album, then two times more music just to make it a set.” Setlists? Lagwagon’s “text thread democracy” means every show gets a different flavour, with Joey confessing that every band’s got “that one guy who refuses to play that song.” Still, you’ll hear the fan-favourite May 16th—immortalized in Tony Hawk’s Pro Skater—plus deep cuts for the diehards. 
Ever wondered about the real story behind May 16th? Joey lays it bare: it’s the date of his best mate’s wedding… that he wasn’t invited to, thanks to an unimpressed bride. Fast-forward: Joey stumbles onto the ceremony from a stranger’s window after a night out and channels heartbreak into punk rock legend. Decades on, the couple is now are divorced, and they’re mates again, and Joey declares, “Stick around long enough, you always win.” 
If you catch Lagwagon this tour, don’t expect a bunch of solemn, over-rehearsed rock stars. Lagwagon’s vibe is about enjoying the ride, whether it’s smashing out classics or just soaking up the sun. “The shows are always great—the band’s playing better than ever—but honestly, that’s the least interesting part. It’s everything else you look forward to.” 
Lagwagon hits Australia in late January, headlining Froth and Fury Festival (WA and SA) and shows across the country, then heading to New Zealand. Check local listings for details, pack your sunscreen, and maybe a bowling hat. Confirming that perseverance, a bit of stoic attitude, and a good sense of humour are the secrets to making it this far—both in punk and in life, Lagwagon are guaranteed to not disappoint, fans of old and those of new can expect some top shelf shows from these sublime legends.
 Tickets and info: sbmpresents.com/tour/lagwagon-2026/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68887207Fri, 05 Dec 2025 10:12:04 +0000HEAVY MagazineInterview by Ali Williams If you thought punk rockers lived only for chaos, let Joey Cape of Lagwagon shatter that illusion—with a story or two about lawn bowling and beer in the sunshine. In a recent HEAVY podcast sit-down with Ali Williams, Joey...If you thought punk rockers lived only for chaos, let Joey Cape of Lagwagon shatter that illusion—with a story or two about lawn bowling and beer in the sunshine. In a recent HEAVY podcast sit-down with Ali Williams, Joey offered up vintage Lagwagon charm, plenty of self-deprecating wit, and a clear message: after 34 years on the circuit, he and the crew are still stoked to be heading Down Under for another round of Australian mayhem. 
Joey barely remembers his first Australian tour in the mid-90s—blame it on time, touring, or maybe just the volume of beers shared with local mates like Melbourne’s One Inch Punch. These days, he jokes, it’s less punk bars and more dinner with friends (and, yes, the occasional barefoot lawn bowl). Apparently, there’s nothing quite like sizing up a crew of retirees on the green and wondering if you’re officially “the young guy” again. 
Lagwagon is hitting the Australian summer hard in late January, with a run that includes the Froth and Fury Festival and a string of headlining shows, before popping over to New Zealand and—on brand—wrapping up with some R&R in Hawaii. Joey’s bringing his partner along for the ride, so expect extra stories and possibly a few more lawn bowling anecdotes at the merch table. 
This tour is something of a “31st Anniversary” bash for their classic album Hoss (punk math: book a 30th, play the 31st, still call it a party). But, as Joey laughs, “Old albums are 30 minutes long—so you basically play the album, then two times more music just to make it a set.” Setlists? Lagwagon’s “text thread democracy” means every show gets a different flavour, with Joey confessing that every band’s got “that one guy who refuses to play that song.” Still, you’ll hear the fan-favourite May 16th—immortalized in Tony Hawk’s Pro Skater—plus deep cuts for the diehards. 
Ever wondered about the real story behind May 16th? Joey lays it bare: it’s the date of his best mate’s wedding… that he wasn’t invited to, thanks to an unimpressed bride. Fast-forward: Joey stumbles onto the ceremony from a stranger’s window after a night out and channels heartbreak into punk rock legend. Decades on, the couple is now are divorced, and they’re mates again, and Joey declares, “Stick around long enough, you always win.” 
If you catch Lagwagon this tour, don’t expect a bunch of solemn, over-rehearsed rock stars. Lagwagon’s vibe is about enjoying the ride, whether it’s smashing out classics or just soaking up the sun. “The shows are always great—the band’s playing better than ever—but honestly, that’s the least interesting part. It’s everything else you look forward to.” 
Lagwagon hits Australia in late January, headlining Froth and Fury Festival (WA and SA) and shows across the country, then heading to New Zealand. Check local listings for details, pack your sunscreen, and maybe a bowling hat. Confirming that perseverance, a bit of stoic attitude, and a good sense of humour are the secrets to making it this far—both in punk and in life, Lagwagon are guaranteed to not disappoint, fans of old and those of new can expect some top shelf shows from these sublime legends.
 Tickets and info: sbmpresents.com/tour/lagwagon-2026/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>895australia,groth&dury,hardrock,heavy,joeycape,lagwagon,metal,music,punk,punkrock,tourtruefullhttps://www.spreaker.com/episode/stu-macleod-from-eskimo-joe-reminisces-on-twenty-years-of-black-fingernails-red-wine--68896826After laying the sonic platform over a couple of EP's and albums, the Fremantle rock outfit decided to shake things up a little when it came to album number three, throwing caution to the wind by escaping the comfortable safety net they had built for themselves in favour of a more expansive sound that would translate even better onto the big stage.
History will tell us that the decision was the correct one, with Black Fingernails, Red Wine considered by many to be one of the defining moments in Australian rock music. It also earned Eskimo Joe four ARIA Awards, including Single of the Year, and saw them sell out arenas across the country. The album’s brooding tone, ambitious self-production, and emotionally charged songwriting marked a bold evolution from the band’s earlier records Girl and A Song Is a City, and fast tracked Eskimo Joe to national identities who have continued to justify their rapid rise by touring relentlessly and keeping the music alive.
But it shall always be Black Fingernails, Red Wine that stands as the defining moment of Eskimo Joe's career, and with the album turning 20 next year the only respectful thing for the band to do is tour the hell out of it, which is exactly what they plan to do! Guitarist and founding member Stu MacLeod joined HEAVY to talk about the tour and the enduring legacy of that still famous album.
"It's pretty surreal to think it's been two decades," he began, smiling cheekily. "I mean, a lot has obviously happened in that time, but it feels like it's just gone by in a flash, you know?"
Eskimo Joe will be playing two sets each show, one stacked with fan favourites, and the other dedicated to the birthday album, so we ask Stu if it will be played in order of track listing or mixed up a little.
"Oh, no, definitely front to back," he stressed. "I think that's part of the joy of getting to play an album in full on stage. When we write a record, it really is a process where we try and map a journey for the listener. It's not just a bunch of songs, and we pick which ones sound good next to each other after the fact. We actually design the album as we go. If there's a gap somewhere of a particular tempo or style or feeling, then we'll say, all right, we've got to write a song to fill that gap. We're actually writing a song. We're actually writing songs to fit the album, as opposed to just playlisting a bunch of songs afterwards to make it sound good."
In the full interview, Stu talks more about what to expect from the shows, the decision to space the dates out to only include weekends and having Alex Lloyd as national support.
He reflected on the making of Black Fingernails, Red Wine and how they created a sound and record that has resonated on so many levels. He recalled some of the highlights of making the album, what the band initially thought of it, the exclusive 20th Anniversary Cab Sav range of wine coming out next year and more.
Tour tickets www.eskimojoe.net/tours


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68896826Fri, 05 Dec 2025 10:09:13 +0000HEAVY MagazineEskimo Joe were always a great band, even though it took most people until their third album, Black Fingernails, Red Wine to realise it. After laying the sonic platform over a couple of EP's and albums, the Fremantle rock outfit decided to shake...After laying the sonic platform over a couple of EP's and albums, the Fremantle rock outfit decided to shake things up a little when it came to album number three, throwing caution to the wind by escaping the comfortable safety net they had built for themselves in favour of a more expansive sound that would translate even better onto the big stage.
History will tell us that the decision was the correct one, with Black Fingernails, Red Wine considered by many to be one of the defining moments in Australian rock music. It also earned Eskimo Joe four ARIA Awards, including Single of the Year, and saw them sell out arenas across the country. The album’s brooding tone, ambitious self-production, and emotionally charged songwriting marked a bold evolution from the band’s earlier records Girl and A Song Is a City, and fast tracked Eskimo Joe to national identities who have continued to justify their rapid rise by touring relentlessly and keeping the music alive.
But it shall always be Black Fingernails, Red Wine that stands as the defining moment of Eskimo Joe's career, and with the album turning 20 next year the only respectful thing for the band to do is tour the hell out of it, which is exactly what they plan to do! Guitarist and founding member Stu MacLeod joined HEAVY to talk about the tour and the enduring legacy of that still famous album.
"It's pretty surreal to think it's been two decades," he began, smiling cheekily. "I mean, a lot has obviously happened in that time, but it feels like it's just gone by in a flash, you know?"
Eskimo Joe will be playing two sets each show, one stacked with fan favourites, and the other dedicated to the birthday album, so we ask Stu if it will be played in order of track listing or mixed up a little.
"Oh, no, definitely front to back," he stressed. "I think that's part of the joy of getting to play an album in full on stage. When we write a record, it really is a process where we try and map a journey for the listener. It's not just a bunch of songs, and we pick which ones sound good next to each other after the fact. We actually design the album as we go. If there's a gap somewhere of a particular tempo or style or feeling, then we'll say, all right, we've got to write a song to fill that gap. We're actually writing a song. We're actually writing songs to fit the album, as opposed to just playlisting a bunch of songs afterwards to make it sound good."
In the full interview, Stu talks more about what to expect from the shows, the decision to space the dates out to only include weekends and having Alex Lloyd as national support.
He reflected on the making of Black Fingernails, Red Wine and how they created a sound and record that has resonated on so many levels. He recalled some of the highlights of making the album, what the band initially thought of it, the exclusive 20th Anniversary Cab Sav range of wine coming out next year and more.
Tour tickets www.eskimojoe.net/tours


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>665australia,blackfingernailsredwine,eskimojoe,hardrock,heavy,krispeters,music,rock,stumacleod,tourtruefullhttps://www.spreaker.com/episode/crytopsy-ready-to-unleash-vengeance-on-australia-matt-mcgachy-promises-to-make-up-for-lost-time--68878275Prepare your necks and your livers, because Cryptopsy are barrelling towards Australia with all the subtlety of a freight train loaded with blast beats. In this HEAVY interview, frontman Matt McGachy drops in for a chat with our Ali Williams that’s equal parts comedy, chaos, and tour-warrior wisdom, as the band prepares to hit Aussie shores for their first tour down under since 2016.
McGachy serves up the kind of charmingly blunt honesty only a death metal veteran can muster. He riffs about the pure madness of juggling jet lag, extreme humidity, and trying to deliver guttural vocals without spontaneously combusting on stage. As the band heads for Australia’s to celebrate over three decades of metal with four headline shows McGachy is equal parts fired-up and amused, promising that Cryptopsy’s live show will be an all-out assault, but with just enough Canadian politeness to (probably) avoid getting deported. 
The conversation is peppered with tales of culture shock (shoutout to Saudi Arabia’s “no moshing” rule), the band’s accidental foray into death metal history, and the awkward logistics of ageing in a genre that’s all about speed. McGachy laughs about getting older, likening band life to a bad marriage with four stubborn partners and swearing that Cryptopsy’s legacy will never involve “Ric Flair-ing” themselves into oblivion. Instead, he promises the band is tighter than ever, running on pure adrenaline, camaraderie, and maybe a few electrolyte tablets. 
For those craving the inside scoop: yes, the band is stoked for a long overdue return visit, yes, the set will be relentless, and yes, there may be some backstage chaos involving local support acts and sweaty gear changes.  Expect tales of power outages, sonic carnage, and the kind of crowd energy that only Aussie metalheads can conjure. If you want a taste of what’s coming, McGachy hints at the band’s sharpened focus, a “no repeats, no half-measures” attitude, and a set list that’ll leave both new fans and long-timers in a state of delighted ruin. 
The whole chat is a perfect storm: fun, irreverent, and bursting with that raw energy only Cryptopsy can deliver. By the end, you’re left convinced that this tour will be the kind of glorious mess you’ll brag about surviving for years to come. 
Craving the gory details, band banter, and the full run of McGachy’s stories? You’ll have to catch the full podcast. This is just the opening riff... Tickets www.hardlinemedia.net


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68878275Thu, 04 Dec 2025 10:43:43 +0000HEAVY MagazineInterview by Ali Williams Prepare your necks and your livers, because Cryptopsy are barrelling towards Australia with all the subtlety of a freight train loaded with blast beats. In this HEAVY interview, frontman Matt McGachy drops in for a chat with...Prepare your necks and your livers, because Cryptopsy are barrelling towards Australia with all the subtlety of a freight train loaded with blast beats. In this HEAVY interview, frontman Matt McGachy drops in for a chat with our Ali Williams that’s equal parts comedy, chaos, and tour-warrior wisdom, as the band prepares to hit Aussie shores for their first tour down under since 2016.
McGachy serves up the kind of charmingly blunt honesty only a death metal veteran can muster. He riffs about the pure madness of juggling jet lag, extreme humidity, and trying to deliver guttural vocals without spontaneously combusting on stage. As the band heads for Australia’s to celebrate over three decades of metal with four headline shows McGachy is equal parts fired-up and amused, promising that Cryptopsy’s live show will be an all-out assault, but with just enough Canadian politeness to (probably) avoid getting deported. 
The conversation is peppered with tales of culture shock (shoutout to Saudi Arabia’s “no moshing” rule), the band’s accidental foray into death metal history, and the awkward logistics of ageing in a genre that’s all about speed. McGachy laughs about getting older, likening band life to a bad marriage with four stubborn partners and swearing that Cryptopsy’s legacy will never involve “Ric Flair-ing” themselves into oblivion. Instead, he promises the band is tighter than ever, running on pure adrenaline, camaraderie, and maybe a few electrolyte tablets. 
For those craving the inside scoop: yes, the band is stoked for a long overdue return visit, yes, the set will be relentless, and yes, there may be some backstage chaos involving local support acts and sweaty gear changes.  Expect tales of power outages, sonic carnage, and the kind of crowd energy that only Aussie metalheads can conjure. If you want a taste of what’s coming, McGachy hints at the band’s sharpened focus, a “no repeats, no half-measures” attitude, and a set list that’ll leave both new fans and long-timers in a state of delighted ruin. 
The whole chat is a perfect storm: fun, irreverent, and bursting with that raw energy only Cryptopsy can deliver. By the end, you’re left convinced that this tour will be the kind of glorious mess you’ll brag about surviving for years to come. 
Craving the gory details, band banter, and the full run of McGachy’s stories? You’ll have to catch the full podcast. This is just the opening riff... Tickets www.hardlinemedia.net


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>976australia,crytopsy,deathmetal,hardlinemedia,heavy,heavymetal,interview,metal,music,tourtruefullhttps://www.spreaker.com/episode/health-talk-chaos-children-chilli-shots-and-ordinary-loss--68854719HEALTH’s Jake Duzsik jumped on the mic with HEAVY Mags Ali Williams for a chat that somehow managed to zigzag between parenting woes, anime fandom, video-game virality, and a man chugging a can of chilli. 
Fresh off the release of their new single Ordinary Loss, and gearing up for their next record Conflict DLC, out December 11, Jake admits life is a whirlwind—not just because the band is deep in album mode, but because he’s also navigating the emotional rollercoaster of raising a five-year-old. From wiping his own butt (“a milestone worth celebrating,” laughs Jake) to nightly story time, his kid is in that fleeting golden stage where parents are still gods. Jake is already mourning the day he’s no longer the coolest human in the house. 
But don’t worry, he hasn’t gone soft. If you thought HEALTH’s promo stunts were wild, Jake confirms they used to be much worse. Their previous antics included: hiding golden tickets in vinyl copies, sending fans bags of their guitarist’s cat hair, signing test pressings in blood, and the ultimate? Flying a fan to the US to hang out and stay at their own home for a weekend and smoke sativa at Magic Mountain. They also had a guy chug a can of chilli like it was a shot of bourbon to announce previous releases. 
Jake says the band fully intended for Ordinary Loss to emotionally flatten listeners—in the uplifting, cathartic way HEALTH does best. Early reactions suggest it’s hitting fans right in the feels, which is the only metric that really matters in the algorithm-ruled hellscape of modern music discovery. 
Although HEALTH would love a viral hit (“it’s a lottery nobody understands,” Jake notes), they measure success by whether the die-hard fans feel it. And so far, they do. Their second-most streamed track on Spotify didn’t come from an album at all—it blew up thanks to a massively popular video game, then an anime adaptation on Netflix. 
The band has fully embraced their anime-gaming-nerd-culture fanbase, which Jake describes fondly as “amazing.” He even admits that this older track is still the most likely candidate for a future viral blow-up simply because it has so many cultural tentacles. 
While Conflict DLC doesn’t feature major guest vocalists, the band does keep one emergency contact on speed dial: Willie Adler of Lamb of God. When in need of a riff that could level a small city? They pick up the “red rock phone,” Willie answers, and the result becomes songs like the brutally heavy Vibe Cop.
HEALTH will be back in Australia in September 2026, leading Jake to reminisce about the band’s last Aussie tour, which was equal parts magical and miserable. Thanks to our famously insulation-optional buildings, he discovered that Australian winter venues can be colder than a Seattle basement. 
He even booked a fancy Brisbane hotel with a rooftop pool—only to discover the pool was roughly the temperature of a soft-serve freezer. Lesson learned. Culturally though? Jake says Australia feels more like California than anywhere else in the world—laid-back, beachy, outdoorsy, and chaotic in all the right ways. 
For Jake, making music is still the only job he ever wanted. He’s grateful HEALTH has allowed him to live that life for most of his adulthood, and he hopes their songs continue to give listeners something meaningful—whether that’s emotional release, escape, or just a soundtrack for scrolling weird anime clips on TikTok. 
Tour info and tickets for their 2026 Australian tour can be found on the bands official website. Their new album release can be downloaded on all available platforms from December 11.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68854719Wed, 03 Dec 2025 17:57:23 +0000HEAVY MagazineInterview by Ali Williams HEALTH’s Jake Duzsik jumped on the mic with HEAVY Mags Ali Williams for a chat that somehow managed to zigzag between parenting woes, anime fandom, video-game virality, and a man chugging a can of chilli.  Fresh off the...HEALTH’s Jake Duzsik jumped on the mic with HEAVY Mags Ali Williams for a chat that somehow managed to zigzag between parenting woes, anime fandom, video-game virality, and a man chugging a can of chilli. 
Fresh off the release of their new single Ordinary Loss, and gearing up for their next record Conflict DLC, out December 11, Jake admits life is a whirlwind—not just because the band is deep in album mode, but because he’s also navigating the emotional rollercoaster of raising a five-year-old. From wiping his own butt (“a milestone worth celebrating,” laughs Jake) to nightly story time, his kid is in that fleeting golden stage where parents are still gods. Jake is already mourning the day he’s no longer the coolest human in the house. 
But don’t worry, he hasn’t gone soft. If you thought HEALTH’s promo stunts were wild, Jake confirms they used to be much worse. Their previous antics included: hiding golden tickets in vinyl copies, sending fans bags of their guitarist’s cat hair, signing test pressings in blood, and the ultimate? Flying a fan to the US to hang out and stay at their own home for a weekend and smoke sativa at Magic Mountain. They also had a guy chug a can of chilli like it was a shot of bourbon to announce previous releases. 
Jake says the band fully intended for Ordinary Loss to emotionally flatten listeners—in the uplifting, cathartic way HEALTH does best. Early reactions suggest it’s hitting fans right in the feels, which is the only metric that really matters in the algorithm-ruled hellscape of modern music discovery. 
Although HEALTH would love a viral hit (“it’s a lottery nobody understands,” Jake notes), they measure success by whether the die-hard fans feel it. And so far, they do. Their second-most streamed track on Spotify didn’t come from an album at all—it blew up thanks to a massively popular video game, then an anime adaptation on Netflix. 
The band has fully embraced their anime-gaming-nerd-culture fanbase, which Jake describes fondly as “amazing.” He even admits that this older track is still the most likely candidate for a future viral blow-up simply because it has so many cultural tentacles. 
While Conflict DLC doesn’t feature major guest vocalists, the band does keep one emergency contact on speed dial: Willie Adler of Lamb of God. When in need of a riff that could level a small city? They pick up the “red rock phone,” Willie answers, and the result becomes songs like the brutally heavy Vibe Cop.
HEALTH will be back in Australia in September 2026, leading Jake to reminisce about the band’s last Aussie tour, which was equal parts magical and miserable. Thanks to our famously insulation-optional buildings, he discovered that Australian winter venues can be colder than a Seattle basement. 
He even booked a fancy Brisbane hotel with a rooftop pool—only to discover the pool was roughly the temperature of a soft-serve freezer. Lesson learned. Culturally though? Jake says Australia feels more like California than anywhere else in the world—laid-back, beachy, outdoorsy, and chaotic in all the right ways. 
For Jake, making music is still the only job he ever wanted. He’s grateful HEALTH has allowed him to live that life for most of his adulthood, and he hopes their songs continue to give listeners something meaningful—whether that’s emotional release, escape, or just a soundtrack for scrolling weird anime clips on TikTok. 
Tour info and tickets for their 2026 Australian tour can be found on the bands official website. Their new album release can be downloaded on all available platforms from December 11.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>826album,aliwilliams,health,heavy,heavymetal,industrialmetal,interview,metal,music,musicinterviewtruefullhttps://www.spreaker.com/episode/laura-cox-ushers-in-a-new-era-with-trouble-coming--68791341French guitarist and singer Laura Cox is entering a bold new chapter with her latest album Trouble Coming, what she describes as her most personal and creatively liberating yet. In our conversation, Cox explains that for the first time she wrote and composed entirely on her own, stepping away from the familiar team dynamic of her earlier releases. Partnering with French electro-rock duo No Money Kids, she embraced a more modern edge while preserving the blues-rock roots that first put her on the map.
The album’s creation was unusually relaxed, unfolding over several months between home recordings and studio sessions, a process Cox says felt “smooth,” “natural,” and free from the pressure of rigid studio deadlines. This freedom seems to have reshaped everything, even her writing approach, with vocal melodies and guitar parts now arriving simultaneously rather than being built around riffs.
From YouTube beginnings to major festival stages, Cox remains grounded, grateful for a fan base that continues to evolve, especially as she sees more women and young people discovering her music. With new songs built specifically for the stage and an ambitious touring schedule ahead, Cox is excited for what comes next and hopes Australia might finally be on the horizon!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68791341Fri, 28 Nov 2025 22:42:14 +0000HEAVY MagazineInterview by Angela Croudace French guitarist and singer Laura Cox is entering a bold new chapter with her latest album Trouble Coming, what she describes as her most personal and creatively liberating yet. In our conversation, Cox explains that for...French guitarist and singer Laura Cox is entering a bold new chapter with her latest album Trouble Coming, what she describes as her most personal and creatively liberating yet. In our conversation, Cox explains that for the first time she wrote and composed entirely on her own, stepping away from the familiar team dynamic of her earlier releases. Partnering with French electro-rock duo No Money Kids, she embraced a more modern edge while preserving the blues-rock roots that first put her on the map.
The album’s creation was unusually relaxed, unfolding over several months between home recordings and studio sessions, a process Cox says felt “smooth,” “natural,” and free from the pressure of rigid studio deadlines. This freedom seems to have reshaped everything, even her writing approach, with vocal melodies and guitar parts now arriving simultaneously rather than being built around riffs.
From YouTube beginnings to major festival stages, Cox remains grounded, grateful for a fan base that continues to evolve, especially as she sees more women and young people discovering her music. With new songs built specifically for the stage and an ambitious touring schedule ahead, Cox is excited for what comes next and hopes Australia might finally be on the horizon!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1468guitar,heavy,lauracox,musicfalsefullhttps://www.spreaker.com/episode/stellar-circuits-evolution-controlled-chaos-the-rise-toward-their-heaviest-record-yet--68791072Band members Jesse (bass) and Ben (vocals) dive into how they’ve pushed themselves into sharper, heavier, more emotionally charged territory—balancing precision with instinct, layering expansive melody over crushing groove, and building songs that feel bigger and bolder than ever. Opening up about refining their workflow, the unexpected twists behind the writing sessions, and the tight chemistry that keeps everything firing even when the studio turns into beautiful bedlam. 
Phantom Phoenix is the brand-new album that dropped on November 14, a release they describe as their most fully realised statement yet. With fresh material ready to tear the roof off, they tease early-2026 touring plans and promise a live show that brings all that density, detail and wild energy onto the stage.
It’s a behind-the-scenes look at a band levelling up—sonically, creatively, and collectively—right as they unleash their biggest release to date. 
The guys unpack how their sound has shifted into fiercer, bolder territory: thicker riffs, cleaner melodic contrast, and songwriting that feels more intentional without losing the raw edge fans connect with. They describe the ongoing challenge of balancing brute force with emotional vulnerability, and how leaning into that tension has become a defining feature of their new material. 
From the studio, we get stories of organised chaos, last-minute re-writes, and the kind of hyper-focused intensity that only comes from a band locked in and hungry. They joke about the hair-whipping mania of their live sets, the internal battles over tiny sonic details, and the weird rituals that somehow keep everything on track during the most demanding recording sessions. 
Phantom Phoenix is described as their “most complete, most deliberate, and most aggressively honest” body of work to date. They touch on its themes, its tonal shifts, and the creative risks that set it apart from anything they’ve done before. It’s a release that marks a clear milestone: the moment Stellar Circuits fully step into who they are as a modern heavy act. 
Rounding things out, the band tease early-2026 touring plans, promising a live show designed to translate the album’s depth and weight directly into the crowd. Expect bigger dynamics, wilder performances, and the kind of immersive atmosphere that turns a gig into an experience. In short: this is Stellar Circuits at their most ambitious, most dialled-in, and most unapologetic. If the interview is any indication, the next era of the band is set to hit with force.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68791072Fri, 28 Nov 2025 21:42:57 +0000HEAVY MagazineHEAVY Mag’s Ali Williams sits down with Jesse and Ben from Stellar Circuits for a wide-open deep dive into the band’s next chapter—one built on evolution, experimentation, and a whole lot of beautifully unhinged studio energy. What unfolds is a...Band members Jesse (bass) and Ben (vocals) dive into how they’ve pushed themselves into sharper, heavier, more emotionally charged territory—balancing precision with instinct, layering expansive melody over crushing groove, and building songs that feel bigger and bolder than ever. Opening up about refining their workflow, the unexpected twists behind the writing sessions, and the tight chemistry that keeps everything firing even when the studio turns into beautiful bedlam. 
Phantom Phoenix is the brand-new album that dropped on November 14, a release they describe as their most fully realised statement yet. With fresh material ready to tear the roof off, they tease early-2026 touring plans and promise a live show that brings all that density, detail and wild energy onto the stage.
It’s a behind-the-scenes look at a band levelling up—sonically, creatively, and collectively—right as they unleash their biggest release to date. 
The guys unpack how their sound has shifted into fiercer, bolder territory: thicker riffs, cleaner melodic contrast, and songwriting that feels more intentional without losing the raw edge fans connect with. They describe the ongoing challenge of balancing brute force with emotional vulnerability, and how leaning into that tension has become a defining feature of their new material. 
From the studio, we get stories of organised chaos, last-minute re-writes, and the kind of hyper-focused intensity that only comes from a band locked in and hungry. They joke about the hair-whipping mania of their live sets, the internal battles over tiny sonic details, and the weird rituals that somehow keep everything on track during the most demanding recording sessions. 
Phantom Phoenix is described as their “most complete, most deliberate, and most aggressively honest” body of work to date. They touch on its themes, its tonal shifts, and the creative risks that set it apart from anything they’ve done before. It’s a release that marks a clear milestone: the moment Stellar Circuits fully step into who they are as a modern heavy act. 
Rounding things out, the band tease early-2026 touring plans, promising a live show designed to translate the album’s depth and weight directly into the crowd. Expect bigger dynamics, wilder performances, and the kind of immersive atmosphere that turns a gig into an experience. In short: this is Stellar Circuits at their most ambitious, most dialled-in, and most unapologetic. If the interview is any indication, the next era of the band is set to hit with force.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>523heavy,heavymetal,metal,modernmetal,music,nuclearblastrecords,stellarcircuitstruefullhttps://www.spreaker.com/episode/evolution-energy-the-fire-that-still-burns-architects-reignite-ready-to-hit-australia--68780932UK’s powerhouse Architects are gearing up for a massive return to Australian shores and fans are in for something fierce. In a raw, witty and refreshingly honest chat with HEAVY Mag’s Ali Williams, drummer and principal songwriter Dan Searle pulls back the curtain on the emotional and creative engine powering the band’s new era — just as they prepare to bring their latest evolution to stages across Australia.
Speaking from a fog-laden UK morning, Searle dives into everything from sonic reinvention to the rediscovery of joy in writing heavy music after years of pressure, burnout and relentless expectations. He explores why the band refuses to stay static, how vulnerability thrives inside heaviness, and why evolution isn’t just an artistic shift — it’s a survival instinct.
Its been 6 long years since the bands been here on tour in full, drawing on the eagerness of themselves to return and for fans to see them again, we get insight and introspective, as Searle's rifs on touring life, fan energy, and the tightrope between catharsis and chaos that has become Architects’ trademark.
With their Australian tour on the horizon, Searle hints that fans can expect that same creative fire — sharpened, recharged and more explosive than ever. If this interview is any indication, Architects aren’t just returning to Australia. They’re returning transformed: heavier in spirit, freer in intention, in all the best ways.
Tickets and full Australian tour details are available now via the band’s official channels and authorised ticketing outlets.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68780932Fri, 28 Nov 2025 05:11:18 +0000HEAVY MagazineInterview by Ali Williams UK’s powerhouse Architects are gearing up for a massive return to Australian shores and fans are in for something fierce. In a raw, witty and refreshingly honest chat with HEAVY Mag’s Ali Williams, drummer and principal...UK’s powerhouse Architects are gearing up for a massive return to Australian shores and fans are in for something fierce. In a raw, witty and refreshingly honest chat with HEAVY Mag’s Ali Williams, drummer and principal songwriter Dan Searle pulls back the curtain on the emotional and creative engine powering the band’s new era — just as they prepare to bring their latest evolution to stages across Australia.
Speaking from a fog-laden UK morning, Searle dives into everything from sonic reinvention to the rediscovery of joy in writing heavy music after years of pressure, burnout and relentless expectations. He explores why the band refuses to stay static, how vulnerability thrives inside heaviness, and why evolution isn’t just an artistic shift — it’s a survival instinct.
Its been 6 long years since the bands been here on tour in full, drawing on the eagerness of themselves to return and for fans to see them again, we get insight and introspective, as Searle's rifs on touring life, fan energy, and the tightrope between catharsis and chaos that has become Architects’ trademark.
With their Australian tour on the horizon, Searle hints that fans can expect that same creative fire — sharpened, recharged and more explosive than ever. If this interview is any indication, Architects aren’t just returning to Australia. They’re returning transformed: heavier in spirit, freer in intention, in all the best ways.
Tickets and full Australian tour details are available now via the band’s official channels and authorised ticketing outlets.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1113architects,australia,heavy,heavymetal,metal,music,tourtruefullhttps://www.spreaker.com/episode/finding-light-in-the-darkness-with-dellacoma-rio--68779076Formed in mid-2014, lead vocalist and namesake, Dellacoma Rio assembled a team of high voltage road warriors to bring his rock n roll vision to the stage. Hitting the road almost immediately the band has now amassed over 500 shows across the USA, United Kingdom, Europe and Australia. With many miles beneath their feet and a wealth of experience in the live arena, it is no surprise that playing live is their strong suit. So far they have played countless clubs, bars and venues as well as sharing larger stages with the likes of Def Leppard, Korn, Linkin Park, Five Finger Death Punch, Noiseworks, Skid Row, Styx, Tesla, Black Label Society, Buckcherry, Winger, Saliva, Drowning Pool and Saving Abel to name a few.
And that touring has paid off, driving Dellacoma in a fresh, yet familiar sonic direction that can be heard on the band's third studio album Searching For You In The Darkness which is out today. Having recently returned from yet another successful international assault, Dellacoma have just started a mini run of Australian shows to promote the album, with their enimgmatic frontman joining HEAVY from the road. We start by asking how he is feeling about the release.
"Yeah, pretty good, man," he enthused. "It feels really good to actually finally have it out. It's definitely been a process and there's been… In hindsight, I probably wish I would have given myself a few more months, but that's always the way. I think you get down to deadline day and there's always bits and pieces that have to be done last minute (laughs)."
We ask Dellacoma to dive deeper into the musical side of Searching For You In The Darkness.
"In writing this album, it was the first time I think that I really approached it from the perspective of, I guess, writing just songs rather than thinking about songs that I necessarily wanted to play live," he measured. "Not saying that I won't play these songs live. I will play as many as I can, but the thought had occurred to me, you know, as I was early in the writing phase, that with this being my third album there's now more material between all three albums plus a few surplus singles than I'm ever going to be able to play in one show.
And that kind of unlocked something in my head. It felt like it took off some blinders almost, which was really cool. So we've got a couple of different tracks on here. We've got more of an acoustic-y style ballad in there. We've got probably one of the heavier tracks we've ever done as well."
In the full interview, Dellacoma spoke more about the new album, including the different approach to songwriting and how it translated in the music. He talked about the album title and the underlying theme of the music, highlighting the bands musical growth over the three releases.
We also talked about life on the road, the current run of dates and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68779076Fri, 28 Nov 2025 02:11:06 +0000HEAVY MagazineSunshine Coast rock outfit Dellacoma are a promotors dream. Brash, skilled, confident and passionate, Dellacoma embody the spirits of rock through the ages, delivering it in a hard rocking package that is fuelled by the silky smooth vocals of frontman...Formed in mid-2014, lead vocalist and namesake, Dellacoma Rio assembled a team of high voltage road warriors to bring his rock n roll vision to the stage. Hitting the road almost immediately the band has now amassed over 500 shows across the USA, United Kingdom, Europe and Australia. With many miles beneath their feet and a wealth of experience in the live arena, it is no surprise that playing live is their strong suit. So far they have played countless clubs, bars and venues as well as sharing larger stages with the likes of Def Leppard, Korn, Linkin Park, Five Finger Death Punch, Noiseworks, Skid Row, Styx, Tesla, Black Label Society, Buckcherry, Winger, Saliva, Drowning Pool and Saving Abel to name a few.
And that touring has paid off, driving Dellacoma in a fresh, yet familiar sonic direction that can be heard on the band's third studio album Searching For You In The Darkness which is out today. Having recently returned from yet another successful international assault, Dellacoma have just started a mini run of Australian shows to promote the album, with their enimgmatic frontman joining HEAVY from the road. We start by asking how he is feeling about the release.
"Yeah, pretty good, man," he enthused. "It feels really good to actually finally have it out. It's definitely been a process and there's been… In hindsight, I probably wish I would have given myself a few more months, but that's always the way. I think you get down to deadline day and there's always bits and pieces that have to be done last minute (laughs)."
We ask Dellacoma to dive deeper into the musical side of Searching For You In The Darkness.
"In writing this album, it was the first time I think that I really approached it from the perspective of, I guess, writing just songs rather than thinking about songs that I necessarily wanted to play live," he measured. "Not saying that I won't play these songs live. I will play as many as I can, but the thought had occurred to me, you know, as I was early in the writing phase, that with this being my third album there's now more material between all three albums plus a few surplus singles than I'm ever going to be able to play in one show.
And that kind of unlocked something in my head. It felt like it took off some blinders almost, which was really cool. So we've got a couple of different tracks on here. We've got more of an acoustic-y style ballad in there. We've got probably one of the heavier tracks we've ever done as well."
In the full interview, Dellacoma spoke more about the new album, including the different approach to songwriting and how it translated in the music. He talked about the album title and the underlying theme of the music, highlighting the bands musical growth over the three releases.
We also talked about life on the road, the current run of dates and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1156album,australia,dellacoma,hardrock,heavy,interview,krispeters,music,musicinterview,rock,rockband,rockinterview,rockpodcast,xmusictruefullhttps://www.spreaker.com/episode/of-mice-men-provide-another-miracle-ahead-of-australian-tour--68766251With their ninth studio album Another Miracle landing on November 14, Of Mice & Men are stepping boldly into their next era—one defined by emotional depth, creative freedom, and an unshakeable bond with their fans. Drummer Valentino Arteaga speaks about the record with a mix of pride and awe, describing it as a “journey” built on layered soundscapes, soaring melodies, and crushing heaviness. It’s an album meant to be absorbed front to back, not just thrown on a playlist.
Self-produced and richly textured, Another Miracle reflects a band continually pushing their own boundaries. Valentino compares its intricate sonic layers to “ten wedding cakes stacked on top of each other,” each one representing experimentation, growth, and the group’s ever-expanding musical vocabulary. Songs were crafted during a period of major life changes, including frontman Aaron Pauley discovering he was about to become a father, which brought a new emotional dimension to the writing.
Valentino’s current favourite track, Troubled Water, mirrors the album’s dynamic energy with groove-driven drumming and bold performances. Yet he insists each song offers something different: “With Of Mice & Men, there’s something for everybody.”
Despite their evolution, one thing remains firmly intact; their connection to fans. Community is at the heart of their legacy, and it’s something the band is determined to honour. “When you come to an Of Mice & Men show, you’re there with family,” Valentino says. That spirit will follow them to Australia in May 2026, where they’ll tour with genre-blurring heavyweights Crystal Lake for what promises to be an explosive run of shows.
With Another Miracle, Of Mice & Men aren’t just reinventing their sound, they’re reaffirming why their music continues to resonate so deeply after 16 years: honesty, passion, and a commitment to constant elevation.
OF MICE & MEN + CRYSTAL LAKE May 2026 Australian Tour Dates
Tuesday 5th May - PERTH, Magnet House
Thursday 7th May - ADELAIDE, Lion Arts Factory
Friday 8th May - MELBOURNE, 170 Russell
Saturday 9th May - SYDNEY, Manning Bar
Sunday 10th May - BRISBANE, The Triffid
Tickets: Pre-Sale: Friday October 31st @ 1:00pm Local
General Public On Sale: Monday November 3rd @ 9:00am Local
From: https://thephoenix.au/of-mice-and-men-2026-2/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68766251Thu, 27 Nov 2025 06:25:17 +0000HEAVY MagazineBy Angela Croudace With their ninth studio album Another Miracle landing on November 14, Of Mice & Men are stepping boldly into their next era—one defined by emotional depth, creative freedom, and an unshakeable bond with their fans. Drummer...With their ninth studio album Another Miracle landing on November 14, Of Mice & Men are stepping boldly into their next era—one defined by emotional depth, creative freedom, and an unshakeable bond with their fans. Drummer Valentino Arteaga speaks about the record with a mix of pride and awe, describing it as a “journey” built on layered soundscapes, soaring melodies, and crushing heaviness. It’s an album meant to be absorbed front to back, not just thrown on a playlist.
Self-produced and richly textured, Another Miracle reflects a band continually pushing their own boundaries. Valentino compares its intricate sonic layers to “ten wedding cakes stacked on top of each other,” each one representing experimentation, growth, and the group’s ever-expanding musical vocabulary. Songs were crafted during a period of major life changes, including frontman Aaron Pauley discovering he was about to become a father, which brought a new emotional dimension to the writing.
Valentino’s current favourite track, Troubled Water, mirrors the album’s dynamic energy with groove-driven drumming and bold performances. Yet he insists each song offers something different: “With Of Mice & Men, there’s something for everybody.”
Despite their evolution, one thing remains firmly intact; their connection to fans. Community is at the heart of their legacy, and it’s something the band is determined to honour. “When you come to an Of Mice & Men show, you’re there with family,” Valentino says. That spirit will follow them to Australia in May 2026, where they’ll tour with genre-blurring heavyweights Crystal Lake for what promises to be an explosive run of shows.
With Another Miracle, Of Mice & Men aren’t just reinventing their sound, they’re reaffirming why their music continues to resonate so deeply after 16 years: honesty, passion, and a commitment to constant elevation.
OF MICE & MEN + CRYSTAL LAKE May 2026 Australian Tour Dates
Tuesday 5th May - PERTH, Magnet House
Thursday 7th May - ADELAIDE, Lion Arts Factory
Friday 8th May - MELBOURNE, 170 Russell
Saturday 9th May - SYDNEY, Manning Bar
Sunday 10th May - BRISBANE, The Triffid
Tickets: Pre-Sale: Friday October 31st @ 1:00pm Local
General Public On Sale: Monday November 3rd @ 9:00am Local
From: https://thephoenix.au/of-mice-and-men-2026-2/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1941angelacroudace,australia,djent,heavy,heavymetal,metal,metalinterview,metalpodcast,music,ofmice&men,progressivemetal,progressiverock,tourtruefullhttps://www.spreaker.com/episode/if-it-ain-t-broke-with-jahred-gomes-from-hed-pe--68620762But every now and then - usually with the test of time - an album stands out in their particular field of metal. An album that really did help shape and refine a movement that was later to become a genre. An album that, decades after its release, is still hailed as a masterpiece and rightfully so.
One such album is Broke from HED (PE). 25 years ago an up and coming rap/metal outfit called HED (PE) had already announced themselves with their self-titled debut album, but it was the release of Broke in 2000 that really catapulted the band up the rankings. Featuring Serj Tankian (System of a Down) and Morgan Lander (Kittie) as guest artists, Broke spawned the singles Bartender, Killing Time, and Feel Good, fusing rap, funk, hip hop and metal like never before and playing a huge part in the early development of nu metal.
The album has resonated with fans the world over for the last two and a half decades, and Australian audiences will get the chance to share in the beauty of Broke when HED (PE) head to this side of the world next February to celebrate the album's anniversary.
HEAVY sat down with frontman Jahred Gomes to get up to speed. One of the questions was if it was difficult learning the whole album, taking into account when it was written it wasn't done with the intention of playing the whole album in the future.
"No, it wasn't difficult," he recalled, "but you know, at PE, we've got some really long songs. So sometimes in the live setting, we do more medleys so we can play a bunch of shit. I imagine when the show comes out there'll be some songs played in full, some songs that we just touch on, but we want to make it exciting for people. We've got some tricks that we're going to be doing. It's different. It's 25 years later, so it's got more of a straight-ahead, thrashy punk rock vibe now than it did back then."
In the full interview, Jahred discussed the significance of Broke, reflecting on its themes of financial and emotional struggles, its impact on the band's rise to fame, and the evolution of their songwriting. He acknowledged some lyrics he now finds regrettable but expressed comfort in performing the older songs. He also shared his excitement about touring with Nonpoint, highlighting the importance of supporting friends in the music industry and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68620762Fri, 21 Nov 2025 07:50:22 +0000HEAVY MagazineWhile many people and critics hail certain albums as being pivotal or defining in terms of musical genres or movements, the reality is that, while undeniably a great album, whatever they are referring to was just that. A great album at a time where a...But every now and then - usually with the test of time - an album stands out in their particular field of metal. An album that really did help shape and refine a movement that was later to become a genre. An album that, decades after its release, is still hailed as a masterpiece and rightfully so.
One such album is Broke from HED (PE). 25 years ago an up and coming rap/metal outfit called HED (PE) had already announced themselves with their self-titled debut album, but it was the release of Broke in 2000 that really catapulted the band up the rankings. Featuring Serj Tankian (System of a Down) and Morgan Lander (Kittie) as guest artists, Broke spawned the singles Bartender, Killing Time, and Feel Good, fusing rap, funk, hip hop and metal like never before and playing a huge part in the early development of nu metal.
The album has resonated with fans the world over for the last two and a half decades, and Australian audiences will get the chance to share in the beauty of Broke when HED (PE) head to this side of the world next February to celebrate the album's anniversary.
HEAVY sat down with frontman Jahred Gomes to get up to speed. One of the questions was if it was difficult learning the whole album, taking into account when it was written it wasn't done with the intention of playing the whole album in the future.
"No, it wasn't difficult," he recalled, "but you know, at PE, we've got some really long songs. So sometimes in the live setting, we do more medleys so we can play a bunch of shit. I imagine when the show comes out there'll be some songs played in full, some songs that we just touch on, but we want to make it exciting for people. We've got some tricks that we're going to be doing. It's different. It's 25 years later, so it's got more of a straight-ahead, thrashy punk rock vibe now than it did back then."
In the full interview, Jahred discussed the significance of Broke, reflecting on its themes of financial and emotional struggles, its impact on the band's rise to fame, and the evolution of their songwriting. He acknowledged some lyrics he now finds regrettable but expressed comfort in performing the older songs. He also shared his excitement about touring with Nonpoint, highlighting the importance of supporting friends in the music industry and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>587album,australia,broke,funk,heavy,heavymetal,hedpe,interview,jahredgomes,krispeters,metal,metalinterview,metalpodcast,metaltour,music,numetal,rapmetal,tourtruefullhttps://www.spreaker.com/episode/sonic-dreams-and-metal-queens-blvd-of-eyes-chloe-trujillo-breaks-down-the-vision--68615784LA Outfit BLVD OF EYES have just released their latest single We Are Human, and are about to kick off their Australian Tour on November 21 in Melbourne to coincide with the release of their EP on the same day.
Founder and leading lady of the band Chloe Trujillo caught up with HEAVY Mags Ali Williams on the weekend to talk about their upcoming tour and new album drop, amongst other things. Having formed during the pandemic, BLVD OF EYES is the collaborative brainchild of Trujillo and fellow artist Mark Dalbeth. Chloe, who is also the wife of Metallica’s Rob Trujillo, is already in Australia supporting her husband as he tours with Metallica, in the lead up to her own tour. 
She shares that she has a genuine love for Australia and our people. Having formerly collaborated with other Australian companies such as The Guitar Strap Co, Chloe has formed an instant bond with the place since coming here in support of her husband band tour, Her Aussie connection doesn’t just stop there as her fellow band member and founder Mark Dalbeth is probably best known for being a founder of the Australian band Bellusira.
Other band members of BLVD OF EYES alongside Trujillo and Dalbeth are Kevin Hicklin on guitar, and on drums, Lullah Trujillo daughter of Rob and Chloe. Although not joining them on this current tour, their daughter has been drumming for the band since they started back in 2021 and the tender age of 15. 
See the full interview at the HEAVY channel on Youtube. We Are Human is available now on all streaming platforms and for tour, tickets and event info for BLVD OF EYES go to https://www.blvdofeyes.com/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68615784Fri, 21 Nov 2025 07:45:22 +0000HEAVY MagazineInterview by Ali Williams LA Outfit BLVD OF EYES have just released their latest single We Are Human, and are about to kick off their Australian Tour on November 21 in Melbourne to coincide with the release of their EP on the same day. Founder and...LA Outfit BLVD OF EYES have just released their latest single We Are Human, and are about to kick off their Australian Tour on November 21 in Melbourne to coincide with the release of their EP on the same day.
Founder and leading lady of the band Chloe Trujillo caught up with HEAVY Mags Ali Williams on the weekend to talk about their upcoming tour and new album drop, amongst other things. Having formed during the pandemic, BLVD OF EYES is the collaborative brainchild of Trujillo and fellow artist Mark Dalbeth. Chloe, who is also the wife of Metallica’s Rob Trujillo, is already in Australia supporting her husband as he tours with Metallica, in the lead up to her own tour. 
She shares that she has a genuine love for Australia and our people. Having formerly collaborated with other Australian companies such as The Guitar Strap Co, Chloe has formed an instant bond with the place since coming here in support of her husband band tour, Her Aussie connection doesn’t just stop there as her fellow band member and founder Mark Dalbeth is probably best known for being a founder of the Australian band Bellusira.
Other band members of BLVD OF EYES alongside Trujillo and Dalbeth are Kevin Hicklin on guitar, and on drums, Lullah Trujillo daughter of Rob and Chloe. Although not joining them on this current tour, their daughter has been drumming for the band since they started back in 2021 and the tender age of 15. 
See the full interview at the HEAVY channel on Youtube. We Are Human is available now on all streaming platforms and for tour, tickets and event info for BLVD OF EYES go to https://www.blvdofeyes.com/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1124aliwilliams,australia,blvdofeyes,chloetrujillo,hardrock,heavy,interview,metal,music,musicinterview,musicpodcast,rock,tour,xmusictruefullhttps://www.spreaker.com/episode/of-mice-men-embrace-evolution-emotion-and-community-ahead-of-australian-tour--68614166Self-produced and richly textured, Another Miracle reflects a band continually pushing their own boundaries. Valentino compares its intricate sonic layers to “ten wedding cakes stacked on top of each other,” each one representing experimentation, growth, and the group’s ever-expanding musical vocabulary. Songs were crafted during a period of major life changes, including frontman Aaron Pauley discovering he was about to become a father, which brought a new emotional dimension to the writing.
Valentino’s current favourite track, Troubled Water, mirrors the album’s dynamic energy with groove-driven drumming and bold performances. Yet he insists each song offers something different: “With Of Mice & Men, there’s something for everybody.”
Despite their evolution, one thing remains firmly intact; their connection to fans. Community is at the heart of their legacy, and it’s something the band is determined to honour. “When you come to an Of Mice & Men show, you’re there with family,” Valentino says. That spirit will follow them to Australia in May 2026, where they’ll tour with genre-blurring heavyweights Crystal Lake for what promises to be an explosive run of shows.
With Another Miracle, Of Mice & Men aren’t just reinventing their sound, they’re reaffirming why their music continues to resonate so deeply after 16 years: honesty, passion, and a commitment to constant elevation.
OF MICE & MEN + CRYSTAL LAKE May 2026 Australian Tour Dates
Tuesday 5th May - PERTH, Magnet House
Thursday 7th May - ADELAIDE, Lion Arts Factory
Friday 8th May - MELBOURNE, 170 Russell
Saturday 9th May - SYDNEY, Manning Bar
Sunday 10th May - BRISBANE, The Triffid
Tickets: https://thephoenix.au/of-mice-men-2026/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68614166Tue, 18 Nov 2025 15:21:25 +0000HEAVY MagazineWith their ninth studio album, Another Miracle, landing on November 14 - and an Australian tour commencing May 7, 2026 - Of Mice & Men are stepping boldly into their next era—one defined by emotional depth, creative freedom, and an unshakeable...Self-produced and richly textured, Another Miracle reflects a band continually pushing their own boundaries. Valentino compares its intricate sonic layers to “ten wedding cakes stacked on top of each other,” each one representing experimentation, growth, and the group’s ever-expanding musical vocabulary. Songs were crafted during a period of major life changes, including frontman Aaron Pauley discovering he was about to become a father, which brought a new emotional dimension to the writing.
Valentino’s current favourite track, Troubled Water, mirrors the album’s dynamic energy with groove-driven drumming and bold performances. Yet he insists each song offers something different: “With Of Mice & Men, there’s something for everybody.”
Despite their evolution, one thing remains firmly intact; their connection to fans. Community is at the heart of their legacy, and it’s something the band is determined to honour. “When you come to an Of Mice & Men show, you’re there with family,” Valentino says. That spirit will follow them to Australia in May 2026, where they’ll tour with genre-blurring heavyweights Crystal Lake for what promises to be an explosive run of shows.
With Another Miracle, Of Mice & Men aren’t just reinventing their sound, they’re reaffirming why their music continues to resonate so deeply after 16 years: honesty, passion, and a commitment to constant elevation.
OF MICE & MEN + CRYSTAL LAKE May 2026 Australian Tour Dates
Tuesday 5th May - PERTH, Magnet House
Thursday 7th May - ADELAIDE, Lion Arts Factory
Friday 8th May - MELBOURNE, 170 Russell
Saturday 9th May - SYDNEY, Manning Bar
Sunday 10th May - BRISBANE, The Triffid
Tickets: https://thephoenix.au/of-mice-men-2026/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1940album,angelacroudace,australia,hardrock,heavy,heavymetal,interview,metal,metalhead,music,ofmice&men,tourtruefullhttps://www.spreaker.com/episode/rumblings-from-the-black-night-with-rory-rodriguez-from-dayseeker--68616429With a self coined phrase calling their music 'sad rock', Southern Californian outfit Dayseeker have proudly evolved from post-hardcore upstarts to a band whose sound sits somewhere between that genre and many more, defiantly allowing their emotions to dictate proceedings but still spicing things up with moments of heaviness that in lesser hands would work against them.
Having recently released their sixth full length album Creature In The Black Night, Dayseeker have grown musically once more, delivering their most immersive and intentional record to date — eerie, cinematic, and threaded with a dark emotional current. It is a deeply personal experience for vocalist Rory Rodriguez, but one which he feels is essential in his own personal development as well as that of the bands.
 Dayseeker will be bringing their music to Australia early next month for all three Good Things Festival shows, as well as two select sideshows in Melbourne and Brisbane. HEAVY sat down with Rodriguez recently to talk about the new album and their upcoming Australian shows. We start by asking if the band is packed and ready to go with the Australian tour looming large.
"I think so," he smiled. "It's a little nerve wracking because we unfortunately parted ways with our guitar player very recently. We have a good friend of ours who is gonna be filling in for us, so these are our first shows with him. We're trying to get rehearsed and make sure that everything's good and that our live show stays intact. We really care about our live show being good, so other than that, we are really excited about coming to play."
We mention there's no pressure at all having a debut gig in front of 50,000 people, to which Rory lets out a laugh. "Yeah. I feel worse for him. I think we get a warm-up show for a side show in Melbourne so he will get to play to 900 people and then jump times fifty for the festivals (laughs). He's a pro, though, He's gonna do great."
In the full interview, Rory talks more about their live shows and what we can expect, highlighting the differences between outdoor and indoor gigs. He ran us through three songs Good Things punters can listen to if they aren't that familiar with Dayseeker, plus the diversity of the line-up and how that is a good thing for festivals.
We talked about the just released Creature In The Black Night and the early response, what Dayseeker were going for musically on album number six and how it is their most immersive album to date. He dove deeper into the lyrical content of the album and whether it is an album of hope or despair, how singing about his problems has worked over time and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68616429Tue, 18 Nov 2025 15:19:15 +0000HEAVY MagazineSometimes a band comes along that manages to transcend the normal parameters of heavy music. A band who has all the elements to be labelled as such, but also displays enough emotional resonance and accessibility to allow their music to seep through...With a self coined phrase calling their music 'sad rock', Southern Californian outfit Dayseeker have proudly evolved from post-hardcore upstarts to a band whose sound sits somewhere between that genre and many more, defiantly allowing their emotions to dictate proceedings but still spicing things up with moments of heaviness that in lesser hands would work against them.
Having recently released their sixth full length album Creature In The Black Night, Dayseeker have grown musically once more, delivering their most immersive and intentional record to date — eerie, cinematic, and threaded with a dark emotional current. It is a deeply personal experience for vocalist Rory Rodriguez, but one which he feels is essential in his own personal development as well as that of the bands.
 Dayseeker will be bringing their music to Australia early next month for all three Good Things Festival shows, as well as two select sideshows in Melbourne and Brisbane. HEAVY sat down with Rodriguez recently to talk about the new album and their upcoming Australian shows. We start by asking if the band is packed and ready to go with the Australian tour looming large.
"I think so," he smiled. "It's a little nerve wracking because we unfortunately parted ways with our guitar player very recently. We have a good friend of ours who is gonna be filling in for us, so these are our first shows with him. We're trying to get rehearsed and make sure that everything's good and that our live show stays intact. We really care about our live show being good, so other than that, we are really excited about coming to play."
We mention there's no pressure at all having a debut gig in front of 50,000 people, to which Rory lets out a laugh. "Yeah. I feel worse for him. I think we get a warm-up show for a side show in Melbourne so he will get to play to 900 people and then jump times fifty for the festivals (laughs). He's a pro, though, He's gonna do great."
In the full interview, Rory talks more about their live shows and what we can expect, highlighting the differences between outdoor and indoor gigs. He ran us through three songs Good Things punters can listen to if they aren't that familiar with Dayseeker, plus the diversity of the line-up and how that is a good thing for festivals.
We talked about the just released Creature In The Black Night and the early response, what Dayseeker were going for musically on album number six and how it is their most immersive album to date. He dove deeper into the lyrical content of the album and whether it is an album of hope or despair, how singing about his problems has worked over time and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>839album,australia,dayseeker,goodthingsfestival,hardrock,heavy,heavymetal,krispeters,music,musicinterview,musicpodcast,postmetal,rock,roryrodriguez,tourtruefullhttps://www.spreaker.com/episode/a-dozen-good-reasons-to-die-with-sean-beasley-from-dying-fetus--68561249After 12 horribly long years since their last tour in Australia and in only their second appearance in New Zealand since 2009, DYING FETUS are well overdue to lash us unmercifully this December with their savage beat downs and earth-moving grooves and grunt, equally designed to pulverize and mesmerize. 
And smash us they shall, but to find out just how they plan to do that, HEAVY sat down to chat with bass player Sean Beasley. One of the things we ask about is the well-known ferocity of Dying Fetus's mosh pits and what it looks like from stage.
"Yeah, it's always different," Beasley smiled. "You never know with big festivals or whatever. That's when you see it, like, oh shit, somebody might get hurt out there. Usually, people get hurt when they fall over the railing instead of being in the pit, you know?"
We also address the fact that the band have not toured Australia for well over a decade, and ask cheekily why they have neglected their fans here for so long.
"I don't know, to tell you the truth," he replied, laughing. "It just hasn't worked out. We haven't been back to Southeast Asia either, so for some reason that hasn't worked out. It's been this long, which is really surprising to me. I had to look it up and was, like, damn, when was the last time we were there (laughs), and then I had a look and realized it's been that long!"
In the full interview, Sean talks more about the tour and what we can expect from Dying Fetus. He runs through what has changed with the band in between visits, including new albums and how much attention they will be getting in the set list.
We praise him on the selection of 200 Stab Wounds as support, talking about this being their first tour of Australia and how they will adapt. The excellently graphic tour poster is discussed, along with more on the mosh pits in the crowd, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68561249Fri, 14 Nov 2025 03:30:36 +0000HEAVY MagazineArmed with undeniably some of the heaviest riffs known to mankind, DYING FETUS have established a reputation for uncompromising integrity with a slew of classic albums, and today ride a resurgence of respect and esteem with a new generation.  After 12...After 12 horribly long years since their last tour in Australia and in only their second appearance in New Zealand since 2009, DYING FETUS are well overdue to lash us unmercifully this December with their savage beat downs and earth-moving grooves and grunt, equally designed to pulverize and mesmerize. 
And smash us they shall, but to find out just how they plan to do that, HEAVY sat down to chat with bass player Sean Beasley. One of the things we ask about is the well-known ferocity of Dying Fetus's mosh pits and what it looks like from stage.
"Yeah, it's always different," Beasley smiled. "You never know with big festivals or whatever. That's when you see it, like, oh shit, somebody might get hurt out there. Usually, people get hurt when they fall over the railing instead of being in the pit, you know?"
We also address the fact that the band have not toured Australia for well over a decade, and ask cheekily why they have neglected their fans here for so long.
"I don't know, to tell you the truth," he replied, laughing. "It just hasn't worked out. We haven't been back to Southeast Asia either, so for some reason that hasn't worked out. It's been this long, which is really surprising to me. I had to look it up and was, like, damn, when was the last time we were there (laughs), and then I had a look and realized it's been that long!"
In the full interview, Sean talks more about the tour and what we can expect from Dying Fetus. He runs through what has changed with the band in between visits, including new albums and how much attention they will be getting in the set list.
We praise him on the selection of 200 Stab Wounds as support, talking about this being their first tour of Australia and how they will adapt. The excellently graphic tour poster is discussed, along with more on the mosh pits in the crowd, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>595200stabwounds,australia,deathmetal,dyingfetus,extrememetal,heavy,heavymetal,krispeters,metal,metalhead,metalinterview,music,seanbeasley,tourtruefullhttps://www.spreaker.com/episode/down-the-garden-path-with-johannes-eckerstrom-from-avatar--68530234This is a band who have steadfastly refused to become a parody of themselves, forsaking convention and expectation in pursuit of their own musical vision from where the sonic Garden Of Eden would forever bunker down. But the temptation would surely have been there. The temptation to possibly rehash whatever winning formula was at the core of Dance Devil Dance's success and squeeze that metaphorical cash cow while the milk was still fresh and creamy.
So what did they do on their recently released follow-up, Don't Go In The Forest?
They did exactly what long-term fans of the band and the band themselves would have expected and basically raised their middle fingers in the air in an act of defiance to the Metal Gods, who felt they had paved the way for Avatar to continue their journey unabated to the upper layers of the global music empire.
While understandably retaining certain elements of what was created on Dance Devil Dance, Avatar more took the challenge of continuing their sonic evolution, exploring new and unchartered ideas personally. Maybe not outwardly, but certainly in the dark recesses of their brain, the band vowed to stick by their word. Stick by their mantra, their fans, but most importantly themselves. What they created was pure musical genius of unrestrained creativity that is perfectly represented by the intentionally sporadic and unexpected turn taken over the very first few songs on Don't Go In the Forest and only gets more disturbed from there.
HEAVY was given the opportunity to journey into the creative mind of Avatar frontman and mastermind Johannes Eckerström and relished the chance to put some sense to the engulfing madness.
"The first couple of weeks is transpositional in the sense that you are a writer; you're a performer, we're a bunch of stuff, right?" he more stated than asked the question. "And release, as in putting something out, that word has a double meaning. Because release also means letting go. And as far as the writer in us goes, it's done. It's gone forever. It doesn't belong to us anymore, it belongs to everybody."
We mention that it must be hard to emotionally let go of a body of work that has dominated their world for such a large period of time.
"There's a thing I do for myself...," Johannes measured, choosing his words carefully. "Ever since going back to the Black Waltz, because that album started an... I don't know... a quarter-life crisis kind of place in our lives, at least speaking for myself and John (Alfredsson, drummer). We had a powerful moment of that around that time, which, long story short, led to us really thinking, 'okay, this is the last album. Fuck it.' And that mindset of this is the last album, fuck it, I've tried to keep that ever since. I mean, I have some kind of confidence in that we will get to do another one (laughs), but it's always that question. If this were to be the last album, would I be okay with that? Did we achieve what we want to achieve here? If the world hates it, did we do enough to be at peace with that? And yes, I am. So, yeah, I have that little mental exercise or whatever you want to call it to deal with exactly that."
In the full interview, Johannes spoke deeper about the musical side of Don't Go In The Forest, including the deliberately eclectic nature of the music and the way they approached the order of the songs on the album. We discussed the singles released and the thought process that goes into their selection, and the ways in which Avatar go against usual industry practices when it comes to everything about their music.
Johannes explained the creative vision of Avatar and the importance of continual progress and experimentation within their music, their place in the sonic universe, creating an all-encompassing music experience for themselves and the listener and Avatar's perpetual quest for musical enlightenment.
We explored the importance and meanings behind the album title and took a look inside the theatrical nature of the band and their music, discovering even more layers and complexities in Avatar and their quest. As if we needed to go down that rabbit hole…


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68530234Wed, 12 Nov 2025 00:51:38 +0000HEAVY MagazineEntering album number ten, the all-encompassing sonic realm inhabited by Swedish musical enigma Avatar looked set to face the band's biggest personal hurdle to date. Very much a band who have proudly proclaimed their intention to maintain musical...This is a band who have steadfastly refused to become a parody of themselves, forsaking convention and expectation in pursuit of their own musical vision from where the sonic Garden Of Eden would forever bunker down. But the temptation would surely have been there. The temptation to possibly rehash whatever winning formula was at the core of Dance Devil Dance's success and squeeze that metaphorical cash cow while the milk was still fresh and creamy.
So what did they do on their recently released follow-up, Don't Go In The Forest?
They did exactly what long-term fans of the band and the band themselves would have expected and basically raised their middle fingers in the air in an act of defiance to the Metal Gods, who felt they had paved the way for Avatar to continue their journey unabated to the upper layers of the global music empire.
While understandably retaining certain elements of what was created on Dance Devil Dance, Avatar more took the challenge of continuing their sonic evolution, exploring new and unchartered ideas personally. Maybe not outwardly, but certainly in the dark recesses of their brain, the band vowed to stick by their word. Stick by their mantra, their fans, but most importantly themselves. What they created was pure musical genius of unrestrained creativity that is perfectly represented by the intentionally sporadic and unexpected turn taken over the very first few songs on Don't Go In the Forest and only gets more disturbed from there.
HEAVY was given the opportunity to journey into the creative mind of Avatar frontman and mastermind Johannes Eckerström and relished the chance to put some sense to the engulfing madness.
"The first couple of weeks is transpositional in the sense that you are a writer; you're a performer, we're a bunch of stuff, right?" he more stated than asked the question. "And release, as in putting something out, that word has a double meaning. Because release also means letting go. And as far as the writer in us goes, it's done. It's gone forever. It doesn't belong to us anymore, it belongs to everybody."
We mention that it must be hard to emotionally let go of a body of work that has dominated their world for such a large period of time.
"There's a thing I do for myself...," Johannes measured, choosing his words carefully. "Ever since going back to the Black Waltz, because that album started an... I don't know... a quarter-life crisis kind of place in our lives, at least speaking for myself and John (Alfredsson, drummer). We had a powerful moment of that around that time, which, long story short, led to us really thinking, 'okay, this is the last album. Fuck it.' And that mindset of this is the last album, fuck it, I've tried to keep that ever since. I mean, I have some kind of confidence in that we will get to do another one (laughs), but it's always that question. If this were to be the last album, would I be okay with that? Did we achieve what we want to achieve here? If the world hates it, did we do enough to be at peace with that? And yes, I am. So, yeah, I have that little mental exercise or whatever you want to call it to deal with exactly that."
In the full interview, Johannes spoke deeper about the musical side of Don't Go In The Forest, including the deliberately eclectic nature of the music and the way they approached the order of the songs on the album. We discussed the singles released and the thought process that goes into their...]]>1636album,avatar,avatarband,dontgointheforest,hardrock,heavy,heavymetal,krispeters,metal,metalhead,metalinterview,music,musicuinterview,rocktruefullhttps://www.spreaker.com/episode/double-trouble-down-under-with-chris-kael-from-five-finger-death-punch--68515606But occasionally the transition between two very different forms of artists' works seamlessly. Artists like Weird 'Al' Yankovic, Stephen Lynch and Jack Black spring immediately to mind when talking about people who have performed at high quality across both professions, but there have also been some riotous failures - but we won't go into that for fear we, too, might be accused of overstepping the line.
If you had have asked me a couple of weeks ago how I thought Five Finger Death Punch's bass player Chris Kael would go on the stand-up comedy circuit, I may have mumbled alright, but that would only have been to save my ass if word had got back to him. Then, if you had have suggested an admittedly famous comedian by the name of Craig Gass, who is best known for voicing cartoon characters, chances are I would have tuned out and failed to clock back in.
Ask me the same question now after having spent a night interviewing then dining with the pair of them, and you would get an entirely different response. So I guess even the black sheep of the world are not immune to judging a book by its cover…
What Kael and Gass may lack aesthetically as a star comedy pairing, they make up for with impeccable timing that has its foundations in mutual respect. The fact that they have lived similar lives in and around the music community definitely helps to keep the conversation flowing, but together this mismatched pair are more like the Golden Goose of the comedy circuit. Their jokes are hilarious, their banter even better, but above all else, both are humble and inspiring people who just happen to have a somewhat concerning panache for a side hustle referred to as DCP. 
What is DCP, you may ask? Well, have a listen to our conversation, and you will find out the meaning of that unexplained wonder of the world, plus heaps more that you may or may not be emotionally prepared for at this stage of your life. HEAVY sat down for an engaging and entertaining chat with Kael that covered everything from comedy to music to shin chins.
We start by asking how the tour has been so far.
"It's been incredible," Kael purred in his gravel-stained Viking voice. "We had a very short time to be able to promote these shows, so the amount of support that we've had and the amount of people we've got in there in only a week of promoting the show is awesome. We did the stand-up comedy show in Melbourne at The Comics Lounge on Friday night, and then we went to see Metallica on Saturday. That's basically all we're doing. Just funding the Metallica vacation (laughs). I have found ways to make money to be able to travel while off the road with Death Punch. I saw that Metallica was playing over here, so… I am a marketing aficionado. What better way to go out and see my old friends in Metallica? Because we toured with them the last couple of years, going all around the world, but we're working on a new record right now, so this gave me the opportunity to come over, see Metallica and get the comedy show going. We had those two shows in Melbourne, and then on November 11 here in Brisbane, we are playing at the Good Chat Comedy Club, doing a show at 7 o'clock and at 8.30 pm. Me and Craig - Craig Gass is a stand-up comedian. An actual stand-up comedian. Not a bass player who is basically telling stories about life on the road. He's been doing it for about 25 years and has been on The King Of Queens and the Howard Stern Show. 
A funny story about Craig - well, I don't know whether it's funny or not because it's his story - but when he was growing up, he was the only person in his family who could hear. His entire family is deaf, except for him. So I'm helping him with his acting these days. We're both gonna be doing some stand-up comedy here at Good Chats. 7 o'clock and 8.30 on November 11, and we're just having a really good time with it. This has been nice for me. The whole thing started when Craig gave me the opportunity to do some stand-up shows with him. I was originally going to write stories. I wanted to be either a musician or an author when I was growing up. The musician part… I get paid to play bass, so I guess that makes me a musician… but that's already happened, so I was gonna write a book about growing up in Kentucky and being able to come up from Lexington, Kentucky, to these worldwide stages. I mean, I'm right next to where Metallica is playing, and we have toured the world with Metallica. All my favourite bands. Judas Priest. We've been out with those guys. So, just coming from a small town in Kentucky, all the stuff that had to happen to get me where I'm at, that I am able to do all this stuff, and then all the craziness that's gone on behind the scenes, being in a hard rock/heavy metal band… I was gonna tell those stories in a book, but now I'm just doing it on stage because I like being able to have that automatic response. I'm an entertainer. Musician, yeah, I guess. But entertainment. That's where I thrive."
And that's just the first couple of minutes of our conversation. Over the course of the next 20 minutes, discussion ranges from Shin Chins to Double Comedy Penetration to Gene Simmons to Five Finger Death Punch and pretty much anything and everything in between. If you are reading this in time to make one of the two shows in Brisbane tonight, do yourself a favour and make it happen. But if not, keep an eye out for when next Craig and Chris visit Australia. You won't want to miss them a second time.
Tickets and more information www.getgass.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68515606Tue, 11 Nov 2025 06:47:53 +0000HEAVY MagazineThe main common thread that ties music and comedy together is timing, not that it works every time. While there and many - some would say the majority - of musicians out there who THINK they are funny, once the alcohol and/or adrenaline wears off,...But occasionally the transition between two very different forms of artists' works seamlessly. Artists like Weird 'Al' Yankovic, Stephen Lynch and Jack Black spring immediately to mind when talking about people who have performed at high quality across both professions, but there have also been some riotous failures - but we won't go into that for fear we, too, might be accused of overstepping the line.
If you had have asked me a couple of weeks ago how I thought Five Finger Death Punch's bass player Chris Kael would go on the stand-up comedy circuit, I may have mumbled alright, but that would only have been to save my ass if word had got back to him. Then, if you had have suggested an admittedly famous comedian by the name of Craig Gass, who is best known for voicing cartoon characters, chances are I would have tuned out and failed to clock back in.
Ask me the same question now after having spent a night interviewing then dining with the pair of them, and you would get an entirely different response. So I guess even the black sheep of the world are not immune to judging a book by its cover…
What Kael and Gass may lack aesthetically as a star comedy pairing, they make up for with impeccable timing that has its foundations in mutual respect. The fact that they have lived similar lives in and around the music community definitely helps to keep the conversation flowing, but together this mismatched pair are more like the Golden Goose of the comedy circuit. Their jokes are hilarious, their banter even better, but above all else, both are humble and inspiring people who just happen to have a somewhat concerning panache for a side hustle referred to as DCP. 
What is DCP, you may ask? Well, have a listen to our conversation, and you will find out the meaning of that unexplained wonder of the world, plus heaps more that you may or may not be emotionally prepared for at this stage of your life. HEAVY sat down for an engaging and entertaining chat with Kael that covered everything from comedy to music to shin chins.
We start by asking how the tour has been so far.
"It's been incredible," Kael purred in his gravel-stained Viking voice. "We had a very short time to be able to promote these shows, so the amount of support that we've had and the amount of people we've got in there in only a week of promoting the show is awesome. We did the stand-up comedy show in Melbourne at The Comics Lounge on Friday night, and then we went to see Metallica on Saturday. That's basically all we're doing. Just funding the Metallica vacation (laughs). I have found ways to make money to be able to travel while off the road with Death Punch. I saw that Metallica was playing over here, so… I am a marketing aficionado. What better way to go out and see my old friends in Metallica? Because we toured with them the last couple of years, going all around the world, but we're working on a new record right now, so this gave me the opportunity to come over, see Metallica and get the comedy show going. We had those two shows in Melbourne, and then on November 11 here in Brisbane, we are playing at the Good Chat Comedy Club, doing a show at 7 o'clock and at 8.30 pm. Me and Craig - Craig Gass is a stand-up comedian. An actual stand-up comedian. Not a bass player who is basically telling stories about life on the road. He's been doing it for about 25 years and has been on The King Of Queens and the Howard Stern Show. 
A funny story about Craig - well, I don't know whether it's funny or not because it's his story - but when he was growing up, he was the only person in his family who could hear. His entire family is...]]>1751chriskael,comedy,craiggass,fivefingerdeathpunch,heavy,interview,krispeters,musicinterview,standupcomedytruefullhttps://www.spreaker.com/episode/dave-evans-50-years-of-rock-still-sexy-and-tough--68512120Half a century on from his Rabbit days and even longer since fronting the very first line-up of AC/DC, Dave Evans hasn’t slowed down one bit. Celebrating 50 years of Rabbit with the new album Defenders of Rock, the self-proclaimed “King of All Badasses” still lives by the mantra: every song a killer, no song a filler.
Speaking to us from Mexico, Evans radiates the same unstoppable energy that’s defined his career. “I’m lucky I went solo years ago,” he says. “I can record with anyone, anywhere in the world. If someone gives me the shits, I just say, ‘See ya later!’” That autonomy, he explains, keeps his fire burning and his fans around the globe ready to rock.
Evans credits his longtime collaborator and Rabbit guitarist Mark Tinson, “the king of all riffs,” for the new album’s punchy sound. “Rabbit’s a party band — sexy and tough. The world needs Rabbit right now,” he grins. “No doom and gloom. Just rock and roll, baby.”
Reflecting on the early Aussie rock scene, Evans recalls when “getting signed was like being touched by God.” Yet, even as times change, he believes the secret to survival is simple: energy, hooks, and happiness. “I still go out there to make people happy,” he says. “When they leave my show, they’re smiling and that’s what it’s all about.”
At 50 years of Rabbit and counting, Dave Evans proves that real rock ’n’ roll never dies — it just keeps getting louder!



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68512120Tue, 11 Nov 2025 03:46:07 +0000HEAVY MagazineInterview by Angela Croudace Half a century on from his Rabbit days and even longer since fronting the very first line-up of AC/DC, Dave Evans hasn’t slowed down one bit. Celebrating 50 years of Rabbit with the new album Defenders of Rock, the...Half a century on from his Rabbit days and even longer since fronting the very first line-up of AC/DC, Dave Evans hasn’t slowed down one bit. Celebrating 50 years of Rabbit with the new album Defenders of Rock, the self-proclaimed “King of All Badasses” still lives by the mantra: every song a killer, no song a filler.
Speaking to us from Mexico, Evans radiates the same unstoppable energy that’s defined his career. “I’m lucky I went solo years ago,” he says. “I can record with anyone, anywhere in the world. If someone gives me the shits, I just say, ‘See ya later!’” That autonomy, he explains, keeps his fire burning and his fans around the globe ready to rock.
Evans credits his longtime collaborator and Rabbit guitarist Mark Tinson, “the king of all riffs,” for the new album’s punchy sound. “Rabbit’s a party band — sexy and tough. The world needs Rabbit right now,” he grins. “No doom and gloom. Just rock and roll, baby.”
Reflecting on the early Aussie rock scene, Evans recalls when “getting signed was like being touched by God.” Yet, even as times change, he believes the secret to survival is simple: energy, hooks, and happiness. “I still go out there to make people happy,” he says. “When they leave my show, they’re smiling and that’s what it’s all about.”
At 50 years of Rabbit and counting, Dave Evans proves that real rock ’n’ roll never dies — it just keeps getting louder!



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1541ac/dc,daveevans,hardrock,heavy,metal,metalhead,metalinterview,music,rabbit,rocktruefullhttps://www.spreaker.com/episode/keeping-the-motor-idling-for-an-extension-of-the-by-request-tour-with-diesel--68471020First snapping necks with Johnny Diesel & The Injectors in the mid to late 1980s, the 90s saw Diesel launch a solo career that has seen his career progress in a steady trajectory that is a testament to the workman-like way in which he goes about his business. Singer, guitarist, producer and multi-instrumentalist, Diesel has mastered all aspects of his craft with a youthful exuberance and genuine love for music that is as infectious as it is rare.
After releasing his 17th studio album Bootleg Melancholy in 2023, Diesel could be forgiven for being a touch pickier about where, when and how he plays, but by talking to the man, you get the feeling such thoughts are barely a whisper in his subconsciousness. Instead, Diesel has spent much of this year on the road, culminating with his current By Request Tour, which sees fans and audience members choosing his nightly set list in a performance where it is guaranteed no two shows will be alike.
But rather than hang his guitar on the rack at the completion of this successful run of shows, Diesel recently announced his intentions to fire it back up again for round 2 early next year, with another 21 shows added from January through to April. And seeing how it is blatantly obvious Diesel doesn't know what to do with his spare time, HEAVY jumps at the chance to keep him busy by accepting the invitation to have a yarn about life on the road. We start by pointing out that he must be a glutton for punishment to basically turn straight back around and head out for another run of shows.
"I hope it's not punishment," Diesel laughed. "No, it's been really fun, I have to say. I've really enjoyed these ones. I think in the back of my mind, I was always like, well, if we're going to do regionals, let's do some cities too. Take it to the big smoke."
We get a bit cheeky and ask if the songs for each night's set list are 100% as voted by the fans, or if he sometimes takes liberties with what he feels like or doesn't feel like playing.
"I try to attach a person's story or name to every song," he smiled. "I've got the analytics come to me in a document, and it's all very… It's great, actually. They've got graphs of songs and which ones have been chosen, and I can see which ones are more popular than others on particular nights. It's a lot of information for me to digest. And along with that, I think the thing that is most usable and intangible are the comments that people write about why they want that song."
In the full interview, we ask Diesel if there have been many surprise requests, any that he has seen come up and cringed, and if he can see any trends between different eras of his career. We ask how he remembers so many songs on demand, the range of songs people can draw from, and the personal nature of these particular performances.
We look back on his career and ask Diesel if he ever has time to reflect on his achievements, next year's run, which starts in Tasmania and ends at the Sydney Opera House, the prestige of playing there, and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68471020Mon, 10 Nov 2025 02:45:18 +0000HEAVY MagazineFor a man who has been there and pretty much done it all in the Australian music industry, Mark Lizotte - or Diesel to his friends - is one hell of a humble guy. First snapping necks with Johnny Diesel & The Injectors in the mid to late 1980s, the...First snapping necks with Johnny Diesel & The Injectors in the mid to late 1980s, the 90s saw Diesel launch a solo career that has seen his career progress in a steady trajectory that is a testament to the workman-like way in which he goes about his business. Singer, guitarist, producer and multi-instrumentalist, Diesel has mastered all aspects of his craft with a youthful exuberance and genuine love for music that is as infectious as it is rare.
After releasing his 17th studio album Bootleg Melancholy in 2023, Diesel could be forgiven for being a touch pickier about where, when and how he plays, but by talking to the man, you get the feeling such thoughts are barely a whisper in his subconsciousness. Instead, Diesel has spent much of this year on the road, culminating with his current By Request Tour, which sees fans and audience members choosing his nightly set list in a performance where it is guaranteed no two shows will be alike.
But rather than hang his guitar on the rack at the completion of this successful run of shows, Diesel recently announced his intentions to fire it back up again for round 2 early next year, with another 21 shows added from January through to April. And seeing how it is blatantly obvious Diesel doesn't know what to do with his spare time, HEAVY jumps at the chance to keep him busy by accepting the invitation to have a yarn about life on the road. We start by pointing out that he must be a glutton for punishment to basically turn straight back around and head out for another run of shows.
"I hope it's not punishment," Diesel laughed. "No, it's been really fun, I have to say. I've really enjoyed these ones. I think in the back of my mind, I was always like, well, if we're going to do regionals, let's do some cities too. Take it to the big smoke."
We get a bit cheeky and ask if the songs for each night's set list are 100% as voted by the fans, or if he sometimes takes liberties with what he feels like or doesn't feel like playing.
"I try to attach a person's story or name to every song," he smiled. "I've got the analytics come to me in a document, and it's all very… It's great, actually. They've got graphs of songs and which ones have been chosen, and I can see which ones are more popular than others on particular nights. It's a lot of information for me to digest. And along with that, I think the thing that is most usable and intangible are the comments that people write about why they want that song."
In the full interview, we ask Diesel if there have been many surprise requests, any that he has seen come up and cringed, and if he can see any trends between different eras of his career. We ask how he remembers so many songs on demand, the range of songs people can draw from, and the personal nature of these particular performances.
We look back on his career and ask Diesel if he ever has time to reflect on his achievements, next year's run, which starts in Tasmania and ends at the Sydney Opera House, the prestige of playing there, and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>886australia,byrequesttour,diesel,guitar,heavy,johnnydiesel&theinjectors,krispeters,marklizotte,music,musicpodcast,rock,rockinterview,rockmusic,tourfalsefullhttps://www.spreaker.com/episode/three-decades-deep-art-alexikas-from-everclear-gets-candid--6847088990’s alt-rock legends Everclear are heading back down under in November, ready to kick off their 30-year Anniversary tour of their debut album Sparkle and Fade. HEAVY Mag's Ali Williams caught up with frontman and founder Art Alexikas to chat about the tour, their huge success in Australia and what fans can expect when they swing through in a few weeks.
Hailing all the way from Portland, Oregon, Everclear started making a name for themselves in the early 90s when their debut, independently released album World of Noise (1993) would gain them credit on the home front and East Coast Alt Rock scenes. But that was nothing compared to the epic surge they felt after signing to Capitol Records. In 1995, Sparkle and Fade was released, and in what felt like overnight, the world fell in love with them.
Australian audiences couldn’t get enough, with the album going platinum soon after its release and reaching 9th place on the ARIA charts of the same year. Their music has that Cali Coast grunge vibe and lyrics that struck a chord with those who could relate.
Singing about growing up left of centre, trying to make it in the world, overcoming childhood trauma, teenage angst, underwritten by the influence of recreational drug use and powered by the sex drive of a young adult in top gear still learning the road rules, seemed to resonate with young listeners, and their following albums had the same effect.
For many Australians who were teenagers in the 90s, Sparkle and Fade was the soundtrack to their misspent youth, cassette tapes played on repeat, driving along the coastline, windows down, the summer heat thick, mixed with the distinct pungent odour of leaded petrol and dank kush being choofed in another bong hit billowing out of their prized Datto 120Y in clouds of fury. Life was good.
Art recalls the moment he realised that their track Local God had become an anthem in Australia when the head of EMI Records asked him before a show why it wasn’t on the set list. He couldn’t believe it and from then on says “we can’t come to Australia and not play Local God,” surprised that a song written as a soundtrack for Baz Luhrmann's remake of Romeo and Juliet had struck such a chord with Australian audiences.
Alexikas also shares some insight into what it’s like still touring and battling MS, a debilitating, lifelong chronic illness. At 63, Art is definitely showing no signs of slowing down, although he admits he’s a little slower than the fast pace he’d once lived. Tickets for Sparkle and Fade are available from www.ticketmaster.com and www.everclearmusic.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68470889Sat, 08 Nov 2025 07:02:12 +0000HEAVY MagazineInterview by Ali Williams 90’s alt-rock legends Everclear are heading back down under in November, ready to kick off their 30-year Anniversary tour of their debut album Sparkle and Fade. HEAVY Mag's Ali Williams caught up with frontman and founder Art...90’s alt-rock legends Everclear are heading back down under in November, ready to kick off their 30-year Anniversary tour of their debut album Sparkle and Fade. HEAVY Mag's Ali Williams caught up with frontman and founder Art Alexikas to chat about the tour, their huge success in Australia and what fans can expect when they swing through in a few weeks.
Hailing all the way from Portland, Oregon, Everclear started making a name for themselves in the early 90s when their debut, independently released album World of Noise (1993) would gain them credit on the home front and East Coast Alt Rock scenes. But that was nothing compared to the epic surge they felt after signing to Capitol Records. In 1995, Sparkle and Fade was released, and in what felt like overnight, the world fell in love with them.
Australian audiences couldn’t get enough, with the album going platinum soon after its release and reaching 9th place on the ARIA charts of the same year. Their music has that Cali Coast grunge vibe and lyrics that struck a chord with those who could relate.
Singing about growing up left of centre, trying to make it in the world, overcoming childhood trauma, teenage angst, underwritten by the influence of recreational drug use and powered by the sex drive of a young adult in top gear still learning the road rules, seemed to resonate with young listeners, and their following albums had the same effect.
For many Australians who were teenagers in the 90s, Sparkle and Fade was the soundtrack to their misspent youth, cassette tapes played on repeat, driving along the coastline, windows down, the summer heat thick, mixed with the distinct pungent odour of leaded petrol and dank kush being choofed in another bong hit billowing out of their prized Datto 120Y in clouds of fury. Life was good.
Art recalls the moment he realised that their track Local God had become an anthem in Australia when the head of EMI Records asked him before a show why it wasn’t on the set list. He couldn’t believe it and from then on says “we can’t come to Australia and not play Local God,” surprised that a song written as a soundtrack for Baz Luhrmann's remake of Romeo and Juliet had struck such a chord with Australian audiences.
Alexikas also shares some insight into what it’s like still touring and battling MS, a debilitating, lifelong chronic illness. At 63, Art is definitely showing no signs of slowing down, although he admits he’s a little slower than the fast pace he’d once lived. Tickets for Sparkle and Fade are available from www.ticketmaster.com and www.everclearmusic.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>884aliwilliams,australia,everclear,heavy,interview,music,musicinterview,rock,sparkleandfade,tourtruefullhttps://www.spreaker.com/episode/metal-for-breakfast-with-vox-realis--68387939The result is his recently released debut single Overkill, which also features Felipe Andreoli (Angra) on bass and Dirk Verbeuren (Megadeth) on drums. HEAVY recently sat down to chat with the young guitarist and start by asking him to go into the musical side of Overkill a bit deeper.
"I knew that I needed to find my own voice, and I wanted to make sure that what was in my head was represented in the song," Realis measured. "I'm really about tones, and so I really just embraced a song structure that is accessible to listeners, but I can still get what I want from my head into the song. This song is full of emotion, and I had lots of fun with the different effects and the drive and really capturing what I was feeling. School and life is pretty hard at 13 (laughs), and this song is my first attempt to communicate those sometimes conflicting and really big emotions."
We bring up his age and ask Realis if it is difficult being thrust into the limelight so young.
"Yes," he replied honestly, "but everyone is so supportive and excited to see where this all goes. They also recognise that I'm young and all this guitar needs to be my choice. My parents, my mentors and my teacher, they all help me keep a balanced life and encourage me to embrace the long and patient journey that is becoming a musician."
In the full interview, we talk more about Overkill and bringing the song to life. Vox tells us about the writing process for the song and how he put his own DNA through it. He mentions the two guest musicians playing on the track and how they came to be involved, as well as having Kiko Loureiro as his mentor and the importance of that in his future plans.
Vox talks about his passion for guitar and having old-style metal musicians as inspiration, but sprinkling enough of himself into the creative process to make it his own. He talks of future musical plans and what got him interested in guitar, plus winning the Musicians Institute Summer Program Scholarship and what it means moving forward. He spoke of future plans and mapping things out in steps, Metal For Breakfast and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68387939Sat, 08 Nov 2025 05:40:56 +0000HEAVY MagazineWhile most kids are out and about trying to think up what trouble they could possibly get into, 13-year-old Vox Realis was indoors, practising his guitar. Ever since picking up his first guitar at just 7 years of age, Realis has ploughed all of his...The result is his recently released debut single Overkill, which also features Felipe Andreoli (Angra) on bass and Dirk Verbeuren (Megadeth) on drums. HEAVY recently sat down to chat with the young guitarist and start by asking him to go into the musical side of Overkill a bit deeper.
"I knew that I needed to find my own voice, and I wanted to make sure that what was in my head was represented in the song," Realis measured. "I'm really about tones, and so I really just embraced a song structure that is accessible to listeners, but I can still get what I want from my head into the song. This song is full of emotion, and I had lots of fun with the different effects and the drive and really capturing what I was feeling. School and life is pretty hard at 13 (laughs), and this song is my first attempt to communicate those sometimes conflicting and really big emotions."
We bring up his age and ask Realis if it is difficult being thrust into the limelight so young.
"Yes," he replied honestly, "but everyone is so supportive and excited to see where this all goes. They also recognise that I'm young and all this guitar needs to be my choice. My parents, my mentors and my teacher, they all help me keep a balanced life and encourage me to embrace the long and patient journey that is becoming a musician."
In the full interview, we talk more about Overkill and bringing the song to life. Vox tells us about the writing process for the song and how he put his own DNA through it. He mentions the two guest musicians playing on the track and how they came to be involved, as well as having Kiko Loureiro as his mentor and the importance of that in his future plans.
Vox talks about his passion for guitar and having old-style metal musicians as inspiration, but sprinkling enough of himself into the creative process to make it his own. He talks of future musical plans and what got him interested in guitar, plus winning the Musicians Institute Summer Program Scholarship and what it means moving forward. He spoke of future plans and mapping things out in steps, Metal For Breakfast and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1001guitar,heavy,heavymetal,krispeters,metal,metalinterview,metalpodcast,music,realis,thrashmetal,voxfalsefullhttps://www.spreaker.com/episode/musical-closure-with-matt-flood-from-caskets--68464611But the dreaded sophomore album - especially if the debut is a raging success - is usually the one by which a band is judged. And more than you think fail. There's a multitude of reasons and excuses for this, but we are here to dwell on the positives, not the negatives.
Yorkshire melodic metal outfit Caskets fall firmly into this category. Following the breakthrough global success of their first album Lost Souls, Caskets went more introspective for the follow-up, Reflections, and although it, too, was well received, the band themselves still felt they could do better. And so it is that the band approached album number three, the hurdle of the dreaded second album behind them.
It was another fresh approach from Caskets, with frontman Matt Flood opening up and delving into deeply personal troubles like never before on The Only Heaven You’ll Know, which is out now. It was a risk, in a sense, inviting fans to take such a journey with a band on only their third album, but one which looks set to pay dividends, with Flood joining HEAVY to dive deeper. One of the topics of discussion was a quote from Flood that said, "this record is the sound of me falling apart in real time", which we ask him to elaborate on.
"I write, or I sing, or I've written lyrics where a lot of the meanings of these songs are written about parts of me, or aspects of my life that I've - in all honesty - been too scared or anxious to talk about before," he explained. "Ever. To anyone. I feel like it's time for me now to get these… not only thoughts out of my head for my own sake, but I know that this type of stuff that I've gone through in the past and what I've sung about in these new songs, I know they will potentially help other people listening. They will relate to it, and I hope it helps them find some closure or helps them feel heard and feel seen. A lot of the songs are about my dealings with my belief in Faith and my past with addictions and parts of my upbringing, and my own self-criticisms as well. It's about time I took a little bit of responsibility for some of the bad I've done in my life that I have kept inside and pent up. I let that out not just for me, but so other people can hear that it's fine to acknowledge that sometimes you can be the bad person in a situation, but also know that we all have bad in us, and we all do bad things, but it's also fine to forgive yourself and try and find forgiveness."
In the full interview, Matt talks more about the personal nature of The Only Heaven You’ll Know, what they were going for musically, how the album is the best representation yet of Caskets as a band and how such personal lyrics help in his own healing process.
He talks about the early days of Caskets and the band's early vision, how it has changed since, and their future goals as a band. Matt also talks about how each album has to stand on its own merits rather than repeat the winning formula of what came before, their Australian tour next year and what to expect, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68464611Fri, 07 Nov 2025 17:37:11 +0000HEAVY MagazineFor most bands, album number two is make-or-break time. The general consensus is that a band's debut album is their easiest, taking into account things like no pressure as an unknown band and having a larger amount of time to come up with material and...But the dreaded sophomore album - especially if the debut is a raging success - is usually the one by which a band is judged. And more than you think fail. There's a multitude of reasons and excuses for this, but we are here to dwell on the positives, not the negatives.
Yorkshire melodic metal outfit Caskets fall firmly into this category. Following the breakthrough global success of their first album Lost Souls, Caskets went more introspective for the follow-up, Reflections, and although it, too, was well received, the band themselves still felt they could do better. And so it is that the band approached album number three, the hurdle of the dreaded second album behind them.
It was another fresh approach from Caskets, with frontman Matt Flood opening up and delving into deeply personal troubles like never before on The Only Heaven You’ll Know, which is out now. It was a risk, in a sense, inviting fans to take such a journey with a band on only their third album, but one which looks set to pay dividends, with Flood joining HEAVY to dive deeper. One of the topics of discussion was a quote from Flood that said, "this record is the sound of me falling apart in real time", which we ask him to elaborate on.
"I write, or I sing, or I've written lyrics where a lot of the meanings of these songs are written about parts of me, or aspects of my life that I've - in all honesty - been too scared or anxious to talk about before," he explained. "Ever. To anyone. I feel like it's time for me now to get these… not only thoughts out of my head for my own sake, but I know that this type of stuff that I've gone through in the past and what I've sung about in these new songs, I know they will potentially help other people listening. They will relate to it, and I hope it helps them find some closure or helps them feel heard and feel seen. A lot of the songs are about my dealings with my belief in Faith and my past with addictions and parts of my upbringing, and my own self-criticisms as well. It's about time I took a little bit of responsibility for some of the bad I've done in my life that I have kept inside and pent up. I let that out not just for me, but so other people can hear that it's fine to acknowledge that sometimes you can be the bad person in a situation, but also know that we all have bad in us, and we all do bad things, but it's also fine to forgive yourself and try and find forgiveness."
In the full interview, Matt talks more about the personal nature of The Only Heaven You’ll Know, what they were going for musically, how the album is the best representation yet of Caskets as a band and how such personal lyrics help in his own healing process.
He talks about the early days of Caskets and the band's early vision, how it has changed since, and their future goals as a band. Matt also talks about how each album has to stand on its own merits rather than repeat the winning formula of what came before, their Australian tour next year and what to expect, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1595album,australia,caskets,heavy,heavymetal,krispeters,mattflood,melodichardcore,melodicmetal,metal,metalinterview,music,musicinterview,tour,wecameasromanstruefullhttps://www.spreaker.com/episode/taking-metal-to-the-mountains-with-shaun-farrugia-from-in-malice-s-wake--68461883One such festival is Metal In The Mountains, which is set to go down in Beechworth Historic Precinct on November 29. Featuring Frankenbok, In Malices Wake, Goat Sharman, Whisperhead, Saralisse, ESP Mayhem, Oblivion and Sufferance, Metal In The Mountains is an annual regional event held in picturesque Beechworth under the open sky and gets bigger, better and louder each year. Throw in the fact that you can take the kids along for an education in metal, and you can't go wrong!
With the festival just weeks away, HEAVY caught up with guitarist/vocalist Shaun Farrugia from In Malice's Wake to talk shop.
"We started, I'd say, as a bit more of an old school thrash band, but over the course of recording the last five albums we've definitely gone to a much heavier death-infused band," he began, introducing In Malice's Wake for those unfamiliar with the band. "We've been kicking it for about 20 years now, and we're stoked for Metal In The Mountains. It's our last gig for the year, and everything I've heard seems to indicate that it's super well attended. It's a bit of a hub for all the regional towns, and it's supposed to absolutely go off. I had a few friends who played it last year who said it's the regional one to go to."
We mention the cross-section of metal styles on display over the eight bands and praise the modern trend of diversification in line-ups as opposed to the older style of keeping it more like-for-like.
"Yeah, that's right," he said, nodding in approval. "And it just keeps the day a bit fresh. I really miss Metal For The Brain back in the early 2000s, because you'd go to a show like that and there would be just so many different bands. You'd see, I don't know, Lorde playing next to Hobb's Angel of Death, for example. It was just a full day where you'd see all these world-class bands, but the vibe and the range of things to see, there'd always be something interesting happening."
In the full interview, Shaun talks more about Metal In The Mountains, doing research on the other bands playing, what we can expect from In Malice's Wake, three songs to listen to if you aren't familiar with the band, Metal In The Mountains being all ages and the plusses in doing such a thing, the importance of Australian only festivals in the growth of Australian metal, In Malice's Wake changing sound over the years, next year's new album The Profound Darkness and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68461883Fri, 07 Nov 2025 14:34:36 +0000HEAVY MagazineIt's a great sign in the modern music scene in Australia that there are still festivals in this country that feature exclusively homegrown bands. It is a testament to the quality of music at our disposal, and also just reward for Australian bands who...One such festival is Metal In The Mountains, which is set to go down in Beechworth Historic Precinct on November 29. Featuring Frankenbok, In Malices Wake, Goat Sharman, Whisperhead, Saralisse, ESP Mayhem, Oblivion and Sufferance, Metal In The Mountains is an annual regional event held in picturesque Beechworth under the open sky and gets bigger, better and louder each year. Throw in the fact that you can take the kids along for an education in metal, and you can't go wrong!
With the festival just weeks away, HEAVY caught up with guitarist/vocalist Shaun Farrugia from In Malice's Wake to talk shop.
"We started, I'd say, as a bit more of an old school thrash band, but over the course of recording the last five albums we've definitely gone to a much heavier death-infused band," he began, introducing In Malice's Wake for those unfamiliar with the band. "We've been kicking it for about 20 years now, and we're stoked for Metal In The Mountains. It's our last gig for the year, and everything I've heard seems to indicate that it's super well attended. It's a bit of a hub for all the regional towns, and it's supposed to absolutely go off. I had a few friends who played it last year who said it's the regional one to go to."
We mention the cross-section of metal styles on display over the eight bands and praise the modern trend of diversification in line-ups as opposed to the older style of keeping it more like-for-like.
"Yeah, that's right," he said, nodding in approval. "And it just keeps the day a bit fresh. I really miss Metal For The Brain back in the early 2000s, because you'd go to a show like that and there would be just so many different bands. You'd see, I don't know, Lorde playing next to Hobb's Angel of Death, for example. It was just a full day where you'd see all these world-class bands, but the vibe and the range of things to see, there'd always be something interesting happening."
In the full interview, Shaun talks more about Metal In The Mountains, doing research on the other bands playing, what we can expect from In Malice's Wake, three songs to listen to if you aren't familiar with the band, Metal In The Mountains being all ages and the plusses in doing such a thing, the importance of Australian only festivals in the growth of Australian metal, In Malice's Wake changing sound over the years, next year's new album The Profound Darkness and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>839aussiemetal,beechworthhistoricaldistrict,deathmetal,festival,frankenbok,groovemetal,hardrock,heavy,heavymetal,inmaliceswake,krispeters,metal,metalfestival,metalinterview,metalinthemountains,metalpodcast,music,thrashmetaltruefullhttps://www.spreaker.com/episode/a-decade-of-maturity-with-scott-anderson-from-finger-eleven--68442785But when Toronto-based rock outfit Finger Eleven sat down to write and record their new album Last Night On Earth - their first in a decade - the decision was made to stick with their existing structure and bring the sounds that had made them a household name back to life by their own volition, in their own way and image.
The result is a highly entertaining slab of music which harks back to Finger Eleven's musical roots while still retaining their relevance in the modern age of music. HEAVY took the chance to catch up with frontman Scott Anderson to break things down, starting with how he is feeling about the album release.
"I'm feeling good," he beamed. "I have felt everything there is to feel about this album. It's been a long journey, and I'm so happy that it's finally coming to an end and it's going to materialise in an actual record. I'm thrilled."
We ask if he feels there is extra pressure on the album, given the lengthy amount of time between releases.
"I think there's a lot of pressure because of the time," he nodded, "you can't just put out anything. There's been so much time that's gone by, and so I think that hung over our heads a little bit. But it doesn't change the day-to-day writing where it's like, okay, we're still going to try to do the best we can. That's what Finger Eleven does. We're going to get in a room and try to make whatever idea we're working on the very best it can be."
In the full interview Scott dives deeper into the musicality of Last Night On Earth, if the personal growth of each band member shows in the finished product, the singles released and how they represent the album as a whole, keeping their earlier sound while using modern technology, the start of the album and the small nuances that prepare you for this particular journey, having Richard Patrick guest on one song, having an acoustic number as the title track and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68442785Thu, 06 Nov 2025 08:27:41 +0000HEAVY MagazineTen years is a long time in music, especially when you take into account the changes in the music industry, which magnify with each passing year. When a band decides to have a break from making music for that amount of time, the temptation to try and...But when Toronto-based rock outfit Finger Eleven sat down to write and record their new album Last Night On Earth - their first in a decade - the decision was made to stick with their existing structure and bring the sounds that had made them a household name back to life by their own volition, in their own way and image.
The result is a highly entertaining slab of music which harks back to Finger Eleven's musical roots while still retaining their relevance in the modern age of music. HEAVY took the chance to catch up with frontman Scott Anderson to break things down, starting with how he is feeling about the album release.
"I'm feeling good," he beamed. "I have felt everything there is to feel about this album. It's been a long journey, and I'm so happy that it's finally coming to an end and it's going to materialise in an actual record. I'm thrilled."
We ask if he feels there is extra pressure on the album, given the lengthy amount of time between releases.
"I think there's a lot of pressure because of the time," he nodded, "you can't just put out anything. There's been so much time that's gone by, and so I think that hung over our heads a little bit. But it doesn't change the day-to-day writing where it's like, okay, we're still going to try to do the best we can. That's what Finger Eleven does. We're going to get in a room and try to make whatever idea we're working on the very best it can be."
In the full interview Scott dives deeper into the musicality of Last Night On Earth, if the personal growth of each band member shows in the finished product, the singles released and how they represent the album as a whole, keeping their earlier sound while using modern technology, the start of the album and the small nuances that prepare you for this particular journey, having Richard Patrick guest on one song, having an acoustic number as the title track and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1183album,betternoisemusic,fingereleven,hardrock,heavy,krispeters,music,musicpodcast,rock,rockinterview,rockmusic,scottandersontruefullhttps://www.spreaker.com/episode/opening-fresh-wounds-with-ray-macdonald-from-200-stab-wounds--68322293Which is what has made 200 Stab Wounds' rapid ascension up the metaphorical metal ladder all the more impressive. In just six years, the band have solidified a global base of loyal supporters, with some in the know proclaiming them as death metal legends in the making. But legend status is not something handed out freely. It has to be earned, then earned again, and Australian audiences will have the opportunity to judge for themselves when 200 Stab Wounds hit this country for the first time this November, teaming up with fellow purveyors of brutality, Dying Fetus. It is a match made in the bowels of Hell and one which is certain to shake Australia to the core, but first HEAVY elected to sit down with 200 Stab Wounds' guitarist Ray Macdonald to see how the band is approaching their first trip Down Under. 
One of the questions we ask is if 200 Stab Wounds have toured with Dying Fetus previously. "Yes, we've played with them before," Ray affirmed. "We did a tour with them in the US, and it was a great time. They are great dudes, their team are great dudes. We all got along really well."
We mention the fact that having two brutal bands on tour together would keep each other on their toes, keeping the bar at a consistently high level so as not to disappoint.
"I mean, Dying Fetus are legends," he replied. "They are arguably one of the heaviest bands - if not the heaviest band ever - so watching them and knowing that we have to set the stage for them every night makes us definitely want to push our game up for sure."
In the full interview, Ray talks more about the band's debut Australian tour, including why it has taken them so long to get out here. We talk about touring a country for the first time and how Ray approaches the experience, what they are expecting from Australian crowds and what we can expect from 200 Stab Wounds and how crazy shit gets in the mosh pit.
We spoke about how quickly 200 Stab Wounds have established themselves in the death metal scene and what he thinks it is that makes them stand out. The topic of musical experimentation comes up as Ray tells us how the band have changed and grown musically over their two albums, how much experimenting they have in them moving forward and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68322293Mon, 03 Nov 2025 09:28:56 +0000HEAVY MagazineThe world of death metal is relentless and unforgiving, with hardcore fans renowned for their refusal to have pity nor understanding for anything that isn't pure of metal. As such, new bands to the fold face a literal baptism of fire with no quarter...Which is what has made 200 Stab Wounds' rapid ascension up the metaphorical metal ladder all the more impressive. In just six years, the band have solidified a global base of loyal supporters, with some in the know proclaiming them as death metal legends in the making. But legend status is not something handed out freely. It has to be earned, then earned again, and Australian audiences will have the opportunity to judge for themselves when 200 Stab Wounds hit this country for the first time this November, teaming up with fellow purveyors of brutality, Dying Fetus. It is a match made in the bowels of Hell and one which is certain to shake Australia to the core, but first HEAVY elected to sit down with 200 Stab Wounds' guitarist Ray Macdonald to see how the band is approaching their first trip Down Under. 
One of the questions we ask is if 200 Stab Wounds have toured with Dying Fetus previously. "Yes, we've played with them before," Ray affirmed. "We did a tour with them in the US, and it was a great time. They are great dudes, their team are great dudes. We all got along really well."
We mention the fact that having two brutal bands on tour together would keep each other on their toes, keeping the bar at a consistently high level so as not to disappoint.
"I mean, Dying Fetus are legends," he replied. "They are arguably one of the heaviest bands - if not the heaviest band ever - so watching them and knowing that we have to set the stage for them every night makes us definitely want to push our game up for sure."
In the full interview, Ray talks more about the band's debut Australian tour, including why it has taken them so long to get out here. We talk about touring a country for the first time and how Ray approaches the experience, what they are expecting from Australian crowds and what we can expect from 200 Stab Wounds and how crazy shit gets in the mosh pit.
We spoke about how quickly 200 Stab Wounds have established themselves in the death metal scene and what he thinks it is that makes them stand out. The topic of musical experimentation comes up as Ray tells us how the band have changed and grown musically over their two albums, how much experimenting they have in them moving forward and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>599200stabwounds,australia,brutal,deathmetal,dyingfetus,extrememetal,heavy,krispeters,metal,metalinterview,metalpodcast,soundworksdirecttouring,tourtruefullhttps://www.spreaker.com/episode/water-under-the-bridge-with-nato-from-beastwars--68395680Along the way, they have experimented with progressive rock elements, but for their upcoming sixth studio album, The Ship/The Sea, Beastwars have taken their sound back to its roots to deliver a punchy amalgamation of everything that got them to this point, with a stronger emphasis on metal. 
The result has seen The Ship/The Sea described as one of the band's most intense and cathartic albums by the few who have laid ears on the album, but regardless of the backstory, there is no denying that Beastwars have come up with another winner, as we all shall hear when the album is released on November 7. With a run of shows in Australia to follow soon after the album drops, HEAVY sat down with drummer Nato to get the inside information, at one point asking him to describe the album musically.
"We've done six records and I think with most bands, their first album is probably going to be their best record," he measured. "And their second album is hopefully better, and then if they make a better second album, it means their career goes pretty well. I think that we did that on our level. I'm not saying that we changed the world or anything, but our second album was pretty good, and the people who are into this sort of music really liked it. And then the albums that came after that, we went down a little bit of a different path, getting a bit more proggy and maybe going away from the sounds that we first created, which was much more direct. A lot of the recent songs had a much more linear song structure. I'd start somewhere, and I'd end up somewhere completely different, which I really love. But this record has really gone back to what the first two albums were like, just a lot more direct, heavy, riff-based, but still being a more standard sort of song structure."
In the full interview, Nato described the album as a return to a heavier sound, contrasting it with their previous experimental work, and emphasised the thematic significance of water, representing purification and chaos. 
He recounted their recording experience in Mount Maunganui, New Zealand, where the beachfront setting allowed for focused creativity, and explained the artistic choices behind the album's opening track and cover art by Nick Keller. The conversation also covered the band's tour schedule starting November 12, marking their first visit to Australia since 2020, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68395680Mon, 03 Nov 2025 09:24:55 +0000HEAVY MagazineNew Zealand sludge/psych metal outfit Beastwars have been dominating the metal landscape ever since unleashing their self-titled debut album in 2011. Defying trends and convention, each subsequent album was just as good as, if not better than, the...Along the way, they have experimented with progressive rock elements, but for their upcoming sixth studio album, The Ship/The Sea, Beastwars have taken their sound back to its roots to deliver a punchy amalgamation of everything that got them to this point, with a stronger emphasis on metal. 
The result has seen The Ship/The Sea described as one of the band's most intense and cathartic albums by the few who have laid ears on the album, but regardless of the backstory, there is no denying that Beastwars have come up with another winner, as we all shall hear when the album is released on November 7. With a run of shows in Australia to follow soon after the album drops, HEAVY sat down with drummer Nato to get the inside information, at one point asking him to describe the album musically.
"We've done six records and I think with most bands, their first album is probably going to be their best record," he measured. "And their second album is hopefully better, and then if they make a better second album, it means their career goes pretty well. I think that we did that on our level. I'm not saying that we changed the world or anything, but our second album was pretty good, and the people who are into this sort of music really liked it. And then the albums that came after that, we went down a little bit of a different path, getting a bit more proggy and maybe going away from the sounds that we first created, which was much more direct. A lot of the recent songs had a much more linear song structure. I'd start somewhere, and I'd end up somewhere completely different, which I really love. But this record has really gone back to what the first two albums were like, just a lot more direct, heavy, riff-based, but still being a more standard sort of song structure."
In the full interview, Nato described the album as a return to a heavier sound, contrasting it with their previous experimental work, and emphasised the thematic significance of water, representing purification and chaos. 
He recounted their recording experience in Mount Maunganui, New Zealand, where the beachfront setting allowed for focused creativity, and explained the artistic choices behind the album's opening track and cover art by Nick Keller. The conversation also covered the band's tour schedule starting November 12, marking their first visit to Australia since 2020, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>936album,australia,beastwars,beatscartel,hardrock,heavy,heavymetal,krispeters,metal,metalinterview,music,psychmetal,sludgemetal,tourtruefullhttps://www.spreaker.com/episode/leaning-into-heavier-territory-with-drue-herring-from-bad-juju--68388841With a unique blending of 90’s grunge, 00’s nu metal and modern hardcore, the band have opened up differing sides to their musical psyche with every release, and have done so again on their most recent EP, Simulacra. The release draws inspiration from the concept of simulacra and simulation, and explores the distortion of reality in the digital age. Each track unpacks themes of identity, perception, and the struggle to find authenticity in a world of artificial narratives.
With the album being out for one week, HEAVY caught up with drummer Drue Herring to discuss the new music and more.
"The reception's been great so far," Herring smiled. "With this new EP, we went back to our heavier roots. Seeing as we all come from heavier bands, it was nice to blend a little bit of the younger musicians' taste that we've been playing in previous bands before into this new body of work. Linkin Park, Limp Bizkit, Korn, all that type of stuff is music that all of us guys grew up on. We just wanted to influence a little bit of that type of sound towards what we were previously doing. And also just on the back of that, just for the live shows, we always feel like those heavier types of songs that are a bit more energetic and a bit faster, just have an overall better type of vibe."
In the full interview, Drue highlights the positive early reception for Simulacra and describes the EP as their most ambitious work, drawing inspiration from influential bands like Linkin Park and Limp Bizkit to create a more energetic sound. He explains the collaborative songwriting process, where guitarists develop initial ideas before the group finalizes the tracks and how the songs came together.
The discussion also includes the revival of vinyl records, with a limited edition of the EP being pressed, how much further Bad Juju will go with their sound, how this is the band's most ambitious release, finding the balance between genres in the creative process and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68388841Sun, 02 Nov 2025 17:16:16 +0000HEAVY MagazineFor almost a decade, Melbourne alternative rockers Bad Juju have walked the tightrope between various genres, unafraid to experiment within or outside of their comfort zone. With a unique blending of 90’s grunge, 00’s nu metal and modern hardcore, the...With a unique blending of 90’s grunge, 00’s nu metal and modern hardcore, the band have opened up differing sides to their musical psyche with every release, and have done so again on their most recent EP, Simulacra. The release draws inspiration from the concept of simulacra and simulation, and explores the distortion of reality in the digital age. Each track unpacks themes of identity, perception, and the struggle to find authenticity in a world of artificial narratives.
With the album being out for one week, HEAVY caught up with drummer Drue Herring to discuss the new music and more.
"The reception's been great so far," Herring smiled. "With this new EP, we went back to our heavier roots. Seeing as we all come from heavier bands, it was nice to blend a little bit of the younger musicians' taste that we've been playing in previous bands before into this new body of work. Linkin Park, Limp Bizkit, Korn, all that type of stuff is music that all of us guys grew up on. We just wanted to influence a little bit of that type of sound towards what we were previously doing. And also just on the back of that, just for the live shows, we always feel like those heavier types of songs that are a bit more energetic and a bit faster, just have an overall better type of vibe."
In the full interview, Drue highlights the positive early reception for Simulacra and describes the EP as their most ambitious work, drawing inspiration from influential bands like Linkin Park and Limp Bizkit to create a more energetic sound. He explains the collaborative songwriting process, where guitarists develop initial ideas before the group finalizes the tracks and how the songs came together.
The discussion also includes the revival of vinyl records, with a limited edition of the EP being pressed, how much further Bad Juju will go with their sound, how this is the band's most ambitious release, finding the balance between genres in the creative process and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>548australia,badjuju,grunge,hardrock,heavy,heavymetal,krispeters,metalinterview,music,musicinterview,numetal,rocktruefullhttps://www.spreaker.com/episode/rocking-out-with-hzed-behind-the-music-and-future-plans--68386605HZED band’s leading lady Tenaye swung to chat with HEAVY’s Ali Williams amidst their hectic rehearsal schedule for their new single release Save Yourself. Released on October 17, Save Yourself is the latest single from Melbourne’s HZED. The band has had some recent line-up changes, and with that comes fresh, new vibrant energy.
The female lead group have been on the circuit for a number of years delivering riff-driven old school rock with raw, new energy. Having recently had their heads down and in the studio writing new material, HZED is about to bring their new tracks to the stage with a couple of performances over the coming weeks for their home crowd in Melbourne.
Temaye speaks of the commitment the bands had to staying consistent and working hard to get the results they want, and it shows; their new track slaps hard. Coming together every week to rehearse plays a big role in being able to go out there and perform live. With hopes to add some more shows to their roster for next year, they are also focusing on eventually releasing another album sometime in the near future.
Proudly doing it for the girls, Tenaye’s vibrant energy and passion for heavy metal is infectious as she hopes to inspire more girls to get out there and shred it. She’s definitely an asset to the band and an inspiration for females in the rock industry.
Save Yourself is out now and available on all platforms, and information about their shows and tickets can be found on the band's Facebook page https://www.facebook.com/HZEDBAND


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68386605Sun, 02 Nov 2025 12:30:51 +0000HEAVY MagazineInterview by Ali Williams HZED band’s leading lady Tenaye swung to chat with HEAVY’s Ali Williams amidst their hectic rehearsal schedule for their new single release Save Yourself. Released on October 17, Save Yourself is the latest single from...HZED band’s leading lady Tenaye swung to chat with HEAVY’s Ali Williams amidst their hectic rehearsal schedule for their new single release Save Yourself. Released on October 17, Save Yourself is the latest single from Melbourne’s HZED. The band has had some recent line-up changes, and with that comes fresh, new vibrant energy.
The female lead group have been on the circuit for a number of years delivering riff-driven old school rock with raw, new energy. Having recently had their heads down and in the studio writing new material, HZED is about to bring their new tracks to the stage with a couple of performances over the coming weeks for their home crowd in Melbourne.
Temaye speaks of the commitment the bands had to staying consistent and working hard to get the results they want, and it shows; their new track slaps hard. Coming together every week to rehearse plays a big role in being able to go out there and perform live. With hopes to add some more shows to their roster for next year, they are also focusing on eventually releasing another album sometime in the near future.
Proudly doing it for the girls, Tenaye’s vibrant energy and passion for heavy metal is infectious as she hopes to inspire more girls to get out there and shred it. She’s definitely an asset to the band and an inspiration for females in the rock industry.
Save Yourself is out now and available on all platforms, and information about their shows and tickets can be found on the band's Facebook page https://www.facebook.com/HZEDBAND


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>798aliwilliams,aussierock,australia,hardrock,heavy,hzed,metal,music,musicinterview,musicpodcast,rock,singletruefullhttps://www.spreaker.com/episode/taking-out-the-trash-with-butch-vig-from-garbage--68340346But it was also a time where work for musicians was plentiful, be it trying your hand at creating what was to become the next musical revolution or branching out into other fields within the music industry. It was a time where it was okay to mess up, because in those early years of a new era of music, mistakes were welcomed. Encouraged in some instances.
It was also a time when an aspiring musician was making a name for himself as a producer, latching on to the fascination with all things grunge and throwing his DNA behind the musical revolution from inside the studio. The place where the magic happens. His name? Butch Vig. Back then Vig was relatively unknown, but before long would become known as one of the pioneers of this sonic movement, producing bands such as Nirvana, the Smashing Pumpkins, L7, and Sonic Youth. Butch could have set himself up as a producer for as long as he liked, but the discontent grew inside him, leaving him bored and disillusioned despite his obvious talents.
Rather than allow the lingering darkness to fully take over, Butch instead turned his attentions to creating and playing the music, in the process uniting with three other like-minded musicians and forming a rock outfit called Garbage, who still have the same original four members some thirty years later. Butch realised that in life, you must forge your own path. Pain is fleeting, the darkness penetrable. The easiest way for it to consume you is to sit by while it slowly takes control. Or you can go out and get that thing you want. Make it happen. Just like Butch Vig did some thirty years ago.
With Garbage set to touch down in a matter of weeks for the first time in a decade as part of Good Things 2025, HEAVY jumped at the chance to get a little nostalgic when we sat down for a chat with drummer Butch Vig.
"We are so psyched to be coming there," he said warmly. "We have a huge fan base there. I'm going down there to play some shows, but also I'm going early, and I'm gonna stay late in Australia, so I actually can be a tourist for a few days. I'm bringing my wife along, who has never been there before. So I'm really psyched to come back."
We point out that it has been a while between drinks.
"Like I say, I am coming down early," Butch laughed, almost apologising. "We're going down to New Zealand early, then we're gonna stay extra time in Australia because I haven't been there in a while. Garbage hasn't been there for a while, and I wanna be able to take in the country and spend some time there. In the US run, we play a show, and then we get on the bus and we drive overnight and play a show again, then get on the bus and drive overnight. We have tonight off in Salt Lake City, but rarely do we have days off, so I really wanna get down there and be a proper tourist for a few days.
In the full interview, Butch tells us what has changed with Garbage since their last tour a decade ago. He introduces us to their new bass player and highlights some different elements she has brought to the band's music. We talk more about the tour and what to expect, reflecting on the eclectic mixture of bands at Good Things, and run over the pros and cons of genre-specific festivals opposed to ones with a wide range of different music.
We spoke about the vibe backstage at music festivals and if the musicians mix with bands outside of their genre, plus Butch suggested three songs for Good Things attendees to listen to from Garbage if they are not familiar with the band's music. Butch took us through the early days of the band, including his disillusionment with music at the time, and how forming Garbage helped reignite his musical spark. We asked him about the success of Garbage's self-titled debut album and if the band had any inkling they were onto something special after finishing it, the importance of continuity within the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68340346Fri, 31 Oct 2025 23:08:13 +0000HEAVY MagazineThe 1990s were a turbulent time for music. The advent of gentrification began in earnest as strains and side strains of sidestrains of different sounds came together to supposedly enhance our listening pleasure. Newer styles- or genres if you will -...But it was also a time where work for musicians was plentiful, be it trying your hand at creating what was to become the next musical revolution or branching out into other fields within the music industry. It was a time where it was okay to mess up, because in those early years of a new era of music, mistakes were welcomed. Encouraged in some instances.
It was also a time when an aspiring musician was making a name for himself as a producer, latching on to the fascination with all things grunge and throwing his DNA behind the musical revolution from inside the studio. The place where the magic happens. His name? Butch Vig. Back then Vig was relatively unknown, but before long would become known as one of the pioneers of this sonic movement, producing bands such as Nirvana, the Smashing Pumpkins, L7, and Sonic Youth. Butch could have set himself up as a producer for as long as he liked, but the discontent grew inside him, leaving him bored and disillusioned despite his obvious talents.
Rather than allow the lingering darkness to fully take over, Butch instead turned his attentions to creating and playing the music, in the process uniting with three other like-minded musicians and forming a rock outfit called Garbage, who still have the same original four members some thirty years later. Butch realised that in life, you must forge your own path. Pain is fleeting, the darkness penetrable. The easiest way for it to consume you is to sit by while it slowly takes control. Or you can go out and get that thing you want. Make it happen. Just like Butch Vig did some thirty years ago.
With Garbage set to touch down in a matter of weeks for the first time in a decade as part of Good Things 2025, HEAVY jumped at the chance to get a little nostalgic when we sat down for a chat with drummer Butch Vig.
"We are so psyched to be coming there," he said warmly. "We have a huge fan base there. I'm going down there to play some shows, but also I'm going early, and I'm gonna stay late in Australia, so I actually can be a tourist for a few days. I'm bringing my wife along, who has never been there before. So I'm really psyched to come back."
We point out that it has been a while between drinks.
"Like I say, I am coming down early," Butch laughed, almost apologising. "We're going down to New Zealand early, then we're gonna stay extra time in Australia because I haven't been there in a while. Garbage hasn't been there for a while, and I wanna be able to take in the country and spend some time there. In the US run, we play a show, and then we get on the bus and we drive overnight and play a show again, then get on the bus and drive overnight. We have tonight off in Salt Lake City, but rarely do we have days off, so I really wanna get down there and be a proper tourist for a few days.
In the full interview, Butch tells us what has changed with Garbage since their last tour a decade ago. He introduces us to their new bass player and highlights some different elements she has brought to the band's music. We talk more about the tour and what to expect, reflecting on the eclectic mixture of bands at Good Things, and run over the pros and cons of genre-specific festivals opposed to ones with a wide range of different music.
We spoke about the vibe backstage at music festivals and if the musicians mix with bands outside of their genre, plus Butch suggested three songs for Good Things attendees to listen to from...]]>978australia,destroyalllines,garbage,goodthingsfestival,hardrock,heavy,krispeters,musicfestival,musicinterview,musicpodcast,punk,rockfalsefullhttps://www.spreaker.com/episode/music-metal-rotting-your-brain-with-monica-strut-from-the-last-martyr--68311182It was ultimately a combination of many different factors of life and music that stood as a buffer between maintaining momentum and walking the tightrope of everyday life, but if the absolute carnage that is their upcoming single Brain Rot is anything to go by, The Last Martyr have decided it's time to reacquaint themselves with their fans. And not by easing back into things, either.
Harking back to their nu metal roots, The Last Martyr have proved that while they might not have been as prolific in the public forum, that doesn't mean they have remained idle in the creative realm. Brain Rot is a seething, attitude-laced descent into a world diminished by the rapid emergence of the digital age and the many fears, problems, and disconnections that come with it.
Throw in the fact that vocalist Monica Strut was recently crowned as a deserved winner of the Women In Heavy Music Award at this year's Australian Women's Music Awards, and you have a potent mix of tempered aggression and personal embodiment that is just waiting to be unleashed. HEAVY spent time earlier this week with Monica to talk about the new single and her recent recognition by her peers.
"I think it's just one of those milestones that is so rare, especially in the music industry," she relayed when asked if winning the award has sunk in yet, "and as a woman, and in Australia. There's obviously the ARIA's, but you really have to be so on top of your game to win an ARIA. We don't have many awards like this in Australia, and there's something really special about even just being invited to the ceremony."
We question Monica on the gap between releases and ask if she thinks The Last Martyr may have lost momentum in that time.
"We thought we weren't going to do it justice if we rushed it," she said of Brain Rot. "We had the song ready, but in terms of being a musician, it's not just about writing music. You've got to prepare all the contents, and you've got to have the marketing for it and create the single artwork. So I think we've delayed it a little bit, mainly due to logistical reasons."
We bring up the return to a more nu metalcore sound and ask if that is going to remain the way forward for The Last Martyr.
"We're always going to experiment," Monica shrugged. "We're never going to be a band that sticks with a certain sound and then just copy/ paste. We have too many ideas, and we always want to be pushing ourselves as artists. But what I will say is I feel like this song and the next batch of songs, they're the best songwriting that we've ever done in terms of arrangements and everything like that."
In the full interview, we explored the shift back to The Last Martyr's roots in more detail, discussing the reasons behind the return and how Monica thinks fans will react. We talked more about her recent Award and what it means to her as a person and an artist, also mentioning the previous two winners and how tight-knit the Australian metal circle is.
We spoke more about not rushing into releasing anything straight after Requiem, whether Brain Rot is a standalone single or part of a bigger album picture, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68311182Thu, 30 Oct 2025 01:48:13 +0000HEAVY MagazineAfter establishing themselves as serious contenders in the ever-growing Australian music landscape with their 2024 EP Requiem, Melbourne hard rock outfit The Last Martyr seemingly went into their shells, still playing the odd show but failing to...It was ultimately a combination of many different factors of life and music that stood as a buffer between maintaining momentum and walking the tightrope of everyday life, but if the absolute carnage that is their upcoming single Brain Rot is anything to go by, The Last Martyr have decided it's time to reacquaint themselves with their fans. And not by easing back into things, either.
Harking back to their nu metal roots, The Last Martyr have proved that while they might not have been as prolific in the public forum, that doesn't mean they have remained idle in the creative realm. Brain Rot is a seething, attitude-laced descent into a world diminished by the rapid emergence of the digital age and the many fears, problems, and disconnections that come with it.
Throw in the fact that vocalist Monica Strut was recently crowned as a deserved winner of the Women In Heavy Music Award at this year's Australian Women's Music Awards, and you have a potent mix of tempered aggression and personal embodiment that is just waiting to be unleashed. HEAVY spent time earlier this week with Monica to talk about the new single and her recent recognition by her peers.
"I think it's just one of those milestones that is so rare, especially in the music industry," she relayed when asked if winning the award has sunk in yet, "and as a woman, and in Australia. There's obviously the ARIA's, but you really have to be so on top of your game to win an ARIA. We don't have many awards like this in Australia, and there's something really special about even just being invited to the ceremony."
We question Monica on the gap between releases and ask if she thinks The Last Martyr may have lost momentum in that time.
"We thought we weren't going to do it justice if we rushed it," she said of Brain Rot. "We had the song ready, but in terms of being a musician, it's not just about writing music. You've got to prepare all the contents, and you've got to have the marketing for it and create the single artwork. So I think we've delayed it a little bit, mainly due to logistical reasons."
We bring up the return to a more nu metalcore sound and ask if that is going to remain the way forward for The Last Martyr.
"We're always going to experiment," Monica shrugged. "We're never going to be a band that sticks with a certain sound and then just copy/ paste. We have too many ideas, and we always want to be pushing ourselves as artists. But what I will say is I feel like this song and the next batch of songs, they're the best songwriting that we've ever done in terms of arrangements and everything like that."
In the full interview, we explored the shift back to The Last Martyr's roots in more detail, discussing the reasons behind the return and how Monica thinks fans will react. We talked more about her recent Award and what it means to her as a person and an artist, also mentioning the previous two winners and how tight-knit the Australian metal circle is.
We spoke more about not rushing into releasing anything straight after Requiem, whether Brain Rot is a standalone single or part of a bigger album picture, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1148aussiemetal,brainrot,heavy,heavymetal,hornsup,krispeters,lastmartyr,metal,metalcore,metalhead,metalinterview,metalpodcast,monicastrut,music,musicinterview,musicpodcast,numetaltruefullhttps://www.spreaker.com/episode/exploring-new-horizons-and-new-releases-mark-from-solence-brings-us-up-to-speed--68330368The success they saw from this catapulted them into the algorithm, which meant Spotify was kind to them, and we all know what happens when you scratch Spotify in the right place.
Making a significant amount of their music during the COVID epidemic had unprecedented results, none of which could be predicted. As Markus stated, Solence could see the numbers they had, but that didn’t transpire into the realisation that those numbers were real people actually digesting their music. So when they were invited to perform alongside Five Finger Death Punch, the band individually and collectively had their minds blown at the surreal nature of their growth.
Fast-forward to 2025, and Solence are locked in and serious about gaining more traction. Their latest release, Angels Calling, comes out on October 31 and will be available on all platforms. That date corresponds with the band's upcoming European tour that kicks off on November 7 and finishes up on December 6.
Markus informs us that after their tour, Solence have some exciting new plans for 2026, and although he stopped short of revealing what those plans were, he has strongly recommended fans stay tuned and keep a close eye on things.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68330368Thu, 30 Oct 2025 01:44:23 +0000HEAVY MagazineElectro metal group Solence frontman Markus Videsäter caught up with HEAVY's Ali Williams to chat about their upcoming release, Angels Calling, and the inevitable album tour. Originally from LA, these guys are now settled in Sweden in the hope of...The success they saw from this catapulted them into the algorithm, which meant Spotify was kind to them, and we all know what happens when you scratch Spotify in the right place.
Making a significant amount of their music during the COVID epidemic had unprecedented results, none of which could be predicted. As Markus stated, Solence could see the numbers they had, but that didn’t transpire into the realisation that those numbers were real people actually digesting their music. So when they were invited to perform alongside Five Finger Death Punch, the band individually and collectively had their minds blown at the surreal nature of their growth.
Fast-forward to 2025, and Solence are locked in and serious about gaining more traction. Their latest release, Angels Calling, comes out on October 31 and will be available on all platforms. That date corresponds with the band's upcoming European tour that kicks off on November 7 and finishes up on December 6.
Markus informs us that after their tour, Solence have some exciting new plans for 2026, and although he stopped short of revealing what those plans were, he has strongly recommended fans stay tuned and keep a close eye on things.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1451aliwilliams,betternoisemusic,electronicmetal,electrorock,hardrock,heavy,metal,music,musicinterview,rock,solencetruefullhttps://www.spreaker.com/episode/involuntary-shutdown-with-link-from-the-meanies--68327924It seems The Meanies can't ever put a foot wrong, even when it comes to apathetically releasing a song recorded 25 years ago that just happens to have worked its way to the surface, although, admittedly they did hedge their bets somewhat by inviting another classic Aussie band from that era in Frenzal Rhomb to provide a cover of Play This Song Every Night on the B Side.
From the late 1980s and into this century, Melbourne pop punk-meets-hardcore-meets-punk-meets-attitude outfit The Meanies have crawled and fought their way into the halls of Australian music royalty, generally not caring either way about the trappings of success and the money and problems that invariably come with it. Put simply, The Meanies are the band that keeps on giving, and if you have no idea about why or how these guys have etched themselves into the realm of champions, then I suggest you repeat Grade 5. Or maybe listen to this chat HEAVY recently had with frontman Link Meanie. We ask him how a song could just be found after 25 years in captivity, to which he had a strangely semi-serious answer.
"We initially released an EP and a couple of more EPs from that recording session," he explained. "The more traditional Meanies-type songs. But I was just a bit confused at the time and recorded a whole bunch of ridiculous shit. There was a disco song, there's a fucking country song. I don't know what the fuck I was thinking, but yeah. So we did release those, and we had a whole bunch of other stuff that we've gradually done a bunch of singles with. So we'll have one of those tracks on the A side and a couple of Aussie bands covering our songs on the other side. So we've been lucky enough to have some really good bands do that."
In the full interview, Link told us the story behind the suddenly found music and why it has been drip-fed over the years. We discussed the song itself, Shutdown, and the funkier direction it takes, asking if that was a direction The Meanies had contemplated taking 25 years ago. He told us of the fun he had writing and recording that sexier number, and the potential for The Meanies to rebrand themselves as sex symbols.
We chatted about having Frenzal Rhomb and Leeches! feature on the B Side, each band covering a different song by The Meanies. We also spoke about the friendship and connection between them and Frenzal, and some fun times they have had together over the years. The topic of grunge music and its global invasion was raised, and how The Meanies started up around the same time, but never conformed to what was a rapidly expanding genre. He told us about the band's single launch tour starting on October 31 and what fans can expect, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68327924Wed, 29 Oct 2025 08:22:03 +0000HEAVY MagazineCertain things in this world should always be spoken in the same breath. Be it respect, acceptance or merely just because that's the way it has always been, some things you just don't mess with. Like a pie and tomato sauce, a Tim Tam straw, bacon and...It seems The Meanies can't ever put a foot wrong, even when it comes to apathetically releasing a song recorded 25 years ago that just happens to have worked its way to the surface, although, admittedly they did hedge their bets somewhat by inviting another classic Aussie band from that era in Frenzal Rhomb to provide a cover of Play This Song Every Night on the B Side.
From the late 1980s and into this century, Melbourne pop punk-meets-hardcore-meets-punk-meets-attitude outfit The Meanies have crawled and fought their way into the halls of Australian music royalty, generally not caring either way about the trappings of success and the money and problems that invariably come with it. Put simply, The Meanies are the band that keeps on giving, and if you have no idea about why or how these guys have etched themselves into the realm of champions, then I suggest you repeat Grade 5. Or maybe listen to this chat HEAVY recently had with frontman Link Meanie. We ask him how a song could just be found after 25 years in captivity, to which he had a strangely semi-serious answer.
"We initially released an EP and a couple of more EPs from that recording session," he explained. "The more traditional Meanies-type songs. But I was just a bit confused at the time and recorded a whole bunch of ridiculous shit. There was a disco song, there's a fucking country song. I don't know what the fuck I was thinking, but yeah. So we did release those, and we had a whole bunch of other stuff that we've gradually done a bunch of singles with. So we'll have one of those tracks on the A side and a couple of Aussie bands covering our songs on the other side. So we've been lucky enough to have some really good bands do that."
In the full interview, Link told us the story behind the suddenly found music and why it has been drip-fed over the years. We discussed the song itself, Shutdown, and the funkier direction it takes, asking if that was a direction The Meanies had contemplated taking 25 years ago. He told us of the fun he had writing and recording that sexier number, and the potential for The Meanies to rebrand themselves as sex symbols.
We chatted about having Frenzal Rhomb and Leeches! feature on the B Side, each band covering a different song by The Meanies. We also spoke about the friendship and connection between them and Frenzal, and some fun times they have had together over the years. The topic of grunge music and its global invasion was raised, and how The Meanies started up around the same time, but never conformed to what was a rapidly expanding genre. He told us about the band's single launch tour starting on October 31 and what fans can expect, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1046aussiemusic,bandinterview,bandpodcast,frenzalrhomb,hardcore,heavy,heavymetal,krispeters,linkmeanie,music,musicinterview,musicpodcast,poppunk,punk,rock,single,themeanies,tourtruefullhttps://www.spreaker.com/episode/clearing-skies-with-jodi-phillis-from-the-clouds--68319945Coming together towards the end of 1989, The Clouds quickly stamped their own class on the Australian music scene, playing by no rules except their own and daring to colour way outside of the lines to create a sonic tapestry of eclectic beauty that saw the band rapidly surpass the growing movement to create one of their own.
By blending dreamy pop, angular rock, and hazy shoegaze elements with warm melodies and poetic, insightful lyrics, The Clouds - armed with two part female harmonies which were almost unheard before in a band situation at the time - have stood the test of time and character, reaching their 35th anniversary as a band with little or no signs of conforming to industry expectations despite the obvious benefits of doing so.
To celebrate this milestone, The Clouds embark on a select run of three capital city shows through November in what is sure to be a poignant trip down memory lane for anyone who has even only slightly followed the band and their music over the last three and a bit decades. HEAVY sat down recently with guitarist/vocalist Jodi Phillis to find out more, pointing out that 35 years as a band is as good an excuse as any to hit the stage.
"It's a bit surreal and a bit crazy," she smiled, looking back on the last 35 years, "but yes, it's always good to have an excuse. Something to hang the tour on, as they say."
We bring up the obvious fact that The Clouds have to play certain songs that fans almost demand - like Hieronymus, Red Serenade, Say It and Soul Eater - but also raise the point that being a special anniversary run, the band has the right to be self-indulgent to a degree.
"We're doing a combination," Jodi laughed. "So we're going to do those ones that we know that the audience enjoys, and we still enjoy playing them otherwise we wouldn't do them. But yeah, we're definitely going to put back in some of the ones that we've dropped for a while that were also our favourites. Plus, we're putting in a couple that are really obscure, so it will be fun."
In the full interview, Jodi talks more about the shows and the reasons behind doing three select performances instead of a traditional pub run, keeping match fit and being in a position to perform to your best as the hands of Father Time inevitably catch up and who else other than herself and Patricia Young will be part of the tour.
We chat about the early days of The Clouds and the emergence of alternative music, with Jodi deliberating on their place in the alternative movement and how the band sonically negotiated that period. She brings up relearning songs that were written nearly forty years ago and how they have stood the test of time, the balance between playing their existing catalogue and writing new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68319945Tue, 28 Oct 2025 22:43:19 +0000HEAVY MagazineAt a time when much of the music industry was still finding its feet after the rapid emergence of alternative rock, Sydney up-and-comers The Clouds took a different approach. Rather than grow with the music trend that was sweeping the country, they...Coming together towards the end of 1989, The Clouds quickly stamped their own class on the Australian music scene, playing by no rules except their own and daring to colour way outside of the lines to create a sonic tapestry of eclectic beauty that saw the band rapidly surpass the growing movement to create one of their own.
By blending dreamy pop, angular rock, and hazy shoegaze elements with warm melodies and poetic, insightful lyrics, The Clouds - armed with two part female harmonies which were almost unheard before in a band situation at the time - have stood the test of time and character, reaching their 35th anniversary as a band with little or no signs of conforming to industry expectations despite the obvious benefits of doing so.
To celebrate this milestone, The Clouds embark on a select run of three capital city shows through November in what is sure to be a poignant trip down memory lane for anyone who has even only slightly followed the band and their music over the last three and a bit decades. HEAVY sat down recently with guitarist/vocalist Jodi Phillis to find out more, pointing out that 35 years as a band is as good an excuse as any to hit the stage.
"It's a bit surreal and a bit crazy," she smiled, looking back on the last 35 years, "but yes, it's always good to have an excuse. Something to hang the tour on, as they say."
We bring up the obvious fact that The Clouds have to play certain songs that fans almost demand - like Hieronymus, Red Serenade, Say It and Soul Eater - but also raise the point that being a special anniversary run, the band has the right to be self-indulgent to a degree.
"We're doing a combination," Jodi laughed. "So we're going to do those ones that we know that the audience enjoys, and we still enjoy playing them otherwise we wouldn't do them. But yeah, we're definitely going to put back in some of the ones that we've dropped for a while that were also our favourites. Plus, we're putting in a couple that are really obscure, so it will be fun."
In the full interview, Jodi talks more about the shows and the reasons behind doing three select performances instead of a traditional pub run, keeping match fit and being in a position to perform to your best as the hands of Father Time inevitably catch up and who else other than herself and Patricia Young will be part of the tour.
We chat about the early days of The Clouds and the emergence of alternative music, with Jodi deliberating on their place in the alternative movement and how the band sonically negotiated that period. She brings up relearning songs that were written nearly forty years ago and how they have stood the test of time, the balance between playing their existing catalogue and writing new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>771alternativerock,aussierock,hardrock,heavy,jodiphillis,krispeters,metal,music,rock,thecloudstruefullhttps://www.spreaker.com/episode/defying-expectations-with-lucas-nav-and-merry-from-to-octavia--68308680With the breakout success of their EP Somewhere In A World, Not Of The Dream, it would have been tempting and sensible to rehash the same winning formula for their debut album Melodrama. Their sound had obviously struck a chord with the music-loving public, and more of the same would have likely instantly propelled them into the next level of aspiring artists. But more of the same wasn't on the minds of To Octavia, who instead followed a darker, heavier path more in keeping line with their own musical progression, leaving behind the safety net they had worked so hard for and once again throwing their choices and music at the mercy of the public.
It was a decision that has already shown dividends with four singles already making a splash, and with Melodrama coming out this Friday, October 31, it seems like the band's bold decision to defy expectations is not going to backfire on them.
HEAVY caught up with guitarist Nav Jay, vocalist Merry Kirk-Holmes and drummer Lucas Keurntjes to chat more and start by asking how they are feeling on the cusp of the album's release.
"Very excited," enthused Merry. "This album has been in the works for a very long time, so it's really exciting to finally get it out."
We ask the boys to dive deeper into Melodrama musically.
"We were all on the same page when we were writing it and taking it to whatever it was going to be," Merry replied. "We didn't know it was going to be an album at the time. But I guess there's more of a darker tone than the previous EP, Wonderland, which is a bit more upbeat, a bit more poppy and rocky. We decided naturally that we'd go back to our more metal influences, like our roots, really. And that led to experimenting more and more with different kinds of sounds and things."
In the full interview, To Octavia tell us more about the musical side of Melodrama and how it is heavier than previous offerings. They detail their thoughts on taking the music in a darker direction and discuss the need to further expand their sound rather than play it safe.
They discussed how their music has grown and will continue to grow, how Nav is fitting in to the band, the risk of alienating existing fans with the new direction and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68308680Tue, 28 Oct 2025 20:10:49 +0000HEAVY MagazineMelbourne rock/metal outfit To Octavia have shown their hand early in their career, resisting the temptation to follow in the path of easier acceptance in preference for staying true to their art. With the breakout success of their EP Somewhere In A...With the breakout success of their EP Somewhere In A World, Not Of The Dream, it would have been tempting and sensible to rehash the same winning formula for their debut album Melodrama. Their sound had obviously struck a chord with the music-loving public, and more of the same would have likely instantly propelled them into the next level of aspiring artists. But more of the same wasn't on the minds of To Octavia, who instead followed a darker, heavier path more in keeping line with their own musical progression, leaving behind the safety net they had worked so hard for and once again throwing their choices and music at the mercy of the public.
It was a decision that has already shown dividends with four singles already making a splash, and with Melodrama coming out this Friday, October 31, it seems like the band's bold decision to defy expectations is not going to backfire on them.
HEAVY caught up with guitarist Nav Jay, vocalist Merry Kirk-Holmes and drummer Lucas Keurntjes to chat more and start by asking how they are feeling on the cusp of the album's release.
"Very excited," enthused Merry. "This album has been in the works for a very long time, so it's really exciting to finally get it out."
We ask the boys to dive deeper into Melodrama musically.
"We were all on the same page when we were writing it and taking it to whatever it was going to be," Merry replied. "We didn't know it was going to be an album at the time. But I guess there's more of a darker tone than the previous EP, Wonderland, which is a bit more upbeat, a bit more poppy and rocky. We decided naturally that we'd go back to our more metal influences, like our roots, really. And that led to experimenting more and more with different kinds of sounds and things."
In the full interview, To Octavia tell us more about the musical side of Melodrama and how it is heavier than previous offerings. They detail their thoughts on taking the music in a darker direction and discuss the need to further expand their sound rather than play it safe.
They discussed how their music has grown and will continue to grow, how Nav is fitting in to the band, the risk of alienating existing fans with the new direction and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>876aussiemetal,australia,debutalbum,hardrock,heavy,heavymetal,krispeters,metal,music,musicinterview,musicpodcast,tooctaviafalsefullhttps://www.spreaker.com/episode/a-blending-of-cultures-with-kalandra--68303928While Kalandra - spearheaded by four Norwegian and Swedish musicians - make use of these Nordic elements, they also create a sonic tapestry laced with progressive rock and pop sensibilities that is both intimate and consuming. Led by Katrine Stenbekk’s sublime vocals, the band have spent over a decade refining their sound and building a world which has led to them sharing stages with acts like Wardruna, Leprous and Eivor while earning acclaim at festivals such as France's Hellfest and Norway’s Midgardsblot.
And now, it's Australia's turn as Kalandra prepare for their first ever trip to our shores, bringing their haunting, beautiful and immersive live experience to a new world filled with new opportunities for the band. HEAVY sat down with vocalist Katrine Stenbekk, guitarists Jogeir Daae Mæland and Florian Bernhard Döderlein Winter plus drummer Oskar Johnsen Rydh to find out more, starting with the final piece of the touring puzzle just falling into place.
"I just actually got my final email from the Australian government saying that I'm allowed to bring this little funny instrument in," Jogeir laughed, holding up a goat horn. "It's something about the nature instruments and the endangered species in Australia."
We ask the band about touring countries for the first time and if they do their homework, pointing out that the Australian sense of humour is a bit different to the rest of the world, offering the example that our way of showing friendship and respect is to pay out on each other.
"This is very good to know," Florian smiled. "This is like in Toulouse in France. We were very confused because when they boo, the whole crowd goes boo. Apparently, that means that they love it, which is very confusing for us. So yeah, learning these sorts of things like that is very useful to us."
In the full interview, we discuss in greater detail what we can expect from Kalandra's live show, why it has taken so long to get over here and what, if any, research they plan to do. We asked them to elaborate on the atmospherics with their music and how they translate to the live arena, as well as the blending of instruments in their music and how that translates live.
We spoke about Kalandra's upcoming EP Morketid and what it represents, as well as the musical growth in the band over their journey. I asked about getting the balance right in the creative process and how they know if they have gone too far or not far enough in any musical direction, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68303928Tue, 28 Oct 2025 20:07:42 +0000HEAVY MagazineNorse folk music has always been a more than handy bedfellow with metal music. Despite the obvious sonic contrasts between the two, they seem to combine well with each other, providing an unsettling ambience that could potentially veer into darker...While Kalandra - spearheaded by four Norwegian and Swedish musicians - make use of these Nordic elements, they also create a sonic tapestry laced with progressive rock and pop sensibilities that is both intimate and consuming. Led by Katrine Stenbekk’s sublime vocals, the band have spent over a decade refining their sound and building a world which has led to them sharing stages with acts like Wardruna, Leprous and Eivor while earning acclaim at festivals such as France's Hellfest and Norway’s Midgardsblot.
And now, it's Australia's turn as Kalandra prepare for their first ever trip to our shores, bringing their haunting, beautiful and immersive live experience to a new world filled with new opportunities for the band. HEAVY sat down with vocalist Katrine Stenbekk, guitarists Jogeir Daae Mæland and Florian Bernhard Döderlein Winter plus drummer Oskar Johnsen Rydh to find out more, starting with the final piece of the touring puzzle just falling into place.
"I just actually got my final email from the Australian government saying that I'm allowed to bring this little funny instrument in," Jogeir laughed, holding up a goat horn. "It's something about the nature instruments and the endangered species in Australia."
We ask the band about touring countries for the first time and if they do their homework, pointing out that the Australian sense of humour is a bit different to the rest of the world, offering the example that our way of showing friendship and respect is to pay out on each other.
"This is very good to know," Florian smiled. "This is like in Toulouse in France. We were very confused because when they boo, the whole crowd goes boo. Apparently, that means that they love it, which is very confusing for us. So yeah, learning these sorts of things like that is very useful to us."
In the full interview, we discuss in greater detail what we can expect from Kalandra's live show, why it has taken so long to get over here and what, if any, research they plan to do. We asked them to elaborate on the atmospherics with their music and how they translate to the live arena, as well as the blending of instruments in their music and how that translates live.
We spoke about Kalandra's upcoming EP Morketid and what it represents, as well as the musical growth in the band over their journey. I asked about getting the balance right in the creative process and how they know if they have gone too far or not far enough in any musical direction, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1384australia,destroyalllines,folkmetal,hardrock,heavy,heavymetal,kalandra,krispeters,music,musicinterview,norsefolk,rock,tourfalsefullhttps://www.spreaker.com/episode/breaking-into-prison-with-daniel-konraosson-from-aborted--68275962For the last three decades, Aborted have pioneered death metal, taking no prisoners in their blending and cross-pollination of extreme metal, death-grind and ferocious extremities neatly wrapped in a ball of technical precision that defies their relentless approach. Their most recent album, Vault Of Horrors, solidified Aborted's supremacy, and now they are headed our way to spread sonic carnage across the land. While these three bands will complete a four-date capital city run themselves, Aborted and Archspire have also been invited to perform at both Froth & Fury Festival shows, rounding out the tour with bookends in Perth and Adelaide.
HEAVY sat down with Aborted's Daniel Konráðsson to find out what to expect. We start by asking if Aborted has hit the road with either Archspire or Organectomy before.
"We've toured with both of those bands before, absolutely," he smiled at the memory. "We did a summer tour with Archspire, which was a great time. We toured the U.S. together, North America, and had a lot of fun. Those guys definitely are very upper alley, both musically and personally. We've known those guys a long time; the two bands go way back. And sonically, I feel like they align as well, so that makes for a very good package. It's kind of broad, but it's also going to be pretty pummelling most of the way through, which is not bad (laughs). Organectomy were with us throughout Europe, and those guys were awesome. Absolutely awesome. So we're very excited to see them all again, definitely."
Over the full interview, the discussion focused on the upcoming Australian tour and live performances by Aborted. Dan shared insights on the importance of crowd participation in creating an engaging atmosphere during shows, emphasising that they aim to foster an active environment where the audience's enjoyment is key to a successful performance.
He expressed excitement for Froth & Fury Festival, highlighting the unique experience of a metal-only festival and the opportunity to discover new bands. Dan recommended three key songs for new listeners and reflected on his smooth transition into the band, noting his pride in enhancing their sound while maintaining high production quality in their latest album and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68275962Mon, 27 Oct 2025 20:41:47 +0000HEAVY MagazineWhat better way to kick off a new year than a trifecta of brutality? Which is exactly what Australia is getting next February when death metal miscreants Aborted join forces with Archspire and Organectomy for a tour so crushing they have had to name...For the last three decades, Aborted have pioneered death metal, taking no prisoners in their blending and cross-pollination of extreme metal, death-grind and ferocious extremities neatly wrapped in a ball of technical precision that defies their relentless approach. Their most recent album, Vault Of Horrors, solidified Aborted's supremacy, and now they are headed our way to spread sonic carnage across the land. While these three bands will complete a four-date capital city run themselves, Aborted and Archspire have also been invited to perform at both Froth & Fury Festival shows, rounding out the tour with bookends in Perth and Adelaide.
HEAVY sat down with Aborted's Daniel Konráðsson to find out what to expect. We start by asking if Aborted has hit the road with either Archspire or Organectomy before.
"We've toured with both of those bands before, absolutely," he smiled at the memory. "We did a summer tour with Archspire, which was a great time. We toured the U.S. together, North America, and had a lot of fun. Those guys definitely are very upper alley, both musically and personally. We've known those guys a long time; the two bands go way back. And sonically, I feel like they align as well, so that makes for a very good package. It's kind of broad, but it's also going to be pretty pummelling most of the way through, which is not bad (laughs). Organectomy were with us throughout Europe, and those guys were awesome. Absolutely awesome. So we're very excited to see them all again, definitely."
Over the full interview, the discussion focused on the upcoming Australian tour and live performances by Aborted. Dan shared insights on the importance of crowd participation in creating an engaging atmosphere during shows, emphasising that they aim to foster an active environment where the audience's enjoyment is key to a successful performance.
He expressed excitement for Froth & Fury Festival, highlighting the unique experience of a metal-only festival and the opportunity to discover new bands. Dan recommended three key songs for new listeners and reflected on his smooth transition into the band, noting his pride in enhancing their sound while maintaining high production quality in their latest album and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>980aborted,archspire,australia,deathmetal,extrememetal,froth&fury,heavy,interview,krispeters,metalinterview,metalpodcast,music,organectomy,tourtruefullhttps://www.spreaker.com/episode/respecting-the-horrors-of-war-with-dietmar-kumarberg-from-1914--68302314But when it comes to conceptual stories surrounding war and the atrocities associated with it, there are few bands who manage the task well. Subjects that have basis in reality and the suffering of others must have an authentic flavour to them in order to be respectful to those who have lived it and their families, with bands like Sabaton standing out for their continued excellence in this field.
But there is also another band who delves into the horrors of war with unnerving detail, except this time the band in question themselves live and/or were raised in a war zone. A real-life battle zone where life and death are a daily balancing act. As such, their music is not only based on fact, it is written in conflict.
That band is 1914, formed in Lviv, Ukraine, in 2014. From the outset, 1914 have written and sung about war - primarily WW1 - but the daily threat of war that lives on their doorstep enables the band to write with an eerie authenticity unlike most others. 1914's upcoming fourth album, Viribus Unitis, adheres to the same conceptual storyline as each of the other albums, except this time the story arc follows the personal accounts of a Ukrainian soldier in the K.u.K. army, following real events and tracing a timeline from 1914 to 1919. The album paints a grim journey through the war’s rise, climax, and hollow aftermath, combining a brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes.
HEAVY spoke with vocalist 2nd Division, 147th Infantry Regiment, Senior Lieutenant Dietmar Kumarberg (Dmytro Ternushchak) to find out more.
"I don't know how I must feel about it," he laughed, speaking with a thick Ukrainian accent. "At least I'm still alive - because I'm from Ukraine - so it's not bad at all in our circumstances. At least we did this, and we finished this album, and we will release it on Napalm Records. I feel some… let's call it happiness (laughs), because I'm allowed to do this, and it's not bad at all."
We ask him to dive into the album deeper musically.
"With this album - like all of ours - we started based on real historical events, with a lot of research," he replied. "It's a big concept. But with this album, we started in a completely different way. We based the whole album on the life of one soldier. This is a soldier from the Western part of Ukraine - my home town. This is the view from one soldier when he faced war at the very beginning of the First World War, and the Russians invaded my hometown, and his regiment must retreat, and he faces the huge battles."
In the full interview, Dietmar tells us more about the conceptual journey of the soldier, including his lonely end. He tells us the story behind the title - which is Latin for With United Forces and how it ties in with Viribus Unitus, including personal tales of battle he has endured living in Ukraine.
Dietmar goes further into the concept and explains how 1914 manage to create a sonic landscape and atmospherics that take the listener inside the war zone and the importance of research and factual information in their music. He talks of the personal toll writing about such horrific encounters leaves on him after an album cycle and runs us through what it is like living as a musician in Ukraine throughout the war and devastation, plus much more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68302314Mon, 27 Oct 2025 20:38:06 +0000HEAVY MagazineWhile the idea of conceptual records and music is nothing new, more often than not, these concepts are drawn from ideas, visions, or the minds of people who are passionate about the very thing they are writing about. While these musical storylines are...But when it comes to conceptual stories surrounding war and the atrocities associated with it, there are few bands who manage the task well. Subjects that have basis in reality and the suffering of others must have an authentic flavour to them in order to be respectful to those who have lived it and their families, with bands like Sabaton standing out for their continued excellence in this field.
But there is also another band who delves into the horrors of war with unnerving detail, except this time the band in question themselves live and/or were raised in a war zone. A real-life battle zone where life and death are a daily balancing act. As such, their music is not only based on fact, it is written in conflict.
That band is 1914, formed in Lviv, Ukraine, in 2014. From the outset, 1914 have written and sung about war - primarily WW1 - but the daily threat of war that lives on their doorstep enables the band to write with an eerie authenticity unlike most others. 1914's upcoming fourth album, Viribus Unitis, adheres to the same conceptual storyline as each of the other albums, except this time the story arc follows the personal accounts of a Ukrainian soldier in the K.u.K. army, following real events and tracing a timeline from 1914 to 1919. The album paints a grim journey through the war’s rise, climax, and hollow aftermath, combining a brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes.
HEAVY spoke with vocalist 2nd Division, 147th Infantry Regiment, Senior Lieutenant Dietmar Kumarberg (Dmytro Ternushchak) to find out more.
"I don't know how I must feel about it," he laughed, speaking with a thick Ukrainian accent. "At least I'm still alive - because I'm from Ukraine - so it's not bad at all in our circumstances. At least we did this, and we finished this album, and we will release it on Napalm Records. I feel some… let's call it happiness (laughs), because I'm allowed to do this, and it's not bad at all."
We ask him to dive into the album deeper musically.
"With this album - like all of ours - we started based on real historical events, with a lot of research," he replied. "It's a big concept. But with this album, we started in a completely different way. We based the whole album on the life of one soldier. This is a soldier from the Western part of Ukraine - my home town. This is the view from one soldier when he faced war at the very beginning of the First World War, and the Russians invaded my hometown, and his regiment must retreat, and he faces the huge battles."
In the full interview, Dietmar tells us more about the conceptual journey of the soldier, including his lonely end. He tells us the story behind the title - which is Latin for With United Forces and how it ties in with Viribus Unitus, including personal tales of battle he has endured living in Ukraine.
Dietmar goes further into the concept and explains how 1914 manage to create a sonic landscape and atmospherics that take the listener inside the war zone and the importance of research and factual information in their music. He talks of the personal toll writing about such horrific encounters leaves on him after an album cycle and runs us through what it is like living as a musician in Ukraine throughout the war and devastation, plus much more.


Become a supporter of this podcast: 14401914,album,deathmetal,doommetal,heavy,heavymetal,melodicdeathmetal,metal,metalmusic,metalpodcast,music,musicinterview,musicpodcast,napalmrecords,worldwar1truefullhttps://www.spreaker.com/episode/ready-to-rock-australia-with-jess-margera-from-cky--68276387Boasting a collection of killer rock anthems like 99 Quite Bitter Beings, Flesh Into Gear, Escape From Hellview and Familiar Realm, CKY's music is a huge part of the infamous Jackass TV series as well as just about every skate and surf compilation of the era and covered by the likes of modern superstars Polyphia, leaving a highly influential imprint on the current punk/alternate scene.
Following the infamous incident that forced the cancellation of their participation in the co-headline tour with Alien Ant Farm, CKY are finally making their way to Australia in January for three very special shows. HEAVY sat down with drummer Jess Margera to find out what to expect.
We can't help but point out it has been well over a decade since CKY were last out here. "I can't believe it's been 14 years, that's crazy." Jess laughed. We follow by asking what has changed with the band since the last tour.
"We have a new bass player, Mike Leon," he replied, "and man, he's a shredder. He worked with the Cavalera's, and he did some stuff with that new band IIgor. It's really cool. He makes my job easy (laughs)."
Talk turns to the early days of CKY and where they fit into the music scene.
"Same as now, we don't really fit in anywhere," Jess laughed, "which is a blessing and a curse. We've been doing this a long time, and a lot of bands can't really say that. So, it's funny when we play the festivals, because they don't know where to put us. We've played the metal stage, the punk stage, the rock stage… It's funny in that respect, but I think having our own sound has definitely afforded us to have a career. I don't take that for granted at all."
In the full interview, Jess talks more about touring, emphasizing the challenges of maintaining their high-energy live performances as the band ages, particularly in hot weather, while also addressing the complexities of curating a set list that appeals to a diverse fan base by analyzing streaming data.
Jess shared insights into CKY's unconventional rise to fame, highlighting the influence of skate culture and media appearances, including stunts for Jackass that sometimes led to injuries and tour cancellations. The conversation also touched on the band's eclectic musical style, their instinctual creative process, and the decision to release new music as singles in response to evolving listener habits, alongside reflections on memorable touring experiences, particularly in Japan.
TOUR DATES
Friday, Jan 23: Max Watts, Melbourne
Saturday, Jan 24: Crowbar, Sydney
Sunday, Jan 25: Crowbar, Brisbane


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68276387Mon, 27 Oct 2025 12:49:09 +0000HEAVY MagazineCKY are the flag bearers for big, raw, authentic, earth-shaking rock liberated from useless pretence. They burned it all down, with a raucous, anarchic rock sound soaked in the skate-punk culture that birthed them; and a hard-partying lifestyle...Boasting a collection of killer rock anthems like 99 Quite Bitter Beings, Flesh Into Gear, Escape From Hellview and Familiar Realm, CKY's music is a huge part of the infamous Jackass TV series as well as just about every skate and surf compilation of the era and covered by the likes of modern superstars Polyphia, leaving a highly influential imprint on the current punk/alternate scene.
Following the infamous incident that forced the cancellation of their participation in the co-headline tour with Alien Ant Farm, CKY are finally making their way to Australia in January for three very special shows. HEAVY sat down with drummer Jess Margera to find out what to expect.
We can't help but point out it has been well over a decade since CKY were last out here. "I can't believe it's been 14 years, that's crazy." Jess laughed. We follow by asking what has changed with the band since the last tour.
"We have a new bass player, Mike Leon," he replied, "and man, he's a shredder. He worked with the Cavalera's, and he did some stuff with that new band IIgor. It's really cool. He makes my job easy (laughs)."
Talk turns to the early days of CKY and where they fit into the music scene.
"Same as now, we don't really fit in anywhere," Jess laughed, "which is a blessing and a curse. We've been doing this a long time, and a lot of bands can't really say that. So, it's funny when we play the festivals, because they don't know where to put us. We've played the metal stage, the punk stage, the rock stage… It's funny in that respect, but I think having our own sound has definitely afforded us to have a career. I don't take that for granted at all."
In the full interview, Jess talks more about touring, emphasizing the challenges of maintaining their high-energy live performances as the band ages, particularly in hot weather, while also addressing the complexities of curating a set list that appeals to a diverse fan base by analyzing streaming data.
Jess shared insights into CKY's unconventional rise to fame, highlighting the influence of skate culture and media appearances, including stunts for Jackass that sometimes led to injuries and tour cancellations. The conversation also touched on the band's eclectic musical style, their instinctual creative process, and the decision to release new music as singles in response to evolving listener habits, alongside reflections on memorable touring experiences, particularly in Japan.
TOUR DATES
Friday, Jan 23: Max Watts, Melbourne
Saturday, Jan 24: Crowbar, Sydney
Sunday, Jan 25: Crowbar, Brisbane


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>767australia,cky,hardrock,heavy,heavymetal,jackass,jessmargera,krispeters,music,musicinterview,musicpodcast,punk,rock,skatepunk,thephoenix,tourtruefullhttps://www.spreaker.com/episode/confronting-the-enemy-with-chris-sorbye-from-smash-into-pieces--68283406But if you think getting somewhere near the top is hard, it's even harder staying there. All of a sudden, the weight of expectation falls heavier on your shoulders, and new music is critiqued on a level never experienced before. Which is why the next album from Smash Into Pieces couldn't just be as good as previous releases. It had to be better.
Which is exactly what Smash Into Pieces have achieved with Armaheaven, to be released on October 31. Continuing the battle between humanity and AI where previous album Ghost Code left off, Armaheaven paints an even bleaker picture of humanity's future, set to the backdrop of a cinematic and sonically abundant tapestry of riches throughout its 15 tracks. It is another step forward in the evolution of Smash Into Pieces, and reaffirms their growing status with an almost effortless ambience that hints at even more expansion to come.
HEAVY sat down with frontman Chris Sörbye to find out more.
"We have been working on this album for a long time," he told us. "There's a lot of songs there that have been with us for a long time, which we haven't really had the time to finish. For example, Devil In My Head has been with us for almost five years now. We didn't know what to make of that song in the early stages, but it turned out great."
In the full interview, Chris talks more about the musical side of Armaheaven, how it continues from Ghost Code, runs us through the storyline and gives some insightful thoughts into AI.
He talks us through the guest artists on the album, including Elize Ryd from Amaranthe and the history between the two bands. The topic of integrating cinematic scores into their music was discussed, as was the art of conveying emotion through atmospherics in the studio. Talk turned to their recent tour of Australia, the ever-evolving sonic palate explored by Smash Into Pieces and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68283406Mon, 27 Oct 2025 12:46:43 +0000HEAVY MagazineIn a relatively short amount of time as far as the music industry goes, Swedish rock outfit Smash Into Pieces have quickly risen to become one of the leading exponents of rock on the planet. After twice reaching the Swedish Eurovision final and...But if you think getting somewhere near the top is hard, it's even harder staying there. All of a sudden, the weight of expectation falls heavier on your shoulders, and new music is critiqued on a level never experienced before. Which is why the next album from Smash Into Pieces couldn't just be as good as previous releases. It had to be better.
Which is exactly what Smash Into Pieces have achieved with Armaheaven, to be released on October 31. Continuing the battle between humanity and AI where previous album Ghost Code left off, Armaheaven paints an even bleaker picture of humanity's future, set to the backdrop of a cinematic and sonically abundant tapestry of riches throughout its 15 tracks. It is another step forward in the evolution of Smash Into Pieces, and reaffirms their growing status with an almost effortless ambience that hints at even more expansion to come.
HEAVY sat down with frontman Chris Sörbye to find out more.
"We have been working on this album for a long time," he told us. "There's a lot of songs there that have been with us for a long time, which we haven't really had the time to finish. For example, Devil In My Head has been with us for almost five years now. We didn't know what to make of that song in the early stages, but it turned out great."
In the full interview, Chris talks more about the musical side of Armaheaven, how it continues from Ghost Code, runs us through the storyline and gives some insightful thoughts into AI.
He talks us through the guest artists on the album, including Elize Ryd from Amaranthe and the history between the two bands. The topic of integrating cinematic scores into their music was discussed, as was the art of conveying emotion through atmospherics in the studio. Talk turned to their recent tour of Australia, the ever-evolving sonic palate explored by Smash Into Pieces and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1765album,armaheaven,electronicmetal,hardrock,heavy,heavymetal,hornsup,interview,krispeters,metalhead,metalinterview,metalmusic,metalpodcast,music,musicinterview,rock,smashintopiecestruefullhttps://www.spreaker.com/episode/two-decades-of-dominance-with-zoltan-bathory-from-five-finger-death-punch--68234904Bursting out of the blocks with their 2007 debut album The Way Of The Fist, Five Finger Death Punch were on a collision course with the rest of the world, laying the foundations for a turbulent yet continual upwards trajectory.
By the time War Is The Answer followed two years later, the band were notorious for their rebellious spirit and ruthless approach to music, but love them or hate them, there was no denying Five Finger Death Punch were the real deal. For every one person who hated the band, there was another ten who loved them, and despite the public perception that 5FDP were the bad boys of metal, they maintained their belief and integrity and stayed on course.
Now, 20 years later, that trajectory is available for the world to share when Volume 2 of the band's Best Of double header is released on October 24 via Better Noise Music. Both albums feature music entirely re-recorded, with 5FDP tenaciously clinging to the notion that their music was to be celebrated, not recycled. On the eve of the release of Volume 2, HEAVY sat down for a chat with guitarist Zoltan Bathory to relive the journey that has been two decades in the making.
"It's kind of crazy, because by doing this little exercise of recording these songs, we got to sort of revisit our past, you know?" he began. "Because we are a forward-facing band, like what's next? Where are we going? What's the next thing we're doing? So it's not really that we're looking into the rearview mirror so much, and so this was kind of crazy, looking back… 20 years… if I had to put some money in and bet, I probably would bet against us (laughs). I would have lost, because not many bands make it that long. It's difficult. And from all bands, this was like… it was a fire tornado or whatever for the last 20 years (laughs)."
We ask Zoltan which of the two Best Of albums is his personal favourite.
"Each record has amazing moments, and both records have a song that has a feature," he measured. "The first one had Maria Brink, and that song became a number-one song. And it made a lot of sense. A lot of people don't know this, but In This Moment, and Maria and Five Finger Death Punch, our history is kind of intertwined. Not many people know this, but there was a band in Los Angeles that was a local band that was fairly big locally, but never really made it. And when this band fell apart, half of the band became In This Moment, and the other half went to Five Finger Death Punch. Then they got the record deal, I think, with Century Media. Then we got ours and we sort of grew in the same time. They were heavier, so they kind of went into that direction. We had radio songs, so the band obviously blew up."
In the full interview, Zoltan takes us into both albums in greater detail, highlighting the guest artists on each and why they were chosen. He explained the band's decision to re-record everything rather than re-mix it or touch it up with technology, and relayed some fun stories from their studio time.
We spoke about the never-before-released live songs on Volume 2 and how the band chose which songs to put on each album and why. Zoltan shared insights into changing certain bits of the songs, and if that was a rehearsed or jammed in the studio decision, what songs he may have fallen back in love with again during the process, plus he also revealed details of planned new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68234904Thu, 23 Oct 2025 09:31:50 +0000HEAVY MagazineCelebrating twenty years in the music industry is a great achievement in itself, but celebrating 20 years of sustained success is even better.  Bursting out of the blocks with their 2007 debut album The Way Of The Fist, Five Finger Death Punch were on...Bursting out of the blocks with their 2007 debut album The Way Of The Fist, Five Finger Death Punch were on a collision course with the rest of the world, laying the foundations for a turbulent yet continual upwards trajectory.
By the time War Is The Answer followed two years later, the band were notorious for their rebellious spirit and ruthless approach to music, but love them or hate them, there was no denying Five Finger Death Punch were the real deal. For every one person who hated the band, there was another ten who loved them, and despite the public perception that 5FDP were the bad boys of metal, they maintained their belief and integrity and stayed on course.
Now, 20 years later, that trajectory is available for the world to share when Volume 2 of the band's Best Of double header is released on October 24 via Better Noise Music. Both albums feature music entirely re-recorded, with 5FDP tenaciously clinging to the notion that their music was to be celebrated, not recycled. On the eve of the release of Volume 2, HEAVY sat down for a chat with guitarist Zoltan Bathory to relive the journey that has been two decades in the making.
"It's kind of crazy, because by doing this little exercise of recording these songs, we got to sort of revisit our past, you know?" he began. "Because we are a forward-facing band, like what's next? Where are we going? What's the next thing we're doing? So it's not really that we're looking into the rearview mirror so much, and so this was kind of crazy, looking back… 20 years… if I had to put some money in and bet, I probably would bet against us (laughs). I would have lost, because not many bands make it that long. It's difficult. And from all bands, this was like… it was a fire tornado or whatever for the last 20 years (laughs)."
We ask Zoltan which of the two Best Of albums is his personal favourite.
"Each record has amazing moments, and both records have a song that has a feature," he measured. "The first one had Maria Brink, and that song became a number-one song. And it made a lot of sense. A lot of people don't know this, but In This Moment, and Maria and Five Finger Death Punch, our history is kind of intertwined. Not many people know this, but there was a band in Los Angeles that was a local band that was fairly big locally, but never really made it. And when this band fell apart, half of the band became In This Moment, and the other half went to Five Finger Death Punch. Then they got the record deal, I think, with Century Media. Then we got ours and we sort of grew in the same time. They were heavier, so they kind of went into that direction. We had radio songs, so the band obviously blew up."
In the full interview, Zoltan takes us into both albums in greater detail, highlighting the guest artists on each and why they were chosen. He explained the band's decision to re-record everything rather than re-mix it or touch it up with technology, and relayed some fun stories from their studio time.
We spoke about the never-before-released live songs on Volume 2 and how the band chose which songs to put on each album and why. Zoltan shared insights into changing certain bits of the songs, and if that was a rehearsed or jammed in the studio decision, what songs he may have fallen back in love with again during the process, plus he also revealed details of planned new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1077betternoisemusic,fivefingerdeathpunch,hardrock,heavy,heavymetal,krispeters,metal,metalinterview,metalpodcast,music,musicinterview,zoltanbathorytruefullhttps://www.spreaker.com/episode/the-end-is-just-the-beginning-with-wolfgang-van-halen--68237957Only recently I celebrated my five-year anniversary with HEAVY Mag and over the years I’ve had the privilege of meeting and interviewing some of the world’s biggest music stars, living out my wildest music nerd dreams. Nerves come and go depending on who it is that I’m interviewing, and ‘normally’ I hold my shit together. Today? Oh boy… Don’t get me wrong, I jumped at the opportunity to have a chat with Wolfgang Van Halen, although it wasn’t until I somehow blasted through THREE, yes three, whole pages of questions I wanted to ask that I sat back and reflected on the gravity of the occasion. I thought about what his music means to me, what his family’s music means to me, and how insane it was that I would be casually chatting to Wolf from my little office in Australia.
Wolf’s newest album from his band project Mammoth, The End, is due for its release on October 24, and this was a major topic interview. I wanted to know how this recording experience at the legendary 5150 Studios varied from his other Mammoth albums and what it was like to work with Robert Rodriguez on his self-titled film clip that honours the 1996 Quentin Tarantino horror film From Dusk Till Dawn as it celebrates turning 30 next year. If you haven’t already, do yourself a favour and watch it. Many Easter eggs await to be spotted… I’ll wait, hurry back...
Being a man of many hats, or instruments rather, I felt I already knew what his stance would be about this particular question, although trying to be a good journalist, I wanted to ask about AI/technology and see how he felt about its place in the music industry. His answer was pretty much F$%K AI. "There's no soul or heart behind it. It makes hot dogs - it’s all gross stuff and none of it is real". Great answer, and honestly, if I’m going to trust anyone’s opinion on the matter, it’s going to be the guy who’s taught himself instruments without asking a computer to ‘fill in the gaps’. AI has its place in mundane tasks, not in our creative community.
This was such a fun interview. We covered a lot of ground mapping out his music journey this far, dropping cool stories and treasured memories from over the years that only a Van Halen fan could subtly sprinkle in. Look, I could carry on all day - this is only meant to be a quick summary, go ahead and check out the video below and have Wolf tell you all about it himself!
Get ready to have your f*#$king socks blown clean off. The End is near, and for once, everyone is running towards it. Be prepared to turn it up LOUD with your air guitar and drum sticks ready on stand by.
Bye, legends!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68237957Wed, 22 Oct 2025 10:31:27 +0000HEAVY MagazineInterview by Kyra-Jade Coombs Only recently I celebrated my five-year anniversary with HEAVY Mag and over the years I’ve had the privilege of meeting and interviewing some of the world’s biggest music stars, living out my wildest music nerd dreams....Only recently I celebrated my five-year anniversary with HEAVY Mag and over the years I’ve had the privilege of meeting and interviewing some of the world’s biggest music stars, living out my wildest music nerd dreams. Nerves come and go depending on who it is that I’m interviewing, and ‘normally’ I hold my shit together. Today? Oh boy… Don’t get me wrong, I jumped at the opportunity to have a chat with Wolfgang Van Halen, although it wasn’t until I somehow blasted through THREE, yes three, whole pages of questions I wanted to ask that I sat back and reflected on the gravity of the occasion. I thought about what his music means to me, what his family’s music means to me, and how insane it was that I would be casually chatting to Wolf from my little office in Australia.
Wolf’s newest album from his band project Mammoth, The End, is due for its release on October 24, and this was a major topic interview. I wanted to know how this recording experience at the legendary 5150 Studios varied from his other Mammoth albums and what it was like to work with Robert Rodriguez on his self-titled film clip that honours the 1996 Quentin Tarantino horror film From Dusk Till Dawn as it celebrates turning 30 next year. If you haven’t already, do yourself a favour and watch it. Many Easter eggs await to be spotted… I’ll wait, hurry back...
Being a man of many hats, or instruments rather, I felt I already knew what his stance would be about this particular question, although trying to be a good journalist, I wanted to ask about AI/technology and see how he felt about its place in the music industry. His answer was pretty much F$%K AI. "There's no soul or heart behind it. It makes hot dogs - it’s all gross stuff and none of it is real". Great answer, and honestly, if I’m going to trust anyone’s opinion on the matter, it’s going to be the guy who’s taught himself instruments without asking a computer to ‘fill in the gaps’. AI has its place in mundane tasks, not in our creative community.
This was such a fun interview. We covered a lot of ground mapping out his music journey this far, dropping cool stories and treasured memories from over the years that only a Van Halen fan could subtly sprinkle in. Look, I could carry on all day - this is only meant to be a quick summary, go ahead and check out the video below and have Wolf tell you all about it himself!
Get ready to have your f*#$king socks blown clean off. The End is near, and for once, everyone is running towards it. Be prepared to turn it up LOUD with your air guitar and drum sticks ready on stand by.
Bye, legends!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>997album,hardrock,heavy,heavymetal,interview,kyrajadecoombs,mammoth,metal,music,musicinterview,rock,rockinterview,rockpodcast,vanhalen,wolfgangvanhalentruefullhttps://www.spreaker.com/episode/the-quarantined-overriding-the-algorithms-of-life-and-music--68234382Discussing the creative process of songwriting and their musical influences and intentions, Sean explains the origin of their song Nemesis (Friend of Mine), which started as a poem inspired by a sudden burst of creativity. The transformation from poem to song presented challenges, especially in conveying the depth of the lyrics in a musical format. 
He goes on to talk about blending different musical genres, such as rock and pop rhythms, saying their goal was to capture the emotional energy of the lyrics while drawing inspiration from various music styles, including Aaliyah’s Tell Me You're That Somebody. Martin details the meaning and influences behind the lyrics of their new track, noting the song addresses themes of paranoia, confrontation, and understanding narcissistic behaviours. It reflects on overcoming manipulation and the personal growth that comes from understanding difficult personalities. 
These guys had the incredible opportunity to be recorded at Blackbird Studios in Nashville, which contributed a warm sonic quality to the music due to the use of historic equipment. Martin recalls the recording sessions were a calm experience, leading to a sound that improved upon previous versions. The production process involved collaboration with studio musicians who were given creative freedom within the framework of Sean’s original composition. 
This approach ultimately led to a more refined and satisfying final product. The Quarantined’s music often addresses political and social issues, aiming to promote free thinking and cautioning against fascism. He touches on the current state of societal discourse in the U.S., emphasizing the importance of diverse perspectives, acknowledging that he feels that artists and musicians, particularly from the US are in a position where the ability to express political and social commentary through music has been reduced to virtually impossible unless you want to be cancelled. 
Drawing heavily on a blend of punk, metal, and hip-hop influences, Martin describes it as a watering down of the essence of what those genres stand for, highlighting the similarities between these genres in terms of their energy and message. The goal is to create music that resonates across different audience segments. Ideally, without enraging the public or facing adversary reaction. The Quarantined’s new release Nemesis (Friend of Mine) is out now and available on all platforms.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68234382Wed, 22 Oct 2025 03:04:09 +0000HEAVY MagazineSean Martin from The Quarantined took some time out recently to catch up with HEAVY Mag's Ali Williams to chat about their new release Nemesis (Friend of Mine), overcoming toxic relationships and algorithms and what the next chapter for the band...Discussing the creative process of songwriting and their musical influences and intentions, Sean explains the origin of their song Nemesis (Friend of Mine), which started as a poem inspired by a sudden burst of creativity. The transformation from poem to song presented challenges, especially in conveying the depth of the lyrics in a musical format. 
He goes on to talk about blending different musical genres, such as rock and pop rhythms, saying their goal was to capture the emotional energy of the lyrics while drawing inspiration from various music styles, including Aaliyah’s Tell Me You're That Somebody. Martin details the meaning and influences behind the lyrics of their new track, noting the song addresses themes of paranoia, confrontation, and understanding narcissistic behaviours. It reflects on overcoming manipulation and the personal growth that comes from understanding difficult personalities. 
These guys had the incredible opportunity to be recorded at Blackbird Studios in Nashville, which contributed a warm sonic quality to the music due to the use of historic equipment. Martin recalls the recording sessions were a calm experience, leading to a sound that improved upon previous versions. The production process involved collaboration with studio musicians who were given creative freedom within the framework of Sean’s original composition. 
This approach ultimately led to a more refined and satisfying final product. The Quarantined’s music often addresses political and social issues, aiming to promote free thinking and cautioning against fascism. He touches on the current state of societal discourse in the U.S., emphasizing the importance of diverse perspectives, acknowledging that he feels that artists and musicians, particularly from the US are in a position where the ability to express political and social commentary through music has been reduced to virtually impossible unless you want to be cancelled. 
Drawing heavily on a blend of punk, metal, and hip-hop influences, Martin describes it as a watering down of the essence of what those genres stand for, highlighting the similarities between these genres in terms of their energy and message. The goal is to create music that resonates across different audience segments. Ideally, without enraging the public or facing adversary reaction. The Quarantined’s new release Nemesis (Friend of Mine) is out now and available on all platforms.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2339aliwilliams,hardrock,heavy,music,musicinterview,musicpodcast,rock,single,thequarantinedtruefullhttps://www.spreaker.com/episode/coming-to-get-some-down-under-with-john-fahnestock-from-snot--68227917Forming in 1995, Snot released just one album before having their career cut short by the tragic death of frontman Lynn Strait. Despite their short time as a band, such was the impression left by Lynn and Snot that after his death, a tribute album called Strait Up was recorded in his honour, featuring everyone from Slipknot to System Of A Down to Sevendust paying tribute to the man and his music.
Snot's fusion of genres - before it was common to do so - stood them out from other bands of the era, with their blending of hardcore, punk, nu metal and funk combining for the masterpiece that was their debut album Get Some.
The band have flirted with the idea of reigniting the flame with a new frontman several times since Lynn's passing, but until recently, and buoyed by the resurgence of nu metal, have failed to find that elusive spark that ignited three decades ago to create pure musical magic.
Next January, for the first time in over a decade, Snot return to Australia for a run of shows with Soulfly and Nailbomb - including Froth & Fury Festival - with vocalist Andy Knapp (Stronger Than Machines) to introduce a new generation to the power of music. HEAVY spoke with bass player John Fahnestock to find out what to expect. We start by running over the three touring bands - Soulfly, Nailbomb and Snot - and reiterate the quality of music in one package.
"Soulfly and Nailbomb, right," John laughed. "They are good friends of ours. We have known each other for, God, going on 25 years or more. Mikey (Doling, founding member and guitarist) also played in Soulfly after Snot, after Lynn had passed. So, we're out on the road with family again. We played with Soulfly in Mexico City back in May and rekindled our friendship, and here we are coming to Australia now."
We ask John about their new vocalist, Andy Knapp, and what they were looking for in a frontman after trialling two previous vocalists in Tommy Vext and Carl Bensley.
"I think the whole thing is a lot different now," he measured. "We are pretty much saying Snot is back at this point. We finally found in Andy what we basically were dreaming of having, and I'm not saying anything negative on the past singers that we had. Before, when we put Snot back together, it wasn't like 'we're reforming, we're back', anything like that. We were just more doing it for fun, for the love of music, the love of Jamie and Mikey and myself playing together.
And we were like, let's go out and play the songs, you know? But it wasn't seriously saying we're back and coming back here to stay, like we are now. It's a blessing to have found Andy and what he's doing, and obviously, the response from the fans has been nothing but positive."
In the full interview, John spoke more about the upcoming Australian shows, what has changed with the band in the decade since they were last here and what we can expect. He spoke more about welcoming Andy Knapp as frontman and what sorts of things Snot were looking for in their new vocalist.
He told us about the first show with Knapp and how old time fans reacted, how Snot's music relates with modern audiences, and how their sound shaped a generation of bands. We talked about the early days of Snot and the musical climate that gave birth to the band, their initial sound and how they found the balance between genres, including how to know when or if they had gone too far in one direction or not far enough in another.
We spoke about the impact of Snot's debut album, Get Some, and the band's initial feelings on the album, including Lynn Strait's early vision for Snot and his musical passion. John delved deeper into the tribute album Strait Up and the contributions of the many bands, new music the band have written and if that will translate into a full album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68227917Tue, 21 Oct 2025 14:56:48 +0000HEAVY MagazineFew bands in history have left such a lasting impression in music as Santa Barbara funk metal outfit Snot. Forming in 1995, Snot released just one album before having their career cut short by the tragic death of frontman Lynn Strait. Despite their...Forming in 1995, Snot released just one album before having their career cut short by the tragic death of frontman Lynn Strait. Despite their short time as a band, such was the impression left by Lynn and Snot that after his death, a tribute album called Strait Up was recorded in his honour, featuring everyone from Slipknot to System Of A Down to Sevendust paying tribute to the man and his music.
Snot's fusion of genres - before it was common to do so - stood them out from other bands of the era, with their blending of hardcore, punk, nu metal and funk combining for the masterpiece that was their debut album Get Some.
The band have flirted with the idea of reigniting the flame with a new frontman several times since Lynn's passing, but until recently, and buoyed by the resurgence of nu metal, have failed to find that elusive spark that ignited three decades ago to create pure musical magic.
Next January, for the first time in over a decade, Snot return to Australia for a run of shows with Soulfly and Nailbomb - including Froth & Fury Festival - with vocalist Andy Knapp (Stronger Than Machines) to introduce a new generation to the power of music. HEAVY spoke with bass player John Fahnestock to find out what to expect. We start by running over the three touring bands - Soulfly, Nailbomb and Snot - and reiterate the quality of music in one package.
"Soulfly and Nailbomb, right," John laughed. "They are good friends of ours. We have known each other for, God, going on 25 years or more. Mikey (Doling, founding member and guitarist) also played in Soulfly after Snot, after Lynn had passed. So, we're out on the road with family again. We played with Soulfly in Mexico City back in May and rekindled our friendship, and here we are coming to Australia now."
We ask John about their new vocalist, Andy Knapp, and what they were looking for in a frontman after trialling two previous vocalists in Tommy Vext and Carl Bensley.
"I think the whole thing is a lot different now," he measured. "We are pretty much saying Snot is back at this point. We finally found in Andy what we basically were dreaming of having, and I'm not saying anything negative on the past singers that we had. Before, when we put Snot back together, it wasn't like 'we're reforming, we're back', anything like that. We were just more doing it for fun, for the love of music, the love of Jamie and Mikey and myself playing together.
And we were like, let's go out and play the songs, you know? But it wasn't seriously saying we're back and coming back here to stay, like we are now. It's a blessing to have found Andy and what he's doing, and obviously, the response from the fans has been nothing but positive."
In the full interview, John spoke more about the upcoming Australian shows, what has changed with the band in the decade since they were last here and what we can expect. He spoke more about welcoming Andy Knapp as frontman and what sorts of things Snot were looking for in their new vocalist.
He told us about the first show with Knapp and how old time fans reacted, how Snot's music relates with modern audiences, and how their sound shaped a generation of bands. We talked about the early days of Snot and the musical climate that gave birth to the band, their initial sound and how they found the balance between genres, including how to know when or if they had gone too far in one direction or not far enough in another.
We spoke about the impact of Snot's debut album, Get Some, and the band's initial feelings on the album, including Lynn Strait's early vision for Snot and his musical passion. John delved deeper into the tribute album Strait Up and the contributions of the many bands, new music the band have written and if that will translate into a full album and more.


Become a supporter of this...]]>1147australia,froth&furyfestival,funkmetal,getsome,heavy,heavymetal,lynnstrait,metal,metalinterview,metalpodcast,music,musicinterview,musicpodcast,nailbomb,numetal,punk,snot,soulfly,straitup,tourtruefullhttps://www.spreaker.com/episode/still-packing-a-punch-with-ben-ely-from-regurgitator--68225312Brisbane’s Community radio station 4ZZZ is celebrating 50 years of being on the airwaves. Known for being the springboard for most of Brisbane’s best-known musicians and bands, the station has been an integral part of their journeys. The day will be market day style, reminiscent of the original market days 4ZZZ held at Roma Street Parklands. 
Regurgitator have well and truly formed their position as one of Brisbane’s most well-known artists who, like many before and after, had their music on radio hosts' playlists at Zed Headquarters. Joining The Gurg on the line-up for Saturday’s celebrations will be The Saints, Butterfingers, Tropical Fuck Storm, Big Noter, Screamfeeder, Party Dozen, Flangipanis, plus many more. 
The Gurg's Ben Ely shares with HEAVY some of that nostalgia, noting that their reappearance on the stage at The Parklands will be the first time they’ve played since their initial gig there back in 1994. With a whopping four songs they’d written and an old drum sampler that played sounds of dogs barking and glass shattering, Regurgitator took to the stage and gave it all they had, having to play two songs twice in order to fill the time slot. The Gurg also announced their JUKEBOXXIN Tour, which kicks off in November. These guys have locked in for the long haul, taking their tour literally everywhere through until around August 2026, including New Zealand and Japan. 
They will be playing all 58 of their singles over an extended show that’ll be in two sets. Joining them as support will be South Australia’s Dem Mob. Tickets and event details for Zed 50 can be found at Oztix or via https://4zzz.org.au. Tickets and event information for Regurgitator’s JUKEBOXXIN Tour can be found at https://www.regurgitator.net


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68225312Tue, 21 Oct 2025 10:20:55 +0000HEAVY MagazineInterview by Ali K Brisbane’s Community radio station 4ZZZ is celebrating 50 years of being on the airwaves. Known for being the springboard for most of Brisbane’s best-known musicians and bands, the station has been an integral part of their...Brisbane’s Community radio station 4ZZZ is celebrating 50 years of being on the airwaves. Known for being the springboard for most of Brisbane’s best-known musicians and bands, the station has been an integral part of their journeys. The day will be market day style, reminiscent of the original market days 4ZZZ held at Roma Street Parklands. 
Regurgitator have well and truly formed their position as one of Brisbane’s most well-known artists who, like many before and after, had their music on radio hosts' playlists at Zed Headquarters. Joining The Gurg on the line-up for Saturday’s celebrations will be The Saints, Butterfingers, Tropical Fuck Storm, Big Noter, Screamfeeder, Party Dozen, Flangipanis, plus many more. 
The Gurg's Ben Ely shares with HEAVY some of that nostalgia, noting that their reappearance on the stage at The Parklands will be the first time they’ve played since their initial gig there back in 1994. With a whopping four songs they’d written and an old drum sampler that played sounds of dogs barking and glass shattering, Regurgitator took to the stage and gave it all they had, having to play two songs twice in order to fill the time slot. The Gurg also announced their JUKEBOXXIN Tour, which kicks off in November. These guys have locked in for the long haul, taking their tour literally everywhere through until around August 2026, including New Zealand and Japan. 
They will be playing all 58 of their singles over an extended show that’ll be in two sets. Joining them as support will be South Australia’s Dem Mob. Tickets and event details for Zed 50 can be found at Oztix or via https://4zzz.org.au. Tickets and event information for Regurgitator’s JUKEBOXXIN Tour can be found at https://www.regurgitator.net


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>12824zzz,4zzzzed50,aussierock,australia,benely,hardrock,heavy,interview,metalpodcast,music,podcast,regurgitator,rock,rockinterview,rockpodcast,tourtruefullhttps://www.spreaker.com/episode/where-legends-are-born-with-joakim-broden-from-sabaton--68173101Now, Sabaton return with their newest album and perhaps greatest triumph, Legends. LEGENDS marks the very first time that every band member has come together to contribute to the songwriting process. This is SABATON as you’ve never heard them before—relentless and unbound. LEGENDS is a global journey through the annals of warfare, leadership and unbreakable will.
Throughout the album, SABATON—Joakim Brodén (vocals), Pär Sundström (bass), Chris Rörland (guitar), Thobbe Englund (guitar), Hannes Van Dahl (drums)—delve into some of history’s greatest and most loved characters such as Jeanne D’arc (also known as Joan of Arc), Hannibal, Genghis Khan, Vlad the Impaler, Julius Caesar, the Knights Templar, and the legendary swordmaster Miyamoto Musashi.
HEAVY caught up with frontman Joakim Brodén to find out more.
"We're an evolutionary band, not a revolutionary band," he began, "so every album is a little bit of an evolution. It's never going to change completely between albums. If you listen to our first album and our last album, with this one, there's a huge difference. But between the albums, it's usually a smaller step or a slightly bigger step. And I think this is a slightly bigger step, actually, maybe because the previous two albums were about World War One, and now we're jumping in history. We are covering everything from Ancient Egypt - that's 1800 before Christ - to Napoleon 1800 after Christ, and jumping both in time and geographically, quite a bit in between there. So I think that has sort of influenced the music and the sound to a certain extent."
In the full interview, Joakim discussed Sabaton's latest album Legends, detailing the lengthy process of its completion and the band's evolutionary approach to music. Joakim explained the criteria for selecting historical figures honoured in their songs, emphasizing a literal interpretation of legends and sharing personal connections to figures. He expressed surprise at the philosophical insights of Miyamoto Musashi discovered during songwriting and discussed his creative process, which includes managing writer's block.
The conversation also touched on the limited edition vinyl of Legends, the band's commitment to diverse music formats, and upcoming tours in Europe, the US, and Canada, highlighting the excitement of live performances and audience engagement and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68173101Fri, 17 Oct 2025 01:05:54 +0000HEAVY MagazineIn the more than two decades since the band's launch, Sabaton has headlined major festivals, sold-out arena concerts worldwide, and gained a legion of loyal fans by carving out a reputation as one of the hardest-working bands in the business. Since...Now, Sabaton return with their newest album and perhaps greatest triumph, Legends. LEGENDS marks the very first time that every band member has come together to contribute to the songwriting process. This is SABATON as you’ve never heard them before—relentless and unbound. LEGENDS is a global journey through the annals of warfare, leadership and unbreakable will.
Throughout the album, SABATON—Joakim Brodén (vocals), Pär Sundström (bass), Chris Rörland (guitar), Thobbe Englund (guitar), Hannes Van Dahl (drums)—delve into some of history’s greatest and most loved characters such as Jeanne D’arc (also known as Joan of Arc), Hannibal, Genghis Khan, Vlad the Impaler, Julius Caesar, the Knights Templar, and the legendary swordmaster Miyamoto Musashi.
HEAVY caught up with frontman Joakim Brodén to find out more.
"We're an evolutionary band, not a revolutionary band," he began, "so every album is a little bit of an evolution. It's never going to change completely between albums. If you listen to our first album and our last album, with this one, there's a huge difference. But between the albums, it's usually a smaller step or a slightly bigger step. And I think this is a slightly bigger step, actually, maybe because the previous two albums were about World War One, and now we're jumping in history. We are covering everything from Ancient Egypt - that's 1800 before Christ - to Napoleon 1800 after Christ, and jumping both in time and geographically, quite a bit in between there. So I think that has sort of influenced the music and the sound to a certain extent."
In the full interview, Joakim discussed Sabaton's latest album Legends, detailing the lengthy process of its completion and the band's evolutionary approach to music. Joakim explained the criteria for selecting historical figures honoured in their songs, emphasizing a literal interpretation of legends and sharing personal connections to figures. He expressed surprise at the philosophical insights of Miyamoto Musashi discovered during songwriting and discussed his creative process, which includes managing writer's block.
The conversation also touched on the limited edition vinyl of Legends, the band's commitment to diverse music formats, and upcoming tours in Europe, the US, and Canada, highlighting the excitement of live performances and audience engagement and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1055album,betternoisemusic,hardrock,heavy,heavymetal,interview,krispeters,legends,metal,metalinterview,musicinterview,musicpodcast,podcast,powermetal,sabatontruefullhttps://www.spreaker.com/episode/bringing-the-horror-down-under-with-wednesday-13--68113812October with all its spooky Halloween charm is the perfect setting to catch up with Wednesday 13. Our very own Kim Dracula has summoned Wednesday 13 to join him in his Australian tour starting in Sydney on the 21st of November. These shows are sure to satisfy your sweet tooth for all things macabre with each band having their unique style and stage presence that will have you hooked.
Throughout his career Wednesday 13 has had such an interesting journey and we couldn’t wait to hear his story. Maintaining success in this industry doesn’t come easy. Among many other things, Wednesday has managed to reinvent himself after riding the wave of success with The Murderdolls, proving his music, tenacity and brand is something special.
We delve into the origins of Wednesday 13 - the stage name, the band and the influence horror has had on Wednesday's career. He went on to share a story about working on set in full costume when a wildfire in LA breaks out and the band jumped in to help save the day which got his blood pumping and concreted his dislike of fires. Over the interview we started to reveal the many layers that make up the Wednesday 13 that we know and love today and we hope you enjoy peaking into his weird and wonderful world.
The Horror Down Under Tour is going to be one hell of a show that you don’t want to miss out on. 
TOUR DATES
Friday, Nov 21: Princess Theatre, Brisbane
Saturday, Nov 22: The Metro, Sydney
Sunday, Nov 23: Northcote Theatre, Melbourne
Wednesday, Nov 26: UC Hub, Canberra
Friday, Nov 28: The Gov, Adelaide
Saturday, Nov 29: Magnet House, Perth
https://thephoenix.au/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68113812Mon, 13 Oct 2025 05:14:32 +0000HEAVY MagazineInterview by Kyra-Jade Coombs October with all its spooky Halloween charm is the perfect setting to catch up with Wednesday 13. Our very own Kim Dracula has summoned Wednesday 13 to join him in his Australian tour starting in Sydney on the 21st of...October with all its spooky Halloween charm is the perfect setting to catch up with Wednesday 13. Our very own Kim Dracula has summoned Wednesday 13 to join him in his Australian tour starting in Sydney on the 21st of November. These shows are sure to satisfy your sweet tooth for all things macabre with each band having their unique style and stage presence that will have you hooked.
Throughout his career Wednesday 13 has had such an interesting journey and we couldn’t wait to hear his story. Maintaining success in this industry doesn’t come easy. Among many other things, Wednesday has managed to reinvent himself after riding the wave of success with The Murderdolls, proving his music, tenacity and brand is something special.
We delve into the origins of Wednesday 13 - the stage name, the band and the influence horror has had on Wednesday's career. He went on to share a story about working on set in full costume when a wildfire in LA breaks out and the band jumped in to help save the day which got his blood pumping and concreted his dislike of fires. Over the interview we started to reveal the many layers that make up the Wednesday 13 that we know and love today and we hope you enjoy peaking into his weird and wonderful world.
The Horror Down Under Tour is going to be one hell of a show that you don’t want to miss out on. 
TOUR DATES
Friday, Nov 21: Princess Theatre, Brisbane
Saturday, Nov 22: The Metro, Sydney
Sunday, Nov 23: Northcote Theatre, Melbourne
Wednesday, Nov 26: UC Hub, Canberra
Friday, Nov 28: The Gov, Adelaide
Saturday, Nov 29: Magnet House, Perth
https://thephoenix.au/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1105australia,heavy,heavymetal,horrorrock,industrialmetal,kimdracula,kyrajadecoombs,metal,murderdolls,music,musicinterview,rock,shockrock,thephoenix,tour,wednesday13falsefullhttps://www.spreaker.com/episode/future-plans-and-favourite-memories-the-delta-riggs-share-a-moment--68113739The Riggs frontman Elliot Hammond has had a full roster with his focus recently being with his other band Dope Lemon, which he is a member of alongside his other bestie Angus Stone. Now that is completed, his focus is back with The Delta Riggs, with Monte stating they are excited for what may evolve out of their new releases and plans for the band, as he jokes with Ali calling 2026 The Year of Rigg. 
Following on from last year's highlights that saw Smashing Pumpkins’ frontman and founder, Billy Corgan, joining The Delta Riggs for the full tour of Good Things Festival.  Prior to Corgan’s accompaniment, The Riggs had made a lasting impression when they played a show in Los Angeles that got the attention of a member of the Foo Fighters crew. So much so that this led to Foo Fighters requesting to have The Delta Riggs support them on their 2015 Sonic Highway stadium tour of Australia. A pivotal moment for the band and a lifelong friendship was formed with Foo's guitarist Chris Shiflett. 
Looking forward to getting loose and playing together again, Monte is pumped to be heading back to the GC and to Mo’s, which is set to be a big weekend of celebrations all around.  If you’re in the neighbourhood, head on out to the Clubhouse. Kicking it off on Thursday night are the epic legends Testeagles, with The Delta Riggs on Saturday and wrapping it up before they send it will be King Parrot on Sunday. Event details and tickets are available at www.mosdesertclubhouse.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68113739Mon, 13 Oct 2025 04:42:57 +0000HEAVY MagazineThe Delta Riggs will be hitting home soil again this weekend, ready to headline the main day celebrations for Mo's Desert Clubhouse’s 6th birthday celebrations on the Gold Coast. In the lead up to the show, founding member and bass player Michael...The Riggs frontman Elliot Hammond has had a full roster with his focus recently being with his other band Dope Lemon, which he is a member of alongside his other bestie Angus Stone. Now that is completed, his focus is back with The Delta Riggs, with Monte stating they are excited for what may evolve out of their new releases and plans for the band, as he jokes with Ali calling 2026 The Year of Rigg. 
Following on from last year's highlights that saw Smashing Pumpkins’ frontman and founder, Billy Corgan, joining The Delta Riggs for the full tour of Good Things Festival.  Prior to Corgan’s accompaniment, The Riggs had made a lasting impression when they played a show in Los Angeles that got the attention of a member of the Foo Fighters crew. So much so that this led to Foo Fighters requesting to have The Delta Riggs support them on their 2015 Sonic Highway stadium tour of Australia. A pivotal moment for the band and a lifelong friendship was formed with Foo's guitarist Chris Shiflett. 
Looking forward to getting loose and playing together again, Monte is pumped to be heading back to the GC and to Mo’s, which is set to be a big weekend of celebrations all around.  If you’re in the neighbourhood, head on out to the Clubhouse. Kicking it off on Thursday night are the epic legends Testeagles, with The Delta Riggs on Saturday and wrapping it up before they send it will be King Parrot on Sunday. Event details and tickets are available at www.mosdesertclubhouse.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1089aliwilliams,aussieroch,australia,hardrock,heavy,mo'sdesertclubhouse,music,musicinterview,podcast,rock,rockmusic,thedeltariggstruefullhttps://www.spreaker.com/episode/sweet-sweet-revenge-with-ashlee-evans-smith-from-the-workout--68107603Naturally, someone who has fought professionally would have a better idea of the practicalities of fighting, and, let's face it, there are numerous movies out there that depict fighting with no degree of accuracy whatsoever. But just the mere presence of a trained fighter in an action movie should instil more confidence in the final product. At least, it does for me.
Which is why the upcoming action extravaganza The Workout - which premieres on Amazon on October 28 - was ahead of the game before the cameras even started rolling, when Ashlee Evans-Smith was cast in the role of Tank. Evans-Smith has previously fought in the UFC's bantamweight and flyweight divisions, giving her added advantage and knowledge when it comes to effectively knowing how to injure an opponent.
The Workout is an intense found-footage action thriller about an army ranger whose plans to launch a workout video empire are shattered when a mob attack leaves his pregnant wife dead. The film stars Peter Jae (Darkness of Man), Josh Kelly (S.W.A.T.), UFC fighter Ashlee Evans-Smith, and Augie Duke (Yellowjackets), with co-writer David Lawrence bringing a sharp narrative edge. Director James Cullen Bressack has directed over twenty feature films known for bold storytelling and explosive action, including collaborations with Bruce Willis, Mel Gibson, and Steven Seagal, all of which sounds like a damn good start!
HEAVY recently sat down with Ashlee Evans-Smith to talk through the worlds of filmmaking and martial arts. We start by asking Ashlee about her role in the movie.
"Oh, I love the storyline," she replied. "It's basically two army rangers - former army rangers - and they have a gym together. Unfortunately, somebody gets caught up in some bad stuff, and the pregnant wife gets killed. Then you basically go on a revenge journey with these badass former Army Rangers who are now doing crazy stunts. I'm also a former Army Ranger, so I'm basically who I am in real life - a big old tomboy without the military training - and I come in and want to help these guys seek revenge, and we spend the whole movie kicking butt and taking names."
We ask Ashlee if making the transition from the UFC cage to acting is a difficult process.
"You think it's either going to transfer really easily or be scary for a stunt partner, but a fun fact is it's both," she laughed. "There are times where it feels seamless and effortless, and then there are times where… to pull a punch is so taboo in my sport. You step all the way into the punch; you don't pull it. And to train something like that for years and years, it's now a natural reaction to go full on. So that was a little scary, because I want to be safe and professional first and foremost. I don't want to hurt anyone, and I don't want to hurt myself, obviously."
In the full interview, Ashlee discussed her transition from UFC fighter to actress in The Workout in greater detail. She described her character, Tank, a former Army Ranger seeking revenge after a tragic event, and expressed excitement about the project despite her nerves regarding audience reactions and mixed reviews. Ashlee reflected on the challenges of adapting her fighting techniques for film stunts, sharing a humorous incident where she accidentally landed real punches during a fight scene. She also emphasised the importance of collaboration with the stunt coordinator, who helps balance choreography with the actors' input, and noted the difference between real martial arts and cinematic portrayals.
Ashlee described The Workout as a blend of action and patriotism, drawing comparisons to John Wick, and highlighted the authenticity of the fight scenes due to her martial arts background. Additionally, Ashlee shared her feelings on this, her debut major acting role, the differences with filming a 'found footage' movie, the importance of not paying too much attention to reviews and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68107603Sun, 12 Oct 2025 12:50:14 +0000HEAVY MagazineIt's nothing new to see a fighter make the transition from the ring to the cinema, with people as far back as Bruce Lee, Jackie Chan and Chuck Norris pioneering the way before a procession of fighters followed. From Van Damme to Ronda Rousey to...Naturally, someone who has fought professionally would have a better idea of the practicalities of fighting, and, let's face it, there are numerous movies out there that depict fighting with no degree of accuracy whatsoever. But just the mere presence of a trained fighter in an action movie should instil more confidence in the final product. At least, it does for me.
Which is why the upcoming action extravaganza The Workout - which premieres on Amazon on October 28 - was ahead of the game before the cameras even started rolling, when Ashlee Evans-Smith was cast in the role of Tank. Evans-Smith has previously fought in the UFC's bantamweight and flyweight divisions, giving her added advantage and knowledge when it comes to effectively knowing how to injure an opponent.
The Workout is an intense found-footage action thriller about an army ranger whose plans to launch a workout video empire are shattered when a mob attack leaves his pregnant wife dead. The film stars Peter Jae (Darkness of Man), Josh Kelly (S.W.A.T.), UFC fighter Ashlee Evans-Smith, and Augie Duke (Yellowjackets), with co-writer David Lawrence bringing a sharp narrative edge. Director James Cullen Bressack has directed over twenty feature films known for bold storytelling and explosive action, including collaborations with Bruce Willis, Mel Gibson, and Steven Seagal, all of which sounds like a damn good start!
HEAVY recently sat down with Ashlee Evans-Smith to talk through the worlds of filmmaking and martial arts. We start by asking Ashlee about her role in the movie.
"Oh, I love the storyline," she replied. "It's basically two army rangers - former army rangers - and they have a gym together. Unfortunately, somebody gets caught up in some bad stuff, and the pregnant wife gets killed. Then you basically go on a revenge journey with these badass former Army Rangers who are now doing crazy stunts. I'm also a former Army Ranger, so I'm basically who I am in real life - a big old tomboy without the military training - and I come in and want to help these guys seek revenge, and we spend the whole movie kicking butt and taking names."
We ask Ashlee if making the transition from the UFC cage to acting is a difficult process.
"You think it's either going to transfer really easily or be scary for a stunt partner, but a fun fact is it's both," she laughed. "There are times where it feels seamless and effortless, and then there are times where… to pull a punch is so taboo in my sport. You step all the way into the punch; you don't pull it. And to train something like that for years and years, it's now a natural reaction to go full on. So that was a little scary, because I want to be safe and professional first and foremost. I don't want to hurt anyone, and I don't want to hurt myself, obviously."
In the full interview, Ashlee discussed her transition from UFC fighter to actress in The Workout in greater detail. She described her character, Tank, a former Army Ranger seeking revenge after a tragic event, and expressed excitement about the project despite her nerves regarding audience reactions and mixed reviews. Ashlee reflected on the challenges of adapting her fighting techniques for film stunts, sharing a humorous incident where she accidentally landed real punches during a fight scene. She also emphasised the importance of collaboration with the stunt coordinator, who helps balance choreography with the...]]>1386action,actionmove,amazon,ashleeevanssmith,fighting,film,heavy,krispeters,movie,movieinterview,revengemovie,stunts,theworkout,ufctruefullhttps://www.spreaker.com/episode/family-values-with-tye-trujillo-from-suicidal-tendecies-ottto--68039308While most people know, or at least have heard of, the above bands, there's one there that may not be as familiar. The band OTTTO, who have been Tye's band project since 2017. With a sound blending punk, alternative rock and grunge, OTTTO have been steadily building their careers, culminating in the release of the new EP Sweaty Pool, which will be released on December 5.
But for the immediate future, Tye will be out here in Australia with Suicidal Tendencies as direct support for Metallica and Evanescence on the Aussie leg of the massive M72 Tour. What's more, it will be a family affair, with Rob obviously in Metallica and Chloe starting an Australian tour of her own with BLVD Of Eyes straight after Metallica's run finishes.
What's the chances of a family stage reunion? Take a listen to HEAVY's chat with Tye to find out…
"Oh man, I'm super, super happy to be back out in that part of the world," he smiled when we brought up the Metallica tour. "It's literally one of my favourite countries ever. It's going to be a lot of business (laughs), but when there's some open windows I'm definitely going to try to get out to the ocean, jump in the water and get some surfing."
We ask what it's like being on the same tour as Rob and whether he stays in Dad mode or treats Tye like any other musician.
"He's got his routine, and they all have their routine, so we'll get some time in hanging out together," he replied, "but there will be times where they'll be in the next city and I will come in later to meet up with them for the show."
In the full interview, Tye discusses the upcoming tour and how different the support shows will be to Suicidal Tendencies' own headlining run of side shows. We talk about the magnitude of playing with Metallica, how Metallica fans respond to Suicidals and whether he prefers to play the bigger outdoor shows or the smaller clubs.
Tye opens up about joining Suicidal Tendencies after Rob left and what advice was passed on, learning his Dad's bass parts and if he would have done them any differently, growing up with talented musicians and how that shaped his own sound and who he has gelled most with from a writing perspective. We spoke about OTTTO's upcoming EP Sweaty Pool and what to expect, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68039308Sat, 11 Oct 2025 15:41:19 +0000HEAVY MagazineThey say music runs in the blood, and if ever there was a family to prove this theory, it's the Trujillo's. Dad, Rob, plays in Metallica, Mum, Chloe, is in BLVD Of Eyes, daughter Lullah is an accomplished drummer, while son Tye plays in Suicidal...While most people know, or at least have heard of, the above bands, there's one there that may not be as familiar. The band OTTTO, who have been Tye's band project since 2017. With a sound blending punk, alternative rock and grunge, OTTTO have been steadily building their careers, culminating in the release of the new EP Sweaty Pool, which will be released on December 5.
But for the immediate future, Tye will be out here in Australia with Suicidal Tendencies as direct support for Metallica and Evanescence on the Aussie leg of the massive M72 Tour. What's more, it will be a family affair, with Rob obviously in Metallica and Chloe starting an Australian tour of her own with BLVD Of Eyes straight after Metallica's run finishes.
What's the chances of a family stage reunion? Take a listen to HEAVY's chat with Tye to find out…
"Oh man, I'm super, super happy to be back out in that part of the world," he smiled when we brought up the Metallica tour. "It's literally one of my favourite countries ever. It's going to be a lot of business (laughs), but when there's some open windows I'm definitely going to try to get out to the ocean, jump in the water and get some surfing."
We ask what it's like being on the same tour as Rob and whether he stays in Dad mode or treats Tye like any other musician.
"He's got his routine, and they all have their routine, so we'll get some time in hanging out together," he replied, "but there will be times where they'll be in the next city and I will come in later to meet up with them for the show."
In the full interview, Tye discusses the upcoming tour and how different the support shows will be to Suicidal Tendencies' own headlining run of side shows. We talk about the magnitude of playing with Metallica, how Metallica fans respond to Suicidals and whether he prefers to play the bigger outdoor shows or the smaller clubs.
Tye opens up about joining Suicidal Tendencies after Rob left and what advice was passed on, learning his Dad's bass parts and if he would have done them any differently, growing up with talented musicians and how that shaped his own sound and who he has gelled most with from a writing perspective. We spoke about OTTTO's upcoming EP Sweaty Pool and what to expect, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1119australia,grunge,heavy,heavymetal,heavypodcast,krispeters,music,musicinterview,ottto,robtrujillo,rock,skatepunk,suicidaltendencies,tour,tyetrujillotruefullhttps://www.spreaker.com/episode/stoking-the-fires-with-kevin-ashby-from-cry-wolf--68100401Fresh from the success of their debut single Rainfall, Cry Wolf return with the follow-up Burn, upping the intensity and sonic outburst to showcase another side of their musical psyche. Essentially a track about embracing the unknown, Burn also acts as a sonic accompaniment to the trajectory thus far from Cry Wolf, a trajectory that the band hopes will continue to rise with each release.
HEAVY caught up with singer/guitarist Kevin Ashby to find out more.
"It's always exciting to release new music," he smiled. "Because it's always a pretty long time between when you write the song and when you actually release it, so it's always good to get it out in the world and get people's opinion on it."
We ask Kevin to dive deeper into the musical side of Burn.
"We were going for something pretty heavy, but still accessible," he measured. "I tend to write songs that are relatively simple. We don't want to make it too difficult for ourselves to play, so trying to keep it simple, but keep it catchy as well (laughs). We wanted it nice and heavy, but still retaining that melodic kind of element. That's kind of what we went for."
In the full interview, Kevin contrasted Burn with their previous single Rainfall, explaining that Burn symbolizes a fresh start after their previous bands. We discussed the differences between the two songs and if they were representative of Cry Wolf's overall sound or if they were more an appetiser.
We talked about whether the two songs were part of a bigger picture and when that might be, the thought processes that go into new material as a young band and future plans. Kevin shared the band's early vision of creating something fresh and bold in the music scene and how they plan to make that happen and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68100401Sat, 11 Oct 2025 14:55:24 +0000HEAVY MagazineComing together via other notable bands such as Fire At Will, Swerve City, Coridian, and the Sun Gods, New Zealand's freshest face on the hard rock scene is Cry Wolf. Fresh from the success of their debut single Rainfall, Cry Wolf return with the...Fresh from the success of their debut single Rainfall, Cry Wolf return with the follow-up Burn, upping the intensity and sonic outburst to showcase another side of their musical psyche. Essentially a track about embracing the unknown, Burn also acts as a sonic accompaniment to the trajectory thus far from Cry Wolf, a trajectory that the band hopes will continue to rise with each release.
HEAVY caught up with singer/guitarist Kevin Ashby to find out more.
"It's always exciting to release new music," he smiled. "Because it's always a pretty long time between when you write the song and when you actually release it, so it's always good to get it out in the world and get people's opinion on it."
We ask Kevin to dive deeper into the musical side of Burn.
"We were going for something pretty heavy, but still accessible," he measured. "I tend to write songs that are relatively simple. We don't want to make it too difficult for ourselves to play, so trying to keep it simple, but keep it catchy as well (laughs). We wanted it nice and heavy, but still retaining that melodic kind of element. That's kind of what we went for."
In the full interview, Kevin contrasted Burn with their previous single Rainfall, explaining that Burn symbolizes a fresh start after their previous bands. We discussed the differences between the two songs and if they were representative of Cry Wolf's overall sound or if they were more an appetiser.
We talked about whether the two songs were part of a bigger picture and when that might be, the thought processes that go into new material as a young band and future plans. Kevin shared the band's early vision of creating something fresh and bold in the music scene and how they plan to make that happen and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>686burn,crywolf,hardrock,heavy,krispeters,music,musicinterview,newzealand,rock,singlefalsefullhttps://www.spreaker.com/episode/the-physics-of-metal-with-howsie-from-coffin-carousel--68088517While the band's earlier material was more rooted in the horror/punk style of metal, Coffin Carousel have honed their craft and allowed their metaphorical wings to spread over four full-length albums, maintaining the lifeblood that defines their music while also crossing over into darker, heavier territory. With their most recent album Quantum Chainsaw Part: Three Six Nine, Coffin Carousel have infused elements of Swedish death metal riffs with HM2 chainsaw guitar tones, dark drone feedback moments and throat-savaging vocal layers, fortifying their continued musical evolution and providing a sonic playground for the macabre and sinister.
HEAVY sat down earlier this week to chat with frontman Howsie about the progression of Coffin Carousel and their current plight to dominate our nightmares.
"I'm definitely excited for this one," he enthused, "because I'm back in my roots and back with the metal cap on. I had a lot of fun making it. I've had a lot of friends reach out and say I'm loving the new sound. The feedback I'm getting personally is that people are enjoying the heavier direction, which has always been progressing that way. The first album was in the horror punk world, but every album since has got heavier and heavier, and this one, I felt it was time to go full metal retard and just have some fun."
In the full interview, Howsie introduced the album in greater detail, highlighting its heavier sound as a return to his death metal roots. He discussed the creative process behind the music, including the use of specific guitar effects to achieve a distinctive tone and the metamorphoses of Coffin Carousel's sound over the journey.
He spoke about the album launch show scheduled for October 24 at the Revolver Band Room in Melbourne, emphasising the venue's historical significance in the Melbourne metal scene, speaking of plans to enhance the live performance with additional visuals while maintaining a focus on the band's music without guest performances or dancers. We talked about historical significance within the horror/punk genre and the use of older techniques such as VHS quality graphics in music videos, as well as integrating cinematic soundscapes and layers through their music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68088517Fri, 10 Oct 2025 10:07:19 +0000HEAVY MagazineAfter initially starting life as a one-man vehicle for Howard Von Noise (Howsie) in 2012, Coffin Carousel slowly morphed into something much more sinister. Taking band formation in 2015, Coffin Carousel are your haunted chainsaw ride formed within the...While the band's earlier material was more rooted in the horror/punk style of metal, Coffin Carousel have honed their craft and allowed their metaphorical wings to spread over four full-length albums, maintaining the lifeblood that defines their music while also crossing over into darker, heavier territory. With their most recent album Quantum Chainsaw Part: Three Six Nine, Coffin Carousel have infused elements of Swedish death metal riffs with HM2 chainsaw guitar tones, dark drone feedback moments and throat-savaging vocal layers, fortifying their continued musical evolution and providing a sonic playground for the macabre and sinister.
HEAVY sat down earlier this week to chat with frontman Howsie about the progression of Coffin Carousel and their current plight to dominate our nightmares.
"I'm definitely excited for this one," he enthused, "because I'm back in my roots and back with the metal cap on. I had a lot of fun making it. I've had a lot of friends reach out and say I'm loving the new sound. The feedback I'm getting personally is that people are enjoying the heavier direction, which has always been progressing that way. The first album was in the horror punk world, but every album since has got heavier and heavier, and this one, I felt it was time to go full metal retard and just have some fun."
In the full interview, Howsie introduced the album in greater detail, highlighting its heavier sound as a return to his death metal roots. He discussed the creative process behind the music, including the use of specific guitar effects to achieve a distinctive tone and the metamorphoses of Coffin Carousel's sound over the journey.
He spoke about the album launch show scheduled for October 24 at the Revolver Band Room in Melbourne, emphasising the venue's historical significance in the Melbourne metal scene, speaking of plans to enhance the live performance with additional visuals while maintaining a focus on the band's music without guest performances or dancers. We talked about historical significance within the horror/punk genre and the use of older techniques such as VHS quality graphics in music videos, as well as integrating cinematic soundscapes and layers through their music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1066australia,coffincarousel,deathmetal,heavy,heavymetal,horrorpunk,krispeters,metal,metalinterview,metalpodcast,music,musicinterview,punkfalsefullhttps://www.spreaker.com/episode/ahead-of-the-chase-with-jono-hawkey-and-jack-van-vilet-from-bloom--68087721Sydney-based metalcore band Bloom have just finished up the first headliner tour here at home and are about to set off to Europe for their next leg of their tour. Frontman Jono Hawkey and drummer Jack Van Vilet caught up with HEAVY recently for a chat about new releases, tours, and future plans for the band.
The band’s journey so far has seen these young lads hit the ground running with almost instant success. Bloom formed in 2017 and has grown from playing small venues to international tours. They started with young dreams, and their music career evolved, allowing them to travel the world and perform music they love. The big breakthrough for these guys was the release of their first EP in 2018, and their single Cold unexpectedly gained traction on platforms like Spotify, which influenced their approach to creating their next EP, incorporating more strategic efforts. 
These guys have been able to successfully navigate the music industry essentially by acknowledging the role of online algorithms and how critical that is to succeeding in today’s market. They also emphasise their focus on the storytelling aspect of music rather than just aiming to go viral. Bloom have toured extensively, enjoying the ability to connect with fans worldwide. Their recent Australian tour was significant as it showcased their growth, with more engaged audiences. Hawkey and Van Vilet note that their fan base overseas is much stronger than at home, and go on to discuss in more detail their differences in music culture in different regions of the globe and why genres like metalcore are more popular in areas like Europe and Japan, where fans show intense dedication and appreciation for the music. 
Bloom's musical influences come from a wide style that blends heavier metalcore with more melodic elements, drawing influence from alternative and surf rock. They aim for a versatile sound and appreciate not being confined to a single genre. High priority is made on experimenting with their sound and occasionally swapping of instruments, which not only adds to Bloom's fun and dynamic cohesion as a group, but also expands their creative exploration. 
Looking ahead, Bloom are preparing for a busy schedule, including tours in Europe, the UK, and America. Back home just in time for Christmas, the band will be looking forward to some much-needed downtime to rest and revive before continuing on their successful journey, but first Bloom drop their new album The Light We Chase on October 31.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68087721Fri, 10 Oct 2025 08:22:32 +0000HEAVY MagazineWords and interview by Ali Williams Sydney-based metalcore band Bloom have just finished up the first headliner tour here at home and are about to set off to Europe for their next leg of their tour. Frontman Jono Hawkey and drummer Jack Van Vilet...Sydney-based metalcore band Bloom have just finished up the first headliner tour here at home and are about to set off to Europe for their next leg of their tour. Frontman Jono Hawkey and drummer Jack Van Vilet caught up with HEAVY recently for a chat about new releases, tours, and future plans for the band.
The band’s journey so far has seen these young lads hit the ground running with almost instant success. Bloom formed in 2017 and has grown from playing small venues to international tours. They started with young dreams, and their music career evolved, allowing them to travel the world and perform music they love. The big breakthrough for these guys was the release of their first EP in 2018, and their single Cold unexpectedly gained traction on platforms like Spotify, which influenced their approach to creating their next EP, incorporating more strategic efforts. 
These guys have been able to successfully navigate the music industry essentially by acknowledging the role of online algorithms and how critical that is to succeeding in today’s market. They also emphasise their focus on the storytelling aspect of music rather than just aiming to go viral. Bloom have toured extensively, enjoying the ability to connect with fans worldwide. Their recent Australian tour was significant as it showcased their growth, with more engaged audiences. Hawkey and Van Vilet note that their fan base overseas is much stronger than at home, and go on to discuss in more detail their differences in music culture in different regions of the globe and why genres like metalcore are more popular in areas like Europe and Japan, where fans show intense dedication and appreciation for the music. 
Bloom's musical influences come from a wide style that blends heavier metalcore with more melodic elements, drawing influence from alternative and surf rock. They aim for a versatile sound and appreciate not being confined to a single genre. High priority is made on experimenting with their sound and occasionally swapping of instruments, which not only adds to Bloom's fun and dynamic cohesion as a group, but also expands their creative exploration. 
Looking ahead, Bloom are preparing for a busy schedule, including tours in Europe, the UK, and America. Back home just in time for Christmas, the band will be looking forward to some much-needed downtime to rest and revive before continuing on their successful journey, but first Bloom drop their new album The Light We Chase on October 31.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1294aliwilliams,aussiemetal,australia,bloom,headbanger,heavy,interview,metal,metalcore,metalhead,metalinterview,metalpodcast,music,musicinterview,newmusicfalsefullhttps://www.spreaker.com/episode/hungry-for-change-with-jim-from-heathenspawn--68075875To capture this vision, Heathenspawn teamed up once again with long-time producer Matt Clarke (To The Grave), with mastering handled by none other than Dan Swanö (Edge of Sanity, Bloodbath). The track also features a guest performance from a friend of the band, Kevin Smits, whose ferocious vocals amplify the track's dark themes and intent.
The artwork for The Ravenous Earth was created by legendary punk musician and artist Alex CF, whose evocative painting of a skeletal king consumed by nature mirrors the track’s themes of decay and inevitability. The band describe his work as the perfect visual embodiment of the song’s essence, and are honoured to feature his art alongside their music.
The Ravenous Earth is Heathenspawn at their most uncompromising, a brutal yet thought-provoking statement about the fate of humanity and the enduring power of the natural world, but to get to the real meat of potatoes of the track, HEAVY sat down with vocalist Jim to dive deeper.
"The theme of the song is essentially about a vision of the world after humans are gone," he explained. "Every organism that's ever lived here is extinct now; it's a biological and geological reality. We think we're going to be here forever as a species, so humans conduct themselves in an arrogant way, where we think that evolution has ended with us. It's about that vision. The song is about the ravenous earth. The idea of it comes from the Earth consuming humanity and all human artefacts, so societies, buildings, and everything that we think is really important, ultimately, the Earth doesn't care about."
In the full interview, Jim talks more about how the single marks a shift towards a darker and more aggressive sound, influenced by Swedish melodic death metal, and critiques human arrogance through its concept of a post-human world.
The accompanying music video enhances these themes with visuals of ruins and live performances. As a standalone release, The Ravenous Earth aims to reintroduce the band and their new singer, while also developing new material for an album expected next year. That work promises to be more aggressive and varied than their previous work, with recent live shows in Newcastle and Sydney indicating a favourable reception to this new direction.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68075875Thu, 09 Oct 2025 12:13:51 +0000HEAVY MagazineHeathenspawn return with their latest slab of blackened melodic death metal, The Ravenous Earth, a crushing track that dives into dark themes and envisions a world where humanity has brought about its own extinction. Obsessed with conflict and...To capture this vision, Heathenspawn teamed up once again with long-time producer Matt Clarke (To The Grave), with mastering handled by none other than Dan Swanö (Edge of Sanity, Bloodbath). The track also features a guest performance from a friend of the band, Kevin Smits, whose ferocious vocals amplify the track's dark themes and intent.
The artwork for The Ravenous Earth was created by legendary punk musician and artist Alex CF, whose evocative painting of a skeletal king consumed by nature mirrors the track’s themes of decay and inevitability. The band describe his work as the perfect visual embodiment of the song’s essence, and are honoured to feature his art alongside their music.
The Ravenous Earth is Heathenspawn at their most uncompromising, a brutal yet thought-provoking statement about the fate of humanity and the enduring power of the natural world, but to get to the real meat of potatoes of the track, HEAVY sat down with vocalist Jim to dive deeper.
"The theme of the song is essentially about a vision of the world after humans are gone," he explained. "Every organism that's ever lived here is extinct now; it's a biological and geological reality. We think we're going to be here forever as a species, so humans conduct themselves in an arrogant way, where we think that evolution has ended with us. It's about that vision. The song is about the ravenous earth. The idea of it comes from the Earth consuming humanity and all human artefacts, so societies, buildings, and everything that we think is really important, ultimately, the Earth doesn't care about."
In the full interview, Jim talks more about how the single marks a shift towards a darker and more aggressive sound, influenced by Swedish melodic death metal, and critiques human arrogance through its concept of a post-human world.
The accompanying music video enhances these themes with visuals of ruins and live performances. As a standalone release, The Ravenous Earth aims to reintroduce the band and their new singer, while also developing new material for an album expected next year. That work promises to be more aggressive and varied than their previous work, with recent live shows in Newcastle and Sydney indicating a favourable reception to this new direction.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1140deathmetal,heathenspawn,heavymetal,heravy,krispeters,melodicdeathmetal,metal,metalinterview,music,musicinterviewfalsefullhttps://www.spreaker.com/episode/better-days-ahead-with-ryan-key-from-yellowcard--68063782After forming in Jacksonville, Florida in 1997, Yellowcard became one of the most influential bands in the 2000’s alternative rock scene. Known for blending high-energy pop punk with a signature violin twist, their 2003 breakthrough Ocean Avenue is certified Platinum, with the title track now certified two times Platinum.
Despite this early success - or perhaps because of it - Yellowcard disbanded ten years later, making emotional goodbyes to fans all around the world with a farewell tour. It seemed as though the band's decade of dominance would remain at just that, until Yellowcard reunited in 2022 with a fresh outlook and armed with lessons learnt the first time around.
Fans and the music scene in general embraced the band's music once more, affirming Yellowcard's decision to return from premature band retirement and solidifying their resolve to make their next album also their best. After signing with Better Noise Music, Yellowcard confirmed the addition of Blink 182's Travis Barker to produce the new material, which he was so impressed with, he also stepped behind the kit to play on the whole album.
The result is everything you ever loved about Yellowcard, boosted by musical output from a band that sounds like they have come to terms with their musical status and, more importantly, have rediscovered their zest for life and music.
HEAVY recently sat down with frontman Ryan Key, who battled the effects of a cold to talk about the continued rise of Yellowcard. We start with a subtle attempt at humour by asking how he is feeling about the imminent release of the new album and wish him Better Days ahead because of it.
"It already has, mate," he smiled. "It already has. It's not even out yet, and we're already having the best chapter of this band's career. I think we're right in the middle of it right now. So the fact that the album isn't even out yet and so many amazing things have already happened for us around it and with it, it's pretty mind-blowing."
We continue down that line, asking if the feelings and expectations surrounding the new release are different this time around.
"It feels…," he measured. "We have made a lot of music in our career. We've made a lot of records, and we've written a lot of songs. In 2008, we stepped away from the band - not in the same way that we did in 2016-17 - but in 08 there was this feeling of uncertainty in terms of what was going to come next. We had gone up the first side of the mountain extremely fast. We went from practising in whatever garage we could find to being at the Video Music Awards in two and a half years. It was really rapid. And so we came down the backside of that mountain equally as fast, and we didn't really know what was next."
In the full interview, Ryan talks more about the first stage of Yellowcard's career, including the highs and lows. He opened up about the problems the band faced with being part of the industry cog and how it left them disheartened at a time where they should have been riding the crest of a wave.
He went deeper into the musical side of Better Days, how it is an improvement on anything they have ever done before, and how it represents Yellowcard in 2025. Ryan also detailed how Travis Barker came on board as producer and what difference it made to the finished product. He told us his feelings on working with Barker and how he came to be their studio drummer, signing with Better Noise Music, reaching Number One on the charts after 22 years and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68063782Thu, 09 Oct 2025 05:28:24 +0000HEAVY MagazineIt's not often you get a second chance in life, especially in the music industry, where success - sustained or fleeting - is anything but a given. But that is precisely what has happened for US rock outfit Yellowcard, who return on October 10 with...After forming in Jacksonville, Florida in 1997, Yellowcard became one of the most influential bands in the 2000’s alternative rock scene. Known for blending high-energy pop punk with a signature violin twist, their 2003 breakthrough Ocean Avenue is certified Platinum, with the title track now certified two times Platinum.
Despite this early success - or perhaps because of it - Yellowcard disbanded ten years later, making emotional goodbyes to fans all around the world with a farewell tour. It seemed as though the band's decade of dominance would remain at just that, until Yellowcard reunited in 2022 with a fresh outlook and armed with lessons learnt the first time around.
Fans and the music scene in general embraced the band's music once more, affirming Yellowcard's decision to return from premature band retirement and solidifying their resolve to make their next album also their best. After signing with Better Noise Music, Yellowcard confirmed the addition of Blink 182's Travis Barker to produce the new material, which he was so impressed with, he also stepped behind the kit to play on the whole album.
The result is everything you ever loved about Yellowcard, boosted by musical output from a band that sounds like they have come to terms with their musical status and, more importantly, have rediscovered their zest for life and music.
HEAVY recently sat down with frontman Ryan Key, who battled the effects of a cold to talk about the continued rise of Yellowcard. We start with a subtle attempt at humour by asking how he is feeling about the imminent release of the new album and wish him Better Days ahead because of it.
"It already has, mate," he smiled. "It already has. It's not even out yet, and we're already having the best chapter of this band's career. I think we're right in the middle of it right now. So the fact that the album isn't even out yet and so many amazing things have already happened for us around it and with it, it's pretty mind-blowing."
We continue down that line, asking if the feelings and expectations surrounding the new release are different this time around.
"It feels…," he measured. "We have made a lot of music in our career. We've made a lot of records, and we've written a lot of songs. In 2008, we stepped away from the band - not in the same way that we did in 2016-17 - but in 08 there was this feeling of uncertainty in terms of what was going to come next. We had gone up the first side of the mountain extremely fast. We went from practising in whatever garage we could find to being at the Video Music Awards in two and a half years. It was really rapid. And so we came down the backside of that mountain equally as fast, and we didn't really know what was next."
In the full interview, Ryan talks more about the first stage of Yellowcard's career, including the highs and lows. He opened up about the problems the band faced with being part of the industry cog and how it left them disheartened at a time where they should have been riding the crest of a wave.
He went deeper into the musical side of Better Days, how it is an improvement on anything they have ever done before, and how it represents Yellowcard in 2025. Ryan also detailed how Travis Barker came on board as producer and what difference it made to the finished product. He told us his feelings on working with Barker and how he came to be their studio drummer, signing with Better Noise Music, reaching Number One on the charts after 22 years and more.


Become a supporter of this podcast: 1522album,betternoiserecords,heavy,interview,krispeters,music,musicinterview,musicpodcast,podcast,rock,rockalbum,rockmusic,ryankey,yellowcardtruefullhttps://www.spreaker.com/episode/perseverance-resilience-with-john-steel-from-the-animals--68033705If you guessed The Animals, then you guessed right.
A major part of the musical British Invasion of the 1960s, The Animals produced a string of hits that still resonate today, including We Gotta Get Out Of This Place, Boom Boom, Don't Let Me Be Misunderstood, It’s My Life and the band's iconic multi-million selling, and Number One worldwide hit, House of The Rising Sun. Universally known and loved and influential to generations of music lovers, The Animals have an affinity for Australia, with original drummer John Steel once saying, “Australia has always felt like a second home for us."
HEAVY recently sat down with Steel to talk about the tour and the enduring legacy of The Animals.
"We're looking forward to it," he enthused of the tour. "People keep telling me it's the final tour, but I think it's still such a good band. I enjoy playing with them, and I'm playing as well as I ever did in my life so let's wait and see. But for now, this is the final tour. At my age now, I can only think one year ahead at a time anyway, so maybe this will be the last one. We'll see what happens (laughs)."
Talk turns to the multitude of hits The Animals have had over the years and their place in musical history.
"There's not one song in our repertoire that I've ever thought that is not good enough," he replied. "I've always felt we've got a great bunch of songs, and it's not always the same ones every night. Obviously, we play the big hit singles every night, but we've got a good selection of A-sides, B-sides, and album tracks. So it's a pick and mix, but it keeps it fresh."
In the full interview, John talks more about the tour and what to expect, having to alter their live show in keeping with ageing, the extensive run of shows and playing in out of the way places, his memories of The Animals first tour of Australia and his love of our red wine. We also talked about The Angels cover of We Gotta Get Out Of This Place, the early days of The Animals, what he hopes to leave as their music legacy and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68033705Mon, 06 Oct 2025 18:04:19 +0000HEAVY MagazineThere have been select few bands that have truly shaped the course of history. For heavy metal, it would have to be bands like Black Sabbath and Judas Priest, but when it comes to rock and roll, only Elvis Presley springs directly to mind. But there...If you guessed The Animals, then you guessed right.
A major part of the musical British Invasion of the 1960s, The Animals produced a string of hits that still resonate today, including We Gotta Get Out Of This Place, Boom Boom, Don't Let Me Be Misunderstood, It’s My Life and the band's iconic multi-million selling, and Number One worldwide hit, House of The Rising Sun. Universally known and loved and influential to generations of music lovers, The Animals have an affinity for Australia, with original drummer John Steel once saying, “Australia has always felt like a second home for us."
HEAVY recently sat down with Steel to talk about the tour and the enduring legacy of The Animals.
"We're looking forward to it," he enthused of the tour. "People keep telling me it's the final tour, but I think it's still such a good band. I enjoy playing with them, and I'm playing as well as I ever did in my life so let's wait and see. But for now, this is the final tour. At my age now, I can only think one year ahead at a time anyway, so maybe this will be the last one. We'll see what happens (laughs)."
Talk turns to the multitude of hits The Animals have had over the years and their place in musical history.
"There's not one song in our repertoire that I've ever thought that is not good enough," he replied. "I've always felt we've got a great bunch of songs, and it's not always the same ones every night. Obviously, we play the big hit singles every night, but we've got a good selection of A-sides, B-sides, and album tracks. So it's a pick and mix, but it keeps it fresh."
In the full interview, John talks more about the tour and what to expect, having to alter their live show in keeping with ageing, the extensive run of shows and playing in out of the way places, his memories of The Animals first tour of Australia and his love of our red wine. We also talked about The Angels cover of We Gotta Get Out Of This Place, the early days of The Animals, what he hopes to leave as their music legacy and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>759australia,heavy,interview,johnsteel,krispeters,music,rock,rockmusic,theanimals,tourfalsefullhttps://www.spreaker.com/episode/everything-has-a-price-with-ck-smile-from-chaoseum--68033109Following a steady, yet upward trajectory, Chaoseum refined their sound on albums such as Second Life (2020) - which also welcomed new vocalist CK Smile - and The Third Eye (2022), constructing their music in such a way to incorporate more cinematic elements and soundscapes that have now become part of the band's signature sound. That evolution continued on their most recent album, Life 4 Sale, which was released this year on September 19. HEAVY recently sat down with CK Smile to find out more.
"This album has a completely different story," he measured, deliberating over speaking English, "more than the previous album, because I had to compose it completely alone. On the previous album, we were two composers, the ex-guitar player and I. When he quit the band, we had to find new members, and they had to learn every song from the previous album. It was huge work because we had to do some tours and many, many gigs so they didn't have time to form the composition, so I decided to do it alone. It's different, because I grew up in a nu metal era from 90s and early 2000s, and you can hear on this album it's a little bit simpler, but that's what I like. Plus, the lyrics are different too, because in the previous album, I was mixing part of a true story, mixing with something from my imagination for something more epic. This one is more real. More personal, and so that meant that it was hard for me to write that because I'm talking a lot about my past, and I have many episodes from my past that were very complicated to live. For some things, it's still a little bit complicated, but I deal with it."
In the full interview, CK talks more about the writing and creative process for Life 4 Sale and how it impacted the finished result. He spoke about the darker nature on the previous album, The Third Eye and if that flowed onto this record, plus opening up more in his lyrics and how doing so was a difficult process.
He spoke about the emotions and atmosphere present in Chaoseum's music and how difficult those features are to integrate into music, how Chaoseum have expanded their sound since he joined the band, how much growth the band have left in them musically and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/68033109Mon, 06 Oct 2025 17:10:13 +0000HEAVY MagazineSwitzerland isn't known for its nu metal/metalcore bands, with thrash bands such as Coroner or extreme acts Celtic Frost more prominent. But all that changed in 2018 when Chaoseum, a newcomer to the scene, announced their arrival with their debut...Following a steady, yet upward trajectory, Chaoseum refined their sound on albums such as Second Life (2020) - which also welcomed new vocalist CK Smile - and The Third Eye (2022), constructing their music in such a way to incorporate more cinematic elements and soundscapes that have now become part of the band's signature sound. That evolution continued on their most recent album, Life 4 Sale, which was released this year on September 19. HEAVY recently sat down with CK Smile to find out more.
"This album has a completely different story," he measured, deliberating over speaking English, "more than the previous album, because I had to compose it completely alone. On the previous album, we were two composers, the ex-guitar player and I. When he quit the band, we had to find new members, and they had to learn every song from the previous album. It was huge work because we had to do some tours and many, many gigs so they didn't have time to form the composition, so I decided to do it alone. It's different, because I grew up in a nu metal era from 90s and early 2000s, and you can hear on this album it's a little bit simpler, but that's what I like. Plus, the lyrics are different too, because in the previous album, I was mixing part of a true story, mixing with something from my imagination for something more epic. This one is more real. More personal, and so that meant that it was hard for me to write that because I'm talking a lot about my past, and I have many episodes from my past that were very complicated to live. For some things, it's still a little bit complicated, but I deal with it."
In the full interview, CK talks more about the writing and creative process for Life 4 Sale and how it impacted the finished result. He spoke about the darker nature on the previous album, The Third Eye and if that flowed onto this record, plus opening up more in his lyrics and how doing so was a difficult process.
He spoke about the emotions and atmosphere present in Chaoseum's music and how difficult those features are to integrate into music, how Chaoseum have expanded their sound since he joined the band, how much growth the band have left in them musically and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1108album,chaoseum,cksmile,heavy,heavymetal,krispeters,metal,metalhead,metalinterview,metalpodcast,music,musicinterview,newmusic,numetalfalsefullhttps://www.spreaker.com/episode/good-things-come-to-those-who-wait-with-ruination--67996828Despite their relative distance from a capital music hub, Ruination have continually accepted and performed gigs wherever the wind has swept them, refining their sound on the live circuit, just the way the great Aussie bands of the late 80s and 90s did. With their reputation growing and their sound developing more with each show, Ruination headed to King Street Studios to record their debut album, ultimately deciding to represent the entirety of the band by re-recording the tracks on Whispers and adding a handful of new tracks to complement the recording.
The result is the impressive Everything Eventually, which is slated for release on October 10, with frontman Luke Karolak revealing: "This album deals with loss, heartbreak, redemption, and soul searching. It is not just eleven songs; it is eleven statements!"
HEAVY sat down earlier this week with the three members - Luke Karolak (guitar/vocals), Brady Weber (bass), and Josh Brooks (drums) - to find out more.
"We wanted to make something that we would listen to as fans, as well as everybody else," Karolak replied when asked to describe the album. "Something that we'd enjoy playing, just doing our own thing and putting up a flag and hoping that people will catch on. As an album, it's 11 pretty solid songs. We've been playing them live for a little bit, so they're pretty well fleshed out ideas."
We bring up the above statement where Karolak refers to Everything Eventually as "eleven statements" and ask if that is correct.
"Yeah, that's absolutely correct, man," he nodded. "100% best way to describe them. Obviously, with everything, we learn from our masters, so to speak. But as a band we're a pretty raw, organic, straight down the line, no frills band, and they are statements. That's the best way I can sum that up."
In the full interview, Ruination talked more about the musical side to Everything Eventually, talking us through the different sonic structures throughout and how they all tie together. They spoke of the decision to re-record older songs and mix them with newer material, and how that is a better representation of where Ruination is at this stage of their career.
We spoke about the cover art and how it relates to the album, the things they thought about going into their debut album, the difficulties faced in being a band outside of a capital city and ways to overcome that, their upcoming album launch show and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67996828Fri, 03 Oct 2025 08:16:07 +0000HEAVY MagazineMaryborough rock outfit Ruination warmed music lovers up in 2022, offering a tasty appetiser with the EP Whispers. More of a demo release to showcase their potential, Whispers served up an eclectic take on the standard fare of alternative metal,...Despite their relative distance from a capital music hub, Ruination have continually accepted and performed gigs wherever the wind has swept them, refining their sound on the live circuit, just the way the great Aussie bands of the late 80s and 90s did. With their reputation growing and their sound developing more with each show, Ruination headed to King Street Studios to record their debut album, ultimately deciding to represent the entirety of the band by re-recording the tracks on Whispers and adding a handful of new tracks to complement the recording.
The result is the impressive Everything Eventually, which is slated for release on October 10, with frontman Luke Karolak revealing: "This album deals with loss, heartbreak, redemption, and soul searching. It is not just eleven songs; it is eleven statements!"
HEAVY sat down earlier this week with the three members - Luke Karolak (guitar/vocals), Brady Weber (bass), and Josh Brooks (drums) - to find out more.
"We wanted to make something that we would listen to as fans, as well as everybody else," Karolak replied when asked to describe the album. "Something that we'd enjoy playing, just doing our own thing and putting up a flag and hoping that people will catch on. As an album, it's 11 pretty solid songs. We've been playing them live for a little bit, so they're pretty well fleshed out ideas."
We bring up the above statement where Karolak refers to Everything Eventually as "eleven statements" and ask if that is correct.
"Yeah, that's absolutely correct, man," he nodded. "100% best way to describe them. Obviously, with everything, we learn from our masters, so to speak. But as a band we're a pretty raw, organic, straight down the line, no frills band, and they are statements. That's the best way I can sum that up."
In the full interview, Ruination talked more about the musical side to Everything Eventually, talking us through the different sonic structures throughout and how they all tie together. They spoke of the decision to re-record older songs and mix them with newer material, and how that is a better representation of where Ruination is at this stage of their career.
We spoke about the cover art and how it relates to the album, the things they thought about going into their debut album, the difficulties faced in being a band outside of a capital city and ways to overcome that, their upcoming album launch show and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1151altrock,aussiemusic,band,grunge,hardrock,heavy,interview,krispeters,music,musicinterview,newmusic,rock,rockmusic,ruinationtruefullhttps://www.spreaker.com/episode/the-rebirth-of-heaven-with-laurie-marlow--67984238And that band is Heaven.
Just one of many bands forming in and around the turn of the decade, Heaven were always a class above most others, a combination of talent and good representation seeing them earn the right to do a national support tour of Australia with Iron Maiden after just one album. The inevitable growth from an experience like that took Heaven to the U.S, where they would record their second and most popular album, Where Eagles Fear To Tread, an album which featured guest spots by an unnamed Ronnie James Dio, Lita Ford and Glenn Hughes.
During their time abroad, Heaven supported many more leading bands of the era, from Black Sabbath to Judas Priest to KISS to Motley Crue, but following the 1985 release of Knockin' On Heaven's Door, the band returned to Australia, lasting just one more tour before the tolls of the last 5 years proved too much and the band went their separate ways. A couple of fleeting attempts at getting the gang back together followed over the ensuing years, with no bad blood between the band enabling them to get together when timing and schedules aligned. The loss of frontman Allan Fryer to cancer in 2015 seemed to permanently shelve plans of a fairytale reunion, until the seeds began to grow around the same time as COVID enveloped the world. 
Not to be deterred, bass player and founding member Laurie Marlow persevered in his quest, ultimately reassembling Heaven in what seems for all intents and purposes to be a fully fledged crack at restoring them to their former place amongst this country's elite rock acts. HEAVY sat down with Laurie for an in-depth chat about the past, present and future of Heaven, starting with the formation of the band.
"I'd been a musician around Adelaide for a number of years and decided that if I was going to get anywhere and move forward with things, I had to move somewhere like Melbourne or Sydney, so I picked Sydney," Laurie recalled. "When I got here, I just started looking around for players. And one guy... I lived around the corner from him, actually... and I used to go and see this band play, and that was a band called Swanee, which was Jimmy Barnes' brother. I struck up a friendship with the guitar player, Kelly, and I used to take him to gigs, because I had a car and he didn't. We just started talking about things, and he said that he wasn't happy staying with what he was doing, and he wanted to move into something different. And I said, well mate, what's your interest? And he said, I love this band Van Halen that's just hit the scene in the last couple of years. I said so do I, why don't you come and join me, and we'll put a band together. So that was the first step in the evolution of Heaven."
In the full interview, Laurie provided a comprehensive overview of Heaven's history, detailing the band's formation in 1980 and their evolution from performing as Fat Lip to adopting the name Heaven. We spoke about them getting signed and making the transition to the U.S., and how their music progressed from there.
Laurie talked about some of the bands Heaven has toured with and some of the memories of those times, noting how important being from Australia was in the early days in America. He reflected on Heaven's second album, Where Angels Fear To Tread and the contributions from notable artists like Ronnie James Dio, Lita Ford and Glenn Hughes, as well as the funny tale about how they came to be on the album.
He recounted the initial break-up of Heaven and the subsequent flirtations with regrouping, including a tale about how the Australian version of Heaven lost their name to an assembled American version spearheaded by Fryer. He shared details of the current reunion and plans to record new music, explaining how it might differ slightly from older material due to inevitable modernisation. Laurie also discussed the band's two upcoming Sydney shows, including one where they will pay homage to Black Sabbath and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67984238Fri, 03 Oct 2025 06:44:55 +0000HEAVY MagazineThere aren't many true old school Aussie rockers left these days, but the ones who are remember the 1980s with fond memories. For all of the household names to come out of that time, such as AC/DC, INXS, Cold Chisel, there were just as many, if not...And that band is Heaven.
Just one of many bands forming in and around the turn of the decade, Heaven were always a class above most others, a combination of talent and good representation seeing them earn the right to do a national support tour of Australia with Iron Maiden after just one album. The inevitable growth from an experience like that took Heaven to the U.S, where they would record their second and most popular album, Where Eagles Fear To Tread, an album which featured guest spots by an unnamed Ronnie James Dio, Lita Ford and Glenn Hughes.
During their time abroad, Heaven supported many more leading bands of the era, from Black Sabbath to Judas Priest to KISS to Motley Crue, but following the 1985 release of Knockin' On Heaven's Door, the band returned to Australia, lasting just one more tour before the tolls of the last 5 years proved too much and the band went their separate ways. A couple of fleeting attempts at getting the gang back together followed over the ensuing years, with no bad blood between the band enabling them to get together when timing and schedules aligned. The loss of frontman Allan Fryer to cancer in 2015 seemed to permanently shelve plans of a fairytale reunion, until the seeds began to grow around the same time as COVID enveloped the world. 
Not to be deterred, bass player and founding member Laurie Marlow persevered in his quest, ultimately reassembling Heaven in what seems for all intents and purposes to be a fully fledged crack at restoring them to their former place amongst this country's elite rock acts. HEAVY sat down with Laurie for an in-depth chat about the past, present and future of Heaven, starting with the formation of the band.
"I'd been a musician around Adelaide for a number of years and decided that if I was going to get anywhere and move forward with things, I had to move somewhere like Melbourne or Sydney, so I picked Sydney," Laurie recalled. "When I got here, I just started looking around for players. And one guy... I lived around the corner from him, actually... and I used to go and see this band play, and that was a band called Swanee, which was Jimmy Barnes' brother. I struck up a friendship with the guitar player, Kelly, and I used to take him to gigs, because I had a car and he didn't. We just started talking about things, and he said that he wasn't happy staying with what he was doing, and he wanted to move into something different. And I said, well mate, what's your interest? And he said, I love this band Van Halen that's just hit the scene in the last couple of years. I said so do I, why don't you come and join me, and we'll put a band together. So that was the first step in the evolution of Heaven."
In the full interview, Laurie provided a comprehensive overview of Heaven's history, detailing the band's formation in 1980 and their evolution from performing as Fat Lip to adopting the name Heaven. We spoke about them getting signed and making the transition to the U.S., and how their music progressed from there.
Laurie talked about some of the bands Heaven has toured with and some of the memories of those times, noting how important being from Australia was in the early days in America. He reflected on Heaven's second album, Where Angels Fear To Tread and the contributions from notable artists like Ronnie James Dio, Lita Ford and Glenn Hughes, as well as the funny...]]>2992aussierock,australia,hardrock,heaven,heavy,interview,krispeters,lauriemarlow,musicinterview,rocktruefullhttps://www.spreaker.com/episode/cory-marks-makes-no-apologies-for-his-blending-of-country-music-and-metal--67980014Whether by design or by plain old-fashioned luck, Marks has made the transition even easier over the course of his career by enlisting the talents of some of hard rock and metal's biggest names with Sully Erna (Godsmack), Mick Mars (Motley Crue) and DL (Bad Wolves) providing notable guest appearances across Marks' three existing albums. By having these names attached to his music, Marks has managed to form a gateway between genres that has flowed through into his whole catalogue of music, to the point that on his latest album, Sorry For Nothing Volume 2, Marks dispenses with guest musicians and delivers 11 original songs of his own volition.
And it still works.
HEAVY caught up with Marks on the eve of the October 3 release of Sorry For Nothing Volume 2.
"It's crazy to think that this is my second album in less than a year," he smiled. "Volume 1 came out in December 2024, and this is all music that I love, and I'm very proud of and excited to finally have out into the world. I'm excited, and I think it's a perfect blend of country rock and hard rock."
We ask if Volume 2 is a continuation of Volume 1 or if it is more of the same.
"I would say it's a continuation," he said after a moment's thought. "I think there's some really great country stuff on there. Again, it might be a biased opinion, of course, but there's some heavier stuff like what you've heard so far already, with songs like Hangman and Are You With Me?. And there's some different stuff on there, too, with a song like Someone I Hate, which you even hear some metal screams in there. I'm maybe channelling my Phil Anselmo or my Chester a little bit (laughs), which is different for me on the record and even that style of song."
In the full interview, Cory talks more about the songs on Sorry For Nothing Volume 2, the singles released and how they represent the album as a whole, plus the reasons why he chose to put all of the songs with guest artists on Volume 1.
He spoke about the blending of genres and how he makes them fit together on an album, as well as the moment when he first had the thought of blending country, metal and rock. Cory told a great story of how that idea became reality and set him off on the path he is on today. We spoke about his upcoming tour with Sevendust as well as the possibility of an Australian tour and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67980014Thu, 02 Oct 2025 05:41:42 +0000HEAVY MagazineCanadian musician Cory Marks has succeeded where many others have failed - or weren't even game enough to try - by managing to bring elements of rock and metal into his country-oriented music and, more importantly, make it accessible to all sides of...Whether by design or by plain old-fashioned luck, Marks has made the transition even easier over the course of his career by enlisting the talents of some of hard rock and metal's biggest names with Sully Erna (Godsmack), Mick Mars (Motley Crue) and DL (Bad Wolves) providing notable guest appearances across Marks' three existing albums. By having these names attached to his music, Marks has managed to form a gateway between genres that has flowed through into his whole catalogue of music, to the point that on his latest album, Sorry For Nothing Volume 2, Marks dispenses with guest musicians and delivers 11 original songs of his own volition.
And it still works.
HEAVY caught up with Marks on the eve of the October 3 release of Sorry For Nothing Volume 2.
"It's crazy to think that this is my second album in less than a year," he smiled. "Volume 1 came out in December 2024, and this is all music that I love, and I'm very proud of and excited to finally have out into the world. I'm excited, and I think it's a perfect blend of country rock and hard rock."
We ask if Volume 2 is a continuation of Volume 1 or if it is more of the same.
"I would say it's a continuation," he said after a moment's thought. "I think there's some really great country stuff on there. Again, it might be a biased opinion, of course, but there's some heavier stuff like what you've heard so far already, with songs like Hangman and Are You With Me?. And there's some different stuff on there, too, with a song like Someone I Hate, which you even hear some metal screams in there. I'm maybe channelling my Phil Anselmo or my Chester a little bit (laughs), which is different for me on the record and even that style of song."
In the full interview, Cory talks more about the songs on Sorry For Nothing Volume 2, the singles released and how they represent the album as a whole, plus the reasons why he chose to put all of the songs with guest artists on Volume 1.
He spoke about the blending of genres and how he makes them fit together on an album, as well as the moment when he first had the thought of blending country, metal and rock. Cory told a great story of how that idea became reality and set him off on the path he is on today. We spoke about his upcoming tour with Sevendust as well as the possibility of an Australian tour and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1829album,betternoisemusic,corymarks,countryrock,hardrock,heavy,heavymetal,krispeters,music,musicinterview,musicpodcast,rockmusic,sorryfornothingvolume2falsefullhttps://www.spreaker.com/episode/crisis-averted-with-ollie-twohill--67966000Gold Coast-based rock artist Ollie Twohill is discovering that now, almost two decades into his professional music journey. For the majority of his time performing, Twohill has been a solo artist, enjoying the freedom of creativity and the pressures of handling everything yourself. His most recent single, Crisis, accentuated that belief, with Twohill writing, composing and playing all instruments as well as singing. The song itself is a fine effort - made all the more special by the fact he was responsible for all facets - but after a recent flirtation with playing with a full band on stage, Twohill feels now is the right time to expand on his sound and music by assembling a band from which to launch his music.
HEAVY sat down for a chat recently with Twohill to discuss the new single and life moving forward. We start by asking how people are responding to Crisis.
"So far, reception has been insane," he smiled. "People are really getting behind the track, which is awesome to see, especially since the context of the song is quite an angry song. I feel like there's a lot of turmoil in the world, and I feel like a lot of people can get behind it. So yeah, it's great so far."
We ask him about playing and writing everything himself on Crisis.
"It has been a passion project of mine," he measured, "it's been a bit of a dream to have a song where I played every instrument, and it just felt like the most natural fit to step into that realm."
In the full interview, Ollie talked more about his latest single Crisis, which aims to inspire unity during global challenges. Ollie detailed his songwriting process, starting with guitar progressions, and described the difficulties he faced in composing and performing all instruments for the track, which he views as a passion project. 
He shared his journey as a solo artist before forming a band after relocating to the Gold Coast, discussing the balance between solo and band performances, noting the creative freedom of solo work and the challenges of being overshadowed by full bands. He also introduced his upcoming EP, Calamity, with Crisis as a pivotal piece that reflects a new alt-rock direction for him and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67966000Wed, 01 Oct 2025 09:57:40 +0000HEAVY MagazineMusic is always a transitional thing. Be it mind, body, or sonically, there is always room for growth and expansion. Gold Coast-based rock artist Ollie Twohill is discovering that now, almost two decades into his professional music journey. For the...Gold Coast-based rock artist Ollie Twohill is discovering that now, almost two decades into his professional music journey. For the majority of his time performing, Twohill has been a solo artist, enjoying the freedom of creativity and the pressures of handling everything yourself. His most recent single, Crisis, accentuated that belief, with Twohill writing, composing and playing all instruments as well as singing. The song itself is a fine effort - made all the more special by the fact he was responsible for all facets - but after a recent flirtation with playing with a full band on stage, Twohill feels now is the right time to expand on his sound and music by assembling a band from which to launch his music.
HEAVY sat down for a chat recently with Twohill to discuss the new single and life moving forward. We start by asking how people are responding to Crisis.
"So far, reception has been insane," he smiled. "People are really getting behind the track, which is awesome to see, especially since the context of the song is quite an angry song. I feel like there's a lot of turmoil in the world, and I feel like a lot of people can get behind it. So yeah, it's great so far."
We ask him about playing and writing everything himself on Crisis.
"It has been a passion project of mine," he measured, "it's been a bit of a dream to have a song where I played every instrument, and it just felt like the most natural fit to step into that realm."
In the full interview, Ollie talked more about his latest single Crisis, which aims to inspire unity during global challenges. Ollie detailed his songwriting process, starting with guitar progressions, and described the difficulties he faced in composing and performing all instruments for the track, which he views as a passion project. 
He shared his journey as a solo artist before forming a band after relocating to the Gold Coast, discussing the balance between solo and band performances, noting the creative freedom of solo work and the challenges of being overshadowed by full bands. He also introduced his upcoming EP, Calamity, with Crisis as a pivotal piece that reflects a new alt-rock direction for him and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>656australia,crisis,heavy,interview,krispeters,music,musicinterview,musicpodcast,ollietwohill,poppunk,rock,singlefalsefullhttps://www.spreaker.com/episode/when-two-worlds-collide-down-under-with-chloe-trujillo-and-sam-spade--67963739While BLVD Of Eyes are just getting into the daily grind of a successful music career, The Midnight Devils celebrate 10 years of good times and partying in 2026. BLVD have just released the single Razor Eyes, which is taken from their upcoming EP We Are Humans. Fronted by Chloe Trujillo, BLVD Of Eyes also features Aussie bass player Mark Dalbeth (Bellusera), guitarist Kevin Hicklin and Chloe’s daughter, Lullah Trujillo on drums. With a long list of live shows under their belt since forming, Blvd Of Eyes have proven their ability to captivate audiences with their raw energy and are steadily building momentum.
The Midnight Devils are no strangers to these shores, having completed two successful tours previously, the most recent of which was a national run with Bon But Not Forgotten last year. The boys - featuring Sam Spade (bass, vocals), Sniper (guitar) and Jimmy Mess (drums) released their third album So Hard It Hurts late in 2025 and are well known and loved everywhere they have ever taken to the stage.
Together with Brisbane groove metal outfit Awaken The Hate, both bands hit the road in November, with The Midnight Devils starting at Melbourne's Cherry Bar on November 20 and BLVD Of Eyes kicking off at the same venue the following night. Once they hit Sydney, the two shows combine for what can only be described as a travelling rock and roll party.
HEAVY sat down with Chloe and Sam for a chat ahead of the tour, introducing the two singers for the very first time.
"We're super excited to be supporting BLVD of Eyes with our brothers Awaken the Hate in Australia," Sam beamed. "It's our third tour of Australia in three years, and we can't wait! This is gonna be the party of all parties. Ten days of fun in the sun, and we're all signed up for it!"
Seeing The Midnight Devils have been here twice before, and this will be the first for BLVD Of Eyes, we ask Sam if he has any tips or advice for Chloe.
"The best advice I can give you is the Australian people are maybe the craziest!" he laughed. "They're like a certain level of crazy. It's not American by any means; it's another level altogether. I tell myself every morning, make sure you eat your Wheaties because we're hanging out with crazy Australians and partying every night. Like, it's all day, all night, every single day. 24-7."
In the full interview Chloe and Sam introduce us further to their respective bands, run us through what to expect from them live, which three songs to listen to in order to get a feel for what to expect, their upcoming releases and what direction they will take and, best of all, we find out their first impressions of each other and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67963739Wed, 01 Oct 2025 07:55:42 +0000HEAVY MagazineThis November, two U.S. heavyweights in BLVD Of Eyes and The Midnight Devils combine to bring their music to Australia for a run up the East Coast that promises to be a blast. Bands from opposing ends of the rock spectrum - with BLVD Of Eyes being on...While BLVD Of Eyes are just getting into the daily grind of a successful music career, The Midnight Devils celebrate 10 years of good times and partying in 2026. BLVD have just released the single Razor Eyes, which is taken from their upcoming EP We Are Humans. Fronted by Chloe Trujillo, BLVD Of Eyes also features Aussie bass player Mark Dalbeth (Bellusera), guitarist Kevin Hicklin and Chloe’s daughter, Lullah Trujillo on drums. With a long list of live shows under their belt since forming, Blvd Of Eyes have proven their ability to captivate audiences with their raw energy and are steadily building momentum.
The Midnight Devils are no strangers to these shores, having completed two successful tours previously, the most recent of which was a national run with Bon But Not Forgotten last year. The boys - featuring Sam Spade (bass, vocals), Sniper (guitar) and Jimmy Mess (drums) released their third album So Hard It Hurts late in 2025 and are well known and loved everywhere they have ever taken to the stage.
Together with Brisbane groove metal outfit Awaken The Hate, both bands hit the road in November, with The Midnight Devils starting at Melbourne's Cherry Bar on November 20 and BLVD Of Eyes kicking off at the same venue the following night. Once they hit Sydney, the two shows combine for what can only be described as a travelling rock and roll party.
HEAVY sat down with Chloe and Sam for a chat ahead of the tour, introducing the two singers for the very first time.
"We're super excited to be supporting BLVD of Eyes with our brothers Awaken the Hate in Australia," Sam beamed. "It's our third tour of Australia in three years, and we can't wait! This is gonna be the party of all parties. Ten days of fun in the sun, and we're all signed up for it!"
Seeing The Midnight Devils have been here twice before, and this will be the first for BLVD Of Eyes, we ask Sam if he has any tips or advice for Chloe.
"The best advice I can give you is the Australian people are maybe the craziest!" he laughed. "They're like a certain level of crazy. It's not American by any means; it's another level altogether. I tell myself every morning, make sure you eat your Wheaties because we're hanging out with crazy Australians and partying every night. Like, it's all day, all night, every single day. 24-7."
In the full interview Chloe and Sam introduce us further to their respective bands, run us through what to expect from them live, which three songs to listen to in order to get a feel for what to expect, their upcoming releases and what direction they will take and, best of all, we find out their first impressions of each other and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>965australia,blvdofeyes,chloetrujillo,glamrock,hardrock,heavy,heavymetal,interview,krispeters,music,musicinterview,rock,themidnightdevils,tour,xmusicfalsefullhttps://www.spreaker.com/episode/preparing-for-war-with-chuck-billy-from-testament--67938265Which is exactly what happened with thrash metal legends Testament and their upcoming album, Para Bellum. While not detouring too far from the music for which they are universally loved and respected, Testament have found ways to reinvigorate their tried and true sound without risking the alienation of staunch, loyal fans.
On this album, Testament have leaned more into the black metal side of their musical psyche, a side embraced by guitarist Eric Peterson, who tapped into the more modern aspects of metal with drummer Chris Dovas, who was working on his first album with the band. Noticeably younger than his bandmates, Dovas brought the taste of the present into Testament's creativity, with the results only solidifying the band's sound.
Such is the all-encompassing sound Testament were going for with Para Bellum, the opening notes feature an old bridge thought lost from The Legacy era of the band, coming full circle in a way while still embracing change. Para Bellum is triumphant on so many levels, maybe none more so than the addition of the song Meant To Be, which is Testament's first album ballad for many years. It is exciting times for a band just about to release their 14th studio album, with frontman Chuck Billy joining HEAVY to bring us up to speed.
We ask about the album title, Para Bellum - which is Latin for If You Want Peace, Prepare For War, and how it fits in with the content.
"First of all, it fit in with the artwork," Billy explained. "Originally we were gonna call it Infanticide AI, but that didn't really match the direction. We thought, AI, let's not go there, because maybe fans might start thinking, 'is that album cover AI? Did they use AI to write lyrics in all this?'
So we said, you know what? Let's not open that door. And once me and Alex wrote Parra Bellum, and I told him what it meant, it made more sense with what he was working on with the artwork, because we knew we wanted a mushroom cloud there in the background. And I didn't know about the angel and the missile wings, but once they came up with it, it just made sense. It's subliminally war-driven a little bit, talking about silent weapons and things that are going on in our world."
In the full interview, Chuck spoke more about the musical nature of Para Bellum and what they were going for this time around, the elements of black metal through most of the music and how it enhances the band's sound, the contributions of new drummer Chris Dovas in the writing and recording process and what ideas he brought to the table.
We spoke about bringing a slightly modern edge to their existing sound of the importance of always trying to come up with fresh ideas, the album ballad and why now is the right time to write another one after so many years, the use of cello for that sound and how difficult it was to integrate it into their music, the meaning behind the album artwork and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67938265Tue, 30 Sep 2025 08:23:58 +0000HEAVY MagazineIt is refreshing to hear old school metal bands still pushing their limits and exploring fresh sonic realms, even with a sound that is known and loved and has been for more than 40 years. It is understandable when some bands mutter the words 'if it...Which is exactly what happened with thrash metal legends Testament and their upcoming album, Para Bellum. While not detouring too far from the music for which they are universally loved and respected, Testament have found ways to reinvigorate their tried and true sound without risking the alienation of staunch, loyal fans.
On this album, Testament have leaned more into the black metal side of their musical psyche, a side embraced by guitarist Eric Peterson, who tapped into the more modern aspects of metal with drummer Chris Dovas, who was working on his first album with the band. Noticeably younger than his bandmates, Dovas brought the taste of the present into Testament's creativity, with the results only solidifying the band's sound.
Such is the all-encompassing sound Testament were going for with Para Bellum, the opening notes feature an old bridge thought lost from The Legacy era of the band, coming full circle in a way while still embracing change. Para Bellum is triumphant on so many levels, maybe none more so than the addition of the song Meant To Be, which is Testament's first album ballad for many years. It is exciting times for a band just about to release their 14th studio album, with frontman Chuck Billy joining HEAVY to bring us up to speed.
We ask about the album title, Para Bellum - which is Latin for If You Want Peace, Prepare For War, and how it fits in with the content.
"First of all, it fit in with the artwork," Billy explained. "Originally we were gonna call it Infanticide AI, but that didn't really match the direction. We thought, AI, let's not go there, because maybe fans might start thinking, 'is that album cover AI? Did they use AI to write lyrics in all this?'
So we said, you know what? Let's not open that door. And once me and Alex wrote Parra Bellum, and I told him what it meant, it made more sense with what he was working on with the artwork, because we knew we wanted a mushroom cloud there in the background. And I didn't know about the angel and the missile wings, but once they came up with it, it just made sense. It's subliminally war-driven a little bit, talking about silent weapons and things that are going on in our world."
In the full interview, Chuck spoke more about the musical nature of Para Bellum and what they were going for this time around, the elements of black metal through most of the music and how it enhances the band's sound, the contributions of new drummer Chris Dovas in the writing and recording process and what ideas he brought to the table.
We spoke about bringing a slightly modern edge to their existing sound of the importance of always trying to come up with fresh ideas, the album ballad and why now is the right time to write another one after so many years, the use of cello for that sound and how difficult it was to integrate it into their music, the meaning behind the album artwork and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>932album,blackmetal,chuckbilly,heavy,heavymetal,krispeters,metal,metalhead,metalinterview,metalpodcast,music,testament,thrashmetalfalsefullhttps://www.spreaker.com/episode/getting-the-party-started-with-alex-moore-from-the-lathums--67939781Indie rock outfit The Lathums have been doing that now for the better part of seven years, plying their trade the world over and being invited to enjoy the facilities at festivals such as SXSW, Glastonbury, Leeds/Reading, Neighbourhood Weekender and plenty more.
But if there's one thing you can strike a negative for with The Lathums, it's the fact they have not once brought their infectious band of music to Australian shores, a blight which is soon to be remedied with the four-piece touch down for a run of four shows starting in Fremantle on October 8. Having never heard of The Lathums before, HEAVY had to do a bit more research than usual before sitting down for a chat with frontman Alex Moore, and what we discovered looked like so much fun that we had already made up our mind to go to one of the shows before even speaking with him.
After asking Moore how and why The Lathums have neglected Australia until now, we ask him what he is expecting from our audiences, pointing out that we have been known to get rowdy on occasions.
"Yeah, I was expecting that," he smiled. "I feel like we'd get a good crack out of a crowd in Australia (laughs). Sometimes the crowd feels like they shouldn't say or do anything and just let the band do whatever. But I feel like in Australia it'll be a bit more like engaging, so we'll see."
We follow up by asking what we can expect from The Lathums live.
"We engage with the crowd, we make sure everybody's had a good time and a safe time as well," he promised. "But the makeup around it and the thrill is always different because you never really know what's gonna happen. I'm a bit mad and I can switch quite quickly, so you never know what to expect (laughs)."
In the full interview, Alex highlighted the unique energy of The Lathums' live shows, recommending three songs for newcomers to prepare for the tour. He reflected on the musical climate in Wigan at the band's formation in 2018, noting a lack of local activity and their role in revitalising the area's music culture.
He shared the band's journey, mentioning the success of their first two albums and emphasising that true success is measured by fan loyalty rather than chart positions. He also expressed eagerness to connect with Australian fans, what they are expecting and more.
Tickets and tour info via: frontiertouring.com/thelathums


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67939781Tue, 30 Sep 2025 08:22:40 +0000HEAVY MagazineIn the modern age of seriousness, it is refreshing to see a band doing the rounds that still values fun and a good time over politics and bickering. A band who performs with a smile on their face without deferring to any one side of whatever fence is...Indie rock outfit The Lathums have been doing that now for the better part of seven years, plying their trade the world over and being invited to enjoy the facilities at festivals such as SXSW, Glastonbury, Leeds/Reading, Neighbourhood Weekender and plenty more.
But if there's one thing you can strike a negative for with The Lathums, it's the fact they have not once brought their infectious band of music to Australian shores, a blight which is soon to be remedied with the four-piece touch down for a run of four shows starting in Fremantle on October 8. Having never heard of The Lathums before, HEAVY had to do a bit more research than usual before sitting down for a chat with frontman Alex Moore, and what we discovered looked like so much fun that we had already made up our mind to go to one of the shows before even speaking with him.
After asking Moore how and why The Lathums have neglected Australia until now, we ask him what he is expecting from our audiences, pointing out that we have been known to get rowdy on occasions.
"Yeah, I was expecting that," he smiled. "I feel like we'd get a good crack out of a crowd in Australia (laughs). Sometimes the crowd feels like they shouldn't say or do anything and just let the band do whatever. But I feel like in Australia it'll be a bit more like engaging, so we'll see."
We follow up by asking what we can expect from The Lathums live.
"We engage with the crowd, we make sure everybody's had a good time and a safe time as well," he promised. "But the makeup around it and the thrill is always different because you never really know what's gonna happen. I'm a bit mad and I can switch quite quickly, so you never know what to expect (laughs)."
In the full interview, Alex highlighted the unique energy of The Lathums' live shows, recommending three songs for newcomers to prepare for the tour. He reflected on the musical climate in Wigan at the band's formation in 2018, noting a lack of local activity and their role in revitalising the area's music culture.
He shared the band's journey, mentioning the success of their first two albums and emphasising that true success is measured by fan loyalty rather than chart positions. He also expressed eagerness to connect with Australian fans, what they are expecting and more.
Tickets and tour info via: frontiertouring.com/thelathums


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>830alexmoore,australia,frontiertouring,heavy,indierock,krispeters,live,music,musicinterview,musicpodcast,rock,thelathums,tourfalsefullhttps://www.spreaker.com/episode/unravelling-reality-with-brady-deeprose-from-conjurer--67850412While award nominations and accolades accumulated with each piece of new music, Conjurer retained their one simple mission: to make heavy music and have fun while doing so. Preferring to use their spotlight to showcase technicality and musicality rather than concentrating on politics or opinions, Conjurer have always lived in the moment and embraced everything that came their way.
Their upcoming third album Unself (October 24, Nuclear Blast Records) sees Conjurer once more expanding their sonic palate, but this time the whole album is grounded by a common theme or thread that sees the band producing their most personal album to date. Unself is a more intense, more personal voyage of discovery unfurling for vocalist/guitarist Dani Nightingale, who was diagnosed with autism at age 31. With that prognosis, Conjurer's long-held view of self and perception of their place in the world began to unravel. Unself documents much of the piecing back together around the diagnosis, alongside the realisation that they were non-binary.
With the release date looming large, HEAVY took the time to chat with guitarist/vocalist Brady Deeprose to dive deeper. We start by asking if the band are feeling confident about the reaction for the new album.
"I think it's funny because with all of our previous releases, we've not really cared about the reception," he smiled. "It has been a very specific point that we make this music for the four of us. We put it out there, and if people like it, that is wonderful. And if they don't, then that's also fine. We can't control that. However, on this album, I feel like we've put so much more of ourselves into it than ever before. It feels so much more personal and so much more emotionally vulnerable, that while, yes, if people don't like it, that's not something I can control, but I do really hope that people connect with it in the way that I have. I love this album, it really means a lot to me, and I hope that it kind of scratches that itch for at least some of the people that listen to it."
In the full interview, Brady talks more about Unself, highlighting its departure from previous works and a focus on emotional vulnerability and personal investment. He described the recording process as collaborative and low-pressure, contrasting it with the challenges faced during their last album, Pathos. Brady explained how the band aims for a more organic sound on Unself, with tracks that defy traditional genre boundaries, reflecting their artistic evolution.
We spoke about the opening tune, Unself, and why it was chosen as first cab off the rank, as well as the closing track, The World Is Not My Home, which is an adaptation of a century-old gospel song, and the thought process behind both. Last year's Australian tour was brought up, along with whispers about a return visit next year and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67850412Mon, 29 Sep 2025 09:00:27 +0000HEAVY MagazineBritish metal outfit Conjurer have continued to defy expectations since the release of their debut album, Mire, in 2018. Essentially an experimental metal band, Conjurer has drawn on elements of sludge, death, doom and post metal, never once allowing...While award nominations and accolades accumulated with each piece of new music, Conjurer retained their one simple mission: to make heavy music and have fun while doing so. Preferring to use their spotlight to showcase technicality and musicality rather than concentrating on politics or opinions, Conjurer have always lived in the moment and embraced everything that came their way.
Their upcoming third album Unself (October 24, Nuclear Blast Records) sees Conjurer once more expanding their sonic palate, but this time the whole album is grounded by a common theme or thread that sees the band producing their most personal album to date. Unself is a more intense, more personal voyage of discovery unfurling for vocalist/guitarist Dani Nightingale, who was diagnosed with autism at age 31. With that prognosis, Conjurer's long-held view of self and perception of their place in the world began to unravel. Unself documents much of the piecing back together around the diagnosis, alongside the realisation that they were non-binary.
With the release date looming large, HEAVY took the time to chat with guitarist/vocalist Brady Deeprose to dive deeper. We start by asking if the band are feeling confident about the reaction for the new album.
"I think it's funny because with all of our previous releases, we've not really cared about the reception," he smiled. "It has been a very specific point that we make this music for the four of us. We put it out there, and if people like it, that is wonderful. And if they don't, then that's also fine. We can't control that. However, on this album, I feel like we've put so much more of ourselves into it than ever before. It feels so much more personal and so much more emotionally vulnerable, that while, yes, if people don't like it, that's not something I can control, but I do really hope that people connect with it in the way that I have. I love this album, it really means a lot to me, and I hope that it kind of scratches that itch for at least some of the people that listen to it."
In the full interview, Brady talks more about Unself, highlighting its departure from previous works and a focus on emotional vulnerability and personal investment. He described the recording process as collaborative and low-pressure, contrasting it with the challenges faced during their last album, Pathos. Brady explained how the band aims for a more organic sound on Unself, with tracks that defy traditional genre boundaries, reflecting their artistic evolution.
We spoke about the opening tune, Unself, and why it was chosen as first cab off the rank, as well as the closing track, The World Is Not My Home, which is an adaptation of a century-old gospel song, and the thought process behind both. Last year's Australian tour was brought up, along with whispers about a return visit next year and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1578album,bradydeeprose,conjurer,deathmetal,doommetal,heavy,heavymetal,krispeters,metalheads,metalinterview,metalpodcast,music,nuclearblastrecords,sludgemetaltruefullhttps://www.spreaker.com/episode/finding-beauty-in-ugliness-with-matt-wilcock-from-werewolves--67914855But with a pedigree of members from well-respected Australian bands such as Psycroptic, The Berzerker, and The Antichrist Imperium, more than a few people backed Werewolves in.
That promise was made six years ago now, and lo and behold Werewolves have just released album number six, The Ugliest Of All. Described as a "devastating album with little let up or mercy", The Ugliest Of All is pure, face-melting extreme metal of the highest calibre, proving that even just over halfway through their quest, Werewolves are yet to start scraping the bottom of the creativity well.
With the recent listen to the album still infecting our ears, HEAVY sat down to chat with guitarist Matt Wilcock to find out more. We start by asking how the early reception for the album has been.
"It's been good," he enthused. "It's album six. We've been around for six years or seven years, and we're up to album six. And to be honest, it's funny because for us, it's just another album, but we're happy with it and people seem to dig it. We're always excited to release another ridiculously brutal and stupid album."
With such a regular release cycle, we wonder aloud if Matt even gives thought to what people think of their albums and if negative feedback could ever derail the process.
"Oh, there'll be another one," he grinned defiantly. "I mean, it's a bit of both. We do it because we love it, and it's kind of cool to see what people think. But if no one likes this one, then fuck them. We're going to do another one next year. And it's going to be even worse (laughs)."
In the full interview, Matt provided an overview of The Ugliest Of All, highlighting its relentless intensity and the absence of slow songs, with the first half featuring catchier tracks and the second half increasing in aggression. He noted the band's growth in songwriting and the fact that their music is made for themselves first and foremost.
We discussed the now compulsory dis song on each album, along with the cover art by Mitchell Nolte, which reflects the album's themes. We spoke about the back and forth when creating artwork for each album cover and how they develop from a simple sketch to a graphic piece. The 10 albums in 10 years promise came up, with HEAVY asking if it was becoming difficult to come up with quality material given the short amount of time between albums, as did their run of shows early next year with Abbath Doom Occulta and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67914855Fri, 26 Sep 2025 22:36:29 +0000HEAVY MagazineWhen Australian extreme metal outfit Werewolves proclaimed to the world that they intended to release 10 albums in 10 years, the collective sighs of here we go again hung loudly in the air. Bands have promised such things or similar immeasurable times...But with a pedigree of members from well-respected Australian bands such as Psycroptic, The Berzerker, and The Antichrist Imperium, more than a few people backed Werewolves in.
That promise was made six years ago now, and lo and behold Werewolves have just released album number six, The Ugliest Of All. Described as a "devastating album with little let up or mercy", The Ugliest Of All is pure, face-melting extreme metal of the highest calibre, proving that even just over halfway through their quest, Werewolves are yet to start scraping the bottom of the creativity well.
With the recent listen to the album still infecting our ears, HEAVY sat down to chat with guitarist Matt Wilcock to find out more. We start by asking how the early reception for the album has been.
"It's been good," he enthused. "It's album six. We've been around for six years or seven years, and we're up to album six. And to be honest, it's funny because for us, it's just another album, but we're happy with it and people seem to dig it. We're always excited to release another ridiculously brutal and stupid album."
With such a regular release cycle, we wonder aloud if Matt even gives thought to what people think of their albums and if negative feedback could ever derail the process.
"Oh, there'll be another one," he grinned defiantly. "I mean, it's a bit of both. We do it because we love it, and it's kind of cool to see what people think. But if no one likes this one, then fuck them. We're going to do another one next year. And it's going to be even worse (laughs)."
In the full interview, Matt provided an overview of The Ugliest Of All, highlighting its relentless intensity and the absence of slow songs, with the first half featuring catchier tracks and the second half increasing in aggression. He noted the band's growth in songwriting and the fact that their music is made for themselves first and foremost.
We discussed the now compulsory dis song on each album, along with the cover art by Mitchell Nolte, which reflects the album's themes. We spoke about the back and forth when creating artwork for each album cover and how they develop from a simple sketch to a graphic piece. The 10 albums in 10 years promise came up, with HEAVY asking if it was becoming difficult to come up with quality material given the short amount of time between albums, as did their run of shows early next year with Abbath Doom Occulta and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1091abbathdoomocculta,album,aussiemetal,australia,extrememetal,heavy,heavymetal,interview,krispeters,mattwilcock,metal,metalhead,metalinterview,music,musicpodcast,werewolvestruefullhttps://www.spreaker.com/episode/dissecting-serial-killers-with-mick-barr-from-monoliyth--67909373It is an often thankless task - faced by all bands - but Monoliyth have found their niche, originally starting life as more of a thrash metal band before finding their home in the nastier side of metal.
Their recent release, He Who Kills, is a typical blast of aggression for Monoliyth, but this time there is a storyline to go with the carnage. A storyline that could very well be the visual accompaniment to Monoliyth's musical psyche. Each song on the album tells a tale of death and destruction through the eyes of a serial killer, with each tune showcasing a different protagonist and the evil that lurks within. It is a different, engaging, and highly confronting deviation from the norm, and one HEAVY wants to explore further when we speak to guitarist and founding member Mick Barr.
"Well, it wasn't anything serious," Barr replied when we asked where the idea came from. "Everything on YouTube or the old horror movies and stuff is always based on serial killers. And we thought maybe we can do something, looking through the eyes of the actual serial killers themselves and how they might perceive their surroundings or their ideology on why they do what they do. It's to do with the whole concept of how they might operate collectively. Am I a fan of serial killers? Absolutely not. I've seen plenty of docos on these people, and you can't make it up. You can't believe half the stuff they talk about."
In the full interview, Mick discussed the album's musical direction, blending old school death metal with modern techniques, and highlighted the singles The Killing Floor, He Who Kills, and Excised Unborn as representations of their diverse sound. The album's concept, influenced by horror movies and online content, explores the perspective of a serial killer with a tongue-in-cheek tone, although Mick emphasised that the graphic material is not meant to be taken seriously.
He reflected on the challenges of standing out in the competitive Australian music scene, while expressing satisfaction with the band's international reception, particularly in Europe. Upcoming performances include an album launch and participation in Brute Fest, with the album available for streaming and on vinyl, alongside plans for new material and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67909373Fri, 26 Sep 2025 15:01:09 +0000HEAVY MagazineMelbourne old school death metal machine Monoliyth have been steadily going about their craft for just over 25 years, grinding away on the circuit with a mission to do no more than offer a sonic distraction to the world around them. It is an often...It is an often thankless task - faced by all bands - but Monoliyth have found their niche, originally starting life as more of a thrash metal band before finding their home in the nastier side of metal.
Their recent release, He Who Kills, is a typical blast of aggression for Monoliyth, but this time there is a storyline to go with the carnage. A storyline that could very well be the visual accompaniment to Monoliyth's musical psyche. Each song on the album tells a tale of death and destruction through the eyes of a serial killer, with each tune showcasing a different protagonist and the evil that lurks within. It is a different, engaging, and highly confronting deviation from the norm, and one HEAVY wants to explore further when we speak to guitarist and founding member Mick Barr.
"Well, it wasn't anything serious," Barr replied when we asked where the idea came from. "Everything on YouTube or the old horror movies and stuff is always based on serial killers. And we thought maybe we can do something, looking through the eyes of the actual serial killers themselves and how they might perceive their surroundings or their ideology on why they do what they do. It's to do with the whole concept of how they might operate collectively. Am I a fan of serial killers? Absolutely not. I've seen plenty of docos on these people, and you can't make it up. You can't believe half the stuff they talk about."
In the full interview, Mick discussed the album's musical direction, blending old school death metal with modern techniques, and highlighted the singles The Killing Floor, He Who Kills, and Excised Unborn as representations of their diverse sound. The album's concept, influenced by horror movies and online content, explores the perspective of a serial killer with a tongue-in-cheek tone, although Mick emphasised that the graphic material is not meant to be taken seriously.
He reflected on the challenges of standing out in the competitive Australian music scene, while expressing satisfaction with the band's international reception, particularly in Europe. Upcoming performances include an album launch and participation in Brute Fest, with the album available for streaming and on vinyl, alongside plans for new material and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>903album,aussiemetal,australia,deathmetal,heavy,heavyinterview,heavymetal,hewhokills,interview,krispeters,metal,metalhead,metalinterview,metalpodcast,monoliyth,music,musicinterviewtruefullhttps://www.spreaker.com/episode/adding-the-cherry-on-top-with-holly-and-joe-from-arabella-and-the-heist--67908728As the band ramps things up for a brighter future, they have delivered two previous singles - both launched to sold-out venues - in Electric and 1769, songs that have showcased differing sides to Anabella And The Heist's musical psyche.
On September 12 the band released a third single, Maraschino, via sonic release only, hoping to initially draw people in to the band with their unique sound before pummelling them into submission with a follow-up music video, which was released this Friday just gone. HEAVY caught up with frontwoman Holly Arabella and guitarist Joe Humphries to find out more.
“The music video, like the song, came from a place of wanting to play with the idea of tension and release,” Holly shared. “We chose an unconventionally claustrophobic space to set it within, set up a camera and filmed it ourselves. This allowed us the ability to play with the space in a way that portrays the pressure of the song.”
We ask how the initial reaction has been to the audio release of Maraschino.
"It's been really great, actually," Holly smiled. "I've been really excited to see other people have been excited about it too, because it's one thing to be in the studio and be like oh we're making this fusion punk dance thing, and you're really excited about it, and then when it actually comes out and other people are excited about it, it's like, okay we went in some weird cryptic manic episode that worked (laughs)."
We ask how Maraschino differs musically from Electric and 1769.
"I would think that we leaned into it," Holly mused, "especially with the samples and the synths and everything. I think we've found our niche in that kind of dance thing, and I think that's just come from playing songs like Electric and 1769 live and seeing the energy and emotion in the dance floor. We've been wanting to just harness that more, and I think with those two previous songs we went into it, going how are we going to play these songs live, so they're very much just guitars, bass, drum, and vocal, whereas this newer stuff we're more going that doesn't matter, we can figure that out."
In the full interview, Joe and Holly described Maraschino's chaotic, dance punk style, achieved by merging electronic sounds with traditional instruments. They emphasised their aim to move beyond generic punk rock and explore innovative musical directions.
The discussion included details about their upcoming single launch at The Old Bar in Fitzroy and their aspirations for future music and performances. Without confirming anything, Joe and Holly insinuated an album is in the works, with potential shifts in musical direction discussed and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67908728Fri, 26 Sep 2025 14:13:51 +0000HEAVY MagazineSince their formation in 2019, Melbourne rock/punk outfit Anabella And The Heist have steadily gone about building their profile, mostly via word of mouth on the back of their entertaining live shows that are said to often "teeter on the edge of...As the band ramps things up for a brighter future, they have delivered two previous singles - both launched to sold-out venues - in Electric and 1769, songs that have showcased differing sides to Anabella And The Heist's musical psyche.
On September 12 the band released a third single, Maraschino, via sonic release only, hoping to initially draw people in to the band with their unique sound before pummelling them into submission with a follow-up music video, which was released this Friday just gone. HEAVY caught up with frontwoman Holly Arabella and guitarist Joe Humphries to find out more.
“The music video, like the song, came from a place of wanting to play with the idea of tension and release,” Holly shared. “We chose an unconventionally claustrophobic space to set it within, set up a camera and filmed it ourselves. This allowed us the ability to play with the space in a way that portrays the pressure of the song.”
We ask how the initial reaction has been to the audio release of Maraschino.
"It's been really great, actually," Holly smiled. "I've been really excited to see other people have been excited about it too, because it's one thing to be in the studio and be like oh we're making this fusion punk dance thing, and you're really excited about it, and then when it actually comes out and other people are excited about it, it's like, okay we went in some weird cryptic manic episode that worked (laughs)."
We ask how Maraschino differs musically from Electric and 1769.
"I would think that we leaned into it," Holly mused, "especially with the samples and the synths and everything. I think we've found our niche in that kind of dance thing, and I think that's just come from playing songs like Electric and 1769 live and seeing the energy and emotion in the dance floor. We've been wanting to just harness that more, and I think with those two previous songs we went into it, going how are we going to play these songs live, so they're very much just guitars, bass, drum, and vocal, whereas this newer stuff we're more going that doesn't matter, we can figure that out."
In the full interview, Joe and Holly described Maraschino's chaotic, dance punk style, achieved by merging electronic sounds with traditional instruments. They emphasised their aim to move beyond generic punk rock and explore innovative musical directions.
The discussion included details about their upcoming single launch at The Old Bar in Fitzroy and their aspirations for future music and performances. Without confirming anything, Joe and Holly insinuated an album is in the works, with potential shifts in musical direction discussed and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>850arabellaandtheheist,australia,heavy,krispeters,maraschino,music,musicinterview,musicpodcast,punk,rock,singletruefullhttps://www.spreaker.com/episode/the-subtle-art-of-simplicity-with-danko-jones--67857320A band that very much lets their music do the talking, Danko Jones are set to release their latest album, Leo Rising, on November 21, further solidifying their place in the annals of rock history. HEAVY caught up with Danko Jones himself to find out more. One of the things we discuss is the relative simplicity inherent in Danko Jones' music, with the band allowing the songs to dictate terms rather than try to change things up just for the sake of it.
"I don't really think there's a need to reinvent the wheel of rock in 2025," he offered. "But at the same time, there's still room for making it sound fresh. So that's kind of our goal. We're not trying to create a new genre of rock music, but we're just trying to make it sound fresh."
We ask Jones to dive deeper into the musical side of Leo Rising.
"It doesn't change," he shrugged. "Every album is the same, as the next one will be the same, which is just try to write a whole bunch of tunes that I like - or that we like. I write to please myself first and foremost. If I don't like it, I can't back it. That's not to say that there were songs on our previous albums that I don't really like, but you're striving for perfection."
In the full interview, Danko emphasised the importance of creating songs that resonate with him rather than conforming to current trends. We discussed the collaboration with guitarist Marty Friedman on the song Diamond in the Rough, highlighting the significance of timing and ensuring the song suited Friedman's style, which resulted in a standout guitar solo.
The conversation delved into the complexities of naming the album, with Danko noting the challenge of selecting from nearly 200 song titles. The title Leo Rising was chosen to connect with their first album, Born a Lion, symbolizing thematic continuity as they look ahead to their 13th album.
Danko also discussed the challenge of maintaining musical integrity amidst industry changes, asserting his commitment to their sound and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67857320Thu, 25 Sep 2025 09:17:14 +0000HEAVY MagazineCanada's greatest export ever, Danko Jones, have been flying the flag for rock and roll music ever since they combined to wreak havoc on the world in 1996. The band have almost single-handedly revived rock and roll from the untimely death many have...A band that very much lets their music do the talking, Danko Jones are set to release their latest album, Leo Rising, on November 21, further solidifying their place in the annals of rock history. HEAVY caught up with Danko Jones himself to find out more. One of the things we discuss is the relative simplicity inherent in Danko Jones' music, with the band allowing the songs to dictate terms rather than try to change things up just for the sake of it.
"I don't really think there's a need to reinvent the wheel of rock in 2025," he offered. "But at the same time, there's still room for making it sound fresh. So that's kind of our goal. We're not trying to create a new genre of rock music, but we're just trying to make it sound fresh."
We ask Jones to dive deeper into the musical side of Leo Rising.
"It doesn't change," he shrugged. "Every album is the same, as the next one will be the same, which is just try to write a whole bunch of tunes that I like - or that we like. I write to please myself first and foremost. If I don't like it, I can't back it. That's not to say that there were songs on our previous albums that I don't really like, but you're striving for perfection."
In the full interview, Danko emphasised the importance of creating songs that resonate with him rather than conforming to current trends. We discussed the collaboration with guitarist Marty Friedman on the song Diamond in the Rough, highlighting the significance of timing and ensuring the song suited Friedman's style, which resulted in a standout guitar solo.
The conversation delved into the complexities of naming the album, with Danko noting the challenge of selecting from nearly 200 song titles. The title Leo Rising was chosen to connect with their first album, Born a Lion, symbolizing thematic continuity as they look ahead to their 13th album.
Danko also discussed the challenge of maintaining musical integrity amidst industry changes, asserting his commitment to their sound and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1224album,dankojones,hardrock,heavy,heavymetal,krispeters,leorising,metal,music,musicinterview,musicpodcast,rock,rockmusic,tourtruefullhttps://www.spreaker.com/episode/keep-turning-that-shit-up-with-ady-matt-from-testeagles--67875119Into the world was born an anthemic tune that was just good enough to divert people's attention away from all of the fear and uncertainty in the world and allow us to refocus on the one thing that will never let us down.
Music.
So when three young upstarts from Adelaide started a sonic movement that bucked the growing tide of uncertainty, its wings spanned the entire world, with people as far away as Transylvania heard running through the streets and yelling four simple words that, when put together, became the voice of a generation. The voice your mother warned you about. The voice of change. I can still picture myself screaming above the live band in those times, shouting those same four words that have now become as much a part of music folklore as Iron Maiden and those that came before or after them. Those words?
Turn That Shit Up. And the band responsible?
Adelaide's Testeagles, that's who. After putting out just the one sensational metal/indie rock album laced with electronic beats and samples called Non Comprehendus, Testeagles vanished into the abyss. Job done. Order restored.
Over the years, there have been many calls for Testeagles to return and finish what they had started, most of which fell on deaf ears until the band was coaxed out of retirement and onto the stage of last year's Froth & Fury Festival. The response was so overwhelmingly powerful and positive, it was only a matter of time before that one-off comeback became a fully fledged reunion, and the band did not disappoint, recently bowing to public demand by announcing a national tour in celebration of 25 years since the world collectively turned their shit up.
Returning to our early days of musical indulgence, HEAVY sat down for an entertaining chat with Testeagles drummer "Ady" Matt to fill in the many blanks. We start by asking how rehearsals are going with the first show only weeks away.
"We played a show last year for the first time in like 20 years or something ridiculous, and that was a nightmare trying to get ready for," Ady laughed. "We had our doubts because we hadn't played properly for a really long time, but this time around we've kept it together ever since we did that one-off show. And we've been jamming. We built this really cool rehearsal space so we get to do this all day, every day, and it's got us really firing."
With Testeagles having large electronic components to their music, we ask Ady how their live show has had to change in order to keep up with advances in the music industry.
"We weren't sure if we should just do exactly the same as what we used to, or if we should spice it up a little," he admitted. "We've ended up making a few changes - mainly due to all the different technology available - and it gives you all these ideas. We sat down and had a chat about it together, and thought about back in the day, and how it would sound now if we never stopped. We were always looking for the latest type of equipment and the latest tricks and things to do. I guess that's how we justify changing now, or thinking if we never got out of it, we would be completely different now to what we were then. So we've embraced some new technology, which is letting us do some extra things. I think it's a way better show now than we ever could have done back in the day, and it makes it probably more entertaining and interesting."
In the full interview, Ady conveyed confidence in the band's preparations for the tour after a long hiatus, despite the challenges of relearning older songs and accommodating the health needs of their bass player, Dave. He reflected on the band's musical journey since their formation in 1994, noting their eclectic influences ranging from rock to electronic music.
He recounted the unexpected success of their track Turn That Shit Up, which propelled Testeagles into the spotlight, while also revealing some initial doubts about their music's reception before it was released.
As the tour approaches, Ady expressed a mix of excitement and anxiety about performing as the main act, emphasising the importance of nostalgia for fans by prioritising classic songs in the set list. The conversation also touched on the eclectic blending of genres at Testeagles disposal and how they get the balance right in the creative process, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67875119Wed, 24 Sep 2025 09:17:57 +0000HEAVY MagazineThe turn of the century was an interesting time to be alive. You had the doomsdayers who were convinced some bug called Y2K was going to wipe out the planet via technological genocide, and others who were convinced the world was going to come to a...Into the world was born an anthemic tune that was just good enough to divert people's attention away from all of the fear and uncertainty in the world and allow us to refocus on the one thing that will never let us down.
Music.
So when three young upstarts from Adelaide started a sonic movement that bucked the growing tide of uncertainty, its wings spanned the entire world, with people as far away as Transylvania heard running through the streets and yelling four simple words that, when put together, became the voice of a generation. The voice your mother warned you about. The voice of change. I can still picture myself screaming above the live band in those times, shouting those same four words that have now become as much a part of music folklore as Iron Maiden and those that came before or after them. Those words?
Turn That Shit Up. And the band responsible?
Adelaide's Testeagles, that's who. After putting out just the one sensational metal/indie rock album laced with electronic beats and samples called Non Comprehendus, Testeagles vanished into the abyss. Job done. Order restored.
Over the years, there have been many calls for Testeagles to return and finish what they had started, most of which fell on deaf ears until the band was coaxed out of retirement and onto the stage of last year's Froth & Fury Festival. The response was so overwhelmingly powerful and positive, it was only a matter of time before that one-off comeback became a fully fledged reunion, and the band did not disappoint, recently bowing to public demand by announcing a national tour in celebration of 25 years since the world collectively turned their shit up.
Returning to our early days of musical indulgence, HEAVY sat down for an entertaining chat with Testeagles drummer "Ady" Matt to fill in the many blanks. We start by asking how rehearsals are going with the first show only weeks away.
"We played a show last year for the first time in like 20 years or something ridiculous, and that was a nightmare trying to get ready for," Ady laughed. "We had our doubts because we hadn't played properly for a really long time, but this time around we've kept it together ever since we did that one-off show. And we've been jamming. We built this really cool rehearsal space so we get to do this all day, every day, and it's got us really firing."
With Testeagles having large electronic components to their music, we ask Ady how their live show has had to change in order to keep up with advances in the music industry.
"We weren't sure if we should just do exactly the same as what we used to, or if we should spice it up a little," he admitted. "We've ended up making a few changes - mainly due to all the different technology available - and it gives you all these ideas. We sat down and had a chat about it together, and thought about back in the day, and how it would sound now if we never stopped. We were always looking for the latest type of equipment and the latest tricks and things to do. I guess that's how we justify changing now, or thinking if we never got out of it, we would be completely different now to what we were then. So we've embraced some new technology, which is letting us do some extra things. I think it's a way better show now than we ever could have done back in the day, and it makes it probably more entertaining and interesting."
In the full interview, Ady conveyed confidence in the band's preparations for the tour after a long hiatus, despite the challenges of relearning...]]>1445adymatt,australia,electronicmetal,hardrock,heavy,heavymetal,interview,krispeters,metal,music,musicinterview,musicpodcast,podcast,rapmetal,testeagles,tour,turnthatshitupfalsefullhttps://www.spreaker.com/episode/a-force-of-nature-with-eric-vanlerberghe-from-i-prevail--67866184While bands had previously flirted with fusions of post hardcore, metalcore, pop punk, hard rock, nu metal, electronics and hip hop, none had managed to find a completely happy medium, choosing more fleeting moments of amalgamation rather than combining all of the genres under one banner. But here was a band who seemingly found the perfect balance on their first offering.
Prior to this, I Prevail had endeared themselves to the crossover metal community with a heavy take on Taylor Swift's Blank Space, but that proved to be merely an appetiser for the sonic feast that was to come.
Despite attaining gold status over their first two albums as well as Grammy nominations previously unheard of for music of their preference, I Prevail refused to stick to what was already a winning formula, pushing themselves and their boundaries more and more with each release. Where many would find comfort, I Prevail found challenges, all of which have come together to form the nucleus of the band's fourth album, Violent Nature, which was released worldwide last week. It is an album of triumph over adversity, light where there should have been dark, and a defiant enthusiasm and hunger for personal musical fulfilment, which a betting man would say is still a long way from being satiated for this ever-evolving band.
HEAVY caught up with frontman Eric Vanlerberghe recently to discuss Violent Nature and how it represents I Prevail at this current point of their career. We start by asking how the early reception has been for the album.
"It's been incredible," he replied. "Just seeing the love on it and playing some of these new songs live. We played one of the songs before the record came out, and people were just jumping. It felt great. It's good to finally have it out."
We mention a quote from the press release that says I Prevail have taken things to the next level with Violent Nature and ask if he agrees.
"Yeah," he measured after a brief pause. "I think that's a fair assessment (laughs). Just like every record in the past, we always look back and go Okay, what can we do better? What can we improve, and how can we cut the fat? With the heavier stuff, I feel like we've gotten and created different ways to get heavier, and when it comes back to writing the hooks and choruses, we spent a lot of time to make sure we loved every single one of them. Each one felt like a 10 out of 10 before it went out the door. After 11 years of writing, I think we're just starting to get it (laughs)."
In the full interview, Eric dives deeper into Violent Nature from a musical point of view, highlighting the opening track Synthetic Soul and how it came together. We discuss the recording process that was split in two parts and how that impacted the finished result, as well as this being the first time that I Prevail have actually recorded an album in a proper studio as opposed to more DIY methods.
We talk about Eric taking on clean vocals for the album to go with his usual harsh singing, and how difficult the transition into the dual roles was. He told us about the variations writing for clean vocals had during the creative process, and how the band ironed out any bumps as they occurred. Talk also turned to the eclectic blending of genres and how I Prevail find their balance in the creative process, plus Eric discussed last year's Australian tour with Parkway Drive, and just when I Prevail might be planning their own run of shows and plenty more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67866184Tue, 23 Sep 2025 15:07:55 +0000HEAVY MagazineI Prevail swept into town like a rampaging force of nature with their debut album Lifelines in 2016. It was an album that screamed defiance from every note, emphatically heralding the arrival of I Prevail onto a musical landscape that was destined to...While bands had previously flirted with fusions of post hardcore, metalcore, pop punk, hard rock, nu metal, electronics and hip hop, none had managed to find a completely happy medium, choosing more fleeting moments of amalgamation rather than combining all of the genres under one banner. But here was a band who seemingly found the perfect balance on their first offering.
Prior to this, I Prevail had endeared themselves to the crossover metal community with a heavy take on Taylor Swift's Blank Space, but that proved to be merely an appetiser for the sonic feast that was to come.
Despite attaining gold status over their first two albums as well as Grammy nominations previously unheard of for music of their preference, I Prevail refused to stick to what was already a winning formula, pushing themselves and their boundaries more and more with each release. Where many would find comfort, I Prevail found challenges, all of which have come together to form the nucleus of the band's fourth album, Violent Nature, which was released worldwide last week. It is an album of triumph over adversity, light where there should have been dark, and a defiant enthusiasm and hunger for personal musical fulfilment, which a betting man would say is still a long way from being satiated for this ever-evolving band.
HEAVY caught up with frontman Eric Vanlerberghe recently to discuss Violent Nature and how it represents I Prevail at this current point of their career. We start by asking how the early reception has been for the album.
"It's been incredible," he replied. "Just seeing the love on it and playing some of these new songs live. We played one of the songs before the record came out, and people were just jumping. It felt great. It's good to finally have it out."
We mention a quote from the press release that says I Prevail have taken things to the next level with Violent Nature and ask if he agrees.
"Yeah," he measured after a brief pause. "I think that's a fair assessment (laughs). Just like every record in the past, we always look back and go Okay, what can we do better? What can we improve, and how can we cut the fat? With the heavier stuff, I feel like we've gotten and created different ways to get heavier, and when it comes back to writing the hooks and choruses, we spent a lot of time to make sure we loved every single one of them. Each one felt like a 10 out of 10 before it went out the door. After 11 years of writing, I think we're just starting to get it (laughs)."
In the full interview, Eric dives deeper into Violent Nature from a musical point of view, highlighting the opening track Synthetic Soul and how it came together. We discuss the recording process that was split in two parts and how that impacted the finished result, as well as this being the first time that I Prevail have actually recorded an album in a proper studio as opposed to more DIY methods.
We talk about Eric taking on clean vocals for the album to go with his usual harsh singing, and how difficult the transition into the dual roles was. He told us about the variations writing for clean vocals had during the creative process, and how the band ironed out any bumps as they occurred. Talk also turned to the eclectic blending of genres and how I Prevail find their balance in the creative process, plus Eric discussed last year's Australian tour with Parkway Drive, and just when I Prevail might be planning their own run of shows and plenty more.


Become a supporter of this podcast: 850album,heavy,heavymetal,iprevail,krispeters,metal,metalcore,metalhead,metalinterview,metalpodcast,music,numetal,violentnaturetruefullhttps://www.spreaker.com/episode/still-suicidal-after-all-these-years-mike-muir-on-the-enduring-power-of-punk--67839626It has been two years now since their last visit, but this time they come bearing gifts. Musical gifts, that is, in the form of Metallica and Evanescence as part of Metallica's massive global M72 Tour. But this will be Suicidal Tendencies' first tour with drummer Jay Weinberg on deck, rounding the band out now to include Mike Muir alongside guitarists Ben Weinman (The Dillinger Escape Plan) and Dean Pleasants and bassist Tye Trujillo (son of Metallica's Robert Trujillo).
HEAVY recently had the pleasure of speaking with Muir and, knowing his genuine love of chatting in interviews, got straight down to business as Mike walked through the sunny streets of California. One of the topics of discussion was the enduring legacy of Suicidal Tendencies, even after five decades in the music industry.
"It's great because even when we go to Australia…," he began. "I lived out there for a bit and there's so many people that I met over the years from when we first went there in 93 when we were opening up for All This Change and no one knew who we were, to 99 when we did the Warped Tour and on and on where you meet people, and then they start to have kids, and you see their little kid, and you got pictures of the little kid, and you come back and now they're six foot four, and you're looking up to them (laughs). I'm glad I was nice to them. But you see that generational thing and how quickly time does fly, but how much it means to people."
In the full interview, Mike reflects more on Suicidal Tendencies and their upcoming tour with Metallica, emphasizing the band's deep personal connections and legacy. Muir highlighted the significance of family within the band, mentioning Ty, the son of a former member, and shared his enthusiasm for creating new music that resonates with both long-time fans and the next generation. He also expressed excitement about performing new songs live, praising drummer Jay Weinberg for his adaptability in large venues, noting the positive impact on their performances.
We spoke about the band's new song Adrenaline Addict, marking their first release in seven years. Muir described the collaborative process behind the song and its themes of personal expression and self-reflection. He discussed the dynamics of music collaboration, including the challenges of being recognized as a contributor, and emphasized the importance of authenticity in relationships and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67839626Mon, 22 Sep 2025 09:27:01 +0000HEAVY MagazineSuicidal Tendencies have a love affair with Australia, touring regularly and bringing their infectious brand of skate punk metal to our tender ears with the same intensity and conviction time and time again. It has been two years now since their last...It has been two years now since their last visit, but this time they come bearing gifts. Musical gifts, that is, in the form of Metallica and Evanescence as part of Metallica's massive global M72 Tour. But this will be Suicidal Tendencies' first tour with drummer Jay Weinberg on deck, rounding the band out now to include Mike Muir alongside guitarists Ben Weinman (The Dillinger Escape Plan) and Dean Pleasants and bassist Tye Trujillo (son of Metallica's Robert Trujillo).
HEAVY recently had the pleasure of speaking with Muir and, knowing his genuine love of chatting in interviews, got straight down to business as Mike walked through the sunny streets of California. One of the topics of discussion was the enduring legacy of Suicidal Tendencies, even after five decades in the music industry.
"It's great because even when we go to Australia…," he began. "I lived out there for a bit and there's so many people that I met over the years from when we first went there in 93 when we were opening up for All This Change and no one knew who we were, to 99 when we did the Warped Tour and on and on where you meet people, and then they start to have kids, and you see their little kid, and you got pictures of the little kid, and you come back and now they're six foot four, and you're looking up to them (laughs). I'm glad I was nice to them. But you see that generational thing and how quickly time does fly, but how much it means to people."
In the full interview, Mike reflects more on Suicidal Tendencies and their upcoming tour with Metallica, emphasizing the band's deep personal connections and legacy. Muir highlighted the significance of family within the band, mentioning Ty, the son of a former member, and shared his enthusiasm for creating new music that resonates with both long-time fans and the next generation. He also expressed excitement about performing new songs live, praising drummer Jay Weinberg for his adaptability in large venues, noting the positive impact on their performances.
We spoke about the band's new song Adrenaline Addict, marking their first release in seven years. Muir described the collaborative process behind the song and its themes of personal expression and self-reflection. He discussed the dynamics of music collaboration, including the challenges of being recognized as a contributor, and emphasized the importance of authenticity in relationships and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1375australia,evanescence,hardrock,heavy,heavymetal,krispeters,metal,metalinterview,metallica,mikemuir,music,punk,punkinterview,skatepunk,suicidaltendencies,tourtruefullhttps://www.spreaker.com/episode/putting-your-faith-in-rock-n-roll-with-scott-owen-from-the-living-end--67847126Their rebellious spirit, emphasised through songs like Prisoner Of Society and Second Solution, suddenly made punk cool, with adolescents everywhere jumping on board The Living End freight train. It was the turning point for Australian music, seamlessly blending rockabilly and punk with metal stylings to create a musical force rarely seen on these shores.
Fast-forward 25 years and The Living End are still pumping out the same infectious brand of punk n roll, albeit with a maturer edge and slightly different viewpoint on the world around them.
The Living End are set to release their ninth studio album, I Only Trust Rock N Roll, this Friday, September 26, with frontman/guitarist Chris Cheney proclaiming, "This one had to sound like a slick machine. Trim the fat." And that is exactly what The Living End have done with this new album. It is truly an album of all killer, no filler across its 11 tracks, each one with a lifeblood of its own that shows just how far, but also so little The Living End have come in the last quarter of a century.
HEAVY sat down recently with bass player Scott Owen to dig deeper.
"Yeah, it's been a slow process," he sighed, alluding to the fact that this is the band's first album in eight years, "but it's given us the chance to give it everything we possibly can. Every idea we have, every thought we have, has gone into it. We didn't want to rush it. We wanted to make sure we got it right, and I think we did. I think it's ready to be born and to get out there."
We ask if he is feeling confident going into the release date.
"Yes, I do," he affirmed. "I speak for the three of us. Yes, there is confidence, and it's because we definitely feel like we should be feeling, put it that way. We really did concentrate on keeping it simple and keeping the message simple; keeping the music simple, staying in our own lane and knowing what we do good and not trying to reach beyond that. Just doing our thing. Doing the thing that we really like. We've worked on all these songs with the thought that we're going to go out and play them on stage, so we need to make sure that they're just lean, and they're built for a three-piece band on stage. Not too many overdubs and not too many… Not too many studio things, you know, just good rock music. So yeah, to answer your question, very, very confident and very, very proud."
In the full interview, Scott shared insights into the album's creative process, emphasising a cohesive vision that prioritises a simple, energetic rock sound suitable for live performances, while aiming to capture a raw, live feel through minimal overdubs. They also talked about upcoming Q&A sessions in Melbourne, Brisbane, and Sydney, inspired by a successful art installation related to their single Strange Place, designed to create an immersive experience for fans.
Additionally, Scott highlighted the unique tour format featuring two different sets each night, showcasing both new tracks and songs from their first album, and mentioned their performance at the Wanderer Festival in New South Wales on October 4 and 5. We talked more about keeping it simple with fans and maintaining a connection with your fan base and music to appease the cross-section of listeners over the years and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67847126Mon, 22 Sep 2025 09:23:36 +0000HEAVY MagazineWhen The Living End burst onto the Australian musical landscape with their self-titled debut album in 1994, the blurred lines between rock, punk and metal were suddenly more accessible, introducing a wide network of music lovers to genres they might...Their rebellious spirit, emphasised through songs like Prisoner Of Society and Second Solution, suddenly made punk cool, with adolescents everywhere jumping on board The Living End freight train. It was the turning point for Australian music, seamlessly blending rockabilly and punk with metal stylings to create a musical force rarely seen on these shores.
Fast-forward 25 years and The Living End are still pumping out the same infectious brand of punk n roll, albeit with a maturer edge and slightly different viewpoint on the world around them.
The Living End are set to release their ninth studio album, I Only Trust Rock N Roll, this Friday, September 26, with frontman/guitarist Chris Cheney proclaiming, "This one had to sound like a slick machine. Trim the fat." And that is exactly what The Living End have done with this new album. It is truly an album of all killer, no filler across its 11 tracks, each one with a lifeblood of its own that shows just how far, but also so little The Living End have come in the last quarter of a century.
HEAVY sat down recently with bass player Scott Owen to dig deeper.
"Yeah, it's been a slow process," he sighed, alluding to the fact that this is the band's first album in eight years, "but it's given us the chance to give it everything we possibly can. Every idea we have, every thought we have, has gone into it. We didn't want to rush it. We wanted to make sure we got it right, and I think we did. I think it's ready to be born and to get out there."
We ask if he is feeling confident going into the release date.
"Yes, I do," he affirmed. "I speak for the three of us. Yes, there is confidence, and it's because we definitely feel like we should be feeling, put it that way. We really did concentrate on keeping it simple and keeping the message simple; keeping the music simple, staying in our own lane and knowing what we do good and not trying to reach beyond that. Just doing our thing. Doing the thing that we really like. We've worked on all these songs with the thought that we're going to go out and play them on stage, so we need to make sure that they're just lean, and they're built for a three-piece band on stage. Not too many overdubs and not too many… Not too many studio things, you know, just good rock music. So yeah, to answer your question, very, very confident and very, very proud."
In the full interview, Scott shared insights into the album's creative process, emphasising a cohesive vision that prioritises a simple, energetic rock sound suitable for live performances, while aiming to capture a raw, live feel through minimal overdubs. They also talked about upcoming Q&A sessions in Melbourne, Brisbane, and Sydney, inspired by a successful art installation related to their single Strange Place, designed to create an immersive experience for fans.
Additionally, Scott highlighted the unique tour format featuring two different sets each night, showcasing both new tracks and songs from their first album, and mentioned their performance at the Wanderer Festival in New South Wales on October 4 and 5. We talked more about keeping it simple with fans and maintaining a connection with your fan base and music to appease the cross-section of listeners over the years and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>891album,australia,chrischeney,hardrock,heavy,krispeters,musicinterview,musicpodcast,punk,rock,rockabilly,scottowen,thelivingend,tour,wandererfestivalfalsefullhttps://www.spreaker.com/episode/climbing-the-summit-scott-kennedy-from-bleed-from-within--67839181Representing the past, present and future of Bleed From Within, Zenith captured the band at the peak of their prowess to date, solidifying their reputation for thinking outside of the metaphorical box and confirming their place amongst metal's elite. From incorporating bagpipes into their beautiful brutality through to commanding stages alongside Slipknot, Bullet For My Valentine and Trivium, Bleed From Within also stormed the main stage at the UK's Download festival in 2024, further cementing their stake as a must-see act for the ages.
Now, it's Australia's turn as Bleed From Within join forces with The Ghost Inside for October's Going Down Under Tour, which got even bigger last week when Bleed From Within announced a one-off headlining show in Melbourne.
HEAVY sat down with frontman Scott Kennedy to dive deeper.
"We're doing a headline tour of Europe at the moment," he began, "and we get back from this tour five days before we leave to come to Australia. We're proper excited about it. Australia has been on the cards for our 21 years as a band. It's one of those places we've been desperate to get to."
We point out that Australian fans love the band, with Sydney featuring at #2 on Bleed From Within's Spotify Playlist and Brisbane at #4.
"I didn't know that, but that's amazing," he smiled. "We sort of did the same thing in America. We waited so long to go, and for no other reason than the fact we just didn't get the opportunity. We didn't get the right tour offer, but when it came, and we finally went there, it was just… it felt like people were hungry for it. It's almost like we starved the market for so long that when we went there, it was nuts, so I'm hoping that the same thing happens when we get to Australia."
In the full interview, Scott talks more about the tour and what we can expect, touring with The Ghost Inside, their one-off side show and why there isn't more, plus their latest album Zenith and how it was received.
We spoke about the band's comments at the time of Zenith's release that it represented Bleed From Within at the peak of their career and where they will go from here, the direction future music may take, how much musical growth is left in the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67839181Sun, 21 Sep 2025 13:26:56 +0000HEAVY MagazineStarting life in 2005 more influenced by deathcore sensibilities than their current, more accessible mixture of styles, Glasgow metal outfit Bleed From Within have gradually morphed into a style of their own over seven studio albums, the most recent...Representing the past, present and future of Bleed From Within, Zenith captured the band at the peak of their prowess to date, solidifying their reputation for thinking outside of the metaphorical box and confirming their place amongst metal's elite. From incorporating bagpipes into their beautiful brutality through to commanding stages alongside Slipknot, Bullet For My Valentine and Trivium, Bleed From Within also stormed the main stage at the UK's Download festival in 2024, further cementing their stake as a must-see act for the ages.
Now, it's Australia's turn as Bleed From Within join forces with The Ghost Inside for October's Going Down Under Tour, which got even bigger last week when Bleed From Within announced a one-off headlining show in Melbourne.
HEAVY sat down with frontman Scott Kennedy to dive deeper.
"We're doing a headline tour of Europe at the moment," he began, "and we get back from this tour five days before we leave to come to Australia. We're proper excited about it. Australia has been on the cards for our 21 years as a band. It's one of those places we've been desperate to get to."
We point out that Australian fans love the band, with Sydney featuring at #2 on Bleed From Within's Spotify Playlist and Brisbane at #4.
"I didn't know that, but that's amazing," he smiled. "We sort of did the same thing in America. We waited so long to go, and for no other reason than the fact we just didn't get the opportunity. We didn't get the right tour offer, but when it came, and we finally went there, it was just… it felt like people were hungry for it. It's almost like we starved the market for so long that when we went there, it was nuts, so I'm hoping that the same thing happens when we get to Australia."
In the full interview, Scott talks more about the tour and what we can expect, touring with The Ghost Inside, their one-off side show and why there isn't more, plus their latest album Zenith and how it was received.
We spoke about the band's comments at the time of Zenith's release that it represented Bleed From Within at the peak of their career and where they will go from here, the direction future music may take, how much musical growth is left in the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>733australia,bleedfromwithin,groovemetal,heavy,heavymetal,krispeters,metal,metalhead,metalinterview,metalpodcast,theghostinside,tourtruefullhttps://www.spreaker.com/episode/a-celebration-of-music-with-steve-merry-from-be-lakor--67818699Joining them on this monumental run are progressive metal masters PERSEFONE, for their very first time on Australian soil. Hailing from the picturesque lands of Andorra, they have been a formidable presence in the progressive death metal scene since their inception in 2001. Renowned for their intricate compositions and thematic depth, the band masterfully blends technical prowess with melodic sensibility.
Complimenting an already stellar lineup is ORPHEUS OMEGA, who will be celebrating the 10-year anniversary of their landmark album Partum Vita Mortem. A cornerstone of Australia's melodic death metal scene, they are well known for their dynamic blend of aggressive riffs, atmospheric keyboards, introspective lyrics and have consistently pushed the boundaries of the genre.
With the tour set to start in just a few short weeks, HEAVY caught up with keyboard player Steve Merry to find out more. One of the topics of discussion was Be'Lakor's live show and what we can expect.
"Well, to be honest, it's just going to be a lot of riffs, a lot of melodies, a lot of harmonies, and not much else," Steve replied. "Not much chit-chat. We get up there, and we play our songs, and that's the way we like to do it. We're there for the music. What drives us is writing the music and then playing it so it'll be good fun."
The term "immersive" is often used to describe Be'Lakor's sonic output, so we ask Steve just what that means.
"I think what that whole bit is talking about is a combination that the songs are long, and they go in all directions, and they often don't return to riffs," he measured. "So there's sort of a journey feeling to the music. We use a lot of atmospherics and a lot of spacious sounds around the actual guitars and drums and the core of the song. We'll chuck a lot of atmospheric stuff in as well. And I guess the lyrics, we do tell a story with the lyrics. So I think those three things together would be maybe what makes people say it's a bit immersive."
In the full interview, Steve shared more details about their upcoming tour, 20 Years of Live Be'Lakor, highlighting the band's extensive rehearsal efforts and the inclusion of supporting acts Persefone and Orpheus Omega. He described the live performances as immersive experiences focused on music rather than audience interaction.
We further discussed the evolution of BE’LAKOR's sound from their debut album, The Frail Tide, to their latest release, Coherence, noting a shift towards longer songs and a more mature style. Despite the success of Coherence, the band is dedicated to writing new material that resonates personally, currently being 60% through the writing process for their next album, while opting not to perform new songs on the tour to allow for further refinement, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67818699Fri, 19 Sep 2025 07:45:33 +0000HEAVY MagazineAustralia’s own BE’LAKOR finally return for a powerhouse run of home shows this October, bringing their signature blend of melodic death metal and progressive depth to stages across the East Coast to celebrate 20 YEARS OF LIVE BE’LAKOR. Renowned for...Joining them on this monumental run are progressive metal masters PERSEFONE, for their very first time on Australian soil. Hailing from the picturesque lands of Andorra, they have been a formidable presence in the progressive death metal scene since their inception in 2001. Renowned for their intricate compositions and thematic depth, the band masterfully blends technical prowess with melodic sensibility.
Complimenting an already stellar lineup is ORPHEUS OMEGA, who will be celebrating the 10-year anniversary of their landmark album Partum Vita Mortem. A cornerstone of Australia's melodic death metal scene, they are well known for their dynamic blend of aggressive riffs, atmospheric keyboards, introspective lyrics and have consistently pushed the boundaries of the genre.
With the tour set to start in just a few short weeks, HEAVY caught up with keyboard player Steve Merry to find out more. One of the topics of discussion was Be'Lakor's live show and what we can expect.
"Well, to be honest, it's just going to be a lot of riffs, a lot of melodies, a lot of harmonies, and not much else," Steve replied. "Not much chit-chat. We get up there, and we play our songs, and that's the way we like to do it. We're there for the music. What drives us is writing the music and then playing it so it'll be good fun."
The term "immersive" is often used to describe Be'Lakor's sonic output, so we ask Steve just what that means.
"I think what that whole bit is talking about is a combination that the songs are long, and they go in all directions, and they often don't return to riffs," he measured. "So there's sort of a journey feeling to the music. We use a lot of atmospherics and a lot of spacious sounds around the actual guitars and drums and the core of the song. We'll chuck a lot of atmospheric stuff in as well. And I guess the lyrics, we do tell a story with the lyrics. So I think those three things together would be maybe what makes people say it's a bit immersive."
In the full interview, Steve shared more details about their upcoming tour, 20 Years of Live Be'Lakor, highlighting the band's extensive rehearsal efforts and the inclusion of supporting acts Persefone and Orpheus Omega. He described the live performances as immersive experiences focused on music rather than audience interaction.
We further discussed the evolution of BE’LAKOR's sound from their debut album, The Frail Tide, to their latest release, Coherence, noting a shift towards longer songs and a more mature style. Despite the success of Coherence, the band is dedicated to writing new material that resonates personally, currently being 60% through the writing process for their next album, while opting not to perform new songs on the tour to allow for further refinement, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>641australia,be'lakor,hardrock,heavy,heavymetal,krispeters,metal,metalhead,metalinterview,metalpodcast,music,orpheusomega,persefone,symphonicmetal,tourfalsefullhttps://www.spreaker.com/episode/hunting-wildlife-down-under-with-ali-tabatabaee-from-zebrahead--67788162Fun with a sense of humour. Listening to co-founding member and vocalist Ali Tabatabaee run through Zebrahead's history, the one common thread is their ability to laugh in the face of potential adversity and brush any setbacks off with a shrug of the shoulders and the knowledge of what to do better next time.
Their musical style is offbeat and eclectic, mixing a fusion of pop/punk with hip hop and punk sensibilities to create an ever-evolving and expansive sonic universe that is as endless as it is unique. But there is one factor that has been essential to the continued growth of Zebrahead, and that is their live performances. Known and loved for their energetic output and on-stage banter, Zebrahead bridge the gap between intensity and frivolity with boundless energy, approaching each gig like a party with new best friends that just haven't been met yet.
This October, after seven long years, Australian fans get to witness this first hand when Zebrahead make their triumphant return for five shows starting in Perth on October 7. Having heard the hype but never speaking with the band, HEAVY jumped at the chance to spend some quality time with Ali, and we're glad we did! We started by asking what has changed with Zebrahead in the seven years since their last visit.
"Man, I feel like the main thing is Adrian (Estrella) is in the band now," he replied. "He's the other vocalist. We haven't been back since before the pandemic, dude, so it's been a minute. We have released three EPs since then - III, II, I - with Adrian, and we're going to be playing some of those songs when we come over. But also when we're not touring, we've been working on new music. So we're excited to get back home after Australia and get into the studio and record the songs that we've been working on. So that's mainly it, man. And then once that's done, hopefully next summer, start touring again."
Talk later turns to the early days of Zebrahead and the musical climate that spawned the band.
"Man, at that time, Orange County was kind of popping off," he recalled. "You know, we had bands like Offspring. We had bands like No Doubt that were doing really well, so the record labels were really focused on Orange County. We actually got very lucky because of that. Our first show we played this Christmas show, and it was just our girlfriends and the guy who ran the club who gave us the show. He'd never heard of us. He came in to get the money from the cash register or something, and he heard a song. Then after we were done, nobody was there. It was empty. And he goes, 'Hey, I have a friend who's a manager, and you guys are interesting because you have hip hop and punk and stuff. I kind of want him to come and watch you play. Is that something you'd be into?' And we're like, sure, of course, who's gonna say no?"
In the full interview, Ali talks more about the Australian tour and what to expect, their energetic live shows and how they will translate to our crowds, having Thomas Nicolas Band as national support, plus the early days of Zebrahead and where they fit in.
We talked about Zebrahead getting signed and how their career grew from there, the blending of genres in their music and how they came about, musical experimentalisation and how they regulate it, future music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67788162Thu, 18 Sep 2025 09:03:30 +0000HEAVY MagazineIf you look at their musical journey, it might appear that SoCal pop/punk/rapcore outfit Zebrahead have led somewhat of a charmed life. From their very inception through meeting at a practice room to playing to a handful of people, where 12 of them...Fun with a sense of humour. Listening to co-founding member and vocalist Ali Tabatabaee run through Zebrahead's history, the one common thread is their ability to laugh in the face of potential adversity and brush any setbacks off with a shrug of the shoulders and the knowledge of what to do better next time.
Their musical style is offbeat and eclectic, mixing a fusion of pop/punk with hip hop and punk sensibilities to create an ever-evolving and expansive sonic universe that is as endless as it is unique. But there is one factor that has been essential to the continued growth of Zebrahead, and that is their live performances. Known and loved for their energetic output and on-stage banter, Zebrahead bridge the gap between intensity and frivolity with boundless energy, approaching each gig like a party with new best friends that just haven't been met yet.
This October, after seven long years, Australian fans get to witness this first hand when Zebrahead make their triumphant return for five shows starting in Perth on October 7. Having heard the hype but never speaking with the band, HEAVY jumped at the chance to spend some quality time with Ali, and we're glad we did! We started by asking what has changed with Zebrahead in the seven years since their last visit.
"Man, I feel like the main thing is Adrian (Estrella) is in the band now," he replied. "He's the other vocalist. We haven't been back since before the pandemic, dude, so it's been a minute. We have released three EPs since then - III, II, I - with Adrian, and we're going to be playing some of those songs when we come over. But also when we're not touring, we've been working on new music. So we're excited to get back home after Australia and get into the studio and record the songs that we've been working on. So that's mainly it, man. And then once that's done, hopefully next summer, start touring again."
Talk later turns to the early days of Zebrahead and the musical climate that spawned the band.
"Man, at that time, Orange County was kind of popping off," he recalled. "You know, we had bands like Offspring. We had bands like No Doubt that were doing really well, so the record labels were really focused on Orange County. We actually got very lucky because of that. Our first show we played this Christmas show, and it was just our girlfriends and the guy who ran the club who gave us the show. He'd never heard of us. He came in to get the money from the cash register or something, and he heard a song. Then after we were done, nobody was there. It was empty. And he goes, 'Hey, I have a friend who's a manager, and you guys are interesting because you have hip hop and punk and stuff. I kind of want him to come and watch you play. Is that something you'd be into?' And we're like, sure, of course, who's gonna say no?"
In the full interview, Ali talks more about the Australian tour and what to expect, their energetic live shows and how they will translate to our crowds, having Thomas Nicolas Band as national support, plus the early days of Zebrahead and where they fit in.
We talked about Zebrahead getting signed and how their career grew from there, the blending of genres in their music and how they came about, musical experimentalisation and how they regulate it, future music and more.


Become a supporter of this...]]>983australia,heavy,krispeters,livemusic,music,musicinterview,musicpodcast,poppunk,punk,rapcore,thephoenix,tour,zebraheadtruefullhttps://www.spreaker.com/episode/a-celebration-of-live-music-with-kram-from-spiderbait--67775742The trio’s popularity spans three decades and shows no signs of abating. They’ve released seven acclaimed albums, all of which have racked up Gold, Platinum or Double Platinum status, and have combined Australian sales of over a million units. Spiderbait have also chalked up almost every Australian accolade possible, taking home multiple ARIA Awards, topping charts and becoming the first Australian band to take the crown in triple j’s prestigious Hottest 100 of 1996 with Buy Me A Pony.
Australian rock ‘n roll royalty, and with a catalogue of music that’s distinctive and uncompromising, Spiderbait will be a part of The Croxton Block Party, a huge two-day festival celebrating 10 years of the venue, to be held in the carpark across from The Croxton Bandroom on November 1 and 2. The stacked line-up includes Tropical Fuck Storm, Cash Savage and the Last Drinks, Spiderbait, Ratcat, Floodlights, Party Dozen, Grace Cummings, and more.
To celebrate the occasion, HEAVY sat down with Spiderbait's Kram to find out how more about the show.
"It's going to be great," he enthused "I think we've played at Croxton… I can't remember when we played it last. I know King Gizzard played there, and I remember getting up with Wolfmother as well. And yeah, it's just gonna be great for us to actually play there and be part of this great show. And there's a great line-up of acts over the two days."
We ask if Spiderbait have any special plans to mark the occasion, to which Kram offered. "Well, we're just about to release the reissue of The Unfinished Spanish Galleon of Finley Lake, and we've pressed it on vinyl because I think it's the anniversary of that record's release. So we might try and do a fair few songs off that record for this show. It's gonna be sick. The Croxton Bandroom has been a great live music venue for the last 10 years, and it's such an iconic room. I'm happy that they're doing the show outdoors to make it like a block party, which obviously is what it's called. It's also celebrating that part of Melbourne, the North side. So many bands have come from there, including us."
In the full interview, Kram further highlighted the significance of community support for live music venues and suggested that government incentives could help preserve these cultural spaces. He reflected on the transition of music from underground to mainstream, noting the enduring popularity of bands from his era and the challenges of replacing iconic venues. He announced the release of the 30th anniversary vinyl edition of The Unfinished Spanish Galleon of Finley Lake, highlighting its importance in marking Spiderbait's evolution and confirming that pre-sales will start on September 25 plus more.
Tickets for The Croxton Block Party HERE


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67775742Tue, 16 Sep 2025 08:39:01 +0000HEAVY MagazineThe story of Spiderbait is an unlikely but heart-warming one – three friends from a small Australian country town taking on the music scene, and emerging triumphantly thirty years later, friendship intact, and now one of the biggest and best rock...The trio’s popularity spans three decades and shows no signs of abating. They’ve released seven acclaimed albums, all of which have racked up Gold, Platinum or Double Platinum status, and have combined Australian sales of over a million units. Spiderbait have also chalked up almost every Australian accolade possible, taking home multiple ARIA Awards, topping charts and becoming the first Australian band to take the crown in triple j’s prestigious Hottest 100 of 1996 with Buy Me A Pony.
Australian rock ‘n roll royalty, and with a catalogue of music that’s distinctive and uncompromising, Spiderbait will be a part of The Croxton Block Party, a huge two-day festival celebrating 10 years of the venue, to be held in the carpark across from The Croxton Bandroom on November 1 and 2. The stacked line-up includes Tropical Fuck Storm, Cash Savage and the Last Drinks, Spiderbait, Ratcat, Floodlights, Party Dozen, Grace Cummings, and more.
To celebrate the occasion, HEAVY sat down with Spiderbait's Kram to find out how more about the show.
"It's going to be great," he enthused "I think we've played at Croxton… I can't remember when we played it last. I know King Gizzard played there, and I remember getting up with Wolfmother as well. And yeah, it's just gonna be great for us to actually play there and be part of this great show. And there's a great line-up of acts over the two days."
We ask if Spiderbait have any special plans to mark the occasion, to which Kram offered. "Well, we're just about to release the reissue of The Unfinished Spanish Galleon of Finley Lake, and we've pressed it on vinyl because I think it's the anniversary of that record's release. So we might try and do a fair few songs off that record for this show. It's gonna be sick. The Croxton Bandroom has been a great live music venue for the last 10 years, and it's such an iconic room. I'm happy that they're doing the show outdoors to make it like a block party, which obviously is what it's called. It's also celebrating that part of Melbourne, the North side. So many bands have come from there, including us."
In the full interview, Kram further highlighted the significance of community support for live music venues and suggested that government incentives could help preserve these cultural spaces. He reflected on the transition of music from underground to mainstream, noting the enduring popularity of bands from his era and the challenges of replacing iconic venues. He announced the release of the 30th anniversary vinyl edition of The Unfinished Spanish Galleon of Finley Lake, highlighting its importance in marking Spiderbait's evolution and confirming that pre-sales will start on September 25 plus more.
Tickets for The Croxton Block Party HERE


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>712hardrock,heavy,interview,kram,krispeters,music,musicinterview,ratcat,rock,rockmusic,spiderbait,thecroxtonbandroom,thecroxtonhoteltruefullhttps://www.spreaker.com/episode/dying-hearts-active-minds-with-tahlia-and-cahli-from-teenage-joans--67774163Teenage Joans members Tahlia Borg and Cahli Blakers took time out to chat with HEAVY about their new track, My Hearts Dead, and their current tour with Slowly Slowly.
Hailing from Radelaide, Teenage Joans were winners of JJJs Unearthed High back in 2020, and since then they have flooded the air waves with a string of melanchol,y pretty punk rock hits. In their short time on stages, they have racked up some impressive achievements from playing the same stage with Foo Fighters to rocking it on the festival runs at Laneway, Good Things, Groovin the Moo, Unify and more.
The girls are excited to be touring with fellow Aussies Slowly Slowly, being huge fans of the band themselves, and are looking forward to warming up the crowds for the shows. Their music resonates with fans as they aim to give their punters the full homegrown experience, being very hands-on with all they produce from their music to videos and even their merch. Not only do Teenage Joans enjoy the DIY aspect, they also feel that part is integral to their image and what they want to pass on to their audience to feel connected. Their most recent track was filmed and produced themselves, mainly due to a lack of funds after returning from a US tour, but that aside, they feel it matched well with the essence of the track and conveys synchronicity.
Tahlia plays drums and vocals, and Cahli does vocals and guitar and plays bass in the studio, keeping true to their theme of being hands-on and independent artists. They’ve described their sound as being as if Blink-182 played Kesha, which is fairly accurate on all levels. The girls have also done a session of JJJs Like a Version where they wanted to cover a Kesha track that didn’t make the cut, but was the drive and inspiration behind their latest song, My Hearts Dead, which is a compilation of who they are musically and personally.
Being just schoolgirls when they started out, they talk about doing gigs on school nights, having their parents as roadies and manning the merch stands for them, saying it has helped them navigate growing up in the spotlight as young females in the music industry. They also discussed playing with their idols, new music, future direction and their hometown gig on October 31 plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67774163Tue, 16 Sep 2025 04:41:23 +0000HEAVY MagazineInterview by Ali Williams Teenage Joans members Tahlia Borg and Cahli Blakers took time out to chat with HEAVY about their new track, My Hearts Dead, and their current tour with Slowly Slowly. Hailing from Radelaide, Teenage Joans were winners of JJJs...Teenage Joans members Tahlia Borg and Cahli Blakers took time out to chat with HEAVY about their new track, My Hearts Dead, and their current tour with Slowly Slowly.
Hailing from Radelaide, Teenage Joans were winners of JJJs Unearthed High back in 2020, and since then they have flooded the air waves with a string of melanchol,y pretty punk rock hits. In their short time on stages, they have racked up some impressive achievements from playing the same stage with Foo Fighters to rocking it on the festival runs at Laneway, Good Things, Groovin the Moo, Unify and more.
The girls are excited to be touring with fellow Aussies Slowly Slowly, being huge fans of the band themselves, and are looking forward to warming up the crowds for the shows. Their music resonates with fans as they aim to give their punters the full homegrown experience, being very hands-on with all they produce from their music to videos and even their merch. Not only do Teenage Joans enjoy the DIY aspect, they also feel that part is integral to their image and what they want to pass on to their audience to feel connected. Their most recent track was filmed and produced themselves, mainly due to a lack of funds after returning from a US tour, but that aside, they feel it matched well with the essence of the track and conveys synchronicity.
Tahlia plays drums and vocals, and Cahli does vocals and guitar and plays bass in the studio, keeping true to their theme of being hands-on and independent artists. They’ve described their sound as being as if Blink-182 played Kesha, which is fairly accurate on all levels. The girls have also done a session of JJJs Like a Version where they wanted to cover a Kesha track that didn’t make the cut, but was the drive and inspiration behind their latest song, My Hearts Dead, which is a compilation of who they are musically and personally.
Being just schoolgirls when they started out, they talk about doing gigs on school nights, having their parents as roadies and manning the merch stands for them, saying it has helped them navigate growing up in the spotlight as young females in the music industry. They also discussed playing with their idols, new music, future direction and their hometown gig on October 31 plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1460australia,heavy,interview,music,musicinterview,podcast,poppunk,rock,rockmusic,single,slowlyslowly,teenagejoans,tourtruefullhttps://www.spreaker.com/episode/musical-equality-and-sustainability-with-vicki-gordon--67754800Since the Australian Women in Music Awards (AWMA) inception in 2018 almost 2000 individuals have been recognised with a nomination, with 1946 nominations from 2018 to 2024. Designed to provide an outlet to celebrate and reward women in the Australian music industry, AWMA has become a vital platform for recognising the vast contributions of First Nations and culturally diverse artists, musicians, technicians, photographers, journalists, leaders, artists with a disability and music practitioners from every corner of the sector.
To be held on October 9 at Fortitude Music Hall in Brisbane, this year's ceremony features a spectacular line-up, including KATIE MILLER HEIDKE, MISSY HIGGINS, BABYSHAKES DILLON, and recently appointed AWM Chair SARAH MCLEOD.
Founding Executive Producer and Program Director Vicki Gordon explains: "Our inaugural AWMA in 2018 paved the way for some of the most important change the industry has ever seen, igniting collaboration and support nationally for female and gender-diverse artists and music practitioners, First Nations and Multicultural artists and artists living in remote and regional areas. As we head into our sixth year, we are proud of the change and the shift AWMA has enabled - but there is so much more work to be done.”
With the AWMA's drawing near, HEAVY sat down with Vicki to discuss the Awards, covering everything from the past, present and future of this wonderful initiative.
"Things are pretty intense at the moment," she smiled when we asked how preparations were going. "We're just under four weeks out from delivering the conference and the awards ceremony, and there are a lot of moving parts. It's become massive; a really, really big event. There's a lot going on with organising the artists and the programming for the awards ceremony. (Things like) the finalists, the conference programme, the speakers and the facilitators."
We ask Vicki to go into more detail about the AMWAs, including what motivated her to establish the awards in 2018.
"I've worked in the music industry for a long time," she measured. "I've been a label manager, an artist manager. I've had the extraordinary opportunities to work with First Nations artists for the last three decades, right across this entire country, and I've been a video producer. I've worked in lots of areas, and in my time in the industry, it was always so obvious to me that women were really absent, particularly in a lot of the technical and production areas. I have been observing that for a long, long time. In the early 90s I established the Australian Women's Rock Institute, and that was way before Australian Women in Music Awards. I set that up primarily to address the status of women in the music industry, which was pretty appalling at that time."
In the full interview, Vicki outlined the extensive preparations for the event, involving a large team focused on artist programming and conference logistics. As a not-for-profit charity, the event relies heavily on ongoing fundraising efforts and collaboration between a number of sectors, which she explained in greater detail.
Vicki also mentioned her proactive approach to planning for the 2026 awards, highlighting the cyclical nature of organising such events. She shared her long-standing commitment to addressing the underrepresentation of women in technical and production roles within the music industry, which led her to establish the Australian Women's Rock Institute and the awards themselves.
The conversation also touched on the importance of gender equality in the music sector, with Vicki emphasising the need for continued advocacy and research. She introduced the Women in Tech forum, featuring Brittany Long as a speaker, and addressed concerns about inclusivity for male attendees, affirming that their participation is welcome. The inclusion of heavy metal and associated genres in AWMA was discussed as well as Vicki's vision for the future of the awards. 
The discussion included details about ticketing for the awards and conference, as well as highlights of the event, such as the unique black carpet event and the awards ceremony featuring notable performers and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67754800Mon, 15 Sep 2025 07:45:58 +0000HEAVY MagazineInterview by Kris Peters Since the Australian Women in Music Awards (AWMA) inception in 2018 almost 2000 individuals have been recognised with a nomination, with 1946 nominations from 2018 to 2024. Designed to provide an outlet to celebrate and reward...Since the Australian Women in Music Awards (AWMA) inception in 2018 almost 2000 individuals have been recognised with a nomination, with 1946 nominations from 2018 to 2024. Designed to provide an outlet to celebrate and reward women in the Australian music industry, AWMA has become a vital platform for recognising the vast contributions of First Nations and culturally diverse artists, musicians, technicians, photographers, journalists, leaders, artists with a disability and music practitioners from every corner of the sector.
To be held on October 9 at Fortitude Music Hall in Brisbane, this year's ceremony features a spectacular line-up, including KATIE MILLER HEIDKE, MISSY HIGGINS, BABYSHAKES DILLON, and recently appointed AWM Chair SARAH MCLEOD.
Founding Executive Producer and Program Director Vicki Gordon explains: "Our inaugural AWMA in 2018 paved the way for some of the most important change the industry has ever seen, igniting collaboration and support nationally for female and gender-diverse artists and music practitioners, First Nations and Multicultural artists and artists living in remote and regional areas. As we head into our sixth year, we are proud of the change and the shift AWMA has enabled - but there is so much more work to be done.”
With the AWMA's drawing near, HEAVY sat down with Vicki to discuss the Awards, covering everything from the past, present and future of this wonderful initiative.
"Things are pretty intense at the moment," she smiled when we asked how preparations were going. "We're just under four weeks out from delivering the conference and the awards ceremony, and there are a lot of moving parts. It's become massive; a really, really big event. There's a lot going on with organising the artists and the programming for the awards ceremony. (Things like) the finalists, the conference programme, the speakers and the facilitators."
We ask Vicki to go into more detail about the AMWAs, including what motivated her to establish the awards in 2018.
"I've worked in the music industry for a long time," she measured. "I've been a label manager, an artist manager. I've had the extraordinary opportunities to work with First Nations artists for the last three decades, right across this entire country, and I've been a video producer. I've worked in lots of areas, and in my time in the industry, it was always so obvious to me that women were really absent, particularly in a lot of the technical and production areas. I have been observing that for a long, long time. In the early 90s I established the Australian Women's Rock Institute, and that was way before Australian Women in Music Awards. I set that up primarily to address the status of women in the music industry, which was pretty appalling at that time."
In the full interview, Vicki outlined the extensive preparations for the event, involving a large team focused on artist programming and conference logistics. As a not-for-profit charity, the event relies heavily on ongoing fundraising efforts and collaboration between a number of sectors, which she explained in greater detail.
Vicki also mentioned her proactive approach to planning for the 2026 awards, highlighting the cyclical nature of organising such events. She shared her long-standing commitment to addressing the underrepresentation of women in technical and production roles within the music industry, which led her to establish the Australian Women's Rock Institute and the awards themselves.
The conversation also touched on the importance of gender equality in the music sector, with Vicki emphasising the need for continued advocacy and research. She introduced the Women in Tech forum, featuring Brittany Long as a speaker, and addressed concerns about inclusivity for male attendees, affirming that their participation is welcome. The inclusion of heavy metal and associated genres in AWMA was discussed as well as Vicki's...]]>1235aussiemusic,australianwomeninmusicawards,fortitudemusichall,genderequality,hardrock,heavy,heavymetal,interview,krispeters,music,musicawards,musicindustry,musicinterview,musicpodcast,musicshowcase,vickigordonfalsefullhttps://www.spreaker.com/episode/musical-chairs-with-jack-dylan-from-dead-poet-society--67657083Good Things is possibly one of the hardest festival line ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.
When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.
Rock? Tick. Weezer, Garbage.
Pop Punk? Tick. All Time Low, New Found Glory.
Punk? Tick. Refused.
Metal? Big tick. Machine Head. Knocked Loose, Lorna Shore.
But one of the best things about festivals like Good Things is the chance to come across bands you might never have otherwise heard of, and for many people, one of those bands this year will be American rock outfit Dead Poet Society, who are well known in most other parts of the world. HEAVY caught up with Jack and Dylan from the band to talk about their debut visit to Australia.
The name Dead Poet Society may not mean all that much to Australian audiences just yet, but you can bet by the time Good Things 2025 has swept through the country, that equation will have changed drastically.
Since forming after meeting while attending Berklee School of Music in Boston, Massachusetts in 2013, Dead Poet Society have elected to drive their journey on the hard road, starting off as an indie group before steadily making their way through the musical maze. Their hard work and dedication proved fruitful when, in 2018, Spotify editorial staff added the single American Blood to their playlists, after the band had built a strong organic following on social media and the streaming platforms. Josh Katz of the band Badflower, was one of their early fans, notably of their song CoDA, which he championed to his label Big Machine and others, resulting in interest from several labels, including Spinefarm, where they later signed and released their debut album -!- in 2021.
Fast-forward four years and Dead Poet Society are currently touring North America alongside Chevelle and Asking Alexandria, with their flights already booked for Australia this December.
HEAVY sat down with Jack and Dylan from the band to find out more about the band and their debut trip Down Under. As such, we ask what they are expecting from Australian crowds, warning them that we can get pretty rowdy.
"That's what I'm hoping for," Jack smiled. "I've heard you guys are wild, and we love a wild audience."
On the flipside of that, we don't know what to expect from a Dead Poet Society live show, so we ask what a typical show from the band looks like.
"It's pretty high energy," Jack promised, "and sweaty. We try to redline ourself the entire set."
In the full interview, Jack and Dylan talk more about Good Things Festival and who they are most looking forward to playing with, their first trip to this country and how they are approaching it, their thoughts on the diversity of this year's line-up and what it means to them to be a part of it.
We talk about their formation at school and how it came about, planning their future and then working towards it, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67657083Mon, 15 Sep 2025 06:44:40 +0000HEAVY MagazineAs with every other year, anticipation surrounding the first line-up announcement for Good Things 2025 was almost at a fever pitch. Social media experts and promoter wannabe’s all shared their projected line-ups, but most were well off the mark. Good...Good Things is possibly one of the hardest festival line ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.
When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.
Rock? Tick. Weezer, Garbage.
Pop Punk? Tick. All Time Low, New Found Glory.
Punk? Tick. Refused.
Metal? Big tick. Machine Head. Knocked Loose, Lorna Shore.
But one of the best things about festivals like Good Things is the chance to come across bands you might never have otherwise heard of, and for many people, one of those bands this year will be American rock outfit Dead Poet Society, who are well known in most other parts of the world. HEAVY caught up with Jack and Dylan from the band to talk about their debut visit to Australia.
The name Dead Poet Society may not mean all that much to Australian audiences just yet, but you can bet by the time Good Things 2025 has swept through the country, that equation will have changed drastically.
Since forming after meeting while attending Berklee School of Music in Boston, Massachusetts in 2013, Dead Poet Society have elected to drive their journey on the hard road, starting off as an indie group before steadily making their way through the musical maze. Their hard work and dedication proved fruitful when, in 2018, Spotify editorial staff added the single American Blood to their playlists, after the band had built a strong organic following on social media and the streaming platforms. Josh Katz of the band Badflower, was one of their early fans, notably of their song CoDA, which he championed to his label Big Machine and others, resulting in interest from several labels, including Spinefarm, where they later signed and released their debut album -!- in 2021.
Fast-forward four years and Dead Poet Society are currently touring North America alongside Chevelle and Asking Alexandria, with their flights already booked for Australia this December.
HEAVY sat down with Jack and Dylan from the band to find out more about the band and their debut trip Down Under. As such, we ask what they are expecting from Australian crowds, warning them that we can get pretty rowdy.
"That's what I'm hoping for," Jack smiled. "I've heard you guys are wild, and we love a wild audience."
On the flipside of that, we don't know what to expect from a Dead Poet Society live show, so we ask what a typical show from the band looks like.
"It's pretty high energy," Jack promised, "and sweaty. We try to redline ourself the entire set."
In the full interview, Jack and Dylan talk more about Good Things Festival and who they are most looking forward to playing with, their first trip to this country and how they are approaching it, their thoughts on the diversity of this year's line-up and what it means to them to be a part of it.
We talk about their formation at school and how it came about, planning their future and then working towards it, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>737australia,deadpoetsociety,garbage,goodthings,goodthingsfestival,gwar,hardrock,heavy,krispeters,livemusic,machinehead,music,musicfestival,musicinterview,musicpodcast,rock,rockmusic,tool,tourtruefullhttps://www.spreaker.com/episode/the-barren-plains-of-dystopia-with-east-bay-ray-from-dead-kennedys--67754308Since 1978, the band have flown in the face of almost anything with even a slight breeze, along the way releasing a multitude of songs that have shaped a generation, including Holiday in Cambodia, California Über Alles, and Kill the Poor. Their flippant attitude, coupled with brutally honest content, has seen the Dead Kennedys not only reach the summit of all that is music but remain there, virtually unchallenged for the better part of five decades.
After a seven-year absence, the punk rock upstarts are finally returning to Australia and New Zealand to regal fans with a dose of unbridled anarchy when they start their Give Me Dystopia Or Give Me Death tour in Auckland on September 16 and wind things up in Sydney on September 27. With three shows already sold out and the rest close enough to, HEAVY sat down for a chat with guitarist East Bay Ray to shoot the breeze. One of the things we ask is what fans can expect from the Dead Kennedys live.
"Well, the fact that we're still alive and moving is a good thing," he laughed. "Back in the day, there was a lot of political bands and stuff - and we're still political - but the reason we're still around is the music. And if I do say so myself, this is something I shouldn't be saying it, but we really rock out. We're a good rock and roll band, and we have a very unique sound."
In the full interview, East Bay Ray further noted that the Dead Kennedys music remains true to their identity, with the tour titled Give Me Dystopia or Give Me Death reflecting both their past and the current political climate in the U.S. The discussion also covered the band's origins in San Francisco's punk scene, their musical influences, and their commitment to blending political commentary with humour.
He recounted a notable incident in 1982 when they were arrested in Brisbane, illustrating the repressive political environment of the time. When asked about new music, Ray confirmed they have written new material over the years, though audience reactions have been mixed, as fans prefer classic songs. He remarked on the current vitality of the hardcore punk scene and humorously addressed the topic of the band's eventual retirement and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67754308Sun, 14 Sep 2025 16:37:40 +0000HEAVY MagazinePunk rock has seen many bands proudly fly the flag for its roots, ideologies and defiant attitude, but few would argue that one of the best and most influential punk bands ever is the Dead Kennedys. Since 1978, the band have flown in the face of...Since 1978, the band have flown in the face of almost anything with even a slight breeze, along the way releasing a multitude of songs that have shaped a generation, including Holiday in Cambodia, California Über Alles, and Kill the Poor. Their flippant attitude, coupled with brutally honest content, has seen the Dead Kennedys not only reach the summit of all that is music but remain there, virtually unchallenged for the better part of five decades.
After a seven-year absence, the punk rock upstarts are finally returning to Australia and New Zealand to regal fans with a dose of unbridled anarchy when they start their Give Me Dystopia Or Give Me Death tour in Auckland on September 16 and wind things up in Sydney on September 27. With three shows already sold out and the rest close enough to, HEAVY sat down for a chat with guitarist East Bay Ray to shoot the breeze. One of the things we ask is what fans can expect from the Dead Kennedys live.
"Well, the fact that we're still alive and moving is a good thing," he laughed. "Back in the day, there was a lot of political bands and stuff - and we're still political - but the reason we're still around is the music. And if I do say so myself, this is something I shouldn't be saying it, but we really rock out. We're a good rock and roll band, and we have a very unique sound."
In the full interview, East Bay Ray further noted that the Dead Kennedys music remains true to their identity, with the tour titled Give Me Dystopia or Give Me Death reflecting both their past and the current political climate in the U.S. The discussion also covered the band's origins in San Francisco's punk scene, their musical influences, and their commitment to blending political commentary with humour.
He recounted a notable incident in 1982 when they were arrested in Brisbane, illustrating the repressive political environment of the time. When asked about new music, Ray confirmed they have written new material over the years, though audience reactions have been mixed, as fans prefer classic songs. He remarked on the current vitality of the hardcore punk scene and humorously addressed the topic of the band's eventual retirement and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>947australia,deadkennedys,eastbayray,hardrock,heavy,krispeters,music,punk,punkrock,punkrockmusic,sexpistols,tourfalsefullhttps://www.spreaker.com/episode/obscene-extreme-and-everything-in-between-with-jason-fuller-from-blood-duster--67728406The band were an enigma. They cursed, they bled, they had an opinion, and they had an agenda. Which was purely based on fun and enjoyment of their music. The fact that every year since has seen some form of (false) whisper about an unlikely reunion has only helped strengthen the myth surrounding the music. Hell, HEAVY would not have even heard of the band were it not for their infamous CUNT shirts, which is another thing about the band that has remained intriguing.
But this year was different. 2025 became the year when Blood Duster said yes to returning to Australian stages and said fuck it to any previous trepidation. And the lucky festival to secure that much sought-after signature?
Blacken Open Air.
As bass player Jason Fuller tells us during our chat, Blacken have come knocking every year since 2017, urging - sometimes pleading - with the band to make a resurgence at the hallowed grounds of the outback metal festival, but each request fell on deaf ears. Until now.
Blood Duster will play their first gig on Australian soil in almost a decade as one of the headliners of Blacken Open Air 2025 (September 19 - 22), and HEAVY jumped at the chance to speak with the man behind the myth and behind the legend, Jason Fuller. We start by asking why now is the right time for a return outing.
"When we finished the band, we really kind of…" Fuller measured… "We felt like once you're releasing records; once you're destroying records before they can even be released, you've kind of reached peak annoyability for everyone (laughs). We did everything we had to do, and we were starting to do shows just for money, and it felt totally dishonest considering what Blood Duster is. It's supposed to be a party. We were at this point where we reached the peak of what we were gonna do and were getting annoyed with having to do it. So we just killed it. It's been eight years or whatever, and we just want to hang out with each other and have a party. All the heavy lifting is done. We don't have to fucking write anything. We don't have to go into a fucking release cycle. We don't have to worry about any of those things. We can just turn up, play some songs and have a ball. So that's where our heads at with all that."
In the full interview, Jason talked more about why Blood Duster chose Blacken as their first gig back on home soil, the temptations and offers over the years, what to expect from Blood Duster live, what other bands he is looking forward to catching up with and the value of friendship within the metal community.
We spoke about the diversity in Blacken's roster, the early days of Blood Duster and the musical climate that created them, their blending of genres before it was cool to do so and the future of the band after this show. And, of course, we talked about THAT shirt, with Jason recalling some funny moments because of that piece of merchandise and the album it spawned from.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67728406Fri, 12 Sep 2025 06:45:05 +0000HEAVY MagazineWhen Melbourne noise machine and champion for the underdog Blood Duster called time in early December 2017, the Australian music scene lost one of the greats. Not just in terms of music, but, more importantly, in terms of old school ethos. The punk...The band were an enigma. They cursed, they bled, they had an opinion, and they had an agenda. Which was purely based on fun and enjoyment of their music. The fact that every year since has seen some form of (false) whisper about an unlikely reunion has only helped strengthen the myth surrounding the music. Hell, HEAVY would not have even heard of the band were it not for their infamous CUNT shirts, which is another thing about the band that has remained intriguing.
But this year was different. 2025 became the year when Blood Duster said yes to returning to Australian stages and said fuck it to any previous trepidation. And the lucky festival to secure that much sought-after signature?
Blacken Open Air.
As bass player Jason Fuller tells us during our chat, Blacken have come knocking every year since 2017, urging - sometimes pleading - with the band to make a resurgence at the hallowed grounds of the outback metal festival, but each request fell on deaf ears. Until now.
Blood Duster will play their first gig on Australian soil in almost a decade as one of the headliners of Blacken Open Air 2025 (September 19 - 22), and HEAVY jumped at the chance to speak with the man behind the myth and behind the legend, Jason Fuller. We start by asking why now is the right time for a return outing.
"When we finished the band, we really kind of…" Fuller measured… "We felt like once you're releasing records; once you're destroying records before they can even be released, you've kind of reached peak annoyability for everyone (laughs). We did everything we had to do, and we were starting to do shows just for money, and it felt totally dishonest considering what Blood Duster is. It's supposed to be a party. We were at this point where we reached the peak of what we were gonna do and were getting annoyed with having to do it. So we just killed it. It's been eight years or whatever, and we just want to hang out with each other and have a party. All the heavy lifting is done. We don't have to fucking write anything. We don't have to go into a fucking release cycle. We don't have to worry about any of those things. We can just turn up, play some songs and have a ball. So that's where our heads at with all that."
In the full interview, Jason talked more about why Blood Duster chose Blacken as their first gig back on home soil, the temptations and offers over the years, what to expect from Blood Duster live, what other bands he is looking forward to catching up with and the value of friendship within the metal community.
We spoke about the diversity in Blacken's roster, the early days of Blood Duster and the musical climate that created them, their blending of genres before it was cool to do so and the future of the band after this show. And, of course, we talked about THAT shirt, with Jason recalling some funny moments because of that piece of merchandise and the album it spawned from.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1246blackenopenair,bloodduster,grindcore,heavy,heavymetal,jasonfuller,krispeters,metal,metalfestival,metalhead,metalinterview,metalmusic,metalpodcast,musictruefullhttps://www.spreaker.com/episode/calling-all-weirdos-with-lauri-ylonen-from-the-rasmus--67700950Known for their musically dark atmospheres, The Rasmus have also managed to connect on a deeper level with a plethora of music lovers who can relate to the band's genuine feelings of despair. Once labelled as outcasts, or 'weirdos' if you will, The Rasmus have always embraced their perceived differences and championed the cause of the underdog; the downtrodden. The 'weirdos'.
Which is why the title of The Rasmus' new album - out on September 12 - is both confronting and comforting. Weirdo, the 11th album from The Rasmus, deals with feelings of inadequacy and discontent, reinforcing the fact that it is okay to be different. Okay to walk your own path. And okay to be on the outside.
Weirdo comes after an extensive promotional lead-in, which started with the album's lead single Rest In Pieces, which debuted last October. More singles followed with Creatures Of Chaos, Break These Chains, and Love Is A Bitch, each track further exploring what is no longer a sensitive subject for vocalist Lauri Ylönen. With the album out tomorrow, HEAVY caught up with Ylönen to dive deeper into Weirdo.
"I'm feeling excited," he smiled. "A little bit nervous, still, after all these years. We've been putting a lot of emotion and a lot of time into this album for the last two or three years, and it's finally going to be released. It's a bit nerve-racking to let it go. But so far it's been a really good response, and the fans have been liking the new, little heavier sound. It's a strong album."
We read back an earlier quote from Ylönen, which said, "I find it comforting that our 11th album is pretty much the same message as our first album released in 1996" and ask him to elaborate.
"It is maybe the main message of the band," he measured. "Just be yourself, no matter what. I think that's always been a struggle for me, but as I've grown up, I've been able to find my soulmates; people like me have come to me because it was almost like an invitation. To dress up like that, to put makeup on like that, do my hair like that, especially back in the days when there was no social media and that kind of easy access to people. You had to send messages out there, like, please find me."
In the full interview, Lauri shared insights into the personal nature of the lyrics on Weirdo, including a ballad dedicated to his son, and discussed the album's overarching message of authenticity. Lauri also reflected on the band's musical evolution, comparing their discography to a diary of life experiences, and highlighted a collaboration with Lee Jennings on the title track of the new album.
We spoke more about the importance placed on fitting in with society, finding your own path and surrounding yourself with positivity. Talk also turned to next year's debut tour of Australia and what to expect, and more.
Order your copy of Weirdo here: https://therasmus.lnk.to/weirdoalbum


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67700950Thu, 11 Sep 2025 05:48:47 +0000HEAVY MagazineRock stars at the age of 16, Finnish warriors The Rasmus have weathered the inevitable trappings of early success to morph into one of the world's leading rock outfits. Known for their musically dark atmospheres, The Rasmus have also managed to...Known for their musically dark atmospheres, The Rasmus have also managed to connect on a deeper level with a plethora of music lovers who can relate to the band's genuine feelings of despair. Once labelled as outcasts, or 'weirdos' if you will, The Rasmus have always embraced their perceived differences and championed the cause of the underdog; the downtrodden. The 'weirdos'.
Which is why the title of The Rasmus' new album - out on September 12 - is both confronting and comforting. Weirdo, the 11th album from The Rasmus, deals with feelings of inadequacy and discontent, reinforcing the fact that it is okay to be different. Okay to walk your own path. And okay to be on the outside.
Weirdo comes after an extensive promotional lead-in, which started with the album's lead single Rest In Pieces, which debuted last October. More singles followed with Creatures Of Chaos, Break These Chains, and Love Is A Bitch, each track further exploring what is no longer a sensitive subject for vocalist Lauri Ylönen. With the album out tomorrow, HEAVY caught up with Ylönen to dive deeper into Weirdo.
"I'm feeling excited," he smiled. "A little bit nervous, still, after all these years. We've been putting a lot of emotion and a lot of time into this album for the last two or three years, and it's finally going to be released. It's a bit nerve-racking to let it go. But so far it's been a really good response, and the fans have been liking the new, little heavier sound. It's a strong album."
We read back an earlier quote from Ylönen, which said, "I find it comforting that our 11th album is pretty much the same message as our first album released in 1996" and ask him to elaborate.
"It is maybe the main message of the band," he measured. "Just be yourself, no matter what. I think that's always been a struggle for me, but as I've grown up, I've been able to find my soulmates; people like me have come to me because it was almost like an invitation. To dress up like that, to put makeup on like that, do my hair like that, especially back in the days when there was no social media and that kind of easy access to people. You had to send messages out there, like, please find me."
In the full interview, Lauri shared insights into the personal nature of the lyrics on Weirdo, including a ballad dedicated to his son, and discussed the album's overarching message of authenticity. Lauri also reflected on the band's musical evolution, comparing their discography to a diary of life experiences, and highlighted a collaboration with Lee Jennings on the title track of the new album.
We spoke more about the importance placed on fitting in with society, finding your own path and surrounding yourself with positivity. Talk also turned to next year's debut tour of Australia and what to expect, and more.
Order your copy of Weirdo here: https://therasmus.lnk.to/weirdoalbum


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1019album,australia,betternoisemusic,hardrock,hardrockmusic,heavy,krispeters,metalpodcast,music,musicinterview,rock,rockinterview,rockmusic,therasmus,tourfalsefullhttps://www.spreaker.com/episode/nailed-to-obscurity-unleash-generation-of-the-void-with-expansive-new-vision--67653785German melodic death-doom outfit Nailed to Obscurity have just released their highly anticipated new album, Generation of the Void. For frontman Raimund Ennenga, the record represents the band’s boldest and most diverse work yet.
Following the critical success of Black Frost, the group set out to explore wider sonic territory. “We wanted the next one to be more diverse, more dynamic,” Ennenga explained. “On one side, you have the extremity of Glass Bleeding with blast beats, and on the other, songs like Allure, which is a full ballad. We even pushed into more accessible territory with tracks like Spirit Corrosion, which I would call catchy in a way.”
This push into new territory demanded that Ennenga redefine his own vocal role. Known primarily for his harsh delivery, he embraced clean vocals more extensively than ever before. “I had to find the sweet spot for my voice,” he said. “It feels like more mature singing now, and we really wanted to make sure it worked both on the record and in a live setting.”
Recorded across Woodshed Studio in Germany and Jacob Hansen’s studio in Denmark, the album benefits from a balance of fresh experimentation and polished production. Hansen’s calm yet meticulous approach provided the final layer of refinement. “It’s still unbelievable that this is our album,” Ennenga admitted. “Jacob was on our wish list for years, and he lifted the songs to a new level.”
Lyrically, Generation of the Void reflects a more cinematic scope while also resonating with the turbulence of recent years. Themes of isolation, social unrest, and emotional weight run throughout, offering listeners both intensity and catharsis.
Though no Australian tour is currently locked in, Ennenga expressed the band’s enthusiasm: “We would love to come down under one day—it would be really special.”
Generation of the Void is out now.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67653785Tue, 09 Sep 2025 13:41:48 +0000HEAVY MagazineBy Angela Croudace German melodic death-doom outfit Nailed to Obscurity have just released their highly anticipated new album, Generation of the Void. For frontman Raimund Ennenga, the record represents the band’s boldest and most diverse work yet....German melodic death-doom outfit Nailed to Obscurity have just released their highly anticipated new album, Generation of the Void. For frontman Raimund Ennenga, the record represents the band’s boldest and most diverse work yet.
Following the critical success of Black Frost, the group set out to explore wider sonic territory. “We wanted the next one to be more diverse, more dynamic,” Ennenga explained. “On one side, you have the extremity of Glass Bleeding with blast beats, and on the other, songs like Allure, which is a full ballad. We even pushed into more accessible territory with tracks like Spirit Corrosion, which I would call catchy in a way.”
This push into new territory demanded that Ennenga redefine his own vocal role. Known primarily for his harsh delivery, he embraced clean vocals more extensively than ever before. “I had to find the sweet spot for my voice,” he said. “It feels like more mature singing now, and we really wanted to make sure it worked both on the record and in a live setting.”
Recorded across Woodshed Studio in Germany and Jacob Hansen’s studio in Denmark, the album benefits from a balance of fresh experimentation and polished production. Hansen’s calm yet meticulous approach provided the final layer of refinement. “It’s still unbelievable that this is our album,” Ennenga admitted. “Jacob was on our wish list for years, and he lifted the songs to a new level.”
Lyrically, Generation of the Void reflects a more cinematic scope while also resonating with the turbulence of recent years. Themes of isolation, social unrest, and emotional weight run throughout, offering listeners both intensity and catharsis.
Though no Australian tour is currently locked in, Ennenga expressed the band’s enthusiasm: “We would love to come down under one day—it would be really special.”
Generation of the Void is out now.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1862angelacroudace,heavy,heavymetal,metal,metalheads,metalinterview,metalmusic,metalpodcast,nailedtoobscurity,nuclearblastrecordstruefullhttps://www.spreaker.com/episode/smelling-the-flowers-with-mike-hranica-from-the-devil-wears-prada--67653944This has never been as evident as with The Devil Wears Prada's upcoming ninth album, Flowers. The new album marks the start of an incredibly epic cycle and phase for the band, representing perhaps their most significant creative leap forward yet.
HEAVY sat down with vocalist Mike Hranica for some clarity.
"This one has been years and years in the works," he began, "even since the record was finished being mixed feels like years ago, but that's an exaggeration (laughs). We're excited for folks to hear it."
We ask Mike to tell us more about the epic new cycle of the band alluded to in the press release.
"In terms of looking at the cycle, what we just did with Color Decay coming out of the pandemic was certainly unprecedented compared to the seven other full-lengths we released every year or so," he measured. "We really looked forward to this cycle. We feel like we're in stride in terms of the band and marking 20 years in and full steam ahead."
Talk turns to the musicality present on Flowers.
"There's a lot of pop sensibilities," he offered. "When you look at the genre and the label of metalcore, you think of the heavy with the singing. When I think about what this record is, I think it leans a little bit rocky - at least from the exterior - but there are certainly songs that by all means fit the metalcore description. I think it's very chorus-oriented and working with the pop sensibilities to the choruses and the theatrics having more of a place than ever."
In the full interview, Mike dives deeper into the musical side of Flowers, details how it marks the start of an epic new cycle for the band, runs us through the dual single release and accompanying short film and how they lay the sonic platform for what is to come.
He discusses the opening track That Same Place and the thought process behind it, the meaning behind the title, whether Flowers is an overall representation of hope or despair, their continued musical evolution and how it stands The Devil Wears Prada amongst their peers, their upcoming tour of Australia with Bullet For My Valentine and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67653944Tue, 09 Sep 2025 04:14:45 +0000HEAVY MagazineTwo decades into their career, Ohio metalcore outfit The Devil Wears Prada are still intent on exploring their sonic boundaries. Despite - as most bands do - having a core, recognisable brand of music, The Devil Wears Prada remain unrestrained by the...This has never been as evident as with The Devil Wears Prada's upcoming ninth album, Flowers. The new album marks the start of an incredibly epic cycle and phase for the band, representing perhaps their most significant creative leap forward yet.
HEAVY sat down with vocalist Mike Hranica for some clarity.
"This one has been years and years in the works," he began, "even since the record was finished being mixed feels like years ago, but that's an exaggeration (laughs). We're excited for folks to hear it."
We ask Mike to tell us more about the epic new cycle of the band alluded to in the press release.
"In terms of looking at the cycle, what we just did with Color Decay coming out of the pandemic was certainly unprecedented compared to the seven other full-lengths we released every year or so," he measured. "We really looked forward to this cycle. We feel like we're in stride in terms of the band and marking 20 years in and full steam ahead."
Talk turns to the musicality present on Flowers.
"There's a lot of pop sensibilities," he offered. "When you look at the genre and the label of metalcore, you think of the heavy with the singing. When I think about what this record is, I think it leans a little bit rocky - at least from the exterior - but there are certainly songs that by all means fit the metalcore description. I think it's very chorus-oriented and working with the pop sensibilities to the choruses and the theatrics having more of a place than ever."
In the full interview, Mike dives deeper into the musical side of Flowers, details how it marks the start of an epic new cycle for the band, runs us through the dual single release and accompanying short film and how they lay the sonic platform for what is to come.
He discusses the opening track That Same Place and the thought process behind it, the meaning behind the title, whether Flowers is an overall representation of hope or despair, their continued musical evolution and how it stands The Devil Wears Prada amongst their peers, their upcoming tour of Australia with Bullet For My Valentine and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>689australia,bulletformyvalentine,heavy,heavymetal,hornsup,krispeters,metal,metalcore,metalheads,metalinterview,metalmusic,metalpodcast,mikehranica,newmusic,thedevilwearsprada,tourfalsefullhttps://www.spreaker.com/episode/embracing-your-roots-with-max-cavalera-from-soulfly--67655002Proudly wearing his Brazilian heritage as a badge of honour, frontman Max Cavalera has overseen Soulfly since its inception, consistently raising the sonic bar with every new body of work. This trend looks set to continue with the impending release of Chama on October 24.
The album is already being touted by those who have heard it as a return to the roots of Soulfly; a return to the gritty rawness that accentuated their early albums such as 1998's self-titled effort as well as Primitive, 3 and Prophecy. Capturing the essence of tribal lore in every breath of music, Soulfly are at their best when singing about their core ideologies, with Cavalera leading the charge with honest, meaningful appraisals of lost lives, land, and heritage.
Max himself has already said, "I'm excited to present it to long-time Soulfly fans, it's a revival of our original sound", a statement which may seem casual enough but is also one which has sent scores of fans around the world in musical raptures of anticipation.
HEAVY recently caught up with Max to go into greater detail. We start by asking if, after 13 albums with Soulfly and countless more with other projects, he still gets the same feeling of anticipation that accompanies an album release.
"Oh yeah," he replied instantly. "No matter how many albums you make, it's always the same; there's nervousness and anxiety. I probably have a bunch of ulcers from making records, but it's a cool excitement. It's fun. You're proud of the thing, you want to hear what people think of it because that's what fuels it. Everything that we do is for the fans to enjoy what we do, you know. But I think right now, Soulfly is being more inspired than ever before. I think this is a really good moment in Soulfly; a really inspirational moment to make a record like Chama. And the record is full of very strong songs and full of tribal grooves, kind of back to the tribal beginnings of Soulfly with a lot of real cool noise stuff in it, which makes it more modern. I've been joking that this album feels like tribal technology. You have the tribal beats, but with technology on top of it. If you love Soulfly, this album is definitely for you. This is an album made for Soulfly fans. If you don't like Soulfly, don't even waste your time."
In the full interview, Max further shared his excitement and anxiety about Chama, emphasizing its strong songs and a return to tribal influences, blending traditional beats with modern technology. He noted that the album is tailored for dedicated fans, with themes reflecting Brazilian culture, including songs in Portuguese and narratives inspired by personal and historical experiences. Notable tracks like Always Was Always Will Be and Indigenous Inquisition were highlighted for their experimental sounds and thought-provoking content, addressing issues such as the genocide of indigenous tribes.
Max also discussed the collaborative nature of the album's creation, involving his son Zyon as a producer, which brought a fresh perspective to the music. He expressed pride in the familial contributions to the project and the emotional challenges of writing authentically. The conversation included details about the upcoming Australian tour featuring Soulfly, NailBomb, and Snot, with Max expressing enthusiasm for the setlist and the opportunity to connect with fans. Overall, the album represents a significant moment for Max and Soulfly, capturing the essence of their musical journey while looking forward to future endeavours.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67655002Tue, 09 Sep 2025 04:13:09 +0000HEAVY MagazineSoulfly have long been a force unto themselves, spearheading the movement of groove metal over twelve previous albums, integrating tribal elements into metal with a passion and genuineness that is as undeniable as it is brutal. Proudly wearing his...Proudly wearing his Brazilian heritage as a badge of honour, frontman Max Cavalera has overseen Soulfly since its inception, consistently raising the sonic bar with every new body of work. This trend looks set to continue with the impending release of Chama on October 24.
The album is already being touted by those who have heard it as a return to the roots of Soulfly; a return to the gritty rawness that accentuated their early albums such as 1998's self-titled effort as well as Primitive, 3 and Prophecy. Capturing the essence of tribal lore in every breath of music, Soulfly are at their best when singing about their core ideologies, with Cavalera leading the charge with honest, meaningful appraisals of lost lives, land, and heritage.
Max himself has already said, "I'm excited to present it to long-time Soulfly fans, it's a revival of our original sound", a statement which may seem casual enough but is also one which has sent scores of fans around the world in musical raptures of anticipation.
HEAVY recently caught up with Max to go into greater detail. We start by asking if, after 13 albums with Soulfly and countless more with other projects, he still gets the same feeling of anticipation that accompanies an album release.
"Oh yeah," he replied instantly. "No matter how many albums you make, it's always the same; there's nervousness and anxiety. I probably have a bunch of ulcers from making records, but it's a cool excitement. It's fun. You're proud of the thing, you want to hear what people think of it because that's what fuels it. Everything that we do is for the fans to enjoy what we do, you know. But I think right now, Soulfly is being more inspired than ever before. I think this is a really good moment in Soulfly; a really inspirational moment to make a record like Chama. And the record is full of very strong songs and full of tribal grooves, kind of back to the tribal beginnings of Soulfly with a lot of real cool noise stuff in it, which makes it more modern. I've been joking that this album feels like tribal technology. You have the tribal beats, but with technology on top of it. If you love Soulfly, this album is definitely for you. This is an album made for Soulfly fans. If you don't like Soulfly, don't even waste your time."
In the full interview, Max further shared his excitement and anxiety about Chama, emphasizing its strong songs and a return to tribal influences, blending traditional beats with modern technology. He noted that the album is tailored for dedicated fans, with themes reflecting Brazilian culture, including songs in Portuguese and narratives inspired by personal and historical experiences. Notable tracks like Always Was Always Will Be and Indigenous Inquisition were highlighted for their experimental sounds and thought-provoking content, addressing issues such as the genocide of indigenous tribes.
Max also discussed the collaborative nature of the album's creation, involving his son Zyon as a producer, which brought a fresh perspective to the music. He expressed pride in the familial contributions to the project and the emotional challenges of writing authentically. The conversation included details about the upcoming Australian tour featuring Soulfly, NailBomb, and Snot, with Max expressing enthusiasm for the setlist and the opportunity to connect with fans. Overall, the album represents a significant moment for Max and Soulfly, capturing the essence of their musical journey while looking forward to future endeavours.


Become a supporter of this podcast: 1211album,australia,chama,froth&fury,groovemetal,heavy,heavymetal,krispeters,maxcavalera,metal,metalinterview,metalpodcast,nailbomb,snot,soulfly,tour,tribalmetaltruefullhttps://www.spreaker.com/episode/pushing-things-to-the-extreme-with-paula-and-nick-from-kuntsquad--67616525Fast-forward three years and KÜNTSQUÄD return with a new, heavier mission, delivered in the form of their follow-up album Satan's Cock. Satan's Cock is an album that pulls no punches, offering up an intense sonic battering that fuses crust punk’s raw chaos with death metal’s guttural power, laced with blackened grime and a signature streak of unbridled discontent. With their sharpened edge and unholy vision, KÜNTSQUÄD prove once again that there are no genre walls—only a relentless descent into weaponized sonic depravity.
HEAVY sat down with vocalist Paula VC Damnzal and guitarist Nikronomicon Satanik to journey deeper down the rabbit hole.
"I think it was a concerted effort," Paula replied when we asked her to dive deeper into the new album. "We took a lot more time this time to actually finish it. When we started the recording - which is probably more than two years now - the intention was to do four songs. We put four songs down, and it sounded like crap, and we thought, no, we've got to start again. And then we had some dramas, and our engineer also had some issues, so long story short, basically, we started again. We wrote some more songs, down-tuned again just to get it right, because the last release was a bit… We weren't expecting a record to be honest, so it was done in a very rushed way. So this time round, we took a lot more time and did a bit of a critical review, where we were kind of going with it, and solidified what we'd already been doing. But it just needed to be more direct, because not everyone got it. But this time it was a lot more measured in how we did it."
In the full interview, Paula and Nick further highlighted the band's commitment to a more refined production process, resulting in a heavier and more cohesive sound that reflects their goal of musical progression with each release. Nick noted that the album maintains a consistent style, addressing past challenges in genre categorization.
They elaborated on the complexities of merging various metal genres while striving for originality, emphasizing the collaborative effort of each band member in shaping the album's sound. The conversation also covered their upcoming tour, starting in Perth and extending to Melbourne and other locations, with fans encouraged to follow their social media for updates on tour dates and information.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67616525Fri, 05 Sep 2025 06:09:41 +0000HEAVY MagazineMelbourne-based crust-death outfit KÜNTSQUÄD (pronounced Kountskard) announced themselves with their self-titled 2022 debut album, selling out multiple pressings and ushering in a new era of extreme style Australian music. It was an album laced with...Fast-forward three years and KÜNTSQUÄD return with a new, heavier mission, delivered in the form of their follow-up album Satan's Cock. Satan's Cock is an album that pulls no punches, offering up an intense sonic battering that fuses crust punk’s raw chaos with death metal’s guttural power, laced with blackened grime and a signature streak of unbridled discontent. With their sharpened edge and unholy vision, KÜNTSQUÄD prove once again that there are no genre walls—only a relentless descent into weaponized sonic depravity.
HEAVY sat down with vocalist Paula VC Damnzal and guitarist Nikronomicon Satanik to journey deeper down the rabbit hole.
"I think it was a concerted effort," Paula replied when we asked her to dive deeper into the new album. "We took a lot more time this time to actually finish it. When we started the recording - which is probably more than two years now - the intention was to do four songs. We put four songs down, and it sounded like crap, and we thought, no, we've got to start again. And then we had some dramas, and our engineer also had some issues, so long story short, basically, we started again. We wrote some more songs, down-tuned again just to get it right, because the last release was a bit… We weren't expecting a record to be honest, so it was done in a very rushed way. So this time round, we took a lot more time and did a bit of a critical review, where we were kind of going with it, and solidified what we'd already been doing. But it just needed to be more direct, because not everyone got it. But this time it was a lot more measured in how we did it."
In the full interview, Paula and Nick further highlighted the band's commitment to a more refined production process, resulting in a heavier and more cohesive sound that reflects their goal of musical progression with each release. Nick noted that the album maintains a consistent style, addressing past challenges in genre categorization.
They elaborated on the complexities of merging various metal genres while striving for originality, emphasizing the collaborative effort of each band member in shaping the album's sound. The conversation also covered their upcoming tour, starting in Perth and extending to Melbourne and other locations, with fans encouraged to follow their social media for updates on tour dates and information.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1138aussiemetal,crustmetal,deathmetal,extrememetal,heavy,heavymetal,krispeters,kuntsquad,metal,metalhead,metalinterview,metalpodcasttruefullhttps://www.spreaker.com/episode/haunting-atmospherics-with-andrew-craighan-from-my-dying-bride--67594605Well known for haunting atmospheres and sorrowful tones whilst balancing uniquely heavy, desolate riffs with melancholic melodies, MY DYING BRIDE redefined musical misery with their earlier albums Turn Loose the Swans (1993), The Angel and the Dark River (1995) and Like Gods of the Sun (1996). A consistent flow of exceptionally sombre albums and EPs have followed, with highlights including The Dreadful Hours (2001), A Map of All Our Failures (2012), and today they continue their endless suffering like no other band of this ilk can.
Aussie fans finally get the chance to see My Dying Bride live this month (September) when the band makes the trek Down Under for two select dates in Sydney and Melbourne. To commemorate the occasion, HEAVY sat down for a great chat with guitarist Andrew Craighan.
"We're about to come to Australia for the first time in our 35-year career or existence or whatever you want to call it," Andrew reiterated, "so we're all really quite excited about that, and some of us are still in shock that it's finally happening. Some of us are still shocked that it's happening at all (laughs)."
We ask Andrew what he is expecting from Australian crowds, warning him that we do get a little crazy at times.
"I'm expecting that actually," he laughed, "and we're hoping that we can just hold it together to get the set done. We'll be happy with whatever takes place. These two shows that we're doing are very up close and personal type club shows. It's not like the festivals that we sometimes play in Europe, where the crowd's massive, and you're 20 feet away from everybody and 40 feet up in the air as well sometimes. So we appreciate it's very much a club show, and we haven't done many of them in the last few years, so for us, it's going to be almost like a blast from the past. We'll be going back in time to when people were really keen and really close at the same time, so it should be interesting."
In the full interview, Andrew talks more about the tour and what we can expect, why it has taken this long for My Dying Bride to make it to Australia, what the set list will look like, new vocalist Mikko Kotamaki and why he was selected, how crowds have been responding to him, My Dying Bride moving forward, the early days of the band and where they fit in, if creating music gets easier or harder the more you put out, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67594605Thu, 04 Sep 2025 05:11:57 +0000HEAVY MagazineIt's hard to believe that a band who have dominated the global metal landscape for more than 35 years would be about to embark on their first ever Australian tour. Hard to believe, but also true in the case of England’s most disconsolate export,...Well known for haunting atmospheres and sorrowful tones whilst balancing uniquely heavy, desolate riffs with melancholic melodies, MY DYING BRIDE redefined musical misery with their earlier albums Turn Loose the Swans (1993), The Angel and the Dark River (1995) and Like Gods of the Sun (1996). A consistent flow of exceptionally sombre albums and EPs have followed, with highlights including The Dreadful Hours (2001), A Map of All Our Failures (2012), and today they continue their endless suffering like no other band of this ilk can.
Aussie fans finally get the chance to see My Dying Bride live this month (September) when the band makes the trek Down Under for two select dates in Sydney and Melbourne. To commemorate the occasion, HEAVY sat down for a great chat with guitarist Andrew Craighan.
"We're about to come to Australia for the first time in our 35-year career or existence or whatever you want to call it," Andrew reiterated, "so we're all really quite excited about that, and some of us are still in shock that it's finally happening. Some of us are still shocked that it's happening at all (laughs)."
We ask Andrew what he is expecting from Australian crowds, warning him that we do get a little crazy at times.
"I'm expecting that actually," he laughed, "and we're hoping that we can just hold it together to get the set done. We'll be happy with whatever takes place. These two shows that we're doing are very up close and personal type club shows. It's not like the festivals that we sometimes play in Europe, where the crowd's massive, and you're 20 feet away from everybody and 40 feet up in the air as well sometimes. So we appreciate it's very much a club show, and we haven't done many of them in the last few years, so for us, it's going to be almost like a blast from the past. We'll be going back in time to when people were really keen and really close at the same time, so it should be interesting."
In the full interview, Andrew talks more about the tour and what we can expect, why it has taken this long for My Dying Bride to make it to Australia, what the set list will look like, new vocalist Mikko Kotamaki and why he was selected, how crowds have been responding to him, My Dying Bride moving forward, the early days of the band and where they fit in, if creating music gets easier or harder the more you put out, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1621australia,doommetal,headbanger,heavy,heavymetal,krispeters,metal,metalhead,metalinterview,metalpodcast,music,mydyingbride,tourtruefullhttps://www.spreaker.com/episode/defying-gravity-with-daniel-marazita-from-xcalibre--67627578All of which proved fruitful when XCALIBRE hit the ground running, earning themselves slots alongside acts such as Van Halen, Aerosmith, Drowning Pool, Karnivool, and The Amity Affliction, among others. Their upward trajectory attracted the attention of rising Australian label XMusic, who snapped up the band and set about planning their next step, which begins this Friday, September 5, with the release of their single Gravity (Through It All).
Not content to open their account with what is already a great track, XCALIBRE enlisted the help of two massive music identities in DJ Lethal (Limp Bizkit) and Marcos Curiel (P.O.D.) as guest artists, tracking the song in the home of Guns N Roses drummer Matt Sorum. While not a guaranteed recipe for success, pulling off that trifecta is an achievement in itself, especially for an up-and-coming band from Melbourne.
HEAVY sat down with lead vocalist Daniel Marazita to find out more. We start by gauging his enthusiasm surrounding the impending release of Gravity.
"Yeah, we're just looking forward to getting it out," he smiled. "We did a lot of hard work on these tracks, so to have this one off the rank first… It's pretty exciting."
We ask Daniel to tell us more about Gravity from a musical point of view.
"It's got a mixture of sounds with this one," he measured. "Brandon Friesen mixed it so we've got that electronic in the background, that real sort of - I hate to stereotype songs - but Linkin Park sounding with the rap and the big melodies. We've got that aggression, but we still keep a sound within it, which is really important."
In the full interview, Daniel also discussed the music video, which features creative visuals, the collaboration with DJ Lethal from Limp Bizkit and Marcos Curiel from P.O.D., including how their contributions enriched the song through electronic programming and distinctive guitar sounds.
He emphasized the collaborative spirit during the creation of their upcoming debut album X, noting that Gravity represents just a fraction of the album's diversity, which will include a mix of heavy, soft, and crossover tracks. Plans for live performances were spoken about, along with upcoming plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67627578Thu, 04 Sep 2025 04:45:06 +0000HEAVY MagazineFormed from the ashes that has become COVID, Melbourne hard rock outfit XCALIBRE had the benefit of time on their side from the outset. Time to hone their craft. Time to practice. Time to plan. All of which proved fruitful when XCALIBRE hit the ground...All of which proved fruitful when XCALIBRE hit the ground running, earning themselves slots alongside acts such as Van Halen, Aerosmith, Drowning Pool, Karnivool, and The Amity Affliction, among others. Their upward trajectory attracted the attention of rising Australian label XMusic, who snapped up the band and set about planning their next step, which begins this Friday, September 5, with the release of their single Gravity (Through It All).
Not content to open their account with what is already a great track, XCALIBRE enlisted the help of two massive music identities in DJ Lethal (Limp Bizkit) and Marcos Curiel (P.O.D.) as guest artists, tracking the song in the home of Guns N Roses drummer Matt Sorum. While not a guaranteed recipe for success, pulling off that trifecta is an achievement in itself, especially for an up-and-coming band from Melbourne.
HEAVY sat down with lead vocalist Daniel Marazita to find out more. We start by gauging his enthusiasm surrounding the impending release of Gravity.
"Yeah, we're just looking forward to getting it out," he smiled. "We did a lot of hard work on these tracks, so to have this one off the rank first… It's pretty exciting."
We ask Daniel to tell us more about Gravity from a musical point of view.
"It's got a mixture of sounds with this one," he measured. "Brandon Friesen mixed it so we've got that electronic in the background, that real sort of - I hate to stereotype songs - but Linkin Park sounding with the rap and the big melodies. We've got that aggression, but we still keep a sound within it, which is really important."
In the full interview, Daniel also discussed the music video, which features creative visuals, the collaboration with DJ Lethal from Limp Bizkit and Marcos Curiel from P.O.D., including how their contributions enriched the song through electronic programming and distinctive guitar sounds.
He emphasized the collaborative spirit during the creation of their upcoming debut album X, noting that Gravity represents just a fraction of the album's diversity, which will include a mix of heavy, soft, and crossover tracks. Plans for live performances were spoken about, along with upcoming plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>848aussierock,australia,djlethal,gravity,hardrock,heavy,heavymetal,interview,krispeters,limpbizkit,metalinterview,musicinterview,newmusic,pod,rock,single,xclibre,xmusicfalsefullhttps://www.spreaker.com/episode/still-up-to-their-necks-in-it-with-aya-larkin-from-skunkhour--67570515While such genre mashes might be considered the norm in the modern age of music, back then, it was a concept still very much in the experimental stage. Sometimes it worked, more often than not it didn't.
But when Skunkhour released Up To Our Necks In It, the musical landscape shifted forever. Before then, it was seemingly impossible to blend sounds and instrumentalisation together and still achieve commercial success. Not that the idea of combining musical ideas was entirely new to Skunkhour, whose career to that point had been laced with songs of varying experimentation. But this time it had struck a chord with the masses and catapulted Skunkhour from the local scene into international infamy.
Now, thirty years later and still rocking out, Skunkhour plan to celebrate that groundbreaking single by honouring it on a national tour through October and November. HEAVY sat down with vocalist Aya Larkin to take a trip down memory lane. We start with Up To Our Necks In It and ask if the band had any inkling that there was something special about the song when they initially wrote it.
"It's a good question," he measured. "It came together pretty quickly, and we did, we enjoyed it a lot as it was forming. The guitarists came into the rehearsal studio one day and said, 'oh, I dreamt this part' - and I think that was the intro section. Then he got a couple of the other riffs, because it's like a whole series of riffs that kind of just work, you know, rolling over each other. But my brother Del had had this idea in his back pocket - he's the MC. He had this idea in his back pocket of a spoken word thing that didn't rhyme, and those parts came together. They kind of grafted onto each other seamlessly. And yeah, it felt good. But it didn't…we didn't know that it would be our biggest song…"
In the full interview, Aya announced the band's upcoming tour to celebrate the 30th anniversary of Up To Our Necks In It, which will take place along the east coast of Australia in October and November. He shared insights into the song's creation, emphasising its themes related to urban life and its pivotal role in the band's evolution, contrasting it with their heavier subsequent album.
We talked about how that one hit song forever changed the career of Skunkhour, the title of the song and its broader meaning, what to expect from the live shows, the band's progressing sonic direction during the period Up To Our Necks In It came out, the musical climate that gave birth to Skunkhour, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67570515Wed, 03 Sep 2025 06:29:00 +0000HEAVY MagazineNo matter what genre of music you listen to, if you had an ear to the radio in 1995, then you would have heard a track by Skunkhour called Up To Our Necks In It. A raw, jazzy and ultimately uplifting tune, Up To Our Necks In It opens with melancholic...While such genre mashes might be considered the norm in the modern age of music, back then, it was a concept still very much in the experimental stage. Sometimes it worked, more often than not it didn't.
But when Skunkhour released Up To Our Necks In It, the musical landscape shifted forever. Before then, it was seemingly impossible to blend sounds and instrumentalisation together and still achieve commercial success. Not that the idea of combining musical ideas was entirely new to Skunkhour, whose career to that point had been laced with songs of varying experimentation. But this time it had struck a chord with the masses and catapulted Skunkhour from the local scene into international infamy.
Now, thirty years later and still rocking out, Skunkhour plan to celebrate that groundbreaking single by honouring it on a national tour through October and November. HEAVY sat down with vocalist Aya Larkin to take a trip down memory lane. We start with Up To Our Necks In It and ask if the band had any inkling that there was something special about the song when they initially wrote it.
"It's a good question," he measured. "It came together pretty quickly, and we did, we enjoyed it a lot as it was forming. The guitarists came into the rehearsal studio one day and said, 'oh, I dreamt this part' - and I think that was the intro section. Then he got a couple of the other riffs, because it's like a whole series of riffs that kind of just work, you know, rolling over each other. But my brother Del had had this idea in his back pocket - he's the MC. He had this idea in his back pocket of a spoken word thing that didn't rhyme, and those parts came together. They kind of grafted onto each other seamlessly. And yeah, it felt good. But it didn't…we didn't know that it would be our biggest song…"
In the full interview, Aya announced the band's upcoming tour to celebrate the 30th anniversary of Up To Our Necks In It, which will take place along the east coast of Australia in October and November. He shared insights into the song's creation, emphasising its themes related to urban life and its pivotal role in the band's evolution, contrasting it with their heavier subsequent album.
We talked about how that one hit song forever changed the career of Skunkhour, the title of the song and its broader meaning, what to expect from the live shows, the band's progressing sonic direction during the period Up To Our Necks In It came out, the musical climate that gave birth to Skunkhour, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>753aussierock,australia,ayalarkin,funk,heavy,jazz,krispeters,music,musicinterview,rock,rockinterview,rockmusic,skunkhour,tour,uptoournecksinitfalsefullhttps://www.spreaker.com/episode/arkangel-blaze-forward-with-explosive-new-single-haunting-my-dreams--67593758Australian heavy outfit Arkangel are charging into a bold new chapter with their latest single, Haunting My Dreams, set for release on September 5. The track marks a defining moment for the band, not only in sound but in ambition, and features a powerful collaboration with electro-driven artist Misstiq.
For vocalist Jake Harrop, the collaboration was a dream realised. “I’d always wanted to work with Misstiq—her synth work is incredible, and she brought a whole new energy to the track,” he explains. “We already loved the song before she jumped on it, but when she added her vocals and flair, it just took it to another level.”
The single was produced by ARIA-nominated songwriter and producer Callan Orr, who Harrop describes as “like a fifth member of the band,” and accompanied by a visually striking music video filmed at Melbourne’s historic Old Jail with acclaimed director Colin Jeffs. “If we were ever going to go all out, this was the one to do it for,” Harrop says. “It’s our favourite song we’ve written so far, and we wanted everything around it to match the scale and intensity.”
Since forming in late 2022, Arkangel have been quick to make their mark, with their debut EP racking up over 250,000 streams and a relentless schedule of nearly 30 shows across Australia. The band’s unique blend of crushing heaviness and atmospheric synths has earned them both a loyal fan base and the respect of peers in the heavy scene.
Looking ahead, Arkangel aren’t slowing down. With more singles already in the works, including additional collaborations and a return to the studio immediately after this release, the band is focused on pushing boundaries. Fans can also catch Haunting My Dreams live at Ark Fest on November 1, where Arkangel will headline alongside a stacked line up.
Tickets are available now via Oztix.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67593758Wed, 03 Sep 2025 06:25:44 +0000HEAVY MagazineInterview by Angela Croudace Australian heavy outfit Arkangel are charging into a bold new chapter with their latest single, Haunting My Dreams, set for release on September 5. The track marks a defining moment for the band, not only in sound but in...Australian heavy outfit Arkangel are charging into a bold new chapter with their latest single, Haunting My Dreams, set for release on September 5. The track marks a defining moment for the band, not only in sound but in ambition, and features a powerful collaboration with electro-driven artist Misstiq.
For vocalist Jake Harrop, the collaboration was a dream realised. “I’d always wanted to work with Misstiq—her synth work is incredible, and she brought a whole new energy to the track,” he explains. “We already loved the song before she jumped on it, but when she added her vocals and flair, it just took it to another level.”
The single was produced by ARIA-nominated songwriter and producer Callan Orr, who Harrop describes as “like a fifth member of the band,” and accompanied by a visually striking music video filmed at Melbourne’s historic Old Jail with acclaimed director Colin Jeffs. “If we were ever going to go all out, this was the one to do it for,” Harrop says. “It’s our favourite song we’ve written so far, and we wanted everything around it to match the scale and intensity.”
Since forming in late 2022, Arkangel have been quick to make their mark, with their debut EP racking up over 250,000 streams and a relentless schedule of nearly 30 shows across Australia. The band’s unique blend of crushing heaviness and atmospheric synths has earned them both a loyal fan base and the respect of peers in the heavy scene.
Looking ahead, Arkangel aren’t slowing down. With more singles already in the works, including additional collaborations and a return to the studio immediately after this release, the band is focused on pushing boundaries. Fans can also catch Haunting My Dreams live at Ark Fest on November 1, where Arkangel will headline alongside a stacked line up.
Tickets are available now via Oztix.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1736angelacroudace,arkangel,aussierock,hardrock,heavy,interview,metal,metalpodcast,music,musicinterview,rocktruefullhttps://www.spreaker.com/episode/notching-up-the-victories-with-liam-guinane-from-windwaker--67561623Good Things is possibly one of the hardest festival line-ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.
When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line-up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.
Rock? Tick. Weezer, Garbage.
Pop Punk? Tick. All Time Low, New Found Glory.
Punk? Tick. Refused.
Metal? Big tick. Machine Head. Knocked Loose, Lorna Shore.
Amongst the impressive international bands on display is a large contingent of Australian bands who will be representing at Good Things. One of whom is Windwaker, who have just released the crushing new track Victory Lap. 
The Melbourne-based metalcore outfit are deservedly riding a tidal wave of success following the release of last year's genre-bending album Hyperviolence. The album catapulted the band into the ears of a global audience, in the process earning them a nomination at this year's APRA Awards alongside touring opportunities both local and abroad. The album - which was the first featuring Liam Guinane as lead vocalist - showcased the evolution within Windwaker's sound, tearing at the foundations of sonic tapestries to reveal a convoluted yet accessible underbelly that was as refreshing as it was unique.
The flow on effect from that album has seen Windwaker lead the charge of Aussie acts at Good Things 2025, with Liam sitting down with HEAVY to go over a whirlwind last 18 months. The band have previously played festivals such as Download, UNIFY and Knight & Day, but we state the obvious by remarking that no matter how often it may happen, Liam would never get sick of seeing the name 'Windwaker' on the poster.
"No, I want to see it more often," he laughed. "I'm so stoked to be part of this line-up. We've played Good Things once before, but I think this is probably my favourite line-up of theirs put together. That's not just because I'm on it, I think it's just a great round of bands."
We ask about the mentality backstage between Australian bands and their international counterparts, and if it ever seems like an 'us against them' type of situation.
"It can be," Liam laughed again. "It's case by case with every band. Some keep to themselves and do their own thing, while there's others that are very friendly and talk to you. It's always different. I think the artist area is where a lot of the mingling happens. When you're backstage, as such, everyone is acting like security guards for their gear (laughs), and they're just staunching everybody. For the most part, everyone is really nice, but you're right, the Aussies gravitate to the other Aussies. I guess it's just a bit of a natural thing that happens."
In the full interview, Liam talks more about the eclectic assortment of artists and genres and why he prefers a festival like that rather than one with a more common mixing of genres. We talk about the high number of Australian bands playing and how it represents local music on a global stage, his tips for surviving Good Things, what songs from Windwaker to listen to in preparation for the show and what we can expect from their set.
Talk turns to Windwaker's new single Victory Lap and it's sensational music video, whether it is a standalone single or part of a bigger picture, what direction future music may take and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67561623Tue, 02 Sep 2025 06:38:05 +0000HEAVY MagazineAs with every other year, anticipation surrounding the first line-up announcement for Good Things 2025 was almost at a fever pitch. Social media experts and promoter wannabe’s all shared their projected line-ups, but most were well off the mark. Good...Good Things is possibly one of the hardest festival line-ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.
When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line-up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.
Rock? Tick. Weezer, Garbage.
Pop Punk? Tick. All Time Low, New Found Glory.
Punk? Tick. Refused.
Metal? Big tick. Machine Head. Knocked Loose, Lorna Shore.
Amongst the impressive international bands on display is a large contingent of Australian bands who will be representing at Good Things. One of whom is Windwaker, who have just released the crushing new track Victory Lap. 
The Melbourne-based metalcore outfit are deservedly riding a tidal wave of success following the release of last year's genre-bending album Hyperviolence. The album catapulted the band into the ears of a global audience, in the process earning them a nomination at this year's APRA Awards alongside touring opportunities both local and abroad. The album - which was the first featuring Liam Guinane as lead vocalist - showcased the evolution within Windwaker's sound, tearing at the foundations of sonic tapestries to reveal a convoluted yet accessible underbelly that was as refreshing as it was unique.
The flow on effect from that album has seen Windwaker lead the charge of Aussie acts at Good Things 2025, with Liam sitting down with HEAVY to go over a whirlwind last 18 months. The band have previously played festivals such as Download, UNIFY and Knight & Day, but we state the obvious by remarking that no matter how often it may happen, Liam would never get sick of seeing the name 'Windwaker' on the poster.
"No, I want to see it more often," he laughed. "I'm so stoked to be part of this line-up. We've played Good Things once before, but I think this is probably my favourite line-up of theirs put together. That's not just because I'm on it, I think it's just a great round of bands."
We ask about the mentality backstage between Australian bands and their international counterparts, and if it ever seems like an 'us against them' type of situation.
"It can be," Liam laughed again. "It's case by case with every band. Some keep to themselves and do their own thing, while there's others that are very friendly and talk to you. It's always different. I think the artist area is where a lot of the mingling happens. When you're backstage, as such, everyone is acting like security guards for their gear (laughs), and they're just staunching everybody. For the most part, everyone is really nice, but you're right, the Aussies gravitate to the other Aussies. I guess it's just a bit of a natural thing that happens."
In the full interview, Liam talks more about the eclectic assortment of artists and genres and why he prefers a festival like that rather than one with a more common mixing of genres. We talk about the high number of Australian bands playing and how it represents local music on a global stage, his tips for surviving Good Things, what songs from Windwaker to listen to in preparation for the show and what we can expect from their set.
Talk turns to Windwaker's new single Victory Lap and it's sensational music video, whether it is a standalone single or part of a bigger picture, what direction future music may take and more.

Become a supporter of this podcast: 1107aussiemetal,festival,goodthings,goodthingsfestival,headbangers,heavy,heavymetal,hornsup,metal,metalcore,metalinterview,metalpodcast,music,musicinterview,windwakerfalsefullhttps://www.spreaker.com/episode/raw-real-gritty-with-luke-grunts-from-cleopatrick--67560573One of the most in-demand rising rock bands on the planet, Canadian post-rock act, Cleopatrick, will tour Australia for the first time ever this September, playing three shows only in Brisbane, Sydney and Melbourne. The tour follows the release of their bold and introspective second record FAKE MOON, a sonic journey blending lo-fi grit with expansive production and raw existentialism.
Sonically, Cleopatrick are what can only be described as the audio equivalent to Playstation 1 graphics, serving up gritty 8-bit guitars, minimalist synth lines, glitchy vocals and shoegaze-like refrains to create a sound that is both retro and otherworldly at the same time. With influences ranging from Radiohead’s experimental brilliance to the grounded surrealism of Dijon’s Absolutely, and the raw intimacy of Califone, Cleopatrick can take you on a journey of self-reflection or a voyage to the stars, depending on your frame of mind.
With the tour set to kick off in Brisbane on September 25, HEAVY sat down with Luke Grunts to bring us up to speed.
"I think (the best thing) has been just seeing the excitement coming from the fans," he enthused when asked how it feels to be finally coming to this side of the world. "We've had people asking us to come to Australia for a really long time, but it's never really been in the playbook because it's quite far away, and we're an independent band. But just being able to satisfy that request for some people has been really awesome.
And then the most surprising thing is finding out that we're missing a lot of the country. There's also a lot of disappointed people, which I didn't expect. I guess it's much like Canada in the way that it's vast, and the cities are separated, and it's not easy to just travel to a show when it's happening in the same country. So I guess that's a good reason for us to come back (smiles)."
In the full interview, Luke talks more about touring Australia for the first time and what he is expecting, what fans can expect from a Cleopatrick live show, how much influence social media has had on their career and how they have used it to their advantage and living in the modern age of the internet.
He talked about things he wants to do while he is here, their latest album and how/why it sounds the way it does, Scooby Doo and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67560573Tue, 02 Sep 2025 06:36:05 +0000HEAVY MagazineInterview by Angela Croudace One of the most in-demand rising rock bands on the planet, Canadian post-rock act, Cleopatrick, will tour Australia for the first time ever this September, playing three shows only in Brisbane, Sydney and Melbourne. The...One of the most in-demand rising rock bands on the planet, Canadian post-rock act, Cleopatrick, will tour Australia for the first time ever this September, playing three shows only in Brisbane, Sydney and Melbourne. The tour follows the release of their bold and introspective second record FAKE MOON, a sonic journey blending lo-fi grit with expansive production and raw existentialism.
Sonically, Cleopatrick are what can only be described as the audio equivalent to Playstation 1 graphics, serving up gritty 8-bit guitars, minimalist synth lines, glitchy vocals and shoegaze-like refrains to create a sound that is both retro and otherworldly at the same time. With influences ranging from Radiohead’s experimental brilliance to the grounded surrealism of Dijon’s Absolutely, and the raw intimacy of Califone, Cleopatrick can take you on a journey of self-reflection or a voyage to the stars, depending on your frame of mind.
With the tour set to kick off in Brisbane on September 25, HEAVY sat down with Luke Grunts to bring us up to speed.
"I think (the best thing) has been just seeing the excitement coming from the fans," he enthused when asked how it feels to be finally coming to this side of the world. "We've had people asking us to come to Australia for a really long time, but it's never really been in the playbook because it's quite far away, and we're an independent band. But just being able to satisfy that request for some people has been really awesome.
And then the most surprising thing is finding out that we're missing a lot of the country. There's also a lot of disappointed people, which I didn't expect. I guess it's much like Canada in the way that it's vast, and the cities are separated, and it's not easy to just travel to a show when it's happening in the same country. So I guess that's a good reason for us to come back (smiles)."
In the full interview, Luke talks more about touring Australia for the first time and what he is expecting, what fans can expect from a Cleopatrick live show, how much influence social media has had on their career and how they have used it to their advantage and living in the modern age of the internet.
He talked about things he wants to do while he is here, their latest album and how/why it sounds the way it does, Scooby Doo and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1110angelacroudace,australia,cleopatrick,heavy,music,musicinterview,musicpodcast,rock,rockmusic,tourfalsefullhttps://www.spreaker.com/episode/battle-beast-s-noora-louhimo-on-courage-empowerment-and-the-power-of-metal--67560869Finnish powerhouse Battle Beast is set to unleash their seventh studio album, Steelbound, on October 17, and frontwoman Noora Louhimo says the record is their most empowering yet.
Known for fusing classic heavy metal with symphonic flourishes, 80s-inspired rock, and soaring synths, the band continues to evolve while staying true to their mission of uplifting fans through music.
“This album deals with serious issues—life, death, and human rights,” Louhimo explains. “But at its core, Steelbound is about empowerment. We want to encourage people to fight through challenges, whether big or small, and to feel strong enough to go on.” Songs like Last Goodbye reflect this ethos, drawing inspiration from bassist Eero’s encounter with a fellow patient battling cancer. “It’s about that relentless hunger for life and never giving up,” she adds.
Louhimo’s own transformation into her stage persona, “Mother Beast,” embodies this spirit. With her striking horns; symbols she describes as “horns of courage” and elaborate stage outfits, she seeks to inspire fans to embrace individuality. “I want people to show their horns, to be their true selves. You are enough just the way you are,” she says.
For Louhimo, music is more than performance: it’s a lifeline. “Culture is vital for mental health. If we don’t have something to escape to, we don’t have the strength to carry on. Music brings people together and helps us heal.”
Vocally, she pushed her limits on tracks like Twilight Cabaret, which she calls a showcase of her full range. Yet, her focus remains on the bigger picture: uniting fans and advocating for equality. “Success doesn’t come from fame or money—it comes from expressing yourself freely. That’s my rebellion, and I hope to encourage others to do the same.”
With Steelbound, Battle Beast delivers not just metal anthems but a rallying cry for resilience, individuality, and joy.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67560869Mon, 01 Sep 2025 06:26:47 +0000HEAVY MagazineInterview by Angela Croudace Finnish powerhouse Battle Beast is set to unleash their seventh studio album, Steelbound, on October 17, and frontwoman Noora Louhimo says the record is their most empowering yet. Known for fusing classic heavy metal with...Finnish powerhouse Battle Beast is set to unleash their seventh studio album, Steelbound, on October 17, and frontwoman Noora Louhimo says the record is their most empowering yet.
Known for fusing classic heavy metal with symphonic flourishes, 80s-inspired rock, and soaring synths, the band continues to evolve while staying true to their mission of uplifting fans through music.
“This album deals with serious issues—life, death, and human rights,” Louhimo explains. “But at its core, Steelbound is about empowerment. We want to encourage people to fight through challenges, whether big or small, and to feel strong enough to go on.” Songs like Last Goodbye reflect this ethos, drawing inspiration from bassist Eero’s encounter with a fellow patient battling cancer. “It’s about that relentless hunger for life and never giving up,” she adds.
Louhimo’s own transformation into her stage persona, “Mother Beast,” embodies this spirit. With her striking horns; symbols she describes as “horns of courage” and elaborate stage outfits, she seeks to inspire fans to embrace individuality. “I want people to show their horns, to be their true selves. You are enough just the way you are,” she says.
For Louhimo, music is more than performance: it’s a lifeline. “Culture is vital for mental health. If we don’t have something to escape to, we don’t have the strength to carry on. Music brings people together and helps us heal.”
Vocally, she pushed her limits on tracks like Twilight Cabaret, which she calls a showcase of her full range. Yet, her focus remains on the bigger picture: uniting fans and advocating for equality. “Success doesn’t come from fame or money—it comes from expressing yourself freely. That’s my rebellion, and I hope to encourage others to do the same.”
With Steelbound, Battle Beast delivers not just metal anthems but a rallying cry for resilience, individuality, and joy.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1705aangelacroudace,battlebeast,hardrock,heavy,heavymetal,metal,metalinterview,metalpodcast,music,symphonicmetaltruefullhttps://www.spreaker.com/episode/no-gambling-on-the-outcome-with-dave-chavarri-tommy-roulette-from-ill-nino--67561064Known primarily for their explosive live shows and genre-defining fusion of Latin-infused metal, Ill Nino have been in the headlines more recently following the departure of vocalist Marcos Leal and who would replace him. While fans around the world demanded a quick resolution, founding member and drummer Dave Chavarri held firm, refusing to throw just anyone into the cauldron.
Instead, he waited patiently, shutting out the external noise, finally settling on Tommy Roulette (Jynx) to assume frontman duties. The decision came only weeks before Ill Nino set out for a recent tour of America, with all reports coming from reviewers and fans overwhelmingly positive.
HEAVY sat down with both Chavarri and Roulette to get more information about the tour and transition of singers.
"We're fucking ready to go, man," Chavarri said excitedly. "We're going to fucking destroy for sure. We're psyched. We just came off a month-long tour in the United States with a Power Man 5000/Ill Nino co-headline that was fucking packed every night. And, you know, we're ready to go, man. We're well-oiled and ready to fucking rock right now."
We ask Roulette how he is settling in.
"I've been with the guys for a couple of months now," he replied, "and everyone's super great. I couldn't ask to be with a greater group of guys right now. It truly is an honour. I'm very grateful and thankful to be here. I'm not taking this for granted, and I'm very excited for what the future holds."
In the full interview, the discussion centred on Ill Nino's upcoming Australian tour, set to begin on September 12. Dave highlighted the successful recent performances in the U.S. and introduced Tommy as the new vocalist, who expressed his excitement about joining the band and experiencing Australia's music scene. Tommy shared his background in drumming and the positive atmosphere of Ill Nino's shows, contrasting it with his previous experiences in hardcore music.
Dave recounted the careful selection process for a new singer, emphasizing the importance of quality over haste. He announced plans for re-recording old material and working on a new album, alongside a covers album, with a busy schedule confirmed through October 2027. The band is eager to debut their new song Born to Suffer during the tour and encouraged fans to actively participate in their performances. The conversation concluded with a shout-out to Australian fans, showcasing the band's enthusiasm for their upcoming shows and the music scene in Australia.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67561064Mon, 01 Sep 2025 06:24:41 +0000HEAVY MagazineIt's been 8 long years, but ILL NIÑO, the trailblazing Latin-influenced metal band that redefined heavy music, is set to return for a blistering run of shows across Australia. Known primarily for their explosive live shows and genre-defining fusion of...Known primarily for their explosive live shows and genre-defining fusion of Latin-infused metal, Ill Nino have been in the headlines more recently following the departure of vocalist Marcos Leal and who would replace him. While fans around the world demanded a quick resolution, founding member and drummer Dave Chavarri held firm, refusing to throw just anyone into the cauldron.
Instead, he waited patiently, shutting out the external noise, finally settling on Tommy Roulette (Jynx) to assume frontman duties. The decision came only weeks before Ill Nino set out for a recent tour of America, with all reports coming from reviewers and fans overwhelmingly positive.
HEAVY sat down with both Chavarri and Roulette to get more information about the tour and transition of singers.
"We're fucking ready to go, man," Chavarri said excitedly. "We're going to fucking destroy for sure. We're psyched. We just came off a month-long tour in the United States with a Power Man 5000/Ill Nino co-headline that was fucking packed every night. And, you know, we're ready to go, man. We're well-oiled and ready to fucking rock right now."
We ask Roulette how he is settling in.
"I've been with the guys for a couple of months now," he replied, "and everyone's super great. I couldn't ask to be with a greater group of guys right now. It truly is an honour. I'm very grateful and thankful to be here. I'm not taking this for granted, and I'm very excited for what the future holds."
In the full interview, the discussion centred on Ill Nino's upcoming Australian tour, set to begin on September 12. Dave highlighted the successful recent performances in the U.S. and introduced Tommy as the new vocalist, who expressed his excitement about joining the band and experiencing Australia's music scene. Tommy shared his background in drumming and the positive atmosphere of Ill Nino's shows, contrasting it with his previous experiences in hardcore music.
Dave recounted the careful selection process for a new singer, emphasizing the importance of quality over haste. He announced plans for re-recording old material and working on a new album, alongside a covers album, with a busy schedule confirmed through October 2027. The band is eager to debut their new song Born to Suffer during the tour and encouraged fans to actively participate in their performances. The conversation concluded with a shout-out to Australian fans, showcasing the band's enthusiasm for their upcoming shows and the music scene in Australia.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>943australia,headbangers,heavy,heavymetal,heavymetalinterview,illnino,krispeters,latinmetal,metal,metalhead,metalinterview,metalpodcast,music,numetal,octoberpresents,tourtruefullhttps://www.spreaker.com/episode/a-plague-of-metal-with-paulie-from-sons-of-erebus--67543299Despite the inevitable teething problems faced by most bands, Sons Of Erebus have racked up the miles, playing a string of festivals across Victoria, Queensland and New South Wales while fine-tuning their material and road testing it on the people who matter most.
The fans.
Now, with a settled line up comprising guitarist Ethan (Asmodeus/ex-Thorngate) bassist Bedlam, eccentric frontman Paulie (PAUL13/A Murder of Crows/ex-Age of Horror), lead guitarist Rus (ex-Scapegoat/ex-Horrific Penetration/ex-Age of Horror) and young drummer and local legend Kyle (Broken Loose), Sons Of Erebus are ready to pounce, unleashing their debut 4 track EP Drenched In Plague last week to an overwhelmingly positive response that has so far justified the extra hours put in before committing anything to disk.
Frontman Paulie sat down with HEAVY recently to discuss Drenched In Plague and everything around it.
"Yeah, pretty good so far," he smiled when we asked what the reaction has been so far to the EP. "We've had good feedback and a lot of good compliments. A lot of messages that are all positive so far (laughs). And the songs are familiar with the fans because we've been playing them for a while and trying to bust out finishing the CD. So yeah, it's had a good reception."
We ask Paulie to dive deeper into the musical side of Drenched In Plague.
"It started off as more of a black metal thing," he measured, "and then it's evolved with me dipping my style into it. I come from a bit more of a groove background, and we've tried to make that kind of sound - that bit darker sound - a bit more accessible by taking some of the intensity out of it."
In the full interview, we discussed Drenched In Plague in greater detail, running through each of the four tracks one at a time with Paulie explaining how the songs came together and what they are about.
We talked about the pressures of a debut release and the length of time it has taken for Sons Of Erebus to release their first recorded material. Talk turned to their live show and upcoming support with international thrash metal outfit Vektor plus advanced plans on new material, including what it will sound like and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67543299Fri, 29 Aug 2025 04:03:58 +0000HEAVY MagazineFor the past four years, Adelaide blackened death groove outfit Sons Of Erebus have noisily gone about their business, smoothing off the edges of a rough exterior to uncover the gemstone beneath. Despite the inevitable teething problems faced by most...Despite the inevitable teething problems faced by most bands, Sons Of Erebus have racked up the miles, playing a string of festivals across Victoria, Queensland and New South Wales while fine-tuning their material and road testing it on the people who matter most.
The fans.
Now, with a settled line up comprising guitarist Ethan (Asmodeus/ex-Thorngate) bassist Bedlam, eccentric frontman Paulie (PAUL13/A Murder of Crows/ex-Age of Horror), lead guitarist Rus (ex-Scapegoat/ex-Horrific Penetration/ex-Age of Horror) and young drummer and local legend Kyle (Broken Loose), Sons Of Erebus are ready to pounce, unleashing their debut 4 track EP Drenched In Plague last week to an overwhelmingly positive response that has so far justified the extra hours put in before committing anything to disk.
Frontman Paulie sat down with HEAVY recently to discuss Drenched In Plague and everything around it.
"Yeah, pretty good so far," he smiled when we asked what the reaction has been so far to the EP. "We've had good feedback and a lot of good compliments. A lot of messages that are all positive so far (laughs). And the songs are familiar with the fans because we've been playing them for a while and trying to bust out finishing the CD. So yeah, it's had a good reception."
We ask Paulie to dive deeper into the musical side of Drenched In Plague.
"It started off as more of a black metal thing," he measured, "and then it's evolved with me dipping my style into it. I come from a bit more of a groove background, and we've tried to make that kind of sound - that bit darker sound - a bit more accessible by taking some of the intensity out of it."
In the full interview, we discussed Drenched In Plague in greater detail, running through each of the four tracks one at a time with Paulie explaining how the songs came together and what they are about.
We talked about the pressures of a debut release and the length of time it has taken for Sons Of Erebus to release their first recorded material. Talk turned to their live show and upcoming support with international thrash metal outfit Vektor plus advanced plans on new material, including what it will sound like and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>713australia,blackeneddeathmetal,blackenedmetal,deathmetal,groovemetal,headbangers,heavy,heavymetal,krispeters,metal,metalhead,metalinterview,metalpodcast,music,musicinterview,sonsoferebustruefullhttps://www.spreaker.com/episode/living-in-sin-with-matt-and-luke-from-kodem--67548116While admittedly difficult, it is not impossible. A fact proven by the emergence of progressive rock outfit KODEM.
After two years spent honing their craft on the touring circuit, KODEM have unleashed their debut single Tattooed Sin, celebrating their signing to rising Australian music label XMusic with an atmospheric and intense track that highlights the struggle between vulnerability and shame. Tattooed Sin is also the lead single taken from KODEM's upcoming debut EP of the same name, and showcases the raw emotion from which KODEM have launched their assault.
HEAVY caught up with vocalist Luke Jones and guitarist Matt Semmens to find out more.
"We're super pumped," Matt enthused when we bring up the release of the first single. "Super pumped. This was our first track that I sent to Luke in his truck many years ago, just reaching out to him and saying, hey, would you like to write some tunes? This is the very first one that we worked on, so we're pretty pumped to get it out there finally."
In the full interview, Matt and Luke spoke more about Tattooed Sin, which delves into themes of acceptance and life's challenges, highlighting the synergy between the lyrics and the abstract visuals of the accompanying music video. They also shared insights from their live performance experiences and their excitement for future projects, including another single and an EP, showcasing their dedication to their musical journey and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67548116Fri, 29 Aug 2025 00:09:35 +0000HEAVY MagazineBeing a band from Newcastle has meant massive expectations ever since the Screaming Jets exploded onto the scene in 1989. What was already an uphill battle establishing yourselves from outside the capital cities overnight became even more daunting...While admittedly difficult, it is not impossible. A fact proven by the emergence of progressive rock outfit KODEM.
After two years spent honing their craft on the touring circuit, KODEM have unleashed their debut single Tattooed Sin, celebrating their signing to rising Australian music label XMusic with an atmospheric and intense track that highlights the struggle between vulnerability and shame. Tattooed Sin is also the lead single taken from KODEM's upcoming debut EP of the same name, and showcases the raw emotion from which KODEM have launched their assault.
HEAVY caught up with vocalist Luke Jones and guitarist Matt Semmens to find out more.
"We're super pumped," Matt enthused when we bring up the release of the first single. "Super pumped. This was our first track that I sent to Luke in his truck many years ago, just reaching out to him and saying, hey, would you like to write some tunes? This is the very first one that we worked on, so we're pretty pumped to get it out there finally."
In the full interview, Matt and Luke spoke more about Tattooed Sin, which delves into themes of acceptance and life's challenges, highlighting the synergy between the lyrics and the abstract visuals of the accompanying music video. They also shared insights from their live performance experiences and their excitement for future projects, including another single and an EP, showcasing their dedication to their musical journey and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>924aussiemusic,hardrock,heavy,heavymetal,kodem,krispeters,metal,music,musicinterview,newmusic,progressivemetal,progressiverock,rock,rockmusicinterview,xmusictruefullhttps://www.spreaker.com/episode/going-the-distance-with-steve-loreck-from-late-90-s--67515682Perth alt-rockers Late 90s are living proof.
Drawing influence from the likes of alt-metal icons Deftones, alt-pop and rock legends Paramore, and emo kings Basement, LATE 90s have shaped their own sound into something reminiscent of past greats, all the while tying together elements of something so fresh and distinct. With over 2.1 million Spotify streams and having spent recent years touring with the likes of Neck Deep, Taking Back Sunday, State Champs, Hot Mulligan, Free Throw, Short Stack, Slowly Slowly, and more, the band have recently announced their inclusion on the 2025 BIGSOUND line-up, which will see them bringing the heat to Brisbane this September.
It is an opportunity well deserved for the rapidly emerging band, who hit the opposite side of the country to their home base from September 2 to 5, armed with their explosive new single Low and an appetite for success. HEAVY caught up with vocalist Steve Loreck to find out more. With over 120 bands performing over the three days of BigSound, HEAVY questions Loreck on why punters should mark the name of Late 90s on their to-see-list.
"I think we're the only heavy band playing out of Perth, so that's a definite reason," he replied. "There isn't that many bands that have got those heavier influences, so I think we do a good job of representing that more alternative scene. I think our music is not too heavy where people might be put off by it, but they might still enjoy it if they're not necessarily into the heavier stuff. So yeah, we're kind of the middle ground, I guess, for the punter. The music we make is a little different, so I think people will like it."
In the full interview, Steve tells us what BigSound means to emerging local artists and the Australian music scene, the networking side of the event and how best to handle it, a brief history of the band and their sound, their new single Low and how it represents Late 90s moving forward, future music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67515682Thu, 28 Aug 2025 12:23:50 +0000HEAVY MagazineIt is more than a myth that forging a career from the Western side of Australia poses many more challenges than other music hubs around Australia. The isolation, costs of travel, reduced market, and subsequent lessening of opportunities faced are...Perth alt-rockers Late 90s are living proof.
Drawing influence from the likes of alt-metal icons Deftones, alt-pop and rock legends Paramore, and emo kings Basement, LATE 90s have shaped their own sound into something reminiscent of past greats, all the while tying together elements of something so fresh and distinct. With over 2.1 million Spotify streams and having spent recent years touring with the likes of Neck Deep, Taking Back Sunday, State Champs, Hot Mulligan, Free Throw, Short Stack, Slowly Slowly, and more, the band have recently announced their inclusion on the 2025 BIGSOUND line-up, which will see them bringing the heat to Brisbane this September.
It is an opportunity well deserved for the rapidly emerging band, who hit the opposite side of the country to their home base from September 2 to 5, armed with their explosive new single Low and an appetite for success. HEAVY caught up with vocalist Steve Loreck to find out more. With over 120 bands performing over the three days of BigSound, HEAVY questions Loreck on why punters should mark the name of Late 90s on their to-see-list.
"I think we're the only heavy band playing out of Perth, so that's a definite reason," he replied. "There isn't that many bands that have got those heavier influences, so I think we do a good job of representing that more alternative scene. I think our music is not too heavy where people might be put off by it, but they might still enjoy it if they're not necessarily into the heavier stuff. So yeah, we're kind of the middle ground, I guess, for the punter. The music we make is a little different, so I think people will like it."
In the full interview, Steve tells us what BigSound means to emerging local artists and the Australian music scene, the networking side of the event and how best to handle it, a brief history of the band and their sound, their new single Low and how it represents Late 90s moving forward, future music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>999alternativemetal,alternativerock,aussiemetal,bigsound,hardrock,heavy,jeavymetal,krispeters,late90s,metal,music,musicinterview,musicpodcast,rocktruefullhttps://www.spreaker.com/episode/dealing-with-hurt-a-musical-connection-with-envy-marshall--67537032After announcing her intentions earlier this year with the explosive and confronting track Like A Man, Marshall returns via the path least expected with Hurt, a song dripping with emotional vulnerability amid haunting piano, laced with searing guitar riffs and a vocal delivery with the unmistakable swagger of an artist for whom boundaries are a source of inspiration rather than fear. Following the viral success of Like A Man, Envy Marshall is proving herself to be one of the most vital independent voices in today’s rock scene. With Hurt, she doesn’t just raise the bar - she rips it off the wall.
With her debut album in the can and nearing release date, Marshall joined HEAVY for an open and honest discussion about her life and music, starting with Hurt and how it has been received.
"I think people are sick of hearing positive music," she measured, "and I think this song has really touched a lot of people. We've had some great success with it in Australia, but it's been number one in a couple of countries over in Europe, which has been amazing. I was a bit worried about putting out a ballad because you never know how it's going to land, but it's landed really well. People are just sick of candy pop, and they want to actually listen to something that means something to them."
We ask if the song is more about hurting yourself or inflicting hurt on others.
"I think when we get hurt, we like to hurt. It's a reaction," she mused. "So I think this song is about taking power back after being really badly hurt. And I think we've all been really hurt. I think we live in a lot of hurt, especially these days. The world is crazy. I don't think we need lots of lipstick, positive songs. I think it's a real thing that a lot of us are in a lot of pain, so this song, for me, was about being hurt; being let down and finding a way to move that through my body - not through revenge - because that's where you start. When you get hurt, first you get angry, then you get sad, and you get angry again. Then you get jealous, then you get some envy, and you go through all those emotions, and then finally you get to revenge, which is a better feeling. And that sort of gets you out of that feeling of hurt. So it's really about moving through those emotions and coming out the other end of it, the hero of your own story."
In the full interview, Envy discussed her recent professional developments, emphasizing Hurt's exploration of complex emotions and the importance of processing pain rather than seeking revenge. She elaborated on her creative process, highlighting her collaboration with Mike Young at Armory Studios, where the haunting piano intro for Hurt was developed. 
Envy cited musical influences such as Portishead and In This Moment, and emphasised her commitment to artistic freedom in her songwriting. She shared plans for her forthcoming album, which will showcase a gritty rock sound, and teased her new single Looking Good and Feeling Famous, set for release in September, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67537032Thu, 28 Aug 2025 06:06:10 +0000HEAVY MagazineMelbourne-based musician Envy Marshall is an artist who doesn't care for trends or fashions or being the 'next big thing'. Her musical journey is more selfish, in a way, in that she creates music that means something to her first and foremost. But...After announcing her intentions earlier this year with the explosive and confronting track Like A Man, Marshall returns via the path least expected with Hurt, a song dripping with emotional vulnerability amid haunting piano, laced with searing guitar riffs and a vocal delivery with the unmistakable swagger of an artist for whom boundaries are a source of inspiration rather than fear. Following the viral success of Like A Man, Envy Marshall is proving herself to be one of the most vital independent voices in today’s rock scene. With Hurt, she doesn’t just raise the bar - she rips it off the wall.
With her debut album in the can and nearing release date, Marshall joined HEAVY for an open and honest discussion about her life and music, starting with Hurt and how it has been received.
"I think people are sick of hearing positive music," she measured, "and I think this song has really touched a lot of people. We've had some great success with it in Australia, but it's been number one in a couple of countries over in Europe, which has been amazing. I was a bit worried about putting out a ballad because you never know how it's going to land, but it's landed really well. People are just sick of candy pop, and they want to actually listen to something that means something to them."
We ask if the song is more about hurting yourself or inflicting hurt on others.
"I think when we get hurt, we like to hurt. It's a reaction," she mused. "So I think this song is about taking power back after being really badly hurt. And I think we've all been really hurt. I think we live in a lot of hurt, especially these days. The world is crazy. I don't think we need lots of lipstick, positive songs. I think it's a real thing that a lot of us are in a lot of pain, so this song, for me, was about being hurt; being let down and finding a way to move that through my body - not through revenge - because that's where you start. When you get hurt, first you get angry, then you get sad, and you get angry again. Then you get jealous, then you get some envy, and you go through all those emotions, and then finally you get to revenge, which is a better feeling. And that sort of gets you out of that feeling of hurt. So it's really about moving through those emotions and coming out the other end of it, the hero of your own story."
In the full interview, Envy discussed her recent professional developments, emphasizing Hurt's exploration of complex emotions and the importance of processing pain rather than seeking revenge. She elaborated on her creative process, highlighting her collaboration with Mike Young at Armory Studios, where the haunting piano intro for Hurt was developed. 
Envy cited musical influences such as Portishead and In This Moment, and emphasised her commitment to artistic freedom in her songwriting. She shared plans for her forthcoming album, which will showcase a gritty rock sound, and teased her new single Looking Good and Feeling Famous, set for release in September, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1363album,envymarshall,hardrock,headbanger,heavy,heavymetal,hornsup,krispeters,metal,metalheads,metalinterview,metalpodcast,music,rock,rockmusic,singletruefullhttps://www.spreaker.com/episode/absence-makes-the-heart-grow-fonder-with-nathan-nick-from-atlvs--67516853Their return in June of this year with the instantly irresistible single Soulsucker saw ATLVS pick up almost precisely where they left off, proving that quality music will still be rewarded despite the shortening attention spans of the world and the wealth of bands and music released every day. The track hinted at something bigger from ATLVS but just what that is remains as mysterious as their absence, so to try and get to the bottom of things ahead of the band's trip to Brisbane as part of BigSound, HEAVY sat down for some quality time with Nathan Coff (vocalist) and Nick Clavarino (drummer) for a chat that ultimately left just as many questions as it did answers.
We ask what ATLVS hope to get out of the BigSound experience.
"As a band, I am very interested to see other acts playing," Clavarino answered. "Also, meeting like-minded people. Very interested to see… just from all sorts of bases. You've got your promoters, agents, sync agents, even roles I've never heard of before (laughs), so I'm just interested to meet every single person I can possibly meet and make some good connections."
Further to that, we ask what BigSound means to Australian bands and the Australian music scene.
" I think it's awesome that we have this sort of thing in Australia," Clavarino began, "that is so focused on the future of music. It's the biggest thing like this in the Southern Hemisphere, obviously, so we're pretty lucky to be able to have that. BigSound gives a stage where artists can showcase themselves to people from all around the world and meet people in the industry and industry professionals."
In the full interview, Nathan and Nick highlighted the importance of networking with other artists and industry professionals at BigSound, viewing it as a unique opportunity to showcase their talent on a global stage. The band promised to deliver a high-energy performance that stands out among numerous acts, drawing on their experience and professionalism.
They also discussed their recent single Soulsucker, which has been well-received after a two-year hiatus, and mentioned that it is part of a larger project, though details were not provided. Nathan acknowledged the challenges of re-establishing the band's presence but expressed confidence in their loyal fan base and plans to engage with fans through social media platforms like Instagram and Facebook to maintain that connection and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67516853Wed, 27 Aug 2025 15:45:41 +0000HEAVY MagazineAfter building momentum and a solid, loyal fan base following the release of two EPs - The Wound, The Blade (2022) and Shadow Dancer (2023) - Melbourne metal outfit ATLVS went strangely quiet, going over two years with an eerie radio silence. While...Their return in June of this year with the instantly irresistible single Soulsucker saw ATLVS pick up almost precisely where they left off, proving that quality music will still be rewarded despite the shortening attention spans of the world and the wealth of bands and music released every day. The track hinted at something bigger from ATLVS but just what that is remains as mysterious as their absence, so to try and get to the bottom of things ahead of the band's trip to Brisbane as part of BigSound, HEAVY sat down for some quality time with Nathan Coff (vocalist) and Nick Clavarino (drummer) for a chat that ultimately left just as many questions as it did answers.
We ask what ATLVS hope to get out of the BigSound experience.
"As a band, I am very interested to see other acts playing," Clavarino answered. "Also, meeting like-minded people. Very interested to see… just from all sorts of bases. You've got your promoters, agents, sync agents, even roles I've never heard of before (laughs), so I'm just interested to meet every single person I can possibly meet and make some good connections."
Further to that, we ask what BigSound means to Australian bands and the Australian music scene.
" I think it's awesome that we have this sort of thing in Australia," Clavarino began, "that is so focused on the future of music. It's the biggest thing like this in the Southern Hemisphere, obviously, so we're pretty lucky to be able to have that. BigSound gives a stage where artists can showcase themselves to people from all around the world and meet people in the industry and industry professionals."
In the full interview, Nathan and Nick highlighted the importance of networking with other artists and industry professionals at BigSound, viewing it as a unique opportunity to showcase their talent on a global stage. The band promised to deliver a high-energy performance that stands out among numerous acts, drawing on their experience and professionalism.
They also discussed their recent single Soulsucker, which has been well-received after a two-year hiatus, and mentioned that it is part of a larger project, though details were not provided. Nathan acknowledged the challenges of re-establishing the band's presence but expressed confidence in their loyal fan base and plans to engage with fans through social media platforms like Instagram and Facebook to maintain that connection and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>822artistshowcase,atlvs,aussiemetal,bigsound,headbanger,heavy,heavymetal,hornsup,krispeters,metal,metalheads,metalinterview,metalpodcast,musicfalsefullhttps://www.spreaker.com/episode/lighting-the-fires-with-mango-from-ablaze--67513499Known for their love of a good time, but even more so for their particular brand of hard rock - especially live - Ablaze set the world on fire even further with the release of their second album Sink Ya Teeth In.
Packed full of hard-rocking, toe-tapping, boot stomping tunes, Sink Ya Teeth In showcases the abundance of riches within Ablaze, all neatly wrapped under the banner of Aussie hard rock. With the band set to board a flight to Belgium for an upcoming European/UK run of shows, drummer Mango stopped packing for ten minutes while he brought HEAVY up to speed.
"It's been amazing," he beamed when we asked how the reception has been for Sink Ya Teeth In. "We've been dropping singles off it for about two and a half years because that's the world that we live in now. Everybody wants singles. But with how much time and effort, and money goes into recording something professionally, we didn't want to just record everything, drop a single and release the rest. We wanted to really wring this thing out for everything we could. We've released five singles and a bonus track was a single as well off an eight to nine-song album, depending on how you look at it."
We ask Mango to dive deeper into the musical nature of the album.
"One of the things that Ablaze has always been really proud of, and I've been really proud of with us, is that we can write in a whole bunch of different styles and genres," he replied, "and it always comes out sounding like Ablaze. Our first one was a rock album, but we had a hoe down, we had an Irish drinking song, we had an acoustic song that I sang and played acoustic on. We could do a whole bunch of different stuff. And so on this album, we've done the same thing. It's an eight-song album, or nine song with the bonus, but we've got the heaviest song we've ever written. We've got some real Aussie rock style stuff. We've got a big six-minute gospel epic that finishes the thing. We've got a big glammy song, and we've got a Southern rock song as well. And a Christmas song, again. So we really kind of wanted to show that we're still doing what we do, but after our first album, our writing has really taken a step forward."
In the full interview, Mango shared further insights about Sink Your Teeth In, highlighting the album's positive reception and the strategic release of five singles. He emphasized the importance of the album's cohesive flow and the thoughtful track listing, which he believes enhances the depth of the songs. He also addressed the challenges of releasing a second album, aiming to avoid being perceived as a "one-trick pony" while ensuring that each song is crafted to be single-worthy, reflecting the band's commitment to quality and creativity.
The conversation also covered the logistics of their upcoming European and UK tour, starting in Belgium and ending in Germany. Mango noted the differences in touring dynamics between Australia and Europe, particularly the shorter travel distances in the UK, which allow for a more manageable schedule. He expressed excitement about upcoming performances, including festivals and album launch events and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67513499Wed, 27 Aug 2025 15:44:15 +0000HEAVY MagazineWith the world becoming increasingly sanitised and regulated, it is refreshing to see and hear a band that still adheres to the old school ethos where fun was the order of the day and everything said and played is meant to be taken with a grain of...Known for their love of a good time, but even more so for their particular brand of hard rock - especially live - Ablaze set the world on fire even further with the release of their second album Sink Ya Teeth In.
Packed full of hard-rocking, toe-tapping, boot stomping tunes, Sink Ya Teeth In showcases the abundance of riches within Ablaze, all neatly wrapped under the banner of Aussie hard rock. With the band set to board a flight to Belgium for an upcoming European/UK run of shows, drummer Mango stopped packing for ten minutes while he brought HEAVY up to speed.
"It's been amazing," he beamed when we asked how the reception has been for Sink Ya Teeth In. "We've been dropping singles off it for about two and a half years because that's the world that we live in now. Everybody wants singles. But with how much time and effort, and money goes into recording something professionally, we didn't want to just record everything, drop a single and release the rest. We wanted to really wring this thing out for everything we could. We've released five singles and a bonus track was a single as well off an eight to nine-song album, depending on how you look at it."
We ask Mango to dive deeper into the musical nature of the album.
"One of the things that Ablaze has always been really proud of, and I've been really proud of with us, is that we can write in a whole bunch of different styles and genres," he replied, "and it always comes out sounding like Ablaze. Our first one was a rock album, but we had a hoe down, we had an Irish drinking song, we had an acoustic song that I sang and played acoustic on. We could do a whole bunch of different stuff. And so on this album, we've done the same thing. It's an eight-song album, or nine song with the bonus, but we've got the heaviest song we've ever written. We've got some real Aussie rock style stuff. We've got a big six-minute gospel epic that finishes the thing. We've got a big glammy song, and we've got a Southern rock song as well. And a Christmas song, again. So we really kind of wanted to show that we're still doing what we do, but after our first album, our writing has really taken a step forward."
In the full interview, Mango shared further insights about Sink Your Teeth In, highlighting the album's positive reception and the strategic release of five singles. He emphasized the importance of the album's cohesive flow and the thoughtful track listing, which he believes enhances the depth of the songs. He also addressed the challenges of releasing a second album, aiming to avoid being perceived as a "one-trick pony" while ensuring that each song is crafted to be single-worthy, reflecting the band's commitment to quality and creativity.
The conversation also covered the logistics of their upcoming European and UK tour, starting in Belgium and ending in Germany. Mango noted the differences in touring dynamics between Australia and Europe, particularly the shorter travel distances in the UK, which allow for a more manageable schedule. He expressed excitement about upcoming performances, including festivals and album launch events and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1521ablaze,aussierock,australia,hardrock,headbangers,heavy,krispeters,metalheads,metalinterview,music,musicinterview,rock,tourtruefullhttps://www.spreaker.com/episode/a-musical-supernova-with-adalita-from-bleak-squad--67506945Which is why HEAVY won't be labelling Bleak Squad a supergroup - although many will.
Featuring the unlikely quartet of Mick Turner (Dirty Three, Mess Esque), Mick Harvey (Nick Cave & The Bad Seeds, PJ Harvey, The Birthday Party), Adalita (Magic Dirt) and Marty Brown (Art of Fighting), Bleak Squad unite for the first time on their brooding, noir-rock debut LP, Strange Love, out now on Poison City Records.
The album is a combined output of four seasoned musicians who have come together to express themselves musically in ways other than, as well as a continuation of, the music they are known and loved for. Prepare to put expectations aside and appreciate the music for what it is, rather than what you think it should be, as Adalita sits down with HEAVY to talk about the album and how Bleak Squad became a musical family.
We start by asking how she feels about Strange Love.
"Great," she enthused. "It's great to finally have it out there (because) it's been in the making for quite a few years. We've been working on it since, I think, 2019, maybe? We got together and just jammed some stuff and recorded back then, and we've been working on it for a few years on and off because everyone's so busy with other things. So it's great to finally have it out in the world."
We follow that by asking Adalita to dive deeper into the musical side of the album.
"Well, we really didn't know what we were doing," she laughed. "We just got together. Marty called us up and said, 'do you want to get together and maybe collaborate and see what comes out of it?' We all said yes and got together and brought in our own songs, or we brought in riffs and things that were half done and just to see if we could collaborate on it. And it was really great because straight away we clicked and there was real chemistry. The songs just flowed, and we decided to record it, and it was really low pressure. We didn't know what was going to come out of it, but we ended up having a record and then suddenly we're a band, and we're going to tour it."
In the full chat, Adalita highlighted the collaborative nature of Bleak Squad, where each member contributed their own songs, resulting in a diverse sound. She praised her bandmates for their musical talents and emphasized the enjoyable, low-pressure environment that allowed for creative exploration.
She also shared insights into her collaboration with Mick Harvey and Mick Turner, the instinctual approach to determining vocal parts, and the different challenges of writing and recording outside of her long-time band Magic Dirt. We talked about the formation of Bleak Squad and how it came about, what each member brought from their other musical projects to the project, their first live gig and how the nerves were, establishing a bond with her new musical partners, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67506945Mon, 25 Aug 2025 23:52:27 +0000HEAVY MagazineThe term supergroup is bandied around too often these days when a group of talented musicians from established bands try something together. It creates almost unrealistic expectations among fans of the respective members' bands, who are more often...Which is why HEAVY won't be labelling Bleak Squad a supergroup - although many will.
Featuring the unlikely quartet of Mick Turner (Dirty Three, Mess Esque), Mick Harvey (Nick Cave & The Bad Seeds, PJ Harvey, The Birthday Party), Adalita (Magic Dirt) and Marty Brown (Art of Fighting), Bleak Squad unite for the first time on their brooding, noir-rock debut LP, Strange Love, out now on Poison City Records.
The album is a combined output of four seasoned musicians who have come together to express themselves musically in ways other than, as well as a continuation of, the music they are known and loved for. Prepare to put expectations aside and appreciate the music for what it is, rather than what you think it should be, as Adalita sits down with HEAVY to talk about the album and how Bleak Squad became a musical family.
We start by asking how she feels about Strange Love.
"Great," she enthused. "It's great to finally have it out there (because) it's been in the making for quite a few years. We've been working on it since, I think, 2019, maybe? We got together and just jammed some stuff and recorded back then, and we've been working on it for a few years on and off because everyone's so busy with other things. So it's great to finally have it out in the world."
We follow that by asking Adalita to dive deeper into the musical side of the album.
"Well, we really didn't know what we were doing," she laughed. "We just got together. Marty called us up and said, 'do you want to get together and maybe collaborate and see what comes out of it?' We all said yes and got together and brought in our own songs, or we brought in riffs and things that were half done and just to see if we could collaborate on it. And it was really great because straight away we clicked and there was real chemistry. The songs just flowed, and we decided to record it, and it was really low pressure. We didn't know what was going to come out of it, but we ended up having a record and then suddenly we're a band, and we're going to tour it."
In the full chat, Adalita highlighted the collaborative nature of Bleak Squad, where each member contributed their own songs, resulting in a diverse sound. She praised her bandmates for their musical talents and emphasized the enjoyable, low-pressure environment that allowed for creative exploration.
She also shared insights into her collaboration with Mick Harvey and Mick Turner, the instinctual approach to determining vocal parts, and the different challenges of writing and recording outside of her long-time band Magic Dirt. We talked about the formation of Bleak Squad and how it came about, what each member brought from their other musical projects to the project, their first live gig and how the nerves were, establishing a bond with her new musical partners, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>851adalita,album,australianmusic,bleaksquad,debut,heavy,krispeters,magicdirt,music,musicpodcast,newmusic,rock,rockpodcasttruefullhttps://www.spreaker.com/episode/necessity-over-doubt-with-tim-fluckey-from-adema--67489332Since their inception in 2000, the band have seen four vocalists come and go - most at times where the band was starting to gain traction, which upset flow and momentum and ultimately held the band back from the musical heights they should have reached. After yet another forced vocalist change when Ryan Shuck departed in February last year, the band members decided to stay in-house with their next singer, promoting guitarist and regular back-up vocalist Tim Fluckey to the head role. This enabled Adema to stick with the core group of four members and maintain the chemistry they had built without having to usher in and train another band member.
The international music industry must have been happy with the band's choice, with ILL NIÑO deciding to bring Adema to Australia as their national support for three select shows, starting in Sydney on September 12, before hitting Melbourne and Brisbane over consecutive nights.
Fluckey joined HEAVY recently to talk shop, with one of our first questions being why have Adema neglected us here in Australia for so long?
"Well, it's not on you guys," Fluckey laughed. "We had a tour that we were going to do in Australia maybe 23 years ago, and then something else came up that we had to do. I can't remember what it was, but we always thought we'll just reschedule, or we'll find a way to get back to Australia in the next couple of months, and it just never happened. So we've always wanted to go and couldn't be more excited about finally getting over there."
Talk turns to Fluckey falling into the role of lead singer, and we ask if being a frontman is something he has always wanted to do.
"No, I did not always want to do that," he shook his head. "I didn't mind doing back-up vocals, that was cool. I liked just being over in my guitar world, and doing that, and being able to jump around and move around and interact with the crowd that way. And then it just came by necessity. One tour, our singer had… we couldn't find him for days. We had already missed a couple of shows, and we thought, are we going to get sued? So they're like, can you do it? And I said I'll try. So literally on the way out to the first show, we never rehearsed with me singing. I was just sitting there playing my guitar and trying to sing along to this stuff. We went out there, and said let's play three songs without saying a word and see what happens. We'll see how the crowd reacts."
In the full interview, Tim revealed that Adema are finalizing their new record, expressing enthusiasm for connecting with Australian audiences on the tour. He discussed the band's live performance strategy, which prioritizes high energy and fan interaction, and shared his journey from guitarist to lead singer, noting his increased confidence in engaging with the crowd.
He confirmed that the new music retains the classic Adema sound with contributions from all original members, and he feels assured in their musical direction. Tim explained their songwriting process, which typically starts with music creation followed by vocal melodies, and mentioned that they plan to focus on familiar older songs during the Australian shows while refining new material for future performances and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67489332Mon, 25 Aug 2025 23:50:16 +0000HEAVY MagazineWhen it comes to cursed vocalists, US rock outfit Adema must have stood at the head of the queue. Since their inception in 2000, the band have seen four vocalists come and go - most at times where the band was starting to gain traction, which upset...Since their inception in 2000, the band have seen four vocalists come and go - most at times where the band was starting to gain traction, which upset flow and momentum and ultimately held the band back from the musical heights they should have reached. After yet another forced vocalist change when Ryan Shuck departed in February last year, the band members decided to stay in-house with their next singer, promoting guitarist and regular back-up vocalist Tim Fluckey to the head role. This enabled Adema to stick with the core group of four members and maintain the chemistry they had built without having to usher in and train another band member.
The international music industry must have been happy with the band's choice, with ILL NIÑO deciding to bring Adema to Australia as their national support for three select shows, starting in Sydney on September 12, before hitting Melbourne and Brisbane over consecutive nights.
Fluckey joined HEAVY recently to talk shop, with one of our first questions being why have Adema neglected us here in Australia for so long?
"Well, it's not on you guys," Fluckey laughed. "We had a tour that we were going to do in Australia maybe 23 years ago, and then something else came up that we had to do. I can't remember what it was, but we always thought we'll just reschedule, or we'll find a way to get back to Australia in the next couple of months, and it just never happened. So we've always wanted to go and couldn't be more excited about finally getting over there."
Talk turns to Fluckey falling into the role of lead singer, and we ask if being a frontman is something he has always wanted to do.
"No, I did not always want to do that," he shook his head. "I didn't mind doing back-up vocals, that was cool. I liked just being over in my guitar world, and doing that, and being able to jump around and move around and interact with the crowd that way. And then it just came by necessity. One tour, our singer had… we couldn't find him for days. We had already missed a couple of shows, and we thought, are we going to get sued? So they're like, can you do it? And I said I'll try. So literally on the way out to the first show, we never rehearsed with me singing. I was just sitting there playing my guitar and trying to sing along to this stuff. We went out there, and said let's play three songs without saying a word and see what happens. We'll see how the crowd reacts."
In the full interview, Tim revealed that Adema are finalizing their new record, expressing enthusiasm for connecting with Australian audiences on the tour. He discussed the band's live performance strategy, which prioritizes high energy and fan interaction, and shared his journey from guitarist to lead singer, noting his increased confidence in engaging with the crowd.
He confirmed that the new music retains the classic Adema sound with contributions from all original members, and he feels assured in their musical direction. Tim explained their songwriting process, which typically starts with music creation followed by vocal melodies, and mentioned that they plan to focus on familiar older songs during the Australian shows while refining new material for future performances and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>878adema,australia,hardrock,hardrockmusic,headbangers,heavy,illnino,krispeters,meta;heads,metal,metalinterview,music,musicinterview,musicpodcast,rock,rockmusic,tourtruefullhttps://www.spreaker.com/episode/sabaton-s-joakim-broden-on-legends-history-and-returning-down-under--67475742With more than two decades of epic storytelling through metal, Sabaton are preparing to unleash their 11th studio album, Legends. Frontman Joakim Brodén spoke with us about the excitement of recording, the historical depths behind the songs, and what fans in Australia and New Zealand can expect when the band finally headlines shows there.
Despite years in the studio, Brodén insists the process never loses its spark. “There’s always something exciting – the drummer trying something new, a solo that takes shape in the moment. Even after writing, hearing it all come together is magical.” He admits experience brings both clarity and fewer surprises: “Eighty-five percent of the song is already in my head before recording begins.”
Legends marks the first time every band member contributed to songwriting, though Brodén says it felt natural. “I’ve worked with them all before, just never at the same time. It wasn’t a big change, but it was great to share the load.” The album explores figures like Joan of Arc, Napoleon, Julius Caesar, and Musashi, but for Brodén, the most eye-opening were stories from ancient Egypt and China’s Three Kingdoms era. “It’s like being a kid in a candy store – discovering new things all the time.”
Sabaton’s passion for accuracy extends to their YouTube series, Sabaton History. Brodén laughs at how professional historians still teach him something new every episode: “No matter how deep I dig, they always uncover more.”
As for live shows, fans can expect both new material and classics rarely performed in Australia. “We’ve never headlined properly down there, so we want to give a mix – some songs from Legends, but also older tracks fans haven’t heard live.”
Brodén admits to the pressure of comparisons, with each release judged against decades of fan favourites. Still, the band thrives on discovery and evolution. “If someone comes in excited for a new Sabaton album and walks away disappointed, that’s our biggest fear. But I’m confident this one delivers."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67475742Mon, 25 Aug 2025 09:30:22 +0000HEAVY MagazineInterview by Angela Croudace With more than two decades of epic storytelling through metal, Sabaton are preparing to unleash their 11th studio album, Legends. Frontman Joakim Brodén spoke with us about the excitement of recording, the historical...With more than two decades of epic storytelling through metal, Sabaton are preparing to unleash their 11th studio album, Legends. Frontman Joakim Brodén spoke with us about the excitement of recording, the historical depths behind the songs, and what fans in Australia and New Zealand can expect when the band finally headlines shows there.
Despite years in the studio, Brodén insists the process never loses its spark. “There’s always something exciting – the drummer trying something new, a solo that takes shape in the moment. Even after writing, hearing it all come together is magical.” He admits experience brings both clarity and fewer surprises: “Eighty-five percent of the song is already in my head before recording begins.”
Legends marks the first time every band member contributed to songwriting, though Brodén says it felt natural. “I’ve worked with them all before, just never at the same time. It wasn’t a big change, but it was great to share the load.” The album explores figures like Joan of Arc, Napoleon, Julius Caesar, and Musashi, but for Brodén, the most eye-opening were stories from ancient Egypt and China’s Three Kingdoms era. “It’s like being a kid in a candy store – discovering new things all the time.”
Sabaton’s passion for accuracy extends to their YouTube series, Sabaton History. Brodén laughs at how professional historians still teach him something new every episode: “No matter how deep I dig, they always uncover more.”
As for live shows, fans can expect both new material and classics rarely performed in Australia. “We’ve never headlined properly down there, so we want to give a mix – some songs from Legends, but also older tracks fans haven’t heard live.”
Brodén admits to the pressure of comparisons, with each release judged against decades of fan favourites. Still, the band thrives on discovery and evolution. “If someone comes in excited for a new Sabaton album and walks away disappointed, that’s our biggest fear. But I’m confident this one delivers."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1712angelacroudace,australia,betternoisemusic,concert,hardrock,heavy,heavymetal,hornsup,metal,metalconcert,metalhead,metalinterview,metalpodcast,music,powermetal,sabaton,tourtruefullhttps://www.spreaker.com/episode/surrounded-by-evil-with-oskar-jakobsson-from-ambush--67495348Founded in 2013, AMBUSH continue to showcase their unyielding energy and intricate musicianship, establishing themselves as a force to be reckoned with within the underground heavy metal scene. The fact that they have gone relatively unnoticed in Australia is largely due to the wealth of quality bands coming out of Sweden, but trust me when I say if you love hard, dirty rock with an armour of metal, then your quest ends here. These guys are the real deal and emphatically prove this statement with a statement of their own.
That statement is their new album, Evil In All Dimensions, which arrives on September 5. But don't let us sway your opinion. Just take a listen to vocalist Oskar Jakobsson, who joined HEAVY for a fun-filled chat earlier this week.
"I'm excited as I've never been before," he replied when asked how he is feeling about the new album. "I think this is a fresh start for Ambush, because we have two new members playing on this record, and they bring a lot of different creativity. That shines through on this album, I think, and it's the best we've done this far."
We ask Jakobsson to dive into the musical side of Evil In All Dimensions.
"We play traditional heavy metal," he shrugged. "We call it heavy metal, and we want to play it simple, but interesting. This is kind of a trade-off. I mean, we want meat and potatoes, but we also want some béarnaise sauce on the side, if you know what I mean (laughs). So we try to fight hard for real music, as we call it. We play real instruments. We try to make this grassroots and organic all the way, and we do it with a smile on our face. We don't take everything so seriously all the time."
In the full interview, Oskar spoke more about Evil in All Dimensions, which showcases contributions from new members and aims to blend traditional heavy metal with modern influences. He emphasized the album's emotional range and distinct instrumentation, while also expressing his commitment to preserving heavy metal culture amidst the loss of iconic musicians. Oskar announced the band's upcoming performances, including the Keep It True Rising festival in Germany and a European tour, with aspirations for a future tour in Australia.
We talked about the singles and how they represent the album, how this is the beginning of a new chapter for the band, the musical climate that gave birth to the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67495348Mon, 25 Aug 2025 09:28:01 +0000HEAVY MagazineSwedish metal outfit Ambush realized the secret to success early in their career and have been deferring to that template on a daily basis ever since. Not that you could call the love of a laugh and a good time an actual secret, but it is surprising...Founded in 2013, AMBUSH continue to showcase their unyielding energy and intricate musicianship, establishing themselves as a force to be reckoned with within the underground heavy metal scene. The fact that they have gone relatively unnoticed in Australia is largely due to the wealth of quality bands coming out of Sweden, but trust me when I say if you love hard, dirty rock with an armour of metal, then your quest ends here. These guys are the real deal and emphatically prove this statement with a statement of their own.
That statement is their new album, Evil In All Dimensions, which arrives on September 5. But don't let us sway your opinion. Just take a listen to vocalist Oskar Jakobsson, who joined HEAVY for a fun-filled chat earlier this week.
"I'm excited as I've never been before," he replied when asked how he is feeling about the new album. "I think this is a fresh start for Ambush, because we have two new members playing on this record, and they bring a lot of different creativity. That shines through on this album, I think, and it's the best we've done this far."
We ask Jakobsson to dive into the musical side of Evil In All Dimensions.
"We play traditional heavy metal," he shrugged. "We call it heavy metal, and we want to play it simple, but interesting. This is kind of a trade-off. I mean, we want meat and potatoes, but we also want some béarnaise sauce on the side, if you know what I mean (laughs). So we try to fight hard for real music, as we call it. We play real instruments. We try to make this grassroots and organic all the way, and we do it with a smile on our face. We don't take everything so seriously all the time."
In the full interview, Oskar spoke more about Evil in All Dimensions, which showcases contributions from new members and aims to blend traditional heavy metal with modern influences. He emphasized the album's emotional range and distinct instrumentation, while also expressing his commitment to preserving heavy metal culture amidst the loss of iconic musicians. Oskar announced the band's upcoming performances, including the Keep It True Rising festival in Germany and a European tour, with aspirations for a future tour in Australia.
We talked about the singles and how they represent the album, how this is the beginning of a new chapter for the band, the musical climate that gave birth to the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1288album,ambust,hardrock,headbangers,heavy,heavymetal,hornsup,krispeters,metal,metalheads,metalinterview,metalpodcast,music,swedishmetaltruefullhttps://www.spreaker.com/episode/good-things-brutality-with-adam-demicco-from-lorna-shore--67473676Good Things is possibly one of the hardest festival line-ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.
When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line-up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.
Rock? Tick. Weezer, Garbage.
Pop Punk? Tick. All Time Low, New Found Glory.
Punk? Tick. Refused.
Metal? Big tick. Machine Head. Knocked Loose, Dayseeker.
But one band stands out more than others for their brutality. And of course theirs is the only logo on the poster almost unreadable to the non-metal trained eye. That band is Lorna Shore, and HEAVY was fortunate enough to speak with guitarist Adam Demicco earlier this morning about their Good Things appearance plus their new album.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67473676Fri, 22 Aug 2025 03:05:52 +0000HEAVY MagazineAs with every other year, anticipation surrounding the first lineup announcement for Good Things 2025 was almost at a fever pitch. Social media experts and promoter wannabe’s all shared their projected line-ups – but most were well off the mark. Good...Good Things is possibly one of the hardest festival line-ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.
When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line-up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.
Rock? Tick. Weezer, Garbage.
Pop Punk? Tick. All Time Low, New Found Glory.
Punk? Tick. Refused.
Metal? Big tick. Machine Head. Knocked Loose, Dayseeker.
But one band stands out more than others for their brutality. And of course theirs is the only logo on the poster almost unreadable to the non-metal trained eye. That band is Lorna Shore, and HEAVY was fortunate enough to speak with guitarist Adam Demicco earlier this morning about their Good Things appearance plus their new album.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>613aussiefestival,australia,destroyalllines,goodthingsfestival,hardrock,heavy,heavymetal,krispeters,lornashore,machinehead,metal,metalinterview,music,musicfestival,musicinterview,musicpodcast,rock,tool,weezerfalsefullhttps://www.spreaker.com/episode/the-power-of-letting-go-with-ana--67464928Merging the intensity of metal with sweeping orchestral arrangements, ANA have quickly found their niche, exploring the outlying areas of symphonic/power metal and integrating it with a harder edge that gives their music an edge all of its own.
HEAVY sat down with the band earlier this week to discuss their rapid rise through the ranks. One of the topics of conversation was the cinematic orchestration prevalent in their music.
"When we were making the album - before we started going into the studio - Josh (Mak, lead guitar)  pulled me aside and told me that Anna (Khristenko, vocals) likes to have strings in the songs," keyboard player Mark Shi explained. "But if I could have my way, I would love to have a lot of synths. So I took that into mind when we were writing the album and tried to come up with a good balance where we could have cinematic string lines along with synth sounds and synth sound design in the songs. It was a mix of everyone's ideas, and when we went into the studio, honestly, it was quite magical. I've never seen anything like that, writing a full album in two days. I think that the Japan tour helped us a lot because we knew what each other was thinking. Everything just came together in a very short amount of time, and it was perfect. We couldn't have asked for a better experience than this."
In the full interview, the conversation touched on the band's excitement for their headline performance at the Rockdale Metal Festival and the positive reception of their recent European tour, particularly in Budapest. The band members noted cultural differences in audience behaviour, with a desire to explore international venues beyond Australia.
The group reflected on their debut EP, The Art of Letting Go, and the collaborative writing process for their new album, which incorporates diverse musical influences, discussing the challenges of blending different genres while maintaining a cohesive sound. We discussed their musical direction, future tours and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67464928Thu, 21 Aug 2025 21:26:46 +0000HEAVY MagazineIn just under three years, Melbourne hard rock outfit ANA have laid themselves a strong platform from which to launch their music. Having already toured through Europe and Japan, ANA are now setting their sights on their home country, starting with a...Merging the intensity of metal with sweeping orchestral arrangements, ANA have quickly found their niche, exploring the outlying areas of symphonic/power metal and integrating it with a harder edge that gives their music an edge all of its own.
HEAVY sat down with the band earlier this week to discuss their rapid rise through the ranks. One of the topics of conversation was the cinematic orchestration prevalent in their music.
"When we were making the album - before we started going into the studio - Josh (Mak, lead guitar)  pulled me aside and told me that Anna (Khristenko, vocals) likes to have strings in the songs," keyboard player Mark Shi explained. "But if I could have my way, I would love to have a lot of synths. So I took that into mind when we were writing the album and tried to come up with a good balance where we could have cinematic string lines along with synth sounds and synth sound design in the songs. It was a mix of everyone's ideas, and when we went into the studio, honestly, it was quite magical. I've never seen anything like that, writing a full album in two days. I think that the Japan tour helped us a lot because we knew what each other was thinking. Everything just came together in a very short amount of time, and it was perfect. We couldn't have asked for a better experience than this."
In the full interview, the conversation touched on the band's excitement for their headline performance at the Rockdale Metal Festival and the positive reception of their recent European tour, particularly in Budapest. The band members noted cultural differences in audience behaviour, with a desire to explore international venues beyond Australia.
The group reflected on their debut EP, The Art of Letting Go, and the collaborative writing process for their new album, which incorporates diverse musical influences, discussing the challenges of blending different genres while maintaining a cohesive sound. We discussed their musical direction, future tours and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>970ana,australia,hardrock,heavy,heavymetal,krispeters,metalinterview,metalpodcast,music,musicinterview,powermetal,rock,symphonicmetaltruefullhttps://www.spreaker.com/episode/making-noise-with-lucy-may-from-closure--67403001Sydney-based post hardcore four-piece Closure continue their impressive momentum in 2025 after the release of their long-anticipated debut EP, The Sweet Suffering, which is out now on all major streaming platforms. The record includes the previously released singles Hindsight, Glare, and A Cold Space Between, each showcasing the band’s evolution into a darker, heavier sonic identity. A deeply personal and hard-hitting project, The Sweet Suffering chronicles emotional resilience, anxiety, the art of letting go, and love. For Closure, this release is more than just a debut — it’s a defining moment and the beginning of a powerful new chapter.
Riding the momentum of that release, Closure have recently been announced as part of the annual music extravaganza BigSound, which will again be held in Brisbane's Fortitude Valley from September 2 to 5. HEAVY caught up with Closure vocalist Lucy May to discuss BigSound and how Closure got to be there.
We also asked her what Closure hopes to get out of the experience.
"I think just a new experience, definitely," she measured, "and hopefully meeting some people that we haven't had the opportunity to meet before. I feel like, being in a heavier band it's obviously a really tight-knit community, so I think meeting other people obviously… we're self-managed at the moment so we don't have a manager, so I think that would be really something that would be a massive thing if we could maybe connect with some people and have a conversation about that, but honestly just getting out there and supporting people."
In the full interview, the discussion covered the musical evolution of Closure from pop punk to post-hardcore, including their debut EP The Sweet Suffering and the DIY production approach for their latest release. We also talked about upcoming performances, networking opportunities at music events, and the importance of strategic industry connections, while Lucy shared insights about their venue plans and plans for future releases and tours.
We spoke about the stylistic changes within their music and how they plan to integrate new music into future setlists, the importance of BigSound to emerging Australian artists and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67403001Thu, 21 Aug 2025 03:05:07 +0000HEAVY MagazineInterview by Kris Peters Sydney-based post hardcore four-piece Closure continue their impressive momentum in 2025 after the release of their long-anticipated debut EP, The Sweet Suffering, which is out now on all major streaming platforms. The record...Sydney-based post hardcore four-piece Closure continue their impressive momentum in 2025 after the release of their long-anticipated debut EP, The Sweet Suffering, which is out now on all major streaming platforms. The record includes the previously released singles Hindsight, Glare, and A Cold Space Between, each showcasing the band’s evolution into a darker, heavier sonic identity. A deeply personal and hard-hitting project, The Sweet Suffering chronicles emotional resilience, anxiety, the art of letting go, and love. For Closure, this release is more than just a debut — it’s a defining moment and the beginning of a powerful new chapter.
Riding the momentum of that release, Closure have recently been announced as part of the annual music extravaganza BigSound, which will again be held in Brisbane's Fortitude Valley from September 2 to 5. HEAVY caught up with Closure vocalist Lucy May to discuss BigSound and how Closure got to be there.
We also asked her what Closure hopes to get out of the experience.
"I think just a new experience, definitely," she measured, "and hopefully meeting some people that we haven't had the opportunity to meet before. I feel like, being in a heavier band it's obviously a really tight-knit community, so I think meeting other people obviously… we're self-managed at the moment so we don't have a manager, so I think that would be really something that would be a massive thing if we could maybe connect with some people and have a conversation about that, but honestly just getting out there and supporting people."
In the full interview, the discussion covered the musical evolution of Closure from pop punk to post-hardcore, including their debut EP The Sweet Suffering and the DIY production approach for their latest release. We also talked about upcoming performances, networking opportunities at music events, and the importance of strategic industry connections, while Lucy shared insights about their venue plans and plans for future releases and tours.
We spoke about the stylistic changes within their music and how they plan to integrate new music into future setlists, the importance of BigSound to emerging Australian artists and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>659australia,band,bigsound,heavy,heavymetal,krispeters,metal,metalpodcast,music,musicinterview,musicshocase,poppunk,posthardcorefalsefullhttps://www.spreaker.com/episode/revitalised-spirit-with-kat-o-from-ktv--67430566Try as an artist may to strike that elusive winning formula, more often than not, it is timing, or luck, or a combination of both which will ultimately decide the course your musical journey takes. Bands can try unsuccessfully for years to crack the market, churning out quality material time and time again with little or no return.
But then that one moment of magic can change it all. That chance encounter. The right planets aligning at exactly the right time. Which is precisely what happened for Melbourne-based punk/pop band KTV last year, when a simple acceptance to an offer made about putting one of their old singles on a compilation album paid immediate dividends.
After originally forming in the late 1990s, KTV released two EPs, played a tonne of gigs and won music industry competitions at the time. They played shows with high-profile artists including Killing Heidi, Magic Dirt, Deborah Conway, Vika and Linda, and Kisschasy, amongst others. After numerous line-up changes, the band ran out of steam in 2001. Singer/songwriter/guitarist, Kat O went on to form Kathematics, who had a song featured in an American TV show, as well as many other bands.
Fast-forward to 2025, and KTV are back in action with original member Philip Yarra on bass/vocals, who recently toured with UK Ska legends, Bad Manners and the drumming prowess of John Hastings. Armed with a back catalogue of original 90s-inspired pop/punk classics, as well as Kat’s new tunes, KTV are currently making a dent on the local live scene and are keen to get back in the studio to record. HEAVY caught up with Kat late last week to find out more.
One of the things we spoke about was the early days of the band.
"It was around the time when Killing Heidi had their Reflector album out and was number one, they were the number one band in Australia," Kat recalled. "Back when bands were actually number one in Australia (laughs). Those were great days, because that unfortunately doesn't happen anymore. Anyway, we got to support them at the Prince of Wales, and that was a really huge show for us, plus we did gigs with Deborah Conway and Vika and Linda in front of thousands of people at the Arts Centre. There were some really, really big shows, and we played with some of our heroes as well. The scene was amazing back then."
In the full interview, Kat reflects on the KTV's past successes, including supporting major acts and winning competitions. She expressed the excitement and nerves surrounding their recent first show back, highlighting the strong chemistry amongst the members.
We discussed how a compilation CD featuring their demo track reignited interest in the band and addressed the challenges of reforming after a long break, including busy schedules and changes in the music industry. Kat discussed their plans for new music, which will blend nineties-inspired indie punk and grunge elements, while also revisiting older songs. KTV also announced upcoming gigs and encouraged fans to follow them on social media for updates, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67430566Tue, 19 Aug 2025 06:40:54 +0000HEAVY MagazineThe music industry is a fickle one. Try as an artist may to strike that elusive winning formula, more often than not, it is timing, or luck, or a combination of both which will ultimately decide the course your musical journey takes. Bands can try...Try as an artist may to strike that elusive winning formula, more often than not, it is timing, or luck, or a combination of both which will ultimately decide the course your musical journey takes. Bands can try unsuccessfully for years to crack the market, churning out quality material time and time again with little or no return.
But then that one moment of magic can change it all. That chance encounter. The right planets aligning at exactly the right time. Which is precisely what happened for Melbourne-based punk/pop band KTV last year, when a simple acceptance to an offer made about putting one of their old singles on a compilation album paid immediate dividends.
After originally forming in the late 1990s, KTV released two EPs, played a tonne of gigs and won music industry competitions at the time. They played shows with high-profile artists including Killing Heidi, Magic Dirt, Deborah Conway, Vika and Linda, and Kisschasy, amongst others. After numerous line-up changes, the band ran out of steam in 2001. Singer/songwriter/guitarist, Kat O went on to form Kathematics, who had a song featured in an American TV show, as well as many other bands.
Fast-forward to 2025, and KTV are back in action with original member Philip Yarra on bass/vocals, who recently toured with UK Ska legends, Bad Manners and the drumming prowess of John Hastings. Armed with a back catalogue of original 90s-inspired pop/punk classics, as well as Kat’s new tunes, KTV are currently making a dent on the local live scene and are keen to get back in the studio to record. HEAVY caught up with Kat late last week to find out more.
One of the things we spoke about was the early days of the band.
"It was around the time when Killing Heidi had their Reflector album out and was number one, they were the number one band in Australia," Kat recalled. "Back when bands were actually number one in Australia (laughs). Those were great days, because that unfortunately doesn't happen anymore. Anyway, we got to support them at the Prince of Wales, and that was a really huge show for us, plus we did gigs with Deborah Conway and Vika and Linda in front of thousands of people at the Arts Centre. There were some really, really big shows, and we played with some of our heroes as well. The scene was amazing back then."
In the full interview, Kat reflects on the KTV's past successes, including supporting major acts and winning competitions. She expressed the excitement and nerves surrounding their recent first show back, highlighting the strong chemistry amongst the members.
We discussed how a compilation CD featuring their demo track reignited interest in the band and addressed the challenges of reforming after a long break, including busy schedules and changes in the music industry. Kat discussed their plans for new music, which will blend nineties-inspired indie punk and grunge elements, while also revisiting older songs. KTV also announced upcoming gigs and encouraged fans to follow them on social media for updates, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>758aussiemusic,hardrock,heavy,krispeters,ktv,music,musicinterview,poppunk,rockfalsefullhttps://www.spreaker.com/episode/temtris-embrace-consequences-and-growth-on-queen-of-crows--67412321*CONTENT WARNING - Swearing and Mention of Suicide/Self Harm*
Australian heavy metal veterans Temtris return with their powerful eighth album, Queen of Crows, a record built around the theme of good and bad consequences. Vocalist Genevieve Rodda and guitarist Foxy explained that the concept was inspired by personal experiences and reflections on how life’s choices affect us and those around us.
While their previous release, Chaos Divine, delved into a sci-fi dystopian world, Queen of Crows stays rooted in raw human struggles. Rodda described the writing process as emotionally charged, pointing to Scars of Betrayal, which confronts bullying and self-harm. Written about her own daughter’s struggles, it remains one of the band’s most personal songs to date.
Musically, Temtris continue to evolve while remaining true to their heavy metal roots. “We try to push our boundaries every album,” Foxy noted of their collaborative writing approach. The record blends crushing riffs with Rodda’s soaring vocals, as heard in tracks like Carnival of Tears and closing epic The World Is Bleeding, a critique of greed and consumerism framed within powerful fanfare.
Beyond the studio, Temtris take pride in delivering authentic, high-energy performances. At a time when many bands rely on backing tracks, they remain committed to live musicianship, valuing the thrill of pulling off challenging songs on stage.
The band is preparing for a return to Europe in 2025 with festival dates already being locked in. There’s also talk of a long-awaited vinyl pressing of Queen of Crows. With honesty, passion, and resilience, Temtris prove that heavy metal’s heart still beats strongest when fueled by authenticity.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67412321Mon, 18 Aug 2025 07:46:02 +0000HEAVY MagazineInterview by Angela Croudace *CONTENT WARNING - Swearing and Mention of Suicide/Self Harm* Australian heavy metal veterans Temtris return with their powerful eighth album, Queen of Crows, a record built around the theme of good and bad consequences....*CONTENT WARNING - Swearing and Mention of Suicide/Self Harm*
Australian heavy metal veterans Temtris return with their powerful eighth album, Queen of Crows, a record built around the theme of good and bad consequences. Vocalist Genevieve Rodda and guitarist Foxy explained that the concept was inspired by personal experiences and reflections on how life’s choices affect us and those around us.
While their previous release, Chaos Divine, delved into a sci-fi dystopian world, Queen of Crows stays rooted in raw human struggles. Rodda described the writing process as emotionally charged, pointing to Scars of Betrayal, which confronts bullying and self-harm. Written about her own daughter’s struggles, it remains one of the band’s most personal songs to date.
Musically, Temtris continue to evolve while remaining true to their heavy metal roots. “We try to push our boundaries every album,” Foxy noted of their collaborative writing approach. The record blends crushing riffs with Rodda’s soaring vocals, as heard in tracks like Carnival of Tears and closing epic The World Is Bleeding, a critique of greed and consumerism framed within powerful fanfare.
Beyond the studio, Temtris take pride in delivering authentic, high-energy performances. At a time when many bands rely on backing tracks, they remain committed to live musicianship, valuing the thrill of pulling off challenging songs on stage.
The band is preparing for a return to Europe in 2025 with festival dates already being locked in. There’s also talk of a long-awaited vinyl pressing of Queen of Crows. With honesty, passion, and resilience, Temtris prove that heavy metal’s heart still beats strongest when fueled by authenticity.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1991angelacroudace,australia,headbangers,heavy,heavymetal,hornsup,metal,metalheads,metalinterview,metalpodcast,music,newmusic,temtristruefullhttps://www.spreaker.com/episode/breaking-the-internet-with-strings-a-music-lesson-from-bernth-charles-berthoud--67353573With over 4 million followers across their platforms, this will be a once-in-a-lifetime opportunity for fans to witness the guitar and bass heroes emerge from the screen onto the stage to perform together live. This tour is an unmissable event for fans of virtuoso musicianship and those eager to experience the real-life chemistry between these YouTube giants. Whether you’re a follower of Bernth‘s intense technical guitar work or Charles Berthoud’s genre-bending bass lines, this is a must-see show for music lovers and aspiring musicians.
HEAVY was fortunate enough to spend time with both of them to talk more.
"I also have a YouTube channel," Bernth replied after Charles introduced himself. "That's what we both have in common. It's where we kind of met virtually, and we started playing roughly two years ago, just some one-off shows, then decided to do our very first tour this year. We started out in Europe, and in a couple of weeks we will be in China, South Korea, and then finally in Australia to end the next leg of the tour."
Talk turns to their popularity on YouTube and how their musical paths entwined initially.
"I filled a couple of guitars with water to see what that sounds like and drilled some holes into others," Bernth explained, highlighting some of the experiments he has performed online. "And those videos often went viral because it looks quite interesting if you see like a drill going inside an acoustic guitar. That led to people actually checking out the music I played with those instruments, and that finally led to people wanting to see those videos or songs performed live. And that's also how we met."
"One of his crazy ideas was to pitch shift his guitar down into a bass register," Charles took over, "which then led a lot of people to leave comments saying you should do something with Charles Berthoud. Then Bernth uploaded a video that said, My Problem With Charles Berthoud and that was an interesting way to start the day. The first thing I saw in the morning was that someone has a problem with me (laughs)."
In the full interview, Charles and Bernth shared insights on cultural nuances and audience interaction with their music, emphasizing the tour's unique blend of music, banter, and challenges to engage attendees. Bernth recounted his journey from being a session musician in Austria to gaining popularity on YouTube through viral guitar experiments, while Charles reflected on their initial collaboration, which was seamless due to their thoughtful song arrangements.
The conversation highlighted the friendly rivalry between bass and guitar, with Charles humorously asserting the superiority of bass. They both expressed excitement about their upcoming shows, aiming to create an immersive experience that showcases their individual styles and collaborative spirit and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67353573Mon, 18 Aug 2025 07:09:46 +0000HEAVY MagazineFresh off a wildly successful European tour, guitar virtuoso Bernth and bass wizard Charles Berthoud, undisputed masters of their instruments, have joined forces to bring their technical mastery, dynamic performances and jaw-dropping musicianship to...With over 4 million followers across their platforms, this will be a once-in-a-lifetime opportunity for fans to witness the guitar and bass heroes emerge from the screen onto the stage to perform together live. This tour is an unmissable event for fans of virtuoso musicianship and those eager to experience the real-life chemistry between these YouTube giants. Whether you’re a follower of Bernth‘s intense technical guitar work or Charles Berthoud’s genre-bending bass lines, this is a must-see show for music lovers and aspiring musicians.
HEAVY was fortunate enough to spend time with both of them to talk more.
"I also have a YouTube channel," Bernth replied after Charles introduced himself. "That's what we both have in common. It's where we kind of met virtually, and we started playing roughly two years ago, just some one-off shows, then decided to do our very first tour this year. We started out in Europe, and in a couple of weeks we will be in China, South Korea, and then finally in Australia to end the next leg of the tour."
Talk turns to their popularity on YouTube and how their musical paths entwined initially.
"I filled a couple of guitars with water to see what that sounds like and drilled some holes into others," Bernth explained, highlighting some of the experiments he has performed online. "And those videos often went viral because it looks quite interesting if you see like a drill going inside an acoustic guitar. That led to people actually checking out the music I played with those instruments, and that finally led to people wanting to see those videos or songs performed live. And that's also how we met."
"One of his crazy ideas was to pitch shift his guitar down into a bass register," Charles took over, "which then led a lot of people to leave comments saying you should do something with Charles Berthoud. Then Bernth uploaded a video that said, My Problem With Charles Berthoud and that was an interesting way to start the day. The first thing I saw in the morning was that someone has a problem with me (laughs)."
In the full interview, Charles and Bernth shared insights on cultural nuances and audience interaction with their music, emphasizing the tour's unique blend of music, banter, and challenges to engage attendees. Bernth recounted his journey from being a session musician in Austria to gaining popularity on YouTube through viral guitar experiments, while Charles reflected on their initial collaboration, which was seamless due to their thoughtful song arrangements.
The conversation highlighted the friendly rivalry between bass and guitar, with Charles humorously asserting the superiority of bass. They both expressed excitement about their upcoming shows, aiming to create an immersive experience that showcases their individual styles and collaborative spirit and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1448australia,bass,basssolo,bernth,charlesberthoud,guitar,guitarsolo,hardrock,heavy,heavymetal,hornsup,krispeters,metalheads,music,rock,tour,virtuosoguitar,youtubefalsefullhttps://www.spreaker.com/episode/still-packing-sting-in-your-tail-with-uli-jon-roth--67402562German guitarist Uli Jon Roth is renowned for his work with the Scorpions during their early, more experimental phase and for pioneering the neoclassical metal genre. He is also known for his innovative Sky Guitar design and his solo career exploring a unique blend of rock, classical, and philosophical themes.
Roth joined the Scorpions during their formative years, contributing to albums like Fly to the Rainbow, In Trance, Virgin Killer, and Taken by Force, as well as the iconic live album Tokyo Tapes. These albums are all heralded in the history of Rock and Metal, with Tokyo Tapes being touted as one of the greatest live albums of all time, with Roth's guitar playing on those albums highly regarded for its precision and innovative style, influencing many later guitarists.
Now, for the first time ever, Australian crowds get to witness the majesty of Uli Jon Roth when he hits this country for a run of three select dates this September. Uli will be performing a best of the SCORPIONS set, amongst other songs from his extraordinary catalogue, guaranteed to make up for lost time.
Roth joined HEAVY earlier this week to find out more details. We start by asking why he has neglected Australian fans for so long.
"You know what, nobody asked us to come," he laughed. "So it's actually you, because we need an invitation if we want to play somewhere. I would have loved to come much sooner. Having said that, even the Scorpions - although they were so successful - even they found it difficult to get to Australia simply because of the logistics. When you tour America, you can do a month-long tour, and you have a big tour bus. You sleep at night, and then the next morning you're in Chicago, you know? I don't think that entire industry exists in Australia in the same way. You have to fly everything, and that makes it much more complicated to do a tour and more expensive."
We bring up Roth's time with the Scorpions and ask how that period shaped the rest of his life and his musical career.
"I was only 18 when I joined," he recalled. "It very much shaped my life because it was my artistic apprenticeship and also learning the ropes in the music business. Learning how to do an album, how to write songs, all that came together in those five years. And we had a great time. You know, it was wonderful. I've got only good memories. It was just at the end, I started to write music that really didn't fit the framework anymore."
In the full interview, Uli Jon Roth discussed his upcoming tour to Australia and Japan, with Uli explaining the tour logistics and musical direction for each leg. We explored Uli's history with the Scorpions and his decision to leave the band to pursue his own artistic vision through Electric Sun and classical compositions.
We talked about why, after all these years, he is finally coming to Australia and what fans can expect. He discussed curating a set list to appease longtime followers, Tokyo Tapes and his thoughts on the live album, plus his other musical passions. The conversation concluded with a discussion of Uli's influence on other guitarists and his perspective on musical collaboration and learning.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67402562Mon, 18 Aug 2025 04:16:59 +0000HEAVY MagazineInterview by Kris Peters German guitarist Uli Jon Roth is renowned for his work with the Scorpions during their early, more experimental phase and for pioneering the neoclassical metal genre. He is also known for his innovative Sky Guitar design and...German guitarist Uli Jon Roth is renowned for his work with the Scorpions during their early, more experimental phase and for pioneering the neoclassical metal genre. He is also known for his innovative Sky Guitar design and his solo career exploring a unique blend of rock, classical, and philosophical themes.
Roth joined the Scorpions during their formative years, contributing to albums like Fly to the Rainbow, In Trance, Virgin Killer, and Taken by Force, as well as the iconic live album Tokyo Tapes. These albums are all heralded in the history of Rock and Metal, with Tokyo Tapes being touted as one of the greatest live albums of all time, with Roth's guitar playing on those albums highly regarded for its precision and innovative style, influencing many later guitarists.
Now, for the first time ever, Australian crowds get to witness the majesty of Uli Jon Roth when he hits this country for a run of three select dates this September. Uli will be performing a best of the SCORPIONS set, amongst other songs from his extraordinary catalogue, guaranteed to make up for lost time.
Roth joined HEAVY earlier this week to find out more details. We start by asking why he has neglected Australian fans for so long.
"You know what, nobody asked us to come," he laughed. "So it's actually you, because we need an invitation if we want to play somewhere. I would have loved to come much sooner. Having said that, even the Scorpions - although they were so successful - even they found it difficult to get to Australia simply because of the logistics. When you tour America, you can do a month-long tour, and you have a big tour bus. You sleep at night, and then the next morning you're in Chicago, you know? I don't think that entire industry exists in Australia in the same way. You have to fly everything, and that makes it much more complicated to do a tour and more expensive."
We bring up Roth's time with the Scorpions and ask how that period shaped the rest of his life and his musical career.
"I was only 18 when I joined," he recalled. "It very much shaped my life because it was my artistic apprenticeship and also learning the ropes in the music business. Learning how to do an album, how to write songs, all that came together in those five years. And we had a great time. You know, it was wonderful. I've got only good memories. It was just at the end, I started to write music that really didn't fit the framework anymore."
In the full interview, Uli Jon Roth discussed his upcoming tour to Australia and Japan, with Uli explaining the tour logistics and musical direction for each leg. We explored Uli's history with the Scorpions and his decision to leave the band to pursue his own artistic vision through Electric Sun and classical compositions.
We talked about why, after all these years, he is finally coming to Australia and what fans can expect. He discussed curating a set list to appease longtime followers, Tokyo Tapes and his thoughts on the live album, plus his other musical passions. The conversation concluded with a discussion of Uli's influence on other guitarists and his perspective on musical collaboration and learning.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1045australia,guitar,hardlinemedia,hardrock,headbanger,heavy,heavymetal,hornsup,krispeters,metal,metalheads,metalinterview,metalpodcast,music,scorpions,tour,ulijonrothfalsefullhttps://www.spreaker.com/episode/three-cheers-for-rock-with-brian-butcher-from-the-home-team--67366185The Home Team are travelling to Australia for the second time - this time with Mayday Parade -  for the Three Cheers For 20 Years tour, after crossing the ocean last May with Caskets (UK).
The quartet have introduced stylings of R&B, pop and funk into their music in an effort to be true to their tastes while crafting their unique sound and return to play new songs for the first time off their latest album, The Crucible Of Life, and struck a chord on their debut visit, winning fans over more at each show.
HEAVY caught up with frontman Brian Butcher to get the rundown on the upcoming tour, with the turnaround being that quick, we have to ask Butcher if he has even had time to unpack yet.
"(laughs) Oh, that trip was awesome," he smiled. "I remember it like it was yesterday. We all agreed that Australia is one of the best places on Earth, and when we got the offer to come back we were very excited, and it was an immediate yes."
The Home Team are coming out with Jack's Mannequin as well as Mayday Parade, who are celebrating their 20th anniversary, so we ask Butcher if he has always been a fan of their music.
"I grew up listening to a lot more metal," he replied honestly. "A lot of heavy music. Mayday Parade was always on my radar, for sure, but I never dove into their albums until probably last year. And I can definitely see why they are as influential as they are. I also have a close friend who is a huge Mayday fan, so when I told him I was going on this tour, he was like, here is this album, and this album did this (laughs). They are very clearly extremely influential for great reason. For that, I have a lot of respect for them, and I'm very excited to meet them."
In the full interview Brian talks more about his time in Australia and how the crowds reacted to them, going from being the least heavy band on tour to the heaviest, how their set will differ to last time, why he thinks they were chosen as supports, the reception for their recent album The Crucible Of Life and how much of it they will be playing live, their eclectic sound and why it works plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67366185Sun, 17 Aug 2025 15:27:37 +0000HEAVY MagazineInterview by Kris Peters The Home Team are travelling to Australia for the second time - this time with Mayday Parade -  for the Three Cheers For 20 Years tour, after crossing the ocean last May with Caskets (UK). The quartet have introduced stylings...The Home Team are travelling to Australia for the second time - this time with Mayday Parade -  for the Three Cheers For 20 Years tour, after crossing the ocean last May with Caskets (UK).
The quartet have introduced stylings of R&B, pop and funk into their music in an effort to be true to their tastes while crafting their unique sound and return to play new songs for the first time off their latest album, The Crucible Of Life, and struck a chord on their debut visit, winning fans over more at each show.
HEAVY caught up with frontman Brian Butcher to get the rundown on the upcoming tour, with the turnaround being that quick, we have to ask Butcher if he has even had time to unpack yet.
"(laughs) Oh, that trip was awesome," he smiled. "I remember it like it was yesterday. We all agreed that Australia is one of the best places on Earth, and when we got the offer to come back we were very excited, and it was an immediate yes."
The Home Team are coming out with Jack's Mannequin as well as Mayday Parade, who are celebrating their 20th anniversary, so we ask Butcher if he has always been a fan of their music.
"I grew up listening to a lot more metal," he replied honestly. "A lot of heavy music. Mayday Parade was always on my radar, for sure, but I never dove into their albums until probably last year. And I can definitely see why they are as influential as they are. I also have a close friend who is a huge Mayday fan, so when I told him I was going on this tour, he was like, here is this album, and this album did this (laughs). They are very clearly extremely influential for great reason. For that, I have a lot of respect for them, and I'm very excited to meet them."
In the full interview Brian talks more about his time in Australia and how the crowds reacted to them, going from being the least heavy band on tour to the heaviest, how their set will differ to last time, why he thinks they were chosen as supports, the reception for their recent album The Crucible Of Life and how much of it they will be playing live, their eclectic sound and why it works plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>851australia,hardrock,heavy,interview,krispeters,maydayparade,metalpodcast,music,musicinterview,rock,thehometeam,tourfalsefullhttps://www.spreaker.com/episode/filling-the-void-with-alex-dean-from-architects--67351830Having completed two Summer runs with Metallica in the lead up to their latest masterpiece The Sky, The Earth & All Between, Architects took stock of their career to date and set out to make the definitive Architects release.
“It wasn’t about just putting out another Architects record. It had to be the record—the one people talk about when they talk about our band,” frontman Sam Carter said at the time. Bandmate Dan Searle echoed this sentiment: “What we’re trying to say is that we had to make the quintessential Architects album—bringing together all our best qualities and everything we excel at.”
Their last couple of albums - For Those That Wish To Exist and The Classic Symptoms of a Broken Spirit - had been about attempting the new. When those records performed well critically and commercially, that was their green light to pursue whatever they wanted to. So, they resolved to channel the lessons learned from innovation into making something that felt like the pinnacle of what Architects have long been evolving towards. And they achieved that emphatically with The Sky, The Earth & All Between winning over fans and critics around the world.
Now, Australian fans get to experience that rebirth in the flesh with Architects headed this way for three select dates starting in Melbourne on December 11. Not only that, they will be bringing House Of Protection, who recently wowed crowds over here on a support run with Bad Omens, and emerging outfit President, who promise to balance the trifecta. HEAVY caught up with Architects bass player Alex Dean to get the full rundown.
"It's been a little while since we've been over, so yeah, we're really stoked to get back," he enthused. "We're having a lot of fun playing these tracks. It's always fun getting out and playing new records, but it feels really like people are engaging with the songs."
Architects are a band who, despite having their core sound, have always been unafraid to experiment musically on each record. We ask Dean about that approach and how much musical growth he feels the band have left in them.
"We're always trying to push ourselves," he replied. "And I think as soon as - for a metalcore band with two guitars, bass, drums - as soon as you start adding electronic elements to it, the musical world is your oyster, because there's just so many things you can try. We've done records where we experiment a lot with orchestral sounds, and that might be something we revisit again. But we just try and do what's exciting for ourselves, really."
In the full interview, Alex expressed excitement about returning to Australia after a couple of years and highlighted the positive reception of their new album, The Sky, The Earth and All Between. He elaborated on the band's evolution in sound, emphasizing their confidence in creating music driven by instinct rather than external influences. He mentioned their willingness to experiment with various musical elements, facilitated by advancements in technology.
We spoke about what has changed with the band since they last toured Australia, what we can expect from their shows, and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67351830Sun, 17 Aug 2025 15:25:26 +0000HEAVY MagazineIt's scary to think that British metalcore outfit Architects are just hitting their stride eleven albums in. Having completed two Summer runs with Metallica in the lead up to their latest masterpiece The Sky, The Earth & All Between, Architects...Having completed two Summer runs with Metallica in the lead up to their latest masterpiece The Sky, The Earth & All Between, Architects took stock of their career to date and set out to make the definitive Architects release.
“It wasn’t about just putting out another Architects record. It had to be the record—the one people talk about when they talk about our band,” frontman Sam Carter said at the time. Bandmate Dan Searle echoed this sentiment: “What we’re trying to say is that we had to make the quintessential Architects album—bringing together all our best qualities and everything we excel at.”
Their last couple of albums - For Those That Wish To Exist and The Classic Symptoms of a Broken Spirit - had been about attempting the new. When those records performed well critically and commercially, that was their green light to pursue whatever they wanted to. So, they resolved to channel the lessons learned from innovation into making something that felt like the pinnacle of what Architects have long been evolving towards. And they achieved that emphatically with The Sky, The Earth & All Between winning over fans and critics around the world.
Now, Australian fans get to experience that rebirth in the flesh with Architects headed this way for three select dates starting in Melbourne on December 11. Not only that, they will be bringing House Of Protection, who recently wowed crowds over here on a support run with Bad Omens, and emerging outfit President, who promise to balance the trifecta. HEAVY caught up with Architects bass player Alex Dean to get the full rundown.
"It's been a little while since we've been over, so yeah, we're really stoked to get back," he enthused. "We're having a lot of fun playing these tracks. It's always fun getting out and playing new records, but it feels really like people are engaging with the songs."
Architects are a band who, despite having their core sound, have always been unafraid to experiment musically on each record. We ask Dean about that approach and how much musical growth he feels the band have left in them.
"We're always trying to push ourselves," he replied. "And I think as soon as - for a metalcore band with two guitars, bass, drums - as soon as you start adding electronic elements to it, the musical world is your oyster, because there's just so many things you can try. We've done records where we experiment a lot with orchestral sounds, and that might be something we revisit again. But we just try and do what's exciting for ourselves, really."
In the full interview, Alex expressed excitement about returning to Australia after a couple of years and highlighted the positive reception of their new album, The Sky, The Earth and All Between. He elaborated on the band's evolution in sound, emphasizing their confidence in creating music driven by instinct rather than external influences. He mentioned their willingness to experiment with various musical elements, facilitated by advancements in technology.
We spoke about what has changed with the band since they last toured Australia, what we can expect from their shows, and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>805architects,australia,headbanger,heavy,heavymetal,hornsup,krispeters,metal,metalcore,metalheads,metalinterview,metalmusic,metalpodcast,moshpit,music,musicinterview,musictour,tourfalsefullhttps://www.spreaker.com/episode/reigniting-the-flame-severance-is-due-with-aaron-bilbija-from-daysend--67365159Arriving just after the turn of the century, Australian metal legends DAYSEND were born into a healthy national metal scene that included bands like Blood Duster, Abramelin, Frankenbok and Dreamkillers, some of which are still going strong today. It was a golden era for Australian metal, made that much better by DAYSEND, who built a formidable reputation in the global metal scene, touring extensively across Australia and internationally and sharing the stage with some of the biggest names in metal, including Slipknot, Trivium, Arch Enemy, In Flames, and Machine Head.
Their 2003 debut album, Severance, was met with widespread critical acclaim and was voted Best Australian Metal Album in a 2003 Triple J listeners’ poll. The album’s blend of melodic aggression and technical prowess cemented its status as one of the most influential Australian metal releases of the era.
DAYSEND disbanded in 2011 and have lain dormant ever since - until now.
Listed as one of the bands Necrosonic Festival has Resurrected From The Dead - alongside Massic, Beanflipper, Brace and Idle Ruin - DAYSEND have come from the abyss to revisit their debut album with a select number of shows before planning to fade back into the darkness.
But before that could happen, HEAVY caught up with Aaron Bilbija (guitar) to talk about Necrosonic and the rebirth of DAYSEND. One of the topics for discussion was the importance of festivals such as Necrosonic to the Australian metal scene.
"Hugely, hugely important," he replied without hesitation. "They're doing it… they've got the passion for it, you know what I mean? They're not doing it for the bucks. They've got the passion for it, and they love what they're doing, and it's great that they are supporting guys like us. Yeah, it's excellent."
We ask about the early stages of the band and where DAYSEND fit in initially.
"We all came from other bands at the time, just local bands in the Sydney scene," Aaron recalled. "And we used to play the hotels a lot, a bunch of all ages shows, things like that. There were loads and loads of bands, and there was gigs on pretty much every weekend. I remember going as a 16-year-old with the fake ID and trying to get into as many gigs as I could (laughs)."
In the full interview, Aaron further discussed his role as guitarist in Daysend, which is performing a select number of shows, including an upcoming appearance at Necrosonic Festival in Brisbane. He provided background on the band's formation in Sydney during the early 2000s and explained their unique musical style that set them apart from other local bands. 
The conversation covered their current tour plans, including performances across multiple cities to celebrate their debut album, Severance, and why it connected with so many people. We discuss revisiting that old material and whether it still feels fresh and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67365159Fri, 15 Aug 2025 07:03:51 +0000HEAVY MagazineInterview by Kris Peters Arriving just after the turn of the century, Australian metal legends DAYSEND were born into a healthy national metal scene that included bands like Blood Duster, Abramelin, Frankenbok and Dreamkillers, some of which are still...Arriving just after the turn of the century, Australian metal legends DAYSEND were born into a healthy national metal scene that included bands like Blood Duster, Abramelin, Frankenbok and Dreamkillers, some of which are still going strong today. It was a golden era for Australian metal, made that much better by DAYSEND, who built a formidable reputation in the global metal scene, touring extensively across Australia and internationally and sharing the stage with some of the biggest names in metal, including Slipknot, Trivium, Arch Enemy, In Flames, and Machine Head.
Their 2003 debut album, Severance, was met with widespread critical acclaim and was voted Best Australian Metal Album in a 2003 Triple J listeners’ poll. The album’s blend of melodic aggression and technical prowess cemented its status as one of the most influential Australian metal releases of the era.
DAYSEND disbanded in 2011 and have lain dormant ever since - until now.
Listed as one of the bands Necrosonic Festival has Resurrected From The Dead - alongside Massic, Beanflipper, Brace and Idle Ruin - DAYSEND have come from the abyss to revisit their debut album with a select number of shows before planning to fade back into the darkness.
But before that could happen, HEAVY caught up with Aaron Bilbija (guitar) to talk about Necrosonic and the rebirth of DAYSEND. One of the topics for discussion was the importance of festivals such as Necrosonic to the Australian metal scene.
"Hugely, hugely important," he replied without hesitation. "They're doing it… they've got the passion for it, you know what I mean? They're not doing it for the bucks. They've got the passion for it, and they love what they're doing, and it's great that they are supporting guys like us. Yeah, it's excellent."
We ask about the early stages of the band and where DAYSEND fit in initially.
"We all came from other bands at the time, just local bands in the Sydney scene," Aaron recalled. "And we used to play the hotels a lot, a bunch of all ages shows, things like that. There were loads and loads of bands, and there was gigs on pretty much every weekend. I remember going as a 16-year-old with the fake ID and trying to get into as many gigs as I could (laughs)."
In the full interview, Aaron further discussed his role as guitarist in Daysend, which is performing a select number of shows, including an upcoming appearance at Necrosonic Festival in Brisbane. He provided background on the band's formation in Sydney during the early 2000s and explained their unique musical style that set them apart from other local bands. 
The conversation covered their current tour plans, including performances across multiple cities to celebrate their debut album, Severance, and why it connected with so many people. We discuss revisiting that old material and whether it still feels fresh and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>635aussiemetal,bolzer,daysend,extrememetal,frankenbok,groovemetal,hardcore,heavy,heavymetal,metal,metalcore,metalfestival,metalinterview,metalpodcast,music,musicfestival,musicinterview,necrosonicfestival,portal,technicalmetaltruefullhttps://www.spreaker.com/episode/pig-destroyer-return-to-australia-with-grindcore-fury-intact--67321365After more than 15 years, grindcore titans Pig Destroyer will finally return to Australia, and frontman J.R. Hayes couldn’t be more thrilled. “We’re just really, really excited,” he said. “It’s hard to get all the stars to align, but we’re finally doing it.”
Their long-awaited comeback is bolstered by the inclusion of Singaporean grind heavyweights Wormrot as tour support. “They’ve been one of the top grindcore bands for the last 10 years,” J.R. said. “You just have to make sure they don’t blow you off the stage.”
Known for their blistering speed, raw aggression, and lyrics that dive deep into the bleakest aspects of the human psyche, Pig Destroyer isn’t softening with age. “We always just try to write the craziest thing we can,” said J.R. “We don’t care about record sales—we never have. We just want to play it as hard as we can.”
While their music is undeniably dark, the band members are anything but grim. “Live, we’re just a bunch of idiots,” J.R. laughed. “You can’t really cover that up.”
A staunch believer in the rawness of sound, J.R. remains adamantly against over-polished production. “The best music is flawed music,” he insisted. “When things are too perfect, it just becomes Katy Perry to me. It doesn’t sound like it’s made by people.” If Pig Destroyer's next album ends up being a live one, let it be known that the idea was planted into J.R's mind by one incredible interviewer for Heavy Mag (I'm talking about myself).
For first-timers catching Pig Destroyer on this Australian run, expect chaos in the best way, a full assault on all the senses. “Usually it’s the mosh pit that hits them first,” he said. “Then the volume—it’s so loud it becomes a physical experience.”
As for what keeps the fire burning after decades in the underground, J.R. summed it up simply: “We never wanted to be a popular band. We just wanted to be a crazy band. Grindcore scratches an itch that nothing else can.”
Catch Pig Destroyer with Wormrot on Aussie shores in September. 
TICKETING DETAILS https://swdpresents.com
PIG DESTROYER with guests WORMROT performing at:
Sept 2nd – Perth, Amplifier Bar w/ Bile Cannon, Allocer*
Sept 4th – Adelaide, Lion Arts Factory w/ Meth Leppard
Sept 5th – Melbourne, Max Watts w/ Tongue Scum
Sept 6th – Sydney, The Factory Theatre w/ Crown Street Militia
Sept 7th – Canberra, The Baso w/ Blight Worms
Sept 9th – Brisbane, The Triffid w/ Awful Noise
Sept 10th – Townsville, The Warehouse w/ Varrim*
Sept 12th – Auckland, Galatos w/ Imperial Slave, Sawnoff*
Sept 13th – Christchurch, Loons w/ Vixen Execution, Unyielding Desolation*
Sept 14th – Wellington, San Fran w/ Glassblower, Post Natal Abortion*
*Wormrot not appearing in Perth, Townsville or NZ


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67321365Thu, 14 Aug 2025 05:50:33 +0000HEAVY MagazineInterview by Angela Croudace After more than 15 years, grindcore titans Pig Destroyer will finally return to Australia, and frontman J.R. Hayes couldn’t be more thrilled. “We’re just really, really excited,” he said. “It’s hard to get all the stars to...After more than 15 years, grindcore titans Pig Destroyer will finally return to Australia, and frontman J.R. Hayes couldn’t be more thrilled. “We’re just really, really excited,” he said. “It’s hard to get all the stars to align, but we’re finally doing it.”
Their long-awaited comeback is bolstered by the inclusion of Singaporean grind heavyweights Wormrot as tour support. “They’ve been one of the top grindcore bands for the last 10 years,” J.R. said. “You just have to make sure they don’t blow you off the stage.”
Known for their blistering speed, raw aggression, and lyrics that dive deep into the bleakest aspects of the human psyche, Pig Destroyer isn’t softening with age. “We always just try to write the craziest thing we can,” said J.R. “We don’t care about record sales—we never have. We just want to play it as hard as we can.”
While their music is undeniably dark, the band members are anything but grim. “Live, we’re just a bunch of idiots,” J.R. laughed. “You can’t really cover that up.”
A staunch believer in the rawness of sound, J.R. remains adamantly against over-polished production. “The best music is flawed music,” he insisted. “When things are too perfect, it just becomes Katy Perry to me. It doesn’t sound like it’s made by people.” If Pig Destroyer's next album ends up being a live one, let it be known that the idea was planted into J.R's mind by one incredible interviewer for Heavy Mag (I'm talking about myself).
For first-timers catching Pig Destroyer on this Australian run, expect chaos in the best way, a full assault on all the senses. “Usually it’s the mosh pit that hits them first,” he said. “Then the volume—it’s so loud it becomes a physical experience.”
As for what keeps the fire burning after decades in the underground, J.R. summed it up simply: “We never wanted to be a popular band. We just wanted to be a crazy band. Grindcore scratches an itch that nothing else can.”
Catch Pig Destroyer with Wormrot on Aussie shores in September. 
TICKETING DETAILS https://swdpresents.com
PIG DESTROYER with guests WORMROT performing at:
Sept 2nd – Perth, Amplifier Bar w/ Bile Cannon, Allocer*
Sept 4th – Adelaide, Lion Arts Factory w/ Meth Leppard
Sept 5th – Melbourne, Max Watts w/ Tongue Scum
Sept 6th – Sydney, The Factory Theatre w/ Crown Street Militia
Sept 7th – Canberra, The Baso w/ Blight Worms
Sept 9th – Brisbane, The Triffid w/ Awful Noise
Sept 10th – Townsville, The Warehouse w/ Varrim*
Sept 12th – Auckland, Galatos w/ Imperial Slave, Sawnoff*
Sept 13th – Christchurch, Loons w/ Vixen Execution, Unyielding Desolation*
Sept 14th – Wellington, San Fran w/ Glassblower, Post Natal Abortion*
*Wormrot not appearing in Perth, Townsville or NZ


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1222brutalmetal,extrememetal,grindcore,headbanger,heavymetal,hornsup,metal,metalband,metalhead,metalinterview,metalmusic,metalonline,metalpodcast,music,pigdestroyer,wormrottruefullhttps://www.spreaker.com/episode/lock-up-your-children-gwar-are-coming--67361907As with every other year, anticipation surrounding the first line up announcement for Good Things 2025 was almost at a fever pitch. Social media experts and promoter wannabe's all shared their projected line-ups - but most were well off the mark.
Good Things is possibly one of the hardest festival line ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.
When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.
Rock? Tick. Weezer, Garbage.
Pop Punk? Tick. All Time Low, New Found Glory.
Punk? Tick. Refused.
Metal? Big tick. Machine Head. Knocked Loose, Lorna Shore.
But there was one band name there that defied expectations. A band not even from this planet. A band dubbed 'Scumdogs Of The Universe'. A band like no other…
And that band is GWAR. These guys have been devastating audiences the world over for more than 40 years, their incredible backstory and characters resonating just as much as their music. But it is in the live arena that GWAR excels. Their stage shows are legendary, so much so that filmmakers were driven to make a documentary on the band and their history called This Is Gwar.
Yes, ladies and metalheads. This IS GWAR. And what follows is a brief transcript of HEAVY's interview with frontman Blöthar the Berserker, who, as you will be able to tell, is keen to get back to Australia and convert the country en route to enslaving the world. With Good Things sharing the same calendar month as Christmas, we ask Blothar if GWAR will be filling their red sacks with surprises for Aussie fans.
"(laughing) Well… mostly, when it comes to Christmas, we don't really hand out gifts as much as we take them," he offered. "Gwar is keeping alive that horrible tradition that the Dutch have, Black Pete. Can you believe that they did that? Who do these people think they are? But, seriously, that's what we do. We kidnap children, and we stuff them into stockings, and we turn them into coal and all of that stuff, then we run off with them to Morocco, or something like that. GWAR's not big on Christmas. We are friends with Krampus, though."
We run through the line-up again and reiterate our early observation that GWAR are the proverbial black sheep of the Good Things line up, a point which is not lost on Blothar as we ask if the people of Australia are ready for the carnage.
"I don't know. They loved it last time that the band went down there," he shrugged. "We took a swipe at Tony Abbott and everybody got all upset - boo hoo - but I don't even know what's going on politically in Australia now. We've been very busy… we've got our own problems here to worry about. I think Australians are gonna love GWAR. GWAR is a band that is funny. That's the difference. And let me be clear about that. You go see a heavy metal band… you don't go and see a lot of heavy metal bands where everyone you look at is smiling. They're laughing and having a good time. They can't believe they're seeing… they feel inspired to go and do something creative themselves. That's what GWAR is. That is what GWAR is."
In the full interview, Blothar talks more about the line up and gives his thoughts on spreading so many different genres through a festival, what has changed with GWAR since they were last out here, battling the oppressive Australian heat, what three songs punters should listen to if they aren't familiar with the band, where to research the backstory and find out more about the GWAR universe, their latest album The Return Of Gor Gor and how it was received, reaching 40 years as a band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67361907Thu, 14 Aug 2025 05:24:24 +0000HEAVY MagazineInterview by Kris Peters As with every other year, anticipation surrounding the first line up announcement for Good Things 2025 was almost at a fever pitch. Social media experts and promoter wannabe's all shared their projected line-ups - but most...As with every other year, anticipation surrounding the first line up announcement for Good Things 2025 was almost at a fever pitch. Social media experts and promoter wannabe's all shared their projected line-ups - but most were well off the mark.
Good Things is possibly one of the hardest festival line ups armchair critics get to sink their teeth into, with the diversity and seemingly flippant mashing of genres meaning pretty much any band from any genre could make the final cut. And this year was no exception.
When TOOL were announced as headliners, a large number of punters were already scrambling for tickets, but a quick scan through the rest of the line up proves the eclectic tastes of organisers and the variety of live music on show for fans of most persuasions.
Rock? Tick. Weezer, Garbage.
Pop Punk? Tick. All Time Low, New Found Glory.
Punk? Tick. Refused.
Metal? Big tick. Machine Head. Knocked Loose, Lorna Shore.
But there was one band name there that defied expectations. A band not even from this planet. A band dubbed 'Scumdogs Of The Universe'. A band like no other…
And that band is GWAR. These guys have been devastating audiences the world over for more than 40 years, their incredible backstory and characters resonating just as much as their music. But it is in the live arena that GWAR excels. Their stage shows are legendary, so much so that filmmakers were driven to make a documentary on the band and their history called This Is Gwar.
Yes, ladies and metalheads. This IS GWAR. And what follows is a brief transcript of HEAVY's interview with frontman Blöthar the Berserker, who, as you will be able to tell, is keen to get back to Australia and convert the country en route to enslaving the world. With Good Things sharing the same calendar month as Christmas, we ask Blothar if GWAR will be filling their red sacks with surprises for Aussie fans.
"(laughing) Well… mostly, when it comes to Christmas, we don't really hand out gifts as much as we take them," he offered. "Gwar is keeping alive that horrible tradition that the Dutch have, Black Pete. Can you believe that they did that? Who do these people think they are? But, seriously, that's what we do. We kidnap children, and we stuff them into stockings, and we turn them into coal and all of that stuff, then we run off with them to Morocco, or something like that. GWAR's not big on Christmas. We are friends with Krampus, though."
We run through the line-up again and reiterate our early observation that GWAR are the proverbial black sheep of the Good Things line up, a point which is not lost on Blothar as we ask if the people of Australia are ready for the carnage.
"I don't know. They loved it last time that the band went down there," he shrugged. "We took a swipe at Tony Abbott and everybody got all upset - boo hoo - but I don't even know what's going on politically in Australia now. We've been very busy… we've got our own problems here to worry about. I think Australians are gonna love GWAR. GWAR is a band that is funny. That's the difference. And let me be clear about that. You go see a heavy metal band… you don't go and see a lot of heavy metal bands where everyone you look at is smiling. They're laughing and having a good time. They can't believe they're seeing… they feel inspired to go and do something creative themselves. That's what GWAR is. That is what GWAR is."
In the full interview, Blothar talks more about the line up and gives his thoughts on spreading so many different genres through a festival, what has changed with GWAR since they were last out here, battling the oppressive Australian heat, what three songs punters should listen to if they aren't familiar with the band, where to research the backstory and find out more about the GWAR universe, their latest album The Return Of Gor Gor and how it was received, reaching 40 years as a band and more.

872australia,garbage,goodthingsfestival,gwar,hardrock,headbangers,heavy,heavymetal,hornsup,knockedloose,krispeters,lornashore,machinehead,metalfestival,metalheads,metalpodcast,music,musicfestival,rock,tooltruefullhttps://www.spreaker.com/episode/making-some-noise-at-bigsound-with-grecco-romank--67353753This year's BIGSOUND, to be held in the usual areas of Brisbane's Fortitude Valley over September 2 to 5, features more than 120 bands playing across 18 stages so it looks like we are going to have our work cut out for us.
But getting to know the bands a little better beforehand always helps, so today we chat with one of the emerging bands from New Zealand heading this way for BIGSOUND, Grecco Romank.
Described as offering dysfunctional music - the kind played in your uncle's garage rave while he's in the middle of a hellish k-hole after being dismissed from his drop-shipping office - in a world increasingly obsessed with the exact opposite, Grecco Romank are a breath of fresh air on a scene that is often weighed down too much in its own self-importance.
But just to make sure the band are the genuine article, HEAVY sat down to chat with two of the three members, Billie Fee (classical soprano, vocals) and Damian Golfinopoulos (samples, synths and more), to find out just how interestingly different Grecco Romank really are.
"I've listened to every single one," Damian replied when we mentioned the number of bands playing at BIGSOUND. "It's gonna be a good year, I'm excited."
We ask Damian what bands stood out most after listening to them, not at all hoping to catch him out.
"Spike Fuck, UGLi, Mumfighter, Shock Corridor," he quipped without missing a beat.
Maybe they are the real deal... We ask how well prepared the band is for what will be a hectic few days in Australia.
"We've definitely we've got a bit of homework to do on trying to plan our days and make sure everyone gets to see what they want to see," Billie smiled. "We're also bringing our manager, so he can go do a lot of that stuff on our behalf (laughs)."
In the full interview, we further discuss Grecco Romank's upcoming performance at BigSound 2025 in Brisbane, where Damian and Billie shared insights about their band, which has been active for five years and has released three albums, primarily performing in Auckland. They described their music as a fusion of electronic elements and operatic vocals, emphasizing their goal of delivering an engaging live experience. The band is eager to connect with new audiences and fellow artists at the festival, and they plan to participate in workshops and networking events.
They also mentioned an unofficial show at the Junk Bar and a subsequent gig in Melbourne. Additionally, they provided details about their acclaimed third album, Arts Colony, highlighting its collaborative nature, the inclusion of a 330-page art book, and a secret version accessible via a code in the book and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67353753Wed, 13 Aug 2025 08:51:01 +0000HEAVY MagazineBIGSOUND can be anything you want it to be. You can choose to revel in the activities and workshops, or check out the band showcase gigs or watch/see/listen to any number of things, but the one thing that catches HEAVY every year is the range of live...This year's BIGSOUND, to be held in the usual areas of Brisbane's Fortitude Valley over September 2 to 5, features more than 120 bands playing across 18 stages so it looks like we are going to have our work cut out for us.
But getting to know the bands a little better beforehand always helps, so today we chat with one of the emerging bands from New Zealand heading this way for BIGSOUND, Grecco Romank.
Described as offering dysfunctional music - the kind played in your uncle's garage rave while he's in the middle of a hellish k-hole after being dismissed from his drop-shipping office - in a world increasingly obsessed with the exact opposite, Grecco Romank are a breath of fresh air on a scene that is often weighed down too much in its own self-importance.
But just to make sure the band are the genuine article, HEAVY sat down to chat with two of the three members, Billie Fee (classical soprano, vocals) and Damian Golfinopoulos (samples, synths and more), to find out just how interestingly different Grecco Romank really are.
"I've listened to every single one," Damian replied when we mentioned the number of bands playing at BIGSOUND. "It's gonna be a good year, I'm excited."
We ask Damian what bands stood out most after listening to them, not at all hoping to catch him out.
"Spike Fuck, UGLi, Mumfighter, Shock Corridor," he quipped without missing a beat.
Maybe they are the real deal... We ask how well prepared the band is for what will be a hectic few days in Australia.
"We've definitely we've got a bit of homework to do on trying to plan our days and make sure everyone gets to see what they want to see," Billie smiled. "We're also bringing our manager, so he can go do a lot of that stuff on our behalf (laughs)."
In the full interview, we further discuss Grecco Romank's upcoming performance at BigSound 2025 in Brisbane, where Damian and Billie shared insights about their band, which has been active for five years and has released three albums, primarily performing in Auckland. They described their music as a fusion of electronic elements and operatic vocals, emphasizing their goal of delivering an engaging live experience. The band is eager to connect with new audiences and fellow artists at the festival, and they plan to participate in workshops and networking events.
They also mentioned an unofficial show at the Junk Bar and a subsequent gig in Melbourne. Additionally, they provided details about their acclaimed third album, Arts Colony, highlighting its collaborative nature, the inclusion of a 330-page art book, and a secret version accessible via a code in the book and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>873bigsound,greccoromank,hardrock,heavy,heavymetal,hiphop,krispeters,music,musicpodcast,newzealand,rocktruefullhttps://www.spreaker.com/episode/paradise-lost-s-gregor-mackintosh-on-producing-ascension-imperfections-and-staying-true--67352669Three decades into their career, Paradise Lost remain masters of gothic metal’s melancholic grandeur. With their new album Ascension, guitarist Gregor Mackintosh took on the dual role of musician and producer—a responsibility he says wasn’t a giant leap, given his growing involvement in shaping the band’s sound over recent albums.
“In the past, producers used to be heavily involved in songwriting and structure,” Gregor explained. “Now it’s more about getting the sound in your head onto the record.” While self-producing offered him complete creative control, it also brought the risk of over-polishing, a trap he deliberately avoided. “Metal’s become so sanitised, chasing perfection until all the character is gone. I wanted Ascension to have flaws that give it life.”
Inspiration for Ascension struck after a period of creative standstill, triggered, unexpectedly, by the band’s re-recording of their 1993 album Icon. “It put me in a different headspace,” Gregor says. The record’s visual identity came together just as organically, centred on George Frederick Watts’ Victorian painting The Court of Death, whose calm central figure surrounded by grief perfectly mirrored the album’s themes.
For Gregor, Paradise Lost’s longevity comes from refusing to chase trends. “We’ve always done our own thing, not been part of any scene,” he says. “If it resonates, great—if not, so be it.” That independence extends to songwriting, where fan expectations take a back seat to authenticity.
And while misery remains at the heart of Paradise Lost’s music, Gregor sees its appeal as intensely uplifting. “Dark music is evocative; it makes you feel something. It’s not about being miserable, it’s about connection.”
Australian fans may get to experience Ascension live in early 2026, with tour plans currently in discussion. “Fingers crossed,” Gregor says. “We’d love to be back.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67352669Wed, 13 Aug 2025 04:21:09 +0000HEAVY MagazineInterview by Angela Croudace Three decades into their career, Paradise Lost remain masters of gothic metal’s melancholic grandeur. With their new album Ascension, guitarist Gregor Mackintosh took on the dual role of musician and producer—a...Three decades into their career, Paradise Lost remain masters of gothic metal’s melancholic grandeur. With their new album Ascension, guitarist Gregor Mackintosh took on the dual role of musician and producer—a responsibility he says wasn’t a giant leap, given his growing involvement in shaping the band’s sound over recent albums.
“In the past, producers used to be heavily involved in songwriting and structure,” Gregor explained. “Now it’s more about getting the sound in your head onto the record.” While self-producing offered him complete creative control, it also brought the risk of over-polishing, a trap he deliberately avoided. “Metal’s become so sanitised, chasing perfection until all the character is gone. I wanted Ascension to have flaws that give it life.”
Inspiration for Ascension struck after a period of creative standstill, triggered, unexpectedly, by the band’s re-recording of their 1993 album Icon. “It put me in a different headspace,” Gregor says. The record’s visual identity came together just as organically, centred on George Frederick Watts’ Victorian painting The Court of Death, whose calm central figure surrounded by grief perfectly mirrored the album’s themes.
For Gregor, Paradise Lost’s longevity comes from refusing to chase trends. “We’ve always done our own thing, not been part of any scene,” he says. “If it resonates, great—if not, so be it.” That independence extends to songwriting, where fan expectations take a back seat to authenticity.
And while misery remains at the heart of Paradise Lost’s music, Gregor sees its appeal as intensely uplifting. “Dark music is evocative; it makes you feel something. It’s not about being miserable, it’s about connection.”
Australian fans may get to experience Ascension live in early 2026, with tour plans currently in discussion. “Fingers crossed,” Gregor says. “We’d love to be back.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1899angelacroudace,gothicmetal,heavy,heavymetal,hornsup,metal,metalhead,metalinterview,metalpodcast,moshpit,music,paradiselosttruefullhttps://www.spreaker.com/episode/rock-hard-or-go-home-with-phil-tish--67342221After championing the cause for Australian music for almost a decade via their weekly radio show, Rock Hard With Phil & Tish, the two co-hosts have decided to take the next step in their evolution, putting on the first-ever Rock Hard Festival in Adelaide.
For two nights over October 10 and 11, Woodshed at Royal Park will host Aussie rock legends The Poor, headlining both nights with a selection of some of this country's hottest emerging bands such as Audio Reign, Karly Jewell, The Dreadful Tides, Ablaze, Avalanche and more.
Not content to help grow and nurture homegrown talent over just the airwaves, Phil & Tish have decided to give the band a bigger platform from which to show their wares in the first of what is hoped to be a long-running annual concert event.
HEAVY recently sat down with Phil & Tish, who were understandably a bit nervous with their roles as radio hosts/interviewers reversed.
"We have a radio show on PBA FM every Wednesday night," Phil explained, setting the mood. "It's been going for about seven, eight years and is called Rock Hard with Phil and Tish, and we try to rock."
"Yeah, PBA FM every Wednesday night," Tish reiterated. "We are 9pm Australian Central Standard Time, and we are your local insane metalheads. We're very much a variety show of heavy and hard rock."
We bring up the excellent line-up and ask what their selection process was when deciding who to book.
"We picked all bands we have relationships with over the journey," Phil measured. "We're fans of… I mean, The Poor… I was 14 when I got into them, and Skenie (vocalist) was the first interview I did where I actually reached out to someone that I grew up enjoying their music, and I thought I'll shoot him a message. I thought, I'm gonna fire a shot and see what he says, and a couple of weeks later he came back, and he said I'd love to have a chat, and I chatted to him for about an hour on the show. Because I'm such a fan - and when you're 14, they're like larger-than-life rock stars - and to think he's having a chat on our show probably opened up the courage for me to approach other bands and stuff that we've loved. Literally every band that we've got on this festival are just great Aussie bands, and we're so stoked that they've agreed to play."
In the full interview, Phil and Tish shared insights into their planning for Rock Hard Festival, emphasizing their commitment to showcasing Australian talent and the challenges they faced in curating a lineup that reflects their personal relationships with the artists. They expressed excitement about the festival's potential, particularly with the inclusion of local bands and the overwhelming interest from musicians wanting to participate, as well as the scheduling of two nights of live entertainment and the reasonable ticket prices.
They highlighted the festival's unique offerings, such as a special beer crafted by Beer No Evil and the decision to have The Poor headline both nights. We discussed the significance of including acts like Audio Reign, who were the first band interviewed in their studio, as well as their radio show Rock Hard and how and why they got into a radio career based in music, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67342221Wed, 13 Aug 2025 01:51:57 +0000HEAVY MagazineInterview by Kris Peters After championing the cause for Australian music for almost a decade via their weekly radio show, Rock Hard With Phil & Tish, the two co-hosts have decided to take the next step in their evolution, putting on the...After championing the cause for Australian music for almost a decade via their weekly radio show, Rock Hard With Phil & Tish, the two co-hosts have decided to take the next step in their evolution, putting on the first-ever Rock Hard Festival in Adelaide.
For two nights over October 10 and 11, Woodshed at Royal Park will host Aussie rock legends The Poor, headlining both nights with a selection of some of this country's hottest emerging bands such as Audio Reign, Karly Jewell, The Dreadful Tides, Ablaze, Avalanche and more.
Not content to help grow and nurture homegrown talent over just the airwaves, Phil & Tish have decided to give the band a bigger platform from which to show their wares in the first of what is hoped to be a long-running annual concert event.
HEAVY recently sat down with Phil & Tish, who were understandably a bit nervous with their roles as radio hosts/interviewers reversed.
"We have a radio show on PBA FM every Wednesday night," Phil explained, setting the mood. "It's been going for about seven, eight years and is called Rock Hard with Phil and Tish, and we try to rock."
"Yeah, PBA FM every Wednesday night," Tish reiterated. "We are 9pm Australian Central Standard Time, and we are your local insane metalheads. We're very much a variety show of heavy and hard rock."
We bring up the excellent line-up and ask what their selection process was when deciding who to book.
"We picked all bands we have relationships with over the journey," Phil measured. "We're fans of… I mean, The Poor… I was 14 when I got into them, and Skenie (vocalist) was the first interview I did where I actually reached out to someone that I grew up enjoying their music, and I thought I'll shoot him a message. I thought, I'm gonna fire a shot and see what he says, and a couple of weeks later he came back, and he said I'd love to have a chat, and I chatted to him for about an hour on the show. Because I'm such a fan - and when you're 14, they're like larger-than-life rock stars - and to think he's having a chat on our show probably opened up the courage for me to approach other bands and stuff that we've loved. Literally every band that we've got on this festival are just great Aussie bands, and we're so stoked that they've agreed to play."
In the full interview, Phil and Tish shared insights into their planning for Rock Hard Festival, emphasizing their commitment to showcasing Australian talent and the challenges they faced in curating a lineup that reflects their personal relationships with the artists. They expressed excitement about the festival's potential, particularly with the inclusion of local bands and the overwhelming interest from musicians wanting to participate, as well as the scheduling of two nights of live entertainment and the reasonable ticket prices.
They highlighted the festival's unique offerings, such as a special beer crafted by Beer No Evil and the decision to have The Poor headline both nights. We discussed the significance of including acts like Audio Reign, who were the first band interviewed in their studio, as well as their radio show Rock Hard and how and why they got into a radio career based in music, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2141audioreign,avalanche,hardrock,headbangers,heavy,hornsup,karlyjewell,metal,metalhead,metalinterview,metalpodcast,music,musicfestival,musicinterview,musicradio,rockfestival,rockhardfestival,rockhardwithphil&tish,thedreadfultides,thepoortruefullhttps://www.spreaker.com/episode/in-transmission-channel-frustration-and-hope-on-betterment--67320790Post-rock outfit In Transmission are back with their new EP, Betterment, a record that blends atmospheric beauty with an urgent social conscience. Frontman Martin says the inspiration behind lead single Catching Up (and the EP as a whole) comes from observing a world plagued by environmental and civil issues, often met with apathy.
“When it’s out of sight and out of mind, it’s easy not to care,” Martin explains. “But if we ignore these things and just focus on our own individual lives, it’s going to catch up to us.” That message of personal accountability, particularly through mindful spending and daily decisions, threads through the band’s latest work.
Betterment also represents an evolution in In Transmission’s sound. Known for their instrumental, post-rock style, the group has embraced a more vocal-forward approach, blending melodic guitar layers with a heavier edge. “It’s about trying to do better in all aspects — creatively and personally,” Martin says. “We’ve naturally gravitated toward a heavier live set, but still hold onto the atmospheric elements.”
Recorded with longtime collaborator Beau Burchell, the EP benefited from Burchell’s ability to enhance rather than overhaul the band’s ideas. “He just takes what we have and makes it sound way better,” Martin notes.
The writing process remains rooted in live jamming, with songs developing organically — sometimes in a single rehearsal, other times through extensive trial and error. Influences range from post-rock staples Mogwai and Sigur Rós to post-hardcore acts like Thrice, Citizen, and Basement.
The Catching Up music video, filmed in a Los Angeles photo studio, takes a simple performance setup and adds a playful twist in the form of a motorised rotating floor. “It started as a joke,” Martin laughs, “but ended up being some of the coolest shots.”
While touring is on hold due to new arrivals in the band’s extended family, Martin hopes Australia is in their future. A keen surfer, he dreams of spending a month exploring the coastline. “That’s why I haven’t gone yet — I want to do it properly.”
For now, Betterment captures a band balancing introspection and intensity, with music that resonates as much in a wedding aisle as it does in a packed venue. Watch the interview for more on the sweet request from a fan to walk down the aisle to an In Transmission song.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67320790Mon, 11 Aug 2025 12:44:38 +0000HEAVY MagazineInterview by Angela Croudace Post-rock outfit In Transmission are back with their new EP, Betterment, a record that blends atmospheric beauty with an urgent social conscience. Frontman Martin says the inspiration behind lead single Catching Up (and...Post-rock outfit In Transmission are back with their new EP, Betterment, a record that blends atmospheric beauty with an urgent social conscience. Frontman Martin says the inspiration behind lead single Catching Up (and the EP as a whole) comes from observing a world plagued by environmental and civil issues, often met with apathy.
“When it’s out of sight and out of mind, it’s easy not to care,” Martin explains. “But if we ignore these things and just focus on our own individual lives, it’s going to catch up to us.” That message of personal accountability, particularly through mindful spending and daily decisions, threads through the band’s latest work.
Betterment also represents an evolution in In Transmission’s sound. Known for their instrumental, post-rock style, the group has embraced a more vocal-forward approach, blending melodic guitar layers with a heavier edge. “It’s about trying to do better in all aspects — creatively and personally,” Martin says. “We’ve naturally gravitated toward a heavier live set, but still hold onto the atmospheric elements.”
Recorded with longtime collaborator Beau Burchell, the EP benefited from Burchell’s ability to enhance rather than overhaul the band’s ideas. “He just takes what we have and makes it sound way better,” Martin notes.
The writing process remains rooted in live jamming, with songs developing organically — sometimes in a single rehearsal, other times through extensive trial and error. Influences range from post-rock staples Mogwai and Sigur Rós to post-hardcore acts like Thrice, Citizen, and Basement.
The Catching Up music video, filmed in a Los Angeles photo studio, takes a simple performance setup and adds a playful twist in the form of a motorised rotating floor. “It started as a joke,” Martin laughs, “but ended up being some of the coolest shots.”
While touring is on hold due to new arrivals in the band’s extended family, Martin hopes Australia is in their future. A keen surfer, he dreams of spending a month exploring the coastline. “That’s why I haven’t gone yet — I want to do it properly.”
For now, Betterment captures a band balancing introspection and intensity, with music that resonates as much in a wedding aisle as it does in a packed venue. Watch the interview for more on the sweet request from a fan to walk down the aisle to an In Transmission song.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1242album,angelacroudace,hardrock,headbanger,heavy,heavymetal,hornsup,intransmission,metal,metalband,metalheads,metalinterview,metalmagazine,metalmusic,metalnews,metalpodcast,music,musicinterview,postrock,rockfalsefullhttps://www.spreaker.com/episode/paleface-swiss-from-diy-beginnings-to-global-metal-domination--67318116When Cursed hit number seven on the Spotify global charts, Paleface Swiss didn't just make a statement — they detonated it into the metal world. For guitarist Yannick Lehmann, the milestone still feels surreal. "It's unbelievable. We're completely DIY, no label, nothing — so to see that kind of success is mind-blowing," he says.
Formed in 2018 as a local Swiss act, Paleface Swiss quickly built momentum in the hardcore beatdown scene before COVID shut the world down. Instead of stalling, the band doubled down, writing two albums and teasing songs online. Their audience was ready and hungry by the time live shows returned.
Switzerland may be known for peace and neutrality, but Paleface Swiss are proud to represent the country's heavier side. "We love being the hardest band from our country," Yannick laughs. Yet the journey wasn't straightforward. Yannick initially joined as a studio guitarist, unsure about committing full-time. Fast forward to 2025, and he's now a full-time musician, having traded carpentry for crushing riffs.
With its raw, live-ready sound, Cursed was born under sunny skies in Spain's Canary Islands, with palm trees, a pool, and nightly darts championships. "We had the time of our lives making it," Yannick recalls. "When we write, we write to play live — raw and powerful." That live energy translates into ferocious shows, whether it's sweaty clubs or on massive festival stages.
Australian fans, he says, match the wild energy of U.S. crowds, with memories of wheelchair crowd-surfing standing out. This September, the band returns to Australia, bringing friends and early inspirations Nasty along for the ride — a full-circle moment for a band heavily inspired by them in their formative years.
Paleface Swiss' Influences range from metal titans Judas Priest and Iron Maiden to Slipknot, hardcore heavyweights, and even dubstep and hip-hop. That genre-blending spirit gives Cursed unexpected textures without losing its bone-crushing core.
Off stage, Yannick stays grounded, valuing personal connections with fans over rock-star distance. And while a mandatory stint in Swiss military service looms after the tour, there's minimal downtime in sight. "We never rest," he says. "There's always something to do."
With their relentless drive and genre-defying edge, Paleface Swiss aren't just rewriting the rules for heavy music in Switzerland; they're smashing them to pieces globally. This Aussie run of shows is one you don't wanna miss! Tickets: https://thephoenix.au/



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67318116Sun, 10 Aug 2025 08:43:55 +0000HEAVY MagazineInterview by Angela Croudace When Cursed hit number seven on the Spotify global charts, Paleface Swiss didn't just make a statement — they detonated it into the metal world. For guitarist Yannick Lehmann, the milestone still feels surreal. "It's...When Cursed hit number seven on the Spotify global charts, Paleface Swiss didn't just make a statement — they detonated it into the metal world. For guitarist Yannick Lehmann, the milestone still feels surreal. "It's unbelievable. We're completely DIY, no label, nothing — so to see that kind of success is mind-blowing," he says.
Formed in 2018 as a local Swiss act, Paleface Swiss quickly built momentum in the hardcore beatdown scene before COVID shut the world down. Instead of stalling, the band doubled down, writing two albums and teasing songs online. Their audience was ready and hungry by the time live shows returned.
Switzerland may be known for peace and neutrality, but Paleface Swiss are proud to represent the country's heavier side. "We love being the hardest band from our country," Yannick laughs. Yet the journey wasn't straightforward. Yannick initially joined as a studio guitarist, unsure about committing full-time. Fast forward to 2025, and he's now a full-time musician, having traded carpentry for crushing riffs.
With its raw, live-ready sound, Cursed was born under sunny skies in Spain's Canary Islands, with palm trees, a pool, and nightly darts championships. "We had the time of our lives making it," Yannick recalls. "When we write, we write to play live — raw and powerful." That live energy translates into ferocious shows, whether it's sweaty clubs or on massive festival stages.
Australian fans, he says, match the wild energy of U.S. crowds, with memories of wheelchair crowd-surfing standing out. This September, the band returns to Australia, bringing friends and early inspirations Nasty along for the ride — a full-circle moment for a band heavily inspired by them in their formative years.
Paleface Swiss' Influences range from metal titans Judas Priest and Iron Maiden to Slipknot, hardcore heavyweights, and even dubstep and hip-hop. That genre-blending spirit gives Cursed unexpected textures without losing its bone-crushing core.
Off stage, Yannick stays grounded, valuing personal connections with fans over rock-star distance. And while a mandatory stint in Swiss military service looms after the tour, there's minimal downtime in sight. "We never rest," he says. "There's always something to do."
With their relentless drive and genre-defying edge, Paleface Swiss aren't just rewriting the rules for heavy music in Switzerland; they're smashing them to pieces globally. This Aussie run of shows is one you don't wanna miss! Tickets: https://thephoenix.au/



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1159angelacroudace,australia,hardrock,heavy,heavymetal,metal,music,musicinterviews,palefaceswiss,tourfalsefullhttps://www.spreaker.com/episode/beauty-school-dropout-prepare-for-their-most-defining-era-yet--67301474With their upcoming album, Where Did All the Butterflies Go? dropping on September 5, LA-based rock outfit Beauty School Dropout are stepping into their boldest sonic chapter yet. The band (Colie, Bardo, Beepus, and Colton) describe the record as "the best music we've ever made," a profoundly personal and genre-blurring journey through love, loss, and self-discovery.
The album's title stems from emotional reckoning, as Colie reflected on a relationship that dulled his spirit: "I just didn't feel anything anymore… I was like, where did all the butterflies go?" That question became the emotional nucleus of the album, which explores falling out of love, not just romantically, but with society, identity, and purpose.
The record marks a creative leap for BSD, produced with legendary studio wizard Neil Avron (Fall Out Boy, Linkin Park). "We took a year and a half to write this," they shared. "It's the first time we've ever sunk our teeth into an album fully." The result is a kaleidoscope of influences from EDM and indie sleaze to pop punk and party rock, anchored by raw emotion and explosive energy.
Their single On Your Lips leans into techno-inspired textures, a nod to their love of underground sounds and Jersey Club rhythms. "We've always loved EDM," they said, "and we wanted to bring party rock back."
Having shared stages with Blink-182 and played iconic festivals like Lollapalooza and Download, BSD are no strangers to surreal moments. Yet, they remain grounded. "We're grateful, but we're ambitious," they said. "Five years from now, we just want to be having as much fun as we are now."
Whether it's jump rope competitions, tattoo artistry, or bingeing Seth Rogen's The Studio, BSD's off-stage lives are as eclectic as their music. And yes, Australia is firmly on their radar. "We think about Australia every day," they laughed. "2026—we're manifesting it."
Beauty School Dropout are seriously impressive to an elder emo like myself and is just the band I've been looking for to satisfy my teenage nostalgia itch as a 30-something year old today. The best part is, I could have been totally intimidated by these shirtless Californians, but these boys were so down-to-earth and humble despite being backed by some huge artists in the industry. BSD is ready to soar with authenticity as their compass and butterflies as their muse, and I only want more!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67301474Fri, 08 Aug 2025 14:10:21 +0000HEAVY MagazineInterview by Angela Croudace With their upcoming album, Where Did All the Butterflies Go? dropping on September 5, LA-based rock outfit Beauty School Dropout are stepping into their boldest sonic chapter yet. The band (Colie, Bardo, Beepus, and...With their upcoming album, Where Did All the Butterflies Go? dropping on September 5, LA-based rock outfit Beauty School Dropout are stepping into their boldest sonic chapter yet. The band (Colie, Bardo, Beepus, and Colton) describe the record as "the best music we've ever made," a profoundly personal and genre-blurring journey through love, loss, and self-discovery.
The album's title stems from emotional reckoning, as Colie reflected on a relationship that dulled his spirit: "I just didn't feel anything anymore… I was like, where did all the butterflies go?" That question became the emotional nucleus of the album, which explores falling out of love, not just romantically, but with society, identity, and purpose.
The record marks a creative leap for BSD, produced with legendary studio wizard Neil Avron (Fall Out Boy, Linkin Park). "We took a year and a half to write this," they shared. "It's the first time we've ever sunk our teeth into an album fully." The result is a kaleidoscope of influences from EDM and indie sleaze to pop punk and party rock, anchored by raw emotion and explosive energy.
Their single On Your Lips leans into techno-inspired textures, a nod to their love of underground sounds and Jersey Club rhythms. "We've always loved EDM," they said, "and we wanted to bring party rock back."
Having shared stages with Blink-182 and played iconic festivals like Lollapalooza and Download, BSD are no strangers to surreal moments. Yet, they remain grounded. "We're grateful, but we're ambitious," they said. "Five years from now, we just want to be having as much fun as we are now."
Whether it's jump rope competitions, tattoo artistry, or bingeing Seth Rogen's The Studio, BSD's off-stage lives are as eclectic as their music. And yes, Australia is firmly on their radar. "We think about Australia every day," they laughed. "2026—we're manifesting it."
Beauty School Dropout are seriously impressive to an elder emo like myself and is just the band I've been looking for to satisfy my teenage nostalgia itch as a 30-something year old today. The best part is, I could have been totally intimidated by these shirtless Californians, but these boys were so down-to-earth and humble despite being backed by some huge artists in the industry. BSD is ready to soar with authenticity as their compass and butterflies as their muse, and I only want more!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1045album,angelacroudace,beautyschooldropout,heavy,music,musicinterview,partyrock,rocktruefullhttps://www.spreaker.com/episode/cracking-the-code-with-stormflower--67298133They say in music, as in life, it is the little things that ease the pain. Things like planning, preparation, practice... anything that can be considered a building block or a platform to sustain you along the arduous journey that confronts each and every musician at some stage of their career. But no matter the amount of time and thought you put into even the minutest of details, the music machine will invariably strike and send you flailing into the darkness from where you came and poke holes in your surroundings just for good measure.
Sound bleak? That's because it is, but building a firm base can act as a buffer and allow that faint glimmer of hope to remain in your eyes, if even for one moment longer.
Which is what Stormflower have done before unleashing their debut song Coda into the world. They have spent countless hours planning and practising before releasing music, even managing to secure a place on the roster of Australia's emerging label XMusic, but you can never be too sure. The proof, as they say, is in the pudding.
And that pudding arrived earlier today courtesy of Coda, with HEAVY taking the opportunity to talk with the band while still in the honeymoon period, catching guitarist Owen, drummer Julien and vocalist Robert a mere couple of hours after Coda hit the streets.
"Coda is a bit of a journey," Owen began. "It's touching on a few elements around where we are and the whole cycle of life thing and in reference to CODA and the DSL CODA, etc, where we return to start in that sense, and trying to figure it out along the way and try to get some help along the way to help make sense of it all as well."
The press release refers to Stormflower's genre-defying sound and experimental nature, which we ask the boys to elaborate on further.
"I guess we've got lots of influences," Julien measured. "I think there's bands that we love that are quite experimental as well. We try to do something that's a bit unique, mixing different genres. And I guess when we say experimental, that means musically, but also spiritually, maybe trying to challenge ideas and concepts."
In the full interview, the boys discussed Coda in greater detail, which marks their first release under XMusic and is part of an upcoming EP featuring a blend of heavier and more accessible tracks. The band emphasized their commitment to emotional depth and authenticity in their music, highlighting their perfectionist tendencies in the creative process and their collaboration with XMusic to ensure quality. They shared their experimental approach, merging influences from various genres to create a unique sound, and expressed excitement for live performances and audience connection and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67298133Fri, 08 Aug 2025 07:54:05 +0000HEAVY MagazineSydney rock outfit Stormflower are effectively about to take their first steps into the world, placing themselves at the mercy of the public in pursuit of musical fulfilment. They say in music, as in life, it is the little things that ease the pain....They say in music, as in life, it is the little things that ease the pain. Things like planning, preparation, practice... anything that can be considered a building block or a platform to sustain you along the arduous journey that confronts each and every musician at some stage of their career. But no matter the amount of time and thought you put into even the minutest of details, the music machine will invariably strike and send you flailing into the darkness from where you came and poke holes in your surroundings just for good measure.
Sound bleak? That's because it is, but building a firm base can act as a buffer and allow that faint glimmer of hope to remain in your eyes, if even for one moment longer.
Which is what Stormflower have done before unleashing their debut song Coda into the world. They have spent countless hours planning and practising before releasing music, even managing to secure a place on the roster of Australia's emerging label XMusic, but you can never be too sure. The proof, as they say, is in the pudding.
And that pudding arrived earlier today courtesy of Coda, with HEAVY taking the opportunity to talk with the band while still in the honeymoon period, catching guitarist Owen, drummer Julien and vocalist Robert a mere couple of hours after Coda hit the streets.
"Coda is a bit of a journey," Owen began. "It's touching on a few elements around where we are and the whole cycle of life thing and in reference to CODA and the DSL CODA, etc, where we return to start in that sense, and trying to figure it out along the way and try to get some help along the way to help make sense of it all as well."
The press release refers to Stormflower's genre-defying sound and experimental nature, which we ask the boys to elaborate on further.
"I guess we've got lots of influences," Julien measured. "I think there's bands that we love that are quite experimental as well. We try to do something that's a bit unique, mixing different genres. And I guess when we say experimental, that means musically, but also spiritually, maybe trying to challenge ideas and concepts."
In the full interview, the boys discussed Coda in greater detail, which marks their first release under XMusic and is part of an upcoming EP featuring a blend of heavier and more accessible tracks. The band emphasized their commitment to emotional depth and authenticity in their music, highlighting their perfectionist tendencies in the creative process and their collaboration with XMusic to ensure quality. They shared their experimental approach, merging influences from various genres to create a unique sound, and expressed excitement for live performances and audience connection and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1194australia,experimentalrock,hardrock,heavy,krispeters,music,musicinterview,musicpodcast,rock,single,stormflower,xmusicfalsefullhttps://www.spreaker.com/episode/adding-froth-to-the-fury-with-jake-steinhauser-from-polaris--67297506Polaris have been conquering the world one country at a time since the release of their third album, Fatalist, in 2023. 
Having already firmly established their place as a fixture in the Australian heavy landscape via their first two albums - 2020’s ARIA Award-nominated The Death Of Me and 2017’s The Mortal Coil, which debuted in the Australian Top 10 - Polaris have earnt themselves a laundry list of accolades along with sold-out headline tours of Australia and previous tours across the globe, including most recently performing at Good Things Festival in 2022 alongside headliners Bring Me The Horizon. 2023 saw POLARIS head overseas for multiple European summer festival appearances, and the band's global love affair has been on an upward trajectory ever since.
Last month, Polaris were finally given their deserved level of respect in their home country when they were named to headline Froth & Fury 2026, a rapidly growing Australian festival that this year has expanded to feature Perth for the first time as well as its adopted home in Adelaide. 
Polaris' name sits proudly on the event poster atop some legends of the music world, with Soulfly, Nailbomb, Comeback Kid and Lagwagon leading the international charge, and Frenzal Rhomb, Ocean Sleeper, Private Function, Terminal Sleep and Zuko joining Polaris for home country honours. HEAVY recently caught up with bassist/vocalist Jake Steinhauser to firstly congratulate the band on their headlining status.
"Thank you so much," he replied sincerely. "We're absolutely stoked to be headlining the fest. Just to be at the stage to be doing anything like that at this point is really awesome for us. So, yeah, very, excited."
We mention the high number of Australian bands on the bill and ask Jake how important festivals that reward homegrown talent are for the Australian music industry and what emerging bands can take out of the experience.
"I guess being here in Australia, we're so separated from the world and there's kind of almost like this illustriousness to some of the bands that do come over here and play shows," he measured. "Getting to see some of our bands rub shoulders with them, regardless of what level they are themselves, helps to put the image of that band in a similar place in your mind, especially as a young audience goer. I remember when we were young, the pinnacle of what we could - just to go back to Soundwave again - was always… we just wanted to desperately play that festival. And, sadly, it's not with us anymore. But every time we get to do something here at home, I am always reminding myself of what it looked like to see those local bands, to see the homegrown heroes and stuff like that."
In the full interview, Jake expressed gratitude for the opportunity and highlighted Froth & Fury's diverse lineup, which is beneficial for emerging artists. He detailed the extensive planning and rehearsal involved in their live performances, the positive reception of their latest album, and shared experiences from recent tours. He also provided an update on Polaris' new album, indicating progress in the writing process and plans for a focused retreat in New South Wales, while expressing excitement about the new material and upcoming shows in Japan and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67297506Fri, 08 Aug 2025 07:06:59 +0000HEAVY MagazineInterview by Kris Peters Polaris have been conquering the world one country at a time since the release of their third album, Fatalist, in 2023.  Having already firmly established their place as a fixture in the Australian heavy landscape via their...Polaris have been conquering the world one country at a time since the release of their third album, Fatalist, in 2023. 
Having already firmly established their place as a fixture in the Australian heavy landscape via their first two albums - 2020’s ARIA Award-nominated The Death Of Me and 2017’s The Mortal Coil, which debuted in the Australian Top 10 - Polaris have earnt themselves a laundry list of accolades along with sold-out headline tours of Australia and previous tours across the globe, including most recently performing at Good Things Festival in 2022 alongside headliners Bring Me The Horizon. 2023 saw POLARIS head overseas for multiple European summer festival appearances, and the band's global love affair has been on an upward trajectory ever since.
Last month, Polaris were finally given their deserved level of respect in their home country when they were named to headline Froth & Fury 2026, a rapidly growing Australian festival that this year has expanded to feature Perth for the first time as well as its adopted home in Adelaide. 
Polaris' name sits proudly on the event poster atop some legends of the music world, with Soulfly, Nailbomb, Comeback Kid and Lagwagon leading the international charge, and Frenzal Rhomb, Ocean Sleeper, Private Function, Terminal Sleep and Zuko joining Polaris for home country honours. HEAVY recently caught up with bassist/vocalist Jake Steinhauser to firstly congratulate the band on their headlining status.
"Thank you so much," he replied sincerely. "We're absolutely stoked to be headlining the fest. Just to be at the stage to be doing anything like that at this point is really awesome for us. So, yeah, very, excited."
We mention the high number of Australian bands on the bill and ask Jake how important festivals that reward homegrown talent are for the Australian music industry and what emerging bands can take out of the experience.
"I guess being here in Australia, we're so separated from the world and there's kind of almost like this illustriousness to some of the bands that do come over here and play shows," he measured. "Getting to see some of our bands rub shoulders with them, regardless of what level they are themselves, helps to put the image of that band in a similar place in your mind, especially as a young audience goer. I remember when we were young, the pinnacle of what we could - just to go back to Soundwave again - was always… we just wanted to desperately play that festival. And, sadly, it's not with us anymore. But every time we get to do something here at home, I am always reminding myself of what it looked like to see those local bands, to see the homegrown heroes and stuff like that."
In the full interview, Jake expressed gratitude for the opportunity and highlighted Froth & Fury's diverse lineup, which is beneficial for emerging artists. He detailed the extensive planning and rehearsal involved in their live performances, the positive reception of their latest album, and shared experiences from recent tours. He also provided an update on Polaris' new album, indicating progress in the writing process and plans for a focused retreat in New South Wales, while expressing excitement about the new material and upcoming shows in Japan and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1032australia,frenzalrhomb,froth&furyfestival,hardrock,heavy,heavymetal,krispeters,lagwagon,music,musicfestival,musicinterview,nailbomb,podcast,polaris,punkrock,soulflyfalsefullhttps://www.spreaker.com/episode/rome-wasn-t-built-in-a-day-with-jerome-reuter--67284633For 20 years, Jerome Reuter a.k.a. ROME has been a force to reckon with in the musical underground. Through relentless touring and a steady stream of high-quality concept albums, ROME has built a remarkably loyal following from Berlin to LA, from Sydney to Saigon, from Lisbon to Kyiv.
The Luxembourg-born singer-songwriter has created an authoritative body of work, encompassing more than 20 full-length albums and numerous other official releases. ROME's compelling brand of Dark Folk merges various musical influences, from Post-Punk to Chanson. Lyrically inspired by world literature from Burroughs to Brecht, Celine to Cioran, from Hesse to Jünger; ROME’s detailed, well-researched, yet particularly accessible concept albums combine his interest in history, philosophy and the arts in a most compelling way. Through his unique vision, he has managed to establish his very own musical niche informed by various European folk and Chanson traditions coupled with post punk and industrial influences.
Now, for the very first time, Reuter is heading to Australia for a select run of shows starting from August 22, and to celebrate the occasion, HEAVY was fortunate enough to score some time to discuss his plans. We start by asking Reuter why he has neglected us for the last two decades (with a smile, of course).
"Good question," he laughed. "There were a few attempts before, but there was COVID and this and that, but finally we got this back on track for this year and also because it's our 20th anniversar,y we are doing a big tour, so I guess we waited a little bit to make it happen this year."
Being his first time out here, Australian fans have little idea of what to actually expect when Reuter takes the stage, so we try to fill in the blanks.
"This Australian tour is going to be a stripped-back, solo show," he began. "So it's just going to be me on guitar. It's not the whole band, it's not the big kaboom of thundering drums that I am known for. It's more of an honest, direct, intimate approach with me just on guitar, revisiting some of the material I have written in the last several years and taking it back to the roots."
In the full interview, Jerome talks more about the tour and what to expect, the challenges of visiting a country for the first time, constructing set lists, how he develops his conceptual ideas and how much research goes into them, the plethora of goodness being released to celebrate Rome's 20th anniversary and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67284633Thu, 07 Aug 2025 13:46:48 +0000HEAVY MagazineInterview by Kris Peters For 20 years, Jerome Reuter a.k.a. ROME has been a force to reckon with in the musical underground. Through relentless touring and a steady stream of high-quality concept albums, ROME has built a remarkably loyal following...For 20 years, Jerome Reuter a.k.a. ROME has been a force to reckon with in the musical underground. Through relentless touring and a steady stream of high-quality concept albums, ROME has built a remarkably loyal following from Berlin to LA, from Sydney to Saigon, from Lisbon to Kyiv.
The Luxembourg-born singer-songwriter has created an authoritative body of work, encompassing more than 20 full-length albums and numerous other official releases. ROME's compelling brand of Dark Folk merges various musical influences, from Post-Punk to Chanson. Lyrically inspired by world literature from Burroughs to Brecht, Celine to Cioran, from Hesse to Jünger; ROME’s detailed, well-researched, yet particularly accessible concept albums combine his interest in history, philosophy and the arts in a most compelling way. Through his unique vision, he has managed to establish his very own musical niche informed by various European folk and Chanson traditions coupled with post punk and industrial influences.
Now, for the very first time, Reuter is heading to Australia for a select run of shows starting from August 22, and to celebrate the occasion, HEAVY was fortunate enough to score some time to discuss his plans. We start by asking Reuter why he has neglected us for the last two decades (with a smile, of course).
"Good question," he laughed. "There were a few attempts before, but there was COVID and this and that, but finally we got this back on track for this year and also because it's our 20th anniversar,y we are doing a big tour, so I guess we waited a little bit to make it happen this year."
Being his first time out here, Australian fans have little idea of what to actually expect when Reuter takes the stage, so we try to fill in the blanks.
"This Australian tour is going to be a stripped-back, solo show," he began. "So it's just going to be me on guitar. It's not the whole band, it's not the big kaboom of thundering drums that I am known for. It's more of an honest, direct, intimate approach with me just on guitar, revisiting some of the material I have written in the last several years and taking it back to the roots."
In the full interview, Jerome talks more about the tour and what to expect, the challenges of visiting a country for the first time, constructing set lists, how he develops his conceptual ideas and how much research goes into them, the plethora of goodness being released to celebrate Rome's 20th anniversary and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>842australia,darkfolk,heavy,jeromereuger,krispeters,music,musicinterview,noirplanet,podcast,postpunk,rome,tourfalsefullhttps://www.spreaker.com/episode/self-therapy-through-verse-according-to-gavin-rossdale-from-bush--67280574English alternative rock band Bush initially gained popularity in the mid-1990s, particularly in the United States, with their debut album Sixteen Stone. While initially labelled as grunge or post-grunge, Bush carved out their own space with a blend of heavy riffs, catchy melodies, and frontman Gavin Rossdale's distinctive vocals. After a hiatus, the band reunited in 2010 and continues to release music and tour successfully, with a loyal fan base that feels connected with the band due to their honest and decisive lyrics.
Bush's sound has been described as a mix of grunge, post-grunge, alternative rock, and hard rock, and while some critics initially dismissed them as grunge imitators, particularly of Nirvana, Bush developed their own unique style, characterized by powerful guitar riffs, memorable hooks, and Rossdale's vocals, which ranged from aggressive to melodic.
This is perhaps never more evident than on Bush's latest album, I Beat Loneliness, a deeply personal release highlighting a sense of vulnerability coupled with other serious issues such as men's mental health and dealing with associated problems.
With I Beat Loneliness having been out for almost one month now, HEAVY took the time to speak with Rossdale to dive even deeper, starting by asking how the early reception has been for the new album.
"It's been fantastic, really amazing across the board," he smiled. "It's a great reception to a record that is finding its way connecting with people, and this has been a really fun time. It feels like a body of work, as opposed to like cracking on one song for like six months, you know?"
We ask Rossdale to go into greater detail about I Beat Loneliness musically and what he was going for with it.
"For me, music is still an experiment," he began, "and I'm still 25% I don't understand about it, or probably even more. And so every song I write is a form of experimentation for me, and just diving into these different worlds. I'm finding a lot in the detuned world, and then a lot in the soft sense you can have. I can create these worlds to write in, because I have a weird, weird skill set. I go into banks of sound, and I can do it really fast. I've done it for years where I had to listen to other people going through them slowly, but now I've got my own studio, I can go through things really quick. You find these great moments that create these atmospheres with keyboards, and so I just write in those worlds."
In the full interview, Gavin described his creative process as an experimental journey through various sonic landscapes, using sound banks to create unique atmospheres. He emphasized the album's themes of hope and authenticity, aiming to resonate with listeners' vulnerabilities and address mental health issues, sharing a poignant experience where a fan credited his music with saving their life, prompting him to reflect on his own past and the importance of kindness in the world.
We spoke about his approach to music and finding the best in himself, not just as a songwriter, but as a person. Gavin explained the reasons for starting the album with the song Scars and how it introduces the listener to the heavy content to come. We spoke about the importance of music in moments of stress and the healing qualities it can provide, possible Australian tour plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67280574Thu, 07 Aug 2025 03:58:30 +0000HEAVY MagazineInterview by Kris Peters English alternative rock band Bush initially gained popularity in the mid-1990s, particularly in the United States, with their debut album Sixteen Stone. While initially labelled as grunge or post-grunge, Bush carved out their...English alternative rock band Bush initially gained popularity in the mid-1990s, particularly in the United States, with their debut album Sixteen Stone. While initially labelled as grunge or post-grunge, Bush carved out their own space with a blend of heavy riffs, catchy melodies, and frontman Gavin Rossdale's distinctive vocals. After a hiatus, the band reunited in 2010 and continues to release music and tour successfully, with a loyal fan base that feels connected with the band due to their honest and decisive lyrics.
Bush's sound has been described as a mix of grunge, post-grunge, alternative rock, and hard rock, and while some critics initially dismissed them as grunge imitators, particularly of Nirvana, Bush developed their own unique style, characterized by powerful guitar riffs, memorable hooks, and Rossdale's vocals, which ranged from aggressive to melodic.
This is perhaps never more evident than on Bush's latest album, I Beat Loneliness, a deeply personal release highlighting a sense of vulnerability coupled with other serious issues such as men's mental health and dealing with associated problems.
With I Beat Loneliness having been out for almost one month now, HEAVY took the time to speak with Rossdale to dive even deeper, starting by asking how the early reception has been for the new album.
"It's been fantastic, really amazing across the board," he smiled. "It's a great reception to a record that is finding its way connecting with people, and this has been a really fun time. It feels like a body of work, as opposed to like cracking on one song for like six months, you know?"
We ask Rossdale to go into greater detail about I Beat Loneliness musically and what he was going for with it.
"For me, music is still an experiment," he began, "and I'm still 25% I don't understand about it, or probably even more. And so every song I write is a form of experimentation for me, and just diving into these different worlds. I'm finding a lot in the detuned world, and then a lot in the soft sense you can have. I can create these worlds to write in, because I have a weird, weird skill set. I go into banks of sound, and I can do it really fast. I've done it for years where I had to listen to other people going through them slowly, but now I've got my own studio, I can go through things really quick. You find these great moments that create these atmospheres with keyboards, and so I just write in those worlds."
In the full interview, Gavin described his creative process as an experimental journey through various sonic landscapes, using sound banks to create unique atmospheres. He emphasized the album's themes of hope and authenticity, aiming to resonate with listeners' vulnerabilities and address mental health issues, sharing a poignant experience where a fan credited his music with saving their life, prompting him to reflect on his own past and the importance of kindness in the world.
We spoke about his approach to music and finding the best in himself, not just as a songwriter, but as a person. Gavin explained the reasons for starting the album with the song Scars and how it introduces the listener to the heavy content to come. We spoke about the importance of music in moments of stress and the healing qualities it can provide, possible Australian tour plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1332album,bush,gavinrossdale,grunge,heavy,krispeters,music,musicinterview,podcast,rocktruefullhttps://www.spreaker.com/episode/detonating-the-cherry-bomb-with-cherie-currie--67230652Sure, there were some brilliant artists, including Janis Joplin, Marianne Faithfull and Suzi Quatro, but it was in the mid 70s when three young, brash and rebellious aspiring musicians called Joan Jett, Sandy West and Micki Steele were assembled by record producer Kim Fowley that the musical landscape changed forever. After the loss of Steele early in the piece, the new all-girl group called The Runaways welcomed Peggy Foster on bass and guitarist Lita Ford, before discovering a 15-year-old Cherie Currie who completed the final piece of the puzzle as vocalist.
The rest, as they say, is history, and if by chance you are drawing a blank from the name The Runaways, then think about a song called Cherry Bomb, and things will become clearer.
The release of their debut self-titled album in 1976 saw The Runaways support the likes of Cheap Trick, Van Halen, Talking Heads, and Tom Petty and the Heartbreakers, in the process giving voice and purpose, and more importantly, musical respect, to aspiring female musicians around the world. But it was teenage frontwoman Cherie Currie and her youthful defiance that captured the hearts as well as the ears of a growing global rebellion. She became the face of rock and the inspiration for hope and change. In short, she became a legend; a national treasure and someone who young girls wanted to grow up to be.
After disbanding two years later, each member of The Runaways went on to greater success but did so without ever touring Australia. Currie rectified that blight with her debut tour in 2016, but she returns in September this year as part of her worldwide farewell tour, determined to leave one final musical impression on this side of the world.
Cherie Currie’s Final Australian Tour is the ultimate celebration of a rock legend who defined an era and inspired countless fans and would-be musicians around the globe. Whilst The Runaways never made it to Australia, we have been lucky enough to witness their iconic vocalist not only once, but now twice, with a chance to say goodbye.
Currie joined HEAVY earlier this week to talk about the tour and the enduring legacy that is The Runaways.
"I've been looking forward to this for months now," she enthused. "When I was in Australia in 2016, it was a completely different band, and the reason I'm so excited about this one is my son's band is going to be backing me. His band is called Maudlin Strangers, but Jake is taking the drums this time. He's a front guy and an amazing singer and guitar player. But Sandy West, god rest her soul, gave him some lessons when he was just a kid, and he is paying such homage to Sandy West. He plays it just like her, and when I turn around, and I get to work with my son on stage, it just feels like I've got Sandy with me. It's just fantastic, and this band is off the charts."
Currie is partway through the farewell tour, aiming to say goodbye to as many fans as she can. While it is undeniably an emotional time for the fans, having to say goodbye, Currie has to go through it every time she goes on stage. So far she has completed last tours through Europe and the UK, and we point out must be a difficult thing for her to do night after night.
"It is," she sighed genuinely. "It does hurt. It is painful because I still see people that I've seen at other shows and other tours I've done in the UK and Europe. I them and I see their faces. I recognize them, and it is a little tearful. It really is, because I thank them so much for all this support."
In the full interview, Cherie spoke about the setlist, which will feature a mix of The Runaways hits, solo favourites, and new songs from her latest album, Boulevards of Splendor. She reflected on her nearly 50-year career, the emotional challenge of saying goodbye to fans, and the significance of connecting with her audience.
Cherie recounted her early days with The Runaways, the pressures of the music industry, and the influence of Suzi Quatro. We talked about performing songs that were written at a different time of her life and how she maintains a connection with them, the national support act Hot Machine, the musical climate that gave birth to The Runaways and if they realized how much influence they would have on the music scene.
Cherie went deeper into the early days of The Runaways and how various people tried to change or mould the band, the reasons they stuck to their guns, walking into the offices of EMI Records and demanding to be seen, how being in The Runaways impacted her life and career, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67230652Wed, 06 Aug 2025 14:19:07 +0000HEAVY MagazineMusic up until the 1970s had been a predominantly male-dominated industry, especially the rock scene, which was considered to be full of exactly the type of people your mother warned you about. Sure, there were some brilliant artists, including Janis...Sure, there were some brilliant artists, including Janis Joplin, Marianne Faithfull and Suzi Quatro, but it was in the mid 70s when three young, brash and rebellious aspiring musicians called Joan Jett, Sandy West and Micki Steele were assembled by record producer Kim Fowley that the musical landscape changed forever. After the loss of Steele early in the piece, the new all-girl group called The Runaways welcomed Peggy Foster on bass and guitarist Lita Ford, before discovering a 15-year-old Cherie Currie who completed the final piece of the puzzle as vocalist.
The rest, as they say, is history, and if by chance you are drawing a blank from the name The Runaways, then think about a song called Cherry Bomb, and things will become clearer.
The release of their debut self-titled album in 1976 saw The Runaways support the likes of Cheap Trick, Van Halen, Talking Heads, and Tom Petty and the Heartbreakers, in the process giving voice and purpose, and more importantly, musical respect, to aspiring female musicians around the world. But it was teenage frontwoman Cherie Currie and her youthful defiance that captured the hearts as well as the ears of a growing global rebellion. She became the face of rock and the inspiration for hope and change. In short, she became a legend; a national treasure and someone who young girls wanted to grow up to be.
After disbanding two years later, each member of The Runaways went on to greater success but did so without ever touring Australia. Currie rectified that blight with her debut tour in 2016, but she returns in September this year as part of her worldwide farewell tour, determined to leave one final musical impression on this side of the world.
Cherie Currie’s Final Australian Tour is the ultimate celebration of a rock legend who defined an era and inspired countless fans and would-be musicians around the globe. Whilst The Runaways never made it to Australia, we have been lucky enough to witness their iconic vocalist not only once, but now twice, with a chance to say goodbye.
Currie joined HEAVY earlier this week to talk about the tour and the enduring legacy that is The Runaways.
"I've been looking forward to this for months now," she enthused. "When I was in Australia in 2016, it was a completely different band, and the reason I'm so excited about this one is my son's band is going to be backing me. His band is called Maudlin Strangers, but Jake is taking the drums this time. He's a front guy and an amazing singer and guitar player. But Sandy West, god rest her soul, gave him some lessons when he was just a kid, and he is paying such homage to Sandy West. He plays it just like her, and when I turn around, and I get to work with my son on stage, it just feels like I've got Sandy with me. It's just fantastic, and this band is off the charts."
Currie is partway through the farewell tour, aiming to say goodbye to as many fans as she can. While it is undeniably an emotional time for the fans, having to say goodbye, Currie has to go through it every time she goes on stage. So far she has completed last tours through Europe and the UK, and we point out must be a difficult thing for her to do night after night.
"It is," she sighed genuinely. "It does hurt. It is painful because I still see people that I've seen at other shows and other tours I've done in the UK and Europe. I them and I see their faces. I recognize them, and it is a little tearful. It really is, because I thank them so much for all this support."
In the full interview, Cherie spoke about the setlist, which will feature a mix of The Runaways hits, solo favourites, and new songs from her latest album, Boulevards of Splendor. She reflected on her nearly 50-year career, the emotional challenge of...]]>919australia,cheriecurrie,cherrybomb,hardrock,heavy,joanjett,krispeters,litaford,musicinterview,rock,silverbacktouring,therunaways,tourfalsefullhttps://www.spreaker.com/episode/filling-the-void-with-andy-laplegua-from-combichrist--67230189Norwegian-American aggrotech/industrial metal band Combichrist are known for their intense, aggressive sound and energetic live performances.
Led by frontman Andy LaPlegua, the band blends heavy electronic beats with industrial metal guitars, often incorporating elements of punk and even some orchestral arrangements. Their lyrics frequently explore controversial themes with a mix of dark humour and provocative social commentary, but it is in the live arena where Combichrist shine. Their shows are the stuff of whispers the world over for their brutally intense precision, an experience Aussie fans have not been subject to for a couple of years now.
But that is about to change in not too many sleeps when Combichrist bring their Down and Under Again Tour to Australia's capital cities over three consecutive days from September 18. HEAVY recently sat down with LaPlegua to go into more details.
"It's just been too long, man," he began, almost apologising for the time between visits, "and I'm really looking forward to it."
We ask him what has changed with the band since that last tour.
"A lot," he smiled. "I mean, it's a lot and nothing. There is my concept and my idea of why and how and everything. I create, you know, it's like this is my canvas. I paint, and I do my thing, and I don't really care what's cool or not. I'm just going to do my thing regardless. So that hasn't changed. My mindset is the same. I still just kind of do. I hate to repeat myself is most of the thing. So with that said, it should be something new all the time. So maybe being something new all the time is maybe what's the same?"
In the full interview, Andy shared more insights into the changes within Combichrist in that period, including the addition of new band members Todd Hansen (drummer for Australian tour) and Jamie, as well as Elliot's transition from crew to a full-time band member. He emphasized the importance of live performances as a shared experience between the band and the audience, highlighting the challenges of performing in unfamiliar venues and the need for connection to avoid feelings of isolation on stage. Andy also mentioned the band's plan to perform a mix of old and new material, with a new release expected at the end of August.
Andy provided an update on Combichrist's new album, Desolation, and discussed his creative process, which involves drawing inspiration from a variety of genres while avoiding the temptation to replicate past sounds and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67230189Wed, 06 Aug 2025 14:17:03 +0000HEAVY MagazineInterview by Kris Peters Norwegian-American aggrotech/industrial metal band Combichrist are known for their intense, aggressive sound and energetic live performances. Led by frontman Andy LaPlegua, the band blends heavy electronic beats with...Norwegian-American aggrotech/industrial metal band Combichrist are known for their intense, aggressive sound and energetic live performances.
Led by frontman Andy LaPlegua, the band blends heavy electronic beats with industrial metal guitars, often incorporating elements of punk and even some orchestral arrangements. Their lyrics frequently explore controversial themes with a mix of dark humour and provocative social commentary, but it is in the live arena where Combichrist shine. Their shows are the stuff of whispers the world over for their brutally intense precision, an experience Aussie fans have not been subject to for a couple of years now.
But that is about to change in not too many sleeps when Combichrist bring their Down and Under Again Tour to Australia's capital cities over three consecutive days from September 18. HEAVY recently sat down with LaPlegua to go into more details.
"It's just been too long, man," he began, almost apologising for the time between visits, "and I'm really looking forward to it."
We ask him what has changed with the band since that last tour.
"A lot," he smiled. "I mean, it's a lot and nothing. There is my concept and my idea of why and how and everything. I create, you know, it's like this is my canvas. I paint, and I do my thing, and I don't really care what's cool or not. I'm just going to do my thing regardless. So that hasn't changed. My mindset is the same. I still just kind of do. I hate to repeat myself is most of the thing. So with that said, it should be something new all the time. So maybe being something new all the time is maybe what's the same?"
In the full interview, Andy shared more insights into the changes within Combichrist in that period, including the addition of new band members Todd Hansen (drummer for Australian tour) and Jamie, as well as Elliot's transition from crew to a full-time band member. He emphasized the importance of live performances as a shared experience between the band and the audience, highlighting the challenges of performing in unfamiliar venues and the need for connection to avoid feelings of isolation on stage. Andy also mentioned the band's plan to perform a mix of old and new material, with a new release expected at the end of August.
Andy provided an update on Combichrist's new album, Desolation, and discussed his creative process, which involves drawing inspiration from a variety of genres while avoiding the temptation to replicate past sounds and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1264australia,combichrist,hardlinemedia,heavy,heavymetal,industrialmetal,interview,krispeters,music,musicinterview,podcast,tourtruefullhttps://www.spreaker.com/episode/prepare-for-a-bumpy-ride-as-bolzer-prepare-to-hit-australia--67181580Swiss extreme metal duo BØLZER formed in Zürich in 2008 by Okoi Jones (vocals/guitar) and Fabian Wyrsch (drums). Known for their unique blend of black and death metal, the band creates a raw, atmospheric sound characterized by complex riffs, atonal elements, and mythological themes influenced by Nietzsche, paganism, and ancient cultures.
Their music is described as an "intuitive art project born from raw passion," delivering a chaotic, spiritual live experience they liken to an "atavistic vortex." BØLZER gained significant acclaim with their 2013 EP Aura, praised by NPR and Stereogum as one of the year's best metal releases, followed by Soma (2014) and their debut album Hero (2016). Their unconventional approach, blending brutal intensity with psychedelic and doom elements, has earned them a cult following in the extreme metal scene.
BØLZER is touring Australia in August 2025 as special guests of PORTAL, an Australian extreme metal band known for their dissonant, horror-infused fusion of death and black metal for what promises to be the most brutal tour to grace these shores this year.
Heavy sat down with Jones and Wyrsch to get the lowdown on what to expect. It has been a while between drinks for Australian fans, so we ask the boys what has changed with the band since they last visited.
"We just finished a studio session for a new album," Wyrsch replied. "But that one is due for next year. So for now, we're just preparing everything and also starting to play a few new songs live. So definitely some of them will appear on this Australian tour as well. Very much looking forward to playing some fresh material."
We ask what fans can expect.
"I think we're immersive in the sense that the music's very powerful in an organic sense," Jones measured. "There's a lot of not just aggressive energy, but powerful, human, honest energy around, and people seem to connect with that when we play live. We put a lot of our passion into it."
"In a personal way," Wyrsch added. "We're not putting up theatrics. It's more like really…"
"There are no masks, no makeup," Jones finished. "It's very down to earth, but in your face."
In the full interview, Okoi and Fabian expressed excitement about returning to Australia after several years and highlighted their recent studio session for a new album, set for release in 2026. They plan to incorporate new songs into their live performances during the tour and reflected on their past collaborations with Portal.
They described their live shows as immersive experiences filled with powerful energy and recommended their EP Aura and the Hero LP for new listeners. They discussed their artistic evolution and the challenge of maintaining originality while expressing confidence in their new material, which they believe will resonate with both current and new fans. We spoke about how BOLZER approach music festivals and if they take time to listen to the local bands, the growth in their music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67181580Fri, 01 Aug 2025 08:12:52 +0000HEAVY MagazineInterview by Kris Peters Swiss extreme metal duo BØLZER formed in Zürich in 2008 by Okoi Jones (vocals/guitar) and Fabian Wyrsch (drums). Known for their unique blend of black and death metal, the band creates a raw, atmospheric sound characterized by...Swiss extreme metal duo BØLZER formed in Zürich in 2008 by Okoi Jones (vocals/guitar) and Fabian Wyrsch (drums). Known for their unique blend of black and death metal, the band creates a raw, atmospheric sound characterized by complex riffs, atonal elements, and mythological themes influenced by Nietzsche, paganism, and ancient cultures.
Their music is described as an "intuitive art project born from raw passion," delivering a chaotic, spiritual live experience they liken to an "atavistic vortex." BØLZER gained significant acclaim with their 2013 EP Aura, praised by NPR and Stereogum as one of the year's best metal releases, followed by Soma (2014) and their debut album Hero (2016). Their unconventional approach, blending brutal intensity with psychedelic and doom elements, has earned them a cult following in the extreme metal scene.
BØLZER is touring Australia in August 2025 as special guests of PORTAL, an Australian extreme metal band known for their dissonant, horror-infused fusion of death and black metal for what promises to be the most brutal tour to grace these shores this year.
Heavy sat down with Jones and Wyrsch to get the lowdown on what to expect. It has been a while between drinks for Australian fans, so we ask the boys what has changed with the band since they last visited.
"We just finished a studio session for a new album," Wyrsch replied. "But that one is due for next year. So for now, we're just preparing everything and also starting to play a few new songs live. So definitely some of them will appear on this Australian tour as well. Very much looking forward to playing some fresh material."
We ask what fans can expect.
"I think we're immersive in the sense that the music's very powerful in an organic sense," Jones measured. "There's a lot of not just aggressive energy, but powerful, human, honest energy around, and people seem to connect with that when we play live. We put a lot of our passion into it."
"In a personal way," Wyrsch added. "We're not putting up theatrics. It's more like really…"
"There are no masks, no makeup," Jones finished. "It's very down to earth, but in your face."
In the full interview, Okoi and Fabian expressed excitement about returning to Australia after several years and highlighted their recent studio session for a new album, set for release in 2026. They plan to incorporate new songs into their live performances during the tour and reflected on their past collaborations with Portal.
They described their live shows as immersive experiences filled with powerful energy and recommended their EP Aura and the Hero LP for new listeners. They discussed their artistic evolution and the challenge of maintaining originality while expressing confidence in their new material, which they believe will resonate with both current and new fans. We spoke about how BOLZER approach music festivals and if they take time to listen to the local bands, the growth in their music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>646australia,bolzer,extrememetak,heavy,heavymetal,krispeters,music,musicinterview,podcast,portal,soundworksdirecttouring,tourfalsefullhttps://www.spreaker.com/episode/making-up-for-lost-time-with-rod-yates-from-brace--67172724Necrosonic Festival 2025 can rightfully lay claim to being Brisbane's premiere heavy metal music festival. Following a successful debut in 2024, the 2025 edition is again curated by Kent Bartley, one of the masterminds behind legendary Australian festivals like Overcranked, Inferno, and Dead of Winter. The lineup includes both international acts and resurrected Australian legends, with some bands reuniting for rare or one-off performances.
Described as a "ritual" rather than just a festival, Necrosonic 2025 promises an intense, 12-hour-plus experience featuring 30 of the heaviest bands from the underground metal scene, performing across three stages at the Mansfield Tavern on August 23. One of the most popular grouping of bands in last year's debut offering was Resurrected: Back From The Dead and this year's collection of older bands reunited promises to be no exception with Massic, Idle Ruin, Daysend, Beanflipper and Brace dusting off the cobwebs and keen to re-enter the fray alongside Portal, Bolzer, Abramelin, Frankenbok and more.
Sydney heavy outfit Brace are one of the Resurrected, reforming after 20 years to answer the metal call to arms, with bass player Rod Yates more than happy to shoot the breeze with HEAVY about Round Two for the band.
"It's been a long time," he affirmed. "It's been about 20 years since the last show, but you know what? It's sounding pretty good. We've picked up where we left off, which is good."
We mention the other four bands in the Resurrected category and point out that Brace will be amongst illustrious company in returning to the stage.
"I can't believe that we get to share a stage with those bands for one," he enthused. "Daysend we used to play with quite a bit back in the day, we're good friends with those guys. We haven't seen them for a long time, so that's going to be great, but Beanflipper are one of the bands that you grew up listening to and used to read about in Hot Metal, so to see them back playing and to play on the same stage as them... It's going to be massive with the other bands as well. You've got 30 bands playing across three stages in 12 hours!"
In the full interview, Rod discusses getting the band back together and how easily they have slipped back into gear. He tells us what we can expect from Brace live, including three songs to listen to in order to get to know the band if you are unfamiliar with their music.
We talk about the value of festivals such as Necrosonic to the Australian heavy metal scene, the history of Brace, why they broke up and what's changed to make them try again, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67172724Fri, 01 Aug 2025 02:17:30 +0000HEAVY MagazineInterview by Kris Peters Necrosonic Festival 2025 can rightfully lay claim to being Brisbane's premiere heavy metal music festival. Following a successful debut in 2024, the 2025 edition is again curated by Kent Bartley, one of the masterminds behind...Necrosonic Festival 2025 can rightfully lay claim to being Brisbane's premiere heavy metal music festival. Following a successful debut in 2024, the 2025 edition is again curated by Kent Bartley, one of the masterminds behind legendary Australian festivals like Overcranked, Inferno, and Dead of Winter. The lineup includes both international acts and resurrected Australian legends, with some bands reuniting for rare or one-off performances.
Described as a "ritual" rather than just a festival, Necrosonic 2025 promises an intense, 12-hour-plus experience featuring 30 of the heaviest bands from the underground metal scene, performing across three stages at the Mansfield Tavern on August 23. One of the most popular grouping of bands in last year's debut offering was Resurrected: Back From The Dead and this year's collection of older bands reunited promises to be no exception with Massic, Idle Ruin, Daysend, Beanflipper and Brace dusting off the cobwebs and keen to re-enter the fray alongside Portal, Bolzer, Abramelin, Frankenbok and more.
Sydney heavy outfit Brace are one of the Resurrected, reforming after 20 years to answer the metal call to arms, with bass player Rod Yates more than happy to shoot the breeze with HEAVY about Round Two for the band.
"It's been a long time," he affirmed. "It's been about 20 years since the last show, but you know what? It's sounding pretty good. We've picked up where we left off, which is good."
We mention the other four bands in the Resurrected category and point out that Brace will be amongst illustrious company in returning to the stage.
"I can't believe that we get to share a stage with those bands for one," he enthused. "Daysend we used to play with quite a bit back in the day, we're good friends with those guys. We haven't seen them for a long time, so that's going to be great, but Beanflipper are one of the bands that you grew up listening to and used to read about in Hot Metal, so to see them back playing and to play on the same stage as them... It's going to be massive with the other bands as well. You've got 30 bands playing across three stages in 12 hours!"
In the full interview, Rod discusses getting the band back together and how easily they have slipped back into gear. He tells us what we can expect from Brace live, including three songs to listen to in order to get to know the band if you are unfamiliar with their music.
We talk about the value of festivals such as Necrosonic to the Australian heavy metal scene, the history of Brace, why they broke up and what's changed to make them try again, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>800australia,bolzer,brace,deathmetal,doommetal,frankenbok,groovemetal,heavy,heavymetal,krispeters,mansfieldtavern,massic,music,musicfestival,musicinterview,necrosonicfestival,podcast,portal,rodyates,sludgemetaltruefullhttps://www.spreaker.com/episode/more-rock-waiter-please-with-gavin-hansen-from-the-poor--67187385For almost four decades, rock outfit The Poor have flown the flag for good old-fashioned, no bullshit Aussie rock. Alongside their brothers in Rose Tattoo and The Screaming Jets, to name just a few, The Poor have remained loyal to their roots regardless of the changing tides of world music, delivering time and again with a carefree attitude coupled with classy as fuck rock numbers that almost dare you to not listen.
Theirs is a music and style that has stood the tests of time and the swirling winds of change, and it is testament to their durability and longevity that last year's album High Price Deed is regarded in some circles as being equal to, if not superior to, The Poor's groundbreaking debut classic Who Cares.
With a touring schedule reminiscent of the glory days of Australian rock and gigs booked already until at least the end of next year, it's fair to say that The Poor are running head first into the naughty forties and, even better still, show no signs of slowing down. Despite having their original bass player, Matt Whitby, step away from the band earlier this year for personal reasons, The Poor remain firmly on track, focused and ready to continue their domination of the Australian and global music scene.
HEAVY sat down with drummer Gavin Hansen to find out just how much The Poor have on their plate. One of the questions we ask relates to the sustainability of bands such as The Poor and Rose Tattoo, and we question if their old-school attitude to life and music has played a part in their sustained output and success.
"I think so," he measured. "That's definitely a part of it, I guess. The way that you've grown up and the way that you've cut your teeth and the way you've maintained that. The industry has changed so much in a lot of ways, in a lot of different areas over that time, back and forth. Let's face it, in the 90s there were no festivals as such, really. Festivals made a massive change in the club touring circuit for a long time, especially in Australia. As you know, the good old Big Day Out, SoundWaves and Livid's got to a point where everyone would hold off until they got on one of those bills, and then they would create a tour around it. And then I think that's what hurt the scene of rock bands coming through. They weren't out there slogging it out in the circuit or the pubs every weekend, you know. They were waiting, or there was just a massive change of festivals. And then now… I don't know. I'm not going to say there's nothing to replace it in the sense of that calibre of acts. I just think that era has a different edge and hardness and toughness about it, where, you know, maybe the stuff in the last 10 years hasn't."
Talk turns to Rock The Boat 2026, where The Poor sail the high seas with The Angels, Baby Animals, Rose Tattoo, Killing Heidi, The Superjesus and Radiators, just to name a few.
"I've always been hesitant about boat cruises," Hansen smiled. "What if you got on a boat cruise with a bunch of dickheads, how do you get away from them (laughs)? But no, look, these boats are big enough. It's not just a little tinny going around the harbour. We're really looking forward to it."
In the full interview, Gavin talks more about The Poor's next two hometown shows at Mo's Desert Clubhouse (August 7) and the Koala Tavern (August 9) and how they will likely be the last chance this year the people of Brisbane and the Gold Coast get the chance to catch The Poor in their element. We discussed Matt leaving in greater detail and meet his replacement, while also looking into the fallbacks of changing band members that most of the public don't see.
We talked about their upcoming shows with Rose Tattoo, Adelaide's Rock Hard Festival, supporting up-and-coming Australian bands, the increasing lack of respect in the music industry and possible causes of it, new music and future tours, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67187385Wed, 30 Jul 2025 10:19:15 +0000HEAVY MagazineInterview by Kris Peters  For almost four decades, rock outfit The Poor have flown the flag for good old-fashioned, no bullshit Aussie rock. Alongside their brothers in Rose Tattoo and The Screaming Jets, to name just a few, The Poor have remained...For almost four decades, rock outfit The Poor have flown the flag for good old-fashioned, no bullshit Aussie rock. Alongside their brothers in Rose Tattoo and The Screaming Jets, to name just a few, The Poor have remained loyal to their roots regardless of the changing tides of world music, delivering time and again with a carefree attitude coupled with classy as fuck rock numbers that almost dare you to not listen.
Theirs is a music and style that has stood the tests of time and the swirling winds of change, and it is testament to their durability and longevity that last year's album High Price Deed is regarded in some circles as being equal to, if not superior to, The Poor's groundbreaking debut classic Who Cares.
With a touring schedule reminiscent of the glory days of Australian rock and gigs booked already until at least the end of next year, it's fair to say that The Poor are running head first into the naughty forties and, even better still, show no signs of slowing down. Despite having their original bass player, Matt Whitby, step away from the band earlier this year for personal reasons, The Poor remain firmly on track, focused and ready to continue their domination of the Australian and global music scene.
HEAVY sat down with drummer Gavin Hansen to find out just how much The Poor have on their plate. One of the questions we ask relates to the sustainability of bands such as The Poor and Rose Tattoo, and we question if their old-school attitude to life and music has played a part in their sustained output and success.
"I think so," he measured. "That's definitely a part of it, I guess. The way that you've grown up and the way that you've cut your teeth and the way you've maintained that. The industry has changed so much in a lot of ways, in a lot of different areas over that time, back and forth. Let's face it, in the 90s there were no festivals as such, really. Festivals made a massive change in the club touring circuit for a long time, especially in Australia. As you know, the good old Big Day Out, SoundWaves and Livid's got to a point where everyone would hold off until they got on one of those bills, and then they would create a tour around it. And then I think that's what hurt the scene of rock bands coming through. They weren't out there slogging it out in the circuit or the pubs every weekend, you know. They were waiting, or there was just a massive change of festivals. And then now… I don't know. I'm not going to say there's nothing to replace it in the sense of that calibre of acts. I just think that era has a different edge and hardness and toughness about it, where, you know, maybe the stuff in the last 10 years hasn't."
Talk turns to Rock The Boat 2026, where The Poor sail the high seas with The Angels, Baby Animals, Rose Tattoo, Killing Heidi, The Superjesus and Radiators, just to name a few.
"I've always been hesitant about boat cruises," Hansen smiled. "What if you got on a boat cruise with a bunch of dickheads, how do you get away from them (laughs)? But no, look, these boats are big enough. It's not just a little tinny going around the harbour. We're really looking forward to it."
In the full interview, Gavin talks more about The Poor's next two hometown shows at Mo's Desert Clubhouse (August 7) and the Koala Tavern (August 9) and how they will likely be the last chance this year the people of Brisbane and the Gold Coast get the chance to catch The Poor in their element. We discussed Matt leaving in greater detail and meet his replacement, while also looking into the fallbacks of changing band members that most of the public don't see.
We talked about their upcoming shows with Rose Tattoo, Adelaide's Rock Hard Festival, supporting up-and-coming Australian bands, the increasing lack of respect in the music industry and possible causes of it, new music and future tours, plus more.


Become a supporter of this...]]>1302aussierock,gavinhansen,gig,hardrock,heavy,krispeters,music,musicinterview,podcast,pubrock,rosetattoo,thepoor,thescreamingjets,tourtruefullhttps://www.spreaker.com/episode/punching-above-your-weight-with-jason-whalley-from-frenzal-rhomb--67184209Aussie punk legends Frenzal Rhomb are the gift that keeps on giving. Just like the Energiser Bunny, the guys seem to just keep on trucking where others half their age would have put up the white flag.
Following the near-completed 25 (ish) Anniversary Tour for A Man's Not A Camel, Frenzal have also been invited to fly the flag for the naughty kids left in our generation to play at two of this country's biggest and best music festivals. First, they head to the Northern Territory in September to take their place at Blacken 2025 before getting in some well-deserved R & R leading up to the double header of Froth & Fury shows early next year in Perth on January 24 and Adelaide on January 31.
Not bad for a band who were playing other great festivals such as Livid around the turn of the century!
While their music has an irresistibly infectious charm to it, there's no doubting much of Frenzal Rhomb's staying power is down to their laconic sense of humour and general no fucks given attitude in the face of adversity. Throughout their career, they have offended everyone from radio hosts to television hosts to croupiers at the casino, but, more importantly than that, they have gotten away with it. Which I guess isn't that hard to do when you are able to brush things off with a strum of the guitar and a flash of attitude and move on.
That's not to say Frenzal Rhomb are snotty-nosed and disrespectful - although they have more than enough of those attributes to go around - but when you realise that it is possible to have and voice an opinion without being a wanker about it, then the world suddenly opens up, and the walls move out a little.
Which is all a long-winded way of saying that Frenzal Rhomb are Australian punk walking dinosaurs for the simple reason that they only take things seriously that are meant to be taken that way and subscribe to the theory that when all else fails play some music and have a laugh and maybe things will turn out not quite as bad as you thought they might be.
Which is possibly why they are still welcome at otherwise metal-only gatherings to shoot the shit and play some tunes.
HEAVY recently caught up with the man with the flowing locks and the voice of Frenzal Rhomb, Jason Whalley, to talk about the band's enduring legacy and hopefully find out the reasons why the band is still the toast of the music world. With debate already circling around whether Frenzal Rhomb are representing the Froth or the Fury at next year's event, we ask Jason to set the record straight.
"Oh, listen, we're a big Froth band," he declared. "There's not a lot of Fury going in our world these days, but still a lot of froth."
We mention the line-up, which includes Polaris, Soulfly, Nailbomb, Comeback Kid, Lagwagon and In Hearts Wake and ask where Frenzal sits on the musical merry-go-round.
"I'm looking forward to being the least heavy band on the entire line up," he smiled. "I think it'll be some pleasant relief for people to hear some nice three-part harmonies, a bit of Linda Ronstadt… a bit of The Eagles, maybe?"
Which begs the question: is Jason even a fan of heavier music?
"Oh God, I don't like any music," he laughed. "No, I do like some heavy music. I feel like when I'm being screamed at for longer than probably 15 minutes, then I start getting the shits. But those 15 minutes are good. When I can't understand one lyric for, 10 to 15 minutes, then I'm like, don't make me look at the Internet to find out what you're saying. I'm just going to assume that you're not a Nazi."
In the full interview, we talk about the A Man's (Still) Not A Camel Tour and how it has been going, the fact that Frenzal are still a musical force so deep into their career, why he thinks festival organisers keep asking for Frenzal Rhomb to play on heavier line-ups and where Frenzal sit amongst so much aggression.
We talk about the remaining shows of the tour, their smash and grab mission to play in Quebec, how people overseas react to the band's sarcastic sense of humour, the endless possibilities with Anniversary tours, old websites that still have value and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67184209Wed, 30 Jul 2025 02:22:49 +0000HEAVY MagazineInterview by Kris Peters Aussie punk legends Frenzal Rhomb are the gift that keeps on giving. Just like the Energiser Bunny, the guys seem to just keep on trucking where others half their age would have put up the white flag. Following the...Aussie punk legends Frenzal Rhomb are the gift that keeps on giving. Just like the Energiser Bunny, the guys seem to just keep on trucking where others half their age would have put up the white flag.
Following the near-completed 25 (ish) Anniversary Tour for A Man's Not A Camel, Frenzal have also been invited to fly the flag for the naughty kids left in our generation to play at two of this country's biggest and best music festivals. First, they head to the Northern Territory in September to take their place at Blacken 2025 before getting in some well-deserved R & R leading up to the double header of Froth & Fury shows early next year in Perth on January 24 and Adelaide on January 31.
Not bad for a band who were playing other great festivals such as Livid around the turn of the century!
While their music has an irresistibly infectious charm to it, there's no doubting much of Frenzal Rhomb's staying power is down to their laconic sense of humour and general no fucks given attitude in the face of adversity. Throughout their career, they have offended everyone from radio hosts to television hosts to croupiers at the casino, but, more importantly than that, they have gotten away with it. Which I guess isn't that hard to do when you are able to brush things off with a strum of the guitar and a flash of attitude and move on.
That's not to say Frenzal Rhomb are snotty-nosed and disrespectful - although they have more than enough of those attributes to go around - but when you realise that it is possible to have and voice an opinion without being a wanker about it, then the world suddenly opens up, and the walls move out a little.
Which is all a long-winded way of saying that Frenzal Rhomb are Australian punk walking dinosaurs for the simple reason that they only take things seriously that are meant to be taken that way and subscribe to the theory that when all else fails play some music and have a laugh and maybe things will turn out not quite as bad as you thought they might be.
Which is possibly why they are still welcome at otherwise metal-only gatherings to shoot the shit and play some tunes.
HEAVY recently caught up with the man with the flowing locks and the voice of Frenzal Rhomb, Jason Whalley, to talk about the band's enduring legacy and hopefully find out the reasons why the band is still the toast of the music world. With debate already circling around whether Frenzal Rhomb are representing the Froth or the Fury at next year's event, we ask Jason to set the record straight.
"Oh, listen, we're a big Froth band," he declared. "There's not a lot of Fury going in our world these days, but still a lot of froth."
We mention the line-up, which includes Polaris, Soulfly, Nailbomb, Comeback Kid, Lagwagon and In Hearts Wake and ask where Frenzal sits on the musical merry-go-round.
"I'm looking forward to being the least heavy band on the entire line up," he smiled. "I think it'll be some pleasant relief for people to hear some nice three-part harmonies, a bit of Linda Ronstadt… a bit of The Eagles, maybe?"
Which begs the question: is Jason even a fan of heavier music?
"Oh God, I don't like any music," he laughed. "No, I do like some heavy music. I feel like when I'm being screamed at for longer than probably 15 minutes, then I start getting the shits. But those 15 minutes are good. When I can't understand one lyric for, 10 to 15 minutes, then I'm like, don't make me look at the Internet to find out what you're saying. I'm just going to assume that you're not a Nazi."
In the full interview, we talk about the A Man's (Still) Not A Camel Tour and how it has been going, the fact that Frenzal are still a musical force so deep into their career, why he thinks festival organisers keep asking for Frenzal Rhomb to play on heavier line-ups and where Frenzal sit amongst so much aggression.
We talk about the remaining shows of the...]]>1040australia,blacken2025,frenzalrhomb,froth&furyfestival,heavy,jasonwhalley,krispeters,music,musicfestival,musicinterview,podcast,punk,rock,tourtruefullhttps://www.spreaker.com/episode/a-lesson-in-brutality-with-gutslit--67171878Mumbai-based extreme metal band Gutslit are renowned as India’s leading force in brutal death metal and grindcore. Formed in 2007, the quartet—comprising Gurdip Singh Narang (bass), Aaron Pinto (drums), Kaushal LS (vocals), and Prateek Rajagopal (guitar)—is celebrated for their relentless intensity, precise musicianship, and savage songwriting. 
Their music blends grinding riffs, pummelling blast beats, vicious bass grooves, and chilling guttural vocals, establishing them as a critically acclaimed act in the global extreme metal scene. With a career spanning 18 years, Gutslit has toured extensively, performing in 25 countries, a record for Indian metal bands, including regular European festival runs and a recent Japan tour supporting Nile in October 2024.
Now, it's Australia's turn. Gutslit are set to embark on their first-ever Australian tour - titled the Party Down Under '25 tour - this August, marking a significant milestone as they bring their explosive live performances to six cities. Organized by Grindhead Productions, the tour kicks off on August 22, 2025, at The Back Room in Brisbane, featuring support from Australian brutal death metal band Gosika (Wollongong, NSW) and, for the Brisbane show, additional acts Snake Mountain and Nembutolik.
HEAVY caught up with Narang and Pinto to find out what we can expect.
"I formed the band 18 years ago," Narang began, giving us some incite into Gutslit, "with the whole idea of just playing music that we love the most. Back then we started off with brutal death metal and grind, and now we are slowly progressing into thicker versions of death metal and brutal death metal coming together."
"When Gutslit started, there was no band who was doing music like what we are doing." Pinto added. "So Gurdip and the previous iteration of Gutslit were the pioneers of brutal death metal and brutal death grind in India."
We mention Gutslit's reputation for their intense live shows and ask what we can expect.
"You have to come down and just throw it out there," Narang replied. "It's all about enjoying the music; it's all about enjoying the multiples. If you're into death metal or brutal death grind or brutal death metal or slam, you're going to get it all."
In the full interview, Gurdip and Aaron provided an overview of Gutslit's history, highlighting their influence in the brutal death metal scene in India since 2007 and their connection to Australia dating back to 2012. They detailed the tour's structure, which will feature a mix of songs from previous albums and potential covers, with an emphasis on creating an engaging atmosphere for fans.
The band expressed excitement about the local support acts in Brisbane and other cities, and the inclusion of Gosika as the national support act. We talk about touring a country for the first time and how much homework they do before coming, their difficulties in gaining global traction coming from India, new material and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67171878Tue, 29 Jul 2025 12:38:45 +0000HEAVY MagazineInterview by Kris Peters Mumbai-based extreme metal band Gutslit are renowned as India’s leading force in brutal death metal and grindcore. Formed in 2007, the quartet—comprising Gurdip Singh Narang (bass), Aaron Pinto (drums), Kaushal LS (vocals),...Mumbai-based extreme metal band Gutslit are renowned as India’s leading force in brutal death metal and grindcore. Formed in 2007, the quartet—comprising Gurdip Singh Narang (bass), Aaron Pinto (drums), Kaushal LS (vocals), and Prateek Rajagopal (guitar)—is celebrated for their relentless intensity, precise musicianship, and savage songwriting. 
Their music blends grinding riffs, pummelling blast beats, vicious bass grooves, and chilling guttural vocals, establishing them as a critically acclaimed act in the global extreme metal scene. With a career spanning 18 years, Gutslit has toured extensively, performing in 25 countries, a record for Indian metal bands, including regular European festival runs and a recent Japan tour supporting Nile in October 2024.
Now, it's Australia's turn. Gutslit are set to embark on their first-ever Australian tour - titled the Party Down Under '25 tour - this August, marking a significant milestone as they bring their explosive live performances to six cities. Organized by Grindhead Productions, the tour kicks off on August 22, 2025, at The Back Room in Brisbane, featuring support from Australian brutal death metal band Gosika (Wollongong, NSW) and, for the Brisbane show, additional acts Snake Mountain and Nembutolik.
HEAVY caught up with Narang and Pinto to find out what we can expect.
"I formed the band 18 years ago," Narang began, giving us some incite into Gutslit, "with the whole idea of just playing music that we love the most. Back then we started off with brutal death metal and grind, and now we are slowly progressing into thicker versions of death metal and brutal death metal coming together."
"When Gutslit started, there was no band who was doing music like what we are doing." Pinto added. "So Gurdip and the previous iteration of Gutslit were the pioneers of brutal death metal and brutal death grind in India."
We mention Gutslit's reputation for their intense live shows and ask what we can expect.
"You have to come down and just throw it out there," Narang replied. "It's all about enjoying the music; it's all about enjoying the multiples. If you're into death metal or brutal death grind or brutal death metal or slam, you're going to get it all."
In the full interview, Gurdip and Aaron provided an overview of Gutslit's history, highlighting their influence in the brutal death metal scene in India since 2007 and their connection to Australia dating back to 2012. They detailed the tour's structure, which will feature a mix of songs from previous albums and potential covers, with an emphasis on creating an engaging atmosphere for fans.
The band expressed excitement about the local support acts in Brisbane and other cities, and the inclusion of Gosika as the national support act. We talk about touring a country for the first time and how much homework they do before coming, their difficulties in gaining global traction coming from India, new material and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>652australia,brutalmetal,deathmetal,extrememetal,grindcoreproductions,gutslit,heavy,heavymetal,india,krispeters,music,musicinterview,musicpodcast,tourfalsefullhttps://www.spreaker.com/episode/passing-through-shadows-with-ronnie-canizaro-from-born-of-osiris--67173697American progressive metalcore band Born of Osiris are well known for their technical precision. While essentially complex music, Born Of Osiris blend a plethora of styles and influences to devastating effect.
Their sound has evolved from post-hardcore/metalcore roots to a signature blend of technical deathcore and progressive elements marked by intricate guitar work, heavy synths, and a mix of guttural and clean vocals. The band has released seven studio albums, with notable works including A Higher Place (2009), The Discovery (2011), and Angel or Alien (2021).
Earlier this month, the band released Through Shadows, their seventh studio album and the first as a trio following the departure of longtime guitarist Lee McKinney and keyboardist Joe Buras. The 13-track album, featuring previously released singles like “Torchbearer” (2023), “A Mind Short Circuiting,” “Elevate,” “In Desolation,” and the title track, blends the band’s technical metalcore roots with a cinematic, sci-fi aesthetic and a return to their heavier, deathcore-adjacent sound.
HEAVY sat down with vocalist Ronnie Canizaro to dive deeper, at one point asking how the newer songs were going over live.
"When we started playing Elevate, that song just popped off live," he smiled. "You just saw people bouncing and enjoying it, and that's one of my favourite songs to play live right now. It's my first time ever doing cleans on a Born of Osiris album, so I was kind of like, are people going to like this? But at the same time, I just wanted to do it because that's what I wanted to do. And I want to try new things. And yeah, those songs go over great live. Songs like A Mind Short Circuiting, that's just a very brutal, technical song and people are headbanging to every song so far. I feel when we play the newer stuff you can hear a difference compared to the older stuff. You can tell we're getting better at our craft."
In the full interview, Ronnie talked about the early reception for Through Shadows, the prolonged release schedule and if it was planned that way and whether it gets easier or harder to come up with fresh material the more you write.
We discussed their evolving sound and how they have changed musically over the years, the musical climate that gave birth to the band, how much growth they have left in them as a band and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67173697Tue, 29 Jul 2025 12:29:40 +0000HEAVY MagazineInterview by Kris Peters American progressive metalcore band Born of Osiris are well known for their technical precision. While essentially complex music, Born Of Osiris blend a plethora of styles and influences to devastating effect. Their sound has...American progressive metalcore band Born of Osiris are well known for their technical precision. While essentially complex music, Born Of Osiris blend a plethora of styles and influences to devastating effect.
Their sound has evolved from post-hardcore/metalcore roots to a signature blend of technical deathcore and progressive elements marked by intricate guitar work, heavy synths, and a mix of guttural and clean vocals. The band has released seven studio albums, with notable works including A Higher Place (2009), The Discovery (2011), and Angel or Alien (2021).
Earlier this month, the band released Through Shadows, their seventh studio album and the first as a trio following the departure of longtime guitarist Lee McKinney and keyboardist Joe Buras. The 13-track album, featuring previously released singles like “Torchbearer” (2023), “A Mind Short Circuiting,” “Elevate,” “In Desolation,” and the title track, blends the band’s technical metalcore roots with a cinematic, sci-fi aesthetic and a return to their heavier, deathcore-adjacent sound.
HEAVY sat down with vocalist Ronnie Canizaro to dive deeper, at one point asking how the newer songs were going over live.
"When we started playing Elevate, that song just popped off live," he smiled. "You just saw people bouncing and enjoying it, and that's one of my favourite songs to play live right now. It's my first time ever doing cleans on a Born of Osiris album, so I was kind of like, are people going to like this? But at the same time, I just wanted to do it because that's what I wanted to do. And I want to try new things. And yeah, those songs go over great live. Songs like A Mind Short Circuiting, that's just a very brutal, technical song and people are headbanging to every song so far. I feel when we play the newer stuff you can hear a difference compared to the older stuff. You can tell we're getting better at our craft."
In the full interview, Ronnie talked about the early reception for Through Shadows, the prolonged release schedule and if it was planned that way and whether it gets easier or harder to come up with fresh material the more you write.
We discussed their evolving sound and how they have changed musically over the years, the musical climate that gave birth to the band, how much growth they have left in them as a band and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>770album,bornofosiris,djent,heavy,heavymetal,krispeters,metalcore,music,musicinterview,podcast,technicalmetal,throughshadowsfalsefullhttps://www.spreaker.com/episode/primed-and-ready-to-destroy-with-rasyid-from-wormrot--67097985Singapore grindcore band Wormrot, known for their intense, fast-paced, and boundary-pushing music, are headed our way for a ferocious double touring bill which also includes Pig Destroyer. 
Formed in 2007 after the members completed their mandatory national service, Wormrot have released four studio albums and several EPs, touring extensively through Europe and the United States, in the process becoming the first Singaporean act to play at the Glastonbury Festival.
Following the recent reuniting of the original line-up, the band have spent the first part of 2025 touring the UK and Europe and after a couple of months to refresh hit Australia in September.
Guitarist Rasyid joined HEAVY to talk about the tour. We ask about their pairing with Pig Destroyer and the relationship between the two bands.
"We have played before together," he nodded. "It was on the Napalm Death campaign for the Musical Destruction Tour. Before that I was acquainted with Adam Jarvis through Misery Index so then we started talking, and we took the Pig Destroyer on the tour bus. It was fun. Nice guys and we are quite excited to see them again."
We ask what Aussie fans can expect from Wormrot live.
"We just play hard and fast," Rasyid grinned. "I don't know what else to say, we just play hard and fast. We try to do a curated set with less talk in between and just more attack, so we'll see (laughs)."
In the full interview, Rasyid spoke about the upcoming tour and what to expect, the reuniting of himself with the other two original band members and Wormrot's recent live album TNT, noting that the setlist for the Australian shows will differ from that. He also discussed the current music scene in Singapore, highlighting the decline of metal culture since the band's inception in 2007, while punk and hardcore shows remain popular. Rasyid acknowledged the challenges of establishing a global presence without local peers and mentioned that their increasing recognition in Europe and the US is beginning to resonate back home. The band is currently focused on touring and plans to start writing new music in early 2024.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67097985Mon, 28 Jul 2025 10:45:41 +0000HEAVY MagazineInterview by Kris Peters Singapore grindcore band Wormrot, known for their intense, fast-paced, and boundary-pushing music, are headed our way for a ferocious double touring bill which also includes Pig Destroyer.  Formed in 2007 after the members...Singapore grindcore band Wormrot, known for their intense, fast-paced, and boundary-pushing music, are headed our way for a ferocious double touring bill which also includes Pig Destroyer. 
Formed in 2007 after the members completed their mandatory national service, Wormrot have released four studio albums and several EPs, touring extensively through Europe and the United States, in the process becoming the first Singaporean act to play at the Glastonbury Festival.
Following the recent reuniting of the original line-up, the band have spent the first part of 2025 touring the UK and Europe and after a couple of months to refresh hit Australia in September.
Guitarist Rasyid joined HEAVY to talk about the tour. We ask about their pairing with Pig Destroyer and the relationship between the two bands.
"We have played before together," he nodded. "It was on the Napalm Death campaign for the Musical Destruction Tour. Before that I was acquainted with Adam Jarvis through Misery Index so then we started talking, and we took the Pig Destroyer on the tour bus. It was fun. Nice guys and we are quite excited to see them again."
We ask what Aussie fans can expect from Wormrot live.
"We just play hard and fast," Rasyid grinned. "I don't know what else to say, we just play hard and fast. We try to do a curated set with less talk in between and just more attack, so we'll see (laughs)."
In the full interview, Rasyid spoke about the upcoming tour and what to expect, the reuniting of himself with the other two original band members and Wormrot's recent live album TNT, noting that the setlist for the Australian shows will differ from that. He also discussed the current music scene in Singapore, highlighting the decline of metal culture since the band's inception in 2007, while punk and hardcore shows remain popular. Rasyid acknowledged the challenges of establishing a global presence without local peers and mentioned that their increasing recognition in Europe and the US is beginning to resonate back home. The band is currently focused on touring and plans to start writing new music in early 2024.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>583australia,extrememetal,heavy,heavymetal,krispeters,music,musicinterview,musicpodcast,pigdestroyer,raysid,soundworksdirect,tour,wormrotfalsefullhttps://www.spreaker.com/episode/reigniting-the-revolution-with-wendy-james-from-transvision-vamp--67099493Transvision Vamp were the buzz band of the late 1980s and early 1990s. 
Fronted by the raunchy, attitude laden Wendy James and backed by a catchy assembly of songs, Transvision Vamp cornered every section of the market. Their pop/punk rebelliousness outlined through songs such as Baby I Don't Care, I Want Your Love and The Only One resonated through disenfranchised youth everywhere, while their music videos dominated RAGE and other music programs thanks to their colourful and suggestive content.
Put simply, they were a breath of fresh air on an otherwise stagnating music scene and culture. Women everywhere wanted to be Wendy James and men everywhere just wanted her. It was the perfect chemical reaction to fit in with the times and that momentum carried Transvision Vamp through two successful albums and worldwide tours. By the mid to late 1990s Transvision Vamp had parted ways but their legacy has endured.
Now, 27 years after their last visit, Transvision Vamp are headed back Down Under for a headline run of shows next February, with Brisbane already sold out. HEAVY recently had the pleasure of spending time with Wendy James to talk about the tour and anything else we threw at her.
"I think it's because we were a raunchy rock and roll pop band," she replied when we ask why crowds in Australia loved Transvision Vamp so much. "We had the tunes, but we also had a quite upfront attitude. Everyone loves the scream of Baby I Don't Care and the melodies and everything, but I think they also really loved the attitude that we came with."
We ask what fans can expect from the shows, given there has been almost 30 years since Transvision Vamp last played here.
"I'm bringing the goods with me," James affirmed. "Fully locked and loaded, real hardcore. And when I say hardcore, I mean incredible musicians. Not just people that can hold down a 4-4 beat and play three chords. These are... they're monsters. They're killers. So I expect that we should be able to walk on stage and by the time you leave you'll be hot, sweaty, exhausted and jubilant."
In the full interview, Wendy spoke more about the tour and what to expect, the set list and what could be in it, whether this is just a one off reunion tour or if the possibility of Transvision Vamp returning for an album is on the cards, the ealy days of the band and where they fit in, how they got signed to EMI Records, their look and how natural that was, their early success and how it affected the band, her solo career and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67099493Mon, 28 Jul 2025 10:37:16 +0000HEAVY MagazineInterview by Kris Peters Transvision Vamp were the buzz band of the late 1980s and early 1990s.  Fronted by the raunchy, attitude laden Wendy James and backed by a catchy assembly of songs, Transvision Vamp cornered every section of the market. Their...Transvision Vamp were the buzz band of the late 1980s and early 1990s. 
Fronted by the raunchy, attitude laden Wendy James and backed by a catchy assembly of songs, Transvision Vamp cornered every section of the market. Their pop/punk rebelliousness outlined through songs such as Baby I Don't Care, I Want Your Love and The Only One resonated through disenfranchised youth everywhere, while their music videos dominated RAGE and other music programs thanks to their colourful and suggestive content.
Put simply, they were a breath of fresh air on an otherwise stagnating music scene and culture. Women everywhere wanted to be Wendy James and men everywhere just wanted her. It was the perfect chemical reaction to fit in with the times and that momentum carried Transvision Vamp through two successful albums and worldwide tours. By the mid to late 1990s Transvision Vamp had parted ways but their legacy has endured.
Now, 27 years after their last visit, Transvision Vamp are headed back Down Under for a headline run of shows next February, with Brisbane already sold out. HEAVY recently had the pleasure of spending time with Wendy James to talk about the tour and anything else we threw at her.
"I think it's because we were a raunchy rock and roll pop band," she replied when we ask why crowds in Australia loved Transvision Vamp so much. "We had the tunes, but we also had a quite upfront attitude. Everyone loves the scream of Baby I Don't Care and the melodies and everything, but I think they also really loved the attitude that we came with."
We ask what fans can expect from the shows, given there has been almost 30 years since Transvision Vamp last played here.
"I'm bringing the goods with me," James affirmed. "Fully locked and loaded, real hardcore. And when I say hardcore, I mean incredible musicians. Not just people that can hold down a 4-4 beat and play three chords. These are... they're monsters. They're killers. So I expect that we should be able to walk on stage and by the time you leave you'll be hot, sweaty, exhausted and jubilant."
In the full interview, Wendy spoke more about the tour and what to expect, the set list and what could be in it, whether this is just a one off reunion tour or if the possibility of Transvision Vamp returning for an album is on the cards, the ealy days of the band and where they fit in, how they got signed to EMI Records, their look and how natural that was, their early success and how it affected the band, her solo career and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1098australia,destroyalllines,heavy,interview,krispeters,music,musicinterview,podcast,poppunk,rock,tour,transvisionvamp,wendyjamesfalsefullhttps://www.spreaker.com/episode/revenge-is-a-dish-best-served-old-with-the-alice-cooper-band--67079874Blending rock music with ghoulish tales of the macabre backed up by a live show that pushed every conceivable boundary of the time, Alice Cooper soon became the man (band) people hated to love. His elaborate set pieces, including the infamous guillotine beheading cornerstone of his live show, gave birth to legend, and it is a testament to the enduring legacy of the great man that he continues unabated to this day.
While Alice Cooper will always be the one in the public eye, much of his early success was largely due to the band he assembled around him - lead guitarist Glen Buxton, rhythm guitarist Michael Bruce, bassist Dennis Dunaway, and drummer Neal Smith - who recorded with Cooper for the first seven albums, including School's Out and Billion Dollar Babies. While their departure after Muscle Of Love in 1973 didn't affect Cooper's career trajectory, it still marked the end of an era, one which is still held fondly by earlier fans of the band.
After half a century without officially fully reuniting, the Alice Cooper Band returned earlier this year with the announcement of a new album, The Revenge Of Alice Cooper, and a return to the sound that paved the way for generations of budding rock stars the world over. In a truly special moment, the album features a posthumous appearance by Glen Buxton, the band's original guitarist who passed away in 1997, through an unreleased recording that seamlessly blends the past with the present on What Happened To You, featuring his original guitar part.
Alice, Neal, Michael, and Dennis reunited with their producer Bob Ezrin in an old-school recording studio in Connecticut, rekindling the magic from the 70s. This album is a celebration of friendship, nostalgia, and the timeless sound that solidified Alice Cooper as a rock icon. Fans can expect a powerful and nostalgic experience that bridges the gap between the band's storied past and their vibrant present.
HEAVY was fortunate enough to spend time chatting with all three returning members in a riotous and informative 20-odd-minute interview that felt like it was only five. We ask if this reunion was something that they always thought would happen one day, or if it came as a surprise.
"No, we didn't know it was gonna happen," Dunaway smiled. "We thought it was gonna happen a couple of times over the decades, and then it didn't. So this was kind of like another one of those. We weren't popping any champagne until we actually were in the studio recording."
"And even when we were in the studio recording, the mixes didn't happen until about a year later," Smith interjected. "So… We were more like, I wanna see the album cover in my hands before I believe it, which I have now (laughs)."
In the full interview the band talks more about The Revenge Of Alice Cooper and getting the original band back together, if they had all been in contact over the years, the musical side of the album and how it harks back to the early days of the band, how easy they slipped back into the groove and jamming out to the first song back. We also spoke of the loss of Glen Buxton and how they managed to include his work on this album, the glory days of the band, what they think the band's musical legacy will be, working with Alice and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67079874Thu, 24 Jul 2025 16:11:05 +0000HEAVY MagazineInterview by Kris Peters Alice Cooper was set loose on the world in the mid to late 1960s, and it is fair to say the music world has never been the same since. Blending rock music with ghoulish tales of the macabre backed up by a live show that...Blending rock music with ghoulish tales of the macabre backed up by a live show that pushed every conceivable boundary of the time, Alice Cooper soon became the man (band) people hated to love. His elaborate set pieces, including the infamous guillotine beheading cornerstone of his live show, gave birth to legend, and it is a testament to the enduring legacy of the great man that he continues unabated to this day.
While Alice Cooper will always be the one in the public eye, much of his early success was largely due to the band he assembled around him - lead guitarist Glen Buxton, rhythm guitarist Michael Bruce, bassist Dennis Dunaway, and drummer Neal Smith - who recorded with Cooper for the first seven albums, including School's Out and Billion Dollar Babies. While their departure after Muscle Of Love in 1973 didn't affect Cooper's career trajectory, it still marked the end of an era, one which is still held fondly by earlier fans of the band.
After half a century without officially fully reuniting, the Alice Cooper Band returned earlier this year with the announcement of a new album, The Revenge Of Alice Cooper, and a return to the sound that paved the way for generations of budding rock stars the world over. In a truly special moment, the album features a posthumous appearance by Glen Buxton, the band's original guitarist who passed away in 1997, through an unreleased recording that seamlessly blends the past with the present on What Happened To You, featuring his original guitar part.
Alice, Neal, Michael, and Dennis reunited with their producer Bob Ezrin in an old-school recording studio in Connecticut, rekindling the magic from the 70s. This album is a celebration of friendship, nostalgia, and the timeless sound that solidified Alice Cooper as a rock icon. Fans can expect a powerful and nostalgic experience that bridges the gap between the band's storied past and their vibrant present.
HEAVY was fortunate enough to spend time chatting with all three returning members in a riotous and informative 20-odd-minute interview that felt like it was only five. We ask if this reunion was something that they always thought would happen one day, or if it came as a surprise.
"No, we didn't know it was gonna happen," Dunaway smiled. "We thought it was gonna happen a couple of times over the decades, and then it didn't. So this was kind of like another one of those. We weren't popping any champagne until we actually were in the studio recording."
"And even when we were in the studio recording, the mixes didn't happen until about a year later," Smith interjected. "So… We were more like, I wanna see the album cover in my hands before I believe it, which I have now (laughs)."
In the full interview the band talks more about The Revenge Of Alice Cooper and getting the original band back together, if they had all been in contact over the years, the musical side of the album and how it harks back to the early days of the band, how easy they slipped back into the groove and jamming out to the first song back. We also spoke of the loss of Glen Buxton and how they managed to include his work on this album, the glory days of the band, what they think the band's musical legacy will be, working with Alice and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1842album,alicecooper,alicecooperband,hardrock,heavy,krispeters,musicinterview,podcast,rock,shockrocktruefullhttps://www.spreaker.com/episode/fulfilling-the-prophecy-with-chris-adams-from-smash-into-pieces--67073613After conquering the rest of the world on the back of their smash hit album Ghost Code in 2023, Swedish rock outfit Smash Into Pieces are turning their sights to Australia, announcing their first-ever trip to our shores next month.
A band renowned for their spectacular live performances, Smash Into Pieces are bringing their new-look, latest production ArmaHeaven Prophecy here for three select shows starting in Melbourne on August 22 – a high-intensity experience of music and stunning visuals that embodies their motto: “don’t let anything stand between you and your dreams… if it does, smash it into pieces”.
"In the world of ArmaHeaven, a new reality is born through AI – only to be threatened by the very force that created it," so the story goes. "The prophecy has been written… but it can still be altered. This is more than a concert. It’s a message. A warning. A choice … The ninth chapter begins now. Join the movement. Alter the prophecy."
With a new album in the can and the band primed for their debut Down Under performances, frontman Chris Adam sat down with HEAVY, where we grilled him from the start, demanding to know why the band have neglected Australia for 17 years.
"I guess we… I mean, it's a good question," he replied. "Ever since the start with Smash Into Pieces, the analytics have shown that you are in the top 10 countries for us. I guess when we were kinda new as a band, we couldn't really afford to get there, and we didn't really sell tickets. So it's a mix between those two. The interest has always been there to go there, but, as I said, that's the reasons why we couldn't get there before. But now it's time. We own our music. We own everything in the company, so now we can afford certain things. It's time. It's definitely time to go there."
The ArmaHeaven Prophecy is a conceptually based production centring on AI and the threats it poses to the human race, leading us to ask if the whole show - inclusive of visuals and lyrics - is part of the concept.
"We have had this storytelling from the beginning," Adam measured, "and ever since we started doing the new album. So it's definitely in the lyrics, but we're also tweaking it so it's not too much singing about a computer. It's more flirting with the concept and the ideas we have. We always try, with our lyrics, to be not taken too far, so people can resonate with their own thing to it."
In the full interview, Chris talks more about the upcoming tour and what to expect, how the music fits in with the conceptual idea, how it represents a "bold new era of storytelling and sound" and elaborates further on the conceptual story. He runs us through the music that makes up the live show and if it is all new or a mixture across their catalogue, the new album and what to expect, the temptation to rehash the successful formula of Ghost Code and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67073613Tue, 22 Jul 2025 14:57:08 +0000HEAVY MagazineInterview by Kris Peters After conquering the rest of the world on the back of their smash hit album Ghost Code in 2023, Swedish rock outfit Smash Into Pieces are turning their sights to Australia, announcing their first-ever trip to our shores next...After conquering the rest of the world on the back of their smash hit album Ghost Code in 2023, Swedish rock outfit Smash Into Pieces are turning their sights to Australia, announcing their first-ever trip to our shores next month.
A band renowned for their spectacular live performances, Smash Into Pieces are bringing their new-look, latest production ArmaHeaven Prophecy here for three select shows starting in Melbourne on August 22 – a high-intensity experience of music and stunning visuals that embodies their motto: “don’t let anything stand between you and your dreams… if it does, smash it into pieces”.
"In the world of ArmaHeaven, a new reality is born through AI – only to be threatened by the very force that created it," so the story goes. "The prophecy has been written… but it can still be altered. This is more than a concert. It’s a message. A warning. A choice … The ninth chapter begins now. Join the movement. Alter the prophecy."
With a new album in the can and the band primed for their debut Down Under performances, frontman Chris Adam sat down with HEAVY, where we grilled him from the start, demanding to know why the band have neglected Australia for 17 years.
"I guess we… I mean, it's a good question," he replied. "Ever since the start with Smash Into Pieces, the analytics have shown that you are in the top 10 countries for us. I guess when we were kinda new as a band, we couldn't really afford to get there, and we didn't really sell tickets. So it's a mix between those two. The interest has always been there to go there, but, as I said, that's the reasons why we couldn't get there before. But now it's time. We own our music. We own everything in the company, so now we can afford certain things. It's time. It's definitely time to go there."
The ArmaHeaven Prophecy is a conceptually based production centring on AI and the threats it poses to the human race, leading us to ask if the whole show - inclusive of visuals and lyrics - is part of the concept.
"We have had this storytelling from the beginning," Adam measured, "and ever since we started doing the new album. So it's definitely in the lyrics, but we're also tweaking it so it's not too much singing about a computer. It's more flirting with the concept and the ideas we have. We always try, with our lyrics, to be not taken too far, so people can resonate with their own thing to it."
In the full interview, Chris talks more about the upcoming tour and what to expect, how the music fits in with the conceptual idea, how it represents a "bold new era of storytelling and sound" and elaborates further on the conceptual story. He runs us through the music that makes up the live show and if it is all new or a mixture across their catalogue, the new album and what to expect, the temptation to rehash the successful formula of Ghost Code and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1395australia,chrisadam,edm,electronicmetal,heavy,interview,krispeters,musicinterview,podcast,rock,smashintopieces,tourfalsefullhttps://www.spreaker.com/episode/the-hives-forever-swedish-rock-icons-return-to-australia--67072363Swedish rock juggernauts The Hives are currently storming stages across Australia, kicking off a tour that feels like both a celebration of their legacy and a fiery new beginning. Speaking from his hotel in Perth with a view of “rivers and mountains,” guitarist Niklas Arson exuded gratitude and excitement about being back down under.
“This tour kind of feels like we’re both starting the new record and finishing the last one,” Arson explained. The band’s latest release, The Hives Forever Forever The Hives, is packed with high-energy tracks—most brand new, with just a few songs like Paint a Picture having existed in live form before. “We don’t just throw songs together—we make albums,” he said, revealing their meticulous approach to sequencing and flow."
Despite over 30 years as a band, The Hives show no signs of slowing down. “It feels more like a beginning,” Arson insisted. “We like doing The Hives more than not doing The Hives.” That passion remains their driving force—and it shows. Each show is performed with full-throttle intensity, something Arson says is crucial: “Touring at 70% capacity would suck. You have to pour everything into it.”
Australia holds a special place in the band’s heart, from mangoes and surfboards to the rock-loving fans (after some confusion on whether Sweden had mangoes, Nik kindly let me know they do in fact have mangoes there, but not the trees!). “It's a country where there’s rockers,” Arson said with a grin. The band’s first Aussie visit in 2001 left such a mark that they continue returning with enthusiasm.
Collaborations on the new record include industry heavyweights like Mike D (Beastie Boys) and Josh Homme (Queens of the Stone Age), both of whom brought unique energy to the studio. Yet, Arson emphasises that the sound remains purely The Hives—tight, explosive, and always crowd-focused.
As they gear up to support My Chemical Romance in South America next year, The Hives are proving they’re not just survivors of the rock ‘n’ roll era—they’re lifers. And right now, Australia is getting the full force of their never-ending sonic assault.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67072363Tue, 22 Jul 2025 13:51:28 +0000HEAVY MagazineInterview by Angela Croudace Swedish rock juggernauts The Hives are currently storming stages across Australia, kicking off a tour that feels like both a celebration of their legacy and a fiery new beginning. Speaking from his hotel in Perth with a...Swedish rock juggernauts The Hives are currently storming stages across Australia, kicking off a tour that feels like both a celebration of their legacy and a fiery new beginning. Speaking from his hotel in Perth with a view of “rivers and mountains,” guitarist Niklas Arson exuded gratitude and excitement about being back down under.
“This tour kind of feels like we’re both starting the new record and finishing the last one,” Arson explained. The band’s latest release, The Hives Forever Forever The Hives, is packed with high-energy tracks—most brand new, with just a few songs like Paint a Picture having existed in live form before. “We don’t just throw songs together—we make albums,” he said, revealing their meticulous approach to sequencing and flow."
Despite over 30 years as a band, The Hives show no signs of slowing down. “It feels more like a beginning,” Arson insisted. “We like doing The Hives more than not doing The Hives.” That passion remains their driving force—and it shows. Each show is performed with full-throttle intensity, something Arson says is crucial: “Touring at 70% capacity would suck. You have to pour everything into it.”
Australia holds a special place in the band’s heart, from mangoes and surfboards to the rock-loving fans (after some confusion on whether Sweden had mangoes, Nik kindly let me know they do in fact have mangoes there, but not the trees!). “It's a country where there’s rockers,” Arson said with a grin. The band’s first Aussie visit in 2001 left such a mark that they continue returning with enthusiasm.
Collaborations on the new record include industry heavyweights like Mike D (Beastie Boys) and Josh Homme (Queens of the Stone Age), both of whom brought unique energy to the studio. Yet, Arson emphasises that the sound remains purely The Hives—tight, explosive, and always crowd-focused.
As they gear up to support My Chemical Romance in South America next year, The Hives are proving they’re not just survivors of the rock ‘n’ roll era—they’re lifers. And right now, Australia is getting the full force of their never-ending sonic assault.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1101angelacroudace,australia,heavy,music,musicinterview,podcast,rock,thehives,tourtruefullhttps://www.spreaker.com/episode/three-sides-to-every-story-with-chris-harms-from-lord-of-the-lost--67047324German dark rock outfit Lord Of The Lost struck gold with their 2022 album Blood & Glitter carrying the band into the 2023 ESC finals and into the hearts and ears of a more mainstream market. It was a fitting reward for the band who had toiled hard without overwhelming success over six previous albums, emphatically announcing Lord Of The Lost to a wider market that grew to connect with the band on a deeper level.
Rather than rehash what was obviously a winning formula, Lord Of The Lost have returned to their darker, atmospheric roots for their upcoming album OPVS NOIR Vol. 1, which is out on August 8. They have also played it far from safe by declaring it the first of a trilogy concept series of albums that promise to explore opposing sides of their musical psyche over the journey.
HEAVY sat down with vocalist Chris Harms to find out more, at one point asking Harms if it was tempting to stick to what had already worked for the band.
"Yeah, of course," he answered honestly. "All the experts in the industry said this was the most successful album and was the number one record, and it broke all our records, so just keep going that way. Just stay in the lane. Some even saidthat  after so many years of searching for something new, and always trying something new, finally, it was the most successful in the mainstream. And we were like, okay, do you think that we always changed because we were searching for the one recipe? And now we found it, and we stay like that? They were like, yeah, of course, otherwise, why would you change all the time? And we said because that's what artists do. Some people really think that we always tried something new because we were looking for some kind of recipe. Look at David Bowie. Do you think he did all genres that exist in the world because he was looking for success? Or do you think he did that because he just wanted to explore the space? He followed his heart, and this is what we do."
In the full interview, Chris provided an overview of Lord of the Lost's upcoming album, Opus Noir, Vol. 1, set for release on August 8. He described the album as an emotional journey that explores themes of darkness and beauty, incorporating orchestral elements and film score influences to create a rich sound. The singles My Sanctuary and I Will Die In It were highlighted as representative of the album's diverse emotional landscape, with My Sanctuary serving as an entry point and I Will Die In It embodying the core emotional essence. Chris also discussed the song Ghosts, featuring cellist Tina Guo, emphasizing her contribution to the emotional depth of the music and its alignment with the overall essence of OPVS Noir.
The discussion further delved into the trilogy concept behind the album, with Chris explaining that the band wrote 34 songs during the creative process, ultimately deciding to release them as three interconnected albums. He noted that all albums were recorded simultaneously to capture a specific moment in their lives. We also spoke about their upcoming tour of Australia and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67047324Tue, 22 Jul 2025 11:30:40 +0000HEAVY MagazineInterview by Kris Peters German dark rock outfit Lord Of The Lost struck gold with their 2022 album Blood & Glitter carrying the band into the 2023 ESC finals and into the hearts and ears of a more mainstream market. It was a fitting reward for...German dark rock outfit Lord Of The Lost struck gold with their 2022 album Blood & Glitter carrying the band into the 2023 ESC finals and into the hearts and ears of a more mainstream market. It was a fitting reward for the band who had toiled hard without overwhelming success over six previous albums, emphatically announcing Lord Of The Lost to a wider market that grew to connect with the band on a deeper level.
Rather than rehash what was obviously a winning formula, Lord Of The Lost have returned to their darker, atmospheric roots for their upcoming album OPVS NOIR Vol. 1, which is out on August 8. They have also played it far from safe by declaring it the first of a trilogy concept series of albums that promise to explore opposing sides of their musical psyche over the journey.
HEAVY sat down with vocalist Chris Harms to find out more, at one point asking Harms if it was tempting to stick to what had already worked for the band.
"Yeah, of course," he answered honestly. "All the experts in the industry said this was the most successful album and was the number one record, and it broke all our records, so just keep going that way. Just stay in the lane. Some even saidthat  after so many years of searching for something new, and always trying something new, finally, it was the most successful in the mainstream. And we were like, okay, do you think that we always changed because we were searching for the one recipe? And now we found it, and we stay like that? They were like, yeah, of course, otherwise, why would you change all the time? And we said because that's what artists do. Some people really think that we always tried something new because we were looking for some kind of recipe. Look at David Bowie. Do you think he did all genres that exist in the world because he was looking for success? Or do you think he did that because he just wanted to explore the space? He followed his heart, and this is what we do."
In the full interview, Chris provided an overview of Lord of the Lost's upcoming album, Opus Noir, Vol. 1, set for release on August 8. He described the album as an emotional journey that explores themes of darkness and beauty, incorporating orchestral elements and film score influences to create a rich sound. The singles My Sanctuary and I Will Die In It were highlighted as representative of the album's diverse emotional landscape, with My Sanctuary serving as an entry point and I Will Die In It embodying the core emotional essence. Chris also discussed the song Ghosts, featuring cellist Tina Guo, emphasizing her contribution to the emotional depth of the music and its alignment with the overall essence of OPVS Noir.
The discussion further delved into the trilogy concept behind the album, with Chris explaining that the band wrote 34 songs during the creative process, ultimately deciding to release them as three interconnected albums. He noted that all albums were recorded simultaneously to capture a specific moment in their lives. We also spoke about their upcoming tour of Australia and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1117album,chrisharms,darkrock,hardrock,heavy,krispeters,lordofthelost,music,musicinterview,podcast,rockfalsefullhttps://www.spreaker.com/episode/challenging-the-gods-with-ryan-kirby-from-fit-for-a-king--67037939American metalcore outfit Fit For A King have never backed away from allowing their music the time and space it needs to breathe.
Since unleashing their debut album Descendants in 2011, the band have experimented with a variety of sounds and genres, often overlapping them with each other and harnessing the resulting unpredictability into an ever-evolving sonic palette of metalcore unpredictability, alternative melody, and deathcore brutality laced with electronic alchemy.
Fourteen years after embracing their destiny, Fit For A King stand on the cusp of unveiling their eighth album Lonely God, boasting all of the sonic hallmarks Fit For A King fans have come to know and love — gnarly riffs, guttural growls, deep grooves, and a slightly industrial crunch that takes things to the next level, every single time - with some expected moderations.
Frontman Ryan Kirby joined HEAVY to go into greater detail.
"I feel good," he enthused when asked about the new album. "I'm always eager to get the new record out once we start rolling it out."
We ask what fans can expect from the album musically.
"This time around, we just wanted to not have any agendas," he replied. "We just wanted to write music that we enjoy writing, and I think it turned out that way. I think because of that, the record is my personal favourite that we've ever written."
In the full interview, Ryan dives deeper into Lonely God, including the singles released and how they represent the album as a whole. He mentions the difficulty in selecting songs to release because of the eclectic nature of their music, insisting fans don't fall into the trap of assuming the rest of the album is just a rehash of the songs released from it.
He talked about the album opener Begin The Sacrifice and why it was chosen as the first song, how Lonely God differs to 2022's The Hell We Create, the performance of The Plot In You vocalist Landon Tewers on Technium and the close relationship the two bands have, their upcoming Australian tour together, their version of genre mashing and how it comes together in the creative process, playing all ages shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67037939Sun, 20 Jul 2025 15:12:50 +0000HEAVY MagazineInterview by Kris Peters American metalcore outfit Fit For A King have never backed away from allowing their music the time and space it needs to breathe. Since unleashing their debut album Descendants in 2011, the band have experimented with a...American metalcore outfit Fit For A King have never backed away from allowing their music the time and space it needs to breathe.
Since unleashing their debut album Descendants in 2011, the band have experimented with a variety of sounds and genres, often overlapping them with each other and harnessing the resulting unpredictability into an ever-evolving sonic palette of metalcore unpredictability, alternative melody, and deathcore brutality laced with electronic alchemy.
Fourteen years after embracing their destiny, Fit For A King stand on the cusp of unveiling their eighth album Lonely God, boasting all of the sonic hallmarks Fit For A King fans have come to know and love — gnarly riffs, guttural growls, deep grooves, and a slightly industrial crunch that takes things to the next level, every single time - with some expected moderations.
Frontman Ryan Kirby joined HEAVY to go into greater detail.
"I feel good," he enthused when asked about the new album. "I'm always eager to get the new record out once we start rolling it out."
We ask what fans can expect from the album musically.
"This time around, we just wanted to not have any agendas," he replied. "We just wanted to write music that we enjoy writing, and I think it turned out that way. I think because of that, the record is my personal favourite that we've ever written."
In the full interview, Ryan dives deeper into Lonely God, including the singles released and how they represent the album as a whole. He mentions the difficulty in selecting songs to release because of the eclectic nature of their music, insisting fans don't fall into the trap of assuming the rest of the album is just a rehash of the songs released from it.
He talked about the album opener Begin The Sacrifice and why it was chosen as the first song, how Lonely God differs to 2022's The Hell We Create, the performance of The Plot In You vocalist Landon Tewers on Technium and the close relationship the two bands have, their upcoming Australian tour together, their version of genre mashing and how it comes together in the creative process, playing all ages shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>862album,fitforaking,heavy,heavymetal,krispeters,lonelygod,metalcore,music,musicinterview,podcast,ryankirbytruefullhttps://www.spreaker.com/episode/the-knockout-blow-with-zoltan-bathory-from-five-finger-death-punch--67002287The metal landscape changed forever in 2005 when a hard rock/metal outfit called Five Finger Death Punch took their first tentative steps in music from Las Vegas. A town normally more known for its casinos and nightlife, Las Vegas was soon forced to share its traditional draw cards with an unrelenting and destructive sonic force that refused to watch the world pass them by, instead deciding to make their presence felt by any means necessary.
Led by the only two surviving original members - vocalist Ivan Moody and rhythm guitarist Zoltan Bathory - Five Finger Death Punch quickly rose to prominence, with their 2007 debut album The Way Of The Fist selling over 500,00 copies before the 2009 follow-up War Is the Answer further increased their popularity, selling over 1,000,000 copies and being certified Platinum by the RIAA. The bands next five albums - American Capitalist, The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 (2013), The Wrong Side of Heaven and the Righteous Side of Hell, Volume 2 (2013), Got Your Six (2015), plus And Justice for None (2018) have all been certified Platinum or Gold, elevating Five Finger Death Punch into the upper echelon of hard rock/metal bands.
To celebrate their plethora of achievements over the last two decades, which include victories in esteemed awards such as Revolver Golden Gods and Metal Hammer Golden Gods, Five Finger Death Punch are releasing Best Of – Volume 1, a collection of re-recorded versions of their most iconic chart-topping songs. The idea of a remix or remaster wasn't enough, so the band created a completely re-recorded 2025 edition to honour the songs and the fans who have made them matter by being with Five Finger Death Punch every step of the way.
HEAVY had the pleasure of spending time with Zoltan Bathory to get a glimpse inside the world of Five Finger Death Punch and 20 years at the top of their game. We ask him to look back at the early days and the point where he felt Five Finger Death Punch were destined for success.
"When you say it's going to last… we didn't know," he laughed. "We did have a moment, however, where we kind of knew that we had something. It was in the very beginning when we went to the studio to record our first vocal takes. The first record was done in my living room, the whole thing (laughs), so young bands out there, you can do it! We did it in my house, then went to the studio and recorded the first couple of songs, then we went back to my house, and we had a Beavis & Butthead moment. Me and Ivan were jamming and thrashing around in my living room, kicking over couches, screaming 'this is it, it's gonna happen'. So we had that early on. As for how long it's gonna last… I mean, even now I look back and go 'oh my God, 20 years'. It's crazy (laughs)."
In the full interview, Zoltan talks more about the history of Five Finger Death Punch, their success, the new best of album and re-recording old material, their loyal fan base, plus plenty more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67002287Fri, 18 Jul 2025 02:30:28 +0000HEAVY MagazineInterview by Angela Croudace The metal landscape changed forever in 2005 when a hard rock/metal outfit called Five Finger Death Punch took their first tentative steps in music from Las Vegas. A town normally more known for its casinos and nightlife,...The metal landscape changed forever in 2005 when a hard rock/metal outfit called Five Finger Death Punch took their first tentative steps in music from Las Vegas. A town normally more known for its casinos and nightlife, Las Vegas was soon forced to share its traditional draw cards with an unrelenting and destructive sonic force that refused to watch the world pass them by, instead deciding to make their presence felt by any means necessary.
Led by the only two surviving original members - vocalist Ivan Moody and rhythm guitarist Zoltan Bathory - Five Finger Death Punch quickly rose to prominence, with their 2007 debut album The Way Of The Fist selling over 500,00 copies before the 2009 follow-up War Is the Answer further increased their popularity, selling over 1,000,000 copies and being certified Platinum by the RIAA. The bands next five albums - American Capitalist, The Wrong Side of Heaven and the Righteous Side of Hell, Volume 1 (2013), The Wrong Side of Heaven and the Righteous Side of Hell, Volume 2 (2013), Got Your Six (2015), plus And Justice for None (2018) have all been certified Platinum or Gold, elevating Five Finger Death Punch into the upper echelon of hard rock/metal bands.
To celebrate their plethora of achievements over the last two decades, which include victories in esteemed awards such as Revolver Golden Gods and Metal Hammer Golden Gods, Five Finger Death Punch are releasing Best Of – Volume 1, a collection of re-recorded versions of their most iconic chart-topping songs. The idea of a remix or remaster wasn't enough, so the band created a completely re-recorded 2025 edition to honour the songs and the fans who have made them matter by being with Five Finger Death Punch every step of the way.
HEAVY had the pleasure of spending time with Zoltan Bathory to get a glimpse inside the world of Five Finger Death Punch and 20 years at the top of their game. We ask him to look back at the early days and the point where he felt Five Finger Death Punch were destined for success.
"When you say it's going to last… we didn't know," he laughed. "We did have a moment, however, where we kind of knew that we had something. It was in the very beginning when we went to the studio to record our first vocal takes. The first record was done in my living room, the whole thing (laughs), so young bands out there, you can do it! We did it in my house, then went to the studio and recorded the first couple of songs, then we went back to my house, and we had a Beavis & Butthead moment. Me and Ivan were jamming and thrashing around in my living room, kicking over couches, screaming 'this is it, it's gonna happen'. So we had that early on. As for how long it's gonna last… I mean, even now I look back and go 'oh my God, 20 years'. It's crazy (laughs)."
In the full interview, Zoltan talks more about the history of Five Finger Death Punch, their success, the new best of album and re-recording old material, their loyal fan base, plus plenty more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1979album,angelacroudace,bestof,betternoisemusic,fivefingerdeathpunch,hardrock,heavy,heavymetal,music,musicinterview,podcast,zoltanbathorytruefullhttps://www.spreaker.com/episode/exposing-the-core-with-jake-davies-from-of-limbo--67008556After making their name on the back of high-energy, hard-hitting music, Long Beach, California rockers Of Limbo are pulling the reins somewhat on their upcoming release, Unplugged, which you can check out here: https://linktr.ee/Oflimbo
Rather than continue their relentless barrage of sonic intensity, Of Limbo have decided to strip things back to their bare minimum, assembling a collection of original tracks and select covers that showcase the lighter sides to their musical psyche and offer fans a more vulnerable and softer underbelly.
It is an uncommon move from a band not known for their acoustic playing, but one which proves how confident Of Limbo are, not just in themselves, but also in their music.
With the album almost upon us - released July 18 - HEAVY caught up with vocalist/rhythm guitarist Jake Davies to dive deeper.
"We grew up just absolutely adoring the MTV Unplugged era, especially the Alice in Chains stuff," he replied when we asked what was behind the decision to make an acoustic album. "I must have listened to that live album thousands of times in my life, so we've always really liked it. And there was a stint in time when the electric version of our band wasn't able to perform. Our drummer was away, stuff like that. So we just started jamming with our friend Jason (Klein, bass) who used to be famous for being in the Butcher Babies years ago. I started jamming with Jason, just doing sort of acoustic stuff, and we really got a taste for it because as much fun as the live electric rock and roll party stuff is that we do, there's a real romance to playing the acoustic stuff."
In the full interview, Jake focused on the upcoming release of Of Limbo's Unplugged album, scheduled for July 18, outlining their strategy of prioritising physical sales over streaming to foster a deeper connection with their audience. The album will feature six original songs and three covers, with the decision to adopt an acoustic style inspired by the MTV Unplugged era.
We spoke further about doing an acoustic album and the potential risks involved, as well as running through each of the three cover songs and why they were chosen. Jake talked about his time in Australia and desire to return with the band, as well as some upcoming Of Limbo shows in America and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/67008556Thu, 17 Jul 2025 02:31:26 +0000HEAVY MagazineInterview by Kris Peters After making their name on the back of high-energy, hard-hitting music, Long Beach, California rockers Of Limbo are pulling the reins somewhat on their upcoming release, Unplugged, which you can check out here:...After making their name on the back of high-energy, hard-hitting music, Long Beach, California rockers Of Limbo are pulling the reins somewhat on their upcoming release, Unplugged, which you can check out here: https://linktr.ee/Oflimbo
Rather than continue their relentless barrage of sonic intensity, Of Limbo have decided to strip things back to their bare minimum, assembling a collection of original tracks and select covers that showcase the lighter sides to their musical psyche and offer fans a more vulnerable and softer underbelly.
It is an uncommon move from a band not known for their acoustic playing, but one which proves how confident Of Limbo are, not just in themselves, but also in their music.
With the album almost upon us - released July 18 - HEAVY caught up with vocalist/rhythm guitarist Jake Davies to dive deeper.
"We grew up just absolutely adoring the MTV Unplugged era, especially the Alice in Chains stuff," he replied when we asked what was behind the decision to make an acoustic album. "I must have listened to that live album thousands of times in my life, so we've always really liked it. And there was a stint in time when the electric version of our band wasn't able to perform. Our drummer was away, stuff like that. So we just started jamming with our friend Jason (Klein, bass) who used to be famous for being in the Butcher Babies years ago. I started jamming with Jason, just doing sort of acoustic stuff, and we really got a taste for it because as much fun as the live electric rock and roll party stuff is that we do, there's a real romance to playing the acoustic stuff."
In the full interview, Jake focused on the upcoming release of Of Limbo's Unplugged album, scheduled for July 18, outlining their strategy of prioritising physical sales over streaming to foster a deeper connection with their audience. The album will feature six original songs and three covers, with the decision to adopt an acoustic style inspired by the MTV Unplugged era.
We spoke further about doing an acoustic album and the potential risks involved, as well as running through each of the three cover songs and why they were chosen. Jake talked about his time in Australia and desire to return with the band, as well as some upcoming Of Limbo shows in America and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1297acoustic,album,hardrock,heavy,krispeters,music,musicinterview,oflimbo,podcast,rocktruefullhttps://www.spreaker.com/episode/kids-in-the-crowd-simple-plan-s-heartfelt-documentary-celebrates-25-years-of-friendship-fans-and-fortitude--66997213Simple Plan have always worn their hearts on their sleeves - but with their new documentary The Kids in the Crowd, drummer Chuck Comeau says the band has truly peeled back the curtain. The film, marking their 25-year legacy, is an emotional deep-dive into the highs, lows, and brotherhood that’s defined the Canadian pop-punk juggernaut.
Chuck described the process as “a joy” but also “really difficult,” recounting the overwhelming task of sorting through decades of footage—some of which dated back to him and frontman Pierre Bouvier’s first ever band when they were just teenagers. “It’s hard to condense 25 years into an hour and a half,” he said. “It’s literally your entire life.”
One particularly moving discovery came late in the process - hidden in a box in Chuck’s parents’ basement. “It was our first show ever… in our friend’s basement, playing Basket Case by Green Day,” Chuck recalled. “It was so innocent, and yet so similar to what we do now.”
The documentary doesn’t shy away from the band’s internal struggles, either, including the at times rocky dynamics between Chuck and Pierre. “We had a massive fight. I got kicked out of the band,” Chuck admitted. “But going through that taught us how to keep this thing alive.”
Just as crucial to the film are Simple Plan’s fans. For Chuck, the bond with their audience, many of whom have leaned on the band’s music during life’s darkest moments, is sacred. “They’ve told us we saved their lives,” he shared. “That comes with responsibility. You don’t take that lightly.”
Their new single, Nothing Changes, featured on the film’s soundtrack, was written as a reflection on their past - and a reminder that Simple Plan isn’t stuck there. “It was important to not just become a fossil,” Chuck said. “This film celebrates where we’ve been, but it also kicks off what comes next.”
After 25 years, Simple Plan is still that band for the outsiders, the dreamers - and the kids in the crowd.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66997213Wed, 16 Jul 2025 13:31:50 +0000HEAVY MagazineInterview by Angela Croudace Simple Plan have always worn their hearts on their sleeves - but with their new documentary The Kids in the Crowd, drummer Chuck Comeau says the band has truly peeled back the curtain. The film, marking their 25-year...Simple Plan have always worn their hearts on their sleeves - but with their new documentary The Kids in the Crowd, drummer Chuck Comeau says the band has truly peeled back the curtain. The film, marking their 25-year legacy, is an emotional deep-dive into the highs, lows, and brotherhood that’s defined the Canadian pop-punk juggernaut.
Chuck described the process as “a joy” but also “really difficult,” recounting the overwhelming task of sorting through decades of footage—some of which dated back to him and frontman Pierre Bouvier’s first ever band when they were just teenagers. “It’s hard to condense 25 years into an hour and a half,” he said. “It’s literally your entire life.”
One particularly moving discovery came late in the process - hidden in a box in Chuck’s parents’ basement. “It was our first show ever… in our friend’s basement, playing Basket Case by Green Day,” Chuck recalled. “It was so innocent, and yet so similar to what we do now.”
The documentary doesn’t shy away from the band’s internal struggles, either, including the at times rocky dynamics between Chuck and Pierre. “We had a massive fight. I got kicked out of the band,” Chuck admitted. “But going through that taught us how to keep this thing alive.”
Just as crucial to the film are Simple Plan’s fans. For Chuck, the bond with their audience, many of whom have leaned on the band’s music during life’s darkest moments, is sacred. “They’ve told us we saved their lives,” he shared. “That comes with responsibility. You don’t take that lightly.”
Their new single, Nothing Changes, featured on the film’s soundtrack, was written as a reflection on their past - and a reminder that Simple Plan isn’t stuck there. “It was important to not just become a fossil,” Chuck said. “This film celebrates where we’ve been, but it also kicks off what comes next.”
After 25 years, Simple Plan is still that band for the outsiders, the dreamers - and the kids in the crowd.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1778angelacroudace,hardrock,heavy,music,musicinterview,podcast,poppunk,primevideo,punk,rock,rockumentary,simpleplantruefullhttps://www.spreaker.com/episode/used-but-never-abused-with-jepha-from-the-used--66996730For a quarter of a century, American rock outfit The Used have dominated the global rock landscape, delivering countless albums that not only helped shape the course of musical history but also helped shape the lives of a good deal of music fans the world over.
Bursting onto the scene with their self-titled debut album in 2002, The Used transcended normal music prejudices to become favourites of both consumers of music and critics, finding that elusive formula early on in their career while most bands finish their tenure still oblivious to how to find it.
From The Used, the band went on to release In Love And Death in 2004, somehow topping the heights achieved on their first album, before solidifying their stature amongst the rock elite with 2007's Lies For The Liars. Now, in celebration of 25 years atop their field, The Used bring the party to Australia in a unique run of shows that sees them perform each of those three albums in their entirety in each capital city.
Such is the demand for these special shows that several more have had to be added, more than half of which have already sold out. HEAVY recently sat down with bass player Jepha to dive deeper into the idea and the celebrations that look set to continue for some time yet.
"I'm excited, I'm ready to go," he enthused when we began. "We just ended a full US version, and we went to Europe for a few dates, then we took this month off, and now I'm already itching to go back out and move to Australia for a bit (laughs)."
We mention the fact that more than half of the 21 shows are already sold out and ask how good it feels to know that people on the other side of the world are so hungry for their arrival.
"It's really exciting," Jepha smiled. "The best part is for our singer - because he lives in Sydney and has been out there about ten years now - he always has to come to us to rehearse and practice and everything, so he's always jet-lagged. Now the joke's on us that we are all flying over and will be jet-lagged and fucked the whole time, and he is going to be spot on (laughs)."
Having had to add so many extra shows, The Used will now be in Australia for almost one month, so we ask Jepha if the band had already planned or budgeted in that extra time away from home.
"We didn't expect this much," he laughed. "We didn't expect it to go this long and to have multiple dates added and a lot of places selling out. That's all… not a shock… it's all better than we imagined."
In the full interview, Jepha talks more about the tour and what fans can expect, learning the first three albums in full and any difficulties faced plus how the band will approach each night and bring their best to each performance.
We dive deeper into each of the three albums and what they mean to The Used, his memories of recording each, the musical shift between each and how that reflected the growth of The Used musically, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66996730Wed, 16 Jul 2025 12:49:37 +0000HEAVY MagazineInterview by Kris Peters For a quarter of a century, American rock outfit The Used have dominated the global rock landscape, delivering countless albums that not only helped shape the course of musical history but also helped shape the lives of a good...For a quarter of a century, American rock outfit The Used have dominated the global rock landscape, delivering countless albums that not only helped shape the course of musical history but also helped shape the lives of a good deal of music fans the world over.
Bursting onto the scene with their self-titled debut album in 2002, The Used transcended normal music prejudices to become favourites of both consumers of music and critics, finding that elusive formula early on in their career while most bands finish their tenure still oblivious to how to find it.
From The Used, the band went on to release In Love And Death in 2004, somehow topping the heights achieved on their first album, before solidifying their stature amongst the rock elite with 2007's Lies For The Liars. Now, in celebration of 25 years atop their field, The Used bring the party to Australia in a unique run of shows that sees them perform each of those three albums in their entirety in each capital city.
Such is the demand for these special shows that several more have had to be added, more than half of which have already sold out. HEAVY recently sat down with bass player Jepha to dive deeper into the idea and the celebrations that look set to continue for some time yet.
"I'm excited, I'm ready to go," he enthused when we began. "We just ended a full US version, and we went to Europe for a few dates, then we took this month off, and now I'm already itching to go back out and move to Australia for a bit (laughs)."
We mention the fact that more than half of the 21 shows are already sold out and ask how good it feels to know that people on the other side of the world are so hungry for their arrival.
"It's really exciting," Jepha smiled. "The best part is for our singer - because he lives in Sydney and has been out there about ten years now - he always has to come to us to rehearse and practice and everything, so he's always jet-lagged. Now the joke's on us that we are all flying over and will be jet-lagged and fucked the whole time, and he is going to be spot on (laughs)."
Having had to add so many extra shows, The Used will now be in Australia for almost one month, so we ask Jepha if the band had already planned or budgeted in that extra time away from home.
"We didn't expect this much," he laughed. "We didn't expect it to go this long and to have multiple dates added and a lot of places selling out. That's all… not a shock… it's all better than we imagined."
In the full interview, Jepha talks more about the tour and what fans can expect, learning the first three albums in full and any difficulties faced plus how the band will approach each night and bring their best to each performance.
We dive deeper into each of the three albums and what they mean to The Used, his memories of recording each, the musical shift between each and how that reflected the growth of The Used musically, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>699australia,destroyalllines,heavy,jepha,krispeters,music,musicinterview,podcast,rock,theused,tourtruefullhttps://www.spreaker.com/episode/a-thousand-little-deaths-a-thousand-real-emotions-with-blackbriar--66996223Dark fantasy rockers Blackbriar are known for weaving rich, cinematic soundscapes and fairytale-inspired tales into their music, and their new album A Thousand Little Deaths is no exception. Vocalist Zora Cock and guitarist René Boxem sat down to reflect on the band’s creative process, the emotional depth behind the music, and hopes to finally reach fans Down Under.
Zora, who pens all the lyrics before music is composed, shared that inspiration often comes from folklore, history, and personal metaphor. “I usually see visuals in my head very quickly after writing the lyrics,” she said, highlighting the band’s filmic aesthetic. Their music video for Harpy, hand-drawn frame by frame by their own creative team, reflects this commitment to authenticity, just pure, painstaking artistry.
The band remains deeply grounded despite their viral success with Until Eternity. “It took months before anything happened,” René recalled, “then suddenly it skyrocketed. It changed everything.”
Their bond with fans is a cornerstone of their identity, from Discord chats to cherished fan gifts like a sword engraved with song lyrics and even a rare turtle coin (literally a medallion emblazoned with a turtle that I definitely want to do more research on). “We keep everything,” Zora laughed. “It really means a lot.”
Australia is very much on their radar. A planned tour fell through due to the pressure of filling venues, but the dream is alive. “We’d love to come—maybe as a support act or for a festival first,” said René.
As for A Thousand Little Deaths, Zora hopes listeners feel the same shivers she did on first listen. “Some songs brought me to tears. It’s deeply personal. I just hope it makes people feel something.”
And for Australian fans? Keep your ears open and your turtle coins ready…

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66996223Wed, 16 Jul 2025 11:59:21 +0000HEAVY MagazineInterview by Angela Croudace Dark fantasy rockers Blackbriar are known for weaving rich, cinematic soundscapes and fairytale-inspired tales into their music, and their new album A Thousand Little Deaths is no exception. Vocalist Zora Cock and...Dark fantasy rockers Blackbriar are known for weaving rich, cinematic soundscapes and fairytale-inspired tales into their music, and their new album A Thousand Little Deaths is no exception. Vocalist Zora Cock and guitarist René Boxem sat down to reflect on the band’s creative process, the emotional depth behind the music, and hopes to finally reach fans Down Under.
Zora, who pens all the lyrics before music is composed, shared that inspiration often comes from folklore, history, and personal metaphor. “I usually see visuals in my head very quickly after writing the lyrics,” she said, highlighting the band’s filmic aesthetic. Their music video for Harpy, hand-drawn frame by frame by their own creative team, reflects this commitment to authenticity, just pure, painstaking artistry.
The band remains deeply grounded despite their viral success with Until Eternity. “It took months before anything happened,” René recalled, “then suddenly it skyrocketed. It changed everything.”
Their bond with fans is a cornerstone of their identity, from Discord chats to cherished fan gifts like a sword engraved with song lyrics and even a rare turtle coin (literally a medallion emblazoned with a turtle that I definitely want to do more research on). “We keep everything,” Zora laughed. “It really means a lot.”
Australia is very much on their radar. A planned tour fell through due to the pressure of filling venues, but the dream is alive. “We’d love to come—maybe as a support act or for a festival first,” said René.
As for A Thousand Little Deaths, Zora hopes listeners feel the same shivers she did on first listen. “Some songs brought me to tears. It’s deeply personal. I just hope it makes people feel something.”
And for Australian fans? Keep your ears open and your turtle coins ready…

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1102album,angelacroudace,blackbriar,hardrock,heavy,heavymetal,music,musicinterview,nuclearblastrecords,podcast,rockfalsefullhttps://www.spreaker.com/episode/honesty-and-direction-with-gemma-dunsmore-from-this-space-is-ours--66929947Melbourne pop/punk/emo/rock outfit This Space Is Ours have rapidly built a name for themselves since kicking off in 2021. Backing up a string of energetic singles with a succession of memorable live performances, the band have steadily been building their name through a growing number of live shows, including sharing the stage with Bad/Love and Future Static, and in 2024 they celebrated a sold-out first headline show.
But now the band are ready to expose a darker side to their light. A heavier, darker side that introduces itself courtesy of the band's upcoming single Picture Perfect Paper People, which will be premiered via HEAVY on 16/07/25 before being unleashed on the world the following day.
HEAVY caught up with vocalist Gemma Dunsmore to go into greater detail.
"In the past, our singles before this year were more pop punk-esque," she explained, "and with these new singles and our upcoming EP, we wanted to move the instrumentation to be more heavy, while still keeping this emo tone to the vocals. So we got this cool contrast going, and this third single really cements that."
As a young emerging band, the pressures on new material are overwhelming, especially in the current saturated environment. As such, we ask Dunsmore how much thought and planning went into releasing their first body of work.
"We had heaps of conversations around it," she affirmed. "Me (sic) and the bassist were more on the pop-punk side, wanting to stay a little bit more pop-ish, and then the guitarists grew up listening to prog and metalcore, and they were pushing for this heavier sound (laughs). So there was a lot of conversation to try and find a place that worked for everyone, and I reckon we got there."
In the full interview, Gemma introduced their new single, Picture Perfect Paper People, and described the evolution of their sound towards a heavier style in their upcoming EP set for release in September. She emphasized the importance of organization and collaboration in the EP's planning process and hinted at a show in October, also exclusively releasing the EP title.
The conversation also covered the creation of their music videos, with a focus on the DIY approach for Gone In May and the fun elements in My Name. We spoke more about what to expect musically from the upcoming EP, what is on the horizon for This Space Is Ours, including upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66929947Wed, 16 Jul 2025 02:13:29 +0000HEAVY MagazineInterview by Kris Peters Melbourne pop/punk/emo/rock outfit This Space Is Ours have rapidly built a name for themselves since kicking off in 2021. Backing up a string of energetic singles with a succession of memorable live performances, the band have...Melbourne pop/punk/emo/rock outfit This Space Is Ours have rapidly built a name for themselves since kicking off in 2021. Backing up a string of energetic singles with a succession of memorable live performances, the band have steadily been building their name through a growing number of live shows, including sharing the stage with Bad/Love and Future Static, and in 2024 they celebrated a sold-out first headline show.
But now the band are ready to expose a darker side to their light. A heavier, darker side that introduces itself courtesy of the band's upcoming single Picture Perfect Paper People, which will be premiered via HEAVY on 16/07/25 before being unleashed on the world the following day.
HEAVY caught up with vocalist Gemma Dunsmore to go into greater detail.
"In the past, our singles before this year were more pop punk-esque," she explained, "and with these new singles and our upcoming EP, we wanted to move the instrumentation to be more heavy, while still keeping this emo tone to the vocals. So we got this cool contrast going, and this third single really cements that."
As a young emerging band, the pressures on new material are overwhelming, especially in the current saturated environment. As such, we ask Dunsmore how much thought and planning went into releasing their first body of work.
"We had heaps of conversations around it," she affirmed. "Me (sic) and the bassist were more on the pop-punk side, wanting to stay a little bit more pop-ish, and then the guitarists grew up listening to prog and metalcore, and they were pushing for this heavier sound (laughs). So there was a lot of conversation to try and find a place that worked for everyone, and I reckon we got there."
In the full interview, Gemma introduced their new single, Picture Perfect Paper People, and described the evolution of their sound towards a heavier style in their upcoming EP set for release in September. She emphasized the importance of organization and collaboration in the EP's planning process and hinted at a show in October, also exclusively releasing the EP title.
The conversation also covered the creation of their music videos, with a focus on the DIY approach for Gone In May and the fun elements in My Name. We spoke more about what to expect musically from the upcoming EP, what is on the horizon for This Space Is Ours, including upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>479australia,hardrock,heavy,heavymetal,interview,krispeters,music,poscast,thisspaceisoursfalsefullhttps://www.spreaker.com/episode/the-re-evolution-of-devilskin-with-paul-martin--66898408New Zealand's finest exports Devilskin have epitomized everything rock and metal ever since unleashing their debut album We Rise on the world eleven years ago. Not only did their high energy and infectious brand of metal resonate with hometown music lovers, but it also quickly spread on a global level, resulting in the band supporting and touring with established acts such as Slash and Halestorm.
Such was the popularity of Devilskin following We Rise that the band became the first New Zealand rock/metal outfit in 18 years to go Platinum, equalling the effort of the mighty Shihad with the album Killjoy. Over the years singles such as Never See The Light, Little Pills, Start A Revolution, Endo and a cover of Heart's classic, Barracuda, have highlighted the personal nature of Devilskin's music as well as the sonic diversity at their disposal.
Eleven years after the release of the groundbreaking We Rise, Devilskin return with Re-Evolution, an album that has already been credited with displaying just how far Devilskin have come in 15 years. This is a bold and dynamic perspective of Devilskin and their continued growth plus the reinvention, and the re-evolution of the band as songwriters and as artists.
With Re-Evolution dropping today, July 11, HEAVY spent some time with bass player Paul Martin to dig deeper. We start by asking how he is feeling with the release date finally here.
"It's good, man," he smiled. "It's like that painful bit where you're in labour, and this beautiful product's about to pop out, but at the moment it's like getting everything squeezed into the right places and mailing everything out. Man, we've had so many orders from all over the world, so I've been busy licking stamps and sealing envelopes (laughs)."
We ask about two of the singles - Swelter, and Half Life of Dreams - and if they are a good sonic representation of what to expect.
"I think there's a little bit of everything on this album," Paul measured. "I don't think there's two songs that are quite alike, they're all kind of different in their own way. It's a glimpse into what's on the album, definitely. With the whole album, we wanted to be bold. We just wanted everything to be… we just wanted more of everything."
In the full interview, we discussed Re-Evolution in greater detail, including the title of the album, and it's significance to the band. We spoke about the opening song, Red, and why it was chosen as an introduction to the body of music plus Devilskin's growth in their musical journey to date asnd how much growth is left in them.
Talk also centred on how the new songs went down live on their rTalk also centred on how the new songs went down live on their recent New Zealand Tour, the guest parts from Nik Barker (12 Foot Ninja) and Joe Hottinger (Halestorm) and what each brought to the song, their recent People's Choice Award victory at the AMA Awards and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66898408Thu, 10 Jul 2025 21:58:06 +0000HEAVY MagazineInterview by Kris Peters New Zealand's finest exports Devilskin have epitomized everything rock and metal ever since unleashing their debut album We Rise on the world eleven years ago. Not only did their high energy and infectious brand of metal...New Zealand's finest exports Devilskin have epitomized everything rock and metal ever since unleashing their debut album We Rise on the world eleven years ago. Not only did their high energy and infectious brand of metal resonate with hometown music lovers, but it also quickly spread on a global level, resulting in the band supporting and touring with established acts such as Slash and Halestorm.
Such was the popularity of Devilskin following We Rise that the band became the first New Zealand rock/metal outfit in 18 years to go Platinum, equalling the effort of the mighty Shihad with the album Killjoy. Over the years singles such as Never See The Light, Little Pills, Start A Revolution, Endo and a cover of Heart's classic, Barracuda, have highlighted the personal nature of Devilskin's music as well as the sonic diversity at their disposal.
Eleven years after the release of the groundbreaking We Rise, Devilskin return with Re-Evolution, an album that has already been credited with displaying just how far Devilskin have come in 15 years. This is a bold and dynamic perspective of Devilskin and their continued growth plus the reinvention, and the re-evolution of the band as songwriters and as artists.
With Re-Evolution dropping today, July 11, HEAVY spent some time with bass player Paul Martin to dig deeper. We start by asking how he is feeling with the release date finally here.
"It's good, man," he smiled. "It's like that painful bit where you're in labour, and this beautiful product's about to pop out, but at the moment it's like getting everything squeezed into the right places and mailing everything out. Man, we've had so many orders from all over the world, so I've been busy licking stamps and sealing envelopes (laughs)."
We ask about two of the singles - Swelter, and Half Life of Dreams - and if they are a good sonic representation of what to expect.
"I think there's a little bit of everything on this album," Paul measured. "I don't think there's two songs that are quite alike, they're all kind of different in their own way. It's a glimpse into what's on the album, definitely. With the whole album, we wanted to be bold. We just wanted everything to be… we just wanted more of everything."
In the full interview, we discussed Re-Evolution in greater detail, including the title of the album, and it's significance to the band. We spoke about the opening song, Red, and why it was chosen as an introduction to the body of music plus Devilskin's growth in their musical journey to date asnd how much growth is left in them.
Talk also centred on how the new songs went down live on their rTalk also centred on how the new songs went down live on their recent New Zealand Tour, the guest parts from Nik Barker (12 Foot Ninja) and Joe Hottinger (Halestorm) and what each brought to the song, their recent People's Choice Award victory at the AMA Awards and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1243devilskin,hardrock,heavy,heavymetal,krispeters,music,musicinterview,musicpodcast,newzeakand,paulmartin,re-evolution,rocktruefullhttps://www.spreaker.com/episode/black-note-graffiti-s-kris-keller-on-resist-the-divide-and-everything-in-between--66922957Ann Arbor’s Black Note Graffiti have always walked a tightrope between ferocity and finesse. With their latest album, Resist the Divide, guitarist Kris Keller says the band found its most personal and cathartic voice yet. “We were all going through different things—addiction, trauma, life’s heavier moments—and the album became a space for us to release that,” Keller shares. “It’s the best record I’ve ever been a part of.”
Working with renowned producer Josh Schroeder (Lorna Shore, King 810), the band took a month in the studio to carefully craft a sound that truly represented each member. “Josh really listened. Every instrument, every voice, got its moment.”
Resist the Divide tackles pain, growth, and redemption with thunderous riffs and introspective lyrics. But despite its weight, the band’s goal remains connection and unity. “We’re a hard rock band, but the message is positive. We want people to feel less alone.” Keller credits the addition of vocalist Gabrielle Bryant for bringing new balance and heart to the lineup. “She brought out the best in us—there’s more focus now, more soul.”
Their partnership with Australian label Golden Robot Records also hints at dreams beyond the States. “An Aussie tour would be a dream,” Keller says. “Never thought I’d play the stages I have, so who knows? Maybe one day.”
Meanwhile, Black Note Graffiti will appear at Wisconsin’s artist-centric Mile of Music festival this August. “It’s amazing—300 artists, free for fans, and they take such good care of musicians. It’s one of the best festivals we’ve played.” For vinyl lovers, Resist the Divide is also available in limited edition. “We wrote the album to be played through, front to back. Vinyl just made sense—it’s an experience.”
With music that’s loud, raw, and real, Black Note Graffiti continues to carve their space beyond rock music in the hearts of fans seeking something true. Having done so well in Europe and the U.S., I think it's about time these guys have their Aussie moment, give them a listen. I think you'll be blown away by their intensity, heart, and undeniable talent.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66922957Thu, 10 Jul 2025 06:54:02 +0000HEAVY MagazineInterview by Angela Croudace Ann Arbor’s Black Note Graffiti have always walked a tightrope between ferocity and finesse. With their latest album, Resist the Divide, guitarist Kris Keller says the band found its most personal and cathartic voice yet....Ann Arbor’s Black Note Graffiti have always walked a tightrope between ferocity and finesse. With their latest album, Resist the Divide, guitarist Kris Keller says the band found its most personal and cathartic voice yet. “We were all going through different things—addiction, trauma, life’s heavier moments—and the album became a space for us to release that,” Keller shares. “It’s the best record I’ve ever been a part of.”
Working with renowned producer Josh Schroeder (Lorna Shore, King 810), the band took a month in the studio to carefully craft a sound that truly represented each member. “Josh really listened. Every instrument, every voice, got its moment.”
Resist the Divide tackles pain, growth, and redemption with thunderous riffs and introspective lyrics. But despite its weight, the band’s goal remains connection and unity. “We’re a hard rock band, but the message is positive. We want people to feel less alone.” Keller credits the addition of vocalist Gabrielle Bryant for bringing new balance and heart to the lineup. “She brought out the best in us—there’s more focus now, more soul.”
Their partnership with Australian label Golden Robot Records also hints at dreams beyond the States. “An Aussie tour would be a dream,” Keller says. “Never thought I’d play the stages I have, so who knows? Maybe one day.”
Meanwhile, Black Note Graffiti will appear at Wisconsin’s artist-centric Mile of Music festival this August. “It’s amazing—300 artists, free for fans, and they take such good care of musicians. It’s one of the best festivals we’ve played.” For vinyl lovers, Resist the Divide is also available in limited edition. “We wrote the album to be played through, front to back. Vinyl just made sense—it’s an experience.”
With music that’s loud, raw, and real, Black Note Graffiti continues to carve their space beyond rock music in the hearts of fans seeking something true. Having done so well in Europe and the U.S., I think it's about time these guys have their Aussie moment, give them a listen. I think you'll be blown away by their intensity, heart, and undeniable talent.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1000album,angelacroudace,band,blacknotegraffiti,hardrock,heavy,heavymetal,interview,music,podcasttruefullhttps://www.spreaker.com/episode/promises-kept-australia-bound-with-rob-damiani-from-don-broco--66916045Promises are made and broken every day in the music industry, especially when it comes to comments made from stage in the heat of the moment and on the crest of emotion. Promises such as "we will be back REAL soon" are said so often that they mostly pass by unnoticed by fans, who have grown accustomed to living in the moment and not in the future where such remarks are directed.
But when a band actually delivers on these promises - not once, but twice - then the shockwaves that resonate could cripple a small country.
Which is why, when Don Broco promised on their last Australian tour that they would start their next World Tour in this country, most fans had forgotten the remark as soon as the next day. When they also promised to play Perth and Adelaide, both of which were excluded in the last tour itinerary, the collective sighs of 'yeah, sure' were barely muttered because, let's face it, such promises are made and broken by more than 50% of the bands who tour here.
But not Don Broco. These guys are still old school. From the times when a promise meant something, so, true to their word, Don Broco are kicking off their next World Tour in Australia starting on September 4. AND Perth plus Adelaide are both part of the schedule. Who says you can't trust a muso?
After spending a large amount of time on the road around the time they were out here last, Don Broco have been more focused on completing their fifth album of late, bunkering down and fine-tuning the next batch of songs to expand their impressive catalogue. But ever since their recent performance at Download 2025, the tour itches have returned, enticing Don Broco back to where they thrive best.
The stage.
With the tour only being announced earlier today, HEAVY caught up with vocalist Rob Damiani to find out more.
"We're heading back to Australia very soon indeed," he affirmed. "It's going to be the first tour back touring this new material. We've been working on a new album for the last year and a bit now, and it's very, very close to being finished. This will be the first time we actually get back on the road and play any of this new stuff. It's also the first time we've been on the road for a year and a half, so we're excited."
"We've been lucky enough to come to Australia now once every album," he continued. "The times we had on the last record, and the shows we did, were just so good. And the energy out there is so insane. We didn't want to leave it a whole nother album, where you're maybe doing it towards the tail end. So even though I think that not all the record will be out, it will be a load of the new material - probably all of the singles - but not the full record. That's what we're here to do; that's when we feel most alive as a band, when we're performing to people and getting that connection."
In the full interview, Rob talked more about the upcoming tour and what to expect, keeping his promises, how much planning and practice goes into a Don Broco live show, the new album and what to expect, what makes a gig even more memorable for him, their 2023 shows at The Royal Albert Hall with an orchestra and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66916045Thu, 10 Jul 2025 06:31:27 +0000HEAVY MagazineInterview by Kris Peters Promises are made and broken every day in the music industry, especially when it comes to comments made from stage in the heat of the moment and on the crest of emotion. Promises such as "we will be back REAL soon" are said so...Promises are made and broken every day in the music industry, especially when it comes to comments made from stage in the heat of the moment and on the crest of emotion. Promises such as "we will be back REAL soon" are said so often that they mostly pass by unnoticed by fans, who have grown accustomed to living in the moment and not in the future where such remarks are directed.
But when a band actually delivers on these promises - not once, but twice - then the shockwaves that resonate could cripple a small country.
Which is why, when Don Broco promised on their last Australian tour that they would start their next World Tour in this country, most fans had forgotten the remark as soon as the next day. When they also promised to play Perth and Adelaide, both of which were excluded in the last tour itinerary, the collective sighs of 'yeah, sure' were barely muttered because, let's face it, such promises are made and broken by more than 50% of the bands who tour here.
But not Don Broco. These guys are still old school. From the times when a promise meant something, so, true to their word, Don Broco are kicking off their next World Tour in Australia starting on September 4. AND Perth plus Adelaide are both part of the schedule. Who says you can't trust a muso?
After spending a large amount of time on the road around the time they were out here last, Don Broco have been more focused on completing their fifth album of late, bunkering down and fine-tuning the next batch of songs to expand their impressive catalogue. But ever since their recent performance at Download 2025, the tour itches have returned, enticing Don Broco back to where they thrive best.
The stage.
With the tour only being announced earlier today, HEAVY caught up with vocalist Rob Damiani to find out more.
"We're heading back to Australia very soon indeed," he affirmed. "It's going to be the first tour back touring this new material. We've been working on a new album for the last year and a bit now, and it's very, very close to being finished. This will be the first time we actually get back on the road and play any of this new stuff. It's also the first time we've been on the road for a year and a half, so we're excited."
"We've been lucky enough to come to Australia now once every album," he continued. "The times we had on the last record, and the shows we did, were just so good. And the energy out there is so insane. We didn't want to leave it a whole nother album, where you're maybe doing it towards the tail end. So even though I think that not all the record will be out, it will be a load of the new material - probably all of the singles - but not the full record. That's what we're here to do; that's when we feel most alive as a band, when we're performing to people and getting that connection."
In the full interview, Rob talked more about the upcoming tour and what to expect, keeping his promises, how much planning and practice goes into a Don Broco live show, the new album and what to expect, what makes a gig even more memorable for him, their 2023 shows at The Royal Albert Hall with an orchestra and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>973australia,donbroco,hardrock,heavy,heavymetal,krispeters,music,musicinterview,musicpodcast,robdamiani,tourtruefullhttps://www.spreaker.com/episode/behind-the-pie-with-thomas-ian-nicholas-from-american-pie--66921580Around the turn of the century, a movie came out that changed the face of comedy forever. A movie about teenagers trying to find sexual gratification was not a new concept - hell, such movies were around before movies even - but this one resonated with disenfranchised youth the world over.
And lovers of good old-fashioned Apple Pie the universe over.
That movie was American Pie, and the main actors that brought us that wonderful tale of self-discovery will forever be etched into cinema folklore as a benchmark for excess and desire - and more than the occasional mishap along the way.
While Stifler (Seann William Scott) and the luckless in love Jim (Jason Biggs) might be the perennial favourites of the franchise, not enough people know or understand that American Pie was more about a fresh college teenager who was simply trying to find a way to please his girlfriend. An impressionable young lad by the name of Kevin (Thomas Ian Nicholas), who not only narrated the movie, but also provided many of the warmer moments - although not as warm as Jim's brief moment of intimacy with said Apple Pie.
And just to make sure we all know his name and importance to the franchise, Nicholas is returning to Australia next week for a limited round of American Pie Emo Night shows that bring you closer to the star than ever before.
Performing a combination of movie screenings, live band performances, meet and greets and Q & A sessions, Nicholas returns after only a brief absence for unfinished business. HEAVY jumped at the chance to pick his brain for 15 minutes, which turned into a lazy thirty, ahead of the run of shows which kicks off at La La La's in Wollongong on July 16.
"People watch the film, and they go, oh, shit, I didn't realize that this is Kevin's movie," Nicholas laughed. "So my favourite part about American Pie Emo Night is reminding everyone, yeah, motherfucker, that was my movie (laughs). That's why you liked it. I know Jason Biggs was funny, but he was funny because I was telling the story. Everyone remembers the cherry on top or the frosting. So Stifler's the cherry on top, Jim is the frosting, and I'm the cake."
We mention the fact that this will be Nicholas's second trip Down Under this year, to which - of course - he has a reasonable reply.
"The thing is that I worked for 10 years from 2015 to 2025 to get my first tour in Australia," he explained. "So many failed attempts, but I never give up. This is retribution. When you work hard at something, you may not get it when you want it, but eventually the landslide happens. So I'm making up for lost time."
In the full interview, Thomas talked more about his limited run of shows and what to expect, his love for his fans and providing the best show possible every time. He ran us through each section of the show and how it has evolved to this point, highlighting the live music aspect and his original music.
We engage more about American Pie and his feelings for the movie and his fellow co-stars, the timeless nature of the movie's comedy and sets the rumours straight (sort of) about the much-debated 'new' movie. We run through challenges posed by being an actor in the music industry and vice versa, some of his more memorable moments on stage, including a special request from Creed, how the upcoming shows will differ from last time he was here and more.
Photo: @captured_chrisberry

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66921580Thu, 10 Jul 2025 05:48:50 +0000HEAVY MagazineInterview by Kris Peters Around the turn of the century, a movie came out that changed the face of comedy forever. A movie about teenagers trying to find sexual gratification was not a new concept - hell, such movies were around before movies even -...Around the turn of the century, a movie came out that changed the face of comedy forever. A movie about teenagers trying to find sexual gratification was not a new concept - hell, such movies were around before movies even - but this one resonated with disenfranchised youth the world over.
And lovers of good old-fashioned Apple Pie the universe over.
That movie was American Pie, and the main actors that brought us that wonderful tale of self-discovery will forever be etched into cinema folklore as a benchmark for excess and desire - and more than the occasional mishap along the way.
While Stifler (Seann William Scott) and the luckless in love Jim (Jason Biggs) might be the perennial favourites of the franchise, not enough people know or understand that American Pie was more about a fresh college teenager who was simply trying to find a way to please his girlfriend. An impressionable young lad by the name of Kevin (Thomas Ian Nicholas), who not only narrated the movie, but also provided many of the warmer moments - although not as warm as Jim's brief moment of intimacy with said Apple Pie.
And just to make sure we all know his name and importance to the franchise, Nicholas is returning to Australia next week for a limited round of American Pie Emo Night shows that bring you closer to the star than ever before.
Performing a combination of movie screenings, live band performances, meet and greets and Q & A sessions, Nicholas returns after only a brief absence for unfinished business. HEAVY jumped at the chance to pick his brain for 15 minutes, which turned into a lazy thirty, ahead of the run of shows which kicks off at La La La's in Wollongong on July 16.
"People watch the film, and they go, oh, shit, I didn't realize that this is Kevin's movie," Nicholas laughed. "So my favourite part about American Pie Emo Night is reminding everyone, yeah, motherfucker, that was my movie (laughs). That's why you liked it. I know Jason Biggs was funny, but he was funny because I was telling the story. Everyone remembers the cherry on top or the frosting. So Stifler's the cherry on top, Jim is the frosting, and I'm the cake."
We mention the fact that this will be Nicholas's second trip Down Under this year, to which - of course - he has a reasonable reply.
"The thing is that I worked for 10 years from 2015 to 2025 to get my first tour in Australia," he explained. "So many failed attempts, but I never give up. This is retribution. When you work hard at something, you may not get it when you want it, but eventually the landslide happens. So I'm making up for lost time."
In the full interview, Thomas talked more about his limited run of shows and what to expect, his love for his fans and providing the best show possible every time. He ran us through each section of the show and how it has evolved to this point, highlighting the live music aspect and his original music.
We engage more about American Pie and his feelings for the movie and his fellow co-stars, the timeless nature of the movie's comedy and sets the rumours straight (sort of) about the much-debated 'new' movie. We run through challenges posed by being an actor in the music industry and vice versa, some of his more memorable moments on stage, including a special request from Creed, how the upcoming shows will differ from last time he was here and more.
Photo: @captured_chrisberry

Become a supporter of this podcast: 1438americanpie,australia,comedy,heavy,interview,krispeters,movie,music,podcast,poppunk,stifler,thomasiannicholas,tourtruefullhttps://www.spreaker.com/episode/a-triumphant-return-with-shannon-and-tenaye-from-hzed--66900115Melbourne rock outfit HZED are ready for a triumphant return to the Australian music scene with the release of their first new music in some time in the form of Heartbreaker.
After undergoing personnel changes in recent years, HZED busied themselves and polished their unity by releasing live versions of previous songs recorded during that time, but with Heartbreaker they are back with a fresh, revitalised sound and renewed focus that should see the band quickly establish themselves in the growing pool of Australian talent. After releasing the audio for Heartbreaker on July 4, HZED are now preparing for the launch of the accompanying music video, due out on July 11.
HEAVY sat down with Shannon (guitar) and Tenaye (vocals) to find out more.
"This is the first single we've actually released that's brand new since 2022, with the whole new line-up," Shannon began. "So it's pretty exciting."
We ask how the first audio release has been received.
"It's been great," Shannon continued. "Everybody's loving it. They're loving how big it's sounding and how different we're going."
"I think it showcases how much we've evolved as a band and how we've got this whole new era," Tenaye added. "Now that we've got Hannah, we've definitely got a heavier, fuller sound too. And it's really showcased in the single as well."
In the full interview, we discussed their strategy of releasing the audio first to generate anticipation before the video launch, with plans to release new singles every three months and potentially an album in the future. We spoke about the video and what to expect, including the basic storyline of the song.
We also ran through HZED's upcoming run of shows and what to expect, the future of the band moving forward, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66900115Tue, 08 Jul 2025 16:55:51 +0000HEAVY MagazineInterview by Kris Peters Melbourne rock outfit HZED are ready for a triumphant return to the Australian music scene with the release of their first new music in some time in the form of Heartbreaker. After undergoing personnel changes in recent years,...Melbourne rock outfit HZED are ready for a triumphant return to the Australian music scene with the release of their first new music in some time in the form of Heartbreaker.
After undergoing personnel changes in recent years, HZED busied themselves and polished their unity by releasing live versions of previous songs recorded during that time, but with Heartbreaker they are back with a fresh, revitalised sound and renewed focus that should see the band quickly establish themselves in the growing pool of Australian talent. After releasing the audio for Heartbreaker on July 4, HZED are now preparing for the launch of the accompanying music video, due out on July 11.
HEAVY sat down with Shannon (guitar) and Tenaye (vocals) to find out more.
"This is the first single we've actually released that's brand new since 2022, with the whole new line-up," Shannon began. "So it's pretty exciting."
We ask how the first audio release has been received.
"It's been great," Shannon continued. "Everybody's loving it. They're loving how big it's sounding and how different we're going."
"I think it showcases how much we've evolved as a band and how we've got this whole new era," Tenaye added. "Now that we've got Hannah, we've definitely got a heavier, fuller sound too. And it's really showcased in the single as well."
In the full interview, we discussed their strategy of releasing the audio first to generate anticipation before the video launch, with plans to release new singles every three months and potentially an album in the future. We spoke about the video and what to expect, including the basic storyline of the song.
We also ran through HZED's upcoming run of shows and what to expect, the future of the band moving forward, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>753australia,band,hardrock,heavy,heavymetal,hzed,krispeters,music,musicinterview,musicpodcast,rocktruefullhttps://www.spreaker.com/episode/auri-s-ethereal-world-dreams-distance-and-cinematic-soundscapes--66868661Auri's third album, Candles and Beginnings, invites listeners into a dreamlike, genre-defying realm where emotion, memory, and nature entwine. The trio—Johanna Kurkela, Troy Donockley, and Tuomas Holopainen—embrace an intuitive and organic approach to music-making, shaped by their lifelong influences and an unwavering trust in each other.
"We don't plan anything," Tuomas explains. "It all comes naturally. Nothing is pre-calculated." The result is an album that resists classification, weaving together airy melodies, earthy rhythms, and moments of heavier intensity.
The band doesn't aim to dictate meaning, instead offering their music as an open canvas: "We provide a stage for feelings," says Johanna, "and the interpretations are for the listener." Though some songs echo Celtic elements, the band insists these tones emerge organically. "We don't identify with any genre," says Troy. "We use whatever tools we need to express the emotion."
Despite physical distance (Troy often writing at sea, of all places, and Johanna in Kitee), their creative process thrives in isolation. They only come together when it's time to mix. "It's like getting a Christmas present," Johanna smiles, describing the excitement of hearing each other's ideas evolve remotely.
A particularly personal track, The Apparition Speaks, stands out for its heavier edge. But for the trio, choosing favourites feels impossible. "They'd get jealous," Tuomas jokes. "We love them all." Visual art also plays a vital role in shaping Auri's universe. The watercolour album artwork was hand-painted, no AI involved, and Johanna's calligraphy adds an intimate touch.
As for touring Australia? "We'd love to," says Troy, "but right now, we're not sure we have many fans there." Still, Troy and Tuomas's previous Nightwish tours proved Aussie crowds are "fabulously mental," and they hope to return soon.
Auri's music is hard to define but easy to feel, leaving listeners soaring on Johanna's stunning vocals, whilst Troy and Tuomas add melodic and at times heavier elements. Candles and Beginnings is a cinematic listen and an amalgamation of this seriously talented trio. This album doesn't just play, but unfolds like a dream you never want to wake from.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66868661Sun, 06 Jul 2025 21:53:56 +0000HEAVY MagazineInterview by Angela Croudace Auri's third album, Candles and Beginnings, invites listeners into a dreamlike, genre-defying realm where emotion, memory, and nature entwine. The trio—Johanna Kurkela, Troy Donockley, and Tuomas Holopainen—embrace an...Auri's third album, Candles and Beginnings, invites listeners into a dreamlike, genre-defying realm where emotion, memory, and nature entwine. The trio—Johanna Kurkela, Troy Donockley, and Tuomas Holopainen—embrace an intuitive and organic approach to music-making, shaped by their lifelong influences and an unwavering trust in each other.
"We don't plan anything," Tuomas explains. "It all comes naturally. Nothing is pre-calculated." The result is an album that resists classification, weaving together airy melodies, earthy rhythms, and moments of heavier intensity.
The band doesn't aim to dictate meaning, instead offering their music as an open canvas: "We provide a stage for feelings," says Johanna, "and the interpretations are for the listener." Though some songs echo Celtic elements, the band insists these tones emerge organically. "We don't identify with any genre," says Troy. "We use whatever tools we need to express the emotion."
Despite physical distance (Troy often writing at sea, of all places, and Johanna in Kitee), their creative process thrives in isolation. They only come together when it's time to mix. "It's like getting a Christmas present," Johanna smiles, describing the excitement of hearing each other's ideas evolve remotely.
A particularly personal track, The Apparition Speaks, stands out for its heavier edge. But for the trio, choosing favourites feels impossible. "They'd get jealous," Tuomas jokes. "We love them all." Visual art also plays a vital role in shaping Auri's universe. The watercolour album artwork was hand-painted, no AI involved, and Johanna's calligraphy adds an intimate touch.
As for touring Australia? "We'd love to," says Troy, "but right now, we're not sure we have many fans there." Still, Troy and Tuomas's previous Nightwish tours proved Aussie crowds are "fabulously mental," and they hope to return soon.
Auri's music is hard to define but easy to feel, leaving listeners soaring on Johanna's stunning vocals, whilst Troy and Tuomas add melodic and at times heavier elements. Candles and Beginnings is a cinematic listen and an amalgamation of this seriously talented trio. This album doesn't just play, but unfolds like a dream you never want to wake from.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1007auri,heavy,interview,music,nightwish,nuclearblastrecords,podcast,rockfalsefullhttps://www.spreaker.com/episode/no-apologies-given-with-bar-mckinnon-from-umlaut--66868989At first glance/listen, Melbourne-based experimental collective Umlaut are yet another in a growing line of bands creating 'art' instead of music by throwing together an eclectic grouping of sounds and instruments as their personal choice of expression. Their style and seemingly haphazard musical output is, at first, difficult to take in, but once you find out the backstory to the band things seem to make infinitely more sense and the proverbial penny drops like a lead balloon.
All of a sudden, the same music that 60 seconds ago sounded like a layered multitude of messiness now sounds like a Picasso painting would were it able to sing. Why?
Because Umlaut's founding member is none other than Clinton ‘Bär’ McKinnon. You know the one? The same guy that was a major part of Mr. Bungle's sound before the turn of the century? Except this time as Umlaut prepares to drop their new album Desole there's another person who, by presence alone, helps set the askew things into a more palatable delicacy. His is another name you should recall - especially if you are a Bungle fan.
Joining Umlaut with McKinnon - funnily enough, with both of them now living in Australia - is former Mr. Bungle skin thumper Danny Heifitz. Along with Angus Leslie and Shane Lieber, Umlaut's new, more streamlined four-piece are diving headfirst into a new chapter—one forged in chemistry, intuition, and a shared love of unpredictability.
With Desole scheduled for a July 25 release, HEAVY was granted exclusive time with McKinnon to discuss a wide range of topics, from the new album to his days with Mr. Bungle and everything in between.
"This thing has been so delayed and a long time coming," he sighed. "On some levels, I don't even believe that it's going to come out (laughs). I'm hoping that it does!"
We ask McKinnon to go deeper into Desole from a musical point of view and what he was going for with it.
"In the past, it's been a very instrumental, chamber-pop affair with some songs thrown in there with vocals," he measured. "This album is pretty vocal-heavy in a way and straight-ahead in a lot of ways. It's funny, I get these questions like, what is different about this album? And I'm not really sure. The main difference with this album is that it's got the legendary Danny Heifetz on drums from Mr. Bungle, the true DNA of Mr. Bungle. And he's down here in this town with us and has graced us with his drumming on this album. We're really excited about that and people hearing that. I think people will hear that Mr. Bungle DNA in the drums when they hear Danny doing his thing. It's just very straight ahead, it doesn't it doesn't mess around."
In the full interview, Clinton discussed further the release of Desolé, humorously critiquing its title and sharing insights into the production challenges they faced. He provided details about the musical style, noting a shift towards a more vocal-heavy and energetic sound, influenced by drummer Danny Heifetz's contributions.
Clinton reflected on the emotional journey of releasing music, likening it to a parent's hopes for their child, and discussed the balance between creating hit songs and maintaining authenticity. He emphasized the collaborative nature of Umlaut, highlighting the importance of each member's input, particularly guitarist Angus's production skills. The conversation also touched on the desire for listeners to appreciate the album as a whole rather than just singles, with HEAVY endorsing the album's quality and encouraging the band to continue their creative efforts.
Talk also turned to Mr. Bungle's tenure as a band, including some funny insights into his relationship with Mike Patton. We spoke about Bungle's legacy and what they brought to music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66868989Sun, 06 Jul 2025 21:49:41 +0000HEAVY MagazineInterview by Kris Peters At first glance/listen, Melbourne-based experimental collective Umlaut are yet another in a growing line of bands creating 'art' instead of music by throwing together an eclectic grouping of sounds and instruments as their...At first glance/listen, Melbourne-based experimental collective Umlaut are yet another in a growing line of bands creating 'art' instead of music by throwing together an eclectic grouping of sounds and instruments as their personal choice of expression. Their style and seemingly haphazard musical output is, at first, difficult to take in, but once you find out the backstory to the band things seem to make infinitely more sense and the proverbial penny drops like a lead balloon.
All of a sudden, the same music that 60 seconds ago sounded like a layered multitude of messiness now sounds like a Picasso painting would were it able to sing. Why?
Because Umlaut's founding member is none other than Clinton ‘Bär’ McKinnon. You know the one? The same guy that was a major part of Mr. Bungle's sound before the turn of the century? Except this time as Umlaut prepares to drop their new album Desole there's another person who, by presence alone, helps set the askew things into a more palatable delicacy. His is another name you should recall - especially if you are a Bungle fan.
Joining Umlaut with McKinnon - funnily enough, with both of them now living in Australia - is former Mr. Bungle skin thumper Danny Heifitz. Along with Angus Leslie and Shane Lieber, Umlaut's new, more streamlined four-piece are diving headfirst into a new chapter—one forged in chemistry, intuition, and a shared love of unpredictability.
With Desole scheduled for a July 25 release, HEAVY was granted exclusive time with McKinnon to discuss a wide range of topics, from the new album to his days with Mr. Bungle and everything in between.
"This thing has been so delayed and a long time coming," he sighed. "On some levels, I don't even believe that it's going to come out (laughs). I'm hoping that it does!"
We ask McKinnon to go deeper into Desole from a musical point of view and what he was going for with it.
"In the past, it's been a very instrumental, chamber-pop affair with some songs thrown in there with vocals," he measured. "This album is pretty vocal-heavy in a way and straight-ahead in a lot of ways. It's funny, I get these questions like, what is different about this album? And I'm not really sure. The main difference with this album is that it's got the legendary Danny Heifetz on drums from Mr. Bungle, the true DNA of Mr. Bungle. And he's down here in this town with us and has graced us with his drumming on this album. We're really excited about that and people hearing that. I think people will hear that Mr. Bungle DNA in the drums when they hear Danny doing his thing. It's just very straight ahead, it doesn't it doesn't mess around."
In the full interview, Clinton discussed further the release of Desolé, humorously critiquing its title and sharing insights into the production challenges they faced. He provided details about the musical style, noting a shift towards a more vocal-heavy and energetic sound, influenced by drummer Danny Heifetz's contributions.
Clinton reflected on the emotional journey of releasing music, likening it to a parent's hopes for their child, and discussed the balance between creating hit songs and maintaining authenticity. He emphasized the collaborative nature of Umlaut, highlighting the importance of each member's input, particularly guitarist Angus's production skills. The conversation also touched on the desire for listeners to appreciate the album as a whole rather than just singles, with HEAVY endorsing the album's quality and encouraging the band to continue their creative efforts.
Talk also turned to Mr. Bungle's tenure as a band, including some funny insights into his relationship with Mike Patton. We spoke about Bungle's legacy and what they brought to music and more.


Become a supporter of this podcast: 1837clintonbarmckinnon,experimentalmusic,heavy,krispeters,mrbungle,music,musicinterview,musicpodcast,umlauttruefullhttps://www.spreaker.com/episode/hurts-so-good-with-sam-spade-from-the-midnight-devils--66843528US party rock outfit The Midnight Devils are a band who seem to be always on the move. Follow their socials, and hardly a week goes by without another gig in another part of the world popping up, with the good time trio operating by the old school mantra that a band lives and dies on the road, bleeding for their art.
After two previous visits Down Under, The Midnight Devils have today announced a run of shows this November, following on from last year's highly successful national support with Bon But Not Forgotten. But this time they return with fellow US rock outfit BLVD OF EYES, joining Brisbane noise merchants Awaken The Hate on an East Coast tour to remember.
The two bookend dates announced so far already promise to be huge, with a cruise of the Sydney Harbour alongside Frankies World Famous House Band, Audio Reign and more set down for November 23 and a massive one-day festival line-up including Dreamkillers, PistonFist, Engraved, Kaosphere and more set down for Soapbox Beer in Brisbane on November 29. There will, of course, be other dates, but for now let's just celebrate the fact that The Midnight Devils are coming back.
HEAVY caught up with enigmatic frontman Sam Spade to share the excitement.
"We've been on tour since basically we left Australia," Spade began. "We're on tour right now, and we can't wait to come back and see you guys. It's like a dream come true, over and over and over again. We are so excited. We can't get there fast enough. This tour is wrapped up right now in the USA, and it's just been incredible supporting that same record that we dropped in Australia the last time we were there, So Hard It Hurts. The brand-new single out is Shock The World, so everything's going great, and we can't wait to come back."
In the full interview, we run through the two shows announced in greater detail, discuss The Midnight Devils current US tour, the reception for So Hard It Hurts, the beauty of being on the road, why Australians can't get enough of the band,exciting future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66843528Fri, 04 Jul 2025 02:05:05 +0000HEAVY MagazineInterview by Kris Peters US party rock outfit The Midnight Devils are a band who seem to be always on the move. Follow their socials, and hardly a week goes by without another gig in another part of the world popping up, with the good time trio...US party rock outfit The Midnight Devils are a band who seem to be always on the move. Follow their socials, and hardly a week goes by without another gig in another part of the world popping up, with the good time trio operating by the old school mantra that a band lives and dies on the road, bleeding for their art.
After two previous visits Down Under, The Midnight Devils have today announced a run of shows this November, following on from last year's highly successful national support with Bon But Not Forgotten. But this time they return with fellow US rock outfit BLVD OF EYES, joining Brisbane noise merchants Awaken The Hate on an East Coast tour to remember.
The two bookend dates announced so far already promise to be huge, with a cruise of the Sydney Harbour alongside Frankies World Famous House Band, Audio Reign and more set down for November 23 and a massive one-day festival line-up including Dreamkillers, PistonFist, Engraved, Kaosphere and more set down for Soapbox Beer in Brisbane on November 29. There will, of course, be other dates, but for now let's just celebrate the fact that The Midnight Devils are coming back.
HEAVY caught up with enigmatic frontman Sam Spade to share the excitement.
"We've been on tour since basically we left Australia," Spade began. "We're on tour right now, and we can't wait to come back and see you guys. It's like a dream come true, over and over and over again. We are so excited. We can't get there fast enough. This tour is wrapped up right now in the USA, and it's just been incredible supporting that same record that we dropped in Australia the last time we were there, So Hard It Hurts. The brand-new single out is Shock The World, so everything's going great, and we can't wait to come back."
In the full interview, we run through the two shows announced in greater detail, discuss The Midnight Devils current US tour, the reception for So Hard It Hurts, the beauty of being on the road, why Australians can't get enough of the band,exciting future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>960australia,awakenthehate,blvdofeyes,glamrock,hardrock,heavy,krispeters,livemusic,music,musicinterview,musicpodcast,rock,themidnightdevils,tour,xmusictruefullhttps://www.spreaker.com/episode/playing-a-literal-flying-v-with-andrea-krakovska--66852178If you think you've seen everything live music has to offer, think again. On July 5, Brisbane audiences are in for a jaw-dropping experience as Andrea Krakovská, Australia's very own aerial guitarist, brings her gravity-defying show to the Arcana Empress Theatre in Moorooka.
Combining the technical mastery of live electric guitar with breathtaking aerial acrobatics, Andrea Krakovská has carved out a completely unique space in the world of performance. Suspended mid-air, she shreds powerful solos while spinning, soaring and twisting through space. The show is a visual and sonic spectacle that is truly unlike anything else you've seen before.
Fresh from wowing crowds across Sydney and Melbourne, Andrea's Aerial Guitar Show is part rock concert, part aerial artistry, and all heart. This is no ordinary gig; it's a full-body performance that pushes the boundaries of what live music can be.
For one night only, Brisbane fans have the chance to witness this one-of-a-kind talent up close. Whether you're a fellow guitarist, music lover, circus arts enthusiast, or simply looking for something unforgettable to do on a Saturday night, this is a show you do not want to miss. HEAVY sat down for a chat with Andrea to take us deeper inside the art of the flying guitar.
"The way that I've been describing the show to people is two ways," she began. "Either I say to them, think of it as going to see a guitarist like Joe Satriani or Steve Vai or Nita Strauss, but imagine that during parts of the show, instead of just staying on the ground the whole time, they will climb up a rope and do some guitar solos in midair. Or the other way that I describe it to people is to think about a Pink concert, and you know how she does the air tricks in her show? Imagine if Pink was a heavy metal guitarist? But the best way to describe it, honestly, is for you to just see the show for yourself. It is hard to really explain the magnitude of the whole show in words, but it really is a visual experience."
In the full interview, we discussed Andrea's upcoming aerial guitar performance at the Arcana Empress Theatre in Brisbane on July 5 in more detail. She described her innovative act, which combines original compositions and covers, and walked us through the processes and any safety concerns people might have.
The logistical challenges of playing guitar while suspended were also highlighted, showcasing the uniqueness of her performance style. Andrea recalled her training in both components, highlighting which she favours and which is the hardest to do, where the initial idea came from, how much training and practice goes into each performance and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66852178Fri, 04 Jul 2025 01:02:45 +0000HEAVY MagazineInterview by Kris Peters If you think you've seen everything live music has to offer, think again. On July 5, Brisbane audiences are in for a jaw-dropping experience as Andrea Krakovská, Australia's very own aerial guitarist, brings her...If you think you've seen everything live music has to offer, think again. On July 5, Brisbane audiences are in for a jaw-dropping experience as Andrea Krakovská, Australia's very own aerial guitarist, brings her gravity-defying show to the Arcana Empress Theatre in Moorooka.
Combining the technical mastery of live electric guitar with breathtaking aerial acrobatics, Andrea Krakovská has carved out a completely unique space in the world of performance. Suspended mid-air, she shreds powerful solos while spinning, soaring and twisting through space. The show is a visual and sonic spectacle that is truly unlike anything else you've seen before.
Fresh from wowing crowds across Sydney and Melbourne, Andrea's Aerial Guitar Show is part rock concert, part aerial artistry, and all heart. This is no ordinary gig; it's a full-body performance that pushes the boundaries of what live music can be.
For one night only, Brisbane fans have the chance to witness this one-of-a-kind talent up close. Whether you're a fellow guitarist, music lover, circus arts enthusiast, or simply looking for something unforgettable to do on a Saturday night, this is a show you do not want to miss. HEAVY sat down for a chat with Andrea to take us deeper inside the art of the flying guitar.
"The way that I've been describing the show to people is two ways," she began. "Either I say to them, think of it as going to see a guitarist like Joe Satriani or Steve Vai or Nita Strauss, but imagine that during parts of the show, instead of just staying on the ground the whole time, they will climb up a rope and do some guitar solos in midair. Or the other way that I describe it to people is to think about a Pink concert, and you know how she does the air tricks in her show? Imagine if Pink was a heavy metal guitarist? But the best way to describe it, honestly, is for you to just see the show for yourself. It is hard to really explain the magnitude of the whole show in words, but it really is a visual experience."
In the full interview, we discussed Andrea's upcoming aerial guitar performance at the Arcana Empress Theatre in Brisbane on July 5 in more detail. She described her innovative act, which combines original compositions and covers, and walked us through the processes and any safety concerns people might have.
The logistical challenges of playing guitar while suspended were also highlighted, showcasing the uniqueness of her performance style. Andrea recalled her training in both components, highlighting which she favours and which is the hardest to do, where the initial idea came from, how much training and practice goes into each performance and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>602aerobatics,andreakrakovska,australia,guitar,heavy,interview,krispeters,livemusic,music,podcastfalsefullhttps://www.spreaker.com/episode/happy-homecomings-with-mark-dalbeth-and-kevin-hicklin-from-blvd-of-eyes--66844708US rock outfit BLVD OF EYES have strong ties with this side of the world, with bass player Mark Dalbeth living in Australia and playing in Melbourne band Belusera until he left our shores a decade ago. In that time, Dalbeth has found himself playing in an American band called BLVD OF EYES, who have often proclaimed their desire to visit our shores without much success.
But that all changes in November when BLVD OF EYES hit Australia for an East Coast tour with fellow US party machine The Midnight Devils. The bookends of the tour - a Sydney Harbour boat cruise on November 23 and HEAVYFEST 3 in Brisbane on November 29 - have been announced today to align with Independence Day, with the band also planning to fill in the blanks at a later date.
But for now, excitement reigns over BLVD OF EYES' debut trip to our shores, with guitarist Kevin Hicklin and Dalbeth joining HEAVY to spread the news.
"We're excited, man," Hicklin enthused. "Everything just came to fruition pretty quickly, so we're stoked to do it. We're gonna have our new release coming out around that time, so it's gonna be killer."
We mention the homecoming of sorts for Dalbeth.
"The last time I played shows in Australia was, I think, November, December 2015 with Belusera and Halestorm," he nodded. "So literally ten years later, I'm coming back. It's exciting, because I really miss Australia and I look forward to seeing everyone."
In the full interview, we spoke more about the Australian tour, what to expect from the band live, their last EP Buying Lies For The Truth Seeker and how it was received, upcoming new music, signing to XMusic and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66844708Fri, 04 Jul 2025 01:00:34 +0000HEAVY MagazineInterview by Kris Peters US rock outfit BLVD OF EYES have strong ties with this side of the world, with bass player Mark Dalbeth living in Australia and playing in Melbourne band Belusera until he left our shores a decade ago. In that time, Dalbeth...US rock outfit BLVD OF EYES have strong ties with this side of the world, with bass player Mark Dalbeth living in Australia and playing in Melbourne band Belusera until he left our shores a decade ago. In that time, Dalbeth has found himself playing in an American band called BLVD OF EYES, who have often proclaimed their desire to visit our shores without much success.
But that all changes in November when BLVD OF EYES hit Australia for an East Coast tour with fellow US party machine The Midnight Devils. The bookends of the tour - a Sydney Harbour boat cruise on November 23 and HEAVYFEST 3 in Brisbane on November 29 - have been announced today to align with Independence Day, with the band also planning to fill in the blanks at a later date.
But for now, excitement reigns over BLVD OF EYES' debut trip to our shores, with guitarist Kevin Hicklin and Dalbeth joining HEAVY to spread the news.
"We're excited, man," Hicklin enthused. "Everything just came to fruition pretty quickly, so we're stoked to do it. We're gonna have our new release coming out around that time, so it's gonna be killer."
We mention the homecoming of sorts for Dalbeth.
"The last time I played shows in Australia was, I think, November, December 2015 with Belusera and Halestorm," he nodded. "So literally ten years later, I'm coming back. It's exciting, because I really miss Australia and I look forward to seeing everyone."
In the full interview, we spoke more about the Australian tour, what to expect from the band live, their last EP Buying Lies For The Truth Seeker and how it was received, upcoming new music, signing to XMusic and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>674australia,awakenthehate,blvdofeyes,hardrock,heavy,krispeters,music,musicinterview,musicpodcast,rock,themidnightdevils,tour,xmusictruefullhttps://www.spreaker.com/episode/return-from-the-wild-with-jack-muzak-from-osaka-punch--66831436Everyone's favourite masters of funk-infused mayhem, Osaka Punch, are one of those rare bands that can entertain you just by walking on stage. Dead set.
The charisma and boundless energy that accompany the band everywhere they go translated beautifully on their 2023 album Mixed Ape, an album years in the making and at times thought to be harder to find than the elusive white whale. Fans had waited a decent chunk of time for the album, but responded in kind upon its release, solidifying Osaka Punch as a band for the people, by the… apes?
After embarking on a national run of shows to support Mixed Ape, Osaka Punch quietly retreated into the wilderness, family events and accidents superseding the need for public adulation. It has been a dark period for fans of the band wanting to get their funk on, but Osaka Punch this weekend come out of hibernation for what could very well be their only show of the year when they play with Mood Swing And Chevy Bass plus Versace Boys at The Triffid this Saturday, June 5.
I must admit that I am one of those people who missed the boys ripping it up live, so when the chance came to grill vocalist Jack Muzak as to why the band have seemingly deserted their fans, I took it with both hands, armed and ready for battle.
"It's been a while, for sure," he almost apologized when we question their tardiness, catching us off guard. "We've got a couple of cobwebs to blow out, but we've been jamming for a while. We had a little bit of a hiatus because our guitarist had a newborn at the end of last year, and it's his third kid. So he's got two, three boys now, but two kids and a newborn and in the interest of everyone's safety, we thought we'd let him just be a dad for six months. We were planning on recording by the end of this year, which we still want to do. But this'll be probably the one show of the year, I'd say, so we wanted to make it a big one. I think the Triffid's a good way to go. If you're gonna do one show, that's the place to do it."
In the full interview, Jack further discussed Osaka Punch's upcoming performance at The Triffid on July 5, where they will perform alongside Mood Swing and Chevy Bass. Jack highlighted the unique line up, featuring a live saxophonist and a keytar player, and expressed excitement about returning to the stage after a hiatus. He also mentioned their guitarist Chrispy's recovery from a car accident and his commitment to performing.
The discussion included recommendations for newcomers to their music, with Jack suggesting three songs to help familiarize them with their style. He noted the band's ongoing work on new material and the evolving music landscape, which is shifting towards singles over full albums. We talked about the reaction to Mixed Ape and if all of the songs went down as well live as the band expected, their genuine love for their fans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66831436Wed, 02 Jul 2025 11:30:15 +0000HEAVY MagazineInterview by Kris Peters Everyone's favourite masters of funk-infused mayhem, Osaka Punch, are one of those rare bands that can entertain you just by walking on stage. Dead set. The charisma and boundless energy that accompany the band everywhere they...Everyone's favourite masters of funk-infused mayhem, Osaka Punch, are one of those rare bands that can entertain you just by walking on stage. Dead set.
The charisma and boundless energy that accompany the band everywhere they go translated beautifully on their 2023 album Mixed Ape, an album years in the making and at times thought to be harder to find than the elusive white whale. Fans had waited a decent chunk of time for the album, but responded in kind upon its release, solidifying Osaka Punch as a band for the people, by the… apes?
After embarking on a national run of shows to support Mixed Ape, Osaka Punch quietly retreated into the wilderness, family events and accidents superseding the need for public adulation. It has been a dark period for fans of the band wanting to get their funk on, but Osaka Punch this weekend come out of hibernation for what could very well be their only show of the year when they play with Mood Swing And Chevy Bass plus Versace Boys at The Triffid this Saturday, June 5.
I must admit that I am one of those people who missed the boys ripping it up live, so when the chance came to grill vocalist Jack Muzak as to why the band have seemingly deserted their fans, I took it with both hands, armed and ready for battle.
"It's been a while, for sure," he almost apologized when we question their tardiness, catching us off guard. "We've got a couple of cobwebs to blow out, but we've been jamming for a while. We had a little bit of a hiatus because our guitarist had a newborn at the end of last year, and it's his third kid. So he's got two, three boys now, but two kids and a newborn and in the interest of everyone's safety, we thought we'd let him just be a dad for six months. We were planning on recording by the end of this year, which we still want to do. But this'll be probably the one show of the year, I'd say, so we wanted to make it a big one. I think the Triffid's a good way to go. If you're gonna do one show, that's the place to do it."
In the full interview, Jack further discussed Osaka Punch's upcoming performance at The Triffid on July 5, where they will perform alongside Mood Swing and Chevy Bass. Jack highlighted the unique line up, featuring a live saxophonist and a keytar player, and expressed excitement about returning to the stage after a hiatus. He also mentioned their guitarist Chrispy's recovery from a car accident and his commitment to performing.
The discussion included recommendations for newcomers to their music, with Jack suggesting three songs to help familiarize them with their style. He noted the band's ongoing work on new material and the evolving music landscape, which is shifting towards singles over full albums. We talked about the reaction to Mixed Ape and if all of the songs went down as well live as the band expected, their genuine love for their fans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1014australia,funk,hardrock,heavy,heavymetal,jackmuzak,krispeters,moodswingandchevybass,musicinterview,musicpodcast,osakapunch,rock,thetriffid,versaceboystruefullhttps://www.spreaker.com/episode/midnight-mysteries-with-pete-9-and-feratu-from-wolfskull--66820127German dark heavy rock force WOLFSKULL will drop their new album Midnite Masters on July 25.
Midnite Masters will see the band put a bold exclamation mark on their history and simultaneously ignite a new level: ten songs brimming with enthusiasm, power, and catchy melodies, while exuding the raw charm of classic heavy rock. Founded in April 2018 by guitarist and mastermind Feratu, WOLFSKULL immediately garnered attention in the scene with their debut EP, Hexum. The subsequent debut album, Ave Goddess, hit like a thunderclap in December 2022, leading to the band being awarded Album Of The Month in Metal Hammer and Guitar Magazine.
In 2025, WOLFSKULL returns louder, detached, and with even more drive. With the arrival of new second guitarist Mike Nero at the beginning of 2024, a noticeable breath of fresh air came into the band, which was directly reflected in the new material. In September 2024, the ten new tracks were recorded at Soundlodge Studio under the direction of Jörg Uken (Anvil, Suicide Angels, Dew Scented, Temple of Dread). Now, with the album on the cusp of release, HEAVY chats with vocalist Pete 9 and guitarist Feratu to dig deeper.
"I think this time around we were more keen on having a dusty rock and roll record with more up-tempo songs than Ave Goddess," Pete replied when we pressed him on the musical nature of the album. "But there's still a hint of melancholy here and there, but it's mostly a straight rock and roll record."
"I think we wanted to have more straightforward songs," Feratu added. "A little bit more rock songs that are not so mellow. But we wanted to have more dust; more rock, more kick-ass, and I think - without losing the typical trademarks of Wolfskull - I think you can find them in any song. That was the direction we wanted to go, and I think we have an album that is working each song with another."
In the full interview, the band shared their positive recording experiences and emphasized that the singles released thus far effectively represent the album's overall sound. They also explained the album's artwork, highlighting its strong female imagery as a tribute to female empowerment in rock music.
Feratu discussed the influence of the German music scene in 2018 on their formation, particularly noting their metal and punk roots, and reminisced about their earlier band, The Spook. We talked about the time between recording an album and releasing it and how that affects different bands in different ways, new guitarist Mike Nero and what he brings to Wolfskull, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66820127Tue, 01 Jul 2025 12:49:32 +0000HEAVY MagazineInterview by Kris Peters German dark heavy rock force WOLFSKULL will drop their new album Midnite Masters on July 25. Midnite Masters will see the band put a bold exclamation mark on their history and simultaneously ignite a new level: ten songs...German dark heavy rock force WOLFSKULL will drop their new album Midnite Masters on July 25.
Midnite Masters will see the band put a bold exclamation mark on their history and simultaneously ignite a new level: ten songs brimming with enthusiasm, power, and catchy melodies, while exuding the raw charm of classic heavy rock. Founded in April 2018 by guitarist and mastermind Feratu, WOLFSKULL immediately garnered attention in the scene with their debut EP, Hexum. The subsequent debut album, Ave Goddess, hit like a thunderclap in December 2022, leading to the band being awarded Album Of The Month in Metal Hammer and Guitar Magazine.
In 2025, WOLFSKULL returns louder, detached, and with even more drive. With the arrival of new second guitarist Mike Nero at the beginning of 2024, a noticeable breath of fresh air came into the band, which was directly reflected in the new material. In September 2024, the ten new tracks were recorded at Soundlodge Studio under the direction of Jörg Uken (Anvil, Suicide Angels, Dew Scented, Temple of Dread). Now, with the album on the cusp of release, HEAVY chats with vocalist Pete 9 and guitarist Feratu to dig deeper.
"I think this time around we were more keen on having a dusty rock and roll record with more up-tempo songs than Ave Goddess," Pete replied when we pressed him on the musical nature of the album. "But there's still a hint of melancholy here and there, but it's mostly a straight rock and roll record."
"I think we wanted to have more straightforward songs," Feratu added. "A little bit more rock songs that are not so mellow. But we wanted to have more dust; more rock, more kick-ass, and I think - without losing the typical trademarks of Wolfskull - I think you can find them in any song. That was the direction we wanted to go, and I think we have an album that is working each song with another."
In the full interview, the band shared their positive recording experiences and emphasized that the singles released thus far effectively represent the album's overall sound. They also explained the album's artwork, highlighting its strong female imagery as a tribute to female empowerment in rock music.
Feratu discussed the influence of the German music scene in 2018 on their formation, particularly noting their metal and punk roots, and reminisced about their earlier band, The Spook. We talked about the time between recording an album and releasing it and how that affects different bands in different ways, new guitarist Mike Nero and what he brings to Wolfskull, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1080hardrock,heavy,heavymetal,krispeters,music,musicinterview,musicpodcast,rock,wolfskulltruefullhttps://www.spreaker.com/episode/no-labels-no-limits-militarie-gun-s-ian-shelton-ahead-of-aussie-tour-with-touche-amore--66818208As Militarie Gun gear up to hit Australian stages alongside Touché Amoré, frontman Ian Shelton looks forward to everything from unruly shows to venomous local wildlife. “I guess my bucket list would be to see one of these disturbing Australian spiders in the flesh,” he laughs. “I don’t want to be in danger—but I’d like to see it.”
It won't be Militarie Gun’s first time down under, but their energy and evolving sound continues to resonate with fans worldwide. Known for fusing hardcore roots with melodic hooks, the band’s genre-defying sound has sparked debate. “It’s disingenuous to call us a hardcore band,” Shelton says. “We came from that world, but we just want to sound like Militarie Gun.”
Originality is embedded in everything they do—from their cathartic lyrics to unexpected collaborations like writing a WWE wrestling intro track. “Post Malone was meant to do it but got too busy. I woke up to a text and spent two days writing riffs,” he recalls. Raw emotion drives Shelton’s songwriting, a channel for experiences he says are too intense for everyday conversation. “The songs are the only appropriate place to put those feelings,” he shares. “I never hold anything back.”
That vulnerability connects deeply with fans, who often bring wild energy to their gigs. “Last time in Sydney, we played Do It Faster four times. By the end, it was just one guy on stage. The rest of us had jumped into the crowd,” Shelton laughs. Despite their rising profile, Ian rejects the idea of “making it.” “It’s not a career—it’s an artistic pursuit,” he says. “If you ever feel like you’ve made it, you’re not pushing yourself creatively.”
When asked what he hopes audiences take away, his answer is simple: “I hope they feel something—even if it’s anger. I don’t want to make anything people feel indifferent about.” As for advice to new bands navigating today’s fractured rock scene? “Be yourself—loudly,” Shelton says. “Turn your quirks up to 10. That’s what people connect with.”
With that in mind, expect more chaos, catharsis, and no holding back. The tour kicks off July 10 at the Triffid in Brisbane.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66818208Tue, 01 Jul 2025 09:53:18 +0000HEAVY MagazineInterview by Angela Croudace As Militarie Gun gear up to hit Australian stages alongside Touché Amoré, frontman Ian Shelton looks forward to everything from unruly shows to venomous local wildlife. “I guess my bucket list would be to see one of these...As Militarie Gun gear up to hit Australian stages alongside Touché Amoré, frontman Ian Shelton looks forward to everything from unruly shows to venomous local wildlife. “I guess my bucket list would be to see one of these disturbing Australian spiders in the flesh,” he laughs. “I don’t want to be in danger—but I’d like to see it.”
It won't be Militarie Gun’s first time down under, but their energy and evolving sound continues to resonate with fans worldwide. Known for fusing hardcore roots with melodic hooks, the band’s genre-defying sound has sparked debate. “It’s disingenuous to call us a hardcore band,” Shelton says. “We came from that world, but we just want to sound like Militarie Gun.”
Originality is embedded in everything they do—from their cathartic lyrics to unexpected collaborations like writing a WWE wrestling intro track. “Post Malone was meant to do it but got too busy. I woke up to a text and spent two days writing riffs,” he recalls. Raw emotion drives Shelton’s songwriting, a channel for experiences he says are too intense for everyday conversation. “The songs are the only appropriate place to put those feelings,” he shares. “I never hold anything back.”
That vulnerability connects deeply with fans, who often bring wild energy to their gigs. “Last time in Sydney, we played Do It Faster four times. By the end, it was just one guy on stage. The rest of us had jumped into the crowd,” Shelton laughs. Despite their rising profile, Ian rejects the idea of “making it.” “It’s not a career—it’s an artistic pursuit,” he says. “If you ever feel like you’ve made it, you’re not pushing yourself creatively.”
When asked what he hopes audiences take away, his answer is simple: “I hope they feel something—even if it’s anger. I don’t want to make anything people feel indifferent about.” As for advice to new bands navigating today’s fractured rock scene? “Be yourself—loudly,” Shelton says. “Turn your quirks up to 10. That’s what people connect with.”
With that in mind, expect more chaos, catharsis, and no holding back. The tour kicks off July 10 at the Triffid in Brisbane.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1054angelacroudace,australia,destroyalllines,hardcore,heavy,heavymetal,militariegun,music,musicinterview,musicpodcast,punk,toucheamore,tourtruefullhttps://www.spreaker.com/episode/fighting-societal-behaviour-with-anthony-from-harroway--66802699Sydney metal outfit Harroway have been crushing skulls since 2019 withtheir aggressive brand of metal, highlighting real life problems and issues. As such their passion has always been evident be it on stage orrecording, with their debut 2023 EP, I Don't Want To Be Here Anymore resonating on a global scale that led to a sold-out headlining tour that took the band across Australia before deservedly securing them supports for international acts such as We Came as Romans (USA), Invent Animate (USA), and Crossfaith (JAP).
The band have been absent from the air waves since last April's song Heresy but have returned with a vengeance on the back of their new single Narsociety. While still maintaining the fabric of their metal DNA, Narsociety also sees Harroway exploring more melodic elements entwined with clean vocals that have not previously been a major component of their music.
An amalgamation of the words Narcissist and Society, Narsociety paints an honestly bleak portrait of the modern reliance and dependence on social media and the darkness that easily consumes it. It is a brutally honest portrayal of what is becoming an increasingly dangerous subject, delivered with the raw hostility that has become Harroway's trademark.
HEAVY spoke with guitarist Anthony earlier this week to see how the response has been.
"It's been a bit of a different sound for us with having the new singer come in with a little bit of a higher register," he offered. "It's a little bit more melodic for us as well, but so far it's been really good. We've got some really good feedback from fans, friends, and family, and it seems to be going off at the shows too. People are really enjoying Chris's voice."
The Chris who Anthony is referring to is new clean vocalist Chris 'CJ' Webb. Having that lighter shade to the band's generally more aggressive music could be considered a brave move by the band, but Anthony insists it is something that has been added for the betterment of Harroway's music.
"It's definitely something we've wanted to introduce into our sound, both live and in the studio, before," he shared. "But it's been something we've struggled with to really execute on because, you know, Matt (Banks, vocalist) is excellent at what he does. He has an excellent vocal range and also his extreme vocals. As a guitarist and backup screamer, I can really appreciate the talent he has, but he really looked within himself and knew we needed somebody to bring us into that higher register."
In the full interview, Anthony discussed Narsociety in greater detail from both a musical and lyrical perspective. He ran us through the underlying themes and messages of the song and how it is a reflection on today's society and behaviour.
We discussed the captivating and cinematic music video that goes with it, the recent tour with Make Them Suffer and Justice For The Damned, playing Narsociety live for the first few times and how it was received and spoke about a couple of shows on the horizon. While remaining non-committal about a future album, Anthony gave a strong impression that Narsociety is only the beginning of their plans, revealing there are more singles to be released and promising the band still has big plans for this year.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66802699Tue, 01 Jul 2025 04:10:48 +0000HEAVY MagazineInterview by Kris Peters Sydney metal outfit Harroway have been crushing skulls since 2019 withtheir aggressive brand of metal, highlighting real life problems and issues. As such their passion has always been evident be it on stage orrecording, with...Sydney metal outfit Harroway have been crushing skulls since 2019 withtheir aggressive brand of metal, highlighting real life problems and issues. As such their passion has always been evident be it on stage orrecording, with their debut 2023 EP, I Don't Want To Be Here Anymore resonating on a global scale that led to a sold-out headlining tour that took the band across Australia before deservedly securing them supports for international acts such as We Came as Romans (USA), Invent Animate (USA), and Crossfaith (JAP).
The band have been absent from the air waves since last April's song Heresy but have returned with a vengeance on the back of their new single Narsociety. While still maintaining the fabric of their metal DNA, Narsociety also sees Harroway exploring more melodic elements entwined with clean vocals that have not previously been a major component of their music.
An amalgamation of the words Narcissist and Society, Narsociety paints an honestly bleak portrait of the modern reliance and dependence on social media and the darkness that easily consumes it. It is a brutally honest portrayal of what is becoming an increasingly dangerous subject, delivered with the raw hostility that has become Harroway's trademark.
HEAVY spoke with guitarist Anthony earlier this week to see how the response has been.
"It's been a bit of a different sound for us with having the new singer come in with a little bit of a higher register," he offered. "It's a little bit more melodic for us as well, but so far it's been really good. We've got some really good feedback from fans, friends, and family, and it seems to be going off at the shows too. People are really enjoying Chris's voice."
The Chris who Anthony is referring to is new clean vocalist Chris 'CJ' Webb. Having that lighter shade to the band's generally more aggressive music could be considered a brave move by the band, but Anthony insists it is something that has been added for the betterment of Harroway's music.
"It's definitely something we've wanted to introduce into our sound, both live and in the studio, before," he shared. "But it's been something we've struggled with to really execute on because, you know, Matt (Banks, vocalist) is excellent at what he does. He has an excellent vocal range and also his extreme vocals. As a guitarist and backup screamer, I can really appreciate the talent he has, but he really looked within himself and knew we needed somebody to bring us into that higher register."
In the full interview, Anthony discussed Narsociety in greater detail from both a musical and lyrical perspective. He ran us through the underlying themes and messages of the song and how it is a reflection on today's society and behaviour.
We discussed the captivating and cinematic music video that goes with it, the recent tour with Make Them Suffer and Justice For The Damned, playing Narsociety live for the first few times and how it was received and spoke about a couple of shows on the horizon. While remaining non-committal about a future album, Anthony gave a strong impression that Narsociety is only the beginning of their plans, revealing there are more singles to be released and promising the band still has big plans for this year.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1271australia,harroway,heavy,heavymetal,justiceforthedamned,krispeters,makethemsuffer,metalcore,music,musicinterview,musicpodcast,tourtruefullhttps://www.spreaker.com/episode/carnage-fuelled-by-passion-with-leo-luther-from-luther--66753805Not often a band's music comes across our desk here at HEAVY that literally makes us sit up and take absolute notice, but when it does, and you then find out it is the first ever single release from the band…
Such was the case when we heard Next Time Send A Killer, the debut track from Berlin-based heavy outfit Luther. A crushing cesspool of malevolence, Next Time Send A Killer also contains a plethora of styles and influences that many a more seasoned band have tried without half the impact achieved by Luther in their sonic introduction to the world.
A sentence in the band's press release says, "through music Luther communicates emotions of isolation, betrayal, rage and escapism", and for once that was no exaggeration. At times angry, at others beautiful and others again a slit to the throat, Next Time Send A Killer is an amalgamation of everything you thought scared you as a child then dialled up a double notch. 
Thinking (but hoping we were wrong) this might just be a case of one great song followed by a dose of mediocrity, HEAVY reached out to the band, who sent us two unreleased songs and their music videos, and they were just as good, if not better.
Of course, we had to chat with Luther in order to introduce them to our friends, with vocalist Leo Luther kindly offering up some of her time.
"We formed in 2024," she began when asked to introduce Luther, "and we are somewhat of a… I wouldn't say supergroup, but that's the kind of concept. We are all people who were in different bands but in the same scene, and we met each other, liked each other, so we started this project."
We ask Leo to run us through Next Time Send A Killer in greater detail.
"This comes from me wishing to experiment with some very… angry music," she measured. "And I think that angry music is also like trap metal. I know it's not the most common sub-genre of metal, but there's also some metalcore and a little bit of djent in there, and that's how it was born."
We ask why Luther chose that particular song to introduce them and their music to the world.
"You're not gonna like this answer," she laughed. "Basically, in a band where you want to be successful, you need to have some sort of strategy. I was like, fuck the strategy, we're just gonna do what we want (laughs). So there are two songs that have this type of sound identity for us, and those are the songs we released with Next Time Send A Killer and Oyster, which were released together. Now we are working on a debut album that literally has nothing to do with metalcore. That was not the wisest choice, but I thought fuck it. We liked that song, now we like another one, so we're gonna do it that way."
In the full interview, Leo talked more about their debut single and the reaction to it. We discussed the next two songs to be released, Give The People What They Want and The Most Famous Rat In The Sewer, going into detail about the imaginative song titles for their music.
Leo mentioned the debut album and what we can expect, took us deeper through their musical styles and influences and ran us through the balancing act of getting things right in the creative process and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66753805Mon, 30 Jun 2025 06:01:02 +0000HEAVY MagazineInterview by Kris Peters Not often a band's music comes across our desk here at HEAVY that literally makes us sit up and take absolute notice, but when it does, and you then find out it is the first ever single release from the band… Such was the case...Not often a band's music comes across our desk here at HEAVY that literally makes us sit up and take absolute notice, but when it does, and you then find out it is the first ever single release from the band…
Such was the case when we heard Next Time Send A Killer, the debut track from Berlin-based heavy outfit Luther. A crushing cesspool of malevolence, Next Time Send A Killer also contains a plethora of styles and influences that many a more seasoned band have tried without half the impact achieved by Luther in their sonic introduction to the world.
A sentence in the band's press release says, "through music Luther communicates emotions of isolation, betrayal, rage and escapism", and for once that was no exaggeration. At times angry, at others beautiful and others again a slit to the throat, Next Time Send A Killer is an amalgamation of everything you thought scared you as a child then dialled up a double notch. 
Thinking (but hoping we were wrong) this might just be a case of one great song followed by a dose of mediocrity, HEAVY reached out to the band, who sent us two unreleased songs and their music videos, and they were just as good, if not better.
Of course, we had to chat with Luther in order to introduce them to our friends, with vocalist Leo Luther kindly offering up some of her time.
"We formed in 2024," she began when asked to introduce Luther, "and we are somewhat of a… I wouldn't say supergroup, but that's the kind of concept. We are all people who were in different bands but in the same scene, and we met each other, liked each other, so we started this project."
We ask Leo to run us through Next Time Send A Killer in greater detail.
"This comes from me wishing to experiment with some very… angry music," she measured. "And I think that angry music is also like trap metal. I know it's not the most common sub-genre of metal, but there's also some metalcore and a little bit of djent in there, and that's how it was born."
We ask why Luther chose that particular song to introduce them and their music to the world.
"You're not gonna like this answer," she laughed. "Basically, in a band where you want to be successful, you need to have some sort of strategy. I was like, fuck the strategy, we're just gonna do what we want (laughs). So there are two songs that have this type of sound identity for us, and those are the songs we released with Next Time Send A Killer and Oyster, which were released together. Now we are working on a debut album that literally has nothing to do with metalcore. That was not the wisest choice, but I thought fuck it. We liked that song, now we like another one, so we're gonna do it that way."
In the full interview, Leo talked more about their debut single and the reaction to it. We discussed the next two songs to be released, Give The People What They Want and The Most Famous Rat In The Sewer, going into detail about the imaginative song titles for their music.
Leo mentioned the debut album and what we can expect, took us deeper through their musical styles and influences and ran us through the balancing act of getting things right in the creative process and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>629band,djent,hardcore,heavy,heavymetal,krispeters,leoluther,luther,music,musicinterview,musicpodcast,trapmetaltruefullhttps://www.spreaker.com/episode/pulling-out-the-big-guns-with-sebastian-bach--66755305Speculation has been rife for years regarding a possible reunion between Sebastian Bach and Skid Row, and it will probably continue until one or both parties pulls stumps on their career, but at the end of the day, it doesn't really matter when both parties are still doing their thing, and doing it well. Of course, there are going to be those fans who would love to see the band as it once was, but for the realists, that will likely never happen.
Luckily for them - and everyone who loved hard rock and metal - that Sebastian Bach will always possess a love for the music he was part of bringing to life, and as such, always champions the cause wherever and however he can.
That cause comes to Australian shores this November, when Bach returns to these shores to play Skid Row's debut self-titled album in its entirety for the first time on Australian soil.
Fans can expect an explosive set featuring hits like Youth Gone Wild, 18 and Life, Big Guns, and I Remember You alongside select tracks from Slave To The Grind and throughout Bach's solo career, including last year's well-received Child Within The Man.
HEAVY spent some time with Sebastian Bach recently to talk about the upcoming tour and playing some of those songs for the very first time Down Under.
"The first record is only 45 minutes long, so that's not a full show," Bach pointed out when we asked what to expect. "We'll be doing new songs from my new record, Child Within the Man, and we'll be doing a couple of songs from Slave to the Grind. But we got some really good new songs like What Do I Got to Lose, which is the closest thing that I've had to a hit in 35 years."
We ask if there were any difficulties in playing the debut record in full due to the fact that when it was written, the band likely would not have given thought to the whole album being played in full one day.
"There's certain notes that are very challenging," he nodded. "In America, we did another tour where we did the album Slave to the Grind in its entirety with 40 cities, but what I learned, when you said was it challenging relearning the first record? I learned that the first record was more about singing, and Slave to the Grind was more about screaming. A song like Living on a Chain Gang off Slave, that is just me screaming at the top of my lungs for the whole song. On the first record, there's more pop and a pop sensibility. Slave to the Grind is way more metal, but the first record, Skid Row, it captures a real innocence about us as a band and about the times. It just has a real innocent quality to it."
In the full interview, Bach talked us through the touring schedule and his preference of playing more shows as opposed to having days off, the musical climate that spawned Skid Row's self-titled debut album and where the band fit in at the time.
We spoke about the massive intensity lift between the first album and the more aggressive follow-up Slave To The Grind and why the band went that way instead of playing it safe and rehashing a successful formula, what he has learned as a vocalist over his 40-year career, the significant changes in the music industry, how he maintains his vocal range and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66755305Mon, 30 Jun 2025 05:59:05 +0000HEAVY MagazineInterview by Kris Peters Speculation has been rife for years regarding a possible reunion between Sebastian Bach and Skid Row, and it will probably continue until one or both parties pulls stumps on their career, but at the end of the day, it doesn't...Speculation has been rife for years regarding a possible reunion between Sebastian Bach and Skid Row, and it will probably continue until one or both parties pulls stumps on their career, but at the end of the day, it doesn't really matter when both parties are still doing their thing, and doing it well. Of course, there are going to be those fans who would love to see the band as it once was, but for the realists, that will likely never happen.
Luckily for them - and everyone who loved hard rock and metal - that Sebastian Bach will always possess a love for the music he was part of bringing to life, and as such, always champions the cause wherever and however he can.
That cause comes to Australian shores this November, when Bach returns to these shores to play Skid Row's debut self-titled album in its entirety for the first time on Australian soil.
Fans can expect an explosive set featuring hits like Youth Gone Wild, 18 and Life, Big Guns, and I Remember You alongside select tracks from Slave To The Grind and throughout Bach's solo career, including last year's well-received Child Within The Man.
HEAVY spent some time with Sebastian Bach recently to talk about the upcoming tour and playing some of those songs for the very first time Down Under.
"The first record is only 45 minutes long, so that's not a full show," Bach pointed out when we asked what to expect. "We'll be doing new songs from my new record, Child Within the Man, and we'll be doing a couple of songs from Slave to the Grind. But we got some really good new songs like What Do I Got to Lose, which is the closest thing that I've had to a hit in 35 years."
We ask if there were any difficulties in playing the debut record in full due to the fact that when it was written, the band likely would not have given thought to the whole album being played in full one day.
"There's certain notes that are very challenging," he nodded. "In America, we did another tour where we did the album Slave to the Grind in its entirety with 40 cities, but what I learned, when you said was it challenging relearning the first record? I learned that the first record was more about singing, and Slave to the Grind was more about screaming. A song like Living on a Chain Gang off Slave, that is just me screaming at the top of my lungs for the whole song. On the first record, there's more pop and a pop sensibility. Slave to the Grind is way more metal, but the first record, Skid Row, it captures a real innocence about us as a band and about the times. It just has a real innocent quality to it."
In the full interview, Bach talked us through the touring schedule and his preference of playing more shows as opposed to having days off, the musical climate that spawned Skid Row's self-titled debut album and where the band fit in at the time.
We spoke about the massive intensity lift between the first album and the more aggressive follow-up Slave To The Grind and why the band went that way instead of playing it safe and rehashing a successful formula, what he has learned as a vocalist over his 40-year career, the significant changes in the music industry, how he maintains his vocal range and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>960australia,hardrock,heavy,heavymetal,krispeters,music,musicinterview,musicpodcast,rock,sebastianbach,skidrow,tourtruefullhttps://www.spreaker.com/episode/living-in-sin-with-snake-bite-whisky--66737863Brisbane sleaze rock outfit Snake Bite Whisky have been terrorizing the airwaves since 2014, along the way releasing two albums in This Side Of Hell and Black Candy.
Their crossover appeal, coupled with an energetic live performance and precision playing, has seen the band make inroads overseas, particularly the seedier side of LA where their particular brand of rock was nurtured and grown.
With the recent arrival of two new guitarists and an opportunity to join the roster of growing Australian label XMusic, Snake Bite Whisky have embarked on the next stage of their musical journey which has already promised so much and seems set to reach new elevated heights with the release of some new material, spearheaded by the mellower love song of sorts called Living To Die which is out now.
Coming together from the ashes of a song started over 30 years ago, Living To Die showcases a softer side to Snake Bite Whisky while maintaining their trademark sound and loud guitars. It is not a new direction for the band per se, rather a revealing of another string to their musical bow that will appeal to fans both old and new.
HEAVY sat down recently with the band from rehearsal to find out more.
"It's been a long journey," guitarist Scuba Steve sighed when we asked how they are feeling about having Living To Die unleashed on the world. "It's been a long time in the making, and a lot of work and effort has gone into it, and it's come out the other side exactly how we wanted it. Actually, better than we thought."
In the full interview, the boys run us through Living To Die musically and what they were going for, the personal nature of the song, the extended intro and the thought process behind it, whether it is a stand-alone single or part of a bigger picture, the new members and what they bring to the band, signing with XMusic and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66737863Thu, 26 Jun 2025 21:27:33 +0000HEAVY MagazineInterview by Kris Peters Brisbane sleaze rock outfit Snake Bite Whisky have been terrorizing the airwaves since 2014, along the way releasing two albums in This Side Of Hell and Black Candy. Their crossover appeal, coupled with an energetic live...Brisbane sleaze rock outfit Snake Bite Whisky have been terrorizing the airwaves since 2014, along the way releasing two albums in This Side Of Hell and Black Candy.
Their crossover appeal, coupled with an energetic live performance and precision playing, has seen the band make inroads overseas, particularly the seedier side of LA where their particular brand of rock was nurtured and grown.
With the recent arrival of two new guitarists and an opportunity to join the roster of growing Australian label XMusic, Snake Bite Whisky have embarked on the next stage of their musical journey which has already promised so much and seems set to reach new elevated heights with the release of some new material, spearheaded by the mellower love song of sorts called Living To Die which is out now.
Coming together from the ashes of a song started over 30 years ago, Living To Die showcases a softer side to Snake Bite Whisky while maintaining their trademark sound and loud guitars. It is not a new direction for the band per se, rather a revealing of another string to their musical bow that will appeal to fans both old and new.
HEAVY sat down recently with the band from rehearsal to find out more.
"It's been a long journey," guitarist Scuba Steve sighed when we asked how they are feeling about having Living To Die unleashed on the world. "It's been a long time in the making, and a lot of work and effort has gone into it, and it's come out the other side exactly how we wanted it. Actually, better than we thought."
In the full interview, the boys run us through Living To Die musically and what they were going for, the personal nature of the song, the extended intro and the thought process behind it, whether it is a stand-alone single or part of a bigger picture, the new members and what they bring to the band, signing with XMusic and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1393australia,glamrock,hardrock,heavy,heavymetal,krispeters,musicinterview,musicpodcast,rock,sleazerock,snakebitewhisky,xmusictruefullhttps://www.spreaker.com/episode/staring-into-the-abyss-with-ben-parker-and-alizon-taho-from-calva-louise--66628064Coming together from opposing corners of the planet, Calva Louise are a band who not only benefit from the wisdom of a diverse cultural well to draw from, but also from a musical vision and delivery that far transcends most music in the modern world.
To categorise their music would be doing an injustice to the rich sonic palate offered up from the talented trio, but if push came to shove, you would be safe to say theirs is a musical blending of metal, punk and electronics. But the depth of their music goes much deeper than that.
Painting an almost cinematic dimension through eclectic and boisterous bodies of sound, Calva Louise have thrown pretty much every rule book out the window, instead following their own path and vision to create a dynamic and powerful sound that is truly something fresh and unique on the shrinking landscape.
After two early albums - Rhinoceros and Euphoric - it was the 2023 release of the mixtape Over The Threshold that broke Calva Louise through the barriers and into the ears of a hungry public tired of the same formulaic music. Such was its impact, Over The Threshold reached the ears of Pendulum's Gareth McGrillen, who messaged the band on Instagram, leading to him coming on board to record Calava Louise's new album Edge Of The Abyss, which is due for release on July 11.
HEAVY caught up with drummer Ben Parker and bass/vocals Alizon Taho to find out more about the new album and Calva Louise's musical journey.
"I guess it's a continuous evolution," Parker replied when we asked him to tell us about Edge Of The Abyss musically. "Our sound has been like that from the start, and this is closer to what I think we've always wanted to do. And every release we've done throughout the band's timeline has increasingly got closer to that. It's almost like a bit of a nonstop vision, and it evolves as it goes. Obviously, this album is still very much in the heavy vein - much like the last release, like probably even a little bit more so, I would say."
In the full interview, Ben and Alizon explained the DIY production process of the album, where each member recorded their parts remotely, culminating in collaboration with co-producer Mazar in Italy and Gareth McGrillen from Pendulum for additional production. They ran through the interesting concept for the album and how it follows their previous bodies of work.
Talk turned to their eclectic sound and the difficulties of blending genres together in the creative process, opening track Tunnel Vision and why it was chosen to introduce Edge Of The Abyss, working with McGrillen and what he brought to the overall sound and feel of the album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66628064Wed, 25 Jun 2025 08:32:05 +0000HEAVY MagazineInterview by Kris Peters Coming together from opposing corners of the planet, Calva Louise are a band who not only benefit from the wisdom of a diverse cultural well to draw from, but also from a musical vision and delivery that far transcends most...Coming together from opposing corners of the planet, Calva Louise are a band who not only benefit from the wisdom of a diverse cultural well to draw from, but also from a musical vision and delivery that far transcends most music in the modern world.
To categorise their music would be doing an injustice to the rich sonic palate offered up from the talented trio, but if push came to shove, you would be safe to say theirs is a musical blending of metal, punk and electronics. But the depth of their music goes much deeper than that.
Painting an almost cinematic dimension through eclectic and boisterous bodies of sound, Calva Louise have thrown pretty much every rule book out the window, instead following their own path and vision to create a dynamic and powerful sound that is truly something fresh and unique on the shrinking landscape.
After two early albums - Rhinoceros and Euphoric - it was the 2023 release of the mixtape Over The Threshold that broke Calva Louise through the barriers and into the ears of a hungry public tired of the same formulaic music. Such was its impact, Over The Threshold reached the ears of Pendulum's Gareth McGrillen, who messaged the band on Instagram, leading to him coming on board to record Calava Louise's new album Edge Of The Abyss, which is due for release on July 11.
HEAVY caught up with drummer Ben Parker and bass/vocals Alizon Taho to find out more about the new album and Calva Louise's musical journey.
"I guess it's a continuous evolution," Parker replied when we asked him to tell us about Edge Of The Abyss musically. "Our sound has been like that from the start, and this is closer to what I think we've always wanted to do. And every release we've done throughout the band's timeline has increasingly got closer to that. It's almost like a bit of a nonstop vision, and it evolves as it goes. Obviously, this album is still very much in the heavy vein - much like the last release, like probably even a little bit more so, I would say."
In the full interview, Ben and Alizon explained the DIY production process of the album, where each member recorded their parts remotely, culminating in collaboration with co-producer Mazar in Italy and Gareth McGrillen from Pendulum for additional production. They ran through the interesting concept for the album and how it follows their previous bodies of work.
Talk turned to their eclectic sound and the difficulties of blending genres together in the creative process, opening track Tunnel Vision and why it was chosen to introduce Edge Of The Abyss, working with McGrillen and what he brought to the overall sound and feel of the album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1420album,calvalouise,edgeoftheabyss,electronicmetal,hardrock,heavy,heavymetal,krispeters,music,musicinterview,musicpodcast,punktruefullhttps://www.spreaker.com/episode/bringing-the-party-down-under-with-ryan-and-peej-from-punk-rock-factory--66652636Music means many things to many different people, but regardless of whether you listen to country or heavy metal, one common denominator remains. Music is supposed to be fun.
Which is exactly the way South Wales entertainment machine Punk Rock Factory approach each and every waking moment. Essentially a covers band who spice up everyone from Meatloaf to Michael Jackson to Abba to Disney classics with their own punk-fuelled tinge, Punk Rock Factory are a band who seem to bring themselves just as much joy as they do their fans.
Formed in 2014, Punk Rock Factory spent their early years refining their craft, toiling away without major success. But all of that changed at a time - ironically - when most of the world suffered during COVID. With more time on their hands due to the necessity of lockdown, the band invested their efforts into their social media and online presence, with immediate success.
They emerged from lockdown with enough momentum to carry their music throughout the music universe, culminating in invitations to play iconic festivals such as Bloodstock, Download and Slam Dunk to rapturous applause. These days, they are selling out venues worldwide, and the party is headed back to Australia this November.
HEAVY sat down with Peej (vocals, guitar) and Ryan (guitar) to join in the festivities. Being new to the band ourselves, we ask what to expect from a Punk Rock Factory live show.
"Fun." Ryan replied without hesitation. "It's always a laugh, man."
"Our shows are…" Peej jumped in. "I mean, the main word I would call them is ridiculous to be honest (laughs). It's full of guilty pleasure tracks and just good sing-along stuff, and we play a lot of like cartoons and TV stuff and Disney stuff, but we're not… I wouldn't say we're a child-oriented band. We're not the Wiggles. I do swear a lot when it's an all-ages show - I really do try not to - but fuck it, it's their own fault if they brought the kids (laughs). It's chaos, it's fun. We love being there and appreciate being there just as much as the fans do. The fact that people turn up night after night to come and watch us piss about on stage for an hour and a half is fucking great, and I think that comes across. We have such a laugh and the banter with the crowd… it's almost as if you're in a room with a load of your mates and everyone's involved and everyone's having a laugh and chipping in. That's the vibe of our show."
In the full interview, Ryan and Peej described their live shows as chaotic and interactive, emphasizing the importance of audience engagement to enhance the experience. They clarified that their performances, while featuring some cartoon and Disney songs, are not aimed at children.
The band shared insights into their creative process for punk rock covers, utilizing software like Moises to isolate song elements, and acknowledged the challenges of adapting complex genres. They reflected on their evolution since 2014, noting how they leveraged TikTok during the pandemic to expand their audience. We spoke about choosing songs to cover and what happens if they are too difficult, the process of breaking down and then reconstructing a song, what they get out of being in Punk Rock Factory and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66652636Wed, 25 Jun 2025 08:30:34 +0000HEAVY MagazineInterview by Kris Peters Music means many things to many different people, but regardless of whether you listen to country or heavy metal, one common denominator remains. Music is supposed to be fun. Which is exactly the way South Wales entertainment...Music means many things to many different people, but regardless of whether you listen to country or heavy metal, one common denominator remains. Music is supposed to be fun.
Which is exactly the way South Wales entertainment machine Punk Rock Factory approach each and every waking moment. Essentially a covers band who spice up everyone from Meatloaf to Michael Jackson to Abba to Disney classics with their own punk-fuelled tinge, Punk Rock Factory are a band who seem to bring themselves just as much joy as they do their fans.
Formed in 2014, Punk Rock Factory spent their early years refining their craft, toiling away without major success. But all of that changed at a time - ironically - when most of the world suffered during COVID. With more time on their hands due to the necessity of lockdown, the band invested their efforts into their social media and online presence, with immediate success.
They emerged from lockdown with enough momentum to carry their music throughout the music universe, culminating in invitations to play iconic festivals such as Bloodstock, Download and Slam Dunk to rapturous applause. These days, they are selling out venues worldwide, and the party is headed back to Australia this November.
HEAVY sat down with Peej (vocals, guitar) and Ryan (guitar) to join in the festivities. Being new to the band ourselves, we ask what to expect from a Punk Rock Factory live show.
"Fun." Ryan replied without hesitation. "It's always a laugh, man."
"Our shows are…" Peej jumped in. "I mean, the main word I would call them is ridiculous to be honest (laughs). It's full of guilty pleasure tracks and just good sing-along stuff, and we play a lot of like cartoons and TV stuff and Disney stuff, but we're not… I wouldn't say we're a child-oriented band. We're not the Wiggles. I do swear a lot when it's an all-ages show - I really do try not to - but fuck it, it's their own fault if they brought the kids (laughs). It's chaos, it's fun. We love being there and appreciate being there just as much as the fans do. The fact that people turn up night after night to come and watch us piss about on stage for an hour and a half is fucking great, and I think that comes across. We have such a laugh and the banter with the crowd… it's almost as if you're in a room with a load of your mates and everyone's involved and everyone's having a laugh and chipping in. That's the vibe of our show."
In the full interview, Ryan and Peej described their live shows as chaotic and interactive, emphasizing the importance of audience engagement to enhance the experience. They clarified that their performances, while featuring some cartoon and Disney songs, are not aimed at children.
The band shared insights into their creative process for punk rock covers, utilizing software like Moises to isolate song elements, and acknowledged the challenges of adapting complex genres. They reflected on their evolution since 2014, noting how they leveraged TikTok during the pandemic to expand their audience. We spoke about choosing songs to cover and what happens if they are too difficult, the process of breaking down and then reconstructing a song, what they get out of being in Punk Rock Factory and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1087australia,heavy,interview,krispeters,musicinterview,musicpodcast,podcast,punkrock,punkrockfactory,thephoenix,tourtruefullhttps://www.spreaker.com/episode/musical-mayhem-with-ryan-miller-from-black-rheno--66724078Sydney sludge fuelled outfit Black Rheno have just released another single - A Bad Ass Love Song - and to celebrate the trio are hitting the road this August to take their music to the people that matter most to them, the fans.
A Bad Ass Love Song is the third single released in recent times by Black Rheno, with all three earmarked as stand-alone singles to keep people smiling until they release a full length album next year.
But in the present, Black Rheno are kicking names and taking ass with a string of entertaining singles that have to be road tested to gauge their true worth, a task looked upon favourably by the band.
HEAVY sat down with frontman Ryan Miller to dig deeper, starting with the new single and its reception.
"Everyone loves it," he enthused. "It's a fun song. It's got a lot of energy to it, a lot of punk rock and hardcore punk vibes. It's just got that energy, then it's got some sludgey riffs as well… good club banger."
We ask if it is, as the title suggests, a love song.
"Yeah, yeah," Miller nodded. "I met a girl last year who I fell for… sometimes you just write what's on your mind, and that's what was on my mind."
In the full interview, we find out if Ryan's significant other is a fan of the song, whether this and the last two singles are stand-alone tracks or part of a bigger picture, their upcoming tour and what to expect, how Black Rheno prepare for a tour like this, the two festivals as part of the tour, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66724078Tue, 24 Jun 2025 12:21:06 +0000HEAVY MagazineInterview by Kris Peters Sydney sludge fuelled outfit Black Rheno have just released another single - A Bad Ass Love Song - and to celebrate the trio are hitting the road this August to take their music to the people that matter most to them, the...Sydney sludge fuelled outfit Black Rheno have just released another single - A Bad Ass Love Song - and to celebrate the trio are hitting the road this August to take their music to the people that matter most to them, the fans.
A Bad Ass Love Song is the third single released in recent times by Black Rheno, with all three earmarked as stand-alone singles to keep people smiling until they release a full length album next year.
But in the present, Black Rheno are kicking names and taking ass with a string of entertaining singles that have to be road tested to gauge their true worth, a task looked upon favourably by the band.
HEAVY sat down with frontman Ryan Miller to dig deeper, starting with the new single and its reception.
"Everyone loves it," he enthused. "It's a fun song. It's got a lot of energy to it, a lot of punk rock and hardcore punk vibes. It's just got that energy, then it's got some sludgey riffs as well… good club banger."
We ask if it is, as the title suggests, a love song.
"Yeah, yeah," Miller nodded. "I met a girl last year who I fell for… sometimes you just write what's on your mind, and that's what was on my mind."
In the full interview, we find out if Ryan's significant other is a fan of the song, whether this and the last two singles are stand-alone tracks or part of a bigger picture, their upcoming tour and what to expect, how Black Rheno prepare for a tour like this, the two festivals as part of the tour, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>920australia,blackrheno,hardcore,heavy,heavymetal,krispeters,music,musicinterview,musicpodcast,punk,ryanmiller,sludgemetal,tourtruefullhttps://www.spreaker.com/episode/rise-against-shots-fired-with-richochet--66723737After more than 20 years of amplifying voices for justice, punk veterans Rise Against are returning with Ricochet, their tenth studio album, set for release in August. Speaking from Sweden, frontman Tim McIlrath reflects on what hitting double digits means for a band that's never been afraid to stand for something. "We've ticked a lot of the boxes," he says. "Now what is there left to do?"
The answer wasn't about making a statement but following instinct this time. "It wasn't about checking boxes," McIlrath explains. "It was more like, what are you feeling right now? Just capture that." Ricochet emerged less from one defining event and more from the quiet, collective reckoning of a post-pandemic world.
"We made it through that crazy time… and now what's next?" he asks. "We learned a lot—about ourselves, society, misinformation, and how unprepared we really were." That mix of reflection, uncertainty, and cautious hope flows through the record's political and personal themes.
Rise Against has never shied from speaking truth to power, but McIlrath admits that the landscape has shifted. "I used to assume we were always playing to a like-minded crowd," he says, going on to recall the first time the band received death threats. "Now I know better. The world is more polarized—even within families. But music can be that rare space where we communicate again."
It was inspirational to hear someone so committed to change still speaking with clarity and purpose after two decades, sure of where he stands and genuinely wanting to make a difference for the better. Tim reflected on the Chicago punk rock scene of the '90s, noting how many bands and acquaintances from that era—such as Fall Out Boy and Alkaline Trio—advocated for change in many ways. He spoke about how exciting and meaningful it was to come up in such a vibrant and message-driven music scene.
Newer acts like Spiritual Cramp and L.S. Dunes continue to fuel his creative fire, reminding him of Rise Against's early days in the hardcore scene. That DIY spirit, where action trumps permission, still drives him.
Burnout, he admits, happens. "But then I get on stage and see people halfway across the world resonating with what we're singing about," he says. "And I remember—we're not alone. There are more of us than there are of them. We just need to be louder."
As for Australia? "We're conspiring as we speak," he teases. "It's a priority—we just need to lock it in."

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66723737Tue, 24 Jun 2025 11:44:19 +0000HEAVY MagazineInterview by Angela Croudace After more than 20 years of amplifying voices for justice, punk veterans Rise Against are returning with Ricochet, their tenth studio album, set for release in August. Speaking from Sweden, frontman Tim McIlrath reflects...After more than 20 years of amplifying voices for justice, punk veterans Rise Against are returning with Ricochet, their tenth studio album, set for release in August. Speaking from Sweden, frontman Tim McIlrath reflects on what hitting double digits means for a band that's never been afraid to stand for something. "We've ticked a lot of the boxes," he says. "Now what is there left to do?"
The answer wasn't about making a statement but following instinct this time. "It wasn't about checking boxes," McIlrath explains. "It was more like, what are you feeling right now? Just capture that." Ricochet emerged less from one defining event and more from the quiet, collective reckoning of a post-pandemic world.
"We made it through that crazy time… and now what's next?" he asks. "We learned a lot—about ourselves, society, misinformation, and how unprepared we really were." That mix of reflection, uncertainty, and cautious hope flows through the record's political and personal themes.
Rise Against has never shied from speaking truth to power, but McIlrath admits that the landscape has shifted. "I used to assume we were always playing to a like-minded crowd," he says, going on to recall the first time the band received death threats. "Now I know better. The world is more polarized—even within families. But music can be that rare space where we communicate again."
It was inspirational to hear someone so committed to change still speaking with clarity and purpose after two decades, sure of where he stands and genuinely wanting to make a difference for the better. Tim reflected on the Chicago punk rock scene of the '90s, noting how many bands and acquaintances from that era—such as Fall Out Boy and Alkaline Trio—advocated for change in many ways. He spoke about how exciting and meaningful it was to come up in such a vibrant and message-driven music scene.
Newer acts like Spiritual Cramp and L.S. Dunes continue to fuel his creative fire, reminding him of Rise Against's early days in the hardcore scene. That DIY spirit, where action trumps permission, still drives him.
Burnout, he admits, happens. "But then I get on stage and see people halfway across the world resonating with what we're singing about," he says. "And I remember—we're not alone. There are more of us than there are of them. We just need to be louder."
As for Australia? "We're conspiring as we speak," he teases. "It's a priority—we just need to lock it in."

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>801against,album,angelacroudace,hardrock,heavy,music,musicinterview,musicpodcast,punk,punkrock,ricochet,risetruefullhttps://www.spreaker.com/episode/defiance-through-music-with-karly-jewell--66645193Music runs in the blood. Sure, people can learn to play or learn to sing, but those fortunate to be born into a musical family generally have a head start on most.
Melbourne artist Karly Jewell comes from the latter. Inspired by her late Grandfather - an acclaimed country singer-songwriter known for his work with Slim Dusty - Jewell was first bitten by the bug around 5 years old and has been working towards the elusive goal that is becoming a professional musician ever since.
But the real part of her journey began in 2018 after teaming with fellow Aussie Mark Dalbeth at management company Rav Medic and releasing her debut album Phoenix the following year. From there, Jewell's commanding stage presence and rock n roll persona have seen her voice traverse the globe and find its way to XMusic, who signed Jewell to the emerging label in 2014. From there, she immediately set about releasing the singles, Sad Girl, In The Dark, Burn and Other Side, all of which feature on Jewell's new album, There's A Jewell In Town, which was released today.
HEAVY sat down with Jewell to catch up on the new music and other things happening in the world of Karly Jewell.
"This is so exciting to have this album out now," she smiled. "I've been hanging on to these songs for a little while, almost two years. It sounds like a long time to do an album, but it actually only took about 14 days to actually record this whole album (laughs). Now it's finally out. Obviously, we released a few singles, but to share the whole album is just unreal."
Despite the growing recognition and expansion of her musical empire, Jewell still manages to exude an almost innocent, yet defiant nature.
"Staying true and just being me," she shrugs when we ask what it is about her music that is resonating on a larger scale. "Not trying to be like other people and not trying to write songs to please people. I'm just writing for myself. And a lot of this stuff has that kind of country rock feel. When I say country rock, I mean when you go to places like Nashville, you're hearing these like big songs, like country songs, but they sound rock."
In the full interview, Karly described the album as a fusion of pop, rock, and electronic genres, reflecting her artistic range and emotional depth. She shared her unique songwriting process, often finding inspiration in her bathroom due to its acoustics, and highlighted the significance of the title track There's A Jewell in Town, which tells a personal story. She dedicated the album to her late grandfather, emphasizing its emotional importance.
We spoke about her recent tour of Japan and future touring opportunities, this weekend's double album launch party, her musical motivation and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66645193Fri, 20 Jun 2025 06:04:15 +0000HEAVY MagazineInterview by Kris Peters Music runs in the blood. Sure, people can learn to play or learn to sing, but those fortunate to be born into a musical family generally have a head start on most. Melbourne artist Karly Jewell comes from the latter. Inspired...Music runs in the blood. Sure, people can learn to play or learn to sing, but those fortunate to be born into a musical family generally have a head start on most.
Melbourne artist Karly Jewell comes from the latter. Inspired by her late Grandfather - an acclaimed country singer-songwriter known for his work with Slim Dusty - Jewell was first bitten by the bug around 5 years old and has been working towards the elusive goal that is becoming a professional musician ever since.
But the real part of her journey began in 2018 after teaming with fellow Aussie Mark Dalbeth at management company Rav Medic and releasing her debut album Phoenix the following year. From there, Jewell's commanding stage presence and rock n roll persona have seen her voice traverse the globe and find its way to XMusic, who signed Jewell to the emerging label in 2014. From there, she immediately set about releasing the singles, Sad Girl, In The Dark, Burn and Other Side, all of which feature on Jewell's new album, There's A Jewell In Town, which was released today.
HEAVY sat down with Jewell to catch up on the new music and other things happening in the world of Karly Jewell.
"This is so exciting to have this album out now," she smiled. "I've been hanging on to these songs for a little while, almost two years. It sounds like a long time to do an album, but it actually only took about 14 days to actually record this whole album (laughs). Now it's finally out. Obviously, we released a few singles, but to share the whole album is just unreal."
Despite the growing recognition and expansion of her musical empire, Jewell still manages to exude an almost innocent, yet defiant nature.
"Staying true and just being me," she shrugs when we ask what it is about her music that is resonating on a larger scale. "Not trying to be like other people and not trying to write songs to please people. I'm just writing for myself. And a lot of this stuff has that kind of country rock feel. When I say country rock, I mean when you go to places like Nashville, you're hearing these like big songs, like country songs, but they sound rock."
In the full interview, Karly described the album as a fusion of pop, rock, and electronic genres, reflecting her artistic range and emotional depth. She shared her unique songwriting process, often finding inspiration in her bathroom due to its acoustics, and highlighted the significance of the title track There's A Jewell in Town, which tells a personal story. She dedicated the album to her late grandfather, emphasizing its emotional importance.
We spoke about her recent tour of Japan and future touring opportunities, this weekend's double album launch party, her musical motivation and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>817album,aussierock,australia,hardrock,heavy,karlyjewell,krispeters,musicinterview,musicpodcast,rock,softrock,xmusictruefullhttps://www.spreaker.com/episode/the-bloom-of-petalcore-with-mish-sharma-from-torizon--66590023Brisbane-based petalcore outfit Torizon have continued their strong approach to 2025, today releasing their second single of the year with Sober.
A sequel to previous single Bloom, Sober explores a more vulnerable side of Torizon's musical psyche and continues the conceptual journey that will be exemplified over the course of the band's debut EP - also announced today - Meliora, which is scheduled for release on September 19.
And, in further announcements, Torizon hit the road for their first headline run of shows this October.
In an attempt to keep up to date with everything happening with Torizon, HEAVY sat down to chat with vocalist Mish Sharma. We mention Torizon's blazing start to the year and welcome them back after a brief period of inactivity.
"Yeah, we were quiet in the background working away on a lot of things," she almost apologized. "We were working on levelling up everything, really. Our songwriting, tech, visuals, everything. And that took a couple of years to plan, write, produce, plan marketing and strategize. So here we are, back again (laughs)."
Sober also marks somewhat of a transitional point in Torizon's music, showcasing raw emotion and vulnerability unlike anything the band have attempted before.
"We wanted to do something a little bit different with it," Mish agreed. "It is a little bit quieter, and it's got moments, but then wait till the bridge… that takes you away! And then you get the screams. So, musically it was just about, honestly, whatever felt right in the moment."
In the full interview, Mish delved into the thematic connection of Sober to their previous release Bloom, focusing on a couple's journey through grief and addiction after fertility struggles. The upcoming EP, Meliora, aims to delve into these complex issues while offering a hopeful perspective. Mish highlighted the significance of inclusivity in mental health discussions, sharing her personal experiences and the need for a supportive environment.
We spoke about the challenges of writing for subjects that are often shunned, detailing the conceptual journey of the EP and its desired outcome. Mish explored topics Torizon touched on as a band going into their first major release, and how Meliora reflects Torizon in 2025. She mentioned the upcoming tour and what to expect, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66590023Wed, 18 Jun 2025 00:11:59 +0000HEAVY MagazineInterview by Kris Peters Brisbane-based petalcore outfit Torizon have continued their strong approach to 2025, today releasing their second single of the year with Sober. A sequel to previous single Bloom, Sober explores a more vulnerable side of...Brisbane-based petalcore outfit Torizon have continued their strong approach to 2025, today releasing their second single of the year with Sober.
A sequel to previous single Bloom, Sober explores a more vulnerable side of Torizon's musical psyche and continues the conceptual journey that will be exemplified over the course of the band's debut EP - also announced today - Meliora, which is scheduled for release on September 19.
And, in further announcements, Torizon hit the road for their first headline run of shows this October.
In an attempt to keep up to date with everything happening with Torizon, HEAVY sat down to chat with vocalist Mish Sharma. We mention Torizon's blazing start to the year and welcome them back after a brief period of inactivity.
"Yeah, we were quiet in the background working away on a lot of things," she almost apologized. "We were working on levelling up everything, really. Our songwriting, tech, visuals, everything. And that took a couple of years to plan, write, produce, plan marketing and strategize. So here we are, back again (laughs)."
Sober also marks somewhat of a transitional point in Torizon's music, showcasing raw emotion and vulnerability unlike anything the band have attempted before.
"We wanted to do something a little bit different with it," Mish agreed. "It is a little bit quieter, and it's got moments, but then wait till the bridge… that takes you away! And then you get the screams. So, musically it was just about, honestly, whatever felt right in the moment."
In the full interview, Mish delved into the thematic connection of Sober to their previous release Bloom, focusing on a couple's journey through grief and addiction after fertility struggles. The upcoming EP, Meliora, aims to delve into these complex issues while offering a hopeful perspective. Mish highlighted the significance of inclusivity in mental health discussions, sharing her personal experiences and the need for a supportive environment.
We spoke about the challenges of writing for subjects that are often shunned, detailing the conceptual journey of the EP and its desired outcome. Mish explored topics Torizon touched on as a band going into their first major release, and how Meliora reflects Torizon in 2025. She mentioned the upcoming tour and what to expect, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1046australia,ep,hardrock,heavy,heavymetal,krispeters,meliora,mishsha,music,musicinterview,musicpodcast,rockmusic,torizon,tourfalsefullhttps://www.spreaker.com/episode/maintaining-altitude-with-matty-dee-from-dirty-pagans--66590458Dirty Pagans have been on a crusade to return airwaves to the meatier sounds of hard rock and heavy metal for the best part of ten years now. Self dubbed riff n roll, the Adelaide outfit focuses on massive guitar riffs, dirty grooves and unapologetically loud undertones, hitting with the force of a sonic sledgehammer before ramming the point home.
Fresh from last year's national support run with Deep Purple's Glenn Hughes, Dirty Pagans are on the cusp of releasing their next slab of goodness in the form of Forever High, with vocalist Matty Dee joining HEAVY to take us through life with Dirty Pagans.
"We don't really try and stray away from what we love and what we want to sound like," Matty expressed of the musical direction on Forever High. "And that's the classic 70s kind of rock and roll heavy metal stuff. We pretty much tried to stay true to that and deliver that once again, so we're hoping that we've done that, and we'll let the fans decide if we have."
Dirty Pagans road tested most of the new album in the live arena, with Matty smiling at the memory.
"We got kind of like thrown in the deep end on that one because we were doing it for Glenn Hughes," he laughed. "So if it wasn't going to be liked, it was not going to be liked by people who love Deep Purple and Glenn Hughes' music. And they're probably old enough not to really hold back their opinion (laughs). I think we were alright. We didn't have any negative reviews."
In the full interview, Matty spoke more about Forever High and what to expect, the importance to Dirty Pagans of staying true to their roots, the tour with Glenn Hughes and how the band approached it, new drummer Gareth Briggs and what he brings to the band, their upcoming hometown album launch show and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66590458Tue, 17 Jun 2025 12:54:44 +0000HEAVY MagazineInterview by Kris Peters Dirty Pagans have been on a crusade to return airwaves to the meatier sounds of hard rock and heavy metal for the best part of ten years now. Self dubbed riff n roll, the Adelaide outfit focuses on massive guitar riffs, dirty...Dirty Pagans have been on a crusade to return airwaves to the meatier sounds of hard rock and heavy metal for the best part of ten years now. Self dubbed riff n roll, the Adelaide outfit focuses on massive guitar riffs, dirty grooves and unapologetically loud undertones, hitting with the force of a sonic sledgehammer before ramming the point home.
Fresh from last year's national support run with Deep Purple's Glenn Hughes, Dirty Pagans are on the cusp of releasing their next slab of goodness in the form of Forever High, with vocalist Matty Dee joining HEAVY to take us through life with Dirty Pagans.
"We don't really try and stray away from what we love and what we want to sound like," Matty expressed of the musical direction on Forever High. "And that's the classic 70s kind of rock and roll heavy metal stuff. We pretty much tried to stay true to that and deliver that once again, so we're hoping that we've done that, and we'll let the fans decide if we have."
Dirty Pagans road tested most of the new album in the live arena, with Matty smiling at the memory.
"We got kind of like thrown in the deep end on that one because we were doing it for Glenn Hughes," he laughed. "So if it wasn't going to be liked, it was not going to be liked by people who love Deep Purple and Glenn Hughes' music. And they're probably old enough not to really hold back their opinion (laughs). I think we were alright. We didn't have any negative reviews."
In the full interview, Matty spoke more about Forever High and what to expect, the importance to Dirty Pagans of staying true to their roots, the tour with Glenn Hughes and how the band approached it, new drummer Gareth Briggs and what he brings to the band, their upcoming hometown album launch show and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>604album,aussierock,dirtypagans,foreverhigh,hardrock,heavy,heavymetal,krispeters,mattydee,musicinterview,musicpodcast,rock,rockmusictruefullhttps://www.spreaker.com/episode/a-sonic-tribute-with-frederic-leclercq-from-sinsaenum--66588401Much has changed in the Sinsaenum camp since the release of Repulsion for Humanity in 2018, with the loss of drummer Joey Jordison central to the personal tragedy, which was compounded by the loss of guitarist and founding member Frédéric Leclercq's father as well.
It has been a tumultuous period for the band, who rightfully took their time with their third album, but the results have seen the extreme metal supergroup of sorts produce what is arguably their finest body of work to date with In Devastation, which will be unleashed on August 8.
Joining Leclercq on this latest chapter are returning members Attila Csihar (Mayhem), Sean Zatorsky (Dååth), Stéphane Buriez (Loudblast), and Heimoth (Seth). Stepping in behind the kit is Andre Joyzi, formerly Jordison’s drum tech and a trusted member of the band’s touring family - chosen not only for his skills, but for the emotional connection he brings to continuing Jordison’s legacy.
HEAVY spoke with Leclercq earlier today to find out more about the new album and the personal nature of the music.
"We've been working on the album for quite a while," he began. "The previous one, Repulsion for Humanity, came out in 2018, and a lot happened in the meantime, so it's been a while, but we released a single a few weeks ago, and it's good to see that the reaction has been good. Throughout the years like it seems like people didn't forget about us, so it's good."
We asked Leclercq to dive deeper into In Devastation musically.
"I think the first album was a lot closer to death metal, like paying tribute to the genre," he measured. "The second album was angry and incorporated more elements of Pantera; a bit more groove and whatnot, and for this one I started writing a good portion of the music in 2019 and there was no there was no agenda in the sense that I just wanted to write music without saying it has to be like this or be like that. There was no limitations. The base would be death metal, but then add whatever I wanted to. Because, why not?"
In the full interview, Frédéric highlighted In Devastation's emotional depth and some new sonic elements, including clean vocals and instruments such as sitar and cello, while maintaining its death metal roots.
We discussed the emotional feelings of playing such personal songs live and the impactful nature of the music, why the album title track was released as the first single, new drummer Andre Joyzi and what he brings to Sinsaenum, the importance of welcoming someone that has had past experience and connection with the band, with Joyzi having been Joey Jordison's personal drum tech, touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66588401Tue, 17 Jun 2025 09:27:24 +0000HEAVY MagazineInterview by Kris Peters Much has changed in the Sinsaenum camp since the release of Repulsion for Humanity in 2018, with the loss of drummer Joey Jordison central to the personal tragedy, which was compounded by the loss of guitarist and founding...Much has changed in the Sinsaenum camp since the release of Repulsion for Humanity in 2018, with the loss of drummer Joey Jordison central to the personal tragedy, which was compounded by the loss of guitarist and founding member Frédéric Leclercq's father as well.
It has been a tumultuous period for the band, who rightfully took their time with their third album, but the results have seen the extreme metal supergroup of sorts produce what is arguably their finest body of work to date with In Devastation, which will be unleashed on August 8.
Joining Leclercq on this latest chapter are returning members Attila Csihar (Mayhem), Sean Zatorsky (Dååth), Stéphane Buriez (Loudblast), and Heimoth (Seth). Stepping in behind the kit is Andre Joyzi, formerly Jordison’s drum tech and a trusted member of the band’s touring family - chosen not only for his skills, but for the emotional connection he brings to continuing Jordison’s legacy.
HEAVY spoke with Leclercq earlier today to find out more about the new album and the personal nature of the music.
"We've been working on the album for quite a while," he began. "The previous one, Repulsion for Humanity, came out in 2018, and a lot happened in the meantime, so it's been a while, but we released a single a few weeks ago, and it's good to see that the reaction has been good. Throughout the years like it seems like people didn't forget about us, so it's good."
We asked Leclercq to dive deeper into In Devastation musically.
"I think the first album was a lot closer to death metal, like paying tribute to the genre," he measured. "The second album was angry and incorporated more elements of Pantera; a bit more groove and whatnot, and for this one I started writing a good portion of the music in 2019 and there was no there was no agenda in the sense that I just wanted to write music without saying it has to be like this or be like that. There was no limitations. The base would be death metal, but then add whatever I wanted to. Because, why not?"
In the full interview, Frédéric highlighted In Devastation's emotional depth and some new sonic elements, including clean vocals and instruments such as sitar and cello, while maintaining its death metal roots.
We discussed the emotional feelings of playing such personal songs live and the impactful nature of the music, why the album title track was released as the first single, new drummer Andre Joyzi and what he brings to Sinsaenum, the importance of welcoming someone that has had past experience and connection with the band, with Joyzi having been Joey Jordison's personal drum tech, touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1372album,andrejoyzi,deathmetal,fredericleclercq,heavy,heavymetal,indevastation,joeyjordison,krispeters,music,musicinterview,musicpodcast,sinsaenumtruefullhttps://www.spreaker.com/episode/a-skylit-drive-returns-michael-jagmin-talks-australia-underrated-songs-and-diy-life--66547949After more than a decade, A Skylit Drive is set to return to Australian stages this November—and frontman Michael “Jag” Jagmin couldn’t be more excited. Speaking from the sweltering heat of Texas, Jagmin reflects on what he remembers from the band’s first trip Down Under and what fans can expect this time around.
“It’s been so long, it almost feels like going back for the first time again,” Jagmin shares. While he admits the memories are a bit foggy, he recalls the tour as “gruelling but rewarding,” full of unforgettable shows, unique cities, and classic Aussie experiences like seeing kangaroos and cuddling koalas.
Joining forces on tour with Scary Kids Scaring Kids, Jagmin looks forward to reconnecting with some familiar faces—and making new friends. While no on-stage collaborations are confirmed, fans can expect an energetic, wide-ranging set list that spans the band's entire catalogue. “Old fans, new fans—everyone’s going to hear something they love,” he promises.
One song he still thinks deserves more attention? X Marks the Spot from Identity on Fire. “I thought it was going to be one of the biggest tracks on that album,” he says. Despite being overshadowed by hits like Too Little Too Late, it remains a personal favourite.
When he’s not writing or performing, Jagmin finds joy in DIY home projects. “Ten years ago, I didn’t have a handy bone in my body,” he laughs. “Now I’m building things around the house and actually know what I’m doing.”
He also opened up about vocal warmups and the evolution of his approach to singing. Once a stranger to technique, Jagmin now relies on modern tools like vocal nebulizers and straw exercises, crediting his vocal longevity to a deeper understanding of muscle control.
As for new music? Jagmin confirms the band is working hard behind the scenes. “We’re putting a new face to the name,” he says.
Whether it’s nostalgia, new material, or just a chance to see the post-hardcore icons back in action, A Skylit Drive’s return to Australia is one not to miss.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66547949Mon, 16 Jun 2025 10:54:25 +0000HEAVY MagazineInterview by Angela Croudace After more than a decade, A Skylit Drive is set to return to Australian stages this November—and frontman Michael “Jag” Jagmin couldn’t be more excited. Speaking from the sweltering heat of Texas, Jagmin reflects on what...After more than a decade, A Skylit Drive is set to return to Australian stages this November—and frontman Michael “Jag” Jagmin couldn’t be more excited. Speaking from the sweltering heat of Texas, Jagmin reflects on what he remembers from the band’s first trip Down Under and what fans can expect this time around.
“It’s been so long, it almost feels like going back for the first time again,” Jagmin shares. While he admits the memories are a bit foggy, he recalls the tour as “gruelling but rewarding,” full of unforgettable shows, unique cities, and classic Aussie experiences like seeing kangaroos and cuddling koalas.
Joining forces on tour with Scary Kids Scaring Kids, Jagmin looks forward to reconnecting with some familiar faces—and making new friends. While no on-stage collaborations are confirmed, fans can expect an energetic, wide-ranging set list that spans the band's entire catalogue. “Old fans, new fans—everyone’s going to hear something they love,” he promises.
One song he still thinks deserves more attention? X Marks the Spot from Identity on Fire. “I thought it was going to be one of the biggest tracks on that album,” he says. Despite being overshadowed by hits like Too Little Too Late, it remains a personal favourite.
When he’s not writing or performing, Jagmin finds joy in DIY home projects. “Ten years ago, I didn’t have a handy bone in my body,” he laughs. “Now I’m building things around the house and actually know what I’m doing.”
He also opened up about vocal warmups and the evolution of his approach to singing. Once a stranger to technique, Jagmin now relies on modern tools like vocal nebulizers and straw exercises, crediting his vocal longevity to a deeper understanding of muscle control.
As for new music? Jagmin confirms the band is working hard behind the scenes. “We’re putting a new face to the name,” he says.
Whether it’s nostalgia, new material, or just a chance to see the post-hardcore icons back in action, A Skylit Drive’s return to Australia is one not to miss.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1231angelacroudace,askylitdrive,australia,heavy,music,musicinterviews,musicpodcast,rock,scarykidsscaringkids,thephoenix,tourtruefullhttps://www.spreaker.com/episode/bringing-brutality-to-the-table-with-chris-from-hebephrenique--66544239From the fractured depths of Australia’s extreme metal underground emerges Hebephrenique, a sonic entity conjured to annihilate the boundaries between chaos and control. Rooted in a volatile blend of death metal and blackened dissonance, Hebephrenique deliver auditory psychosis with surgical precision and unrelenting ferocity.
Formed to embody the fractured psyche of the modern world, Hebephrenique channels themes of mental decay, institutional horror, and existential collapse through relentless blastbeats, jagged riffs, and unhinged vocal torment. Unapologetically raw yet technically calculated, Hebephrenique are not here to entertain—they're here to rupture minds. In 2023, they inflicted their debut EP Non Compos Mentis upon the masses, and with a debut album due in 2025, prepare for the sonic depravity.
With Hebephrenique one of 30 bands at Necrosonic Festival 2025 playing over three stages at the Mansfield Tavern on August 23 - joining Portal, Bolzer, Abramelin, Beanflepper, Frankenbok, Alarum, Massic, DaysEnd and more - HEAVY caught up with frontman Chris to find out more.
"We're really, really excited," he beamed when we asked how the band are feeling about Necrosonic 2025. "We actually got asked to play last year, and unfortunately, just with scheduling, we couldn't make it happen, and luckily we got to do it this year. We're actually bringing in our debut album this time around with us, so we get to play some live songs that have never been played before, which is really exciting."
In the full interview, Chris expressed excitement about the festival's strong line up and reflected on the previous year's success while emphasizing the importance of showcasing Australian talent. He acknowledged the efforts of Kent, the festival organizer, in coordinating the event with 30 bands. He also discussed Hebephrenique's musical style, which combines early Black Death Metal with themes of mental health, and highlighted the differences between their new album, set for release on August 23, and their 2023 EP Non Compos Mentis.
We spoke about the band's brutal live shows and what to expect and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66544239Fri, 13 Jun 2025 07:22:00 +0000HEAVY MagazineInterview by Kris Peters From the fractured depths of Australia’s extreme metal underground emerges Hebephrenique, a sonic entity conjured to annihilate the boundaries between chaos and control. Rooted in a volatile blend of death metal and blackened...From the fractured depths of Australia’s extreme metal underground emerges Hebephrenique, a sonic entity conjured to annihilate the boundaries between chaos and control. Rooted in a volatile blend of death metal and blackened dissonance, Hebephrenique deliver auditory psychosis with surgical precision and unrelenting ferocity.
Formed to embody the fractured psyche of the modern world, Hebephrenique channels themes of mental decay, institutional horror, and existential collapse through relentless blastbeats, jagged riffs, and unhinged vocal torment. Unapologetically raw yet technically calculated, Hebephrenique are not here to entertain—they're here to rupture minds. In 2023, they inflicted their debut EP Non Compos Mentis upon the masses, and with a debut album due in 2025, prepare for the sonic depravity.
With Hebephrenique one of 30 bands at Necrosonic Festival 2025 playing over three stages at the Mansfield Tavern on August 23 - joining Portal, Bolzer, Abramelin, Beanflepper, Frankenbok, Alarum, Massic, DaysEnd and more - HEAVY caught up with frontman Chris to find out more.
"We're really, really excited," he beamed when we asked how the band are feeling about Necrosonic 2025. "We actually got asked to play last year, and unfortunately, just with scheduling, we couldn't make it happen, and luckily we got to do it this year. We're actually bringing in our debut album this time around with us, so we get to play some live songs that have never been played before, which is really exciting."
In the full interview, Chris expressed excitement about the festival's strong line up and reflected on the previous year's success while emphasizing the importance of showcasing Australian talent. He acknowledged the efforts of Kent, the festival organizer, in coordinating the event with 30 bands. He also discussed Hebephrenique's musical style, which combines early Black Death Metal with themes of mental health, and highlighted the differences between their new album, set for release on August 23, and their 2023 EP Non Compos Mentis.
We spoke about the band's brutal live shows and what to expect and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>455australia,deathmetal,extrememetal,heavy,heavymetal,hebephrenique,krispeters,mansfieldtavern,music,musicfestival,musicinterview,musicpodcast,necrosonicfestivaltruefullhttps://www.spreaker.com/episode/merging-musical-past-and-present-with-josh-larkin-from-the-whiskeys--66493127Tweed Heads rock outfit The Whiskeys are a time bomb waiting to go off.
After a number of years honing their skills, mainly by playing a bunch of live shows, the double-edged sword of Benny Whiskey (guitar, vocals)and Josh Larkin (drums) are now in the final stages of getting ready to unleash their debut EP Old Soul Young Blood on the world.
The EP cycle began in February 2024 when The Whiskeys premiered their very first single, Hoedown, through HEAVY, and after a highly promising start, it seemed as though the Metal Gods had claimed yet another victim when more than 12 months passed without a follow-up single.
But there was much more happening behind the scenes than the band's lack of releasing more music implied.
Instead of rushing things out and hoping for interest, The Whiskeys elected to play the long game, plugging away on the live circuit and fine-tuning their songs so that when they finally come out on June 20, they are given the best possible chance of invading the earholes of as many people as possible.
After being privy to an advance listen, HEAVY can assure you the wait has been more than worth it, with Lankin joining us earlier this week for a chat about the past, present and future of The Whiskeys.
"We recorded this close to two years ago," he admitted, "and we've been sitting on it. We released one track already - Hoedown - which we're really happy with. We've got good feedback from that, and we're just ready to do the EP now. As life gets in the way and things happen and time just goes pretty fast, so we were like, we better drop this thing (laughs). We just made a decision, and the time is now, next Friday."
We asked Larkin to dive into the musical nature of the EP.
"We wanted to pay homage to some old school vibe," he smiled. "Like a bit of old soul, young blood, which is the name of the EP. We wanted to hark back to the 70s and the 60s, Hendrix, Bob Dylan, and just all the vibe that just gives modern rock its soul. We just tried to dig deep into that and bring all our influences, which comes from the modern punk rock and hardcore era. Then we just threw it in a pot and served it up (laughs)."
In the full interview, Josh shared insights into the creative process of The Whiskeys music, noting the blend of musical influences and the challenges of balancing genres while maintaining their unique sound.
We reviewed the EP's tracks one at a time, highlighting the energetic Hoedown, the blues-influenced Places, and the catchy Break Away, with Josh affirming their goal of creating an engaging atmosphere. We discussed the intro and outro pieces and their intended effect, as well as upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66493127Fri, 13 Jun 2025 06:45:34 +0000HEAVY MagazineInterview by Kris Peters Tweed Heads rock outfit The Whiskeys are a time bomb waiting to go off. After a number of years honing their skills, mainly by playing a bunch of live shows, the double-edged sword of Benny Whiskey (guitar, vocals)and Josh...Tweed Heads rock outfit The Whiskeys are a time bomb waiting to go off.
After a number of years honing their skills, mainly by playing a bunch of live shows, the double-edged sword of Benny Whiskey (guitar, vocals)and Josh Larkin (drums) are now in the final stages of getting ready to unleash their debut EP Old Soul Young Blood on the world.
The EP cycle began in February 2024 when The Whiskeys premiered their very first single, Hoedown, through HEAVY, and after a highly promising start, it seemed as though the Metal Gods had claimed yet another victim when more than 12 months passed without a follow-up single.
But there was much more happening behind the scenes than the band's lack of releasing more music implied.
Instead of rushing things out and hoping for interest, The Whiskeys elected to play the long game, plugging away on the live circuit and fine-tuning their songs so that when they finally come out on June 20, they are given the best possible chance of invading the earholes of as many people as possible.
After being privy to an advance listen, HEAVY can assure you the wait has been more than worth it, with Lankin joining us earlier this week for a chat about the past, present and future of The Whiskeys.
"We recorded this close to two years ago," he admitted, "and we've been sitting on it. We released one track already - Hoedown - which we're really happy with. We've got good feedback from that, and we're just ready to do the EP now. As life gets in the way and things happen and time just goes pretty fast, so we were like, we better drop this thing (laughs). We just made a decision, and the time is now, next Friday."
We asked Larkin to dive into the musical nature of the EP.
"We wanted to pay homage to some old school vibe," he smiled. "Like a bit of old soul, young blood, which is the name of the EP. We wanted to hark back to the 70s and the 60s, Hendrix, Bob Dylan, and just all the vibe that just gives modern rock its soul. We just tried to dig deep into that and bring all our influences, which comes from the modern punk rock and hardcore era. Then we just threw it in a pot and served it up (laughs)."
In the full interview, Josh shared insights into the creative process of The Whiskeys music, noting the blend of musical influences and the challenges of balancing genres while maintaining their unique sound.
We reviewed the EP's tracks one at a time, highlighting the energetic Hoedown, the blues-influenced Places, and the catchy Break Away, with Josh affirming their goal of creating an engaging atmosphere. We discussed the intro and outro pieces and their intended effect, as well as upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>903blues,ep,hardrock,heavy,heavymetal,krispeters,music,musicinterview,musicpodcast,rock,thewhiskeystruefullhttps://www.spreaker.com/episode/beyond-the-abyss-with-lee-jennings-from-the-funeral-portrait--66494568The Funeral Portrait have always been true champions for the underdog; the outcasts of society who are struggling to find their identity or be accepted in a world that is often harsh and judgmental.
Their musical world is one of acceptance and unequivocal belonging, with a flair for the theatrical and a need for unity.
In little over a decade, The Funeral Portrait have steadily ploughed through the ranks, loudly going about their business with an air of defiant arrogance that only comes from a band who know they have something special.
Since joining forces with Better Noise Music for last year's smash hit album Greetings From Suffocate City, The Funeral Portrait have become one of the most in-demand bands on the planet, touring with Ice Nine Kills, Five Finger Death Punch, Marilyn Manson and more to solidify their obvious potential. The campaign cycle for that album began long before its release, with attention to even the smallest details providing a solid platform from which the band launched their global assault.
Greetings From Suffocate City expanded the group’s mythology to new heights and dimensions with invigorating, authentic, and passionate anthems. Songs like Alien, Voodoo Doll, You’re So Ugly When You Cry (featuring The Used’s Bert McCracken), and the title track (featuring Spencer Charnas of Ice Nine Kills) have forced the world to stand up and notice, culminating in the release on June 13 of GREETINGS FROM SUFFOCATE CITY - FROM BEYOND THE ABYSS: DELUXE EDITION. The updated release contains 24 songs, including tracks from the CASSANOVA EP and the FROM BEYOND THE ABYSS EP, as well as the recently released versions of Holy Water feat. Ivan Moody of Five Finger Death Punch, Hearse for Two feat. Lilith Czar and three brand new songs: Skinny Lies, Evergreen, and Lost Boy.
The album that was originally released September 13, 2024 via Better Noise Music, consisted of 14 tracks of theatrical, dramatic, unapologetic, full-throated flair with guest appearances from Bert McCracken of The Used, Spencer Charnas of Ice Nine Kills, Danny Worsnop of Asking Alexandria and Amanda Lyberg of Eva Under Fire. It was - and is - a remarkable album from a band only now starting to find their musical identity, and looks set to reach a new generation of ears with the deluxe edition on offer this week.
HEAVY caught up with frontman Lee Jennings on one of his rare down days to force him to talk shop. We ask him about the response to Greetings From Suffocate City and if it was what they were hoping for.
"Completely, yes," he nodded. "I think at first we had been building fans along the way. So it was definitely a cool stretch at the beginning. But I think the better part is what we're building now. We're still supporting some huge tours, and it's growing every single day. Every day, we're selling copies at the merch table or online. You can go to your local record store a lot of the time and get it. And for us, it's about that growth. It's not about that direct, right when it's out, everybody's freaking out about it. To me, it's about the build. And I feel like what we're building towards is this next record that I hope that will be more that moment of like, oh, the new Funeral Portrait record is coming out. I'm very excited for that instead of right now. We're in discovery mode still now, I think, is the easiest way to say."
In the full interview, Lee discussed the upcoming release of the deluxe edition of Greetings From Suffocate City - scheduled for June 13 - reflecting on the five-year journey of creating the original album, which was impacted by the pandemic and other factors. Lee expressed enthusiasm for the new songs on the deluxe edition, particularly Skinny Lies and Evergreen, which tackle personal themes and mental health, and explained the inclusion of both original and guest versions of certain tracks to showcase the band's creative evolution. We also explored the role of guest features in modern rock music, with Lee open to collaborations across genres, emphasizing a process that allows guest artists to contribute while maintaining the song's essence.
We spoke about The Funeral Portrait's touring schedule, how they integrate the new songs into live performances, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66494568Thu, 12 Jun 2025 06:00:44 +0000HEAVY MagazineInterview by Kris Peters The Funeral Portrait have always been true champions for the underdog; the outcasts of society who are struggling to find their identity or be accepted in a world that is often harsh and judgmental. Their musical world is one...The Funeral Portrait have always been true champions for the underdog; the outcasts of society who are struggling to find their identity or be accepted in a world that is often harsh and judgmental.
Their musical world is one of acceptance and unequivocal belonging, with a flair for the theatrical and a need for unity.
In little over a decade, The Funeral Portrait have steadily ploughed through the ranks, loudly going about their business with an air of defiant arrogance that only comes from a band who know they have something special.
Since joining forces with Better Noise Music for last year's smash hit album Greetings From Suffocate City, The Funeral Portrait have become one of the most in-demand bands on the planet, touring with Ice Nine Kills, Five Finger Death Punch, Marilyn Manson and more to solidify their obvious potential. The campaign cycle for that album began long before its release, with attention to even the smallest details providing a solid platform from which the band launched their global assault.
Greetings From Suffocate City expanded the group’s mythology to new heights and dimensions with invigorating, authentic, and passionate anthems. Songs like Alien, Voodoo Doll, You’re So Ugly When You Cry (featuring The Used’s Bert McCracken), and the title track (featuring Spencer Charnas of Ice Nine Kills) have forced the world to stand up and notice, culminating in the release on June 13 of GREETINGS FROM SUFFOCATE CITY - FROM BEYOND THE ABYSS: DELUXE EDITION. The updated release contains 24 songs, including tracks from the CASSANOVA EP and the FROM BEYOND THE ABYSS EP, as well as the recently released versions of Holy Water feat. Ivan Moody of Five Finger Death Punch, Hearse for Two feat. Lilith Czar and three brand new songs: Skinny Lies, Evergreen, and Lost Boy.
The album that was originally released September 13, 2024 via Better Noise Music, consisted of 14 tracks of theatrical, dramatic, unapologetic, full-throated flair with guest appearances from Bert McCracken of The Used, Spencer Charnas of Ice Nine Kills, Danny Worsnop of Asking Alexandria and Amanda Lyberg of Eva Under Fire. It was - and is - a remarkable album from a band only now starting to find their musical identity, and looks set to reach a new generation of ears with the deluxe edition on offer this week.
HEAVY caught up with frontman Lee Jennings on one of his rare down days to force him to talk shop. We ask him about the response to Greetings From Suffocate City and if it was what they were hoping for.
"Completely, yes," he nodded. "I think at first we had been building fans along the way. So it was definitely a cool stretch at the beginning. But I think the better part is what we're building now. We're still supporting some huge tours, and it's growing every single day. Every day, we're selling copies at the merch table or online. You can go to your local record store a lot of the time and get it. And for us, it's about that growth. It's not about that direct, right when it's out, everybody's freaking out about it. To me, it's about the build. And I feel like what we're building towards is this next record that I hope that will be more that moment of like, oh, the new Funeral Portrait record is coming out. I'm very excited for that instead of right now. We're in discovery mode still now, I think, is the easiest way to say."
In the full interview, Lee discussed the upcoming release of the deluxe edition of Greetings From Suffocate City - scheduled for June 13 - reflecting on the five-year journey of creating the original album, which was impacted by the pandemic and other factors. Lee expressed enthusiasm for the new songs on the deluxe edition, particularly Skinny Lies and Evergreen, which tackle personal themes and mental health, and explained the inclusion of both original and guest versions of certain tracks to showcase the band's creative evolution. We also explored...]]>1159album,betternoisemusic,emorock,greetingsfromsuffocatecity,hardrock,heavy,krispeters,leejennings,music,musicinterview,musicpodcast,rock,thefuneralportraittruefullhttps://www.spreaker.com/episode/smashing-it-out-of-the-park-with-babybeard--66490742Heavy Metal and J-Pop are two genres which, for all intents and purposes, should not be joined in sonic matrimony, but try telling that to Australian-born Japanese sensation Ladybeard and the two girls who make up Babybeard.
Since 2020, the powerful trio has existed in some form or another, spearheaded throughout by wrestler turned DJ turned vocalist Ladybeard, who brings not only a sense of danger to the group, but also an abundance of energy and fun that has seen their music transcend barriers the world over. Children who have never liked metal before suddenly think it's cool because Babybeard do it, and on the other side of the fence, metalheads who would have previously been embarrassed for anyone to witness them listening to J-Pop now have a legitimate reason due to the two worlds colliding.
It is a brand of music that unites genres and defies expectations, all wrapped in a pretty pink bow and pigtails. Sound strange? Well, take a listen and tell me I'm wrong…
After decimating Australian audiences in 2024 with their Adorable Assault On Australia tour, Babybeard return to reclaim their throne with a special one-off performance at SMASH Convention 2025 in Sydney over July 12 and 13. Spread over the weekend, Babybeard will be doing a showcase performance as well as a meet and greet question time, along the way ushering in brand new trainee member Mizuki, who is not only performing with Babybeard for the first time in Australia, will also be making her international performing debut of any kind.
As long-time friends of HEAVY, when we found out Babybeard were coming Down Under once more, we harassed Ladybeard until he agreed to an interview, with the effervescent frontman once again providing a plethora of delights.
"There's something for everybody," Ladybeard promised. "There's drama, there's tragedy, there's comedy, there's no romance. But, you know, apart from that, there's something for absolutely everyone."
When talk turns to last year's tour, Ladybeard reveals something totally unexpected.
"Last year in Sydney - for the first time ever - we had a wall of death at one of our shows," he laughed. "It was awesome. It was our first show in Sydney, again, it was a weeknight, so it was not the biggest show that we had. But we're there, we're leading into the last song, and there had just been a shoey, so the stage is wet and everyone was feeling frivolous, and as I was just introducing the last song, someone in the audience yells out, 'wall of death!' So we're like, okay, if you guys want to. The girls have never seen a wall of death before because in Japan, we do shows for idol fans, right? So that was their first ever wall of death. It was interesting because there was a bunch of loose chairs on the floor, so it was a pretty dangerous wall of death, but they got through it."
In the full interview, Ladybeard reflected on their previous tour in Australia, sharing memorable experiences and expressing excitement about returning to connect with fans. The conversation highlighted the unique blend of Japanese pop and heavy metal in their music, emphasizing the importance of creating a community atmosphere during performances that encourages audience participation.
We spoke about the live show and what to expect, the drafting of Mizuki into the band, their expectations of Australian crowds, how blending heavy metal and Japanese pop is accepted in Japan, milking Kangaroos and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66490742Tue, 10 Jun 2025 09:52:51 +0000HEAVY MagazineInterview by Kris Peters Heavy Metal and J-Pop are two genres which, for all intents and purposes, should not be joined in sonic matrimony, but try telling that to Australian-born Japanese sensation Ladybeard and the two girls who make up Babybeard....Heavy Metal and J-Pop are two genres which, for all intents and purposes, should not be joined in sonic matrimony, but try telling that to Australian-born Japanese sensation Ladybeard and the two girls who make up Babybeard.
Since 2020, the powerful trio has existed in some form or another, spearheaded throughout by wrestler turned DJ turned vocalist Ladybeard, who brings not only a sense of danger to the group, but also an abundance of energy and fun that has seen their music transcend barriers the world over. Children who have never liked metal before suddenly think it's cool because Babybeard do it, and on the other side of the fence, metalheads who would have previously been embarrassed for anyone to witness them listening to J-Pop now have a legitimate reason due to the two worlds colliding.
It is a brand of music that unites genres and defies expectations, all wrapped in a pretty pink bow and pigtails. Sound strange? Well, take a listen and tell me I'm wrong…
After decimating Australian audiences in 2024 with their Adorable Assault On Australia tour, Babybeard return to reclaim their throne with a special one-off performance at SMASH Convention 2025 in Sydney over July 12 and 13. Spread over the weekend, Babybeard will be doing a showcase performance as well as a meet and greet question time, along the way ushering in brand new trainee member Mizuki, who is not only performing with Babybeard for the first time in Australia, will also be making her international performing debut of any kind.
As long-time friends of HEAVY, when we found out Babybeard were coming Down Under once more, we harassed Ladybeard until he agreed to an interview, with the effervescent frontman once again providing a plethora of delights.
"There's something for everybody," Ladybeard promised. "There's drama, there's tragedy, there's comedy, there's no romance. But, you know, apart from that, there's something for absolutely everyone."
When talk turns to last year's tour, Ladybeard reveals something totally unexpected.
"Last year in Sydney - for the first time ever - we had a wall of death at one of our shows," he laughed. "It was awesome. It was our first show in Sydney, again, it was a weeknight, so it was not the biggest show that we had. But we're there, we're leading into the last song, and there had just been a shoey, so the stage is wet and everyone was feeling frivolous, and as I was just introducing the last song, someone in the audience yells out, 'wall of death!' So we're like, okay, if you guys want to. The girls have never seen a wall of death before because in Japan, we do shows for idol fans, right? So that was their first ever wall of death. It was interesting because there was a bunch of loose chairs on the floor, so it was a pretty dangerous wall of death, but they got through it."
In the full interview, Ladybeard reflected on their previous tour in Australia, sharing memorable experiences and expressing excitement about returning to connect with fans. The conversation highlighted the unique blend of Japanese pop and heavy metal in their music, emphasizing the importance of creating a community atmosphere during performances that encourages audience participation.
We spoke about the live show and what to expect, the drafting of Mizuki into the band, their expectations of Australian crowds, how blending heavy metal and Japanese pop is accepted in Japan, milking Kangaroos and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>964australia,babybeard,heavy,heavymetal,jpop,krispeters,ladybeard,music,musicinterview,musicpodcast,smashconvention2025,tourfalsefullhttps://www.spreaker.com/episode/reflecting-on-human-nature-with-nigel-burk-from-carsex--66471633Forged from the survivors of Long Beach bands Damned Age, Black Velvet Brigade and Red River Massacre in 2018, Carsex pull no punches when they come to their sound, name or influences.
After crossing paths many a time on the local circuit in Orange County, the five music veterans gradually built a sonic relationship that has become a live force, with Carsex releasing their self-titled effort in 2019 and the EP 2020 the following year.
It has been a long five-year wait for fans of the band to hear a new body of work, which has now been rectified with the release of the seven-track EP Human Interest last week.
HEAVY caught up with frontman Nigel Burk to talk more.
"This one is our third EP," he offered, "and is definitely our strongest effort I feel, just out of the development of the band over the years and everything. I feel like we're as much a part of each other as we can be."
"So I feel like this one is probably the first one that is 100 per cent genuine, just straight from all of us as a unit. And yeah, we're super stoked on it. The basic idea… a lot of our material goes through a pretty wide variety of subjects - and lightly touches on politics to a certain degree - but I wouldn't say that much. Just really like the human condition as a broad explanation. Sometimes it's a little difficult for me to explain exactly what certain songs or the idea of the band is about, because I like for the audience to experience it for themselves. I feel like our presentation is more up for perception or subjective to the listener, because it is for us as well. It means something different to all of the band members individually as well."
In the full interview, Nigel highlighted several tracks, including Sitting Ducks, addressing societal issues, and Fuck This, which explores personal struggles. He shared the inspiration behind Landmine, stemming from a personal tragedy, and discussed DKC, which reflects on school shootings.
He also mentioned Stella, a hopeful song that encapsulates a journey of acceptance. The band’s live performance style has developed over their years together, and they are preparing for their EP launch at The Vine in Long Beach, while also planning a small tour later in the year after a brief hiatus for their drummer's surgery. We ran through the seven EP tracks individually and found out their intended meaning and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66471633Mon, 09 Jun 2025 13:14:28 +0000HEAVY MagazineInterview by Kris Peters Forged from the survivors of Long Beach bands Damned Age, Black Velvet Brigade and Red River Massacre in 2018, Carsex pull no punches when they come to their sound, name or influences. After crossing paths many a time on the...Forged from the survivors of Long Beach bands Damned Age, Black Velvet Brigade and Red River Massacre in 2018, Carsex pull no punches when they come to their sound, name or influences.
After crossing paths many a time on the local circuit in Orange County, the five music veterans gradually built a sonic relationship that has become a live force, with Carsex releasing their self-titled effort in 2019 and the EP 2020 the following year.
It has been a long five-year wait for fans of the band to hear a new body of work, which has now been rectified with the release of the seven-track EP Human Interest last week.
HEAVY caught up with frontman Nigel Burk to talk more.
"This one is our third EP," he offered, "and is definitely our strongest effort I feel, just out of the development of the band over the years and everything. I feel like we're as much a part of each other as we can be."
"So I feel like this one is probably the first one that is 100 per cent genuine, just straight from all of us as a unit. And yeah, we're super stoked on it. The basic idea… a lot of our material goes through a pretty wide variety of subjects - and lightly touches on politics to a certain degree - but I wouldn't say that much. Just really like the human condition as a broad explanation. Sometimes it's a little difficult for me to explain exactly what certain songs or the idea of the band is about, because I like for the audience to experience it for themselves. I feel like our presentation is more up for perception or subjective to the listener, because it is for us as well. It means something different to all of the band members individually as well."
In the full interview, Nigel highlighted several tracks, including Sitting Ducks, addressing societal issues, and Fuck This, which explores personal struggles. He shared the inspiration behind Landmine, stemming from a personal tragedy, and discussed DKC, which reflects on school shootings.
He also mentioned Stella, a hopeful song that encapsulates a journey of acceptance. The band’s live performance style has developed over their years together, and they are preparing for their EP launch at The Vine in Long Beach, while also planning a small tour later in the year after a brief hiatus for their drummer's surgery. We ran through the seven EP tracks individually and found out their intended meaning and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1395carsex,ep,hardrock,heavy,humaninterest,interview,krispeters,longbeach,music,musicinterview,musicpodcast,nigelburk,podcast,punk,rocktruefullhttps://www.spreaker.com/episode/baring-your-scars-with-limberlost--66471117Fusing modern rock with classic undertones, American rock outfit Limberlost bring together the best of two worlds to create a powerful and infectious sonic palette that transcends the underlying barriers that separate the old from the new.
Known for their anthemic sound, raw energy, and emotionally charged storytelling, the band create music that resonates with fans of classic rock legends and contemporary rock revivalists alike. Their songs capture themes of strength, resilience, and empowerment, making them a force in the rock scene.
Featuring two captivating, classically trained and accomplished opera singers in Brittany Lauren and Sammie Gorham, Limberlost have also just added guitarist Devon Unger on lead guitar and bass player Steve Unger (Metal Church), further expanding their musical influences while simultaneously strengthening their engine room.
The band are poised to release their dynamic new album Beautiful Scars on June 13, with the whole band - including drummer Mike Burt and keyboardist Anthony Ciarochi, but excluding Gorham - joining HEAVY for an entertaining chat from their home base.
"It's been like getting ready to give birth," laughed Burt. "I mean, we've been cultivating this thing since last November, getting ready to be exactly where we are."
We ask the band to tell us more about the musical nature of Beautiful Scars.
"Beautiful Scars was so much fun," Lauren enthused, "because it's a concept album. It takes on the Japanese art form of Kintsugi, which is an art form of repair, where, when a piece of pottery is shattered, they will repair it using gold. And so it becomes more beautiful because it was broken. So we took this and used it as an analogy to a person and how a person goes through their life, and they get all these scars, or they get these certain things. People make a lot of memes about it, but what if we made it mean that it made you more beautiful, and what if this is like coming to terms with who you are? So the whole concept of the album is that, and then what's cool is that Limberlost ended up kind of living that. We broke up, and then we got pieced together with some gold here, and we're making it work. It starts with Alien, and you'll hear lyrics that give you a sense of dysphoria about not feeling safe or feeling alien, and then it moves into just recognition of who you are."
In the full interview, we dove deeper into the conceptual nature of Beautiful Scars, what they were going for musically and how it differs from Limberlost's previous work.
The band acknowledged the challenge of balancing their diverse influences while evolving their sound to appeal to a broader audience and delved into the dynamics of having two female lead vocalists, reflecting on their classical training and how it has shaped their musical journey. The integration of new members Steve and Devon was discussed, with both expressing excitement about the album and upcoming live performances. The chat concluded with information on how fans can access Limberlost's music and exclusive content, as well as their plans for future performances, including aspirations to perform in Australia and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66471117Mon, 09 Jun 2025 12:19:50 +0000HEAVY MagazineInterview by Kris Peters Fusing modern rock with classic undertones, American rock outfit Limberlost bring together the best of two worlds to create a powerful and infectious sonic palette that transcends the underlying barriers that separate the old...Fusing modern rock with classic undertones, American rock outfit Limberlost bring together the best of two worlds to create a powerful and infectious sonic palette that transcends the underlying barriers that separate the old from the new.
Known for their anthemic sound, raw energy, and emotionally charged storytelling, the band create music that resonates with fans of classic rock legends and contemporary rock revivalists alike. Their songs capture themes of strength, resilience, and empowerment, making them a force in the rock scene.
Featuring two captivating, classically trained and accomplished opera singers in Brittany Lauren and Sammie Gorham, Limberlost have also just added guitarist Devon Unger on lead guitar and bass player Steve Unger (Metal Church), further expanding their musical influences while simultaneously strengthening their engine room.
The band are poised to release their dynamic new album Beautiful Scars on June 13, with the whole band - including drummer Mike Burt and keyboardist Anthony Ciarochi, but excluding Gorham - joining HEAVY for an entertaining chat from their home base.
"It's been like getting ready to give birth," laughed Burt. "I mean, we've been cultivating this thing since last November, getting ready to be exactly where we are."
We ask the band to tell us more about the musical nature of Beautiful Scars.
"Beautiful Scars was so much fun," Lauren enthused, "because it's a concept album. It takes on the Japanese art form of Kintsugi, which is an art form of repair, where, when a piece of pottery is shattered, they will repair it using gold. And so it becomes more beautiful because it was broken. So we took this and used it as an analogy to a person and how a person goes through their life, and they get all these scars, or they get these certain things. People make a lot of memes about it, but what if we made it mean that it made you more beautiful, and what if this is like coming to terms with who you are? So the whole concept of the album is that, and then what's cool is that Limberlost ended up kind of living that. We broke up, and then we got pieced together with some gold here, and we're making it work. It starts with Alien, and you'll hear lyrics that give you a sense of dysphoria about not feeling safe or feeling alien, and then it moves into just recognition of who you are."
In the full interview, we dove deeper into the conceptual nature of Beautiful Scars, what they were going for musically and how it differs from Limberlost's previous work.
The band acknowledged the challenge of balancing their diverse influences while evolving their sound to appeal to a broader audience and delved into the dynamics of having two female lead vocalists, reflecting on their classical training and how it has shaped their musical journey. The integration of new members Steve and Devon was discussed, with both expressing excitement about the album and upcoming live performances. The chat concluded with information on how fans can access Limberlost's music and exclusive content, as well as their plans for future performances, including aspirations to perform in Australia and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1566album,beautifulscars,classicrock,hardrock,heavy,heavymetal,interview,krispeters,limberlost,metalchurch,modernrock,music,musicinterview,musicpodcast,podcast,rockmusic,steveungertruefullhttps://www.spreaker.com/episode/from-carnage-to-creativity-king-parrot-s-matt-young-on-tour-burnout-album-drops-and-what-s-next--66413506After 33 relentless days tearing through Europe and the UK with metal titans Pantera and Power Trip, most bands would hit pause. But not King Parrot. For frontman Matt 'Youngy' Young, the chaos of tour life was just the spark needed to kick the band’s creative machine into overdrive.
“By the end of it, we were knackered,” Young admits with a laugh. “The jet lag, the exhaustion—it was intense. But it was also one of those pinch-yourself moments. Just being there, on those stages, it was unreal.”
Now, the Aussie thrash-grind juggernaut is channelling that whirlwind experience into their latest album. On June 6, 2025, King Parrot will release A Young Person’s Guide to King Parrot—a ferocious, career-spanning collection that marks both a celebration and a reintroduction.
“It’s kind of a nod to the journey we’ve been on, but it’s also for anyone new jumping into our world,” Young explains. “We wanted to package something that really captures the essence of what King Parrot is about.”
While this upcoming release serves as a brutal sampler of their sonic legacy, the band isn't resting on their back catalogue. They're already deep into writing brand new material for a future album.
“We’ve had a month or so off after that tour, and now we’re back in the groove,” says Young. “There’s definitely another record on the horizon. We’re writing, experimenting, seeing where this next chapter takes us.”
That work ethic and raw honesty have long been King Parrot’s signature—onstage and off. Known for blistering live sets, DIY approach, and a no-bullshit attitude, the band has earned a cult following far beyond their Melbourne roots.
“You do it because you love it,” Young smiles. “But it takes a toll. Still, when you're on stage, and you feel that energy coming back at you, it’s magic. That’s why we keep pushing.”
With A Young Person’s Guide to King Parrot set to drop and fresh tracks in the works, the band shows no signs of slowing. If anything, they're more fired up than ever. “The tour lit a fire under us,” says Young. “We’re more focused, more driven. And the new stuff? It’s gonna hit hard.”
For King Parrot, the grind never stops—and that’s exactly how they like it.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66413506Fri, 06 Jun 2025 02:08:18 +0000HEAVY MagazineInterview by Angela Croudace After 33 relentless days tearing through Europe and the UK with metal titans Pantera and Power Trip, most bands would hit pause. But not King Parrot. For frontman Matt 'Youngy' Young, the chaos of tour life was just the...After 33 relentless days tearing through Europe and the UK with metal titans Pantera and Power Trip, most bands would hit pause. But not King Parrot. For frontman Matt 'Youngy' Young, the chaos of tour life was just the spark needed to kick the band’s creative machine into overdrive.
“By the end of it, we were knackered,” Young admits with a laugh. “The jet lag, the exhaustion—it was intense. But it was also one of those pinch-yourself moments. Just being there, on those stages, it was unreal.”
Now, the Aussie thrash-grind juggernaut is channelling that whirlwind experience into their latest album. On June 6, 2025, King Parrot will release A Young Person’s Guide to King Parrot—a ferocious, career-spanning collection that marks both a celebration and a reintroduction.
“It’s kind of a nod to the journey we’ve been on, but it’s also for anyone new jumping into our world,” Young explains. “We wanted to package something that really captures the essence of what King Parrot is about.”
While this upcoming release serves as a brutal sampler of their sonic legacy, the band isn't resting on their back catalogue. They're already deep into writing brand new material for a future album.
“We’ve had a month or so off after that tour, and now we’re back in the groove,” says Young. “There’s definitely another record on the horizon. We’re writing, experimenting, seeing where this next chapter takes us.”
That work ethic and raw honesty have long been King Parrot’s signature—onstage and off. Known for blistering live sets, DIY approach, and a no-bullshit attitude, the band has earned a cult following far beyond their Melbourne roots.
“You do it because you love it,” Young smiles. “But it takes a toll. Still, when you're on stage, and you feel that energy coming back at you, it’s magic. That’s why we keep pushing.”
With A Young Person’s Guide to King Parrot set to drop and fresh tracks in the works, the band shows no signs of slowing. If anything, they're more fired up than ever. “The tour lit a fire under us,” says Young. “We’re more focused, more driven. And the new stuff? It’s gonna hit hard.”
For King Parrot, the grind never stops—and that’s exactly how they like it.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2118album,angelacroudace,aussiemetal,australia,grindcore,heavy,heavymetal,interview,kingparrot,music,musicinterview,musicpodcast,podcast,tourtruefullhttps://www.spreaker.com/episode/music-passion-and-pizza-with-jordan-mcdonald-from-frankie-s-world-famous-house-band--66404142What started out as a bit of fun on a Monday night at Sydney's Frankie's Pizza back in 2012 has quickly developed into a global sensation.
Initially formed to beat Monday night boredom at the home of live music in Sydney, Frankie's World Famous House Band has grown from such humble beginnings to being a mainstay on the Australian music scene for both punters and international touring musicians.
For ten years until its sad closing in 2022, the band rocked the stage at Frankie's Pizza, along the way collecting a healthy dose of international scalps under their belt who frequented the venue just to catch a glimpse of the house band. Members of bands such as Megadeth, Steel Panther, White Snake, White Zombie and Cheap Trick have all at one time shared the stage with the house band, while they are now also an in demand gun for hire as touring bands for stars such as Tim 'Ripper' Owens who enlists their help each time he comes over.
They are a band made up of accomplished musicians, but, more importantly, people who love music, and that infectious energy night after night is one of the major reasons they survived when Frankie's fell.
This weekend sees Frankie's World Famous House Band venture outside of their home base of Sydney for a rare visit North, where they will be playing at Lefty's in Brisbane on Saturday, June 7, and Mo's Desert Clubhouse in Burleigh Heads the following night. HEAVY jumped at the chance to chat with drummer and the legend behind Frankie's Pizza, Jordan McDonald to find out more.
"Yeah, we never do this," he replied when we mentioned the fact that the band doesn't play outside of Sydney often. "We get out of town if we're the house band for a touring artist, that happens every now and then. That's kind of, I guess, the niche of the Frankie's World Famous House Band. If there's an act of cult appeal who's coming to Australia but leaving the band behind, we'll fill in and play, so we'll take that around the country. But just as us doing it our way, it's kind of a matter of policy that we never leave Sydney, so this is something different."
We question what policy could ever confine any band to one city before Jordan smiles.
"It was bred in Sydney, and it's kind of where it makes sense," he laughed. "It's part of the fabric of the zone, so we try and kind of keep it that way. But if an opportunity like this comes up - and it doesn't happen all that often - we say yes to most things. So here we are!"
In the full interview, Jordan focused on the upcoming performances of Frankie's World Famous House Band in Queensland, scheduled for June 7 and 8. He provided background on the band, emphasizing their unique position as a house band that typically does not tour outside Sydney. He highlighted their speciality in high-energy covers of classic rock songs and their collaborations with well-known artists, which have bolstered their reputation.
Jordan introduced us to the rest of the band, saying that they don't have a permanent set vocalist in preference of using a range of singers to complement each performance. He ran us through the birth of the band and how he came to be involved, the band name, some of the people they have shared a stage with, his other music and business ventures and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66404142Thu, 05 Jun 2025 06:28:00 +0000HEAVY MagazineInterview by Kris Peters What started out as a bit of fun on a Monday night at Sydney's Frankie's Pizza back in 2012 has quickly developed into a global sensation. Initially formed to beat Monday night boredom at the home of live music in Sydney,...What started out as a bit of fun on a Monday night at Sydney's Frankie's Pizza back in 2012 has quickly developed into a global sensation.
Initially formed to beat Monday night boredom at the home of live music in Sydney, Frankie's World Famous House Band has grown from such humble beginnings to being a mainstay on the Australian music scene for both punters and international touring musicians.
For ten years until its sad closing in 2022, the band rocked the stage at Frankie's Pizza, along the way collecting a healthy dose of international scalps under their belt who frequented the venue just to catch a glimpse of the house band. Members of bands such as Megadeth, Steel Panther, White Snake, White Zombie and Cheap Trick have all at one time shared the stage with the house band, while they are now also an in demand gun for hire as touring bands for stars such as Tim 'Ripper' Owens who enlists their help each time he comes over.
They are a band made up of accomplished musicians, but, more importantly, people who love music, and that infectious energy night after night is one of the major reasons they survived when Frankie's fell.
This weekend sees Frankie's World Famous House Band venture outside of their home base of Sydney for a rare visit North, where they will be playing at Lefty's in Brisbane on Saturday, June 7, and Mo's Desert Clubhouse in Burleigh Heads the following night. HEAVY jumped at the chance to chat with drummer and the legend behind Frankie's Pizza, Jordan McDonald to find out more.
"Yeah, we never do this," he replied when we mentioned the fact that the band doesn't play outside of Sydney often. "We get out of town if we're the house band for a touring artist, that happens every now and then. That's kind of, I guess, the niche of the Frankie's World Famous House Band. If there's an act of cult appeal who's coming to Australia but leaving the band behind, we'll fill in and play, so we'll take that around the country. But just as us doing it our way, it's kind of a matter of policy that we never leave Sydney, so this is something different."
We question what policy could ever confine any band to one city before Jordan smiles.
"It was bred in Sydney, and it's kind of where it makes sense," he laughed. "It's part of the fabric of the zone, so we try and kind of keep it that way. But if an opportunity like this comes up - and it doesn't happen all that often - we say yes to most things. So here we are!"
In the full interview, Jordan focused on the upcoming performances of Frankie's World Famous House Band in Queensland, scheduled for June 7 and 8. He provided background on the band, emphasizing their unique position as a house band that typically does not tour outside Sydney. He highlighted their speciality in high-energy covers of classic rock songs and their collaborations with well-known artists, which have bolstered their reputation.
Jordan introduced us to the rest of the band, saying that they don't have a permanent set vocalist in preference of using a range of singers to complement each performance. He ran us through the birth of the band and how he came to be involved, the band name, some of the people they have shared a stage with, his other music and business ventures and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1342band,dingbats,frankiespizza,frankiesworldfamoushouseband,hardrock,heavy,interview,jordanmcdonald,krispeters,leftysbar,liveband,livemusic,mosdesertclubhouse,music,musicinterview,musicpodcast,podcast,rockmusic,rocknrolltruefullhttps://www.spreaker.com/episode/into-the-pit-with-eric-peterson-from-testament--66395428It's been 15 years since Bay Area thrash legends Testament last did a headline tour of this country. Fifteen long years for fans of the band, of which there are many.
Since emerging from the San Francisco Bay Area in the early 1980s TESTAMENT have delivered some of the greatest metal anthems of all time. Over The Wall, Practice What You Preach, Rise Up, Into The Pit, Brotherhood Of The Snake, Low, The New Order, First Strike Is Deadly… the list of absolute classics seems endless as they unleashed one crushing album after another.
With no shortage of critical acclaim, Testament remain one of the select few bands with two albums, (both The Legacy and The New Order) inducted into Decibel Magazine’s prestigious Hall Of Fame, alongside Metallica, Black Sabbath, and Motörhead. TESTAMENT have remained steadfast over the course of literal decades; always managing to present the genuine aspects of thrash metal that defines their existence while spreading into unique horizons through new crisp and fascinating sounds.
The worldwide Testament legions only continue to grow with renewed fervour and intensity as one of the most influential acts in heavy metal marches forward, never wavering and always crushing.
With the tour less than two weeks away, HEAVY spent some time with founding member and guitarist Eric Peterson to find out what we can expect.
"It's been 12 plus years since we've been there," he enthused. "Some of the shows have sold out, and it looks like the whole thing might just be sold out, so we're excited."
We ask Peterson what delights Testament have in store for us to make up for lost time.
"We're playing a lot of stuff that we haven't played in a long time," he offered. "We're revisiting a lot of stuff that we kind of just didn't do, but now we're doing it. And it was stuff that people wanted us to do, like more of the deep cuts and some of the slower stuff that we've got."
In the full interview, Eric highlighted the addition of new drummer Chris Dovas and the release of three new records since their last tour, while also addressing the challenges of scheduling due to the pandemic.
He shared insights into their recent performances, focusing on deep cuts and slower songs that resonate emotionally with fans, and discussed the complexities of creating set lists from their extensive discography. Additionally, he offered a preview of their upcoming album, which aims to blend various musical elements and reflect the band's evolution while retaining their signature sound and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66395428Wed, 04 Jun 2025 13:41:30 +0000HEAVY MagazineInterview by Kris Peters It's been 15 years since Bay Area thrash legends Testament last did a headline tour of this country. Fifteen long years for fans of the band, of which there are many. Since emerging from the San Francisco Bay Area in the early...It's been 15 years since Bay Area thrash legends Testament last did a headline tour of this country. Fifteen long years for fans of the band, of which there are many.
Since emerging from the San Francisco Bay Area in the early 1980s TESTAMENT have delivered some of the greatest metal anthems of all time. Over The Wall, Practice What You Preach, Rise Up, Into The Pit, Brotherhood Of The Snake, Low, The New Order, First Strike Is Deadly… the list of absolute classics seems endless as they unleashed one crushing album after another.
With no shortage of critical acclaim, Testament remain one of the select few bands with two albums, (both The Legacy and The New Order) inducted into Decibel Magazine’s prestigious Hall Of Fame, alongside Metallica, Black Sabbath, and Motörhead. TESTAMENT have remained steadfast over the course of literal decades; always managing to present the genuine aspects of thrash metal that defines their existence while spreading into unique horizons through new crisp and fascinating sounds.
The worldwide Testament legions only continue to grow with renewed fervour and intensity as one of the most influential acts in heavy metal marches forward, never wavering and always crushing.
With the tour less than two weeks away, HEAVY spent some time with founding member and guitarist Eric Peterson to find out what we can expect.
"It's been 12 plus years since we've been there," he enthused. "Some of the shows have sold out, and it looks like the whole thing might just be sold out, so we're excited."
We ask Peterson what delights Testament have in store for us to make up for lost time.
"We're playing a lot of stuff that we haven't played in a long time," he offered. "We're revisiting a lot of stuff that we kind of just didn't do, but now we're doing it. And it was stuff that people wanted us to do, like more of the deep cuts and some of the slower stuff that we've got."
In the full interview, Eric highlighted the addition of new drummer Chris Dovas and the release of three new records since their last tour, while also addressing the challenges of scheduling due to the pandemic.
He shared insights into their recent performances, focusing on deep cuts and slower songs that resonate emotionally with fans, and discussed the complexities of creating set lists from their extensive discography. Additionally, he offered a preview of their upcoming album, which aims to blend various musical elements and reflect the band's evolution while retaining their signature sound and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>752australia,ericpeterson,heavy,heavymetal,interview,krispeters,music,musicinterview,musicpodcast,podcast,testament,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/baroness-talk-dark-mofo-creative-evolution-and-the-power-of-mystery--66394563American heavyweights Baroness are headed to Tasmania this month for the famously atmospheric and provocative Dark Mofo festival — and for the band, it was precisely that mystique that made them say yes.
"It was a pretty interesting offer to fly 20 to 30 hours around the globe to play one show," they laughed. "But the vibe of the festival fits us."
It won't be their first time in Australia, but it will mark their long-awaited return to the island state. Reflecting on a previous visit to Tasmania in 2012, vocalist John Dyer Baizley recalled a surreal show where the audience had reportedly been dosed with LSD — "It was weird. But fun."
Their set promises to be just as memorable this time around, featuring new material and even some deep cuts that haven't been played in over a decade. "We're excited. It's very likely we'll play some songs we've never played in Tasmania — or anywhere in a long time."
Known for their evolving sound and richly illustrated album art, Baroness have always pushed sonic and visual boundaries. "We've given ourselves not just the right, but the obligation to push forward," they explained. "We build on what we've done, but we don't stand still."
The band's iconic colour-themed albums were a deliberate early concept, though they've since moved on from it. As for the relationship between their music and artwork? "Typically, the artwork is a reflection of the music — and sometimes the lyrics. Though for newer albums like Stone, the music came first."
Baroness are also mindful of the personal cost and discipline it takes to endure as musicians. Staying grounded and creatively fuelled comes down to "frustration" — and exercise. "To perform the way we want to, we have to align mind, body and spirit," they said. "We work out a lot more than people think. "On stage, they thrive on energy exchange. "We're not just playing songs — we're playing the audience. The show depends on them."
Despite their openness, the band values maintaining some mystery. "In the era of oversharing, we think it's important for artists to preserve something for the listener to discover on their own." Don't expect them to give too much away in the way of behind-the-scenes tour vlogs, as seems to be the trend with artists these days; the band believes in leaving a little mystery to their fans.
Be sure to catch Baroness as they bring their signature intensity and introspective edge to Dark Mofo this June — a performance perfectly at home in the festival's dark and immersive atmosphere.
For more information on Dark Mofo follow this link: https://darkmofo.net.au/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66394563Wed, 04 Jun 2025 12:48:32 +0000HEAVY MagazineInterview by Angela Croudace American heavyweights Baroness are headed to Tasmania this month for the famously atmospheric and provocative Dark Mofo festival — and for the band, it was precisely that mystique that made them say yes. "It was a pretty...American heavyweights Baroness are headed to Tasmania this month for the famously atmospheric and provocative Dark Mofo festival — and for the band, it was precisely that mystique that made them say yes.
"It was a pretty interesting offer to fly 20 to 30 hours around the globe to play one show," they laughed. "But the vibe of the festival fits us."
It won't be their first time in Australia, but it will mark their long-awaited return to the island state. Reflecting on a previous visit to Tasmania in 2012, vocalist John Dyer Baizley recalled a surreal show where the audience had reportedly been dosed with LSD — "It was weird. But fun."
Their set promises to be just as memorable this time around, featuring new material and even some deep cuts that haven't been played in over a decade. "We're excited. It's very likely we'll play some songs we've never played in Tasmania — or anywhere in a long time."
Known for their evolving sound and richly illustrated album art, Baroness have always pushed sonic and visual boundaries. "We've given ourselves not just the right, but the obligation to push forward," they explained. "We build on what we've done, but we don't stand still."
The band's iconic colour-themed albums were a deliberate early concept, though they've since moved on from it. As for the relationship between their music and artwork? "Typically, the artwork is a reflection of the music — and sometimes the lyrics. Though for newer albums like Stone, the music came first."
Baroness are also mindful of the personal cost and discipline it takes to endure as musicians. Staying grounded and creatively fuelled comes down to "frustration" — and exercise. "To perform the way we want to, we have to align mind, body and spirit," they said. "We work out a lot more than people think. "On stage, they thrive on energy exchange. "We're not just playing songs — we're playing the audience. The show depends on them."
Despite their openness, the band values maintaining some mystery. "In the era of oversharing, we think it's important for artists to preserve something for the listener to discover on their own." Don't expect them to give too much away in the way of behind-the-scenes tour vlogs, as seems to be the trend with artists these days; the band believes in leaving a little mystery to their fans.
Be sure to catch Baroness as they bring their signature intensity and introspective edge to Dark Mofo this June — a performance perfectly at home in the festival's dark and immersive atmosphere.
For more information on Dark Mofo follow this link: https://darkmofo.net.au/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1001angelacroudace,baroness,darkmofo,heavy,heavymetal,interview,podcast,tourtruefullhttps://www.spreaker.com/episode/get-your-motor-running-with-bilmuri--66389359In some quarters better known as the former clean vocalist and rhythm guitarist of Attack Attack!, Bilmuri (Johnny Franck) has been busily rebranding himself since starting the project in 2016. Over the course of 14 albums in that eight-year period, Bilmuri has developed his own unique and effective sound, blending country, metalcore, pop punk, indie, and electronic influences into one.
His latest album AMERICAN MOTOR SPORTS dropped in 2024, and the resulting success of that release has seen him traverse the globe, before finally visiting Australia for the first time this month.
With only one show left on the Australian Motor Tour - at The Roundhouse in Sydney (upgraded from The Metro) - Bilmuri found time to chat with HEAVY about the tour so far and what he thinks of our country.
"We put the tour up on sale, and I was like, I don't know if anyone's going to come out to this," he laughed, "and it sold out in one day! So it's honestly been wildly beyond my expectations, and the shows have been incredible. I just love the country as well, so it's just been great, man. Definitely one for the history books, at least for me."
We ask about him starting Bilmuri in 2016 and why he decided to start his own project from scratch rather than join an existing band.
"Because I'm a selfish, egotistic, narcissist," he laughed. "But no, to be honest with you, I like having control over everything. So that was a big thing. I felt like a lot of times I would always be fighting someone to have something, where it was like I think this idea is good, and I don't want to have to fight a bunch of people to do it. I just want to do it. So I think that was like a lot of the beginning of Bilmuri is just kind of making exactly what I want to do, how I want to do it."
In the full interview, we discussed the success of Bilmuri's Australian tour, which featured sold-out shows and enthusiastic audiences, particularly in Melbourne. Bilmuri expressed gratitude for the overwhelming support from fans and the welcome he has been given. He elaborated on his motivations for creating Bilmuri, emphasizing his desire for artistic control and emotional expression, while acknowledging the challenges of blending various musical genres authentically.
He also revealed his creative process, driven by a response to wanting to keep on the move, and mentioned upcoming plans for new music and participation in major festivals such as Lollapalooza and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66389359Wed, 04 Jun 2025 04:05:18 +0000HEAVY MagazineInterview by Kris Peters In some quarters better known as the former clean vocalist and rhythm guitarist of Attack Attack!, Bilmuri (Johnny Franck) has been busily rebranding himself since starting the project in 2016. Over the course of 14 albums in...In some quarters better known as the former clean vocalist and rhythm guitarist of Attack Attack!, Bilmuri (Johnny Franck) has been busily rebranding himself since starting the project in 2016. Over the course of 14 albums in that eight-year period, Bilmuri has developed his own unique and effective sound, blending country, metalcore, pop punk, indie, and electronic influences into one.
His latest album AMERICAN MOTOR SPORTS dropped in 2024, and the resulting success of that release has seen him traverse the globe, before finally visiting Australia for the first time this month.
With only one show left on the Australian Motor Tour - at The Roundhouse in Sydney (upgraded from The Metro) - Bilmuri found time to chat with HEAVY about the tour so far and what he thinks of our country.
"We put the tour up on sale, and I was like, I don't know if anyone's going to come out to this," he laughed, "and it sold out in one day! So it's honestly been wildly beyond my expectations, and the shows have been incredible. I just love the country as well, so it's just been great, man. Definitely one for the history books, at least for me."
We ask about him starting Bilmuri in 2016 and why he decided to start his own project from scratch rather than join an existing band.
"Because I'm a selfish, egotistic, narcissist," he laughed. "But no, to be honest with you, I like having control over everything. So that was a big thing. I felt like a lot of times I would always be fighting someone to have something, where it was like I think this idea is good, and I don't want to have to fight a bunch of people to do it. I just want to do it. So I think that was like a lot of the beginning of Bilmuri is just kind of making exactly what I want to do, how I want to do it."
In the full interview, we discussed the success of Bilmuri's Australian tour, which featured sold-out shows and enthusiastic audiences, particularly in Melbourne. Bilmuri expressed gratitude for the overwhelming support from fans and the welcome he has been given. He elaborated on his motivations for creating Bilmuri, emphasizing his desire for artistic control and emotional expression, while acknowledging the challenges of blending various musical genres authentically.
He also revealed his creative process, driven by a response to wanting to keep on the move, and mentioned upcoming plans for new music and participation in major festivals such as Lollapalooza and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>476australia,bilmuri,hardrock,heavy,interview,krispeters,livenation,podcast,poppunk,rock,tourtruefullhttps://www.spreaker.com/episode/a-triumphant-return-with-nathan-james-from-inglorious--66387028When it comes to good old-fashioned hard rock music, there are not too many bands on the global scene that can compare with UK rockers Inglorious. Despite a rotating roster of bandmates, founding member and vocalist Nathan James has resolutely pushed forward, releasing a high-quality collection of albums leading up to 2022 when he announced the band was going on hiatus.
After seven years of non-stop touring with bands such as The Winery Dogs, Steel Panther, The Dead Daisies, Last In Line, as well as their own international tours and festival appearances, recording four original albums, a live album and a covers album, everyone felt it was the right time to take a break. The announcement came as a surprise to fans, who deep down knew Inglorious would return, and more than likely be stronger than ever.
Those dreams were realized earlier this year with the release of a new single, Testify, and announcement of a new album - V - set for release June 6. Using his time to reflect on the band and their musical journey, James has returned with original Inglorious bass player and main co-writer Colin Parkinson, who co-wrote and released the first three albums: Inglorious, II and Ride To Nowhere.
Joining them is renowned guitarist Richard Shaw, best known for his work with English extreme metal band Cradle Of Filth, and drummer Henry Rogers, two powerful additions to the band to complement the original engine room. The result is more than a continuation of Inglorious. It is a statement of intent and an emphatic tale of triumph over adversity and the magic that can create.
HEAVY sat down with James to talk about Inglorious 2025. We asked about the return of Parkinson and how it impacted V.
"I think anyone that knows us will know when they hear this album that he is back by the sound of his bass, but also the songwriting," James replied. "He's so crucial to the early songwriting in this band, and he's done such a great job. He also produced this record as well."
To HEAVY's ears, V is tougher and harder edged than anything Inglorious have ever released before, but we ask James just what he was going for musically.
"We wanted to do something a bit heavier," he agreed. "I think it's good to constantly be pushing yourselves, and also just the subject matter that we had to write about now in a kind of post-COVID world, it's just heavier, everything's a bit heavier. So it made total sense to write riffs and stuff that were more in that vein, and also bringing someone in like Richard on the guitar, it made sense to have a heavy guitar player play this stuff. And I think that's why it sounds a bit different, maybe, to previous albums."
In the full interview, the discussion centred on the development and themes of Inglorious's fifth album V, with Nathan detailing the band's return after a hiatus influenced by the post-COVID landscape. He introduced new members Richard Shaw and Henry Rogers, emphasizing their contributions to the band's heavier sound and classic rock influences.
Nathan highlighted the significance of impactful songwriting and the unique vocal styles present in the new album, particularly in the song Believe, which he described as a ballad with emotional depth. He also shared insights into the development of vocal melodies and the personal significance of tracks like Silent and Power of Truth.
We also went through V track by track and discussed the meaning behind the songs and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66387028Tue, 03 Jun 2025 21:51:32 +0000HEAVY MagazineInterview by Kris Peters When it comes to good old-fashioned hard rock music, there are not too many bands on the global scene that can compare with UK rockers Inglorious. Despite a rotating roster of bandmates, founding member and vocalist Nathan...When it comes to good old-fashioned hard rock music, there are not too many bands on the global scene that can compare with UK rockers Inglorious. Despite a rotating roster of bandmates, founding member and vocalist Nathan James has resolutely pushed forward, releasing a high-quality collection of albums leading up to 2022 when he announced the band was going on hiatus.
After seven years of non-stop touring with bands such as The Winery Dogs, Steel Panther, The Dead Daisies, Last In Line, as well as their own international tours and festival appearances, recording four original albums, a live album and a covers album, everyone felt it was the right time to take a break. The announcement came as a surprise to fans, who deep down knew Inglorious would return, and more than likely be stronger than ever.
Those dreams were realized earlier this year with the release of a new single, Testify, and announcement of a new album - V - set for release June 6. Using his time to reflect on the band and their musical journey, James has returned with original Inglorious bass player and main co-writer Colin Parkinson, who co-wrote and released the first three albums: Inglorious, II and Ride To Nowhere.
Joining them is renowned guitarist Richard Shaw, best known for his work with English extreme metal band Cradle Of Filth, and drummer Henry Rogers, two powerful additions to the band to complement the original engine room. The result is more than a continuation of Inglorious. It is a statement of intent and an emphatic tale of triumph over adversity and the magic that can create.
HEAVY sat down with James to talk about Inglorious 2025. We asked about the return of Parkinson and how it impacted V.
"I think anyone that knows us will know when they hear this album that he is back by the sound of his bass, but also the songwriting," James replied. "He's so crucial to the early songwriting in this band, and he's done such a great job. He also produced this record as well."
To HEAVY's ears, V is tougher and harder edged than anything Inglorious have ever released before, but we ask James just what he was going for musically.
"We wanted to do something a bit heavier," he agreed. "I think it's good to constantly be pushing yourselves, and also just the subject matter that we had to write about now in a kind of post-COVID world, it's just heavier, everything's a bit heavier. So it made total sense to write riffs and stuff that were more in that vein, and also bringing someone in like Richard on the guitar, it made sense to have a heavy guitar player play this stuff. And I think that's why it sounds a bit different, maybe, to previous albums."
In the full interview, the discussion centred on the development and themes of Inglorious's fifth album V, with Nathan detailing the band's return after a hiatus influenced by the post-COVID landscape. He introduced new members Richard Shaw and Henry Rogers, emphasizing their contributions to the band's heavier sound and classic rock influences.
Nathan highlighted the significance of impactful songwriting and the unique vocal styles present in the new album, particularly in the song Believe, which he described as a ballad with emotional depth. He also shared insights into the development of vocal melodies and the personal significance of tracks like Silent and Power of Truth.
We also went through V track by track and discussed the meaning behind the songs and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1686album,hardrock,heavy,heavymetal,inglorious,interview,krispeters,music,musicinterview,musicpodcast,nathanjames,podcast,rocktruefullhttps://www.spreaker.com/episode/dawning-of-a-new-era-with-sam-and-elliott-from-battlesnake--66381059Sydney metal outfit Battlesnake have become a mainstay on the Australian music scene.
Since bursting out of the blocks with their EP Myths and Legends from Gorbag's Domain in 2020, many have wondered if Battlesnake were just a flash in the pan or a one-trick gimmick, but time and time again the band have proven any and all doubters wrong. Their energetic and fun live show has become the stuff of legends already, with the band's uncompromising approach to their music and their seemingly carefree off-stage persona combining to provide a band and brand of music unlike any seen or heard before in this country.
By harking back 20 years, Battlesnake have also brought their brand of music into the modern age, crunching riffs that would make Black Sabbath take notice while providing enough in the way of modernisation to keep the impossible to p[please youth of today engaged.
This Friday, June 6, Battlesnake continue their path to world domination with the release of their third album, The Dawn of the Exaltants and the Hunt for the Shepherd, which actually acts as a prequel to their previous offering The Rise and Demise of the Motorsteeple.
With the band counting down the days before boarding a flight to the UK for nearly three months worth of shows, HEAVY caught up with vocalist Sam Frank and keytarist Elliott Hitchcock to shoot the breeze.
"No, I'm never nervous, but this will be the first time that we've played all of these new songs live," Hitchcock answered when we asked how they are feeling about the album release. "Actually, the first time that we will be playing these songs live is on stage supporting Eagles of Death Metal."
In the full interview, Sam and Elliott expressed excitement about performing new songs live for the first time. The band shared that their songwriting was influenced by 90s video game music and clarified that the album's narrative, a prequel to their previous work, developed organically. We discussed the musicality of Battlesnake's craft and how this new album represents another chapter in the band's ongoing saga.
They highlighted the challenges of maintaining a consistent release schedule as their artistic scope expands. Preparations for the tour were discussed, including rehearsals and the significance of performing at major festivals, which are seen as bucket list items for many metal bands and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66381059Tue, 03 Jun 2025 12:18:39 +0000HEAVY MagazineInterview by Kris Peters Sydney metal outfit Battlesnake have become a mainstay on the Australian music scene. Since bursting out of the blocks with their EP Myths and Legends from Gorbag's Domain in 2020, many have wondered if Battlesnake were just a...Sydney metal outfit Battlesnake have become a mainstay on the Australian music scene.
Since bursting out of the blocks with their EP Myths and Legends from Gorbag's Domain in 2020, many have wondered if Battlesnake were just a flash in the pan or a one-trick gimmick, but time and time again the band have proven any and all doubters wrong. Their energetic and fun live show has become the stuff of legends already, with the band's uncompromising approach to their music and their seemingly carefree off-stage persona combining to provide a band and brand of music unlike any seen or heard before in this country.
By harking back 20 years, Battlesnake have also brought their brand of music into the modern age, crunching riffs that would make Black Sabbath take notice while providing enough in the way of modernisation to keep the impossible to p[please youth of today engaged.
This Friday, June 6, Battlesnake continue their path to world domination with the release of their third album, The Dawn of the Exaltants and the Hunt for the Shepherd, which actually acts as a prequel to their previous offering The Rise and Demise of the Motorsteeple.
With the band counting down the days before boarding a flight to the UK for nearly three months worth of shows, HEAVY caught up with vocalist Sam Frank and keytarist Elliott Hitchcock to shoot the breeze.
"No, I'm never nervous, but this will be the first time that we've played all of these new songs live," Hitchcock answered when we asked how they are feeling about the album release. "Actually, the first time that we will be playing these songs live is on stage supporting Eagles of Death Metal."
In the full interview, Sam and Elliott expressed excitement about performing new songs live for the first time. The band shared that their songwriting was influenced by 90s video game music and clarified that the album's narrative, a prequel to their previous work, developed organically. We discussed the musicality of Battlesnake's craft and how this new album represents another chapter in the band's ongoing saga.
They highlighted the challenges of maintaining a consistent release schedule as their artistic scope expands. Preparations for the tour were discussed, including rehearsals and the significance of performing at major festivals, which are seen as bucket list items for many metal bands and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1168album,australia,battlesnake,hardrock,heavy,heavymetal,interview,krispeters,music,musicpodcast,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/redefining-the-sonic-landscape-with-alex-bacey-from-ominous-ruin--66378912Fusing death metal's raw brutality with melodic depth not generally associated with the genre, Bay Area metal outfit Ominous Ruin blend technicality and brutality with catchy, melodic hooks; think mind-melting riffs, groovy drums, mesmerising bass, and chaotic, unique vocals, and you are on the right path.
After parting ways with original vocalist Adam Rosado following their debut album Amidst Voices That Echo In Stone, Ominous Ruin drafted newcomer Crystal Rose into the family and set about refining their sound even more with their dynamic new focal point.
The result is out in the world now for people to enjoy, with Requiem unleashed on May 9 and offering a fresh take on an age-old genre of music. Requiem marks a shift from the band's early straightforward aggression, weaving in melodic and atmospheric chaos influenced by Necrophagist, Behemoth, and more. Now crafting their next release, the band hints at symphonic twists atop their signature heaviness and with Crystal Rose now leading the charge, Ominous Ruin are a band pushing extreme music’s limits.
HEAVY caught up with guitarist Alex Bacey earlier today to find out more.
"I think one of the things that I tried to avoid was the 'you sound like another hundred other bands' comment," he replied when we asked what Ominous Ruin were going for musically on Requiem. "And a lot of people so far have said that it sounds unique; it sounds different. It's got a plethora of genres mixed into one, and obviously, at its core, it's a technical death metal album. At the time, a lot of the songs were actually written, we had a lot of chaos going on between all of us individually and as a band. We had a vocalist change in between our last album and this album, so now we have Crystal, who it's her first project; first album she's ever recorded. And I think she did a great job, which plays into trying to sound unique."
In the full interview, Alex detailed the band's creative process and the emotional depth of their music. He explained how the singles Seeds of Entropy and Staring into the Abysm represent different facets of the album, with the former linking to their previous work and the latter evolving from an instrumental piece to include lyrics.
He emphasized the importance of musical variety for engaging live performances and the transition from a male to a female vocalist, and the challenges that presented. Alex mentioned plans for upcoming shows, aiming for performances by September or October, and encouraged fans to connect via social media platforms like Instagram, while expressing gratitude for their support and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66378912Tue, 03 Jun 2025 07:54:48 +0000HEAVY MagazineInterview by Kris Peters Fusing death metal's raw brutality with melodic depth not generally associated with the genre, Bay Area metal outfit Ominous Ruin blend technicality and brutality with catchy, melodic hooks; think mind-melting riffs, groovy...Fusing death metal's raw brutality with melodic depth not generally associated with the genre, Bay Area metal outfit Ominous Ruin blend technicality and brutality with catchy, melodic hooks; think mind-melting riffs, groovy drums, mesmerising bass, and chaotic, unique vocals, and you are on the right path.
After parting ways with original vocalist Adam Rosado following their debut album Amidst Voices That Echo In Stone, Ominous Ruin drafted newcomer Crystal Rose into the family and set about refining their sound even more with their dynamic new focal point.
The result is out in the world now for people to enjoy, with Requiem unleashed on May 9 and offering a fresh take on an age-old genre of music. Requiem marks a shift from the band's early straightforward aggression, weaving in melodic and atmospheric chaos influenced by Necrophagist, Behemoth, and more. Now crafting their next release, the band hints at symphonic twists atop their signature heaviness and with Crystal Rose now leading the charge, Ominous Ruin are a band pushing extreme music’s limits.
HEAVY caught up with guitarist Alex Bacey earlier today to find out more.
"I think one of the things that I tried to avoid was the 'you sound like another hundred other bands' comment," he replied when we asked what Ominous Ruin were going for musically on Requiem. "And a lot of people so far have said that it sounds unique; it sounds different. It's got a plethora of genres mixed into one, and obviously, at its core, it's a technical death metal album. At the time, a lot of the songs were actually written, we had a lot of chaos going on between all of us individually and as a band. We had a vocalist change in between our last album and this album, so now we have Crystal, who it's her first project; first album she's ever recorded. And I think she did a great job, which plays into trying to sound unique."
In the full interview, Alex detailed the band's creative process and the emotional depth of their music. He explained how the singles Seeds of Entropy and Staring into the Abysm represent different facets of the album, with the former linking to their previous work and the latter evolving from an instrumental piece to include lyrics.
He emphasized the importance of musical variety for engaging live performances and the transition from a male to a female vocalist, and the challenges that presented. Alex mentioned plans for upcoming shows, aiming for performances by September or October, and encouraged fans to connect via social media platforms like Instagram, while expressing gratitude for their support and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>817album,alexbacey,deathmetal,heavy,heavymetal,interview,krispeters,melodicdeathmetal,music,musicinterview,musicpodcast,ominousruin,podcast,requiemtruefullhttps://www.spreaker.com/episode/the-depths-of-oblivion-with-tommy-creeper-from-the-wrath--66376839Aussie rockers The Wrath recently released their third studio album, Into The Arms Of Oblivion, in the process affirming their position as one of this country's finest musical offerings.
With over twenty years spent honing their craft, The Wrath have a self-imposed motto of tapping into differing sides of their musical psyche with each release, combining a plethora of musical riches together to dish out a sonic palate that traverses the spectrums of rock, punk, metal, industrial and gothic metal.
The Wrath are not a band who are designed to be packaged neatly into one genre-specific box, nor are they a band that throws everything against the wall and hope something sticks. They are a band who love playing and creating music, with a strike rate of three albums in 22 years showcasing the band's insistence on getting things right.
HEAVY spoke with frontman Tommy Creeper to find out more.
"With all the previous albums, if you have listened to all our stuff, they're all very different," he measured. "So when I want to write a new album, I really put effort into doing something different. For this one, we wanted to keep it simple and challenge ourselves to write it around melody; write it around being catchy and keeping it simple."
"Simple is probably not the right word," Creeper corrected himself. "It's still pretty hard to write something that's, maybe technically, not so crazy, but still have all the parts and still have it sound like us. So that's where we leaned into in this one. The backup, the melodies and keeping it catchy and simple. That was the aim."
In the full interview, Tommy emphasized that the singles released showcase only a portion of the album's variety and mentioned their unique performance experiences, such as a Halloween residency at Movie World, which allowed for creative freedom. He elaborated on the band's evolution, noting a shift from an emphasis on riffs to a focus on songwriting and melody, reflecting their growth as musicians and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66376839Tue, 03 Jun 2025 06:07:13 +0000HEAVY MagazineInterview by Kris Peters Aussie rockers The Wrath recently released their third studio album, Into The Arms Of Oblivion, in the process affirming their position as one of this country's finest musical offerings. With over twenty years spent honing...Aussie rockers The Wrath recently released their third studio album, Into The Arms Of Oblivion, in the process affirming their position as one of this country's finest musical offerings.
With over twenty years spent honing their craft, The Wrath have a self-imposed motto of tapping into differing sides of their musical psyche with each release, combining a plethora of musical riches together to dish out a sonic palate that traverses the spectrums of rock, punk, metal, industrial and gothic metal.
The Wrath are not a band who are designed to be packaged neatly into one genre-specific box, nor are they a band that throws everything against the wall and hope something sticks. They are a band who love playing and creating music, with a strike rate of three albums in 22 years showcasing the band's insistence on getting things right.
HEAVY spoke with frontman Tommy Creeper to find out more.
"With all the previous albums, if you have listened to all our stuff, they're all very different," he measured. "So when I want to write a new album, I really put effort into doing something different. For this one, we wanted to keep it simple and challenge ourselves to write it around melody; write it around being catchy and keeping it simple."
"Simple is probably not the right word," Creeper corrected himself. "It's still pretty hard to write something that's, maybe technically, not so crazy, but still have all the parts and still have it sound like us. So that's where we leaned into in this one. The backup, the melodies and keeping it catchy and simple. That was the aim."
In the full interview, Tommy emphasized that the singles released showcase only a portion of the album's variety and mentioned their unique performance experiences, such as a Halloween residency at Movie World, which allowed for creative freedom. He elaborated on the band's evolution, noting a shift from an emphasis on riffs to a focus on songwriting and melody, reflecting their growth as musicians and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1159album,australia,hardrock,heavy,heavymetal,industrialmetal,interview,krispeters,music,musicinterview,musicpodcast,podcast,rock,thewrath,tommycreepertruefullhttps://www.spreaker.com/episode/lashings-of-emotion-with-luke-bentham-from-the-dirty-nil--66362391After playing together in high school, guitarist Luke Bentham and drummer Kyle Fisher decided to take on the world by forming The Dirty Nil in 2006. The following year, they won the Juno Award for Breakthrough Group of the Year, kickstarting a career that would see the Canadian band rise to prominence over four albums and setting the band on a collision course with destiny.
That meeting of superpowers seems set to transpire with the release of The Dirty Nil's fifth studio album, The Lash, on July 25. Recorded in just over two weeks, The Lash sees The Dirty Nil tap into an urgency of evolution that has been simmering quietly below the surface but has finally set itself free.
Thematically, The Lash trades the band's usual romantic optimism for a cathartic scream, tackling everything from music industry burnout to heartbreak in a body of work that has been described as Luke's therapy record by Fisher. Stripping back the glitz and glam, The Dirty Nil go full-throttle on what matters most: no frills, just ferocity and good times in abundance.
Bentham recently sat down with HEAVY to tell us more.
"We are gearing up to release our fifth studio album, The Lash, which unequivocally, in my opinion, is our best album," he began. "And I really do mean that sincerely. I know you probably get a lot of people on here saying that through perhaps gritted teeth, but this one, we do feel very strongly about it, and so we're extremely proud to present it to the world."
We mention the more stripped back, raw sound promised on the album.
"The recording process was much faster and more stripped back than what we've pretty much ever done before," Bentham nodded. "We did it in two weeks with our friend down the street. Traditionally, we've worked with a producer from Seattle, who's an incredible producer with a huge resume of incredible albums, but this time we just did it with our friend down the street. So it was a very different process that way. During the album cycle for the last album, there wasn't a huge break or anything, and I think (with this one) we were just really feeling confident as a band, and the material came together very naturally and easily. I think that's part of the reason why I have such positive feelings about it, is because it wasn't a struggle."
In the full interview, Luke highlighted the emotional depth of the album, expressing a connection to the darker aspects of human experience through music, and noted the introduction of strings as a new element in their sound. He shared an anecdote about a visit to the Vatican that inspired his songwriting, particularly a bronze relief that influenced the album's themes, although their attempt to use the artwork for the cover was halted by a cease and desist from the Vatican. He also reflected on the band's growth since their debut, emphasizing their increased musical competence and willingness to experiment, while remaining optimistic about future creative endeavours and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66362391Mon, 02 Jun 2025 03:26:06 +0000HEAVY MagazineInterview by Kris Peters After playing together in high school, guitarist Luke Bentham and drummer Kyle Fisher decided to take on the world by forming The Dirty Nil in 2006. The following year, they won the Juno Award for Breakthrough Group of the...After playing together in high school, guitarist Luke Bentham and drummer Kyle Fisher decided to take on the world by forming The Dirty Nil in 2006. The following year, they won the Juno Award for Breakthrough Group of the Year, kickstarting a career that would see the Canadian band rise to prominence over four albums and setting the band on a collision course with destiny.
That meeting of superpowers seems set to transpire with the release of The Dirty Nil's fifth studio album, The Lash, on July 25. Recorded in just over two weeks, The Lash sees The Dirty Nil tap into an urgency of evolution that has been simmering quietly below the surface but has finally set itself free.
Thematically, The Lash trades the band's usual romantic optimism for a cathartic scream, tackling everything from music industry burnout to heartbreak in a body of work that has been described as Luke's therapy record by Fisher. Stripping back the glitz and glam, The Dirty Nil go full-throttle on what matters most: no frills, just ferocity and good times in abundance.
Bentham recently sat down with HEAVY to tell us more.
"We are gearing up to release our fifth studio album, The Lash, which unequivocally, in my opinion, is our best album," he began. "And I really do mean that sincerely. I know you probably get a lot of people on here saying that through perhaps gritted teeth, but this one, we do feel very strongly about it, and so we're extremely proud to present it to the world."
We mention the more stripped back, raw sound promised on the album.
"The recording process was much faster and more stripped back than what we've pretty much ever done before," Bentham nodded. "We did it in two weeks with our friend down the street. Traditionally, we've worked with a producer from Seattle, who's an incredible producer with a huge resume of incredible albums, but this time we just did it with our friend down the street. So it was a very different process that way. During the album cycle for the last album, there wasn't a huge break or anything, and I think (with this one) we were just really feeling confident as a band, and the material came together very naturally and easily. I think that's part of the reason why I have such positive feelings about it, is because it wasn't a struggle."
In the full interview, Luke highlighted the emotional depth of the album, expressing a connection to the darker aspects of human experience through music, and noted the introduction of strings as a new element in their sound. He shared an anecdote about a visit to the Vatican that inspired his songwriting, particularly a bronze relief that influenced the album's themes, although their attempt to use the artwork for the cover was halted by a cease and desist from the Vatican. He also reflected on the band's growth since their debut, emphasizing their increased musical competence and willingness to experiment, while remaining optimistic about future creative endeavours and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1020album,hardrock,heavy,interview,krispeters,lukebentham,music,musicinterview,musicpodcast,podcast,rock,thedirtynil,thelashfalsefullhttps://www.spreaker.com/episode/defeating-the-darkness-with-niklas-sandin-from-katatonia--66362174Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry.
With sonic landscapes that evoke dystopia, inner demons, purity, and beauty alike, the band's upcoming album Nightmares as Extensions Of The Waking State - out June 6 - stands as a testament to their enduring brilliance. It is another slab of melodic heaviness from the Swedish metal outfit, a journey into sonic bleakness that still manages to offer light and hope amid the chaos.
HEAVY had a chat with bass player Niklas Sandin to find out more.
Besides general album questions, we also ask Sandin if, after five albums now with Katatonia, he is starting to feel more comfortable with his role in the band.
"I think I'm that kind of person that, of course, I'm comfortable with the people in the band and everything and finding my place," he measured. "But as a musician, I don't think I will ever be totally comfortable. I think there's always something new to learn, and I'm always hard on myself, you know, keeping a high standard - hopefully a high standard (laughs). And so I'm always feeling that I want to push myself to be even better on the new album or make things more professional or improve on my live presence and stuff. I like to keep myself on my toes and not be too comfortable or put myself in the armchair and not evolve. That would be very, very boring and not good or fair for anyone. It's been over 15 years since I did the first live gig with Katatonia, so it would have been awkward if I didn't feel somewhat comfortable being in the band (laughs). It would have been 15 very long years."
In the full interview, Niklas dove deeper into Nightmares as Extensions Of The Waking State musically, discussing the singles and how they reflect the overall dynamics of the album. We talked about how the album represents Katatonia moving forward, the awesome cover and what it depicts, the album title, and its significance, bringing in two new guitarists for the album cycle, the overall theme of the album and if it's a body of hope or despair and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66362174Mon, 02 Jun 2025 02:34:40 +0000HEAVY MagazineInterview by Kris Peters Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry. With sonic landscapes that evoke dystopia,...Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry.
With sonic landscapes that evoke dystopia, inner demons, purity, and beauty alike, the band's upcoming album Nightmares as Extensions Of The Waking State - out June 6 - stands as a testament to their enduring brilliance. It is another slab of melodic heaviness from the Swedish metal outfit, a journey into sonic bleakness that still manages to offer light and hope amid the chaos.
HEAVY had a chat with bass player Niklas Sandin to find out more.
Besides general album questions, we also ask Sandin if, after five albums now with Katatonia, he is starting to feel more comfortable with his role in the band.
"I think I'm that kind of person that, of course, I'm comfortable with the people in the band and everything and finding my place," he measured. "But as a musician, I don't think I will ever be totally comfortable. I think there's always something new to learn, and I'm always hard on myself, you know, keeping a high standard - hopefully a high standard (laughs). And so I'm always feeling that I want to push myself to be even better on the new album or make things more professional or improve on my live presence and stuff. I like to keep myself on my toes and not be too comfortable or put myself in the armchair and not evolve. That would be very, very boring and not good or fair for anyone. It's been over 15 years since I did the first live gig with Katatonia, so it would have been awkward if I didn't feel somewhat comfortable being in the band (laughs). It would have been 15 very long years."
In the full interview, Niklas dove deeper into Nightmares as Extensions Of The Waking State musically, discussing the singles and how they reflect the overall dynamics of the album. We talked about how the album represents Katatonia moving forward, the awesome cover and what it depicts, the album title, and its significance, bringing in two new guitarists for the album cycle, the overall theme of the album and if it's a body of hope or despair and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1039album,deathmetal,heavy,heavymetal,interview,katatonia,krispeters,melodic,music,musicinterview,musicpodcast,niklassandin,nuclearblastrecords,podcastfalsefullhttps://www.spreaker.com/episode/darkly-triumphant-with-sam-mooradian-from-fallujah--66361721Formed in early 2007 by high school friends Alex Hofmann, Scott Carstairs, Tommy Logan, Dan Wissinger, and Suliman Arghandiwal, US technical death metal outfit Fallujah is a vastly different beast in 2025. Guitarist Scott Carstairs is the only original member remaining, but over the years, he has quietly continued his search for the ultimate line-up, which may well have finally arrived for Fallujah's upcoming sixth album, Xenotaph.
A sci-fi conceptual offering influenced by Frank Herbert’s Children of Dune novel, as well as other Dune stories and theatricals, Xenotaph also welcomes new members guitarist Sam Mooradian (INHALE EXISTENCE, SAM MOORADIAN) and drummer Kevin Alexander (DISEMBODIED TYRANT, BROUGHT BY PAIN) who join Carstairs and vocalist Kyle Schaefer on a sonic journey into oblivion as only Fallujah can navigate.
HEAVY spoke with Mooradian earlier this week to dive deeper into Xenotaph.
"It's super dense with riffs and hooks and melodies and guitar solos," he offered when asked about the album. "We couldn't be prouder of it, and I cannot wait for everybody to hear it."
We ask him to describe Xenotaph musically and what the band was going for this time around.
"We wanted to pay homage to all these albums that have eight songs on them, like these eight-track death metal records that we all love so much in the band," he explained. "So one record that comes to mind right off the bat is Epitaph from Necrophagist - and Akeldama from The Faceless is another. Man, those records just have a certain kind of vibe to them. They're fast, and there's no time to breathe. They come in, and they say what they need to say, and then they're out of there. I think we wanted to do our version of that, and we definitely wanted eight songs on this record, so that's what we did. And we also wanted it to feel dense like those other records that we loved. So there's a lot of riffs and a lot of twists and changes. It's just a very dense and diverse record that we're very happy with. We really enjoy that kind of music and stuff that keeps you interested and really honed in."
In the full interview, Sam discusses the singles released so far and how they represent the album, the slightly new direction and how he thinks fans will respond, the creative process for himself and Kevin as the new members and how easy the transition was for them, having a number of writers in the band and the process of utilizing them all effectively, the science fiction concept and what it centres around, playing the songs live and slotting them into a set list and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66361721Mon, 02 Jun 2025 00:48:07 +0000HEAVY MagazineInterview by Kris Peters Formed in early 2007 by high school friends Alex Hofmann, Scott Carstairs, Tommy Logan, Dan Wissinger, and Suliman Arghandiwal, US technical death metal outfit Fallujah is a vastly different beast in 2025. Guitarist Scott...Formed in early 2007 by high school friends Alex Hofmann, Scott Carstairs, Tommy Logan, Dan Wissinger, and Suliman Arghandiwal, US technical death metal outfit Fallujah is a vastly different beast in 2025. Guitarist Scott Carstairs is the only original member remaining, but over the years, he has quietly continued his search for the ultimate line-up, which may well have finally arrived for Fallujah's upcoming sixth album, Xenotaph.
A sci-fi conceptual offering influenced by Frank Herbert’s Children of Dune novel, as well as other Dune stories and theatricals, Xenotaph also welcomes new members guitarist Sam Mooradian (INHALE EXISTENCE, SAM MOORADIAN) and drummer Kevin Alexander (DISEMBODIED TYRANT, BROUGHT BY PAIN) who join Carstairs and vocalist Kyle Schaefer on a sonic journey into oblivion as only Fallujah can navigate.
HEAVY spoke with Mooradian earlier this week to dive deeper into Xenotaph.
"It's super dense with riffs and hooks and melodies and guitar solos," he offered when asked about the album. "We couldn't be prouder of it, and I cannot wait for everybody to hear it."
We ask him to describe Xenotaph musically and what the band was going for this time around.
"We wanted to pay homage to all these albums that have eight songs on them, like these eight-track death metal records that we all love so much in the band," he explained. "So one record that comes to mind right off the bat is Epitaph from Necrophagist - and Akeldama from The Faceless is another. Man, those records just have a certain kind of vibe to them. They're fast, and there's no time to breathe. They come in, and they say what they need to say, and then they're out of there. I think we wanted to do our version of that, and we definitely wanted eight songs on this record, so that's what we did. And we also wanted it to feel dense like those other records that we loved. So there's a lot of riffs and a lot of twists and changes. It's just a very dense and diverse record that we're very happy with. We really enjoy that kind of music and stuff that keeps you interested and really honed in."
In the full interview, Sam discusses the singles released so far and how they represent the album, the slightly new direction and how he thinks fans will respond, the creative process for himself and Kevin as the new members and how easy the transition was for them, having a number of writers in the band and the process of utilizing them all effectively, the science fiction concept and what it centres around, playing the songs live and slotting them into a set list and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1081album,fallujah,heavy,heavymetal,interview,krispeters,music,musicinterview,musicpodcast,nuclearblastrecords,podcast,technicaldeathmetal,xenotaphtruefullhttps://www.spreaker.com/episode/taking-it-to-the-streets-with-jayant-bhadula-from-bloodywood--66307988Billed as an Indian folk metal outfit, Bloodywood are a band much more than that. They are an amalgamation of hard rock and metal, mixed with traditional Indian elements, who create a sound comfortingly similar but also fresh, new and exciting.
While the folk metal element is there, labelling them as such is doing the band a disservice musically.
Bloodywood first landed on the world's sonic radar with the single Ari Ari in 2018, a Punjabi folk song made famous in the early 2000s remix boom in India by hip-hop act Bombay Rockers. The band pushed it further with help from the gritty New Delhi-based conscious hip-hop artist/rapper Raoul Kerr, offering a cultural musical alternative to the mainstream acts that were dominating the charts.
Since then, Bloodywood have taken the world by storm, with their debut album Rakshak solidifying the band's growing reputation.
Bloodywood have been on the road pretty much ever since, performing to packed crowds and at major global festivals, including Lollapalooza India, Download Festival, Bloodstock (UK), Hellfest (France), Summer Breeze (Germany), Brutal Assault (Czechia), Fuji Rock (Japan) and American mainstays like Louder Than Life and Aftershock.
Their sophomore album Nu Delhi came out on March 21 this year, marking a new landmark in the band's short history and proving emphatically that Bloodywood are more than just a metal band from India. They are now a world-class band in their own right.
HEAVY spoke with vocalist Jayant Bhadula to get the rundown.
"Very, very well," he smiled when we asked how the album has been received. "In terms of numbers, it's doing very good, but in terms of people showing up for the shows and singing our lyrics back from the new album, it's a great thing to see. Honestly, as an artis,t the greatest level of validation I can see is when people are singing your lyrics for you, especially the ones that are not in the language as well."
We ask what Bloodywood were going for musically on Nu Delhi.
"In terms of music, we tried to represent the sense of New Delhi where we come from," he mused. "It is a very realistic and metal city where we come from. If you give it love you will get love 100 times back but just like we say in the album, if you fuck around you won't be found and that is what we were trying to capture. That is why this album is more in your face rather than being as subtle as the last one."
In the full interview we talked more about Nu Delhi, Bloodywood's collaboration with Babymetal and how it came about, the cultural dynamics present in their music, blending Eastern and Western cultures together musically and how difficult that is to do, how Nu Delhi differs musically from Rakshak, being labelled as a folk metal band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66307988Wed, 28 May 2025 07:05:31 +0000HEAVY MagazineInterview by Kris Peters Billed as an Indian folk metal outfit, Bloodywood are a band much more than that. They are an amalgamation of hard rock and metal, mixed with traditional Indian elements, who create a sound comfortingly similar but also fresh,...Billed as an Indian folk metal outfit, Bloodywood are a band much more than that. They are an amalgamation of hard rock and metal, mixed with traditional Indian elements, who create a sound comfortingly similar but also fresh, new and exciting.
While the folk metal element is there, labelling them as such is doing the band a disservice musically.
Bloodywood first landed on the world's sonic radar with the single Ari Ari in 2018, a Punjabi folk song made famous in the early 2000s remix boom in India by hip-hop act Bombay Rockers. The band pushed it further with help from the gritty New Delhi-based conscious hip-hop artist/rapper Raoul Kerr, offering a cultural musical alternative to the mainstream acts that were dominating the charts.
Since then, Bloodywood have taken the world by storm, with their debut album Rakshak solidifying the band's growing reputation.
Bloodywood have been on the road pretty much ever since, performing to packed crowds and at major global festivals, including Lollapalooza India, Download Festival, Bloodstock (UK), Hellfest (France), Summer Breeze (Germany), Brutal Assault (Czechia), Fuji Rock (Japan) and American mainstays like Louder Than Life and Aftershock.
Their sophomore album Nu Delhi came out on March 21 this year, marking a new landmark in the band's short history and proving emphatically that Bloodywood are more than just a metal band from India. They are now a world-class band in their own right.
HEAVY spoke with vocalist Jayant Bhadula to get the rundown.
"Very, very well," he smiled when we asked how the album has been received. "In terms of numbers, it's doing very good, but in terms of people showing up for the shows and singing our lyrics back from the new album, it's a great thing to see. Honestly, as an artis,t the greatest level of validation I can see is when people are singing your lyrics for you, especially the ones that are not in the language as well."
We ask what Bloodywood were going for musically on Nu Delhi.
"In terms of music, we tried to represent the sense of New Delhi where we come from," he mused. "It is a very realistic and metal city where we come from. If you give it love you will get love 100 times back but just like we say in the album, if you fuck around you won't be found and that is what we were trying to capture. That is why this album is more in your face rather than being as subtle as the last one."
In the full interview we talked more about Nu Delhi, Bloodywood's collaboration with Babymetal and how it came about, the cultural dynamics present in their music, blending Eastern and Western cultures together musically and how difficult that is to do, how Nu Delhi differs musically from Rakshak, being labelled as a folk metal band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>917album,bloodywood,delhi,folkmetal,hardrock,heavy,heavymetal,indianmetal,interview,jayantbhadula,krispeters,music,musicinterview,musicpodcast,nu,podcasttruefullhttps://www.spreaker.com/episode/fun-fashion-and-music-with-private-function--66305867Private Function are possibly Australia's best kept musical secret. Their infectious and highly contagious brand of punk metal is a step back into the days when music was fun and, while being abrasive, is also delivered with enough tongue firmly planted in cheek to keep them at bay from those who wish to sanitise the music scene.
With album titles such as St. Anger, Whose Line Is It Anyway and 370HSSV 0773H already under their belt, the punk outfit recently unleashed ¯_(ツ)_/¯, an album that, despite being impossible to pronounce, is also impossible to resist. It is a typical slab of excellence from the band, complete with red herrings and the world's first microscopic album cover, and one which sees them embark on a national tour of Australia before heading overseas for a 35-date European tour.
Never having had the pleasure of spending time with the band before, HEAVY was a little unsure of what to expect, but within 30 seconds of chatting with vocalist Chris Penney and guitarist Anthony Biancofiore we knew we were in familiar territory. We start by talking about the new album and its early reception.
"Great," Biancofiore smiled before Penney cut in.
"Everyone's loving it. It's good stuff."
"I've been getting heaps of messages from people I don't even know saying they heard the album, and it's great," Biancofiore continued. "They like specific songs, so it's interesting."
HEAVY asks if anyone has been able to pronounce the title yet, which was greeted by fiendish laughter from the pair.
"I don't care," Penney laughed. "It's not our problem."
"That's for you to figure out," Biancofiore laughed over the top.
We ask about the album musically and what Private Function were going for.
"It's kind of a different one," Penney measured, "because we wrote most of the songs in the studio. All of our previous albums, we've had the songs 100 % finished, and we'd knock them out in a weekend, but this one was a far more collaborative effort between all of us. We've all got pretty different styles of music we come from."
"For sure," Biancofiore nodded in agreement. "There's room for all of it on this album. Even the songs that aren't your natural genre, there's a path for you to follow and have a moment in as well. There's a six-minute electronica song that's not really any of our forte's, but you listen to it, and you can hear everyone on it."
"We've got sea shanties, we've got a sick 80s… It's like a KISS type thing…" Penney added.
"Like a glam rock song, it's all over the shop."
In the full interview we talk more about the new album and the songs on it, the title and where and why they came up with it, starting the album with the heaviest song Animal, Chris' obsession with vegemite, their live show and what to expect, the microscopic cover and the thought process behind it, meat raffles, their cheeky sense of humour and pushing the envelope, the national tour including the final show at Thrashville, touring overseas and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66305867Wed, 28 May 2025 04:13:30 +0000HEAVY MagazineInterview by Kris Peters Private Function are possibly Australia's best kept musical secret. Their infectious and highly contagious brand of punk metal is a step back into the days when music was fun and, while being abrasive, is also delivered with...Private Function are possibly Australia's best kept musical secret. Their infectious and highly contagious brand of punk metal is a step back into the days when music was fun and, while being abrasive, is also delivered with enough tongue firmly planted in cheek to keep them at bay from those who wish to sanitise the music scene.
With album titles such as St. Anger, Whose Line Is It Anyway and 370HSSV 0773H already under their belt, the punk outfit recently unleashed ¯_(ツ)_/¯, an album that, despite being impossible to pronounce, is also impossible to resist. It is a typical slab of excellence from the band, complete with red herrings and the world's first microscopic album cover, and one which sees them embark on a national tour of Australia before heading overseas for a 35-date European tour.
Never having had the pleasure of spending time with the band before, HEAVY was a little unsure of what to expect, but within 30 seconds of chatting with vocalist Chris Penney and guitarist Anthony Biancofiore we knew we were in familiar territory. We start by talking about the new album and its early reception.
"Great," Biancofiore smiled before Penney cut in.
"Everyone's loving it. It's good stuff."
"I've been getting heaps of messages from people I don't even know saying they heard the album, and it's great," Biancofiore continued. "They like specific songs, so it's interesting."
HEAVY asks if anyone has been able to pronounce the title yet, which was greeted by fiendish laughter from the pair.
"I don't care," Penney laughed. "It's not our problem."
"That's for you to figure out," Biancofiore laughed over the top.
We ask about the album musically and what Private Function were going for.
"It's kind of a different one," Penney measured, "because we wrote most of the songs in the studio. All of our previous albums, we've had the songs 100 % finished, and we'd knock them out in a weekend, but this one was a far more collaborative effort between all of us. We've all got pretty different styles of music we come from."
"For sure," Biancofiore nodded in agreement. "There's room for all of it on this album. Even the songs that aren't your natural genre, there's a path for you to follow and have a moment in as well. There's a six-minute electronica song that's not really any of our forte's, but you listen to it, and you can hear everyone on it."
"We've got sea shanties, we've got a sick 80s… It's like a KISS type thing…" Penney added.
"Like a glam rock song, it's all over the shop."
In the full interview we talk more about the new album and the songs on it, the title and where and why they came up with it, starting the album with the heaviest song Animal, Chris' obsession with vegemite, their live show and what to expect, the microscopic cover and the thought process behind it, meat raffles, their cheeky sense of humour and pushing the envelope, the national tour including the final show at Thrashville, touring overseas and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1120australia,band,chrispenney,hardrock,heavy,interview,krispeters,music,musicinterview,musicpodcast,podcast,privatefunction,punk,punkrock,thrashville,tpur,vegemitetruefullhttps://www.spreaker.com/episode/integrating-music-and-gaming-with-the-living-tombstone--66305178Music and video games are no strange bedfellows, with bands such as Motorhead, Judas Priest, Dragonforce and Iron Maiden, plus a stack of others having their music forever immortalised in the popular platform.
But more often than not, the songs are written first, with executives from gaming companies sensing the potential for more money by adding the songs in at a later date or as a soundtrack. But what if there was a band that actually wrote and performed music that was an amalgamation of the two? A band that combined electronic rock with gaming culture and internet anthems?
Such a thing exists in the form of The Living Tombstone, an LA electronic rock outfit with both feet firmly planted across all three, making them possibly one of the most powerful and influential bands in the world.
The two founding members - Yoav Landau and Sam Haft are in the unique position of being both recording artists and influencers in gaming, and as such have their fingers on the metaphorical pulse of both realms, which can only translate to something special in the right hands. And if the last decade of success is anything to go by, then The Living Tombstone have certainly cracked that elusive crossover market.
With their first album in six years, Rust, coming out this Friday, May 30 and an Australian tour looming in July, HEAVY sat down for an interesting chat with both gentlemen to see if we could pinch some pointers.
"The name itself is inherently inspired by bands that in and of itself are things you feel for, like as a concept," Landau explained, "Like Gorillaz, for example, is a great idea. The name comes up, and you don't just think about the music; you think about the entire visual. It is almost like a snapshot or an obsession over other bands that had this sort of name and idea and big opaque."
We ask about the live show and bringing all of their musical elements to life during a performance.
"The band is very much in and of itself, with characters that are really big and out of this world," Landau answered first. "Gaming and media culture are very much about how much you feel for them and the things you're into, so we translate and try to connect it within our own world."
"We try to have characters people can connect to that are visual and exciting to look at," Sam added. "Beyond just the experience of going and seeing a band play live, you're getting to see these characters perform live."
In the full interview, we had a chat about shoey's and Australian fans' insatiable appetite for the homemade craze. Sam and Yoav discussed their creative process, highlighting the collaborative nature of their work and the integration of gaming into their music, which has become increasingly relevant in pop culture. They expressed excitement for their new album, Rust, and their commitment to delivering a mix of familiar and innovative elements to connect with fans emotionally.
We spoke more about their live show We spoke more about their live show and what to expect, the song they had on the movie Five Nights At Freddy's, the early days of the band and how their vision has changed, integrating gaming with music and finding the balance in the creative stage and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66305178Wed, 28 May 2025 02:21:54 +0000HEAVY MagazineInterview by Kris Peters Music and video games are no strange bedfellows, with bands such as Motorhead, Judas Priest, Dragonforce and Iron Maiden, plus a stack of others having their music forever immortalised in the popular platform. But more often...Music and video games are no strange bedfellows, with bands such as Motorhead, Judas Priest, Dragonforce and Iron Maiden, plus a stack of others having their music forever immortalised in the popular platform.
But more often than not, the songs are written first, with executives from gaming companies sensing the potential for more money by adding the songs in at a later date or as a soundtrack. But what if there was a band that actually wrote and performed music that was an amalgamation of the two? A band that combined electronic rock with gaming culture and internet anthems?
Such a thing exists in the form of The Living Tombstone, an LA electronic rock outfit with both feet firmly planted across all three, making them possibly one of the most powerful and influential bands in the world.
The two founding members - Yoav Landau and Sam Haft are in the unique position of being both recording artists and influencers in gaming, and as such have their fingers on the metaphorical pulse of both realms, which can only translate to something special in the right hands. And if the last decade of success is anything to go by, then The Living Tombstone have certainly cracked that elusive crossover market.
With their first album in six years, Rust, coming out this Friday, May 30 and an Australian tour looming in July, HEAVY sat down for an interesting chat with both gentlemen to see if we could pinch some pointers.
"The name itself is inherently inspired by bands that in and of itself are things you feel for, like as a concept," Landau explained, "Like Gorillaz, for example, is a great idea. The name comes up, and you don't just think about the music; you think about the entire visual. It is almost like a snapshot or an obsession over other bands that had this sort of name and idea and big opaque."
We ask about the live show and bringing all of their musical elements to life during a performance.
"The band is very much in and of itself, with characters that are really big and out of this world," Landau answered first. "Gaming and media culture are very much about how much you feel for them and the things you're into, so we translate and try to connect it within our own world."
"We try to have characters people can connect to that are visual and exciting to look at," Sam added. "Beyond just the experience of going and seeing a band play live, you're getting to see these characters perform live."
In the full interview, we had a chat about shoey's and Australian fans' insatiable appetite for the homemade craze. Sam and Yoav discussed their creative process, highlighting the collaborative nature of their work and the integration of gaming into their music, which has become increasingly relevant in pop culture. They expressed excitement for their new album, Rust, and their commitment to delivering a mix of familiar and innovative elements to connect with fans emotionally.
We spoke more about their live show We spoke more about their live show and what to expect, the song they had on the movie Five Nights At Freddy's, the early days of the band and how their vision has changed, integrating gaming with music and finding the balance in the creative stage and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1077album,australia,destroyalllines,electronicmusic,gaming,heavy,internet,interview,krispeters,musicinterview,musicpodcast,podcast,popmusic,rock,rust,samhaft,socialmediainfluencer,thelivingtombstone,tour,yoavlandaufalsefullhttps://www.spreaker.com/episode/bringing-the-brutality-with-dace-chavarri-from-ill-nino--66291371The global musical landscape shifted forever in 2001, with the release of Ill Nino's debut album, Revolution Revolución. It introduced the world to a fusion of metal and Latino-influenced brutality that gave birth to a new movement of metal that still exists in some form today.
It was an experimental and daring album from a group of musicians from New Jersey who decided to combine their culture with their music and introduced the world to a band who give no quarter and have remained steadfast despite well publicized internal battles.
It says much for the scope and vision of founding vocalist Dave Chavarrí, who has reassembled his dream numerous times over in search of the perfect formula. To showcase the new-look line up - and reportedly the best yet - the band are paying their first visit Down Under in eight years this September, intent on pummelling their Australian fans into musical submission.
Chavarri joined HEAVY earlier this week to fill us in on the blanks.
"Wait until you see the new band and the new line-up," he declared straight off the bat. "We're going to fucking crush Australia, man. People ain't going to be ready for this shit right now."
We ask Chavarri what has changed with Ill Nino in the eight years between visits.
"We have a new singer now," he replied. "We are going to release a new track and a new video and song next month, and it's from the new album that we're starting to record next week. The new album is fucking insane. It's the best thing that we've done since Revolution Revolución, I feel. And yeah, wait till you see the band live. We're in the best shape of our lives physically - the entire band - mentally and spiritually. We're firing all cylinders right now, and we just can't wait to come and fuck shit up."
In the full interview, Dave spoke more about the new line-up and new song, Ill Nino's live show and what makes it so brutal, bringing Adema as touring partners, and his love for Australian crowds.
He reflected on the band's evolution, influenced by his Latin music upbringing, and shared his commitment to Ill Nino despite past challenges, including member changes and conflicts. He noted recent reconciliations with former members Christian and Marcos, emphasizing a newfound positivity and supportive environment within the band. We spoke about what keeps driving him despite the setbacks, and his need to have the band and music in his life.
We touched on the new material and what direction it will take, when it might come out and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66291371Tue, 27 May 2025 09:56:26 +0000HEAVY MagazineInterview by Kris Peters The global musical landscape shifted forever in 2001, with the release of Ill Nino's debut album, Revolution Revolución. It introduced the world to a fusion of metal and Latino-influenced brutality that gave birth to a new...The global musical landscape shifted forever in 2001, with the release of Ill Nino's debut album, Revolution Revolución. It introduced the world to a fusion of metal and Latino-influenced brutality that gave birth to a new movement of metal that still exists in some form today.
It was an experimental and daring album from a group of musicians from New Jersey who decided to combine their culture with their music and introduced the world to a band who give no quarter and have remained steadfast despite well publicized internal battles.
It says much for the scope and vision of founding vocalist Dave Chavarrí, who has reassembled his dream numerous times over in search of the perfect formula. To showcase the new-look line up - and reportedly the best yet - the band are paying their first visit Down Under in eight years this September, intent on pummelling their Australian fans into musical submission.
Chavarri joined HEAVY earlier this week to fill us in on the blanks.
"Wait until you see the new band and the new line-up," he declared straight off the bat. "We're going to fucking crush Australia, man. People ain't going to be ready for this shit right now."
We ask Chavarri what has changed with Ill Nino in the eight years between visits.
"We have a new singer now," he replied. "We are going to release a new track and a new video and song next month, and it's from the new album that we're starting to record next week. The new album is fucking insane. It's the best thing that we've done since Revolution Revolución, I feel. And yeah, wait till you see the band live. We're in the best shape of our lives physically - the entire band - mentally and spiritually. We're firing all cylinders right now, and we just can't wait to come and fuck shit up."
In the full interview, Dave spoke more about the new line-up and new song, Ill Nino's live show and what makes it so brutal, bringing Adema as touring partners, and his love for Australian crowds.
He reflected on the band's evolution, influenced by his Latin music upbringing, and shared his commitment to Ill Nino despite past challenges, including member changes and conflicts. He noted recent reconciliations with former members Christian and Marcos, emphasizing a newfound positivity and supportive environment within the band. We spoke about what keeps driving him despite the setbacks, and his need to have the band and music in his life.
We touched on the new material and what direction it will take, when it might come out and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1318australia,davechavarri,heavy,heavymetal,illnino,interview,krispeters,latinmetal,music,musicinterview,musicpodcast,octoberpresents,podcast,tourtruefullhttps://www.spreaker.com/episode/functioning-in-a-state-of-dysfunction-with-matti-harrod-from-beanflipper--66220714After playing what the band describes themselves as the worst gig they have ever done in late 1998, popular Melbourne outfit Beanflipper decided to call it a day, leaving a massive hole in the Australian music scene.
Since 1993, the five-piece had been terrorizing the local music scene, with their underbelly of punk, grindcore, noise, and death metal dragging the band kicking and screaming into the hearts and ears of those who stood in their path. They released three albums in that time, touring relentlessly and fearlessly, anchoring themselves in the blood-soaked altar of Australian grind and hardcore. They weren’t just part of the scene — they were the cursed heartbeat beneath it.
After a brief flirtation with a second lease on life, Beanflipper faded into obscurity, but now, two decades since that last echo faded, the beast stirs once more. In 2025, to mark 30 years since Total Dysfunctional Collapse first howled into the void, Beanflipper returns — resurrected by the mad generosity of Kent Bartley and his invitation to play Necrosonic Festival 2025. It's not just a reunion. It's a reckoning.
HEAVY spent some time with drummer Matti Harrod to fill in the blanks.
"It's actually been a lot easier than I thought, getting to know the songs, considering it's been 20 years," he smiled. "Now it's down to what I call the footy training side of it, where every week you've got to go into the rehearsal room and smash out two sets to get the fitness up. I mean, it's a bit like an endurance game, really."
We ask if the approaching resurrection show is more nerve inducing or exciting, given it has been so long between drinks.
"Is it nervous? Is it relief? I know we're all really excited," he replied. "I've been quite humbled by the response that we've received. People are just so chuffed that we're back together again. When I first sort of sneakily announced it on my own Facebook, there were heaps of people going, what, are you bullshitting us?"
In the full interview, Matti talks more about the upcoming show and how the band are going to approach it. We ask him what to expect from their live show and what surprises they have in store, as well as naming a couple of songs festival goers can listen to in order to know what to expect.
The discussion also covered the band's history, including its origins in 1993 and the various line-up changes that shaped their sound. Matti reflected on the band's tumultuous past, particularly a disappointing final show in 1998, and noted the excitement surrounding their reunion, which coincides with the 30th anniversary of their first CD plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66220714Fri, 23 May 2025 07:30:41 +0000HEAVY MagazineInterview by Kris Peters After playing what the band describes themselves as the worst gig they have ever done in late 1998, popular Melbourne outfit Beanflipper decided to call it a day, leaving a massive hole in the Australian music scene. Since...After playing what the band describes themselves as the worst gig they have ever done in late 1998, popular Melbourne outfit Beanflipper decided to call it a day, leaving a massive hole in the Australian music scene.
Since 1993, the five-piece had been terrorizing the local music scene, with their underbelly of punk, grindcore, noise, and death metal dragging the band kicking and screaming into the hearts and ears of those who stood in their path. They released three albums in that time, touring relentlessly and fearlessly, anchoring themselves in the blood-soaked altar of Australian grind and hardcore. They weren’t just part of the scene — they were the cursed heartbeat beneath it.
After a brief flirtation with a second lease on life, Beanflipper faded into obscurity, but now, two decades since that last echo faded, the beast stirs once more. In 2025, to mark 30 years since Total Dysfunctional Collapse first howled into the void, Beanflipper returns — resurrected by the mad generosity of Kent Bartley and his invitation to play Necrosonic Festival 2025. It's not just a reunion. It's a reckoning.
HEAVY spent some time with drummer Matti Harrod to fill in the blanks.
"It's actually been a lot easier than I thought, getting to know the songs, considering it's been 20 years," he smiled. "Now it's down to what I call the footy training side of it, where every week you've got to go into the rehearsal room and smash out two sets to get the fitness up. I mean, it's a bit like an endurance game, really."
We ask if the approaching resurrection show is more nerve inducing or exciting, given it has been so long between drinks.
"Is it nervous? Is it relief? I know we're all really excited," he replied. "I've been quite humbled by the response that we've received. People are just so chuffed that we're back together again. When I first sort of sneakily announced it on my own Facebook, there were heaps of people going, what, are you bullshitting us?"
In the full interview, Matti talks more about the upcoming show and how the band are going to approach it. We ask him what to expect from their live show and what surprises they have in store, as well as naming a couple of songs festival goers can listen to in order to know what to expect.
The discussion also covered the band's history, including its origins in 1993 and the various line-up changes that shaped their sound. Matti reflected on the band's tumultuous past, particularly a disappointing final show in 1998, and noted the excitement surrounding their reunion, which coincides with the 30th anniversary of their first CD plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1059beanflipper,deathmetal,hardcore,heavy,heavymetal,interview,krispeters,mansfieldtavern,music,musicfestival,necrosonicfestival,podcast,punktruefullhttps://www.spreaker.com/episode/the-unmistakable-roar-of-rock-with-josh-todd-from-buckcherry--66181755Today we're going to do something a little bit different. Instead of just talking normally about an album, as people normally do, HEAVY reviewed the upcoming release from Buckcherry - Roar Like Thunder - and went through it with vocalist Josh Todd song by song and he let us know if we were on the right track before giving us a bit more of a detailed version of what the song is about.
We started with the review intro. 
"I've long been a fan of Buckcherry and their music. It has always held an infectious air of defiance and a rebellious swagger that has defied much of the music that has punctuated the last 25 years, with the band making an immediate statement with the classic song Lit Up from their self-titled 1999 debut album. They have always been a band that skirts in the shadowy side of the rock realm, defying trends and expectations while still managing to have somewhat of a crossover appeal that evades many others.
After losing track of the band for a few years, I caught up again with Buckcherry for their sensational Fuck EP in 2014 and have kept up with every release since. The band seemed to find a fresh air of rock-drenched goodness on their 2021 release Hellbound, which they carried through to Volume 10 two years later. So it is with a great deal of excitement I sit to listen to their upcoming album, Roar Like Thunder, which is scheduled for release on June 13th."
"That's great. Love it," Todd smiled. "Yeah, we're very excited. You know, we've already dropped three songs off the record, Roar Like Thunder, the title track, Come On and Set It Free, and everybody's loving it. It's a great record, you know, and it rocks from beginning to end. We're really excited for it to hit the streets."
The full interview features a track-by-track analysis of Roar Like Thunder, where Josh highlighted themes of focus and ambition in the title track and expressed enthusiasm for the positive reception of three already released songs. He shared insights into the songwriting process, mentioning the evolution of tracks like Talking Bout Sex, inspired by Cardi B and George Michael, and Blackout, which reflects his personal struggles with alcohol.
The conversation also covered the blues influences in songs like I Go Boom, which explores sociopathic themes, and the motivational nature of Set It Free. Other tracks discussed included Hello Goodbye, which contemplates bittersweet relationships, and Machine Gun, showcasing the band's storytelling ability. The dialogue concluded with praise for Let It Burn, seen as a powerful finale, reinforcing Buckcherry's strong presence in rock music.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66181755Wed, 21 May 2025 09:58:38 +0000HEAVY MagazineInterview by Kris Peters Today we're going to do something a little bit different. Instead of just talking normally about an album, as people normally do, HEAVY reviewed the upcoming release from Buckcherry - Roar Like Thunder - and went through it...Today we're going to do something a little bit different. Instead of just talking normally about an album, as people normally do, HEAVY reviewed the upcoming release from Buckcherry - Roar Like Thunder - and went through it with vocalist Josh Todd song by song and he let us know if we were on the right track before giving us a bit more of a detailed version of what the song is about.
We started with the review intro. 
"I've long been a fan of Buckcherry and their music. It has always held an infectious air of defiance and a rebellious swagger that has defied much of the music that has punctuated the last 25 years, with the band making an immediate statement with the classic song Lit Up from their self-titled 1999 debut album. They have always been a band that skirts in the shadowy side of the rock realm, defying trends and expectations while still managing to have somewhat of a crossover appeal that evades many others.
After losing track of the band for a few years, I caught up again with Buckcherry for their sensational Fuck EP in 2014 and have kept up with every release since. The band seemed to find a fresh air of rock-drenched goodness on their 2021 release Hellbound, which they carried through to Volume 10 two years later. So it is with a great deal of excitement I sit to listen to their upcoming album, Roar Like Thunder, which is scheduled for release on June 13th."
"That's great. Love it," Todd smiled. "Yeah, we're very excited. You know, we've already dropped three songs off the record, Roar Like Thunder, the title track, Come On and Set It Free, and everybody's loving it. It's a great record, you know, and it rocks from beginning to end. We're really excited for it to hit the streets."
The full interview features a track-by-track analysis of Roar Like Thunder, where Josh highlighted themes of focus and ambition in the title track and expressed enthusiasm for the positive reception of three already released songs. He shared insights into the songwriting process, mentioning the evolution of tracks like Talking Bout Sex, inspired by Cardi B and George Michael, and Blackout, which reflects his personal struggles with alcohol.
The conversation also covered the blues influences in songs like I Go Boom, which explores sociopathic themes, and the motivational nature of Set It Free. Other tracks discussed included Hello Goodbye, which contemplates bittersweet relationships, and Machine Gun, showcasing the band's storytelling ability. The dialogue concluded with praise for Let It Burn, seen as a powerful finale, reinforcing Buckcherry's strong presence in rock music.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1136album,buckcherry,hardrock,heavy,heavymetal,interview,joshtodd,krispeters,music,musicinterview,musicpodcast,podcast,roarlikethunder,rocktruefullhttps://www.spreaker.com/episode/fine-dining-done-right-with-metal-mastication-and-steve-unger--66180099Two of the most essential things in life would have to be heavy metal and food. Hands down. 
No argument.
But what is actually better than metal or eating? Combining the two together, which is exactly what Brett Hoag and James Pulli have done with their revolutionary, entertaining and informative show, Metal Mastication. Since 2023, Hoag and Pulli have been producing quality content, interviewing bands and artists while cooking up a storm with a personally selected favourite dish from the guest of the day.
It is a novel and unique concept, and also the first of its kind, so it is no wonder the show has developed a cult following in America that promises to break through to the rest of the world at any time. Over the years, Metal Mastication has hosted David Ellefson, Jeff Young, Tony Macalpine and Steve Unger, with Unger's heat sensitive Breasts Of Fire recipe marking itself down in history as one of the most intense dishes ever created for television.
The recipe was so good, in fact, that when HEAVY spoke with Metal Mastication earlier today, Unger made a special trip from his home base to Los Angeles just to run it through with us on this side of the world.
"Hell, Masticators and Metalheads in Australia, it's so good to be here with you guys," Hoag began the conversation, introducing the show as well as himself. "My name is Brett, and I host Metal Mastication. We are the only heavy metal interview show set in the kitchen. Where do the best conversations happen in your house, Kris?"
"The toilet?" HEAVY replied, before changing our answer to the kitchen.
"The kitchen, yeah, you're correct," Hoag laughed. "And so that's where the idea came from, and we've done 19 episodes. We have eight on our YouTube channel, and right now we are in the quarter-finals of the Colossus Favourite Chef 2025 competition. It benefits the James Beard Society, which brings equity and sustainability to professional kitchens. If we win this competition, it will allow us to buy a food truck and go to metal festivals as well. Now, say you're at a metal festival, and you're there to see Metal Church, for example. I know they're really huge in Australia, they're huge all over the world. So you see our food truck there, and you go, wow, that's fun. That's a cool logo, that's a cool purple truck. You walk up to get something, and behind the counter in the food truck is none other than Steve Unger, the bass player, the Metal Hall of Fame bass player from Metal Church."
The session focused on the unique concept of blending heavy metal music with cooking, featuring discussions about the show's premise and a cooking demonstration. Brett highlighted the show's innovative format, which combines interviews with heavy metal musicians in a kitchen setting. Steve Unger discussed his signature dish, Breasts of Fire, and expressed enthusiasm for connecting with Australian fans. The conversation included humorous anecdotes about cooking and the challenges of using spicy ingredients, with Brett noting that all necessary ingredients are provided for guests to enhance their cooking experience.
HEAVY inquired about the origins of the show, prompting Brett to recount how it began two years ago after discussions with Billy Sheehan about cooking on social media. He emphasized that while cooking is a component, the primary focus remains on interviews and conversations with guests, while Steve provided an update on Metal Church's hiatus while also discussing his involvement in other projects and more.
Don't forget to vote for Brett and Metal Mastication here: https://favchef.com/2025/brett-


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66180099Wed, 21 May 2025 07:00:27 +0000HEAVY MagazineInterview by Kris Peters Two of the most essential things in life would have to be heavy metal and food. Hands down.  No argument. But what is actually better than metal or eating? Combining the two together, which is exactly what Brett Hoag and James...Two of the most essential things in life would have to be heavy metal and food. Hands down. 
No argument.
But what is actually better than metal or eating? Combining the two together, which is exactly what Brett Hoag and James Pulli have done with their revolutionary, entertaining and informative show, Metal Mastication. Since 2023, Hoag and Pulli have been producing quality content, interviewing bands and artists while cooking up a storm with a personally selected favourite dish from the guest of the day.
It is a novel and unique concept, and also the first of its kind, so it is no wonder the show has developed a cult following in America that promises to break through to the rest of the world at any time. Over the years, Metal Mastication has hosted David Ellefson, Jeff Young, Tony Macalpine and Steve Unger, with Unger's heat sensitive Breasts Of Fire recipe marking itself down in history as one of the most intense dishes ever created for television.
The recipe was so good, in fact, that when HEAVY spoke with Metal Mastication earlier today, Unger made a special trip from his home base to Los Angeles just to run it through with us on this side of the world.
"Hell, Masticators and Metalheads in Australia, it's so good to be here with you guys," Hoag began the conversation, introducing the show as well as himself. "My name is Brett, and I host Metal Mastication. We are the only heavy metal interview show set in the kitchen. Where do the best conversations happen in your house, Kris?"
"The toilet?" HEAVY replied, before changing our answer to the kitchen.
"The kitchen, yeah, you're correct," Hoag laughed. "And so that's where the idea came from, and we've done 19 episodes. We have eight on our YouTube channel, and right now we are in the quarter-finals of the Colossus Favourite Chef 2025 competition. It benefits the James Beard Society, which brings equity and sustainability to professional kitchens. If we win this competition, it will allow us to buy a food truck and go to metal festivals as well. Now, say you're at a metal festival, and you're there to see Metal Church, for example. I know they're really huge in Australia, they're huge all over the world. So you see our food truck there, and you go, wow, that's fun. That's a cool logo, that's a cool purple truck. You walk up to get something, and behind the counter in the food truck is none other than Steve Unger, the bass player, the Metal Hall of Fame bass player from Metal Church."
The session focused on the unique concept of blending heavy metal music with cooking, featuring discussions about the show's premise and a cooking demonstration. Brett highlighted the show's innovative format, which combines interviews with heavy metal musicians in a kitchen setting. Steve Unger discussed his signature dish, Breasts of Fire, and expressed enthusiasm for connecting with Australian fans. The conversation included humorous anecdotes about cooking and the challenges of using spicy ingredients, with Brett noting that all necessary ingredients are provided for guests to enhance their cooking experience.
HEAVY inquired about the origins of the show, prompting Brett to recount how it began two years ago after discussions with Billy Sheehan about cooking on social media. He emphasized that while cooking is a component, the primary focus remains on interviews and conversations with guests, while Steve provided an update on Metal Church's hiatus while also discussing his involvement in other projects and more.
Don't forget to vote for Brett and Metal Mastication here: https://favchef.com/2025/brett-


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>3334bretthoag,cooking,favouritechef2025,food,hardrock,heavy,heavymetal,interview,metalchurch,metalmastication,music,podcast,steveungertruefullhttps://www.spreaker.com/episode/navigating-grief-and-galaxies-the-night-flight-orchestra-s-cinematic-journey-with-give-us-the-moon--66166178Swedish rock collective The Night Flight Orchestra have always fused nostalgia and ambition, but their latest release, Give Us the Moon, dives deeper than ever before—both emotionally and sonically. Frontman Björn Strid opened up about the band’s journey through loss, growth, and creative expansion following the passing of co-founder and guitarist David Andersson.
Strid describes the album as “cinematic” and “dreamy,” a result of the emotional weight carried during its creation. “We had to grieve as a band,” he says, reflecting on the impact of losing Andersson. “But we also wanted to find joy again and create something uplifting—something he would be proud of.” The result is a multilayered, genre-fluid soundscape that defies classification, staying true to the band’s commitment to musical freedom and sincerity.
Themes of space and existential reflection permeate Give Us the Moon, inspired in part by a letter Andersson left behind, wishing to be remembered as “an astronaut floating in space.” This poetic image gave shape to the album’s narrative arc and title. Despite their retro influences—pulling heavily from late '70s and early '80s AOR and classic rock—Strid emphasises that their music is not just a throwback. “It’s a tradition we want to carry on, but it needs to make sense today.”
The band’s recent signing with Napalm Records also marked a turning point, opening up new promotional avenues and international exposure, including a surprise interview with CNN. With their growing global footprint, The Night Flight Orchestra is preparing for a return to Australia—a country that left a profound mark on Strid during their last visit, inspiring the emotionally charged track “Melbourne, May I.”
Balancing his heavy metal roots (as the frontman of Soilwork) with the melodic, theatrical nature of TNFO, Strid finds fulfilment in the contrast. “I switch between genres easily,” he says, noting that each project brings out a different side of his artistry.
As Give Us the Moon soars, The Night Flight Orchestra continues to celebrate both the cosmic and the deeply personal—honouring a lost friend, embracing new creative horizons, and inviting listeners on an unforgettable voyage through sound and soul.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66166178Tue, 20 May 2025 08:40:44 +0000HEAVY MagazineInterview by Angela Croudace Swedish rock collective The Night Flight Orchestra have always fused nostalgia and ambition, but their latest release, Give Us the Moon, dives deeper than ever before—both emotionally and sonically. Frontman Björn Strid...Swedish rock collective The Night Flight Orchestra have always fused nostalgia and ambition, but their latest release, Give Us the Moon, dives deeper than ever before—both emotionally and sonically. Frontman Björn Strid opened up about the band’s journey through loss, growth, and creative expansion following the passing of co-founder and guitarist David Andersson.
Strid describes the album as “cinematic” and “dreamy,” a result of the emotional weight carried during its creation. “We had to grieve as a band,” he says, reflecting on the impact of losing Andersson. “But we also wanted to find joy again and create something uplifting—something he would be proud of.” The result is a multilayered, genre-fluid soundscape that defies classification, staying true to the band’s commitment to musical freedom and sincerity.
Themes of space and existential reflection permeate Give Us the Moon, inspired in part by a letter Andersson left behind, wishing to be remembered as “an astronaut floating in space.” This poetic image gave shape to the album’s narrative arc and title. Despite their retro influences—pulling heavily from late '70s and early '80s AOR and classic rock—Strid emphasises that their music is not just a throwback. “It’s a tradition we want to carry on, but it needs to make sense today.”
The band’s recent signing with Napalm Records also marked a turning point, opening up new promotional avenues and international exposure, including a surprise interview with CNN. With their growing global footprint, The Night Flight Orchestra is preparing for a return to Australia—a country that left a profound mark on Strid during their last visit, inspiring the emotionally charged track “Melbourne, May I.”
Balancing his heavy metal roots (as the frontman of Soilwork) with the melodic, theatrical nature of TNFO, Strid finds fulfilment in the contrast. “I switch between genres easily,” he says, noting that each project brings out a different side of his artistry.
As Give Us the Moon soars, The Night Flight Orchestra continues to celebrate both the cosmic and the deeply personal—honouring a lost friend, embracing new creative horizons, and inviting listeners on an unforgettable voyage through sound and soul.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1427angelacroudace,australia,bjornstrid,hardrock,heavy,interview,music,musicinterview,musicpodcast,podcast,rock,soilwork,thenightflightorchestra,tourtruefullhttps://www.spreaker.com/episode/thunder-from-the-witch-s-cauldron-burning-witches-bassist-talks-magic-metal-and-aussie-tour-debut--66115765For Burning Witches bassist Jay Grob, the path to heavy metal thunder began with a red guitar—and a little persuasion. “Romana (Burning Witches’ guitarist) gave it to me and said, ‘It fits your hair,’” Jay laughs. “But I thought, every idiot plays guitar! Then she handed me a bass, and I was like—yeah, that’s more me.”
Now a cornerstone of the Swiss all-female metal powerhouse, Jay’s bass playing has become a defining force behind their sound. Guided by Romana Kalkuhl and her husband, she’s never stopped learning. “You have to play continuously, even in your free time,” she says. “It never ends.”
With their first-ever Australian tour about to ignite, Jay is buzzing with anticipation. “I’m so curious about the fans there,” she says. “Every country’s different. We’ll meet fans at VIP events, and I hope I can explore the food and culture too—maybe see a kangaroo!”
Despite their fierce stage presence, the band’s bond is grounded in friendship. “Off stage, we’re like family,” Jay shares. “We BBQ in Switzerland, go shopping together on tour days off—it’s real.”
When it comes to songwriting, Jay jumps in after the drums are locked in. “Romana and Lala (drummer) get the riffs down first. Then vocals. Then I come in with the bass.”
Live, it’s the fans that fuel her fire. “Whether it’s Wacken or a tiny club, when fans sing every lyric, that’s the most beautiful thing.” But the real challenge? “Finding a washing machine on tour,” she jokes.
As Burning Witches’ fan base grows globally, Jay stays grounded. “We’re just five crazy chicks spreading our love for metal. I hope Aussie fans feel the magic when they see us live. Real heavy metal. Real energy.”
Australia, get ready—Burning Witches are about to set the stage ablaze.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66115765Mon, 19 May 2025 07:21:00 +0000HEAVY MagazineInterview by Angela Croudace For Burning Witches bassist Jay Grob, the path to heavy metal thunder began with a red guitar—and a little persuasion. “Romana (Burning Witches’ guitarist) gave it to me and said, ‘It fits your hair,’” Jay laughs. “But I...For Burning Witches bassist Jay Grob, the path to heavy metal thunder began with a red guitar—and a little persuasion. “Romana (Burning Witches’ guitarist) gave it to me and said, ‘It fits your hair,’” Jay laughs. “But I thought, every idiot plays guitar! Then she handed me a bass, and I was like—yeah, that’s more me.”
Now a cornerstone of the Swiss all-female metal powerhouse, Jay’s bass playing has become a defining force behind their sound. Guided by Romana Kalkuhl and her husband, she’s never stopped learning. “You have to play continuously, even in your free time,” she says. “It never ends.”
With their first-ever Australian tour about to ignite, Jay is buzzing with anticipation. “I’m so curious about the fans there,” she says. “Every country’s different. We’ll meet fans at VIP events, and I hope I can explore the food and culture too—maybe see a kangaroo!”
Despite their fierce stage presence, the band’s bond is grounded in friendship. “Off stage, we’re like family,” Jay shares. “We BBQ in Switzerland, go shopping together on tour days off—it’s real.”
When it comes to songwriting, Jay jumps in after the drums are locked in. “Romana and Lala (drummer) get the riffs down first. Then vocals. Then I come in with the bass.”
Live, it’s the fans that fuel her fire. “Whether it’s Wacken or a tiny club, when fans sing every lyric, that’s the most beautiful thing.” But the real challenge? “Finding a washing machine on tour,” she jokes.
As Burning Witches’ fan base grows globally, Jay stays grounded. “We’re just five crazy chicks spreading our love for metal. I hope Aussie fans feel the magic when they see us live. Real heavy metal. Real energy.”
Australia, get ready—Burning Witches are about to set the stage ablaze.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>749angelacroudace,australia,burningwitches,hardlinemedia',heavy,heavymetal,interview,music,musicinterview,musicpodcast,podcast,tourtruefullhttps://www.spreaker.com/episode/sleep-theory-rising-rock-powerhouse-redefines-modern-sound--66069242Sleep Theory is shaking up the rock world with a bold blend of anthemic choruses, polished production, and emotionally charged lyrics. Lead singer Cullen Moore opened up about the band’s journey, their creative vision, and how they’re building a powerful connection with fans both on and off-stage.
From the start, Sleep Theory has stood out by combining elements of rock, pop, and metal in a way that resonates with a wide audience. The band’s breakout single Another Way catapulted them into the spotlight, and they haven’t looked back since. With millions of streams and a dedicated fan base growing by the day, their rise has been nothing short of meteoric.
Moore emphasises authenticity and emotion in their songwriting. “Everything we write comes from a real place,” he says. “We want people to hear our songs and feel understood.” This genuine connection is reflected in the energy of their live shows, where fans sing every word back to them with raw emotion.
Looking ahead, Sleep Theory is focused on pushing boundaries with upcoming releases. “We’re experimenting more,” Moore reveals. “We’re not afraid to step outside the box.” Yes, we also probed Cullen on the chances of an Australian tour; we can proudly announce that an Aussie tour is being discussed!
With undeniable talent, fearless creativity, and a message that resonates, Sleep Theory is fast becoming a defining voice in the next era of rock.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66069242Thu, 15 May 2025 22:12:47 +0000HEAVY MagazineInterview by Angela Craudace Sleep Theory is shaking up the rock world with a bold blend of anthemic choruses, polished production, and emotionally charged lyrics. Lead singer Cullen Moore opened up about the band’s journey, their creative vision, and...Sleep Theory is shaking up the rock world with a bold blend of anthemic choruses, polished production, and emotionally charged lyrics. Lead singer Cullen Moore opened up about the band’s journey, their creative vision, and how they’re building a powerful connection with fans both on and off-stage.
From the start, Sleep Theory has stood out by combining elements of rock, pop, and metal in a way that resonates with a wide audience. The band’s breakout single Another Way catapulted them into the spotlight, and they haven’t looked back since. With millions of streams and a dedicated fan base growing by the day, their rise has been nothing short of meteoric.
Moore emphasises authenticity and emotion in their songwriting. “Everything we write comes from a real place,” he says. “We want people to hear our songs and feel understood.” This genuine connection is reflected in the energy of their live shows, where fans sing every word back to them with raw emotion.
Looking ahead, Sleep Theory is focused on pushing boundaries with upcoming releases. “We’re experimenting more,” Moore reveals. “We’re not afraid to step outside the box.” Yes, we also probed Cullen on the chances of an Australian tour; we can proudly announce that an Aussie tour is being discussed!
With undeniable talent, fearless creativity, and a message that resonates, Sleep Theory is fast becoming a defining voice in the next era of rock.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1145album,angelacroudace,hardrock,heavy,heavymetal,interview,music,musicinterview,musicpodcast,podcast,rock,sleeptheorytruefullhttps://www.spreaker.com/episode/the-spill-canvas-celebrate-20-years-of-one-fell-swoop-with-first-ever-australian-tour--66098534Nick Thomas, frontman of The Spill Canvas, is bringing something special to Australian fans this year — a long-awaited celebration of their beloved 2005 album One Fell Swoop. Speaking ahead of their debut tour Down Under, Thomas shared his excitement and gratitude for being able to continue making music nearly two decades on.
“To get to do this for even a year, let alone over 20, is a marvel in and of itself,” he said. “We’ve never been to Australia, so to come over now and play this album in full feels really special.”
The tour, a co-headlining run with fellow emo pioneers The Juliana Theory, marks a major milestone for both bands. Thomas credits Emotion Is Dead as a formative influence in his own musical journey, and says he’s thrilled to share the stage with artists he once idolised. “I grew up listening to them — now we’re friends. It’s wild.”
The Spill Canvas will perform One Fell Swoop front to back, staying true to its original sequencing. “We spent a lot of time curating the track list as a journey,” Thomas explained. “It just feels right to honour it that way.” After the final track, Self-Conclusion, Thomas plans to segue into a few more fan favourites to round out the night.
Despite never visiting Australia before, Thomas is embracing the adventure with enthusiasm. “I’d love to see the Opera House, meet people, maybe spot a kangaroo. I’m also — embarrassingly — a big fan of Below Deck Down Under. Captain Jason is my hero!”
Reflecting on the recording of One Fell Swoop, Thomas recalled humble beginnings at Black Lodge Studios in Kansas with producer Ed Rose. “It was our first real studio experience. I remember Ryan Pope from The Get Up Kids giving me a shoulder rub while I was recording guitar. I tried to play it cool, but I was freaking out.”
Over the years, The Spill Canvas has toured with major acts like the Goo Goo Dolls and OneRepublic. Thomas fondly recalled an evening where Ryan Tedder listened to his demos and gave thoughtful feedback. “Moments like that are unforgettable. It’s what makes this lifestyle feel like a shared journey.”
After all these years, Thomas remains a passionate music fan, recently inspired by artists like Medium Build and Bilmuri (not the actor). “Always be a fan,” he said. “That’s what keeps it exciting.”
Check out the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66098534Thu, 15 May 2025 10:14:29 +0000HEAVY MagazineInterview by Angela Croudace Nick Thomas, frontman of The Spill Canvas, is bringing something special to Australian fans this year — a long-awaited celebration of their beloved 2005 album One Fell Swoop. Speaking ahead of their debut tour Down Under,...Nick Thomas, frontman of The Spill Canvas, is bringing something special to Australian fans this year — a long-awaited celebration of their beloved 2005 album One Fell Swoop. Speaking ahead of their debut tour Down Under, Thomas shared his excitement and gratitude for being able to continue making music nearly two decades on.
“To get to do this for even a year, let alone over 20, is a marvel in and of itself,” he said. “We’ve never been to Australia, so to come over now and play this album in full feels really special.”
The tour, a co-headlining run with fellow emo pioneers The Juliana Theory, marks a major milestone for both bands. Thomas credits Emotion Is Dead as a formative influence in his own musical journey, and says he’s thrilled to share the stage with artists he once idolised. “I grew up listening to them — now we’re friends. It’s wild.”
The Spill Canvas will perform One Fell Swoop front to back, staying true to its original sequencing. “We spent a lot of time curating the track list as a journey,” Thomas explained. “It just feels right to honour it that way.” After the final track, Self-Conclusion, Thomas plans to segue into a few more fan favourites to round out the night.
Despite never visiting Australia before, Thomas is embracing the adventure with enthusiasm. “I’d love to see the Opera House, meet people, maybe spot a kangaroo. I’m also — embarrassingly — a big fan of Below Deck Down Under. Captain Jason is my hero!”
Reflecting on the recording of One Fell Swoop, Thomas recalled humble beginnings at Black Lodge Studios in Kansas with producer Ed Rose. “It was our first real studio experience. I remember Ryan Pope from The Get Up Kids giving me a shoulder rub while I was recording guitar. I tried to play it cool, but I was freaking out.”
Over the years, The Spill Canvas has toured with major acts like the Goo Goo Dolls and OneRepublic. Thomas fondly recalled an evening where Ryan Tedder listened to his demos and gave thoughtful feedback. “Moments like that are unforgettable. It’s what makes this lifestyle feel like a shared journey.”
After all these years, Thomas remains a passionate music fan, recently inspired by artists like Medium Build and Bilmuri (not the actor). “Always be a fan,” he said. “That’s what keeps it exciting.”
Check out the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1342angelacroudace,australia,heavy,interview,music,musicinterview,musicpodcast,podcast,rock,thejulianatheory,thephoenix,thespillcanvas,tourtruefullhttps://www.spreaker.com/episode/feeding-the-hunger-with-jonny-hawkins-from-nothing-more--66068957Nothing More are a band on the rise. And rapidly.
Since the release of their seventh studio album, Carnal, last year, Nothing More have become the darlings of the hard rock scene, with three songs from that album already taking out top position on Rock Radio. And what does a band worth their promotional dollar do when they strike gold on a release? Yep, you guessed it, re-release the album as a deluxe special and draw in a whole new bunch of fans while placating existing lovers of their music.
While more often than not such a move reeks of cashing on for the sake of it, with Carnal Deluxe, Nothing More have expanded on the quality provided the first time around, plus added a new song to keep diehard fans happy.
HEAVY spent some time with frontman Jonny Hawkins earlier this week to go over Carnal Deluxe and why it is superior to the original version. We start by asking if Carnal was received as well as the band hoped.
"We knew this was going to be a strong album," he affirmed. "We felt a lot of confidence in our bones about this one. It just had good songs, and when we put it out, it performed as good as we had hoped, if not better. We have three number ones in a row, and now we have the song Freefall that will be climbing the charts, and we're - knock on wood - but we're hoping for a fourth number one."
We ask if the anticipation and excitement levels are the same for a Deluxe release as opposed to the initial album.
"I'd say typically not," he smiled honestly. "Deluxes are fun little ways to kind of boost the album and push it back up to the top of people's streaming platforms. But that's the main goal, I think, is just reminding people and getting them to stream it again. I mean, for us, we did have a feature on a song called Freefall with Chris Daughtry. So that was kind of cool, because we hadn't released that version of the song yet.
And then we had some cool remixes and stuff that were like good workout tracks or things to drive fast to that we didn't have on it before."
In the full interview, Jonny spoke more about Carnal Deluxe and the value of being able to release upgraded versions of an album. We ran through each of the five bonus tracks individually, and Johnny told us more about each song and the new versions available. We spoke about K9s For Warriors and the organisations success in dealing with mental health and why Nothing More chose to help them, working with David Draimen from Disturbed, the band's pleasure at having Chris Daughtry on one song, the new song We're All Gonna Die and how it came to be on the album, touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66068957Thu, 15 May 2025 05:30:54 +0000HEAVY MagazineInterview by Kris Peters Nothing More are a band on the rise. And rapidly. Since the release of their seventh studio album, Carnal, last year, Nothing More have become the darlings of the hard rock scene, with three songs from that album already...Nothing More are a band on the rise. And rapidly.
Since the release of their seventh studio album, Carnal, last year, Nothing More have become the darlings of the hard rock scene, with three songs from that album already taking out top position on Rock Radio. And what does a band worth their promotional dollar do when they strike gold on a release? Yep, you guessed it, re-release the album as a deluxe special and draw in a whole new bunch of fans while placating existing lovers of their music.
While more often than not such a move reeks of cashing on for the sake of it, with Carnal Deluxe, Nothing More have expanded on the quality provided the first time around, plus added a new song to keep diehard fans happy.
HEAVY spent some time with frontman Jonny Hawkins earlier this week to go over Carnal Deluxe and why it is superior to the original version. We start by asking if Carnal was received as well as the band hoped.
"We knew this was going to be a strong album," he affirmed. "We felt a lot of confidence in our bones about this one. It just had good songs, and when we put it out, it performed as good as we had hoped, if not better. We have three number ones in a row, and now we have the song Freefall that will be climbing the charts, and we're - knock on wood - but we're hoping for a fourth number one."
We ask if the anticipation and excitement levels are the same for a Deluxe release as opposed to the initial album.
"I'd say typically not," he smiled honestly. "Deluxes are fun little ways to kind of boost the album and push it back up to the top of people's streaming platforms. But that's the main goal, I think, is just reminding people and getting them to stream it again. I mean, for us, we did have a feature on a song called Freefall with Chris Daughtry. So that was kind of cool, because we hadn't released that version of the song yet.
And then we had some cool remixes and stuff that were like good workout tracks or things to drive fast to that we didn't have on it before."
In the full interview, Jonny spoke more about Carnal Deluxe and the value of being able to release upgraded versions of an album. We ran through each of the five bonus tracks individually, and Johnny told us more about each song and the new versions available. We spoke about K9s For Warriors and the organisations success in dealing with mental health and why Nothing More chose to help them, working with David Draimen from Disturbed, the band's pleasure at having Chris Daughtry on one song, the new song We're All Gonna Die and how it came to be on the album, touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>887album,betternoisemusic,carnaldeluxe,hardrock,heavy,interview,johnnyhawkins,krispeters,music,musicinterview,musicpodcast,nothingmore,podcast,rockfalsefullhttps://www.spreaker.com/episode/ripening-with-age-according-to-darren-crowe-from-fake-news--66067960Queensland punk upstarts Fake News are having a stellar 2025. Starting the year with a national opening slot for Pennywise and Millencolin, the lovable punksters have just released their new album Dead Set, abody of work which sees Fake News showcase a different, yet still familiar, side to their musical psyche.
The band are ready to take the next step forward with Dead Set. Whilst staying true to their 90s Skate punk sound, Fake News have evolved and raised the bar on the album. Boasting a high-energy and action packed live show, the release of Dead Set is a staunch reminder that Fake News are here to stay and create a legacy that stretches beyond their own backyard.
HEAVY sat down earlier today for a chat with guitarist Darren Crowe to find out more, starting by asking how the early reception to the album has been.
"It's been good," he smiled. "It's moving at a steady pace in the streamage. It seems to be doing all the right things and moving in the right direction. There are a few different songs in there, which might have lost a few listeners, but there's a few different songs in there that might have gained a few listeners as well. We've stayed true to who we are, and we've evolved, and we feel like we've got a very now sound with what we've done on this album. A lot of these songs were written seven years ago when the band started, and we just knew that we wanted to get them right. We didn't have the right people for the job so we kind of went back and redid them, and there are riffs there I've had lying around for like 15 plus years, so it's nice to finally get them released. 
People don't understand how much work goes into a riff in a song sometimes. When you hear it on release day, itwas probably recorded two or three years prior, and then by the time it comes out and stuff… there's just a lot of work that goes on behind the scenes. But it's nice to have it out."
In the full interview, Darren discussed Fake News' evolution and the challenges faced during production, emphasizing the importance of their punk roots while incorporating new elements. He highlighted the album's diverse tracks and encouraged fans to engage deeply with the music. We also discussed the unique approach to covering songs, noting the significance of drums in creating a fresh sound. 
We spoke about Fake News signing with Thousand Island Records, enabling international distribution and vinyl production. Darren expressed excitement for their upcoming launch show at Sol Bar and mentioned plans for more, as yet unannounced, touring this year plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66067960Tue, 13 May 2025 07:37:20 +0000HEAVY MagazineInterview by Kris Peters Queensland punk upstarts Fake News are having a stellar 2025. Starting the year with a national opening slot for Pennywise and Millencolin, the lovable punksters have just released their new album Dead Set, abody of work which...Queensland punk upstarts Fake News are having a stellar 2025. Starting the year with a national opening slot for Pennywise and Millencolin, the lovable punksters have just released their new album Dead Set, abody of work which sees Fake News showcase a different, yet still familiar, side to their musical psyche.
The band are ready to take the next step forward with Dead Set. Whilst staying true to their 90s Skate punk sound, Fake News have evolved and raised the bar on the album. Boasting a high-energy and action packed live show, the release of Dead Set is a staunch reminder that Fake News are here to stay and create a legacy that stretches beyond their own backyard.
HEAVY sat down earlier today for a chat with guitarist Darren Crowe to find out more, starting by asking how the early reception to the album has been.
"It's been good," he smiled. "It's moving at a steady pace in the streamage. It seems to be doing all the right things and moving in the right direction. There are a few different songs in there, which might have lost a few listeners, but there's a few different songs in there that might have gained a few listeners as well. We've stayed true to who we are, and we've evolved, and we feel like we've got a very now sound with what we've done on this album. A lot of these songs were written seven years ago when the band started, and we just knew that we wanted to get them right. We didn't have the right people for the job so we kind of went back and redid them, and there are riffs there I've had lying around for like 15 plus years, so it's nice to finally get them released. 
People don't understand how much work goes into a riff in a song sometimes. When you hear it on release day, itwas probably recorded two or three years prior, and then by the time it comes out and stuff… there's just a lot of work that goes on behind the scenes. But it's nice to have it out."
In the full interview, Darren discussed Fake News' evolution and the challenges faced during production, emphasizing the importance of their punk roots while incorporating new elements. He highlighted the album's diverse tracks and encouraged fans to engage deeply with the music. We also discussed the unique approach to covering songs, noting the significance of drums in creating a fresh sound. 
We spoke about Fake News signing with Thousand Island Records, enabling international distribution and vinyl production. Darren expressed excitement for their upcoming launch show at Sol Bar and mentioned plans for more, as yet unannounced, touring this year plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1150album,australia,deadset,fakenews,hardrock,heavy,interview,krispeters,music,musicinterview,musicpodcast,podcast,punk,skatepunktruefullhttps://www.spreaker.com/episode/battling-the-blues-with-john-corabi-from-the-dead-daisies--66064055The Dead Daisies have always had an underlying stream of blues coursing through their music. It is an age-old style of music that has influenced pretty much every conceivable genre over the years, although rock music has benefited the most.
With vocalist John Corabi coming back on deck for last year's album Light 'em Up, The Dead Daisies embraced their blues side even more, culminating in late night jam sessions while recording that album at the legendary FAME studios progressing into recording sessions which led to their new album Nothin' But Trouble, which is due out on May 30.
The album pays homage to the work of blues legends such as BB King, Muddy Waters, John Lee Hooker and Howlin Wolf, with The Dead Daisies reworking their classic songs and sprinkling enough of their own DNA through the tracks to make them their own. It is an outstanding body of work from a band with an impressively high back catalogue, and showcases some of the influences that have seen the members hone their craft.
HEAVY caught up with Corabi to find out more.
"You know what I'm excited about so far is that the first two songs that we released have been getting great feedback from everybody," he began. "And as I was saying earlier, this was it was what we call a happy accident. This whole thing came about in such a weird, random way. We went to this legendary studio in America called Fame Studios in Muscle Shoals, and it was kind of a bucket list thing for all of us, including Marti Frederiksen (producer).
So we went down there with the thought in mind that we would just maybe write and maybe do a little bit of recording down in this legendary studio. It's a legendary place, but also it's a functioning studio, and they do museum tours through this place and each night around dinner time, they bring in 20, 30 people.
So we'd take a break. And then we kind of sat and thought about it. We're like, well, okay, the tour was over. We were done eating, and we'd crack open either a bottle of whiskey or some wine. And we thought we could go back to the hotel and sit and watch TV all night, or, we're here, let's just jam. Let's see. Let's just have some fun. So we kind of started jamming some blues that everybody was familiar with, obviously, like Crossroads, Going Down, and Born Under a Bad Sign. And then it was weird, we just kind of sat, and Marti kept the session rolling. We listened and thought, okay, this is really cool. This is really cool, so what we did is during the day we worked on what became the Light 'em Up record, and we just continued working at night and putting together 10 of our favourite blues songs and so far man, everybody's been raving about it."
In the full interview, John spoke more about the band's intention to honour their musical roots through a collection of blues tracks. He explained the challenges of reinterpreting classic songs, emphasizing the need to make them their own while maintaining their integrity, using When the Levee Breaks as a reference for transformation. He shared insights on the evolution of specific tracks, such as Terror Plane Blues into Take My Soul, and acknowledged the blues' influence across various genres.
We talked about the process behind reworking other people's music, which songs were the easiest to do and which ones more difficult and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66064055Tue, 13 May 2025 01:21:40 +0000HEAVY MagazineInterview by Kris Peters The Dead Daisies have always had an underlying stream of blues coursing through their music. It is an age-old style of music that has influenced pretty much every conceivable genre over the years, although rock music has...The Dead Daisies have always had an underlying stream of blues coursing through their music. It is an age-old style of music that has influenced pretty much every conceivable genre over the years, although rock music has benefited the most.
With vocalist John Corabi coming back on deck for last year's album Light 'em Up, The Dead Daisies embraced their blues side even more, culminating in late night jam sessions while recording that album at the legendary FAME studios progressing into recording sessions which led to their new album Nothin' But Trouble, which is due out on May 30.
The album pays homage to the work of blues legends such as BB King, Muddy Waters, John Lee Hooker and Howlin Wolf, with The Dead Daisies reworking their classic songs and sprinkling enough of their own DNA through the tracks to make them their own. It is an outstanding body of work from a band with an impressively high back catalogue, and showcases some of the influences that have seen the members hone their craft.
HEAVY caught up with Corabi to find out more.
"You know what I'm excited about so far is that the first two songs that we released have been getting great feedback from everybody," he began. "And as I was saying earlier, this was it was what we call a happy accident. This whole thing came about in such a weird, random way. We went to this legendary studio in America called Fame Studios in Muscle Shoals, and it was kind of a bucket list thing for all of us, including Marti Frederiksen (producer).
So we went down there with the thought in mind that we would just maybe write and maybe do a little bit of recording down in this legendary studio. It's a legendary place, but also it's a functioning studio, and they do museum tours through this place and each night around dinner time, they bring in 20, 30 people.
So we'd take a break. And then we kind of sat and thought about it. We're like, well, okay, the tour was over. We were done eating, and we'd crack open either a bottle of whiskey or some wine. And we thought we could go back to the hotel and sit and watch TV all night, or, we're here, let's just jam. Let's see. Let's just have some fun. So we kind of started jamming some blues that everybody was familiar with, obviously, like Crossroads, Going Down, and Born Under a Bad Sign. And then it was weird, we just kind of sat, and Marti kept the session rolling. We listened and thought, okay, this is really cool. This is really cool, so what we did is during the day we worked on what became the Light 'em Up record, and we just continued working at night and putting together 10 of our favourite blues songs and so far man, everybody's been raving about it."
In the full interview, John spoke more about the band's intention to honour their musical roots through a collection of blues tracks. He explained the challenges of reinterpreting classic songs, emphasizing the need to make them their own while maintaining their integrity, using When the Levee Breaks as a reference for transformation. He shared insights on the evolution of specific tracks, such as Terror Plane Blues into Take My Soul, and acknowledged the blues' influence across various genres.
We talked about the process behind reworking other people's music, which songs were the easiest to do and which ones more difficult and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1251blues,hardrock,heavy,interview,johncorabi,krispeters,music,musicinterview,musicpodcast,nothin'buttrouble,podcast,rock,thedeaddaisiestruefullhttps://www.spreaker.com/episode/reflecting-on-music-and-life-with-ella-and-jesse-hooper-from-killing-heidi--66056942The Y2K bug had been and gone, but people were still unsure of their future - or the future of the planet for that matter - but amid all the gloom and chaos emerged a beacon of light, headed by a brother/sister combination, both still in their teens.
That band was called Killing Heidi and the release that changed it all, coming out in 2000, was Reflector.
Propelled by hit singles Weir, Mascara and Superman/Supergirl, Killing Heidi, and particular teenage frontwoman Ella Hooper, became the voice for disenfranchised youth everywhere. Their songs, filled with hope and belonging, gave people a view to a brighter future, which, coupled with the rags-to-riches story that accompanied the Hooper siblings, resonated with a much wider audience than the band's teenage demographic would suggest.
The band would go on to release another two albums over the next 25 years, plus took a ten-year break, but will forever be known and loved for that debut album.
Now, a quarter of a century on, Killing Heidi are celebrating Reflector by re-releasing the album as well as heading out on tour to take their music to the nation.
Jesse and Ella both joined HEAVY to discuss 25 years of Killing Heidi.
"We're pretty stoked," Jesse enthused. "We're getting the band back together for the 25-year anniversary of our debut album Reflector, and doesn't that make you feel young and old (laughs). We tend to mainly do festivals with Killing Heidi over the last eight years, so we're stepping back into our own headline shows, which is really exciting for us. We're going to play Reflector in full - which we've never done before - and it's gonna be a party."
"This is a big deal for us," Ella added. "We're putting on our big girl pants and doing our own headline tour with some amazing support acts as well."
In the full interview, Jesse and Ella discussed the tour in greater detail, reflected on their debut album and the success it brought them, ask what the album actually means to them, their thought process going into the album and their initial hopes, which of the songs are most personal to them, their youth at the time Reflector came out and if the success of the album forced them to grow up quickly, how those songs helped shape the people they are today, playing the album in full and how difficult it was to learn all of the songs and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66056942Mon, 12 May 2025 16:13:36 +0000HEAVY MagazineIt was the turn of the century, and everything was meant to be crumbling. The Y2K bug had been and gone, but people were still unsure of their future - or the future of the planet for that matter - but amid all the gloom and chaos emerged a beacon of...The Y2K bug had been and gone, but people were still unsure of their future - or the future of the planet for that matter - but amid all the gloom and chaos emerged a beacon of light, headed by a brother/sister combination, both still in their teens.
That band was called Killing Heidi and the release that changed it all, coming out in 2000, was Reflector.
Propelled by hit singles Weir, Mascara and Superman/Supergirl, Killing Heidi, and particular teenage frontwoman Ella Hooper, became the voice for disenfranchised youth everywhere. Their songs, filled with hope and belonging, gave people a view to a brighter future, which, coupled with the rags-to-riches story that accompanied the Hooper siblings, resonated with a much wider audience than the band's teenage demographic would suggest.
The band would go on to release another two albums over the next 25 years, plus took a ten-year break, but will forever be known and loved for that debut album.
Now, a quarter of a century on, Killing Heidi are celebrating Reflector by re-releasing the album as well as heading out on tour to take their music to the nation.
Jesse and Ella both joined HEAVY to discuss 25 years of Killing Heidi.
"We're pretty stoked," Jesse enthused. "We're getting the band back together for the 25-year anniversary of our debut album Reflector, and doesn't that make you feel young and old (laughs). We tend to mainly do festivals with Killing Heidi over the last eight years, so we're stepping back into our own headline shows, which is really exciting for us. We're going to play Reflector in full - which we've never done before - and it's gonna be a party."
"This is a big deal for us," Ella added. "We're putting on our big girl pants and doing our own headline tour with some amazing support acts as well."
In the full interview, Jesse and Ella discussed the tour in greater detail, reflected on their debut album and the success it brought them, ask what the album actually means to them, their thought process going into the album and their initial hopes, which of the songs are most personal to them, their youth at the time Reflector came out and if the success of the album forced them to grow up quickly, how those songs helped shape the people they are today, playing the album in full and how difficult it was to learn all of the songs and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1003australia,ellahooper,heavy,interview,jessehooper,killingheidi,krispeters,music,musicinterview,musicpodcast,podcast,reflector,rock,tourfalsefullhttps://www.spreaker.com/episode/opening-a-can-of-worms-with-henrik-hockert-from-viagra-boys--66055868Formed in Stockholm in 2015, Viagra Boys - as their name suggests - are a band here to have fun. And have fun they have, with debut album Street Worms introducing the world to their absurdist humour, with their follow-ups Welfare Jazz and Cave World only serving to solidify their reputation as a band set to conquer the world.
Or at least win over a few fans.
Viagra Boys have not once shown any signs of slowing down or conforming to a changing musical landscape, and have instead raised the bar even higher with the recent release of their fourth album, Viagr Aboys. In keeping with the group’s token absurdist humour, Viagr Aboys is a further step into a foray into sharp observational humour, dismantling everything and nothing at the same time. They take shots at the cultural institutions that hold people down while also turning the lens inward, never shying away from their beliefs and viewpoints in the name of acceptance.
HEAVY spoke with bass player Henrik Hockert earlier this week from Viagra Boys' tour bus to find out more about their fourth release.
"It got a really good reaction," he enthused of the early response to the new album, "people seem to like it a lot. Good reviews and people seem to like it."
We ask him to explain the album more musically.
"I think when we started, we were just trying to make a Viagra Boys record," he shrugged. "We have kept on doing music that we like. We often start out with a bass line and go from there, and then Sebastian makes some vocals. It's a lot of different elements in there, with some slower songs as well."
In the full interview, Henrik talks more about Viagr Aboys, the singles released and how they represent the album as a whole, the Australian references in the song Uno II, the burp in the opening song Man Made Of Meat and how it came to be there, the final song River King, which is a piano led softer song, next year's tour of Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66055868Mon, 12 May 2025 15:16:32 +0000HEAVY MagazineInterview by Kris Peters Formed in Stockholm in 2015, Viagra Boys - as their name suggests - are a band here to have fun. And have fun they have, with debut album Street Worms introducing the world to their absurdist humour, with their follow-ups...Formed in Stockholm in 2015, Viagra Boys - as their name suggests - are a band here to have fun. And have fun they have, with debut album Street Worms introducing the world to their absurdist humour, with their follow-ups Welfare Jazz and Cave World only serving to solidify their reputation as a band set to conquer the world.
Or at least win over a few fans.
Viagra Boys have not once shown any signs of slowing down or conforming to a changing musical landscape, and have instead raised the bar even higher with the recent release of their fourth album, Viagr Aboys. In keeping with the group’s token absurdist humour, Viagr Aboys is a further step into a foray into sharp observational humour, dismantling everything and nothing at the same time. They take shots at the cultural institutions that hold people down while also turning the lens inward, never shying away from their beliefs and viewpoints in the name of acceptance.
HEAVY spoke with bass player Henrik Hockert earlier this week from Viagra Boys' tour bus to find out more about their fourth release.
"It got a really good reaction," he enthused of the early response to the new album, "people seem to like it a lot. Good reviews and people seem to like it."
We ask him to explain the album more musically.
"I think when we started, we were just trying to make a Viagra Boys record," he shrugged. "We have kept on doing music that we like. We often start out with a bass line and go from there, and then Sebastian makes some vocals. It's a lot of different elements in there, with some slower songs as well."
In the full interview, Henrik talks more about Viagr Aboys, the singles released and how they represent the album as a whole, the Australian references in the song Uno II, the burp in the opening song Man Made Of Meat and how it came to be there, the final song River King, which is a piano led softer song, next year's tour of Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>469album,hardrock,heavy,interview,krispeters,musicinterview,musicpodcast,podcast,punk,rock,vaigraboys,viagraboystruefullhttps://www.spreaker.com/episode/respecting-the-musical-legacy-of-john-sykes-with-mark-alexander-erber-from-golden-robot-records--66009693The world lost a true legend earlier this year, when vocalist/guitarist John Sykes - Whitesnake, Thin Lizzy, Tygers Of Pan Tang - lost his battle with cancer. While his legacy endures thanks to the music he created, the world has still lost a musical innovator and pioneer with a gift for writing timeless music.
Around eight years ago, Sykes entered into a contract with then-fledgling music label Golden Robot Records, agreeing to terms for a new album to be released through the company. But over the ensuing few years and as life and circumstances got in the way, all that was honoured by Sykes in that contract was four songs, written by him with a view to completing a full album down the track, that have until now remained locked away from the world in their original demo state.
Since Sykes' passing, the label has gone to the vault and dusted off the cobwebs and had them professionally remixed and remastered by Aussie legendary producer Paul Gommersall (Paul Weller, George Michael, GNR).
Paying respect to the music and legacy of John Sykes, Golden Robot decided to allow the music world at least six months to grieve the loss of Sykes before announcing their intentions to release the four songs - the first new music from Sykes in a quarter of a century - as a four-track EP.
It was a decision taken with much respect to the situation, the man, and his music, but ultimately one which Golden Robot Records believes serves the best interests of fans and enables them to release material which was to form the nucleus of a full body of work.
Golden Robot Global Entertainment’s Mark Alexander-Erber sat down with HEAVY to talk us through the release and the history behind four tracks, which could well be the final recording the world hears from a man who has shaped so much of its history.
"John was introduced to me during the formative days of Golden Robot Records’ journey in Los Angeles," Mark explained. "The label officially launched around 2015, and by 2017 we had entered into an agreement with John for a full-length studio album. The original contract was straightforward — John was to deliver a minimum of ten tracks for a complete album."
"As per the terms of the agreement, we made an initial payment to John, and everything was progressing well. John preferred to work at his own creative pace, which we respected. The understanding was that upon delivery of additional material, a second tranche of payment would be made. However, as time went on, it became clear that what we had originally paid for and what was ultimately being delivered were two very different things."
"That said, we approached the situation the way we always have at Golden Robot — through open communication and a commitment to the relationship. Like many bands we worked with in those early years, it was never just about rigid contractual enforcement; it was about navigating challenges together in good faith."
"In the end, what we received were four absolutely outstanding demos — powerful, compelling tracks that truly reflect John’s immense talent and artistic voice. While it wasn’t the full album we initially set out to produce, those recordings have tremendous value, and we’re proud to be the ones bringing them to the world."
In the full interview, Mark provided detailed insights into his professional relationship with John Sykes, which commenced in 2017. He acknowledged that while not all contractual obligations were fulfilled to the letter, all parties involved reached mutual compromises in good faith. Mark expressed sincere appreciation for their personal and professional relationship, noting the importance of approaching sensitive matters with discretion and respect.
The discussion also included specifics regarding the forthcoming 4-track EP, which will feature two previously unreleased songs along with remastered versions of two existing tracks. Mark confirmed that the estate of the late artist will receive the royalties as stipulated under the terms of the agreement.
He conveyed confidence in the artistic and technical quality of the recordings, stating that the work pays a respectful and authentic tribute to John’s legacy. The release strategy includes the rollout of two singles ahead of the EP, with the first single scheduled for release in late June through Golden Robot Records on a global basis.
We discussed Mark's personal relationship with John and the decision to delay releasing the songs after John's death, and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66009693Fri, 09 May 2025 06:13:28 +0000HEAVY MagazineInterview by Kris Peters The world lost a true legend earlier this year, when vocalist/guitarist John Sykes - Whitesnake, Thin Lizzy, Tygers Of Pan Tang - lost his battle with cancer. While his legacy endures thanks to the music he created, the world...The world lost a true legend earlier this year, when vocalist/guitarist John Sykes - Whitesnake, Thin Lizzy, Tygers Of Pan Tang - lost his battle with cancer. While his legacy endures thanks to the music he created, the world has still lost a musical innovator and pioneer with a gift for writing timeless music.
Around eight years ago, Sykes entered into a contract with then-fledgling music label Golden Robot Records, agreeing to terms for a new album to be released through the company. But over the ensuing few years and as life and circumstances got in the way, all that was honoured by Sykes in that contract was four songs, written by him with a view to completing a full album down the track, that have until now remained locked away from the world in their original demo state.
Since Sykes' passing, the label has gone to the vault and dusted off the cobwebs and had them professionally remixed and remastered by Aussie legendary producer Paul Gommersall (Paul Weller, George Michael, GNR).
Paying respect to the music and legacy of John Sykes, Golden Robot decided to allow the music world at least six months to grieve the loss of Sykes before announcing their intentions to release the four songs - the first new music from Sykes in a quarter of a century - as a four-track EP.
It was a decision taken with much respect to the situation, the man, and his music, but ultimately one which Golden Robot Records believes serves the best interests of fans and enables them to release material which was to form the nucleus of a full body of work.
Golden Robot Global Entertainment’s Mark Alexander-Erber sat down with HEAVY to talk us through the release and the history behind four tracks, which could well be the final recording the world hears from a man who has shaped so much of its history.
"John was introduced to me during the formative days of Golden Robot Records’ journey in Los Angeles," Mark explained. "The label officially launched around 2015, and by 2017 we had entered into an agreement with John for a full-length studio album. The original contract was straightforward — John was to deliver a minimum of ten tracks for a complete album."
"As per the terms of the agreement, we made an initial payment to John, and everything was progressing well. John preferred to work at his own creative pace, which we respected. The understanding was that upon delivery of additional material, a second tranche of payment would be made. However, as time went on, it became clear that what we had originally paid for and what was ultimately being delivered were two very different things."
"That said, we approached the situation the way we always have at Golden Robot — through open communication and a commitment to the relationship. Like many bands we worked with in those early years, it was never just about rigid contractual enforcement; it was about navigating challenges together in good faith."
"In the end, what we received were four absolutely outstanding demos — powerful, compelling tracks that truly reflect John’s immense talent and artistic voice. While it wasn’t the full album we initially set out to produce, those recordings have tremendous value, and we’re proud to be the ones bringing them to the world."
In the full interview, Mark provided detailed insights into his professional relationship with John Sykes, which commenced in 2017. He acknowledged that while not all contractual obligations were fulfilled to the letter, all parties involved reached mutual compromises in good faith. Mark expressed sincere appreciation for their personal and professional relationship, noting the importance of approaching sensitive matters with discretion and respect.
The discussion also included specifics regarding the forthcoming 4-track EP, which will feature two previously unreleased songs along with remastered versions of two existing tracks. Mark confirmed that the estate...]]>897goldenrobotrecords,guitar,hardrock,heavy,interview,johnsykes,krispeters,music,musicinterview,musicpodcast,podcast,rock,thinlizzy,whitesnaketruefullhttps://www.spreaker.com/episode/drums-discipline-and-death-metal-ingested-s-lyn-jeffs-talks-aussie-tours-and-going-back-to-their-roots--66006751UK death metal giants Ingested are returning to Australian shores, and drummer Lyn Jeffs gave HEAVY the inside scoop on what fans can expect. After their tour in 2023 alongside Archspire, the band was blown away by the warm reception and immediately knew they had to come back — this time for a headlining run.
“We always wanted to come over and do a headliner,” Lyn shared. “The Aussie crowds were amazing — really good energy, and we made solid connections with bands like Melancholia and Werewolves. It just felt right.”
Ingested’s recent shift back to a five-piece line up has brought fresh energy and creativity to both the stage and studio. With the addition of guitarist Andrew and bassist Tom, the band embraces a more collaborative approach to writing and performance. “It’s way more dynamic now,” said Lyn. “We’ve got new perspectives, and it’s even influencing the sound. There’s a section in the new track ‘Ultra Flesh’ that’s just bass — something we’ve never done before.”
Their physical and mental preparation for tours has evolved over the years, too. Gone are the hard-partying days of trying to live out Pantera-style tour videos.
Now, Lyn sticks to yoga, running, and a gym routine to stay stage-ready. “Playing the kind of music we do is like a sport,” he said. “It’s not normal to play these tempos — it’s f***ing stupid really — but if you prepare well, you can still perform at your best.”
The band is embracing this tour as a way to connect their evolving sound with their roots. Expect older tracks to return to the set list, now that they’ve got longer headline slots.
Despite their brutal sound, Lyn reminds us not to judge a book by its cover. “People expect us to be scary or into horror 24/7,” he laughs. “But most of us are just regular people who like football, cycling, or different kinds of music.”
With their grounded approach and renewed energy, Ingested’s return to Australia promises to be a tour that fans — and the band — won’t soon forget.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66006751Thu, 08 May 2025 23:23:25 +0000HEAVY MagazineWords by Angela Croudace UK death metal giants Ingested are returning to Australian shores, and drummer Lyn Jeffs gave HEAVY the inside scoop on what fans can expect. After their tour in 2023 alongside Archspire, the band was blown away by the warm...UK death metal giants Ingested are returning to Australian shores, and drummer Lyn Jeffs gave HEAVY the inside scoop on what fans can expect. After their tour in 2023 alongside Archspire, the band was blown away by the warm reception and immediately knew they had to come back — this time for a headlining run.
“We always wanted to come over and do a headliner,” Lyn shared. “The Aussie crowds were amazing — really good energy, and we made solid connections with bands like Melancholia and Werewolves. It just felt right.”
Ingested’s recent shift back to a five-piece line up has brought fresh energy and creativity to both the stage and studio. With the addition of guitarist Andrew and bassist Tom, the band embraces a more collaborative approach to writing and performance. “It’s way more dynamic now,” said Lyn. “We’ve got new perspectives, and it’s even influencing the sound. There’s a section in the new track ‘Ultra Flesh’ that’s just bass — something we’ve never done before.”
Their physical and mental preparation for tours has evolved over the years, too. Gone are the hard-partying days of trying to live out Pantera-style tour videos.
Now, Lyn sticks to yoga, running, and a gym routine to stay stage-ready. “Playing the kind of music we do is like a sport,” he said. “It’s not normal to play these tempos — it’s f***ing stupid really — but if you prepare well, you can still perform at your best.”
The band is embracing this tour as a way to connect their evolving sound with their roots. Expect older tracks to return to the set list, now that they’ve got longer headline slots.
Despite their brutal sound, Lyn reminds us not to judge a book by its cover. “People expect us to be scary or into horror 24/7,” he laughs. “But most of us are just regular people who like football, cycling, or different kinds of music.”
With their grounded approach and renewed energy, Ingested’s return to Australia promises to be a tour that fans — and the band — won’t soon forget.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>978australia,deathmetal,heavy,heavymetal,ingested,interview,krispeters,music,musicinterview,musicpodcast,podcast,soundworkstouringdirect,tourtruefullhttps://www.spreaker.com/episode/the-odd-world-of-ocean-grove-with-dale-tanner--66004268Since bursting onto the sonic landscape in 2010, Melbourne metal machine Ocean Grove have pushed every conceivable musical boundary known to man, and, more importantly, made a successful transition on each occasion. 
Blending elements of nu metal, hardcore and alternative rock to create a sound that is uniquely their own - dubbed Oddworld Music - Ocean Grove have consistently challenged themselves and their fans in search for their ultimate sound, but one gets the feeling the band are only now just scratching the surfaces of what they can ultimately achieve.
Ticking off their first headline tour in Australia since the release of their 2024 album ODDWORLD next month, Ocean Grove will pay homage to their past and present via their Odd Label Tour, with 2025 marking the 10 year anniversary of the band's iconic second EP Black Label, and the upcoming headline shows also set to feature founding OG members Luke Holmes and Matthew Kopp (Running Touch) performing each night.
Ocean Grove frontman Dale Tanner joined HEAVY from a baseball game while on tour in the US to discuss the tour and the growth of Ocean Grove.
"We've been playing some of the old stuff at soundcheck, and it's really exciting," he enthused. "The boys go up on stage, and I get to stand on the floor and be a participant in it and witness what it's going to be like. And I'm hearing these songs that we haven't played live in a very long time once again being performed with this new life and this new energy that we have now as a current live band. These songs are going to get performed in a way they have never been played before."
In the full interview, Dale talks more about the run of shows and what we can expect, the challenge of playing two albums live, learning old material with newer songs and if that makes Ocean Grove reflect on their musical journey, selling out shows a month in advance and what that does for the band's confidence levels, the decision to have Luke Holmes and Matthew Kopp join the tour and what it will bring to the sound, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66004268Thu, 08 May 2025 20:01:27 +0000HEAVY MagazineInterview by Kris Peters Since bursting onto the sonic landscape in 2010, Melbourne metal machine Ocean Grove have pushed every conceivable musical boundary known to man, and, more importantly, made a successful transition on each occasion.  Blending...Since bursting onto the sonic landscape in 2010, Melbourne metal machine Ocean Grove have pushed every conceivable musical boundary known to man, and, more importantly, made a successful transition on each occasion. 
Blending elements of nu metal, hardcore and alternative rock to create a sound that is uniquely their own - dubbed Oddworld Music - Ocean Grove have consistently challenged themselves and their fans in search for their ultimate sound, but one gets the feeling the band are only now just scratching the surfaces of what they can ultimately achieve.
Ticking off their first headline tour in Australia since the release of their 2024 album ODDWORLD next month, Ocean Grove will pay homage to their past and present via their Odd Label Tour, with 2025 marking the 10 year anniversary of the band's iconic second EP Black Label, and the upcoming headline shows also set to feature founding OG members Luke Holmes and Matthew Kopp (Running Touch) performing each night.
Ocean Grove frontman Dale Tanner joined HEAVY from a baseball game while on tour in the US to discuss the tour and the growth of Ocean Grove.
"We've been playing some of the old stuff at soundcheck, and it's really exciting," he enthused. "The boys go up on stage, and I get to stand on the floor and be a participant in it and witness what it's going to be like. And I'm hearing these songs that we haven't played live in a very long time once again being performed with this new life and this new energy that we have now as a current live band. These songs are going to get performed in a way they have never been played before."
In the full interview, Dale talks more about the run of shows and what we can expect, the challenge of playing two albums live, learning old material with newer songs and if that makes Ocean Grove reflect on their musical journey, selling out shows a month in advance and what that does for the band's confidence levels, the decision to have Luke Holmes and Matthew Kopp join the tour and what it will bring to the sound, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>849aussiemetal,australia,daletanner,hardrock,heavy,heavymetal,interview,krispeters,music,musicinterview,musicpodcast,oceangrove,podcast,tourtruefullhttps://www.spreaker.com/episode/music-as-therapy-with-jimmy-kyle-from-chasing-ghosts--66002781Chasing Ghosts have traversed a multitude of styles and genres over the course of their career, ranging from solo material to punk fuelled anthems to their current blending of indie rock and punk, but the one thing that has remained consistent with all of their work is the bands unflinching search for understanding and resolution, particularly in matters pertaining to Indigenous people and their culture.
Frontman Jimmy Kyle - a Thungutti man who has emerged as one of Australia’s most important voices in recent years - openly wears his heart through his lyrics, verbalizing topics and situations that are generally shied away from or pushed aside by most bands and musicians. 
Since the release of Chasing Ghosts' debut album Confessions From A Phone Booth in 2011, Kyle has successfully and poignantly married introspection with boldness as his stories confront, deconstruct and illuminate the challenging realities of being an Indigenous Australian; while also championing human persistence, the ability to overcome, and the recognition of beauty in even the most flawed.
The bands new album, Therapy, which is released on May 16, further highlights the thoughts and feelings of Chasing Ghosts, tackling issues from domestic abuse to the mental health crisis in a confronting yet sensible way which only accentuates the strength of character and conviction that has strengthened the band and their music over the years.
HEAVY sat down with Kyle to discuss Therapy in greater detail.
"I think it's definitely a lot more upbeat," he replied when asked to describe Therapy musically. "As you know, the Chasing Ghosts story is, I guess, acoustic punk troubadour leaves hardcore music and goes solo (laughs). It has come full circle where this is a heavier record. It's sonically a lot more polished than and bigger than anything we've done before. And the songs felt like the next progression coming out of Homeland; the next progression was kind of like, where can this go?"
"We had done a real lo-fi, very Melbourne sounding mix for Homelands, and then Therapy is a very produced - very shiny is the word that I tend to use - kind of polished record. And it was a real pleasure to do something different because I'd always had a history in recording the earlier records in the analogue way. So now have we not only moved into the digital realm, finally, but we've moved into it sort of with no rules, just leaning right into a modern process, and so we could give some contrast and personality difference between the other releases."
In the full interview, Jimmy provided an overview of Therapy, describing it as a significant evolution in their sound. He discussed the themes of the album, which stem from his personal journey through therapy, addressing issues such as insomnia and domestic violence, and aimed at fostering understanding among listeners. The conversation also included details about the Therapy Australia tour, scheduled from June 6 to June 14, featuring a mix of classic songs and new tracks.
We also discussed the meanings behind some of the songs and their significance to modern society, whether he feels people are starting to accept his messages, how Therapy represents the next chapter for Chasing Ghosts and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66002781Thu, 08 May 2025 18:03:10 +0000HEAVY MagazineInterview by Kris Peters Chasing Ghosts have traversed a multitude of styles and genres over the course of their career, ranging from solo material to punk fuelled anthems to their current blending of indie rock and punk, but the one thing that has...Chasing Ghosts have traversed a multitude of styles and genres over the course of their career, ranging from solo material to punk fuelled anthems to their current blending of indie rock and punk, but the one thing that has remained consistent with all of their work is the bands unflinching search for understanding and resolution, particularly in matters pertaining to Indigenous people and their culture.
Frontman Jimmy Kyle - a Thungutti man who has emerged as one of Australia’s most important voices in recent years - openly wears his heart through his lyrics, verbalizing topics and situations that are generally shied away from or pushed aside by most bands and musicians. 
Since the release of Chasing Ghosts' debut album Confessions From A Phone Booth in 2011, Kyle has successfully and poignantly married introspection with boldness as his stories confront, deconstruct and illuminate the challenging realities of being an Indigenous Australian; while also championing human persistence, the ability to overcome, and the recognition of beauty in even the most flawed.
The bands new album, Therapy, which is released on May 16, further highlights the thoughts and feelings of Chasing Ghosts, tackling issues from domestic abuse to the mental health crisis in a confronting yet sensible way which only accentuates the strength of character and conviction that has strengthened the band and their music over the years.
HEAVY sat down with Kyle to discuss Therapy in greater detail.
"I think it's definitely a lot more upbeat," he replied when asked to describe Therapy musically. "As you know, the Chasing Ghosts story is, I guess, acoustic punk troubadour leaves hardcore music and goes solo (laughs). It has come full circle where this is a heavier record. It's sonically a lot more polished than and bigger than anything we've done before. And the songs felt like the next progression coming out of Homeland; the next progression was kind of like, where can this go?"
"We had done a real lo-fi, very Melbourne sounding mix for Homelands, and then Therapy is a very produced - very shiny is the word that I tend to use - kind of polished record. And it was a real pleasure to do something different because I'd always had a history in recording the earlier records in the analogue way. So now have we not only moved into the digital realm, finally, but we've moved into it sort of with no rules, just leaning right into a modern process, and so we could give some contrast and personality difference between the other releases."
In the full interview, Jimmy provided an overview of Therapy, describing it as a significant evolution in their sound. He discussed the themes of the album, which stem from his personal journey through therapy, addressing issues such as insomnia and domestic violence, and aimed at fostering understanding among listeners. The conversation also included details about the Therapy Australia tour, scheduled from June 6 to June 14, featuring a mix of classic songs and new tracks.
We also discussed the meanings behind some of the songs and their significance to modern society, whether he feels people are starting to accept his messages, how Therapy represents the next chapter for Chasing Ghosts and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1535album,australia,chasingghosts,hardrock,heavy,heavymetal,indiepunk,interview,jimmykyle,krispeters,music,musicinterview,musicpodcast,podcast,punk,therapy,tourfalsefullhttps://www.spreaker.com/episode/converting-children-to-metal-with-alex-and-james-from-metal-mouse--66002035By converting Disney classic tunes to the dark side, Metal Mouse are using already known and loved songs for children to their advantage by adding a touch of metal madness to songs from family films such as The Little Mermaid, Frozen and The Lion King. It is an ingenious idea that is sure to at least appeal to the next generation of music lovers.
Fronted by American Idol alum James Durbin, Metal Mouse taps into Disney nostalgia with the flair and theatrics of glam rock. What began as a “what-if” idea has struck a chord, especially with millennial women who grew up on Disney - and men who never gave up on hair metal.
Durbin and band creator/manager Alex Pels sat down with HEAVY to discuss this exciting new creation and how Metal Mouse plans to convert as many youngsters as possible to real music.
"We're trying to make the connection between heavy and Disney," Pels explained. "James and I both love metal. We're both involved with tons of other metal kinds of music, but we realised that the Disney songs - in addition to being excellently written by great songwriters - the themes and the chord progressions and everything else lend themselves to a heavy architecture."
It's such a simple idea, but one which has never been tried on this scale before.
"I've been doing a lot of heavy metal in the last five or six… even longer than that, eight years," Durbin relayed. "I was with Quiet Riot for a couple of years and have put out a couple of heavy metal albums over the last few years with different projects. So, metal has been seeping through my system. It's difficult, because sometimes there can be such a thing as too much metal - a metal overload - and metal isn't widely accepted by everybody, but here's a perfect way to make it accessible to people. With songs that are already known mixed with the classic 80s music and hair of the day, mixed with this beautifully arranged music… it's a blessing."
In the full interview we discuss the genesis of Metal Mouse, how easy Disney songs convert to metal, the selection process for songs, the live show and what it looks and sounds like, future plans for Metal Mouse and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/66002035Thu, 08 May 2025 16:54:27 +0000HEAVY MagazineFor too long now, parents have had trouble convincing their children that rock and metal are the way to go, not pop and the likes. It is a never ending battle of guidance, but one that is generally destined to failure from the outset. Parents the...By converting Disney classic tunes to the dark side, Metal Mouse are using already known and loved songs for children to their advantage by adding a touch of metal madness to songs from family films such as The Little Mermaid, Frozen and The Lion King. It is an ingenious idea that is sure to at least appeal to the next generation of music lovers.
Fronted by American Idol alum James Durbin, Metal Mouse taps into Disney nostalgia with the flair and theatrics of glam rock. What began as a “what-if” idea has struck a chord, especially with millennial women who grew up on Disney - and men who never gave up on hair metal.
Durbin and band creator/manager Alex Pels sat down with HEAVY to discuss this exciting new creation and how Metal Mouse plans to convert as many youngsters as possible to real music.
"We're trying to make the connection between heavy and Disney," Pels explained. "James and I both love metal. We're both involved with tons of other metal kinds of music, but we realised that the Disney songs - in addition to being excellently written by great songwriters - the themes and the chord progressions and everything else lend themselves to a heavy architecture."
It's such a simple idea, but one which has never been tried on this scale before.
"I've been doing a lot of heavy metal in the last five or six… even longer than that, eight years," Durbin relayed. "I was with Quiet Riot for a couple of years and have put out a couple of heavy metal albums over the last few years with different projects. So, metal has been seeping through my system. It's difficult, because sometimes there can be such a thing as too much metal - a metal overload - and metal isn't widely accepted by everybody, but here's a perfect way to make it accessible to people. With songs that are already known mixed with the classic 80s music and hair of the day, mixed with this beautifully arranged music… it's a blessing."
In the full interview we discuss the genesis of Metal Mouse, how easy Disney songs convert to metal, the selection process for songs, the live show and what it looks and sounds like, future plans for Metal Mouse and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1421alexpels,americanidol,childrensmusic,disney,glamrock,hardrock,heavy,heavymetal,interview,jamesdurbin,krispeters,metalmouse,music,musicinterview,musicpodcast,podcasttruefullhttps://www.spreaker.com/episode/a-night-of-local-brutality-with-kat-wartooth-at-melbourne-metal-mate-s-one-year-anniversary-gig--65879232Melbourne Metal Mates, an online community for metalheads to go to shows together as gig buddies, comes together for its one-year anniversary as they host a (free) gig on May 4 at The Bendigo Hotel. 
The line up includes Melbourne metal staples, including performances from Hybrid Nightmares, Vault Hill, The Incantus and All Monsters Are Human. 
HEAVY spoke with creator and founder Kat Wartooth about the creation and rapid ascension of the Melbourne Metal Community and what this unexpected success means for both herself, the fans and the bands of Melbourne's heavy music scene. In the interview we explore how the gig came to be and the connection to each band as well as the possibility of creating a tradition well after their first anniversary celebration. 
Kat also touches on the hardships and initial anxieties of starting a gig group before experiencing the influx of like-minded, heavy music enjoyers who latched on to the group's values and sense of community and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65879232Sat, 03 May 2025 11:04:53 +0000HEAVY MagazineInterview by Jack Harlen Melbourne Metal Mates, an online community for metalheads to go to shows together as gig buddies, comes together for its one-year anniversary as they host a (free) gig on May 4 at The Bendigo Hotel.  The line up includes...Melbourne Metal Mates, an online community for metalheads to go to shows together as gig buddies, comes together for its one-year anniversary as they host a (free) gig on May 4 at The Bendigo Hotel. 
The line up includes Melbourne metal staples, including performances from Hybrid Nightmares, Vault Hill, The Incantus and All Monsters Are Human. 
HEAVY spoke with creator and founder Kat Wartooth about the creation and rapid ascension of the Melbourne Metal Community and what this unexpected success means for both herself, the fans and the bands of Melbourne's heavy music scene. In the interview we explore how the gig came to be and the connection to each band as well as the possibility of creating a tradition well after their first anniversary celebration. 
Kat also touches on the hardships and initial anxieties of starting a gig group before experiencing the influx of like-minded, heavy music enjoyers who latched on to the group's values and sense of community and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>905allmonstersarehuman,aussiemetal,heavy,heavymetal,hybridnightmares,interview,melbournemetalmates,podcast,socialmedia,thebendigohotel,theincantus,vaulthilltruefullhttps://www.spreaker.com/episode/death-war-fire-with-benno-and-ryan-from-awaken-the-hate--65875564Brisbane groove metal outfit Awaken The Hate are a band in transition. Transition within themselves, their membership, their direction and their sound.
But one thing they are not, at least internally, is a band in conflict. Far from it.
As a band, their vision for the future is clearer than ever, their goals resolute. For Awaken The Hate, the future is now, and is coming off the back of a trilogy of singles dubbed Death. War. Fire that was recently completed with the release of the third and final single, Planet Death.
Each of the three songs, started by Reign Of Fire before Contradiction Of War seconded the trilogy and Planet Death rounded things out, portrays a subtle changing of musical landscape for Awaken The Hate and casts an ominous eye into what the future holds for those who dare to follow.
Concluding this ambitious new movement for the band, Awaken The Hate next week take the new tracks on the road for their first full national tour, starting in Perth on May 8 before hitting Adelaide, Melbourne and Sydney over consecutive days. Welcome to Awaken The Hate, and board the train if you have the mettle.
HEAVY was joined earlier today by frontman Benno and drummer Ryan to dive deeper into the Death. War. Fire trilogy and what it means for Awaken The Hate moving forward.
"Steve, who started Awaken The Hate, made the decision at the end of last year to step away," Benno began. "That was all for his personal reasons. These were the last of the three songs that he wrote with the band, and we thought this would be a fitting way to say goodbye. He actually came back to record them with us. He's still a very good friend of the band, and the door's always open if he ever wants to come back."
"Planet Death is environmental, Contradiction of War is very political, and then Reign of Fire is a bit more spiritual about the whole thing," he continued, focusing on the three songs. "So that's what the concept about it was, and then releasing them as a trilogy was to say thanks to Steve and also finally get a bit more than two tracks out there for people (laughs)."
In the full interview, we focused more on their recent single releases, particularly Planet Death, which received positive feedback from band members. We discussed the trilogy of singles honouring former member Steve, with each song addressing different themes. Reign of Fire was highlighted for its unique inspiration and straightforward approach, while Contradiction of War, released on Anzac Day, aimed to honour veterans and provoke thought about military service. 
We talked about recording thir latest tracks live, enhancing the emotional resonance, and are eager to test new material during their upcoming national tour. We also chat about balancing their music careers with personal responsibilities while engaging audiences and supporting local acts, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65875564Sat, 03 May 2025 06:52:46 +0000HEAVY MagazineInterview by Kris Peters Brisbane groove metal outfit Awaken The Hate are a band in transition. Transition within themselves, their membership, their direction and their sound. But one thing they are not, at least internally, is a band in conflict....Brisbane groove metal outfit Awaken The Hate are a band in transition. Transition within themselves, their membership, their direction and their sound.
But one thing they are not, at least internally, is a band in conflict. Far from it.
As a band, their vision for the future is clearer than ever, their goals resolute. For Awaken The Hate, the future is now, and is coming off the back of a trilogy of singles dubbed Death. War. Fire that was recently completed with the release of the third and final single, Planet Death.
Each of the three songs, started by Reign Of Fire before Contradiction Of War seconded the trilogy and Planet Death rounded things out, portrays a subtle changing of musical landscape for Awaken The Hate and casts an ominous eye into what the future holds for those who dare to follow.
Concluding this ambitious new movement for the band, Awaken The Hate next week take the new tracks on the road for their first full national tour, starting in Perth on May 8 before hitting Adelaide, Melbourne and Sydney over consecutive days. Welcome to Awaken The Hate, and board the train if you have the mettle.
HEAVY was joined earlier today by frontman Benno and drummer Ryan to dive deeper into the Death. War. Fire trilogy and what it means for Awaken The Hate moving forward.
"Steve, who started Awaken The Hate, made the decision at the end of last year to step away," Benno began. "That was all for his personal reasons. These were the last of the three songs that he wrote with the band, and we thought this would be a fitting way to say goodbye. He actually came back to record them with us. He's still a very good friend of the band, and the door's always open if he ever wants to come back."
"Planet Death is environmental, Contradiction of War is very political, and then Reign of Fire is a bit more spiritual about the whole thing," he continued, focusing on the three songs. "So that's what the concept about it was, and then releasing them as a trilogy was to say thanks to Steve and also finally get a bit more than two tracks out there for people (laughs)."
In the full interview, we focused more on their recent single releases, particularly Planet Death, which received positive feedback from band members. We discussed the trilogy of singles honouring former member Steve, with each song addressing different themes. Reign of Fire was highlighted for its unique inspiration and straightforward approach, while Contradiction of War, released on Anzac Day, aimed to honour veterans and provoke thought about military service. 
We talked about recording thir latest tracks live, enhancing the emotional resonance, and are eager to test new material during their upcoming national tour. We also chat about balancing their music careers with personal responsibilities while engaging audiences and supporting local acts, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1167aussiemetal,australia,awakenthehate,deathwarfire,groovemetal,hardrock,heavy,heavymetal,interview,krispeters,music,musicinterview,musicpodcast,podcast,tourtruefullhttps://www.spreaker.com/episode/the-lighter-side-of-death-with-joel-from-the-murdering--65777753The Murdering roared back to life in June last year, releasing the track Finality and breaking an eight-year drought that saw the band release nothing since their 2016 EP From Hell. While many bands had come and gone over that period, if you were a fan of the heavier side of metal, then you still remembered The Murdering.
After establishing a loyal, rabid fan base due largely to From Hell and the ferocity of their live shows, The Murdering fell off the proverbial radar for the best part of ten years. Not broken up. Not disbanded. Just simply not playing or actively recording.
While to many of us they are all the same thing, not so for the members of The Murdering knew their day in the flames would come once more, if not when exactly, but the seeds of melancholy had been planted far too deep for there not to be a continuation of some sort.
Finality reignited the hunger and set The Murdering on a collision path with a collection of songs based around the crimes and passion of a serial killer under the guise of Death Process, a five-part tale of death and decay to be released sometime this year.
Having already released the devastatingly brutal Daemon Eater, The Murdering have decided to brush off the remaining cobwebs and set this year's Necrosonic Festival on August 23 at Brisbane's Mansfield Tavern as the day the music world once more bows down to the masters of death.
HEAVY sat down with vocalist Joel for a chat about the re-emergence of The Murdering and their first live show in nine years at Necrosonic Festival.
"It's a killer lineup so far," he smiled. "Obviously, there's a second wave to come out for it as well, and I think people are going to be pretty psyched when they see who's on that second announcement."
With a handful of bands playing at Necrosonic - including Beanflipper, DaysEnd and Brace - being metaphorically brought back from the dead, we ask Joel if The Murdering fall into the category of one of the undead after so long away from the scene.
"I wouldn't say we're back from the dead," he laughed. "It was more just a very long continuation of what we were doing before we stopped doing it, I guess. I haven't even really thought of it that way, to be honest with you (laughs). We're just happy to be on the bill. Like I say, we haven't played a live show in a very long time, and we've got some really good material coming out at the moment. We've not got any expectations on anything. It's just going to be a day to have a good time and just knock the dust off."
In the full interview, Joel emphasized the importance of music loving promoters like Kent Bartley (organizer of Necrosonic) in fostering connections within the music community, highlighting the flow on benefits for heavy metal bands and music in this country. He expressed enthusiasm for the festival and shared insights about their upcoming EP, Death Process, which features a narrative centred on a fictional serial killer and aims to create a cohesive audio-visual experience.
We spoke about The Murdering's recent collaboration with The Amenta, what fans can expect from their live show, future plans for the band and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65777753Tue, 29 Apr 2025 04:53:19 +0000HEAVY MagazineInterview by Kris Peters The Murdering roared back to life in June last year, releasing the track Finality and breaking an eight-year drought that saw the band release nothing since their 2016 EP From Hell. While many bands had come and gone over that...The Murdering roared back to life in June last year, releasing the track Finality and breaking an eight-year drought that saw the band release nothing since their 2016 EP From Hell. While many bands had come and gone over that period, if you were a fan of the heavier side of metal, then you still remembered The Murdering.
After establishing a loyal, rabid fan base due largely to From Hell and the ferocity of their live shows, The Murdering fell off the proverbial radar for the best part of ten years. Not broken up. Not disbanded. Just simply not playing or actively recording.
While to many of us they are all the same thing, not so for the members of The Murdering knew their day in the flames would come once more, if not when exactly, but the seeds of melancholy had been planted far too deep for there not to be a continuation of some sort.
Finality reignited the hunger and set The Murdering on a collision path with a collection of songs based around the crimes and passion of a serial killer under the guise of Death Process, a five-part tale of death and decay to be released sometime this year.
Having already released the devastatingly brutal Daemon Eater, The Murdering have decided to brush off the remaining cobwebs and set this year's Necrosonic Festival on August 23 at Brisbane's Mansfield Tavern as the day the music world once more bows down to the masters of death.
HEAVY sat down with vocalist Joel for a chat about the re-emergence of The Murdering and their first live show in nine years at Necrosonic Festival.
"It's a killer lineup so far," he smiled. "Obviously, there's a second wave to come out for it as well, and I think people are going to be pretty psyched when they see who's on that second announcement."
With a handful of bands playing at Necrosonic - including Beanflipper, DaysEnd and Brace - being metaphorically brought back from the dead, we ask Joel if The Murdering fall into the category of one of the undead after so long away from the scene.
"I wouldn't say we're back from the dead," he laughed. "It was more just a very long continuation of what we were doing before we stopped doing it, I guess. I haven't even really thought of it that way, to be honest with you (laughs). We're just happy to be on the bill. Like I say, we haven't played a live show in a very long time, and we've got some really good material coming out at the moment. We've not got any expectations on anything. It's just going to be a day to have a good time and just knock the dust off."
In the full interview, Joel emphasized the importance of music loving promoters like Kent Bartley (organizer of Necrosonic) in fostering connections within the music community, highlighting the flow on benefits for heavy metal bands and music in this country. He expressed enthusiasm for the festival and shared insights about their upcoming EP, Death Process, which features a narrative centred on a fictional serial killer and aims to create a cohesive audio-visual experience.
We spoke about The Murdering's recent collaboration with The Amenta, what fans can expect from their live show, future plans for the band and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>807australia,deathmetal,festival,groovemetal,heavy,heavymetal,interview,krispeters,mansfieldtavern,music,musicfestival,musicinterview,musicpodcast,necrosonicfestival,podcast,themurderingtruefullhttps://www.spreaker.com/episode/silverstein-at-25-shane-told-reflects-on-passion-longevity-and-global-impact--65767835Shane Told, the unmistakable voice behind Canadian post-hardcore giants Silverstein, is still riding high as the band marks a staggering 25 years together. In a recent chat with HEAVY, Told opened up about the surreal nature of hitting that milestone—and the unexpected road that brought them there.
“It’s pretty surreal,” he said. “We’ve never taken a break—no hiatus, no time off. We’ve either been writing, recording, or touring the entire time. It’s my entire adult life.”
Despite the passage of time, Told says he feels better than ever—both mentally and physically. “With age comes confidence. I think I’ve hit my 10,000 hours of emo,” he joked, referencing the theory that mastery comes with time and repetition. “Every show feels better, my voice feels stronger—it’s wild.”
Silverstein’s resilience and chemistry as a band has a lot to do with their approach to relationships. “We’re not best friends who hang out every second, but we’re close and we respect each other. We give each other space when we need it,” Told explained. Weekly Zoom calls keep the band in sync, personally and professionally.
When asked about a defining moment in Silverstein’s journey, Told’s answer was rooted in an unforgettable first trip to Australia in 2005. “We thought nobody would know who we were. Then we played two sold-out shows in Brisbane. That was the moment I put the schoolbooks away for good.”
That trip also cemented Told’s deep affection for Australia. From feeding kangaroos to being hosted by Parkway Drive’s Winston McCall’s parents—complete with his first-ever avocado toast—Told recalls each visit fondly. “Australia has always shown us so much love. It’s my favourite place to tour.”
Looking ahead, Silverstein’s dual-album release—Antibloom and Pink Mist—is already making waves. Told revealed that the decision to split the music into two records came from a desire to give each song the attention it deserved. “We’re perfectionists. Every detail matters to us, and I think fans can hear that.”
As Silverstein enters their next chapter, the band’s drive remains relentless. “We’re still here, and we still give a shit,” Told said. “And we’re just getting started.”



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65767835Mon, 28 Apr 2025 00:36:09 +0000HEAVY MagazineInterview by Angela Croudace Shane Told, the unmistakable voice behind Canadian post-hardcore giants Silverstein, is still riding high as the band marks a staggering 25 years together. In a recent chat with HEAVY, Told opened up about the surreal...Shane Told, the unmistakable voice behind Canadian post-hardcore giants Silverstein, is still riding high as the band marks a staggering 25 years together. In a recent chat with HEAVY, Told opened up about the surreal nature of hitting that milestone—and the unexpected road that brought them there.
“It’s pretty surreal,” he said. “We’ve never taken a break—no hiatus, no time off. We’ve either been writing, recording, or touring the entire time. It’s my entire adult life.”
Despite the passage of time, Told says he feels better than ever—both mentally and physically. “With age comes confidence. I think I’ve hit my 10,000 hours of emo,” he joked, referencing the theory that mastery comes with time and repetition. “Every show feels better, my voice feels stronger—it’s wild.”
Silverstein’s resilience and chemistry as a band has a lot to do with their approach to relationships. “We’re not best friends who hang out every second, but we’re close and we respect each other. We give each other space when we need it,” Told explained. Weekly Zoom calls keep the band in sync, personally and professionally.
When asked about a defining moment in Silverstein’s journey, Told’s answer was rooted in an unforgettable first trip to Australia in 2005. “We thought nobody would know who we were. Then we played two sold-out shows in Brisbane. That was the moment I put the schoolbooks away for good.”
That trip also cemented Told’s deep affection for Australia. From feeding kangaroos to being hosted by Parkway Drive’s Winston McCall’s parents—complete with his first-ever avocado toast—Told recalls each visit fondly. “Australia has always shown us so much love. It’s my favourite place to tour.”
Looking ahead, Silverstein’s dual-album release—Antibloom and Pink Mist—is already making waves. Told revealed that the decision to split the music into two records came from a desire to give each song the attention it deserved. “We’re perfectionists. Every detail matters to us, and I think fans can hear that.”
As Silverstein enters their next chapter, the band’s drive remains relentless. “We’re still here, and we still give a shit,” Told said. “And we’re just getting started.”



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1762angela,australia,croudace,heavy,interview,music,musicinterview,musicpodcast,podcast,shanetold,silverstein,tourtruefullhttps://www.spreaker.com/episode/hitting-where-it-hurts-with-jacob-binzer-from-d-a-d--65767332Forty years is a long time, no matter what it refers to, but when it relates to a band that is still going strong after four decades in the music industry, it takes on even greater significance.
Known for their lunatic personas and stage antics backed by solid musical skills and songwriting chops, D-A-D made their international breakthrough in 1989 with the album No Fuel Left For The Pilgrims which spawned the hits Girl Nation, Jihad, Point Of View and the MTV favourite and global smash single Sleeping My Day Away.
Songs such as Laugh ‘n’ a 1/2, Bad Craziness, Grow and Pay, Everything Glows and many more are a part of some people's lives just as important as their own children, and Australian fans get the chance to allow their children to hear them live when D.A.D return to Australia in May.
Get ready for an unapologetic, hard-hitting rock ‘n’ roll show from Denmark when D-A-D return for their Greatest Hits Tour, treating fans, old and new, to a sonic journey through the band’s illustrious career. Every time the band steps on stage, another party starts, with vocalist Jacob Binzer joining HEAVY to warn us what we might expect.
"I'm packed and ready to go," he laughed. "I wish I could spend more time down there, but it's the start of the festival season in Europe, so unfortunately, we have to head back straight after. I think I can spend a couple of days in Melbourne after the last show, which I will enjoy, but then we are back to Europe. But Australia, you know what? The first time back in the early nineties, when we went to promote and play for the album back then I went up North to Cairns and I went on a motorcycle safari with a local guide, and I want to do that again. So please join in if anyone down there can help. A motorcycle safari in Cairns. How about that?"
In the full interview, Jacob provided insights into the band's upcoming Australian tour, set to begin on May 20 in Perth, with additional performances in Brisbane, Sydney, and Melbourne. He discussed the challenges of curating a greatest hits set list from their extensive catalogue, emphasizing the importance of selecting songs that resonate with Australian audiences, such as God Praise to Man, 1900, and Sleeping My Day Away. He explains how different songs seem to go better in different parts of the world and why.
The conversation also touched on the band's loyal fan base and the vibrant atmosphere of their live shows, particularly in Australia, where they aim to create an energetic experience. Jacob reflected on the success of their breakthrough album, No Fuel Left For The Pilgrims, and the significance of celebrating 40 years as a band, their achievements and musical legacy after 40 years and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65767332Sun, 27 Apr 2025 15:25:24 +0000HEAVY MagazineInterview by Kris Peters Forty years is a long time, no matter what it refers to, but when it relates to a band that is still going strong after four decades in the music industry, it takes on even greater significance. Known for their lunatic...Forty years is a long time, no matter what it refers to, but when it relates to a band that is still going strong after four decades in the music industry, it takes on even greater significance.
Known for their lunatic personas and stage antics backed by solid musical skills and songwriting chops, D-A-D made their international breakthrough in 1989 with the album No Fuel Left For The Pilgrims which spawned the hits Girl Nation, Jihad, Point Of View and the MTV favourite and global smash single Sleeping My Day Away.
Songs such as Laugh ‘n’ a 1/2, Bad Craziness, Grow and Pay, Everything Glows and many more are a part of some people's lives just as important as their own children, and Australian fans get the chance to allow their children to hear them live when D.A.D return to Australia in May.
Get ready for an unapologetic, hard-hitting rock ‘n’ roll show from Denmark when D-A-D return for their Greatest Hits Tour, treating fans, old and new, to a sonic journey through the band’s illustrious career. Every time the band steps on stage, another party starts, with vocalist Jacob Binzer joining HEAVY to warn us what we might expect.
"I'm packed and ready to go," he laughed. "I wish I could spend more time down there, but it's the start of the festival season in Europe, so unfortunately, we have to head back straight after. I think I can spend a couple of days in Melbourne after the last show, which I will enjoy, but then we are back to Europe. But Australia, you know what? The first time back in the early nineties, when we went to promote and play for the album back then I went up North to Cairns and I went on a motorcycle safari with a local guide, and I want to do that again. So please join in if anyone down there can help. A motorcycle safari in Cairns. How about that?"
In the full interview, Jacob provided insights into the band's upcoming Australian tour, set to begin on May 20 in Perth, with additional performances in Brisbane, Sydney, and Melbourne. He discussed the challenges of curating a greatest hits set list from their extensive catalogue, emphasizing the importance of selecting songs that resonate with Australian audiences, such as God Praise to Man, 1900, and Sleeping My Day Away. He explains how different songs seem to go better in different parts of the world and why.
The conversation also touched on the band's loyal fan base and the vibrant atmosphere of their live shows, particularly in Australia, where they aim to create an energetic experience. Jacob reflected on the success of their breakthrough album, No Fuel Left For The Pilgrims, and the significance of celebrating 40 years as a band, their achievements and musical legacy after 40 years and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>936australia,dad,hardrock,heavy,interview,jacobbinzer,krispeters,metropolistouring,music,musicinterview,musicpodcast,podcast,punk,rock,tourtruefullhttps://www.spreaker.com/episode/reaching-out-for-belonging-with-chelsea-wolfe--65767050The incomparable CHELSEA WOLFE has announced her return to Australia and New Zealand in May 2025. Three years after her sold-out tour of Oceania, the Queen of Darkness will bring her visceral, vivid live performance back to Perth, Adelaide, Brisbane, Sydney, Melbourne, Auckland and Wellington. She will tour with her four-piece band, as well as bringing along experimental Australian producer APHIR, performing as support for all shows.
Wolfe will perform a career-spanning set on this tour, including songs from her new album She Reaches Out To She Reaches Out To She, which was released in February. Her latest album is a rebirth in process. It is a powerfully cathartic statement about cutting ties, as well as an important reminder that healing is cyclical and circular, and not a simple linear process. 
Featuring elements of electronica, trip hop, industrial music and goth rock, the album has been hailed as one of her finest works. The record has been followed by two EPs containing reimaginings of the songs. Wolfe last performed in Australia in 2022 for Tasmania’s Dark Mofo, along with a full national tour, her first in a decade.
Her return in 2025 will mark 15 years since her debut The Grime and The Glow was released, sparking a career that has influenced and inspired a dedicated cult following worldwide to appreciate life in both its darkness and light.
HEAVY spent some time with Chelsea ahead of the tour. We start by asking what has changed in her world since she was last out here in 2022.
"I feel like I've grown and changed as a person," she offered. "I've toured so much with these songs, I've learned so much from them. I learned so much from writing them, and I'm learning so much from playing them. They're very personal and also very universal. So it's like each night I notice a different lyric or something and kind of, you know, get present with that for a moment."
In the full interview, Chelsea expressed excitement for her upcoming tour in Australia and New Zealand, where she will perform a mix of new songs and older favourites, while also discussing her growth as an artist and the connection she feels with her fan base. She reflected on her previous solo tour experience, the evolution of her music style from overproduced to lo-fi, and the integration of atmospheric elements in her live performances.
Chelsea also highlighted her latest album, and the two remix EPs with acoustic versions, showcasing her artistic journey and the creative thought behind her stage setup and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65767050Sun, 27 Apr 2025 14:30:05 +0000HEAVY MagazineInterview by Kris Peters The incomparable CHELSEA WOLFE has announced her return to Australia and New Zealand in May 2025. Three years after her sold-out tour of Oceania, the Queen of Darkness will bring her visceral, vivid live performance back to...The incomparable CHELSEA WOLFE has announced her return to Australia and New Zealand in May 2025. Three years after her sold-out tour of Oceania, the Queen of Darkness will bring her visceral, vivid live performance back to Perth, Adelaide, Brisbane, Sydney, Melbourne, Auckland and Wellington. She will tour with her four-piece band, as well as bringing along experimental Australian producer APHIR, performing as support for all shows.
Wolfe will perform a career-spanning set on this tour, including songs from her new album She Reaches Out To She Reaches Out To She, which was released in February. Her latest album is a rebirth in process. It is a powerfully cathartic statement about cutting ties, as well as an important reminder that healing is cyclical and circular, and not a simple linear process. 
Featuring elements of electronica, trip hop, industrial music and goth rock, the album has been hailed as one of her finest works. The record has been followed by two EPs containing reimaginings of the songs. Wolfe last performed in Australia in 2022 for Tasmania’s Dark Mofo, along with a full national tour, her first in a decade.
Her return in 2025 will mark 15 years since her debut The Grime and The Glow was released, sparking a career that has influenced and inspired a dedicated cult following worldwide to appreciate life in both its darkness and light.
HEAVY spent some time with Chelsea ahead of the tour. We start by asking what has changed in her world since she was last out here in 2022.
"I feel like I've grown and changed as a person," she offered. "I've toured so much with these songs, I've learned so much from them. I learned so much from writing them, and I'm learning so much from playing them. They're very personal and also very universal. So it's like each night I notice a different lyric or something and kind of, you know, get present with that for a moment."
In the full interview, Chelsea expressed excitement for her upcoming tour in Australia and New Zealand, where she will perform a mix of new songs and older favourites, while also discussing her growth as an artist and the connection she feels with her fan base. She reflected on her previous solo tour experience, the evolution of her music style from overproduced to lo-fi, and the integration of atmospheric elements in her live performances.
Chelsea also highlighted her latest album, and the two remix EPs with acoustic versions, showcasing her artistic journey and the creative thought behind her stage setup and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>722australia,chelseawolfe,heavy,interview,krispeters,music,musicinterview,musicpodcast,podcast,rock,softrock,tourfalsefullhttps://www.spreaker.com/episode/ross-the-boss-gears-up-to-melt-faces-on-australian-tour--65762210Heavy metal legend Ross The Boss is set to electrify Australia next week, and he couldn't be more excited. Reflecting on his previous visit, Ross recalls the overwhelming love he received from Aussie fans. "The reaction nerfed me," he laughed. "The intensity, especially in Melbourne, was unbelievable."
Ross, a founding member of Manowar, spoke passionately about the creation of Sign of the Hammer, revealing that the band often recorded more tracks than needed, seizing every opportunity in the studio. A highlight was recording at Richard Branson's famed Manor Studio — a surreal experience that included sleeping in rooms once occupied by historical figures like William the Conqueror.
This upcoming tour features what Ross calls the best version of the RTB band yet, boasting powerhouse musicians like Dirk Schlächter (Gamma Ray) and drummer Sean Elg. “We’re coming to melt faces,” Ross promises, highlighting the group’s precision and raw power.
When asked about his time in Manowar, Ross candidly shared that he wished he'd been firmer with his bandmate Joey DeMaio. "Sometimes I should’ve put my foot down more," he admitted. Despite past challenges, he now channels his passion purely through his guitar, still rooted in the soulful blues influences of B.B. King and Albert King.
Ross also touched on the emotional impact his music has had. "People tell me it saved their lives," he said, visibly moved. "It’s an honour I don't take lightly."
As Ross prepares to unleash a storm of classic anthems down under, he leaves fans with one promise: “We’ll give you 150%. When the final note rings out, we want you to feel it in your soul — and want us back.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65762210Sun, 27 Apr 2025 09:18:18 +0000HEAVY MagazineInterview by Angela Croudace Heavy metal legend Ross The Boss is set to electrify Australia next week, and he couldn't be more excited. Reflecting on his previous visit, Ross recalls the overwhelming love he received from Aussie fans. "The reaction...Heavy metal legend Ross The Boss is set to electrify Australia next week, and he couldn't be more excited. Reflecting on his previous visit, Ross recalls the overwhelming love he received from Aussie fans. "The reaction nerfed me," he laughed. "The intensity, especially in Melbourne, was unbelievable."
Ross, a founding member of Manowar, spoke passionately about the creation of Sign of the Hammer, revealing that the band often recorded more tracks than needed, seizing every opportunity in the studio. A highlight was recording at Richard Branson's famed Manor Studio — a surreal experience that included sleeping in rooms once occupied by historical figures like William the Conqueror.
This upcoming tour features what Ross calls the best version of the RTB band yet, boasting powerhouse musicians like Dirk Schlächter (Gamma Ray) and drummer Sean Elg. “We’re coming to melt faces,” Ross promises, highlighting the group’s precision and raw power.
When asked about his time in Manowar, Ross candidly shared that he wished he'd been firmer with his bandmate Joey DeMaio. "Sometimes I should’ve put my foot down more," he admitted. Despite past challenges, he now channels his passion purely through his guitar, still rooted in the soulful blues influences of B.B. King and Albert King.
Ross also touched on the emotional impact his music has had. "People tell me it saved their lives," he said, visibly moved. "It’s an honour I don't take lightly."
As Ross prepares to unleash a storm of classic anthems down under, he leaves fans with one promise: “We’ll give you 150%. When the final note rings out, we want you to feel it in your soul — and want us back.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1204angelacroudace,australia,deathmetal,heavy,heavymetal,interview,manowar,music,musicinterview,musicpodcast,podcast,rosstheboss,tourtruefullhttps://www.spreaker.com/episode/fresh-beginnings-with-damian-kulash-from-ok-go--65620541Since their inception, OK Go has been something more than a band and something different from an art project.
With a career that includes award-winning videos, New York Times op-eds, collaborations with pioneering dance companies, tech giants, NASA, animators and Muppets, and an experiment that encoded their music on actual strands of DNA, OK Go continue to fearlessly dream and build new worlds in a time when creative boundaries have all but dissolved.
Formed as a quartet in Chicago in 1998 and relocated to Los Angeles three years later, OK Go (Damian Kulash, Timothy Nordwind, Dan Konopka, Andy Ross) have spent their career in a steady state of transformation and continue to add to a curriculum vitae filled with experimentation in a variety of mediums. Their work is in the permanent collection of MoMA, and their achievements have been recognized with twenty-one Cannes Lions, twelve CLIOs, three VMAS, two Webbys, The Smithsonian Ingenuity Award, and a Grammy. The band has also partnered with the Playful Learning Lab at the University of St. Thomas to create OK Go Sandbox, an educational non-profit that provides free resources to teachers that use OK Go's videos as starting points to teach STEAM concepts.
The band last week released their first album in over a decade, And The Adjacent Possible, with Kulash stopping by HEAVY HQ for a chat.
"It's been fantastic," he smiled when we ask how the early reception has been for And The Adjacent Possible. "It's wonderful to get the music into people's brains. It's swimming around there in the ether somewhere, and when you pull it out… you don't write the songs. You find them. You define them from the world, then work so hard to get them into shape. You can share them with people, but then there's this arduous period where you do the business stuff, and I'm just so happy that it's finally out and people can listen to it and feel the emotion. The only point of music is that sense of human connection, and it's so wonderful to be getting real reactions from real humans now."
We ask Damian to dive deeper into the album musically.
"It feels like this is the first time that we weren't going for anything," he measured. "We actually felt comfortable enough with what and who we are that we were able to say these are the things we like. Since the last album our guitarist had kids, I had kids, then there was the pandemic, then I directed a film and that put several years between the records, and before we knew it even though we had never officially shut down the band or gone on a hiatus, we'd taken enough of a step back that instead of feeling like our foot had to be on the pedals with 'what do we do next' we could just come back to and recognize who we are and that our flag was planted a long time ago, and we don't have to plant a flag."
In the full interview, Damian discussed And The Adjacent Possible in greater detail, including the singles released and how they summarise the album as a whole. We talked about the music video for A Stone Only Rolls Downhill, which was shot on 64 phones with 64 different videos placed over a moving mosaic, which led to discussion about their elaborate music videos and the process behind them.
We spoke about musical ideas and converting them to reality, any extra pressures coming back from a ten-year lay off, the meaning behind the album title and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65620541Sat, 26 Apr 2025 14:14:48 +0000HEAVY MagazineInterview by Kris Peters Since their inception, OK Go has been something more than a band and something different from an art project. With a career that includes award-winning videos, New York Times op-eds, collaborations with pioneering dance...Since their inception, OK Go has been something more than a band and something different from an art project.
With a career that includes award-winning videos, New York Times op-eds, collaborations with pioneering dance companies, tech giants, NASA, animators and Muppets, and an experiment that encoded their music on actual strands of DNA, OK Go continue to fearlessly dream and build new worlds in a time when creative boundaries have all but dissolved.
Formed as a quartet in Chicago in 1998 and relocated to Los Angeles three years later, OK Go (Damian Kulash, Timothy Nordwind, Dan Konopka, Andy Ross) have spent their career in a steady state of transformation and continue to add to a curriculum vitae filled with experimentation in a variety of mediums. Their work is in the permanent collection of MoMA, and their achievements have been recognized with twenty-one Cannes Lions, twelve CLIOs, three VMAS, two Webbys, The Smithsonian Ingenuity Award, and a Grammy. The band has also partnered with the Playful Learning Lab at the University of St. Thomas to create OK Go Sandbox, an educational non-profit that provides free resources to teachers that use OK Go's videos as starting points to teach STEAM concepts.
The band last week released their first album in over a decade, And The Adjacent Possible, with Kulash stopping by HEAVY HQ for a chat.
"It's been fantastic," he smiled when we ask how the early reception has been for And The Adjacent Possible. "It's wonderful to get the music into people's brains. It's swimming around there in the ether somewhere, and when you pull it out… you don't write the songs. You find them. You define them from the world, then work so hard to get them into shape. You can share them with people, but then there's this arduous period where you do the business stuff, and I'm just so happy that it's finally out and people can listen to it and feel the emotion. The only point of music is that sense of human connection, and it's so wonderful to be getting real reactions from real humans now."
We ask Damian to dive deeper into the album musically.
"It feels like this is the first time that we weren't going for anything," he measured. "We actually felt comfortable enough with what and who we are that we were able to say these are the things we like. Since the last album our guitarist had kids, I had kids, then there was the pandemic, then I directed a film and that put several years between the records, and before we knew it even though we had never officially shut down the band or gone on a hiatus, we'd taken enough of a step back that instead of feeling like our foot had to be on the pedals with 'what do we do next' we could just come back to and recognize who we are and that our flag was planted a long time ago, and we don't have to plant a flag."
In the full interview, Damian discussed And The Adjacent Possible in greater detail, including the singles released and how they summarise the album as a whole. We talked about the music video for A Stone Only Rolls Downhill, which was shot on 64 phones with 64 different videos placed over a moving mosaic, which led to discussion about their elaborate music videos and the process behind them.
We spoke about musical ideas and converting them to reality, any extra pressures coming back from a ten-year lay off, the meaning behind the album title and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1014damiankulash,electronicrock,heavy,interview,krispeters,music,musicinterview,musicpodcast,nuclearblastrecords,okgo,podcast,rock,softrockfalsefullhttps://www.spreaker.com/episode/a-new-chapter-begins-with-dan-and-wayne-from-sound-affliction--65676310Brisbane rock outfit Sound Affliction are the latest signing to Australia’s fastest growing rock label XMusic, and they have made an immediate impact with their powerful, emotionally charged new single, Sober. Blending huge riffs and driving rhythms with deeply emotive lyrics, Sound Affliction will soon be your new favourite rock n roll band.
The band's latest single and first for XMusic, Sober, is a haunting reflection on loss and resilience, exploring the pain of losing someone dear and the challenge of moving forward alone. With its universal themes and raw emotion, the track is the perfect introduction to Sound Affliction and with plenty more singles in the pipeline, the bands' versatility will soon be on display.
Though Sound Affliction might be unfamiliar, the band’s line-up is stacked with seasoned talent. Frontman Matt, previously of Scandal Tree and Don’t Come Monday, commands your attention with a vocal range that shifts effortlessly from raw intensity to soaring majesty. Guitarists Dan (Black Whiskey) and Wayne (Scandal Tree, Cactus Dill Dos) are a dual-edged harmonious sword, weaving shredding riffage with melodic beauty to create songs that sound instantly familiar but also completely new while drummer Travis, also from Don’t Come Monday, drives the band’s engine and can take it from zero to a hundred in an instant. On bass Kev Brown (Pyre & Ice), brings a massive low-end anchor to the band's massive sound.
HEAVY spent some time recently with Dan and Wayne to find out more.
"We came up with a bit of a demo track a while ago on it," Dan began when asked about Sober, "and we all thought, you know, it's not a complicated song, but it's nice and simple, and it's got that real catchy drive to it. It was one of those that knocked together quite quickly so we flicked it over to Matty, who does all the lyrics, and he was going through a bit of a rough patch at the time and sort of poured his heart on the vocals, which gives it its own sort of haunting melody. It's one of those songs we thought could be good for us because it's got a good feel to it."
In the full interview, Dan and Wayne spoke more about the sonic impact of Sober, the personal feelings of sorrow at its core and the relatability of the subject matter. They revealed the song is the first taken from a future album, but doesn't necessarily provide a complete representation of what to expect.
We discussed Sound Affliction signing to XMusic and what it means for the band moving forward, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65676310Thu, 24 Apr 2025 18:38:35 +0000HEAVY MagazineInterview by Kris Peters Brisbane rock outfit Sound Affliction are the latest signing to Australia’s fastest growing rock label XMusic, and they have made an immediate impact with their powerful, emotionally charged new single, Sober. Blending huge...Brisbane rock outfit Sound Affliction are the latest signing to Australia’s fastest growing rock label XMusic, and they have made an immediate impact with their powerful, emotionally charged new single, Sober. Blending huge riffs and driving rhythms with deeply emotive lyrics, Sound Affliction will soon be your new favourite rock n roll band.
The band's latest single and first for XMusic, Sober, is a haunting reflection on loss and resilience, exploring the pain of losing someone dear and the challenge of moving forward alone. With its universal themes and raw emotion, the track is the perfect introduction to Sound Affliction and with plenty more singles in the pipeline, the bands' versatility will soon be on display.
Though Sound Affliction might be unfamiliar, the band’s line-up is stacked with seasoned talent. Frontman Matt, previously of Scandal Tree and Don’t Come Monday, commands your attention with a vocal range that shifts effortlessly from raw intensity to soaring majesty. Guitarists Dan (Black Whiskey) and Wayne (Scandal Tree, Cactus Dill Dos) are a dual-edged harmonious sword, weaving shredding riffage with melodic beauty to create songs that sound instantly familiar but also completely new while drummer Travis, also from Don’t Come Monday, drives the band’s engine and can take it from zero to a hundred in an instant. On bass Kev Brown (Pyre & Ice), brings a massive low-end anchor to the band's massive sound.
HEAVY spent some time recently with Dan and Wayne to find out more.
"We came up with a bit of a demo track a while ago on it," Dan began when asked about Sober, "and we all thought, you know, it's not a complicated song, but it's nice and simple, and it's got that real catchy drive to it. It was one of those that knocked together quite quickly so we flicked it over to Matty, who does all the lyrics, and he was going through a bit of a rough patch at the time and sort of poured his heart on the vocals, which gives it its own sort of haunting melody. It's one of those songs we thought could be good for us because it's got a good feel to it."
In the full interview, Dan and Wayne spoke more about the sonic impact of Sober, the personal feelings of sorrow at its core and the relatability of the subject matter. They revealed the song is the first taken from a future album, but doesn't necessarily provide a complete representation of what to expect.
We discussed Sound Affliction signing to XMusic and what it means for the band moving forward, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>939australia,grungerock,hardrock,heavy,interview,krispeters,music,musicinterview,musicpodcast,podcast,rockmusic,soundaffliction,xmusictruefullhttps://www.spreaker.com/episode/crisis-averted-with-wednesday-13--65670220Wednesday 13 is arguably one of the hardest-working musicians out there. From his solo project to celebration tours featuring Murderdolls songs, Wednesday not only lives the excesses of rock and roll debauchery; he sets the bar as well.
Each of his musical undertakings, including Frankenstein Drag Queens From Planet 13 as well as Murderdolls and Wednesday 13, have the same menacing undertones of gore, horror and theatrics, but despite the obvious similarities, Wednesday 13 is much more than a one-trick pony.
Blending the above elements with punk, humour and a ghostly sense of the macabre, Wednesday 13 has his roots deeply embedded in hard rock but transcends the barriers of a plethora of styles and genres that combine to make his music a necessary evil in a world growing increasingly sterile.
2022's Horrifier was met with widespread media and public adulation, but these two things have never mattered when it comes to Wednesday's musical output. It is more about the sense of ambivalence and the irresistible thread that binds everything together that keeps the fire in Wednesday's cauldron burning.
Such is his contribution to music that Wednesday could easily be forgiven for playing it safe with each new album cycle, but in true Wednesday 13 style, safe was the furthest thing on his mind with his new album Mid Death Crisis, which will be unleashed on April 25.
More a step back into the things and a time that gave birth to Wednesday's musical psyche, Mid Death Crisis benefits from production by Alex Kane (Life, Sex & Death, Enuff Z'Nuff, Antiproduct) and a mix courtesy of Steve Evetts (The Dillinger Escape Plan, Prong, DevilDriver) that devilishly encapsulates the musical strengths of both while remaining quintessentially the afterbirth of Wednesday 13.
Wednesday spent some time with HEAVY to discuss the album in greater detail. We started by asking if he is confident heading into the album release date.
"Very confident," he replied without hesitation. "With my last few albums I put out, I didn't know if the audience was going to like it as much as I did. And when I was experimenting from albums like  Condolences and Necrophaze and all those records, I look back now and those are the experimental records because I did some different things with them. And those were ones I took some chances with, and I wasn't sure if the audience would like them. But they did. This is the one record where I feel pretty confident that they're going to like it. I know it's hit all the bases with what I was trying to go for."
The album is widely touted as a return to Wednesday 13's musical roots, an opinion we put to the man himself.
"I think so," he measured. "After COVID and everything, I had a little time to look back on my career and 20 years of doing Wednesday 13. And I just kind of looked at the whole career and went, well, what do you like best of all this? I started looking at it all, and I went, well, where I started was the most honest and real place for me. And that seemed natural. And I kind of went back to that look, and I went back to that sound, and it was easy to do. It just felt right, and this is more of a hard rock record than it is a metal record, but it's not just like I tried to imitate my first record or anything. It's just in the same spirit, and I feel good about it, like I did on that first record."
In the full interview, Wednesday 13 described Mid Death Crisis as an energetic experience, carefully structured to reflect a live performance, and emphasized that sonically it encapsulates his career and aligns with fan expectations.
He highlighted the song When the Devil Commands as the lead single, crafted to appeal to both existing fans and new listeners, with lyrics inspired by his childhood experiences during the Satanic Panic. He discussed his songwriting philosophy, focusing on natural inspiration from classic horror and pop culture. Additionally, he spoke about his collaboration with Taime Downe, noting its significance due to his admiration for Faster Pussycat. We spoke about his song titles and where they come from, coming up with fresh sounding material the more you write, future and current tours and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65670220Wed, 23 Apr 2025 21:54:53 +0000HEAVY MagazineInterview by Kris Peters Wednesday 13 is arguably one of the hardest-working musicians out there. From his solo project to celebration tours featuring Murderdolls songs, Wednesday not only lives the excesses of rock and roll debauchery; he sets the...Wednesday 13 is arguably one of the hardest-working musicians out there. From his solo project to celebration tours featuring Murderdolls songs, Wednesday not only lives the excesses of rock and roll debauchery; he sets the bar as well.
Each of his musical undertakings, including Frankenstein Drag Queens From Planet 13 as well as Murderdolls and Wednesday 13, have the same menacing undertones of gore, horror and theatrics, but despite the obvious similarities, Wednesday 13 is much more than a one-trick pony.
Blending the above elements with punk, humour and a ghostly sense of the macabre, Wednesday 13 has his roots deeply embedded in hard rock but transcends the barriers of a plethora of styles and genres that combine to make his music a necessary evil in a world growing increasingly sterile.
2022's Horrifier was met with widespread media and public adulation, but these two things have never mattered when it comes to Wednesday's musical output. It is more about the sense of ambivalence and the irresistible thread that binds everything together that keeps the fire in Wednesday's cauldron burning.
Such is his contribution to music that Wednesday could easily be forgiven for playing it safe with each new album cycle, but in true Wednesday 13 style, safe was the furthest thing on his mind with his new album Mid Death Crisis, which will be unleashed on April 25.
More a step back into the things and a time that gave birth to Wednesday's musical psyche, Mid Death Crisis benefits from production by Alex Kane (Life, Sex & Death, Enuff Z'Nuff, Antiproduct) and a mix courtesy of Steve Evetts (The Dillinger Escape Plan, Prong, DevilDriver) that devilishly encapsulates the musical strengths of both while remaining quintessentially the afterbirth of Wednesday 13.
Wednesday spent some time with HEAVY to discuss the album in greater detail. We started by asking if he is confident heading into the album release date.
"Very confident," he replied without hesitation. "With my last few albums I put out, I didn't know if the audience was going to like it as much as I did. And when I was experimenting from albums like  Condolences and Necrophaze and all those records, I look back now and those are the experimental records because I did some different things with them. And those were ones I took some chances with, and I wasn't sure if the audience would like them. But they did. This is the one record where I feel pretty confident that they're going to like it. I know it's hit all the bases with what I was trying to go for."
The album is widely touted as a return to Wednesday 13's musical roots, an opinion we put to the man himself.
"I think so," he measured. "After COVID and everything, I had a little time to look back on my career and 20 years of doing Wednesday 13. And I just kind of looked at the whole career and went, well, what do you like best of all this? I started looking at it all, and I went, well, where I started was the most honest and real place for me. And that seemed natural. And I kind of went back to that look, and I went back to that sound, and it was easy to do. It just felt right, and this is more of a hard rock record than it is a metal record, but it's not just like I tried to imitate my first record or anything. It's just in the same spirit, and I feel good about it, like I did on that first record."
In the full interview, Wednesday 13 described Mid Death Crisis as an energetic experience, carefully structured to reflect a live performance, and emphasized that sonically it encapsulates his career and aligns with fan expectations.
He highlighted the song When the Devil Commands as the lead single, crafted to appeal to both existing fans and new listeners, with lyrics inspired by his childhood experiences during the Satanic Panic. He discussed his songwriting philosophy, focusing on natural inspiration from classic horror and pop...]]>1405fasterpussycat,hardrock,heavy,heavymetal,horrorpunk,interview,krispeters,middeathcrisis,murderdolls,music,musicinterview,musicpodcast,napalmrecords,podcast,punk,rock,shockrock,wednesday13truefullhttps://www.spreaker.com/episode/rivers-of-nihil-adam-biggs-on-fresh-starts-fear-and-finding-their-sound--65600728Rivers of Nihil’s self-titled album marks more than just another release in their discography—it signals a rebirth. Bassist and vocalist Adam Biggs, one of the band’s founding members, sat down to talk about the evolution of the group, the challenges of stepping into a new vocal role, and crafting an album that captures both urgency and introspection.
Following their conceptual four-album seasonal cycle, the band viewed Rivers of Nihil as a way to define who they are now. “It almost feels like our first record again,” Biggs explains. “We looked back at all the eras of the band and pulled what worked best. This is Rivers of Nihil as it stands now.”
A major shift came with Biggs taking on full-time vocal duties after the departure of their previous frontman. It’s been a challenging transition. “It took a lot of practice and trial and error with my voice,” he admits. Balancing demanding vocals with intricate bass lines required intense focus and routine—but now, he says, “it’s starting to feel more natural.”
New blood also brought fresh energy. Guitarist and vocalist Andy Thomas officially joined the line up, contributing not just riffs, but his distinct voice. “I wanted to rise to the challenge,” Biggs says. “I wanted him to do awesome work with us.”
The new album is both heavy and hauntingly relevant. “The theme is sort of this macro danger of modern life,” Biggs explains. “Fear of war, pandemics, political unrest. But we try to approach it from a human perspective—there’s paranoia, yes, but also a thread of hope.”
Instrumentation expands too, with banjo, cello, and a new saxophonist adding depth. But unlike previous records, the band prioritised how the songs would hit live. “We wanted this to go over in a room full of excited, sweaty people,” Biggs laughs.
At its heart, Rivers of Nihil is an album born of evolution, resilience, and reflection—a fitting fresh start for a band that refuses to stand still.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65600728Wed, 23 Apr 2025 12:53:34 +0000HEAVY MagazineInterview by Angela Croudace Rivers of Nihil’s self-titled album marks more than just another release in their discography—it signals a rebirth. Bassist and vocalist Adam Biggs, one of the band’s founding members, sat down to talk about the evolution...Rivers of Nihil’s self-titled album marks more than just another release in their discography—it signals a rebirth. Bassist and vocalist Adam Biggs, one of the band’s founding members, sat down to talk about the evolution of the group, the challenges of stepping into a new vocal role, and crafting an album that captures both urgency and introspection.
Following their conceptual four-album seasonal cycle, the band viewed Rivers of Nihil as a way to define who they are now. “It almost feels like our first record again,” Biggs explains. “We looked back at all the eras of the band and pulled what worked best. This is Rivers of Nihil as it stands now.”
A major shift came with Biggs taking on full-time vocal duties after the departure of their previous frontman. It’s been a challenging transition. “It took a lot of practice and trial and error with my voice,” he admits. Balancing demanding vocals with intricate bass lines required intense focus and routine—but now, he says, “it’s starting to feel more natural.”
New blood also brought fresh energy. Guitarist and vocalist Andy Thomas officially joined the line up, contributing not just riffs, but his distinct voice. “I wanted to rise to the challenge,” Biggs says. “I wanted him to do awesome work with us.”
The new album is both heavy and hauntingly relevant. “The theme is sort of this macro danger of modern life,” Biggs explains. “Fear of war, pandemics, political unrest. But we try to approach it from a human perspective—there’s paranoia, yes, but also a thread of hope.”
Instrumentation expands too, with banjo, cello, and a new saxophonist adding depth. But unlike previous records, the band prioritised how the songs would hit live. “We wanted this to go over in a room full of excited, sweaty people,” Biggs laughs.
At its heart, Rivers of Nihil is an album born of evolution, resilience, and reflection—a fitting fresh start for a band that refuses to stand still.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1511adambiggs,album,heavy,heavymetal,interview,music,podcast,riversofnihiltruefullhttps://www.spreaker.com/episode/until-death-do-us-laugh-with-matt-baty-from-pigs-pigs-pigs-pigs-pigs-pigs-pigs--65678809In case their band name wasn't enough of a hint for you, listening to their music will ram the point home that Newcastle, UK outfit Pigs, Pigs, Pigs, Pigs, Pigs, Pigs, Pigs are a musical force unto themselves and their care factor should you disagree is a resounding zero.
Since bursting onto the scene in 2014, Pigs have almost gone out of their way to ensure they drank from no-ones well of musicality other than their own, uniting normally opposing forces of music with flawless inhibition for maximum results.
Essentially a rock band but with enough alter egos and personalities to conquer the world, Pigs have always quietly gone about their business, in the process drawing fans and their peers increasingly into their own sonic paradise and sweeping all before them in eclectic waves of passion.
In setting their fifth musical child out into the wilderness earlier this month, Pigs also unleashed a powerhouse of musical disparity that highlighted their growing stature while simultaneously sending purists reaching for their notepads to scribble down notable forms of blasphemous intent. That album is titled Death Hilarious, an album name that says pretty much everything you need to hear about Pigs without lowering the needle to the record and setting off down another magical and whimsical adventure, destination unknown but satisfaction guaranteed.
Openly touted as a body of work infinitely more hostile than previous release Land Of Sleeper, Death Hilarious evokes the same type of reaction as a person would feel standing in the mosh pit at one of Pigs notoriously frenetic live shows.
It was a deliberate hardening of the arteries by Pigs, once more showing their disdain for familiarity as their journey into the abyss grows darker and more dangerous along the way.
Vocalist Matt Baty kindly gave up some of his time to chat with HEAVY in what turned out to be an engaging, informative view of the music industry as a whole and Pigs place in it.
"We're a weird band," he shrugged when we ask what Pigs were going for musically with Death Hilarious. "In the sense that we don't all get together before we start writing an album and discuss what direction we'd like to take it in, which I think is pretty odd and probably not very efficient (laughs). We just get together in a room and everyone will have worked on different things or have different fragments of ideas for songs. And we just get together in one room and present those with each other. Some things kind of click amongst all of us, and some things don't. And those things we'll just park for a rainy day and see if it works at a later date. But we'll kind of focus on everything that people bring that all of us as a five-piece unit are all in on. From that point, once we start developing the skeletons of what the songs are, Sam - he also records and produces our albums - takes them further."
"I think with this one, the songs were presenting themselves as being a bit more… maybe a bit more assertive and a little bit more aggressive," he continued. "A little bit more immediate. So that's where Sam took the production as well and maybe just pushing things a little bit harder and slamming it against the wall a little bit more than they were on Land of Sleeper."
In the full interview, Matt shared insights into the positive reception of the album and the tour, describing it as their best experience yet due to enthusiastic fan engagement. He emphasized the challenges of measuring success in the current music landscape, where streaming metrics often overshadow live performance feedback. Matt elaborated on the band's collaborative songwriting process, which allows for organic song development without a predetermined direction. He noted that their latest album aims for a more straightforward sound compared to previous works, with production enhancing the music's immediacy. The title Death Hilarious, inspired by Cormac McCarthy's Blood Meridian, was chosen for its representation of the band's identity and humour.
Matt highlighted the band's journey in defining their sound, showcasing a variety of styles across albums, and mentioned specific tracks that exemplify their creative exploration before admitting he still doesn't know exactly what Pigs definitive sound is, but is also happy to keep exploring the realms of musical possibility.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65678809Wed, 23 Apr 2025 12:46:40 +0000HEAVY MagazineInterview by Kris Peters In case their band name wasn't enough of a hint for you, listening to their music will ram the point home that Newcastle, UK outfit Pigs, Pigs, Pigs, Pigs, Pigs, Pigs, Pigs are a musical force unto themselves and their care...In case their band name wasn't enough of a hint for you, listening to their music will ram the point home that Newcastle, UK outfit Pigs, Pigs, Pigs, Pigs, Pigs, Pigs, Pigs are a musical force unto themselves and their care factor should you disagree is a resounding zero.
Since bursting onto the scene in 2014, Pigs have almost gone out of their way to ensure they drank from no-ones well of musicality other than their own, uniting normally opposing forces of music with flawless inhibition for maximum results.
Essentially a rock band but with enough alter egos and personalities to conquer the world, Pigs have always quietly gone about their business, in the process drawing fans and their peers increasingly into their own sonic paradise and sweeping all before them in eclectic waves of passion.
In setting their fifth musical child out into the wilderness earlier this month, Pigs also unleashed a powerhouse of musical disparity that highlighted their growing stature while simultaneously sending purists reaching for their notepads to scribble down notable forms of blasphemous intent. That album is titled Death Hilarious, an album name that says pretty much everything you need to hear about Pigs without lowering the needle to the record and setting off down another magical and whimsical adventure, destination unknown but satisfaction guaranteed.
Openly touted as a body of work infinitely more hostile than previous release Land Of Sleeper, Death Hilarious evokes the same type of reaction as a person would feel standing in the mosh pit at one of Pigs notoriously frenetic live shows.
It was a deliberate hardening of the arteries by Pigs, once more showing their disdain for familiarity as their journey into the abyss grows darker and more dangerous along the way.
Vocalist Matt Baty kindly gave up some of his time to chat with HEAVY in what turned out to be an engaging, informative view of the music industry as a whole and Pigs place in it.
"We're a weird band," he shrugged when we ask what Pigs were going for musically with Death Hilarious. "In the sense that we don't all get together before we start writing an album and discuss what direction we'd like to take it in, which I think is pretty odd and probably not very efficient (laughs). We just get together in a room and everyone will have worked on different things or have different fragments of ideas for songs. And we just get together in one room and present those with each other. Some things kind of click amongst all of us, and some things don't. And those things we'll just park for a rainy day and see if it works at a later date. But we'll kind of focus on everything that people bring that all of us as a five-piece unit are all in on. From that point, once we start developing the skeletons of what the songs are, Sam - he also records and produces our albums - takes them further."
"I think with this one, the songs were presenting themselves as being a bit more… maybe a bit more assertive and a little bit more aggressive," he continued. "A little bit more immediate. So that's where Sam took the production as well and maybe just pushing things a little bit harder and slamming it against the wall a little bit more than they were on Land of Sleeper."
In the full interview, Matt shared insights into the positive reception of the album and the tour, describing it as their best experience yet due to enthusiastic fan engagement. He emphasized the challenges of measuring success in the current music landscape, where streaming metrics often overshadow live performance feedback. Matt elaborated on the band's collaborative songwriting process, which allows for organic song development without a predetermined direction. He noted that their latest album aims for a more straightforward sound compared to previous works, with production enhancing the music's immediacy. The title Death Hilarious, inspired by Cormac...]]>1408album,deathhilarious,doommetal,hardrock,heavy,heavymetal,interview,krispeters,mattbaty,music,musicinterview,musicpodcast,pigspigspigspigspigspigspigs,podcast,psychedelicrock,rock,stonerrocktruefullhttps://www.spreaker.com/episode/bowstrings-breakthroughs-ne-obliviscaris-tim-charles-on-citadel-classical-roots-and-pioneering-metal-with-violin--65602121Ne Obliviscaris’ clean vocalist and violinist Tim Charles sat down with HEAVY to reflect on the band’s journey, the legacy of their landmark album Citadel, and what it’s like bringing classical violin into extreme metal.
Formed in 2003, the Melbourne-based band didn't reach the international stage until their second album, Citadel, released in 2014. “It was our first proper record deal,” Charles explains, “and that made all the difference. Suddenly we were in stores worldwide and able to secure booking agents and festival slots overseas.” The band’s debut, Portal of I, was self-released, and though praised by fans, lacked the reach Citadel was able to achieve with the support of Season of Mist.
Celebrating its 10th anniversary, Citadel was recently remastered by Mike Lewis, who also helmed the band’s latest release, Exul. “We wanted to bring a bit of the Exul touch to Citadel,” Charles said. “It’s slightly more open, a bit heavier, and filled with little details that bring new life to the mix.”
Tim also shared his excitement about returning to the stage with the epic 23-minute track Painters of the Tempest in its entirety — a feat not attempted in nearly a decade. “It’s still one of our best songs. Performing it live again was incredibly satisfying.”
Known for weaving violin into every corner of Ne Obliviscaris’ sound, Charles discussed how his classical training shaped the band's musical direction. “I was always inspired by guitarists like Jeff Loomis and John Petrucci,” he said, “and I’d think — how can I do that on violin?” With few metal violinists to look up to, Charles essentially invented his own approach, blending classical, jazz, and metal into a seamless force.
The band’s recent collaboration with Swedish act Imminence, whose own frontman plays violin, shows that the path Charles helped forge is inspiring a new generation. “It’s been amazing to see more non-traditional instruments in metal,” he says. “Hopefully, there’s more to come.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65602121Tue, 22 Apr 2025 18:18:53 +0000HEAVY MagazineInterview by Angela Croudace Ne Obliviscaris’ clean vocalist and violinist Tim Charles sat down with HEAVY to reflect on the band’s journey, the legacy of their landmark album Citadel, and what it’s like bringing classical violin into extreme metal....Ne Obliviscaris’ clean vocalist and violinist Tim Charles sat down with HEAVY to reflect on the band’s journey, the legacy of their landmark album Citadel, and what it’s like bringing classical violin into extreme metal.
Formed in 2003, the Melbourne-based band didn't reach the international stage until their second album, Citadel, released in 2014. “It was our first proper record deal,” Charles explains, “and that made all the difference. Suddenly we were in stores worldwide and able to secure booking agents and festival slots overseas.” The band’s debut, Portal of I, was self-released, and though praised by fans, lacked the reach Citadel was able to achieve with the support of Season of Mist.
Celebrating its 10th anniversary, Citadel was recently remastered by Mike Lewis, who also helmed the band’s latest release, Exul. “We wanted to bring a bit of the Exul touch to Citadel,” Charles said. “It’s slightly more open, a bit heavier, and filled with little details that bring new life to the mix.”
Tim also shared his excitement about returning to the stage with the epic 23-minute track Painters of the Tempest in its entirety — a feat not attempted in nearly a decade. “It’s still one of our best songs. Performing it live again was incredibly satisfying.”
Known for weaving violin into every corner of Ne Obliviscaris’ sound, Charles discussed how his classical training shaped the band's musical direction. “I was always inspired by guitarists like Jeff Loomis and John Petrucci,” he said, “and I’d think — how can I do that on violin?” With few metal violinists to look up to, Charles essentially invented his own approach, blending classical, jazz, and metal into a seamless force.
The band’s recent collaboration with Swedish act Imminence, whose own frontman plays violin, shows that the path Charles helped forge is inspiring a new generation. “It’s been amazing to see more non-traditional instruments in metal,” he says. “Hopefully, there’s more to come.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1740australia,hardrock,heavy,heavymetal,interview,krispeters,music,musicinterview,musicpodcast,neobliviscaris,podcast,tourfalsefullhttps://www.spreaker.com/episode/ai-doomsday-dreambound-deals-ghostseeker-s-rise-from-lockdown-to-launchpad--65586482Ghostseeker may have emerged from the chaos of Melbourne's COVID lockdowns, but their momentum is anything but confined. With their debut full-length album Divergence set to drop on April 25, the band has already made waves—especially overseas.
“Honestly, it’s resonated more internationally than at home,” says Daniel Breen (aka Breenie), one half of Ghostseeker’s dynamic vocal duo. YouTube and a partnership with Germany’s Reigning Phoenix Music catapulted the band beyond borders. “They gave us the reach we never could’ve had,” Daniel says, adding that a suspicious-sounding email from the label almost went ignored—until a follow-up video message proved the offer was real.
Divergence takes a bold conceptual turn. “We wrote it from the perspective of conspiracy theorists,” Breenie explains. “Like, if AI really is the end of the world—what does that look like?” Seven of the ten tracks lean into that dark, fictional narrative, while the remaining three stay rooted in the raw relatability that launched Ghostseeker’s debut EP.
When it comes to AI in music, Breenie is refreshingly open-minded. “One of my favourite artists right now is this guy who makes metalcore using Plankton’s voice from SpongeBob. I just like good music.”
Collaboration fuels the band—especially between Daniel and co-vocalist Celeste Bojczuk. “We clicked right away. We bounce ideas off each other, pick our parts, and craft lyrics together. It’s a laid-back, fun process.”
The chemistry extends to the entire band, both in the studio and on the road. “We’re best friends. No egos. Everyone contributes.” Touring isn’t always glamorous—Daniel jokes about 10-hour drives between one-night-only gigs—but he’s hungry for a full European run. “Thirty shows in thirty days? That’s the dream.”
Whether he’s skateboarding, playing with his dog, or chasing the next song idea, Daniel Breen embodies Ghostseeker’s grounded-yet-forward-thinking energy. If Divergence is any sign, this is only the beginning of their global takeover.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65586482Tue, 22 Apr 2025 18:16:28 +0000HEAVY MagazineInterview by Angela Croudace Ghostseeker may have emerged from the chaos of Melbourne's COVID lockdowns, but their momentum is anything but confined. With their debut full-length album Divergence set to drop on April 25, the band has already made...Ghostseeker may have emerged from the chaos of Melbourne's COVID lockdowns, but their momentum is anything but confined. With their debut full-length album Divergence set to drop on April 25, the band has already made waves—especially overseas.
“Honestly, it’s resonated more internationally than at home,” says Daniel Breen (aka Breenie), one half of Ghostseeker’s dynamic vocal duo. YouTube and a partnership with Germany’s Reigning Phoenix Music catapulted the band beyond borders. “They gave us the reach we never could’ve had,” Daniel says, adding that a suspicious-sounding email from the label almost went ignored—until a follow-up video message proved the offer was real.
Divergence takes a bold conceptual turn. “We wrote it from the perspective of conspiracy theorists,” Breenie explains. “Like, if AI really is the end of the world—what does that look like?” Seven of the ten tracks lean into that dark, fictional narrative, while the remaining three stay rooted in the raw relatability that launched Ghostseeker’s debut EP.
When it comes to AI in music, Breenie is refreshingly open-minded. “One of my favourite artists right now is this guy who makes metalcore using Plankton’s voice from SpongeBob. I just like good music.”
Collaboration fuels the band—especially between Daniel and co-vocalist Celeste Bojczuk. “We clicked right away. We bounce ideas off each other, pick our parts, and craft lyrics together. It’s a laid-back, fun process.”
The chemistry extends to the entire band, both in the studio and on the road. “We’re best friends. No egos. Everyone contributes.” Touring isn’t always glamorous—Daniel jokes about 10-hour drives between one-night-only gigs—but he’s hungry for a full European run. “Thirty shows in thirty days? That’s the dream.”
Whether he’s skateboarding, playing with his dog, or chasing the next song idea, Daniel Breen embodies Ghostseeker’s grounded-yet-forward-thinking energy. If Divergence is any sign, this is only the beginning of their global takeover.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1062angelacroudace,australia,ghostseeker,heavy,heavymetal,interview,music,nuclearblastrecords,podcasttruefullhttps://www.spreaker.com/episode/sonic-elevation-with-samantha-fish--65549121Guitarist/songwriter/vocalist Samantha Fish is rightfully recognized as one of the premiere guitarists of her generation. With a blending of emotion, finesse, and raw aggression, Fish encapsulates the essence of musicianship while also allowing herself creative room from which to grow and flourish.
Her sonic output features, and draws from, multiple genres including rock, country, funk and bluegrass, but it is her ability to integrate genres and manipulate musical styles that has seen her forge a successful career which includes a Grammy nomination for Death Wish Blues (her 2023 collaboration with rocker Jesse Dayton) and opening for The Rolling Stones on their final 2024 U.S. tour date.
Fish's upcoming album Paper Doll is the culmination of years of commitment to the music scene, delivering nine tracks with enough scope and musical disparity to appeal to lovers of many forms of music. But it's not the amount of strings to Fish's metaphorical bow. It is the way she unites each delicate moment, drifting between lashings of hard rock staunchness to softer, more intimate confines with a Delta Blues spine.
It is a coming together of genres that in many hands would sound forced, or contrived, but Fish manages to find not only the balance at the core of her music but also pushes the parameters of experimentalisation over convention. Put simply, Paper Doll is Samantha Fish's most accomplished body of work to date, and something that brought her music to the attention of HEAVY on the other side of the world.
We sat down with Fish recently to go over the album, starting by asking if the pressures of an album release cycle are something that affects her as the release date approaches.
"There's this weird feeling when you finish a record, at least for me," she smiled. "I know every artist feels this way. You walk out of the studio and this giant weight has been lifted off your shoulders. It's almost euphoric when you're done with the record and thank God, because it's always fun. But for me, it's always like this mountain that I have to climb to get through it. It feels great. But then It feels like you have this secret that you have to keep for 6-9 months to a year that you can't share with anybody. So I finally feel like I'm able to let people in on the little secret."
We asked what her focus was on going into the musical side of Paper Doll.
"With this record, I wanted to lean into my strengths," she replied. "What are my superpowers? What makes me different? What makes me unique, leaning into my voice, my guitar, my songwriting? I wanted to make something that felt urgent, felt like rock and roll, but was still rooted in the music that I love and inspires me, which is blues music. North Hill Country blues specifically. It's a deep well of inspiration for me. I just wanted to write great songs and write and record with an urgency that people would hear and want to listen to again and again and again. Timeless records, that's my goal."
In the full interview, Samantha described the completion of the album as a euphoric experience, emphasizing her aim to create timeless music that highlights her vocal and guitar skills while incorporating a hard-edged rock and roll style. She noted that this album is more aggressive than her previous works, with the opening track, I'm Done Runnin', serving as a strong introduction. Samantha also highlighted the importance of track sequencing in engaging listeners, aiming to encourage them to experience the album as a cohesive journey rather than just individual songs.
She shared insights into her writing process, revealing that much of the album was created while on tour, where she draws inspiration from her experiences. This album is particularly significant as it is the first she recorded with her touring band, capturing the energy and chemistry developed on the road. The conversation also touched on her rumoured plans to visit Australia in 2026 and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65549121Tue, 22 Apr 2025 09:16:21 +0000HEAVY MagazineInterview by Kris Peters Guitarist/songwriter/vocalist Samantha Fish is rightfully recognized as one of the premiere guitarists of her generation. With a blending of emotion, finesse, and raw aggression, Fish encapsulates the essence of musicianship...Guitarist/songwriter/vocalist Samantha Fish is rightfully recognized as one of the premiere guitarists of her generation. With a blending of emotion, finesse, and raw aggression, Fish encapsulates the essence of musicianship while also allowing herself creative room from which to grow and flourish.
Her sonic output features, and draws from, multiple genres including rock, country, funk and bluegrass, but it is her ability to integrate genres and manipulate musical styles that has seen her forge a successful career which includes a Grammy nomination for Death Wish Blues (her 2023 collaboration with rocker Jesse Dayton) and opening for The Rolling Stones on their final 2024 U.S. tour date.
Fish's upcoming album Paper Doll is the culmination of years of commitment to the music scene, delivering nine tracks with enough scope and musical disparity to appeal to lovers of many forms of music. But it's not the amount of strings to Fish's metaphorical bow. It is the way she unites each delicate moment, drifting between lashings of hard rock staunchness to softer, more intimate confines with a Delta Blues spine.
It is a coming together of genres that in many hands would sound forced, or contrived, but Fish manages to find not only the balance at the core of her music but also pushes the parameters of experimentalisation over convention. Put simply, Paper Doll is Samantha Fish's most accomplished body of work to date, and something that brought her music to the attention of HEAVY on the other side of the world.
We sat down with Fish recently to go over the album, starting by asking if the pressures of an album release cycle are something that affects her as the release date approaches.
"There's this weird feeling when you finish a record, at least for me," she smiled. "I know every artist feels this way. You walk out of the studio and this giant weight has been lifted off your shoulders. It's almost euphoric when you're done with the record and thank God, because it's always fun. But for me, it's always like this mountain that I have to climb to get through it. It feels great. But then It feels like you have this secret that you have to keep for 6-9 months to a year that you can't share with anybody. So I finally feel like I'm able to let people in on the little secret."
We asked what her focus was on going into the musical side of Paper Doll.
"With this record, I wanted to lean into my strengths," she replied. "What are my superpowers? What makes me different? What makes me unique, leaning into my voice, my guitar, my songwriting? I wanted to make something that felt urgent, felt like rock and roll, but was still rooted in the music that I love and inspires me, which is blues music. North Hill Country blues specifically. It's a deep well of inspiration for me. I just wanted to write great songs and write and record with an urgency that people would hear and want to listen to again and again and again. Timeless records, that's my goal."
In the full interview, Samantha described the completion of the album as a euphoric experience, emphasizing her aim to create timeless music that highlights her vocal and guitar skills while incorporating a hard-edged rock and roll style. She noted that this album is more aggressive than her previous works, with the opening track, I'm Done Runnin', serving as a strong introduction. Samantha also highlighted the importance of track sequencing in engaging listeners, aiming to encourage them to experience the album as a cohesive journey rather than just individual songs.
She shared insights into her writing process, revealing that much of the album was created while on tour, where she draws inspiration from her experiences. This album is particularly significant as it is the first she recorded with her touring band, capturing the energy and chemistry developed on the road. The conversation also touched on her rumoured plans to...]]>1175album,blues,deltablues,guitar,hardrock,heavy,krispeters,music,musicinterview,musicpodcast,paperdoll,podcast,rock,samanthaishfalsefullhttps://www.spreaker.com/episode/make-them-suffer-s-alex-reade-on-apra-nomination-breaking-boundaries-and-a-true-blue-aussie-tour--65608851Australian metalcore powerhouse Make Them Suffer are riding high in 2025 with a prestigious APRA Music Award nomination—an accolade that has vocalist and keyboardist Alex Reade feeling a well-earned sense of pride.
“When we found out about the nomination, we weren’t sure what it meant at first,” Reade admits. “But once we did our research, we realized—this is something we’ve worked so hard for. After everything we’ve put into the last three years, the grind of touring, this kind of recognition really matters.”
The category for Most Performed Heard Rock/Heavy Metal Work was taken out in 2024's inaugural year by Parkway Drive and is something that Reade sees as a major step forward for the genre and its diverse artists. “It’s so good to see not only heavy music being acknowledged, but also the visibility of women within it,” she says. “We’re reaching a point where it’s just normal. It’s respected.”
Reade joined Make Them Suffer ahead of their 2023 self-titled album, which she calls a “dipping of toes” into the band’s true potential. “This album showed what the band is capable of, but I don’t think people have seen anything yet,” she says. “The next chapter is going to be something really special.”
The band’s evolution—from COVID-era uncertainty to global tours and packed venues—has forged a new, galvanized identity. “There was a time when no one knew if we’d keep going,” Reade reflects. “But the response to Doomswitch and this new chapter has been massive. We’re solid now. We’re a team.”
With an 18-date regional Australian tour lined up, including stops in less-frequented towns like Narre Warren and Forster, the band is embracing their roots. “This tour feels like a celebration of Australia,” Reade says. “We're bringing the full heavy energy but in a way that's more intimate, more connected.”
With Justice for the Damned and The Gloom in the Corner joining the run, Reade promises one thing: “It’s gonna be heavy. And it’s gonna be fun.”

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65608851Tue, 22 Apr 2025 09:09:02 +0000HEAVY MagazineInterview by Angela Croudace Australian metalcore powerhouse Make Them Suffer are riding high in 2025 with a prestigious APRA Music Award nomination—an accolade that has vocalist and keyboardist Alex Reade feeling a well-earned sense of pride. “When...Australian metalcore powerhouse Make Them Suffer are riding high in 2025 with a prestigious APRA Music Award nomination—an accolade that has vocalist and keyboardist Alex Reade feeling a well-earned sense of pride.
“When we found out about the nomination, we weren’t sure what it meant at first,” Reade admits. “But once we did our research, we realized—this is something we’ve worked so hard for. After everything we’ve put into the last three years, the grind of touring, this kind of recognition really matters.”
The category for Most Performed Heard Rock/Heavy Metal Work was taken out in 2024's inaugural year by Parkway Drive and is something that Reade sees as a major step forward for the genre and its diverse artists. “It’s so good to see not only heavy music being acknowledged, but also the visibility of women within it,” she says. “We’re reaching a point where it’s just normal. It’s respected.”
Reade joined Make Them Suffer ahead of their 2023 self-titled album, which she calls a “dipping of toes” into the band’s true potential. “This album showed what the band is capable of, but I don’t think people have seen anything yet,” she says. “The next chapter is going to be something really special.”
The band’s evolution—from COVID-era uncertainty to global tours and packed venues—has forged a new, galvanized identity. “There was a time when no one knew if we’d keep going,” Reade reflects. “But the response to Doomswitch and this new chapter has been massive. We’re solid now. We’re a team.”
With an 18-date regional Australian tour lined up, including stops in less-frequented towns like Narre Warren and Forster, the band is embracing their roots. “This tour feels like a celebration of Australia,” Reade says. “We're bringing the full heavy energy but in a way that's more intimate, more connected.”
With Justice for the Damned and The Gloom in the Corner joining the run, Reade promises one thing: “It’s gonna be heavy. And it’s gonna be fun.”

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1535alexreade,angelacroudace,apramusicawards,australia,heavy,heavymetal,makethemsuffer,metalcore,music,musicinterview,musicpodcast,tourtruefullhttps://www.spreaker.com/episode/ready-for-action-down-under-with-helena-kotina-from-nervosa--65622523Brazilian thrash metal outfit Nervosa have been trailblazers for heavy metal for 15 years, playing at most of the major festivals and countries on the global touring circuit except one.
Australia.
But that blight has been rectified, with Nervosa currently in the country and playing the first of three shows in Sydney as we speak.
Setting the world ablaze with their latest blistering full-length Jailbreak, Nervosa embark on a new chapter in the band’s history as it’s their first record featuring founding member Prika Amaral as permanent vocalist. Plus, the band enacted more exciting changes on the album, with the addition of the immensely talented and well experienced Helena Kotina as second guitarist, Hel Pyre on bass and Michaela Naydenova on drums.
Kotina was nice enough to take time out to talk with HEAVY about an hour out from the first show.
"I really don't know why it took so long for Nervosa to come here," she almost apologised, "but it's really a huge pleasure. We have three shows, and also we celebrate the 15 years of Nervosa. So it's the first time in Australia, and it's a special time also to be in Australia with this anniversary tour. So it might have taken a bit long, but it's a really special occasion for us."
In the full interview, Helena told us how long they have been here preparing, ran through what we can expect, what they are expecting from us, three songs to listen in order to know the band better, her joining the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65622523Fri, 18 Apr 2025 11:27:00 +0000HEAVY MagazineInterview by Kris Peters Brazilian thrash metal outfit Nervosa have been trailblazers for heavy metal for 15 years, playing at most of the major festivals and countries on the global touring circuit except one. Australia. But that blight has been...Brazilian thrash metal outfit Nervosa have been trailblazers for heavy metal for 15 years, playing at most of the major festivals and countries on the global touring circuit except one.
Australia.
But that blight has been rectified, with Nervosa currently in the country and playing the first of three shows in Sydney as we speak.
Setting the world ablaze with their latest blistering full-length Jailbreak, Nervosa embark on a new chapter in the band’s history as it’s their first record featuring founding member Prika Amaral as permanent vocalist. Plus, the band enacted more exciting changes on the album, with the addition of the immensely talented and well experienced Helena Kotina as second guitarist, Hel Pyre on bass and Michaela Naydenova on drums.
Kotina was nice enough to take time out to talk with HEAVY about an hour out from the first show.
"I really don't know why it took so long for Nervosa to come here," she almost apologised, "but it's really a huge pleasure. We have three shows, and also we celebrate the 15 years of Nervosa. So it's the first time in Australia, and it's a special time also to be in Australia with this anniversary tour. So it might have taken a bit long, but it's a really special occasion for us."
In the full interview, Helena told us how long they have been here preparing, ran through what we can expect, what they are expecting from us, three songs to listen in order to know the band better, her joining the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>234australia,heavy,heavymetal,interview,krispeters,music,musicinterview,nervosa,thrashmetal,tourfalsefullhttps://www.spreaker.com/episode/the-side-effects-of-sin-with-elias-james-from-anoxia--65547092Sydney based death metal outfit Anoxia are one of the rare breed of bands who are prepared to live and die by the sword they carry.
By bringing a new sound to a bygone era of heavy metal, Anoxia embraces the legacy of death metal bands that have come before them such as Morbid Angel, Suffocation and Death, but sprinkle enough of their own - more modernized - DNA through the menu to make a fresh and tasty new main course where brutality is the King.
After announcing their arrival with their 2020 Demo Torturous Degradation, Anoxia hit the stage sprinting, dropping their debut EP Languish In Suffering in 2023 which has seen the band amongst the first port of call for international touring acts such as Skeletal Remains and homegrown machines Psycroptic and King Parrot.
But it is with the impending arrival of their debut full-length Revel In Sin on April 17 that Anoxia looks set to launch a global assault on the metal scene. Building on the crushing devastation promised with Languish In Suffering, Revel In Sin ramps up the intent, delivering more hooks, more pace, and more intensity.
HEAVY caught up with guitarist Elias and bass player James to dig deeper.
"We released our EP in February 2023," Elias began. "So, it's been a little while now. We've just been touring a lot, playing a lot of shows, then took some time off to write and came up with Revel in Sin, so we're very excited. We feel like it's the next level in our progression as a band and as musicians, writing and just growing by fusing our old-school death metal style with some thrash metal elements as well. James came on board last August just to in the finalization of the writing stage as well, so he'll be on deck for the album launch as well."
We press them both about the musical direction on Revel In Sin.
"We are all about the old school, early 90s US death metal," Elias affirmed. "So we're just building on that. The EP was four songs which we're proud of, but the album is just us levelling it up a bit in terms of speed, diversity and dynamics. It's very much in the vein of the EP, but just a few notches up from where we left off. There's different dynamics - fast in some places then slow - so we're just changing it up, but focussing on those hooks and keeping it intense."
In the full interview, Elias and James talk more about Revel in Sin, highlighting the band's evolution in musical complexity by merging old-school death metal with thrash elements. Elias emphasized the single Rule by Cold Steel as a key representation of their sound, while James noted the album's progression from their previous EP, incorporating classic death metal elements with new dynamics. The band is promoting the album through a series of shows in Melbourne, Canberra, and Sydney, as well as a nationwide tour with Atheist, aiming to broaden their audience. 
We also discussed the advantages of being managed by Your Mate Bookings for securing larger tours and enhancing the band's professional image, alongside insights into their live performances and fan interactions.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65547092Thu, 17 Apr 2025 04:28:52 +0000HEAVY MagazineInterview by Kris Peters Sydney based death metal outfit Anoxia are one of the rare breed of bands who are prepared to live and die by the sword they carry. By bringing a new sound to a bygone era of heavy metal, Anoxia embraces the legacy of death...Sydney based death metal outfit Anoxia are one of the rare breed of bands who are prepared to live and die by the sword they carry.
By bringing a new sound to a bygone era of heavy metal, Anoxia embraces the legacy of death metal bands that have come before them such as Morbid Angel, Suffocation and Death, but sprinkle enough of their own - more modernized - DNA through the menu to make a fresh and tasty new main course where brutality is the King.
After announcing their arrival with their 2020 Demo Torturous Degradation, Anoxia hit the stage sprinting, dropping their debut EP Languish In Suffering in 2023 which has seen the band amongst the first port of call for international touring acts such as Skeletal Remains and homegrown machines Psycroptic and King Parrot.
But it is with the impending arrival of their debut full-length Revel In Sin on April 17 that Anoxia looks set to launch a global assault on the metal scene. Building on the crushing devastation promised with Languish In Suffering, Revel In Sin ramps up the intent, delivering more hooks, more pace, and more intensity.
HEAVY caught up with guitarist Elias and bass player James to dig deeper.
"We released our EP in February 2023," Elias began. "So, it's been a little while now. We've just been touring a lot, playing a lot of shows, then took some time off to write and came up with Revel in Sin, so we're very excited. We feel like it's the next level in our progression as a band and as musicians, writing and just growing by fusing our old-school death metal style with some thrash metal elements as well. James came on board last August just to in the finalization of the writing stage as well, so he'll be on deck for the album launch as well."
We press them both about the musical direction on Revel In Sin.
"We are all about the old school, early 90s US death metal," Elias affirmed. "So we're just building on that. The EP was four songs which we're proud of, but the album is just us levelling it up a bit in terms of speed, diversity and dynamics. It's very much in the vein of the EP, but just a few notches up from where we left off. There's different dynamics - fast in some places then slow - so we're just changing it up, but focussing on those hooks and keeping it intense."
In the full interview, Elias and James talk more about Revel in Sin, highlighting the band's evolution in musical complexity by merging old-school death metal with thrash elements. Elias emphasized the single Rule by Cold Steel as a key representation of their sound, while James noted the album's progression from their previous EP, incorporating classic death metal elements with new dynamics. The band is promoting the album through a series of shows in Melbourne, Canberra, and Sydney, as well as a nationwide tour with Atheist, aiming to broaden their audience. 
We also discussed the advantages of being managed by Your Mate Bookings for securing larger tours and enhancing the band's professional image, alongside insights into their live performances and fan interactions.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>857album,anoxia,australia,deathmetal,heavy,heavymetal,interview,krispeters,music,musicinterview,musicpodcast,podcast,thrashmetaltruefullhttps://www.spreaker.com/episode/raw-aggression-with-stefan-fedele-from-vermantics--65601198Rising Australian rock outfit Vermantics are a band with a purpose.
But although they might still be finding out the intricate details of just what that is as they make their way through the trappings of the music industry, one thing they are already sure of, even in their formative year,s is the need for independence. The need to forge, then follow your own path.
Vermantics are at that tender stage of any band's career where they are currently hot property, and as such, people from all walks of life and expertise have an opinion on their lives, their sound, and their musical output.
But they are also confident enough in their own ability and vision that, while taking any and all advice on board, stick to their own musical needs, throwing caution to the wind but doing so on their terms.
This is clearly evident on the band's latest single Come Alive - with the music video premiering today, April 17 via HEAVY - a song that retains the raw elements from its birth and is delivered from the heart, complete with imperfections. It is raw, live-sounding, and infinitely better for the touches added - or left out more accurately - in the studio.
HEAVY sat down with vocalist Stefan Fedele to find out more.
"The previous stuff we put out was a lot more produced and had a lot more effects," he affirmed. "It was just a bigger production, whereas this one is definitely more on the raw avenue, and things are played in real time. The vocals haven't been tuned anymore and the drums are played with no cutting. So yeah, all those things make a big difference, and it's heading in the way that we want it to. This is where we're at right now."
In the full interview, Stefan spoke about the accompanying music video for Come Alive, which is designed to reflect the energy of the band's live performances. He explained the strategy of releasing the audio of the single ahead of the video to build anticipation and allow listeners to engage with the music directly. He also mentioned that Come Alive is the first track from their upcoming EP, The Pictures You Paint, which aims to showcase the band's artistic vision.
We spoke about Vermantics' upcoming Melbourne show as well as their first international tour in May, discussing how to approach your first tour of another country and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65601198Thu, 17 Apr 2025 01:19:31 +0000HEAVY MagazineInterview by Kris Peters Rising Australian rock outfit Vermantics are a band with a purpose. But although they might still be finding out the intricate details of just what that is as they make their way through the trappings of the music industry,...Rising Australian rock outfit Vermantics are a band with a purpose.
But although they might still be finding out the intricate details of just what that is as they make their way through the trappings of the music industry, one thing they are already sure of, even in their formative year,s is the need for independence. The need to forge, then follow your own path.
Vermantics are at that tender stage of any band's career where they are currently hot property, and as such, people from all walks of life and expertise have an opinion on their lives, their sound, and their musical output.
But they are also confident enough in their own ability and vision that, while taking any and all advice on board, stick to their own musical needs, throwing caution to the wind but doing so on their terms.
This is clearly evident on the band's latest single Come Alive - with the music video premiering today, April 17 via HEAVY - a song that retains the raw elements from its birth and is delivered from the heart, complete with imperfections. It is raw, live-sounding, and infinitely better for the touches added - or left out more accurately - in the studio.
HEAVY sat down with vocalist Stefan Fedele to find out more.
"The previous stuff we put out was a lot more produced and had a lot more effects," he affirmed. "It was just a bigger production, whereas this one is definitely more on the raw avenue, and things are played in real time. The vocals haven't been tuned anymore and the drums are played with no cutting. So yeah, all those things make a big difference, and it's heading in the way that we want it to. This is where we're at right now."
In the full interview, Stefan spoke about the accompanying music video for Come Alive, which is designed to reflect the energy of the band's live performances. He explained the strategy of releasing the audio of the single ahead of the video to build anticipation and allow listeners to engage with the music directly. He also mentioned that Come Alive is the first track from their upcoming EP, The Pictures You Paint, which aims to showcase the band's artistic vision.
We spoke about Vermantics' upcoming Melbourne show as well as their first international tour in May, discussing how to approach your first tour of another country and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>505australia,hardrock,heavy,interview,krispeters,music,musicinterview,musicpodcast,podcast,rock,single,tour,vermanticsfalsefullhttps://www.spreaker.com/episode/reward-for-effort-with-liam-guinane-from-windwaker--65587486The 2025 APRA MUSIC AWARDS are almost upon us, and after the overwhelming success of last year's debut category Most Performed Hard Rock/Heavy Metal Work, anticipation is once again high amongst Australia's fastest-growing music genre as five more Aussie acts are in the running to be recognized globally for their achievements.
Not that winning awards are the be-all, end-all for band's, but a bit of reward for effort is never a bad thing!
This year sees Make Them Suffer, Northlane, Polaris, Windwaker and Speed nominated for the gong, with Windwaker's frontman Liam Guinane joining HEAVY earlier today to talk all things APRA and beyond.
"Honestly, it was quite unexpected given the calibre of bands that we're up against," Guinane said of Windwaker's nomination. "So I'm quite honoured to be considered next to some of these pillars of heavy music currently in Australia. It feels terrific to be put amongst those names and to be a part of it. I'm really looking forward to the night. It seems like it's going to be a fantastic evening and, yeah, very much uncharted territory for us being recognised like this (laughs)."
In the full interview, Liam discussed the band's recent nomination for the APRA Music Awards, expressing both surprise and honour at being recognized alongside established Australian bands. The conversation included thoughts on the competitive landscape among Australian bands, with Liam emphasizing Windwaker's distinct sound and broader appeal. He also considered whether to prepare a speech, leaning towards improvisation but recognizing the need for some preparation.
We spoke about some of the lighter sides of the awards, including the chance of a heavier band performing on the night, last year's winners Parkway Drive and getting fashion tips from Winston McCall, Windwaker's latest tour and how the new songs were received live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65587486Wed, 16 Apr 2025 01:13:00 +0000HEAVY MagazineInterview by Kris Peters The 2025 APRA MUSIC AWARDS are almost upon us, and after the overwhelming success of last year's debut category Most Performed Hard Rock/Heavy Metal Work, anticipation is once again high amongst Australia's fastest-growing...The 2025 APRA MUSIC AWARDS are almost upon us, and after the overwhelming success of last year's debut category Most Performed Hard Rock/Heavy Metal Work, anticipation is once again high amongst Australia's fastest-growing music genre as five more Aussie acts are in the running to be recognized globally for their achievements.
Not that winning awards are the be-all, end-all for band's, but a bit of reward for effort is never a bad thing!
This year sees Make Them Suffer, Northlane, Polaris, Windwaker and Speed nominated for the gong, with Windwaker's frontman Liam Guinane joining HEAVY earlier today to talk all things APRA and beyond.
"Honestly, it was quite unexpected given the calibre of bands that we're up against," Guinane said of Windwaker's nomination. "So I'm quite honoured to be considered next to some of these pillars of heavy music currently in Australia. It feels terrific to be put amongst those names and to be a part of it. I'm really looking forward to the night. It seems like it's going to be a fantastic evening and, yeah, very much uncharted territory for us being recognised like this (laughs)."
In the full interview, Liam discussed the band's recent nomination for the APRA Music Awards, expressing both surprise and honour at being recognized alongside established Australian bands. The conversation included thoughts on the competitive landscape among Australian bands, with Liam emphasizing Windwaker's distinct sound and broader appeal. He also considered whether to prepare a speech, leaning towards improvisation but recognizing the need for some preparation.
We spoke about some of the lighter sides of the awards, including the chance of a heavier band performing on the night, last year's winners Parkway Drive and getting fashion tips from Winston McCall, Windwaker's latest tour and how the new songs were received live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1105apramusicawards,australia,hardrock,heavy,heavymetal,interview,krispeters,liamguinane,makethemsuffer,music,musicinterview,musicpodcast,northlane,podcast,polaris,speed,windwakerfalsefullhttps://www.spreaker.com/episode/no-strings-attached-with-adam-thompson-from-chocolate-starfish--65221780
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65221780Tue, 15 Apr 2025 22:18:57 +0000HEAVY MagazineInterview by Kris Peters For more than three decades, the name Chocolate Starfish has been synonymous with Australian rock music, with singer Adam Thompson one of the most engaging and enigmatic frontmen to ever grace the stage in this country....
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>986adamthompson,australia,batoutofhell,choclatestarfish,hardrock,heavy,interview,jimsteinman,krispeters,meatloaf,music,musicinterview,musicpodcast,podcast,rock,strings,tourtruefullhttps://www.spreaker.com/episode/the-plot-thickens-with-jayme-declan-from-brooklyn-comic--65578484Sydney rock outfit Brooklyn Comic have built a steady name for themselves based on honest songwriting and powerful live performances.
The band’s music blends emo, hardcore, indie and alternative rock, tackling themes such as loss, self-doubt, heartache and personal growth. As proud allies of the LGBTQIA+ community, Brooklyn Comic is also committed to fostering inclusivity and acceptance, both in the music industry and in the wider world.
After giving fans a taste of what they have to offer through previous singles, Brooklyn Comic are now preparing to launch their debut full-length album Define Happiness, which is set for a slow waterfall release in 2025. But first the band are planning to drip feed content, with the recently released single Plot Heavy a tasty morsel of what is to come.
HEAVY's newest member, intern Jack Harlen, spent some time with vocalist Jayme Weston and guitarist Declan Rivers from Brooklyn Comic to get the rundown.
We start by asking about the early reception for the single.
"Pretty amazing," Jayme beamed. "I think it's done better than anything else we've released thus far. We put a lot of work and a lot of effort into these songs that are coming out this year, so it's good to see that reception come back."
In the full interview, the boys spoke about the story behind Plot Heavy, the music video and what it is about, where the song sits in the overall scheme of the album, what themes run through Define Happiness, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65578484Tue, 15 Apr 2025 10:08:31 +0000HEAVY MagazineInterview by Jack Harlen Sydney rock outfit Brooklyn Comic have built a steady name for themselves based on honest songwriting and powerful live performances. The band’s music blends emo, hardcore, indie and alternative rock, tackling themes such as...Sydney rock outfit Brooklyn Comic have built a steady name for themselves based on honest songwriting and powerful live performances.
The band’s music blends emo, hardcore, indie and alternative rock, tackling themes such as loss, self-doubt, heartache and personal growth. As proud allies of the LGBTQIA+ community, Brooklyn Comic is also committed to fostering inclusivity and acceptance, both in the music industry and in the wider world.
After giving fans a taste of what they have to offer through previous singles, Brooklyn Comic are now preparing to launch their debut full-length album Define Happiness, which is set for a slow waterfall release in 2025. But first the band are planning to drip feed content, with the recently released single Plot Heavy a tasty morsel of what is to come.
HEAVY's newest member, intern Jack Harlen, spent some time with vocalist Jayme Weston and guitarist Declan Rivers from Brooklyn Comic to get the rundown.
We start by asking about the early reception for the single.
"Pretty amazing," Jayme beamed. "I think it's done better than anything else we've released thus far. We put a lot of work and a lot of effort into these songs that are coming out this year, so it's good to see that reception come back."
In the full interview, the boys spoke about the story behind Plot Heavy, the music video and what it is about, where the song sits in the overall scheme of the album, what themes run through Define Happiness, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1341alternativerock,australia,brooklyncomic,hardrock,heavy,interview,music,podcast,rocktruefullhttps://www.spreaker.com/episode/breaching-the-barricades-with-kev-from-lost-souls--65375757Marketing plays a massive part in the world today, with the music industry no exception. A band can have all the chops in existence and originality dripping from their brow, but still reach next to no one without a clever marketing campaign or just plain luck.
But when a band gets it right…
As is the case with Australian hardcore outfit Lost Souls, who found the winning formula with brilliant use of animation through not only their music videos but also their daily existence. The band release their debut album Lore on April 18, but in the necessary pre-album campaign their debut single Childhood Died - a Star Wars themed epic - went viral and had everyone asking ‘who are Lost Souls?’. The single racked up millions of streams, garnered the attention of reaction channels around the globe, and was nominated for Best Blegh at the Nik Nocturnal Awards. They backed it up with the sequel The Return, followed by the Attack on Titan tribute My Soldiers Rage, which took social media by storm courtesy of a ping-pong ball breakdown viewed around the world 20 million times before the single was even released. Next came the ADHD masterpiece Dopamine, with a killer riff inspired by microwave popcorn, and their latest single MOSHLORD features their new bestie Jonathan Vigil of The Ghost Inside. And all of this without even releasing their first album!
It is indeed a success story to marvel at, but to see for ourselves what all the fuss is about, HEAVY sat down for a unique one-on-one chat with frontman Kev that has to be seen to be believed and/or appreciated.
We start by asking how he is feeling this close to the release date.
"Oh, dude, I'm just absolutely so stoked," he beamed. "We worked really hard on this album. I guess every band loves their own album (laughs), but it just feels like we haven't got any fillers on there. I'm just really pumped for everybody to hear the different kind of lyrical content we're covering and hear all those fat breakdowns and killer riffs."
With such a massive global response already, HEAVY mentions that the band has to be feeling a touch of extra pressure to deliver.
"Just having the album out is a success in itself," Kev measured. "We've always just made music for ourselves and when we write these songs, we put our everything into it. And when people hear it and resonate with it, it's fucking awesome, dude, but it's not the reason we go out there and do it. So even having the album out there… Childhood Died sat on YouTube for about a year with maybe 900 to a thousand views, and not that I don't appreciate everything that's happened, but when it was sitting there clocking up one to 10 views per week it was weird. It felt like you could put an identity to each one of those people. So you'd see it go up a little bit, and you're like, oh fuck. I hope that that specific person, wherever they are, enjoyed it. So there is a point where the numbers get so big, you can't even fathom it. It just becomes like a big number. So for us, just having this album recorded is a success and anything that comes after it, dude, that's a bonus. Do you know what I mean?"
In the full interview, the discussion centred on Lost Souls' upcoming debut album, Lore, set for release on April 18. Kev expressed pride in the album, emphasizing its lack of fillers and diverse lyrical content. HEAVY noted the album's metalcore roots and its emotional intensity, which aims to resonate physically with listeners.
Kev highlighted that the released singles only hint at the album's depth, which includes experimental tracks and profound lyrics. They also reflected on their recent viral success, attributing it to factors like social media dynamics while maintaining that their primary motivation is creating music for themselves. The conversation also touched on the pressures of releasing their debut album, with Kev sharing insights into the bands creative process, including a unique opening track inspired by the Library of Alexandria. We discussed Lost Souls' marketing strategy, particularly the effectiveness of animated music videos, while acknowledging the need for a balance between music production and social media management. Plans for touring were confirmed, with the band intending to wait until after the album release to schedule shows.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65375757Tue, 15 Apr 2025 06:43:41 +0000HEAVY MagazineInterview by Kris Peters Marketing plays a massive part in the world today, with the music industry no exception. A band can have all the chops in existence and originality dripping from their brow, but still reach next to no one without a clever...Marketing plays a massive part in the world today, with the music industry no exception. A band can have all the chops in existence and originality dripping from their brow, but still reach next to no one without a clever marketing campaign or just plain luck.
But when a band gets it right…
As is the case with Australian hardcore outfit Lost Souls, who found the winning formula with brilliant use of animation through not only their music videos but also their daily existence. The band release their debut album Lore on April 18, but in the necessary pre-album campaign their debut single Childhood Died - a Star Wars themed epic - went viral and had everyone asking ‘who are Lost Souls?’. The single racked up millions of streams, garnered the attention of reaction channels around the globe, and was nominated for Best Blegh at the Nik Nocturnal Awards. They backed it up with the sequel The Return, followed by the Attack on Titan tribute My Soldiers Rage, which took social media by storm courtesy of a ping-pong ball breakdown viewed around the world 20 million times before the single was even released. Next came the ADHD masterpiece Dopamine, with a killer riff inspired by microwave popcorn, and their latest single MOSHLORD features their new bestie Jonathan Vigil of The Ghost Inside. And all of this without even releasing their first album!
It is indeed a success story to marvel at, but to see for ourselves what all the fuss is about, HEAVY sat down for a unique one-on-one chat with frontman Kev that has to be seen to be believed and/or appreciated.
We start by asking how he is feeling this close to the release date.
"Oh, dude, I'm just absolutely so stoked," he beamed. "We worked really hard on this album. I guess every band loves their own album (laughs), but it just feels like we haven't got any fillers on there. I'm just really pumped for everybody to hear the different kind of lyrical content we're covering and hear all those fat breakdowns and killer riffs."
With such a massive global response already, HEAVY mentions that the band has to be feeling a touch of extra pressure to deliver.
"Just having the album out is a success in itself," Kev measured. "We've always just made music for ourselves and when we write these songs, we put our everything into it. And when people hear it and resonate with it, it's fucking awesome, dude, but it's not the reason we go out there and do it. So even having the album out there… Childhood Died sat on YouTube for about a year with maybe 900 to a thousand views, and not that I don't appreciate everything that's happened, but when it was sitting there clocking up one to 10 views per week it was weird. It felt like you could put an identity to each one of those people. So you'd see it go up a little bit, and you're like, oh fuck. I hope that that specific person, wherever they are, enjoyed it. So there is a point where the numbers get so big, you can't even fathom it. It just becomes like a big number. So for us, just having this album recorded is a success and anything that comes after it, dude, that's a bonus. Do you know what I mean?"
In the full interview, the discussion centred on Lost Souls' upcoming debut album, Lore, set for release on April 18. Kev expressed pride in the album, emphasizing its lack of fillers and diverse lyrical content. HEAVY noted the album's metalcore roots and its emotional intensity, which aims to resonate physically with listeners.
Kev highlighted that the released singles only hint at the album's depth, which includes experimental tracks and profound lyrics. They also reflected on their recent viral success, attributing it to factors like social media dynamics while maintaining that their primary motivation is creating music for themselves. The conversation also touched on the pressures of releasing their debut album, with Kev sharing insights into the bands creative process, including...]]>1282australia,hardcore,heavy,heavymetal,interview,krispeters,lore,lostsouls,music,musicinterview,musicpodcast,podcasttruefullhttps://www.spreaker.com/episode/changing-viewpoints-with-steven-wilson--65377181Acclaimed musical innovator and six-time Grammy nominee, Steven Wilson, will bring his highly anticipated The Overview Tour to Australia this November. His arrival will follow a massive run of UK, European and American dates and celebrates the release of his eighth solo album, The Overview, out now via Fiction Records.
Australian fans can expect a captivating live experience from one of contemporary music’s most boundary-pushing, genre bending artists. Accompanied by accomplished and seasoned veterans including Nick Beggs on bass (Mute Gods, Steve Hackett), legendary jazz keyboardist, Adam Holzman (Miles Davis, Ray Manzarek), Craig Blundell on drums (Steve Hackett, Frost) and Randy McStine on guitars (Marco Minnemann, The Fringe) this world-class line up will bring the expansive, progressive soundscapes to life in a way that can only be experienced in a live setting.
The Overview is a 42-minute conceptual journey inspired by the “overview effect” of astronauts viewing Earth from space, and marks a return to the long-form progressive style Steven Wilson redefined with the iconic Porcupine Tree and his earlier solo work. Featuring two ambitious tracks and immersive spatial audio production, The Overview blends progressive sprawl with cinematic electronics and lush, immersive vibes all wrapped in spatial audio wizardry.
It’s a bold addition to his repertoire which also includes six Grammy nominations, three consecutive UK Top 5 albums and a string of iconic remixes for artists including, Pink Floyd, The Who, King Crimson and Tears For Fears. The Australian tour promises to be a thrilling and dynamic experience. Expect a set packed with The Overview’s mind-bending sprawl, alongside cuts from his acclaimed and peerless career.
HEAVY had the pleasure of chatting with Wilson, in an enlightening chat that proves why the man is so highly regarded in the music industry. One of the questions we asked focused on the length of his songs and whether the global shortening of attention spans comes into his thinking when writing.
"The simple answer is I try not to think about the listener when I mark art," he answered honestly. "That sounds very selfish and self-indulgent, and it is, but I've always believed that artists - if I can pretentiously call myself that - should never be thinking about their audience when they create the art, I think by definition it is a selfish act, and you just hope that people want to go with you on that journey. You hope that people will give you the benefit of the doubt. I have a fairly loyal fan base that listen to everything I do. Even if they moan about it, and they complain it's not what they want they still go with me on that journey (smiles), which I think is something that I've built up over the years, that kind of loyalty. 
Also, I think there's a sense of providing the alternative. There's always been this notion in pop and rock of alternative music. Providing the alternative to whatever is the mainstream at the moment. The mainstream at the moment, as you suggested, is very immediate, short, synthesized pop music. Usually sung by female solo artists. That seems to be very much the prevalent, mainstream, pop formula. So here I am kind of providing the alternative to that. There are people that want that. There are people who want to engage on a deeper level and are prepared to sit and listen to a longer piece of music. So in that sense I see myself as the alternative to the mainstream, and there's always an audience for that."
In the full interview, Steve runs us through his busy schedule, tells us what has changed since his last visit, his backing band and what they bring to the live show, The Overview and how fans responded, the conceptual story it is based on and how it transpired to verse, the balance of writing long compositions in the face of people's shortening attention spans, the musical atmosphere generated in his music and the process of bringing it to life, constructing set lists when so many of his songs are lengthy and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65377181Tue, 15 Apr 2025 06:41:36 +0000HEAVY MagazineInterview by Kris Peters Acclaimed musical innovator and six-time Grammy nominee, Steven Wilson, will bring his highly anticipated The Overview Tour to Australia this November. His arrival will follow a massive run of UK, European and American dates...Acclaimed musical innovator and six-time Grammy nominee, Steven Wilson, will bring his highly anticipated The Overview Tour to Australia this November. His arrival will follow a massive run of UK, European and American dates and celebrates the release of his eighth solo album, The Overview, out now via Fiction Records.
Australian fans can expect a captivating live experience from one of contemporary music’s most boundary-pushing, genre bending artists. Accompanied by accomplished and seasoned veterans including Nick Beggs on bass (Mute Gods, Steve Hackett), legendary jazz keyboardist, Adam Holzman (Miles Davis, Ray Manzarek), Craig Blundell on drums (Steve Hackett, Frost) and Randy McStine on guitars (Marco Minnemann, The Fringe) this world-class line up will bring the expansive, progressive soundscapes to life in a way that can only be experienced in a live setting.
The Overview is a 42-minute conceptual journey inspired by the “overview effect” of astronauts viewing Earth from space, and marks a return to the long-form progressive style Steven Wilson redefined with the iconic Porcupine Tree and his earlier solo work. Featuring two ambitious tracks and immersive spatial audio production, The Overview blends progressive sprawl with cinematic electronics and lush, immersive vibes all wrapped in spatial audio wizardry.
It’s a bold addition to his repertoire which also includes six Grammy nominations, three consecutive UK Top 5 albums and a string of iconic remixes for artists including, Pink Floyd, The Who, King Crimson and Tears For Fears. The Australian tour promises to be a thrilling and dynamic experience. Expect a set packed with The Overview’s mind-bending sprawl, alongside cuts from his acclaimed and peerless career.
HEAVY had the pleasure of chatting with Wilson, in an enlightening chat that proves why the man is so highly regarded in the music industry. One of the questions we asked focused on the length of his songs and whether the global shortening of attention spans comes into his thinking when writing.
"The simple answer is I try not to think about the listener when I mark art," he answered honestly. "That sounds very selfish and self-indulgent, and it is, but I've always believed that artists - if I can pretentiously call myself that - should never be thinking about their audience when they create the art, I think by definition it is a selfish act, and you just hope that people want to go with you on that journey. You hope that people will give you the benefit of the doubt. I have a fairly loyal fan base that listen to everything I do. Even if they moan about it, and they complain it's not what they want they still go with me on that journey (smiles), which I think is something that I've built up over the years, that kind of loyalty. 
Also, I think there's a sense of providing the alternative. There's always been this notion in pop and rock of alternative music. Providing the alternative to whatever is the mainstream at the moment. The mainstream at the moment, as you suggested, is very immediate, short, synthesized pop music. Usually sung by female solo artists. That seems to be very much the prevalent, mainstream, pop formula. So here I am kind of providing the alternative to that. There are people that want that. There are people who want to engage on a deeper level and are prepared to sit and listen to a longer piece of music. So in that sense I see myself as the alternative to the mainstream, and there's always an audience for that."
In the full interview, Steve runs us through his busy schedule, tells us what has changed since his last visit, his backing band and what they bring to the live show, The Overview and how fans responded, the conceptual story it is based on and how it transpired to verse, the balance of writing long compositions in the face of people's shortening attention spans, the musical atmosphere generated in his music and...]]>897atmosphericrock,australia,heavy,interview,krispeters,music,musicinterview,musicpodcast,podcast,porcupinetree,rock,solo,stevenwilson,tourfalsefullhttps://www.spreaker.com/episode/a-musical-awakening-with-niilo-sevanen-from-insomnium--65366530It's been almost ten years since Finnish melodic death masters Insomnium last graced Australian shores, but that means nothing now with the band is set to bring their signature blend of haunting melodies and crushing riffs to fans Down Under this May.
Founded in 1997 in the Karelian city of Joensuu, Insomnium first gained recognition in 2002 with their wintry debut In the Halls of Awakening. Quickly building on this with fierce death/doom juggernaut Above the Weeping World (2006) or melancholic masterpiece One for Sorrow (2012), the band surprised everyone with their sublimely beautiful, achingly forlorn Argent Moon EP in 2021, only to shed their skin once more with Anno 296 in 2023, proving emphatically that Father time has no grip on pure metal.
HEAVY recently spent some time with bass player/unclean vocalist Niilo Sevanen to get the rundown on what we can expect. We start by asking what has changed with Insomnium in the eight years since we last saw them.
"Well, our guitarists keep changing," he laughed. "Jani Liimatainen left the band last year, or the previous year actually, and now we have a touring member guitarist, Tomy Laisto, touring with us, and he's an excellent friend of ours. Excellent player, very good singer, super nice guy. And he's kind of a permanent live member at the moment. Let's see what happens with our guitarist situation in the future. But at least at the moment, we're touring with Tommy and Australian's are going to get to witness his vocals and his playing. I can promise he's an excellent guy."
For the benefit of those who may not have witnessed Insomnium live before, we ask Sevanen to run us through a typical performance.
"On the albums we are very serious and sad and melancholic and dramatic," he began, "but I think the live show is more about having fun. So we are having a good time there. We hope people are enjoying too. It's a lot of headbanging and good times, and we try to deliver a very energetic show every time, no matter how jet-lagged or tired we would happen to be. But once you go on stage, you forget everything, and you get your energy up and for that hour or hour and a half, you'll be on and after that, it's time to rest again. But for the shows, we give everything we've got."
In the full interview, Niilo provided more details about their current tour, expressing confidence in the live performance of the new material, noting positive crowd reactions and describing the shows as energetic and fun. Additionally, he mentioned their collaboration with fellow Finnish band Omnium Gatherum, enhancing the concert experience for fans.
Reflecting on the band's origins, Niilo recounted how he and Markus started Insomnium in 1997 in Joensuu, Finland, inspired by melodic death metal bands. He highlighted the vibrant 90s music scene in Joensuu, and the challenges faced by aspiring musicians today. Niilo explained the band's evolution from imitating their influences to developing a unique sound that blends progressive metal, black metal, folk metal, and doom metal.
He emphasized the organic nature of their creative process, where all members contribute to songwriting and arrangements, ensuring the music aligns with their identity, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65366530Sat, 12 Apr 2025 13:37:07 +0000HEAVY MagazineInterview by Kris Peters It's been almost ten years since Finnish melodic death masters Insomnium last graced Australian shores, but that means nothing now with the band is set to bring their signature blend of haunting melodies and crushing riffs to...It's been almost ten years since Finnish melodic death masters Insomnium last graced Australian shores, but that means nothing now with the band is set to bring their signature blend of haunting melodies and crushing riffs to fans Down Under this May.
Founded in 1997 in the Karelian city of Joensuu, Insomnium first gained recognition in 2002 with their wintry debut In the Halls of Awakening. Quickly building on this with fierce death/doom juggernaut Above the Weeping World (2006) or melancholic masterpiece One for Sorrow (2012), the band surprised everyone with their sublimely beautiful, achingly forlorn Argent Moon EP in 2021, only to shed their skin once more with Anno 296 in 2023, proving emphatically that Father time has no grip on pure metal.
HEAVY recently spent some time with bass player/unclean vocalist Niilo Sevanen to get the rundown on what we can expect. We start by asking what has changed with Insomnium in the eight years since we last saw them.
"Well, our guitarists keep changing," he laughed. "Jani Liimatainen left the band last year, or the previous year actually, and now we have a touring member guitarist, Tomy Laisto, touring with us, and he's an excellent friend of ours. Excellent player, very good singer, super nice guy. And he's kind of a permanent live member at the moment. Let's see what happens with our guitarist situation in the future. But at least at the moment, we're touring with Tommy and Australian's are going to get to witness his vocals and his playing. I can promise he's an excellent guy."
For the benefit of those who may not have witnessed Insomnium live before, we ask Sevanen to run us through a typical performance.
"On the albums we are very serious and sad and melancholic and dramatic," he began, "but I think the live show is more about having fun. So we are having a good time there. We hope people are enjoying too. It's a lot of headbanging and good times, and we try to deliver a very energetic show every time, no matter how jet-lagged or tired we would happen to be. But once you go on stage, you forget everything, and you get your energy up and for that hour or hour and a half, you'll be on and after that, it's time to rest again. But for the shows, we give everything we've got."
In the full interview, Niilo provided more details about their current tour, expressing confidence in the live performance of the new material, noting positive crowd reactions and describing the shows as energetic and fun. Additionally, he mentioned their collaboration with fellow Finnish band Omnium Gatherum, enhancing the concert experience for fans.
Reflecting on the band's origins, Niilo recounted how he and Markus started Insomnium in 1997 in Joensuu, Finland, inspired by melodic death metal bands. He highlighted the vibrant 90s music scene in Joensuu, and the challenges faced by aspiring musicians today. Niilo explained the band's evolution from imitating their influences to developing a unique sound that blends progressive metal, black metal, folk metal, and doom metal.
He emphasized the organic nature of their creative process, where all members contribute to songwriting and arrangements, ensuring the music aligns with their identity, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>748australia,heavy,heavymetal,insomnium,interview,krispeters,melodicdeathmetal,music,musiciterview,musicpodcast,podcast,soundworkstouring,tourfalsefullhttps://www.spreaker.com/episode/every-rose-has-its-thorn-with-nameless-from-ghost-bath--65546680Depressive black metal outfit GHOST BATH have emerged from beyond the veil with their new album, Rose Thorn Necklace, set to be released on May 9 via Nuclear Blast Records. The band, in their 12th year of existence, are not in the business of softening the edges. Rather, the frontman (Nameless aka Dennis Mikula) is leaning more toward his antisocial traits, serrated like a rusty knife yet beautifully honed over years of toil.
HEAVY caught up with Nameless this week to get the rundown on what to expect, and start by asking how he is feeling with the release date approaching.
"You know, I don't really like releasing just singles," he measured. "I just want the whole album out for people to check out. But it's coming up, so I am excited to get it out there and start touring on it."
He raises a good point with the release of singles, because although snippets of an album work for the most part, for band's like Ghost Bath who create a more immersive musical experience, the effects can be just the opposite.
"I mean, I get why it's done," he answered, "it builds hype and people will hear the single then say oh, I want to hear the whole album now, so it makes sense, but personally, I don't like to listen to just one song by a band."
We ask Nameless what he was going for musically with Rose Thorn Necklace, to which he replied.
"Musically, I was going for my own take on depressive black metal, but more in a vein where it's like… I don't know… a little bit dancy in parts but still dark. I always try to do a contrast between beauty but with the heaviness, and that usually comes from the more melodic, pretty guitar parts contrasted with the vocals either being high-pitched shrieks or low growls. I like to play with contrast a lot, and that's kind of what I was going for."
In the full interview, Nameless further discussed Rose Thorn Necklace, emphasizing its representation of his personal interpretation of depressive black metal through a blend of melodic and heavy elements. He expressed a preference for listeners to engage with the entire album rather than individual singles, as each track plays a vital role in the overall emotional experience. Nameless also shared insights into his evolving songwriting process, noting a transition from collaborative efforts with the band to independent creation for this album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65546680Sat, 12 Apr 2025 13:34:53 +0000HEAVY MagazineInterview by Kris Peters Depressive black metal outfit GHOST BATH have emerged from beyond the veil with their new album, Rose Thorn Necklace, set to be released on May 9 via Nuclear Blast Records. The band, in their 12th year of existence, are not in...Depressive black metal outfit GHOST BATH have emerged from beyond the veil with their new album, Rose Thorn Necklace, set to be released on May 9 via Nuclear Blast Records. The band, in their 12th year of existence, are not in the business of softening the edges. Rather, the frontman (Nameless aka Dennis Mikula) is leaning more toward his antisocial traits, serrated like a rusty knife yet beautifully honed over years of toil.
HEAVY caught up with Nameless this week to get the rundown on what to expect, and start by asking how he is feeling with the release date approaching.
"You know, I don't really like releasing just singles," he measured. "I just want the whole album out for people to check out. But it's coming up, so I am excited to get it out there and start touring on it."
He raises a good point with the release of singles, because although snippets of an album work for the most part, for band's like Ghost Bath who create a more immersive musical experience, the effects can be just the opposite.
"I mean, I get why it's done," he answered, "it builds hype and people will hear the single then say oh, I want to hear the whole album now, so it makes sense, but personally, I don't like to listen to just one song by a band."
We ask Nameless what he was going for musically with Rose Thorn Necklace, to which he replied.
"Musically, I was going for my own take on depressive black metal, but more in a vein where it's like… I don't know… a little bit dancy in parts but still dark. I always try to do a contrast between beauty but with the heaviness, and that usually comes from the more melodic, pretty guitar parts contrasted with the vocals either being high-pitched shrieks or low growls. I like to play with contrast a lot, and that's kind of what I was going for."
In the full interview, Nameless further discussed Rose Thorn Necklace, emphasizing its representation of his personal interpretation of depressive black metal through a blend of melodic and heavy elements. He expressed a preference for listeners to engage with the entire album rather than individual singles, as each track plays a vital role in the overall emotional experience. Nameless also shared insights into his evolving songwriting process, noting a transition from collaborative efforts with the band to independent creation for this album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>791blackmetal,depressiveblackmetal,ghostbath,heavy,interview,krispeters,music,nameless,nuclearblastrecords,podcastfalsefullhttps://www.spreaker.com/episode/paying-tribute-to-randy-rhoads-down-under-with-kelly-garni-from-quiet-riot--65540922He may have been taken from us far too soon, but the legacy and memory of guitar great Randy Rhoads will live forever. Rhoads' name is revered in the music world, where, for a period from the late 1970s through to the early 1980s, his playing and presence left a shadow of brilliance that is as strong today as it was back then.
The virtuoso guitarist, who co-founded Quiet Riot and propelled Ozzy Osbourne’s solo career with Blizzard of Ozz (1980) and Diary of a Madman (1981), remains one of heavy metal’s most important figures. Before his untimely death in 1982 at just 25, Rhoads redefined guitar-driven rock, blending classical influences with blistering metal to pioneer the neoclassical metal subgenre. His iconic riffs, featured in timeless songs such as Crazy Train and Mr. Crowley, and innovative techniques, including two-handed tapping, vibrato bar dive bombs, and intricate scales, set a new standard for the 80s metal scene and inspired countless guitarists.
Recognised with a 2021 Rock and Roll Hall of Fame induction, Rhoads’ legacy endures as a cornerstone of heavy metal evolution, with his signature Jackson Rhoads guitar symbolizing his revolutionary impact. To most of this current generation and beyond, the life and music of Randy Rhoads will always be that of past reflection, unable to bear witness to the great man on stage with precious little preserved on camera or film.
But this December, thanks to XMusic, fans can get as close to the glory days of guitar as possible when A TRIBUTE TO RANDY RHOADS - The Stories and Music Behind the Legend - hits this country for a performance that includes live renditions of Rhoads' finest moments as well as an in-depth Q&A session. This is more than just a tribute performance, with Rhoads' long-time friend, confidant and co-founder of Quiet Riot, Kelly Garni, heading the evening alongside Rhoads' first-ever guitar teacher, Scott Shelley.
It promises to be an unforgettable celebration of Randy Rhoads - a true guitar legend - whose influence still resonates in every power chord and soaring solo played today. HEAVY had the pleasure of speaking with Kelly Garni ahead of the tour, and among the topics of conversation was the sheer magnitude of putting together and the need for a performance of this scale.
"I don't pursue these things," he stressed. "People come to me, and they ask me to do them. There's a very, very large fan base for Randy Rhoads, and pretty much I'm the last man standing (laughs). Of course, I don't have Kevin (Dubrow, vocalist), who I sure do miss. Although if you read my book, you wouldn't believe that in a million years, but boy do I miss him. He was a great, great guide for me, and I learned a real lot from Kevin. But anyway, I've been approached several times, and I've been all around the country over the last few years here in America, and now Japan twice. People want anything left of Randy, and I guess I'm what you get. It's an honour to represent my best friend. Of course, anybody would do that for their best friend, if they're any kind of a friend. And so, since people are so excited to hear that music again, I happily oblige and go and do these shows."
Garni had many tales to tell, among them how Alice Cooper shaped much of what was to eventually become the sound of Quiet Riot, albeit without having ever met the two impressionable youths.
"When we saw Cooper, we said we're gonna be rock stars, whether anybody likes it or not," he smiled. "And you know, in my mind, Randy did, but I never really did. And I never really wanted to. And that's okay because things had changed over the years to where I didn't want to be in the music business any more, but because of my association with Randy, I find myself very heavily involved (laughs). And I gotta say, to see and meet all the fans who come to these shows is really, really something that makes you feel good in your heart and your soul."
In the full interview, Kelly addressed the excitement among fans and the importance of celebrating Rhoads' legacy, highlighting the involvement of key figures from Randy's early career to enhance the authenticity of the tribute. He spoke about the rest of the band, including musicians from Snake Bite Whiskey and the Van Halen tribute band Van Hager, along with a Q&A session featuring Scott Shelley, Randy's first guitar teacher. We spoke about the Q&A session and the personal nature of the questions and how emotional it could get.
Reflecting on his and Randy's musical journeys, Kelly shared insights into their early influences and the challenges they faced, including Randy's struggles with confidence and vocal abilities. He recounted the band's evolution, including a misguided image overhaul that led them to adopt a look that felt disconnected from their original sound. We also spoke about important moments of Randy's life and the impression he left on others, including Kelly, the ever-lasting legacy left behind by his untimely death and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65540922Sat, 12 Apr 2025 05:59:32 +0000HEAVY MagazineInterview by Kris Peters He may have been taken from us far too soon, but the legacy and memory of guitar great Randy Rhoads will live forever. Rhoads' name is revered in the music world, where, for a period from the late 1970s through to the early...He may have been taken from us far too soon, but the legacy and memory of guitar great Randy Rhoads will live forever. Rhoads' name is revered in the music world, where, for a period from the late 1970s through to the early 1980s, his playing and presence left a shadow of brilliance that is as strong today as it was back then.
The virtuoso guitarist, who co-founded Quiet Riot and propelled Ozzy Osbourne’s solo career with Blizzard of Ozz (1980) and Diary of a Madman (1981), remains one of heavy metal’s most important figures. Before his untimely death in 1982 at just 25, Rhoads redefined guitar-driven rock, blending classical influences with blistering metal to pioneer the neoclassical metal subgenre. His iconic riffs, featured in timeless songs such as Crazy Train and Mr. Crowley, and innovative techniques, including two-handed tapping, vibrato bar dive bombs, and intricate scales, set a new standard for the 80s metal scene and inspired countless guitarists.
Recognised with a 2021 Rock and Roll Hall of Fame induction, Rhoads’ legacy endures as a cornerstone of heavy metal evolution, with his signature Jackson Rhoads guitar symbolizing his revolutionary impact. To most of this current generation and beyond, the life and music of Randy Rhoads will always be that of past reflection, unable to bear witness to the great man on stage with precious little preserved on camera or film.
But this December, thanks to XMusic, fans can get as close to the glory days of guitar as possible when A TRIBUTE TO RANDY RHOADS - The Stories and Music Behind the Legend - hits this country for a performance that includes live renditions of Rhoads' finest moments as well as an in-depth Q&A session. This is more than just a tribute performance, with Rhoads' long-time friend, confidant and co-founder of Quiet Riot, Kelly Garni, heading the evening alongside Rhoads' first-ever guitar teacher, Scott Shelley.
It promises to be an unforgettable celebration of Randy Rhoads - a true guitar legend - whose influence still resonates in every power chord and soaring solo played today. HEAVY had the pleasure of speaking with Kelly Garni ahead of the tour, and among the topics of conversation was the sheer magnitude of putting together and the need for a performance of this scale.
"I don't pursue these things," he stressed. "People come to me, and they ask me to do them. There's a very, very large fan base for Randy Rhoads, and pretty much I'm the last man standing (laughs). Of course, I don't have Kevin (Dubrow, vocalist), who I sure do miss. Although if you read my book, you wouldn't believe that in a million years, but boy do I miss him. He was a great, great guide for me, and I learned a real lot from Kevin. But anyway, I've been approached several times, and I've been all around the country over the last few years here in America, and now Japan twice. People want anything left of Randy, and I guess I'm what you get. It's an honour to represent my best friend. Of course, anybody would do that for their best friend, if they're any kind of a friend. And so, since people are so excited to hear that music again, I happily oblige and go and do these shows."
Garni had many tales to tell, among them how Alice Cooper shaped much of what was to eventually become the sound of Quiet Riot, albeit without having ever met the two impressionable youths.
"When we saw Cooper, we said we're gonna be rock stars, whether anybody likes it or not," he smiled. "And you know, in my mind, Randy did, but I never really did. And I never really wanted to. And that's okay because things had changed over the years to where I didn't want to be in the music business any more, but because of my association with Randy, I find myself very heavily involved (laughs). And I gotta say, to see and meet all the fans who come to these shows is really, really something that makes you feel good in your heart and your soul."
In...]]>1577australia,guitar,hardrock,heavy,interview,kellygarni,krispeters,music,musicinterview,musicpodcast,ozzyosbourne,podcast,quietriot,randyrhoads,rock,scottshelley,tour,xmusicfalsefullhttps://www.spreaker.com/episode/infinity-and-beyond-with-lachlan-neate-anthony-willis-from-valhalore--65524548In just ten short years Melbourne musical powerhouse Valhalore have entrenched themselves as a vital cog in the growing Australian music industry, their unique blending of melodic death metal with power and symphonic elements - infused with folk influences - has resonated with audiences both domestically and abroad.
Over the years they have toured with the likes of Alestorm, Arch Enemy, Blind Guardian and HammerFall, winning over legions of fans along the way with their attitude and work ethic. With the release of their sophomore album Beyond The Stars on April 11, Valhalore look set to expand their presence even more with a sound capable of transcending genres and sweeping all in its path.
HEAVY spoke with frontman Lachlan Neate and guitarist Anthony Willis to get more details. We start by asking how they are feeling about the album release.
"Absolutely thrilled," Neate beamed. "After waiting four years to release this music, it's pretty surreal that we're finally near the finish line."
We ask the guys to dive deeper into Beyond The Stars musically.
"In terms of the themes of the album, it describes a person's journey from the beginning of their life to the end," Willis explained. "Each song deals with the different highs and lows, ups and downs, different emotions that one would experience throughout their life. And each song represents those different moments. Then at the end of the album, the final song really deals with what happens to you after we die, and can we become something greater than ourselves?
So in that regard, the album is a bit of a concept album, and it's cyclic. Each of the songs that we have written pertains to this journey of someone's life experiences."
In the full interview, Lachlan and Anthony further explained that Beyond The Stars is a concept piece that reflects the emotional journey of a person's life, shaped significantly by the band's experiences during the pandemic. 
Anthony emphasized the importance of the album's track listing for creating a cohesive listening experience, while Lachlan noted that the writing process involved contributions from all six band members and the producer, marking a shift from their previous solo work. This collaborative effort has allowed the band to develop a unique sound that integrates diverse influences, enhancing their musical identity.
Valhalore plan to promote the album with a series of four theatrical shows in May, starting in Sydney and Melbourne, where they will perform most of the new material alongside older songs. Lachlan expressed excitement about the production-heavy nature of the performances, aiming to provide an engaging experience for fans and more.
Get Beyond The Stars here: https://valhalore.rpm.link/beyondpr


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65524548Fri, 11 Apr 2025 00:13:52 +0000HEAVY MagazineInterview by Kris Peters In just ten short years Melbourne musical powerhouse Valhalore have entrenched themselves as a vital cog in the growing Australian music industry, their unique blending of melodic death metal with power and symphonic elements...In just ten short years Melbourne musical powerhouse Valhalore have entrenched themselves as a vital cog in the growing Australian music industry, their unique blending of melodic death metal with power and symphonic elements - infused with folk influences - has resonated with audiences both domestically and abroad.
Over the years they have toured with the likes of Alestorm, Arch Enemy, Blind Guardian and HammerFall, winning over legions of fans along the way with their attitude and work ethic. With the release of their sophomore album Beyond The Stars on April 11, Valhalore look set to expand their presence even more with a sound capable of transcending genres and sweeping all in its path.
HEAVY spoke with frontman Lachlan Neate and guitarist Anthony Willis to get more details. We start by asking how they are feeling about the album release.
"Absolutely thrilled," Neate beamed. "After waiting four years to release this music, it's pretty surreal that we're finally near the finish line."
We ask the guys to dive deeper into Beyond The Stars musically.
"In terms of the themes of the album, it describes a person's journey from the beginning of their life to the end," Willis explained. "Each song deals with the different highs and lows, ups and downs, different emotions that one would experience throughout their life. And each song represents those different moments. Then at the end of the album, the final song really deals with what happens to you after we die, and can we become something greater than ourselves?
So in that regard, the album is a bit of a concept album, and it's cyclic. Each of the songs that we have written pertains to this journey of someone's life experiences."
In the full interview, Lachlan and Anthony further explained that Beyond The Stars is a concept piece that reflects the emotional journey of a person's life, shaped significantly by the band's experiences during the pandemic. 
Anthony emphasized the importance of the album's track listing for creating a cohesive listening experience, while Lachlan noted that the writing process involved contributions from all six band members and the producer, marking a shift from their previous solo work. This collaborative effort has allowed the band to develop a unique sound that integrates diverse influences, enhancing their musical identity.
Valhalore plan to promote the album with a series of four theatrical shows in May, starting in Sydney and Melbourne, where they will perform most of the new material alongside older songs. Lachlan expressed excitement about the production-heavy nature of the performances, aiming to provide an engaging experience for fans and more.
Get Beyond The Stars here: https://valhalore.rpm.link/beyondpr


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1181australia,beyondthestars,folkmetal,heavy,heavymetal,interview,krispeters,melodicdeathmetal,music,musicinterview,musicpodcast,podcast,symphonicmetal,tour,valhalorefalsefullhttps://www.spreaker.com/episode/a-tour-built-for-a-king-with-landon-tewers-from-the-plot-in-you--65474986A band relentlessly poised on the cutting edge of heavy music, THE PLOT IN YOU have cultivated ongoing critical acclaim and fan adoration since first forming 15 years ago. Hailing from Ohio, the group announced themselves to the scene via their 2011 debut album, First Born, paving the way for their soon-to-be-signature balanced and innovative take on metalcore tropes. Whether weaving elements of alternative, electronica, pop, R&B and beyond into their raw yet thunderous sound, one thing is always certain when it comes to THE PLOT IN YOU: expect the unexpected and hang on for an exhilarating ride.
No strangers to Australian audiences, THE PLOT IN YOU previously ticked off an entirely sold-out headline run down under in 2023, before once again wowing Aussie crowds at Good Things Festival in 2023 off the back of their crushing single Forgotten. And as anyone who has previously experienced THE PLOT IN YOU in a live setting will attest, this is an act not to be slept on.
In 2026, prepare for the return of THE PLOT IN YOU to Australian shores, with the band announcing a national headline run next January, joined by special guests FIT FOR A KING (USA), BOUNDARIES (USA) and BANKS ARCADE. Kicking off on Wednesday 21 January in Fremantle, THE PLOT IN YOU will visit Adelaide, Chelsea Heights, Melbourne and Sydney, before closing out this mammoth visit on Friday 30 January in Brisbane.
HEAVY caught up with vocalist Landon Tewers not long after the tour announcement. Last time they were out here The Plot In You had to put up full house signs everywhere they played, and we remind Landon of this and point out that the band must be dearly loved on this side of the world.
"Honestly, I think it's collectively all our favourite market to play," he replied. "Even from back when we were way, way smaller coming over, it was always an amazing experience. People seem to really appreciate heavy music in a different way over there. It's always a privilege and an absolute blast coming over there."
We ask what has changed with the band since their last visit.
"Oh man, so much," he returned. "The EPs that we put out seemed to really transcend and connect with a lot of people, which is cool. It will be fun to come over there and play a lot more new stuff. In that time I feel like we have toured so much, and we've gone to so many new places too. We did Japan for the first time. We did South America for the first time. It's cool seeing how things are translating all over the world. It's a pretty unique and bizarre thing to experience, and we're really grateful."
In the full interview, Landon spoke more about The Plot In You's live show and why it is warmly regarded as one of the best going around, tailoring set lists depending on what country they are playing in, where Aussie crowds sit on a global scale of rowdiness, bringing Fit For A King and Boundaries along for the tour and why. Banks Arcade who are representing Australia on the run of shows, the three all-ages shows and the joys of influencing the ears of the next generation of music lovers, finding the balance of sounds and genres in a live setting and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65474986Wed, 09 Apr 2025 14:09:41 +0000HEAVY MagazineInterview by Kris Peters A band relentlessly poised on the cutting edge of heavy music, THE PLOT IN YOU have cultivated ongoing critical acclaim and fan adoration since first forming 15 years ago. Hailing from Ohio, the group announced themselves to...A band relentlessly poised on the cutting edge of heavy music, THE PLOT IN YOU have cultivated ongoing critical acclaim and fan adoration since first forming 15 years ago. Hailing from Ohio, the group announced themselves to the scene via their 2011 debut album, First Born, paving the way for their soon-to-be-signature balanced and innovative take on metalcore tropes. Whether weaving elements of alternative, electronica, pop, R&B and beyond into their raw yet thunderous sound, one thing is always certain when it comes to THE PLOT IN YOU: expect the unexpected and hang on for an exhilarating ride.
No strangers to Australian audiences, THE PLOT IN YOU previously ticked off an entirely sold-out headline run down under in 2023, before once again wowing Aussie crowds at Good Things Festival in 2023 off the back of their crushing single Forgotten. And as anyone who has previously experienced THE PLOT IN YOU in a live setting will attest, this is an act not to be slept on.
In 2026, prepare for the return of THE PLOT IN YOU to Australian shores, with the band announcing a national headline run next January, joined by special guests FIT FOR A KING (USA), BOUNDARIES (USA) and BANKS ARCADE. Kicking off on Wednesday 21 January in Fremantle, THE PLOT IN YOU will visit Adelaide, Chelsea Heights, Melbourne and Sydney, before closing out this mammoth visit on Friday 30 January in Brisbane.
HEAVY caught up with vocalist Landon Tewers not long after the tour announcement. Last time they were out here The Plot In You had to put up full house signs everywhere they played, and we remind Landon of this and point out that the band must be dearly loved on this side of the world.
"Honestly, I think it's collectively all our favourite market to play," he replied. "Even from back when we were way, way smaller coming over, it was always an amazing experience. People seem to really appreciate heavy music in a different way over there. It's always a privilege and an absolute blast coming over there."
We ask what has changed with the band since their last visit.
"Oh man, so much," he returned. "The EPs that we put out seemed to really transcend and connect with a lot of people, which is cool. It will be fun to come over there and play a lot more new stuff. In that time I feel like we have toured so much, and we've gone to so many new places too. We did Japan for the first time. We did South America for the first time. It's cool seeing how things are translating all over the world. It's a pretty unique and bizarre thing to experience, and we're really grateful."
In the full interview, Landon spoke more about The Plot In You's live show and why it is warmly regarded as one of the best going around, tailoring set lists depending on what country they are playing in, where Aussie crowds sit on a global scale of rowdiness, bringing Fit For A King and Boundaries along for the tour and why. Banks Arcade who are representing Australia on the run of shows, the three all-ages shows and the joys of influencing the ears of the next generation of music lovers, finding the balance of sounds and genres in a live setting and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>760australia,banksarcade,boundaries,destroyalllines,fitforaking,hardrock,heavy,heavymetal,interview,krispeters,landontewers,music,podcast,theplotinyou,tourfalsefullhttps://www.spreaker.com/episode/and-the-award-goes-to-with-marcus-bridge-from-northlane--65450226It's that time of the year again where Australia's finest musical talents assemble to reward their achievements over the last 12 months and beyond.
The APRA Music Awards celebrate excellence in contemporary music, honouring songwriters and publishers who have achieved artistic excellence and outstanding success in their fields. To be held in Melbourne on April 30 this year, the APRA Music Awards have, for the second year in a row, acknowledged the growing presence of harder edged and heavy music by presenting the Most Performed Hard Rock/Heavy Metal category - won in its inaugural year by Parkway Drive.
More than just a token nod in the direction of change, APRA has fully embraced music of these genres, recognizing and paying due respect to a style of music that has grown to such levels it is now impossible to ignore.
The nominees for Most Performed Hard Rock/Heavy Metal in 2025 are Make Them Suffer, Polaris, Windwaker, Speed and Northlane, with HEAVY jumping at the chance to speak with Northlane frontman Marcus Bridge to find out how confident the band is going into the awards.
"It's exciting stuff, and it's with a bunch of other great bands," he smiled. "It's cool to be with so many bands that we've all grown up with and built our careers with at the same time and see the new generation taking that spot."
We ask Marcus how important recognition such as this is for the future of Australian hard rock/heavy music.
"I think it just shows over the last five to ten years how heavy music has grown worldwide," he mused, "and especially the Australian bands. Whenever we're touring overseas, I feel like Australian heavy bands are the talk of the town, especially in the US and Europe. Just because there are so many awesome bands working so hard to get over there. And I think in the end, it's kind of putting Australian music on the map in a different way around the world. So it's really, really cool to see that it's being recognized in that way. I'm just hoping that it keeps on growing and keeps on getting bigger."
In the full interview, Marcus discussed Northlane's nomination for the 2025 APRA Awards, expressing excitement about the recognition alongside other Australian bands and the support from APRA. Marcus reflected on the growing international attention for Australian heavy music and the importance of regional tours, emphasizing the unique energy of smaller venue audiences compared to city crowds. He also addressed the band's musical evolution, with Marcus outlining their approach for the next album, which will build on the last EP's while allowing for experimentation with various styles.
We took a look at the lighter side of the APRA Awards, including the potentially crippling effect Frenzal Rhomb had on such bands being invited to perform live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65450226Wed, 09 Apr 2025 06:52:00 +0000HEAVY MagazineInterview by Kris Peters It's that time of the year again where Australia's finest musical talents assemble to reward their achievements over the last 12 months and beyond. The APRA Music Awards celebrate excellence in contemporary music, honouring...It's that time of the year again where Australia's finest musical talents assemble to reward their achievements over the last 12 months and beyond.
The APRA Music Awards celebrate excellence in contemporary music, honouring songwriters and publishers who have achieved artistic excellence and outstanding success in their fields. To be held in Melbourne on April 30 this year, the APRA Music Awards have, for the second year in a row, acknowledged the growing presence of harder edged and heavy music by presenting the Most Performed Hard Rock/Heavy Metal category - won in its inaugural year by Parkway Drive.
More than just a token nod in the direction of change, APRA has fully embraced music of these genres, recognizing and paying due respect to a style of music that has grown to such levels it is now impossible to ignore.
The nominees for Most Performed Hard Rock/Heavy Metal in 2025 are Make Them Suffer, Polaris, Windwaker, Speed and Northlane, with HEAVY jumping at the chance to speak with Northlane frontman Marcus Bridge to find out how confident the band is going into the awards.
"It's exciting stuff, and it's with a bunch of other great bands," he smiled. "It's cool to be with so many bands that we've all grown up with and built our careers with at the same time and see the new generation taking that spot."
We ask Marcus how important recognition such as this is for the future of Australian hard rock/heavy music.
"I think it just shows over the last five to ten years how heavy music has grown worldwide," he mused, "and especially the Australian bands. Whenever we're touring overseas, I feel like Australian heavy bands are the talk of the town, especially in the US and Europe. Just because there are so many awesome bands working so hard to get over there. And I think in the end, it's kind of putting Australian music on the map in a different way around the world. So it's really, really cool to see that it's being recognized in that way. I'm just hoping that it keeps on growing and keeps on getting bigger."
In the full interview, Marcus discussed Northlane's nomination for the 2025 APRA Awards, expressing excitement about the recognition alongside other Australian bands and the support from APRA. Marcus reflected on the growing international attention for Australian heavy music and the importance of regional tours, emphasizing the unique energy of smaller venue audiences compared to city crowds. He also addressed the band's musical evolution, with Marcus outlining their approach for the next album, which will build on the last EP's while allowing for experimentation with various styles.
We took a look at the lighter side of the APRA Awards, including the potentially crippling effect Frenzal Rhomb had on such bands being invited to perform live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1078apra,apramusicawards,hardrock,heavy,heavymetal,interview,krispeters,makethemsuffer,music,northlane,podcast,polaris,speed,windwakerfalsefullhttps://www.spreaker.com/episode/the-eternal-battle-of-man-verses-camel-with-jason-whalley-from-frenzal-rhomb--65217756At the turn of the last century - around the same time the world was supposed to succumb to the flash in the pan that was the Y2K bug - a group of four Sydney punk reprobates called Frenzal Rhomb were plotting their own assault on the world.
But instead of technology, this was a stealth attack by music.
After previously making their name as carefree, wreckless, uncompromising punk rockers through albums Coughing Up A Storm, Not So Tough Now and Meet The Family, Frenzal Rhomb elected to go a little more mainstream on their fourth album, A Man's Not A Camel. So much so that the album contained a bona fide ballad - I Miss My Lung, and another on the cusp of being a ballad with You Are Not My Friend.
Granted, A Man's Not A Camel provided some staple Frenzal moments with songs like It's Up To You, Do You Wanna Fight Me and the irresistible I Know Why Dinosaurs Became Extinct, and it also contained more than enough lashings of Frenzal humour, but it was also far enough on the right side of the musical ledger to have the song Never Had So Much Fun nominated for an ARIA Award in the Best Pop Release category.
I shit you not. Thankfully a singing budgie by the name of Kylie Minogue pipped them at the post, otherwise who knows how far down the rabbit hole Frenzal Rhomb would have gone?
And now, 26 years after it first came out, Frenzal Rhomb are celebrating the 25th (ish) Birthday of A Man's Not A Camel with an extensive Australian tour that will see the band travelling to places some of you might not even know exist.
HEAVY tracked down Frenzal frontman Jason Whalley to take a trip down memory lane.
"That record seemed to resonate with people," Whalley nodded, stroking his chin. "It had all those songs on it like Never Had So Much Fun and You Are Not My Friend and I Miss My Lung and all that jazz. There's a lot of songs on there that, let's be honest, weren't very good. But it had a few songs on there that seemed to resonate with people. We are doing this tour where we're celebrating this record, but to be honest, we play all the good songs off that record every time we play anyway. We are pulling out some deep cuts too. I've had to relearn a lot of lyrics. I actually looked up the lyrics on the internet to try and figure out what they were, to try and relearn them."
We ask if that means the whole of A Man's Not A Camel album will be played in full on tour.
"100% not," he countered. "We wouldn't do that to our audience. There's a few songs on there that just have not stood the test of time. I mean, even a week after it was released, we weren't playing them. When you see bands doing their whole album, I'm always like, come on, mate, they weren't all bangers."
In the full interview, Jay discussed Frenzal Rhomb's upcoming shows in more detail, revealing the tour will include 25 shows in various locations that were missed during their last tour, allowing the band to reconnect with fans. He expressed enthusiasm for the tour and reflected on the band's evolution in songwriting on A Man's Not A Camel, noting a shift towards a more pop-oriented sound while emphasizing the importance of song quality over tempo.
The conversation also covered Frenzal's experiences with the album's reception and their nomination at the ARIA's, where he recalled a memorable performance in hospital attire due to his broken arm. We discussed the album's release in the US under Fat Mike's Fat Wreck Chords, highlighting changes made to the tracklist and the unnecessary suggestion of a name change for the American market, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65217756Mon, 07 Apr 2025 06:27:54 +0000HEAVY MagazineInterview by Kris Peters At the turn of the last century - around the same time the world was supposed to succumb to the flash in the pan that was the Y2K bug - a group of four Sydney punk reprobates called Frenzal Rhomb were plotting their own...At the turn of the last century - around the same time the world was supposed to succumb to the flash in the pan that was the Y2K bug - a group of four Sydney punk reprobates called Frenzal Rhomb were plotting their own assault on the world.
But instead of technology, this was a stealth attack by music.
After previously making their name as carefree, wreckless, uncompromising punk rockers through albums Coughing Up A Storm, Not So Tough Now and Meet The Family, Frenzal Rhomb elected to go a little more mainstream on their fourth album, A Man's Not A Camel. So much so that the album contained a bona fide ballad - I Miss My Lung, and another on the cusp of being a ballad with You Are Not My Friend.
Granted, A Man's Not A Camel provided some staple Frenzal moments with songs like It's Up To You, Do You Wanna Fight Me and the irresistible I Know Why Dinosaurs Became Extinct, and it also contained more than enough lashings of Frenzal humour, but it was also far enough on the right side of the musical ledger to have the song Never Had So Much Fun nominated for an ARIA Award in the Best Pop Release category.
I shit you not. Thankfully a singing budgie by the name of Kylie Minogue pipped them at the post, otherwise who knows how far down the rabbit hole Frenzal Rhomb would have gone?
And now, 26 years after it first came out, Frenzal Rhomb are celebrating the 25th (ish) Birthday of A Man's Not A Camel with an extensive Australian tour that will see the band travelling to places some of you might not even know exist.
HEAVY tracked down Frenzal frontman Jason Whalley to take a trip down memory lane.
"That record seemed to resonate with people," Whalley nodded, stroking his chin. "It had all those songs on it like Never Had So Much Fun and You Are Not My Friend and I Miss My Lung and all that jazz. There's a lot of songs on there that, let's be honest, weren't very good. But it had a few songs on there that seemed to resonate with people. We are doing this tour where we're celebrating this record, but to be honest, we play all the good songs off that record every time we play anyway. We are pulling out some deep cuts too. I've had to relearn a lot of lyrics. I actually looked up the lyrics on the internet to try and figure out what they were, to try and relearn them."
We ask if that means the whole of A Man's Not A Camel album will be played in full on tour.
"100% not," he countered. "We wouldn't do that to our audience. There's a few songs on there that just have not stood the test of time. I mean, even a week after it was released, we weren't playing them. When you see bands doing their whole album, I'm always like, come on, mate, they weren't all bangers."
In the full interview, Jay discussed Frenzal Rhomb's upcoming shows in more detail, revealing the tour will include 25 shows in various locations that were missed during their last tour, allowing the band to reconnect with fans. He expressed enthusiasm for the tour and reflected on the band's evolution in songwriting on A Man's Not A Camel, noting a shift towards a more pop-oriented sound while emphasizing the importance of song quality over tempo.
The conversation also covered Frenzal's experiences with the album's reception and their nomination at the ARIA's, where he recalled a memorable performance in hospital attire due to his broken arm. We discussed the album's release in the US under Fat Mike's Fat Wreck Chords, highlighting changes made to the tracklist and the unnecessary suggestion of a name change for the American market, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1066amansnotacamel,australia,frenzalrhomb,heavy,interview,jasonwhalley,krispeters,music,musicinterview,musicpodcast,podcast,poppunk,punk,punkrock,tourtruefullhttps://www.spreaker.com/episode/benediction-s-unstoppable-legacy-a-conversation-with-daz-brookes--65377442For fans of death metal, Benediction needs no introduction. With a history that spans decades, the band has continually pushed boundaries, proving that their music is not only timeless but still relevant today. As the band gears up for the release of their highly anticipated album Ravage of Empires, we sat down with Daz Brookes, one of the founding members, to chat about their enduring success, the return of Dave Ingram, and what’s next for the legendary group.
It’s been over 30 years since Benediction first made its mark on the death metal scene, but for Daz, it still feels like the dream is alive. "I’m living the dream, man. That’s what I wanted to do when I was a kid, and I’m still doing it at 56 years old," he says. "I still get the same buzz I did when I was younger. I’m still excited about gigs and new releases. I’ve got no intention of giving up yet."
Perhaps one of the most significant moments in Benediction's recent history was the return of Dave Ingram to the fold for Scriptures. After a 21-year hiatus, the reunion marked a new chapter for the band. Daz recalls, "It was almost like he'd never left. It felt natural, like nothing had changed, despite all the time apart. We’d had some awkward years after he left, but time heals all, right?"
Their reunion was not just about the past, but about reinvigorating the band for the future. "When it came down to writing the album, Dave put his vocals exactly where we’d expect him to," Daz explains. "It felt like he’d never been gone."
On the new album, Benediction continues to evolve musically. "We don’t do album fillers," Daz insists. "We want every track to be strong, and that’s what we’ve been doing for years now." Despite the challenges of distance - Daz and guitarist Peter Rewinsky live in the UK, while Ingram resides in Denmark and Gio in Italy - the band’s writing process remains a collaborative one. "We send riffs back and forth, and when we all come together, it’s like a well-oiled machine."
When asked about the current state of death metal, Daz doesn’t mince words. "It’s become a competition for speed and extremity," he says. "Everybody’s trying to outdo the last band, and it’s kind of losing its essence. When we perform, whether it’s in front of 70,000 people or 500, it’s the same feeling. People are singing our songs, and that’s what it’s all about."
Benediction’s music remains grounded in simplicity. "We don’t need to reinvent the wheel," Daz adds. "We just do what we do, and people respond to that. Simple is good."
As the band heads into their Europ


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65377442Sun, 06 Apr 2025 07:39:41 +0000HEAVY MagazineInterview by Angela Croudace For fans of death metal, Benediction needs no introduction. With a history that spans decades, the band has continually pushed boundaries, proving that their music is not only timeless but still relevant today. As the band...For fans of death metal, Benediction needs no introduction. With a history that spans decades, the band has continually pushed boundaries, proving that their music is not only timeless but still relevant today. As the band gears up for the release of their highly anticipated album Ravage of Empires, we sat down with Daz Brookes, one of the founding members, to chat about their enduring success, the return of Dave Ingram, and what’s next for the legendary group.
It’s been over 30 years since Benediction first made its mark on the death metal scene, but for Daz, it still feels like the dream is alive. "I’m living the dream, man. That’s what I wanted to do when I was a kid, and I’m still doing it at 56 years old," he says. "I still get the same buzz I did when I was younger. I’m still excited about gigs and new releases. I’ve got no intention of giving up yet."
Perhaps one of the most significant moments in Benediction's recent history was the return of Dave Ingram to the fold for Scriptures. After a 21-year hiatus, the reunion marked a new chapter for the band. Daz recalls, "It was almost like he'd never left. It felt natural, like nothing had changed, despite all the time apart. We’d had some awkward years after he left, but time heals all, right?"
Their reunion was not just about the past, but about reinvigorating the band for the future. "When it came down to writing the album, Dave put his vocals exactly where we’d expect him to," Daz explains. "It felt like he’d never been gone."
On the new album, Benediction continues to evolve musically. "We don’t do album fillers," Daz insists. "We want every track to be strong, and that’s what we’ve been doing for years now." Despite the challenges of distance - Daz and guitarist Peter Rewinsky live in the UK, while Ingram resides in Denmark and Gio in Italy - the band’s writing process remains a collaborative one. "We send riffs back and forth, and when we all come together, it’s like a well-oiled machine."
When asked about the current state of death metal, Daz doesn’t mince words. "It’s become a competition for speed and extremity," he says. "Everybody’s trying to outdo the last band, and it’s kind of losing its essence. When we perform, whether it’s in front of 70,000 people or 500, it’s the same feeling. People are singing our songs, and that’s what it’s all about."
Benediction’s music remains grounded in simplicity. "We don’t need to reinvent the wheel," Daz adds. "We just do what we do, and people respond to that. Simple is good."
As the band heads into their Europ


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1022angelacroudace,benediction,deathmetal,heavy,heavymetal,interview,music,musicinterview,musicpodcast,nuclearblastrecords,podcast,tourtruefullhttps://www.spreaker.com/episode/the-voice-of-defiance-with-envy-marshall--65301165In an age where people and their personalities are becoming increasingly sanitized it is refreshing to come across an artist still unafraid to say things as they are without self-censorship or undue thought to repercussions. A singer/songwriter who adheres to the old school ethos of respect and honesty rather than rainbows and butterflies, and who isn't afraid to get her hands - or her music - dirty.
Melbourne based rock dynamo Envy Marshall is all of that and more. A fiercely independent artist with an unapologetic attitude, Marshall openly confronts her own independence and themes of equality and the smashing of gender stereotypes. And all of that within just one song.
Marshall recently released the track Like A Man, showcasing her powerhouse vocals, razor-sharp lyrics, and undeniable charisma. With its infectious chorus, gritty guitars, and a hypnotic mid-tempo groove, Like A Man is a rallying cry for authenticity and empowerment. Envy’s lyrics cut through the noise with glaring honesty, blending cheeky wit with raw honesty, as she chastises at one point 'stop telling me to act like a woman when you know that I f**k like a man.'
But one look through her resume, and it's obvious Marshall isn't just here to make up the numbers. She is here to make a difference, and that's one thing few people can claim to truly aspire to. HEAVY caught up with Marshall between L.A showcase gigs, where she is aiming to strike next.
"The words and the lyrics have a bit of shock value to it," Envy began when asked about the positive reception afforded Like A Man, "but I also think it's because people are really wanting music like this now. I didn't write it to be popular. I didn't write it because I wanted anyone to react to it. I wrote it because I just really freaking needed to say it. And the response has been really good."
HEAVY mentions the confronting nature of the song but also emphasizes the point that if you get through that initial moment of being taken aback, there is a much deeper underlying message.
"You can see some women who first of all go, ooh, and then come up to you later and go, I love you," Envy smiled. "You know what I mean? It's nice because I really care about women. I love men and I love women and whatever you want to be called, I love you. But to have a woman come up to me and give me a hug and say, thanks, that was awesome. That means a lot. Especially when there's not a lot of female fronted rock bands writing songs for women."
In the full interview, the discussion focused on Envy Marshall's experiences and upcoming projects in the music industry. Envy shared her journey from Adelaide to Melbourne in 2017, highlighting her collaboration with Paul Woseen from The Screaming Jets, who played a significant role in her artistic development. She emphasized the importance of rebellion in rock music and her recent promotional tour in Los Angeles, which has opened up new opportunities for her career. Envy also discussed her song Like a Man, which has garnered significant attention and aims to challenge societal norms while empowering individuals. 
Envy also provided insights into her upcoming video release for Like A Man and her current album project, which promises a blend of rock with influences from other genres plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65301165Sun, 06 Apr 2025 00:41:37 +0000HEAVY MagazineInterview by Kris Peters In an age where people and their personalities are becoming increasingly sanitized it is refreshing to come across an artist still unafraid to say things as they are without self-censorship or undue thought to repercussions. A...In an age where people and their personalities are becoming increasingly sanitized it is refreshing to come across an artist still unafraid to say things as they are without self-censorship or undue thought to repercussions. A singer/songwriter who adheres to the old school ethos of respect and honesty rather than rainbows and butterflies, and who isn't afraid to get her hands - or her music - dirty.
Melbourne based rock dynamo Envy Marshall is all of that and more. A fiercely independent artist with an unapologetic attitude, Marshall openly confronts her own independence and themes of equality and the smashing of gender stereotypes. And all of that within just one song.
Marshall recently released the track Like A Man, showcasing her powerhouse vocals, razor-sharp lyrics, and undeniable charisma. With its infectious chorus, gritty guitars, and a hypnotic mid-tempo groove, Like A Man is a rallying cry for authenticity and empowerment. Envy’s lyrics cut through the noise with glaring honesty, blending cheeky wit with raw honesty, as she chastises at one point 'stop telling me to act like a woman when you know that I f**k like a man.'
But one look through her resume, and it's obvious Marshall isn't just here to make up the numbers. She is here to make a difference, and that's one thing few people can claim to truly aspire to. HEAVY caught up with Marshall between L.A showcase gigs, where she is aiming to strike next.
"The words and the lyrics have a bit of shock value to it," Envy began when asked about the positive reception afforded Like A Man, "but I also think it's because people are really wanting music like this now. I didn't write it to be popular. I didn't write it because I wanted anyone to react to it. I wrote it because I just really freaking needed to say it. And the response has been really good."
HEAVY mentions the confronting nature of the song but also emphasizes the point that if you get through that initial moment of being taken aback, there is a much deeper underlying message.
"You can see some women who first of all go, ooh, and then come up to you later and go, I love you," Envy smiled. "You know what I mean? It's nice because I really care about women. I love men and I love women and whatever you want to be called, I love you. But to have a woman come up to me and give me a hug and say, thanks, that was awesome. That means a lot. Especially when there's not a lot of female fronted rock bands writing songs for women."
In the full interview, the discussion focused on Envy Marshall's experiences and upcoming projects in the music industry. Envy shared her journey from Adelaide to Melbourne in 2017, highlighting her collaboration with Paul Woseen from The Screaming Jets, who played a significant role in her artistic development. She emphasized the importance of rebellion in rock music and her recent promotional tour in Los Angeles, which has opened up new opportunities for her career. Envy also discussed her song Like a Man, which has garnered significant attention and aims to challenge societal norms while empowering individuals. 
Envy also provided insights into her upcoming video release for Like A Man and her current album project, which promises a blend of rock with influences from other genres plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>985australia,envymarshall,guitar,hardrock,heavy,interview,krispeters,likeaman,music,musicinterview,musicpodcast,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/maintaining-your-focus-with-matt-wicks-from-grinding-eyes--65301931Grinding Eyes craft a uniquely dark sonic landscape, fusing psychedelic shoegaze, drone rock, and ambient garage punk. The Sydney band released their third studio album, Out of Focus, last Friday, further capitalizing on the momentum built through their 2018 self-titled album and 2021’s Taste the Monochrome.
Known for their relentless touring, Grinding Eyes have shared stages with The Jesus and Mary Chain, Uncle Acid & The Deadbeats, Swervedriver, Graveyard, Moon Duo, Dinosaur Jr., Monkey Wrench, Superchunk, New Candys and Mudhoney, as well as Australian bands, Amyl and the Sniffers, Cosmic Psychos, Spiderbait, The Drones, Straight Arrows, DMA’s, Psychedelic Porn Crumpets, POND, King Gizzard & The Lizard Wizard, and Tropical Fuck Storm.
The band’s line up also boasts members from past and present bands The Mess Hall, Treatment, The Laurels, Bliss and Kimono Drag Queens, further cementing their deep roots in Australia’s underground music scene. But Grinding Eyes are more than just the sum of their past bands. They are a sonic extension into another realm of musical experimentation held back without boundaries or expectations.
Vocalist Matt Wicks joined HEAVY to tell us more.
"With this album, I suppose we sort of concentrated a little bit more on the sounds where previously we've pretty much done everything live," he measured. "We would dive straight in, start recording, do a lot of long sessions and sort of see what comes out. On this one we tried to refine it a little bit more, do most of the songwriting and we actually played most of these songs live for a couple of months. So they became a life of their own. We wanted to really harness more of a tighter sound where we could mess with it more in the studio than just having the sort of raw organic rock and roll feel of it."
In the full interview, HEAVY spoke with Matt about the release of Out Of Focus following a year of delays. Matt expressed his relief regarding the album's completion and highlighted the band's creative evolution, mentioning that they have already started writing new material. The album features a mix of musical styles, reflecting their organic songwriting process.
During their forthcoming Australian tour, the band intends to perform a substantial portion of the new album alongside some older tracks. Furthermore, they will support Pig's Pigs Pigs Pigs Pigs Pigs Pigs on their European tour later this year.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65301931Sun, 06 Apr 2025 00:40:02 +0000HEAVY MagazineInterview by Kris Peters Grinding Eyes craft a uniquely dark sonic landscape, fusing psychedelic shoegaze, drone rock, and ambient garage punk. The Sydney band released their third studio album, Out of Focus, last Friday, further capitalizing on the...Grinding Eyes craft a uniquely dark sonic landscape, fusing psychedelic shoegaze, drone rock, and ambient garage punk. The Sydney band released their third studio album, Out of Focus, last Friday, further capitalizing on the momentum built through their 2018 self-titled album and 2021’s Taste the Monochrome.
Known for their relentless touring, Grinding Eyes have shared stages with The Jesus and Mary Chain, Uncle Acid & The Deadbeats, Swervedriver, Graveyard, Moon Duo, Dinosaur Jr., Monkey Wrench, Superchunk, New Candys and Mudhoney, as well as Australian bands, Amyl and the Sniffers, Cosmic Psychos, Spiderbait, The Drones, Straight Arrows, DMA’s, Psychedelic Porn Crumpets, POND, King Gizzard & The Lizard Wizard, and Tropical Fuck Storm.
The band’s line up also boasts members from past and present bands The Mess Hall, Treatment, The Laurels, Bliss and Kimono Drag Queens, further cementing their deep roots in Australia’s underground music scene. But Grinding Eyes are more than just the sum of their past bands. They are a sonic extension into another realm of musical experimentation held back without boundaries or expectations.
Vocalist Matt Wicks joined HEAVY to tell us more.
"With this album, I suppose we sort of concentrated a little bit more on the sounds where previously we've pretty much done everything live," he measured. "We would dive straight in, start recording, do a lot of long sessions and sort of see what comes out. On this one we tried to refine it a little bit more, do most of the songwriting and we actually played most of these songs live for a couple of months. So they became a life of their own. We wanted to really harness more of a tighter sound where we could mess with it more in the studio than just having the sort of raw organic rock and roll feel of it."
In the full interview, HEAVY spoke with Matt about the release of Out Of Focus following a year of delays. Matt expressed his relief regarding the album's completion and highlighted the band's creative evolution, mentioning that they have already started writing new material. The album features a mix of musical styles, reflecting their organic songwriting process.
During their forthcoming Australian tour, the band intends to perform a substantial portion of the new album alongside some older tracks. Furthermore, they will support Pig's Pigs Pigs Pigs Pigs Pigs Pigs on their European tour later this year.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>558australia,doommetal,grindingeyes,heavy,interview,krispeters,music,podcast,rock,stonerrocktruefullhttps://www.spreaker.com/episode/reaching-the-summit-with-scott-kennedy-from-bleed-from-within--65347219Two decades into any career and you would be forgiven for starting to grow stale or formulaic. Be it an office job, labouring, or even in the music industry, the old saying familiarity breeds contempt holds firm. But try telling that to Scottish metal outfit Bleed From Within who, after 20 years in the music scene, have reached their peak - their Zenith, if you will.
The Glasgow firebrands are one of the hardest working acts in metal: playing shows globally with everyone from Megadeth to Slipknot, all while writing and regularly releasing monstrous, exhilarating songs. The upward journey reaches new heights on their seventh album, Zenith, which contains the band’s heaviest, catchiest and most intrepid music to date.
The band's first two albums, Humanity (2009) and Empire (2010), made Bleed From Within cult figureheads in the deathcore scene, before Uprising (2013) broadened their palate with groove metal adrenaline and melodic death metal prowess. It also marked their major-label debut, catapulting them onto tours with heavy royalty.
In 2018, the band returned with the ferocious Era. Then, follow-ups Fracture (2020) and Shrine (2022) proved their greatest triumphs to date, intertwining vocalist Scott Kennedy's snarls with Steven Jones' majestic singing. The millions of streams gathered by such singles as The End of All We Know, Into Nothing and Levitate proved Bleed had become the next big thing. Now, on Zenith – announced ahead of career-affirming tours with Slipknot, Trivium and Bullet for My Valentine – the quintet are primed to leap into superstardom.
HEAVY spoke with frontman Scott Kennedy to go deeper into Zenith.
"It feels like we've been waiting so long to drop this album," he sighed. "So, I'm buzzing for it to finally get out. I think it's the best collection of songs we've ever done and I'm desperate for people to hear it."
We ask Kennedy to talk us through what Bleed From Within were going for musically with Zenith.
"To be honest, with Bleed From Within there's never really any concepts or anything like that," he replied. "It's more just about - for me personally - the songs are always about what I'm going through at that point in my life. I always try to write from the heart and write songs that are really meaningful because I don't want to go on stage and sing a song that doesn't really mean anything to me. I don't just want to go on and sing any old shit to the crowd. With Bleeding From Within it's just always about writing the best collection of metal songs that we possibly can, and I truthfully believe that this is the best collection of metal songs we've ever written."
In the full interview, Scott discussed Zenith further, expressing his excitement about what he considers their best work to date. He highlighted the opening track Violent Nature for its heavy and fast nature, and elaborated on the collaborative songwriting process among band members, emphasizing a natural evolution in their music.
Scott also mentioned Bleed From Within's experimentation with various musical elements, including strings and guest vocalists, to achieve a distinctive sound. The discussion wrapped up with a mention of upcoming tour plans and festivals following the album's release.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65347219Sat, 05 Apr 2025 14:46:04 +0000HEAVY MagazineInterview by Kris Peters Two decades into any career and you would be forgiven for starting to grow stale or formulaic. Be it an office job, labouring, or even in the music industry, the old saying familiarity breeds contempt holds firm. But try...Two decades into any career and you would be forgiven for starting to grow stale or formulaic. Be it an office job, labouring, or even in the music industry, the old saying familiarity breeds contempt holds firm. But try telling that to Scottish metal outfit Bleed From Within who, after 20 years in the music scene, have reached their peak - their Zenith, if you will.
The Glasgow firebrands are one of the hardest working acts in metal: playing shows globally with everyone from Megadeth to Slipknot, all while writing and regularly releasing monstrous, exhilarating songs. The upward journey reaches new heights on their seventh album, Zenith, which contains the band’s heaviest, catchiest and most intrepid music to date.
The band's first two albums, Humanity (2009) and Empire (2010), made Bleed From Within cult figureheads in the deathcore scene, before Uprising (2013) broadened their palate with groove metal adrenaline and melodic death metal prowess. It also marked their major-label debut, catapulting them onto tours with heavy royalty.
In 2018, the band returned with the ferocious Era. Then, follow-ups Fracture (2020) and Shrine (2022) proved their greatest triumphs to date, intertwining vocalist Scott Kennedy's snarls with Steven Jones' majestic singing. The millions of streams gathered by such singles as The End of All We Know, Into Nothing and Levitate proved Bleed had become the next big thing. Now, on Zenith – announced ahead of career-affirming tours with Slipknot, Trivium and Bullet for My Valentine – the quintet are primed to leap into superstardom.
HEAVY spoke with frontman Scott Kennedy to go deeper into Zenith.
"It feels like we've been waiting so long to drop this album," he sighed. "So, I'm buzzing for it to finally get out. I think it's the best collection of songs we've ever done and I'm desperate for people to hear it."
We ask Kennedy to talk us through what Bleed From Within were going for musically with Zenith.
"To be honest, with Bleed From Within there's never really any concepts or anything like that," he replied. "It's more just about - for me personally - the songs are always about what I'm going through at that point in my life. I always try to write from the heart and write songs that are really meaningful because I don't want to go on stage and sing a song that doesn't really mean anything to me. I don't just want to go on and sing any old shit to the crowd. With Bleeding From Within it's just always about writing the best collection of metal songs that we possibly can, and I truthfully believe that this is the best collection of metal songs we've ever written."
In the full interview, Scott discussed Zenith further, expressing his excitement about what he considers their best work to date. He highlighted the opening track Violent Nature for its heavy and fast nature, and elaborated on the collaborative songwriting process among band members, emphasizing a natural evolution in their music.
Scott also mentioned Bleed From Within's experimentation with various musical elements, including strings and guest vocalists, to achieve a distinctive sound. The discussion wrapped up with a mention of upcoming tour plans and festivals following the album's release.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>575bleedfromwithin,deathcore,groovemetal,heavy,heavymetal,intterview,krispeters,melodicdeathmetal,musicinterview,musicpodcast,podcast,scottkennedytruefullhttps://www.spreaker.com/episode/celebrating-emotion-is-dead-brett-detar-from-the-juliana-theory-reflects-on-the-impact-and-future-of-the-band--65272347As The Juliana Theory prepares to celebrate the anniversary of their seminal album Emotion is Dead with a special Australian tour, frontman Brett Detar shares his thoughts on the album's creation, its unexpected impact, and what fans can expect in the future.
Looking back, Brett recalls the humble beginnings of the album, created when he was just 21. “We were five kids from a small town who recorded in a tiny converted garage studio,” he says. “We made the album for very little money, and to think that it has had such an enduring impact—people telling us they named their child after our band or got married to a song off the record—is humbling.” Reflecting on how time has passed, he adds, “It’s wild to think that more time has passed since Emotion is Dead was made than I had lived at that point.”
When it comes to the rapid rise to success the band experienced, Brett admits it was a gradual process. “We played local shows for a while, and then suddenly, after our first album Understand This as a Dream, we noticed the crowd size was doubling at venues. It was a shocking but exciting moment, but we were so young, we didn’t quite grasp how special it was,” he recalls.
The upcoming tour marks a full circle moment for The Juliana Theory, as they join forces with The Spill Canvas, another beloved band from their era. Brett recounts a unique experience from 2019 when the two bands toured together in an unexpected way. “We did a US tour, but we played as just an acoustic duo. That tour reignited our passion for making music together, and it led to new songs, new recordings, and ultimately, us signing to Equal Vision.”
Discussing the creation of Emotion is Dead, Brett explains the shift in the band’s approach after their first record. “We wanted to expand beyond just making a fast, poppy emo record. We wanted to experiment with longer songs, heavier sounds, and even throw in some Pink Floyd-inspired moments.” The album’s title, Emotion is Dead, came about in a joking conversation during the van ride, with Brett and the band brainstorming what would later become an iconic, yet tongue-in-cheek, statement about the genre.
Despite the album’s association with the “emo” label, Brett admits the band has never fully embraced the term. “At first, we thought it fit, but then it started feeling limiting. We’ve always tried to push boundaries and not just fit into one box.”
Bret neatly wrapped up his feelings, saying; “It feels special to see how much Emotion is Dead still means to people, and it’s even more exciting to bring new music into the mix."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65272347Sat, 05 Apr 2025 06:30:09 +0000HEAVY MagazineInterview by Angela Croudace As The Juliana Theory prepares to celebrate the anniversary of their seminal album Emotion is Dead with a special Australian tour, frontman Brett Detar shares his thoughts on the album's creation, its unexpected impact,...As The Juliana Theory prepares to celebrate the anniversary of their seminal album Emotion is Dead with a special Australian tour, frontman Brett Detar shares his thoughts on the album's creation, its unexpected impact, and what fans can expect in the future.
Looking back, Brett recalls the humble beginnings of the album, created when he was just 21. “We were five kids from a small town who recorded in a tiny converted garage studio,” he says. “We made the album for very little money, and to think that it has had such an enduring impact—people telling us they named their child after our band or got married to a song off the record—is humbling.” Reflecting on how time has passed, he adds, “It’s wild to think that more time has passed since Emotion is Dead was made than I had lived at that point.”
When it comes to the rapid rise to success the band experienced, Brett admits it was a gradual process. “We played local shows for a while, and then suddenly, after our first album Understand This as a Dream, we noticed the crowd size was doubling at venues. It was a shocking but exciting moment, but we were so young, we didn’t quite grasp how special it was,” he recalls.
The upcoming tour marks a full circle moment for The Juliana Theory, as they join forces with The Spill Canvas, another beloved band from their era. Brett recounts a unique experience from 2019 when the two bands toured together in an unexpected way. “We did a US tour, but we played as just an acoustic duo. That tour reignited our passion for making music together, and it led to new songs, new recordings, and ultimately, us signing to Equal Vision.”
Discussing the creation of Emotion is Dead, Brett explains the shift in the band’s approach after their first record. “We wanted to expand beyond just making a fast, poppy emo record. We wanted to experiment with longer songs, heavier sounds, and even throw in some Pink Floyd-inspired moments.” The album’s title, Emotion is Dead, came about in a joking conversation during the van ride, with Brett and the band brainstorming what would later become an iconic, yet tongue-in-cheek, statement about the genre.
Despite the album’s association with the “emo” label, Brett admits the band has never fully embraced the term. “At first, we thought it fit, but then it started feeling limiting. We’ve always tried to push boundaries and not just fit into one box.”
Bret neatly wrapped up his feelings, saying; “It feels special to see how much Emotion is Dead still means to people, and it’s even more exciting to bring new music into the mix."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1295angelacroudace,australia,hardrock,heavy,heavymetal,interview,music,podcast,rock,thejulianatheory,tourtruefullhttps://www.spreaker.com/episode/revisiting-the-curse-with-dan-jacobs-from-atreyu--63769325Bands of renown all boast a number of great albums to their name. But within that body of work, there is always that one album. That magnum opus. That genre-defining, gravity-defying masterpiece that sets a standard by which not only their peers, but the band themselves are measured by forever more. For ATREYU, THE CURSE is that album.
With their legacy as one of the originators and frontrunners of metalcore, and a reputation as one of its greatest live bands, ATREYU could have easily rested on their laurels with their notoriety assured for life. Instead, they have embraced growth and evolution, seamlessly morphing between styles but always ending up with killer results.
July 2025 will see ATREYU return to Australia to celebrate the 20th anniversary of The Curse with a series of never to be repeated shows that will see them play the songs from the album as well as other fan favourites. Joining them will be Texan metalcore titans Memphis May Fire, who will be making their first trip to Australia in over a decade.
HEAVY caught up with Atreyu guitarist Dan Jacobs to get a gauge on what to expect.
"Yeah, it's exciting," he enthused. "We've never been down that way with Memphis before, and they've been friends of ours for a long time. We've done several tours with them before, so it's always fun to tour with them. It made sense. Also, getting to come down and play The Curse in its entirety… It's gonna be a good time."
We ask Dan what some of his memories are of making The Curse.
"Oh, man," he sighed. "I remember when we recorded it - or demoed it I should say - we had the whole album completely written and recorded in the order that you hear it on the album now. We just put the whole thing together and when we turned it in to the producer and asked if it was cool, he said yeah, let's record this. It's actually pretty interesting how much the demos and the recording… it's just all the same thing, as opposed to chopping songs up or moving things around or changing the order. But we demoed it the same way it is on the record, which is kind of fun. We recorded it up in Canada on this island. Half of it was done in the studio in Vancouver in Bryan Adams' studio. It's called The Warehouse. We did basically the pre-pro there and then some drums and when we came back when we were done for a week we did all the mixing. The majority of the two weeks of recording were all on this island where we were basically locked there to an extent. We didn't leave for two weeks. We didn't leave this dudes house. We just stayed at his house and recorded for two weeks. We didn't go to any bars or restaurants or anywhere. We just stayed at this dudes house in the woods in the middle of nowhere. It was kind of making us go crazy a little bit, and I think that all played into the vibe of the album a little bit."
In the full interview, Dan talks more about making The Curse and what that album means to Atreyu, whether or not they knew they had struck gold when they wrote and recorded it, what to expect from Atreyu live, new music, the early days of the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63769325Sat, 05 Apr 2025 06:26:12 +0000HEAVY MagazineInterview by Kris Peters Bands of renown all boast a number of great albums to their name. But within that body of work, there is always that one album. That magnum opus. That genre-defining, gravity-defying masterpiece that sets a standard by which...Bands of renown all boast a number of great albums to their name. But within that body of work, there is always that one album. That magnum opus. That genre-defining, gravity-defying masterpiece that sets a standard by which not only their peers, but the band themselves are measured by forever more. For ATREYU, THE CURSE is that album.
With their legacy as one of the originators and frontrunners of metalcore, and a reputation as one of its greatest live bands, ATREYU could have easily rested on their laurels with their notoriety assured for life. Instead, they have embraced growth and evolution, seamlessly morphing between styles but always ending up with killer results.
July 2025 will see ATREYU return to Australia to celebrate the 20th anniversary of The Curse with a series of never to be repeated shows that will see them play the songs from the album as well as other fan favourites. Joining them will be Texan metalcore titans Memphis May Fire, who will be making their first trip to Australia in over a decade.
HEAVY caught up with Atreyu guitarist Dan Jacobs to get a gauge on what to expect.
"Yeah, it's exciting," he enthused. "We've never been down that way with Memphis before, and they've been friends of ours for a long time. We've done several tours with them before, so it's always fun to tour with them. It made sense. Also, getting to come down and play The Curse in its entirety… It's gonna be a good time."
We ask Dan what some of his memories are of making The Curse.
"Oh, man," he sighed. "I remember when we recorded it - or demoed it I should say - we had the whole album completely written and recorded in the order that you hear it on the album now. We just put the whole thing together and when we turned it in to the producer and asked if it was cool, he said yeah, let's record this. It's actually pretty interesting how much the demos and the recording… it's just all the same thing, as opposed to chopping songs up or moving things around or changing the order. But we demoed it the same way it is on the record, which is kind of fun. We recorded it up in Canada on this island. Half of it was done in the studio in Vancouver in Bryan Adams' studio. It's called The Warehouse. We did basically the pre-pro there and then some drums and when we came back when we were done for a week we did all the mixing. The majority of the two weeks of recording were all on this island where we were basically locked there to an extent. We didn't leave for two weeks. We didn't leave this dudes house. We just stayed at his house and recorded for two weeks. We didn't go to any bars or restaurants or anywhere. We just stayed at this dudes house in the woods in the middle of nowhere. It was kind of making us go crazy a little bit, and I think that all played into the vibe of the album a little bit."
In the full interview, Dan talks more about making The Curse and what that album means to Atreyu, whether or not they knew they had struck gold when they wrote and recorded it, what to expect from Atreyu live, new music, the early days of the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>676atreyu,australia,danjacobs,hardrock,heavy,heavymetal,interview,krispeters,memphismayfire,metalcore,music,podcast,thecurse,thephoenix,tourtruefullhttps://www.spreaker.com/episode/twisted-compliments-with-chris-carpenter-from-crash-the-crapenters--65217155Sydney punk/rock outfit Crash & The Crapenters have become well known since their 2016 debut for their signature immature but experienced psychedelic rock that touches on themes of mental health, addiction, and burnout, and their latest EP Species Du Faeces is a showcase of their sound.
This four-track journey - which is out now - is packed with homages to their musical influences, the first of which is the album name, a reference toSpecies Deceases, the 1985 Midnight Oil EP.
HEAVY caught up with singer/songwriter Chris Carpenter to go more in-depth.
"We honestly feel, at this point in time, creatively it's a turning point for us," Carpenter voiced. "We're already looking forward to what we do next. The working title for our next album which is in pre-production at the moment is Surpass, and we'd like to think that we're going to be able to surpass everything that we've done before with what we do. When you look back at Midnight Oil's career, they pretty much were able to do that and achieve their greatest creativity and their greatest successes after having used Species Deceases as that sort of bridging that gap between Red Sails and Diesel and Dust."
In the full interview, Chris provided an overview of his band, Crash & The Crapenters, and their new EP, Species Du Faeces, which features four thematically linked tracks addressing drug abuse and its consequences. The title pays homage to Midnight Oil's Species Deceases, reflecting the band's influences.
We explored individual tracks, including All Geared Up, which narrates personal experiences with drugs and party culture, and Depression, (Smells Like Middle-Aged Spirit), which delves into mental health struggles, plans for the rest of 2025 moving forward plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65217155Wed, 02 Apr 2025 02:46:17 +0000HEAVY MagazineInterview by Kris Peters Sydney punk/rock outfit Crash & The Crapenters have become well known since their 2016 debut for their signature immature but experienced psychedelic rock that touches on themes of mental health, addiction, and burnout,...Sydney punk/rock outfit Crash & The Crapenters have become well known since their 2016 debut for their signature immature but experienced psychedelic rock that touches on themes of mental health, addiction, and burnout, and their latest EP Species Du Faeces is a showcase of their sound.
This four-track journey - which is out now - is packed with homages to their musical influences, the first of which is the album name, a reference toSpecies Deceases, the 1985 Midnight Oil EP.
HEAVY caught up with singer/songwriter Chris Carpenter to go more in-depth.
"We honestly feel, at this point in time, creatively it's a turning point for us," Carpenter voiced. "We're already looking forward to what we do next. The working title for our next album which is in pre-production at the moment is Surpass, and we'd like to think that we're going to be able to surpass everything that we've done before with what we do. When you look back at Midnight Oil's career, they pretty much were able to do that and achieve their greatest creativity and their greatest successes after having used Species Deceases as that sort of bridging that gap between Red Sails and Diesel and Dust."
In the full interview, Chris provided an overview of his band, Crash & The Crapenters, and their new EP, Species Du Faeces, which features four thematically linked tracks addressing drug abuse and its consequences. The title pays homage to Midnight Oil's Species Deceases, reflecting the band's influences.
We explored individual tracks, including All Geared Up, which narrates personal experiences with drugs and party culture, and Depression, (Smells Like Middle-Aged Spirit), which delves into mental health struggles, plans for the rest of 2025 moving forward plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1205australia,crash&thecrapenters,heavy,interview,krispeters,music,musicinterview,musicpodcast,podcast,punk,rocktruefullhttps://www.spreaker.com/episode/an-introspective-look-at-life-music-with-eli-green-from-life-pilot--65269406It's been a long six years between drinks for Adelaide chaotic hardcore outfit Life Pilot, with their last new music coming in the form of a stand-alone single back in 2019. After giving fans a taste of their sonic force with a 2013 Compass split record with Statues (WA), their debut EP High Noon in 2014 and second EP Too Hot For Killing in 2017 Life Pilot would release just two more singles in the ensuing eight years but have more than made up for their absence with the recent release of their self-titled debut album.
The album speaks on numerous themes; fear, doubt, frustration, self-reflection, compulsions, night terrors, societal expectations and how these all play into personal connections and our interaction with the world around us. It is a deeply personal record for the band members and lyrically it is predominantly introspective with a focus on close relationships. With the benefit of age and maturity, Life Pilot felt now was the right time to open up through their music, resulting in a more dynamic and vulnerable side of their musical psyche to come to the fore.
HEAVY caught up with drummer Eli Green to talk more.
"It's a pretty hectic 12 tracks of chaotic, angular metalcore," he surmised on the album's musical direction, "but it's got some beautiful moments tucked within it. We self-recorded and produced the whole thing, which is pretty cool."
We ask what expectations - if any - the band had considering it was their first full-length album.
"We really weren't sure because we've taken a long time to put this together," Green measured. "This whole thing started before COVID and then obviously that wiped everything out for a while, and we had band members having kids and all sorts of stuff throughout that period. So we weren't in any rush to churn out a record. The time to capitalise and keep momentum had long gone in the pandemic. We then just wanted to make something that we were really proud of. I guess what we expected as far as a response was anything from crickets to what we got, which was in the first couple of days we ended up at the top of the iTunes charts, which was a first for our band. That was really quite amazing. We just thought, wow, after all this time, it seems like there's some people who care about this as much as we do and want to support it."
In the full interview, Eli introduced Life Pilot's new album in greater detail, emphasizing its blend of chaotic hardcore and metalcore which reflects the band's personal growth and significant life events. HEAVY inquired about the expectations for the album's release and the selection of singles, to which Green responded that while they did not extensively analyse their past work, they aimed to connect with their earlier style while exploring new musical elements. The emotional depth of the lyrics, especially in the final track, was noted as a significant shift from previous themes.
Eli also described the unpredictable nature of Life Pilot's live performances, comparing them to Southern metalcore shows, and expressed enthusiasm for their upcoming interstate tour, highlighting the energy of all-ages shows and the memorable experiences they create and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65269406Tue, 01 Apr 2025 05:52:08 +0000HEAVY MagazineInterview by Kris Peters It's been a long six years between drinks for Adelaide chaotic hardcore outfit Life Pilot, with their last new music coming in the form of a stand-alone single back in 2019. After giving fans a taste of their sonic force with...It's been a long six years between drinks for Adelaide chaotic hardcore outfit Life Pilot, with their last new music coming in the form of a stand-alone single back in 2019. After giving fans a taste of their sonic force with a 2013 Compass split record with Statues (WA), their debut EP High Noon in 2014 and second EP Too Hot For Killing in 2017 Life Pilot would release just two more singles in the ensuing eight years but have more than made up for their absence with the recent release of their self-titled debut album.
The album speaks on numerous themes; fear, doubt, frustration, self-reflection, compulsions, night terrors, societal expectations and how these all play into personal connections and our interaction with the world around us. It is a deeply personal record for the band members and lyrically it is predominantly introspective with a focus on close relationships. With the benefit of age and maturity, Life Pilot felt now was the right time to open up through their music, resulting in a more dynamic and vulnerable side of their musical psyche to come to the fore.
HEAVY caught up with drummer Eli Green to talk more.
"It's a pretty hectic 12 tracks of chaotic, angular metalcore," he surmised on the album's musical direction, "but it's got some beautiful moments tucked within it. We self-recorded and produced the whole thing, which is pretty cool."
We ask what expectations - if any - the band had considering it was their first full-length album.
"We really weren't sure because we've taken a long time to put this together," Green measured. "This whole thing started before COVID and then obviously that wiped everything out for a while, and we had band members having kids and all sorts of stuff throughout that period. So we weren't in any rush to churn out a record. The time to capitalise and keep momentum had long gone in the pandemic. We then just wanted to make something that we were really proud of. I guess what we expected as far as a response was anything from crickets to what we got, which was in the first couple of days we ended up at the top of the iTunes charts, which was a first for our band. That was really quite amazing. We just thought, wow, after all this time, it seems like there's some people who care about this as much as we do and want to support it."
In the full interview, Eli introduced Life Pilot's new album in greater detail, emphasizing its blend of chaotic hardcore and metalcore which reflects the band's personal growth and significant life events. HEAVY inquired about the expectations for the album's release and the selection of singles, to which Green responded that while they did not extensively analyse their past work, they aimed to connect with their earlier style while exploring new musical elements. The emotional depth of the lyrics, especially in the final track, was noted as a significant shift from previous themes.
Eli also described the unpredictable nature of Life Pilot's live performances, comparing them to Southern metalcore shows, and expressed enthusiasm for their upcoming interstate tour, highlighting the energy of all-ages shows and the memorable experiences they create and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1251australia,eligreen,hardcore,heavy,heavymetal,interview,krispeters,lifepilot,music,musicinterview,musicpodcast,podcast,tourtruefullhttps://www.spreaker.com/episode/collin-walsh-from-grayscale-talks-australian-debut-music-evolution-and-the-band-s-journey--65263378Collin Walsh from Grayscale sat down to chat about the band’s long-awaited Australian debut, musical evolution, and behind-the-scenes moments that have shaped their career. With their first-ever tour Down Under just around the corner, Grayscale is eager to experience the country’s culture and share their music with fans who’ve been waiting for years.
Collin revealed, “We’ve never been to Australia before. It’s a first for us. I’ve done long flights to places like Indonesia and South Africa, but travelling as a band is a whole different beast. We have 20 pieces of equipment, eight people, and always a few hiccups at the counter. It’s slow and tricky, but we’re thrilled for the opportunity.”
The band’s anticipation is also fuelled by their fans in Australia, who have been loyal and patient. “We’ve been trying to come for years, but the pandemic messed up our plans. Finally, we’re here and can’t wait to give our Aussie fans everything they’ve been waiting for,” said Collin.
The band's latest album, The Heart, released earlier this year, marks a refined version of their sound. “It feels like a culmination of everything we’ve done before, but it's more cohesive. It’s us finding our sound,” Collin shared. The album blends rock, punk, and alt influences, but Collin hints at future possibilities for Grayscale’s sound, saying, “I can see us leaning into more straight-up rock in the future. We don’t plan things ahead of time, but we let the music naturally evolve.”
In terms of success, the band is more focused on the live experience than any individual track. Their hit Forever Yours, which recently surpassed 20 million streams, is a fan favourite, but Collin remains humble. “I don’t think of success that way. I love playing the music live, interacting with fans—that’s what it’s all about.”
When asked about their influences, Collin points to a mix of '90s alt rock and classic rock. “Third Eye Blind, Eve 6, Fuel, and Wallflowers were huge for me growing up. And of course, Zeppelin and AC/DC.”
As for future collaborations, Collin’s dream partner would be Led Zeppelin, his all-time favourite band. “I just want to pick their brains. They’re the best rock band ever, in my opinion.”
The band’s longevity is also built on their strong friendship. Having known each other since their teenage years, they’re still as close as ever. “We’ve been through a lot together, and we’ve stayed best friends since we were kids,”.
Looking ahead, Collin is excited to keep creating and evolving. “We just want to keep making music that resonates, connecting with our fans through honest and emotional lyrics. And Australia, we’re coming for you!”

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65263378Tue, 01 Apr 2025 02:16:39 +0000HEAVY MagazineInterview by Angela Croudace Collin Walsh from Grayscale sat down to chat about the band’s long-awaited Australian debut, musical evolution, and behind-the-scenes moments that have shaped their career. With their first-ever tour Down Under just around...Collin Walsh from Grayscale sat down to chat about the band’s long-awaited Australian debut, musical evolution, and behind-the-scenes moments that have shaped their career. With their first-ever tour Down Under just around the corner, Grayscale is eager to experience the country’s culture and share their music with fans who’ve been waiting for years.
Collin revealed, “We’ve never been to Australia before. It’s a first for us. I’ve done long flights to places like Indonesia and South Africa, but travelling as a band is a whole different beast. We have 20 pieces of equipment, eight people, and always a few hiccups at the counter. It’s slow and tricky, but we’re thrilled for the opportunity.”
The band’s anticipation is also fuelled by their fans in Australia, who have been loyal and patient. “We’ve been trying to come for years, but the pandemic messed up our plans. Finally, we’re here and can’t wait to give our Aussie fans everything they’ve been waiting for,” said Collin.
The band's latest album, The Heart, released earlier this year, marks a refined version of their sound. “It feels like a culmination of everything we’ve done before, but it's more cohesive. It’s us finding our sound,” Collin shared. The album blends rock, punk, and alt influences, but Collin hints at future possibilities for Grayscale’s sound, saying, “I can see us leaning into more straight-up rock in the future. We don’t plan things ahead of time, but we let the music naturally evolve.”
In terms of success, the band is more focused on the live experience than any individual track. Their hit Forever Yours, which recently surpassed 20 million streams, is a fan favourite, but Collin remains humble. “I don’t think of success that way. I love playing the music live, interacting with fans—that’s what it’s all about.”
When asked about their influences, Collin points to a mix of '90s alt rock and classic rock. “Third Eye Blind, Eve 6, Fuel, and Wallflowers were huge for me growing up. And of course, Zeppelin and AC/DC.”
As for future collaborations, Collin’s dream partner would be Led Zeppelin, his all-time favourite band. “I just want to pick their brains. They’re the best rock band ever, in my opinion.”
The band’s longevity is also built on their strong friendship. Having known each other since their teenage years, they’re still as close as ever. “We’ve been through a lot together, and we’ve stayed best friends since we were kids,”.
Looking ahead, Collin is excited to keep creating and evolving. “We just want to keep making music that resonates, connecting with our fans through honest and emotional lyrics. And Australia, we’re coming for you!”

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1389angelacroudace,australia,grayscale,heavy,heavymetal,interview,music,podcast,slowlyslowly,tourtruefullhttps://www.spreaker.com/episode/from-skanking-to-diy-buster-bloodvessel-reflects-on-bad-manners-legendary-legacy-and-upcoming-aussie-tour--65263274Buster Bloodvessel, the iconic frontman of the legendary ska band Bad Manners, is about to bring the party to Australia with the band's greatest hits. As they prepare to perform for eager fans down under, Buster reflects on the band's incredible journey through the music scene and the ever-changing world of touring. From the early days of Bad Manners to their upcoming shows in Australia, Buster's enthusiasm for keeping the energy high on stage has never wavered.
The band is known for its high-octane performances, and their Aussie tour will be no different. When asked what fans can expect from the show, Buster says it’s going to be “the best of Bad Manners,” packed with all the classics. “We’re not going to run away from any songs. We’re playing the hits that everyone loves,” he shares. The European crowds have already been loving it, and Buster’s looking forward to the fun-loving Aussies who, as he notes, have a similar energy to European audiences.
Bad Manners has been part of the ska scene for decades, a genre that has seen many changes along the way. So, what’s the biggest difference Buster has seen? “The internet,” he says. “It’s changed a lot about the music business. People can find music so much easier now, and it’s been great to see our audience grow, especially younger fans.” Despite the many changes, Buster remains proud to be at the forefront of the ska movement. “I didn’t think we’d last this long,” he laughs, “but here we are, still doing it.”
While Buster acknowledges that getting older has made the rigours of touring a little more challenging, he still finds the energy he needs. “Once you’re on stage, and you feel that crowd, the adrenaline kicks in,” he says. "You forget about how tired you are."
Looking back at the early days, Buster recounts how Bad Manners formed with a simple idea in mind: “We all went to school together, and I thought, why not form a band instead of just going to reunions? It’s been 50 years, and I’m honored we’re still doing this.” It’s clear that his passion for music—and for performing—is as strong as ever.
One of Buster’s most memorable moments on stage came when the band played a massive festival to 110,000 people. “The crowd was going crazy, and the earth was actually moving,” he remembers. “You could see the trees swaying to the beat. It was absolutely mind-blowing.”
But it's not all about the music for Buster. When he’s not on tour, he enjoys unwinding with some DIY projects and relaxing on his houseboat. He also has properties in Bulgaria, which he works on when he's not touring. “I haven’t had a proper holiday in years, but I feel lucky,” Buster says with a laugh. “Being in a band that travels so much, I get to experience so many places, so it’s like a holiday in itself.”
With an impressive catalogue of hits, it’s no surprise that Sally Brown is one of Buster’s favourite songs to perform. "It’s a classic,” he says. "Every time we play it, the crowd just goes wild.” And while the band has faced its fair share of controversy, like getting banned from Top of the Pops for Buster's infamous red-painted head, he takes it all in stride. “I didn’t realise that the red paint messed with the cameras. They told me it made it look like I didn’t have a head, but hey, it’s all part of the fun!”
Buster’s connection with his fans has been strong since the very beginning, especially when he shares stories of his past interactions. My dad was lucky enough to meet the band back in the day and was spot on about Buster being an all-round down to earth, friendly chap with a wicked sense of humour. “It’s always great to hear that people remember us fondly, not just for the music, but for who we are as people.”
With the band still rocking after all these years, it’s evident that Bad Manners isn’t slowing down anytime soon. As Buster prepares to bring the fun to Australia, fans can expect nothing less than an unforgettable show filled with energy, nostalgia, and of course, all the best Bad Manners hits.
Get ready, Australia—Bad Manners is bringing the party, and Buster Bloodvessel’s still got it!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65263274Tue, 01 Apr 2025 01:50:05 +0000HEAVY MagazineInterview by Angela Croudace Buster Bloodvessel, the iconic frontman of the legendary ska band Bad Manners, is about to bring the party to Australia with the band's greatest hits. As they prepare to perform for eager fans down under, Buster reflects...Buster Bloodvessel, the iconic frontman of the legendary ska band Bad Manners, is about to bring the party to Australia with the band's greatest hits. As they prepare to perform for eager fans down under, Buster reflects on the band's incredible journey through the music scene and the ever-changing world of touring. From the early days of Bad Manners to their upcoming shows in Australia, Buster's enthusiasm for keeping the energy high on stage has never wavered.
The band is known for its high-octane performances, and their Aussie tour will be no different. When asked what fans can expect from the show, Buster says it’s going to be “the best of Bad Manners,” packed with all the classics. “We’re not going to run away from any songs. We’re playing the hits that everyone loves,” he shares. The European crowds have already been loving it, and Buster’s looking forward to the fun-loving Aussies who, as he notes, have a similar energy to European audiences.
Bad Manners has been part of the ska scene for decades, a genre that has seen many changes along the way. So, what’s the biggest difference Buster has seen? “The internet,” he says. “It’s changed a lot about the music business. People can find music so much easier now, and it’s been great to see our audience grow, especially younger fans.” Despite the many changes, Buster remains proud to be at the forefront of the ska movement. “I didn’t think we’d last this long,” he laughs, “but here we are, still doing it.”
While Buster acknowledges that getting older has made the rigours of touring a little more challenging, he still finds the energy he needs. “Once you’re on stage, and you feel that crowd, the adrenaline kicks in,” he says. "You forget about how tired you are."
Looking back at the early days, Buster recounts how Bad Manners formed with a simple idea in mind: “We all went to school together, and I thought, why not form a band instead of just going to reunions? It’s been 50 years, and I’m honored we’re still doing this.” It’s clear that his passion for music—and for performing—is as strong as ever.
One of Buster’s most memorable moments on stage came when the band played a massive festival to 110,000 people. “The crowd was going crazy, and the earth was actually moving,” he remembers. “You could see the trees swaying to the beat. It was absolutely mind-blowing.”
But it's not all about the music for Buster. When he’s not on tour, he enjoys unwinding with some DIY projects and relaxing on his houseboat. He also has properties in Bulgaria, which he works on when he's not touring. “I haven’t had a proper holiday in years, but I feel lucky,” Buster says with a laugh. “Being in a band that travels so much, I get to experience so many places, so it’s like a holiday in itself.”
With an impressive catalogue of hits, it’s no surprise that Sally Brown is one of Buster’s favourite songs to perform. "It’s a classic,” he says. "Every time we play it, the crowd just goes wild.” And while the band has faced its fair share of controversy, like getting banned from Top of the Pops for Buster's infamous red-painted head, he takes it all in stride. “I didn’t realise that the red paint messed with the cameras. They told me it made it look like I didn’t have a head, but hey, it’s all part of the fun!”
Buster’s connection with his fans has been strong since the very beginning, especially when he shares stories of his past interactions. My dad was lucky enough to meet the band back in the day and was spot on about Buster being an all-round down to earth, friendly chap with a wicked sense of humour. “It’s always great to hear that people remember us fondly, not just for the music, but for who we are as people.”
With the band still rocking after all these years, it’s evident that Bad Manners isn’t slowing down anytime soon. As Buster prepares to bring the fun to Australia, fans can expect nothing less than an unforgettable...]]>732angelacroudace,australia,badmanners,busterbloodvessel,hardrock,heavy,interview,metropolistouring,music,musicinterview,musicpodcast,podcast,punk,tourfalsefullhttps://www.spreaker.com/episode/the-revolution-has-begun-with-glenn-patrick-from-shotgun-mistress--65174450Melbourne rock outfit Shotgun Mistress have been riding the wave of their most recent album, Kings Of The Revolution ever since it was released last June.
It was a strong, powerful and infectious collection of hard rock tunes that came as close as you could probably get to the exhilarating live experience of catching Shotgun Mistress on stage, opening the door for shows with Dirty Honey, Slaughter, The Poor, Mammal and The Midnight Devils as well as taking the band to Japan.
After such an exhausting 8 month period you could forgive Shotgun Mistress for putting their feet up for a spell, but that's not the case. Instead, they are hitting the road again through April in support of legendary US rockers Winger - touring Australia for the first and last time with the full original line up.
HEAVY tracked down enigmatic frontman Glenn Patrick to find out more.
"It is going to be absolutely amazing," he enthused. "We're absolutely honoured to be a part of it. We've taken a bit of hiatus for a couple of months since our album launch back end of last year and building up to this tour."
We point out that supporting Winger is a pretty fair reason for breaking the hiatus.
"It was quite short-lived," Patrick laughed. "We had another tour that we were going to be doing with Mike Tramp in January which fell through, but instead of that, we got Winger, so we're super happy, because Winger, I think, is more where we sit musically as well."
In the full interview, we discuss Shotgun Mistress' tour with Winger, focusing on the excitement of the original line up's return. They expressed gratitude for local support and discussed the dual responsibilities of a support act, including warming up the crowd and ensuring a smooth performance. Glenn emphasized the importance of showmanship and audience engagement, while also reflecting on the challenges of performing for new audiences.
We shared insights into their music, with Glenn noting key tracks like Shot Down and Mary Jane for fans to listen to ahead of the tour. He also mentioned the positive reception of their second album, Kings of the Revolution, and the band's intention to explore new musical directions while maintaining their unique sound and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65174450Mon, 31 Mar 2025 05:18:52 +0000HEAVY MagazineInterview by Kris Peters Melbourne rock outfit Shotgun Mistress have been riding the wave of their most recent album, Kings Of The Revolution ever since it was released last June. It was a strong, powerful and infectious collection of hard rock tunes...Melbourne rock outfit Shotgun Mistress have been riding the wave of their most recent album, Kings Of The Revolution ever since it was released last June.
It was a strong, powerful and infectious collection of hard rock tunes that came as close as you could probably get to the exhilarating live experience of catching Shotgun Mistress on stage, opening the door for shows with Dirty Honey, Slaughter, The Poor, Mammal and The Midnight Devils as well as taking the band to Japan.
After such an exhausting 8 month period you could forgive Shotgun Mistress for putting their feet up for a spell, but that's not the case. Instead, they are hitting the road again through April in support of legendary US rockers Winger - touring Australia for the first and last time with the full original line up.
HEAVY tracked down enigmatic frontman Glenn Patrick to find out more.
"It is going to be absolutely amazing," he enthused. "We're absolutely honoured to be a part of it. We've taken a bit of hiatus for a couple of months since our album launch back end of last year and building up to this tour."
We point out that supporting Winger is a pretty fair reason for breaking the hiatus.
"It was quite short-lived," Patrick laughed. "We had another tour that we were going to be doing with Mike Tramp in January which fell through, but instead of that, we got Winger, so we're super happy, because Winger, I think, is more where we sit musically as well."
In the full interview, we discuss Shotgun Mistress' tour with Winger, focusing on the excitement of the original line up's return. They expressed gratitude for local support and discussed the dual responsibilities of a support act, including warming up the crowd and ensuring a smooth performance. Glenn emphasized the importance of showmanship and audience engagement, while also reflecting on the challenges of performing for new audiences.
We shared insights into their music, with Glenn noting key tracks like Shot Down and Mary Jane for fans to listen to ahead of the tour. He also mentioned the positive reception of their second album, Kings of the Revolution, and the band's intention to explore new musical directions while maintaining their unique sound and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1052australia,hardrock,heavy,interview,kipwinger,krispeters,music,podcast,rock,shotgunmistress,tour,wingertruefullhttps://www.spreaker.com/episode/living-in-the-shadows-with-mark-oliver-julian-from-inertia--65114696Sydney metal outfit Inertia announced themselves on the scene last year with the release of their debut album, Second Shadow.
Blending the boundaries of the genre by bringing elements of dark pop and soul to the surface of a melting pot that traverses the darkest reaches of hard rock and metal, Second Shadow opened Inertia up to a generation of music lovers yearning for acceptance through music.
It helped secure the quintet a host of shows, touring the nation extensively supporting Polaris, Dayseeker (US), Bury Tomorrow (US), Northlane, Holding Absence, Caskets (UK), Thy Art Is Murder, Thornhill and more. They played Good Things Festival Sydney last December, and recently travelled their way across regional Australia with In Hearts Wake.
It has been true reward for effort, culminating in their own headline Australia tour, starting April 19 in Sydney and hitting Brisbane and Adelaide before finishing in Melbourne on April 27.
HEAVY caught up with guitarist Mark, bass player Oliver and vocalist Julian to find out the details. We mention the compact nature of the tour, focusing on the capital cities.
"We just wanted to hit the capital cities, and hopefully we can get to some of the regional spots later on in the year," Mark explained. "But yeah, just for our first headliner tour for the album, we'll keep it short and sweet."
Which leads to HEAVY asking how Inertia thinks the public reacted to Second Shadow.
"The reception's been really good," Oliver smiled. "It has exceeded expectations for us. Streams are going really well and live, people seem to receive the songs really well as well. So, yeah, it's blown expectations out of the water."
In the modern age of music where streaming is king and figures are readily available, we ask how deeply a band looks into the rabbit hole and how they measure expectations when it comes to a debut album.
"I think it's just do better," Julian measured. "Each record needs to be bigger and better. I don't think we go into an album thinking we're going to get a specific result. We just write the best music that we can at that given time and push ourselves to be better. The result in terms of how fans latch onto the record and the streamings… everything's secondary to making good music."
In the full interview, discussion centred on Inertia's upcoming headline tour. The band shared their excitement about promoting their debut album, Second Shadow, emphasizing their dedication to quality music and the evolution of their sound, which blends various influences and defies strict genre classification.
The band reflected on their recent tour experiences with In Heart's Wake, Reliqa, and Ocean Sleeper, highlighting both the challenges and memorable moments, such as a humorous birthday celebration. Looking ahead, they plan to focus on writing new music and organizing future tours, encouraging fans to follow their social media for ticket updates.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65114696Sun, 30 Mar 2025 23:35:00 +0000HEAVY MagazineInterview by Kris Peters Sydney metal outfit Inertia announced themselves on the scene last year with the release of their debut album, Second Shadow. Blending the boundaries of the genre by bringing elements of dark pop and soul to the surface of a...Sydney metal outfit Inertia announced themselves on the scene last year with the release of their debut album, Second Shadow.
Blending the boundaries of the genre by bringing elements of dark pop and soul to the surface of a melting pot that traverses the darkest reaches of hard rock and metal, Second Shadow opened Inertia up to a generation of music lovers yearning for acceptance through music.
It helped secure the quintet a host of shows, touring the nation extensively supporting Polaris, Dayseeker (US), Bury Tomorrow (US), Northlane, Holding Absence, Caskets (UK), Thy Art Is Murder, Thornhill and more. They played Good Things Festival Sydney last December, and recently travelled their way across regional Australia with In Hearts Wake.
It has been true reward for effort, culminating in their own headline Australia tour, starting April 19 in Sydney and hitting Brisbane and Adelaide before finishing in Melbourne on April 27.
HEAVY caught up with guitarist Mark, bass player Oliver and vocalist Julian to find out the details. We mention the compact nature of the tour, focusing on the capital cities.
"We just wanted to hit the capital cities, and hopefully we can get to some of the regional spots later on in the year," Mark explained. "But yeah, just for our first headliner tour for the album, we'll keep it short and sweet."
Which leads to HEAVY asking how Inertia thinks the public reacted to Second Shadow.
"The reception's been really good," Oliver smiled. "It has exceeded expectations for us. Streams are going really well and live, people seem to receive the songs really well as well. So, yeah, it's blown expectations out of the water."
In the modern age of music where streaming is king and figures are readily available, we ask how deeply a band looks into the rabbit hole and how they measure expectations when it comes to a debut album.
"I think it's just do better," Julian measured. "Each record needs to be bigger and better. I don't think we go into an album thinking we're going to get a specific result. We just write the best music that we can at that given time and push ourselves to be better. The result in terms of how fans latch onto the record and the streamings… everything's secondary to making good music."
In the full interview, discussion centred on Inertia's upcoming headline tour. The band shared their excitement about promoting their debut album, Second Shadow, emphasizing their dedication to quality music and the evolution of their sound, which blends various influences and defies strict genre classification.
The band reflected on their recent tour experiences with In Heart's Wake, Reliqa, and Ocean Sleeper, highlighting both the challenges and memorable moments, such as a humorous birthday celebration. Looking ahead, they plan to focus on writing new music and organizing future tours, encouraging fans to follow their social media for ticket updates.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>650australia,hardrock,heavy,heavymetal,inertia,interview,krispeters,music,podcast,secondshadow,tourtruefullhttps://www.spreaker.com/episode/inner-turmoil-with-taime-marsh-from-the-witching-hour--65173280Rising from the fog with outstretched arms and haunting melodies are The Witching Hour, ready to embrace the uninitiated into the cult of the damned with their latest single Dead Inside.
With their breakout single Sleep With The Stars reaching 1.4 million Spotify streams and being played on radio internationally, The Witching Hour has already made one hell of an impact, even catching the ears of Alice Cooper on his radio program Nights With Alice Cooper on Triple M.
Dead Inside is the most recent intoxicating specimen of the band's transcendent, modern gothic rock style. Beginning with haunting, atmospheric guitar melodies and Taime Marsh’s rock vocals, the song starts with the peace that can be found in a graveyard before dawn. Then, the overdrive guitar kicks in, disrupting the narrative and turning into a monster within sight as the intensity of the song picks up. Clear, emotive vocals and heavy drums make this power ballad carry a loaded punch, laying bare the feelings of anguish, melancholy, and despair, that takes on a note of destruction with the refrain, ‘you will bleed, just to know you’re still alive’.
HEAVY caught up with Marsh to find out more.
"For this one, it's a bit of a gothic power ballad," Marsh shared. "Almost like a heavy Tim Burton kind of vibe. So yeah, pretty much that's the kind of vibe we're going for with that one. It's like a tragic romance, kind of like depression with dark, sombre feelings and aesthetic."
In the full interview, Taime discussed the release of The Witching Hour's new single, Dead Inside. He acknowledged the pressure of following up the successful debut single, Sleep With The Stars, and emphasized the importance of balancing fan expectations with the exploration of new sounds. The conversation also touched on touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65173280Sun, 30 Mar 2025 23:34:11 +0000HEAVY MagazineInterview by Kris Peters Rising from the fog with outstretched arms and haunting melodies are The Witching Hour, ready to embrace the uninitiated into the cult of the damned with their latest single Dead Inside. With their breakout single Sleep With...Rising from the fog with outstretched arms and haunting melodies are The Witching Hour, ready to embrace the uninitiated into the cult of the damned with their latest single Dead Inside.
With their breakout single Sleep With The Stars reaching 1.4 million Spotify streams and being played on radio internationally, The Witching Hour has already made one hell of an impact, even catching the ears of Alice Cooper on his radio program Nights With Alice Cooper on Triple M.
Dead Inside is the most recent intoxicating specimen of the band's transcendent, modern gothic rock style. Beginning with haunting, atmospheric guitar melodies and Taime Marsh’s rock vocals, the song starts with the peace that can be found in a graveyard before dawn. Then, the overdrive guitar kicks in, disrupting the narrative and turning into a monster within sight as the intensity of the song picks up. Clear, emotive vocals and heavy drums make this power ballad carry a loaded punch, laying bare the feelings of anguish, melancholy, and despair, that takes on a note of destruction with the refrain, ‘you will bleed, just to know you’re still alive’.
HEAVY caught up with Marsh to find out more.
"For this one, it's a bit of a gothic power ballad," Marsh shared. "Almost like a heavy Tim Burton kind of vibe. So yeah, pretty much that's the kind of vibe we're going for with that one. It's like a tragic romance, kind of like depression with dark, sombre feelings and aesthetic."
In the full interview, Taime discussed the release of The Witching Hour's new single, Dead Inside. He acknowledged the pressure of following up the successful debut single, Sleep With The Stars, and emphasized the importance of balancing fan expectations with the exploration of new sounds. The conversation also touched on touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>648australia,deadinside,gothisrock,heavy,interview,krispeters,music,musicinterview,musicpodcast,podcast,rock,single,taimemarch,thewitchinghourfalsefullhttps://www.spreaker.com/episode/heavier-territory-with-leigh-kakaty-from-pop-evil--65234617Michigan rock outfit Pop Evil - as their name suggests - have managed to find that elusive sweet point between hard rock and pop that many, including myself, thought was never possible.
While the band's first two albums Lipstick On The Mirror and War Of Angels laid the platform for future success, it wasn't until 2013's Onyx that the rest of the world started to fully catch on, with lead single Trenches becoming the first of Pop Evil's nine number one tracks.
Fast-forward five more albums, and Pop Evil are the flag bearers for crossover rock/metal. Their music contains all of the things considered blasphemous in the metal realms with melodies, hooks and an abundance of pop sensibilities dominating the sonic landscape, but it also contains chunky guitar riffs, aggressive vocals and enough venomous intent to scare a rattlesnake.
The result is the recently released What Remains, a thundering collection of arena-ready modern rock and metal hits in which frontman Leigh Kakaty opens heart, mind and soul – pulling no punches and taking no prisoners in doing so.
What Remains is the culmination of everything Leigh Kakaty has fought for his entire life. It’s the dismantling of the armour he has adorned to survive the journey along the way. It’s the reckoning with the man he was yesterday, the man he has become today, and the man he strives to be tomorrow. It is at once the complete Pop Evil story writ large, and its definitive release.
HEAVY sat down for an in-depth chat with Kakaty and started by asking if, after eight albums, it still matters to him how new music is received by the public or if he is more at a stage now where pleasing himself musically bears more significance.
"Honest answer," he stated, looking HEAVY square in the eye. "It's a bit of both, you know what I mean? Obviously, when you make music for a living, you want people to like it. But at the same point with this album, there was a lot of just me being me. It was a therapeutic album for me with a lot of mental health issues that I've dealt with for my whole career that I buried, and I didn't even realize I had buried for as long as I have. They just came out.
And the band - being as close as we have probably ever been - really put me in a position with support to be able to even do this in the first place. Once the band gave me their blessing, it was just important for me to get this off my chest and just see where it went. And whether it was going to be Pop Evil music or not, I got to a point where I wasn't even really thinking about that. It was just let's just see what comes out, shut my eyes, see what my soul has to say, and then I'll worry about the album after that.
And I think coming in at the time we did it, rock radio here in the US, heavy music, it was just a different place. It didn't get played the same way. There wasn't a place for it the way that there is now in the streaming world. You can have songs stream and go further than even radio singles do nowadays. There's so many different options. And with these younger bands too on the come up, everyone's been a little bit… everything and everyone seems to be heavier, and we're definitely not afraid now to pick up our guitars. It just feels like it's the right time for Pop Evil to really dive in and focus on our guitars and our tones, and just making sure these songs are upbeat and hitting."
In the full interview, Leigh further discussed What Remains, which has received positive feedback for its personal themes, particularly regarding mental health. Leigh shared that the album served as a therapeutic outlet, reflecting his struggles with anger and frustration, especially in the aftermath of COVID. He emphasized the importance of authenticity in Pop Evil's music and the collaborative environment within the band that allowed for the expression of deeply personal experiences. The conversation highlighted the significance of self-improvement and personal responsibility, encouraging listeners to engage with the album's themes, as well as the heavier nature of What Remains overall.
The discussion also covered Pop Evil's creative process and their upcoming tour schedule, which begins on the West Coast and includes a stop in New York. Leigh expressed the importance of expanding their international fan base while being mindful of the financial risks associated with touring in new countries. He fondly recalled their previous visit to Australia and the unexpected support they received here, and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65234617Sun, 30 Mar 2025 12:03:50 +0000HEAVY MagazineInterview by Kris Peters Michigan rock outfit Pop Evil - as their name suggests - have managed to find that elusive sweet point between hard rock and pop that many, including myself, thought was never possible. While the band's first two albums...Michigan rock outfit Pop Evil - as their name suggests - have managed to find that elusive sweet point between hard rock and pop that many, including myself, thought was never possible.
While the band's first two albums Lipstick On The Mirror and War Of Angels laid the platform for future success, it wasn't until 2013's Onyx that the rest of the world started to fully catch on, with lead single Trenches becoming the first of Pop Evil's nine number one tracks.
Fast-forward five more albums, and Pop Evil are the flag bearers for crossover rock/metal. Their music contains all of the things considered blasphemous in the metal realms with melodies, hooks and an abundance of pop sensibilities dominating the sonic landscape, but it also contains chunky guitar riffs, aggressive vocals and enough venomous intent to scare a rattlesnake.
The result is the recently released What Remains, a thundering collection of arena-ready modern rock and metal hits in which frontman Leigh Kakaty opens heart, mind and soul – pulling no punches and taking no prisoners in doing so.
What Remains is the culmination of everything Leigh Kakaty has fought for his entire life. It’s the dismantling of the armour he has adorned to survive the journey along the way. It’s the reckoning with the man he was yesterday, the man he has become today, and the man he strives to be tomorrow. It is at once the complete Pop Evil story writ large, and its definitive release.
HEAVY sat down for an in-depth chat with Kakaty and started by asking if, after eight albums, it still matters to him how new music is received by the public or if he is more at a stage now where pleasing himself musically bears more significance.
"Honest answer," he stated, looking HEAVY square in the eye. "It's a bit of both, you know what I mean? Obviously, when you make music for a living, you want people to like it. But at the same point with this album, there was a lot of just me being me. It was a therapeutic album for me with a lot of mental health issues that I've dealt with for my whole career that I buried, and I didn't even realize I had buried for as long as I have. They just came out.
And the band - being as close as we have probably ever been - really put me in a position with support to be able to even do this in the first place. Once the band gave me their blessing, it was just important for me to get this off my chest and just see where it went. And whether it was going to be Pop Evil music or not, I got to a point where I wasn't even really thinking about that. It was just let's just see what comes out, shut my eyes, see what my soul has to say, and then I'll worry about the album after that.
And I think coming in at the time we did it, rock radio here in the US, heavy music, it was just a different place. It didn't get played the same way. There wasn't a place for it the way that there is now in the streaming world. You can have songs stream and go further than even radio singles do nowadays. There's so many different options. And with these younger bands too on the come up, everyone's been a little bit… everything and everyone seems to be heavier, and we're definitely not afraid now to pick up our guitars. It just feels like it's the right time for Pop Evil to really dive in and focus on our guitars and our tones, and just making sure these songs are upbeat and hitting."
In the full interview, Leigh further discussed What Remains, which has received positive feedback for its personal themes, particularly regarding mental health. Leigh shared that the album served as a therapeutic outlet, reflecting his struggles with anger and frustration, especially in the aftermath of COVID. He emphasized the importance of authenticity in Pop Evil's music and the collaborative environment within the band that allowed for the expression of deeply personal experiences. The conversation highlighted the significance of...]]>2060album,hardrock,heavy,heavymetal,interview,krispeters,leighkakaty,music,musicinterview,musicpodcast,nuclearblastrecords,podcast,popevil,poprock,rock,whatremainstruefullhttps://www.spreaker.com/episode/divine-intervention-with-kat-moss-from-scowl--65212169Music is a funny beast, especially when it comes to genre classification. It can make you listen to bands expecting a particular sound but getting something vastly different, or it could also put people off listening to bands based on personal taste.
Take Santa Cruz outfit Scowl, who are readily labelled as a hardcore band, but in reality offer so much more. Sure, Scowl have hardcore elements in abundance but their music also traverses the realms of - but is not limited to - rock, hard rock, alternative rock and punk as evidenced in their upcoming album Are We All Angels, which is out via Dead Oceans on April 4.
Are We All Angels finds the venomous and antagonistic band funnelling their aggression through a more expansive version of themselves. It is an album marked by alienation, grief, and the loss of control. Much of it grapples with their newfound place in the hardcore scene, a community that has both embraced the band and made them something of a lightning rod over the past few years.
The band — Malachi Greene (guitar), Bailey Lupo (bass), Cole Gilbert (drums), Mikey Bifolco (guitar), and Kat Moss (vocals) — formed in 2019 and broke out in 2021 with their debut album How Flowers Grow, and have been on a non-stop rise ever since. With 2023’s Psychic Dance Routine, Scowl pushed the boundaries of punk, blending aggressive hardcore with lush alternative melodies. But now Are We All Angels pushes those boundaries even more. 
Vocalist Kat Moss joined HEAVY to tell us more.
"It's not a hardcore record from a band that is a hardcore band," Moss began when asked to describe the sound on Are We All Angels. "We're a band that has hardcore, or perhaps hardcore people, in the band. And that kind of creates this really beautiful thing where we're just kind of feeling it out as we go in the dark. And that is the reality of songwriting as a whole. It doesn't really matter if it's hardcore or indie music whatever. But it was very freeing."
We ask Moss about the title and if the fact there is no question mark at the end means it is more of a statement than a question.
"It's up to interpretation," she smiled cheekily. "It's something we talked about, and we were intending. It was a complicated conversation because to some degree it was like, let's figure this out. Let's make a decision on a question mark or period or whatever or put the punctuation in, make it something. And we kind of were like, no, we're not going to make it obvious. You get to figure it out for yourself. There isn't really any right or wrong answer there, because it's supposed to be introspective, you know?
In the full interview, Kat discussed the creative evolution of Are We All Angels, highlighting a shift from hardcore influences to a broader sound achieved through collaborative songwriting among all band members. HEAVY raised questions about the album's title and its representation in the singles, while Kat emphasized the importance of exploring new ideas to create a distinct and introspective musical experience. Additionally, Kat reflected on Scowl's debut album with new label Bad Ocean, expressing excitement about being part of an indie alternative label while preserving their raw sound.
She shared insights into the band's origins as a local hardcore group formed in 2019, underscoring the joy of performing in various venues and her commitment to musical growth, avoiding repetition of past works and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65212169Sat, 29 Mar 2025 23:58:01 +0000HEAVY MagazineInterview by Kris Peters Music is a funny beast, especially when it comes to genre classification. It can make you listen to bands expecting a particular sound but getting something vastly different, or it could also put people off listening to bands...Music is a funny beast, especially when it comes to genre classification. It can make you listen to bands expecting a particular sound but getting something vastly different, or it could also put people off listening to bands based on personal taste.
Take Santa Cruz outfit Scowl, who are readily labelled as a hardcore band, but in reality offer so much more. Sure, Scowl have hardcore elements in abundance but their music also traverses the realms of - but is not limited to - rock, hard rock, alternative rock and punk as evidenced in their upcoming album Are We All Angels, which is out via Dead Oceans on April 4.
Are We All Angels finds the venomous and antagonistic band funnelling their aggression through a more expansive version of themselves. It is an album marked by alienation, grief, and the loss of control. Much of it grapples with their newfound place in the hardcore scene, a community that has both embraced the band and made them something of a lightning rod over the past few years.
The band — Malachi Greene (guitar), Bailey Lupo (bass), Cole Gilbert (drums), Mikey Bifolco (guitar), and Kat Moss (vocals) — formed in 2019 and broke out in 2021 with their debut album How Flowers Grow, and have been on a non-stop rise ever since. With 2023’s Psychic Dance Routine, Scowl pushed the boundaries of punk, blending aggressive hardcore with lush alternative melodies. But now Are We All Angels pushes those boundaries even more. 
Vocalist Kat Moss joined HEAVY to tell us more.
"It's not a hardcore record from a band that is a hardcore band," Moss began when asked to describe the sound on Are We All Angels. "We're a band that has hardcore, or perhaps hardcore people, in the band. And that kind of creates this really beautiful thing where we're just kind of feeling it out as we go in the dark. And that is the reality of songwriting as a whole. It doesn't really matter if it's hardcore or indie music whatever. But it was very freeing."
We ask Moss about the title and if the fact there is no question mark at the end means it is more of a statement than a question.
"It's up to interpretation," she smiled cheekily. "It's something we talked about, and we were intending. It was a complicated conversation because to some degree it was like, let's figure this out. Let's make a decision on a question mark or period or whatever or put the punctuation in, make it something. And we kind of were like, no, we're not going to make it obvious. You get to figure it out for yourself. There isn't really any right or wrong answer there, because it's supposed to be introspective, you know?
In the full interview, Kat discussed the creative evolution of Are We All Angels, highlighting a shift from hardcore influences to a broader sound achieved through collaborative songwriting among all band members. HEAVY raised questions about the album's title and its representation in the singles, while Kat emphasized the importance of exploring new ideas to create a distinct and introspective musical experience. Additionally, Kat reflected on Scowl's debut album with new label Bad Ocean, expressing excitement about being part of an indie alternative label while preserving their raw sound.
She shared insights into the band's origins as a local hardcore group formed in 2019, underscoring the joy of performing in various venues and her commitment to musical growth, avoiding repetition of past works and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1118alternativerock,deadoceans,hardrock,heavy,heavymetal,hradcore,interview,katmoss,krispeters,podcast,punk,rock,scowltruefullhttps://www.spreaker.com/episode/confronting-the-meltdown-with-steve-tulipana-from-season-to-risk--65217003Season to Risk are a noise rock band that debuted surprisingly on Columbia Records after the early 90s indie-signing frenzy. Known as relentless road dogs, constantly on tour for years. With roots in the 80s hardcore scene, Season to Risk were hailed as “the next Soundgarden” after their almost radio-friendly first album was released. But they took their major label money and went in a new direction of screeching noise, distorted bass and screaming vocals on subsequent albums. They built a recording studio and became increasingly experimental over the years, developing a rabid fan base in the process.
After a decade of live shows and four album releases, band members went off to explore other types of music in the bands Shiner, Roman Numerals, Violenteer, and many other recording projects. But Season To Risk never disbanded, and continue to play live shows when their schedules align, sometimes touring when an appealing offer comes along. Singer Steve Tulipana has a captivating stage presence in the lineage of Iggy, Nick Cave and David Yow. He stays excessively busy running several venues in Kansas City, Missouri.
For Record Store Day 2025 (April 12), Season to Risk will release 1-800-MELTDOWN on Init Records. The glow-in-the-dark album art invokes 80s horror VHS, and the record includes new songs engineered by guitarist Duane Trower at his Weights and Measures Soundlab, compiled with unreleased songs, including Undone, the music in their industrial punk scene in the film Strange Days.
HEAVY spoke with frontman Steve Tulipana to get the full story, starting by asking if 1-800-MELTDOWN is a retrospective Best Of for Season To Risk.
"It's actually a lot of material that was either was non-released or was released on seven inch," he corrected. "So that's the bulk of the album. Things that are pretty obscure and hard to find in our collection. And then there's two songs that have been… one that's brand new and one that was recorded in this century. That's a good start."
We mention that it is a bold move for the band having not released new music in 25 years.
"I think we always wanted to…," he measured. "We never really cared too much about being mainstream. We always wanted to be a little more experimental and really wanted to show people that side of what we're doing because it's informing the stuff that we're currently working on. So I think that's what we were wanting to get out. We have been reissuing our old records on vinyl and remastered here in the States over the last few years so that's kind of it's kind of a lead up to that."
In the full interview, Steve discussed 1-800-MELTDOWN in greater detail, expressing excitement about the album which includes a mix of unreleased tracks and a new song, emphasizing its focus on artistic expression rather than mainstream appeal. He shared insights into the challenges of cohesively arranging diverse songs and recounted a story about the track Undone, which was initially considered too noisy for a film soundtrack.
The conversation highlighted the inclusion of past and present band members in the album, the new song Echo Chamber addressing social media's negative impact, and the band's ongoing creative journey, including plans for reissuing previous records.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65217003Sat, 29 Mar 2025 23:55:46 +0000HEAVY MagazineInterview by Kris Peters Season to Risk are a noise rock band that debuted surprisingly on Columbia Records after the early 90s indie-signing frenzy. Known as relentless road dogs, constantly on tour for years. With roots in the 80s hardcore scene,...Season to Risk are a noise rock band that debuted surprisingly on Columbia Records after the early 90s indie-signing frenzy. Known as relentless road dogs, constantly on tour for years. With roots in the 80s hardcore scene, Season to Risk were hailed as “the next Soundgarden” after their almost radio-friendly first album was released. But they took their major label money and went in a new direction of screeching noise, distorted bass and screaming vocals on subsequent albums. They built a recording studio and became increasingly experimental over the years, developing a rabid fan base in the process.
After a decade of live shows and four album releases, band members went off to explore other types of music in the bands Shiner, Roman Numerals, Violenteer, and many other recording projects. But Season To Risk never disbanded, and continue to play live shows when their schedules align, sometimes touring when an appealing offer comes along. Singer Steve Tulipana has a captivating stage presence in the lineage of Iggy, Nick Cave and David Yow. He stays excessively busy running several venues in Kansas City, Missouri.
For Record Store Day 2025 (April 12), Season to Risk will release 1-800-MELTDOWN on Init Records. The glow-in-the-dark album art invokes 80s horror VHS, and the record includes new songs engineered by guitarist Duane Trower at his Weights and Measures Soundlab, compiled with unreleased songs, including Undone, the music in their industrial punk scene in the film Strange Days.
HEAVY spoke with frontman Steve Tulipana to get the full story, starting by asking if 1-800-MELTDOWN is a retrospective Best Of for Season To Risk.
"It's actually a lot of material that was either was non-released or was released on seven inch," he corrected. "So that's the bulk of the album. Things that are pretty obscure and hard to find in our collection. And then there's two songs that have been… one that's brand new and one that was recorded in this century. That's a good start."
We mention that it is a bold move for the band having not released new music in 25 years.
"I think we always wanted to…," he measured. "We never really cared too much about being mainstream. We always wanted to be a little more experimental and really wanted to show people that side of what we're doing because it's informing the stuff that we're currently working on. So I think that's what we were wanting to get out. We have been reissuing our old records on vinyl and remastered here in the States over the last few years so that's kind of it's kind of a lead up to that."
In the full interview, Steve discussed 1-800-MELTDOWN in greater detail, expressing excitement about the album which includes a mix of unreleased tracks and a new song, emphasizing its focus on artistic expression rather than mainstream appeal. He shared insights into the challenges of cohesively arranging diverse songs and recounted a story about the track Undone, which was initially considered too noisy for a film soundtrack.
The conversation highlighted the inclusion of past and present band members in the album, the new song Echo Chamber addressing social media's negative impact, and the band's ongoing creative journey, including plans for reissuing previous records.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1195hardrock,heavy,heavymetal,initrecords,interview,krispeters,music,musicinterview,musicpodcast,noisemetal,podcast,rock,seasontorisk,stevetulipanatruefullhttps://www.spreaker.com/episode/20-years-of-mayday-parade-derek-sanders-reflects-on-milestones-music-and-memorable-moments--65126884Celebrating two decades of making music, Mayday Parade frontman Derek Sanders recently opened up about the band’s journey, the impact of their classic album A Lesson in Romantics, and the excitement surrounding their 20th-anniversary celebrations.
“It’s wild,” Sanders says of the milestone. Reflecting on how the band, formed in Tallahassee, Florida, had no idea where their musical path would take them, he describes the rollercoaster ride of watching the band's growth from young dreamers to global musicians. “It feels like it’s both gone really fast, but also does kind of feel like 20 years,” he admits. Despite the speed of it all, Sanders is deeply grateful for the experiences that have come with Mayday Parade’s success.
The band’s debut album has become a staple of pop-punk, still resonating with fans worldwide. Sanders speaks proudly of the record, remembering the raw energy they poured into it and the overwhelming joy of still playing tracks from it today. “I’m so proud of what it’s become,” he says. “The fact that we can still play songs from that record and get the reactions we do is insane.”
Having toured with bands like All Time Low and Simple Plan, Mayday Parade has built a rich history of unforgettable experiences. One of Sanders' earliest and most meaningful memories comes from a show in their hometown, where they opened for Further Seems Forever. “I got to sing with them on stage,” Sanders recalls, describing the experience as a full-circle moment in their career.
When asked about his current musical inspirations, Sanders points to artists like Dashboard Confessional and Ben Folds. Though these influences have remained staples throughout his life, his recent obsession with Dashboard Confessional has reignited a deep appreciation for Chris Carrabba’s songwriting and vocal prowess.
In celebration of their 20 years, Mayday Parade are releasing a three-part album project, with the first instalment out soon. Sanders teases that the album balances their classic sound with fresh, new elements. “It feels like a good step forward for our band,” he says, hinting at exciting new musical directions.
As for their upcoming tour, including their return to Australia, Sanders shares the excitement of playing bigger shows with a full production. “These will be the biggest shows we’ve had in Australia,” he says, reminiscing about their past tours with All Time Low and the fun times spent at Melbourne’s Heartbreaker bar.
Looking back at the past 20 years, Sanders reflects on the importance of staying creatively in control. The band’s journey has been full of lessons, including navigating major label pressures, but he’s proud of how they’ve found their footing. And with a legacy spanning two decades, Mayday Parade is still just as dedicated to their music and fans as ever.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65126884Sat, 29 Mar 2025 06:16:38 +0000HEAVY MagazineInterview by Angela Croudace Celebrating two decades of making music, Mayday Parade frontman Derek Sanders recently opened up about the band’s journey, the impact of their classic album A Lesson in Romantics, and the excitement surrounding their...Celebrating two decades of making music, Mayday Parade frontman Derek Sanders recently opened up about the band’s journey, the impact of their classic album A Lesson in Romantics, and the excitement surrounding their 20th-anniversary celebrations.
“It’s wild,” Sanders says of the milestone. Reflecting on how the band, formed in Tallahassee, Florida, had no idea where their musical path would take them, he describes the rollercoaster ride of watching the band's growth from young dreamers to global musicians. “It feels like it’s both gone really fast, but also does kind of feel like 20 years,” he admits. Despite the speed of it all, Sanders is deeply grateful for the experiences that have come with Mayday Parade’s success.
The band’s debut album has become a staple of pop-punk, still resonating with fans worldwide. Sanders speaks proudly of the record, remembering the raw energy they poured into it and the overwhelming joy of still playing tracks from it today. “I’m so proud of what it’s become,” he says. “The fact that we can still play songs from that record and get the reactions we do is insane.”
Having toured with bands like All Time Low and Simple Plan, Mayday Parade has built a rich history of unforgettable experiences. One of Sanders' earliest and most meaningful memories comes from a show in their hometown, where they opened for Further Seems Forever. “I got to sing with them on stage,” Sanders recalls, describing the experience as a full-circle moment in their career.
When asked about his current musical inspirations, Sanders points to artists like Dashboard Confessional and Ben Folds. Though these influences have remained staples throughout his life, his recent obsession with Dashboard Confessional has reignited a deep appreciation for Chris Carrabba’s songwriting and vocal prowess.
In celebration of their 20 years, Mayday Parade are releasing a three-part album project, with the first instalment out soon. Sanders teases that the album balances their classic sound with fresh, new elements. “It feels like a good step forward for our band,” he says, hinting at exciting new musical directions.
As for their upcoming tour, including their return to Australia, Sanders shares the excitement of playing bigger shows with a full production. “These will be the biggest shows we’ve had in Australia,” he says, reminiscing about their past tours with All Time Low and the fun times spent at Melbourne’s Heartbreaker bar.
Looking back at the past 20 years, Sanders reflects on the importance of staying creatively in control. The band’s journey has been full of lessons, including navigating major label pressures, but he’s proud of how they’ve found their footing. And with a legacy spanning two decades, Mayday Parade is still just as dedicated to their music and fans as ever.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>853angelacroudace,australia,destroyalllines,hardrock,heavy,heavymetal,interview,maydayparade,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/unfinished-business-with-ben-barlow-from-neck-deep--65126038In the little over a decade since Neck Deep formed in the Barlow brothers’ spare room in Wrexham, Wales, a lot has changed. From the scrappy, naively hopeful beginnings that define the starting of so many teenage bands, the pop-punks have gone on to be one of British Rock music’s most successful global exports in recent memory: top 5 records in both the US and UK, global touring, viral hits and over a billion streams just some of the fruits of ten years spent mastering their craft.
For the new self-titled record, the band, completed by Ben’s older brother and bassist Seb, guitarists Matt West and Sam Bowden and drummer Matt Powles, took ‘doing their own thing’ – and only their own thing – to the next level. Eschewing a keen list of collaborators and producers eager to work with one of rock’s hottest properties and choosing, instead, to write and record in their own warehouse space, mere miles from where they grew up. Old school, just like it used to be.
This April Australian fans get to taste the excitement, when Neck Deep return for The Dumbstruck Dumbf!*k Tour with special guests Albany New York pop punk act State Champs.
HEAVY caught up with Neck Deep vocalist Ben Barlow for an entertaining chat ahead of the tour. It's been a couple of years since their last visit, so we start off by asking what has changed with Neck Deep since then.
"Not much, I don't think," he measured. "But we're very settled into this record, very settled into playing these songs live now. We're approaching the - or I think we're in the 10-year anniversary year of our seminal breakout record, Life's Not Out To Get You. And so, yeah, doing little bits and bobs with that and just planning ahead for the future still, you know, thinking forward even to the next record. Getting the ball moving with that."
Then Barlow was struck with a sudden realization he may have forgotten something important.
"Oh, actually, what's changed?" he asked me in return. "Bloody hell, I got married this year, which is very nice (laughs)!"
In the full interview, we discussed Neck Deep's upcoming tour in Australia, set to begin on April 21, while reflecting on their experiences since their last visit. Ben shared insights into the celebration of the 10-year anniversary of their breakout album Life's Not Out To Get You. He highlighted the band's positive dynamics and their excitement for new music, acknowledging the need to promote their self-titled album while also focusing on future projects. The conversation touched on their writing process, with Ben noting that they prefer to create music at home but are open to inspiration while on the road.
We also delved into the song Dumbstruck Dumbfuck, which Ben described as a humorous take on modern masculinity and relationships. They emphasized the high-energy yet sentimental nature of Neck Deep's live performances, expressing enthusiasm about touring with State Champs due to their close friendship and compatible musical styles, and more.
Full interview www.youtube.com/@HEAVYmagazine


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65126038Sat, 29 Mar 2025 06:13:15 +0000HEAVY MagazineInterview by Kris Peters In the little over a decade since Neck Deep formed in the Barlow brothers’ spare room in Wrexham, Wales, a lot has changed. From the scrappy, naively hopeful beginnings that define the starting of so many teenage bands, the...In the little over a decade since Neck Deep formed in the Barlow brothers’ spare room in Wrexham, Wales, a lot has changed. From the scrappy, naively hopeful beginnings that define the starting of so many teenage bands, the pop-punks have gone on to be one of British Rock music’s most successful global exports in recent memory: top 5 records in both the US and UK, global touring, viral hits and over a billion streams just some of the fruits of ten years spent mastering their craft.
For the new self-titled record, the band, completed by Ben’s older brother and bassist Seb, guitarists Matt West and Sam Bowden and drummer Matt Powles, took ‘doing their own thing’ – and only their own thing – to the next level. Eschewing a keen list of collaborators and producers eager to work with one of rock’s hottest properties and choosing, instead, to write and record in their own warehouse space, mere miles from where they grew up. Old school, just like it used to be.
This April Australian fans get to taste the excitement, when Neck Deep return for The Dumbstruck Dumbf!*k Tour with special guests Albany New York pop punk act State Champs.
HEAVY caught up with Neck Deep vocalist Ben Barlow for an entertaining chat ahead of the tour. It's been a couple of years since their last visit, so we start off by asking what has changed with Neck Deep since then.
"Not much, I don't think," he measured. "But we're very settled into this record, very settled into playing these songs live now. We're approaching the - or I think we're in the 10-year anniversary year of our seminal breakout record, Life's Not Out To Get You. And so, yeah, doing little bits and bobs with that and just planning ahead for the future still, you know, thinking forward even to the next record. Getting the ball moving with that."
Then Barlow was struck with a sudden realization he may have forgotten something important.
"Oh, actually, what's changed?" he asked me in return. "Bloody hell, I got married this year, which is very nice (laughs)!"
In the full interview, we discussed Neck Deep's upcoming tour in Australia, set to begin on April 21, while reflecting on their experiences since their last visit. Ben shared insights into the celebration of the 10-year anniversary of their breakout album Life's Not Out To Get You. He highlighted the band's positive dynamics and their excitement for new music, acknowledging the need to promote their self-titled album while also focusing on future projects. The conversation touched on their writing process, with Ben noting that they prefer to create music at home but are open to inspiration while on the road.
We also delved into the song Dumbstruck Dumbfuck, which Ben described as a humorous take on modern masculinity and relationships. They emphasized the high-energy yet sentimental nature of Neck Deep's live performances, expressing enthusiasm about touring with State Champs due to their close friendship and compatible musical styles, and more.
Full interview www.youtube.com/@HEAVYmagazine


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1074australia,benbarlow,heavy,interview,krispeters,music,neckdeep,podcast,poppunk,punk,statechamps,tourtruefullhttps://www.spreaker.com/episode/balancing-aggression-with-turanga-morgan-edmonds-from-alien-weaponry--65154700Since releasing their acclaimed debut album Tū (2018), New Zealand metal warriors Alien Weaponry have been lauded for their kinetic presence and sound, as well as their vital blend of culturally profound lyricism in both English and te reo Māori, the indigenous language of New Zealand.
Still in their teens when that album took the world by storm and with the sudden burden of expectation thrust upon their shoulders, Alien Weaponry bunkered down, surrounding themselves with family and away from the clutches of industry people potentially looking to exploit both their talent and youth. It proved a masterstroke, with the young band following up with Tangaroa (2021) and earned them the title of 'the future of heavy metal' by Metal Hammer and led to tours around the world with the likes of Guns N' Roses, Gojira, Slayer and the New Zealand Symphony Orchestra.
But, they say, a band's third album is the most defining one of their career and that moment has come with the impending release of Te Rā (March 28).
Described as their heaviest, most powerful and mature offering to date, Alien Weaponry feel like they have returned with a point to prove. HEAVY caught up with the newest member of the band, bass player Tūranga Morgan-Edmonds, to find out more.
"I think we were definitely nervous going into the first single," he began when asked how the band are feeling about the album finally seeing the light of day. "I think the single probably had a lot more nerves surrounding it than the album itself. Because, you know, it's a new stage in the band's evolution and sound. And it's the first time I've been a part of the writing and recording process. And particularly because the first single was a song that I had written myself (laughs).
So I was sort of like, Oh, God, what if people don't like it? That's my creative input that people don't like. But then of course the song came out and the response has been awesome. Now as we slowly trickle into the album release tomorrow there's been two more singles come out and people seem to love those as well."
Talk turns to the music side of Te Rā and what sound they were trying to achieve.
"We took a step back," he measured. "Obviously, the first album was such a force onto the scene and left a strong impression on a lot of people when that came out in 2018. And the second album didn't quite land where they had wanted to. And when we went to the third album, we were sort of like, OK, what is it that we want to achieve? Are we trying to create a new sound entirely? Are we trying to create something familiar? And so what we decided on was trying to actually find a balance between the highlights of both albums, even the second one. So the second one, what people liked, of course, was the sort of move towards a more technical approach, so maybe more complication in the riffs and the writing structures. And then also a lot of people quite liked the much more traditional sounding Māori vocals, not just singing in another language, but singing in the style of that language, if that makes sense."
In the full interview, Turanga further introduced the band's upcoming third album, Te Ra, highlighting the blend of genres and the incorporation of Te Reo Māori to maintain cultural authenticity. He shared his excitement about collaborating with Randy Blythe from Lamb of God, who contributed vocals to a track after their connection on Instagram, emphasizing the influence of Lamb of God on their music. Tu reflected on the band's growth from newcomers to respected figures in the metal scene, acknowledging the challenges of touring post-pandemic.
He expressed optimism for a more extensive touring schedule following the album's release, with management actively working on overseas plans, went back to when he joined Alien Weaponry and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65154700Thu, 27 Mar 2025 07:12:38 +0000HEAVY MagazineInterview by Kris Peters Since releasing their acclaimed debut album Tū (2018), New Zealand metal warriors Alien Weaponry have been lauded for their kinetic presence and sound, as well as their vital blend of culturally profound lyricism in both...Since releasing their acclaimed debut album Tū (2018), New Zealand metal warriors Alien Weaponry have been lauded for their kinetic presence and sound, as well as their vital blend of culturally profound lyricism in both English and te reo Māori, the indigenous language of New Zealand.
Still in their teens when that album took the world by storm and with the sudden burden of expectation thrust upon their shoulders, Alien Weaponry bunkered down, surrounding themselves with family and away from the clutches of industry people potentially looking to exploit both their talent and youth. It proved a masterstroke, with the young band following up with Tangaroa (2021) and earned them the title of 'the future of heavy metal' by Metal Hammer and led to tours around the world with the likes of Guns N' Roses, Gojira, Slayer and the New Zealand Symphony Orchestra.
But, they say, a band's third album is the most defining one of their career and that moment has come with the impending release of Te Rā (March 28).
Described as their heaviest, most powerful and mature offering to date, Alien Weaponry feel like they have returned with a point to prove. HEAVY caught up with the newest member of the band, bass player Tūranga Morgan-Edmonds, to find out more.
"I think we were definitely nervous going into the first single," he began when asked how the band are feeling about the album finally seeing the light of day. "I think the single probably had a lot more nerves surrounding it than the album itself. Because, you know, it's a new stage in the band's evolution and sound. And it's the first time I've been a part of the writing and recording process. And particularly because the first single was a song that I had written myself (laughs).
So I was sort of like, Oh, God, what if people don't like it? That's my creative input that people don't like. But then of course the song came out and the response has been awesome. Now as we slowly trickle into the album release tomorrow there's been two more singles come out and people seem to love those as well."
Talk turns to the music side of Te Rā and what sound they were trying to achieve.
"We took a step back," he measured. "Obviously, the first album was such a force onto the scene and left a strong impression on a lot of people when that came out in 2018. And the second album didn't quite land where they had wanted to. And when we went to the third album, we were sort of like, OK, what is it that we want to achieve? Are we trying to create a new sound entirely? Are we trying to create something familiar? And so what we decided on was trying to actually find a balance between the highlights of both albums, even the second one. So the second one, what people liked, of course, was the sort of move towards a more technical approach, so maybe more complication in the riffs and the writing structures. And then also a lot of people quite liked the much more traditional sounding Māori vocals, not just singing in another language, but singing in the style of that language, if that makes sense."
In the full interview, Turanga further introduced the band's upcoming third album, Te Ra, highlighting the blend of genres and the incorporation of Te Reo Māori to maintain cultural authenticity. He shared his excitement about collaborating with Randy Blythe from Lamb of God, who contributed vocals to a track after their connection on Instagram, emphasizing the influence of Lamb of God on their music. Tu reflected on the band's growth from newcomers to respected figures in the metal scene, acknowledging the challenges of touring post-pandemic.
He expressed optimism for a more extensive touring schedule following the album's release, with management actively working on overseas plans, went back to when he joined Alien Weaponry and more.

Become a supporter of this podcast: 899album,alienweaponry,groovemetal,heavy,heavymetal,interview,krispeters,maori,music,newzealand,podcast,tera,thrashmetaltruefullhttps://www.spreaker.com/episode/finding-your-way-with-vlad-katie-from-slung--65124857English rock outfit Slung’s upcoming debut album is a collaborative combustion of its members’ experiences, circumstances and supreme musicianship. Their sonic universe - comprising the power of guitarist Ali Johnson’s incendiary riffs, vocalist Katie Oldham’s enviable dynamic and tonal range, bassist Vlad Matveikov’s undulating, yet grounding bass lines and drummer Ravi Martin’s expert rhythmic punctuation - is a veritable musical supernova.
With influences covering most spectrums of the musical world - from Deftones and Baroness to Wednesday and MJ Lenderman to Queens of the Stone Age and even a sprinkling of Chappell Roan and Fleetwood Mac - Slung refuse to pigeon hole their music and as such have created a sound that is fresh, vibrant, and unmistakably their own.
With a debut duo of singles at the tail end of 2024, Slung’s sounds piqued interest among discerning ears across the industry and internet. But true to form, the band elected to hit the road in order to gain experience and connect with the people before releasing even one song. It was a brave but ultimately rewarding take on old school ethos that has seen Slung build a sizeable fan base that will only increase after the release of their first album In Ways on May 2.
HEAVY spoke with Vlad and Katie to find out more.
"We're really stoked that these songs we've been cooking up for ages are sneaking out," Vlad enthused. "And it's amazing that people from all over the world are enjoying them. It kind of makes this otherwise horrendously expensive and absolutely ludicrous hobby that is making music - because you can't make a living out of it - a bit more justifiable (laughs)."
We ask how they are feeling with the release date getting closer every day.
"I think it's kind of a mystery what's going to happen in May," Katie answered honestly, "because the way that we've formed this band, or the way this band has become what it is now, it feels so backwards a lot of the time. It feels like we recorded an album before we ever played live once and before or I ever sung these songs in front of a single other person, we recorded them. So when we hear them back now, after having gigged quite a lot the last year, they sound so different to how we're used to playing them.
But it's almost like a relic that you discover in the attic, and you're like, 'wow, what's this?' It's like a hidden gem. So there is this sense of nervousness, but mostly just excitement, because as I say, we're just so thrilled to have the chance to make this thing and release it. That alone is good enough for us. But what would be really nice is if there was a bunch of people who received it so warmly. Yeah, so nervous, but really excited."
In the full interview, the discussion centred on Slung's debut album In Ways. Vlad and Katie shared insights into their unconventional journey of recording the album before performing live, which has generated intrigue among listeners. Both artists expressed a mix of excitement and nervousness about the album's reception, highlighting the positive global traction their singles have received. They emphasized their gratitude for the opportunity to share their music, despite the challenges faced in the music industry.
Katie elaborated on the distinct sounds of their singles, such as Laughter, Collider, and Thinking About It, which showcase different facets of the band's identity. She noted that while some tracks maintain a sonic theme, others, particularly those influenced by country music, may surprise listeners. Vlad described the album as a journey with varied styles, referring to it as "bipolar" in its musical diversity. Both artists expressed confidence in the audience's ability to appreciate the album's cohesion, despite its eclectic influences and serious themes, which range from bullfighting to the sex worker industry.
The creative process behind the album was also discussed, with Katie sharing her unique approach of reinterpreting lyrics from other songwriters to craft her narratives. She highlighted the emotional depth of the song Nothing Left, written during a challenging time in her life. Vlad recounted his initial meeting with guitarist Ali in Australia, which laid the foundation for their band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65124857Wed, 26 Mar 2025 04:52:23 +0000HEAVY MagazineInterview by Kris Peters English rock outfit Slung’s upcoming debut album is a collaborative combustion of its members’ experiences, circumstances and supreme musicianship. Their sonic universe - comprising the power of guitarist Ali Johnson’s...English rock outfit Slung’s upcoming debut album is a collaborative combustion of its members’ experiences, circumstances and supreme musicianship. Their sonic universe - comprising the power of guitarist Ali Johnson’s incendiary riffs, vocalist Katie Oldham’s enviable dynamic and tonal range, bassist Vlad Matveikov’s undulating, yet grounding bass lines and drummer Ravi Martin’s expert rhythmic punctuation - is a veritable musical supernova.
With influences covering most spectrums of the musical world - from Deftones and Baroness to Wednesday and MJ Lenderman to Queens of the Stone Age and even a sprinkling of Chappell Roan and Fleetwood Mac - Slung refuse to pigeon hole their music and as such have created a sound that is fresh, vibrant, and unmistakably their own.
With a debut duo of singles at the tail end of 2024, Slung’s sounds piqued interest among discerning ears across the industry and internet. But true to form, the band elected to hit the road in order to gain experience and connect with the people before releasing even one song. It was a brave but ultimately rewarding take on old school ethos that has seen Slung build a sizeable fan base that will only increase after the release of their first album In Ways on May 2.
HEAVY spoke with Vlad and Katie to find out more.
"We're really stoked that these songs we've been cooking up for ages are sneaking out," Vlad enthused. "And it's amazing that people from all over the world are enjoying them. It kind of makes this otherwise horrendously expensive and absolutely ludicrous hobby that is making music - because you can't make a living out of it - a bit more justifiable (laughs)."
We ask how they are feeling with the release date getting closer every day.
"I think it's kind of a mystery what's going to happen in May," Katie answered honestly, "because the way that we've formed this band, or the way this band has become what it is now, it feels so backwards a lot of the time. It feels like we recorded an album before we ever played live once and before or I ever sung these songs in front of a single other person, we recorded them. So when we hear them back now, after having gigged quite a lot the last year, they sound so different to how we're used to playing them.
But it's almost like a relic that you discover in the attic, and you're like, 'wow, what's this?' It's like a hidden gem. So there is this sense of nervousness, but mostly just excitement, because as I say, we're just so thrilled to have the chance to make this thing and release it. That alone is good enough for us. But what would be really nice is if there was a bunch of people who received it so warmly. Yeah, so nervous, but really excited."
In the full interview, the discussion centred on Slung's debut album In Ways. Vlad and Katie shared insights into their unconventional journey of recording the album before performing live, which has generated intrigue among listeners. Both artists expressed a mix of excitement and nervousness about the album's reception, highlighting the positive global traction their singles have received. They emphasized their gratitude for the opportunity to share their music, despite the challenges faced in the music industry.
Katie elaborated on the distinct sounds of their singles, such as Laughter, Collider, and Thinking About It, which showcase different facets of the band's identity. She noted that while some tracks maintain a sonic theme, others, particularly those influenced by country music, may surprise listeners. Vlad described the album as a journey with varied styles, referring to it as "bipolar" in its musical diversity. Both artists expressed confidence in the audience's ability to appreciate the album's cohesion, despite its eclectic influences and serious themes, which range from bullfighting to the sex worker industry.
The creative process behind the album was also discussed, with Katie...]]>1576album,hardrock,heavy,interview,inways,krispeters,music,podcast,rock,slungtruefullhttps://www.spreaker.com/episode/the-games-people-play-with-carl-jackson-from-wolsten-butchers--65103311The last 12 months has seen punk rock outfit the Wolsten Butchers share the stage with some iconic punk rock acts like The Decline, and international punk stalwarts Guttermouth and Belvedere, but none of those experiences could have prepared them for the unexpected and massive success of the single Live Dead Die Fast which catapulted the name Wolsten Butchers into corners of the music world never before imagined.
But now the fun really starts.
Global success brings with it increased expectation and heightened scrutiny, so often the next track released can either make or break a band long term. So what do the Wolsten Butchers do?
Release another absolute banger with Play These Games, further exploring the hard rock element of the band's musical psyche and keeping their foot flat to the floor in all relevant departments.
HEAVY caught up with singer/guitarist Carl Jackson to find out about the new track and how the boys handled their sudden rise to prominence.
"It's the first thing I think I've done in my life that potentially I could say is highly anticipated," Jackson laughed about the impending release of the new single. "It's a blessing and a curse when you have a song that does really well, you have to… well I suppose you don't have to follow that up, but you want to. You want the same response as the last one, potentially even more. So I'm excited. I love the song. I love the clip. I'm really excited about what it is, but also just really nervous about what people are going to think."
In the full interview, the discussion focused on the Wolston Butchers' upcoming single release, Play These Games, with Carl expressing both excitement and anxiety about following up their previous hit, Live Dead Die Fast. He described the new track as heavier, complemented by a bright music video concept that contrasts its intensity. He also reflected on the band's evolving sound and their openness to creating radio-friendly pop-punk music.
The conversation also highlighted the band's energetic live performances, upcoming shows including a gig with Bodyjar, and participation in the We Belong Festival with Frenzal Rhomb.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65103311Tue, 25 Mar 2025 10:44:26 +0000HEAVY MagazineInterview by Kris Peters The last 12 months has seen punk rock outfit the Wolsten Butchers share the stage with some iconic punk rock acts like The Decline, and international punk stalwarts Guttermouth and Belvedere, but none of those experiences...The last 12 months has seen punk rock outfit the Wolsten Butchers share the stage with some iconic punk rock acts like The Decline, and international punk stalwarts Guttermouth and Belvedere, but none of those experiences could have prepared them for the unexpected and massive success of the single Live Dead Die Fast which catapulted the name Wolsten Butchers into corners of the music world never before imagined.
But now the fun really starts.
Global success brings with it increased expectation and heightened scrutiny, so often the next track released can either make or break a band long term. So what do the Wolsten Butchers do?
Release another absolute banger with Play These Games, further exploring the hard rock element of the band's musical psyche and keeping their foot flat to the floor in all relevant departments.
HEAVY caught up with singer/guitarist Carl Jackson to find out about the new track and how the boys handled their sudden rise to prominence.
"It's the first thing I think I've done in my life that potentially I could say is highly anticipated," Jackson laughed about the impending release of the new single. "It's a blessing and a curse when you have a song that does really well, you have to… well I suppose you don't have to follow that up, but you want to. You want the same response as the last one, potentially even more. So I'm excited. I love the song. I love the clip. I'm really excited about what it is, but also just really nervous about what people are going to think."
In the full interview, the discussion focused on the Wolston Butchers' upcoming single release, Play These Games, with Carl expressing both excitement and anxiety about following up their previous hit, Live Dead Die Fast. He described the new track as heavier, complemented by a bright music video concept that contrasts its intensity. He also reflected on the band's evolving sound and their openness to creating radio-friendly pop-punk music.
The conversation also highlighted the band's energetic live performances, upcoming shows including a gig with Bodyjar, and participation in the We Belong Festival with Frenzal Rhomb.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1018australia,carljackson,hardrock,heavy,interview,krispeters,music,podcast,punkrock,rock,wolstenbutcherstruefullhttps://www.spreaker.com/episode/variety-is-the-spice-of-musical-life-with-blinx-shinbone-from-hiss--65101488Busting out of the musical walls of Brisbane in late 2022, five childhood friends united to create an infectious cocktail of catchy, heavy riffs, hard-hitting lyrics and purposeful melodies. Familiar, yet unique, the HISS sound is as diverse as the appearance and influences of the individual band members themselves. Their frenetic hook-laden energy - think Alice In Chains meets Helmet with a dash of Sex Pistols and Slayer combined - will guarantee crossover appeal throughout the rock and metal community.
The grungy garage-metal punks recently dropped the first track, Trace, from their upcoming debut album Enoz Latem and are preparing to launch it this Saturday, March 29 at Greaser Bar in Brisbane alongside Tawny Hawk and Dedway.
Trace also features on a 7” vinyl release in hot pink (limited to 150 copies) that the band has pressed via their own imprint LFT Records to coincide with the album launch and other promotional activities.
HEAVY caught up with Blinx Bonaccorso (vocals) and Shinbone Starr (guitar) to find out more.
"It's been great so far," Starr enthused when asked about the early reception for Trace. "That one goes over well live, and it seems to be a good crossover track. It's got a great, heavy groove underpinning it and also some good melodies in there. Playing that one live is normally where we see a lot of people come from the outside of the room, gravitating, like 'what's going on here'."
In the full interview, the discussion focused on the technical setup and promotional plans for Hiss's debut album, Enoz Latem and their first single, Trace. The band expressed excitement about their music's crossover appeal and their collaborative creative process, emphasizing their blend of grunge and punk influences.
We also discussed plans for the album launch at Greaser Bar this Saturday (March 29), including exclusive merchandise, free entry, and a themed cocktail plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65101488Tue, 25 Mar 2025 09:24:24 +0000HEAVY MagazineInterview by Kris Peters Busting out of the musical walls of Brisbane in late 2022, five childhood friends united to create an infectious cocktail of catchy, heavy riffs, hard-hitting lyrics and purposeful melodies. Familiar, yet unique, the HISS...Busting out of the musical walls of Brisbane in late 2022, five childhood friends united to create an infectious cocktail of catchy, heavy riffs, hard-hitting lyrics and purposeful melodies. Familiar, yet unique, the HISS sound is as diverse as the appearance and influences of the individual band members themselves. Their frenetic hook-laden energy - think Alice In Chains meets Helmet with a dash of Sex Pistols and Slayer combined - will guarantee crossover appeal throughout the rock and metal community.
The grungy garage-metal punks recently dropped the first track, Trace, from their upcoming debut album Enoz Latem and are preparing to launch it this Saturday, March 29 at Greaser Bar in Brisbane alongside Tawny Hawk and Dedway.
Trace also features on a 7” vinyl release in hot pink (limited to 150 copies) that the band has pressed via their own imprint LFT Records to coincide with the album launch and other promotional activities.
HEAVY caught up with Blinx Bonaccorso (vocals) and Shinbone Starr (guitar) to find out more.
"It's been great so far," Starr enthused when asked about the early reception for Trace. "That one goes over well live, and it seems to be a good crossover track. It's got a great, heavy groove underpinning it and also some good melodies in there. Playing that one live is normally where we see a lot of people come from the outside of the room, gravitating, like 'what's going on here'."
In the full interview, the discussion focused on the technical setup and promotional plans for Hiss's debut album, Enoz Latem and their first single, Trace. The band expressed excitement about their music's crossover appeal and their collaborative creative process, emphasizing their blend of grunge and punk influences.
We also discussed plans for the album launch at Greaser Bar this Saturday (March 29), including exclusive merchandise, free entry, and a themed cocktail plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>676album,australia,greaserbar,hardrock,heavy,heavymetal,hiss,interview,krispeters,music,podcast,punk,rocktruefullhttps://www.spreaker.com/episode/chas-levi-from-justice-for-the-damned-talks-resilience-new-music-and-the-upcoming-australian-tour--64959957In a recent interview, Chas Levi, the drummer of Justice For The Damned, shared his excitement about returning to the stage after a challenging period, as well as the band's highly anticipated new music and upcoming Australian tour. The band's journey has been anything but easy, but with their latest single, The Current, they have come out stronger and more determined than ever.
Chas spoke candidly about the surreal feeling of being back with the band after battling through personal struggles. "It's just a total blur," he admits. "It's happened so fast, and I can barely believe it, but I'm stoked." The band's resilience is evident, and with new music released and tours lined up, Chas and his bandmates are more energized than ever. He also mentioned that getting back into the groove of performing has been an incredibly rewarding experience. "The shows so far have been insane," he says. "They feel so much better now, maybe it's just because I'm back, but it’s like nothing else."
Looking ahead, Justice For The Damned is gearing up for their headline Australian tour this March, covering major cities as well as more regional areas. "It’s going to be wild, especially the regional tour," Chas reveals. "Some of these places are so off the map for us, but we want to bring the energy to every corner of Australia." For Chas, this tour is especially significant because it marks his return to the stage in his home country after a long absence.
As for the music, the band's upcoming album promises to be an exciting blend of new sounds, with Chas describing the new material as more groovy and spacious compared to previous releases. The latest single, The Current, has already been well received by fans, and the band is eager to perform it live. Chas says the track has resonated with him on a personal level, reflecting both his struggles and triumphs. "It’s about endurance and resilience, things we’ve all gone through, especially in the last few years."
Looking back at the band's journey, Chas is grateful for the opportunity to connect with fans across the world. He’s especially excited about the upcoming regional shows, which he sees as a way of returning to the roots of their fan base. "We’re just excited to be bringing our music to places we’ve never been before," he says. "It’s the most fun you can have, playing to passionate people who might not always get the big shows coming through."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64959957Tue, 25 Mar 2025 07:02:08 +0000HEAVY MagazineInterview by Angela Croudace In a recent interview, Chas Levi, the drummer of Justice For The Damned, shared his excitement about returning to the stage after a challenging period, as well as the band's highly anticipated new music and upcoming...In a recent interview, Chas Levi, the drummer of Justice For The Damned, shared his excitement about returning to the stage after a challenging period, as well as the band's highly anticipated new music and upcoming Australian tour. The band's journey has been anything but easy, but with their latest single, The Current, they have come out stronger and more determined than ever.
Chas spoke candidly about the surreal feeling of being back with the band after battling through personal struggles. "It's just a total blur," he admits. "It's happened so fast, and I can barely believe it, but I'm stoked." The band's resilience is evident, and with new music released and tours lined up, Chas and his bandmates are more energized than ever. He also mentioned that getting back into the groove of performing has been an incredibly rewarding experience. "The shows so far have been insane," he says. "They feel so much better now, maybe it's just because I'm back, but it’s like nothing else."
Looking ahead, Justice For The Damned is gearing up for their headline Australian tour this March, covering major cities as well as more regional areas. "It’s going to be wild, especially the regional tour," Chas reveals. "Some of these places are so off the map for us, but we want to bring the energy to every corner of Australia." For Chas, this tour is especially significant because it marks his return to the stage in his home country after a long absence.
As for the music, the band's upcoming album promises to be an exciting blend of new sounds, with Chas describing the new material as more groovy and spacious compared to previous releases. The latest single, The Current, has already been well received by fans, and the band is eager to perform it live. Chas says the track has resonated with him on a personal level, reflecting both his struggles and triumphs. "It’s about endurance and resilience, things we’ve all gone through, especially in the last few years."
Looking back at the band's journey, Chas is grateful for the opportunity to connect with fans across the world. He’s especially excited about the upcoming regional shows, which he sees as a way of returning to the roots of their fan base. "We’re just excited to be bringing our music to places we’ve never been before," he says. "It’s the most fun you can have, playing to passionate people who might not always get the big shows coming through."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1769angelacroudace,aussiemetal,greyscalerecords,heavy,heavymetal,interview,justiceforthedamned,music,podcasttruefullhttps://www.spreaker.com/episode/good-music-lives-forever-with-phil-campbell--64966024Phil Cambpell was, and always will be, primarily known for being one-third of the legendary metal outfit Motorhead. For more than 30 years Campbell stood side by side on the biggest stages in the world alongside his brother Lemmy, recording 16 albums and having a major role in Motorhead classics like Orgasmatron, Killed by Death, Going to Brazil, Eat the Rich, Stone Deaf in the USA, Rock 'n' Roll and more.
While the music world at large mourned Lemmy's passing, those closest to him were left with a gaping chasm in their lives; a musical and personal void which would be impossible to replace. But Campbell was lucky in the respect he had his family to fall back on and not just emotionally.
Within one year of Lemmy's passing, Campbell's three boys - Todd, Tyla and Dane - had rallied around their father, uniting to form their own band aptly named Phil Campbell & The Bastard Sons.
Whether the band was started to fill the void or as a form of comfort or for any other reason in the Metal Gods playbook, they are still going strong almost ten years later and are about to make their maiden voyage as a band to Australia in September for a run of shows that promises to be one of the must-see live shows of 2025.
Not only will The Bastard Sons be playing material from their three albums, but Campbell has also promised an equal portion of Motorhead tunes not seen or heard in this country since before 2015. But to make sure that wasn't just a vicious rumour, HEAVY tracked Phil down to make sure things were on track.
Amongst the general chit-chat we asked Phil if he is comfortable playing Motorhead songs without Lemmy there with him, in particularly how it felt the first few times he performed after Lemmy left us.
"It's never going to be Motorhead, obviously, without Lem," he sighed, "but we give it a good shot. It'll be the only chance for especially younger Australians to have heard some of the Motorhead stuff with a band member playing them. We get a lot of youngsters come to our shows anyway if we're playing Motörhead stuff or our own stuff. We get older Motörhead fans bringing their young children to the shows. Basically they're just turning them on to good live music because there's so much crap about these days with autotuned voices and all that. We're the real deal, which is the way it should be."
We nod in agreement before asking if having his boys by his side made things easier.
"I spent a lot of the boy's formative years away from them when I was so busy with Motörhead," he replied. "So it's great to be able to give something back, you know, and spend time with them and still go around the world in another kick-ass rock and roll band. You know, they deserve it. They're great players. The band is as tight as hell that we have now. So they deserve it. They deserve to tread the boards. It's a lot of fun, yeah. I enjoy it."
In the full interview, Phil spoke more about what we can expect from the show and coming up with a list of Motorhead songs to appease the masses. He highlighted the difficulties in choosing songs from the vast Motörhead repertoire and expressed excitement about performing with his sons. He also underscored the significance of creativity in the songwriting for Phil Campbell & The Bastard Sons, encouraging experimentation without rigid constraints.
Phil spoke about his love of rock n roll and how forming The Bastards came at the perfect time for him, introduced us to the new (ish) singer Joel Peters and explained how he fits in with plans moving forward, hinted at new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64966024Mon, 24 Mar 2025 09:45:53 +0000HEAVY MagazineInterview by Kris Peters Phil Cambpell was, and always will be, primarily known for being one-third of the legendary metal outfit Motorhead. For more than 30 years Campbell stood side by side on the biggest stages in the world alongside his brother...Phil Cambpell was, and always will be, primarily known for being one-third of the legendary metal outfit Motorhead. For more than 30 years Campbell stood side by side on the biggest stages in the world alongside his brother Lemmy, recording 16 albums and having a major role in Motorhead classics like Orgasmatron, Killed by Death, Going to Brazil, Eat the Rich, Stone Deaf in the USA, Rock 'n' Roll and more.
While the music world at large mourned Lemmy's passing, those closest to him were left with a gaping chasm in their lives; a musical and personal void which would be impossible to replace. But Campbell was lucky in the respect he had his family to fall back on and not just emotionally.
Within one year of Lemmy's passing, Campbell's three boys - Todd, Tyla and Dane - had rallied around their father, uniting to form their own band aptly named Phil Campbell & The Bastard Sons.
Whether the band was started to fill the void or as a form of comfort or for any other reason in the Metal Gods playbook, they are still going strong almost ten years later and are about to make their maiden voyage as a band to Australia in September for a run of shows that promises to be one of the must-see live shows of 2025.
Not only will The Bastard Sons be playing material from their three albums, but Campbell has also promised an equal portion of Motorhead tunes not seen or heard in this country since before 2015. But to make sure that wasn't just a vicious rumour, HEAVY tracked Phil down to make sure things were on track.
Amongst the general chit-chat we asked Phil if he is comfortable playing Motorhead songs without Lemmy there with him, in particularly how it felt the first few times he performed after Lemmy left us.
"It's never going to be Motorhead, obviously, without Lem," he sighed, "but we give it a good shot. It'll be the only chance for especially younger Australians to have heard some of the Motorhead stuff with a band member playing them. We get a lot of youngsters come to our shows anyway if we're playing Motörhead stuff or our own stuff. We get older Motörhead fans bringing their young children to the shows. Basically they're just turning them on to good live music because there's so much crap about these days with autotuned voices and all that. We're the real deal, which is the way it should be."
We nod in agreement before asking if having his boys by his side made things easier.
"I spent a lot of the boy's formative years away from them when I was so busy with Motörhead," he replied. "So it's great to be able to give something back, you know, and spend time with them and still go around the world in another kick-ass rock and roll band. You know, they deserve it. They're great players. The band is as tight as hell that we have now. So they deserve it. They deserve to tread the boards. It's a lot of fun, yeah. I enjoy it."
In the full interview, Phil spoke more about what we can expect from the show and coming up with a list of Motorhead songs to appease the masses. He highlighted the difficulties in choosing songs from the vast Motörhead repertoire and expressed excitement about performing with his sons. He also underscored the significance of creativity in the songwriting for Phil Campbell & The Bastard Sons, encouraging experimentation without rigid constraints.
Phil spoke about his love of rock n roll and how forming The Bastards came at the perfect time for him, introduced us to the new (ish) singer Joel Peters and explained how he fits in with plans moving forward, hinted at new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>693australia,heavy,heavymetal,interview,krispeters,lemmy,motorhead,philcampbell,philcampbell&thebastardsons,podcast,rock,rockmusic,tourtruefullhttps://www.spreaker.com/episode/stacking-up-the-bodies-with-jacob-ethan-from-thornhill--65065142After earning themselves an ARIA nomination with 2022's album Heroine, Melbourne metal titans Thornhill have pulled out all stops to ensure its successor further explores the sonic parameters in which their music falls.
Bodies finds Thornhill elevating to spectacular new heights, offering an unbridled explosion of raw vulnerability fused with some of the band's heaviest moments to date. While Heroine revelled in lush textures and bold, curated aesthetics, Bodies finds Thornhill opening the floodgates to spontaneity. 
Balancing intensity with boundless creative freedom and ingenuity, album number three for Thornhill is not only a definitive snapshot of a band in full flight just shy of a decade into their staggering career; it's also a celebration of authenticity and gripping dynamism from one of Australia's most engaging heavy acts.
HEAVY caught up with vocalist Jacob Charlton and guitarist Ethan McCann to talk more.
"I think the first thing that we wanted to sit down to after Heroine was we wanted a lot more energy and a lot more pace in the music," Ethan explained. "We found that when we took Heroine to our live show it felt like it was dragging at times. Because we started playing heavy music when we were teenagers we kind of missed that energy, and seing that reaction in real time."
We ask how they actually achieved that, to which Ethan replied, "I think just a lot more focus on rhythm, and drumbeat. Jacob was listening to a lot more pop and R&B music around this time, so I think there was a lot more pace with his vocal patterns, as opposed to long, stretched out chords and crooning vocals from the last album."
In the full interview we speak to Jacob and Ethan more about the musicality on Bodies, the pressures of following an ARIA nominated album, how it contains the heaviest moments in Thornhill's musical history, the singles released and how they represent the album as a whole, how Bodies represents Thornhill in 2025, this weekends Album Listening shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65065142Mon, 24 Mar 2025 05:43:08 +0000HEAVY MagazineInterview by Kris Peters After earning themselves an ARIA nomination with 2022's album Heroine, Melbourne metal titans Thornhill have pulled out all stops to ensure its successor further explores the sonic parameters in which their music falls. Bodies...After earning themselves an ARIA nomination with 2022's album Heroine, Melbourne metal titans Thornhill have pulled out all stops to ensure its successor further explores the sonic parameters in which their music falls.
Bodies finds Thornhill elevating to spectacular new heights, offering an unbridled explosion of raw vulnerability fused with some of the band's heaviest moments to date. While Heroine revelled in lush textures and bold, curated aesthetics, Bodies finds Thornhill opening the floodgates to spontaneity. 
Balancing intensity with boundless creative freedom and ingenuity, album number three for Thornhill is not only a definitive snapshot of a band in full flight just shy of a decade into their staggering career; it's also a celebration of authenticity and gripping dynamism from one of Australia's most engaging heavy acts.
HEAVY caught up with vocalist Jacob Charlton and guitarist Ethan McCann to talk more.
"I think the first thing that we wanted to sit down to after Heroine was we wanted a lot more energy and a lot more pace in the music," Ethan explained. "We found that when we took Heroine to our live show it felt like it was dragging at times. Because we started playing heavy music when we were teenagers we kind of missed that energy, and seing that reaction in real time."
We ask how they actually achieved that, to which Ethan replied, "I think just a lot more focus on rhythm, and drumbeat. Jacob was listening to a lot more pop and R&B music around this time, so I think there was a lot more pace with his vocal patterns, as opposed to long, stretched out chords and crooning vocals from the last album."
In the full interview we speak to Jacob and Ethan more about the musicality on Bodies, the pressures of following an ARIA nominated album, how it contains the heaviest moments in Thornhill's musical history, the singles released and how they represent the album as a whole, how Bodies represents Thornhill in 2025, this weekends Album Listening shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>980album,australia,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,thornhillfalsefullhttps://www.spreaker.com/episode/a-last-farewell-with-kip-winger-from-winger--65055531American hard rock outfit Winger have been a mainstay in the global music scene for almost 40 years, with their triple-platinum, self-titled debut album spawning hits like Seventeen, Headed for a Heartbreak, and Madalaine. 
Their sophomore album, In the Heart of the Young, solidified Winger's place in rock history, delivering anthems such as Miles Away and Can’t Get Enuff, propelling the band into a select group of artists who have become bigger than the industry that created them.
Over the years, Winger has gained significant critical acclaim, with Grammy nominations and widespread recognition for their intricate compositions and electrifying stage presence. Each member of the band has built an impressive resume beyond the project, with Reb Beach becoming a longtime guitarist for Whitesnake, Rod Morgenstein playing with the Dixie Dregs, Paul Taylor collaborating with Alice Cooper, John Roth playing with Giant and Starship, and frontman Kip Winger enjoying a successful solo career and a critically acclaimed career as an orchestral composer which has earned him a Grammy nomination.
But for all of Winger's achievements and tales from over the years, there is one mountain left to climb. One world left to conquer.  And that world is here. Australia.
It's hard to fathom that the original incarnation of Winger has never toured this country, with previous visits being either as Kip performing solo or without the original band lineup. But in honour of their Australian fans and perhaps as a means of ticking off remaining bucket list points, Winger are finally headed this way - with original members - for a run of shows this April to deliver the ultimate send-off, celebrating decades of iconic music in a career spanning musical spectacle.
HEAVY had the pleasure of spending time with Kip ahead of the tour, at one stage asking him what it will mean for him to round out his musical career to date with the upcoming shows.
"The band has got a huge legacy, and it's rare that a band like us would be all original members still," he replied. "It's rare, and we all still really enjoy playing with each other on stage, so it's great. When we played Australia in 2014 it was just spectacular. I mean, the fans are awesome, and I've always wanted to come back with the band. We're very excited about coming, and we've got all the original members, including John Roth. So it's actually going to be better than it would have been before because I don't think John was able to come that time."
Another topic we broached was the period in the mid-1990s that saw Winger part ways, largely due to the explosion of grunge, and ask if that movement was as bad for rock music as history has led us to believe.
"Yeah, it was over like that," Kip sighed. "It was over overnight. When Smells Like Teen Spirit came out MTV dropped all the 80s bands, and MTV was really the big promotion tool. Then you had Beavis and Butthead and all that stuff, which didn't help at all. They were lifting all the grunge bands up and talking trash about all the bands like us, so it was over in a second. It was like, you're playing an arena, and then you're playing a club within a six-month period."
In the full interview, Kip discussed Winger's upcoming tour in Japan and Australia with the original line up, emphasizing its significance as a rare opportunity for fans to see the band perform together in their purest form. He highlighted his transition to a classical music career, which adds to the tour's importance, and reflected on the band's legacy and positive experiences from their previous Australian tour in 2014. Kip recounted the band's formation during the peak of rock music in the late 1980s, their rise to fame, and the subsequent decline due to the grunge movement, which led to their disbandment in 1994.
He noted his continued musical pursuits through solo projects and the resurgence of interest in Winger's music, keeping the spirit of rock alive. Kip also shared his artistic evolution towards orchestral music, mentioning his classical album and current projects with the Nashville Symphony and more.
Australian tour tickets https://www.silverbacktouring.com/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65055531Mon, 24 Mar 2025 01:43:14 +0000HEAVY MagazineInterview by Kris Peters American hard rock outfit Winger have been a mainstay in the global music scene for almost 40 years, with their triple-platinum, self-titled debut album spawning hits like Seventeen, Headed for a Heartbreak, and Madalaine. ...American hard rock outfit Winger have been a mainstay in the global music scene for almost 40 years, with their triple-platinum, self-titled debut album spawning hits like Seventeen, Headed for a Heartbreak, and Madalaine. 
Their sophomore album, In the Heart of the Young, solidified Winger's place in rock history, delivering anthems such as Miles Away and Can’t Get Enuff, propelling the band into a select group of artists who have become bigger than the industry that created them.
Over the years, Winger has gained significant critical acclaim, with Grammy nominations and widespread recognition for their intricate compositions and electrifying stage presence. Each member of the band has built an impressive resume beyond the project, with Reb Beach becoming a longtime guitarist for Whitesnake, Rod Morgenstein playing with the Dixie Dregs, Paul Taylor collaborating with Alice Cooper, John Roth playing with Giant and Starship, and frontman Kip Winger enjoying a successful solo career and a critically acclaimed career as an orchestral composer which has earned him a Grammy nomination.
But for all of Winger's achievements and tales from over the years, there is one mountain left to climb. One world left to conquer.  And that world is here. Australia.
It's hard to fathom that the original incarnation of Winger has never toured this country, with previous visits being either as Kip performing solo or without the original band lineup. But in honour of their Australian fans and perhaps as a means of ticking off remaining bucket list points, Winger are finally headed this way - with original members - for a run of shows this April to deliver the ultimate send-off, celebrating decades of iconic music in a career spanning musical spectacle.
HEAVY had the pleasure of spending time with Kip ahead of the tour, at one stage asking him what it will mean for him to round out his musical career to date with the upcoming shows.
"The band has got a huge legacy, and it's rare that a band like us would be all original members still," he replied. "It's rare, and we all still really enjoy playing with each other on stage, so it's great. When we played Australia in 2014 it was just spectacular. I mean, the fans are awesome, and I've always wanted to come back with the band. We're very excited about coming, and we've got all the original members, including John Roth. So it's actually going to be better than it would have been before because I don't think John was able to come that time."
Another topic we broached was the period in the mid-1990s that saw Winger part ways, largely due to the explosion of grunge, and ask if that movement was as bad for rock music as history has led us to believe.
"Yeah, it was over like that," Kip sighed. "It was over overnight. When Smells Like Teen Spirit came out MTV dropped all the 80s bands, and MTV was really the big promotion tool. Then you had Beavis and Butthead and all that stuff, which didn't help at all. They were lifting all the grunge bands up and talking trash about all the bands like us, so it was over in a second. It was like, you're playing an arena, and then you're playing a club within a six-month period."
In the full interview, Kip discussed Winger's upcoming tour in Japan and Australia with the original line up, emphasizing its significance as a rare opportunity for fans to see the band perform together in their purest form. He highlighted his transition to a classical music career, which adds to the tour's importance, and reflected on the band's legacy and positive experiences from their previous Australian tour in 2014. Kip recounted the band's formation during the peak of rock music in the late 1980s, their rise to fame, and the subsequent decline due to the grunge movement, which led to their disbandment in 1994.
He noted his continued musical pursuits through solo projects and the resurgence of interest in...]]>957australia,hardrock,heavy,interview,kipwinger,krispeters,loudlemon,music,podcast,rock,silverbacktouring,tour,wingerfalsefullhttps://www.spreaker.com/episode/brad-roberts-of-crash-test-dummies-talks-of-their-return-to-australia-and-band-legacy--65047527After decades since their last show in Australia, Brad Roberts of Crash Test Dummies is excited to return. The Canadian band’s first Australian tour, back in the early 90s, was met with poor attendance as they were relatively unknown at the time. “When we played our first tour in Australia, we were promoting our very first record, Ghosts That Haunt Me. We had a hit in Canada, but hardly anyone knew us there,” Brad recalls. However, the situation has drastically changed, and this time, with a larger fan base, the band is eager for a more successful reception.
Reflecting on the impact of God Shuffled His Feet, the album that defined the band’s career, Brad shares his pride. “It means a lot to me that God Shuffled His Feet holds such a special place in people's hearts after 30 years,” he says. The album, featuring iconic tracks like Superman's Song, still resonates with fans around the world. The band's success skyrocketed early on, with invitations to perform on Saturday Night Live and The David Letterman Show.
Despite the early fame, Brad’s musical journey didn’t begin until after his university years at the University of Winnipeg. “I didn’t spend much time in music until after graduation. Success on the second record was overwhelming,” he admits. The Crash Test Dummies’ rise to fame is a testament to their unique sound and Brad’s distinct low voice, which became an unexpected asset.
The reunion of the original line up in 2017 was a poignant moment for Brad and the band, marking a new chapter in their journey. “We decided we wanted to keep going because we had such a good time,” he reflects.
As the band gears up for their upcoming tour, Brad’s passion for music remains strong. “I still love touring and playing,” he says. And with the ongoing evolution of music, Brad continues to study classical composition, including the works of Bach, proving that music is a lifelong constant.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/65047527Sun, 23 Mar 2025 14:13:31 +0000HEAVY MagazineWords by Angela Croudace After decades since their last show in Australia, Brad Roberts of Crash Test Dummies is excited to return. The Canadian band’s first Australian tour, back in the early 90s, was met with poor attendance as they were relatively...After decades since their last show in Australia, Brad Roberts of Crash Test Dummies is excited to return. The Canadian band’s first Australian tour, back in the early 90s, was met with poor attendance as they were relatively unknown at the time. “When we played our first tour in Australia, we were promoting our very first record, Ghosts That Haunt Me. We had a hit in Canada, but hardly anyone knew us there,” Brad recalls. However, the situation has drastically changed, and this time, with a larger fan base, the band is eager for a more successful reception.
Reflecting on the impact of God Shuffled His Feet, the album that defined the band’s career, Brad shares his pride. “It means a lot to me that God Shuffled His Feet holds such a special place in people's hearts after 30 years,” he says. The album, featuring iconic tracks like Superman's Song, still resonates with fans around the world. The band's success skyrocketed early on, with invitations to perform on Saturday Night Live and The David Letterman Show.
Despite the early fame, Brad’s musical journey didn’t begin until after his university years at the University of Winnipeg. “I didn’t spend much time in music until after graduation. Success on the second record was overwhelming,” he admits. The Crash Test Dummies’ rise to fame is a testament to their unique sound and Brad’s distinct low voice, which became an unexpected asset.
The reunion of the original line up in 2017 was a poignant moment for Brad and the band, marking a new chapter in their journey. “We decided we wanted to keep going because we had such a good time,” he reflects.
As the band gears up for their upcoming tour, Brad’s passion for music remains strong. “I still love touring and playing,” he says. And with the ongoing evolution of music, Brad continues to study classical composition, including the works of Bach, proving that music is a lifelong constant.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>829angelacroudace,australia,bardroberts,crashtestdummies,heavy,interview,music,podcast,rock,tourfalsefullhttps://www.spreaker.com/episode/epica-s-aspiral-a-journey-of-art-inspiration-and-growth--64959867In an interview with Simone Simons, lead vocalist of the symphonic metal band Epica, we dive into the band’s upcoming album Aspiral—a powerful reflection of their growth, both musically and personally. Simone describes Aspiral as a fresh start, where the band’s continuous evolution is highlighted through their music and lyrics.
The title of the album was inspired by a Stanislaw Szukalski bronze sculpture, a piece of art that left a profound impact on the band after a visit in 2022. Simone explains that the album’s theme of rebirth, renewal, and self-discovery resonates deeply with the band members, as they navigate their individual struggles and experiences. The synergy between art and music is a key theme, with Szukalski’s sculpture influencing not just the visuals but the emotional core of the album.
The band embraced a unique writing process through isolated writing camps, allowing them to fully immerse in creating without distractions. Simone shared how the intimacy and collaboration during these camps fostered a stronger bond between the band members, helping them achieve creative heights while crafting songs with emotional depth.
Simone also reflected on the emotional power of Epica’s music, recalling poignant fan inter


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64959867Sun, 23 Mar 2025 13:50:11 +0000HEAVY MagazineInterview by Angela Croudace In an interview with Simone Simons, lead vocalist of the symphonic metal band Epica, we dive into the band’s upcoming album Aspiral—a powerful reflection of their growth, both musically and personally. Simone describes...In an interview with Simone Simons, lead vocalist of the symphonic metal band Epica, we dive into the band’s upcoming album Aspiral—a powerful reflection of their growth, both musically and personally. Simone describes Aspiral as a fresh start, where the band’s continuous evolution is highlighted through their music and lyrics.
The title of the album was inspired by a Stanislaw Szukalski bronze sculpture, a piece of art that left a profound impact on the band after a visit in 2022. Simone explains that the album’s theme of rebirth, renewal, and self-discovery resonates deeply with the band members, as they navigate their individual struggles and experiences. The synergy between art and music is a key theme, with Szukalski’s sculpture influencing not just the visuals but the emotional core of the album.
The band embraced a unique writing process through isolated writing camps, allowing them to fully immerse in creating without distractions. Simone shared how the intimacy and collaboration during these camps fostered a stronger bond between the band members, helping them achieve creative heights while crafting songs with emotional depth.
Simone also reflected on the emotional power of Epica’s music, recalling poignant fan inter


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1347album,angelacroudace,epica,hardrock,heavy,heavymetal,interview,music,podcast,simonesimons,symphonicmetalfalsefullhttps://www.spreaker.com/episode/unleashing-the-animal-with-rok-rupkin-from-within-destruction--64961810Within Destruction, Slovenia’s most awesomely audacious, genre-defying metal pioneers, have officially announced their next chapter with the reveal of their upcoming album Animetal set for release on April 11, 2025, via Sumerian Records.
To mark the news, the band has dropped their electrifying new single Cybergirl, accompanied by an official music video that plunges listeners into a dystopian world where the lines of reality are blurred. Packed with relentless riffs, soaring melodies, and their signature, anime-inspired electronic elements, Cybergirl epitomises Within Destruction’s ability to innovate and push boundaries while staying rooted in the chaos of modern metal.
In more good news, the Slovenian futurists have also announced their return to Australia on the eve of Animetal. Having truly transcended their deathcore origins, the band’s once relentlessly brutal sound has flourished into a cyberized, anime-inspired, and unpredictable concoction. Fans of sheer guttural force fear not, however - as fellow Europeans Distant will be tagging along to bring their downtempo slams to Australia for the first time ever. With Melbourne’s Gravemind rounding out the bill, this is a psychotic trio of modern metal sure to dazzle and pulverise.
HEAVY caught up with Within Destruction's frontman Rok Rupkin recently to discuss the album and tour.
"If you listen to our other records and then listen to Animetal there is quite a bit of sound difference," he measured when asked to describe the new album musically. "The reason why that is the case is because we have decided to stray our own path to set ourselves away from the industry. Not only through the sound but also visually through art, through music videos and band members as well. So any time someone would listen to our song or see our album, they would immediately say I know this is Within Destruction. We wanted to build our own brand, in a way."
In the full interview, Rok talks more about Animetal and what Within Destruction were going for musically, how their sound has changed since their previous release, the anime aspect to the album and how they fit in together, the early days of the band and where they fit in, musical growth and how much Within Destruction have left in them, their upcoming shows in Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64961810Sun, 23 Mar 2025 13:48:32 +0000HEAVY MagazineInterview by Kris Peters Within Destruction, Slovenia’s most awesomely audacious, genre-defying metal pioneers, have officially announced their next chapter with the reveal of their upcoming album Animetal set for release on April 11, 2025, via...Within Destruction, Slovenia’s most awesomely audacious, genre-defying metal pioneers, have officially announced their next chapter with the reveal of their upcoming album Animetal set for release on April 11, 2025, via Sumerian Records.
To mark the news, the band has dropped their electrifying new single Cybergirl, accompanied by an official music video that plunges listeners into a dystopian world where the lines of reality are blurred. Packed with relentless riffs, soaring melodies, and their signature, anime-inspired electronic elements, Cybergirl epitomises Within Destruction’s ability to innovate and push boundaries while staying rooted in the chaos of modern metal.
In more good news, the Slovenian futurists have also announced their return to Australia on the eve of Animetal. Having truly transcended their deathcore origins, the band’s once relentlessly brutal sound has flourished into a cyberized, anime-inspired, and unpredictable concoction. Fans of sheer guttural force fear not, however - as fellow Europeans Distant will be tagging along to bring their downtempo slams to Australia for the first time ever. With Melbourne’s Gravemind rounding out the bill, this is a psychotic trio of modern metal sure to dazzle and pulverise.
HEAVY caught up with Within Destruction's frontman Rok Rupkin recently to discuss the album and tour.
"If you listen to our other records and then listen to Animetal there is quite a bit of sound difference," he measured when asked to describe the new album musically. "The reason why that is the case is because we have decided to stray our own path to set ourselves away from the industry. Not only through the sound but also visually through art, through music videos and band members as well. So any time someone would listen to our song or see our album, they would immediately say I know this is Within Destruction. We wanted to build our own brand, in a way."
In the full interview, Rok talks more about Animetal and what Within Destruction were going for musically, how their sound has changed since their previous release, the anime aspect to the album and how they fit in together, the early days of the band and where they fit in, musical growth and how much Within Destruction have left in them, their upcoming shows in Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>850australia,cybermetal,destroyalllines,distant,experimentalmetal,hardcore,heavy,heavymetal,interview,krispeters,music,podcast,rokrupkin,sumerianrecords,tour,withindestructiontruefullhttps://www.spreaker.com/episode/ai-for-heavy-metal-vocalists-has-arrived-with-hxvoc-a-vocalist-s-perspective-with-seann-nicols--64991463With the modern world embracing technology like never before, it was only a matter of time before the metal scene and metal music became caught up in its web. Don't get me wrong, technology and the wonders of modern advancement have long been a part of the music industry - everywhere from live sound to studio tricks to programmed drums - but it is the concept of AI that has been more divisive and controversial than anything else.
But it has always been inevitable. Like it or loathe it, AI is not only here, it is also integrating into more of life and music than some of us care to admit.
Until now, heavy metal has been unchartered territory for anything AI-generated. Musically there have been many advancements but when it came time to replicating hard rock/metal vocals the challenge seemed to always be insurmountable. But not any more.
In conjunction with AI vocal synthesis company Eclipsed Sounds, Seann Nicols (Westfield Massacre, Adler's Appetite, Quiet Riot) has been working on something new and exciting called HXVOC, the first-ever AI rock/metal vocalist for Synthesizer V Studio 2. This is an entirely new technology that allows producers to generate fully realistic rock and metal vocals, complete with rasp, grit, and even full-on screams.
HXVOC is a first-of-its-kind AI vocal instrument that gives musicians and producers unprecedented access to a professional rock/metal vocalist without needing a real singer. It’s powered by Synthesizer V Studio 2, the most advanced vocal synthesis engine available today. The key breakthrough is that HXVOC can accurately perform aggressive rock and metal vocal techniques, including rasp, grit, belting, growls, and screams—which have never been done at this level in a vocal synth before.
Rather than replacing singers, HXVOC is an instrument for musicians - just like drum machines and amp sims. It empowers producers, bands, and solo artists by letting them create fully produced songs with high-quality rock vocals. This is a major first for the vocal synthesis world, and it’s already making waves. Two official showcase videos have been released, original songs demonstrating HXVOC’s capabilities in both a Sleep Token - style track and a modern rock song created specifically to highlight its vocal modes.
This technology is about to change music production in a big way, especially for rock and metal. Now, any producer in the world can access a professional-quality rock vocal without needing to record a singer. With AI-powered vocals becoming more advanced, this could be a turning point for the industry.
A known and respected hard rock/metal vocalist, Nicols has approached things from the perspective of a working musician and is adamant HXVOC will only benefit the music industry, not destroy it. HEAVY sat down with him for a chat to find out more about HXVOC and ask a few questions that we think may pose a concern.
"It's got a lot of moving parts," he began. "And I'm new to the space, so I'm by no means an expert. But I'll give you the best to my knowledge. Basically, AI vocal synths have existed for a long time. Apparently this has been like 25 years in the making. I guess it started with a thing called Vocaloid, which is a company that Yamaha founded. And it started out as a Japanese-based company, and they did like a lot of anime, and it went into pop and electronic.
And that's mainly where the AI voices have found most of their traction. But to get a voice that worked for rock was really hard and challenging. Because they couldn't get the grit, they couldn't get the… they couldn't get the aggression to come out of the voice. It just sounded very robotic, and they could produce clean tones, but they couldn't produce that like guttural, like raw that you need for rock, right?
So basically this is the first time that we've had those intense techniques captured and reproduced with an AI. And it took us about, well, two years in development. And it was actually just a meeting of technology and the engineering behind it and the team and the training and special techniques that all had to go into capturing and being able to create this voice that people can get like a real rock metal vocalist right out of the computer with the AI."
We hit him with the question many are wanting to know: Is HXVOC designed to actually replace a vocalist in a band?
"Not at all," he stressed. "No. It's an instrument. It's not a replacement. And I realize that's a concern, but, you know, I was toying around with this technology for a long time. I mean, it started with drums, and then it turned out you could do your drums and program your bass, and then they created guitars and synthesizers, and there's orchestral libraries and everything. And this is just an extension of that, but now for the human voice. And now when we listen to demos that are made by musicians on their computers, the drums sound pretty killer. And it's because of guys like Stephen Slate that made the really complicated process of recording drums in a big studio, and you need all these microphones and these crazy consoles and engineers. I mean, it's super complicated to get a good drum sound, but he just made it so it was really easy so you could just load it up on your computer put your beats in and voila it's like sounds like it was recorded in a million dollar studio and uh that's what we've done essentially with a rock voice now."
In the full interview, we engaged in a detailed discussion about the evolving role of technology in the music industry, particularly focusing on Seann's collaboration with Eclipse Sounds and the introduction of their AI vocal instrument, HXVOC. Seann emphasized the potential of AI vocal technology to enhance songwriting and studio work, viewing it as a valuable tool rather than a threat to jobs in the industry.
Seann elaborated on the capabilities of HXVOC, highlighting its ability to capture the nuances of rock and metal vocal techniques, which have historically been challenging to record. He reassured that the software is intended as an instrument to empower musicians rather than replace live vocalists. We addressed some of the concerns that invariably come with new innovations, his role in HXVOC, how it will benefit the heavy metal industry and plenty more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64991463Thu, 20 Mar 2025 10:42:00 +0000HEAVY MagazineInterview by Kris Peters With the modern world embracing technology like never before, it was only a matter of time before the metal scene and metal music became caught up in its web. Don't get me wrong, technology and the wonders of modern...With the modern world embracing technology like never before, it was only a matter of time before the metal scene and metal music became caught up in its web. Don't get me wrong, technology and the wonders of modern advancement have long been a part of the music industry - everywhere from live sound to studio tricks to programmed drums - but it is the concept of AI that has been more divisive and controversial than anything else.
But it has always been inevitable. Like it or loathe it, AI is not only here, it is also integrating into more of life and music than some of us care to admit.
Until now, heavy metal has been unchartered territory for anything AI-generated. Musically there have been many advancements but when it came time to replicating hard rock/metal vocals the challenge seemed to always be insurmountable. But not any more.
In conjunction with AI vocal synthesis company Eclipsed Sounds, Seann Nicols (Westfield Massacre, Adler's Appetite, Quiet Riot) has been working on something new and exciting called HXVOC, the first-ever AI rock/metal vocalist for Synthesizer V Studio 2. This is an entirely new technology that allows producers to generate fully realistic rock and metal vocals, complete with rasp, grit, and even full-on screams.
HXVOC is a first-of-its-kind AI vocal instrument that gives musicians and producers unprecedented access to a professional rock/metal vocalist without needing a real singer. It’s powered by Synthesizer V Studio 2, the most advanced vocal synthesis engine available today. The key breakthrough is that HXVOC can accurately perform aggressive rock and metal vocal techniques, including rasp, grit, belting, growls, and screams—which have never been done at this level in a vocal synth before.
Rather than replacing singers, HXVOC is an instrument for musicians - just like drum machines and amp sims. It empowers producers, bands, and solo artists by letting them create fully produced songs with high-quality rock vocals. This is a major first for the vocal synthesis world, and it’s already making waves. Two official showcase videos have been released, original songs demonstrating HXVOC’s capabilities in both a Sleep Token - style track and a modern rock song created specifically to highlight its vocal modes.
This technology is about to change music production in a big way, especially for rock and metal. Now, any producer in the world can access a professional-quality rock vocal without needing to record a singer. With AI-powered vocals becoming more advanced, this could be a turning point for the industry.
A known and respected hard rock/metal vocalist, Nicols has approached things from the perspective of a working musician and is adamant HXVOC will only benefit the music industry, not destroy it. HEAVY sat down with him for a chat to find out more about HXVOC and ask a few questions that we think may pose a concern.
"It's got a lot of moving parts," he began. "And I'm new to the space, so I'm by no means an expert. But I'll give you the best to my knowledge. Basically, AI vocal synths have existed for a long time. Apparently this has been like 25 years in the making. I guess it started with a thing called Vocaloid, which is a company that Yamaha founded. And it started out as a Japanese-based company, and they did like a lot of anime, and it went into pop and electronic.
And that's mainly where the AI voices have found most of their traction. But to get a voice that worked for rock was really hard and challenging. Because they couldn't get the grit, they couldn't get the… they couldn't get the aggression to come out of the voice. It just sounded very robotic, and they could produce clean tones, but they couldn't produce that like guttural, like raw that you need for rock, right?
So basically this is the first time that we've had those intense techniques captured and reproduced with an AI. And it took us about, well,...]]>1754ai,aiheavymetal,dreamtonics,eclipsedsounds,heavy,hxvoc,interview,krispeters,podcast,seannnicols,syntheiservstudio2,vocals,vocalsynthfalsefullhttps://www.spreaker.com/episode/harnessing-the-rage-with-tom-kennedy-from-bare-bones--64986015Sydney hard rock/metal outfit Bare Bones are the gift that keep on giving musically.
Over more than a decade in the Australian music scene, the band have never shied away from their beliefs, maintaining a DIY approach to life and music that has seen them win the respect of their peers as well as the adulation of a quickly growing fan base that pretty much doubles every time Bare Bones play at a music festival or to people that might not have heard of them before.
Ferociously uncompromising on stage, Bare Bones have carried that intent into the studio with their latest EP, Ceremonial Rage (out now). Proudly - and rightfully - anointed as the band's heaviest, most aggressive slab of music to date, the five-track Ceremonial Rage sees Bare Bones more embracing their earlier and heavier musical influences, experimenting with the past just enough to put a fresh, exciting spin on their future.
HEAVY caught up with vocalist Tom Kennedy this morning to chat about the EP and Bare Bones' special EP launch at Chuck Trailers in Sydney tonight. Naturally, we lead with the assessment that this is the heaviest material yet released by the band.
"100%, yeah," Kennedy replied without hesitation. "I think it's kind of a natural progression from where we've been going. Our music seems to get heavier each time. We put out our first full-length album, Bad Habits, and then when we went and did our second full-length, Rival Minds, people were like, this is definitely heavier and darker. And then it's just kind of been going more and more that way ever since. So kind of a natural progression. This is where we've ended up."
Which leads to us asking Kennedy if the heavier direction was something they spoke about as a band during the creative process.
"You know what man, we've been around for like 12-13 years at this point and this EP is the first time we've ever had that conversation," he replied. "It's always kind of been like this unconscious vibe thing going into writing. It's just like, well, let's just do what we always do and get together and come up with some riffs and stuff. But this time before we started, we had that chat like, what direction do we want to take this? And for us, it's getting back to the stuff that we grew up on. Being in a band with unique, distinct personalities, you all have pretty different tastes when it comes to music and art and all that kind of stuff. But I guess the one thing that we've always loved and agreed on is bands like Slipknot, Korn and Limp Bizkit. And so we just kind of thought, let's lean into that. Let's try and give a modern take on that kind of thing and put our spin on it."
In the full interview, we explored the creative journey behind each track, with Tom explaining that Cobra Clutch evolved from an industrial metal demo to a dynamic song featuring rapping, with Vertebreaker showcasing a catchy chorus and heavy breakdown.
The rapid writing process for Tiger Driver was influenced by hip-hop, while Burning Hammer addresses serious global issues. Tom expressed satisfaction with the EP's direction and the reinvigoration of their passion for music, hinting at future explorations. He also provided an overview of the Chuck Trailers venue in Sydney, emphasizing the importance of free entry for fans to their EP launch on March 20 and the addition of several bands to the opening gig line up, reflecting on the community aspect of live music and the band's commitment to staying active in the scene.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64986015Thu, 20 Mar 2025 02:17:32 +0000HEAVY MagazineInterview by Kris Peters Sydney hard rock/metal outfit Bare Bones are the gift that keep on giving musically. Over more than a decade in the Australian music scene, the band have never shied away from their beliefs, maintaining a DIY approach to life...Sydney hard rock/metal outfit Bare Bones are the gift that keep on giving musically.
Over more than a decade in the Australian music scene, the band have never shied away from their beliefs, maintaining a DIY approach to life and music that has seen them win the respect of their peers as well as the adulation of a quickly growing fan base that pretty much doubles every time Bare Bones play at a music festival or to people that might not have heard of them before.
Ferociously uncompromising on stage, Bare Bones have carried that intent into the studio with their latest EP, Ceremonial Rage (out now). Proudly - and rightfully - anointed as the band's heaviest, most aggressive slab of music to date, the five-track Ceremonial Rage sees Bare Bones more embracing their earlier and heavier musical influences, experimenting with the past just enough to put a fresh, exciting spin on their future.
HEAVY caught up with vocalist Tom Kennedy this morning to chat about the EP and Bare Bones' special EP launch at Chuck Trailers in Sydney tonight. Naturally, we lead with the assessment that this is the heaviest material yet released by the band.
"100%, yeah," Kennedy replied without hesitation. "I think it's kind of a natural progression from where we've been going. Our music seems to get heavier each time. We put out our first full-length album, Bad Habits, and then when we went and did our second full-length, Rival Minds, people were like, this is definitely heavier and darker. And then it's just kind of been going more and more that way ever since. So kind of a natural progression. This is where we've ended up."
Which leads to us asking Kennedy if the heavier direction was something they spoke about as a band during the creative process.
"You know what man, we've been around for like 12-13 years at this point and this EP is the first time we've ever had that conversation," he replied. "It's always kind of been like this unconscious vibe thing going into writing. It's just like, well, let's just do what we always do and get together and come up with some riffs and stuff. But this time before we started, we had that chat like, what direction do we want to take this? And for us, it's getting back to the stuff that we grew up on. Being in a band with unique, distinct personalities, you all have pretty different tastes when it comes to music and art and all that kind of stuff. But I guess the one thing that we've always loved and agreed on is bands like Slipknot, Korn and Limp Bizkit. And so we just kind of thought, let's lean into that. Let's try and give a modern take on that kind of thing and put our spin on it."
In the full interview, we explored the creative journey behind each track, with Tom explaining that Cobra Clutch evolved from an industrial metal demo to a dynamic song featuring rapping, with Vertebreaker showcasing a catchy chorus and heavy breakdown.
The rapid writing process for Tiger Driver was influenced by hip-hop, while Burning Hammer addresses serious global issues. Tom expressed satisfaction with the EP's direction and the reinvigoration of their passion for music, hinting at future explorations. He also provided an overview of the Chuck Trailers venue in Sydney, emphasizing the importance of free entry for fans to their EP launch on March 20 and the addition of several bands to the opening gig line up, reflecting on the community aspect of live music and the band's commitment to staying active in the scene.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1280australia,barebones,cereminialrage,chucktrailers,ep,hardrock,heavy,heavymetal,interview,krispeters,music,numetal,podcast,punk,rock,tomkennedyfalsefullhttps://www.spreaker.com/episode/dani-filth-talks-new-album-religion-and-future-collaborations--64968565Cradle of Filth’s frontman, Dani Filth, sat down with HEAVY to discuss the band’s 14th studio album, The Screaming of the Valkyries, their evolution over the years, and the provocative themes they've explored in their music.
Dani shared that the new album brings a modern sound while still nodding to Cradle of Filth’s roots, with a blend of fresh ideas and older influences. "It's a modern sound record, one step forward, but it also has a passing nod back to previous incarnations," he explained. This new direction is, in part, thanks to new members Donnie and Zoe, and the band's increased playtime during the pandemic, which helped refine their sound.
Although the album doesn’t have a central concept, Dani describes it as a celebration of escapism, rituals, and vampirism. He elaborated on the inspiration behind the album’s title, revealing that it stems from the final track, When Misery Was a Stranger. The title The Screaming of the Valkyries was inspired by the impending doom of the Doomsday Clock, likening the sound of Valkyries’ screams during Ragnarok to the existential realisation of impending disaster.
On the subject of religion, Dani was candid about his views, stating that while he respects others’ beliefs, he finds the notion of religion’s validity in the modern age absurd. “I think time has just worn out the message,” he said, pointing to the age of science and the contradictions he sees within religious teachings. However, he emphasised that it’s the belief itself, not the dogma, that holds value.
Over the years, the band’s dynamic has evolved significantly, with Dani noting that the band and crew have become a tight-knit family. He shared a personal moment, reflecting on a recent wedding within the band, symbolising the strong bond they now share. The influence of the band's longevity and experience shows through in the new album, which recalls elements of their older works.
When asked about his favourite track from the new album, Dani pointed to Ex Sanguine Draculae, a song that takes him back to the band’s earlier work in the ‘90s. “It just reminds me of the era that we did the Dusk and Her Embrace record,” he said. He also revealed the band’s collaboration with renowned producer Scott Atkins, praising his approach to refining the band’s sound and ensuring the production was sharp and true to their vision.
Dani also shared that, if given the chance, he'd love to collaborate with Lana Del Rey, citing her gothic sensibilities and haunting voice as a perfect fit for Cradle of Filth's style. Fans of both artists may just get lucky one day.
As for the fan experience, Dani recalled a bizarre moment in Australia when a fan gave the band a prosthetic leg as a gift, only for it to later be tossed onto the stage during a performance. "I don’t know whether it was a gift or whether we should have given it back," he mused, "We did give it back though" he confirmed.
With The Screaming of the Valkyries out this week, Cradle of Filth continues to push boundaries while honoring their legacy in the metal world. Fans can expect a thrilling mix of old and new, with Dani and his bandmates at the forefront, creating music that’s as unpredictable and darkly captivating as ever.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64968565Wed, 19 Mar 2025 07:05:22 +0000HEAVY MagazineInterview by Angela Croudace Cradle of Filth’s frontman, Dani Filth, sat down with HEAVY to discuss the band’s 14th studio album, The Screaming of the Valkyries, their evolution over the years, and the provocative themes they've explored in their...Cradle of Filth’s frontman, Dani Filth, sat down with HEAVY to discuss the band’s 14th studio album, The Screaming of the Valkyries, their evolution over the years, and the provocative themes they've explored in their music.
Dani shared that the new album brings a modern sound while still nodding to Cradle of Filth’s roots, with a blend of fresh ideas and older influences. "It's a modern sound record, one step forward, but it also has a passing nod back to previous incarnations," he explained. This new direction is, in part, thanks to new members Donnie and Zoe, and the band's increased playtime during the pandemic, which helped refine their sound.
Although the album doesn’t have a central concept, Dani describes it as a celebration of escapism, rituals, and vampirism. He elaborated on the inspiration behind the album’s title, revealing that it stems from the final track, When Misery Was a Stranger. The title The Screaming of the Valkyries was inspired by the impending doom of the Doomsday Clock, likening the sound of Valkyries’ screams during Ragnarok to the existential realisation of impending disaster.
On the subject of religion, Dani was candid about his views, stating that while he respects others’ beliefs, he finds the notion of religion’s validity in the modern age absurd. “I think time has just worn out the message,” he said, pointing to the age of science and the contradictions he sees within religious teachings. However, he emphasised that it’s the belief itself, not the dogma, that holds value.
Over the years, the band’s dynamic has evolved significantly, with Dani noting that the band and crew have become a tight-knit family. He shared a personal moment, reflecting on a recent wedding within the band, symbolising the strong bond they now share. The influence of the band's longevity and experience shows through in the new album, which recalls elements of their older works.
When asked about his favourite track from the new album, Dani pointed to Ex Sanguine Draculae, a song that takes him back to the band’s earlier work in the ‘90s. “It just reminds me of the era that we did the Dusk and Her Embrace record,” he said. He also revealed the band’s collaboration with renowned producer Scott Atkins, praising his approach to refining the band’s sound and ensuring the production was sharp and true to their vision.
Dani also shared that, if given the chance, he'd love to collaborate with Lana Del Rey, citing her gothic sensibilities and haunting voice as a perfect fit for Cradle of Filth's style. Fans of both artists may just get lucky one day.
As for the fan experience, Dani recalled a bizarre moment in Australia when a fan gave the band a prosthetic leg as a gift, only for it to later be tossed onto the stage during a performance. "I don’t know whether it was a gift or whether we should have given it back," he mused, "We did give it back though" he confirmed.
With The Screaming of the Valkyries out this week, Cradle of Filth continues to push boundaries while honoring their legacy in the metal world. Fans can expect a thrilling mix of old and new, with Dani and his bandmates at the forefront, creating music that’s as unpredictable and darkly captivating as ever.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1109album,angelacroudace,cradleoffilth,danifilth,extrememetal,heavy,heavymetal,interview,music,napalmrecords,podcast,symphonicmetaltruefullhttps://www.spreaker.com/episode/letlive-return-to-australia-a-spiritual-reunion-and-evolution-of-sound--64955945Letlive’s reunion isn’t just a return to the stage—it’s an emotional and spiritual journey for the band. After a seven-year break, the group, which originally formed in 2002, has reconnected, sharing stories of their lives and realising they were all in similar places. This realisation, combined with their shared love for music and each other, sparked the decision to hit the road again. Initially, they planned a few shows, but the idea grew into a full tour that includes Australia this September.
Jason Aalon Butler, the band’s frontman and son of soul artist Aalon Butler, explains that their decision to reunite wasn’t merely about nostalgia—it was a deeper spiritual alignment. The members of Letlive have evolved individually, and as a result, their relationships have become stronger. “We understand ourselves much better than when we were younger,” Jason reflects, noting how life experiences have brought them closer.
The band's line up now includes new faces, like Sage Weber on drums and Skyler Accord on bass. “They just fit again because they get it,” Jason says. Their talent and energy bring something fresh to the band, creating a perfect synergy with the original members.
Letlive’s sound has also evolved over the years, expanding from the punk roots of their early albums like Fake History to incorporate diverse influences, from jazz fusion to hip-hop. Jason explains that the band's goal has always been to expand their reach while remaining authentic to themselves. “We try to be as honest as we can with the art we create,” he says.
After playing massive festivals like Warped Tour and Louder Than Life, Letlive is excited to return to the stage with their renewed energy. The band's live shows have always resonated deeply with fans, largely due to their raw transparency and passion. Jason emphasises, “We’re just fans of the art, and we perform as fans first.”
As the band prepares to return to Australia, Jason recalls his first trip there as a pivotal moment in his career. “It felt like I had arrived,” he says. For Letlive, this September marks not jus


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64955945Tue, 18 Mar 2025 14:34:23 +0000HEAVY MagazineInterview by Angela Croudace Letlive’s reunion isn’t just a return to the stage—it’s an emotional and spiritual journey for the band. After a seven-year break, the group, which originally formed in 2002, has reconnected, sharing stories of their lives...Letlive’s reunion isn’t just a return to the stage—it’s an emotional and spiritual journey for the band. After a seven-year break, the group, which originally formed in 2002, has reconnected, sharing stories of their lives and realising they were all in similar places. This realisation, combined with their shared love for music and each other, sparked the decision to hit the road again. Initially, they planned a few shows, but the idea grew into a full tour that includes Australia this September.
Jason Aalon Butler, the band’s frontman and son of soul artist Aalon Butler, explains that their decision to reunite wasn’t merely about nostalgia—it was a deeper spiritual alignment. The members of Letlive have evolved individually, and as a result, their relationships have become stronger. “We understand ourselves much better than when we were younger,” Jason reflects, noting how life experiences have brought them closer.
The band's line up now includes new faces, like Sage Weber on drums and Skyler Accord on bass. “They just fit again because they get it,” Jason says. Their talent and energy bring something fresh to the band, creating a perfect synergy with the original members.
Letlive’s sound has also evolved over the years, expanding from the punk roots of their early albums like Fake History to incorporate diverse influences, from jazz fusion to hip-hop. Jason explains that the band's goal has always been to expand their reach while remaining authentic to themselves. “We try to be as honest as we can with the art we create,” he says.
After playing massive festivals like Warped Tour and Louder Than Life, Letlive is excited to return to the stage with their renewed energy. The band's live shows have always resonated deeply with fans, largely due to their raw transparency and passion. Jason emphasises, “We’re just fans of the art, and we perform as fans first.”
As the band prepares to return to Australia, Jason recalls his first trip there as a pivotal moment in his career. “It felt like I had arrived,” he says. For Letlive, this September marks not jus


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>766angelacroudace,australia,heavy,interview,jasonaalonbutler,letlive.,music,musicpodcast,podcast,rock,thephoenix,tourfalsefullhttps://www.spreaker.com/episode/destiny-strikes-with-paul-lewis-from-hidden-intent--64955154Adelaide thrash metal outfit Hidden Intent have never tried to hide their influences. In fact, they have always worn them more as a badge of honour, an unmistakable pointer to their roots past, present and future.
Playing a brand of 80s-throwback thrash metal - a form of music that wholly embraces its American and European roots in the Bay Area, Scandinavian and Teutonic thrash scenes - Hidden Intent have sprinkled just enough Australian flavour into the mix to cast very much their own DNA through a genre of music that is notoriously known for shunning any deviation from the normal.
After years of toiling on the live circuit here in Australia, the rest of the world has finally succumbed to the brutality of Hidden Intent, earning the band a spot at Wacken Open Air on top of countless shows on foreign soil. And if you think their last album Dead End Destiny was the one that firmly swept the door ajar, then wait until you see what their next offering, Terrorform, will deliver when released on Friday, March 21.
HEAVY caught up with drummer Paul Lewis to talk more.
"I think every album's a little bit different overall," he measured. "And this one's certainly different from the previous ones. I think there was a lot of anger on this album. It's certainly a darker one for us, and it comes through with the tunes. The process was a little bit different overall, but we've been flat out, and it's been a mad rush to get it done. We're a band that needs deadlines, so we kind of booked everything in. It's like 'you have to be done by this time or else it's not going to make it'. So we've just got over that mad rush, and now we're doing the launch on Friday."
"It's definitely our most broad album we've ever done," he continued. "And, like I said, there's a lot of anger on this album. It's faster. It's heavier, but it's also lighter as well. There's a couple of acoustic things in there, which we have done a little bit of before, but not, I guess, to this extent. So on every album, we like to sort of widen our lane a little bit more. We're always going to be a thrash band. We're never going to veer away from that. It seems like every album, we like to just push that boundary just a little bit more to grow and to keep our fans guessing as well. Which is pretty hard."
In the full interview, Paul explained that the writing process was shaped by both positive and negative experiences, including personal losses within the band. He went into more detail about the title track, Terrorform, which features a guest appearance from Guillermo Izquierdo, the temptations of rehashing Dead End Destiny because they know it worked, the play on words that makes up the album title, this weekend's double album launch with Headbore and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64955154Tue, 18 Mar 2025 14:07:03 +0000HEAVY MagazineInterview by Kris Peters Adelaide thrash metal outfit Hidden Intent have never tried to hide their influences. In fact, they have always worn them more as a badge of honour, an unmistakable pointer to their roots past, present and future. Playing a...Adelaide thrash metal outfit Hidden Intent have never tried to hide their influences. In fact, they have always worn them more as a badge of honour, an unmistakable pointer to their roots past, present and future.
Playing a brand of 80s-throwback thrash metal - a form of music that wholly embraces its American and European roots in the Bay Area, Scandinavian and Teutonic thrash scenes - Hidden Intent have sprinkled just enough Australian flavour into the mix to cast very much their own DNA through a genre of music that is notoriously known for shunning any deviation from the normal.
After years of toiling on the live circuit here in Australia, the rest of the world has finally succumbed to the brutality of Hidden Intent, earning the band a spot at Wacken Open Air on top of countless shows on foreign soil. And if you think their last album Dead End Destiny was the one that firmly swept the door ajar, then wait until you see what their next offering, Terrorform, will deliver when released on Friday, March 21.
HEAVY caught up with drummer Paul Lewis to talk more.
"I think every album's a little bit different overall," he measured. "And this one's certainly different from the previous ones. I think there was a lot of anger on this album. It's certainly a darker one for us, and it comes through with the tunes. The process was a little bit different overall, but we've been flat out, and it's been a mad rush to get it done. We're a band that needs deadlines, so we kind of booked everything in. It's like 'you have to be done by this time or else it's not going to make it'. So we've just got over that mad rush, and now we're doing the launch on Friday."
"It's definitely our most broad album we've ever done," he continued. "And, like I said, there's a lot of anger on this album. It's faster. It's heavier, but it's also lighter as well. There's a couple of acoustic things in there, which we have done a little bit of before, but not, I guess, to this extent. So on every album, we like to sort of widen our lane a little bit more. We're always going to be a thrash band. We're never going to veer away from that. It seems like every album, we like to just push that boundary just a little bit more to grow and to keep our fans guessing as well. Which is pretty hard."
In the full interview, Paul explained that the writing process was shaped by both positive and negative experiences, including personal losses within the band. He went into more detail about the title track, Terrorform, which features a guest appearance from Guillermo Izquierdo, the temptations of rehashing Dead End Destiny because they know it worked, the play on words that makes up the album title, this weekend's double album launch with Headbore and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1241album,australia,heavy,heavymetal,hiddenintent,interview,krispeters,music,podcast,terrorform,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/the-machinations-of-music-with-sebastien-grainger-from-death-from-above-1979--64944633Known for their raw and stripped-back sound, Death From Above 1979 have been described as everything from noise punk to dance punk, embodying a DIY ethos that Rolling Stone described as “noisy hardcore, gritty synths, and earnest screams.” The duo’s relentless beats, searing guitars, and ferocious energy practically summon you to the dance floor.
Death From Above 1979 return to Australia for a run of shows this April, marking the first time the band have visited this country in almost a decade and a half, first coming in 2005 and then again in 2011 for Parklife. Don’t miss your chance to experience the explosive energy and sheer power of Death From Above 1979 live on their 20th Anniversary tour for their debut album You’re a Woman, I’m a Machine. It promises to be an unforgettable salute to a record that still pulses with the same intensity as it did when it first detonated in 2004.
You’re a Woman, I’m a Machine contained edge-of-your-seat classics including Romantic Rights, Blood On Our Hands, Black History Month and Little Girls, but let’s face it, every track is killer. A perfect, 10 out of 10 review from back in the day via Drowned In Sound, stated "It’s not just music you’re hearing - sweat, blood, spunk and beer are all audible, splattering these 11 tracks like a Pollock…. It’s so simple, just two dudes making a right ol’ racket, done with such spirit and delivered with such a purity - magnificently filthy.” 
HEAVY spoke with drummer/vocals Sebastien Grainger ahead of the tour to get the rundown, at one point asking what had changed with the band since they were here last 14 years ago.
"We had just started playing again after being broken up for five years or so," he recalled. "So that was like a reunion tour for us. And we didn't have a new record, we only had that first record - and we didn't make a new record until 2014. So in that time, in those 14 years, that's basically the… It's this whole second phase of the band, you know, the whole second period of the band was between 2011 and now. So, yeah, I mean, we made three LPs and toured around the world and, you know, had families and more children and all kinds of stuff."
In the full interview, Sebastien discussed the band's upcoming tour in Australia, emphasizing the importance of celebrating the 20th anniversary of their debut album You're a Woman, I'm a Machine. He reflected on the band's evolution, including the release of three additional LPs, and the challenges of adapting their music for live performances, highlighting the unique energy generated through audience interaction rather than a traditional frontman approach. The conversation included insights into the album title's origin, inspired by a misheard phrase from his girlfriend.
We also ran through the creative aspect of writing and recording You're A Woman, I'm a Machine free from expectation or pressures and how it set Death From Above 1979 on the path to which they find themselves today and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64944633Mon, 17 Mar 2025 23:56:01 +0000HEAVY MagazineInterview by Kris Peters Known for their raw and stripped-back sound, Death From Above 1979 have been described as everything from noise punk to dance punk, embodying a DIY ethos that Rolling Stone described as “noisy hardcore, gritty synths, and...Known for their raw and stripped-back sound, Death From Above 1979 have been described as everything from noise punk to dance punk, embodying a DIY ethos that Rolling Stone described as “noisy hardcore, gritty synths, and earnest screams.” The duo’s relentless beats, searing guitars, and ferocious energy practically summon you to the dance floor.
Death From Above 1979 return to Australia for a run of shows this April, marking the first time the band have visited this country in almost a decade and a half, first coming in 2005 and then again in 2011 for Parklife. Don’t miss your chance to experience the explosive energy and sheer power of Death From Above 1979 live on their 20th Anniversary tour for their debut album You’re a Woman, I’m a Machine. It promises to be an unforgettable salute to a record that still pulses with the same intensity as it did when it first detonated in 2004.
You’re a Woman, I’m a Machine contained edge-of-your-seat classics including Romantic Rights, Blood On Our Hands, Black History Month and Little Girls, but let’s face it, every track is killer. A perfect, 10 out of 10 review from back in the day via Drowned In Sound, stated "It’s not just music you’re hearing - sweat, blood, spunk and beer are all audible, splattering these 11 tracks like a Pollock…. It’s so simple, just two dudes making a right ol’ racket, done with such spirit and delivered with such a purity - magnificently filthy.” 
HEAVY spoke with drummer/vocals Sebastien Grainger ahead of the tour to get the rundown, at one point asking what had changed with the band since they were here last 14 years ago.
"We had just started playing again after being broken up for five years or so," he recalled. "So that was like a reunion tour for us. And we didn't have a new record, we only had that first record - and we didn't make a new record until 2014. So in that time, in those 14 years, that's basically the… It's this whole second phase of the band, you know, the whole second period of the band was between 2011 and now. So, yeah, I mean, we made three LPs and toured around the world and, you know, had families and more children and all kinds of stuff."
In the full interview, Sebastien discussed the band's upcoming tour in Australia, emphasizing the importance of celebrating the 20th anniversary of their debut album You're a Woman, I'm a Machine. He reflected on the band's evolution, including the release of three additional LPs, and the challenges of adapting their music for live performances, highlighting the unique energy generated through audience interaction rather than a traditional frontman approach. The conversation included insights into the album title's origin, inspired by a misheard phrase from his girlfriend.
We also ran through the creative aspect of writing and recording You're A Woman, I'm a Machine free from expectation or pressures and how it set Death From Above 1979 on the path to which they find themselves today and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1146australia,deathfromabove1979,hardrock,heavy,interview,krispeters,livemusic,podcast,poppunk,punk,rock,sebastiengrainger,teamworktouring,tourtruefullhttps://www.spreaker.com/episode/musical-pathways-with-sarah-mcleod-from-the-superjesus--64928803The Superjesus have been a mainstay on the Australian rock scene for more than three decades.
Their infectious music coupled with arguably one of the best live shows in the country have endeared the band to generations of music lovers since their inception in the late 1990s, with the band's debut album Sumo in 1998 spawning fan favourites such as Down Again, Saturation and Now and Then.
The follow-up, Jet Age, magnified the growing popularity of The Superjesus, delivering the smash hit Gravity as well as Secret Agent Man before Rock Music rounded out the trifecta in 2003.
A brief hiatus from the mid 2000s gave the band members time to reflect on their personal music ambitions before deciding the world needed more of their music in 2013. This produced an EP, Love and Violence (2016), as well as a double live album but despite The Superjesus quickly reclaiming their status amongst Australia's elite touring band's, no new music has been forthcoming.
That changes this Friday, March 21, when The Superjesus (self-titled) comes out, fuelled by the success of six previous singles Money (We’re Only In It For Love), Lights Out, We Won’t Let Go Until It’s Over, Something Good, a cover of Generation X’s Dancing With Myself and beautiful ballad Diamonds. This is the new Superjesus, a more soulful, engaging version of the band we know and love where song writing is king.
HEAVY caught up with frontwoman Sarah McLeod to find out more. We bring up a quote she made to HEAVY in October last year where she proclaimed "I shit you not, but it's the best stuff we've ever written", and ask if she still feels that way after the album has had more time to digest. A smile swept across her face before replying with a simple "yeah".
"I guess maybe that's why I love it so much," she continued, "because I'm so connected to it. And I just feel like we've got better. I feel like we did a great job in the 90s, and we were happy with those records, but we had 10 years off, and we all went and did different music. We learnt stuff. Ruddy (Stuart, bass) was in all these different bands, and he came back with a whole library of new influences and so did I. And we're like, okay, we're the same people, but we're not really because we've learnt all this stuff. So why don't we bring in the cool shit that we've learned and make something different, but paying homage to who we were. And that's where we're at. And I think it's been really good for us. And I love it."
In the full interview, Sarah expressed her excitement about the album, which has seen the release of six singles over the past 18 months. She highlighted her favourite track, Gangbusters, and explained the strategic decision to hold back some songs to build anticipation. She emphasized that while there is no external pressure, she feels a personal drive to deliver quality music, reflecting the band's evolution and commitment to their craft.
Sarah shared insights into her songwriting process, noting a shift towards creating cohesive narratives rather than standalone lyrics. She discussed the challenges of balancing her solo work with that of The Superjesus, particularly in terms of lyrical content and audience resonance. The conversation also touched on the creative process, where Sarah likened songwriting to an alchemical journey that requires refinement to achieve simplicity. She said she believes that effective songs often stem from straightforward lyrics that engage audiences, a principle she strives to uphold in her work. We discussed the band's upcoming tour and what to expect musically, as well as the opportunity for local band's to open in each city and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64928803Mon, 17 Mar 2025 06:23:08 +0000HEAVY MagazineInterview by Kris Peters The Superjesus have been a mainstay on the Australian rock scene for more than three decades. Their infectious music coupled with arguably one of the best live shows in the country have endeared the band to generations of...The Superjesus have been a mainstay on the Australian rock scene for more than three decades.
Their infectious music coupled with arguably one of the best live shows in the country have endeared the band to generations of music lovers since their inception in the late 1990s, with the band's debut album Sumo in 1998 spawning fan favourites such as Down Again, Saturation and Now and Then.
The follow-up, Jet Age, magnified the growing popularity of The Superjesus, delivering the smash hit Gravity as well as Secret Agent Man before Rock Music rounded out the trifecta in 2003.
A brief hiatus from the mid 2000s gave the band members time to reflect on their personal music ambitions before deciding the world needed more of their music in 2013. This produced an EP, Love and Violence (2016), as well as a double live album but despite The Superjesus quickly reclaiming their status amongst Australia's elite touring band's, no new music has been forthcoming.
That changes this Friday, March 21, when The Superjesus (self-titled) comes out, fuelled by the success of six previous singles Money (We’re Only In It For Love), Lights Out, We Won’t Let Go Until It’s Over, Something Good, a cover of Generation X’s Dancing With Myself and beautiful ballad Diamonds. This is the new Superjesus, a more soulful, engaging version of the band we know and love where song writing is king.
HEAVY caught up with frontwoman Sarah McLeod to find out more. We bring up a quote she made to HEAVY in October last year where she proclaimed "I shit you not, but it's the best stuff we've ever written", and ask if she still feels that way after the album has had more time to digest. A smile swept across her face before replying with a simple "yeah".
"I guess maybe that's why I love it so much," she continued, "because I'm so connected to it. And I just feel like we've got better. I feel like we did a great job in the 90s, and we were happy with those records, but we had 10 years off, and we all went and did different music. We learnt stuff. Ruddy (Stuart, bass) was in all these different bands, and he came back with a whole library of new influences and so did I. And we're like, okay, we're the same people, but we're not really because we've learnt all this stuff. So why don't we bring in the cool shit that we've learned and make something different, but paying homage to who we were. And that's where we're at. And I think it's been really good for us. And I love it."
In the full interview, Sarah expressed her excitement about the album, which has seen the release of six singles over the past 18 months. She highlighted her favourite track, Gangbusters, and explained the strategic decision to hold back some songs to build anticipation. She emphasized that while there is no external pressure, she feels a personal drive to deliver quality music, reflecting the band's evolution and commitment to their craft.
Sarah shared insights into her songwriting process, noting a shift towards creating cohesive narratives rather than standalone lyrics. She discussed the challenges of balancing her solo work with that of The Superjesus, particularly in terms of lyrical content and audience resonance. The conversation also touched on the creative process, where Sarah likened songwriting to an alchemical journey that requires refinement to achieve simplicity. She said she believes that effective songs often stem from straightforward lyrics that engage audiences, a principle she strives to uphold in her work. We discussed the band's upcoming tour and what to expect musically, as well as the opportunity for local band's to open in each city and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1130album,aussierock,heavy,interview,krispeters,music,podcast,rock,sarahmcleod,thesuperjesus,tourtruefullhttps://www.spreaker.com/episode/barry-from-joyce-manor-talks-australian-tour-with-the-wonder-years-and-more--64910982Barry Johnson, vocalist and guitarist from Joyce Manor, sat down with HEAVY for a conversation about the band's upcoming Australian tour with The Wonder Years, their creative process, and life on the road. The Californian punk rockers are gearing up for a return to Australia, a place they’ve always enjoyed performing and connecting with passionate fans. With a long-standing relationship with the country, Barry shared his excitement about the tour and reflected on the band's journey.
When asked what he was most excited about for this round of shows, Barry’s enthusiasm was evident. "I'm excited to be back in Australia. It’s been a while, and I love it there. The crowds are great, and the people are really easy to talk to," he said. He also highlighted the similarities between California and Australia, particularly the laid-back vibe that makes him feel at home. "Being from California, I feel like Australia is a sweet spot. It's got the surfer culture, but the humour aligns with English humour, which is something I can really relate to."
Barry’s memories of past shows in Australia are fond ones, though he admitted that some moments tend to blur together. However, one standout memory remains a show at The Gasometer in Melbourne, which he described as one of the best they’ve ever played. "That show was definitely one of my favourites. It was such an amazing night, and it’s always stuck with me," he shared. Even after all these years, that performance holds a special place for Barry, ranking among the top shows of his career.
The conversation then shifted to the creative side of Joyce Manor. Barry reflected on the making of Last You Heard of Me, from their 2016 album Cody, a track that went through numerous revisions before it came together. "It was one of those songs that we worked on for so long, making small adjustments until it finally clicked," Barry explained. The process was challenging, but the outcome was something the band is incredibly proud of. "It’s hard to imagine it any other way now. All the hard work paid off, and I’m really proud of how it turned out," he added.
In terms of songwriting, Joyce Manor’s process has evolved over the years. Initially, Barry wrote nearly everything for the band, but as time went on, it became more collaborative. "On Cody, it was myself, Chase, and our producer Rob Schnapf working together. It’s really become a group effort," Barry explained. The band's dynamic allows them to balance creativity, ensuring that no one voice dominates while still pushing each other to create their best work.
As for Barry's personal musical tastes, he admitted that while his preferences have evolved slightly over time, they remain grounded in the pop-punk and indie realms. Bands like Weezer, The Gin Blossoms, and The Smiths continue to inspire him. "I like a mix of '90s pop-punk, power pop, and '60s music. I’ve always loved a good song with strong melodies," he said. His love for the craft of songwriting shines through, and it’s clear that melody and structure remain at the heart of his musical identity.
When asked about the band's daily routine on tour, Barry joked about how annoying they can be. "We speak our own weird language, and it’s a bit insufferable at times," he laughed. Despite the inside jokes and constant banter, Barry explained that the hardest part of touring is finding time for himself. "Being around people constantly can be tough. I need a little alone time, but it's hard to get that on tour," he shared, offering a glimpse into the reality of life on the road.
Despite the challenges, touring remains one of the most exciting parts of being in Joyce Manor. When asked whether the band still parties on tour, Barry was quick to respond. "Oh, we definitely party. It’s one of the best parts, but it can make it hard to keep up the energy for the long haul," he admitted. Still, he’s not planning to slow down anytime soon. "I’m going to milk it for all it’s worth," he laughed.
Finally, when asked about new music, Barry confirmed that the band is working on a new record, though there’s no release date just yet. "We’re about halfway through writing and recording it. It’s coming along slowly, but we’re making sure it lives up to the standards we’ve set for ourselves," he teased.
As Joyce Manor gets ready to hit the road with The Wonder Years in Australia, fans can look forward to more unforgettable shows, new music on the horizon, and a band that continues to evolve while staying true to its roots. Catch Joyce Manor opening for The Wonder Years with Aussie band Suzi in March and April.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64910982Sun, 16 Mar 2025 06:45:16 +0000HEAVY MagazineInterview by Angela Croudace Barry Johnson, vocalist and guitarist from Joyce Manor, sat down with HEAVY for a conversation about the band's upcoming Australian tour with The Wonder Years, their creative process, and life on the road. The Californian...Barry Johnson, vocalist and guitarist from Joyce Manor, sat down with HEAVY for a conversation about the band's upcoming Australian tour with The Wonder Years, their creative process, and life on the road. The Californian punk rockers are gearing up for a return to Australia, a place they’ve always enjoyed performing and connecting with passionate fans. With a long-standing relationship with the country, Barry shared his excitement about the tour and reflected on the band's journey.
When asked what he was most excited about for this round of shows, Barry’s enthusiasm was evident. "I'm excited to be back in Australia. It’s been a while, and I love it there. The crowds are great, and the people are really easy to talk to," he said. He also highlighted the similarities between California and Australia, particularly the laid-back vibe that makes him feel at home. "Being from California, I feel like Australia is a sweet spot. It's got the surfer culture, but the humour aligns with English humour, which is something I can really relate to."
Barry’s memories of past shows in Australia are fond ones, though he admitted that some moments tend to blur together. However, one standout memory remains a show at The Gasometer in Melbourne, which he described as one of the best they’ve ever played. "That show was definitely one of my favourites. It was such an amazing night, and it’s always stuck with me," he shared. Even after all these years, that performance holds a special place for Barry, ranking among the top shows of his career.
The conversation then shifted to the creative side of Joyce Manor. Barry reflected on the making of Last You Heard of Me, from their 2016 album Cody, a track that went through numerous revisions before it came together. "It was one of those songs that we worked on for so long, making small adjustments until it finally clicked," Barry explained. The process was challenging, but the outcome was something the band is incredibly proud of. "It’s hard to imagine it any other way now. All the hard work paid off, and I’m really proud of how it turned out," he added.
In terms of songwriting, Joyce Manor’s process has evolved over the years. Initially, Barry wrote nearly everything for the band, but as time went on, it became more collaborative. "On Cody, it was myself, Chase, and our producer Rob Schnapf working together. It’s really become a group effort," Barry explained. The band's dynamic allows them to balance creativity, ensuring that no one voice dominates while still pushing each other to create their best work.
As for Barry's personal musical tastes, he admitted that while his preferences have evolved slightly over time, they remain grounded in the pop-punk and indie realms. Bands like Weezer, The Gin Blossoms, and The Smiths continue to inspire him. "I like a mix of '90s pop-punk, power pop, and '60s music. I’ve always loved a good song with strong melodies," he said. His love for the craft of songwriting shines through, and it’s clear that melody and structure remain at the heart of his musical identity.
When asked about the band's daily routine on tour, Barry joked about how annoying they can be. "We speak our own weird language, and it’s a bit insufferable at times," he laughed. Despite the inside jokes and constant banter, Barry explained that the hardest part of touring is finding time for himself. "Being around people constantly can be tough. I need a little alone time, but it's hard to get that on tour," he shared, offering a glimpse into the reality of life on the road.
Despite the challenges, touring remains one of the most exciting parts of being in Joyce Manor. When asked whether the band still parties on tour, Barry was quick to respond. "Oh, we definitely party. It’s one of the best parts, but it can make it hard to keep up the energy for the long haul," he admitted. Still, he’s not planning to slow down anytime soon. "I’m...]]>1015angelacroudace,australia,hardcore,heavy,heavymetal,interview,joycemanor,music,podcast,punk,thewonderyears,tourtruefullhttps://www.spreaker.com/episode/bringing-the-heat-with-jeremy-sosville-from-sanhedrin--64905469New York trio SANHEDRIN released their long-awaited new full-length, Heat Lightning, last Friday via Metal Blade Records.
SANHEDRIN has spent the last decade at the forefront of the American heavy metal scene blending traditional metal and hard rock sounds with a fresh modern energy and perspective. With 2022’s critically lauded Lights On full-length, the band had created their most complete work to date. With their follow-up, Heat Lightning, the band delivers a diverse collection of songs that wholly captures their wide array of influences with an elevated level of production.
“Sonically, there’s no comparison,” notes drummer Nathan Honor when asked how Heat Lightning compares to the band’s previous efforts. “Heat Lightning is the fullest representation of the power of this band. When you take three seasoned musicians with their favourite handpicked instruments, put them in front of two brilliant producer/engineers in a studio stacked with incredible equipment and no outside distractions, this is what you get.”
Unlike the previous three albums, which were all tracked and mixed by Colin
Marston, for Heat Lightning SANHEDRIN opted to work with a fresh set of ears in a new environment. In doing so, the band landed at the legendary Utopia Bearsville studio in Woodstock, New York. At the helm for recording and co-producing were Matt Brown (Life of Agony, A Pale Horse Named Death) and Jerry Farley (Sick Of It All, Madball).
Heat Lightning gets its title from the second track of the same name. “Heat lightning is a flash of lightning from very far away, sometimes seen in a clear sky,” says vocalist/bassist Erica Stoltz. “It is used as a metaphor for where we see ourselves at the moment in relation to climate change. Collectively, we have moved further away from our direct relationship to nature and have adopted a paternal relationship with the natural world, as if we have control. It was one of the first songs written for the album, and one of the most dynamic tracks the band has ever written."
Elsewhere, The Fight Of Your Life is a tribute to those we call “lifers” in the music business. “It’s about the compulsion to play music no matter what. When you get the bug, and you have it for life, it is your north star, your reason to be,” says Stoltz. Franklin County Line is the fastest song on the record, and inspired guitarist Jeremy Sosville’s hometown and surrounding area in northern New York state. Sosville recounts, “Erica and Nathan came up to visit me and work on new music. In the process, we wrote a song inspired by the local Amish population but with a naughty twist.”
The record commences with Blind Wolf, a hard-rocking, heavy metal stomper and the record’s lead single. Lyrically, the song is inspired by the band’s shared fascination with cults. According to Stoltz, “The blind wolf symbolizes losing your animal instincts as a result of adopting someone else's belief system.” The song is straightforward, pounding, and delivered with ill intent. “We knew as soon as the song was complete that it should open the record,” says Sosville. “It really sets the tone for the journey the listener is about to take with this album.”
HEAVY caught up with Sosville to find out more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64905469Sat, 15 Mar 2025 22:32:55 +0000HEAVY MagazineInterview by Kris Peters New York trio SANHEDRIN released their long-awaited new full-length, Heat Lightning, last Friday via Metal Blade Records. SANHEDRIN has spent the last decade at the forefront of the American heavy metal scene blending...New York trio SANHEDRIN released their long-awaited new full-length, Heat Lightning, last Friday via Metal Blade Records.
SANHEDRIN has spent the last decade at the forefront of the American heavy metal scene blending traditional metal and hard rock sounds with a fresh modern energy and perspective. With 2022’s critically lauded Lights On full-length, the band had created their most complete work to date. With their follow-up, Heat Lightning, the band delivers a diverse collection of songs that wholly captures their wide array of influences with an elevated level of production.
“Sonically, there’s no comparison,” notes drummer Nathan Honor when asked how Heat Lightning compares to the band’s previous efforts. “Heat Lightning is the fullest representation of the power of this band. When you take three seasoned musicians with their favourite handpicked instruments, put them in front of two brilliant producer/engineers in a studio stacked with incredible equipment and no outside distractions, this is what you get.”
Unlike the previous three albums, which were all tracked and mixed by Colin
Marston, for Heat Lightning SANHEDRIN opted to work with a fresh set of ears in a new environment. In doing so, the band landed at the legendary Utopia Bearsville studio in Woodstock, New York. At the helm for recording and co-producing were Matt Brown (Life of Agony, A Pale Horse Named Death) and Jerry Farley (Sick Of It All, Madball).
Heat Lightning gets its title from the second track of the same name. “Heat lightning is a flash of lightning from very far away, sometimes seen in a clear sky,” says vocalist/bassist Erica Stoltz. “It is used as a metaphor for where we see ourselves at the moment in relation to climate change. Collectively, we have moved further away from our direct relationship to nature and have adopted a paternal relationship with the natural world, as if we have control. It was one of the first songs written for the album, and one of the most dynamic tracks the band has ever written."
Elsewhere, The Fight Of Your Life is a tribute to those we call “lifers” in the music business. “It’s about the compulsion to play music no matter what. When you get the bug, and you have it for life, it is your north star, your reason to be,” says Stoltz. Franklin County Line is the fastest song on the record, and inspired guitarist Jeremy Sosville’s hometown and surrounding area in northern New York state. Sosville recounts, “Erica and Nathan came up to visit me and work on new music. In the process, we wrote a song inspired by the local Amish population but with a naughty twist.”
The record commences with Blind Wolf, a hard-rocking, heavy metal stomper and the record’s lead single. Lyrically, the song is inspired by the band’s shared fascination with cults. According to Stoltz, “The blind wolf symbolizes losing your animal instincts as a result of adopting someone else's belief system.” The song is straightforward, pounding, and delivered with ill intent. “We knew as soon as the song was complete that it should open the record,” says Sosville. “It really sets the tone for the journey the listener is about to take with this album.”
HEAVY caught up with Sosville to find out more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>692album,heavy,heavymetal,interview,interviewpodcast,jeremysosville,krispeters,metalbladerecords,music,musicpodcast,podcast,sanhedrinfalsefullhttps://www.spreaker.com/episode/calculating-the-past-present-future-with-ben-weinman-from-the-dillinger-escape-plan--64865193When The Dillinger Escape Plan bid their fans farewell at the end of 2017 the resulting ripples in the live community could be felt around the world. Despite leaving at the top of their game, DEP still left more than a few fans with an overwhelming sense of loss, especially those who had heard about the band's legendary, aggressive and all encapsulating live performances, but never got to witness it first hand.
Formed in 1997 by guitarist Ben Weinman and vocalist Dimitri Minakakis, DEP soon forged a name for themselves on the back of their high intensity, often violent live, reckless shows, the band had an immediate impact with their 1999 debut full-length Calculating Infinity. Among the first people to jump on board was Mike Patton, who invited DEP out on the road for two months with Mr. Bungle, further strengthening their claims as eclectic and tumultuous trailblazers on the metal scene.
Minakakis left the group after that album, with Patton providing vocals on an EP before Greg Puciato submitted a recording which led to him being asked to audition, and the rest is metal history.
After five more albums, DEP officially disbanded in 2017, with Minakakis joining the line-up on stage over the last two performances on December 27 and 28. It seemed a fitting finale for the band who had turned heavy metal on its head over the course of their career, and despite everyone's obvious disappointment, the legacy of DEP would live on forever.
Now, following an 8-year hiatus, The Dillinger Escape Plan return for a very limited number of live shows to commemorate their groundbreaking album Calculating Infinity and so much more, hitting Australia this August for a run of shows. HEAVY caught up with Ben Weinman to find out more.
"We never, ever think about performance, or things like that," he mentioned during the interview. "We always try and be completely uninhibited expression, and that's very important to us. Sometimes I don't even really wanna look out at the crowd, even at soundcheck or anything. I don't wanna have any indication of what to expect, and it's continued to be that way. Although, I think back in the day when we were first writing these songs we had a lot more people looking at us with disgust (laughs), than with enjoyment."
We ask if he has to put himself in a mindset before getting on stage.
"For me, I can say one of the main aspects of turning on the Dillinger performance is that I'm always nervous," he revealed. "I'm never not nervous. I've never stepped on stage un-nervous. I still feel to this day everyone out there's gonna hate us. We're playing to a pack of wild wolves, and it's just stayed with us. Maybe it's just trauma from when we were younger, but I feel like we wrote music that wasn't supposed to be enjoyed (laughs). And we really wrote an album that was just for us, and it ended up working. I really feel that the fact that we're going out there still not even knowing what the reception will be to some degree - at least mentally - and the nerves is what turns it on. Because you either get up on stage and unleash the beast or you turn around and huddle into a ball and play facing the drums."
In the full interview, Ben talks more about what we can expect from the run of shows, revisiting Calculating Infinity, what the album means to him 25 years on, their live intensity and how they sustain it, the early days of The Dillinger Escape Plan, having Mike Patton contribute vocals for an EP after Minakakis left, getting Greg Puciato in the band and what they expected from him, their final 1997 shows with both singers, how that planted the seeds for these reunion shows, the possibility of making the comeback permanent and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64865193Sat, 15 Mar 2025 11:30:55 +0000HEAVY MagazineInterview by Kris Peters When The Dillinger Escape Plan bid their fans farewell at the end of 2017 the resulting ripples in the live community could be felt around the world. Despite leaving at the top of their game, DEP still left more than a few...When The Dillinger Escape Plan bid their fans farewell at the end of 2017 the resulting ripples in the live community could be felt around the world. Despite leaving at the top of their game, DEP still left more than a few fans with an overwhelming sense of loss, especially those who had heard about the band's legendary, aggressive and all encapsulating live performances, but never got to witness it first hand.
Formed in 1997 by guitarist Ben Weinman and vocalist Dimitri Minakakis, DEP soon forged a name for themselves on the back of their high intensity, often violent live, reckless shows, the band had an immediate impact with their 1999 debut full-length Calculating Infinity. Among the first people to jump on board was Mike Patton, who invited DEP out on the road for two months with Mr. Bungle, further strengthening their claims as eclectic and tumultuous trailblazers on the metal scene.
Minakakis left the group after that album, with Patton providing vocals on an EP before Greg Puciato submitted a recording which led to him being asked to audition, and the rest is metal history.
After five more albums, DEP officially disbanded in 2017, with Minakakis joining the line-up on stage over the last two performances on December 27 and 28. It seemed a fitting finale for the band who had turned heavy metal on its head over the course of their career, and despite everyone's obvious disappointment, the legacy of DEP would live on forever.
Now, following an 8-year hiatus, The Dillinger Escape Plan return for a very limited number of live shows to commemorate their groundbreaking album Calculating Infinity and so much more, hitting Australia this August for a run of shows. HEAVY caught up with Ben Weinman to find out more.
"We never, ever think about performance, or things like that," he mentioned during the interview. "We always try and be completely uninhibited expression, and that's very important to us. Sometimes I don't even really wanna look out at the crowd, even at soundcheck or anything. I don't wanna have any indication of what to expect, and it's continued to be that way. Although, I think back in the day when we were first writing these songs we had a lot more people looking at us with disgust (laughs), than with enjoyment."
We ask if he has to put himself in a mindset before getting on stage.
"For me, I can say one of the main aspects of turning on the Dillinger performance is that I'm always nervous," he revealed. "I'm never not nervous. I've never stepped on stage un-nervous. I still feel to this day everyone out there's gonna hate us. We're playing to a pack of wild wolves, and it's just stayed with us. Maybe it's just trauma from when we were younger, but I feel like we wrote music that wasn't supposed to be enjoyed (laughs). And we really wrote an album that was just for us, and it ended up working. I really feel that the fact that we're going out there still not even knowing what the reception will be to some degree - at least mentally - and the nerves is what turns it on. Because you either get up on stage and unleash the beast or you turn around and huddle into a ball and play facing the drums."
In the full interview, Ben talks more about what we can expect from the run of shows, revisiting Calculating Infinity, what the album means to him 25 years on, their live intensity and how they sustain it, the early days of The Dillinger Escape Plan, having Mike Patton contribute vocals for an EP after Minakakis left, getting Greg Puciato in the band and what they expected from him, their final 1997 shows with both singers, how that planted the seeds for these reunion shows, the possibility of making the comeback permanent and more.


Become a supporter of this podcast: 1203australia,benweinman,calculatinginfinity,dimitriminikakis,heavy,heavymetal,interview,krispeters,music,podcast,thedillingerescapeplan,thephoenix,tourtruefullhttps://www.spreaker.com/episode/breaking-out-through-music-with-sidharth-kakadi-from-zygnema--64866916Indian heavy outfit Zygnema have spent the past 18 years honing and refining their sounds from their home base of Mumbai, releasing two full length albums, one EP and a handful of singles. The band won the Rolling Stone Metal Awards in 2011, 2014 and 2016 and have performed at Wacken Open Air, Inferno Metal Festival, Osna Metal Fest as well as a few independent shows/tours in Europe.
Zygnema recently unveiled their five track EP Iconic which came with two singles, but the band are hoping the sustained success of their music as well as the positive reception for Iconic will see them crack wider markets including Australia.
HEAVY spoke with guitarist Sidharth Kadadi to find out more.
We discussed the reception to Iconic, found out more about Zygnema and their history, the musical nature of the EP, a more in depth look at each of the five songs, how their music has taken them around the world, winning prestigious awards along the way and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64866916Sat, 15 Mar 2025 11:28:12 +0000HEAVY MagazineInterview by Kris Peters Indian heavy outfit Zygnema have spent the past 18 years honing and refining their sounds from their home base of Mumbai, releasing two full length albums, one EP and a handful of singles. The band won the Rolling Stone Metal...Indian heavy outfit Zygnema have spent the past 18 years honing and refining their sounds from their home base of Mumbai, releasing two full length albums, one EP and a handful of singles. The band won the Rolling Stone Metal Awards in 2011, 2014 and 2016 and have performed at Wacken Open Air, Inferno Metal Festival, Osna Metal Fest as well as a few independent shows/tours in Europe.
Zygnema recently unveiled their five track EP Iconic which came with two singles, but the band are hoping the sustained success of their music as well as the positive reception for Iconic will see them crack wider markets including Australia.
HEAVY spoke with guitarist Sidharth Kadadi to find out more.
We discussed the reception to Iconic, found out more about Zygnema and their history, the musical nature of the EP, a more in depth look at each of the five songs, how their music has taken them around the world, winning prestigious awards along the way and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1294heavy,heavymetal,india,interview,krispeters,music,podcast,zygnemafalsefullhttps://www.spreaker.com/episode/bleeding-for-your-art-with-kragen-lum-from-heathen--64872227Formed in 1984 in San Francisco’s Bay Area—home to EXODUS, METALLICA, TESTAMENT, and DEATH ANGEL HEATHEN quickly separated themselves from the pack by expertly fusing David White’s distinctive vocals with a melody-driven and forward-thinking musical style. The band’s first two albums, Breaking the Silence and Victims of Deception, are widely regarded as Bay Area Thrash classics. The HEATHEN brand of intelligent yet aggressive Thrash appealed not only to the genre’s core demographic, but also Metal fans looking for brains behind the brawn. The most recent full-length album, Empire of the Blind, continued to push the boundaries of the genre, expanding their audience while restoring faith in vicious yet brainy Thrash Metal, the very kind that put HEATHEN on the map.
Since the release of their last album, Empire of the Blind, HEATHEN has toured nonstop, playing hundreds of shows across five continents. From the moment that the COVID restrictions lifted in 2022, the band hit the ground running, touring with contemporaries such as TESTAMENT, EXODUS, OVERKILL, and SYMPHONY X over the last three years. Recorded in several cities across the United States during the 2023 Bleed the World Tour, Bleed the World: Live is the perfect audio representation of the HEATHEN live show. Featuring songs from each of the band’s albums, including recent tracks such as Sun in My Hand and The Blight as well as classics such as Hypnotized and Goblin’s Blade, the live album mirrors the band’s crushing live set list. The cover artwork by Travis Smith depicts a steel HEATHEN logo piercing the bleeding Earth, held by a hand that encapsulates the world tour as a moment in time. 
Produced by guitarist Kragen Lum and mixed by Zeuss, Bleed the World: Live transports the listener into the concert hall with a crystal-clear yet heavy production and captures the interaction between band and audience that makes every HEATHEN live show special.
HEAVY caught up with Lum for a chat earlier today, starting with the early response to the album.
"All the feedback that we've gotten so far has been great," he smiled. "One person mentioned that it was like, if you closed your eyes, you were there at the show. And that was exactly what we were trying to do. We made sure that when we were recording, we recorded not just the band, but also the audience at every show so we could really get the live album feel. Those classic live albums that we used to love - Live After Death and many other ones - you feel like you're there because the audience is so prominent. The feedback from the crowd and everything in the song. And I think modern live albums are missing that because a lot of bands record the show, but they don't record the audience, and you're kind of missing an important element to the live show."
In the full interview, Kragem spoke more about what to expect from Bleed The World: Live, the early feedback, if the band approached the concerts any differently knowing they were being recorded for an album, the process of putting together the tracks and selecting them, how critical the band members were of themselves when they listened back through, how they made every effort to replicate the live sound on the album, his early experiences with Heathen before joining, if there was any pressure on him coming into an established band and how long it took him to feel comfortable, their strike record of one album every ten years and if they plan to speed up that process moving forward, the possibilities of coming to Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64872227Fri, 14 Mar 2025 02:03:13 +0000HEAVY MagazineFor the past 40 years, the venerated Thrash Metal outfit HEATHEN have abided by their never-say-die attitude. Formed in 1984 in San Francisco’s Bay Area—home to EXODUS, METALLICA, TESTAMENT, and DEATH ANGEL HEATHEN quickly separated themselves from...Formed in 1984 in San Francisco’s Bay Area—home to EXODUS, METALLICA, TESTAMENT, and DEATH ANGEL HEATHEN quickly separated themselves from the pack by expertly fusing David White’s distinctive vocals with a melody-driven and forward-thinking musical style. The band’s first two albums, Breaking the Silence and Victims of Deception, are widely regarded as Bay Area Thrash classics. The HEATHEN brand of intelligent yet aggressive Thrash appealed not only to the genre’s core demographic, but also Metal fans looking for brains behind the brawn. The most recent full-length album, Empire of the Blind, continued to push the boundaries of the genre, expanding their audience while restoring faith in vicious yet brainy Thrash Metal, the very kind that put HEATHEN on the map.
Since the release of their last album, Empire of the Blind, HEATHEN has toured nonstop, playing hundreds of shows across five continents. From the moment that the COVID restrictions lifted in 2022, the band hit the ground running, touring with contemporaries such as TESTAMENT, EXODUS, OVERKILL, and SYMPHONY X over the last three years. Recorded in several cities across the United States during the 2023 Bleed the World Tour, Bleed the World: Live is the perfect audio representation of the HEATHEN live show. Featuring songs from each of the band’s albums, including recent tracks such as Sun in My Hand and The Blight as well as classics such as Hypnotized and Goblin’s Blade, the live album mirrors the band’s crushing live set list. The cover artwork by Travis Smith depicts a steel HEATHEN logo piercing the bleeding Earth, held by a hand that encapsulates the world tour as a moment in time. 
Produced by guitarist Kragen Lum and mixed by Zeuss, Bleed the World: Live transports the listener into the concert hall with a crystal-clear yet heavy production and captures the interaction between band and audience that makes every HEATHEN live show special.
HEAVY caught up with Lum for a chat earlier today, starting with the early response to the album.
"All the feedback that we've gotten so far has been great," he smiled. "One person mentioned that it was like, if you closed your eyes, you were there at the show. And that was exactly what we were trying to do. We made sure that when we were recording, we recorded not just the band, but also the audience at every show so we could really get the live album feel. Those classic live albums that we used to love - Live After Death and many other ones - you feel like you're there because the audience is so prominent. The feedback from the crowd and everything in the song. And I think modern live albums are missing that because a lot of bands record the show, but they don't record the audience, and you're kind of missing an important element to the live show."
In the full interview, Kragem spoke more about what to expect from Bleed The World: Live, the early feedback, if the band approached the concerts any differently knowing they were being recorded for an album, the process of putting together the tracks and selecting them, how critical the band members were of themselves when they listened back through, how they made every effort to replicate the live sound on the album, his early experiences with Heathen before joining, if there was any pressure on him coming into an established band and how long it took him to feel comfortable, their strike record of one album every ten years and if they plan to speed up that process moving forward, the possibilities of coming to Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>736album,bayareathrash,heathen,heavy,heavymetal,interview,kragemlum,krispeters,music,nuclearblastrecords,podcast,thrashmetaltruefullhttps://www.spreaker.com/episode/travis-stever-on-balancing-coheed-and-cambria-with-l-s-dunes--64866090Travis Stever, guitarist for both Coheed and Cambria and L.S. Dunes, is a musician who thrives on creative challenges. In an interview with HEAVY, Stever reflects on the evolution of Coheed’s sound, the ongoing exploration of new musical landscapes, and the balance between his two distinct musical worlds.
When asked about Coheed and Cambria’s latest release, The Father Of Make Believe (released today), Stever notes that while the band always experiments with new sounds, what sets this album apart is the expansive exploration of styles within a familiar framework. "The box is so massive that we allow ourselves to create within it. We go outside of it, but not so far that fans will be left wondering what we’re doing,” he explains. The band continues to evolve, but as Stever points out, their willingness to experiment has been a constant, leading to albums that always surprise, yet never stray too far from their core sound.
At the heart of the new album lies a theme of internal conflict, a wall within oneself. Stever shares that this theme resonates deeply within the band, particularly in how personal growth and struggles are reflected in the music. He describes the songwriting process as a journey of self-acceptance, where overthinking gives way to simplicity and beauty. "You realise life doesn’t need to be so complicated," he muses, pointing to the sense of peace the band has found in their evolution as both artists and individuals.
Stever's dual role in Coheed and Cambria and L.S. Dunes, another band that offers a more collaborative and raw sound, presents an interesting dynamic. The contrast in approach is striking. "In Coheed, it’s Claudio’s songs, and I add my identity to them," Stever explains, noting that his role is often about enhancing Claudio Sanchez’s vision. However, with L.S. Dunes, the creative process is more democratic, with everyone contributing equally. "It’s more of a group consciousness," Stever discusses the band's writing approach, highlighting how the collaborative effort—where he adds his own contributions to the ideas brought forward by fellow guitarist Frank Iero—injects a unique energy into their music.
Touring is another key topic, and Stever is excited about the possibility of returning to Australia. Reflecting on his previous experiences, including Coheed's headlining spot at Australia’s Monolith Festival, Stever fondly recalls the intimate connection the band had with the audience. "Tasmania was mind-blowing," he says, sharing his appreciation for the passionate Australian fans. With talks of a 2025 Australian tour, Stever hopes the band can return and continue fostering that special connection.
Finally, Stever offers insight into the evolution of L.S. Dunes' sound, specifically the band’s latest record, Violet. The song's optimistic tone marks a departure from the darker, more confined themes explored in Past Lives. Stever attributes this shift to the personal growth of the band’s members, especially lead vocalist Anthony Green, whose newfound sense of balance and self-awareness has directly influenced the band's sound and lyrical direction.
Stever reflects on the growth of both Coheed and Cambria and L.S. Dunes, emphasising that the journey of artistic expression is always ongoing—full of challenges, rewards, and an ever-expanding soundscape.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64866090Thu, 13 Mar 2025 18:14:33 +0000HEAVY MagazineInterview by Angela Croudace Travis Stever, guitarist for both Coheed and Cambria and L.S. Dunes, is a musician who thrives on creative challenges. In an interview with HEAVY, Stever reflects on the evolution of Coheed’s sound, the ongoing exploration...Travis Stever, guitarist for both Coheed and Cambria and L.S. Dunes, is a musician who thrives on creative challenges. In an interview with HEAVY, Stever reflects on the evolution of Coheed’s sound, the ongoing exploration of new musical landscapes, and the balance between his two distinct musical worlds.
When asked about Coheed and Cambria’s latest release, The Father Of Make Believe (released today), Stever notes that while the band always experiments with new sounds, what sets this album apart is the expansive exploration of styles within a familiar framework. "The box is so massive that we allow ourselves to create within it. We go outside of it, but not so far that fans will be left wondering what we’re doing,” he explains. The band continues to evolve, but as Stever points out, their willingness to experiment has been a constant, leading to albums that always surprise, yet never stray too far from their core sound.
At the heart of the new album lies a theme of internal conflict, a wall within oneself. Stever shares that this theme resonates deeply within the band, particularly in how personal growth and struggles are reflected in the music. He describes the songwriting process as a journey of self-acceptance, where overthinking gives way to simplicity and beauty. "You realise life doesn’t need to be so complicated," he muses, pointing to the sense of peace the band has found in their evolution as both artists and individuals.
Stever's dual role in Coheed and Cambria and L.S. Dunes, another band that offers a more collaborative and raw sound, presents an interesting dynamic. The contrast in approach is striking. "In Coheed, it’s Claudio’s songs, and I add my identity to them," Stever explains, noting that his role is often about enhancing Claudio Sanchez’s vision. However, with L.S. Dunes, the creative process is more democratic, with everyone contributing equally. "It’s more of a group consciousness," Stever discusses the band's writing approach, highlighting how the collaborative effort—where he adds his own contributions to the ideas brought forward by fellow guitarist Frank Iero—injects a unique energy into their music.
Touring is another key topic, and Stever is excited about the possibility of returning to Australia. Reflecting on his previous experiences, including Coheed's headlining spot at Australia’s Monolith Festival, Stever fondly recalls the intimate connection the band had with the audience. "Tasmania was mind-blowing," he says, sharing his appreciation for the passionate Australian fans. With talks of a 2025 Australian tour, Stever hopes the band can return and continue fostering that special connection.
Finally, Stever offers insight into the evolution of L.S. Dunes' sound, specifically the band’s latest record, Violet. The song's optimistic tone marks a departure from the darker, more confined themes explored in Past Lives. Stever attributes this shift to the personal growth of the band’s members, especially lead vocalist Anthony Green, whose newfound sense of balance and self-awareness has directly influenced the band's sound and lyrical direction.
Stever reflects on the growth of both Coheed and Cambria and L.S. Dunes, emphasising that the journey of artistic expression is always ongoing—full of challenges, rewards, and an ever-expanding soundscape.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>963album,angelacroudace,coheed&cambria,hardrock,heavy,heavymetal,interview,lsdunes,music,podcast,progressivemetal,rock,travisstevertruefullhttps://www.spreaker.com/episode/two-sides-of-the-coin-with-adrian-smith-from-smith-kotzen--64763126When Adrian Smith (Iron Maiden) and Richie Kotzen (The Winery Dogs) first joined forces for their debut self-titled album in 2021 it was as though the music Gods had finally listened to our prayers. Here were two of possibly the greatest guitarists of the modern era in their preferred genres, forming a sonically unlikely union that most feared would be a one-time merging of passions that dissipated once both parties overcame yet another musical challenge to emerge triumphant.
Blending both guitarists' loves of music, that first release was a smouldering mix of hard rock, blues, groove and R & B with splashings of metal and attitude where it mattered. The fact that both Kotzen and Smith shared guitar, bass, vocals, composing and production duties on the album added to the allure of their music, each contributing different sides of their musical psyche while experimenting with sides that were either dormant or previously non-existent.
It was that good.
But, as is their right, Smith and Kotzen played their cards close to their chest over the ensuing years, neither fully committed or non-committal to a second helping. As the years ticked over it seemed less likely that we would hear another record from Smith/Kotzen before the announcement came late last year that round two was certainly on the cards and that the friends and celebrated musicians had each found time in their busy schedules to start on the next whirlwind of expectation that a new album inevitably brings.
Thus Black Light/White Noise was introduced to the world, and after being teased with two singles that bear the names of each individual component of the album title, we are fast approaching the finish line when album number two is set free in the world on April 4. Black Light/White Noise is a truly magnificent collection of songs that stands shoulder to shoulder with some of Smith and Kotzen's finest work to date. Atmospheric, ambitious, diverse and brilliant, it not only features stratospheric guitar solos and phenomenal rock vocals but soulful touches, intricate playing, beautiful songwriting and an assured poise and style that brings to mind a host of legendary bands and musicians (Thin Lizzy, Jimi Hendrix, Prince, Cream, Free, Deep Purple) yet is undeniably the work of Adrian Smith and Richie Kotzen in perfect harmony.
With the release date rapidly approaching, HEAVY jumped at the chance to spend some time with Adrian Smith, after we had the pleasure of speaking with Kotzen the first time around. We get straight to the point, reiterating claims from most who have heard the new album, who say it is quite possibly the best slab of music either of them has done individually or together. Then follow up by asking if they are right.
"Well…" he measured. "You write the songs the best you can, and you play them the best you can. I think… I think this is a more consistent album than the first one. It's probably a little more up-tempo. Obviously over time, Richie and I developed our writing relationship. Our playing relationship, I think, has gone from strength to strength."
Black Light/White Noise ticks all of the boxes you would expect and more. There's guitar solos, funk, groove, blues, hard rock and more guitar solos but the overriding thing HEAVY took out of our listen was that it sounds like Smith and Kotzen genuinely had fun and enjoyed the process.
"I play music because I wanna do it, anyway," Smith replied. "But yeah, it's fun. Richie and I are friends and have been for the best part of ten years. I live part time in America. I'm over there usually around Christmas, and we met up one year - I had a party at my house - and we started jamming Bad Company and Stevie Ray Vaughan and all that blues and someone said you guys should write together so that's what we ended up doing. And we did it because it was fun and we thought we had something to say as well. I take a lot of inspiration from 70s music. I grew up and that music had a massive effect on me when I was a kid - it changed my life - so I take that as my basic inspiration. Then you try and take that to another level. You try and use it as an ingredient and write songs that stand up on their own."
In the full interview, Adrian discusses the singles released and how they represent the overall album, their extra emphasis on collaboration this time around and how it impacted the finished result, the album title and how it combines two album tracks to create a mental image, the creative process and how they harnessed their individual talents into a cohesive unit, his favourite tracks on the album, taking Smith/Kotzen into a live setting and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64763126Thu, 13 Mar 2025 15:59:15 +0000HEAVY MagazineInterview by Kris Peters When Adrian Smith (Iron Maiden) and Richie Kotzen (The Winery Dogs) first joined forces for their debut self-titled album in 2021 it was as though the music Gods had finally listened to our prayers. Here were two of possibly...When Adrian Smith (Iron Maiden) and Richie Kotzen (The Winery Dogs) first joined forces for their debut self-titled album in 2021 it was as though the music Gods had finally listened to our prayers. Here were two of possibly the greatest guitarists of the modern era in their preferred genres, forming a sonically unlikely union that most feared would be a one-time merging of passions that dissipated once both parties overcame yet another musical challenge to emerge triumphant.
Blending both guitarists' loves of music, that first release was a smouldering mix of hard rock, blues, groove and R & B with splashings of metal and attitude where it mattered. The fact that both Kotzen and Smith shared guitar, bass, vocals, composing and production duties on the album added to the allure of their music, each contributing different sides of their musical psyche while experimenting with sides that were either dormant or previously non-existent.
It was that good.
But, as is their right, Smith and Kotzen played their cards close to their chest over the ensuing years, neither fully committed or non-committal to a second helping. As the years ticked over it seemed less likely that we would hear another record from Smith/Kotzen before the announcement came late last year that round two was certainly on the cards and that the friends and celebrated musicians had each found time in their busy schedules to start on the next whirlwind of expectation that a new album inevitably brings.
Thus Black Light/White Noise was introduced to the world, and after being teased with two singles that bear the names of each individual component of the album title, we are fast approaching the finish line when album number two is set free in the world on April 4. Black Light/White Noise is a truly magnificent collection of songs that stands shoulder to shoulder with some of Smith and Kotzen's finest work to date. Atmospheric, ambitious, diverse and brilliant, it not only features stratospheric guitar solos and phenomenal rock vocals but soulful touches, intricate playing, beautiful songwriting and an assured poise and style that brings to mind a host of legendary bands and musicians (Thin Lizzy, Jimi Hendrix, Prince, Cream, Free, Deep Purple) yet is undeniably the work of Adrian Smith and Richie Kotzen in perfect harmony.
With the release date rapidly approaching, HEAVY jumped at the chance to spend some time with Adrian Smith, after we had the pleasure of speaking with Kotzen the first time around. We get straight to the point, reiterating claims from most who have heard the new album, who say it is quite possibly the best slab of music either of them has done individually or together. Then follow up by asking if they are right.
"Well…" he measured. "You write the songs the best you can, and you play them the best you can. I think… I think this is a more consistent album than the first one. It's probably a little more up-tempo. Obviously over time, Richie and I developed our writing relationship. Our playing relationship, I think, has gone from strength to strength."
Black Light/White Noise ticks all of the boxes you would expect and more. There's guitar solos, funk, groove, blues, hard rock and more guitar solos but the overriding thing HEAVY took out of our listen was that it sounds like Smith and Kotzen genuinely had fun and enjoyed the process.
"I play music because I wanna do it, anyway," Smith replied. "But yeah, it's fun. Richie and I are friends and have been for the best part of ten years. I live part time in America. I'm over there usually around Christmas, and we met up one year - I had a party at my house - and we started jamming Bad Company and Stevie Ray Vaughan and all that blues and someone said you guys should write together so that's what we ended up doing. And we did it because it was fun and we thought we had something to say as well. I take a lot of inspiration from...]]>952adriansmith,guitar,hardrock,heavy,heavymetal,interview,ironmaiden,krispeters,music,podcast,richiekotzen,rock,smith/kotzen,thewinerydogsfalsefullhttps://www.spreaker.com/episode/brothers-in-rock-sisters-doll-s-journey-from-collie-to-global-stardom--64858957HEAVY had a chat with Austin Mileto, lead guitarist of Sisters Doll; the band's journey and their latest album Scars were explored in detail. From their glam rock beginnings to their evolution as a band, Sisters Doll's unique sound and captivating stage presence have resonated with audiences worldwide.
The name, Sisters Doll, was inspired by the glam rock aesthetic they sought to embrace. Austin shared that they were drawn to the bold, colourful looks of bands like Twisted Sister and New York Dolls. Their name, created by the band’s singer Brennan Mileto, stuck because of its catchy syllables and the visual impact it invoked.
Scars marks a significant chapter in the band’s story; after a long hiatus since their 2017 release All Dolled Up, the band poured their personal experiences into the album, with each track symbolising a different scar from their lives. Austin explained that the inspiration came naturally, shaped by the challenges they faced both personally and professionally. The band worked remotely during COVID to demo and refine their songs, collaborating with producer Ricki Rae to shape their latest sound.
Sisters Doll's musical influences are diverse, ranging from classic rock icons like Kiss and Van Halen to contemporary artists like Machine Gun Kelly and Olivia Rodrigo. Austin revealed that while their core sound remains rock and roll, the band's individual tastes—ranging from country to flamenco—bring unique textures to their music.
Austin also shared stories from the band's early days, including a memorable tour experience where the band’s van broke down multiple times, testing their endurance. But with persistence and support from their family (especially their sweet mother who rescued them roadside), they powered through, learning valuable lessons along the way.
Looking ahead, the band is gearing up for an exciting USA tour, including a performance on the Monsters of Rock Cruise, where they’ll share the stage with some of their heroes, such as Extreme and George Lynch. An incredible achievement for this band of brothers—quite literally, all four members are siblings! Hailing from Western Australia, they were propelled to musical success at an impressively young age. Despite their rising fame, they continue to reach new heights while maintaining a refreshingly down-to-earth charm that resonates with fans worldwide.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64858957Thu, 13 Mar 2025 10:31:54 +0000HEAVY MagazineInterview by Angela Croudace HEAVY had a chat with Austin Mileto, lead guitarist of Sisters Doll; the band's journey and their latest album Scars were explored in detail. From their glam rock beginnings to their evolution as a band, Sisters Doll's...HEAVY had a chat with Austin Mileto, lead guitarist of Sisters Doll; the band's journey and their latest album Scars were explored in detail. From their glam rock beginnings to their evolution as a band, Sisters Doll's unique sound and captivating stage presence have resonated with audiences worldwide.
The name, Sisters Doll, was inspired by the glam rock aesthetic they sought to embrace. Austin shared that they were drawn to the bold, colourful looks of bands like Twisted Sister and New York Dolls. Their name, created by the band’s singer Brennan Mileto, stuck because of its catchy syllables and the visual impact it invoked.
Scars marks a significant chapter in the band’s story; after a long hiatus since their 2017 release All Dolled Up, the band poured their personal experiences into the album, with each track symbolising a different scar from their lives. Austin explained that the inspiration came naturally, shaped by the challenges they faced both personally and professionally. The band worked remotely during COVID to demo and refine their songs, collaborating with producer Ricki Rae to shape their latest sound.
Sisters Doll's musical influences are diverse, ranging from classic rock icons like Kiss and Van Halen to contemporary artists like Machine Gun Kelly and Olivia Rodrigo. Austin revealed that while their core sound remains rock and roll, the band's individual tastes—ranging from country to flamenco—bring unique textures to their music.
Austin also shared stories from the band's early days, including a memorable tour experience where the band’s van broke down multiple times, testing their endurance. But with persistence and support from their family (especially their sweet mother who rescued them roadside), they powered through, learning valuable lessons along the way.
Looking ahead, the band is gearing up for an exciting USA tour, including a performance on the Monsters of Rock Cruise, where they’ll share the stage with some of their heroes, such as Extreme and George Lynch. An incredible achievement for this band of brothers—quite literally, all four members are siblings! Hailing from Western Australia, they were propelled to musical success at an impressively young age. Despite their rising fame, they continue to reach new heights while maintaining a refreshingly down-to-earth charm that resonates with fans worldwide.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1302angelacroudace,aussierock,austinmiletto,australia,hardrock,heavy,interview,monstersofrock,music,podcast,rock,scars,sistersdollfalsefullhttps://www.spreaker.com/episode/the-perfect-storm-with-courtney-laplante-from-spiritbox--64762446Driven by a desire to rise beyond their surroundings in the picturesque yet isolated region of Victoria, British Columbia, Canada, vocalist Courtney Laplante and guitarist Mike Stringer combined to form Spiritbox in 2017.
Little did they know their musical trajectory from there would be swift and monumental, cementing themselves as a household name in the Summer of 2020 with the release of their blistering breakout single Holy Roller, along with a host of other captivating singles shortly after resulting in a media firestorm of hype.
The following year Spiritbox released their debut album Eternal Blue, kicking open the doors of the heavy metal scene and rewriting the genre's playbook with 12 stunning tracks that incorporated everything from djent and post-metal to infectious synth-laden pop sensibilities and cinematic arrangements, brought fully to life by the inimitable Laplante's ethereal and commanding vocal performances.
After furthering their sonic expansion over two more EPs Spiritbox have now unleashed their sophomore album, the mesmerizing and ferociously beautiful Tsunami Sea, once more pushing the boundaries of acceptance in a genre that is often restricting by nature. It is an album of contrasting styles and emotions, majestically entwined with the DNA from which Spiritbox have built their empire.
There is a storm coming indeed, and that storm is called Tsunami Sea.
HEAVY spoke with Laplante to discuss things in more detail.
"A lot of work went into it with the planning," she mused. "When we do a full-length album it's usually - if you do it more traditionally like how we are doing this one - a whole dramatic, climactic roll out. You start promoting it. You want to give it a fair shot. So you start promoting it early, and it's just this huge big climactic thing. Like you said, it's like D Day."
We ask Courtney to dive into the musical side of Tsunami Sea and what the band were going for with it.
"I don't normally say this until after the album comes out, but all of our work… everything. Everything we've ever made, any body of work is actually a concept album but we don't market it as a concept album," she revealed."This one is no different. Each body of work has its own little story and the story of this one is… it's just representing, lyrically, myself, and then instrumentally Michael expressing the push and pull that we feel being from an island off the West coast of Canada. It's interesting living there if your goal is to leave the island and go play your music to other people. As you guys know too. it's the same that a lot of Australian bands think sometimes as well when they're trying to leave. You feel so remote and isolated and it feels impossible to leave. And then you leave and you miss it. That really intertwines with me with depression. Like, deteriorating mental health. There's the deep depression and then there can be mania then deep depression, and it's so polarizing. It reminded me of the ocan and it reminded me of growing up surrounded by water and it reminded me of how where are from… whre we are at sea level if the big earthquake - everyone here calls it The Big One - ever happens, our whole island will either completely be submerged by water and we'll all die, or at least we'' be more cut off and no-one could get us any food or anything. It's kind of like that existential dread under the surface that you push down and suppress and to live your life you have to push it all the way down, and not every day wake up and hope it's not today."
In the full interview, Courtney opens up more about Tsunami Sea, the temptations of rehashing the same winning formula that worked so well with Eternal Blue, why it was important to not do that, album opener Fata Morgana and why it was chosen as first point of contact, how Tsunami Sea represents Spiritbox moving forward, the early days of the band and the climate that spawned them, their early success and how they dealt with it, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64762446Thu, 13 Mar 2025 07:53:05 +0000HEAVY MagazineInterview by Kris Peters Driven by a desire to rise beyond their surroundings in the picturesque yet isolated region of Victoria, British Columbia, Canada, vocalist Courtney Laplante and guitarist Mike Stringer combined to form Spiritbox in 2017....Driven by a desire to rise beyond their surroundings in the picturesque yet isolated region of Victoria, British Columbia, Canada, vocalist Courtney Laplante and guitarist Mike Stringer combined to form Spiritbox in 2017.
Little did they know their musical trajectory from there would be swift and monumental, cementing themselves as a household name in the Summer of 2020 with the release of their blistering breakout single Holy Roller, along with a host of other captivating singles shortly after resulting in a media firestorm of hype.
The following year Spiritbox released their debut album Eternal Blue, kicking open the doors of the heavy metal scene and rewriting the genre's playbook with 12 stunning tracks that incorporated everything from djent and post-metal to infectious synth-laden pop sensibilities and cinematic arrangements, brought fully to life by the inimitable Laplante's ethereal and commanding vocal performances.
After furthering their sonic expansion over two more EPs Spiritbox have now unleashed their sophomore album, the mesmerizing and ferociously beautiful Tsunami Sea, once more pushing the boundaries of acceptance in a genre that is often restricting by nature. It is an album of contrasting styles and emotions, majestically entwined with the DNA from which Spiritbox have built their empire.
There is a storm coming indeed, and that storm is called Tsunami Sea.
HEAVY spoke with Laplante to discuss things in more detail.
"A lot of work went into it with the planning," she mused. "When we do a full-length album it's usually - if you do it more traditionally like how we are doing this one - a whole dramatic, climactic roll out. You start promoting it. You want to give it a fair shot. So you start promoting it early, and it's just this huge big climactic thing. Like you said, it's like D Day."
We ask Courtney to dive into the musical side of Tsunami Sea and what the band were going for with it.
"I don't normally say this until after the album comes out, but all of our work… everything. Everything we've ever made, any body of work is actually a concept album but we don't market it as a concept album," she revealed."This one is no different. Each body of work has its own little story and the story of this one is… it's just representing, lyrically, myself, and then instrumentally Michael expressing the push and pull that we feel being from an island off the West coast of Canada. It's interesting living there if your goal is to leave the island and go play your music to other people. As you guys know too. it's the same that a lot of Australian bands think sometimes as well when they're trying to leave. You feel so remote and isolated and it feels impossible to leave. And then you leave and you miss it. That really intertwines with me with depression. Like, deteriorating mental health. There's the deep depression and then there can be mania then deep depression, and it's so polarizing. It reminded me of the ocan and it reminded me of growing up surrounded by water and it reminded me of how where are from… whre we are at sea level if the big earthquake - everyone here calls it The Big One - ever happens, our whole island will either completely be submerged by water and we'll all die, or at least we'' be more cut off and no-one could get us any food or anything. It's kind of like that existential dread under the surface that you push down and suppress and to live your life you have to push it all the way down, and not every day wake up and hope it's not today."
In the full interview, Courtney opens up more about Tsunami Sea, the temptations of rehashing the same winning formula that worked so well with Eternal Blue, why it was important to not do that, album opener Fata Morgana and why it was chosen as first point of contact, how Tsunami Sea represents Spiritbox moving forward, the early days of the band and the climate that spawned them, their...]]>1309album,courtneylaplante,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,spiritbox,tsunamiseafalsefullhttps://www.spreaker.com/episode/burning-minds-with-brett-campbell-from-pallbearer--64801727Renowned doom metal merchants PALLBEARER make their return to Australia in March 2025 for an electrifying tour, promising to deliver their signature blend of haunting melodies and crushing riffs. Joining them on all dates will be special guests UK doom metal titans CONAN.
The 2024 release of Mind Burns Alive finds Pallbearer navigating the space between disquiet and serenity with a singular intensity. At times poetic and blistering, their fifth full length is a heartfelt meditation on isolation, trauma and mental breakdown, framed by the possibility of redemption and the quiet aching beauty of escape.
Known for their colossal riffs and unrelenting heaviness, Conan has carved a unique niche in the metal scene, drawing fans with their atmospheric yet punishing sound. This tour comes on the heels of their critically acclaimed album, Evidence of Immortality, which showcases their evolution while staying true to their doom-laden roots.
HEAVY spoke with Pallbearer frontman Brett Campbell before he boarded the flight to find out what we can expect..
In the interview Brett told us what has changed with the band since their last visit eight years ago, what to expect from their live show, choosing Conan as touring partners and why, their recent album Mind Burns Alive and how much of that they will be p[laying, the reaction to that album, gauging an albums' success in the modern era, the early days of the band, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64801727Tue, 11 Mar 2025 03:24:48 +0000HEAVY MagazineInterview by Kris Peters Renowned doom metal merchants PALLBEARER make their return to Australia in March 2025 for an electrifying tour, promising to deliver their signature blend of haunting melodies and crushing riffs. Joining them on all dates will...Renowned doom metal merchants PALLBEARER make their return to Australia in March 2025 for an electrifying tour, promising to deliver their signature blend of haunting melodies and crushing riffs. Joining them on all dates will be special guests UK doom metal titans CONAN.
The 2024 release of Mind Burns Alive finds Pallbearer navigating the space between disquiet and serenity with a singular intensity. At times poetic and blistering, their fifth full length is a heartfelt meditation on isolation, trauma and mental breakdown, framed by the possibility of redemption and the quiet aching beauty of escape.
Known for their colossal riffs and unrelenting heaviness, Conan has carved a unique niche in the metal scene, drawing fans with their atmospheric yet punishing sound. This tour comes on the heels of their critically acclaimed album, Evidence of Immortality, which showcases their evolution while staying true to their doom-laden roots.
HEAVY spoke with Pallbearer frontman Brett Campbell before he boarded the flight to find out what we can expect..
In the interview Brett told us what has changed with the band since their last visit eight years ago, what to expect from their live show, choosing Conan as touring partners and why, their recent album Mind Burns Alive and how much of that they will be p[laying, the reaction to that album, gauging an albums' success in the modern era, the early days of the band, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>680australia,conan,doommetal,heavy,heavymetal,interview,krispeters,music,pallbearer,podcast,tourtruefullhttps://www.spreaker.com/episode/doubling-down-en-route-to-australia-with-grant-nicholas-from-feeder--64771970Feeder delivered two monster albums in a row, 2001's Echo Park and 2002’s Comfort In Sound, establishing themselves as one of the UK’s biggest and most loved rock acts. But that was merely the beginning. While most of their peers faded away, Feeder cemented their place as one of the most enduring acts in modern rock with over 20 million albums sold, multiple number 1 albums in the UK charts, and a legacy of unforgettable live performances.
Always masters of marrying the light and the dark, illuminating the shadowy corners of their world to uncover something poignant and uplifting, their anthemic alt-rock songs packed with emotional depth and intensity have earned a devoted fan base around the globe.
Feeder continue to cement their legacy with their latest release Black/Red, a double album, which is the final instalment of a trilogy of albums with and the final two parts to Torpedo.
Equipped with an unrelenting barrage of rock anthems such as Buck Rogers, Feeling a Moment, Just a Day, Just the Way I’m Feeling, Come Back Around and High, Australian fans are set for an incredible treat when the Feeder juggernaut rolls across the country in April.
When HEAVY spoke with frontman Grant Nicholas, he spoke more about Feeder's first Australian tour in 14 years, starting in April, after previous attempts were hindered by scheduling conflicts. He emphasized the band's dedication to creating timeless music rather than following trends and expressed excitement about the lively Australian crowds, which he compared to Scottish audiences. Nicholas discussed the challenge of developing a set list that balances new songs from their latest double album, Black/Red, with classic fan favourites, aiming for a performance that feels like a blend of a new album tour and a festival best-of set.
He reflected on the significance of releasing a double album after 30 years in the industry, noting it as a major achievement, though he may not pursue another. Additionally, he shared insights into Feeder's formation in the early 1990s, highlighting their hard work and commitment to maintaining a unique identity amidst a competitive music scene, and invited fans to join them for what promises to be memorable shows.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64771970Sun, 09 Mar 2025 05:23:18 +0000HEAVY MagazineInterview by Kris Peters Feeder delivered two monster albums in a row, 2001's Echo Park and 2002’s Comfort In Sound, establishing themselves as one of the UK’s biggest and most loved rock acts. But that was merely the beginning. While most of their...Feeder delivered two monster albums in a row, 2001's Echo Park and 2002’s Comfort In Sound, establishing themselves as one of the UK’s biggest and most loved rock acts. But that was merely the beginning. While most of their peers faded away, Feeder cemented their place as one of the most enduring acts in modern rock with over 20 million albums sold, multiple number 1 albums in the UK charts, and a legacy of unforgettable live performances.
Always masters of marrying the light and the dark, illuminating the shadowy corners of their world to uncover something poignant and uplifting, their anthemic alt-rock songs packed with emotional depth and intensity have earned a devoted fan base around the globe.
Feeder continue to cement their legacy with their latest release Black/Red, a double album, which is the final instalment of a trilogy of albums with and the final two parts to Torpedo.
Equipped with an unrelenting barrage of rock anthems such as Buck Rogers, Feeling a Moment, Just a Day, Just the Way I’m Feeling, Come Back Around and High, Australian fans are set for an incredible treat when the Feeder juggernaut rolls across the country in April.
When HEAVY spoke with frontman Grant Nicholas, he spoke more about Feeder's first Australian tour in 14 years, starting in April, after previous attempts were hindered by scheduling conflicts. He emphasized the band's dedication to creating timeless music rather than following trends and expressed excitement about the lively Australian crowds, which he compared to Scottish audiences. Nicholas discussed the challenge of developing a set list that balances new songs from their latest double album, Black/Red, with classic fan favourites, aiming for a performance that feels like a blend of a new album tour and a festival best-of set.
He reflected on the significance of releasing a double album after 30 years in the industry, noting it as a major achievement, though he may not pursue another. Additionally, he shared insights into Feeder's formation in the early 1990s, highlighting their hard work and commitment to maintaining a unique identity amidst a competitive music scene, and invited fans to join them for what promises to be memorable shows.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>587australia,feeder,grantnicholas,heavy,interview,krispeters,music,podcast,rock,thephoenix,tourfalsefullhttps://www.spreaker.com/episode/making-up-for-lost-time-with-johnny-3-years-from-hollywood-undead--64771187Bursting onto the scene in 2005 with a rap/metal hybrid sound that had, by then, all but vanished from the scene, Hollywood Undead almost made it a personal mission to revive the sound.
By the time they released their 2008 debut album Swan Songs that mission had already been conquered and Hollywood Undead have been waging - and winning - countless battles ever since. Fans flock to their shows, so-called respectable media outlets have stuck to them like bees to honey, and even the mainstream music market have embraced the Californian metal fusion outfit with their albums and singles charting through the roof.
And, despite all of these obvious pre-cursors, Hollywood Undead have never come close to selling out. Not that they have ever needed to.
After far too long between visits, Hollywood Undead are on their way back to Australia, forming part of a line-up that also includes Falling In Reverse and Black Veil Brides. It is a monster line-up that has already seen most of the tour sell out. But there are limited tickets left, and if you don't manage to get your hands on one, fear not, Hollywood Undead are also doing a couple of headlining sideshows in Sydney, Melbourne and Brisbane.
HEAVY caught up with vocalist Johnny 3 Tears to find out what we can expect, pointing out the quality of the line-up.
"It's gonna be a lot of fun, man," he smiled. "We've done five or six tours with falling and we did a tour in a van with Black Veil 10, 20 years ago. I dunno, it's been a long time. We've also been on the same festivals. We all run in the same circles so you get to know each other over time. It's very incestural (laughs)."
We ask Johnny to run through any changes with the band since their last visit here.
"It's been ten years since we've been there, and fifteen… 2011 was the last time we did a tour in Australia, so fourteen years," he recounted. "Then we did that festival there in 2015, that's how long it's been. A lot has changed…. well, nothing's changed and a lot has changed, I guess. We're still going, we're just a few more albums in deep, we're ten years older sadly. Closer to the grave, bro but still going strong. We're very much looking forward to coming back and hopefully it's not so long between this trip and the next one."
In the full interview, Johnny reveals what we can expect from Hollywood Undead live, the dynamics between themselves, Falling In Reverse and Black Veil Brides, how their headline shows will differ, how they approach support slots in terms of set lists and playing to a crowd possibly not there for them, the early days of the band and where they fit in, the impact of their debut album Swan Songs and their thoughts on the album pre-release, how Hollywood Undead have changed musically from that album to now, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64771187Sun, 09 Mar 2025 03:15:16 +0000HEAVY MagazineInterview by Kris Peters Bursting onto the scene in 2005 with a rap/metal hybrid sound that had, by then, all but vanished from the scene, Hollywood Undead almost made it a personal mission to revive the sound. By the time they released their 2008...Bursting onto the scene in 2005 with a rap/metal hybrid sound that had, by then, all but vanished from the scene, Hollywood Undead almost made it a personal mission to revive the sound.
By the time they released their 2008 debut album Swan Songs that mission had already been conquered and Hollywood Undead have been waging - and winning - countless battles ever since. Fans flock to their shows, so-called respectable media outlets have stuck to them like bees to honey, and even the mainstream music market have embraced the Californian metal fusion outfit with their albums and singles charting through the roof.
And, despite all of these obvious pre-cursors, Hollywood Undead have never come close to selling out. Not that they have ever needed to.
After far too long between visits, Hollywood Undead are on their way back to Australia, forming part of a line-up that also includes Falling In Reverse and Black Veil Brides. It is a monster line-up that has already seen most of the tour sell out. But there are limited tickets left, and if you don't manage to get your hands on one, fear not, Hollywood Undead are also doing a couple of headlining sideshows in Sydney, Melbourne and Brisbane.
HEAVY caught up with vocalist Johnny 3 Tears to find out what we can expect, pointing out the quality of the line-up.
"It's gonna be a lot of fun, man," he smiled. "We've done five or six tours with falling and we did a tour in a van with Black Veil 10, 20 years ago. I dunno, it's been a long time. We've also been on the same festivals. We all run in the same circles so you get to know each other over time. It's very incestural (laughs)."
We ask Johnny to run through any changes with the band since their last visit here.
"It's been ten years since we've been there, and fifteen… 2011 was the last time we did a tour in Australia, so fourteen years," he recounted. "Then we did that festival there in 2015, that's how long it's been. A lot has changed…. well, nothing's changed and a lot has changed, I guess. We're still going, we're just a few more albums in deep, we're ten years older sadly. Closer to the grave, bro but still going strong. We're very much looking forward to coming back and hopefully it's not so long between this trip and the next one."
In the full interview, Johnny reveals what we can expect from Hollywood Undead live, the dynamics between themselves, Falling In Reverse and Black Veil Brides, how their headline shows will differ, how they approach support slots in terms of set lists and playing to a crowd possibly not there for them, the early days of the band and where they fit in, the impact of their debut album Swan Songs and their thoughts on the album pre-release, how Hollywood Undead have changed musically from that album to now, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1010blackveilbrides,destroyalllines,fallinginreverse,hardrock,heavy,heavymetal,hollywoodundead,interview,krispeters,music,podcast,rapmetal,rock,tourtruefullhttps://www.spreaker.com/episode/malicious-intent-with-schmier-from-destruction--64770740Fans all over the world worship DESTRUCTION as one of the biggest names in thrash metal with a 40+ year career. As part of the legendary Teutonic 4 alongside German thrash icons Sodom, Tankard and Kreator, DESTRUCTION have forged a legacy that will cement their place in metal history long after many of the bands of today have flown the coop.
One of the most undisputedly important, influential and genre-defying bands in thrash metal, Destruction refuse to rest on their reputation or laurels, attacking each new album cycle with renewed vigour and dedication to their craft. Such is their influence, Destruction is one of the few bands in the world who could simply rehash each new album in the sonic image of its predecessor but despite the obvious appeal of thrash metal remaining within the confines of its own boundaries, Destruction continue to expand on their musical output while allowing the DNA that is their music to run free in their veins.
Speaking of album cycles, Destruction have just unleashed their 16th beast, a raging slab of metal titled Birth Of Malice.
On Birth Of Malice, scene-legend and original member Schmier once again combines his dual vocal/bass attack with crashing riffs from battleaxe masters Martin Furia and Damir Eskić, while Randy Black blasts pummelling drums to new heights. As witnessed on their previous thrash-fest Diabolical (2022), DESTRUCTION return with their uniquely raw and brutal sound, delivering merciless songs with a touch more variety and groove this time. All twelve songs from the butcher's hit with a direct, clean sound – resulting in addictive metal anthems for a new generation of thrashers.
HEAVY had the honour of spending some time with founding member Schmier to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64770740Sun, 09 Mar 2025 01:55:24 +0000HEAVY MagazineInterview by Kris Peters Fans all over the world worship DESTRUCTION as one of the biggest names in thrash metal with a 40+ year career. As part of the legendary Teutonic 4 alongside German thrash icons Sodom, Tankard and Kreator, DESTRUCTION have...Fans all over the world worship DESTRUCTION as one of the biggest names in thrash metal with a 40+ year career. As part of the legendary Teutonic 4 alongside German thrash icons Sodom, Tankard and Kreator, DESTRUCTION have forged a legacy that will cement their place in metal history long after many of the bands of today have flown the coop.
One of the most undisputedly important, influential and genre-defying bands in thrash metal, Destruction refuse to rest on their reputation or laurels, attacking each new album cycle with renewed vigour and dedication to their craft. Such is their influence, Destruction is one of the few bands in the world who could simply rehash each new album in the sonic image of its predecessor but despite the obvious appeal of thrash metal remaining within the confines of its own boundaries, Destruction continue to expand on their musical output while allowing the DNA that is their music to run free in their veins.
Speaking of album cycles, Destruction have just unleashed their 16th beast, a raging slab of metal titled Birth Of Malice.
On Birth Of Malice, scene-legend and original member Schmier once again combines his dual vocal/bass attack with crashing riffs from battleaxe masters Martin Furia and Damir Eskić, while Randy Black blasts pummelling drums to new heights. As witnessed on their previous thrash-fest Diabolical (2022), DESTRUCTION return with their uniquely raw and brutal sound, delivering merciless songs with a touch more variety and groove this time. All twelve songs from the butcher's hit with a direct, clean sound – resulting in addictive metal anthems for a new generation of thrashers.
HEAVY had the honour of spending some time with founding member Schmier to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1314album,destruction,heavy,heavymetal,interview,krispeters,music,podcast,schmier,thrashmetaltruefullhttps://www.spreaker.com/episode/nils-molin-of-dynazty-the-vision-behind-game-of-faces-and-the-future-of-the-band--64761263In a recent chat with Nils Molin from the Swedish metal band Dynazty, we delved into the creative process behind their latest album, Game of Faces, exploring the album’s thematic depth, the challenges of creating music during post-pandemic times, and the band’s future plans.
The album title reflects the duality Nils felt when writing the title track. He explained that the contrast between dark and happy sounds within the song led him to envision theatrical masks—symbolising the complex and often deceptive nature of human expression. "People are deceptive by nature," Nils noted, acknowledging the masks we wear in different situations.
The album's creation wasn’t without its hurdles. Writing during a time of constant touring, the band faced the challenge of maintaining creative momentum while juggling their busy schedules. Despite this, Nils emphasized that their approach to songwriting remained consistent, prioritizing authenticity and creative freedom over any external expectations. “You just write with the same enthusiasm and inspiration you always have,” he said.
When discussing the impact of their previous album’s success, particularly Heartless Madness achieving Platinum status, Nils was quick to point out that it didn’t directly alter their approach to songwriting. However, the success provided a sense of momentum and belief, fuelling their continued creativity.
Looking ahead, Nils expressed excitement about performing new tracks like Fire to Fight, which he believes will resonate strongly with fans due to its energetic and live-oriented nature. Beyond the music, Nils shared his personal interests, from his love of European football to the importance of reinvention. He believes in the value of personal and creative evolution, a theme he explores in his songwriting.
As for Australian fans, Nils teased the possibility of a future tour, promising that Dynazty would be looking into it soon. The band’s commitment to staying true to their roots while exploring new musical territories promises even more exciting things to come.
For Nils, Dynazty represents more than just a band; it’s about five musicians sharing their love for music, creating something genuine, and enjoying every moment on stage. "We just try to play something that we like, and hopefully, others will like it too," he said.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64761263Sat, 08 Mar 2025 09:17:36 +0000HEAVY MagazineInterview by Angela Croudace In a recent chat with Nils Molin from the Swedish metal band Dynazty, we delved into the creative process behind their latest album, Game of Faces, exploring the album’s thematic depth, the challenges of creating music...In a recent chat with Nils Molin from the Swedish metal band Dynazty, we delved into the creative process behind their latest album, Game of Faces, exploring the album’s thematic depth, the challenges of creating music during post-pandemic times, and the band’s future plans.
The album title reflects the duality Nils felt when writing the title track. He explained that the contrast between dark and happy sounds within the song led him to envision theatrical masks—symbolising the complex and often deceptive nature of human expression. "People are deceptive by nature," Nils noted, acknowledging the masks we wear in different situations.
The album's creation wasn’t without its hurdles. Writing during a time of constant touring, the band faced the challenge of maintaining creative momentum while juggling their busy schedules. Despite this, Nils emphasized that their approach to songwriting remained consistent, prioritizing authenticity and creative freedom over any external expectations. “You just write with the same enthusiasm and inspiration you always have,” he said.
When discussing the impact of their previous album’s success, particularly Heartless Madness achieving Platinum status, Nils was quick to point out that it didn’t directly alter their approach to songwriting. However, the success provided a sense of momentum and belief, fuelling their continued creativity.
Looking ahead, Nils expressed excitement about performing new tracks like Fire to Fight, which he believes will resonate strongly with fans due to its energetic and live-oriented nature. Beyond the music, Nils shared his personal interests, from his love of European football to the importance of reinvention. He believes in the value of personal and creative evolution, a theme he explores in his songwriting.
As for Australian fans, Nils teased the possibility of a future tour, promising that Dynazty would be looking into it soon. The band’s commitment to staying true to their roots while exploring new musical territories promises even more exciting things to come.
For Nils, Dynazty represents more than just a band; it’s about five musicians sharing their love for music, creating something genuine, and enjoying every moment on stage. "We just try to play something that we like, and hopefully, others will like it too," he said.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1053album,angelacroudace,dynazty,gameoffaces,heavy,heavymetal,interview,nilsmolan,nuclearblastrecords,podcasttruefullhttps://www.spreaker.com/episode/overlapping-realitites-with-brendon-small-from-dethklok--64758907Often life imitates art, but seldom in the way it has with melodic death metal band Dethklok who were literally given life via an animated television series when their popularity transcended the medium for which it was created, resulting in the forming of an actual band of the same name to continue the legacy that was growing rapidly before them.
Basically, Dethklok is a fictional melodic death metal band featured in the Adult Swim animated television series Metalocalypse, known for its satirical or parodic lyrical themes. Having transformed from a screen sensation into a real-life dynamic force, these mind-blowing shows will display the unique blend of savage instrumentation and comedic genius that has captivated audiences across the globe.
Live, DETHKLOK is a multi-media powerhouse that showcases animation, comedy and brutality, excellently recreating the popular albums and animated visuals in a live atmosphere, with Australian fans of the band and/or show getting the chance to witness the band in a live setting for the first time when Dethklok descend upon this country for the Awaken Australia Tour this April.
HEAVY had the pleasure of catching up with musician and show co-creator Brendon Small ahead of the shows to delve deeper into the life, birth and sustainability of Dethklok.
"Our show is a really exciting show," he enthused. "It's not like any other heavy metal show. We play to picture, meaning we bring in a giant movie theatre screen into the venue and every down beat coincides with a cut because we're honouring the ouvre of the entire piece of Metalocalypse. I've got Gene Hoglan on drums - a legendary metal drummer - who is the perfect guy for this gig because he is driving the entire piece. It's a complicated show for us to do as musicians. We don't look anything like the animated band (smiles) and we're not meant to. But as it turns out we sound exactly like them. So what you'll see on stage is a bunch of shadows but you're going to be attracted to the big star of the show, which is the animated piece that we show you."
In the full interview, Brendon takes us behind the scenes of the performance in greater detail, explains the moving parts that come together to make it work, gives us a history on the band and animated series and how they fit together, talks about some of the guest stars they have had on the show, reveals his early vision behind the project and how it changed over the years, the dynamics between portraying a character and actually performing, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64758907Sat, 08 Mar 2025 04:23:53 +0000HEAVY MagazineInterview by Kris Peters Often life imitates art, but seldom in the way it has with melodic death metal band Dethklok who were literally given life via an animated television series when their popularity transcended the medium for which it was...Often life imitates art, but seldom in the way it has with melodic death metal band Dethklok who were literally given life via an animated television series when their popularity transcended the medium for which it was created, resulting in the forming of an actual band of the same name to continue the legacy that was growing rapidly before them.
Basically, Dethklok is a fictional melodic death metal band featured in the Adult Swim animated television series Metalocalypse, known for its satirical or parodic lyrical themes. Having transformed from a screen sensation into a real-life dynamic force, these mind-blowing shows will display the unique blend of savage instrumentation and comedic genius that has captivated audiences across the globe.
Live, DETHKLOK is a multi-media powerhouse that showcases animation, comedy and brutality, excellently recreating the popular albums and animated visuals in a live atmosphere, with Australian fans of the band and/or show getting the chance to witness the band in a live setting for the first time when Dethklok descend upon this country for the Awaken Australia Tour this April.
HEAVY had the pleasure of catching up with musician and show co-creator Brendon Small ahead of the shows to delve deeper into the life, birth and sustainability of Dethklok.
"Our show is a really exciting show," he enthused. "It's not like any other heavy metal show. We play to picture, meaning we bring in a giant movie theatre screen into the venue and every down beat coincides with a cut because we're honouring the ouvre of the entire piece of Metalocalypse. I've got Gene Hoglan on drums - a legendary metal drummer - who is the perfect guy for this gig because he is driving the entire piece. It's a complicated show for us to do as musicians. We don't look anything like the animated band (smiles) and we're not meant to. But as it turns out we sound exactly like them. So what you'll see on stage is a bunch of shadows but you're going to be attracted to the big star of the show, which is the animated piece that we show you."
In the full interview, Brendon takes us behind the scenes of the performance in greater detail, explains the moving parts that come together to make it work, gives us a history on the band and animated series and how they fit together, talks about some of the guest stars they have had on the show, reveals his early vision behind the project and how it changed over the years, the dynamics between portraying a character and actually performing, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1274australia,brendonsmall,deathmetal,dethklok,heavy,interview,krispeters,metalocalypse,podcast,soundworkstouring,tourtruefullhttps://www.spreaker.com/episode/walmart-metal-and-creative-evolution-an-interview-with-erra-s-jt-and-jesse--64758084It's not every day you get to chat with a band while they're deep in the chaos of tour preparations, but that's exactly what happened during my interview with ERRA's JT and Jesse Cash. The scene? Jesse roaming the aisles of a Walmart sorting out some last-minute tour merch. As Jesse explained, “Our merch guy is burning the midnight oil, and I had to run and get some things before it was too late.” Nothing says rock star quite like managing tour logistics while dodging shopping carts.
Despite the unconventional setting, the conversation quickly shifted to their latest album, CURE. ERRA’s sixth studio album marks a significant creative evolution, and both JT and Jesse discussed how the band's approach has changed over time. While their past albums often focused on technical precision and complex structures, CURE introduced a more groove-based, accessible sound. JT shared, “Every time we sat down to write, we just kept getting these groovier ideas, and we just kind of stuck with it.” It wasn't a deliberate shift, but rather a reflection of where the band’s creativity took them during the writing process.
Jesse, who had been diving into a mix of nihilistic media at the time, was inspired by the 1997 film Cure by Kyoshi Kurosawa. The bleakness of the film mirrored the darker, introspective themes in the album’s lyrics, like “Crawl Backwards Out of Heaven.” However, Jesse admitted that his bandmate Joseph was less than enthused by the deep, art-house inspiration. “Joseph doesn’t always have time for my 'art house bullshit,'" he laughed, citing his bandmate’s love for Fast & Furious as a source of inspiration for more straightforward ideas.
Despite the shifts in their sound, the band stays true to its roots of pushing creative boundaries. When asked how they avoid formulaic songwriting, Jesse humorously responded, “I just tell JT we can't write a song that sounds like Veil of Maya,” acknowledging how self-awareness helps them remain true to their evolving style.
ERRA's tour is also a family affair, with Silent Planet and Resolve joining them on the road. Jesse eagerly anticipated the tour antics, particularly the "fortress of piss bottles" famously built by Silent Planet’s Garrett Russell. While the rest of us might cringe at the thought, for ERRA, it’s just another weird tour memory to laugh about (Yeah Jesse, we hope Garrett never watches this interview either!).
In the end, whether it’s touring with friends or evolving creatively, ERRA continues to prove that they’re not afraid to push the limits of metal music. As they wrap up their interview, Jesse’s final words offer a fitting end: “We go way back with them,” speaking not just of Silent Planet, but of the enduring relationships and creative passion that continue to drive ERRA forward.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64758084Sat, 08 Mar 2025 02:15:57 +0000HEAVY MagazineInterview by Angela Croudace It's not every day you get to chat with a band while they're deep in the chaos of tour preparations, but that's exactly what happened during my interview with ERRA's JT and Jesse Cash. The scene? Jesse roaming the aisles...It's not every day you get to chat with a band while they're deep in the chaos of tour preparations, but that's exactly what happened during my interview with ERRA's JT and Jesse Cash. The scene? Jesse roaming the aisles of a Walmart sorting out some last-minute tour merch. As Jesse explained, “Our merch guy is burning the midnight oil, and I had to run and get some things before it was too late.” Nothing says rock star quite like managing tour logistics while dodging shopping carts.
Despite the unconventional setting, the conversation quickly shifted to their latest album, CURE. ERRA’s sixth studio album marks a significant creative evolution, and both JT and Jesse discussed how the band's approach has changed over time. While their past albums often focused on technical precision and complex structures, CURE introduced a more groove-based, accessible sound. JT shared, “Every time we sat down to write, we just kept getting these groovier ideas, and we just kind of stuck with it.” It wasn't a deliberate shift, but rather a reflection of where the band’s creativity took them during the writing process.
Jesse, who had been diving into a mix of nihilistic media at the time, was inspired by the 1997 film Cure by Kyoshi Kurosawa. The bleakness of the film mirrored the darker, introspective themes in the album’s lyrics, like “Crawl Backwards Out of Heaven.” However, Jesse admitted that his bandmate Joseph was less than enthused by the deep, art-house inspiration. “Joseph doesn’t always have time for my 'art house bullshit,'" he laughed, citing his bandmate’s love for Fast & Furious as a source of inspiration for more straightforward ideas.
Despite the shifts in their sound, the band stays true to its roots of pushing creative boundaries. When asked how they avoid formulaic songwriting, Jesse humorously responded, “I just tell JT we can't write a song that sounds like Veil of Maya,” acknowledging how self-awareness helps them remain true to their evolving style.
ERRA's tour is also a family affair, with Silent Planet and Resolve joining them on the road. Jesse eagerly anticipated the tour antics, particularly the "fortress of piss bottles" famously built by Silent Planet’s Garrett Russell. While the rest of us might cringe at the thought, for ERRA, it’s just another weird tour memory to laugh about (Yeah Jesse, we hope Garrett never watches this interview either!).
In the end, whether it’s touring with friends or evolving creatively, ERRA continues to prove that they’re not afraid to push the limits of metal music. As they wrap up their interview, Jesse’s final words offer a fitting end: “We go way back with them,” speaking not just of Silent Planet, but of the enduring relationships and creative passion that continue to drive ERRA forward.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>928angelacroudace,australia,destroyalllines,erra,heavy,heavymetal,interview,metalcore,podcast,silentplanet,tourtruefullhttps://www.spreaker.com/episode/bootlegging-around-the-country-with-diesel--64747719Australian music icon Diesel kick-started his Bootleg Melancholy Album Tour in December with explosive shows in Avoca Beach and Kiama, where fans got to experience the special musical language he has developed with his band of stalwarts, Richie Vez on bass and Lee Moloney on drums. Presented by New World Artists, Diesel, alongside Vez and Moloney, will resume the Bootleg Melancholy Album Tour this March in Warragul, followed by Melbourne, Launceston, Hobart, Perth, Batemans Bay, Newcastle, Sydney, Wyong, Adelaide with proceedings drawing to a close on Saturday, May 3 in Elizabeth.
The two set performance showcases Diesel’s impressive career spanning over three decades, with boundless energy and vitality infused into every song, old and new, the audience will be treated to an unforgettable experience shared with music lovers nationwide. “With so much material to draw from, I’m excited to blend new songs with classics,” Diesel shares. “We make quite a bit of sound for a three-piece, and each show will reflect that energy!” Fans can expect a dynamic set list featuring perennial favourites like Tip Of My Tongue, Soul Revival, All Come Together, Man Alive, Never Miss Your Water and Cry In Shame, alongside “new family member” tracks from Bootleg Melancholy.
Diesel is also excited to announce an exclusive guitar giveaway with long-standing partner, Fender. Every ticket purchased for the 2025 Bootleg Melancholy Album Tour —including those who have already purchased tickets—will automatically go into the draw to WIN a signed Squire Sonic Stratocaster Electric Guitar, there’s one guitar to be won at every show. At the conclusion of the tour, Diesel will personally draw a major prize winner, who will receive a one-on-one Zoom guitar lesson with the Australian legend—a truly unique and exciting opportunity for fans and aspiring musicians alike.
One of Australia’s greatest success stories, Diesel, has spent three decades weaving his one-of-a-kind musical magic into his rock and blues-fuelled sounds, both as part of the band Johnny Diesel & The Injectors and, more recently, as a solo artist. With multiple #1 ARIA charting albums under his belt, six ARIA award wins and millions of streams alongside a legion of fans, Diesel’s creative skillset also expands beyond his own projects, with the talented artist also renowned for his work as a producer and multi-instrumentalist.
HEAVY caught up with Diesel on the eve of the first show to find out more. Given the amount of touring Diesel has done throughout his career, we ask if he still gets the same enjoyment out of life on the road.
"There are some things that I've become more aware of that I don't like," he measured "The good thing about that is you become more aware. You can let it bother you or become more aware of it and… accept, maybe, or take steps to try and avoid. That's the good thing about experience, I suppose. When you first start you just go 'why does that happen?' or 'what do you mean?' Now, I wouldn't say that there's very few variables or surprising things. I think the most challenging thing (laughs)… let's get down to the basics. Watching the carousel go around and your gear doesn't come out. That's always a good start to the day (laughs). Which has happened. Then you think, okay, call this person. Call that person. Call music stores. You start begging and borrowing and then you have to calculate it's gonna come on that flight, but will it make it to the gig in time for the crew? This is all things that have happened, and the crowd, they're not to know. it's not their problem. That's always the biggest challenges. You always allow enough time, of course, but then it becomes like a sliding scale. How much time can you allow because you've got commitments before that and it's also the massive expense of going the day before and things like that. So you've got everyone on hold and you have accommodation and cars for an extra day. These are all big factors for a touring party."
In the full interview, Diesel discusses the Bootleg Melancholy Album Tour in more detail, what to expect, the performance time over two sets, balancing each setlist, the other members of his touring band, how to win a signed Squire Sonic Stratocaster Electric Guitar at each show, future music and more including a few music and life lessons learnt along the way.
Tickets and more information www.diesel.com

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64747719Fri, 07 Mar 2025 14:20:56 +0000HEAVY MagazineInterview by Kris Peters Australian music icon Diesel kick-started his Bootleg Melancholy Album Tour in December with explosive shows in Avoca Beach and Kiama, where fans got to experience the special musical language he has developed with his band of...Australian music icon Diesel kick-started his Bootleg Melancholy Album Tour in December with explosive shows in Avoca Beach and Kiama, where fans got to experience the special musical language he has developed with his band of stalwarts, Richie Vez on bass and Lee Moloney on drums. Presented by New World Artists, Diesel, alongside Vez and Moloney, will resume the Bootleg Melancholy Album Tour this March in Warragul, followed by Melbourne, Launceston, Hobart, Perth, Batemans Bay, Newcastle, Sydney, Wyong, Adelaide with proceedings drawing to a close on Saturday, May 3 in Elizabeth.
The two set performance showcases Diesel’s impressive career spanning over three decades, with boundless energy and vitality infused into every song, old and new, the audience will be treated to an unforgettable experience shared with music lovers nationwide. “With so much material to draw from, I’m excited to blend new songs with classics,” Diesel shares. “We make quite a bit of sound for a three-piece, and each show will reflect that energy!” Fans can expect a dynamic set list featuring perennial favourites like Tip Of My Tongue, Soul Revival, All Come Together, Man Alive, Never Miss Your Water and Cry In Shame, alongside “new family member” tracks from Bootleg Melancholy.
Diesel is also excited to announce an exclusive guitar giveaway with long-standing partner, Fender. Every ticket purchased for the 2025 Bootleg Melancholy Album Tour —including those who have already purchased tickets—will automatically go into the draw to WIN a signed Squire Sonic Stratocaster Electric Guitar, there’s one guitar to be won at every show. At the conclusion of the tour, Diesel will personally draw a major prize winner, who will receive a one-on-one Zoom guitar lesson with the Australian legend—a truly unique and exciting opportunity for fans and aspiring musicians alike.
One of Australia’s greatest success stories, Diesel, has spent three decades weaving his one-of-a-kind musical magic into his rock and blues-fuelled sounds, both as part of the band Johnny Diesel & The Injectors and, more recently, as a solo artist. With multiple #1 ARIA charting albums under his belt, six ARIA award wins and millions of streams alongside a legion of fans, Diesel’s creative skillset also expands beyond his own projects, with the talented artist also renowned for his work as a producer and multi-instrumentalist.
HEAVY caught up with Diesel on the eve of the first show to find out more. Given the amount of touring Diesel has done throughout his career, we ask if he still gets the same enjoyment out of life on the road.
"There are some things that I've become more aware of that I don't like," he measured "The good thing about that is you become more aware. You can let it bother you or become more aware of it and… accept, maybe, or take steps to try and avoid. That's the good thing about experience, I suppose. When you first start you just go 'why does that happen?' or 'what do you mean?' Now, I wouldn't say that there's very few variables or surprising things. I think the most challenging thing (laughs)… let's get down to the basics. Watching the carousel go around and your gear doesn't come out. That's always a good start to the day (laughs). Which has happened. Then you think, okay, call this person. Call that person. Call music stores. You start begging and borrowing and then you have to calculate it's gonna come on that flight, but will it make it to the gig in time for the crew? This is all things that have happened, and the crowd, they're not to know. it's not their problem. That's always the biggest challenges. You always allow enough time, of course, but then it becomes like a sliding scale. How much time can you allow because you've got commitments before that and it's also the massive expense of going the day before and things like that. So you've got everyone on hold and you have accommodation and cars for an...]]>1477australia,bootlegmelancholy,diesel,fender,heavy,interview,krispeters,music,podcast,rock,tourfalsefullhttps://www.spreaker.com/episode/boosting-your-self-esteem-with-citizen-rat--64745244Sunshine Coast’s own punk rock force, Citizen Rat, has kicked off 2025 with their explosive new single, Shut My Mouth.
After a over a year of refining their sound, they’re back — bright, bold, and louder than ever. With blistering riffs, raw emotion, and electrifying energy, Shut My Mouth is a fierce statement from a band carving out their own lane in the punk rock scene.
At its core the song is a battle cry for anyone who’s ever felt silenced or misunderstood. It explores the struggles of navigating life as a neurodivergent, high-energy individual, grappling with abusive self-doubt and the constant impact of others' perceptions. The track delves into the frustration of losing yourself in trying to please everyone and the self-loathing that follows when you inevitably fail. If Fugazi and The Bronx had a love child raised on of self-doubt, resilience, and introspection, it would sound like this.
Having shared the stage with the likes of Civic, Total Pace, Isua and Pandemic as well as headlining festivals such as Rotten Fest and taken to the road on their own headline run early in 2024, Citizen Rat is quickly becoming one of the most exciting acts coming from the Sunshine Coast, QLD. Known for their unique vocal style, curated sound, and electrifying live shows, they’ve carved out a distinct place in Australian punk.
Recorded at Airlock Studios with producer Jordan Bain and mastered by Willy Bowden, Shut My Mouth marks a new chapter for Citizen Rat. The single is out now, with the boys hitting the road this March to celebrate.
HEAVY caught up with frontman Dartanyon Hutchison and guitarist Brendan Statham to find out more. One of the things we bring up is the song title Shut My Mouth. Generally song titles are directed elsewhere, as in Shut YOUR Mouth, but the way this one is written makes it a bit more personal in its direction.
"It's definitely intentional," Hutchison laughed. "It's… a lot of the song is rooted in self doubt and trying to navigate the world and feeling like every corner I take is the wrong decision. I know that in my heart I'm doing the right thing, but then I've got this self-doubt thing and that's the basis of the song. Just overthinking, the strss of 'why am I anxious right now?' 'What have I done wrong?' I think back on the day and I know I've done nothing wrong but my brain is telling me otherwise. I dunno… It's kind of hard to even explain."
In the full interview, the boys talk more about Shut My Mouth, the song musically and how it represents Citizen Rat moving forward, how they went about restructuring their sound, upcoming singles, a future album, their musical style and where it comes from, upcoming live shows and more.
March 15 - Solbar - Sunshine Coast
March 22 - Bone Idol - Toowoomba
March 29 - Old Bundy Tav - Bundaberg
April 12 - TBC - Lismore
April 18 - Greaser - Brisbane
May 2 - Double Barrel - Sunshine Coast
May 3 - Banshee Bar - Ipswich


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64745244Fri, 07 Mar 2025 10:22:59 +0000HEAVY MagazineInterview by Kris Peters Sunshine Coast’s own punk rock force, Citizen Rat, has kicked off 2025 with their explosive new single, Shut My Mouth. After a over a year of refining their sound, they’re back — bright, bold, and louder than ever. With...Sunshine Coast’s own punk rock force, Citizen Rat, has kicked off 2025 with their explosive new single, Shut My Mouth.
After a over a year of refining their sound, they’re back — bright, bold, and louder than ever. With blistering riffs, raw emotion, and electrifying energy, Shut My Mouth is a fierce statement from a band carving out their own lane in the punk rock scene.
At its core the song is a battle cry for anyone who’s ever felt silenced or misunderstood. It explores the struggles of navigating life as a neurodivergent, high-energy individual, grappling with abusive self-doubt and the constant impact of others' perceptions. The track delves into the frustration of losing yourself in trying to please everyone and the self-loathing that follows when you inevitably fail. If Fugazi and The Bronx had a love child raised on of self-doubt, resilience, and introspection, it would sound like this.
Having shared the stage with the likes of Civic, Total Pace, Isua and Pandemic as well as headlining festivals such as Rotten Fest and taken to the road on their own headline run early in 2024, Citizen Rat is quickly becoming one of the most exciting acts coming from the Sunshine Coast, QLD. Known for their unique vocal style, curated sound, and electrifying live shows, they’ve carved out a distinct place in Australian punk.
Recorded at Airlock Studios with producer Jordan Bain and mastered by Willy Bowden, Shut My Mouth marks a new chapter for Citizen Rat. The single is out now, with the boys hitting the road this March to celebrate.
HEAVY caught up with frontman Dartanyon Hutchison and guitarist Brendan Statham to find out more. One of the things we bring up is the song title Shut My Mouth. Generally song titles are directed elsewhere, as in Shut YOUR Mouth, but the way this one is written makes it a bit more personal in its direction.
"It's definitely intentional," Hutchison laughed. "It's… a lot of the song is rooted in self doubt and trying to navigate the world and feeling like every corner I take is the wrong decision. I know that in my heart I'm doing the right thing, but then I've got this self-doubt thing and that's the basis of the song. Just overthinking, the strss of 'why am I anxious right now?' 'What have I done wrong?' I think back on the day and I know I've done nothing wrong but my brain is telling me otherwise. I dunno… It's kind of hard to even explain."
In the full interview, the boys talk more about Shut My Mouth, the song musically and how it represents Citizen Rat moving forward, how they went about restructuring their sound, upcoming singles, a future album, their musical style and where it comes from, upcoming live shows and more.
March 15 - Solbar - Sunshine Coast
March 22 - Bone Idol - Toowoomba
March 29 - Old Bundy Tav - Bundaberg
April 12 - TBC - Lismore
April 18 - Greaser - Brisbane
May 2 - Double Barrel - Sunshine Coast
May 3 - Banshee Bar - Ipswich


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1158australia,citizenrat,hardrock,heavy,interview,krispeters,music,podcast,punk,shutmymouth,tourtruefullhttps://www.spreaker.com/episode/hymns-for-the-converted-with-phil-bozeman-from-whitechapel--64176914Knoxville deathcore outfit Whitechapel have spent too long locked down allowing the creative juices to flow and are set to explode with the release of their ninth studio album Hymns In Dissonance via Metal Blade on March 7.
While Hymns In Dissonance follows 2021’s Kin chronologically, the new album is somewhat of a sequel to This Is Exile thematically, the three-word title Hymns In Dissonance representing that correlation. The band started composing the new album at guitarist Zach Householder’s studio in June of 2023, following their headlining tour for The Valley. The collective stuck to a strict weekday schedule, the structure allowing for maximum creativity and minimum burnout. Householder also produced Hymns In Dissonance, which allowed the musicians to seamlessly switch gears from preproduction to recording the full album without skipping a beat.
While it seems like a long wait for fans of the band, Hymns Of Dissonance is an ode to the past while taking strides into the future, promising to more than satisfy the musical hunger of long-term fans without alienating those picked up along the way.
Vocalist Phil Bozeman joined HEAVY to fill us in.
"For fans that discovered us within the past couple of years, it will probably be a bit of a newer sound for them," he measured when asked about the sonic intensity of Hymns In Dissonance. "But for people who have followed us for longer than that - from the early days - it's gonna be… it's gonna be familiar territory for sure."
We press Bozeman on that notion and ask if the album's musical direction is something the band sits and discusses in the creative process.
"Being in a band it's very…" he paused, searching for the right way to express himself. "Things come in waves. We're very inspired by a lot of different types of music, a lot of it being hard, death metal and stuff like that, but I think that we were all just having that itch to write something really heavy and extreme again. This is the 40-year-old version of us coming up with that instead of the young kid version, the 21-year-old version of it."
In the full interview Phil further discusses the musical nature of Hymns In Dissonance, the writing process which involved working to a schedule, how he personally defines heaviness in music in the modern age, the decreasing universal focus on having to get a flow to your albums due to streaming and the current trend of singles over albums, the lyrical thread of the album and the central characters, road testing the music live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64176914Fri, 07 Mar 2025 08:54:49 +0000HEAVY MagazineInterview by Kris Peters Knoxville deathcore outfit Whitechapel have spent too long locked down allowing the creative juices to flow and are set to explode with the release of their ninth studio album Hymns In Dissonance via Metal Blade on March 7....Knoxville deathcore outfit Whitechapel have spent too long locked down allowing the creative juices to flow and are set to explode with the release of their ninth studio album Hymns In Dissonance via Metal Blade on March 7.
While Hymns In Dissonance follows 2021’s Kin chronologically, the new album is somewhat of a sequel to This Is Exile thematically, the three-word title Hymns In Dissonance representing that correlation. The band started composing the new album at guitarist Zach Householder’s studio in June of 2023, following their headlining tour for The Valley. The collective stuck to a strict weekday schedule, the structure allowing for maximum creativity and minimum burnout. Householder also produced Hymns In Dissonance, which allowed the musicians to seamlessly switch gears from preproduction to recording the full album without skipping a beat.
While it seems like a long wait for fans of the band, Hymns Of Dissonance is an ode to the past while taking strides into the future, promising to more than satisfy the musical hunger of long-term fans without alienating those picked up along the way.
Vocalist Phil Bozeman joined HEAVY to fill us in.
"For fans that discovered us within the past couple of years, it will probably be a bit of a newer sound for them," he measured when asked about the sonic intensity of Hymns In Dissonance. "But for people who have followed us for longer than that - from the early days - it's gonna be… it's gonna be familiar territory for sure."
We press Bozeman on that notion and ask if the album's musical direction is something the band sits and discusses in the creative process.
"Being in a band it's very…" he paused, searching for the right way to express himself. "Things come in waves. We're very inspired by a lot of different types of music, a lot of it being hard, death metal and stuff like that, but I think that we were all just having that itch to write something really heavy and extreme again. This is the 40-year-old version of us coming up with that instead of the young kid version, the 21-year-old version of it."
In the full interview Phil further discusses the musical nature of Hymns In Dissonance, the writing process which involved working to a schedule, how he personally defines heaviness in music in the modern age, the decreasing universal focus on having to get a flow to your albums due to streaming and the current trend of singles over albums, the lyrical thread of the album and the central characters, road testing the music live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1003deathcore,deathmetal,heavy,heavymetal,interview,krispeters,metalbladerecords,music,philbozeman,podcast,whitechapeltruefullhttps://www.spreaker.com/episode/backstage-with-miss-may-i-at-knotfest-brisbane-2025--64740113Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining in Sydney before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands.
Today we catch up with MISS MAY I.
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64740113Fri, 07 Mar 2025 01:04:02 +0000HEAVY MagazineInterview by Kyra-Jade Coombs and Angela Croudace Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining in Sydney before returning home for another 12 months. As expected, it was a bumper day filled...Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining in Sydney before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands.
Today we catch up with MISS MAY I.
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>755angelacroudace,australia,destroyalllines,heavy,heavymetal,interview,knotfest,knotfestaustralia,kyrajadecoombs,missmayi,music,musicfestival,numetal,podcast,slipknottruefullhttps://www.spreaker.com/episode/backstage-with-vended-at-knotfest-brisbane-2025--64740065Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining in Sydney before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands.
Today we catch up with VENDED not long after their Brisbane set…
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64740065Fri, 07 Mar 2025 00:56:05 +0000HEAVY MagazineInterview by Kyra-Jade Coombs and Kris Peters Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining in Sydney before returning home for another 12 months. As expected, it was a bumper day filled...Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining in Sydney before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands.
Today we catch up with VENDED not long after their Brisbane set…
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>608destroyalllines,heavy,heavymetal,interview,iowa,knotfest,knotfestaustralia,krispeters,kyrajadecoombs,music,musicfestival,numetal,podcast,slipknot,vendedtruefullhttps://www.spreaker.com/episode/backstage-with-enter-shikari-at-knotfest-brisbane-2025--64739709Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands.
Today we catch up with Rou Reynolds from Enter Shikari.
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64739709Fri, 07 Mar 2025 00:34:32 +0000HEAVY MagazineInterview by Kyra-Jade Coombs and Angela Croudace Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months. As expected, it was a bumper day filled with too...Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands.
Today we catch up with Rou Reynolds from Enter Shikari.
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>627angelacroudace,australia,destroyalllines,entershikari,interview,jeavy,knotfest,knotfestaustralia,kyrajadecoombs,music,musicfestival,podcast,roureynolds,slipknottruefullhttps://www.spreaker.com/episode/backstage-with-health-at-knotfest-brisbane-2025--64739605Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands.
Today we catch up with HEALTH not long before their Brisbane set…
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64739605Fri, 07 Mar 2025 00:13:18 +0000HEAVY MagazineInterview by Jimmy Glinster and Angela Croudace Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months. As expected, it was a bumper day filled with too...Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands.
Today we catch up with HEALTH not long before their Brisbane set…
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>721angelacroudace,backstage,band,destroyalllines,hardrock,health,heavy,heavymetal,interview,jimmyglinster,knotfest,knotfestaustralia,music,musicfestivaltruefullhttps://www.spreaker.com/episode/backstage-with-luke-severeid-at-knotfest-brisbane-2025--64724142Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands. Or in this case, the funny guy travelling with them.
Today we catch up with American comedian Luke Severeid who... well, we're still unsure what his role at Knotfest is, but we're sure you will have just as much fun finding out as we did!
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64724142Thu, 06 Mar 2025 05:54:23 +0000HEAVY MagazineInterview by Jimmy Glinster and Kris Peters Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months. As expected, it was a bumper day filled with too many...Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands. Or in this case, the funny guy travelling with them.
Today we catch up with American comedian Luke Severeid who... well, we're still unsure what his role at Knotfest is, but we're sure you will have just as much fun finding out as we did!
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>823australia,destroyalllines,hardrock,heavy,heavymetal,interview,jimmyglinster,knotfest,knotfestaustralia,krispeters,lukesevereid,music,podcast,rock,slipknottruefullhttps://www.spreaker.com/episode/backstage-with-in-hearts-wake-at-knotfest-brisbane-2025--64723884Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands.
Today we catch up with Jake Taylor from In Hearts Wake not long before their Brisbane set...
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64723884Thu, 06 Mar 2025 05:39:06 +0000HEAVY MagazineInterview by Jimmy Glinster and Kris Peters Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months. As expected, it was a bumper day filled with too many...Knotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.
As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.
The bands.
Today we catch up with Jake Taylor from In Hearts Wake not long before their Brisbane set...
Tickets https://www.destroyalllines.com/tours/knotfest


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>529destroyalllines,heavy,inheartswake,interview,jaketaylor,jimmyglinster,knotfestaustralia,krispeters,podcast,slipknottruefullhttps://www.spreaker.com/episode/rekindling-relationships-down-under-with-adam-carson-from-afi--64682807AFI are coming!
Formed in 1991 by California high school students Davey Havok (vocals) and Adam Carson (drums, backing vocals), AFI (short for A Fire Inside) began as a hardcore act. After gaining traction in the Bay Area scene and releasing their 1995 debut, Answer That and Stay Fashionable, the band signed to Nitro Records—the legendary incubator for some of punk’s biggest names. In the ensuing years, AFI built a steady following through releases like 1997’s Shut Your Mouth and Open Your Eyes and 1998’s A Fire Inside EP, while they cemented their long-running line-up with the addition of bassist Hunter Burgan in 1997 and, finally, guitarist Jade Puget in 1998.
With the release of their fourth studio album, 1999’s Black Sails in the Sunset, AFI moved in a new direction, expanding beyond their hardcore roots and venturing into increasingly melodic territory—incorporating elements of gothic rock, horror punk, and even reflective balladry—creating a unique style that would soon make them international stars.
In the years following, AFI found significant commercial success, breaking into the mainstream with Platinum-selling albums like 2003’s Sing the Sorrow and 2006’s Decemberunderground, which topped the Billboard 200. Along the way, the band scored a variety of hit singles, including Girl’s Not Grey, Love Like Winter, Medicate, and Miss Murder, which landed atop Billboard’s Alternative chart in 2006.
Today, with 11 studio albums, 10 EPs, four MTV Video Music Awards, and one GRAMMY® nomination to their name, AFI shows no signs of slowing down, much to the delight of their multi-generational, global fanbase.
HEAVY had the pleasure of speaking with drummer ADAM CARSON ahead of the tour. AFI are coming to Australia supporting GREEN DAY with select headline sideshows as well. For complete tour and ticket information, visit: livenation.com.au



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64682807Tue, 04 Mar 2025 00:23:08 +0000HEAVY MagazineInterview by Kris Peters AFI are coming! Formed in 1991 by California high school students Davey Havok (vocals) and Adam Carson (drums, backing vocals), AFI (short for A Fire Inside) began as a hardcore act. After gaining traction in the Bay Area...AFI are coming!
Formed in 1991 by California high school students Davey Havok (vocals) and Adam Carson (drums, backing vocals), AFI (short for A Fire Inside) began as a hardcore act. After gaining traction in the Bay Area scene and releasing their 1995 debut, Answer That and Stay Fashionable, the band signed to Nitro Records—the legendary incubator for some of punk’s biggest names. In the ensuing years, AFI built a steady following through releases like 1997’s Shut Your Mouth and Open Your Eyes and 1998’s A Fire Inside EP, while they cemented their long-running line-up with the addition of bassist Hunter Burgan in 1997 and, finally, guitarist Jade Puget in 1998.
With the release of their fourth studio album, 1999’s Black Sails in the Sunset, AFI moved in a new direction, expanding beyond their hardcore roots and venturing into increasingly melodic territory—incorporating elements of gothic rock, horror punk, and even reflective balladry—creating a unique style that would soon make them international stars.
In the years following, AFI found significant commercial success, breaking into the mainstream with Platinum-selling albums like 2003’s Sing the Sorrow and 2006’s Decemberunderground, which topped the Billboard 200. Along the way, the band scored a variety of hit singles, including Girl’s Not Grey, Love Like Winter, Medicate, and Miss Murder, which landed atop Billboard’s Alternative chart in 2006.
Today, with 11 studio albums, 10 EPs, four MTV Video Music Awards, and one GRAMMY® nomination to their name, AFI shows no signs of slowing down, much to the delight of their multi-generational, global fanbase.
HEAVY had the pleasure of speaking with drummer ADAM CARSON ahead of the tour. AFI are coming to Australia supporting GREEN DAY with select headline sideshows as well. For complete tour and ticket information, visit: livenation.com.au



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>909afi,australia,greenday,hardrock,heavvymetal,heavy,interview,krispeters,livenation,metalcore,podcast,punk,tourfalsefullhttps://www.spreaker.com/episode/coming-out-swinging-with-sam-carter-from-architects--64641696British metalcore giants Architects have released their eagerly awaited new studio album The Sky, The Earth & All Between via Epitaph Records. This is the band's 11th studio album, with singles like Whiplash delivering an intense fusion of power and stadium-swaying melody, offering a tantalizing preview of the album, along with songs like Seeing Red and Curse, with those two tracks collectively amassing over 70 million streams to date.
Since their last studio album in 2022 - the critically acclaimed The Classic Symptoms Of A Broken Spirit, Architects have continued their stratospheric rise, establishing themselves as one of the most important rock bands to emerge from the UK. They have spent the last 12 months touring extensively, most notably as one of the personally chosen support acts on the Metallica tour as well as appearances at Louder Than Life, AfterShock, Mayhem, Download and a headline slot at Bloodstock Festival. They have also just announced a handful of dates in support of Linkin Park next Summer.
HEAVY had the pleasure of chatting with frontman Sam Carter and we start by asking how he is feeling about the reaction to The Sky, The Earth & All Between.
"Feeling pretty good," he smiled confidently. "It's an exciting time for us. I think eleven albums in we've had our fair share of these weeks leading into it (laughs) but we came back with a point to prove. If you're gonna release an album, it has to be good, but I think if you're on your eleventh album a lot of people have made their mind up about you too. So you have to come back swinging. You have to really show there is a real purpose behind the album being released. The effort and energy that went into it has been crazy, to be fair. We've really worked so hard on it. I'm so proud of it. I think it's one of our best albums - probably the best I would say. It's my favourite. I know everyone in a band probably says that when they're releasing their record, but I'm just so proud of it. Proud of the effort and energy we put into it and the reaction so far has been amazing."
In the full interview, Sam talks more about what to expect from the album, how it serves as the beginning of a new era for Architects, the album opener Eulogy and why it was chosen to kickstart things, the meaning behind the title The Sky, The Earth & All Between, if it gets easier or harder to come up with new material the more music you write, his early days in the band and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64641696Sat, 01 Mar 2025 09:40:40 +0000HEAVY MagazineInterview by Kris Peters British metalcore giants Architects have released their eagerly awaited new studio album The Sky, The Earth & All Between via Epitaph Records. This is the band's 11th studio album, with singles like Whiplash delivering an...British metalcore giants Architects have released their eagerly awaited new studio album The Sky, The Earth & All Between via Epitaph Records. This is the band's 11th studio album, with singles like Whiplash delivering an intense fusion of power and stadium-swaying melody, offering a tantalizing preview of the album, along with songs like Seeing Red and Curse, with those two tracks collectively amassing over 70 million streams to date.
Since their last studio album in 2022 - the critically acclaimed The Classic Symptoms Of A Broken Spirit, Architects have continued their stratospheric rise, establishing themselves as one of the most important rock bands to emerge from the UK. They have spent the last 12 months touring extensively, most notably as one of the personally chosen support acts on the Metallica tour as well as appearances at Louder Than Life, AfterShock, Mayhem, Download and a headline slot at Bloodstock Festival. They have also just announced a handful of dates in support of Linkin Park next Summer.
HEAVY had the pleasure of chatting with frontman Sam Carter and we start by asking how he is feeling about the reaction to The Sky, The Earth & All Between.
"Feeling pretty good," he smiled confidently. "It's an exciting time for us. I think eleven albums in we've had our fair share of these weeks leading into it (laughs) but we came back with a point to prove. If you're gonna release an album, it has to be good, but I think if you're on your eleventh album a lot of people have made their mind up about you too. So you have to come back swinging. You have to really show there is a real purpose behind the album being released. The effort and energy that went into it has been crazy, to be fair. We've really worked so hard on it. I'm so proud of it. I think it's one of our best albums - probably the best I would say. It's my favourite. I know everyone in a band probably says that when they're releasing their record, but I'm just so proud of it. Proud of the effort and energy we put into it and the reaction so far has been amazing."
In the full interview, Sam talks more about what to expect from the album, how it serves as the beginning of a new era for Architects, the album opener Eulogy and why it was chosen to kickstart things, the meaning behind the title The Sky, The Earth & All Between, if it gets easier or harder to come up with new material the more music you write, his early days in the band and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1144album,architects,hardcore,heavy,heavymetal,interview,krispeters,music,podcast,samcartertruefullhttps://www.spreaker.com/episode/tobias-sammet-reflects-on-avatasia-s-evolving-sound-and-hints-at-future-tours--64615358In our interview with Tobias Sammet, the frontman of power metal giants Avantasia, he revealed exciting insights into the band’s upcoming album, Here Be Dragons, and shared his personal experiences shaping the music. With the new record set to be released soon, Sammet spoke candidly about the band’s evolving sound, future touring plans, and creative process.
Though fans eagerly await news of an Australian tour, Sammet couldn’t confirm any dates yet. "There’s no hint yet, but I want to go back because the last time was amazing," he said. He acknowledged the strong heavy metal audience in Australia, emphasising that while there are no concrete plans at the moment, a Latin American and North American tour is in the works.
One of the standout tracks on Here Be Dragons is Against the Wind, which carries a deeply personal message. Sammet explained that the song was inspired by his reflections on life and the pressures of external expectations. “It’s about staying true to yourself and saying, ‘I’ll do it my way,’” he revealed. The powerful lyrics, written while Sammet was at the shoreline of Cornwall, embody a spirit of defiance and resilience.
In discussing his musical collaborations, Sammet shared his admiration for Kenny Leckremo. He said of the singer's voice, “He’s got no limitations… he’s a technical prodigy, and he really fits into the Avantasia style.” Sammet’s keen ear for unique voices is evident in his choice of collaborators, with Leckremo standing out as a perfect match for Here Be Dragons.
As for the album itself, Sammet admitted that it represents a shift from Avantasia’s usual concept-driven approach. Rather than being a fully conceptual album, it’s a collection of short stories that reflect his creative freedom. “It’s a liberating approach," he said, "I just threw myself into the waves of creativity and it worked.”
Fans can look forward to Here Be Dragons blending Avantasia’s signature style with fresh elements. Sammet’s openness to exploring new ideas while staying true to the band’s roots promises an album full of musical surprises, ready to captivate fans all over again. Props to Tobias for being such a pleasure to interview, it's hard to not like the guy and the dedication to his craft that drips from every pore. I really hope we see Avantasia on our shores in the near future.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64615358Fri, 28 Feb 2025 00:59:16 +0000HEAVY MagazineInterview by Angela Croudace In our interview with Tobias Sammet, the frontman of power metal giants Avantasia, he revealed exciting insights into the band’s upcoming album, Here Be Dragons, and shared his personal experiences shaping the music. With...In our interview with Tobias Sammet, the frontman of power metal giants Avantasia, he revealed exciting insights into the band’s upcoming album, Here Be Dragons, and shared his personal experiences shaping the music. With the new record set to be released soon, Sammet spoke candidly about the band’s evolving sound, future touring plans, and creative process.
Though fans eagerly await news of an Australian tour, Sammet couldn’t confirm any dates yet. "There’s no hint yet, but I want to go back because the last time was amazing," he said. He acknowledged the strong heavy metal audience in Australia, emphasising that while there are no concrete plans at the moment, a Latin American and North American tour is in the works.
One of the standout tracks on Here Be Dragons is Against the Wind, which carries a deeply personal message. Sammet explained that the song was inspired by his reflections on life and the pressures of external expectations. “It’s about staying true to yourself and saying, ‘I’ll do it my way,’” he revealed. The powerful lyrics, written while Sammet was at the shoreline of Cornwall, embody a spirit of defiance and resilience.
In discussing his musical collaborations, Sammet shared his admiration for Kenny Leckremo. He said of the singer's voice, “He’s got no limitations… he’s a technical prodigy, and he really fits into the Avantasia style.” Sammet’s keen ear for unique voices is evident in his choice of collaborators, with Leckremo standing out as a perfect match for Here Be Dragons.
As for the album itself, Sammet admitted that it represents a shift from Avantasia’s usual concept-driven approach. Rather than being a fully conceptual album, it’s a collection of short stories that reflect his creative freedom. “It’s a liberating approach," he said, "I just threw myself into the waves of creativity and it worked.”
Fans can look forward to Here Be Dragons blending Avantasia’s signature style with fresh elements. Sammet’s openness to exploring new ideas while staying true to the band’s roots promises an album full of musical surprises, ready to captivate fans all over again. Props to Tobias for being such a pleasure to interview, it's hard to not like the guy and the dedication to his craft that drips from every pore. I really hope we see Avantasia on our shores in the near future.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1615album,avantasia,hardrock,heavy,heavymetal,herebedragons,interview,music,napalm,podcast,records,rock,tobiassammetfalsefullhttps://www.spreaker.com/episode/a-complete-look-inside-the-world-of-slipknot-with-slipknot-museum-global-director-caelin-meredith--64596318Knotfest throws up so many sonic moments of metal fury each year, but one of the lesser known - but equally as interesting - parts of the travelling music festival is the Knotfest Museum.
Assembled from a massive collection of Slipknot memorabilia from the entirety of the bands' history, the Knotfest Museum is a treasure trove of goodness for the discerning Maggot, and even those with just a passing interest in a band that has revolutionised the world of heavy metal.
Showcasing everything from old masks to costumes to photos to rarities (last years was Clown's solid gold mask, out of captivity for the first time ever) to the opportunity to actually play guitars as used on stage by Jim Root, Mick Thompson and V-Man, the Knotfest Museum is a must-see addition to Knotfest and one which will leave you in awe and wonderment as you marvel at Slipknot's history.
And, of course, this year will be that little bit more special with a specifically curated museum focussing on Slipknot's 25th anniversary and everything it entails.
HEAVY caught up with Slipknot Museum Global Director Caelin Meredith from the official Slipknot warehouse - for the once-in-a-lifetime, never-before-seen secret location - to find out more. We talk about everything from what it takes to put together the Slipknot Museum, how much input the band has in the process, what special items we might get, how different this years museum will be to last year, the interactive/playable content, booking entry, why the Slipknot Museum is a must for Knotfest attendees and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64596318Thu, 27 Feb 2025 02:10:24 +0000HEAVY MagazineWords by Kris Peters Knotfest throws up so many sonic moments of metal fury each year, but one of the lesser known - but equally as interesting - parts of the travelling music festival is the Knotfest Museum. Assembled from a massive collection of...Knotfest throws up so many sonic moments of metal fury each year, but one of the lesser known - but equally as interesting - parts of the travelling music festival is the Knotfest Museum.
Assembled from a massive collection of Slipknot memorabilia from the entirety of the bands' history, the Knotfest Museum is a treasure trove of goodness for the discerning Maggot, and even those with just a passing interest in a band that has revolutionised the world of heavy metal.
Showcasing everything from old masks to costumes to photos to rarities (last years was Clown's solid gold mask, out of captivity for the first time ever) to the opportunity to actually play guitars as used on stage by Jim Root, Mick Thompson and V-Man, the Knotfest Museum is a must-see addition to Knotfest and one which will leave you in awe and wonderment as you marvel at Slipknot's history.
And, of course, this year will be that little bit more special with a specifically curated museum focussing on Slipknot's 25th anniversary and everything it entails.
HEAVY caught up with Slipknot Museum Global Director Caelin Meredith from the official Slipknot warehouse - for the once-in-a-lifetime, never-before-seen secret location - to find out more. We talk about everything from what it takes to put together the Slipknot Museum, how much input the band has in the process, what special items we might get, how different this years museum will be to last year, the interactive/playable content, booking entry, why the Slipknot Museum is a must for Knotfest attendees and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>964australia,caelinmeredith,festival,heavy,heavymetal,interview,jimroot,knotfestmuseum,krispeters,mickthompson,music,podcast,slipknot,vmanfalsefullhttps://www.spreaker.com/episode/asserting-your-authority-with-randy-bradbury-from-pennywise--64577536Two of the all-time punk greats have returned to Australia, with pioneering California dynamos PENNYWISE and beloved Swedish trailblazers MILLENCOLIN touched down and ready to co-headline a huge run Down Under.
A band synonymous with punk rock and thought-provoking lyricism, PENNYWISE erupted out of the vibrant coastal setting of Hermosa Beach in California with their self-titled debut album in 1991, ultimately going on to change the sonic landscape and cultivate a sweltering legacy via their unique blend of DIY spirit, hardcore, skate punk and SoCal pop punk. Renowned for their ability to fuse raw emotion and ravenous energy with themes of empowerment and rallying calls for change, PENNYWISE encapsulate the essence of rebellion with anthems like Bro Hymn and Fuck Authority, while also remaining as fundamental to punk rock and hardcore as stage dives and guitars.
With twelve studio albums, including their Certified Gold records About Time (1995), Full Circle (1997) and Straight Ahead (1999), PENNYWISE have also showcased their formidable onstage presence across the globe for decades alongside the biggest names in the scene, most recently supporting Dropkick Murphys for a huge North American tour, and also for Aussie audiences last year as part of Good Things Festival. A band fluent in balancing the spirit of punk alongside subversion and celebration, PENNYWISE are primed to bring the revolution to Australian audiences in 2025.
HEAVY spoke with bass player Randy Bradbury to find out more.
"Not much, really," he replied when we ask what has changed with Pennywise since they were last in Australia. "We've been on the same trajectory for a while. For us, it's about getting out there and playing live and having energetic shows. You wouldn't wanna change that, so not a lot has changed. The important stuff is still intact."
In the full interview we talk about Australia being like a second home, how good it feels to have half the tour sold out before they even board the plane over here, touring with Millencolin and why the two bands work well together, what we can expect live, his early days in the band and getting used to being in a band he previously loved, sticking to your guns musically and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64577536Wed, 26 Feb 2025 05:13:24 +0000HEAVY MagazineWords by Kris Peters Two of the all-time punk greats have returned to Australia, with pioneering California dynamos PENNYWISE and beloved Swedish trailblazers MILLENCOLIN touched down and ready to co-headline a huge run Down Under. A band synonymous...Two of the all-time punk greats have returned to Australia, with pioneering California dynamos PENNYWISE and beloved Swedish trailblazers MILLENCOLIN touched down and ready to co-headline a huge run Down Under.
A band synonymous with punk rock and thought-provoking lyricism, PENNYWISE erupted out of the vibrant coastal setting of Hermosa Beach in California with their self-titled debut album in 1991, ultimately going on to change the sonic landscape and cultivate a sweltering legacy via their unique blend of DIY spirit, hardcore, skate punk and SoCal pop punk. Renowned for their ability to fuse raw emotion and ravenous energy with themes of empowerment and rallying calls for change, PENNYWISE encapsulate the essence of rebellion with anthems like Bro Hymn and Fuck Authority, while also remaining as fundamental to punk rock and hardcore as stage dives and guitars.
With twelve studio albums, including their Certified Gold records About Time (1995), Full Circle (1997) and Straight Ahead (1999), PENNYWISE have also showcased their formidable onstage presence across the globe for decades alongside the biggest names in the scene, most recently supporting Dropkick Murphys for a huge North American tour, and also for Aussie audiences last year as part of Good Things Festival. A band fluent in balancing the spirit of punk alongside subversion and celebration, PENNYWISE are primed to bring the revolution to Australian audiences in 2025.
HEAVY spoke with bass player Randy Bradbury to find out more.
"Not much, really," he replied when we ask what has changed with Pennywise since they were last in Australia. "We've been on the same trajectory for a while. For us, it's about getting out there and playing live and having energetic shows. You wouldn't wanna change that, so not a lot has changed. The important stuff is still intact."
In the full interview we talk about Australia being like a second home, how good it feels to have half the tour sold out before they even board the plane over here, touring with Millencolin and why the two bands work well together, what we can expect live, his early days in the band and getting used to being in a band he previously loved, sticking to your guns musically and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>553australia,heavy,interview,krispeters,millencolin,music,pennywise,podcast,punk,randybradbury,tourtruefullhttps://www.spreaker.com/episode/back-to-australia-motion-city-soundtrack-s-long-awaited-return--64576883After nearly a decade, Motion City Soundtrack is heading back to Australia, ready to light up stages with their energetic performances. HEAVY caught up with bassist Matt Taylor and guitarist Josh Cain to discuss the tour, their new music, and the exciting moments ahead.
"It's been 10 years, we're really ready to come back," Matt grins. "It's great to get some sunshine down there!" The band's excitement is palpable as they prepare to join Yellowcard and Plain White T's for their 20th anniversary celebrations. Josh adds, "We've always had similar energy to Yellowcard. Songs like Ocean Avenue really aren't that far off from something we'd write. It's going to be a great match!"
While their last Australian shows were a decade ago, the energy between the bands remains strong. The tour is sure to ignite memories for fans and bring fresh experiences, especially with the band's evolving sound.
Despite the excitement, there's no denying the challenges of long-distance travel. "It's brutal," Josh jokes about the gruelling flights from Minnesota to Perth. "But we're going to fly out a day early just to acclimate so Justin's not a zombie on stage!" Justin, the band's vocalist, is known for his all-or-nothing approach, which makes this extra preparation crucial for the band's success.
The band is also gearing up to release new music after their hiatus, with fans eagerly anticipating their upcoming record. "Stop Talking was a little different for us, structure-wise, but we've been evolving as songwriters," Matt explains. "We've been taking the time to lean into what makes us unique while also embracing our influences."
Josh adds, "It's been great to get this time to grow as writers. The new music really feels like a mix of everything we've done before, but it's fresh. I think fans are going to love it."
As for their time off the road? Both Matt and Josh value their downtime, and Josh explains, "These days, I just enjoy existing, walking around cities, and hanging out with the guys."
With new music, the return to Australia, and the chance to reunite with fans, Motion City Soundtrack is ready for a memorable and electrifying tour ahead.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64576883Wed, 26 Feb 2025 03:16:51 +0000HEAVY MagazineWords by Angela Croudace After nearly a decade, Motion City Soundtrack is heading back to Australia, ready to light up stages with their energetic performances. HEAVY caught up with bassist Matt Taylor and guitarist Josh Cain to discuss the tour,...After nearly a decade, Motion City Soundtrack is heading back to Australia, ready to light up stages with their energetic performances. HEAVY caught up with bassist Matt Taylor and guitarist Josh Cain to discuss the tour, their new music, and the exciting moments ahead.
"It's been 10 years, we're really ready to come back," Matt grins. "It's great to get some sunshine down there!" The band's excitement is palpable as they prepare to join Yellowcard and Plain White T's for their 20th anniversary celebrations. Josh adds, "We've always had similar energy to Yellowcard. Songs like Ocean Avenue really aren't that far off from something we'd write. It's going to be a great match!"
While their last Australian shows were a decade ago, the energy between the bands remains strong. The tour is sure to ignite memories for fans and bring fresh experiences, especially with the band's evolving sound.
Despite the excitement, there's no denying the challenges of long-distance travel. "It's brutal," Josh jokes about the gruelling flights from Minnesota to Perth. "But we're going to fly out a day early just to acclimate so Justin's not a zombie on stage!" Justin, the band's vocalist, is known for his all-or-nothing approach, which makes this extra preparation crucial for the band's success.
The band is also gearing up to release new music after their hiatus, with fans eagerly anticipating their upcoming record. "Stop Talking was a little different for us, structure-wise, but we've been evolving as songwriters," Matt explains. "We've been taking the time to lean into what makes us unique while also embracing our influences."
Josh adds, "It's been great to get this time to grow as writers. The new music really feels like a mix of everything we've done before, but it's fresh. I think fans are going to love it."
As for their time off the road? Both Matt and Josh value their downtime, and Josh explains, "These days, I just enjoy existing, walking around cities, and hanging out with the guys."
With new music, the return to Australia, and the chance to reunite with fans, Motion City Soundtrack is ready for a memorable and electrifying tour ahead.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1503australia,destroyalllines,heavy,interview,motioncitysoundtrack,music,podcast,tour,yellowcardtruefullhttps://www.spreaker.com/episode/fuelling-the-fire-with-morgan-lander-from-kittie--64496536Canadian metal outfit Kittie returned with a vengeance recently after a 13-year hiatus.
Crashing onto the scene in 1999 with their debut album Spit, Kittie evolved far beyond their nu-metal origins, developing a crushing, full-fledged metal sound across six albums. They were a mainstay on the scene until taking a layoff which was to last over a decade.
After their prolonged absence, Kittie came storming back this year with new album, Fire, a record that fuses every element of their past work into something even more volatile, proving they've lost none of their venom.
Having not toured Australia since 2012, Kittie’s return is nothing short of a metal revival. Expect a crash course in their discography that goes far beyond their nu-metal beginnings. From the venomous angst of Spit and the moshpit slam of Brackish to the progressive groove of What I Always Wanted and the hypnotic swagger of In Winter through to powerfully catchy new tracks like Vultures and One Foot in the Grave, Kittie’s set will be an intense journey through their evolution, one that old fans will savour, and new fans won’t forget.
For over a quarter of a century, Kittie have defied stereotypes and broken barriers for women in metal, inspiring legions of fans and artists across the globe. Their comeback to Australian shores will be a hero's welcome for long time fans and an initiation for those just discovering their ferocity.
HEAVY sat down for a chat with vocalist/guitarist Morgan Lander, starting with what we can expect from their live show.
"Oh gosh," she smiled. "Well… we've always prided ourselves in being just kind of like a straight-up metal band. I know a lot of bands use a lot of different things these days - technologies and things like that - but we've always been a band that just gets up there, four girls having a great time, just rocking out. A lot of fan interaction. A lot of screaming, and it's gonna be real loud (laughs). We just love what we do and have a great time. It's a fun show. It's a little bit angry, but that's metal, right?"
In the full interview, Morgan tells us what has changed with the band since they were last out here, touring with Jinjer, three songs to get to know Kittie better, their return album Fire and how it was received, the pressures associated with their first album in 13 years, the early days of Kittie and where they fit in and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64496536Fri, 21 Feb 2025 16:09:17 +0000HEAVY MagazineInterview by Kris Peters Canadian metal outfit Kittie returned with a vengeance recently after a 13-year hiatus. Crashing onto the scene in 1999 with their debut album Spit, Kittie evolved far beyond their nu-metal origins, developing a crushing,...Canadian metal outfit Kittie returned with a vengeance recently after a 13-year hiatus.
Crashing onto the scene in 1999 with their debut album Spit, Kittie evolved far beyond their nu-metal origins, developing a crushing, full-fledged metal sound across six albums. They were a mainstay on the scene until taking a layoff which was to last over a decade.
After their prolonged absence, Kittie came storming back this year with new album, Fire, a record that fuses every element of their past work into something even more volatile, proving they've lost none of their venom.
Having not toured Australia since 2012, Kittie’s return is nothing short of a metal revival. Expect a crash course in their discography that goes far beyond their nu-metal beginnings. From the venomous angst of Spit and the moshpit slam of Brackish to the progressive groove of What I Always Wanted and the hypnotic swagger of In Winter through to powerfully catchy new tracks like Vultures and One Foot in the Grave, Kittie’s set will be an intense journey through their evolution, one that old fans will savour, and new fans won’t forget.
For over a quarter of a century, Kittie have defied stereotypes and broken barriers for women in metal, inspiring legions of fans and artists across the globe. Their comeback to Australian shores will be a hero's welcome for long time fans and an initiation for those just discovering their ferocity.
HEAVY sat down for a chat with vocalist/guitarist Morgan Lander, starting with what we can expect from their live show.
"Oh gosh," she smiled. "Well… we've always prided ourselves in being just kind of like a straight-up metal band. I know a lot of bands use a lot of different things these days - technologies and things like that - but we've always been a band that just gets up there, four girls having a great time, just rocking out. A lot of fan interaction. A lot of screaming, and it's gonna be real loud (laughs). We just love what we do and have a great time. It's a fun show. It's a little bit angry, but that's metal, right?"
In the full interview, Morgan tells us what has changed with the band since they were last out here, touring with Jinjer, three songs to get to know Kittie better, their return album Fire and how it was received, the pressures associated with their first album in 13 years, the early days of Kittie and where they fit in and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1034australia,groovemetal,heavy,heavymetal,interview,jinjer,kittie,krispeters,livenation,music,podcast,tourtruefullhttps://www.spreaker.com/episode/making-up-for-lost-time-with-mikael-stanne-from-dark-tranquillity--64448136One of the architects of The Gothenburg Sound, Dark Tranquillity are about to storm Australian shores for the first time in over a decade, delivering three exclusive shows in Melbourne, Sydney and Brisbane.
The masters of melodic death metal emerged from Sweden’s west coast in the early '90s, alongside titans like In Flames, At The Gates, and Soilwork. Known for their genre-defining mix of razor-sharp riffs, icy keyboards, and Mikael Stanne's haunting vocals, the band melds death metal intensity with gothic and progressive experimentation. 
Through 13 albums, including iconic releases The Gallery, Character, and their latest, 2024’s Endgame Signals, Dark Tranquillity has forged a sound that is as melancholic and thought provoking as it is ferocious.
Joining Dark Tranquillity for their momentous return are Melbourne’s own melodic metal heavyweights, Eye of the Enemy. Renowned for their crushing riffs and soaring melodies, Eye of the Enemy has earned accolades including a Global Metal Apocalypse Award and numerous Album of the Year mentions. With a history of international tours and supporting the who’s who of metal’s elite, they’re the perfect complement to Dark Tranquillity's atmospheric mastery.
Dark Tranquillity will dig deep from their rich catalogue to deliver a sonic journey through the past, present, and future of melodic death metal, but just to make sure, HEAVY caught up with vocalist Mikael Stanne just days out from the first show of the tour.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64448136Wed, 19 Feb 2025 11:32:05 +0000HEAVY MagazineInterview by Angela Croudace One of the architects of The Gothenburg Sound, Dark Tranquillity are about to storm Australian shores for the first time in over a decade, delivering three exclusive shows in Melbourne, Sydney and Brisbane. The masters of...One of the architects of The Gothenburg Sound, Dark Tranquillity are about to storm Australian shores for the first time in over a decade, delivering three exclusive shows in Melbourne, Sydney and Brisbane.
The masters of melodic death metal emerged from Sweden’s west coast in the early '90s, alongside titans like In Flames, At The Gates, and Soilwork. Known for their genre-defining mix of razor-sharp riffs, icy keyboards, and Mikael Stanne's haunting vocals, the band melds death metal intensity with gothic and progressive experimentation. 
Through 13 albums, including iconic releases The Gallery, Character, and their latest, 2024’s Endgame Signals, Dark Tranquillity has forged a sound that is as melancholic and thought provoking as it is ferocious.
Joining Dark Tranquillity for their momentous return are Melbourne’s own melodic metal heavyweights, Eye of the Enemy. Renowned for their crushing riffs and soaring melodies, Eye of the Enemy has earned accolades including a Global Metal Apocalypse Award and numerous Album of the Year mentions. With a history of international tours and supporting the who’s who of metal’s elite, they’re the perfect complement to Dark Tranquillity's atmospheric mastery.
Dark Tranquillity will dig deep from their rich catalogue to deliver a sonic journey through the past, present, and future of melodic death metal, but just to make sure, HEAVY caught up with vocalist Mikael Stanne just days out from the first show of the tour.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1549australia,darktranquillity,heavy,heavymetal,interview,melodicdeathmetal,music,podcast,tourfalsefullhttps://www.spreaker.com/episode/music-intimacy-with-burton-c-bell--64427867Burton C Bell is a name synonymous with metal.
Fresh off his induction into the prestigious Metal Hall of Fame, Burton continues to solidify his legacy as a trailblazer of industrial metal. Renowned for his groundbreaking role in Fear Factory, the extreme music pioneer, multimedia talent, and iconoclastic provocateur resurrects his legacy and forward-thinking destiny, remade in a career-spanning incarnation as a singular solo artist. 
Bell’s discography includes multiple live and recorded collaborations with Black Sabbath icon Geezer Butler and Journey’s Deen Castronovo (as GZR); industrial maverick Al Jourgensen and Ministry; and guest vocal appearances with Pitchshifter, Conflict, Soil, Static-X, Soulfly, and Delain, among others. He’s the vocalist of Ascension Of The Watchers and City Of Fire and, of course, the co-creator of Fear Factory and the only musician to appear on every Fear Factory release from 1992 through 2024.
And now Bell has set his sights on Australia for his solo project, which has already spawned two singles in Anti - Droid and Technical Exorcism, with two more promised before June. His Australian shows promise to be an unmissable experience, featuring heavy, groovy, dark, and moody tracks, alongside rare live renditions of deep cuts from his vast discography, but to find out just what to expect, HEAVY spent some time with Bell to get down and dirty.
"I had a great response," he smiled when we asked about how his first two solo singles were received. "Live, the fans love them. They translate well. The band that I have gathered - or should I say curated, because it took me a couple of years to grab these guys together. I've known them for a few years, but finally I got this band together and the music that we play is really translating… a new groove that is translating in songs in a heavy, groovy, dark and moody way. It's amazing. What you hear is going to be heavier live."
In the full interview, Burton talks more about what to expect from the shows, what has changed with him and his music since his last visit in 2021, how the shows will be intimate, what songs he will be drawing from in the set list, future music and if the singles released are an indication of what the album will sound like, how he keeps music fresh and exciting for himself, the songwriting process and if it becomes easier or harder over time, being inducted into the Metal Hall Of Fame and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64427867Tue, 18 Feb 2025 22:05:01 +0000HEAVY MagazineInterview by Kris Peters Burton C Bell is a name synonymous with metal. Fresh off his induction into the prestigious Metal Hall of Fame, Burton continues to solidify his legacy as a trailblazer of industrial metal. Renowned for his groundbreaking role...Burton C Bell is a name synonymous with metal.
Fresh off his induction into the prestigious Metal Hall of Fame, Burton continues to solidify his legacy as a trailblazer of industrial metal. Renowned for his groundbreaking role in Fear Factory, the extreme music pioneer, multimedia talent, and iconoclastic provocateur resurrects his legacy and forward-thinking destiny, remade in a career-spanning incarnation as a singular solo artist. 
Bell’s discography includes multiple live and recorded collaborations with Black Sabbath icon Geezer Butler and Journey’s Deen Castronovo (as GZR); industrial maverick Al Jourgensen and Ministry; and guest vocal appearances with Pitchshifter, Conflict, Soil, Static-X, Soulfly, and Delain, among others. He’s the vocalist of Ascension Of The Watchers and City Of Fire and, of course, the co-creator of Fear Factory and the only musician to appear on every Fear Factory release from 1992 through 2024.
And now Bell has set his sights on Australia for his solo project, which has already spawned two singles in Anti - Droid and Technical Exorcism, with two more promised before June. His Australian shows promise to be an unmissable experience, featuring heavy, groovy, dark, and moody tracks, alongside rare live renditions of deep cuts from his vast discography, but to find out just what to expect, HEAVY spent some time with Bell to get down and dirty.
"I had a great response," he smiled when we asked about how his first two solo singles were received. "Live, the fans love them. They translate well. The band that I have gathered - or should I say curated, because it took me a couple of years to grab these guys together. I've known them for a few years, but finally I got this band together and the music that we play is really translating… a new groove that is translating in songs in a heavy, groovy, dark and moody way. It's amazing. What you hear is going to be heavier live."
In the full interview, Burton talks more about what to expect from the shows, what has changed with him and his music since his last visit in 2021, how the shows will be intimate, what songs he will be drawing from in the set list, future music and if the singles released are an indication of what the album will sound like, how he keeps music fresh and exciting for himself, the songwriting process and if it becomes easier or harder over time, being inducted into the Metal Hall Of Fame and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>778australia,burtoncbell,fearfactory,heavy,heavymetal,industrialmetal,interview,krispeters,music,podcast,tourtruefullhttps://www.spreaker.com/episode/an-avalanche-of-metal-with-tim-ripper-owens--64432175Ripper Owens has returned to Australia, but this time he is on his own. Not literally, of course, but for the first time in recent memory, Ripper comes Down Under with a clean slate and no pre-existing musical obligations by way of bands and/or collaborations.
As such he is free to pull songs from a vast and varied network spent fronting iconic acts including Judas Priest, Iced Earth, Yngwie Malmsteen, Dio's Disciples, The Three Tremors, KK's PRIEST and the incredibly ferocious RIPPER - a collaborative project spearheaded by Hatebreed's Jamey Jasta.
Joined by the Metallic luminary of brothers Joel & Jordan McDonald, Andrew Hudson and Voya Mulitinovic, Ripper’s live assault will be molten as hell… And if you crave anything less - You've Got Another Thing Coming…
Ripper's unique skills tore open a fairytale career, across the biggest stages in the world. This run of shows will showcase the absolute, toughest cuts from Ripper's world of Heavy Metal. Expect huge hits, deep dives, virtuosic shred, and a heap of fists in the air, full cavalry style, head-banging glory.
HEAVY caught up with Ripper during some rare downtime on the road.
We bring up the fact that with so much material to draw from, choosing a set list to appease the masses must seem like an impossible and thankless task.
 "It is," he nodded. "It is just as it is with anybody. It's the same with KK's Priest, isn't it? We do a lot of KK stuff… probably half and half, but a thing we don't do is a lot of my era of Judas Priest. We do one song, so people complain a lot about that. But it's the same with every band and every artist out there. It's always a pain in the butt and a challenge to make a set list. You will not make everybody happy, and to be honest, in this day and age it's impossible. They're gonna complain. Just by reading comments on posts of mine on social media, people know everything. They know exactly how I should look, sound, what clothes I should wear, what set lists I should have, so you're not gonna make everybody happy. It's really hard to do, and you nailed it. People wanna hear Winters Bane, my first band I released something with, so it is tough, but you've gotta do it. I've toured doing these songs. I know for my South America tour I have coming up I have added Bloodstained in the set list and we might do Jugulator, but it's tough to do it."
In the full interview, Ripper tells us what to expect from his shows, his backing band and why he chose them, his recent collaborations with aspiring musicians, musical freedom, what he gets out of playing in so many bands, challenging yourself musically and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64432175Tue, 18 Feb 2025 11:55:58 +0000HEAVY MagazineInterview by Kris Peters Ripper Owens has returned to Australia, but this time he is on his own. Not literally, of course, but for the first time in recent memory, Ripper comes Down Under with a clean slate and no pre-existing musical obligations by...Ripper Owens has returned to Australia, but this time he is on his own. Not literally, of course, but for the first time in recent memory, Ripper comes Down Under with a clean slate and no pre-existing musical obligations by way of bands and/or collaborations.
As such he is free to pull songs from a vast and varied network spent fronting iconic acts including Judas Priest, Iced Earth, Yngwie Malmsteen, Dio's Disciples, The Three Tremors, KK's PRIEST and the incredibly ferocious RIPPER - a collaborative project spearheaded by Hatebreed's Jamey Jasta.
Joined by the Metallic luminary of brothers Joel & Jordan McDonald, Andrew Hudson and Voya Mulitinovic, Ripper’s live assault will be molten as hell… And if you crave anything less - You've Got Another Thing Coming…
Ripper's unique skills tore open a fairytale career, across the biggest stages in the world. This run of shows will showcase the absolute, toughest cuts from Ripper's world of Heavy Metal. Expect huge hits, deep dives, virtuosic shred, and a heap of fists in the air, full cavalry style, head-banging glory.
HEAVY caught up with Ripper during some rare downtime on the road.
We bring up the fact that with so much material to draw from, choosing a set list to appease the masses must seem like an impossible and thankless task.
 "It is," he nodded. "It is just as it is with anybody. It's the same with KK's Priest, isn't it? We do a lot of KK stuff… probably half and half, but a thing we don't do is a lot of my era of Judas Priest. We do one song, so people complain a lot about that. But it's the same with every band and every artist out there. It's always a pain in the butt and a challenge to make a set list. You will not make everybody happy, and to be honest, in this day and age it's impossible. They're gonna complain. Just by reading comments on posts of mine on social media, people know everything. They know exactly how I should look, sound, what clothes I should wear, what set lists I should have, so you're not gonna make everybody happy. It's really hard to do, and you nailed it. People wanna hear Winters Bane, my first band I released something with, so it is tough, but you've gotta do it. I've toured doing these songs. I know for my South America tour I have coming up I have added Bloodstained in the set list and we might do Jugulator, but it's tough to do it."
In the full interview, Ripper tells us what to expect from his shows, his backing band and why he chose them, his recent collaborations with aspiring musicians, musical freedom, what he gets out of playing in so many bands, challenging yourself musically and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>821australia,hardrock,heavy,heavymetal,interview,judaspriest,kkspriest,krispeters,music,podcast,ripperowens,rock,tourtruefullhttps://www.spreaker.com/episode/from-frankies-to-dingbats-party-pit-keeping-music-alive-with-jordan-mcdonald--64427224Photo credit ALI NASSERI
December 2023 saw the end of an era of live music that reinvigorated the entire Sydney music scene and spread that love throughout the rest of the country.
For 10 years, Frankies Pizza was the cornerstone of the Sydney live music hub, bringing a swag of international bands through its doors as well as giving Australian acts of all genres and career trajectories a home where they could be heard. And, more importantly, understood.
While the entire staff of Frankies was involved in bringing the club to life, one man would always be in the thick of things playing, performing, or moshing in the pit. That man - Jordan McDonald - became a legend amongst many, always smiling, always approachable and never judgemental.
So, when Frankies closed its doors for the final time, the local music scene lost not only a great venue but also an icon of the industry. While being vocal that he did not want Frankies to continue in any shape or form in another venue - believing the legacy should end where it started - McDonald never turned his back on the music scene, continuing his drumming passion with local and touring acts as well as branching out into other areas of hospitality, but being an active and contributing part of the Australian music scene in a capacity where he could give back to the industry was never far from his mind.
Initially launching his own business Nite Rite, aimed at helping businesses and individuals set up and run live music venues amongst other things, McDonald soon found opportunities knocking to start up something more based on his personal choices and experiences. This came in the form of a new live music venue situated in the heart of the Sydney CBD that was screaming out for live music.
After getting his head back into the booking and promoting side of music, McDonald is now ready to launch a monthly live music night called Dingbats Party Pit at a venue underneath the Arcade Bar on O'Connell Street on March 7. But of course, as anyone who visited Frankies or knows Jordan McDonald would lovingly point out, the man has more on his mind than a once-monthly event.
HEAVY sat down with Jordan for an interesting chat to flesh things out.
"I'm glad other people remember it, because I don't remember much," he laughed when we first bring up Frankies. "That was ten years of my life, and it was ten years well spent. It was fantastic. And it was one of these classic examples of the whole fake it 'til ya make it thing. I had this brilliant business partner who pulled me into the mix when I was selling him beers - because I used to tour with bands around the United States and I would come back to Australia and the closest thing to a craft beer would be your Little Creatures or Coopers or whatever. But there wasn't too much in the way of funky options out there, so I started distributing all these interesting beers into the country, and there was this dude who had a great little venue called Shady Pines Saloon and I would sell him a bunch of American beers. One night he pulled me aside, and he said, 'hey man, I've got this idea. I wanna do a rock n roll club. I have a space in the Sydney CBD that is a totally untried and untested area for this kind of thing.'
"At that point of time everyone would go to the CBD to go to work, finish work, then go home. You just wouldn't hang out there. And he had this concept to throw a gig every night of the week, seven days a week until 4am, and he thought I was the solution to it. I didn't know what the hell I was doing, but I said yes, let's do this thing, and fast forward ten years and Frankies Pizza had built its name as a trusted force in the rock n roll world."
In the full interview, Jordan talks more about Frankies and the legacy it left behind, what he has been doing since it closed down, his new company Nite Rite and how it aims to help the music industry, his new venture Dingbats Party Club and what to expect, the venue itself, the launch party of March 7, future plans to open it up for local, national and international acts and more.
The March 7 launch event features 5 bands, each overflowing with Party Rock attitude. Drawing heavy inspiration from the Rock Clubs of Hollywood’s Hair Metal heyday, Dingbats thought it best to come out swinging Sunset Strip style. If Big Red Fire Truck, Bloody Legend and The Hush don’t leave you wondering who bought the time machine to 1989, Planet Earth’s #1 Poison tribute act, Poizon’Us, will have you flying in the Flux Capacitor by the first four bars.
In case anyone gets too comfortable, Dingbats are dropping a wildcard set from one of the world’s most exciting up and coming alternative acts, MANNEQUIN DEATH SQUAD. A 2 piece DIY tour de force taking the world by storm. DJs NITECALL, AXL BROS & JORDAN ADAM will be reducing a Heavy Metal jús before, between and after all featured acts.
And that's not all. Thraxxy Kilmister's Horrendously Bad Tattoo Competition calls upon all cretins present to bare their most regrettable ink for a chance at mega merch packs, tattoo credit and a generous portion of champion's glory.
This is a fully accessible event with seamless wheelchair access and disabled facilities. Tickets are on sale now, bit.ly/dingbatsmar25
https://www.nite-rite.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64427224Tue, 18 Feb 2025 02:54:52 +0000HEAVY MagazineInterview by Kris Peters Photo credit ALI NASSERI December 2023 saw the end of an era of live music that reinvigorated the entire Sydney music scene and spread that love throughout the rest of the country. For 10 years, Frankies Pizza was the...Photo credit ALI NASSERI
December 2023 saw the end of an era of live music that reinvigorated the entire Sydney music scene and spread that love throughout the rest of the country.
For 10 years, Frankies Pizza was the cornerstone of the Sydney live music hub, bringing a swag of international bands through its doors as well as giving Australian acts of all genres and career trajectories a home where they could be heard. And, more importantly, understood.
While the entire staff of Frankies was involved in bringing the club to life, one man would always be in the thick of things playing, performing, or moshing in the pit. That man - Jordan McDonald - became a legend amongst many, always smiling, always approachable and never judgemental.
So, when Frankies closed its doors for the final time, the local music scene lost not only a great venue but also an icon of the industry. While being vocal that he did not want Frankies to continue in any shape or form in another venue - believing the legacy should end where it started - McDonald never turned his back on the music scene, continuing his drumming passion with local and touring acts as well as branching out into other areas of hospitality, but being an active and contributing part of the Australian music scene in a capacity where he could give back to the industry was never far from his mind.
Initially launching his own business Nite Rite, aimed at helping businesses and individuals set up and run live music venues amongst other things, McDonald soon found opportunities knocking to start up something more based on his personal choices and experiences. This came in the form of a new live music venue situated in the heart of the Sydney CBD that was screaming out for live music.
After getting his head back into the booking and promoting side of music, McDonald is now ready to launch a monthly live music night called Dingbats Party Pit at a venue underneath the Arcade Bar on O'Connell Street on March 7. But of course, as anyone who visited Frankies or knows Jordan McDonald would lovingly point out, the man has more on his mind than a once-monthly event.
HEAVY sat down with Jordan for an interesting chat to flesh things out.
"I'm glad other people remember it, because I don't remember much," he laughed when we first bring up Frankies. "That was ten years of my life, and it was ten years well spent. It was fantastic. And it was one of these classic examples of the whole fake it 'til ya make it thing. I had this brilliant business partner who pulled me into the mix when I was selling him beers - because I used to tour with bands around the United States and I would come back to Australia and the closest thing to a craft beer would be your Little Creatures or Coopers or whatever. But there wasn't too much in the way of funky options out there, so I started distributing all these interesting beers into the country, and there was this dude who had a great little venue called Shady Pines Saloon and I would sell him a bunch of American beers. One night he pulled me aside, and he said, 'hey man, I've got this idea. I wanna do a rock n roll club. I have a space in the Sydney CBD that is a totally untried and untested area for this kind of thing.'
"At that point of time everyone would go to the CBD to go to work, finish work, then go home. You just wouldn't hang out there. And he had this concept to throw a gig every night of the week, seven days a week until 4am, and he thought I was the solution to it. I didn't know what the hell I was doing, but I said yes, let's do this thing, and fast forward ten years and Frankies Pizza had built its name as a trusted force in the rock n roll world."
In the full interview, Jordan talks more about Frankies and the legacy it left behind, what he has been doing since it closed down, his new company Nite Rite and how it aims to help the music industry, his new venture Dingbats...]]>1086australia,digbatspartypit,frankiespizza,hardrock,heavy,heavymetal,interview,jordanmcdonald,krispeters,livemusic,music,niterite,podcast,rocktruefullhttps://www.spreaker.com/episode/the-consequences-of-life-with-jesse-leach-from-killswitch-engage--64423146Right before the turn of the century, casual jam sessions between a group of friends unassumingly lit the fuse for an insane 25-year ride to follow…
Hailing from Western Massachusetts (where the only thing icier than the freeway in winter is the blunt sense of humour shared by the locals), Killswitch Engage — Adam Dutkiewicz [guitar], Joel Stroetzel [guitar], Mike D’Antonio [bass], Justin Foley [drums], and Jesse Leach [vocals] — always stood apart. For as deadly serious as their airtight technical riffing is, they also knew how to have a good time, riling up crowds with uncontainable energy and unpredictable performances. They could bludgeon with the best of them, or serve up the kind of sing-along banger you could blast with the windows down.
From day one, they naturally appealed to the headbangers, hardcore kids, and heartbroken alike.
With eight successful albums under their belt, Killswitch Engage haveharnessed all of their strengths on their ninth full-length LP, This Consequence. They’ve distilled the hallmarks of their signature sound into a bruising, often brutal, and at times brilliantly bright body of work. This time around, the group emphasized working together face-to-face in a Massachusetts rehearsal spot. The process enabled them to apply the pressure on every element. At the collective urging of his bandmates, Jesse poured over his words like never before.
Now, This Consequence might just set the stage for another 25 years of Killswitch Engage.
HEAVY caught up with frontman Jesse Leach to find out more.
"Excited," he smiled when we ask how he is feeling about the impending release of This Consequence. "It's been a long time coming for many reasons. There's a bit of excited anxiety, like let's just get it out there. Let's just get it out there and start playing for the people."
We ask if, after eight previous albums, the excitement levels during the lead into an album release are still the same.
"It's a little different now," he measured. "It's still very exciting, but there's a certain amount of… I don't wanna use the word ease, but just comfort in the fact that we've done this enough. I think with this record, especially, we all feel like this feels like taking it to the next level. Even the decision to change the logo up… it just feels like a shift into a different era of the band. So there's an added excitement, but also a calm feeling that this feels right."
In the full interview, Jesse outlines the musical side of This Consequence, the first single Forever Aligned and why it was chosen to represent the album, the title and its significance, how this album is more of a collaboration than recent efforts, the bands blending of harmonies with brutality and how it works in the creative process, the early days of Killswitch Engage and where they fit in, how their music has changed over the years and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64423146Mon, 17 Feb 2025 21:04:17 +0000HEAVY MagazineInterview by Kris Peters Right before the turn of the century, casual jam sessions between a group of friends unassumingly lit the fuse for an insane 25-year ride to follow… Hailing from Western Massachusetts (where the only thing icier than the...Right before the turn of the century, casual jam sessions between a group of friends unassumingly lit the fuse for an insane 25-year ride to follow…
Hailing from Western Massachusetts (where the only thing icier than the freeway in winter is the blunt sense of humour shared by the locals), Killswitch Engage — Adam Dutkiewicz [guitar], Joel Stroetzel [guitar], Mike D’Antonio [bass], Justin Foley [drums], and Jesse Leach [vocals] — always stood apart. For as deadly serious as their airtight technical riffing is, they also knew how to have a good time, riling up crowds with uncontainable energy and unpredictable performances. They could bludgeon with the best of them, or serve up the kind of sing-along banger you could blast with the windows down.
From day one, they naturally appealed to the headbangers, hardcore kids, and heartbroken alike.
With eight successful albums under their belt, Killswitch Engage haveharnessed all of their strengths on their ninth full-length LP, This Consequence. They’ve distilled the hallmarks of their signature sound into a bruising, often brutal, and at times brilliantly bright body of work. This time around, the group emphasized working together face-to-face in a Massachusetts rehearsal spot. The process enabled them to apply the pressure on every element. At the collective urging of his bandmates, Jesse poured over his words like never before.
Now, This Consequence might just set the stage for another 25 years of Killswitch Engage.
HEAVY caught up with frontman Jesse Leach to find out more.
"Excited," he smiled when we ask how he is feeling about the impending release of This Consequence. "It's been a long time coming for many reasons. There's a bit of excited anxiety, like let's just get it out there. Let's just get it out there and start playing for the people."
We ask if, after eight previous albums, the excitement levels during the lead into an album release are still the same.
"It's a little different now," he measured. "It's still very exciting, but there's a certain amount of… I don't wanna use the word ease, but just comfort in the fact that we've done this enough. I think with this record, especially, we all feel like this feels like taking it to the next level. Even the decision to change the logo up… it just feels like a shift into a different era of the band. So there's an added excitement, but also a calm feeling that this feels right."
In the full interview, Jesse outlines the musical side of This Consequence, the first single Forever Aligned and why it was chosen to represent the album, the title and its significance, how this album is more of a collaboration than recent efforts, the bands blending of harmonies with brutality and how it works in the creative process, the early days of Killswitch Engage and where they fit in, how their music has changed over the years and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1120hardrock,heavy,heavymetal,interview,jesseleach,killswitchengage,krispeters,melodicmetal,metalbladerecords,music,podcast,thisconsequencetruefullhttps://www.spreaker.com/episode/mathias-farm-from-millencolin-issues-sos-to-australian-fans--64421007Photo Credit: Erik Ohlsson, Magnus Larnhed
Two of the all-time punk greats will be returning to Australia with pioneering California dynamos PENNYWISE and beloved Swedish trailblazers MILLENCOLIN set to co-headline a huge run down under.
For over 30 years, Swedish icons MILLENCOLIN have vividly put punk on the map. With their original line up still intact since forming back in 1992, MILLENCOLIN's debut album, 1994's Tiny Tunes, opened the floodgates that would shape the quartet's staggering career to come. Skyrocketing their popularity courtesy of the 2000 full-length Pennybridge Pioneers, the rock-infused dive beyond the band's earlier skate punk and ska leanings would ultimately spawn iconic tracks like No Cigar and Penguins & Polarbears, achieving infamy with No Cigar's addition to the soundtrack for Tony Hawk's Pro Skater 2, and ultimately finding the overall album scoring an ARIA Platinum certification.
One of punk rock's most famed and favourite acts to emerge out of Europe, MILLENCOLIN have played thousands of shows around the world, including as part of Warped Tour, Soundwave Festival and Big Day Out, multiple sold-out headline performances, tours with the likes of Bad Religion and The Offspring, and, most recently for Australians, at Good Things Festival in 2022. And never ones to rest on their laurels, MILLENCOLIN also continue to finesse their sonic creations, seen vividly via their 2019 album SOS, exploring political and darker themes without sacrificing their explosive energy and gripping melodic.
HEAVY caught up with Millencolin guitarist Mathias Färm to find out more.
MILLENCOLIN & PENNYWISE tix from destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64421007Mon, 17 Feb 2025 18:02:43 +0000HEAVY MagazineInterview by Angela Croudace Photo Credit: Erik Ohlsson, Magnus Larnhed Two of the all-time punk greats will be returning to Australia with pioneering California dynamos PENNYWISE and beloved Swedish trailblazers MILLENCOLIN set to co-headline a huge...Photo Credit: Erik Ohlsson, Magnus Larnhed
Two of the all-time punk greats will be returning to Australia with pioneering California dynamos PENNYWISE and beloved Swedish trailblazers MILLENCOLIN set to co-headline a huge run down under.
For over 30 years, Swedish icons MILLENCOLIN have vividly put punk on the map. With their original line up still intact since forming back in 1992, MILLENCOLIN's debut album, 1994's Tiny Tunes, opened the floodgates that would shape the quartet's staggering career to come. Skyrocketing their popularity courtesy of the 2000 full-length Pennybridge Pioneers, the rock-infused dive beyond the band's earlier skate punk and ska leanings would ultimately spawn iconic tracks like No Cigar and Penguins & Polarbears, achieving infamy with No Cigar's addition to the soundtrack for Tony Hawk's Pro Skater 2, and ultimately finding the overall album scoring an ARIA Platinum certification.
One of punk rock's most famed and favourite acts to emerge out of Europe, MILLENCOLIN have played thousands of shows around the world, including as part of Warped Tour, Soundwave Festival and Big Day Out, multiple sold-out headline performances, tours with the likes of Bad Religion and The Offspring, and, most recently for Australians, at Good Things Festival in 2022. And never ones to rest on their laurels, MILLENCOLIN also continue to finesse their sonic creations, seen vividly via their 2019 album SOS, exploring political and darker themes without sacrificing their explosive energy and gripping melodic.
HEAVY caught up with Millencolin guitarist Mathias Färm to find out more.
MILLENCOLIN & PENNYWISE tix from destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>634australia,destroyalllines,heavy,interview,millencolin,music,pennywise,podcast,punk,rock,tourtruefullhttps://www.spreaker.com/episode/from-fans-to-bandmates-chris-cresswell-talks-hot-water-music-s-30-year-journey--64227845After spending years as a fan, Chris Cresswell now finds himself on stage with Hot Water Music. "Being able to join one of your favourite bands is not something that happens every day," he says. The vocalist and guitarist of both Hot Water Music and The Flatliners knows what it's like to respect the music and the artists behind it. His journey into Hot Water Music, a band with a 30-year legacy, is a reminder of how passion and perseverance go hand in hand.
As the band celebrates its milestone, Cresswell reflects on how its longevity is rooted in trust and communication. "The line up has always been the same… the nucleus of the bands… it's all about trusting each other," he explains. That trust is key to their success both on stage and in their personal lives, especially when life throws curveballs.
A significant highlight of their 30th anniversary is the release of VOWS, which Cresswell believes resonates with old and new fans alike. "We worked our asses off on those songs… and I think we're just fired up because the band still plays for the people that love our music." One track, Menace, has already been a hit on the road, with Cresswell describing it as a "set turning point."
When asked about transitioning into Hot Water Music, Cresswell shared that while there may have been some scepticism from the original fans, the reception has been overwhelmingly positive. "I was just coming from a place of such respect for this band," he notes. "I had to do it justice."
For Cresswell, the journey is about more than just performing; it's about connecting with the people who made the band what it is. With VOWS marking a new chapter in Hot Water Music's history, Cresswell's story proves that music is a bridge between fans and musicians, old and new.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64227845Mon, 17 Feb 2025 17:51:43 +0000HEAVY MagazineInterview by Angela Croudace After spending years as a fan, Chris Cresswell now finds himself on stage with Hot Water Music. "Being able to join one of your favourite bands is not something that happens every day," he says. The vocalist and guitarist...After spending years as a fan, Chris Cresswell now finds himself on stage with Hot Water Music. "Being able to join one of your favourite bands is not something that happens every day," he says. The vocalist and guitarist of both Hot Water Music and The Flatliners knows what it's like to respect the music and the artists behind it. His journey into Hot Water Music, a band with a 30-year legacy, is a reminder of how passion and perseverance go hand in hand.
As the band celebrates its milestone, Cresswell reflects on how its longevity is rooted in trust and communication. "The line up has always been the same… the nucleus of the bands… it's all about trusting each other," he explains. That trust is key to their success both on stage and in their personal lives, especially when life throws curveballs.
A significant highlight of their 30th anniversary is the release of VOWS, which Cresswell believes resonates with old and new fans alike. "We worked our asses off on those songs… and I think we're just fired up because the band still plays for the people that love our music." One track, Menace, has already been a hit on the road, with Cresswell describing it as a "set turning point."
When asked about transitioning into Hot Water Music, Cresswell shared that while there may have been some scepticism from the original fans, the reception has been overwhelmingly positive. "I was just coming from a place of such respect for this band," he notes. "I had to do it justice."
For Cresswell, the journey is about more than just performing; it's about connecting with the people who made the band what it is. With VOWS marking a new chapter in Hot Water Music's history, Cresswell's story proves that music is a bridge between fans and musicians, old and new.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1319australia,chriscresswell,heavy,hotwatermusic,interview,podcast,rock,softrock,theflatliners,tourfalsefullhttps://www.spreaker.com/episode/a-new-era-of-metal-with-steffen-kummerer-from-obscura--64017105With their new album A Sonication, Germany-based metal band OBSCURA launch the second of their trilogy concept. The group’s second (seventh overall) album for Nuclear Blast pivots on many fronts. Advanced, elegant yet refreshing, A Sonication sums up past endeavors effortlessly as it gazes with purpose and conviction into the future. OBSCURA are fan-renowned and critically acclaimed for challenging and then expanding upon norms.
From Retribution (2004) through A Valediction (2021), the band flourished and made significant progress in a musical genre unprepared for a creative shot of German invention. A Sonication spearheads OBSCURA into a new era of extreme metal.
Guitarist/vocalist Steffen Kummerer founded Obscura in 2002. Early on, he set out to improve, redefine, and push forward. Under his self-label creation, the Bavarian released debut album Retribution (2004), followed by heavy touring throughout Europe. Word quickly spread that a brand-new band from the south of Germany was on the rise. Buzz lead to a deal with U.S.-based Relapse Records. The first record out was Cosmogenesis. In Europe, Metal Hammer Germany awarded the album 6/7 while in the U.S. Cosmogenesis hit the Billboard charts at #71. The cross-continental praise and fevered momentum landed OBSCURA on high-profile tours in Europe, North America, and Japan.
When follow-up Omnivium arrived in 2011, they upped their chart success, received more accolades from publications like Terrorizer, Rock Hard, and Decibel and had another massive round-world tour cycle, while enhancing and making progress on their clever brutality. 
OBSCURA further developed their sound on Akróasis (2016). Moored by jaw-dropping tracks like Sermon of the Seven Suns, Ode to the Sun, and the title track, Akróasis elevated OBSCURA to the highest levels of international renown.
OBSCURA’s most significant accomplishment was, however, just around the corner. The final part of a tetralogy, Diluvium (2018), fiercely pursued OBSCURA’s multi-album transformation into musical innovators and metal powerhouses. Music videos for the title track, Emergent Evolution and Mortification of the Vulgar Sun, in concert with a substantial interest in virtuosic, forward-thinking metal, posited OBSCURA in the good graces (yet again) of the worldwide press in addition to rocketing up, for the very first time, the official album charts in Germany. The Germans also topped out at #3 on the Billboard Heatseekers chart with Diluvium.
A turning point in the career of the Germans manifested with the first release for the biggest independent metal label on the planet, Nuclear Blast Records. A Valediction granted the band worldwide success, topping their previous albums in a heartbeat, and saw the band climbing higher chart positions worldwide. With epic opening track Forsaken, technical-through the roof Solaris and the catchy, melodic and yet accessible title track, A Valediction established the group as an outstanding and energetic live act, to be proved by their first tour to cover South- and Central America, aside from touring relentlessly throughout Europe, North America and Asia.
With the February 7 release date of A Sonication looming, HEAVY sat down with Steffen Kummerer to find out more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64017105Mon, 17 Feb 2025 17:30:00 +0000HEAVY MagazineInterview by Kris Peters With their new album A Sonication, Germany-based metal band OBSCURA launch the second of their trilogy concept. The group’s second (seventh overall) album for Nuclear Blast pivots on many fronts. Advanced, elegant yet...With their new album A Sonication, Germany-based metal band OBSCURA launch the second of their trilogy concept. The group’s second (seventh overall) album for Nuclear Blast pivots on many fronts. Advanced, elegant yet refreshing, A Sonication sums up past endeavors effortlessly as it gazes with purpose and conviction into the future. OBSCURA are fan-renowned and critically acclaimed for challenging and then expanding upon norms.
From Retribution (2004) through A Valediction (2021), the band flourished and made significant progress in a musical genre unprepared for a creative shot of German invention. A Sonication spearheads OBSCURA into a new era of extreme metal.
Guitarist/vocalist Steffen Kummerer founded Obscura in 2002. Early on, he set out to improve, redefine, and push forward. Under his self-label creation, the Bavarian released debut album Retribution (2004), followed by heavy touring throughout Europe. Word quickly spread that a brand-new band from the south of Germany was on the rise. Buzz lead to a deal with U.S.-based Relapse Records. The first record out was Cosmogenesis. In Europe, Metal Hammer Germany awarded the album 6/7 while in the U.S. Cosmogenesis hit the Billboard charts at #71. The cross-continental praise and fevered momentum landed OBSCURA on high-profile tours in Europe, North America, and Japan.
When follow-up Omnivium arrived in 2011, they upped their chart success, received more accolades from publications like Terrorizer, Rock Hard, and Decibel and had another massive round-world tour cycle, while enhancing and making progress on their clever brutality. 
OBSCURA further developed their sound on Akróasis (2016). Moored by jaw-dropping tracks like Sermon of the Seven Suns, Ode to the Sun, and the title track, Akróasis elevated OBSCURA to the highest levels of international renown.
OBSCURA’s most significant accomplishment was, however, just around the corner. The final part of a tetralogy, Diluvium (2018), fiercely pursued OBSCURA’s multi-album transformation into musical innovators and metal powerhouses. Music videos for the title track, Emergent Evolution and Mortification of the Vulgar Sun, in concert with a substantial interest in virtuosic, forward-thinking metal, posited OBSCURA in the good graces (yet again) of the worldwide press in addition to rocketing up, for the very first time, the official album charts in Germany. The Germans also topped out at #3 on the Billboard Heatseekers chart with Diluvium.
A turning point in the career of the Germans manifested with the first release for the biggest independent metal label on the planet, Nuclear Blast Records. A Valediction granted the band worldwide success, topping their previous albums in a heartbeat, and saw the band climbing higher chart positions worldwide. With epic opening track Forsaken, technical-through the roof Solaris and the catchy, melodic and yet accessible title track, A Valediction established the group as an outstanding and energetic live act, to be proved by their first tour to cover South- and Central America, aside from touring relentlessly throughout Europe, North America and Asia.
With the February 7 release date of A Sonication looming, HEAVY sat down with Steffen Kummerer to find out more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>647heavy,heavymetal,interview,krispeters,music,nuclearblastrecords,obscura,podcasttruefullhttps://www.spreaker.com/episode/keeping-it-real-with-ryan-miller-from-black-rheno--64359329Black Rheno seem to be on a bit of a tear at the moment. Last year, they toured the country with their own headline shows, packing out venues and even supported the mighty Pantera. Then, in November, they dropped their first single in a couple of years, Snake Will Rattle. Now, just a few months on, the guys are back with a stack of fresh tour dates, more new music, and video clips—and you know they’ll be raising hell on the road.
Chopping Heads Wearing Fancy Threads is yet another slab of musical adrenaline from the Sydney trio, mixing sludge, punk and metal with enough attitude to appease even the harshest critic. Put basically, it's what Black Rheno do best, given voice by music.
After a couple of years away from the daily grind that accompanies any new music, Black Rheno returned with force late last year with Snake Will Rattle. The track proved Black Rheno had lost none of their edge or quirkiness, returning them to the hearts and ears of an anxious fan base who were starting to count down the days.
Now, with the release of Chopping Heads Wearing Fancy Threads, Black Rheno are about to head back out on the road to do what they do best, kicking off on March 2 in Perth and winding its way back to their hometown of Sydney. But if there's one thing surer than the Bombers losing a final, it's that once they start, Black Rheno find it hard to stop.
HEAVY caught up with frontman Ryan Miller for all the goss.
"We've just been really busy and getting busier," he replied when we asked how things have been in the Black Rheno camp, "and loving it. We've got an album we recorded over in the States about a year ago, which we're sort of sitting on at the moment and waiting for the right time to release it. We just wanted to keep putting out music in the meantime and building the band and playing shows and giving ourselves excuses to go do stuff. I've got a studio, so we do a bunch of recordings ourselves. This single and the next couple and the last one we put out are all self produced by us, so we're just getting out and playing shows. Doing what we love."
In the full interview, Ryan talks more about the new track Chopping Heads Wearing Fancy Threads which is being premiered via HEAVY on February 17, the musical side of the song and what to expect, keeping a sense of humour and respect within music, the album already recorded in the US and what is happening with it, new music coming out down the track, their upcoming single launch tour, getting back out on the road and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64359329Thu, 13 Feb 2025 15:22:23 +0000HEAVY MagazineInterview by Kris Peters Black Rheno seem to be on a bit of a tear at the moment. Last year, they toured the country with their own headline shows, packing out venues and even supported the mighty Pantera. Then, in November, they dropped their first...Black Rheno seem to be on a bit of a tear at the moment. Last year, they toured the country with their own headline shows, packing out venues and even supported the mighty Pantera. Then, in November, they dropped their first single in a couple of years, Snake Will Rattle. Now, just a few months on, the guys are back with a stack of fresh tour dates, more new music, and video clips—and you know they’ll be raising hell on the road.
Chopping Heads Wearing Fancy Threads is yet another slab of musical adrenaline from the Sydney trio, mixing sludge, punk and metal with enough attitude to appease even the harshest critic. Put basically, it's what Black Rheno do best, given voice by music.
After a couple of years away from the daily grind that accompanies any new music, Black Rheno returned with force late last year with Snake Will Rattle. The track proved Black Rheno had lost none of their edge or quirkiness, returning them to the hearts and ears of an anxious fan base who were starting to count down the days.
Now, with the release of Chopping Heads Wearing Fancy Threads, Black Rheno are about to head back out on the road to do what they do best, kicking off on March 2 in Perth and winding its way back to their hometown of Sydney. But if there's one thing surer than the Bombers losing a final, it's that once they start, Black Rheno find it hard to stop.
HEAVY caught up with frontman Ryan Miller for all the goss.
"We've just been really busy and getting busier," he replied when we asked how things have been in the Black Rheno camp, "and loving it. We've got an album we recorded over in the States about a year ago, which we're sort of sitting on at the moment and waiting for the right time to release it. We just wanted to keep putting out music in the meantime and building the band and playing shows and giving ourselves excuses to go do stuff. I've got a studio, so we do a bunch of recordings ourselves. This single and the next couple and the last one we put out are all self produced by us, so we're just getting out and playing shows. Doing what we love."
In the full interview, Ryan talks more about the new track Chopping Heads Wearing Fancy Threads which is being premiered via HEAVY on February 17, the musical side of the song and what to expect, keeping a sense of humour and respect within music, the album already recorded in the US and what is happening with it, new music coming out down the track, their upcoming single launch tour, getting back out on the road and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1236australia,blackrheno,hardcore,heavy,heavymetal,interview,krispeters,music,podcast,ryanmiller,sludgemetal,tourtruefullhttps://www.spreaker.com/episode/calling-out-the-problem-with-phillip-capewell-from-engraved--64354205Rising Brisbane metal outfit Engraved have awoken from their slumber and come out snarling with the release of their new single The Fallen. Described as a song that "amplifies everything Engraved fans love", The Fallen takes aim at toxic people in the music industry and their questionable motives.
With a stable line-up finally in place, Engraved are looking to cement their place amongst the next generation of Australian metal acts, a goal started with last year's signing to XMusic and subsequent single NCB. The track emphatically announced Engraved as a band with a mission, ushering in new vocalist Panda with a devastating show of brutality that hinted at a fresh direction for the five-piece band.
Now, Engraved further those claims with The Fallen, the second track lifted from the band's as yet untitled debut album which is slated for release in the back half of this year. And to celebrate, Engraved hit the road for an East Coast tour, starting at Ric's in Brisbane on February 14.
Bass player Phillip Capewell sat down with HEAVY to tell us more.
"It's basically about toxicity within different scenes, especially the music scene," he explained. "You'll have something good going, but then you get a rat, basically, eating away at the scene and making it toxic."
Musically, The Fallen is a step further into heavier territory for Engraved, with Capewell acknowledging the shift in momentum.
"The song was actually sitting in our demo folder," he began, "and just before Panda and Thiago joined the band, Dan said we need to go through the demo folder and get rid of… just archive it basically. That song came on and the start of it, I was just like, oh, 30/30/150 by Stone Sour straight up. I said let's do this one."
In the full interview, Phil talks more about The Fallen and its musical direction, the soon-to-be-released music video, how The Fallen differs to previous single NCB, what part the songs play in a future album, how the sound of that will differ to their debut EP Unleashed, the benefits of finally having a stable line-up, upcoming shows and more.
Pre-save/ check out The Fallen here: https://lnk.to/G8M6LQ


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64354205Thu, 13 Feb 2025 09:11:32 +0000HEAVY MagazineInterview by Kris Peters Rising Brisbane metal outfit Engraved have awoken from their slumber and come out snarling with the release of their new single The Fallen. Described as a song that "amplifies everything Engraved fans love", The Fallen takes...Rising Brisbane metal outfit Engraved have awoken from their slumber and come out snarling with the release of their new single The Fallen. Described as a song that "amplifies everything Engraved fans love", The Fallen takes aim at toxic people in the music industry and their questionable motives.
With a stable line-up finally in place, Engraved are looking to cement their place amongst the next generation of Australian metal acts, a goal started with last year's signing to XMusic and subsequent single NCB. The track emphatically announced Engraved as a band with a mission, ushering in new vocalist Panda with a devastating show of brutality that hinted at a fresh direction for the five-piece band.
Now, Engraved further those claims with The Fallen, the second track lifted from the band's as yet untitled debut album which is slated for release in the back half of this year. And to celebrate, Engraved hit the road for an East Coast tour, starting at Ric's in Brisbane on February 14.
Bass player Phillip Capewell sat down with HEAVY to tell us more.
"It's basically about toxicity within different scenes, especially the music scene," he explained. "You'll have something good going, but then you get a rat, basically, eating away at the scene and making it toxic."
Musically, The Fallen is a step further into heavier territory for Engraved, with Capewell acknowledging the shift in momentum.
"The song was actually sitting in our demo folder," he began, "and just before Panda and Thiago joined the band, Dan said we need to go through the demo folder and get rid of… just archive it basically. That song came on and the start of it, I was just like, oh, 30/30/150 by Stone Sour straight up. I said let's do this one."
In the full interview, Phil talks more about The Fallen and its musical direction, the soon-to-be-released music video, how The Fallen differs to previous single NCB, what part the songs play in a future album, how the sound of that will differ to their debut EP Unleashed, the benefits of finally having a stable line-up, upcoming shows and more.
Pre-save/ check out The Fallen here: https://lnk.to/G8M6LQ


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1053australia,engraved,heavy,heavymetal,interview,krispeters,metalcore,music,podcast,xmusicfalsefullhttps://www.spreaker.com/episode/all-roads-lead-to-parties-pirating-with-chris-bowes-from-alestorm--64155879Wowsers! 
Behold human pirates of the southern lands, ALESTORM have set their compass this way for their next expedition to the other side of the world to regale us all with their super infectious blend of modern folk and power metal. With their well-renowned A game PARTY prepped and packed, they’ll be stuffing the galley full of inflatable ducks, kilts, a hurdy-gurdy player, maybe even a shark, but most importantly, drums upon drums of beer and rum! Bring your mateys, bring your best drinking hat, bring your lungs and let’s fire up the biggest shindigs of 2025!!
Joining them will be Nekrogoblikon, the self-proclaimed Goblin Metal warlords who are also getting their first taste of Australia. On paper, it seems a mismatch of epic proportions, but when the curtains draw open and the lights go down the only true victor will be music lovers in the crowd.
HEAVY spent some time with Alestorm vocalist Chris Bowes to get more of a gauge on what to expect.
"It's absolute chaos," he smiled when asked what we can expect from Alestorm live. "It's a party. Everyone's gonna be drunk. Watch your head, there's gonna be a lot of crowd surfers - there always is. Oh my God, last night we were playing in France and there was a dude crowd-surfing with just a kilt. And I mean, just a kilt. He was otherwise totally naked. So of course he started crowd-surfing and the kilt was riding up, and he's got ass and balls tea bagging the entire audience as he goes (laughs). You would be sitting there watching the show then all of a sudden you feel these wet balls on your head, and you look up, and you get a face full of ass… And that was the whole show. I just kept watching these people get tea bagged. Hopefully that sort of behaviour won't happen, but anything's possible."
In the full interview, Chris runs us through what has changed with Alestorm since they were last out here, explains the stage production and scale of the live set and what delights we will be getting, their reputation as a party band and living up to expectation, the response to last year's EP Voyage Of The Dead Mariner and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64155879Wed, 12 Feb 2025 02:29:19 +0000HEAVY MagazineInterview by Kris Peters Wowsers!  Behold human pirates of the southern lands, ALESTORM have set their compass this way for their next expedition to the other side of the world to regale us all with their super infectious blend of modern folk and...Wowsers! 
Behold human pirates of the southern lands, ALESTORM have set their compass this way for their next expedition to the other side of the world to regale us all with their super infectious blend of modern folk and power metal. With their well-renowned A game PARTY prepped and packed, they’ll be stuffing the galley full of inflatable ducks, kilts, a hurdy-gurdy player, maybe even a shark, but most importantly, drums upon drums of beer and rum! Bring your mateys, bring your best drinking hat, bring your lungs and let’s fire up the biggest shindigs of 2025!!
Joining them will be Nekrogoblikon, the self-proclaimed Goblin Metal warlords who are also getting their first taste of Australia. On paper, it seems a mismatch of epic proportions, but when the curtains draw open and the lights go down the only true victor will be music lovers in the crowd.
HEAVY spent some time with Alestorm vocalist Chris Bowes to get more of a gauge on what to expect.
"It's absolute chaos," he smiled when asked what we can expect from Alestorm live. "It's a party. Everyone's gonna be drunk. Watch your head, there's gonna be a lot of crowd surfers - there always is. Oh my God, last night we were playing in France and there was a dude crowd-surfing with just a kilt. And I mean, just a kilt. He was otherwise totally naked. So of course he started crowd-surfing and the kilt was riding up, and he's got ass and balls tea bagging the entire audience as he goes (laughs). You would be sitting there watching the show then all of a sudden you feel these wet balls on your head, and you look up, and you get a face full of ass… And that was the whole show. I just kept watching these people get tea bagged. Hopefully that sort of behaviour won't happen, but anything's possible."
In the full interview, Chris runs us through what has changed with Alestorm since they were last out here, explains the stage production and scale of the live set and what delights we will be getting, their reputation as a party band and living up to expectation, the response to last year's EP Voyage Of The Dead Mariner and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>676alestorm,goblinmetal,hardrock,heavy,heavymetal,interview,krispeters,music,nekrogoblikon,piratemetal,podcast,rock,soundworkstouring,tourtruefullhttps://www.spreaker.com/episode/repeat-offenders-with-sammy-ciaramitaro-from-drain--64231936California based party starters Drain have had a love affair with Australia ever since making their debut visit as support to Comeback Kid in early 2023. So much so that the band has been here once a year since then, and is set to continue that trend when they hit our shores as part of New Bloom Festival with Balance & Composure from March 8.
Not only that, the good time hardcore outfit have also announced a string of sideshows with One Step Closer, kicking off a couple of days earlier on the Sunshine Coast on March 6.
Drain have quickly built a reputation based around their fun-tinged live performances, throwing the world of hardcore on its head by treating the music as an outlet for good times and frivolity rather than the pure state of aggression for which it has become known. With a recent album Living Proof to promote, plus a yearly obligation to fulfil, frontman Sammy Ciaramitaro joined HEAVY to fill in the blanks.
"It wasn't at first, it was just for fun," Sammy replied when we ask if Drain first started having fun with the crowds to combat the seriousness and aggression of hardcore music. "We lived by the beach and I said hey, I'll bring a boogie board to the show, it will be kinda sick. Eventually, at a certain point, we stopped, but other people would bring them in (laughs). It's still fun. But at a certain point with the pool noodles people actually hit the guitar strings so we can't play. I still have fun with it but now we just turn up. We're gonna bring the energy. We bring what we bring, you bring what you bring, and we're gonna collectively rock it out. Whatever that looks like. It might be a little different every day. It was just to have a good time. We did it for fun, but now what we like more than anything is stage dives and when people sing along. That's my favourite part."
In the full interview Sammy talks more about what fans can expect from their shows, the importance of enjoying your music, One Step Closer and why they were chosen as supports, what he loves most about Australia, the early days of Drain, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64231936Mon, 10 Feb 2025 06:36:13 +0000HEAVY MagazineInterview by Kris Peters California based party starters Drain have had a love affair with Australia ever since making their debut visit as support to Comeback Kid in early 2023. So much so that the band has been here once a year since then, and is...California based party starters Drain have had a love affair with Australia ever since making their debut visit as support to Comeback Kid in early 2023. So much so that the band has been here once a year since then, and is set to continue that trend when they hit our shores as part of New Bloom Festival with Balance & Composure from March 8.
Not only that, the good time hardcore outfit have also announced a string of sideshows with One Step Closer, kicking off a couple of days earlier on the Sunshine Coast on March 6.
Drain have quickly built a reputation based around their fun-tinged live performances, throwing the world of hardcore on its head by treating the music as an outlet for good times and frivolity rather than the pure state of aggression for which it has become known. With a recent album Living Proof to promote, plus a yearly obligation to fulfil, frontman Sammy Ciaramitaro joined HEAVY to fill in the blanks.
"It wasn't at first, it was just for fun," Sammy replied when we ask if Drain first started having fun with the crowds to combat the seriousness and aggression of hardcore music. "We lived by the beach and I said hey, I'll bring a boogie board to the show, it will be kinda sick. Eventually, at a certain point, we stopped, but other people would bring them in (laughs). It's still fun. But at a certain point with the pool noodles people actually hit the guitar strings so we can't play. I still have fun with it but now we just turn up. We're gonna bring the energy. We bring what we bring, you bring what you bring, and we're gonna collectively rock it out. Whatever that looks like. It might be a little different every day. It was just to have a good time. We did it for fun, but now what we like more than anything is stage dives and when people sing along. That's my favourite part."
In the full interview Sammy talks more about what fans can expect from their shows, the importance of enjoying your music, One Step Closer and why they were chosen as supports, what he loves most about Australia, the early days of Drain, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>721drain,hardcore,heavy,heavymetal,interview,krispeters,music,newbloomfestival,onestepcloser,podcastfalsefullhttps://www.spreaker.com/episode/getting-your-head-right-with-jimmy-christmas-from-the-d4--64233167The D4 are storming the East Coast — louder, wilder, and more combustible than ever! With the FIRST EVER VINYL pressing of sophomore album Out Of My Head dropping February 7, 2025, NZ’s finest punk n’ rollers will be hitting Brisbane, Sydney, and Melbourne in the company of some of Australia’s most beloved rockin’ outfits early 2025.
The D4 are running hot from a riotous, untamed tour across their spiritual stomping ground of Japan, and are now primed to explode back onto the Australian stage.
Rock'n'roll fans will be treated to their notorious and incendiary live show, replete with a reputation for amplifiers catching on fire and sweat dripping from the ceiling. Expect the powerhouse show to include the classics Rock'n'Roll Motherfucker, Sake Bomb, What I Want, Party, Come On!, Get Loose and Ladies Man amongst a high-octane set that will also include a slew of NEVER BEFORE HEARD MATERIAL!
HEAVY caught up with vocalist/guitarist Jimmy Christmas to find out more.
"There's a lot of memory and effort and energy that went into that record," he recalled of Out Of My Head, "so it's nice to be able to revisit it. I think… we had a lot of people clamouring for it to be on vinyl over the years and there just hadn't been a time when the stars aligned, but now it seems to make a lot of sense. I was pleased to pick up the records just today."
In the full interview, Jimmy expressed the band's excitement to come back to Australia for the first time in 20 years, what to expect from the shows, what has changed with The D4 in that period, the 20th anniversary of the album Out Of My Head, memories of making the album, if the songs have stood the test of time and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64233167Mon, 10 Feb 2025 05:01:44 +0000HEAVY MagazineInterview by Kris Peters The D4 are storming the East Coast — louder, wilder, and more combustible than ever! With the FIRST EVER VINYL pressing of sophomore album Out Of My Head dropping February 7, 2025, NZ’s finest punk n’ rollers will be hitting...The D4 are storming the East Coast — louder, wilder, and more combustible than ever! With the FIRST EVER VINYL pressing of sophomore album Out Of My Head dropping February 7, 2025, NZ’s finest punk n’ rollers will be hitting Brisbane, Sydney, and Melbourne in the company of some of Australia’s most beloved rockin’ outfits early 2025.
The D4 are running hot from a riotous, untamed tour across their spiritual stomping ground of Japan, and are now primed to explode back onto the Australian stage.
Rock'n'roll fans will be treated to their notorious and incendiary live show, replete with a reputation for amplifiers catching on fire and sweat dripping from the ceiling. Expect the powerhouse show to include the classics Rock'n'Roll Motherfucker, Sake Bomb, What I Want, Party, Come On!, Get Loose and Ladies Man amongst a high-octane set that will also include a slew of NEVER BEFORE HEARD MATERIAL!
HEAVY caught up with vocalist/guitarist Jimmy Christmas to find out more.
"There's a lot of memory and effort and energy that went into that record," he recalled of Out Of My Head, "so it's nice to be able to revisit it. I think… we had a lot of people clamouring for it to be on vinyl over the years and there just hadn't been a time when the stars aligned, but now it seems to make a lot of sense. I was pleased to pick up the records just today."
In the full interview, Jimmy expressed the band's excitement to come back to Australia for the first time in 20 years, what to expect from the shows, what has changed with The D4 in that period, the 20th anniversary of the album Out Of My Head, memories of making the album, if the songs have stood the test of time and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>536australia,hardrock,heavy,interview,jimmychristmas,krispeters,music,podcast,rock,thed4truefullhttps://www.spreaker.com/episode/confronting-your-demons-with-martin-jackson-from-confyde--64230841Many artists have written about their struggles with mental health, but how many have written songs that actually sound like a mental crisis? That notion was exactly what Martin Jackson from Confyde set out to do when writing the songs for his latest three-track EP A Cowards Stitches, which was released today.
Written in the aftermath of a relationship break-up, Jackson found himself in unchartered waters, facing reality head-on after professional advice forced him to confront his inner demons and quantify them by bringing them screaming out of the shadows of his mind and into the harsh reality of light. It was a process which had the potential to be crippling, but given his love for and aptitude of music, Jackson elected to relay his thoughts and feelings through verse in an attempt to best deal with them.
The result is a schizophrenic trio of songs, ranging from the twisted and sonically challenging title track to the brutally honest Once Broken and the reflective Hxppy Nxw Yxxr, three songs that delve into the mindset of a person whose personal struggles are slowly manifesting into a tangible entity that can be defeated.
Jackson sat down with HEAVY to take us deeper.
"The writing process was about the same," he measured when asked if it was easier or harder to write songs that are deeply personal as opposed to general views. "At the end of the day, it still comes from a place of emotion, and things that I feel very strongly about. It's just this time it happens to affect me and my personal life. I think the process of recording and writing was easier. I was certainly a lot more freeform this time, even though Confyde's music is a bit more all over the place anyway, I always like to think there's strong hooks and it's still quite accessible when it needs to be. This time I kind of threw the rule book out a little bit."
In the full interview, Martin takes us behind the reasons he decided to take a more personal route on this release, dealing with his struggles, writing them into songs and music and how that process has helped, whether it was easier or harder to write such personal songs and release them for public consumption, offers an in-depth analysis into each of the three songs individually, what he hopes others might take out of the EP and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64230841Fri, 07 Feb 2025 20:38:45 +0000HEAVY MagazineInterview by Kris Peters Many artists have written about their struggles with mental health, but how many have written songs that actually sound like a mental crisis? That notion was exactly what Martin Jackson from Confyde set out to do when writing...Many artists have written about their struggles with mental health, but how many have written songs that actually sound like a mental crisis? That notion was exactly what Martin Jackson from Confyde set out to do when writing the songs for his latest three-track EP A Cowards Stitches, which was released today.
Written in the aftermath of a relationship break-up, Jackson found himself in unchartered waters, facing reality head-on after professional advice forced him to confront his inner demons and quantify them by bringing them screaming out of the shadows of his mind and into the harsh reality of light. It was a process which had the potential to be crippling, but given his love for and aptitude of music, Jackson elected to relay his thoughts and feelings through verse in an attempt to best deal with them.
The result is a schizophrenic trio of songs, ranging from the twisted and sonically challenging title track to the brutally honest Once Broken and the reflective Hxppy Nxw Yxxr, three songs that delve into the mindset of a person whose personal struggles are slowly manifesting into a tangible entity that can be defeated.
Jackson sat down with HEAVY to take us deeper.
"The writing process was about the same," he measured when asked if it was easier or harder to write songs that are deeply personal as opposed to general views. "At the end of the day, it still comes from a place of emotion, and things that I feel very strongly about. It's just this time it happens to affect me and my personal life. I think the process of recording and writing was easier. I was certainly a lot more freeform this time, even though Confyde's music is a bit more all over the place anyway, I always like to think there's strong hooks and it's still quite accessible when it needs to be. This time I kind of threw the rule book out a little bit."
In the full interview, Martin takes us behind the reasons he decided to take a more personal route on this release, dealing with his struggles, writing them into songs and music and how that process has helped, whether it was easier or harder to write such personal songs and release them for public consumption, offers an in-depth analysis into each of the three songs individually, what he hopes others might take out of the EP and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1381accoustic,acowardsstitches,confyde,hardrock,heavy,heavymetal,interview,krispeters,martinjackson,music,podcasttruefullhttps://www.spreaker.com/episode/marching-into-battle-with-gus-hart-from-bifter--64230017Sydney stoner, sludge, doom outfit Bifter have done their time playing the traps live and have set 2025 as the year to showcase their music to the world. April will see their conceptually based album First Impressions Of Hell unleashed on the world, and to kick start the album cycle the band have elected to share the band's lead single March Of The Imp as an appetiser before the main course.
With soul crushing dual vocals atop a violent wall of guitar, bass and drums, Bifter's music isn't for the faint-hearted - nor is it meant to be. Instead, the band offers a sonic blast of sludge fuelled goodness with enough chops and changes to keep you guessing until the very end of each track.
Drummer Gus Hart sat down with HEAVY to go into more detail.
"We're really happy with it," Gus enthused of March Of The Imp, "and we think it accentuates the album in general and the vibe we're going for. We've sort of come out hitting with one of our heavier tracks to start for the first single because we wanted to hit the ground running."
We ask if the single is a good sonic representation of what to expect from First Impressions Of Hell.
"It is…," he measured, "but I also think the best thing about the album and about Bifter's sound in general is that we're pretty unique in that we weave a bit of a tapestry in between different genres. Especially within one song, we pride ourselves on doing some cool change ups. Whether it be old-school traditional doom riff breakdowns or utilizing our two vocals to give a sludgy edge to some of our breakdowns, whereas we've still got some fast stoner riffs in there as well. We pride ourselves on blending all that together and that's what you're gonna get in the album."
In the full interview, Gus talks more about March Of The Imp, why it was chosen to represent the new album, the conceptual theme around the song and album, why the band has a four-day gap between releasing the single and the accompanying music video, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64230017Thu, 06 Feb 2025 14:46:34 +0000HEAVY MagazineInterview by Kris Peters Sydney stoner, sludge, doom outfit Bifter have done their time playing the traps live and have set 2025 as the year to showcase their music to the world. April will see their conceptually based album First Impressions Of Hell...Sydney stoner, sludge, doom outfit Bifter have done their time playing the traps live and have set 2025 as the year to showcase their music to the world. April will see their conceptually based album First Impressions Of Hell unleashed on the world, and to kick start the album cycle the band have elected to share the band's lead single March Of The Imp as an appetiser before the main course.
With soul crushing dual vocals atop a violent wall of guitar, bass and drums, Bifter's music isn't for the faint-hearted - nor is it meant to be. Instead, the band offers a sonic blast of sludge fuelled goodness with enough chops and changes to keep you guessing until the very end of each track.
Drummer Gus Hart sat down with HEAVY to go into more detail.
"We're really happy with it," Gus enthused of March Of The Imp, "and we think it accentuates the album in general and the vibe we're going for. We've sort of come out hitting with one of our heavier tracks to start for the first single because we wanted to hit the ground running."
We ask if the single is a good sonic representation of what to expect from First Impressions Of Hell.
"It is…," he measured, "but I also think the best thing about the album and about Bifter's sound in general is that we're pretty unique in that we weave a bit of a tapestry in between different genres. Especially within one song, we pride ourselves on doing some cool change ups. Whether it be old-school traditional doom riff breakdowns or utilizing our two vocals to give a sludgy edge to some of our breakdowns, whereas we've still got some fast stoner riffs in there as well. We pride ourselves on blending all that together and that's what you're gonna get in the album."
In the full interview, Gus talks more about March Of The Imp, why it was chosen to represent the new album, the conceptual theme around the song and album, why the band has a four-day gap between releasing the single and the accompanying music video, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1030album,australia,bifter,doommetal,heavy,heavymetal,interview,krispeters,music,podcast,single,sludgemetal,stonerrocktruefullhttps://www.spreaker.com/episode/conduct-unbecoming-with-christopher-whiten-from-bodysnatcher--64181238Forming in Melbourne, Florida, BODYSNATCHER deal in all things dark, furious and sonically threatening extreme music. Combining crushing breakdowns with eerie ambience, scathing riffs and grisly grooves, the band have become synonymous with “heavy,” invoking violence in every city they happen to visit, spawning mosh pits that leave nothing but craters in their wake. Proudly and loudly putting the "core" back in deathcore, BODYSNATCHER have graced stages supporting the likes of Chelsea Grin and Slaughter To Prevail, with the band also in command of multiple albums and EPs, including 2017's Death of Me, 2020's This Heavy Void, 2022's Bleed-Abide and Vile Conduct released in September 2024.
And now, for the first time, Bodysnatcher are making their way to Australia, supporting good mates Lorna Shore on a run of shows that has already sold out. Which would be catastrophic for Bodysnatcher fans except for the fact the band has just announced three select headlining sideshows which will undoubtedly follow suit and sell out in quick time.
HEAVY sat down for a chat with drummer Christopher Whiten to chat more.
"Very excited to see the sun," he laughed when we bring up the tour. "We've been in Europe for the last three weeks and it's been cloudy. Except for Spain. Spain was nice and sunny."
Being their first time to Australia, we ask Chris if the band have done their homework on what to expect.
"I heard the crowds are awesome," he smiled. "I haven't heard any negative things, I guess, so we're stoked." HEAVY brings up the fact that the one thing we do know about Bodysnatcher is the propensity for action and insanity in their mosh pit, and ask if it's true.
"Yeah," he said quickly and decisively. "We definitely instigate it. We like that high energy. We like the aggressiveness in fans. We definitely ask for it quite a bit. The shows are just very, very intense with high energy. Constant telling people to get on stage and get off stage. At some of the Lorna dates, I'm sure there's gonna be barricaded venues so no-ones getting on stage (laughs)."
In the full interview, Chris talks more about his expectations of Australia and what we should expect from them, their history with Lorna Shore, the excitement of already selling out every show, their headline shows and what different to expect, the early days of the band and where they fit in, recent album Vile Conduct and how it was received, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64181238Tue, 04 Feb 2025 04:36:00 +0000HEAVY MagazineInterview by Kris Peters Forming in Melbourne, Florida, BODYSNATCHER deal in all things dark, furious and sonically threatening extreme music. Combining crushing breakdowns with eerie ambience, scathing riffs and grisly grooves, the band have become...Forming in Melbourne, Florida, BODYSNATCHER deal in all things dark, furious and sonically threatening extreme music. Combining crushing breakdowns with eerie ambience, scathing riffs and grisly grooves, the band have become synonymous with “heavy,” invoking violence in every city they happen to visit, spawning mosh pits that leave nothing but craters in their wake. Proudly and loudly putting the "core" back in deathcore, BODYSNATCHER have graced stages supporting the likes of Chelsea Grin and Slaughter To Prevail, with the band also in command of multiple albums and EPs, including 2017's Death of Me, 2020's This Heavy Void, 2022's Bleed-Abide and Vile Conduct released in September 2024.
And now, for the first time, Bodysnatcher are making their way to Australia, supporting good mates Lorna Shore on a run of shows that has already sold out. Which would be catastrophic for Bodysnatcher fans except for the fact the band has just announced three select headlining sideshows which will undoubtedly follow suit and sell out in quick time.
HEAVY sat down for a chat with drummer Christopher Whiten to chat more.
"Very excited to see the sun," he laughed when we bring up the tour. "We've been in Europe for the last three weeks and it's been cloudy. Except for Spain. Spain was nice and sunny."
Being their first time to Australia, we ask Chris if the band have done their homework on what to expect.
"I heard the crowds are awesome," he smiled. "I haven't heard any negative things, I guess, so we're stoked." HEAVY brings up the fact that the one thing we do know about Bodysnatcher is the propensity for action and insanity in their mosh pit, and ask if it's true.
"Yeah," he said quickly and decisively. "We definitely instigate it. We like that high energy. We like the aggressiveness in fans. We definitely ask for it quite a bit. The shows are just very, very intense with high energy. Constant telling people to get on stage and get off stage. At some of the Lorna dates, I'm sure there's gonna be barricaded venues so no-ones getting on stage (laughs)."
In the full interview, Chris talks more about his expectations of Australia and what we should expect from them, their history with Lorna Shore, the excitement of already selling out every show, their headline shows and what different to expect, the early days of the band and where they fit in, recent album Vile Conduct and how it was received, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>627australia,bodysnatcher,extrememetal,heavy,heavymetal,interview,krispeters,lornashore,music,podcast,tourtruefullhttps://www.spreaker.com/episode/memories-left-behind-with-ryo-kinoshita-from-knosis--64153860After over a decade of devotion, intensity and passion, Melbourne's VOID OF VISION have announced that it is time to bid farewell to fans and announce the What I'll Leave Behind Australian Tour for 2025; a huge headline run where they will celebrate the end of an era one final time to close out their chapter. VOID OF VISION will be joined for their swan song tour in February by special guests GIDEON (USA), UNITYTX (USA) and KNOSIS (Japan).
The What I'll Leave Behind Australian tour will commence on Friday 14 February in Brisbane, before heading to Newcastle, Sydney, Canberra, Melbourne and Adelaide, and bringing the VOID OF VISION story to a close on Saturday 22 February in Perth, offering fans across the country one last chance to witness the ferocity and stunning dexterity a VOID OF VISION live show always brings, and offering the band and fans an opportunity to bid farewell in unforgettable fashion.
The brainchild of Japanese multi-instrumentalist and vocalist Ryo Kinoshita, KNOSIS grips with hard-hitting lyricism and razor-sharp delivery, channelling Kinoshita's internal battles into magnetic sonic creations. With songs written to reflect the pure emotional essence of pain and loneliness, KNOSIS collides everything from metal riffs through to hardcore breakdowns, simultaneously sparking listeners to smash their PBs in the gym while also offering an emotional journey to uplift and inspire against the odds.
HEAVY caught up with RYO to talk more about the tour and Knosis.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64153860Mon, 03 Feb 2025 03:09:58 +0000HEAVY MagazineInterview by Kris Peters After over a decade of devotion, intensity and passion, Melbourne's VOID OF VISION have announced that it is time to bid farewell to fans and announce the What I'll Leave Behind Australian Tour for 2025; a huge headline run...After over a decade of devotion, intensity and passion, Melbourne's VOID OF VISION have announced that it is time to bid farewell to fans and announce the What I'll Leave Behind Australian Tour for 2025; a huge headline run where they will celebrate the end of an era one final time to close out their chapter. VOID OF VISION will be joined for their swan song tour in February by special guests GIDEON (USA), UNITYTX (USA) and KNOSIS (Japan).
The What I'll Leave Behind Australian tour will commence on Friday 14 February in Brisbane, before heading to Newcastle, Sydney, Canberra, Melbourne and Adelaide, and bringing the VOID OF VISION story to a close on Saturday 22 February in Perth, offering fans across the country one last chance to witness the ferocity and stunning dexterity a VOID OF VISION live show always brings, and offering the band and fans an opportunity to bid farewell in unforgettable fashion.
The brainchild of Japanese multi-instrumentalist and vocalist Ryo Kinoshita, KNOSIS grips with hard-hitting lyricism and razor-sharp delivery, channelling Kinoshita's internal battles into magnetic sonic creations. With songs written to reflect the pure emotional essence of pain and loneliness, KNOSIS collides everything from metal riffs through to hardcore breakdowns, simultaneously sparking listeners to smash their PBs in the gym while also offering an emotional journey to uplift and inspire against the odds.
HEAVY caught up with RYO to talk more about the tour and Knosis.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>596gideon,hardrock,heavy,heavymetal,interview,knosis,krispeters,metalcore,podcast,tour,unitytx,voidofvisionfalsefullhttps://www.spreaker.com/episode/pleasant-surprises-with-brendan-murphy-from-counterparts--64149490Since forming in 2007, Counterparts have gone from the Hamilton, Ontario, underground to touring the world as one of Canada's most important and impactful musical exports. They've released seven full-lengths, with A Eulogy for Those Still Here landing in 2022. They've also released four EPs and a live album. Late last year they delighted fans with the surprise EP, Heaven Will Let Them Die, out via Pure Noise. The band has sold 250,000 albums through the course of its career, and their most recent headliner in support of AEFTSS was almost entirely sold out.
And now, in great news for Australian fans, Counterparts are coming Down Under with Dying Wish for four dates as part of the Heaven Let Them Die tour. HEAVY caught up with frontman Brendan Murphy to talk music and touring. One of our questions centred around the 'surprise' release of Heaven Will Let Them Die and if he considered it a risk in the modern music world.
"For sure," he nodded. "I wasn't terribly concerned that there was a possibility of it backfiring. I don't think anybody who likes the band is gonna be, like, 'what? They didn't even tell us, this sucks'. You know what I mean? I think everybody was kind of stoked that there was something new. I think there is always a chance that it just gets lost if you don't dangle the keys in front of people's face. When you just drop it there's a chance that people can forget about it and I think maybe people have a little bit… but I think it's amazing because we put the EP out and said right, we're gonna tour in three months, see ya. I think, if anything, it was that that did it. Not the surprise. I think when you do something that plays into how short everyone's attention span is at the moment, I think it's just a move. That's the easiest way to get people, and so what if you're the hot topic and everyone's talking about it for a month or a week, and then they move on to something else. They were gonna move onto something else anyway, regardless of how long you teased it. I think it definitely worked for sure."
In the full interview, Brendan talks more about the reasons behind jumping off the publicity train for their recent EP, the pros and cons of doing that, how it is the band's most authentic representation sonically, and where it stands in terms of future direction.
We also take the time to run through the EP track by track, plus talk about what we can expect from Counterparts when they hit Australia in June.
Tickets and more information at livenation.com.au.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64149490Mon, 03 Feb 2025 01:43:41 +0000HEAVY MagazineInterview by Kris Peters Since forming in 2007, Counterparts have gone from the Hamilton, Ontario, underground to touring the world as one of Canada's most important and impactful musical exports. They've released seven full-lengths, with A Eulogy for...Since forming in 2007, Counterparts have gone from the Hamilton, Ontario, underground to touring the world as one of Canada's most important and impactful musical exports. They've released seven full-lengths, with A Eulogy for Those Still Here landing in 2022. They've also released four EPs and a live album. Late last year they delighted fans with the surprise EP, Heaven Will Let Them Die, out via Pure Noise. The band has sold 250,000 albums through the course of its career, and their most recent headliner in support of AEFTSS was almost entirely sold out.
And now, in great news for Australian fans, Counterparts are coming Down Under with Dying Wish for four dates as part of the Heaven Let Them Die tour. HEAVY caught up with frontman Brendan Murphy to talk music and touring. One of our questions centred around the 'surprise' release of Heaven Will Let Them Die and if he considered it a risk in the modern music world.
"For sure," he nodded. "I wasn't terribly concerned that there was a possibility of it backfiring. I don't think anybody who likes the band is gonna be, like, 'what? They didn't even tell us, this sucks'. You know what I mean? I think everybody was kind of stoked that there was something new. I think there is always a chance that it just gets lost if you don't dangle the keys in front of people's face. When you just drop it there's a chance that people can forget about it and I think maybe people have a little bit… but I think it's amazing because we put the EP out and said right, we're gonna tour in three months, see ya. I think, if anything, it was that that did it. Not the surprise. I think when you do something that plays into how short everyone's attention span is at the moment, I think it's just a move. That's the easiest way to get people, and so what if you're the hot topic and everyone's talking about it for a month or a week, and then they move on to something else. They were gonna move onto something else anyway, regardless of how long you teased it. I think it definitely worked for sure."
In the full interview, Brendan talks more about the reasons behind jumping off the publicity train for their recent EP, the pros and cons of doing that, how it is the band's most authentic representation sonically, and where it stands in terms of future direction.
We also take the time to run through the EP track by track, plus talk about what we can expect from Counterparts when they hit Australia in June.
Tickets and more information at livenation.com.au.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1579australia,counterparts,hardcore,heavy,heavymetal,interview,krispeters,livenation,music,podcast,tourtruefullhttps://www.spreaker.com/episode/guitars-riffs-and-a-little-bit-of-aussie-heat-rick-schneider-on-polaris-and-knotfest--64147286Polaris is heading to Knotfest, and if you’re not already pumped, you should be. The Aussie metal juggernauts are ready to tear it up alongside some of the biggest names in heavy music. HEAVY had the chance to chat with guitarist Rick Schneider about what it’s like to be part of the iconic line up, what’s in store for fans, and what’s next for the band.
When asked about joining Knotfest, Rick’s reaction was simple and pure: “To be part of Knotfest, Slipknot’s playing, that’s kind of the pinnacle thing. Everyone is stoked on that. As soon as we got the offer, it was like, all right, well, we'll make that work.” For a band like Polaris, joining such a legendary festival line up feels like both a milestone and a natural step in their meteoric rise.
Rick revealed that, while they didn’t throw a huge party when they got the news, there was an undeniable sense of excitement among the band. “It's always nice to play at home, especially after a long time away. Every time we come back, it feels like a homecoming,” he said, speaking to the deep connection they have with their Australian fans.
As for what fans can expect at the festival, Rick promised a balanced set that’ll appeal to both new listeners and die-hard supporters alike. “We’re definitely playing the new singles, but we’re also making sure to keep it heavy and include some classics, like Lucid,” he shared, adding, “We have ample time, so it should be a good one.”
When asked about his favourite song to perform live, Rick didn’t hesitate: “Probably Hypermania. It's got heaps of energy, and it’s one of those songs where everything fits into shape—less stress, big payoff.”
And while it might surprise some, Rick admitted he’s not the band’s biggest Slipknot fan: "I'm the least Slipknot fan out of the guys," he laughed, but he still recognizes the sheer energy of playing such a huge festival.
As for advice to aspiring Aussie bands? Rick keeps it real: “Social media is everything these days. You never know what platform might take off. Just get your music out there in every way you can.”
Catch Polaris and more at Knotfest Australia 2025. It's going to be a metal lover’s dream, and with Rick's focus on delivering a killer performance, this year’s festival is shaping up to be one for the books!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/64147286Sun, 02 Feb 2025 16:13:45 +0000HEAVY MagazineInterview by Angela Croudace Polaris is heading to Knotfest, and if you’re not already pumped, you should be. The Aussie metal juggernauts are ready to tear it up alongside some of the biggest names in heavy music. HEAVY had the chance to chat with...Polaris is heading to Knotfest, and if you’re not already pumped, you should be. The Aussie metal juggernauts are ready to tear it up alongside some of the biggest names in heavy music. HEAVY had the chance to chat with guitarist Rick Schneider about what it’s like to be part of the iconic line up, what’s in store for fans, and what’s next for the band.
When asked about joining Knotfest, Rick’s reaction was simple and pure: “To be part of Knotfest, Slipknot’s playing, that’s kind of the pinnacle thing. Everyone is stoked on that. As soon as we got the offer, it was like, all right, well, we'll make that work.” For a band like Polaris, joining such a legendary festival line up feels like both a milestone and a natural step in their meteoric rise.
Rick revealed that, while they didn’t throw a huge party when they got the news, there was an undeniable sense of excitement among the band. “It's always nice to play at home, especially after a long time away. Every time we come back, it feels like a homecoming,” he said, speaking to the deep connection they have with their Australian fans.
As for what fans can expect at the festival, Rick promised a balanced set that’ll appeal to both new listeners and die-hard supporters alike. “We’re definitely playing the new singles, but we’re also making sure to keep it heavy and include some classics, like Lucid,” he shared, adding, “We have ample time, so it should be a good one.”
When asked about his favourite song to perform live, Rick didn’t hesitate: “Probably Hypermania. It's got heaps of energy, and it’s one of those songs where everything fits into shape—less stress, big payoff.”
And while it might surprise some, Rick admitted he’s not the band’s biggest Slipknot fan: "I'm the least Slipknot fan out of the guys," he laughed, but he still recognizes the sheer energy of playing such a huge festival.
As for advice to aspiring Aussie bands? Rick keeps it real: “Social media is everything these days. You never know what platform might take off. Just get your music out there in every way you can.”
Catch Polaris and more at Knotfest Australia 2025. It's going to be a metal lover’s dream, and with Rick's focus on delivering a killer performance, this year’s festival is shaping up to be one for the books!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>773australia,heavy,heavymetal,interview,knotfest,knotfestaustralia,metalcore,music,podcast,polaris,slipknottruefullhttps://www.spreaker.com/episode/more-greetings-salutations-with-azza-hutchy-from-frankenbok--63970007Playtime is over. Now shit gets real.
Much has been made of Frankenbok welcoming back original vocalist Hutchy to launch their next foray into the world of metal, but as fun as the honeymoon period has been it's now time to let their music do the talking.
Following the frenetic Demon Tantrum, the tongue in cheek cover of (You Spin Me) Right Round and the most recent track Dopamine, Frankenbok are preparing to throw all their cards on the table today, January 31, with the release of the first EP under the current regime in the form of Irrepressible.
Not that anyone who has been a part of Australian metal at any stage over the last quarter of a century would - or could - have any doubts, but it almost feels like Frankenbok have got a point to prove. The band have had an ever-evolving sound, mainly due to a merry-go-round of vocalists over the years, but from all reports Irrepressible is a large step back to the early days of the band where pretty much anything went and the focus was, first and foremost, on enjoying playing music.
HEAVY sat down for a chat with guitarist Azza Bok and vocalist Hutchy to get the lowdown in a chat that got so involved we had to split the video into two parts for easier digestion.
"It was a real cathartic moment for me personally as well," Hutchy explained when talk turned to him rejoining the band. "I turned up to Cherry Bar and someone said Frankenbok was playing, and I thought I'm not in the mood for any bullshit and Aaron walked straight up to me, looked me dead in the eye, extended his hand and said some really nice words and defused the situation. It felt like a whole weight had lifted off my shoulders. I made my peace many years ago, but we obviously hadn't spoken for a while. It started that next step for the things that came to follow."
So the big question is what can we expect from the new music?
"It's a homage to all the Frankenbok over the years," Hutchy measured. "When I approached it vocally and lyrically I went back and listened to all the albums and stuff and got inspired by everybody. I've got this reputation as being a bit of a Mike Patton try-hard, so I went back, and I tried to be inspired by Frankenbok, and make a Frankenbok record. It's got all the great elements of Frankenbok, but hopefully something new as well. I think it's a very refined, mature Frankenbok as well. I'm really proud of it. I never thought it was going to turn out like this."
"And I know people always say this about their latest album, but I will legitimately say it's my favourite one to date," Azza chimed in. "I went through years of writing it and listening to it over and over and over and getting it done, but now when I listen to it, I legitimately really, really enjoy it. I love the sound of it. I love what everybody did to it. There was no… I said to everybody, you do whatever the fuck you wanna do, just do it the best you can."
In the full interview we cover more ground on how Hutchy came back to the Frankenbok camp, lessons learnt musically by both of them over the last two decades, writing new material and settling into a groove, more on what to expect from the new music, we analyse each of the five tracks in more detail, discuss future live shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63970007Thu, 30 Jan 2025 08:09:13 +0000HEAVY MagazineInterview by Kris Peters Playtime is over. Now shit gets real. Much has been made of Frankenbok welcoming back original vocalist Hutchy to launch their next foray into the world of metal, but as fun as the honeymoon period has been it's now time to...Playtime is over. Now shit gets real.
Much has been made of Frankenbok welcoming back original vocalist Hutchy to launch their next foray into the world of metal, but as fun as the honeymoon period has been it's now time to let their music do the talking.
Following the frenetic Demon Tantrum, the tongue in cheek cover of (You Spin Me) Right Round and the most recent track Dopamine, Frankenbok are preparing to throw all their cards on the table today, January 31, with the release of the first EP under the current regime in the form of Irrepressible.
Not that anyone who has been a part of Australian metal at any stage over the last quarter of a century would - or could - have any doubts, but it almost feels like Frankenbok have got a point to prove. The band have had an ever-evolving sound, mainly due to a merry-go-round of vocalists over the years, but from all reports Irrepressible is a large step back to the early days of the band where pretty much anything went and the focus was, first and foremost, on enjoying playing music.
HEAVY sat down for a chat with guitarist Azza Bok and vocalist Hutchy to get the lowdown in a chat that got so involved we had to split the video into two parts for easier digestion.
"It was a real cathartic moment for me personally as well," Hutchy explained when talk turned to him rejoining the band. "I turned up to Cherry Bar and someone said Frankenbok was playing, and I thought I'm not in the mood for any bullshit and Aaron walked straight up to me, looked me dead in the eye, extended his hand and said some really nice words and defused the situation. It felt like a whole weight had lifted off my shoulders. I made my peace many years ago, but we obviously hadn't spoken for a while. It started that next step for the things that came to follow."
So the big question is what can we expect from the new music?
"It's a homage to all the Frankenbok over the years," Hutchy measured. "When I approached it vocally and lyrically I went back and listened to all the albums and stuff and got inspired by everybody. I've got this reputation as being a bit of a Mike Patton try-hard, so I went back, and I tried to be inspired by Frankenbok, and make a Frankenbok record. It's got all the great elements of Frankenbok, but hopefully something new as well. I think it's a very refined, mature Frankenbok as well. I'm really proud of it. I never thought it was going to turn out like this."
"And I know people always say this about their latest album, but I will legitimately say it's my favourite one to date," Azza chimed in. "I went through years of writing it and listening to it over and over and over and getting it done, but now when I listen to it, I legitimately really, really enjoy it. I love the sound of it. I love what everybody did to it. There was no… I said to everybody, you do whatever the fuck you wanna do, just do it the best you can."
In the full interview we cover more ground on how Hutchy came back to the Frankenbok camp, lessons learnt musically by both of them over the last two decades, writing new material and settling into a groove, more on what to expect from the new music, we analyse each of the five tracks in more detail, discuss future live shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2777album,australia,azzabok,frankenbok,funkmetal,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,xmusictruefullhttps://www.spreaker.com/episode/to-the-moon-and-back-with-bjorn-strid-from-night-flight-orchestra--63991145The seventh studio album for Night Flight Orchestra was always going to be difficult given the passing of original member David Andersson between releases.
Music is an emotional form of expression naturally, but when having to negotiate loss and sorrow, any new music could quite easily be skewered too far in that direction and become almost self-indulgent.
Not that that is a bad thing, but talking with frontman Bjorn Strid you get the feeling that he and the rest of NFO wanted to pay honour and respect to David's legacy and music by capturing themselves at optimal strength and unity on both a sonic and personal plane.
The resulting body of work, Give Us The Moon - which is released on Friday, January 31 - takes the listener on an exciting sonic journey, balancing between uplifting escapism and captivating stories inspired by real life events. The album's themes span the likes of heroines and temptresses to liberation and romantic nostalgia, set to backdrops of abandoned cities and cosmic tides.
The album is free from the limitations of one genre or style, although many of the soundscapes of the album draw inspiration from the 80s, making the album a varied, exciting adventure. Give Us The Moon is produced by THE NIGHT FLIGHT ORCHESTRA and Sebastian Forslund, who also mixed the album, and is mastered by Plec Johansson at award-winning The Panic Room Studios. To celebrate the release of the new full-length, THE NIGHT FLIGHT ORCHESTRA will embark on a full European tour in late January, 2025. Boarding is completed - fasten your seatbelts and enjoy the flight!
HEAVY sat down recently with Strid to discuss the new album and delve into its cinematic nature.
"It's a real special album," he began. "It's the first one without David Andersson, who sadly passed away two years ago, and it's been a special journey putting this album together. We wanted to create something really uplifting and empowering, and make it even more cinematic and dreamy than before. But the general guiding star was to make something really positive… but still multi-layered. What we have here is an explosion of emotions running through the album. It's very diverse, but it all sits together in the end. You just need to listen to the album to really get into it and get what we're saying. It's gonna be a beautiful ride."
In the full interview we ask Bjorn if he still gets the same rush as an album release approaches or if that fades over time, he explains the terms cinematic and soundscape and how they relate to NFO's music, the musical direction of the album, bettering yourself musically, the early days of Night Flight Orchestra and where they fit in, the musical expansion of the band over each album, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63991145Wed, 29 Jan 2025 10:27:48 +0000HEAVY MagazineInterview by Kris Peters The seventh studio album for Night Flight Orchestra was always going to be difficult given the passing of original member David Andersson between releases. Music is an emotional form of expression naturally, but when having to...The seventh studio album for Night Flight Orchestra was always going to be difficult given the passing of original member David Andersson between releases.
Music is an emotional form of expression naturally, but when having to negotiate loss and sorrow, any new music could quite easily be skewered too far in that direction and become almost self-indulgent.
Not that that is a bad thing, but talking with frontman Bjorn Strid you get the feeling that he and the rest of NFO wanted to pay honour and respect to David's legacy and music by capturing themselves at optimal strength and unity on both a sonic and personal plane.
The resulting body of work, Give Us The Moon - which is released on Friday, January 31 - takes the listener on an exciting sonic journey, balancing between uplifting escapism and captivating stories inspired by real life events. The album's themes span the likes of heroines and temptresses to liberation and romantic nostalgia, set to backdrops of abandoned cities and cosmic tides.
The album is free from the limitations of one genre or style, although many of the soundscapes of the album draw inspiration from the 80s, making the album a varied, exciting adventure. Give Us The Moon is produced by THE NIGHT FLIGHT ORCHESTRA and Sebastian Forslund, who also mixed the album, and is mastered by Plec Johansson at award-winning The Panic Room Studios. To celebrate the release of the new full-length, THE NIGHT FLIGHT ORCHESTRA will embark on a full European tour in late January, 2025. Boarding is completed - fasten your seatbelts and enjoy the flight!
HEAVY sat down recently with Strid to discuss the new album and delve into its cinematic nature.
"It's a real special album," he began. "It's the first one without David Andersson, who sadly passed away two years ago, and it's been a special journey putting this album together. We wanted to create something really uplifting and empowering, and make it even more cinematic and dreamy than before. But the general guiding star was to make something really positive… but still multi-layered. What we have here is an explosion of emotions running through the album. It's very diverse, but it all sits together in the end. You just need to listen to the album to really get into it and get what we're saying. It's gonna be a beautiful ride."
In the full interview we ask Bjorn if he still gets the same rush as an album release approaches or if that fades over time, he explains the terms cinematic and soundscape and how they relate to NFO's music, the musical direction of the album, bettering yourself musically, the early days of Night Flight Orchestra and where they fit in, the musical expansion of the band over each album, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>864album,bjornstrid,heavy,interview,krispeters,music,nightflightorchestra,podcast,rockfalsefullhttps://www.spreaker.com/episode/jake-taylor-of-in-hearts-wake-talks-tarot-incarnation-and-the-power-of-the-underworld--63989926In our interview with Jake Taylor, the powerhouse vocalist of Australian metal band In Hearts Wake, we dug into the band’s latest album Incarnation, their connection to tarot, and the unique creative journey behind their latest work.
The concept for Incarnation is deeply rooted in the band’s early fascination with tarot, something that’s been in Taylor’s life since childhood. “My mum was a tarot reader, so I grew up around people coming to her for readings,” Jake shared, “On this album, every song aligns with a major arcana card, but we’ve flipped them upside down,” he explained. This inversion of meanings reflects the darker, shadowy themes explored on the record. Incarnation delves deep into the underworld, musically and spiritually, creating a sonic experience that’s intense, raw, and unrelenting.
Jake also revealed that tarot is more than just a lyrical motif for the band—it’s a tool for personal reflection. “We’ve turned to tarot during pivotal moments, like when we were figuring out the exit of a band member, just to see if things were aligned,” he said. This insight goes beyond mere fortune-telling, instead helping the band navigate life’s challenging decisions.
Aside from the mystical, Jake also spoke about the band’s growth and experiences. Touring internationally, including a huge milestone tour with Slipknot and Lamb of God, has cemented In Hearts Wake’s reputation as a force in the heavy music scene.
In 2025, In Hearts Wake will bring their dark, powerful sound to Australia’s Knotfest for the first time. The band is eager to take their place alongside metal heavyweights like Slipknot and Polaris. “It’s a nice recognition,”
Jake reflected, “Australia gets it—it gets the heavy music, the humour, and the wild places. We can’t wait to share that connection on home soil.” It promises to be an unmissable moment for fans.
When it comes to advice for aspiring Aussie musicians, Jake stressed the importance of staying grounded. “It’s got to be about the music and the people first,” he advised. “Don’t chase the numbers game. Find the roots that keep you connected to what you love.”
With Incarnation now out, In Hearts Wake continues to push boundaries, blending their passion for music with a spiritual depth that’s unique in the metal world.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63989926Wed, 29 Jan 2025 09:35:57 +0000HEAVY MagazineInterview by Angela Croudace In our interview with Jake Taylor, the powerhouse vocalist of Australian metal band In Hearts Wake, we dug into the band’s latest album Incarnation, their connection to tarot, and the unique creative journey behind their...In our interview with Jake Taylor, the powerhouse vocalist of Australian metal band In Hearts Wake, we dug into the band’s latest album Incarnation, their connection to tarot, and the unique creative journey behind their latest work.
The concept for Incarnation is deeply rooted in the band’s early fascination with tarot, something that’s been in Taylor’s life since childhood. “My mum was a tarot reader, so I grew up around people coming to her for readings,” Jake shared, “On this album, every song aligns with a major arcana card, but we’ve flipped them upside down,” he explained. This inversion of meanings reflects the darker, shadowy themes explored on the record. Incarnation delves deep into the underworld, musically and spiritually, creating a sonic experience that’s intense, raw, and unrelenting.
Jake also revealed that tarot is more than just a lyrical motif for the band—it’s a tool for personal reflection. “We’ve turned to tarot during pivotal moments, like when we were figuring out the exit of a band member, just to see if things were aligned,” he said. This insight goes beyond mere fortune-telling, instead helping the band navigate life’s challenging decisions.
Aside from the mystical, Jake also spoke about the band’s growth and experiences. Touring internationally, including a huge milestone tour with Slipknot and Lamb of God, has cemented In Hearts Wake’s reputation as a force in the heavy music scene.
In 2025, In Hearts Wake will bring their dark, powerful sound to Australia’s Knotfest for the first time. The band is eager to take their place alongside metal heavyweights like Slipknot and Polaris. “It’s a nice recognition,”
Jake reflected, “Australia gets it—it gets the heavy music, the humour, and the wild places. We can’t wait to share that connection on home soil.” It promises to be an unmissable moment for fans.
When it comes to advice for aspiring Aussie musicians, Jake stressed the importance of staying grounded. “It’s got to be about the music and the people first,” he advised. “Don’t chase the numbers game. Find the roots that keep you connected to what you love.”
With Incarnation now out, In Hearts Wake continues to push boundaries, blending their passion for music with a spiritual depth that’s unique in the metal world.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1105australia,heavy,heavymetal,inheartswake,interview,jaketaylor,knotfest,metalcore,music,podcasttruefullhttps://www.spreaker.com/episode/setting-sail-for-australia-with-philly-ocean-from-yachtley-crew--63979770For those uninitiated, Yacht Rock encapsulates the revival of Soft Rock Hits from the late ‘70s and early ‘80s, which has become a worldwide phenomenon, inspiring fans to dress the part and sing along. Yächtley Crëw are not just the ultimate entertainers, but also incredible musicians. The full 7-piece band recreate those smooth 70’s and 80’s sounds to perfection, including the sax solos of course!
And now, for the first time ever, Yachtley Crew is setting sail for Australia for a run of shows this May.
The nautical-suited and captain’s-hat-clad nautical musicians are proudly flying the flag of Yacht Rock for each and every generation that loves good fun, good times and a good sing-along. With scintillating renditions of songs from Toto, ELO, Steely Dan, Hall & Oats and plenty more, Yachtley Crew are a fun-filled musical extravaganza that combines all of your loves in life on one deck.
HEAVY caught up with Philly Ocean to learn how to swim…
"We couldn't be more happy," he enthused when asked how he is feeling about finally getting the chance to cross the ocean. "We started back in 2017, and we've been doing this for eight years. We never imagined that something that we did just because we thought it would be fun would now be going international. We started off playing small bars in Southern California and realized pretty on that people love Yacht Rock. By the way, for those of you who have maybe never heard the term, Yacht rock is made up of all your favourite soft rock hits from the late 70s and early 80s. Artists like Kenny Loggins, Little River Band, Christopher Cross, those kinds of sounds make up what we play in our show, and it's the best music. It's so much fun, and it's super nostalgic."
In the full interview, Philly talks more about the genesis of Yacht Rock, the balance between enjoying the performance and recreating music that is held in the hearts of many who hear it, their first trip Down Under, what they are expecting, what we can expect from Yachtley Crew, the possibility of adding soft metal tracks to their repertoire and more.
Tickets: https://totaltouring.com.au/



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63979770Wed, 29 Jan 2025 01:28:06 +0000HEAVY MagazineInterview by Kris Peters For those uninitiated, Yacht Rock encapsulates the revival of Soft Rock Hits from the late ‘70s and early ‘80s, which has become a worldwide phenomenon, inspiring fans to dress the part and sing along. Yächtley Crëw are not...For those uninitiated, Yacht Rock encapsulates the revival of Soft Rock Hits from the late ‘70s and early ‘80s, which has become a worldwide phenomenon, inspiring fans to dress the part and sing along. Yächtley Crëw are not just the ultimate entertainers, but also incredible musicians. The full 7-piece band recreate those smooth 70’s and 80’s sounds to perfection, including the sax solos of course!
And now, for the first time ever, Yachtley Crew is setting sail for Australia for a run of shows this May.
The nautical-suited and captain’s-hat-clad nautical musicians are proudly flying the flag of Yacht Rock for each and every generation that loves good fun, good times and a good sing-along. With scintillating renditions of songs from Toto, ELO, Steely Dan, Hall & Oats and plenty more, Yachtley Crew are a fun-filled musical extravaganza that combines all of your loves in life on one deck.
HEAVY caught up with Philly Ocean to learn how to swim…
"We couldn't be more happy," he enthused when asked how he is feeling about finally getting the chance to cross the ocean. "We started back in 2017, and we've been doing this for eight years. We never imagined that something that we did just because we thought it would be fun would now be going international. We started off playing small bars in Southern California and realized pretty on that people love Yacht Rock. By the way, for those of you who have maybe never heard the term, Yacht rock is made up of all your favourite soft rock hits from the late 70s and early 80s. Artists like Kenny Loggins, Little River Band, Christopher Cross, those kinds of sounds make up what we play in our show, and it's the best music. It's so much fun, and it's super nostalgic."
In the full interview, Philly talks more about the genesis of Yacht Rock, the balance between enjoying the performance and recreating music that is held in the hearts of many who hear it, their first trip Down Under, what they are expecting, what we can expect from Yachtley Crew, the possibility of adding soft metal tracks to their repertoire and more.
Tickets: https://totaltouring.com.au/



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>713australia,heavy,interview,krispeters,music,podcast,rock,softrock,tour,yachtleycrew,yachtrockfalsefullhttps://www.spreaker.com/episode/sonic-experiments-with-stephen-aric-from-house-of-protection--63973184House of Protection, the new venture from Stephen Harrison and Aric Improta, serves as a sanctuary for those who surrender to impulse. 
Abandoning any regard for tradition and form, they followed a feeling and unearthed a sound that sees them push their limits further than ever before. Bridging the not so disparate worlds of hardcore, electronica, and punk, the two forged a space for boundless creativity and a community fuelled by chaos.
The band is a project created by formerly two-thirds of Fever 333 (Stephen & Aric), they're signed to Red Bull Records and backed & produced by legendary producer and ex-Bring Me The Horizon keyboardist Jordan Fish AND are featured on Architects upcoming album. 
House Of Protection are in Australia for the first time, supporting Bad Omens with Poppy across the nation, and HEAVY caught up with Stephen & Aric not long before their recent show at Brisbane's Riverstage.
"It's been awesome so far," Aric began. "Honestly, we didn't really know what to expect, especially walking up because Bad Omens audience looks very much like a Bad Omens audience (laughs). They are there for that band, but they have been really receptive. It's cool to be on such an eclectic tour because it doesn't feel competitive. It just feels like everybody's expressing themselves honestly, and that's always a cool situation to walk in to."
In the full interview, we spoke about the tour and how it is going, the band's formation from the ashes of Fever 333, their musical direction, getting the mix of styles right in the creative process, their recent EP track by track, plans to come back to Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63973184Tue, 28 Jan 2025 21:17:48 +0000HEAVY MagazineInterview by Kris Peters House of Protection, the new venture from Stephen Harrison and Aric Improta, serves as a sanctuary for those who surrender to impulse.  Abandoning any regard for tradition and form, they followed a feeling and unearthed a...House of Protection, the new venture from Stephen Harrison and Aric Improta, serves as a sanctuary for those who surrender to impulse. 
Abandoning any regard for tradition and form, they followed a feeling and unearthed a sound that sees them push their limits further than ever before. Bridging the not so disparate worlds of hardcore, electronica, and punk, the two forged a space for boundless creativity and a community fuelled by chaos.
The band is a project created by formerly two-thirds of Fever 333 (Stephen & Aric), they're signed to Red Bull Records and backed & produced by legendary producer and ex-Bring Me The Horizon keyboardist Jordan Fish AND are featured on Architects upcoming album. 
House Of Protection are in Australia for the first time, supporting Bad Omens with Poppy across the nation, and HEAVY caught up with Stephen & Aric not long before their recent show at Brisbane's Riverstage.
"It's been awesome so far," Aric began. "Honestly, we didn't really know what to expect, especially walking up because Bad Omens audience looks very much like a Bad Omens audience (laughs). They are there for that band, but they have been really receptive. It's cool to be on such an eclectic tour because it doesn't feel competitive. It just feels like everybody's expressing themselves honestly, and that's always a cool situation to walk in to."
In the full interview, we spoke about the tour and how it is going, the band's formation from the ashes of Fever 333, their musical direction, getting the mix of styles right in the creative process, their recent EP track by track, plans to come back to Australia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>698australia,badomens,fever333,heavy,heavymetal,houseofprotection,interview,krispeters,music,podcast,rapmetal,tourtruefullhttps://www.spreaker.com/episode/new-beginnings-with-shaolin-g-from-unity-tx--63958179While it came as no surprise when Void of Vision announced their swansong with the What I'll Leave Behind Australian Tour 2025, the impending sense of loss was still evident.
Due to frontman Jack Bergin's recent health problems no-one could argue with the band's decision to call it a day, but the band's legacy and indelible mark on the global music scene will have to serve as a reminder for future generations.
Not content to merely throw a farewell party, Void Of Vision have invited some international guests to the party as well, with Japan's Knosis, and Gideon plus Unity TX joining the tour from the United States Of America. HEAVY sat down with Shaolin G from Unity TX to get to know the band a little better.
"That's what it was at the beginning," he recalled of the genesis of Unity TX. "It was just nothing but fun. We played our first show and it was hype. Of course, it was kind of a treacherous sound because we were all hyped to do it but some of us were, like, I forgot the part (laughs). It was chaotic but if you ever see our first set on YouTube - which, honestly, if you hear this and you look it up, don't say anything to me about it (laughs). It's insane. It's the most unhinged shit. If that doesn't tell you what Unity is from the beginning, I don't know what to tell you. That set… I look back on it, and sometimes I go ugghh, I can't believe I did that (laughs). It's the energy. It's always been that. It's just about the raw energy of everything."
In the full interview, Shaolin G talks more about the formation and early days of the band, coming to Australia for the first time as part of this tour, their relationship with Void Of Vision, what he is expecting from Australia, what we should expect from Unity TX and much more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63958179Tue, 28 Jan 2025 11:33:24 +0000HEAVY MagazineInterview by Kris Peters While it came as no surprise when Void of Vision announced their swansong with the What I'll Leave Behind Australian Tour 2025, the impending sense of loss was still evident. Due to frontman Jack Bergin's recent health...While it came as no surprise when Void of Vision announced their swansong with the What I'll Leave Behind Australian Tour 2025, the impending sense of loss was still evident.
Due to frontman Jack Bergin's recent health problems no-one could argue with the band's decision to call it a day, but the band's legacy and indelible mark on the global music scene will have to serve as a reminder for future generations.
Not content to merely throw a farewell party, Void Of Vision have invited some international guests to the party as well, with Japan's Knosis, and Gideon plus Unity TX joining the tour from the United States Of America. HEAVY sat down with Shaolin G from Unity TX to get to know the band a little better.
"That's what it was at the beginning," he recalled of the genesis of Unity TX. "It was just nothing but fun. We played our first show and it was hype. Of course, it was kind of a treacherous sound because we were all hyped to do it but some of us were, like, I forgot the part (laughs). It was chaotic but if you ever see our first set on YouTube - which, honestly, if you hear this and you look it up, don't say anything to me about it (laughs). It's insane. It's the most unhinged shit. If that doesn't tell you what Unity is from the beginning, I don't know what to tell you. That set… I look back on it, and sometimes I go ugghh, I can't believe I did that (laughs). It's the energy. It's always been that. It's just about the raw energy of everything."
In the full interview, Shaolin G talks more about the formation and early days of the band, coming to Australia for the first time as part of this tour, their relationship with Void Of Vision, what he is expecting from Australia, what we should expect from Unity TX and much more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>882australia,edm,gideon,hardcore,hardrock,heavy,heavymetal,interview,knosis,krispeters,music,podcast,shaoling,tour,unitytx,voidofvisiontruefullhttps://www.spreaker.com/episode/bringing-the-revolution-to-australia-with-ryan-mccombs-from-drowning-pool--63951974When CKY pulled out of the Australian leg of their Australian tour with Alien Ant Farm towards the end of last year the collective sighs from around the country could be heard far and wide, but when Drowning Pool were named as their replacements those sighs turned into boisterous cheers, especially when coupled with the recent news that Ryan McCombs had rejoined the band.
Their fresh single Revolution emphatically proved this was more than a nostalgic reunion run of shows, with McCombs - in fact the whole band - sounding as ferocious and uncompromising as ever.
For some the wait would seem like forever, and for those forever has finally come with Drowning Pool set to join Alien Ant Farm and Frankenbok for a series of co-headline shows kicking off in Brisbane on February 7.
HEAVY spent some time with McCombs not long before he flew out to join the rest of the band. One of the questions we asked related to the fact lots of people will be coming out to see the show because of one song - Bodies - but Drowning Pool are far from a one trick pony.
"The song Revolution came out recently, (and) you've also got Step Up from the Jason Jones era…" he measured. "The cool thing about this band is it's very easy to separate the band into four different eras. You can easily do that with Dave Williams, Jason Jones, myself and Jason Morano, it's very easy to separate that. You'll see… live-wise you'll see every flavor of the band through those years because I think it's very important to always keep in mind as a member of Drowning Pool that not only are we blessed and lucky that people have kept us around this long, but you have to have the realization and the reality of the fact that some people out there… some people are old school, man. They were into the band from dave Williams on. Some people maybe they didn't get introduced to Drowning Pool until Desentsitized and Step Up and Hate, maybe some of those songs were their favourite tracks. Maybe my era with Feel Like I do or Enemy or one of those songs, maybe that's their era. Or maybe some of the stuff with Jason Marano like Finger & A Fist, or Redlight, maybe that's their flavor. So as a member of the band you've gotta keep in mind that there's people out there in the crowd who may be a fan of any one of those eras that may be their favourite so you wanna incorporate pieces and parts of all those times into the live show so everybody walks away and they heard a track from their album. It's not only awesome to be kept around this long, but it's awesome to have a discography like Drowning Pool has that you're able to pull from such a vast variety of music to make a killer set. Or what you hope is a killer set (laughs)."
In the full interview, Ryan shared what we can expect from Drowning Pool's shows, their relationship with Alien Ant Farm, rejoining the band and how it came about, his first show back and how it felt, new single Revolution, future new music and what to expect and more.
ALIEN ANT FARM and DROWNING POOL February 2025 Australian Tour Dates:
Friday, February 7 - BRISBANE, Princess Theatre
Saturday, February 8 - SYDNEY, Metro Theatre
Sunday, February 9 - MELBOURNE, Northcote Theatre
Tuesday, February 11 - ADELAIDE, Lion Arts Factory
Wednesday, February 12 - PERTH, Magnet House
Tix: www.thephoenix.au


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63951974Tue, 28 Jan 2025 06:35:41 +0000HEAVY MagazineInterview by Kris Peters When CKY pulled out of the Australian leg of their Australian tour with Alien Ant Farm towards the end of last year the collective sighs from around the country could be heard far and wide, but when Drowning Pool were named as...When CKY pulled out of the Australian leg of their Australian tour with Alien Ant Farm towards the end of last year the collective sighs from around the country could be heard far and wide, but when Drowning Pool were named as their replacements those sighs turned into boisterous cheers, especially when coupled with the recent news that Ryan McCombs had rejoined the band.
Their fresh single Revolution emphatically proved this was more than a nostalgic reunion run of shows, with McCombs - in fact the whole band - sounding as ferocious and uncompromising as ever.
For some the wait would seem like forever, and for those forever has finally come with Drowning Pool set to join Alien Ant Farm and Frankenbok for a series of co-headline shows kicking off in Brisbane on February 7.
HEAVY spent some time with McCombs not long before he flew out to join the rest of the band. One of the questions we asked related to the fact lots of people will be coming out to see the show because of one song - Bodies - but Drowning Pool are far from a one trick pony.
"The song Revolution came out recently, (and) you've also got Step Up from the Jason Jones era…" he measured. "The cool thing about this band is it's very easy to separate the band into four different eras. You can easily do that with Dave Williams, Jason Jones, myself and Jason Morano, it's very easy to separate that. You'll see… live-wise you'll see every flavor of the band through those years because I think it's very important to always keep in mind as a member of Drowning Pool that not only are we blessed and lucky that people have kept us around this long, but you have to have the realization and the reality of the fact that some people out there… some people are old school, man. They were into the band from dave Williams on. Some people maybe they didn't get introduced to Drowning Pool until Desentsitized and Step Up and Hate, maybe some of those songs were their favourite tracks. Maybe my era with Feel Like I do or Enemy or one of those songs, maybe that's their era. Or maybe some of the stuff with Jason Marano like Finger & A Fist, or Redlight, maybe that's their flavor. So as a member of the band you've gotta keep in mind that there's people out there in the crowd who may be a fan of any one of those eras that may be their favourite so you wanna incorporate pieces and parts of all those times into the live show so everybody walks away and they heard a track from their album. It's not only awesome to be kept around this long, but it's awesome to have a discography like Drowning Pool has that you're able to pull from such a vast variety of music to make a killer set. Or what you hope is a killer set (laughs)."
In the full interview, Ryan shared what we can expect from Drowning Pool's shows, their relationship with Alien Ant Farm, rejoining the band and how it came about, his first show back and how it felt, new single Revolution, future new music and what to expect and more.
ALIEN ANT FARM and DROWNING POOL February 2025 Australian Tour Dates:
Friday, February 7 - BRISBANE, Princess Theatre
Saturday, February 8 - SYDNEY, Metro Theatre
Sunday, February 9 - MELBOURNE, Northcote Theatre
Tuesday, February 11 - ADELAIDE, Lion Arts Factory
Wednesday, February 12 - PERTH, Magnet House
Tix: www.thephoenix.au


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>874alienantfarm,australia,drowningpool,frankenbok,hardrock,heavy,heavymetal,interview,krispeters,music,numetal,podcast,ryanmccombs,thephoenix,tourtruefullhttps://www.spreaker.com/episode/sharon-from-within-temptation-talks-knotfest-political-messages-australia-tour--63944783After nearly three decades, Sharon den Adel, lead vocalist of Within Temptation, is finally bringing the band to Australia for the first time! During an interview with HEAVY, Sharon shared her excitement for performing at Knotfest and reflected on the band’s long-awaited journey to the land down under.
When asked about the band's lengthy absence from Australia, Sharon admitted, “There’s no real good excuse except that it was difficult to fit in and to find the right promoter to bring us over… but after 30 years, we’re finally coming!” She also discussed the challenges of long flights, especially with the notorious 24-hour trip to Australia, stating,"I’m going to try, it’s going to be a new experiment.”
Sharon is looking forward to more than just playing at Knotfest, where she’ll share the stage with legendary bands. “It’s like a candy store,” she says, eager to explore the festival lineup.
A notable part of Within Temptation’s music is their bold political commentary. Sharon explained that the band felt compelled to address global issues like the war in Ukraine and the plight of women in Iran. “We have a platform, and we stand for certain values… It’s important to talk about these things,” she says, emphasising that as artists, it's their responsibility to use their voice for change.
Sharon also opened up about the challenges of being a female frontwoman in a male-dominated genre. She shared that despite facing some initial resistance from certain fans, she’s always felt at home in the metal scene. "I've always felt very at home in the metal (scene)… I was never separated because I was a woman," Sharon revealed. She also reflected on the broader impact her presence—and that of other women—has had on the genre, saying, "The more there is of us, the more diversity, and it makes the scene more interesting." Sharon’s perspective highlights how women in metal have paved the way for future generations, encouraging young female musicians to carve out their own space in the industry.
With their long-awaited Australian side shows scheduled in Brisbane and Melbourne, fans can expect to hear not just their iconic symphonic metal, but a band that's unafraid to speak out on the world’s pressing issues.Catch Within Temptation at Knotfest and Monday 3 March - Princess Theatre, Brisbane, Thursday 6 March - Max Watts, Melbourne.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63944783Tue, 28 Jan 2025 01:14:23 +0000HEAVY MagazineInterview by Angela Croudace After nearly three decades, Sharon den Adel, lead vocalist of Within Temptation, is finally bringing the band to Australia for the first time! During an interview with HEAVY, Sharon shared her excitement for performing at...After nearly three decades, Sharon den Adel, lead vocalist of Within Temptation, is finally bringing the band to Australia for the first time! During an interview with HEAVY, Sharon shared her excitement for performing at Knotfest and reflected on the band’s long-awaited journey to the land down under.
When asked about the band's lengthy absence from Australia, Sharon admitted, “There’s no real good excuse except that it was difficult to fit in and to find the right promoter to bring us over… but after 30 years, we’re finally coming!” She also discussed the challenges of long flights, especially with the notorious 24-hour trip to Australia, stating,"I’m going to try, it’s going to be a new experiment.”
Sharon is looking forward to more than just playing at Knotfest, where she’ll share the stage with legendary bands. “It’s like a candy store,” she says, eager to explore the festival lineup.
A notable part of Within Temptation’s music is their bold political commentary. Sharon explained that the band felt compelled to address global issues like the war in Ukraine and the plight of women in Iran. “We have a platform, and we stand for certain values… It’s important to talk about these things,” she says, emphasising that as artists, it's their responsibility to use their voice for change.
Sharon also opened up about the challenges of being a female frontwoman in a male-dominated genre. She shared that despite facing some initial resistance from certain fans, she’s always felt at home in the metal scene. "I've always felt very at home in the metal (scene)… I was never separated because I was a woman," Sharon revealed. She also reflected on the broader impact her presence—and that of other women—has had on the genre, saying, "The more there is of us, the more diversity, and it makes the scene more interesting." Sharon’s perspective highlights how women in metal have paved the way for future generations, encouraging young female musicians to carve out their own space in the industry.
With their long-awaited Australian side shows scheduled in Brisbane and Melbourne, fans can expect to hear not just their iconic symphonic metal, but a band that's unafraid to speak out on the world’s pressing issues.Catch Within Temptation at Knotfest and Monday 3 March - Princess Theatre, Brisbane, Thursday 6 March - Max Watts, Melbourne.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1027australia,heavy,heavymetal,interview,knotfest,music,podcast,symphonicmetal,tour,withintemptationtruefullhttps://www.spreaker.com/episode/celebrating-25-years-of-american-pie-down-under-with-star-thomas-ian-nicholas--63926245American Pie Emo Night is coming to Australia, celebrating 25 years of the infamous movie American Pie featuring Thomas Nicholas Band. Frontman, Thomas Ian Nicholas is best known as Kevin Myers from the films.
Thomas began his acting career on Who's the Boss? playing a young Tony Danza. At age 12, Nicholas embarked on a series of feature films that would shape his young adult career, including Rookie of the Year, A Kid in King Arthur's Court. By 18 he had recurring roles on hit TV shows like Party of Five and the role of Kevin Myers in the extremely successful American Pie franchise.
Over the last 15 years his band has played over 1000 concerts in 12 countries and released a half dozen studio albums. Thomas' fourth release, a self-titled EP, first single My Generation was included on the American Reunion soundtrack album. The song has received global radio play and is close to 1 million streams on Spotify.
Most recently, their seventh studio album We’re Gonna Be Okay was released by SBÄM Records and Double Helix Records on May 17, 2024 produced by Taylor Carroll (LIT) and includes features from Bowling For Soup, Less than Jake, The Early November and Ayron Jones.
In 2015, Thomas co-write and performed the song All the Way which was included on Blue Traveler's album, Blow Up the Moon and in 2022 Thomas released 1999, a parody to Bowling for Soup's 1985.
Now, for the first time ever, Thomas is headed to Australia to celebrate life, love, music and 25 years of American Pie. HEAVY had a great chat with the great man earlier this week.
"Man, it's really a highlight moment for me that has opened up so many doors," he smiled when asked what American Pie means to him 25 years on. "Here I am 25 years later and the success of this billion dollar franchise is giving me the opportunity to come and tour Australia. The doors that it opens for me just continue to happen, and I'm so thankful."
We ask him what his first impressions were when asked to be in a movie that involved the now infamous pie scene.
"My initial reaction was actually way worse than you could think," he teased. "The first scene in the movie was Kevin and Vicky, not Jim and his sock puppet (laughs). It was Vicky instructing Kevin on which way to use his fingers… we'll let you put the rest of the scene together in your own mind - so I threw the script in the trash and called my agent and said 'why are you sending me porn?"
In the full interview, Thomas relives other moments from the American Pie franchise, discusses his relationship with Ned Kelly, talks about his band - the Thomas Nicholas Band, what to expect from them live, working with Bowling For Soup and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63926245Mon, 27 Jan 2025 07:27:27 +0000HEAVY MagazineInterview by Kris Peters American Pie Emo Night is coming to Australia, celebrating 25 years of the infamous movie American Pie featuring Thomas Nicholas Band. Frontman, Thomas Ian Nicholas is best known as Kevin Myers from the films. Thomas began his...American Pie Emo Night is coming to Australia, celebrating 25 years of the infamous movie American Pie featuring Thomas Nicholas Band. Frontman, Thomas Ian Nicholas is best known as Kevin Myers from the films.
Thomas began his acting career on Who's the Boss? playing a young Tony Danza. At age 12, Nicholas embarked on a series of feature films that would shape his young adult career, including Rookie of the Year, A Kid in King Arthur's Court. By 18 he had recurring roles on hit TV shows like Party of Five and the role of Kevin Myers in the extremely successful American Pie franchise.
Over the last 15 years his band has played over 1000 concerts in 12 countries and released a half dozen studio albums. Thomas' fourth release, a self-titled EP, first single My Generation was included on the American Reunion soundtrack album. The song has received global radio play and is close to 1 million streams on Spotify.
Most recently, their seventh studio album We’re Gonna Be Okay was released by SBÄM Records and Double Helix Records on May 17, 2024 produced by Taylor Carroll (LIT) and includes features from Bowling For Soup, Less than Jake, The Early November and Ayron Jones.
In 2015, Thomas co-write and performed the song All the Way which was included on Blue Traveler's album, Blow Up the Moon and in 2022 Thomas released 1999, a parody to Bowling for Soup's 1985.
Now, for the first time ever, Thomas is headed to Australia to celebrate life, love, music and 25 years of American Pie. HEAVY had a great chat with the great man earlier this week.
"Man, it's really a highlight moment for me that has opened up so many doors," he smiled when asked what American Pie means to him 25 years on. "Here I am 25 years later and the success of this billion dollar franchise is giving me the opportunity to come and tour Australia. The doors that it opens for me just continue to happen, and I'm so thankful."
We ask him what his first impressions were when asked to be in a movie that involved the now infamous pie scene.
"My initial reaction was actually way worse than you could think," he teased. "The first scene in the movie was Kevin and Vicky, not Jim and his sock puppet (laughs). It was Vicky instructing Kevin on which way to use his fingers… we'll let you put the rest of the scene together in your own mind - so I threw the script in the trash and called my agent and said 'why are you sending me porn?"
In the full interview, Thomas relives other moments from the American Pie franchise, discusses his relationship with Ned Kelly, talks about his band - the Thomas Nicholas Band, what to expect from them live, working with Bowling For Soup and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1189americanpie,australia,comedy,emo,heavy,interview,krispeters,movie,podcast,poppunk,punk,rock,thomasiannicholas,thomasnicholasband,tourtruefullhttps://www.spreaker.com/episode/the-gentle-art-of-killing-with-leeno-dee-from-department-of-gloom--63921706They’ve been called Deathrock, Gothcore, and, from one creative soul, “kinda goth punk glam Manson-y metal?” They’ve also been called “a best kept secret”. Although that really began to change since the debut LP was released… Which begs the question: Who the fuck are these guys, then?
Well. Department of Gloom is made up of four, Sydney, Australia based musicians, including ex-members of Florida-based industrial fetish freaks Genitorturers, Sydney heavy industrialists Jerk, and ‘90s glam metal punks Candy Harlots.
And the sound is a potent mix of all these things.
On the live front, Department of Gloom have opened for everybody from Skid Row to Wednesday 13, while also sharing stages with local heavyweights Witchgrinder and Our Last Enemy, and doing their own shows around Australia, picking up quite a following of devotees in the process.
They recently released their eponymously titled 10 track debut on vinyl, LTD edition CD and across streaming services. The CD run sold out quickly, while the LP is in its second pressing. The album was accompanied by two videos, I Dare You and Psycho.
January 24 saw the band's most ambitious and exciting video being released for the track Kill Someone, which also points to the direction Department of Gloom’s sound and style is developing.
The video will be launched with a show at Sydney’s The Duke Hotel, Friday February 7. Of course with everyone being brought up on a diet of early KISS and Alice Cooper, 70’s British glam rock, the gothic punk sounds of The Damned, Cure, and Christian Death, along with a background of industrial metal and so much more, Department Of Gloom are what you end up with when that beautiful mess comes at you in stereo. They may not sound exactly like any of those influences…but there’s a little bit of all of that in there.
And…most importantly. Department Of Gloom are having a whole lot of hellish fun doing what they do. So, Indulge. Enjoy. Never repent…
HEAVY caught up with Leeno Dee to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63921706Mon, 27 Jan 2025 01:14:07 +0000HEAVY MagazineInterview by Kris Peters They’ve been called Deathrock, Gothcore, and, from one creative soul, “kinda goth punk glam Manson-y metal?” They’ve also been called “a best kept secret”. Although that really began to change since the debut LP was released…...They’ve been called Deathrock, Gothcore, and, from one creative soul, “kinda goth punk glam Manson-y metal?” They’ve also been called “a best kept secret”. Although that really began to change since the debut LP was released… Which begs the question: Who the fuck are these guys, then?
Well. Department of Gloom is made up of four, Sydney, Australia based musicians, including ex-members of Florida-based industrial fetish freaks Genitorturers, Sydney heavy industrialists Jerk, and ‘90s glam metal punks Candy Harlots.
And the sound is a potent mix of all these things.
On the live front, Department of Gloom have opened for everybody from Skid Row to Wednesday 13, while also sharing stages with local heavyweights Witchgrinder and Our Last Enemy, and doing their own shows around Australia, picking up quite a following of devotees in the process.
They recently released their eponymously titled 10 track debut on vinyl, LTD edition CD and across streaming services. The CD run sold out quickly, while the LP is in its second pressing. The album was accompanied by two videos, I Dare You and Psycho.
January 24 saw the band's most ambitious and exciting video being released for the track Kill Someone, which also points to the direction Department of Gloom’s sound and style is developing.
The video will be launched with a show at Sydney’s The Duke Hotel, Friday February 7. Of course with everyone being brought up on a diet of early KISS and Alice Cooper, 70’s British glam rock, the gothic punk sounds of The Damned, Cure, and Christian Death, along with a background of industrial metal and so much more, Department Of Gloom are what you end up with when that beautiful mess comes at you in stereo. They may not sound exactly like any of those influences…but there’s a little bit of all of that in there.
And…most importantly. Department Of Gloom are having a whole lot of hellish fun doing what they do. So, Indulge. Enjoy. Never repent…
HEAVY caught up with Leeno Dee to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>758australia,departmentofgloom,glammetal,hardrock,heavy,heavymetal,industrialmetal,interview,music,podcasttruefullhttps://www.spreaker.com/episode/proudly-baring-your-scars-with-bryce-austin-mileto--63780867Since their formation in 2010, the band has shared the stage with renowned artists such as KISS, Peter Criss, Ace Frehley, Bruce Kulick, LA Guns, Buckcherry, The Angels, and more, solidifying their position in the rock music industry.
Their dedication to their craft has earned them a devoted fan base, known as the ‘doll army,’ and critical acclaim from reviewers. Sisters Doll exceptional live performances have left audiences in awe, with their energy and passion shining through in every show.
As they continue to make their mark in the music world, Sisters Doll is set to perform on the Monsters of Rock Cruise out of Miami Florida in March, and they have just been chosen to perform at the Call Of The Wild Festival in May which marks the bands first appearance on UK shores. Make sure to keep an eye out for these rock sensations as they continue to rock stages worldwide.
With the release of their third album Scars recently, HEAVY caught up with Bryce and Austin Mileto to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63780867Sat, 25 Jan 2025 04:00:56 +0000HEAVY MagazineSisters Doll is a group of brothers bonded by blood and rock ‘n’ roll. With a signature melodic rock sound and an electrifying stage presence, Sisters Doll has captivated audiences across the globe, including an unforgettable performance in New York...Since their formation in 2010, the band has shared the stage with renowned artists such as KISS, Peter Criss, Ace Frehley, Bruce Kulick, LA Guns, Buckcherry, The Angels, and more, solidifying their position in the rock music industry.
Their dedication to their craft has earned them a devoted fan base, known as the ‘doll army,’ and critical acclaim from reviewers. Sisters Doll exceptional live performances have left audiences in awe, with their energy and passion shining through in every show.
As they continue to make their mark in the music world, Sisters Doll is set to perform on the Monsters of Rock Cruise out of Miami Florida in March, and they have just been chosen to perform at the Call Of The Wild Festival in May which marks the bands first appearance on UK shores. Make sure to keep an eye out for these rock sensations as they continue to rock stages worldwide.
With the release of their third album Scars recently, HEAVY caught up with Bryce and Austin Mileto to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1557australia,hardrock,heavy,interview,krispeters,music,podcast,rock,sistersdoll,xmusictruefullhttps://www.spreaker.com/episode/powering-through-with-tommy-johansson-from-majestica--63790107Back in 2019, MAJESTICA made a significant impact in the metal community with their debut album, Above The Sky. This album showcased their signature blend of soaring melodies and powerful instrumentation, quickly gaining acclaim and amassing over 17 million streams. It established them as prominent players in the power metal scene, setting high expectations for their future work.
In 2020 then, the band delighted fans with a unique release: a Christmas musical power metal album titled A Christmas Carol. This project beautifully intertwines the classic tale of Ebenezer Scrooge with their symphonic power metal style, drawing inspiration from artists like RHAPSODY and film composers such as Alan Silvestri and Danny Elfman. The album not only highlighted their musical versatility but also offered listeners a captivating retelling of the beloved story, complete with orchestral elements and theatrical storytelling.
Combining the contrasting styles of those last two releases, Power Train sees Majestica at their explosive best, a swirling cavalcade of guitars laying a sonic landscape filled with grandeur and strength.
HEAVY sat down with guitarist/vocals Tommy Johansson to dissect Power Train more.
"The album goes up and down," he explained. "We have a couple of fast songs like you would expect from a power metal band inspired by Helloween, but it also has a couple of heavier songs inspired by Hammerfall, and then we have some 80's songs - there's very much an 80's style to it - and then we have more mid-tempo songs… There's at least one song that anyone could like, depending on what kind of song you're into."
In the full interview, Tommy discussed the single selection process, the themes coursing through Power Train's DNA, the vivid cover and how it represents the album, handling production duties in-house and the benefits and disadvantages of doing so, how Majestica have grown musically over their career, stamping their authority in the power metal scene and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63790107Tue, 21 Jan 2025 20:26:50 +0000HEAVY MagazineMAJESTICA, the symphonic and power metal band from Sweden, is set to embark on an exciting new journey with their upcoming album Power Train, scheduled for release on February 7, 2025. This spellbinding experience awakens sleeping dreams with powerful...Back in 2019, MAJESTICA made a significant impact in the metal community with their debut album, Above The Sky. This album showcased their signature blend of soaring melodies and powerful instrumentation, quickly gaining acclaim and amassing over 17 million streams. It established them as prominent players in the power metal scene, setting high expectations for their future work.
In 2020 then, the band delighted fans with a unique release: a Christmas musical power metal album titled A Christmas Carol. This project beautifully intertwines the classic tale of Ebenezer Scrooge with their symphonic power metal style, drawing inspiration from artists like RHAPSODY and film composers such as Alan Silvestri and Danny Elfman. The album not only highlighted their musical versatility but also offered listeners a captivating retelling of the beloved story, complete with orchestral elements and theatrical storytelling.
Combining the contrasting styles of those last two releases, Power Train sees Majestica at their explosive best, a swirling cavalcade of guitars laying a sonic landscape filled with grandeur and strength.
HEAVY sat down with guitarist/vocals Tommy Johansson to dissect Power Train more.
"The album goes up and down," he explained. "We have a couple of fast songs like you would expect from a power metal band inspired by Helloween, but it also has a couple of heavier songs inspired by Hammerfall, and then we have some 80's songs - there's very much an 80's style to it - and then we have more mid-tempo songs… There's at least one song that anyone could like, depending on what kind of song you're into."
In the full interview, Tommy discussed the single selection process, the themes coursing through Power Train's DNA, the vivid cover and how it represents the album, handling production duties in-house and the benefits and disadvantages of doing so, how Majestica have grown musically over their career, stamping their authority in the power metal scene and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>740heavy,heavymetal,interview,krispeters,majestica,music,nuclearblastrecords,podcast,powermetal,rocktruefullhttps://www.spreaker.com/episode/going-out-on-your-own-terms-with-jon-toogood-from-shihad--63766823For the better part of three decades New Zealand rock outfit Shihad have ruled the proverbial roost, with albums like The General Electric, Pacifier, and even their most recent offering Old Gods showcasing an unflinching course of rock DNA to satisfy even the harshest of critics.
Songs like My Minds Sedate, Pacifier, Home Again and Tear Down Those Names became the go-to-songs on pub jukeboxes everywhere, but it was in the live domain where Shihad excelled. Frontman Jon Toogood's energy and vibrancy each time the band hit the stage has always been infectious, enabling Shihad to thrive on a variety of levels to a mixed bag of audiences.
Put simply, they deservedly command respect in the same league of bands like AC/DC, Rose Tattoo and Grinspoon in the annals of Australian/New Zealand rock history.
But, as inevitably happens to everything, Shihad's time is drawing to an end, choosing to go out on their own merits instead of waiting for the axe of public expectation to fall. With a series of farewell shows planned between Australia and New Zealand before the band's official changing of the guard in their hometown of Wellington on March 15, Toogood sat down with HEAVY to say goodbye.
The Shihad way.
"At the moment people are saying 'these shows must be emotional'," he smiled, "but it's more like, no, these shows are wicked because we've rehearsed hard, and we're playing a lot of stuff that's quite challenging and quite different to what we've played in the past. Obviously we're going to have to play the bangers - which is totally cool because we love those songs and there's reasons why they are bangers - but we're doing deep dives into records that we've never done before. It keeps you on your toes. We're not gonna be phoning these shows in. We have to work, which is great, and I like that."
In the full interview, Jon talks more about the shows and what to expect, the reasons behind calling it a day, the New Zealand shows late last year and how the fans reacted, maintaining energy and enthusiasm for performing as he gets older, playing The General Electric and Pacifier in full at select shows, what he will miss most about being in Shihad and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63766823Mon, 20 Jan 2025 18:45:49 +0000HEAVY MagazineInterview by Kris Peters For the better part of three decades New Zealand rock outfit Shihad have ruled the proverbial roost, with albums like The General Electric, Pacifier, and even their most recent offering Old Gods showcasing an unflinching...For the better part of three decades New Zealand rock outfit Shihad have ruled the proverbial roost, with albums like The General Electric, Pacifier, and even their most recent offering Old Gods showcasing an unflinching course of rock DNA to satisfy even the harshest of critics.
Songs like My Minds Sedate, Pacifier, Home Again and Tear Down Those Names became the go-to-songs on pub jukeboxes everywhere, but it was in the live domain where Shihad excelled. Frontman Jon Toogood's energy and vibrancy each time the band hit the stage has always been infectious, enabling Shihad to thrive on a variety of levels to a mixed bag of audiences.
Put simply, they deservedly command respect in the same league of bands like AC/DC, Rose Tattoo and Grinspoon in the annals of Australian/New Zealand rock history.
But, as inevitably happens to everything, Shihad's time is drawing to an end, choosing to go out on their own merits instead of waiting for the axe of public expectation to fall. With a series of farewell shows planned between Australia and New Zealand before the band's official changing of the guard in their hometown of Wellington on March 15, Toogood sat down with HEAVY to say goodbye.
The Shihad way.
"At the moment people are saying 'these shows must be emotional'," he smiled, "but it's more like, no, these shows are wicked because we've rehearsed hard, and we're playing a lot of stuff that's quite challenging and quite different to what we've played in the past. Obviously we're going to have to play the bangers - which is totally cool because we love those songs and there's reasons why they are bangers - but we're doing deep dives into records that we've never done before. It keeps you on your toes. We're not gonna be phoning these shows in. We have to work, which is great, and I like that."
In the full interview, Jon talks more about the shows and what to expect, the reasons behind calling it a day, the New Zealand shows late last year and how the fans reacted, maintaining energy and enthusiasm for performing as he gets older, playing The General Electric and Pacifier in full at select shows, what he will miss most about being in Shihad and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>905australia,hardrock,heavy,interview,jontoogood,krispeters,music,newzealand,podcast,rock,shihad,tourtruefullhttps://www.spreaker.com/episode/building-an-empire-with-andrea-ferro-from-lacuna-coil--63680743Despite four decades of servitude to their craft, Italian metal legends Lacuna Coil are still invested in their music.
The band could easily rest on their laurels and slowly ease into oblivion after their servitude to the industry, but instead they continue on their quest for personal musical fulfilment to satiate their own hunger.
Many considered their 2022 reimagining of Comalies as a swansong of sorts for Lacuna Coil, some even thinking it to be a fittingly triumphant and grandiose way to go out by coming full circle with their music.
But they were wrong. Serving to actually align the past, present and future of Lacuna Coil, Comalies XX provided them with the musical freedom to embark on another chapter of their musical journey that begins with the release of Sleepless Empire on February 14. It is not that Lacuna Coil have reinvented themselves or their music, it's more that the band have found new ways of expressing themselves that promises to be the start of something special. HEAVY sat down with vocalist Andrea Ferro for a chat to talk about the new album and the process of bringing it to life. 
"We can't wait for people to hear it," he smiled. "It's a good compilation of mixing of the old school sound of Lacuna Coil with some newer influences. It's quite a heavy, dark record altogether."
Sleepless Empire will be the tenth studio album put out by Lacuna Coil, but according to Ferro the band members still get that familiar twang of excitement with every release.
"We're very excited because we love touring a new album," he affirmed. "We love the reaction of the people when they hear the new songs, so it's still a challenging process. It takes a long time for us to work a record. We don't release albums just to release it. Actually, after all these years we want to release when we have something new to offer, something new to say. If we wouldn't like any more what we do, then we would quit. There's too much energy and effort to be put in with what we do in front of a new album cycle to not be loving it."
In the full interview, Andrea dives deeper into the musicality on Sleepless Empire, starting a new chapter of Lacuna Coil's music and what it means moving forward, the singles released and how they represent the album as a whole, the two guest artists and what they each brought to the table, if writing music becomes easier or harder the more you put out, being labelled as genre-specific and how it can affect a bands career, touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63680743Mon, 20 Jan 2025 17:24:45 +0000HEAVY MagazineInterview by Kris Peters Despite four decades of servitude to their craft, Italian metal legends Lacuna Coil are still invested in their music. The band could easily rest on their laurels and slowly ease into oblivion after their servitude to the...Despite four decades of servitude to their craft, Italian metal legends Lacuna Coil are still invested in their music.
The band could easily rest on their laurels and slowly ease into oblivion after their servitude to the industry, but instead they continue on their quest for personal musical fulfilment to satiate their own hunger.
Many considered their 2022 reimagining of Comalies as a swansong of sorts for Lacuna Coil, some even thinking it to be a fittingly triumphant and grandiose way to go out by coming full circle with their music.
But they were wrong. Serving to actually align the past, present and future of Lacuna Coil, Comalies XX provided them with the musical freedom to embark on another chapter of their musical journey that begins with the release of Sleepless Empire on February 14. It is not that Lacuna Coil have reinvented themselves or their music, it's more that the band have found new ways of expressing themselves that promises to be the start of something special. HEAVY sat down with vocalist Andrea Ferro for a chat to talk about the new album and the process of bringing it to life. 
"We can't wait for people to hear it," he smiled. "It's a good compilation of mixing of the old school sound of Lacuna Coil with some newer influences. It's quite a heavy, dark record altogether."
Sleepless Empire will be the tenth studio album put out by Lacuna Coil, but according to Ferro the band members still get that familiar twang of excitement with every release.
"We're very excited because we love touring a new album," he affirmed. "We love the reaction of the people when they hear the new songs, so it's still a challenging process. It takes a long time for us to work a record. We don't release albums just to release it. Actually, after all these years we want to release when we have something new to offer, something new to say. If we wouldn't like any more what we do, then we would quit. There's too much energy and effort to be put in with what we do in front of a new album cycle to not be loving it."
In the full interview, Andrea dives deeper into the musicality on Sleepless Empire, starting a new chapter of Lacuna Coil's music and what it means moving forward, the singles released and how they represent the album as a whole, the two guest artists and what they each brought to the table, if writing music becomes easier or harder the more you put out, being labelled as genre-specific and how it can affect a bands career, touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1091gothicmetal,heavy,heavymetal,interview,krispeters,lacunacoil,music,podcast,rocktruefullhttps://www.spreaker.com/episode/you-me-at-six-start-final-australian-tour-this-week-20-years-of-rock-with-josh-franceschi--63764858YOU ME AT SIX are one of the most beloved British rock bands of all time, having delivered multiple number 1 albums, dominating charts, racking up hundreds of millions of streams, selling out arenas and headlining festivals; and along the way crafting some of the catchiest pop-rock anthems of their generation. Bite My Tongue, Take on the World, Underdog, Beautiful Way, Room to Breathe… the list of classics seems almost endless. The band’s revival of infectious and spirited pop-rock earned them a mass of fans worldwide, seeing them sell out show after show across the globe.
Choosing to bring such a storied 20-year career to an end cannot be easy. Doing so with your original line-up, on your own terms, and with the band members remaining best of friends is unheard of. But as the saying goes, go out at the top of your game and You Me At Six are certainly doing that.
Having shocked the rock world recently by announcing their imminent demise, the band are setting out on their greatest tour, delivering a career-spanning 2-hour set and determined to leave the fans with a truly special performance to remember them by. “We’ve got a plan to play songs from every single album and make it a real victory lap. And everyone feels like that. We’ve looked at the setlists and gone, ‘Cool – those five can stay, the rest is going to be stuff we haven’t done for years. We want to have 50 songs ready to go so that each night we can constantly mix it up and make it special.”
“When we started YMAS we were kids. We only ever wanted to travel and to experience life as a group of friends. We feel like on the eve of our 20th anniversary as a band, now is a good time to call time. “We’re in a fortunate position where our fans still want to see us live and come celebrate the life of this band. So that is what we will do for 2024 and 2025. We can’t wait to see our fans on the road.” explains frontman Josh Franceschi.
Dave Griffiths caught up with Josh to find out a little more about what to expect and how much fun the band plans to have on their final tour to this country.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63764858Mon, 20 Jan 2025 15:46:14 +0000HEAVY MagazineYou Me At Six are set to kick off their Australian tour this week, starting in Brisbane on January 24. The run of shows - that extends through Sydney, Melbourne, Adelaide and Perth - will feature very special guests Holding Absence, the band British...YOU ME AT SIX are one of the most beloved British rock bands of all time, having delivered multiple number 1 albums, dominating charts, racking up hundreds of millions of streams, selling out arenas and headlining festivals; and along the way crafting some of the catchiest pop-rock anthems of their generation. Bite My Tongue, Take on the World, Underdog, Beautiful Way, Room to Breathe… the list of classics seems almost endless. The band’s revival of infectious and spirited pop-rock earned them a mass of fans worldwide, seeing them sell out show after show across the globe.
Choosing to bring such a storied 20-year career to an end cannot be easy. Doing so with your original line-up, on your own terms, and with the band members remaining best of friends is unheard of. But as the saying goes, go out at the top of your game and You Me At Six are certainly doing that.
Having shocked the rock world recently by announcing their imminent demise, the band are setting out on their greatest tour, delivering a career-spanning 2-hour set and determined to leave the fans with a truly special performance to remember them by. “We’ve got a plan to play songs from every single album and make it a real victory lap. And everyone feels like that. We’ve looked at the setlists and gone, ‘Cool – those five can stay, the rest is going to be stuff we haven’t done for years. We want to have 50 songs ready to go so that each night we can constantly mix it up and make it special.”
“When we started YMAS we were kids. We only ever wanted to travel and to experience life as a group of friends. We feel like on the eve of our 20th anniversary as a band, now is a good time to call time. “We’re in a fortunate position where our fans still want to see us live and come celebrate the life of this band. So that is what we will do for 2024 and 2025. We can’t wait to see our fans on the road.” explains frontman Josh Franceschi.
Dave Griffiths caught up with Josh to find out a little more about what to expect and how much fun the band plans to have on their final tour to this country.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>953australia,heavy,holdingabsence,interview,joshfranceschi,podcast,rock,thephoenix,tour,youmeatsixtruefullhttps://www.spreaker.com/episode/mike-tramp-s-white-lion-a-roaring-return-to-australia-with-new-renditions-and-classic-hits--63762843Mike Tramp, the iconic frontman of White Lion, is gearing up for his highly anticipated return to Australia. After a long absence since 2008, Tramp is excited to reconnect with fans down under and perform with a new lineup, including seasoned musicians Marcus Nand, Jerry Best, and Brent Arcement. 
Reflecting on his journey, Tramp shared with us how he embraced Australia as his home back in 1999, moving to Tasmania and later Melbourne. Despite the changes in the music industry, Tramp's dedication to music never wavered, and his passion for performing has led him to revisit the classic White Lion catalogue.
In an interview with HEAVY, Tramp spoke candidly about reinterpreting White Lion's songs for today's audience. “Now it's really a matter of going out there and performing the songs… 100% about the music and the songs,” he explained. His approach to re-imagining the band's hits stems from years of personal and musical growth, including an evolution of his vocal style and musical vision. Tramp emphasised that the new renditions of White Lion's songs would reflect a more mature and refined approach, with a fresh yet faithful interpretation.
Fans can expect a memorable experience that blends nostalgia with maturity, as Tramp and his band focus on the music rather than the theatrics. “It’s almost like they (the songs) became fatter and fuller and not so gung-ho,” Tramp said, explaining how his band has evolved into a more relaxed, confident unit on stage.
While the tour will showcase classic hits, Tramp's upcoming set list will also feature deeper cuts like Lady of the Valley and Cry for Freedom, with a few surprises for long-time fans. His passion for delivering authentic performances, paired with his rich history of collaboration, ensures that this tour will be a celebration of both past and present.
Mike Tramp’s return to Australia is not only a tour of White Lion's music but a homecoming, bringing full circle the journey of a man who’s lived and thrived through many musical chapters. Fans can look forward to seeing a band that plays not just for the applause, but for the love of the music itself.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63762843Mon, 20 Jan 2025 13:05:17 +0000HEAVY MagazineInterview by Angela Croudace Mike Tramp, the iconic frontman of White Lion, is gearing up for his highly anticipated return to Australia. After a long absence since 2008, Tramp is excited to reconnect with fans down under and perform with a new...Mike Tramp, the iconic frontman of White Lion, is gearing up for his highly anticipated return to Australia. After a long absence since 2008, Tramp is excited to reconnect with fans down under and perform with a new lineup, including seasoned musicians Marcus Nand, Jerry Best, and Brent Arcement. 
Reflecting on his journey, Tramp shared with us how he embraced Australia as his home back in 1999, moving to Tasmania and later Melbourne. Despite the changes in the music industry, Tramp's dedication to music never wavered, and his passion for performing has led him to revisit the classic White Lion catalogue.
In an interview with HEAVY, Tramp spoke candidly about reinterpreting White Lion's songs for today's audience. “Now it's really a matter of going out there and performing the songs… 100% about the music and the songs,” he explained. His approach to re-imagining the band's hits stems from years of personal and musical growth, including an evolution of his vocal style and musical vision. Tramp emphasised that the new renditions of White Lion's songs would reflect a more mature and refined approach, with a fresh yet faithful interpretation.
Fans can expect a memorable experience that blends nostalgia with maturity, as Tramp and his band focus on the music rather than the theatrics. “It’s almost like they (the songs) became fatter and fuller and not so gung-ho,” Tramp said, explaining how his band has evolved into a more relaxed, confident unit on stage.
While the tour will showcase classic hits, Tramp's upcoming set list will also feature deeper cuts like Lady of the Valley and Cry for Freedom, with a few surprises for long-time fans. His passion for delivering authentic performances, paired with his rich history of collaboration, ensures that this tour will be a celebration of both past and present.
Mike Tramp’s return to Australia is not only a tour of White Lion's music but a homecoming, bringing full circle the journey of a man who’s lived and thrived through many musical chapters. Fans can look forward to seeing a band that plays not just for the applause, but for the love of the music itself.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1192australia,hardrock,heavy,interview,miketramp,music,podcast,rock,silverbacktouring,tour,whiteliontruefullhttps://www.spreaker.com/episode/keeping-rock-alive-with-tailor-made-rejects--63747010Self-funded and put together by a group of Australian music lovers who aim to help nurture and promote the wealth of talent in our own backyard, Rock Is Not Dead will feature 8 of the hottest bands from around the country, each with their own unique flair and passion for music.
Headliners Avalanche (the next big thing), Tailor Made Rejects (the unapologetic alt. rockers), Snake Bite Whisky (the kings of sleaze), Black Whiskey (pure Aussie rock), Stone Rising (underrated icons), Whiskey On The Rox (a crowd-pleasing 80s cover band), Goatzilla (legends of the live show), and Slythr (the up-and-coming rock prodigies) will assemble over one afternoon/night of live music unlike anything seen in the Bayside of Brisbane, over one stage with no clashes or scheduling conflicts.
Today we catch up with one of the bands, Tailor Made Rejects, who returned late last year with a triumphant new single Hurt People and promise more of the same on February 1.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63747010Sun, 19 Jan 2025 01:21:20 +0000HEAVY MagazineThe Koala Tavern in Capalaba will host the inaugural Rock Is Not Dead Festival on February 1, 2025. Self-funded and put together by a group of Australian music lovers who aim to help nurture and promote the wealth of talent in our own backyard, Rock...Self-funded and put together by a group of Australian music lovers who aim to help nurture and promote the wealth of talent in our own backyard, Rock Is Not Dead will feature 8 of the hottest bands from around the country, each with their own unique flair and passion for music.
Headliners Avalanche (the next big thing), Tailor Made Rejects (the unapologetic alt. rockers), Snake Bite Whisky (the kings of sleaze), Black Whiskey (pure Aussie rock), Stone Rising (underrated icons), Whiskey On The Rox (a crowd-pleasing 80s cover band), Goatzilla (legends of the live show), and Slythr (the up-and-coming rock prodigies) will assemble over one afternoon/night of live music unlike anything seen in the Bayside of Brisbane, over one stage with no clashes or scheduling conflicts.
Today we catch up with one of the bands, Tailor Made Rejects, who returned late last year with a triumphant new single Hurt People and promise more of the same on February 1.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>937alternativerock,australia,hardrock,heavy,interview,koalatavern,krispeters,music,podcast,rock,rockisnotdead,tailormaderejectstruefullhttps://www.spreaker.com/episode/putting-the-ka-boom-back-into-music-with-josh-morgan-from-fist--63685621Sometimes playing nice doesn't get the desired results, especially in music.
To really get to know yourself, your bandmates, and your audience, stepping into a studio and cutting some tracks with more polish than Mr. Sheen is often a band aid fix to a bandage problem. Any inconsistencies and/or inadequacies can be ironed out with creative technology and by the time you make it to the stage in a live environment, you are not only suffering from an inflated ego, but, more importantly, the sudden knowledge that without studio gadgets you're actually not very good.
Newcastle noise merchants FIST decided to do the opposite, knocking out hard yards on the touring circuit and playing more than 70 shows in front of new faces before offering up their first studio single KA-BOOM (MTHRFCKR). And if this one song is anything to go by, their bold move has paid off.
KA-BOOM (MTHRFCKR) is being premiered via HEAVY at 5pm AEDT on Wednesday, January 15 before being officially released through other channels two days later. The song hits with the subtlety of Thor's hammer and is a welcome breath of savage air that hopefully will continue long into the coming year.
Pretty much everything FIST has done so far is the opposite to what you would read in the modern age "How To Make It In Music" guide. But also, pretty much everything FIST has done so far has proved you don't need to follow rules. There are no rules in music. Isn't that part of the magic of the industry?
HEAVY spoke with FIST pumper Josh Morgan to find out more and start by thanking the band for a late sonic Christmas present.
"It's a very late Christmas present," he countered. "It should have been out a year before, but we're finally getting into it. We did a live album so we could try and get as much out of those songs as we can before we have to actually pay all the money to record them (laughs)."
In the full interview we talk about the band's different approach to establishing a fan base, if it worked, the benefits of road testing songs for a prolonged period before committing them to file, why they chose KA-BOOM (MTHRFCKR) as the first song to record, what to expect musically, upcoming shows, censoring your own music to an extent so as not to offend people and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63685621Tue, 14 Jan 2025 14:45:37 +0000HEAVY MagazineInterview by Kris Peters Sometimes playing nice doesn't get the desired results, especially in music. To really get to know yourself, your bandmates, and your audience, stepping into a studio and cutting some tracks with more polish than Mr. Sheen is...Sometimes playing nice doesn't get the desired results, especially in music.
To really get to know yourself, your bandmates, and your audience, stepping into a studio and cutting some tracks with more polish than Mr. Sheen is often a band aid fix to a bandage problem. Any inconsistencies and/or inadequacies can be ironed out with creative technology and by the time you make it to the stage in a live environment, you are not only suffering from an inflated ego, but, more importantly, the sudden knowledge that without studio gadgets you're actually not very good.
Newcastle noise merchants FIST decided to do the opposite, knocking out hard yards on the touring circuit and playing more than 70 shows in front of new faces before offering up their first studio single KA-BOOM (MTHRFCKR). And if this one song is anything to go by, their bold move has paid off.
KA-BOOM (MTHRFCKR) is being premiered via HEAVY at 5pm AEDT on Wednesday, January 15 before being officially released through other channels two days later. The song hits with the subtlety of Thor's hammer and is a welcome breath of savage air that hopefully will continue long into the coming year.
Pretty much everything FIST has done so far is the opposite to what you would read in the modern age "How To Make It In Music" guide. But also, pretty much everything FIST has done so far has proved you don't need to follow rules. There are no rules in music. Isn't that part of the magic of the industry?
HEAVY spoke with FIST pumper Josh Morgan to find out more and start by thanking the band for a late sonic Christmas present.
"It's a very late Christmas present," he countered. "It should have been out a year before, but we're finally getting into it. We did a live album so we could try and get as much out of those songs as we can before we have to actually pay all the money to record them (laughs)."
In the full interview we talk about the band's different approach to establishing a fan base, if it worked, the benefits of road testing songs for a prolonged period before committing them to file, why they chose KA-BOOM (MTHRFCKR) as the first song to record, what to expect musically, upcoming shows, censoring your own music to an extent so as not to offend people and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>929australia,fist,garagepunk,hardcore,heavy,interview,krispeters,music,podcast,premiere,punktruefullhttps://www.spreaker.com/episode/throwing-your-toys-out-of-the-cot-with-brae-fisher-from-dear-seattle--63681134With a distinctive Aussie tinge to their emotive and propulsive wares, Dear Seattle first emerged onto the scene back in 2013, releasing their debut EP Words Are Often Useless that same year. Following a second EP release, 2017's self-titled Dear Seattle, the Northern Beaches-hailing group solidified their presence with their first ever full-length album Don't Let Go in 2019, also securing the group a #10 spot on the ARIA Australian Album Charts.
Unleashing their powerful sophomore album Someday in 2022, Dear Seattle expanded their legacy to even greater heights, with Someday debuting at #4 on the ARIA Australian Album Charts, a Spotlight Album feature on triple j, and Rolling Stone declaring that "Dear Seattle is born again".
But with success comes greater responsibility (or something like that), and Dear Seattle are certainly under the microscope of public and media scrutiny as they prepare to unleash their third album Toy this Friday, January 27. Not that you would know it.
Four of the six album launch parties Dear Seattle hosted around the country in the lead up to Christmas were sold out, not a bad effort in a time where crowds and the music industry in general have basically come to a stand still.With four shows left to complete the tour - the first of which will be in Canberra this Thursday - focus now switches to Friday's release of Toy.
Will it live up to the hype? Will it live up to the expectation? Will Toy make Dear Seattle bigger than Nirvana? HEAVY caught up with frontman Brae Fisher to find out the answers to these questions and more.
"We've just done a few interviews before this, and it's so nice to chat about the album and kind of let everyone in on the process of what we've been doing for the last two years or so," he enthused. "I'm super excited. All the lead-up has been great. The energy's good. The shows have been awesome. I couldn't be more stoked."
In the full interview, Brae talks more about Dear Seattle's new album Toy, what to expect musically, the process of deciding which tracks make it onto the album, the importance of growing musically while still staying true to your musical DNA, the singles released and how they represent the album as a whole, the nostalgic truth behind the album title, their remaining album launch shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63681134Tue, 14 Jan 2025 03:57:21 +0000HEAVY MagazineSydney rock outfit Dear Seattle epitomize the current wave of emerging Australian bands. With a distinctive Aussie tinge to their emotive and propulsive wares, Dear Seattle first emerged onto the scene back in 2013, releasing their debut EP Words Are...With a distinctive Aussie tinge to their emotive and propulsive wares, Dear Seattle first emerged onto the scene back in 2013, releasing their debut EP Words Are Often Useless that same year. Following a second EP release, 2017's self-titled Dear Seattle, the Northern Beaches-hailing group solidified their presence with their first ever full-length album Don't Let Go in 2019, also securing the group a #10 spot on the ARIA Australian Album Charts.
Unleashing their powerful sophomore album Someday in 2022, Dear Seattle expanded their legacy to even greater heights, with Someday debuting at #4 on the ARIA Australian Album Charts, a Spotlight Album feature on triple j, and Rolling Stone declaring that "Dear Seattle is born again".
But with success comes greater responsibility (or something like that), and Dear Seattle are certainly under the microscope of public and media scrutiny as they prepare to unleash their third album Toy this Friday, January 27. Not that you would know it.
Four of the six album launch parties Dear Seattle hosted around the country in the lead up to Christmas were sold out, not a bad effort in a time where crowds and the music industry in general have basically come to a stand still.With four shows left to complete the tour - the first of which will be in Canberra this Thursday - focus now switches to Friday's release of Toy.
Will it live up to the hype? Will it live up to the expectation? Will Toy make Dear Seattle bigger than Nirvana? HEAVY caught up with frontman Brae Fisher to find out the answers to these questions and more.
"We've just done a few interviews before this, and it's so nice to chat about the album and kind of let everyone in on the process of what we've been doing for the last two years or so," he enthused. "I'm super excited. All the lead-up has been great. The energy's good. The shows have been awesome. I couldn't be more stoked."
In the full interview, Brae talks more about Dear Seattle's new album Toy, what to expect musically, the process of deciding which tracks make it onto the album, the importance of growing musically while still staying true to your musical DNA, the singles released and how they represent the album as a whole, the nostalgic truth behind the album title, their remaining album launch shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1007australia,dearseattle,hardrock,heavy,interview,krispeters,music,podcast,rock,toytruefullhttps://www.spreaker.com/episode/morbid-visions-with-max-cavalera-part-2--63661471Over the last couple of years, Max and Iggor Cavalera revisited their first three releases, Morbid Visions, Bestial Devastation, and Schizophrenia, re-recording them for Nuclear Blast Records with a new level of intensity that impossibly captures the raw, youthful and trademark sounds of these iconic and pioneering releases. This month will see them bring the songs that laid the groundwork for not just their own legacy, but that of both the death and thrash metal genres, to Australia for a series of live offerings that will add yet another chapter to their non-stop commitment to extreme metal.
HEAVY caught up with Max Cavalera for a chat so good we have had to split it over two weeks. In today's second chapter, Max delves into his mindset when he went into the studio to revisit music from his past, how the new versions of all three albums are an improvement on the original, his thoughts on how the albums would have been received back then had they been recorded using the knowledge and experience he has today, the emotions that pass over him every time he steps on stage, the blending of experience and youthful exuberance in Cavalera that ensures the ball keeps rolling and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63661471Sun, 12 Jan 2025 03:41:38 +0000HEAVY MagazineCavalera is a name with its fingerprints all over the history of heavy metal, an inspiring family legacy built upon decades of musical aggression, starting all the way back in 1984 in Brazil with Sepultura. Over the last couple of years, Max and Iggor...Over the last couple of years, Max and Iggor Cavalera revisited their first three releases, Morbid Visions, Bestial Devastation, and Schizophrenia, re-recording them for Nuclear Blast Records with a new level of intensity that impossibly captures the raw, youthful and trademark sounds of these iconic and pioneering releases. This month will see them bring the songs that laid the groundwork for not just their own legacy, but that of both the death and thrash metal genres, to Australia for a series of live offerings that will add yet another chapter to their non-stop commitment to extreme metal.
HEAVY caught up with Max Cavalera for a chat so good we have had to split it over two weeks. In today's second chapter, Max delves into his mindset when he went into the studio to revisit music from his past, how the new versions of all three albums are an improvement on the original, his thoughts on how the albums would have been received back then had they been recorded using the knowledge and experience he has today, the emotions that pass over him every time he steps on stage, the blending of experience and youthful exuberance in Cavalera that ensures the ball keeps rolling and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>535australia,cavalera,heavy,interview,krispeters,maxcavaera,music,podcast,sepultura,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/goblin-infused-metal-storms-with-alex-alereza-from-nekrogoblikon--63644269Fronted by their ostentatious singing goblin hypeman John Goblikon and new screaming vocalist Dickie Allen (Infant Annihilator) the band takes cues from GWAR, Finntroll, and Dethklok, while maintaining a humorous, self-referential style.
For those unfamiliar with Nekrogoblikon unfortunately there isn't much HEAVY can do to help you understand the band on a more personal level, but the next best thing is to introduce the faithful and the new to guitarist Alex Alereza who we spoke with over two conversations about three weeks apart…
We put Alex straight on the spot by asking how Nekrogoblikon have managed to avoid Australia for so long.
"It's not on purpose, I promise that," he laughed. "We've been talking about it forever, and it's been something that we tried to make happen. There's been a few times there were tentative plans and then some kind of logistical nightmare occurred or something. Luckily this time we finally… our team was persistent this time (laughs). Like, we have to get you guys out there. It's the perfect way for us to do Australia for the first time, with another like-minded, fun band. I already feel like we'll be coming back more often after this."
In the full interview we spoke about the touring dynamics between Nekrogoblikon and Alestorm, what he is expecting from Australian crowds, the importance of keeping music fun, the role of their resident Goblin in everything from the live show to production to recording, the modern sanitized musical climate and where Nekrogoblikon sit in that respect, their musical mish mash of genres and why it works, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63644269Fri, 10 Jan 2025 22:07:39 +0000HEAVY MagazineHeeding the call for their first odyssey to Australia and handed the highly important task of hyping up the party hungry, NEKROGOBLIKON - the self-proclaimed Kings of Goblin Metal - promise to deliver a unique blend of melodic rock and gnarly death...Fronted by their ostentatious singing goblin hypeman John Goblikon and new screaming vocalist Dickie Allen (Infant Annihilator) the band takes cues from GWAR, Finntroll, and Dethklok, while maintaining a humorous, self-referential style.
For those unfamiliar with Nekrogoblikon unfortunately there isn't much HEAVY can do to help you understand the band on a more personal level, but the next best thing is to introduce the faithful and the new to guitarist Alex Alereza who we spoke with over two conversations about three weeks apart…
We put Alex straight on the spot by asking how Nekrogoblikon have managed to avoid Australia for so long.
"It's not on purpose, I promise that," he laughed. "We've been talking about it forever, and it's been something that we tried to make happen. There's been a few times there were tentative plans and then some kind of logistical nightmare occurred or something. Luckily this time we finally… our team was persistent this time (laughs). Like, we have to get you guys out there. It's the perfect way for us to do Australia for the first time, with another like-minded, fun band. I already feel like we'll be coming back more often after this."
In the full interview we spoke about the touring dynamics between Nekrogoblikon and Alestorm, what he is expecting from Australian crowds, the importance of keeping music fun, the role of their resident Goblin in everything from the live show to production to recording, the modern sanitized musical climate and where Nekrogoblikon sit in that respect, their musical mish mash of genres and why it works, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>961alestorm,australia,goblin,goblinmetal,heavy,heavymetal,interview,krispeters,nekrogoblikon,podcast,soundworks,soundworkstouring,tourtruefullhttps://www.spreaker.com/episode/morbid-visions-with-max-cavalera-part-1--63635152Over the last couple of years, Max and Iggor Cavalera revisited their first three releases, Morbid Visions, Bestial Devastation, and Schizophrenia, re-recording them for Nuclear Blast Records with a new level of intensity that impossibly captures the raw, youthful and trademark sounds of these iconic and pioneering releases. This month will see them bring the songs that laid the groundwork for not just their own legacy, but that of both the death and thrash metal genres, to Australia for a series of live offerings that will add yet another chapter to their non-stop commitment to extreme metal.
HEAVY caught up with Max Cavalera for a chat so good we have had to split it over two weeks…
"Nostalgic brutality brother," he smiled when asked what delights Cavalera have planned for us. "Let me break it down for you why I say nostalgic brutality. It's because it's the closest thing you can get to 1980s Brazil extreme metal scene. Morbid Visions, Bestial devastation, Schizophrenia… it's the brutality of those records, the way they're meant to sound, the way we meant them to sound. Just like the re-recordings, except it's live. It's all real, live shit. No gimmicks. No other crap. It's plug your amp and go."
In the full interview, we discuss the set list in more detail, including potential cover songs and new tracks from re-recorded albums. Max shared his emotional experience of performing alongside family members, highlighting the unique chemistry between seasoned and younger musicians, and likening their bond to a "mafia" that ensures a lasting musical legacy. He also elaborated on the motivation behind re-recording classic albums, driven by a desire to enhance sound quality while maintaining the raw essence of the originals, identifying Schizophrenia as the standout performance and Morbid Visions as his favorite for its sonic qualities.
Max introduced the other members of the band besides himself and Iggor, their plans on how to re-record those three classic albums to improve on the originals, what things they focused on and more.
In part 2, coming next week, we talk about his mindset going into the studio, any difficulties he may have faced, what memories revisiting the albums brought back, having his son with him for the new recordings and plenty of other stuff.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63635152Fri, 10 Jan 2025 09:13:58 +0000HEAVY MagazineCavalera is a name with its fingerprints all over the history of heavy metal, an inspiring family legacy built upon decades of musical aggression, starting all the way back in 1984 in Brazil with Sepultura. Over the last couple of years, Max and Iggor...Over the last couple of years, Max and Iggor Cavalera revisited their first three releases, Morbid Visions, Bestial Devastation, and Schizophrenia, re-recording them for Nuclear Blast Records with a new level of intensity that impossibly captures the raw, youthful and trademark sounds of these iconic and pioneering releases. This month will see them bring the songs that laid the groundwork for not just their own legacy, but that of both the death and thrash metal genres, to Australia for a series of live offerings that will add yet another chapter to their non-stop commitment to extreme metal.
HEAVY caught up with Max Cavalera for a chat so good we have had to split it over two weeks…
"Nostalgic brutality brother," he smiled when asked what delights Cavalera have planned for us. "Let me break it down for you why I say nostalgic brutality. It's because it's the closest thing you can get to 1980s Brazil extreme metal scene. Morbid Visions, Bestial devastation, Schizophrenia… it's the brutality of those records, the way they're meant to sound, the way we meant them to sound. Just like the re-recordings, except it's live. It's all real, live shit. No gimmicks. No other crap. It's plug your amp and go."
In the full interview, we discuss the set list in more detail, including potential cover songs and new tracks from re-recorded albums. Max shared his emotional experience of performing alongside family members, highlighting the unique chemistry between seasoned and younger musicians, and likening their bond to a "mafia" that ensures a lasting musical legacy. He also elaborated on the motivation behind re-recording classic albums, driven by a desire to enhance sound quality while maintaining the raw essence of the originals, identifying Schizophrenia as the standout performance and Morbid Visions as his favorite for its sonic qualities.
Max introduced the other members of the band besides himself and Iggor, their plans on how to re-record those three classic albums to improve on the originals, what things they focused on and more.
In part 2, coming next week, we talk about his mindset going into the studio, any difficulties he may have faced, what memories revisiting the albums brought back, having his son with him for the new recordings and plenty of other stuff.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>822australia,cavalera,destroyalllines,heavy,heavymetal,interview,krispeters,maxcavalera,podcast,sepultura,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/playing-angelmaker-to-sylosis-on-aussie-tour-with-krys-nathaniel-smith-from-lune--63632732But don't mention that to rising Australian metalcore outfit Lune, who will be doing just that when the Australian tour kicks off in Perth on February 11. Not that they won't agree with you, it's more that the band already know and are more than ready for the challenge.
HEAVY caught up with founding members and brothers Nathaniel (vocals) and Krys Smith (guitar) to find out more.
"I'm particularly nervous," Krys began, "because Sylosis are one of those bands that I found when I was formative with my guitar playing. I remember watching a video with Josh (Middleton) teaching how to sweep, and I was just learning to play guitar at the time. So it's pretty hectic for me to be playing shows with that guy. I'm super keen. Just in the process of putting a set together and making sure the nuts and bolts are nice and tight. Very, very excited."
In the full interview, the band spoke more about the honour of playing with bands they grew up listening to and the challenges of putting on the best show possible. They elaborated on their touring strategy, focusing on musical perfection and creating a positive environment for all involved, highlighting the importance of tailoring their set list to resonate with audiences while maintaining high energy during performances.We went deeper into a Lune live performance and what to expect, the reception for previous album The Change Around Us And The Change In You, new music and more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63632732Fri, 10 Jan 2025 01:37:03 +0000HEAVY MagazineOpening for any major international touring band is a daunting task, but when you face the prospect of opening for two heavyweights of the metal scene in Sylosis and Angelmaker, that task becomes almost impossible. But don't mention that to rising...But don't mention that to rising Australian metalcore outfit Lune, who will be doing just that when the Australian tour kicks off in Perth on February 11. Not that they won't agree with you, it's more that the band already know and are more than ready for the challenge.
HEAVY caught up with founding members and brothers Nathaniel (vocals) and Krys Smith (guitar) to find out more.
"I'm particularly nervous," Krys began, "because Sylosis are one of those bands that I found when I was formative with my guitar playing. I remember watching a video with Josh (Middleton) teaching how to sweep, and I was just learning to play guitar at the time. So it's pretty hectic for me to be playing shows with that guy. I'm super keen. Just in the process of putting a set together and making sure the nuts and bolts are nice and tight. Very, very excited."
In the full interview, the band spoke more about the honour of playing with bands they grew up listening to and the challenges of putting on the best show possible. They elaborated on their touring strategy, focusing on musical perfection and creating a positive environment for all involved, highlighting the importance of tailoring their set list to resonate with audiences while maintaining high energy during performances.We went deeper into a Lune live performance and what to expect, the reception for previous album The Change Around Us And The Change In You, new music and more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1001angelmaker,australia,deathcore,heavy,heavymetal,interview,krispeters,lune,metalcore,music,podcast,sylosis,thephoenix,tourtruefullhttps://www.spreaker.com/episode/kicking-old-habits-with-jahred-gomes-from-hed-p-e--63318901HED P.E. has been a cornerstone in the rock and metal scene, captivating audiences with their unique blend of rock, punk, rasta, gangsta rap, and soul. Many bands three decades into their career would be happy to tread the boards and play for the nostalgia, but not HED P.E. Their most recent and incredibly fifteenth album, Detox, was released in December 2023 and shows a band with no time to sit on their hands and muse about the past. Detox is a crushing return to the G-Punk sound that the band's fans know and adore.
HEAVY sat down with frontman Jahred Gomes on the eve of the tour.
Jahred described HED P.E's live performances as a journey that incorporates various musical styles, including hardcore, punk, reggae, and hip-hop, and reflected on the positive reception of the album and their recent UK tour. 
He emphasized the importance of creating new music and touring, despite industry challenges, and acknowledged the band's ability to connect with diverse audiences. He confirmed that a secret record is in the works, which will be announced soon, plus reminisced about the early days of HED P.E. and how they have changed as a band over the course of their career and plenty more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63318901Thu, 09 Jan 2025 03:37:35 +0000HEAVY MagazineFresh off a relentless touring schedule across the United States and Europe, HED PE are ready to conquer Australia once again and, for the first time since 2018, New Zealand. HED P.E. has been a cornerstone in the rock and metal scene, captivating...HED P.E. has been a cornerstone in the rock and metal scene, captivating audiences with their unique blend of rock, punk, rasta, gangsta rap, and soul. Many bands three decades into their career would be happy to tread the boards and play for the nostalgia, but not HED P.E. Their most recent and incredibly fifteenth album, Detox, was released in December 2023 and shows a band with no time to sit on their hands and muse about the past. Detox is a crushing return to the G-Punk sound that the band's fans know and adore.
HEAVY sat down with frontman Jahred Gomes on the eve of the tour.
Jahred described HED P.E's live performances as a journey that incorporates various musical styles, including hardcore, punk, reggae, and hip-hop, and reflected on the positive reception of the album and their recent UK tour. 
He emphasized the importance of creating new music and touring, despite industry challenges, and acknowledged the band's ability to connect with diverse audiences. He confirmed that a secret record is in the works, which will be announced soon, plus reminisced about the early days of HED P.E. and how they have changed as a band over the course of their career and plenty more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>928australia,hardrock,heavy,heavymetal,hedpe,interview,jahredgomes,music,podcast,rapmetal,tourtruefullhttps://www.spreaker.com/episode/bringing-the-mayhem-down-under-with-necrobutcher--63569783Mayhem’s 40th Anniversary show promises to be a once-in-a-lifetime experience for fans, offering a powerful setlist that spans their groundbreaking career - from the raw intensity of their debut album Deathcrush to their latest sonic explorations. This concert will honor the band’s four-decade legacy of musical innovation, boundary-pushing performances, and unrelenting influence on the black metal genre.
Fans in Australia will have the exclusive chance to witness this historic celebration, featuring a dynamic live performance that looks back on Mayhem’s journey as pioneers of extreme music. Expect a unique blend of rare footage, iconic photos, and a career-spanning set that underscores the band’s enduring impact on metal and music as a whole.
The Everblack Podcast caught up with Necrobutcher from MAYHEM to talk about their return down under for their 40th anniversary tour, reconnecting with previous members Manheim and Messiah, new music on the way and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63569783Sat, 04 Jan 2025 01:56:07 +0000HEAVY MagazineInterview by Nev Pearce (Everblack Podcast) Mayhem’s 40th Anniversary show promises to be a once-in-a-lifetime experience for fans, offering a powerful setlist that spans their groundbreaking career - from the raw intensity of their debut album...Mayhem’s 40th Anniversary show promises to be a once-in-a-lifetime experience for fans, offering a powerful setlist that spans their groundbreaking career - from the raw intensity of their debut album Deathcrush to their latest sonic explorations. This concert will honor the band’s four-decade legacy of musical innovation, boundary-pushing performances, and unrelenting influence on the black metal genre.
Fans in Australia will have the exclusive chance to witness this historic celebration, featuring a dynamic live performance that looks back on Mayhem’s journey as pioneers of extreme music. Expect a unique blend of rare footage, iconic photos, and a career-spanning set that underscores the band’s enduring impact on metal and music as a whole.
The Everblack Podcast caught up with Necrobutcher from MAYHEM to talk about their return down under for their 40th anniversary tour, reconnecting with previous members Manheim and Messiah, new music on the way and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1453australia,deathmetal,everblackmedia,heavy,heavymetal,interview,mayhem,nevpearce,podcast,soundworkstouring,tourtruefullhttps://www.spreaker.com/episode/crazy-ideas-with-dreamkillers--63495932Since bursting onto the Brisbane music scene in the early 1990s and revolutionising Australian metal with their debut EP Poison In The Soup, Dreamkillers have been a mainstay on the circuit, evolving at their own pace without pause for expectation and/or conformity. Their refusal to bow down to authority and succumb to the whims and desires of industry heavyweights has seen Dreamkillers court controversy and embrace it, standing by their morals and music in a world that has become increasingly sanitised and confronting.
Where most bands into the fourth ten year stretch of their musical journey are content to go through the motions, Dreamkillers are only strengthening their resolve.
Churning out seven new songs over the past year - all of which will remain as stand alone singles for now - the band shows no sign of slowing down, recently inking a deal with Australian label XMusic and assembling a new batch of songs that promise to continue the bands enduring legacy.
They are, quite simply, a musical enigma. An immovable sonic blast of intent and uncompromising honesty that has all but died out in modern times.
HEAVY was fortunate enough to speak with the whole band over the last couple of days, running over the swag of tunes released over the last 12 months and how they reflect Dreamkillers moving forward.
"Unreal, it's pumping," the band answered when we ask how they feel entering the new year. 
"It's going good," guitarist Damo added. "More shenanigans, more music, more shows and more debauchery if we can have our way with it (laughs)."
"We just had a conversation," added vocalist Les Jobson. "We've got so many tracks we don't know whether to do a double album or two single albums. We just got busy. We thought we won't pay gigs, we'll write songs this year and that's what we did. Next year we're taking it to the streets."
In the full interview we discuss Dreamkillers upcoming show at HEAVY Resolutions on New Years Eve, run through each of the tracks released this year and what they are about, chat about what to expect from the upcoming album and which sonic direction it is leaning towards, go deeper into the songwriting process that breathes life and meaning into the band's music, signing with XMusic and what it means to the band, our regular Photo Bomb segment and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63495932Sat, 28 Dec 2024 14:08:04 +0000HEAVY MagazineBrisbane metal legends Dreamkillers could be forgiven for resting on past accomplishments and spending the remainder of their career playing songs that are known and loved by many without placing themselves at the mercy of the metal Gods by continuing...Since bursting onto the Brisbane music scene in the early 1990s and revolutionising Australian metal with their debut EP Poison In The Soup, Dreamkillers have been a mainstay on the circuit, evolving at their own pace without pause for expectation and/or conformity. Their refusal to bow down to authority and succumb to the whims and desires of industry heavyweights has seen Dreamkillers court controversy and embrace it, standing by their morals and music in a world that has become increasingly sanitised and confronting.
Where most bands into the fourth ten year stretch of their musical journey are content to go through the motions, Dreamkillers are only strengthening their resolve.
Churning out seven new songs over the past year - all of which will remain as stand alone singles for now - the band shows no sign of slowing down, recently inking a deal with Australian label XMusic and assembling a new batch of songs that promise to continue the bands enduring legacy.
They are, quite simply, a musical enigma. An immovable sonic blast of intent and uncompromising honesty that has all but died out in modern times.
HEAVY was fortunate enough to speak with the whole band over the last couple of days, running over the swag of tunes released over the last 12 months and how they reflect Dreamkillers moving forward.
"Unreal, it's pumping," the band answered when we ask how they feel entering the new year. 
"It's going good," guitarist Damo added. "More shenanigans, more music, more shows and more debauchery if we can have our way with it (laughs)."
"We just had a conversation," added vocalist Les Jobson. "We've got so many tracks we don't know whether to do a double album or two single albums. We just got busy. We thought we won't pay gigs, we'll write songs this year and that's what we did. Next year we're taking it to the streets."
In the full interview we discuss Dreamkillers upcoming show at HEAVY Resolutions on New Years Eve, run through each of the tracks released this year and what they are about, chat about what to expect from the upcoming album and which sonic direction it is leaning towards, go deeper into the songwriting process that breathes life and meaning into the band's music, signing with XMusic and what it means to the band, our regular Photo Bomb segment and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1727australia,dreamkillers,hardrock,heavy,heavymetal,interview,krispeters,lesjobson,music,podcast,punk,xmusictruefullhttps://www.spreaker.com/episode/breaking-the-curse-with-matty-mullins-from-memphis-may-fire--63494259The band return in July 2025 as co-headliners with Atreyu, who are celebrating the 20th anniversary of The Curse with a series of never to be repeated shows that will see them play the songs from the album as well as other fan favourites. Individually, each band is an ominous live machine, but together they promise to deliver night after night of sonic carnage to remind us what we have been missing out on.
HEAVY caught up with frontman Matty Mullins to find out what to expect.
"The excitement definitely sinks in nice and early," he smiled when asked if he had cast an eye towards the Australian tour with some six months before it kicks off. "The reality of it all will hit a little closer to that timeframe."
We mention the double punch of Atreyu and Memphis May Fire on the same bill, with Matty admitting the union is pretty special to not just the fans, but the bands as well.
"We've done a co-headliner tour here in the States as well, so bringing that to Australia seems like the right fit," he noted.
In the full interview, Matty highlighted plans to perform a mix of new songs from their forthcoming album Shapeshifter, scheduled for release on March 28, alongside classic hits to engage long-time fans. Matt reflected on the band's evolution and how their experiences have improved their live performances, while also addressing the challenges of creating diverse music while preserving their distinct sound. He concluded by expressing excitement about reconnecting with Australian fans and delivering a memorable show, covering heaps more territory over the course of the interview.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63494259Sat, 28 Dec 2024 07:36:37 +0000HEAVY MagazineTexan metalcore outfit Memphis May Fire decimated Australian fans almost a decade ago when they toured through the country as special guests to Parkway Drive in 2015. Known for their unassailable live shows, MMF have an uncanny ability to connect with...The band return in July 2025 as co-headliners with Atreyu, who are celebrating the 20th anniversary of The Curse with a series of never to be repeated shows that will see them play the songs from the album as well as other fan favourites. Individually, each band is an ominous live machine, but together they promise to deliver night after night of sonic carnage to remind us what we have been missing out on.
HEAVY caught up with frontman Matty Mullins to find out what to expect.
"The excitement definitely sinks in nice and early," he smiled when asked if he had cast an eye towards the Australian tour with some six months before it kicks off. "The reality of it all will hit a little closer to that timeframe."
We mention the double punch of Atreyu and Memphis May Fire on the same bill, with Matty admitting the union is pretty special to not just the fans, but the bands as well.
"We've done a co-headliner tour here in the States as well, so bringing that to Australia seems like the right fit," he noted.
In the full interview, Matty highlighted plans to perform a mix of new songs from their forthcoming album Shapeshifter, scheduled for release on March 28, alongside classic hits to engage long-time fans. Matt reflected on the band's evolution and how their experiences have improved their live performances, while also addressing the challenges of creating diverse music while preserving their distinct sound. He concluded by expressing excitement about reconnecting with Australian fans and delivering a memorable show, covering heaps more territory over the course of the interview.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>616atreyu,australia,heavy,heavymetal,interview,krispeters,mattymullins,memphismayfire,metalcore,music,podcast,tourfalsefullhttps://www.spreaker.com/episode/casting-shadows-the-mystical-spells-and-dark-rituals-behind-project-ultimate-satan-s-opus-satanas--63488131Project Ultimate Satan, the brutal death metal band from Canberra, has been shaking up the metal scene with their unique blend of symphonic elements and raw aggression. The band's latest album, The Opus Satanas, released under their label, StudioDecay, is a testament to the band's resilience and innovation, as it has undergone a tumultuous yet creative journey. We sat down with the guitarist, backup vocalist, and the founder of the band, JDecay, to talk about the band's origins, the making of the album, and their bold vision.
"Project Ultimate Satan was born from a few different musical journeys," Decay explains. "It all started in 2019 when I was working with the band Inhuman Remnants. I was trying out guitarists and eventually brought in Darryl as a pianist. We hit it off, but the other members weren't keen on shifting from Deathgrind to a more symphonic sound. That's when the seed for Project Ultimate Satan was planted."
The band's evolution wasn't easy. After a line-up change and the disruptive impact of COVID-19, The Opus Satanas was delayed multiple times, but the result is worth the wait. "We started recording in 2019 and finished in 2021," JDecay reflects. "Lockdowns and other personal challenges made it tough, but in the end, we were able to refine it. Now, we're ready to push it out and tour."
The album is divided into two movements: Malefus Malefacaram and Lex Talionis. The first movement is a deep dive into themes of persecution, inspired by the Hammer of Witches (a 15th-century guide to witch-hunting). The second movement (the Latin phrase referencing the legal principle of exact retaliation) explores the concept of "an eye for an eye," drawing on the story of duality. JDecay elaborates, "The first movement is about persecution, while the second is about retribution. We really wanted to split the album into two halves that represent a journey. It's a raw, brutal exploration of human struggle."
A standout feature of The Opus Satanas is its unique sound, blending symphonic elements with death metal intensity. "I wanted to bring in more melody to death metal, adding piano and orchestration. We were experimenting with these larger ideas that, for me, just felt right."
As for the band name, Decay said that Project Ultimate Satan came about after an episode of Futurama and thought that it was the perfect name for a band that wasn't already taken."It's all about pushing boundaries," says JDecay with a chuckle. "We wanted something provocative and strong—something that would make people stop and think."
With a dedicated fanbase and a fresh sound, Project Ultimate Satan is ready to make their mark. "We've learned a lot through trial and error," JDecay says. "But now, we're tighter than ever, and we're ready to bring The Opus Satanas to life."
JDecay is deeply committed to supporting smaller bands and musicians in the metal community. Through his work with StudioDecay, he focuses on artist development, helping emerging acts build their identity, sound, and presence. "We try to give back by focusing on artist development," he says, emphasizing the importance of assisting bands with the business side of music—something many new musicians are unaware of. From helping craft professional PR packages to guiding bands on networking with PR reps, JDecay ensures these smaller acts are equipped with the tools they need to succeed. His approach goes beyond just music; it's about empowering artists to navigate the complexities of the music industry, helping them understand how to get on shows, work with labels, and build a sustainable career. Despite being a smaller label with limited funds, JDecay's dedication to nurturing talent and creating a supportive community reflects his commitment to helping others succeed in a challenging industry. Not bad at all for a few guys from the ACT!
Watch for their upcoming Australian tour, and prepare for a death metal experience like no other.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63488131Fri, 27 Dec 2024 16:29:44 +0000HEAVY MagazineInterview by Angela Croudace Project Ultimate Satan, the brutal death metal band from Canberra, has been shaking up the metal scene with their unique blend of symphonic elements and raw aggression. The band's latest album, The Opus Satanas, released...Project Ultimate Satan, the brutal death metal band from Canberra, has been shaking up the metal scene with their unique blend of symphonic elements and raw aggression. The band's latest album, The Opus Satanas, released under their label, StudioDecay, is a testament to the band's resilience and innovation, as it has undergone a tumultuous yet creative journey. We sat down with the guitarist, backup vocalist, and the founder of the band, JDecay, to talk about the band's origins, the making of the album, and their bold vision.
"Project Ultimate Satan was born from a few different musical journeys," Decay explains. "It all started in 2019 when I was working with the band Inhuman Remnants. I was trying out guitarists and eventually brought in Darryl as a pianist. We hit it off, but the other members weren't keen on shifting from Deathgrind to a more symphonic sound. That's when the seed for Project Ultimate Satan was planted."
The band's evolution wasn't easy. After a line-up change and the disruptive impact of COVID-19, The Opus Satanas was delayed multiple times, but the result is worth the wait. "We started recording in 2019 and finished in 2021," JDecay reflects. "Lockdowns and other personal challenges made it tough, but in the end, we were able to refine it. Now, we're ready to push it out and tour."
The album is divided into two movements: Malefus Malefacaram and Lex Talionis. The first movement is a deep dive into themes of persecution, inspired by the Hammer of Witches (a 15th-century guide to witch-hunting). The second movement (the Latin phrase referencing the legal principle of exact retaliation) explores the concept of "an eye for an eye," drawing on the story of duality. JDecay elaborates, "The first movement is about persecution, while the second is about retribution. We really wanted to split the album into two halves that represent a journey. It's a raw, brutal exploration of human struggle."
A standout feature of The Opus Satanas is its unique sound, blending symphonic elements with death metal intensity. "I wanted to bring in more melody to death metal, adding piano and orchestration. We were experimenting with these larger ideas that, for me, just felt right."
As for the band name, Decay said that Project Ultimate Satan came about after an episode of Futurama and thought that it was the perfect name for a band that wasn't already taken."It's all about pushing boundaries," says JDecay with a chuckle. "We wanted something provocative and strong—something that would make people stop and think."
With a dedicated fanbase and a fresh sound, Project Ultimate Satan is ready to make their mark. "We've learned a lot through trial and error," JDecay says. "But now, we're tighter than ever, and we're ready to bring The Opus Satanas to life."
JDecay is deeply committed to supporting smaller bands and musicians in the metal community. Through his work with StudioDecay, he focuses on artist development, helping emerging acts build their identity, sound, and presence. "We try to give back by focusing on artist development," he says, emphasizing the importance of assisting bands with the business side of music—something many new musicians are unaware of. From helping craft professional PR packages to guiding bands on networking with PR reps, JDecay ensures these smaller acts are equipped with the tools they need to succeed. His approach goes beyond just music; it's about empowering artists to navigate the complexities of the music industry, helping them understand how to get on shows, work with labels, and build a sustainable career. Despite being a smaller label with limited funds, JDecay's dedication to nurturing talent and creating a supportive community reflects his commitment to helping others succeed in a challenging industry. Not bad at all for a few guys from the ACT!
Watch for their upcoming Australian tour, and prepare for a death metal...]]>2510angelacroudace,australia,deathmetal,heavy,heavymetal,interview,music,podcast,projectultimatesatantruefullhttps://www.spreaker.com/episode/from-the-heart-of-the-murder-capital-gabriel-blake-talks-touring-music-and-inspiration--63487975HEAVY caught up with Gabriel Blake from The Murder Capital to chat about their latest album, Blindness, their exciting upcoming Australian and New Zealand tour, and the band's incredible journey so far.
When asked about the themes of Blindness, Gabriel explained, "The album is about love, being Irish, and dealing with the blindsiding aspects of life. It touches on things like distance, both physical and emotional, and the feeling of not being able to see someone you love."
The conversation then turned to their history, with Gabriel reflecting on their previous albums. "Our first record dealt with grief, and the second was more of a celebration of life. Blindness is a departure—it's more about loss, and not just in terms of death, but also the emotional distance between people."
The Murder Capital's touring journey has been nothing short of intense. Earlier this year, the band had the incredible opportunity to support two legends: Pearl Jam on their UK tour and Nick Cave & the Bad Seeds, one of Gabriel's biggest idols. Reflecting on their time with Nick Cave, he described the experience as surreal. "It was truly amazing," he said. "Nick Cave is one of the greatest, and we were lucky that he really connected with our music. He even invited us to dinner with him and The Bad Seeds—just the chance to share a real human connection with someone we've admired for so long was unforgettable."
The conversation then moved to their debut single, More or Less, which took off online, and Gabriel admitted it was a lot to handle. "It was fun but also intense. We didn't expect it to blow up like that, but we worked hard for it, and it was what we wanted."
As for Blindness' artwork, Gabriel explained that the band worked with Victor H, a renowned album cover artist. "The album cover represents potential and the inner emotional struggle of looking out into the world while feeling lost inside."
Reflecting on their journey, Gabriel shared a personal insight: "If The Murder Capital never started, I'd probably be working as an undertaker. It's a family business, and I've always had an appreciation for both the highs and lows of life." Gabriel came to an interesting realisation; he sees people at their best, enjoying his music at shows and witnessing people at their lowest, grieving for loved ones through his undertaking job. Gabriel also believes that working as an undertaker has made him more empathetic, emphasising that it's not about the individual but about supporting the family in their time of need. He shared that his philosophy is to set aside one's emotions and ego to be a steady presence for those grieving. The role involves being calm, offering physical help, or providing comfort when needed. He reflected on how this perspective has shaped his appreciation for life, highlighting the importance of putting others first and maintaining emotional composure during challenging moments. Gabriel believes this ability to reserve one's emotions in such situations is key to offering genuine empathy.
Gabriel's confidence in the band's growth and future was evident as the interview concluded. "This third album feels like we've truly earned our place. We're not an overnight success—we've put in the work."
Catch The Murder Capital live on their Australian and New Zealand tour in April 2025, and experience the raw emotion and depth of Blindness firsthand.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63487975Fri, 27 Dec 2024 16:04:23 +0000HEAVY MagazineInterview by Angela Croudace HEAVY caught up with Gabriel Blake from The Murder Capital to chat about their latest album, Blindness, their exciting upcoming Australian and New Zealand tour, and the band's incredible journey so far. When asked about...HEAVY caught up with Gabriel Blake from The Murder Capital to chat about their latest album, Blindness, their exciting upcoming Australian and New Zealand tour, and the band's incredible journey so far.
When asked about the themes of Blindness, Gabriel explained, "The album is about love, being Irish, and dealing with the blindsiding aspects of life. It touches on things like distance, both physical and emotional, and the feeling of not being able to see someone you love."
The conversation then turned to their history, with Gabriel reflecting on their previous albums. "Our first record dealt with grief, and the second was more of a celebration of life. Blindness is a departure—it's more about loss, and not just in terms of death, but also the emotional distance between people."
The Murder Capital's touring journey has been nothing short of intense. Earlier this year, the band had the incredible opportunity to support two legends: Pearl Jam on their UK tour and Nick Cave & the Bad Seeds, one of Gabriel's biggest idols. Reflecting on their time with Nick Cave, he described the experience as surreal. "It was truly amazing," he said. "Nick Cave is one of the greatest, and we were lucky that he really connected with our music. He even invited us to dinner with him and The Bad Seeds—just the chance to share a real human connection with someone we've admired for so long was unforgettable."
The conversation then moved to their debut single, More or Less, which took off online, and Gabriel admitted it was a lot to handle. "It was fun but also intense. We didn't expect it to blow up like that, but we worked hard for it, and it was what we wanted."
As for Blindness' artwork, Gabriel explained that the band worked with Victor H, a renowned album cover artist. "The album cover represents potential and the inner emotional struggle of looking out into the world while feeling lost inside."
Reflecting on their journey, Gabriel shared a personal insight: "If The Murder Capital never started, I'd probably be working as an undertaker. It's a family business, and I've always had an appreciation for both the highs and lows of life." Gabriel came to an interesting realisation; he sees people at their best, enjoying his music at shows and witnessing people at their lowest, grieving for loved ones through his undertaking job. Gabriel also believes that working as an undertaker has made him more empathetic, emphasising that it's not about the individual but about supporting the family in their time of need. He shared that his philosophy is to set aside one's emotions and ego to be a steady presence for those grieving. The role involves being calm, offering physical help, or providing comfort when needed. He reflected on how this perspective has shaped his appreciation for life, highlighting the importance of putting others first and maintaining emotional composure during challenging moments. Gabriel believes this ability to reserve one's emotions in such situations is key to offering genuine empathy.
Gabriel's confidence in the band's growth and future was evident as the interview concluded. "This third album feels like we've truly earned our place. We're not an overnight success—we've put in the work."
Catch The Murder Capital live on their Australian and New Zealand tour in April 2025, and experience the raw emotion and depth of Blindness firsthand.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1817angelacroudace,australia,heavy,interview,music,podcast,postpunk,punk,rock,themurdercapital,tourtruefullhttps://www.spreaker.com/episode/avenging-the-fallen-down-under-with-joacim-cans-from-hammerfall--63318581No matter how much everything changes in culture and the world at large, heavy metal endures. It empowers. It engages. It engenders strength. It outlasts fads. 
Since forming in Gothenburg, Sweden and releasing their debut album Glory To The Brave in 1997, Swedish power metal titans HammerFall have stormed the gates of heavy music’s pantheon and waved the genre’s flag higher and higher with every subsequent release. With multiple international number ones, gold certifications, sold out tours, and over 100 million+ streams and 100 million+ YouTube views, the group upholds a venerable legacy.
But it is in a live setting where they outshine their peers and imitators. In true HammerFall fashion, every element becomes dangerously and dramatically amplified. The riffs hit harder. The rhythms thunder louder. The choruses soar closer to the clouds.
The GODS have listened, and they have heeded your call. HammerFall will set sail for Australia in January 2025 for their first ever Australian tour. HEAVY caught up with frontman Joacim Cans to dive in further.
"This tour is part of the tour of the latest album, Avenge the Fallen," he offered. "And since this is the 13th album - but still an album that will make a difference in the history of Hammerfall - we need to play the songs that the fans want to hear.
We also need to play the songs that we want to play. That really makes me go and on stage. I love playing this song because it's so personal to me. We need to put that song in as well. And then maybe you add one or two, like, underdogs, so to speak, like, surprise songs. I think this is the equation for the perfect set list."
Check out the full interview to hear the full story.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63318581Fri, 27 Dec 2024 15:43:54 +0000HEAVY MagazineInterview by Angela Croudace No matter how much everything changes in culture and the world at large, heavy metal endures. It empowers. It engages. It engenders strength. It outlasts fads.  Since forming in Gothenburg, Sweden and releasing their debut...No matter how much everything changes in culture and the world at large, heavy metal endures. It empowers. It engages. It engenders strength. It outlasts fads. 
Since forming in Gothenburg, Sweden and releasing their debut album Glory To The Brave in 1997, Swedish power metal titans HammerFall have stormed the gates of heavy music’s pantheon and waved the genre’s flag higher and higher with every subsequent release. With multiple international number ones, gold certifications, sold out tours, and over 100 million+ streams and 100 million+ YouTube views, the group upholds a venerable legacy.
But it is in a live setting where they outshine their peers and imitators. In true HammerFall fashion, every element becomes dangerously and dramatically amplified. The riffs hit harder. The rhythms thunder louder. The choruses soar closer to the clouds.
The GODS have listened, and they have heeded your call. HammerFall will set sail for Australia in January 2025 for their first ever Australian tour. HEAVY caught up with frontman Joacim Cans to dive in further.
"This tour is part of the tour of the latest album, Avenge the Fallen," he offered. "And since this is the 13th album - but still an album that will make a difference in the history of Hammerfall - we need to play the songs that the fans want to hear.
We also need to play the songs that we want to play. That really makes me go and on stage. I love playing this song because it's so personal to me. We need to put that song in as well. And then maybe you add one or two, like, underdogs, so to speak, like, surprise songs. I think this is the equation for the perfect set list."
Check out the full interview to hear the full story.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1189angelacroudace,australia,hammerfall,hardrock,heavy,heavymetal,interview,joacimcans,music,podcast,powermetal,thephoenix,tourtruefullhttps://www.spreaker.com/episode/getting-intimate-with-the-dirtbag-with-brendan-b-brown-of-wheatus--62996366After a whirlwind 2024 that saw the band Down Under twice, once in February for acoustic shows with Art from Everclear and again with Wheatus in April for the Pandemonium Festival, frontman Brendan B Brown has become a beloved fixture in the Aussie music scene. The Wheatus sets at Pandemonium were one of the standout moments of the day, finding that perfect balance between stoking the fires of nostalgia and putting on a killer rock 'n' roll show.
The Wheatus Acoustic Tour next January and February is shaping up to be the most fun you can have indoors this summer. Featuring Wheatus frontman and incredibly nice guy, Brendan B. Brown along with his better half, fellow Wheatus member Gabrielle Sterbenz, the epic 14 date run also features founding member and former lead guitarist, songwriter, and vocalist of The Chats, Josh ‘Pricey’ Price.
HEAVY spent some time with Brendan recently, where we spoke about just about everything.
Brendan shared that Australia was the first place to embrace Wheatus' music, especially the song Teenage Dirtbag, and that they were grateful for the support they received there. We discussed his approach to music and live performances, emphasizing the importance of connecting with the audience and not taking himself too seriously. 
He explained his method of tailoring each show to the audience's mood and requests, which he finds more engaging than a set list. Brendan also shared his experiences with touring and maintaining a positive band dynamic, highlighting the importance of respect and camaraderie among band members. He expressed his excitement for an upcoming acoustic show, where he and his partner Gabrielle will share stories and play songs from their catalogue and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62996366Sun, 22 Dec 2024 06:05:20 +0000HEAVY MagazineWheatus have been here that many times they would almost be classed as Australians. After a whirlwind 2024 that saw the band Down Under twice, once in February for acoustic shows with Art from Everclear and again with Wheatus in April for the...After a whirlwind 2024 that saw the band Down Under twice, once in February for acoustic shows with Art from Everclear and again with Wheatus in April for the Pandemonium Festival, frontman Brendan B Brown has become a beloved fixture in the Aussie music scene. The Wheatus sets at Pandemonium were one of the standout moments of the day, finding that perfect balance between stoking the fires of nostalgia and putting on a killer rock 'n' roll show.
The Wheatus Acoustic Tour next January and February is shaping up to be the most fun you can have indoors this summer. Featuring Wheatus frontman and incredibly nice guy, Brendan B. Brown along with his better half, fellow Wheatus member Gabrielle Sterbenz, the epic 14 date run also features founding member and former lead guitarist, songwriter, and vocalist of The Chats, Josh ‘Pricey’ Price.
HEAVY spent some time with Brendan recently, where we spoke about just about everything.
Brendan shared that Australia was the first place to embrace Wheatus' music, especially the song Teenage Dirtbag, and that they were grateful for the support they received there. We discussed his approach to music and live performances, emphasizing the importance of connecting with the audience and not taking himself too seriously. 
He explained his method of tailoring each show to the audience's mood and requests, which he finds more engaging than a set list. Brendan also shared his experiences with touring and maintaining a positive band dynamic, highlighting the importance of respect and camaraderie among band members. He expressed his excitement for an upcoming acoustic show, where he and his partner Gabrielle will share stories and play songs from their catalogue and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1186accoustic,australia,brendanbbrown,heavy,interview,krispeters,music,podcast,rock,tour,wheatustruefullhttps://www.spreaker.com/episode/the-second-coming-with-jackson-marshall-from-righteous-death--63434410But sometimes life imitates those storylines, as is the case with Gold Coast metal outfit Righteous Death.
Conceived in Lismore in 2020 as the brainchild of local musician Jackson Marshall, Righteous Death started life as a one man project with Marshall writing and playing all instruments. A debut album, Rituals, followed, featuring vocals from a host of guest musicians, but a combination of life choices and the COVID struck to halt momentum and give Marshall renewed focus.
Using his spare time to write new material and fine-tune his metal prowess, Jackson began working on album number two, enlisting the talents of vocalist Johnny Crypt to double the band's size and maximise its output.
The result is the aptly titled follow-up, 2, which is released on December 23. A continuation and expansion on earlier material, 2 sees Righteous Death further develop their musical identity. HEAVY caught up with Marshall to discuss things in greater detail.
"I've been working with my singer Johnny Crypt from Melbourne, and after six months of him coming into the fold it's been really awesome to actually get these tunes that I've worked on for the last four years out to the world," Marshall enthused. "I'm pretty damned excited about it. It's been way too long between releases in my head. I've had the whole album pretty much completed for three months now, so it's cool to get it out there with a few singles first. With this album… the first album took a bit of a black metal turn because I was into Mayhem at the time, especially after watching the movie Lords Of Chaos. Originally, the concept of the second album came because I wanted to stray more away from black metal but still keep some elements from the first record."
In the full interview we talked more about the sonic direction of the new album, the process of getting the second album in the can, finding the right vocalist, lessons learnt between albums, Marshall's own personal growth, future plans for the band, the potential for taking Righteous Death out of the studio and onto the stage and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63434410Sun, 22 Dec 2024 05:50:50 +0000HEAVY MagazineFrom little things, big things grow. At least in fairytales. But sometimes life imitates those storylines, as is the case with Gold Coast metal outfit Righteous Death. Conceived in Lismore in 2020 as the brainchild of local musician Jackson Marshall,...But sometimes life imitates those storylines, as is the case with Gold Coast metal outfit Righteous Death.
Conceived in Lismore in 2020 as the brainchild of local musician Jackson Marshall, Righteous Death started life as a one man project with Marshall writing and playing all instruments. A debut album, Rituals, followed, featuring vocals from a host of guest musicians, but a combination of life choices and the COVID struck to halt momentum and give Marshall renewed focus.
Using his spare time to write new material and fine-tune his metal prowess, Jackson began working on album number two, enlisting the talents of vocalist Johnny Crypt to double the band's size and maximise its output.
The result is the aptly titled follow-up, 2, which is released on December 23. A continuation and expansion on earlier material, 2 sees Righteous Death further develop their musical identity. HEAVY caught up with Marshall to discuss things in greater detail.
"I've been working with my singer Johnny Crypt from Melbourne, and after six months of him coming into the fold it's been really awesome to actually get these tunes that I've worked on for the last four years out to the world," Marshall enthused. "I'm pretty damned excited about it. It's been way too long between releases in my head. I've had the whole album pretty much completed for three months now, so it's cool to get it out there with a few singles first. With this album… the first album took a bit of a black metal turn because I was into Mayhem at the time, especially after watching the movie Lords Of Chaos. Originally, the concept of the second album came because I wanted to stray more away from black metal but still keep some elements from the first record."
In the full interview we talked more about the sonic direction of the new album, the process of getting the second album in the can, finding the right vocalist, lessons learnt between albums, Marshall's own personal growth, future plans for the band, the potential for taking Righteous Death out of the studio and onto the stage and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>754australia,blackmetal,heavy,heavymetal,interview,jacksonmarshall,krispeters,music,podcast,righteousdeathtruefullhttps://www.spreaker.com/episode/seeking-truth-through-music-with-blvd-of-eyes--63424476In early 2021, fate brought Chloe Trujillo and Mark Dalbeth together at the Global Green Charity Event in LA's Troubadour. Bonding over their shared passion for music, they decided to collaborate after connecting online.
Their brainchild, Lightning Strikes Twice, garnered strong feedback, fuelling their excitement for future projects .The pairs debut EP, HEAVY PEACE, dropped in 2022, amplifying their presence in the music scene. Eager to keep the momentum going, they returned to the studio, enlisting Ray Luzier (Korn) on drums for their second record.
Transitioning from studio to stage, they assembled a formidable live band, featuring local guitarist Kevin Hicklin and Chloe's daughter, Lullah Trujillo, on drums, wasting no time in hitting the stage in early 2024 and captivating audiences, steadily building momentum with each electrifying performance.
Last month, under the new monicker Blvd Of Eyes, the band released their second EP, Buying Lies For The Truth Seeker, expanding their existing sound into a swirling maelstrom of metal-infused rock that traverses the usual boundaries of acceptance into a sound definitively their own.
Mark, Chloe and Kevin joined HEAVY recently to talk more about the EP.
"It's been really good," Mark enthused at the early response. "It just came out last month, so the response has been good. We have just released one single so far, so we will probably release a couple more videos. It's a great record. We were lucky to have Ray Luzier (Korn) drum on it, which was badass. Everything so far has been good. We're just setting up for some shows next year, and we will really push it more then."
We ask about the musical side of Buying Lies For The Truth Seeker.
"It's got a hard rock sound," he measured, "with heavy guitars and big melodies and hooks. It's similar to the first EP, but probably a little bit more developed songwriting from us because we have been working together a bit more. It's another step up from the EP but still that hard rock with a little bit of metal, some melodic stuff and some really nice harmonies."
In the full interview, the band talk more about Buying Lies For The Truth Seeker, including the musical direction of the songs and the meaning behind the ambiguous title. They discuss how it differs from their 2022 debut Heavy Peace, and how the band have grown in the period between EPs.
We talk about the different genres that make up their music and finding the balance between genres in the creative process, and run through each of the five songs individually to get to the core of their content. The band talk about their formative years and creating a sustainable project, as well as future touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63424476Sat, 21 Dec 2024 03:06:31 +0000HEAVY MagazineThe metal Gods work in mysterious ways. In early 2021, fate brought Chloe Trujillo and Mark Dalbeth together at the Global Green Charity Event in LA's Troubadour. Bonding over their shared passion for music, they decided to collaborate after...In early 2021, fate brought Chloe Trujillo and Mark Dalbeth together at the Global Green Charity Event in LA's Troubadour. Bonding over their shared passion for music, they decided to collaborate after connecting online.
Their brainchild, Lightning Strikes Twice, garnered strong feedback, fuelling their excitement for future projects .The pairs debut EP, HEAVY PEACE, dropped in 2022, amplifying their presence in the music scene. Eager to keep the momentum going, they returned to the studio, enlisting Ray Luzier (Korn) on drums for their second record.
Transitioning from studio to stage, they assembled a formidable live band, featuring local guitarist Kevin Hicklin and Chloe's daughter, Lullah Trujillo, on drums, wasting no time in hitting the stage in early 2024 and captivating audiences, steadily building momentum with each electrifying performance.
Last month, under the new monicker Blvd Of Eyes, the band released their second EP, Buying Lies For The Truth Seeker, expanding their existing sound into a swirling maelstrom of metal-infused rock that traverses the usual boundaries of acceptance into a sound definitively their own.
Mark, Chloe and Kevin joined HEAVY recently to talk more about the EP.
"It's been really good," Mark enthused at the early response. "It just came out last month, so the response has been good. We have just released one single so far, so we will probably release a couple more videos. It's a great record. We were lucky to have Ray Luzier (Korn) drum on it, which was badass. Everything so far has been good. We're just setting up for some shows next year, and we will really push it more then."
We ask about the musical side of Buying Lies For The Truth Seeker.
"It's got a hard rock sound," he measured, "with heavy guitars and big melodies and hooks. It's similar to the first EP, but probably a little bit more developed songwriting from us because we have been working together a bit more. It's another step up from the EP but still that hard rock with a little bit of metal, some melodic stuff and some really nice harmonies."
In the full interview, the band talk more about Buying Lies For The Truth Seeker, including the musical direction of the songs and the meaning behind the ambiguous title. They discuss how it differs from their 2022 debut Heavy Peace, and how the band have grown in the period between EPs.
We talk about the different genres that make up their music and finding the balance between genres in the creative process, and run through each of the five songs individually to get to the core of their content. The band talk about their formative years and creating a sustainable project, as well as future touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1331blvdofeyes,chloetrujillo,hardrock,heavy,heavymetal,interview,krispeters,markdalbeth,music,podcast,rocktruefullhttps://www.spreaker.com/episode/musical-revolution-with-cj-pierce-from-drowning-pool--63318559So while there were many disappointed when CKY pulled out of their Australian tour with Alien Ant Farm, there was also plenty more elated when their replacement was named in quick succession.
It's not often a tour is strengthened by late adjustments, but from the moment Drowning Pool were named to fill the void, what was previously stifled enthusiasm quickly became cries of joy.
After a prolonged absence from these shores, hard rock/metal monsters Drowning Pool will be returning next February, at the peak of their musical power and looking to decimate fans on this side of the world. Since reuniting with vocal powerhouse Ryan McCombs, Drowning Pool have gone from strength to strength, blowing away audiences at some of the world's premier festivals - Aftershock, Nu Metal Revolution, Louder Than Life, Sonic Temple, Blue Ridge Rock many others.
They are a band who has seen as many downs as they have ups, but throughout all have remained committed to their craft and each other, powering through each obstacle and emerging triumphant. And now it looks like another prominent chapter is about to be written.
HEAVY sat down recently with guitarist CJ Pierce to fill in the blanks.
"For us, it's been all cool," he replied when I commended the band for stepping in at short notice. "There's no drama here with Drowning Pool. I'm not sure about the situation, but we've been friends with Alien Ant Farm since day one - 20 plus years- and we're just coming to rock out. We were already working on some shows in Australia anyway, which were gonna be later in the year, so we couldn't wait to get there. Right place, right time. We appreciate them for having us on. No disrespect to CKY fans. We probably could do a cover song of theirs but out of respect to them Drowning Pool's bringing a lot of metal to the show."
In the full interview, CJ spoke more about what fans can expect from Drowning Pool live, their latest single Revolution (The Final Amen), welcoming Ryan back to the fold, any difficulties in another transition of vocalists, the importance of having the right band's together as part of a tour, new music including an album, the decision to go Independent and what it means for the band, keeping motivated and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63318559Sat, 14 Dec 2024 23:51:14 +0000HEAVY MagazineAs the saying goes, one person's loss is another person's gain. So while there were many disappointed when CKY pulled out of their Australian tour with Alien Ant Farm, there was also plenty more elated when their replacement was named in quick...So while there were many disappointed when CKY pulled out of their Australian tour with Alien Ant Farm, there was also plenty more elated when their replacement was named in quick succession.
It's not often a tour is strengthened by late adjustments, but from the moment Drowning Pool were named to fill the void, what was previously stifled enthusiasm quickly became cries of joy.
After a prolonged absence from these shores, hard rock/metal monsters Drowning Pool will be returning next February, at the peak of their musical power and looking to decimate fans on this side of the world. Since reuniting with vocal powerhouse Ryan McCombs, Drowning Pool have gone from strength to strength, blowing away audiences at some of the world's premier festivals - Aftershock, Nu Metal Revolution, Louder Than Life, Sonic Temple, Blue Ridge Rock many others.
They are a band who has seen as many downs as they have ups, but throughout all have remained committed to their craft and each other, powering through each obstacle and emerging triumphant. And now it looks like another prominent chapter is about to be written.
HEAVY sat down recently with guitarist CJ Pierce to fill in the blanks.
"For us, it's been all cool," he replied when I commended the band for stepping in at short notice. "There's no drama here with Drowning Pool. I'm not sure about the situation, but we've been friends with Alien Ant Farm since day one - 20 plus years- and we're just coming to rock out. We were already working on some shows in Australia anyway, which were gonna be later in the year, so we couldn't wait to get there. Right place, right time. We appreciate them for having us on. No disrespect to CKY fans. We probably could do a cover song of theirs but out of respect to them Drowning Pool's bringing a lot of metal to the show."
In the full interview, CJ spoke more about what fans can expect from Drowning Pool live, their latest single Revolution (The Final Amen), welcoming Ryan back to the fold, any difficulties in another transition of vocalists, the importance of having the right band's together as part of a tour, new music including an album, the decision to go Independent and what it means for the band, keeping motivated and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>952alienantfarm,australia,cjpierce,drowningpool,frankenbok,hardrock,heavy,heavymetal,interview,krispeters,podcast,thephoenix,tourtruefullhttps://www.spreaker.com/episode/musical-festivities-with-avalanche--63315993Self-funded and put together by a group of Australian music lovers who aim to help nurture and promote the wealth of talent in our own backyard, Rock Is Not Dead will feature 8 of the hottest bands from around the country, each with their own unique flair and passion for music.
Headliners Avalanche (the next big thing), Tailor Made Rejects (the unapologetic alt. rockers), Snake Bite Whisky (the kings of sleaze), Black Whiskey (pure Aussie rock), Stone Rising (underrated icons), Whiskey On The Rox (a crowd-pleasing 80s cover band), Goatzilla (legends of the live show), and Slythr (the up-and-coming rock prodigies) will assemble over one afternoon/night of live music unlike anything seen in the Bayside of Brisbane, over one stage with no clashes or scheduling conflicts.
HEAVY spoke with Avalanche about the show and more.
In the full interview, we discussed Rock Is Not Dead Festival, which features an eclectic line-up of bands. Avalanche shared their experience playing at the Airlie Beach Festival of Music, describing it as their biggest show yet and one of their best performances. They also mentioned their interactions with other bands at the festival, including Thirsty Merc, Jebediah, and Rose Tattoo.
We talked about their latest single, Dad, I Joined a Rock N Roll Band, which is part of an EP compilation of their singles from the past year. Avalanche mentioned that they are planning a return trip to Japan for a tour next year, following a successful tour earlier this year. They also hinted at a big tour early next year, aiming to hit as many Australian dates as possible. Avalanche recommended their songs Arm to the Teeth, Bottle of Sin, and their latest single for those unfamiliar with their music and plenty more.
Pre-sale tickets are just $35 from https://tickets.oztix.com.au/outlet/event/ed6cd600-0002-4eb2-963c-ea6e6683140a Support Aussie music from the ground up!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63315993Sat, 14 Dec 2024 14:15:01 +0000HEAVY MagazineThe Koala Tavern in Capalaba will host the inaugural Rock Is Not Dead Festival on February 1, 2025. Self-funded and put together by a group of Australian music lovers who aim to help nurture and promote the wealth of talent in our own backyard, Rock...Self-funded and put together by a group of Australian music lovers who aim to help nurture and promote the wealth of talent in our own backyard, Rock Is Not Dead will feature 8 of the hottest bands from around the country, each with their own unique flair and passion for music.
Headliners Avalanche (the next big thing), Tailor Made Rejects (the unapologetic alt. rockers), Snake Bite Whisky (the kings of sleaze), Black Whiskey (pure Aussie rock), Stone Rising (underrated icons), Whiskey On The Rox (a crowd-pleasing 80s cover band), Goatzilla (legends of the live show), and Slythr (the up-and-coming rock prodigies) will assemble over one afternoon/night of live music unlike anything seen in the Bayside of Brisbane, over one stage with no clashes or scheduling conflicts.
HEAVY spoke with Avalanche about the show and more.
In the full interview, we discussed Rock Is Not Dead Festival, which features an eclectic line-up of bands. Avalanche shared their experience playing at the Airlie Beach Festival of Music, describing it as their biggest show yet and one of their best performances. They also mentioned their interactions with other bands at the festival, including Thirsty Merc, Jebediah, and Rose Tattoo.
We talked about their latest single, Dad, I Joined a Rock N Roll Band, which is part of an EP compilation of their singles from the past year. Avalanche mentioned that they are planning a return trip to Japan for a tour next year, following a successful tour earlier this year. They also hinted at a big tour early next year, aiming to hit as many Australian dates as possible. Avalanche recommended their songs Arm to the Teeth, Bottle of Sin, and their latest single for those unfamiliar with their music and plenty more.
Pre-sale tickets are just $35 from https://tickets.oztix.com.au/outlet/event/ed6cd600-0002-4eb2-963c-ea6e6683140a Support Aussie music from the ground up!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1091avalanche,hardrock,heavy,interview,music,rock,rockisnotdeadfestival,tailormaderejectstruefullhttps://www.spreaker.com/episode/the-shifting-tides-of-metal-with-chris-gebauer-from-deadspace--63314377After laying low for a number of years, Deadspace returned late last year with the EP Unveiling The Palest Truth, further blurring the lines between black metal and the avant-garde before unleashing their latest full-length album The Dark Enlightenment on November 3. The album marks a shift in direction for the band, who have been increasingly experimenting with differing pastures over the course of their near decade long existence.
HEAVY caught up with frontman Chris Gebauer to discuss the new album and the continued musical expansion of Deadspace.
"The Dark Enlightenment marks a long term change in direction that we've been orking at since 2019," he revealed, "but we've just upped the ante on the shift a little bit. If you're into heavier, more avant-garde death metal, black metal infused kind of stuff, more than the ever so popular atmospheric side of black metal at the moment, then you might be into the new record over what we've done in the past."
In the full interview, we discussed The Dark Enlightenment in more depth, highlighting the shift towards philosophical themes rather than personal emotions. Chris noted that the album has received a positive but slow reception, typical for their genre, and serves as a continuation of their earlier EP, exploring the human condition and apocalyptic implications. He detailed the creative process, including the singles released and how they represent the band currently.
He elaborated on Deadspace's approach to music and promotion, emphasizing their desire to prioritize passion over industry pressures and the importance of balance and sustainability in their careers. We discussed upcoming live shows and the immediate future of the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63314377Sat, 14 Dec 2024 09:51:17 +0000HEAVY MagazineWestern Australian black metal outfit Deadspace abide by the old school ethos that creating and releasing music is more of a personal journey to be shared with fans, rather than a commercial entity to appeal to the masses. They are a band who, you get...After laying low for a number of years, Deadspace returned late last year with the EP Unveiling The Palest Truth, further blurring the lines between black metal and the avant-garde before unleashing their latest full-length album The Dark Enlightenment on November 3. The album marks a shift in direction for the band, who have been increasingly experimenting with differing pastures over the course of their near decade long existence.
HEAVY caught up with frontman Chris Gebauer to discuss the new album and the continued musical expansion of Deadspace.
"The Dark Enlightenment marks a long term change in direction that we've been orking at since 2019," he revealed, "but we've just upped the ante on the shift a little bit. If you're into heavier, more avant-garde death metal, black metal infused kind of stuff, more than the ever so popular atmospheric side of black metal at the moment, then you might be into the new record over what we've done in the past."
In the full interview, we discussed The Dark Enlightenment in more depth, highlighting the shift towards philosophical themes rather than personal emotions. Chris noted that the album has received a positive but slow reception, typical for their genre, and serves as a continuation of their earlier EP, exploring the human condition and apocalyptic implications. He detailed the creative process, including the singles released and how they represent the band currently.
He elaborated on Deadspace's approach to music and promotion, emphasizing their desire to prioritize passion over industry pressures and the importance of balance and sustainability in their careers. We discussed upcoming live shows and the immediate future of the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1705album,australia,blackmetal,deadspace,extrememetal,h^eavy,h^eavymetal,interview,krispeters,music,podcasttruefullhttps://www.spreaker.com/episode/getting-to-know-you-with-tom-jackson-from-bloody-ripper--63293520Following the wild video for the single Pints, Bloody Ripper are releasing their debut album I Hardly Know Her, out today. The album is a collection of songs spanning the last few years that explores the bands’ diverse musical range. From epic 6 minute guitar driven heavy rock belters to emotional heartfelt ballads and pub rock anthems, the album showcases Bloody Ripper's ever-evolving sonic identity.
HEAVY caught up with drummer Thomas and guitarist Jackson to find out more.
We spoke about their debut album, I Hardly Know Her, which was released today. The band characterized their music as a blend of influences, emphasizing a nostalgic punk vibe. They discussed their collaborative and spontaneous songwriting process, as well as the challenges they face in the modern music industry and the importance of sharing their music with listeners. The conversation also included details about their upcoming shows and how fans can access information regarding their performances and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63293520Fri, 13 Dec 2024 01:55:50 +0000HEAVY MagazineHailing from Melbourne’s eastern suburbs, Bloody Ripper are a rock’n’roll band with a punk edge. The band have established themselves over the last decade playing in Melbourne’s finest pubs and dive bars including The Tote, Cherry Bar and The Last...Following the wild video for the single Pints, Bloody Ripper are releasing their debut album I Hardly Know Her, out today. The album is a collection of songs spanning the last few years that explores the bands’ diverse musical range. From epic 6 minute guitar driven heavy rock belters to emotional heartfelt ballads and pub rock anthems, the album showcases Bloody Ripper's ever-evolving sonic identity.
HEAVY caught up with drummer Thomas and guitarist Jackson to find out more.
We spoke about their debut album, I Hardly Know Her, which was released today. The band characterized their music as a blend of influences, emphasizing a nostalgic punk vibe. They discussed their collaborative and spontaneous songwriting process, as well as the challenges they face in the modern music industry and the importance of sharing their music with listeners. The conversation also included details about their upcoming shows and how fans can access information regarding their performances and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>535album,australia,bloodyripper,hardrock,heavy,interview,krispeters,music,podcast,punk,rocktruefullhttps://www.spreaker.com/episode/walking-the-musical-tightrope-with-cory-marks--63292877
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63292877Fri, 13 Dec 2024 01:15:38 +0000HEAVY MagazineCombining rock and metal with country music is a brave move. Fans of each genre individually are parochial in their love of music and unlikely to take to any bastardisation with any other form of sonic entertainment. It takes a person with...
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1148betternoisemuic,corymarks,country,hardrock,heavy,interview,krispeters,music,podcast,rocktruefullhttps://www.spreaker.com/episode/polar-s-resurgence-embracing-change-and-pushing-boundaries-with-five-arrows--63291953After 15 years in the game, Polar's frontman Adam "Woody" Woodford could have easily walked away when the band hit a rough patch. But instead of throwing in the towel, he rebuilt the band with a fresh line-up and a renewed sense of purpose. The result? Five Arrows is their boldest and most experimental album to date.
Polar's journey has been anything but easy. After members left and relationships were tested, Woody was at a crossroads. But rather than giving up, he saw an opportunity for a fresh start. "When you lose everything, you gain everything," Woody explains, paraphrasing Fight Club. This approach laid the groundwork for the band's artistic rejuvenation. As a result, the new album exemplifies that philosophy: challenging, sincere, and unfiltered.
Five Arrows represents a new era for the band, as they threw out the rulebook and embraced an experimental approach to their sound. "There was nothing left to lose," Woody reflects. The result is an album that pushes boundaries, blending aggression and melody in a way they hadn't explored before. "We threw the rulebook out," he adds, highlighting how the band has moved away from its established blueprint to create something more dynamic and challenging.
The songwriting process for Five Arrows was a true collaboration. Guitarist Simon Richardson wrote a series of riffs that became the album's foundation, and the band worked together, refining and expanding on the ideas. But it wasn't just about the band, but also the outside influences that shaped the sound. Producer Jack Murphy played a crucial role, pushing the band out of their comfort zones and challenging them to explore new directions.
For Woody, the album's emotional core is just as important as the sound. Five Arrows tackles the destructive power of change and the resilience needed to overcome it. Woody reflects on how embracing change has brought the band to a place of growth and renewal, no matter how difficult. "It's all about resilience," he says. "There's no dead end unless you make it one."
Polar's future looks bright as the band prepares to tour and share Five Arrows with the world. What started as a passion project has become a symbol of strength, unity, and perseverance. For Woody and the band, Five Arrows is more than just an album - it's a physical incarnation of their ability to rise from the ashes and embrace whatever comes next.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63291953Fri, 13 Dec 2024 00:00:02 +0000HEAVY MagazineInterview by Angela Croudace After 15 years in the game, Polar's frontman Adam "Woody" Woodford could have easily walked away when the band hit a rough patch. But instead of throwing in the towel, he rebuilt the band with a fresh line-up and a renewed...After 15 years in the game, Polar's frontman Adam "Woody" Woodford could have easily walked away when the band hit a rough patch. But instead of throwing in the towel, he rebuilt the band with a fresh line-up and a renewed sense of purpose. The result? Five Arrows is their boldest and most experimental album to date.
Polar's journey has been anything but easy. After members left and relationships were tested, Woody was at a crossroads. But rather than giving up, he saw an opportunity for a fresh start. "When you lose everything, you gain everything," Woody explains, paraphrasing Fight Club. This approach laid the groundwork for the band's artistic rejuvenation. As a result, the new album exemplifies that philosophy: challenging, sincere, and unfiltered.
Five Arrows represents a new era for the band, as they threw out the rulebook and embraced an experimental approach to their sound. "There was nothing left to lose," Woody reflects. The result is an album that pushes boundaries, blending aggression and melody in a way they hadn't explored before. "We threw the rulebook out," he adds, highlighting how the band has moved away from its established blueprint to create something more dynamic and challenging.
The songwriting process for Five Arrows was a true collaboration. Guitarist Simon Richardson wrote a series of riffs that became the album's foundation, and the band worked together, refining and expanding on the ideas. But it wasn't just about the band, but also the outside influences that shaped the sound. Producer Jack Murphy played a crucial role, pushing the band out of their comfort zones and challenging them to explore new directions.
For Woody, the album's emotional core is just as important as the sound. Five Arrows tackles the destructive power of change and the resilience needed to overcome it. Woody reflects on how embracing change has brought the band to a place of growth and renewal, no matter how difficult. "It's all about resilience," he says. "There's no dead end unless you make it one."
Polar's future looks bright as the band prepares to tour and share Five Arrows with the world. What started as a passion project has become a symbol of strength, unity, and perseverance. For Woody and the band, Five Arrows is more than just an album - it's a physical incarnation of their ability to rise from the ashes and embrace whatever comes next.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>953album,angelacroudace,heavy,heavymetal,interview,music,nuclearblastrecords,podcast,polarfalsefullhttps://www.spreaker.com/episode/the-halo-effect-a-conversation-with-niclas-engelin-on-their-new-album-and-band-energy--63237566Niclas Engelin, guitarist of Swedish melodic death metal band The Halo Effect, spoke to HEAVY about the band's journey and their new album March of the Unheard. Engelin shared insights into the album-making process, the band's evolution, and the importance of positive energy in their music.
Regarding the new album, Engelin revealed that March of the Unheard consists entirely of fresh material. Niclas reflected on how the band initially overproduced some songs, but eventually honed the track list by focusing on the album's overall vision. "You need to stay focused and hold a torch," he explained, noting how the band ensured every song fit within the album's structure.
The first single, Detonate, was chosen as the lead track because of its fast pace, intricate guitar work, and catchy melodies. "It represents the album quite a bit," said Engelin. "It's a little bit more of everything this time."
The album's more confident and cohesive sound reflects the band's growth, partly thanks to the extensive live touring they did for their debut. Engelin believes their live experience allowed them to develop a stronger sense of identity as a band. "We sound more confident… doing 96 shows for the first album, that's a lot," he said.
As for the band's creative process, Engelin highlighted the importance of collaboration and fun. The songwriting is formulated on positive energy and mutual respect. "We do a lot of hanging out, talking about old albums, enjoying each other's company," he explained. While Engelin may bring a "skeleton" of a song to the table, the process is always collaborative, with every band member contributing their unique ideas to shape the final product. It's all about creating music in an environment of joy, as he emphasised: "If it's not fun, we just drop it."
When discussing the band's dynamics, Engelin revealed that despite their busy schedules, they maintain a close relationship. They keep in touch regularly through texts, emails, or phone calls. Though family, other projects, and tight touring schedules keep them occupied, a strong sense of camaraderie fuels their music.
Looking ahead, The Halo Effect is eager to return to Australia on their next tour. Fans can expect a mix of new tracks and fan favourites from their previous albums. "Some songs need to grow on you," Engelin noted, reflecting on the band's evolving live experience.
In closing, Engelin explained that the band's name, The Halo Effect, represents positivity and good4 energy. "It stands for something positive," he said, a sentiment heard in every note they play.
March of the Unheard is set for release on January 10 through Nuclear Blast Records.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63237566Mon, 09 Dec 2024 12:44:17 +0000HEAVY MagazineInterview by Angela Croudace Niclas Engelin, guitarist of Swedish melodic death metal band The Halo Effect, spoke to HEAVY about the band's journey and their new album March of the Unheard. Engelin shared insights into the album-making process, the...Niclas Engelin, guitarist of Swedish melodic death metal band The Halo Effect, spoke to HEAVY about the band's journey and their new album March of the Unheard. Engelin shared insights into the album-making process, the band's evolution, and the importance of positive energy in their music.
Regarding the new album, Engelin revealed that March of the Unheard consists entirely of fresh material. Niclas reflected on how the band initially overproduced some songs, but eventually honed the track list by focusing on the album's overall vision. "You need to stay focused and hold a torch," he explained, noting how the band ensured every song fit within the album's structure.
The first single, Detonate, was chosen as the lead track because of its fast pace, intricate guitar work, and catchy melodies. "It represents the album quite a bit," said Engelin. "It's a little bit more of everything this time."
The album's more confident and cohesive sound reflects the band's growth, partly thanks to the extensive live touring they did for their debut. Engelin believes their live experience allowed them to develop a stronger sense of identity as a band. "We sound more confident… doing 96 shows for the first album, that's a lot," he said.
As for the band's creative process, Engelin highlighted the importance of collaboration and fun. The songwriting is formulated on positive energy and mutual respect. "We do a lot of hanging out, talking about old albums, enjoying each other's company," he explained. While Engelin may bring a "skeleton" of a song to the table, the process is always collaborative, with every band member contributing their unique ideas to shape the final product. It's all about creating music in an environment of joy, as he emphasised: "If it's not fun, we just drop it."
When discussing the band's dynamics, Engelin revealed that despite their busy schedules, they maintain a close relationship. They keep in touch regularly through texts, emails, or phone calls. Though family, other projects, and tight touring schedules keep them occupied, a strong sense of camaraderie fuels their music.
Looking ahead, The Halo Effect is eager to return to Australia on their next tour. Fans can expect a mix of new tracks and fan favourites from their previous albums. "Some songs need to grow on you," Engelin noted, reflecting on the band's evolving live experience.
In closing, Engelin explained that the band's name, The Halo Effect, represents positivity and good4 energy. "It stands for something positive," he said, a sentiment heard in every note they play.
March of the Unheard is set for release on January 10 through Nuclear Blast Records.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1226heavy,heavymetal,interview,music,nuclearblastrecords,podcast,thehaloeffecttruefullhttps://www.spreaker.com/episode/carbon-black-s-ten-year-journey-a-groove-metal-revival-with-jon-hurley--63237125For over a decade Carbon Black have been steadily making their mark in the Australian groove metal scene. With a reputation for hard-hitting, groove-laden riffs and an undeniable stage presence, the Wollongong-based band has persevered through line-up changes, tough times, and the ever-evolving music industry.
Lead vocalist Jon Hurley reflects on the band's journey, their upcoming re-release of the EP Principium 2.0, and recent collaborations with some of metal's heavyweights, including Tim 'Ripper' Owens of Judas Priest.
"We've been going for a little over 10 years now," Hurley says, a mix of disbelief and pride in his voice. "It's funny to look back and think about how we started, and everything we've done to get to this point."
The band's latest release, Principium 2.0, is a refreshed and revitalised version of their original EP. Hurley and the band saw it as the perfect opportunity to revisit the early material that helped put them on the map. "When we first started, we didn't have many songs, and we definitely didn't have a stable line-up," he explains. "We rushed things out—wrote 40 minutes of material in a matter of weeks. And while we were proud of what we did, we knew that there was more we could bring to the table."
The stable line-up that has been integral to the band's recent successes consists of Hurley (vocals), Rob Giles (bass), Damon Bishop (guitar), and Steve Giles (drums), who joined six years ago. This line-up shift, notably the addition of Steve, was a game-changer for the band. "It took us a while to find a stable drummer," Hurley admits. "But now, with Steve, we've been able to really inject some personality into our old tracks and make them something special."
The refreshed Principium marks a musical evolution for Carbon Black and celebrates their perseverance as a band. "It's a celebration of 10 years of hard work," Hurley says. "We've been through a lot, and we're still standing strong. This is just the beginning for us."
Alongside the re-release of Principium, Carbon Black has also gained recognition for its collaboration with Tim "Ripper" Owens. The band teamed up with the former Judas Priest and Iced Earth vocalist for a guest feature on one of their tracks, Under Order, during the pandemic. "It was a stroke of luck," Hurley explains. "We were trying to figure out how to make a splash with our new album, and Rob came across the opportunity to work with Ripper. It felt like the perfect fit."
Owens' contribution to the track added a new dynamic to the band's sound, blending their groove metal roots with his renowned vocal power. "He was incredibly professional," Hurley recalls. "He sent us three different takes, and we ended up picking the one that felt the most natural. It worked out perfectly."
Looking back on the band's rise, Hurley notes that their growth has come with challenges. "In the Australian music scene, especially in heavy metal, there are thousands of bands fighting for attention," he says. "But we've managed to stay relevant because of our hard work, stage presence, and the connections we've made along the way. We're lucky, but we're also really driven."
As the band prepares to hit the road once again, Hurley is excited to bring the new material to fans. "We're definitely planning to perform Principium in full on tour, along with some older tracks," he shares. "It's going to be a celebration of everything we've done, and we can't wait to see our fans again."
For fans looking to get their hands on the physical release of Principium 2.0, Hurley recommends checking out their Bandcamp page. "We always have limited edition merch and hard copies available at shows," he says. "We've got everything from T-shirts to coasters, and even undies. It's all about giving our fans something special."
Reflecting on Carbon Black's journey, Hurley sums it up with a mixture of gratitude and determination. "What does Carbon Black mean to me? It's everything. It's a way of life. It's a family, and it's the best thing I've ever been a part of. We've worked hard, and we're not stopping anytime soon."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63237125Mon, 09 Dec 2024 12:02:20 +0000HEAVY MagazineInterview by Angela Croudace For over a decade Carbon Black have been steadily making their mark in the Australian groove metal scene. With a reputation for hard-hitting, groove-laden riffs and an undeniable stage presence, the Wollongong-based band...For over a decade Carbon Black have been steadily making their mark in the Australian groove metal scene. With a reputation for hard-hitting, groove-laden riffs and an undeniable stage presence, the Wollongong-based band has persevered through line-up changes, tough times, and the ever-evolving music industry.
Lead vocalist Jon Hurley reflects on the band's journey, their upcoming re-release of the EP Principium 2.0, and recent collaborations with some of metal's heavyweights, including Tim 'Ripper' Owens of Judas Priest.
"We've been going for a little over 10 years now," Hurley says, a mix of disbelief and pride in his voice. "It's funny to look back and think about how we started, and everything we've done to get to this point."
The band's latest release, Principium 2.0, is a refreshed and revitalised version of their original EP. Hurley and the band saw it as the perfect opportunity to revisit the early material that helped put them on the map. "When we first started, we didn't have many songs, and we definitely didn't have a stable line-up," he explains. "We rushed things out—wrote 40 minutes of material in a matter of weeks. And while we were proud of what we did, we knew that there was more we could bring to the table."
The stable line-up that has been integral to the band's recent successes consists of Hurley (vocals), Rob Giles (bass), Damon Bishop (guitar), and Steve Giles (drums), who joined six years ago. This line-up shift, notably the addition of Steve, was a game-changer for the band. "It took us a while to find a stable drummer," Hurley admits. "But now, with Steve, we've been able to really inject some personality into our old tracks and make them something special."
The refreshed Principium marks a musical evolution for Carbon Black and celebrates their perseverance as a band. "It's a celebration of 10 years of hard work," Hurley says. "We've been through a lot, and we're still standing strong. This is just the beginning for us."
Alongside the re-release of Principium, Carbon Black has also gained recognition for its collaboration with Tim "Ripper" Owens. The band teamed up with the former Judas Priest and Iced Earth vocalist for a guest feature on one of their tracks, Under Order, during the pandemic. "It was a stroke of luck," Hurley explains. "We were trying to figure out how to make a splash with our new album, and Rob came across the opportunity to work with Ripper. It felt like the perfect fit."
Owens' contribution to the track added a new dynamic to the band's sound, blending their groove metal roots with his renowned vocal power. "He was incredibly professional," Hurley recalls. "He sent us three different takes, and we ended up picking the one that felt the most natural. It worked out perfectly."
Looking back on the band's rise, Hurley notes that their growth has come with challenges. "In the Australian music scene, especially in heavy metal, there are thousands of bands fighting for attention," he says. "But we've managed to stay relevant because of our hard work, stage presence, and the connections we've made along the way. We're lucky, but we're also really driven."
As the band prepares to hit the road once again, Hurley is excited to bring the new material to fans. "We're definitely planning to perform Principium in full on tour, along with some older tracks," he shares. "It's going to be a celebration of everything we've done, and we can't wait to see our fans again."
For fans looking to get their hands on the physical release of Principium 2.0, Hurley recommends checking out their Bandcamp page. "We always have limited edition merch and hard copies available at shows," he says. "We've got everything from T-shirts to coasters, and even undies. It's all about giving our fans something special."
Reflecting on Carbon Black's journey, Hurley sums it up with a mixture of gratitude and determination. "What does...]]>1172australia,carbonblack,heavy,heavymetal,interview,music,podcasttruefullhttps://www.spreaker.com/episode/heavy-talks-with-killing-heidi-backstage-at-good-things-2024--63214500Killing Heidi are still mesmerising audiences decades after sharing their life and struggles via music. Their enduring popularity and renewed zest saw the band rewarded with a slot at GOOD THINGS 2024.
HEAVY caught up with guitarist Jesse Hooper to find out more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63214500Sat, 07 Dec 2024 23:38:02 +0000HEAVY MagazineIf the rebellious youth of society had a queen back in the mid to late 80's you can bet your life that queen would have been a seemingly shy young lady from Violet Town called Ella Hooper. Coupling her struggles of being brought up in a small country...Killing Heidi are still mesmerising audiences decades after sharing their life and struggles via music. Their enduring popularity and renewed zest saw the band rewarded with a slot at GOOD THINGS 2024.
HEAVY caught up with guitarist Jesse Hooper to find out more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>732australia,destroyalllines,goodthingsfestival,heavy,interview,killingheidi,music,rocktruefullhttps://www.spreaker.com/episode/backstage-with-donita-sparks-from-l7-at-good-things-festival-2024--63214496Never ones to shy away from confrontation or back down from their beliefs, L7 have survived hiatuses, member changes and the changing tide of opinion to emerge even stronger than before. Despite the constant state of turmoil that has managed to afflict daily life, L7 have endured, harnessing that anger and resentment into an undeniable force of music that presently sees the band back in Australia once more.
HEAVY caught up with frontwoman Donita Sparks ahead of L7's first show of GOOD THINGS 2024 to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63214496Sat, 07 Dec 2024 23:28:37 +0000HEAVY MagazineAmerican rock outfit L7 are just as relevant today as they were when they formed back in 1985.  Never ones to shy away from confrontation or back down from their beliefs, L7 have survived hiatuses, member changes and the changing tide of opinion to...Never ones to shy away from confrontation or back down from their beliefs, L7 have survived hiatuses, member changes and the changing tide of opinion to emerge even stronger than before. Despite the constant state of turmoil that has managed to afflict daily life, L7 have endured, harnessing that anger and resentment into an undeniable force of music that presently sees the band back in Australia once more.
HEAVY caught up with frontwoman Donita Sparks ahead of L7's first show of GOOD THINGS 2024 to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>866australia,destroyalllines,goodthingsfestival,hardrock,heavy,interview,l7,music,rocktruefullhttps://www.spreaker.com/episode/heavy-catches-up-with-sleeping-with-sirens-backstage-at-good-things-festival-2024--63214495The band rose to fame early on with their song If I'm James Dean, You're Audrey Hepburn, the lead single from their debut album With Ears to See and Eyes to Hear, which was released in 2010. Their second album, Let's Cheers to This, was released in 2011 and became a breakout for the band, thanks to the popular single If You Can't Hang, which was quickly certified Gold.
But as consistently good as their music has been, Sleeping With Sirens have never been ones to take themselves too seriously. In an age where many are afraid to sneeze for fear of offending someone, Sleeping With Sirens have stayed true to their convictions and whimsical nature, delivering a succession of well received albums that have played a part in the position we currently find the band.
Back in Australia for their second Good Things appearance at a festival that is only three years old. 
HEAVY first met the rockers at Good Things 2022, facing the daunting proposition of a virtual baptism of fire when we drew them first cab off the rank for what was our first ever backstage festival round of interviews.
As it was again last Friday when the Metal Gods dished up Sleeping With Sirens for us to open the day with once more. But this time we were ready...Good Things 2024 tickets and more details: https://goodthingsfestival.com.au/



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63214495Sat, 07 Dec 2024 23:07:16 +0000HEAVY MagazineUS rock outfit Sleeping With Sirens have made their career on a combination of honesty, music and humour. The band rose to fame early on with their song If I'm James Dean, You're Audrey Hepburn, the lead single from their debut album With Ears to See...The band rose to fame early on with their song If I'm James Dean, You're Audrey Hepburn, the lead single from their debut album With Ears to See and Eyes to Hear, which was released in 2010. Their second album, Let's Cheers to This, was released in 2011 and became a breakout for the band, thanks to the popular single If You Can't Hang, which was quickly certified Gold.
But as consistently good as their music has been, Sleeping With Sirens have never been ones to take themselves too seriously. In an age where many are afraid to sneeze for fear of offending someone, Sleeping With Sirens have stayed true to their convictions and whimsical nature, delivering a succession of well received albums that have played a part in the position we currently find the band.
Back in Australia for their second Good Things appearance at a festival that is only three years old. 
HEAVY first met the rockers at Good Things 2022, facing the daunting proposition of a virtual baptism of fire when we drew them first cab off the rank for what was our first ever backstage festival round of interviews.
As it was again last Friday when the Metal Gods dished up Sleeping With Sirens for us to open the day with once more. But this time we were ready...Good Things 2024 tickets and more details: https://goodthingsfestival.com.au/



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>643australia,destroyalllines,goodthingsfetival,heavy,interview,krispeters,music,podcast,rock,sleepingwithsirenstruefullhttps://www.spreaker.com/episode/heavy-talks-to-reliqa-backstage-at-good-things-festival-2024--63192553Sydney music machine Reliqa are one of the bands.
Despite their relative youth in the cogs of the unforgiving music scene, Reliqa continue to push the boundaries of the acceptable parameters of modern music. Their May debut album Secrets Of The Future was a breath of fresh air - delivered with the subtlety of a sledgehammer - laying the platform for a sustained assault on the music world based on self belief and conviction rather than expectation.
The band are content to ride a steady wave to success, paying their dues through headlining tours of their own, as well as a multitude of high profile international support to help build a solid fan base. That eye on the future continues this weekend as Reliqa rub shoulders with bands such as Korn, Mastodon, Kerry King and Billy Corgan as part of Good Things 2024.
HEAVY caught up with vocalist Monique Pym ahead of Reliqa's first show.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63192553Fri, 06 Dec 2024 21:52:40 +0000HEAVY MagazineWhile safety first is becoming an increasingly mundane and almost conformist part of the global music scene, there are bands out there who refuse to yield, preferring to allow their natural creativity dictate the terms of music rather than cater to...Sydney music machine Reliqa are one of the bands.
Despite their relative youth in the cogs of the unforgiving music scene, Reliqa continue to push the boundaries of the acceptable parameters of modern music. Their May debut album Secrets Of The Future was a breath of fresh air - delivered with the subtlety of a sledgehammer - laying the platform for a sustained assault on the music world based on self belief and conviction rather than expectation.
The band are content to ride a steady wave to success, paying their dues through headlining tours of their own, as well as a multitude of high profile international support to help build a solid fan base. That eye on the future continues this weekend as Reliqa rub shoulders with bands such as Korn, Mastodon, Kerry King and Billy Corgan as part of Good Things 2024.
HEAVY caught up with vocalist Monique Pym ahead of Reliqa's first show.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>812australia,goodthingsfestival,hardrock,heavy,heavymetal,interview,music,reliqa,rocktruefullhttps://www.spreaker.com/episode/heavy-talks-to-kerry-king-backstage-at-good-things-2024--63192774After conquering the world of metal for four decades as part of the legendary outfit, King suddenly found himself cut off from the world he knew and helped create. It was to become a pivotal moment in King's career, who knew with every fibre of his being that he was not done with music.
Nor it with him.
King buried himself in the major constant in his life, working on, and ultimately releasing his debut album From Hell I Rise. Featuring a new-look band, King released an album as expected, echoing ghosts of future musical pasts but also creating a definitive body of work that emphatically revealed just how much of his own DNA was embedded in Slayer's music.
Now, King is in Australia for the first time with his new band, ripping it up as part of Good Things 2024. HEAVY had the pleasure of chatting with the great man before the first show in Melbourne.Good Things Festival hits Sydney on December 7 before moving to Brisbane for the final show on December 8.
Tickets and more details: https://goodthingsfestival.com.au/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63192774Fri, 06 Dec 2024 20:34:08 +0000HEAVY MagazineWhen thrash legends Slayer called it a day last year, it left a gaping hole in guitarist Kerry King's musical psyche that was impossible to fill. After conquering the world of metal for four decades as part of the legendary outfit, King suddenly found...After conquering the world of metal for four decades as part of the legendary outfit, King suddenly found himself cut off from the world he knew and helped create. It was to become a pivotal moment in King's career, who knew with every fibre of his being that he was not done with music.
Nor it with him.
King buried himself in the major constant in his life, working on, and ultimately releasing his debut album From Hell I Rise. Featuring a new-look band, King released an album as expected, echoing ghosts of future musical pasts but also creating a definitive body of work that emphatically revealed just how much of his own DNA was embedded in Slayer's music.
Now, King is in Australia for the first time with his new band, ripping it up as part of Good Things 2024. HEAVY had the pleasure of chatting with the great man before the first show in Melbourne.Good Things Festival hits Sydney on December 7 before moving to Brisbane for the final show on December 8.
Tickets and more details: https://goodthingsfestival.com.au/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>520goodthingsfestival,heavy,heavymetal,interview,kerryking,slayer,thrashmetaltruefullhttps://www.spreaker.com/episode/backstage-at-good-things-2024-with-the-living-end--63192777Their 1997 EP Prisoner Of Society/Second Solution quickly became the barometer for musical uprising amongst the youth of the world, catapulting the band into the spotlight, from which they have never strayed far.
Last year saw The Living End celebrate the 25th anniversary of that breakthrough EP, with the band having all but separated themselves from that chaotic side to their nature without ever losing the trust and respect of their fans.
2024 has seen the band perform at a selection of different festivals, all with vastly different demographics yet united by one cause.
Music.
After wowing crowds at the Mundi Mundi Bash recently, The Living End next set their sights on the open sea as part of Rock The Boat 2024 and now find themselves closing out the year as part of Good Things 2024. It is a fitting reward for effort for the hard rocking trio, with frontman Chris Cheney understandably content when HEAVY caught up with him ahead of the first show.Good Things Festival hits Sydney on December 7 before moving to Brisbane for the final show on December 8.
Tickets and more details: https://goodthingsfestival.com.au/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63192777Fri, 06 Dec 2024 19:39:54 +0000HEAVY MagazineThe Living End are one of the few bands ever to successfully negotiate the chasm between punk rock sensibilities and mainstream success without losing their integrity. Their 1997 EP Prisoner Of Society/Second Solution quickly became the barometer for...Their 1997 EP Prisoner Of Society/Second Solution quickly became the barometer for musical uprising amongst the youth of the world, catapulting the band into the spotlight, from which they have never strayed far.
Last year saw The Living End celebrate the 25th anniversary of that breakthrough EP, with the band having all but separated themselves from that chaotic side to their nature without ever losing the trust and respect of their fans.
2024 has seen the band perform at a selection of different festivals, all with vastly different demographics yet united by one cause.
Music.
After wowing crowds at the Mundi Mundi Bash recently, The Living End next set their sights on the open sea as part of Rock The Boat 2024 and now find themselves closing out the year as part of Good Things 2024. It is a fitting reward for effort for the hard rocking trio, with frontman Chris Cheney understandably content when HEAVY caught up with him ahead of the first show.Good Things Festival hits Sydney on December 7 before moving to Brisbane for the final show on December 8.
Tickets and more details: https://goodthingsfestival.com.au/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>741australia,chrischeney,goodthingsfestival,heavy,interview,punk,rock,thelivingendtruefullhttps://www.spreaker.com/episode/from-soundgarden-to-shallow-zaac-thompson-of-nonberk-on-nature-music-and-the-band-s-evolution--63157078Brisbane-based alternative rock trio Nonberk have made waves in the local scene since their formation in 2019. Led by frontman Zaac Thompson, the band's sound channels heavy 90s grunge influences like Soundgarden, Silverchair, and Alice In Chains. Their powerful riffs and raw lyrics have earned them a dedicated following, with each release bringing something fresh to the table.
In a candid interview, Zaac shared insights into Nonberk's journey, creative process, and new single, Shallow, which captures their evolving sound. The band's origin story goes back to Zaac's university days, where he met drummer Sam Monk. Their shared love for music soon brought bass player Kevin Boga into the fold, who had been active in Brisbane's alternative rock scene. Despite line-up changes and the challenges posed by the pandemic, Nonberk found their groove during lockdowns, using the time to focus on writing and refining their music.
Regarding the band's name, Zaac admits that coming up with something unique was a challenge. "I wanted something original—something you'd never forget," he says. Nonberk is a made-up word, symbolising the band's unconventional approach to music. For Zaac, it represents a "non stupid person" in a playful, self-deprecating way, reflecting their experimental nature and desire to push musical boundaries.
The band's latest album, Elements, marks a significant shift in their sound. After a line-up change, Zaac swapped from bass to guitar, influencing the new tracks' dynamics. The album's theme draws inspiration from nature, with songs written in various outdoor settings, from beaches to forests. Shallow, the first single from the album, exemplifies this connection to nature. Zaac explains that the song's flowing verses reflect the serenity of the beach, while the deeper lyrical themes explore existential questions about loss and the human experience.
Beyond his work with Nonberk, Zaac's musical influences span across genres. From the hard-hitting riffs of Black Sabbath to the quirky humour of Tenacious D, he draws inspiration from a wide range of artists. "I try to pull influences from all kinds of music," he says, mentioning his appreciation for jazz and classical music alongside rock and metal.
Nonberk's music is marked by its emotional depth and sonic texture, with collaborations like the one with cellist Nicholas Tam on their album adding further richness to their sound.
With an album launch on the horizon and plans for a 5th-anniversary edition of their debut album, Nonberk is poised for an exciting year ahead. Zaac says, "It's all about challenging ourselves and pushing our sound to new places." Keep an eye on them—Nonberk's journey is only just beginning.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63157078Thu, 05 Dec 2024 03:53:39 +0000HEAVY MagazineInterview by Angela Croudace Brisbane-based alternative rock trio Nonberk have made waves in the local scene since their formation in 2019. Led by frontman Zaac Thompson, the band's sound channels heavy 90s grunge influences like Soundgarden,...Brisbane-based alternative rock trio Nonberk have made waves in the local scene since their formation in 2019. Led by frontman Zaac Thompson, the band's sound channels heavy 90s grunge influences like Soundgarden, Silverchair, and Alice In Chains. Their powerful riffs and raw lyrics have earned them a dedicated following, with each release bringing something fresh to the table.
In a candid interview, Zaac shared insights into Nonberk's journey, creative process, and new single, Shallow, which captures their evolving sound. The band's origin story goes back to Zaac's university days, where he met drummer Sam Monk. Their shared love for music soon brought bass player Kevin Boga into the fold, who had been active in Brisbane's alternative rock scene. Despite line-up changes and the challenges posed by the pandemic, Nonberk found their groove during lockdowns, using the time to focus on writing and refining their music.
Regarding the band's name, Zaac admits that coming up with something unique was a challenge. "I wanted something original—something you'd never forget," he says. Nonberk is a made-up word, symbolising the band's unconventional approach to music. For Zaac, it represents a "non stupid person" in a playful, self-deprecating way, reflecting their experimental nature and desire to push musical boundaries.
The band's latest album, Elements, marks a significant shift in their sound. After a line-up change, Zaac swapped from bass to guitar, influencing the new tracks' dynamics. The album's theme draws inspiration from nature, with songs written in various outdoor settings, from beaches to forests. Shallow, the first single from the album, exemplifies this connection to nature. Zaac explains that the song's flowing verses reflect the serenity of the beach, while the deeper lyrical themes explore existential questions about loss and the human experience.
Beyond his work with Nonberk, Zaac's musical influences span across genres. From the hard-hitting riffs of Black Sabbath to the quirky humour of Tenacious D, he draws inspiration from a wide range of artists. "I try to pull influences from all kinds of music," he says, mentioning his appreciation for jazz and classical music alongside rock and metal.
Nonberk's music is marked by its emotional depth and sonic texture, with collaborations like the one with cellist Nicholas Tam on their album adding further richness to their sound.
With an album launch on the horizon and plans for a 5th-anniversary edition of their debut album, Nonberk is poised for an exciting year ahead. Zaac says, "It's all about challenging ourselves and pushing our sound to new places." Keep an eye on them—Nonberk's journey is only just beginning.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>988angelacroudace,australia,grunge,hardrock,heavy,interview,nonberk,podcast,rock,zaacthompsontruefullhttps://www.spreaker.com/episode/new-skeletal-faces-push-boundaries-with-until-the-night-punk-metal-and-gothic-fusion-redefined--63156698The band quickly points out how Until the Night differs from its predecessor. While Celestial Disease laid the foundation for New Skeletal Faces' identity Until the Night expands the band's sonic palette. "The songs are a lot more catchy on this album," Fritz explained. "It's just fucking catchy here to me." The album delves into a wider range of styles, from the aggressive, headbang-worthy Pagan War (arguably their heaviest track yet) to the darker, death-rock vibe of Enchantment of My Inner Coldness.
Void also appreciates the new album's diversity: "There's stuff on Until the Night that's more punk, and stuff that's heavier than anything on Celestial Disease. It branches and pushes in every direction."
Until the Night marks New Skeletal Faces' debut release on the legendary Peaceville Records. For the band, signing with the iconic label felt like a major milestone. "This is the first time I've ever been on a label of this size, so it's a big deal," Fritz said. Void added, "When we found out that they were interested, it was the easiest yes to ever say." The band had long admired Peaceville's roster, which includes genre-defining acts like Anathema, Paradise Lost, and Opeth. The support from Peaceville has been invaluable, allowing the band to stay true to their vision. "They immediately understood what we were about," Void said, noting how the label supported the band's unique artistic choices, including the gold foil album cover and custom vinyl variants.
Speaking of the album cover, Until the Night features artwork by none other than Errol Fritz himself. Fritz, who also created the cover for the band's Sextinction EP, took a minimalist yet striking approach to the design. "Sometimes simplicity is better," he explained. "There's not a whole lot going on, but it says a lot." The artwork, which captures raw emotion, was a perfect complement to the album's diverse and atmospheric sound. "The minute you showed us those sick paintings of yours, we just knew they were the ones," Void said, praising Fritz's talent.
The band also discussed making the music video for Ossuary Lust, filmed in a chapel in a cemetery just five minutes from Fritz's home. "We broke into this little chapel and just started filming," Fritz recalled. Despite the somewhat illicit nature of the shoot, the band had no issues with the church authorities. "Nobody stopped us. No priests walked in and tried to throw holy water on us," Fritz joked. The video, filled with striking imagery and a sense of rebellion, mirrors the band's aesthetic and attitude—uncompromising and raw.
Another highlight for the band was working with legendary producer Bill Metoyer (Slayer, W.A.S.P., and the godfather of Los Angeles heavy metal). "Bill is a legend," Void said. "His resume speaks for itself." The band recorded Until the Night themselves before bringing the material to Metoyer for the final production. "It was incredible," Fritz noted, explaining how Mitoia understood the band's vision and helped bring it to life. Fritz and Void formed a personal bond with Metoyer outside the studio, enjoying nights of casual drinks and conversation. "He's just a lot of fun," Void said. "We hit it off with him immediately."
When asked what sets New Skeletal Faces apart from today's musical landscape, the band had a simple answer: nearly everything. "We're too heavy for goth, and then we're too goth for metal," Fritz said. "We're not political enough for punk. We don't really fit into current trends." This genre-defying approach has earned the band a loyal following, with fans drawn to their unique sound that blends elements from multiple genres without being confined to any single one.
When it comes to musical influences, New Skeletal Faces draws inspiration from an eclectic mix of artists, including Celtic Frost, The Cure, David Bowie, P.I.L., and Killing Joke. These bands, known for their boundary-pushing styles, have significantly shaped New Skeletal Faces' sound. "
Looking ahead, the band is eager to continue experimenting and expanding their sound, creating music that is as unpredictable and exciting as their live shows. As Void said, "We just want to keep making music that stands out and pushes boundaries."
With Until the Night, New Skeletal Faces has delivered an album that is as ambitious as it is bold—marking the beginning of a new era for the band. As they continue to challenge expectations, one thing is clear: New Skeletal Faces is a force to be reckoned with in the world of heavy music.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63156698Thu, 05 Dec 2024 03:17:05 +0000HEAVY MagazineNew Skeletal Faces, the genre-defying band led by Errol Fritz (vocals/guitar) and Don Void (drums), has once again pushed musical boundaries with their latest release, Until the Night. Following their debut, Celestial Disease, Until the Night...The band quickly points out how Until the Night differs from its predecessor. While Celestial Disease laid the foundation for New Skeletal Faces' identity Until the Night expands the band's sonic palette. "The songs are a lot more catchy on this album," Fritz explained. "It's just fucking catchy here to me." The album delves into a wider range of styles, from the aggressive, headbang-worthy Pagan War (arguably their heaviest track yet) to the darker, death-rock vibe of Enchantment of My Inner Coldness.
Void also appreciates the new album's diversity: "There's stuff on Until the Night that's more punk, and stuff that's heavier than anything on Celestial Disease. It branches and pushes in every direction."
Until the Night marks New Skeletal Faces' debut release on the legendary Peaceville Records. For the band, signing with the iconic label felt like a major milestone. "This is the first time I've ever been on a label of this size, so it's a big deal," Fritz said. Void added, "When we found out that they were interested, it was the easiest yes to ever say." The band had long admired Peaceville's roster, which includes genre-defining acts like Anathema, Paradise Lost, and Opeth. The support from Peaceville has been invaluable, allowing the band to stay true to their vision. "They immediately understood what we were about," Void said, noting how the label supported the band's unique artistic choices, including the gold foil album cover and custom vinyl variants.
Speaking of the album cover, Until the Night features artwork by none other than Errol Fritz himself. Fritz, who also created the cover for the band's Sextinction EP, took a minimalist yet striking approach to the design. "Sometimes simplicity is better," he explained. "There's not a whole lot going on, but it says a lot." The artwork, which captures raw emotion, was a perfect complement to the album's diverse and atmospheric sound. "The minute you showed us those sick paintings of yours, we just knew they were the ones," Void said, praising Fritz's talent.
The band also discussed making the music video for Ossuary Lust, filmed in a chapel in a cemetery just five minutes from Fritz's home. "We broke into this little chapel and just started filming," Fritz recalled. Despite the somewhat illicit nature of the shoot, the band had no issues with the church authorities. "Nobody stopped us. No priests walked in and tried to throw holy water on us," Fritz joked. The video, filled with striking imagery and a sense of rebellion, mirrors the band's aesthetic and attitude—uncompromising and raw.
Another highlight for the band was working with legendary producer Bill Metoyer (Slayer, W.A.S.P., and the godfather of Los Angeles heavy metal). "Bill is a legend," Void said. "His resume speaks for itself." The band recorded Until the Night themselves before bringing the material to Metoyer for the final production. "It was incredible," Fritz noted, explaining how Mitoia understood the band's vision and helped bring it to life. Fritz and Void formed a personal bond with Metoyer outside the studio, enjoying nights of casual drinks and conversation. "He's just a lot of fun," Void said. "We hit it off with him immediately."
When asked what sets New Skeletal Faces apart from today's musical landscape, the band had a simple answer: nearly everything. "We're too heavy for goth, and then we're too goth for metal," Fritz said....]]>1410gothicmetal,heavy,heavymetal,interview,music,newskeletalfaces,podcasttruefullhttps://www.spreaker.com/episode/great-things-with-matt-brandyberry-of-from-ashes-to-new--63089324It is already their best performing album, so much so that it has propelled them across the world for their first visit to Australia when they hit the stage as part of Good Things 2024, starting in Melbourne on December 6 before moving through Sydney and Brisbane over consecutive days. It is hard to believe this will be From Ashes To New's debut performance Down Under, with HEAVY getting the opportunity to talk with vocalist Matt Brandyberry to find out more.
In the full interview, Matt expressed his excitement about his first tour of Australia, which he has been wanting to do for over a decade. He mentioned that he has no idea what to expect from Australian crowds and that he is looking forward to a stripped-down, old-school throwdown-style show.
We spoke about their performance at Good Things and who he was more looking forward to playing with, the vibe backstage at festivals and catching up with old friends and the difference between the dynamics between bands at festivals and on smaller tours which led to a chat about From Ashes To New's own headlining sideshows. He also mentioned that fans could expect to hear a few different songs from Blackout Deluxe, which featured collaborations with various artists. Matt expressed satisfaction with the album's performance and the positive fan reaction to the risk they took by releasing it. He used the example of Bad Omens' success with their album Death of Peace of Mind to illustrate the importance of taking risks in the music industry.
Matt also revealed that From Ashes to New are working on new material, but due to personal and work commitments, the process has been slow. He emphasized the importance of taking risks and being genuine in their music, aiming to create something that will resonate with fans for decades.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/63089324Sun, 01 Dec 2024 05:28:22 +0000HEAVY MagazineFrom Ashes To New have had a stellar 2024, with the release of Blackout Deluxe capitalising on the success of the original album and opening up the band to a wider fanbase who got to hear a different side of the band's musical psyche. It is already...It is already their best performing album, so much so that it has propelled them across the world for their first visit to Australia when they hit the stage as part of Good Things 2024, starting in Melbourne on December 6 before moving through Sydney and Brisbane over consecutive days. It is hard to believe this will be From Ashes To New's debut performance Down Under, with HEAVY getting the opportunity to talk with vocalist Matt Brandyberry to find out more.
In the full interview, Matt expressed his excitement about his first tour of Australia, which he has been wanting to do for over a decade. He mentioned that he has no idea what to expect from Australian crowds and that he is looking forward to a stripped-down, old-school throwdown-style show.
We spoke about their performance at Good Things and who he was more looking forward to playing with, the vibe backstage at festivals and catching up with old friends and the difference between the dynamics between bands at festivals and on smaller tours which led to a chat about From Ashes To New's own headlining sideshows. He also mentioned that fans could expect to hear a few different songs from Blackout Deluxe, which featured collaborations with various artists. Matt expressed satisfaction with the album's performance and the positive fan reaction to the risk they took by releasing it. He used the example of Bad Omens' success with their album Death of Peace of Mind to illustrate the importance of taking risks in the music industry.
Matt also revealed that From Ashes to New are working on new material, but due to personal and work commitments, the process has been slow. He emphasized the importance of taking risks and being genuine in their music, aiming to create something that will resonate with fans for decades.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1092australia,betternoisemusic,destroyalllines,fromashestonew,goodthingsfestival,hardrock,heavy,heavymetal,interview,krispeters,music,podcasttruefullhttps://www.spreaker.com/episode/from-batushka-to-patriarkh-an-exclusive-interview-with-bartek-krysiuk-and-monk-boruta--62986867"Why Australia for our last show?" Bart mused with a hint of humour. "It's actually a coincidence. We're also playing in New Zealand, and I joked that we're going to Mordor with the Batushka name. It's funny how it worked out!" This unexpected decision to end their journey as Batushka on Australian soil adds a unique layer to their farewell tour, thanks to a coincidence in touring logistics.
With the name change comes a new artistic direction. When asked if their upcoming album would differ from their previous work, Krysiuk stated emphatically, "It's a completely different album. RASKOL was more closed, more conceptual. This new work demands your full attention. It's complicated, but that was our intention - to create something that requires engagement."
The melding of Orthodox music with metal has generated considerable interest worldwide. Bart emphasised their uniqueness, saying, "We are something oriental in the whole world. Orthodox faith is not as commonly represented as Catholicism, and we are bringing something different to the table."
The band bubbled with excitement over returning to our shores; "We're thrilled to return to Australia after our last performance at Dark Mofo," Bart shared. "It's a festival like no other, and we can't wait to see what happens. Maybe we'll burn something on stage!" Both musicians laughed at the thought, recalling their theatrical performances that blend music with ritualistic elements.
One of the most intriguing aspects of their music is the use of Church Slavonic lyrics. "For me, it's not difficult," Bart explained. "I come from a region where this language is used. We also blend it with our regional dialect and other languages, creating a rich tapestry of sound and meaning." This commitment to authenticity deepens their connection to the cultural roots of their music.
The new name, Patriarkh, reflects a shift in their narrative. Krysiuk described it as a "sarcastic nod" to their evolution. "Batushka represents a regular priest, while Patriarkh is a higher authoritative figure in the Orthodox Church. It signifies our growth and seriousness as artists."(anyone who has followed Batushka is aware of the departure of a founding member and the subsequent legal battle for the Batushka name and likeness.)
When asked about the band's meaning in their lives, Monk Baruta articulated a blend of passion and pragmatism. "It's the biggest journey of my life. Touring the world and sharing our music is incredible, but it requires sacrifices - relationships, time, and mental strength." Bart echoed this sentiment, emphasising that music is their lifestyle and passion, and they are committed to it despite the challenges.
As we wrapped up, both musicians had heartfelt words for their Australian fans: "We hope you come out to our last show. Bring your icons, and let's make it a memorable night!"
Don't miss the chance to witness the last performance of Batushka in Melbourne on December 13 - an event that promises to be both a celebration and a profound farewell as they transition into Patriarkh, ready to unveil their new vision, cloaks and all!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62986867Sun, 24 Nov 2024 14:22:58 +0000HEAVY MagazineAs the renowned band Batushka prepare for their final performance under this name in Melbourne, HEAVY had the chance to sit down with Monk Boruta and Bartek Krysiuk to explore the reasons behind the name change. Embarking on a new chapter, Batushka..."Why Australia for our last show?" Bart mused with a hint of humour. "It's actually a coincidence. We're also playing in New Zealand, and I joked that we're going to Mordor with the Batushka name. It's funny how it worked out!" This unexpected decision to end their journey as Batushka on Australian soil adds a unique layer to their farewell tour, thanks to a coincidence in touring logistics.
With the name change comes a new artistic direction. When asked if their upcoming album would differ from their previous work, Krysiuk stated emphatically, "It's a completely different album. RASKOL was more closed, more conceptual. This new work demands your full attention. It's complicated, but that was our intention - to create something that requires engagement."
The melding of Orthodox music with metal has generated considerable interest worldwide. Bart emphasised their uniqueness, saying, "We are something oriental in the whole world. Orthodox faith is not as commonly represented as Catholicism, and we are bringing something different to the table."
The band bubbled with excitement over returning to our shores; "We're thrilled to return to Australia after our last performance at Dark Mofo," Bart shared. "It's a festival like no other, and we can't wait to see what happens. Maybe we'll burn something on stage!" Both musicians laughed at the thought, recalling their theatrical performances that blend music with ritualistic elements.
One of the most intriguing aspects of their music is the use of Church Slavonic lyrics. "For me, it's not difficult," Bart explained. "I come from a region where this language is used. We also blend it with our regional dialect and other languages, creating a rich tapestry of sound and meaning." This commitment to authenticity deepens their connection to the cultural roots of their music.
The new name, Patriarkh, reflects a shift in their narrative. Krysiuk described it as a "sarcastic nod" to their evolution. "Batushka represents a regular priest, while Patriarkh is a higher authoritative figure in the Orthodox Church. It signifies our growth and seriousness as artists."(anyone who has followed Batushka is aware of the departure of a founding member and the subsequent legal battle for the Batushka name and likeness.)
When asked about the band's meaning in their lives, Monk Baruta articulated a blend of passion and pragmatism. "It's the biggest journey of my life. Touring the world and sharing our music is incredible, but it requires sacrifices - relationships, time, and mental strength." Bart echoed this sentiment, emphasising that music is their lifestyle and passion, and they are committed to it despite the challenges.
As we wrapped up, both musicians had heartfelt words for their Australian fans: "We hope you come out to our last show. Bring your icons, and let's make it a memorable night!"
Don't miss the chance to witness the last performance of Batushka in Melbourne on December 13 - an event that promises to be both a celebration and a profound farewell as they transition into Patriarkh, ready to unveil their new vision, cloaks and all!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1515australia,batushka,deathmetal,heavy,heavymetal,interview,music,patriarkh,podcast,tourtruefullhttps://www.spreaker.com/episode/rewriting-history-with-alex-rosamilia-from-the-gaslight-anthem--62981961Grabbing the attention of a global audience with their 2007 debut Sink Or Swim, The Gaslight Anthem rammed the point home with their second album The '59 Sound the following year, becoming the first band in British music history to appear on the cover of Kerrang! magazine without the magazine having previously written about them.
Three more albums followed, with 2014's Get Hurt ultimately turning out to be The Gaslight Anthem's last new music in almost a decade when they went on hiatus the following year. As the years passed with only a fleeting one-off show and murmurings rather than rumblings greeting any talk of another crack at music, it seemed The Gaslight Anthem had fired their last shot in anger before announcing a second coming in 2020 which led to the band's sixth release History Books that made an emphatic statement that The Gaslight Anthem weren't just returning for the nostalgia.
The long and tumultuous path has led to the engaging four-piece set to make the long trek to Australia in less than two weeks as part of Good Things Festival 2024 alongside Korn, Electric Callboy, Sum 41, Mastodon, Kerry King and a stack of others. HEAVY spoke with guitarist Alex Rosamilia to get a better feel for what to expect, starting by asking if he is packed and ready to go.
"Um…. I'd like to say yes," he laughed. "But no. I'll be doing that last minute, as per usual." HEAVY points out that with the amount of time The Gaslight Anthem spend on the road, the temptation to drag your feet in your rare down time would win on most occasions.
"Sometimes I just leave them in the bag for the next one," he smiled, "but there was too much time in between this and the last tour."
This will be The Gaslight Anthem's first trip to Australia in almost a decade, so we ask what has changed with the band between visits.
"You mean aside from us all getting married and having kids and starting a family," he joked. "That's probably the biggest change, and it's a pretty big change to have (laughs). It's crazy to think it's been ten years since we've been over there."
In the full interview, Alex talks more about touring life and the atmosphere amongst bands at larger festivals like this. He spoke about The Gaslight Anthem's headlining side shows as well, and how the sets will differ for fans and the different dynamics between festival shows and club gigs.
Alex gave us a glimpse into what fans can expect from The Gaslight Anthem live, giving new listeners three songs to check before heading to Good Things. We looked behind the band's hiatus and reforming the band and how the long layoff might have affected their confidence and cohesion. That led to a chat about their new album History Books and how it was received by fans plus how it represents The Gaslight Anthem moving forward and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62981961Sat, 23 Nov 2024 23:30:04 +0000HEAVY MagazineNew Jersey rock outfit The Gaslight Anthem are experiencing somewhat of a new lease on life. Grabbing the attention of a global audience with their 2007 debut Sink Or Swim, The Gaslight Anthem rammed the point home with their second album The '59...Grabbing the attention of a global audience with their 2007 debut Sink Or Swim, The Gaslight Anthem rammed the point home with their second album The '59 Sound the following year, becoming the first band in British music history to appear on the cover of Kerrang! magazine without the magazine having previously written about them.
Three more albums followed, with 2014's Get Hurt ultimately turning out to be The Gaslight Anthem's last new music in almost a decade when they went on hiatus the following year. As the years passed with only a fleeting one-off show and murmurings rather than rumblings greeting any talk of another crack at music, it seemed The Gaslight Anthem had fired their last shot in anger before announcing a second coming in 2020 which led to the band's sixth release History Books that made an emphatic statement that The Gaslight Anthem weren't just returning for the nostalgia.
The long and tumultuous path has led to the engaging four-piece set to make the long trek to Australia in less than two weeks as part of Good Things Festival 2024 alongside Korn, Electric Callboy, Sum 41, Mastodon, Kerry King and a stack of others. HEAVY spoke with guitarist Alex Rosamilia to get a better feel for what to expect, starting by asking if he is packed and ready to go.
"Um…. I'd like to say yes," he laughed. "But no. I'll be doing that last minute, as per usual." HEAVY points out that with the amount of time The Gaslight Anthem spend on the road, the temptation to drag your feet in your rare down time would win on most occasions.
"Sometimes I just leave them in the bag for the next one," he smiled, "but there was too much time in between this and the last tour."
This will be The Gaslight Anthem's first trip to Australia in almost a decade, so we ask what has changed with the band between visits.
"You mean aside from us all getting married and having kids and starting a family," he joked. "That's probably the biggest change, and it's a pretty big change to have (laughs). It's crazy to think it's been ten years since we've been over there."
In the full interview, Alex talks more about touring life and the atmosphere amongst bands at larger festivals like this. He spoke about The Gaslight Anthem's headlining side shows as well, and how the sets will differ for fans and the different dynamics between festival shows and club gigs.
Alex gave us a glimpse into what fans can expect from The Gaslight Anthem live, giving new listeners three songs to check before heading to Good Things. We looked behind the band's hiatus and reforming the band and how the long layoff might have affected their confidence and cohesion. That led to a chat about their new album History Books and how it was received by fans plus how it represents The Gaslight Anthem moving forward and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>855australia,destroyalllines,goodthingsfestival,heavy,interview,kerryking,korn,krispeters,mastodon,music,podcast,punk,rock,thegaslightanthem,tourtruefullhttps://www.spreaker.com/episode/no-fear-of-falling-as-december-falls-embark-on-next-chapter--62981361Following the breakout success of 2021's album Happier, As December Falls quickly capitalised on their growing momentum, releasing the follow-up Join The Club last year. That album has seen the band on a relentless touring schedule which culminates with As December Falls' first ever headlining tour of Australia over three dates in Melbourne, Sydney and Brisbane in February.
They also have a great new song out, Angry Cry, which kicks off the next album cycle for the Nottingham rockers, meaning As December Falls will enter their second decade with a plethora of opportunities and a growing, loyal fan base.
HEAVY caught up with Beth Curtis and Ande Hunter from the band to discuss their upcoming Australian tour and the themes in their latest single, Angry Cry, which signals a new chapter for the band and revisits the important topic of mental health.
"We may possibly be delving into some new genres," Ande explains, highlighting the evolution in their musical style. This track, described by both members as a departure from their previous work, embodies the raw emotions and struggles many have faced over the past year. As Beth puts it, "We're all dealing with shit still, so let's get that out." This candidness is a hallmark of As December Falls, a band that prioritises connection with its audience through relatable themes and honest lyrics.
Their recent live album, released last September, served as a celebration of the band's past work, a chance to reflect on their journey while setting the stage for what's to come. "We wanted the live album to be a line drawn under that period," Beth states, emphasising their desire to move forward creatively. The band has spent more time in the studio for this upcoming album than ever before, crafting a collection of songs that truly represent who they are as artists. "There's a little bit in there for everyone," Ande assures, suggesting that fans can expect an eclectic mix of sounds and styles.
What sets As December Falls apart is their commitment to remaining an independent band. They proudly run their own label, which gives them creative control and fosters a deep connection with their fans. "I'm so proud of us for getting this far as an independent band," Beth reflects. The duo acknowledges the challenges of independence, such as securing support slots or gaining industry recognition. Still, they choose to focus on the positives, celebrating the strong community they've built around their music.
Their upcoming tour in Australia marks a significant milestone for As December Falls, as it will be their first time performing in the country. "I'm so excited," Ande shares, looking forward to connecting with new fans. This tour, a blend of hard work and a well-deserved holiday, showcases their commitment to live performance - a cornerstone of their identity. As they gear up for this adventure, they're determined to make the most of every moment, both on and off-stage.
When asked about their musical influences and personal tastes, Beth and Ande reveal a wide range of genres that inspire them, from pop to rock. This eclecticism not only shapes their music but also resonates with their audience. "Our fans are genuinely the best," Beth affirms, emphasising the importance of community in their journey.
With their new single and upcoming tour, As December Falls is poised to continue making waves in the music scene, inviting fans along for the ride. As they put it, "We're still the same thing as you are," proving that connection and relatability are at the heart of their mission.
With their sights set on the future, the band is ready to take on new challenges and opportunities, ensuring that every note resonates with the people who fiercely and loyally support them, their "little group of weirdo's" as Beth put it. We're all too happy to be a part of that group of 'weirdos' when a band like theirs remains honest, raw, and grateful to their fans.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62981361Sat, 23 Nov 2024 21:57:22 +0000HEAVY MagazineAs they say, there's no rest for the wicked, which is precisely why As December Falls are in the thick of things heading into the tail end of 2024, their tenth year as a band. Following the breakout success of 2021's album Happier, As December Falls...Following the breakout success of 2021's album Happier, As December Falls quickly capitalised on their growing momentum, releasing the follow-up Join The Club last year. That album has seen the band on a relentless touring schedule which culminates with As December Falls' first ever headlining tour of Australia over three dates in Melbourne, Sydney and Brisbane in February.
They also have a great new song out, Angry Cry, which kicks off the next album cycle for the Nottingham rockers, meaning As December Falls will enter their second decade with a plethora of opportunities and a growing, loyal fan base.
HEAVY caught up with Beth Curtis and Ande Hunter from the band to discuss their upcoming Australian tour and the themes in their latest single, Angry Cry, which signals a new chapter for the band and revisits the important topic of mental health.
"We may possibly be delving into some new genres," Ande explains, highlighting the evolution in their musical style. This track, described by both members as a departure from their previous work, embodies the raw emotions and struggles many have faced over the past year. As Beth puts it, "We're all dealing with shit still, so let's get that out." This candidness is a hallmark of As December Falls, a band that prioritises connection with its audience through relatable themes and honest lyrics.
Their recent live album, released last September, served as a celebration of the band's past work, a chance to reflect on their journey while setting the stage for what's to come. "We wanted the live album to be a line drawn under that period," Beth states, emphasising their desire to move forward creatively. The band has spent more time in the studio for this upcoming album than ever before, crafting a collection of songs that truly represent who they are as artists. "There's a little bit in there for everyone," Ande assures, suggesting that fans can expect an eclectic mix of sounds and styles.
What sets As December Falls apart is their commitment to remaining an independent band. They proudly run their own label, which gives them creative control and fosters a deep connection with their fans. "I'm so proud of us for getting this far as an independent band," Beth reflects. The duo acknowledges the challenges of independence, such as securing support slots or gaining industry recognition. Still, they choose to focus on the positives, celebrating the strong community they've built around their music.
Their upcoming tour in Australia marks a significant milestone for As December Falls, as it will be their first time performing in the country. "I'm so excited," Ande shares, looking forward to connecting with new fans. This tour, a blend of hard work and a well-deserved holiday, showcases their commitment to live performance - a cornerstone of their identity. As they gear up for this adventure, they're determined to make the most of every moment, both on and off-stage.
When asked about their musical influences and personal tastes, Beth and Ande reveal a wide range of genres that inspire them, from pop to rock. This eclecticism not only shapes their music but also resonates with their audience. "Our fans are genuinely the best," Beth affirms, emphasising the importance of community in their journey.
With their new single and upcoming tour, As December Falls is poised to continue making waves in the music scene, inviting fans along for the ride. As they put it, "We're still the same thing as you are," proving that connection and relatability are at the heart of their mission.
With their sights set on the future, the band is ready to take on new challenges and opportunities, ensuring that every note resonates with the people who fiercely and loyally support them, their "little...]]>1385angelacroudace,asdecemberfalls,australia,destroyalllines,heavy,interview,music,podcast,poppunk,rock,tourtruefullhttps://www.spreaker.com/episode/sonic-submission-with-casey-ian-from-angelmaker--62709505By confronting listeners with furious, focused, and violent extremity, Angelmaker create deathcore of the highest order - injected with blackened thrash, a smattering of power violence, and the urgent ferocity of underground hardcore. They are a band who let their music do all the talking, raw, confronting and in your face.
With new vocalist Ian Bearer strengthening the band, Angelmaker are poised for the debut Australian tour earlier next year, supporting Sylosis for a run of shows in February. To find out what all the fuss is about, HEAVY sat down with Bearer and Angelmaker's other vocalist Casey Tyson-Pearce to find out more.
We start by asking why the band have neglected us here in Australia for so long.
"We've been trying," Casey laughed. "(but) Nothing has really aligned for us. We just did our first European tour a year and a half ago, so we've been working our way into more international markets. For us, we're Canadian so it makes a lot more sense for us to just tour in North America, but now we've got a good foothold to actually make our way over there. We got this opportunity, and it was like, there's no way we're saying no. We need to see koalas. We need to see kangaroos."
In the full interview, Angelmaker discussed their upcoming tour in Australia, starting in Perth on February 11 and ending in Brisbane on February 16. They expressed excitement about the tour and their anticipation of experiencing Australian culture. The band also mentioned their new song, Relinquish, and their plans to play a mix of old and new songs during the tour.
We discussed the band's unique sound and their approach to songwriting, explaining that the band members write their own parts, which are then integrated together to create a cohesive sound. They also discussed the addition of a new vocalist, Ian, who has brought a powerful presence to the band and the dynamics at play with dual vocalists and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62709505Sat, 23 Nov 2024 12:38:06 +0000HEAVY MagazineSummoning the most brutal elements of Floridian death metal and combining it with the coldest permafrost of Scandinavian black metal, emerging Canadian deathcore outfit Angelmaker are making huge waves on the international metal scene. By confronting...By confronting listeners with furious, focused, and violent extremity, Angelmaker create deathcore of the highest order - injected with blackened thrash, a smattering of power violence, and the urgent ferocity of underground hardcore. They are a band who let their music do all the talking, raw, confronting and in your face.
With new vocalist Ian Bearer strengthening the band, Angelmaker are poised for the debut Australian tour earlier next year, supporting Sylosis for a run of shows in February. To find out what all the fuss is about, HEAVY sat down with Bearer and Angelmaker's other vocalist Casey Tyson-Pearce to find out more.
We start by asking why the band have neglected us here in Australia for so long.
"We've been trying," Casey laughed. "(but) Nothing has really aligned for us. We just did our first European tour a year and a half ago, so we've been working our way into more international markets. For us, we're Canadian so it makes a lot more sense for us to just tour in North America, but now we've got a good foothold to actually make our way over there. We got this opportunity, and it was like, there's no way we're saying no. We need to see koalas. We need to see kangaroos."
In the full interview, Angelmaker discussed their upcoming tour in Australia, starting in Perth on February 11 and ending in Brisbane on February 16. They expressed excitement about the tour and their anticipation of experiencing Australian culture. The band also mentioned their new song, Relinquish, and their plans to play a mix of old and new songs during the tour.
We discussed the band's unique sound and their approach to songwriting, explaining that the band members write their own parts, which are then integrated together to create a cohesive sound. They also discussed the addition of a new vocalist, Ian, who has brought a powerful presence to the band and the dynamics at play with dual vocalists and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1045angelmaker,australia,blackmetal,deathcore,heavy,heavymetal,interview,krispeters,music,podcast,sylosis,tourtruefullhttps://www.spreaker.com/episode/casualties-of-circumstance-with-raymond-estes-from-and-we-all-die--62976918And what better way to enjoy your craft and have fun than play around with someone else's music? Which is exactly what …And We All Die did with their recent four-track release Static Age.
Essentially just two Misfits songs reimagined - Static Age and TV Casualty - the EP sees both songs performed in vastly different fashions, with neither bearing much more in common with the original than by virtue of the song title.
Not that the two classic songs have been bastardised beyond recognition - some bands you just don't mess with - but both versions have been afforded the respect they deserve while maintaining just enough of …And We All Die's musical DNA to make the songs their own while still paying homage to the original recordings.
The release is a heavy blend of hardcore, post-punk, noise-rock and industrial influences, centred around covers of the two Misfits’ tracks alongside two industrial-infused reworkings of the songs featuring Metal Blade synthwave artist Gost.
HEAVY recently caught up with the man behind the music, Raymond Estes, to find out more, starting with how the EP has been received.
"It's been great," he enthused. "So far it's been the best reception we've had for any release. It's hard to say why that is, maybe Spotify is actually working for us this time (laughs), but we can't really complain. Really, the project is me, but it's everybody who contributes and the drummer Walter and guitarist Guillermo are excited about the volume of people that are checking out the tracks and the amount of streams we've been getting. Who knew?"
We press Estes on the choice of songs to cover, specifically why choose the Misfits as a band to start with, and also why those particular two songs.
"I love the Misfits," he shrugged, "and have for a long time. I like horror punk and all that Danzig has done, but for …And We All Die we don't really do horror songs. We do more conceptual songs or songs about the human condition and as a hardcore guy I thought what would be more interesting to do than take songs that are dark and have these more science fiction themes based on the perils of technology and make those fresh. That is more exciting to me than singing about ghouls or zombies."
In the full interview, Estes explained the thought process behind covering the same song twice, with the second version being more industrial and featuring contributions from Ghost and William Faith. He mentioned that the band was conscious of not going too far with their covers, as they were aware of the special meaning these songs hold for many people. The early reception of the EP has been positive, with the industrial versions receiving the better response.
We talked about deconstructing the songs and then recreating them in their image and any difficulties they faced. The conversation turned to future new music, with a rock album, collection of covers from The Cure, other projects and more. Estes discussed why …And We All Die is currently a studio project only and how he plans to potentially expand that into a touring outfit down the track plus a host of other things.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62976918Sat, 23 Nov 2024 12:28:01 +0000HEAVY MagazineAt the end of the day, music and the creative arts is all about expression and having fun. In the modern age of entertainment that sense of enjoyment has slowly eroded due to the complexities of the current global climate and the incessant wish to not...And what better way to enjoy your craft and have fun than play around with someone else's music? Which is exactly what …And We All Die did with their recent four-track release Static Age.
Essentially just two Misfits songs reimagined - Static Age and TV Casualty - the EP sees both songs performed in vastly different fashions, with neither bearing much more in common with the original than by virtue of the song title.
Not that the two classic songs have been bastardised beyond recognition - some bands you just don't mess with - but both versions have been afforded the respect they deserve while maintaining just enough of …And We All Die's musical DNA to make the songs their own while still paying homage to the original recordings.
The release is a heavy blend of hardcore, post-punk, noise-rock and industrial influences, centred around covers of the two Misfits’ tracks alongside two industrial-infused reworkings of the songs featuring Metal Blade synthwave artist Gost.
HEAVY recently caught up with the man behind the music, Raymond Estes, to find out more, starting with how the EP has been received.
"It's been great," he enthused. "So far it's been the best reception we've had for any release. It's hard to say why that is, maybe Spotify is actually working for us this time (laughs), but we can't really complain. Really, the project is me, but it's everybody who contributes and the drummer Walter and guitarist Guillermo are excited about the volume of people that are checking out the tracks and the amount of streams we've been getting. Who knew?"
We press Estes on the choice of songs to cover, specifically why choose the Misfits as a band to start with, and also why those particular two songs.
"I love the Misfits," he shrugged, "and have for a long time. I like horror punk and all that Danzig has done, but for …And We All Die we don't really do horror songs. We do more conceptual songs or songs about the human condition and as a hardcore guy I thought what would be more interesting to do than take songs that are dark and have these more science fiction themes based on the perils of technology and make those fresh. That is more exciting to me than singing about ghouls or zombies."
In the full interview, Estes explained the thought process behind covering the same song twice, with the second version being more industrial and featuring contributions from Ghost and William Faith. He mentioned that the band was conscious of not going too far with their covers, as they were aware of the special meaning these songs hold for many people. The early reception of the EP has been positive, with the industrial versions receiving the better response.
We talked about deconstructing the songs and then recreating them in their image and any difficulties they faced. The conversation turned to future new music, with a rock album, collection of covers from The Cure, other projects and more. Estes discussed why …And We All Die is currently a studio project only and how he plans to potentially expand that into a touring outfit down the track plus a host of other things.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>905andwealldie,danzig,darkwave,gost,heavy,heavymetal,horrorpunk,industrialmetal,interview,krispeters,misfits,music,podcast,synthwavetruefullhttps://www.spreaker.com/episode/a-brash-bold-second-coming-with-emmy-mack-from-redhook--62973842Their relentless touring schedule and work ethic is showing dividends, with debut album Postcards From A Living Hell (2023) asserting the band's authority after a six-year wait, setting RedHook up for the next phase of their career which gained traction last Friday with the release of their sophomore album Mutation.
"Mutation is an audacious, genre-bending second album that is unblinking in its lyrical honesty, ambitious sonic production, and infectiously memorable songwriting, read the press release. "Incorporating influences ranging from alt-pop, future bass and hip-hop to metal, punk and post-hardcore, RedHook are wholly unafraid to be uniquely themselves, combining layers of intricate synths, brass, heavy guitars, samples and dynamic drum work to create an intoxicating 11-track cocktail that hits like a Molotov.'
Put simply, it is a step-up in everything RedHook is known and loved for, and then some.
To celebrate the album's release, HEAVY recently conducted a video review/interview with vocalist Emmy Mack where we read the interview out to her track by track and ask if we are on the right path and find out more about each song. It offers a unique glimpse into the music from the perspective of the people who wrote it.
Check out what Emmy had to say about the track Breaking Up With.
"I love that, nailed it!" she smiled at HEAVY's assessment of the song. "I suppose that song is very mischievous (laughs). Breaking Up With to me… I always see it as kind of either a sequel, or I guess it's the antithesis to Bad Decisions, which is our biggest song. I was in a very different headspace when I wrote that song, and Bad Decisions is revelling in feeling like a complete and utter piece of shit. Breaking Up with is more about being like, you know what, I'm not going to do that any more. I'm gonna be nicer to myself, so breaking that cycle of self-loathing and self-destructive behaviour and be less of a shit cu%t (laughs)."
Watch/listen to the full interview to go into Mutation deeper than ever before.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62973842Sat, 23 Nov 2024 03:11:10 +0000HEAVY MagazineSydney rock outfit RedHook have been making a nuisance of themselves all over the world in recent years, playing with The Smashing Pumpkins and Janes Addiction as part of The World Is A Vampire Tour and at Good Things Festival alongside Bring Me The...Their relentless touring schedule and work ethic is showing dividends, with debut album Postcards From A Living Hell (2023) asserting the band's authority after a six-year wait, setting RedHook up for the next phase of their career which gained traction last Friday with the release of their sophomore album Mutation.
"Mutation is an audacious, genre-bending second album that is unblinking in its lyrical honesty, ambitious sonic production, and infectiously memorable songwriting, read the press release. "Incorporating influences ranging from alt-pop, future bass and hip-hop to metal, punk and post-hardcore, RedHook are wholly unafraid to be uniquely themselves, combining layers of intricate synths, brass, heavy guitars, samples and dynamic drum work to create an intoxicating 11-track cocktail that hits like a Molotov.'
Put simply, it is a step-up in everything RedHook is known and loved for, and then some.
To celebrate the album's release, HEAVY recently conducted a video review/interview with vocalist Emmy Mack where we read the interview out to her track by track and ask if we are on the right path and find out more about each song. It offers a unique glimpse into the music from the perspective of the people who wrote it.
Check out what Emmy had to say about the track Breaking Up With.
"I love that, nailed it!" she smiled at HEAVY's assessment of the song. "I suppose that song is very mischievous (laughs). Breaking Up With to me… I always see it as kind of either a sequel, or I guess it's the antithesis to Bad Decisions, which is our biggest song. I was in a very different headspace when I wrote that song, and Bad Decisions is revelling in feeling like a complete and utter piece of shit. Breaking Up with is more about being like, you know what, I'm not going to do that any more. I'm gonna be nicer to myself, so breaking that cycle of self-loathing and self-destructive behaviour and be less of a shit cu%t (laughs)."
Watch/listen to the full interview to go into Mutation deeper than ever before.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1139albumreview,australia,emmymack,hardrock,heavy,interview,krispeters,music,mutation,podcast,redhook,rocktruefullhttps://www.spreaker.com/episode/taming-evil-through-music-with-tommy-henriksen-anna-cara-from-crossbone-skully--62962762But with Crossbone Skully the landscape has shifted considerably. This is Henriksen's own band. His creation. His baby.
And today the world gets to share in his vision when Crossbone Skully unleash their debut album Evil World Machine on the world.
A vicious, snarling slab of rock music brilliance, Evil World Machine is an emphatic statement of intent, executive produced by the legendary Mutt Lange with just enough finesse to draw comparisons with some of the bigger artists in his resume.
HEAVY had the pleasure of catching up with Tommy and guitarist Anna Cara to talk more about the album and the rise and rise of Crossbone Skully.
"It's been a long time coming," Tommy smiled when asked about the album. "It's been quite a while since it's been finished, and to me, it feels like a bunch of excitement and relief. Finally, people can hear this."
In the full interview, Tommy and Anna expressed excitement and relief at finally releasing their album, which they had been working on for a long time. They acknowledged the frustration of waiting for the right moment to release it, but believed it was the universe's timing. The group discussed the diverse musical influences in their album, including AC/DC, the Sex Pistols, and The Who. They also mentioned the various singles released from the album, and hinted at some powerful tracks that hadn't been released as singles yet.
Both discussed their desire to create music that transcends genres, rather than being pigeonholed into a specific sound. They mentioned their inspiration from various artists such as The Who, Queen, David Bowie, and Motley Crue and also talked about their approach to featuring guest artists on their songs, with Nikki Sixx from Motley Crue and Phil Collen from Def Leppard being mentioned as examples.
Tommy spoke about the thought process behind the album's opening track, which was inspired by David Bowie and Motley Crue plus the involvement of legendary producer Mutt Lange, who was executive producer on the album. He expressed gratitude for the opportunity to work with Alice Cooper's band and emphasized the importance of conveying a message of survival and doing the right thing in their music. The band also discussed their upcoming live shows, with a tour kicking off in Hollywood, and expressed interest in touring in Australia plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62962762Fri, 22 Nov 2024 04:48:03 +0000HEAVY MagazineWhile Crossbone Skully may be a new band to some, they are definitely not a fresh band when it comes to pedigree. Frontman Tommy Henriksen is an integral part of both Alice Cooper's band and the Hollywood Vampires, earning his stripes multiple times...But with Crossbone Skully the landscape has shifted considerably. This is Henriksen's own band. His creation. His baby.
And today the world gets to share in his vision when Crossbone Skully unleash their debut album Evil World Machine on the world.
A vicious, snarling slab of rock music brilliance, Evil World Machine is an emphatic statement of intent, executive produced by the legendary Mutt Lange with just enough finesse to draw comparisons with some of the bigger artists in his resume.
HEAVY had the pleasure of catching up with Tommy and guitarist Anna Cara to talk more about the album and the rise and rise of Crossbone Skully.
"It's been a long time coming," Tommy smiled when asked about the album. "It's been quite a while since it's been finished, and to me, it feels like a bunch of excitement and relief. Finally, people can hear this."
In the full interview, Tommy and Anna expressed excitement and relief at finally releasing their album, which they had been working on for a long time. They acknowledged the frustration of waiting for the right moment to release it, but believed it was the universe's timing. The group discussed the diverse musical influences in their album, including AC/DC, the Sex Pistols, and The Who. They also mentioned the various singles released from the album, and hinted at some powerful tracks that hadn't been released as singles yet.
Both discussed their desire to create music that transcends genres, rather than being pigeonholed into a specific sound. They mentioned their inspiration from various artists such as The Who, Queen, David Bowie, and Motley Crue and also talked about their approach to featuring guest artists on their songs, with Nikki Sixx from Motley Crue and Phil Collen from Def Leppard being mentioned as examples.
Tommy spoke about the thought process behind the album's opening track, which was inspired by David Bowie and Motley Crue plus the involvement of legendary producer Mutt Lange, who was executive producer on the album. He expressed gratitude for the opportunity to work with Alice Cooper's band and emphasized the importance of conveying a message of survival and doing the right thing in their music. The band also discussed their upcoming live shows, with a tour kicking off in Hollywood, and expressed interest in touring in Australia plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1314album,alicecooper,annacara,betternoisemusic,crossboneskully,evilworldmachine,'hardrock,heavy,hollywoodvampires,interview,krispeters,music,podcast,rock,tommyhenriksentruefullhttps://www.spreaker.com/episode/musical-soundscapes-with-einar-selvik-from-wardruna--62704876Over five previous albums, Wardruna have captivated audiences on a global scale with the sheer majesty of their music, breathing life into tradition by way of sonic inspiration like never before. For album number six, Birna, Wardruna - particularly main composer Einar Selvik - chose to focus on the bear, an animal which has great power and respect amongst many societies, including Norwegian.
HEAVY spent some time with Selvik to speak about Birna, which will be released on January 24, 2025, and Wardruna's debut Australian visit that same month.
"It's a musical project dedicated to creating music using a wide selection of the oldest instruments we have from predominantly the Nordic region," he explained of the band. "It's not recreating music from any specific time period, it's more about taking something old and creating something new with it. We just finished up in studio hibernation, finishing our sixth studio album entitled Birna - Birna meaning she bear. It is set for release in January next year, so basically when we are Down Under!"
In the full interview, we discussed Birna in greater detail, including the cultural and historical significance of the bear in various societies. Selvik explained that bears often play a significant role in myths and traditions, being seen as teachers, wardens, or shepherds of the woodlands. Einar also mentioned that bears are associated with celestial beings, such as the Greek star sign named after the bear.
We spoke about the different instruments used and their impact on the music, blending ancient ideologies and instruments with modern soundscapes, the live DVD/Blu-Ray release from the world heritage site Odeon of Herodes Atticus, Acropolis, Athens, touring Australia for the first time, what we can expect and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62704876Fri, 22 Nov 2024 01:49:31 +0000HEAVY MagazineWardruna is a Norwegian music constellation dedicated to weaving together the ancient sounds and traditions of the North into a modern soundscape using a broad selection of both traditional and historical Nordic instruments. The band utilises...Over five previous albums, Wardruna have captivated audiences on a global scale with the sheer majesty of their music, breathing life into tradition by way of sonic inspiration like never before. For album number six, Birna, Wardruna - particularly main composer Einar Selvik - chose to focus on the bear, an animal which has great power and respect amongst many societies, including Norwegian.
HEAVY spent some time with Selvik to speak about Birna, which will be released on January 24, 2025, and Wardruna's debut Australian visit that same month.
"It's a musical project dedicated to creating music using a wide selection of the oldest instruments we have from predominantly the Nordic region," he explained of the band. "It's not recreating music from any specific time period, it's more about taking something old and creating something new with it. We just finished up in studio hibernation, finishing our sixth studio album entitled Birna - Birna meaning she bear. It is set for release in January next year, so basically when we are Down Under!"
In the full interview, we discussed Birna in greater detail, including the cultural and historical significance of the bear in various societies. Selvik explained that bears often play a significant role in myths and traditions, being seen as teachers, wardens, or shepherds of the woodlands. Einar also mentioned that bears are associated with celestial beings, such as the Greek star sign named after the bear.
We spoke about the different instruments used and their impact on the music, blending ancient ideologies and instruments with modern soundscapes, the live DVD/Blu-Ray release from the world heritage site Odeon of Herodes Atticus, Acropolis, Athens, touring Australia for the first time, what we can expect and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1346australia,einarselvik,folkmetal,heavy,interview,krispeters,music,nordicmusic,podcast,tour,wardrunafalsefullhttps://www.spreaker.com/episode/shifting-gears-with-ronnie-simmons-from-ronnie-simmons-the-redback-spiders--62715281While travelling the world doing the thing you love may seem like the pinnacle of musical achievement, Simmons had one more peak to conquer.
Fronting his own band.
And what better way to launch into that next phase of your career than to record a collection of tunes, utilising the help of former bandmates and good friends to herald your arrival?
Rather than jumping the gun with a product that has obvious potential but nothing by which to test that mettle, Simmons decided to commit a bunch of tracks to disk for future release before making his Australian assault, recording what would become his debut EP Bite! Part 1 at One More Time Recording in Los Angeles with the backing of Richie Ramone (The Ramones) and the late Chris Moye on drums, Johnny Martin (LA Guns) on bass, backing vocals by Danny Nordahl (Faster Pussycat) and Scott Churilla (Reverend Horton Heat).
With this assortment of punk-fuelled rock numbers safely recorded, Simmons returned to Australia to start gigging with his new band Ronnie Simmons & The Redback Spiders, confident in the knowledge he had a viable product to sell.
With the EP set for release on November 22, HEAVY sat down with Simmons for a chat about the new band plus anything else that seemed relevant.
"I'm excited," he enthused when we asked how the nerves were. "I was listening over the masters this morning and I'm really psyched to release this into the world."
We point out that Ronnie is used to releasing music with other bands, but with this being his first out the front of a project, the pressure is on possibly more than usual.
"Yeah, this is the first time in a long, long time I'm out the front doing my own thing," he affirmed. "It's a very new experience for me, putting myself out there like that. A lot of these songs are straight from the heart, so it's very different to slotting into an already existing band. I'm enjoying it. It's a lot to think about, and it's a new experience, but I think I've got enough gigs and experience under my belt to give it a solid crack (laughs)."
In the full interview, we discussed Bite! Part 1, with Ronnie explaining the sound is a mix of his various musical influences, including punk, ska, and rock. We spoke about the two singles released so far and how they represent the EP, as well as the decision to record in LA. He ran through his musical journey from LA back to Australia and the advantage of playing in bands of differing styles and genres.
Talk turned to the band's upcoming run of shows, with Ronnie telling us what to expect from the band live and who is in the outfit full time plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62715281Wed, 13 Nov 2024 07:28:24 +0000HEAVY MagazineGuitarist Ronnie Simmons has spread his talents far and wide over the span of his playing career, travelling as far away as LA to play with Faster Pussycat and Richie Ramone before settling on a permanent gig with Australian rock royalty Angry...While travelling the world doing the thing you love may seem like the pinnacle of musical achievement, Simmons had one more peak to conquer.
Fronting his own band.
And what better way to launch into that next phase of your career than to record a collection of tunes, utilising the help of former bandmates and good friends to herald your arrival?
Rather than jumping the gun with a product that has obvious potential but nothing by which to test that mettle, Simmons decided to commit a bunch of tracks to disk for future release before making his Australian assault, recording what would become his debut EP Bite! Part 1 at One More Time Recording in Los Angeles with the backing of Richie Ramone (The Ramones) and the late Chris Moye on drums, Johnny Martin (LA Guns) on bass, backing vocals by Danny Nordahl (Faster Pussycat) and Scott Churilla (Reverend Horton Heat).
With this assortment of punk-fuelled rock numbers safely recorded, Simmons returned to Australia to start gigging with his new band Ronnie Simmons & The Redback Spiders, confident in the knowledge he had a viable product to sell.
With the EP set for release on November 22, HEAVY sat down with Simmons for a chat about the new band plus anything else that seemed relevant.
"I'm excited," he enthused when we asked how the nerves were. "I was listening over the masters this morning and I'm really psyched to release this into the world."
We point out that Ronnie is used to releasing music with other bands, but with this being his first out the front of a project, the pressure is on possibly more than usual.
"Yeah, this is the first time in a long, long time I'm out the front doing my own thing," he affirmed. "It's a very new experience for me, putting myself out there like that. A lot of these songs are straight from the heart, so it's very different to slotting into an already existing band. I'm enjoying it. It's a lot to think about, and it's a new experience, but I think I've got enough gigs and experience under my belt to give it a solid crack (laughs)."
In the full interview, we discussed Bite! Part 1, with Ronnie explaining the sound is a mix of his various musical influences, including punk, ska, and rock. We spoke about the two singles released so far and how they represent the EP, as well as the decision to record in LA. He ran through his musical journey from LA back to Australia and the advantage of playing in bands of differing styles and genres.
Talk turned to the band's upcoming run of shows, with Ronnie telling us what to expect from the band live and who is in the outfit full time plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>837australia,fasterpussycat,hardrock,heavy,interview,krispeters,podcast,punk,rock,ronniesimmons,ronniesimmons&theredbackspider,rosetattootruefullhttps://www.spreaker.com/episode/soaring-down-under-an-interview-with-tim-brennan-of-dropkick-murphys--62712199As the iconic Dropkick Murphys gear up for their long-awaited tour in Australia, HEAVY had the pleasure of sitting down with Tim Brennan, the band's talented multi-instrumentalist. We discussed the upcoming shows, the band's musical journey, and the unique influences that shaped their sound.
We kicked off the conversation about Dropkick Murphy's long-awaited return to Australia. When asked if Tim was excited about the long journey, he responded, "Yes, super excited about the long flight," he joked, despite the reality of being six and a half feet tall in cramped airplane seats. "It's going to be top-notch, but I'll tell you, all joking aside, the flight is the worst." However, the anticipation of touching down in Australia quickly outweighed any discomfort. "At least once we get off that plane, we're in such an amazing place."
This time round, the tour features Alkaline Trio as the support act, a decision that Tim enthusiastically explained. "The last time we did anything with Alkaline Trio was in Australia… getting to see them and hang with those guys was a pleasure," signalling the eagerness of both bands to reignite on stage.
As we dove into Tim's musical background, he shared his early experiences with traditional Irish music. Although his parents weren't particularly musical, his mother's love for the genre and his grandparents' influence laid the foundation. "Traditional Irish music was on a lot. For whatever reason, I took to it; I always liked it as a kid." This early exposure blossomed into a passion, especially after an inspiring encounter with his English teacher, who introduced him to The Pogues. "It sounds like hyperbole, but it totally changed my life."
Tim's journey into the Dropkick Murphys began when he connected with Mark O'Rell during their teenage years. After a few years apart, Mark invited him to join the band on the Warped Tour in 2003. "I was 20 years old… I had a great time. That led me to joining the band full-time."
As the conversation turned to their Australian tour set list, Tim was excited to reveal what fans can expect. "We've put out three records since the last time we were in Australia… we've got stuff from the very first things we ever did up until our latest album." The blend of new and classic songs promises an unforgettable experience for fans.
Tim started his musical journey as a drummer, playing in various bands and selling merch for Warped Tour before having the opportunity to play with Dropkick Murphys, which saw him expand his instrumental repertoire, learning the tin pipe and banjo, amongst other instruments.
Lately, Tim's been listening to The Pogues, especially as the season evokes nostalgic memories, "Always in November, December, I'm always heavily listening to The Pogues." He also shared his appreciation for the new Nick Cave record, which has led to him revisiting Nick Cave's entire discography, an excellent choice if I do say so myself.
Tim had a heartfelt message for their Australian fans as we wrapped up the interview: "We're so looking forward to coming down and seeing everybody. Come out to the shows, and we're going to have a great time."
With an unforgettable journey ahead, the Dropkick Murphys are set to deliver a show that celebrates their anthemic tunes while reconnecting with their loyal Australian audience.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62712199Wed, 13 Nov 2024 00:56:59 +0000HEAVY MagazineInterview by Angela Croudace As the iconic Dropkick Murphys gear up for their long-awaited tour in Australia, HEAVY had the pleasure of sitting down with Tim Brennan, the band's talented multi-instrumentalist. We discussed the upcoming shows, the...As the iconic Dropkick Murphys gear up for their long-awaited tour in Australia, HEAVY had the pleasure of sitting down with Tim Brennan, the band's talented multi-instrumentalist. We discussed the upcoming shows, the band's musical journey, and the unique influences that shaped their sound.
We kicked off the conversation about Dropkick Murphy's long-awaited return to Australia. When asked if Tim was excited about the long journey, he responded, "Yes, super excited about the long flight," he joked, despite the reality of being six and a half feet tall in cramped airplane seats. "It's going to be top-notch, but I'll tell you, all joking aside, the flight is the worst." However, the anticipation of touching down in Australia quickly outweighed any discomfort. "At least once we get off that plane, we're in such an amazing place."
This time round, the tour features Alkaline Trio as the support act, a decision that Tim enthusiastically explained. "The last time we did anything with Alkaline Trio was in Australia… getting to see them and hang with those guys was a pleasure," signalling the eagerness of both bands to reignite on stage.
As we dove into Tim's musical background, he shared his early experiences with traditional Irish music. Although his parents weren't particularly musical, his mother's love for the genre and his grandparents' influence laid the foundation. "Traditional Irish music was on a lot. For whatever reason, I took to it; I always liked it as a kid." This early exposure blossomed into a passion, especially after an inspiring encounter with his English teacher, who introduced him to The Pogues. "It sounds like hyperbole, but it totally changed my life."
Tim's journey into the Dropkick Murphys began when he connected with Mark O'Rell during their teenage years. After a few years apart, Mark invited him to join the band on the Warped Tour in 2003. "I was 20 years old… I had a great time. That led me to joining the band full-time."
As the conversation turned to their Australian tour set list, Tim was excited to reveal what fans can expect. "We've put out three records since the last time we were in Australia… we've got stuff from the very first things we ever did up until our latest album." The blend of new and classic songs promises an unforgettable experience for fans.
Tim started his musical journey as a drummer, playing in various bands and selling merch for Warped Tour before having the opportunity to play with Dropkick Murphys, which saw him expand his instrumental repertoire, learning the tin pipe and banjo, amongst other instruments.
Lately, Tim's been listening to The Pogues, especially as the season evokes nostalgic memories, "Always in November, December, I'm always heavily listening to The Pogues." He also shared his appreciation for the new Nick Cave record, which has led to him revisiting Nick Cave's entire discography, an excellent choice if I do say so myself.
Tim had a heartfelt message for their Australian fans as we wrapped up the interview: "We're so looking forward to coming down and seeing everybody. Come out to the shows, and we're going to have a great time."
With an unforgettable journey ahead, the Dropkick Murphys are set to deliver a show that celebrates their anthemic tunes while reconnecting with their loyal Australian audience.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>742angelacroudace,australia,dropkickmurphys,hardrock,heavy,interview,irishrock,music,podcast,punk,rock,tourtruefullhttps://www.spreaker.com/episode/respectfully-yours-with-joe-talbot-from-idles--62710192Not only do they staunchly oppose those who fall into their crosshairs, but they are also vocal and proud about such beliefs and stances, with scant regard given for how they are perceived by others. Using their music as a weapon, Idles are brutally honest about their stance on social issues such as racism, bigotry, and most importantly, toxic masculinity as well as Governments who abuse their power.
The band released their fifth album, TANGK earlier this year, a body of music that was proclaimed as their most ambitious and striking work yet. Where IDLES were once set on taking the world’s piss, squaring off with strong jaws against the perennially entitled, and exercising personal trauma in real-time, they have arrived in this new act to offer the fruits of such perseverance: love, joy, and indeed gratitude for the mere opportunity of existence.
After a hugely successful Australian tour in November 2022, Idles return for more sonic action next January for a run of four shows. If you have seen this band before you likely already have tickets, but if not prepare yourself for a frenetic, pulsating journey where music is the only winner.
HEAVY sat down with vocalist Joe Talbot to find out more.
"It's about being present," he mused when asked about expectations. "You've gotta reserve your energy for the stage, and that means making sure you're ready for it. I think getting excited about shows is a weird concept, just because we treat them all the same. Every show's the same. To us, we give everything, I give 100% every day to every show."
In the full interview, Joe expressed his feelings of connection and his purpose behind starting a band. He shared his personal struggles with loneliness, fear, addiction, grief, and serious trauma during a time of political disillusionment in his country, emphasizing the importance of empathy and love in forming a community and overcoming these challenges.
Joe also discussed Idles' upcoming tour of Australia with US based band, Nation of Language, expressing his admiration for their music and as potential touring partners. We spoke about their live shows and commanding - and giving - respect. We discussed their latest album TANGK and its reception, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62710192Tue, 12 Nov 2024 21:38:51 +0000HEAVY MagazineBritish hard-rocking outfit Idles are the real deal. Not only do they staunchly oppose those who fall into their crosshairs, but they are also vocal and proud about such beliefs and stances, with scant regard given for how they are perceived by...Not only do they staunchly oppose those who fall into their crosshairs, but they are also vocal and proud about such beliefs and stances, with scant regard given for how they are perceived by others. Using their music as a weapon, Idles are brutally honest about their stance on social issues such as racism, bigotry, and most importantly, toxic masculinity as well as Governments who abuse their power.
The band released their fifth album, TANGK earlier this year, a body of music that was proclaimed as their most ambitious and striking work yet. Where IDLES were once set on taking the world’s piss, squaring off with strong jaws against the perennially entitled, and exercising personal trauma in real-time, they have arrived in this new act to offer the fruits of such perseverance: love, joy, and indeed gratitude for the mere opportunity of existence.
After a hugely successful Australian tour in November 2022, Idles return for more sonic action next January for a run of four shows. If you have seen this band before you likely already have tickets, but if not prepare yourself for a frenetic, pulsating journey where music is the only winner.
HEAVY sat down with vocalist Joe Talbot to find out more.
"It's about being present," he mused when asked about expectations. "You've gotta reserve your energy for the stage, and that means making sure you're ready for it. I think getting excited about shows is a weird concept, just because we treat them all the same. Every show's the same. To us, we give everything, I give 100% every day to every show."
In the full interview, Joe expressed his feelings of connection and his purpose behind starting a band. He shared his personal struggles with loneliness, fear, addiction, grief, and serious trauma during a time of political disillusionment in his country, emphasizing the importance of empathy and love in forming a community and overcoming these challenges.
Joe also discussed Idles' upcoming tour of Australia with US based band, Nation of Language, expressing his admiration for their music and as potential touring partners. We spoke about their live shows and commanding - and giving - respect. We discussed their latest album TANGK and its reception, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>851australia,hardrock,heavy,idles,interview,joetalbot,krispeters,music,podcast,punk,tourtruefullhttps://www.spreaker.com/episode/rekindling-the-fire-with-eddie-casillas-from-voodoo-glow-skulls--62706071Born into a musical landscape that was only in the early stages of combining the two genres, the band quickly forged their own path based on a relentless touring ethic and uncompromising values that saw them play a large part in shaping what is now a modern-day institution.
Later this month, Voodoo Glow Skulls make their long-awaited return to Australia after an absence of more than ten years in which the band underwent personal changes that almost crippled them. But, with the status quo now firmly restored, it's all systems go as Voodoo Glow Skulls join Japanese outfit Hey Smith for a run of shows starting on November 27.
HEAVY caught up with original member and guitarist Eddie Casillas to find out more.
"We had a bunch of band changes and personnel line-ups," Eddie replied when asked what has changed with Voodoo Glow Skulls since their last visit to Australia. "My older brother, the lead singer Frank, quit the band in 2017 - so only a few years after we were there last - and then is back now. Just came back recently again and rejoined at the beginning of October. He's coming back to Australia with us, so he didn't miss any Australia (laughs), He just gets to jump back in as one of the first things he does. We put out another record without my brother that came out in 2021. That's a lot of things happening."
We ask how the loss of his brother affected both the band and Eddie personally.
"It was a big deal," he nodded. "It was one of those things where it feels almost like a test. What are you gonna do, sink or swim? Are you gonna keep on doing what you've always done? Or are you gonna hang it up and retire? Which we were gonna do. We were gonna hang it up and just retire. Make an announcement."
In the full interview we spoke more about the tour, including what to expect, with Eddie explaining that the band are focusing on playing classic songs with high-energy performances. He also mentioned the addition of new horn players to the line-up, which he believes will enhance the show. We spoke about the period when his brother Frank left the band and Eddie having to assume lead vocals for their last album, as well as how they got themselves as support for the upcoming tour.
We discussed the early days of the band and the musical climate in California in the late 1980s and early 1990s, mentioning bands like Fishbone, Jane's Addiction, and the Red Hot Chili Peppers as influential. 
Eddie noted that the ska-punk scene was relatively rare at the time, with only a few bands like Fishbone and Oingo Boingo doing the rounds. Eddie also observed that the scene has changed significantly since then, with the genre now being more mainstream and popular, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62706071Tue, 12 Nov 2024 15:08:30 +0000HEAVY MagazineCalifornian ska/punk outfit Voodoo Glow Skulls have been an integral part of the ska/punk scene since their inception in 1988. Born into a musical landscape that was only in the early stages of combining the two genres, the band quickly forged their...Born into a musical landscape that was only in the early stages of combining the two genres, the band quickly forged their own path based on a relentless touring ethic and uncompromising values that saw them play a large part in shaping what is now a modern-day institution.
Later this month, Voodoo Glow Skulls make their long-awaited return to Australia after an absence of more than ten years in which the band underwent personal changes that almost crippled them. But, with the status quo now firmly restored, it's all systems go as Voodoo Glow Skulls join Japanese outfit Hey Smith for a run of shows starting on November 27.
HEAVY caught up with original member and guitarist Eddie Casillas to find out more.
"We had a bunch of band changes and personnel line-ups," Eddie replied when asked what has changed with Voodoo Glow Skulls since their last visit to Australia. "My older brother, the lead singer Frank, quit the band in 2017 - so only a few years after we were there last - and then is back now. Just came back recently again and rejoined at the beginning of October. He's coming back to Australia with us, so he didn't miss any Australia (laughs), He just gets to jump back in as one of the first things he does. We put out another record without my brother that came out in 2021. That's a lot of things happening."
We ask how the loss of his brother affected both the band and Eddie personally.
"It was a big deal," he nodded. "It was one of those things where it feels almost like a test. What are you gonna do, sink or swim? Are you gonna keep on doing what you've always done? Or are you gonna hang it up and retire? Which we were gonna do. We were gonna hang it up and just retire. Make an announcement."
In the full interview we spoke more about the tour, including what to expect, with Eddie explaining that the band are focusing on playing classic songs with high-energy performances. He also mentioned the addition of new horn players to the line-up, which he believes will enhance the show. We spoke about the period when his brother Frank left the band and Eddie having to assume lead vocals for their last album, as well as how they got themselves as support for the upcoming tour.
We discussed the early days of the band and the musical climate in California in the late 1980s and early 1990s, mentioning bands like Fishbone, Jane's Addiction, and the Red Hot Chili Peppers as influential. 
Eddie noted that the ska-punk scene was relatively rare at the time, with only a few bands like Fishbone and Oingo Boingo doing the rounds. Eddie also observed that the scene has changed significantly since then, with the genre now being more mainstream and popular, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1308australia,heavy,interview,krispeters,music,podcast,punk,ska,tour,voodooglowskullstruefullhttps://www.spreaker.com/episode/metal-music-dinosaurs-with-chalky-from-nuclearsaurus-rex--62702985His most recent solo project, Nuclearsaurus Rex, has seen Chalky explore a more crossover thrash style, immersing himself in everything from writing and recording to playing every instrument on recordings.
After hinting at something special with his 2021 debut EP Pegasus Ezekial, Chalky is set to deliver the follow-up Operation Party Destroy on November 15, harnessing a lifetime of experience and influences into a four-track body of work with the focus as much on fun as it is the music.
Chalky spared some time for HEAVY recently to run us through Operation Party Destroy and other happenings.
"It's got a bit of crossover," he mused when asked to describe the sound of the EP. "A little bit of punk, a little bit of thrash… probably more thrash on this one. Especially since the last song is seven minutes long. Most crossover songs are one, two, three minutes long, but the average length being four minutes on this one is probably pushing it for crossover (laughs). It's funny that there's a seven-minute song on there, but I cut it up into four sections, so it's still like four different songs merged together into one. There's a tiny bit of death metal throughout as well, with a few blast beats in there, but it's all in standard, so it's not heavy, heavy, but it's heavy in terms of standard tuning. It's a little bit of everything, but at the end of the day if I had to narrow it down, it would be crossover thrash."
In the full interview, we discussed Nuclearsaurus Rex and Operation Party Destroy in greater detail. Chalky explained that the project started as a fun outlet in 2021 and has since evolved into a concept EP with a storyline centred around a dinosaur partying in the mid-1980s. Chalky also mentioned that he has been playing guitar and bass for the project, in addition to drums and vocals, and plans to bring the project to the stage as a proper band in the future.
We delved into the conceptual elements behind Operation Party Destroy with Chalky explaining the story is about a nuclear dinosaur named Nuclearsaurus Rex who invites his friends to a party, which turns into chaos when a villain, Velociradioactive crashes the party. Each song on the EP represents a different dinosaur with unique powers, and the story unfolds as the songs progress.
Talk turned to possible future live shows and the line-up, plus heaps more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62702985Tue, 12 Nov 2024 10:03:42 +0000HEAVY MagazineWell known Brisbane musician Jordan 'Chalky' Hill is best known for his electrifying and dominant role behind the drum kit, but of late he has been expanding his skillset into pretty much every other facet of music. His most recent solo project,...His most recent solo project, Nuclearsaurus Rex, has seen Chalky explore a more crossover thrash style, immersing himself in everything from writing and recording to playing every instrument on recordings.
After hinting at something special with his 2021 debut EP Pegasus Ezekial, Chalky is set to deliver the follow-up Operation Party Destroy on November 15, harnessing a lifetime of experience and influences into a four-track body of work with the focus as much on fun as it is the music.
Chalky spared some time for HEAVY recently to run us through Operation Party Destroy and other happenings.
"It's got a bit of crossover," he mused when asked to describe the sound of the EP. "A little bit of punk, a little bit of thrash… probably more thrash on this one. Especially since the last song is seven minutes long. Most crossover songs are one, two, three minutes long, but the average length being four minutes on this one is probably pushing it for crossover (laughs). It's funny that there's a seven-minute song on there, but I cut it up into four sections, so it's still like four different songs merged together into one. There's a tiny bit of death metal throughout as well, with a few blast beats in there, but it's all in standard, so it's not heavy, heavy, but it's heavy in terms of standard tuning. It's a little bit of everything, but at the end of the day if I had to narrow it down, it would be crossover thrash."
In the full interview, we discussed Nuclearsaurus Rex and Operation Party Destroy in greater detail. Chalky explained that the project started as a fun outlet in 2021 and has since evolved into a concept EP with a storyline centred around a dinosaur partying in the mid-1980s. Chalky also mentioned that he has been playing guitar and bass for the project, in addition to drums and vocals, and plans to bring the project to the stage as a proper band in the future.
We delved into the conceptual elements behind Operation Party Destroy with Chalky explaining the story is about a nuclear dinosaur named Nuclearsaurus Rex who invites his friends to a party, which turns into chaos when a villain, Velociradioactive crashes the party. Each song on the EP represents a different dinosaur with unique powers, and the story unfolds as the songs progress.
Talk turned to possible future live shows and the line-up, plus heaps more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1228australia,chalky,ep,heavy,heavymetal,interview,krispeters,music,nuclearsaurusrex,podcast,thrashmetalfalsefullhttps://www.spreaker.com/episode/beer-frames-and-music-with-jaret-reddick-from-bowling-for-soup--62700326Jaret Reddick, the charismatic frontman of Bowling for Soup, shared his excitement about returning to Australia after 15 years, the band's upcoming 30th anniversary, and his passion for mental health advocacy. As Bowling for Soup prepares to take the stage at the Good Things Festival, Jaret reflected on the band's journey and the importance of addressing mental health issues in the music industry.
Over three decades in the music scene, Jaret's journey has been anything but ordinary. Beyond his work with the band, he has ventured into voice acting, songwriting, and a country music side project. "Music is what I do, and it's what I love," he shared, emphasising his dedication to creativity. Jaret's commitment to staying busy is driven by a desire to keep creating: "Making things is my favourite thing to do in the world."
Jaret is also a vocal advocate for mental health awareness, particularly within the music industry. "I really was unaware of how vast the struggle was," he admitted, reflecting on his late-in-life battle with depression and anxiety. "Once I became educated myself, I was just like, 'Gosh, I've had this so wrong."
His candidness about mental health challenges aims to destigmatise the conversation, as he recalls, "I was embarrassed to talk about it…but it's normal."
He noted a significant shift in how mental health is tackled within the industry. "I've seen that stigma start to go away quite a bit," he observed. Jaret's mission is to encourage others to seek help, stating, "If this could happen to me, it could happen to anybody."
Reflecting on Bowling for Soup's iconic hits like 1985, Jaret shared that their success has been a gradual journey. "Nothing for Bowling for Soup has ever just exploded," he said. "Everything's been really gradual." This slow burn has fostered a deep appreciation for their loyal fan base. As Jaret noted, "The fact that people still appreciate those songs…is just a testament to what we created."
Jaret let HEAVY in on an exclusive secret: the band is preparing to debut new music. Jaret hinted at an album title inspired by a casual conversation: "Party if We Have To." He explained, "It's an ongoing thing where something will just happen, and I'll go, 'That's a good name for an album."
When asked what he hopes audiences take away from their shows, Jaret responded sincerely: "A smile on their face." He loves seeing fans sing along and connect with the music. "If you're here and this is the first time you smile in a week, you feel like you're alone—you're not."
As he prepares to hit the stage in Australia, Jaret shared his excitement about returning here for the first time in over a decade. "We can't wait to see you guys. It's been way too long." he expressed,
"We've had a few plans to come back that didn't work out, whether it was the pandemic or whatever, but I'm glad it's finally happening." For fans eagerly anticipating their return, Jaret promises an unforgettable experience. "Honestly, we just can't wait."
Jaret's commitment to putting on uplifting shows and raising mental health awareness continues to resonate, as evidenced by the demand for their touring and the crowds Bowling for Soup still draws all these years after their peak of fame. The popularity of their tours and the crowds attest to the band's dedication to performing feel-good shows and promoting mental health awareness. Even now, years after their heyday, Bowling for Soup continues to attract audiences worldwide.
A perfect addition to the Good Things Festival line-up, you can guarantee their show will put a smile on your face and fill you with that sweet 2000s nostalgia.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62700326Tue, 12 Nov 2024 05:04:52 +0000HEAVY MagazineInterview by Angela Croudace Jaret Reddick, the charismatic frontman of Bowling for Soup, shared his excitement about returning to Australia after 15 years, the band's upcoming 30th anniversary, and his passion for mental health advocacy. As Bowling...Jaret Reddick, the charismatic frontman of Bowling for Soup, shared his excitement about returning to Australia after 15 years, the band's upcoming 30th anniversary, and his passion for mental health advocacy. As Bowling for Soup prepares to take the stage at the Good Things Festival, Jaret reflected on the band's journey and the importance of addressing mental health issues in the music industry.
Over three decades in the music scene, Jaret's journey has been anything but ordinary. Beyond his work with the band, he has ventured into voice acting, songwriting, and a country music side project. "Music is what I do, and it's what I love," he shared, emphasising his dedication to creativity. Jaret's commitment to staying busy is driven by a desire to keep creating: "Making things is my favourite thing to do in the world."
Jaret is also a vocal advocate for mental health awareness, particularly within the music industry. "I really was unaware of how vast the struggle was," he admitted, reflecting on his late-in-life battle with depression and anxiety. "Once I became educated myself, I was just like, 'Gosh, I've had this so wrong."
His candidness about mental health challenges aims to destigmatise the conversation, as he recalls, "I was embarrassed to talk about it…but it's normal."
He noted a significant shift in how mental health is tackled within the industry. "I've seen that stigma start to go away quite a bit," he observed. Jaret's mission is to encourage others to seek help, stating, "If this could happen to me, it could happen to anybody."
Reflecting on Bowling for Soup's iconic hits like 1985, Jaret shared that their success has been a gradual journey. "Nothing for Bowling for Soup has ever just exploded," he said. "Everything's been really gradual." This slow burn has fostered a deep appreciation for their loyal fan base. As Jaret noted, "The fact that people still appreciate those songs…is just a testament to what we created."
Jaret let HEAVY in on an exclusive secret: the band is preparing to debut new music. Jaret hinted at an album title inspired by a casual conversation: "Party if We Have To." He explained, "It's an ongoing thing where something will just happen, and I'll go, 'That's a good name for an album."
When asked what he hopes audiences take away from their shows, Jaret responded sincerely: "A smile on their face." He loves seeing fans sing along and connect with the music. "If you're here and this is the first time you smile in a week, you feel like you're alone—you're not."
As he prepares to hit the stage in Australia, Jaret shared his excitement about returning here for the first time in over a decade. "We can't wait to see you guys. It's been way too long." he expressed,
"We've had a few plans to come back that didn't work out, whether it was the pandemic or whatever, but I'm glad it's finally happening." For fans eagerly anticipating their return, Jaret promises an unforgettable experience. "Honestly, we just can't wait."
Jaret's commitment to putting on uplifting shows and raising mental health awareness continues to resonate, as evidenced by the demand for their touring and the crowds Bowling for Soup still draws all these years after their peak of fame. The popularity of their tours and the crowds attest to the band's dedication to performing feel-good shows and promoting mental health awareness. Even now, years after their heyday, Bowling for Soup continues to attract audiences worldwide.
A perfect addition to the Good Things Festival line-up, you can guarantee their show will put a smile on your face and fill you with that sweet 2000s nostalgia.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>702angelacroudace,australia,bowlingforsoup,goodthingsfestival,heavy,interview,podcast,punki,ska,tourtruefullhttps://www.spreaker.com/episode/a-sense-of-belonging-with-ben-simpson-from-chavez-cartel--62699677With a classic rock sound embedded with elements of grunge, Chavez Cartel found pieces falling into place earlier this year with an appearance at Big Sound 24 introducing the band to a wider range of possibilities and contacts than ever before.
Harnessing this renewed vigour, the band headed for the studio to begin the next phase of their musical journey, with the result being new single All I Know, which showcases the evolving sonic world in which Chavez Cartel find themselves gravitating toward.
HEAVY caught up with frontman Ben Simpson to get more details.
"It's a little bit 90s sounding - like a lot of our stuff is, I think," he explained of All I Know. "It's got some 90s elements in there. It sounds like a dirty Oasis track to me, if I strip it back. A punky, dirtier Brit-Pop song. The song itself is about grinding, day-to-day life. Stuck in traffic. Back and forth from work, feeling like you're wasting away. It's a bit of a miserable approach to working class life, but it's got a bit of life in it, so it's not a miserable song. It just touches on the misery of some days."
In the full interview, we discussed All I Know in greater detail and its potential inclusion in their upcoming album. Ben described the song as a bit of a miserable approach to working-class life, but with a bit of life in it. We also discussed the concept of the film clip that reflects this theme.
We spoke about the band's transition from releasing smaller EPs to an album. Ben expressed his dissatisfaction with EPs, stating that they are not as valued as albums. He mentioned that the band is now ready to release a full album, having accumulated a body of work. Ben also shared that they have learned more about production, including vocal layering and counter melodies, which will be incorporated into their new album. The conversation also touched on the changing attention spans of people due to social media and the internet, with Ben expressing his preference for longer, more immersive music experiences.
Ben touched on the band's continued musical growth and clarified that the changes were natural and not a deliberate strategy to veer off into different genres. He explained that the band started as purely grunge, but over time, they added elements from punk and Britpop, while maintaining their grungy sound. Ben confirmed that the singles they released were a good representation of their current and future sound.
We also spoke about upcoming shows and plenty more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62699677Tue, 12 Nov 2024 03:17:42 +0000HEAVY MagazineAfter spending their first couple of years refining their sound and learning their craft better, Gold Coast rock outfit Chavez Cartel are finally starting to bear the fruits of that labour, having also managed to conquer the UK and USA in recent...With a classic rock sound embedded with elements of grunge, Chavez Cartel found pieces falling into place earlier this year with an appearance at Big Sound 24 introducing the band to a wider range of possibilities and contacts than ever before.
Harnessing this renewed vigour, the band headed for the studio to begin the next phase of their musical journey, with the result being new single All I Know, which showcases the evolving sonic world in which Chavez Cartel find themselves gravitating toward.
HEAVY caught up with frontman Ben Simpson to get more details.
"It's a little bit 90s sounding - like a lot of our stuff is, I think," he explained of All I Know. "It's got some 90s elements in there. It sounds like a dirty Oasis track to me, if I strip it back. A punky, dirtier Brit-Pop song. The song itself is about grinding, day-to-day life. Stuck in traffic. Back and forth from work, feeling like you're wasting away. It's a bit of a miserable approach to working class life, but it's got a bit of life in it, so it's not a miserable song. It just touches on the misery of some days."
In the full interview, we discussed All I Know in greater detail and its potential inclusion in their upcoming album. Ben described the song as a bit of a miserable approach to working-class life, but with a bit of life in it. We also discussed the concept of the film clip that reflects this theme.
We spoke about the band's transition from releasing smaller EPs to an album. Ben expressed his dissatisfaction with EPs, stating that they are not as valued as albums. He mentioned that the band is now ready to release a full album, having accumulated a body of work. Ben also shared that they have learned more about production, including vocal layering and counter melodies, which will be incorporated into their new album. The conversation also touched on the changing attention spans of people due to social media and the internet, with Ben expressing his preference for longer, more immersive music experiences.
Ben touched on the band's continued musical growth and clarified that the changes were natural and not a deliberate strategy to veer off into different genres. He explained that the band started as purely grunge, but over time, they added elements from punk and Britpop, while maintaining their grungy sound. Ben confirmed that the singles they released were a good representation of their current and future sound.
We also spoke about upcoming shows and plenty more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>818australia,bigcound24,chavezcartel,grunge,hardrock,heavy,interview,krispeters,music,podcast,rock,singletruefullhttps://www.spreaker.com/episode/a-sonic-continuation-with-mark-palfreyman-from-alarum--62679683Their new album Recontinue gives you all of those elements that you know and love about ALARUM, with the addition of the weight of an anvil. It is a brutally uncompromising album, with enough in the way of finesse to appeal to metal lovers of all tastes.
HEAVY caught up with Mark Palfreyman to find out more.
We discussed the band's new album, with Mark explaining it is a continuation of their previous work, with a focus on heavier and cleaner parts, as well as incorporating new ideas and influences. He also mentioned that the album was influenced by the band's experiences during the Covid-19 pandemic.
HEAVY praised the album's eclectic mix of styles, from progressive metal to jazz fusion, and asked about the creative process. Mark explained that they write different styles of music simultaneously, blending them together to create a cohesive album. He also noted that the band's approach has evolved over time, from simply writing songs to having a more planned and focused approach to their music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62679683Sun, 10 Nov 2024 07:23:58 +0000HEAVY MagazineALARUM have nothing to prove in sheer technical prowess on their instruments, or superlative proficiency in progressive metal songwriting. They've demonstrated for over 25 years that they are masters in complex time signatures, virtuoso guitar and...Their new album Recontinue gives you all of those elements that you know and love about ALARUM, with the addition of the weight of an anvil. It is a brutally uncompromising album, with enough in the way of finesse to appeal to metal lovers of all tastes.
HEAVY caught up with Mark Palfreyman to find out more.
We discussed the band's new album, with Mark explaining it is a continuation of their previous work, with a focus on heavier and cleaner parts, as well as incorporating new ideas and influences. He also mentioned that the album was influenced by the band's experiences during the Covid-19 pandemic.
HEAVY praised the album's eclectic mix of styles, from progressive metal to jazz fusion, and asked about the creative process. Mark explained that they write different styles of music simultaneously, blending them together to create a cohesive album. He also noted that the band's approach has evolved over time, from simply writing songs to having a more planned and focused approach to their music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1094alarum,australia,heavy,heavymetal,interview,jazz,krispeters,music,podcast,progressivemetalfalsefullhttps://www.spreaker.com/episode/burning-embers-with-orpheus-omega--62650315Dubbed the Embers Of Tragedy Australian Tour, the run of shows celebrates Orpheus Omega's Emberglow album and Carmeria's Tragedie D'amour, with both releases considered as pivotal in the blossoming futures of both bands. 
Emberglow sonically marrie sOrpheus Omega's classic melodic death metal roots while taking their largest leaps yet into uncharted territory including moments of progressive metal, metalcore, doom metal and more. It is a brave and typically bold step forward for the band, who over five albums and three EP's have continually pushed themselves and their boundaries, despite gathering a loyal fanbase that would be satisfied with their music changing only minimally.
HEAVY sat down with the whole band recently to discuss the tour and whatever else seemed appropriate at the time.
We discussed the Emberglow in greater detail and how ambitious the band actually considers their sonic shift. The band mentioned that the album has a strong personal element, with each band member contributing their own unique influences. They emphasized the importance of the pre-production process in shaping the album's cohesive sound and talked about the balance between different genres in the album and how difficult it was to get right.
They also discussed their upcoming tour and the effort they put into creating a memorable live show experience, just what to expect and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62650315Thu, 07 Nov 2024 15:54:52 +0000HEAVY MagazineThe only thing better as a band than hitting the road after releasing an album is hitting the road with your mates, so it was a no-brainer really when Melodic Death metal powerhouse ORPHEUS OMEGA (VIC) and Symphonic Gothic Metal masters CARMERIA (NSW)...Dubbed the Embers Of Tragedy Australian Tour, the run of shows celebrates Orpheus Omega's Emberglow album and Carmeria's Tragedie D'amour, with both releases considered as pivotal in the blossoming futures of both bands. 
Emberglow sonically marrie sOrpheus Omega's classic melodic death metal roots while taking their largest leaps yet into uncharted territory including moments of progressive metal, metalcore, doom metal and more. It is a brave and typically bold step forward for the band, who over five albums and three EP's have continually pushed themselves and their boundaries, despite gathering a loyal fanbase that would be satisfied with their music changing only minimally.
HEAVY sat down with the whole band recently to discuss the tour and whatever else seemed appropriate at the time.
We discussed the Emberglow in greater detail and how ambitious the band actually considers their sonic shift. The band mentioned that the album has a strong personal element, with each band member contributing their own unique influences. They emphasized the importance of the pre-production process in shaping the album's cohesive sound and talked about the balance between different genres in the album and how difficult it was to get right.
They also discussed their upcoming tour and the effort they put into creating a memorable live show experience, just what to expect and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1302australia,carmeria,darkmetal,gothicmetal,heavy,heavymetal,interview,krispeters,music,orpheusomega,podcast,tourtruefullhttps://www.spreaker.com/episode/skinflint-africa-s-heavy-metal-trailblazers--62643501The music world is often dominated by Western narratives, but Botswana’s Skinflint is challenging those narratives by carving out a unique space for African metal. Founded in late 2006, the band emerged with a vision to blend heavy metal with the richness of African culture and mythology. HEAVY spoke to the band’s core members - Giuseppe Sbrana (guitar, vocals), Kebonye (bass), and Cosmos (drums) - to discuss their musical journey, influences, and the themes behind their latest album, Baloi.
“Skinflint started with a simple idea: to tell the stories of Botswana and Africa, particularly the darker sides of our mythology that aren’t often covered by Western media,” Giuseppe explained. “Africa is rich in history and tales, and we wanted to bring those narratives to life through metal.”
The band’s name, while catchy, lacks deep meaning. “It just sounded good,” Kebonye said with a chuckle. However, their mission is far from superficial. With a growing fan base across the globe, they have become a significant voice in the underground metal scene, sharing stories steeped in African folklore.
Despite their passion, Skinflint has faced significant challenges in promoting their music in Africa. “In the beginning, many people didn’t understand what we were trying to do,” Giuseppe admitted. “The metal scene here is small, and venues that support our music are rare. We’ve had to create our own opportunities.”
They emphasize the necessity of collaboration among bands in Botswana, sharing resources to build their own stages and sound systems. “It’s a DIY punk attitude,” Giuseppe noted, reflecting on the resilience of local artists. “But the hard work is worth it when we get on stage and share our stories.”
Their latest album, Baloi, which translates to "witches" in Setswana, delves deep into Botswana’s rich mythology. The title track addresses themes of love and betrayal, inspired by the legend of Lenswala Baratani - a tale of two lovers shunned by their tribe. “These stories are part of who we are,” Giuseppe stated. “We want to share them, even if they can be dark and unsettling.”
Another standout track, Sangoma, explores the concept of blood magic and witchcraft. Kebonye explained, “We want to showcase our culture, the good and the bad. People fear what they don’t understand, but we believe in the importance of telling these stories.”
As Skinflint continues to gain traction internationally, they are often dubbed "Africa's heavy metal Gods." However, the band is quick to redirect the spotlight. “While we appreciate the recognition, there are so many great bands in Africa,” Giuseppe urged. “It’s important for people to explore the diversity of African metal and the stories it has to offer.”
Their dedication has resulted in a loyal following not just in Africa but worldwide. When I asked about future tours, the excitement was palpable. “We’d love to play in Australia,” Guiseppe exclaimed. “Just connect us with a promoter, and we’ll be on the next plane!”
At the heart of Skinflint's ethos is collaboration. Each member contributes to the songwriting process, with Giuseppe penning the lyrics while drawing on ideas from the band. “It’s a family atmosphere,” he described. “We want to push each other to new heights, incorporating each member’s strengths into our music.”
As our conversation drew to a close, it was clear that Skinflint is more than just a band. They are storytellers, cultural ambassadors, and innovators in the heavy metal genre, determined to break boundaries and share the untold stories of Africa with the world. Their journey continues, one heavy riff at a time.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62643501Wed, 06 Nov 2024 19:37:11 +0000HEAVY MagazineInterview by Angela Croudace The music world is often dominated by Western narratives, but Botswana’s Skinflint is challenging those narratives by carving out a unique space for African metal. Founded in late 2006, the band emerged with a vision to...The music world is often dominated by Western narratives, but Botswana’s Skinflint is challenging those narratives by carving out a unique space for African metal. Founded in late 2006, the band emerged with a vision to blend heavy metal with the richness of African culture and mythology. HEAVY spoke to the band’s core members - Giuseppe Sbrana (guitar, vocals), Kebonye (bass), and Cosmos (drums) - to discuss their musical journey, influences, and the themes behind their latest album, Baloi.
“Skinflint started with a simple idea: to tell the stories of Botswana and Africa, particularly the darker sides of our mythology that aren’t often covered by Western media,” Giuseppe explained. “Africa is rich in history and tales, and we wanted to bring those narratives to life through metal.”
The band’s name, while catchy, lacks deep meaning. “It just sounded good,” Kebonye said with a chuckle. However, their mission is far from superficial. With a growing fan base across the globe, they have become a significant voice in the underground metal scene, sharing stories steeped in African folklore.
Despite their passion, Skinflint has faced significant challenges in promoting their music in Africa. “In the beginning, many people didn’t understand what we were trying to do,” Giuseppe admitted. “The metal scene here is small, and venues that support our music are rare. We’ve had to create our own opportunities.”
They emphasize the necessity of collaboration among bands in Botswana, sharing resources to build their own stages and sound systems. “It’s a DIY punk attitude,” Giuseppe noted, reflecting on the resilience of local artists. “But the hard work is worth it when we get on stage and share our stories.”
Their latest album, Baloi, which translates to "witches" in Setswana, delves deep into Botswana’s rich mythology. The title track addresses themes of love and betrayal, inspired by the legend of Lenswala Baratani - a tale of two lovers shunned by their tribe. “These stories are part of who we are,” Giuseppe stated. “We want to share them, even if they can be dark and unsettling.”
Another standout track, Sangoma, explores the concept of blood magic and witchcraft. Kebonye explained, “We want to showcase our culture, the good and the bad. People fear what they don’t understand, but we believe in the importance of telling these stories.”
As Skinflint continues to gain traction internationally, they are often dubbed "Africa's heavy metal Gods." However, the band is quick to redirect the spotlight. “While we appreciate the recognition, there are so many great bands in Africa,” Giuseppe urged. “It’s important for people to explore the diversity of African metal and the stories it has to offer.”
Their dedication has resulted in a loyal following not just in Africa but worldwide. When I asked about future tours, the excitement was palpable. “We’d love to play in Australia,” Guiseppe exclaimed. “Just connect us with a promoter, and we’ll be on the next plane!”
At the heart of Skinflint's ethos is collaboration. Each member contributes to the songwriting process, with Giuseppe penning the lyrics while drawing on ideas from the band. “It’s a family atmosphere,” he described. “We want to push each other to new heights, incorporating each member’s strengths into our music.”
As our conversation drew to a close, it was clear that Skinflint is more than just a band. They are storytellers, cultural ambassadors, and innovators in the heavy metal genre, determined to break boundaries and share the untold stories of Africa with the world. Their journey continues, one heavy riff at a time.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1441africanmetal,angelacroudace,heavy,heavymetal,interview,music,podcast,skinflintfalsefullhttps://www.spreaker.com/episode/rising-from-the-shadows-anna-brunner-of-league-of-distortion-on-music-empowerment-and-breaking-barriers--62640922In the ever-evolving world of metal, League of Distortion is carving out its own niche, led by the dynamic Anna Brunner, also known as Ace. Fresh off the release of their new album Galvanize, Anna’s passion for music and empowering messages shines through in every note. We caught up with her to discuss the band’s journey, the inspiration behind their latest work, and the significance of representation in the metal scene.
With the self-titled debut album released in 2022, fans are eager for more. Anna shares that Galvanized features entirely new material, except for a couple of reworked tracks. “There’s one song that didn’t fit on the first album, and we took that again and redid it,” she explains. “But I always have so many new ideas, so it felt natural to create new content.” The evolution in her songwriting reflects a shift in mindset, allowing her to explore themes that resonate with her current experiences.
As a relatively new band, League of Distortion have already taken the stage at major festivals, a daunting task for any artist. Anna recalls her first show after the release of their single Wolf or Lamb. “It felt so natural. I’ve played gigs before, but this was something special. I was pretty fucking nervous,” she admits, laughing. “But I appreciate my nervousness; it makes me focus.” It’s clear that while the pressure of performing can be overwhelming, it also fuels her passion and drive.
In a genre often dominated by male voices, Anna is proud to be part of a growing movement of female metal vocalists. “I don’t seek to be different; I just want to be an example for women and everyone to show them that if you work hard, you can reach your goals,” she states. Her commitment to empowerment is not just about gender but about inspiring anyone who feels marginalized to pursue their dreams. “I want to show that we can do this together.”
The songwriting process for League of Distortion is a collaborative effort. Anna works closely with producers Hannes Braun and Julien Breuker, bouncing ideas back and forth to create a sound that blends various influences, from hard rock to hip-hop. “We mix styles, and I never really thought about it; I just throw loops and sounds together,” she shares. This approach allows the band to stay innovative and fresh, capturing the essence of their diverse musical backgrounds.
With the world facing significant challenges, Anna emphasizes the importance of using music as a platform for hope and positivity. “There’s so much fighting and envy, and I want to use our music to give energy back,” she explains. “We are more, and together we can create a movement for change.” Her vision is clear: to rally listeners around a shared sense of purpose, encouraging them to rise above negativity.
League of Distortion boasts an impressive line-up that showcases a wealth of talent and diverse musical backgrounds. At the forefront is Anna Brunner, a dynamic vocalist renowned for her powerful voice and her work with the band Exit Eden. Joining her is Jim Muller, also known as Arro, from the celebrated group Kissin' Dynamite. Adding to the band's depth are drummer Tino Calmbach and bassist Felix Rehmann, both of whom bring their own unique flair to the ensemble. Together, this powerhouse combination creates a dynamic that not only enhances the band's distinctive sound but also reflects their individual experiences in the music industry.
As the band looks to the future, Anna expresses a desire to tour in Australia, a dream that resonates with fans down under. “That would be one of my bucket list dreams,” she enthuses. With plans to continue spreading their message through powerful performances and engaging music, League of Distortion is poised to make a lasting impact in the metal scene.
In a world where representation matters more than ever, Anna Brunner and League of Distortion are not just making music—they’re making waves. With their unique sound and powerful message, they are set to inspire a new generation of fans and musicians alike. As Anna puts it, “We still have a long way to go, but together, we can reach more people and create something beautiful.”


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62640922Wed, 06 Nov 2024 16:01:29 +0000HEAVY MagazineInterview by Angela Croudace In the ever-evolving world of metal, League of Distortion is carving out its own niche, led by the dynamic Anna Brunner, also known as Ace. Fresh off the release of their new album Galvanize, Anna’s passion for music and...In the ever-evolving world of metal, League of Distortion is carving out its own niche, led by the dynamic Anna Brunner, also known as Ace. Fresh off the release of their new album Galvanize, Anna’s passion for music and empowering messages shines through in every note. We caught up with her to discuss the band’s journey, the inspiration behind their latest work, and the significance of representation in the metal scene.
With the self-titled debut album released in 2022, fans are eager for more. Anna shares that Galvanized features entirely new material, except for a couple of reworked tracks. “There’s one song that didn’t fit on the first album, and we took that again and redid it,” she explains. “But I always have so many new ideas, so it felt natural to create new content.” The evolution in her songwriting reflects a shift in mindset, allowing her to explore themes that resonate with her current experiences.
As a relatively new band, League of Distortion have already taken the stage at major festivals, a daunting task for any artist. Anna recalls her first show after the release of their single Wolf or Lamb. “It felt so natural. I’ve played gigs before, but this was something special. I was pretty fucking nervous,” she admits, laughing. “But I appreciate my nervousness; it makes me focus.” It’s clear that while the pressure of performing can be overwhelming, it also fuels her passion and drive.
In a genre often dominated by male voices, Anna is proud to be part of a growing movement of female metal vocalists. “I don’t seek to be different; I just want to be an example for women and everyone to show them that if you work hard, you can reach your goals,” she states. Her commitment to empowerment is not just about gender but about inspiring anyone who feels marginalized to pursue their dreams. “I want to show that we can do this together.”
The songwriting process for League of Distortion is a collaborative effort. Anna works closely with producers Hannes Braun and Julien Breuker, bouncing ideas back and forth to create a sound that blends various influences, from hard rock to hip-hop. “We mix styles, and I never really thought about it; I just throw loops and sounds together,” she shares. This approach allows the band to stay innovative and fresh, capturing the essence of their diverse musical backgrounds.
With the world facing significant challenges, Anna emphasizes the importance of using music as a platform for hope and positivity. “There’s so much fighting and envy, and I want to use our music to give energy back,” she explains. “We are more, and together we can create a movement for change.” Her vision is clear: to rally listeners around a shared sense of purpose, encouraging them to rise above negativity.
League of Distortion boasts an impressive line-up that showcases a wealth of talent and diverse musical backgrounds. At the forefront is Anna Brunner, a dynamic vocalist renowned for her powerful voice and her work with the band Exit Eden. Joining her is Jim Muller, also known as Arro, from the celebrated group Kissin' Dynamite. Adding to the band's depth are drummer Tino Calmbach and bassist Felix Rehmann, both of whom bring their own unique flair to the ensemble. Together, this powerhouse combination creates a dynamic that not only enhances the band's distinctive sound but also reflects their individual experiences in the music industry.
As the band looks to the future, Anna expresses a desire to tour in Australia, a dream that resonates with fans down under. “That would be one of my bucket list dreams,” she enthuses. With plans to continue spreading their message through powerful performances and engaging music, League of Distortion is poised to make a lasting impact in the metal scene.
In a world where representation matters more than ever, Anna Brunner and League of Distortion are not just making music—they’re making waves. With their...]]>1128angelacroudace,annabrunner,hardrock,heavy,heavymetal,interview,leagueofdistortion,music,napalmrecords,podcasttruefullhttps://www.spreaker.com/episode/off-the-rails-with-jan-nicholas-blom-from-derail--62542970But that's exactly the situation Gold Coast rock outfit Derail find themselves in as they prepare to make their live debut amongst esteemed company when they perform at the End Of Year Bash at Mo's Desert Clubhouse alongside The Whiskeys and The Poor on December 13.
Starting as a studio project towards the start of the last decade, Derail were initially comprised of Stewart Williams (Lump, Electric Horse) and Adam 'Tex' Burnell, both playing guitars, bass and programming drums. They soon enlisted Jan Nicholas Blom (Ex- In-Cyde, The Silencio) on vocals and the Burn It Down EP was finalised. The EP was released digitally in 2017 and the boys got to work on a follow-up right away without performing any live shows. The Low Tide EP was released the following year, one track at a time, before everyone got tied up with their other projects.
In 2024, Stewart and JNB decided to put together a live band to play a show and give the songs their due. Tex continued on guitar and Stewart moved to his primary instrument, the bass. Dylan Brann and Kurt Winter, both of The Silencio, were recruited to take on guitars and drums to complete the line-up and the rest will soon be history.
HEAVY caught up with Blom to find out more.
We discussed the upcoming gig at Mo's Desert Clubhouse on December 13. Blom, a seasoned musician, expressed confidence in the band's performance despite limited rehearsals. He also mentioned that the band members were excited to showcase their music to a wider audience. We spoke about why now is the right time for Derail to hit the stage and why this could possibly be the band's first and last show.
Talk turned to nerves on the night despite the experience of each band member, how Blom got involved in the project initially, bringing the sound of Derail together, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62542970Wed, 06 Nov 2024 13:27:10 +0000HEAVY MagazineIt is hard to believe that a band could have been around for over ten years and released two EPs, but are still to play their first live show. Especially in the modern age of music. But that's exactly the situation Gold Coast rock outfit Derail find...But that's exactly the situation Gold Coast rock outfit Derail find themselves in as they prepare to make their live debut amongst esteemed company when they perform at the End Of Year Bash at Mo's Desert Clubhouse alongside The Whiskeys and The Poor on December 13.
Starting as a studio project towards the start of the last decade, Derail were initially comprised of Stewart Williams (Lump, Electric Horse) and Adam 'Tex' Burnell, both playing guitars, bass and programming drums. They soon enlisted Jan Nicholas Blom (Ex- In-Cyde, The Silencio) on vocals and the Burn It Down EP was finalised. The EP was released digitally in 2017 and the boys got to work on a follow-up right away without performing any live shows. The Low Tide EP was released the following year, one track at a time, before everyone got tied up with their other projects.
In 2024, Stewart and JNB decided to put together a live band to play a show and give the songs their due. Tex continued on guitar and Stewart moved to his primary instrument, the bass. Dylan Brann and Kurt Winter, both of The Silencio, were recruited to take on guitars and drums to complete the line-up and the rest will soon be history.
HEAVY caught up with Blom to find out more.
We discussed the upcoming gig at Mo's Desert Clubhouse on December 13. Blom, a seasoned musician, expressed confidence in the band's performance despite limited rehearsals. He also mentioned that the band members were excited to showcase their music to a wider audience. We spoke about why now is the right time for Derail to hit the stage and why this could possibly be the band's first and last show.
Talk turned to nerves on the night despite the experience of each band member, how Blom got involved in the project initially, bringing the sound of Derail together, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>538aussiemetal,australia,derail,hardrock,heavy,interview,jannicholasblom,krispeters,mosdesertclubhouse,music,podcast,rock,thepoor,thewhiskeystruefullhttps://www.spreaker.com/episode/coming-full-circle-with-azza-bok-from-frankenbok--62564638Which was fortunate because the early days of Frankenbok were a war of attrition, mixing Faith No More inspired bouts of eclectic funk metal with ferocious growls and moments of subtlety that would send the heads of many in the modern music climate spinning out of control.
Frankenbok's attitude towards colouring outside of the metaphorical lines was never more evident than when they decided to cover Madison Avenue's hit Don't Call Me Baby.
In their own image, of course.
That one song ensured Frankenbok's music transcended not just barriers, but lifestyles as well, bridging the gap between metalheads and the rest of the music loving public in such a way that it momentarily became cool to be metal.
Debut album Greetings & Salutations was groundbreaking and dangerous for its time, and the future looked suddenly bright for a bunch of self-confessed lunatics who just happened to play music.
Before reaching that elusive light at the end of the tunnel, Frankenbok underwent the first of many vocalist changes, when original singer Hutchy moved on to other projects, taking with him a large chunk of Frankenbok's DNA that got increasingly more lost from their sound as the procession of singers came and went and Frankenbok's sound ran more parallel with heavy metal with each album release.
With the band set to celebrate their 25th year in 2023, sole original member and guitarist Azza Bok came up with the ambitious idea of inviting every past and present member of Frankenbok from their inception to help celebrate by reassembling on stage through a night of live entertainment.
It was an idea that could have gone in a number of varying directions, with some past grievances still laying dormant and unresolved. But music is and always has been the great healer of wounds, and what started as a cool idea quickly transformed into an excellent one that opened up a number of potential new happenings and music that reignited the sense of danger that Frankenbok have always thrived on.
As happens with life, opportunities outside of Frankenbok presented themselves, with vocalist Dan McDougall torn between his love for the band and music and a growing need to solidify and consolidate his future. But instead of sweeping things under the carpet and causing inner turmoil and unrest, a band meeting led to a unanimous and amicable decision that would result in McDougall focussing on his business ventures, paving the way for a fairytale reunion that saw Hutchy returning to the band who he helped shape and mould more than 20 years ago.
With his return came the eclectic and experimental musical experiences that punctuated Frankenbok Mark I, but, most importantly, he also rekindled the fun, flippant side of Frankenbok's music that had all but evaporated over the last two decades. Things suddenly became unpredictable again, which in turn unleashed the blatant disregard for acceptable genre-specific music that was a feature of early Frankenbok.
But, as they say, the proof is in the pudding and today Frankenbok fans past, present and future get the chance to judge for themselves with the release of the first single with the newly old line-up, Demon Tantrum. An amalgamation of styles and genres that has more schizophrenic tendencies than a sanitarium, Demon Tantrum is a welcome step back to a time where there were no rules, no expectations, and no fucks given.
Which was Frankenbok's initial life mantra.
HEAVY sat down with Azza Bok to run the whole gauntlet of recent happenings and came out the other side still confused, but even more excited.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62564638Sat, 02 Nov 2024 03:34:54 +0000HEAVY MagazineWhen Melbourne metal outfit Frankenbok played their first note in anger back in 1997 the musical landscape was a much different beast. For starters, it wasn't deemed necessary to label genres and subgenres of music to appeal to particular markets,...Which was fortunate because the early days of Frankenbok were a war of attrition, mixing Faith No More inspired bouts of eclectic funk metal with ferocious growls and moments of subtlety that would send the heads of many in the modern music climate spinning out of control.
Frankenbok's attitude towards colouring outside of the metaphorical lines was never more evident than when they decided to cover Madison Avenue's hit Don't Call Me Baby.
In their own image, of course.
That one song ensured Frankenbok's music transcended not just barriers, but lifestyles as well, bridging the gap between metalheads and the rest of the music loving public in such a way that it momentarily became cool to be metal.
Debut album Greetings & Salutations was groundbreaking and dangerous for its time, and the future looked suddenly bright for a bunch of self-confessed lunatics who just happened to play music.
Before reaching that elusive light at the end of the tunnel, Frankenbok underwent the first of many vocalist changes, when original singer Hutchy moved on to other projects, taking with him a large chunk of Frankenbok's DNA that got increasingly more lost from their sound as the procession of singers came and went and Frankenbok's sound ran more parallel with heavy metal with each album release.
With the band set to celebrate their 25th year in 2023, sole original member and guitarist Azza Bok came up with the ambitious idea of inviting every past and present member of Frankenbok from their inception to help celebrate by reassembling on stage through a night of live entertainment.
It was an idea that could have gone in a number of varying directions, with some past grievances still laying dormant and unresolved. But music is and always has been the great healer of wounds, and what started as a cool idea quickly transformed into an excellent one that opened up a number of potential new happenings and music that reignited the sense of danger that Frankenbok have always thrived on.
As happens with life, opportunities outside of Frankenbok presented themselves, with vocalist Dan McDougall torn between his love for the band and music and a growing need to solidify and consolidate his future. But instead of sweeping things under the carpet and causing inner turmoil and unrest, a band meeting led to a unanimous and amicable decision that would result in McDougall focussing on his business ventures, paving the way for a fairytale reunion that saw Hutchy returning to the band who he helped shape and mould more than 20 years ago.
With his return came the eclectic and experimental musical experiences that punctuated Frankenbok Mark I, but, most importantly, he also rekindled the fun, flippant side of Frankenbok's music that had all but evaporated over the last two decades. Things suddenly became unpredictable again, which in turn unleashed the blatant disregard for acceptable genre-specific music that was a feature of early Frankenbok.
But, as they say, the proof is in the pudding and today Frankenbok fans past, present and future get the chance to judge for themselves with the release of the first single with the newly old line-up, Demon Tantrum. An amalgamation of styles and genres that has more schizophrenic tendencies than a sanitarium, Demon Tantrum is a welcome step back to a time where there were no rules, no expectations, and no fucks given.
Which was Frankenbok's initial life mantra.
HEAVY sat down with Azza Bok to run the whole gauntlet of recent happenings and came out the other side still...]]>2314aaronbutler,aussiemetal,australianmetal,azzabok,frankenbok,heavy,heavymetal,hutchy,interview,krispeters,podcast,premiere,single,xmusictruefullhttps://www.spreaker.com/episode/preparing-for-monolith-festival-with-misha-mansoor-spencer-sotelo-from-periphery--62519359The discussion kicked off with an intriguing insight into the band's new acoustic single. Spencer shared how the project was born from a casual jam session during a U.S. tour with guitarist Mike Dawes. "It kind of came about as an accident really," he explained. "We were practising in a warehouse in Las Vegas and just started running over these acoustic versions of our songs. They turned out awesome!"
Misha highlighted his role in the project, "I contributed some layers and backing vocals, but it was really Spencer and Mike's baby. It was cool to take a back seat for a change."
The collaboration proved fruitful, as they received positive crowd responses during live performances. "After the tour, we decided to actually sit down and put together acoustic versions," Spencer said, emphasizing the organic nature of their creative process.
Reflecting on the band's beginnings, Misha discussed the challenges of forming a cohesive group. "Spencer is our fourth singer, but he's the only one who survived," he joked before adding, "Bands are tough. It's like being married to five people, and you have to get along."
Spencer acknowledged the tough early days, noting, "I wasn't the best singer in the world back then. We got a bit of hate online, but we never worried about it. If we were happy, that's what mattered." Misha admired Spencer's growth, stating, "He was very green at the time, but I saw immense potential. He always had the fire to improve."
The songwriting process in Periphery has evolved significantly over the years. "Every album has gotten more collaborative," Spencer noted, particularly referencing their latest work, PV: Djent is Not a Genre. "It was a huge group effort in music, vocals, and lyrics. We cut entire songs if someone wasn't happy with them."
Misha added, "It's about problem-solving and creating something we're all stoked about. The process is very sacred to us, and we've learned to follow the creative thread wherever it leads."
While Periphery's sound is rooted in metal, the band members draw inspiration from various genres. Misha admitted, "Metal music is the last thing I choose to listen to. I find inspiration in classical and jazz music, which allows me to focus without invading my analytical brain." Spencer echoed this sentiment, emphasizing the importance of creative freedom. "Our music feels very honest. We write for ourselves, and it's amazing that it resonates with others."
As the conversation drew to a close, excitement bubbled over their upcoming tour, particularly the long-awaited return to Australia for Monolith Festival. "It's been seven years since we've been there, and I genuinely love it," Spencer said, looking forward to the beach and the summer vibes.
Misha humorously added, "I would enjoy Australia if it was real, but we all know it's not - just crisis actors!" This light-hearted banter showcased their camaraderie and passion for performing.
Periphery remains committed to their authentic vision in a world of ever-changing sounds and styles, continually evolving while honouring its roots. Their journey, marked by collaboration, experimentation, and a shared love for music, promises fans an exciting future filled with sonic exploration.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62519359Thu, 31 Oct 2024 02:48:10 +0000HEAVY MagazineMisha Mansoor and Spencer Sotelo of Periphery spoke to HEAVY recently about their creative journey, the evolution of their music, and the unexpected fate that led to their latest release, 2 Song Acoustic Single. The discussion kicked off with an...The discussion kicked off with an intriguing insight into the band's new acoustic single. Spencer shared how the project was born from a casual jam session during a U.S. tour with guitarist Mike Dawes. "It kind of came about as an accident really," he explained. "We were practising in a warehouse in Las Vegas and just started running over these acoustic versions of our songs. They turned out awesome!"
Misha highlighted his role in the project, "I contributed some layers and backing vocals, but it was really Spencer and Mike's baby. It was cool to take a back seat for a change."
The collaboration proved fruitful, as they received positive crowd responses during live performances. "After the tour, we decided to actually sit down and put together acoustic versions," Spencer said, emphasizing the organic nature of their creative process.
Reflecting on the band's beginnings, Misha discussed the challenges of forming a cohesive group. "Spencer is our fourth singer, but he's the only one who survived," he joked before adding, "Bands are tough. It's like being married to five people, and you have to get along."
Spencer acknowledged the tough early days, noting, "I wasn't the best singer in the world back then. We got a bit of hate online, but we never worried about it. If we were happy, that's what mattered." Misha admired Spencer's growth, stating, "He was very green at the time, but I saw immense potential. He always had the fire to improve."
The songwriting process in Periphery has evolved significantly over the years. "Every album has gotten more collaborative," Spencer noted, particularly referencing their latest work, PV: Djent is Not a Genre. "It was a huge group effort in music, vocals, and lyrics. We cut entire songs if someone wasn't happy with them."
Misha added, "It's about problem-solving and creating something we're all stoked about. The process is very sacred to us, and we've learned to follow the creative thread wherever it leads."
While Periphery's sound is rooted in metal, the band members draw inspiration from various genres. Misha admitted, "Metal music is the last thing I choose to listen to. I find inspiration in classical and jazz music, which allows me to focus without invading my analytical brain." Spencer echoed this sentiment, emphasizing the importance of creative freedom. "Our music feels very honest. We write for ourselves, and it's amazing that it resonates with others."
As the conversation drew to a close, excitement bubbled over their upcoming tour, particularly the long-awaited return to Australia for Monolith Festival. "It's been seven years since we've been there, and I genuinely love it," Spencer said, looking forward to the beach and the summer vibes.
Misha humorously added, "I would enjoy Australia if it was real, but we all know it's not - just crisis actors!" This light-hearted banter showcased their camaraderie and passion for performing.
Periphery remains committed to their authentic vision in a world of ever-changing sounds and styles, continually evolving while honouring its roots. Their journey, marked by collaboration, experimentation, and a shared love for music, promises fans an exciting future filled with sonic exploration.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1469angelacroudace,australia,coheed&cambria,destroyalllines,djent,hardrock,heavy,heavymetal,interview,mishamansoor,monolithfestival,periphery,podcast,progressiverock,rock,tourtruefullhttps://www.spreaker.com/episode/taking-flight-with-john-gallagher-from-raven--62555393Unless they're asked, of course.
Rising from the infamously riotous city of Newcastle, England, in 1974, Raven predated even the massive New Wave Of British Heavy Metal period that spawned some of the legends of heavy metal. The trio went on to release three of the most influential metal albums of the NWOBHM, inspiring every band of that era and beyond. Basically, without RAVEN you just would not have thrash/speed metal…. after all, the band did give Metallica and Anthrax their first tours!
And, as all good things do, Raven are the gift that keeps on giving, still powerful and influential half a century after their birth. Still consistently releasing new albums, Raven are also still a formidable force on the live circuit, attacking their craft with the same energy and take-no-prisoners attitude that saw them quickly touted as one of the best bands to grace a live stage.
Period.
After a five-year absence, Raven return to Australia in early November for a select number of shows, with frontman and bass player John Gallagher forcing HEAVY to arise at the crack of dawn just to have the pleasure of 20 odd minutes of his company.
Was it worth it? Fuck my oath it was… One of the topics of discussion was the popular affirmation that Raven, to this day, are still one of the best live bands in the world. A statement we challenge will be hard to live up to.
"Not really," he responded confidently. "It's what we do. Go watch some videos. We'll put bands who are teenagers, 20-year-olds, we'll put them to shame because we go out to kill 100% every night. It sounds like bluster or BS, but it's not. It really isn't. Come to the show and that's what we do. We have a hell of a good time, and we get everyone in on the act. We grew up in a time where the bands we saw were performers. And entertainers. And they reached out, and they grabbed. The first band we ever saw was Slade and the opening band was The Sensational Alex Harvey Band. Imagine being a 14-year-old kid seeing The Sensational Alex Harvey Band? That changed our lives. Because there you've got a guy who literally reached across everyone's face and freaked them out. Initially, it was 'Who's this band? I don't care, I wanna see Slade. Who are these guys?' And by the end everyone in the place was screaming for them. They were amazing. That's the kind of thing that went in our head. That's how you do it."
In the full interview, John discussed Raven's recent activities and their upcoming tour in Australia. John mentioned that the band has been touring since the release of their new album, All Hell's Breaking Loose, and that they are celebrating their 50th anniversary.
We talked about the challenges and fun aspects of playing in a band. He also talked about the musical climate in the 1970s, which inspired him and his brother Mark to form Raven, citing their influences such as Slade, Sweet, Gary Glitter, Status Quo, T-Rex, Deep Purple, and Montrose. John emphasized the importance of learning from other bands and adapting to audience reactions.
We discussed their experiences with the early 1980s NWOBHM scene. John shared his involvement in the Newcastle music scene, describing the competitive yet supportive atmosphere among bands. He recounted the band's rapid rise to fame, from playing pubs to opening for Iron Maiden within three months. John also shared instances of competition and sabotage among bands but emphasized the overall camaraderie and respect among musicians.
HEAVY highlighted Raven's influence on thrash metal and their contributions to the music industry. John shared that they were one of the first bands to rev up the genre, and their energy and cutting of "fat" riffs were groundbreaking. He also mentioned their influence on German bands and how they inspired many musicians. He emphasized the importance of creativity and the joy of creating new music, even after 50 years as a band. He also mentioned the band's resilience in the face of changing music trends and personal challenges, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62555393Wed, 30 Oct 2024 21:33:24 +0000HEAVY MagazineNot many bands in the metal scene - or any other for that matter - can lay claims to being true flag bearers and essential ingredients in shaping the history of music. Sure, many can try, and just as many come off as ill-informed, but the ones that...Unless they're asked, of course.
Rising from the infamously riotous city of Newcastle, England, in 1974, Raven predated even the massive New Wave Of British Heavy Metal period that spawned some of the legends of heavy metal. The trio went on to release three of the most influential metal albums of the NWOBHM, inspiring every band of that era and beyond. Basically, without RAVEN you just would not have thrash/speed metal…. after all, the band did give Metallica and Anthrax their first tours!
And, as all good things do, Raven are the gift that keeps on giving, still powerful and influential half a century after their birth. Still consistently releasing new albums, Raven are also still a formidable force on the live circuit, attacking their craft with the same energy and take-no-prisoners attitude that saw them quickly touted as one of the best bands to grace a live stage.
Period.
After a five-year absence, Raven return to Australia in early November for a select number of shows, with frontman and bass player John Gallagher forcing HEAVY to arise at the crack of dawn just to have the pleasure of 20 odd minutes of his company.
Was it worth it? Fuck my oath it was… One of the topics of discussion was the popular affirmation that Raven, to this day, are still one of the best live bands in the world. A statement we challenge will be hard to live up to.
"Not really," he responded confidently. "It's what we do. Go watch some videos. We'll put bands who are teenagers, 20-year-olds, we'll put them to shame because we go out to kill 100% every night. It sounds like bluster or BS, but it's not. It really isn't. Come to the show and that's what we do. We have a hell of a good time, and we get everyone in on the act. We grew up in a time where the bands we saw were performers. And entertainers. And they reached out, and they grabbed. The first band we ever saw was Slade and the opening band was The Sensational Alex Harvey Band. Imagine being a 14-year-old kid seeing The Sensational Alex Harvey Band? That changed our lives. Because there you've got a guy who literally reached across everyone's face and freaked them out. Initially, it was 'Who's this band? I don't care, I wanna see Slade. Who are these guys?' And by the end everyone in the place was screaming for them. They were amazing. That's the kind of thing that went in our head. That's how you do it."
In the full interview, John discussed Raven's recent activities and their upcoming tour in Australia. John mentioned that the band has been touring since the release of their new album, All Hell's Breaking Loose, and that they are celebrating their 50th anniversary.
We talked about the challenges and fun aspects of playing in a band. He also talked about the musical climate in the 1970s, which inspired him and his brother Mark to form Raven, citing their influences such as Slade, Sweet, Gary Glitter, Status Quo, T-Rex, Deep Purple, and Montrose. John emphasized the importance of learning from other bands and adapting to audience reactions.
We discussed their experiences with the early 1980s NWOBHM scene. John shared his involvement in the Newcastle music scene, describing the competitive yet supportive atmosphere among bands. He recounted the band's rapid rise to fame, from playing pubs to opening for Iron Maiden within three months. John also shared instances of competition and sabotage among bands but emphasized the overall camaraderie and respect among musicians.
HEAVY highlighted Raven's influence on thrash metal and their contributions to the music industry. John shared that they were one of the first bands to rev up the genre,...]]>1608australia,heavy,heavymetal,interview,ironmaiden,johngallagher,krispeters,metallica,music,podcast,raven,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/channeling-our-inner-nerdy-adulting-powerful-selves-thanks-to-the-dev--62553018For three decades Devin Townsend has become a part of the audio furniture in our homes and lives! In 2024 the incredibly prolific and brilliant great man that is Devin reaches into to his beautifully profound heart and mind, telling enlightening us about the journey of creating what was initially a simple thank you to his fans in the overall purpose of Powernerd to a diary journal of realising and then scripting an entry that would encompass a multitude of emotions that we all have at some point in our adulting lives,  experienced and chosen to either repress or express to a wider forgiving and loving group of those around us willing to hug us compassionately and without judgement. Like always, if you listen to the full interview podcast with "The Dev", you’ll hear further profound insights and meanings behind other songs on the upcoming ‘Powernerd’ album as well as tracks from his past.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62553018Wed, 30 Oct 2024 07:33:42 +0000HEAVY MagazineFor three decades Devin Townsend has become a part of the audio furniture in our homes and lives! In 2024 the incredibly prolific and brilliant great man that is Devin reaches into to his beautifully profound heart and mind, telling enlightening us...For three decades Devin Townsend has become a part of the audio furniture in our homes and lives! In 2024 the incredibly prolific and brilliant great man that is Devin reaches into to his beautifully profound heart and mind, telling enlightening us about the journey of creating what was initially a simple thank you to his fans in the overall purpose of Powernerd to a diary journal of realising and then scripting an entry that would encompass a multitude of emotions that we all have at some point in our adulting lives,  experienced and chosen to either repress or express to a wider forgiving and loving group of those around us willing to hug us compassionately and without judgement. Like always, if you listen to the full interview podcast with "The Dev", you’ll hear further profound insights and meanings behind other songs on the upcoming ‘Powernerd’ album as well as tracks from his past.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>4269devintownsend,hevydevymusic,insideoutrecords,powernerd,ziltoidtruefullhttps://www.spreaker.com/episode/stoking-the-fires-with-jordan-von-grae-from-carmeria--62540968While their 2021 debut album Advenae announced the arrival of Carmeria it was also somewhat of a tease, showcasing a sonic temperament and direction that was fresh and vibrant without tipping its hand too far in any given direction. As such, the follow-up album was especially important for the band. They could either deliver more of the same - which would have been an acceptable outcome - or they could continue to traverse a more diverse path on the open highway of musical ability.
They chose the latter, with the sound on Tragedie D'Amour taking on a more energetic gothic rock approach than its predecessor.
To celebrate the recent release, Carmeria are preparing to hit the road for a run of dates with melodic death metal masters Orpheus Omega dubbed the Embers Of Tragedy Australian Tour. HEAVY spent some time with frontman Jordan Von Grae to get more information, starting with last-minute preparations before hitting the road.
"Really it's just rehearsals and tweaking bits and pieces of the performance," he offered. "So coming up with specific set lists for each show, things like that. Obviously, with these kinds of shows and tours, you have different set lengths for the different shows. One of the sets is 40 minutes and I think another is 50 to an hour, so you're kind of picking and choosing which songs you feel would fit best and of course having to axe some that you might not wanna axe (laughs), But the last couple of weeks before a tour is really about tightening everything up. There's been a bit of work. We've pretty much only had one rehearsal (smiles) so far since being back, and we've got two more planned for the next week. Off the back of that it will be just about tweaking little production things and coming up with some additional ideas for additional performance pazazz."
In the full interview, Jordan discussed the release of each band's new albums. He expressed relief and satisfaction with the positive reception of Tragédie D'amour, which took on a more energetic Gothic rock approach. Jordan explained that the change in sound was a deliberate choice to explore different themes, such as love and loss, and to delve into influences like bands like HIM and Lord of the Lost.
Jordan discussed the lessons learned from making the band's debut album, which they carried over into album number two. He mentioned that the process became more streamlined, allowing them to produce the second album in half the time. Jordan also talked about his role as producer for this album, stating that it allowed for a more natural sound to the songs but also required him to learn temperance to avoid overdoing it. He expressed excitement about the upcoming tour with Orpheus Omega, stating that they both appreciate each other's work and are looking forward to playing together.
We also surprised him with our new Photo Bomb segment, plus plenty more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62540968Tue, 29 Oct 2024 11:32:54 +0000HEAVY MagazineCombining the haunting sounds of dark symphonic metal with the lovelorn energy of gothic rock, Blue Mountains music machine Carmeria have upped the anti significantly with their recently released sophomore album Tragédie D'amour. While their 2021...While their 2021 debut album Advenae announced the arrival of Carmeria it was also somewhat of a tease, showcasing a sonic temperament and direction that was fresh and vibrant without tipping its hand too far in any given direction. As such, the follow-up album was especially important for the band. They could either deliver more of the same - which would have been an acceptable outcome - or they could continue to traverse a more diverse path on the open highway of musical ability.
They chose the latter, with the sound on Tragedie D'Amour taking on a more energetic gothic rock approach than its predecessor.
To celebrate the recent release, Carmeria are preparing to hit the road for a run of dates with melodic death metal masters Orpheus Omega dubbed the Embers Of Tragedy Australian Tour. HEAVY spent some time with frontman Jordan Von Grae to get more information, starting with last-minute preparations before hitting the road.
"Really it's just rehearsals and tweaking bits and pieces of the performance," he offered. "So coming up with specific set lists for each show, things like that. Obviously, with these kinds of shows and tours, you have different set lengths for the different shows. One of the sets is 40 minutes and I think another is 50 to an hour, so you're kind of picking and choosing which songs you feel would fit best and of course having to axe some that you might not wanna axe (laughs), But the last couple of weeks before a tour is really about tightening everything up. There's been a bit of work. We've pretty much only had one rehearsal (smiles) so far since being back, and we've got two more planned for the next week. Off the back of that it will be just about tweaking little production things and coming up with some additional ideas for additional performance pazazz."
In the full interview, Jordan discussed the release of each band's new albums. He expressed relief and satisfaction with the positive reception of Tragédie D'amour, which took on a more energetic Gothic rock approach. Jordan explained that the change in sound was a deliberate choice to explore different themes, such as love and loss, and to delve into influences like bands like HIM and Lord of the Lost.
Jordan discussed the lessons learned from making the band's debut album, which they carried over into album number two. He mentioned that the process became more streamlined, allowing them to produce the second album in half the time. Jordan also talked about his role as producer for this album, stating that it allowed for a more natural sound to the songs but also required him to learn temperance to avoid overdoing it. He expressed excitement about the upcoming tour with Orpheus Omega, stating that they both appreciate each other's work and are looking forward to playing together.
We also surprised him with our new Photo Bomb segment, plus plenty more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1190australia,carmeria,gothicrock,heavy,heavymetal,interview,krispeters,music,orpheusomega,podcast,tourtruefullhttps://www.spreaker.com/episode/flicking-the-switch-with-nick-mclernon-from-make-them-suffer--62522347With the turmoil of COVID still echoing in the rear vision mirror, Make Them Suffer found themselves beset by more line-up changes, which, coupled with a high level of external expectations, cast an increasingly large, dark shadow over the possibility of a productive future.
Tracing its origins back to 2022, the new Make Them Suffer era was first set in motion by the announcement of Sean Harmanis (vocals), Nick McLernon (guitar), Jaya Jeffery (bass), and Jordan Mather (drums) releasing the blistering single Doomswitch as well as joining forces with Alex Reade taking up the role of backing vocalist and keyboardist, aka Make Them Suffer’s trademark Fifth Member. 
Following on with singles Epitaph and Ghost Of Me, Make Them Suffer ultimately crafted their forthcoming self-titled new album in between an exceedingly busy international touring schedule as live music opportunities continued to rise in the post-pandemic landscape.
Harnessing that confusion and uncertainty, Make Them Suffer have fearlessly stepped into new creative terrain that embraces yet boldly expands upon the group's foundational symphonic, progressive, and blackened textures.
With the new album less than two weeks from being unleashed on the sonic landscape, HEAVY caught up with guitarist Nick McLernon to dig deeper.
"I'm gonna be honest with you, I don't feel a thing," he replied solemnly when asked about the looming release date. "The last two years we've been through many ups and downs - a lot of downs. We've struggled through adversity, rather, many adversities to be here, so I think that's desensitised us - or at least me. I'm not sure if I'm speaking on behalf of the rest of the band, but I certainly feel desensitised to everything with the lead-up to the record coming out. I might feel different… I'm sure it's all going to catch up to me when the record actually does come out, but right now… this is the first time in two years I have actually gotten to relax and not think about music. We've been touring and writing since Doomswitch was released and since Alex joined the band. So this is the first time I actually don't have to think about music."
In the full interview, Nick discusses why now is the right time to name an album after the band, the sound of the album and what the band were going for musically, the singles released and how they represent the full album, Alex's addition for the album and what she brought to the creative process, self-producing the album and the pros and cons of keeping it in house, balancing genres successfully, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62522347Tue, 29 Oct 2024 03:25:56 +0000HEAVY MagazineWest Australian metal outfit Make Them Suffer found themselves at an important crossroads just a short couple of years ago. With the turmoil of COVID still echoing in the rear vision mirror, Make Them Suffer found themselves beset by more line-up...With the turmoil of COVID still echoing in the rear vision mirror, Make Them Suffer found themselves beset by more line-up changes, which, coupled with a high level of external expectations, cast an increasingly large, dark shadow over the possibility of a productive future.
Tracing its origins back to 2022, the new Make Them Suffer era was first set in motion by the announcement of Sean Harmanis (vocals), Nick McLernon (guitar), Jaya Jeffery (bass), and Jordan Mather (drums) releasing the blistering single Doomswitch as well as joining forces with Alex Reade taking up the role of backing vocalist and keyboardist, aka Make Them Suffer’s trademark Fifth Member. 
Following on with singles Epitaph and Ghost Of Me, Make Them Suffer ultimately crafted their forthcoming self-titled new album in between an exceedingly busy international touring schedule as live music opportunities continued to rise in the post-pandemic landscape.
Harnessing that confusion and uncertainty, Make Them Suffer have fearlessly stepped into new creative terrain that embraces yet boldly expands upon the group's foundational symphonic, progressive, and blackened textures.
With the new album less than two weeks from being unleashed on the sonic landscape, HEAVY caught up with guitarist Nick McLernon to dig deeper.
"I'm gonna be honest with you, I don't feel a thing," he replied solemnly when asked about the looming release date. "The last two years we've been through many ups and downs - a lot of downs. We've struggled through adversity, rather, many adversities to be here, so I think that's desensitised us - or at least me. I'm not sure if I'm speaking on behalf of the rest of the band, but I certainly feel desensitised to everything with the lead-up to the record coming out. I might feel different… I'm sure it's all going to catch up to me when the record actually does come out, but right now… this is the first time in two years I have actually gotten to relax and not think about music. We've been touring and writing since Doomswitch was released and since Alex joined the band. So this is the first time I actually don't have to think about music."
In the full interview, Nick discusses why now is the right time to name an album after the band, the sound of the album and what the band were going for musically, the singles released and how they represent the full album, Alex's addition for the album and what she brought to the creative process, self-producing the album and the pros and cons of keeping it in house, balancing genres successfully, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1048album,australia,heavy,heavymetal,interview,krispeters,makethemsuffer,melodicdeathmetal,metalcore,music,nickmclernon,numetal,podcasttruefullhttps://www.spreaker.com/episode/culture-respect-with-yuji-from-sxxrxxs--62524371One such band is heavy outfit SxxRxxS, a four-pronged beast of classic heavy metal that is as traditional as it is brazen. Speed metal laced with classic metal shrouded in a veil of heaviness, SxxRxxS are pure metal incarnate, and with one album under their belts and a burning desire to tour outside of Japan, manager Yuji joined HEAVY to get us and the band better acquainted.
Yuji discussed the band's commitment to authentic heavy metal music, inspired by bands like Iron Maiden and Judas Priest. He emphasized that the band's style is not a new type of metal, but rather a continuation of the old-school metal genre. Yuji also mentioned the band's mission to introduce young people to the goodness of old-school metal.
We discussed the differences in music culture between Japan and the Western world, noting that Japanese musicians tend to specialize in one instrument and have a designated leader in their bands, which helps in decision-making and maintaining focus. In contrast, Western musicians often play multiple instruments and do not have a designated leader. They also touched on the Japanese tendency to copy and learn from others, which contributes to their skill in playing instruments.
Yuji discussed the impressive performance of SxxRxxS, praising their professionalism and stage presence. He noted that the band members had been playing together for a while and had rehearsed extensively to perfect their performance. He also mentioned that the bass player, K-Chi, had a long history in the music industry, having released records with major labels in the past and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62524371Mon, 28 Oct 2024 02:12:14 +0000HEAVY MagazineOne of the best things about touring foreign countries is experiencing local bands, music and culture, and Japan is by far one of the best places in the world to do so. Heavy Metal is a growing and thriving market in the country, and over the course...One such band is heavy outfit SxxRxxS, a four-pronged beast of classic heavy metal that is as traditional as it is brazen. Speed metal laced with classic metal shrouded in a veil of heaviness, SxxRxxS are pure metal incarnate, and with one album under their belts and a burning desire to tour outside of Japan, manager Yuji joined HEAVY to get us and the band better acquainted.
Yuji discussed the band's commitment to authentic heavy metal music, inspired by bands like Iron Maiden and Judas Priest. He emphasized that the band's style is not a new type of metal, but rather a continuation of the old-school metal genre. Yuji also mentioned the band's mission to introduce young people to the goodness of old-school metal.
We discussed the differences in music culture between Japan and the Western world, noting that Japanese musicians tend to specialize in one instrument and have a designated leader in their bands, which helps in decision-making and maintaining focus. In contrast, Western musicians often play multiple instruments and do not have a designated leader. They also touched on the Japanese tendency to copy and learn from others, which contributes to their skill in playing instruments.
Yuji discussed the impressive performance of SxxRxxS, praising their professionalism and stage presence. He noted that the band members had been playing together for a while and had rehearsed extensively to perfect their performance. He also mentioned that the bass player, K-Chi, had a long history in the music industry, having released records with major labels in the past and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>841heavy,heavymetal,interview,japan,krispeters,podcast,powermetal,sxxrxxsfalsefullhttps://www.spreaker.com/episode/sonic-exploration-with-damon-tate-from-of-virtue--62484785Born from the blistering cold, barren fields of Michigan and erupting into an internationally recognized and critically acclaimed alternative powerhouse, Of Virtue’s growth is nothing short of jaw dropping.
 Whether it’s having shared their music with fans in over 30 countries across the globe, amassing a multitude of Billboard charting positions, gaining Top 50 Media base radio play slots, having over 20 million total streams or beyond, Of Virtue is always looking forward to change and progress, to evolve and grow.
That thirst for advancement sees the band hit Australia for the first time in a matter of days as part of The Hardest Part Tour which was put together by Aussie metal outfit Sienna Skies. HEAVY sat down with guitarist/vocalist Damon Tate earlier this week to get the lowdown on what to expect.
"People that have listened to us over the years and said hey, can you get down here, it was like ever since we announced the tour the reception has been great," he smiled. "I've been getting messages from friends and people in other bands we have toured with in different places, and they are like, hey, when you get here you're gonna have fun. Everyone's ready. People understand too. You're coming from a long way away and people say hey, we know how hard it is to not only get out to another country, but to have bands come over here as well, so when they do we're gonna make you feel right at home."
In the full interview, we talk more about the troubles of getting to a country for the first time, what to expect from Of Virtue live, what they are expected from crowds here, their relationship with Sienna Skies, playing at Froth & Fury Festival, the early days of the band and where they fit in, evolving over time musically while still staying in touch with your core fan base, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62484785Sun, 27 Oct 2024 22:08:01 +0000HEAVY MagazineProgression, or more generally, change, is a constant in music; in order to adapt and survive, you must grow and develop. No band knows this as much as Michigan heavy music act Of Virtue. Born from the blistering cold, barren fields of Michigan and...Born from the blistering cold, barren fields of Michigan and erupting into an internationally recognized and critically acclaimed alternative powerhouse, Of Virtue’s growth is nothing short of jaw dropping.
 Whether it’s having shared their music with fans in over 30 countries across the globe, amassing a multitude of Billboard charting positions, gaining Top 50 Media base radio play slots, having over 20 million total streams or beyond, Of Virtue is always looking forward to change and progress, to evolve and grow.
That thirst for advancement sees the band hit Australia for the first time in a matter of days as part of The Hardest Part Tour which was put together by Aussie metal outfit Sienna Skies. HEAVY sat down with guitarist/vocalist Damon Tate earlier this week to get the lowdown on what to expect.
"People that have listened to us over the years and said hey, can you get down here, it was like ever since we announced the tour the reception has been great," he smiled. "I've been getting messages from friends and people in other bands we have toured with in different places, and they are like, hey, when you get here you're gonna have fun. Everyone's ready. People understand too. You're coming from a long way away and people say hey, we know how hard it is to not only get out to another country, but to have bands come over here as well, so when they do we're gonna make you feel right at home."
In the full interview, we talk more about the troubles of getting to a country for the first time, what to expect from Of Virtue live, what they are expected from crowds here, their relationship with Sienna Skies, playing at Froth & Fury Festival, the early days of the band and where they fit in, evolving over time musically while still staying in touch with your core fan base, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1097australia,clayjgladstone,damontate,heavy,heavymetal,interview,krispeters,metalcore,ofvirtue,podcast,siennaskies,tourtruefullhttps://www.spreaker.com/episode/music-in-bloom-with-p-nut-from-311--62519592Full Bloom is the group's first full-length project in 5 years, following their album Voyager in 2019. Their first single off the album, You’re Gonna Get It is the band’s highest charting song in 13 years, breaking into the top 15 at Alternative Radio. It is proof alone that despite the apparent need for regular releases in the modern musical climate, good music will always be good music and fans will (almost) always stay loyal to good music.
Thirty-three years into a stellar career, 311 continues to produce compelling, unifying music, with a unique, hybrid sound that encapsulates rock, rap, reggae and funk still turning heads with regularity.
Bass player P-Nut joined HEAVY to talk about the album, Good Things and whatever else popped up.
"I don't get nervous about much," he replied when we asked if the excitement of a new album was still the same 14 albums in. "The fear's been scared out of me, I guess (laughs). But releasing an album is a tenuous, nerve wracking, kind of anxious emotion. It's kind of a scary thing to release an album, even if we've done it fourteen times now."
We ask if the band has a set creative process measured over time or if each album presents new challenges.
"I think everyone's got their own method," P - Nut measured. "We come together when those reach whatever peak. Nick calls me in for lyrics frequently, which is really fun, and it's been something that I've really enjoyed in the band over the last fifteen years or so. We're pretty fixed. We've all got home studios, and we work relatively well on our own. We have demo-itis sometimes where the demos can be better than the finished result (laughs), but I think that's just my ears sometimes. It's really fun recording still. It's only easier, of course now, but now I think everyone's fixed in their way and we get together when the time is right."
In the full interview P - Nut talks more about Full Bloom, what to expect musically, how it differs to 2019's Voyager, keeping a steady fan base, their appearance at Good Things Festival, which bands on the line-up 311 hasn't played with before, what we can expect from them live, their just announced sideshows, three songs to get to know the band better plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62519592Sun, 27 Oct 2024 21:29:07 +0000HEAVY MagazineAs if this year wasn't already exciting enough for Nebraska rock outfit 311 with their upcoming appearance at Good Things Festival 2024 alongside Sum 41, Korn, Mastodon, Kerry King and more, but the band have added a touch more spice to proceedings...Full Bloom is the group's first full-length project in 5 years, following their album Voyager in 2019. Their first single off the album, You’re Gonna Get It is the band’s highest charting song in 13 years, breaking into the top 15 at Alternative Radio. It is proof alone that despite the apparent need for regular releases in the modern musical climate, good music will always be good music and fans will (almost) always stay loyal to good music.
Thirty-three years into a stellar career, 311 continues to produce compelling, unifying music, with a unique, hybrid sound that encapsulates rock, rap, reggae and funk still turning heads with regularity.
Bass player P-Nut joined HEAVY to talk about the album, Good Things and whatever else popped up.
"I don't get nervous about much," he replied when we asked if the excitement of a new album was still the same 14 albums in. "The fear's been scared out of me, I guess (laughs). But releasing an album is a tenuous, nerve wracking, kind of anxious emotion. It's kind of a scary thing to release an album, even if we've done it fourteen times now."
We ask if the band has a set creative process measured over time or if each album presents new challenges.
"I think everyone's got their own method," P - Nut measured. "We come together when those reach whatever peak. Nick calls me in for lyrics frequently, which is really fun, and it's been something that I've really enjoyed in the band over the last fifteen years or so. We're pretty fixed. We've all got home studios, and we work relatively well on our own. We have demo-itis sometimes where the demos can be better than the finished result (laughs), but I think that's just my ears sometimes. It's really fun recording still. It's only easier, of course now, but now I think everyone's fixed in their way and we get together when the time is right."
In the full interview P - Nut talks more about Full Bloom, what to expect musically, how it differs to 2019's Voyager, keeping a steady fan base, their appearance at Good Things Festival, which bands on the line-up 311 hasn't played with before, what we can expect from them live, their just announced sideshows, three songs to get to know the band better plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>918311,album,australia,destroyalllines,festival,funk,goodthingsfestival,hardrock,heavy,interview,krispeters,music,pnut,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/fresh-beginnings-with-clint-boge-from-the-butterfly-effect--62252339You don't have to think hard to see which side of the ledger The Butterfly Effect sit.
The Butterfly Effect have been a mainstay on the Australian music scene for approaching a quarter of a century, churning out a plethora of hit singles and being widely recognised as one of the country's leading live acts.
So when they announced last year that they would be celebrating the 20th anniversary of their debut album Begins Here fans rushed to buy tickets, eager to hear not only the singles from the album - Crave, Beautiful Mine, Always and One Second Of Insanity - but also the rest of the album that, for some, shaped large parts of their youth.
That tour wound up earlier this year, but The Butterfly Effect weren't done yet. While capital cities got to experience the band in full flights, their regional counterparts missed out and after a bit of prompting from fans in those areas The Butterfly Effect decided to do another celebration run, this time taking in those less populated - but still music loving - areas.
Rejigged to be the 21st Anniversary Of Begins Here Tour, the 25-date run of shows kicks off in Cairns on January 30, 2025 before finishing in Darwin on March 14.
It is a massive run of shows across the length and breadth of the country, but one which frontman Clint Boge is adamant the fans deserve.
HEAVY caught up with Boge to find out more.
"I'm a sucker for punishment," he laughed. "What can I tell you? My bloody drummer keeps booking gigs and I keep saying to him 'mate, how old do you think I am' (laughs). We're rounding the bend for 50 - and I must say we're looking very good for 50. It's amazing. I've gotta be honest with you, after this tour, I'm gonna need the whole rest of the year off to recover (laughs). We're all really stoked. We're all really excited. Everyone is starting to ramp up to it. We're talking about getting fit and healthy as a group, and you have to these days. It used to be late nights and partying until you drop, but yeah… we can't really do that any more. It's the next day that gets ya. We can still do it, but it's the next day."
In the full interview, Clint reflects on The Butterfly Effect's recent 20th-anniversary tour, discussing the positive fan response and their desire to connect with long-time supporters while addressing the challenges of performing entire albums live. He reminisced about the band's early days, the evolution of their sound, and the timeless appeal of Begins Here.
He spoke about how the fans had a say in where the regional tour would go, if the same songs that were popular on Begins Here 20 years ago were still popular two decades later, the timeless qualities of the album and the importance of allowing your music to breath, future new music and more.
Tickets for the 21 Years Of Begins Here Regional Tour available here: thebutterflyeffectband.com.au.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62252339Sun, 27 Oct 2024 09:27:32 +0000HEAVY MagazineIt seems these days every second touring band is doing an anniversary run for an album from their back catalogue. Almost to the point where the whole concept is starting to lose its appeal, mainly because it's hard to tell which bands have a genuine...You don't have to think hard to see which side of the ledger The Butterfly Effect sit.
The Butterfly Effect have been a mainstay on the Australian music scene for approaching a quarter of a century, churning out a plethora of hit singles and being widely recognised as one of the country's leading live acts.
So when they announced last year that they would be celebrating the 20th anniversary of their debut album Begins Here fans rushed to buy tickets, eager to hear not only the singles from the album - Crave, Beautiful Mine, Always and One Second Of Insanity - but also the rest of the album that, for some, shaped large parts of their youth.
That tour wound up earlier this year, but The Butterfly Effect weren't done yet. While capital cities got to experience the band in full flights, their regional counterparts missed out and after a bit of prompting from fans in those areas The Butterfly Effect decided to do another celebration run, this time taking in those less populated - but still music loving - areas.
Rejigged to be the 21st Anniversary Of Begins Here Tour, the 25-date run of shows kicks off in Cairns on January 30, 2025 before finishing in Darwin on March 14.
It is a massive run of shows across the length and breadth of the country, but one which frontman Clint Boge is adamant the fans deserve.
HEAVY caught up with Boge to find out more.
"I'm a sucker for punishment," he laughed. "What can I tell you? My bloody drummer keeps booking gigs and I keep saying to him 'mate, how old do you think I am' (laughs). We're rounding the bend for 50 - and I must say we're looking very good for 50. It's amazing. I've gotta be honest with you, after this tour, I'm gonna need the whole rest of the year off to recover (laughs). We're all really stoked. We're all really excited. Everyone is starting to ramp up to it. We're talking about getting fit and healthy as a group, and you have to these days. It used to be late nights and partying until you drop, but yeah… we can't really do that any more. It's the next day that gets ya. We can still do it, but it's the next day."
In the full interview, Clint reflects on The Butterfly Effect's recent 20th-anniversary tour, discussing the positive fan response and their desire to connect with long-time supporters while addressing the challenges of performing entire albums live. He reminisced about the band's early days, the evolution of their sound, and the timeless appeal of Begins Here.
He spoke about how the fans had a say in where the regional tour would go, if the same songs that were popular on Begins Here 20 years ago were still popular two decades later, the timeless qualities of the album and the importance of allowing your music to breath, future new music and more.
Tickets for the 21 Years Of Begins Here Regional Tour available here: thebutterflyeffectband.com.au.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1099aussierock,australia,clintboge,hardrock,heavy,interview,krispeters,music,podcast,rock,thebutterflyeffect,tourtruefullhttps://www.spreaker.com/episode/uniting-the-life-blood-of-rock-with-dave-gleeson-ezekiel-ox--62463661While there are bands like RedHook, Ocean Grove, Void Of Vision and Alpha Wolf who are lighting up the airwaves and flying the flag for the younger generation, the more old-school rock and hard rock bands are also showcasing their worth.
Bands like The Poor and Rose Tattoo, who have been around for more than three decades, are playing to large crowds and still producing quality music, but it is the comradeship and support bands of all seasons continually offer each other that stands out the most.
Case in point the upcoming union of two of Australia's leading rock/hard rock outfits in The Screaming Jets and Mammal, who are hitting the road in November for a run of eight dates dubbed the Life Blood Tour, including a select number of all ages shows. It is a union that few ever saw coming, but also one which is a tantalising match made in the halls of metal that, at the very least, will introduce fans of each band to a different side of the rock coin to which they are accustomed to listening to.
The Screaming Jets are more of your true blue Aussie workhorses, with a truck load of hit singles and a spiralling career once more on the rise. Mammal, on the other hand, are a raging pit of funk-fuelled metal, still smashing it on the back of recent album The Penny Drop with so much more to give.
If there's one thing the two bands have in common, it is their enigmatic and proudly outspoken frontmen, both of which sat down earlier this week for a chat with HEAVY. On their own, one on one, Dave Gleeson (The Screaming Jets) and Ezekiel Ox (Mammal) are a ball of fun-fuelled energy, but put them together and anything could happen.
Which it did.
"I'm really excited about this tour," Gleeson began. "I've seen Mammal's exploits On YouTube and stuff, but I can't wait to see them live, and I'm sure the Jets fans, part of the reason they love our band is the energy and that real rock and roll vibe that we bring and that's why I think they are really gonna take to Mammal."
"I reckon you're right there, Dave," Ox picked up. "It's a great opportunity for us to get in front of some fans that will be a bit different and vice versa. There will be some Mammal people coming that may not have seen you guys yet, but I think most of the people would not have seen us. We're so looking forward to it. We're probably leaning further towards a slightly heavier sound when we get going. It's been interesting discussing it with the boys and how we're tailoring our set to make sure that we're giving the Jets fans what they want. We love all our songs, but it's been fun thinking. It's a bit of a different one for us, but we're absolutely pumped, to say the least."
In the full interview, we discuss where the idea came from to put The Screaming Jets and Mammal on the same line-up, their contrasting musical styles and how they will complement each other, their confidence as frontmen and how important that side of the performance is, their first memories of each other's respective bands, what to expect from each band, between song banter, which songs of each other's bands they like the most, all ages shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62463661Sun, 27 Oct 2024 08:39:41 +0000HEAVY MagazineAustralian music is on the rise - and deservedly so. While there are bands like RedHook, Ocean Grove, Void Of Vision and Alpha Wolf who are lighting up the airwaves and flying the flag for the younger generation, the more old-school rock and hard rock...While there are bands like RedHook, Ocean Grove, Void Of Vision and Alpha Wolf who are lighting up the airwaves and flying the flag for the younger generation, the more old-school rock and hard rock bands are also showcasing their worth.
Bands like The Poor and Rose Tattoo, who have been around for more than three decades, are playing to large crowds and still producing quality music, but it is the comradeship and support bands of all seasons continually offer each other that stands out the most.
Case in point the upcoming union of two of Australia's leading rock/hard rock outfits in The Screaming Jets and Mammal, who are hitting the road in November for a run of eight dates dubbed the Life Blood Tour, including a select number of all ages shows. It is a union that few ever saw coming, but also one which is a tantalising match made in the halls of metal that, at the very least, will introduce fans of each band to a different side of the rock coin to which they are accustomed to listening to.
The Screaming Jets are more of your true blue Aussie workhorses, with a truck load of hit singles and a spiralling career once more on the rise. Mammal, on the other hand, are a raging pit of funk-fuelled metal, still smashing it on the back of recent album The Penny Drop with so much more to give.
If there's one thing the two bands have in common, it is their enigmatic and proudly outspoken frontmen, both of which sat down earlier this week for a chat with HEAVY. On their own, one on one, Dave Gleeson (The Screaming Jets) and Ezekiel Ox (Mammal) are a ball of fun-fuelled energy, but put them together and anything could happen.
Which it did.
"I'm really excited about this tour," Gleeson began. "I've seen Mammal's exploits On YouTube and stuff, but I can't wait to see them live, and I'm sure the Jets fans, part of the reason they love our band is the energy and that real rock and roll vibe that we bring and that's why I think they are really gonna take to Mammal."
"I reckon you're right there, Dave," Ox picked up. "It's a great opportunity for us to get in front of some fans that will be a bit different and vice versa. There will be some Mammal people coming that may not have seen you guys yet, but I think most of the people would not have seen us. We're so looking forward to it. We're probably leaning further towards a slightly heavier sound when we get going. It's been interesting discussing it with the boys and how we're tailoring our set to make sure that we're giving the Jets fans what they want. We love all our songs, but it's been fun thinking. It's a bit of a different one for us, but we're absolutely pumped, to say the least."
In the full interview, we discuss where the idea came from to put The Screaming Jets and Mammal on the same line-up, their contrasting musical styles and how they will complement each other, their confidence as frontmen and how important that side of the performance is, their first memories of each other's respective bands, what to expect from each band, between song banter, which songs of each other's bands they like the most, all ages shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1337australia,davegleeson,ezekielox,funkrock,hardrock,heavy,interview,krispeters,lifebloodtour,mammal,music,podcast,rock,thescreamingjets,tourtruefullhttps://www.spreaker.com/episode/open-the-floodgates-with-brann-dailor-from-mastodon--62468541Since emerging in 2000 the Atlanta quartet have defied both sonic and thematic boundaries with an uncategorizable, undeniable, and uncompromising vision unlike anything else in music. Quite simply, Mastodon have quietly evolved into one of the most influential, inimitable, and iconic rock bands of the modern era.
Following their recent collaboration on single Floods Of Triton with Lamb Of God, Mastodon have found themselves in perpetual motion on the road, leading them all the way to Australia where fans are already counting down the days.
HEAVY caught up with drummer Brann Dailor to find out more. We start by asking if he gets excited about touring as part of a festival line-up as he does his own headlining shows.
"They're different," he mused. "I'm just happy to be there. I'm excited to get up on stage and play in front of anybody. I don't care if there's five people there, I don't care if there's 10,000 people there, I give the same exact show every time. I'm not gonna say if it's something crazy like opening for Iron Maiden… there's been moments in my life with big shows that I'm very, very excited to be a part of it, but I like playing. I like being at festivals. I don't care if we're playing during the day or if it's at night. (I've had) A lot of pinch me moments in my life where I can't believe I do this for a living. I try to ride it out (laughs)."
In the full interview, Brann goes through some of the other bands on the Good Things line-up and shares experiences playing with them, reveals what we can expect from Mastodon live, their new song with Lamb Of God, creating music with another metal heavyweight, upcoming new material, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62468541Thu, 24 Oct 2024 04:27:59 +0000HEAVY MagazineWhile Good Things 2024 boasts a stellar line-up of hard rock and metal bands - including Korn, Kerry King, Northlane, Alpha Wolf and From Ashes To New - the band on everybody's lips as a must see on the day is Mastodon. Since emerging in 2000 the...Since emerging in 2000 the Atlanta quartet have defied both sonic and thematic boundaries with an uncategorizable, undeniable, and uncompromising vision unlike anything else in music. Quite simply, Mastodon have quietly evolved into one of the most influential, inimitable, and iconic rock bands of the modern era.
Following their recent collaboration on single Floods Of Triton with Lamb Of God, Mastodon have found themselves in perpetual motion on the road, leading them all the way to Australia where fans are already counting down the days.
HEAVY caught up with drummer Brann Dailor to find out more. We start by asking if he gets excited about touring as part of a festival line-up as he does his own headlining shows.
"They're different," he mused. "I'm just happy to be there. I'm excited to get up on stage and play in front of anybody. I don't care if there's five people there, I don't care if there's 10,000 people there, I give the same exact show every time. I'm not gonna say if it's something crazy like opening for Iron Maiden… there's been moments in my life with big shows that I'm very, very excited to be a part of it, but I like playing. I like being at festivals. I don't care if we're playing during the day or if it's at night. (I've had) A lot of pinch me moments in my life where I can't believe I do this for a living. I try to ride it out (laughs)."
In the full interview, Brann goes through some of the other bands on the Good Things line-up and shares experiences playing with them, reveals what we can expect from Mastodon live, their new song with Lamb Of God, creating music with another metal heavyweight, upcoming new material, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>921branndailor,goodthingsfestival,heavy,heavymetal,interview,kerryking,korn,krispeters,mastodon,music,podcast,tourtruefullhttps://www.spreaker.com/episode/shaping-your-own-history-with-wendy-james--62481829Starting with the wildly successful, provocative and infectious Transvision Vamp in the 1980s - a band who oozed anarchaic intent coupled with a sexuality that would be frowned upon today - and moving through to her current solo career, James has always maintained a strong sense of worth and self belief. Professionally and personally.
While her music has understandably gone through the subtle nuances of time and the public image might not be as openly flirtatious, James maintains a youthful exuberance that sees her release her tenth album The Shape Of History on October 25.
James joined HEAVY earlier this week for a chat about life, music and art.
"There is a consistency to my songwriting," she measured when asked to delve into the musical nature of The Shape Of History. "I often say that my comfort zone is that CBGB/Max's Kansas City, mid 70s to late 70s downtown new wave punk sound that the Americans did. Even though I grew up with the English punks, it's actually that grimy New York downtown scene that I really enjoy. So there's always that in all of my albums, but The Shape of History is an expanded outlook and sound. All of my albums have experimentation, but they go off. So maybe there's a little country. Maybe there's a little blues. Maybe there's a little bit of girl pop, and this album, if it's got anything that marks it different to the albums, is the fact there's a bit of California sound in there as well. And it's called The Shape Of History because it is my tenth album and I did start when I was a teenager in 1986 and so you can chart the course of my life through all the albums I've made, and therefore you've got a shape of history."
In the full interview, Wendy discussed her collaboration with Australian photographer and editor, David Lee Dodd, who condensed 48 hours of old Transvision Vamp footage into a 3.5-minute music video. She also talked about her album, The Shape of History, which starts with a beautifully ambient piano intro for the track Sweet Like Love. Wendy explained that she wanted to create a musical interlude, similar to the opening of Woody Allen's movie Manhattan, and worked with Dave Sherman to achieve this. We spoke about her history and music and how the two merge together, the changing musical landscape, her upcoming instore appearances, future tours and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62481829Thu, 24 Oct 2024 01:43:26 +0000HEAVY MagazineWendy James' musical career has mirrored the life of many of her fans. From the rebellious punk stage to the seasoned, reflective artist, James has endured a lifetime of music many in the profession only dream of. Starting with the wildly successful,...Starting with the wildly successful, provocative and infectious Transvision Vamp in the 1980s - a band who oozed anarchaic intent coupled with a sexuality that would be frowned upon today - and moving through to her current solo career, James has always maintained a strong sense of worth and self belief. Professionally and personally.
While her music has understandably gone through the subtle nuances of time and the public image might not be as openly flirtatious, James maintains a youthful exuberance that sees her release her tenth album The Shape Of History on October 25.
James joined HEAVY earlier this week for a chat about life, music and art.
"There is a consistency to my songwriting," she measured when asked to delve into the musical nature of The Shape Of History. "I often say that my comfort zone is that CBGB/Max's Kansas City, mid 70s to late 70s downtown new wave punk sound that the Americans did. Even though I grew up with the English punks, it's actually that grimy New York downtown scene that I really enjoy. So there's always that in all of my albums, but The Shape of History is an expanded outlook and sound. All of my albums have experimentation, but they go off. So maybe there's a little country. Maybe there's a little blues. Maybe there's a little bit of girl pop, and this album, if it's got anything that marks it different to the albums, is the fact there's a bit of California sound in there as well. And it's called The Shape Of History because it is my tenth album and I did start when I was a teenager in 1986 and so you can chart the course of my life through all the albums I've made, and therefore you've got a shape of history."
In the full interview, Wendy discussed her collaboration with Australian photographer and editor, David Lee Dodd, who condensed 48 hours of old Transvision Vamp footage into a 3.5-minute music video. She also talked about her album, The Shape of History, which starts with a beautifully ambient piano intro for the track Sweet Like Love. Wendy explained that she wanted to create a musical interlude, similar to the opening of Woody Allen's movie Manhattan, and worked with Dave Sherman to achieve this. We spoke about her history and music and how the two merge together, the changing musical landscape, her upcoming instore appearances, future tours and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1023album,heavy,interview,krispeters,music,podcast,rock,transvisionvamp,wendyjamesfalsefullhttps://www.spreaker.com/episode/return-to-sender-with-spike-from-me-first-the-gimme-gimmes--62480831If you have been figuratively touched by these fun loving punk reprobates then you will already know that the band only recently visited these shores on a blitzkrieg tour, and you will also likely not be surprised to hear that everybody's favourite punk covers band are about to board the plane from the U.S of A for a return visit dubbed The Band Of The Long Weekend Tour.
Except it goes for more like two weeks.
Armed with their latest release - a tribute to the late Billy Thorpe with Most People I Know - Me First & The Gimmes are set to once more decimate Australian crowds, and, according to frontman Spike Slawson, can't wait to experience our good old Australian hospitality once more. With less than seven days to the first Brisbane show on October 30, we start by asking if he is packed and ready to go.
"Getting there," he smiled. "I always leave it to the last minute, but we're getting there. Preparing ourselves mentally and emotionally and infrastructurally it's always a challenge, but somehow we always make do. And the flight keeps getting shorter and shorter! I think they hit some kind of slipstream or… I dunno."
Talk turns to the name of the tour and the fact that Me First & The Gimmes are anything but predictable, both as people and in the sonic realm.
"We like to put our fans and facilitators at a disadvantage," he joked. "I think it's… it's not a strategic thing as much as it is just a sort of troll. Our shows are an hour and a half long troll and at first we try to set the bar high for ourselves by really alienating our potential allies until the point where they are actually expressing their displeasure audibly. Booing. We like to bring them to about that point before we start to reel them back in. When it really kicked in was recently - two or three years ago - and it was still during lockdown so it was a crazy tour, but we were on a bill with the Violent Femmes and Flogging Molly as well as a band from New York called Thick. All the other bands played originals, or at least mostly originals, so, as with most bands that play originals, they are the heroes of their own stories. They're very earnest, and they're very serious about their music. They may be smiling but it's a serious moment they're sharing with you. Whereas for us, we understood right off the bat that we were the heels of the bill. Just as we are the heels of any bill that we're on. Interestingly enough, the nights when you alienate the crowd the most, those are the nights where you end up selling the most t-shirts. Isn't that funny?"
In the full interview, Spike reminisced about their previous performances in Australia and their upcoming return. He expressed his love for classical pop music and punk music, particularly the Ramones and the Buzzcocks, revealing that his band's covers would likely come from outsider pop or weirdo pop, which was prevalent in the 1970s. He also discussed his admiration for the music of the 1970s, despite its sometimes jarring themes. We spoke about support band, Dwarves, and how this coming tour will differ from recent shows, places where Me First & The Gimme Gimmes WOULDN'T play and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62480831Wed, 23 Oct 2024 23:23:27 +0000HEAVY MagazineIf you don't know who Me First & The Gimmes are by now, then you either have little taste in music and/or a sense of adventure, or you don't listen to music at all. If you have been figuratively touched by these fun loving punk reprobates then you...If you have been figuratively touched by these fun loving punk reprobates then you will already know that the band only recently visited these shores on a blitzkrieg tour, and you will also likely not be surprised to hear that everybody's favourite punk covers band are about to board the plane from the U.S of A for a return visit dubbed The Band Of The Long Weekend Tour.
Except it goes for more like two weeks.
Armed with their latest release - a tribute to the late Billy Thorpe with Most People I Know - Me First & The Gimmes are set to once more decimate Australian crowds, and, according to frontman Spike Slawson, can't wait to experience our good old Australian hospitality once more. With less than seven days to the first Brisbane show on October 30, we start by asking if he is packed and ready to go.
"Getting there," he smiled. "I always leave it to the last minute, but we're getting there. Preparing ourselves mentally and emotionally and infrastructurally it's always a challenge, but somehow we always make do. And the flight keeps getting shorter and shorter! I think they hit some kind of slipstream or… I dunno."
Talk turns to the name of the tour and the fact that Me First & The Gimmes are anything but predictable, both as people and in the sonic realm.
"We like to put our fans and facilitators at a disadvantage," he joked. "I think it's… it's not a strategic thing as much as it is just a sort of troll. Our shows are an hour and a half long troll and at first we try to set the bar high for ourselves by really alienating our potential allies until the point where they are actually expressing their displeasure audibly. Booing. We like to bring them to about that point before we start to reel them back in. When it really kicked in was recently - two or three years ago - and it was still during lockdown so it was a crazy tour, but we were on a bill with the Violent Femmes and Flogging Molly as well as a band from New York called Thick. All the other bands played originals, or at least mostly originals, so, as with most bands that play originals, they are the heroes of their own stories. They're very earnest, and they're very serious about their music. They may be smiling but it's a serious moment they're sharing with you. Whereas for us, we understood right off the bat that we were the heels of the bill. Just as we are the heels of any bill that we're on. Interestingly enough, the nights when you alienate the crowd the most, those are the nights where you end up selling the most t-shirts. Isn't that funny?"
In the full interview, Spike reminisced about their previous performances in Australia and their upcoming return. He expressed his love for classical pop music and punk music, particularly the Ramones and the Buzzcocks, revealing that his band's covers would likely come from outsider pop or weirdo pop, which was prevalent in the 1970s. He also discussed his admiration for the music of the 1970s, despite its sometimes jarring themes. We spoke about support band, Dwarves, and how this coming tour will differ from recent shows, places where Me First & The Gimme Gimmes WOULDN'T play and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1335australia,covers,heavy,interview,krispeters,mefirstandthegimmegimmes,music,podcast,punk,rock,spike,tourtruefullhttps://www.spreaker.com/episode/musical-extremes-with-nath-ant-from-another-rotting-corpse--62472163On face value with a name like that, it would be natural to assume ARC were, at the very least, a deathcore sounding band but one listen to any song from their upcoming debut album Soaring Highs, Crushing Lows and you will get a quick education as to why you should never judge a cover by its book, or however the saying goes.
After a five-year hiatus, ARC returned to the live scene with a renewed fire a couple of years ago, marking their comeback with the 2023 EP, Exchange For Safe Passage. That snowballed quickly to become their debut long player, which is set to be unleashed on the world with devastating force this Friday, October 25.
HEAVY caught up with Nath and Ant to find out more.
"Just a two-person punk album, essentially," Ant offered when asked what they were going for with the album musically. "I write a bunch of songs and give them to Nath, and he puts his part in and that's how it comes out. We didn't want to mess around with the sound too much."
"I will say one thing," Nath added, "When Ant writes a song for a two-piece - we were a three-piece, but the bass player has moved to Gippsland - but writing songs for two pieces what Ant does really well is he keeps the sound really full. There's so many opportunities where he could do a solo or something else interesting, but what was great about the album was it gave us the opportunity to fill that sound out even more than what we already do."
In the full interview, Ant and Nath talk more about Soaring Highs, Crushing Lows, its musical direction and the high-energy songs on it. We discuss how ARC's sound has changed from their debut EP Exchange For Safe Passage to Soaring Highs, Crushing Lows and what sorts of things they discussed as a band going into it. We spoke about the album launch party at Nighthawks this weekend and what to expect, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62472163Wed, 23 Oct 2024 09:38:23 +0000HEAVY MagazineYou don't get more punk than completely bamboozling people without trying, and for this reason alone Melbourne duo Another Rotting Corpse (ARC) have won before even playing a note in anger. On face value with a name like that, it would be natural to...On face value with a name like that, it would be natural to assume ARC were, at the very least, a deathcore sounding band but one listen to any song from their upcoming debut album Soaring Highs, Crushing Lows and you will get a quick education as to why you should never judge a cover by its book, or however the saying goes.
After a five-year hiatus, ARC returned to the live scene with a renewed fire a couple of years ago, marking their comeback with the 2023 EP, Exchange For Safe Passage. That snowballed quickly to become their debut long player, which is set to be unleashed on the world with devastating force this Friday, October 25.
HEAVY caught up with Nath and Ant to find out more.
"Just a two-person punk album, essentially," Ant offered when asked what they were going for with the album musically. "I write a bunch of songs and give them to Nath, and he puts his part in and that's how it comes out. We didn't want to mess around with the sound too much."
"I will say one thing," Nath added, "When Ant writes a song for a two-piece - we were a three-piece, but the bass player has moved to Gippsland - but writing songs for two pieces what Ant does really well is he keeps the sound really full. There's so many opportunities where he could do a solo or something else interesting, but what was great about the album was it gave us the opportunity to fill that sound out even more than what we already do."
In the full interview, Ant and Nath talk more about Soaring Highs, Crushing Lows, its musical direction and the high-energy songs on it. We discuss how ARC's sound has changed from their debut EP Exchange For Safe Passage to Soaring Highs, Crushing Lows and what sorts of things they discussed as a band going into it. We spoke about the album launch party at Nighthawks this weekend and what to expect, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>942anotherrottingcorpse,australia,hardrock,heavy,interview,krispeters,podcast,punktruefullhttps://www.spreaker.com/episode/something-from-nothing-with-will-putney-from-fit-for-an-autopsy--62467889As such, the band have developed a staunch and loyal fanbase, which, despite Fit For An Autopsy finding themselves thrust into the ears of a more mainstream market in recent years, have remained as passionate as ever. The band's 2022 album What The Future Holds saw Fit For An Autopsy somehow make small cracks in the chasm dividing metal and the general public, achieving the band's highest-charting position to date, becoming the first of their six full-length albums to reach the Top 25 of the Billboard 200.
Not that this had any effect or influence on Fit For An Autopsy when it came time to record the follow-up, with guitarist Will Putney joining HEAVY to explain where the new album plans to take us.
"It's a reflection on how I feel about the world," he began. "This record's no different in a sense to any of the previous ones in the place that it comes from. It probably gets a little more frustrated from album to album, but on the past few records I feel that Fit has sort of found itself, and we're comfortable in our own skin now. We know what we wanna do. We can play to our strengths. We're just refining the thing that we think is ours."
In the full interview, Will talks more about the musicality on The Nothing That Is, the singles released and how they reflect the rest of the album, listening to an album in its entirety rather than in bits and pieces, the success of What The Future Holds and the temptation to rehash the winning formula, producing the album himself and the advantages and disadvantages of keeping it in house, three songs to listen to in order to get to know Fit For An Autopsy and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62467889Tue, 22 Oct 2024 23:18:49 +0000HEAVY MagazineThroughout their career, New Jersey heavy outfit Fit For An Autopsy have remained stoic to their music and beliefs, following their own trends and passions rather than bow to the will of the masses. As such, the band have developed a staunch and loyal...As such, the band have developed a staunch and loyal fanbase, which, despite Fit For An Autopsy finding themselves thrust into the ears of a more mainstream market in recent years, have remained as passionate as ever. The band's 2022 album What The Future Holds saw Fit For An Autopsy somehow make small cracks in the chasm dividing metal and the general public, achieving the band's highest-charting position to date, becoming the first of their six full-length albums to reach the Top 25 of the Billboard 200.
Not that this had any effect or influence on Fit For An Autopsy when it came time to record the follow-up, with guitarist Will Putney joining HEAVY to explain where the new album plans to take us.
"It's a reflection on how I feel about the world," he began. "This record's no different in a sense to any of the previous ones in the place that it comes from. It probably gets a little more frustrated from album to album, but on the past few records I feel that Fit has sort of found itself, and we're comfortable in our own skin now. We know what we wanna do. We can play to our strengths. We're just refining the thing that we think is ours."
In the full interview, Will talks more about the musicality on The Nothing That Is, the singles released and how they reflect the rest of the album, listening to an album in its entirety rather than in bits and pieces, the success of What The Future Holds and the temptation to rehash the winning formula, producing the album himself and the advantages and disadvantages of keeping it in house, three songs to listen to in order to get to know Fit For An Autopsy and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1134album,deathcore,fitforanautopsy,heavy,heavymetal,interview,krispeters,music,podcast,willputneytruefullhttps://www.spreaker.com/episode/closing-the-chapter-with-nick-musgrave-from-sienna-skies--62467089Throw in a recent supporting run with Of Mice & Men and you would understandably cut the group some slack if they wanted to see 2024 out in the comfort of their homes.
But that's not Sienna Skies style. Instead, the band have released a new single, The Hardest Part, and decided to invite US outfit Of Virtue and Sydney rockers Clay J Gladstone to join them on an eight-date trek across Australia to start the year as they started.
On fire.
HEAVY caught up with guitarist Nick Musgrave to get the details, starting with reception afforded The Hardest Part.
"As far as I can tell, pretty good," he smiled. "I don't regularly look into the business of reading through every single comment (laughs). It just pops up here and here, which is kind of nice. Nothing too overly negative, so I guess in some cases no news is good news."
In the full interview we discussed the film clip for The Hardest Part, the upcoming tour and what to expect, why Sienna Skies chose Of Virtue and Clay J Gladstone as touring partners, closing out the last EP cycle, new music in the works, the bonus of having eclectic live line-ups, what three songs to listen to in order to get to know Sienna Skies better and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62467089Tue, 22 Oct 2024 21:14:53 +0000HEAVY MagazineRising Australian metal outfit Sienna Skies continue to cement themselves as pioneers of Australia’s heavy and alt music scenes, thanks in part to the inking of a new record deal, support slots with some of the world’s largest rock and metalcore acts...Throw in a recent supporting run with Of Mice & Men and you would understandably cut the group some slack if they wanted to see 2024 out in the comfort of their homes.
But that's not Sienna Skies style. Instead, the band have released a new single, The Hardest Part, and decided to invite US outfit Of Virtue and Sydney rockers Clay J Gladstone to join them on an eight-date trek across Australia to start the year as they started.
On fire.
HEAVY caught up with guitarist Nick Musgrave to get the details, starting with reception afforded The Hardest Part.
"As far as I can tell, pretty good," he smiled. "I don't regularly look into the business of reading through every single comment (laughs). It just pops up here and here, which is kind of nice. Nothing too overly negative, so I guess in some cases no news is good news."
In the full interview we discussed the film clip for The Hardest Part, the upcoming tour and what to expect, why Sienna Skies chose Of Virtue and Clay J Gladstone as touring partners, closing out the last EP cycle, new music in the works, the bonus of having eclectic live line-ups, what three songs to listen to in order to get to know Sienna Skies better and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1260aussiemetal,australia,clayjgladstone,heavy,heavymetal,interview,krispeters,nickmusgrave,ofvirtue,podcast,siennaskies,tourtruefullhttps://www.spreaker.com/episode/druid-s-rise-in-melbourne-s-heavy-scene-with-daeyul-baggins--62462164Melbourne's burgeoning music scene is buzzing with the emergence of Druid, a band turning heads with their unique sound blending and captivating performances. Guitarist Daeyul Baggins discussed the band's journey, their new single Chokehold, and their distinctive musical influences.
"We started a few years back under a different name," Daeyul explains, recounting the band's evolution. "We released an EP and then realised we were heading in a different direction musically. So, we decided to rebrand ourselves as Druid." This change allowed the band to redefine their sound and connect deeper with their musical identity.
Regarding the name "Druid," Daeyul admits there isn't a profound story behind it. "We just couldn't agree on anything else! Someone suggested Druid, and we all liked it." Despite the lack of a backstory, the name resonates well with their musical ethos.
"We're inspired by bands like Thornhill, Alpha Wolf, and Bring Me The Horizon," says Daeyul. "When writing our songs, we try to channel that vibe." These influences, combined with a relentless drive to push sonic boundaries through the fusion of rap and metal, create a familiar and innovative sound.
The band members have deep roots in music. Daeyul himself started out playing guitar but found his calling on the drums before ultimately transitioning to guitar. "My parents wouldn't let me get a drum set, so I started with guitar," he shares. "But once I got behind the kit, I realised I had a natural knack for it."
Chokehold is their latest release, produced by Sam Yates, known for his work with Aussie band Dregg. Daeyul explains the creative process: "We recorded it about a year ago. Our drummer Alex wrote the demo, and we were thrilled when Sam liked it enough to work with us." The accompanying music video, directed by Martin Wood, showcases a unique blend of heavy music and pole dancing, capturing the skill and artistry involved. "We wanted to show the talent behind pole dancing, not just the suggestive aspects," he emphasises.
Druid is also making waves with their collaborations. They teamed up with the talented Misstiq, who contributed a lo-fi remix of their song DTHBLW. "She was really into the idea, and her remix turned out amazing," Daeyul notes. "It's great to see different genres blending together."
When asked about future aspirations, Daeyul shares their excitement for what lies ahead. "We have another track ready for release early next year, and we're supporting Outer Worlds in November. There's a lot coming up, and we can't wait to share it with everyone."
As a band that's managed to weave different genres into their music while staying true to their heavy roots, Druid is poised to stamp their mark on the Aussie metal scene and beyond. With their fresh approach and dedication to artistry, they are certainly a band to watch.
For fans of nu-metal and those looking for something different, Druid is a name that will soon be on everyone's lips. Be sure to check out Chokehold and keep an eye out for their upcoming releases. The future looks bright for this Melbourne band, and it's clear that Druid is just getting started.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62462164Tue, 22 Oct 2024 11:58:29 +0000HEAVY MagazineInterview by Angela Croudace Melbourne's burgeoning music scene is buzzing with the emergence of Druid, a band turning heads with their unique sound blending and captivating performances. Guitarist Daeyul Baggins discussed the band's journey, their...Melbourne's burgeoning music scene is buzzing with the emergence of Druid, a band turning heads with their unique sound blending and captivating performances. Guitarist Daeyul Baggins discussed the band's journey, their new single Chokehold, and their distinctive musical influences.
"We started a few years back under a different name," Daeyul explains, recounting the band's evolution. "We released an EP and then realised we were heading in a different direction musically. So, we decided to rebrand ourselves as Druid." This change allowed the band to redefine their sound and connect deeper with their musical identity.
Regarding the name "Druid," Daeyul admits there isn't a profound story behind it. "We just couldn't agree on anything else! Someone suggested Druid, and we all liked it." Despite the lack of a backstory, the name resonates well with their musical ethos.
"We're inspired by bands like Thornhill, Alpha Wolf, and Bring Me The Horizon," says Daeyul. "When writing our songs, we try to channel that vibe." These influences, combined with a relentless drive to push sonic boundaries through the fusion of rap and metal, create a familiar and innovative sound.
The band members have deep roots in music. Daeyul himself started out playing guitar but found his calling on the drums before ultimately transitioning to guitar. "My parents wouldn't let me get a drum set, so I started with guitar," he shares. "But once I got behind the kit, I realised I had a natural knack for it."
Chokehold is their latest release, produced by Sam Yates, known for his work with Aussie band Dregg. Daeyul explains the creative process: "We recorded it about a year ago. Our drummer Alex wrote the demo, and we were thrilled when Sam liked it enough to work with us." The accompanying music video, directed by Martin Wood, showcases a unique blend of heavy music and pole dancing, capturing the skill and artistry involved. "We wanted to show the talent behind pole dancing, not just the suggestive aspects," he emphasises.
Druid is also making waves with their collaborations. They teamed up with the talented Misstiq, who contributed a lo-fi remix of their song DTHBLW. "She was really into the idea, and her remix turned out amazing," Daeyul notes. "It's great to see different genres blending together."
When asked about future aspirations, Daeyul shares their excitement for what lies ahead. "We have another track ready for release early next year, and we're supporting Outer Worlds in November. There's a lot coming up, and we can't wait to share it with everyone."
As a band that's managed to weave different genres into their music while staying true to their heavy roots, Druid is poised to stamp their mark on the Aussie metal scene and beyond. With their fresh approach and dedication to artistry, they are certainly a band to watch.
For fans of nu-metal and those looking for something different, Druid is a name that will soon be on everyone's lips. Be sure to check out Chokehold and keep an eye out for their upcoming releases. The future looks bright for this Melbourne band, and it's clear that Druid is just getting started.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1531angelacroudace,aussiemetal,australia,druid,heavy,heavymetal,interview,music,numetal,podcast,singlefalsefullhttps://www.spreaker.com/episode/back-in-the-saddle-with-matt-young-from-king-parrot--62356695King Parrot have always done things their own way and at their own pace, and as such not too many rumblings have been heard from fans despite the band's inactivity on the touring circuit.
They know that the boys must be getting shit done.
And get shit done they have, bringing out North Carolina's stoner rockers Weedeater to join Australian acts Astrodeath and Choof for a tour that promises as much feverish musical chaos as you can stand. Between the four bands, there's elements of doom, sludge, thrash, stoner, grind and deathcore, and you don't have to be a scientist to know that that is a recipe just waiting for sonic disaster.
The reason for King Parrot's neglecting of their flock? A new album. And one which vocalist Matt Young promises will be everything you expect from King Parrot and more. Then there's the little things about a European and UK tour early next year with a band called Pantera. You might have heard of them?
Even when they're quiet, they are rowdy. Bless their Alisterus scapularis (look it up).
Not knowing where to start, HEAVY sat down for a chat with Youngy earlier this week to try and get up to speed on what King Parrot have been doing while they've been doing nothing.
"Mate, we're ready to go," he said of the upcoming run of shows. "It's good man, it's exciting. We had a couple of months off playing shows and all that sort of stuff because we've been really focussing on the new record and getting the finishing touches done. Just spending time in the studio and focussing on that. Now it's getting to that point where we're ready to play again. Ready to hit the road and do what we do, then hopefully start unleashing this new record next year. In the meantime, we're gonna smash out a big Aussie tour and get around the country and see our people."
In the full interview, Youngy expressed enthusiasm about supporting the music scene by bringing up-and-coming bands on tour. We spoke about the diverse range of bands on the tour, describing it as "fucking brutal" and "awesome". Matt also highlighted the importance of having time to hang out with the bands in different locations, which he believes will contribute to the tour's success.
Matt mentioned that they usually rehearse a few days before the tour, focusing on putting on the best show possible. He also shared that they have played many shows and tours, and have a good understanding of what works best for them. He also discussed the importance of audience interaction and energy during their performances. Matt confirmed that they love audience banter and feeding off their energy.
Matt discussed the progress of their new album, which has been in the works for the best part of a year. He mentioned that they have been working on it organically, with a focus on jamming and improvisation, which he believes adds to the fluidity of their songs. Matt also shared that they have been recording in a studio, taking their time with the mixing process and getting feedback from everyone involved. He expressed excitement about the album's release next year and the opportunity for fans to hear new songs at their upcoming shows. Matt also mentioned that they are unlikely to release a single before Christmas, preferring to roll out the album next year.
We also broached the exciting news that King Parrot is set to join Pantera and Power Trip for a run of shows in Europe and the UK next year, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62356695Sat, 19 Oct 2024 02:24:46 +0000HEAVY MagazineAfter a relatively quiet year by their standards - which included shows earlier this year with Pantera - Australia's favourite slice of brutality, King Parrot, are set to end the year with a band with their When The Weed Meets The Speed Australian...King Parrot have always done things their own way and at their own pace, and as such not too many rumblings have been heard from fans despite the band's inactivity on the touring circuit.
They know that the boys must be getting shit done.
And get shit done they have, bringing out North Carolina's stoner rockers Weedeater to join Australian acts Astrodeath and Choof for a tour that promises as much feverish musical chaos as you can stand. Between the four bands, there's elements of doom, sludge, thrash, stoner, grind and deathcore, and you don't have to be a scientist to know that that is a recipe just waiting for sonic disaster.
The reason for King Parrot's neglecting of their flock? A new album. And one which vocalist Matt Young promises will be everything you expect from King Parrot and more. Then there's the little things about a European and UK tour early next year with a band called Pantera. You might have heard of them?
Even when they're quiet, they are rowdy. Bless their Alisterus scapularis (look it up).
Not knowing where to start, HEAVY sat down for a chat with Youngy earlier this week to try and get up to speed on what King Parrot have been doing while they've been doing nothing.
"Mate, we're ready to go," he said of the upcoming run of shows. "It's good man, it's exciting. We had a couple of months off playing shows and all that sort of stuff because we've been really focussing on the new record and getting the finishing touches done. Just spending time in the studio and focussing on that. Now it's getting to that point where we're ready to play again. Ready to hit the road and do what we do, then hopefully start unleashing this new record next year. In the meantime, we're gonna smash out a big Aussie tour and get around the country and see our people."
In the full interview, Youngy expressed enthusiasm about supporting the music scene by bringing up-and-coming bands on tour. We spoke about the diverse range of bands on the tour, describing it as "fucking brutal" and "awesome". Matt also highlighted the importance of having time to hang out with the bands in different locations, which he believes will contribute to the tour's success.
Matt mentioned that they usually rehearse a few days before the tour, focusing on putting on the best show possible. He also shared that they have played many shows and tours, and have a good understanding of what works best for them. He also discussed the importance of audience interaction and energy during their performances. Matt confirmed that they love audience banter and feeding off their energy.
Matt discussed the progress of their new album, which has been in the works for the best part of a year. He mentioned that they have been working on it organically, with a focus on jamming and improvisation, which he believes adds to the fluidity of their songs. Matt also shared that they have been recording in a studio, taking their time with the mixing process and getting feedback from everyone involved. He expressed excitement about the album's release next year and the opportunity for fans to hear new songs at their upcoming shows. Matt also mentioned that they are unlikely to release a single before Christmas, preferring to roll out the album next year.
We also broached the exciting news that King Parrot is set to join Pantera and Power Trip for a run of shows in Europe and the UK next year, plus more.

Become a supporter of this podcast: 1261astrodeath,australia,choof,doommetal,grindcore,heavy,heavymetal,interview,kingparrot,krispeters,mattyoung,pantera,podcast,stonerrock,thrashmetal,tour,weedeatertruefullhttps://www.spreaker.com/episode/the-art-of-survival-with-dellacoma-rio-from-dellacoma--62417908After almost 4 years of exhaustive touring across Australia, USA, UK and Europe in support of their debut album, South of Everything, 2019 saw the band take a touring break while Rio began work on the second album Blood which was released in 2021. 2023 saw the return to international touring with the band’s first USA tour since 2018.
The band have just released their new single, More Than Survival, which is the first track taken from their upcoming third album. HEAVY sat down with Dellacoma Rio to get all the latest.
"It's a fairly heavy song," he admitted about More Than Survival. "It's quite sludgy, I guess, in a way. Quite grungy. I write it during lockdowns in Melbourne and observationally I'd been through… The years prior to COVID had been quite difficult for me personally, and then we hit 2020, and in my head I thought 2020 was going to be where I'd start going up (laughs). So lockdown was quite depressing for a lot of people, but the song itself is about sitting there and feeling like you've just been keeping your nose above water."
In the full interview, we discussed releasing the audio and music video for More Than Survival one week apart and why, highlighting the shorter attention spans of music consumers in the modern age. Rio also revealed that More Than Survival is the first song from Dellacoma's next and third album. The song, written during Melbourne's lockdowns, is described as heavy and grungy, reflecting Rio's personal struggles and the general mood during the lockdown period.
He emphasized the importance of personal fulfilment and perspective in life, and shared his approach to music creation, stating that he only produces music he genuinely enjoys and believes in. The upcoming album was talked about more, which will feature a mix of heavier and lighter songs, reflecting the struggles and hopes of the past four years. We also talked about the current line-up of Dellacoma, which includes Rob Moody and John Justice, upcoming shows, signing to XMusic and more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62417908Sat, 19 Oct 2024 02:22:33 +0000HEAVY MagazineRaw, honest, explosive. DELLACOMA is a brash and hard hitting rock n roll project featuring the talents of passionate and energetic frontman Dellacoma Rio. With a relevant yet familiar sound, a relentless work ethic and an exotic yet somehow natural...After almost 4 years of exhaustive touring across Australia, USA, UK and Europe in support of their debut album, South of Everything, 2019 saw the band take a touring break while Rio began work on the second album Blood which was released in 2021. 2023 saw the return to international touring with the band’s first USA tour since 2018.
The band have just released their new single, More Than Survival, which is the first track taken from their upcoming third album. HEAVY sat down with Dellacoma Rio to get all the latest.
"It's a fairly heavy song," he admitted about More Than Survival. "It's quite sludgy, I guess, in a way. Quite grungy. I write it during lockdowns in Melbourne and observationally I'd been through… The years prior to COVID had been quite difficult for me personally, and then we hit 2020, and in my head I thought 2020 was going to be where I'd start going up (laughs). So lockdown was quite depressing for a lot of people, but the song itself is about sitting there and feeling like you've just been keeping your nose above water."
In the full interview, we discussed releasing the audio and music video for More Than Survival one week apart and why, highlighting the shorter attention spans of music consumers in the modern age. Rio also revealed that More Than Survival is the first song from Dellacoma's next and third album. The song, written during Melbourne's lockdowns, is described as heavy and grungy, reflecting Rio's personal struggles and the general mood during the lockdown period.
He emphasized the importance of personal fulfilment and perspective in life, and shared his approach to music creation, stating that he only produces music he genuinely enjoys and believes in. The upcoming album was talked about more, which will feature a mix of heavier and lighter songs, reflecting the struggles and hopes of the past four years. We also talked about the current line-up of Dellacoma, which includes Rob Moody and John Justice, upcoming shows, signing to XMusic and more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1757aussierock,australia,dellacoma,dellacomario,hardrock,heavy,interview,krispeters,podcast,rock,xmusictruefullhttps://www.spreaker.com/episode/laughter-is-the-best-medicine-with-tism--62415176With four of the country's most iconic acts teaming up for the Death To Art Tour, this historic run of shows not only mark these as TISM's first headline shows over two decades, it sees fellow sonic scoundrels MACHINE GUN FELLATIO reform for the first time in 19 years, as well as THE MAVIS'S reforming for the first time in six years.
Releasing a brand new single I've Gone Hillsong in 2022, the group's first new material in close to 20 years, TISM also teased at the time an album which did not exist. Fast-forward to 2024, and TISM have since released a new EP, 2023's The "C" Word, complete with caterwauling commentary and chaotic charisma. And, most recently, the beloved unruly collective have ventured into a brand new chapter, with their new full length album Death To Art, out now.
TISM have retained their anonymous and cult-like status since first forming back in the early 1980s. Laced with nihilistic humour and gleeful sarcasm, as well as a razor-sharp penchant for hybrid dance, pop and rock, TISM may have kept their identities a secret all this time, but their impact on the Australian musical landscape remains undeniable.
HEAVY got the rare opportunity to share some time with TISM, and, as you would expect, things got a little crazy. Listen to the full interview above.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62415176Fri, 18 Oct 2024 20:53:40 +0000HEAVY MagazineTISM return armed with a tantalising trifecta, with their first headline run since 2004 in October and November. The upcoming Death To Art Tour is bound to go down in Australian music history, with TISM set to be joined by fellow Aussie icons ESKIMO...With four of the country's most iconic acts teaming up for the Death To Art Tour, this historic run of shows not only mark these as TISM's first headline shows over two decades, it sees fellow sonic scoundrels MACHINE GUN FELLATIO reform for the first time in 19 years, as well as THE MAVIS'S reforming for the first time in six years.
Releasing a brand new single I've Gone Hillsong in 2022, the group's first new material in close to 20 years, TISM also teased at the time an album which did not exist. Fast-forward to 2024, and TISM have since released a new EP, 2023's The "C" Word, complete with caterwauling commentary and chaotic charisma. And, most recently, the beloved unruly collective have ventured into a brand new chapter, with their new full length album Death To Art, out now.
TISM have retained their anonymous and cult-like status since first forming back in the early 1980s. Laced with nihilistic humour and gleeful sarcasm, as well as a razor-sharp penchant for hybrid dance, pop and rock, TISM may have kept their identities a secret all this time, but their impact on the Australian musical landscape remains undeniable.
HEAVY got the rare opportunity to share some time with TISM, and, as you would expect, things got a little crazy. Listen to the full interview above.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1765australia,eskimojoe,heavy,interview,machinegunfelatio,podcast,rock,tism,tourtruefullhttps://www.spreaker.com/episode/conquering-new-territories-with-patrick-mameli-from-pestilence--62414674PESTILENCE was one of the first major bands to emerge from the Dutch metal underground of the 1980’s. While all the other groups from that era have since vanished into ancient history, PESTILENCE is as vital, relevant, and ambitious as ever. In their early beginnings the band wrote history with its albums Consvming Impvlse, Testimony Of The Ancients and Spheres – all albums that helped shape death metal as we know it.
HEAVY recently spent some time with founding member and vocalist Patrick Mameli to find out more.
In the full interview, we discussed Pestilence's upcoming tour in Australia, which will be their first time in the country. Patrick expressed gratitude to Dave Haley for making the tour possible, and shared his preference for experiencing new places without prior expectations. Patrick emphasized the importance of delivering high-quality music. He also talked about their performance at Froth & Fury Festival and who he was most looking forward to seeing. The conversation then shifted to the history and evolution of the band Pestilence, with Patrick explaining the band's style evolution from thrash metal to death metal. He also mentioned what kept him coming back to the project despite disbanding and reforming a number of times over the years.
We delved into the past, present and future of Pestilence, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62414674Fri, 18 Oct 2024 19:36:39 +0000HEAVY MagazineFor the first time ever and finally, legendary extreme Dutch metal act PESTILENCE conquer Australian territory when they hit our shores for a run of shows next month.  PESTILENCE was one of the first major bands to emerge from the Dutch metal...PESTILENCE was one of the first major bands to emerge from the Dutch metal underground of the 1980’s. While all the other groups from that era have since vanished into ancient history, PESTILENCE is as vital, relevant, and ambitious as ever. In their early beginnings the band wrote history with its albums Consvming Impvlse, Testimony Of The Ancients and Spheres – all albums that helped shape death metal as we know it.
HEAVY recently spent some time with founding member and vocalist Patrick Mameli to find out more.
In the full interview, we discussed Pestilence's upcoming tour in Australia, which will be their first time in the country. Patrick expressed gratitude to Dave Haley for making the tour possible, and shared his preference for experiencing new places without prior expectations. Patrick emphasized the importance of delivering high-quality music. He also talked about their performance at Froth & Fury Festival and who he was most looking forward to seeing. The conversation then shifted to the history and evolution of the band Pestilence, with Patrick explaining the band's style evolution from thrash metal to death metal. He also mentioned what kept him coming back to the project despite disbanding and reforming a number of times over the years.
We delved into the past, present and future of Pestilence, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>597australia,deathmetal,heavy,heavymetal,interview,krispeters,music,patrickmameli,pestilence,podcast,soundworkstouring,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/the-calm-before-the-storm-with-joe-henley-from-dharma--62369387And before you ask, Dharma aren't one of those bands who saw something they thought would make a good gimmic and ran with it, they are actually from Taiwan and are practising Buddhists. Which means what you get is an impassioned and fully immersive experience of something you will likely never see again in your lifetime.
Unless Dharma tour again.
The band are making their way to Australia for the first time in November, dipping their toes in to gauge the response with just two select shows. But aren't they both crackers!
Dharma make their debut Australian performance as part of Froth & Fury Festival in Adelaide on November 9 before heading to Melbourne the following day to play with Pestilence then heading home. Not a bad one, two for your first visit.
HEAVY took the opportunity to chat with vocalist Joe Henley earlier today to peel back the curtain of a band who embrace every passion in life and have blended them together to create something crushing and unique.
In the full interview, Joe expressed excitement about Dharma's first visit to Australia and their anticipation for the passionate fans and lively atmosphere. He also mentioned that they have high expectations for the tour and are looking forward to exceeding them. We discussed their excitement for Froth & Fury Festival and the bands they were looking forward to seeing. Joe emphasized the importance of building relationships with fans and the potential for long-lasting friendships.
He shared the history of the band, explaining Dharma was formed a few years ago by Jack, the band's drummer, who has been a devout Buddhist since birth. He wanted to merge Buddhism with extreme metal, but faced challenges in finding like-minded individuals. Eventually, he managed to bring together members from various bands, including Andy from Demise, a death metal band, and Joe from Revilement and Stench of Lust. They created demos and presented them to Buddhist communities, who gave their blessing for the band to proceed. Dharma has since played shows in Taiwan, India, Hong Kong, Japan, and Australia, with their live shows described as fascinating and brutal. The band's performances include a Buddhist nun, Master Cheng Yen, who begins the show with a blessing and sings in between songs. Joe emphasized that their goal is not to convert people, but to provide a unique experience that exposes attendees to something different.
Joe discussed the challenges of balancing tradition and innovation in their music, which combines metal and Buddhist elements. He mentioned that while it was initially daunting, they have found a more natural approach as they refine their sound. Joe also addressed concerns about potential backlash from traditionalists, stating that they have been generally welcoming and open-minded. He attributed this to the Buddhist tradition's emphasis on intention and purity of motivation, which he believes comes through in their music and conduct.
Joe shared stories about Dharma's shows, including a memorable one where a fan crowd-surfed in the lotus position, which became a recurring theme at their performances. HEAVY then asked Joe about some photos from their social media, which led to discussions about a show at a temple in the mountains, a traffic jam on New Year's Eve, and their drummer's massive drum set, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62369387Tue, 15 Oct 2024 05:49:45 +0000HEAVY MagazineIf there were ever two words (well, three technically) that should not go together, they would be Buddhism and death metal. In fact, the words almost naturally repel from each other just saying them out loud. But if there's one thing the cheesy wave...And before you ask, Dharma aren't one of those bands who saw something they thought would make a good gimmic and ran with it, they are actually from Taiwan and are practising Buddhists. Which means what you get is an impassioned and fully immersive experience of something you will likely never see again in your lifetime.
Unless Dharma tour again.
The band are making their way to Australia for the first time in November, dipping their toes in to gauge the response with just two select shows. But aren't they both crackers!
Dharma make their debut Australian performance as part of Froth & Fury Festival in Adelaide on November 9 before heading to Melbourne the following day to play with Pestilence then heading home. Not a bad one, two for your first visit.
HEAVY took the opportunity to chat with vocalist Joe Henley earlier today to peel back the curtain of a band who embrace every passion in life and have blended them together to create something crushing and unique.
In the full interview, Joe expressed excitement about Dharma's first visit to Australia and their anticipation for the passionate fans and lively atmosphere. He also mentioned that they have high expectations for the tour and are looking forward to exceeding them. We discussed their excitement for Froth & Fury Festival and the bands they were looking forward to seeing. Joe emphasized the importance of building relationships with fans and the potential for long-lasting friendships.
He shared the history of the band, explaining Dharma was formed a few years ago by Jack, the band's drummer, who has been a devout Buddhist since birth. He wanted to merge Buddhism with extreme metal, but faced challenges in finding like-minded individuals. Eventually, he managed to bring together members from various bands, including Andy from Demise, a death metal band, and Joe from Revilement and Stench of Lust. They created demos and presented them to Buddhist communities, who gave their blessing for the band to proceed. Dharma has since played shows in Taiwan, India, Hong Kong, Japan, and Australia, with their live shows described as fascinating and brutal. The band's performances include a Buddhist nun, Master Cheng Yen, who begins the show with a blessing and sings in between songs. Joe emphasized that their goal is not to convert people, but to provide a unique experience that exposes attendees to something different.
Joe discussed the challenges of balancing tradition and innovation in their music, which combines metal and Buddhist elements. He mentioned that while it was initially daunting, they have found a more natural approach as they refine their sound. Joe also addressed concerns about potential backlash from traditionalists, stating that they have been generally welcoming and open-minded. He attributed this to the Buddhist tradition's emphasis on intention and purity of motivation, which he believes comes through in their music and conduct.
Joe shared stories about Dharma's shows, including a memorable one where a fan crowd-surfed in the lotus position, which became a recurring theme at their performances. HEAVY then asked Joe about some photos from their social media, which led to discussions about a show at a temple in the mountains, a traffic jam on New Year's Eve, and their drummer's massive drum set, plus more.

Become a supporter of...]]>1487buddhism,buddhistdeathmetal,dharma,froth&furyfestival,heavy,heavymetal,interview,joehenley,krispeters,music,pestilence,podcasttruefullhttps://www.spreaker.com/episode/echoes-of-emotion-tim-kasher-discusses-cursive-s-devourer-and-musical-evolution--62367515Tim Kasher, the visionary frontman of Omaha-based band Cursive, delved into the creative journey behind their tenth album, Devourer. "We're pretty stoked on it," Kasher remarked, reflecting on the extensive work that went into this release following a four-year hiatus since their last album in 2019.
Kasher described the album as a significant departure from the band's previous two releases, Vitriola and Get Fixed, which he labelled as "more angsty" and "less melodic." He elaborated, "We took a moment during the pandemic to reassess our catalogue. I wanted Devourer to be a more eclectic record." This desire for variety is evident in the album, which captures the essence of Cursive's roots while pushing new boundaries.
One of the standout tracks from the album, Bloodbath, has been brought to life through a unique music video featuring Shannon Purser from Stranger Things and Aurora Perrineau from Westworld. Kasher explained the collaborative nature of the project: "We didn't give the directors any parameters. We said, 'This is the budget, and we want to see your vision.'" This approach resulted in an imaginative interpretation that blends elements of a "female fight club" with the emotional depth typical of Cursive's work.
Drawing on his influences, Kasher cited authors like Cormac McCarthy and Stephen King, whose dark themes resonate with the band's music. "Cormac McCarthy has this extremely realistic take on humanity," he shared. "I think Stephen King is influential for everyone in some way. He's like the Edgar Allan Poe of our generation."
As the band gears up for their upcoming tour, Kasher expressed enthusiasm for performing live, especially with the added challenge of recreating complex arrangements from the album. "We have two drummers on Devourer, and we're attempting to bring that energy to the stage," he noted.
Kasher's passion for music and connection with fans was palpable as he reflected on the live experience. "It's important to remember that for the audience, this may be the first time they're hearing these songs. We owe it to them to give our all," he emphasized. This dedication has earned Cursive a reputation for electrifying performances, with fans often remarking that each show feels unique.
Finally, he touched on the legacy of the 2003 album, The Ugly Organ, acknowledging its profound impact on listeners. "We didn't expect anything from that record," he said, "The further out on a limb we went, the more people connected with it. It's a lesson in authenticity that I hope resonates with other artists."
As Cursive embarks on this new chapter with Devourer, Kasher's reflections on the past and present underscore the band's commitment to exploring new musical landscapes while remaining true to their roots.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62367515Tue, 15 Oct 2024 01:19:31 +0000HEAVY MagazineInterview by Angela Croudace Tim Kasher, the visionary frontman of Omaha-based band Cursive, delved into the creative journey behind their tenth album, Devourer. "We're pretty stoked on it," Kasher remarked, reflecting on the extensive work that went...Tim Kasher, the visionary frontman of Omaha-based band Cursive, delved into the creative journey behind their tenth album, Devourer. "We're pretty stoked on it," Kasher remarked, reflecting on the extensive work that went into this release following a four-year hiatus since their last album in 2019.
Kasher described the album as a significant departure from the band's previous two releases, Vitriola and Get Fixed, which he labelled as "more angsty" and "less melodic." He elaborated, "We took a moment during the pandemic to reassess our catalogue. I wanted Devourer to be a more eclectic record." This desire for variety is evident in the album, which captures the essence of Cursive's roots while pushing new boundaries.
One of the standout tracks from the album, Bloodbath, has been brought to life through a unique music video featuring Shannon Purser from Stranger Things and Aurora Perrineau from Westworld. Kasher explained the collaborative nature of the project: "We didn't give the directors any parameters. We said, 'This is the budget, and we want to see your vision.'" This approach resulted in an imaginative interpretation that blends elements of a "female fight club" with the emotional depth typical of Cursive's work.
Drawing on his influences, Kasher cited authors like Cormac McCarthy and Stephen King, whose dark themes resonate with the band's music. "Cormac McCarthy has this extremely realistic take on humanity," he shared. "I think Stephen King is influential for everyone in some way. He's like the Edgar Allan Poe of our generation."
As the band gears up for their upcoming tour, Kasher expressed enthusiasm for performing live, especially with the added challenge of recreating complex arrangements from the album. "We have two drummers on Devourer, and we're attempting to bring that energy to the stage," he noted.
Kasher's passion for music and connection with fans was palpable as he reflected on the live experience. "It's important to remember that for the audience, this may be the first time they're hearing these songs. We owe it to them to give our all," he emphasized. This dedication has earned Cursive a reputation for electrifying performances, with fans often remarking that each show feels unique.
Finally, he touched on the legacy of the 2003 album, The Ugly Organ, acknowledging its profound impact on listeners. "We didn't expect anything from that record," he said, "The further out on a limb we went, the more people connected with it. It's a lesson in authenticity that I hope resonates with other artists."
As Cursive embarks on this new chapter with Devourer, Kasher's reflections on the past and present underscore the band's commitment to exploring new musical landscapes while remaining true to their roots.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1175album,cursive,heavy,indierock,interview,music,podcast,rocktruefullhttps://www.spreaker.com/episode/embracing-the-elements-with-eivor--62356144These people are generally the ones who achieve their goals.
Hailing from the tiny village of Syðrugøta on the Faroe Islands, vocalist Eivør grew up surrounded by the harsh, windswept landscape of the North Atlantic, and it informs her music perfectly. With ten studio albums to her name, as well as numerous collaborations with artists including Àsgeir, John Grant, Einar Selvik (Wardruna) and Dan Heath (Lana Del Ray) Eivør can be considered to be one of the most eclectic artists of the Nordics and one of the most mesmerising live vocalists of her generation.
Eivor is making her way to Australia next month, performing three intimate and spellbinding headline shows with her full band, plus also supporting Heilung on their national tour.
With a new album, Enn, to showcase and a new fan base to conquer, Eivor joined HEAVY recently to discuss the tour and the wonders of music.
"Oh my goodness, I'm so excited to come to Australia," she beamed. "I've never been there before, and it's always been on my bucket list. Finally, I get to come."
We ask what she is expecting from Australian crowds.
"I don't know really what to expect," she laughed. "Aren't they more rowdy? I can imagine they are, I don't know why (laughs)."
In the full interview, Eivor shared her preference for taking things as they come when touring a country for the first time, but mentioned that she has heard great things about Australia from friends. She shared that she would be playing a mix of new and older tracks from her 10th studio album during her shows.
Eivør discussed her musical influences and roots, revealing that her music is deeply influenced by her upbringing in the Faroe Islands. She explained that her music is a mix of various elements, but remains rooted in her Faroese roots. Eivør also mentioned that she often sings in her native language, which contributes to the unique sound of her music. She further noted that the music culture of the Faroe Islands, which is primarily acapella based, has a significant impact on her creations. HEAVY asked about the use of traditional instruments in her music, to which Eivør responded that while there are no traditional instruments in Faroese music, she incorporates a variety of instruments in her compositions.
She discussed performing with her band, including playing electric guitar and a shaman drum. She also mentioned her involvement in the Netflix series, The Last Kingdom, where she contributed to the soundtrack. Eivør revealed plans for three intimate headline shows in Melbourne, Brisbane, and Auckland. She also talked about her latest album, which has been well-received, and how excited she is to tour with the material plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62356144Tue, 15 Oct 2024 00:24:12 +0000HEAVY MagazineWhere you come from often has a profound impact on where you eventually go in life. While some people choose to focus on the negatives of any given situation, there are others who find beauty and inspiration in even the most unlikely places. These...These people are generally the ones who achieve their goals.
Hailing from the tiny village of Syðrugøta on the Faroe Islands, vocalist Eivør grew up surrounded by the harsh, windswept landscape of the North Atlantic, and it informs her music perfectly. With ten studio albums to her name, as well as numerous collaborations with artists including Àsgeir, John Grant, Einar Selvik (Wardruna) and Dan Heath (Lana Del Ray) Eivør can be considered to be one of the most eclectic artists of the Nordics and one of the most mesmerising live vocalists of her generation.
Eivor is making her way to Australia next month, performing three intimate and spellbinding headline shows with her full band, plus also supporting Heilung on their national tour.
With a new album, Enn, to showcase and a new fan base to conquer, Eivor joined HEAVY recently to discuss the tour and the wonders of music.
"Oh my goodness, I'm so excited to come to Australia," she beamed. "I've never been there before, and it's always been on my bucket list. Finally, I get to come."
We ask what she is expecting from Australian crowds.
"I don't know really what to expect," she laughed. "Aren't they more rowdy? I can imagine they are, I don't know why (laughs)."
In the full interview, Eivor shared her preference for taking things as they come when touring a country for the first time, but mentioned that she has heard great things about Australia from friends. She shared that she would be playing a mix of new and older tracks from her 10th studio album during her shows.
Eivør discussed her musical influences and roots, revealing that her music is deeply influenced by her upbringing in the Faroe Islands. She explained that her music is a mix of various elements, but remains rooted in her Faroese roots. Eivør also mentioned that she often sings in her native language, which contributes to the unique sound of her music. She further noted that the music culture of the Faroe Islands, which is primarily acapella based, has a significant impact on her creations. HEAVY asked about the use of traditional instruments in her music, to which Eivør responded that while there are no traditional instruments in Faroese music, she incorporates a variety of instruments in her compositions.
She discussed performing with her band, including playing electric guitar and a shaman drum. She also mentioned her involvement in the Netflix series, The Last Kingdom, where she contributed to the soundtrack. Eivør revealed plans for three intimate headline shows in Melbourne, Brisbane, and Auckland. She also talked about her latest album, which has been well-received, and how excited she is to tour with the material plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>916australia,classicalmusic,eivor,folkmetal,heavy,heilung,interview,krispeters,music,netflix,podcast,thelastkingdom,tourfalsefullhttps://www.spreaker.com/episode/exploring-life-and-art-with-ryan-goldemann-from-mother-mother--62354393Ryan Goldemann, lead singer and guitarist of Mother Mother, discussed the band’s latest album with HEAVY, Grief Chapter, which dives deep into themes of death and existentialism while simultaneously celebrating the beauty of life.
“Grief Chapter is kind of like a concept album around death and grief and mourning,” Goldemann explains. “But it’s not as sad as it sounds. It’s more about using those things as a way to inspire and appreciate the gift of existence.” He notes that the album exudes a newfound confidence, with sonics described as “really tough and almost muscular.” The band spent nearly 100 days recording at Bryan Adams’ studio in Vancouver, which Goldemann fondly describes as a “luxurious” experience.
Reflecting on the band’s recent tour in Australia, he shares, “It was amazing. It was more than you could ever ask for an entrance into a new market… There were a couple thousand kids in Sydney!” The overwhelming support has made a significant impact as the band expands their reach.
Social media has also played a crucial role in their growth, particularly on platforms like TikTok. “It’s wonderful. Yeah, life changing,” Goldemann says of their songs gaining traction online. “We’re just thrilled that we’ve been able to connect with all these new people through TikTok.” The band has embraced this new medium, even participating in duets and responding to fans directly.
Mother Mother has also developed a strong following within the LGBTQIA community. “We weren’t writing specifically for that community; we just wrote about the human condition in a broad way,” Goldemann explains. He appreciates the organic nature of this connection, recognising that it arose without any contrived intent.
When discussing the themes present in the new album, he emphasizes the exploration of existentialism and spirituality, stating, “We just wanted to capture the band as successfully as possible.” He acknowledges their evolution over the years, attributing their growth to the resources they’ve gained as a full band. “With the resources came more experimentation,” he explains. “Now, with Grief Chapter, it’s a bit of a mix of everything.”
Goldemann shares a few personal favourites from their catalogue, highlighting Hayloft 2 as a crowd favourite for its energy and ease of performance. In contrast, he cherishes playing Grief Chapter for its emotional depth, which fosters a profound connection with the audience.
The band’s visual aesthetics are equally captivating. Goldemann discusses their collaboration with filmmaker Colin Minihan for the music video of Explode. “We just wanted it to be kind of psychedelic and a good portrayal of the band performing,” he says, emphasising a desire for authenticity over a complex narrative.
As for current musical inspirations, Goldemann cites Adrian Linker from Big Thief as an interesting talent he's been enjoying lately. “She is quite a profound talent,” he states.
Mother Mother continue to p


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62354393Mon, 14 Oct 2024 03:32:15 +0000HEAVY MagazineInterview by Angela Croudace Ryan Goldemann, lead singer and guitarist of Mother Mother, discussed the band’s latest album with HEAVY, Grief Chapter, which dives deep into themes of death and existentialism while simultaneously celebrating the beauty...Ryan Goldemann, lead singer and guitarist of Mother Mother, discussed the band’s latest album with HEAVY, Grief Chapter, which dives deep into themes of death and existentialism while simultaneously celebrating the beauty of life.
“Grief Chapter is kind of like a concept album around death and grief and mourning,” Goldemann explains. “But it’s not as sad as it sounds. It’s more about using those things as a way to inspire and appreciate the gift of existence.” He notes that the album exudes a newfound confidence, with sonics described as “really tough and almost muscular.” The band spent nearly 100 days recording at Bryan Adams’ studio in Vancouver, which Goldemann fondly describes as a “luxurious” experience.
Reflecting on the band’s recent tour in Australia, he shares, “It was amazing. It was more than you could ever ask for an entrance into a new market… There were a couple thousand kids in Sydney!” The overwhelming support has made a significant impact as the band expands their reach.
Social media has also played a crucial role in their growth, particularly on platforms like TikTok. “It’s wonderful. Yeah, life changing,” Goldemann says of their songs gaining traction online. “We’re just thrilled that we’ve been able to connect with all these new people through TikTok.” The band has embraced this new medium, even participating in duets and responding to fans directly.
Mother Mother has also developed a strong following within the LGBTQIA community. “We weren’t writing specifically for that community; we just wrote about the human condition in a broad way,” Goldemann explains. He appreciates the organic nature of this connection, recognising that it arose without any contrived intent.
When discussing the themes present in the new album, he emphasizes the exploration of existentialism and spirituality, stating, “We just wanted to capture the band as successfully as possible.” He acknowledges their evolution over the years, attributing their growth to the resources they’ve gained as a full band. “With the resources came more experimentation,” he explains. “Now, with Grief Chapter, it’s a bit of a mix of everything.”
Goldemann shares a few personal favourites from their catalogue, highlighting Hayloft 2 as a crowd favourite for its energy and ease of performance. In contrast, he cherishes playing Grief Chapter for its emotional depth, which fosters a profound connection with the audience.
The band’s visual aesthetics are equally captivating. Goldemann discusses their collaboration with filmmaker Colin Minihan for the music video of Explode. “We just wanted it to be kind of psychedelic and a good portrayal of the band performing,” he says, emphasising a desire for authenticity over a complex narrative.
As for current musical inspirations, Goldemann cites Adrian Linker from Big Thief as an interesting talent he's been enjoying lately. “She is quite a profound talent,” he states.
Mother Mother continue to p


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>897album,griefchapter,heavy,interview,mothermother,music,podcast,rockfalsefullhttps://www.spreaker.com/episode/the-tongue-is-mightier-than-the-sword-with-jonas-hansen-from-fixation--62353224So back in the studio they went.
But instead of rehashing what was obviously a winning formula, Fixation elected to push themselves further, introducing moments of intense screaming from vocalist Jonas Hansen that were nowhere to be heard on that debut album or the band's first EP Global Suicide.
It was a brave, yet confident move from Fixation, with the decision seeming to pay instant dividends judging from the reaction already to the band's mini album Speak In Tongues which was released last Friday.
HEAVY caught up with Hansen to delve deeper into the world of Fixation.
"I'm real excited for people to hear it," he enthused. "As any band says, it's our best work yet. But truly, it's been the most fun writing and recording process we've had so far and feels like a step in the right direction for us."
We ask him to explain the musical side of the album in greater detail.
"This record we wanted to go in a more heavy direction," he offered. "We tried out a bit of stuff that we hadn't done before. Last year we were a bunch of tourists and played all over Europe, and we saw so many great heavy bands live and the energy that they produced live and the energy that the audience gives back. It really inspired the sonic part of this record. We wanted to make something that really hits you in the face live, and that's what we did. Throughout the process of this record we were certain that we wanted to have more screaming than we've done before, and I didn't really know how to do it properly."
In the full interview, Jonas talked more about the screaming vocals and training his voice differently. He revealed why now is the right time to introduce those elements and the concept behind Speak In Tongues, which revolves around the theme of cults. Jonas expressed his fascination with cults and their psychological aspects, particularly how one person can blindly follow a false prophet for personal gain. He also drew connections between cults and other aspects of society.
Jonas explained the lessons learned from their debut album that carried over to this release and the cohesive, movie-like storyline. We discussed the band's early vision, with Jonas sharing that Fixation started as a high school cover band but reinvented themselves in 2020. Jonas noted their sound has matured over time. They discussed their music project Fixation, with Jonas expressing satisfaction with its direction. He mentioned they were writing new music and planned to be in the studio throughout the year and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62353224Sun, 13 Oct 2024 23:38:42 +0000HEAVY MagazineFollowing the release of their debut album More Subtle Than Death last year, rising Norwegian metalcore outfit Fixation had two options. Revel in the adulation being heaped in their direction for a stunning slab of metal, or capitalise on the growing...So back in the studio they went.
But instead of rehashing what was obviously a winning formula, Fixation elected to push themselves further, introducing moments of intense screaming from vocalist Jonas Hansen that were nowhere to be heard on that debut album or the band's first EP Global Suicide.
It was a brave, yet confident move from Fixation, with the decision seeming to pay instant dividends judging from the reaction already to the band's mini album Speak In Tongues which was released last Friday.
HEAVY caught up with Hansen to delve deeper into the world of Fixation.
"I'm real excited for people to hear it," he enthused. "As any band says, it's our best work yet. But truly, it's been the most fun writing and recording process we've had so far and feels like a step in the right direction for us."
We ask him to explain the musical side of the album in greater detail.
"This record we wanted to go in a more heavy direction," he offered. "We tried out a bit of stuff that we hadn't done before. Last year we were a bunch of tourists and played all over Europe, and we saw so many great heavy bands live and the energy that they produced live and the energy that the audience gives back. It really inspired the sonic part of this record. We wanted to make something that really hits you in the face live, and that's what we did. Throughout the process of this record we were certain that we wanted to have more screaming than we've done before, and I didn't really know how to do it properly."
In the full interview, Jonas talked more about the screaming vocals and training his voice differently. He revealed why now is the right time to introduce those elements and the concept behind Speak In Tongues, which revolves around the theme of cults. Jonas expressed his fascination with cults and their psychological aspects, particularly how one person can blindly follow a false prophet for personal gain. He also drew connections between cults and other aspects of society.
Jonas explained the lessons learned from their debut album that carried over to this release and the cohesive, movie-like storyline. We discussed the band's early vision, with Jonas sharing that Fixation started as a high school cover band but reinvented themselves in 2020. Jonas noted their sound has matured over time. They discussed their music project Fixation, with Jonas expressing satisfaction with its direction. He mentioned they were writing new music and planned to be in the studio throughout the year and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1057fixation,heavy,heavymetal,interview,jonashansen,krispeters,metal,metalcore,music,podcastfalsefullhttps://www.spreaker.com/episode/bridging-cultures-through-metal-with-pk-from-prompts--62352404HEAVY sat down with PK, the passionate frontman of Japanese heavy metal band Prompts. His journey from Korea to Japan, fueled by a love for metal, has become an inspiring tale of perseverance and friendship.
PK shared his experiences growing up in Korea, where the overwhelming popularity of K-Pop shaped the music landscape. “Most kids were into K-Pop, but my small group of friends were metalheads. We would gather and play Metallica’s Master of Puppets over and over,” he recalled with a smile. This early passion for heavy metal, however, came with its challenges. “There’s very little money and promotion for artists in Korea outside of the pop genre,” he lamented. Many high school bands followed the K-Pop trend, but PK and his friends remained committed to their metal roots.
Determined to break into the metal scene, PK made the pivotal decision to move to Japan. He spoke about the stark contrast between the Korean live music scene and Japan’s vibrant touring and promotional ecosystem. “In Korea, it’s tough to get noticed unless you’re in the pop realm. In Japan, the opportunities are endless,” he explained. His aspirations extended beyond Japan; he even considered moving to Australia to kickstart his career, admiring the local metal scene and citing bands like Parkway Drive, Make Them Suffer, and Void of Vision as major influences.
PK’s journey took a significant turn when he connected with Kaito Nagai of Paledusk, who noticed his vocal cover of their song on X (formerly Twitter). “Kaito always inspired me and really helped me on my journey,” PK said. “He showed me how to navigate the Japanese metal scene and invited me to tour with them and Cold Rain. Thanks to my friends, everything with Grayscale Records went so smoothly.” Joining Grayscale Records marked a major milestone for Prompts, solidifying their place in the industry.
Despite his metal roots, PK confessed to a surprising guilty pleasure: K-Pop. “I hated it when K-Pop took over the Korean music scene, but after listening to BTS and Blackpink, I realized maybe I was wrong. How can we not respect them? They do so much training before they even debut; it’s the same passion for music,” he admitted, reflecting on the dedication shared across genres.
With half of Prompts being Korean and currently living in Japan, PK expressed a strong desire to make an impact back home. “I’m proud I’m Korean because there are not many Koreans in the metal scene. There’s no hardcore heroes right now, so maybe I can’t be the first one, but I want to bring Prompts to Korea one day and do something for the Korean metal scene.”
As we wrapped up the interview and talk turned to Prompt's current Australian tour with Diamond Construct, PK’s excitement was palpable. “We’re really happy to join another Australian tour after our fantastic trip in January. I can feel your guys’ energy. I dreamed about that type of energy for years,” he said.
With Prompts, he’s not just chasing dreams; he’s forging a path for others in the metal scene, creating a bridge between cultures and inspiring the next generation of musicians.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62352404Sun, 13 Oct 2024 21:08:12 +0000HEAVY MagazineInterview by Angela Croudace HEAVY sat down with PK, the passionate frontman of Japanese heavy metal band Prompts. His journey from Korea to Japan, fueled by a love for metal, has become an inspiring tale of perseverance and friendship. PK shared his...HEAVY sat down with PK, the passionate frontman of Japanese heavy metal band Prompts. His journey from Korea to Japan, fueled by a love for metal, has become an inspiring tale of perseverance and friendship.
PK shared his experiences growing up in Korea, where the overwhelming popularity of K-Pop shaped the music landscape. “Most kids were into K-Pop, but my small group of friends were metalheads. We would gather and play Metallica’s Master of Puppets over and over,” he recalled with a smile. This early passion for heavy metal, however, came with its challenges. “There’s very little money and promotion for artists in Korea outside of the pop genre,” he lamented. Many high school bands followed the K-Pop trend, but PK and his friends remained committed to their metal roots.
Determined to break into the metal scene, PK made the pivotal decision to move to Japan. He spoke about the stark contrast between the Korean live music scene and Japan’s vibrant touring and promotional ecosystem. “In Korea, it’s tough to get noticed unless you’re in the pop realm. In Japan, the opportunities are endless,” he explained. His aspirations extended beyond Japan; he even considered moving to Australia to kickstart his career, admiring the local metal scene and citing bands like Parkway Drive, Make Them Suffer, and Void of Vision as major influences.
PK’s journey took a significant turn when he connected with Kaito Nagai of Paledusk, who noticed his vocal cover of their song on X (formerly Twitter). “Kaito always inspired me and really helped me on my journey,” PK said. “He showed me how to navigate the Japanese metal scene and invited me to tour with them and Cold Rain. Thanks to my friends, everything with Grayscale Records went so smoothly.” Joining Grayscale Records marked a major milestone for Prompts, solidifying their place in the industry.
Despite his metal roots, PK confessed to a surprising guilty pleasure: K-Pop. “I hated it when K-Pop took over the Korean music scene, but after listening to BTS and Blackpink, I realized maybe I was wrong. How can we not respect them? They do so much training before they even debut; it’s the same passion for music,” he admitted, reflecting on the dedication shared across genres.
With half of Prompts being Korean and currently living in Japan, PK expressed a strong desire to make an impact back home. “I’m proud I’m Korean because there are not many Koreans in the metal scene. There’s no hardcore heroes right now, so maybe I can’t be the first one, but I want to bring Prompts to Korea one day and do something for the Korean metal scene.”
As we wrapped up the interview and talk turned to Prompt's current Australian tour with Diamond Construct, PK’s excitement was palpable. “We’re really happy to join another Australian tour after our fantastic trip in January. I can feel your guys’ energy. I dreamed about that type of energy for years,” he said.
With Prompts, he’s not just chasing dreams; he’s forging a path for others in the metal scene, creating a bridge between cultures and inspiring the next generation of musicians.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2002australia,diamondconstruct,heavy,heavymetal,interview,metalcore,music,podcast,prompts,tourfalsefullhttps://www.spreaker.com/episode/creature-comforts-with-john-5--62350376Over his career, John has played not only as part of bands, but also as a guest musician and gun for hire, to the extent that it would probably be easier to list the musicians he HASN'T played with before rather than the ones he has. But try this on for size. Rob Zombie, Marilyn Manson, Rob Halford, Steve Vai, Joe Satriani, David Lee Roth, Alice Cooper and Jim Root…
Need I go on?
But it is John 5's most recent role as guitarist for Motley Crue that saw him in Australia only a short time ago, but from next week Aussie fans get a chance to see John 5 in a different light altogether. Playing with and for his own band, John 5 And The Creatures.
John will be special guest for Steel Panther on their upcoming On The Prowl Australian Tour, performing a set of instrumental tunes from The Creatures, as well as a Motley Crue medley and more.
It will be a chance to see one of the world's leading guitarists perform in a project of his own creation, rather than playing someone else's music. Understandably, John is a difficult man to track down, but HEAVY lucked out earlier in the week and managed to get 15 minutes with the legendary axeman to chat about the upcoming tour.
With the tour less than two weeks from kicking off, we ask John if he is packed and ready to go yet?
"I'm not packed, but I am ready to go," he smiled. "I love Australia so much. I was just there with the guys and I got this wonderful opportunity to come over with Steel Panther, and I'm super psyched about it."
We double check that he will be playing as John 5 And The Creatures.
"Yes," he confirmed, "and we're gonna be doing a lot of crazy music, so it's gonna be something else. I've never been there solo with the instrumental. I know a lot of people are really excited for it, and I am too. We're gonna do a bunch of cool songs, and we're gonna actually record the shows for a live record."
We push John to define what he means by 'crazy' music.
"We're gonna do…" he laughed. "I'm actually gonna play a song that is not released, and we're gonna film a video for the live record too. So that will be very special. We're gonna film it in each city in Australia."
In the full interview, we talked more about how much John loves Australia and how much he is looking forward to getting back to Perth especially. He expressed the importance of staying healthy on tours, getting enough sleep, eating well, and having a great time. He also mentioned that Australia felt very comfortable to him, likely due to his familiarity with the place and the presence of friends. He told us what to expect from his live shows and the honour of being asked to support Steel Panther.
We spoke about the length of his set as a support band and if it was more difficult for him to adjust to shorter stage times after being used to playing full headline sets. We delved into his career, starting when he drove to LA as an 18-year-old determined to become a session guitarist. He ran us through his expectations versus reality back then and how his career has panned out since then, including at what point he knew his dream had become reality.
John talked about the new Motley Crue EP Cancelled and how he enjoyed the recording process, as well as future plans for more new music from Motley Crue and more.
https://teglive.com.au/live_tour/steelpanther/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62350376Sun, 13 Oct 2024 15:20:42 +0000HEAVY MagazineThe name John 5 is akin to God in the world of guitars. Over his career, John has played not only as part of bands, but also as a guest musician and gun for hire, to the extent that it would probably be easier to list the musicians he HASN'T played...Over his career, John has played not only as part of bands, but also as a guest musician and gun for hire, to the extent that it would probably be easier to list the musicians he HASN'T played with before rather than the ones he has. But try this on for size. Rob Zombie, Marilyn Manson, Rob Halford, Steve Vai, Joe Satriani, David Lee Roth, Alice Cooper and Jim Root…
Need I go on?
But it is John 5's most recent role as guitarist for Motley Crue that saw him in Australia only a short time ago, but from next week Aussie fans get a chance to see John 5 in a different light altogether. Playing with and for his own band, John 5 And The Creatures.
John will be special guest for Steel Panther on their upcoming On The Prowl Australian Tour, performing a set of instrumental tunes from The Creatures, as well as a Motley Crue medley and more.
It will be a chance to see one of the world's leading guitarists perform in a project of his own creation, rather than playing someone else's music. Understandably, John is a difficult man to track down, but HEAVY lucked out earlier in the week and managed to get 15 minutes with the legendary axeman to chat about the upcoming tour.
With the tour less than two weeks from kicking off, we ask John if he is packed and ready to go yet?
"I'm not packed, but I am ready to go," he smiled. "I love Australia so much. I was just there with the guys and I got this wonderful opportunity to come over with Steel Panther, and I'm super psyched about it."
We double check that he will be playing as John 5 And The Creatures.
"Yes," he confirmed, "and we're gonna be doing a lot of crazy music, so it's gonna be something else. I've never been there solo with the instrumental. I know a lot of people are really excited for it, and I am too. We're gonna do a bunch of cool songs, and we're gonna actually record the shows for a live record."
We push John to define what he means by 'crazy' music.
"We're gonna do…" he laughed. "I'm actually gonna play a song that is not released, and we're gonna film a video for the live record too. So that will be very special. We're gonna film it in each city in Australia."
In the full interview, we talked more about how much John loves Australia and how much he is looking forward to getting back to Perth especially. He expressed the importance of staying healthy on tours, getting enough sleep, eating well, and having a great time. He also mentioned that Australia felt very comfortable to him, likely due to his familiarity with the place and the presence of friends. He told us what to expect from his live shows and the honour of being asked to support Steel Panther.
We spoke about the length of his set as a support band and if it was more difficult for him to adjust to shorter stage times after being used to playing full headline sets. We delved into his career, starting when he drove to LA as an 18-year-old determined to become a session guitarist. He ran us through his expectations versus reality back then and how his career has panned out since then, including at what point he knew his dream had become reality.
John talked about the new Motley Crue EP Cancelled and how he enjoyed the recording process, as well as future plans for more new music from Motley Crue and more.
https://teglive.com.au/live_tour/steelpanther/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>711australia,glamrock,guitar,hardrock,heavy,interview,john5,john5andthecreatures,krispeters,motleycrue,music,podcast,rock,steelpanther,teg,tourtruefullhttps://www.spreaker.com/episode/the-cathartic-nature-of-music-with-jon-toogood--62349746For a man best known for songs like My Mind's Sedate, The General Electric and Sleepeater, Toogood's decision to release his first solo album as an acoustic body of work came as a surprise to most, but not those who follow the man not the music.
Following a tumultuous period of his life wrought with loss, sorrow and isolation, Toogood turned to his long-standing love of music, more for personal reasons than any other, and sat down to commit his feelings and fears to paper. These songs were originally never intended to be heard in the public domain but after letting close friends and representatives listen to his solo work Toogood was convinced to assemble his songs into an album so that the world could share in his triumph and tragedy.
It was not a decision made lightly, but he relented on his initial misgivings and packaged the songs together to form Last Of The Lonely Gods, which was released last Friday. To celebrate the release Toogood is also headed to Australia next month for a run of solo shows starting at Mo's Desert Clubhouse on Thursday, November 14.
HEAVY caught up with Toogood for more details.
"I love this record," he shared, smiling. "It's heavy in what I'm singing about… I'm singing about heavy shit. I'm a 53-year-old who lost his Mum during COVID when I was locked down in Melbourne, and she died in Wellington, New Zealand, so I had to say goodbye on the phone which I found really sad. I wanted to be there with my Mum and couldn't so it was tough. After that, I got stuck in New Zealand away from my wife and kids for three and a half months because there was an Omicron outbreak that happened while I was on tour. There was no flights going between countries, so I got stuck there and that was pretty traumatic. It was traumatic for my kids and wife as well because they were locked down in Melbourne, and she couldn't get any help so she was losing her mind, I was losing my mind. Then we finally made the move back to New Zealand and I caught COVID. The thing that happened to me was I've got pre-existing tendinitis - so ringing in my ears - which is basically from a life of playing heavy music and getting too close to a china cymbal. I've always been able to deal with it. I will go and see a band, and it will be loud, but if I take it easy the next day it will fade into the background. But this… two weeks after I caught COVID I got woken up out of a dream with a car alarm going off in my head. It was like I'd been to see Motorhead and stuck my head in the PA. On that first night, I didn't sleep for 36 hours. I ended up in the hospital, with doctors having to knock me out. It's literally like a car alarm going off in your head really loud."
In the full interview, Jon talks more about the personal situations that led to him wanting to write a softer, mellower album, more about Last Of The Lonely Gods musically, why now is the right time for his first solo album, utilising his voice in different ways to suit acoustic music, if there will be more solo albums or if this is a one-off, the upcoming Australian tours and what to expect, what he gets out of smaller shows like these as opposed to full band sets and more.
Tickets for Australian shows jontoogood.com.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62349746Sun, 13 Oct 2024 13:21:37 +0000HEAVY MagazineAlthough having rock music hardwired to nearly every thread of his sonic DNA, Shihad frontman Jon Toogood is also compelled to expose himself through calmer means. For a man best known for songs like My Mind's Sedate, The General Electric and...For a man best known for songs like My Mind's Sedate, The General Electric and Sleepeater, Toogood's decision to release his first solo album as an acoustic body of work came as a surprise to most, but not those who follow the man not the music.
Following a tumultuous period of his life wrought with loss, sorrow and isolation, Toogood turned to his long-standing love of music, more for personal reasons than any other, and sat down to commit his feelings and fears to paper. These songs were originally never intended to be heard in the public domain but after letting close friends and representatives listen to his solo work Toogood was convinced to assemble his songs into an album so that the world could share in his triumph and tragedy.
It was not a decision made lightly, but he relented on his initial misgivings and packaged the songs together to form Last Of The Lonely Gods, which was released last Friday. To celebrate the release Toogood is also headed to Australia next month for a run of solo shows starting at Mo's Desert Clubhouse on Thursday, November 14.
HEAVY caught up with Toogood for more details.
"I love this record," he shared, smiling. "It's heavy in what I'm singing about… I'm singing about heavy shit. I'm a 53-year-old who lost his Mum during COVID when I was locked down in Melbourne, and she died in Wellington, New Zealand, so I had to say goodbye on the phone which I found really sad. I wanted to be there with my Mum and couldn't so it was tough. After that, I got stuck in New Zealand away from my wife and kids for three and a half months because there was an Omicron outbreak that happened while I was on tour. There was no flights going between countries, so I got stuck there and that was pretty traumatic. It was traumatic for my kids and wife as well because they were locked down in Melbourne, and she couldn't get any help so she was losing her mind, I was losing my mind. Then we finally made the move back to New Zealand and I caught COVID. The thing that happened to me was I've got pre-existing tendinitis - so ringing in my ears - which is basically from a life of playing heavy music and getting too close to a china cymbal. I've always been able to deal with it. I will go and see a band, and it will be loud, but if I take it easy the next day it will fade into the background. But this… two weeks after I caught COVID I got woken up out of a dream with a car alarm going off in my head. It was like I'd been to see Motorhead and stuck my head in the PA. On that first night, I didn't sleep for 36 hours. I ended up in the hospital, with doctors having to knock me out. It's literally like a car alarm going off in your head really loud."
In the full interview, Jon talks more about the personal situations that led to him wanting to write a softer, mellower album, more about Last Of The Lonely Gods musically, why now is the right time for his first solo album, utilising his voice in different ways to suit acoustic music, if there will be more solo albums or if this is a one-off, the upcoming Australian tours and what to expect, what he gets out of smaller shows like these as opposed to full band sets and more.
Tickets for Australian shows jontoogood.com.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1154acoustic,album,australia,heavy,interview,jontoogood,krispeters,lastofthelonelygods,music,podcast,rock,rockmusic,shihad,solo,tourtruefullhttps://www.spreaker.com/episode/repent-your-sins-with-geoff-o-leary-from-pistonfist--62347492After a year that has seen the Brisbane hard rocking outfit complete their first international tour as well as sign with rising Australian label XMusic, PistonFist invites you to Repent all of your sins and join them on the next leg of their musical journey, which starts now.
HEAVY caught up with frontman Geoff O'Leary to find out more.
We discussed their new track, Repent, with Geoff explaining the heavier direction of the new music as opposed to their debut album, Redline, which was well-received in Europe. He expressed excitement for the next album cycle, sharing his transition from being a full-time rhythm guitarist to focusing on vocals during studio sessions, highlighting the benefits of having a dedicated rhythm guitarist.
We spoke about PistonFist's recent international tour through the UK and Europe with SinSoto and Kaosis. Geoff expressed his amazement at the professionalism and organization of the European live shows, contrasting it with the situation in Australia. He shared that the tour was financially challenging but well worth it, and he is eager to return. Geoff also shared a memorable story about a particularly well-received show at a venue in Norway, where they were exceptionally well looked after. He expressed his desire to return to this venue if their music reaches a certain level of success.
We discussed their recent partnership with XMusic, an Australian label, and their upcoming shows. Talk turned to their upcoming shows, including the DimeBag Memorial show and the Munk and Petal festival, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62347492Sun, 13 Oct 2024 04:51:01 +0000HEAVY MagazineBrisbane hard rock outfit PistonFist are capping off a stellar 2024 with the release of the first single in a new album cycle, Repent. After a year that has seen the Brisbane hard rocking outfit complete their first international tour as well as sign...After a year that has seen the Brisbane hard rocking outfit complete their first international tour as well as sign with rising Australian label XMusic, PistonFist invites you to Repent all of your sins and join them on the next leg of their musical journey, which starts now.
HEAVY caught up with frontman Geoff O'Leary to find out more.
We discussed their new track, Repent, with Geoff explaining the heavier direction of the new music as opposed to their debut album, Redline, which was well-received in Europe. He expressed excitement for the next album cycle, sharing his transition from being a full-time rhythm guitarist to focusing on vocals during studio sessions, highlighting the benefits of having a dedicated rhythm guitarist.
We spoke about PistonFist's recent international tour through the UK and Europe with SinSoto and Kaosis. Geoff expressed his amazement at the professionalism and organization of the European live shows, contrasting it with the situation in Australia. He shared that the tour was financially challenging but well worth it, and he is eager to return. Geoff also shared a memorable story about a particularly well-received show at a venue in Norway, where they were exceptionally well looked after. He expressed his desire to return to this venue if their music reaches a certain level of success.
We discussed their recent partnership with XMusic, an Australian label, and their upcoming shows. Talk turned to their upcoming shows, including the DimeBag Memorial show and the Munk and Petal festival, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>961aussierock,australia,geoffoleary,hardrock,heavy,heavymetal,interview,krispeters,music,pistonfist,podcast,rock,rockmusic,xmusictruefullhttps://www.spreaker.com/episode/learning-how-to-let-go-with-myles-kennedy--62276919If not alone for the fact he sings for two of the world's most recognisable bands in Alter Bridge and Slash Ft Myles Kennedy & The Conspirators just add in his solo material which is a different beast entirely showcasing just how good a power trio can sound when in the studio. That trio is on the cusp of releasing their third album, The Art Of Letting Go, on October 11, an album that sees Kennedy embracing the rock side of his persona with more riffs, more spice, more everything.
HEAVY was fortunate enough to spend some time with Kennedy earlier this week to run through The Art Of Letting Go. We start by asking how he is feeling as release date approaches.
"Good," he smiled. "It's getting close enough now - just a few days - and it's kind of a trip, you know, in a way that your little sonic baby is about to be unleashed into the world. It's kind of an excuse to just get out and tour. I love making records, I love creating. I also love getting to perform and hang with my mates."
We ask about the musical direction on The Art Of Letting Go and what he set out to achieve.
"I wanted this record to be more of a rock record," he replied. "With the solo records, when I first started doing it, it was more about acoustic-based music. The second record, The Ides of March, was a little bit of the acoustic element, but also more Americana and Southern rock and country at times. And this one, I just wanted to rock, you know? I wanted to have it be based on riffs and have a certain pocket and a certain groove and build that way."
In the full interview, Myles emphasized The Art Of Letting Go's rock-centric direction compared to his previous acoustic and Americana influences. He highlighted the importance of the opening track for capturing listener attention in today's fast-paced music landscape and shared his creative process, which focuses on moving forward rather than reflecting on past projects, as he prepares for touring. The discussion also touched on the influence of Slash on Kennedy's guitar skills and work ethic, with Kennedy explaining the different writing processes he employs for his solo work versus collaborations.
He expressed the album's theme of enjoying life without stress, the different joys he gets out of different projects, and more.
Pre-Order The Art Of Letting Go: https://lnk.to/MK-TheArtOfLettingGo

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62276919Fri, 11 Oct 2024 23:56:27 +0000HEAVY MagazineMyles Kennedy is fast becoming a living legend of the rock scene. If not alone for the fact he sings for two of the world's most recognisable bands in Alter Bridge and Slash Ft Myles Kennedy & The Conspirators just add in his solo material which...If not alone for the fact he sings for two of the world's most recognisable bands in Alter Bridge and Slash Ft Myles Kennedy & The Conspirators just add in his solo material which is a different beast entirely showcasing just how good a power trio can sound when in the studio. That trio is on the cusp of releasing their third album, The Art Of Letting Go, on October 11, an album that sees Kennedy embracing the rock side of his persona with more riffs, more spice, more everything.
HEAVY was fortunate enough to spend some time with Kennedy earlier this week to run through The Art Of Letting Go. We start by asking how he is feeling as release date approaches.
"Good," he smiled. "It's getting close enough now - just a few days - and it's kind of a trip, you know, in a way that your little sonic baby is about to be unleashed into the world. It's kind of an excuse to just get out and tour. I love making records, I love creating. I also love getting to perform and hang with my mates."
We ask about the musical direction on The Art Of Letting Go and what he set out to achieve.
"I wanted this record to be more of a rock record," he replied. "With the solo records, when I first started doing it, it was more about acoustic-based music. The second record, The Ides of March, was a little bit of the acoustic element, but also more Americana and Southern rock and country at times. And this one, I just wanted to rock, you know? I wanted to have it be based on riffs and have a certain pocket and a certain groove and build that way."
In the full interview, Myles emphasized The Art Of Letting Go's rock-centric direction compared to his previous acoustic and Americana influences. He highlighted the importance of the opening track for capturing listener attention in today's fast-paced music landscape and shared his creative process, which focuses on moving forward rather than reflecting on past projects, as he prepares for touring. The discussion also touched on the influence of Slash on Kennedy's guitar skills and work ethic, with Kennedy explaining the different writing processes he employs for his solo work versus collaborations.
He expressed the album's theme of enjoying life without stress, the different joys he gets out of different projects, and more.
Pre-Order The Art Of Letting Go: https://lnk.to/MK-TheArtOfLettingGo

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>961album,alterbridge,hardrock,heavy,interview,krispeters,music,myleskennedy,podcast,rock,slash,theartoflettinggotruefullhttps://www.spreaker.com/episode/smelling-the-coffee-with-summer-from-kitsunevi--62268908For a country more recognised for being conservative and polite when it comes to social interactions, the amount of talented, unrecognised and socially unacceptable bands doing the rounds is almost unfathomable.
Over six previous visits to Japan with different touring bands I have witnessed everything from jazz to metal to rock to acoustic, but if there is one common denominator it is the universal wealth of talent that seems to be dripping from the corners of every live house you visit. A quick tally comes to around 120 live Japanese bands I have seen and/or played with over the years, and I would be lying if I said at least 110 of them were worthy of paying to see again.
One of those bands is Osaka metal maniacs kitsunevi, who I had the pleasure of meeting at a recent trip to Gattaca Live House. This band had everything. The wow factor, a shredding guitarist/vocalist, a drummer who hits harder and faster than Sonic The Hedgehog, and a bass player with dreadlocks down to her legs with a finger-picking/slap style of funk metal that can only be compared to the great Fieldy from KORN.
As much as I hate labels, if I had to describe kitsunevi's sound it would be a cross between Bullet For My Valentine, Trivium, and Primus, but even that wouldn't be doing this trio justice. After already releasing two cracking EP's since forming only last year and putting serious miles in on the touring circuit, one gets the feeling that kitsunevi are destined for bigger things. And soon.
HEAVY caught up with Summer (drums) to find out more.
We engaged in a detailed discussion around the band's music, upcoming tours, and potential collaborations. Summer shared the band's formation story and the inspiration behind their name, which is rooted in an ancient Japanese tale. The conversation highlighted their commitment to regular practice sessions in Osaka, aiming to refine their unique sound and performance style. We also explored kitsunevi's individual musical influences and how these contribute to their cohesive group dynamic, emphasizing the importance of friendship in their creative process.
The chat further delved into kitsunami's recent EP releases, Embers Will Rise and Smell the Coffee, with Summer detailing the themes and musical elements of each project. He expressed excitement about their upcoming shows in Tokyo and Taiwan, as well as the possibility of touring Australia next year. We discussed the vibrant music culture in Japan and the collaborative opportunities it presents for both local and international bands. As the interview concluded, Summer recommended three songs for new listeners to get to know the band, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62268908Mon, 07 Oct 2024 11:47:05 +0000HEAVY MagazineHeavy metal music is alive and well in Japan. For a country more recognised for being conservative and polite when it comes to social interactions, the amount of talented, unrecognised and socially unacceptable bands doing the rounds is almost...For a country more recognised for being conservative and polite when it comes to social interactions, the amount of talented, unrecognised and socially unacceptable bands doing the rounds is almost unfathomable.
Over six previous visits to Japan with different touring bands I have witnessed everything from jazz to metal to rock to acoustic, but if there is one common denominator it is the universal wealth of talent that seems to be dripping from the corners of every live house you visit. A quick tally comes to around 120 live Japanese bands I have seen and/or played with over the years, and I would be lying if I said at least 110 of them were worthy of paying to see again.
One of those bands is Osaka metal maniacs kitsunevi, who I had the pleasure of meeting at a recent trip to Gattaca Live House. This band had everything. The wow factor, a shredding guitarist/vocalist, a drummer who hits harder and faster than Sonic The Hedgehog, and a bass player with dreadlocks down to her legs with a finger-picking/slap style of funk metal that can only be compared to the great Fieldy from KORN.
As much as I hate labels, if I had to describe kitsunevi's sound it would be a cross between Bullet For My Valentine, Trivium, and Primus, but even that wouldn't be doing this trio justice. After already releasing two cracking EP's since forming only last year and putting serious miles in on the touring circuit, one gets the feeling that kitsunevi are destined for bigger things. And soon.
HEAVY caught up with Summer (drums) to find out more.
We engaged in a detailed discussion around the band's music, upcoming tours, and potential collaborations. Summer shared the band's formation story and the inspiration behind their name, which is rooted in an ancient Japanese tale. The conversation highlighted their commitment to regular practice sessions in Osaka, aiming to refine their unique sound and performance style. We also explored kitsunevi's individual musical influences and how these contribute to their cohesive group dynamic, emphasizing the importance of friendship in their creative process.
The chat further delved into kitsunami's recent EP releases, Embers Will Rise and Smell the Coffee, with Summer detailing the themes and musical elements of each project. He expressed excitement about their upcoming shows in Tokyo and Taiwan, as well as the possibility of touring Australia next year. We discussed the vibrant music culture in Japan and the collaborative opportunities it presents for both local and international bands. As the interview concluded, Summer recommended three songs for new listeners to get to know the band, and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1203funk,gattacalivehouse,heavy,heavymetal,interview,japan,kitsunevi,krispeters,music,osaka,podcastfalsefullhttps://www.spreaker.com/episode/escaping-the-abyss-with-niklas-muller-from-ad-infinitum--62185589So it is for Swiss/German metal outfit AD Infinitum as they prepare to unveil their new album, Abyss, on October 11.
Since setting the tone with their debut album Chapter I: Monarchy in 2020, AD Infinitum have allowed their creativity to dictate terms, following that album up with Chapter I: Revisited, which was an acoustic take on their debut.
While favouring symphonic undertones throughout their career, AD Infinitum have maintained a steady attraction towards the harder side of the spectrum, culminating in Abyss which reveals a whole new side to AD Infinitum's sonic arsenal, refining their sound and expectations to create what is said to be their most dynamic, modern and progressive record to date.
HEAVY caught up with drummer Niklas Muller to find out more.
"First of all, I think the most important part about this album is we stepped away from the symphonic side of things," he measured. "That was a huge part of our music for the first three albums. It was not an initial choice where we said no, we don't want to do it any more, and we will do it with an entire other production, it was more we said we don't wanna have it just for the sake of having it. We just want to see where the music leads us, and it just so happened when we wrote the first songs in our song camp we realised there was not really the need for orchestral elements. We managed to create soundscapes and nice atmospheres without those instruments. We thought it would be too much and over the top to now add the orchestral elements. It was not an initial choice that we step away from symphonic metal, it just happened in the writing process. This is the biggest musical part that changed. On the other hand, I have a feeling that we grew up a little bit (laughs). It's like, when you continue to write music, you change. It feels like we think way, way more about every little part of a song than we did on previous albums. I'm not saying that we didn't think at all about the early music (laughs). It's like we are questioning more on this album. We already did that with Chapter III when we had the songwriting camp… I think this is also the biggest part why we are questioning that much, because we were all in the same room together writing songs, which wasn't the case with Chapter I and Chapter II because we were living so far apart. I think this just led to the next steps."
In the full interview, Niklas expressed excitement about sharing the album with their fans and playing it live in Europe and the US, with hopes of eventually performing in Australia. Niklas also discussed the evolution of AD Infinitum's music, particularly the shift away from symphonic elements.
We discussed the concept behind the next album trilogy, with Abyss representing a dark state of mind as opposed to the next two, Surface and Elysium, which symbolise healing and happiness. He also discussed the band's creative process, future direction, and the shift away from symphonic metal, but he remained non-committal as to whether the band would travel that path again in the future.
Niklas talked about their upcoming tour with Kamelot, Blackbriar and Frozen Crown as well as next year's tour with Eluveitie and Infected Rain, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62185589Mon, 07 Oct 2024 10:35:36 +0000HEAVY MagazineMusical evolution is a beautiful thing when allowed to flourish, cast free of modern constraints and expectations to let the metaphorical wings rise and sweep the band and their music into unchartered, exciting territory. So it is for Swiss/German...So it is for Swiss/German metal outfit AD Infinitum as they prepare to unveil their new album, Abyss, on October 11.
Since setting the tone with their debut album Chapter I: Monarchy in 2020, AD Infinitum have allowed their creativity to dictate terms, following that album up with Chapter I: Revisited, which was an acoustic take on their debut.
While favouring symphonic undertones throughout their career, AD Infinitum have maintained a steady attraction towards the harder side of the spectrum, culminating in Abyss which reveals a whole new side to AD Infinitum's sonic arsenal, refining their sound and expectations to create what is said to be their most dynamic, modern and progressive record to date.
HEAVY caught up with drummer Niklas Muller to find out more.
"First of all, I think the most important part about this album is we stepped away from the symphonic side of things," he measured. "That was a huge part of our music for the first three albums. It was not an initial choice where we said no, we don't want to do it any more, and we will do it with an entire other production, it was more we said we don't wanna have it just for the sake of having it. We just want to see where the music leads us, and it just so happened when we wrote the first songs in our song camp we realised there was not really the need for orchestral elements. We managed to create soundscapes and nice atmospheres without those instruments. We thought it would be too much and over the top to now add the orchestral elements. It was not an initial choice that we step away from symphonic metal, it just happened in the writing process. This is the biggest musical part that changed. On the other hand, I have a feeling that we grew up a little bit (laughs). It's like, when you continue to write music, you change. It feels like we think way, way more about every little part of a song than we did on previous albums. I'm not saying that we didn't think at all about the early music (laughs). It's like we are questioning more on this album. We already did that with Chapter III when we had the songwriting camp… I think this is also the biggest part why we are questioning that much, because we were all in the same room together writing songs, which wasn't the case with Chapter I and Chapter II because we were living so far apart. I think this just led to the next steps."
In the full interview, Niklas expressed excitement about sharing the album with their fans and playing it live in Europe and the US, with hopes of eventually performing in Australia. Niklas also discussed the evolution of AD Infinitum's music, particularly the shift away from symphonic elements.
We discussed the concept behind the next album trilogy, with Abyss representing a dark state of mind as opposed to the next two, Surface and Elysium, which symbolise healing and happiness. He also discussed the band's creative process, future direction, and the shift away from symphonic metal, but he remained non-committal as to whether the band would travel that path again in the future.
Niklas talked about their upcoming tour with Kamelot, Blackbriar and Frozen Crown as well as next year's tour with Eluveitie and Infected Rain, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>990abyss,adinfinitum,album,hardrock,heavy,heavymetal,infectedrain,interview,kamelot,krispeters,melissabonny,music,niklasmuller,podcast,symphonicmetal,tourtruefullhttps://www.spreaker.com/episode/winter-is-coming-with-petri-lindroos-from-ensiferum--62264269Gather your Viking drinking horns and war paint! Finnish folk-metal melodeath band Ensiferum is set to release their new album, Winter Storm, on October 18. Guitarist and vocalist Petri Lindroos spoke with HEAVY about the creative journey behind Winter Storm and even shared a Finnish saying with us.
Having joined Ensiferum in 2004, Petri still thrives on the electrifying energy of their live audiences. He doesn’t need any warm-up before hitting the stage, as harsh vocals come naturally to him. The band aimed for Winter Storm to truly resonate with listeners, claiming it to be their most serious work to date.
“If it’s not ready, we weren’t going to go into the studio, so Markus really wanted to make sure this one hit the spot," he told us. "I think there’s something in it (the band) that pulls me into it. You can hear the impact of the music from different situations in life. That gives a good feeling.”
Petri describes Winter Storm as a notably serious album, with Ensiferum achieving this depth through heavier instrumentals and a harmonious blend of melodic vocals, complemented by a few growls for added intensity.
Visually, Winter Storm embraces a Game of Thrones aesthetic in the latest music videos for Long Cold Winter of Sorrow and Winter Storm Vigilantes. Petri elaborates on the lyrical process that his bandmate Sami Hinkka employs, detailing how Sami's concepts evolve into the rich, narrative-driven folk metal songs that characterize their sound. This fusion of striking visuals and evocative lyrics creates an immersive experience that transports listeners to a world of epic tales and emotional depth.
We get through heaps more, so check out the full interview to get the whole picture.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62264269Mon, 07 Oct 2024 03:02:16 +0000HEAVY MagazineInterview by Angela Croudace Gather your Viking drinking horns and war paint! Finnish folk-metal melodeath band Ensiferum is set to release their new album, Winter Storm, on October 18. Guitarist and vocalist Petri Lindroos spoke with HEAVY about the...Gather your Viking drinking horns and war paint! Finnish folk-metal melodeath band Ensiferum is set to release their new album, Winter Storm, on October 18. Guitarist and vocalist Petri Lindroos spoke with HEAVY about the creative journey behind Winter Storm and even shared a Finnish saying with us.
Having joined Ensiferum in 2004, Petri still thrives on the electrifying energy of their live audiences. He doesn’t need any warm-up before hitting the stage, as harsh vocals come naturally to him. The band aimed for Winter Storm to truly resonate with listeners, claiming it to be their most serious work to date.
“If it’s not ready, we weren’t going to go into the studio, so Markus really wanted to make sure this one hit the spot," he told us. "I think there’s something in it (the band) that pulls me into it. You can hear the impact of the music from different situations in life. That gives a good feeling.”
Petri describes Winter Storm as a notably serious album, with Ensiferum achieving this depth through heavier instrumentals and a harmonious blend of melodic vocals, complemented by a few growls for added intensity.
Visually, Winter Storm embraces a Game of Thrones aesthetic in the latest music videos for Long Cold Winter of Sorrow and Winter Storm Vigilantes. Petri elaborates on the lyrical process that his bandmate Sami Hinkka employs, detailing how Sami's concepts evolve into the rich, narrative-driven folk metal songs that characterize their sound. This fusion of striking visuals and evocative lyrics creates an immersive experience that transports listeners to a world of epic tales and emotional depth.
We get through heaps more, so check out the full interview to get the whole picture.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1452ensiferum,folkmetal,hardrock,heavy,heavymetal,interview,music,nuclearblastrecords,podcast,vikingmetaltruefullhttps://www.spreaker.com/episode/bringing-the-stage-to-life-with-sam-tozer-from-vision-factory--62252094When Parkway Drive started planning their recent 20th Anniversary Tour, the band came to the table with some wildly extravagant ideas. Ideas that if brought to life would be spectacular, but also ideas which would require more than the range of stage and lighting supplied by venues.
Put simply, Parkway Drive wanted to create - every night - an apocalyptic world inspired by dystopian and retro-futuristic themes. Of course, there was much more involved, but that was as good a starting point as any.
The band approached UK-based company Vision Factory, armed with a wish list that would require a great deal of planning and expertise, but one which Vision Factory quickly embraced, and thus the stage was set - quite literally.
By taking a bold new direction, Vision Factory transformed Parkway Drive's live shows into a dynamic, theatrical experience. Under the direction of show designer and founder of Vision Factory, Sam Tozer, the tour marked a shift from the traditional metal concert setup, instead focussing on an immersive physical performance that combined the band's music with powerful stage design theatrics.
The tour’s set design was deeply rooted in natural forces, incorporating the four elements - fire, wind, water, and earth - to create a dynamic storytelling arc throughout the show. At different points during the performance, the mammoth bridge catches fire, and rain hails onto the band. This elemental-driven approach transforms the performance into a visceral experience, enhancing the energy that Parkway Drive is known for whilst pushing the boundaries of what a live metal show can be.
In a rare look behind the curtain, HEAVY caught up with Tozer to find out just how the concept grew from an idea to reality.
We discussed the creative process behind Parkway Drive's unique live show concept, emphasizing the importance of collaboration and the desire to create something different from the usual big screen backdrop. The show, which took six months to develop from initial ideas to completion, features a metal-framed scenic set piece designed to resemble a bridge. Sam also shared his reluctance to include screens in live shows, preferring to focus on lighting and the depth of the stage to create a dynamic performance. The band was heavily involved in the creative process, contributing ideas and ensuring alignment with Sam's aesthetic.
Sam also discussed the success of the recent tour, expressing his enjoyment and the positive feedback received. He highlighted the use of natural elements, such as fire, water, wind, and earth, to accentuate the music, and the challenges of incorporating these elements into a touring environment.
We discussed the complexities of producing a live show, particularly the lighting and stage setup for Parkway Drive. Sam explained that the show was a collaborative effort, with adjustments made daily based on feedback from the band. HEAVY asked about any last-minute adjustments, to which Sam responded that they had rehearsed extensively in a warehouse before the actual show, and plenty more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62252094Sat, 05 Oct 2024 17:31:35 +0000HEAVY MagazineAs fans expectations for live performances grow, so do the elaborate stages and set pieces that bands are increasingly using in order to gain even the slightest of edges. While LED screens are the general go-to for bands, some - those with spare cash...When Parkway Drive started planning their recent 20th Anniversary Tour, the band came to the table with some wildly extravagant ideas. Ideas that if brought to life would be spectacular, but also ideas which would require more than the range of stage and lighting supplied by venues.
Put simply, Parkway Drive wanted to create - every night - an apocalyptic world inspired by dystopian and retro-futuristic themes. Of course, there was much more involved, but that was as good a starting point as any.
The band approached UK-based company Vision Factory, armed with a wish list that would require a great deal of planning and expertise, but one which Vision Factory quickly embraced, and thus the stage was set - quite literally.
By taking a bold new direction, Vision Factory transformed Parkway Drive's live shows into a dynamic, theatrical experience. Under the direction of show designer and founder of Vision Factory, Sam Tozer, the tour marked a shift from the traditional metal concert setup, instead focussing on an immersive physical performance that combined the band's music with powerful stage design theatrics.
The tour’s set design was deeply rooted in natural forces, incorporating the four elements - fire, wind, water, and earth - to create a dynamic storytelling arc throughout the show. At different points during the performance, the mammoth bridge catches fire, and rain hails onto the band. This elemental-driven approach transforms the performance into a visceral experience, enhancing the energy that Parkway Drive is known for whilst pushing the boundaries of what a live metal show can be.
In a rare look behind the curtain, HEAVY caught up with Tozer to find out just how the concept grew from an idea to reality.
We discussed the creative process behind Parkway Drive's unique live show concept, emphasizing the importance of collaboration and the desire to create something different from the usual big screen backdrop. The show, which took six months to develop from initial ideas to completion, features a metal-framed scenic set piece designed to resemble a bridge. Sam also shared his reluctance to include screens in live shows, preferring to focus on lighting and the depth of the stage to create a dynamic performance. The band was heavily involved in the creative process, contributing ideas and ensuring alignment with Sam's aesthetic.
Sam also discussed the success of the recent tour, expressing his enjoyment and the positive feedback received. He highlighted the use of natural elements, such as fire, water, wind, and earth, to accentuate the music, and the challenges of incorporating these elements into a touring environment.
We discussed the complexities of producing a live show, particularly the lighting and stage setup for Parkway Drive. Sam explained that the show was a collaborative effort, with adjustments made daily based on feedback from the band. HEAVY asked about any last-minute adjustments, to which Sam responded that they had rehearsed extensively in a warehouse before the actual show, and plenty more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>856heavy,interview,krispeters,parkwaydrive,podcast,production,samtozer,stage,tour,visionfactoryfalsefullhttps://www.spreaker.com/episode/sharpening-the-claws-with-sordid-ordeal--62200190Gone are the days where a band would put out an album, tour on the back of it for the next two years, spend 12 to 18 months writing and recording the next one before repeating the cycle. Most people - even hardcore fans - would have like;y moved on to another band or another fad long before the first half of the touring cycle was completed.
In the modern age it's pretty basic in the sense that if you aren't offering the musical landscape something fresh and new every six months or so, then you may as well become a DJ.
Knowing this, Melbourne-based rock outfit Sordid Ordeal have wasted little time following up on last year's debut album When I Left Town, releasing the first single from the next album just eight months later.
Tigress is the first sonic introduction to Sordid Ordeal's second album Nothing Was The Same Again - which is the companion piece to When I Left Town and will be unleashed early next year.
So diverse with their sound, the term Stout Rock has been coined just to try to simplify things for the fans, but there is little need to simplify things for Sordid Ordeal any more than they already are.
What you see is what you get. And hear.
A refreshing breath of flippant fresh air in an increasingly sanitised music industry, Sordid Ordeal refuse to yield, playing music for the enjoyment rather than potential adulation. Their sound is an amalgamation of folkish story-telling and ballads with blistering, mangy rock and epic anthems. They weld together the abrasive and heavy with the gentle & intimate, creating an incendiary mix of subversion and hedonism.
See. Stout Rock.
With several live appearances in the bands near future, including a headline spot at Metal In The Mountains in Beechworth on November 30 alongside DarkHorse, Mammon's Throne, Munitions and more, frontman Laurence, guitarist Jake and bass player Joe sat down with HEAVY for an entertaining chat about anything and everything.
We start things off in the relatively safe place of talking about the new single Tigress.
"The song is about a woman who breaks out of the expectations of conservative rule in Australia and decides to move to the city and live her own life," Laurence explained. "She left Wagga in the 80s - it is a woman I know, but I can't elaborate too much more on the details - but it was a direct inspiration. I drew a lot of comparison to what my journey was like. Although it wasn't that of a woman growing up in a country with quite a problem with misogyny and chauvinism, my personal journey was breaking out of a militantly religious family and going to the city to find myself. Although there's different versions of the message, the result is very much the same. That song falling out of me was quite an easy one to write. As for the video… not everybody gets a band full of so many good-looking roosters, so I think I just wanted to feature everyone in our video clip. The last two video clips with the previous line-up I wanted the next clip I was gonna record - although there's gonna be a narrative aspect to it which is where the burlesque dancer comes into it - first and foremost just putting the current line-up of the band in there. I just wanted people to see this is what it is now. This is how much better it is. Look at the beard on that man over there and how good it is (laughs). There was actually a bit of a conundrum in deciding how to portray the narrative of the character that I created for this, Alistrina, because you wanna portray that liberation, that breaking out of the mould in an exciting way but if you did it in a business corporate sense, there's not a lot to that. I think it was a matter of trying to find something that represented it in a dignified way."
Listen/watch the full interview to get a full rundown on what Sordid Ordeal have been doing, what they should be doing, and what they plan to be doing.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62200190Sat, 05 Oct 2024 11:42:29 +0000HEAVY MagazineWith the world, and, more importantly, their attention spans, getting smaller almost by the day, it has become increasingly important for bands to maintain a high standard of productivity. Gone are the days where a band would put out an album, tour on...Gone are the days where a band would put out an album, tour on the back of it for the next two years, spend 12 to 18 months writing and recording the next one before repeating the cycle. Most people - even hardcore fans - would have like;y moved on to another band or another fad long before the first half of the touring cycle was completed.
In the modern age it's pretty basic in the sense that if you aren't offering the musical landscape something fresh and new every six months or so, then you may as well become a DJ.
Knowing this, Melbourne-based rock outfit Sordid Ordeal have wasted little time following up on last year's debut album When I Left Town, releasing the first single from the next album just eight months later.
Tigress is the first sonic introduction to Sordid Ordeal's second album Nothing Was The Same Again - which is the companion piece to When I Left Town and will be unleashed early next year.
So diverse with their sound, the term Stout Rock has been coined just to try to simplify things for the fans, but there is little need to simplify things for Sordid Ordeal any more than they already are.
What you see is what you get. And hear.
A refreshing breath of flippant fresh air in an increasingly sanitised music industry, Sordid Ordeal refuse to yield, playing music for the enjoyment rather than potential adulation. Their sound is an amalgamation of folkish story-telling and ballads with blistering, mangy rock and epic anthems. They weld together the abrasive and heavy with the gentle & intimate, creating an incendiary mix of subversion and hedonism.
See. Stout Rock.
With several live appearances in the bands near future, including a headline spot at Metal In The Mountains in Beechworth on November 30 alongside DarkHorse, Mammon's Throne, Munitions and more, frontman Laurence, guitarist Jake and bass player Joe sat down with HEAVY for an entertaining chat about anything and everything.
We start things off in the relatively safe place of talking about the new single Tigress.
"The song is about a woman who breaks out of the expectations of conservative rule in Australia and decides to move to the city and live her own life," Laurence explained. "She left Wagga in the 80s - it is a woman I know, but I can't elaborate too much more on the details - but it was a direct inspiration. I drew a lot of comparison to what my journey was like. Although it wasn't that of a woman growing up in a country with quite a problem with misogyny and chauvinism, my personal journey was breaking out of a militantly religious family and going to the city to find myself. Although there's different versions of the message, the result is very much the same. That song falling out of me was quite an easy one to write. As for the video… not everybody gets a band full of so many good-looking roosters, so I think I just wanted to feature everyone in our video clip. The last two video clips with the previous line-up I wanted the next clip I was gonna record - although there's gonna be a narrative aspect to it which is where the burlesque dancer comes into it - first and foremost just putting the current line-up of the band in there. I just wanted people to see this is what it is now. This is how much better it is. Look at the beard on that man over there and how good it is (laughs). There was actually a bit of a conundrum in deciding how to portray the narrative of the character that I created for this, Alistrina, because you wanna portray that liberation, that breaking out of the mould in an exciting way but if you did it in a business corporate sense, there's not a lot to that. I think it was a matter of trying to find something that represented it in a dignified way."
Listen/watch the full...]]>2816aussierock,australia,hardrock,heavy,interview,laurencehewson,metalinthemountains,music,podcast,rock,sordidordeal,thevoiceofflindersstreettruefullhttps://www.spreaker.com/episode/bleeding-for-your-art-with-jerry-cantrell--62248906Initially courtesy of his work with Alice In Chains through to his solo material, Cantrell has inspired generations of musicians and guitarists, being massively influential in shaping the very fabric of modern rock music. Over his career, he has released six studio albums with Alice in Chains, three solo full-lengths, had his music featured in films from Cameron Crowe, Judd Apatow and Ben Stiller and made cameos in Deadwood and Jerry Maguire.
Like I say, the full package.
Cantrell returns with his new album I Want Blood, out on October 18, featuring contributions from bass heavyweights Duff McKagan (Guns N’Roses) and Robert Trujillo (Metallica), drummers Gil Sharone (Team Sleep, Stolen Babies) and Mike Bordin (Faith No More), and backing vocals from Lola Colette and Greg Puciato (Better Lovers, ex-Dillinger Escape Plan).
Not that he needs big names as guest artists to entice people to his music, it's more a case of because he can.
Cantrell spared some time for a chat with HEAVY a couple of weeks out from the release date to talk more about I Want Blood. We start by asking how he is feeling about the new release.
"Yeah, you know, it's the last couple of days of it being kind of semi-secret," he replied. "We've got a couple of songs that have been out already. Vilified, the first single and also Afterglow, so we've got a couple out there that have been living in the world and people have been responding to, and we've been playing them in the sets too. We did a couple of months on the road with Bush a couple of weeks ago, and it's that last little bit where it hasn't quite left the nest, you know what I mean? So it's still got that kind of special feel to it. And when it gets launched, then it's not just mine anymore. It's anybody's who wants to make a relationship with it."
We press on the musical nature of I Want Blood.
"I never really sit down and start a record with some sort of intent in mind of like what kind of record I'm going to make," he replied. "Luckily, I've made a lot of different rock and acoustic stuff in my career, so there's a lot of places you can go. You just want to follow where the music takes you naturally. And on this one, it seemed like I wanted to go heavy."
In the full interview, we spoke more about the album's musical direction and Cantrell's confidence in the project. We discussed the significance of the album cover, the notable guest musicians involved, and the unique spoken word version available on vinyl. Cantrell provided insights into the creative process and the collaborative nature of the album, emphasizing a special approach to presenting the lyrics to fans, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62248906Sat, 05 Oct 2024 10:34:31 +0000HEAVY MagazineFew people in music command as much respect as Jerry Cantrell. Initially courtesy of his work with Alice In Chains through to his solo material, Cantrell has inspired generations of musicians and guitarists, being massively influential in shaping the...Initially courtesy of his work with Alice In Chains through to his solo material, Cantrell has inspired generations of musicians and guitarists, being massively influential in shaping the very fabric of modern rock music. Over his career, he has released six studio albums with Alice in Chains, three solo full-lengths, had his music featured in films from Cameron Crowe, Judd Apatow and Ben Stiller and made cameos in Deadwood and Jerry Maguire.
Like I say, the full package.
Cantrell returns with his new album I Want Blood, out on October 18, featuring contributions from bass heavyweights Duff McKagan (Guns N’Roses) and Robert Trujillo (Metallica), drummers Gil Sharone (Team Sleep, Stolen Babies) and Mike Bordin (Faith No More), and backing vocals from Lola Colette and Greg Puciato (Better Lovers, ex-Dillinger Escape Plan).
Not that he needs big names as guest artists to entice people to his music, it's more a case of because he can.
Cantrell spared some time for a chat with HEAVY a couple of weeks out from the release date to talk more about I Want Blood. We start by asking how he is feeling about the new release.
"Yeah, you know, it's the last couple of days of it being kind of semi-secret," he replied. "We've got a couple of songs that have been out already. Vilified, the first single and also Afterglow, so we've got a couple out there that have been living in the world and people have been responding to, and we've been playing them in the sets too. We did a couple of months on the road with Bush a couple of weeks ago, and it's that last little bit where it hasn't quite left the nest, you know what I mean? So it's still got that kind of special feel to it. And when it gets launched, then it's not just mine anymore. It's anybody's who wants to make a relationship with it."
We press on the musical nature of I Want Blood.
"I never really sit down and start a record with some sort of intent in mind of like what kind of record I'm going to make," he replied. "Luckily, I've made a lot of different rock and acoustic stuff in my career, so there's a lot of places you can go. You just want to follow where the music takes you naturally. And on this one, it seemed like I wanted to go heavy."
In the full interview, we spoke more about the album's musical direction and Cantrell's confidence in the project. We discussed the significance of the album cover, the notable guest musicians involved, and the unique spoken word version available on vinyl. Cantrell provided insights into the creative process and the collaborative nature of the album, emphasizing a special approach to presenting the lyrics to fans, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1184album,aliceinchains,hardrock,heavy,heavymetal,interview,iwantblood,jerrycantrell,krispeters,music,podcast,rockfalsefullhttps://www.spreaker.com/episode/closure-and-continuation-with-ben-burrows-from-same-pains--62218234It takes a combination of talent, persistence, planning and vision to just get your toes wet, which is exactly what Mackay metal outfit Same Pains possess plenty of.
Despite being a band for a short amount of time, their collective experience has seen the members share the stage with noted Australian acts such as Northlane, Polaris, Alpha Wolf and Ocean Grove. Earlier this year the band played two showcase gigs at BigSound and this weekend perform at Rhythm & Reef Festival in their hometown, which will be headlined by Bliss N Eso - not exactly from the metal realm but still one of the big fish when it comes to Australian music.
But all of that will be superseded today when Same Pains release their first collection of music in the form Closure: An Aggregate, with guitarist Ben Burrows joining HEAVY to outline things in greater detail.
We outlined their promotional strategies and release schedule, with Ben reflecting on the band's unique approach of releasing singles prior to the full collection. The title Closure was explored, with Ben explaining it signifies the end of a chapter and the start of a new journey, while also touching on the band's musical evolution and diverse influences.
The conversation also addressed the challenges and opportunities within regional music scenes, drawing from their experiences in Mackay and Cairns. Ben shared his efforts to organize local shows and the importance of community engagement, as well as their upcoming performance at the Rhythm & Reef Festival. He expressed hopes for greater exposure for heavy acts in regional areas and discussed future plans for shows in Brisbane and Sydney, as well as the potential release of another EP next June, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62218234Fri, 04 Oct 2024 00:40:31 +0000HEAVY MagazineLiving in regional areas puts you behind the eight-ball somewhat when it comes to promoting your music. For a start, the population is drastically less than the capital areas, which presents a plethora of associated problems starting with a target...It takes a combination of talent, persistence, planning and vision to just get your toes wet, which is exactly what Mackay metal outfit Same Pains possess plenty of.
Despite being a band for a short amount of time, their collective experience has seen the members share the stage with noted Australian acts such as Northlane, Polaris, Alpha Wolf and Ocean Grove. Earlier this year the band played two showcase gigs at BigSound and this weekend perform at Rhythm & Reef Festival in their hometown, which will be headlined by Bliss N Eso - not exactly from the metal realm but still one of the big fish when it comes to Australian music.
But all of that will be superseded today when Same Pains release their first collection of music in the form Closure: An Aggregate, with guitarist Ben Burrows joining HEAVY to outline things in greater detail.
We outlined their promotional strategies and release schedule, with Ben reflecting on the band's unique approach of releasing singles prior to the full collection. The title Closure was explored, with Ben explaining it signifies the end of a chapter and the start of a new journey, while also touching on the band's musical evolution and diverse influences.
The conversation also addressed the challenges and opportunities within regional music scenes, drawing from their experiences in Mackay and Cairns. Ben shared his efforts to organize local shows and the importance of community engagement, as well as their upcoming performance at the Rhythm & Reef Festival. He expressed hopes for greater exposure for heavy acts in regional areas and discussed future plans for shows in Brisbane and Sydney, as well as the potential release of another EP next June, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1058aussiemetal,australia,hardcore,heavy,heavymetal,interview,krispeters,mackay,music,podcast,samepainstruefullhttps://www.spreaker.com/episode/making-up-for-lost-time-with-james-spence-from-rolo-tomassi--62203076Rolo Tomassi return after an absence of eight years, with the pandemic repeatedly putting paid to the band's efforts to make it back sooner.
With the first show of the tour completed in Perth last night, HEAVY thought it pertinent to spend some time with keys player/vocalist James Spence to get a feel for what to expect and their relationship with sleepmakeswaves.
"So we were supposed to tour with them in 2020, and that didn't happen because of the global pandemic," he explained. "I think since then, there's been a willingness to make something happen again. I met them earlier this year at a festival in Europe and got to hang out, and we got on immediately. You could tell they would be nice people to spend time with and a good band to play shows with. There's definitely something in our sounds that compliment each other, and it fits together in a cohesive way without being the same thing."
Listen/watch the full interview for more, including what it's like having a sibling in the same band and about what has changed sonically and technologically for Rolo Tomassi since they were in Australia last.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62203076Thu, 03 Oct 2024 00:54:42 +0000HEAVY MagazineEnglish punk/metal hybrid Rolo Tomassi have arrived in Australia for their smash and run of shows as part of sleepmakeswaves' Love Of Cartography Tour, which also features Japanese math rock outfit Lite who make their debut Australian performances....Rolo Tomassi return after an absence of eight years, with the pandemic repeatedly putting paid to the band's efforts to make it back sooner.
With the first show of the tour completed in Perth last night, HEAVY thought it pertinent to spend some time with keys player/vocalist James Spence to get a feel for what to expect and their relationship with sleepmakeswaves.
"So we were supposed to tour with them in 2020, and that didn't happen because of the global pandemic," he explained. "I think since then, there's been a willingness to make something happen again. I met them earlier this year at a festival in Europe and got to hang out, and we got on immediately. You could tell they would be nice people to spend time with and a good band to play shows with. There's definitely something in our sounds that compliment each other, and it fits together in a cohesive way without being the same thing."
Listen/watch the full interview for more, including what it's like having a sibling in the same band and about what has changed sonically and technologically for Rolo Tomassi since they were in Australia last.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>983concert,hardrock,heavy,heavymetal,interview,jamesspence,lite,live,mathcore,music,podcast,punk,rock,rolotomassi,sleepmakeswaves,tourfalsefullhttps://www.spreaker.com/episode/the-complete-package-with-dan-mcdougall-from-volume-dealer--62194247While on the surface not an entirely new idea, it is the approach behind Volume Dealer, and, more importantly, the people behind Volume Dealer that makes it quite possibly one of the most exciting and rewarding musical ventures to hit the market for a considerable time.
The basic premise is this: Dan records a live set in his studio, asks the band some questions interview style, edits the music and narrative together and publishes the finished product. But that is only scratching the surface of what Volume Dealer offers. Participating bands walk away with high-quality, live footage of them playing in a live setting, footage that can be used for invaluable exposure and promotion.
Many bands in the modern age can't afford to outlay money on classy production or studio time, and inevitably lack the polish to keep up with the multitude of bands racing in similar directions. Not through lack of vision or dearth of talent, but because they simply don't have the tools or means at their disposal to guide them on their musical journey.
The final footage is kept by the bands but also uploaded to social media and the Volume Dealer website, in effect offering instant high quality promotional tools that could - and quite often are - the difference between success and failure.
Dan has also worked in optional extras to each package, with one idea to do up an exclusive, limited, one time only line of merchandise for each band that performs, lasting only for the duration of their three to four-week rotation before the next band's performance and interviews are completed ready for publication.
Dan also offers a competitive, high quality range of merchandise for sale to the general public, adding to the complete musical flavour of the whole project.
With the first episode being released earlier today with Melbourne three-piece Scarnon, Volume Dealer have struck their first blow at revitalising the local music industry, with much broader plans and vision moving forward.
HEAVY sat down with Dan McDougall to find out more.
"Volume Dealer is a new online show that we've just started with live music and interviews," he began. "With, at this stage anyway, Melbourne's finest live bands. We're hoping to take it Australia-wide and have international bands at some stage, but for the time being we'll just focus on Melbourne bands."
Although an in depth project with many moving parts, we ask Dan to simplify what Volume Dealer offers.
"We're going to get bands in to the studio, film them and record them live," he explained, "for anywhere between five and seven songs and then after the live sets done I'll then sit down with one of the members and interview them for a little bit. Then we just take all that footage and compile it into an episode and at this stage the format is we do a song and then a little bit of interview and then a song and a little bit of interview and so on. We had our first episode come out today, and I'm really happy with how it's all turned out. The point of the show is to be a promotional vehicle not only for the bands but for us as well, to showcase what we all do and hopefully make a bit of money in the process."
In the full interview, Dan elaborated on the show's format, which includes filming live performances and conducting interviews with band members, and expressed his excitement about the positive reception it has garnered. This project has been a long-standing aspiration for Dan, reflecting his deep passion for capturing the essence of live music and providing a platform for local talent.
The conversation highlighted the technical challenges Dan faces in achieving high-quality audio while maintaining the authenticity of live performances. He emphasized the importance of minimizing bleed and preserving spontaneity in the studio environment. As the project progresses, Dan said he is pleased with the advancements made in addressing these technical issues, which are crucial for delivering a polished yet genuine representation of the bands' performances. The involvement of Dan's brother, Ando, in filming and communication was also discussed, with plans for his role to expand as the project evolves.
We explored the promotional aspects of Volume Dealer, including the intention to offer high-quality audio and visual recordings to bands at no cost, with the option for bands to purchase the recordings and also discussed leveraging social media for cross-promotion and creating a dedicated website and YouTube channel to showcase the content. Additionally, Dan shared plans for limited edition merchandise tied to each episode, drawing on his experience in merchandising to enhance the bands' revenue opportunities plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62194247Wed, 02 Oct 2024 11:55:22 +0000HEAVY MagazineVolume Dealer is a new venture started by Dan McDougall and his brother Ando - better known for their roles in Frankenbok and Dreadnaught respectively - which is an online show featuring live music and interviews with the best live bands Melbourne has...While on the surface not an entirely new idea, it is the approach behind Volume Dealer, and, more importantly, the people behind Volume Dealer that makes it quite possibly one of the most exciting and rewarding musical ventures to hit the market for a considerable time.
The basic premise is this: Dan records a live set in his studio, asks the band some questions interview style, edits the music and narrative together and publishes the finished product. But that is only scratching the surface of what Volume Dealer offers. Participating bands walk away with high-quality, live footage of them playing in a live setting, footage that can be used for invaluable exposure and promotion.
Many bands in the modern age can't afford to outlay money on classy production or studio time, and inevitably lack the polish to keep up with the multitude of bands racing in similar directions. Not through lack of vision or dearth of talent, but because they simply don't have the tools or means at their disposal to guide them on their musical journey.
The final footage is kept by the bands but also uploaded to social media and the Volume Dealer website, in effect offering instant high quality promotional tools that could - and quite often are - the difference between success and failure.
Dan has also worked in optional extras to each package, with one idea to do up an exclusive, limited, one time only line of merchandise for each band that performs, lasting only for the duration of their three to four-week rotation before the next band's performance and interviews are completed ready for publication.
Dan also offers a competitive, high quality range of merchandise for sale to the general public, adding to the complete musical flavour of the whole project.
With the first episode being released earlier today with Melbourne three-piece Scarnon, Volume Dealer have struck their first blow at revitalising the local music industry, with much broader plans and vision moving forward.
HEAVY sat down with Dan McDougall to find out more.
"Volume Dealer is a new online show that we've just started with live music and interviews," he began. "With, at this stage anyway, Melbourne's finest live bands. We're hoping to take it Australia-wide and have international bands at some stage, but for the time being we'll just focus on Melbourne bands."
Although an in depth project with many moving parts, we ask Dan to simplify what Volume Dealer offers.
"We're going to get bands in to the studio, film them and record them live," he explained, "for anywhere between five and seven songs and then after the live sets done I'll then sit down with one of the members and interview them for a little bit. Then we just take all that footage and compile it into an episode and at this stage the format is we do a song and then a little bit of interview and then a song and a little bit of interview and so on. We had our first episode come out today, and I'm really happy with how it's all turned out. The point of the show is to be a promotional vehicle not only for the bands but for us as well, to showcase what we all do and hopefully make a bit of money in the process."
In the full interview, Dan elaborated on the show's format, which includes filming live performances and conducting interviews with band members, and expressed his excitement about the positive reception it has garnered. This project has been a long-standing aspiration for Dan, reflecting his deep passion for capturing the essence of live music and providing a platform for local talent.
The conversation highlighted the technical challenges Dan faces in achieving high-quality audio while maintaining...]]>2123andomcdougall,australia,danmcdougall,dreadnaught,frankenbok,heavy,interview,krispeters,liverecording,livestudio,merchandise,music,podcast,promotion,recording,scarnon,volumedealertruefullhttps://www.spreaker.com/episode/a-law-unto-themselves-with-scotty-mclaughlin-from-unwritten-law--62109796Since first hitting our shores in 1996 the band have only toured the US more times, solidifying the love affair that has one so far as to Unwritten Law having one of their members live in this country full time.
Best known and loved as part of the Warped Tour Festivals, Unwritten Law have struck the perfect blending of punk and hardcore, almost making the form of music an art form.
And so it is Unwritten Law are returning to Australia once more, playing at Hotter Than Hell Festival dates as well as a select number of headlining gigs. Is Australia ready? We should be, but if there's one thing Unwritten Law have instilled in us over the years, it is to never expect anything from them.
The band's resident Aussie, guitarist Scotty McLaughlin joined HEAVY to talk more.
"This is the shortest tour we've done in ten years," he laughed. "Usually we do a month here, but this is the quickest little thing we've done in a long time."
We mention the Hotter Than Hell line up and the fact it almost has a Warped Tour kind of vibe about it.
"It does," he nodded. "I was looking up old tour posters from the 90s, and it's the same bands for the most part (laughs). It does have that old feel to it."
In the full interview Scotty talks more about Hotter Than Hell, playing with other bands like Regurgitator, Less Than Jake, Jebediah, and The Bennies, playing their Black album in full and problems that come with doing something like that, their own headlining shows and how they will be different to the festival shows, what to expect from Unwritten Law live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62109796Tue, 01 Oct 2024 10:30:33 +0000HEAVY MagazinePunk rock mainstays Unwritten Law should have been given Australian citizenship by now. Since first hitting our shores in 1996 the band have only toured the US more times, solidifying the love affair that has one so far as to Unwritten Law having one...Since first hitting our shores in 1996 the band have only toured the US more times, solidifying the love affair that has one so far as to Unwritten Law having one of their members live in this country full time.
Best known and loved as part of the Warped Tour Festivals, Unwritten Law have struck the perfect blending of punk and hardcore, almost making the form of music an art form.
And so it is Unwritten Law are returning to Australia once more, playing at Hotter Than Hell Festival dates as well as a select number of headlining gigs. Is Australia ready? We should be, but if there's one thing Unwritten Law have instilled in us over the years, it is to never expect anything from them.
The band's resident Aussie, guitarist Scotty McLaughlin joined HEAVY to talk more.
"This is the shortest tour we've done in ten years," he laughed. "Usually we do a month here, but this is the quickest little thing we've done in a long time."
We mention the Hotter Than Hell line up and the fact it almost has a Warped Tour kind of vibe about it.
"It does," he nodded. "I was looking up old tour posters from the 90s, and it's the same bands for the most part (laughs). It does have that old feel to it."
In the full interview Scotty talks more about Hotter Than Hell, playing with other bands like Regurgitator, Less Than Jake, Jebediah, and The Bennies, playing their Black album in full and problems that come with doing something like that, their own headlining shows and how they will be different to the festival shows, what to expect from Unwritten Law live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>647australia,hardrock,heavy,hotterthanhell,interview,krispeters,music,podcast,punk,tour,unwrittenlawtruefullhttps://www.spreaker.com/episode/natural-progression-with-callum-from-semantics--62175031To prove they are no flash in the pan, Semantics recently unleashed their sophomore album I Feel It All At Once, producing their most cohesive and definitive work to date. Across its eleven tracks, I Feel It All At Once encapsulates a broad emotional spectrum; snapshots of life’s experiences, journeying themes of grief, love, yearning and ultimately, acceptance. Semantics are a band who have proven in the past that they are unafraid to explore darker themes and subject matter, but even then, they displayed a talent for doing it in a way that felt healthy and cathartic.
Vocalist/guitarist Callum joined HEAVY to go more in depth.
"I'm so excited," he enthused a couple of days out from the album's September 27 release date. "We've been sitting on these songs for a few months now and waiting to put them out and see what everyone thinks. (Musically) we were aiming to encapsulate everything we love about rock and guitar music. We wanted to pay tribute to all of their styles and artists that have influenced us and play from the heart and make songs that we believe in. Write about content and subject matter that is important to us or relevant to our lives, but is also - we hope - translatable and accessible to everyone else."
In the full interview, Callum explained how the album represents a new chapter for the band, with a greater focus on production and songwriting effort, and is a tribute to the styles and artists that have influenced them. We discussed Semantics' upcoming album tour, which will start on the Gold Coast on October 13 and end in Brisbane on November 6, with Callum describing their live shows as loud and energetic, with a positive atmosphere.
We also spoke about the album title and how it differs to their first release, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62175031Tue, 01 Oct 2024 05:07:24 +0000HEAVY MagazineBrisbane indie punk outfit Semantics have splashed their name across the national music scene in the space of seven short years, traversing the country with acts such as Luca Brasi, Violent Soho, Sly Withers and The Menzingers while managing to drop...To prove they are no flash in the pan, Semantics recently unleashed their sophomore album I Feel It All At Once, producing their most cohesive and definitive work to date. Across its eleven tracks, I Feel It All At Once encapsulates a broad emotional spectrum; snapshots of life’s experiences, journeying themes of grief, love, yearning and ultimately, acceptance. Semantics are a band who have proven in the past that they are unafraid to explore darker themes and subject matter, but even then, they displayed a talent for doing it in a way that felt healthy and cathartic.
Vocalist/guitarist Callum joined HEAVY to go more in depth.
"I'm so excited," he enthused a couple of days out from the album's September 27 release date. "We've been sitting on these songs for a few months now and waiting to put them out and see what everyone thinks. (Musically) we were aiming to encapsulate everything we love about rock and guitar music. We wanted to pay tribute to all of their styles and artists that have influenced us and play from the heart and make songs that we believe in. Write about content and subject matter that is important to us or relevant to our lives, but is also - we hope - translatable and accessible to everyone else."
In the full interview, Callum explained how the album represents a new chapter for the band, with a greater focus on production and songwriting effort, and is a tribute to the styles and artists that have influenced them. We discussed Semantics' upcoming album tour, which will start on the Gold Coast on October 13 and end in Brisbane on November 6, with Callum describing their live shows as loud and energetic, with a positive atmosphere.
We also spoke about the album title and how it differs to their first release, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>742australia,hardrock,heavy,indierock,interview,krispeters,music,podcast,punk,rock,semantics,sideonedummyrecordstruefullhttps://www.spreaker.com/episode/a-taste-for-war-with-jade-from-frozen-crown--62170151Not only is War Hearts the band's first for Napalm Records, but it also ushers in 18-year-old guitar prodigy Alessia Lanzone and marks the first time Frozen Crown have released an album featuring all of the band members together on the one recording.
It shapes as a career defining album for the group, pushing their trademark elements to new levels of complexity without forgetting the characteristic catchy hooks that have punctuated their earlier work.
With War Hearts just weeks away from being released on October 18, vocalist Jade sat down with HEAVY to go through things in greater detail.
"For us this album is very important, because it's the first we are releasing with Napalm Records," Jade began, "and the first as a six piece band."
We ask her to talk about the musical side of War Hearts in greater detail.
"War Hearts is a fresh start for us," she explained, "because new label, new guitar player. But on the same side it's a very Frozen Crown album. We really wanted to be loyal to our sound, to our style. So you will find something Frozen Crown, but more powerful. Adding a third guitar has been a blast for us, especially from the live point of view. We really wanted to take the same amount of layers of guitars we have on the album. We are not fans of sequencing and backing tracks, so we wanted to be true. Working with a third guitar player has been a great enrichment for us. Alessia has been a breath of fresh air, and having the third guitar gave us the chance to enrich the arrangements."
In the full interview, Jade discussed the evolution of War Hearts, blending power metal, speed metal, and traditional heavy metal and keeping it cohesive, having all band members record an album for the first time and what it brought to the overall sound, how War Hearts pays homage to their influences such as Children of Bodom, in what ways Frozen Crown's sound has changed from their debut album The Fallen King to War Hearts, how Alessia came to be in the band and how she completes the line-up, their upcoming tour with Kamelot and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62170151Mon, 30 Sep 2024 21:01:15 +0000HEAVY MagazineThere is a general vibe surrounding the upcoming fifth album from Frozen Crown, called War Hearts, that suggests the Italian power metal outfit are truly at ease with themselves and their music. Not only is War Hearts the band's first for Napalm...Not only is War Hearts the band's first for Napalm Records, but it also ushers in 18-year-old guitar prodigy Alessia Lanzone and marks the first time Frozen Crown have released an album featuring all of the band members together on the one recording.
It shapes as a career defining album for the group, pushing their trademark elements to new levels of complexity without forgetting the characteristic catchy hooks that have punctuated their earlier work.
With War Hearts just weeks away from being released on October 18, vocalist Jade sat down with HEAVY to go through things in greater detail.
"For us this album is very important, because it's the first we are releasing with Napalm Records," Jade began, "and the first as a six piece band."
We ask her to talk about the musical side of War Hearts in greater detail.
"War Hearts is a fresh start for us," she explained, "because new label, new guitar player. But on the same side it's a very Frozen Crown album. We really wanted to be loyal to our sound, to our style. So you will find something Frozen Crown, but more powerful. Adding a third guitar has been a blast for us, especially from the live point of view. We really wanted to take the same amount of layers of guitars we have on the album. We are not fans of sequencing and backing tracks, so we wanted to be true. Working with a third guitar player has been a great enrichment for us. Alessia has been a breath of fresh air, and having the third guitar gave us the chance to enrich the arrangements."
In the full interview, Jade discussed the evolution of War Hearts, blending power metal, speed metal, and traditional heavy metal and keeping it cohesive, having all band members record an album for the first time and what it brought to the overall sound, how War Hearts pays homage to their influences such as Children of Bodom, in what ways Frozen Crown's sound has changed from their debut album The Fallen King to War Hearts, how Alessia came to be in the band and how she completes the line-up, their upcoming tour with Kamelot and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>769album,frozencrown,hardrock,heavy,heavymetal,interview,krispeters,music,napalmrecords,podcast,powermetal,warheartsfalsefullhttps://www.spreaker.com/episode/flying-close-to-the-sun-with-janne-christoffersson-from-grand-magus--62168734Janne "JB" Christoffersson (guitar, lead vocals) from Grand Magus talks Vikings, Beowulf and the benefit of taking a long break before releasing the upcoming album, Sunraven - out October 18.
The Swedish metal trio have been delivering metal for 25 years, renowned for their captivating guitar solos and Viking-inspired battle anthems. This three-piece band is truly impressive.
On having a break (due to the pandemic) before diving into Sunraven, JB had this to say: “We said if we’re going to do this, we’re going to do it properly. We took a year to record it. We didn’t know that this was going to be possible, but it was.”
“Everything we do is based on emotion; if the passion’s not there, we’re not gonna do it.”
JB shares his experience of playing festivals like Bloodstock alongside friends in Opeth. He expresses hope to one day perform for the huge metal scene in Australia. (and hand out some Grand Magus temporary tattoos while they’re at it!)


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62168734Mon, 30 Sep 2024 18:34:17 +0000HEAVY MagazineInterview by Angela Croudace Janne "JB" Christoffersson (guitar, lead vocals) from Grand Magus talks Vikings, Beowulf and the benefit of taking a long break before releasing the upcoming album, Sunraven - out October 18. The Swedish metal trio have...Janne "JB" Christoffersson (guitar, lead vocals) from Grand Magus talks Vikings, Beowulf and the benefit of taking a long break before releasing the upcoming album, Sunraven - out October 18.
The Swedish metal trio have been delivering metal for 25 years, renowned for their captivating guitar solos and Viking-inspired battle anthems. This three-piece band is truly impressive.
On having a break (due to the pandemic) before diving into Sunraven, JB had this to say: “We said if we’re going to do this, we’re going to do it properly. We took a year to record it. We didn’t know that this was going to be possible, but it was.”
“Everything we do is based on emotion; if the passion’s not there, we’re not gonna do it.”
JB shares his experience of playing festivals like Bloodstock alongside friends in Opeth. He expresses hope to one day perform for the huge metal scene in Australia. (and hand out some Grand Magus temporary tattoos while they’re at it!)


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1421album,angelacroudace,grandmagus,heavy,heavymetal,interview,metal,music,nuclearblastrecords,podcasttruefullhttps://www.spreaker.com/episode/defining-the-new-normal-with-lucius-borich-from-cog--62112883Whether it be for new material or live shows, the trio have never let external pressures dictate terms, instead adopting a more DIY, casual attitude that has been one of the cornerstones of their success.
They don't make albums for the sake of it, nor head out on the road because they feel obligated or pressured to. Which is why when you see or hear that the progressive metal trio have announced a run of shows, you just know there's a reason for it. And that the shows will be to their usual massively high standard.
A point that was proven when the band announced The Vinyl Tour earlier this year, as fans filled rooms to capacity, not only to see COG live, but also to get their hands on the very reason the tour was announced in the first place.
The long awaited vinyl pressings of two COG albums The New Normal and Sharing Space.
It's too long of a story to go into as to why the vinyl albums were not made available to fans a long time ago, but, as they say, good things are worth waiting for. Especially when the mighty COG hit the road to take the new vinyl to the fans.
After a small run of shows in March of this year COG retreated to the sanctity of their respective homes away from music, refreshing the batteries for round two of The Vinyl Tour which sees the band starting a fresh run of shows in Victoria on October 4 before hitting Byron Bay and Western Australia and finishing in Sydney on November 29. It is a well-spaced out and comfortable run of shows, but by the time it draws to an end, COG would have covered the vast majority of their fan base with a much-anticipated piece of music to promote.
HEAVY caught up with drummer Lucius Borich recently to find out more about leg two of the tour.
"Yeah, definitely," he nodded when we ask if the band are itching to get back out on the road. "There was definitely a bit of hoo-ha with the DM's from people saying 'why aren't you coming to WA or why aren't you coming here', so it definitely made sense when we had the right timing between the three of us and the crew to launch the next part of it, so it worked out pretty well."
COG have already hit South Australia, Queensland, New South Wales and the ACT earlier this year, with Borich smiling when we ask how the shows were received.
"Really good. It was really great," he enthused. "Between the three of us, obviously it was based more around Sharing Space and The New Normal and it really felt… I guess obviously with the people that came to the shows as well, it felt very… almost like we were re-releasing that music to some degree. Which we were because we were doing it on vinyl. But it just had an air about it where everyone was excited and romantically reminiscing about when those albums came out, and we got together and created a good little vibe in the room together, playing and all the rest of it. And it was very similar. It had that air to it which was really good. And we don't play too much, as much as we'd probably like, but everyone seems happily stoked about what happened and so were we. It was really good fun."
In the full interview, Lucius discussed COG's upcoming shows, which will be based around the albums Sharing Space and The New Normal. He mentioned that the shows will have a similar set list to their previous performances, which were well-received. Lucius emphasized that the band's focus is on the music, with minimal emphasis on bells and whistles. He also shared that touring still appeals to him, as it allows them to explore new venues and environments, plus lots more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62112883Mon, 30 Sep 2024 13:48:47 +0000HEAVY MagazineByron Bay music machines COG have never been a band to be dictated to. Whether it be for new material or live shows, the trio have never let external pressures dictate terms, instead adopting a more DIY, casual attitude that has been one of the...Whether it be for new material or live shows, the trio have never let external pressures dictate terms, instead adopting a more DIY, casual attitude that has been one of the cornerstones of their success.
They don't make albums for the sake of it, nor head out on the road because they feel obligated or pressured to. Which is why when you see or hear that the progressive metal trio have announced a run of shows, you just know there's a reason for it. And that the shows will be to their usual massively high standard.
A point that was proven when the band announced The Vinyl Tour earlier this year, as fans filled rooms to capacity, not only to see COG live, but also to get their hands on the very reason the tour was announced in the first place.
The long awaited vinyl pressings of two COG albums The New Normal and Sharing Space.
It's too long of a story to go into as to why the vinyl albums were not made available to fans a long time ago, but, as they say, good things are worth waiting for. Especially when the mighty COG hit the road to take the new vinyl to the fans.
After a small run of shows in March of this year COG retreated to the sanctity of their respective homes away from music, refreshing the batteries for round two of The Vinyl Tour which sees the band starting a fresh run of shows in Victoria on October 4 before hitting Byron Bay and Western Australia and finishing in Sydney on November 29. It is a well-spaced out and comfortable run of shows, but by the time it draws to an end, COG would have covered the vast majority of their fan base with a much-anticipated piece of music to promote.
HEAVY caught up with drummer Lucius Borich recently to find out more about leg two of the tour.
"Yeah, definitely," he nodded when we ask if the band are itching to get back out on the road. "There was definitely a bit of hoo-ha with the DM's from people saying 'why aren't you coming to WA or why aren't you coming here', so it definitely made sense when we had the right timing between the three of us and the crew to launch the next part of it, so it worked out pretty well."
COG have already hit South Australia, Queensland, New South Wales and the ACT earlier this year, with Borich smiling when we ask how the shows were received.
"Really good. It was really great," he enthused. "Between the three of us, obviously it was based more around Sharing Space and The New Normal and it really felt… I guess obviously with the people that came to the shows as well, it felt very… almost like we were re-releasing that music to some degree. Which we were because we were doing it on vinyl. But it just had an air about it where everyone was excited and romantically reminiscing about when those albums came out, and we got together and created a good little vibe in the room together, playing and all the rest of it. And it was very similar. It had that air to it which was really good. And we don't play too much, as much as we'd probably like, but everyone seems happily stoked about what happened and so were we. It was really good fun."
In the full interview, Lucius discussed COG's upcoming shows, which will be based around the albums Sharing Space and The New Normal. He mentioned that the shows will have a similar set list to their previous performances, which were well-received. Lucius emphasized that the band's focus is on the music, with minimal emphasis on bells and whistles. He also shared that touring still appeals to him, as it allows them to explore new venues and environments, plus lots more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>775australia,cog,heavy,interview,krispeters,luciusborich,music,podcast,progressivemetal,progressiverock,rock,thevinyltour,tourtruefullhttps://www.spreaker.com/episode/abramelin-unleash-unholy-gory-glorified-sins--62041139This deep dive podcast into the Godfather’s of death metal that are Abramelin is more than an boring old interview, it is a catch up chat between friends of years past reflecting on all things awesome both new and old in glorifying gore filled Aussie death metal supremacy. Discussing more than just a new album, but the inner workings of extreme artistic audio and visual creation. Matt (Wilcock - Guitars) and Simon's (Dower - Vocals) openness and honesty about the band's existence is a pleasure to listen to and transcribe for the rest of the metal world to hear. Make sure you listen to the full nearly two hour Aramelin special to hear from the two legends to experience the full history of this influential band and all music new about to splatter blood on both new and old grateful fans.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62041139Fri, 27 Sep 2024 07:55:48 +0000HEAVY MagazineThis deep dive podcast into the Godfather’s of death metal that are Abramelin is more than an boring old interview, it is a catch up chat between friends of years past reflecting on all things awesome both new and old in glorifying gore filled Aussie...This deep dive podcast into the Godfather’s of death metal that are Abramelin is more than an boring old interview, it is a catch up chat between friends of years past reflecting on all things awesome both new and old in glorifying gore filled Aussie death metal supremacy. Discussing more than just a new album, but the inner workings of extreme artistic audio and visual creation. Matt (Wilcock - Guitars) and Simon's (Dower - Vocals) openness and honesty about the band's existence is a pleasure to listen to and transcribe for the rest of the metal world to hear. Make sure you listen to the full nearly two hour Aramelin special to hear from the two legends to experience the full history of this influential band and all music new about to splatter blood on both new and old grateful fans.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>6426abramelin,australia,australiandeathmetal,davehaley,deathmetal,heavy,heavymetal,interview,music,neverenoughsnuff,podcast,sinsofthefathertruefullhttps://www.spreaker.com/episode/have-music-will-travel-with-richie-kotzen--62071426Being a person who knows what he wants and how to achieve it, Kotzen is more suited to the solo side of music where he is more in control of his musical output, down to playing most instruments himself and recording and producing his own work.
The last sonic masterpiece to come from Kotzen is his latest solo album, Nomad, which will be unleashed on September 27. A collection of eight songs, Nomad sees Kotzen express his diverse techniques and influences, from hard rock to 70s infused soul and funk, jazz fusion to R&B. If you know the man and his music, you pretty much know what to expect - only better.
HEAVY caught up with Kotzen recently to discuss Nomad and the process of making it.
"I feel good," he smiled when asked about the album. "I'm very happy with it. I'm happy with what I recorded, and I'm looking forward to sharing it. We're actually on tour right now, and we've been playing Cheap Shots and On The Table live, so that's been fun. I'm looking forward to getting it out there. I hope people are feeling it the same way I do."
We ask if Kotzen is the type of person who finishes an album and puts it to bed, or if he overthinks the final result and comes up with differing ideas while waiting for it to be released.
"I put it to bed and move on," he affirmed. "I don't… what happens is I get to the point where I listen to it in the creative process, and it starts to resemble what it was I was hearing in my mind. Once the speakers are reproducing that accurately, I know I'm finished and I move on. Then what happens is typically I fall into a heavy depression, because there was a lot of stuff happening internally during the creative process that's very exciting and very rewarding, and then it's done. It's over. And then it's now what? For me, I've gotta go off and do other things, often times I have to do something outside of music, like just go somewhere on the property and start raking leaves or trimming a tree or something (laughs) and then wait until the next fire starts to get me inspired."
In the full interview, Richie talks more about the creative process and other things to factor when completing an album. He outlined how he focuses on individual song compositions before considering the album as a whole and mentioned he was inspired by the vinyl album format and aimed to create a diverse mix of genres, including rock, seventies-infused soul and funk, jazz, and R&B. However, he clarified that he doesn't consciously aim to cover a wide range of genres, but rather allows his influences from childhood, such as Stevie Wonder, George Benson, Iron Maiden, and Black Sabbath, to shape his music.
Richie discussed his approach to songwriting, emphasizing that he doesn't intentionally try to emulate other artists' styles. Instead, he waits for inspiration and then brings his ideas to life. He also shared his perspective on writer's block, viewing it as a sign that there's nothing meant to be written at that moment. Richie also revealed that he documents his song ideas in his phone, which currently contains 398 memos of him mumbling, singing, or playing guitar.
Kotzen also discussed the process of creating music, explaining his approach to recording and producing his own music. He emphasized the importance of having a clear vision and skill set to execute ideas, and how this approach has worked for him throughout his career. He also highlighted the difference between creating music for personal satisfaction and for external expectations, noting that the latter can lead to complications and disappointment.
He discussed his songwriting process, explaining that his ideas often come from different starting points, such as having a chorus or a melody. He shared an instance where a song practically wrote itself as he strummed the chords. We asked about the challenges of being critical of his own work as a producer, to which Richie responded that he is always his harshest critic. He emphasized the importance of knowing his instrument, his singing voice, well, which allows him to gauge the emotional authenticity of his songs plus heaps more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62071426Thu, 26 Sep 2024 04:22:24 +0000HEAVY MagazineRichie Kotzen is a musician who has tried his hand at most things when it comes to his craft, having played in bands like Mr. Big, Poison, The Winery Dogs and Smith/Kotzen over an illustrious career, but it is in the solo realm that he has done...Being a person who knows what he wants and how to achieve it, Kotzen is more suited to the solo side of music where he is more in control of his musical output, down to playing most instruments himself and recording and producing his own work.
The last sonic masterpiece to come from Kotzen is his latest solo album, Nomad, which will be unleashed on September 27. A collection of eight songs, Nomad sees Kotzen express his diverse techniques and influences, from hard rock to 70s infused soul and funk, jazz fusion to R&B. If you know the man and his music, you pretty much know what to expect - only better.
HEAVY caught up with Kotzen recently to discuss Nomad and the process of making it.
"I feel good," he smiled when asked about the album. "I'm very happy with it. I'm happy with what I recorded, and I'm looking forward to sharing it. We're actually on tour right now, and we've been playing Cheap Shots and On The Table live, so that's been fun. I'm looking forward to getting it out there. I hope people are feeling it the same way I do."
We ask if Kotzen is the type of person who finishes an album and puts it to bed, or if he overthinks the final result and comes up with differing ideas while waiting for it to be released.
"I put it to bed and move on," he affirmed. "I don't… what happens is I get to the point where I listen to it in the creative process, and it starts to resemble what it was I was hearing in my mind. Once the speakers are reproducing that accurately, I know I'm finished and I move on. Then what happens is typically I fall into a heavy depression, because there was a lot of stuff happening internally during the creative process that's very exciting and very rewarding, and then it's done. It's over. And then it's now what? For me, I've gotta go off and do other things, often times I have to do something outside of music, like just go somewhere on the property and start raking leaves or trimming a tree or something (laughs) and then wait until the next fire starts to get me inspired."
In the full interview, Richie talks more about the creative process and other things to factor when completing an album. He outlined how he focuses on individual song compositions before considering the album as a whole and mentioned he was inspired by the vinyl album format and aimed to create a diverse mix of genres, including rock, seventies-infused soul and funk, jazz, and R&B. However, he clarified that he doesn't consciously aim to cover a wide range of genres, but rather allows his influences from childhood, such as Stevie Wonder, George Benson, Iron Maiden, and Black Sabbath, to shape his music.
Richie discussed his approach to songwriting, emphasizing that he doesn't intentionally try to emulate other artists' styles. Instead, he waits for inspiration and then brings his ideas to life. He also shared his perspective on writer's block, viewing it as a sign that there's nothing meant to be written at that moment. Richie also revealed that he documents his song ideas in his phone, which currently contains 398 memos of him mumbling, singing, or playing guitar.
Kotzen also discussed the process of creating music, explaining his approach to recording and producing his own music. He emphasized the importance of having a clear vision and skill set to execute ideas, and how this approach has worked for him throughout his career. He also highlighted the difference between creating music for personal satisfaction and for external expectations, noting that the latter can lead to complications and disappointment.
He discussed his songwriting process, explaining that his ideas often come from...]]>1522guitar,hardrock,heavy,interview,krispeters,mrbig,music,nomad,podcast,poison,richiekotzen,rock,smithkotzen,thewinerydogstruefullhttps://www.spreaker.com/episode/finding-your-voice-through-music-with-jimmy-kyle-from-chasing-ghosts--62104848So it is refreshing that some bands out there continue to speak out for their beliefs and use their music as a weapon of choice in bringing such things to the attention of others.
Naarm based outfit Chasing Ghosts are one of those bands.
Fronted by proud Thungutti Country Indigenous songwriter Jimmy Kyle, Chasing Ghosts have consistently spread their viewpoints and history by verse, in the process providing a voice for many who have not - or could not - speak through their own.
After releasing their critically acclaimed EP Homelands in 2021, Chasing Ghosts have remained relatively quiet since, quietly working their way through fresh material and another assault on the Australian music scene. That arrived recently with the single Amnesia Everybody, a song that shines the spotlight on the ignorance of Australia’s historic treatment of its First Peoples.
With a three date tour in October and more new music in the works Jimmy sat down with HEAVY to discuss the new single and more.
"Great," he enthused when asked about the early response to Amnesia Everybody. "I think it's overwhelmingly good and has reinvigorated the fan base after a couple of years since our previous release Homelands which did really well. This ones taken a little bit longer moving between record labels because sometimes that can take a little longer than we'd like. We've been waiting for about 12 months to release this stuff, which has given us an opportunity to write for a future record in the interim, but it's relieving and satisfying to be able to share this with people now."
In the full interview, Jimmy discussed their new single Amnesia Everybody and shared that the song has a high energy, polished sound, which is a departure from their previous lo-fi style. He mentioned that they have embraced contemporary recording techniques, which has resulted in a more luxurious sound. He also highlighted the need for awareness and understanding of Australia's history, particularly regarding race relations and the treatment of Aboriginal people.
Jimmy also discussed his experiences as an Aboriginal man and how his background influences his songwriting. He emphasized the importance of speaking truth to power and criticized the glorification of historical figures who committed atrocities against Aboriginal people. He also expressed his desire for a more honest and mature approach to Australia's history and its impact on the country's identity.
We discussed the upcoming cycle Chasing Ghost's new album, which will be more energetic and a return to their punk rock roots. Jimmy discussed the evolution of the band's music project from acoustic folk to full-on punk rock, with the aim to challenge themselves to write something broader and bigger. 
Additionally, we talked about Chasing Ghost's upcoming tour, which Jimmy described as a fun, rowdy experience with opportunities for sing-alongs and head banging. The tour is set to start in Brisbane on October 10th, followed by Sydney and Melbourne


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62104848Wed, 25 Sep 2024 16:16:59 +0000HEAVY MagazineIn today's modern, sanitised music world, far too many bands are reluctant to state their beliefs and opinions for the sole fact that they could possibly offend someone. It is a fair point in principle, but has been taken too far in most instances,...So it is refreshing that some bands out there continue to speak out for their beliefs and use their music as a weapon of choice in bringing such things to the attention of others.
Naarm based outfit Chasing Ghosts are one of those bands.
Fronted by proud Thungutti Country Indigenous songwriter Jimmy Kyle, Chasing Ghosts have consistently spread their viewpoints and history by verse, in the process providing a voice for many who have not - or could not - speak through their own.
After releasing their critically acclaimed EP Homelands in 2021, Chasing Ghosts have remained relatively quiet since, quietly working their way through fresh material and another assault on the Australian music scene. That arrived recently with the single Amnesia Everybody, a song that shines the spotlight on the ignorance of Australia’s historic treatment of its First Peoples.
With a three date tour in October and more new music in the works Jimmy sat down with HEAVY to discuss the new single and more.
"Great," he enthused when asked about the early response to Amnesia Everybody. "I think it's overwhelmingly good and has reinvigorated the fan base after a couple of years since our previous release Homelands which did really well. This ones taken a little bit longer moving between record labels because sometimes that can take a little longer than we'd like. We've been waiting for about 12 months to release this stuff, which has given us an opportunity to write for a future record in the interim, but it's relieving and satisfying to be able to share this with people now."
In the full interview, Jimmy discussed their new single Amnesia Everybody and shared that the song has a high energy, polished sound, which is a departure from their previous lo-fi style. He mentioned that they have embraced contemporary recording techniques, which has resulted in a more luxurious sound. He also highlighted the need for awareness and understanding of Australia's history, particularly regarding race relations and the treatment of Aboriginal people.
Jimmy also discussed his experiences as an Aboriginal man and how his background influences his songwriting. He emphasized the importance of speaking truth to power and criticized the glorification of historical figures who committed atrocities against Aboriginal people. He also expressed his desire for a more honest and mature approach to Australia's history and its impact on the country's identity.
We discussed the upcoming cycle Chasing Ghost's new album, which will be more energetic and a return to their punk rock roots. Jimmy discussed the evolution of the band's music project from acoustic folk to full-on punk rock, with the aim to challenge themselves to write something broader and bigger. 
Additionally, we talked about Chasing Ghost's upcoming tour, which Jimmy described as a fun, rowdy experience with opportunities for sing-alongs and head banging. The tour is set to start in Brisbane on October 10th, followed by Sydney and Melbourne


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1811australia,chasingghosts,firstnations,hardrock,heavy,indigenous,interview,jimmykyle,krispeters,music,podcast,punk,rockfalsefullhttps://www.spreaker.com/episode/a-musical-odyssey-with-dale-tanner-from-ocean-grove--62067902Not many.
While not claiming to be revolutionary themselves, Melbourne noise merchants Ocean Grove definitely qualify in terms of freedom of expression and mashing of genres that have no right being mentioned in the same breath, let alone side by side on an album release.
Ever since unleashing their 2017 debut album The Rhapsody Tapes, Ocean Grove have effortlessly combined nu metal, metalcore, grunge, rock, punk and rap sensibilities in such an orderly fashion that scribes saw fit to label their music in a completely new category that best sums up each influence and musical note that forms the bands sound.
That term is Odd World music and has stuck sufficiently for Ocean Grove to embrace the term themselves, to the point of naming their upcoming, November 22 album Oddworld. It is both a reflection of the band's eclectic sound and an ownership of the phrase, emphatically capturing Ocean Grove in all of their experimental glory.
In short, ODDWORLD is exactly as its title suggests: beautifully chaotic, sonically kaleidoscopic and wholeheartedly one-of-a-kind.
HEAVY sat down recently with frontman Dale Tanner to explore Oddworld on a deeper level.
"I'm feeling very, very excited," he enthused when asked how he felt about the impending release of album number four. "It's probably… this is the most excited about anything I've put out into the world, alongside my brothers. I sat down last night and gave the album a listen myself to get a refresh on things, and I thought this feels big and (is) a definitive moment in Ocean Grove's career, and I just want to soak that in a little bit after not having listened to it for a bit. I heard it a million times working on it in the studio and gave it that space to now revisit it and think 'holy fuck, this has some power to it'. I really think it's our best work. It's Ocean Grove operating on all cylinders and there's something there for everyone. It's taking all that was great about everything that we've done up to this point and fusing it with this new-found, child like excitement for the future. Just putting that stamp of this is certified Ocean Grove, and you'd better be here for it."
In the full interview, Dale dives deeper into Oddworld musically, how they returned to their roots somewhat for the album, maintaining a flow and consistency despite covering so many genres, the creative process for Ocean Grove, choosing singles to represent Oddworld, finding the balance between styles, how their sound has evolved over the years, their upcoming run of shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62067902Tue, 24 Sep 2024 07:25:19 +0000HEAVY MagazineSeldom does a band come along that can genuinely lay claim to being groundbreaking in terms of musical disparity. Sure, many are labelled as such, but how many have actually pushed their music to its limits and beyond and still emerged triumphant? Not...Not many.
While not claiming to be revolutionary themselves, Melbourne noise merchants Ocean Grove definitely qualify in terms of freedom of expression and mashing of genres that have no right being mentioned in the same breath, let alone side by side on an album release.
Ever since unleashing their 2017 debut album The Rhapsody Tapes, Ocean Grove have effortlessly combined nu metal, metalcore, grunge, rock, punk and rap sensibilities in such an orderly fashion that scribes saw fit to label their music in a completely new category that best sums up each influence and musical note that forms the bands sound.
That term is Odd World music and has stuck sufficiently for Ocean Grove to embrace the term themselves, to the point of naming their upcoming, November 22 album Oddworld. It is both a reflection of the band's eclectic sound and an ownership of the phrase, emphatically capturing Ocean Grove in all of their experimental glory.
In short, ODDWORLD is exactly as its title suggests: beautifully chaotic, sonically kaleidoscopic and wholeheartedly one-of-a-kind.
HEAVY sat down recently with frontman Dale Tanner to explore Oddworld on a deeper level.
"I'm feeling very, very excited," he enthused when asked how he felt about the impending release of album number four. "It's probably… this is the most excited about anything I've put out into the world, alongside my brothers. I sat down last night and gave the album a listen myself to get a refresh on things, and I thought this feels big and (is) a definitive moment in Ocean Grove's career, and I just want to soak that in a little bit after not having listened to it for a bit. I heard it a million times working on it in the studio and gave it that space to now revisit it and think 'holy fuck, this has some power to it'. I really think it's our best work. It's Ocean Grove operating on all cylinders and there's something there for everyone. It's taking all that was great about everything that we've done up to this point and fusing it with this new-found, child like excitement for the future. Just putting that stamp of this is certified Ocean Grove, and you'd better be here for it."
In the full interview, Dale dives deeper into Oddworld musically, how they returned to their roots somewhat for the album, maintaining a flow and consistency despite covering so many genres, the creative process for Ocean Grove, choosing singles to represent Oddworld, finding the balance between styles, how their sound has evolved over the years, their upcoming run of shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1395album,australia,daletanner,hardcore,heavy,heavymetal,interview,krispeters,music,oceangrove,oddworld,podcast,punk,rapmetal,rocktruefullhttps://www.spreaker.com/episode/the-changing-tides-of-battle-with-francesco-cavalieri-from-wind-rose--62036801Playing a hybrid of power metal crossed with folk metal, it soon became apparent that Wind Rose weren't just another band looking to make a name for themselves.
The wanted to be the one and only name on your lips and would use force if necessary!
Their music was quickly dubbed Dwarf Metal - for reasons known only to those who came up with it - but Wind Rose have run with that description, incorporating dwarves and fantasy into their albums and music, taking listeners on a dark and wondrous journey with each passing release.
Which is set to continue when their new album Trollslayer is unleashed on October 4.
A powerful, epic, and captivating sonic journey through a land brought to life courtesy of Wind Rose's mischievous imaginations, Trollslayer marks yet another chapter in the continuing saga of good versus evil - with a few dwarves thrown in for good measure.
HEAVY caught up with vocalist Francesco Cavalieri to find out more.
"Trollslayer… for the ones that already know our music style is a mix between Wintersaga and Warfront," he explained when describing what to expect from the new album. "Why? Because Warfront - our previous album - didn't have any party songs and also the main characteristic of the album was to be more solid and more epic but no party songs. No light sounding. So it was different from the previous album of Wind Rose. Now we've got back the keys of the dwarf metal, and we made a new dwarf metal album, more in the style of Wintersaga but with a new vision and more experience. We created a more complete album."
In the full interview, Francesco talks more about Trollslayer and what to expect, the singles released and how they represent the album as a whole, what things they focussed on with Trollslayer, the instrumental track Of Ice & Blood that opens the album, the term dwarf metal and where it comes from, capturing the live feel and sound on a recording, their high energy live shows, the upcoming tour with Powerwolf and Hammerfall and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62036801Mon, 23 Sep 2024 05:56:50 +0000HEAVY MagazineWhen Italian metal outfit Wind Rose swept onto the music world in 2009 it is fair to say that the landscape of metal changed forever. Playing a hybrid of power metal crossed with folk metal, it soon became apparent that Wind Rose weren't just another...Playing a hybrid of power metal crossed with folk metal, it soon became apparent that Wind Rose weren't just another band looking to make a name for themselves.
The wanted to be the one and only name on your lips and would use force if necessary!
Their music was quickly dubbed Dwarf Metal - for reasons known only to those who came up with it - but Wind Rose have run with that description, incorporating dwarves and fantasy into their albums and music, taking listeners on a dark and wondrous journey with each passing release.
Which is set to continue when their new album Trollslayer is unleashed on October 4.
A powerful, epic, and captivating sonic journey through a land brought to life courtesy of Wind Rose's mischievous imaginations, Trollslayer marks yet another chapter in the continuing saga of good versus evil - with a few dwarves thrown in for good measure.
HEAVY caught up with vocalist Francesco Cavalieri to find out more.
"Trollslayer… for the ones that already know our music style is a mix between Wintersaga and Warfront," he explained when describing what to expect from the new album. "Why? Because Warfront - our previous album - didn't have any party songs and also the main characteristic of the album was to be more solid and more epic but no party songs. No light sounding. So it was different from the previous album of Wind Rose. Now we've got back the keys of the dwarf metal, and we made a new dwarf metal album, more in the style of Wintersaga but with a new vision and more experience. We created a more complete album."
In the full interview, Francesco talks more about Trollslayer and what to expect, the singles released and how they represent the album as a whole, what things they focussed on with Trollslayer, the instrumental track Of Ice & Blood that opens the album, the term dwarf metal and where it comes from, capturing the live feel and sound on a recording, their high energy live shows, the upcoming tour with Powerwolf and Hammerfall and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1194dwarfmetal,folkmetal,heavy,heavymetal,interview,krispeters,music,podcast,powermetal,windrosetruefullhttps://www.spreaker.com/episode/a-story-of-hope-and-loss-with-fredrik-akesson-from-opeth--62069901So it is with Swedish progressive titans Opeth who stand on the cusp of releasing their 14th studio album The Last Will And Testament on October 11.
Three decades in the masters of metal have - according to those in the know - recorded one of their darkest and heaviest albums ever as well as being the most fearlessly progressive. It is also the first out-and-out concept album of their career, recounting the reading of one recently deceased man’s will to an audience of his surviving family members. Sonically, The Last Will And Testament is an all-inclusive and in depth journey brimming with haunting melodrama, shocking revelations and riveting composition set in the 1920s when the world was engulfed in war and inner turmoil. It is a sonic masterpiece of epic story telling and claustrophobic musical landscapes that takes you deep into the twisted imaginings of songwriter/ frontman Mikael Åkerfeldt and peels back even more layers of what makes Opeth tick as a band.
HEAVY caught up with guitarist Fredrik Akesson to find out more.
"It's exciting times to see how the album's gonna be received," he smiled. "We do a lot of interviews right now and so far it seems like people really dig it. Of course, we have released two tracks, Paragraph 1 and Paragraph 3 and the reception is quite overwhelming, which makes us happy. The first criteria is we do an album that we feel 100% happy with, and in this case we do."
We ask him to dive deeper into The Last Will And Testament musically.
"It kind of resembles the old Opeth and the more proggier Opeth," he measured, "in a more restless, compressed direction and also a step forward. The songs are slightly shorter, but they have more ingredients than ever. A little bit like modern day society, even though the theme of the album takes place in the 1920s, which is apparently quite some time ago (laughs). If you listen to Blackwater Park, certain sections are dwelled upon quite long, and that's different with this album. There's quite a lot of action, it's an action packed album. In a historical way, there is a big pod of the Opeth sound. You have the yin and yang thing, you have the really heavy section, and then you have something more melancholy like a big, beautiful ish type of forresty sounds."
In the full interview, Fredrik described the album as a mix of old and newer styles, with shorter songs but more ingredients. He also mentioned that the album is darker and heavier than previous ones, but also beautiful at times. He explained that the album's direction was not pre-planned, but rather developed as they worked on it.
Fredrik explained that the concept idea was present from the beginning of the writing process, but the story was crystallized a few weeks before they went into the studio. He emphasized that this album had more depth and thought put into it compared to their previous concept albums. HEAVY praised the use of atmospherics and moods in the album, and asked about the difficulty of creating emotions through music.
Fredrik also explained that frontman Mikael Åkerfeldt brought back his death metal growls for the new album, a side of Opeth's music that makes a welcome return plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62069901Sun, 22 Sep 2024 21:00:06 +0000HEAVY MagazineMetal bands seem to get better with age. There are, of course, exceptions, but as a whole it seems metal grows old disgracefully much better than any other genre of music. Facts are facts… So it is with Swedish progressive titans Opeth who stand on...So it is with Swedish progressive titans Opeth who stand on the cusp of releasing their 14th studio album The Last Will And Testament on October 11.
Three decades in the masters of metal have - according to those in the know - recorded one of their darkest and heaviest albums ever as well as being the most fearlessly progressive. It is also the first out-and-out concept album of their career, recounting the reading of one recently deceased man’s will to an audience of his surviving family members. Sonically, The Last Will And Testament is an all-inclusive and in depth journey brimming with haunting melodrama, shocking revelations and riveting composition set in the 1920s when the world was engulfed in war and inner turmoil. It is a sonic masterpiece of epic story telling and claustrophobic musical landscapes that takes you deep into the twisted imaginings of songwriter/ frontman Mikael Åkerfeldt and peels back even more layers of what makes Opeth tick as a band.
HEAVY caught up with guitarist Fredrik Akesson to find out more.
"It's exciting times to see how the album's gonna be received," he smiled. "We do a lot of interviews right now and so far it seems like people really dig it. Of course, we have released two tracks, Paragraph 1 and Paragraph 3 and the reception is quite overwhelming, which makes us happy. The first criteria is we do an album that we feel 100% happy with, and in this case we do."
We ask him to dive deeper into The Last Will And Testament musically.
"It kind of resembles the old Opeth and the more proggier Opeth," he measured, "in a more restless, compressed direction and also a step forward. The songs are slightly shorter, but they have more ingredients than ever. A little bit like modern day society, even though the theme of the album takes place in the 1920s, which is apparently quite some time ago (laughs). If you listen to Blackwater Park, certain sections are dwelled upon quite long, and that's different with this album. There's quite a lot of action, it's an action packed album. In a historical way, there is a big pod of the Opeth sound. You have the yin and yang thing, you have the really heavy section, and then you have something more melancholy like a big, beautiful ish type of forresty sounds."
In the full interview, Fredrik described the album as a mix of old and newer styles, with shorter songs but more ingredients. He also mentioned that the album is darker and heavier than previous ones, but also beautiful at times. He explained that the album's direction was not pre-planned, but rather developed as they worked on it.
Fredrik explained that the concept idea was present from the beginning of the writing process, but the story was crystallized a few weeks before they went into the studio. He emphasized that this album had more depth and thought put into it compared to their previous concept albums. HEAVY praised the use of atmospherics and moods in the album, and asked about the difficulty of creating emotions through music.
Fredrik also explained that frontman Mikael Åkerfeldt brought back his death metal growls for the new album, a side of Opeth's music that makes a welcome return plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>819album,hardrock,heavy,heavymetal,interview,krispeters,music,opeth,podcast,progressivemetalfalsefullhttps://www.spreaker.com/episode/not-here-to-f-k-spiders-with-ronnie-simmons-from-ronnie-simmons-and-the-redback-spiders--62069022Ronnie Simmons talks about his new release with the Red Back Spiders and stories from his time with Rose Tattoo and beyond.
We sat down with Ronnie Simmons, guitarist from Rose Tattoo, to talk about the latest release from his band, Ronnie Simmons and the Redback Spiders. The single Alone With You was released in true rockstar fashion atop a boat in the middle of Sydney Harbour! But if you thought a tiny bit of bone-chilling 40km winds would mess everything up, you’d be very wrong. 
Ronnie talks about everything from tour stories featuring Richie Ramone to his adoration for fellow bandmate Angry Anderson. Ronnie also gives some solid advice to aspiring musicians.
Ronnie has toured with an array of artists that he grew up listening to that influenced the sound of Ronnie Simmons and the Redback Spiders: “I’m very fortunate that my resume now reflects my record collection, like the Ramones, Rose Tattoo, Faster Pussycat: they were all really big influences for me when I was starting out.”
Check out the full interview below.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62069022Sun, 22 Sep 2024 18:13:44 +0000HEAVY MagazineInterview by Angela Croudace Ronnie Simmons talks about his new release with the Red Back Spiders and stories from his time with Rose Tattoo and beyond. We sat down with Ronnie Simmons, guitarist from Rose Tattoo, to talk about the latest release from...Ronnie Simmons talks about his new release with the Red Back Spiders and stories from his time with Rose Tattoo and beyond.
We sat down with Ronnie Simmons, guitarist from Rose Tattoo, to talk about the latest release from his band, Ronnie Simmons and the Redback Spiders. The single Alone With You was released in true rockstar fashion atop a boat in the middle of Sydney Harbour! But if you thought a tiny bit of bone-chilling 40km winds would mess everything up, you’d be very wrong. 
Ronnie talks about everything from tour stories featuring Richie Ramone to his adoration for fellow bandmate Angry Anderson. Ronnie also gives some solid advice to aspiring musicians.
Ronnie has toured with an array of artists that he grew up listening to that influenced the sound of Ronnie Simmons and the Redback Spiders: “I’m very fortunate that my resume now reflects my record collection, like the Ramones, Rose Tattoo, Faster Pussycat: they were all really big influences for me when I was starting out.”
Check out the full interview below.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1703australia,guitar,hardrock,heavy,interview,music,podcast,rock,ronniesimmons,ronniesimmonsandtheredbackspid,rosetattootruefullhttps://www.spreaker.com/episode/sonic-imagery-with-ashley-tubb-from-sugar-horse--62035947Since their 2021 debut album The Live Long After, Sugar Horse have been constantly evolving, searching for their definitive sound without placing too much emphasis on finding it. To them music is the reward and the less restrictions placed upon its creation the more natural and satisfying it will be.
The band are on the cusp of releasing their second album, The Grand Scheme Of Things, which sees Sugar Horse edging closer towards their ultimate goal without jeopardising their addictive quirkiness and scope of production.
HEAVY caught up with vocalist Ashley Tubbs to find out more.
"It's been a long time coming," he stressed. "The release campaign has been long, and we recorded it quite a while ago now. I'm itching to finally have it out in the world, so folks can hear it, and it's not just me listening to it by myself (laughs)."
We ask Ash to tell us more about The Grand Scheme Of Things musically.
"Our previous releases have been pretty extended, between six and nine minutes long," he offered, "so we thought we'd try and move in a different direction for this record. So all of the songs are more… pop structure… so there's lots of verses and lots of choruses and everything tends to be under the five-minute mark. Most of our stuff… we plan stuff out from a songwriting challenge perspective, so the challenge is fun for us. Shortening - with music as slow as we play it - you get to (laughs) verse two and five minutes have already passed, so it was a big challenge to condense all of that into a four and a half minute song."
In the full interview, Ash highlighted the band's shift from their traditional extended space rock style to a more concise pop structure, addressing the challenges of creating shorter songs and the editing process they underwent to refine their music. The conversation then turned to Sugar Horse's evolving music career, particularly their collaboration with various artists on the EP Waterloo Teeth, where he shared insights into his experimental approach to songwriting, drawing inspiration from diverse sources and visualizing concepts before crafting them into music. The meeting concluded with Ash expressing optimism and a clear sense of direction for his future projects, indicating potential for continued artistic growth.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62035947Sun, 22 Sep 2024 13:53:20 +0000HEAVY MagazineSludge metal experimentalists Sugar Horse have always been a band that pushes the boundaries when it comes to music. Since their 2021 debut album The Live Long After, Sugar Horse have been constantly evolving, searching for their definitive sound...Since their 2021 debut album The Live Long After, Sugar Horse have been constantly evolving, searching for their definitive sound without placing too much emphasis on finding it. To them music is the reward and the less restrictions placed upon its creation the more natural and satisfying it will be.
The band are on the cusp of releasing their second album, The Grand Scheme Of Things, which sees Sugar Horse edging closer towards their ultimate goal without jeopardising their addictive quirkiness and scope of production.
HEAVY caught up with vocalist Ashley Tubbs to find out more.
"It's been a long time coming," he stressed. "The release campaign has been long, and we recorded it quite a while ago now. I'm itching to finally have it out in the world, so folks can hear it, and it's not just me listening to it by myself (laughs)."
We ask Ash to tell us more about The Grand Scheme Of Things musically.
"Our previous releases have been pretty extended, between six and nine minutes long," he offered, "so we thought we'd try and move in a different direction for this record. So all of the songs are more… pop structure… so there's lots of verses and lots of choruses and everything tends to be under the five-minute mark. Most of our stuff… we plan stuff out from a songwriting challenge perspective, so the challenge is fun for us. Shortening - with music as slow as we play it - you get to (laughs) verse two and five minutes have already passed, so it was a big challenge to condense all of that into a four and a half minute song."
In the full interview, Ash highlighted the band's shift from their traditional extended space rock style to a more concise pop structure, addressing the challenges of creating shorter songs and the editing process they underwent to refine their music. The conversation then turned to Sugar Horse's evolving music career, particularly their collaboration with various artists on the EP Waterloo Teeth, where he shared insights into his experimental approach to songwriting, drawing inspiration from diverse sources and visualizing concepts before crafting them into music. The meeting concluded with Ash expressing optimism and a clear sense of direction for his future projects, indicating potential for continued artistic growth.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1193experiementalmetal,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,sugarhorsetruefullhttps://www.spreaker.com/episode/a-metal-feast-with-dennis-dale-from-dark-horse--62031529Three albums deep, Dark Horse recently brought in a new bass player, in the process reinvigorating the line-up and providing greater impetus for the future. As well as nearing completion on a split 7" with Canberra based Blight Worms, Dark horse are also preparing to decimate the fifth annual Metal In The Mountains, to be held on November 30.
To be held in the Beechworth Historic District and also featuring Sordid Ordeal, Mammon's Throne, Munitions, The Krugers and more, Metal In The Mountains promises to be even better this year with a talented line-up and ample space to make as much noise as possible.
HEAVY caught up with vocalist Dennis and bass player Dale to talk more.
"I haven't been," Dennis replied when asked about Metal In The Mountains, "but know quite a few friends that have played there with their bands, and they said it's an excellent festival with very good organisation and lovely crowds. So I can't wait to actually go somewhere where we haven't been."
We ask what punters can expect live from Dark Horse.
"It's the same Dark Horse energy," Dale began. "It's funny, I was a big fan of the band before I joined, and Dark Horse is one of the most consistent bands, rip your face off every time. It's 30 minutes of intense energy, riffs, and in your face and off your face."
In the full interview, we discussed Dark Horse's sound and style, with Dale mentioning that they have found a formula over the years, which involves going fast, heavy, and being in-your-face. We also discussed songs to listen to in order to prepare for the live performance and Dale's background in playing in bands for 30 years. Dale shared that they were working on a 7-inch split with Canberra-based band Blight Worms, which they recorded in a single day. They also mentioned plans for a full-length album next year. In terms of live performances, Dale confirmed upcoming shows in Sydney, Melbourne, Erskineville, and Dulwich Hill plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62031529Thu, 19 Sep 2024 17:54:16 +0000HEAVY MagazineAfter fourteen years of metal in the Australian music scene, d-beat hardcore outfit Dark Horse feel they are only now just starting to hit their straps. Three albums deep, Dark Horse recently brought in a new bass player, in the process reinvigorating...Three albums deep, Dark Horse recently brought in a new bass player, in the process reinvigorating the line-up and providing greater impetus for the future. As well as nearing completion on a split 7" with Canberra based Blight Worms, Dark horse are also preparing to decimate the fifth annual Metal In The Mountains, to be held on November 30.
To be held in the Beechworth Historic District and also featuring Sordid Ordeal, Mammon's Throne, Munitions, The Krugers and more, Metal In The Mountains promises to be even better this year with a talented line-up and ample space to make as much noise as possible.
HEAVY caught up with vocalist Dennis and bass player Dale to talk more.
"I haven't been," Dennis replied when asked about Metal In The Mountains, "but know quite a few friends that have played there with their bands, and they said it's an excellent festival with very good organisation and lovely crowds. So I can't wait to actually go somewhere where we haven't been."
We ask what punters can expect live from Dark Horse.
"It's the same Dark Horse energy," Dale began. "It's funny, I was a big fan of the band before I joined, and Dark Horse is one of the most consistent bands, rip your face off every time. It's 30 minutes of intense energy, riffs, and in your face and off your face."
In the full interview, we discussed Dark Horse's sound and style, with Dale mentioning that they have found a formula over the years, which involves going fast, heavy, and being in-your-face. We also discussed songs to listen to in order to prepare for the live performance and Dale's background in playing in bands for 30 years. Dale shared that they were working on a 7-inch split with Canberra-based band Blight Worms, which they recorded in a single day. They also mentioned plans for a full-length album next year. In terms of live performances, Dale confirmed upcoming shows in Sydney, Melbourne, Erskineville, and Dulwich Hill plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>829aussiemetal,australia,darkhorse,dbeat,hardcore,heavy,heavymetal,krispeters,metalinthemountains,music,nterview,podcast,sordidordealtruefullhttps://www.spreaker.com/episode/ageing-disgracefully-with-blackie-from-the-hard-ons--62029163It is hard to believe that the current line-up of the Hard-Ons (Blackie, Murray, Ray and Tim) have been together long enough to be putting out album number three, but it has to be true, because they are!
I Like You A Lot Getting Older - which is out on October 4 - follows 2021's ARIA top 5 debuting I'm Sorry Sir, That Riff's Been Taken and last year's Top 30 debuting Ripper '23 and coincides with the band's 40th Anniversary Australian Tour PLUS the premiere of a new feature length documentary, The Most Australian Band Ever.
These Aussie punk legends show no signs of slowing down. While I Like You A Lot Getting Older is undeniably a pop album, Blackie humorously labels it “Pop for old farts.” It’s the kind of pop that embodies the Hard-Ons' signature style - not the Taylor Swift variety as he made clear!
Despite having so much going on, guitarist Peter Black (Blackie) found time to speak with HEAVY's newest contributor Angela Croudace.
We start by asking if he can actually get his head around the fact the Hard-Ons are about to celebrate 40 years as a band.
"I'm that old?", he laughed, "Excellent. No, I can't believe it. When I actually stop to think about it - which I never do. I never stop and I never think. Those two things, what are they? But when I do stop to think about it, it's kind of like, far out, that's a long bloody time."
Angela brings up the new doco, The Most Australian Band Ever.
"I don't know anything about it," Blackie laughed. "We're not making it. I call him Johnno, but Jonathan Sequeira is making it and he made the phenomenal doco on Radio Birdman, which I loved and have seen four times. So when he approached us and said I'd like to make a doco we all said shit yeah. The dude that made the Birdman doco, for sure. So I'll see it when you see it. If you wanna go see it, and I'm sure in his hands it's gonna be quite fun."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62029163Thu, 19 Sep 2024 15:22:40 +0000HEAVY MagazineInterview by Angela Croudace It is hard to believe that the current line-up of the Hard-Ons (Blackie, Murray, Ray and Tim) have been together long enough to be putting out album number three, but it has to be true, because they are! I Like You A Lot...It is hard to believe that the current line-up of the Hard-Ons (Blackie, Murray, Ray and Tim) have been together long enough to be putting out album number three, but it has to be true, because they are!
I Like You A Lot Getting Older - which is out on October 4 - follows 2021's ARIA top 5 debuting I'm Sorry Sir, That Riff's Been Taken and last year's Top 30 debuting Ripper '23 and coincides with the band's 40th Anniversary Australian Tour PLUS the premiere of a new feature length documentary, The Most Australian Band Ever.
These Aussie punk legends show no signs of slowing down. While I Like You A Lot Getting Older is undeniably a pop album, Blackie humorously labels it “Pop for old farts.” It’s the kind of pop that embodies the Hard-Ons' signature style - not the Taylor Swift variety as he made clear!
Despite having so much going on, guitarist Peter Black (Blackie) found time to speak with HEAVY's newest contributor Angela Croudace.
We start by asking if he can actually get his head around the fact the Hard-Ons are about to celebrate 40 years as a band.
"I'm that old?", he laughed, "Excellent. No, I can't believe it. When I actually stop to think about it - which I never do. I never stop and I never think. Those two things, what are they? But when I do stop to think about it, it's kind of like, far out, that's a long bloody time."
Angela brings up the new doco, The Most Australian Band Ever.
"I don't know anything about it," Blackie laughed. "We're not making it. I call him Johnno, but Jonathan Sequeira is making it and he made the phenomenal doco on Radio Birdman, which I loved and have seen four times. So when he approached us and said I'd like to make a doco we all said shit yeah. The dude that made the Birdman doco, for sure. So I'll see it when you see it. If you wanna go see it, and I'm sure in his hands it's gonna be quite fun."


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1457angelacroudace,australia,blackie,hardons,hardrock,heavy,interview,music,podcast,punk,rock,timrogerstruefullhttps://www.spreaker.com/episode/respect-through-music-with-ryan-knight-from-the-black-dahlia-murder--61258806It was simply a matter of what emotional toll either decision would take.
After an understandable period of grief and reflection co-founder Brian Eschbach, bassist Max Lavelle, drummer Alan Cassidy, and producer/guitarist Brandon Ellis were unanimous in their desire to continue, with Eschbach making the transition from guitarist to vocalist and former guitarist Ryan Knight recalled to assume guitar duties.
It was very much a case of baby steps from there, with the future anything but known. But what was known was the remaining members of The Black Dahlia Murder found the resolve to continue, debuting with the new line-up in Detroit that October.
It was a performance which solidified the bond between the bandmates and, fuelled by the passion and acceptance from their loyal fanbase, The Black Dahlia Murder slowly set about rebuilding their lives, due, in part, to the efforts put into writing for album number ten.
That album is now finished and ready to celebrate the next chapter of The Black Dahlia Murder, with Servitude set for release on September 27. Preceded by the singles Aftermath and Mammoth's Hand, Servitude has been universally lauded by those who have been privy to an advance listen, labelled by some as a graceful return to form and by others as a ruthlessly ripping masterclass in death metal dynamics.
One thing you can be sure of is The Black Dahlia Murder have returned to satiate our every sonic desire, with Knight joining HEAVY to discuss the new album and more.
"Good," he smiled when asked how he was feeling about the release. "We've been living with this thing for almost a year, and as the time ticks down, it feels like an eternity. We're ready for this thing to come out and really think everyone's gonna enjoy it."
Twelve months is a long time to sit on unreleased material, allowing for second thoughts or revisions on already constructed work - should you be that way inclined mentally. We ask Knight if he is the sort of person who finishes an album then puts it to bed, or if having it sit there in a holding pattern was an annoyance.
"I feel like this time - at least on my end - I feel pretty solid about it," he measured. "I feel like for me with every record… I never give anything I do… I would never score it and say 'it's 100% score'. But this one I'm pretty happy with. No regrets for me."
Ryan also discussed The Black Dahlia Murder's upcoming album Servitude in more depth, and how it showcases the influence of new band members and a diverse range of musical styles. He also talked about the significance of the singles Mammoth's Hand and Aftermath, which blend the band's classic sound with experimental elements. Ryan reflected on the band's evolution over the years and the balance between maintaining their core sound while incorporating new influences.
We also talked about his reintegration into the band and Brian's transition from guitar to vocals, discussing the challenges of adapting to new roles and sounds. The positive crowd reaction from fans and the band's decision to continue after the loss of Trevor were also highlighted, along with their upcoming U.S. and Canadian tours.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61258806Thu, 19 Sep 2024 11:22:30 +0000HEAVY MagazineThe Black Dahlia Murder were a band in limbo following the tragic passing of frontman and co-founder Trevor Strnad in 2022. Torn between allowing that event to force a premature end to their career or carrying on in their fallen brother’s charismatic...It was simply a matter of what emotional toll either decision would take.
After an understandable period of grief and reflection co-founder Brian Eschbach, bassist Max Lavelle, drummer Alan Cassidy, and producer/guitarist Brandon Ellis were unanimous in their desire to continue, with Eschbach making the transition from guitarist to vocalist and former guitarist Ryan Knight recalled to assume guitar duties.
It was very much a case of baby steps from there, with the future anything but known. But what was known was the remaining members of The Black Dahlia Murder found the resolve to continue, debuting with the new line-up in Detroit that October.
It was a performance which solidified the bond between the bandmates and, fuelled by the passion and acceptance from their loyal fanbase, The Black Dahlia Murder slowly set about rebuilding their lives, due, in part, to the efforts put into writing for album number ten.
That album is now finished and ready to celebrate the next chapter of The Black Dahlia Murder, with Servitude set for release on September 27. Preceded by the singles Aftermath and Mammoth's Hand, Servitude has been universally lauded by those who have been privy to an advance listen, labelled by some as a graceful return to form and by others as a ruthlessly ripping masterclass in death metal dynamics.
One thing you can be sure of is The Black Dahlia Murder have returned to satiate our every sonic desire, with Knight joining HEAVY to discuss the new album and more.
"Good," he smiled when asked how he was feeling about the release. "We've been living with this thing for almost a year, and as the time ticks down, it feels like an eternity. We're ready for this thing to come out and really think everyone's gonna enjoy it."
Twelve months is a long time to sit on unreleased material, allowing for second thoughts or revisions on already constructed work - should you be that way inclined mentally. We ask Knight if he is the sort of person who finishes an album then puts it to bed, or if having it sit there in a holding pattern was an annoyance.
"I feel like this time - at least on my end - I feel pretty solid about it," he measured. "I feel like for me with every record… I never give anything I do… I would never score it and say 'it's 100% score'. But this one I'm pretty happy with. No regrets for me."
Ryan also discussed The Black Dahlia Murder's upcoming album Servitude in more depth, and how it showcases the influence of new band members and a diverse range of musical styles. He also talked about the significance of the singles Mammoth's Hand and Aftermath, which blend the band's classic sound with experimental elements. Ryan reflected on the band's evolution over the years and the balance between maintaining their core sound while incorporating new influences.
We also talked about his reintegration into the band and Brian's transition from guitar to vocals, discussing the challenges of adapting to new roles and sounds. The positive crowd reaction from fans and the band's decision to continue after the loss of Trevor were also highlighted, along with their upcoming U.S. and Canadian tours.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>916album,deathmetal,heavy,heavymetal,interview,krispeters,music,podcast,servitude,theblackdahliamurdertruefullhttps://www.spreaker.com/episode/unlikely-unions-with-eric-vanlerberghe-from-i-prevail--62026306But sometimes things can surprise you out of the blue - especially collaborations - where bands from seemingly opposing sides of the musical fence combine to create something truly epic.
Two bands that would generally never be considered as bedfellows - I Prevail and All Time Low - recently did just that, uniting for the just released track Hate This Song which sees both bands venture outside of their comfort zones to create something special irrespective of which band and/or genre you prefer.
Hate This Song combines All Time Low's effervescent, three-chord charm and knack for melody with I Prevail's duelling vocals and riffy snarl. Essentially, Hate This Song is a modern breakup track that highlights how music is the universal love language with which we communicate.
With I Prevail currently in the country as part of Parkway Drive's 20th Anniversary Tour, frontman Eric Vanlerberghe joined HEAVY to discuss both the tour and the new song, starting by asking him about the unlikely union with All Time Low.
"I think that was the plan and the magic of it," he smiled. "In between this last record, and before we start working on our new stuff, we had some opportunities to work with other bands, one of them being All Time Low. Our manager hit us up a while back and said 'hey, we got an email and request to do a collab with All Time Low' and it was like okay, sick, let's do the track. They sent the track over, and it's pretty much what you hear, except Brian wasn't singing the verse and the bridge was this instrumental thing. After hearing it a couple of times and listening to it and trying to get our heads around it, I knew that chorus… that chorus is a banger. It's a 10 out of 10 chorus. So we said yes, let's do it, now what do we do? Do they just want us to sing the parts they already wrote? After some talking back and forth with them, they said no, we want you to write something to it. Just take out whatever you want and put whatever you want in. So we had Brian sing the second verse and tweak some stuff up, then with the bridge we thought if they came to us, I'm sure they don't just want our poppy, melodic side. If they really wanted us, maybe they wanted to hear some riffage and our take on modern metal. So we banged our heads against the wall for a few hours and wrote this bridge part and made this abrupt left turn in the song and find a way to throw it back to the chorus. After a couple of days working on it, they were actually in our hometown of Detroit playing a show a couple of weeks later, so I ended up going to the show and getting to show them in person, and it was like, fair warning, it's pretty different. I played it for them, and they all were like, oh my God, this is sick, this is so sick. So we went back and tweaked it a little bit and here's the song. It was fun. It was a fun writing challenge to be able to really write outside the box of what typically I Prevail is. The same with our last collab with Halestorm, it was just a new tool for us to write stuff that's not typically I Prevail. Maybe it won't fit the record, but maybe we learned something on that journey. Or maybe we have a song now to feature a collab with a totally different artist. It was a lot of fun and a great experience."
In the full interview Eric talks more about the unlikely marriage between I Prevail and All Time Low, how difficult it was to merge the two style and genres, their next album and how far advanced it is, the tour with Parkway Drive and how much it means to the band, how the shows will differ to when they were here last as part of Good Things last year and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/62026306Thu, 19 Sep 2024 11:18:05 +0000HEAVY MagazineOne of the beautiful things about music is its ability to transcend boundaries and expectations. Nothing can be taken for granted or thought of as a given, with each individual piece of music a different sonic representation of the people who wrote...But sometimes things can surprise you out of the blue - especially collaborations - where bands from seemingly opposing sides of the musical fence combine to create something truly epic.
Two bands that would generally never be considered as bedfellows - I Prevail and All Time Low - recently did just that, uniting for the just released track Hate This Song which sees both bands venture outside of their comfort zones to create something special irrespective of which band and/or genre you prefer.
Hate This Song combines All Time Low's effervescent, three-chord charm and knack for melody with I Prevail's duelling vocals and riffy snarl. Essentially, Hate This Song is a modern breakup track that highlights how music is the universal love language with which we communicate.
With I Prevail currently in the country as part of Parkway Drive's 20th Anniversary Tour, frontman Eric Vanlerberghe joined HEAVY to discuss both the tour and the new song, starting by asking him about the unlikely union with All Time Low.
"I think that was the plan and the magic of it," he smiled. "In between this last record, and before we start working on our new stuff, we had some opportunities to work with other bands, one of them being All Time Low. Our manager hit us up a while back and said 'hey, we got an email and request to do a collab with All Time Low' and it was like okay, sick, let's do the track. They sent the track over, and it's pretty much what you hear, except Brian wasn't singing the verse and the bridge was this instrumental thing. After hearing it a couple of times and listening to it and trying to get our heads around it, I knew that chorus… that chorus is a banger. It's a 10 out of 10 chorus. So we said yes, let's do it, now what do we do? Do they just want us to sing the parts they already wrote? After some talking back and forth with them, they said no, we want you to write something to it. Just take out whatever you want and put whatever you want in. So we had Brian sing the second verse and tweak some stuff up, then with the bridge we thought if they came to us, I'm sure they don't just want our poppy, melodic side. If they really wanted us, maybe they wanted to hear some riffage and our take on modern metal. So we banged our heads against the wall for a few hours and wrote this bridge part and made this abrupt left turn in the song and find a way to throw it back to the chorus. After a couple of days working on it, they were actually in our hometown of Detroit playing a show a couple of weeks later, so I ended up going to the show and getting to show them in person, and it was like, fair warning, it's pretty different. I played it for them, and they all were like, oh my God, this is sick, this is so sick. So we went back and tweaked it a little bit and here's the song. It was fun. It was a fun writing challenge to be able to really write outside the box of what typically I Prevail is. The same with our last collab with Halestorm, it was just a new tool for us to write stuff that's not typically I Prevail. Maybe it won't fit the record, but maybe we learned something on that journey. Or maybe we have a song now to feature a collab with a totally different artist. It was a lot of fun and a great experience."
In the full interview Eric talks more about the unlikely marriage between I Prevail and All Time Low, how difficult it was to merge the two style and genres, their next album and how far advanced it is, the tour with Parkway Drive and how much it means to the band, how the shows will differ to when they were here last as part of Good Things last year and more.


Become a supporter of this podcast: 1149alltimelow,australia,hardrock,heavy,heavymetal,interview,iprevail,krispeters,music,parkwaydrive,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/celebrations-all-round-with-christian-tryhorn-from-mo-s-desert-clubhouse--61893713Mo's recently took out their third Live Music Venue Of The Year award at the Gold Coast Music Awards, in doing so earning themselves a place in immortality when inducted into the Hall Of Fame.
To celebrate the past, present, and future, Mo's Desert Clubhouse will be hosting a special fifth birthday party at the venue on Sunday, October 6 with 8 bands playing plus games, prizes, food and a hot tub!
HEAVY sat down with the man behind Mo's, Christian Tryhorn, to discuss the birthday party and more.
We engaged in a detailed discussion about the planning of Mo's Desert Clubhouse's fifth birthday celebration, focusing on the event's band line-up, the inclusion of a hot tub, and the desired atmosphere to appeal to regular attendees. Christian highlighted the importance of securing tickets early due to expected high demand, while also celebrating their recent accolades, including the Gold Coast Live Music Venue of the Year Award and induction into the Hall of Fame, which underscore Mo's commitment to musicians and creating a safe environment. The conversation delved into the venue's origins, tracing its evolution from a personal space inspired by experiences at Burning Man to a significant live music venue in Australia, and reflected on the professionalism developed over the years.
Christian also addressed the challenges faced by the music industry in the post-COVID era, including impacts on ticket sales and changing alcohol consumption trends among younger audiences, while promoting the Beats Cartel project aimed at supporting touring bands and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61893713Tue, 17 Sep 2024 05:19:38 +0000HEAVY MagazineIn just five years, Mo's Desert Clubhouse in Burleigh Heads has established itself as a leader player in the Australian music industry, providing a venue that caters to all genres of music played by bands of all levels. But it has become more than...Mo's recently took out their third Live Music Venue Of The Year award at the Gold Coast Music Awards, in doing so earning themselves a place in immortality when inducted into the Hall Of Fame.
To celebrate the past, present, and future, Mo's Desert Clubhouse will be hosting a special fifth birthday party at the venue on Sunday, October 6 with 8 bands playing plus games, prizes, food and a hot tub!
HEAVY sat down with the man behind Mo's, Christian Tryhorn, to discuss the birthday party and more.
We engaged in a detailed discussion about the planning of Mo's Desert Clubhouse's fifth birthday celebration, focusing on the event's band line-up, the inclusion of a hot tub, and the desired atmosphere to appeal to regular attendees. Christian highlighted the importance of securing tickets early due to expected high demand, while also celebrating their recent accolades, including the Gold Coast Live Music Venue of the Year Award and induction into the Hall of Fame, which underscore Mo's commitment to musicians and creating a safe environment. The conversation delved into the venue's origins, tracing its evolution from a personal space inspired by experiences at Burning Man to a significant live music venue in Australia, and reflected on the professionalism developed over the years.
Christian also addressed the challenges faced by the music industry in the post-COVID era, including impacts on ticket sales and changing alcohol consumption trends among younger audiences, while promoting the Beats Cartel project aimed at supporting touring bands and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>823australia,blues,christiantryhorn,funk,hardrock,heavy,heavymetal,interview,krispeters,livemusic,livemusicvenue,mosdesertclubhouse,podcast,punk,rockfalsefullhttps://www.spreaker.com/episode/seizing-the-moment-with-aramis-johnson-from-enumclaw--61889937Home in Another Life is the natural expansion of the high-octane rock foundation Enumclaw built with their widely-praised 2022 debut album Save The Baby, coming across as louder, faster and more confronting than their debut while also enjoying the subtle nuances of music that make it resonate on so many levels.
HEAVY sat down with vocalist Aramis Johnson earlier today to discuss the album in greater detail, starting with the early reception for Home In Another Life.
"Really good," he smiled. "I feel like… I'm not really on the internet any more, so I don't know what people are saying on line, but in real life it's been really cool. I ran into a couple of people all over town who I don't know personally and who are saying that they really like it so that means something, right?"
We ask about the album musically.
"We were pretty much just trying to do something that was a lot more direct," he measured, "and not over-produced. We did it in four days; we did the drums in one day, then spent two days doing guitars and bass and a day doing vocals. We were trying to… not completely replicate the Steve Albini sound… but that was definitely our North star. Big drums, well recorded guitars and the sound of the band in the room and not doing too much studio magic."
In the full interview Aramis discussed the musical nature of Home In Another Life in greater detail, the singles released and how they paint a sonic picture, how it is a natural expansion of their 2022 debut album Save The Baby, the title and how it connects everything, what has changed with Enumclaw between albums, finding your musical identity and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61889937Tue, 17 Sep 2024 04:39:24 +0000HEAVY MagazineTacoma, Washington’s outfit Enumclaw released their second album Home In Another Life late last month, taking another musical step forward in their short, but promising career. Home in Another Life is the natural expansion of the high-octane rock...Home in Another Life is the natural expansion of the high-octane rock foundation Enumclaw built with their widely-praised 2022 debut album Save The Baby, coming across as louder, faster and more confronting than their debut while also enjoying the subtle nuances of music that make it resonate on so many levels.
HEAVY sat down with vocalist Aramis Johnson earlier today to discuss the album in greater detail, starting with the early reception for Home In Another Life.
"Really good," he smiled. "I feel like… I'm not really on the internet any more, so I don't know what people are saying on line, but in real life it's been really cool. I ran into a couple of people all over town who I don't know personally and who are saying that they really like it so that means something, right?"
We ask about the album musically.
"We were pretty much just trying to do something that was a lot more direct," he measured, "and not over-produced. We did it in four days; we did the drums in one day, then spent two days doing guitars and bass and a day doing vocals. We were trying to… not completely replicate the Steve Albini sound… but that was definitely our North star. Big drums, well recorded guitars and the sound of the band in the room and not doing too much studio magic."
In the full interview Aramis discussed the musical nature of Home In Another Life in greater detail, the singles released and how they paint a sonic picture, how it is a natural expansion of their 2022 debut album Save The Baby, the title and how it connects everything, what has changed with Enumclaw between albums, finding your musical identity and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>698album,enumclaw,hardrock,heavymetal,interview,krispeters,music,podcastheavy,rocktruefullhttps://www.spreaker.com/episode/ritualistic-healings-with-heilung--61840816Entwining theatrical rituals with mesmerizing sonic undertones, Heilung have quickly powered to the upper echelon of global performers with a look and sound difficult to describe and even more difficult to behold.
But try turning away from it.
Utilising a unique fusion of ancient traditions and modern innovation, Heilung effectively immerse audiences into a realm of primal energy and mysticism, invoking the spirits of ancestors through haunting vocals and featuring authentic traditional instrumentation that ranges from rattles and ritual bells to human bones and throat singing.
Australian and New Zealand audiences got their first taste early last year with sold out shows in Sydney and Melbourne, but this October and November people in every capital city will get the opportunity to be swept up into the visually destructive world in which Heilung is lord and master.
HEAVY sat down with the three central band members Kai, Maria and Christopher to venture beyond the black curtain.
"It's really epic to be invited back for such a cool round trip," Maria began. "We're excited to see more of the country. We had a wonderful time in Sydney and Melbourne last time, and it felt like we came home in many ways. Some of our listeners knew us well enough to sing along to the tracks, and it was amazing to feel the energy."
In the full interview, we discussed Heilung's current European tour and their excitement for the upcoming Australian tour, reminiscing about the warm reception and meaningful experiences from their previous visits, particularly their interactions with the Aboriginal community. They highlighted their strong connection with Australian audiences, noting their quick return within 18 months. The conversation shifted to the immersive and transformative nature of Heilung's performances, which are rooted in pre-Christian rituals and aim to create unique experiences influenced by venue and audience energy.
The band elaborated on the spiritual and unscripted essence of their shows, detailing their initial journey from a studio poetry project to live performances, and the balance they strive to maintain between ancient traditions and modern innovations. They emphasized the physical and emotional demands of their performances, which necessitate a schedule of performing every second day, and the significance of using ancient instruments to forge a connection to humanity's roots, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61840816Mon, 16 Sep 2024 14:57:44 +0000HEAVY MagazineImmersing themselves in the rich tapestry of Nordic culture, groundbreaking collective Heilung are a musical force unlike any other. Entwining theatrical rituals with mesmerizing sonic undertones, Heilung have quickly powered to the upper echelon of...Entwining theatrical rituals with mesmerizing sonic undertones, Heilung have quickly powered to the upper echelon of global performers with a look and sound difficult to describe and even more difficult to behold.
But try turning away from it.
Utilising a unique fusion of ancient traditions and modern innovation, Heilung effectively immerse audiences into a realm of primal energy and mysticism, invoking the spirits of ancestors through haunting vocals and featuring authentic traditional instrumentation that ranges from rattles and ritual bells to human bones and throat singing.
Australian and New Zealand audiences got their first taste early last year with sold out shows in Sydney and Melbourne, but this October and November people in every capital city will get the opportunity to be swept up into the visually destructive world in which Heilung is lord and master.
HEAVY sat down with the three central band members Kai, Maria and Christopher to venture beyond the black curtain.
"It's really epic to be invited back for such a cool round trip," Maria began. "We're excited to see more of the country. We had a wonderful time in Sydney and Melbourne last time, and it felt like we came home in many ways. Some of our listeners knew us well enough to sing along to the tracks, and it was amazing to feel the energy."
In the full interview, we discussed Heilung's current European tour and their excitement for the upcoming Australian tour, reminiscing about the warm reception and meaningful experiences from their previous visits, particularly their interactions with the Aboriginal community. They highlighted their strong connection with Australian audiences, noting their quick return within 18 months. The conversation shifted to the immersive and transformative nature of Heilung's performances, which are rooted in pre-Christian rituals and aim to create unique experiences influenced by venue and audience energy.
The band elaborated on the spiritual and unscripted essence of their shows, detailing their initial journey from a studio poetry project to live performances, and the balance they strive to maintain between ancient traditions and modern innovations. They emphasized the physical and emotional demands of their performances, which necessitate a schedule of performing every second day, and the significance of using ancient instruments to forge a connection to humanity's roots, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>905australia,heavy,heavymetal,heilung,interview,krispeters,music,nordicmetal,podcast,ritualmetal,tourfalsefullhttps://www.spreaker.com/episode/confronting-your-mortality-with-jack-bergin-from-void-of-vision--61373397Rather than restricting themselves and overstaying the musical welcome they built from their debut EP, 2014's Broken//Bones through to 2016's Children of Chrome, 2017's Disturbia, 2019's Hyperdaze and the amalgamated CHRONICLES series in 2023, Void Of Vision approached each new sonic cycle with the mindset of bettering themselves and their sound in the best and easiest way possible.
By letting it come naturally.
Each release saw the band morph into varying degrees of their growing musical psyche, refusing to allow their insatiable search for self-respect and musical growth to be harnessed in any way, shape or form.
Respected by their peers and adored by an ever expanding legion of fans, Void Of Vision became an entity unto themselves with an air of invincibility around them that was inspiring and infectious. Until they almost lost vocalist Jack Bergin in early 2022 to what was later diagnosed as a "glitch" in his head.
The normally outgoing and accessible frontman was forced into becoming an involuntary recluse after returning to hospital in April 2023 suffering intense headaches before being rushed into surgery for a life-saving procedure that forced him into confronting his own mortality and coming to terms with the now very real fact that tomorrow may not be as assured as he once took it for granted to be.
As he has done his entire life, Bergin again turned to music, but this time it was with a different outlook on life that manifested itself through songwriting for a body of work that eventually became the genesis for Void Of Vision's new album What I'll Leave Behind that is due for release on September 20.
A swirling maelstrom of massive riffs, abrasive edges and sonic bursts of intensity, What I'll Leave Behind is the product of a multitude of fear, sorrow and regret coupled with a renewed appreciation for life that could only come from the perspective of someone who has looked death in the eye but refused to accept it.
HEAVY recently sat down with Bergin to discuss a tumultuous past few years and the music that recounts it.
"I had my first nocturnal seizure," he explained when we ask him about the initial circumstances that saw him wake up in the back of an ambulance, terrified and unsure of how he had got there. "It's basically an unavoidable moment where you are asleep in the dead of the night and your brain will just - basically due to my AVM which is constricting my blood flow - and leads to a… I can't remember the actual name of the type of seizure, but it led to me waking up in the back of an ambulance. I was very lucky to have my partner at the time there, and she was calling the ambulance before we knew it. But it was very weird because for the first time in my life that was a moment that I have zero recollection of. You can have your moments when you are on a night out, and you get drunk, but this was just completely different. It's complete blackout, with no clue of what happened or how it happened. I just went to sleep and woke up in an ambulance, and that was a really wild experience. It's the first instance of what happened. I went to the doctors, and they started beginning the plan to get rid of this AVM in the back of my brain and begin the process for radiotherapy."
In the full interview, Jack opens up about the rest of the journey that nearly claimed his life, confronting the illness, how he harnessed those fears into the process of turning it into music for the new album, removing himself from the public eye in order to recover and hating every minute of it, creating an anterior persona dubbed the Angel Of Darkness to mentally adjust to the changes, how the ongoing support from his bandmates and fans in general helped him regain focus, the continued musical growth of Void Of Vision, their upcoming run of shows with Parkway Drive and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61373397Thu, 12 Sep 2024 22:09:59 +0000HEAVY MagazineMelbourne metal outfit Void Of Vision have flown the flag for Australian music for over a decade; the quintessential underdog that remains humble and unassuming despite having more than enough heart to claim whatever patch of turf they, in the minds...Rather than restricting themselves and overstaying the musical welcome they built from their debut EP, 2014's Broken//Bones through to 2016's Children of Chrome, 2017's Disturbia, 2019's Hyperdaze and the amalgamated CHRONICLES series in 2023, Void Of Vision approached each new sonic cycle with the mindset of bettering themselves and their sound in the best and easiest way possible.
By letting it come naturally.
Each release saw the band morph into varying degrees of their growing musical psyche, refusing to allow their insatiable search for self-respect and musical growth to be harnessed in any way, shape or form.
Respected by their peers and adored by an ever expanding legion of fans, Void Of Vision became an entity unto themselves with an air of invincibility around them that was inspiring and infectious. Until they almost lost vocalist Jack Bergin in early 2022 to what was later diagnosed as a "glitch" in his head.
The normally outgoing and accessible frontman was forced into becoming an involuntary recluse after returning to hospital in April 2023 suffering intense headaches before being rushed into surgery for a life-saving procedure that forced him into confronting his own mortality and coming to terms with the now very real fact that tomorrow may not be as assured as he once took it for granted to be.
As he has done his entire life, Bergin again turned to music, but this time it was with a different outlook on life that manifested itself through songwriting for a body of work that eventually became the genesis for Void Of Vision's new album What I'll Leave Behind that is due for release on September 20.
A swirling maelstrom of massive riffs, abrasive edges and sonic bursts of intensity, What I'll Leave Behind is the product of a multitude of fear, sorrow and regret coupled with a renewed appreciation for life that could only come from the perspective of someone who has looked death in the eye but refused to accept it.
HEAVY recently sat down with Bergin to discuss a tumultuous past few years and the music that recounts it.
"I had my first nocturnal seizure," he explained when we ask him about the initial circumstances that saw him wake up in the back of an ambulance, terrified and unsure of how he had got there. "It's basically an unavoidable moment where you are asleep in the dead of the night and your brain will just - basically due to my AVM which is constricting my blood flow - and leads to a… I can't remember the actual name of the type of seizure, but it led to me waking up in the back of an ambulance. I was very lucky to have my partner at the time there, and she was calling the ambulance before we knew it. But it was very weird because for the first time in my life that was a moment that I have zero recollection of. You can have your moments when you are on a night out, and you get drunk, but this was just completely different. It's complete blackout, with no clue of what happened or how it happened. I just went to sleep and woke up in an ambulance, and that was a really wild experience. It's the first instance of what happened. I went to the doctors, and they started beginning the plan to get rid of this AVM in the back of my brain and begin the process for radiotherapy."
In the full interview, Jack opens up about the rest of the journey that nearly claimed his life, confronting the illness, how he harnessed those fears into the process of turning it into music for the new album, removing himself from the public eye in order to recover and hating every minute of it, creating an anterior persona dubbed the Angel Of Darkness to mentally adjust to the changes, how the ongoing support...]]>1241australia,heavy,heavymetal,interview,jackbergin,krispeters,metalcore,music,parkwaydrive,podcast,unfd,voidofvisiontruefullhttps://www.spreaker.com/episode/sonic-suffocation-with-lee-jennings-from-the-funeral-portrait--61334998The answer to that is pretty simple.
Attack each and every album with a wholehearted belief and trust in what has got you there in the first place. Or you could go one better and try to better yourself musically, which is exactly what emo rock outfit The Funeral Portrait have done with their second album Greetings From Suffocate City, which will be laid bare this Friday, September 13.
With the full backing of their label Better Noise Music, The Funeral Portrait have poured their entire beings into their follow up to 2016's A Moment Of Silence, creating a sonic tapestry of songs that showcases the band in a powerful new light bristling with confidence and expansion.
Plus, toss in the fact they have landed guest artists such as Bert McCracken of The Used, Spencer Charnas of Ice Nine Kills, Danny Worsnop of Asking Alexandria and Eva Under Fire and you suddenly have a melting pot of bristling, emotive rock music that looks set to propel The Funeral Portrait into the next wave of rock royalty that they have tirelessly been working towards.
HEAVY caught up with vocalist Lee Jennings to find out more.
"It was a lot to do with…," he surmised. "Growing up, I was always the weird kid. I was always the loner or that kind of guy who was made fun of for being too tall or too weird or being into… I was always into anime, or musical theatre, just different from everyone else. Everyone else, especially around me, was into sports. I wanted to write a record that was kind of a love letter to the younger me, so every song has to do with some sort of experience that happened in prior years."
In the full interview, Lee talks more about Greetings From Suffocation City and what to expect, his inspirations behind the music, motivating yourself to put out the best album you can, the story arc across the 14 tracks, how this album differs musically to A Moment Of Silence, what he learnt about himself and his music between albums, the guest artists and how they came to be on the record, making a statement with music, the band's blending of genres and how they come together, the theatrics within their music, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61334998Thu, 12 Sep 2024 02:48:45 +0000HEAVY MagazineSo much is made of the sophomore album syndrome with bands, especially the belief that a second album can often be the making or breaking of a band in terms of longevity and success. Although personally I have never favoured that belief - good music...The answer to that is pretty simple.
Attack each and every album with a wholehearted belief and trust in what has got you there in the first place. Or you could go one better and try to better yourself musically, which is exactly what emo rock outfit The Funeral Portrait have done with their second album Greetings From Suffocate City, which will be laid bare this Friday, September 13.
With the full backing of their label Better Noise Music, The Funeral Portrait have poured their entire beings into their follow up to 2016's A Moment Of Silence, creating a sonic tapestry of songs that showcases the band in a powerful new light bristling with confidence and expansion.
Plus, toss in the fact they have landed guest artists such as Bert McCracken of The Used, Spencer Charnas of Ice Nine Kills, Danny Worsnop of Asking Alexandria and Eva Under Fire and you suddenly have a melting pot of bristling, emotive rock music that looks set to propel The Funeral Portrait into the next wave of rock royalty that they have tirelessly been working towards.
HEAVY caught up with vocalist Lee Jennings to find out more.
"It was a lot to do with…," he surmised. "Growing up, I was always the weird kid. I was always the loner or that kind of guy who was made fun of for being too tall or too weird or being into… I was always into anime, or musical theatre, just different from everyone else. Everyone else, especially around me, was into sports. I wanted to write a record that was kind of a love letter to the younger me, so every song has to do with some sort of experience that happened in prior years."
In the full interview, Lee talks more about Greetings From Suffocation City and what to expect, his inspirations behind the music, motivating yourself to put out the best album you can, the story arc across the 14 tracks, how this album differs musically to A Moment Of Silence, what he learnt about himself and his music between albums, the guest artists and how they came to be on the record, making a statement with music, the band's blending of genres and how they come together, the theatrics within their music, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>890betternoisemusic,emorock,evaunderfire,hardrock,heavy,heavymetal,iceninekills,interview,krispeters,leejennings,music,podcast,rock,thefuneralportrait,theusedfalsefullhttps://www.spreaker.com/episode/metallic-realms-with-marco-leritano-from-crypt-crawler--61353703Old school.
If a band is referred to as old school metal then you pretty much know what you are in for almost without hearing a note played in anger, and the even bigger beauty of it is that the term hasn't - yet - become trendy or fashionable. It is still used as a badge of honour and respect, away from the fresh breed of music lovers who feel compelled to follow whatever trend or fashion is popular at the time.
Which is why the moment the press release for Perth death metal outfit Crypt Crawler landed on my desk with the words old school catching my wandering eye, I knew I had to take a listen.
Said to "conjure an old school sound with a modern approach" Crypt Crawler didn't let me - or the person who wrote the presser - down.
It turns out the boys are on the promo trail for their blistering new album The Immortal Realm, which, not surprisingly in the slightest, drops this Friday, September 13. HEAVY sat down with vocalist Marco Leritano to talk more about the release.
"We've tried to take a step up from the previous album," he began. "It's what you expect from Crypt Crawler, except all the songs are punchier. There's eight songs, no filler on the album and I think the album as a whole is a bit groovier with a bit more melody and a straight-up punch to the face with all eight tracks."
In the full interview, Marco shares more details about The Immortal Realm, highlighting its punchier and groovier sound aimed at capturing listener attention in today's fast-paced environment. He emphasized the band's independence in decision making and strategic planning regarding song selection and target demographics, reflecting on lessons learned from previous projects. Marco also discussed the challenges of managing the band alongside full-time work, the unexpected collaboration with James Murphy (Death, Obituary), and the blend of old school metal with modern influences. He expressed enthusiasm for the upcoming Australian tour, particularly the chance to perform with Nile, underscoring the band's commitment to providing an exceptional experience for their fans.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61353703Thu, 12 Sep 2024 00:59:33 +0000HEAVY MagazineOut of all the music genres, sub-genres and classifications that, for some reason, people feel compelled to label bands with in the modern age, there is one - and one alone - that commands instant respect. One which sums up everything you want or need...Old school.
If a band is referred to as old school metal then you pretty much know what you are in for almost without hearing a note played in anger, and the even bigger beauty of it is that the term hasn't - yet - become trendy or fashionable. It is still used as a badge of honour and respect, away from the fresh breed of music lovers who feel compelled to follow whatever trend or fashion is popular at the time.
Which is why the moment the press release for Perth death metal outfit Crypt Crawler landed on my desk with the words old school catching my wandering eye, I knew I had to take a listen.
Said to "conjure an old school sound with a modern approach" Crypt Crawler didn't let me - or the person who wrote the presser - down.
It turns out the boys are on the promo trail for their blistering new album The Immortal Realm, which, not surprisingly in the slightest, drops this Friday, September 13. HEAVY sat down with vocalist Marco Leritano to talk more about the release.
"We've tried to take a step up from the previous album," he began. "It's what you expect from Crypt Crawler, except all the songs are punchier. There's eight songs, no filler on the album and I think the album as a whole is a bit groovier with a bit more melody and a straight-up punch to the face with all eight tracks."
In the full interview, Marco shares more details about The Immortal Realm, highlighting its punchier and groovier sound aimed at capturing listener attention in today's fast-paced environment. He emphasized the band's independence in decision making and strategic planning regarding song selection and target demographics, reflecting on lessons learned from previous projects. Marco also discussed the challenges of managing the band alongside full-time work, the unexpected collaboration with James Murphy (Death, Obituary), and the blend of old school metal with modern influences. He expressed enthusiasm for the upcoming Australian tour, particularly the chance to perform with Nile, underscoring the band's commitment to providing an exceptional experience for their fans.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>969album,australia,cryptcrawler,deathmetal,heavy,heavymetal,interview,krispeters,music,podcasttruefullhttps://www.spreaker.com/episode/confronting-your-fears-with-lizi-mcintosh-from-the-beautiful-monument--61333950By blending shades of light with lashings of heaviness and combining them with enough attitude and rebelliousness to be just shy of dangerous, The Beautiful Monument have become adept at producing music that not only transcends genres, but also unites the soul.
With raw, honest and confronting subject matter, the quartet manage to strike the balance between humanising emotions through music, allowing fans and followers a glimpse into the band at their most vulnerable and challenging but still striving by the moment to better themselves and their craft.
Late last month, the band introduced us to new music in the form of the enchanting single Duerma - which means sleep in Spanish - laying bare vocalist Lizi McIntosh's self-doubts and inner demons that confront her as part of her chosen daily vocation. It is a powerful and confronting slab of music that encompasses a plethora of fear, emotion, hope and understanding, bound up beautifully in a maelstrom of sonic activity that reflects its subject matter.
This weekend sees The Beautiful Monument wind up a national run with RedHook, with McIntosh joining HEAVY earlier today to tell us about the new track, the tour, and plans moving forward. We start by asking about Duerma and how it has been received.
"Really good," she enthused, "which has been nice. I didn't really know how it would go having bits of Spanish in a song, but it's been received really well. Less anxiety-inducing now that it's out in the wild (smiles) and I don't have to sit there and overthink it."
We press her about the musical side of Duerma and what they were going for with it.
"I think we wanted to do kind of a throwback to the 2007 kind of feel," she measured. "It was inspired a little bit by Pierce The Veil and cool shit that we were into when we were younger. But the song itself, meaning wise is about my struggles being a musician, and the self-doubt and people that you think are on your team but end up letting you down. Or responding in a way you weren't expecting someone that is meant to be on your side to respond. The whole recording process or writing music is a super daunting thing for me, and it has been for years. I've been doing this for 12 years now - this band in particular - but, yeah. I guess I wasn't used to constructive criticism until I came into this band, and I understand that constructive criticism is super important now. But, at the time, I wasn't used to it because I was very used to people saying 'everything you write is amazing'. So when I was told something I wrote fucken sucked, it was definitely a punch to the ego, and it hurt. I think that whole experience traumatised me in a way because every time I have to record or write anything I am so anxious about it. Even last year, I was, like, do I even bother? Do I keep going with music? Am I even good enough to do this?"
In the full interview, Lizi further discussed the recent release of single Duerme and situations throughout her life that had a lasting negative effect on her. She reflected on her struggles with self-doubt and criticism in her musical journey, revealing how these challenges have influenced her songwriting process. Lizi also shared insights into the band's recent tour experiences, the camaraderie among Australian bands, and their plans for future music releases, including an all-ages show in Melbourne.
She also spoke about the changing sonic landscape of The Beautiful Monument and the importance of experimentalismation, opening up about sharing her personal thoughts and feelings through verse and how it helps her deal with these emotions.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61333950Wed, 11 Sep 2024 06:44:18 +0000HEAVY MagazineRising Australian talent The Beautiful Monument have somehow managed to tap into that elusive reservoir of musical expression that is tantalisingly close for every band and artist, but also ever elusive to most. By blending shades of light with...By blending shades of light with lashings of heaviness and combining them with enough attitude and rebelliousness to be just shy of dangerous, The Beautiful Monument have become adept at producing music that not only transcends genres, but also unites the soul.
With raw, honest and confronting subject matter, the quartet manage to strike the balance between humanising emotions through music, allowing fans and followers a glimpse into the band at their most vulnerable and challenging but still striving by the moment to better themselves and their craft.
Late last month, the band introduced us to new music in the form of the enchanting single Duerma - which means sleep in Spanish - laying bare vocalist Lizi McIntosh's self-doubts and inner demons that confront her as part of her chosen daily vocation. It is a powerful and confronting slab of music that encompasses a plethora of fear, emotion, hope and understanding, bound up beautifully in a maelstrom of sonic activity that reflects its subject matter.
This weekend sees The Beautiful Monument wind up a national run with RedHook, with McIntosh joining HEAVY earlier today to tell us about the new track, the tour, and plans moving forward. We start by asking about Duerma and how it has been received.
"Really good," she enthused, "which has been nice. I didn't really know how it would go having bits of Spanish in a song, but it's been received really well. Less anxiety-inducing now that it's out in the wild (smiles) and I don't have to sit there and overthink it."
We press her about the musical side of Duerma and what they were going for with it.
"I think we wanted to do kind of a throwback to the 2007 kind of feel," she measured. "It was inspired a little bit by Pierce The Veil and cool shit that we were into when we were younger. But the song itself, meaning wise is about my struggles being a musician, and the self-doubt and people that you think are on your team but end up letting you down. Or responding in a way you weren't expecting someone that is meant to be on your side to respond. The whole recording process or writing music is a super daunting thing for me, and it has been for years. I've been doing this for 12 years now - this band in particular - but, yeah. I guess I wasn't used to constructive criticism until I came into this band, and I understand that constructive criticism is super important now. But, at the time, I wasn't used to it because I was very used to people saying 'everything you write is amazing'. So when I was told something I wrote fucken sucked, it was definitely a punch to the ego, and it hurt. I think that whole experience traumatised me in a way because every time I have to record or write anything I am so anxious about it. Even last year, I was, like, do I even bother? Do I keep going with music? Am I even good enough to do this?"
In the full interview, Lizi further discussed the recent release of single Duerme and situations throughout her life that had a lasting negative effect on her. She reflected on her struggles with self-doubt and criticism in her musical journey, revealing how these challenges have influenced her songwriting process. Lizi also shared insights into the band's recent tour experiences, the camaraderie among Australian bands, and their plans for future music releases, including an all-ages show in Melbourne.
She also spoke about the changing sonic landscape of The Beautiful Monument and the importance of experimentalismation, opening up about sharing her personal thoughts and feelings through verse and how it helps her deal with these emotions.



Become a supporter of this podcast: 1338aussiemusic,australia,duerma,hardrock,heavy,heavymetal,interview,krispeters,lizimcintosh,music,podcast,redhook,rock,thebeautifulmonument,tourtruefullhttps://www.spreaker.com/episode/room-to-breathe-with-jordan-dreyer-from-la-dispute--61332901Over four full length albums, the band have pushed themselves in whatever direction their music has led them, incorporating new soundscapes, tones and structures into a genre of music that is supposed to be more regimented. The fact LA Dispute have an ever-growing fan base that has supported their every musical whim speaks volumes for individuality and expression, in a time where it is often easier and less confronting to toe the company line in terms of musical output.
This year, the band celebrate the 10-year anniversary of the groundbreaking album Rooms Of The House in the best way they know how - by taking it to the masses. Well, masses in terms of geographical spread, but more articulated when it comes to actual location.
Rather than embark on another exhausting full run of shows, LA Dispute have elected to play just five shows in various countries around the world that represent and having meaning for the band. Dubbed the 2024 Five Nights Only Tour, it has already passed through London, Amsterdam and Berlin, with only Grand Rapids (September 28) and Australia (November 22) to conquer.
HEAVY caught up with vocalist Jordan Dreyer to talk more.
We engaged in a lively discussion about the band's recent performances in London, Amsterdam, and Berlin, as well as their upcoming show in Australia. Jordan shared his enthusiasm for connecting with audiences and reflected on the therapeutic nature of performing songs from the Rooms of the House album, which have evolved in meaning through personal experiences. He also highlighted the intentional flow of their records, making it easier to perform the entire album live. The conversation shifted to their decision to record their next album in Sydney, influenced by their bandmate's connections and a desire for experimentation in a new environment.
Jordan spoke about the band's intention to remain in Sydney to work on their next album and noted it may adopt a darker tone, reflecting global tensions, while incorporating elements from previous works.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61332901Wed, 11 Sep 2024 03:41:56 +0000HEAVY MagazineQuiet and unassuming, Grand Rapids, Michigan post-hardcore outfit LA Dispute are a volcanic force of musical nature, shunning expectations in favour of experimentation and personal growth. Over four full length albums, the band have pushed themselves...Over four full length albums, the band have pushed themselves in whatever direction their music has led them, incorporating new soundscapes, tones and structures into a genre of music that is supposed to be more regimented. The fact LA Dispute have an ever-growing fan base that has supported their every musical whim speaks volumes for individuality and expression, in a time where it is often easier and less confronting to toe the company line in terms of musical output.
This year, the band celebrate the 10-year anniversary of the groundbreaking album Rooms Of The House in the best way they know how - by taking it to the masses. Well, masses in terms of geographical spread, but more articulated when it comes to actual location.
Rather than embark on another exhausting full run of shows, LA Dispute have elected to play just five shows in various countries around the world that represent and having meaning for the band. Dubbed the 2024 Five Nights Only Tour, it has already passed through London, Amsterdam and Berlin, with only Grand Rapids (September 28) and Australia (November 22) to conquer.
HEAVY caught up with vocalist Jordan Dreyer to talk more.
We engaged in a lively discussion about the band's recent performances in London, Amsterdam, and Berlin, as well as their upcoming show in Australia. Jordan shared his enthusiasm for connecting with audiences and reflected on the therapeutic nature of performing songs from the Rooms of the House album, which have evolved in meaning through personal experiences. He also highlighted the intentional flow of their records, making it easier to perform the entire album live. The conversation shifted to their decision to record their next album in Sydney, influenced by their bandmate's connections and a desire for experimentation in a new environment.
Jordan spoke about the band's intention to remain in Sydney to work on their next album and noted it may adopt a darker tone, reflecting global tensions, while incorporating elements from previous works.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>9682024fivenightsonlytour,australia,heavy,heavymetal,interview,krispeters,ladispute,music,podcast,posthardcore,roomsofthehouse,tourtruefullhttps://www.spreaker.com/episode/rack-em-up-with-david-yow-from-the-jesus-lizard--61331865Known for their energetic and off-the-cuff live performances as much as their music, The Jesus Lizard managed to release six albums between 1987 and 1996, gaining a huge underground following that had as much to do with the band members honest, egoless attitude towards life, music and the world in general.
After disbanding in 1999 with a strong likelihood the decision would be permanent, The Jesus Lizard faded back into the musical void from which they had risen, but the fire and passion within, while possibly waning, still held enough heat to bring the members back together sporadically over the course of the next decade and a bit. They played a select number of "re-enactment" shows, which in turn led to an increased musical libido, which in turn led to The Jesus Lizard resuming their love/hate affair with the music industry and writing a new album. Vocalist David Yow joined HEAVY to discuss the new music and getting the gang back together.
"Pretty good," he replied when asked how it felt to be on the cusp of a new album after so long. "It's a little strange to be doing a record… we broke up in 1999 so now it's kind of an odd thing to have gotten back together and written enough songs to make an album and made that album. But I'm happy. It turned out much better than I would have guessed."
In the full interview, David talks more about the musical nature of Rack, how they approached the album in terms of demographic, retaining their old sound and image, the early days of the band and where they fit in, the break-up of The Jesus Lizard and how they came back together, at what point he knew the band would start writing together again and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61331865Wed, 11 Sep 2024 01:31:08 +0000HEAVY MagazineLovingly referred to as one of the leading noise bands of all time, US rock outfit The Jesus Lizard are putting their long-suffering fans out of their misery this Friday, September 13, when they drop their first album in 26 years, Rack. Known for...Known for their energetic and off-the-cuff live performances as much as their music, The Jesus Lizard managed to release six albums between 1987 and 1996, gaining a huge underground following that had as much to do with the band members honest, egoless attitude towards life, music and the world in general.
After disbanding in 1999 with a strong likelihood the decision would be permanent, The Jesus Lizard faded back into the musical void from which they had risen, but the fire and passion within, while possibly waning, still held enough heat to bring the members back together sporadically over the course of the next decade and a bit. They played a select number of "re-enactment" shows, which in turn led to an increased musical libido, which in turn led to The Jesus Lizard resuming their love/hate affair with the music industry and writing a new album. Vocalist David Yow joined HEAVY to discuss the new music and getting the gang back together.
"Pretty good," he replied when asked how it felt to be on the cusp of a new album after so long. "It's a little strange to be doing a record… we broke up in 1999 so now it's kind of an odd thing to have gotten back together and written enough songs to make an album and made that album. But I'm happy. It turned out much better than I would have guessed."
In the full interview, David talks more about the musical nature of Rack, how they approached the album in terms of demographic, retaining their old sound and image, the early days of the band and where they fit in, the break-up of The Jesus Lizard and how they came back together, at what point he knew the band would start writing together again and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>924album,davidyow,hardrock,heavy,interview,krispeters,music,noisemusic,podcast,rack,rock,thejesuslizardtruefullhttps://www.spreaker.com/episode/rivers-of-rock-with-mish-davie-jerome-smith-from-her--61294267With members having played with and shared stages with the likes of The Screaming Jets, Keith Richards, Divinyls and Billy Thorpe, HER most certainly have the pedigree for a career in rock, they just need the exposure.
Which comes next weekend in the form of the Mitchell Creek Blues and Rock Festival, where HER have been given the honour of closing out the three day festival on September 15. Undoubtedly the heaviest act of the 120 artists asked to perform, HER are flying the flag for harder-edged music, and do so with pride and enthusiasm.
HEAVY caught up with vocalist Mish Davie and bass player Jerome Smith to find out more.
"It just came out of the blue," Davie enthused about the opportunity to close Mitchell Creek. "I was contemplating where are we going? What are we doing with this band? It's such hard work, and I was really having a downer to the point of thinking I don't even know if it's worth keeping this band going. And then the phone rang, and it was Jimmy, and he said 'hey Mish how would you like to come and play at a festival I organise?' So it was totally out of the blue but he said he had been listening to us for a while, and he was really drawn to the single The Truth, and that's basically how it happened."
Part of HER's appeal comes in the fact that they are continually pushing their musical boundaries in an attempt to break free from the mould of being another in a long line of run-of-the-mill rock bands that are a dime a dozen in music.
"It's such a process," Davie explains of HER's overall sound. "For me personally, I collaborate still with my old guitarist. We've got so much stuff on the shelf we have yet to release, so that has been interesting bringing that in. When I first started this band six years ago, that was all the songs I had with my back catalogue. That first album was quite eclectic. Including Jerome, there's four drummers on the first album, so it was all hired guns. Now it's been 18 months to two years with this line-up, and Mark McLeod (drums) is now on board, and he has a really distinct style, so that's been interesting melding that into what we do with the kind of stoner rock and slower, bluesy rock stuff. It's really amped up the style and pushed it - because Mark is quite a metal player - and he has pushed what we do heavier. But what has happened with Nelson (guitar), Jerome and Christian (guitar) as well is all of us write. It's just so good to get together with a creative and talented group of people who, in their own right, all write music and have their own style."
In the full interview Mish and Jerome talk more about the sound of HER and how it came about, their upcoming show at Mitchell Creek Blues And Rock Fest and what it means to them and their music, what to expect live from HER, the EP Toe Tag and how it was received, pushing their limits musically, finding the balance of genres in the writing and recording stage and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61294267Sat, 07 Sep 2024 13:39:39 +0000HEAVY MagazineDynamic rock outfit HER have been steadily building a name for themselves on the Australian music scene, with their infectious blending of rock and blues-infused grunge goodness finally getting the band national recognition following the release of...With members having played with and shared stages with the likes of The Screaming Jets, Keith Richards, Divinyls and Billy Thorpe, HER most certainly have the pedigree for a career in rock, they just need the exposure.
Which comes next weekend in the form of the Mitchell Creek Blues and Rock Festival, where HER have been given the honour of closing out the three day festival on September 15. Undoubtedly the heaviest act of the 120 artists asked to perform, HER are flying the flag for harder-edged music, and do so with pride and enthusiasm.
HEAVY caught up with vocalist Mish Davie and bass player Jerome Smith to find out more.
"It just came out of the blue," Davie enthused about the opportunity to close Mitchell Creek. "I was contemplating where are we going? What are we doing with this band? It's such hard work, and I was really having a downer to the point of thinking I don't even know if it's worth keeping this band going. And then the phone rang, and it was Jimmy, and he said 'hey Mish how would you like to come and play at a festival I organise?' So it was totally out of the blue but he said he had been listening to us for a while, and he was really drawn to the single The Truth, and that's basically how it happened."
Part of HER's appeal comes in the fact that they are continually pushing their musical boundaries in an attempt to break free from the mould of being another in a long line of run-of-the-mill rock bands that are a dime a dozen in music.
"It's such a process," Davie explains of HER's overall sound. "For me personally, I collaborate still with my old guitarist. We've got so much stuff on the shelf we have yet to release, so that has been interesting bringing that in. When I first started this band six years ago, that was all the songs I had with my back catalogue. That first album was quite eclectic. Including Jerome, there's four drummers on the first album, so it was all hired guns. Now it's been 18 months to two years with this line-up, and Mark McLeod (drums) is now on board, and he has a really distinct style, so that's been interesting melding that into what we do with the kind of stoner rock and slower, bluesy rock stuff. It's really amped up the style and pushed it - because Mark is quite a metal player - and he has pushed what we do heavier. But what has happened with Nelson (guitar), Jerome and Christian (guitar) as well is all of us write. It's just so good to get together with a creative and talented group of people who, in their own right, all write music and have their own style."
In the full interview Mish and Jerome talk more about the sound of HER and how it came about, their upcoming show at Mitchell Creek Blues And Rock Fest and what it means to them and their music, what to expect live from HER, the EP Toe Tag and how it was received, pushing their limits musically, finding the balance of genres in the writing and recording stage and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1563australia,bluesrock,hardrock,heavy,her,interview,jeromesmith,krispeters,mishdavie,mitchellcreekbluesandrockfesti,music,podcast,rocktruefullhttps://www.spreaker.com/episode/when-the-weed-meets-the-speed-with-weedeater--61257820After managing to steer clear of this side of the world since 2016, North Carolina stoner/sludge/doom outfit Weedeater have declared 2024 the year of the Weed as they prepare to traverse Australia with their good mates King Parrot for the When The Weed Meets The Speed Australian Tour kicking off on November 6.
No strangers to touring overseas together - as recent as last US Summer and as far back as 2015 - this will be the two band's first tour of this country together in what promises to be an entertaining, energy charged and musically brutal run of shows. While polar opposites of the musical spectrum, Weedeater and King Parrot connect where it matters. Live, loud, and in front of an audience.
Just to make sure the needle of chaos pushes into the red, Astrodeath and Choof will join the party as the bands play 11 shows in 12 days from one side of the country to the other.
HEAVY spent some time with Weedeater for a chat ahead of the tour, starting with why the boys have neglected Australian fans for the last eight years.
"We're not attempting to neglect you," they assured. "I'm not sure if you're aware, but it's kind of far away from where we live (laughs). We love Australia. We've always had a good time there, but it's not easy to get there, and it costs a lot of money to do so. It's a big pain in the ass, but when we get there, we have a damn good time. I would love to ask you a question. Why have you not come to North Carolina and visited me?"
One point Weedeater. Zero points HEAVY.
In the full interview we discuss what to expect from Weedeater's shows, their friendship with King Parrot, some tales from the road, their brand of hot sauce and if any will be making its way Down Under, the term 'sludge-toned tar-heels’ and what it means, new music, three songs to listen to in order to know the band better, future plans and more.
KING PARROT + WEEDEATER + ASTRODEATH + CHOOF
“WHEN THE WEED MEETS THE SPEED” AUSTRALIAN TOUR, NOVEMBER 2024
Wednesday, November 6th - Mo’s Desert Clubhouse, Gold Coast QLD
Thursday, November 7th - The Triffid, Brisbane QLD
Friday, November 8th - King Street Warehouse, Newcastle, NSW
Saturday, November 9th - Manning Bar, Sydney, NSW
Sunday, November 10th - The Basement, Canberra ACT
Tuesday, November 12th - Volta, Ballarat VIC
Wednesday, November 13th – Barwon Club, Geelong VIC
Thursday, November 14th – Singing Bird, Frankston VIC (All Ages)
Friday, November 15th – Max Watts, Melbourne VIC
Saturday, November 16th – Lion Arts Factory, Adelaide, SA
Sunday, November 17th – Magnet House, Perth, WA
Tickets on sale now: www.kingparrot.oztix.com.au



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61257820Thu, 05 Sep 2024 07:02:24 +0000HEAVY MagazineInterview by Kris Peters, After managing to steer clear of this side of the world since 2016, North Carolina stoner/sludge/doom outfit Weedeater have declared 2024 the year of the Weed as they prepare to traverse Australia with their good mates King...After managing to steer clear of this side of the world since 2016, North Carolina stoner/sludge/doom outfit Weedeater have declared 2024 the year of the Weed as they prepare to traverse Australia with their good mates King Parrot for the When The Weed Meets The Speed Australian Tour kicking off on November 6.
No strangers to touring overseas together - as recent as last US Summer and as far back as 2015 - this will be the two band's first tour of this country together in what promises to be an entertaining, energy charged and musically brutal run of shows. While polar opposites of the musical spectrum, Weedeater and King Parrot connect where it matters. Live, loud, and in front of an audience.
Just to make sure the needle of chaos pushes into the red, Astrodeath and Choof will join the party as the bands play 11 shows in 12 days from one side of the country to the other.
HEAVY spent some time with Weedeater for a chat ahead of the tour, starting with why the boys have neglected Australian fans for the last eight years.
"We're not attempting to neglect you," they assured. "I'm not sure if you're aware, but it's kind of far away from where we live (laughs). We love Australia. We've always had a good time there, but it's not easy to get there, and it costs a lot of money to do so. It's a big pain in the ass, but when we get there, we have a damn good time. I would love to ask you a question. Why have you not come to North Carolina and visited me?"
One point Weedeater. Zero points HEAVY.
In the full interview we discuss what to expect from Weedeater's shows, their friendship with King Parrot, some tales from the road, their brand of hot sauce and if any will be making its way Down Under, the term 'sludge-toned tar-heels’ and what it means, new music, three songs to listen to in order to know the band better, future plans and more.
KING PARROT + WEEDEATER + ASTRODEATH + CHOOF
“WHEN THE WEED MEETS THE SPEED” AUSTRALIAN TOUR, NOVEMBER 2024
Wednesday, November 6th - Mo’s Desert Clubhouse, Gold Coast QLD
Thursday, November 7th - The Triffid, Brisbane QLD
Friday, November 8th - King Street Warehouse, Newcastle, NSW
Saturday, November 9th - Manning Bar, Sydney, NSW
Sunday, November 10th - The Basement, Canberra ACT
Tuesday, November 12th - Volta, Ballarat VIC
Wednesday, November 13th – Barwon Club, Geelong VIC
Thursday, November 14th – Singing Bird, Frankston VIC (All Ages)
Friday, November 15th – Max Watts, Melbourne VIC
Saturday, November 16th – Lion Arts Factory, Adelaide, SA
Sunday, November 17th – Magnet House, Perth, WA
Tickets on sale now: www.kingparrot.oztix.com.au



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>512astrodeath,australia,choof,doommetal,extrememetal,hardrock,heavy,heavymetal,interview,kingparrot,krispeters,podcast,sludgemetal,stonermetal,tour,weedeater,whentheweedmeetst^hespeedtourtruefullhttps://www.spreaker.com/episode/say-hello-to-rockview-with-chris-demakes-from-less-than-jake--61252171Less Than Jake have played a massive role in the continued success of ska-infused punk since first bursting onto the scene in 1992.
While their first two albums Pezcore and Losing Streak laid the platform for Less Than Jake, it was their 1998 album Hello Rockview that solidified their growing stature and propelled them from a band with great potential to a great band and fuck the potential. Featuring the huge tracks All My Best Friends Are Metalheads - which is closing in on 60 million spins - and History Of A Boring Town, Hello Rockview is the soundtrack to many a late Gen X or young Millennial youth.
Known and loved the world over for their scintillating live performances, Australian audiences are about to receive their first visit from Less Than Jake in seven years when the band celebrates that milestone album this October and November with the Hello Rockview Tour Down Under.
Not only will the ska legends be playing Hello Rockview in full, they will also be dragging The Bennies and Young Offenders around the countryside in a triple bill of excitement that should make up for lost time.
HEAVY sat down with Less Than Jake vocalist/guitarist Chris Demakes to find out more, starting with why the band have neglected us out here for so long.
"Oh, geez," he smiled. "So, seven years by my account… was it 2016? Was that the last time we were there? I think it might have been 2017… shortly thereafter - because for a while there we were trying to get down to Australia every two to three years - four years tops - we'd try and get back down there for at least a festival or our own tour or something. Then of course we lost about two years with the pandemic, and now here we are. It took bands a minute - not to make excuses - but it took them out of the pandemic a second to start travelling overseas. We're glad to be back, and we hope it's not anywhere near as long next time."
In the full interview, Chris talks about the tour and what to expect, playing Hello Rockview in full, difficulties they encountered translating the full album to stage, revisiting some of the older songs and the memories it brought back, why people connected with that album, the Hotter Than Hell shows as part of the tour, how much practice goes into Less Than Jake's live shows, compensating for an ageing body on tour, their latest single Broken Words, if it is part of a new album cycle and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61252171Tue, 03 Sep 2024 14:37:53 +0000HEAVY MagazineInterview by Kris Peters Less Than Jake have played a massive role in the continued success of ska-infused punk since first bursting onto the scene in 1992. While their first two albums Pezcore and Losing Streak laid the platform for Less Than Jake,...Less Than Jake have played a massive role in the continued success of ska-infused punk since first bursting onto the scene in 1992.
While their first two albums Pezcore and Losing Streak laid the platform for Less Than Jake, it was their 1998 album Hello Rockview that solidified their growing stature and propelled them from a band with great potential to a great band and fuck the potential. Featuring the huge tracks All My Best Friends Are Metalheads - which is closing in on 60 million spins - and History Of A Boring Town, Hello Rockview is the soundtrack to many a late Gen X or young Millennial youth.
Known and loved the world over for their scintillating live performances, Australian audiences are about to receive their first visit from Less Than Jake in seven years when the band celebrates that milestone album this October and November with the Hello Rockview Tour Down Under.
Not only will the ska legends be playing Hello Rockview in full, they will also be dragging The Bennies and Young Offenders around the countryside in a triple bill of excitement that should make up for lost time.
HEAVY sat down with Less Than Jake vocalist/guitarist Chris Demakes to find out more, starting with why the band have neglected us out here for so long.
"Oh, geez," he smiled. "So, seven years by my account… was it 2016? Was that the last time we were there? I think it might have been 2017… shortly thereafter - because for a while there we were trying to get down to Australia every two to three years - four years tops - we'd try and get back down there for at least a festival or our own tour or something. Then of course we lost about two years with the pandemic, and now here we are. It took bands a minute - not to make excuses - but it took them out of the pandemic a second to start travelling overseas. We're glad to be back, and we hope it's not anywhere near as long next time."
In the full interview, Chris talks about the tour and what to expect, playing Hello Rockview in full, difficulties they encountered translating the full album to stage, revisiting some of the older songs and the memories it brought back, why people connected with that album, the Hotter Than Hell shows as part of the tour, how much practice goes into Less Than Jake's live shows, compensating for an ageing body on tour, their latest single Broken Words, if it is part of a new album cycle and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1214australia,chrisdemakes,heavy,hellorockview,interview,krispeters,lessthanjake,liveband,podcast,punk,rock,ska,thebennies,tourtruefullhttps://www.spreaker.com/episode/the-virtues-of-extremities-with-henry-cox-from-boston-manor--61210878British rock outfit Boston Manor are gearing up for the release of their new album, Sundiver, which will hit the airwaves on September 6.
Celebrating new beginnings, second chances and rebirth, Sundiver is the next chapter of a story that began with the 2022 album Datura, but, unlike the bleaker undertones of that record, Sundiver sees things through more rose-coloured glasses.
The culmination of two years work and four years of planning, Boston Manor always knew going into the pandemic that their next record would be a double album released in two parts: the first, a shadowy-noir electronic record conceptually set over one night (Datura) and a second sprawling rock record that documents the following day (Sundiver).
The fact that the album has already spawned four successful singles is a fair indication of the quality of the material, with Container, Sliding Doors, Heat Me Up and Horses In A Dream all providing a glimpse into the musical majesty Boston Manor have created.
HEAVY sat down with frontman Henry Cox to find out more.
"We've been working on this record for four years, really," he measured. "It's crazy to think about, so it's pretty surreal to have it coming out there in the world. I'm excited to hear what people think of it."
We ask if he is feeling anxious, nervous or keen to get it out there with the release so close after so much work.
"Kind of a mix of all three, to be honest with you," he smiled. "It's weird having sat on a record for so long. I've not done that before. Usually six months or whatever you get into the whole rollout thing, but with this one we've had an early version of the mixes for almost a year now, so we've been sitting with it for a minute. I'm happy to say that we're not bored of it yet. We really enjoy listening to this record. I am quite keen to just get it out there. We just started playing some of the songs of the record live which is really refreshing and super fun. It's obviously part of a double album concept with our previous record, so we put a lot into that, so I'm keen to just let people hear it.'


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61210878Fri, 30 Aug 2024 15:49:51 +0000HEAVY MagazineInterview by Kris Peters British rock outfit Boston Manor are gearing up for the release of their new album, Sundiver, which will hit the airwaves on September 6. Celebrating new beginnings, second chances and rebirth, Sundiver is the next chapter of...British rock outfit Boston Manor are gearing up for the release of their new album, Sundiver, which will hit the airwaves on September 6.
Celebrating new beginnings, second chances and rebirth, Sundiver is the next chapter of a story that began with the 2022 album Datura, but, unlike the bleaker undertones of that record, Sundiver sees things through more rose-coloured glasses.
The culmination of two years work and four years of planning, Boston Manor always knew going into the pandemic that their next record would be a double album released in two parts: the first, a shadowy-noir electronic record conceptually set over one night (Datura) and a second sprawling rock record that documents the following day (Sundiver).
The fact that the album has already spawned four successful singles is a fair indication of the quality of the material, with Container, Sliding Doors, Heat Me Up and Horses In A Dream all providing a glimpse into the musical majesty Boston Manor have created.
HEAVY sat down with frontman Henry Cox to find out more.
"We've been working on this record for four years, really," he measured. "It's crazy to think about, so it's pretty surreal to have it coming out there in the world. I'm excited to hear what people think of it."
We ask if he is feeling anxious, nervous or keen to get it out there with the release so close after so much work.
"Kind of a mix of all three, to be honest with you," he smiled. "It's weird having sat on a record for so long. I've not done that before. Usually six months or whatever you get into the whole rollout thing, but with this one we've had an early version of the mixes for almost a year now, so we've been sitting with it for a minute. I'm happy to say that we're not bored of it yet. We really enjoy listening to this record. I am quite keen to just get it out there. We just started playing some of the songs of the record live which is really refreshing and super fun. It's obviously part of a double album concept with our previous record, so we put a lot into that, so I'm keen to just let people hear it.'


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>894bostonmanor,hardrock,heavy,henrycox,interview,krispeters,music,podcast,rock,sundiverfalsefullhttps://www.spreaker.com/episode/stripped-back-and-raw-with-mat-robins-from-cicadastone--61204574An album that typified Cicadastone's sound, Future Echoes was also the band's first album under new label XMusic and solidified Cicadastone's reputation as a musical star on the rise.
Creating a hybrid of rock and grunge that is accentuated by a fresh, modern approach, Cicadastone's music has always been ideal for both a full-blown rock assault and the quiet strains of acoustic, so, with the blessing of their label, the band decided to strip back a selection of tracks from Future Echoes and compile them into an easily digestible acoustic EP that was unleashed on the public today.
Frontman Mat Robins sat down for a chat with HEAVY to tell us more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61204574Fri, 30 Aug 2024 02:48:21 +0000HEAVY MagazineEarlier this year Melbourne rock outfit Cicadastone released their third album, Future Echoes. An album that typified Cicadastone's sound, Future Echoes was also the band's first album under new label XMusic and solidified Cicadastone's reputation as...An album that typified Cicadastone's sound, Future Echoes was also the band's first album under new label XMusic and solidified Cicadastone's reputation as a musical star on the rise.
Creating a hybrid of rock and grunge that is accentuated by a fresh, modern approach, Cicadastone's music has always been ideal for both a full-blown rock assault and the quiet strains of acoustic, so, with the blessing of their label, the band decided to strip back a selection of tracks from Future Echoes and compile them into an easily digestible acoustic EP that was unleashed on the public today.
Frontman Mat Robins sat down for a chat with HEAVY to tell us more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>785australia,cicadastone,hardrock,heavy,interview,krispeters,mkatrobins,music,podcast,rock,xmusicfalsefullhttps://www.spreaker.com/episode/finding-solace-in-madness-with-claudio-sanchez-from-coheed-cambria--61187499Essentially a progressive metal outfit, Coheed & Cambria are also a fully immersive sonic beacon of hope in a world that is too often void of such feelings.
While musically the New York based prog rock icons sing about lands and situations that are bathed in darkness, it is their approach to music and life in general that has seen Coheed & Cambria intertwine themselves into the ears and lives of anyone close enough to be touched by their energy.
Over the course of ten albums since the turn of the century, Coheed & Cambria have brought new light to an increasingly stale genre, and, more importantly, done so of their own volition.
Now, after an eight-year absence, Coheed & Cambria are readying to make their way back to Australia as part of the massive Monolith Festival, starting in Brisbane on November 2. Monolith features a truly international assortment of bands from differing backgrounds, with fellow American outfit Periphery joining Norwegian prog rockers Leprous, Canadian instrumentalists Intervals, French metalcore dynamos Novelists and Melbourne music machine Silver Fang rounding out the bill.
As a special treat, Coheed & Cambria will be playing their third album Good Apollo, I’m Burning Star IV, Volume One: From Fear Through Madness in full to celebrate last year's 25th anniversary of their most successful release to date. Frontman Claudio Sanchez will also be hosting a special question and answer panel called Celebrating 20 Years Of The Amory Wars: The Past, Present And Future where he will be discussing the band's long-running series of comics and graphic novels.
HEAVY caught up Sanchez earlier today, fresh off stage from a show with Incubus.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61187499Fri, 30 Aug 2024 01:28:10 +0000HEAVY MagazineCoheed & Cambria are possibly one of the most important bands to emerge in this generation. Essentially a progressive metal outfit, Coheed & Cambria are also a fully immersive sonic beacon of hope in a world that is too often void of such...Essentially a progressive metal outfit, Coheed & Cambria are also a fully immersive sonic beacon of hope in a world that is too often void of such feelings.
While musically the New York based prog rock icons sing about lands and situations that are bathed in darkness, it is their approach to music and life in general that has seen Coheed & Cambria intertwine themselves into the ears and lives of anyone close enough to be touched by their energy.
Over the course of ten albums since the turn of the century, Coheed & Cambria have brought new light to an increasingly stale genre, and, more importantly, done so of their own volition.
Now, after an eight-year absence, Coheed & Cambria are readying to make their way back to Australia as part of the massive Monolith Festival, starting in Brisbane on November 2. Monolith features a truly international assortment of bands from differing backgrounds, with fellow American outfit Periphery joining Norwegian prog rockers Leprous, Canadian instrumentalists Intervals, French metalcore dynamos Novelists and Melbourne music machine Silver Fang rounding out the bill.
As a special treat, Coheed & Cambria will be playing their third album Good Apollo, I’m Burning Star IV, Volume One: From Fear Through Madness in full to celebrate last year's 25th anniversary of their most successful release to date. Frontman Claudio Sanchez will also be hosting a special question and answer panel called Celebrating 20 Years Of The Amory Wars: The Past, Present And Future where he will be discussing the band's long-running series of comics and graphic novels.
HEAVY caught up Sanchez earlier today, fresh off stage from a show with Incubus.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1128australia,claudiosanchez,coheed&cambria,hardrock,heavy,heavymetal,interview,krispeters,monolithfestival,periphery,podcast,progressivemetaltruefullhttps://www.spreaker.com/episode/going-for-broke-with-joshua-cottreau-from-fangz--61184137True Aussie legends in their own right, FANGZ are a fresh band with an old-school mentality. They play hard and party harder without pause for reflection or decision.
That hypothesis will be put to the test this weekend when FANGZ set out to do the almost impossible.
A 24-hour East Coast tour.
Let that sink in. FANGZ are planning a WHOLE East Coast tour in the same amount of time it allegedly takes the sun to do a lap of the Earth. Starting at the Cherry Bar in Melbourne as Friday night rolls into Saturday morning - so August 31 - the boys then travel to Sydney for a show at Bootleggers precisely 12 hours later and finish up at Greaser in Brisbane before the clock strikes midnight, thus completing an East Coast tour in 24 hours.
It sounds too much of an effort to even think about, let alone attempt to pull off, so HEAVY tracked down frontman Joshua Cottreau to see how serious this whole thing is.
"What do you think?" Cottreau fires back at me when I ask if it is even possible. "It doesn't make sense to NOT try and do that," he laughed. "You know us by now. I'd put more in if I could. I don't think it's that unreasonable. The only thing, obviously, is flights because we're on a tight schedule. As long as everything goes according to plan, it should be sweet. We're really stoked. I think it's a pretty insane idea, but I don't really know anyone else who's done it (laughs). You've gotta go for it, right?"
In the full interview, Joshua talks more about the 24 hour East Coast tour, the new track Same Old Story and its nostalgic video, their style of music and why it is so infectious, gives us the scoop on a new - debut - album, their musical growth over the course of three EP's, the upcoming Froth & Fury festival and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61184137Wed, 28 Aug 2024 23:30:36 +0000HEAVY MagazineSydney punk reprobates FANGZ are in the thick of things of late. They just recently finished a massive national run as support to Cancer Bats, and have been busying themselves with releasing new music and generally making life a party wherever they...True Aussie legends in their own right, FANGZ are a fresh band with an old-school mentality. They play hard and party harder without pause for reflection or decision.
That hypothesis will be put to the test this weekend when FANGZ set out to do the almost impossible.
A 24-hour East Coast tour.
Let that sink in. FANGZ are planning a WHOLE East Coast tour in the same amount of time it allegedly takes the sun to do a lap of the Earth. Starting at the Cherry Bar in Melbourne as Friday night rolls into Saturday morning - so August 31 - the boys then travel to Sydney for a show at Bootleggers precisely 12 hours later and finish up at Greaser in Brisbane before the clock strikes midnight, thus completing an East Coast tour in 24 hours.
It sounds too much of an effort to even think about, let alone attempt to pull off, so HEAVY tracked down frontman Joshua Cottreau to see how serious this whole thing is.
"What do you think?" Cottreau fires back at me when I ask if it is even possible. "It doesn't make sense to NOT try and do that," he laughed. "You know us by now. I'd put more in if I could. I don't think it's that unreasonable. The only thing, obviously, is flights because we're on a tight schedule. As long as everything goes according to plan, it should be sweet. We're really stoked. I think it's a pretty insane idea, but I don't really know anyone else who's done it (laughs). You've gotta go for it, right?"
In the full interview, Joshua talks more about the 24 hour East Coast tour, the new track Same Old Story and its nostalgic video, their style of music and why it is so infectious, gives us the scoop on a new - debut - album, their musical growth over the course of three EP's, the upcoming Froth & Fury festival and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1094australia,fangz,hardrock,heavy,heavymetal,interview,joshuacottreau,krispeters,music,podcast,punk,punkrock,tourtruefullhttps://www.spreaker.com/episode/making-some-noise-with-isaac-wasiliev-from-muzzle--61179975Brisbane, it's that time of year again!
The annual celebration of music that is BigSound is just around the corner, with the music event that stops the nation set down for the Fortitude Valley from September 3 to 6.
It is difficult to comprehend the vast array of benefits BigSound has for artists, music lovers and music industry people, but with a selection of live music, workshops, speakers, showcases and a range of other activities, one thing you can be sure of is getting your absolute fill of music.
While recognising the achievements and status of established performers, BigSound also invites up and comers to join festivities, giving many young and hopeful bands an opportunity to not only showcase their music, but also make connections that could ultimately prove valuable for their future career in music.
One of those bands is Central Coast trio Muzzle, who will be making their first visit to Brisbane and playing their songs to an established audience with a common love of music.
HEAVY caught up with Isaac Wasiliev from the band to find out more.
We spoke about their two showcase performances at Tomcat on September 3 and Ric's Backyard on September 5, what people can expect from their show, what they hope to come out of the BigSound experience with, where Muzzle came from and how they have been shaped into the band they are today, adding your own DNA to original music, three songs to listen to in order to know what to expect, their upcoming EP and more.
BIGSOUND MUSIC FESTIVAL tix and delegate passes on sale now: www.bigsound.org.au


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61179975Wed, 28 Aug 2024 02:59:55 +0000HEAVY MagazineInterview by Kris Peters Brisbane, it's that time of year again! The annual celebration of music that is BigSound is just around the corner, with the music event that stops the nation set down for the Fortitude Valley from September 3 to 6. It is...Brisbane, it's that time of year again!
The annual celebration of music that is BigSound is just around the corner, with the music event that stops the nation set down for the Fortitude Valley from September 3 to 6.
It is difficult to comprehend the vast array of benefits BigSound has for artists, music lovers and music industry people, but with a selection of live music, workshops, speakers, showcases and a range of other activities, one thing you can be sure of is getting your absolute fill of music.
While recognising the achievements and status of established performers, BigSound also invites up and comers to join festivities, giving many young and hopeful bands an opportunity to not only showcase their music, but also make connections that could ultimately prove valuable for their future career in music.
One of those bands is Central Coast trio Muzzle, who will be making their first visit to Brisbane and playing their songs to an established audience with a common love of music.
HEAVY caught up with Isaac Wasiliev from the band to find out more.
We spoke about their two showcase performances at Tomcat on September 3 and Ric's Backyard on September 5, what people can expect from their show, what they hope to come out of the BigSound experience with, where Muzzle came from and how they have been shaped into the band they are today, adding your own DNA to original music, three songs to listen to in order to know what to expect, their upcoming EP and more.
BIGSOUND MUSIC FESTIVAL tix and delegate passes on sale now: www.bigsound.org.au


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>380aussiemusic,australia,bigsound,heavy,indierock,interview,krispeters,music,muzzle,podcast,rockfalsefullhttps://www.spreaker.com/episode/the-absence-of-light-with-eddie-berg-from-imminence--61166277Good Things Festival is back for another year, and that can only mean one thing.
More world class live acts!
Featuring the likes of KORN, Kerry King, SUM 41, Billy Corgan, Electric Callboy, Mastodon, Jet, The Gaslight Anthem and more, GT24 is already shaping up as an absolute cracker. But, of course, one of the best things about large music festivals is the opportunity to discover new bands. Because if they weren't good, they wouldn't have made the cut, right?
For Good Things 2024 one of those bands who will definitely be on people's radar is Swedish metal outfit Imminence who, despite being around for more than a decade, have never made it to our side of the world.
Imminence have made a huge impact on the music world pretty much everywhere else, with their latest album The Black cementing their status as one of the bands to watch anywhere and everywhere they play. HEAVY caught up with vocalist/violin player Eddie Berg to find out more.
"It's always about getting the formal invitation you have been waiting for," he laughed when asked why Imminence have neglected Australia for so long.
We bring up the fact that organisers must have extreme faith in the band to bring them out without an established market, to which Eddie nods in agreement.
"Absolutely," he affirmed. "I think we'll come in cold," he added when asked how much preparation the band will do on what to expect when they get here. "We already have some people there that we're friends with through the internet, so it's gonna be great to finally see them. I think that we should just go in there with an open mind and see what it's like."
In the full interview we talk about some of the other bands playing, what Imminence are expecting from Australian audiences, what we should expect from them, three songs for people to listen to in order to know the band better, the early days of Imminence while he was still in high school, his early attitude towards making a career out of music, how he focussed on a career from a young age, the blending of Swedish metal with violin that forms the nucleus of Imminence's sound, how difficult it is in the creative process to infuse the opposing styles together and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61166277Tue, 27 Aug 2024 04:08:50 +0000HEAVY MagazineInterview by Kris Peters Good Things Festival is back for another year, and that can only mean one thing. More world class live acts! Featuring the likes of KORN, Kerry King, SUM 41, Billy Corgan, Electric Callboy, Mastodon, Jet, The Gaslight Anthem...Good Things Festival is back for another year, and that can only mean one thing.
More world class live acts!
Featuring the likes of KORN, Kerry King, SUM 41, Billy Corgan, Electric Callboy, Mastodon, Jet, The Gaslight Anthem and more, GT24 is already shaping up as an absolute cracker. But, of course, one of the best things about large music festivals is the opportunity to discover new bands. Because if they weren't good, they wouldn't have made the cut, right?
For Good Things 2024 one of those bands who will definitely be on people's radar is Swedish metal outfit Imminence who, despite being around for more than a decade, have never made it to our side of the world.
Imminence have made a huge impact on the music world pretty much everywhere else, with their latest album The Black cementing their status as one of the bands to watch anywhere and everywhere they play. HEAVY caught up with vocalist/violin player Eddie Berg to find out more.
"It's always about getting the formal invitation you have been waiting for," he laughed when asked why Imminence have neglected Australia for so long.
We bring up the fact that organisers must have extreme faith in the band to bring them out without an established market, to which Eddie nods in agreement.
"Absolutely," he affirmed. "I think we'll come in cold," he added when asked how much preparation the band will do on what to expect when they get here. "We already have some people there that we're friends with through the internet, so it's gonna be great to finally see them. I think that we should just go in there with an open mind and see what it's like."
In the full interview we talk about some of the other bands playing, what Imminence are expecting from Australian audiences, what we should expect from them, three songs for people to listen to in order to know the band better, the early days of Imminence while he was still in high school, his early attitude towards making a career out of music, how he focussed on a career from a young age, the blending of Swedish metal with violin that forms the nucleus of Imminence's sound, how difficult it is in the creative process to infuse the opposing styles together and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>597australia,eddieberg,electriccallboy,festival,goodthingsfestival,heavy,heavymetal,imminence,interview,kerryking,korn,krispeters,metalcore,music,podcast,sum41,tourtruefullhttps://www.spreaker.com/episode/striking-a-nerve-with-niam-hegarty-from-dental-plan--61162399After dropping two EP's in quick succession towards the end of the last decade, Melbourne indie-punk outfit Dental Plan decided to take their time with their next release, putting into effect not only their music interests and pedigrees, but also their growing knowledge of their craft.
2021 saw Dental Plan return with the brutal single Hole In Me, which emphatically announced their re-emergence as a more polished unit. Landslide followed, and anticipation turned into expectation as Dental Plan announced their debut album Raw Nerve was incoming.
That album landed on July 19, affirming Dental Plan's growing status, opening the band up for a new range of opportunities that are finally coming to fruition.
HEAVY sat down with vocals/guitarist Niam Hegarty to find out more.
"It's been really good," he enthused of the reception Raw Nerve has received so far. "We've kind of got more streams than I expected and people seem to have been digging it. It's done what it needed to do, which I think is get the word about the band out there. We've been a band for a while, and this is our first record. A long time coming, but I'm looking forward to getting out to play some shows to support it."
In the full interview Niam discussed Raw Nerve more in terms of musical direction, how it represents Dental Plan's trajectory to date, what sorts of things are discussed going into a debut album, finding their sound and the balance between genres, how Raw Nerve differs to their self-titled EP, finding your musical identity, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61162399Mon, 26 Aug 2024 18:36:20 +0000HEAVY MagazineInterview by Kris Peters After dropping two EP's in quick succession towards the end of the last decade, Melbourne indie-punk outfit Dental Plan decided to take their time with their next release, putting into effect not only their music interests and...After dropping two EP's in quick succession towards the end of the last decade, Melbourne indie-punk outfit Dental Plan decided to take their time with their next release, putting into effect not only their music interests and pedigrees, but also their growing knowledge of their craft.
2021 saw Dental Plan return with the brutal single Hole In Me, which emphatically announced their re-emergence as a more polished unit. Landslide followed, and anticipation turned into expectation as Dental Plan announced their debut album Raw Nerve was incoming.
That album landed on July 19, affirming Dental Plan's growing status, opening the band up for a new range of opportunities that are finally coming to fruition.
HEAVY sat down with vocals/guitarist Niam Hegarty to find out more.
"It's been really good," he enthused of the reception Raw Nerve has received so far. "We've kind of got more streams than I expected and people seem to have been digging it. It's done what it needed to do, which I think is get the word about the band out there. We've been a band for a while, and this is our first record. A long time coming, but I'm looking forward to getting out to play some shows to support it."
In the full interview Niam discussed Raw Nerve more in terms of musical direction, how it represents Dental Plan's trajectory to date, what sorts of things are discussed going into a debut album, finding their sound and the balance between genres, how Raw Nerve differs to their self-titled EP, finding your musical identity, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>621australia,dentalplan,hardrock,heavy,indiepunk,interview,krispeters,music,niamhegarty,podcast,punk,rawnerve,rocktruefullhttps://www.spreaker.com/episode/old-school-mentality-with-cc-from-algor-mortis--61160387With the countdown to Necrosonic Festival at The Mansfield Tavern in Brisbane on August 31 now on, HEAVY thought it appropriate to introduce you to some of the bands playing on the day.
Conjured by one of the dark architects behind the legendary Overcranked, Inferno and Dead of Winter Festivals, Necrosonic heralds a day filled with unrelenting brutality and the heaviest, most sinister sounds that the underworld has to offer, some even returning from the dead for the ritual.
Hosting 30 bands across three stages over 12 hours, Necrosonic Festival promises to satiate even the heaviest of hungers. One of the band's planning to destroy everything before them is Melbourne old school death metal outfit Algor Mortis, with vocalist CC joining HEAVY recently to talk about what to expect.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61160387Mon, 26 Aug 2024 15:45:21 +0000HEAVY MagazineInterview by Kris Peters With the countdown to Necrosonic Festival at The Mansfield Tavern in Brisbane on August 31 now on, HEAVY thought it appropriate to introduce you to some of the bands playing on the day. Conjured by one of the dark architects...With the countdown to Necrosonic Festival at The Mansfield Tavern in Brisbane on August 31 now on, HEAVY thought it appropriate to introduce you to some of the bands playing on the day.
Conjured by one of the dark architects behind the legendary Overcranked, Inferno and Dead of Winter Festivals, Necrosonic heralds a day filled with unrelenting brutality and the heaviest, most sinister sounds that the underworld has to offer, some even returning from the dead for the ritual.
Hosting 30 bands across three stages over 12 hours, Necrosonic Festival promises to satiate even the heaviest of hungers. One of the band's planning to destroy everything before them is Melbourne old school death metal outfit Algor Mortis, with vocalist CC joining HEAVY recently to talk about what to expect.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>821algormortis,australia,deathmetal,heavy,heavymetal,interview,krispeters,lo!,mansfieldtavern,misery,music,necrosonicfestival,podcast,psycroptictruefullhttps://www.spreaker.com/episode/finding-comfort-in-grief-with-manuel-gagneux-from-zeal-ardor--61158995To steal a line from their bio, "ZEAL & ARDOR isn’t just a band; it’s a living and breathing entity."
Since announcing their arrival with 2017's album Devil Is Fine, Zeal & Ardor have transgressed almost every musical parameter known to man, exploring sonic realms through their music that have no right being disturbed, yet somehow always combine through a submissive force of nature that is both compelling and irresistible.
Founding member and main man Manuel Gagneux has long been the heart, soul and public face of this musical enigma, writing and recording everything himself in pursuit of total creative freedom and balance. It is a process which has worked beautifully over three previous albums, but for the band's fourth, Grief, which was released last Friday, Gagneux elected to change things up considerably by inviting his band - for seven years only used as touring musicians - into the studio to help start and complete the project.
It was a brave move, but one which has yielded impressive dividends, with added vocal layers and differing thought patterns contributing to yet another musical evolution within Zeal & Ardor.
HEAVY sat down with Gagneux earlier today to talk about Grief. We start by asking how the early reception has been for album number four.
"It's been pretty much what I expected," he smiled, "because it's not as… I wanna say heavy as the other records. So some people are butt hurt and other people are really into it (laughs). It's a good mix."
With so much going on from so many different levels on Grief, we ask Gagneux how he would describe the album musically.
"Oh damn," he pondered. "I think it's just a collection of songs that I was really into. It's kind of like tapas where you have different small dishes; you can have a little bit of that and a little bit of this. It's the opposite of a concept album, I guess. There's a concept to it, but you're not gonna get Tool hours of nerding over it because there's a meaning between every single song. They're just songs, and I like them (laughs)."
In the full interview Manuel discusses the musical side of Grief in more detail, how he has expanded on previous music, the continual musical evolution of Zeal & Ardor and how much growth is left in the band, the track Clawing Out and the story behind it, having his band in the studio with him and why now is the right time, relinquishing total creative control and if that was an issue, his creative side and where it comes from, having three different vocal layers on the album, self-producing your music and more.
In a new interview segment, we also show Manuel some photos we dug up and asked him to explain them.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61158995Mon, 26 Aug 2024 14:56:58 +0000HEAVY MagazineInterview by Kris Peters To steal a line from their bio, "ZEAL & ARDOR isn’t just a band; it’s a living and breathing entity." Since announcing their arrival with 2017's album Devil Is Fine, Zeal & Ardor have transgressed almost every musical...To steal a line from their bio, "ZEAL & ARDOR isn’t just a band; it’s a living and breathing entity."
Since announcing their arrival with 2017's album Devil Is Fine, Zeal & Ardor have transgressed almost every musical parameter known to man, exploring sonic realms through their music that have no right being disturbed, yet somehow always combine through a submissive force of nature that is both compelling and irresistible.
Founding member and main man Manuel Gagneux has long been the heart, soul and public face of this musical enigma, writing and recording everything himself in pursuit of total creative freedom and balance. It is a process which has worked beautifully over three previous albums, but for the band's fourth, Grief, which was released last Friday, Gagneux elected to change things up considerably by inviting his band - for seven years only used as touring musicians - into the studio to help start and complete the project.
It was a brave move, but one which has yielded impressive dividends, with added vocal layers and differing thought patterns contributing to yet another musical evolution within Zeal & Ardor.
HEAVY sat down with Gagneux earlier today to talk about Grief. We start by asking how the early reception has been for album number four.
"It's been pretty much what I expected," he smiled, "because it's not as… I wanna say heavy as the other records. So some people are butt hurt and other people are really into it (laughs). It's a good mix."
With so much going on from so many different levels on Grief, we ask Gagneux how he would describe the album musically.
"Oh damn," he pondered. "I think it's just a collection of songs that I was really into. It's kind of like tapas where you have different small dishes; you can have a little bit of that and a little bit of this. It's the opposite of a concept album, I guess. There's a concept to it, but you're not gonna get Tool hours of nerding over it because there's a meaning between every single song. They're just songs, and I like them (laughs)."
In the full interview Manuel discusses the musical side of Grief in more detail, how he has expanded on previous music, the continual musical evolution of Zeal & Ardor and how much growth is left in the band, the track Clawing Out and the story behind it, having his band in the studio with him and why now is the right time, relinquishing total creative control and if that was an issue, his creative side and where it comes from, having three different vocal layers on the album, self-producing your music and more.
In a new interview segment, we also show Manuel some photos we dug up and asked him to explain them.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>922album,grief,hardrock,heavy,heavymetal,interview,krispeters,manuelgagneux,music,podcast,rock,zeal&ardortruefullhttps://www.spreaker.com/episode/taming-the-beast-with-steve-harris-from-british-lion--61134580It's appropriate to skip the fluff on this one, for goodness’ sake it's Steve Harris (Bass/ Keyboards) we're talking to here and the importance of his "other band" (insert laughter here) Iron Maiden needs no explanation and/or justification.
The focus tonight? The band he helped put back together piece by piece... Yes, I'm talking about the one and only British Lion.
After the band imploded in the 90s, the man himself couldn't bear the sight of knowing that British Lion would not be again, the reasoning he explained was simple. "The songs were just too good for it to stop". And the rest, as they say, is history.
For his bandmates - Richard Taylor (vocals), David Hawkins (guitar), Grahame Leslie (guitar), and Simon Dawson (drums) - this Australian tour is the first time the boys have ever even stood on Australian soil, let alone played here. Of course, Steve has been here a billion times, and assured me that he'd point the fellas in the right direction for any site seeing!
Now, we all know what sized arenas/stadiums "Maiden" has played, but as our conversation leaned into discussing British Lion playing more intimate venues, a sense of stepping back in time took hold. But not in the usual way, as Maiden skipped playing a lot of smaller venues due to their sudden rise to fame so in many respects for Steve he is playing venues for the first time all over the world!!
Now, if that doesn't grab you, then I don't know what will.
Enjoy listening to one of the Godfathers of the heavy metal game, ohh and go check out the almighty British Lion this August/September supported by Tony Moore’s Awake - a man that needs no introduction. A man that Steve has had a musical bond with since 1977.
All Hail!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61134580Sat, 24 Aug 2024 06:16:50 +0000HEAVY MagazineInterview by Simon Russell-White It's appropriate to skip the fluff on this one, for goodness’ sake it's Steve Harris (Bass/ Keyboards) we're talking to here and the importance of his "other band" (insert laughter here) Iron Maiden needs no...It's appropriate to skip the fluff on this one, for goodness’ sake it's Steve Harris (Bass/ Keyboards) we're talking to here and the importance of his "other band" (insert laughter here) Iron Maiden needs no explanation and/or justification.
The focus tonight? The band he helped put back together piece by piece... Yes, I'm talking about the one and only British Lion.
After the band imploded in the 90s, the man himself couldn't bear the sight of knowing that British Lion would not be again, the reasoning he explained was simple. "The songs were just too good for it to stop". And the rest, as they say, is history.
For his bandmates - Richard Taylor (vocals), David Hawkins (guitar), Grahame Leslie (guitar), and Simon Dawson (drums) - this Australian tour is the first time the boys have ever even stood on Australian soil, let alone played here. Of course, Steve has been here a billion times, and assured me that he'd point the fellas in the right direction for any site seeing!
Now, we all know what sized arenas/stadiums "Maiden" has played, but as our conversation leaned into discussing British Lion playing more intimate venues, a sense of stepping back in time took hold. But not in the usual way, as Maiden skipped playing a lot of smaller venues due to their sudden rise to fame so in many respects for Steve he is playing venues for the first time all over the world!!
Now, if that doesn't grab you, then I don't know what will.
Enjoy listening to one of the Godfathers of the heavy metal game, ohh and go check out the almighty British Lion this August/September supported by Tony Moore’s Awake - a man that needs no introduction. A man that Steve has had a musical bond with since 1977.
All Hail!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1009australia,britishlions,hardlinemedia,hardrock,heavy,heavymetal,interview,ironmaiden,podcast,rock,simonrussellwhite,steveharris,tourtruefullhttps://www.spreaker.com/episode/the-agony-and-the-ecstacy-with-nathan-from-crypt--61080805The Australian music scene was undeniably strong in the 1990s, with bands like Blood Duster, Dreamkillers, Armoured Angel and Damaged just to name a few carving a name for themselves in that era.
It was a time before the internet, where bands had to promote themselves in a vastly different way, pasting posters onto telegraph poles and spruiking their upcoming shows at other gigs in order to get their music heard. There was no easy way. It was pure persistence and willpower just getting your name out there.
One of the bands to emerge from Brisbane in the early 90s was Crypt, an old-school death metal act who refused to take no for an answer.
Quickly making themselves heard with their 1994 demo cassette Excruciating Agony, Crypt set about sonically dismantling all before them, with their 1998 album El Nino irrefutably painting their name onto a sonic landscape that may never be rivalled.
Then Crypt disbanded, and, despite a couple of East Coast tours in 2016 and 2017, remained in limbo seemingly never to return.
Well, return they have for Necrosonic Festival at Brisbane's Mansfield Tavern on August 31, with guitarist Nathan joining HEAVY to discuss the past, present and future of Crypt.
We discussed Necrosonic Festival, where Crypt is set to perform their last show. Nathan reminisced about the thriving metal scene in Brisbane during the 90s, highlighting the camaraderie and social vibe among bands, plus provided insights into the upcoming 30th anniversary celebration of the demo cassette Excruciating Agony at Necrosonic by discussing plans to play the demo in full.
He also shared details about the recording of a new song called Chilling Madness and the band's nostalgic collaboration with the original demo artwork artist for the new song's artwork. We also discussed their sound and where it came from, and dived deep into Crypt's past and more.
Necrosonic Festival features Psycroptic, Lo!, Misery, Astrodeath, Crypt, Bulletbelt, Potion, Bloody Tyrant and more. Tickets from https://necrosonicfestival.com/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61080805Fri, 23 Aug 2024 03:48:45 +0000HEAVY MagazineInterview by Kris Peters The Australian music scene was undeniably strong in the 1990s, with bands like Blood Duster, Dreamkillers, Armoured Angel and Damaged just to name a few carving a name for themselves in that era. It was a time before the...The Australian music scene was undeniably strong in the 1990s, with bands like Blood Duster, Dreamkillers, Armoured Angel and Damaged just to name a few carving a name for themselves in that era.
It was a time before the internet, where bands had to promote themselves in a vastly different way, pasting posters onto telegraph poles and spruiking their upcoming shows at other gigs in order to get their music heard. There was no easy way. It was pure persistence and willpower just getting your name out there.
One of the bands to emerge from Brisbane in the early 90s was Crypt, an old-school death metal act who refused to take no for an answer.
Quickly making themselves heard with their 1994 demo cassette Excruciating Agony, Crypt set about sonically dismantling all before them, with their 1998 album El Nino irrefutably painting their name onto a sonic landscape that may never be rivalled.
Then Crypt disbanded, and, despite a couple of East Coast tours in 2016 and 2017, remained in limbo seemingly never to return.
Well, return they have for Necrosonic Festival at Brisbane's Mansfield Tavern on August 31, with guitarist Nathan joining HEAVY to discuss the past, present and future of Crypt.
We discussed Necrosonic Festival, where Crypt is set to perform their last show. Nathan reminisced about the thriving metal scene in Brisbane during the 90s, highlighting the camaraderie and social vibe among bands, plus provided insights into the upcoming 30th anniversary celebration of the demo cassette Excruciating Agony at Necrosonic by discussing plans to play the demo in full.
He also shared details about the recording of a new song called Chilling Madness and the band's nostalgic collaboration with the original demo artwork artist for the new song's artwork. We also discussed their sound and where it came from, and dived deep into Crypt's past and more.
Necrosonic Festival features Psycroptic, Lo!, Misery, Astrodeath, Crypt, Bulletbelt, Potion, Bloody Tyrant and more. Tickets from https://necrosonicfestival.com/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>710australiametal,crypt,deathmetal,heavy,heavymetal,interview,krispeters,lo!,mansfieldtavern,misery,music,necrosonicfestival,podcast,psycroptictruefullhttps://www.spreaker.com/episode/shots-fired-with-diego-attinger-from-bulletbelt--61120008Wellington thrash metal outfit Bulletbelt have made massive inroads over their 15 year existence, supporting bands of the calibre of Municipal Waste, Napalm Death, Carcass, Dragonforce, Venom Inc and Arch Enemy to name just a few.
Their brand of metal is fast, brutal and uncompromising, a welcome relief in a musical landscape that is becoming more predictable by the day.
Despite numerous line-up changes over the course of their brief foray in heavy metal, Bulletbelt have delivered a string of consistently addictive albums, with their most recent, last year's Burn It Up, introducing new vocalist Diego Attinger and kicking off yet another chapter in Bulletbelt's Glossary Of Metal.
That album saw the band introduce clean vocals for the first time, adding a depth and sincerity to their music that until now they had not known was missing.
Later this month, Bulletbelt cross the seas for a run of three Australian shows, with their headlining spot at Brisbane's Necrosonic Festival promising to be a thing of pure metal ecstasy.
HEAVY sat down with Attinger earlier this week to find out more. We spoke about the three shows and what Australian fans can expect, the response to Burn It Up, the introduction of cleans and how much it has affected the core Bulletbelt sound, his joining the band and how it came about, stepping into an established band and finding your feet, new music in the works and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61120008Fri, 23 Aug 2024 00:26:47 +0000HEAVY MagazineInterview by Kris Peters Wellington thrash metal outfit Bulletbelt have made massive inroads over their 15 year existence, supporting bands of the calibre of Municipal Waste, Napalm Death, Carcass, Dragonforce, Venom Inc and Arch Enemy to name just a...Wellington thrash metal outfit Bulletbelt have made massive inroads over their 15 year existence, supporting bands of the calibre of Municipal Waste, Napalm Death, Carcass, Dragonforce, Venom Inc and Arch Enemy to name just a few.
Their brand of metal is fast, brutal and uncompromising, a welcome relief in a musical landscape that is becoming more predictable by the day.
Despite numerous line-up changes over the course of their brief foray in heavy metal, Bulletbelt have delivered a string of consistently addictive albums, with their most recent, last year's Burn It Up, introducing new vocalist Diego Attinger and kicking off yet another chapter in Bulletbelt's Glossary Of Metal.
That album saw the band introduce clean vocals for the first time, adding a depth and sincerity to their music that until now they had not known was missing.
Later this month, Bulletbelt cross the seas for a run of three Australian shows, with their headlining spot at Brisbane's Necrosonic Festival promising to be a thing of pure metal ecstasy.
HEAVY sat down with Attinger earlier this week to find out more. We spoke about the three shows and what Australian fans can expect, the response to Burn It Up, the introduction of cleans and how much it has affected the core Bulletbelt sound, his joining the band and how it came about, stepping into an established band and finding your feet, new music in the works and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>885bulletbelt,heavy,heavymetal,interview,krispeters,masfieldtavern,necrosonicfestival,podcast,psycroptic,thrashmetaltruefullhttps://www.spreaker.com/episode/bending-around-corners-with-brett-islaub-from-regionals--61119079Given the frenetic nature of the modern music industry and the avalanche of new songs and music bombarding consumers from every direction, it is of little surprise that new and emerging bands get drawn into the common misconception that more is better. More music means more opportunities means more new fans. Or so many believe.
But - and perhaps because of this - it can often be more beneficial to take a bit more time and actually immerse yourself in your craft, thereby producing quality over quantity.
Which is exactly what Australian post-hardcore/shoegaze outfit Regionals have done since bursting out of the gates with two EP's in early succession. Rather than saturate the market with new music, Regionals instead took another four years to produce their debut EP, using that time to fully develop their sound and grow into their music personalities in the process.
The result is the album Spoonbender which has been cast out into the world today with a renewed sense of hope and confidence that only time can yield. The band used those four years to experiment and develop their sound, culminating in a body of work that best represents themselves and their world view.
Born from darkness, isolation-induced agoraphobia and an unhealthy dose of self-reflection, Spoonbender marks a change of course for the Sydney band, showcasing their sound as more extreme and experimental than previous releases.
HEAVY spoke with vocalist/guitarist Brett Islaub earlier this week to pry some more..
We discussed the thought process going into a debut album and what sorts of things the band took into account before diving into it. Brett highlighted the sonic diversity of the music, including the shift in musical direction and where it came from. He spoke about the singles released and how they represent the full album, and how varying degrees of experimentalismation contributed to the overall sound.
We discussed the album artwork and the meaning behind it, and the decision to take such a long period of time between releases and how that time benefited the process plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61119079Thu, 22 Aug 2024 21:27:14 +0000HEAVY MagazineInterview by Kris Peters Given the frenetic nature of the modern music industry and the avalanche of new songs and music bombarding consumers from every direction, it is of little surprise that new and emerging bands get drawn into the common...Given the frenetic nature of the modern music industry and the avalanche of new songs and music bombarding consumers from every direction, it is of little surprise that new and emerging bands get drawn into the common misconception that more is better. More music means more opportunities means more new fans. Or so many believe.
But - and perhaps because of this - it can often be more beneficial to take a bit more time and actually immerse yourself in your craft, thereby producing quality over quantity.
Which is exactly what Australian post-hardcore/shoegaze outfit Regionals have done since bursting out of the gates with two EP's in early succession. Rather than saturate the market with new music, Regionals instead took another four years to produce their debut EP, using that time to fully develop their sound and grow into their music personalities in the process.
The result is the album Spoonbender which has been cast out into the world today with a renewed sense of hope and confidence that only time can yield. The band used those four years to experiment and develop their sound, culminating in a body of work that best represents themselves and their world view.
Born from darkness, isolation-induced agoraphobia and an unhealthy dose of self-reflection, Spoonbender marks a change of course for the Sydney band, showcasing their sound as more extreme and experimental than previous releases.
HEAVY spoke with vocalist/guitarist Brett Islaub earlier this week to pry some more..
We discussed the thought process going into a debut album and what sorts of things the band took into account before diving into it. Brett highlighted the sonic diversity of the music, including the shift in musical direction and where it came from. He spoke about the singles released and how they represent the full album, and how varying degrees of experimentalismation contributed to the overall sound.
We discussed the album artwork and the meaning behind it, and the decision to take such a long period of time between releases and how that time benefited the process plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1159album,aussiemusic,australia,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,regionals,rock,shoegaze,spoonbendertruefullhttps://www.spreaker.com/episode/putting-the-sting-back-in-rock-with-dan-liz-from-all-good-things--61099875After spending years honing their craft musically, the success of that album propelled the band into being an almost household name, setting them up for seemingly limitless possibilities and advancements in their career. But, rather than push themselves into exhaustion, All Good Things took time to pause and reflect once the dust started to settle down. It was a decision that came as a surprise to many, but was also one based on longevity within the band.
Over the ensuing couple of years, All Good Things made significant changes in their musical landscape, the most notable of which was going back to being an independent artist. This allowed the band not only greater creative control in the actual content of music they planned as the next chapter in their quest but, more importantly, the ability to write, record and release new material without time restraints or pressures.
In June, All Good Things returned with their first new music in over two years with The Venom, which was followed earlier this month by No Regrets. Both singles emphatically declared that All Good Things have lost none of their edge, which can only be a good thing for music in general.
HEAVY had the pleasure of catching up with bass player/keyboards/vocalist Liz Hooper and vocalist Dan Murphy to find out more.
We discussed new songs The Venom and No Regrets, and the success of their 2021 album A Hope In Hell. The band reflected on their decision to take a break after the album cycle, describing it as a period of less pressure and more relaxed writing. They also discussed their shift to being independent and the focus on creating music that resonates with their core fan base, free from the constraints of record companies and radio. The band emphasized the importance of staying true to their musical direction rather than conforming to industry expectations.
Dan and Liz discussed their decision to break away from the traditional album release model and opt for releasing singles at a faster pace. They expressed their excitement about the creative freedom and the ability to connect more organically with their audience. They also discussed their willingness to take risks and explore uncharted territory in their creative evolution for the new album, highlighting their collaborative songwriting process and deliberate effort to infuse the music with fresh energy and unconventional themes plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61099875Thu, 22 Aug 2024 13:01:07 +0000HEAVY MagazineLA-based rock outfit All Good Things have been quiet since the breakthrough success of their 2021 album A Hope In Hell, which featured the global phenomenon For The Glory. After spending years honing their craft musically, the success of that album...After spending years honing their craft musically, the success of that album propelled the band into being an almost household name, setting them up for seemingly limitless possibilities and advancements in their career. But, rather than push themselves into exhaustion, All Good Things took time to pause and reflect once the dust started to settle down. It was a decision that came as a surprise to many, but was also one based on longevity within the band.
Over the ensuing couple of years, All Good Things made significant changes in their musical landscape, the most notable of which was going back to being an independent artist. This allowed the band not only greater creative control in the actual content of music they planned as the next chapter in their quest but, more importantly, the ability to write, record and release new material without time restraints or pressures.
In June, All Good Things returned with their first new music in over two years with The Venom, which was followed earlier this month by No Regrets. Both singles emphatically declared that All Good Things have lost none of their edge, which can only be a good thing for music in general.
HEAVY had the pleasure of catching up with bass player/keyboards/vocalist Liz Hooper and vocalist Dan Murphy to find out more.
We discussed new songs The Venom and No Regrets, and the success of their 2021 album A Hope In Hell. The band reflected on their decision to take a break after the album cycle, describing it as a period of less pressure and more relaxed writing. They also discussed their shift to being independent and the focus on creating music that resonates with their core fan base, free from the constraints of record companies and radio. The band emphasized the importance of staying true to their musical direction rather than conforming to industry expectations.
Dan and Liz discussed their decision to break away from the traditional album release model and opt for releasing singles at a faster pace. They expressed their excitement about the creative freedom and the ability to connect more organically with their audience. They also discussed their willingness to take risks and explore uncharted territory in their creative evolution for the new album, highlighting their collaborative songwriting process and deliberate effort to infuse the music with fresh energy and unconventional themes plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1326allgoodthings,danmurphy,hardrock,heavy,heavymetal,interview,krispeters,lizhooper,music,noregrets,podcast,rock,soundtrack,stadiumrock,thevenomtruefullhttps://www.spreaker.com/episode/a-crisis-of-reality-with-rory-maclean-from-st-sinner--61098807Canberra metal outfit St. Sinner are amongst the emerging breed of acts who are increasingly shunning expectation in favour of growth and expression.
With a sound that is constantly morphing into a hybrid of styles and genres, St. Sinner recently showcased their intentions with the EP Identity Crisis, containing eight songs that exemplify the band's refusal to paint within the lines while blurring the conventional perception of reality.
It is an EP that signifies musical evolution of the highest degree, setting St. Sinner on a path with destiny that is now firmly in their grasp, with one eye firmly planted in reality, in direct contrast to the wandering eye that refuses to yield.
HEAVY caught up with frontman Rory Maclean to dive deeper into Identity Crisis and the immediate future of the band.
We discussed Identity Crisis from a sonic viewpoint, with Rory emphasising St. Sinner's vision to create a narrative story with their releases, exploring a diverse musical approach each time. He provided insights into the creation of the opening title track and the evolution of the song Devil Boy and also delved into the inspiration, production, and themes of their songs Headcase, Villain, and Dysphoria.
Rory elaborated on his strategy of associating different colours with the singles and chapters within Identity Crisis to enhance memorability for marketing and aesthetic purposes. He emphasized the importance of using them to create a cohesive visual identity and discussed the specific colours associated with each single. The conversation also discussed the inspiration behind the song Lost It and the decision to create an animated lyric video for the music clip, also talking about the guest artists who performed on the EP and what they brought musically.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61098807Wed, 21 Aug 2024 03:15:20 +0000HEAVY MagazineInterview by Kris Peters Canberra metal outfit St. Sinner are amongst the emerging breed of acts who are increasingly shunning expectation in favour of growth and expression. With a sound that is constantly morphing into a hybrid of styles and genres,...Canberra metal outfit St. Sinner are amongst the emerging breed of acts who are increasingly shunning expectation in favour of growth and expression.
With a sound that is constantly morphing into a hybrid of styles and genres, St. Sinner recently showcased their intentions with the EP Identity Crisis, containing eight songs that exemplify the band's refusal to paint within the lines while blurring the conventional perception of reality.
It is an EP that signifies musical evolution of the highest degree, setting St. Sinner on a path with destiny that is now firmly in their grasp, with one eye firmly planted in reality, in direct contrast to the wandering eye that refuses to yield.
HEAVY caught up with frontman Rory Maclean to dive deeper into Identity Crisis and the immediate future of the band.
We discussed Identity Crisis from a sonic viewpoint, with Rory emphasising St. Sinner's vision to create a narrative story with their releases, exploring a diverse musical approach each time. He provided insights into the creation of the opening title track and the evolution of the song Devil Boy and also delved into the inspiration, production, and themes of their songs Headcase, Villain, and Dysphoria.
Rory elaborated on his strategy of associating different colours with the singles and chapters within Identity Crisis to enhance memorability for marketing and aesthetic purposes. He emphasized the importance of using them to create a cohesive visual identity and discussed the specific colours associated with each single. The conversation also discussed the inspiration behind the song Lost It and the decision to create an animated lyric video for the music clip, also talking about the guest artists who performed on the EP and what they brought musically.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2169aussiemetal,australia,canberra,defwolfrecords,ep,heavy,heavymetal,identitycrisis,interview,krispeters,music,podcast,rorymaclean,st.sinnertruefullhttps://www.spreaker.com/episode/rallying-the-nation-with-ben-zilla-from-goatzilla--60998949Queensland hard hitters Goatzilla have managed to strike that elusive chord that blends thrash metal and punk together in an almost cohesive summoning of the forces of music that is almost irresistible when done right.
It is hard to believe the band are approaching their ten-year anniversary of life on this planet, with their infectious and witty brand of music infecting the masses ever since the surprise success of the single Drop Bear back in 2019.
That song and the album it came from, Muthafukarsaurus, cemented Goatzilla as one of the bands to watch from the emerging pile of contenders, and the ensuing groundswell it created gave the band renewed focus and vision.
So much so that it has been 5 long years since that album came out with Goatzilla opting not to rush things in the hope of quick success, instead deciding to take their time honing a sonic body of work that would linger long in the memories of those who bared their ears to it.
The result is Alien Nation, which will be unleashed on August 16.
Already, Goatzilla have proved the wait will be worth it on the back of lead singles Secret Agent Man and Alien Nation, but they provide only a glimpse into the musical psyche of Goatzilla 2024.
Bass player Ben Zilla joined HEAVY to tell us more.
"The sound is always evolving and growing," he replied when asked if Alien Nation captures the complete Goatzilla sound. "This one is different from Muthafukarsaurus. It's still certainly heavy. It's got that heavy background; it's still got the punk roots - very much so. We're still very much a punk rock band, but bringing in more elements of metal as we're evolving. This is all stuff that's been written through COVID with the two Pete's coming in and throwing their stuff in, as well as Mick, our drummer, who brought the real… he's a good 15 years younger than us, and he brought some more modern metal vibes and sensibilities to it. We're really excited. It took a lot longer than we initially thought because of COVID and everything that went along with it. All the guitars, all the drums, and all the bass we recorded in home studios and Pete Jansen mixed and mastered everything himself. It was a big learning curve, but the results speak for themselves. We're really excited with what we've put together, especially having it on vinyl too."
In the full interview, Ben discusses the musical direction of Alien Nation, the singles released and how they represent the album as a whole, how Alien Nation differs to Muthafukarsaurus, the themes explored, finding the balance between genres and how they know if they have gone too far, their current tour and remaining dates, what to expect from Goatzilla live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60998949Thu, 15 Aug 2024 14:19:55 +0000HEAVY MagazineInterview by Kris Peters Queensland hard hitters Goatzilla have managed to strike that elusive chord that blends thrash metal and punk together in an almost cohesive summoning of the forces of music that is almost irresistible when done right. It is...Queensland hard hitters Goatzilla have managed to strike that elusive chord that blends thrash metal and punk together in an almost cohesive summoning of the forces of music that is almost irresistible when done right.
It is hard to believe the band are approaching their ten-year anniversary of life on this planet, with their infectious and witty brand of music infecting the masses ever since the surprise success of the single Drop Bear back in 2019.
That song and the album it came from, Muthafukarsaurus, cemented Goatzilla as one of the bands to watch from the emerging pile of contenders, and the ensuing groundswell it created gave the band renewed focus and vision.
So much so that it has been 5 long years since that album came out with Goatzilla opting not to rush things in the hope of quick success, instead deciding to take their time honing a sonic body of work that would linger long in the memories of those who bared their ears to it.
The result is Alien Nation, which will be unleashed on August 16.
Already, Goatzilla have proved the wait will be worth it on the back of lead singles Secret Agent Man and Alien Nation, but they provide only a glimpse into the musical psyche of Goatzilla 2024.
Bass player Ben Zilla joined HEAVY to tell us more.
"The sound is always evolving and growing," he replied when asked if Alien Nation captures the complete Goatzilla sound. "This one is different from Muthafukarsaurus. It's still certainly heavy. It's got that heavy background; it's still got the punk roots - very much so. We're still very much a punk rock band, but bringing in more elements of metal as we're evolving. This is all stuff that's been written through COVID with the two Pete's coming in and throwing their stuff in, as well as Mick, our drummer, who brought the real… he's a good 15 years younger than us, and he brought some more modern metal vibes and sensibilities to it. We're really excited. It took a lot longer than we initially thought because of COVID and everything that went along with it. All the guitars, all the drums, and all the bass we recorded in home studios and Pete Jansen mixed and mastered everything himself. It was a big learning curve, but the results speak for themselves. We're really excited with what we've put together, especially having it on vinyl too."
In the full interview, Ben discusses the musical direction of Alien Nation, the singles released and how they represent the album as a whole, how Alien Nation differs to Muthafukarsaurus, the themes explored, finding the balance between genres and how they know if they have gone too far, their current tour and remaining dates, what to expect from Goatzilla live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1321album,aliennation,australia,benzilla,goatzilla,heavy,heavymetal,interview,krispeters,music,podcast,punk,thrashmetal,xmusictruefullhttps://www.spreaker.com/episode/no-apologies-with-josh-todd-from-buckcherry--60903502
US rockers Buckcherry return to Australia this September for a run of shows hot on the heels of their massively successful new album Vol. 10 which came out earlier this year.
Almost a quarter of a century after their debut self-titled album, Buckcherry are still the benchmark for good time party rock, with an always energetic live performance to compliment their catchy as fuck impressive catalogue that, of course, includes Crazy Bitch, Lit Up and Sorry.
Taking a fresh approach to cornering frontman Josh Todd ahead of the band's trip Down Under, HEAVY asked The Midnight Devils frontman Sam Spade to take the reins in what proved a master-stroke in terms of coaxing the best out of Todd.
Spade and Todd connected instantly over rock and roll, discussing Buckcherry's upcoming Australian tour with Rose Tattoo and their new record, Vol. 10. They also talked about the band's history, their dedication to touring and live performances, and the challenges of being on the road. The conversation highlighted the band's resilience and commitment to their music, as well as the unique lifestyle of touring musicians.
Josh and Sam also discussed the profound impact of sobriety on their creative processes and overall productivity. They emphasized the fallacy of associating substance use with creativity and expressed their commitment to maintaining sobriety despite the temptations they encounter in their industry. 
Additionally, they talked about the challenges and opportunities presented by the modern music industry, emphasizing the importance of embracing change and leveraging digital platforms to reach and engage with audiences.
Check out the full interview to find out more.
Buckcherry kick off the tour in Perth on September 24, with Aussie legends Rose Tattoo opening all shows.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60903502Wed, 14 Aug 2024 14:32:50 +0000HEAVY MagazineInterview by Sam Spade from The Midnight Devils US rockers Buckcherry return to Australia this September for a run of shows hot on the heels of their massively successful new album Vol. 10 which came out earlier this year. Almost a quarter of a...
US rockers Buckcherry return to Australia this September for a run of shows hot on the heels of their massively successful new album Vol. 10 which came out earlier this year.
Almost a quarter of a century after their debut self-titled album, Buckcherry are still the benchmark for good time party rock, with an always energetic live performance to compliment their catchy as fuck impressive catalogue that, of course, includes Crazy Bitch, Lit Up and Sorry.
Taking a fresh approach to cornering frontman Josh Todd ahead of the band's trip Down Under, HEAVY asked The Midnight Devils frontman Sam Spade to take the reins in what proved a master-stroke in terms of coaxing the best out of Todd.
Spade and Todd connected instantly over rock and roll, discussing Buckcherry's upcoming Australian tour with Rose Tattoo and their new record, Vol. 10. They also talked about the band's history, their dedication to touring and live performances, and the challenges of being on the road. The conversation highlighted the band's resilience and commitment to their music, as well as the unique lifestyle of touring musicians.
Josh and Sam also discussed the profound impact of sobriety on their creative processes and overall productivity. They emphasized the fallacy of associating substance use with creativity and expressed their commitment to maintaining sobriety despite the temptations they encounter in their industry. 
Additionally, they talked about the challenges and opportunities presented by the modern music industry, emphasizing the importance of embracing change and leveraging digital platforms to reach and engage with audiences.
Check out the full interview to find out more.
Buckcherry kick off the tour in Perth on September 24, with Aussie legends Rose Tattoo opening all shows.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1765australia,buckcherry,hardrock,heavy,heavymetal,interview,joshtodd,music,podcast,rosetattoo,samspade,themidnightdevils,tourtruefullhttps://www.spreaker.com/episode/escaping-the-grind-with-tonebone-from-remains--61011473Despite forming only five years ago, Remains have quickly built a formidable reputation on the live circuit, with the vast experience of members - who have previously been in highly reputed bands such as Blood Duster, Captain Cleanoff, The Kill, Fuck I’m Dead, King and The Day Everything Became Nothing - helping Remains gain an early solid fan base until the sheer brutality of their music forced others to follow suit.
HEAVY recently caught up with Tonebone to find out what Brisbane can expect.
In the full interview, Tonebone talks about the atmosphere backstage at larger local festivals, who he is most looking forward to seeing, the re-emergence of the Australian metal festivals, what to expect from a Remains live performance, three songs to listen to in order to get to know the band, their style of music and how best to describe it, establishing their own identity with a collection of members from other well-known bands, new music, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/61011473Tue, 13 Aug 2024 09:36:44 +0000HEAVY MagazineMelbourne grindcore/death metal outfit Remains are making their way to Queensland in the near future, nailing down one of thirty spots at the inaugural Necrosonic Festival to be held at Brisbane's Mansfield Tavern on August 31. Despite forming only...Despite forming only five years ago, Remains have quickly built a formidable reputation on the live circuit, with the vast experience of members - who have previously been in highly reputed bands such as Blood Duster, Captain Cleanoff, The Kill, Fuck I’m Dead, King and The Day Everything Became Nothing - helping Remains gain an early solid fan base until the sheer brutality of their music forced others to follow suit.
HEAVY recently caught up with Tonebone to find out what Brisbane can expect.
In the full interview, Tonebone talks about the atmosphere backstage at larger local festivals, who he is most looking forward to seeing, the re-emergence of the Australian metal festivals, what to expect from a Remains live performance, three songs to listen to in order to get to know the band, their style of music and how best to describe it, establishing their own identity with a collection of members from other well-known bands, new music, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>550australia,crypt,deathmetal,festival,heavy,heavymetal,interview,krispeters,lo!,mansfieldtavern,misery,music,necrosonicfestival,podcast,psycroptic,remains,tonebonetruefullhttps://www.spreaker.com/episode/facing-the-chop-with-todd-hansen-from-king-parrot--60983727Almost too nice.
Known, loved and respected for bashing the skins with bands like Headkase, The Berzerker, F.U.C and King Parrot, it is his contributions to things outside of and closely related to music that makes him not only a great skinsman but also a champion bloke.
In his spare time Todd also teaches drums, lends his chops as a session drummer, travels the world doing what he loves, produces an entertaining podcast called Drumwell and generally spreads and shares his passion with all those who come within earshot of him. No ego. No judgement. No stress.
But it is his work with charity organisations that is perhaps closest to his heart. Most recently Todd ran the gruelling Bridge To Brisbane race to raise money and awareness, but now is he about to lay himself bare - literally - like never before as he prepares to go under the blade to raise money for Support Act in a selfless show of faith that possibly rivals even that of the great Samson.
Yep, on Saturday, August 17, Todd Hansen is saying goodbye to his safety blanket of the past 24 years as he gets his infamous dreadlocks removed from his body in an act of defiance that shall forever be referred to as Toddy's Dreadlock Chop. But don't take it from us, let Todd tell you in his own words.
"After 24 years, it’s time to lighten my head and chop off the dreads," he said. "And what better reason to raise some funds for the great work Support Act do for the people working within the Australian music industry? I’ll be losing the locks at 2.00pm AEST on Saturday 17th August, live-streaming at www.facebook.com/toddhansenofficial.
I would like to raise $2424, to represent 24 years of my dreadlocks being cut off in 2024. All donations are greatly appreciated, and will help Support Act continue to provide their services to music industry workers in crisis."
Check out the full interview for all of the gruesome details.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60983727Sun, 11 Aug 2024 03:17:20 +0000HEAVY MagazineTodd Hansen is one of those rare breed of musicians that is just plain nice. Almost too nice. Known, loved and respected for bashing the skins with bands like Headkase, The Berzerker, F.U.C and King Parrot, it is his contributions to things outside of...Almost too nice.
Known, loved and respected for bashing the skins with bands like Headkase, The Berzerker, F.U.C and King Parrot, it is his contributions to things outside of and closely related to music that makes him not only a great skinsman but also a champion bloke.
In his spare time Todd also teaches drums, lends his chops as a session drummer, travels the world doing what he loves, produces an entertaining podcast called Drumwell and generally spreads and shares his passion with all those who come within earshot of him. No ego. No judgement. No stress.
But it is his work with charity organisations that is perhaps closest to his heart. Most recently Todd ran the gruelling Bridge To Brisbane race to raise money and awareness, but now is he about to lay himself bare - literally - like never before as he prepares to go under the blade to raise money for Support Act in a selfless show of faith that possibly rivals even that of the great Samson.
Yep, on Saturday, August 17, Todd Hansen is saying goodbye to his safety blanket of the past 24 years as he gets his infamous dreadlocks removed from his body in an act of defiance that shall forever be referred to as Toddy's Dreadlock Chop. But don't take it from us, let Todd tell you in his own words.
"After 24 years, it’s time to lighten my head and chop off the dreads," he said. "And what better reason to raise some funds for the great work Support Act do for the people working within the Australian music industry? I’ll be losing the locks at 2.00pm AEST on Saturday 17th August, live-streaming at www.facebook.com/toddhansenofficial.
I would like to raise $2424, to represent 24 years of my dreadlocks being cut off in 2024. All donations are greatly appreciated, and will help Support Act continue to provide their services to music industry workers in crisis."
Check out the full interview for all of the gruesome details.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1128aussiemetal,australia,charity,dreadlocks,fuc,heavy,interview,kingparrot,krispeters,podcast,supportact,toddhansen,toddysdreadlockchoptruefullhttps://www.spreaker.com/episode/structure-from-chaos-with-luke-ford-from-mortality--60976993Mortality changed the landscape of Australian heavy metal when they burst onto the local scene back in 1992.
Powered by an aggressive blending of thrash, death and groove metal, the band quickly established themselves as not just a musical force, but also a devastating and brutal live act that bludgeoned every aural sense possible. The world was theirs for the taking, with their 1997 album Structure gaining universal acclaim and paving the way for international dominance.
But, unfortunately, just six months later Mortality went on hiatus, unsure if or when they would return to the fold.
After a one-off sold-out show at the Empire Hotel, the band returned to the darkness once more, leaving a multitude of fans and lovers of metal in general demanding - but not necessarily receiving - more.
While COVID ravaged the planet, it also provided the catalyst for a rebirth of Mortality and, as whispers slowly gave way to thunder, it became evident that the Metal Gods had intervened and renewed the spark in the Sydney metal outfit.
2024 is the official return of Mortality, with the band set to play a leading role in Necrosonic Festival at Brisbane's Mansfield Tavern on August 31 alongside Psycroptic, Crypt, Lo!, Misery, Bulletbelt and more.
HEAVY caught up with bass player Luke Ford to find out more. We start by asking if the nerves have kicked in for Necrosonic yet.
"We're ready," he shot back. "We've been rehearsing for close to a year, so it's good to get out of our room (laughs) and actually see people respond to what it is that we're doing. You never really know. We thought it was good. We thought we were doing well. But until you get in front of a crowd, and you've got all the usual elements that can impact it, you don't really know. Everyone's been doing music a long time and played in various bands over the years, so it was good when we did play last week to get the reaction that we were hoping for. Not really apprehensive, more just ready to destroy, to be honest."
In the full interview, Luke talks more about Necrosonic Festival and the importance such gigs have on the Australian music scene, what bands he is looking forward to catching up with, the early days of Mortality, where their sound came from, their attitude towards self-promotion and getting their name out there, the changing landscape of music that saw them shift tides leading into the 1997 album Structure, their disbandment 6 months after that album and what led to the decision, the decision to reform Mortality and how it came about, writing new music, their first live show back last weekend, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60976993Sat, 10 Aug 2024 04:53:07 +0000HEAVY MagazineInterview by Kris Peters Mortality changed the landscape of Australian heavy metal when they burst onto the local scene back in 1992. Powered by an aggressive blending of thrash, death and groove metal, the band quickly established themselves as not...Mortality changed the landscape of Australian heavy metal when they burst onto the local scene back in 1992.
Powered by an aggressive blending of thrash, death and groove metal, the band quickly established themselves as not just a musical force, but also a devastating and brutal live act that bludgeoned every aural sense possible. The world was theirs for the taking, with their 1997 album Structure gaining universal acclaim and paving the way for international dominance.
But, unfortunately, just six months later Mortality went on hiatus, unsure if or when they would return to the fold.
After a one-off sold-out show at the Empire Hotel, the band returned to the darkness once more, leaving a multitude of fans and lovers of metal in general demanding - but not necessarily receiving - more.
While COVID ravaged the planet, it also provided the catalyst for a rebirth of Mortality and, as whispers slowly gave way to thunder, it became evident that the Metal Gods had intervened and renewed the spark in the Sydney metal outfit.
2024 is the official return of Mortality, with the band set to play a leading role in Necrosonic Festival at Brisbane's Mansfield Tavern on August 31 alongside Psycroptic, Crypt, Lo!, Misery, Bulletbelt and more.
HEAVY caught up with bass player Luke Ford to find out more. We start by asking if the nerves have kicked in for Necrosonic yet.
"We're ready," he shot back. "We've been rehearsing for close to a year, so it's good to get out of our room (laughs) and actually see people respond to what it is that we're doing. You never really know. We thought it was good. We thought we were doing well. But until you get in front of a crowd, and you've got all the usual elements that can impact it, you don't really know. Everyone's been doing music a long time and played in various bands over the years, so it was good when we did play last week to get the reaction that we were hoping for. Not really apprehensive, more just ready to destroy, to be honest."
In the full interview, Luke talks more about Necrosonic Festival and the importance such gigs have on the Australian music scene, what bands he is looking forward to catching up with, the early days of Mortality, where their sound came from, their attitude towards self-promotion and getting their name out there, the changing landscape of music that saw them shift tides leading into the 1997 album Structure, their disbandment 6 months after that album and what led to the decision, the decision to reform Mortality and how it came about, writing new music, their first live show back last weekend, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1040australia,deathmetal,groovemetal,heavy,heavymetal,interview,krispeters,lukeford,mansfieldtavern,misery,mortality,music,necrosonicfestival,podcast,psycroptic,thrashmetaltruefullhttps://www.spreaker.com/episode/toxic-treasures-with-mikaila-teddie-from-yours-truly--60968968Sydney trio Yours Truly stamped themselves on the Australian music landscape with their impressive 2020 album Self Care, which was nominated for an ARIA for Best Hard Rock or Heavy album.
Rather than rest on their laurels, the band attacked their craft with even more intent, spending 2023 touring Europe alongside You Me At Six, ticking off their first-ever UK headline shows, supporting Against The Current in North America and touring Australia nationally with Neck Deep.
Yours Truly kicked off 2024 with an appearance at THPS25 in Brisbane, celebrating 25 years of Tony Hawk's Pro Skater with Tony Hawk himself in attendance, as well as embarking on their entirely sold-out Call My Name Tour across Australia in March. The band will also return overseas later this year, appearing at Reading and Leeds Festival in the UK this August alongside headliners Blink-182, Fred Again, Lana Del Rey, Liam Gallagher and many more.
It is a fitting reward for a band who have championed the cause of Australian music at every opportunity, with their new album, TOXIC (out August 16), set to propel the band and their music to even greater heights.
HEAVY caught up with vocalist Mikaila Delgado and guitarist Teddie Winder-Haron to venture inside the new album and the band's future plans.
"Nervous, and excited," Teddie smiled when asked how they were feeling about the impending release of Toxic. "Mostly excited. We've been hanging out a bunch prepping for all the shows we've got coming up and practicing a lot, so I think just being around each other is hyping each other up. Still a little bit nervous, but I guess that's part of it."
HEAVY asks about the selection process for album singles.
"Call My Name we chose just because we loved it, so much," Mikaila began. "It was actually finished before we tracked the album. It was the first song we tracked for the record and everyone was like wait and see what other songs we get from the album when it is finished - because a song can change - and we got to a point where we thought this song is still gonna be good, let's just put it out. I think Sour was the same. When we wrote it, we were like, this is gonna be a single. I guess it's just having that gut feeling."
Watch/listen to the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60968968Fri, 09 Aug 2024 13:52:25 +0000HEAVY MagazineInterview by Kyra-Jade Coombs Sydney trio Yours Truly stamped themselves on the Australian music landscape with their impressive 2020 album Self Care, which was nominated for an ARIA for Best Hard Rock or Heavy album. Rather than rest on their...Sydney trio Yours Truly stamped themselves on the Australian music landscape with their impressive 2020 album Self Care, which was nominated for an ARIA for Best Hard Rock or Heavy album.
Rather than rest on their laurels, the band attacked their craft with even more intent, spending 2023 touring Europe alongside You Me At Six, ticking off their first-ever UK headline shows, supporting Against The Current in North America and touring Australia nationally with Neck Deep.
Yours Truly kicked off 2024 with an appearance at THPS25 in Brisbane, celebrating 25 years of Tony Hawk's Pro Skater with Tony Hawk himself in attendance, as well as embarking on their entirely sold-out Call My Name Tour across Australia in March. The band will also return overseas later this year, appearing at Reading and Leeds Festival in the UK this August alongside headliners Blink-182, Fred Again, Lana Del Rey, Liam Gallagher and many more.
It is a fitting reward for a band who have championed the cause of Australian music at every opportunity, with their new album, TOXIC (out August 16), set to propel the band and their music to even greater heights.
HEAVY caught up with vocalist Mikaila Delgado and guitarist Teddie Winder-Haron to venture inside the new album and the band's future plans.
"Nervous, and excited," Teddie smiled when asked how they were feeling about the impending release of Toxic. "Mostly excited. We've been hanging out a bunch prepping for all the shows we've got coming up and practicing a lot, so I think just being around each other is hyping each other up. Still a little bit nervous, but I guess that's part of it."
HEAVY asks about the selection process for album singles.
"Call My Name we chose just because we loved it, so much," Mikaila began. "It was actually finished before we tracked the album. It was the first song we tracked for the record and everyone was like wait and see what other songs we get from the album when it is finished - because a song can change - and we got to a point where we thought this song is still gonna be good, let's just put it out. I think Sour was the same. When we wrote it, we were like, this is gonna be a single. I guess it's just having that gut feeling."
Watch/listen to the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>719album,australia,hardrock,heavy,heavymetal,interview,kyrajadecoombs,mikailadelango,podcast,rock,toxic,unfd,yourstrulytruefullhttps://www.spreaker.com/episode/all-roads-lead-to-mundi-mundi-bash-with-chris-cheney-from-the-living-end--60967450In my opinion, The Living End are a staple in the Australian music scene. They have graciously given us 8 albums and if you break them down over the years, you find hit after hit. Their debut album (self-titled) is one of those albums you can play start to finish and happily immerse yourself right into their music and feel nothing but pure joy.
HEAVY took the chance to have a chat with singer/ guitar player Chris Cheney to see what’s new in the world of The Living End…
From the 15-17 of August The Living End are playing the sold-out Mundi Mundi Bash in Broken Hill with a few other huge names like Baby Animals (my absolute favourite!), James Reyne, Jon Stevens, Ian Moss, Daryl Braithwaite and Diesel to name a few. The fact that it has sold out in outback Broken Hill is amazing news for a health check of our Australian music industry. We are slowly getting back on track.
Chris immediately laughed, saying it’s surreal that although he grew up listening to most of these guys; he never thought he would see the day where he could call them mates and share the stage with them. A far cry from starting out and playing the front bar of the Epsy!
Fans would be happy to hear that they are chipping away at creating their 9th album, and it’s said to be ‘the most aggressive album’ they have put together in years. If you jump onto The Living End social media, you can see a few behind the scenes shots that look like a bunch of fun.
I must admit, I was absolutely stoked to be able to interview Chris. I had 1000 questions to ask him and could honestly chat for hours. We covered lots of cool shit like playing in Australia’s golden days of the Big Day Out tours, getting rotation Triple J and appearing on Recovery – Channel [V] to having that telepathic connections with his band mates, giving way to improve jams that can either be a trainwreck or magic, in his words! You’ll get a glimpse into his creative space, where he’s got a set-up to appease any creative mood. An area for producing music, painting and even a bar. What more could you want, really?
Being someone who’s so passionate about music, I wondered what band or album Chris would give his younger self, or bring to his attention earlier if he could go back in time. To my surprise, he said early Cold Chisel… I guess I just assumed that would have been a staple. Yet of course being someone who grew up smashing the shredders of the world like Eddie Van Halen then going onto 50s music, Aussie pub rock wasn’t the path they were on, nor wanted to. Which is interesting to think about the full circle moment from starting out as a young band being told to ‘play Aussie rock’ to being put on the huge bills with the original Australian pub rock music pioneers and staying true to who they are.
Chris is a very humble guy and genuinely - so stoked to have reached the status that they have today with The Living End. He is the kind of person you want as a role model for young musicians and says there’s a space for every type of music, which sings true to his kind nature. The Living End boys still have “a lot of fuel in the tank” and thankfully aren’t showing signs of slowing down!
If you were lucky enough to secure a ticket to the Mundi Mundi Bash then get out there and have the time of your life! And if you didn’t then that will teach you not to sleep on a good thing!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60967450Fri, 09 Aug 2024 11:42:35 +0000HEAVY MagazineInterview by Kyra-Jade Coombs In my opinion, The Living End are a staple in the Australian music scene. They have graciously given us 8 albums and if you break them down over the years, you find hit after hit. Their debut album (self-titled) is one of...In my opinion, The Living End are a staple in the Australian music scene. They have graciously given us 8 albums and if you break them down over the years, you find hit after hit. Their debut album (self-titled) is one of those albums you can play start to finish and happily immerse yourself right into their music and feel nothing but pure joy.
HEAVY took the chance to have a chat with singer/ guitar player Chris Cheney to see what’s new in the world of The Living End…
From the 15-17 of August The Living End are playing the sold-out Mundi Mundi Bash in Broken Hill with a few other huge names like Baby Animals (my absolute favourite!), James Reyne, Jon Stevens, Ian Moss, Daryl Braithwaite and Diesel to name a few. The fact that it has sold out in outback Broken Hill is amazing news for a health check of our Australian music industry. We are slowly getting back on track.
Chris immediately laughed, saying it’s surreal that although he grew up listening to most of these guys; he never thought he would see the day where he could call them mates and share the stage with them. A far cry from starting out and playing the front bar of the Epsy!
Fans would be happy to hear that they are chipping away at creating their 9th album, and it’s said to be ‘the most aggressive album’ they have put together in years. If you jump onto The Living End social media, you can see a few behind the scenes shots that look like a bunch of fun.
I must admit, I was absolutely stoked to be able to interview Chris. I had 1000 questions to ask him and could honestly chat for hours. We covered lots of cool shit like playing in Australia’s golden days of the Big Day Out tours, getting rotation Triple J and appearing on Recovery – Channel [V] to having that telepathic connections with his band mates, giving way to improve jams that can either be a trainwreck or magic, in his words! You’ll get a glimpse into his creative space, where he’s got a set-up to appease any creative mood. An area for producing music, painting and even a bar. What more could you want, really?
Being someone who’s so passionate about music, I wondered what band or album Chris would give his younger self, or bring to his attention earlier if he could go back in time. To my surprise, he said early Cold Chisel… I guess I just assumed that would have been a staple. Yet of course being someone who grew up smashing the shredders of the world like Eddie Van Halen then going onto 50s music, Aussie pub rock wasn’t the path they were on, nor wanted to. Which is interesting to think about the full circle moment from starting out as a young band being told to ‘play Aussie rock’ to being put on the huge bills with the original Australian pub rock music pioneers and staying true to who they are.
Chris is a very humble guy and genuinely - so stoked to have reached the status that they have today with The Living End. He is the kind of person you want as a role model for young musicians and says there’s a space for every type of music, which sings true to his kind nature. The Living End boys still have “a lot of fuel in the tank” and thankfully aren’t showing signs of slowing down!
If you were lucky enough to secure a ticket to the Mundi Mundi Bash then get out there and have the time of your life! And if you didn’t then that will teach you not to sleep on a good thing!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1144australia,babyanimals,chrischeney,festival,hardrock,heavy,ianmoss,interview,jamesreyne,kyrajadecoombs,mundimundibash2024,music,musicfestival,podcast,rock,thelivimgendtruefullhttps://www.spreaker.com/episode/wide-awake-with-loz-from-while-she-sleeps--60926355While She Sleeps are absolutely killing it lately. They’ve just gone on a huge run of summer festivals in the UK & EU to some of the biggest crowds they’ve ever played in front of. If you check out the videos on their socials or YouTube, they are HUGE. 
HEAVY had the chance to have a chat with their lead singer Loz about how it’s been to experience something like that and exactly how you prepare yourself mentally to talk out on stage. The answer is of course, you guys! Feeling the energy from the crowd before going out on stage being almost intoxicating and carries you out.
It’s Australia’s turn to host these legends this September on their Self Hell tour alongside Stick To Your Guns, Ocean Sleeper & Boundaries. They are playing all major cities, so be sure to check out Ticketmaster and get your tickets or visit www.destroyalllines.com
When asked about what he is most looking to while visiting Australia Loz of course said “DROP BEARS!!”, our lil’ terrifying Aussie icons. All jokes aside, he explained that Australia bears many similarities to where he is from and feels like a second home. We show lots of appreciation for bands who decide to fly across the world just to come play for us. And it shows.
Self Hell is the newest album released by While She Sleeps, and this particular album was set out to ‘ruffle some feathers’, going against the grain of what the band would traditionally sound like. The film clip that accompanies the self-titled song Self Hell is excellent. It makes you feel like you have a look into their world and who they are outside of music. Loz explained the video’s purpose beautifully, although you’ll have to have a listen to hear all about that.
We went on to talk about having some amazing friends in the music industry like Oli Sykes of Bring Me The Horizon and Alex Taylor of Malevolence to feature on songs and what’s in stall for their live shows. Lastly, we touched on what it takes to successfully nurture being in a band for so long… with the same line-up all these years I might add. This is virtually unheard of these days. The short answer was being able to compromise, share the world load, and work to each other’s strengths. Advice that you could apply to most things in life.
It was super refreshing to have someone (Loz) who is genuinely a lovely guy, so passionate and willing to have a good yarn about all thing’s music. I have even more respect for While She Sleeps and can’t wait to watch their show next month. Watch/listen to the full interview to venture inside the world of While She Sleeps.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60926355Fri, 09 Aug 2024 08:48:01 +0000HEAVY MagazineInterview by Kyra-Jade Coombs While She Sleeps are absolutely killing it lately. They’ve just gone on a huge run of summer festivals in the UK & EU to some of the biggest crowds they’ve ever played in front of. If you check out the videos on their...While She Sleeps are absolutely killing it lately. They’ve just gone on a huge run of summer festivals in the UK & EU to some of the biggest crowds they’ve ever played in front of. If you check out the videos on their socials or YouTube, they are HUGE. 
HEAVY had the chance to have a chat with their lead singer Loz about how it’s been to experience something like that and exactly how you prepare yourself mentally to talk out on stage. The answer is of course, you guys! Feeling the energy from the crowd before going out on stage being almost intoxicating and carries you out.
It’s Australia’s turn to host these legends this September on their Self Hell tour alongside Stick To Your Guns, Ocean Sleeper & Boundaries. They are playing all major cities, so be sure to check out Ticketmaster and get your tickets or visit www.destroyalllines.com
When asked about what he is most looking to while visiting Australia Loz of course said “DROP BEARS!!”, our lil’ terrifying Aussie icons. All jokes aside, he explained that Australia bears many similarities to where he is from and feels like a second home. We show lots of appreciation for bands who decide to fly across the world just to come play for us. And it shows.
Self Hell is the newest album released by While She Sleeps, and this particular album was set out to ‘ruffle some feathers’, going against the grain of what the band would traditionally sound like. The film clip that accompanies the self-titled song Self Hell is excellent. It makes you feel like you have a look into their world and who they are outside of music. Loz explained the video’s purpose beautifully, although you’ll have to have a listen to hear all about that.
We went on to talk about having some amazing friends in the music industry like Oli Sykes of Bring Me The Horizon and Alex Taylor of Malevolence to feature on songs and what’s in stall for their live shows. Lastly, we touched on what it takes to successfully nurture being in a band for so long… with the same line-up all these years I might add. This is virtually unheard of these days. The short answer was being able to compromise, share the world load, and work to each other’s strengths. Advice that you could apply to most things in life.
It was super refreshing to have someone (Loz) who is genuinely a lovely guy, so passionate and willing to have a good yarn about all thing’s music. I have even more respect for While She Sleeps and can’t wait to watch their show next month. Watch/listen to the full interview to venture inside the world of While She Sleeps.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>834australia,heavy,heavymetal,interview,loz,oceansleeper,podcast,sticktoyourguns,tour,whileshesleepstruefullhttps://www.spreaker.com/episode/divine-wickedness-with-matthew-greywolf-from-powerwolf--60703299Twentieth-anniversary milestones are generally accepted as being more a celebration of the past leading into a future of unknowns than a stepping stone on the path to greater success.
The old adage that you have paid your dues after two decades, coupled with the sense of personal achievement in staving off Father Time - albeit temporarily - can be enough to subconsciously force an artist into premature retirement, content with past achievements and notoriety gained.
But not so German metal leaders Powerwolf who have plunged into their twentieth year with one thought on their mind.
Continued worldwide domination.
That drops soon in the form of the band's latest album Wake Up The Wicked (July 26), the highly anticipated successor to the extremely successful previous studio album, Call Of The Wild (2021). Not content to rest on their laurels, Powerwolf have looked to elevate their music to yet another plane, showcasing a different facet of their deft musical and technical skills on album number ten.
HEAVY had the honour of spending some time with guitarist Matthew Greywolf to find out more.
"Absolutely," he affirmed without hesitation when we asked if he was excited about the impending release. "This is an album we wrote when we came back from the US tour, and we tried to deliver this atmosphere, this energy, this power to the album. When we started with the songwriting, the first song we wrote was Bless 'em With the Blade, and for us, it was a little bit like what are we doing here? Do we creating a monster or something like that (laughs). We had this feeling of this is an album full of madness, and this existed for the whole songwriting process and into the recording process. I dunno… I never had that feeling before. I mean, we had this pandemic situation where we wrote Call Of The Wild, and this situation was more feeling like now or never. We can only write new songs because we weren't able to play live. In this case, we had the power from the live appearances."
In the full interview, Greywolf discusses the music side of Wake Up The Wicked, how it showcases different facets of Powerwolf's sound, how it differs musically from Call Of The Wild, the temptation to rehash an albums winning formula for the next release, the single 1589 and its amazing music video, using Joost Van Den Brock as producer and what he brings to the band's sound, if fresh sounding music gets easier or harder to come up with the more you write, their upcoming tour and more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60703299Thu, 25 Jul 2024 10:50:06 +0000HEAVY MagazineInterview by Kris Peters Twentieth-anniversary milestones are generally accepted as being more a celebration of the past leading into a future of unknowns than a stepping stone on the path to greater success. The old adage that you have paid your dues...Twentieth-anniversary milestones are generally accepted as being more a celebration of the past leading into a future of unknowns than a stepping stone on the path to greater success.
The old adage that you have paid your dues after two decades, coupled with the sense of personal achievement in staving off Father Time - albeit temporarily - can be enough to subconsciously force an artist into premature retirement, content with past achievements and notoriety gained.
But not so German metal leaders Powerwolf who have plunged into their twentieth year with one thought on their mind.
Continued worldwide domination.
That drops soon in the form of the band's latest album Wake Up The Wicked (July 26), the highly anticipated successor to the extremely successful previous studio album, Call Of The Wild (2021). Not content to rest on their laurels, Powerwolf have looked to elevate their music to yet another plane, showcasing a different facet of their deft musical and technical skills on album number ten.
HEAVY had the honour of spending some time with guitarist Matthew Greywolf to find out more.
"Absolutely," he affirmed without hesitation when we asked if he was excited about the impending release. "This is an album we wrote when we came back from the US tour, and we tried to deliver this atmosphere, this energy, this power to the album. When we started with the songwriting, the first song we wrote was Bless 'em With the Blade, and for us, it was a little bit like what are we doing here? Do we creating a monster or something like that (laughs). We had this feeling of this is an album full of madness, and this existed for the whole songwriting process and into the recording process. I dunno… I never had that feeling before. I mean, we had this pandemic situation where we wrote Call Of The Wild, and this situation was more feeling like now or never. We can only write new songs because we weren't able to play live. In this case, we had the power from the live appearances."
In the full interview, Greywolf discusses the music side of Wake Up The Wicked, how it showcases different facets of Powerwolf's sound, how it differs musically from Call Of The Wild, the temptation to rehash an albums winning formula for the next release, the single 1589 and its amazing music video, using Joost Van Den Brock as producer and what he brings to the band's sound, if fresh sounding music gets easier or harder to come up with the more you write, their upcoming tour and more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1239album,hardrock,heavy,heavymetal,interview,krispeters,matthewgreywolf,music,podcast,powermetal,powerwolffalsefullhttps://www.spreaker.com/episode/into-the-abyss-with-dave-smith-from-immorium--60705237Australian melodic death outfit Immorium have laid the groundwork and put in the hard yards since forming in 2011.
The very fact they are from one of this country's most isolated music playgrounds almost puts them behind the eightball from the start, but as the saying goes, build it and they will come.
And come they have.
Over two previous albums and one EP, Immorium have established themselves as one of the leading lights of progressive and melodic death metal this country has to offer. Not afraid to wear their hearts on their sleeves, the band emanates an emotional rawness via skyscraper harmonies and enormous musical roller coasters that are further encapsulated in their lyrics.
But now, with album number three, shit gets real and Immorium have stepped up to the plate with Rose Water Black, which wil be unleashed on July 21. Cited as the band's 'most adventurous and intimate release to date', Rose Water Black promises to finally break the shackles and cast Immorium further into the great unknown.
HEAVY sat down with vocalist Dave Smith to find out more.
Dave discussed the upcoming release of Rose Water Black, expressing both excitement and nervousness about its reception. He delved into the personal and emotional inspirations behind each song on the album, revealing that the tracks are deeply rooted in his own experiences, including his battle with a lung disease during COVID and the loss of his brother. 
The discussion also touched on the band's musical evolution, highlighting influences from other bands and the fusion of progressive and melodic death metal in their music. Additionally, Dave spoke about Immorium's upcoming Australian tour, where he shared details about the tour dates and locations and promised a mix of new and old songs in their live performances.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60705237Sun, 21 Jul 2024 00:41:18 +0000HEAVY MagazineInterview by Kris Peters Australian melodic death outfit Immorium have laid the groundwork and put in the hard yards since forming in 2011. The very fact they are from one of this country's most isolated music playgrounds almost puts them behind the...Australian melodic death outfit Immorium have laid the groundwork and put in the hard yards since forming in 2011.
The very fact they are from one of this country's most isolated music playgrounds almost puts them behind the eightball from the start, but as the saying goes, build it and they will come.
And come they have.
Over two previous albums and one EP, Immorium have established themselves as one of the leading lights of progressive and melodic death metal this country has to offer. Not afraid to wear their hearts on their sleeves, the band emanates an emotional rawness via skyscraper harmonies and enormous musical roller coasters that are further encapsulated in their lyrics.
But now, with album number three, shit gets real and Immorium have stepped up to the plate with Rose Water Black, which wil be unleashed on July 21. Cited as the band's 'most adventurous and intimate release to date', Rose Water Black promises to finally break the shackles and cast Immorium further into the great unknown.
HEAVY sat down with vocalist Dave Smith to find out more.
Dave discussed the upcoming release of Rose Water Black, expressing both excitement and nervousness about its reception. He delved into the personal and emotional inspirations behind each song on the album, revealing that the tracks are deeply rooted in his own experiences, including his battle with a lung disease during COVID and the loss of his brother. 
The discussion also touched on the band's musical evolution, highlighting influences from other bands and the fusion of progressive and melodic death metal in their music. Additionally, Dave spoke about Immorium's upcoming Australian tour, where he shared details about the tour dates and locations and promised a mix of new and old songs in their live performances.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1056album,australia,deathmetal,heavy,heavymetal,immorium,interview,krispeters,melodicdeathmetal,melodicmetal,music,podcast,progressivemetal,rosewaterblacktruefullhttps://www.spreaker.com/episode/tangible-results-with-ben-ward-from-orange-goblin--60696231UK metal outfit Orange Goblin are a band who has had to work hard for everything they have. Bloody hard.
Formed in 1995 and born into a musical landscape already dominated by bands such as Black Sabbath, Trouble, Saint Vitus, The Obsessed, Pentagram, Cathedral, Danzig, Monster Magnet and Kyuss, Orange Goblin spent many of their formative years deflecting criticism of their sound, defiant in the knowledge that while a sum of their many influences, they were also a force unto themselves.
Combining elements of hard rock, stoner rock, doom metal and more, comparisons to the legendary bands listed above were bound to be prominent, but over the course of nine previous albums Orange Goblin have left their indelible mark across the music world, in the process gaining the respect and level of acceptance they so rightfully deserve.
That growth and progression promises to continue on Orange Goblin's upcoming album Science, Not Fiction, which will be unleashed on July 19. Blending the aforementioned genres with some outside of the box, Science, Not Fiction is an aggressive, adrenaline-fuelled sonic journey of a band with one eye on the past but the focus firmly on the future.
HEAVY caught up with founding member and vocalist Ben Ward to find out more.
"This one's different," he measured. "Obviously, it's our first album for Peaceville Records and the whole campaign has been far more hands on than we've ever had before. In the past we might have just delivered the record to the label and said right, you get on with that, but with this record the label have been really proactive and enthusiastic in getting us to be involved in the marketing. It's been a really strong campaign. There's been three singles released so far and all had videos for them. We've got another video and single coming just prior to the release. We're doing some album launch shows here in London and Leeds in the UK and we've got a summer of festivals lined up to promote it. It's all go at the moment. We're definitely not sitting back and letting it happen. We're all very proactive."
In the full interview, Ben discussed Orange Goblin's upcoming album release more, including the musical influences, proactive marketing campaign, and impact of a new band member. He provided insights into the album concept, highlighting the significance of science, spirituality, and religion. The discussion also touched on the balance between imitation and inspiration in creating an album, with Ben emphasizing the band's commitment to creating music that is interesting to them and their belief in the importance of honesty in their music.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60696231Fri, 19 Jul 2024 02:38:31 +0000HEAVY MagazineInterview by Kris Peters UK metal outfit Orange Goblin are a band who has had to work hard for everything they have. Bloody hard. Formed in 1995 and born into a musical landscape already dominated by bands such as Black Sabbath, Trouble, Saint Vitus,...UK metal outfit Orange Goblin are a band who has had to work hard for everything they have. Bloody hard.
Formed in 1995 and born into a musical landscape already dominated by bands such as Black Sabbath, Trouble, Saint Vitus, The Obsessed, Pentagram, Cathedral, Danzig, Monster Magnet and Kyuss, Orange Goblin spent many of their formative years deflecting criticism of their sound, defiant in the knowledge that while a sum of their many influences, they were also a force unto themselves.
Combining elements of hard rock, stoner rock, doom metal and more, comparisons to the legendary bands listed above were bound to be prominent, but over the course of nine previous albums Orange Goblin have left their indelible mark across the music world, in the process gaining the respect and level of acceptance they so rightfully deserve.
That growth and progression promises to continue on Orange Goblin's upcoming album Science, Not Fiction, which will be unleashed on July 19. Blending the aforementioned genres with some outside of the box, Science, Not Fiction is an aggressive, adrenaline-fuelled sonic journey of a band with one eye on the past but the focus firmly on the future.
HEAVY caught up with founding member and vocalist Ben Ward to find out more.
"This one's different," he measured. "Obviously, it's our first album for Peaceville Records and the whole campaign has been far more hands on than we've ever had before. In the past we might have just delivered the record to the label and said right, you get on with that, but with this record the label have been really proactive and enthusiastic in getting us to be involved in the marketing. It's been a really strong campaign. There's been three singles released so far and all had videos for them. We've got another video and single coming just prior to the release. We're doing some album launch shows here in London and Leeds in the UK and we've got a summer of festivals lined up to promote it. It's all go at the moment. We're definitely not sitting back and letting it happen. We're all very proactive."
In the full interview, Ben discussed Orange Goblin's upcoming album release more, including the musical influences, proactive marketing campaign, and impact of a new band member. He provided insights into the album concept, highlighting the significance of science, spirituality, and religion. The discussion also touched on the balance between imitation and inspiration in creating an album, with Ben emphasizing the band's commitment to creating music that is interesting to them and their belief in the importance of honesty in their music.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1024album,benward,doommetal,hardrock,heavy,heavymetal,interview,krispeters,music,orangegoblin,peacevillerecords,podcast,rock,stonermetaltruefullhttps://www.spreaker.com/episode/the-abrasive-nature-of-music-with-tomye-ash-from-this-point-forward--60697036Three songs into their career, and Melbourne post-hardcore outfit This Point Forward are already making an impression. Generally newer bands aim to stick to one market and/or specification in the early stages, wanting to serve up enough quality - yet safe - material to establish a fan base then build from there.
Following their more catchy, pop driven debut single Unstill, This Point Forward chose to go down a darker passage on song number two Famine, which dealt with the battles of addiction, and now, on their third single release, the band have ramped things in another direction by going far heavier while still leaning towards the catchiness of universal appeal with Corrosion.
With a self-confessed ethos to strive to create a different tone, feel and sound with each release, This Point Forward are throwing caution to the wind early in their career, but in doing so have also announced they won't be tied down by conformity, nor will they bend to musical rules and expectations.
Drummer Tomye and vocalist Ash sat down with HEAVY recently to discuss Corrosion - which premieres via HEAVY at 5pm, July 16 - and their intent and vision for the future.
The interview involved the pair discussing various topics related to their music and upcoming projects. The band members also talked about their recent travels and upcoming tour plans, as well as the challenges of coordinating band members.
They shared their passion for post-hardcore music and their goal of reviving its old-school sound while incorporating new elements. The band discussed their release strategy, opting to release singles initially to attract attention and cultivate an audience before presenting the songs as part of an EP and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60697036Mon, 15 Jul 2024 15:20:14 +0000HEAVY MagazineInterview by Kris Peters Three songs into their career, and Melbourne post-hardcore outfit This Point Forward are already making an impression. Generally newer bands aim to stick to one market and/or specification in the early stages, wanting to serve...Three songs into their career, and Melbourne post-hardcore outfit This Point Forward are already making an impression. Generally newer bands aim to stick to one market and/or specification in the early stages, wanting to serve up enough quality - yet safe - material to establish a fan base then build from there.
Following their more catchy, pop driven debut single Unstill, This Point Forward chose to go down a darker passage on song number two Famine, which dealt with the battles of addiction, and now, on their third single release, the band have ramped things in another direction by going far heavier while still leaning towards the catchiness of universal appeal with Corrosion.
With a self-confessed ethos to strive to create a different tone, feel and sound with each release, This Point Forward are throwing caution to the wind early in their career, but in doing so have also announced they won't be tied down by conformity, nor will they bend to musical rules and expectations.
Drummer Tomye and vocalist Ash sat down with HEAVY recently to discuss Corrosion - which premieres via HEAVY at 5pm, July 16 - and their intent and vision for the future.
The interview involved the pair discussing various topics related to their music and upcoming projects. The band members also talked about their recent travels and upcoming tour plans, as well as the challenges of coordinating band members.
They shared their passion for post-hardcore music and their goal of reviving its old-school sound while incorporating new elements. The band discussed their release strategy, opting to release singles initially to attract attention and cultivate an audience before presenting the songs as part of an EP and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>792australia,heavy,heavymetal,interview,krispeters,music,podcast,posthardcore,thispointforwardtruefullhttps://www.spreaker.com/episode/family-values-with-brennan-austin-mileto-from-sisters-doll--60695472While the term family is often bandied about in the world of music, it is generally used as more of an affectionate term when used to describe the bond that develops between band members.
Not often is it used in the literal term. But when it is, you can be sure that you are in for something special.
Think Angus and Malcolm Young from AC/DC, Andrew Farriss, Jon Farriss, and Tim Farriss (INXS), Eddie and Alex Van Halen to name but a few, but while the natural chemistry of siblings is a powerful force when harnessed by verse, it is an all too rare occurrence.
Looking through that list, there are a few bands with three family members spread here and there, but I have yet to come across a band from the rock persuasion that is made up of four members of the same family. Until now.
Australia's own Sisters Doll, (Brennan, Austin and Bryce Mileto) have expanded their numbers by one to include younger brother Sage as part of their line-up moving forward, with the newest devotee to rock and roll showcasing his wares on the new track Don't Give Up On Us, with the music video announcing his addition to the band's legions of fans.
Brennan and Austin both sat down with HEAVY to talk about the new song and… well, family.
"It's done really well so far," Brennan enthused of the new track. "We did a bit of a livestream before the video dropped to build the suspense and build the hype, because we really believe in this song. It's kind of been one of our favourites from the album. It is more of the ballad from the album, but so far we've got a great response. A lot of good responses on the video too, which is exciting. Obviously, it unveils our new bass player, which is kind of the talking point at the moment. Having Sage in there has sparked a few more people to jump on and have a look - especially people back home. Compared to the last one Change, which we did last year, it's probably doing a little bit better."
In the full interview, the boys discussed a range of personal and professional topics. They talked about the positive response to their new album's ballad and the unveiling of their new bass player, Sage. They also discussed the strategic decision to release the audio before the video to boost streaming numbers and create anticipation for the music video.
Additionally, they highlighted the need to strategically unveil Sage to maintain the surprise for the show. They also delved into the meaning behind their new song Don't Give Up on Us, highlighting its dual significance related to relationships and the band's perseverance.
Furthermore, they provided insights into their plans for the album launch show at Max Watts on January 25 next year, indicating that it will feature a mix of new and existing songs, with a focus on gauging audience reception for future performances. They also discussed the evolution of their performances, emphasizing their dedication to delivering high energy shows and their commitment to creating a memorable experience for the audience. The conversation also covered the band's upcoming plans, including the release of their new single, pre-orders for the new album, and their upcoming shows and tours, showcasing the band's excitement for the future.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60695472Mon, 15 Jul 2024 12:04:26 +0000HEAVY MagazineInterview by Kris Peters While the term family is often bandied about in the world of music, it is generally used as more of an affectionate term when used to describe the bond that develops between band members. Not often is it used in the literal...While the term family is often bandied about in the world of music, it is generally used as more of an affectionate term when used to describe the bond that develops between band members.
Not often is it used in the literal term. But when it is, you can be sure that you are in for something special.
Think Angus and Malcolm Young from AC/DC, Andrew Farriss, Jon Farriss, and Tim Farriss (INXS), Eddie and Alex Van Halen to name but a few, but while the natural chemistry of siblings is a powerful force when harnessed by verse, it is an all too rare occurrence.
Looking through that list, there are a few bands with three family members spread here and there, but I have yet to come across a band from the rock persuasion that is made up of four members of the same family. Until now.
Australia's own Sisters Doll, (Brennan, Austin and Bryce Mileto) have expanded their numbers by one to include younger brother Sage as part of their line-up moving forward, with the newest devotee to rock and roll showcasing his wares on the new track Don't Give Up On Us, with the music video announcing his addition to the band's legions of fans.
Brennan and Austin both sat down with HEAVY to talk about the new song and… well, family.
"It's done really well so far," Brennan enthused of the new track. "We did a bit of a livestream before the video dropped to build the suspense and build the hype, because we really believe in this song. It's kind of been one of our favourites from the album. It is more of the ballad from the album, but so far we've got a great response. A lot of good responses on the video too, which is exciting. Obviously, it unveils our new bass player, which is kind of the talking point at the moment. Having Sage in there has sparked a few more people to jump on and have a look - especially people back home. Compared to the last one Change, which we did last year, it's probably doing a little bit better."
In the full interview, the boys discussed a range of personal and professional topics. They talked about the positive response to their new album's ballad and the unveiling of their new bass player, Sage. They also discussed the strategic decision to release the audio before the video to boost streaming numbers and create anticipation for the music video.
Additionally, they highlighted the need to strategically unveil Sage to maintain the surprise for the show. They also delved into the meaning behind their new song Don't Give Up on Us, highlighting its dual significance related to relationships and the band's perseverance.
Furthermore, they provided insights into their plans for the album launch show at Max Watts on January 25 next year, indicating that it will feature a mix of new and existing songs, with a focus on gauging audience reception for future performances. They also discussed the evolution of their performances, emphasizing their dedication to delivering high energy shows and their commitment to creating a memorable experience for the audience. The conversation also covered the band's upcoming plans, including the release of their new single, pre-orders for the new album, and their upcoming shows and tours, showcasing the band's excitement for the future.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1336australia,glamrock,hardrock,heavy,interview,krispeters,music,podcast,rock,sistersdoll,xmusictruefullhttps://www.spreaker.com/episode/suffer-no-more-with-ed-hartwell-from-bury-tomorrow--60693970They will arrive back to these shores in August and September, playing alongside Spite, Bloom and Make Them Suffer as part of the Suffer Forever Australian Tour. Their last tour was to promote then new album The Seventh Sun, but, according to rhythm guitarist Ed Hartwell, this time Bury Tomorrow are coming just for the fun of it.
"It's funny, because I think we got offered this tour when we were in Australia last year," he smiled. "So we were out there doing that tour when the offer came through - of course it didn't get announced until much later - but we're just happy to be back. It's a really good time. I'm not a huge fan of flying, so it's quite a big thing for me to go so far away from home. Last year was the first time I have been to Australia, and it was such a good time. It's definitely worth any anxiety I get from flying over there (laughs)."
Given the fear of flying is a major detraction, we press Ed on what it is about Australia that makes it so appealing.
"It's just the people; the environment… there's just so much novelty about it that's really beautiful," he offered. "Driving through… we had some very, very long drives on that tour - like 10, 12 hour drives - but because you are just driving through, at no point does it really feel like England. It has that novelty of this is really cool. We're in Australia! When you see a kangaroo on the side of the road, you're just, like, wow (laughs)."
In the full interview, Ed talks more about the tour and what to expect, the strength of The Seventh Sun to allow two tours on one album cycle, the new sound for Bury Tomorrow on that album and if it will continue over future releases, how he is settling into the band after joining in 2021, how much he knows about the other bands on the line-up and where Bury Tomorrow fit in, what to expect from their live show, writing set lists for different countries and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60693970Mon, 15 Jul 2024 07:47:49 +0000HEAVY MagazineAfter selling out their own headlining tour of Australia just last year, British metalcore giants Bury Tomorrow have wasted little time in delivering on their promise to return. They will arrive back to these shores in August and September, playing...They will arrive back to these shores in August and September, playing alongside Spite, Bloom and Make Them Suffer as part of the Suffer Forever Australian Tour. Their last tour was to promote then new album The Seventh Sun, but, according to rhythm guitarist Ed Hartwell, this time Bury Tomorrow are coming just for the fun of it.
"It's funny, because I think we got offered this tour when we were in Australia last year," he smiled. "So we were out there doing that tour when the offer came through - of course it didn't get announced until much later - but we're just happy to be back. It's a really good time. I'm not a huge fan of flying, so it's quite a big thing for me to go so far away from home. Last year was the first time I have been to Australia, and it was such a good time. It's definitely worth any anxiety I get from flying over there (laughs)."
Given the fear of flying is a major detraction, we press Ed on what it is about Australia that makes it so appealing.
"It's just the people; the environment… there's just so much novelty about it that's really beautiful," he offered. "Driving through… we had some very, very long drives on that tour - like 10, 12 hour drives - but because you are just driving through, at no point does it really feel like England. It has that novelty of this is really cool. We're in Australia! When you see a kangaroo on the side of the road, you're just, like, wow (laughs)."
In the full interview, Ed talks more about the tour and what to expect, the strength of The Seventh Sun to allow two tours on one album cycle, the new sound for Bury Tomorrow on that album and if it will continue over future releases, how he is settling into the band after joining in 2021, how much he knows about the other bands on the line-up and where Bury Tomorrow fit in, what to expect from their live show, writing set lists for different countries and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>551australia,bloom,burytomorrow,heavy,heavymetal,interview,krispeters,makethemsuffer,metalcore,podcast,spite,sufferforevertour,tourtruefullhttps://www.spreaker.com/episode/strength-in-vulnerability-with-zarz-from-whiteford--60656871 Emerging in 2016 with their debut EP, Whiteford quickly earned a reputation as one Sydney’s most exciting up and coming rock acts. In 2018 the band released their self titled album which featured live favourites “She Joins Love” and “Words Like Bullets” both of which scored airplay on radio stations across the country and received high praise from global rock media. In late 2022 the band released The Acoustic EP featuring the single, She’s Amazing, which is their first release through their new home at Australian rock label, XMusic.
 2023 saw more local shows & headline spots for Whiteford such as, the Convoy For Kids truck convoy and fair day to a crowd in excess of 2000 people & the sell out show for the launch of their latest video for the single, “ I'm Alright (Speedball mix)" which is also the theme song to Savage Speedball, a new cue sport game & upcoming TV show.
 Recently Whiteford played sold out shows with Reece Mastin, Electric Mary & the legendary Spy v Spy along with their own headline performances.
The band are currently in studio recording their second studio album.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60656871Sat, 13 Jul 2024 04:38:50 +0000HEAVY MagazineWhiteford deliver raw, passionate rock songs with a narrative of the ups and downs of love, celebration, loss and life, weaving elements of modern and classic rock with blues, layered with energy, emotion and delivered with soul. Having many years of... Emerging in 2016 with their debut EP, Whiteford quickly earned a reputation as one Sydney’s most exciting up and coming rock acts. In 2018 the band released their self titled album which featured live favourites “She Joins Love” and “Words Like Bullets” both of which scored airplay on radio stations across the country and received high praise from global rock media. In late 2022 the band released The Acoustic EP featuring the single, She’s Amazing, which is their first release through their new home at Australian rock label, XMusic.
 2023 saw more local shows & headline spots for Whiteford such as, the Convoy For Kids truck convoy and fair day to a crowd in excess of 2000 people & the sell out show for the launch of their latest video for the single, “ I'm Alright (Speedball mix)" which is also the theme song to Savage Speedball, a new cue sport game & upcoming TV show.
 Recently Whiteford played sold out shows with Reece Mastin, Electric Mary & the legendary Spy v Spy along with their own headline performances.
The band are currently in studio recording their second studio album.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1487hardrock,heavy,interview,krispeters,podcast,rock,whiteford,xmusictruefullhttps://www.spreaker.com/episode/finishing-with-a-bang-according-to-billy-sheehan-from-mr-big--60624987Mr. Big have been captivating music lovers since their inception in 1988 with an irresistible blending of rock and blues music that is as infectious as it is beautiful to hear.
After releasing their self-titled debut album in 1989, Mr. Big - (vocalist Eric Martin, guitarist Paul Gilbert and bassist Billy Sheehan) achieved universal breakthrough success with the follow-up Lean Into It, an album that spawned the smash single To Be With You that set Mr. Big on a collision course with destiny that has continued unabated ever since.
A combination of musical brilliance, integrity and genuine love for their craft has allowed Mr. Big to perform for over three decades, but, sadly, all good things must come to an end and for Mr. Big that ending is delivered in the form of The Big Finish touring extravaganza that has wound its way around the world at select destinations from last year, winding up - at this stage - in Romania on August 27.
But in true Mr. Big style, the band was not content to leave their fans with only the memories of their final live performances, but also announced their tenth studio album - appropriately named Ten - would be unleashed with a strong nod to the entire history of the band in a musical farewell that promises an eternal gateway into the sonic sensibilities of a band who may never be rivalled.
With the release of Ten rapidly approaching its global birth on July 12, HEAVY had the honour of sitting down for a one-on-one with founding member Billy Sheehan to talk about the album, Mr. Big's legacy and more.
"It's our 10th studio record," Sheehan proudly affirmed. "There have been a lot of other records. The first time we played in Japan, we had a wonderful time. And they knew we wouldn't be coming back until the next record - which was going to be a cycle that happens - so they wanted a live record. And we didn't really have the facilities because we were on tour with Rush in America, and so the sound man took a DAT tape, a digital audio tape that they don't have many more that cost $7.95, and put it in and hit record on our show with no multi-track, no fixes, no overdubs, no nothing. So our recording budget for the whole show was $7.95 (laughs). That tape became the first Raw Like Sushi. I think in Korea it's sold like 350,000 units. I don't know how many in Japan, but I hope we recouped our investment (laughs). But it was kind of cool that it was completely real and no fixes, no turning the audience up or any of those cheaters that you can do. So we've done a lot of records. And there's a million bootlegs, too. There was a great bootleg store in Japan - I think they're long gone now - selling CDs, and they had the most amazing set of bootlegs you could imagine. I got the Band of Gypsys, Jimi Hendrix demos and rehearsals. I got Genesis', The Lamb Lies Down on Broadway demos. It's the most amazing thing, the Montrose first record, all the demos, Boston demos that led up to these iconic records. And so we'd go there after our show, and they'd already have our record with artwork for sale (laughs)."
We ask Sheehan to tell us more about Ten musically.
"We took a break on a tour and were able to go in and record," he explained. "I was super busy and couldn't make it for the writing sessions, so I came in and just played bass and that was kind of cool. I just could go, what do you got? Okay, maybe this will work and I would put a little bass line down. The songs were very together, but it was nice to be able to just come in and create a baseline that just came from nowhere, just from my first impression of how the song went. I didn't have a lot of time to even rehearse the songs. So in a way, that was kind of good, too, because it was spontaneous and came right, I didn't think it through. Thinking often… thinking will ruin a song pretty easily. And that happens with writing a lot. You just come up with a part and like it (but) the next day you think maybe we should hold on a second. Wait a minute. We had it. And now you're changing your mind? So that was a cool way to approach it. I just went in and played bass, and we came up with some cool stuff."
In the full interview, Billy discussed a range of topics related to music production and performance. He talked more about Ten and its significance as their 10th studio record. Billy provided a detailed account of the recording process for the singles Good Luck Trying and Up On You, emphasizing the value of spontaneity and avoiding overthinking when creating music.
The conversation also touched on the art of song arranging and hit songwriting techniques, exploring the concept of motifs, key changes, and song structures. We discussed the deliberate use of songwriting mechanisms to create hits and the intentional avoidance of radio-friendly song titles by bands like Led Zeppelin. Additionally, he explored the importance of live performances and spontaneity in music production, emphasizing the raw energy and genuine feel that it brings to recordings, plus heaps more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60624987Fri, 12 Jul 2024 07:52:45 +0000HEAVY MagazineInterview by Kris Peters Mr. Big have been captivating music lovers since their inception in 1988 with an irresistible blending of rock and blues music that is as infectious as it is beautiful to hear. After releasing their self-titled debut album in...Mr. Big have been captivating music lovers since their inception in 1988 with an irresistible blending of rock and blues music that is as infectious as it is beautiful to hear.
After releasing their self-titled debut album in 1989, Mr. Big - (vocalist Eric Martin, guitarist Paul Gilbert and bassist Billy Sheehan) achieved universal breakthrough success with the follow-up Lean Into It, an album that spawned the smash single To Be With You that set Mr. Big on a collision course with destiny that has continued unabated ever since.
A combination of musical brilliance, integrity and genuine love for their craft has allowed Mr. Big to perform for over three decades, but, sadly, all good things must come to an end and for Mr. Big that ending is delivered in the form of The Big Finish touring extravaganza that has wound its way around the world at select destinations from last year, winding up - at this stage - in Romania on August 27.
But in true Mr. Big style, the band was not content to leave their fans with only the memories of their final live performances, but also announced their tenth studio album - appropriately named Ten - would be unleashed with a strong nod to the entire history of the band in a musical farewell that promises an eternal gateway into the sonic sensibilities of a band who may never be rivalled.
With the release of Ten rapidly approaching its global birth on July 12, HEAVY had the honour of sitting down for a one-on-one with founding member Billy Sheehan to talk about the album, Mr. Big's legacy and more.
"It's our 10th studio record," Sheehan proudly affirmed. "There have been a lot of other records. The first time we played in Japan, we had a wonderful time. And they knew we wouldn't be coming back until the next record - which was going to be a cycle that happens - so they wanted a live record. And we didn't really have the facilities because we were on tour with Rush in America, and so the sound man took a DAT tape, a digital audio tape that they don't have many more that cost $7.95, and put it in and hit record on our show with no multi-track, no fixes, no overdubs, no nothing. So our recording budget for the whole show was $7.95 (laughs). That tape became the first Raw Like Sushi. I think in Korea it's sold like 350,000 units. I don't know how many in Japan, but I hope we recouped our investment (laughs). But it was kind of cool that it was completely real and no fixes, no turning the audience up or any of those cheaters that you can do. So we've done a lot of records. And there's a million bootlegs, too. There was a great bootleg store in Japan - I think they're long gone now - selling CDs, and they had the most amazing set of bootlegs you could imagine. I got the Band of Gypsys, Jimi Hendrix demos and rehearsals. I got Genesis', The Lamb Lies Down on Broadway demos. It's the most amazing thing, the Montrose first record, all the demos, Boston demos that led up to these iconic records. And so we'd go there after our show, and they'd already have our record with artwork for sale (laughs)."
We ask Sheehan to tell us more about Ten musically.
"We took a break on a tour and were able to go in and record," he explained. "I was super busy and couldn't make it for the writing sessions, so I came in and just played bass and that was kind of cool. I just could go, what do you got? Okay, maybe this will work and I would put a little bass line down. The songs were very together, but it was nice to be able to just come in and create a baseline that just came from nowhere, just from my first impression of how the song went. I didn't have a lot of time to even rehearse the songs. So in a way, that was kind of good, too, because it was spontaneous and came right, I didn't think it through. Thinking often… thinking will ruin a song pretty easily. And that happens with writing a lot. You just come up with a part and like it (but) the next day you...]]>2472album,billysheehan,blues,ericmartin,hardrock,heavy,interview,krispeters,mrbig,music,podcast,rock,ten,thebigfinishtruefullhttps://www.spreaker.com/episode/laying-down-the-gauntlet-with-sam-bean-from-werewolves--60655233If you used only the sheer brutality of their music as a guide, it would be easy and highly probable to imagine Werewolves to be a serious metal band. Their music is soul-destroying and intense, pummelling your senses from every angle before regrouping to smash you in places you didn't even know existed.
No shit.
But when you listen to or read an interview with any of the three members - or even read the quotes in their press releases - then it becomes blatantly obvious that there is a plethora of riches simmering just below the surface that generally manifest themselves by way of humour or self-depreciation.
Because Werewolves are not a by-the-numbers, regulated behemoth, They are a formidable force of nature with a laconic, Australian sense of humour who actually give little fucks to what is happening around them as long as they get to immortalise the problem in verse.
Ten years ago a fresh and ambitious death metal outfit featuring three well-known musicians of the Australian heavy scene - Sam Bean (The Berzerker), Matt Wilcock (The Berzerker, Akercocke) and Dave Haley (Psycroptic, Ruins, Blood Duster) - boldly declared their intent to release one each year for the next decade.
Fast-forward to today and Werewolves are about to successfully hit the halfway point with their fifth entry Die For Us, which will be released over several platforms starting with Bandcamp on July 12 then everywhere else from July 19.
HEAVY caught up with vocalist/bass player Sam Bean last night to find out just how brutal album number five is going to be.
"This one's a little bit different," he measured when we asked how he was feeling about Die For Us. "It's a self-release this one, so there's been a lot of moving parts. Whereas with the other ones, we'd just roll up to each album release basically in a carriage with horses and the red carpet treatment (smiles), this time around there was a lot of moving, spinning plates that we were having to keep spinning. Normally, we'd already be on our victory lap even before the album is released. Now we're very much just staring at that date and crossing the fingers that all goes well. We're quite a bit more nervous this time around that everything happens as it should. 
As for the response for the album, we don't worry about that. We never worry about that. We've got a pretty heinous slab of death metal that we know is absolutely stupendous, and that the title track - the very first thing that anyone will hear when listening to the album - is just gonna knock both their socks off and then some. We're not worried about that. We're worried about the boring bullshit out back of house (laughs)."
In the full interview, Sam talks more about the musical side of Die For Us, the brutality of their music and how the band gets that tough exterior, having Rok from Sadistik Exekution guest on one of the tracks, keeping up with their promise of one album a year for ten years, the pros and cons of releasing an album yourself, the term Caveman Death Metal that has been thrust upon them, maintaining the rage and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60655233Wed, 10 Jul 2024 17:37:22 +0000HEAVY MagazineInterview by Kris Peters If you used only the sheer brutality of their music as a guide, it would be easy and highly probable to imagine Werewolves to be a serious metal band. Their music is soul-destroying and intense, pummelling your senses from...If you used only the sheer brutality of their music as a guide, it would be easy and highly probable to imagine Werewolves to be a serious metal band. Their music is soul-destroying and intense, pummelling your senses from every angle before regrouping to smash you in places you didn't even know existed.
No shit.
But when you listen to or read an interview with any of the three members - or even read the quotes in their press releases - then it becomes blatantly obvious that there is a plethora of riches simmering just below the surface that generally manifest themselves by way of humour or self-depreciation.
Because Werewolves are not a by-the-numbers, regulated behemoth, They are a formidable force of nature with a laconic, Australian sense of humour who actually give little fucks to what is happening around them as long as they get to immortalise the problem in verse.
Ten years ago a fresh and ambitious death metal outfit featuring three well-known musicians of the Australian heavy scene - Sam Bean (The Berzerker), Matt Wilcock (The Berzerker, Akercocke) and Dave Haley (Psycroptic, Ruins, Blood Duster) - boldly declared their intent to release one each year for the next decade.
Fast-forward to today and Werewolves are about to successfully hit the halfway point with their fifth entry Die For Us, which will be released over several platforms starting with Bandcamp on July 12 then everywhere else from July 19.
HEAVY caught up with vocalist/bass player Sam Bean last night to find out just how brutal album number five is going to be.
"This one's a little bit different," he measured when we asked how he was feeling about Die For Us. "It's a self-release this one, so there's been a lot of moving parts. Whereas with the other ones, we'd just roll up to each album release basically in a carriage with horses and the red carpet treatment (smiles), this time around there was a lot of moving, spinning plates that we were having to keep spinning. Normally, we'd already be on our victory lap even before the album is released. Now we're very much just staring at that date and crossing the fingers that all goes well. We're quite a bit more nervous this time around that everything happens as it should. 
As for the response for the album, we don't worry about that. We never worry about that. We've got a pretty heinous slab of death metal that we know is absolutely stupendous, and that the title track - the very first thing that anyone will hear when listening to the album - is just gonna knock both their socks off and then some. We're not worried about that. We're worried about the boring bullshit out back of house (laughs)."
In the full interview, Sam talks more about the musical side of Die For Us, the brutality of their music and how the band gets that tough exterior, having Rok from Sadistik Exekution guest on one of the tracks, keeping up with their promise of one album a year for ten years, the pros and cons of releasing an album yourself, the term Caveman Death Metal that has been thrust upon them, maintaining the rage and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1133album,aussiemetal,australia,davehayley,deathmetal,dieforus,heavy,interview,krispeters,mattwilcock,podcast,sambean,werewolvestruefullhttps://www.spreaker.com/episode/devil-s-in-the-detail-with-skinny-from-mushroomhead--60649566There are very few bands in the world of music that push themselves to the extremes like Mushroomhead.
Their music draws from pretty much all genres of metal known to man, with sprinkles of punk, hip/hop, electronica and God knows what else thrown in for good measure. And what's more is they make it work.
While not unique in their amalgamation of musical influences, Mushroomhead are streets ahead of the pack in terms of cohesiveness that defies logic given the eclectic nature of their delivery. But, again, it works.
If you want proof take a listen to the band's upcoming studio album Call The Devil, which will be unleashed on the world on August 9. Loosely described in promotional material as an album that covers everything from bangers to ballads, Call The Devil is much more than that. So much so that it would be quicker to list the musical landscape NOT covered than the ones explored over the journey.
To put things in perspective and delve deeper into the musical psyche of Mushroomhead, HEAVY sat down for a one-on-one with founding member Skinny that proved to be not only engaging but also more in-depth than expected.
We start by asking how he is feeling about the impending release of Call The Devil.
"Oh man, really excited," he enthused. "Album eight was A Wonderful Life, and we released it in June 2020 and COVID came in and had its way with the world and definitely had its way with all the entertainers. I definitely felt first-hand how non-essential heavy metal drummers were at the time (laughs), so we all had to knuckle down and dig down in our spirit and say 'hey man, we wanna do this. Of course we're gonna keep doing this. It's our livelihood. It's who we are. We create music no matter if there's a world left to create for or not. We'll just do it until the day we die'. So it feels really good to be able to release an album and get out there and perform it on stage."
With the continual evolution of both Mushroomhead and their sound, it only seems natural to press Skinny on what to expect this lap around the sun. 
"On this one, album number nine, it was just another 'let's let the music take us where it may. Let it lead'," he said. "The album's very diverse. There's a lot of doom and gloom. There's a lot of super aggressive, heavy stuff, and there's a lot of stuff in between. Super creepy, dark, typical stuff that ends up coming out of us. Whether we intend it or not, everything ends up with a creepy, heavy, dark vibe. It's just what ended up being the Mushroomhead sound. So there's plenty of that, and then we definitely stayed out of our comfort zone - if there really is one with Mushroomhead - but we tried to stay out of our own comfort zones and play with tempos and play different keys and play with non-traditional arrangements and let the music guide us. Some of it was straightforward and put together specifically for a heavy metal song and some of it is straight art that turns into dark art which we love."
In the full interview, Skinny discussed Mushroomhead's music, production insights, and upcoming tours. He delved into the band's unique fusion of metal, hip-hop, punk, and electronic influences, and their commitment to authentic and diverse songwriting.
Skinny also shared details about the production of the latest album, Call the Devil, including the return of guitarist Dave Felton after 10 years and the challenges of balancing male-female vocal dynamics. He also discussed the band's approach to producing their own music and the collaborative process of working with multiple drummers on the album, as well as the early days of Mushroomhead and their media-led feud with Slipknot, plus more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60649566Wed, 10 Jul 2024 08:37:37 +0000HEAVY MagazineInterview by Kris Peters There are very few bands in the world of music that push themselves to the extremes like Mushroomhead. Their music draws from pretty much all genres of metal known to man, with sprinkles of punk, hip/hop, electronica and God...There are very few bands in the world of music that push themselves to the extremes like Mushroomhead.
Their music draws from pretty much all genres of metal known to man, with sprinkles of punk, hip/hop, electronica and God knows what else thrown in for good measure. And what's more is they make it work.
While not unique in their amalgamation of musical influences, Mushroomhead are streets ahead of the pack in terms of cohesiveness that defies logic given the eclectic nature of their delivery. But, again, it works.
If you want proof take a listen to the band's upcoming studio album Call The Devil, which will be unleashed on the world on August 9. Loosely described in promotional material as an album that covers everything from bangers to ballads, Call The Devil is much more than that. So much so that it would be quicker to list the musical landscape NOT covered than the ones explored over the journey.
To put things in perspective and delve deeper into the musical psyche of Mushroomhead, HEAVY sat down for a one-on-one with founding member Skinny that proved to be not only engaging but also more in-depth than expected.
We start by asking how he is feeling about the impending release of Call The Devil.
"Oh man, really excited," he enthused. "Album eight was A Wonderful Life, and we released it in June 2020 and COVID came in and had its way with the world and definitely had its way with all the entertainers. I definitely felt first-hand how non-essential heavy metal drummers were at the time (laughs), so we all had to knuckle down and dig down in our spirit and say 'hey man, we wanna do this. Of course we're gonna keep doing this. It's our livelihood. It's who we are. We create music no matter if there's a world left to create for or not. We'll just do it until the day we die'. So it feels really good to be able to release an album and get out there and perform it on stage."
With the continual evolution of both Mushroomhead and their sound, it only seems natural to press Skinny on what to expect this lap around the sun. 
"On this one, album number nine, it was just another 'let's let the music take us where it may. Let it lead'," he said. "The album's very diverse. There's a lot of doom and gloom. There's a lot of super aggressive, heavy stuff, and there's a lot of stuff in between. Super creepy, dark, typical stuff that ends up coming out of us. Whether we intend it or not, everything ends up with a creepy, heavy, dark vibe. It's just what ended up being the Mushroomhead sound. So there's plenty of that, and then we definitely stayed out of our comfort zone - if there really is one with Mushroomhead - but we tried to stay out of our own comfort zones and play with tempos and play different keys and play with non-traditional arrangements and let the music guide us. Some of it was straightforward and put together specifically for a heavy metal song and some of it is straight art that turns into dark art which we love."
In the full interview, Skinny discussed Mushroomhead's music, production insights, and upcoming tours. He delved into the band's unique fusion of metal, hip-hop, punk, and electronic influences, and their commitment to authentic and diverse songwriting.
Skinny also shared details about the production of the latest album, Call the Devil, including the return of guitarist Dave Felton after 10 years and the challenges of balancing male-female vocal dynamics. He also discussed the band's approach to producing their own music and the collaborative process of working with multiple drummers on the album, as well as the early days of Mushroomhead and their media-led feud with Slipknot, plus more.

Become a supporter of this podcast: 1819callthedevil,heavy,heavymetal,interview,krispeters,mushroomhead,music,podcast,skinny,slipknottruefullhttps://www.spreaker.com/episode/finding-your-muse-with-joshua-o-donnell-from-banks-arcade--60638366New Zealand-hailing, Melbourne-based heavy outfit Banks Arcade have always been a band who colour just outside the lines of acceptance, believing their fresh and unique outlook on the accepted parameters of music was worthy of stepping into the light of its own volition.
Over a series of EP's - starting with 2018s Endnote - Banks Arcade consistently refuse to tiptoe around the broad scope of musical potential, instead preferring to brush stroke their intentions with haphazard outbursts of musical spontaneity that could quite possibly have isolated them from the increasing pack of promising outfits, but have instead earnt them a reputation as a band who aren't here to push the boundaries.
They are here to smash them.
Not content with the release of the Death 2 EP back in February, which preceded a national tour in May, Banks Arcade recently unleashed EP number two for the year in the shape of A Muse which finds the band shedding the expected and instead flourishing between moments of searing rock, towering hooks, dance beats and fresh explorations into heavy surrounds.
HEAVY caught up with frontman Joshua O'Donnell not long before the EP dropped on June 28 to find out more. We start by asking if it is hard to maintain excitement levels for new releases with so much happening to the band.
"I think the excitement for me… the most excited is right when I am at the start of writing a song, and it's all happening" he measured. "When I write a song that I love I will pretty much be listening to that song every day and by the time it goes through all the process and all the finicky details you kind of get over it a little bit. But, yeah. I am more so of the mindset that you just have to keep on going and be as present and put out as much content as possible, even if you've fallen out of love with it. It's always up and down for me. Sometimes I am, sometimes I'm just, like, let's get on with it (laughs)."
In the full interview Josh explains the genesis of A Muse and how it connects with Death 2, the darker nature of the music on the EP and where it came from, the story behind each of the six tracks one by one, how Banks Arcade's music has grown over their career, their hectic touring schedule and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60638366Tue, 09 Jul 2024 00:54:54 +0000HEAVY MagazineInterview by Kris Peters New Zealand-hailing, Melbourne-based heavy outfit Banks Arcade have always been a band who colour just outside the lines of acceptance, believing their fresh and unique outlook on the accepted parameters of music was worthy of...New Zealand-hailing, Melbourne-based heavy outfit Banks Arcade have always been a band who colour just outside the lines of acceptance, believing their fresh and unique outlook on the accepted parameters of music was worthy of stepping into the light of its own volition.
Over a series of EP's - starting with 2018s Endnote - Banks Arcade consistently refuse to tiptoe around the broad scope of musical potential, instead preferring to brush stroke their intentions with haphazard outbursts of musical spontaneity that could quite possibly have isolated them from the increasing pack of promising outfits, but have instead earnt them a reputation as a band who aren't here to push the boundaries.
They are here to smash them.
Not content with the release of the Death 2 EP back in February, which preceded a national tour in May, Banks Arcade recently unleashed EP number two for the year in the shape of A Muse which finds the band shedding the expected and instead flourishing between moments of searing rock, towering hooks, dance beats and fresh explorations into heavy surrounds.
HEAVY caught up with frontman Joshua O'Donnell not long before the EP dropped on June 28 to find out more. We start by asking if it is hard to maintain excitement levels for new releases with so much happening to the band.
"I think the excitement for me… the most excited is right when I am at the start of writing a song, and it's all happening" he measured. "When I write a song that I love I will pretty much be listening to that song every day and by the time it goes through all the process and all the finicky details you kind of get over it a little bit. But, yeah. I am more so of the mindset that you just have to keep on going and be as present and put out as much content as possible, even if you've fallen out of love with it. It's always up and down for me. Sometimes I am, sometimes I'm just, like, let's get on with it (laughs)."
In the full interview Josh explains the genesis of A Muse and how it connects with Death 2, the darker nature of the music on the EP and where it came from, the story behind each of the six tracks one by one, how Banks Arcade's music has grown over their career, their hectic touring schedule and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1018amuse,australia,banksarcade,hardrock,heavy,heavymetal,interview,joshuao'donnell,krispeters,music,podcast,unfdtruefullhttps://www.spreaker.com/episode/divine-intervention-with-jake-taylor-from-in-hearts-wake--60633509Musical bonds forged over many years in the industry are almost an essential part of surviving and thriving in the cut-throat world of music.
While friends and fans come and go, the mutual respect afforded band members and their bandmates is a constant despite the many troughs associated with the highs and lows of an industry that is fickle at best. It becomes an us against them mentality where only the strong flourish and is difficult to fully appreciate from anywhere but the inner sanctum.
But it's there.
And when that tether is severed for any reason, the resulting fallout can be too much for bands to bear. 
Which is why when long-time bass player and clean vocalist Kyle Erich announced his intention to leave In Hearts Wake earlier this year, the band were faced with a myriad of possibilities, with not all of them potentially returning a positive outcome.
Rather than rush into finding a replacement, In Hearts Wake decided to push forward with plans for the next album, keeping things more in house and producing music that reflected their current position and state of mind.
The result is Incarnation, which will be unleashed on an unsuspecting world on July 12. Far heavier than anything put out before by the band, Incarnation showcases are a more direct approach from the metalcore outfit, with the emphasis more on the harsher side of the light and shade spectrum than the light.
But Incarnation is more than just a fresh beginning for In Hearts Wake. It also serves as the shadow counterpart to the band's debut album Divination, providing a previously unknown link between the birth of continued momentum that drives this group of now four individuals.
With a September album promotional tour which features King810, Paleface Swiss and Gravemind, things are rapidly heating up for In Hearts Wake with no respite predicted for their near future.
So, snatching the opportunity while we could, HEAVY sat down yesterday with frontman Jake Taylor to find out more.
"It's a culmination of our career since we were teenagers," he offered. "I think this is our sixth record and essentially our first as a four-piece, and it acts as a sequel to Divination, which came out twelve years earlier. It tells the other half of the coin."
We ask Taylor whether he is feeling anxious, nervous or excited with the release date so close.
"None of those things," he smiled. "It's more like a hurry up, let's go thing. Get everyone up to speed is really where it's at. There's no anxious or nervousness. I know how it plays out. I know how it sounds, I know how it feels. I can't control what everyone else thinks. I just wanna get it out there so we are all on the same page."
In the full interview Taylor discusses Incarnation from a musical point of view, making an album for the first time without Kyle, the decision to write and record this album as a four-piece, some of the things missing without their former bandmate, how Incarnation connects with Divination, the tarot card theme of the album, what to expect, their upcoming Incarnation tour, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60633509Mon, 08 Jul 2024 15:45:10 +0000HEAVY MagazineInterview by Kris Peters Musical bonds forged over many years in the industry are almost an essential part of surviving and thriving in the cut-throat world of music. While friends and fans come and go, the mutual respect afforded band members and...Musical bonds forged over many years in the industry are almost an essential part of surviving and thriving in the cut-throat world of music.
While friends and fans come and go, the mutual respect afforded band members and their bandmates is a constant despite the many troughs associated with the highs and lows of an industry that is fickle at best. It becomes an us against them mentality where only the strong flourish and is difficult to fully appreciate from anywhere but the inner sanctum.
But it's there.
And when that tether is severed for any reason, the resulting fallout can be too much for bands to bear. 
Which is why when long-time bass player and clean vocalist Kyle Erich announced his intention to leave In Hearts Wake earlier this year, the band were faced with a myriad of possibilities, with not all of them potentially returning a positive outcome.
Rather than rush into finding a replacement, In Hearts Wake decided to push forward with plans for the next album, keeping things more in house and producing music that reflected their current position and state of mind.
The result is Incarnation, which will be unleashed on an unsuspecting world on July 12. Far heavier than anything put out before by the band, Incarnation showcases are a more direct approach from the metalcore outfit, with the emphasis more on the harsher side of the light and shade spectrum than the light.
But Incarnation is more than just a fresh beginning for In Hearts Wake. It also serves as the shadow counterpart to the band's debut album Divination, providing a previously unknown link between the birth of continued momentum that drives this group of now four individuals.
With a September album promotional tour which features King810, Paleface Swiss and Gravemind, things are rapidly heating up for In Hearts Wake with no respite predicted for their near future.
So, snatching the opportunity while we could, HEAVY sat down yesterday with frontman Jake Taylor to find out more.
"It's a culmination of our career since we were teenagers," he offered. "I think this is our sixth record and essentially our first as a four-piece, and it acts as a sequel to Divination, which came out twelve years earlier. It tells the other half of the coin."
We ask Taylor whether he is feeling anxious, nervous or excited with the release date so close.
"None of those things," he smiled. "It's more like a hurry up, let's go thing. Get everyone up to speed is really where it's at. There's no anxious or nervousness. I know how it plays out. I know how it sounds, I know how it feels. I can't control what everyone else thinks. I just wanna get it out there so we are all on the same page."
In the full interview Taylor discusses Incarnation from a musical point of view, making an album for the first time without Kyle, the decision to write and record this album as a four-piece, some of the things missing without their former bandmate, how Incarnation connects with Divination, the tarot card theme of the album, what to expect, their upcoming Incarnation tour, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1200album,heavy,heavymetal,incarnation,inheartswake,interview,jaketaylor,krispeters,metalcore,music,podcasttruefullhttps://www.spreaker.com/episode/turning-time-against-itself-with-mike-ix-from-eyehategod--60591769Heavy metal and blues music have a long history that is ignored by some and refuted by others, but when push comes to shove there can be no denying the two genres can not only co-exist in the same musical realm, but also owe much of their existence to the influence of the other.
This is perhaps no more evident than in the case of New Orleans sludge metal outfit EYEHATEGOD, who combine the sounds of southern rock, blues riffs and hardcore punk to create a musical division of their own that while being unashamedly metal is still a bastardised love child of centuries of history and tradition that has come before.
Born into a musical climate that shunned their very existence and forced them to evolve, adapt and create unto themselves to negotiate the treacherous waters of the music industry, the band have gone on to become a dominant force, with many bands citing EYEHATEGOD as being hugely influential on their own career trajectory.
They are a band with no master and therefore no guiding light other than their own darkness and have become such a pivotal catalyst in the amalgamation of musical diversity that Phil Anselmo, Pepper Keenan and Randy Blythe have all crossed musical paths on their journeys, with each leaving better for the experience.
With EYEHATEGOD on the cusp of their first Australian tour in half a decade with Goatwhore, vocalist Mike IX sat down for a chat with HEAVY to tell us more.
"It's gonna get crazy," he laughed. "It will definitely get weird at some point."
When talk turns to the early days of EYEHATEGOD Mike was unapologetic in regards to their early insistence to do things that made them happy, not that were considered safe or acceptable.
"We didn't fit in," he shrugged. "People hated us. People couldn't stand us. We had very few fans locally. The climate back then was still mostly thrash metal with bands doing the Exodus, Slayer type of thing. There was a lot of different styles, but there was some hardcore punk bands, then there was the thrash stuff. There wasn't a lot new going on at the time. We were big fans of Black Sabbath and Black Flag and all these bands, so we thought let's just do that. That's all we wanted to do."
In the full interview, Mike talks more about the upcoming tour and what to expect, what has changed with EYEHATEGOD since their last visit, the name of the tour and what significance that has on what we can expect, touring with Goatwhore, putting local supports at each show, new material and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60591769Wed, 03 Jul 2024 17:39:51 +0000HEAVY MagazineInterview by Kris Peters Heavy metal and blues music have a long history that is ignored by some and refuted by others, but when push comes to shove there can be no denying the two genres can not only co-exist in the same musical realm, but also owe...Heavy metal and blues music have a long history that is ignored by some and refuted by others, but when push comes to shove there can be no denying the two genres can not only co-exist in the same musical realm, but also owe much of their existence to the influence of the other.
This is perhaps no more evident than in the case of New Orleans sludge metal outfit EYEHATEGOD, who combine the sounds of southern rock, blues riffs and hardcore punk to create a musical division of their own that while being unashamedly metal is still a bastardised love child of centuries of history and tradition that has come before.
Born into a musical climate that shunned their very existence and forced them to evolve, adapt and create unto themselves to negotiate the treacherous waters of the music industry, the band have gone on to become a dominant force, with many bands citing EYEHATEGOD as being hugely influential on their own career trajectory.
They are a band with no master and therefore no guiding light other than their own darkness and have become such a pivotal catalyst in the amalgamation of musical diversity that Phil Anselmo, Pepper Keenan and Randy Blythe have all crossed musical paths on their journeys, with each leaving better for the experience.
With EYEHATEGOD on the cusp of their first Australian tour in half a decade with Goatwhore, vocalist Mike IX sat down for a chat with HEAVY to tell us more.
"It's gonna get crazy," he laughed. "It will definitely get weird at some point."
When talk turns to the early days of EYEHATEGOD Mike was unapologetic in regards to their early insistence to do things that made them happy, not that were considered safe or acceptable.
"We didn't fit in," he shrugged. "People hated us. People couldn't stand us. We had very few fans locally. The climate back then was still mostly thrash metal with bands doing the Exodus, Slayer type of thing. There was a lot of different styles, but there was some hardcore punk bands, then there was the thrash stuff. There wasn't a lot new going on at the time. We were big fans of Black Sabbath and Black Flag and all these bands, so we thought let's just do that. That's all we wanted to do."
In the full interview, Mike talks more about the upcoming tour and what to expect, what has changed with EYEHATEGOD since their last visit, the name of the tour and what significance that has on what we can expect, touring with Goatwhore, putting local supports at each show, new material and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>767australia,blues,eyehategod,goatwhore,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,sludgemetal,tourtruefullhttps://www.spreaker.com/episode/sugar-spice-with-jay-gordon-and-carlton-bost-from-orgy--60589622It's hard to believe that two of rocks biggest musical exports of the last quarter of a century have never toured Australia before. 
With a combined tenancy of 50 years, ORGY and COLD are loved and revered the world over for a succession of singles including Blue Monday, Stitches, Stupid Girl and Suffocate to scratch the surface, but it is the bands' respective albums Candyass and Year Of The Spider that have seen them both stand the test of time with their integrity intact and their heads still rocking.
With ORGY celebrating 25 years of Candyass and COLD two decades of their breakthrough album, the two bands have joined forces for a twin assault on this country this October with select dates in Melbourne, Sydney and Brisbane.
HEAVY caught up with founding member and frontman from ORGY Jay Gordon and guitarist Carlton Bost to find out just we should expect.
"Your guess is as good as mine," Bost laughed when asked why the band has neglected us for so long. "I've been there with another band, and it was amazing, so I guess better late than never for ORGY to get there. We're totally excited and just finished a two-month run with COLD, and it's a really great package."
In the full interview, we discuss Orgy's upcoming tour in Australia, including the tour dates, bands they will be performing with, and the energetic stage show and setlist. We also talked about the band's history and the challenges of relearning old songs for the tour, as well as their excitement about playing new material. Jay Gordon reflected on the band's origins and their impact on the industry, including their relationship with Jonathan Davies and his label.
The conversation also touched on future music releases and tour plans, including a record deal with Golden Robot Records and a partnership with the band Cold. Despite uncertainty about their fan base in Australia, the group expressed gratitude and anticipation for the upcoming shows.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60589622Wed, 03 Jul 2024 14:41:41 +0000HEAVY MagazineInterview by Kris Peters It's hard to believe that two of rocks biggest musical exports of the last quarter of a century have never toured Australia before.  With a combined tenancy of 50 years, ORGY and COLD are loved and revered the world over for a...It's hard to believe that two of rocks biggest musical exports of the last quarter of a century have never toured Australia before. 
With a combined tenancy of 50 years, ORGY and COLD are loved and revered the world over for a succession of singles including Blue Monday, Stitches, Stupid Girl and Suffocate to scratch the surface, but it is the bands' respective albums Candyass and Year Of The Spider that have seen them both stand the test of time with their integrity intact and their heads still rocking.
With ORGY celebrating 25 years of Candyass and COLD two decades of their breakthrough album, the two bands have joined forces for a twin assault on this country this October with select dates in Melbourne, Sydney and Brisbane.
HEAVY caught up with founding member and frontman from ORGY Jay Gordon and guitarist Carlton Bost to find out just we should expect.
"Your guess is as good as mine," Bost laughed when asked why the band has neglected us for so long. "I've been there with another band, and it was amazing, so I guess better late than never for ORGY to get there. We're totally excited and just finished a two-month run with COLD, and it's a really great package."
In the full interview, we discuss Orgy's upcoming tour in Australia, including the tour dates, bands they will be performing with, and the energetic stage show and setlist. We also talked about the band's history and the challenges of relearning old songs for the tour, as well as their excitement about playing new material. Jay Gordon reflected on the band's origins and their impact on the industry, including their relationship with Jonathan Davies and his label.
The conversation also touched on future music releases and tour plans, including a record deal with Golden Robot Records and a partnership with the band Cold. Despite uncertainty about their fan base in Australia, the group expressed gratitude and anticipation for the upcoming shows.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>614australia,candyass,cold,heavy,interview,jaygordon,krispeters,music,orgy,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/from-little-things-big-things-grow-with-babyshakes-dillon-from-full-flower-moon-band--60437273One look at any press release from Brisbane rock outfit Full Flower Moon Band and you know everything you need to know about their music in two words.
Babyshakes Dillon.
Just try and tell me that a band whose frontperson proudly wears that monicker is anything but the real deal. In all honesty when I first came across Full Flower Moon Band and was asked to speak with the band about their new release Megaflower I almost skipped on by, thinking the band name indicated strongly that Megaflower would comprise washed-up, whimsical love songs borne out of the hippy era designed to make me feel even less in touch with reality than I already am.
Which provides another lesson here. Don't judge a book by its cover - or a band by its name in this case.
Thankfully, I hit play on the link and instantly made a mental note to be less judgemental in the future when the sweet, blues-drenched sounds of Devil filled my ears as I rushed to press confirm on the interview request.
Since releasing their 2021 EP Death Or Hell, the public has fallen in love more readily with Full Flower Moon Band, earning them the sought-after national support for The Black Crowes, allowing the band to spread their rock goodness over more of this country.
2023 release Diesel Forever solidified Full Flower Moon Band's rapidly growing stature, with all indications pointing towards Megaflower - out July 19 - magnifying that acceleration even more. HEAVY sat down with Babyshakes herself to talk about the album and upcoming tour.
"I just came home from listening to the test pressings, and I'm feeling really good," she enthused. "I finished the record a few months ago but haven't had that break to listen to it with fresh ears until now. I had a full listen through and (laughs) for the first time can say I'm pretty proud of it."
We ask Babyshakes to tell us more about the musical side of Megaflower.
"Our last album Diesel Forever was an album that gained us a larger audience," she offered, "and it was a heavy rock album. With this album, I really wanted to be as expansive and generous as I could in terms of it being a studio album and being genre-bending. I felt like I had two choices. I could double down on hard rock riffs and continue to… I guess play into the last record. Or I could be a little bit more adventurous and take a bigger risk. And I chose to do the latter."
In the full interview, Babyshakes talks more about Megaflower and what to expect, the temptation to rehash the winning formula on Diesel Forever and how she pushed herself away from doing that, how Full Flower Moon Bands music has changed over their journey, the metamorphosis of the songs during the writing and recording process, experimenting more and trusting her instincts, the band's upcoming tour which will be their biggest yet and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60437273Wed, 03 Jul 2024 04:37:13 +0000HEAVY MagazineInterview by Kris Peters One look at any press release from Brisbane rock outfit Full Flower Moon Band and you know everything you need to know about their music in two words. Babyshakes Dillon. Just try and tell me that a band whose frontperson...One look at any press release from Brisbane rock outfit Full Flower Moon Band and you know everything you need to know about their music in two words.
Babyshakes Dillon.
Just try and tell me that a band whose frontperson proudly wears that monicker is anything but the real deal. In all honesty when I first came across Full Flower Moon Band and was asked to speak with the band about their new release Megaflower I almost skipped on by, thinking the band name indicated strongly that Megaflower would comprise washed-up, whimsical love songs borne out of the hippy era designed to make me feel even less in touch with reality than I already am.
Which provides another lesson here. Don't judge a book by its cover - or a band by its name in this case.
Thankfully, I hit play on the link and instantly made a mental note to be less judgemental in the future when the sweet, blues-drenched sounds of Devil filled my ears as I rushed to press confirm on the interview request.
Since releasing their 2021 EP Death Or Hell, the public has fallen in love more readily with Full Flower Moon Band, earning them the sought-after national support for The Black Crowes, allowing the band to spread their rock goodness over more of this country.
2023 release Diesel Forever solidified Full Flower Moon Band's rapidly growing stature, with all indications pointing towards Megaflower - out July 19 - magnifying that acceleration even more. HEAVY sat down with Babyshakes herself to talk about the album and upcoming tour.
"I just came home from listening to the test pressings, and I'm feeling really good," she enthused. "I finished the record a few months ago but haven't had that break to listen to it with fresh ears until now. I had a full listen through and (laughs) for the first time can say I'm pretty proud of it."
We ask Babyshakes to tell us more about the musical side of Megaflower.
"Our last album Diesel Forever was an album that gained us a larger audience," she offered, "and it was a heavy rock album. With this album, I really wanted to be as expansive and generous as I could in terms of it being a studio album and being genre-bending. I felt like I had two choices. I could double down on hard rock riffs and continue to… I guess play into the last record. Or I could be a little bit more adventurous and take a bigger risk. And I chose to do the latter."
In the full interview, Babyshakes talks more about Megaflower and what to expect, the temptation to rehash the winning formula on Diesel Forever and how she pushed herself away from doing that, how Full Flower Moon Bands music has changed over their journey, the metamorphosis of the songs during the writing and recording process, experimenting more and trusting her instincts, the band's upcoming tour which will be their biggest yet and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1049australia,babyshakesdillon,blues,fullflowermoonband,heavy,interview,krispeters,music,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/a-pleasurable-pain-with-sam-spade-from-the-midnight-devils--60447485In a world where the lines between light and shade are being constantly shifted, it is refreshing to come across a band who embrace life to its fullest while still enjoying the many and varied excesses a musical lifestyle offers.
Described as a pure glam slam boogie woogie rock n roll outfit, Omaha's The Midnight Devils are a breath of fresh air on the global music scene, partying all over the world and taking ass and kicking names anywhere and everywhere they go.
Frontman/bassist Sam Spade, guitarist Sniper and drummer Jimmy Mess have worked tireless for almost a decade, plying their trade and delivering their infectious brand of glam metal wherever possible over two previous albums Something Bigger and Never Beg For It, but it is their new album So Hard It Hurts - out July 5 - that has fans and critics alike salivating at the prospect that finally The Midnight Devils might just be rewarded for effort.
With an Australian national support slot to Bon But Not Forgotten looming on the horizon, followed by the bands first ever tour of Japan, Sam Spade sat down with HEAVY to talk life, music and justice The Midnight Devils way.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60447485Tue, 02 Jul 2024 07:58:33 +0000HEAVY MagazineInterview by Kris Peters In a world where the lines between light and shade are being constantly shifted, it is refreshing to come across a band who embrace life to its fullest while still enjoying the many and varied excesses a musical lifestyle...In a world where the lines between light and shade are being constantly shifted, it is refreshing to come across a band who embrace life to its fullest while still enjoying the many and varied excesses a musical lifestyle offers.
Described as a pure glam slam boogie woogie rock n roll outfit, Omaha's The Midnight Devils are a breath of fresh air on the global music scene, partying all over the world and taking ass and kicking names anywhere and everywhere they go.
Frontman/bassist Sam Spade, guitarist Sniper and drummer Jimmy Mess have worked tireless for almost a decade, plying their trade and delivering their infectious brand of glam metal wherever possible over two previous albums Something Bigger and Never Beg For It, but it is their new album So Hard It Hurts - out July 5 - that has fans and critics alike salivating at the prospect that finally The Midnight Devils might just be rewarded for effort.
With an Australian national support slot to Bon But Not Forgotten looming on the horizon, followed by the bands first ever tour of Japan, Sam Spade sat down with HEAVY to talk life, music and justice The Midnight Devils way.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1364bonbutnotforgotten,glamrock,hardrock,heavy,interview,krispeters,mrrecords,podcast,rock,sohardithurts,themidnightdevils,tourtruefullhttps://www.spreaker.com/episode/honour-metal-respect-with-neville-pearce-from-snake-mountain--60423459They say good things come to those who wait, and if that's the case, Gold Coast melodic technical death metal outfit Snake Mountain have some damn fine times ahead of them.
Rather than trying to force themselves onto the international support rollercoaster from the outset, Snake Mountain have preferred to bide their time, practising, waiting, and networking until they felt their product was of high enough standard to put out there.
It has been a long and sometimes painful path to the open market, but one gets the impression it will bear the fruits of progress much sooner rather than later.
In recent months, Snake Mountain have opened for international heavyweights Fleshgod Apocalypse and Wolfheart, as well as teaming up with Australian royalty in Black Rheno and Witchgrinder, in the process proving their suitability and diversity on any metal lineup as long as it's loud.
Following the release of two crushingly brutal singles - Everliving and Extinction Through Fire - Snake Mountain are in the final stages of the long-awaited release of their debut EP Villainous 1: Reverence on July 5. Not content to give the fans new music, the boys have also announced a string of shows along the East Coast over June, July and August so they can share their musical triumphant far and wide.
HEAVY cornered Snake Mountain frontman Neville Pearce to find out more.
"I'm pretty excited about it," he measured when asked about the looming release date. "And I am nervous for people to hear it because I guess it represents where we've been. It's part of a bigger picture that we're trying to paint. We put a lot into it - it's only four tracks - but it shows the different mini-era's of the band and the different members influences that have weaved in and out throughout that time. And I'm really proud of that. That's exactly what the title is in reference to is paying those respects."
We ask Pearce to dive deeper into the music side of the EP.
"It's - as we said before - each song represents, not only the members, but I guess the year they were written," he explained. "The first track, Extinction Through Fire, which we recently released digitally, goes right back to the beginning with Dan Maynard. Then we've got Hunted which was with Dan Maynard, and we have that one with Jamie and Dario then it goes on to All Of Eternia which was Dario and Jamie, and it progresses from there onto the last track Everliving, which was the last single we released. You can sort of tell within those styles how the band has changed and where we've come to now. Which doesn't really represent who we are now with our technical stuff, but it's definitely part of the journey." 
In the full interview, Neville discusses the length of time it took Snake Mountain to release their debut EP and why, the timeline of each song and what part of the band's history it represents, scoring support slots and what it means to the band, the guest artists on the EP and what they brought to the sound, his transformation from one of the good guys off-stage to a raging demon on, their upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60423459Sat, 29 Jun 2024 02:15:52 +0000HEAVY MagazineInterview by Kris Peters They say good things come to those who wait, and if that's the case, Gold Coast melodic technical death metal outfit Snake Mountain have some damn fine times ahead of them. Rather than trying to force themselves onto the...They say good things come to those who wait, and if that's the case, Gold Coast melodic technical death metal outfit Snake Mountain have some damn fine times ahead of them.
Rather than trying to force themselves onto the international support rollercoaster from the outset, Snake Mountain have preferred to bide their time, practising, waiting, and networking until they felt their product was of high enough standard to put out there.
It has been a long and sometimes painful path to the open market, but one gets the impression it will bear the fruits of progress much sooner rather than later.
In recent months, Snake Mountain have opened for international heavyweights Fleshgod Apocalypse and Wolfheart, as well as teaming up with Australian royalty in Black Rheno and Witchgrinder, in the process proving their suitability and diversity on any metal lineup as long as it's loud.
Following the release of two crushingly brutal singles - Everliving and Extinction Through Fire - Snake Mountain are in the final stages of the long-awaited release of their debut EP Villainous 1: Reverence on July 5. Not content to give the fans new music, the boys have also announced a string of shows along the East Coast over June, July and August so they can share their musical triumphant far and wide.
HEAVY cornered Snake Mountain frontman Neville Pearce to find out more.
"I'm pretty excited about it," he measured when asked about the looming release date. "And I am nervous for people to hear it because I guess it represents where we've been. It's part of a bigger picture that we're trying to paint. We put a lot into it - it's only four tracks - but it shows the different mini-era's of the band and the different members influences that have weaved in and out throughout that time. And I'm really proud of that. That's exactly what the title is in reference to is paying those respects."
We ask Pearce to dive deeper into the music side of the EP.
"It's - as we said before - each song represents, not only the members, but I guess the year they were written," he explained. "The first track, Extinction Through Fire, which we recently released digitally, goes right back to the beginning with Dan Maynard. Then we've got Hunted which was with Dan Maynard, and we have that one with Jamie and Dario then it goes on to All Of Eternia which was Dario and Jamie, and it progresses from there onto the last track Everliving, which was the last single we released. You can sort of tell within those styles how the band has changed and where we've come to now. Which doesn't really represent who we are now with our technical stuff, but it's definitely part of the journey." 
In the full interview, Neville discusses the length of time it took Snake Mountain to release their debut EP and why, the timeline of each song and what part of the band's history it represents, scoring support slots and what it means to the band, the guest artists on the EP and what they brought to the sound, his transformation from one of the good guys off-stage to a raging demon on, their upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1449australia,everblackmedia,extrememetal,heavy,heavymetal,interview,krispeters,melodicdeathmetal,metal,music,nevillepearce,podcast,snakemountain,tourtruefullhttps://www.spreaker.com/episode/unleashing-the-beast-with-jonny-hawkins-from-nothing-more--60446801That moment is here and now for US metal tyrants Nothing More, who celebrate the release of their latest - and quite possibly greatest - album yet with Carnal thIs Friday, June 28.
It is an album featuring not only a musical underbelly that highlights all the strengths and none of the weaknesses of Nothing More, but also features guest performances from a veritable who's who of metal royalty including David Draiman (Disturbed) and Eric V (I Prevail) and a production team that have overseen bands such as Motionless In White, A Day To Remember, Limp Bizkit and Bring Me The Horizon.
Carnal is and will be that defining moment for Nothing More, with frontman Jonny Hawkins recently sitting down with HEAVY to tell us more, discussing the musicality of Carnal, the guest artists and why they were chosen, the temptation to rehash the winning formula of their previous album, collaborating with David Draiman, how Carnal came together, diversifying their music without separating themselves from their fanbase, the musical growth of the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60446801Fri, 28 Jun 2024 01:13:04 +0000HEAVY MagazineNo matter the existing strength, quality or back catalogue of a band - and regardless of their past successess - there is ALWAYS a defining moment in their career that makes what may or may not have come before seem trivial and insignificant. While...That moment is here and now for US metal tyrants Nothing More, who celebrate the release of their latest - and quite possibly greatest - album yet with Carnal thIs Friday, June 28.
It is an album featuring not only a musical underbelly that highlights all the strengths and none of the weaknesses of Nothing More, but also features guest performances from a veritable who's who of metal royalty including David Draiman (Disturbed) and Eric V (I Prevail) and a production team that have overseen bands such as Motionless In White, A Day To Remember, Limp Bizkit and Bring Me The Horizon.
Carnal is and will be that defining moment for Nothing More, with frontman Jonny Hawkins recently sitting down with HEAVY to tell us more, discussing the musicality of Carnal, the guest artists and why they were chosen, the temptation to rehash the winning formula of their previous album, collaborating with David Draiman, how Carnal came together, diversifying their music without separating themselves from their fanbase, the musical growth of the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1470betternoisemusic,carnal,daviddraiman,disturbed,ericv,hardrock,heavy,heavymetal,interview,iprevail,krispeters,music,nothingmore,podcasttruefullhttps://www.spreaker.com/episode/life-begins-at-fifty-with-nick-norton-from-the-angels--60349340Fifty years of service to any industry is a remarkable effort, but when that industry happens to be the cut-throat one of music, then that achievement takes on ever greater credence.
The Angels have long been an institution on the Australian music scene, with their high-energy brand of rock transcending generations of music lovers across this country and beyond. The band have literally been there and done that in a landscape not designed for longevity, bouncing back from tragedy, critical upheaval and anything else the world of music and life has thrown their way.
Better known with Doc Neeson out the front, The Angels also welcomed The Screaming Jets' Dave Gleeson to the family for an extended stay, but now, as they enter their second half-century as a band, the baton has been passed on to former drummer, now focal point, Nick Norton.
To celebrate this wonderful milestone, The Angels are releasing their 14th studio album - and first in over a decade - on June 28. Simply titled Ninety Nine, the album marks Norton's first release as vocalist but promises all of the hard-edged rock and roll swagger made famous by The Angels over so many years.
The band has also announced their 50 Not Out national tour, starting in June as well, with Norton putting some time aside recently to tell HEAVY about all of the new adventures in store for The Angels.
"We're stoked about the album," he beamed. "I actually haven't been this excited about a new album since I was… at least ten-plus years. It's always good to be on recordings, and it's an exciting thing, but this one I have repeatedly said to the band and I think I keep surprising the guys about how excited I am about it (laughs). I'm satisfied with the way the tracks have gone down, the way we made sure that everything has been done to a T and exactly how we wanted it. Even from a vocal perspective, this is the most time I have ever taken to really nail parts and layer up all of these interesting harmonies and got it exactly as I was hearing it. Some of these tracks we recorded the rhythm section stuff for four years ago, and we've been laying guitars over since. It was not long before Christmas last year we went on this whole kind of extra thing to get the album finished, and we did a couple of big sessions down in Melbourne at Light Hill Studios to get the album all finished up for the 50th year. Suddenly it's gone from 'we'll get around to finishing the album' to we actually have something here, let's do this."
In the full interview, Nick talks more about Ninety Nine and how it sounds, what they were going for with the overall sound and how The Angels' DNA is spread throughout it, lead single Ninety Nine and why it was chosen to represent the album, delivering what is expected of you while still coming up with something fresh, taking over from Dave Gleeson, fan reaction to his role as frontman, his history with the angels, writing with the Brewster Brothers, their upcoming tour and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60349340Thu, 27 Jun 2024 05:21:15 +0000HEAVY MagazineInterview by Kris Peters Fifty years of service to any industry is a remarkable effort, but when that industry happens to be the cut-throat one of music, then that achievement takes on ever greater credence. The Angels have long been an institution on...Fifty years of service to any industry is a remarkable effort, but when that industry happens to be the cut-throat one of music, then that achievement takes on ever greater credence.
The Angels have long been an institution on the Australian music scene, with their high-energy brand of rock transcending generations of music lovers across this country and beyond. The band have literally been there and done that in a landscape not designed for longevity, bouncing back from tragedy, critical upheaval and anything else the world of music and life has thrown their way.
Better known with Doc Neeson out the front, The Angels also welcomed The Screaming Jets' Dave Gleeson to the family for an extended stay, but now, as they enter their second half-century as a band, the baton has been passed on to former drummer, now focal point, Nick Norton.
To celebrate this wonderful milestone, The Angels are releasing their 14th studio album - and first in over a decade - on June 28. Simply titled Ninety Nine, the album marks Norton's first release as vocalist but promises all of the hard-edged rock and roll swagger made famous by The Angels over so many years.
The band has also announced their 50 Not Out national tour, starting in June as well, with Norton putting some time aside recently to tell HEAVY about all of the new adventures in store for The Angels.
"We're stoked about the album," he beamed. "I actually haven't been this excited about a new album since I was… at least ten-plus years. It's always good to be on recordings, and it's an exciting thing, but this one I have repeatedly said to the band and I think I keep surprising the guys about how excited I am about it (laughs). I'm satisfied with the way the tracks have gone down, the way we made sure that everything has been done to a T and exactly how we wanted it. Even from a vocal perspective, this is the most time I have ever taken to really nail parts and layer up all of these interesting harmonies and got it exactly as I was hearing it. Some of these tracks we recorded the rhythm section stuff for four years ago, and we've been laying guitars over since. It was not long before Christmas last year we went on this whole kind of extra thing to get the album finished, and we did a couple of big sessions down in Melbourne at Light Hill Studios to get the album all finished up for the 50th year. Suddenly it's gone from 'we'll get around to finishing the album' to we actually have something here, let's do this."
In the full interview, Nick talks more about Ninety Nine and how it sounds, what they were going for with the overall sound and how The Angels' DNA is spread throughout it, lead single Ninety Nine and why it was chosen to represent the album, delivering what is expected of you while still coming up with something fresh, taking over from Dave Gleeson, fan reaction to his role as frontman, his history with the angels, writing with the Brewster Brothers, their upcoming tour and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1160album,aussierock,davegleeson,docneeson,hardrock,heavy,interview,johnbrewster,krispeters,music,ninetynine,podcast,rickbrewster,rock,theangels,tourtruefullhttps://www.spreaker.com/episode/rewinding-time-with-fox-genevieve-from-temtris--60437847Twenty years in any position is worthy of long service reward, but when you manage to do that in the cut-throat and often thankless place called the music industry, then long service leave just doesn't cut the mustard.
It is an industry that taxes the majority and rewards the few, but it is also one of the few things in the world that could loosely come under the term job that by and large brings satisfaction, relief, and extreme pleasure to all of those fortunate enough to embrace it.
Sydney hard rock/metal outfit Temtris have recently earned their place in the 20 years and counting music club and are celebrating by doing the one thing they do best.
Releasing music and touring. But that's two things, I hear you scream.
Not when you are in a working band, my friends. Writing, recording and touring go hand in hand. You can't succeed in one without embracing the other, which is one of the major reasons why Temtris have emerged triumphant from the minefield that engulfed the world just a few short years ago. Not only have they come out the other side still as a band with an itch to scratch, but Temtris have come out with renewed zest and vigour, taking their music to an international audience while still satisfying those closer to home.
And what's the best way to celebrate such milestones with the people who helped perpetuate your longevity?
By releasing a Best Of album that captures your band and music every step of the way, from your tentative first steps to your current day sprint. Because at the end of the day music is as much about your fans as it is yourself, otherwise you would be left singing into the empty shampoo bottle in the shower while mentally standing in front of an adoring crowd.
On June 28 this year, Temtris unveil their gift to the fans in the form of Rewinding Time, a comprehensive recounting of the band's music from debut album Threshold in 2003 up to last year's dynamic Khaos Divine. It is a compilation of musical highlights as originally recorded that not only highlights the growth and strengths of Temtris, but also their frailties and humanity.
Guitarist Fox and vocalist Genevieve joined HEAVY to chat more about the album and the band's upcoming European return.
One of the questions we ask them is how the experience of putting together a Best Of album felt.
"Over a 20-year career, it was interesting going back to the early stuff and re-listening to things," Fox replied. "You have that feel of gee, it was a bit rough back then (laughs). You can hear the improvement over the years, as you would hope, as both the technology and our own skills in production has improved. You'd go back and listen to the early songs, and it was still difficult thinking which songs we would include. You think things like the production may not be the most amazing compared to modern standards, but the music itself still stands up quite well."
Larger bands like Slipknot, Metallica etc would find assembling a Best Of album an easy task. Just start at the pile of number ones and work your way backwards. But for bands not on the same platform it would be more of a personal experience, listening to their old music and recalling which ones resonated with not only themselves, but with their fans and audiences over the years. We ask the band if that's how they came up with the chosen few, or if there was a more delicate method.
"I literally went online and asked the fans what they wanted," Genevieve answered. "I had some interesting responses. It was hard for us… we put The Lies Become The Truth off the last album, even though it wasn't a major single with a major film clip, just because that song, literally every time we play live, goes off. It was like, this is one of the most loved tracks off that album, so we put it on. That's how we did that with a lot of the tracks we chose."
"There's definitely an element of connection to it," Fox continued. "All the songs that are on this best of compilation we've had a strong connection with live. They are songs the fans have responded to and requested again and again and again and still come to shows now and say when are you putting this song back in the set? That speaks to us and builds our connection with those particular songs as well. All of the songs that have gone onto the album have that connection. There's songs where we feel we have connected very strongly with the fanbase through this music and this song."
In the full interview, we ask Fox and Genevieve how connected they still felt as they were going through the older tracks, how they could hear their own musical progression from the early songs to more recent, the album artwork and how it reflects 20 years of Temtris, releasing Rewinding Time in physical form and the importance of maintaining actual CD's as opposed to going full digital, the new line of merch to coincide with Rewinding Time, last year's European tour and how overseas fans related to their music, their upcoming return visit throughout Europe, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60437847Tue, 25 Jun 2024 02:47:03 +0000HEAVY MagazineInterview by Kris Peters Twenty years in any position is worthy of long service reward, but when you manage to do that in the cut-throat and often thankless place called the music industry, then long service leave just doesn't cut the mustard. It is...Twenty years in any position is worthy of long service reward, but when you manage to do that in the cut-throat and often thankless place called the music industry, then long service leave just doesn't cut the mustard.
It is an industry that taxes the majority and rewards the few, but it is also one of the few things in the world that could loosely come under the term job that by and large brings satisfaction, relief, and extreme pleasure to all of those fortunate enough to embrace it.
Sydney hard rock/metal outfit Temtris have recently earned their place in the 20 years and counting music club and are celebrating by doing the one thing they do best.
Releasing music and touring. But that's two things, I hear you scream.
Not when you are in a working band, my friends. Writing, recording and touring go hand in hand. You can't succeed in one without embracing the other, which is one of the major reasons why Temtris have emerged triumphant from the minefield that engulfed the world just a few short years ago. Not only have they come out the other side still as a band with an itch to scratch, but Temtris have come out with renewed zest and vigour, taking their music to an international audience while still satisfying those closer to home.
And what's the best way to celebrate such milestones with the people who helped perpetuate your longevity?
By releasing a Best Of album that captures your band and music every step of the way, from your tentative first steps to your current day sprint. Because at the end of the day music is as much about your fans as it is yourself, otherwise you would be left singing into the empty shampoo bottle in the shower while mentally standing in front of an adoring crowd.
On June 28 this year, Temtris unveil their gift to the fans in the form of Rewinding Time, a comprehensive recounting of the band's music from debut album Threshold in 2003 up to last year's dynamic Khaos Divine. It is a compilation of musical highlights as originally recorded that not only highlights the growth and strengths of Temtris, but also their frailties and humanity.
Guitarist Fox and vocalist Genevieve joined HEAVY to chat more about the album and the band's upcoming European return.
One of the questions we ask them is how the experience of putting together a Best Of album felt.
"Over a 20-year career, it was interesting going back to the early stuff and re-listening to things," Fox replied. "You have that feel of gee, it was a bit rough back then (laughs). You can hear the improvement over the years, as you would hope, as both the technology and our own skills in production has improved. You'd go back and listen to the early songs, and it was still difficult thinking which songs we would include. You think things like the production may not be the most amazing compared to modern standards, but the music itself still stands up quite well."
Larger bands like Slipknot, Metallica etc would find assembling a Best Of album an easy task. Just start at the pile of number ones and work your way backwards. But for bands not on the same platform it would be more of a personal experience, listening to their old music and recalling which ones resonated with not only themselves, but with their fans and audiences over the years. We ask the band if that's how they came up with the chosen few, or if there was a more delicate method.
"I literally went online and asked the fans what they wanted," Genevieve answered. "I had some interesting responses. It was hard for us… we put The Lies Become The Truth off the last album, even though it wasn't a major single with a major film clip, just because that song, literally every time we play live, goes off. It was like, this is one of the most loved tracks off that album, so we put it on. That's how we did that with a lot of the tracks we chose."
"There's definitely an element of connection to it," Fox...]]>1217album,australia,bestof,hardrock,heavy,heavymetal,interview,krispeters,podcast,rewindingtime,rock,temtris,tourtruefullhttps://www.spreaker.com/episode/come-as-you-are-with-jon-o-connor-from-nirvana-tribute--60436697Grunge fans rejoice as the raw energy of Nirvana returns to Australia!
Direct from the UK, the world’s number one tribute to the Seattle legends, Nirvana Tribute, are making their way back to Aussie shores for their fourth visit, and for the first time will be hitting New Zealand as well to pay homage to, and celebrate the life of Kurt Cobain.
Tribute bands are a dime-a-dozen these days, and quality versions are rarer than hens teeth, especially in the case of Nirvana tribute acts. It seems every country has more than a handful of bands claiming to pay homage to the original artist and their music, but in reality turn out to be nothing more than semi-adequate wanna-be's who are just in it for the quick buck.
Sound harsh? Well I should know, having worked with one of the best and most popular tribute bands ever, ACCADACCA.
There's only one other band that I have ever seen manage to capture the raw intensity and musical brilliance of the band they are paying tribute to, and that is Nirvana Tribute. Especially frontman Jon O'Conner, who is that similar in looks, presence and voice to Kurt Cobain himself that you could close your eyes at their gig at the local pub and easily be transported back to The Duchess Of York Hotel in Leeds back in 1989, standing in front of the actual Nirvana in a smoke-stained, overcrowded and sweaty club.
Nirvana Tribute has been hailed as worthy successors the world over, with countless tours and new territory conquered on a yearly basis and even more that unfortunately miss out.
HEAVY caught up with frontman Jon O'Conner recently to talk more about Nirvana Tribute plus the man and legacy honoured each and every time the band gets on stage.
"The people seem to like us there," he shrugged when we mention the band must be doing something right to be invited back for a fourth tour of Australia, "so we'll always go back. We love it as well. I think on my first visit to Australia, I was completely blown away. Just the hospitality and the people there… you can't beat it."
We point out the fact that Australians are known for their honest nature in general, but even more so when it comes to music, so if Nirvana Tribute have managed to win us over things are looking pretty good.
"I think we would have known if they weren't happy," he laughed. "They made us feel right at home on that very first trip, so I'm sure the fourth one will be just the same."
As mentioned earlier, there are an uncomfortably large number of tribute bands doing the rounds, with Nirvana being right up there as the most popular band to attempt. We ask O'Conner how he feels about such bands who ultimately only serve to denigrate the efforts of others like Nirvana Tribute who actually take pride in their work.
"At the moment there is an almost oversaturation of the market," he agreed. "There's some substandard Nirvana tribute bands, but this is the one to come and see. If you wanna see a genuine Nirvana performance and go home feeling like you'd been at a Nirvana show, this is the one that you need to see. Plus we bring a little bit of chaos with us as well (laughs)."
In the full interview, Jon talks more about what fans can expect from the show, headlining the Louder Than Love run of shows while here, the resurgence of grunge music and how far he thinks it will go, recreating the magic of Nirvana and what things Nirvana Tribute do to make that happen, separating himself from the stigma that comes with portraying Kurt Cobain, his thoughts on the enduring legacy of the great man, what attracts him to Nirvana's music, what people find so special about it, living up to fan expectation and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60436697Tue, 25 Jun 2024 02:42:30 +0000HEAVY MagazineInterview by Kris Peters Grunge fans rejoice as the raw energy of Nirvana returns to Australia! Direct from the UK, the world’s number one tribute to the Seattle legends, Nirvana Tribute, are making their way back to Aussie shores for their fourth...Grunge fans rejoice as the raw energy of Nirvana returns to Australia!
Direct from the UK, the world’s number one tribute to the Seattle legends, Nirvana Tribute, are making their way back to Aussie shores for their fourth visit, and for the first time will be hitting New Zealand as well to pay homage to, and celebrate the life of Kurt Cobain.
Tribute bands are a dime-a-dozen these days, and quality versions are rarer than hens teeth, especially in the case of Nirvana tribute acts. It seems every country has more than a handful of bands claiming to pay homage to the original artist and their music, but in reality turn out to be nothing more than semi-adequate wanna-be's who are just in it for the quick buck.
Sound harsh? Well I should know, having worked with one of the best and most popular tribute bands ever, ACCADACCA.
There's only one other band that I have ever seen manage to capture the raw intensity and musical brilliance of the band they are paying tribute to, and that is Nirvana Tribute. Especially frontman Jon O'Conner, who is that similar in looks, presence and voice to Kurt Cobain himself that you could close your eyes at their gig at the local pub and easily be transported back to The Duchess Of York Hotel in Leeds back in 1989, standing in front of the actual Nirvana in a smoke-stained, overcrowded and sweaty club.
Nirvana Tribute has been hailed as worthy successors the world over, with countless tours and new territory conquered on a yearly basis and even more that unfortunately miss out.
HEAVY caught up with frontman Jon O'Conner recently to talk more about Nirvana Tribute plus the man and legacy honoured each and every time the band gets on stage.
"The people seem to like us there," he shrugged when we mention the band must be doing something right to be invited back for a fourth tour of Australia, "so we'll always go back. We love it as well. I think on my first visit to Australia, I was completely blown away. Just the hospitality and the people there… you can't beat it."
We point out the fact that Australians are known for their honest nature in general, but even more so when it comes to music, so if Nirvana Tribute have managed to win us over things are looking pretty good.
"I think we would have known if they weren't happy," he laughed. "They made us feel right at home on that very first trip, so I'm sure the fourth one will be just the same."
As mentioned earlier, there are an uncomfortably large number of tribute bands doing the rounds, with Nirvana being right up there as the most popular band to attempt. We ask O'Conner how he feels about such bands who ultimately only serve to denigrate the efforts of others like Nirvana Tribute who actually take pride in their work.
"At the moment there is an almost oversaturation of the market," he agreed. "There's some substandard Nirvana tribute bands, but this is the one to come and see. If you wanna see a genuine Nirvana performance and go home feeling like you'd been at a Nirvana show, this is the one that you need to see. Plus we bring a little bit of chaos with us as well (laughs)."
In the full interview, Jon talks more about what fans can expect from the show, headlining the Louder Than Love run of shows while here, the resurgence of grunge music and how far he thinks it will go, recreating the magic of Nirvana and what things Nirvana Tribute do to make that happen, separating himself from the stigma that comes with portraying Kurt Cobain, his thoughts on the enduring legacy of the great man, what attracts him to Nirvana's music, what people find so special about it, living up to fan expectation and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>854australia,grunge,heavy,interview,krispeters,nirvana,nirvanatribute,podcast,rock,tour,tributebandtruefullhttps://www.spreaker.com/episode/an-assault-on-the-senses-with-ladybeard-from-babybeard--60410808What do you get when you cross a pro wrestler, a metal head and a penchant for cross-dressing? If you answered Ladybeard then you are 1000% correct. For there is only one.
Because one walking ray of sunshine is all the world needs.
Since blowing up the Japanese internet in 2014 and then taking on the world with his first single Nippon Manju the following year, Adelaide-born Ladybeard has quickly become - and, most importantly, remained - an exuberant spark of life in an otherwise bleak musical landscape. His vision first of creating and then of embracing the persona that is Ladybeard has seen him traverse the globe as a solo artist but even the best of us get lonely sometimes and thus Ladybeard sought companionship in the form Japanese idols SUZU and MAHRI to form his current group Babybeard in 2020.
Combining colourful Japanese pop culture and relentlessly cute pigtails with heavy metal, pro-wrestling and choreographed dancing, Babybeard’s uniquely high-energy performances have captured the hearts and ears of all ages no matter what part of the world they have blessed, but now it's Australia's turn when Babybeard arrive in this country in the coming days for their Adorable Assault On Australia Tour, kicking off in Adelaide this Friday.
It promises to be an entertaining, family-suited string of shows and is a fitting homecoming for a man and his band. But don't let us convince you of the above, listen to the words of Ladybeard himself, and you will find it impossible to refute.
"We are here to tell you dear, beautiful Australians that Ladybeard is coming on tour to Australia with his group Babybeard this June and July," he declared. "So we all need to get a bit excited Australia. We need to raise the tempo because we're not here for siesta time. We're here to SCREAM with a man in pigtails and two Japanese females. It's me, with two adorable Japanese ladies next to me, and we're all dancing. The girls are singing, I'm SCREAMING. It's like BabyMetal but with a giant, bearded, cross-dressing Aussie in the middle. That's exactly what it's like. The group is called Babybeard - so it's Ladybeard plus babies equals Babybeard, it's very straightforward - and we're coming for you. We've been trying to make this Australia tour happen for a long time. We put this group together in 2020, and we all know what happened then that made touring somewhat difficult, but we had a plan to tour in 2020. Nope, not happening. Tour 2021? Nah, not happening. 2022? Nah, 2023? Nah. Finally, 2024 is the Year Of The Beard. Actually, they changed it to the Chinese zodiac, so it is officially The Year Of The Beard for Australians only!"
In the full interview, Ladybeard tells us how an assault on our country could possibly be perceived as adorable, starting the tour in his hometown of Adelaide and if he is nervous about kicking things off in front of friends and family he hasn't seen for a while, gives a brief account of how he went from Adelaide wrestler to international superstar, combining J Pop with metal without being overly offensive, what to expect from the shows, the growth of J Pop as a music and culture and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60410808Tue, 25 Jun 2024 02:34:30 +0000HEAVY Magazinenterview by Kris Peters What do you get when you cross a pro wrestler, a metal head and a penchant for cross-dressing? If you answered Ladybeard then you are 1000% correct. For there is only one. Because one walking ray of sunshine is all the world...What do you get when you cross a pro wrestler, a metal head and a penchant for cross-dressing? If you answered Ladybeard then you are 1000% correct. For there is only one.
Because one walking ray of sunshine is all the world needs.
Since blowing up the Japanese internet in 2014 and then taking on the world with his first single Nippon Manju the following year, Adelaide-born Ladybeard has quickly become - and, most importantly, remained - an exuberant spark of life in an otherwise bleak musical landscape. His vision first of creating and then of embracing the persona that is Ladybeard has seen him traverse the globe as a solo artist but even the best of us get lonely sometimes and thus Ladybeard sought companionship in the form Japanese idols SUZU and MAHRI to form his current group Babybeard in 2020.
Combining colourful Japanese pop culture and relentlessly cute pigtails with heavy metal, pro-wrestling and choreographed dancing, Babybeard’s uniquely high-energy performances have captured the hearts and ears of all ages no matter what part of the world they have blessed, but now it's Australia's turn when Babybeard arrive in this country in the coming days for their Adorable Assault On Australia Tour, kicking off in Adelaide this Friday.
It promises to be an entertaining, family-suited string of shows and is a fitting homecoming for a man and his band. But don't let us convince you of the above, listen to the words of Ladybeard himself, and you will find it impossible to refute.
"We are here to tell you dear, beautiful Australians that Ladybeard is coming on tour to Australia with his group Babybeard this June and July," he declared. "So we all need to get a bit excited Australia. We need to raise the tempo because we're not here for siesta time. We're here to SCREAM with a man in pigtails and two Japanese females. It's me, with two adorable Japanese ladies next to me, and we're all dancing. The girls are singing, I'm SCREAMING. It's like BabyMetal but with a giant, bearded, cross-dressing Aussie in the middle. That's exactly what it's like. The group is called Babybeard - so it's Ladybeard plus babies equals Babybeard, it's very straightforward - and we're coming for you. We've been trying to make this Australia tour happen for a long time. We put this group together in 2020, and we all know what happened then that made touring somewhat difficult, but we had a plan to tour in 2020. Nope, not happening. Tour 2021? Nah, not happening. 2022? Nah, 2023? Nah. Finally, 2024 is the Year Of The Beard. Actually, they changed it to the Chinese zodiac, so it is officially The Year Of The Beard for Australians only!"
In the full interview, Ladybeard tells us how an assault on our country could possibly be perceived as adorable, starting the tour in his hometown of Adelaide and if he is nervous about kicking things off in front of friends and family he hasn't seen for a while, gives a brief account of how he went from Adelaide wrestler to international superstar, combining J Pop with metal without being overly offensive, what to expect from the shows, the growth of J Pop as a music and culture and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>950australia,babybeard,heavy,heavymetal,interview,jpop,krispeters,ladybeard,podcast,tour,wrestlingfalsefullhttps://www.spreaker.com/episode/how-to-control-a-rudderless-motorsteeple-with-battlesnake--60424406Last year's The World Is A Vampire festival might have been promoted as an internationally led concert event headlined by The Smashing Pumpkins, but for me, it will forever be remembered as the first time I saw or heard a Sydney band called Battlesnake. After a continual chorus of praise for the band from one of my friends there, I reluctantly peeled myself off the comfy interview lounge and trudged to the main stage under duress from not getting my own way.
But by the time I got halfway there and heard the rumblings of deep, throbbing metal notes coupled with possibly a naughty word or two for effect, I suddenly had something else to focus on rather than my own petulance.
With a raw-sounding mix of huge Black Sabbath drenched riffs and the toughness and fortitude of Judas Priest in their prime, Battlesnake were systematically winning the crowd over one set of ears at a time. It was a brutal and welcome initiation to a band and music I hadn't even known existed just 12 hours earlier and I have followed the rise and rise of the band ever since.
So when the opportunity came knocking to have a chat with Samuel, Elliott and Dan preceding the release of their new album The Rise and Demise of the Motorsteeple I strapped myself in and prepared for war.
Battlesnake style.
"We've been sitting on it for a while, and we can't wait to share it with the world," Dan enthused when we ask him how they are feeling with the album so close to birth.
"There's so much going on," Elliott picked up. "I almost forgot we had the album coming out!"
"Same," echoed Dan and Sam.
"We're in the middle of organising the next Europe tour, and we've got all these launch events happening. It's really exciting, but yeah, I kinda almost forgot (laughs)."
Unable to hold our tongue any longer, HEAVY asks what the hell the name of the album actually means.
"It's pretty obvious," Sam deadpanned. "The Motorsteeple is this gigantic, colossal church on tank tracks that drives the waste eternally, and it has no brakes. The album is about the rise and demise of the motorsteeple. Pretty bleeding obvious…"
Seeing we got no sense out of any of them regarding the title, we try our luck asking about the album musically.
"I guess an expansion of the sound that we've been working on for a while," Elliott measured, "and some new, exciting flavours to come."
There's a few surprises that you will hear," Dan teased.
"We kind of branched a bit more out into the electronic thing," Elliott continued. "We've got an old-school dub chorus in one of the songs. I feel like we got super weird with it. Every time in the studio we thought no, it's too weird we probably shouldn't do that, we'd come back the next day and say nah that's fucken sick, we have to keep that. I think it's just proof that we need to keep getting weirder (laughs)."
In the full interview, the boys discuss how The Rise and Demise of the Motorsteeple differs musically to their self-titled debut album, their breakthrough success because of The World Is A Vampire tour, how they capitalised on that momentum moving forward, the challenges of writing the second album with more attention and expectation on them as a band, their musical inspirations, how and where to draw the line between imitation and inspiration, their recent European tour and plans to go back, how overseas crowds reacted to their live shows and sense of humour, the upcoming Australian tour and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60424406Thu, 20 Jun 2024 08:08:14 +0000HEAVY MagazineInterview by Kris Peters Last year's The World Is A Vampire festival might have been promoted as an internationally led concert event headlined by The Smashing Pumpkins, but for me, it will forever be remembered as the first time I saw or heard a...Last year's The World Is A Vampire festival might have been promoted as an internationally led concert event headlined by The Smashing Pumpkins, but for me, it will forever be remembered as the first time I saw or heard a Sydney band called Battlesnake. After a continual chorus of praise for the band from one of my friends there, I reluctantly peeled myself off the comfy interview lounge and trudged to the main stage under duress from not getting my own way.
But by the time I got halfway there and heard the rumblings of deep, throbbing metal notes coupled with possibly a naughty word or two for effect, I suddenly had something else to focus on rather than my own petulance.
With a raw-sounding mix of huge Black Sabbath drenched riffs and the toughness and fortitude of Judas Priest in their prime, Battlesnake were systematically winning the crowd over one set of ears at a time. It was a brutal and welcome initiation to a band and music I hadn't even known existed just 12 hours earlier and I have followed the rise and rise of the band ever since.
So when the opportunity came knocking to have a chat with Samuel, Elliott and Dan preceding the release of their new album The Rise and Demise of the Motorsteeple I strapped myself in and prepared for war.
Battlesnake style.
"We've been sitting on it for a while, and we can't wait to share it with the world," Dan enthused when we ask him how they are feeling with the album so close to birth.
"There's so much going on," Elliott picked up. "I almost forgot we had the album coming out!"
"Same," echoed Dan and Sam.
"We're in the middle of organising the next Europe tour, and we've got all these launch events happening. It's really exciting, but yeah, I kinda almost forgot (laughs)."
Unable to hold our tongue any longer, HEAVY asks what the hell the name of the album actually means.
"It's pretty obvious," Sam deadpanned. "The Motorsteeple is this gigantic, colossal church on tank tracks that drives the waste eternally, and it has no brakes. The album is about the rise and demise of the motorsteeple. Pretty bleeding obvious…"
Seeing we got no sense out of any of them regarding the title, we try our luck asking about the album musically.
"I guess an expansion of the sound that we've been working on for a while," Elliott measured, "and some new, exciting flavours to come."
There's a few surprises that you will hear," Dan teased.
"We kind of branched a bit more out into the electronic thing," Elliott continued. "We've got an old-school dub chorus in one of the songs. I feel like we got super weird with it. Every time in the studio we thought no, it's too weird we probably shouldn't do that, we'd come back the next day and say nah that's fucken sick, we have to keep that. I think it's just proof that we need to keep getting weirder (laughs)."
In the full interview, the boys discuss how The Rise and Demise of the Motorsteeple differs musically to their self-titled debut album, their breakthrough success because of The World Is A Vampire tour, how they capitalised on that momentum moving forward, the challenges of writing the second album with more attention and expectation on them as a band, their musical inspirations, how and where to draw the line between imitation and inspiration, their recent European tour and plans to go back, how overseas crowds reacted to their live shows and sense of humour, the upcoming Australian tour and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1298australia,battlesnake,blacksabbath,hardrock,heavy,heavymetal,interview,judaspriest,krispeters,music,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/the-inherent-beauty-of-music-with-eicca-toppinen-from-apocalyptica--60436013My first introduction to Apocalyptica was in 2007 through the song I'm Not Jesus, which featured Slipknot vocalist Corey Taylor in an even more powerfully destructive performance than usual.
And that's saying something.
And that, in a nutshell, is the best thing about artists collaborating with different bands, often outside of their comfort zone. It allows music listeners a free pass, if you will, to be open to and listen to music they would normally discount all because another musician they love and respect is singing or playing on a song with them.
And so it was with Apocalyptica, who over the years have collaborated with Lacey Mosley (Flyleaf), Brent Smith (Shinedown), Dave Lombardo (Slayer) and Ville Valo (HIM) to name a few.
A three-piece instrumental cello band, Apocalyptica started life as a Metallica covers band, so it was only fitting that their 1996 debut album, Plays Metallica By Four Cellos, featured their own versions of Metallica songs.
Cello metal, if you will.
Since then Apocalyptica have released another nine studio albums, some cello versions of other band's music and others a mixture of covers and originals and some also solely original music, but it was their connection with - or more so their commanding performance of - Metallica songs that has connected Apocalyptica with much of their global fanbase.
Some are drawn to the reworkings of heavy metal classics because of the novelty value, some out of curiosity, and most by the fact that their versions and takes on a genre far removed from their own are breathtaking in their sonic beauty and suffocating in their musical density.
And so it is that Apocalyptica have returned to where they started for their tenth album, Apocalypotica Plays Metallica Vol 2, which came out on June 7. Featuring cello-driven versions of previously untouchable tracks like The Four Horsemen, Ride The Lightning and Blackened, the biggest - and possibly best - surprise on the album is the use of the actual bassline laid down by Cliff Burton on the original recording of The Call Of Ktulu.
HEAVY settled in for a chat with Apocalyptica's bandleader Eicca Toppinen to find out the story behind how that came to be and more.
"With all of Metallica's involvement in this album, we didn't think about it when we started working on it," he began. "All those ideas started to come up when we were working on the music, for example, The Call Of Ktulu is one of my favourite songs of all time from Metallica because the colours and the vibe of the song has something super powerful. Some years ago I realised that a lot of those sound elements in the song that I always loved and was always fascinated about, I realised they were actually made by bass. 
Then came the idea wouldn't it be so cool to get that bassline? Last spring I sent a message to Lars Ulrich and I said we're working on this album and I would like to have a call with you because there are a couple of ideas that are rising from the process. I talked to Lars and said, this is probably pretty crazy, but I was thinking we are working on The Call Of Ktulu, and it would be amazing if we could get that, and Lars said 'this is such a great idea. I love that you always have these out-of-the-box ideas, but I have no idea how to make it work' (laughs). Even he was like, that might be difficult. James needs to approve, then Cliff Burton's family needs to approve then we need to figure out what kind of contractual things there are, because the album was released in 1984 and the record company from that time might have some rights on the actual recording and stuff. 
Then things happened smoothly. I went to Sweden to see Metallica last Summer and was hanging out there all weekend and what happened was really cool. I was invited after the first show into this very casual dinner, and I'm sitting there with my girlfriend and Rob Trujillo is coming in, and he said hey and sat one of the women at our table, and I was sitting with her talking, and it came along super well. Maybe after an hour, hour and a half we were talking about the album and I said about this idea, and it turned out that she was the step-sister of Cliff Burton! And the person who was actually taking care of Cliff Burton's legacy. She loved the idea but said you'll have to ask Lars, and I said I already spoke with Lars, and she said then you have to ask Tony the manager of Metallica and everybody was so excited. Then I talked with everybody and the manager said I need to call a couple of lawyers and figure out the legal side of it and everything just worked out. It was just crazy with all these things. 
I think the reason why things worked out is we were never going to Metallica and saying we want something off you. We were not asking can we do this, or can you do this? It was more like I was presenting the ideas and saying this would be great if we could do things like James talking and all that stuff, and they just said wow, yeah, this is cool. So I think that was the reason that Metallica got equally excited about what we were doing as we were."
In the full interview, Eicca talks about how they chose which singles to release and why, the term cello metal and how it suits what Apocalyptica do, having James Hetfield and Rob Trujillo guest on the album, the 28-year gap between their two Metallica tribute albums and why, making the songs their own, if the new era of Metallica songs are easier to translate than the music from the band's early days, deconstructing a metal track and restructuring it in their own image, the correlation between heavy metal and the cello, why he thinks people gravitate to Apocalyptica's versions of known songs, the fact they are not harshly judged for presenting the songs in a different light, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60436013Wed, 19 Jun 2024 10:58:49 +0000HEAVY MagazineInterview by Kris Peters My first introduction to Apocalyptica was in 2007 through the song I'm Not Jesus, which featured Slipknot vocalist Corey Taylor in an even more powerfully destructive performance than usual. And that's saying something. And...My first introduction to Apocalyptica was in 2007 through the song I'm Not Jesus, which featured Slipknot vocalist Corey Taylor in an even more powerfully destructive performance than usual.
And that's saying something.
And that, in a nutshell, is the best thing about artists collaborating with different bands, often outside of their comfort zone. It allows music listeners a free pass, if you will, to be open to and listen to music they would normally discount all because another musician they love and respect is singing or playing on a song with them.
And so it was with Apocalyptica, who over the years have collaborated with Lacey Mosley (Flyleaf), Brent Smith (Shinedown), Dave Lombardo (Slayer) and Ville Valo (HIM) to name a few.
A three-piece instrumental cello band, Apocalyptica started life as a Metallica covers band, so it was only fitting that their 1996 debut album, Plays Metallica By Four Cellos, featured their own versions of Metallica songs.
Cello metal, if you will.
Since then Apocalyptica have released another nine studio albums, some cello versions of other band's music and others a mixture of covers and originals and some also solely original music, but it was their connection with - or more so their commanding performance of - Metallica songs that has connected Apocalyptica with much of their global fanbase.
Some are drawn to the reworkings of heavy metal classics because of the novelty value, some out of curiosity, and most by the fact that their versions and takes on a genre far removed from their own are breathtaking in their sonic beauty and suffocating in their musical density.
And so it is that Apocalyptica have returned to where they started for their tenth album, Apocalypotica Plays Metallica Vol 2, which came out on June 7. Featuring cello-driven versions of previously untouchable tracks like The Four Horsemen, Ride The Lightning and Blackened, the biggest - and possibly best - surprise on the album is the use of the actual bassline laid down by Cliff Burton on the original recording of The Call Of Ktulu.
HEAVY settled in for a chat with Apocalyptica's bandleader Eicca Toppinen to find out the story behind how that came to be and more.
"With all of Metallica's involvement in this album, we didn't think about it when we started working on it," he began. "All those ideas started to come up when we were working on the music, for example, The Call Of Ktulu is one of my favourite songs of all time from Metallica because the colours and the vibe of the song has something super powerful. Some years ago I realised that a lot of those sound elements in the song that I always loved and was always fascinated about, I realised they were actually made by bass. 
Then came the idea wouldn't it be so cool to get that bassline? Last spring I sent a message to Lars Ulrich and I said we're working on this album and I would like to have a call with you because there are a couple of ideas that are rising from the process. I talked to Lars and said, this is probably pretty crazy, but I was thinking we are working on The Call Of Ktulu, and it would be amazing if we could get that, and Lars said 'this is such a great idea. I love that you always have these out-of-the-box ideas, but I have no idea how to make it work' (laughs). Even he was like, that might be difficult. James needs to approve, then Cliff Burton's family needs to approve then we need to figure out what kind of contractual things there are, because the album was released in 1984 and the record company from that time might have some rights on the actual recording and stuff. 
Then things happened smoothly. I went to Sweden to see Metallica last Summer and was hanging out there all weekend and what happened was really cool. I was invited after the first show into this very casual dinner, and I'm sitting there with my girlfriend and Rob Trujillo is coming in, and he said...]]>2048album,apocalyptica,apocalypticaplaysmetallicavol2,cello,heavy,interview,jameshetfield,krispeters,larsulrich,metallica,music,podcast,robtrujillo,symphonicmetaltruefullhttps://www.spreaker.com/episode/expanding-the-world-of-opportunities-with-mark-alexander-from-golden-robot-records--60432095Golden Robot Global Entertainment is a worldwide brand that prides itself on being home to some of the most legendary bands and up-and-coming artists in the world. Starting with just one band in 2015, the company has expanded quickly to meet demand and spans a multitude of genres and styles. They are a truly global network, with bands such as Filter, Orgy, The Answer, Shepherd's Reign, Rose Tattoo and countless more on their successful roster.
But there is much more to Golden Robot Records than meets the eye, with Mark Alexander, Golden Robot Global Entertainment Manager, joining HEAVY to tell us about some exciting new developments that will benefit musicians and artists of all levels of experience and stature.
"Golden Robot Records started nearly ten years ago now," he began. "It basically started because my son was on Australia's Got Talent - he was about nine at the time, he's 21 now - and he nearly won the show. Coming out of the show, we thought, we don't want him to be a novelty. We want him to have some sort of legacy. So we put him together with a couple of great guys and fantastic musicians - Steve Balbi was one of them - and they made this great album. They called it Orbiter and the band was called Moon. When I shopped that around, nobody was interested, nobody gave a shit. So I thought, you know what? I'm gonna do this myself. I'd given everybody a little present to thank them, a little golden robot, and when it was time to name the company we named it Golden Robot Records. We started off hard. We were signing some great bands in the States and Europe. I was working with Derek Shulman, who was the ex-president of Roadrunner Records, and him and I went along and got involved in quite a lot of things from about 2015, and we just kept growing. (but) this is a different year for us. We've had the hits and misses over the years. We've had some things that have gone to number one. We've had some things that have been a disaster, but that's the business. The good thing about being an Aussie and working in the global world is if you make a mistake, you can apologise and fix it and get on with it. If you're doing something well, we'll celebrate it with you. It served its purpose, and it served us well, and we've worked with some great bands. We've got global distribution through physical and digital - and we've just changed recently to an even better set up - great PR, great marketing people. My team today is the best it's ever been. We've had a few changes over the last six months, and I've got a really good team that just gets on with it. We're just in it for the music and to get the word out about Aussie music across the world. It's exciting."
In the full interview, Mark tells us about the new developments at Golden Robot Records including Robot Distro, how to best get your music out there for mass consumption, what sorts of things a band should have done as a unit before seeking representation, how to successfully negotiate the music industry, how this all helps Australian bands and music, their new singing with rock band ORGY, future developments and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60432095Wed, 19 Jun 2024 04:26:57 +0000HEAVY MagazineInterview by Kris Peters Golden Robot Global Entertainment is a worldwide brand that prides itself on being home to some of the most legendary bands and up-and-coming artists in the world. Starting with just one band in 2015, the company has expanded...Golden Robot Global Entertainment is a worldwide brand that prides itself on being home to some of the most legendary bands and up-and-coming artists in the world. Starting with just one band in 2015, the company has expanded quickly to meet demand and spans a multitude of genres and styles. They are a truly global network, with bands such as Filter, Orgy, The Answer, Shepherd's Reign, Rose Tattoo and countless more on their successful roster.
But there is much more to Golden Robot Records than meets the eye, with Mark Alexander, Golden Robot Global Entertainment Manager, joining HEAVY to tell us about some exciting new developments that will benefit musicians and artists of all levels of experience and stature.
"Golden Robot Records started nearly ten years ago now," he began. "It basically started because my son was on Australia's Got Talent - he was about nine at the time, he's 21 now - and he nearly won the show. Coming out of the show, we thought, we don't want him to be a novelty. We want him to have some sort of legacy. So we put him together with a couple of great guys and fantastic musicians - Steve Balbi was one of them - and they made this great album. They called it Orbiter and the band was called Moon. When I shopped that around, nobody was interested, nobody gave a shit. So I thought, you know what? I'm gonna do this myself. I'd given everybody a little present to thank them, a little golden robot, and when it was time to name the company we named it Golden Robot Records. We started off hard. We were signing some great bands in the States and Europe. I was working with Derek Shulman, who was the ex-president of Roadrunner Records, and him and I went along and got involved in quite a lot of things from about 2015, and we just kept growing. (but) this is a different year for us. We've had the hits and misses over the years. We've had some things that have gone to number one. We've had some things that have been a disaster, but that's the business. The good thing about being an Aussie and working in the global world is if you make a mistake, you can apologise and fix it and get on with it. If you're doing something well, we'll celebrate it with you. It served its purpose, and it served us well, and we've worked with some great bands. We've got global distribution through physical and digital - and we've just changed recently to an even better set up - great PR, great marketing people. My team today is the best it's ever been. We've had a few changes over the last six months, and I've got a really good team that just gets on with it. We're just in it for the music and to get the word out about Aussie music across the world. It's exciting."
In the full interview, Mark tells us about the new developments at Golden Robot Records including Robot Distro, how to best get your music out there for mass consumption, what sorts of things a band should have done as a unit before seeking representation, how to successfully negotiate the music industry, how this all helps Australian bands and music, their new singing with rock band ORGY, future developments and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>904album,aussiemusic,australia,goldenrobotglobalentertainment,goldenrobotrecords,hardrock,heavy,heavymetal,interview,krispeters,markalexander,music,musicdistribution,musiclabel,podcast,robotdistro,rocktruefullhttps://www.spreaker.com/episode/lost-treasures-with-blackie-james-from-nunchukka-superfly--60358647Australian music was a melting pot of talent in the early 90s with bands like Tumbleweed, Regurgitator, Spiderbait, Magic Dirt and the Superjesus planting the initial seeds that would see them still knocking crowds dead to this day - some 30 years later.
Punk upstarts the Hard-Ons were also a major player in the thriving scene, but it is an offshoot of that band - formed after internal bickering led to one of the band's many breakups - called Nunchukka Superfly who made perhaps the biggest impact of them all despite never releasing an album and disbanding after a few short years.
In that time Nunchukka Superfly - Ray Ahn and Peter Black from Hard-Ons, Massappeal drummer Peter Allen and former Harpoon frontman and future Drones co-founder (and now JJ McCann Transmission main man) James McCann - earnt a fierce reputation as a must see live band, managing to record an albums worth of material that was seemingly lost to the ether and never to be seen or heard again.
Until now.
The masters of that album found their way back into the hands of McCann, who dutifully passed them along to the rest of the band, ensuring the collection of now timeless punk rock tunes would finally see the light of day.
The band released Nunchukka Superfly 95 earlier this year and announced a run of shows in celebration, proving there's still life in the legs and lungs of this Australian musical enigma. And where there's life, there's hope, as evidenced by the fact Blackie and James reached out to us here at HEAVY to talk about the past, present and future of Nunchukka Superfly.
We start with the album and ask how it felt to finally release it after so many years.
"I guess you could call it strange," Blackie mused, "but at the same time it felt really good, and I think we can thank James for that because I didn't even have a copy of the recordings. I forgot what it was like even. But James got in touch about a year and a half ago and said mate, have you heard that fucken thing we did all those many moons ago? It's really ferocious. We should release it and I remember thinking yeah, yeah, maybe one day. He sent me a copy, and I was like holy fuck he's right. This is mad."
"I had it on cassette for years," James added. "And I think we all had a cassette copy initially, but I wore that out eventually. In Sydney Jason, who recorded it, was working across the road from where I lived at the Hopeton Hotel on the weekends, and he said I have that DAT tape of that Nunchukka Superfly recording, do you want a copy? I said yes, and I sat on that for years because I didn't have a DAT player (laughs). I had access to this old 90s DAT player about ten years ago at a friend's studio, so we plugged in the old player and put the cassette in and BAM, there it was loud and clear, and somehow I had stored it away well enough to obviously have not lost it. That was the start, then I got it digitized and sent it to Blackie and Ray."
In the full interview, Blackie and James talk more about the release of their debut album, Nunchucka Superfly 95, after many years, and the upcoming reunion shows. They shared their memories of the band's formation, their last show in 1996, and their chemistry during the first jam session, expressing excitement about the reunion and the potential for future collaborations.
Blackie and James also discussed the process of obtaining and digitizing the original recording of their debut album, emphasizing that no alterations were made to the original recording. They reflected on the quality of the music and the positive reactions on social media and strong initial sales, including overseas interest, and expressed pride and gratitude for the continued interest in their music after so many years.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60358647Tue, 18 Jun 2024 23:04:40 +0000HEAVY MagazineInterview by Kris Peters Australian music was a melting pot of talent in the early 90s with bands like Tumbleweed, Regurgitator, Spiderbait, Magic Dirt and the Superjesus planting the initial seeds that would see them still knocking crowds dead to...Australian music was a melting pot of talent in the early 90s with bands like Tumbleweed, Regurgitator, Spiderbait, Magic Dirt and the Superjesus planting the initial seeds that would see them still knocking crowds dead to this day - some 30 years later.
Punk upstarts the Hard-Ons were also a major player in the thriving scene, but it is an offshoot of that band - formed after internal bickering led to one of the band's many breakups - called Nunchukka Superfly who made perhaps the biggest impact of them all despite never releasing an album and disbanding after a few short years.
In that time Nunchukka Superfly - Ray Ahn and Peter Black from Hard-Ons, Massappeal drummer Peter Allen and former Harpoon frontman and future Drones co-founder (and now JJ McCann Transmission main man) James McCann - earnt a fierce reputation as a must see live band, managing to record an albums worth of material that was seemingly lost to the ether and never to be seen or heard again.
Until now.
The masters of that album found their way back into the hands of McCann, who dutifully passed them along to the rest of the band, ensuring the collection of now timeless punk rock tunes would finally see the light of day.
The band released Nunchukka Superfly 95 earlier this year and announced a run of shows in celebration, proving there's still life in the legs and lungs of this Australian musical enigma. And where there's life, there's hope, as evidenced by the fact Blackie and James reached out to us here at HEAVY to talk about the past, present and future of Nunchukka Superfly.
We start with the album and ask how it felt to finally release it after so many years.
"I guess you could call it strange," Blackie mused, "but at the same time it felt really good, and I think we can thank James for that because I didn't even have a copy of the recordings. I forgot what it was like even. But James got in touch about a year and a half ago and said mate, have you heard that fucken thing we did all those many moons ago? It's really ferocious. We should release it and I remember thinking yeah, yeah, maybe one day. He sent me a copy, and I was like holy fuck he's right. This is mad."
"I had it on cassette for years," James added. "And I think we all had a cassette copy initially, but I wore that out eventually. In Sydney Jason, who recorded it, was working across the road from where I lived at the Hopeton Hotel on the weekends, and he said I have that DAT tape of that Nunchukka Superfly recording, do you want a copy? I said yes, and I sat on that for years because I didn't have a DAT player (laughs). I had access to this old 90s DAT player about ten years ago at a friend's studio, so we plugged in the old player and put the cassette in and BAM, there it was loud and clear, and somehow I had stored it away well enough to obviously have not lost it. That was the start, then I got it digitized and sent it to Blackie and Ray."
In the full interview, Blackie and James talk more about the release of their debut album, Nunchucka Superfly 95, after many years, and the upcoming reunion shows. They shared their memories of the band's formation, their last show in 1996, and their chemistry during the first jam session, expressing excitement about the reunion and the potential for future collaborations.
Blackie and James also discussed the process of obtaining and digitizing the original recording of their debut album, emphasizing that no alterations were made to the original recording. They reflected on the quality of the music and the positive reactions on social media and strong initial sales, including overseas interest, and expressed pride and gratitude for the continued interest in their music after so many years.


Become a supporter of this podcast: 968album,aussierock,australia,blackie,hardons,heavy,interview,krispeters,music,nunchukkasuperfly,nunchukkasuperfly95,podcast,punk,rocktruefullhttps://www.spreaker.com/episode/shifting-transmission-with-jj-mccann--60422618JJ McCann is a musician well-travelled, negotiating over 30 years in the Australian music industry with his soul and integrity intact.
Better known as one of the founding members of Nunchukka Superfly and his work with The Drones, McCann has busied himself with other just as talented bands over the years, with the one common denominator being McCann's driven approach to his craft and his humble and unassuming nature.
Last year McCann released his first album under the monicker of JJ McCann Transmission called Hit With Love, collaborating with legendary producer Rob Younger of Radio Birdman and the New Christs who produced every second great Australian rock record in the 80s and 90s (Died Pretty, Hard-Ons, Lime Spiders, Celibate Rifles, Hoodoo Gurus). It proved a masterstroke for McCann, who reached a much wider audience with the album and created enough quality material to still be drawing singles from the album almost 12 months later.
But talk to McCann and you get the impression his days of caring about status or success in music are long behind him - if in fact they were ever there. Instead, you get an artist who creates music for the thrill and love of the final result and the opportunity to share a common love with friends.
Just the way it should be.
With Nunchukka Superfly finally releasing their debut album recently and about to go on tour, McCann is understandably busy these days, but not too busy to be down for a chat with HEAVY.
"It was officially released last year," he said of the new solo album. "It was kind of a staggered thing that was followed by a couple of film clips, with the last one coming out in March called Amphibious Skin. It's been going well. It's been released here in Melbourne on CheerSquad Records and co-released with French label Beast Records. It's the first record I've released in Australia in 14 years. Everything else I've released in Spain or France, generally because there wasn't a lot of independent labels around 15 years ago, believe it or not. It's picked up a bit since then in Australia."
In the full interview, JJ talks more about Hit With Love and the writing and recording process, working with Rob Younger, what sorts of things Younger contributed to the overall sound of the album, the changing tides of music and the importance of sticking to your own path, the release of Nunchukka Superfly's debut album and upcoming shows, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60422618Tue, 18 Jun 2024 12:13:18 +0000HEAVY MagazineInterview by Kris Peters JJ McCann is a musician well-travelled, negotiating over 30 years in the Australian music industry with his soul and integrity intact. Better known as one of the founding members of Nunchukka Superfly and his work with The...JJ McCann is a musician well-travelled, negotiating over 30 years in the Australian music industry with his soul and integrity intact.
Better known as one of the founding members of Nunchukka Superfly and his work with The Drones, McCann has busied himself with other just as talented bands over the years, with the one common denominator being McCann's driven approach to his craft and his humble and unassuming nature.
Last year McCann released his first album under the monicker of JJ McCann Transmission called Hit With Love, collaborating with legendary producer Rob Younger of Radio Birdman and the New Christs who produced every second great Australian rock record in the 80s and 90s (Died Pretty, Hard-Ons, Lime Spiders, Celibate Rifles, Hoodoo Gurus). It proved a masterstroke for McCann, who reached a much wider audience with the album and created enough quality material to still be drawing singles from the album almost 12 months later.
But talk to McCann and you get the impression his days of caring about status or success in music are long behind him - if in fact they were ever there. Instead, you get an artist who creates music for the thrill and love of the final result and the opportunity to share a common love with friends.
Just the way it should be.
With Nunchukka Superfly finally releasing their debut album recently and about to go on tour, McCann is understandably busy these days, but not too busy to be down for a chat with HEAVY.
"It was officially released last year," he said of the new solo album. "It was kind of a staggered thing that was followed by a couple of film clips, with the last one coming out in March called Amphibious Skin. It's been going well. It's been released here in Melbourne on CheerSquad Records and co-released with French label Beast Records. It's the first record I've released in Australia in 14 years. Everything else I've released in Spain or France, generally because there wasn't a lot of independent labels around 15 years ago, believe it or not. It's picked up a bit since then in Australia."
In the full interview, JJ talks more about Hit With Love and the writing and recording process, working with Rob Younger, what sorts of things Younger contributed to the overall sound of the album, the changing tides of music and the importance of sticking to your own path, the release of Nunchukka Superfly's debut album and upcoming shows, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>987album,australia,hardrock,heavy,interview,jjmccann,jjmccanntransmission,krispeters,music,nunchukkasuperfly,podcast,rock,thedronestruefullhttps://www.spreaker.com/episode/company-of-one-with-lucas-stone--60422149Not content with fronting one of this country's most loved rock outfits in Hammers or saddling up behind the kit with blues funk trio Hot Cobra, Gold Coast-based singer, songwriter and guitarist Lucas Stone has now thrown his considerable clout behind his solo project, recently releasing the wicked 5 track EP Deathbed.
As if juggling two other bands with a hectic personal schedule wasn't enough, Stone also decided to write and perform the EP on his own, enlisting the help of a select group of musicians to add vocals and depth to his musical vision.
Raw, caustic and welding Stone's love for authentic emotion within heavy music with malevolent riff violence, Deathbed is simultaneously cohesive and yet stylistically indefinable; a true representation of who Stone is, his passion for the heavy realms, and what he has journeyed through to reach this point in his career.
HEAVY caught up with Lucas Stone last night to chat about the EP and more.
"Really cool," he replied when asked how Deathbed has been received since coming out on May 31. "I'm pretty busy with the Hammers stuff and I have squeezed this in amongst everything else. I had a bit of help from Tiana, but I was a little bit rattled from what was going on. I was maybe a little vacant for parts of it, and then it happened and was out, and the reception has been amazing. A lot of messages from fans of Helm and Hammers and even just friends and people that have followed my career online. It blows you away. It's cool to see people connecting with it on a level you hope the music does."
We ask Stone to tell us more about what he was going for musically on Deathbed.
"Honestly, I was going for nothing," he shrugged. "This was the release that… I've had some decent success across a handful of bands - namely Scalene, Tension, Helm and Hammers - and I'm happy with that. Those four bands specifically have given me a really cool, left of centre career in music. I'm no rock star, but I don't really care too much. It's more about the fact that I've been able to write this music with my own sense of integrity and no pressure from outside influence. I'm quite a selfish songwriter, I will admit to that, which has probably been detrimental to my career (laughs). This one specifically rings true with that more than any of them because I didn't even have any reflective sounding boards off anyone, because I wasn't in a band forum. It was all 100% a selfish project where it was 'I wanna do this' or 'I wanna do that, and I'm just gonna do it how I wanna do it."
In the full interview, Lucas talks more about the musical side of Deathbed, the guest artists who appear and why and how he chose them, playing everything himself and how that created a different sounding release, how Deathbed defines him as an artist and person, touring plans, upcoming stuff from Hammers and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60422149Tue, 18 Jun 2024 11:02:11 +0000HEAVY MagazineInterview by Kris Peters Not content with fronting one of this country's most loved rock outfits in Hammers or saddling up behind the kit with blues funk trio Hot Cobra, Gold Coast-based singer, songwriter and guitarist Lucas Stone has now thrown his...Not content with fronting one of this country's most loved rock outfits in Hammers or saddling up behind the kit with blues funk trio Hot Cobra, Gold Coast-based singer, songwriter and guitarist Lucas Stone has now thrown his considerable clout behind his solo project, recently releasing the wicked 5 track EP Deathbed.
As if juggling two other bands with a hectic personal schedule wasn't enough, Stone also decided to write and perform the EP on his own, enlisting the help of a select group of musicians to add vocals and depth to his musical vision.
Raw, caustic and welding Stone's love for authentic emotion within heavy music with malevolent riff violence, Deathbed is simultaneously cohesive and yet stylistically indefinable; a true representation of who Stone is, his passion for the heavy realms, and what he has journeyed through to reach this point in his career.
HEAVY caught up with Lucas Stone last night to chat about the EP and more.
"Really cool," he replied when asked how Deathbed has been received since coming out on May 31. "I'm pretty busy with the Hammers stuff and I have squeezed this in amongst everything else. I had a bit of help from Tiana, but I was a little bit rattled from what was going on. I was maybe a little vacant for parts of it, and then it happened and was out, and the reception has been amazing. A lot of messages from fans of Helm and Hammers and even just friends and people that have followed my career online. It blows you away. It's cool to see people connecting with it on a level you hope the music does."
We ask Stone to tell us more about what he was going for musically on Deathbed.
"Honestly, I was going for nothing," he shrugged. "This was the release that… I've had some decent success across a handful of bands - namely Scalene, Tension, Helm and Hammers - and I'm happy with that. Those four bands specifically have given me a really cool, left of centre career in music. I'm no rock star, but I don't really care too much. It's more about the fact that I've been able to write this music with my own sense of integrity and no pressure from outside influence. I'm quite a selfish songwriter, I will admit to that, which has probably been detrimental to my career (laughs). This one specifically rings true with that more than any of them because I didn't even have any reflective sounding boards off anyone, because I wasn't in a band forum. It was all 100% a selfish project where it was 'I wanna do this' or 'I wanna do that, and I'm just gonna do it how I wanna do it."
In the full interview, Lucas talks more about the musical side of Deathbed, the guest artists who appear and why and how he chose them, playing everything himself and how that created a different sounding release, how Deathbed defines him as an artist and person, touring plans, upcoming stuff from Hammers and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1655australia,hammers,hardrock,heavy,heavymetal,helm,interview,krispeters,lucasstone,music,podcast,rock,solo,tensiontruefullhttps://www.spreaker.com/episode/weaponising-music-with-ken-mary-from-flotsam-jetsam--60406088When it comes to iconic metal bands, they don't come much better than Flotsam & Jetsam.
Since pummelling their way onto the scene with their crushing debut album Doomsday For The Deceiver almost 40 years ago, Flotsam & Jetsam have ridden the wave that is thrash metal almost too faithfully, preferring to remain loyal to the calling despite the perceived conforming of other bands from their era.
It is a stance that may have possibly cost the band greater worldwide success, but in sticking to their musical beliefs and morals has ensured Flotsam & Jetsam have survived with not only their integrity intact but also the love and respect of their fans.
With the band on the cusp of releasing their 15th studio album, I Am The Weapon, on September 13, HEAVY spent some time with drummer Ken Mary to take a look inside the inner sanctum that is Flotsam & Jetsam.
"It's a new killer album," he said proudly. "I feel like we've done a great job on the last two albums, and I think this third one is… I don't wanna say anything, but it might be the best one yet. We'll find out."
We ask Ken if the band feels any pressure going into a new album release with the burden of a massive fan-based expectation each time.
"Honestly, we did," he nodded. "We feel the pressure pretty much on every record. I feel like the last four albums have been kind of a renaissance for Flotsam & Jetsam, and it's kind of like a new era, if you wanna say that. Like a new era for the band. And every time there's a new album, we're always wondering if we can top the last one (laughs). When we finished The End Of Chaos, we thought wow, how are we ever gonna top this album? Then we came out with Blood In The Water, and I feel like we topped Chaos with that. When we finished Blood In The Water, we were like oh my gosh, how are we gonna top this record? This time we definitely felt the pressure. We felt things like do we have enough gas in the tank to make something that will at least equal that? So we just started writing, and we wrote a ton of songs, and then we started eliminating songs and finishing songs and by the time we were done we were like, yeah, I think we can at least equal it, and hopefully we topped it. I've had some people that have heard it - and I'm talking about all the records, including the first two albums - say to me that this is the best Flotsam album yet. Ever. That's pretty good when you hear that. It's so tough to compete with nostalgia. When somebody talks about the first few albums that they grew up with, it's really hard to beat that, and for somebody to say that and be sincere… that's quite a compliment."
In the full interview, Ken talks about the musical side of I Am The Weapon, the opening track A New Kind Of Hero and experimenting with the album intro, the band's writing process and their conscious effort to retain their thrash DNA in new music, surviving 40 years as a band, how he is settling into Flotsam & Jetsam, coming into an established band and keeping your own musical identity, touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60406088Tue, 18 Jun 2024 05:54:40 +0000HEAVY MagazineInterview by Kris Peters When it comes to iconic metal bands, they don't come much better than Flotsam & Jetsam. Since pummelling their way onto the scene with their crushing debut album Doomsday For The Deceiver almost 40 years ago, Flotsam &...When it comes to iconic metal bands, they don't come much better than Flotsam & Jetsam.
Since pummelling their way onto the scene with their crushing debut album Doomsday For The Deceiver almost 40 years ago, Flotsam & Jetsam have ridden the wave that is thrash metal almost too faithfully, preferring to remain loyal to the calling despite the perceived conforming of other bands from their era.
It is a stance that may have possibly cost the band greater worldwide success, but in sticking to their musical beliefs and morals has ensured Flotsam & Jetsam have survived with not only their integrity intact but also the love and respect of their fans.
With the band on the cusp of releasing their 15th studio album, I Am The Weapon, on September 13, HEAVY spent some time with drummer Ken Mary to take a look inside the inner sanctum that is Flotsam & Jetsam.
"It's a new killer album," he said proudly. "I feel like we've done a great job on the last two albums, and I think this third one is… I don't wanna say anything, but it might be the best one yet. We'll find out."
We ask Ken if the band feels any pressure going into a new album release with the burden of a massive fan-based expectation each time.
"Honestly, we did," he nodded. "We feel the pressure pretty much on every record. I feel like the last four albums have been kind of a renaissance for Flotsam & Jetsam, and it's kind of like a new era, if you wanna say that. Like a new era for the band. And every time there's a new album, we're always wondering if we can top the last one (laughs). When we finished The End Of Chaos, we thought wow, how are we ever gonna top this album? Then we came out with Blood In The Water, and I feel like we topped Chaos with that. When we finished Blood In The Water, we were like oh my gosh, how are we gonna top this record? This time we definitely felt the pressure. We felt things like do we have enough gas in the tank to make something that will at least equal that? So we just started writing, and we wrote a ton of songs, and then we started eliminating songs and finishing songs and by the time we were done we were like, yeah, I think we can at least equal it, and hopefully we topped it. I've had some people that have heard it - and I'm talking about all the records, including the first two albums - say to me that this is the best Flotsam album yet. Ever. That's pretty good when you hear that. It's so tough to compete with nostalgia. When somebody talks about the first few albums that they grew up with, it's really hard to beat that, and for somebody to say that and be sincere… that's quite a compliment."
In the full interview, Ken talks about the musical side of I Am The Weapon, the opening track A New Kind Of Hero and experimenting with the album intro, the band's writing process and their conscious effort to retain their thrash DNA in new music, surviving 40 years as a band, how he is settling into Flotsam & Jetsam, coming into an established band and keeping your own musical identity, touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1007album,flotsam&jetsam,heavy,heavymetal,iamtheweapon,interview,kenmary,krispeters,music,podcast,thrashmetaltruefullhttps://www.spreaker.com/episode/ushering-in-a-new-era-with-pat-davern-from-grinspoon--60266217Grinspoon have flown the flag for Australian rock since bursting onto the scene after winning the Triple J Unearthed contest with the song Sickfest in 1995. They released their debut, self-titled EP that same year which included that song plus More Than You Are before unleashing their second EP Licker Bottle Cozy the following year, featuring Champion.
In September 1997 Grinspoon released their debut album Guide To Better Living which became the staple sonic diet for disenfranchised youth everywhere with its punchy, aggressive punk/rock hybrid that was catchy as fuck and even more addictive.
The band went from strength to strength from there, releasing a succession of successful albums such as Easy, New Detention and Thrills Kills & Sunday Pills, but it was on the live circuit that Grinspoon basked in glory. Their wild, unpredictable and entertaining live shows helped Grinspoon become a regular on pretty much every Australian music festival since 1995, with demand continuing to this day despite the fact their last album called Black Rabbits was released over a decade ago.
But 2024 is set to become the Year Of Grinspoon following the release of their first new single in twelve years, Unknown Pretenders. The song is a direct throw back to the band's earlier stuff and has fans both old and new salivating at the prospect of their new album Whatever, Whatever which is slated for an August 9 release.
But that's not all.
Grinspoon have also announced an extensive 45-date national tour starting in September and finishing in December that will see the band hit capital cities and regional venues, including more than 20 all-ages shows.
Guitarist Pat Davern joined HEAVY to talk about the exciting new developments in the Grinspoon camp, starting with the reception for Unknown Pretenders.
"I think it's been pretty good. Well, my Mum and Dad love it," he joked. "To be honest with you, things seem to be going really well. The tour went on sale and tickets are selling really fast, and in this climate, with the amount of bands out there that are touring, we're very happy about that. It was the first cab off the rank. We've probably got a couple more singles to go before we release the album, and I think it's been a great… return to form is a good way to describe Unknown Pretenders."
Unknown Pretenders saw a relatively low-key release with little advance promotion. It was a simple, yet effective way of releasing the new single, but we question Davern as to why the band chose to release the track without a massive social media campaign.
"You're right. We didn't do any social media or any big build up to it," he agreed. "I think when we recorded the album, we weren't sure how it was all gonna play out. We wanted to do something that we're really proud of, and it had been twelve years since we recorded an album, and we didn't want it to be shit. And if it was shit, then we weren't gonna release it (laughs). So we thought it would be best to keep it on the quiet until we were really happy with the results. We got there, and we are really happy with the results. The fanfare starts now, on HEAVY mag!"
Unknown Pretenders is definitely a return to form for Grinspoon, more closely resembling their early material than anything that has come since. We ask if that song was chosen as the first single to make a statement of sorts.
"It definitely was," Davern nodded. "It was kind of… for us to put out music after such a long time, we wanted it to be a statement. We wanted our old fans, and, I guess, our new fans - because we're almost a generational band now. A lot of people's kids are into it, where their parents were into the band when we first started. We wanted it to be something we could hang our hat on and say we're back."
In the full interview, Pat discusses Unknown Pretenders in more detail, how the single kicks off a new era for Grinspoon, the upcoming album whatever, whatever and what to expect sonically, the writing process and how the final tracks were selected and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60266217Tue, 18 Jun 2024 05:51:16 +0000HEAVY MagazineInterview by Kris Peters Grinspoon have flown the flag for Australian rock since bursting onto the scene after winning the Triple J Unearthed contest with the song Sickfest in 1995. They released their debut, self-titled EP that same year which...Grinspoon have flown the flag for Australian rock since bursting onto the scene after winning the Triple J Unearthed contest with the song Sickfest in 1995. They released their debut, self-titled EP that same year which included that song plus More Than You Are before unleashing their second EP Licker Bottle Cozy the following year, featuring Champion.
In September 1997 Grinspoon released their debut album Guide To Better Living which became the staple sonic diet for disenfranchised youth everywhere with its punchy, aggressive punk/rock hybrid that was catchy as fuck and even more addictive.
The band went from strength to strength from there, releasing a succession of successful albums such as Easy, New Detention and Thrills Kills & Sunday Pills, but it was on the live circuit that Grinspoon basked in glory. Their wild, unpredictable and entertaining live shows helped Grinspoon become a regular on pretty much every Australian music festival since 1995, with demand continuing to this day despite the fact their last album called Black Rabbits was released over a decade ago.
But 2024 is set to become the Year Of Grinspoon following the release of their first new single in twelve years, Unknown Pretenders. The song is a direct throw back to the band's earlier stuff and has fans both old and new salivating at the prospect of their new album Whatever, Whatever which is slated for an August 9 release.
But that's not all.
Grinspoon have also announced an extensive 45-date national tour starting in September and finishing in December that will see the band hit capital cities and regional venues, including more than 20 all-ages shows.
Guitarist Pat Davern joined HEAVY to talk about the exciting new developments in the Grinspoon camp, starting with the reception for Unknown Pretenders.
"I think it's been pretty good. Well, my Mum and Dad love it," he joked. "To be honest with you, things seem to be going really well. The tour went on sale and tickets are selling really fast, and in this climate, with the amount of bands out there that are touring, we're very happy about that. It was the first cab off the rank. We've probably got a couple more singles to go before we release the album, and I think it's been a great… return to form is a good way to describe Unknown Pretenders."
Unknown Pretenders saw a relatively low-key release with little advance promotion. It was a simple, yet effective way of releasing the new single, but we question Davern as to why the band chose to release the track without a massive social media campaign.
"You're right. We didn't do any social media or any big build up to it," he agreed. "I think when we recorded the album, we weren't sure how it was all gonna play out. We wanted to do something that we're really proud of, and it had been twelve years since we recorded an album, and we didn't want it to be shit. And if it was shit, then we weren't gonna release it (laughs). So we thought it would be best to keep it on the quiet until we were really happy with the results. We got there, and we are really happy with the results. The fanfare starts now, on HEAVY mag!"
Unknown Pretenders is definitely a return to form for Grinspoon, more closely resembling their early material than anything that has come since. We ask if that song was chosen as the first single to make a statement of sorts.
"It definitely was," Davern nodded. "It was kind of… for us to put out music after such a long time, we wanted it to be a statement. We wanted our old fans, and, I guess, our new fans - because we're almost a generational band now. A lot of people's kids are into it, where their parents were into the band when we first started. We wanted it to be something we could hang our hat on and say we're back."
In the full interview, Pat discusses Unknown Pretenders in more detail, how the single kicks off a new era for Grinspoon, the upcoming...]]>924grinspoon,hardrock,heavy,interview,krispeters,music,patdavern,philjamieson,podcast,punk,rock,tour,unknownpretenderstruefullhttps://www.spreaker.com/episode/pushing-the-needle-to-the-red-with-geoff-o-leary-from-pistonfist--60411465It has been a well deserved breakthrough 18-month period for Brisbane rock outfit PistonFist that saw the band not only deliver their debut album RedLine, but also power through support slots with Jane's Addiction, The Smashing Pumpkins, Cancer Bats, The Poor and Alice Cooper.
Despite setbacks that threatened to blow their motor, PistonFist time and time again regrouped and embraced the change to emerge triumphant and in more demand than ever before. But, as a wise man once said, a band's true character can only surface in times of extreme hardship or adversity. Or he would have if the wise man knew anything about the music industry as a whole.
What started as the logical next step in the evolution of PistonFist when invited to tour Europe with original Slipknot vocalist Anders Colsefni quickly turned into a maelstrom of unwanted disaster when Colsefni pulled the pin on the run of shows not long after PistonFist had finished paying the bulk of the tours expenses. It was a pivotal moment in the future and career of the band, who not only had to weigh up the potential destruction of heading out on the tour of a lifetime, but also the very real prospect of more or less throwing a small fortune down the proverbial drain.
After a pow-wow with the other two bands scheduled to be part of the tour - Sin Soto and Kaosis - the bands collectively decided to push forward and try to salvage at least something from the rapidly darkening dream. The first point of order was to secure the venues to play at, the second was coming up with a band high enough in stature to join the tour that would draw a crowd and make the tour an enticing proposition for venues and countries that would likely have never heard of any of the three bands other than the fact they may have briefly seen their name on a tour poster that was now null and void.
Their solution? Piece together two tribute bands featuring the existing cast of musicians that would put bums on seats and also not demand more money than they were worth. Thus, the Prodigy and Slipknot tribute bands were born, and the tour was back on!
PistonFist frontman Geoff O'Leary joined HEAVY recently for a chat about the tour and what has been a whirlwind period for the band, starting with the boys finally getting recognised by the powers that be and given the opportunity to shine on the big stage.
"It's an interesting one," he measured. "We've definitely busted our bums. We did the Australian and New Zealand tour last year with Anders and Waylon (Reavis, Mushroomhead), two really, really good guys, and we had a fat time. Smashing Pumpkins was great, but the one for me that's a bit of a standout was Alice Cooper. It was amazing. We've never been looked after so well at a show. We're fortunate, no doubt, but at the same time we worked hard. We've worked on all the things, too - and this is one for the young bands that are listening. The social media, the consistent rehearsals, just busting your balls is well worth it. I think the thing is we love it. We're not making money - it's costing us money, no doubt - but we love it. That's where it's at. And I think if you don't love it, don't waste your time."
In the full interview, Geoff talks more about the European tour, how it was salvaged and how close it came to being abandoned, the rise of PistonFist, lessons learnt from playing with bands like Cancer Bats, touring overseas for the first time and what he expecting, the value of honesty and trust in the music industry, having to relearn and play drums for the first five shows of the tour, anticipated problems, their upcoming new single and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60411465Mon, 17 Jun 2024 13:43:23 +0000HEAVY MagazineInterview by Kris Peters It has been a well deserved breakthrough 18-month period for Brisbane rock outfit PistonFist that saw the band not only deliver their debut album RedLine, but also power through support slots with Jane's Addiction, The...It has been a well deserved breakthrough 18-month period for Brisbane rock outfit PistonFist that saw the band not only deliver their debut album RedLine, but also power through support slots with Jane's Addiction, The Smashing Pumpkins, Cancer Bats, The Poor and Alice Cooper.
Despite setbacks that threatened to blow their motor, PistonFist time and time again regrouped and embraced the change to emerge triumphant and in more demand than ever before. But, as a wise man once said, a band's true character can only surface in times of extreme hardship or adversity. Or he would have if the wise man knew anything about the music industry as a whole.
What started as the logical next step in the evolution of PistonFist when invited to tour Europe with original Slipknot vocalist Anders Colsefni quickly turned into a maelstrom of unwanted disaster when Colsefni pulled the pin on the run of shows not long after PistonFist had finished paying the bulk of the tours expenses. It was a pivotal moment in the future and career of the band, who not only had to weigh up the potential destruction of heading out on the tour of a lifetime, but also the very real prospect of more or less throwing a small fortune down the proverbial drain.
After a pow-wow with the other two bands scheduled to be part of the tour - Sin Soto and Kaosis - the bands collectively decided to push forward and try to salvage at least something from the rapidly darkening dream. The first point of order was to secure the venues to play at, the second was coming up with a band high enough in stature to join the tour that would draw a crowd and make the tour an enticing proposition for venues and countries that would likely have never heard of any of the three bands other than the fact they may have briefly seen their name on a tour poster that was now null and void.
Their solution? Piece together two tribute bands featuring the existing cast of musicians that would put bums on seats and also not demand more money than they were worth. Thus, the Prodigy and Slipknot tribute bands were born, and the tour was back on!
PistonFist frontman Geoff O'Leary joined HEAVY recently for a chat about the tour and what has been a whirlwind period for the band, starting with the boys finally getting recognised by the powers that be and given the opportunity to shine on the big stage.
"It's an interesting one," he measured. "We've definitely busted our bums. We did the Australian and New Zealand tour last year with Anders and Waylon (Reavis, Mushroomhead), two really, really good guys, and we had a fat time. Smashing Pumpkins was great, but the one for me that's a bit of a standout was Alice Cooper. It was amazing. We've never been looked after so well at a show. We're fortunate, no doubt, but at the same time we worked hard. We've worked on all the things, too - and this is one for the young bands that are listening. The social media, the consistent rehearsals, just busting your balls is well worth it. I think the thing is we love it. We're not making money - it's costing us money, no doubt - but we love it. That's where it's at. And I think if you don't love it, don't waste your time."
In the full interview, Geoff talks more about the European tour, how it was salvaged and how close it came to being abandoned, the rise of PistonFist, lessons learnt from playing with bands like Cancer Bats, touring overseas for the first time and what he expecting, the value of honesty and trust in the music industry, having to relearn and play drums for the first five shows of the tour, anticipated problems, their upcoming new single and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1492aussierock,australia,geoffoleary,hardrock,heavy,intrerview,kaosis,krispeters,petrolrock,pistonfist,podcast,prodigy,rock,sinsoto,slipknot,tourtruefullhttps://www.spreaker.com/episode/trouble-on-the-horizon-with-sammy-duet-from-goatwhore--60355341They say absence makes the heart grow fonder, and if that is true, then crushing extreme metal outfit Goatwhore will be earning themselves plenty of hugs when they return to Australia this July as part of the Turn Troubled Tables Tour with Eyehategod.
Goatwhore have been absent from our shores for almost a decade, last venturing over to this side of world for a brutal run of shows with Psycroptic in 2015. Now, two albums and a shit tonne of shows later, the masters of all they survey are preparing for another assault on our senses, with guitarist Sammy Duet telling HEAVY in a recent chat that the band have some unfinished business with Australian fans.
"We've put out a couple of records (since the 2015 tour)," he affirmed. "Not much else. I've got a lot more grey in my beard now since the last time I was in Australia (laughs)."
We ask Sammy what we can expect from their shows.
"Lots of loud, Satanic heavy metal," he promised. We pushed him further on the live shows by asking what the band expects in return from their crowds.
"I like them to do whatever they feel like doing," he shrugged. "If they feel like getting wild and getting crazy, get wild and crazy. If you feel like sitting back and watching and observing, that's cool too. Whatever Satan takes hold of your soul and makes you wanna do, do it."
In the full interview, Sammy tells us where the name Goatwhore came from, talks about the early days of the band and where they fit in, describes the musical climate that gave birth to Goatwhore, their brutal combination of genres and how they blend together to make the Goatwhore sound, his reaction to people who label the band controversial, how far advanced their next album is and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60355341Mon, 17 Jun 2024 01:33:19 +0000HEAVY MagazineInterview by Kris Peters They say absence makes the heart grow fonder, and if that is true, then crushing extreme metal outfit Goatwhore will be earning themselves plenty of hugs when they return to Australia this July as part of the Turn Troubled...They say absence makes the heart grow fonder, and if that is true, then crushing extreme metal outfit Goatwhore will be earning themselves plenty of hugs when they return to Australia this July as part of the Turn Troubled Tables Tour with Eyehategod.
Goatwhore have been absent from our shores for almost a decade, last venturing over to this side of world for a brutal run of shows with Psycroptic in 2015. Now, two albums and a shit tonne of shows later, the masters of all they survey are preparing for another assault on our senses, with guitarist Sammy Duet telling HEAVY in a recent chat that the band have some unfinished business with Australian fans.
"We've put out a couple of records (since the 2015 tour)," he affirmed. "Not much else. I've got a lot more grey in my beard now since the last time I was in Australia (laughs)."
We ask Sammy what we can expect from their shows.
"Lots of loud, Satanic heavy metal," he promised. We pushed him further on the live shows by asking what the band expects in return from their crowds.
"I like them to do whatever they feel like doing," he shrugged. "If they feel like getting wild and getting crazy, get wild and crazy. If you feel like sitting back and watching and observing, that's cool too. Whatever Satan takes hold of your soul and makes you wanna do, do it."
In the full interview, Sammy tells us where the name Goatwhore came from, talks about the early days of the band and where they fit in, describes the musical climate that gave birth to Goatwhore, their brutal combination of genres and how they blend together to make the Goatwhore sound, his reaction to people who label the band controversial, how far advanced their next album is and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>597australia,extrememetal,eyehategod,goatwhore,heavy,heavymetal,interview,krispeters,music,sammyduet,soundworksdirect,soundworkstouring,tourtruefullhttps://www.spreaker.com/episode/the-bonds-that-tie-us-with-jeremy-depoyster-from-the-devil-wears-prada--60400885U.S metalcore outfit The Devil Wears Prada have had a golden run when it comes to touring this country.
When they last came out with Polaris in 2017 demand for tickets was so high that the Sold Out sign was up far more than it was down, and within one week of announcing August's Half Living Things Tour with Alpha Wolf, The Devil Wears Prada, Invent Animate and thrown organisers were left in the same conundrum. 
Which is a healthy position to be in given the sudden influx of international touring bands to this side of the world.
After releasing their last album Color Decay in 2022, The Devil Wears Prada spent much of their time on the promotional trail, returning this year with fresh music in the form of Ritual and a new version of Reasons. The two tracks hint at a new era for the band, which is reinforced by guitarist/singer Jeremy DePoyster when we spoke with him earlier in the week.
"I feel like we've been rejuvenated a little bit," he measured. "We just did our biggest headline tour ever in the States. We did two legs of it because the first one was so nuts. Then we just got off tour with LANDMVRKS in Europe, and those were the biggest shows we've played in Europe. We just feel a youthful energy, like back when we were on the Warped Tour. There's just a fire under our butts for some reason, so it feels like a new era for us right now, and we're trying to storm the castle a little bit and see what's going on in there."
In the full interview, Jeremy talks about his preparation for the run of shows, the history between The Devil Wears Prada and Alpha Wolf, having Invent Animate and thrown on the bill and what they bring to the dynamics, selling out consecutive tours, what has changed with the band since they were last out here, the two singles released this year and how they represent the future of The Devil Wears Prada, other plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60400885Sun, 16 Jun 2024 10:54:19 +0000HEAVY MagazineInterview by Kris Peters U.S metalcore outfit The Devil Wears Prada have had a golden run when it comes to touring this country. When they last came out with Polaris in 2017 demand for tickets was so high that the Sold Out sign was up far more than it...U.S metalcore outfit The Devil Wears Prada have had a golden run when it comes to touring this country.
When they last came out with Polaris in 2017 demand for tickets was so high that the Sold Out sign was up far more than it was down, and within one week of announcing August's Half Living Things Tour with Alpha Wolf, The Devil Wears Prada, Invent Animate and thrown organisers were left in the same conundrum. 
Which is a healthy position to be in given the sudden influx of international touring bands to this side of the world.
After releasing their last album Color Decay in 2022, The Devil Wears Prada spent much of their time on the promotional trail, returning this year with fresh music in the form of Ritual and a new version of Reasons. The two tracks hint at a new era for the band, which is reinforced by guitarist/singer Jeremy DePoyster when we spoke with him earlier in the week.
"I feel like we've been rejuvenated a little bit," he measured. "We just did our biggest headline tour ever in the States. We did two legs of it because the first one was so nuts. Then we just got off tour with LANDMVRKS in Europe, and those were the biggest shows we've played in Europe. We just feel a youthful energy, like back when we were on the Warped Tour. There's just a fire under our butts for some reason, so it feels like a new era for us right now, and we're trying to storm the castle a little bit and see what's going on in there."
In the full interview, Jeremy talks about his preparation for the run of shows, the history between The Devil Wears Prada and Alpha Wolf, having Invent Animate and thrown on the bill and what they bring to the dynamics, selling out consecutive tours, what has changed with the band since they were last out here, the two singles released this year and how they represent the future of The Devil Wears Prada, other plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>792alphawolf,australia,halflivingthings,heavy,heavymetal,interview,inventanimate,krispeters,metalcore,podcast,thedevilwearsprada,thrown,tourtruefullhttps://www.spreaker.com/episode/musical-revolution-with-glenn-patrick-diamond-dave-from-shotgun-mistress--60392929Melbourne rock outfit Shotgun Mistress arrived on the scene with a bullet following the 2021 release of their self-titled debut album that reinforced all known conceptions about the band, based purely on the high-octane suggestiveness of the name alone.
Here was a band that bled rock and roll rather than one jumping on the back of an institution that oozes charm, strength and charisma. In the world of rock and hard rock such pretenders are generally found wanting before a round of shots can be fired in anger, but on the rare occasions that a band not only matches the sonic intensity of their album on the live arena but rather elevates the bar infinitely higher… well, you just know.
Not that there were many doubters out there, but with Shotgun Mistress facing the prospect of following up a banger of an album with an even bigger banger - not an easy thing to do on a sophomore release - the lads from South of the border just rolled their sleeves up and did what they do best.
Knock that shit right the fuck out of the park.
Released just last Friday, album number two, Kings Of The Revolution is not merely just more of the same from Shotgun Mistress. It is a statement of intent laced with an air of almost arrogance that pushes the doors open even wider for what can only be an even more exciting future for the band.
HEAVY sat down with frontman Glenn Patrick and drummer 'Diamond' Dave Lee direct from the freezing cold of Melbourne and on the night of release to gauge their enthusiasm.
"We're stoked," Glenn started to reply.
"We're fucken stoked," Dave corrected.
"It's been a long time coming," Glenn continued, "and we've had this album in our back pocket for a long time. Half the album was already written before the first one was even released. So it's definitely been a while, but it's good to finally…"
"Release it to the world," Dave finished.
We ask the boys if Kings Of The Revolution is what fans would expect musically from the band.
"I'd like to think so," Glenn measured. "I'd like to think it's something that's pretty similar to what people would relate to. It's definitely a step-up for us as far as the writing ability. The first album was a bit of a tester to see how we worked together, so this one is something that came a lot easier."
"A lot quicker," Dave added.
"The actual production of the tracks is good and there's definitely a lot of different… influences from this album compared to the first one," Glenn chimed in. "Things like early day Aerosmith and ZZ Top. There's a lot more variety in this one."
"It sort of suits everybody, instead of just writing to the one content," Dave concluded.
In the full interview the boys talk about the three singles released and how they represent the whole album, translating the live energy to recordings, the bold statement proclaimed by the album title, what songs to listen to by way as an introduction to Shotgun Mistress, their upcoming tour of Japan, hometown shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60392929Sat, 15 Jun 2024 08:37:17 +0000HEAVY MagazineInterview by Kris Peters Melbourne rock outfit Shotgun Mistress arrived on the scene with a bullet following the 2021 release of their self-titled debut album that reinforced all known conceptions about the band, based purely on the high-octane...Melbourne rock outfit Shotgun Mistress arrived on the scene with a bullet following the 2021 release of their self-titled debut album that reinforced all known conceptions about the band, based purely on the high-octane suggestiveness of the name alone.
Here was a band that bled rock and roll rather than one jumping on the back of an institution that oozes charm, strength and charisma. In the world of rock and hard rock such pretenders are generally found wanting before a round of shots can be fired in anger, but on the rare occasions that a band not only matches the sonic intensity of their album on the live arena but rather elevates the bar infinitely higher… well, you just know.
Not that there were many doubters out there, but with Shotgun Mistress facing the prospect of following up a banger of an album with an even bigger banger - not an easy thing to do on a sophomore release - the lads from South of the border just rolled their sleeves up and did what they do best.
Knock that shit right the fuck out of the park.
Released just last Friday, album number two, Kings Of The Revolution is not merely just more of the same from Shotgun Mistress. It is a statement of intent laced with an air of almost arrogance that pushes the doors open even wider for what can only be an even more exciting future for the band.
HEAVY sat down with frontman Glenn Patrick and drummer 'Diamond' Dave Lee direct from the freezing cold of Melbourne and on the night of release to gauge their enthusiasm.
"We're stoked," Glenn started to reply.
"We're fucken stoked," Dave corrected.
"It's been a long time coming," Glenn continued, "and we've had this album in our back pocket for a long time. Half the album was already written before the first one was even released. So it's definitely been a while, but it's good to finally…"
"Release it to the world," Dave finished.
We ask the boys if Kings Of The Revolution is what fans would expect musically from the band.
"I'd like to think so," Glenn measured. "I'd like to think it's something that's pretty similar to what people would relate to. It's definitely a step-up for us as far as the writing ability. The first album was a bit of a tester to see how we worked together, so this one is something that came a lot easier."
"A lot quicker," Dave added.
"The actual production of the tracks is good and there's definitely a lot of different… influences from this album compared to the first one," Glenn chimed in. "Things like early day Aerosmith and ZZ Top. There's a lot more variety in this one."
"It sort of suits everybody, instead of just writing to the one content," Dave concluded.
In the full interview the boys talk about the three singles released and how they represent the whole album, translating the live energy to recordings, the bold statement proclaimed by the album title, what songs to listen to by way as an introduction to Shotgun Mistress, their upcoming tour of Japan, hometown shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1045album,aussierock,australia,glennpatrick,hardrock,heavy,interview,kingsoftherevolution,krispeters,music,podcast,rock,shotgunmistresstruefullhttps://www.spreaker.com/episode/conquering-darkness-with-aaron-tuck-from-lumen-ad-mortem--60347365The inaugural Necrosonic Festival to be held at Brisbane's Mansfield Tavern on August 31 is not your typical metal festival. This is a festival put together by people who have a genuine love of and interest in heavy metal music, not just a promotor out to exploit the scene in favour of a quick buck.
As such, Necrosonic features a number of bands thought to be dead and buried, along with some heavyweights of the scene to celebrate metal the way it should be.
Loud and proud.
With a line-up of 30 bands including Crypt, Psycroptic, Lo!. Astrodeath, Bulletbelt, Mortality and more, HEAVY felt it only appropriate to interview a selection of these bands in the lead-up to Necrosonic, with our first chat with Aaron Tuck from black metal warriors Lumen Ad Mortem.
We mention that it must be an honour of sorts being invited to play at the debut performance of what promises to be a long-running music festival.
"Yeah, definitely," he enthused. "There's a few bands there I haven't heard of before and when I checked them out they blew me away. One of them is Spire, really looking forward to seeing them, and of course Crypt, Psycroptic, Misery… It's an awesome line-up. It will definitely give our necks a workout watching the other bands."
For the benefit of those who might not have seen Lumen Ad Mortem live before, we ask Tuck what to expect.
"We're playing mid-paced black metal," he measured, "with a lot of blast beats. Our music has orchestral sections, and then we've got a projection show we put behind us. Our singer Greg is a tall person who likes to scream in people's faces (laughs). He's got a lot of character. We just get up there and play the tunes as best we can and try to create an atmosphere of dark, gloom and evil."
In the full interview, Aaron talks more about Necrosonic and what he is expecting, the state of metal festivals in Australia, the early days of the band and where they came from, their debut album Upon The Edge Of Darkness, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60347365Fri, 14 Jun 2024 16:09:03 +0000HEAVY MagazineInterview by Kris Peters The inaugural Necrosonic Festival to be held at Brisbane's Mansfield Tavern on August 31 is not your typical metal festival. This is a festival put together by people who have a genuine love of and interest in heavy metal...The inaugural Necrosonic Festival to be held at Brisbane's Mansfield Tavern on August 31 is not your typical metal festival. This is a festival put together by people who have a genuine love of and interest in heavy metal music, not just a promotor out to exploit the scene in favour of a quick buck.
As such, Necrosonic features a number of bands thought to be dead and buried, along with some heavyweights of the scene to celebrate metal the way it should be.
Loud and proud.
With a line-up of 30 bands including Crypt, Psycroptic, Lo!. Astrodeath, Bulletbelt, Mortality and more, HEAVY felt it only appropriate to interview a selection of these bands in the lead-up to Necrosonic, with our first chat with Aaron Tuck from black metal warriors Lumen Ad Mortem.
We mention that it must be an honour of sorts being invited to play at the debut performance of what promises to be a long-running music festival.
"Yeah, definitely," he enthused. "There's a few bands there I haven't heard of before and when I checked them out they blew me away. One of them is Spire, really looking forward to seeing them, and of course Crypt, Psycroptic, Misery… It's an awesome line-up. It will definitely give our necks a workout watching the other bands."
For the benefit of those who might not have seen Lumen Ad Mortem live before, we ask Tuck what to expect.
"We're playing mid-paced black metal," he measured, "with a lot of blast beats. Our music has orchestral sections, and then we've got a projection show we put behind us. Our singer Greg is a tall person who likes to scream in people's faces (laughs). He's got a lot of character. We just get up there and play the tunes as best we can and try to create an atmosphere of dark, gloom and evil."
In the full interview, Aaron talks more about Necrosonic and what he is expecting, the state of metal festivals in Australia, the early days of the band and where they came from, their debut album Upon The Edge Of Darkness, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>706blackmetal,crypt,extrememetal,heavy,heavymetal,interview,lo!,lumenadmortem,mansfieldtavern,misery,necrosonicfestival,podcast,psycroptictruefullhttps://www.spreaker.com/episode/music-for-the-soul-with-aj-channer-from-fire-from-the-gods--60266861US metal outfit Fire From The Gods consolidated their growing stature in October 2022 with the release of their third album, Soul Revolution.
Featuring the singles SOS, Thousand Lifetimes, World So Cold and Soul Revolution, the album quickly became a fan favourite and propelled the band into a fresh legion of fans and supporters.
Fans quickly demanded more, so Fire From The Gods have provided with Soul Revolution Deluxe - The Collabs, an extension of the original album featuring the tracks found on the first recording, plus four of the songs re-recorded with collaborations from Yung Mosh, Nate Vickers, Corey Glover and Jayden Panesso as well as a cover of Guerilla Radio by Rage Against The Machine.
It portrays the four reworked songs in a different light with the use of guest artists and showcases a different musical side of the band.
Vocalist AJ Channer joined HEAVY to dive deeper into the new album which will be released on June 14, starting with if he still feels the same excitement releasing a deluxe version of an album.
"You know what, I'm happy about this one because as I have told everyone it's about the family with this one," he explained. "It's about the homies and some really solid, close individuals for Fire From The Gods, so I'm really excited about this one. I am excited about the release. Typically, Fire From The Gods will release a record, then we'll do some reimagined version of it. We've done it since our first record, Narrative, and people are really excited about hearing the different version of the solo or a different take or reimagining of the record. But with this one, it's collabs. It's people that specifically are close to our hearts as brothers, as bands, as musicians. We hand-picked those that we wanted for this. I didn't wanna blow it up and get a massive name on it and spend a tonne of money going after Jonathan Davis or some big name to try and boost sales or anything. We really wanted to do it as some homies that we wanted to show love and some people that we know really respect our band and respect what we've got going on."
In the full interview, AJ talks more about how fans embraced the original album version, how he measures success in the modern age, runs through each of the collaborations individually and offers more about the songs and why each person was asked to collaborate on it, the Rage Against The Machine cover and why it was chosen, the selection process for which songs appeared on the Deluxe version, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60266861Fri, 14 Jun 2024 03:26:26 +0000HEAVY MagazineInterview by Kris Peters US metal outfit Fire From The Gods consolidated their growing stature in October 2022 with the release of their third album, Soul Revolution. Featuring the singles SOS, Thousand Lifetimes, World So Cold and Soul Revolution,...US metal outfit Fire From The Gods consolidated their growing stature in October 2022 with the release of their third album, Soul Revolution.
Featuring the singles SOS, Thousand Lifetimes, World So Cold and Soul Revolution, the album quickly became a fan favourite and propelled the band into a fresh legion of fans and supporters.
Fans quickly demanded more, so Fire From The Gods have provided with Soul Revolution Deluxe - The Collabs, an extension of the original album featuring the tracks found on the first recording, plus four of the songs re-recorded with collaborations from Yung Mosh, Nate Vickers, Corey Glover and Jayden Panesso as well as a cover of Guerilla Radio by Rage Against The Machine.
It portrays the four reworked songs in a different light with the use of guest artists and showcases a different musical side of the band.
Vocalist AJ Channer joined HEAVY to dive deeper into the new album which will be released on June 14, starting with if he still feels the same excitement releasing a deluxe version of an album.
"You know what, I'm happy about this one because as I have told everyone it's about the family with this one," he explained. "It's about the homies and some really solid, close individuals for Fire From The Gods, so I'm really excited about this one. I am excited about the release. Typically, Fire From The Gods will release a record, then we'll do some reimagined version of it. We've done it since our first record, Narrative, and people are really excited about hearing the different version of the solo or a different take or reimagining of the record. But with this one, it's collabs. It's people that specifically are close to our hearts as brothers, as bands, as musicians. We hand-picked those that we wanted for this. I didn't wanna blow it up and get a massive name on it and spend a tonne of money going after Jonathan Davis or some big name to try and boost sales or anything. We really wanted to do it as some homies that we wanted to show love and some people that we know really respect our band and respect what we've got going on."
In the full interview, AJ talks more about how fans embraced the original album version, how he measures success in the modern age, runs through each of the collaborations individually and offers more about the songs and why each person was asked to collaborate on it, the Rage Against The Machine cover and why it was chosen, the selection process for which songs appeared on the Deluxe version, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1110ajchanner,betternoisemusic,firefromthegods,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,soulrevolutiondeluxetruefullhttps://www.spreaker.com/episode/sad-girls-smile-the-brightest-with-karly-jewell--60349645Reward for effort is not a phrase generally used in the music industry, with countless bands and musicians paying their dues thousands of times over and still not finding that elusive pathway to the next level. But occasionally you see the music Gods smiling down on one of their own by rewarding them with a more universal platform, in the process opening that band/artist up to a whole world of possibilities they may never have known existed.
Melbourne rock/pop artist Karly Jewell has recently found herself in this welcome situation after years of pouring her heart and soul into music when she signed with emerging label XMusic. It's not so much the signing to a label that is significant here, it's more a case that someone in a position of influence in the music industry finally believes. Believes in her. Believes in her music. Believes in the future of Karly Jewell and her self-titled band.
With a number of new songs already written and recorded, Jewell attracted the attention of XMusic with her upcoming single, Sad Girl, which will premiere via HEAVY this Friday, June 14. It is a catchy tune, with meaty hooks in the right places, and dripping with enough attitude to have disenfranchised teens come running in the direction of musical salvation.
Jewell sat down with HEAVY to discuss the signing and new single.
"I am so excited," she beamed, "because I have been sitting on this song for months now. Since last year, I believe. Just knowing how it turned out was exciting, but being able to share it after waiting and waiting… I'm excited now I have a label behind me and heaps of cool stuff coming up - which we'll talk about later. Now's the right time to get this song out. I'm pleased I held onto it. And it's a cool song (laughs)."
In the full interview, Karly talks more about Sad Girl musically and what it's about, the slightly different sonic direction to her previous releases, where it stands in the scheme of a possible future album release, signing to XMusic, what things that opens up to her and her band, new bass player Mick Jones and what he brings, their upcoming tour of Japan, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60349645Thu, 13 Jun 2024 04:37:14 +0000HEAVY MagazineInterview by Kris Peters Reward for effort is not a phrase generally used in the music industry, with countless bands and musicians paying their dues thousands of times over and still not finding that elusive pathway to the next level. But...Reward for effort is not a phrase generally used in the music industry, with countless bands and musicians paying their dues thousands of times over and still not finding that elusive pathway to the next level. But occasionally you see the music Gods smiling down on one of their own by rewarding them with a more universal platform, in the process opening that band/artist up to a whole world of possibilities they may never have known existed.
Melbourne rock/pop artist Karly Jewell has recently found herself in this welcome situation after years of pouring her heart and soul into music when she signed with emerging label XMusic. It's not so much the signing to a label that is significant here, it's more a case that someone in a position of influence in the music industry finally believes. Believes in her. Believes in her music. Believes in the future of Karly Jewell and her self-titled band.
With a number of new songs already written and recorded, Jewell attracted the attention of XMusic with her upcoming single, Sad Girl, which will premiere via HEAVY this Friday, June 14. It is a catchy tune, with meaty hooks in the right places, and dripping with enough attitude to have disenfranchised teens come running in the direction of musical salvation.
Jewell sat down with HEAVY to discuss the signing and new single.
"I am so excited," she beamed, "because I have been sitting on this song for months now. Since last year, I believe. Just knowing how it turned out was exciting, but being able to share it after waiting and waiting… I'm excited now I have a label behind me and heaps of cool stuff coming up - which we'll talk about later. Now's the right time to get this song out. I'm pleased I held onto it. And it's a cool song (laughs)."
In the full interview, Karly talks more about Sad Girl musically and what it's about, the slightly different sonic direction to her previous releases, where it stands in the scheme of a possible future album release, signing to XMusic, what things that opens up to her and her band, new bass player Mick Jones and what he brings, their upcoming tour of Japan, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>721aussierock,heavy,interview,karlyjewell,krispeters,music,podcast,poprock,rock,xmusictruefullhttps://www.spreaker.com/episode/under-the-microscope-with-fergus-linacre-from-kingswood--60265812Ten years ago, a then unknown Australian band called Kingswood laid solid claim to becoming a band you had to hear with the release of their stunning debut album, Microscopic Wars.
Drenched in rhythm, carried by the band’s strong chemistry, bolstered by a confidence and swagger felt between songwriters Alex Laska and Fergus Linacre, MICROSCOPIC WARS heralded not just an exciting jump off point for the Melbourne group; for fans, it was the start of a journey with a band whose ambition would see them navigate a diverse range of music influences to follow.
After six more studio albums, Kingswood are now a household name both here and abroad, but the band have never forgotten the album that gave them their start. And now, with that album celebrating its ten-year milestone, Kingswood are set to embark on a nationwide tour to celebrate by playing the album in full. 
Vocalist Fergus Linacre joined HEAVY recently to reveal the band's weird and wonderful plans to say happy birthday to Microscopic Wars.
"We've got a few special guests that are gonna come up and join us on stage," he teased. "We're taking a great band called The Delta Riggs with us for most of the tour, and over in WA we're gonna have Death By Denim come with us. Alex and I were talking, and he said to me yesterday when we were planning out who is gonna play what and what the parts are gonna be - because we've gotta relearn a lot of it. I've got to relearn how to play piano, which I never did in the first place (laughs). He said we're gonna give them… because we're so much more experienced - we're better singers, better performers, better players - he said we're gonna give the fans that love that album the best version of those songs that they've ever heard. Far better than when we played them back in the day, so it's exciting."
In the full interview, Fergus discusses the tour in greater detail, what fans can expect from the show, playing the album in full and any problems that may pose, if the songs still resonate as strongly after ten years, the band's thought process going into Microscopic Wars, his memories of making it, recording in Nashville and how it impacted the album sonically, the temptation of reproducing that winning formula on future albums, diversifying your music while staying true to your fans and roots, how Kingswood's music has changed from their debut album to now, things they have learnt about themselves and their music over ten years and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60265812Tue, 11 Jun 2024 19:17:31 +0000HEAVY MagazineInterview by Kris Peters Ten years ago, a then unknown Australian band called Kingswood laid solid claim to becoming a band you had to hear with the release of their stunning debut album, Microscopic Wars. Drenched in rhythm, carried by the band’s...Ten years ago, a then unknown Australian band called Kingswood laid solid claim to becoming a band you had to hear with the release of their stunning debut album, Microscopic Wars.
Drenched in rhythm, carried by the band’s strong chemistry, bolstered by a confidence and swagger felt between songwriters Alex Laska and Fergus Linacre, MICROSCOPIC WARS heralded not just an exciting jump off point for the Melbourne group; for fans, it was the start of a journey with a band whose ambition would see them navigate a diverse range of music influences to follow.
After six more studio albums, Kingswood are now a household name both here and abroad, but the band have never forgotten the album that gave them their start. And now, with that album celebrating its ten-year milestone, Kingswood are set to embark on a nationwide tour to celebrate by playing the album in full. 
Vocalist Fergus Linacre joined HEAVY recently to reveal the band's weird and wonderful plans to say happy birthday to Microscopic Wars.
"We've got a few special guests that are gonna come up and join us on stage," he teased. "We're taking a great band called The Delta Riggs with us for most of the tour, and over in WA we're gonna have Death By Denim come with us. Alex and I were talking, and he said to me yesterday when we were planning out who is gonna play what and what the parts are gonna be - because we've gotta relearn a lot of it. I've got to relearn how to play piano, which I never did in the first place (laughs). He said we're gonna give them… because we're so much more experienced - we're better singers, better performers, better players - he said we're gonna give the fans that love that album the best version of those songs that they've ever heard. Far better than when we played them back in the day, so it's exciting."
In the full interview, Fergus discusses the tour in greater detail, what fans can expect from the show, playing the album in full and any problems that may pose, if the songs still resonate as strongly after ten years, the band's thought process going into Microscopic Wars, his memories of making it, recording in Nashville and how it impacted the album sonically, the temptation of reproducing that winning formula on future albums, diversifying your music while staying true to your fans and roots, how Kingswood's music has changed from their debut album to now, things they have learnt about themselves and their music over ten years and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>906aussierock,band,ferguslinacre,heavy,interview,kingswood,krispeters,microscopicwars,music,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/sad-goodbyes-with-andy-scott-from-the-sweet--60346415The Sweet have been a musical institution since the early 1970s after bursting onto the scene with their debut album Funny How Sweet Co-Co Can Be in 1971. Their Who-influenced hard rock style, supplemented by a striking use of high-pitched backing vocals, struck a chord with youth the world over, propelling them into a career which continues with much love, fervour and respect to this day.
With a succession of hit singles, including Ballroom Blitz, Fox of the Run, Love is Like Oxygen, Wig Wam Bam, Blockbuster, Teenage Rampage, Hell Raiser, Action and countless others, The Sweet were always the darlings of the music scene in all incarnations of the word. They toured relentlessly and continually sold out larger venues, in the process building for themselves a musical legacy that will stand the test of time in comparison to most others.
To put it simply, The Sweet have been, and remain an iconic force in the world of music with no signs of slowing down just yet.
So it is with a touch of sadness that The Sweet soon hit Australia for what has been dubbed The Farewell Tour - Greatest Hits. To run us through what to expect and take us on a trip down memory lane, HEAVY sat down with guitarist/vocalist Andy Scott to get the full rundown.
"We're coming to Australia to tour in November," he began. "With me will be my singer, Paul Manzi, my bass player Lee Small, my drummer Adam Booth and our younger, genius, second guitar player/ keyboard player Tom Cory. Also, I've just been told yesterday, that it looks like we'll be going to Tassie and then finishing in Perth." 
We ask what fans can expect from The Sweet in 2024.
"We've been through many phases, as you would imagine with the difference in music styles," he explained. "Fifty-odd years of a catalogue with almost three hundred songs in it… try picking twenty from that (laughs). I think most of the set writes itself, and we're certainly going to do about a dozen of the hits. Then we're gonna fill it with things like Set Me Free and some of the heavy rock stuff. Because we've been releasing some stuff more recently, we'll probably chuck a couple of the new ones in. It depends how long and whether we've got supports on all of the dates. It depends how long we are going to be playing, so the set might change slightly. There'll be something for everybody, I can tell you that."
In the full interview, Andy talks more about what to expect from The Sweet on the tour, the extra shows at Airlie Beach Music Festival and on Rock The Boat cruise, coming up with set lists to appease the fans, adapting to change over the years, memories of the band's first Australian tour in 1975 and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60346415Tue, 11 Jun 2024 19:12:27 +0000HEAVY MagazineInterview by Kris Peters The Sweet have been a musical institution since the early 1970s after bursting onto the scene with their debut album Funny How Sweet Co-Co Can Be in 1971. Their Who-influenced hard rock style, supplemented by a striking use of...The Sweet have been a musical institution since the early 1970s after bursting onto the scene with their debut album Funny How Sweet Co-Co Can Be in 1971. Their Who-influenced hard rock style, supplemented by a striking use of high-pitched backing vocals, struck a chord with youth the world over, propelling them into a career which continues with much love, fervour and respect to this day.
With a succession of hit singles, including Ballroom Blitz, Fox of the Run, Love is Like Oxygen, Wig Wam Bam, Blockbuster, Teenage Rampage, Hell Raiser, Action and countless others, The Sweet were always the darlings of the music scene in all incarnations of the word. They toured relentlessly and continually sold out larger venues, in the process building for themselves a musical legacy that will stand the test of time in comparison to most others.
To put it simply, The Sweet have been, and remain an iconic force in the world of music with no signs of slowing down just yet.
So it is with a touch of sadness that The Sweet soon hit Australia for what has been dubbed The Farewell Tour - Greatest Hits. To run us through what to expect and take us on a trip down memory lane, HEAVY sat down with guitarist/vocalist Andy Scott to get the full rundown.
"We're coming to Australia to tour in November," he began. "With me will be my singer, Paul Manzi, my bass player Lee Small, my drummer Adam Booth and our younger, genius, second guitar player/ keyboard player Tom Cory. Also, I've just been told yesterday, that it looks like we'll be going to Tassie and then finishing in Perth." 
We ask what fans can expect from The Sweet in 2024.
"We've been through many phases, as you would imagine with the difference in music styles," he explained. "Fifty-odd years of a catalogue with almost three hundred songs in it… try picking twenty from that (laughs). I think most of the set writes itself, and we're certainly going to do about a dozen of the hits. Then we're gonna fill it with things like Set Me Free and some of the heavy rock stuff. Because we've been releasing some stuff more recently, we'll probably chuck a couple of the new ones in. It depends how long and whether we've got supports on all of the dates. It depends how long we are going to be playing, so the set might change slightly. There'll be something for everybody, I can tell you that."
In the full interview, Andy talks more about what to expect from The Sweet on the tour, the extra shows at Airlie Beach Music Festival and on Rock The Boat cruise, coming up with set lists to appease the fans, adapting to change over the years, memories of the band's first Australian tour in 1975 and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>800andyscott,australia,glamrock,heavy,interview,krispeters,music,podcast,rock,thefarewelltour,thesweet,tourtruefullhttps://www.spreaker.com/episode/the-meaning-of-metal-with-derrick-brumley-from-conquest--60320223Sometimes the best brand of heavy metal is the one that follows a straight line. While bands of the modern era generally tend to mix a plethora of styles and genres into each recording, there are still the die-hard old-school metalheads that subscribe to the old adage of if it ain't broke, don't try to fix it.
Veteran MidWest thrash metal outfit Conquest are one of those bands.
Over successive previous albums, Conquest have flown the flag high for old-school metal, with crushing guitars and blinding speed punctuating their material. So it comes as no surprise then that their latest album Paradox - out now - is cut from the same cloth.
More of the same, if you will, only better.
Vocalist/guitarist Derrick Brumley joined HEAVY to talk us through more, starting with the reaction to Paradox thus far.
"So far really good," he enthused. "I mean, we're pretty blessed on how much attention it's getting these days. It's awesome. When you're a musician, and you're an artist at it, you hope for the best. Expect the worst, but keep pushing for the best (laughs)."
We ask him to go deeper into the musical side of Paradox.
"The record Paradox is 16 songs, one is a cover of The Man On The Silver Mountain," he began. "Dio and Richie Blackmore early on was a big inspiration for me, so I was really into that old stuff like that. That's how that song found its way on the record. Just something I always wanted to record and that kind of spawned the whole thing. And then for the other tracks, we had a bunch of tunes written for the record, but then COVID hit, and the original drummer had left the band for a little bit because he had major personal issues. He was out of the band, then Lee came in and filled in the next two years - I should say became a member of the band - and just killed it on the drums. He brought this thunder to the songs, so we put all these songs together and ended up with 16 tracks after writing with Lee. It just piled in, next one, next one, and it was really cool and a really diverse record. It's very old school with a little touch of new stuff here and there. I tried to keep the production raw. I don't like overproduced stuff."
In the full interview, Derrick talked more about the songs on Paradox, keeping true to your influences, writing and recording in the studio, the obstacles the band had to overcome in order to finish the album, a bit of history about Conquest, their upcoming show with Burning Witches and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60320223Tue, 11 Jun 2024 03:51:50 +0000HEAVY MagazineInterview by Kris Peters Sometimes the best brand of heavy metal is the one that follows a straight line. While bands of the modern era generally tend to mix a plethora of styles and genres into each recording, there are still the die-hard old-school...Sometimes the best brand of heavy metal is the one that follows a straight line. While bands of the modern era generally tend to mix a plethora of styles and genres into each recording, there are still the die-hard old-school metalheads that subscribe to the old adage of if it ain't broke, don't try to fix it.
Veteran MidWest thrash metal outfit Conquest are one of those bands.
Over successive previous albums, Conquest have flown the flag high for old-school metal, with crushing guitars and blinding speed punctuating their material. So it comes as no surprise then that their latest album Paradox - out now - is cut from the same cloth.
More of the same, if you will, only better.
Vocalist/guitarist Derrick Brumley joined HEAVY to talk us through more, starting with the reaction to Paradox thus far.
"So far really good," he enthused. "I mean, we're pretty blessed on how much attention it's getting these days. It's awesome. When you're a musician, and you're an artist at it, you hope for the best. Expect the worst, but keep pushing for the best (laughs)."
We ask him to go deeper into the musical side of Paradox.
"The record Paradox is 16 songs, one is a cover of The Man On The Silver Mountain," he began. "Dio and Richie Blackmore early on was a big inspiration for me, so I was really into that old stuff like that. That's how that song found its way on the record. Just something I always wanted to record and that kind of spawned the whole thing. And then for the other tracks, we had a bunch of tunes written for the record, but then COVID hit, and the original drummer had left the band for a little bit because he had major personal issues. He was out of the band, then Lee came in and filled in the next two years - I should say became a member of the band - and just killed it on the drums. He brought this thunder to the songs, so we put all these songs together and ended up with 16 tracks after writing with Lee. It just piled in, next one, next one, and it was really cool and a really diverse record. It's very old school with a little touch of new stuff here and there. I tried to keep the production raw. I don't like overproduced stuff."
In the full interview, Derrick talked more about the songs on Paradox, keeping true to your influences, writing and recording in the studio, the obstacles the band had to overcome in order to finish the album, a bit of history about Conquest, their upcoming show with Burning Witches and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>759album,conquest,heavy,heavymetal,interview,krispeters,music,paradox,podcast,thrashmetaltruefullhttps://www.spreaker.com/episode/tales-of-the-seven-seas-with-meek-from-visions-of-atlantis--60320430Their 2022 album Pirates ushered in a new era for Austrian symphonic metal band Visions Of Atlantis, seeing the powerful metal outfit explore new lyrical territory in embracing the pirate theme. The album was a resounding success, paving the way for an expansion of the sonic universe of the Jolly Roger in even more emphatic terms.
The pirates of VISIONS OF ATLANTIS are about to take listeners on their heaviest symphonic adventure yet with their new studio album, PIRATES II – ARMADA, set for release on July 5, 2024 via Napalm Records. A swashbuckling tale of menace on debauchery on the open seas, Pirates II - Armada is set to propel the band to even greater heights, reinforcing their growing status as rulers of the symphonic realm.
One half of the male/female vocal dynamic, Meek, joined HEAVY to dive deeper into the tale of the seven seas.
"Visions Of Atlantis is a symphonic metal band that was born in Austria but has become international now," he began, "because I'm from Italy and Clementine - which is the female singer - she is from France. Basically, it started as an Austrian project, but now we consider ourselves a fully European band. Right now I would say that we are holding the crown of symphonic… of the old school, classic symphonic metal. With so many other bands heading away from the genre, it seems like we are getting lonely (laughs). We need more symphonic metal bands around. It feels like the trend has gone away, but we still stick to what we believe in. If you like symphonic metal, then we are the band for you."
We ask how he is feeling about the impending release of Pirates II - Armada.
"Super, super excited," he smiled. "This has been the work of two years that is finally coming to life. In this moment we are super, super excited and looking forward to the feedback that we will receive. We put our heart and souls, as always, in preparing this new record and this is the hot moment and the hot months before the release. You don't really know. We write the music, we write what we feel. We write the emotions and put them down in songs and you never know what the feedback will be like. Now we are receiving the first ones from reviewers and interviewers, but at the end of the day the fans are the real judges and the ones who will tell the verdict about this entire thing (laughs)".
In the full interview, Meek tells how this album relates to and follows on from Pirates, the musical composition of the album, the claims that this is Visions Of Atlantis' heaviest outing to date, how to get a heavy sound from symphonic music, his transition into the role as vocalist over three albums, his dynamic with Clementine and the writing process that unites the two voices, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60320430Tue, 11 Jun 2024 01:16:23 +0000HEAVY MagazineInterview by Kris Peters Their 2022 album Pirates ushered in a new era for Austrian symphonic metal band Visions Of Atlantis, seeing the powerful metal outfit explore new lyrical territory in embracing the pirate theme. The album was a resounding...Their 2022 album Pirates ushered in a new era for Austrian symphonic metal band Visions Of Atlantis, seeing the powerful metal outfit explore new lyrical territory in embracing the pirate theme. The album was a resounding success, paving the way for an expansion of the sonic universe of the Jolly Roger in even more emphatic terms.
The pirates of VISIONS OF ATLANTIS are about to take listeners on their heaviest symphonic adventure yet with their new studio album, PIRATES II – ARMADA, set for release on July 5, 2024 via Napalm Records. A swashbuckling tale of menace on debauchery on the open seas, Pirates II - Armada is set to propel the band to even greater heights, reinforcing their growing status as rulers of the symphonic realm.
One half of the male/female vocal dynamic, Meek, joined HEAVY to dive deeper into the tale of the seven seas.
"Visions Of Atlantis is a symphonic metal band that was born in Austria but has become international now," he began, "because I'm from Italy and Clementine - which is the female singer - she is from France. Basically, it started as an Austrian project, but now we consider ourselves a fully European band. Right now I would say that we are holding the crown of symphonic… of the old school, classic symphonic metal. With so many other bands heading away from the genre, it seems like we are getting lonely (laughs). We need more symphonic metal bands around. It feels like the trend has gone away, but we still stick to what we believe in. If you like symphonic metal, then we are the band for you."
We ask how he is feeling about the impending release of Pirates II - Armada.
"Super, super excited," he smiled. "This has been the work of two years that is finally coming to life. In this moment we are super, super excited and looking forward to the feedback that we will receive. We put our heart and souls, as always, in preparing this new record and this is the hot moment and the hot months before the release. You don't really know. We write the music, we write what we feel. We write the emotions and put them down in songs and you never know what the feedback will be like. Now we are receiving the first ones from reviewers and interviewers, but at the end of the day the fans are the real judges and the ones who will tell the verdict about this entire thing (laughs)".
In the full interview, Meek tells how this album relates to and follows on from Pirates, the musical composition of the album, the claims that this is Visions Of Atlantis' heaviest outing to date, how to get a heavy sound from symphonic music, his transition into the role as vocalist over three albums, his dynamic with Clementine and the writing process that unites the two voices, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1183album,heavy,heavymetal,heavymetalmusic,interview,krispeters,meek,music,podcast,symphonicmetal,visionsofatlantistruefullhttps://www.spreaker.com/episode/hammerfall-australian-tour-exclusive-interview-with-oscar-dronjak--60298250There isn't much Swedish metal royalty Hammerfall have failed to accomplish in their almost 30-year existence. With multiple international tours, gold certification, a succession of powerful and well-received albums, 100+ million streams and YouTube views and a passionate global fanbase, you would almost wonder if there's anything left to tick off the band's proverbial bucket list. But there is one glaring omission.
Hammerfall have never done a full tour of Australia…
That terrible blot on an otherwise stellar career will be rectified in January of next year when Hammerfall venture to this side of the world for five shows that see them play in every capital city this great country has to offer.
Not only that, but Hammerfall are also on the cusp of releasing their 13th and arguably best album yet, Avenge The Fallen, on August 9. With so much going on for the band, HEAVY cornered guitarist Oscar Dronjak to find out why Hammerfall have neglected Australia until this point and plenty more.
"We're very excited about this," he smiled. "We only did one show there in 27 years of existence, so it's gonna be fucken cool. Every time we do a new album we do press in Australia and everybody is asking when are you coming back? We never had anything to say about it, but finally now we do and it seems like it's… I have heard from friends of mine in bands who have been there and say it's great. Everybody wonders why don't you go there? I have no good answer for that, only the fact that we are going now, so that's enough. We've been all over the world for the most part, except Australia. It should have happened before (laughs)."
We ask Oscar if he will be doing any research before he comes out here on what to expect, or if he is more the type of person who prefers to go in cold and see what happens.
"We've been there once - it was nine years ago now I think - and that was a good experience," he replied. "If that is anything to go by, I think we're going to have a really good time at the shows. Ultimately - and this is my experience from touring all over the world - but ultimately heavy metal fans are more or less the same all over the world. They just wanna go to the show, be entertained, have a good time, listen to some great music, and watch a good show. That's all they wanna do. Hopefully, drink some beers too (laughs). If that is the attitude - which I believe it is - we're gonna have a really good time."
In the full interview, Oscar talks more about the tour and what we can expect from Hammerfall, what planets must align for the band to walk off-stage and be blown away, their upcoming album Avenge The Fallen and what to expect, how the band keeps improving with each album cycle, their recent tour with Helloween and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60298250Thu, 06 Jun 2024 22:56:05 +0000HEAVY MagazineInterview by Kris Peters There isn't much Swedish metal royalty Hammerfall have failed to accomplish in their almost 30-year existence. With multiple international tours, gold certification, a succession of powerful and well-received albums, 100+...There isn't much Swedish metal royalty Hammerfall have failed to accomplish in their almost 30-year existence. With multiple international tours, gold certification, a succession of powerful and well-received albums, 100+ million streams and YouTube views and a passionate global fanbase, you would almost wonder if there's anything left to tick off the band's proverbial bucket list. But there is one glaring omission.
Hammerfall have never done a full tour of Australia…
That terrible blot on an otherwise stellar career will be rectified in January of next year when Hammerfall venture to this side of the world for five shows that see them play in every capital city this great country has to offer.
Not only that, but Hammerfall are also on the cusp of releasing their 13th and arguably best album yet, Avenge The Fallen, on August 9. With so much going on for the band, HEAVY cornered guitarist Oscar Dronjak to find out why Hammerfall have neglected Australia until this point and plenty more.
"We're very excited about this," he smiled. "We only did one show there in 27 years of existence, so it's gonna be fucken cool. Every time we do a new album we do press in Australia and everybody is asking when are you coming back? We never had anything to say about it, but finally now we do and it seems like it's… I have heard from friends of mine in bands who have been there and say it's great. Everybody wonders why don't you go there? I have no good answer for that, only the fact that we are going now, so that's enough. We've been all over the world for the most part, except Australia. It should have happened before (laughs)."
We ask Oscar if he will be doing any research before he comes out here on what to expect, or if he is more the type of person who prefers to go in cold and see what happens.
"We've been there once - it was nine years ago now I think - and that was a good experience," he replied. "If that is anything to go by, I think we're going to have a really good time at the shows. Ultimately - and this is my experience from touring all over the world - but ultimately heavy metal fans are more or less the same all over the world. They just wanna go to the show, be entertained, have a good time, listen to some great music, and watch a good show. That's all they wanna do. Hopefully, drink some beers too (laughs). If that is the attitude - which I believe it is - we're gonna have a really good time."
In the full interview, Oscar talks more about the tour and what we can expect from Hammerfall, what planets must align for the band to walk off-stage and be blown away, their upcoming album Avenge The Fallen and what to expect, how the band keeps improving with each album cycle, their recent tour with Helloween and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1442album,australia,avengethefallen,hammerfall,heavy,heavymetal,interview,krispeters,oscardonjak,podcast,powermetal,thephoenix,tourtruefullhttps://www.spreaker.com/episode/conquering-time-and-space-with-ben-zilla-from-goatzilla--60297759Gold Coast punk, thrash, hard rock outfit Goatzilla are one of those bands that don't really care if they are liked or not, they will still turn up to annoy the living shit out of you in the name of fun.
It's perhaps a bonus then that these guys are not only a whole bunch of fun, but they also sound pretty fucken good too!
After terrorizing the general public with their cracking debut album Muthafukasaurus in 2019 - which featured the irresistible track Drop Bear - Goatzilla have been a touch more measured in their approach, popping up sporadically to play a show so that people don't forget who they are while working diligently behind the scenes to create new music and secure that elusive success in the music industry of getting signed to a good label.
All of that would suggest that 2024 is the year of the Goat(zilla), which just so happens to be true. Today, the upstarts release the audio for their awesome new single Alien Nation, with next Friday seeing the music video follow suit.
The boys are out on the road as we speak showing off the new song, which happens to be the title track for their next album which will be out in August. And to top it all off, the gang recently signed with rapidly rising new Aussie label XMusic.
Things couldn't be going any better with Goatzilla at the moment, so HEAVY thought we would try and challenge that thought when we tracked down frontman Ben Zilla to find out all the juicy details.
"Really, really pumped," he enthused when asked how he was feeling about the single coming out now and the album in the near future. "This has been a long time coming. We started this whole process during COVID, and things just stretched and changed. It's taken a long time to get to this stage, but it's been worth it. We had Pete Jansen, our other guitarist, take on the job of mixing and mastering the whole thing and has done an absolutely phenomenal job. The songwriting we're really happy with, it's sounding great. It's a level up from Muthafukasaurus and the single is a lot of fun. Very, very excited."
In the full interview, Ben talks more about the single Alien Nation and it's frenetic pace, the upcoming music video and what to expect, how the new album is a step up from their debut, the musicality of the whole album and the alien theme and how it relates, their blending of genres to create a punk/metal hybrid that is bold, loud and infectious, their current tour and what to expect, signing to XMusic, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60297759Thu, 06 Jun 2024 12:07:31 +0000HEAVY MagazineInterview by Kris Peters Gold Coast punk, thrash, hard rock outfit Goatzilla are one of those bands that don't really care if they are liked or not, they will still turn up to annoy the living shit out of you in the name of fun. It's perhaps a bonus...Gold Coast punk, thrash, hard rock outfit Goatzilla are one of those bands that don't really care if they are liked or not, they will still turn up to annoy the living shit out of you in the name of fun.
It's perhaps a bonus then that these guys are not only a whole bunch of fun, but they also sound pretty fucken good too!
After terrorizing the general public with their cracking debut album Muthafukasaurus in 2019 - which featured the irresistible track Drop Bear - Goatzilla have been a touch more measured in their approach, popping up sporadically to play a show so that people don't forget who they are while working diligently behind the scenes to create new music and secure that elusive success in the music industry of getting signed to a good label.
All of that would suggest that 2024 is the year of the Goat(zilla), which just so happens to be true. Today, the upstarts release the audio for their awesome new single Alien Nation, with next Friday seeing the music video follow suit.
The boys are out on the road as we speak showing off the new song, which happens to be the title track for their next album which will be out in August. And to top it all off, the gang recently signed with rapidly rising new Aussie label XMusic.
Things couldn't be going any better with Goatzilla at the moment, so HEAVY thought we would try and challenge that thought when we tracked down frontman Ben Zilla to find out all the juicy details.
"Really, really pumped," he enthused when asked how he was feeling about the single coming out now and the album in the near future. "This has been a long time coming. We started this whole process during COVID, and things just stretched and changed. It's taken a long time to get to this stage, but it's been worth it. We had Pete Jansen, our other guitarist, take on the job of mixing and mastering the whole thing and has done an absolutely phenomenal job. The songwriting we're really happy with, it's sounding great. It's a level up from Muthafukasaurus and the single is a lot of fun. Very, very excited."
In the full interview, Ben talks more about the single Alien Nation and it's frenetic pace, the upcoming music video and what to expect, how the new album is a step up from their debut, the musicality of the whole album and the alien theme and how it relates, their blending of genres to create a punk/metal hybrid that is bold, loud and infectious, their current tour and what to expect, signing to XMusic, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1083album,aliennation,australia,benzilla,goatzilla,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,punk,rock,tour,xmusictruefullhttps://www.spreaker.com/episode/above-beyond-with-matt-brandyberry-of-from-ashes-to-new--60262602Last year's album Blackout by metal outfit From Ashes To New was a groundbreaker for the band, in terms that it encompassed sonic variations from each of their albums and spewed them forth with a fresh, new dynamic that more or less signalled the full coming of age of the popular band.
While success of that magnitude generally guarantees the release of a Deluxe version of the album with bonus cuts and/or remixes, more often than not such a move reeks of merely another means to get hard-earned cash from the band's fan base but every so often the obligatory follow-up hits the mark - and then some.
Such is the case with Blackout Deluxe, which is set to land on June 7. More than just an afterthought triggered by success, this Deluxe album was actually discussed in the lead-up to the original album, with some songs earmarked for such a release even before Blackout was completed.
Blackout Deluxe will consist of the original album's twelve tracks, plus six bonus tracks featuring artists such as Aaron Pauley from Of Mice & Men, Chrissy Costanza from Against The Current, Yelawolf and more. It is more an expansion of the original release rather than an afterthought, with one surprise bonus track featuring guitarist Matt Brandyberry making his debut vocal performance.
Brandyberry joined HEAVY to go into Blackout Deluxe in more detail.
We start by asking if he gets as excited about releasing a Deluxe album as he did the original album.
"We've done some deluxe's in the past," he measured, "and I'm not sure that I've had the same excitement levels. But I can say for this one, yes, because there is a track that's not released yet, and it's something that our fans are probably not expecting."
We ask about the response to Blackout from fans.
"I think it was above what I was expecting," he replied. "It's been phenomenal. Our ticket sales are at an all-time high, our merch, VIP, album, everything. We're cruising, man, things are going good."
Along those lines, we question Brandyberry on how a band measures the success of an album in the modern age of music.
"I think it's overall streaming," he nodded. "Some of that doesn't matter, I don't think, because you'll see an artist or a band that streams really high, but then they don't have anyone at their shows, and sometimes you can see the exact opposite. I think to know if what you're doing is working is if people are all-encompassing. Are people wearing your new merch? Are they listening to your new music? Are they going to your shows? It's kind of all of it together."
In the full interview, Matt runs us through each of the six bonus tracks individually, talks about the guest artist on each and why, the genesis of these songs in relation to the original Blackout, the song which features his vocals, their current tour and upcoming shows, new album conversations, giving the fans what they want musically and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60262602Thu, 06 Jun 2024 04:23:09 +0000HEAVY MagazineInterview by Kris Peters Last year's album Blackout by metal outfit From Ashes To New was a groundbreaker for the band, in terms that it encompassed sonic variations from each of their albums and spewed them forth with a fresh, new dynamic that more...Last year's album Blackout by metal outfit From Ashes To New was a groundbreaker for the band, in terms that it encompassed sonic variations from each of their albums and spewed them forth with a fresh, new dynamic that more or less signalled the full coming of age of the popular band.
While success of that magnitude generally guarantees the release of a Deluxe version of the album with bonus cuts and/or remixes, more often than not such a move reeks of merely another means to get hard-earned cash from the band's fan base but every so often the obligatory follow-up hits the mark - and then some.
Such is the case with Blackout Deluxe, which is set to land on June 7. More than just an afterthought triggered by success, this Deluxe album was actually discussed in the lead-up to the original album, with some songs earmarked for such a release even before Blackout was completed.
Blackout Deluxe will consist of the original album's twelve tracks, plus six bonus tracks featuring artists such as Aaron Pauley from Of Mice & Men, Chrissy Costanza from Against The Current, Yelawolf and more. It is more an expansion of the original release rather than an afterthought, with one surprise bonus track featuring guitarist Matt Brandyberry making his debut vocal performance.
Brandyberry joined HEAVY to go into Blackout Deluxe in more detail.
We start by asking if he gets as excited about releasing a Deluxe album as he did the original album.
"We've done some deluxe's in the past," he measured, "and I'm not sure that I've had the same excitement levels. But I can say for this one, yes, because there is a track that's not released yet, and it's something that our fans are probably not expecting."
We ask about the response to Blackout from fans.
"I think it was above what I was expecting," he replied. "It's been phenomenal. Our ticket sales are at an all-time high, our merch, VIP, album, everything. We're cruising, man, things are going good."
Along those lines, we question Brandyberry on how a band measures the success of an album in the modern age of music.
"I think it's overall streaming," he nodded. "Some of that doesn't matter, I don't think, because you'll see an artist or a band that streams really high, but then they don't have anyone at their shows, and sometimes you can see the exact opposite. I think to know if what you're doing is working is if people are all-encompassing. Are people wearing your new merch? Are they listening to your new music? Are they going to your shows? It's kind of all of it together."
In the full interview, Matt runs us through each of the six bonus tracks individually, talks about the guest artist on each and why, the genesis of these songs in relation to the original Blackout, the song which features his vocals, their current tour and upcoming shows, new album conversations, giving the fans what they want musically and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>952alternativemetal,betternoisemusic,blackoutdeluxe,fromashestonew,heavy,heavymetal,interview,krispeters,mattbrandyberry,podcasttruefullhttps://www.spreaker.com/episode/upward-trajectory-with-connor-gutteridge-from-rvn-nt--60271491Brisbane metal outfit RVN//NT (pronounced Revenant) have accomplished a great deal since forming just last year. They dropped their debut single Void Of Mind in March, closely followed by Bleed Within, establishing themselves as a band on a mission with plenty to say.
June 7 sees RVN//NT unleash their third and darkest song yet, Distain, a hard-hitting track about the addictions and struggles with mental health and addiction.
With a string of further releases planned and a debut EP on the horizon, vocalist Connor Gutteridge took some time out to chat with HEAVY about RVN//NT’s plans to spread their brand of metal.
"The thing that we've been explaining to people when talking about Distain is its kind of the big, bad brother of Void Of Mind," he began. "It's a little bit more in the metalcore style with some tasty little licks, but then we're also experimenting with some synth stuff as well. It's honestly just a killer track. It's a big track. We've got all of the elements that we've hit forth so far - growl vocals mixed in with clean vocals quite nicely. We've got - in my opinion - one of the better drummers out there at the moment with Jake Brown, he's phenomenal. Then Damien, my brother, plays guitar for us. He's literally come from a bedroom guitarist - this is his first band. I think it was the third or fourth track that he sent through to us initially, and I couldn't believe it (laughs). As soon as we heard it, I was like 'you're joking'. He's levelling up a lot."
In the full interview Connor talks more about Distain from a lyrical standpoint and its subject matter, the darkness of the song and why it was necessary, how it differs to the band's two previous singles Void Of Mind and Bleed Within, if they are stand-alone singles or part of a bigger picture, if those three songs are a good sonic representation of RVN//NT or if there are more layers to their sound, upcoming live shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60271491Wed, 05 Jun 2024 05:00:45 +0000HEAVY MagazineInterview by Kris Peters Brisbane metal outfit RVN//NT (pronounced Revenant) have accomplished a great deal since forming just last year. They dropped their debut single Void Of Mind in March, closely followed by Bleed Within, establishing themselves...Brisbane metal outfit RVN//NT (pronounced Revenant) have accomplished a great deal since forming just last year. They dropped their debut single Void Of Mind in March, closely followed by Bleed Within, establishing themselves as a band on a mission with plenty to say.
June 7 sees RVN//NT unleash their third and darkest song yet, Distain, a hard-hitting track about the addictions and struggles with mental health and addiction.
With a string of further releases planned and a debut EP on the horizon, vocalist Connor Gutteridge took some time out to chat with HEAVY about RVN//NT’s plans to spread their brand of metal.
"The thing that we've been explaining to people when talking about Distain is its kind of the big, bad brother of Void Of Mind," he began. "It's a little bit more in the metalcore style with some tasty little licks, but then we're also experimenting with some synth stuff as well. It's honestly just a killer track. It's a big track. We've got all of the elements that we've hit forth so far - growl vocals mixed in with clean vocals quite nicely. We've got - in my opinion - one of the better drummers out there at the moment with Jake Brown, he's phenomenal. Then Damien, my brother, plays guitar for us. He's literally come from a bedroom guitarist - this is his first band. I think it was the third or fourth track that he sent through to us initially, and I couldn't believe it (laughs). As soon as we heard it, I was like 'you're joking'. He's levelling up a lot."
In the full interview Connor talks more about Distain from a lyrical standpoint and its subject matter, the darkness of the song and why it was necessary, how it differs to the band's two previous singles Void Of Mind and Bleed Within, if they are stand-alone singles or part of a bigger picture, if those three songs are a good sonic representation of RVN//NT or if there are more layers to their sound, upcoming live shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1084aussiemetal,distain,heavy,heavymetal,interview,krispeters,music\,podcast,premiere,revenant,rvn//nt,singletruefullhttps://www.spreaker.com/episode/carving-your-niche-with-connor-from-no-life--60271774New Zealand/Aotearoa metalcore quartet No Life announced themselves with their crushing 2022 debut EP Delinquent. Their fresh spin on established genres such as nu-metal, metalcore and hardcore almost dared you not to listen, with an aggressive and uncompromising sonic delivery of epic proportions.
The band have followed that debut with their latest single, Obnoxious, which sees the band team up with vocalist Frankie Palmeri from Emmure.
A cut-throat and aggressive offering from a band with a chip on their shoulder, Obnoxious is unapologetic at its core, calling out 'deadbeats' that leech off of others and carry little respect for those around them.
HEAVY sat down for a chat with vocalist Connor Dickson to find out more about No Life and their music, starting by asking how people have liked the new single.
"It's been crazy," he smiled. "We didn't really expect too much. We always try to manage our expectations as much as we can, so we weren't really expecting too much. But, man, it's going off. The numbers are racking up, the video is racking up as well and we're super humbled. It's a great feeling."
We ask Connor to tell us more about the musical side of Obnoxious.
"Obviously, we're big fans of Emmure," he offered. "Myself and DJ, the guitarist, we both love the song Gucci Prison by Emmure so we said we need to write a song like that. Then DJ wrote it so quickly and I heard it and said we have to get Frankie on it. I wrote the song just to call out deadbeats, but the more I think about it, it's probably a bit of a slight at my father and my upbringing, because he's a bit of an alcoholic and a bit of a partier. It's kind of taken its own shape, but it was meant to be a not-so-tongue-in-cheek call out of deadbeats, and I think a lot of people can probably relate to that."
In the full interview, Connor talks more about the genesis of Obnoxious, how they got Emmure vocalist Frankie Palmeri involved, what he brought to the song musically, previous single Identity Crisis and if the two songs are part of a bigger picture, how the new material differs to the music on their previous EP Delinquent, their current tour and how it has been going, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60271774Tue, 04 Jun 2024 22:22:20 +0000HEAVY MagazineInterview by Kris Peters New Zealand/Aotearoa metalcore quartet No Life announced themselves with their crushing 2022 debut EP Delinquent. Their fresh spin on established genres such as nu-metal, metalcore and hardcore almost dared you not to listen,...New Zealand/Aotearoa metalcore quartet No Life announced themselves with their crushing 2022 debut EP Delinquent. Their fresh spin on established genres such as nu-metal, metalcore and hardcore almost dared you not to listen, with an aggressive and uncompromising sonic delivery of epic proportions.
The band have followed that debut with their latest single, Obnoxious, which sees the band team up with vocalist Frankie Palmeri from Emmure.
A cut-throat and aggressive offering from a band with a chip on their shoulder, Obnoxious is unapologetic at its core, calling out 'deadbeats' that leech off of others and carry little respect for those around them.
HEAVY sat down for a chat with vocalist Connor Dickson to find out more about No Life and their music, starting by asking how people have liked the new single.
"It's been crazy," he smiled. "We didn't really expect too much. We always try to manage our expectations as much as we can, so we weren't really expecting too much. But, man, it's going off. The numbers are racking up, the video is racking up as well and we're super humbled. It's a great feeling."
We ask Connor to tell us more about the musical side of Obnoxious.
"Obviously, we're big fans of Emmure," he offered. "Myself and DJ, the guitarist, we both love the song Gucci Prison by Emmure so we said we need to write a song like that. Then DJ wrote it so quickly and I heard it and said we have to get Frankie on it. I wrote the song just to call out deadbeats, but the more I think about it, it's probably a bit of a slight at my father and my upbringing, because he's a bit of an alcoholic and a bit of a partier. It's kind of taken its own shape, but it was meant to be a not-so-tongue-in-cheek call out of deadbeats, and I think a lot of people can probably relate to that."
In the full interview, Connor talks more about the genesis of Obnoxious, how they got Emmure vocalist Frankie Palmeri involved, what he brought to the song musically, previous single Identity Crisis and if the two songs are part of a bigger picture, how the new material differs to the music on their previous EP Delinquent, their current tour and how it has been going, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>819australia,hardcore,heavy,heavymetal,interview,krispeters,newzealand,nolife,obnoxious,podcasttruefullhttps://www.spreaker.com/episode/don-t-fear-the-reaper-with-desiree-hancock-jakub-kyral-from-wicked-envy--60272663Sydney heavy rock outfit Wicked Envy shook the music scene to the core with the release of their debut EP What The Hell Am I Doing in June 2022.
Bringing to you all forces of modern rock and metal, infused with heavy, powered riffs, gritty vocals and bewitching melodic vocal interplay, Wicked Envy were a breath of fresh air amid a cluttered market with a commanding live performance to match.
Following last year's single Paralysis Demon, Wicked Envy continue on their merry way this week with the premiere of Final Descent via HEAVY at 5 pm on June 5 before an official release the following day. The dominating new track commands attention, taking you on a gut-wrenching final journey through a doomed flight with a sonic intensity to match the increasing tension of the lyrics.
Desiree Hancock (vocals/keys) and Jakub Kyral (bass) joined HEAVY earlier today to discuss Final Descent and the immediate future for Wicked Envy. We start by mentioning the song's intro, that starts off almost leisurely before whipping into a frenzy. It's a nice, steady, unnerving passage of music that is used to good effect.
"Originally it was going to be very hard rock, like we've done in the past," Kyral began. "And then we went into the studio and our producer Clay was very much 'We have to make a few changes, what are some of your influences on the song? Where do you want it to go?' Des and I were talking about it, and we wanted a very Spiritbox with Sleep Token, ambient vibe…"
"A modernised sound," Hancock added. "We'd been speaking with our producer Clayton, and we wanted to go in that more modernised direction. We're pretty much classic rock, hard rock based with a little bit of dark vibes. Now we wanted to try and push for that modern feel."
In the full interview, Desiree and Jakub discuss in greater detail their new single, Final Descent. They discussed the band's decision to depart from their traditional hard rock style and embrace a more modernized sound, drawing inspiration from Spiritbox and Sleep Token. They also explored the song's theme, which draws inspiration from aerophobia and the movie Final Destination, and discussed the band's plans for future releases and live shows, emphasizing their high-energy performances, horror-themed theatrics, and the desire to connect with their audience on a deeper level.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60272663Tue, 04 Jun 2024 11:06:48 +0000HEAVY MagazineInterview by Kris Peters Sydney heavy rock outfit Wicked Envy shook the music scene to the core with the release of their debut EP What The Hell Am I Doing in June 2022. Bringing to you all forces of modern rock and metal, infused with heavy, powered...Sydney heavy rock outfit Wicked Envy shook the music scene to the core with the release of their debut EP What The Hell Am I Doing in June 2022.
Bringing to you all forces of modern rock and metal, infused with heavy, powered riffs, gritty vocals and bewitching melodic vocal interplay, Wicked Envy were a breath of fresh air amid a cluttered market with a commanding live performance to match.
Following last year's single Paralysis Demon, Wicked Envy continue on their merry way this week with the premiere of Final Descent via HEAVY at 5 pm on June 5 before an official release the following day. The dominating new track commands attention, taking you on a gut-wrenching final journey through a doomed flight with a sonic intensity to match the increasing tension of the lyrics.
Desiree Hancock (vocals/keys) and Jakub Kyral (bass) joined HEAVY earlier today to discuss Final Descent and the immediate future for Wicked Envy. We start by mentioning the song's intro, that starts off almost leisurely before whipping into a frenzy. It's a nice, steady, unnerving passage of music that is used to good effect.
"Originally it was going to be very hard rock, like we've done in the past," Kyral began. "And then we went into the studio and our producer Clay was very much 'We have to make a few changes, what are some of your influences on the song? Where do you want it to go?' Des and I were talking about it, and we wanted a very Spiritbox with Sleep Token, ambient vibe…"
"A modernised sound," Hancock added. "We'd been speaking with our producer Clayton, and we wanted to go in that more modernised direction. We're pretty much classic rock, hard rock based with a little bit of dark vibes. Now we wanted to try and push for that modern feel."
In the full interview, Desiree and Jakub discuss in greater detail their new single, Final Descent. They discussed the band's decision to depart from their traditional hard rock style and embrace a more modernized sound, drawing inspiration from Spiritbox and Sleep Token. They also explored the song's theme, which draws inspiration from aerophobia and the movie Final Destination, and discussed the band's plans for future releases and live shows, emphasizing their high-energy performances, horror-themed theatrics, and the desire to connect with their audience on a deeper level.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>655australia,finaldescent,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,premiere,rock,single,wickedenvytruefullhttps://www.spreaker.com/episode/ignorance-is-bliss-with-adam-holland-from-archives--60272415Hailing from Northern Ireland, heavy as sin metalcore outfit Archives have emerged into the music scene with a point to prove and an attitude to match.
Their 2021 debut album Decay introduced the world to the ferocious sonic onslaught borne out of a lifetime of frustration that simmered within the musical DNA of Archives, promising a bleak yet bright future for the band.
Archives will unleash their follow-up album No Bliss In Ignorance on June 7, with the crushingly brutal singles Make No Mistake, No Sweat, Self-Inflicted and Matriarch offering a glimpse into the band's intentions and setting the tone for another slab of brutality.
HEAVY spoke with vocalist Adam Holland earlier today to get the inside word on what to expect from No Bliss In Ignorance. We start by asking how he is feeling about the impending release.
"Pretty excited," he enthused. "It feels like it's been a long time coming, in all honesty, because we've been messing about back and forward and taking our time with this one. Because we kind of rushed the last album a bit I think. We just couldn't wait to get it out (laughs)."
We ask him to describe No Bliss In Ignorance musically.
"Our guitarist Stewart wrote most of the stuff," he replied. "And I think what we were trying to do was throw in a few different elements this time compared to the last album. It was good, but it had a similar thing going on with it, whereas I feel like on this album there's a couple of songs that are a bit different from the last. I guess we were just trying to have a bit of fun with it."
In the full interview, Adam discussed the band's upcoming album No Bliss In Ignorance in more detail. He talked about the deliberate experimentation and thoughtful approach taken during the recording process, emphasizing the album's thematic significance in exploring societal issues and personal experiences. Holland also discussed the music scene in Northern Ireland, including pre and post-Covid dynamics, increased local show attendance, and the tight-knit community. The interview concluded with Holland expressing enthusiasm for the band's upcoming tour in England and Ireland, as well as potential future tours in Australia.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60272415Tue, 04 Jun 2024 10:31:04 +0000HEAVY MagazineInterview by Kris Peters Hailing from Northern Ireland, heavy as sin metalcore outfit Archives have emerged into the music scene with a point to prove and an attitude to match. Their 2021 debut album Decay introduced the world to the ferocious sonic...Hailing from Northern Ireland, heavy as sin metalcore outfit Archives have emerged into the music scene with a point to prove and an attitude to match.
Their 2021 debut album Decay introduced the world to the ferocious sonic onslaught borne out of a lifetime of frustration that simmered within the musical DNA of Archives, promising a bleak yet bright future for the band.
Archives will unleash their follow-up album No Bliss In Ignorance on June 7, with the crushingly brutal singles Make No Mistake, No Sweat, Self-Inflicted and Matriarch offering a glimpse into the band's intentions and setting the tone for another slab of brutality.
HEAVY spoke with vocalist Adam Holland earlier today to get the inside word on what to expect from No Bliss In Ignorance. We start by asking how he is feeling about the impending release.
"Pretty excited," he enthused. "It feels like it's been a long time coming, in all honesty, because we've been messing about back and forward and taking our time with this one. Because we kind of rushed the last album a bit I think. We just couldn't wait to get it out (laughs)."
We ask him to describe No Bliss In Ignorance musically.
"Our guitarist Stewart wrote most of the stuff," he replied. "And I think what we were trying to do was throw in a few different elements this time compared to the last album. It was good, but it had a similar thing going on with it, whereas I feel like on this album there's a couple of songs that are a bit different from the last. I guess we were just trying to have a bit of fun with it."
In the full interview, Adam discussed the band's upcoming album No Bliss In Ignorance in more detail. He talked about the deliberate experimentation and thoughtful approach taken during the recording process, emphasizing the album's thematic significance in exploring societal issues and personal experiences. Holland also discussed the music scene in Northern Ireland, including pre and post-Covid dynamics, increased local show attendance, and the tight-knit community. The interview concluded with Holland expressing enthusiasm for the band's upcoming tour in England and Ireland, as well as potential future tours in Australia.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>838album,archives,hardcore,heavy,heavymetal,interview,krispeters,metalcore,music,noblissinignorance,podcasttruefullhttps://www.spreaker.com/episode/letting-the-mongrel-out-to-play-with-the-reverend-from-west-thebarton--60265120From humble beginnings in Adelaide, party rock outfit West Thebarton have spread their metaphorical wings far and wide, drawing all who listen deeper into their intricate musical web of enjoyment.
Since announcing themselves on the scene with their 2015 debut EP West Thebarton Brothel Party, which catapulted them into the earholes of fans and industry professionals alike, West Thebarton have continued to grow at their own pace and volition.
The years between West Thebarton Brothel Party and their 2018 debut studio album, Different Beings Being Different, saw a marked evolution within the band. Line-up and name changes brought the group into a new era, one that West Thebarton have continued to flourish within since.
Which brings us to 2024. West Thebarton have experienced the full plethora of trials and tribulations life can throw at you over the last five years with personal life changes: parenthood, love, loss, moves interstate and moves overseas all having the potential to derail this rock train short of their second stop.
But fear not, for Adelaide's favourite sons have returned with their second album Mongrel Australia, which finds the band at the crest of a particularly high creative peak; focussing on what lay ahead instead of dwelling in the past.
Vocalist/guitarist The Reverend joined HEAVY to bring us up to speed.
"We've just got a new record out called Mongrel Australia," he began. "It came out a couple of weeks ago, but we're heading out on the road, ready to take on all the East Coast cities."
We ask how Mongrel Australia was received after a lengthy break between albums.
"Number one, it's been awesome just to be out there, to be honest," he replied. "We've been sitting on these songs and playing them live for a couple of years now with everything that's been going on. So just having it out there in the world has been a huge sigh of relief for us. We were super anxious putting them out there and seeing how they would be received, but so many people have been telling us how awesome it is to have a new record out there that they can listen from end to end. Also, there's been a bit of a change of tone on some of the songs on this record. We were in a bit of a different place on the second record compared to the first record, and so some of the content and themes are a little bit different. We've had a bunch of people reach out to say this is awesome to hear some of the slower songs. We've got a song called Slow on there which is very stripped back - it's not very chainsaw to the throat West Thebarton like (laughs)- but people are really loving it, which is awesome to hear. That's one of the things you always worry about as a musician is are your fans going to enjoy the stuff you put out."
In the full interview, The Reverend discusses the process of going into an album and internal talks about the possible direction, Mongrel Australia from a musical perspective, which three songs he would advise people listen to from the album to best get to know the band, how it differs musically to their debut album Different Beings Being Different, what has changed in the band between albums, the early days of the band, their upcoming tour, what to expect from West Thebarton live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60265120Mon, 03 Jun 2024 18:11:53 +0000HEAVY MagazineInterview by Kris Peters From humble beginnings in Adelaide, party rock outfit West Thebarton have spread their metaphorical wings far and wide, drawing all who listen deeper into their intricate musical web of enjoyment. Since announcing themselves...From humble beginnings in Adelaide, party rock outfit West Thebarton have spread their metaphorical wings far and wide, drawing all who listen deeper into their intricate musical web of enjoyment.
Since announcing themselves on the scene with their 2015 debut EP West Thebarton Brothel Party, which catapulted them into the earholes of fans and industry professionals alike, West Thebarton have continued to grow at their own pace and volition.
The years between West Thebarton Brothel Party and their 2018 debut studio album, Different Beings Being Different, saw a marked evolution within the band. Line-up and name changes brought the group into a new era, one that West Thebarton have continued to flourish within since.
Which brings us to 2024. West Thebarton have experienced the full plethora of trials and tribulations life can throw at you over the last five years with personal life changes: parenthood, love, loss, moves interstate and moves overseas all having the potential to derail this rock train short of their second stop.
But fear not, for Adelaide's favourite sons have returned with their second album Mongrel Australia, which finds the band at the crest of a particularly high creative peak; focussing on what lay ahead instead of dwelling in the past.
Vocalist/guitarist The Reverend joined HEAVY to bring us up to speed.
"We've just got a new record out called Mongrel Australia," he began. "It came out a couple of weeks ago, but we're heading out on the road, ready to take on all the East Coast cities."
We ask how Mongrel Australia was received after a lengthy break between albums.
"Number one, it's been awesome just to be out there, to be honest," he replied. "We've been sitting on these songs and playing them live for a couple of years now with everything that's been going on. So just having it out there in the world has been a huge sigh of relief for us. We were super anxious putting them out there and seeing how they would be received, but so many people have been telling us how awesome it is to have a new record out there that they can listen from end to end. Also, there's been a bit of a change of tone on some of the songs on this record. We were in a bit of a different place on the second record compared to the first record, and so some of the content and themes are a little bit different. We've had a bunch of people reach out to say this is awesome to hear some of the slower songs. We've got a song called Slow on there which is very stripped back - it's not very chainsaw to the throat West Thebarton like (laughs)- but people are really loving it, which is awesome to hear. That's one of the things you always worry about as a musician is are your fans going to enjoy the stuff you put out."
In the full interview, The Reverend discusses the process of going into an album and internal talks about the possible direction, Mongrel Australia from a musical perspective, which three songs he would advise people listen to from the album to best get to know the band, how it differs musically to their debut album Different Beings Being Different, what has changed in the band between albums, the early days of the band, their upcoming tour, what to expect from West Thebarton live and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>859aussierock,australia,hardrock,heavy,heavymetal,interview,krispeters,mongrelaustralia,partyrock,podcast,rock,westthebartontruefullhttps://www.spreaker.com/episode/the-sands-of-time-with-lochlan-watt-from-run--60262247Melbourne blackened post-metalcore outfit RUN today dropped a surprise EP, True Heaviness Is Time. The band's second offering, True Heaviness Is Time is a dynamic and powerful tour de force that grips as it slams from peak to peak, tackling the pain of existence with an aural violence powered by positivity.
Featuring guest vocals from Joel Birch of The Amity Affliction, John Floreani of Trophy Eyes, and Sophie Jest of R.U.B, there's a multitude of diverse sounds on display within the band's own unique take on heavy music - a classic 2000s metalcore sound infused with modern post-black metal.
Vocalist Lochlan Watt sat down with HEAVY to discuss the EP.
"We put out our debut release in 2020 as a studio project that I was spearheading with a producer and a session drummer," he explained of RUN. "From there it had evolved over a few different line-ups into a full band. Then in 2023 we put out a couple of singles as a bit of a testing ground for that, and now finally we have our second EP, True Heaviness Is Time, which is out now."
We ask him about the secret nature of the EP drop.
"People seemed to be really excited about the surprise Bring Me The Horizon album last week," he replied. "I work in this industry and see bands doing the same thing over and over again in terms of having pre-orders and release rollouts and stuff, and I thought because I'm not beholden to anyone else or any record labels with this, why not do it a little bit differently? We've released three of the singles so far, so people have already got 50% of the EP because it's six tracks. If we were to announce the EP now and then say it's coming out in a couple of months… I feel like that would be a little deflationary. You would lose a bit of the excitement. Maybe we could have announced the EP a long time ago while we were rolling out these singles, but the way that the artwork is set up, it slowly reveals the bigger picture throughout the singles. I think it's a more exciting way to do it. You get a little taste of what the bigger picture is with each single, then now, BOOM, you can see the full picture, and you understand what we were doing."
In the full interview, Lochlan discusses the relationship between the seasons and the EP, runs through each of the songs individually and explains more about them including where they fit into the EP, talks about the guest artists and how and why they became involved, the limited vinyl run that has the bands debut EP as the B side, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60262247Mon, 03 Jun 2024 13:20:23 +0000HEAVY MagazineInterview by Kris Peters Melbourne blackened post-metalcore outfit RUN today dropped a surprise EP, True Heaviness Is Time. The band's second offering, True Heaviness Is Time is a dynamic and powerful tour de force that grips as it slams from peak to...Melbourne blackened post-metalcore outfit RUN today dropped a surprise EP, True Heaviness Is Time. The band's second offering, True Heaviness Is Time is a dynamic and powerful tour de force that grips as it slams from peak to peak, tackling the pain of existence with an aural violence powered by positivity.
Featuring guest vocals from Joel Birch of The Amity Affliction, John Floreani of Trophy Eyes, and Sophie Jest of R.U.B, there's a multitude of diverse sounds on display within the band's own unique take on heavy music - a classic 2000s metalcore sound infused with modern post-black metal.
Vocalist Lochlan Watt sat down with HEAVY to discuss the EP.
"We put out our debut release in 2020 as a studio project that I was spearheading with a producer and a session drummer," he explained of RUN. "From there it had evolved over a few different line-ups into a full band. Then in 2023 we put out a couple of singles as a bit of a testing ground for that, and now finally we have our second EP, True Heaviness Is Time, which is out now."
We ask him about the secret nature of the EP drop.
"People seemed to be really excited about the surprise Bring Me The Horizon album last week," he replied. "I work in this industry and see bands doing the same thing over and over again in terms of having pre-orders and release rollouts and stuff, and I thought because I'm not beholden to anyone else or any record labels with this, why not do it a little bit differently? We've released three of the singles so far, so people have already got 50% of the EP because it's six tracks. If we were to announce the EP now and then say it's coming out in a couple of months… I feel like that would be a little deflationary. You would lose a bit of the excitement. Maybe we could have announced the EP a long time ago while we were rolling out these singles, but the way that the artwork is set up, it slowly reveals the bigger picture throughout the singles. I think it's a more exciting way to do it. You get a little taste of what the bigger picture is with each single, then now, BOOM, you can see the full picture, and you understand what we were doing."
In the full interview, Lochlan discusses the relationship between the seasons and the EP, runs through each of the songs individually and explains more about them including where they fit into the EP, talks about the guest artists and how and why they became involved, the limited vinyl run that has the bands debut EP as the B side, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1238aussiemetal,australia,ep,heavy,heavymetal,interview,krispeters,lochlanwatt,metalcore,music,podcast,postmetalcore,runfalsefullhttps://www.spreaker.com/episode/for-the-love-of-music-with-n-v-from-sym-fera--60241733More often than not, the music industry is dictated to more by who and/or what you know, rather than the quality of your musical output. It is something that has been a staple part of the industry for as long as most of us can remember, and is accepted more as a given across the board.
So, then, it is refreshing when a band comes along whose members have the pedigree and personal contacts to guarantee success before a note is even committed to recording but instead shun that privilege in favour of earning their stripes on their own terms.
It is a unique and refreshing approach and one very rarely taken, but it is a testament to the confidence, ability, and respect of the two members of alternative rock outfit Sym Fera who decided from the outset to let their music dictate their fate.
Unlike other bands who have shunned the spotlight in favour of anonymity, Sym Fera are not using it as a gimmick or point of attention. It is purely for creative reasons and one which has so far borne fruit.
Their first EP was released under State of The Art Records, helmed by Ian McEvily, Marc Jordan, and Mike Clemenza, who themselves did not know the real names of the band members before they made an offer to sign them. They have since had their music feature on television, including the hit Netflix show Ozark, and they continue to release cryptic, cinematic music videos and shadowy live performances that showcase a unique and dramatic artist project, drawing comparisons to Pink Floyd, James Blake, and Bon Iver.
Both members - let's call them V and N for now - sat down with HEAVY to delve deeper into the talented musical enigma that is Sym Fera.
"We are two guys in LA who have always been jamming with each other," N began. "LA's a - despite the reputation - still a music town, so my partner and I have been jamming in clubs and jam sessions and speak ezy's and all sorts of crap all around town for quite a while. By the time we started to make music and record it and actually put it out, we had already been playing with each other in various things for years. As way of intro to us, it's just two long-time friends who… I guess the pandemic inspired us to actually put the shit out for a change instead of just do it for fun. We wanted to do it the old way where you lead with the stuff and the artwork and finding out what people look like and what they're like in their personal lives was kind of an afterthought. It came way later, if it ever came at all. It only really applied to actual famous people, getting into people's personal lives, otherwise it was check out this band or don't. That appealed to us a lot, so we decided to not tell people and see if we would get some progress made from the stuff itself and that alone. So far it's been small but very gratifying and satisfying."
Sym Fera are described as an atmospheric rock outfit, but that tag merely scratches the sonic surface.
"I guess so," N measured when asked if that is a fair description. "The word rock got expanded quite a bit since the 70s and 60s. I think people forget - even in the 70s - it also applied to artists like Pink Floyd. There's a huge Earth of difference sonically between Pink Floyd and Led Zeppelin or AC/DC, so I think if you use rock in that very, very big umbrella term then sure, we're atmospheric. It's funny. Whenever anyone asks us what genre it's like we can't really commit because we love artists like Beck and Pink Floyd's a great example too and Radiohead and all these artists that won't pick a team and stick with it. They just keep adding instruments and changing things and taking risks. I think in terms of those types of rock bands, that makes sense to me."
In the full interview, N & V talk about their latest single Beg and how it has been received, the four singles they have released to date and how each represents Sym Fera, future releases and how they will be structured, the main reasons behind keeping their identities under wraps for now and the pride at having your music respected based on merit alone, keeping their anonymity when playing live, how far they plan to take Sym Fera and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60241733Mon, 03 Jun 2024 11:22:05 +0000HEAVY MagazineInterview by Kris Peters More often than not, the music industry is dictated to more by who and/or what you know, rather than the quality of your musical output. It is something that has been a staple part of the industry for as long as most of us can...More often than not, the music industry is dictated to more by who and/or what you know, rather than the quality of your musical output. It is something that has been a staple part of the industry for as long as most of us can remember, and is accepted more as a given across the board.
So, then, it is refreshing when a band comes along whose members have the pedigree and personal contacts to guarantee success before a note is even committed to recording but instead shun that privilege in favour of earning their stripes on their own terms.
It is a unique and refreshing approach and one very rarely taken, but it is a testament to the confidence, ability, and respect of the two members of alternative rock outfit Sym Fera who decided from the outset to let their music dictate their fate.
Unlike other bands who have shunned the spotlight in favour of anonymity, Sym Fera are not using it as a gimmick or point of attention. It is purely for creative reasons and one which has so far borne fruit.
Their first EP was released under State of The Art Records, helmed by Ian McEvily, Marc Jordan, and Mike Clemenza, who themselves did not know the real names of the band members before they made an offer to sign them. They have since had their music feature on television, including the hit Netflix show Ozark, and they continue to release cryptic, cinematic music videos and shadowy live performances that showcase a unique and dramatic artist project, drawing comparisons to Pink Floyd, James Blake, and Bon Iver.
Both members - let's call them V and N for now - sat down with HEAVY to delve deeper into the talented musical enigma that is Sym Fera.
"We are two guys in LA who have always been jamming with each other," N began. "LA's a - despite the reputation - still a music town, so my partner and I have been jamming in clubs and jam sessions and speak ezy's and all sorts of crap all around town for quite a while. By the time we started to make music and record it and actually put it out, we had already been playing with each other in various things for years. As way of intro to us, it's just two long-time friends who… I guess the pandemic inspired us to actually put the shit out for a change instead of just do it for fun. We wanted to do it the old way where you lead with the stuff and the artwork and finding out what people look like and what they're like in their personal lives was kind of an afterthought. It came way later, if it ever came at all. It only really applied to actual famous people, getting into people's personal lives, otherwise it was check out this band or don't. That appealed to us a lot, so we decided to not tell people and see if we would get some progress made from the stuff itself and that alone. So far it's been small but very gratifying and satisfying."
Sym Fera are described as an atmospheric rock outfit, but that tag merely scratches the sonic surface.
"I guess so," N measured when asked if that is a fair description. "The word rock got expanded quite a bit since the 70s and 60s. I think people forget - even in the 70s - it also applied to artists like Pink Floyd. There's a huge Earth of difference sonically between Pink Floyd and Led Zeppelin or AC/DC, so I think if you use rock in that very, very big umbrella term then sure, we're atmospheric. It's funny. Whenever anyone asks us what genre it's like we can't really commit because we love artists like Beck and Pink Floyd's a great example too and Radiohead and all these artists that won't pick a team and stick with it. They just keep adding instruments and changing things and taking risks. I think in terms of those types of rock bands, that makes sense to me."
In the full interview, N & V talk about their latest single Beg and how it has been received, the four singles they have released to date and how each represents Sym Fera, future releases and how they will be structured, the main...]]>1423atmosphericrock,heavy,interview,krispeters,music,podcast,rock,stateoftheartrecords,symferatruefullhttps://www.spreaker.com/episode/master-of-ceremonies-with-glen-benton-from-deicide--60239994While the fact that most things can, and invariably do, change with the times, there are certain - but not many - elements that resist.
In music, you would be hard-pressed to find a band who has not experimented with or tried to cater to the ever-evolving tastes of music consumers, but there's one above all others who you could unreservedly say has not even tried.
Not one iota.
That band is US death metal legends Deicide, led by Glen Benton, who have spent their entire 35-year existence beating to the tune of their own drum without thought nor care for what was going on in the world around them.
With the recent release of their 13th studio album Banished By Sin, Deicide have further enhanced their status as immortals of the metal realm, producing an album that is a testament to the band's unwavering commitment to their craft, promising a collection of tracks that are both ferocious and unapologetically blasphemous.
HEAVY recently sat down with the elusive Benton to find out more.
"Pretty amazing, man," he offered when asked how fans have responded to the album. "A lot of people are losing their shit over it."
We ask him about the album musically.
"We went through the whole COVID bullshit thing with everybody else, and we had a lot of time on our hands," he shrugged, "so we put together a record. We're not on contract, so we were just writing for the fun of it."
In the full interview, Glen talks more about the aggressive nature of Banished By Sin, whether it becomes easier or harder to come up with new material the more you release, recording the album to produce more of a live sound, getting back to their roots, sticking to their style and vision despite changing world trends, the early days of Deicide and where the band fit in, his early vision and how it has changed since, their debut self-titled album and if it was intended to shock the system, tour plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60239994Fri, 31 May 2024 18:52:27 +0000HEAVY MagazineInterview by Kris Peters While the fact that most things can, and invariably do, change with the times, there are certain - but not many - elements that resist. In music, you would be hard-pressed to find a band who has not experimented with or tried...While the fact that most things can, and invariably do, change with the times, there are certain - but not many - elements that resist.
In music, you would be hard-pressed to find a band who has not experimented with or tried to cater to the ever-evolving tastes of music consumers, but there's one above all others who you could unreservedly say has not even tried.
Not one iota.
That band is US death metal legends Deicide, led by Glen Benton, who have spent their entire 35-year existence beating to the tune of their own drum without thought nor care for what was going on in the world around them.
With the recent release of their 13th studio album Banished By Sin, Deicide have further enhanced their status as immortals of the metal realm, producing an album that is a testament to the band's unwavering commitment to their craft, promising a collection of tracks that are both ferocious and unapologetically blasphemous.
HEAVY recently sat down with the elusive Benton to find out more.
"Pretty amazing, man," he offered when asked how fans have responded to the album. "A lot of people are losing their shit over it."
We ask him about the album musically.
"We went through the whole COVID bullshit thing with everybody else, and we had a lot of time on our hands," he shrugged, "so we put together a record. We're not on contract, so we were just writing for the fun of it."
In the full interview, Glen talks more about the aggressive nature of Banished By Sin, whether it becomes easier or harder to come up with new material the more you release, recording the album to produce more of a live sound, getting back to their roots, sticking to their style and vision despite changing world trends, the early days of Deicide and where the band fit in, his early vision and how it has changed since, their debut self-titled album and if it was intended to shock the system, tour plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>690album,banishedbysin,deathmetal,deicide,extrememetal,glenbanton,heavy,heavymetal,interview,krispeters,podcasttruefullhttps://www.spreaker.com/episode/the-circle-of-life-with-taylor-roberts-from-riding-with-killers--60238630Taylor Roberts started Riding With Killers long before joining Taproot as guitarist, but his newer band - for some reason - seems to get all of the attention.
For now.
While featuring solely as guitarist with Taproot, Roberts (formerly of Cathercist/Wild Fire) also lends his vocal chops to Riding With Killers (RWK), drenching the rock-infused music with a venomous swagger that oozes charisma.
Since the release of their debut EP Get In, RWK have followed a steady trajectory through the ranks of emerging bands in search of that next level of success, and, based on the quality alone of last December's debut album Full Circle, should see that rise propelled much quicker.
Also featuring ex-taproot drummer Dave Coughlin, RWK are a rock machine cut from the dirtiest cloth and with enough talent and experience within the ranks to satisfy even the most hardened critic. The fact the band are still releasing singles - the most recent being Hostility - nearly six months after the album came out is a testament to the quality of the material in itself.
Roberts joined HEAVY from his holiday accommodation to tell us more.
"Dude, it's been pretty good," he enthused about the reception afforded Full Circle. "I don't feel like we've truly dug in yet, but with the things that we're doing, we are seeing an incredible response. Hostility is at Rock Radio right now, and I'm not a rich guy, I don't have a record label, I don't have rich parents, I don't have rich friends that just throw money at me, but I essentially threw a pebble at Rock Radio with that song and the response we're seeing is letting us know that we definitely have something real here. Funny enough, another song we had talked about doing as a single, Don't Fade Away - and even the company I am working with, they suggested that song too - we've started to see that song rise recently. We went from 6000 plays to 20000 plays within a matter of a couple of days. People are finally starting to hear the music. I feel like it's starting to get out and make the rounds and I think it's turning people's heads. I feel like we're starting to finally get recognised. It's paving a good path for us to start getting on the road and hitting these places that are showing us some love and really digging the material."
In the full interview, Taylor discusses how you measure the success of a release in the modern age of music, the musical content of Full Circle, the diversity of the tracks on it, how Full Circle differs musically to Get In, the early days of the band and where they fit in, the transition from guitarist to guitarist and vocalist, future plans for the band, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60238630Fri, 31 May 2024 17:23:10 +0000HEAVY MagazineInterview by Kris Peters Taylor Roberts started Riding With Killers long before joining Taproot as guitarist, but his newer band - for some reason - seems to get all of the attention. For now. While featuring solely as guitarist with Taproot, Roberts...Taylor Roberts started Riding With Killers long before joining Taproot as guitarist, but his newer band - for some reason - seems to get all of the attention.
For now.
While featuring solely as guitarist with Taproot, Roberts (formerly of Cathercist/Wild Fire) also lends his vocal chops to Riding With Killers (RWK), drenching the rock-infused music with a venomous swagger that oozes charisma.
Since the release of their debut EP Get In, RWK have followed a steady trajectory through the ranks of emerging bands in search of that next level of success, and, based on the quality alone of last December's debut album Full Circle, should see that rise propelled much quicker.
Also featuring ex-taproot drummer Dave Coughlin, RWK are a rock machine cut from the dirtiest cloth and with enough talent and experience within the ranks to satisfy even the most hardened critic. The fact the band are still releasing singles - the most recent being Hostility - nearly six months after the album came out is a testament to the quality of the material in itself.
Roberts joined HEAVY from his holiday accommodation to tell us more.
"Dude, it's been pretty good," he enthused about the reception afforded Full Circle. "I don't feel like we've truly dug in yet, but with the things that we're doing, we are seeing an incredible response. Hostility is at Rock Radio right now, and I'm not a rich guy, I don't have a record label, I don't have rich parents, I don't have rich friends that just throw money at me, but I essentially threw a pebble at Rock Radio with that song and the response we're seeing is letting us know that we definitely have something real here. Funny enough, another song we had talked about doing as a single, Don't Fade Away - and even the company I am working with, they suggested that song too - we've started to see that song rise recently. We went from 6000 plays to 20000 plays within a matter of a couple of days. People are finally starting to hear the music. I feel like it's starting to get out and make the rounds and I think it's turning people's heads. I feel like we're starting to finally get recognised. It's paving a good path for us to start getting on the road and hitting these places that are showing us some love and really digging the material."
In the full interview, Taylor discusses how you measure the success of a release in the modern age of music, the musical content of Full Circle, the diversity of the tracks on it, how Full Circle differs musically to Get In, the early days of the band and where they fit in, the transition from guitarist to guitarist and vocalist, future plans for the band, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1240album,davecoughlin,fullcircle,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,ridingwithkillers,rock,taylorrobertstruefullhttps://www.spreaker.com/episode/echoes-of-the-future-with-mat-robins-from-cicadastone--60234630After showing their potential over two previous albums Chance Collide and Cold Chamber, Melbourne rock outfit Cicadastone are ready to seal the deal with their third long player Future Echoes, which is out now.
Taking the best bits and ideas from those first releases and putting them into the cauldron that is Cicadastone 2024, the band has created an album with a modern fresh edge, developing their own unique sound while staying truly authentic to the genre.
Vocalist Mat Robins sat down with HEAVY to tell us more.
"I'm so relieved," he smiled when asked how it feels to get the new album out. "It's been such a journey. As any band will know, from the process of writing through to pre-production through to recording through to mixing and mastering and releasing it takes a long time. To get to the point where we could finally put it out there and put it to bed so to speak, let it go, it's great. We can move on as a band too."
Being their third album, we ask Mat if the process gets easier or harder as you get further into your career.
"You'd think it would get easier, but I think it's getting harder," he measured. "We all have a lot of ties. We're all busy doing things. I'd love to say we're making a living out of music, but we're not. The band is its own entity which we pour our heart and soul into. That said, we all have lives to live. This record was really hard to lock everyone down and find time where we could. It took a bit longer than it probably should have, but that's just how it went."
In the full interview, Mat talks more about Future Echoes, the single Take The Fall which Cicadastone released at the same time and why it was chosen to represent the album on release day, the other singles released and how they tie in with the album, the cover art and what it means, how Future Echoes differs musically to their debut album Chance Collide, their love for grunge music and decision to stick with it despite the changing trends of music, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60234630Fri, 31 May 2024 12:49:08 +0000HEAVY MagazineInterview by Kris Peters After showing their potential over two previous albums Chance Collide and Cold Chamber, Melbourne rock outfit Cicadastone are ready to seal the deal with their third long player Future Echoes, which is out now. Taking the best...After showing their potential over two previous albums Chance Collide and Cold Chamber, Melbourne rock outfit Cicadastone are ready to seal the deal with their third long player Future Echoes, which is out now.
Taking the best bits and ideas from those first releases and putting them into the cauldron that is Cicadastone 2024, the band has created an album with a modern fresh edge, developing their own unique sound while staying truly authentic to the genre.
Vocalist Mat Robins sat down with HEAVY to tell us more.
"I'm so relieved," he smiled when asked how it feels to get the new album out. "It's been such a journey. As any band will know, from the process of writing through to pre-production through to recording through to mixing and mastering and releasing it takes a long time. To get to the point where we could finally put it out there and put it to bed so to speak, let it go, it's great. We can move on as a band too."
Being their third album, we ask Mat if the process gets easier or harder as you get further into your career.
"You'd think it would get easier, but I think it's getting harder," he measured. "We all have a lot of ties. We're all busy doing things. I'd love to say we're making a living out of music, but we're not. The band is its own entity which we pour our heart and soul into. That said, we all have lives to live. This record was really hard to lock everyone down and find time where we could. It took a bit longer than it probably should have, but that's just how it went."
In the full interview, Mat talks more about Future Echoes, the single Take The Fall which Cicadastone released at the same time and why it was chosen to represent the album on release day, the other singles released and how they tie in with the album, the cover art and what it means, how Future Echoes differs musically to their debut album Chance Collide, their love for grunge music and decision to stick with it despite the changing trends of music, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>758aussierock,cicadastone,grunge,hardrock,heavy,interview,krispeters,matrobins,music,podcast,rock,xmusictruefullhttps://www.spreaker.com/episode/time-and-a-place-for-everything-with-nick-from-fake-news--60234323Queensland melodic punk upstarts Fake News have successfully managed to bring together the attitude of punk, the essence of rock and the harmonious balance of nature into one uniting sonic force of cohesion that is almost impossible to resist.
Since forming in the beautiful surroundings of the Gold Coast in 2017, Fake News have steadfastly refused to adhere to societal rules, instead focusing on producing their own brand of infectious grooves that has struck a chord with every lover of music who has crossed their path.
Their 2021 debut album Everyday Warrior was widely regarded as amongst the albums of the year, with its unassuming yet edgy sound appealing to a broader fanbase than any one of their number of genres could hope to reach on their own.
They followed that with last year's EP, Take Me Away, which furthered the band’s momentum and this week Fake News delivered the knockout blow with the catchy as fuck six-track EP Time & Place.
Nick from Fake News joined HEAVY to discuss the EP and the musical revolution that defines them.
"It's pretty bloody good," he smiled modestly when asked about Time & Place. "If you haven't listened to it, yet you probably should because you will enjoy it. I promise you."
With the EP being released a few days ago on May 29 we ask how it feels to finally have it out there and open for the world to judge.
"It's great," he sighed. "We've been hanging onto it for too long. It's been sitting there waiting and getting all the pieces in place that you've gotta have when it comes to releasing music. We had a few singles come out in the lead-up to it and that was all good, but it's great to get the EP out there and say this is it. This is what we've been working on. Just to see people's reactions to it, and it's been going pretty well - and that's what we expected. We haven't changed our style much. We've stuck with the tried and true formula that we love, and other people love, so you can't go wrong with that."
In the full interview, Nick talks more about the EP musically, runs through each track individually and tells us more about them, releasing EP's as opposed to full albums in the modern age of music, the significance of the title, Time & Place, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60234323Fri, 31 May 2024 12:25:28 +0000HEAVY MagazineInterview by Kris Peters Queensland melodic punk upstarts Fake News have successfully managed to bring together the attitude of punk, the essence of rock and the harmonious balance of nature into one uniting sonic force of cohesion that is almost...Queensland melodic punk upstarts Fake News have successfully managed to bring together the attitude of punk, the essence of rock and the harmonious balance of nature into one uniting sonic force of cohesion that is almost impossible to resist.
Since forming in the beautiful surroundings of the Gold Coast in 2017, Fake News have steadfastly refused to adhere to societal rules, instead focusing on producing their own brand of infectious grooves that has struck a chord with every lover of music who has crossed their path.
Their 2021 debut album Everyday Warrior was widely regarded as amongst the albums of the year, with its unassuming yet edgy sound appealing to a broader fanbase than any one of their number of genres could hope to reach on their own.
They followed that with last year's EP, Take Me Away, which furthered the band’s momentum and this week Fake News delivered the knockout blow with the catchy as fuck six-track EP Time & Place.
Nick from Fake News joined HEAVY to discuss the EP and the musical revolution that defines them.
"It's pretty bloody good," he smiled modestly when asked about Time & Place. "If you haven't listened to it, yet you probably should because you will enjoy it. I promise you."
With the EP being released a few days ago on May 29 we ask how it feels to finally have it out there and open for the world to judge.
"It's great," he sighed. "We've been hanging onto it for too long. It's been sitting there waiting and getting all the pieces in place that you've gotta have when it comes to releasing music. We had a few singles come out in the lead-up to it and that was all good, but it's great to get the EP out there and say this is it. This is what we've been working on. Just to see people's reactions to it, and it's been going pretty well - and that's what we expected. We haven't changed our style much. We've stuck with the tried and true formula that we love, and other people love, so you can't go wrong with that."
In the full interview, Nick talks more about the EP musically, runs through each track individually and tells us more about them, releasing EP's as opposed to full albums in the modern age of music, the significance of the title, Time & Place, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>984australia,ep,fakenews,hardrock,heavy,interview,krispeters,podcast,punk,rock,time&placetruefullhttps://www.spreaker.com/episode/waste-not-want-not-with-tony-foresta-from-municipal-waste--60172114US thrash, crossover metal outfit Municipal Waste have been entertaining audiences since the turn of the century, combining everything you love about metal with a flippant and humorous disposition that permeates through their music.
Since their 2003 debut album Waste 'Em All first introduced the world to Municipal Waste, the band have released a further six studio albums and four EPs the most recent of which was the awesome Electrified Brain in 2022.
Starved of seeing Municipal Waste live since 2013, Australian audiences are preparing for the inevitable onslaught when the band starts their Wasted Australia Tour in Melbourne on July 5, with frontman Tony Foresta joining HEAVY to fill us in on all the glorious details.
"It's kind of hard sometimes to get tours booked there," he smiled when asked why he has neglected Australian fans for more than ten years. "And apparently y'all are getting a ton of tours now, more than you used to. So maybe people just overlooked us or whatever. But we always want to come back. I mean, I say this in every interview, but Australia is our favourite place to tour. So just ask us to come every year and we will. You've just got to invite us (laughs)."
We ask what has changed with Municipal Waste since their last visit.
"I don't even know if Nick (Poulos, lead guitar) was in the band the last time we toured Australia," he measured. "I don't think so. Man, y'all are in for some shit, dude. We've gotten so much better. I mean, we got an extra guitar player. We sound better. We fucking… we've got our chops up, and we've got a whole lot of new songs that rule to play, too. So it's going to be a lot different than the last time we were there. But hopefully as violent, because that shit was fun."
In the full interview, Tony further discussed the upcoming Municipal Waste tour of Australia, sharing details about the tour dates and the band's excitement to return after a long absence. He explained the band's decision to tour without a new album release and expressed their enthusiasm for playing in Australia, highlighting the band's improved sound and new songs. Tony also talked about what fans can expect from a Municipal Waste live show, emphasizing the chaotic and rowdy nature of the experience.
Tony finished by providing insights into the formation of Municipal Waste in the early 2000s, driven by a desire to bring thrash metal back into popularity, and discussed the band's commitment to their musical style and their refusal to conform to industry trends for commercial gain.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60172114Thu, 30 May 2024 03:02:27 +0000HEAVY MagazineInterview by Kris Peters US thrash, crossover metal outfit Municipal Waste have been entertaining audiences since the turn of the century, combining everything you love about metal with a flippant and humorous disposition that permeates through their...US thrash, crossover metal outfit Municipal Waste have been entertaining audiences since the turn of the century, combining everything you love about metal with a flippant and humorous disposition that permeates through their music.
Since their 2003 debut album Waste 'Em All first introduced the world to Municipal Waste, the band have released a further six studio albums and four EPs the most recent of which was the awesome Electrified Brain in 2022.
Starved of seeing Municipal Waste live since 2013, Australian audiences are preparing for the inevitable onslaught when the band starts their Wasted Australia Tour in Melbourne on July 5, with frontman Tony Foresta joining HEAVY to fill us in on all the glorious details.
"It's kind of hard sometimes to get tours booked there," he smiled when asked why he has neglected Australian fans for more than ten years. "And apparently y'all are getting a ton of tours now, more than you used to. So maybe people just overlooked us or whatever. But we always want to come back. I mean, I say this in every interview, but Australia is our favourite place to tour. So just ask us to come every year and we will. You've just got to invite us (laughs)."
We ask what has changed with Municipal Waste since their last visit.
"I don't even know if Nick (Poulos, lead guitar) was in the band the last time we toured Australia," he measured. "I don't think so. Man, y'all are in for some shit, dude. We've gotten so much better. I mean, we got an extra guitar player. We sound better. We fucking… we've got our chops up, and we've got a whole lot of new songs that rule to play, too. So it's going to be a lot different than the last time we were there. But hopefully as violent, because that shit was fun."
In the full interview, Tony further discussed the upcoming Municipal Waste tour of Australia, sharing details about the tour dates and the band's excitement to return after a long absence. He explained the band's decision to tour without a new album release and expressed their enthusiasm for playing in Australia, highlighting the band's improved sound and new songs. Tony also talked about what fans can expect from a Municipal Waste live show, emphasizing the chaotic and rowdy nature of the experience.
Tony finished by providing insights into the formation of Municipal Waste in the early 2000s, driven by a desire to bring thrash metal back into popularity, and discussed the band's commitment to their musical style and their refusal to conform to industry trends for commercial gain.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>736australia,heavy,heavymetal,interview,krispeters,municipalwaste,podcast,thrashmetal,tonyforesta,tour,troubadourpresentstruefullhttps://www.spreaker.com/episode/confronting-mortality-with-andrew-adam-from-wildheart--60206105Brisbane/Meanjin metalcore outfit Wildheart have let their music do the talking from the outset, unafraid to tackle sensitive issues and even less distracted by the myriad of smokescreens that are rapidly punctuating the music scene as a whole.
Their debut album Global Crisis – a body of work that drew attention and respect to a number of issues affecting Indigenous Australians – was named Gold Coast Music Awards Release Of The Year, also earning them a number of other awards and accolades.
Not content to rest on their laurels, Wildheart followed that up last year with the brilliant single Sacred Ground before launching into 2024 with a new track Death Is All That’s Left.
HEAVY sat down recently with Andrew (drums) and Adam (guitar) to talk more about the exciting future for Wildheart. Death Is All That's Left was premiered via HEAVY last month, so we start by asking how the early reception has been.
"The reception has been awesome," Andrew smiled. "We've gotten a lot of positive reviews and comments and a lot of traction online and sharing across all the platforms. We started up a TikTok and that's been going well, so we're really happy with the response and feedback we've got. I feel like with every release we work on we're stepping it up a notch, and it felt good that it was recognised."
We ask the boys to dive deeper into the track musically.
"We really just wanted to hone in on some more of my metalcore influence," Adam offered. "So channelling a lot of Lost Together, Lost Forever era Architects, older Parkway Drive… there's a bit of Bury Your Dead and stuff like that mixed in there too, but we wanted to write something fast and heavy."
In the full interview the boys discuss the lyrical content of Death Is All That's Left and the message they are trying to get across, if they think the message is getting through with music, having a song featured on Friday Night AFL Footy, previous single Sacred Ground, if the two songs are stand-alone singles or part of something bigger, possible future musical directions, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60206105Wed, 29 May 2024 08:15:54 +0000HEAVY MagazineInterview by Kris Peters Brisbane/Meanjin metalcore outfit Wildheart have let their music do the talking from the outset, unafraid to tackle sensitive issues and even less distracted by the myriad of smokescreens that are rapidly punctuating the music...Brisbane/Meanjin metalcore outfit Wildheart have let their music do the talking from the outset, unafraid to tackle sensitive issues and even less distracted by the myriad of smokescreens that are rapidly punctuating the music scene as a whole.
Their debut album Global Crisis – a body of work that drew attention and respect to a number of issues affecting Indigenous Australians – was named Gold Coast Music Awards Release Of The Year, also earning them a number of other awards and accolades.
Not content to rest on their laurels, Wildheart followed that up last year with the brilliant single Sacred Ground before launching into 2024 with a new track Death Is All That’s Left.
HEAVY sat down recently with Andrew (drums) and Adam (guitar) to talk more about the exciting future for Wildheart. Death Is All That's Left was premiered via HEAVY last month, so we start by asking how the early reception has been.
"The reception has been awesome," Andrew smiled. "We've gotten a lot of positive reviews and comments and a lot of traction online and sharing across all the platforms. We started up a TikTok and that's been going well, so we're really happy with the response and feedback we've got. I feel like with every release we work on we're stepping it up a notch, and it felt good that it was recognised."
We ask the boys to dive deeper into the track musically.
"We really just wanted to hone in on some more of my metalcore influence," Adam offered. "So channelling a lot of Lost Together, Lost Forever era Architects, older Parkway Drive… there's a bit of Bury Your Dead and stuff like that mixed in there too, but we wanted to write something fast and heavy."
In the full interview the boys discuss the lyrical content of Death Is All That's Left and the message they are trying to get across, if they think the message is getting through with music, having a song featured on Friday Night AFL Footy, previous single Sacred Ground, if the two songs are stand-alone singles or part of something bigger, possible future musical directions, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>961australia,hardcore,heavy,heavymetal,interview,krispeters,music,podcast,wildhearttruefullhttps://www.spreaker.com/episode/lateral-thinking-with-banks-arcade--60195852Melbourne based music machine Banks Arcade are in the prime of their musical career.
Having recently completed the Death 2 A Muse Tour, Banks Arcade now set their sights on the release of new album A Muse, which will be unleashed on June 28.
Formed over a shared love of music with a razor-sharp avant-garde aesthetic, Banks Arcade have always teetered on modernity; a fact displayed firmly on their 2018 debut EP Endnote, its 2020 follow-up Fever Dreams, and the group's head-turning singles Roses and Drown, both of which have gone on to amass well over 2 million individual streams.
Releasing their full-length Future Lovers in 2022, Banks Arcade cemented their future-facing trademark style while also turning heads courtesy of their emphatic soundscapes, searing metal and hip-hop additions.
Evolving from the darker sides explored on their recent DEATH 2 EP, released in February, A Muse finds the New Zealand-hailing, Melbourne-based quartet shedding the expected and instead flourishing between moments of searing rock, towering hooks, dance beats and fresh explorations into heavy surrounds.
HEAVY interrogator Rashid caught up with the band the afternoon of their final Brisbane show to talk more about the album, the tour, the different stylistic choices between both EPs (Death 2 and A Muse) and releasing them as two separate works rather than an album, hotel stabbings and the price of cheese in New Zealand plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60195852Tue, 28 May 2024 09:58:58 +0000HEAVY MagazineInterview by Rashid Alkamraihki Melbourne based music machine Banks Arcade are in the prime of their musical career. Having recently completed the Death 2 A Muse Tour, Banks Arcade now set their sights on the release of new album A Muse, which will be...Melbourne based music machine Banks Arcade are in the prime of their musical career.
Having recently completed the Death 2 A Muse Tour, Banks Arcade now set their sights on the release of new album A Muse, which will be unleashed on June 28.
Formed over a shared love of music with a razor-sharp avant-garde aesthetic, Banks Arcade have always teetered on modernity; a fact displayed firmly on their 2018 debut EP Endnote, its 2020 follow-up Fever Dreams, and the group's head-turning singles Roses and Drown, both of which have gone on to amass well over 2 million individual streams.
Releasing their full-length Future Lovers in 2022, Banks Arcade cemented their future-facing trademark style while also turning heads courtesy of their emphatic soundscapes, searing metal and hip-hop additions.
Evolving from the darker sides explored on their recent DEATH 2 EP, released in February, A Muse finds the New Zealand-hailing, Melbourne-based quartet shedding the expected and instead flourishing between moments of searing rock, towering hooks, dance beats and fresh explorations into heavy surrounds.
HEAVY interrogator Rashid caught up with the band the afternoon of their final Brisbane show to talk more about the album, the tour, the different stylistic choices between both EPs (Death 2 and A Muse) and releasing them as two separate works rather than an album, hotel stabbings and the price of cheese in New Zealand plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1142amuse,australia,banksarcade,ep,hardrock,heavy,heavymetal,interview,music,podcast,rock,unfdtruefullhttps://www.spreaker.com/episode/taming-the-beast-with-zak-thom-from-dregg--60171101*interview contains some language that may be offensive to some readers/listeners*
Since bursting onto the scene in 2015, Melbourne noise machine Dregg have been a musical force unto themselves, throwing an eclectic mix of genres against the wall and making cherry pie with the resulting residue.
Their music has always been ferocious, confronting, and, most importantly, different, with a fearless blend of elements of metal, hardcore, rap, and electronic music, crafting a sound that embodies their bold, no-rules attitude.
But just when you thought it was safe to go back into the moshpit, Dregg return with a new lineup, increased energy and more metal in the form of new single Dog Cunts. It is a vicious, snarling slab of music that hints at the slightly newer direction Dregg will be taking with more upcoming music.
New guitarist Zak Thom sat down with HEAVY to talk more, starting with the early response to the track that came out on May 17.
"(It's been) Great, actually," he enthused. "I honestly had no idea how it was going to go, because it's my first time being in a band that's had this much reach. So I'm fully just gauging off everything Chris (Mackertich, vocalist) says (laughs)."
We ask if he attributes much of that positive response to the use of the suddenly popular C word in the title.
"Yeah, definitely," he laughed. "If you look at the comments that have been popping up, people are saying 'Dog Cunts, are these guys Aussie?' I feel like it's such a draw. Even when we sent it to our managers over in America, they loved it immediately. Just the fact it says Dog Cunts which is such an Aussie term."
In the full interview, Zak talked more about the release of their new single Dog Cunts and the positive response it has received. He also talked about their upcoming album, which will feature heavier and more experimental elements, and their intention to explore diverse musical genres. He discussed the visual concept and storyline of the music video for Dog Cunts and the potential release date and the working title of the next album.
Additionally, Zak introduced himself as one of the new band members and discussed Dregg's unique mix of music genres and their process of pushing boundaries in their music. He also talked about the band's upcoming show and how the addition of new members and a slightly more aggressive sound will alter the live performances.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60171101Tue, 28 May 2024 09:01:44 +0000HEAVY MagazineInterview by Kris Peters *interview contains some language that may be offensive to some readers/listeners* Since bursting onto the scene in 2015, Melbourne noise machine Dregg have been a musical force unto themselves, throwing an eclectic mix of...*interview contains some language that may be offensive to some readers/listeners*
Since bursting onto the scene in 2015, Melbourne noise machine Dregg have been a musical force unto themselves, throwing an eclectic mix of genres against the wall and making cherry pie with the resulting residue.
Their music has always been ferocious, confronting, and, most importantly, different, with a fearless blend of elements of metal, hardcore, rap, and electronic music, crafting a sound that embodies their bold, no-rules attitude.
But just when you thought it was safe to go back into the moshpit, Dregg return with a new lineup, increased energy and more metal in the form of new single Dog Cunts. It is a vicious, snarling slab of music that hints at the slightly newer direction Dregg will be taking with more upcoming music.
New guitarist Zak Thom sat down with HEAVY to talk more, starting with the early response to the track that came out on May 17.
"(It's been) Great, actually," he enthused. "I honestly had no idea how it was going to go, because it's my first time being in a band that's had this much reach. So I'm fully just gauging off everything Chris (Mackertich, vocalist) says (laughs)."
We ask if he attributes much of that positive response to the use of the suddenly popular C word in the title.
"Yeah, definitely," he laughed. "If you look at the comments that have been popping up, people are saying 'Dog Cunts, are these guys Aussie?' I feel like it's such a draw. Even when we sent it to our managers over in America, they loved it immediately. Just the fact it says Dog Cunts which is such an Aussie term."
In the full interview, Zak talked more about the release of their new single Dog Cunts and the positive response it has received. He also talked about their upcoming album, which will feature heavier and more experimental elements, and their intention to explore diverse musical genres. He discussed the visual concept and storyline of the music video for Dog Cunts and the potential release date and the working title of the next album.
Additionally, Zak introduced himself as one of the new band members and discussed Dregg's unique mix of music genres and their process of pushing boundaries in their music. He also talked about the band's upcoming show and how the addition of new members and a slightly more aggressive sound will alter the live performances.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>976australia,dregg,hardcore,hardrock,heavy,heavymetal,interview,krispeters,podcast,rapmetaltruefullhttps://www.spreaker.com/episode/theoretically-speaking-with-rikard-zander-from-evergrey--60171793Swedish progressive power metal outfit Evergrey have had a long and distinguished career, chalking up 13 albums in their three-decade existence, in the process redefining the acceptable parameters for Swedish metal.
Led since 1993 by guitarist/vocalist Tom S Englund, Evergrey have maintained their dark approach to a generally bright form of metal, spreading their musical wings further with each new release.
Evergrey will release their 14th studio album Theories Of Emptiness on June 7, with keyboard player Rikard Zander spending time with HEAVY to discuss the new material. We start by asking if, after 13 previous album releases, the impending release of another is still a nerve-wracking process.
"Yeah, I've been there, done that," he shrugged, "but we still put so much effort into every album we do. We always try to do our best, and we always try to top the previous albums. So, of course, we are very anxious to see how it's going to be received. We're always a little bit nervous of course, because we've been in the process for such a long time so we really don't know… we don't have an objective side of it yet, so it feels good when you start to get some good reviews and hear people liking it (laughs)."
"We always try to find new angles for every release. I mean, we're not going to change completely. We still have a way, and we're going to put out great music, but we try to find a new way of writing, maybe just to try to keep it fresh. And I think the new angle on this album is mostly that Johan, our bass player, has written a lot of music, and he hasn't done that before."
In the full interview, Rikard discussed Evergrey's new album Theories of Emptiness, highlighting the band's approach to creating fresh music and the influence of different band members on the album's sound. He also expressed surprise at early reviews calling it their best album ever, emphasizing the band's ongoing efforts to deliver high-quality music despite releasing numerous albums. He engaged in a detailed discussion about the album, covering various aspects such as the song titles, guest vocals, and the introduction of new elements, particularly the contribution of bass player Johan in songwriting. Rikard also provided insights into the band's upcoming world tour plans, including gigs in South America, European festivals, a Scandinavian tour, and a European tour in the fall.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60171793Tue, 28 May 2024 08:52:33 +0000HEAVY MagazineInterview by Kris Peters Swedish progressive power metal outfit Evergrey have had a long and distinguished career, chalking up 13 albums in their three-decade existence, in the process redefining the acceptable parameters for Swedish metal. Led since...Swedish progressive power metal outfit Evergrey have had a long and distinguished career, chalking up 13 albums in their three-decade existence, in the process redefining the acceptable parameters for Swedish metal.
Led since 1993 by guitarist/vocalist Tom S Englund, Evergrey have maintained their dark approach to a generally bright form of metal, spreading their musical wings further with each new release.
Evergrey will release their 14th studio album Theories Of Emptiness on June 7, with keyboard player Rikard Zander spending time with HEAVY to discuss the new material. We start by asking if, after 13 previous album releases, the impending release of another is still a nerve-wracking process.
"Yeah, I've been there, done that," he shrugged, "but we still put so much effort into every album we do. We always try to do our best, and we always try to top the previous albums. So, of course, we are very anxious to see how it's going to be received. We're always a little bit nervous of course, because we've been in the process for such a long time so we really don't know… we don't have an objective side of it yet, so it feels good when you start to get some good reviews and hear people liking it (laughs)."
"We always try to find new angles for every release. I mean, we're not going to change completely. We still have a way, and we're going to put out great music, but we try to find a new way of writing, maybe just to try to keep it fresh. And I think the new angle on this album is mostly that Johan, our bass player, has written a lot of music, and he hasn't done that before."
In the full interview, Rikard discussed Evergrey's new album Theories of Emptiness, highlighting the band's approach to creating fresh music and the influence of different band members on the album's sound. He also expressed surprise at early reviews calling it their best album ever, emphasizing the band's ongoing efforts to deliver high-quality music despite releasing numerous albums. He engaged in a detailed discussion about the album, covering various aspects such as the song titles, guest vocals, and the introduction of new elements, particularly the contribution of bass player Johan in songwriting. Rikard also provided insights into the band's upcoming world tour plans, including gigs in South America, European festivals, a Scandinavian tour, and a European tour in the fall.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1090evergrey,heavy,heavymetal,interview,krispeters,music,podcast,powermetal,progressivemetal,theoriesofemptiness,tomsenglundfalsefullhttps://www.spreaker.com/episode/reward-for-effort-with-matt-fack-from-the-omnific--60168947Melbourne instrumental outfit The Omnific are a band who have managed to traverse the boundaries normally separating instrumental music from that with vocals, blending a variety of techniques and impossible-to-resist musical precision that appeals to all lovers of music.
Following the release of three groundbreaking EPs - Sonorous (2016), Kismet (2017), and The Minds Eye (2019) - The Omnific found themselves and their music reaching all corners of the globe, even attracting the attention of Clay Gober from Polyphia who featured on the single Antecedent from the band's debut 2021 album Escapades.
In 2023, the group went from strength to strength; supporting Polyphia in Australia, and Ne Obliviscaris in Europe and North America, capping it off with a landmark 46-date world tour in support of single Phat Mackerel, including festivals Euroblast (DE), Reeperbahn (DE) and Bigsound (AU) before starting off 2024 supporting The Hu on home soil.
A major feature of their success has been an amalgamation of styles and genres which dives through prog, metal, djent, funk, synth-driven soundscapes, and more.
With their sophomore album The Law Of Augmenting Returns being unleashed yesterday, HEAVY caught up with one of two bass players, Matt Fack, to find out more. We start by asking about the album title, The Law Of Augmenting Returns.
"A lot of thought went into that," Fack nodded, "because the whole concept was like, well, the law of diminishing returns seems to be a pretty common concept, mainly, I guess, in the commerce world. But in life, when you think about it, I guess, the more you do something, the less return you get from that. So I was trying to think, what could we sort of, I guess, due to like, be like, what's the opposite? Like the more you do something, the more reward you get out of it.
And augmenting also relates to music, like diminished to augmented. So that fits to music as well. I guess you can say it's got some cool meaning to it."
We ask if there was any more pressure going into this album following the universal success of Escapades.
"I guess you can think about it like your own personal pressure," he measured. "Like, I want to outdo myself from the prior record. I guess when it comes to just being creative… I wouldn't say it's like pressuring myself to do something, because it all kind of flows naturally when you're feeling like in the moment. I'm just thrilled it sort of just came about as it did without putting pressure on ourselves."
In the full interview, we discussed The Omnific's new album, The Law of Augmenting Returns, in greater detail. We talked about the concept behind the album title and the pressure associated with releasing a sophomore album. Matt also delved into the creative journey behind the album, discussing the process of incorporating live musicians and selecting singles, as well as the significance of their production team and the impact of guest spots on the album. He also provided insights into their upcoming European tour and plans for future performances, offering a comprehensive overview of their musical endeavours and creative aspirations.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60168947Sat, 25 May 2024 07:26:00 +0000HEAVY MagazineInterview by Kris Peters Melbourne instrumental outfit The Omnific are a band who have managed to traverse the boundaries normally separating instrumental music from that with vocals, blending a variety of techniques and impossible-to-resist musical...Melbourne instrumental outfit The Omnific are a band who have managed to traverse the boundaries normally separating instrumental music from that with vocals, blending a variety of techniques and impossible-to-resist musical precision that appeals to all lovers of music.
Following the release of three groundbreaking EPs - Sonorous (2016), Kismet (2017), and The Minds Eye (2019) - The Omnific found themselves and their music reaching all corners of the globe, even attracting the attention of Clay Gober from Polyphia who featured on the single Antecedent from the band's debut 2021 album Escapades.
In 2023, the group went from strength to strength; supporting Polyphia in Australia, and Ne Obliviscaris in Europe and North America, capping it off with a landmark 46-date world tour in support of single Phat Mackerel, including festivals Euroblast (DE), Reeperbahn (DE) and Bigsound (AU) before starting off 2024 supporting The Hu on home soil.
A major feature of their success has been an amalgamation of styles and genres which dives through prog, metal, djent, funk, synth-driven soundscapes, and more.
With their sophomore album The Law Of Augmenting Returns being unleashed yesterday, HEAVY caught up with one of two bass players, Matt Fack, to find out more. We start by asking about the album title, The Law Of Augmenting Returns.
"A lot of thought went into that," Fack nodded, "because the whole concept was like, well, the law of diminishing returns seems to be a pretty common concept, mainly, I guess, in the commerce world. But in life, when you think about it, I guess, the more you do something, the less return you get from that. So I was trying to think, what could we sort of, I guess, due to like, be like, what's the opposite? Like the more you do something, the more reward you get out of it.
And augmenting also relates to music, like diminished to augmented. So that fits to music as well. I guess you can say it's got some cool meaning to it."
We ask if there was any more pressure going into this album following the universal success of Escapades.
"I guess you can think about it like your own personal pressure," he measured. "Like, I want to outdo myself from the prior record. I guess when it comes to just being creative… I wouldn't say it's like pressuring myself to do something, because it all kind of flows naturally when you're feeling like in the moment. I'm just thrilled it sort of just came about as it did without putting pressure on ourselves."
In the full interview, we discussed The Omnific's new album, The Law of Augmenting Returns, in greater detail. We talked about the concept behind the album title and the pressure associated with releasing a sophomore album. Matt also delved into the creative journey behind the album, discussing the process of incorporating live musicians and selecting singles, as well as the significance of their production team and the impact of guest spots on the album. He also provided insights into their upcoming European tour and plans for future performances, offering a comprehensive overview of their musical endeavours and creative aspirations.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1346album,bass,djent,funk,heavy,heavymetal,instrumental,interview,krispeters,mattfack,podcast,progressivemetal,theomnifictruefullhttps://www.spreaker.com/episode/a-musical-novel-with-carlos-tom-from-park-rd--60168892New Zealand indie rock outfit Park Rd have released their debut album, The Novel, which came out last Friday, May 24. The Novel stands as a testament to PARK RD's evolution as musicians and individuals and offers listeners an intimate glimpse into their heads and hearts.
Having already announced themselves on the scene with two previous EPs and a host of singles, Park Rd have had a stellar last 12 months, performing at festivals such as SXSW Sydney, Rhythm & Vines, Soundsplash and Le Currents, as well as supporting The Band CAMINO, Milky Chance, Spacey Jane, and Summer Thieves.
HEAVY sat down with members Carlos Martin (bass) and Tom Chamberlain (vocals) to find out more. We discussed their debut album, The Novel, and their excitement and anxiety surrounding its release. They shared insights into their songwriting process, emphasizing the organic and fluid nature of their creative approach, and revealed that the album features a mix of rock, pop, and more intimate, stripped-back compositions. The band also discussed their recent tour of Australia and their plans for upcoming shows, expressing their eagerness to connect with Aussie crowds and their hopes for a successful tour.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60168892Sat, 25 May 2024 06:57:39 +0000HEAVY MagazineInterview by Kris Peters New Zealand indie rock outfit Park Rd have released their debut album, The Novel, which came out last Friday, May 24. The Novel stands as a testament to PARK RD's evolution as musicians and individuals and offers listeners an...New Zealand indie rock outfit Park Rd have released their debut album, The Novel, which came out last Friday, May 24. The Novel stands as a testament to PARK RD's evolution as musicians and individuals and offers listeners an intimate glimpse into their heads and hearts.
Having already announced themselves on the scene with two previous EPs and a host of singles, Park Rd have had a stellar last 12 months, performing at festivals such as SXSW Sydney, Rhythm & Vines, Soundsplash and Le Currents, as well as supporting The Band CAMINO, Milky Chance, Spacey Jane, and Summer Thieves.
HEAVY sat down with members Carlos Martin (bass) and Tom Chamberlain (vocals) to find out more. We discussed their debut album, The Novel, and their excitement and anxiety surrounding its release. They shared insights into their songwriting process, emphasizing the organic and fluid nature of their creative approach, and revealed that the album features a mix of rock, pop, and more intimate, stripped-back compositions. The band also discussed their recent tour of Australia and their plans for upcoming shows, expressing their eagerness to connect with Aussie crowds and their hopes for a successful tour.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>790album,australia,heavy,indierock,interview,krispeters,music,newzealand,parkrd,podcast,rock,thenoveltruefullhttps://www.spreaker.com/episode/connection-through-communication-with-alex-centofanti-from-gypsy-road--60137307Preparing for a debut album - for any band - is an arduous task. Once you make that firm decision and commit to laying down your tracks for others to digest, it seems like, in many respects, everything is violently taken from your control and placed at the mercy of others.
As such, it would be easy - and almost forgivable - to take the easier path, whatever that may be. Safe songs, safe structure, proven methods and carefully mapped out schedules, but at what cost?
You only get one chance to release a debut album, and in many ways that one album can define the rest of your musical career.
Which is why a large number of bands take the safe passage. Or at least their version of it, which invariably leads to a more polished and socially acceptable offering of music from the lyrics all the way down to presentation.
But every once in a while you come across a band who throw caution to the wind and leave themselves and their music exposed as they let their fledgling work of art loose on the world. A band who are unashamed to leave large chunks of their own DNA splattered throughout the release, thus laying bare their innermost emotions and thoughts.
It is a brave and increasingly fading approach, but has also become so much more noticeable in what is fast becoming a saturated market where different often equates to good.
So it is with Melbourne-based post-punk, Midwest emo outfit Gypsy Road who have laid their souls on open display with their debut album Letters To A Friend, From Interstate which is released on May 24. An exhaustive and confronting collection of eight songs highlighting the emotional struggles confronted by the band throughout the entire process, Letters To A Friend, From Interstate captures a band unafraid to admit not having the answers and honest enough to concede defeat.
It is an eclectic and refreshing journey through a myriad of genres that are woven together in a sonic tapestry that drips with vulnerability yet exudes an air of confidence that suggests a strong future.
HEAVY caught up with frontman Alex Centofanti to find out more, asking if he is nervous, excited, anxious or all three together as Friday's release date approaches.
"All of the above," he laughed. "For so many multiple reasons. The last three singles we have released - which actually have been our first ever singles because before that we released three EP's - has been a new experience for me and pretty nerve-wracking. Those songs have actually done the best for any releases we have done. That's why it's also anxious, nervous and excited. I'm hoping that it translates to the album. It's one of those things where you get worried that when you release a couple of songs people aren't going to listen to the full album, so I'm hoping they make it through the whole thing because I think it's pretty good (laughs)."
We press Alex on the musical side of the album and what Gypsy Road were going for sonically.
"I was going for quite a few things," he measured. "I was going for a heavier sound than I've ever done before. I was going for a lot more… I wouldn't say a darker sound, but I was definitely going for that melancholy vibe. I was really just trying to make it sound how I felt at the time."
In the full interview, Alex talks more about the musicality on Letters To A Friend, From Interstate, what sorts of things they did as a band in preparation for their debut offering, how they will gauge the success of the album, the emotional side of the music and committing that to paper, some of the themes and lyrical content covered, future planning in terms of musical growth, upcoming gigs and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60137307Wed, 22 May 2024 19:29:32 +0000HEAVY MagazineInterview by Kris Peters Preparing for a debut album - for any band - is an arduous task. Once you make that firm decision and commit to laying down your tracks for others to digest, it seems like, in many respects, everything is violently taken from...Preparing for a debut album - for any band - is an arduous task. Once you make that firm decision and commit to laying down your tracks for others to digest, it seems like, in many respects, everything is violently taken from your control and placed at the mercy of others.
As such, it would be easy - and almost forgivable - to take the easier path, whatever that may be. Safe songs, safe structure, proven methods and carefully mapped out schedules, but at what cost?
You only get one chance to release a debut album, and in many ways that one album can define the rest of your musical career.
Which is why a large number of bands take the safe passage. Or at least their version of it, which invariably leads to a more polished and socially acceptable offering of music from the lyrics all the way down to presentation.
But every once in a while you come across a band who throw caution to the wind and leave themselves and their music exposed as they let their fledgling work of art loose on the world. A band who are unashamed to leave large chunks of their own DNA splattered throughout the release, thus laying bare their innermost emotions and thoughts.
It is a brave and increasingly fading approach, but has also become so much more noticeable in what is fast becoming a saturated market where different often equates to good.
So it is with Melbourne-based post-punk, Midwest emo outfit Gypsy Road who have laid their souls on open display with their debut album Letters To A Friend, From Interstate which is released on May 24. An exhaustive and confronting collection of eight songs highlighting the emotional struggles confronted by the band throughout the entire process, Letters To A Friend, From Interstate captures a band unafraid to admit not having the answers and honest enough to concede defeat.
It is an eclectic and refreshing journey through a myriad of genres that are woven together in a sonic tapestry that drips with vulnerability yet exudes an air of confidence that suggests a strong future.
HEAVY caught up with frontman Alex Centofanti to find out more, asking if he is nervous, excited, anxious or all three together as Friday's release date approaches.
"All of the above," he laughed. "For so many multiple reasons. The last three singles we have released - which actually have been our first ever singles because before that we released three EP's - has been a new experience for me and pretty nerve-wracking. Those songs have actually done the best for any releases we have done. That's why it's also anxious, nervous and excited. I'm hoping that it translates to the album. It's one of those things where you get worried that when you release a couple of songs people aren't going to listen to the full album, so I'm hoping they make it through the whole thing because I think it's pretty good (laughs)."
We press Alex on the musical side of the album and what Gypsy Road were going for sonically.
"I was going for quite a few things," he measured. "I was going for a heavier sound than I've ever done before. I was going for a lot more… I wouldn't say a darker sound, but I was definitely going for that melancholy vibe. I was really just trying to make it sound how I felt at the time."
In the full interview, Alex talks more about the musicality on Letters To A Friend, From Interstate, what sorts of things they did as a band in preparation for their debut offering, how they will gauge the success of the album, the emotional side of the music and committing that to paper, some of the themes and lyrical content covered, future planning in terms of musical growth, upcoming gigs and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>807album,australia,gypsyroad,hardrock,heavy,interview,krispeters,podcast,rocktruefullhttps://www.spreaker.com/episode/musical-deception-with-siana-davis-from-krave--60132944If work ethic and dedication to your craft were the only parameters of success in the music industry, then Brisbane hard rock outfit Krave would already be nestled comfortably somewhere towards the upper regions of the proverbial tree. The trio have spent most of their short existence playing anywhere and everywhere they could, offsetting that essential drive with a steady succession of powerful and catchy singles that have provided a strong platform from which to launch their assault.
After spending the past 18 months focussing more on the live aspect of their tenure - which included support slots for Suicidal Tendencies and Avatar - Krave have now turned their sonic gaze back to writing and recording, with a stronger sense of self-belief and trust in their ability that only time on the road can bring.
Today, May 23, sees Krave release their first new music since December 2022 in the form of the single Charade, a song that highlights the band's growth and belief and reflects a harder edge that has laid simmering gently beneath the surface in previous years.
HEAVY caught up with vocalist/bassist Siana Davis to find out more.
"It is such an epic one," she explained of Charade. "It's a new kind of sound for Krave and explores lots of deep topics within the music itself, and we are amazed with the production of the song. We've hit a whole new level as a band."
After a prolonged absence from releasing music, we ask Siana if she feels any extra pressure stepping back into the limelight again.
"It's quite nervous getting back out there," she laughed. "We've been playing so many shows last year and we have been so busy. We've been saying we have to release new music soon and everyone has been 'when's it coming?' (laughs)."
In the full interview, Siana tells us more about Charade from a musical point of view, the deep lyrics and Krave's consistency when it comes to writing engaging and substantial music, how their sound has changed to reflect the band's recent growth, if Charade is a stand-alone track or part of a bigger picture, what direction new music will take, reaping the benefits of sustained touring, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60132944Wed, 22 May 2024 18:41:30 +0000HEAVY MagazineInterview by Kris Peters If work ethic and dedication to your craft were the only parameters of success in the music industry, then Brisbane hard rock outfit Krave would already be nestled comfortably somewhere towards the upper regions of the...If work ethic and dedication to your craft were the only parameters of success in the music industry, then Brisbane hard rock outfit Krave would already be nestled comfortably somewhere towards the upper regions of the proverbial tree. The trio have spent most of their short existence playing anywhere and everywhere they could, offsetting that essential drive with a steady succession of powerful and catchy singles that have provided a strong platform from which to launch their assault.
After spending the past 18 months focussing more on the live aspect of their tenure - which included support slots for Suicidal Tendencies and Avatar - Krave have now turned their sonic gaze back to writing and recording, with a stronger sense of self-belief and trust in their ability that only time on the road can bring.
Today, May 23, sees Krave release their first new music since December 2022 in the form of the single Charade, a song that highlights the band's growth and belief and reflects a harder edge that has laid simmering gently beneath the surface in previous years.
HEAVY caught up with vocalist/bassist Siana Davis to find out more.
"It is such an epic one," she explained of Charade. "It's a new kind of sound for Krave and explores lots of deep topics within the music itself, and we are amazed with the production of the song. We've hit a whole new level as a band."
After a prolonged absence from releasing music, we ask Siana if she feels any extra pressure stepping back into the limelight again.
"It's quite nervous getting back out there," she laughed. "We've been playing so many shows last year and we have been so busy. We've been saying we have to release new music soon and everyone has been 'when's it coming?' (laughs)."
In the full interview, Siana tells us more about Charade from a musical point of view, the deep lyrics and Krave's consistency when it comes to writing engaging and substantial music, how their sound has changed to reflect the band's recent growth, if Charade is a stand-alone track or part of a bigger picture, what direction new music will take, reaping the benefits of sustained touring, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>888australia,charade,hardrock,heavy,heavymetal,interview,krave,krispeters,podcast,premiere,rock,sianadavis,singletruefullhttps://www.spreaker.com/episode/psychic-celebrations-with-liam-cormier-from-cancer-bats--60131461After an absence of five years, Canadian hardcore punk outfit Cancer Bats are finally returning to our shores next month for an eight-date run of shows in a belated celebration of the band's most recent 2022 album Psychic Jailbreak.
That album marked a changing of the guard for Cancer Bats, with founding guitarist Scott Middleton leaving before the album was recorded, forcing the remaining three members into an uncomfortable writing and recording process that ultimately brought out the best in each of them.
The album was a resounding success but is yet to be performed live in this country, a blight that shall be rectified in just over three weeks, with frontman Liam Cormier making no effort to hide his enthusiasm when he spoke with HEAVY only hours ago.
"I'm still on this tour," he replied when asked if he was packed and ready for Australia yet, "so I have a bag of dirty laundry (laughs). I'm ready to go. I'll just put this in the wash, then repack my bags. I feel like this last bunch of touring we've been really busy, so it's almost like having a bag packed and ready to rip. That's how I've been living (laughs)."
We ask Liam what has changed with Cancer Bats since their last visit down under.
"Last time we played, we had Wade MacNeil from Alexisonfire playing guitar with us," he offered. "Since then, we've had a couple of other folks on guitar duties, but now our homie Jackson (Landry) is gonna be shredding for both the Cancer Bats and Bat Sabbath shows. Australia will get to meet our new favourite… he calls us his Uncles because he's younger. He's like a 27-year-old little ripper."
In the full interview, Liam talks more about Jackson and how he has slotted into the band, the response to Psychic Jailbreak from fans, the internal pressures the band put on themselves to improve on each album, keeping things fresh after seven albums and counting, taking Fangz as national support and the part Cancer Bats played in getting the band together, having local bands open in each city, the two Bat Sabbath shows and what to expect, what craziness Cancer Bats plan to bring and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60131461Wed, 22 May 2024 10:42:30 +0000HEAVY MagazineInterview by Kris Peters After an absence of five years, Canadian hardcore punk outfit Cancer Bats are finally returning to our shores next month for an eight-date run of shows in a belated celebration of the band's most recent 2022 album Psychic...After an absence of five years, Canadian hardcore punk outfit Cancer Bats are finally returning to our shores next month for an eight-date run of shows in a belated celebration of the band's most recent 2022 album Psychic Jailbreak.
That album marked a changing of the guard for Cancer Bats, with founding guitarist Scott Middleton leaving before the album was recorded, forcing the remaining three members into an uncomfortable writing and recording process that ultimately brought out the best in each of them.
The album was a resounding success but is yet to be performed live in this country, a blight that shall be rectified in just over three weeks, with frontman Liam Cormier making no effort to hide his enthusiasm when he spoke with HEAVY only hours ago.
"I'm still on this tour," he replied when asked if he was packed and ready for Australia yet, "so I have a bag of dirty laundry (laughs). I'm ready to go. I'll just put this in the wash, then repack my bags. I feel like this last bunch of touring we've been really busy, so it's almost like having a bag packed and ready to rip. That's how I've been living (laughs)."
We ask Liam what has changed with Cancer Bats since their last visit down under.
"Last time we played, we had Wade MacNeil from Alexisonfire playing guitar with us," he offered. "Since then, we've had a couple of other folks on guitar duties, but now our homie Jackson (Landry) is gonna be shredding for both the Cancer Bats and Bat Sabbath shows. Australia will get to meet our new favourite… he calls us his Uncles because he's younger. He's like a 27-year-old little ripper."
In the full interview, Liam talks more about Jackson and how he has slotted into the band, the response to Psychic Jailbreak from fans, the internal pressures the band put on themselves to improve on each album, keeping things fresh after seven albums and counting, taking Fangz as national support and the part Cancer Bats played in getting the band together, having local bands open in each city, the two Bat Sabbath shows and what to expect, what craziness Cancer Bats plan to bring and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>718batsabbath,cancerbats,fangz,hardcore,hardcorepunk,heavy,heavymetal,interview,krispeters,liamcormier,podcast,tourtruefullhttps://www.spreaker.com/episode/a-coming-of-age-story-with-spike-slawson-from-me-first-and-the-gimme-gimmes--60124285Quinceañera - the celebration of a girl's 15th birthday, marking her passage from girlhood to womanhood; the term is also used for the celebrant herself.
Sounds like cause to celebrate and an even greater cause to party, which is exactly what Me First And The Gimme Gimmes did when they ‘crashed’ the coming-of-age ceremony of a young lady by the name of Madison.
Not that anyone should be surprised seeing twenty years earlier the band had done the same thing at Johnny’s Bar Mitzvah but as they say, why let somebody else's inhibition spoil what could be a great party for yourself?
Not only did the band perform to an unwelcoming audience at said ceremony, they also recorded the set and invite one and all to share the special occasion when they release BLOW IT…AT MADISON’S QUINCEAÑERA! on June 14.
HEAVY sat down earlier today with frontman Spike Slawson to find out more details in all of their punk drenched glory. We start by asking if he still gets nervous about impending album releases.
"Absolutely," he nodded. "It was our first Quinceañera party, and it's intended to be awkward and comic and tragic all at once, and so if it is a success it's likely going to be excruciating and in the moment, if that makes sense. It's very nerve-wracking. We vetted the contestants that won the dubious prize of having us play their Quinceañera party, and we wanted to make sure there were no natural allies in attendance. Nobody that knew who we were or was going to be inclined to liking us or our performance. That was very important to us, and it was the right decision. But when I was about to go out and actually face the crowd, it was… difficult. It was a challenge. But, we had a good time. The crowd eventually turned around. I think we finally played a song from this Millennium and that made a big difference I think."
In the full interview, Spike explains what a Quinceañera actually is, opening with Black Sabbath and if, in hindsight, he would have chosen a different song, the in between song banter and keeping the recording authentic, how Madison liked the show, using a horn section for the first time, how he would describe Me First & The Gimme Gimmes to someone who had never heard them before and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60124285Wed, 22 May 2024 03:22:49 +0000HEAVY MagazineInterview by Kris Peters Quinceañera - the celebration of a girl's 15th birthday, marking her passage from girlhood to womanhood; the term is also used for the celebrant herself. Sounds like cause to celebrate and an even greater cause to party, which...Quinceañera - the celebration of a girl's 15th birthday, marking her passage from girlhood to womanhood; the term is also used for the celebrant herself.
Sounds like cause to celebrate and an even greater cause to party, which is exactly what Me First And The Gimme Gimmes did when they ‘crashed’ the coming-of-age ceremony of a young lady by the name of Madison.
Not that anyone should be surprised seeing twenty years earlier the band had done the same thing at Johnny’s Bar Mitzvah but as they say, why let somebody else's inhibition spoil what could be a great party for yourself?
Not only did the band perform to an unwelcoming audience at said ceremony, they also recorded the set and invite one and all to share the special occasion when they release BLOW IT…AT MADISON’S QUINCEAÑERA! on June 14.
HEAVY sat down earlier today with frontman Spike Slawson to find out more details in all of their punk drenched glory. We start by asking if he still gets nervous about impending album releases.
"Absolutely," he nodded. "It was our first Quinceañera party, and it's intended to be awkward and comic and tragic all at once, and so if it is a success it's likely going to be excruciating and in the moment, if that makes sense. It's very nerve-wracking. We vetted the contestants that won the dubious prize of having us play their Quinceañera party, and we wanted to make sure there were no natural allies in attendance. Nobody that knew who we were or was going to be inclined to liking us or our performance. That was very important to us, and it was the right decision. But when I was about to go out and actually face the crowd, it was… difficult. It was a challenge. But, we had a good time. The crowd eventually turned around. I think we finally played a song from this Millennium and that made a big difference I think."
In the full interview, Spike explains what a Quinceañera actually is, opening with Black Sabbath and if, in hindsight, he would have chosen a different song, the in between song banter and keeping the recording authentic, how Madison liked the show, using a horn section for the first time, how he would describe Me First & The Gimme Gimmes to someone who had never heard them before and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1130album,hardrock,heavy,interview,krispeters,mefirstandthegimmegimmes,podcast,punk,rock,spikeslawsontruefullhttps://www.spreaker.com/episode/the-eye-of-the-storm-with-age-of-emergence--60078876Newcastle progressive rock outfit Age Of Emergence are currently about halfway through a run of shows around Australia in support of their new EP The All Seeing Eye Part 1.
In a world where the core genres are starting to become more popular by the week, it is refreshing to see a band staying true to their core, unafraid of defying conventions by peddling their brand of rock.
Age Of Emergence have been plying their trade since forming in Newcastle back in 2013, releasing their first EP Plea For A Dying World four years later before following that up with The War Within Ourselves in 2020. Then, as happened the world over, the pandemic struck and halted the momentum AGE had been steadily building, but rather than succumb to the general bleakness engulfing the world, the band decided to turn their feelings into music with the result being The All Seeing Eye.
The EP also sees AGE welcome in new drummer Adam Clayton, with Adam joining vocals/bass Dean Holmes and guitarist Matt Neilson for a chat with HEAVY earlier today, starting with the early response to the new EP.
"No one has said anything so far," Holmes laughed. "So, so far it's been pretty positive. I guess most people seem to think it's better or just as good as the stuff we've done previously."
"People like the video clip we've done as well," Clayton added. "It's good to know that the effort is being appreciated."
"The sound is an improvement from what we were chasing," Neilson chimed in.
"We used more of the current modern recording methods with this," Holmes continued. "All the plug-ins and things like that and I can see why bands are using it now.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60078876Sat, 18 May 2024 03:59:23 +0000HEAVY MagazineInterview by Kris Peters Newcastle progressive rock outfit Age Of Emergence are currently about halfway through a run of shows around Australia in support of their new EP The All Seeing Eye Part 1. In a world where the core genres are starting to...Newcastle progressive rock outfit Age Of Emergence are currently about halfway through a run of shows around Australia in support of their new EP The All Seeing Eye Part 1.
In a world where the core genres are starting to become more popular by the week, it is refreshing to see a band staying true to their core, unafraid of defying conventions by peddling their brand of rock.
Age Of Emergence have been plying their trade since forming in Newcastle back in 2013, releasing their first EP Plea For A Dying World four years later before following that up with The War Within Ourselves in 2020. Then, as happened the world over, the pandemic struck and halted the momentum AGE had been steadily building, but rather than succumb to the general bleakness engulfing the world, the band decided to turn their feelings into music with the result being The All Seeing Eye.
The EP also sees AGE welcome in new drummer Adam Clayton, with Adam joining vocals/bass Dean Holmes and guitarist Matt Neilson for a chat with HEAVY earlier today, starting with the early response to the new EP.
"No one has said anything so far," Holmes laughed. "So, so far it's been pretty positive. I guess most people seem to think it's better or just as good as the stuff we've done previously."
"People like the video clip we've done as well," Clayton added. "It's good to know that the effort is being appreciated."
"The sound is an improvement from what we were chasing," Neilson chimed in.
"We used more of the current modern recording methods with this," Holmes continued. "All the plug-ins and things like that and I can see why bands are using it now.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1653ageofemergence,australia,hardrock,heavy,interview,krispeters,podcast,progressiverock,rocktruefullhttps://www.spreaker.com/episode/new-beginnings-with-sam-wolstenholme-from-aeon-nexus--59989310First impressions always count massively, especially in the world of entertainment, where we are currently so spoilt for options that it is almost too easy to pick and choose. Debut singles, EP's and albums place more emphasis on getting it right in the knowledge that your band's future career possibilities could be curtailed with one ill-thought-out release in the early stages of existence.
Which is why fresh Brisbane metal outfit Aeon Nexus have hit the ground running on the back of their debut single Twin Hurricanes which came out last Friday. It doesn't hurt that well-known local vocalist Sam Wolstenholme is fronting Aeon Nexus, but that alone does not guarantee instant success.
Twin Hurricanes is an absolute banger, highlighting the band's unique blending of djent, raw, aggressive metal, symphonics and pop sensibilities to create a sonic whirlwind of emotion and intent that is as infectious as it is brutal.
Sam sat down with HEAVY earlier this week to introduce her new band and single.
"This is my new project that I formed last year," Wolstenholme smiled. "Now we've hit the ground running this year with some shows and our debut single release that will be leading up to an EP in a few months. We're progressive metalcore, so inspired by bands like Spiritbox, TesseracT, Architects, Northlane, that sort of thing. It's been a real pasion project for me. For quite a while I've wanted to front a heavier band and so learned to scream and found some amazing musicians to work with and here we are!"
Wolstenholme started Aeon Nexus off the back of her previous symphonic metal band Seraphic, who were well known and loved and one of the better bands doing the Brisbane circuit, but after a tumultuous period during COVID things changed on her personal musical landscape, thus leading to the formation of this new project that sees Wolstenholme step out from behind the keys and assume the role of front person.
"About five years ago now, there was a lot going on in my life," she recounted. "There was a lot going on with my personal life, and basically everything changed. I went through a real transformation, and I was a bit lost. I was in Seraphic, and I've been doing symphonic metal for a number of years, but then suddenly my life imploded. I listened to the album Alien by Northlane, and it really resonated with me and completely changed my life if I am being honest. It was something that really stuck with me, and I began this love affair that I now have with metalcore. I had a vague idea in my mind of wanting to do something like that - something heavier - but I thought that could never really be a possibility for me because I'm a classically trained vocalist, even though I've been doing metal for a number of years. Before I did metal, I was actually training and studying to be an opera singer, so I thought those two worlds could never collide (laughs). I could never do harsh vocals, that's not a thing. It was always a dream in the back of my head, but I thought it wasn't possible. Some time went by and Seraphic decided to go on hiatus. The pandemic really killed us all, to be honest. It was a real challenge for a lot of bands, and we were no different, so musically, things were at a bit of a standstill for me and I thought why not revisit this dream and give it a go?"
In the full interview, Sam discussed Aeon Nexus' plans for their debut single and upcoming shows. She shared her personal journey and the band's decision to release a series of singles before the EP, with Twin Hurricanes being the debut single. We also discussed the band's musical direction, songwriting process, and upcoming EP, which will offer a diverse experience.
The details of the upcoming single launch show at the Brightside on May 19 were also discussed, including the line-up and benefits to the local metal scene. The show is the first in a series aimed at showcasing local core bands, with a focus on hardcore, metalcore, and deathcore acts.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59989310Fri, 17 May 2024 16:19:15 +0000HEAVY MagazineInterview by Kris Peters First impressions always count massively, especially in the world of entertainment, where we are currently so spoilt for options that it is almost too easy to pick and choose. Debut singles, EP's and albums place more emphasis...First impressions always count massively, especially in the world of entertainment, where we are currently so spoilt for options that it is almost too easy to pick and choose. Debut singles, EP's and albums place more emphasis on getting it right in the knowledge that your band's future career possibilities could be curtailed with one ill-thought-out release in the early stages of existence.
Which is why fresh Brisbane metal outfit Aeon Nexus have hit the ground running on the back of their debut single Twin Hurricanes which came out last Friday. It doesn't hurt that well-known local vocalist Sam Wolstenholme is fronting Aeon Nexus, but that alone does not guarantee instant success.
Twin Hurricanes is an absolute banger, highlighting the band's unique blending of djent, raw, aggressive metal, symphonics and pop sensibilities to create a sonic whirlwind of emotion and intent that is as infectious as it is brutal.
Sam sat down with HEAVY earlier this week to introduce her new band and single.
"This is my new project that I formed last year," Wolstenholme smiled. "Now we've hit the ground running this year with some shows and our debut single release that will be leading up to an EP in a few months. We're progressive metalcore, so inspired by bands like Spiritbox, TesseracT, Architects, Northlane, that sort of thing. It's been a real pasion project for me. For quite a while I've wanted to front a heavier band and so learned to scream and found some amazing musicians to work with and here we are!"
Wolstenholme started Aeon Nexus off the back of her previous symphonic metal band Seraphic, who were well known and loved and one of the better bands doing the Brisbane circuit, but after a tumultuous period during COVID things changed on her personal musical landscape, thus leading to the formation of this new project that sees Wolstenholme step out from behind the keys and assume the role of front person.
"About five years ago now, there was a lot going on in my life," she recounted. "There was a lot going on with my personal life, and basically everything changed. I went through a real transformation, and I was a bit lost. I was in Seraphic, and I've been doing symphonic metal for a number of years, but then suddenly my life imploded. I listened to the album Alien by Northlane, and it really resonated with me and completely changed my life if I am being honest. It was something that really stuck with me, and I began this love affair that I now have with metalcore. I had a vague idea in my mind of wanting to do something like that - something heavier - but I thought that could never really be a possibility for me because I'm a classically trained vocalist, even though I've been doing metal for a number of years. Before I did metal, I was actually training and studying to be an opera singer, so I thought those two worlds could never collide (laughs). I could never do harsh vocals, that's not a thing. It was always a dream in the back of my head, but I thought it wasn't possible. Some time went by and Seraphic decided to go on hiatus. The pandemic really killed us all, to be honest. It was a real challenge for a lot of bands, and we were no different, so musically, things were at a bit of a standstill for me and I thought why not revisit this dream and give it a go?"
In the full interview, Sam discussed Aeon Nexus' plans for their debut single and upcoming shows. She shared her personal journey and the band's decision to release a series of singles before the EP, with Twin Hurricanes being the debut single. We also discussed the band's musical direction, songwriting process, and upcoming EP, which will offer a diverse experience.
The details of the upcoming single launch show at the Brightside on May 19 were also discussed, including the line-up and benefits to the local metal scene. The show is the first in a series aimed at showcasing local core bands, with a...]]>1440aeonnexus,aussiemetal,australia,hardcore,heavy,heavymetal,interview,krispeters,metalcore,podcast,samwolstenholme,twinhurricanestruefullhttps://www.spreaker.com/episode/finding-your-identity-with-ryan-miller-from-black-rheno--60015580Sydney's merchants of sludge Black Rheno have hit the road again, this time on an East Coast tour of Australia to celebrate… well, to celebrate that they are a touring band and that's what touring bands do!
Since announcing themselves with the heavy as fuck and funnier than childbirth single No Time For Numb Nuts back in 2016 Black Rheno have epitomised the very spirit of Australian music, often driving ten hours to play a show while allowing themselves nothing more than cheese and crackers for dinner so they didn't run out of petrol between gigs.
You may smirk, but I have seen it first-hand.
With a dedication to touring and music almost as complete as their ability to entertain, Black Rheno are one of those bands that manage to make an impression everywhere they go, even sometimes being invited to come back.
That tenacious will to do what they love paid handsome dividends earlier this year when Black Rheno joined good mates and equally hard-working Aussie metal larrikins King Parrot for a show with Pantera in Adelaide. Not only was it reward for effort, but it also got the trio so wrapped up in their own achievements they decided then and there to hit the road once more with one thought, and one objective only. To tell the world exactly who they are and why they are here with one simple question that has become the catch cry for the whole tour.
Who The Fuck Are Black Rheno?
Of course, HEAVY has our own ideas of how that question should be answered, but we felt obliged to speak with frontman Ryan Miller first before announcing it publicly to see if he could sway our opinion one way or another. With the first three shows completed last weekend, we start by asking how their quest for recognition has gone thus far.
"Good," he enthused. "It was our first time out at Penrith. There's a new venue out there called Elton Chongs and I want to give them a massive plug because they are fucken awesome."
Not being able to avoid the elephant lurking in the corner of the room any longer, we broach the name of the tour and suggest that there surely couldn't be many people left who don't know who the fuck Black Rheno are.
"I'm sure there are plenty," he brushed off dismissively, "but it's more like do we know who Black Rheno is? Do we really know just who we really are? We need to go out and discover who we really are. We have to get to the core of who Black Rheno really is."
In the full interview, Ryan discussed the challenges and aspirations related to touring, highlighting the demanding nature of touring in Australia and the intricate process of organizing tours. He expressed his deep appreciation for the touring experience and the thrill of living for the music. The conversation also included details about Black Rheno's recent tour shows in New South Wales, upcoming tour dates in Victoria and Queensland, and the addition of a special show with Wretch in Canberra.
He delved into the essence of the band, contemplating their identity and the challenge of encapsulating their music in just a few words. The discussion also touched on their natural, unpretentious stage presence and the significance of touring with local support bands. He also discussed the show with Pantera and how special it was personally and musically, and finished with a plug for the new Black Label beer that is on sale at all but two of the shows.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/60015580Tue, 14 May 2024 02:27:44 +0000HEAVY MagazineInterview by Kris Peters Sydney's merchants of sludge Black Rheno have hit the road again, this time on an East Coast tour of Australia to celebrate… well, to celebrate that they are a touring band and that's what touring bands do! Since announcing...Sydney's merchants of sludge Black Rheno have hit the road again, this time on an East Coast tour of Australia to celebrate… well, to celebrate that they are a touring band and that's what touring bands do!
Since announcing themselves with the heavy as fuck and funnier than childbirth single No Time For Numb Nuts back in 2016 Black Rheno have epitomised the very spirit of Australian music, often driving ten hours to play a show while allowing themselves nothing more than cheese and crackers for dinner so they didn't run out of petrol between gigs.
You may smirk, but I have seen it first-hand.
With a dedication to touring and music almost as complete as their ability to entertain, Black Rheno are one of those bands that manage to make an impression everywhere they go, even sometimes being invited to come back.
That tenacious will to do what they love paid handsome dividends earlier this year when Black Rheno joined good mates and equally hard-working Aussie metal larrikins King Parrot for a show with Pantera in Adelaide. Not only was it reward for effort, but it also got the trio so wrapped up in their own achievements they decided then and there to hit the road once more with one thought, and one objective only. To tell the world exactly who they are and why they are here with one simple question that has become the catch cry for the whole tour.
Who The Fuck Are Black Rheno?
Of course, HEAVY has our own ideas of how that question should be answered, but we felt obliged to speak with frontman Ryan Miller first before announcing it publicly to see if he could sway our opinion one way or another. With the first three shows completed last weekend, we start by asking how their quest for recognition has gone thus far.
"Good," he enthused. "It was our first time out at Penrith. There's a new venue out there called Elton Chongs and I want to give them a massive plug because they are fucken awesome."
Not being able to avoid the elephant lurking in the corner of the room any longer, we broach the name of the tour and suggest that there surely couldn't be many people left who don't know who the fuck Black Rheno are.
"I'm sure there are plenty," he brushed off dismissively, "but it's more like do we know who Black Rheno is? Do we really know just who we really are? We need to go out and discover who we really are. We have to get to the core of who Black Rheno really is."
In the full interview, Ryan discussed the challenges and aspirations related to touring, highlighting the demanding nature of touring in Australia and the intricate process of organizing tours. He expressed his deep appreciation for the touring experience and the thrill of living for the music. The conversation also included details about Black Rheno's recent tour shows in New South Wales, upcoming tour dates in Victoria and Queensland, and the addition of a special show with Wretch in Canberra.
He delved into the essence of the band, contemplating their identity and the challenge of encapsulating their music in just a few words. The discussion also touched on their natural, unpretentious stage presence and the significance of touring with local support bands. He also discussed the show with Pantera and how special it was personally and musically, and finished with a plug for the new Black Label beer that is on sale at all but two of the shows.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1168blackrheno,heavy,heavymetal,interview,kingparrot,krispeters,pantera,podcast,ryanmiller,sludgemetal,tourtruefullhttps://www.spreaker.com/episode/highs-lows-with-johnny-casino--59991305Johnny Casino has travelled a long way since the 1990s, when he was part of beloved Sydney rockers Asteroid B-612. Known then as guitarist John Spittles, the man's myth and legend has grown exponentially over the years, with people in the modern age referring to him as Johnny Casino, guitar slinger and tattoo artist.
After relocating to Spain earlier this century, Casino dove further into his solo career, plying his talents with a multitude of different artists and honing his skill set to reflect his musical growth.
That journey continued on May 3 when Casino unleashed his latest album High Stone, a rock album highlighted by meaty guitar chops and jazz-style harmonics.
HEAVY tracked Casino down late last week to find out more.
"I make a lot of records," he began, "and I just… once I'm happy with them then I put them out into the world and there's really not too much I can do with them. People like them, some people tell me that they don't like them as much as the last one or more than the last one. My hands are clean. Once I'm happy with it, and I've given it to someone to do their job by manufacturing it, then my job's done. I don't give them out until I know that I've done something that I'm happy with or proud of, or at least something that's interesting to me."
In the full interview, Johnny discusses High Stone in greater detail, including its early reception and Johnny's approach to creating music. He emphasized his continuous drive to create new records and his preference for working with people he enjoys spending time with. They also talked about the musical journey of the album, the use of keyboards, and the influence of the backing band, St James and the Apostles, on the album's sound.
Johnny also explored the impact of his personality on his music, highlighting the importance of authenticity and honesty in his creative expression. He shared insights into his decision to relocate to Spain, describing it as a lifestyle change and an opportunity to reach new audiences beyond Australia.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59991305Sun, 12 May 2024 18:06:49 +0000HEAVY MagazineInterview by Kris Peters Johnny Casino has travelled a long way since the 1990s, when he was part of beloved Sydney rockers Asteroid B-612. Known then as guitarist John Spittles, the man's myth and legend has grown exponentially over the years, with...Johnny Casino has travelled a long way since the 1990s, when he was part of beloved Sydney rockers Asteroid B-612. Known then as guitarist John Spittles, the man's myth and legend has grown exponentially over the years, with people in the modern age referring to him as Johnny Casino, guitar slinger and tattoo artist.
After relocating to Spain earlier this century, Casino dove further into his solo career, plying his talents with a multitude of different artists and honing his skill set to reflect his musical growth.
That journey continued on May 3 when Casino unleashed his latest album High Stone, a rock album highlighted by meaty guitar chops and jazz-style harmonics.
HEAVY tracked Casino down late last week to find out more.
"I make a lot of records," he began, "and I just… once I'm happy with them then I put them out into the world and there's really not too much I can do with them. People like them, some people tell me that they don't like them as much as the last one or more than the last one. My hands are clean. Once I'm happy with it, and I've given it to someone to do their job by manufacturing it, then my job's done. I don't give them out until I know that I've done something that I'm happy with or proud of, or at least something that's interesting to me."
In the full interview, Johnny discusses High Stone in greater detail, including its early reception and Johnny's approach to creating music. He emphasized his continuous drive to create new records and his preference for working with people he enjoys spending time with. They also talked about the musical journey of the album, the use of keyboards, and the influence of the backing band, St James and the Apostles, on the album's sound.
Johnny also explored the impact of his personality on his music, highlighting the importance of authenticity and honesty in his creative expression. He shared insights into his decision to relocate to Spain, describing it as a lifestyle change and an opportunity to reach new audiences beyond Australia.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1274album,asteroidb-612,australia,blues,heavy,highstone,interview,jazz,johnnycasino,krispeters,podcast,rocktruefullhttps://www.spreaker.com/episode/controlling-your-own-destiny-with-monique-pym-from-reliqa--59988593Reliqa are one of the current emerging crop of must-see bands on the Australian music scene.
Since lighting up the scene with the delightful 2022 EP I Don't Know What I Am, Reliqa have poured blood, sweat and tears into cementing their status and earning their stripes. They have toured relentlessly and kept up a high level of engagement and generally gone noisily (but quietly in their own sense) about their business - which is delivering kick-ass, confronting music backed up with a breathtaking live performance that delivers the complete package.
Following the earlier release of new singles Terminal and Killstar (The Cold War), Reliqa last week dropped another pearler with Dying Light, all three of which feature on the band's debut album Secrets Of The Future which is due out on May 31.
HEAVY sat down with vocalist Monique Pym to find out more, starting with how she is feeling the closer the official release date of May 31 gets.
"I'm terrified," she laughed. "This is the longest record that we've ever released because given the landscape a lot of people listen to shorter form material these days. We've tried to honour that through our singles, but it will be interesting to see who latches on to this full 52-minute experience - and experience is one of the words for it because it is quite a diverse album. I'm so excited. I think that this album… it feels like we're sitting on a precipice right now, and once we release this album I think it's gonna open up a whole lot of doors, so let's just see what happens. We're taking it one day at a time."
We ask Pym to go into more detail about what to expect from Secrets Of The Future.
"It's something that honours how diverse and open-minded we are as people," she measured. "The four of us have such different life experiences and different influences and musical tastes, and that's something that we've always tried to hammer on through our music. Try to keep making records that we want to hear and ones that we want to listen to. Things that feel representative of us as people, not just as artists, but people as well. That's something that we've really remained true to on this album. I'm only speaking for myself here, but I think we have captured the right formula for it now. On our I Don't Know What I Am EP we sort of threw everything at the wall, and we went pretty crazy with it, but this album exorcizes a lot of restraint and I think that that's really cool because it shows that we've matured as people and as artists. It's also shown that we know how to write now in a way that services the song and services the wider product, rather than zooming in on parts and making each part perfect. Ultimately, I think the one word that captures this album is diversity or open-mindedness. There are so many different sounds on there. We call it progressive metalcore, but that progressive is the kicker. The progressive means that we've taken metalcore, and we've drawn in a whole lot of different influences, sounds and styles from other places. Hopefully there should be something for everyone on there. Something for the pop fan, something for the rap/hip hop fan, and then also staying true to our progressive metalcore roots. Hopefully people still love us for that (laughs)."
In the full interview, Monique talks more about Secrets Of the Future, how you gauge success in the modern age of music, the three singles released and how they represent the album as a whole, advancing their sound, maturing with their music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59988593Sun, 12 May 2024 09:42:19 +0000HEAVY MagazineInterview by Kris Peters Reliqa are one of the current emerging crop of must-see bands on the Australian music scene. Since lighting up the scene with the delightful 2022 EP I Don't Know What I Am, Reliqa have poured blood, sweat and tears into...Reliqa are one of the current emerging crop of must-see bands on the Australian music scene.
Since lighting up the scene with the delightful 2022 EP I Don't Know What I Am, Reliqa have poured blood, sweat and tears into cementing their status and earning their stripes. They have toured relentlessly and kept up a high level of engagement and generally gone noisily (but quietly in their own sense) about their business - which is delivering kick-ass, confronting music backed up with a breathtaking live performance that delivers the complete package.
Following the earlier release of new singles Terminal and Killstar (The Cold War), Reliqa last week dropped another pearler with Dying Light, all three of which feature on the band's debut album Secrets Of The Future which is due out on May 31.
HEAVY sat down with vocalist Monique Pym to find out more, starting with how she is feeling the closer the official release date of May 31 gets.
"I'm terrified," she laughed. "This is the longest record that we've ever released because given the landscape a lot of people listen to shorter form material these days. We've tried to honour that through our singles, but it will be interesting to see who latches on to this full 52-minute experience - and experience is one of the words for it because it is quite a diverse album. I'm so excited. I think that this album… it feels like we're sitting on a precipice right now, and once we release this album I think it's gonna open up a whole lot of doors, so let's just see what happens. We're taking it one day at a time."
We ask Pym to go into more detail about what to expect from Secrets Of The Future.
"It's something that honours how diverse and open-minded we are as people," she measured. "The four of us have such different life experiences and different influences and musical tastes, and that's something that we've always tried to hammer on through our music. Try to keep making records that we want to hear and ones that we want to listen to. Things that feel representative of us as people, not just as artists, but people as well. That's something that we've really remained true to on this album. I'm only speaking for myself here, but I think we have captured the right formula for it now. On our I Don't Know What I Am EP we sort of threw everything at the wall, and we went pretty crazy with it, but this album exorcizes a lot of restraint and I think that that's really cool because it shows that we've matured as people and as artists. It's also shown that we know how to write now in a way that services the song and services the wider product, rather than zooming in on parts and making each part perfect. Ultimately, I think the one word that captures this album is diversity or open-mindedness. There are so many different sounds on there. We call it progressive metalcore, but that progressive is the kicker. The progressive means that we've taken metalcore, and we've drawn in a whole lot of different influences, sounds and styles from other places. Hopefully there should be something for everyone on there. Something for the pop fan, something for the rap/hip hop fan, and then also staying true to our progressive metalcore roots. Hopefully people still love us for that (laughs)."
In the full interview, Monique talks more about Secrets Of the Future, how you gauge success in the modern age of music, the three singles released and how they represent the album as a whole, advancing their sound, maturing with their music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1089album,australia,hardrock,heavy,heavymetal,interview,krispeters,metalcore,moniquepym,music,podcast,reliqa,secretsofthefuturetruefullhttps://www.spreaker.com/episode/battling-the-seas-with-jake-fleming-from-audio-reign--59945868Adelaide rock outfit Audio Reign have, by virtue of geographical location, possibly had to work that bit harder than most to have their music heard and accepted on the national music scene.
Without the opportunities and weight of numbers afforded bands in the larger cities and areas of Australia, Audio Reign learnt early on in the piece that the best way to compensate for the lack of opportunities was to produce continually high-quality music that would hopefully resonate through the divide and into the hearts and ears of a national, then international audience.
Their debut self-titled album offered strong indications of the talent within the band, particularly frontman Jake Fleming, who has been blessed with the stereotypical rock chops that demand an audience. And while more often than not Audio Reign have had to fight tooth and nail to draw that audience in their hometown of Adelaide, opportunities have gradually presented themselves with the band's recent support slot to touring US outfit Skillet overdue reward for effort.
Today Audio Reign fire their strongest shot yet in their quest for rock immortality, with the release of their sophomore album The Perfect Sea, an album that has healthy doses of rock through to hard rock and metal tinges but also splatterings of emotion and sonic diversity that only a growing confidence and self-belief can muster.
HEAVY has keenly observed Audio Reign since first coming across them a number of years ago, and it gave us great pleasure to be able to sit down with Fleming for a deeper insight into the musical mechanisms of the new album.
"It's been a labour of love," he sighed when asked how it felt to finally have the new album in the public domain. "We're stoked to get it out. It's been a long time coming, and the fans have been waiting, so we're on cloud nine."
Bands throughout history have always been plagued by the second album syndrome, an affliction generally thought of as more of a cop-out to those outside of the industry, so we press Fleming to see if the band had any unexpected difficulties with the follow-up effort.
"It's always that way where they say your first album took you twenty years to write, but the next album is expected every couple of years," he measured. "It can be. This album was written during COVID times too, so there was a lot of emotion going through there and just life in general as well. That helped out, I suppose. I'm not the sort of person who just sits there and bangs out a song. I have to wait until it comes to me. But it came through pretty good. The next one… you will have to ask me then (laughs). But this one's been okay."
We ask Fleming to describe The Perfect Sea from a musical point of view.
"A lot of people have albums that have themes," he replied, "but this one doesn't really have one. There's definitely some songs on there that are part of the same thing, but the whole album itself, because it took so long through the pandemic and the fans have been waiting, I wanted to do something for them. The album itself, and the song The Perfect Sea, is basically dedicated to our fans for sticking around and waiting for us and for backing us."
In the full interview, Jake talks more about the diversity of music on The Perfect Sea, the steady procession of singles and how they reflect the album as a whole, which two singles best represent the direction of the album, his vocal range and how far he pushed himself this time, how this release differs from Audio Reign's self-titled debut, the musical growth within the band, singing with XMusic and what that means for the band, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59945868Thu, 09 May 2024 14:17:06 +0000HEAVY MagazineInterview by Kris Peters Adelaide rock outfit Audio Reign have, by virtue of geographical location, possibly had to work that bit harder than most to have their music heard and accepted on the national music scene. Without the opportunities and weight...Adelaide rock outfit Audio Reign have, by virtue of geographical location, possibly had to work that bit harder than most to have their music heard and accepted on the national music scene.
Without the opportunities and weight of numbers afforded bands in the larger cities and areas of Australia, Audio Reign learnt early on in the piece that the best way to compensate for the lack of opportunities was to produce continually high-quality music that would hopefully resonate through the divide and into the hearts and ears of a national, then international audience.
Their debut self-titled album offered strong indications of the talent within the band, particularly frontman Jake Fleming, who has been blessed with the stereotypical rock chops that demand an audience. And while more often than not Audio Reign have had to fight tooth and nail to draw that audience in their hometown of Adelaide, opportunities have gradually presented themselves with the band's recent support slot to touring US outfit Skillet overdue reward for effort.
Today Audio Reign fire their strongest shot yet in their quest for rock immortality, with the release of their sophomore album The Perfect Sea, an album that has healthy doses of rock through to hard rock and metal tinges but also splatterings of emotion and sonic diversity that only a growing confidence and self-belief can muster.
HEAVY has keenly observed Audio Reign since first coming across them a number of years ago, and it gave us great pleasure to be able to sit down with Fleming for a deeper insight into the musical mechanisms of the new album.
"It's been a labour of love," he sighed when asked how it felt to finally have the new album in the public domain. "We're stoked to get it out. It's been a long time coming, and the fans have been waiting, so we're on cloud nine."
Bands throughout history have always been plagued by the second album syndrome, an affliction generally thought of as more of a cop-out to those outside of the industry, so we press Fleming to see if the band had any unexpected difficulties with the follow-up effort.
"It's always that way where they say your first album took you twenty years to write, but the next album is expected every couple of years," he measured. "It can be. This album was written during COVID times too, so there was a lot of emotion going through there and just life in general as well. That helped out, I suppose. I'm not the sort of person who just sits there and bangs out a song. I have to wait until it comes to me. But it came through pretty good. The next one… you will have to ask me then (laughs). But this one's been okay."
We ask Fleming to describe The Perfect Sea from a musical point of view.
"A lot of people have albums that have themes," he replied, "but this one doesn't really have one. There's definitely some songs on there that are part of the same thing, but the whole album itself, because it took so long through the pandemic and the fans have been waiting, I wanted to do something for them. The album itself, and the song The Perfect Sea, is basically dedicated to our fans for sticking around and waiting for us and for backing us."
In the full interview, Jake talks more about the diversity of music on The Perfect Sea, the steady procession of singles and how they reflect the album as a whole, which two singles best represent the direction of the album, his vocal range and how far he pushed himself this time, how this release differs from Audio Reign's self-titled debut, the musical growth within the band, singing with XMusic and what that means for the band, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1285audioreign,aussierock,australia,hardrock,heavy,interview,krispeters,podcast,rock,theperfectsea,xmusictruefullhttps://www.spreaker.com/episode/summoning-the-rage-with-matt-banks-from-harroway--59942751Sydney metalcore outfit Harroway might only be just starting out on their path in the wide world of music, but already they have figured out that pleasing themselves is the first and foremost goal in this industry that can break down even the strongest willed with ease.
Following their well-received debut EP earlier last year, I Don't Want To Be Here Anymore, a collection of five songs running the gauntlet from the harsher spectrum of metalcore to the more inviting, Harroway could easily have played it safe and delivered up more of the same with future releases. That EP solidified the band's growing reputation and led to a sold-out run of EP launch shows, but instead of resting on their early laurels, Harroway have elected to come out all guns blazing with the first single release since that cycle, a demonically ferocious number called Heresy.
The track is a spitting, snarling descent into chaos, seemingly leaving behind the more universal appeal of their previous songs with a step to the dark side that could potentially open Harroway up to … well, just about anything.
HEAVY sat down with vocalist Matt Banks to find out more, starting with how fans have reacted to the new single.
"It's been great," he smiled. "Weirdly now that it's a month or so out we are really starting to see the traction from Spotify numbers. Our monthlies are back up to like over 20,000 monthly listeners now. We're about to crack like, I think somewhere around, it'll be at like over 40 thousand plays on Spotify alone. I think it's like the total of all platforms, which is sick because it started a bit slow. I was a little nervous and thought maybe people didn't like it. There's a couple of viral videos that are floating around, which always helps out. But yeah, and even at the shows, it's been really good, especially obviously that last breakdown. You know, we've been getting a lot of crowds sing along, you know, basically every show, which is fucking awesome because we've never really We've never really had that before."
In the full interview, Matt spoke more about Heresy, highlighting its heavy sound and positive reception. He also discussed the musical inspiration behind the single and the decision to release it as a standalone. Matt shared insights into his performance mindset and the band's plans for a new EP, emphasizing changes in their musical style and production process.
He also talked about the band's evolution and the challenges of being in the music industry. The conversation also touched on Harroway's almost finished tour with Sienna Skies and No Home, the success of the sold-out shows and future plans.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59942751Thu, 09 May 2024 10:48:10 +0000HEAVY MagazineInterview by Kris Peters Sydney metalcore outfit Harroway might only be just starting out on their path in the wide world of music, but already they have figured out that pleasing themselves is the first and foremost goal in this industry that can...Sydney metalcore outfit Harroway might only be just starting out on their path in the wide world of music, but already they have figured out that pleasing themselves is the first and foremost goal in this industry that can break down even the strongest willed with ease.
Following their well-received debut EP earlier last year, I Don't Want To Be Here Anymore, a collection of five songs running the gauntlet from the harsher spectrum of metalcore to the more inviting, Harroway could easily have played it safe and delivered up more of the same with future releases. That EP solidified the band's growing reputation and led to a sold-out run of EP launch shows, but instead of resting on their early laurels, Harroway have elected to come out all guns blazing with the first single release since that cycle, a demonically ferocious number called Heresy.
The track is a spitting, snarling descent into chaos, seemingly leaving behind the more universal appeal of their previous songs with a step to the dark side that could potentially open Harroway up to … well, just about anything.
HEAVY sat down with vocalist Matt Banks to find out more, starting with how fans have reacted to the new single.
"It's been great," he smiled. "Weirdly now that it's a month or so out we are really starting to see the traction from Spotify numbers. Our monthlies are back up to like over 20,000 monthly listeners now. We're about to crack like, I think somewhere around, it'll be at like over 40 thousand plays on Spotify alone. I think it's like the total of all platforms, which is sick because it started a bit slow. I was a little nervous and thought maybe people didn't like it. There's a couple of viral videos that are floating around, which always helps out. But yeah, and even at the shows, it's been really good, especially obviously that last breakdown. You know, we've been getting a lot of crowds sing along, you know, basically every show, which is fucking awesome because we've never really We've never really had that before."
In the full interview, Matt spoke more about Heresy, highlighting its heavy sound and positive reception. He also discussed the musical inspiration behind the single and the decision to release it as a standalone. Matt shared insights into his performance mindset and the band's plans for a new EP, emphasizing changes in their musical style and production process.
He also talked about the band's evolution and the challenges of being in the music industry. The conversation also touched on Harroway's almost finished tour with Sienna Skies and No Home, the success of the sold-out shows and future plans.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1367aussiemetal,australia,harroway,heavy,heavymetal,interview,krispeters,metalcore,podcast,siennaskies,tourtruefullhttps://www.spreaker.com/episode/sticking-true-to-yourself-with-benny-whiskey-from-the-final-fall--59936086Following a triumphant rebirthlast year with their comeback single of sorts The PMA Effect, Gold Coast noise machine The Final Fall quickly busied themselves on the live circuit, pumping out a second single Live Everyday earler this year.
Their eclectc and confronting mashing of genres has ensured The Final Fall have made an impact anywhere and everywhere they play, with a menacing and strangely cohesive blending of genres from punk to metal to rock to hardcore creating a sonic maelstorm of venemous intent that is difficult to put into words.
So the band have decided to let their music do the talking, with the premiere at 4pm on May 10 of their latest single Sold - Selling Out Part 2 exclusively via HEAVY mag.
Another slab of musical mayhem, Sold is the successor to The Final Fall's original song Selling Out which was released back in 2011. It may seem like a long journey between drinks, but The Final Fall is determined to make up for lost time, with guitarist Benny Whiskey sitting down with HEAVY to tell us more.
"It's a bit of a journey," he laughed. "Our music has a lot of punk and metal and hardcore in there, and with this one we just wanted to push the boundaries. It's actually the sequel of one of our songs we wrote about a decade ago called Selling Out and is the same as that one, just pushing the boundaries musically. Lyrically, it's almost off the name - Selling Out, Sold - we just wanted to keep the same sequel going. In a short note don't sell out on your friends or family because that's what gets you through life."
In the full interview, Benny covered various aspects of The Final Fall's music such as timing, promotional strategies, and the musical and lyrical content of the song. They also talked about the band's history, including a previous release and their return to the music scene after a hiatus. Additionally, they explored the challenges of re-entering the music world after a long absence, their recent experiences with live shows, and the band's exploration of different musical genres.
Benny provided a comprehensive overview of the band's upcoming events in the punk and hardcore scene, discussing support for renowned bands like Belvedre and The Decline, an upcoming tattoo convention show, the charitable nature of the Rock Beats Depression event and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59936086Thu, 09 May 2024 02:02:41 +0000HEAVY MagazineInterview by Kris Peters Following a triumphant rebirthlast year with their comeback single of sorts The PMA Effect, Gold Coast noise machine The Final Fall quickly busied themselves on the live circuit, pumping out a second single Live Everyday...Following a triumphant rebirthlast year with their comeback single of sorts The PMA Effect, Gold Coast noise machine The Final Fall quickly busied themselves on the live circuit, pumping out a second single Live Everyday earler this year.
Their eclectc and confronting mashing of genres has ensured The Final Fall have made an impact anywhere and everywhere they play, with a menacing and strangely cohesive blending of genres from punk to metal to rock to hardcore creating a sonic maelstorm of venemous intent that is difficult to put into words.
So the band have decided to let their music do the talking, with the premiere at 4pm on May 10 of their latest single Sold - Selling Out Part 2 exclusively via HEAVY mag.
Another slab of musical mayhem, Sold is the successor to The Final Fall's original song Selling Out which was released back in 2011. It may seem like a long journey between drinks, but The Final Fall is determined to make up for lost time, with guitarist Benny Whiskey sitting down with HEAVY to tell us more.
"It's a bit of a journey," he laughed. "Our music has a lot of punk and metal and hardcore in there, and with this one we just wanted to push the boundaries. It's actually the sequel of one of our songs we wrote about a decade ago called Selling Out and is the same as that one, just pushing the boundaries musically. Lyrically, it's almost off the name - Selling Out, Sold - we just wanted to keep the same sequel going. In a short note don't sell out on your friends or family because that's what gets you through life."
In the full interview, Benny covered various aspects of The Final Fall's music such as timing, promotional strategies, and the musical and lyrical content of the song. They also talked about the band's history, including a previous release and their return to the music scene after a hiatus. Additionally, they explored the challenges of re-entering the music world after a long absence, their recent experiences with live shows, and the band's exploration of different musical genres.
Benny provided a comprehensive overview of the band's upcoming events in the punk and hardcore scene, discussing support for renowned bands like Belvedre and The Decline, an upcoming tattoo convention show, the charitable nature of the Rock Beats Depression event and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>862australia,bennywhisky,hardcore,hardrock,heavy,heavymetal,interview,krispeters,podcast,premiere,punk,rock,single,thefinalfalltruefullhttps://www.spreaker.com/episode/embracing-change-with-ryan-savitski-from-one-step-closer--59931967Pensylvanian melodic hardcore upstarts One Step Closer have certainly embraced the disposable culture of modern society, with a musical output bordering on an album or EP roughly every 12 months.
While such a prolific extension of a band's creativity could often lend itself to varying degrees of quality, One Step Closer have consistently put out quality releases ever since their debut demo offering in 2016, all the way up to,and including, last years Songs For The Willow.
Touted as the band's most anthemic and passionate work to date, new album All You Embrace - out May 17 - sees the metal outfit exploring outside of their comfort zone even more, embracing elements of hardcore, emo, '90s alternative and more into a sonic tapestry already rich with diversity.
HEAVY caught up with vocalist Ryan Savitski to find out more.
"I'm honestly nervous and super excited as well," he enthused about the impending release of All You Embrace, "just because, you know, this is a big deal record for us. I feel like the second LP is always a little scary and I feel like we have been trying to do our best just to keep our nerves and keep everything pushing. We're super excited to finally put it out."
We ask Ryan to tell us more about All You Embrace musically.
"Pretty much we were just trying to expand our sound from what it already has been," he shrugged. "We were trying to be a little bit more melodic and kind of push at least the stinging aspects of the band even more. I feel like we've always been more of a melodic band and more like… we're a melodic hardcore band so it's always been sick to push that more on every release that we've done, and on this one I think we were really just trying to be limitless and not hold ourselves back."
In the full interview, Ryan talks more about the sonic direction of All You Embrace, the singles released and how they represent the whole album, , how the album shows One Step Closer's musical evolution from Songs For The Willow, being real to yourself and your music, the contrasting musical styles that go into their music and how it comes together, the early focus on EP's over albums, touring plans and more.
Pre-orders: https://cvaushop.com.au/products/one-step-closer-all-you-embrace-pre-order


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59931967Wed, 08 May 2024 20:45:19 +0000HEAVY MagazineInterview by Kris Peters Pensylvanian melodic hardcore upstarts One Step Closer have certainly embraced the disposable culture of modern society, with a musical output bordering on an album or EP roughly every 12 months. While such a prolific...Pensylvanian melodic hardcore upstarts One Step Closer have certainly embraced the disposable culture of modern society, with a musical output bordering on an album or EP roughly every 12 months.
While such a prolific extension of a band's creativity could often lend itself to varying degrees of quality, One Step Closer have consistently put out quality releases ever since their debut demo offering in 2016, all the way up to,and including, last years Songs For The Willow.
Touted as the band's most anthemic and passionate work to date, new album All You Embrace - out May 17 - sees the metal outfit exploring outside of their comfort zone even more, embracing elements of hardcore, emo, '90s alternative and more into a sonic tapestry already rich with diversity.
HEAVY caught up with vocalist Ryan Savitski to find out more.
"I'm honestly nervous and super excited as well," he enthused about the impending release of All You Embrace, "just because, you know, this is a big deal record for us. I feel like the second LP is always a little scary and I feel like we have been trying to do our best just to keep our nerves and keep everything pushing. We're super excited to finally put it out."
We ask Ryan to tell us more about All You Embrace musically.
"Pretty much we were just trying to expand our sound from what it already has been," he shrugged. "We were trying to be a little bit more melodic and kind of push at least the stinging aspects of the band even more. I feel like we've always been more of a melodic band and more like… we're a melodic hardcore band so it's always been sick to push that more on every release that we've done, and on this one I think we were really just trying to be limitless and not hold ourselves back."
In the full interview, Ryan talks more about the sonic direction of All You Embrace, the singles released and how they represent the whole album, , how the album shows One Step Closer's musical evolution from Songs For The Willow, being real to yourself and your music, the contrasting musical styles that go into their music and how it comes together, the early focus on EP's over albums, touring plans and more.
Pre-orders: https://cvaushop.com.au/products/one-step-closer-all-you-embrace-pre-order


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>945allyouembrace,cookingvinylaustralia,hardrock,heavy,heavymetal,interview,krispeters,melodichardcore,onestepcloser,podcast,rock,runforcoverrecordstruefullhttps://www.spreaker.com/episode/changing-tides-with-robin-staps-from-the-ocean--59930505Fresh from a run of Australian shows with Ne Obliviscaris and Rivers Of Nihil last September, German based post metal outfit The Ocean are set to return this June for their first headlining dates in this country in almost a decade.
The band left an indellible impression on concert-goers when they were here late last year and have promised to up the ante even more for this tour which starts in Brisbane on June 5.
Bringing their biggest production yet, as well as legendary US hardcore pioneers Cave In for their first Aussie shows EVER and insanely heavy Danish label mates LLNN, The Ocean will be showcasing last years ninth album Holocene, said to be the bands most exploratory and varied release yet.
Guitarist Robin Staps sat down with HEAVY to reveal more.
"We're looking forward to being back," he began. "We were only over there last September but we're stoked to come back with a full headline set this time and to present you guys our new record Holecene, which we haven't been touring with so far. We just played one track on the last tour so there's goign to be a lot of songs we haven't really played live on your precious continent before and we're stoked to do that."
"I'm in the middle of tour preparations right now," he continued. "Inevitably you start dealing with a tour more than a couple of weeks in advance. There's a lot of logistics involved. We're also doing South East Asian dates before we get to Australia and just the whole luggage and merch shipping and transport situation is extremely complicated. So unfortunately right now it's quite mundane logistics stuff, but i'm very much looking forward to finally being over there and touring and playing shows. We love Australia, ity's always been great. This time I have a feeling we're actually going to be able to enjoy it (laughs). The last couple of times it was always super early morning flights so we just didn't sleep. I was like a zombie."
In the full interview, Robin talks more about what to expect from The Ocean on the tour, how the shows will be different as headlining events, the extra production and what that means for the performance, what has changed with The Ocean siunce their last headline Aussie tour almost a decade ago, bringing Cave In over for the first time and how that band helped shaped The Ocean's sound, how Holocene was received by fans, the slightly different sound of that album and why they went in that direction, fitting songs with different structures into a set list and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59930505Wed, 08 May 2024 19:18:37 +0000HEAVY MagazineInterview by Kris Peters Fresh from a run of Australian shows with Ne Obliviscaris and Rivers Of Nihil last September, German based post metal outfit The Ocean are set to return this June for their first headlining dates in this country in almost a...Fresh from a run of Australian shows with Ne Obliviscaris and Rivers Of Nihil last September, German based post metal outfit The Ocean are set to return this June for their first headlining dates in this country in almost a decade.
The band left an indellible impression on concert-goers when they were here late last year and have promised to up the ante even more for this tour which starts in Brisbane on June 5.
Bringing their biggest production yet, as well as legendary US hardcore pioneers Cave In for their first Aussie shows EVER and insanely heavy Danish label mates LLNN, The Ocean will be showcasing last years ninth album Holocene, said to be the bands most exploratory and varied release yet.
Guitarist Robin Staps sat down with HEAVY to reveal more.
"We're looking forward to being back," he began. "We were only over there last September but we're stoked to come back with a full headline set this time and to present you guys our new record Holecene, which we haven't been touring with so far. We just played one track on the last tour so there's goign to be a lot of songs we haven't really played live on your precious continent before and we're stoked to do that."
"I'm in the middle of tour preparations right now," he continued. "Inevitably you start dealing with a tour more than a couple of weeks in advance. There's a lot of logistics involved. We're also doing South East Asian dates before we get to Australia and just the whole luggage and merch shipping and transport situation is extremely complicated. So unfortunately right now it's quite mundane logistics stuff, but i'm very much looking forward to finally being over there and touring and playing shows. We love Australia, ity's always been great. This time I have a feeling we're actually going to be able to enjoy it (laughs). The last couple of times it was always super early morning flights so we just didn't sleep. I was like a zombie."
In the full interview, Robin talks more about what to expect from The Ocean on the tour, how the shows will be different as headlining events, the extra production and what that means for the performance, what has changed with The Ocean siunce their last headline Aussie tour almost a decade ago, bringing Cave In over for the first time and how that band helped shaped The Ocean's sound, how Holocene was received by fans, the slightly different sound of that album and why they went in that direction, fitting songs with different structures into a set list and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>966australia,cavein,destroyalllines,hardcore,heavy,heavymetal,holocene,interview,krispeters,llnn,podcast,posthardcore,robinstaps,theocean,tourtruefullhttps://www.spreaker.com/episode/releasing-the-inner-child-with-sebastian-bach--59924384Sebastian Bach has been a busy man since releasing his last solo album Give 'Em Hell back in 2014.
He launched popular tours such as 18 And LIVE as well as celebratory 30th-anniversary jaunts in honour of Skid Row's self-titled album and Slave To The Grind, performing each classic in its entirety. Not to mention, he unveiled his acclaimed autobiography 18 And Life On SKID ROW.
The man is revered the world over as the original vocalist of Skid Row, unleashing a number of long-standing hit singles such as 18 And Life, I Remember You, Youth Gone Wild, Slave To The Grind, Wasted Time and Monkey Business, in the process taking heavy metal into countless more homes and ears than ever before and leaving an indelible mark that could possibly never be surpassed.
Now, 10 years since Give 'Em Hell, Bach returns with Child Within The Man, promising nothing but everything fans could expect and more. It is an epic album and a triumphant continuation of an important and influential career from a man with an astonishing vocal range and larger than life persona. A celebration of past glories and a hint at more to come.
Put simply, it is Sebastian Bach at his irrepressible best, with enough swagger to plough through an iceberg and more than enough attitude to spark a global sonic riot.
HEAVY had the pleasure of chatting with Sebastian recently about his welcome return. We start by quoting the press release that states Child Within The Man is Bach's most unapologetic and undeniable album yet, and ask if he agrees.
"Well, I think this album is different because it's the first solo record I have where I've got a full team of people helping me," he measured. "So they're keeping me really busy doing interviews, and yesterday I spent all day autographing album flats that you're going to be able to get in record stores - hopefully in Australia, I don't know. But I have like a whole international team of people that are helping me, so I think that makes it undeniable. The fact that they got me back on the radio here in America is insane to me because I didn't think… I didn't know that that was still possible. I always hoped it was, but you always get labelled an 80s or hair band, and you think that a programmer won't play somebody with that label, but I am happy to say that that does not apply to me, thank you very much (laughs). It just feels incredible to have a song playing on the radio in 2024. It feels astonishing."
In the full interview, Sebastian discusses his new album Child Within The Man, sharing insights into the production process, the positive reception of the singles, and the involvement of a full team in its release. He also talked about the emotional inspiration behind his song Everybody Bleeds, delving into his experiences as a father and his profound concerns for the future of the planet for his children.
Additionally, Bach passionately recounted the journey of discovering his late father's painting, which became the album cover, and reflected on his history of intense touring. The conversation also touched on the potential for a new video featuring Orianthi, the collaboration with guest musicians like John 5, Steve Stevens, and Orianthi, and the absence of a song titled Child Within The Man. Sebastian also expressed his deep connection with Australia and his desire to tour extensively, aiming to perform in smaller towns and cities across the country.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59924384Wed, 08 May 2024 15:07:50 +0000HEAVY MagazineInterview by Kris Peters Sebastian Bach has been a busy man since releasing his last solo album Give 'Em Hell back in 2014. He launched popular tours such as 18 And LIVE as well as celebratory 30th-anniversary jaunts in honour of Skid Row's...Sebastian Bach has been a busy man since releasing his last solo album Give 'Em Hell back in 2014.
He launched popular tours such as 18 And LIVE as well as celebratory 30th-anniversary jaunts in honour of Skid Row's self-titled album and Slave To The Grind, performing each classic in its entirety. Not to mention, he unveiled his acclaimed autobiography 18 And Life On SKID ROW.
The man is revered the world over as the original vocalist of Skid Row, unleashing a number of long-standing hit singles such as 18 And Life, I Remember You, Youth Gone Wild, Slave To The Grind, Wasted Time and Monkey Business, in the process taking heavy metal into countless more homes and ears than ever before and leaving an indelible mark that could possibly never be surpassed.
Now, 10 years since Give 'Em Hell, Bach returns with Child Within The Man, promising nothing but everything fans could expect and more. It is an epic album and a triumphant continuation of an important and influential career from a man with an astonishing vocal range and larger than life persona. A celebration of past glories and a hint at more to come.
Put simply, it is Sebastian Bach at his irrepressible best, with enough swagger to plough through an iceberg and more than enough attitude to spark a global sonic riot.
HEAVY had the pleasure of chatting with Sebastian recently about his welcome return. We start by quoting the press release that states Child Within The Man is Bach's most unapologetic and undeniable album yet, and ask if he agrees.
"Well, I think this album is different because it's the first solo record I have where I've got a full team of people helping me," he measured. "So they're keeping me really busy doing interviews, and yesterday I spent all day autographing album flats that you're going to be able to get in record stores - hopefully in Australia, I don't know. But I have like a whole international team of people that are helping me, so I think that makes it undeniable. The fact that they got me back on the radio here in America is insane to me because I didn't think… I didn't know that that was still possible. I always hoped it was, but you always get labelled an 80s or hair band, and you think that a programmer won't play somebody with that label, but I am happy to say that that does not apply to me, thank you very much (laughs). It just feels incredible to have a song playing on the radio in 2024. It feels astonishing."
In the full interview, Sebastian discusses his new album Child Within The Man, sharing insights into the production process, the positive reception of the singles, and the involvement of a full team in its release. He also talked about the emotional inspiration behind his song Everybody Bleeds, delving into his experiences as a father and his profound concerns for the future of the planet for his children.
Additionally, Bach passionately recounted the journey of discovering his late father's painting, which became the album cover, and reflected on his history of intense touring. The conversation also touched on the potential for a new video featuring Orianthi, the collaboration with guest musicians like John 5, Steve Stevens, and Orianthi, and the absence of a song titled Child Within The Man. Sebastian also expressed his deep connection with Australia and his desire to tour extensively, aiming to perform in smaller towns and cities across the country.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1549album,childwithintheman,hardrock,heavy,heavymetal,interview,krispeters,podcast,reigningphoenixmusic,rock,sebastianbach,skidrowtruefullhttps://www.spreaker.com/episode/the-subtle-art-of-confrontation-with-isaac-butterfield--59770664Very rarely does HEAVY venture outside of our comfort zone and leave the music realm to speak to artists from other fields, such as comedy. The few times we have invariably resulted in many laughs and a fresh take on festivities, and this was most certainly the case recently when Jimmy Glinster took on his first serious (pardon the pun) interview when he sat down for a chat with the hilarious, and often in more trouble than the HEAVY staff, Australian comedian Isaac Butterfield.
Known for pushing boundaries and challenging pretty much everything and anything he takes an interest in, Butterfield has a dark sense of comedy, honed through his YouTube channel but now extending to stand-up shows, podcasts and online content.
Loved because of his unflinching and unapologetic approach to controversial topics and observations on everyday life, Butterfield gives no quarter - nor expects any - unleashing his razor-sharp wit and confronting humour from May 10 in Port Macquarie as he embarks on his Isaac Butterfield Regional Live Tour that takes him through 15 different cities before finishing on the Sunshine Coast on June 23.
Jimmy didn't hold back with his questions - as expected - starting with asking Butterfield how he would like to be called.
"You can call me whatever you want, brother," he smiled. "It's all good. I know a lot of people have a lot of different pronouns and stuff… honestly, as long as it's she/her or he/him… the other ones, that's where you get me. I'll be polite… but calm the farm. When you live in a society where everything's pretty easy… that's when you start making up pronouns."
Jimmy questions if the younger generation is taking advantage to an extent in the modern age of political correctness.
"I hate the younger generation," Butterfield shot back. "I'm a Millennial, so I understand that we were the downfall - or at least the start of it. But Gen Z is Hiroshima and Nagasaki in 1945. That's Ground Zero. But, the Gen Alpha… they reckon it'll rebound, and it often does. It rebounds in our generations after, so hopefully that does happen, but I dunno man. It's a rough time. I've had a couple of employees over the years who have been Gen Z, and they are the worst people that have ever lived on this planet. They are worse than Hitler Youth."
Listen to the full interview to dive deeper into the world of Isaac Butterfield, including what he classes himself as in respect to being an entertainer, accusations of him backtracking on certain subjects, the correlation between heavy metal and comedy, objectifying art forms such as music and comedy to fit agendas, his ghost hunting video, his new book and much more.

Isaac Butterfield kicks off his 2024 World Tour in Australia!
A lethal combination of razor-sharp wit and unapologetic humour, Isaac fearlessly delves into the realities of modern life. From hilarious observations on everyday absurdities to fearless takes on controversial topics, join Isaac for a night of forbidden comedy where no topic is off-limits and laughter is guaranteed.
MEET AND GREET is Exclusive to VIP HOWLER HEAD Ticket Holders ONLY. This VIP package includes premium seating, a meet and greet with Isaac after the show and a photo opportunity. Special thanks to our sponsor, Howler Head, and Dana White.
To ensure an immersive experience for all attendees, we request that NO FILMING or photography takes place during the show. Our team may capture moments from the performance for promotional purposes. By entering the venue, you agree to be filmed, and any resulting content may be distributed accordingly.
This show is recommended for ages 15 and above. Unless house rules state otherwise, refunds will not be provided if entry is denied. This COMEDY show is not for the faint-hearted. If you're prone to complaining, this may not be the event for you. No refunds will be issued.
Tickets from https://www.rabbitgroup.com/


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59770664Wed, 08 May 2024 12:56:35 +0000HEAVY MagazineInterview by Jimmy Glinster Very rarely does HEAVY venture outside of our comfort zone and leave the music realm to speak to artists from other fields, such as comedy. The few times we have invariably resulted in many laughs and a fresh take on...Very rarely does HEAVY venture outside of our comfort zone and leave the music realm to speak to artists from other fields, such as comedy. The few times we have invariably resulted in many laughs and a fresh take on festivities, and this was most certainly the case recently when Jimmy Glinster took on his first serious (pardon the pun) interview when he sat down for a chat with the hilarious, and often in more trouble than the HEAVY staff, Australian comedian Isaac Butterfield.
Known for pushing boundaries and challenging pretty much everything and anything he takes an interest in, Butterfield has a dark sense of comedy, honed through his YouTube channel but now extending to stand-up shows, podcasts and online content.
Loved because of his unflinching and unapologetic approach to controversial topics and observations on everyday life, Butterfield gives no quarter - nor expects any - unleashing his razor-sharp wit and confronting humour from May 10 in Port Macquarie as he embarks on his Isaac Butterfield Regional Live Tour that takes him through 15 different cities before finishing on the Sunshine Coast on June 23.
Jimmy didn't hold back with his questions - as expected - starting with asking Butterfield how he would like to be called.
"You can call me whatever you want, brother," he smiled. "It's all good. I know a lot of people have a lot of different pronouns and stuff… honestly, as long as it's she/her or he/him… the other ones, that's where you get me. I'll be polite… but calm the farm. When you live in a society where everything's pretty easy… that's when you start making up pronouns."
Jimmy questions if the younger generation is taking advantage to an extent in the modern age of political correctness.
"I hate the younger generation," Butterfield shot back. "I'm a Millennial, so I understand that we were the downfall - or at least the start of it. But Gen Z is Hiroshima and Nagasaki in 1945. That's Ground Zero. But, the Gen Alpha… they reckon it'll rebound, and it often does. It rebounds in our generations after, so hopefully that does happen, but I dunno man. It's a rough time. I've had a couple of employees over the years who have been Gen Z, and they are the worst people that have ever lived on this planet. They are worse than Hitler Youth."
Listen to the full interview to dive deeper into the world of Isaac Butterfield, including what he classes himself as in respect to being an entertainer, accusations of him backtracking on certain subjects, the correlation between heavy metal and comedy, objectifying art forms such as music and comedy to fit agendas, his ghost hunting video, his new book and much more.

Isaac Butterfield kicks off his 2024 World Tour in Australia!
A lethal combination of razor-sharp wit and unapologetic humour, Isaac fearlessly delves into the realities of modern life. From hilarious observations on everyday absurdities to fearless takes on controversial topics, join Isaac for a night of forbidden comedy where no topic is off-limits and laughter is guaranteed.
MEET AND GREET is Exclusive to VIP HOWLER HEAD Ticket Holders ONLY. This VIP package includes premium seating, a meet and greet with Isaac after the show and a photo opportunity. Special thanks to our sponsor, Howler Head, and Dana White.
To ensure an immersive experience for all attendees, we request that NO FILMING or photography takes place during the show. Our team may capture moments from the performance for promotional purposes. By entering the venue, you agree to be filmed, and any resulting content may be distributed accordingly.
This show is recommended for ages 15 and above. Unless house rules state otherwise, refunds will not be provided if entry is denied. This COMEDY show is not for the faint-hearted. If you're prone to complaining, this may not be the event for you. No refunds will be issued.
Tickets from...]]>1245australia,book,comedy,heavy,howlerhead,interview,isaacbutterfield,jimmyglinster,podcast,rabbitgroup,standupcomedy,tourtruefullhttps://www.spreaker.com/episode/sonic-wounds-with-kaosphere--59777987Kaosphere burst onto the Gold Coast metal scene in 2015, bringing with them a wave of brutality seldom heard on the Glitter Strip.
After slugging it out at local venues despite not playing a brand of music acceptable to the general population, Kaosphere steadily began building a fiercely loyal and ever-growing fan base that consumed the band's first musical offering in the form of Forsaking Shadows in 2017. As the Brisbane/Gold Coast heavy metal scene and community grew, so did Kaosphere, relishing the opportunities to spread their sonic tirade further at every opportunity. They quickly became the unofficial metal representatives of South East Queensland, and capitalised on that momentum with increasingly hostile live performances that represented their particular brand of heavy music.
Last year saw Kaosphere break into more of a mainstream market with a support slot to touring LA glam metal band The Midnight Devils as well as a featured slot at Wallapalooza 2023 which also presented COG, Butterfingers and 28 Days.
But it is here and now where Kaosphere are preparing to make their ultimate stand with the release on May 3 of their debut album In Scars We Trust. With three crushing singles already unleashed on the public, In Scars We Trust is shaping to be a pivotal release in the career of Kaosphere, with the whole band joining HEAVY on the eve of its release to run through it more, starting with how it feels to have the album finally coming out.
"Relieved," vocalist Ricci Dyer began. "Looking forward to it. It's been a lot of hard work gone into it, and now it's time to chill back and get to see the fruits of our labour."
"It's been over two years in the making," added drummer Sam Phillips. "A lot of build-up and a lot of work."
So far Kaosphere has released the singles Chainbreaker, May I and War Cry, so are those three tracks a good sonic representation of what to expect?
"Sort of," Dyer measured. "These's still a lot of groovy tracks on the album, and they all have their differences. Obviously, our flavour is still there engrained in it, but there is a lot of difference in some of those songs."
"I think that's mainly because we actually wrote the whole album itself as a whole pile of singles," bass player Leon Friis chimed in. "So we basically went into the studio and would write and record one song over one month or two months and then finish that and go to a new one, and we just worked our way through it like that. We occasionally went back and rerecorded a couple of the songs and spruced them up a bit more."
In the full interview, the band members further discussed the album release and plans for showcasing gigs in Brisbane and Gold Coast. The team discussed the musical evolution showcased in their new album, In Scars We Trust, highlighting the diverse influences and dynamic nature of the songs. They also discussed the introduction of clean vocals and the positive reception of the new material during live performances.
They also spoke around the release of the new single Bring Out The Dead and its music video, with the boys providing insights into the song's inspiration and the creative process behind the video. The team discussed their plans to release more singles as visualizers and create additional music videos for certain tracks from the album. The band delved into the symbolism behind the album cover art, which represents resilience and strength, and mentioned the special pressings with artwork for merchandise. The conversation revolved around Kaosphere's upcoming shows, with a focus on the diverse range of performances lined up, including a free entry show at Tribe Clubhouse, two shows with Melbourne death metal outfit Miruthan, a memorial show, and a festival at the Brightside.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59777987Thu, 02 May 2024 16:57:13 +0000HEAVY MagazineInterview by Kris Peters Kaosphere burst onto the Gold Coast metal scene in 2015, bringing with them a wave of brutality seldom heard on the Glitter Strip. After slugging it out at local venues despite not playing a brand of music acceptable to the...Kaosphere burst onto the Gold Coast metal scene in 2015, bringing with them a wave of brutality seldom heard on the Glitter Strip.
After slugging it out at local venues despite not playing a brand of music acceptable to the general population, Kaosphere steadily began building a fiercely loyal and ever-growing fan base that consumed the band's first musical offering in the form of Forsaking Shadows in 2017. As the Brisbane/Gold Coast heavy metal scene and community grew, so did Kaosphere, relishing the opportunities to spread their sonic tirade further at every opportunity. They quickly became the unofficial metal representatives of South East Queensland, and capitalised on that momentum with increasingly hostile live performances that represented their particular brand of heavy music.
Last year saw Kaosphere break into more of a mainstream market with a support slot to touring LA glam metal band The Midnight Devils as well as a featured slot at Wallapalooza 2023 which also presented COG, Butterfingers and 28 Days.
But it is here and now where Kaosphere are preparing to make their ultimate stand with the release on May 3 of their debut album In Scars We Trust. With three crushing singles already unleashed on the public, In Scars We Trust is shaping to be a pivotal release in the career of Kaosphere, with the whole band joining HEAVY on the eve of its release to run through it more, starting with how it feels to have the album finally coming out.
"Relieved," vocalist Ricci Dyer began. "Looking forward to it. It's been a lot of hard work gone into it, and now it's time to chill back and get to see the fruits of our labour."
"It's been over two years in the making," added drummer Sam Phillips. "A lot of build-up and a lot of work."
So far Kaosphere has released the singles Chainbreaker, May I and War Cry, so are those three tracks a good sonic representation of what to expect?
"Sort of," Dyer measured. "These's still a lot of groovy tracks on the album, and they all have their differences. Obviously, our flavour is still there engrained in it, but there is a lot of difference in some of those songs."
"I think that's mainly because we actually wrote the whole album itself as a whole pile of singles," bass player Leon Friis chimed in. "So we basically went into the studio and would write and record one song over one month or two months and then finish that and go to a new one, and we just worked our way through it like that. We occasionally went back and rerecorded a couple of the songs and spruced them up a bit more."
In the full interview, the band members further discussed the album release and plans for showcasing gigs in Brisbane and Gold Coast. The team discussed the musical evolution showcased in their new album, In Scars We Trust, highlighting the diverse influences and dynamic nature of the songs. They also discussed the introduction of clean vocals and the positive reception of the new material during live performances.
They also spoke around the release of the new single Bring Out The Dead and its music video, with the boys providing insights into the song's inspiration and the creative process behind the video. The team discussed their plans to release more singles as visualizers and create additional music videos for certain tracks from the album. The band delved into the symbolism behind the album cover art, which represents resilience and strength, and mentioned the special pressings with artwork for merchandise. The conversation revolved around Kaosphere's upcoming shows, with a focus on the diverse range of performances lined up, including a free entry show at Tribe Clubhouse, two shows with Melbourne death metal outfit Miruthan, a memorial show, and a festival at the Brightside.


Become a supporter of this podcast: 1382aussiemetal,australia,deathmetal,heavy,heavymetal,inscarswetrust,interview,kaosphere,krispeters,melodicmetal,podcast,xmusictruefullhttps://www.spreaker.com/episode/embracing-the-journey-with-kav-temperley-from-eskimo-joe--59775752Eskimo Joe are in the rare and elite class of Australian bands who could probably never make another album again, but still draw people to their shows based solely on the quality of material they have released thus far.
Two songs in particular - Love Is A Drug and Black Fingernails, Red Wine - have etched Eskimo Joe into Australian music folklore, but their 27-year journey has seen many more highlights and relatable songs.
The band built their reputation playing festivals such as Big Day Out and Splendour In The Grass, but of late have been playing nostalgia-type festivals featuring classic bands from the past few decades that are still going strong.
The most recent of which was Lookout Festival which featured Incubus, Live, Eskimo Joe, The Superjesus and Birds Of Tokyo. It was a series of concerts that drew consistently high numbers and reaffirmed Eskimo Joe's standing amongst the country's elite live bands, despite having not released a full album since Wastelands in 2013.
With the release of their first single since 99 Ways in 2021 - a nostalgic number called The First Time - Eskimo Joe are embarking on a new chapter of their careers and learning to embrace the very fabric of music that excited them nearly three decades ago.
HEAVY caught up with bass guitar/keyboards/vocals Kav Temperley to find out more.
"This is certainly the first song we've put out post-COVID where we've actually played some shows in front of people and then recorded a song, which is a very different feeling," he said. "I think we've hit a real purple patch. Since we saw you at Sandstone Point, all of the shows that we have been playing have been these big, almost nostalgia fests. We've noticed that the gigs are filled with people who are in their early 20s to their 60s and 70s. They are people who would have been 5 or 6 when Black Fingernails, Red Wine first came out, and people who would have discovered us when we first put out Sweater. We've kind of hit this really interesting place where we're not cool or uncool anymore, we just occupy this Eskimo Joe shaped hole in the music industry, which is great. Putting out a new song has been wicked. Definitely the best pickup we've had at radio since 2010 I guess, but everyone is receiving it really well."
In the full interview, Kav talks more about The First Time and its sonic direction, the film clip that traces the history of the band over the last 20-odd years, if it is a stand-alone track or part of something bigger, the shows with Live and Incubus, some things they have learnt about themselves and their bandmates over 20 plus years of touring, the just started National Acoustic Theatre Tour and what to expect, playing the more intimate shows and the higher level of fan interaction, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59775752Thu, 02 May 2024 15:54:40 +0000HEAVY MagazineInterview by Kris Peters Eskimo Joe are in the rare and elite class of Australian bands who could probably never make another album again, but still draw people to their shows based solely on the quality of material they have released thus far. Two...Eskimo Joe are in the rare and elite class of Australian bands who could probably never make another album again, but still draw people to their shows based solely on the quality of material they have released thus far.
Two songs in particular - Love Is A Drug and Black Fingernails, Red Wine - have etched Eskimo Joe into Australian music folklore, but their 27-year journey has seen many more highlights and relatable songs.
The band built their reputation playing festivals such as Big Day Out and Splendour In The Grass, but of late have been playing nostalgia-type festivals featuring classic bands from the past few decades that are still going strong.
The most recent of which was Lookout Festival which featured Incubus, Live, Eskimo Joe, The Superjesus and Birds Of Tokyo. It was a series of concerts that drew consistently high numbers and reaffirmed Eskimo Joe's standing amongst the country's elite live bands, despite having not released a full album since Wastelands in 2013.
With the release of their first single since 99 Ways in 2021 - a nostalgic number called The First Time - Eskimo Joe are embarking on a new chapter of their careers and learning to embrace the very fabric of music that excited them nearly three decades ago.
HEAVY caught up with bass guitar/keyboards/vocals Kav Temperley to find out more.
"This is certainly the first song we've put out post-COVID where we've actually played some shows in front of people and then recorded a song, which is a very different feeling," he said. "I think we've hit a real purple patch. Since we saw you at Sandstone Point, all of the shows that we have been playing have been these big, almost nostalgia fests. We've noticed that the gigs are filled with people who are in their early 20s to their 60s and 70s. They are people who would have been 5 or 6 when Black Fingernails, Red Wine first came out, and people who would have discovered us when we first put out Sweater. We've kind of hit this really interesting place where we're not cool or uncool anymore, we just occupy this Eskimo Joe shaped hole in the music industry, which is great. Putting out a new song has been wicked. Definitely the best pickup we've had at radio since 2010 I guess, but everyone is receiving it really well."
In the full interview, Kav talks more about The First Time and its sonic direction, the film clip that traces the history of the band over the last 20-odd years, if it is a stand-alone track or part of something bigger, the shows with Live and Incubus, some things they have learnt about themselves and their bandmates over 20 plus years of touring, the just started National Acoustic Theatre Tour and what to expect, playing the more intimate shows and the higher level of fan interaction, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>824aussierock,australia,eskimojoe,hardrock,heavy,interview,kavtemperley,krispeters,podcast,rock,single,tourtruefullhttps://www.spreaker.com/episode/back-to-life-with-adam-john-cooper-from-suiciety--59769461Having served the local music scene since the early 1990's Melbourne metal outfit Suiciety have truly been there and done that - twice - in the Australian music landscape.
While never cracking the lucrative markets of acceptance, the band has always maintained a strong and loyal fanbase on the strength of early releases Deeper Vision through to their latest EP Reincarnated, which is out now.
Despite band members being spread across the planet in the modern age, Suiciety still have that hunger and fire that only heavy punk rock-infused music can deliver, with lead vocalist Adam John Cooper sitting down earlier this week to chat about the new EP and history of the band.
The chat covered a range of topics, including the potential promotional benefits of bringing a band to Melbourne and the significance of interviews in the music industry. The conversation also touched on the impact of personal connections and the role they play in the success of bands.
Adam provided insights into the creative process and inspirations behind the tracks on the Reincarnated EP, highlighting the thematic elements of their music and running through the four songs track-by-track. He also shared information about RATFest, discussing the hand-picked line-up.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59769461Thu, 02 May 2024 10:56:28 +0000HEAVY MagazineInterview by Kris Peters Having served the local music scene since the early 1990's Melbourne metal outfit Suiciety have truly been there and done that - twice - in the Australian music landscape. While never cracking the lucrative markets of...Having served the local music scene since the early 1990's Melbourne metal outfit Suiciety have truly been there and done that - twice - in the Australian music landscape.
While never cracking the lucrative markets of acceptance, the band has always maintained a strong and loyal fanbase on the strength of early releases Deeper Vision through to their latest EP Reincarnated, which is out now.
Despite band members being spread across the planet in the modern age, Suiciety still have that hunger and fire that only heavy punk rock-infused music can deliver, with lead vocalist Adam John Cooper sitting down earlier this week to chat about the new EP and history of the band.
The chat covered a range of topics, including the potential promotional benefits of bringing a band to Melbourne and the significance of interviews in the music industry. The conversation also touched on the impact of personal connections and the role they play in the success of bands.
Adam provided insights into the creative process and inspirations behind the tracks on the Reincarnated EP, highlighting the thematic elements of their music and running through the four songs track-by-track. He also shared information about RATFest, discussing the hand-picked line-up.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>876adamjohncooper,australia,hardrock,heavy,heavymetal,interview,krispeters,podcast,punk,ratfest,rock,suicietytruefullhttps://www.spreaker.com/episode/spider-s-and-milestones-with-scooter-ward-from-cold--59687348Discovered by Fred Durst from Limp Bizkit early on in their career, US rock outfit COLD found themselves ahead of the game almost before they even started.
Following their self-titled debut album in 1998, COLD went on to release two now-classic albums in 13 Ways To Bleed and Year Of The Spider, striking gold with the singles Stupid Girl, Suffocate, No-One and Just Got Wicked and setting themselves on a path to rock immortality that has grown stronger by the year.
COLD will make their first-ever tour of Australia in October with fellow rock royalty ORGY, celebrating 20 years of Year Of The Spider and bringing their greatest hits Down Under for a long overdue run of three select shows.
Frontman Scooter Ward joined HEAVY to talk about the tour and longevity in the rock scene. We start by asking why the band have neglected us for nearly forty years.
"Honestly, it's been kind of hard to get over there," he smiled. "We were switched around on different labels, and we had always wanted to come, however, the powers that be want you to play in designated areas. So we had always wanted to be there, it just never turned around. Now we're more free to do what we want to do and we had the opportunity, so we took it."
As mentioned, COLD will be celebrating 20 years of Year Of The Spider, so does that mean the band will be playing the album in its entirety?
"I know we were going to talk to the ORGY guys about it," Ward nodded. "The thing about it is we've never played there before, and we have all this catalogue and music that people love from other records as well. So the hope would be to do Year of the Spider in its entirety and then do some extra songs as well for people. So that's the goal. We'll see how that works out."
Playing albums in full generally poses a whole new set of difficulties, mainly because when an album is first recorded, there is generally little thought given to ever playing it front to back. We ask Ward if COLD would come across any such obstacles should they decide to replicate Year Of The Spider.
"Not really," he said. "Throughout the years of touring, we've replicated those songs many times on different tours and different settings. Initially, when the record was put out, we did a Year of The Spider Tour, and we played all the songs so yeah, we're familiar. The band's familiar with all the songs and you know, we have just done a Year of The Spider Tour here in the States (where) we did 58 shows. So yeah, we're very in tune with that record right now."
There wouldn't be many places left in the world COLD haven't played in, but being their first trip to Australia will they be doing any research on what to expect or do they plan to discover as they go along?
"We have some friends from Saliva that have played over there," he offered, "and they said there's little things that are different without tour buses and flying from show to show and things like that. It's just basically the production parts of it all that we are unfamiliar with, but we're kind of excited about that. It's kind of nice, you know, cramming everything in. I mean, we're doing three shows, and basically it's a five day trip. So it's a long weekend. We do three shows, fly from place to place and bust it out."
The flip side to that is Australian fans won't know what to expect either.
"A COLD Show is like an emotional journey for people," he countered. "We take them to a place. When I wrote those songs, I was going through a hard time and they're all very honest songs. So I transport myself back into that place, and it translates to people that are watching the show, and it brings them… I try to bring them back to those moments when they needed that song to help them go through whatever they went through. Sometimes it becomes an over-emotional thing and the whole crowd sings all the songs with us and there's a lot of tears and a lot of joy. It's an experience when you come to a COLD show for sure."
COLD are coming out with fellow first timers ORGY, who themselves are celebrating a significant milestone with their breakthrough album Candyass hitting the quarter of a century mark. Aside from the fact these two bands are both cut from the same cloth, we ask Ward why they make good touring partners.
"We toured with ORGY back in the day," he replied, "back in the early 2000s when both bands were doing very well. And we've been friends for a long time. We have been touring again since 2018 and Orgy had just started back. They did some smaller tours, but they're getting back into it. We joined up together to do this."
COLD formed in Jacksonville, Florida back in 1986, born into a musical climate vastly different to that of today.
"We were kids in '86 when we started," Ward recalled. "The band was called Grundig at that point, and we were like a slow, grungy type of thing. The music was very slow and just heavy. We were trying to be like the Southern Black Sabbath kind of thing, but more Soundgarden who were doing it on the other side of the country. In Jacksonville, there was not really one type of music scene like there was in Seattle where everybody was in a grunge band. In Jacksonville, it was very diverse. We had Limp Bizkit, Shinedown, COLD and Puddle of Mud. A lot of the guys came from there. It was very diverse, with different kinds of sounds coming out of the place. Every band was a little different. It wasn't really a genre-based area."
COLD's two biggest albums were the aforementioned 13 Ways To Bleed and Year Of The Spider, so we put Ward on the spot by asking him which is his personal favourite out of the two.
"That's a hard one, man," he smiled. "Over time it changes with me and different songs from different records and different emotions come up when I'm hearing those songs. They're both a pleasure to play now. So they're both kind of intertwined with each other in a way."
COLD came in for criticism with their fourth album A Different Kind of Pain, with many feeling the album was more sombre and downbeat than anything they had put out before.
"Yeah, we got a lot of slack when that record first came out," he measured. "The narrative of that album was very personal. It was literally things that were happening with my sister and what was going on with my relationship, and it was definitely a sombre record. At the time, I knew it was different than the other records. That's the other thing about COLD. With every album that we make I don't try to make the same record. At the end of my life, I want my catalogue to be filled with a bunch of different styles of production, the sounds, all the things. There's a lot of bands that just keep making the same record over and over again, and that's a successful way to do a band. However, I'm going the opposite of that. I'm going to write whatever we want at whatever time we feel what we need to write."
Tickets on sale now from www.thephoenix.au


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59687348Thu, 02 May 2024 07:48:24 +0000HEAVY MagazineInterview by Kris Peters Discovered by Fred Durst from Limp Bizkit early on in their career, US rock outfit COLD found themselves ahead of the game almost before they even started. Following their self-titled debut album in 1998, COLD went on to...Discovered by Fred Durst from Limp Bizkit early on in their career, US rock outfit COLD found themselves ahead of the game almost before they even started.
Following their self-titled debut album in 1998, COLD went on to release two now-classic albums in 13 Ways To Bleed and Year Of The Spider, striking gold with the singles Stupid Girl, Suffocate, No-One and Just Got Wicked and setting themselves on a path to rock immortality that has grown stronger by the year.
COLD will make their first-ever tour of Australia in October with fellow rock royalty ORGY, celebrating 20 years of Year Of The Spider and bringing their greatest hits Down Under for a long overdue run of three select shows.
Frontman Scooter Ward joined HEAVY to talk about the tour and longevity in the rock scene. We start by asking why the band have neglected us for nearly forty years.
"Honestly, it's been kind of hard to get over there," he smiled. "We were switched around on different labels, and we had always wanted to come, however, the powers that be want you to play in designated areas. So we had always wanted to be there, it just never turned around. Now we're more free to do what we want to do and we had the opportunity, so we took it."
As mentioned, COLD will be celebrating 20 years of Year Of The Spider, so does that mean the band will be playing the album in its entirety?
"I know we were going to talk to the ORGY guys about it," Ward nodded. "The thing about it is we've never played there before, and we have all this catalogue and music that people love from other records as well. So the hope would be to do Year of the Spider in its entirety and then do some extra songs as well for people. So that's the goal. We'll see how that works out."
Playing albums in full generally poses a whole new set of difficulties, mainly because when an album is first recorded, there is generally little thought given to ever playing it front to back. We ask Ward if COLD would come across any such obstacles should they decide to replicate Year Of The Spider.
"Not really," he said. "Throughout the years of touring, we've replicated those songs many times on different tours and different settings. Initially, when the record was put out, we did a Year of The Spider Tour, and we played all the songs so yeah, we're familiar. The band's familiar with all the songs and you know, we have just done a Year of The Spider Tour here in the States (where) we did 58 shows. So yeah, we're very in tune with that record right now."
There wouldn't be many places left in the world COLD haven't played in, but being their first trip to Australia will they be doing any research on what to expect or do they plan to discover as they go along?
"We have some friends from Saliva that have played over there," he offered, "and they said there's little things that are different without tour buses and flying from show to show and things like that. It's just basically the production parts of it all that we are unfamiliar with, but we're kind of excited about that. It's kind of nice, you know, cramming everything in. I mean, we're doing three shows, and basically it's a five day trip. So it's a long weekend. We do three shows, fly from place to place and bust it out."
The flip side to that is Australian fans won't know what to expect either.
"A COLD Show is like an emotional journey for people," he countered. "We take them to a place. When I wrote those songs, I was going through a hard time and they're all very honest songs. So I transport myself back into that place, and it translates to people that are watching the show, and it brings them… I try to bring them back to those moments when they needed that song to help them go through whatever they went through. Sometimes it becomes an over-emotional thing and the whole crowd sings all the songs with us and there's a lot of tears and a lot of joy. It's an experience...]]>539australia,cold,heavy,interview,krispeters,orgy,podcast,rock,scooterward,thephoenix,tour,yearofthespiderfalsefullhttps://www.spreaker.com/episode/prepare-for-invasion-with-dani-filth-from-cradle-of-filth--59765591Cradle Of Filth are a band best experienced live.
Their moody, atmospheric music - while still imposing and engaging on record - is elevated to another dimension when played out on stage and after an absence of far too long Australian fans will once again get the opportunity to marvel at the wonders of Dani Filth and his band of miscreants.
After unleashing their first live album in aeons last year titled Trouble & Their Double Lives - some of which was recorded in Australia - Cradle Of Filth have been making up for lost time by touring on a global scale, with their sights now set firmly Down Under where Filth has promised the band will more than pay their debts of absence.
They will be joined by Moldovan heavy outfit Infected Rain - led by the enigmatic and talented Lena Scissorhands - who will be making their debut trip to this country in a double-headed musical snake that promises to bite more than a pit full of adders.
Cradle Of Filth mastermind and frontman Dani Filth joined HEAVY to discuss the tour and other things happening within the band.
"Yeah, pre-pandemic, wasn't it?" Filth questioned when we mentioned it's been a while between visits. "That would be the main crux of the reason, then (laughs)."
We ask what has changed with the band between their last Australian run of shows to now.
"We've got a different line-up," he offered. "We've toured everywhere. We toured America during the pandemic, actually, right on the tail end. Aside from that, we have progressed with writing the new album. We've already done a track with Ed Sheeran as well, although that will probably be coming out on the special edition of the new album. I can't really talk much more about that with legalities and what have you. Our new album should be out… we should be dropping a new single actually, around the time of the Australian tour - maybe a little bit later - with the outlook for the album being dropping in March next year. That's almost finished, and we have just been super busy with the band. Lots of gigs. The album we started last July and the record company was like, why are you taking so long? And we were like, because we're on tour (laughs)."
In the full interview, Dani talks more about their upcoming tour in Australia, their new album, and the challenges of balancing recording with touring. He revealed that the recording is expected to be finished by the beginning of June, with a focus on mixing and shooting videos in the Czech Republic.
Dani also emphasized the distinctiveness of their new music and their willingness to push boundaries, while also expressing excitement for the upcoming shows and the support band, Infected Rain. The discussion also touched on the band's international composition and their collaboration with Ed Sheeran.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59765591Thu, 02 May 2024 07:42:47 +0000HEAVY MagazineInterview by Kris Peters Cradle Of Filth are a band best experienced live. Their moody, atmospheric music - while still imposing and engaging on record - is elevated to another dimension when played out on stage and after an absence of far too long...Cradle Of Filth are a band best experienced live.
Their moody, atmospheric music - while still imposing and engaging on record - is elevated to another dimension when played out on stage and after an absence of far too long Australian fans will once again get the opportunity to marvel at the wonders of Dani Filth and his band of miscreants.
After unleashing their first live album in aeons last year titled Trouble & Their Double Lives - some of which was recorded in Australia - Cradle Of Filth have been making up for lost time by touring on a global scale, with their sights now set firmly Down Under where Filth has promised the band will more than pay their debts of absence.
They will be joined by Moldovan heavy outfit Infected Rain - led by the enigmatic and talented Lena Scissorhands - who will be making their debut trip to this country in a double-headed musical snake that promises to bite more than a pit full of adders.
Cradle Of Filth mastermind and frontman Dani Filth joined HEAVY to discuss the tour and other things happening within the band.
"Yeah, pre-pandemic, wasn't it?" Filth questioned when we mentioned it's been a while between visits. "That would be the main crux of the reason, then (laughs)."
We ask what has changed with the band between their last Australian run of shows to now.
"We've got a different line-up," he offered. "We've toured everywhere. We toured America during the pandemic, actually, right on the tail end. Aside from that, we have progressed with writing the new album. We've already done a track with Ed Sheeran as well, although that will probably be coming out on the special edition of the new album. I can't really talk much more about that with legalities and what have you. Our new album should be out… we should be dropping a new single actually, around the time of the Australian tour - maybe a little bit later - with the outlook for the album being dropping in March next year. That's almost finished, and we have just been super busy with the band. Lots of gigs. The album we started last July and the record company was like, why are you taking so long? And we were like, because we're on tour (laughs)."
In the full interview, Dani talks more about their upcoming tour in Australia, their new album, and the challenges of balancing recording with touring. He revealed that the recording is expected to be finished by the beginning of June, with a focus on mixing and shooting videos in the Czech Republic.
Dani also emphasized the distinctiveness of their new music and their willingness to push boundaries, while also expressing excitement for the upcoming shows and the support band, Infected Rain. The discussion also touched on the band's international composition and their collaboration with Ed Sheeran.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>836australia,cradleoffilth,danifilth,gothicmetal,heavy,heavymetal,infectedrain,interview,krispeters,lenascissorhands,metropolistouring,podcast,thephoenix,tourtruefullhttps://www.spreaker.com/episode/surviving-the-war-with-james-monteith-from-tesseract--59692544It's been six long years since TesseracT last toured Australia, but ask diehard fans of the band, and it would seem like much longer. But the good news for those fans and the music loving public in general, is the UK progressive rock outfit are locked and loaded and ready to return, with the tour kicking off in Brisbane on May 2.
The technical metal maestros are pulling a double knockout blow, touring on the back of the band's fifth studio album, War Of Being, which was released in September last year.
Guitarist James Monteith sat down for an enlightening chat with HEAVY to bring us up to date.
"A long time had passed," he agreed. "We have been able to work on and release our album that everyone is more happy with than any record we have had before. We've also tried to up our live game and not only focus on playing our instruments but making it a bit more of a show and more of a performance. We've added some theatrical elements and have basically - for the last six years - been trying to up our game to be an exciting rock band rather than a just a bunch of guys nerding out."
In the full interview, James discussed the band's preparations for their World of Being tour, including their focus on improving their live performance and creating a seamless set list. He also shared details about their new album, War of Being, highlighting the band's approach to incorporating new elements while maintaining a nod to older progressive styles. The album's concept, a sci-fi story about internal conflict, was explained, as well as the strategic decision to release the title track as the lead single. The use of AI for creating the cover art was also discussed, with James justifying it as a tool to convey the artist's vision.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59692544Mon, 29 Apr 2024 03:18:23 +0000HEAVY MagazineInterview by Kris Peters It's been six long years since TesseracT last toured Australia, but ask diehard fans of the band, and it would seem like much longer. But the good news for those fans and the music loving public in general, is the UK...It's been six long years since TesseracT last toured Australia, but ask diehard fans of the band, and it would seem like much longer. But the good news for those fans and the music loving public in general, is the UK progressive rock outfit are locked and loaded and ready to return, with the tour kicking off in Brisbane on May 2.
The technical metal maestros are pulling a double knockout blow, touring on the back of the band's fifth studio album, War Of Being, which was released in September last year.
Guitarist James Monteith sat down for an enlightening chat with HEAVY to bring us up to date.
"A long time had passed," he agreed. "We have been able to work on and release our album that everyone is more happy with than any record we have had before. We've also tried to up our live game and not only focus on playing our instruments but making it a bit more of a show and more of a performance. We've added some theatrical elements and have basically - for the last six years - been trying to up our game to be an exciting rock band rather than a just a bunch of guys nerding out."
In the full interview, James discussed the band's preparations for their World of Being tour, including their focus on improving their live performance and creating a seamless set list. He also shared details about their new album, War of Being, highlighting the band's approach to incorporating new elements while maintaining a nod to older progressive styles. The album's concept, a sci-fi story about internal conflict, was explained, as well as the strategic decision to release the title track as the lead single. The use of AI for creating the cover art was also discussed, with James justifying it as a tool to convey the artist's vision.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>850australia,hardrock,heavy,heavymetal,interview,jamesmonteith,krispeters,podcast,progressivemetal,rock,tesseract,tour,warofbeingtruefullhttps://www.spreaker.com/episode/honouring-your-vows-with-jason-black-from-hot-water-music--59686426After three decades of servitude to punk rock music, American miscreants Hot Water Music could be forgiven for phoning in new albums, but despite their reputation for flouting the rules, even these seasoned veterans still feel as if they have a point or two to prove.
Returning to acclaimed producer and hardcore legend Brian McTernan - who worked with the band on 2001’s A Flight And A Crash, 2002’s Caution and 2004’s The New What Next, from a period thought by many to be the band's classic era - Hot Water Music have harnessed everything learnt over three decades and focussed on internal growth for their new album VOWS which is out May 10.
Billed as both an anniversary album and a coming of age of sorts, VOWS is a reflection of the past, present and future of a band that refuse to grow up, grow old, or give in.
Bass player Jason Black sat down with HEAVY to discuss the album and the band's history. We start by asking how he feels about the impending release so far into a decorated career.
"Definitely anxious and nervous," he mused. "If I don't give a shit we've made a bad record (laughs). It's a lot of… It always kind of changes. This is the first time we've put out two records so close together in a long time, so that's been pretty cool. Even then, the landscape of releasing albums is constantly changing. Not meaning to sound like a super Gen X here, but day-to-day different things need to be done, so there's that weird level of anxious that's in the new landscape of whatever we all do here. It wasn't the same as before. Before it was, like, I hope we get some good reviews and hopefully this store picks it up, and now it's a case of I hope it doesn't get buried five minutes after it comes out under a flood of other posts. It's so weird sometimes (laughs)."
The press release calls VOWS Hot Water Music's most ambitious album to date, so we ask Black if he agrees.
"I think so," he measured. "I feel like we've definitely… yeah, I think it is. There's some stuff on here that we would not have made - I don't want to say we wouldn't have made on any other records, because it's not a quality issue - but I think there's some stylistic variance this time around. A little more so than usual for us. I think it only happened because of the specific songs working as well as they did."
In the full interview, Jason talks more about the musical direction on VOWS, how it celebrates the band's 30 years in music, if it becomes easier or harder to come up with new material the more you write, reuniting with McTernal and how that contributed to the finished product, the guest artists on the album and why they were chosen, the early days of the band and where they fit in, keeping to their own path over thirty years, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59686426Sun, 28 Apr 2024 18:31:18 +0000HEAVY MagazineInterview by Kris Peters After three decades of servitude to punk rock music, American miscreants Hot Water Music could be forgiven for phoning in new albums, but despite their reputation for flouting the rules, even these seasoned veterans still feel...After three decades of servitude to punk rock music, American miscreants Hot Water Music could be forgiven for phoning in new albums, but despite their reputation for flouting the rules, even these seasoned veterans still feel as if they have a point or two to prove.
Returning to acclaimed producer and hardcore legend Brian McTernan - who worked with the band on 2001’s A Flight And A Crash, 2002’s Caution and 2004’s The New What Next, from a period thought by many to be the band's classic era - Hot Water Music have harnessed everything learnt over three decades and focussed on internal growth for their new album VOWS which is out May 10.
Billed as both an anniversary album and a coming of age of sorts, VOWS is a reflection of the past, present and future of a band that refuse to grow up, grow old, or give in.
Bass player Jason Black sat down with HEAVY to discuss the album and the band's history. We start by asking how he feels about the impending release so far into a decorated career.
"Definitely anxious and nervous," he mused. "If I don't give a shit we've made a bad record (laughs). It's a lot of… It always kind of changes. This is the first time we've put out two records so close together in a long time, so that's been pretty cool. Even then, the landscape of releasing albums is constantly changing. Not meaning to sound like a super Gen X here, but day-to-day different things need to be done, so there's that weird level of anxious that's in the new landscape of whatever we all do here. It wasn't the same as before. Before it was, like, I hope we get some good reviews and hopefully this store picks it up, and now it's a case of I hope it doesn't get buried five minutes after it comes out under a flood of other posts. It's so weird sometimes (laughs)."
The press release calls VOWS Hot Water Music's most ambitious album to date, so we ask Black if he agrees.
"I think so," he measured. "I feel like we've definitely… yeah, I think it is. There's some stuff on here that we would not have made - I don't want to say we wouldn't have made on any other records, because it's not a quality issue - but I think there's some stylistic variance this time around. A little more so than usual for us. I think it only happened because of the specific songs working as well as they did."
In the full interview, Jason talks more about the musical direction on VOWS, how it celebrates the band's 30 years in music, if it becomes easier or harder to come up with new material the more you write, reuniting with McTernal and how that contributed to the finished product, the guest artists on the album and why they were chosen, the early days of the band and where they fit in, keeping to their own path over thirty years, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1235hardrock,heavy,heavymetal,hotwatermusic,interview,jasonblack,krispeters,music,podcast,punk,rocktruefullhttps://www.spreaker.com/episode/united-in-metal-with-dexx-jackie-from-beyond-the-darkness--59684287Charity events are always special on the music calendar, with a plethora of worthy causes benefitting from the generosity and respect shown by many a band and punter. But when they are organised by people who have been afflected personally by the very condition they are drawing attention to, it becomes that bit more special.
Beyond The Darkness is one such event.
Organised by Jackie Green - who lost her husband to cancer in early 2022 - and her partner Dexx, Beyond The Darkness is in its second year after a successful first showcase event last year. While the concert aims to raise finances and awareness to benefit the GI Cancer Institute, it also shines light on illnesses and diseases of all kinds and the need for people in the community to ensure they keep abreast of potential dangers before it's too late.
To be held at the Back Room, Annerley on September 14, Beyond The Darkness will be headlined by local metal stars Engraved, with Sentiment, Void Matter, Krave, InEffigy and more all donating their time to spread the message and love.
Jackie and Dexx joined HEAVY recently to talk more about the event.
"On the 22nd of April 2022 my husband David died of oesophageal cancer," Jackie explained. "It just came on. He had a 13-month battle, and we tried everything and threw everything at it, and then he got a secondary cancer. Once most people get a secondary cancer, there's not much you can do. I lost him, and I really didn't know what I was gonna do. I suppose my whole world was turned upside down. We just floated the idea - we wanted to do something to really celebrate his first year anniversary - so I floated the idea on Facebook and said to people what do we think and Brian said let's put on a show. So it was born from there."
We mention the importance of not just raising money to assist in research for such illnesses, but also heightening awareness that these illnesses can and do strike without discrimination.
"They don't matter who you are, what age you are," Jackie continued. "David was only 47, so I think part of the awareness is people in our age group - in that 40 to 50 age group - to not be complacent about things. If something is not right, go and get it checked out."
In the full interview, we emphasized the importance of early ticket purchases for local events like Beyond The Darkness, the intricacies of planning a festival line-up, emphasizing the significance of band selection, cohesion, and stage presence plus the bands playing and the selection process. We also talked about the logistics of the benefit concert, addressing donation options and ticket sales, and promoting their show, Oz Fest with Dexx and Jackie O.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59684287Sun, 28 Apr 2024 17:15:43 +0000HEAVY MagazineInterview by Kris Peters Charity events are always special on the music calendar, with a plethora of worthy causes benefitting from the generosity and respect shown by many a band and punter. But when they are organised by people who have been...Charity events are always special on the music calendar, with a plethora of worthy causes benefitting from the generosity and respect shown by many a band and punter. But when they are organised by people who have been afflected personally by the very condition they are drawing attention to, it becomes that bit more special.
Beyond The Darkness is one such event.
Organised by Jackie Green - who lost her husband to cancer in early 2022 - and her partner Dexx, Beyond The Darkness is in its second year after a successful first showcase event last year. While the concert aims to raise finances and awareness to benefit the GI Cancer Institute, it also shines light on illnesses and diseases of all kinds and the need for people in the community to ensure they keep abreast of potential dangers before it's too late.
To be held at the Back Room, Annerley on September 14, Beyond The Darkness will be headlined by local metal stars Engraved, with Sentiment, Void Matter, Krave, InEffigy and more all donating their time to spread the message and love.
Jackie and Dexx joined HEAVY recently to talk more about the event.
"On the 22nd of April 2022 my husband David died of oesophageal cancer," Jackie explained. "It just came on. He had a 13-month battle, and we tried everything and threw everything at it, and then he got a secondary cancer. Once most people get a secondary cancer, there's not much you can do. I lost him, and I really didn't know what I was gonna do. I suppose my whole world was turned upside down. We just floated the idea - we wanted to do something to really celebrate his first year anniversary - so I floated the idea on Facebook and said to people what do we think and Brian said let's put on a show. So it was born from there."
We mention the importance of not just raising money to assist in research for such illnesses, but also heightening awareness that these illnesses can and do strike without discrimination.
"They don't matter who you are, what age you are," Jackie continued. "David was only 47, so I think part of the awareness is people in our age group - in that 40 to 50 age group - to not be complacent about things. If something is not right, go and get it checked out."
In the full interview, we emphasized the importance of early ticket purchases for local events like Beyond The Darkness, the intricacies of planning a festival line-up, emphasizing the significance of band selection, cohesion, and stage presence plus the bands playing and the selection process. We also talked about the logistics of the benefit concert, addressing donation options and ticket sales, and promoting their show, Oz Fest with Dexx and Jackie O.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>619backroom,beyondthedarkness,cancer,charityevent,concert,engraved,hardrock,heavy,heavymetal,ineffigy,interview,krave,krispeters,music,podcast,sentiment,voidmattertruefullhttps://www.spreaker.com/episode/sonic-brutality-with-nzambi-mapungu-from-miruthan--59632512With the quantity and quality of new music being released by the minute in the modern world of metal many bands - often unfortunately - fall by the wayside before even being heard, lost in the current goldfish market of disposable music and assets.
These days, you can either simply put your music out there and hope some algorithm elevates it beyond the masses, or you can think outside the proverbial box and offer something extra to the market.
Emerging Aussie black/death metal outfit Miruthan have followed the path of the latter, creating an entirely new sonic and visual plane from which to launch their musical vehicle. Not content to merely write and record music, Miruthan have plunged themselves - and subsequently their listeners - down the narrowing rabbit hole of perception and returned with a fresh, exciting backstory to go along with an assortment of plots and character-driven narrative that is embedded within their music.
While the band is content for the moment to drip feed such pivotal snippets of information to the general public, they have provided a temporary sonic distraction by way of music with their debut EP Cult Of The Dead which will be unleashed this Friday, April 26.
Four tracks of seething brutality, Cult Of The Dead provides the connection between the eight-pronged beast that it Miruthan and an unsuspecting - but hopefully ready - musical landscape that lovers of heavy music laced with theatrics have been craving.
HEAVY recently caught up with songwriter/guitarist and Sprechgesang vocalist Nzambi Mapungu - also known as The Zombie God - to dive deeper into the unfolding mystery. We start by asking how he is feeling about setting Cult Of The Dead free into the world.
"I feel pretty confident," he answered. "It's funny the way this EP came around, actually, because I wrote a complete full-length album, and then I wanted something out sooner than it would take to record a full album. So I sat down and wrote a full EP after the album so we could release that first. What's funny is these songs are the new songs. The album was written first, but the way we write it is all in story form so everything kind of ties in together. Each song ties into the next song like a story. This is actually the prequel (laughs)."
We point out it is a great idea because as a new band coming onto the scene you don't want to smash people with too much too soon.
"That was exactly the reasoning as well," he affirmed. "It was like let's not show our full cards straight up. Let's do the teaser and see what people think of it and go from there."
In the full interview, HEAVY conducted a thorough track-by-track review of Cult of the Dead, discussing the band's unique approach to blending punk, blues, and metal elements in their music, as well as the significance of storytelling and atmospheric elements in their songwriting. We also discussed the band's folklore and its upcoming release, highlighting the storytelling aspect and the band's desire to engage fans in a deeper, interactive experience plus covered more of the themes and theatrics surrounding the world which the band has created for themselves.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59632512Sun, 28 Apr 2024 08:54:01 +0000HEAVY MagazineInterview by Kris Peters With the quantity and quality of new music being released by the minute in the modern world of metal many bands - often unfortunately - fall by the wayside before even being heard, lost in the current goldfish market of...With the quantity and quality of new music being released by the minute in the modern world of metal many bands - often unfortunately - fall by the wayside before even being heard, lost in the current goldfish market of disposable music and assets.
These days, you can either simply put your music out there and hope some algorithm elevates it beyond the masses, or you can think outside the proverbial box and offer something extra to the market.
Emerging Aussie black/death metal outfit Miruthan have followed the path of the latter, creating an entirely new sonic and visual plane from which to launch their musical vehicle. Not content to merely write and record music, Miruthan have plunged themselves - and subsequently their listeners - down the narrowing rabbit hole of perception and returned with a fresh, exciting backstory to go along with an assortment of plots and character-driven narrative that is embedded within their music.
While the band is content for the moment to drip feed such pivotal snippets of information to the general public, they have provided a temporary sonic distraction by way of music with their debut EP Cult Of The Dead which will be unleashed this Friday, April 26.
Four tracks of seething brutality, Cult Of The Dead provides the connection between the eight-pronged beast that it Miruthan and an unsuspecting - but hopefully ready - musical landscape that lovers of heavy music laced with theatrics have been craving.
HEAVY recently caught up with songwriter/guitarist and Sprechgesang vocalist Nzambi Mapungu - also known as The Zombie God - to dive deeper into the unfolding mystery. We start by asking how he is feeling about setting Cult Of The Dead free into the world.
"I feel pretty confident," he answered. "It's funny the way this EP came around, actually, because I wrote a complete full-length album, and then I wanted something out sooner than it would take to record a full album. So I sat down and wrote a full EP after the album so we could release that first. What's funny is these songs are the new songs. The album was written first, but the way we write it is all in story form so everything kind of ties in together. Each song ties into the next song like a story. This is actually the prequel (laughs)."
We point out it is a great idea because as a new band coming onto the scene you don't want to smash people with too much too soon.
"That was exactly the reasoning as well," he affirmed. "It was like let's not show our full cards straight up. Let's do the teaser and see what people think of it and go from there."
In the full interview, HEAVY conducted a thorough track-by-track review of Cult of the Dead, discussing the band's unique approach to blending punk, blues, and metal elements in their music, as well as the significance of storytelling and atmospheric elements in their songwriting. We also discussed the band's folklore and its upcoming release, highlighting the storytelling aspect and the band's desire to engage fans in a deeper, interactive experience plus covered more of the themes and theatrics surrounding the world which the band has created for themselves.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1303australia,blackmetal,blackroos,deathmetal,heavy,heavymetal,interview,krispeters,miruthan,podcasttruefullhttps://www.spreaker.com/episode/all-guns-blazing-with-justin-strudwick-leland-hallett-from-the-dreadful-tides--59626667Melbourne rockers The Dreadful Tides emphatically announced their arrival on the Australian music scene in 2021 with their infectious and rock as all fuck debut single Crazy.
The song was like the meeting of two sonic forces that exploded with raw guitars, meaty solos and the kind of swagger that left rock music while the Rolling Stones were still in their nappies.
Blessed with an upbringing of 70s and 80s old-school rock and metal, The Dreadful Tides wove those influences with a modern edge to create a hybrid rock and metal blast of sonic intensity that almost dares you not to take notice.
The band have been steadily building since then, culminating in the release of their new single Fire In The Hole which takes everything already sprinkled in The Dreadful Tides' DNA and laces it with slabs of hard rock bordering on metal intensity to elevate their music to another level.
Part of that intensity blast came through new vocalist Jimmy Black, whose recent inclusion to The Dreadful Tides has opened the chasm of opportunity even further and invited the Gods of metal into their realm.
HEAVY caught up with guitarist Justin Strudwick and drummer Leland Hallett to find out more.
"It's actually really, really surprised us this time," Hallett offered when asked how Fire In The Hole has been received. "Everyone has just loved the track. The amount of messages we've got off people and the appreciation off so many different people. We also managed to get airplay in multiple countries already which is good for us. The reception has been phenomenal."
We ask the boys to dive deeper into Fire In The Hole musically.
"It started off, in all honesty, as just a riff that we were messing around with," Strudwick replied. "We said we just need a cool opening track for gigs. Not even for recording purposes. Just for gigs. So me and Leland messed around with a few things, but the music has stayed pretty solid for that track the whole time. We actually had some different lyrics for it originally - except the chorus. The chorus was still the same, but when Jimmy came on board he had a different take on the song and changed the lyrics apart from the chorus, and we were just like, yep, that's it. That suits the music. We went into the studio to record that song and use it in our back pocket for if we need it, but once we heard it we thought we have to get this thing out."
In the full interview, Justin and Leland discussed plans for their upcoming singles and the potential release of an EP. They provided details about the band's decision to introduce each track individually, highlighting their desire to give each song its own spotlight. They also delved into the band's musical growth, explaining how their writing process has evolved as they have become more familiar with each other and their producer. Additionally, they hinted at upcoming interstate shows starting in April, indicating an exciting future for the band.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59626667Wed, 24 Apr 2024 09:11:25 +0000HEAVY MagazineInterview by Kris Peters Melbourne rockers The Dreadful Tides emphatically announced their arrival on the Australian music scene in 2021 with their infectious and rock as all fuck debut single Crazy. The song was like the meeting of two sonic forces...Melbourne rockers The Dreadful Tides emphatically announced their arrival on the Australian music scene in 2021 with their infectious and rock as all fuck debut single Crazy.
The song was like the meeting of two sonic forces that exploded with raw guitars, meaty solos and the kind of swagger that left rock music while the Rolling Stones were still in their nappies.
Blessed with an upbringing of 70s and 80s old-school rock and metal, The Dreadful Tides wove those influences with a modern edge to create a hybrid rock and metal blast of sonic intensity that almost dares you not to take notice.
The band have been steadily building since then, culminating in the release of their new single Fire In The Hole which takes everything already sprinkled in The Dreadful Tides' DNA and laces it with slabs of hard rock bordering on metal intensity to elevate their music to another level.
Part of that intensity blast came through new vocalist Jimmy Black, whose recent inclusion to The Dreadful Tides has opened the chasm of opportunity even further and invited the Gods of metal into their realm.
HEAVY caught up with guitarist Justin Strudwick and drummer Leland Hallett to find out more.
"It's actually really, really surprised us this time," Hallett offered when asked how Fire In The Hole has been received. "Everyone has just loved the track. The amount of messages we've got off people and the appreciation off so many different people. We also managed to get airplay in multiple countries already which is good for us. The reception has been phenomenal."
We ask the boys to dive deeper into Fire In The Hole musically.
"It started off, in all honesty, as just a riff that we were messing around with," Strudwick replied. "We said we just need a cool opening track for gigs. Not even for recording purposes. Just for gigs. So me and Leland messed around with a few things, but the music has stayed pretty solid for that track the whole time. We actually had some different lyrics for it originally - except the chorus. The chorus was still the same, but when Jimmy came on board he had a different take on the song and changed the lyrics apart from the chorus, and we were just like, yep, that's it. That suits the music. We went into the studio to record that song and use it in our back pocket for if we need it, but once we heard it we thought we have to get this thing out."
In the full interview, Justin and Leland discussed plans for their upcoming singles and the potential release of an EP. They provided details about the band's decision to introduce each track individually, highlighting their desire to give each song its own spotlight. They also delved into the band's musical growth, explaining how their writing process has evolved as they have become more familiar with each other and their producer. Additionally, they hinted at upcoming interstate shows starting in April, indicating an exciting future for the band.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>832aussierock,fireinthehole,heavy,hrdrock,interview,krispeters,podcast,rock,single,thedreadfultidestruefullhttps://www.spreaker.com/episode/pushing-forwards-with-joe-butcher-jack-cumes-from-wolf-chain--59612924Fresh off the road from a tour with Tapestry and AM/PM, Adelaide emo alt-rock five-piece Wolf & Chain find themselves already consumed by producing more content so that the current wave of hype the band has generated does not go to waste.
The band needn't worry too much, because after the success of their catchy and infectious recent single Not Giving Up it is highly unlikely anyone will be forgetting their name in the foreseeable future.
Pulling from sounds found in the 2000s with My Chemical Romance, Panic! At The Disco and 30 Seconds To Mars, Not Giving Up is a quirky and fun slab of music, driven by typically personal subject matter that has become one of Wolf & Chain's trademarks.
HEAVY sat down for a chat with vocalist Jack Cumes and guitarist Joe Butcher to find out what the next steps of this exciting young band will be.
We start by asking how the recently completed run of dates with Tapestry went.
"Super cool," Cumes replied. "A bunch of people came out to see us, which is always great. Tapestry, those guys are super amazing live, so it was amazing just to see them and learn off them as well.
Melbourne felt like a big step up from when we usually play. I think Melbourne can be a bit hit-and-miss for us. We've only played there a few times, but this last show we played, we had a great time. There was heaps of people, and it was a good wrap-up to the end of the tour as well."
The tour was essentially to help promote the new single Not Giving Up, with Cumes happily relaying the new track was positively received live..
"It went down well," he smiled. "We always have a good time playing it, and we worked really hard on that song. It was a bit of a process getting it to where it was, so I think whenever we play it live we feel pretty good. We're happy that it's had this journey."
In the full interview, Wolf & Chain discussed the visual and conceptual inspiration behind their music, using werewolves as a metaphor and drawing inspiration from horror movies for their music video.
They hinted at a larger project on the horizon and expressed a desire to push themselves to create something different for their next work. The band also emphasized the importance of working with different collaborators and expressed confidence in their progress towards finding their distinct sound.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59612924Wed, 24 Apr 2024 07:47:05 +0000HEAVY MagazineInterview by Kris Peters Fresh off the road from a tour with Tapestry and AM/PM, Adelaide emo alt-rock five-piece Wolf & Chain find themselves already consumed by producing more content so that the current wave of hype the band has generated does...Fresh off the road from a tour with Tapestry and AM/PM, Adelaide emo alt-rock five-piece Wolf & Chain find themselves already consumed by producing more content so that the current wave of hype the band has generated does not go to waste.
The band needn't worry too much, because after the success of their catchy and infectious recent single Not Giving Up it is highly unlikely anyone will be forgetting their name in the foreseeable future.
Pulling from sounds found in the 2000s with My Chemical Romance, Panic! At The Disco and 30 Seconds To Mars, Not Giving Up is a quirky and fun slab of music, driven by typically personal subject matter that has become one of Wolf & Chain's trademarks.
HEAVY sat down for a chat with vocalist Jack Cumes and guitarist Joe Butcher to find out what the next steps of this exciting young band will be.
We start by asking how the recently completed run of dates with Tapestry went.
"Super cool," Cumes replied. "A bunch of people came out to see us, which is always great. Tapestry, those guys are super amazing live, so it was amazing just to see them and learn off them as well.
Melbourne felt like a big step up from when we usually play. I think Melbourne can be a bit hit-and-miss for us. We've only played there a few times, but this last show we played, we had a great time. There was heaps of people, and it was a good wrap-up to the end of the tour as well."
The tour was essentially to help promote the new single Not Giving Up, with Cumes happily relaying the new track was positively received live..
"It went down well," he smiled. "We always have a good time playing it, and we worked really hard on that song. It was a bit of a process getting it to where it was, so I think whenever we play it live we feel pretty good. We're happy that it's had this journey."
In the full interview, Wolf & Chain discussed the visual and conceptual inspiration behind their music, using werewolves as a metaphor and drawing inspiration from horror movies for their music video.
They hinted at a larger project on the horizon and expressed a desire to push themselves to create something different for their next work. The band also emphasized the importance of working with different collaborators and expressed confidence in their progress towards finding their distinct sound.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>770australia,heavy,indierock,interview,krispeters,podcast,rock,single,tour,wolf&chaintruefullhttps://www.spreaker.com/episode/paying-off-your-debts-with-tyler-richardson-from-luca-brasi--59612147Tasmanian entertainment machine Luca Brasi are headed to this side of the ocean next month to celebrate their latest album The World Don't Owe You Anything with a tour of the same name.
It is an extensive tour by Australian standards, taking in Canberra, Adelaide, Melbourne, Perth, Brisbane, Gold Coast, Sydney and Newcastle but if past tours and reputation are anything to go by we are in for a nationwide treat. Luca Brasi will be bringing the beautifully named Spanish Love Songs with them for the trek, promising nothing but a night of great music, laughs and good old-fashioned mateship.
Frontman Tyler Richardson joined HEAVY to tell us more.
"Yeah man, it's nice to go and play places that don't get got to as much as they should," he smiled. "So it's nice to go back to those towns. We come from Tassie and quite often back in the day we didn't get all these tours, so it's nice to be able to go and play them."
In the full interview, Tyler talks more about their upcoming tour with Spanish Love Songs, expressing excitement about playing in overlooked towns and the significance of returning to their origins in Tasmania. He emphasized the need to mentally and physically prepare for the extensive run of shows, highlighting the importance of maintaining gig fitness and being mindful of looking after yourself. Tyler also reflected on the band's journey in finding their musical identity and returning to creating music that resonates with them, despite the challenges of popularity and commercial success. He expressed his genuine excitement for live performances and his gratitude for the opportunity to be on tour, as well as their plans to start writing new songs and spending time with their friends from Spanish Love Songs.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59612147Tue, 23 Apr 2024 08:54:48 +0000HEAVY MagazineInterview by Kris Peters Tasmanian entertainment machine Luca Brasi are headed to this side of the ocean next month to celebrate their latest album The World Don't Owe You Anything with a tour of the same name. It is an extensive tour by Australian...Tasmanian entertainment machine Luca Brasi are headed to this side of the ocean next month to celebrate their latest album The World Don't Owe You Anything with a tour of the same name.
It is an extensive tour by Australian standards, taking in Canberra, Adelaide, Melbourne, Perth, Brisbane, Gold Coast, Sydney and Newcastle but if past tours and reputation are anything to go by we are in for a nationwide treat. Luca Brasi will be bringing the beautifully named Spanish Love Songs with them for the trek, promising nothing but a night of great music, laughs and good old-fashioned mateship.
Frontman Tyler Richardson joined HEAVY to tell us more.
"Yeah man, it's nice to go and play places that don't get got to as much as they should," he smiled. "So it's nice to go back to those towns. We come from Tassie and quite often back in the day we didn't get all these tours, so it's nice to be able to go and play them."
In the full interview, Tyler talks more about their upcoming tour with Spanish Love Songs, expressing excitement about playing in overlooked towns and the significance of returning to their origins in Tasmania. He emphasized the need to mentally and physically prepare for the extensive run of shows, highlighting the importance of maintaining gig fitness and being mindful of looking after yourself. Tyler also reflected on the band's journey in finding their musical identity and returning to creating music that resonates with them, despite the challenges of popularity and commercial success. He expressed his genuine excitement for live performances and his gratitude for the opportunity to be on tour, as well as their plans to start writing new songs and spending time with their friends from Spanish Love Songs.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>425alternativerock,australia,hardrock,heavy,interview,krispeters,lucabrasi,podcast,rock,spanishlovesongs,tour,tylerrichardsontruefullhttps://www.spreaker.com/episode/new-beginnings-with-engraved--59609475The struggle most bands find these days is keeping together a stable line-up to help them grow both musically and professionally.
A variety of obstacles face most bands currently doing the rounds, with member retention being the common ailment of bands on a global scale.
Brisbane metal outfit Engraved are no exception.
Since relocating from Sydney last year, Engraved have been plagued with the age-old problem of members internally combusting, halting their forwarded momentum every time the band starts to make serious inroads in the national metal scene.
But, hopefully, Engraved's run of bad luck and/or poor judgement is about to end, with today's announcement that Cairns product Panda is joining the noise maestros as vocalist.
Each incarnation of Engraved has had promise but fallen by the wayside for one reason or another, but after chatting with the band recently it seems their luck might just be taking a turn for the better.
HEAVY caught up with guitarists Dan and Cory, bass player Phil and new vocalist Panda for a chat about their upcoming appearance at Beyond The Darkness at The Back Room on September 14 and plenty more.
"It sounds like an excellent gig," Cory affirmed. "I am quite excited. The last Beyond The Darkness gig was actually my first with the band and was kind of like a trial by fire. I went out and very quickly all of our scepticisms and nerves disappeared, so I'm excited to come back out and smash it again."
"This will be your anniversary with us, too," Phil added.
In the full interview, the conversation shifted to personal updates, with Cory sharing news of his engagement. The band members introduced themselves and discussed their upcoming headlining show as part of Beyond The Darkness in greater detail, outlining the fact it is a benefit concert for the GI Cancer Institute. They also discussed their upcoming gigs, including Nowhere Festival at the Mansfield Tavern, and recent line-up changes within the band.
The Engraved band members shared their journeys of joining the band and discussed their upcoming music releases. They expressed enthusiasm for the new material and assured fans that the essence of the band's original vision will be preserved while incorporating refined elements. The band members also touched on branding updates and new merchandise, with Dan taking the lead on these initiatives.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59609475Tue, 23 Apr 2024 06:59:28 +0000HEAVY MagazineInterview by Kris Peters The struggle most bands find these days is keeping together a stable line-up to help them grow both musically and professionally. A variety of obstacles face most bands currently doing the rounds, with member retention being...The struggle most bands find these days is keeping together a stable line-up to help them grow both musically and professionally.
A variety of obstacles face most bands currently doing the rounds, with member retention being the common ailment of bands on a global scale.
Brisbane metal outfit Engraved are no exception.
Since relocating from Sydney last year, Engraved have been plagued with the age-old problem of members internally combusting, halting their forwarded momentum every time the band starts to make serious inroads in the national metal scene.
But, hopefully, Engraved's run of bad luck and/or poor judgement is about to end, with today's announcement that Cairns product Panda is joining the noise maestros as vocalist.
Each incarnation of Engraved has had promise but fallen by the wayside for one reason or another, but after chatting with the band recently it seems their luck might just be taking a turn for the better.
HEAVY caught up with guitarists Dan and Cory, bass player Phil and new vocalist Panda for a chat about their upcoming appearance at Beyond The Darkness at The Back Room on September 14 and plenty more.
"It sounds like an excellent gig," Cory affirmed. "I am quite excited. The last Beyond The Darkness gig was actually my first with the band and was kind of like a trial by fire. I went out and very quickly all of our scepticisms and nerves disappeared, so I'm excited to come back out and smash it again."
"This will be your anniversary with us, too," Phil added.
In the full interview, the conversation shifted to personal updates, with Cory sharing news of his engagement. The band members introduced themselves and discussed their upcoming headlining show as part of Beyond The Darkness in greater detail, outlining the fact it is a benefit concert for the GI Cancer Institute. They also discussed their upcoming gigs, including Nowhere Festival at the Mansfield Tavern, and recent line-up changes within the band.
The Engraved band members shared their journeys of joining the band and discussed their upcoming music releases. They expressed enthusiasm for the new material and assured fans that the essence of the band's original vision will be preserved while incorporating refined elements. The band members also touched on branding updates and new merchandise, with Dan taking the lead on these initiatives.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>985aussiemetal,beyondthedarkness,engraved,heavy,heavymetal,interview,krispeters,podcasttruefullhttps://www.spreaker.com/episode/appreciating-aussie-metal-with-winston-mccall-from-parkway-drive--59590846While the annual APRA Music Awards have always celebrated the abundance of talent coursing through the Australian musical landscape, the focus has always been on the more mainstream artists and side of the industry.
Hard rock and heavy metal have long been touted for inclusion, but for varying reasons have never quite made it onto the big stage for Australia's most prestigious awards.
Until now.
The 2024 APRA Music Awards will, for the very first time, include a category which rewards and recognises this country's strong and growing stronger metal scene with the inclusion of the inaugural Most Performed Hard Rock/Heavy Metal Work category.
The point could - and will - be argued that heavy music should have been included long before this, but in the overall scheme of things, the fact this category has been introduced is recognition and vindication of how much heavy music is progressing in our own backyard. It is just reward for a scene and genre that has never claimed to be for the masses, but through sheer weight of listening numbers has ensured long overdue acceptance in the public spotlight.
Nominees for the category this year include Alpha Wolf, Polaris, King Gizzard & The Lizard Wizard, The Amity Affliction and Parkway Drive, all bands who have played a significant role in the increased growth of heavy music both here and abroad.
To celebrate this landmark event, HEAVY tracked down Winston McCall from Parkway Drive to discuss just what something like this means to Australian heavy music.
"It's sick," he smiled. "It's awesome that they have added that category. Awards are humbling in general. I'm really stoked for more recognition for our scene and community, full stop. Because right now it just seems like… it's honestly bigger than it's ever been. The more that we can do to push that forward and make people recognise it, the better for it. For us to get an award, sweet, I'm stoked the award exists with a bunch of really, really cool bands."
As good as it is to have APRA finally recognise the heavy music community, their hand has been pushed somewhat by the continued expansion of artists within this genre. It is a sense of pride to everyone in the metal scene, and one not lost on the bigger fish like Parkway Drive.
"Yeah, 100%," McCall agreed. "And that's the way it works. At the base of that, the really cool thing is being involved in a scene where situations like that come about because of the community behind it. It's like an engaged scene of people. Everyone pays attention to everything that's going on. Everyone supports everything. Not every scene is doing as well as ours at this point in time. Post-COVID it's been difficult, but I look out there, and I see people who still care about this music that is their passion and still support it 110% and look at where it is now."
In the full interview, Winston expressed pride in the Australian music scene and the community's support for the genre, discussed his upcoming attendance at the awards night and his lack of preparation for a potential speech. The conversation also included a lighthearted exchange about sending photos of outfits and the casual approach to the event.
Winston also reflected on Parkway Drive's 20th-anniversary tour later this year, expressing gratitude for the band's journey and the community's support. He shared insights on the band's supports for the tour and discussed the challenges of managing the unexpected popularity. Additionally, Winston discussed the band's upcoming European festivals and Australian tour, hinting at new music in the works but expressing a preference to focus on the existing material during the tour.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59590846Tue, 23 Apr 2024 04:29:39 +0000HEAVY MagazineInterview by Kris Peters While the annual APRA Music Awards have always celebrated the abundance of talent coursing through the Australian musical landscape, the focus has always been on the more mainstream artists and side of the industry. Hard rock...While the annual APRA Music Awards have always celebrated the abundance of talent coursing through the Australian musical landscape, the focus has always been on the more mainstream artists and side of the industry.
Hard rock and heavy metal have long been touted for inclusion, but for varying reasons have never quite made it onto the big stage for Australia's most prestigious awards.
Until now.
The 2024 APRA Music Awards will, for the very first time, include a category which rewards and recognises this country's strong and growing stronger metal scene with the inclusion of the inaugural Most Performed Hard Rock/Heavy Metal Work category.
The point could - and will - be argued that heavy music should have been included long before this, but in the overall scheme of things, the fact this category has been introduced is recognition and vindication of how much heavy music is progressing in our own backyard. It is just reward for a scene and genre that has never claimed to be for the masses, but through sheer weight of listening numbers has ensured long overdue acceptance in the public spotlight.
Nominees for the category this year include Alpha Wolf, Polaris, King Gizzard & The Lizard Wizard, The Amity Affliction and Parkway Drive, all bands who have played a significant role in the increased growth of heavy music both here and abroad.
To celebrate this landmark event, HEAVY tracked down Winston McCall from Parkway Drive to discuss just what something like this means to Australian heavy music.
"It's sick," he smiled. "It's awesome that they have added that category. Awards are humbling in general. I'm really stoked for more recognition for our scene and community, full stop. Because right now it just seems like… it's honestly bigger than it's ever been. The more that we can do to push that forward and make people recognise it, the better for it. For us to get an award, sweet, I'm stoked the award exists with a bunch of really, really cool bands."
As good as it is to have APRA finally recognise the heavy music community, their hand has been pushed somewhat by the continued expansion of artists within this genre. It is a sense of pride to everyone in the metal scene, and one not lost on the bigger fish like Parkway Drive.
"Yeah, 100%," McCall agreed. "And that's the way it works. At the base of that, the really cool thing is being involved in a scene where situations like that come about because of the community behind it. It's like an engaged scene of people. Everyone pays attention to everything that's going on. Everyone supports everything. Not every scene is doing as well as ours at this point in time. Post-COVID it's been difficult, but I look out there, and I see people who still care about this music that is their passion and still support it 110% and look at where it is now."
In the full interview, Winston expressed pride in the Australian music scene and the community's support for the genre, discussed his upcoming attendance at the awards night and his lack of preparation for a potential speech. The conversation also included a lighthearted exchange about sending photos of outfits and the casual approach to the event.
Winston also reflected on Parkway Drive's 20th-anniversary tour later this year, expressing gratitude for the band's journey and the community's support. He shared insights on the band's supports for the tour and discussed the challenges of managing the unexpected popularity. Additionally, Winston discussed the band's upcoming European festivals and Australian tour, hinting at new music in the works but expressing a preference to focus on the existing material during the tour.

Become a supporter of this podcast: 12532024apramusicawards,alphawolf,apra,aussiemetal,australia,heavy,heavymetal,interview,krispeters,mostperformedhardrockheavymeta,parkwaydrive,podcast,polaris,theamityaffliction,tour,winstonmccalltruefullhttps://www.spreaker.com/episode/chaos-from-above-with-kynan-groundwater-from-diamond-construct--59602385Hailing from the quiet town of Taree on the New South Wales Central Coast, emerging metal outfit Diamond Construct are anything but.
Brash, loud, and in your face with no respite, Diamond Construct are a hurricane of musical intensity that is only just starting to gather real force.
Since dropping their self-titled debut album around the turn of the decade, Diamond Construct have been working tirelessly on the live circuit, landing shows with Alpha Wolf, Justice For The Damned, Stray From The Path and Bury Tomorrow, with recent times seeing them perform at CVLTFEST plus hit the road with two of the Japanese bands on the bill, Crossfaith and Paledusk.
Last year saw Diamond Construct sign with prestigious US label Pale Chord, subsequently releasing three killer singles, Hell Inside You, Switchblade OST and Jynx.
All three are taken from the band's new album Angel Killer Zero, which will be unleashed on April 26.
HEAVY caught up with Diamond Construct frontman Kynan Groundwater to find out more. We ask him if those trio of singles are a good sonic representation of what to expect from the whole album.
"I think it's a pretty big picture, but it's not the full picture," he measured. "There's so much more to dive in on in the album. When writing such a big piece and body of work like Angel Killer Zero and having that diverse sound that we've had over the years, it was hard to fit everything into just 11 songs. If anyone thinks that they've heard it all from those three, they've got another thing coming. Because there's so much on that album. There's a song for everyone."
We ask him to further explain Angel Killer Zero from a musical perspective.
"It's not a concept album, but it's definitely got themes and concepts about it that tell a bit of a story," he replied. "So, obviously from start to finish it runs smoothly together with some of the interludes, and it's got some exerts from video games and stuff that I love to play. I love the anime stuff. We've got the robotics voice introducing some of the themes about the album, so that's something that came into it earlier in the piece. Musically, it's just a big expansion of DCX2. We went back and revisited the sound of what made us popular in the first place with Psychosis and Enigma, and then we blended that with the heavier sounds from the self-titled, which we know a lot of people like as well. It was just a big meshing of that, as well as adding in so many more elements that we haven't explored yet."
In the full interview, Kynan talks more about what to expect from Angel Killer Zero, how it differs to their self-titled debut album, the anime connection and how it translates to the album, the themes explored on the album, signing with Pale Chord, their upcoming regional tour and what to expect and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59602385Tue, 23 Apr 2024 00:30:11 +0000HEAVY MagazineInterview by Kris Peters Hailing from the quiet town of Taree on the New South Wales Central Coast, emerging metal outfit Diamond Construct are anything but. Brash, loud, and in your face with no respite, Diamond Construct are a hurricane of musical...Hailing from the quiet town of Taree on the New South Wales Central Coast, emerging metal outfit Diamond Construct are anything but.
Brash, loud, and in your face with no respite, Diamond Construct are a hurricane of musical intensity that is only just starting to gather real force.
Since dropping their self-titled debut album around the turn of the decade, Diamond Construct have been working tirelessly on the live circuit, landing shows with Alpha Wolf, Justice For The Damned, Stray From The Path and Bury Tomorrow, with recent times seeing them perform at CVLTFEST plus hit the road with two of the Japanese bands on the bill, Crossfaith and Paledusk.
Last year saw Diamond Construct sign with prestigious US label Pale Chord, subsequently releasing three killer singles, Hell Inside You, Switchblade OST and Jynx.
All three are taken from the band's new album Angel Killer Zero, which will be unleashed on April 26.
HEAVY caught up with Diamond Construct frontman Kynan Groundwater to find out more. We ask him if those trio of singles are a good sonic representation of what to expect from the whole album.
"I think it's a pretty big picture, but it's not the full picture," he measured. "There's so much more to dive in on in the album. When writing such a big piece and body of work like Angel Killer Zero and having that diverse sound that we've had over the years, it was hard to fit everything into just 11 songs. If anyone thinks that they've heard it all from those three, they've got another thing coming. Because there's so much on that album. There's a song for everyone."
We ask him to further explain Angel Killer Zero from a musical perspective.
"It's not a concept album, but it's definitely got themes and concepts about it that tell a bit of a story," he replied. "So, obviously from start to finish it runs smoothly together with some of the interludes, and it's got some exerts from video games and stuff that I love to play. I love the anime stuff. We've got the robotics voice introducing some of the themes about the album, so that's something that came into it earlier in the piece. Musically, it's just a big expansion of DCX2. We went back and revisited the sound of what made us popular in the first place with Psychosis and Enigma, and then we blended that with the heavier sounds from the self-titled, which we know a lot of people like as well. It was just a big meshing of that, as well as adding in so many more elements that we haven't explored yet."
In the full interview, Kynan talks more about what to expect from Angel Killer Zero, how it differs to their self-titled debut album, the anime connection and how it translates to the album, the themes explored on the album, signing with Pale Chord, their upcoming regional tour and what to expect and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>850album,angelkillerzero,aussiemetal,australia,diamondconstruct,heavy,heavymetal,interview,krispeters,kynangroundwater,paledusk,podcasttruefullhttps://www.spreaker.com/episode/the-end-of-the-road-with-dave-baksh-from-sum-41--59588119For almost three decades now, Sum 41 have acted as a connecting force between pop punk and heavy metal. People who generally hate anything other than pure metal or pure punk found themselves intrigued by the musical amalgamations unleashed by the Canadian outfit, genuinely conflicted by their own elitist attitude and unexpected attraction to the band's music.
To say Sum 41 have never fit in is an understatement of epic proportions. But the fact remains they never wanted to.
Not even for a second.
Their music has also appeared in movies and television, taking punk and metal to places never before dreamt of, all the while displaying a contemptuous attitude towards conformity and control that has stuck with them throughout their whole career.
With the band announcing they would soon be disbanding, Sum 41 have released an album befitting of their entire service to the music industry.
Titled Heaven :x: Hell, the double album pays homage to both sides of Sum 41's musical spectrum, with Heaven being ten tracks of snarling, high-energy pop-punk while Hell consists of the same number of metal anthems with crushing riffs and solos and massive, fist-pumping hooks.
It is an album that not only sums up almost thirty years of music, but also caters to all fans of the band, offering a humbling and appreciative parting gift to their legions of supporters.
HEAVY caught up with guitarist Dave Baksh to head down the musical rabbit hole that is Sum 41.
With Heaven :x: Hell coming out last month we start by asking Baksh how the fans have reacted so far.
"It's wild," he beamed. "It is absolutely wild. I don't know if my algorithm is getting rid of the bad comments, but most of the comments have been really, really nice and gracious. After putting so much blood, sweat and tears into this record, it's nice and vindicating."
Being Sum 41's last album ever, HEAVY presses Baksh as to what sorts of things were discussed by the band leading into the writing and recording process.
"The odd thing was in the early stages of the record it wasn't even going to be a double album, let alone our last album ever," he explained. "We just all kind of mentioned - every single one of us - on a phone call with Derek that maybe we should just take all the songs we have and put them out, because there was nothing that we heard from the demos that we wanted to cut. I think thanks to that, we were able to lean into the heaviest stuff we have ever done, and lean it to that classic sound with the updated appearance."
In the full interview, Dave discussed various topics related to Sum 41's legacy. He shared insights into the intense effort and emotional experience of creating the band's last album, discussed the radio decision behind the singles, reflected on his personal preference for playing pop punk, and explained the decision to release a double album as the band's farewell. Baksh also opened up about his early experiences with punk rock and heavy metal, highlighting the challenges of merging pop-punk and heavy metal and the elitist attitude that emerged in the heavy metal community.
He emphasized that the band's musical legacy is not for them to decide, but rather for the fans to determine, and expressed his dedication to the band's work and sacrifices made for their music. Baksh also shared his plans to continue in the music industry and explore other artistic endeavors, such as voiceover work and background acting, and expressed his excitement for the future and the prospect of trying new things that take him out of his comfort zone.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59588119Mon, 22 Apr 2024 17:16:21 +0000HEAVY MagazineInterview by Kris Peters For almost three decades now, Sum 41 have acted as a connecting force between pop punk and heavy metal. People who generally hate anything other than pure metal or pure punk found themselves intrigued by the musical...For almost three decades now, Sum 41 have acted as a connecting force between pop punk and heavy metal. People who generally hate anything other than pure metal or pure punk found themselves intrigued by the musical amalgamations unleashed by the Canadian outfit, genuinely conflicted by their own elitist attitude and unexpected attraction to the band's music.
To say Sum 41 have never fit in is an understatement of epic proportions. But the fact remains they never wanted to.
Not even for a second.
Their music has also appeared in movies and television, taking punk and metal to places never before dreamt of, all the while displaying a contemptuous attitude towards conformity and control that has stuck with them throughout their whole career.
With the band announcing they would soon be disbanding, Sum 41 have released an album befitting of their entire service to the music industry.
Titled Heaven :x: Hell, the double album pays homage to both sides of Sum 41's musical spectrum, with Heaven being ten tracks of snarling, high-energy pop-punk while Hell consists of the same number of metal anthems with crushing riffs and solos and massive, fist-pumping hooks.
It is an album that not only sums up almost thirty years of music, but also caters to all fans of the band, offering a humbling and appreciative parting gift to their legions of supporters.
HEAVY caught up with guitarist Dave Baksh to head down the musical rabbit hole that is Sum 41.
With Heaven :x: Hell coming out last month we start by asking Baksh how the fans have reacted so far.
"It's wild," he beamed. "It is absolutely wild. I don't know if my algorithm is getting rid of the bad comments, but most of the comments have been really, really nice and gracious. After putting so much blood, sweat and tears into this record, it's nice and vindicating."
Being Sum 41's last album ever, HEAVY presses Baksh as to what sorts of things were discussed by the band leading into the writing and recording process.
"The odd thing was in the early stages of the record it wasn't even going to be a double album, let alone our last album ever," he explained. "We just all kind of mentioned - every single one of us - on a phone call with Derek that maybe we should just take all the songs we have and put them out, because there was nothing that we heard from the demos that we wanted to cut. I think thanks to that, we were able to lean into the heaviest stuff we have ever done, and lean it to that classic sound with the updated appearance."
In the full interview, Dave discussed various topics related to Sum 41's legacy. He shared insights into the intense effort and emotional experience of creating the band's last album, discussed the radio decision behind the singles, reflected on his personal preference for playing pop punk, and explained the decision to release a double album as the band's farewell. Baksh also opened up about his early experiences with punk rock and heavy metal, highlighting the challenges of merging pop-punk and heavy metal and the elitist attitude that emerged in the heavy metal community.
He emphasized that the band's musical legacy is not for them to decide, but rather for the fans to determine, and expressed his dedication to the band's work and sacrifices made for their music. Baksh also shared his plans to continue in the music industry and explore other artistic endeavors, such as voiceover work and background acting, and expressed his excitement for the future and the prospect of trying new things that take him out of his comfort zone.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>967album,davebaksh,hardrock,heavy,interview,krispeters,podcast,poppunk,punk,rock,sum41truefullhttps://www.spreaker.com/episode/taming-the-wolf-with-tommy-henriksen-from-crossbone-skully--59584186Rapidly rising US rock outfit Crossbone Skully have yet to even release their debut album, yet still have managed to generate a vibe and feel seldom afforded to fresh bands, no matter their genre.
But when the founding member and main man is none other than Tommy Henriksen (guitarist and musical director for Alice Cooper’s band and member of Hollywood Vampires) you can sort of get a feel as to why anticipation and respect is already at a premium.
To date Crossbone Skully have set the music world on fire with the singles Evil World Machine, The Boom Went The Boom (feat. Phil Collen), I’m Unbreakable and I Am The Wolf, furthering expectations for the band's debut album which is scheduled for release later this year via Better Noise Music.
The album features first-class recording musicians including Nikki Sixx (Mötley Crüe), Jamie Muhoberac (My Chemical Romance, John Mayer, Seal), Chris Wyse (Hollywood Vampires, Ace Frehley, the Cult, Ozzy Osbourne), Tommy Denander, Glen Sobel (Alice Cooper, Hollywood Vampires), the late UFO bassist Pete Way, and producer/mixer Mike Plotnikoff (AC/DC, My Chemical Romance, Aerosmith), with the legendary Mutt Lange (AC/DC, Def Leppard) coming out of retirement to produce.
HEAVY got the opportunity to catch up with Henriksen for a face-to-face chat last weekend while he was in Melbourne with Alice Cooper.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59584186Mon, 22 Apr 2024 13:53:24 +0000HEAVY MagazineInterview by Karly Jewell Rapidly rising US rock outfit Crossbone Skully have yet to even release their debut album, yet still have managed to generate a vibe and feel seldom afforded to fresh bands, no matter their genre. But when the founding member...Rapidly rising US rock outfit Crossbone Skully have yet to even release their debut album, yet still have managed to generate a vibe and feel seldom afforded to fresh bands, no matter their genre.
But when the founding member and main man is none other than Tommy Henriksen (guitarist and musical director for Alice Cooper’s band and member of Hollywood Vampires) you can sort of get a feel as to why anticipation and respect is already at a premium.
To date Crossbone Skully have set the music world on fire with the singles Evil World Machine, The Boom Went The Boom (feat. Phil Collen), I’m Unbreakable and I Am The Wolf, furthering expectations for the band's debut album which is scheduled for release later this year via Better Noise Music.
The album features first-class recording musicians including Nikki Sixx (Mötley Crüe), Jamie Muhoberac (My Chemical Romance, John Mayer, Seal), Chris Wyse (Hollywood Vampires, Ace Frehley, the Cult, Ozzy Osbourne), Tommy Denander, Glen Sobel (Alice Cooper, Hollywood Vampires), the late UFO bassist Pete Way, and producer/mixer Mike Plotnikoff (AC/DC, My Chemical Romance, Aerosmith), with the legendary Mutt Lange (AC/DC, Def Leppard) coming out of retirement to produce.
HEAVY got the opportunity to catch up with Henriksen for a face-to-face chat last weekend while he was in Melbourne with Alice Cooper.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1790alicecooper,betternoisemusic,crossboneskully,hardrock,heavy,hollywoodvampires,interview,podcast,rock,tommyhenriksentruefullhttps://www.spreaker.com/episode/falling-from-the-stars-with-sam-kiszka-from-greta-van-fleet--59583383It's been five long years since US rock sensations Greta Van Fleet have toured Australia, but the band have announced they are returning for a string of shows across this country and New Zealand this August with a promise to make up for lost time.
Greta Van Fleet have taken the world by storm following the breakthrough success of their 2017 EP From The Fires, which won the group Best Rock Album at the 61st Grammy Awards.
From there the band - brothers, vocalist Josh Kiszka, guitarist Jake Kiszka and bassist/keyboardist Sam Kiszka plus drummer Danny Wagner - released well-received albums Anthem of the Peaceful Army (2018) and The Battle At Garden's Gate (2021) before unveiling Starcatcher in 2023.
While their familiar brand of rock has captured the hearts and ears on a global scale, it is Greta Van Fleet's stunning live performances that have set the band apart from a multitude of similar outfits.
Sam Kiszka sat down with HEAVY recently to discuss the upcoming tour.
"This is gonna be over the top," he enthused. "It's been way too long since we've been there. And, of course, like everybody else, I'm gonna say we had a tour planned, but then for some reason everything got cancelled… But now, finally, we're gonna be there, and I'm so excited because we love Australia." 
Sam's enthusiasm is so infectious, we have to point out how refreshing it is to hear someone genuinely excited about a tour.
"I know it sounds… It's like, at every show you can say 'oh yeah, Sydney, you're my favourite city in the world', but we fucken LOVE Australia, going to the beaches and going out and seeing the wildlife," he smiled convincingly. "You can get outside of the city so quick. It feels so good to be out of town in the middle of nowhere."
We ask Sam what has changed with Greta Van Fleet since their last Australian tour in 2019.
"I guess a couple of albums," he laughed. "We've got two albums out since then, and, oh gosh… the show's a completely different experience. We're really happy to be finally coming to share the show, because we've always wanted to curate everything right down to a T. Everything. From the colour of the stage, to the light show, to the pyro that we're using and the music, and the jamming. We're, like, 'how much should we jam'… everything has changed since then. There are so many more songs that the show is so different. There's so many great moments in the show… Gosh, I'm so excited!"
In the full interview Sam talks through the live show in greater detail, speaks of the nostalgia of playing at venues like Wembley and Madison Square Garden, any difficulties the band faces going from the euphoria of a sold-out stadium show to a smaller venue performance, their new album Starcatcher and how it has been received, capturing the band's live energy on that album, winning the Grammy in 2017 and what pressures it placed on the band, the temptation to replicate a winning album formula and more.
For complete tour and ticket information, visit: gretavanfleet.com & livenation.com.au & livenation.co.nz


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59583383Mon, 22 Apr 2024 13:17:41 +0000HEAVY MagazineInterview by Kris Peters It's been five long years since US rock sensations Greta Van Fleet have toured Australia, but the band have announced they are returning for a string of shows across this country and New Zealand this August with a promise to...It's been five long years since US rock sensations Greta Van Fleet have toured Australia, but the band have announced they are returning for a string of shows across this country and New Zealand this August with a promise to make up for lost time.
Greta Van Fleet have taken the world by storm following the breakthrough success of their 2017 EP From The Fires, which won the group Best Rock Album at the 61st Grammy Awards.
From there the band - brothers, vocalist Josh Kiszka, guitarist Jake Kiszka and bassist/keyboardist Sam Kiszka plus drummer Danny Wagner - released well-received albums Anthem of the Peaceful Army (2018) and The Battle At Garden's Gate (2021) before unveiling Starcatcher in 2023.
While their familiar brand of rock has captured the hearts and ears on a global scale, it is Greta Van Fleet's stunning live performances that have set the band apart from a multitude of similar outfits.
Sam Kiszka sat down with HEAVY recently to discuss the upcoming tour.
"This is gonna be over the top," he enthused. "It's been way too long since we've been there. And, of course, like everybody else, I'm gonna say we had a tour planned, but then for some reason everything got cancelled… But now, finally, we're gonna be there, and I'm so excited because we love Australia." 
Sam's enthusiasm is so infectious, we have to point out how refreshing it is to hear someone genuinely excited about a tour.
"I know it sounds… It's like, at every show you can say 'oh yeah, Sydney, you're my favourite city in the world', but we fucken LOVE Australia, going to the beaches and going out and seeing the wildlife," he smiled convincingly. "You can get outside of the city so quick. It feels so good to be out of town in the middle of nowhere."
We ask Sam what has changed with Greta Van Fleet since their last Australian tour in 2019.
"I guess a couple of albums," he laughed. "We've got two albums out since then, and, oh gosh… the show's a completely different experience. We're really happy to be finally coming to share the show, because we've always wanted to curate everything right down to a T. Everything. From the colour of the stage, to the light show, to the pyro that we're using and the music, and the jamming. We're, like, 'how much should we jam'… everything has changed since then. There are so many more songs that the show is so different. There's so many great moments in the show… Gosh, I'm so excited!"
In the full interview Sam talks through the live show in greater detail, speaks of the nostalgia of playing at venues like Wembley and Madison Square Garden, any difficulties the band faces going from the euphoria of a sold-out stadium show to a smaller venue performance, their new album Starcatcher and how it has been received, capturing the band's live energy on that album, winning the Grammy in 2017 and what pressures it placed on the band, the temptation to replicate a winning album formula and more.
For complete tour and ticket information, visit: gretavanfleet.com & livenation.com.au & livenation.co.nz


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1216australia,gretavanfleet,hardrock,heavy,interview,krispeters,livenation,podcast,rock,samkiszka,tourtruefullhttps://www.spreaker.com/episode/finding-solace-with-the-ghost-inside--59544941Topping their last self-titled album was always going to be difficult for Californian metalcore outfit The Ghost Inside after it was named one of Loudwire's Best Rock and Metal Albums of 2020. The accolade was richly deserved for a band who have been through more lows than most, but despite sometimes insurmountable odds have always let their music do the talking.
Merging metalcore's proficiency with the frenetic urgency of punk rock, The Ghost Inside have always had an aura of familiarity mixed with chaotic schizophrenia that has allowed them to connect with audiences on a global scale. But on their new album Searching For Solace, the five-piece metal machine have raised the bar upwards once more.
Blending definitive characters of their music - honesty, vulnerability, the message, and the melody - with darker themes and expansive sonic landscapes, Searching For Solace is the perfect footprint on the journey of a band who have already proved that passion, resilience and perseverance can guide you through any setbacks.
With a little help from music, of course.
HEAVY sat down with the whole band - vocalist Jonathan Vigil, guitarists Zach Johnson and Chris Davis, bassist Jim Riley, and drummer Andrew Tkaczyk - to chat about the new album and life within The Ghost Inside.
"It's very exciting, man. We've been sitting on it for a while now," Vigil enthused about album release day. "So it's nice to see it come to fruition and see it out in the world and see people's reactions and stuff. It's exciting."
We ask the band to tell us more about the musicality on Searching For Solace.
"We feel like with the self-titled we really stuck with like The Ghost Inside formula," Riley answered. "(we) Didn't take any chances there. That record was very clear what the objective was, kind of like long before we went into it. It was going to be the band's comeback record. Lyrical themes were all there right from the beginning. And this time, I think we just felt a lot more freedom."
In the full interview, The Ghost Inside discussed their newly released album Searching for Solace and the creative process behind it. They talk about collaborating with multiple producers to explore different creative avenues and avoid limiting themselves to one specific sound. The band members also expressed their excitement for the upcoming Parkway Drive arena tour in Australia, highlighting the line-up of bands and the significance of the tour for the Australian music scene. They discussed their determination to define themselves without external influence, and their eagerness to play for both existing fans and new audiences.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59544941Fri, 19 Apr 2024 06:48:57 +0000HEAVY MagazineInterview by Kris Peters Topping their last self-titled album was always going to be difficult for Californian metalcore outfit The Ghost Inside after it was named one of Loudwire's Best Rock and Metal Albums of 2020. The accolade was richly deserved...Topping their last self-titled album was always going to be difficult for Californian metalcore outfit The Ghost Inside after it was named one of Loudwire's Best Rock and Metal Albums of 2020. The accolade was richly deserved for a band who have been through more lows than most, but despite sometimes insurmountable odds have always let their music do the talking.
Merging metalcore's proficiency with the frenetic urgency of punk rock, The Ghost Inside have always had an aura of familiarity mixed with chaotic schizophrenia that has allowed them to connect with audiences on a global scale. But on their new album Searching For Solace, the five-piece metal machine have raised the bar upwards once more.
Blending definitive characters of their music - honesty, vulnerability, the message, and the melody - with darker themes and expansive sonic landscapes, Searching For Solace is the perfect footprint on the journey of a band who have already proved that passion, resilience and perseverance can guide you through any setbacks.
With a little help from music, of course.
HEAVY sat down with the whole band - vocalist Jonathan Vigil, guitarists Zach Johnson and Chris Davis, bassist Jim Riley, and drummer Andrew Tkaczyk - to chat about the new album and life within The Ghost Inside.
"It's very exciting, man. We've been sitting on it for a while now," Vigil enthused about album release day. "So it's nice to see it come to fruition and see it out in the world and see people's reactions and stuff. It's exciting."
We ask the band to tell us more about the musicality on Searching For Solace.
"We feel like with the self-titled we really stuck with like The Ghost Inside formula," Riley answered. "(we) Didn't take any chances there. That record was very clear what the objective was, kind of like long before we went into it. It was going to be the band's comeback record. Lyrical themes were all there right from the beginning. And this time, I think we just felt a lot more freedom."
In the full interview, The Ghost Inside discussed their newly released album Searching for Solace and the creative process behind it. They talk about collaborating with multiple producers to explore different creative avenues and avoid limiting themselves to one specific sound. The band members also expressed their excitement for the upcoming Parkway Drive arena tour in Australia, highlighting the line-up of bands and the significance of the tour for the Australian music scene. They discussed their determination to define themselves without external influence, and their eagerness to play for both existing fans and new audiences.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1130album,australia,heavy,heavymetal,interview,krispeters,metalcore,metalpodcast,parkwaydrive,searchingforsolace,theghostinside,tourtruefullhttps://www.spreaker.com/episode/unleashing-the-beast-with-dave-lupton-from-flaming-wrekage--59508700For the last decade and a half the name Flaming Wrekage has been synonymous with hard, thrashy and brutal Australian music.
Since forming in Sydney in 2009 the band have raised the bar for touring and commitment in this country, constantly throwing themselves at the mercy of the metal Gods in countless trips around this country and beyond.
Not content to live on past glory, Flaming Wrekage are about to unleash their hardest-hitting record to date in the form of Terra Inferna on April 26.
Showcasing a more experimental side of the band that can only be borne from self-confidence and belief, Terra Inferna looks set to elevate Flaming Wrekage even further, with vocalist/guitarist Dave Lupton joining HEAVY to talk about the album.
"It's all systems go at the moment," he began. "I just picked up some merch from the printers this morning, so we'll be going out with the pre-orders pretty soon. It's been really good. It's an intense process, but super rewarding, much like the recording of the album, I would say. We really jammed everything we could into the time that we had and I think we've got something really special with this one. We've had a couple of singles out already, so hopefully everyone's digging it, but I'm really looking forward to getting the whole thing out. It's going to be a cathartic experience to get the whole album out on the world."
In the full interview, Dave spoke more about the upcoming album release, Terra Inferno, and the band's experimental approach to songwriting, including the use of synths, slide guitar, and percussion. He also reflected on the band's evolution and shift towards a more diverse and cohesive sound. Lupton shared insights into the band's decision to use vintage equipment for recording, emphasizing the desire to create a big, impactful sound reminiscent of classic metal albums.
The conversation also touched on the band's upcoming exclusive album launch shows in Melbourne and Sydney, where Lupton shared insights into the band's approach to preparing the set list and announced a competition for fans to win a bar tab and early merch access. Additionally, Lupton explained the intentional decision behind the band's name without the letter "C," which has become a recognizable feature of their logo.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59508700Wed, 17 Apr 2024 18:12:01 +0000HEAVY MagazineInterview by Kris Peters For the last decade and a half the name Flaming Wrekage has been synonymous with hard, thrashy and brutal Australian music. Since forming in Sydney in 2009 the band have raised the bar for touring and commitment in this...For the last decade and a half the name Flaming Wrekage has been synonymous with hard, thrashy and brutal Australian music.
Since forming in Sydney in 2009 the band have raised the bar for touring and commitment in this country, constantly throwing themselves at the mercy of the metal Gods in countless trips around this country and beyond.
Not content to live on past glory, Flaming Wrekage are about to unleash their hardest-hitting record to date in the form of Terra Inferna on April 26.
Showcasing a more experimental side of the band that can only be borne from self-confidence and belief, Terra Inferna looks set to elevate Flaming Wrekage even further, with vocalist/guitarist Dave Lupton joining HEAVY to talk about the album.
"It's all systems go at the moment," he began. "I just picked up some merch from the printers this morning, so we'll be going out with the pre-orders pretty soon. It's been really good. It's an intense process, but super rewarding, much like the recording of the album, I would say. We really jammed everything we could into the time that we had and I think we've got something really special with this one. We've had a couple of singles out already, so hopefully everyone's digging it, but I'm really looking forward to getting the whole thing out. It's going to be a cathartic experience to get the whole album out on the world."
In the full interview, Dave spoke more about the upcoming album release, Terra Inferno, and the band's experimental approach to songwriting, including the use of synths, slide guitar, and percussion. He also reflected on the band's evolution and shift towards a more diverse and cohesive sound. Lupton shared insights into the band's decision to use vintage equipment for recording, emphasizing the desire to create a big, impactful sound reminiscent of classic metal albums.
The conversation also touched on the band's upcoming exclusive album launch shows in Melbourne and Sydney, where Lupton shared insights into the band's approach to preparing the set list and announced a competition for fans to win a bar tab and early merch access. Additionally, Lupton explained the intentional decision behind the band's name without the letter "C," which has become a recognizable feature of their logo.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1318aussiemetal,davelupton,flamingwrekage,heavy,heavymetal,interview,krispeters,podcast,terrainferna,thrashmetaltruefullhttps://www.spreaker.com/episode/the-sands-of-time-with-richie-lewis-from-tumbleweed--59503784Tumbleweed have been a mainstay on the Australian music scene for over three decades, having lasted through a plethora of music cycles, phases and periods of revolution.
Throughout all they have steadfastly stayed true to their music, refusing to conform nor bow to the powers that be, instead rightfully deciding to forge their own path in music and thus create their own identity.
It is a move that sees Tumbleweed as one of the last remaining rock icons from that era, with the band not only surviving through good times and bad, but also coming out stronger because of it.
While Tumbleweed have earned the right to pick and choose their live shows, public demand for their music is still high, ensuring they are invited to perform at many Australian festivals as a major drawcard.
So far this year, Tumbleweed have seldomly graced the stage, so much so that this weekend's headlining set at Sonic Rendezvous Record Store Day will be their first - and at this stage their only - gig in their hometown of Melbourne for 2024.
To be held at Welcome To Thornbury on High Street, Northcote this Saturday, April 20, Sonic Rendezvous Record Store Day is a sonic celebration of live music and vinyl records on one of the most important days of the year, Record Store Day.
Other bands appearing include Grinding Eyes from Sydney, acclaimed all-girl rockers Hot Machine, and a cast of other celebrated bands and DJ's. There will also be a record fair happening from 12pm to 4pm with 15 of Melbourne's best vinyl venders, food trucks, cold beers and countless other tasty delights, and all for the modest amount of $20.
To find out more about the show and what has been happening in the Tumbleweed world, HEAVY tracked down frontman Richie Lewis for an entertaining chat.
"It'll be great," he enthused. "My daughter's band is playing as well, Private Wives, they're on the bill so they will be really cool. They played with us down in Melbourne a couple of years ago, but they've gotten heaps better, so that will be amazing to see them doing their thing. Grinding Eyes, I've always been a big fan of. We actually did a 7" single with them a couple of years back, and we did a cover of an old 60s song called Pathway through The Forest, which is a wonderful song by a band called The Factory. We did a bunch of shows with Grinding Eyes a couple of years ago as well, and they are amazing live. I'm looking forward to seeing the other bands as well. I know of them. I've checked them out, but it will be the first time to see Hot Machine. It's gonna be pretty awesome. Twenty bucks? I mean, twenty bucks is a 1993 price (laughs). The whole vibe of Record Store Day is a good one. I'm a big fan of records. I like vinyl. I'm not a big fan of Spotify and digital stuff."
In the full interview, Richie discussed a variety of topics related to music and their personal experiences. He talked about the upcoming music event where Tumbleweed will be performing alongside other bands, expressing enthusiasm for the line-up and sharing past experiences with some of the bands. He also discussed the appeal of Record Store Day and the resurgence of vinyl records, expressing a strong preference for the tactile and communal experience of vinyl over the convenience of digital streaming services like Spotify.
The conversation also delved into the ethical considerations of supporting artists and the growing interest in vinyl records, ultimately emphasizing the positive and inclusive atmosphere of Record Store Day events, which cater to music enthusiasts of all ages. Additionally, he discussed the promotion of Richie's solo album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59503784Wed, 17 Apr 2024 16:02:09 +0000HEAVY MagazineInterview by Kris Peters Tumbleweed have been a mainstay on the Australian music scene for over three decades, having lasted through a plethora of music cycles, phases and periods of revolution. Throughout all they have steadfastly stayed true to...Tumbleweed have been a mainstay on the Australian music scene for over three decades, having lasted through a plethora of music cycles, phases and periods of revolution.
Throughout all they have steadfastly stayed true to their music, refusing to conform nor bow to the powers that be, instead rightfully deciding to forge their own path in music and thus create their own identity.
It is a move that sees Tumbleweed as one of the last remaining rock icons from that era, with the band not only surviving through good times and bad, but also coming out stronger because of it.
While Tumbleweed have earned the right to pick and choose their live shows, public demand for their music is still high, ensuring they are invited to perform at many Australian festivals as a major drawcard.
So far this year, Tumbleweed have seldomly graced the stage, so much so that this weekend's headlining set at Sonic Rendezvous Record Store Day will be their first - and at this stage their only - gig in their hometown of Melbourne for 2024.
To be held at Welcome To Thornbury on High Street, Northcote this Saturday, April 20, Sonic Rendezvous Record Store Day is a sonic celebration of live music and vinyl records on one of the most important days of the year, Record Store Day.
Other bands appearing include Grinding Eyes from Sydney, acclaimed all-girl rockers Hot Machine, and a cast of other celebrated bands and DJ's. There will also be a record fair happening from 12pm to 4pm with 15 of Melbourne's best vinyl venders, food trucks, cold beers and countless other tasty delights, and all for the modest amount of $20.
To find out more about the show and what has been happening in the Tumbleweed world, HEAVY tracked down frontman Richie Lewis for an entertaining chat.
"It'll be great," he enthused. "My daughter's band is playing as well, Private Wives, they're on the bill so they will be really cool. They played with us down in Melbourne a couple of years ago, but they've gotten heaps better, so that will be amazing to see them doing their thing. Grinding Eyes, I've always been a big fan of. We actually did a 7" single with them a couple of years back, and we did a cover of an old 60s song called Pathway through The Forest, which is a wonderful song by a band called The Factory. We did a bunch of shows with Grinding Eyes a couple of years ago as well, and they are amazing live. I'm looking forward to seeing the other bands as well. I know of them. I've checked them out, but it will be the first time to see Hot Machine. It's gonna be pretty awesome. Twenty bucks? I mean, twenty bucks is a 1993 price (laughs). The whole vibe of Record Store Day is a good one. I'm a big fan of records. I like vinyl. I'm not a big fan of Spotify and digital stuff."
In the full interview, Richie discussed a variety of topics related to music and their personal experiences. He talked about the upcoming music event where Tumbleweed will be performing alongside other bands, expressing enthusiasm for the line-up and sharing past experiences with some of the bands. He also discussed the appeal of Record Store Day and the resurgence of vinyl records, expressing a strong preference for the tactile and communal experience of vinyl over the convenience of digital streaming services like Spotify.
The conversation also delved into the ethical considerations of supporting artists and the growing interest in vinyl records, ultimately emphasizing the positive and inclusive atmosphere of Record Store Day events, which cater to music enthusiasts of all ages. Additionally, he discussed the promotion of Richie's solo album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1239grindingeyes,heavy,hotmachine,interview,krispeters,podcast,recordstoreday,rendezvousrecordstoreday,richielewis,tumbleweed,vinyltruefullhttps://www.spreaker.com/episode/conquering-the-mountain-with-anton-ericsson-from-quantum--59498826On the surface, Swedish outfit Quantum can be best categorised as a progressive metal band, but as you start to peel back the layers a deeper, more eclectic personality emerges.
Blending elements from various genres, including prog rock, metal, late romantic era classical music, and jazz, Quantum's music output transcends just prog, diving into a more all-encompassing sonic landscape that is as captivating as it is expansive.
After the favourable response to debut EP Next Breath Of Air… Quantum are on the cusp of delivering their first full-length offering titled Down The Mountainside which draws from the above genres and more to provide a glimpse into the ever-evolving world that is Quantum.
Frontman Anton Ericsson joined HEAVY to take us deeper.
"It's an album with lots of things happening," he promised. "There's lots of heavy riffs, there's great grooves, longer chords and beautiful melodies."
We ask Ericsson to take us further into the musical nature of Down The Mountainside.
"We wrote… when I was writing the songs - they've been around for a long time some of these songs - you have some of the riffs and some of the songs done," he offered, "and you realise a lot of these songs fit together nicely so you start writing some of the other songs to fit in with those. I think one of the general sounds of this is like rock with a lot of electric elements of metal and a lot of electric elements of prog and a lot of electric elements of some jazz and some classical music as well."
In the full interview, Anton discussed their highly anticipated debut album Down The Mountainside in more depth, shared details about the album's musical influences, sonic diversity, and thematic elements as well as the deep and intense lyrical themes that explore the concept of wearing masks and alter egos in dealing with life's challenges. He also explained the rationale behind inviting Richard Henshall and Tom MacLean from Haken to contribute guitar solos to the album, detailing their previous collaboration and the transformative effect of their solos on certain tracks. Anton's eclectic music style was attributed to his diverse musical influences and intuitive writing process, and he explained that the recording process involves starting with the band, adding layers, and sometimes envisioning specific sounds from the beginning, aiming to keep the band's sound at the forefront.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59498826Wed, 17 Apr 2024 09:54:30 +0000HEAVY MagazineInterview by Kris Peters On the surface, Swedish outfit Quantum can be best categorised as a progressive metal band, but as you start to peel back the layers a deeper, more eclectic personality emerges. Blending elements from various genres, including...On the surface, Swedish outfit Quantum can be best categorised as a progressive metal band, but as you start to peel back the layers a deeper, more eclectic personality emerges.
Blending elements from various genres, including prog rock, metal, late romantic era classical music, and jazz, Quantum's music output transcends just prog, diving into a more all-encompassing sonic landscape that is as captivating as it is expansive.
After the favourable response to debut EP Next Breath Of Air… Quantum are on the cusp of delivering their first full-length offering titled Down The Mountainside which draws from the above genres and more to provide a glimpse into the ever-evolving world that is Quantum.
Frontman Anton Ericsson joined HEAVY to take us deeper.
"It's an album with lots of things happening," he promised. "There's lots of heavy riffs, there's great grooves, longer chords and beautiful melodies."
We ask Ericsson to take us further into the musical nature of Down The Mountainside.
"We wrote… when I was writing the songs - they've been around for a long time some of these songs - you have some of the riffs and some of the songs done," he offered, "and you realise a lot of these songs fit together nicely so you start writing some of the other songs to fit in with those. I think one of the general sounds of this is like rock with a lot of electric elements of metal and a lot of electric elements of prog and a lot of electric elements of some jazz and some classical music as well."
In the full interview, Anton discussed their highly anticipated debut album Down The Mountainside in more depth, shared details about the album's musical influences, sonic diversity, and thematic elements as well as the deep and intense lyrical themes that explore the concept of wearing masks and alter egos in dealing with life's challenges. He also explained the rationale behind inviting Richard Henshall and Tom MacLean from Haken to contribute guitar solos to the album, detailing their previous collaboration and the transformative effect of their solos on certain tracks. Anton's eclectic music style was attributed to his diverse musical influences and intuitive writing process, and he explained that the recording process involves starting with the band, adding layers, and sometimes envisioning specific sounds from the beginning, aiming to keep the band's sound at the forefront.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>940album,antonericsson,hardrock,heavy,interview,krispeters,podcast,progressiverock,quantum,rockfalsefullhttps://www.spreaker.com/episode/beyond-the-mortal-realm-with-andrew-craighan-from-my-dying-bride--59469300At thirty-three years young, doom/death metal outfit My Dying Bride still bite with the ferocity of a stallion, with a kick twice as ferocious.
While many would be slowing down entering this stage of their careers, My Dying Bride give the impression they are only just getting started.
Which is a frightfully sensational prospect.
With their 15th album A Mortal Binding set for release on April 19, My Dying Bride are promising fans something fresh and enticing, adding yet another chapter to the band's musical output that has seen them dominate the genre for so many years.
Featuring a revamped line-up of now-permanent guitarist Neil Blanchett and the return of drummer Dan Mullins, A Mortal Binding is signature My Dying Bride.
Only better.
Guitarist Andrew Craighan joined HEAVY to tell us more.
"To be fair, I'm quite relaxed," he measured. "I'm a little bit apprehensive because we… I don't do a lot of social media. I don't see a lot of the reactions that are happening to it, and we didn't send the album out to our friends and family and that sort of thing. So I don't really know. I'm relatively confident that we've created something that's okay, but there's a little bit of apprehension on that because I don't really know what people are gonna think. Also, I'm relieved… is probably the word, because to get an album right - I don't think you ever get an album right. You finish when you run out of money type thing and hope they're right enough, so it's been hard work. There's been a lot of hard work and a lot of blood, sweat and beards and all that kind of thing. It's kind of like… it's dead space, if you know what I mean, where you're sat with a pregnant pause; the bride is quite literally… (laughs). You've got this strange time where you can't say anything about it because you don't want to oversell it. You can't push it out and you can't send it out - you're certainly not allowed to do that - so you're just sat waiting and thinking what's next? Thankfully April 19 isn't so far away, so we'll soon see."
In the full interview, Andrew talks more about A Mortal Binding, if it's what fans would expect from the band, the singles released and how they sonically represent the album, what has changed with My Dying Bride since their last album The Ghost Of Orion, coming up with new material a


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59469300Mon, 15 Apr 2024 12:26:53 +0000HEAVY MagazineInterview by Kris Peters At thirty-three years young, doom/death metal outfit My Dying Bride still bite with the ferocity of a stallion, with a kick twice as ferocious. While many would be slowing down entering this stage of their careers, My Dying...At thirty-three years young, doom/death metal outfit My Dying Bride still bite with the ferocity of a stallion, with a kick twice as ferocious.
While many would be slowing down entering this stage of their careers, My Dying Bride give the impression they are only just getting started.
Which is a frightfully sensational prospect.
With their 15th album A Mortal Binding set for release on April 19, My Dying Bride are promising fans something fresh and enticing, adding yet another chapter to the band's musical output that has seen them dominate the genre for so many years.
Featuring a revamped line-up of now-permanent guitarist Neil Blanchett and the return of drummer Dan Mullins, A Mortal Binding is signature My Dying Bride.
Only better.
Guitarist Andrew Craighan joined HEAVY to tell us more.
"To be fair, I'm quite relaxed," he measured. "I'm a little bit apprehensive because we… I don't do a lot of social media. I don't see a lot of the reactions that are happening to it, and we didn't send the album out to our friends and family and that sort of thing. So I don't really know. I'm relatively confident that we've created something that's okay, but there's a little bit of apprehension on that because I don't really know what people are gonna think. Also, I'm relieved… is probably the word, because to get an album right - I don't think you ever get an album right. You finish when you run out of money type thing and hope they're right enough, so it's been hard work. There's been a lot of hard work and a lot of blood, sweat and beards and all that kind of thing. It's kind of like… it's dead space, if you know what I mean, where you're sat with a pregnant pause; the bride is quite literally… (laughs). You've got this strange time where you can't say anything about it because you don't want to oversell it. You can't push it out and you can't send it out - you're certainly not allowed to do that - so you're just sat waiting and thinking what's next? Thankfully April 19 isn't so far away, so we'll soon see."
In the full interview, Andrew talks more about A Mortal Binding, if it's what fans would expect from the band, the singles released and how they sonically represent the album, what has changed with My Dying Bride since their last album The Ghost Of Orion, coming up with new material a


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>934album,amortalbinding,andrewcraighan,deathmetal,doommetal,heavy,heavymetal,interview,krispeters,mydyingbride,nuclearblastrecords,podcasttruefullhttps://www.spreaker.com/episode/raw-passion-with-billie-jade--59468322Australian self-proclaimed metal diva Billie-Jade is counting down the days until the release of her debut EP XI:XI, an album both raw and unapologetically honest full of attitude and spunk while still maintaining an air of vulnerability.
After releasing her first single Horror Haus not long after electing to perform as a solo artist back in 2016, Billie-Jade has hardened and refined her sound over recent years with the help of Grammy-winning producer/mixer Mitchell Marlow (New Year’s Day, In This Moment, Stitched Up Heart).
Since tasting earlier success with Hatchet Dawn and Diamond Noir before going solo, Billie-Jade knows what it takes to be heard in the music industry and has channelled all of that rage and experience into her first solo outing XI:XI which will be released on April 19.
HEAVY caught up with Billie-Jade to find out more.
"I'm so excited," she enthused. "This has been a long time in the making. I did try to go over (to L.A.) for another writing session during COVID and got sent back (laughs). It's been a long time, and I'm just so excited to put out the ideas. There was one track I wrote in a writing session with Mitch when I first met him, which is Scream. That's the first track on the EP, and the rest I wrote with him later on. I'm just so excited to get all those ideas out together as an EP."
In the full interview, Billie-Jade discussed her upcoming debut EP XI:XI in greater detail, providing insights into the creative process behind each song and the personal significance of the title. She emphasized the empowering themes of her music and the importance of working with a producer who understands her vision and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59468322Mon, 15 Apr 2024 10:05:03 +0000HEAVY MagazineInterview by Kris Peters Australian self-proclaimed metal diva Billie-Jade is counting down the days until the release of her debut EP XI:XI, an album both raw and unapologetically honest full of attitude and spunk while still maintaining an air of...Australian self-proclaimed metal diva Billie-Jade is counting down the days until the release of her debut EP XI:XI, an album both raw and unapologetically honest full of attitude and spunk while still maintaining an air of vulnerability.
After releasing her first single Horror Haus not long after electing to perform as a solo artist back in 2016, Billie-Jade has hardened and refined her sound over recent years with the help of Grammy-winning producer/mixer Mitchell Marlow (New Year’s Day, In This Moment, Stitched Up Heart).
Since tasting earlier success with Hatchet Dawn and Diamond Noir before going solo, Billie-Jade knows what it takes to be heard in the music industry and has channelled all of that rage and experience into her first solo outing XI:XI which will be released on April 19.
HEAVY caught up with Billie-Jade to find out more.
"I'm so excited," she enthused. "This has been a long time in the making. I did try to go over (to L.A.) for another writing session during COVID and got sent back (laughs). It's been a long time, and I'm just so excited to put out the ideas. There was one track I wrote in a writing session with Mitch when I first met him, which is Scream. That's the first track on the EP, and the rest I wrote with him later on. I'm just so excited to get all those ideas out together as an EP."
In the full interview, Billie-Jade discussed her upcoming debut EP XI:XI in greater detail, providing insights into the creative process behind each song and the personal significance of the title. She emphasized the empowering themes of her music and the importance of working with a producer who understands her vision and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1017australia,billiejade,hardrock,heavy,heavymetal,interview,krispeters,podcast,rock,xi:xitruefullhttps://www.spreaker.com/episode/the-struggle-is-real-with-dave-matrise-from-jungle-rot--59466888After the disappointment at having to postpone their debut Australian tour in 2023, US death metal outfit Jungle Rot have stuck true to their promise of making it out here as soon as possible with the news they managed to find suitable dates with German black metal pioneers Rotting Christ this May.
While Rotting Christ will be celebrating 35 years of servitude to the Metal Gods, Jungle Rot will be savouring the opportunity to showcase their music to a new audience, with a plan to capture the attention and support of as many of their Australian fans as possible.
Frontman Dave Matrise joined HEAVY recently to discuss the rescheduled tour and more. With the tour just two weeks away we start by asking if he has already packed and readied himself for the long trip Down Under.
"I'm gonna start tomorrow, actually," he smiled. "We're running down the list tomorrow, and we're gonna start doing it, and I'm gonna start mentally preparing myself. That's the hardest thing, mentally preparing myself for that flight (laughs)."
Once here Jungle Rot have a brutal schedule, playing the whole run without a day off, which beckons the question does someone in their booking team dislike the band for some reason?
"No, that's how we like it," he grinned. "We'd rather be playing every night, man. When you're on tour you wanna be playing every night because if you're not, you're going to spend money, so we'd rather try and make some money and work every night (laughs)."
In the full interview, Dave discussed the band's upcoming tour in Australia, shared details about the tour schedule and his preparations for the shows and expressed his excitement for the band's first tour in Australia. The conversation also delved into the band's preference for playing shows every night and their determination to make the most of the tour.
Matrise provided insights into the band's musical style, emphasizing their old-school death metal roots and the intense, raw energy of their live performances. The chat also revolved around Jungle Rot's music and career evolution, with a focus on their songwriting process and commitment to their sound.
Additionally, they talked about their 11th studio album, A Call To Arms, and outlined their plans for future tours and new music, emphasizing their continual dedication to their craft.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59466888Mon, 15 Apr 2024 07:49:46 +0000HEAVY MagazineInterview by Kris Peters After the disappointment at having to postpone their debut Australian tour in 2023, US death metal outfit Jungle Rot have stuck true to their promise of making it out here as soon as possible with the news they managed to find...After the disappointment at having to postpone their debut Australian tour in 2023, US death metal outfit Jungle Rot have stuck true to their promise of making it out here as soon as possible with the news they managed to find suitable dates with German black metal pioneers Rotting Christ this May.
While Rotting Christ will be celebrating 35 years of servitude to the Metal Gods, Jungle Rot will be savouring the opportunity to showcase their music to a new audience, with a plan to capture the attention and support of as many of their Australian fans as possible.
Frontman Dave Matrise joined HEAVY recently to discuss the rescheduled tour and more. With the tour just two weeks away we start by asking if he has already packed and readied himself for the long trip Down Under.
"I'm gonna start tomorrow, actually," he smiled. "We're running down the list tomorrow, and we're gonna start doing it, and I'm gonna start mentally preparing myself. That's the hardest thing, mentally preparing myself for that flight (laughs)."
Once here Jungle Rot have a brutal schedule, playing the whole run without a day off, which beckons the question does someone in their booking team dislike the band for some reason?
"No, that's how we like it," he grinned. "We'd rather be playing every night, man. When you're on tour you wanna be playing every night because if you're not, you're going to spend money, so we'd rather try and make some money and work every night (laughs)."
In the full interview, Dave discussed the band's upcoming tour in Australia, shared details about the tour schedule and his preparations for the shows and expressed his excitement for the band's first tour in Australia. The conversation also delved into the band's preference for playing shows every night and their determination to make the most of the tour.
Matrise provided insights into the band's musical style, emphasizing their old-school death metal roots and the intense, raw energy of their live performances. The chat also revolved around Jungle Rot's music and career evolution, with a focus on their songwriting process and commitment to their sound.
Additionally, they talked about their 11th studio album, A Call To Arms, and outlined their plans for future tours and new music, emphasizing their continual dedication to their craft.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>615australia,davematrise,deathmetal,heavy,heavymetal,interview,junglerot,krispeters,podcast,rottingchrist,tourtruefullhttps://www.spreaker.com/episode/aiming-to-ratchet-up-with-kieren-hills-from-schkeuditzer-kreuz--59456208NSW industrial punk project Schkeuditzer Kreuz are premiering their new single Ratchet via HEAVY this Monday, capitalising on the momentum built from previous releases Joy and Second Life.
All three tracks are taken from Schkeuditzer Kreuz's album No Life Left, which came out in the last part of 2023, with Ratchet being the most diverse and eclectic representation of an album full of moods and atmospherics.
Kieren Hills, the creative force behind Schkeuditzer Kreuz, joined HEAVY this afternoon to chat about the new music.
"It's probably the most upbeat and poppier kind of songs, which is not really saying much," he smiled when asked about Ratchet. "It's all heavily distorted synth of various different kinds with industrial percussion and drumbeats. Lyrically, it's another song about how fucked in the head I am, basically (laughs).
In the full interview, Kieren runs us through Ratchet in greater detail, talks about the creepy but awesome music video, how Ratchet differs to the previous two singles, how they represent No Life Left musically, the term Industrial Synth Crust and what it translates to, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59456208Sun, 14 Apr 2024 07:01:35 +0000HEAVY MagazineInterview by Kris Peters NSW industrial punk project Schkeuditzer Kreuz are premiering their new single Ratchet via HEAVY this Monday, capitalising on the momentum built from previous releases Joy and Second Life. All three tracks are taken from...NSW industrial punk project Schkeuditzer Kreuz are premiering their new single Ratchet via HEAVY this Monday, capitalising on the momentum built from previous releases Joy and Second Life.
All three tracks are taken from Schkeuditzer Kreuz's album No Life Left, which came out in the last part of 2023, with Ratchet being the most diverse and eclectic representation of an album full of moods and atmospherics.
Kieren Hills, the creative force behind Schkeuditzer Kreuz, joined HEAVY this afternoon to chat about the new music.
"It's probably the most upbeat and poppier kind of songs, which is not really saying much," he smiled when asked about Ratchet. "It's all heavily distorted synth of various different kinds with industrial percussion and drumbeats. Lyrically, it's another song about how fucked in the head I am, basically (laughs).
In the full interview, Kieren runs us through Ratchet in greater detail, talks about the creepy but awesome music video, how Ratchet differs to the previous two singles, how they represent No Life Left musically, the term Industrial Synth Crust and what it translates to, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>692heavy,heavymetal,industrialmetal,interview,kierenhills,krispeters,podcast,premiere,ratchet,schkeuditzerkreuz,synthmetaltruefullhttps://www.spreaker.com/episode/musical-magic-with-brady-deeprose-from-conjurer--59448299With a cross pollination of varying metal genres including sludge, death, gloom, black metal and hardcore, UK heavy outfit Conjurer are one of the few modern metal bands to walk that balancing tightrope of styles without imposing too much in any direction.
Their willingness to experiment and push themselves outside of their usual comfort zones has seen the band traverse new sonic landscapes with each album, the most recent of which, 2022's Pathos, seeing the band expose their music to a wider global audience and open the musical minds of a whole new legion of fans.
After visiting Tasmania as part of Dark Mofo that same year - and absolutely slaying it from all reports - Conjurer return to this side of the world for their debut tour of mainland Australia when they start a run of shows with Lo! and Botch in Brisbane from May 15.
HEAVY sat down recently with singer/guitarist Brady Deeprose to find out more.
"We are coming on tour in Australia - which sounds insane to say out loud - (and) we're playing three headline shows and a couple of shows supporting Botch," Deeprose enthused.
We ask if he is already packed and ready to go, still one month out from the tour.
"I moved house three days ago, so I'm not even unpacked at this point," he laughed. "Last time we were in Australia we were down for Dark Mofo in Tasmania and I spent four out of the five days sick as a dog in bed, so I'm ready to get back out and actually experience some of the country. It's one of those bucket list tours that you see bands go to Australia, and it never feels like it's going to be you. We're just so thankful to have the opportunity and to be getting back out there."
We point out that it is a brutal run of five shows in five days and ask if he ever gets the feeling someone in their booking team doesn't like them.
"It's all of them, for sure," he laughed. "We're playing nine shows in ten days and then flying directly to Australia off the back of that, so we're like… I was saying to the guys I'm obviously really excited about this, but it's going to the most brutal month of touring we've ever done. We're gonna be absolutely shagged by the time we get there (laughs). We're so lucky to be able to do this. You get up, drink a couple of Red Bulls, and you make it happen. The shows are gonna be amazing."
In the full interview, Brady talks more about the tour and what to expect, visiting a country on tour for the first time and how he prepares, Conjurer's influences and where they come from, knowing how much of each genre to mix through new music and how to tell if they go too far, their status as a 'non-specific' metal band in terms of genre, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59448299Sat, 13 Apr 2024 08:12:23 +0000HEAVY MagazineInterview by Kris Peters With a cross pollination of varying metal genres including sludge, death, gloom, black metal and hardcore, UK heavy outfit Conjurer are one of the few modern metal bands to walk that balancing tightrope of styles without...With a cross pollination of varying metal genres including sludge, death, gloom, black metal and hardcore, UK heavy outfit Conjurer are one of the few modern metal bands to walk that balancing tightrope of styles without imposing too much in any direction.
Their willingness to experiment and push themselves outside of their usual comfort zones has seen the band traverse new sonic landscapes with each album, the most recent of which, 2022's Pathos, seeing the band expose their music to a wider global audience and open the musical minds of a whole new legion of fans.
After visiting Tasmania as part of Dark Mofo that same year - and absolutely slaying it from all reports - Conjurer return to this side of the world for their debut tour of mainland Australia when they start a run of shows with Lo! and Botch in Brisbane from May 15.
HEAVY sat down recently with singer/guitarist Brady Deeprose to find out more.
"We are coming on tour in Australia - which sounds insane to say out loud - (and) we're playing three headline shows and a couple of shows supporting Botch," Deeprose enthused.
We ask if he is already packed and ready to go, still one month out from the tour.
"I moved house three days ago, so I'm not even unpacked at this point," he laughed. "Last time we were in Australia we were down for Dark Mofo in Tasmania and I spent four out of the five days sick as a dog in bed, so I'm ready to get back out and actually experience some of the country. It's one of those bucket list tours that you see bands go to Australia, and it never feels like it's going to be you. We're just so thankful to have the opportunity and to be getting back out there."
We point out that it is a brutal run of five shows in five days and ask if he ever gets the feeling someone in their booking team doesn't like them.
"It's all of them, for sure," he laughed. "We're playing nine shows in ten days and then flying directly to Australia off the back of that, so we're like… I was saying to the guys I'm obviously really excited about this, but it's going to the most brutal month of touring we've ever done. We're gonna be absolutely shagged by the time we get there (laughs). We're so lucky to be able to do this. You get up, drink a couple of Red Bulls, and you make it happen. The shows are gonna be amazing."
In the full interview, Brady talks more about the tour and what to expect, visiting a country on tour for the first time and how he prepares, Conjurer's influences and where they come from, knowing how much of each genre to mix through new music and how to tell if they go too far, their status as a 'non-specific' metal band in terms of genre, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1045australia,botch,bradydeeprose,conjurer,heavy,heavymetal,interview,lo!,podcast,tourtruefullhttps://www.spreaker.com/episode/the-rise-of-the-fallen-with-exodus-rising--59373927U.S progressive metal outfit Exodus Rising have been making a stir on the music scene following the release of last year's debut album The Book Of Life.
Armed largely with a DYI approach and a firm desire to take their music to a global audience, Exodus Rising first grabbed the attention of HEAVY just prior to the release of The Book Of Life, and we have been listening with a keen interest for more advances from the band ever since.
That came recently with the arrival of the third album single The Fallen, accompanied by a visually stunning music video that captures the intense spirit coursing through Exodus Rising's musical veins.
HEAVY caught up with the band late last week to discuss The Fallen and other developments with Exodus Rising.
"Everybody's been receiving the music - and the video especially - very, very well," vocalist JSlate began. "We included two songs from the album initially, and we included our Overture because it added a lot more depth into it, and then we decided to throw in an extra interlude and put an anime-style type of feeling to breathe a lot more life and a lot more modernity."
Exodus Rising have previously released the singles Blazing Love and Paradise Lost, so we press the band on how The Fallen showcases another side of their sonic structure.
"For Paradise Lost, that was a power metal song," JSlate replied. "That was definitely full power metal and included everything within our diverse repertoire within the album. Which showcased symphonics, theatrical elements and then the classic power metal elements. For Blazing Love, that was more of a ballad - a heavier ballad - and one that was showing love in a different side of that; keeping it a bit more in tempo to prepare people to manoeuvre throughout the remainder of the album. For The Fallen, we included two songs with that. It's very theatrical and cinematic. It includes the cinematic aspect of how we want to approach our music… We want it to feel like a movie, and you're in a story and a place of space and time. For The Fallen, as a single itself, it's metal, but it's more leaning towards the hard rock elements of everything."
In the full interview Exodus Rising discuss The Fallen in greater detail, the music video and what it took to put together, which of the three singles best represents the band's sound, Christianity and heavy metal, how their faith enhances their music, the general accessibility of music and how it transcends barriers, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59373927Tue, 09 Apr 2024 19:26:34 +0000HEAVY MagazineInterview by Kris Peters U.S progressive metal outfit Exodus Rising have been making a stir on the music scene following the release of last year's debut album The Book Of Life. Armed largely with a DYI approach and a firm desire to take their music...U.S progressive metal outfit Exodus Rising have been making a stir on the music scene following the release of last year's debut album The Book Of Life.
Armed largely with a DYI approach and a firm desire to take their music to a global audience, Exodus Rising first grabbed the attention of HEAVY just prior to the release of The Book Of Life, and we have been listening with a keen interest for more advances from the band ever since.
That came recently with the arrival of the third album single The Fallen, accompanied by a visually stunning music video that captures the intense spirit coursing through Exodus Rising's musical veins.
HEAVY caught up with the band late last week to discuss The Fallen and other developments with Exodus Rising.
"Everybody's been receiving the music - and the video especially - very, very well," vocalist JSlate began. "We included two songs from the album initially, and we included our Overture because it added a lot more depth into it, and then we decided to throw in an extra interlude and put an anime-style type of feeling to breathe a lot more life and a lot more modernity."
Exodus Rising have previously released the singles Blazing Love and Paradise Lost, so we press the band on how The Fallen showcases another side of their sonic structure.
"For Paradise Lost, that was a power metal song," JSlate replied. "That was definitely full power metal and included everything within our diverse repertoire within the album. Which showcased symphonics, theatrical elements and then the classic power metal elements. For Blazing Love, that was more of a ballad - a heavier ballad - and one that was showing love in a different side of that; keeping it a bit more in tempo to prepare people to manoeuvre throughout the remainder of the album. For The Fallen, we included two songs with that. It's very theatrical and cinematic. It includes the cinematic aspect of how we want to approach our music… We want it to feel like a movie, and you're in a story and a place of space and time. For The Fallen, as a single itself, it's metal, but it's more leaning towards the hard rock elements of everything."
In the full interview Exodus Rising discuss The Fallen in greater detail, the music video and what it took to put together, which of the three singles best represents the band's sound, Christianity and heavy metal, how their faith enhances their music, the general accessibility of music and how it transcends barriers, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1537christianmetal,exodusrising,heavy,heavymetal,interview,krispeters,podcast,progressivemetal,single,thefallenfalsefullhttps://www.spreaker.com/episode/25-years-of-trip-tych-with-jeff-burrows-from-the-tea-party--59371904Iconic Canadian rock outfit The Tea Party have been mesmerizing fans around the world with their innovative music and captivating live shows for over three decades now.
While their musical output has always been in a league of its own, it is on the live stage that The Tea Party have excelled, delivering knockout performances every time they grace the stage and transfixing audiences with their almost laconic approach that never fails to entertain.
After being absent from these shores since 2019, The Tea Party will make a welcome return this June for the Trip (tych) 25 Tour, celebrating 25 years since the release of one of the band's most recognised and loved albums.
HEAVY sat down with drummer Jeff Burrows recently to talk more about the tour and an album that will go down in rock music history.
We start by asking how much focus Trip (tych) will have for the shows.
"With this tour, it's not a top to tail album sequenced show," he explained. "We're gonna play 8 or 9 - including some of the deeper cuts that we've never played before - mixed with some other B sides and deeper cuts, and of course some of the hits."
We ask what has changed with The Tea Party since they were here last five years ago.
"I think… I can honestly say it's an appreciation for where we're at," he measured, "what we've been afforded, the types of shows that we get to do. We've been doing this for over thirty years now and ask me thirty years ago if I thought I'd still be able to travel abroad and play shows in front of people who love our music and sing along with us, I never thought that would be possible. I think more grateful, communicative and the fact that it's easily the best job - if you have to call it that - in the world. There's no complaints here. It doesn't even really get harder. It kind of gets a bit easier, because we don't worry now about… back in the day we would cross Canada in a van - we've crossed Canada 13 times in a van before we were even signed - and we didn't know if we were making it to the next town. Canada's alot like Australia. You're going from Perth to Adelaide in a van, that's essentially Vancouver to Calgary in a van, and it's brutal. There's overnight drives after the show where you're still sweating because there was only one hotel. There's no showers at these tiny little clubs, so things get a little bit easier as you get a little bit older. I dunno, I think we've moved in quite well (laughs)."
In the full interview, Jeff talks more about the upcoming tour, playing songs from the album they haven't performed live before, how Trip (tych) has stood the test of time, how significant the album was in The Tea Party's career, how their sound changed from their 1991 debut to Trip (tych) and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59371904Tue, 09 Apr 2024 17:22:03 +0000HEAVY MagazineInterview by Kris Peters Iconic Canadian rock outfit The Tea Party have been mesmerizing fans around the world with their innovative music and captivating live shows for over three decades now. While their musical output has always been in a league of...Iconic Canadian rock outfit The Tea Party have been mesmerizing fans around the world with their innovative music and captivating live shows for over three decades now.
While their musical output has always been in a league of its own, it is on the live stage that The Tea Party have excelled, delivering knockout performances every time they grace the stage and transfixing audiences with their almost laconic approach that never fails to entertain.
After being absent from these shores since 2019, The Tea Party will make a welcome return this June for the Trip (tych) 25 Tour, celebrating 25 years since the release of one of the band's most recognised and loved albums.
HEAVY sat down with drummer Jeff Burrows recently to talk more about the tour and an album that will go down in rock music history.
We start by asking how much focus Trip (tych) will have for the shows.
"With this tour, it's not a top to tail album sequenced show," he explained. "We're gonna play 8 or 9 - including some of the deeper cuts that we've never played before - mixed with some other B sides and deeper cuts, and of course some of the hits."
We ask what has changed with The Tea Party since they were here last five years ago.
"I think… I can honestly say it's an appreciation for where we're at," he measured, "what we've been afforded, the types of shows that we get to do. We've been doing this for over thirty years now and ask me thirty years ago if I thought I'd still be able to travel abroad and play shows in front of people who love our music and sing along with us, I never thought that would be possible. I think more grateful, communicative and the fact that it's easily the best job - if you have to call it that - in the world. There's no complaints here. It doesn't even really get harder. It kind of gets a bit easier, because we don't worry now about… back in the day we would cross Canada in a van - we've crossed Canada 13 times in a van before we were even signed - and we didn't know if we were making it to the next town. Canada's alot like Australia. You're going from Perth to Adelaide in a van, that's essentially Vancouver to Calgary in a van, and it's brutal. There's overnight drives after the show where you're still sweating because there was only one hotel. There's no showers at these tiny little clubs, so things get a little bit easier as you get a little bit older. I dunno, I think we've moved in quite well (laughs)."
In the full interview, Jeff talks more about the upcoming tour, playing songs from the album they haven't performed live before, how Trip (tych) has stood the test of time, how significant the album was in The Tea Party's career, how their sound changed from their 1991 debut to Trip (tych) and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1288australia,heavy,interview,jeffburrows,jeffmartin,krispeters,livenation,podcast,rock,theteaparty,tour,triptych25tourtruefullhttps://www.spreaker.com/episode/lighting-the-way-with-zoltan-bathory-from-five-finger-death-punch--59297020Five Finger Death Punch have never been a band to shy away from musical experimentation and collaborating with artists outside of their comfort zone and chosen genre.
Over the years they have recorded songs with everyone from Rob Halford to Brian May to Kenny Wayne Shepherd, each time taking themselves out of their safety net and into the musical psyche of bands and artists many would not even consider sharing space with.
But perhaps the biggest collaboration of them all came when Five Finger Death Punch recorded a song with rapper/hip hop artist DMX called This Is The Way, which was originally meant to be included on their 2022 album Afterlife.
Sadly, DMX was taken from the world before that could happen, with Afterlife being released without that song in order to pay respects and tie up any lingering issues and legalities.
But now, two years later, that album is being re-released in Deluxe format with acoustic versions of album songs The End, Judgement Day, and Thanks For Asking, plus the collaboration with DMX which is already being hailed as a defining moment in metal/rap crossover history.
HEAVY sat down for a rare chat with guitarist Zoltan Bathory to go over Afterlife Deluxe.
"Great, man. This has been a long time in… we worked on it for a long, long time," he measured. "This deluxe edition of the record is coming out because at the time when we originally released this album we had this track which is the collaboration with DMX everybody is talking about and the song was meant to be on this record. However, because DMX passed, and we had to have the approval of every single person that was involved - the estate to the producers and publishers - we realised that it might take longer. And it did take a bit over a year to complete everything, and we didn't wanna wait, so we released the album without this track. But this track was always meant to be on this album. Every record you assemble, every song has a reason to be there and every song has a reason to be in that specific spot in the sequence. And so, one of my favourite records we did - Afterlife - was still missing this song and this song is important and was important to be on this record. Basically now with the deluxe edition coming out I feel like we completed the record."
In the full interview, Zoltan talks about his excitement about getting the deluxe version of Afterlife out, how This Is The Way completes the album musically, the three acoustic songs and how they broke them down, the meaning behind Judgement Day, where Afterlife stands in Five Finger Death Punch's musical evolution, collaborating with DMX and the parallels between heavy metal and hip hop, touring plans and more.
https://5fdp.ffm.to/afterlifedeluxe

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59297020Thu, 04 Apr 2024 22:06:02 +0000HEAVY MagazineInterview by Kris Peters Five Finger Death Punch have never been a band to shy away from musical experimentation and collaborating with artists outside of their comfort zone and chosen genre. Over the years they have recorded songs with everyone from...Five Finger Death Punch have never been a band to shy away from musical experimentation and collaborating with artists outside of their comfort zone and chosen genre.
Over the years they have recorded songs with everyone from Rob Halford to Brian May to Kenny Wayne Shepherd, each time taking themselves out of their safety net and into the musical psyche of bands and artists many would not even consider sharing space with.
But perhaps the biggest collaboration of them all came when Five Finger Death Punch recorded a song with rapper/hip hop artist DMX called This Is The Way, which was originally meant to be included on their 2022 album Afterlife.
Sadly, DMX was taken from the world before that could happen, with Afterlife being released without that song in order to pay respects and tie up any lingering issues and legalities.
But now, two years later, that album is being re-released in Deluxe format with acoustic versions of album songs The End, Judgement Day, and Thanks For Asking, plus the collaboration with DMX which is already being hailed as a defining moment in metal/rap crossover history.
HEAVY sat down for a rare chat with guitarist Zoltan Bathory to go over Afterlife Deluxe.
"Great, man. This has been a long time in… we worked on it for a long, long time," he measured. "This deluxe edition of the record is coming out because at the time when we originally released this album we had this track which is the collaboration with DMX everybody is talking about and the song was meant to be on this record. However, because DMX passed, and we had to have the approval of every single person that was involved - the estate to the producers and publishers - we realised that it might take longer. And it did take a bit over a year to complete everything, and we didn't wanna wait, so we released the album without this track. But this track was always meant to be on this album. Every record you assemble, every song has a reason to be there and every song has a reason to be in that specific spot in the sequence. And so, one of my favourite records we did - Afterlife - was still missing this song and this song is important and was important to be on this record. Basically now with the deluxe edition coming out I feel like we completed the record."
In the full interview, Zoltan talks about his excitement about getting the deluxe version of Afterlife out, how This Is The Way completes the album musically, the three acoustic songs and how they broke them down, the meaning behind Judgement Day, where Afterlife stands in Five Finger Death Punch's musical evolution, collaborating with DMX and the parallels between heavy metal and hip hop, touring plans and more.
https://5fdp.ffm.to/afterlifedeluxe

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1218afterlifdedeluxe,afterlife,betternoisemusic,dmx,fivefingerdeathpunch,hardrock,heavy,heavymetal,interview,krispeters,podcast,zoltanbathorytruefullhttps://www.spreaker.com/episode/uniting-musical-worlds-with-corey-glover-from-sonic-universe--59291133Corey Glover has long been recognised as one of the finest vocalists of the modern era thanks to his role as frontman for Living Colour. It would be both easy and understandable for the singer to remain in the comforting confines of Living Colour, where his vocal prowess will always be beyond reproach, but Glover has never been one to rest on his laurels.
Teaming up with guitarist Mike Orlando from Adrenaline Mob, Glover has started a fresh, vibrant project called Sonic Universe that allows him to display his chops in a different environment, with different musicians, to no less overall effect.
If the two lead singles I Am and Higher are anything to go by, Sonic Universe sees Glover step into more hard rock territory, with both songs an extension of his work with Living Colour without rewriting the rulebook to excess.
With Sonic Universe's debut album It Is What It Is scheduled for release on May 10, HEAVY scored some Facetime with the legendary vocalist to chat about his new project and more.
"All these songs are pretty personal," he began. "This song Higher, for example, is Mike's ambition at making a metal Gospel tune, and he got the right people to do it, I guess (laughs)."
We ask Glover to tell us more about Sonic Universe and how it came to be.
"Me and Mike met on a cruise, on the ShipRocked cruise, we were both stowaways on that," he laughed. "I saw Mike playing and his guitar playing was like 'Holy Shit, who is that dude?' I was like, I gotta meet this guy, so I met Mike, and it turns out we all have a bunch of mutual friends, and we know a bunch of people so it was like 'look, let's get together and do something at some point'. And that was just before the pandemic. Some time after that, we got together. I would go to his place and studio called Sonic Sound, and we just banged out a bunch of tunes over the course of two years."
In the full interview, Corey discusses Sonic Universe in greater detail, runs through each track on It Is What It Is individually and tells us more about it, why they decided to introduce the world to Sonic Universe with the song I Am, the album from a musical perspective and what they were going for, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59291133Thu, 04 Apr 2024 12:24:51 +0000HEAVY MagazineInterview by Kris Peters Corey Glover has long been recognised as one of the finest vocalists of the modern era thanks to his role as frontman for Living Colour. It would be both easy and understandable for the singer to remain in the comforting...Corey Glover has long been recognised as one of the finest vocalists of the modern era thanks to his role as frontman for Living Colour. It would be both easy and understandable for the singer to remain in the comforting confines of Living Colour, where his vocal prowess will always be beyond reproach, but Glover has never been one to rest on his laurels.
Teaming up with guitarist Mike Orlando from Adrenaline Mob, Glover has started a fresh, vibrant project called Sonic Universe that allows him to display his chops in a different environment, with different musicians, to no less overall effect.
If the two lead singles I Am and Higher are anything to go by, Sonic Universe sees Glover step into more hard rock territory, with both songs an extension of his work with Living Colour without rewriting the rulebook to excess.
With Sonic Universe's debut album It Is What It Is scheduled for release on May 10, HEAVY scored some Facetime with the legendary vocalist to chat about his new project and more.
"All these songs are pretty personal," he began. "This song Higher, for example, is Mike's ambition at making a metal Gospel tune, and he got the right people to do it, I guess (laughs)."
We ask Glover to tell us more about Sonic Universe and how it came to be.
"Me and Mike met on a cruise, on the ShipRocked cruise, we were both stowaways on that," he laughed. "I saw Mike playing and his guitar playing was like 'Holy Shit, who is that dude?' I was like, I gotta meet this guy, so I met Mike, and it turns out we all have a bunch of mutual friends, and we know a bunch of people so it was like 'look, let's get together and do something at some point'. And that was just before the pandemic. Some time after that, we got together. I would go to his place and studio called Sonic Sound, and we just banged out a bunch of tunes over the course of two years."
In the full interview, Corey discusses Sonic Universe in greater detail, runs through each track on It Is What It Is individually and tells us more about it, why they decided to introduce the world to Sonic Universe with the song I Am, the album from a musical perspective and what they were going for, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>844adrenalinemob,album,bluesrock,coreyglover,hardrock,heavy,interview,krispeters,livingcolour,mikeorlando,podcast,rock,sonicuniversefalsefullhttps://www.spreaker.com/episode/burying-your-demons-with-travis-everett-from-witchgrinder--59211667Melbourne industrial titans Witchgrinder released their highly anticipated third album, Nothing Stays Buried.
Once more revolving around horror and the macabre, Nothing Stays Buried is a meaty slab of intent from the Australian outfit, furthering the promise shown on Witchgrinder's two earlier albums but magnifying it even further.
Since the release of their debut album in 2013, Witchgrinder have systematically built up a loyal and growing fan base, scoring support slots to the likes of Ministry, Rob Zombie, Ghost, Wednesday 13, Powerman 5000, Sevendust and Drowning Pool before landing the covetted opening spot for Static X last year. The band have honed and refined their live show to reflect both their music and influences, creating an overwhelming sense of dread and foreboding that perfectly accentuates the sonic blast of agression elicited by their music.
With Nothing Stays Buried unleashed on the public, frontman Travis Everett took the time to talk with HEAVY, discussing the album in greater detail.
"This album took a while to write," he measured. "Actually, the writing didn't take so long, what it was, is there was a large gap in between from the lat album due to line-up changes and covid. Witchgrinder had a nice touring line-up, but nothing put together where I felt comfortable writing and getting back in and doing the third album. Of course, I had a lot of stuff put away with riffs over the years, but I never started really structuring anything together. With this album I looked at what the previous two had done… I had time to talk to a lot of people who listened to Witchgrinder over the years - alot of new fans and a lot of old ones - and worked out what they liked best from the first album and the second album. What songs were their favourite and what weren't. We really sat - especially me and the guitarist Scott - we sat down and spoke about what style of song we wanted one to be. We'd pick one of the old ones off the album and say we kind of want it a bit like this, but we want this one rockier. We want this one more thrash metal. But we still wanted to keep the Witchgrinder sound."
In the full interview, Travis talks more about the writing process for Nothing Stays Buried, the musical direction of the album, the band's upcoming tour plus he runs us through each track on Nothing Stays Buried in greater depth.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59211667Thu, 28 Mar 2024 19:36:58 +0000HEAVY MagazineInterview by Kris Peters Melbourne industrial titans Witchgrinder released their highly anticipated third album, Nothing Stays Buried. Once more revolving around horror and the macabre, Nothing Stays Buried is a meaty slab of intent from the...Melbourne industrial titans Witchgrinder released their highly anticipated third album, Nothing Stays Buried.
Once more revolving around horror and the macabre, Nothing Stays Buried is a meaty slab of intent from the Australian outfit, furthering the promise shown on Witchgrinder's two earlier albums but magnifying it even further.
Since the release of their debut album in 2013, Witchgrinder have systematically built up a loyal and growing fan base, scoring support slots to the likes of Ministry, Rob Zombie, Ghost, Wednesday 13, Powerman 5000, Sevendust and Drowning Pool before landing the covetted opening spot for Static X last year. The band have honed and refined their live show to reflect both their music and influences, creating an overwhelming sense of dread and foreboding that perfectly accentuates the sonic blast of agression elicited by their music.
With Nothing Stays Buried unleashed on the public, frontman Travis Everett took the time to talk with HEAVY, discussing the album in greater detail.
"This album took a while to write," he measured. "Actually, the writing didn't take so long, what it was, is there was a large gap in between from the lat album due to line-up changes and covid. Witchgrinder had a nice touring line-up, but nothing put together where I felt comfortable writing and getting back in and doing the third album. Of course, I had a lot of stuff put away with riffs over the years, but I never started really structuring anything together. With this album I looked at what the previous two had done… I had time to talk to a lot of people who listened to Witchgrinder over the years - alot of new fans and a lot of old ones - and worked out what they liked best from the first album and the second album. What songs were their favourite and what weren't. We really sat - especially me and the guitarist Scott - we sat down and spoke about what style of song we wanted one to be. We'd pick one of the old ones off the album and say we kind of want it a bit like this, but we want this one rockier. We want this one more thrash metal. But we still wanted to keep the Witchgrinder sound."
In the full interview, Travis talks more about the writing process for Nothing Stays Buried, the musical direction of the album, the band's upcoming tour plus he runs us through each track on Nothing Stays Buried in greater depth.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1444album,australia,hardrock,heavy,heavymetal,industrialmetal,interview,podcast,tour,witchgrindertruefullhttps://www.spreaker.com/episode/keeping-the-wolves-at-bay-with-kim-salmon-from-beasts--59210991Australian blues/rock outfit Beasts Of Bourbon have been a mainstay of the Aussie music scene for over 40 years, blending a blues-infused swagger with sleazy rock and tonnes of attitude to create a musical aura that is as much about the musicians who make up the band as it is the music itself.
Originally formed with James Baker on drums (ex-Hoodoo Gurus, The Scientists), Spencer P. Jones on guitar (The Johnnys), Tex Perkins on vocals (Dum Dums), Kim Salmon on guitar and Boris Sujdovic on bass guitar (both ex-The Scientists), the Beasts Of Bourbon went through several line-up changes over the years, with Tex Perkins and Jones being the only regular contributors.
After disbanding in 1985 following their debut album The Axeman's Jazz it seemed the music of Beasts Of Bourbon would be lost into the channels of Australian history but they reformed just two years later and released a second album Sour Mash the following year.
Several albums followed, culminating in 2007s Little Animals before Beasts Of Bourbon disbanded once more, seemingly for good.
2013 saw a couple of select 30th anniversary shows before another slide into the unknown until 2019 when the band re-emerged under the shortened name of Beasts.
After a new album Still Here came out in 2019 Beasts went back into slumber, resurfacing last year for 40th anniversary celebrations, with the response being so overwhelmingly positive that the band are on the cusp of undertaking a six-date nation tour with the intention of taking their music and legacy even further than the two shows last year allowed.
HEAVY caught up with guitarist Kim Salmon to find out more.
"It has been a while, really, since we've done any touring in earnest with this band," he nodded. "It was just before the pandemic, so probably four years. We did a couple of shows last year with our original drummer James Baker, and we recorded that and we were so excited about that recording that we thought we'd take it out on the road. We're going to actually release some of this stuff. This is a beauty."
We mention that HEAVY is a big fan of live albums, to which Salmon replied, "me too. There's been some good ones over the years. There's also been some less than good ones, but this one I think is… we were gonna call it… Tex and I were talking about it (laughs) and throwing titles around, and we thought how about The Best Live Album Ever Recorded or The Best Live Album Ever, but I had this thing… like there's Slade Alive and Kiss Alive, so I thought why not Beasts Alive? So we're putting that out through a French label called Beast Records. But that won't be out until September, I think. We've got a five track 12" that will only be available at the gig and that's some tracks taken from that recording."
In the full interview, Kim talks more about the tour and what to expect, if he still enjoys touring after so much time on the road, the enduring success of Beasts and why, the rocky road to success, changing the band name from Beasts Of Bourbon to Beasts and why, their debut album The Axeman's Jazz and his thought of it 40 years later, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59210991Thu, 28 Mar 2024 18:15:43 +0000HEAVY MagazineInterview by Kris Peters Australian blues/rock outfit Beasts Of Bourbon have been a mainstay of the Aussie music scene for over 40 years, blending a blues-infused swagger with sleazy rock and tonnes of attitude to create a musical aura that is as much...Australian blues/rock outfit Beasts Of Bourbon have been a mainstay of the Aussie music scene for over 40 years, blending a blues-infused swagger with sleazy rock and tonnes of attitude to create a musical aura that is as much about the musicians who make up the band as it is the music itself.
Originally formed with James Baker on drums (ex-Hoodoo Gurus, The Scientists), Spencer P. Jones on guitar (The Johnnys), Tex Perkins on vocals (Dum Dums), Kim Salmon on guitar and Boris Sujdovic on bass guitar (both ex-The Scientists), the Beasts Of Bourbon went through several line-up changes over the years, with Tex Perkins and Jones being the only regular contributors.
After disbanding in 1985 following their debut album The Axeman's Jazz it seemed the music of Beasts Of Bourbon would be lost into the channels of Australian history but they reformed just two years later and released a second album Sour Mash the following year.
Several albums followed, culminating in 2007s Little Animals before Beasts Of Bourbon disbanded once more, seemingly for good.
2013 saw a couple of select 30th anniversary shows before another slide into the unknown until 2019 when the band re-emerged under the shortened name of Beasts.
After a new album Still Here came out in 2019 Beasts went back into slumber, resurfacing last year for 40th anniversary celebrations, with the response being so overwhelmingly positive that the band are on the cusp of undertaking a six-date nation tour with the intention of taking their music and legacy even further than the two shows last year allowed.
HEAVY caught up with guitarist Kim Salmon to find out more.
"It has been a while, really, since we've done any touring in earnest with this band," he nodded. "It was just before the pandemic, so probably four years. We did a couple of shows last year with our original drummer James Baker, and we recorded that and we were so excited about that recording that we thought we'd take it out on the road. We're going to actually release some of this stuff. This is a beauty."
We mention that HEAVY is a big fan of live albums, to which Salmon replied, "me too. There's been some good ones over the years. There's also been some less than good ones, but this one I think is… we were gonna call it… Tex and I were talking about it (laughs) and throwing titles around, and we thought how about The Best Live Album Ever Recorded or The Best Live Album Ever, but I had this thing… like there's Slade Alive and Kiss Alive, so I thought why not Beasts Alive? So we're putting that out through a French label called Beast Records. But that won't be out until September, I think. We've got a five track 12" that will only be available at the gig and that's some tracks taken from that recording."
In the full interview, Kim talks more about the tour and what to expect, if he still enjoys touring after so much time on the road, the enduring success of Beasts and why, the rocky road to success, changing the band name from Beasts Of Bourbon to Beasts and why, their debut album The Axeman's Jazz and his thought of it 40 years later, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1069australia,beasts,beastsofbourbon,blues,heavy,interview,kimsalmon,krispeters,podcast,rock,texperkins,tourfalsefullhttps://www.spreaker.com/episode/rekindling-the-flame-with-brandon-boyd-from-incubus--59209597Since their inception in 1991 US rock outfit Incubus have defied the laws and conventions of music by shading outside the lines and creating their own brand of sonic retribution.
Their music was different and experimental, while still maintaining a rock-infused underbelly that provided a meaty backbone that stood tall through a myriad of musical disparities that combined to create the perfect sonic storm.
With three consecutive albums that pushed the envelope further than ever before S.C.I.E.N.C.E. (1997), Make Yourself (1999) and Morning View (2001), Incubus and their music quickly gained global attention and transformed what was once a personal odyssey into more of a worldwide phenomenon.
Such is the band's enduring legacy, they have re-recorded Morning View and will release it on May 10 with the title Morning View XXIII, but first they are making a long overdue return to Australia for a run of shows with fellow rockers Live this April.
As well as five national co-headlining shows with Live, Incubus will also appear at the inaugural Lookout Festival, an outdoor event on some of the country's most iconic stages alongside Live, Birds Of Tokyo, Eskimo Joe and The Superjesus.
HEAVY was fortunate enough to speak with Incubus frontman Brandon Boyd on the eve of the tour.
"I think this is probably the most extensive tour of Australia we will have done," he smiled. "I could be wrong about that, but I don't remember having played… I think it's eight or nine shows by itself, just in Australia. I'm excited."
This will be Incubus' first trip to Australia since 2018, so we cheekily ask Boyd why the band has neglected us for so long.
"(laughs) Something happened in the world sometime after 2019 that made it so travelling was really tough," he replied. "I don't remember exactly what it was, but something happened that kept us off aeroplanes and stuff (laughs). We're sorry it's taken us so long, but we're really excited to make our way back, and we're thrilled to be able to do these shows with the band Live as well."
On the subject of Live, we ask why they were chosen to be touring partners with Incubus on this run.
"This is something that honestly would not have occurred to me," he measured, "to put our bands together to do this. It came through other channels to potentially pair us up to tour, but when we heard about it being a possibility, all of us were very enthusiastic about the idea because Live was one of those bands when I was growing up that just had some bangers. They've got some tracks that are just killer, and I've actually never seen them play live, so it's pretty awesome to go on tour with a band that you enjoy, but you've never had the pleasure of seeing live. So this will be my introduction to them formally."
In the full interview we discuss the tour in greater detail, Lookout Festival and playing with Australian bands, what has changed in the 6 years since Incubus last toured Australia, the different excitement he gets from playing outdoor festivals compared to indoor arenas, re-recording Morning View, how well the music from that album has stood the test of time, if and how crowds respond differently to the songs from that album two decades later and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59209597Thu, 28 Mar 2024 16:41:15 +0000HEAVY MagazineInterview by Kris Peters Since their inception in 1991 US rock outfit Incubus have defied the laws and conventions of music by shading outside the lines and creating their own brand of sonic retribution. Their music was different and experimental,...Since their inception in 1991 US rock outfit Incubus have defied the laws and conventions of music by shading outside the lines and creating their own brand of sonic retribution.
Their music was different and experimental, while still maintaining a rock-infused underbelly that provided a meaty backbone that stood tall through a myriad of musical disparities that combined to create the perfect sonic storm.
With three consecutive albums that pushed the envelope further than ever before S.C.I.E.N.C.E. (1997), Make Yourself (1999) and Morning View (2001), Incubus and their music quickly gained global attention and transformed what was once a personal odyssey into more of a worldwide phenomenon.
Such is the band's enduring legacy, they have re-recorded Morning View and will release it on May 10 with the title Morning View XXIII, but first they are making a long overdue return to Australia for a run of shows with fellow rockers Live this April.
As well as five national co-headlining shows with Live, Incubus will also appear at the inaugural Lookout Festival, an outdoor event on some of the country's most iconic stages alongside Live, Birds Of Tokyo, Eskimo Joe and The Superjesus.
HEAVY was fortunate enough to speak with Incubus frontman Brandon Boyd on the eve of the tour.
"I think this is probably the most extensive tour of Australia we will have done," he smiled. "I could be wrong about that, but I don't remember having played… I think it's eight or nine shows by itself, just in Australia. I'm excited."
This will be Incubus' first trip to Australia since 2018, so we cheekily ask Boyd why the band has neglected us for so long.
"(laughs) Something happened in the world sometime after 2019 that made it so travelling was really tough," he replied. "I don't remember exactly what it was, but something happened that kept us off aeroplanes and stuff (laughs). We're sorry it's taken us so long, but we're really excited to make our way back, and we're thrilled to be able to do these shows with the band Live as well."
On the subject of Live, we ask why they were chosen to be touring partners with Incubus on this run.
"This is something that honestly would not have occurred to me," he measured, "to put our bands together to do this. It came through other channels to potentially pair us up to tour, but when we heard about it being a possibility, all of us were very enthusiastic about the idea because Live was one of those bands when I was growing up that just had some bangers. They've got some tracks that are just killer, and I've actually never seen them play live, so it's pretty awesome to go on tour with a band that you enjoy, but you've never had the pleasure of seeing live. So this will be my introduction to them formally."
In the full interview we discuss the tour in greater detail, Lookout Festival and playing with Australian bands, what has changed in the 6 years since Incubus last toured Australia, the different excitement he gets from playing outdoor festivals compared to indoor arenas, re-recording Morning View, how well the music from that album has stood the test of time, if and how crowds respond differently to the songs from that album two decades later and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>863australia,birdsoftokyo,brandonboyd,eskimojoe,hardrock,heavy,incubus,interview,krispeters,live,lookoutfestival,morningview,podcast,rock,thesuperjesus,tourtruefullhttps://www.spreaker.com/episode/finding-a-cure-with-erra--58620280HEAVY spoke with the band just before their Brisbane show at Fortitude Music Hall.
VIDEO WAS FILMED LIVE FROM SOUNDCHECK SO SOUND QUALITY MAY FLUCTUATE


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58620280Thu, 28 Mar 2024 00:53:38 +0000HEAVY MagazineFollowing a recent successful tour of Australia with Northlane, metalcore legends ERRA are now readying for the release of their new album Cure, which is released on April 5. HEAVY spoke with the band just before their Brisbane show at Fortitude Music...HEAVY spoke with the band just before their Brisbane show at Fortitude Music Hall.
VIDEO WAS FILMED LIVE FROM SOUNDCHECK SO SOUND QUALITY MAY FLUCTUATE


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1368album,cure,erra,heavy,heavymetal,interview,krispeters,metalcore,podcast,unfdtruefullhttps://www.spreaker.com/episode/rolling-out-the-welcome-mat-with-jarryd-rodger-from-roswell-deathsquad--59149511Melbourne metalcore/deathcore/techdeath outfit Roswell DeathSquad have been making waves since the release of their debut album Welcome Home in January this year.
Which isn't surprising given the pedigree of musicians within the band's ranks. Featuring past and present members of Festation, Harlott, Carthus, Mistress of Misery and Fear the Fallen, Roswell DeathSquad have not only the hunger to succeed but also the experience, which is an almost forgotten prerequisite for success in the modern age.
After playing their first live show back in August last year, Roswell Deathsquad are hoping to convert even more fans on March 30 when they play a belated album launch show at the Workers Club in Melbourne.
Vocalist Jarryd Rodger joined HEAVY to talk about the album and more.
"Pretty good," he replied when we asked how Welcome Home has been received. "A lot of feedback that we have had has been absolutely phenomenal. Whether it be old mate down the street or a few people overseas, everyone has been loving it. It hits the heavy mark, it hits the metalcore mark as well, so it gives everyone a bit of everything rather than getting stale which is what we aim for. It's been received a lot better than we anticipated, especially releasing it randomly at the start of the year. Our Spotify numbers are sitting at 2 to 3000 every month and for a new band that no-one really knows that's good."
In the full interview, Jarryd talks more about Welcome Home, what they were going for musically with it, what things they focussed on going into album number one, the themes and points of interest, the members other bands and how much of each they bring to Roswell DeathSquad's sound, their blending of music and how it works, next week's album launch and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59149511Sat, 23 Mar 2024 20:38:57 +0000HEAVY MagazineInterview by Kris Peters Melbourne metalcore/deathcore/techdeath outfit Roswell DeathSquad have been making waves since the release of their debut album Welcome Home in January this year. Which isn't surprising given the pedigree of musicians within...Melbourne metalcore/deathcore/techdeath outfit Roswell DeathSquad have been making waves since the release of their debut album Welcome Home in January this year.
Which isn't surprising given the pedigree of musicians within the band's ranks. Featuring past and present members of Festation, Harlott, Carthus, Mistress of Misery and Fear the Fallen, Roswell DeathSquad have not only the hunger to succeed but also the experience, which is an almost forgotten prerequisite for success in the modern age.
After playing their first live show back in August last year, Roswell Deathsquad are hoping to convert even more fans on March 30 when they play a belated album launch show at the Workers Club in Melbourne.
Vocalist Jarryd Rodger joined HEAVY to talk about the album and more.
"Pretty good," he replied when we asked how Welcome Home has been received. "A lot of feedback that we have had has been absolutely phenomenal. Whether it be old mate down the street or a few people overseas, everyone has been loving it. It hits the heavy mark, it hits the metalcore mark as well, so it gives everyone a bit of everything rather than getting stale which is what we aim for. It's been received a lot better than we anticipated, especially releasing it randomly at the start of the year. Our Spotify numbers are sitting at 2 to 3000 every month and for a new band that no-one really knows that's good."
In the full interview, Jarryd talks more about Welcome Home, what they were going for musically with it, what things they focussed on going into album number one, the themes and points of interest, the members other bands and how much of each they bring to Roswell DeathSquad's sound, their blending of music and how it works, next week's album launch and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>961australia,deathmetal,heavy,heavymetal,interview,krispeters,podcast,roswelldeathsquad,techmetaltruefullhttps://www.spreaker.com/episode/backstage-at-cvltfest-with-diamond-construct--59149198CVLTFEST came to Brisbane’s Eaton’s Hill Hotel recently, bringing with it a tornado of hard rock and metal performed by some of this country’s headline bands as well as some that should one day attain that status themselves.
But it wasn’t just a celebration of Australian music, with organisers Alpha Wolf assembling a strong volley of international acts from Japan – Crossfaith, Paledusk – New York – Emmure – and France – ten56. It was a coming together of music, cultures and music lovers under one magnificent roof in one afternoon/ evening.
Not that HEAVY got to see much of the action unfolding on stage because we were hidden away on the first floor of the hotel, lying in wait for unsuspecting musicians to enter our line of sight so we could strap them to the casting couch and ask a few questions.
Today we bring to you our chat with Kynan Groundwater from local band Diamond Construct.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59149198Sat, 23 Mar 2024 20:01:09 +0000HEAVY MagazineInterview by Kris Peters CVLTFEST came to Brisbane’s Eaton’s Hill Hotel recently, bringing with it a tornado of hard rock and metal performed by some of this country’s headline bands as well as some that should one day attain that status themselves....CVLTFEST came to Brisbane’s Eaton’s Hill Hotel recently, bringing with it a tornado of hard rock and metal performed by some of this country’s headline bands as well as some that should one day attain that status themselves.
But it wasn’t just a celebration of Australian music, with organisers Alpha Wolf assembling a strong volley of international acts from Japan – Crossfaith, Paledusk – New York – Emmure – and France – ten56. It was a coming together of music, cultures and music lovers under one magnificent roof in one afternoon/ evening.
Not that HEAVY got to see much of the action unfolding on stage because we were hidden away on the first floor of the hotel, lying in wait for unsuspecting musicians to enter our line of sight so we could strap them to the casting couch and ask a few questions.
Today we bring to you our chat with Kynan Groundwater from local band Diamond Construct.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>471alphawold,crossfaith,cvltfest,diamondconstruct,eatonshill,emmure,festival,heavy,interview,krispeters,paledusk,podcasttruefullhttps://www.spreaker.com/episode/better-late-than-never-with-stephen-brodsky-from-cave-in--59148802It's hard to believe any international band could have been around long enough to earn legendary status yet not have toured this country before.
Not that Australians feel entitled or big-headed and therefore expect such bands to tour here - quite the opposite. It's more because Australians generally need some form of tangible connection with a band or musician before being able to usher those words of adulation. So basically we need to have some form of sonic ownership, which, I guess, is a little entitled but let's not split hairs shall we?
Because the point of this conversation is that legendary US metal/hardcore pioneers Cave In have finally locked in some dates Down Under, coming out with post metal outfit The Ocean and Danish label mates LLRR for a string of shows starting in June.
A band considered by many to have been ahead of their time, Cave In were instrumental in introducing metalcore to the masses before exploring a plethora of musical avenues including psychedelic rock infused metal. With the band enjoying renewed success following the addition of Converge bassist Nate Newton to cover the tragic loss of Caleb Schofield in 2018, Cave In released Heavy Pendulum in 2022 which brought together the many and varied musical influences explored over their six previous albums and introduced the band to a fresh legion of fans that continues to grow to this day.
HEAVY recently spoke with singer/guitarist Stephen Brodsky about their first ever trip to Australia, starting with why the band has neglected us for so long.
"That is a great question," he laughed. "It will be my second time over there. Another band that I play in called Old Man Gloom toured there with Converge about 10 years ago, but I do remember in my travels there definitely is some Cave In fans saying when are you gonna bring Cave In over, we've been waiting, and that was ten years ago (laughs). Sometimes it's just… especially with international tours for bands at our level to work out something where we're not just breaking even or eating it is hard. Those offers don't come our way very often, so we were able to work something out for this one, and we're all very stoked on all the logistics and the inner workings of the offer itself. It made sense, so we're finally doing it. The idea just had to marinate a little bit."
In the full interview, Stephen talks more about their first tour and what they are expecting, what we can expect from them, coming with The Ocean and LLRR and why the three bands will work well together, the early days of Cave In and where they fit in, how they were ahead of their time, their debut album Until Your Heart Stops and if he is still happy with it, their musical tastes and how each influences the band's music, reforming after the death of Caleb and the difficulties associated with coming back, Heavy Pendulum and the way it covers the back catalogue of Cave In and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59148802Sat, 23 Mar 2024 19:11:38 +0000HEAVY MagazineInterview by Kris Peters It's hard to believe any international band could have been around long enough to earn legendary status yet not have toured this country before. Not that Australians feel entitled or big-headed and therefore expect such bands...It's hard to believe any international band could have been around long enough to earn legendary status yet not have toured this country before.
Not that Australians feel entitled or big-headed and therefore expect such bands to tour here - quite the opposite. It's more because Australians generally need some form of tangible connection with a band or musician before being able to usher those words of adulation. So basically we need to have some form of sonic ownership, which, I guess, is a little entitled but let's not split hairs shall we?
Because the point of this conversation is that legendary US metal/hardcore pioneers Cave In have finally locked in some dates Down Under, coming out with post metal outfit The Ocean and Danish label mates LLRR for a string of shows starting in June.
A band considered by many to have been ahead of their time, Cave In were instrumental in introducing metalcore to the masses before exploring a plethora of musical avenues including psychedelic rock infused metal. With the band enjoying renewed success following the addition of Converge bassist Nate Newton to cover the tragic loss of Caleb Schofield in 2018, Cave In released Heavy Pendulum in 2022 which brought together the many and varied musical influences explored over their six previous albums and introduced the band to a fresh legion of fans that continues to grow to this day.
HEAVY recently spoke with singer/guitarist Stephen Brodsky about their first ever trip to Australia, starting with why the band has neglected us for so long.
"That is a great question," he laughed. "It will be my second time over there. Another band that I play in called Old Man Gloom toured there with Converge about 10 years ago, but I do remember in my travels there definitely is some Cave In fans saying when are you gonna bring Cave In over, we've been waiting, and that was ten years ago (laughs). Sometimes it's just… especially with international tours for bands at our level to work out something where we're not just breaking even or eating it is hard. Those offers don't come our way very often, so we were able to work something out for this one, and we're all very stoked on all the logistics and the inner workings of the offer itself. It made sense, so we're finally doing it. The idea just had to marinate a little bit."
In the full interview, Stephen talks more about their first tour and what they are expecting, what we can expect from them, coming with The Ocean and LLRR and why the three bands will work well together, the early days of Cave In and where they fit in, how they were ahead of their time, their debut album Until Your Heart Stops and if he is still happy with it, their musical tastes and how each influences the band's music, reforming after the death of Caleb and the difficulties associated with coming back, Heavy Pendulum and the way it covers the back catalogue of Cave In and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>744australia,cavein,hardcore,hardrock,heavy,heavymetal,interview,krispeters,llrr,metalcore,podcast,theocean,tourtruefullhttps://www.spreaker.com/episode/rough-terrain-with-andre-terence-steven-from-locrian--59148456Experimental metal outfit Locrian are counting down the days until the release of their new album End Terrain on April 5.
Officially endorsed as the proper follow-up to 2015's Infinite Dissolution, End Terrain sees Locrian return to the sounds that defined the earlier part of their music, more experimental and forthright than previous album New Catastrophism while still managing to weave a common thread of musicality that is the band's lifeblood.
More complex and layered than ever before, Locrian have struck a powerful balance between metal genres, creating a sonic tapestry of epic proportions that encompasses the band's continued growth.
HEAVY recently spoke with André Foisy (electric, 12-string, acoustic guitars), Terence Hannum (synthesizers, vocals, tape loops) and Steven Hess (drums, electronics) recently, reflecting on their evolution as songwriters, their experimentation with different sounds and effects, and their approach to creating new music, emphasizing their experimental and collaborative process. The band members also discussed their influences from genres like death metal and thrash, and how they incorporate these elements into their music to create a cohesive body of work that blends different styles.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59148456Sat, 23 Mar 2024 18:05:41 +0000HEAVY MagazineInterview by Kris Peters Experimental metal outfit Locrian are counting down the days until the release of their new album End Terrain on April 5. Officially endorsed as the proper follow-up to 2015's Infinite Dissolution, End Terrain sees Locrian...Experimental metal outfit Locrian are counting down the days until the release of their new album End Terrain on April 5.
Officially endorsed as the proper follow-up to 2015's Infinite Dissolution, End Terrain sees Locrian return to the sounds that defined the earlier part of their music, more experimental and forthright than previous album New Catastrophism while still managing to weave a common thread of musicality that is the band's lifeblood.
More complex and layered than ever before, Locrian have struck a powerful balance between metal genres, creating a sonic tapestry of epic proportions that encompasses the band's continued growth.
HEAVY recently spoke with André Foisy (electric, 12-string, acoustic guitars), Terence Hannum (synthesizers, vocals, tape loops) and Steven Hess (drums, electronics) recently, reflecting on their evolution as songwriters, their experimentation with different sounds and effects, and their approach to creating new music, emphasizing their experimental and collaborative process. The band members also discussed their influences from genres like death metal and thrash, and how they incorporate these elements into their music to create a cohesive body of work that blends different styles.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1305album,disciplinepr,endterrain,experimentalrock,heavy,heavymetal,interview,krispeters,locrian,podcast,rocktruefullhttps://www.spreaker.com/episode/unlocking-the-secrets-of-the-knotfest-museum-with-caelin-meredith--59064220One of the lesser known wonders of the travelling Knotfest music extravaganza is the Knotfest Museum.
An extension of the music program, the Knotfest Museum is more than a distraction tacked on as an afterthought. 
Much more.
Everything on display is 100% genuine Slipknot, with the band members offering up personal items to be showcased as well as perfectly curated extras from Slipknot Museum Global Manager Caelin Meredith.
In collaboration with the band, Meredith oversees the entire production and assembling of the museum, from shipping the contents out to Australia to attending at Knotfest to make each experience as personal as possible.
This year sees the Slipknot Museum celebrate next year's 25th anniversary of Slipknot, with added features such as a dedicated album display, playable instruments and much more.
Meredith joined HEAVY this morning to explore the many wonders of the Slipknot Museum.
"Basically, for Knotfest I bring the museum, and it's the band's representation at the festival," she began. "This year we're bringing a 25-year retrospective, so we're starting from Iowa in 1999, and you will basically walk the album cycles from their beginning to now. And we've pulled key pieces that represent each of the albums, so whether it's wardrobe, or whether it's musical instruments… the fans will also have the opportunity to play some of the instruments. So Mick's guitar, Jim's guitar, V-Man's bass and all the settings are on the quad quartex to their specifications, so as you're playing you're gonna hear it how V-Man plays it. We're bringing some rad art from Clown and some secret surprises, so it's for the Slipknot fan, but it's also for the Knotfest fan. It's to celebrate their 25-year anniversary, so it's a really big deal, and I'm excited to bring it back to Australia."
In the full interview, Caelin talks more about the Knotfest Museum, what to expect, more of the wonders contained within, some of the rarities, the interactive aspects, Slipknot's 25th anniversary and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59064220Sat, 16 Mar 2024 04:16:45 +0000HEAVY MagazineInterview by Kris Peters One of the lesser known wonders of the travelling Knotfest music extravaganza is the Knotfest Museum. An extension of the music program, the Knotfest Museum is more than a distraction tacked on as an afterthought.  Much more....One of the lesser known wonders of the travelling Knotfest music extravaganza is the Knotfest Museum.
An extension of the music program, the Knotfest Museum is more than a distraction tacked on as an afterthought. 
Much more.
Everything on display is 100% genuine Slipknot, with the band members offering up personal items to be showcased as well as perfectly curated extras from Slipknot Museum Global Manager Caelin Meredith.
In collaboration with the band, Meredith oversees the entire production and assembling of the museum, from shipping the contents out to Australia to attending at Knotfest to make each experience as personal as possible.
This year sees the Slipknot Museum celebrate next year's 25th anniversary of Slipknot, with added features such as a dedicated album display, playable instruments and much more.
Meredith joined HEAVY this morning to explore the many wonders of the Slipknot Museum.
"Basically, for Knotfest I bring the museum, and it's the band's representation at the festival," she began. "This year we're bringing a 25-year retrospective, so we're starting from Iowa in 1999, and you will basically walk the album cycles from their beginning to now. And we've pulled key pieces that represent each of the albums, so whether it's wardrobe, or whether it's musical instruments… the fans will also have the opportunity to play some of the instruments. So Mick's guitar, Jim's guitar, V-Man's bass and all the settings are on the quad quartex to their specifications, so as you're playing you're gonna hear it how V-Man plays it. We're bringing some rad art from Clown and some secret surprises, so it's for the Slipknot fan, but it's also for the Knotfest fan. It's to celebrate their 25-year anniversary, so it's a really big deal, and I'm excited to bring it back to Australia."
In the full interview, Caelin talks more about the Knotfest Museum, what to expect, more of the wonders contained within, some of the rarities, the interactive aspects, Slipknot's 25th anniversary and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>807australia,caelinmeredith,disturbed,halestorm,heavy,heavymetal,interview,knotfestaustralia,knotfestmuseum,krispeters,lambofgod,musicfestival,pantera,podcast,slipknotfalsefullhttps://www.spreaker.com/episode/bringing-the-funk-with-jay-weinberg-from-infectious-grooves--59057362On the eve of their Australian tour, Infectious Grooves pulled one final punch when they announced former Slipknot drummer Jay Weinberg into a band that already includes Mike Muir, Dean Pleasants (Suicidal Tendencies) and Rob Trujillo (Metallica).
Not that Infectious Grooves rest their musical output on the pedigree of musicians from popular bands. They never have. But adding one more name to the list definitely doesn't hurt.
HEAVY sat down for a chat with Weinberg who expressed his excitement about the upcoming tour with Infectious Grooves in Australia and the unique opportunity to work with his musical heroes. He discussed the challenges of balancing the mission of making rock music with the opportunity to take in the culture and life of Australia. Weinberg also discussed his experience and mindset in joining Infectious Grooves, highlighting the excitement and challenges of transitioning from his previous heavy and fast style with Slipknot to the funk and groove-oriented music of Infectious Grooves.
Weinberg also provided a detailed account of his recovery from hip surgery, emphasizing his determination to return to normalcy. He discussed the injury sustained from years of running, the impact on his hip, and the decision to undergo surgery. Weinberg expressed gratitude for the support he received, including the encouragement from the Muir family.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59057362Fri, 15 Mar 2024 13:37:59 +0000HEAVY MagazineInterview by Kris Peters On the eve of their Australian tour, Infectious Grooves pulled one final punch when they announced former Slipknot drummer Jay Weinberg into a band that already includes Mike Muir, Dean Pleasants (Suicidal Tendencies) and Rob...On the eve of their Australian tour, Infectious Grooves pulled one final punch when they announced former Slipknot drummer Jay Weinberg into a band that already includes Mike Muir, Dean Pleasants (Suicidal Tendencies) and Rob Trujillo (Metallica).
Not that Infectious Grooves rest their musical output on the pedigree of musicians from popular bands. They never have. But adding one more name to the list definitely doesn't hurt.
HEAVY sat down for a chat with Weinberg who expressed his excitement about the upcoming tour with Infectious Grooves in Australia and the unique opportunity to work with his musical heroes. He discussed the challenges of balancing the mission of making rock music with the opportunity to take in the culture and life of Australia. Weinberg also discussed his experience and mindset in joining Infectious Grooves, highlighting the excitement and challenges of transitioning from his previous heavy and fast style with Slipknot to the funk and groove-oriented music of Infectious Grooves.
Weinberg also provided a detailed account of his recovery from hip surgery, emphasizing his determination to return to normalcy. He discussed the injury sustained from years of running, the impact on his hip, and the decision to undergo surgery. Weinberg expressed gratitude for the support he received, including the encouragement from the Muir family.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1636australia,funk,hardrock,heavy,heavymetal,infectiosgrooves,interview,jayweinberg,krispeters,metallica,mikemuir,podcast,robtrujillo,rock,slipknot,suicidaltendencies,tourtruefullhttps://www.spreaker.com/episode/fire-and-brimstone-with-dan-from-ancient-remains--59056196Brisbane metal outfit Ancient Remains understand the ethos of more is better, consistently churning out new material in an attempt to engage with as many people as possible.
Their most recent effort is the crushing four-track EP Burn It All, which came out on March 13.
Ancient Remains draw influences from bands such as Metallica, Lamb of God, Pantera, Slipknot, Parkway drive, Megadeth, Turnstile, Linkin Park, Guns n Roses and Black Stone Cherry but do so in a way that ensures enough of their own DNA is sprinkled through the finished product so as to create a sound unmistakably their own.
Vocalist Dan sat down with HEAVY late last week to tell us more about Burn It All.
"We're very excited for it," he began, "because we did a single release for the title track then followed it up with Chill The Fuck Out, dedicated to our neighbours we pissed off for so long. Then we follow it up with the other two, and are in the works on other demos beyond that as well. We're not gonna stop there, and we intend to keep going in the future."
In the full interview, Dan talks more about Burn It All and what they were going for overall with the EP, runs us through each track individually and the meaning behind it, the new material they are working on and what it sounds like, being featured on MMM Brisbane,upcoming shows and more


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59056196Fri, 15 Mar 2024 12:04:02 +0000HEAVY MagazineInterview by Kris Peters Brisbane metal outfit Ancient Remains understand the ethos of more is better, consistently churning out new material in an attempt to engage with as many people as possible. Their most recent effort is the crushing four-track...Brisbane metal outfit Ancient Remains understand the ethos of more is better, consistently churning out new material in an attempt to engage with as many people as possible.
Their most recent effort is the crushing four-track EP Burn It All, which came out on March 13.
Ancient Remains draw influences from bands such as Metallica, Lamb of God, Pantera, Slipknot, Parkway drive, Megadeth, Turnstile, Linkin Park, Guns n Roses and Black Stone Cherry but do so in a way that ensures enough of their own DNA is sprinkled through the finished product so as to create a sound unmistakably their own.
Vocalist Dan sat down with HEAVY late last week to tell us more about Burn It All.
"We're very excited for it," he began, "because we did a single release for the title track then followed it up with Chill The Fuck Out, dedicated to our neighbours we pissed off for so long. Then we follow it up with the other two, and are in the works on other demos beyond that as well. We're not gonna stop there, and we intend to keep going in the future."
In the full interview, Dan talks more about Burn It All and what they were going for overall with the EP, runs us through each track individually and the meaning behind it, the new material they are working on and what it sounds like, being featured on MMM Brisbane,upcoming shows and more


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1638ancientremains,burnitall,ep,heavy,heavymetal,interview,krispeters,podcasttruefullhttps://www.spreaker.com/episode/blast-from-the-past-with-zakk-wylde-from-pantera--59039665Photo credit Jeffrey Graham Photography
Knotfest Australia 2024 is less than a week away, and despite boasting bands of the calibre of Lamb Of God, Disturbed, Halestorm, Skindred and more, the band on everyone’s lips is Pantera.
After getting back together last year for some live shows - with Zakk Wylde filling guitarist duties and Charlie Benante on the drums – the new-look version of Pantera has come under fire from certain quarters, with others praising the band for bringing their music to a new generation.
It is a debate that has merits on both sides, but at the end of the day it should be accepted for what it is. A celebration of a band and their history.
HEAVY caught up with Zakk Wylde for one of Pantera’s few interviews before Knotfest.
We discussed the line-up, nerves before the first show, and the personal significance of playing music written by Dimebag Darrell, as well as the possibility of new music, his involvement in the Ride for Dime event, and Zakk’s excitement for the upcoming Berzerkus festival plus his work with Black Label Society, the status of their upcoming album, and his creative process for writing new material. We also addressed criticism of the Pantera reunion and more.
“We just got done wrapping up the last run of the headlining shows right around near Madison Square Garden, which was pretty amazing,” Wylde beamed. “It’s been a great time. I mean, every night, you know, celebrating Don, Vinny, and Philip, and Rex, and this amazing thing that they created that just brings everyone together. So it's a beautiful thing every night.”
Listen to the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59039665Thu, 14 Mar 2024 06:04:54 +0000HEAVY MagazineInterview by Kris Peters Photo credit Jeffrey Graham Photography Knotfest Australia 2024 is less than a week away, and despite boasting bands of the calibre of Lamb Of God, Disturbed, Halestorm, Skindred and more, the band on everyone’s lips is...Photo credit Jeffrey Graham Photography
Knotfest Australia 2024 is less than a week away, and despite boasting bands of the calibre of Lamb Of God, Disturbed, Halestorm, Skindred and more, the band on everyone’s lips is Pantera.
After getting back together last year for some live shows - with Zakk Wylde filling guitarist duties and Charlie Benante on the drums – the new-look version of Pantera has come under fire from certain quarters, with others praising the band for bringing their music to a new generation.
It is a debate that has merits on both sides, but at the end of the day it should be accepted for what it is. A celebration of a band and their history.
HEAVY caught up with Zakk Wylde for one of Pantera’s few interviews before Knotfest.
We discussed the line-up, nerves before the first show, and the personal significance of playing music written by Dimebag Darrell, as well as the possibility of new music, his involvement in the Ride for Dime event, and Zakk’s excitement for the upcoming Berzerkus festival plus his work with Black Label Society, the status of their upcoming album, and his creative process for writing new material. We also addressed criticism of the Pantera reunion and more.
“We just got done wrapping up the last run of the headlining shows right around near Madison Square Garden, which was pretty amazing,” Wylde beamed. “It’s been a great time. I mean, every night, you know, celebrating Don, Vinny, and Philip, and Rex, and this amazing thing that they created that just brings everyone together. So it's a beautiful thing every night.”
Listen to the full interview for more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>922blacklabelsociety,disturbed,heavy,heavymetal,interview,knotfestaustralia,krispeters,lambofgod,pantera,philanselmo,podcast,zakkwyldetruefullhttps://www.spreaker.com/episode/averting-a-crisis-with-matt-o-keefe-from-the-great-escape--59007541Let's face it, coming up with something fresh and unique when it comes to music and the music world is almost impossible these days. With more music at our disposal than ever before meaning a multitude of new bands and artists all clamouring to find their share of the market, it takes something truly special to give you that edge.
And sometimes that edge is the difference between success and failure.
Sydney punk rockers The Great Awake struck that elusive gold recently with their promotional idea for new single Shitty Midlife Crisis proving a master stroke. After unleashing their new album QUIT onto the public, vocalist/guitarist Matt O'Keefe and his bandmates had the idea of creating a completely new platform for their next single, one which would engage both their music and people's minds and sense of adventure.
Thus, The Great Awake playable video game was born, crafted and put together by O'Keefe with a basic, yet effective premise of skating and avoiding obstacles - but of course, dripping with laconic wit and gnarly graphics to match the band's sense of humour. The two releases could easily survive as stand-alone entities, but when put together offer an outlet for youthful exuberance with a soundtrack that takes you back to the days of Tony Hawk.
HEAVY caught up with O'Keefe to find out more.
We discussed their new single Shitty Midlife Crisis and the accompanying playable video game, which was a year-long process for Matt to develop. He emphasized the importance of incorporating fun and nostalgia into their approach and injecting humor and lightheartedness into their interactions. We also discussed the positive reception of Quit and the band's efforts to improve their live shows, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/59007541Mon, 11 Mar 2024 20:20:04 +0000HEAVY MagazineInterview by Kris Peters Let's face it, coming up with something fresh and unique when it comes to music and the music world is almost impossible these days. With more music at our disposal than ever before meaning a multitude of new bands and artists...Let's face it, coming up with something fresh and unique when it comes to music and the music world is almost impossible these days. With more music at our disposal than ever before meaning a multitude of new bands and artists all clamouring to find their share of the market, it takes something truly special to give you that edge.
And sometimes that edge is the difference between success and failure.
Sydney punk rockers The Great Awake struck that elusive gold recently with their promotional idea for new single Shitty Midlife Crisis proving a master stroke. After unleashing their new album QUIT onto the public, vocalist/guitarist Matt O'Keefe and his bandmates had the idea of creating a completely new platform for their next single, one which would engage both their music and people's minds and sense of adventure.
Thus, The Great Awake playable video game was born, crafted and put together by O'Keefe with a basic, yet effective premise of skating and avoiding obstacles - but of course, dripping with laconic wit and gnarly graphics to match the band's sense of humour. The two releases could easily survive as stand-alone entities, but when put together offer an outlet for youthful exuberance with a soundtrack that takes you back to the days of Tony Hawk.
HEAVY caught up with O'Keefe to find out more.
We discussed their new single Shitty Midlife Crisis and the accompanying playable video game, which was a year-long process for Matt to develop. He emphasized the importance of incorporating fun and nostalgia into their approach and injecting humor and lightheartedness into their interactions. We also discussed the positive reception of Quit and the band's efforts to improve their live shows, plus more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>768australia,heavy,interview,krispeters,matto'keefe,podcast,punk,rock,thegreatescape,videogametruefullhttps://www.spreaker.com/episode/echoes-of-the-future-with-mat-robins-from-cicadastone--58999504Rising from the ashes of the grunge era, Melbourne rock outfit Cicadastone have spent just over ten years refining their sound amid a musical revolution that saw their style of music shunned from mainstream darlings to backseat troublemakers.
Following their 2016 debut Chance Collide, Cicadastone found strength in the fact that although grunge-infused rock was generally on the outer, people started gravitating towards their version of it. With more than a passing nod to some of the heavyweights of that musical movement, Cicadastone quickly set about sprinkling their own DNA into the mix and by 2020's Cold Chamber their efforts in bringing together music from all corners of the rock spectrum were beginning to be noticed.
For their third, and most decisive album to date, Cicadastone have signed with new label XMusic and are obviously enjoying the freedom to allow their natural creativity to dictate the sonic balance of their music.
The result is Future Echoes - out May 31 -, an album that draws from both previous albums, but also shows Cicadastone's musical growth and diversity like never before.
The band last week dropped lead single In The Crossfire, a meaty slab of rock goodness that offers a glimpse inside Future Echoes while only scratching at the surface.
HEAVY sat down with vocalist Mat Robins to find out more, starting with In The Crossfire.
"It's just one of these riffs that I had lying around for a long time and I couldn't do anything with it," he began. "And then one day it all happened in half an hour. I bashed the song together and jotted down the lyrics and found my focus. It all came together really fast, and we demoed the song, and it was the last song that we wrote for the record. But it's probably the most radio-friendly rock single we've got, so it worked out pretty good."
We ask why the band chose In The Crossfire as the first single.
"I just think it's the most obvious, forthright song," he shrugged. "It's got the pace - we're predominantly a band that doesn't push pace. We love our sludgy, slow riffs (laughs). The label were eager to push the faster songs, so it was an obvious choice."
In the full interview, Mat talks more about In The Crossfire, Future Echoes as a whole, what they were going for musically with it, the press release claims that it is Cicadastone's biggest statement yet, how it is a new chapter in the band's history, signing to XMusic and what it means for the band moving forward, how Cicadastone have grown musically over the three albums, their upcoming Stay Gold gig with The Midnight Devils and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58999504Mon, 11 Mar 2024 07:40:26 +0000HEAVY MagazineInterview by Kris Peters Rising from the ashes of the grunge era, Melbourne rock outfit Cicadastone have spent just over ten years refining their sound amid a musical revolution that saw their style of music shunned from mainstream darlings to...Rising from the ashes of the grunge era, Melbourne rock outfit Cicadastone have spent just over ten years refining their sound amid a musical revolution that saw their style of music shunned from mainstream darlings to backseat troublemakers.
Following their 2016 debut Chance Collide, Cicadastone found strength in the fact that although grunge-infused rock was generally on the outer, people started gravitating towards their version of it. With more than a passing nod to some of the heavyweights of that musical movement, Cicadastone quickly set about sprinkling their own DNA into the mix and by 2020's Cold Chamber their efforts in bringing together music from all corners of the rock spectrum were beginning to be noticed.
For their third, and most decisive album to date, Cicadastone have signed with new label XMusic and are obviously enjoying the freedom to allow their natural creativity to dictate the sonic balance of their music.
The result is Future Echoes - out May 31 -, an album that draws from both previous albums, but also shows Cicadastone's musical growth and diversity like never before.
The band last week dropped lead single In The Crossfire, a meaty slab of rock goodness that offers a glimpse inside Future Echoes while only scratching at the surface.
HEAVY sat down with vocalist Mat Robins to find out more, starting with In The Crossfire.
"It's just one of these riffs that I had lying around for a long time and I couldn't do anything with it," he began. "And then one day it all happened in half an hour. I bashed the song together and jotted down the lyrics and found my focus. It all came together really fast, and we demoed the song, and it was the last song that we wrote for the record. But it's probably the most radio-friendly rock single we've got, so it worked out pretty good."
We ask why the band chose In The Crossfire as the first single.
"I just think it's the most obvious, forthright song," he shrugged. "It's got the pace - we're predominantly a band that doesn't push pace. We love our sludgy, slow riffs (laughs). The label were eager to push the faster songs, so it was an obvious choice."
In the full interview, Mat talks more about In The Crossfire, Future Echoes as a whole, what they were going for musically with it, the press release claims that it is Cicadastone's biggest statement yet, how it is a new chapter in the band's history, signing to XMusic and what it means for the band moving forward, how Cicadastone have grown musically over the three albums, their upcoming Stay Gold gig with The Midnight Devils and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>972aussierock,australia,cicadastone,futureechoes,grunge,hardrock,heavy,interview,krispeters,matrobins,podcast,rock,xmusictruefullhttps://www.spreaker.com/episode/bleeding-for-your-art-with-lil-lotus--58993241LA based alternative artist Lil Lotus recently unleashed his second album Nosebleeder via Epitaph Records, building on the promise shown on his debut effort ERRØR BØY.
Nosebleeder sees Lotus collaborating across the sphere of alternative music, including Mod Sun, Sophie Powers, Alexis Munroe and kennedyxoxo. Determined not to be restricted by any one genre or subgenre, Lil Lotus has expressed a desire to work with as many different artists as possible, an aim which has led to him being invited by Ocean Sleeper to join them this April and May for their Lonely Love Australian Tour.
HEAVY caught up with Lil Lotus earlier this month.
"I've never been (to Australia)," he revealed excitedly, "so shout out to Ocean Sleeper and Deficit for having us out there. I think it will hit me when I'm on that 20-hour flight (laughs). I've always wanted to go to Australia. We've always talked about it. It's really weird, because Australia was always up there on my top places of people listening, and this opportunity came up, and it was like fuck yeah, let's do it."
In the full interview, Lil Lotus expressed excitement and apprehension about his upcoming first tour of Australia, particularly regarding the wildlife. We discussed the comprehensive nature of the tour, covering various cities in Australia, sharing funny stories about Australian wildlife.
Lotus discussed the evolution of his music, highlighting the shift towards a more band-heavy sound and the positive reception of his latest album, Nosebleed. He also reflected on his diverse musical career and emphasized the importance of experimenting with music while staying true to his artistic identity.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58993241Mon, 11 Mar 2024 00:01:57 +0000HEAVY MagazineInterview by Kris Peters LA based alternative artist Lil Lotus recently unleashed his second album Nosebleeder via Epitaph Records, building on the promise shown on his debut effort ERRØR BØY. Nosebleeder sees Lotus collaborating across the sphere of...LA based alternative artist Lil Lotus recently unleashed his second album Nosebleeder via Epitaph Records, building on the promise shown on his debut effort ERRØR BØY.
Nosebleeder sees Lotus collaborating across the sphere of alternative music, including Mod Sun, Sophie Powers, Alexis Munroe and kennedyxoxo. Determined not to be restricted by any one genre or subgenre, Lil Lotus has expressed a desire to work with as many different artists as possible, an aim which has led to him being invited by Ocean Sleeper to join them this April and May for their Lonely Love Australian Tour.
HEAVY caught up with Lil Lotus earlier this month.
"I've never been (to Australia)," he revealed excitedly, "so shout out to Ocean Sleeper and Deficit for having us out there. I think it will hit me when I'm on that 20-hour flight (laughs). I've always wanted to go to Australia. We've always talked about it. It's really weird, because Australia was always up there on my top places of people listening, and this opportunity came up, and it was like fuck yeah, let's do it."
In the full interview, Lil Lotus expressed excitement and apprehension about his upcoming first tour of Australia, particularly regarding the wildlife. We discussed the comprehensive nature of the tour, covering various cities in Australia, sharing funny stories about Australian wildlife.
Lotus discussed the evolution of his music, highlighting the shift towards a more band-heavy sound and the positive reception of his latest album, Nosebleed. He also reflected on his diverse musical career and emphasized the importance of experimenting with music while staying true to his artistic identity.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>704alternativemetal,australia,deficit,heavy,interview,krispeters,lillotus,lonelyloveaustraliantour,oceansleeper,podcast,tourtruefullhttps://www.spreaker.com/episode/bringing-the-thunder-with-joe-hottinger-from-halestorm--58992880Halestorm took the world by storm towards the end of 2022 with the release of their fifth studio album, Back From The Dead.
A rock album in every sense of the word, Back From The Dead drew a fresh generation of fans to Halestorm's side with its harder edge and attitude-stained delivery. That album saw Halestorm tour relentlessly, hitting Australia in early 2023 before dominating their home and surrounding countries.
Such is their popularity Down Under that Halestorm have been invited back as part of Knotfest 2024, with guitarist Joe Hottinger joining HEAVY to talk about a massive last 18 months. We ask first if he is packed and ready to go, or if he is more of a last-minute type of traveller.
"I'm usually a last-minute guy," he laughed, "but I have gotten 90% of my pack together. I have some things I'm struggling with. I've got the clothes all together, but I'm a photographer too, so it's like 'what camera do I bring'? I don't wanna bring another suitcase, so I'm trying to shove in as much shit as I can without overdoing it, and I'm struggling in that department right now (laughs). I don't know what lenses to bring… I'm struggling."
Halestorm were here last just over 12 months ago, so we ask Joe what has changed with the band in that time.
"Man, I feel like we're… I feel like we're a new band," he measured. "We did those shows last January and after that we went and did some US military base things and got home from that whole run of touring and kind of like, had a powwow. Like, what are we doing? We re-thought our whole purpose, like went through a playlist of the music we were listening to when the four of us first started playing together back in 2003, 2004. We were listening to that and looking at old set lists from back 20 years ago and asked why was it that people started coming out to our shows? Why did we get signed? Trying to get back into this headspace, and I think we did. We spent two or three months before the June European festival run - that was our next real tour - and we were working on new music, but we also spent the majority of the time restructuring our live set and our goals. I say this word way too much, but it really came down to moments. That's why we love what we do. That's why we love what we do. That's why we love music. You sit there and create these moments together, and it makes the crowd go 'woo'. That's the currency is the woo. We just kinda rewrote how we looked at some songs, kind of wove some together, and were trying to be more dynamic. We don't use computers or click tracks or anything, so it's just the four of us making noise up there, and what you hear is what you get. Mistakes and all."
In the full interview Joe talks more about how Halestorm have worked on their live set, returning for Knotfest and what fans can expect, the Australian bands on the line-up, what sorts of things crowds can do to Halestorm put on the best show possible, his personal preference between festivals and headlining shows, their headline shows with Skindred, Back From The Dead and how it was received, how much of that album is still in the set list, changing things up live, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58992880Sun, 10 Mar 2024 22:53:14 +0000HEAVY MagazineInterview by Kris Peters Halestorm took the world by storm towards the end of 2022 with the release of their fifth studio album, Back From The Dead. A rock album in every sense of the word, Back From The Dead drew a fresh generation of fans to...Halestorm took the world by storm towards the end of 2022 with the release of their fifth studio album, Back From The Dead.
A rock album in every sense of the word, Back From The Dead drew a fresh generation of fans to Halestorm's side with its harder edge and attitude-stained delivery. That album saw Halestorm tour relentlessly, hitting Australia in early 2023 before dominating their home and surrounding countries.
Such is their popularity Down Under that Halestorm have been invited back as part of Knotfest 2024, with guitarist Joe Hottinger joining HEAVY to talk about a massive last 18 months. We ask first if he is packed and ready to go, or if he is more of a last-minute type of traveller.
"I'm usually a last-minute guy," he laughed, "but I have gotten 90% of my pack together. I have some things I'm struggling with. I've got the clothes all together, but I'm a photographer too, so it's like 'what camera do I bring'? I don't wanna bring another suitcase, so I'm trying to shove in as much shit as I can without overdoing it, and I'm struggling in that department right now (laughs). I don't know what lenses to bring… I'm struggling."
Halestorm were here last just over 12 months ago, so we ask Joe what has changed with the band in that time.
"Man, I feel like we're… I feel like we're a new band," he measured. "We did those shows last January and after that we went and did some US military base things and got home from that whole run of touring and kind of like, had a powwow. Like, what are we doing? We re-thought our whole purpose, like went through a playlist of the music we were listening to when the four of us first started playing together back in 2003, 2004. We were listening to that and looking at old set lists from back 20 years ago and asked why was it that people started coming out to our shows? Why did we get signed? Trying to get back into this headspace, and I think we did. We spent two or three months before the June European festival run - that was our next real tour - and we were working on new music, but we also spent the majority of the time restructuring our live set and our goals. I say this word way too much, but it really came down to moments. That's why we love what we do. That's why we love what we do. That's why we love music. You sit there and create these moments together, and it makes the crowd go 'woo'. That's the currency is the woo. We just kinda rewrote how we looked at some songs, kind of wove some together, and were trying to be more dynamic. We don't use computers or click tracks or anything, so it's just the four of us making noise up there, and what you hear is what you get. Mistakes and all."
In the full interview Joe talks more about how Halestorm have worked on their live set, returning for Knotfest and what fans can expect, the Australian bands on the line-up, what sorts of things crowds can do to Halestorm put on the best show possible, his personal preference between festivals and headlining shows, their headline shows with Skindred, Back From The Dead and how it was received, how much of that album is still in the set list, changing things up live, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>860disturbed,halestorm,hardrock,heavy,heavymetal,interview,joehottinger,knotfest2024,krispeters,lambofgod,lzzyhale,pantera,podcast,rock,skindredtruefullhttps://www.spreaker.com/episode/a-better-tomorrow-with-brendan-preston-benny-bones-from-all-this-filth--58992218In the modern age of short attention spans, it is refreshing to see some bands still operating by the tried and true laws of yesteryear when it comes to releasing music.
With EP's and singles all the rage, Perth metal outfit All This Filth elected to take their time with their recently released album Tomorrow Will Be Better?, dropping the first single Still Bleeds My Heart in late 2022 and drip-feeding more tunes until the album saw the light of day on February 9 this year.
To simply class All This Filth as metal would be short-changing them significantly. Drawing on everything from Groove Metal, Thrash, Hardcore, Death Metal, Industrial Metal and even hints of Sludge and Nu-Metal, the Perth outfit deftly wind them all together to produce a sound fresh, vibrant and heavy as Hell.
Released on the band's new US label Brutal Records, Tomorrow Will Be Better? is a coming of age of sorts for All This Filth, cementing them amongst the next wave of Australian metal bands and opening up a plethora of new opportunities for the band.
HEAVY caught up with vocalist Brendan Preston and bass/keyboardist Benny Bones to find out more, starting with the album's reception.
"It's going well so far," Preston smiled. "We've had a lot of good feedback, like the reviews have been generally positive and all the fans I've spoken to and all the messages I've got from the band's social media have been good so far. All the media that we've been speaking to have seemed to enjoy the songs as well. I was on Andrew Haug on Monday night, and he was saying it's a definite step-up for us and that he was proud of us, which was really cool praise. So far, so good. The feedback has been unanimously good."
We ask the boys to tell us more about the album musically.
"Musically, we just really wanted to step it up from the last album, Misery Season," Preston began. "Sort of just expand the boundaries of what we were doing. We wanted to be more aggressive, more fast, more groovy, add more keys and synths - which is more Benny's department - and really just test ourselves and push ourselves and see what we could do musically."
In the full interview, Brendan and Benny talk more about Tomorrow Will Be Better?, how it picks up thematically from last album Misery Season, how they pushed the boundaries, the overall message of the album, the new members and what they bring to the band's sound, signing with Brutal Records and what that opens up for the band, how their sound has grown over the course of their releases, finding the balance between so many genres and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58992218Sun, 10 Mar 2024 21:14:14 +0000HEAVY MagazineInterview by Kris Peters In the modern age of short attention spans, it is refreshing to see some bands still operating by the tried and true laws of yesteryear when it comes to releasing music. With EP's and singles all the rage, Perth metal outfit...In the modern age of short attention spans, it is refreshing to see some bands still operating by the tried and true laws of yesteryear when it comes to releasing music.
With EP's and singles all the rage, Perth metal outfit All This Filth elected to take their time with their recently released album Tomorrow Will Be Better?, dropping the first single Still Bleeds My Heart in late 2022 and drip-feeding more tunes until the album saw the light of day on February 9 this year.
To simply class All This Filth as metal would be short-changing them significantly. Drawing on everything from Groove Metal, Thrash, Hardcore, Death Metal, Industrial Metal and even hints of Sludge and Nu-Metal, the Perth outfit deftly wind them all together to produce a sound fresh, vibrant and heavy as Hell.
Released on the band's new US label Brutal Records, Tomorrow Will Be Better? is a coming of age of sorts for All This Filth, cementing them amongst the next wave of Australian metal bands and opening up a plethora of new opportunities for the band.
HEAVY caught up with vocalist Brendan Preston and bass/keyboardist Benny Bones to find out more, starting with the album's reception.
"It's going well so far," Preston smiled. "We've had a lot of good feedback, like the reviews have been generally positive and all the fans I've spoken to and all the messages I've got from the band's social media have been good so far. All the media that we've been speaking to have seemed to enjoy the songs as well. I was on Andrew Haug on Monday night, and he was saying it's a definite step-up for us and that he was proud of us, which was really cool praise. So far, so good. The feedback has been unanimously good."
We ask the boys to tell us more about the album musically.
"Musically, we just really wanted to step it up from the last album, Misery Season," Preston began. "Sort of just expand the boundaries of what we were doing. We wanted to be more aggressive, more fast, more groovy, add more keys and synths - which is more Benny's department - and really just test ourselves and push ourselves and see what we could do musically."
In the full interview, Brendan and Benny talk more about Tomorrow Will Be Better?, how it picks up thematically from last album Misery Season, how they pushed the boundaries, the overall message of the album, the new members and what they bring to the band's sound, signing with Brutal Records and what that opens up for the band, how their sound has grown over the course of their releases, finding the balance between so many genres and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1337allthisfilth,australia,brutalrecords,groovemetal,hardrock,heavy,heavymetal,interview,krispeters,numetal,podcast,sludgemetal,thrashmetaltruefullhttps://www.spreaker.com/episode/arterial-spray-with-bill-steer-from-carcass--58987432For over three decades the name Carcass has been synonymous with death metal.
The band - who are credited for inventing gore/grind and creating the template for melodic death metal - have not ventured to this side of the world for a number of years but are about to make up for lost time when they hit Australia and New Zealand with The Black Dahlia Murder for a run of show this March.
Nev Pearce from the Everblack Podcast caught up with guitarist Bill Steer to find out more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58987432Sun, 10 Mar 2024 06:41:34 +0000HEAVY MagazineInterview by Nev Pearce from the Everblack Podcast For over three decades the name Carcass has been synonymous with death metal. The band - who are credited for inventing gore/grind and creating the template for melodic death metal - have not ventured...For over three decades the name Carcass has been synonymous with death metal.
The band - who are credited for inventing gore/grind and creating the template for melodic death metal - have not ventured to this side of the world for a number of years but are about to make up for lost time when they hit Australia and New Zealand with The Black Dahlia Murder for a run of show this March.
Nev Pearce from the Everblack Podcast caught up with guitarist Bill Steer to find out more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1095australia,billsteer,carcass,deathmetal,everblackpodcast,extrememetal,heavy,interview,newpearce,podcast,soundworkstouring,theblackdahliamurder,tourtruefullhttps://www.spreaker.com/episode/up-in-neon-lights-with-ville-valo--58967887Finnish gothic rock legend Ville Valo is gearing up for an electrifying return to the Australian and New Zealand stages after a decade-long hiatus. With his debut solo album Neon Noir still reverberating through the music scene, Valo took some time to chat with HEAVY Mag about his latest ventures and the eagerly awaited tour.
Valo delved into the creative process behind Neon Noir and how it feels to step into the spotlight as a solo artist. From the haunting melodies to the introspective lyrics, the album is a testament to Valo's musical evolution and his ability to captivate audiences with his distinctive style.
Valo's upcoming tour marks his first visit to Australia in a decade, promising fans an unforgettable live experience. From Auckland to Brisbane, Valo will be enchanting audiences with a mix of solo tracks and beloved HIM classics, showcasing his unparalleled vocal range and magnetic stage presence.
But before hitting the road, HEAVY Mag put Valo to the test, challenging him to decipher some Aussie slang. From "servo" to "esky", Valo's reactions were as entertaining as they were endearing, proving that even a Finnish rock god can appreciate the charm of Down Under.
So, whether you're a die-hard fan or simply curious to witness Valo's magic first hand, be sure to grab your tickets now for what promises to be an unforgettable tour. Don't miss out on the chance to experience the dark allure of Ville Valo live in concert!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58967887Fri, 08 Mar 2024 07:18:39 +0000HEAVY MagazineInterview by Erin Eddy Finnish gothic rock legend Ville Valo is gearing up for an electrifying return to the Australian and New Zealand stages after a decade-long hiatus. With his debut solo album Neon Noir still reverberating through the music scene,...Finnish gothic rock legend Ville Valo is gearing up for an electrifying return to the Australian and New Zealand stages after a decade-long hiatus. With his debut solo album Neon Noir still reverberating through the music scene, Valo took some time to chat with HEAVY Mag about his latest ventures and the eagerly awaited tour.
Valo delved into the creative process behind Neon Noir and how it feels to step into the spotlight as a solo artist. From the haunting melodies to the introspective lyrics, the album is a testament to Valo's musical evolution and his ability to captivate audiences with his distinctive style.
Valo's upcoming tour marks his first visit to Australia in a decade, promising fans an unforgettable live experience. From Auckland to Brisbane, Valo will be enchanting audiences with a mix of solo tracks and beloved HIM classics, showcasing his unparalleled vocal range and magnetic stage presence.
But before hitting the road, HEAVY Mag put Valo to the test, challenging him to decipher some Aussie slang. From "servo" to "esky", Valo's reactions were as entertaining as they were endearing, proving that even a Finnish rock god can appreciate the charm of Down Under.
So, whether you're a die-hard fan or simply curious to witness Valo's magic first hand, be sure to grab your tickets now for what promises to be an unforgettable tour. Don't miss out on the chance to experience the dark allure of Ville Valo live in concert!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2307australia,darkwater,erineddy,hardrock,heavy,him,interview,podcast,rock,tour,villevalotruefullhttps://www.spreaker.com/episode/controlled-chaos-with-tomi-perrakoski-from-magnadur--58931405Making any kind of a splash in the ferociously brilliant wading pool that is Finnish metal is an arduous task, made even more so by the pedigree of bands gone before and the talent of those emerging.
The metal scene has always been strong in that part of the world, and although there are a large number of Finnish bands recognised on the international scene (Amorphis, Lordi, Children Of Bodom, Sonata Arctica to name a few) there are also many more going about their daily lives living, breathing, and weaponising heavy metal.
These musicians on the fringe of the market are all clambering for their time to shine, experimenting and practicing their music, often with little or no recognition. And here is where you will find the next breed of musicians, toiling away for the love of art and harnessing the determination and passion of those who came before them.
One such talent is Tomi Perrakoski who has several different projects in development, mostly of his own volition, where he is master of his own domain. Preferring to create and record music within the confines of his own workspace, Perrakoski has recently released his new album Lord Of Chaos from solo project Magnadur.
It is an album that caresses the lines between metal genres and musical mysticism, exploring sound textures and brutality in a sonic realm bound by no rules.
HEAVY recently sat down with Perrakoski to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58931405Tue, 05 Mar 2024 13:11:28 +0000HEAVY MagazineInterview by Kris Peters Making any kind of a splash in the ferociously brilliant wading pool that is Finnish metal is an arduous task, made even more so by the pedigree of bands gone before and the talent of those emerging. The metal scene has always...Making any kind of a splash in the ferociously brilliant wading pool that is Finnish metal is an arduous task, made even more so by the pedigree of bands gone before and the talent of those emerging.
The metal scene has always been strong in that part of the world, and although there are a large number of Finnish bands recognised on the international scene (Amorphis, Lordi, Children Of Bodom, Sonata Arctica to name a few) there are also many more going about their daily lives living, breathing, and weaponising heavy metal.
These musicians on the fringe of the market are all clambering for their time to shine, experimenting and practicing their music, often with little or no recognition. And here is where you will find the next breed of musicians, toiling away for the love of art and harnessing the determination and passion of those who came before them.
One such talent is Tomi Perrakoski who has several different projects in development, mostly of his own volition, where he is master of his own domain. Preferring to create and record music within the confines of his own workspace, Perrakoski has recently released his new album Lord Of Chaos from solo project Magnadur.
It is an album that caresses the lines between metal genres and musical mysticism, exploring sound textures and brutality in a sonic realm bound by no rules.
HEAVY recently sat down with Perrakoski to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>825atmosphericmetal,experimentalmetal,heavy,heavymetal,interview,krispeters,lordofchaos,magnadur,podcast,tomiperrakoskifalsefullhttps://www.spreaker.com/episode/the-extremities-of-punk-with-captain-sensible-from-the-damned--58923080While many bands proclaim to be the real deal when it comes to punk rock, very few can say so definitively. Punk rock is/has and never will be a style of music that caters to the masses or measures itself on facts and figures. It is more music for the outcasts and disenfranchised who have little in common except for a united love of a brand of music that knows no boundaries.
But mention The Damned to anyone with even a sniff of knowledge about punk, and you will invariably be met with the same respect and admiration for a band who truly started it all.
They were officially the first ever punk band to release a single when they put out New Rose five weeks before the Sex Pistols released Anarchy In The U.K which led to them being the first British punk band to tour the United States.
While undergoing several line-up changes in their 35-plus years as a band, there is one that stands out to many as The Damned's classic collection of musicians. Vocalist Dave Vanian, guitarist Captain Sensible, drummer Rat Scabies and bass player Paul Gray are the quartet widely regarded as the best unit, releasing the albums Machine Gun Etiquette, The Black Album and Strawberries while the group was together and now, for the first time since 1989, those four will share the stage together when The Damned hit Australia for the final time later this month.
HEAVY managed to secure some rare time with Captain Sensible to run through the tour and career of The Damned, with him starting by revealing how he got his stage name.
"I acquired that name because I was a rabid drunk, actually," he offered, "and not at all sensible. So I got the name thrust upon me and have not been able to shake it off since. I'm getting old these days, so the drinking's taken a back seat, but I've still got the stupid name (laughs). The good news is over 40 years I've learned to play the guitar and the band is sounding quite good at the moment. If you like what The Damned do, we're doing a fair representation of those records that we made back in the 70s and 80s."
"It's a great name, The Damned," he continued. "I think the Sex Pistols originally wanted it, but we got it first."
We ask if it was hard getting the gang back together so to speak for this tour.
"No, coz Rat and Paul have been working together on a project with some Americans and me and Dave have been doing The Damned all this time," he replied. "There was a bit of bad blood, that was the only thing that could have got in the way, really. I mean, it was so long ago, I can't remember what we used to argue about (laughs). But it was all sorts of shenanigans, including fisticuffs, attacking each other with empty whisky bottles and stuff like that. As you do in punk rock bands, but we buried the hatchet, and we're getting on okay now. It's interesting to see what they've been doing all these years."
In the full interview, Captain Sensible talks more about the tour and what to expect, why he thinks this line-up can be considered as classic, what he expects from his crowds live, demanding the Hard-Ons support the tour, his memories of recording them, the early days of The Damned and the musical climate that gave birth to them, beating the Sex Pistols to releasing the first ever punk single, Sid Vicious wanting to join The Damned as vocalist, the relationship between punk bands in the early days, how competitive the scene was, the age-old belief that punk is all about the attitude rather than the music, how punk music has changed over the years, The Damned's contribution to punk, his top three commandments of punk and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58923080Mon, 04 Mar 2024 18:14:08 +0000HEAVY MagazineInterview by Kris Peters While many bands proclaim to be the real deal when it comes to punk rock, very few can say so definitively. Punk rock is/has and never will be a style of music that caters to the masses or measures itself on facts and figures....While many bands proclaim to be the real deal when it comes to punk rock, very few can say so definitively. Punk rock is/has and never will be a style of music that caters to the masses or measures itself on facts and figures. It is more music for the outcasts and disenfranchised who have little in common except for a united love of a brand of music that knows no boundaries.
But mention The Damned to anyone with even a sniff of knowledge about punk, and you will invariably be met with the same respect and admiration for a band who truly started it all.
They were officially the first ever punk band to release a single when they put out New Rose five weeks before the Sex Pistols released Anarchy In The U.K which led to them being the first British punk band to tour the United States.
While undergoing several line-up changes in their 35-plus years as a band, there is one that stands out to many as The Damned's classic collection of musicians. Vocalist Dave Vanian, guitarist Captain Sensible, drummer Rat Scabies and bass player Paul Gray are the quartet widely regarded as the best unit, releasing the albums Machine Gun Etiquette, The Black Album and Strawberries while the group was together and now, for the first time since 1989, those four will share the stage together when The Damned hit Australia for the final time later this month.
HEAVY managed to secure some rare time with Captain Sensible to run through the tour and career of The Damned, with him starting by revealing how he got his stage name.
"I acquired that name because I was a rabid drunk, actually," he offered, "and not at all sensible. So I got the name thrust upon me and have not been able to shake it off since. I'm getting old these days, so the drinking's taken a back seat, but I've still got the stupid name (laughs). The good news is over 40 years I've learned to play the guitar and the band is sounding quite good at the moment. If you like what The Damned do, we're doing a fair representation of those records that we made back in the 70s and 80s."
"It's a great name, The Damned," he continued. "I think the Sex Pistols originally wanted it, but we got it first."
We ask if it was hard getting the gang back together so to speak for this tour.
"No, coz Rat and Paul have been working together on a project with some Americans and me and Dave have been doing The Damned all this time," he replied. "There was a bit of bad blood, that was the only thing that could have got in the way, really. I mean, it was so long ago, I can't remember what we used to argue about (laughs). But it was all sorts of shenanigans, including fisticuffs, attacking each other with empty whisky bottles and stuff like that. As you do in punk rock bands, but we buried the hatchet, and we're getting on okay now. It's interesting to see what they've been doing all these years."
In the full interview, Captain Sensible talks more about the tour and what to expect, why he thinks this line-up can be considered as classic, what he expects from his crowds live, demanding the Hard-Ons support the tour, his memories of recording them, the early days of The Damned and the musical climate that gave birth to them, beating the Sex Pistols to releasing the first ever punk single, Sid Vicious wanting to join The Damned as vocalist, the relationship between punk bands in the early days, how competitive the scene was, the age-old belief that punk is all about the attitude rather than the music, how punk music has changed over the years, The Damned's contribution to punk, his top three commandments of punk and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1588australia,captainsensible,hardons,hardrock,heavy,interview,krispeters,podcast,punk,ratscabies,rock,sexpistols,thedamned,tourtruefullhttps://www.spreaker.com/episode/one-final-hurrah-with-deniz-tek-from-radio-birdman--58922141Fifty years of servitude in any industry is a great achievement, but fifty years in the music industry is something special.
In an industry that rewards only when you have something of value to offer, bands are churned through the machine at a rapid rate of knots. Yesterday's heroes can quickly become tomorrow's nobodies with everything from changing fashions to styles to bad press being an avenue for failure.
Australian rockers Radio Birdman are one of the few bands to not only survive half a century in the music industry but somewhat thrive as well.
Radio Birdman were one of the first Australian bands to harness the punk rock attitude that swept through Britain, doing things their way no matter the consequences. They are one of those bands that as soon as you listen to their music you get the "ah, that's who sung it" feels, with an infectious and flippant brand of music showcasing all the hallmarks and foundations of great Aussie rock.
To celebrate the occasion, Radio Birdman will hit the road for the Birdman 5-0 Tour, starting June 21, with fellow Australian icons Hard-Ons along for the ride.
HEAVY caught up with founding member and guitarist Deniz Tek to take a trip down memory lane. We start by asking if Australia is ready for the finale.
"The venues that we're playing are essentially the same venues we played on the last tour," he began, "and the last couple of tours. The last time we went around Australia was just before the pandemic in 2019, and it's basically the same venues. We prefer to play two to three shows in a smaller club rather than one big show at the Enmore or the Palace or something like that. It's better for us to play in smaller places."
It's a bittersweet tour, celebrating 50 years of the band, but also serving as a swansong, so we ask Deniz how long the band has known they would be ticking both things off at the same time.
"Just since November," he replied. "We hadn't really talked about it until then, but I was back in Australia for my daughters wedding and the band got together socially, and we talked it over and thought it might be a good idea."
In the full interview we take a moment to reflect on what a great achievement 50 years is, the success of presale tickets, limiting the shows and why, what fans can expect, what the band expects from their crowds, the emotion that will surround the last ever show at the Manning Bar in Sydney on July 7, having Hard-Ons as support, Radio Birdman's legendary outsider status and how well it fits, being the underdog, what he has achieved personally and musically over his career, what's left for him to achieve, the band logo and some insights into its origin, his top three commandments of rock and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58922141Mon, 04 Mar 2024 17:18:08 +0000HEAVY MagazineInterview by Kris Peters Fifty years of servitude in any industry is a great achievement, but fifty years in the music industry is something special. In an industry that rewards only when you have something of value to offer, bands are churned through...Fifty years of servitude in any industry is a great achievement, but fifty years in the music industry is something special.
In an industry that rewards only when you have something of value to offer, bands are churned through the machine at a rapid rate of knots. Yesterday's heroes can quickly become tomorrow's nobodies with everything from changing fashions to styles to bad press being an avenue for failure.
Australian rockers Radio Birdman are one of the few bands to not only survive half a century in the music industry but somewhat thrive as well.
Radio Birdman were one of the first Australian bands to harness the punk rock attitude that swept through Britain, doing things their way no matter the consequences. They are one of those bands that as soon as you listen to their music you get the "ah, that's who sung it" feels, with an infectious and flippant brand of music showcasing all the hallmarks and foundations of great Aussie rock.
To celebrate the occasion, Radio Birdman will hit the road for the Birdman 5-0 Tour, starting June 21, with fellow Australian icons Hard-Ons along for the ride.
HEAVY caught up with founding member and guitarist Deniz Tek to take a trip down memory lane. We start by asking if Australia is ready for the finale.
"The venues that we're playing are essentially the same venues we played on the last tour," he began, "and the last couple of tours. The last time we went around Australia was just before the pandemic in 2019, and it's basically the same venues. We prefer to play two to three shows in a smaller club rather than one big show at the Enmore or the Palace or something like that. It's better for us to play in smaller places."
It's a bittersweet tour, celebrating 50 years of the band, but also serving as a swansong, so we ask Deniz how long the band has known they would be ticking both things off at the same time.
"Just since November," he replied. "We hadn't really talked about it until then, but I was back in Australia for my daughters wedding and the band got together socially, and we talked it over and thought it might be a good idea."
In the full interview we take a moment to reflect on what a great achievement 50 years is, the success of presale tickets, limiting the shows and why, what fans can expect, what the band expects from their crowds, the emotion that will surround the last ever show at the Manning Bar in Sydney on July 7, having Hard-Ons as support, Radio Birdman's legendary outsider status and how well it fits, being the underdog, what he has achieved personally and musically over his career, what's left for him to achieve, the band logo and some insights into its origin, his top three commandments of rock and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>944aussierock,australia,deniztek,hardons,heavy,interview,krispeters,podcast,pubrock,punk,radiobirdman,rock,tourtruefullhttps://www.spreaker.com/episode/clearing-the-waters-with-seb-from-dark-water--58921275As much as music and finding success in the industry is largely about talent, the occasional bit of good fortune or right place right time ethos certainly helps.
Melbourne synthwave outfit Dark Water discovered this last week when they were announced as national support for Ville Valo on his upcoming Australian shows. The call-up came as a shock to the band, who just two years ago were questioning whether or not they still had the fortitude to pursue a career in music.
Blending mournful synth-pop with sweeping atmospherics and gothic undertones, Dark Water are the perfect choice to supplement the great Ville Valo, with Seb joining HEAVY recently to share his excitement. We start by asking if it has sunk in yet?
"It definitely does not feel real," he smiled. "I feel like it won't feel real until we've left Melbourne. Because we've never actually played outside of Melbourne. It's a massive deal, we're stoked. It feels like it just came out of the blue, and we're very happy about it."
We ask if he is a bona fide fan of Ville Valo or if he will be discovering more about him on the tour.
"I was a fan of HIM, and I did not know that he started a solo project," Seb began, "so that was the first news to me which was sick. That was an exciting bit of information."
In the full interview, Seb talks more about getting the call-up to play the shows, how it feels to be personally selected by Valo himself, what to expect from Dark Water, what this opportunity means to them as a band, a history on the band, their upcoming debut album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58921275Mon, 04 Mar 2024 15:59:53 +0000HEAVY MagazineInterview by Kris Peters As much as music and finding success in the industry is largely about talent, the occasional bit of good fortune or right place right time ethos certainly helps. Melbourne synthwave outfit Dark Water discovered this last week...As much as music and finding success in the industry is largely about talent, the occasional bit of good fortune or right place right time ethos certainly helps.
Melbourne synthwave outfit Dark Water discovered this last week when they were announced as national support for Ville Valo on his upcoming Australian shows. The call-up came as a shock to the band, who just two years ago were questioning whether or not they still had the fortitude to pursue a career in music.
Blending mournful synth-pop with sweeping atmospherics and gothic undertones, Dark Water are the perfect choice to supplement the great Ville Valo, with Seb joining HEAVY recently to share his excitement. We start by asking if it has sunk in yet?
"It definitely does not feel real," he smiled. "I feel like it won't feel real until we've left Melbourne. Because we've never actually played outside of Melbourne. It's a massive deal, we're stoked. It feels like it just came out of the blue, and we're very happy about it."
We ask if he is a bona fide fan of Ville Valo or if he will be discovering more about him on the tour.
"I was a fan of HIM, and I did not know that he started a solo project," Seb began, "so that was the first news to me which was sick. That was an exciting bit of information."
In the full interview, Seb talks more about getting the call-up to play the shows, how it feels to be personally selected by Valo himself, what to expect from Dark Water, what this opportunity means to them as a band, a history on the band, their upcoming debut album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>727australia,darkwater,heavy,him,interview,krispeters,podcast,rock,support,synthpop,tour,villevalofalsefullhttps://www.spreaker.com/episode/chewing-the-fat-with-pete-cooper-from-the-porkers--5888653225 years ago, an album by an Australian punk outfit started making ripples in the music scene that quickly turned into rips in the very fabric of music. It typified the Australian laconic sense of humour and general apathy towards anything even remotely resembling authority, and would go on to become a landmark in Australian music history.
It didn't help that the title was so ambiguously brilliant that potential images of the outcome are still being broadcast today.
That album was Hot Dog Daiquiri and the band The Porkers, who were about to embark on a rollercoaster of musical extremes and extravagances that is currently being celebrated as The Porkers take to the road to celebrate a quarter of a century of what could possibly be one of the worst tasting cocktails ever.
HEAVY sat down with vocalist Pete Cooper to find out how the shows have been going.
"We've been around for a while," he said, letting the cat out of the bag. "We're currently on tour with the Hot Dog Daiquiri 25th Anniversary Tour - which is our album we released in 1998 - which is actually 26 years ago. We've already done Queensland and this weekend we're heading to Victoria, then we have Sydney and all sorts of places after that."
With the tour already part way through we ask Cooper how they have been going so far.
"Pretty crazy," he smiled. "You can probably tell from my voice, but last weekend's shows were pretty hectic. I've come home with a good dose of the flu and a sore throat, then tomorrow we're off to Melbourne."
In the full interview, Pete talks more about the shows, the difficulties posed by touring as you get older, how the 25-year-old songs have been going down and if they have stood the test of time, his best memories of making the album, which Porkers album is his personal favourite, their blending of punk, reggae and funk and how it was received in the early days, future plans and more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58886532Fri, 01 Mar 2024 08:53:01 +0000HEAVY MagazineInterview by Kris Peters 25 years ago, an album by an Australian punk outfit started making ripples in the music scene that quickly turned into rips in the very fabric of music. It typified the Australian laconic sense of humour and general apathy...25 years ago, an album by an Australian punk outfit started making ripples in the music scene that quickly turned into rips in the very fabric of music. It typified the Australian laconic sense of humour and general apathy towards anything even remotely resembling authority, and would go on to become a landmark in Australian music history.
It didn't help that the title was so ambiguously brilliant that potential images of the outcome are still being broadcast today.
That album was Hot Dog Daiquiri and the band The Porkers, who were about to embark on a rollercoaster of musical extremes and extravagances that is currently being celebrated as The Porkers take to the road to celebrate a quarter of a century of what could possibly be one of the worst tasting cocktails ever.
HEAVY sat down with vocalist Pete Cooper to find out how the shows have been going.
"We've been around for a while," he said, letting the cat out of the bag. "We're currently on tour with the Hot Dog Daiquiri 25th Anniversary Tour - which is our album we released in 1998 - which is actually 26 years ago. We've already done Queensland and this weekend we're heading to Victoria, then we have Sydney and all sorts of places after that."
With the tour already part way through we ask Cooper how they have been going so far.
"Pretty crazy," he smiled. "You can probably tell from my voice, but last weekend's shows were pretty hectic. I've come home with a good dose of the flu and a sore throat, then tomorrow we're off to Melbourne."
In the full interview, Pete talks more about the shows, the difficulties posed by touring as you get older, how the 25-year-old songs have been going down and if they have stood the test of time, his best memories of making the album, which Porkers album is his personal favourite, their blending of punk, reggae and funk and how it was received in the early days, future plans and more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1251australia,heavy,interview,krispeters,petecooper,podcast,punk,theporkers,tourtruefullhttps://www.spreaker.com/episode/a-moment-of-realisation-with-ezekiel-ox-from-mammal--58855691After taking a couple of years to fully find their feet again after a prolonged absence, Aussie funk/rock/metal dance machine Mammal are finally ready to unleash their second full-length album on the world with the release of The Penny Drop on March 6.
After disbanding in the same year their debut album The Majority shocked our airwaves in 2008, the members of Mammal all ventured in differing musical directions in an attempt to fill the void but despite the quality of their work individually the chemistry and creativity that the members enjoyed as Mammal remained elusive.
After announcing a much-anticipated reunion in 2017, Mammal haphazardly released the singles Community, Crime Scene, Dead and The War, almost teasing their fans with the hint of a greater body of work but making them wait until the smoldering beast had fully regained its hunger.
That hunger was displayed for the world to see with last year's single Keanu Reeves, very much a song cast from the Mammal mold but with a heavier underbelly than what some may have expected.
The album title became the second track released, offering a small glimpse into the overall sonic picture that while still quintessentially Mammal also offers up a myriad of welcome surprises.
HEAVY sat down with frontman Ezekiel Ox earlier this week to find out more.
"It was a huge process for us, getting it together," Ox explained, talking about the new album, "because we had a transition of bass players which led to this record. Since Mammal's been back since 2017 we've put out Community, Virtue Signalling and Dead which were all with Nick Adams, our former bass player, and then we put out Crime Scene and The War and this album is our first long-player. We're a rock band and a metal band, so it's not like we needed to put out an album. Apparently, now you're supposed to just do singles, but we feel like we wanted to make a statement, and I don't think there's any doubt we have. Full credit - speaking in footy parlay - full credit to the boys and full credit to the producer Jimi Maroudas, full credit to Tyson Fish and also to Forrester Saville who mixed and mastered this record. You're only as good as your team, and we have the absolute bomb on this record so it sounds the way it should, everyone's performance is great, and we felt like we had a chance to stretch our legs on this. We're pumped for the release on March 6."
We ask if musically, The Penny Drop is what fans would expect.
"I think so," Ox offered. "I don't think it's a massive departure. The main thing - whether people notice it or not - is Nick used to always write the first riff. So when we started writing for this album, we didn't really know where to start. For those that don't know, Pete, our guitar player, is a farmer and operates this huge acreage up in North West Victoria, and he went from a point of view where he started writing a riff a day for 30 days and just rinsed everything he could. And that was new for us. As opposed to starting with the groove, we started with the riff - which obviously leads to the groove - and then Zane went through the process of putting those together into songs, and then I went through a process of freestyling over two days. I just went down to Melbourne and got drunk and had a bit of fun with the boys, and they'd throw ideas at me, and we came up with… I think we ended up freestyling for about 20 of them and 17 of them ended up getting written and then five of them got dropped, and you end up with the 12 songs that you have on The Penny Drop. Different process for us, but it's a weird thing, Kris. I think it's a negative thing to do to monitor yourself when you're working. You just want to be working with each member as a whole and as an individual. You wanna be really conscious of doing your job, not self-monitoring too much and letting the producer and letting the engineers focus on what the whole thing is. That's a really important thing to do, and I think we all did that really well. I know that Kade came in last, which we thought was fair. We didn't want Kade having to do too much development because we thought that would be unfair for a new member, but I think on the next album we're gonna want Kade to be a lot more involved because he's not a new guy anymore. He's been here for over two years now, and he's played shows with us, and he's such an instrumental part of this record. I can't wait for everyone to hear what he's doing."
In the full interview Ezekiel talks more about the freestyling lyrical process, why The Penny Drops is not for kids, how it differs to debut album The Majority, the collaboration with Fresh Violet, Mammal's live show and maintaining the intensity, writing for the album, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58855691Fri, 01 Mar 2024 01:18:04 +0000HEAVY MagazineInterview by Kris Peters After taking a couple of years to fully find their feet again after a prolonged absence, Aussie funk/rock/metal dance machine Mammal are finally ready to unleash their second full-length album on the world with the release of...After taking a couple of years to fully find their feet again after a prolonged absence, Aussie funk/rock/metal dance machine Mammal are finally ready to unleash their second full-length album on the world with the release of The Penny Drop on March 6.
After disbanding in the same year their debut album The Majority shocked our airwaves in 2008, the members of Mammal all ventured in differing musical directions in an attempt to fill the void but despite the quality of their work individually the chemistry and creativity that the members enjoyed as Mammal remained elusive.
After announcing a much-anticipated reunion in 2017, Mammal haphazardly released the singles Community, Crime Scene, Dead and The War, almost teasing their fans with the hint of a greater body of work but making them wait until the smoldering beast had fully regained its hunger.
That hunger was displayed for the world to see with last year's single Keanu Reeves, very much a song cast from the Mammal mold but with a heavier underbelly than what some may have expected.
The album title became the second track released, offering a small glimpse into the overall sonic picture that while still quintessentially Mammal also offers up a myriad of welcome surprises.
HEAVY sat down with frontman Ezekiel Ox earlier this week to find out more.
"It was a huge process for us, getting it together," Ox explained, talking about the new album, "because we had a transition of bass players which led to this record. Since Mammal's been back since 2017 we've put out Community, Virtue Signalling and Dead which were all with Nick Adams, our former bass player, and then we put out Crime Scene and The War and this album is our first long-player. We're a rock band and a metal band, so it's not like we needed to put out an album. Apparently, now you're supposed to just do singles, but we feel like we wanted to make a statement, and I don't think there's any doubt we have. Full credit - speaking in footy parlay - full credit to the boys and full credit to the producer Jimi Maroudas, full credit to Tyson Fish and also to Forrester Saville who mixed and mastered this record. You're only as good as your team, and we have the absolute bomb on this record so it sounds the way it should, everyone's performance is great, and we felt like we had a chance to stretch our legs on this. We're pumped for the release on March 6."
We ask if musically, The Penny Drop is what fans would expect.
"I think so," Ox offered. "I don't think it's a massive departure. The main thing - whether people notice it or not - is Nick used to always write the first riff. So when we started writing for this album, we didn't really know where to start. For those that don't know, Pete, our guitar player, is a farmer and operates this huge acreage up in North West Victoria, and he went from a point of view where he started writing a riff a day for 30 days and just rinsed everything he could. And that was new for us. As opposed to starting with the groove, we started with the riff - which obviously leads to the groove - and then Zane went through the process of putting those together into songs, and then I went through a process of freestyling over two days. I just went down to Melbourne and got drunk and had a bit of fun with the boys, and they'd throw ideas at me, and we came up with… I think we ended up freestyling for about 20 of them and 17 of them ended up getting written and then five of them got dropped, and you end up with the 12 songs that you have on The Penny Drop. Different process for us, but it's a weird thing, Kris. I think it's a negative thing to do to monitor yourself when you're working. You just want to be working with each member as a whole and as an individual. You wanna be really conscious of doing your job, not self-monitoring too much and letting the producer and letting the engineers focus on what the whole thing is. That's a...]]>1109album,australia,ezekielox,funk,hardrock,heavy,heavymetal,interview,krispeters,mammal,music,podcast,rock,thepennydroptruefullhttps://www.spreaker.com/episode/building-an-empire-with-dom-nick-from-suffer-the-evenue--58875597After laying a solid platform last year with their debut EP Vol 1: Superdead metal outfit Suffer The Evenue have spent the last 12 months planning and refining the follow-up to best showcase their musical prowess.
By harvesting the essence from their first release, Suffer The Evenue felt more comfortable following their creative instincts on this one, which in turn allowed the band greater flexibility to integrate more sounds and influences into their work.
The South Australian groove metal/hardcore hybrid are premiering their latest track A New Empire through HEAVY this Friday, March 1 at 5pm AEST, with everything mentioned above and more packed into the track which envelops more grove and touches of funk over a foreboding and heavy as fuck metal underbelly.
A New Empire is the lead single taken from Suffer The Evenue's new EP Vol 2: Superdeader which will be unleashed on April 12.
HEAVY caught up once more with vocalist Nick and guitarist Dom to talk about the single and EP.
We start by asking how they are feeling after approaching the new EP release with the wisdom gained from the first offering.
"I feel like our approach has been different," Dom began. "We learned a lot from the first run and now the second one I think the songs have definitely taken a step-up. Our writing has definitely taken a step-up, and we're definitely coming together more as a group. It's not just… like all of us were showing our skills in the first one, but this one's more of a controlled group effort, which has been a good way to write."
We press the boys on the musical direction of A New Empire and what they were going for with it.
"Probably a bit of a journey," Dom measured. "There's influences not just in music, but outside of the music as well. It's got a bit of a horror theme vibe to it and I think when the film clip drops it will all make a bit of sense. It's definitely very influenced by a lot of different genres outside of our music, but I enjoyed the journey of the whole song. It starts somewhere and has the start, middle, and end."
"When we were thrashing this one out for the first time and piecing it together, I was a spectator to start off with," Nick added. "As a spectator I noticed the other guys were all on the same page when working on a song from point A we got to a certain point in the song and everyone said nah, we have to change this song now, and we're gonna do something particular. They were all on the same page straight away and it was awesome. What they came up with was just… it hit right, felt right, and it was smooth."
In the full interview, Dom and Nick talk about some of the more experimental aspects of A New Empire, why it was chosen as the lead single, the similarity between the two EPs, how they differ from each other musically, run through each of the four tracks on Vol 2: Superdeader, explain the thought process of each song, plans for the rest of 2024 and more.
HEAVY would like to thank our sponsor RODE. Intro music taken from Brown Snake, the second single release from Dreamkillers new album, which will be out later this year. The song is premiered on March 14 via HEAVY.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58875597Thu, 29 Feb 2024 13:12:21 +0000HEAVY MagazineInterview by Kris Peters After laying a solid platform last year with their debut EP Vol 1: Superdead metal outfit Suffer The Evenue have spent the last 12 months planning and refining the follow-up to best showcase their musical prowess. By...After laying a solid platform last year with their debut EP Vol 1: Superdead metal outfit Suffer The Evenue have spent the last 12 months planning and refining the follow-up to best showcase their musical prowess.
By harvesting the essence from their first release, Suffer The Evenue felt more comfortable following their creative instincts on this one, which in turn allowed the band greater flexibility to integrate more sounds and influences into their work.
The South Australian groove metal/hardcore hybrid are premiering their latest track A New Empire through HEAVY this Friday, March 1 at 5pm AEST, with everything mentioned above and more packed into the track which envelops more grove and touches of funk over a foreboding and heavy as fuck metal underbelly.
A New Empire is the lead single taken from Suffer The Evenue's new EP Vol 2: Superdeader which will be unleashed on April 12.
HEAVY caught up once more with vocalist Nick and guitarist Dom to talk about the single and EP.
We start by asking how they are feeling after approaching the new EP release with the wisdom gained from the first offering.
"I feel like our approach has been different," Dom began. "We learned a lot from the first run and now the second one I think the songs have definitely taken a step-up. Our writing has definitely taken a step-up, and we're definitely coming together more as a group. It's not just… like all of us were showing our skills in the first one, but this one's more of a controlled group effort, which has been a good way to write."
We press the boys on the musical direction of A New Empire and what they were going for with it.
"Probably a bit of a journey," Dom measured. "There's influences not just in music, but outside of the music as well. It's got a bit of a horror theme vibe to it and I think when the film clip drops it will all make a bit of sense. It's definitely very influenced by a lot of different genres outside of our music, but I enjoyed the journey of the whole song. It starts somewhere and has the start, middle, and end."
"When we were thrashing this one out for the first time and piecing it together, I was a spectator to start off with," Nick added. "As a spectator I noticed the other guys were all on the same page when working on a song from point A we got to a certain point in the song and everyone said nah, we have to change this song now, and we're gonna do something particular. They were all on the same page straight away and it was awesome. What they came up with was just… it hit right, felt right, and it was smooth."
In the full interview, Dom and Nick talk about some of the more experimental aspects of A New Empire, why it was chosen as the lead single, the similarity between the two EPs, how they differ from each other musically, run through each of the four tracks on Vol 2: Superdeader, explain the thought process of each song, plans for the rest of 2024 and more.
HEAVY would like to thank our sponsor RODE. Intro music taken from Brown Snake, the second single release from Dreamkillers new album, which will be out later this year. The song is premiered on March 14 via HEAVY.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>843anewempire,australia,groovemetal,hardcore,heavy,heavymetal,interview,krispeters,podcast,suffertheevenue,vol2superdeadertruefullhttps://www.spreaker.com/episode/projecting-your-mortality-with-bruce-dickinson--58843408It’s been almost 20 years since Bruce Dickinson released his last solo album Tyranny Of Souls back in 2005, but the wait is almost over with the release of The Mandrake Project on March 1. Much has happened with Dickinson both professionally and personally between albums, and he pours the bulk of it out on this, his seventh solo album, which is once again completed with the assistance of Dickinson’s long-time collaborator Roy Z. Dickinson is no stranger to releasing albums between his solo project and Iron Maiden, but we pose the question if he still gets nervous in the weeks before an album drop. "Nervous… I wasn't so much nervous about this one,” he measured. “I was just really excited and frustrated. The whole thing is we spent seven years making this record because of COVID and all that rubbish and various other things. I got sick for a year with throat cancer, but basically after seven years we got together and made the record, and it's been ready for release for about a year now. So people who have heard it are freaking out about it saying isn't it amazing, wow, this is the best thing you've ever done, and I'm like 'I JUST WANT IT TO BE RELEASED’." The Mandrake Project is an album seven years in the making, giving Dickinson time to pour more of his heart and soul into the musical aspect of the recording than usual. As a result, the album is more than just another hard rock release from the solo project of a famous frontman. It is more of a musical journey that transcends time, space and expectation that eventually comes back to the true essence of what got Dickinson interested in music in the first place. “Well, obviously, back in the day looking at stuff I dealt with Roy Z,” he recalled, “who’s my partner in the record and the producer. He co-wrote probably two-thirds of the songs with me, the rest of them are all mine. We did two really good records, Accident Of Birth and The Chemical Wedding, which in the back end of the 90s people thought was a very influential record. And then we did Tyranny Of Souls then back in Maiden, so this was like unfinished business. There's definitely another album here that we could do. Continue the line as it were, because we started to diversify a bit on the journey. Chemical was fantastically heavy, and we wanted to kind of go beyond both of those albums so have more diversity on this record but also make it… when it was heavy, it was really heavy (laughs). Things we couldn't do, for example, in the context of Iron Maiden. Because Maiden’s got its own style, and we've got gazillions of songwriters in Maiden, so this is very much stuff where you say… some of this you would never hear on a Maiden record. So that was the basic idea with the album. I do need to mention that it looks like a concept album, but it's not. There is a 12-episode comic that goes with… as a companion to the album, but it's an independent, free-standing entity also called The Mandrake Project and the first issue was released on January 15. The Mandrake Project is going to go on for the best part of three years, so every three months we'll do a new episode of a 34 page comic. End of this year will be four issues, or the first book if you like, and that will come out at the end of the year as a full, complete issue, and then we'll crack on.” “That and the album combined look like a concept,” he continued. “From a presentation perspective they are, but from an artistic perspective, they're separate. They're like two free-standing trees next door to each other. You can't see the connection, but it's there because the roots talk to each other. But that's in fact what they are. If you listen to the album, but you never bother to have a look at the comic, that's just fine. And vice versa. But if you dip in and out of both, it's a lot more fun." Looking through the album track listing, there’s no song actually called The Mandrake Project to be seen, so we ask Dickinson what greater significance the title has. "That's quite an interesting point,” he smiled. “There's no title track per se. The original title of the album was going to be If Eternity Should Fail, which is actually pulled from a Doctor Strange episode of the comic. That song got pulled off and put on the Maiden Book Of Souls album, so I was cool with that. I thought I will repossess the song when we get around to doing the album - which of course we didn't for years because of all the circumstances. But when I finally came around to record that song I actually changed the title to Eternity Has Failed because I tweaked some of the lyrics and some of the story in the comic - there's our little two trees connected by the roots again - and I thought I need a title that sums up both the record and the comic and ties it all together. And this is where the two things really start getting linked. I've had two pages of scribbling absolute garbage, silly names, I won't tell you some of them because they're embarrassing (laughs) and I just kept churning at it saying "no, no, almost, no, oh my God get down the pub and forget about it" and then finally - I don't know why - the word Mandrake popped in my head and I had a good search of who else used anything Mandrake. I like Mandrake. I like The Mandrake Project because it sounds like some secret government clandestine thing. It sounds mysterious and you think what is that? That's a great intro to a world. And that worked for the comic as well, because The Mandrake Project is the name of this scientific organisation that is clandestine, which has developed technology to effectively bottle the human soul at the point of death and store it and then re-introduce it into something else. I invented these two characters, Dr. Necropolis and Professor Lazarus and a very basic story. By the time seven years had gone by, and I'd been locked up for three years (laughs) in a little apartment with my girlfriend binge watching Netflix, the story had moved on and I'd actually done a bit of work on it and taken a bit of advice from friends of mine who are Hollywood screenwriters. I ran the story past Kurt Sutter, who wrote Sons Of Anarchy. We had a zoom call together, and I ran the development of the story, and he was the one who said that would make a great comic. I said what do I do, do I write a script and send it to Netflix, and he said no, it will go in the bin but do a comic. So it ended up at four episodes in one book, so I wrote a couple of episodes and thought no way is this four episodes. Eight episodes then, and in no time at all it was no, this is twelve episodes and that felt just right. I rang the comic company and they were great. I expected them to show me the door, but they loved the story. They loved the idea. It's not a superhero comic by any stretch. It's much darker." The Mandrake Project has become a deeply personal album for Dickinson, with the vocalist admitting tapping into his fears, problems and truths brought out the absolute best in him. "I mean, all albums should be personal experiences,” he shrugged. “In my opinion, the best albums are, usually. This album wasn’t like therapy for me, but it kind of is in there's a big sweep of emotion on the record. In particular, the last three songs really go to some very moving but in some ways tragic places. And I couldn't have done that 20 years ago. There's a lot of mumblings about life and death, quite a lot of death on the record, and that's because I got a little bit closer to it than I really wanted to when I had throat cancer. I imagined I did anyway. You confront the possibility you might not be here in a couple of years, and you think well… how does that make me feel (laughs). Years ago when people asked me if the experience changed the way I thought about life I went ‘no, no, no, nah. No. It was just a bad cold’. But looking back nine years ago when I got diagnosed… looking back I realised actually yeah, it has changed the way I look at life. My perspective is unbelievably precious. Everybody should hang onto it and squeeze the last bits of life out of life. Right until your croaking breath because this may well be the only one you've got, and The Mandrake Project kind of addresses that. It's like, is there a God? And if there is, what kind of God is he? Is he a poet? Maybe it's just the force, Luke? Or maybe he does nothing at all. There's a few things along with that. There's a lot of underworld references, there's a lot of… not too much sci-fi on the record.” Before finishing up, we feel obliged to ask Dickinson what we can expect from the Iron Maiden tour of Australia later this year. "Death, destruction and skull doggery mate,” he promised. “It's gonna be amazing. I do 40 shows solo starting in April until 21st July, then I go lie down in a darkened room for two or three weeks and I wake up in Australia, and we start rehearsals in Perth. I'm really looking forward to it, we all are. We love Australia as a place, as a country, as the people who live there. We’re gonna have a blast. The only thing that would be almost as good as touring there with Maiden would be bringing this project down to Oz at some point. Obviously we're not gonna be doing 10,000 seaters,

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58843408Thu, 29 Feb 2024 05:57:31 +0000HEAVY MagazineInterview by Kris Peters It’s been almost 20 years since Bruce Dickinson released his last solo album Tyranny Of Souls back in 2005, but the wait is almost over with the release of The Mandrake Project on March 1. Much has happened with Dickinson both...It’s been almost 20 years since Bruce Dickinson released his last solo album Tyranny Of Souls back in 2005, but the wait is almost over with the release of The Mandrake Project on March 1. Much has happened with Dickinson both professionally and personally between albums, and he pours the bulk of it out on this, his seventh solo album, which is once again completed with the assistance of Dickinson’s long-time collaborator Roy Z. Dickinson is no stranger to releasing albums between his solo project and Iron Maiden, but we pose the question if he still gets nervous in the weeks before an album drop. "Nervous… I wasn't so much nervous about this one,” he measured. “I was just really excited and frustrated. The whole thing is we spent seven years making this record because of COVID and all that rubbish and various other things. I got sick for a year with throat cancer, but basically after seven years we got together and made the record, and it's been ready for release for about a year now. So people who have heard it are freaking out about it saying isn't it amazing, wow, this is the best thing you've ever done, and I'm like 'I JUST WANT IT TO BE RELEASED’." The Mandrake Project is an album seven years in the making, giving Dickinson time to pour more of his heart and soul into the musical aspect of the recording than usual. As a result, the album is more than just another hard rock release from the solo project of a famous frontman. It is more of a musical journey that transcends time, space and expectation that eventually comes back to the true essence of what got Dickinson interested in music in the first place. “Well, obviously, back in the day looking at stuff I dealt with Roy Z,” he recalled, “who’s my partner in the record and the producer. He co-wrote probably two-thirds of the songs with me, the rest of them are all mine. We did two really good records, Accident Of Birth and The Chemical Wedding, which in the back end of the 90s people thought was a very influential record. And then we did Tyranny Of Souls then back in Maiden, so this was like unfinished business. There's definitely another album here that we could do. Continue the line as it were, because we started to diversify a bit on the journey. Chemical was fantastically heavy, and we wanted to kind of go beyond both of those albums so have more diversity on this record but also make it… when it was heavy, it was really heavy (laughs). Things we couldn't do, for example, in the context of Iron Maiden. Because Maiden’s got its own style, and we've got gazillions of songwriters in Maiden, so this is very much stuff where you say… some of this you would never hear on a Maiden record. So that was the basic idea with the album. I do need to mention that it looks like a concept album, but it's not. There is a 12-episode comic that goes with… as a companion to the album, but it's an independent, free-standing entity also called The Mandrake Project and the first issue was released on January 15. The Mandrake Project is going to go on for the best part of three years, so every three months we'll do a new episode of a 34 page comic. End of this year will be four issues, or the first book if you like, and that will come out at the end of the year as a full, complete issue, and then we'll crack on.” “That and the album combined look like a concept,” he continued. “From a presentation perspective they are, but from an artistic perspective, they're separate. They're like two free-standing trees next door to each other. You can't see the connection, but it's there because the roots talk to each other. But that's in fact what they are. If you listen to the album, but you never bother to have a look at the comic, that's just fine. And vice versa. But if you dip in and out of both, it's a lot more fun." Looking through the album track listing, there’s no song actually called The Mandrake Project to be seen, so we ask Dickinson what greater...]]>695album,brucedickinson,hardrock,heavy,heavymetal,interview,ironmaiden,krispeters,podcast,rock,solo,themandrakeprojecttruefullhttps://www.spreaker.com/episode/chain-of-command-with-nick-melissourgos-from-suicidal-angels--58869074Greek metal masters of mayhem Suicidal Angels tomorrow release their eighth studio album Profane Prayer, reaffirming their growing stature as one of the leaders of the next phase of metal evolution.
Since forming Suicidal Angels at just 16 years of age back in 2001, Nick Melissourgos (vocals, guitars) has overseen a changing of the guard of sorts, kicking things off with the band's debut album Eternal Domination which set the musical landscape ablaze.
After being invited by Sakis Tolis of ROTTING CHRIST to do their first European tour soon after, Suicidal Angels quickly found their stride and set about laying a decimating sonic landscape in their wake, forcing people to sit up and take notice.
Landing the support slot with KREATOR set about a fresh chain of events that saw Melissourgos strike up an enduring friendship with Mille Petrozza, and since then Suicidal Angels have made every post a winner.
Four years in the making, Profane Prayer is already being lauded by fans and critics alike, with HEAVY spending some time with Melissourgos earlier this week to document the rise and rise of his band.
"We're a thrash metal band from Athens, Greece," he declared proudly before we begin talking about the album. "We are about to release our eighth studio album and in a couple of days we hit the road for the first European tour for this album. Afterwards we go to the United Kingdom, Spain and Portugal. The whole booking process for the concerts is taking place, so we hope we can get to other markets as well. We had some plans for 2020 to come to Australia, but due to the COVID situation we couldn't make it."
We ask Nick how the nerves are kicking in just days out from release.
"A bit, to be honest," he admitted. "Before this pandemic stopped the whole planet… it actually hit us quite hard because we had just released our previous album Years Of Aggression on August 2019, and we were about to do a huge, extensive tour. As I said before, we were even planning on going to Australia and the USA and Canada markets, places we hadn't been before. Two and a half years we were off the road, and then we tried to do some small tours mostly here and in America to promote the Years Of Aggression album and gradually and slowly came back to the reality of the after COVID situation. It took longer than usual to release a new album, but it was because of the situation, and now we're quite anxious and nervous but also excited with this release. We really hope to get back on the road and the life we used to have."
In the full interview, we ask Nick to go deeper into the musical side of Profane Prayer, how much they experimented with their sound on the album, how it differs to previous releases, how much growth Suicidal Angels have left in them, the early days of the band and how serious he was about it, what things he has learned about life and music over the journey, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58869074Wed, 28 Feb 2024 21:42:20 +0000HEAVY MagazineInterview by Kris Peters Greek metal masters of mayhem Suicidal Angels tomorrow release their eighth studio album Profane Prayer, reaffirming their growing stature as one of the leaders of the next phase of metal evolution. Since forming Suicidal...Greek metal masters of mayhem Suicidal Angels tomorrow release their eighth studio album Profane Prayer, reaffirming their growing stature as one of the leaders of the next phase of metal evolution.
Since forming Suicidal Angels at just 16 years of age back in 2001, Nick Melissourgos (vocals, guitars) has overseen a changing of the guard of sorts, kicking things off with the band's debut album Eternal Domination which set the musical landscape ablaze.
After being invited by Sakis Tolis of ROTTING CHRIST to do their first European tour soon after, Suicidal Angels quickly found their stride and set about laying a decimating sonic landscape in their wake, forcing people to sit up and take notice.
Landing the support slot with KREATOR set about a fresh chain of events that saw Melissourgos strike up an enduring friendship with Mille Petrozza, and since then Suicidal Angels have made every post a winner.
Four years in the making, Profane Prayer is already being lauded by fans and critics alike, with HEAVY spending some time with Melissourgos earlier this week to document the rise and rise of his band.
"We're a thrash metal band from Athens, Greece," he declared proudly before we begin talking about the album. "We are about to release our eighth studio album and in a couple of days we hit the road for the first European tour for this album. Afterwards we go to the United Kingdom, Spain and Portugal. The whole booking process for the concerts is taking place, so we hope we can get to other markets as well. We had some plans for 2020 to come to Australia, but due to the COVID situation we couldn't make it."
We ask Nick how the nerves are kicking in just days out from release.
"A bit, to be honest," he admitted. "Before this pandemic stopped the whole planet… it actually hit us quite hard because we had just released our previous album Years Of Aggression on August 2019, and we were about to do a huge, extensive tour. As I said before, we were even planning on going to Australia and the USA and Canada markets, places we hadn't been before. Two and a half years we were off the road, and then we tried to do some small tours mostly here and in America to promote the Years Of Aggression album and gradually and slowly came back to the reality of the after COVID situation. It took longer than usual to release a new album, but it was because of the situation, and now we're quite anxious and nervous but also excited with this release. We really hope to get back on the road and the life we used to have."
In the full interview, we ask Nick to go deeper into the musical side of Profane Prayer, how much they experimented with their sound on the album, how it differs to previous releases, how much growth Suicidal Angels have left in them, the early days of the band and how serious he was about it, what things he has learned about life and music over the journey, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>580heavy,heavymetal,interview,krispeters,podcast,profaneprayer,suicidalangels,thrashmetalfalsefullhttps://www.spreaker.com/episode/tides-of-death-with-jason-evans-from-ingested--58827001Manchester death metal outfit Ingested are the gift that keeps on giving.
Since their 2020 album Where Only God May Tread, the three-piece masters of metal have released roughly one album per year, culminating in The Tide Of Death And Fractured Dreams which will be unleashed via Metal Blade Records on April 5.
Following the bleak firestorm that was Ashes Lie Still, Ingested have produced a more upbeat body of work that more reflects where the band are at personally in their lives.
Never afraid to experiment within and beyond their genre, Ingested thread a myriad of subtleties through each new release, allowing themselves to explore different sonic plains while still remaining true to their core. It is an approach that has seen the band rise rapidly through the ranks and should see them ascend even further with The Tide Of Death And Fractured Dreams.
The band produced the album themselves with the guidance of recording engineer Nico Beninato, further expanding their musical horizons, with guest appearances from Chimaira's Mark Hunter and Sylosis' Josh Middleton enhancing the finished product.
Vocalist Jason Evans joined HEAVY to tell us more.
"We've been sitting on this album for well over a year now," he began. "We released our last album Ashes Lie Still in November 2022 and then four weeks after that album was released, in December 2022, we went into the studio and recorded The Tide Of Death And Fractured Dreams, so we've had this album done and dusted for well over a year. The way that we like to work is we like to work ahead, because we're always writing. So when an album's done, it's done. Let's just get in there, get in the studio, get it recorded, then what we're doing then is we're giving ourselves time to really prepare for the announcement and release of the album. So we've had a year to make sure the artwork looks amazing, make sure the music videos are all looking great, so that's how we like to work. We'd rather give ourselves the time to make sure everything's exactly how we want it to be for the presentation of the album so when it does get announced and people know that it's coming, everything is ready. We don't like rushing around. We like it done. I'm excited to finally announce to everyone that it exists and that it's coming out. We don't have to wait that long, but in the meantime we've just released the first single, Paragon Of Purity, with a music video. That's doing really well. All our fans seem to love it, and then we've got more. We've got more coming out in the run-up to the album's release and probably beyond the release as well. We've got loads of stuff coming. We've just announced a headline tour through the UK and Europe, which runs through April and May. We're taking out Fallujah and Vulvodynia, so I'm excited. It's gonna be yet another busy year for us."
In the full interview, Jason talks more about The Tide Of Death And Fractured Dreams and what to expect, what Ingested were going for musically, what things the band experimented with, the two guest artists on the album and what they each brought to their song, the process of producing and the benefits to the band of knowing how, their release process and how the band harnesses its creativity, fans reactions to such frequent releases, how much musical growth Ingested have in them and more.
HEAVY would like to thank our sponsor RODE. Intro music and end song 'Paragon Of Purity' by Ingested.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58827001Mon, 26 Feb 2024 16:38:44 +0000HEAVY MagazineInterview by Kris Peters Manchester death metal outfit Ingested are the gift that keeps on giving. Since their 2020 album Where Only God May Tread, the three-piece masters of metal have released roughly one album per year, culminating in The Tide Of...Manchester death metal outfit Ingested are the gift that keeps on giving.
Since their 2020 album Where Only God May Tread, the three-piece masters of metal have released roughly one album per year, culminating in The Tide Of Death And Fractured Dreams which will be unleashed via Metal Blade Records on April 5.
Following the bleak firestorm that was Ashes Lie Still, Ingested have produced a more upbeat body of work that more reflects where the band are at personally in their lives.
Never afraid to experiment within and beyond their genre, Ingested thread a myriad of subtleties through each new release, allowing themselves to explore different sonic plains while still remaining true to their core. It is an approach that has seen the band rise rapidly through the ranks and should see them ascend even further with The Tide Of Death And Fractured Dreams.
The band produced the album themselves with the guidance of recording engineer Nico Beninato, further expanding their musical horizons, with guest appearances from Chimaira's Mark Hunter and Sylosis' Josh Middleton enhancing the finished product.
Vocalist Jason Evans joined HEAVY to tell us more.
"We've been sitting on this album for well over a year now," he began. "We released our last album Ashes Lie Still in November 2022 and then four weeks after that album was released, in December 2022, we went into the studio and recorded The Tide Of Death And Fractured Dreams, so we've had this album done and dusted for well over a year. The way that we like to work is we like to work ahead, because we're always writing. So when an album's done, it's done. Let's just get in there, get in the studio, get it recorded, then what we're doing then is we're giving ourselves time to really prepare for the announcement and release of the album. So we've had a year to make sure the artwork looks amazing, make sure the music videos are all looking great, so that's how we like to work. We'd rather give ourselves the time to make sure everything's exactly how we want it to be for the presentation of the album so when it does get announced and people know that it's coming, everything is ready. We don't like rushing around. We like it done. I'm excited to finally announce to everyone that it exists and that it's coming out. We don't have to wait that long, but in the meantime we've just released the first single, Paragon Of Purity, with a music video. That's doing really well. All our fans seem to love it, and then we've got more. We've got more coming out in the run-up to the album's release and probably beyond the release as well. We've got loads of stuff coming. We've just announced a headline tour through the UK and Europe, which runs through April and May. We're taking out Fallujah and Vulvodynia, so I'm excited. It's gonna be yet another busy year for us."
In the full interview, Jason talks more about The Tide Of Death And Fractured Dreams and what to expect, what Ingested were going for musically, what things the band experimented with, the two guest artists on the album and what they each brought to their song, the process of producing and the benefits to the band of knowing how, their release process and how the band harnesses its creativity, fans reactions to such frequent releases, how much musical growth Ingested have in them and more.
HEAVY would like to thank our sponsor RODE. Intro music and end song 'Paragon Of Purity' by Ingested.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1834deathmetal,heavy,heavymetal,ingested,interview,jasonevans,krispeters,metalbladerecords,podcasttruefullhttps://www.spreaker.com/episode/metal-electric-with-scott-kirkland-from-the-crystal-method--58826143Pioneers of Electronic Industrial Music, The Crystal Method, return to Australia from March 1 via Auckland on February 29 for a string of showstopping performances.
Despite only 14 months elapsing since their last trip out here, such has been the demand for The Crystal Method to bring their music back that these new shows are all close to selling out.
Recognised as a pioneering force in the Big Beat genre and Electronica movement alongside The Chemical Brothers, Fatboy Slim, and The Prodigy, The Crystal Method have played a large part in bringing their brand of music out of the warehouses and into the mainstream.
Main man Scott Kirkland has worked with a lot of big names across genres, whether it be collaborating or producing, most notably releasing a reworked ‘(Can't You) Trip Like I Do’, with Filter on the soundtrack to the film adaptation of Spawn in 1997. Their album Tweekend featured guests including Rage Against the Machine guitarist Tom Morello and Stone Temple Pilots vocalist Scott Weiland, allowing for a metal crossover both sonically and from experience.
Promising a night of “nostalgia, rave, and pure ecstasy”, The Crystal Method performs two hours plus every night and to tell us more HEAVY welcomed Kirkland for a chat late last week. We ask what has changed with the show since their last visit in December 2022.
"I definitely have added a bunch of new tracks," he replied. "We're visiting some classic stuff that I didn't play the first time around, some new mixes. I don't do the same set twice in a row. I like to change things up a bit, even from night to night. I'm aware of what I was playing back then and definitely wanna mix it up a bit and just bring the energy and bring the fun and take care of the people who show up."
We mention the short amount of time between tours and the fact fans in Australia must love The Crystal Method.
"I was delighted to receive the offer to come back," he smiled. "I definitely had a good time when I was down there. It had been way too long. Obviously the delay from COVID… I was meant to come out in June or July of 2020 and things got shifted around, so I think there was a lot of anticipation for my return. Thankfully the shows came off well and the tour was great, and I'm really excited to be able to come back."
In the full interview, Scott talks about Australian audiences and how they are different to other places in the world, what countries have the toughest crowds, how he reacts when crowds don't seem to be getting into it, appealing to heavy metal music fans, blending metal and electronic dance music and how easy/hard that is, what first attracted him to this style of music, how he transformed that love into The Crystal Method, how he would describe what he does to people who don't follow the band, future plans and more.
Big thanks to our sponsore RODE. Intro music "Brown Snake" by Dreamkillers, premiered in HEAVY on March 14.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58826143Mon, 26 Feb 2024 15:43:12 +0000HEAVY MagazineInterview by Kris Peters Pioneers of Electronic Industrial Music, The Crystal Method, return to Australia from March 1 via Auckland on February 29 for a string of showstopping performances. Despite only 14 months elapsing since their last trip out...Pioneers of Electronic Industrial Music, The Crystal Method, return to Australia from March 1 via Auckland on February 29 for a string of showstopping performances.
Despite only 14 months elapsing since their last trip out here, such has been the demand for The Crystal Method to bring their music back that these new shows are all close to selling out.
Recognised as a pioneering force in the Big Beat genre and Electronica movement alongside The Chemical Brothers, Fatboy Slim, and The Prodigy, The Crystal Method have played a large part in bringing their brand of music out of the warehouses and into the mainstream.
Main man Scott Kirkland has worked with a lot of big names across genres, whether it be collaborating or producing, most notably releasing a reworked ‘(Can't You) Trip Like I Do’, with Filter on the soundtrack to the film adaptation of Spawn in 1997. Their album Tweekend featured guests including Rage Against the Machine guitarist Tom Morello and Stone Temple Pilots vocalist Scott Weiland, allowing for a metal crossover both sonically and from experience.
Promising a night of “nostalgia, rave, and pure ecstasy”, The Crystal Method performs two hours plus every night and to tell us more HEAVY welcomed Kirkland for a chat late last week. We ask what has changed with the show since their last visit in December 2022.
"I definitely have added a bunch of new tracks," he replied. "We're visiting some classic stuff that I didn't play the first time around, some new mixes. I don't do the same set twice in a row. I like to change things up a bit, even from night to night. I'm aware of what I was playing back then and definitely wanna mix it up a bit and just bring the energy and bring the fun and take care of the people who show up."
We mention the short amount of time between tours and the fact fans in Australia must love The Crystal Method.
"I was delighted to receive the offer to come back," he smiled. "I definitely had a good time when I was down there. It had been way too long. Obviously the delay from COVID… I was meant to come out in June or July of 2020 and things got shifted around, so I think there was a lot of anticipation for my return. Thankfully the shows came off well and the tour was great, and I'm really excited to be able to come back."
In the full interview, Scott talks about Australian audiences and how they are different to other places in the world, what countries have the toughest crowds, how he reacts when crowds don't seem to be getting into it, appealing to heavy metal music fans, blending metal and electronic dance music and how easy/hard that is, what first attracted him to this style of music, how he transformed that love into The Crystal Method, how he would describe what he does to people who don't follow the band, future plans and more.
Big thanks to our sponsore RODE. Intro music "Brown Snake" by Dreamkillers, premiered in HEAVY on March 14.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>986electronicdancemusic,hardrock,heavy,heavymetal,interview,krispeters,podcast,scottkirkland,thecrystalmethod,tourfalsefullhttps://www.spreaker.com/episode/conquering-new-territories-with-kyle-anderson-from-brand-of-sacrifice--58792280Knotfest Australia 2024 is fast approaching, with less than one month before the traveling music extravaganza hits Melbourne for the first show on March 21.
Headlined by Pantera, Disturbed and Lamb Of God, it would be easy to overlook some of the other bands on the bill out of pure excitement for the headliners, but do so at your own peril.
One of the best things about festivals is the opportunity to hear fresh bands for the first time. Bands that might not have crossed your radar yet. Personally, I have discovered some of my all-time favourite bands this way, and I'm sure I'm not alone in that.
One such band to keep an ear out for at Knotfest this year is Canadian deathcore wrecking crew Brand Of Sacrifice, a band rapidly on the rise overseas but making their first visit to this side of the world.
With their recent signing to Nuclear Blast Records and release of heavy as fuck single Purge, Brand Of Sacrifice are up for the challenge of winning over a new legion of fans, with vocalist Kyle Anderson joining HEAVY to talk more.
"I'm very excited and definitely looking forward to seeing Disturbed," he smiled. "I haven't seen them yet."
Despite the fact it was just over one month away at the time of this chat, we ask Kyle if he has allowed himself to get excited so far out.
"Oh, I've been excited ever since we got the offer," he replied. "It's been a dream. I've never been (to Australia before) and the band has never been either."
We run through the line-up and ask who he is most looking forward to playing with other than Disturbed.
"I'm looking forward to them," he affirmed. "Pantera and Lamb Of God are legends too. As far as some of the newer bands, Thy Art Is Murder are great, and they're from Australia, so we've gotta plug them. I haven't seen Wage War yet, from America, so I'm looking forward to seeing them, too."
In the full interview we ask Kyle if, as a young band on the scene, it gets daunting being backstage with so many legendary bands, what we can expect from Brand Of Sacrifice live, their sideshows with Lamb Of God, how different those shows will be to the festival appearances, if the band chooses festival set lists to appeal to a broader musical taste, how any songs from their latest EP Between Life And Death will be in the set list, signing to Nuclear Blast Records and what that means to the band, latest single Purge and if that is part of a bigger picture and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58792280Fri, 23 Feb 2024 03:40:40 +0000HEAVY MagazineInterview by Kris Peters Knotfest Australia 2024 is fast approaching, with less than one month before the traveling music extravaganza hits Melbourne for the first show on March 21. Headlined by Pantera, Disturbed and Lamb Of God, it would be easy to...Knotfest Australia 2024 is fast approaching, with less than one month before the traveling music extravaganza hits Melbourne for the first show on March 21.
Headlined by Pantera, Disturbed and Lamb Of God, it would be easy to overlook some of the other bands on the bill out of pure excitement for the headliners, but do so at your own peril.
One of the best things about festivals is the opportunity to hear fresh bands for the first time. Bands that might not have crossed your radar yet. Personally, I have discovered some of my all-time favourite bands this way, and I'm sure I'm not alone in that.
One such band to keep an ear out for at Knotfest this year is Canadian deathcore wrecking crew Brand Of Sacrifice, a band rapidly on the rise overseas but making their first visit to this side of the world.
With their recent signing to Nuclear Blast Records and release of heavy as fuck single Purge, Brand Of Sacrifice are up for the challenge of winning over a new legion of fans, with vocalist Kyle Anderson joining HEAVY to talk more.
"I'm very excited and definitely looking forward to seeing Disturbed," he smiled. "I haven't seen them yet."
Despite the fact it was just over one month away at the time of this chat, we ask Kyle if he has allowed himself to get excited so far out.
"Oh, I've been excited ever since we got the offer," he replied. "It's been a dream. I've never been (to Australia before) and the band has never been either."
We run through the line-up and ask who he is most looking forward to playing with other than Disturbed.
"I'm looking forward to them," he affirmed. "Pantera and Lamb Of God are legends too. As far as some of the newer bands, Thy Art Is Murder are great, and they're from Australia, so we've gotta plug them. I haven't seen Wage War yet, from America, so I'm looking forward to seeing them, too."
In the full interview we ask Kyle if, as a young band on the scene, it gets daunting being backstage with so many legendary bands, what we can expect from Brand Of Sacrifice live, their sideshows with Lamb Of God, how different those shows will be to the festival appearances, if the band chooses festival set lists to appeal to a broader musical taste, how any songs from their latest EP Between Life And Death will be in the set list, signing to Nuclear Blast Records and what that means to the band, latest single Purge and if that is part of a bigger picture and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>466askingalexandria,brandofsacrifice,deathcore,disturbed,halestorm,heavy,heavymetal,interview,kingparrot,knotfest2024,knotfestaustralia,krispeters,kyleanderson,lambofgod,pantera,podcast,skindred,wagewarfalsefullhttps://www.spreaker.com/episode/travelling-at-warp-speed-with-sam-totman-from-dragonforce--58773153Dragonforce are undoubtedly one of the biggest bands in the world - or at least the most recognisable.
Allowing their track Through The Fire And Flames to be used on Guitar Hero 3 proved a masterstroke for the band after the global success of that game - not to mention the fact how addictive it was - propelled Dragonforce into the lounge rooms and stereos of gamers and budding musicians in every corner of the globe.
While many bands would be content with such an achievement in itself, Dragonforce merely used it as a launching platform on which to deliver their brand of power metal, and the result has been devastatingly effective.
Their music has been used on other games, been nominated for a Grammy and generally taken on a life of its own, with Dragonforce being considered universally as the fastest band in metal. Which is not surprising given the twin guitar assault delivered by founding members Sam Totman and Herman Li, two guitarists worlds apart to look at, but brothers in arms musically.
After not delivering an album of any sort since 2019s Extreme Power Metal, Dragonforce are making an almighty return with their tenth studio album Warp Speed Warriors set for release on March 15.
It has already been labelled as their most ambitious and innovative album to date, with Dragonforce exploring a variety of musical styles and textures, expanding their existing sound while still maintaining their roots.
Guitarist Sam Totman joined HEAVY recently to chat about Warp Speed Warriors.
"Great," he enthused when we asked how he was feeling about the upcoming release of Warp Speed Warriors. "It's funny because, like every band always says, 'we're just so happy to finish it because we've been working on it for ages', but it's definitely the case. I started working on that right when lockdown started and because we had so much time I just worked on it very slowly. In the end unfortunately I started getting a bit sick of it because I'd heard it to death and I never got an end to it because it was like 'oh, I could improve this one' or 'I can improve that one' and I carried on, never stopping. Normally it's good to have a deadline where you finish the album and say right, that's that, that's what it is. But I had so much time to keep improving things and whatever - which is nice - but it was also kind of a pain in the ass. Now that it's finished I haven't listened to it for the last few months, but I put it on the other day when the first Astro Warriors song came on, and I saw the video and thought I can finally enjoy this song for what it is instead of thinking there's this little bit here that I want to change and a little bit there I want to change. Actually, the chorus of that song was different - it's a bit of a nerdy musician fact for you (laughs) - but I changed the chorus of that only two months before we finished the album. Before that it was a different chorus which I didn't think was as good. It was annoying me for three years, and I was thinking it's almost amazing but not quite. And I was like, I'm just going to have to bin it and start again because I kept trying to adjust it. But in the end it turned out good. That's a long way to say yes I do like our album, and it's more heavy and more melodic than all the other ones (laughs). I'd like to say one day it's actually lighter and less melodic, but that's not really true (laughs)."
In the full interview, Sam talks more about Warp Speed Warriors musically, how it is Dragonforce's most ambitious and innovative release, what kinds of things they did on the album that they haven't tried before, covering Taylor Swift, the bonus tracks featuring guest artists, living up to their reputation as the fastest band in the world, the early days of Dragonforce and where they fit in, when he looked around and realised that he could make a career out of music, how the bands sound has changed over the course of ten albums, touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58773153Thu, 22 Feb 2024 08:21:02 +0000HEAVY MagazineInterview by Kris Peters Dragonforce are undoubtedly one of the biggest bands in the world - or at least the most recognisable. Allowing their track Through The Fire And Flames to be used on Guitar Hero 3 proved a masterstroke for the band after the...Dragonforce are undoubtedly one of the biggest bands in the world - or at least the most recognisable.
Allowing their track Through The Fire And Flames to be used on Guitar Hero 3 proved a masterstroke for the band after the global success of that game - not to mention the fact how addictive it was - propelled Dragonforce into the lounge rooms and stereos of gamers and budding musicians in every corner of the globe.
While many bands would be content with such an achievement in itself, Dragonforce merely used it as a launching platform on which to deliver their brand of power metal, and the result has been devastatingly effective.
Their music has been used on other games, been nominated for a Grammy and generally taken on a life of its own, with Dragonforce being considered universally as the fastest band in metal. Which is not surprising given the twin guitar assault delivered by founding members Sam Totman and Herman Li, two guitarists worlds apart to look at, but brothers in arms musically.
After not delivering an album of any sort since 2019s Extreme Power Metal, Dragonforce are making an almighty return with their tenth studio album Warp Speed Warriors set for release on March 15.
It has already been labelled as their most ambitious and innovative album to date, with Dragonforce exploring a variety of musical styles and textures, expanding their existing sound while still maintaining their roots.
Guitarist Sam Totman joined HEAVY recently to chat about Warp Speed Warriors.
"Great," he enthused when we asked how he was feeling about the upcoming release of Warp Speed Warriors. "It's funny because, like every band always says, 'we're just so happy to finish it because we've been working on it for ages', but it's definitely the case. I started working on that right when lockdown started and because we had so much time I just worked on it very slowly. In the end unfortunately I started getting a bit sick of it because I'd heard it to death and I never got an end to it because it was like 'oh, I could improve this one' or 'I can improve that one' and I carried on, never stopping. Normally it's good to have a deadline where you finish the album and say right, that's that, that's what it is. But I had so much time to keep improving things and whatever - which is nice - but it was also kind of a pain in the ass. Now that it's finished I haven't listened to it for the last few months, but I put it on the other day when the first Astro Warriors song came on, and I saw the video and thought I can finally enjoy this song for what it is instead of thinking there's this little bit here that I want to change and a little bit there I want to change. Actually, the chorus of that song was different - it's a bit of a nerdy musician fact for you (laughs) - but I changed the chorus of that only two months before we finished the album. Before that it was a different chorus which I didn't think was as good. It was annoying me for three years, and I was thinking it's almost amazing but not quite. And I was like, I'm just going to have to bin it and start again because I kept trying to adjust it. But in the end it turned out good. That's a long way to say yes I do like our album, and it's more heavy and more melodic than all the other ones (laughs). I'd like to say one day it's actually lighter and less melodic, but that's not really true (laughs)."
In the full interview, Sam talks more about Warp Speed Warriors musically, how it is Dragonforce's most ambitious and innovative release, what kinds of things they did on the album that they haven't tried before, covering Taylor Swift, the bonus tracks featuring guest artists, living up to their reputation as the fastest band in the world, the early days of Dragonforce and where they fit in, when he looked around and realised that he could make a career out of music, how the bands sound has changed over the course of ten albums,...]]>1858dragonforce,hardrpck,heavy,heavymetal,hermanli,interview,krispeters,podcast,powermetal,samtotman,warpspeedwarriorstruefullhttps://www.spreaker.com/episode/shut-up-and-smile-with-benji-webb-from-skindred--58773752UK reggae/metal/funk/rock outfit Skindred have successfully managed to combine a plethora of sounds, influences and genres together to create a completely fresh and vibrant sonic wave of destruction that on paper should not work but somehow does.
Over eight albums the band has defied scrutiny, backlash and, at times, disdain for daring to be different, but you get the impression part of the reason they survive and continue to thrive is because of, and in spite of, that adversity.
Since Skindred were last in Australia four years ago the band have released a new album, Smile, that saw them surge to number two in the UK album chart, in the process reaching the hearts and ears of a new generation of fans to celebrate in all of Skindred's deserved glory.
They return to our corner of the globe in March as part of Knotfest 2024 with exactly the same level of enthusiasm and commitment - just with four more years of experience. And what's more, this time the band will venture over to New Zealand for their first ever show in Auckland on March 28, with Kiwi metal titans Kaosis in support.
Last time HEAVY spoke with frontman Benji Webb it was a case of almost anything goes, so when the chance to speak with the great man was presented to us earlier this week, we cleared our schedule immediately.
We put him on the spot straight up by asking why the band have neglected our neighbors in New Zealand for so long.
"I dunno mate, you've gotta book us," he cheekily replied, "that's the way it goes. You call us. We don't put a pin in the map and say we're going there, people book us. If New Zealand aren't booking us, we're not gonna be there, are we? We're very excited about going there, man. We know we've got a few fans over there, and it's a country that we haven't been to yet, so we're itching to get there."
We point out the New Zealand show is at a brewery and pose the question of what could go wrong?
"A lot of things," he laughed. "But you know what? It doesn't matter about the size. It's about the size of the vibe in the place. We're looking forward to it, we are."
In the full interview Benji talks about visiting countries for the first time, support band Kaosis, playing at Knotfest 2024, the backstage vibe, what we can expect from their shows, what Skindred expect in return, the side shows with Halestorm, the reception to latest album Smile, refusing to conform musically and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58773752Thu, 22 Feb 2024 08:20:35 +0000HEAVY MagazineInterview by Kris Peters UK reggae/metal/funk/rock outfit Skindred have successfully managed to combine a plethora of sounds, influences and genres together to create a completely fresh and vibrant sonic wave of destruction that on paper should not...UK reggae/metal/funk/rock outfit Skindred have successfully managed to combine a plethora of sounds, influences and genres together to create a completely fresh and vibrant sonic wave of destruction that on paper should not work but somehow does.
Over eight albums the band has defied scrutiny, backlash and, at times, disdain for daring to be different, but you get the impression part of the reason they survive and continue to thrive is because of, and in spite of, that adversity.
Since Skindred were last in Australia four years ago the band have released a new album, Smile, that saw them surge to number two in the UK album chart, in the process reaching the hearts and ears of a new generation of fans to celebrate in all of Skindred's deserved glory.
They return to our corner of the globe in March as part of Knotfest 2024 with exactly the same level of enthusiasm and commitment - just with four more years of experience. And what's more, this time the band will venture over to New Zealand for their first ever show in Auckland on March 28, with Kiwi metal titans Kaosis in support.
Last time HEAVY spoke with frontman Benji Webb it was a case of almost anything goes, so when the chance to speak with the great man was presented to us earlier this week, we cleared our schedule immediately.
We put him on the spot straight up by asking why the band have neglected our neighbors in New Zealand for so long.
"I dunno mate, you've gotta book us," he cheekily replied, "that's the way it goes. You call us. We don't put a pin in the map and say we're going there, people book us. If New Zealand aren't booking us, we're not gonna be there, are we? We're very excited about going there, man. We know we've got a few fans over there, and it's a country that we haven't been to yet, so we're itching to get there."
We point out the New Zealand show is at a brewery and pose the question of what could go wrong?
"A lot of things," he laughed. "But you know what? It doesn't matter about the size. It's about the size of the vibe in the place. We're looking forward to it, we are."
In the full interview Benji talks about visiting countries for the first time, support band Kaosis, playing at Knotfest 2024, the backstage vibe, what we can expect from their shows, what Skindred expect in return, the side shows with Halestorm, the reception to latest album Smile, refusing to conform musically and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>915funk,hardrock,heavy,heavymetal,interview,kaosis,knotfest2024,krispeters,podcast,reggae,rock,skindredtruefullhttps://www.spreaker.com/episode/airing-your-dirty-laundry-with-billy-jeans-from-mean-jeans--58760706One of the most enduring qualities of music - or punk music more specifically - is that as a listener or musician you don't feel the obligation to grow up.
Ever.
It's actually expected of you that your morals and beliefs will differ from the rest of society, and your outlook on life and sense of humour practically remain the same thing. So why fight it? That would be more difficult than conforming, and we all know that's not going to happen.
Just ask the three Jeans that make up Mean Jeans - Billy, Houndy and Junior - a trio of friends/band mates who have stumbled through life since even before starting the band 15 years ago, and they couldn't be happier.
With a new album, Blasted, having recently hit the shelves and an almost completed Australian tour with good mates The Chats life couldn't be much better for Mean Jeans.
Just don't ask them if they are ever going to grow up.
Making a mental note to avoid that question, HEAVY sat down earlier today with Billy Jeans to catch up on things, starting with the reception for Blasted, which came out on February 9.
"Awesome," he smiled. "I feel good about it. I'm judging primarily from social media and whatnot, but everybody's sending text messages… I saw a bunch of reviews that the label sent that were all in German, so I don't even know what they said (laughs). It's been a good reception and I think while we were making this record I could tell that it had a little more cohesion and was more true to what Mean Jeans is supposed to be about at the core."
We ask Billy to go deeper into the album musically.
"We never have and never will stray from about a four-power chord progression structure," he offered. "We pretty much keep it Ramones simple and then see what we can sprinkle on top of there, but with this one we had… the band wasn't on hiatus per se, but we actually were living in three different cities when COVID struck. We had been touring in the US up until the end of 2020, so it was a week before the pandemic occured, and we had a support tour with The Chats on the books, and we had never met these guys. That got postponed and postponed and postponed and rescheduled, so we spent most of the pandemic anticipating the tour. We kept booking stuff, even though no one knew when it would make sense to be doing so. Ultimately, it took over two years for the tour to happen, during which time Mean Jeans were not really functional. So the stuff I was writing, I had to put out a solo record called Funky Punks In Space, but mostly because I knew there was no chance of the songs seeing the light of day with Mean Jeans. Then we hadn't played a gig in two years, and we did a six-week US tour with The Chats, and they took us to Australia a couple of months later and after that, after about 10 weeks of touring, we hopped off the stage, and we were like, okay, that was really fun. We gotta bang out another album."
In the full interview, Billy talks more about the songs on the album, addresses the press releases claim that Blasted is a "weird, wonderful and wacky album", which of the tracks is his personal favourite, the current tour with The Chats and how it has been going, the benefits of having time off between shows to be able to drive to shows, maintaining a sense of humour and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58760706Wed, 21 Feb 2024 06:20:21 +0000HEAVY MagazineInterview by Kris Peters One of the most enduring qualities of music - or punk music more specifically - is that as a listener or musician you don't feel the obligation to grow up. Ever. It's actually expected of you that your morals and beliefs will...One of the most enduring qualities of music - or punk music more specifically - is that as a listener or musician you don't feel the obligation to grow up.
Ever.
It's actually expected of you that your morals and beliefs will differ from the rest of society, and your outlook on life and sense of humour practically remain the same thing. So why fight it? That would be more difficult than conforming, and we all know that's not going to happen.
Just ask the three Jeans that make up Mean Jeans - Billy, Houndy and Junior - a trio of friends/band mates who have stumbled through life since even before starting the band 15 years ago, and they couldn't be happier.
With a new album, Blasted, having recently hit the shelves and an almost completed Australian tour with good mates The Chats life couldn't be much better for Mean Jeans.
Just don't ask them if they are ever going to grow up.
Making a mental note to avoid that question, HEAVY sat down earlier today with Billy Jeans to catch up on things, starting with the reception for Blasted, which came out on February 9.
"Awesome," he smiled. "I feel good about it. I'm judging primarily from social media and whatnot, but everybody's sending text messages… I saw a bunch of reviews that the label sent that were all in German, so I don't even know what they said (laughs). It's been a good reception and I think while we were making this record I could tell that it had a little more cohesion and was more true to what Mean Jeans is supposed to be about at the core."
We ask Billy to go deeper into the album musically.
"We never have and never will stray from about a four-power chord progression structure," he offered. "We pretty much keep it Ramones simple and then see what we can sprinkle on top of there, but with this one we had… the band wasn't on hiatus per se, but we actually were living in three different cities when COVID struck. We had been touring in the US up until the end of 2020, so it was a week before the pandemic occured, and we had a support tour with The Chats on the books, and we had never met these guys. That got postponed and postponed and postponed and rescheduled, so we spent most of the pandemic anticipating the tour. We kept booking stuff, even though no one knew when it would make sense to be doing so. Ultimately, it took over two years for the tour to happen, during which time Mean Jeans were not really functional. So the stuff I was writing, I had to put out a solo record called Funky Punks In Space, but mostly because I knew there was no chance of the songs seeing the light of day with Mean Jeans. Then we hadn't played a gig in two years, and we did a six-week US tour with The Chats, and they took us to Australia a couple of months later and after that, after about 10 weeks of touring, we hopped off the stage, and we were like, okay, that was really fun. We gotta bang out another album."
In the full interview, Billy talks more about the songs on the album, addresses the press releases claim that Blasted is a "weird, wonderful and wacky album", which of the tracks is his personal favourite, the current tour with The Chats and how it has been going, the benefits of having time off between shows to be able to drive to shows, maintaining a sense of humour and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>811album,australia,billyjeans,blasted,hardrock,heavy,interview,krispeters,meanjeans,podcast,punk,rock,thechats,tourtruefullhttps://www.spreaker.com/episode/taming-the-psycho-with-redhook--58759366Sydney's chameleons of rock, RedHook have been pretty quiet since the release of their debut album Postcards From A Living Hell in April last year. And who could blame them?
2023 was the year RedHook broke through from a band on the fringes of success to a bona fide international standard touring band, following high-profile shows with The Smashing Pumpkins and Janes Addiction on home turf and festivals such as Download abroad. Their work ethic as a band has always been the driving force behind their continued rise, but the release of their first album last year solidified their efforts and led to global recognition.
So if the quartet took a bit of time off to recharge the batteries over a prolonged festive season, they certainly deserved it.
But it was always a matter of when, not if they would return and that moment arrived with a massive bang earlier this month when RedHook released the single Scream 2 - a sequel of sorts to smash hit No Cure For Psycho.
Not content to release new music and wait for it to filter through to the ears of their growing fanbase, RedHook this weekend venture North for the first time this year to headline Women In Rock. The night, as the name suggests, is a musical celebration of female artists and their contribution to the music scene, with Krave, Jollee, Veratie, Viper Syndicate, Acid Cherry and Miss LC rounding out the bill.
With more live shows coming up and whispers in the air of more new music, HEAVY tracked Emmy, Ned and Alex down at their rehearsal room to chat more about everything.
"We're so excited to be heading back to the Sunshine Coast this Saturday," Emmy enthused. "We're coming to Caloundra for the very first time to play a groovy little festival called Women In Rock at the Norton Music Factory."
We ask how the show came about and what such an occasion means for Australian music.
"We got hit up by the venue to be a part of it," Emmy began. "Supporting fem talent - especially in the heavy space - has always been very important to me, and the boys."
"We're stoked that they invited us along," Alex added. "It looks like it's gonna be a really cool show."
"Playing regional shows and grassroots venues and supporting that level of the industry is always important to us," Emmy continued, "and will always be important to us. We're just excited to meet some new people and play a new venue and have a good time."
In the full interview, the band talk more about celebrating the achievements and role of women in music, the other bands playing and who they are looking forward to catching, the importance of everybody - not just women - to feel safe in the music industry, whether they feel the message is starting to get through, other things they have planned while they are in Queensland, new single Scream 2 and how it has been received, the reception for Postcards From A Living Hell, their continued rise as a band, how far advanced the new album is, their recent heavier leanings with new music, plans for the rest of 2024 and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58759366Wed, 21 Feb 2024 03:07:08 +0000HEAVY MagazineInterview by Kris Peters Sydney's chameleons of rock, RedHook have been pretty quiet since the release of their debut album Postcards From A Living Hell in April last year. And who could blame them? 2023 was the year RedHook broke through from a band...Sydney's chameleons of rock, RedHook have been pretty quiet since the release of their debut album Postcards From A Living Hell in April last year. And who could blame them?
2023 was the year RedHook broke through from a band on the fringes of success to a bona fide international standard touring band, following high-profile shows with The Smashing Pumpkins and Janes Addiction on home turf and festivals such as Download abroad. Their work ethic as a band has always been the driving force behind their continued rise, but the release of their first album last year solidified their efforts and led to global recognition.
So if the quartet took a bit of time off to recharge the batteries over a prolonged festive season, they certainly deserved it.
But it was always a matter of when, not if they would return and that moment arrived with a massive bang earlier this month when RedHook released the single Scream 2 - a sequel of sorts to smash hit No Cure For Psycho.
Not content to release new music and wait for it to filter through to the ears of their growing fanbase, RedHook this weekend venture North for the first time this year to headline Women In Rock. The night, as the name suggests, is a musical celebration of female artists and their contribution to the music scene, with Krave, Jollee, Veratie, Viper Syndicate, Acid Cherry and Miss LC rounding out the bill.
With more live shows coming up and whispers in the air of more new music, HEAVY tracked Emmy, Ned and Alex down at their rehearsal room to chat more about everything.
"We're so excited to be heading back to the Sunshine Coast this Saturday," Emmy enthused. "We're coming to Caloundra for the very first time to play a groovy little festival called Women In Rock at the Norton Music Factory."
We ask how the show came about and what such an occasion means for Australian music.
"We got hit up by the venue to be a part of it," Emmy began. "Supporting fem talent - especially in the heavy space - has always been very important to me, and the boys."
"We're stoked that they invited us along," Alex added. "It looks like it's gonna be a really cool show."
"Playing regional shows and grassroots venues and supporting that level of the industry is always important to us," Emmy continued, "and will always be important to us. We're just excited to meet some new people and play a new venue and have a good time."
In the full interview, the band talk more about celebrating the achievements and role of women in music, the other bands playing and who they are looking forward to catching, the importance of everybody - not just women - to feel safe in the music industry, whether they feel the message is starting to get through, other things they have planned while they are in Queensland, new single Scream 2 and how it has been received, the reception for Postcards From A Living Hell, their continued rise as a band, how far advanced the new album is, their recent heavier leanings with new music, plans for the rest of 2024 and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1122acidcherry,emmymack,hardrock,heavy,heavymetal,interview,jollee,krave,krispeters,live,misslc,nortonmusicfactory,podcast,redhook,rock,veretie,vipersyndicate,womeninrocktruefullhttps://www.spreaker.com/episode/keeping-it-real-life-with-luke-gower-from-cog--58751876To be honest I thought The Vinyl Tour was a play on words, I thought to myself “Surely this isn’t the final tour for the almighty Cog?!’. Such thoughts are not only bad for oneself but more importantly for the reader/listener of this interview!
But I can assure you, it’s time to relax and enjoy……
Kicking off my conversation with Luke Gower (bass/ backing vocals) it became very clear that my thoughts were simply an irrational panic, and that I/we indeed had absolutely nothing to worry about, thank goodness for that!
Byron Bay's (originally from Bondi Beach) Cog will go down as one of the all-time greats that this country has ever produced, though they require an entrée of “if you know you know”, they’re and have always been seen as rock royalty by those who do truly know! And at the end of it all that’s who really matter, the punters, the attendees and those who connected with the almighty band.
The three pieces live show is something to behold, with Lucius Borich (drums/ backing vocals) enigmatic playing and emotion tripled with brothers Flynn (vocals/guitar) and Luke Gower's pounding conviction and sheer energy, knowing it’s all happening again this March is simply exciting for punters Australia wide.
Now we all know that it’s now possible to gain all of Cog’s releases on vinyl now, with the again joined EPs Just Visiting being laid to wax in 2016. Now both of the band’s full-lengths, 2005s The New Normal and its follow-up 2008s Sharing Space are too part of the nostalgia that only vinyl can bring to a diehard listener.
It’s no secret that life for original touring bands has changed, the days of making an income from the actual recorded music is simply a thing of the past, and just like most bands Cog has had to learn to adjust to these changes. Holding down day jobs, on top of all having families, touring isn’t like the old days, especially at the start (in the late nineties) when the band toured relentlessly.
There’s two ways of looking at this, the fun is spanned out as Luke explained but with tours being further apart does make for more special times. Knowing how much the band means to people is something that has taken on more as he’s gotten older, and something that was looked over a bit in the past.
Cog has stood the test of time, politics, and even major weather events to be where they are today, so it must be yelled from the top of a mountain, “IN COG WE TRUST!"


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58751876Tue, 20 Feb 2024 15:20:38 +0000HEAVY MagazineInterview by Simon Russell-White To be honest I thought The Vinyl Tour was a play on words, I thought to myself “Surely this isn’t the final tour for the almighty Cog?!’. Such thoughts are not only bad for oneself but more importantly for the...To be honest I thought The Vinyl Tour was a play on words, I thought to myself “Surely this isn’t the final tour for the almighty Cog?!’. Such thoughts are not only bad for oneself but more importantly for the reader/listener of this interview!
But I can assure you, it’s time to relax and enjoy……
Kicking off my conversation with Luke Gower (bass/ backing vocals) it became very clear that my thoughts were simply an irrational panic, and that I/we indeed had absolutely nothing to worry about, thank goodness for that!
Byron Bay's (originally from Bondi Beach) Cog will go down as one of the all-time greats that this country has ever produced, though they require an entrée of “if you know you know”, they’re and have always been seen as rock royalty by those who do truly know! And at the end of it all that’s who really matter, the punters, the attendees and those who connected with the almighty band.
The three pieces live show is something to behold, with Lucius Borich (drums/ backing vocals) enigmatic playing and emotion tripled with brothers Flynn (vocals/guitar) and Luke Gower's pounding conviction and sheer energy, knowing it’s all happening again this March is simply exciting for punters Australia wide.
Now we all know that it’s now possible to gain all of Cog’s releases on vinyl now, with the again joined EPs Just Visiting being laid to wax in 2016. Now both of the band’s full-lengths, 2005s The New Normal and its follow-up 2008s Sharing Space are too part of the nostalgia that only vinyl can bring to a diehard listener.
It’s no secret that life for original touring bands has changed, the days of making an income from the actual recorded music is simply a thing of the past, and just like most bands Cog has had to learn to adjust to these changes. Holding down day jobs, on top of all having families, touring isn’t like the old days, especially at the start (in the late nineties) when the band toured relentlessly.
There’s two ways of looking at this, the fun is spanned out as Luke explained but with tours being further apart does make for more special times. Knowing how much the band means to people is something that has taken on more as he’s gotten older, and something that was looked over a bit in the past.
Cog has stood the test of time, politics, and even major weather events to be where they are today, so it must be yelled from the top of a mountain, “IN COG WE TRUST!"


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1225australia,cog,hardrock,heavy,interview,lukegower,podcast,progressiverock,rock,thevinyltour,tourtruefullhttps://www.spreaker.com/episode/taking-out-the-garbage-with-rory-mcdonald-from-voodoo-bloo--58731255Despite their relative youth, New Zealand alternate rock outfit Voodoo Bloo are no amateurs when it comes to music. Don't let their baby faces or innocent looks fool you. When it comes to making the tough decisions that could ultimately make or break your career, these lads will invariably make the right one.
Be it youthful exuberance, diligent studying or just plain luck, Voodoo Bloo have always ended up on the right side of the equation since their formation in 2020, constantly releasing new music and content for their growing fan base.
After starting out with more than a dash of punk-fueled teenage angst, the former school friends gradually found themselves veering into rock territory, the trappings of youth giving way to a more mature outlook on life that ultimately flowed back into their music.
Over two previous albums - Jacobus and The Blessed Ghost - the band has gradually adopted a safer approach to music without shunning their heritage completely.
With their recent single Hot Garbage being revealed as the first song of a new album cycle, Voodoo Bloo have tapped back into their punk sensibilities to a degree, with vocalist/guitarist Rory McDonald saying in earlier interviews and press releases that the new EP will definitely be a trip down memory lane in many respects.
HEAVY sat down with McDonald to find out more.
"The reception has been great," he enthused of the new single. "I think one thing that we have gotten pretty often with this single is that it's quite reminiscent of the stuff we were originally doing about four years ago, but it's just a level above what we were doing. From the people I have spoken to they say it shows a bit more maturity in what we're doing, even though I'd like to say the things we're talking about are probably a lot less mature (laughs)."
In the full interview, Rory talks more about Hot Garbage and the shift in musical direction, whether the band set out to write a song with old-school leanings or it just happened, producing the track themselves and the pros and cons of keeping it in-house, the release plan for the next two singles and what they will sound like, the EP coming out in June and what it will be called, the musical direction it will take, the decision to revisit the band's old sound, Voodoo Bloo's musical journey over the last four years and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58731255Tue, 20 Feb 2024 09:15:59 +0000HEAVY MagazineInterview by Kris Peters Despite their relative youth, New Zealand alternate rock outfit Voodoo Bloo are no amateurs when it comes to music. Don't let their baby faces or innocent looks fool you. When it comes to making the tough decisions that could...Despite their relative youth, New Zealand alternate rock outfit Voodoo Bloo are no amateurs when it comes to music. Don't let their baby faces or innocent looks fool you. When it comes to making the tough decisions that could ultimately make or break your career, these lads will invariably make the right one.
Be it youthful exuberance, diligent studying or just plain luck, Voodoo Bloo have always ended up on the right side of the equation since their formation in 2020, constantly releasing new music and content for their growing fan base.
After starting out with more than a dash of punk-fueled teenage angst, the former school friends gradually found themselves veering into rock territory, the trappings of youth giving way to a more mature outlook on life that ultimately flowed back into their music.
Over two previous albums - Jacobus and The Blessed Ghost - the band has gradually adopted a safer approach to music without shunning their heritage completely.
With their recent single Hot Garbage being revealed as the first song of a new album cycle, Voodoo Bloo have tapped back into their punk sensibilities to a degree, with vocalist/guitarist Rory McDonald saying in earlier interviews and press releases that the new EP will definitely be a trip down memory lane in many respects.
HEAVY sat down with McDonald to find out more.
"The reception has been great," he enthused of the new single. "I think one thing that we have gotten pretty often with this single is that it's quite reminiscent of the stuff we were originally doing about four years ago, but it's just a level above what we were doing. From the people I have spoken to they say it shows a bit more maturity in what we're doing, even though I'd like to say the things we're talking about are probably a lot less mature (laughs)."
In the full interview, Rory talks more about Hot Garbage and the shift in musical direction, whether the band set out to write a song with old-school leanings or it just happened, producing the track themselves and the pros and cons of keeping it in-house, the release plan for the next two singles and what they will sound like, the EP coming out in June and what it will be called, the musical direction it will take, the decision to revisit the band's old sound, Voodoo Bloo's musical journey over the last four years and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>804alternaterock,hardrock,heavy,hotgarbage,interview,music,newzealand,podcast,punk,rock,voodoobloofalsefullhttps://www.spreaker.com/episode/the-moment-of-truth-with-frank-turner--58730776English punk/folk singer/songwriter Frank Turner is a man at peace with himself and his music.
Not that he has had a sudden epiphany that washed over the daily trials and tribulations of everyday life, but more a peace borne out of contentment.
Following his first UK#1 album FTHC in 2022, Turner made the bold decision to step away from the major label world of music and the relative safety blanket it provides to embrace the freedom and liberation of working as an independent artist.
It was a move that invariably has its pros and cons, but when you are as recognizable musically as Turner is, the advantages of being independent far outweigh the drawbacks.
His first album since unbinding himself from the industry is aptly named Undefeated and sees Turner producing his own album for the first time and able to have total creative freedom. The result is an eclectic assortment of styles and genres, all tackled with an unflappable and flexible attitude that only inner happiness can provide.
Sonically switching from Black Flag to Counting Crows and from Descendents to The Pogues via Elvis Costello and Billy Bragg, Undefeated is more than a body of music.
It is a statement and expression of artistic freedom from an artist who has felt somewhat stiffled by an industry that rewards figures rather than merit.
With Undefeated slated for a May 3 release, HEAVY caught up with Turner at the start of his promotional campaign to find out more, starting with if he still gets nervous before each album is released.
"Yeah, of course," he smiled. "I think there's a funny inbuilt thing in the way that what I do works. I'll spend two years writing, rehearsing, arranging, recording, mixing an album that comes in at 44 minutes and people listen to it in 44 minutes. Sometimes people go 'that's alright', but that's two years of my life (laughs). It's the tenth time around, so I'm used to that on some levels, but yeah, I’m still nervous. I'm also pretty confident about this record. I think it's a banger, shall we say. I feel like on my last album FTHC I kind of got my mojo back a bit and hit my stride again. I feel with this record on the other side of the pandemic and I've got my new drummer in the band, first time recording with him… And it's the first time producing myself. First time on the other side of the universal label world kind of thing. Just the whole thing feels like a bit of a reset and it's nice. I'm excited about it."
In the full interview, Frank talks more about Undefeated musically, how he handles the period between finishing an album and having it released, the singles released so far and how they represent the album, how stepping away from major labels helped shape Undefeated, the mixing of styles and how he makes it work, the temptation to rehash a winning album formula with the next release, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58730776Mon, 19 Feb 2024 03:11:21 +0000HEAVY MagazineInterview by Kris Peters English punk/folk singer/songwriter Frank Turner is a man at peace with himself and his music. Not that he has had a sudden epiphany that washed over the daily trials and tribulations of everyday life, but more a peace borne...English punk/folk singer/songwriter Frank Turner is a man at peace with himself and his music.
Not that he has had a sudden epiphany that washed over the daily trials and tribulations of everyday life, but more a peace borne out of contentment.
Following his first UK#1 album FTHC in 2022, Turner made the bold decision to step away from the major label world of music and the relative safety blanket it provides to embrace the freedom and liberation of working as an independent artist.
It was a move that invariably has its pros and cons, but when you are as recognizable musically as Turner is, the advantages of being independent far outweigh the drawbacks.
His first album since unbinding himself from the industry is aptly named Undefeated and sees Turner producing his own album for the first time and able to have total creative freedom. The result is an eclectic assortment of styles and genres, all tackled with an unflappable and flexible attitude that only inner happiness can provide.
Sonically switching from Black Flag to Counting Crows and from Descendents to The Pogues via Elvis Costello and Billy Bragg, Undefeated is more than a body of music.
It is a statement and expression of artistic freedom from an artist who has felt somewhat stiffled by an industry that rewards figures rather than merit.
With Undefeated slated for a May 3 release, HEAVY caught up with Turner at the start of his promotional campaign to find out more, starting with if he still gets nervous before each album is released.
"Yeah, of course," he smiled. "I think there's a funny inbuilt thing in the way that what I do works. I'll spend two years writing, rehearsing, arranging, recording, mixing an album that comes in at 44 minutes and people listen to it in 44 minutes. Sometimes people go 'that's alright', but that's two years of my life (laughs). It's the tenth time around, so I'm used to that on some levels, but yeah, I’m still nervous. I'm also pretty confident about this record. I think it's a banger, shall we say. I feel like on my last album FTHC I kind of got my mojo back a bit and hit my stride again. I feel with this record on the other side of the pandemic and I've got my new drummer in the band, first time recording with him… And it's the first time producing myself. First time on the other side of the universal label world kind of thing. Just the whole thing feels like a bit of a reset and it's nice. I'm excited about it."
In the full interview, Frank talks more about Undefeated musically, how he handles the period between finishing an album and having it released, the singles released so far and how they represent the album, how stepping away from major labels helped shape Undefeated, the mixing of styles and how he makes it work, the temptation to rehash a winning album formula with the next release, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>791album,frankturner,hardrock,heavy,interview,krispeters,podcast,punk,rock,undefeatedtruefullhttps://www.spreaker.com/episode/ready-to-rock-with-atsuo-mizuno-from-boris--58726723Sometimes I feel Japanese bands don't get the recognition they deserve.
Sure, you could mount that same argument the world over, but after having toured Japan on close to ten occasions with different bands and seeing around 100 of the country's emerging artists on the same line-ups I feel I am qualified to highlight Japanese music in this instance.
Take Boris for example, widely recognised and revered in their home country but relatively unknown here in Australia.
The band are considered pioneers of heavy rock in Japan, having recently notched up three decades in the music industry. Their ability to channel 70s proto-metal vibes into a fresh and unique sonic explosion has seen the band attain great heights in Japan but failed to earn them global recognition outside of their core fanbase.
Following their 2022 album Heavy Rocks, Boris are finally returning to Australia with first-time visitor Kiyoharu for a run of shows and festivals this March.
HEAVY recently spoke with Boris frontman Atsuo Mizuno via a translator to find out more.
"We're very excited for this tour," he began. "We haven't done a national tour for a while. Last time we came back was only Sydney, Tasmania and Melbourne, so we are looking forward to this tour. Also, very excited to tour with respectful Kiyoharu, the Japanese artist. It is our first time touring together. There should be some songs we will play together on stage as well, so very excited."
In the full interview we ask Atsuo to give us a brief history on Boris and what to expect from their live show, what has changed with the band since their last visit, the difference between Japanese and Australian crowds, the latest album Heavy Rocks and how it was received, how much of that album will be in the set list, new material and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58726723Sun, 18 Feb 2024 20:45:45 +0000HEAVY MagazineInterview by Kris Peters Sometimes I feel Japanese bands don't get the recognition they deserve. Sure, you could mount that same argument the world over, but after having toured Japan on close to ten occasions with different bands and seeing around...Sometimes I feel Japanese bands don't get the recognition they deserve.
Sure, you could mount that same argument the world over, but after having toured Japan on close to ten occasions with different bands and seeing around 100 of the country's emerging artists on the same line-ups I feel I am qualified to highlight Japanese music in this instance.
Take Boris for example, widely recognised and revered in their home country but relatively unknown here in Australia.
The band are considered pioneers of heavy rock in Japan, having recently notched up three decades in the music industry. Their ability to channel 70s proto-metal vibes into a fresh and unique sonic explosion has seen the band attain great heights in Japan but failed to earn them global recognition outside of their core fanbase.
Following their 2022 album Heavy Rocks, Boris are finally returning to Australia with first-time visitor Kiyoharu for a run of shows and festivals this March.
HEAVY recently spoke with Boris frontman Atsuo Mizuno via a translator to find out more.
"We're very excited for this tour," he began. "We haven't done a national tour for a while. Last time we came back was only Sydney, Tasmania and Melbourne, so we are looking forward to this tour. Also, very excited to tour with respectful Kiyoharu, the Japanese artist. It is our first time touring together. There should be some songs we will play together on stage as well, so very excited."
In the full interview we ask Atsuo to give us a brief history on Boris and what to expect from their live show, what has changed with the band since their last visit, the difference between Japanese and Australian crowds, the latest album Heavy Rocks and how it was received, how much of that album will be in the set list, new material and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>405atsuomizuno,australia,boris,hardrock,heavy,heavymetal,interview,japanesemetal,krispeters,podcast,rock,tourfalsefullhttps://www.spreaker.com/episode/leading-the-way-with-bruce-soord-from-the-pineapple-thief--58722473After sixteen albums and rising, you would think Bruce Soord from The Pineapple Thief would know pretty well what he is doing with himself and the band musically.
Essentially a rock outfit, The Pineapple Thief have released a consistently steady stream of albums, amassing a staunch, loyal and growing fan base with each one.
Their place in rock history is assured, but despite having done the hard yards already, Soord refuses to rest on his laurels.
As a songwriter he can lay claim to being amongst the best in the business but with the band's recent album It Leads To This, Soord has managed to tap into a delicate nuance of material and compile it in such a way that what would generally be a depressive and seemingly hopeless landscape has been transformed into a bright and optimistic take of life itself.
The basic premise for It Leads To This has Soord reflecting on the world and fearing for the life his children will inherit, but at its core is an introspective look at life and each of our roles within it.
Soord sat down for a chat with HEAVY to tell us more.
"It's been good," he enthused at the early reception for the album. "You know what it's like, you can't hide from the reaction these days on social media, so you get to see everything. It's been really positive, thank goodness for that, because the internet and online can be quite brutal sometimes."
We ask Soord to dive deeper into the concept of the album.
"I've always written about things that…," he measured. "…I wake up in the morning and how I feel. You put the news on and look out the window - I live in a small town in the South West of England that has its fair share of problems like drugs and alcohol - so you look out the window, and you see it. You see these lost souls walking around. You read the news, and it's just getting worse and worse then you look at the kids and my kids are a lens to the world. I think, 'oh shit, what's going on?' and then you pick up a guitar and that's the inspiration. But the thing about it is, even though it's all dark thoughts about the future and what the Hell are my kids going to inherit, it's still positive. There's still a positive message. It's not all doom and gloom."
In the full interview, Bruce talks more about the idea behind the album, how he puts a positive spin on it, if the personal nature of the subject matter made it a difficult album to write, runs us through each track individually and the message behind it, talks touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58722473Sun, 18 Feb 2024 14:26:31 +0000HEAVY MagazineInterview by Kris Peters After sixteen albums and rising, you would think Bruce Soord from The Pineapple Thief would know pretty well what he is doing with himself and the band musically. Essentially a rock outfit, The Pineapple Thief have released a...After sixteen albums and rising, you would think Bruce Soord from The Pineapple Thief would know pretty well what he is doing with himself and the band musically.
Essentially a rock outfit, The Pineapple Thief have released a consistently steady stream of albums, amassing a staunch, loyal and growing fan base with each one.
Their place in rock history is assured, but despite having done the hard yards already, Soord refuses to rest on his laurels.
As a songwriter he can lay claim to being amongst the best in the business but with the band's recent album It Leads To This, Soord has managed to tap into a delicate nuance of material and compile it in such a way that what would generally be a depressive and seemingly hopeless landscape has been transformed into a bright and optimistic take of life itself.
The basic premise for It Leads To This has Soord reflecting on the world and fearing for the life his children will inherit, but at its core is an introspective look at life and each of our roles within it.
Soord sat down for a chat with HEAVY to tell us more.
"It's been good," he enthused at the early reception for the album. "You know what it's like, you can't hide from the reaction these days on social media, so you get to see everything. It's been really positive, thank goodness for that, because the internet and online can be quite brutal sometimes."
We ask Soord to dive deeper into the concept of the album.
"I've always written about things that…," he measured. "…I wake up in the morning and how I feel. You put the news on and look out the window - I live in a small town in the South West of England that has its fair share of problems like drugs and alcohol - so you look out the window, and you see it. You see these lost souls walking around. You read the news, and it's just getting worse and worse then you look at the kids and my kids are a lens to the world. I think, 'oh shit, what's going on?' and then you pick up a guitar and that's the inspiration. But the thing about it is, even though it's all dark thoughts about the future and what the Hell are my kids going to inherit, it's still positive. There's still a positive message. It's not all doom and gloom."
In the full interview, Bruce talks more about the idea behind the album, how he puts a positive spin on it, if the personal nature of the subject matter made it a difficult album to write, runs us through each track individually and the message behind it, talks touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>732alternativerock,brucesoord,hardrock,heavy,interview,krispeters,podcast,rock,thepineapplethieffalsefullhttps://www.spreaker.com/episode/down-and-dirty-with-benny-josh-from-the-whiskeys--58722268Music is a dish best served fermented.
Too many bands these days - possibly because of the ease of recording in the modern era - throw music around with too much regularity, losing in substance what they gain in output.
But it's the smarter bands who sit back and master their craft before releasing music, and even more so when that band is new on the scene and therefore maybe overzealous and in a rush to be heard.
Tweed Heads rock machine The Whiskeys formed back in 2019 but spent the next few years refining and finding their sound through countless live shows and hours spent writing. Although having enough material to possibly record and release an EP, The Whiskeys allowed themselves time to connect with their music before announcing it to the world.
The result is their debut single Hoedown which is set to premiere via HEAVY on February 23.
A rocking and catchy as fuck number, Hoedown is but one of a string of releases planned for 2024, but first HEAVY took time out to get to know this two-piece - NOT a duo - a bit better.
"Hoedown is a party, brother Krispy!" Josh exclaimed. "It's a party!"
"It's just us doing our thing," Benny added, "everyone having a good time moshing and dancing. All types of dancing. And getting it all together in one place and forgetting about the world and dramas for a bit. Just ripping into the music and having a bloody good old Hoedown. That's what it's all about."
We press as to how much of a good time and how close to the country version of a Hoedown the track gets.
"Ah… well… there could be some elements in there," Benny laughed. "We've got a bit of a mixture in our music, so there's definitely some foot tapping and leg slapping happening, that's for sure."
"It's a modern version of country metal," Josh chimed in. "With a bit of rock, a bit of blues, the whole kit and caboodle."
In the full interview, we ask the boys more about Hoedown, why they chose it as their debut single, how it reflects the overall sound of The Whiskeys, future music, why they waited 5 years to release their first piece of music, the difference between a duo and a two-piece band, their blending of sounds and how they make it work, tour plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58722268Sun, 18 Feb 2024 13:39:29 +0000HEAVY MagazineInterview by Kris Peters Music is a dish best served fermented. Too many bands these days - possibly because of the ease of recording in the modern era - throw music around with too much regularity, losing in substance what they gain in output. But...Music is a dish best served fermented.
Too many bands these days - possibly because of the ease of recording in the modern era - throw music around with too much regularity, losing in substance what they gain in output.
But it's the smarter bands who sit back and master their craft before releasing music, and even more so when that band is new on the scene and therefore maybe overzealous and in a rush to be heard.
Tweed Heads rock machine The Whiskeys formed back in 2019 but spent the next few years refining and finding their sound through countless live shows and hours spent writing. Although having enough material to possibly record and release an EP, The Whiskeys allowed themselves time to connect with their music before announcing it to the world.
The result is their debut single Hoedown which is set to premiere via HEAVY on February 23.
A rocking and catchy as fuck number, Hoedown is but one of a string of releases planned for 2024, but first HEAVY took time out to get to know this two-piece - NOT a duo - a bit better.
"Hoedown is a party, brother Krispy!" Josh exclaimed. "It's a party!"
"It's just us doing our thing," Benny added, "everyone having a good time moshing and dancing. All types of dancing. And getting it all together in one place and forgetting about the world and dramas for a bit. Just ripping into the music and having a bloody good old Hoedown. That's what it's all about."
We press as to how much of a good time and how close to the country version of a Hoedown the track gets.
"Ah… well… there could be some elements in there," Benny laughed. "We've got a bit of a mixture in our music, so there's definitely some foot tapping and leg slapping happening, that's for sure."
"It's a modern version of country metal," Josh chimed in. "With a bit of rock, a bit of blues, the whole kit and caboodle."
In the full interview, we ask the boys more about Hoedown, why they chose it as their debut single, how it reflects the overall sound of The Whiskeys, future music, why they waited 5 years to release their first piece of music, the difference between a duo and a two-piece band, their blending of sounds and how they make it work, tour plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>653blues,duo,funk,hardrock,heavy,hoedown,interview,krispeters,podcast,rock,thewhiskeystruefullhttps://www.spreaker.com/episode/finding-purpose-with-laurence-hewson-from-sordid-ordeal--58692371Melbourne rock outfit Sordid Ordeal are the epitomical Aussie music act, if there ever was such a thing.
Fronted by Laurence Hewson - who some might know by his stage name The Voice Of Flinders - Sordid Ordeal have been through the proverbial ringer and back but survived to tell the tale and then some!
Starting out in Melbourne in 2010 and formed by a group of mates freshly dropped out of university, Sordid Ordeal spent the next 8 years of their musical journey as a hard-drinking, hard-partying, and hard-playing punk outfit but for some reason known only to themselves decided to straighten their act out in 2018 and began actually recording music and touring outside of their comfort zone.
Following an East Coast tour in 2023, the band members took things a step further, assembling more talented musicians to join the cause and getting down and dirty on their debut album.
That sonic effort has manifested itself into part 1 of a two-part album release called When I Left Town, which details the early days of Hewson moving to Melbourne and falling in love with music.
It is a quirky and entertaining trip through musical history, highlighting the many adventures undertaken by Hewson and the trials and tribulations of making it in the real world.
Unleashed on the world today (February 16), When I Left Town is a stunning debut album from a band who are as eclectic as they are brilliant, with Hewson joining HEAVY to talk through things in greater detail.
"I can't even begin to tell you how long I have waited for this moment," he enthused. "In the time this band has been together we've had 20 or 30 mates bands all put out multiple records and break up and look back on a successful career in the time we've been working on this. So it's been a long road in, but it is a massive relief to smash this one out of the chamber. Tracks on this were on previous demos and EP's that we have done, but with this I feel we have finally attained the sound that we always wanted to have. This is the line-up I've always dreamed of for this band. I'm actually glad that it took so long because if I'd done this under previous line-ups or previous circumstances it wouldn't have sounded or been the way I wanted it to be. This is it. This is a true representation of what I think this band should have always been."
In the full interview, Laurence talks more about the album process and getting it to the release point, the musical side of it and what they were going for, the four singles released and how they represent the whole album, the two-part concept behind the twin releases and why he has done it that way, having a 12 piece choir, brass ensemble and string quartet on the album and how difficult it was to keep a cohesive flow to the music with so much going on, the early days of Sordid Ordeal and how they shaped the bands future, the album launch party and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58692371Thu, 15 Feb 2024 08:46:12 +0000HEAVY MagazineInterview by Kris Peters Melbourne rock outfit Sordid Ordeal are the epitomical Aussie music act, if there ever was such a thing. Fronted by Laurence Hewson - who some might know by his stage name The Voice Of Flinders - Sordid Ordeal have been...Melbourne rock outfit Sordid Ordeal are the epitomical Aussie music act, if there ever was such a thing.
Fronted by Laurence Hewson - who some might know by his stage name The Voice Of Flinders - Sordid Ordeal have been through the proverbial ringer and back but survived to tell the tale and then some!
Starting out in Melbourne in 2010 and formed by a group of mates freshly dropped out of university, Sordid Ordeal spent the next 8 years of their musical journey as a hard-drinking, hard-partying, and hard-playing punk outfit but for some reason known only to themselves decided to straighten their act out in 2018 and began actually recording music and touring outside of their comfort zone.
Following an East Coast tour in 2023, the band members took things a step further, assembling more talented musicians to join the cause and getting down and dirty on their debut album.
That sonic effort has manifested itself into part 1 of a two-part album release called When I Left Town, which details the early days of Hewson moving to Melbourne and falling in love with music.
It is a quirky and entertaining trip through musical history, highlighting the many adventures undertaken by Hewson and the trials and tribulations of making it in the real world.
Unleashed on the world today (February 16), When I Left Town is a stunning debut album from a band who are as eclectic as they are brilliant, with Hewson joining HEAVY to talk through things in greater detail.
"I can't even begin to tell you how long I have waited for this moment," he enthused. "In the time this band has been together we've had 20 or 30 mates bands all put out multiple records and break up and look back on a successful career in the time we've been working on this. So it's been a long road in, but it is a massive relief to smash this one out of the chamber. Tracks on this were on previous demos and EP's that we have done, but with this I feel we have finally attained the sound that we always wanted to have. This is the line-up I've always dreamed of for this band. I'm actually glad that it took so long because if I'd done this under previous line-ups or previous circumstances it wouldn't have sounded or been the way I wanted it to be. This is it. This is a true representation of what I think this band should have always been."
In the full interview, Laurence talks more about the album process and getting it to the release point, the musical side of it and what they were going for, the four singles released and how they represent the whole album, the two-part concept behind the twin releases and why he has done it that way, having a 12 piece choir, brass ensemble and string quartet on the album and how difficult it was to keep a cohesive flow to the music with so much going on, the early days of Sordid Ordeal and how they shaped the bands future, the album launch party and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1677aussierock,australia,blues,funk,hardrock,heavy,interview,krispeters,laurencehewson,podcast,rock,sordidordeal,thevoiceofflinderstruefullhttps://www.spreaker.com/episode/timing-your-run-with-lena-scissorhands-from-infected-rain--58689872Moldovian metal hybrid Infected Rain are currently riding the wave of global acceptance that has been 16 years in the making.
Since debuting in 2008, Infected Rain have often been undervalued in an industry that too often rewards mediocrity, finding themselves caught in musical purgatory on many levels simply because they are a band almost impossible to pigeonhole or genre classify.
In a world that is becoming increasingly sanitised and regulated, Infected Rain have always dared to be different.
To do things their way.
With a sonic intensity harnessing genres from progressive rock to electronica to nu-metal to out-and-out aggression, Infected Rain have steadfastly refused to conform but more or less forced the world to take notice with their acclaimed 2022 album Ecdysis. It was an album that broke down barriers for the band, opening them up to a new audience that were pounded into submission.
With the recently released successor Time expanding on the creativity and musicianship of its predecessor, Infected Rain are finally earning the respect they so richly deserve, with festival opportunities and high-profile support slots continuing the band's upward trajectory.
HEAVY caught up with vocalist Lena Scissorhands to discuss the new album.
"We have just released our sixth album," she smiled. "After all these years, it is quite a milestone for us. We started in 2008 in a very small country in Eastern Europe."
Time was released just last Friday, so we start by asking Lena how the early reception has been.
"Very good so far," she nodded. "More than we could expect. Great comments, great feedback. People are loving it."
We ask her to take us deeper into the musical side of Time.
"From the musical point of view, I think you want to talk to my musicians more," she handpassed, "because they are more the composers of the instrumental parts. When they are ready, and they have a raw version of a song or a good chunk of an idea of a song, they often send it over so I can start thinking in that direction and see what inspires me and what I could adapt to that melody. To me, it's just when I have the songs my task is to compose melody and upline lyrics I go based on how the instruments make me feel, and that's how I choose what is the direction of the song and what lyrics I'm going to apply. We have something that we introduced for the first time on this album, which is an eight-string guitar. Some of the songs are recorded for eight-string guitar, and we've never had that before. Also, we have a new bass player. Even though she joined the band after the composing stage of the album, she recorded a big part of the songs. We've already been on tour together, and it feels really great."
In the full interview, Lena talks more about the songs on Time, the eclectic nature of the music and making it cohesive, her transition from harsh to clean vocals and how much work is put into her vocals, the underlying theme of the album, pressures associated with following the success of Ecdysis, Infected Rain's upcoming tour with Dragonforce and Amaranthe and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58689872Wed, 14 Feb 2024 23:24:52 +0000HEAVY MagazineInterview by Kris Peters Moldovian metal hybrid Infected Rain are currently riding the wave of global acceptance that has been 16 years in the making. Since debuting in 2008, Infected Rain have often been undervalued in an industry that too often...Moldovian metal hybrid Infected Rain are currently riding the wave of global acceptance that has been 16 years in the making.
Since debuting in 2008, Infected Rain have often been undervalued in an industry that too often rewards mediocrity, finding themselves caught in musical purgatory on many levels simply because they are a band almost impossible to pigeonhole or genre classify.
In a world that is becoming increasingly sanitised and regulated, Infected Rain have always dared to be different.
To do things their way.
With a sonic intensity harnessing genres from progressive rock to electronica to nu-metal to out-and-out aggression, Infected Rain have steadfastly refused to conform but more or less forced the world to take notice with their acclaimed 2022 album Ecdysis. It was an album that broke down barriers for the band, opening them up to a new audience that were pounded into submission.
With the recently released successor Time expanding on the creativity and musicianship of its predecessor, Infected Rain are finally earning the respect they so richly deserve, with festival opportunities and high-profile support slots continuing the band's upward trajectory.
HEAVY caught up with vocalist Lena Scissorhands to discuss the new album.
"We have just released our sixth album," she smiled. "After all these years, it is quite a milestone for us. We started in 2008 in a very small country in Eastern Europe."
Time was released just last Friday, so we start by asking Lena how the early reception has been.
"Very good so far," she nodded. "More than we could expect. Great comments, great feedback. People are loving it."
We ask her to take us deeper into the musical side of Time.
"From the musical point of view, I think you want to talk to my musicians more," she handpassed, "because they are more the composers of the instrumental parts. When they are ready, and they have a raw version of a song or a good chunk of an idea of a song, they often send it over so I can start thinking in that direction and see what inspires me and what I could adapt to that melody. To me, it's just when I have the songs my task is to compose melody and upline lyrics I go based on how the instruments make me feel, and that's how I choose what is the direction of the song and what lyrics I'm going to apply. We have something that we introduced for the first time on this album, which is an eight-string guitar. Some of the songs are recorded for eight-string guitar, and we've never had that before. Also, we have a new bass player. Even though she joined the band after the composing stage of the album, she recorded a big part of the songs. We've already been on tour together, and it feels really great."
In the full interview, Lena talks more about the songs on Time, the eclectic nature of the music and making it cohesive, her transition from harsh to clean vocals and how much work is put into her vocals, the underlying theme of the album, pressures associated with following the success of Ecdysis, Infected Rain's upcoming tour with Dragonforce and Amaranthe and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>824album,electronicmetal,hardrock,heavy,heavymetal,infectedrain,interview,krispeters,lenascissorhands,numetal,podcast,timefalsefullhttps://www.spreaker.com/episode/the-healing-powers-of-time-with-jonny-davy-from-job-for-a-cowboy--58688970In the modern age of music, it is important - almost vital - to maintain a steady output of music and engagement with your fans. People's increasingly shorter attention spans, coupled with the sheer volume of new bands and music being released daily, combine to ensure bands that aren't active, don't survive.
Pure and simple.
But try telling that to experimental death metal outfit Job For A Cowboy, who have let a staggering ten years elapse between records. The band have taken their time in following up the critically acclaimed 2014 release Sun Eater, preferring to patiently harness their creative impulses and allow them to ferment until the band was happy.
The result is Moon Healer, set for release on February 23, an album that maintains the rage and aggression associated with Job For A Cowboy's music, but also expands on their conventional sound. It is an album that has already garnered immense interest and positive reaction from critics who have heard it, and marks but one more step on Job For A Cowboy's path to musical enlightenment.
Vocalist Jonny Davy sat down for a chat with HEAVY to tell us more.
"This band has been around, shockingly - although it doesn't feel like it - for a good 20 years," he began. "After about a ten-year hiatus, we're about to come out with our new album called Moon Healer. I am pumped."
We ask what the period is like after finishing an album and having to sit by and wait for it to be unleashed on the public.
"At this point, it's in the past," he replied. "We've taken a break from it, and in hindsight we're looking back already and seeing what we would have done differently, or talking about what we want to do for the next record. It's been a long, long, arduous process, but we're finally here."
We ask Davy about the musical side of Moon Healer and what the band was going for sonically.
"The band has evolved quite a bit since its origins," he measured. "We kinda started off pretty much as a cookie cutter deathcore band, and then we progressed into more modern death metal and after the release of Genesis we started sprinkling in the genres like technical death metal and now even some progressive elements. I think a lot of people recognise the band is kind of a cauldron of an evolution of sound, and that's our motto right now. We like to challenge, and we're the type of band who don't wanna put out the same record twice."
In the full interview, Jonny talks more about Moon Healer, the singles released and how they represent the album, the opening track The Chemical Doorway and its Middle Eastern flavour, the temptation of repeating the formula that made Sun Eater successful, what has changed with Job For A Cowboy since that album, the conceptual elements of Moon Healer, the cover art and how it ties in with the concept, how Job For A Cowboy have changed musically over each album, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58688970Wed, 14 Feb 2024 20:51:12 +0000HEAVY MagazineInterview by Kris Peters In the modern age of music, it is important - almost vital - to maintain a steady output of music and engagement with your fans. People's increasingly shorter attention spans, coupled with the sheer volume of new bands and...In the modern age of music, it is important - almost vital - to maintain a steady output of music and engagement with your fans. People's increasingly shorter attention spans, coupled with the sheer volume of new bands and music being released daily, combine to ensure bands that aren't active, don't survive.
Pure and simple.
But try telling that to experimental death metal outfit Job For A Cowboy, who have let a staggering ten years elapse between records. The band have taken their time in following up the critically acclaimed 2014 release Sun Eater, preferring to patiently harness their creative impulses and allow them to ferment until the band was happy.
The result is Moon Healer, set for release on February 23, an album that maintains the rage and aggression associated with Job For A Cowboy's music, but also expands on their conventional sound. It is an album that has already garnered immense interest and positive reaction from critics who have heard it, and marks but one more step on Job For A Cowboy's path to musical enlightenment.
Vocalist Jonny Davy sat down for a chat with HEAVY to tell us more.
"This band has been around, shockingly - although it doesn't feel like it - for a good 20 years," he began. "After about a ten-year hiatus, we're about to come out with our new album called Moon Healer. I am pumped."
We ask what the period is like after finishing an album and having to sit by and wait for it to be unleashed on the public.
"At this point, it's in the past," he replied. "We've taken a break from it, and in hindsight we're looking back already and seeing what we would have done differently, or talking about what we want to do for the next record. It's been a long, long, arduous process, but we're finally here."
We ask Davy about the musical side of Moon Healer and what the band was going for sonically.
"The band has evolved quite a bit since its origins," he measured. "We kinda started off pretty much as a cookie cutter deathcore band, and then we progressed into more modern death metal and after the release of Genesis we started sprinkling in the genres like technical death metal and now even some progressive elements. I think a lot of people recognise the band is kind of a cauldron of an evolution of sound, and that's our motto right now. We like to challenge, and we're the type of band who don't wanna put out the same record twice."
In the full interview, Jonny talks more about Moon Healer, the singles released and how they represent the album, the opening track The Chemical Doorway and its Middle Eastern flavour, the temptation of repeating the formula that made Sun Eater successful, what has changed with Job For A Cowboy since that album, the conceptual elements of Moon Healer, the cover art and how it ties in with the concept, how Job For A Cowboy have changed musically over each album, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1137album,deathcore,deathmetal,heavy,heavymetal,interview,jobforacowboy,jonnydavy,krispeters,moonhealer,podcasttruefullhttps://www.spreaker.com/episode/sweating-bullets-with-chase-mason-from-gatecreeper--58679136Hailing from the deserts of Arizona, US death metal outfit Gatecreeper has set the heavy music world alight in their ten years as a band, combining old-school Swedish sounds with American hardcore sensibilities to create a fusion easily identifiable as their own.
With a new album set for release this year, Gatecreeper have also signified their intent to colonise Australia, with a run of ten dates starting on the Gold Coast on April 4.
HEAVY caught up with vocalist Chase Mason to find out more.
"We came over for the first time last year and played a couple of shows," Mason began, "and this year we're coming back for ten shows with Kruelty from Japan and World Of Joy, who is from Brisbane I believe."
We point out the band will be playing ten shows in eleven days, which sounds like a lot of work.
"Yeah, packing it all in," he smiled.
HEAVY poses the question of what sorts of things the band does to physically and mentally prepare for a run of shows like that so far from home.
"We've been touring now for several years," he replied. "I think everybody develops their own personal plan or their own personal way of dealing with being on the road for weeks at a time. For me personally, an important part is getting your alone time when you can. Sneaking off and getting food by yourself, or something as simple as having headphones in and zoning out. For me, being around people all the time drives me crazy."
In the full interview, Chase talks more about preparing for a tour like this, what has changed with Gatecreeper since they were last year 12 months ago, what we can expect from the shows, what the band expects from their audience, signing with Nuclear Blast Records and what that means to the band, their upcoming album and what to expect, how their music has changed over the course of each album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58679136Wed, 14 Feb 2024 00:41:59 +0000HEAVY MagazineInterview by Kris Peters Hailing from the deserts of Arizona, US death metal outfit Gatecreeper has set the heavy music world alight in their ten years as a band, combining old-school Swedish sounds with American hardcore sensibilities to create a...Hailing from the deserts of Arizona, US death metal outfit Gatecreeper has set the heavy music world alight in their ten years as a band, combining old-school Swedish sounds with American hardcore sensibilities to create a fusion easily identifiable as their own.
With a new album set for release this year, Gatecreeper have also signified their intent to colonise Australia, with a run of ten dates starting on the Gold Coast on April 4.
HEAVY caught up with vocalist Chase Mason to find out more.
"We came over for the first time last year and played a couple of shows," Mason began, "and this year we're coming back for ten shows with Kruelty from Japan and World Of Joy, who is from Brisbane I believe."
We point out the band will be playing ten shows in eleven days, which sounds like a lot of work.
"Yeah, packing it all in," he smiled.
HEAVY poses the question of what sorts of things the band does to physically and mentally prepare for a run of shows like that so far from home.
"We've been touring now for several years," he replied. "I think everybody develops their own personal plan or their own personal way of dealing with being on the road for weeks at a time. For me personally, an important part is getting your alone time when you can. Sneaking off and getting food by yourself, or something as simple as having headphones in and zoning out. For me, being around people all the time drives me crazy."
In the full interview, Chase talks more about preparing for a tour like this, what has changed with Gatecreeper since they were last year 12 months ago, what we can expect from the shows, what the band expects from their audience, signing with Nuclear Blast Records and what that means to the band, their upcoming album and what to expect, how their music has changed over the course of each album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>577australia,chasemason,deathmetal,gatecreeper,heavy,heavymetal,interview,kruely,podcast,tour,worldofjoyfalsefullhttps://www.spreaker.com/episode/no-strings-attached-with-janet-gardner-justin-james--58673547Janet Gardner is a name most hard rockers and metallers have etched into their black hearts.
Since fronting legendary outfit Vixen, Gardner has epitomised the spirit of metal with her distinctive vocals, influencing generation after generation of music listeners and performers while always maintaining an approachable and down to Earth attitude.
Since going solo in more recent years - with guitarist and husband Justin James - Gardner has revitalised both her music and her brand, touring constantly and continuing to churn out high-quality albums.
Gardner is just one of a host of international acts such as Slaughter, Lynch Mob, The Cruel Intentions, H.E.A.T and Jetboy who are descending on Melbourne and Sydney this weekend as part of Glamfest 2024.
HEAVY caught up with Janet and Justin to find out more, and we start by pointing out there is well over 100 years of experience in just the headliners alone.
"Wow," James exclaimed. "That's crazy when you look at it that way. But what's so cool is, it's bands from the day that we all loved - and still love - and then there's some new acts that are part of this bill that are great, and I'm excited to see. Like H.E.A.T and The Cruel Intentions that we don't get to see here in the States."
"This is a good opportunity to see them," Gardner added.
We ask what it is both of them like most about playing festivals such as Glamfest. Is it the music or catching up with old friends or the atmosphere?
"All of the above," Gardner and James replied in unison.
"You just nailed it," Gardner said.
"A lot of these bands are friends, so it's great to see them," James continued. "Obviously playing on stage and playing music and seeing the fans and friends and crowd… the whole thing is almost overwhelming. We are so excited about this."
"And there is a sense of community with our genre of music now," Gardner took over, "that didn't exist back when we were all at the height of our popularity. Other than the bands you're touring with at the moment… like, I didn't get a chance to see a lot of those bands because we were always touring. This is such great opportunities to see other bands and share a stage with them. It's an honour and it's amazing."
In the full interview Janet and James talk more about Glamfest and what to expect, what bands playing they may not have played with before, how the band has changed since their last visit in 2020, the other members of the band, the Australian bands and which ones they are familiar with, their recent album No Strings and how it was received, if they are still getting new fans or if their core base is existing listeners, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58673547Tue, 13 Feb 2024 14:08:41 +0000HEAVY MagazineInterview by Kris Peters Janet Gardner is a name most hard rockers and metallers have etched into their black hearts. Since fronting legendary outfit Vixen, Gardner has epitomised the spirit of metal with her distinctive vocals, influencing generation...Janet Gardner is a name most hard rockers and metallers have etched into their black hearts.
Since fronting legendary outfit Vixen, Gardner has epitomised the spirit of metal with her distinctive vocals, influencing generation after generation of music listeners and performers while always maintaining an approachable and down to Earth attitude.
Since going solo in more recent years - with guitarist and husband Justin James - Gardner has revitalised both her music and her brand, touring constantly and continuing to churn out high-quality albums.
Gardner is just one of a host of international acts such as Slaughter, Lynch Mob, The Cruel Intentions, H.E.A.T and Jetboy who are descending on Melbourne and Sydney this weekend as part of Glamfest 2024.
HEAVY caught up with Janet and Justin to find out more, and we start by pointing out there is well over 100 years of experience in just the headliners alone.
"Wow," James exclaimed. "That's crazy when you look at it that way. But what's so cool is, it's bands from the day that we all loved - and still love - and then there's some new acts that are part of this bill that are great, and I'm excited to see. Like H.E.A.T and The Cruel Intentions that we don't get to see here in the States."
"This is a good opportunity to see them," Gardner added.
We ask what it is both of them like most about playing festivals such as Glamfest. Is it the music or catching up with old friends or the atmosphere?
"All of the above," Gardner and James replied in unison.
"You just nailed it," Gardner said.
"A lot of these bands are friends, so it's great to see them," James continued. "Obviously playing on stage and playing music and seeing the fans and friends and crowd… the whole thing is almost overwhelming. We are so excited about this."
"And there is a sense of community with our genre of music now," Gardner took over, "that didn't exist back when we were all at the height of our popularity. Other than the bands you're touring with at the moment… like, I didn't get a chance to see a lot of those bands because we were always touring. This is such great opportunities to see other bands and share a stage with them. It's an honour and it's amazing."
In the full interview Janet and James talk more about Glamfest and what to expect, what bands playing they may not have played with before, how the band has changed since their last visit in 2020, the other members of the band, the Australian bands and which ones they are familiar with, their recent album No Strings and how it was received, if they are still getting new fans or if their core base is existing listeners, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>914glamfest,glamrock,hardrock,heavy,heavymetal,interview,janetgardner,justinjames,krispeters,podcast,rock,silverbacktouring,vixenfalsefullhttps://www.spreaker.com/episode/bringing-the-glam-with-jeff-blando-from-slaughter--58673326It's hard to imagine that a band in its 35th year have never toured Australia. Especially when that band is in the ilk of legendary rockers Slaughter!
But that's precisely the case, with forces conspiring against the band over three and a half decades to keep them out of earshot.
But all that changes this weekend when Slaughter touch down in this country as part of Glamfest 2024, which also features Janet Gardner, H.E.A.T, Lynch Mob, Jetboy and more for two showcase events in Melbourne and Sydney (Brisbane was omitted from the schedule due to reasons explained on Silverback Touring's Facebook page).
HEAVY recently had the pleasure of catching up with guitarist Jeff Blando to find out, among other things, why Slaughter have never made it to this part of the world.
"For myself, my wife has always been 'where do you wanna go on vacation' and I have always wanted to go to Australia," he smiled. "So I, myself, am super stoked about coming, and I know the rest of the guys are stoked as well. The band is playing all the hits from the first two records. We are doing one cover song, which is a Led Zeppelin tune that we put in the set, and we're just looking forward to coming over there. The band, considering our age, we still are moving pretty well and functioning pretty well. There's still a lot of energy there and everyone's gonna dig it - hopefully. It could be 'look at those bunch of old farts up there jumping around like morons' (laughs)."
In the full interview, Jeff talks more about coming out for the first time, whether the band will ask other musicians what to expect, what we can expect from the shows, what Slaughter expect from their crowds, the family vibe back stage at festivals like this, the Australian bands on the bill and if he researches them to know what to expect, the legacy of Slaughter, upcoming new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58673326Tue, 13 Feb 2024 13:37:44 +0000HEAVY MagazineInterview by Kris Peters It's hard to imagine that a band in its 35th year have never toured Australia. Especially when that band is in the ilk of legendary rockers Slaughter! But that's precisely the case, with forces conspiring against the band over...It's hard to imagine that a band in its 35th year have never toured Australia. Especially when that band is in the ilk of legendary rockers Slaughter!
But that's precisely the case, with forces conspiring against the band over three and a half decades to keep them out of earshot.
But all that changes this weekend when Slaughter touch down in this country as part of Glamfest 2024, which also features Janet Gardner, H.E.A.T, Lynch Mob, Jetboy and more for two showcase events in Melbourne and Sydney (Brisbane was omitted from the schedule due to reasons explained on Silverback Touring's Facebook page).
HEAVY recently had the pleasure of catching up with guitarist Jeff Blando to find out, among other things, why Slaughter have never made it to this part of the world.
"For myself, my wife has always been 'where do you wanna go on vacation' and I have always wanted to go to Australia," he smiled. "So I, myself, am super stoked about coming, and I know the rest of the guys are stoked as well. The band is playing all the hits from the first two records. We are doing one cover song, which is a Led Zeppelin tune that we put in the set, and we're just looking forward to coming over there. The band, considering our age, we still are moving pretty well and functioning pretty well. There's still a lot of energy there and everyone's gonna dig it - hopefully. It could be 'look at those bunch of old farts up there jumping around like morons' (laughs)."
In the full interview, Jeff talks more about coming out for the first time, whether the band will ask other musicians what to expect, what we can expect from the shows, what Slaughter expect from their crowds, the family vibe back stage at festivals like this, the Australian bands on the bill and if he researches them to know what to expect, the legacy of Slaughter, upcoming new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>904glamfest,glammetal,hairmetal,hardrock,heat,heavy,interview,janetgardner,jeffblando,krispeters,lynchmob,podcast,rock,slaughtertruefullhttps://www.spreaker.com/episode/answering-the-call-with-joshua-wade-from-sienna-skies--58616026Australian metal outfit Sienna Skies are set to finally shake the lingering shadows of COVID once and for all when they hit the road in the next two weeks for a run of four dates with US heavyweight act Of Mice & Men and their long-time mates and touring companions Dream On Dreamer.
After a prolonged absence from the stage, Sienna Skies are setting themselves for an all-out sonic assault when they open the highly anticipated tour in Adelaide on February 23, desperate to blow off the cobwebs and even more excited to be performing a collection of new songs live for the very first time.
Despite the setbacks Sienna Skies suffered as a direct result of the pandemic, they elected to take their time in getting back into the daily grind of the music industry, choosing instead to put the finishing touches on an EP that was created in the midst of adversity. They have released a steady succession of singles taken from that EP, which will be out on March 8, each of which showcases a more vulnerable side of the band while still retaining the dynamic foundations upon which their sound has always been built.
HEAVY caught up with bass player Joshua Wade to find out more.
"We're really excited to be a part of it and the opportunity," he smiled when I mentioned the tour. "I can't wait to get back out there on the road."
We ask Wade if the nerves have set in yet.
"The nerves are catching up with us at the moment because it's been so long since we've played live due to COVID and everything," he replied. "We had an extra long break over COVID writing material so to actually be coming back and playing some shows in some big rooms with some friends… yeah it is starting to catch up on us a bit. But we are looking forward to it. It's been a long time, and we can't wait to do what we do."
In terms of time on the road this isn't a massive tour with only four dates, but the pressures of returning to the stage coupled with the expectations that come with supporting a major international band would still be difficult to suppress.
"Every show is different," Wade measured. "Every market's different and every tour is different. We have known Dream On Dreamer ever since they started being a band, and we were bands coming up together in the same scene. When it comes to Of Mice & Men, we have both known of them in passing before, but never played with them, although we have seen them at other shows and festivals abroad. Vibe wise I think it's going to be stellar. Everyone is going to be stoked and have a great time. Everyone online looks like they are super keen for the shows so that helps with the nerves, knowing it's going to be a super comfortable environment. But to answer your question, there's not really much else to do except just get up there and do what we've always done (laughs). As I said before it's been a while so we are just super excited and can't wait to get our hands on our instruments in front of people and do it again."
In the full interview, Joshua talks more about the feelings Sienna Skies will be going through before hitting the stage, being chosen - along with Dream On Dreamer - by the band themselves to support the tour, the fact two Australian bands have been chosen as national supports and the benefits of that to the local music scene, their mindset going into each show and how they approach their set, writing set lists that play to the band's strengths while also hopefully appealing to Of Mice & Men's crowd, the new songs they will be playing live as well as the upcoming EP, what to expect sonically from the release, their EP launch shows later this year and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58616026Thu, 08 Feb 2024 21:54:05 +0000HEAVY MagazineInterview by Kris Peters Australian metal outfit Sienna Skies are set to finally shake the lingering shadows of COVID once and for all when they hit the road in the next two weeks for a run of four dates with US heavyweight act Of Mice & Men and...Australian metal outfit Sienna Skies are set to finally shake the lingering shadows of COVID once and for all when they hit the road in the next two weeks for a run of four dates with US heavyweight act Of Mice & Men and their long-time mates and touring companions Dream On Dreamer.
After a prolonged absence from the stage, Sienna Skies are setting themselves for an all-out sonic assault when they open the highly anticipated tour in Adelaide on February 23, desperate to blow off the cobwebs and even more excited to be performing a collection of new songs live for the very first time.
Despite the setbacks Sienna Skies suffered as a direct result of the pandemic, they elected to take their time in getting back into the daily grind of the music industry, choosing instead to put the finishing touches on an EP that was created in the midst of adversity. They have released a steady succession of singles taken from that EP, which will be out on March 8, each of which showcases a more vulnerable side of the band while still retaining the dynamic foundations upon which their sound has always been built.
HEAVY caught up with bass player Joshua Wade to find out more.
"We're really excited to be a part of it and the opportunity," he smiled when I mentioned the tour. "I can't wait to get back out there on the road."
We ask Wade if the nerves have set in yet.
"The nerves are catching up with us at the moment because it's been so long since we've played live due to COVID and everything," he replied. "We had an extra long break over COVID writing material so to actually be coming back and playing some shows in some big rooms with some friends… yeah it is starting to catch up on us a bit. But we are looking forward to it. It's been a long time, and we can't wait to do what we do."
In terms of time on the road this isn't a massive tour with only four dates, but the pressures of returning to the stage coupled with the expectations that come with supporting a major international band would still be difficult to suppress.
"Every show is different," Wade measured. "Every market's different and every tour is different. We have known Dream On Dreamer ever since they started being a band, and we were bands coming up together in the same scene. When it comes to Of Mice & Men, we have both known of them in passing before, but never played with them, although we have seen them at other shows and festivals abroad. Vibe wise I think it's going to be stellar. Everyone is going to be stoked and have a great time. Everyone online looks like they are super keen for the shows so that helps with the nerves, knowing it's going to be a super comfortable environment. But to answer your question, there's not really much else to do except just get up there and do what we've always done (laughs). As I said before it's been a while so we are just super excited and can't wait to get our hands on our instruments in front of people and do it again."
In the full interview, Joshua talks more about the feelings Sienna Skies will be going through before hitting the stage, being chosen - along with Dream On Dreamer - by the band themselves to support the tour, the fact two Australian bands have been chosen as national supports and the benefits of that to the local music scene, their mindset going into each show and how they approach their set, writing set lists that play to the band's strengths while also hopefully appealing to Of Mice & Men's crowd, the new songs they will be playing live as well as the upcoming EP, what to expect sonically from the release, their EP launch shows later this year and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>936australia,dreamondreamer,hardrock,heavy,heavymetal,interview,joshuawade,krispeters,ofmice&men,podcast,siennaskies,tourtruefullhttps://www.spreaker.com/episode/the-spirit-of-metal-with-exodus-rising--58606275If there's one thing that shits me more than the constant need for music to be labeled and/or categorised, it's when people feel a weird and unnecessary compulsion to try and classify music even further by bringing religion into it.
I can almost hear you screaming 'that's what you just did' back at me, but I have a reason. To stop anyone else from getting in first, so let's clear the monkey in the room straight up.
Exodus Rising are a Christian Metal band. And I only tell you this because during our interview, many references - both musically and spiritually - were made to their faith, which has little to no bearing on the actual musical output of this gifted US metal outfit.
Yes, they believe in God. No, you don't have to, and no, they aren't trying to make you.
True story.
So let's appreciate Exodus Rising for what they are. A great new progressive rock/metal band who have released their awesome and eclectic debut album, The Book Of Life, which is available from the band's website.
As part of the release cycle, Exodus Rising are premiering the second album single, Blazing Love, via HEAVY at 10 am on February 9 and what a masterful slab of music it is.
To find out more about their music and just where Exodus Rising sprung from, HEAVY sat down with the whole band (minus the drummer) for an enlightening and uplifting chat about life, music, and…. religion.
"I love the song," offered bass player NY Charlie, talking about Blazing Love. "When Chris (Zapa, keyboards) and I had the idea of making this song, it was a whole adventure. It was a last-minute thing. Actually, this song was the last song that we recorded on the album. The last song from the 16 tracks that we have on the album. Chris and I were having a conversation and said 'hey, how about doing Songs Of Solomen and let's make a progressive, cool ballad' and that was the last, spur-of-the-moment thing and I think it took us three days to put together. That song is special to our hearts. I love the way that JSlate sings it. It has a special meaning about this incredible love between a man and a woman, as powerful as God's love for us."
In the full interview, the band talks more about Blazing Love and what it's about, why they wanted to release it to celebrate Valentine's Day, how the song challenges convention for the band, writing about what you know and love, a history of Exodus Rising, the stigma attached to Christian Metal bands and why and how it is nonsensical to think in those terms, the full album and what to expect, following your own path musically and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58606275Thu, 08 Feb 2024 05:10:06 +0000HEAVY MagazineInterview by Kris Peters If there's one thing that shits me more than the constant need for music to be labeled and/or categorised, it's when people feel a weird and unnecessary compulsion to try and classify music even further by bringing religion...If there's one thing that shits me more than the constant need for music to be labeled and/or categorised, it's when people feel a weird and unnecessary compulsion to try and classify music even further by bringing religion into it.
I can almost hear you screaming 'that's what you just did' back at me, but I have a reason. To stop anyone else from getting in first, so let's clear the monkey in the room straight up.
Exodus Rising are a Christian Metal band. And I only tell you this because during our interview, many references - both musically and spiritually - were made to their faith, which has little to no bearing on the actual musical output of this gifted US metal outfit.
Yes, they believe in God. No, you don't have to, and no, they aren't trying to make you.
True story.
So let's appreciate Exodus Rising for what they are. A great new progressive rock/metal band who have released their awesome and eclectic debut album, The Book Of Life, which is available from the band's website.
As part of the release cycle, Exodus Rising are premiering the second album single, Blazing Love, via HEAVY at 10 am on February 9 and what a masterful slab of music it is.
To find out more about their music and just where Exodus Rising sprung from, HEAVY sat down with the whole band (minus the drummer) for an enlightening and uplifting chat about life, music, and…. religion.
"I love the song," offered bass player NY Charlie, talking about Blazing Love. "When Chris (Zapa, keyboards) and I had the idea of making this song, it was a whole adventure. It was a last-minute thing. Actually, this song was the last song that we recorded on the album. The last song from the 16 tracks that we have on the album. Chris and I were having a conversation and said 'hey, how about doing Songs Of Solomen and let's make a progressive, cool ballad' and that was the last, spur-of-the-moment thing and I think it took us three days to put together. That song is special to our hearts. I love the way that JSlate sings it. It has a special meaning about this incredible love between a man and a woman, as powerful as God's love for us."
In the full interview, the band talks more about Blazing Love and what it's about, why they wanted to release it to celebrate Valentine's Day, how the song challenges convention for the band, writing about what you know and love, a history of Exodus Rising, the stigma attached to Christian Metal bands and why and how it is nonsensical to think in those terms, the full album and what to expect, following your own path musically and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1437album,exodusrising,hardrock,heavy,heavymetal,interview,krispeters,podcast,progressivemetal,singlefalsefullhttps://www.spreaker.com/episode/a-collection-of-skulls-with-brandon-saller-from-atreyu--58605462**Apologies in advance, the audio gets a little scratchy going in and out of reception**
Atreyu, where do I start here?
I assume everyone loves them as much as I do, but for those of you who aren’t familiar with these legends they’ve been around fast approaching 30 years and have well and truly carved their spot in the metalcore space. In 2023 alone, they released two Eps and a full-length album, which is where vocalist Brandon Saller and I started the chat. Releasing that much music in a short amount of time appeases the modern consumer who is waiting for the next best thing to grab their attention.
I wanted to find out what their album The Beautiful Dark of Life meant to Brandon, and it turned out to be a career-changing album. Not only did it change the way the band writes together, but it changed the way they communicate and share what’s going on in their lives. You need to remember that it’s only just becoming socially acceptable for men to express their feelings on any level, and I’m grateful to see a band on Atreyu’s level leading the way. “We are just people. You guys can do this shit too”.
When talking about turning 30 as a band, I wondered what advice Brandon had received or wished he had received. Funnily enough, he replied by saying no one really took them under their wing and had more of a “Na, na fuck you guys” attitude about them. The most important takeaway was to love what you do. When you stop loving what you do, the magic stops.
There are so many killer albums from these guys and I needed to know what era Brandon would travel back to experience and all over again. #1 - The Curse (2004). The reason being he wanted to go back to the start to experience that ‘first time feeling’ all over again… have a bird’s eye view of that era.
#2 - Lead Sails Paper Anchor (2007), my personal favourite! This album was polarising in how it was received, “Half of our fans wanted to murder us and half were on board”. It was also a major turning point in Saller’s career, feeling he was put on a pedestal for this album and had a big creative reach.
In 2008 Atreyu/Avenged Sevenfold/Bullet for My Valentine had a massive Australian tour and by all accounts it was an absolute madhouse. I needed to hear the scoop from the horse’s mouth, and all the carnage and mayhem you would imagine going down did exactly that. From Jimmy ‘The Rev’ Sullivan singing opera at 7am in the morning to the ‘Terrible Twins’ Johnny Christ and Jimmy (Avenged Sevenfold) redecorating hotel rooms, there are some hilarious stories. You will just have to listen for all the details.
There is a lot we cover in this interview that any Atreyu fan will enjoy. He was an absolute trooper to talk to. Words from Brandon himself, Australia is their favourite place to tour, so get your asses to one of their shows and make sure they continue to come back for years to come!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58605462Thu, 08 Feb 2024 04:14:22 +0000HEAVY MagazineInterview by Kyra-Jade Coombs **Apologies in advance, the audio gets a little scratchy going in and out of reception** Atreyu, where do I start here? I assume everyone loves them as much as I do, but for those of you who aren’t familiar with these...**Apologies in advance, the audio gets a little scratchy going in and out of reception**
Atreyu, where do I start here?
I assume everyone loves them as much as I do, but for those of you who aren’t familiar with these legends they’ve been around fast approaching 30 years and have well and truly carved their spot in the metalcore space. In 2023 alone, they released two Eps and a full-length album, which is where vocalist Brandon Saller and I started the chat. Releasing that much music in a short amount of time appeases the modern consumer who is waiting for the next best thing to grab their attention.
I wanted to find out what their album The Beautiful Dark of Life meant to Brandon, and it turned out to be a career-changing album. Not only did it change the way the band writes together, but it changed the way they communicate and share what’s going on in their lives. You need to remember that it’s only just becoming socially acceptable for men to express their feelings on any level, and I’m grateful to see a band on Atreyu’s level leading the way. “We are just people. You guys can do this shit too”.
When talking about turning 30 as a band, I wondered what advice Brandon had received or wished he had received. Funnily enough, he replied by saying no one really took them under their wing and had more of a “Na, na fuck you guys” attitude about them. The most important takeaway was to love what you do. When you stop loving what you do, the magic stops.
There are so many killer albums from these guys and I needed to know what era Brandon would travel back to experience and all over again. #1 - The Curse (2004). The reason being he wanted to go back to the start to experience that ‘first time feeling’ all over again… have a bird’s eye view of that era.
#2 - Lead Sails Paper Anchor (2007), my personal favourite! This album was polarising in how it was received, “Half of our fans wanted to murder us and half were on board”. It was also a major turning point in Saller’s career, feeling he was put on a pedestal for this album and had a big creative reach.
In 2008 Atreyu/Avenged Sevenfold/Bullet for My Valentine had a massive Australian tour and by all accounts it was an absolute madhouse. I needed to hear the scoop from the horse’s mouth, and all the carnage and mayhem you would imagine going down did exactly that. From Jimmy ‘The Rev’ Sullivan singing opera at 7am in the morning to the ‘Terrible Twins’ Johnny Christ and Jimmy (Avenged Sevenfold) redecorating hotel rooms, there are some hilarious stories. You will just have to listen for all the details.
There is a lot we cover in this interview that any Atreyu fan will enjoy. He was an absolute trooper to talk to. Words from Brandon himself, Australia is their favourite place to tour, so get your asses to one of their shows and make sure they continue to come back for years to come!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1467atreyu,australia,heavy,heavymetal,interview,kyrajadecoombs,podcast,silverbacktouring,tour,wewantyourskullstourtruefullhttps://www.spreaker.com/episode/building-blocks-of-mystique-with-morten-lowe-sorensen-from-amaranthe--58603302For 15 years now, Swedish metal trailblazers Amaranthe have been pushing the boundaries of music with a unique blending of melodic metal, electronic rock, razor-sharp pop and hard rock that many traditionalists - to their disbelief - have found impossible to resist.
It is a coming together of music and genres that defies the regular status quo of such opposing forces, but time and time again over a growing number of albums Amaranthe have emerged triumphant. And that is only set to reap the spoils of adulation once more with the arrival of their new album, The Catalyst, on February 23.
Already being touted by those with advance listens as the most powerful and complete album of Amaranthe's career, The Catalyst is set to emphatically stamp Amaranthe as rulers of their domain, and with good reason.
HEAVY caught up with drummer Morten Løwe Sørensen to find out more.
"We're very proud of this album," he began. "It's been a lot of work. Not very hard work, (smiles) but a lot of work. It was a rewarding and super creative process for all of us. We're a heavy, heavy band at the moment and it's a great album. People seem to already like it, which is positive."
We ask what this period is like, with the album finished and just waiting for a release date.
"It's been a while," he agreed. "On the date, it's almost one year since I recorded the drums. Of course, there's always something that you could have changed or done in a different way, but that's usually something that happens when we start playing the songs live. Certain things will just happen - at least for me as a drummer - I have a little bit more freedom and maybe change a few things here and there. It might happen organically throughout a tour, and you think 'ah, it should have been like this' and small changes might start happening. It doesn't mean that it should have been like that, but certain things sometimes work better live than on an album. I'm super happy about the production and everybody's playing… I love the album."
In the full interview, Morten talks about the musical side of The Catalyst and what they were going for, the singles released and how they represent the album, blending styles together and how they make it work, new members, resisting the temptation to recycle the successful formula of their previous album Manifest, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58603302Wed, 07 Feb 2024 21:36:18 +0000HEAVY MagazineInterview by Kris Peters For 15 years now, Swedish metal trailblazers Amaranthe have been pushing the boundaries of music with a unique blending of melodic metal, electronic rock, razor-sharp pop and hard rock that many traditionalists - to their...For 15 years now, Swedish metal trailblazers Amaranthe have been pushing the boundaries of music with a unique blending of melodic metal, electronic rock, razor-sharp pop and hard rock that many traditionalists - to their disbelief - have found impossible to resist.
It is a coming together of music and genres that defies the regular status quo of such opposing forces, but time and time again over a growing number of albums Amaranthe have emerged triumphant. And that is only set to reap the spoils of adulation once more with the arrival of their new album, The Catalyst, on February 23.
Already being touted by those with advance listens as the most powerful and complete album of Amaranthe's career, The Catalyst is set to emphatically stamp Amaranthe as rulers of their domain, and with good reason.
HEAVY caught up with drummer Morten Løwe Sørensen to find out more.
"We're very proud of this album," he began. "It's been a lot of work. Not very hard work, (smiles) but a lot of work. It was a rewarding and super creative process for all of us. We're a heavy, heavy band at the moment and it's a great album. People seem to already like it, which is positive."
We ask what this period is like, with the album finished and just waiting for a release date.
"It's been a while," he agreed. "On the date, it's almost one year since I recorded the drums. Of course, there's always something that you could have changed or done in a different way, but that's usually something that happens when we start playing the songs live. Certain things will just happen - at least for me as a drummer - I have a little bit more freedom and maybe change a few things here and there. It might happen organically throughout a tour, and you think 'ah, it should have been like this' and small changes might start happening. It doesn't mean that it should have been like that, but certain things sometimes work better live than on an album. I'm super happy about the production and everybody's playing… I love the album."
In the full interview, Morten talks about the musical side of The Catalyst and what they were going for, the singles released and how they represent the album, blending styles together and how they make it work, new members, resisting the temptation to recycle the successful formula of their previous album Manifest, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>970album,amaranthe,heavy,heavymetal,interview,krispeters,melodicmetal,music,nuclearblastrecords,podcast,thecatalysttruefullhttps://www.spreaker.com/episode/calm-before-the-storm-with-guillermo-izquierdo-from-angelus-apatrida--58551636While many international bands - and rightfully so - cite distance and money as two major hurdles towards touring this great country of ours, there are some who throw caution to the wind and depart for these fair shores.
Then there are those who love Australia so much that they return, but even then those bands generally leave at least a two-year gap between tours so as not to overstay their welcome.
But not so Spanish thrash metal outfit Angelus Apatrida, who are returning to this country later this month for a run of nine shows, despite barely 12 months passing since their last visit.
In what is a smart move, Angelus Apatrida are intent on capitalising on the momentum gained on that first tour, striking while the iron is hot to promote their new record Aftermath.
Lead vocalist/guitarist Guillermo Izquierdo joined HEAVY to tell us more.
"We're just finishing a few details with visas and all that stuff," he replied when asked if they are packed and ready to go. "We're still on tour here in Spain, so we will go there with all of the energy."
It's a massive run of shows, a long way from home, so we ask how the band prepares mentally and physically for the challenge.
"When you arrive to a new country, like Australia, which is so far physically you have to prepare," he continued. "You have to plan one day to rest and all that stuff, but I think mentally we always leave it to the last minute. When we go to the venue already… or before the venue, we can go to a bar and get a beer. I think that's one of the first things that we are going to do when we get off in Australia is get a great cold beer (laughs)."
In the full interview, Guillermo talks more about the tour and what to expect, why they are coming back so soon after the last tour, how these shows will differ, the new album Aftermath and how it has been received, how much of that new material they will be playing, touring with Hidden Intent and why they chose that band as national support, playing at Churches Of Steel VI, researching local bands before a show and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58551636Sat, 03 Feb 2024 03:13:15 +0000HEAVY MagazineInterview by Kris Peters While many international bands - and rightfully so - cite distance and money as two major hurdles towards touring this great country of ours, there are some who throw caution to the wind and depart for these fair shores. Then...While many international bands - and rightfully so - cite distance and money as two major hurdles towards touring this great country of ours, there are some who throw caution to the wind and depart for these fair shores.
Then there are those who love Australia so much that they return, but even then those bands generally leave at least a two-year gap between tours so as not to overstay their welcome.
But not so Spanish thrash metal outfit Angelus Apatrida, who are returning to this country later this month for a run of nine shows, despite barely 12 months passing since their last visit.
In what is a smart move, Angelus Apatrida are intent on capitalising on the momentum gained on that first tour, striking while the iron is hot to promote their new record Aftermath.
Lead vocalist/guitarist Guillermo Izquierdo joined HEAVY to tell us more.
"We're just finishing a few details with visas and all that stuff," he replied when asked if they are packed and ready to go. "We're still on tour here in Spain, so we will go there with all of the energy."
It's a massive run of shows, a long way from home, so we ask how the band prepares mentally and physically for the challenge.
"When you arrive to a new country, like Australia, which is so far physically you have to prepare," he continued. "You have to plan one day to rest and all that stuff, but I think mentally we always leave it to the last minute. When we go to the venue already… or before the venue, we can go to a bar and get a beer. I think that's one of the first things that we are going to do when we get off in Australia is get a great cold beer (laughs)."
In the full interview, Guillermo talks more about the tour and what to expect, why they are coming back so soon after the last tour, how these shows will differ, the new album Aftermath and how it has been received, how much of that new material they will be playing, touring with Hidden Intent and why they chose that band as national support, playing at Churches Of Steel VI, researching local bands before a show and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>580angelusapatrida,australia,churchesofsteel,heavy,heavymetal,hiddenintent,interview,krispeters,podcast,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/the-sound-of-wrath-with-trey-spruance-from-mr-bungle--58539159Often bands that are referred to as 'ahead of their time' are lumped into the basket simply because people can't understand their musical vision and/or output.
But when that term is used on a band 10 years or more after their inception, the plot thickens just a little. With the benefit and time and hindsight, today's WTF musical outfit can eventually be classed as innovative and groundbreaking, it's really all down to perception.
There are, however, exceptions to the rule. Bands that were truly of a different sonic sphere to others at the time and remain that way many years later.
Bands such as Led Zeppelin and Rage Against The Machine spring to mind, but one possibly above all others is an outfit by the name of Mr. Bungle.
Formed by three friends still in high school - Trey Spruance, Trevor Dunn and Mike Patton - Mr. Bungle defied convention from the outset, blending sounds and genres like rarely heard before and creating a genre of music as unclassifiable to this day as it was back in 1985.
Over three albums and four demos, Mr. Bungle maintained their experimental stance of creating music, building an underground following that swelled even more when Patton joined Faith No More in 1988.
But, as generally happens when such creative forces are exposed for a prolonged period of time, Mr. Bungle found themselves at a crossroads approaching the turn of the century and parted ways, with each member moving on to other projects. Bungle became one of those bands where people spoke with reverence of actually seeing them play live, most hoping for, but never believing a reunion would one day come to pass.
In 2020 fans around the world rejoiced as rumblings morphed into reality and Mr. Bungle were ready to once more assume their place at the head of the class. Only there was to be changes in personnel. And not just any new members, either.
Anthrax's Scott Ian joined the original trio on guitar while Dave Lombardo (Slayer) assumed duties behind the drum kit and a supergroup of sorts was (re) born.
Rather than write new material with the five new creative minds, Mr. Bungle started things off the way they always had - on their own terms - by re-recording and releasing their debut EP The Raging Wrath Of The Easter Bunny. It was a bold and unexpected move that emphatically declared Bungle were still unwilling to follow convention, and the resulting success of the release ensured live shows would follow.
Which has invariably led Mr. Bungle back to this side of the world, where they will be kicking off a run of shows in Auckland on March 3 before heading to Australia for five capital city shows.
HEAVY caught up with guitarist Trey Spruance earlier today to find out more.
"It's great," he smiled when asked how he felt about returning to Australia. "Let's see… for Mr. Bungle, this is our third time… but I think it's our first time playing in New Zealand, so that will be new territory for us. Right before that we'll be in Japan, but Australia has always been a stronghold for Mr. Bungle fandom, so it's great to be able to come back with this band. I've been back with other bands since then, and I was never sure that Mr. Bungle would make it back. It's very cool that we're able to do it."
We press Trey on what fans can expect from the shows.
"They have never heard this part of the band," he offered. "Well, they have through the internet, but they have never experienced this live. The death metal assault. It's full-on fucking speed metal. A really crazy, fast show (laughs). It's nothing like we did before. If they are expecting a whole bunch of genre shifting… I would say that's not going to happen, but we do actually play a bunch of cover songs. You're not gonna go and see a death metal band and see what Mr. Bungle does with the death metal experience, that's for sure."
In the full interview, Trey talks more about the shows, what the band expects from their crowds, how different their current live show is from what people would have seen on previous visits, bringing the Melvins as support and why, the formation of Mr. Bungle and their early vision, where their sound came from initially, the writing process that sees himself, Trevor Dunn and Mike Patton make music together, their self-titled debut album and how they approached it, their musical journey over that album and follow up's Disco Volante and California, their parting in 2000 and if he was satisfied with Mr. Bungle's achievements to that point, reforming 20 years later with Scott Ian and Dave Lombardo, re-recording The Raging Wrath Of The Easter Bunny instead of writing new music, what he feels Mr. Bungle has contributed to the music scene and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58539159Fri, 02 Feb 2024 01:43:20 +0000HEAVY MagazineInterview by Kris Peters, Often bands that are referred to as 'ahead of their time' are lumped into the basket simply because people can't understand their musical vision and/or output. But when that term is used on a band 10 years or more after their...Often bands that are referred to as 'ahead of their time' are lumped into the basket simply because people can't understand their musical vision and/or output.
But when that term is used on a band 10 years or more after their inception, the plot thickens just a little. With the benefit and time and hindsight, today's WTF musical outfit can eventually be classed as innovative and groundbreaking, it's really all down to perception.
There are, however, exceptions to the rule. Bands that were truly of a different sonic sphere to others at the time and remain that way many years later.
Bands such as Led Zeppelin and Rage Against The Machine spring to mind, but one possibly above all others is an outfit by the name of Mr. Bungle.
Formed by three friends still in high school - Trey Spruance, Trevor Dunn and Mike Patton - Mr. Bungle defied convention from the outset, blending sounds and genres like rarely heard before and creating a genre of music as unclassifiable to this day as it was back in 1985.
Over three albums and four demos, Mr. Bungle maintained their experimental stance of creating music, building an underground following that swelled even more when Patton joined Faith No More in 1988.
But, as generally happens when such creative forces are exposed for a prolonged period of time, Mr. Bungle found themselves at a crossroads approaching the turn of the century and parted ways, with each member moving on to other projects. Bungle became one of those bands where people spoke with reverence of actually seeing them play live, most hoping for, but never believing a reunion would one day come to pass.
In 2020 fans around the world rejoiced as rumblings morphed into reality and Mr. Bungle were ready to once more assume their place at the head of the class. Only there was to be changes in personnel. And not just any new members, either.
Anthrax's Scott Ian joined the original trio on guitar while Dave Lombardo (Slayer) assumed duties behind the drum kit and a supergroup of sorts was (re) born.
Rather than write new material with the five new creative minds, Mr. Bungle started things off the way they always had - on their own terms - by re-recording and releasing their debut EP The Raging Wrath Of The Easter Bunny. It was a bold and unexpected move that emphatically declared Bungle were still unwilling to follow convention, and the resulting success of the release ensured live shows would follow.
Which has invariably led Mr. Bungle back to this side of the world, where they will be kicking off a run of shows in Auckland on March 3 before heading to Australia for five capital city shows.
HEAVY caught up with guitarist Trey Spruance earlier today to find out more.
"It's great," he smiled when asked how he felt about returning to Australia. "Let's see… for Mr. Bungle, this is our third time… but I think it's our first time playing in New Zealand, so that will be new territory for us. Right before that we'll be in Japan, but Australia has always been a stronghold for Mr. Bungle fandom, so it's great to be able to come back with this band. I've been back with other bands since then, and I was never sure that Mr. Bungle would make it back. It's very cool that we're able to do it."
We press Trey on what fans can expect from the shows.
"They have never heard this part of the band," he offered. "Well, they have through the internet, but they have never experienced this live. The death metal assault. It's full-on fucking speed metal. A really crazy, fast show (laughs). It's nothing like we did before. If they are expecting a whole bunch of genre shifting… I would say that's not going to happen, but we do actually play a bunch of cover songs. You're not gonna go and see a death metal band and see what Mr. Bungle does with the death metal experience, that's for sure."
In the full interview, Trey talks more about the shows, what the band...]]>1175australia,davelombardo,deathmetal,heavy,heavymetal,interview,krispeters,melvins,mikepatton,mrbungle,podcast,punk,rock,scottian,tour,trevordunn,treyspruancetruefullhttps://www.spreaker.com/episode/filling-the-void-with-sam-bettley-from-asking-alexandria--58528376It's been a massive six months for British rock/metal frontrunners Asking Alexandria, starting with the release of their latest album, Where Do We Go From Here? and culminating with an upcoming appearance in Australia as part of Knotfest 2024, which also sees Pantera, Halestorm, Lamb Of God, Disturbed and more visit these shores.
In between, the band dropped the highly successful Dark Void EP to coincide with Blue Monday, further accentuating their cause and support for mental health and related illnesses.
HEAVY recently caught up with bass player Sam Bettley to go over these highlights and more.
"It's been a long time," he stressed. "It's been a long time since we've been there, so we're excited to get back."
We run through the line-up and ask if there's any bands that Asking Alexandria haven't played with before.
"Honestly… no, I think we've played with pretty much everybody on this line-up," he laughed. "We were lucky enough to do a lot of the festivals in this last European run we did. On the off dates of the festivals we played with Disturbed, and those guys were awesome. What an amazing band and incredible to see live. Pantera… I mean, that was just a whole thing, you know. That was a huge party. Lamb of God - honestly, one of my favourite bands growing up, and my good friend Art is their drummer now, which is crazy because we toured with Art for years when he was in Winds Of Plague, so it's really cool. It's gonna be huge. There's gonna be a lot of friends and a lot of familiar faces. A couple of people we've not played with… nah, honestly. I've got it in front of me and everybody, really. I'm excited."
In the full interview, Sam talks more about travelling and playing these festivals, the backstage environment, catching up with friends on the road, what to expect from Asking Alexandria's set, what they expect from their crowds, the sideshows and what to expect, Dark Void and the reason behind releasing it, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58528376Thu, 01 Feb 2024 05:51:13 +0000HEAVY MagazineInterview by Kris Peters It's been a massive six months for British rock/metal frontrunners Asking Alexandria, starting with the release of their latest album, Where Do We Go From Here? and culminating with an upcoming appearance in Australia as part...It's been a massive six months for British rock/metal frontrunners Asking Alexandria, starting with the release of their latest album, Where Do We Go From Here? and culminating with an upcoming appearance in Australia as part of Knotfest 2024, which also sees Pantera, Halestorm, Lamb Of God, Disturbed and more visit these shores.
In between, the band dropped the highly successful Dark Void EP to coincide with Blue Monday, further accentuating their cause and support for mental health and related illnesses.
HEAVY recently caught up with bass player Sam Bettley to go over these highlights and more.
"It's been a long time," he stressed. "It's been a long time since we've been there, so we're excited to get back."
We run through the line-up and ask if there's any bands that Asking Alexandria haven't played with before.
"Honestly… no, I think we've played with pretty much everybody on this line-up," he laughed. "We were lucky enough to do a lot of the festivals in this last European run we did. On the off dates of the festivals we played with Disturbed, and those guys were awesome. What an amazing band and incredible to see live. Pantera… I mean, that was just a whole thing, you know. That was a huge party. Lamb of God - honestly, one of my favourite bands growing up, and my good friend Art is their drummer now, which is crazy because we toured with Art for years when he was in Winds Of Plague, so it's really cool. It's gonna be huge. There's gonna be a lot of friends and a lot of familiar faces. A couple of people we've not played with… nah, honestly. I've got it in front of me and everybody, really. I'm excited."
In the full interview, Sam talks more about travelling and playing these festivals, the backstage environment, catching up with friends on the road, what to expect from Asking Alexandria's set, what they expect from their crowds, the sideshows and what to expect, Dark Void and the reason behind releasing it, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>939askingalexandria,disturbed,halestorm,hardrock,heavy,kingparrot,knotfestaustralia,krispeters,lambofgod,nterview,pantera,podcast,rock,sambettley,wagewartruefullhttps://www.spreaker.com/episode/diversity-through-music-with-persefone--58528165Andorran metal outfit Persefone are a band unto themselves.
With a sound that can be loosely described as progressive rock meets melodic death metal, Persefone have forged their name crafted in their sonic diversity.
2024, and in particular the band's new EP Lingua Ignota - set for release on February 2 - ushers in a new era for the band, with vocal duties being assumed by Daniel Rodriguez Flys. His DNA is all over the new EP, which features five songs covering the entire spectrum of Persefone's music, with subtle nods at their future. Drummer Bobby joined HEAVY to talk more about the EP and Persefone's future.
"Man, I just want to release the new music," he smiled. "We've been working so much into this new release lately that I just want to release it and people to start listening to it. We finished the recording in August, so it's been a while now. And since we are about to go on tour in ten days, I really want people to listen to the new songs before that because we are playing the whole EP live and I want them to at least know the songs a little bit."
In the full interview, Bobby talks more about the EP and what they were going for musically, describes the band's sonic structure, introduces their new vocalist and what he brings to the band, runs through each of the five EP tracks individually and explains where they fit in with the recording, how Lingua Ignota differs musically to previous release metanoia, what's next for the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58528165Thu, 01 Feb 2024 05:06:22 +0000HEAVY MagazineInterview by Kris Peters Andorran metal outfit Persefone are a band unto themselves. With a sound that can be loosely described as progressive rock meets melodic death metal, Persefone have forged their name crafted in their sonic diversity. 2024, and...Andorran metal outfit Persefone are a band unto themselves.
With a sound that can be loosely described as progressive rock meets melodic death metal, Persefone have forged their name crafted in their sonic diversity.
2024, and in particular the band's new EP Lingua Ignota - set for release on February 2 - ushers in a new era for the band, with vocal duties being assumed by Daniel Rodriguez Flys. His DNA is all over the new EP, which features five songs covering the entire spectrum of Persefone's music, with subtle nods at their future. Drummer Bobby joined HEAVY to talk more about the EP and Persefone's future.
"Man, I just want to release the new music," he smiled. "We've been working so much into this new release lately that I just want to release it and people to start listening to it. We finished the recording in August, so it's been a while now. And since we are about to go on tour in ten days, I really want people to listen to the new songs before that because we are playing the whole EP live and I want them to at least know the songs a little bit."
In the full interview, Bobby talks more about the EP and what they were going for musically, describes the band's sonic structure, introduces their new vocalist and what he brings to the band, runs through each of the five EP tracks individually and explains where they fit in with the recording, how Lingua Ignota differs musically to previous release metanoia, what's next for the band and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>837ep,heavy,heavymetal,interview,krispeters,melodicdeathmetal,persefone,podcast,progressivemetalfalsefullhttps://www.spreaker.com/episode/releasing-the-pressure-valve-with-daniel-moilanen-from-katatonia--58528124Swedish metal heavyweights Katatonia are on the cusp of their first headlining tour of Australia in nearly a decade, which kicks off in Sydney on February 9.
Over the course of thirty years and eleven studio albums, Katatonia have proved groundbreaking in their approach, constantly restructuring their sound to match their own personal music growth.
Drummer Daniel Moilanen recently joined HEAVY to discuss the tour in greater detail.
"Pretty much," he replied when asked if the band were packed and ready to go. "We just came back from the first show of this year. We did Turkey, so I'm taking a day off or two and then getting back into it."
We ask how he prepares mentally and physically for a run of dates like this so far from home.
"The first thing is loading up on sleep," he offered. "I know it doesn't really work like that, but getting sleep and rest and getting your vitamins in and your supplements. Even leaving home for a run of dates for a couple of weeks, even if you're not able to do your workouts or do your stretches on the road, you're going to have pretty crappy sleep all throughout. If you can prepare with all that at home, you'll be fine. I think that's what we all try to do, just unwind, prepare physically and mentally, and while we're out there the lack of sleep; the lack of healthy food doesn't really affect us as much. If we would live at home like we did on tour, I don't think we would survive because we are getting too old (laughs)."
In the full interview, Daniel talks more about the tour and what to expect, what has changed with the band since their last Australian tour in 2016, his memories of that tour being the 'new guy', growing into his role, if he was a fan of the band before joining, last year's album Void Of Stars and how it has been received, how much of that they will be playing live, what's next for Katatonia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58528124Thu, 01 Feb 2024 04:48:53 +0000HEAVY MagazineInterview by Kris Peters Swedish metal heavyweights Katatonia are on the cusp of their first headlining tour of Australia in nearly a decade, which kicks off in Sydney on February 9. Over the course of thirty years and eleven studio albums, Katatonia...Swedish metal heavyweights Katatonia are on the cusp of their first headlining tour of Australia in nearly a decade, which kicks off in Sydney on February 9.
Over the course of thirty years and eleven studio albums, Katatonia have proved groundbreaking in their approach, constantly restructuring their sound to match their own personal music growth.
Drummer Daniel Moilanen recently joined HEAVY to discuss the tour in greater detail.
"Pretty much," he replied when asked if the band were packed and ready to go. "We just came back from the first show of this year. We did Turkey, so I'm taking a day off or two and then getting back into it."
We ask how he prepares mentally and physically for a run of dates like this so far from home.
"The first thing is loading up on sleep," he offered. "I know it doesn't really work like that, but getting sleep and rest and getting your vitamins in and your supplements. Even leaving home for a run of dates for a couple of weeks, even if you're not able to do your workouts or do your stretches on the road, you're going to have pretty crappy sleep all throughout. If you can prepare with all that at home, you'll be fine. I think that's what we all try to do, just unwind, prepare physically and mentally, and while we're out there the lack of sleep; the lack of healthy food doesn't really affect us as much. If we would live at home like we did on tour, I don't think we would survive because we are getting too old (laughs)."
In the full interview, Daniel talks more about the tour and what to expect, what has changed with the band since their last Australian tour in 2016, his memories of that tour being the 'new guy', growing into his role, if he was a fan of the band before joining, last year's album Void Of Stars and how it has been received, how much of that they will be playing live, what's next for Katatonia and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>625australia,danielmoilanen,heavy,heavymetal,interview,katatonia,krispeters,podcast,tourfalsefullhttps://www.spreaker.com/episode/triumph-from-tragedy-with-caligula-s-horse--58478594The last few years have been tough on the world at large, with people of all walks of life forced to find their own coping mechanisms to safely navigate increasingly treacherous waters.
Musicians, long thought to be able to handle anything the world threw at them and turn it into cathartic verse, were amongst the hardest hit, with many bands failing to emerge intact.
But others embraced their changing environment as best they could, harnessing their anger and frustration into their music - often the only thing they had left.
Australian progressive rock outfit Caligula's Horse were one such band.
Borne from the heartache and suffering of a world teetering on the verge of collapse, Caligula's Horse's sixth studio album Charcoal Grace is a sonic reminder of the frailties of mankind as well as the endurance in the face of adversity that often comes with despair.
The music contained within Charcoal Grace is as diverse and eclectic as the circumstances that inspired it, combining raw rock power with immense and intense emotional fortitude.
HEAVY caught up with Jim, Josh and Dale to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58478594Sun, 28 Jan 2024 11:51:17 +0000HEAVY MagazineInterview by Erin Eddy The last few years have been tough on the world at large, with people of all walks of life forced to find their own coping mechanisms to safely navigate increasingly treacherous waters. Musicians, long thought to be able to...The last few years have been tough on the world at large, with people of all walks of life forced to find their own coping mechanisms to safely navigate increasingly treacherous waters.
Musicians, long thought to be able to handle anything the world threw at them and turn it into cathartic verse, were amongst the hardest hit, with many bands failing to emerge intact.
But others embraced their changing environment as best they could, harnessing their anger and frustration into their music - often the only thing they had left.
Australian progressive rock outfit Caligula's Horse were one such band.
Borne from the heartache and suffering of a world teetering on the verge of collapse, Caligula's Horse's sixth studio album Charcoal Grace is a sonic reminder of the frailties of mankind as well as the endurance in the face of adversity that often comes with despair.
The music contained within Charcoal Grace is as diverse and eclectic as the circumstances that inspired it, combining raw rock power with immense and intense emotional fortitude.
HEAVY caught up with Jim, Josh and Dale to find out more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>800album,aussierock,caligulashorse,hardrock,heavy,interview,podcast,progressiverock,rocktruefullhttps://www.spreaker.com/episode/dare-to-dream-with-zach-britt-from-dream-on-dreamer--58468625Australian metal outfit Dream On Dreamer were an international sensation in the early part of this decade, playing, amongst other things, 24 different countries and sharing the stage with bands such as Avenged Sevenfold, Pierce The Veil, Memphis May Fire, A Day To Remember and plenty more.
With four chart-topping albums to their name, including the highly successful Loveless (2013), it seemed the world was there for Dream On Dreamer's taking.
Until, seemingly out of the blue, the band announced that they would be parting ways after eleven years together in February 2020, citing the need to focus on their personal lives. It came as a shock to their fans far and wide, with the April 2020 album What If I Told You It Doesn't Get Better threatening to be the last we would hear of this promising band.
In June 2023 fans received the news they had been hoping for when Dream On Dreamer announced they would be reforming for a national headlining tour which dutifully sold tickets by the bucketful and ensured Dream On Dreamer now had a reason to remain.
That decision was vindicated later that year when Dream On Dreamer were announced - along with Sienna Skies - as national supports for Of Mice & Men on their 2024 Australian tour, reportedly hand-picked by the band themselves for the honour.
Now, with only weeks remaining before the first show kicks off in Adelaide on February 23, HEAVY managed to track down guitarist Zach Britt to find out how the band is feeling about the upcoming tour and what they have planned for the near future.
"We're pretty pumped," he enthused about the tour. "It's been a while since we had a run on the field. We've been on the bench a little while and we're really excited. We're excited to get out there and stretch our legs again. It's always fun just hanging out, especially as we've gotten older and not toured non-stop all the time. It's really nice when we get to do it now, and we appreciate every time. Of Mice & Men are such heavy hitters… it's a privilege when you get to play with bands like that. I think the more we've grown up now, the more we appreciate these tours. There was a lot of tours that we didn't really take stock while we were there, and now I think back to a lot of them and think 'oh my God, I wish I was a little more present minded' (laughs). I think now we're just excited to make the most of it and get out there."
In the full interview, Zach talks more about the tour and what is expected of Dream On Dreamer as a band, being personally selected for the Of Mice & Men shows and how that feels, having two Australian bands as supports and the flow on effects for Australian music, how he controls the nerves leading into shows of this magnitude, the band's fresh approach to playing and touring and how he thinks it will benefit them in the future, announcing the comeback last year and what changed to make the band try again, how it felt to be welcomed back with open arms by the fans, proving a point to themselves and others, new music, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58468625Sat, 27 Jan 2024 01:45:28 +0000HEAVY MagazineInterview by Kris Peters Australian metal outfit Dream On Dreamer were an international sensation in the early part of this decade, playing, amongst other things, 24 different countries and sharing the stage with bands such as Avenged Sevenfold,...Australian metal outfit Dream On Dreamer were an international sensation in the early part of this decade, playing, amongst other things, 24 different countries and sharing the stage with bands such as Avenged Sevenfold, Pierce The Veil, Memphis May Fire, A Day To Remember and plenty more.
With four chart-topping albums to their name, including the highly successful Loveless (2013), it seemed the world was there for Dream On Dreamer's taking.
Until, seemingly out of the blue, the band announced that they would be parting ways after eleven years together in February 2020, citing the need to focus on their personal lives. It came as a shock to their fans far and wide, with the April 2020 album What If I Told You It Doesn't Get Better threatening to be the last we would hear of this promising band.
In June 2023 fans received the news they had been hoping for when Dream On Dreamer announced they would be reforming for a national headlining tour which dutifully sold tickets by the bucketful and ensured Dream On Dreamer now had a reason to remain.
That decision was vindicated later that year when Dream On Dreamer were announced - along with Sienna Skies - as national supports for Of Mice & Men on their 2024 Australian tour, reportedly hand-picked by the band themselves for the honour.
Now, with only weeks remaining before the first show kicks off in Adelaide on February 23, HEAVY managed to track down guitarist Zach Britt to find out how the band is feeling about the upcoming tour and what they have planned for the near future.
"We're pretty pumped," he enthused about the tour. "It's been a while since we had a run on the field. We've been on the bench a little while and we're really excited. We're excited to get out there and stretch our legs again. It's always fun just hanging out, especially as we've gotten older and not toured non-stop all the time. It's really nice when we get to do it now, and we appreciate every time. Of Mice & Men are such heavy hitters… it's a privilege when you get to play with bands like that. I think the more we've grown up now, the more we appreciate these tours. There was a lot of tours that we didn't really take stock while we were there, and now I think back to a lot of them and think 'oh my God, I wish I was a little more present minded' (laughs). I think now we're just excited to make the most of it and get out there."
In the full interview, Zach talks more about the tour and what is expected of Dream On Dreamer as a band, being personally selected for the Of Mice & Men shows and how that feels, having two Australian bands as supports and the flow on effects for Australian music, how he controls the nerves leading into shows of this magnitude, the band's fresh approach to playing and touring and how he thinks it will benefit them in the future, announcing the comeback last year and what changed to make the band try again, how it felt to be welcomed back with open arms by the fans, proving a point to themselves and others, new music, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1071aussiemetal,australia,dreamondreamer,heavy,heavymetal,interview,krispeters,metalcore,ofmice&men,podcast,siennaskies,teamwrktouring,thephoenix,tour,zachbritttruefullhttps://www.spreaker.com/episode/starting-a-revolution-with-glenn-patrick-from-shotgun-mistress--58468024Aussie rock outfit Shotgun Mistress exploded out of the blocks with their debut self-titled album in 2021, showcasing an old-school approach to songwriting that saw them instantly branded amongst rising bands to keep an ear out for.
Spawning a string of chart-topping singles such as No Friend Of Mine, Save Me From Myself, Glorious Machine, Collide and Bleed Me Out, it seemed Australian rock had finally found a fresh talent to proudly call their own.
Following a highly successful 2023 which saw Shotgun Mistress complete sold-out national tours with Electric Mary and Palace Of The King, the boys decided to take stock and capitalise on their continued momentum with album number two, always considered the making or breaking of any band.
With the new album Kings Of The Revolution in the can and planned for a June release, Shotgun Mistress have unveiled the first taste of what to expect with the hard-hitting single Jude Judas, just ahead of their national tour as part of GlamFest 2024 which also features Slaughter, Lynch Mob, H.E.A.T, Janet Gardner and plenty more.
HEAVY sat down with frontman Glenn Patrick to dive deeper into Shotgun Mistress' new music and their exciting next few months.
"The track is the best single from the second album," Patrick declared about Jude Judas. "The first album is always going to test the waters and see what it's like and how we all work together as a band family and democracy, so the second album was a good chance to spread our wings knowing how everyone works. The recording process was ten times easier, and we all had a good time working together. It only took almost 40 years to find a band I actually get along with (laughs). The song itself is typical, the word Judas obviously biblical in the fact you've got a friend who took advantage of you in a situation. It pays homage to a mate of mine who has gone through a bit of shit, but he's on the up and up, so this goes out to him."
We press Patrick as to why the band chose Jude Judas as the first single and representation of the new album.
"It was tough," he conceded. "There's a couple of really good standout ones. The second single, I absolutely love, which is going to be coming out shortly after this one. And even the third one is an amazing song, which we actually got Rusty from Electric Mary in to do some vocals. That's a really, really good track, and that one is called Mary Jane. It's a fitting name as well (laughs)."
In the full interview, Glenn talks more about Jude Judas, the remainder of the album and what to expect, their goals going into the recording process and if they were achieved, the upcoming Glamfest tour and their part in it, the high number of Australian bands on the bill and how important that is for Australian music, Shotgun Mistress' live show and what to expect, what sorts of things they learned as a band touring with Aussie heavyweights like Electric Mary, their own headline tour later this year and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58468024Sat, 27 Jan 2024 01:13:13 +0000HEAVY MagazineInterview by Kris Peters Aussie rock outfit Shotgun Mistress exploded out of the blocks with their debut self-titled album in 2021, showcasing an old-school approach to songwriting that saw them instantly branded amongst rising bands to keep an ear...Aussie rock outfit Shotgun Mistress exploded out of the blocks with their debut self-titled album in 2021, showcasing an old-school approach to songwriting that saw them instantly branded amongst rising bands to keep an ear out for.
Spawning a string of chart-topping singles such as No Friend Of Mine, Save Me From Myself, Glorious Machine, Collide and Bleed Me Out, it seemed Australian rock had finally found a fresh talent to proudly call their own.
Following a highly successful 2023 which saw Shotgun Mistress complete sold-out national tours with Electric Mary and Palace Of The King, the boys decided to take stock and capitalise on their continued momentum with album number two, always considered the making or breaking of any band.
With the new album Kings Of The Revolution in the can and planned for a June release, Shotgun Mistress have unveiled the first taste of what to expect with the hard-hitting single Jude Judas, just ahead of their national tour as part of GlamFest 2024 which also features Slaughter, Lynch Mob, H.E.A.T, Janet Gardner and plenty more.
HEAVY sat down with frontman Glenn Patrick to dive deeper into Shotgun Mistress' new music and their exciting next few months.
"The track is the best single from the second album," Patrick declared about Jude Judas. "The first album is always going to test the waters and see what it's like and how we all work together as a band family and democracy, so the second album was a good chance to spread our wings knowing how everyone works. The recording process was ten times easier, and we all had a good time working together. It only took almost 40 years to find a band I actually get along with (laughs). The song itself is typical, the word Judas obviously biblical in the fact you've got a friend who took advantage of you in a situation. It pays homage to a mate of mine who has gone through a bit of shit, but he's on the up and up, so this goes out to him."
We press Patrick as to why the band chose Jude Judas as the first single and representation of the new album.
"It was tough," he conceded. "There's a couple of really good standout ones. The second single, I absolutely love, which is going to be coming out shortly after this one. And even the third one is an amazing song, which we actually got Rusty from Electric Mary in to do some vocals. That's a really, really good track, and that one is called Mary Jane. It's a fitting name as well (laughs)."
In the full interview, Glenn talks more about Jude Judas, the remainder of the album and what to expect, their goals going into the recording process and if they were achieved, the upcoming Glamfest tour and their part in it, the high number of Australian bands on the bill and how important that is for Australian music, Shotgun Mistress' live show and what to expect, what sorts of things they learned as a band touring with Aussie heavyweights like Electric Mary, their own headline tour later this year and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1049album,aussierock,glamfest2024,hardrock,heavy,interview,krispeters,podcast,rock,shotgunmistress,singletruefullhttps://www.spreaker.com/episode/dare-to-dream-with-john-demena--58411262Following the release of last year's album Dreams And Lies, LA-based rock singer/songwriter John Demena found his career on an upward trajectory.
With his music now circulating in the right circles - including album opener and single I The People making Loudwire's Weekly Wire Playlist as one of the Best 50 Rock & Metal Songs of the week it was released - Demena attacked his craft with renewed vigour.
Opportunities began to open up, one of which was the chance to play at the legendary Viper Room in West Hollywood. And what better way to celebrate that landmark than recording your whole set? And what better than that?
Re-releasing the album's successful single as a live cut.
Which is exactly what Demena is doing on January 27 when the live version of I The People - recorded during that show at the Viper Room - is released.
HEAVY spoke with Demena about the track and asked him to tell us a bit more about himself.
"I'm a rock artist out of Los Angeles," he explained. "I grew up in Spain, then moved here in 2008 around the recession and all that. I was playing in bands and doing sessions for other musicians and many different things. Then I started my recent project as a solo artist five years ago. The debut album came out last year. It's a full and diverse sonicsphere, all over the spectrum of rock. It goes in the hard rock sound, but sometimes it goes a little heavier, sometimes it can be a little more spacial and progressive."
In the full interview John talks more about the project, the live version of I The People, what it was like playing and recording at the Viper Room, his previous release which was a cover of The Doors People Are Strange, putting his own spin on a classic song, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58411262Tue, 23 Jan 2024 00:34:50 +0000HEAVY MagazineInterview by Kris Peters Following the release of last year's album Dreams And Lies, LA-based rock singer/songwriter John Demena found his career on an upward trajectory. With his music now circulating in the right circles - including album opener and...Following the release of last year's album Dreams And Lies, LA-based rock singer/songwriter John Demena found his career on an upward trajectory.
With his music now circulating in the right circles - including album opener and single I The People making Loudwire's Weekly Wire Playlist as one of the Best 50 Rock & Metal Songs of the week it was released - Demena attacked his craft with renewed vigour.
Opportunities began to open up, one of which was the chance to play at the legendary Viper Room in West Hollywood. And what better way to celebrate that landmark than recording your whole set? And what better than that?
Re-releasing the album's successful single as a live cut.
Which is exactly what Demena is doing on January 27 when the live version of I The People - recorded during that show at the Viper Room - is released.
HEAVY spoke with Demena about the track and asked him to tell us a bit more about himself.
"I'm a rock artist out of Los Angeles," he explained. "I grew up in Spain, then moved here in 2008 around the recession and all that. I was playing in bands and doing sessions for other musicians and many different things. Then I started my recent project as a solo artist five years ago. The debut album came out last year. It's a full and diverse sonicsphere, all over the spectrum of rock. It goes in the hard rock sound, but sometimes it goes a little heavier, sometimes it can be a little more spacial and progressive."
In the full interview John talks more about the project, the live version of I The People, what it was like playing and recording at the Viper Room, his previous release which was a cover of The Doors People Are Strange, putting his own spin on a classic song, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>784hardrock,heavy,interview,johndemena,krispeters,podcast,rock,viperroomtruefullhttps://www.spreaker.com/episode/recycled-goods-with-macka-from-boondall-boys--58384111Every city anywhere in the world has bands that are considered legendary within their geographical area, but might not be so recognised much further than the next border crossing.
For Brisbane that band is Boondall Boys, a band featuring a gentleman that goes by the name of Macka who also happens to be in a universally legendary band, the Cosmic Psychos.
The story of the Boondall Boys initial album pressing - if not a national legend it should be - is piss funny and punk as fuck (listen to the interview if you want to know more), which in a roundabout way brings us full circle to why we are even talking about Boondall Boys in the first place!
Australian label Bargain Bin Records, created by Aussie band The Chats, recently re-released that 2007 album Hard Rubbish and to thank the band as well as celebrate the label's fifth birthday, Boondall Boys are hitting the road for selected dates with The Chats for a run of select shows this February.
To find out more about everything, HEAVY tracked Macka down while he was resting in bed. We start by asking if it feels like he is cheating on the Cosmic Psychos by getting back into bed with his mistress.
"No, not at all," he smiled. "The record came about a long, long time ago and we just re-released it. It goes back to about 2006 I think when we wrote the songs. Then I joined the Psychos at about that time, from memory. I think it was recorded… you would go back 15 years sort of thing."
In the full interview Macka gives us a history on Boondall Boys, recalls making Hard Rubbish and what sound they were going for, forming the band and what drove him back then, what to expect from their live shows, what happened with the initial pressing of 100 copies, potential new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58384111Sat, 20 Jan 2024 18:54:48 +0000HEAVY MagazineInterview by Kris Peters Every city anywhere in the world has bands that are considered legendary within their geographical area, but might not be so recognised much further than the next border crossing. For Brisbane that band is Boondall Boys, a...Every city anywhere in the world has bands that are considered legendary within their geographical area, but might not be so recognised much further than the next border crossing.
For Brisbane that band is Boondall Boys, a band featuring a gentleman that goes by the name of Macka who also happens to be in a universally legendary band, the Cosmic Psychos.
The story of the Boondall Boys initial album pressing - if not a national legend it should be - is piss funny and punk as fuck (listen to the interview if you want to know more), which in a roundabout way brings us full circle to why we are even talking about Boondall Boys in the first place!
Australian label Bargain Bin Records, created by Aussie band The Chats, recently re-released that 2007 album Hard Rubbish and to thank the band as well as celebrate the label's fifth birthday, Boondall Boys are hitting the road for selected dates with The Chats for a run of select shows this February.
To find out more about everything, HEAVY tracked Macka down while he was resting in bed. We start by asking if it feels like he is cheating on the Cosmic Psychos by getting back into bed with his mistress.
"No, not at all," he smiled. "The record came about a long, long time ago and we just re-released it. It goes back to about 2006 I think when we wrote the songs. Then I joined the Psychos at about that time, from memory. I think it was recorded… you would go back 15 years sort of thing."
In the full interview Macka gives us a history on Boondall Boys, recalls making Hard Rubbish and what sound they were going for, forming the band and what drove him back then, what to expect from their live shows, what happened with the initial pressing of 100 copies, potential new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>432bargainbinrecords,boondallboys,cosmicpsychos,hardrock,heavy,interview,krispeters,macka,podcast,punk,thechats,tourtruefullhttps://www.spreaker.com/episode/ultimate-power-with-dan-cleary-from-striker--58382522Canadian metal outfit Striker are a band not known for taking the safe approach to music.
While old school fans bemoan the fact they refuse to continually churn out albums of pure thrash metal, Striker understand the importance of allowing their musical growth to be reflected with each fresh body of work.
This is never more evident than their upcoming studio album Ultrapower - out February 2 -, an assortment of influences and genres ranging from speed metal to hardcore to hair metal to deathcore to Steely Dan. It would have been understandable - possibly even expected - that Striker would rehash the winning formula that saw previous album Play To Win earn them a Juno Award, but rather than stick to what they knew would work, the band elected to instead allow the music to dictate its own course.
The result is an eclectic but still unashamedly metal album, being touted in the press as "Striker's triumphant return to reality".
HEAVY caught up with vocalist Dan Cleary earlier this week to find out more.
"I'm super pumped," he enthused. "I'm really excited to get it out. We recorded it… - I guess it was early last year, so February, March -. You sit on the album for a long time, and it's always nice to get it out and see how people are liking it. I still really like it. There's been albums that we've recorded and by the time it comes out you're sick of it, but I'm still digging this one. I think there's a lot of different types of songs, so it's never too boring."
Sitting on an album for 12 months waiting to release it is a long time. Musical tastes and trends change significantly over the course of one year, so we ask Cleary if there were ever any stages where the band started to second guess the finished product or think they should make changes certain bits of it.
"You kind of always do that stuff, but I feel like after doing it seven times we know what to expect," he replied. "I think the first couple we did, we looked back and thought 'oh God, we should have gone and recorded in this studio' or 'we shouldn't have recorded that song' or that kind of thing. Even on this album, there's still grumbling from some people saying we should have put that more brutal song on there and that kind of thing, but that's always gonna happen."
In the full interview, Dan talks more about the musical side of Ultrapower, anything they paid specific attention to on this album cycle, following on from Play To Win and if the success of that album caused extra pressure, the temptation to repeat the successful formula for this album, the singles released and how they represent Ultrapower, the different influences that went into the songs, pleasing fans with new material, if the band ever thought maybe they had too much variety on the album, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58382522Sat, 20 Jan 2024 16:50:50 +0000HEAVY MagazineInterview by Kris Peters Canadian metal outfit Striker are a band not known for taking the safe approach to music. While old school fans bemoan the fact they refuse to continually churn out albums of pure thrash metal, Striker understand the...Canadian metal outfit Striker are a band not known for taking the safe approach to music.
While old school fans bemoan the fact they refuse to continually churn out albums of pure thrash metal, Striker understand the importance of allowing their musical growth to be reflected with each fresh body of work.
This is never more evident than their upcoming studio album Ultrapower - out February 2 -, an assortment of influences and genres ranging from speed metal to hardcore to hair metal to deathcore to Steely Dan. It would have been understandable - possibly even expected - that Striker would rehash the winning formula that saw previous album Play To Win earn them a Juno Award, but rather than stick to what they knew would work, the band elected to instead allow the music to dictate its own course.
The result is an eclectic but still unashamedly metal album, being touted in the press as "Striker's triumphant return to reality".
HEAVY caught up with vocalist Dan Cleary earlier this week to find out more.
"I'm super pumped," he enthused. "I'm really excited to get it out. We recorded it… - I guess it was early last year, so February, March -. You sit on the album for a long time, and it's always nice to get it out and see how people are liking it. I still really like it. There's been albums that we've recorded and by the time it comes out you're sick of it, but I'm still digging this one. I think there's a lot of different types of songs, so it's never too boring."
Sitting on an album for 12 months waiting to release it is a long time. Musical tastes and trends change significantly over the course of one year, so we ask Cleary if there were ever any stages where the band started to second guess the finished product or think they should make changes certain bits of it.
"You kind of always do that stuff, but I feel like after doing it seven times we know what to expect," he replied. "I think the first couple we did, we looked back and thought 'oh God, we should have gone and recorded in this studio' or 'we shouldn't have recorded that song' or that kind of thing. Even on this album, there's still grumbling from some people saying we should have put that more brutal song on there and that kind of thing, but that's always gonna happen."
In the full interview, Dan talks more about the musical side of Ultrapower, anything they paid specific attention to on this album cycle, following on from Play To Win and if the success of that album caused extra pressure, the temptation to repeat the successful formula for this album, the singles released and how they represent Ultrapower, the different influences that went into the songs, pleasing fans with new material, if the band ever thought maybe they had too much variety on the album, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1006dancleary,hardrock,heavy,heavymetal,interview,krispeters,podcast,rock,speedmetal,striker,untrapowertruefullhttps://www.spreaker.com/episode/two-decades-of-rock-with-clint-boge-from-the-butterfly-effect--58343761The Butterfly Effect are possibly one of the greatest rock outfits to emerge from this country.
Since releasing their self-titled EP in 2001 which led to their superb debut album Begins Here two years later, The Butterfly Effect have epitomised the Aussie battler in musical terms, often punching above their weight but invariably taking the points on a TKO every time.
As with most bands, The Butterfly Effect have had their share of ups and downs but have always emerged triumphant with their integrity intact.
Now, 20 years after the release of Begins Here - an album that spawned the singles One Second Of Insanity, Crave, Always and Beautiful Mine - the boys from Brisbane have decided to relive those early days of struggle and uncertainty by taking to the road to celebrate that groundbreaking album by playing it in full.
What started as only a handful of shows soon swelled to double digits, with almost half sold out already - still two weeks out from the first show.
HEAVY tracked down frontman Clint Boge earlier this week to discuss the tour and the album that started it all.
"They said we'd never make it mate, and we're here," he smiled. "Australian heavy music is alive and well and still going. You've got all of the bands that paved the way - trail blazed - back in the day, and can I just say I am super stoked to be a part of it 20 years on. I'm probably a little bit heavier, a little bit wiser with a few more grey hairs, but I'm still here."
We mention the tour and press Boge on how excited the band is to hit the road and journey back to their musical roots every night.
"We're nervous. There's a sense of anxiousness around the group at the moment, and we're nervous," he admitted, "because we want it to be great. We haven't played some of these songs for 20 years. I think we played Without Wings in its demo format at the Hard Rock Cafe on the Gold Coast in 2001/2002 and that was the last time that thing got played. Overwhelmed got played in I think 2004 - that was the last time it got played - so we've had to relearn, rejig and duck, weave and dodge because the brain isn't as malleable as it was 20 years ago. The excitement is palpable around the group at the moment. Glen is coming up this evening, and I'm going in the studio tomorrow to do some touch ups for vocal stuff. We're doing a full band practice, it's all systems go. We're firing on all cylinders, which is great."
In the full interview, Clint talks more about the tour, the fantastic response from fans, what we can expect from the gigs, playing Begins Here in full and any difficulties it presented, the planning stages for the album and what was discussed, his memories of making it, his initial thoughts on how good the material was, his personal favourite tracks on the album, if he thinks the songs have stood the test of time, how The Butterfly Effect have changed as a band since it was recorded, their latest album IV and how the fans reacted to it, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58343761Thu, 18 Jan 2024 10:46:32 +0000HEAVY MagazineInterview by Kris Peters The Butterfly Effect are possibly one of the greatest rock outfits to emerge from this country. Since releasing their self-titled EP in 2001 which led to their superb debut album Begins Here two years later, The Butterfly...The Butterfly Effect are possibly one of the greatest rock outfits to emerge from this country.
Since releasing their self-titled EP in 2001 which led to their superb debut album Begins Here two years later, The Butterfly Effect have epitomised the Aussie battler in musical terms, often punching above their weight but invariably taking the points on a TKO every time.
As with most bands, The Butterfly Effect have had their share of ups and downs but have always emerged triumphant with their integrity intact.
Now, 20 years after the release of Begins Here - an album that spawned the singles One Second Of Insanity, Crave, Always and Beautiful Mine - the boys from Brisbane have decided to relive those early days of struggle and uncertainty by taking to the road to celebrate that groundbreaking album by playing it in full.
What started as only a handful of shows soon swelled to double digits, with almost half sold out already - still two weeks out from the first show.
HEAVY tracked down frontman Clint Boge earlier this week to discuss the tour and the album that started it all.
"They said we'd never make it mate, and we're here," he smiled. "Australian heavy music is alive and well and still going. You've got all of the bands that paved the way - trail blazed - back in the day, and can I just say I am super stoked to be a part of it 20 years on. I'm probably a little bit heavier, a little bit wiser with a few more grey hairs, but I'm still here."
We mention the tour and press Boge on how excited the band is to hit the road and journey back to their musical roots every night.
"We're nervous. There's a sense of anxiousness around the group at the moment, and we're nervous," he admitted, "because we want it to be great. We haven't played some of these songs for 20 years. I think we played Without Wings in its demo format at the Hard Rock Cafe on the Gold Coast in 2001/2002 and that was the last time that thing got played. Overwhelmed got played in I think 2004 - that was the last time it got played - so we've had to relearn, rejig and duck, weave and dodge because the brain isn't as malleable as it was 20 years ago. The excitement is palpable around the group at the moment. Glen is coming up this evening, and I'm going in the studio tomorrow to do some touch ups for vocal stuff. We're doing a full band practice, it's all systems go. We're firing on all cylinders, which is great."
In the full interview, Clint talks more about the tour, the fantastic response from fans, what we can expect from the gigs, playing Begins Here in full and any difficulties it presented, the planning stages for the album and what was discussed, his memories of making it, his initial thoughts on how good the material was, his personal favourite tracks on the album, if he thinks the songs have stood the test of time, how The Butterfly Effect have changed as a band since it was recorded, their latest album IV and how the fans reacted to it, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1408aussierock,beginshere,clintboge,hardrock,heavy,interview,krispeters,podcast,rock,thebutterflyeffect,tourtruefullhttps://www.spreaker.com/episode/remembering-the-classics-with-paul-di-anno--58334054Even the biggest metal bands in the world can divide their fans when it comes to different eras of music.
Even Iron Maiden.
The band has had two main frontmen throughout their career - as in two that fans identify with the most -, Paul Di'Anno - who sung on the band's debut self-titled album and the follow-up Killers, and current vocalist Bruce Dickinson who has sung on thirteen studio albums.
They are two different and unique lead singers and debate can and will rage on forever about who sounds the best, but the good news for Australian lovers of metal is that in the space of eight months we get the opportunity to hear both performing in their own right.
Iron Maiden and Dickinson hit our shores in September for a run of shows, but, before that, the man who started it all, Paul Di'Anno plans to reacquaint audiences with those first two albums on a tour which is underway as we speak!
Performing classics such as Running Free, Sanctuary, Wrathchild, Remember Tomorrow, Murders in the Rue Morgue and plenty more, Di'Anno - who has fronted a number of bands since leaving Maiden in 1981 but is only unleashing songs from those first two Maiden albums on this tour - has vowed to take us back to where it all began and reignite the flames of early heavy metal, Iron Maiden style.
Despite health problems that nearly curtailed his career over the last couple of years, Di'Anno has fulfilled his promise to bring Australian fans the music that shaped a generation and has cast aside any lingering issues to deliver in style.
HEAVY caught up with Di'Anno not long after he arrived in Australia ahead of his first show in Perth. We asked the great man what fans can expect from the shows.
"This is my first time back in 8 or 9 years now," he began, "because basically, I have been able to do fuck all. What we are doing is saying a big thank you and a farewell - not from touring - but from doing Iron Maiden stuff. This is a whole Maiden heavy show featuring songs from the first two albums, and it's been quite successful. I'm surprised. Because Iron Maiden can't play the fucken songs (laughs). Then next year we come out… coming out very soon is a Greatest Hits of mine with tracks from Battlezone and Killers and other bands I have been in. It's an album called The Book Of The Beast, and we have the movie coming out in a couple of months as well - it's like a Rockumentary we've been doing - once we've got all that stuff out I will go back into rehearsals to learn all the stuff of mine."
In the full interview, Paul talks more about the show and what to expect, preparing mentally and physically for a run of shows so far from home, how his injuries have changed his approach to playing live, his early years singing with Iron Maiden, who he based his vocal style on, his reaction to leaving the band, how he has changed and grown musically over the years, what's next after this tour, his top three Commandments Of Metal and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58334054Wed, 17 Jan 2024 17:39:26 +0000HEAVY MagazineInterview by Kris Peters Even the biggest metal bands in the world can divide their fans when it comes to different eras of music. Even Iron Maiden. The band has had two main frontmen throughout their career - as in two that fans identify with the...Even the biggest metal bands in the world can divide their fans when it comes to different eras of music.
Even Iron Maiden.
The band has had two main frontmen throughout their career - as in two that fans identify with the most -, Paul Di'Anno - who sung on the band's debut self-titled album and the follow-up Killers, and current vocalist Bruce Dickinson who has sung on thirteen studio albums.
They are two different and unique lead singers and debate can and will rage on forever about who sounds the best, but the good news for Australian lovers of metal is that in the space of eight months we get the opportunity to hear both performing in their own right.
Iron Maiden and Dickinson hit our shores in September for a run of shows, but, before that, the man who started it all, Paul Di'Anno plans to reacquaint audiences with those first two albums on a tour which is underway as we speak!
Performing classics such as Running Free, Sanctuary, Wrathchild, Remember Tomorrow, Murders in the Rue Morgue and plenty more, Di'Anno - who has fronted a number of bands since leaving Maiden in 1981 but is only unleashing songs from those first two Maiden albums on this tour - has vowed to take us back to where it all began and reignite the flames of early heavy metal, Iron Maiden style.
Despite health problems that nearly curtailed his career over the last couple of years, Di'Anno has fulfilled his promise to bring Australian fans the music that shaped a generation and has cast aside any lingering issues to deliver in style.
HEAVY caught up with Di'Anno not long after he arrived in Australia ahead of his first show in Perth. We asked the great man what fans can expect from the shows.
"This is my first time back in 8 or 9 years now," he began, "because basically, I have been able to do fuck all. What we are doing is saying a big thank you and a farewell - not from touring - but from doing Iron Maiden stuff. This is a whole Maiden heavy show featuring songs from the first two albums, and it's been quite successful. I'm surprised. Because Iron Maiden can't play the fucken songs (laughs). Then next year we come out… coming out very soon is a Greatest Hits of mine with tracks from Battlezone and Killers and other bands I have been in. It's an album called The Book Of The Beast, and we have the movie coming out in a couple of months as well - it's like a Rockumentary we've been doing - once we've got all that stuff out I will go back into rehearsals to learn all the stuff of mine."
In the full interview, Paul talks more about the show and what to expect, preparing mentally and physically for a run of shows so far from home, how his injuries have changed his approach to playing live, his early years singing with Iron Maiden, who he based his vocal style on, his reaction to leaving the band, how he has changed and grown musically over the years, what's next after this tour, his top three Commandments Of Metal and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>779australia,hardrock,heavy,heavymetal,interview,ironmaiden,krispeters,nwobhm,pauldi'anno,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/diamond-in-the-rough-with-jesse-barnett-from-stick-to-your-guns--58286958Since first making their way to Australia in 2009 Orange County hardcore outfit Stick To Your Guns have almost made it their mission statement to return back as often as possible.
Their music for some reason resonates well with Australian music lovers, and despite a five-year gap between visits, this time the band has vowed to make up for lost time when they hit our shores from January 24 for a run of shows.
The tour will see Stick To Your Guns celebrate one of their most popular albums, Diamond, with the gang from California offering up the whole album live by way of thanks for sustained support.
With the tour just over a week away, vocalist Jesse Barnett took some time out to speak to HEAVY about the tour and what coming to this country means to the band.
We start by asking if he is all packed and ready to go.
"No," he laughed. "I pack light. I'm a light packer, so I'm not stressed about the packing. The travel stresses me out. I'm not a good plane guy. Flying scares me, so that 15 hour flight is a brutal one."
We bring up the album Diamond and ask why the band chose that particular album to perform.
"We knew we always wanted to do a ten-year thing for that album specifically," he began. "I think in terms of our career or whatever term you wanna use, that was a pretty path-changing album that we put out. A lot of things started happening for us after that, and I think people started connecting with the band in a different way than they were before, maybe. So we wanted to make sure that we were able to celebrate that. I say it in every interview, but I want to reiterate the point that Stick To Your Guns never set out to do anything profound. We just wanted to speak our truths and do our thing as a band. It's not the band that creates a meaningful album. It's the receiver, the listener, who gives the albums any sort of meaning whatsoever. I just feel grateful that we have people from all over the world engage with this album."
In the full interview Jesse talks more about the album Diamond, his memories of making it, what made it so special, the musical direction taken on that album and if it was planned, if he thinks the songs have stood the test of time, bringing SeeYouSpaceCowboy as supports and why, how Stick To Your Guns have changed since their first visit to Australia in 2009 and now, what we can expect from their shows, what they expect from us and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58286958Sat, 13 Jan 2024 02:59:56 +0000HEAVY MagazineInterview by Kris Peters Since first making their way to Australia in 2009 Orange County hardcore outfit Stick To Your Guns have almost made it their mission statement to return back as often as possible. Their music for some reason resonates well...Since first making their way to Australia in 2009 Orange County hardcore outfit Stick To Your Guns have almost made it their mission statement to return back as often as possible.
Their music for some reason resonates well with Australian music lovers, and despite a five-year gap between visits, this time the band has vowed to make up for lost time when they hit our shores from January 24 for a run of shows.
The tour will see Stick To Your Guns celebrate one of their most popular albums, Diamond, with the gang from California offering up the whole album live by way of thanks for sustained support.
With the tour just over a week away, vocalist Jesse Barnett took some time out to speak to HEAVY about the tour and what coming to this country means to the band.
We start by asking if he is all packed and ready to go.
"No," he laughed. "I pack light. I'm a light packer, so I'm not stressed about the packing. The travel stresses me out. I'm not a good plane guy. Flying scares me, so that 15 hour flight is a brutal one."
We bring up the album Diamond and ask why the band chose that particular album to perform.
"We knew we always wanted to do a ten-year thing for that album specifically," he began. "I think in terms of our career or whatever term you wanna use, that was a pretty path-changing album that we put out. A lot of things started happening for us after that, and I think people started connecting with the band in a different way than they were before, maybe. So we wanted to make sure that we were able to celebrate that. I say it in every interview, but I want to reiterate the point that Stick To Your Guns never set out to do anything profound. We just wanted to speak our truths and do our thing as a band. It's not the band that creates a meaningful album. It's the receiver, the listener, who gives the albums any sort of meaning whatsoever. I just feel grateful that we have people from all over the world engage with this album."
In the full interview Jesse talks more about the album Diamond, his memories of making it, what made it so special, the musical direction taken on that album and if it was planned, if he thinks the songs have stood the test of time, bringing SeeYouSpaceCowboy as supports and why, how Stick To Your Guns have changed since their first visit to Australia in 2009 and now, what we can expect from their shows, what they expect from us and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>705australia,destroyalllines,hardcore,heavy,heavymetal,interview,jessebarnett,krispeters,podcast,seeyouspacecowby,sticktoyourguns,tourtruefullhttps://www.spreaker.com/episode/taking-down-the-titans-with-tanner-wayne-from-in-flames--58285180As Australia prepares for a massive influx of international touring bands in the first three months of this new year, punters are becoming increasingly torn over which shows they will go to - borne purely out of financial reasons.
While many upcoming events are struggling to sell as many tickets as they should or would like, one tour that has not been cast into the 'maybe' pile is the Klash Of The Titans Tour, which sees heavyweights In Flames and Kreator head Down Under for a string of shows in February.
On their own each band is a formidable live unit, but when thrust together on one stage for a co-headlining tour, the promise of something special magnifies exponentially.
With the tour only one month away, HEAVY caught up with In Flames drummer Tanner Wayne to find out what the band has planned for us. We start by asking if this will be In Flames' first live performances in 2024.
"Yes sir," he replied."And what a crazy one. Before we get to Australia we do Indonesia, Japan, China, Singapore, Bangkok, India… maybe I'm missing one… so it's gonna be where am I? I look at some weathers, and it's all over the place, so it's gonna be a journey for sure."
We press Tanner as to what fans can expect from the shows.
"We've discussed playing a different set list than we have been," he offered, "so we're gonna pull some songs out from the first records as well as the newer ones. We're just gonna go out there and have a blast as we always do. We're excited to see the fans. I have never done a club tour with them in Australia and some of the parts of Asia, so I'm looking forward to seeing a literal representation of the work we did at the festivals. See who from the festivals as well as who already knew the band we are gonna bring out to these shows."
In the full interview, Tanner talks about what the band expects from the crowds at their shows, playing with Kreator, the reception afforded recent album Foregone, how much of that they will be playing live, what he considers In Flames' contribution to metal music is, future plans


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58285180Fri, 12 Jan 2024 23:17:36 +0000HEAVY MagazineInterview by Kris Peters As Australia prepares for a massive influx of international touring bands in the first three months of this new year, punters are becoming increasingly torn over which shows they will go to - borne purely out of financial...As Australia prepares for a massive influx of international touring bands in the first three months of this new year, punters are becoming increasingly torn over which shows they will go to - borne purely out of financial reasons.
While many upcoming events are struggling to sell as many tickets as they should or would like, one tour that has not been cast into the 'maybe' pile is the Klash Of The Titans Tour, which sees heavyweights In Flames and Kreator head Down Under for a string of shows in February.
On their own each band is a formidable live unit, but when thrust together on one stage for a co-headlining tour, the promise of something special magnifies exponentially.
With the tour only one month away, HEAVY caught up with In Flames drummer Tanner Wayne to find out what the band has planned for us. We start by asking if this will be In Flames' first live performances in 2024.
"Yes sir," he replied."And what a crazy one. Before we get to Australia we do Indonesia, Japan, China, Singapore, Bangkok, India… maybe I'm missing one… so it's gonna be where am I? I look at some weathers, and it's all over the place, so it's gonna be a journey for sure."
We press Tanner as to what fans can expect from the shows.
"We've discussed playing a different set list than we have been," he offered, "so we're gonna pull some songs out from the first records as well as the newer ones. We're just gonna go out there and have a blast as we always do. We're excited to see the fans. I have never done a club tour with them in Australia and some of the parts of Asia, so I'm looking forward to seeing a literal representation of the work we did at the festivals. See who from the festivals as well as who already knew the band we are gonna bring out to these shows."
In the full interview, Tanner talks about what the band expects from the crowds at their shows, playing with Kreator, the reception afforded recent album Foregone, how much of that they will be playing live, what he considers In Flames' contribution to metal music is, future plans


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>748australia,heavy,heavymetal,inflames,interview,'klashofthetitans,kreator,krispeters,podcast,tannerwayne,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/taming-the-monster-with-benno-steve-from-awaken-the-hate--58247468Like a wrecking ball let off the chain, recently formed Brisbane metal outfit Awaken The Hate are set to steamroll the local metal scene when they release their debut single Monster In The Mirror this Friday.
Coming together with a wealth of experience already in the metal scene, Awaken The Hate aren't here to merely make up the numbers.
They are here to lead the pack.
As the band's bio so beautifully puts it, "Awaken The Hate draws inspiration from the darker realms of the human psyche, exploring themes of societal decay, existential dread, and the unspoken fury that simmers beneath the surface. Their lyrics reflect the collective discontent of a generation, while their sonic onslaught leaves no soul untouched."
And while we all know how easy it is to simply talk the talk, anyone who has seen one of only a handful of live shows from Awaken The Hate will testify just how solid talk can be when you have the fortitude to back it up.
The Monster In The Mirror threatens to be merely an opening salvo from a band who have been brought up the old-school metal way and now ply their craft in the same manner. Fresh, original, brutal and uncompromising, Awaken The Hate promise to be a breath of fresh air on the metal scene, and after spending some time speaking with guitarist Steve Conley and vocalist Ben Rogers recently that seems to be only a formality.
"We're all of that element where groove metal - the Pantera's and that sort of 90s stuff - was where our bread and butter was," Rogers began. "I think what we've really found with Awaken The Hate is trying to modernise that a bit. Music to me has got groove. It makes you wanna move, and I like to think that there's also the melodies and the vox there have got a bit of a hook to it that makes you wanna sing along. That was our goal. I wanna play in front of people that wanna sing songs back to us and bang their heads hard."
In the full interview, Benno and Steve talk more about the debut single, what it's about, finding emotion and expression through honesty in lyrics, why they chose this particular song to introduce Awaken The Hate to the world, how accurately this song represents the future direction of the band, the importance of nailing live shows, upcoming gigs, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58247468Fri, 12 Jan 2024 15:04:40 +0000HEAVY MagazineInterview by Kris Peters Like a wrecking ball let off the chain, recently formed Brisbane metal outfit Awaken The Hate are set to steamroll the local metal scene when they release their debut single Monster In The Mirror this Friday. Coming together...Like a wrecking ball let off the chain, recently formed Brisbane metal outfit Awaken The Hate are set to steamroll the local metal scene when they release their debut single Monster In The Mirror this Friday.
Coming together with a wealth of experience already in the metal scene, Awaken The Hate aren't here to merely make up the numbers.
They are here to lead the pack.
As the band's bio so beautifully puts it, "Awaken The Hate draws inspiration from the darker realms of the human psyche, exploring themes of societal decay, existential dread, and the unspoken fury that simmers beneath the surface. Their lyrics reflect the collective discontent of a generation, while their sonic onslaught leaves no soul untouched."
And while we all know how easy it is to simply talk the talk, anyone who has seen one of only a handful of live shows from Awaken The Hate will testify just how solid talk can be when you have the fortitude to back it up.
The Monster In The Mirror threatens to be merely an opening salvo from a band who have been brought up the old-school metal way and now ply their craft in the same manner. Fresh, original, brutal and uncompromising, Awaken The Hate promise to be a breath of fresh air on the metal scene, and after spending some time speaking with guitarist Steve Conley and vocalist Ben Rogers recently that seems to be only a formality.
"We're all of that element where groove metal - the Pantera's and that sort of 90s stuff - was where our bread and butter was," Rogers began. "I think what we've really found with Awaken The Hate is trying to modernise that a bit. Music to me has got groove. It makes you wanna move, and I like to think that there's also the melodies and the vox there have got a bit of a hook to it that makes you wanna sing along. That was our goal. I wanna play in front of people that wanna sing songs back to us and bang their heads hard."
In the full interview, Benno and Steve talk more about the debut single, what it's about, finding emotion and expression through honesty in lyrics, why they chose this particular song to introduce Awaken The Hate to the world, how accurately this song represents the future direction of the band, the importance of nailing live shows, upcoming gigs, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>815aussiemetal,australia,awakenthehate,groovemetal,heavy,heavymetal,interview,krispeters,podcasttruefullhttps://www.spreaker.com/episode/planting-your-roots-with-ben-barlow-from-neck-deep--58275465In little more than a decade, UK rock outfit Neck Deep have gone from a band rehearsing in a spare bedroom to one of the biggest rock bands on the planet, but you get the feeling despite that the boys still have their feet planted firmly on the ground.
For verification of this you need look no further than their upcoming fifth self-titled album which was conceived, recorded, mixed and mastered in a warehouse not far from where things licked off some 12 years ago.
Despite literally being offered the opportunity to record pretty much anywhere they wanted, using whoever they wanted, Neck Deep instead set out to deliver an album completely of their own volition which encompassed everything fans love about the band while harking back to the early days where blind ambition was the primary driving force.
With the album due out on January 19, HEAVY sat down with frontman Ben Barlow to find out more.
We start by asking Ben what this period is like, waiting for the album to be let loose on the public.
"It's a little nerve-wracking," he admitted, "in the sense that you finish a record, and you put it out to the world and then whatever people think of it is whatever people think of it. We always love what we do, and we always write for us, but it's kind of nerve-wracking thinking the thing you worked so hard on and the thing you poured your heart and soul into is going to be either loved or loather by people. But I think people are gonna love it. It's a little bit of a return to our roots in a lot of ways, and I think fans are gonna love that. We still managed to keep it fresh and have a new element and sound in there, maybe overall a little tighter and a little slicker, so…yeah. I'm not too nervous about it. We've got some big shows coming up that I'm more nervous about. It's weird these days how you put out a record to support touring, rather than the other way around. We've got our biggest headline show ever coming up in the UK, and that's my goal. I'm fully set on that. I wanna sell that out. I know people will love the record, and it will do well, and we're gonna have fun playing it, but to me, I wanna see 10,000 people screaming the words back at me. A few things to look forward to and a few things to be nervous about, but good nerves generally."
In the full interview, Ben talks more about the album musically, the singles released so far and how they represent the whole album, how this is a return to roots for Neck Deep, how making the album in their own warehouse impacted the final result, why they decided to make this, their fifth album, self-titled and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58275465Fri, 12 Jan 2024 13:35:40 +0000HEAVY MagazineInterview by Kris Peters In little more than a decade, UK rock outfit Neck Deep have gone from a band rehearsing in a spare bedroom to one of the biggest rock bands on the planet, but you get the feeling despite that the boys still have their feet...In little more than a decade, UK rock outfit Neck Deep have gone from a band rehearsing in a spare bedroom to one of the biggest rock bands on the planet, but you get the feeling despite that the boys still have their feet planted firmly on the ground.
For verification of this you need look no further than their upcoming fifth self-titled album which was conceived, recorded, mixed and mastered in a warehouse not far from where things licked off some 12 years ago.
Despite literally being offered the opportunity to record pretty much anywhere they wanted, using whoever they wanted, Neck Deep instead set out to deliver an album completely of their own volition which encompassed everything fans love about the band while harking back to the early days where blind ambition was the primary driving force.
With the album due out on January 19, HEAVY sat down with frontman Ben Barlow to find out more.
We start by asking Ben what this period is like, waiting for the album to be let loose on the public.
"It's a little nerve-wracking," he admitted, "in the sense that you finish a record, and you put it out to the world and then whatever people think of it is whatever people think of it. We always love what we do, and we always write for us, but it's kind of nerve-wracking thinking the thing you worked so hard on and the thing you poured your heart and soul into is going to be either loved or loather by people. But I think people are gonna love it. It's a little bit of a return to our roots in a lot of ways, and I think fans are gonna love that. We still managed to keep it fresh and have a new element and sound in there, maybe overall a little tighter and a little slicker, so…yeah. I'm not too nervous about it. We've got some big shows coming up that I'm more nervous about. It's weird these days how you put out a record to support touring, rather than the other way around. We've got our biggest headline show ever coming up in the UK, and that's my goal. I'm fully set on that. I wanna sell that out. I know people will love the record, and it will do well, and we're gonna have fun playing it, but to me, I wanna see 10,000 people screaming the words back at me. A few things to look forward to and a few things to be nervous about, but good nerves generally."
In the full interview, Ben talks more about the album musically, the singles released so far and how they represent the whole album, how this is a return to roots for Neck Deep, how making the album in their own warehouse impacted the final result, why they decided to make this, their fifth album, self-titled and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1137album,benbarlow,hardrock,heavy,interview,krispeters,neckdeep,podcast,poppunk,rocktruefullhttps://www.spreaker.com/episode/musical-evolution-with-god-hunter--58237278Queensland metal outfit God Hunter have emerged from the ashes following an earlier enforced hiatus with one clear objective - to decimate the hearts and ears of as many of their fellow countrymen as they possibly can.
Since re-emerging in 2022, God Hunter have released a succession of singles, each of which showcased yet another arsenal to their expanding metal bow.
Blending metal styles from Southern to progressive to blackened to thrash and groove, God Hunter are redefining the parameters of labeling by steadfastly refusing to conform to one genre or be forced into a neat and tidy box.
With today's release of their fourth single Evolver - lifted from forthcoming nine-track album Season Of The End - God Hunter show a more aggressive side to their nature, expanding their reach even further in the process.
HEAVY sat down with guitarist Bradley Rohloff and drummer Kendal Brown to find out more.
"We're best described as a Southern, progressive, blackened, groove, thrash band," affirmed Rohloff.
"We've got a few things thrown in the mix," added Brown. "There's not one particular sound that we stick to exactly."
We ask the boys to tell us more about Evolver musically.
"The original sound was…", Brown searched for the words.
"A never-ending build," Rohloff picked up.
"Yeah, a build that keeps building," Brown continued. "I had a bit of a riff that seemed to play over itself quite easily, so it was the idea of that atmosphere and build, build, build with a bomb drop right at the end."
In the full interview, the boys talk more about the new single, the four songs released so far and how they differ musically, which one best represents their sound, their plan to release each album track individually before launching the physical full album, their influences and

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58237278Tue, 09 Jan 2024 09:32:00 +0000HEAVY MagazineInterview by Kris Peters Queensland metal outfit God Hunter have emerged from the ashes following an earlier enforced hiatus with one clear objective - to decimate the hearts and ears of as many of their fellow countrymen as they possibly can. Since...Queensland metal outfit God Hunter have emerged from the ashes following an earlier enforced hiatus with one clear objective - to decimate the hearts and ears of as many of their fellow countrymen as they possibly can.
Since re-emerging in 2022, God Hunter have released a succession of singles, each of which showcased yet another arsenal to their expanding metal bow.
Blending metal styles from Southern to progressive to blackened to thrash and groove, God Hunter are redefining the parameters of labeling by steadfastly refusing to conform to one genre or be forced into a neat and tidy box.
With today's release of their fourth single Evolver - lifted from forthcoming nine-track album Season Of The End - God Hunter show a more aggressive side to their nature, expanding their reach even further in the process.
HEAVY sat down with guitarist Bradley Rohloff and drummer Kendal Brown to find out more.
"We're best described as a Southern, progressive, blackened, groove, thrash band," affirmed Rohloff.
"We've got a few things thrown in the mix," added Brown. "There's not one particular sound that we stick to exactly."
We ask the boys to tell us more about Evolver musically.
"The original sound was…", Brown searched for the words.
"A never-ending build," Rohloff picked up.
"Yeah, a build that keeps building," Brown continued. "I had a bit of a riff that seemed to play over itself quite easily, so it was the idea of that atmosphere and build, build, build with a bomb drop right at the end."
In the full interview, the boys talk more about the new single, the four songs released so far and how they differ musically, which one best represents their sound, their plan to release each album track individually before launching the physical full album, their influences and

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>567aussiemetal,blackenedmetal,godhunter,hardrock,heavy,heavymetal,interview,krispeters,podcast,progressivemetal,thrashmetaltruefullhttps://www.spreaker.com/episode/sonic-toxicity-with-the-flavor-that-kills--58236727Madison, WI outfit The Flavor That Kills are one of those rare bands that is impossible to classify into one set genre of music.
Harnessing the might of everything from rock to punk to blues to metal, The Flavor That Kills are an eclectic group of individuals, each with ample amounts of craziness and passion that ultimately creates a sound and music that is truly fresh and unique.
With their third album Book Of Secrits coming out last September and the sweet sounds of their music finally filtering to these tender ears all the way Down Under, HEAVY thought it high time we sat the four boys down for a get-to-know-you chat and let's just say a good time was had by all.
Now it's your turn to get acquainted with drummer Eric, guitarist/vocalist Ryan, bass player Christian and guitarist Nick.
Strap yourself in and enjoy the ride…
I start by asking which, out of all the flavors in the world, actually has the ability to kill.
"It was just a play on names, really," Eric spoke up. "We were trying to come up with the stupidest name we could think of, and that ended up being it. At first, it was more of a joke, but we just kept it because we thought it was cool."
Seeing as how not many of you would be familiar with The Flavor That Kills - yet - HEAVY feels it appropriate to ask the boys for a brief history of the band.
"We've been around for a while, but this is a new incarnation of the band," Eric continued. "When we first started ten years ago or so we had a keyboard, a Rhodes piano, and then we replaced that with Nick on guitar. So we kinda went from a guitar-based, drums, vocals and Rhodes to a two-guitar bass and drums. The record that you have, the new one, is the first one where we redefined the sound. Plus, we're all songwriters. Nick's brought a lot into the band. We historically have been a lazy band until recently with this record, which was supposed to be done, but then the pandemic happened, and we got delayed a couple of years."
In the full interview the band talks about their many and varied influences and how they bring them all together to create The Flavor That Kills sound, their new album Book Of Secrits, where their inspiration comes from, keeping music fun and enjoyable, what songs to listen to in order to get to know the band's music better, upcoming live shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58236727Tue, 09 Jan 2024 04:23:44 +0000HEAVY MagazineInterview by Kris Peters Madison, WI outfit The Flavor That Kills are one of those rare bands that is impossible to classify into one set genre of music. Harnessing the might of everything from rock to punk to blues to metal, The Flavor That Kills are...Madison, WI outfit The Flavor That Kills are one of those rare bands that is impossible to classify into one set genre of music.
Harnessing the might of everything from rock to punk to blues to metal, The Flavor That Kills are an eclectic group of individuals, each with ample amounts of craziness and passion that ultimately creates a sound and music that is truly fresh and unique.
With their third album Book Of Secrits coming out last September and the sweet sounds of their music finally filtering to these tender ears all the way Down Under, HEAVY thought it high time we sat the four boys down for a get-to-know-you chat and let's just say a good time was had by all.
Now it's your turn to get acquainted with drummer Eric, guitarist/vocalist Ryan, bass player Christian and guitarist Nick.
Strap yourself in and enjoy the ride…
I start by asking which, out of all the flavors in the world, actually has the ability to kill.
"It was just a play on names, really," Eric spoke up. "We were trying to come up with the stupidest name we could think of, and that ended up being it. At first, it was more of a joke, but we just kept it because we thought it was cool."
Seeing as how not many of you would be familiar with The Flavor That Kills - yet - HEAVY feels it appropriate to ask the boys for a brief history of the band.
"We've been around for a while, but this is a new incarnation of the band," Eric continued. "When we first started ten years ago or so we had a keyboard, a Rhodes piano, and then we replaced that with Nick on guitar. So we kinda went from a guitar-based, drums, vocals and Rhodes to a two-guitar bass and drums. The record that you have, the new one, is the first one where we redefined the sound. Plus, we're all songwriters. Nick's brought a lot into the band. We historically have been a lazy band until recently with this record, which was supposed to be done, but then the pandemic happened, and we got delayed a couple of years."
In the full interview the band talks about their many and varied influences and how they bring them all together to create The Flavor That Kills sound, their new album Book Of Secrits, where their inspiration comes from, keeping music fun and enjoyable, what songs to listen to in order to get to know the band's music better, upcoming live shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1290blues,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,punk,rock,theflavorthatkillstruefullhttps://www.spreaker.com/episode/dead-to-rights-with-decembers-deadline--58135855It is quite fitting for a band with the name Decembers Deadline to be releasing new material just days before the year rolls over through January, but then again, this isn't just any normal release from the Brisbane metal outfit.
Since the band's last single Unique came out in November 2021 much has changed with Decembers Deadline, most noticeably two new members in the form of guitarist Peter Muldoon and vocalist Saxxon Olejniczak. Bringing with them a fresh outlook and renewed vigor, Decembers Deadline have taken on a much harder edge, redefining their sound without straying too far from what existing fans of the band would expect.
With the December 29 HEAVY premiere of the new track Cross-Hairs looming fast, we sat down with both new members to chat about the new material and what to expect from Decembers Deadline two years on.
"Since then (Unique) we've had a bit of a member change," Muldoon explained. "As Sax mentioned, him and I came on last year. So a bit of a line-up change, a bit of a reshuffle within the band. We had a sit down and said let's do this and let's get our influences in on this as well and shape the sound and take what those guys had and hopefully improve on it and come out bigger than ever."
We ask for a bit more information on both of the new kids on the block and what they bring to Decembers Deadline.
"I feel like we're both bringing a fresh face and new sound to things," Saxxon offered. "In the demoing stage of things, it was definitely Peter going 'is this what you want?' and everyone jumping on board and saying yeah we're gonna run with this. So I guess it was definitely bringing a new aspect to the writing of the band, and I think that was the biggest thing we were bringing. Fresh faces, a fresh sound, and a way to get the band still going without it being too different to what the old stuff was."
That said, we ask the boys to tell us more about Cross-Hairs musically.
"Musically, I listened to what the guys were doing," Muldoon began, "and they were throwing their influences around. As Saxxon said, I came up with a bit of a riff, that main djent style riff, and sent it through to the boys and said 'is this what you wanted' kind of thing. It's funny, because that then plays into the lyrics as well, where the lyrics and chorus say 'is this what you wanted?' (laughs)."
In the full interview, the boys talk more about Cross-Hairs, how it differs to previous material, if the song is a good reflection on the future direction of their sound, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58135855Thu, 28 Dec 2023 06:04:39 +0000HEAVY MagazineInterview by Kris Peters It is quite fitting for a band with the name Decembers Deadline to be releasing new material just days before the year rolls over through January, but then again, this isn't just any normal release from the Brisbane metal...It is quite fitting for a band with the name Decembers Deadline to be releasing new material just days before the year rolls over through January, but then again, this isn't just any normal release from the Brisbane metal outfit.
Since the band's last single Unique came out in November 2021 much has changed with Decembers Deadline, most noticeably two new members in the form of guitarist Peter Muldoon and vocalist Saxxon Olejniczak. Bringing with them a fresh outlook and renewed vigor, Decembers Deadline have taken on a much harder edge, redefining their sound without straying too far from what existing fans of the band would expect.
With the December 29 HEAVY premiere of the new track Cross-Hairs looming fast, we sat down with both new members to chat about the new material and what to expect from Decembers Deadline two years on.
"Since then (Unique) we've had a bit of a member change," Muldoon explained. "As Sax mentioned, him and I came on last year. So a bit of a line-up change, a bit of a reshuffle within the band. We had a sit down and said let's do this and let's get our influences in on this as well and shape the sound and take what those guys had and hopefully improve on it and come out bigger than ever."
We ask for a bit more information on both of the new kids on the block and what they bring to Decembers Deadline.
"I feel like we're both bringing a fresh face and new sound to things," Saxxon offered. "In the demoing stage of things, it was definitely Peter going 'is this what you want?' and everyone jumping on board and saying yeah we're gonna run with this. So I guess it was definitely bringing a new aspect to the writing of the band, and I think that was the biggest thing we were bringing. Fresh faces, a fresh sound, and a way to get the band still going without it being too different to what the old stuff was."
That said, we ask the boys to tell us more about Cross-Hairs musically.
"Musically, I listened to what the guys were doing," Muldoon began, "and they were throwing their influences around. As Saxxon said, I came up with a bit of a riff, that main djent style riff, and sent it through to the boys and said 'is this what you wanted' kind of thing. It's funny, because that then plays into the lyrics as well, where the lyrics and chorus say 'is this what you wanted?' (laughs)."
In the full interview, the boys talk more about Cross-Hairs, how it differs to previous material, if the song is a good reflection on the future direction of their sound, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>537decembersdeadline,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,rock,singletruefullhttps://www.spreaker.com/episode/honour-through-music-with-wednesday-13--57945640When Murderdolls burst onto the scene in 2002 with the ridiculously brilliant album Beyond The Valley Of The Murderdolls they were sadly recognized for the wrong reasons.
Although the infectiously sinister music and vocals ultimately were the backbone of the band's sustained success, it was the worldwide notoriety of two of the members (one more than the other) that first sent media into a frenzy.
Fronted by Wednesday 13, known for his shock/punk duties with Frankenstein Drag Queens From Planet 13, Murderdolls were always going to be worse than the ones your parents warned you about, but it was the guitarist of the band who attracted unprecedented attention.
Slipknot - who at that time were still largely an anonymous, masked, musical war machine - had just released the devastatingly crushing Iowa album, with diminutive drummer Joey Jordinson creating a musical tornado behind the drum kit.
With the announcement of Murderdolls came the news that Joey was in the band - unmasked - but would be playing guitar instead of bashing skins.
This alone guaranteed global intrigue for Murderdolls, but did not once seem to be a contrived or deliberate publicity stunt.
Murderdolls, via their music, made an emphatic statement of intent on that debut album that they were here to make music fun and sleazy again and despite the pedigree of their members were just a bunch of mates out to make music and have a good time.
Inevitable internal problems and scheduling conflicts prevented the follow-up, 2010s Women and Children Last, from being released for almost a decade and by that point Murderdolls were no longer a fully functioning band, leading them to split in 2013.
Rumours circulated that Wednesday 13 and Jordinson had severed all ties and despite a constant chorus of cries for a reunion, Murderdolls remained inactive up to and including the time of Jordinson's tragic passing in 2021.
It seemed Murderdolls and their music would remain forever in limbo, with Wednesday understandably reluctant to continue the band in light of events.
But, earlier this year and with the 20th anniversary of Beyond The Valley Of The Murderdolls stirring up renewed fan fuelled calls for a reunion of sorts, Wednesday found it in his heart and spirit to go on the road to celebrate that great album and the impact it had on so many lives.
With the tour set to hit Australia in February 2024, HEAVY was finally offered the opportunity to interview Wednesday about Murderdolls, an interview we have been waiting for for 20 years. Still occasionally giving in to our inner fanboy, we tell Wednesday straight off the bat how excited we are to see the show.
"Me too, I'm excited," he smiled. "I didn't realise that the people were this passionate about the music. It's great to see that 21 years later there's still the old fans and then this whole new generation of young fans that have been dying for it as well. It's a great reaction. We're in the middle of a US tour right now and it is nothing but fun going out and playing these songs. It's a full hour, hour 45 minute set playing 20 songs off both records - 13 off the first album and the rest off the second - and it's been a complete blast every single night. I cannot wait to bring it to Australia and see the madness that it will create there."
Until this year Wednesday had not played any Murderdolls songs for over a decade, begging the questions of what made him decide now is the right time to dust them off.
"There are Murderdolls songs scattered in the Wednesday 13 setlist," he corrected. "I Love To Say Fuck has been a staple of mine, as well as 197666. There are several songs that have switched in and out over the years, but the main thing that started this unfortunately was the passing of Joey. Last year when I was touring and sort of doing a celebration of my 20-year history including Murderdolls and Wednesday 13 stuff and there's a part of the set where we play four or five Murderdolls songs and I did a little story about Joey and I and after the show everyone said I have never heard Murderdolls songs like that. You should do a full set like this. Now that Joey has passed it would be a great thing and I said you're right, you're right, you're right. It was just hearing it over and over every night, and I realised why shouldn't we do it? It's the perfect time, and also it was a healing thing for me, and I think it's a healing thing for the fans. A lot of people are yet to go to a concert and celebrate something like that and have someone… The whole time isn't all talking about Joey. But for people to come out and hear those songs… Some people never got to hear them. Ever live. To hear that and also have a memorial tribute thing to Joey… it's the best of all worlds. Yeah, it's been fun and I know the Australian tour is going to be something to remember."
In the full interview, Wednesday talks more about what to expect from the shows, how they have been going overseas, his relationship with Joey, starting the band with him and what they wanted out of it, Joey's guitar playing, writing music together and how they pushed each other, how he used part of his image and music from Frankenstein Drag Queens From Planet 13 to shape Murderdolls, which of the two albums is his personal favourite and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57945640Fri, 22 Dec 2023 00:00:28 +0000HEAVY MagazineInterview by Kris Peters When Murderdolls burst onto the scene in 2002 with the ridiculously brilliant album Beyond The Valley Of The Murderdolls they were sadly recognized for the wrong reasons. Although the infectiously sinister music and vocals...When Murderdolls burst onto the scene in 2002 with the ridiculously brilliant album Beyond The Valley Of The Murderdolls they were sadly recognized for the wrong reasons.
Although the infectiously sinister music and vocals ultimately were the backbone of the band's sustained success, it was the worldwide notoriety of two of the members (one more than the other) that first sent media into a frenzy.
Fronted by Wednesday 13, known for his shock/punk duties with Frankenstein Drag Queens From Planet 13, Murderdolls were always going to be worse than the ones your parents warned you about, but it was the guitarist of the band who attracted unprecedented attention.
Slipknot - who at that time were still largely an anonymous, masked, musical war machine - had just released the devastatingly crushing Iowa album, with diminutive drummer Joey Jordinson creating a musical tornado behind the drum kit.
With the announcement of Murderdolls came the news that Joey was in the band - unmasked - but would be playing guitar instead of bashing skins.
This alone guaranteed global intrigue for Murderdolls, but did not once seem to be a contrived or deliberate publicity stunt.
Murderdolls, via their music, made an emphatic statement of intent on that debut album that they were here to make music fun and sleazy again and despite the pedigree of their members were just a bunch of mates out to make music and have a good time.
Inevitable internal problems and scheduling conflicts prevented the follow-up, 2010s Women and Children Last, from being released for almost a decade and by that point Murderdolls were no longer a fully functioning band, leading them to split in 2013.
Rumours circulated that Wednesday 13 and Jordinson had severed all ties and despite a constant chorus of cries for a reunion, Murderdolls remained inactive up to and including the time of Jordinson's tragic passing in 2021.
It seemed Murderdolls and their music would remain forever in limbo, with Wednesday understandably reluctant to continue the band in light of events.
But, earlier this year and with the 20th anniversary of Beyond The Valley Of The Murderdolls stirring up renewed fan fuelled calls for a reunion of sorts, Wednesday found it in his heart and spirit to go on the road to celebrate that great album and the impact it had on so many lives.
With the tour set to hit Australia in February 2024, HEAVY was finally offered the opportunity to interview Wednesday about Murderdolls, an interview we have been waiting for for 20 years. Still occasionally giving in to our inner fanboy, we tell Wednesday straight off the bat how excited we are to see the show.
"Me too, I'm excited," he smiled. "I didn't realise that the people were this passionate about the music. It's great to see that 21 years later there's still the old fans and then this whole new generation of young fans that have been dying for it as well. It's a great reaction. We're in the middle of a US tour right now and it is nothing but fun going out and playing these songs. It's a full hour, hour 45 minute set playing 20 songs off both records - 13 off the first album and the rest off the second - and it's been a complete blast every single night. I cannot wait to bring it to Australia and see the madness that it will create there."
Until this year Wednesday had not played any Murderdolls songs for over a decade, begging the questions of what made him decide now is the right time to dust them off.
"There are Murderdolls songs scattered in the Wednesday 13 setlist," he corrected. "I Love To Say Fuck has been a staple of mine, as well as 197666. There are several songs that have switched in and out over the years, but the main thing that started this unfortunately was the passing of Joey. Last year when I was touring and sort of doing a celebration of my 20-year history including Murderdolls and Wednesday 13 stuff and...]]>1093australia,glamrock,heavy,interview,joeyjordinson,krispeters,metal,murderdolls,podcast,punk,rock,slipknot,tour,wednesday13truefullhttps://www.spreaker.com/episode/coming-of-age-with-samantha-faul-from-fifth-dawn--58072674Sydney alternative metal outfit Fifth Dawn are taking to the road early next year with a string of three shows along the East Coast of Australia to showcase their new music and prepare fans for an album later in the year.
Their music transcends genres, enabling Fifth Dawn to appeal to a large scope of music listeners, with a cinematic underlying element adding yet more layers of goodness to discover.
With the band already planning new music and getting ready to hit the stage, vocalist Samantha Faul took some time out for a chat with HEAVY.
"We're all very excited," she smiled. "It will be good. We haven't yet played a show in Brisbane before."
We ask Faul to tell us a bit more about Fifth Dawn for those unfamiliar with the band.
"We formed in 2015," she began. "We were all quite young when we first started, so it's been quite a journey. We're very proud of the music we are playing. It's definitely what we want to be projecting to the world. We get a lot of comparisons to Evanescence style, so it's a powerhouse quality of vocals. We're blending more heavier elements to our music as well, which is good."
In the full interview, Sam talks more about the band, their most recent single The Day Brings and how that represents the band's sound, a typical Fifth Dawn live show, what they expect from crowds live, taking Aurateque on tour and why them, the local support bands for each show, mixing cinematic elements into their music, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58072674Thu, 21 Dec 2023 11:02:31 +0000HEAVY MagazineInterview by Kris Peters Sydney alternative metal outfit Fifth Dawn are taking to the road early next year with a string of three shows along the East Coast of Australia to showcase their new music and prepare fans for an album later in the year....Sydney alternative metal outfit Fifth Dawn are taking to the road early next year with a string of three shows along the East Coast of Australia to showcase their new music and prepare fans for an album later in the year.
Their music transcends genres, enabling Fifth Dawn to appeal to a large scope of music listeners, with a cinematic underlying element adding yet more layers of goodness to discover.
With the band already planning new music and getting ready to hit the stage, vocalist Samantha Faul took some time out for a chat with HEAVY.
"We're all very excited," she smiled. "It will be good. We haven't yet played a show in Brisbane before."
We ask Faul to tell us a bit more about Fifth Dawn for those unfamiliar with the band.
"We formed in 2015," she began. "We were all quite young when we first started, so it's been quite a journey. We're very proud of the music we are playing. It's definitely what we want to be projecting to the world. We get a lot of comparisons to Evanescence style, so it's a powerhouse quality of vocals. We're blending more heavier elements to our music as well, which is good."
In the full interview, Sam talks more about the band, their most recent single The Day Brings and how that represents the band's sound, a typical Fifth Dawn live show, what they expect from crowds live, taking Aurateque on tour and why them, the local support bands for each show, mixing cinematic elements into their music, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>816alternativemetal,aurateque,aussiemetal,fifthdawn,heavy,heavymetal,interview,krispeters,podcast,tourfalsefullhttps://www.spreaker.com/episode/stoking-the-fires-with-dez-fafara-from-coal-chamber--58033875When Dez Fafara announced that Coal Chamber was on indefinite hiatus in 2016, stating that the success of DevilDriver was taking precedence, the heavy metal community to a man fell under a thick wave of despair.
Bridging the gap between metal and industrial groove with an impossibly infectious tempo, Coal Chamber helped revolutionise the sound of metal, spawning a movement that has rapidly grown into a way of life.
Songs like Loco, Sway, Big Truck, and Oddity are etched into the annals of metal forever, and Coal Chamber became more than a band.
They become an institution.
Fafara has previously steadfastly refused to discuss let alone entertain the thought of a reunion despite repeated pleas from metalheads the world over, appearing to shun any notion of a reunion to the point many stopped even asking.
But public hope and expectation simmered once more in late 2022 when Fafara announced Coal Chamber would reform and play the 2023 Sick New World Festival, and the rest, as they say, is history.
That festival turned into another and then more shows before the dream pairing of Coal Chamber and Mudvayne joined formidable forces to announce a US run that had fans clamoring for tickets for what promised to be the concert event of the year.
With both bands set to include Australia on their tour of domination in February, Fafara sat down with HEAVY for an open and honest discussion about the past, present and future of Coal Chamber.
"Cannot wait," he enthused. "We're excited. We went out with Mudvayne all Summer and did big amphitheaters. It was an amazing package. All the crews and everybody got along really well, so no drama over a seven-week tour was a great thing. Obviously, the pairing works extremely well, so when it was put to us to come over we decided yeah, we cannot say no to this."
Often with tours that generate this much excitement so far out from the shows, it can feel like an anti-climax of sorts by the time the stage lights actually go down, so we ask Fafara what Coal Chamber will be doing to make sure the reality by far exceeds the hype.
"We're gonna bring good production, and we're gonna be on it, man," he promised. "Some of the shows that I saw from the Summer on YouTube were the tightest we have done in our entire lives. So you're getting a very special Coal Chamber right now. We're firing on all cylinders, and we cannot wait to come down. Last night we were texting for two hours straight, and I was laughing hysterically. We were just having such a great time, and that's what you want out of a band. You want a band that enjoys what they're doing, and we're gonna enjoy coming down and giving it 110%."
We push Fafara to tell us more about the recent run of US shows so we can gain even a small insight into what to expect.
"The shows were great," he affirmed. "The Summer was fantastic, and it was great to see the audience out there, which was predominantly the younger generation… I mean people that were 22, 20 years old and born when we broke up (laughs). It's pretty crazy. Some of the biggest bands anyway in the genre have always been Korn etc, but I think us as a pairing coming to Australia will be fantastic shows and everyone should get their tickets right away because it's definitely gonna go clean. They're definitely gonna sell out."
In the full interview, Dez talks more about the recent shows, if he felt nervous the first show back with Coal Chamber, tapping into different sides of his musical personality going from DevilDriver to Coal Chamber, the early days of the band and the scene that inspired them, promoting before internet and tricks of the trade, what drew people to Coal Chamber in the beginning, their album Rivals and how he feels it was 10 years too early, new music and more.
To get this interview plus more great yarns, music and news delivered FREE to your inbox every week simply follow this link and subscribe now https://heavymag.com.au/subscribe/

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58033875Wed, 20 Dec 2023 15:00:16 +0000HEAVY MagazineInterview by Kris Peters When Dez Fafara announced that Coal Chamber was on indefinite hiatus in 2016, stating that the success of DevilDriver was taking precedence, the heavy metal community to a man fell under a thick wave of despair. Bridging the...When Dez Fafara announced that Coal Chamber was on indefinite hiatus in 2016, stating that the success of DevilDriver was taking precedence, the heavy metal community to a man fell under a thick wave of despair.
Bridging the gap between metal and industrial groove with an impossibly infectious tempo, Coal Chamber helped revolutionise the sound of metal, spawning a movement that has rapidly grown into a way of life.
Songs like Loco, Sway, Big Truck, and Oddity are etched into the annals of metal forever, and Coal Chamber became more than a band.
They become an institution.
Fafara has previously steadfastly refused to discuss let alone entertain the thought of a reunion despite repeated pleas from metalheads the world over, appearing to shun any notion of a reunion to the point many stopped even asking.
But public hope and expectation simmered once more in late 2022 when Fafara announced Coal Chamber would reform and play the 2023 Sick New World Festival, and the rest, as they say, is history.
That festival turned into another and then more shows before the dream pairing of Coal Chamber and Mudvayne joined formidable forces to announce a US run that had fans clamoring for tickets for what promised to be the concert event of the year.
With both bands set to include Australia on their tour of domination in February, Fafara sat down with HEAVY for an open and honest discussion about the past, present and future of Coal Chamber.
"Cannot wait," he enthused. "We're excited. We went out with Mudvayne all Summer and did big amphitheaters. It was an amazing package. All the crews and everybody got along really well, so no drama over a seven-week tour was a great thing. Obviously, the pairing works extremely well, so when it was put to us to come over we decided yeah, we cannot say no to this."
Often with tours that generate this much excitement so far out from the shows, it can feel like an anti-climax of sorts by the time the stage lights actually go down, so we ask Fafara what Coal Chamber will be doing to make sure the reality by far exceeds the hype.
"We're gonna bring good production, and we're gonna be on it, man," he promised. "Some of the shows that I saw from the Summer on YouTube were the tightest we have done in our entire lives. So you're getting a very special Coal Chamber right now. We're firing on all cylinders, and we cannot wait to come down. Last night we were texting for two hours straight, and I was laughing hysterically. We were just having such a great time, and that's what you want out of a band. You want a band that enjoys what they're doing, and we're gonna enjoy coming down and giving it 110%."
We push Fafara to tell us more about the recent run of US shows so we can gain even a small insight into what to expect.
"The shows were great," he affirmed. "The Summer was fantastic, and it was great to see the audience out there, which was predominantly the younger generation… I mean people that were 22, 20 years old and born when we broke up (laughs). It's pretty crazy. Some of the biggest bands anyway in the genre have always been Korn etc, but I think us as a pairing coming to Australia will be fantastic shows and everyone should get their tickets right away because it's definitely gonna go clean. They're definitely gonna sell out."
In the full interview, Dez talks more about the recent shows, if he felt nervous the first show back with Coal Chamber, tapping into different sides of his musical personality going from DevilDriver to Coal Chamber, the early days of the band and the scene that inspired them, promoting before internet and tricks of the trade, what drew people to Coal Chamber in the beginning, their album Rivals and how he feels it was 10 years too early, new music and more.
To get this interview plus more great yarns, music and news delivered FREE to your inbox every week simply follow this link and...]]>1146australia,coalchamber,dezfafara,heavy,heavymetal,industrialmetal,interview,krispeters,mudvayne,numetal,podcast,tourtruefullhttps://www.spreaker.com/episode/contrasting-emotions-with-michael-spreitzer-from-verona-on-venus--58071340It is too easy to get stuck into playing a certain brand of music as an artist.
This can be for a variety of reasons such as the popularity of your band, public expectations, being pigeonholed - any number of reasons. This problem is accentuated when your band is well known for releasing a certain brand of music, where often any deviation or experimentation is met with hostility by existing fans.
It is a situation DevilDriver guitarist Michael (Mike) Spreitzer has found himself in for a prolonged period of time, despite having an unwavering desire to explore other elements of his music personality.
His love for DevilDriver and the music they perform is still as strong as ever, but there has always been a gnawing yearning to explore another side of metal which has always held his interest.
Industrial metal.
After resisting the urge for too long, Spreitzer finally turned his talents to another passion within the realm of metal, forming Verona On Venus (VOV) as a side project to DevilDriver with the sole intent of showcasing yet another of his loves musically.
VOV has released two singles now - Rodent and Monarch Acid Test - from their 2024 debut album Popular Dimensions, expelling some musical demons while simultaneously feeding others.
With a strong emphasis on industrial and goth metal laced with the heavier sounds of the 1990s, Popular Delusions is a collection of songs that are personal in musical nature to Spreitzer, with him also taking the surprise step of assuming vocal duties.
HEAVY recently caught up with Spreitzer to talk about his new project.
"This is something I've been wanting to do for a while," he began. "When I was in high school, I grew up on more… I transitioned from heavy metal into more industrial metal and goth, and Verona On Venus is the result. This is something that has taken me back to my roots and gives me an outlet for that genre of music that I can't really do with DevilDriver."
In the full interview, Mike talks more about Verona On Venus and how long he has been wanting to do something like this, the mysterious campaign that introduced the band and their music, the single Rodent and what he was going for with it, stepping up to sing and how difficult that was, what he gets differently out of playing guitar and singing, the musical nature of the album, covering an Acid Bath song and why, future plans for VOV and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58071340Wed, 20 Dec 2023 14:17:54 +0000HEAVY MagazineInterview by Kris Peters It is too easy to get stuck into playing a certain brand of music as an artist. This can be for a variety of reasons such as the popularity of your band, public expectations, being pigeonholed - any number of reasons. This...It is too easy to get stuck into playing a certain brand of music as an artist.
This can be for a variety of reasons such as the popularity of your band, public expectations, being pigeonholed - any number of reasons. This problem is accentuated when your band is well known for releasing a certain brand of music, where often any deviation or experimentation is met with hostility by existing fans.
It is a situation DevilDriver guitarist Michael (Mike) Spreitzer has found himself in for a prolonged period of time, despite having an unwavering desire to explore other elements of his music personality.
His love for DevilDriver and the music they perform is still as strong as ever, but there has always been a gnawing yearning to explore another side of metal which has always held his interest.
Industrial metal.
After resisting the urge for too long, Spreitzer finally turned his talents to another passion within the realm of metal, forming Verona On Venus (VOV) as a side project to DevilDriver with the sole intent of showcasing yet another of his loves musically.
VOV has released two singles now - Rodent and Monarch Acid Test - from their 2024 debut album Popular Dimensions, expelling some musical demons while simultaneously feeding others.
With a strong emphasis on industrial and goth metal laced with the heavier sounds of the 1990s, Popular Delusions is a collection of songs that are personal in musical nature to Spreitzer, with him also taking the surprise step of assuming vocal duties.
HEAVY recently caught up with Spreitzer to talk about his new project.
"This is something I've been wanting to do for a while," he began. "When I was in high school, I grew up on more… I transitioned from heavy metal into more industrial metal and goth, and Verona On Venus is the result. This is something that has taken me back to my roots and gives me an outlet for that genre of music that I can't really do with DevilDriver."
In the full interview, Mike talks more about Verona On Venus and how long he has been wanting to do something like this, the mysterious campaign that introduced the band and their music, the single Rodent and what he was going for with it, stepping up to sing and how difficult that was, what he gets differently out of playing guitar and singing, the musical nature of the album, covering an Acid Bath song and why, future plans for VOV and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>725devildriver,gothicmetal,heavy,heavymetal,industrialmetal,interview,krispeters,mikespreitzer,music,podcast,veronaonvenusfalsefullhttps://www.spreaker.com/episode/on-a-wing-and-a-prayer-with-mike-edwards-from-jesus-jones--58034385What do you do as you near the twilight of an illustrious music career?
Set course for Australia, apparently!
After pushing 40 years in the music industry, English alternative rock outfit Pop Will Eat Itself have finally decided to bring their pasty white legs Down Under for the first show of their careers on our shores in February and March of next year. The loveable poms have promised to treat their neglected fans to a set of Greatest Hits, and, just to soften the blow, have invited UK indie/dance/rock outfit Jesus Jones to share in the fun with them.
It is an upbeat and lively union of bands, with Jesus Jones frontman Mike Edwards stopping in for a chat with HEAVY to get us acquainted.
We start by asking what delights Jesus Jones have in store for their Australian fans.
"You've put me on the spot there," he laughed. "Delights? Don't know if it's delights. It makes it sound like we should be bringing Frankincense and Myrrh (laughs). I was gonna say the same thing that we normally do, but it's not quite right… My strapline for this tour is 'all of the energy you're used to seeing, all the songs you wanna hear, but this time played better than they were in the past. How's that?"
In reality, either band could have come over here by themselves and pulled decent crowds around the country, so we quiz Mike as to why they chose to come together.
"They're a band that we have a lot of affinity with," he replied. "We've played with them in various guises before and done tours with them. Great bunch of guys, easy to get on with, plus, more than anything else, do you want to go to Australia? Hell yes!"
In the full interview, Mike tells us what we can expect from Jesus Jones' shows, being aware of your limitations as you grow older, the early days of the band and where they fit in, coming up with their eclectic sound, being part of a musical movement that changed the musical landscape, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58034385Sun, 17 Dec 2023 08:50:20 +0000HEAVY MagazineInterview by Kris Peters What do you do as you near the twilight of an illustrious music career? Set course for Australia, apparently! After pushing 40 years in the music industry, English alternative rock outfit Pop Will Eat Itself have finally...What do you do as you near the twilight of an illustrious music career?
Set course for Australia, apparently!
After pushing 40 years in the music industry, English alternative rock outfit Pop Will Eat Itself have finally decided to bring their pasty white legs Down Under for the first show of their careers on our shores in February and March of next year. The loveable poms have promised to treat their neglected fans to a set of Greatest Hits, and, just to soften the blow, have invited UK indie/dance/rock outfit Jesus Jones to share in the fun with them.
It is an upbeat and lively union of bands, with Jesus Jones frontman Mike Edwards stopping in for a chat with HEAVY to get us acquainted.
We start by asking what delights Jesus Jones have in store for their Australian fans.
"You've put me on the spot there," he laughed. "Delights? Don't know if it's delights. It makes it sound like we should be bringing Frankincense and Myrrh (laughs). I was gonna say the same thing that we normally do, but it's not quite right… My strapline for this tour is 'all of the energy you're used to seeing, all the songs you wanna hear, but this time played better than they were in the past. How's that?"
In reality, either band could have come over here by themselves and pulled decent crowds around the country, so we quiz Mike as to why they chose to come together.
"They're a band that we have a lot of affinity with," he replied. "We've played with them in various guises before and done tours with them. Great bunch of guys, easy to get on with, plus, more than anything else, do you want to go to Australia? Hell yes!"
In the full interview, Mike tells us what we can expect from Jesus Jones' shows, being aware of your limitations as you grow older, the early days of the band and where they fit in, coming up with their eclectic sound, being part of a musical movement that changed the musical landscape, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>950hardrock,heavy,interview,jesusjones,krispeters,mikeedwards,podcast,popwilleatitself,rock,tourtruefullhttps://www.spreaker.com/episode/25-years-of-noise-with-dan-mcdougall-from-frankenbok--58023503Melbourne metal legends Frankenbok celebrated their 25th anniversary at The Tote on December 12, 2022 in the most positive and emphatic way possible by assembling every one of Frankenbok's many line-ups from over the years to perform songs from their era.
It was a unique and highly ambitious project that could have gone off the rails at any juncture, but, to their credit, the Bok boys smashed it out of the park and the couple of hundred lucky fans who converged on The Tote that evening were left with a lifetime of memories.
BUT, if you missed out on that one-off performance, fear not!
After 12 months of painstaking editing and quality control, the good folk at Fair Dinkum Records have finally put the finishing touches to not only an audio CD, but also the full video concert, with both out now for your viewing and listening pleasure.
Current Frankenbok vocalist Dan McDougall sat down with HEAVY to tell us more.
"It was a killer night," he recalled, "and we got it recorded and filmed, and we have just finally put it out. We've got it as a live album and also the full show can be watched on YouTube as well."
The album is called 25 Years Of Noise In One Form Or Another, which perfectly sums up what to expect, and we question Dan on who actually came up with the title.
"I did," he smiled. "I was just trying to think of a name and that just popped into my head. It's the truth. The band has been through many different changes over the 25 years, so with each different line-up it's brought something… it's changed every time, but there's been a running thread through the whole thing. I was in the band twice with two of those line-ups, but there's been four different singers. With every different singer you're going to have a different sound, but, like I said, there's a thread running through the whole thing and that's Azza who has been there from the start. His riffs and his music runs through the whole thing, so it's quite an eclectic bunch of songs when you put it all together."
In the full interview we discuss that night, go through what each line-up contributed, his highlight of the concert, the singles released in the lead-up and why they were chosen, getting the sound right on the live release, the new line of merchandise, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58023503Fri, 15 Dec 2023 23:30:19 +0000HEAVY MagazineInterview by Kris Peters Melbourne metal legends Frankenbok celebrated their 25th anniversary at The Tote on December 12, 2022 in the most positive and emphatic way possible by assembling every one of Frankenbok's many line-ups from over the years to...Melbourne metal legends Frankenbok celebrated their 25th anniversary at The Tote on December 12, 2022 in the most positive and emphatic way possible by assembling every one of Frankenbok's many line-ups from over the years to perform songs from their era.
It was a unique and highly ambitious project that could have gone off the rails at any juncture, but, to their credit, the Bok boys smashed it out of the park and the couple of hundred lucky fans who converged on The Tote that evening were left with a lifetime of memories.
BUT, if you missed out on that one-off performance, fear not!
After 12 months of painstaking editing and quality control, the good folk at Fair Dinkum Records have finally put the finishing touches to not only an audio CD, but also the full video concert, with both out now for your viewing and listening pleasure.
Current Frankenbok vocalist Dan McDougall sat down with HEAVY to tell us more.
"It was a killer night," he recalled, "and we got it recorded and filmed, and we have just finally put it out. We've got it as a live album and also the full show can be watched on YouTube as well."
The album is called 25 Years Of Noise In One Form Or Another, which perfectly sums up what to expect, and we question Dan on who actually came up with the title.
"I did," he smiled. "I was just trying to think of a name and that just popped into my head. It's the truth. The band has been through many different changes over the 25 years, so with each different line-up it's brought something… it's changed every time, but there's been a running thread through the whole thing. I was in the band twice with two of those line-ups, but there's been four different singers. With every different singer you're going to have a different sound, but, like I said, there's a thread running through the whole thing and that's Azza who has been there from the start. His riffs and his music runs through the whole thing, so it's quite an eclectic bunch of songs when you put it all together."
In the full interview we discuss that night, go through what each line-up contributed, his highlight of the concert, the singles released in the lead-up and why they were chosen, getting the sound right on the live release, the new line of merchandise, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>870australia,azzabok,danmcdougall,fairdinkumrecords,frankenbok,heavy,heavymetal,interview,krispeters,podcast,thetotetruefullhttps://www.spreaker.com/episode/breaking-the-chains-with-kaosphere--58023359Gold Coast heavy outfit Kaosphere have been quiet by their standards of late.
Once known for their prolific output and presence, Kaosphere decided to reevaluate their goals around 18 months ago and knuckle down with the emphasis of quality of quantity with devastating results.
The band recently released the single Chain Breaker, the first of a string of new songs planned from next year's debut album In Scars We Trust, promising an album with more energy and intensity than anything previously heard from Kaosphere.
They also announced their signing to the label XMusic and, with a great deal more planned for the future, sat down with HEAVY to discuss the new single and more.
"It has been a long process, but we wanted to take our time with it," vocalist Ricci Dyer began. "With EP's you can slap out a few songs and a video and tour, and it's a much quicker process, but with an album it just takes a long time and Chain Breaker is part of it. We've had a lot of this music ready for a long time, but it hasn't been right to release it."
In the full interview Ricci and Big T tell us more about Chain Breaker, what it's about, why it has taken so long to put out new music, their slightly heavier direction, the introduction of clean vocals and why, the full album In Scars We Trust and what to expect, signing to XM


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58023359Fri, 15 Dec 2023 23:07:20 +0000HEAVY MagazineInterview by Kris Peters Gold Coast heavy outfit Kaosphere have been quiet by their standards of late. Once known for their prolific output and presence, Kaosphere decided to reevaluate their goals around 18 months ago and knuckle down with the...Gold Coast heavy outfit Kaosphere have been quiet by their standards of late.
Once known for their prolific output and presence, Kaosphere decided to reevaluate their goals around 18 months ago and knuckle down with the emphasis of quality of quantity with devastating results.
The band recently released the single Chain Breaker, the first of a string of new songs planned from next year's debut album In Scars We Trust, promising an album with more energy and intensity than anything previously heard from Kaosphere.
They also announced their signing to the label XMusic and, with a great deal more planned for the future, sat down with HEAVY to discuss the new single and more.
"It has been a long process, but we wanted to take our time with it," vocalist Ricci Dyer began. "With EP's you can slap out a few songs and a video and tour, and it's a much quicker process, but with an album it just takes a long time and Chain Breaker is part of it. We've had a lot of this music ready for a long time, but it hasn't been right to release it."
In the full interview Ricci and Big T tell us more about Chain Breaker, what it's about, why it has taken so long to put out new music, their slightly heavier direction, the introduction of clean vocals and why, the full album In Scars We Trust and what to expect, signing to XM


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1277australia,deathmetal,heavy,heavymetal,interview,kaosphere,krispeters,podcast,xmusictruefullhttps://www.spreaker.com/episode/staying-alive-with-donald-tardy-from-obituary--58013964 Obituary are deservedly known as one of the pioneering forces behind death metal. In a career spanning almost four decades, the band have redefined the term heavy metal and consistently led through actions, leaving words to go down in history amongst their brutal lyrics. With the band set to invade Australia once more in early 2024, HEAVY had the pleasure of spending some time with drummer Donald Tardy to gauge just what to expect. "We're down here in Florida," he began. "We've been home now for two or three months, so the band's ready to get things going and get on an airplane and get down there and rock some Australian shows." The tour starts here on January 5 in Auckland, bringing in the New Year in scintillating fashion. "We're excited about it," he smiled. "We know that we don't get to Australia often enough. It's so damn far away from us that it's only so many times we can get there, but we're excited. We're excited about the tour, but we're also excited about these pre-sales and these venues and the fans. They really seem to be as excited as we are to get this thing going." We point out the name of the tour - the Barely Alive Tour - and ask if that is in reference to the band or their fans. "I think that's the band after that flight trying to get to you," he laughed. "I think this time it's a 26-hour journey just for us to make it because we head to New Zealand first. It's just brutal. From Florida to your side of the world, there's no easy way around it. So the band's gonna definitely be barely alive by the time we make it there (laughs)." In the full interview, Donald talks more about the tour and what to expect, what has changed with Obituary since they were last out here in 2020, writing a setlist to please everyone, having Psycroptic and Black Lava as supports, the early days of Obituary and where they fit in, changing with the times musically, their latest album and how it was received and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/58013964Fri, 15 Dec 2023 02:27:05 +0000HEAVY MagazineInterview by Kris Peters Obituary are deservedly known as one of the pioneering forces behind death metal. In a career spanning almost four decades, the band have redefined the term heavy metal and consistently led through actions, leaving words to... Obituary are deservedly known as one of the pioneering forces behind death metal. In a career spanning almost four decades, the band have redefined the term heavy metal and consistently led through actions, leaving words to go down in history amongst their brutal lyrics. With the band set to invade Australia once more in early 2024, HEAVY had the pleasure of spending some time with drummer Donald Tardy to gauge just what to expect. "We're down here in Florida," he began. "We've been home now for two or three months, so the band's ready to get things going and get on an airplane and get down there and rock some Australian shows." The tour starts here on January 5 in Auckland, bringing in the New Year in scintillating fashion. "We're excited about it," he smiled. "We know that we don't get to Australia often enough. It's so damn far away from us that it's only so many times we can get there, but we're excited. We're excited about the tour, but we're also excited about these pre-sales and these venues and the fans. They really seem to be as excited as we are to get this thing going." We point out the name of the tour - the Barely Alive Tour - and ask if that is in reference to the band or their fans. "I think that's the band after that flight trying to get to you," he laughed. "I think this time it's a 26-hour journey just for us to make it because we head to New Zealand first. It's just brutal. From Florida to your side of the world, there's no easy way around it. So the band's gonna definitely be barely alive by the time we make it there (laughs)." In the full interview, Donald talks more about the tour and what to expect, what has changed with Obituary since they were last out here in 2020, writing a setlist to please everyone, having Psycroptic and Black Lava as supports, the early days of Obituary and where they fit in, changing with the times musically, their latest album and how it was received and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>764australia,deathmetal,donaldtardy,heavy,heavymetal,interview,krispeters,obituary,podcast,psycroptic,tourtruefullhttps://www.spreaker.com/episode/the-gods-of-war-with-jim-ward-from-sparta--57947289Rising from the ashes of the supposed next big thing, Sparta attacked the music industry as a whole with a point to prove.
And prove it they did, releasing their debut album Wiretap Scars in 2002 and almost single-handedly redefining the term experimentation in music as the world had previously known it.
When At The Drive-In split in 2001 the music world was left in shock. Coming seemingly from nowhere with an effervescent approach to music that combined genres unlike never before, At The Drive-In were quickly lauded with the title of the next big thing, and who was there to stop them?
It is highly even the band themselves knew exactly what they were doing or what direction they were headed.
The band was riding the crest of a wave that would sweep them however far they wished to go before the unthinkable happened and ATDI were no more.
Spurred on by this, former backup vocalist Jim Ward and two other ATDI members Tony Hajjar and Paul Hinojos quickly turned their creativity to Sparta and before long the three musicians who had been reduced to supporting cast members previously were now in command of the ship.
Sparta has had a spluttering progression - due mainly to Ward operating by his own rules and shunning industry expectations - but they are still very much a band with a point to prove and an axe to grind.
That axe comes out of the shed next May when Sparta heads to Australia on the tail end of a massive tour that has seen them play and celebrate 20 years since the release of Wiretap Scars.
HEAVY sat down with Ward to run through memory lane, starting with how long it has been since Sparta last toured this country.
"It will be about 12 years by the time I get there," he almost apologised. "Too long, for sure."
We ask him what has changed with the band in that time.
"Members," he laughed. "We play as a three-piece now. It's still Matt Miller on bass, but we have sort of a rotating cast of drummers depending on the tours. Really the only two band members are Matt and I, so we make the records, we sort of have other friends play drums on stuff, and then we tour with whoever. Other than that, we have just aged gracefully (smiles) and are better looking than ever."
In the full interview, Jim talks about the other shows on this tour and how playing the album in full has been received, the difficulties in reproducing a whole album live, the time in which Sparta made the album and how their recent exit from ATDI influenced the finished product, making the transition from back up singer to lead vocalist, why he thinks Wiretap Scars has stood the test of time, what to expect from the shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57947289Sun, 10 Dec 2023 09:21:19 +0000HEAVY MagazineInterview by Kris Peters Rising from the ashes of the supposed next big thing, Sparta attacked the music industry as a whole with a point to prove. And prove it they did, releasing their debut album Wiretap Scars in 2002 and almost single-handedly...Rising from the ashes of the supposed next big thing, Sparta attacked the music industry as a whole with a point to prove.
And prove it they did, releasing their debut album Wiretap Scars in 2002 and almost single-handedly redefining the term experimentation in music as the world had previously known it.
When At The Drive-In split in 2001 the music world was left in shock. Coming seemingly from nowhere with an effervescent approach to music that combined genres unlike never before, At The Drive-In were quickly lauded with the title of the next big thing, and who was there to stop them?
It is highly even the band themselves knew exactly what they were doing or what direction they were headed.
The band was riding the crest of a wave that would sweep them however far they wished to go before the unthinkable happened and ATDI were no more.
Spurred on by this, former backup vocalist Jim Ward and two other ATDI members Tony Hajjar and Paul Hinojos quickly turned their creativity to Sparta and before long the three musicians who had been reduced to supporting cast members previously were now in command of the ship.
Sparta has had a spluttering progression - due mainly to Ward operating by his own rules and shunning industry expectations - but they are still very much a band with a point to prove and an axe to grind.
That axe comes out of the shed next May when Sparta heads to Australia on the tail end of a massive tour that has seen them play and celebrate 20 years since the release of Wiretap Scars.
HEAVY sat down with Ward to run through memory lane, starting with how long it has been since Sparta last toured this country.
"It will be about 12 years by the time I get there," he almost apologised. "Too long, for sure."
We ask him what has changed with the band in that time.
"Members," he laughed. "We play as a three-piece now. It's still Matt Miller on bass, but we have sort of a rotating cast of drummers depending on the tours. Really the only two band members are Matt and I, so we make the records, we sort of have other friends play drums on stuff, and then we tour with whoever. Other than that, we have just aged gracefully (smiles) and are better looking than ever."
In the full interview, Jim talks about the other shows on this tour and how playing the album in full has been received, the difficulties in reproducing a whole album live, the time in which Sparta made the album and how their recent exit from ATDI influenced the finished product, making the transition from back up singer to lead vocalist, why he thinks Wiretap Scars has stood the test of time, what to expect from the shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1012atthedrivein,australia,funk,hardrock,heavy,heavymetal,interview,jimward,krispeters,podcast,punk,sparta,tourtruefullhttps://www.spreaker.com/episode/smilin-slammin-with-sammy-from-drain--57962929It was mid-Summer 2023, yet another balmy night had met us in good old Brisbane town. The Brightside was the venue, and Canada's own Comeback Kid had brought some friends along with them, and yet again it was party time from the get-go!
Enter Drain from the sun-drenched beaches of Santa Cruz, California. As this quintet entered stage right that night, my first taste of this four-piece would be forever tattooed into my mind. Out of the gates Drain slammed their way through an energetic and enthusiastic set and honestly throwing down never looked and felt so fun!
That night we got a back catalogue three-course meal, with the main ingredients being from the band's 2020 album California Cursed, with tracks like Feel the Pressure and Hyper Vigilance to stomp and bop to.
Fast forward mid (this) year, the band serves up their second full-length effort Living Proof, a more rounded and explorative effort to say the least! Now, just before we enter a new calendar year, Drain are coming back down under, this time for their own headlining tour.
"Last year was a big year, we did support tours in Australia, in Europe and now we're back doing a headliner in Australia, it's crazy man!" Says Sammy (vocals) as we jump right into it. Alongside Drain will be Fairfield County's (California) own Anxious, which are a band that is something a little more "chilled and melodic" Sammy explains. I for one encourage you all to check this band out, as they're super talented and infectious.
With another world tour under their belts, Drain can now offer fans more of "a show", with a more rounded and seasoned set with the usual specialities that make Drain their own hardcore punk entity.
As Drain enter their second decade as a band, they're still learning and working the industry their own way, and honestly these dudes don't look like stopping any time soon.
If you're keen for a cool summer beat down with friends, then you must come check out Drain on this tour.
It's going to be a good good time, filled with good good things!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57962929Sun, 10 Dec 2023 00:33:44 +0000HEAVY MagazineInterview by Simon Russell-White It was mid-Summer 2023, yet another balmy night had met us in good old Brisbane town. The Brightside was the venue, and Canada's own Comeback Kid had brought some friends along with them, and yet again it was party...It was mid-Summer 2023, yet another balmy night had met us in good old Brisbane town. The Brightside was the venue, and Canada's own Comeback Kid had brought some friends along with them, and yet again it was party time from the get-go!
Enter Drain from the sun-drenched beaches of Santa Cruz, California. As this quintet entered stage right that night, my first taste of this four-piece would be forever tattooed into my mind. Out of the gates Drain slammed their way through an energetic and enthusiastic set and honestly throwing down never looked and felt so fun!
That night we got a back catalogue three-course meal, with the main ingredients being from the band's 2020 album California Cursed, with tracks like Feel the Pressure and Hyper Vigilance to stomp and bop to.
Fast forward mid (this) year, the band serves up their second full-length effort Living Proof, a more rounded and explorative effort to say the least! Now, just before we enter a new calendar year, Drain are coming back down under, this time for their own headlining tour.
"Last year was a big year, we did support tours in Australia, in Europe and now we're back doing a headliner in Australia, it's crazy man!" Says Sammy (vocals) as we jump right into it. Alongside Drain will be Fairfield County's (California) own Anxious, which are a band that is something a little more "chilled and melodic" Sammy explains. I for one encourage you all to check this band out, as they're super talented and infectious.
With another world tour under their belts, Drain can now offer fans more of "a show", with a more rounded and seasoned set with the usual specialities that make Drain their own hardcore punk entity.
As Drain enter their second decade as a band, they're still learning and working the industry their own way, and honestly these dudes don't look like stopping any time soon.
If you're keen for a cool summer beat down with friends, then you must come check out Drain on this tour.
It's going to be a good good time, filled with good good things!


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>835australia,drain,hardcore,heavy,heavymetal,interview,podcast,simonrussellwhite,tourtruefullhttps://www.spreaker.com/episode/damaged-goods-with-mish-sha-from-torizon--57949429Brisbane rock/metal outfit Torizon have made a triumphant return to music over the last couple of months, re-acquainting themselves with fans with the single Damaged in August before pulverizing them with recent track Martyr.
After taking a year off to focus more on what makes Torizon special moreso than how special they could be, the band members returned fresh and with greater intent, firing out of the gates with a catchy single and promising a fresh musical direction that had been hinted at previously without ever being fully realised.
The two fresh tracks, while offering glimpses into the revitalised Torizon, have already been declared as stand-alone singles, with the real change in momentum to come on next year's planned EP which is still in the development stage.
Vocalist Mish Sha sat down with HEAVY to talk about not just where they have been, but also where the band plans to go.
"Really good," she enthused when talking about the reception afforded Martyr. "I think it was a mixture of things, relaunching the band with Damaged, and that setting the foundations for this year with our first single release in a couple of years. And then coming from that releasing Martyr a few weeks after that has really helped. You had people that were excited to hear the new sound and the more metalcore vibe and new elements that are there in the new songwriting style, and then to give them something new was really great. It felt awesome."
In the full interview, Mish talks more about the new musical direction, what sorts of things the band focussed on during their time off, what the new EP is sounding like, coming back into the music scene after so long out of touch, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57949429Sat, 09 Dec 2023 11:50:30 +0000HEAVY MagazineInterview by Kris Peters Brisbane rock/metal outfit Torizon have made a triumphant return to music over the last couple of months, re-acquainting themselves with fans with the single Damaged in August before pulverizing them with recent track Martyr....Brisbane rock/metal outfit Torizon have made a triumphant return to music over the last couple of months, re-acquainting themselves with fans with the single Damaged in August before pulverizing them with recent track Martyr.
After taking a year off to focus more on what makes Torizon special moreso than how special they could be, the band members returned fresh and with greater intent, firing out of the gates with a catchy single and promising a fresh musical direction that had been hinted at previously without ever being fully realised.
The two fresh tracks, while offering glimpses into the revitalised Torizon, have already been declared as stand-alone singles, with the real change in momentum to come on next year's planned EP which is still in the development stage.
Vocalist Mish Sha sat down with HEAVY to talk about not just where they have been, but also where the band plans to go.
"Really good," she enthused when talking about the reception afforded Martyr. "I think it was a mixture of things, relaunching the band with Damaged, and that setting the foundations for this year with our first single release in a couple of years. And then coming from that releasing Martyr a few weeks after that has really helped. You had people that were excited to hear the new sound and the more metalcore vibe and new elements that are there in the new songwriting style, and then to give them something new was really great. It felt awesome."
In the full interview, Mish talks more about the new musical direction, what sorts of things the band focussed on during their time off, what the new EP is sounding like, coming back into the music scene after so long out of touch, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>889australia,hardrock,heavy,heavymetal,interview,krispeters,metalcore,mishsha,podcast,rock,torizontruefullhttps://www.spreaker.com/episode/filling-the-void-with-han-mee-and-jim-shaw-from-hot-milk--57948514By sheer virtue of the fact they were hand-picked by Foo Fighters for the Australian support slot, Hot Milk just HAVE to be a good band.
But it's not until you sit back and listen to the band that it becomes evident that they are actually shit hot and if the Fooeys hadn't chosen them as support then they probably wouldn't have been doing their job right.
Comprised of co-front people Han Mee and Jim Shaw who grew up together in Manchester, Hot Milk have captured people's attention on a global scale, amassing 50 million global streams across 3 x EPs and playing the likes of Reading + Leeds, Download, Lollapalooza, Rock Am Ring and more.
Just looking through their brief, but busy career trajectory tells the true story of success, with Hot Milk deliberately restricting themselves to three EPs initially as a way of discovering their sound and musical identity and allowing time to fully flesh out their vision, rather than rushing to put out a full album.
That planning and patience was realised earlier this year with the release of their debut album A Call To The Void, which has elevated Hot Milk even further into the sonic stratosphere.
Thus, their current Australian run of shows, not just supporting Foo Fighters, but also containing two headlining shows in Melbourne and Sydney.
HEAVY caught up with Han and Jim not long before their second headlining show, which is tonight in Sydney.
"It was great," Han enthused when asked how the first show of the tour went. "But we're changing the set because we got angry at ourselves. It's one of them, it's like, when you're playing with the Foos you just have to do your best and have fun doing it. You've gotta absorb those moments. It's the stuff dreams are made of, really."
We press Han on what she means by saying they got upset at themselves.
"We're perfectionists, and we didn't play the best set we could play," Jim chimed in.
"We basically came off the back of our own headlining tour," Han continued, "and didn't have time to think about what we were gonna do for the Foo Fighters. We kind of did a stripped-back version of that, and then we realised we need to do something specific for this crowd and specific for the Foos."
In the full interview, Han and Jim talk about the magnitude of sharing a stage with Foo Fighters, having to shut that out and focus on the task at hand, playing their own headlining shows, the emotional difference between playing to tens of thousands with FF one night and then playing to a more intimate pub crowd the night after, what to expect from their shows, their debut album and how it was received, how they planned the album over three EPs and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57948514Fri, 08 Dec 2023 06:00:57 +0000HEAVY MagazineInterview by Kris Peters By sheer virtue of the fact they were hand-picked by Foo Fighters for the Australian support slot, Hot Milk just HAVE to be a good band. But it's not until you sit back and listen to the band that it becomes evident that they...By sheer virtue of the fact they were hand-picked by Foo Fighters for the Australian support slot, Hot Milk just HAVE to be a good band.
But it's not until you sit back and listen to the band that it becomes evident that they are actually shit hot and if the Fooeys hadn't chosen them as support then they probably wouldn't have been doing their job right.
Comprised of co-front people Han Mee and Jim Shaw who grew up together in Manchester, Hot Milk have captured people's attention on a global scale, amassing 50 million global streams across 3 x EPs and playing the likes of Reading + Leeds, Download, Lollapalooza, Rock Am Ring and more.
Just looking through their brief, but busy career trajectory tells the true story of success, with Hot Milk deliberately restricting themselves to three EPs initially as a way of discovering their sound and musical identity and allowing time to fully flesh out their vision, rather than rushing to put out a full album.
That planning and patience was realised earlier this year with the release of their debut album A Call To The Void, which has elevated Hot Milk even further into the sonic stratosphere.
Thus, their current Australian run of shows, not just supporting Foo Fighters, but also containing two headlining shows in Melbourne and Sydney.
HEAVY caught up with Han and Jim not long before their second headlining show, which is tonight in Sydney.
"It was great," Han enthused when asked how the first show of the tour went. "But we're changing the set because we got angry at ourselves. It's one of them, it's like, when you're playing with the Foos you just have to do your best and have fun doing it. You've gotta absorb those moments. It's the stuff dreams are made of, really."
We press Han on what she means by saying they got upset at themselves.
"We're perfectionists, and we didn't play the best set we could play," Jim chimed in.
"We basically came off the back of our own headlining tour," Han continued, "and didn't have time to think about what we were gonna do for the Foo Fighters. We kind of did a stripped-back version of that, and then we realised we need to do something specific for this crowd and specific for the Foos."
In the full interview, Han and Jim talk about the magnitude of sharing a stage with Foo Fighters, having to shut that out and focus on the task at hand, playing their own headlining shows, the emotional difference between playing to tens of thousands with FF one night and then playing to a more intimate pub crowd the night after, what to expect from their shows, their debut album and how it was received, how they planned the album over three EPs and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>681australia,foofighters,hardrock,heavy,hotmilk,interview,krispeters,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/celebrating-the-year-metal-style-with-mick-brew-from-brewhouse-productions--57932718It makes sense that someone who is already in a band would also want to dip their toes into promotion and putting on shows themselves, but it's not as easy of a process as you would think.
Dealing with bands and booking for bands is another stress level of its own, and often the two - although seemingly perfect bedfellows - are too difficult to negotiate.
It takes a special kind of person with an honest and genuine love of music to successfully blend the two into a functioning unit, and even then the constant source of emails and phone calls can become too much of a burden.
One such person who has managed to combine both passions without completely losing his sanity (yet) is Brisbane guitarist for Dirty Brew and head of Brewhouse Productions, Mick Brew. Mick is a well-known and highly respected member of the local music scene and has been juggling his time and energy between both band and promotions for a number of years now. He has put on a consistently large number of successful shows and played at some of those and other big-name festivals, but his sights presently are firmly set on Brewhouse Production's annual end-of-year celebration of music to be held at The Back Room, Annerley on December 30.
Featuring Counterfeit Limp Bizkit Show, F.U.C., Krave, Snake Mountain, We The Hollow, Dirty Brew and others, the annual bash will house 20 bands over two stages in one afternoon/night of entertainment that celebrates everything that is good about Australian music.
HEAVY managed to track Mick down recently to chat about the event and the constant demands of the music industry.
"It's gonna be a big day," he smiled. "Doors are at 12 with the first band starting around one o'clock. I just need to finalise those set times this week. It should be good. There's already a fair few tickets sold and if it's anything like last year, we sold nearly 400 tickets, so hopefully we can do that again."
While many people call the annual event a New Years Eve Party, this year it will be held the night before New Years Eve on Saturday, December 30. It seems like a good idea to us, but we ask Mick why he isn't keeping it to the actual date of New Years Eve so people can remember more easily.
"To be honest, New Years Eve was on a Sunday and everyone has the Monday off or whatever, but last year when it was on the Saturday and the Monday was a holiday it just gives you those extra couple of days," he explained. "It's not so much a New Years Eve party anymore, it's more of an end-of-year party for everyone to tell the whole year to get fucked and start again."
In the full interview, Mick runs through a few of the bands playing and why he put them on the bill, where to get cheaper tickets from, how to help out bands by buying direct from them, the venue and why it is the perfect place for live music, the range of sponsors on the night, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57932718Fri, 08 Dec 2023 00:39:47 +0000HEAVY MagazineInterview by Kris Peters It makes sense that someone who is already in a band would also want to dip their toes into promotion and putting on shows themselves, but it's not as easy of a process as you would think. Dealing with bands and booking for...It makes sense that someone who is already in a band would also want to dip their toes into promotion and putting on shows themselves, but it's not as easy of a process as you would think.
Dealing with bands and booking for bands is another stress level of its own, and often the two - although seemingly perfect bedfellows - are too difficult to negotiate.
It takes a special kind of person with an honest and genuine love of music to successfully blend the two into a functioning unit, and even then the constant source of emails and phone calls can become too much of a burden.
One such person who has managed to combine both passions without completely losing his sanity (yet) is Brisbane guitarist for Dirty Brew and head of Brewhouse Productions, Mick Brew. Mick is a well-known and highly respected member of the local music scene and has been juggling his time and energy between both band and promotions for a number of years now. He has put on a consistently large number of successful shows and played at some of those and other big-name festivals, but his sights presently are firmly set on Brewhouse Production's annual end-of-year celebration of music to be held at The Back Room, Annerley on December 30.
Featuring Counterfeit Limp Bizkit Show, F.U.C., Krave, Snake Mountain, We The Hollow, Dirty Brew and others, the annual bash will house 20 bands over two stages in one afternoon/night of entertainment that celebrates everything that is good about Australian music.
HEAVY managed to track Mick down recently to chat about the event and the constant demands of the music industry.
"It's gonna be a big day," he smiled. "Doors are at 12 with the first band starting around one o'clock. I just need to finalise those set times this week. It should be good. There's already a fair few tickets sold and if it's anything like last year, we sold nearly 400 tickets, so hopefully we can do that again."
While many people call the annual event a New Years Eve Party, this year it will be held the night before New Years Eve on Saturday, December 30. It seems like a good idea to us, but we ask Mick why he isn't keeping it to the actual date of New Years Eve so people can remember more easily.
"To be honest, New Years Eve was on a Sunday and everyone has the Monday off or whatever, but last year when it was on the Saturday and the Monday was a holiday it just gives you those extra couple of days," he explained. "It's not so much a New Years Eve party anymore, it's more of an end-of-year party for everyone to tell the whole year to get fucked and start again."
In the full interview, Mick runs through a few of the bands playing and why he put them on the bill, where to get cheaper tickets from, how to help out bands by buying direct from them, the venue and why it is the perfect place for live music, the range of sponsors on the night, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>677australia,brewhouseproductions,counterfeitlimpbizkit,dirtybrew,fuc,hardrock,heavy,heavymetal,interview,krave,krispeters,mickbrew,podcast,rock,snakemountain,thebackroom,wethehollowtruefullhttps://www.spreaker.com/episode/musical-portraits-with-terrestrials--57928890The expectations placed on new and emerging bands in the modern era surpass any of those from eras gone by.
Not only is there the sheer abundance of new music being released on a daily basis, but there is also the proportionately high number of new bands forming at a rate never seen before.
Because of this, there is not only competition in the form of bands vying for their own slice of the market pool of listeners, but there is also the growing attitude of complacency when it comes to recycling familiar trends and genres while also striving to stand out and be heard.
Melbourne four-piece alternative rock outfit Terrestrials are just one of a plethora of bands starting on that long industry road to acceptance and success, but have done everything in their power to avoid being absorbed into a growing pack of fresh artists by choosing to diversify their sounds within the label so graciously applied to them.
While promoted as alternative rock, Terrestrials upcoming debut album Iridescent - to be released on December 8 - contains elements of many more styles and influences, creating, according to their press release, "intensely dark, melodic moods through subtle hints of prog rock and metal".
HEAVY caught up with vocalist Scotty, Bassist Lee and guitarist Adrian to find out more.
"Pretty pumped," Scotty enthused when we ask the boys how they are feeling about the album's release. "It's something that we have been working towards for a copious amount of time now. We were probably about a quarter of the way during all the pandemic stuff, and we were starting to get a bit of momentum happening up to that point. So it's been a bit of a journey, but I think it's that extra bit satisfying to get through having a little bit of resilience."
We ask the band to delve into the musical side of Iridescent a bit more.
"We did alot of songwriting over the years," Adrian began. "It's the best of, but it all fits together still. Quite a while ago Lee put together the song order, and we worked that into the album a bit with quite a few transitions. I wouldn't say the songs are that prog, but the album feels proggy."
"There's moments of prog," Scotty continued. "It's called alternative rock, but it sounds aesthetically… We dipped our toe in a few different genres, just to a touch to keep things interesting for us, and it seems to be accessible to people."
In the full interview, Terrestrials talk more about the direction of the album, what sorts of things they discussed going into their debut, the singles released and how they represent the album as a whole, the awesome video for Hollow Hands and where they came up with the idea, combining their influences in music, supporting Osaka Punch recently, their upcoming album launch show and more.




Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57928890Wed, 06 Dec 2023 23:05:51 +0000HEAVY MagazineInterview by Kris Peters The expectations placed on new and emerging bands in the modern era surpass any of those from eras gone by. Not only is there the sheer abundance of new music being released on a daily basis, but there is also the...The expectations placed on new and emerging bands in the modern era surpass any of those from eras gone by.
Not only is there the sheer abundance of new music being released on a daily basis, but there is also the proportionately high number of new bands forming at a rate never seen before.
Because of this, there is not only competition in the form of bands vying for their own slice of the market pool of listeners, but there is also the growing attitude of complacency when it comes to recycling familiar trends and genres while also striving to stand out and be heard.
Melbourne four-piece alternative rock outfit Terrestrials are just one of a plethora of bands starting on that long industry road to acceptance and success, but have done everything in their power to avoid being absorbed into a growing pack of fresh artists by choosing to diversify their sounds within the label so graciously applied to them.
While promoted as alternative rock, Terrestrials upcoming debut album Iridescent - to be released on December 8 - contains elements of many more styles and influences, creating, according to their press release, "intensely dark, melodic moods through subtle hints of prog rock and metal".
HEAVY caught up with vocalist Scotty, Bassist Lee and guitarist Adrian to find out more.
"Pretty pumped," Scotty enthused when we ask the boys how they are feeling about the album's release. "It's something that we have been working towards for a copious amount of time now. We were probably about a quarter of the way during all the pandemic stuff, and we were starting to get a bit of momentum happening up to that point. So it's been a bit of a journey, but I think it's that extra bit satisfying to get through having a little bit of resilience."
We ask the band to delve into the musical side of Iridescent a bit more.
"We did alot of songwriting over the years," Adrian began. "It's the best of, but it all fits together still. Quite a while ago Lee put together the song order, and we worked that into the album a bit with quite a few transitions. I wouldn't say the songs are that prog, but the album feels proggy."
"There's moments of prog," Scotty continued. "It's called alternative rock, but it sounds aesthetically… We dipped our toe in a few different genres, just to a touch to keep things interesting for us, and it seems to be accessible to people."
In the full interview, Terrestrials talk more about the direction of the album, what sorts of things they discussed going into their debut, the singles released and how they represent the album as a whole, the awesome video for Hollow Hands and where they came up with the idea, combining their influences in music, supporting Osaka Punch recently, their upcoming album launch show and more.




Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>895alternativerock,australia,heavy,heavymetal,interview,krispeters,podcast,rock,terrestrialstruefullhttps://www.spreaker.com/episode/left-of-centre-with-page-hamilton-from-helmet--57928535Helmet are a niche kind of band in that once you discover them you can't help but fall in love with their music.
The problem is, they are also not a band given much exposure in commercial channels, which makes the task of discovering them ultimately harder. But infinitely more rewarding.
Formed by Page Hamilton in 1989 - with Hamilton being the sole original member still in the band - Helmet have had a stop/start career, punctuated by a 6-year siesta from 1998 to 2004, but have consistently churned out high quality, and musically diverse albums.
While their popularity peaked with the 1992 album Meantime and 1994's Betty, Helmet have always maintained an ever-increasing fan base, due largely to the talent and vision of their enigmatic frontman.
Their latest album Left has been a long seven years in the making, with Hamilton taking time to chat to HEAVY about the final product.
We start by asking how the album has been received.
"Everybody tells me all the positive stuff," he smiled, "so as far as I know, positive (laughs). I don't read reviews and I don't pay attention. They send me emails saying you got this add and that add, and it's number 1 metal album in Australia on Spotify, and it all means next to nothing to me. My job's done as far as the album is concerned once it's released. Essentially, once it's mastered and the artworks done, and I pass it off to the label then I just have to learn the songs live and that's my job. I can't worry about the other stuff."
Having an established fan base often means certain expectations when it comes to new music, with Hamilton admitting it has been an issue in the past.
"I don't know about now, but I think early on with Helmet mark 2 everybody had expectations because the band had been gone for a while, and it wasn't the same rhythm section," he offered. "So, of course, we had expectations, but the first album was Size Matters in 2003 or 2004 when it came out after the hiatus - the band broke up in '98 - and I remember Decibel Magazine reviewed the album and a few years later they re-reviewed it, and they were like 'we were wrong about this one. It's a really great album, it just doesn't sound like Betty or Meantime'. You are always gonna come up against that. If you do an album that everybody holds in high esteem or a couple of albums, then people want that for the rest of their lives, I guess. But… I couldn't write the same song over and over again. It's just not in my DNA. I had a conversation… I sang and played on a Linkin Park song and Mike Shinoda said 'yeah man we made our first album and sold millions of records so we made our second album exactly the same' and I said yeah, my approach is different. I like to do the opposite. Some people are cool with it and some people are not cool with it."
In the full interview, Page talks more about Left, its musical direction, expectations following the success of their previous album Dead To The World in 2016 and runs through HEAVY's review of Left and gives his opinion on what we thought.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57928535Wed, 06 Dec 2023 13:41:36 +0000HEAVY MagazineInterview by Kris Peters Helmet are a niche kind of band in that once you discover them you can't help but fall in love with their music. The problem is, they are also not a band given much exposure in commercial channels, which makes the task of...Helmet are a niche kind of band in that once you discover them you can't help but fall in love with their music.
The problem is, they are also not a band given much exposure in commercial channels, which makes the task of discovering them ultimately harder. But infinitely more rewarding.
Formed by Page Hamilton in 1989 - with Hamilton being the sole original member still in the band - Helmet have had a stop/start career, punctuated by a 6-year siesta from 1998 to 2004, but have consistently churned out high quality, and musically diverse albums.
While their popularity peaked with the 1992 album Meantime and 1994's Betty, Helmet have always maintained an ever-increasing fan base, due largely to the talent and vision of their enigmatic frontman.
Their latest album Left has been a long seven years in the making, with Hamilton taking time to chat to HEAVY about the final product.
We start by asking how the album has been received.
"Everybody tells me all the positive stuff," he smiled, "so as far as I know, positive (laughs). I don't read reviews and I don't pay attention. They send me emails saying you got this add and that add, and it's number 1 metal album in Australia on Spotify, and it all means next to nothing to me. My job's done as far as the album is concerned once it's released. Essentially, once it's mastered and the artworks done, and I pass it off to the label then I just have to learn the songs live and that's my job. I can't worry about the other stuff."
Having an established fan base often means certain expectations when it comes to new music, with Hamilton admitting it has been an issue in the past.
"I don't know about now, but I think early on with Helmet mark 2 everybody had expectations because the band had been gone for a while, and it wasn't the same rhythm section," he offered. "So, of course, we had expectations, but the first album was Size Matters in 2003 or 2004 when it came out after the hiatus - the band broke up in '98 - and I remember Decibel Magazine reviewed the album and a few years later they re-reviewed it, and they were like 'we were wrong about this one. It's a really great album, it just doesn't sound like Betty or Meantime'. You are always gonna come up against that. If you do an album that everybody holds in high esteem or a couple of albums, then people want that for the rest of their lives, I guess. But… I couldn't write the same song over and over again. It's just not in my DNA. I had a conversation… I sang and played on a Linkin Park song and Mike Shinoda said 'yeah man we made our first album and sold millions of records so we made our second album exactly the same' and I said yeah, my approach is different. I like to do the opposite. Some people are cool with it and some people are not cool with it."
In the full interview, Page talks more about Left, its musical direction, expectations following the success of their previous album Dead To The World in 2016 and runs through HEAVY's review of Left and gives his opinion on what we thought.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1343album,hardrock,heavy,helmet,interview,krispeters,paigehamilton,podcast,rocktruefullhttps://www.spreaker.com/episode/finding-your-feet-with-ryan-daley-from-wayward-kings--57900217The music business can be an unforgiving mistress. Bands can - and do - give it everything they have, writing, recording and releasing high-quality material and developing an ever-growing fanbase yet still see minimal reward for effort.
But when the planets align and the wheel starts turning in your favour it can be a beautiful industry and one which suddenly starts giving.
After plying their trade without much overall success for the last couple of years, Newcastle rock outfit Wayward Kings were almost by chance introduced to Tim McLean-Smith from new Australian label XMusic and the rest, as they say, is history in the making.
The band released their new three-track EP Another Life Another Time last Friday, which, coupled with the recent signing, suddenly has the planets aligning in favour of Wayward Kings.
HEAVY caught up with frontman Ryan Daley to find out the full story.
"There's always gonna be a time when people are gonna judge you, or they're gonna hate it," he said matter-of-factly when asked how he was feeling about letting the EP free into the world. "I was talking to a mate the other day, and he said he didn't like ALAT, and that's awesome feedback. We're not out there to please everybody. Matt and I are pretty much the brains trust of Wayward Kings. We've played together and wrote together, and we come up with ALAT being a bit of a rock tune that's gotta be consumed on different levels, you know what I mean? I think it's good to have people in your corner that go it's shit mate, or it's fucken awesome, because they're the people that you really listen to. The more and more stuff we put out, the more people have a chance to have a negative feeling about it."
In the full interview, Ryan talks more about the EP musically, runs us through each of the three tracks individually, how Another Life Another Time differs to their last EP The B Sides, releasing EPs over albums, signing to XMusic and more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57900217Mon, 04 Dec 2023 02:38:14 +0000HEAVY MagazineInterview by Kris Peters The music business can be an unforgiving mistress. Bands can - and do - give it everything they have, writing, recording and releasing high-quality material and developing an ever-growing fanbase yet still see minimal reward...The music business can be an unforgiving mistress. Bands can - and do - give it everything they have, writing, recording and releasing high-quality material and developing an ever-growing fanbase yet still see minimal reward for effort.
But when the planets align and the wheel starts turning in your favour it can be a beautiful industry and one which suddenly starts giving.
After plying their trade without much overall success for the last couple of years, Newcastle rock outfit Wayward Kings were almost by chance introduced to Tim McLean-Smith from new Australian label XMusic and the rest, as they say, is history in the making.
The band released their new three-track EP Another Life Another Time last Friday, which, coupled with the recent signing, suddenly has the planets aligning in favour of Wayward Kings.
HEAVY caught up with frontman Ryan Daley to find out the full story.
"There's always gonna be a time when people are gonna judge you, or they're gonna hate it," he said matter-of-factly when asked how he was feeling about letting the EP free into the world. "I was talking to a mate the other day, and he said he didn't like ALAT, and that's awesome feedback. We're not out there to please everybody. Matt and I are pretty much the brains trust of Wayward Kings. We've played together and wrote together, and we come up with ALAT being a bit of a rock tune that's gotta be consumed on different levels, you know what I mean? I think it's good to have people in your corner that go it's shit mate, or it's fucken awesome, because they're the people that you really listen to. The more and more stuff we put out, the more people have a chance to have a negative feeling about it."
In the full interview, Ryan talks more about the EP musically, runs us through each of the three tracks individually, how Another Life Another Time differs to their last EP The B Sides, releasing EPs over albums, signing to XMusic and more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>774aussierock,hardrock,heavy,interview,krispeters,music,podcast,rock,waywardkings,xmusictruefullhttps://www.spreaker.com/episode/prepare-to-be-baptised-with-marc-lopes-from-metal-church--57900210Much has changed with Metal Church since their last visit to Australian shores. The most notable, and tragic of which being the loss of legendary frontman Mike Howe in 2021.
Having pressed on to honour the memory of their former bandmate, Metal Church earlier this year released their first album with new vocalist Marc Lopes titled Congregation of Annihilation, in the process ushering in a new era and paying the ultimate respect to their future by harking back to the music that first saw Metal Church rise to prominence.
With the band kicking off their Australian tour in Melbourne on December 14, HEAVY sat down with Lopes to run through the album and his debut recording with Metal Church.
"I'm ready," he smiled. "Ready to go. We just came off the road from doing a bunch of dates here in the States, so we're all ready to go again. We're doing - I call it a warm-up show - but we're doing a show a couple of days before we go to Australia here in California to get the pumps rolling again."
It will be the first visit to these shores since 2019 so we question Lopes on what - aside from his position in the band - has changed with Metal Church since that tour.
"The set list is tremendously different," he offered. "It's pretty heavy on the first few albums and our new album. We're having a really good time and there's a lot of energy. Anybody that's seen me play live with Ross The Boss or anything knows that I am pretty much a hypermaniac (laughs). That hasn't changed."
In the full interview, Marc talks more about what to expect from the run of shows, the reception to the new album, how it returns to the band's roots, if that was a conscious direction, how it ushers in the new era of Metal Church, his transition into the band, any difficulties he faced making the album, what lessons he will carry into the next one and more.
Tickets And Info: www.hardlinemedia.net



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57900210Mon, 04 Dec 2023 02:35:32 +0000HEAVY MagazineInterview by Kris Peters Much has changed with Metal Church since their last visit to Australian shores. The most notable, and tragic of which being the loss of legendary frontman Mike Howe in 2021. Having pressed on to honour the memory of their...Much has changed with Metal Church since their last visit to Australian shores. The most notable, and tragic of which being the loss of legendary frontman Mike Howe in 2021.
Having pressed on to honour the memory of their former bandmate, Metal Church earlier this year released their first album with new vocalist Marc Lopes titled Congregation of Annihilation, in the process ushering in a new era and paying the ultimate respect to their future by harking back to the music that first saw Metal Church rise to prominence.
With the band kicking off their Australian tour in Melbourne on December 14, HEAVY sat down with Lopes to run through the album and his debut recording with Metal Church.
"I'm ready," he smiled. "Ready to go. We just came off the road from doing a bunch of dates here in the States, so we're all ready to go again. We're doing - I call it a warm-up show - but we're doing a show a couple of days before we go to Australia here in California to get the pumps rolling again."
It will be the first visit to these shores since 2019 so we question Lopes on what - aside from his position in the band - has changed with Metal Church since that tour.
"The set list is tremendously different," he offered. "It's pretty heavy on the first few albums and our new album. We're having a really good time and there's a lot of energy. Anybody that's seen me play live with Ross The Boss or anything knows that I am pretty much a hypermaniac (laughs). That hasn't changed."
In the full interview, Marc talks more about what to expect from the run of shows, the reception to the new album, how it returns to the band's roots, if that was a conscious direction, how it ushers in the new era of Metal Church, his transition into the band, any difficulties he faced making the album, what lessons he will carry into the next one and more.
Tickets And Info: www.hardlinemedia.net



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>849australia,heavy,heavymetal,interview,krispeters,metalchurch,music,podcast,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/backstage-at-good-things-2023-with-enter-shikari--57900198After the tables were turned during the COVID pandemic, Enter Shikari found themselves floundering without their reliable support network, at a creative loss with seemingly no resolution. Rather than allowing the state of the world to defeat them, the band took an introspective look at themselves and what was important to them, with the resulting album A Kiss For The Whole World - released earlier this year - reaffirming not only their passion for music but also their unyielding love affair with their fans.
As is normally the case following a successful album release, Enter Shikari have been taking to the stage consistently ever since, with the juggernaut finally returning to Australia for the just completed Good Things 2023 Festival.
Simon and Kyra from HEAVY were on hand backstage to chat with the band after the final set of their run of three festival shows in Brisbane.
NOTE: due to interviews being conducted backstage at a music festival some audio might be affected


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57900198Mon, 04 Dec 2023 02:31:54 +0000HEAVY MagazineEnter Shikari have been a household name for almost two decades now, their unique blending of genres endearing them to a disenfranchised world starving for change. After the tables were turned during the COVID pandemic, Enter Shikari found themselves...After the tables were turned during the COVID pandemic, Enter Shikari found themselves floundering without their reliable support network, at a creative loss with seemingly no resolution. Rather than allowing the state of the world to defeat them, the band took an introspective look at themselves and what was important to them, with the resulting album A Kiss For The Whole World - released earlier this year - reaffirming not only their passion for music but also their unyielding love affair with their fans.
As is normally the case following a successful album release, Enter Shikari have been taking to the stage consistently ever since, with the juggernaut finally returning to Australia for the just completed Good Things 2023 Festival.
Simon and Kyra from HEAVY were on hand backstage to chat with the band after the final set of their run of three festival shows in Brisbane.
NOTE: due to interviews being conducted backstage at a music festival some audio might be affected


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>552backstage,edm,entershikari,festival,goodthingsfestival,hardrock,heavy,heavymetal,interview,podcast,punktruefullhttps://www.spreaker.com/episode/backstage-at-good-things-2023-with-jay-from-frenzal-rhomb--57900128For more than 30 years now, Australia's masters of punk and ska have gone about their business unchecked, churning out consistently high-quality albums with tongue more than firmly planted in cheek.
The lyrics - while relatively easy to digest - are also cutting, honest, raw and delivered with the spite of a rattlesnake yet still Frenzal Rhomb can seemingly do no wrong.
After appearing at nearly every known Australian music festival in recent times, the Frenzal train was finally docked at an International festival in the form of Good Things 2023, and despite drawing the short straw and having to play at the same time as Limp Bizkit, still managed to draw plenty of punters to their corner of the arena over the three shows.
Kris and Simon from HEAVY managed to catch frontman Jason Whalley not long before the third and final show, and he was in typically laconic form.
NOTE - due to interviews being conducted backstage at a music festival the audio may not be 100% crisp at times


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57900128Mon, 04 Dec 2023 02:21:04 +0000HEAVY MagazineFrenzal Rhomb are as reliable as Grandma's recipe for scones, and probably twice as durable. For more than 30 years now, Australia's masters of punk and ska have gone about their business unchecked, churning out consistently high-quality albums with...For more than 30 years now, Australia's masters of punk and ska have gone about their business unchecked, churning out consistently high-quality albums with tongue more than firmly planted in cheek.
The lyrics - while relatively easy to digest - are also cutting, honest, raw and delivered with the spite of a rattlesnake yet still Frenzal Rhomb can seemingly do no wrong.
After appearing at nearly every known Australian music festival in recent times, the Frenzal train was finally docked at an International festival in the form of Good Things 2023, and despite drawing the short straw and having to play at the same time as Limp Bizkit, still managed to draw plenty of punters to their corner of the arena over the three shows.
Kris and Simon from HEAVY managed to catch frontman Jason Whalley not long before the third and final show, and he was in typically laconic form.
NOTE - due to interviews being conducted backstage at a music festival the audio may not be 100% crisp at times


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>901backstage,festival,frenzalrhomb,goodthingsfestival,heavy,interview,jasonwhalley,podcast,punk,rock,skatruefullhttps://www.spreaker.com/episode/backstage-at-good-things-2023-with-orion-from-behemoth--57900094Even those that claim to be all about the metal generally stop short of having a bona fide, skull-shattering musical representative grace their stages. It happens that often that many have stopped even commenting on the fact, but the diehards have always been watching, waiting and listening.
Those faithful few were rewarded this year when Behemoth were announced to play at Good Things 2023.
They were by far the heaviest band on the line-up, and also one who generated a lions share of interest. How did they fare? Were fans finally satisfied?
Simon from HEAVY caught up with bass player Tomasz "Orion" Wróblewski at the final show in Brisbane to find out.
Just remember, this is an interview recorded live backstage so sound quality may vary...


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57900094Mon, 04 Dec 2023 02:08:10 +0000HEAVY MagazineFor far too long, heavy metal on the heavier side of the spectrum has been overlooked at music festivals in this country. Even those that claim to be all about the metal generally stop short of having a bona fide, skull-shattering musical...Even those that claim to be all about the metal generally stop short of having a bona fide, skull-shattering musical representative grace their stages. It happens that often that many have stopped even commenting on the fact, but the diehards have always been watching, waiting and listening.
Those faithful few were rewarded this year when Behemoth were announced to play at Good Things 2023.
They were by far the heaviest band on the line-up, and also one who generated a lions share of interest. How did they fare? Were fans finally satisfied?
Simon from HEAVY caught up with bass player Tomasz "Orion" Wróblewski at the final show in Brisbane to find out.
Just remember, this is an interview recorded live backstage so sound quality may vary...


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>415backstage,behemoth,festival,goodthings2023,heavy,heavymetal,interview,music,podcasttruefullhttps://www.spreaker.com/episode/rising-darkness-with-buried-shallow--57779976Seldom does a fresh band on the scene command instant respect by virtue of past exploits. Music, as with most things in life of value, is more than having the ability to shred on a guitar or crush with your vocal techniques. It requires a certain level of respect and humility that are almost impossible to possess unless you have given your heart and soul to the cause over a prolonged period of time.
Which is just the advantage Buried Shallow had when they burst onto the Perth metal scene in late 2022, armed with not only a devastatingly brutal bag of music, but also the right levels of attitude to command instant respect.
Wasting no time with pleasantries, Buried Shallow plowed straight into battle, supporting up-and-coming metal outfits Nicolas Cage Fighter and Xenobiotic and drawing more people into their sonic army with every show.
Following the mantra of strike while the iron is hot, Buried Shallow are releasing their debut, self-titled EP on December 1, with all five members taking time to chat about it with HEAVY.
Things got off to the rockiest start possible when one of the members greeted the call wearing a Carlton jersey before things took a turn even further South when another of the band left from sight and returned wearing the colours of Port Adelaide.
Resisting the overwhelming urge to call time before things had even started, I pressed on reluctantly. All in the name of metal, of course.
We covered a wide range of topics, including how it feels to finally set the music free into the world, what they were going for musically, the dark subject matter explored in the lyrics, naming the EP after themselves and the expectations that come with it plus we get each member to run us through one of the five songs on the EP and explain the story behind it.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57779976Fri, 01 Dec 2023 04:26:46 +0000HEAVY MagazineInterview by Kris Peters Seldom does a fresh band on the scene command instant respect by virtue of past exploits. Music, as with most things in life of value, is more than having the ability to shred on a guitar or crush with your vocal techniques....Seldom does a fresh band on the scene command instant respect by virtue of past exploits. Music, as with most things in life of value, is more than having the ability to shred on a guitar or crush with your vocal techniques. It requires a certain level of respect and humility that are almost impossible to possess unless you have given your heart and soul to the cause over a prolonged period of time.
Which is just the advantage Buried Shallow had when they burst onto the Perth metal scene in late 2022, armed with not only a devastatingly brutal bag of music, but also the right levels of attitude to command instant respect.
Wasting no time with pleasantries, Buried Shallow plowed straight into battle, supporting up-and-coming metal outfits Nicolas Cage Fighter and Xenobiotic and drawing more people into their sonic army with every show.
Following the mantra of strike while the iron is hot, Buried Shallow are releasing their debut, self-titled EP on December 1, with all five members taking time to chat about it with HEAVY.
Things got off to the rockiest start possible when one of the members greeted the call wearing a Carlton jersey before things took a turn even further South when another of the band left from sight and returned wearing the colours of Port Adelaide.
Resisting the overwhelming urge to call time before things had even started, I pressed on reluctantly. All in the name of metal, of course.
We covered a wide range of topics, including how it feels to finally set the music free into the world, what they were going for musically, the dark subject matter explored in the lyrics, naming the EP after themselves and the expectations that come with it plus we get each member to run us through one of the five songs on the EP and explain the story behind it.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1550aussiemetal,buriedshallow,heavy,heavymetal,interview,krispeters,podcasttruefullhttps://www.spreaker.com/episode/putting-the-fun-back-in-punk-with-fletcher-from-pennywise--57772972Punk royalty hits Australia next week when Californian punk legends Pennywise return to our shores as part of Good Things 2023.
The lovable larrikins were only out here for a massive headlining run of shows last year, but such is the demand for their musical prowess and undeniable charm the good folk at Good Things have spun their plane straight back around and pointed it back in this direction.
Pennywise will be joining Fall Out Boy, Limp Bizkit, Devo, Corey Taylor, Bullet For My Valentine, Behemoth, Sepultura, Enter Shikari, Frenzal Rhomb and more for a run of three shows through Melbourne, Sydney and Brisbane, with lead singer Fletcher telling HEAVY in a recent interview that the band is frothing at the bung to get back out here and play.
Given their almost four decades of service to the Gods of Punk it is almost a given that Pennywise have played with pretty much every band on the planet at some stage of their careers, but that doesn't dampen Fletcher's spirit when it comes to festival gigs.
"I don't know the whole line-up, but I know there's a couple of Aussie bands that I haven't heard of but people said I should check out," he said. "I think we've done Bullet For My Valentine before. Devo… we've played so many big festivals that we've probably played with every single band (laughs) but we just haven't seen them. Darren Hawthorn is our guy over there and our usual tour manager, and he actually works for Good Things on the production side so he'll have our list of dos. He will be like 'you're going to watch this band today, let's go'. And we'll grab a couple of beers, and we'll go check it out. We'll be making the rounds for sure. Obviously, Devo is one of the bands that turned my life around and got me into punk rock, so I'll be checking them out as much as possible. And Limp Bizkit as well. I'm a fan. I know a lot of people wanna hate them, but we toured with them on the Warped Tour when they were tiny and there was 300 people wathing them play, and I liked it. I liked it from the get go. It's hard, it's heavy. Yeah, it can get kind of goofy at times, obviously, but they're all cool guys and have always been good to us, so I will definitely check out some Limp Bizkit. Fall Out Boy is another band. Not my real go-to cup of tea if you must know the truth, but great songwriters with a good live show. We'll be making the rounds. It's gonna be a great tour. I like the diversity."
In the full interview, Fletcher tells us what it's like backstage at shows like this, catching up with old friends you might not have seen for a while, their sideshows and how they will differ from the festival appearances, the early days of the band and where they fit in, what makes the Californian punk scene so special and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57772972Mon, 27 Nov 2023 09:28:12 +0000HEAVY MagazineInterview by Kris Peters Punk royalty hits Australia next week when Californian punk legends Pennywise return to our shores as part of Good Things 2023. The lovable larrikins were only out here for a massive headlining run of shows last year, but such...Punk royalty hits Australia next week when Californian punk legends Pennywise return to our shores as part of Good Things 2023.
The lovable larrikins were only out here for a massive headlining run of shows last year, but such is the demand for their musical prowess and undeniable charm the good folk at Good Things have spun their plane straight back around and pointed it back in this direction.
Pennywise will be joining Fall Out Boy, Limp Bizkit, Devo, Corey Taylor, Bullet For My Valentine, Behemoth, Sepultura, Enter Shikari, Frenzal Rhomb and more for a run of three shows through Melbourne, Sydney and Brisbane, with lead singer Fletcher telling HEAVY in a recent interview that the band is frothing at the bung to get back out here and play.
Given their almost four decades of service to the Gods of Punk it is almost a given that Pennywise have played with pretty much every band on the planet at some stage of their careers, but that doesn't dampen Fletcher's spirit when it comes to festival gigs.
"I don't know the whole line-up, but I know there's a couple of Aussie bands that I haven't heard of but people said I should check out," he said. "I think we've done Bullet For My Valentine before. Devo… we've played so many big festivals that we've probably played with every single band (laughs) but we just haven't seen them. Darren Hawthorn is our guy over there and our usual tour manager, and he actually works for Good Things on the production side so he'll have our list of dos. He will be like 'you're going to watch this band today, let's go'. And we'll grab a couple of beers, and we'll go check it out. We'll be making the rounds for sure. Obviously, Devo is one of the bands that turned my life around and got me into punk rock, so I'll be checking them out as much as possible. And Limp Bizkit as well. I'm a fan. I know a lot of people wanna hate them, but we toured with them on the Warped Tour when they were tiny and there was 300 people wathing them play, and I liked it. I liked it from the get go. It's hard, it's heavy. Yeah, it can get kind of goofy at times, obviously, but they're all cool guys and have always been good to us, so I will definitely check out some Limp Bizkit. Fall Out Boy is another band. Not my real go-to cup of tea if you must know the truth, but great songwriters with a good live show. We'll be making the rounds. It's gonna be a great tour. I like the diversity."
In the full interview, Fletcher tells us what it's like backstage at shows like this, catching up with old friends you might not have seen for a while, their sideshows and how they will differ from the festival appearances, the early days of the band and where they fit in, what makes the Californian punk scene so special and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>826australia,behemoth,coreytaylor,falloutboy,festival,goodthings2023,heavy,heavymetal,interview,krispeters,limpbizkit,pennywise,podcast,punk,sepulturatruefullhttps://www.spreaker.com/episode/let-the-good-things-roll-with-andreas-kisser-from-sepultura--57751828Good Things 2023 will be underway next week, with the annual music extravaganza kicking off next Friday, December 1 in Melbourne before hitting Sydney and Brisbane over the following two days.
Every year the Good Things line-up manages to top itself, with this year's show being no exception.
Headlined by Fall Out Boy and Limp Bizkit, Good Things also welcomes Corey Taylor, Devo, Enter Shikari, Hanabie, Bullet For My Valentine, Behemoth and plenty more, covering a wide range of genres and tastes.
But, without an abundance of heavy metal, where would ANY festival be? And this year organisers have secured the talents of one of the best in the business with Sepultura making the trek from Brazil.
HEAVY sat down with guitarist Andreas Kisser earlier this week to find out what Sepultura have planned for their visit.
"I'm excited," he said, a massive smile running across his face. "It's been since 2018 we don't come back to Australia. The lockdown delayed everything by two years, and now we finally have this chance to play our new album, not only at the festival which is amazing with a very diverse line-up, but also our sideshows where we can play a longer setlist with more songs. It's gonna be a great way to close this amazing year for us. It's fantastic."
We ask Kisser what the general feeling is backstage at big shows like this, with many bands catching up with each other after prolonged periods of time.
"That's one of the best things about festivals," he smiled again. "It's not only the bands, but crew people that we know around the world and friends that we made in Australia that are following Sepultura for so many years. It's a great atmosphere. Who knows, some collaborations may happen and ideas and stuff. It's great. It's very fertile (laughs). It's a great situation to know people and to meet your idols."
With Sepultura doing sideshows starting in Fremantle on November 26, we ask Kisser what fans at these shows might get that the band might not be able to explore fully at the festival appearances.
"At the festival shows we have a shorter time," he offered, "around 40 to 45 minutes or something like that. For the sideshows we have our own headline show, so we can play our complete show the way we are presenting everywhere in the world. So we have a little more time to play newer and older songs. It's gonna be a more complete setlist for the fans, but on the festival we are going to represent of course the whole history. We're gonna play new songs and a few classics (laughs). It's gonna be very well represented of what Sepultura is all about. We're very accustomed to doing that, especially in Europe. When we do the festival run we have all types of different set times and stuff, so we're accustomed to building… we have kind of like a spine of the setlist that we are changing according to our limitations, but we're prepared. It's gonna be a beautiful celebration."
In the full interview, Andreas talks more about what to expect, what has changed with Sepultura since they were last here in 2018, his entry into Sepultura and how it came about, how their sound has changed over the years, changing with the music industry and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57751828Fri, 24 Nov 2023 02:35:33 +0000HEAVY MagazineInterview by Kris Peters Good Things 2023 will be underway next week, with the annual music extravaganza kicking off next Friday, December 1 in Melbourne before hitting Sydney and Brisbane over the following two days. Every year the Good Things...Good Things 2023 will be underway next week, with the annual music extravaganza kicking off next Friday, December 1 in Melbourne before hitting Sydney and Brisbane over the following two days.
Every year the Good Things line-up manages to top itself, with this year's show being no exception.
Headlined by Fall Out Boy and Limp Bizkit, Good Things also welcomes Corey Taylor, Devo, Enter Shikari, Hanabie, Bullet For My Valentine, Behemoth and plenty more, covering a wide range of genres and tastes.
But, without an abundance of heavy metal, where would ANY festival be? And this year organisers have secured the talents of one of the best in the business with Sepultura making the trek from Brazil.
HEAVY sat down with guitarist Andreas Kisser earlier this week to find out what Sepultura have planned for their visit.
"I'm excited," he said, a massive smile running across his face. "It's been since 2018 we don't come back to Australia. The lockdown delayed everything by two years, and now we finally have this chance to play our new album, not only at the festival which is amazing with a very diverse line-up, but also our sideshows where we can play a longer setlist with more songs. It's gonna be a great way to close this amazing year for us. It's fantastic."
We ask Kisser what the general feeling is backstage at big shows like this, with many bands catching up with each other after prolonged periods of time.
"That's one of the best things about festivals," he smiled again. "It's not only the bands, but crew people that we know around the world and friends that we made in Australia that are following Sepultura for so many years. It's a great atmosphere. Who knows, some collaborations may happen and ideas and stuff. It's great. It's very fertile (laughs). It's a great situation to know people and to meet your idols."
With Sepultura doing sideshows starting in Fremantle on November 26, we ask Kisser what fans at these shows might get that the band might not be able to explore fully at the festival appearances.
"At the festival shows we have a shorter time," he offered, "around 40 to 45 minutes or something like that. For the sideshows we have our own headline show, so we can play our complete show the way we are presenting everywhere in the world. So we have a little more time to play newer and older songs. It's gonna be a more complete setlist for the fans, but on the festival we are going to represent of course the whole history. We're gonna play new songs and a few classics (laughs). It's gonna be very well represented of what Sepultura is all about. We're very accustomed to doing that, especially in Europe. When we do the festival run we have all types of different set times and stuff, so we're accustomed to building… we have kind of like a spine of the setlist that we are changing according to our limitations, but we're prepared. It's gonna be a beautiful celebration."
In the full interview, Andreas talks more about what to expect, what has changed with Sepultura since they were last here in 2018, his entry into Sepultura and how it came about, how their sound has changed over the years, changing with the music industry and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>812andreaskisser,australia,behemoth,bulletformyvalentine,coreytaylor,goodthingsfestival,hardrock,heavy,heavymetal,interview,krispeters,limpbizkit,podcast,sepultura,tourfalsefullhttps://www.spreaker.com/episode/putting-yourself-through-hell-with-aaran-loz-from-while-she-sleeps--57767472While She Sleeps are just one of the many massive bands that are included in the lineup for this year’s Good Things Festival. As such they will be on Aussie soil as of November 30, kicking off their stint here with a headlining show in Melbourne.
HEAVY had the pleasure of chatting with bassist Aaran and vocalist Loz about their impending trip over here, as well as the release of their sixth studio album, Self Hell, which is dropping on March 15, 2024.
The boys eagerly told HEAVY that they’re keen to escape the UK climate and enjoy some Aussie sunshine and that they will likely be taking the opportunity to get amongst it at Good Things and enjoy some of their favourite bands.
We also discussed the new album and the direction their music is taking.
“I think it feels like a natural progression, but also we’re trying to do something fresh for our fans,” Aaran explains. “We like to keep our fan base on its toes in terms of knowing what to expect from a new record from us. We’ve said it many times, but we don’t want to be a band that finds our sound then just sits in it.”
Listen to the full interview to get the low down on the upcoming album, Self Hell, as well as what to expect when While She Sleeps is in Australia.
The band will be performing at all three Good Things dates, as well as playing side shows on November 30 at Stay Gold in Melbourne and December 5 at The Brightside in Brisbane.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57767472Wed, 22 Nov 2023 16:35:06 +0000HEAVY MagazineInterview by Erin Eddy While She Sleeps are just one of the many massive bands that are included in the lineup for this year’s Good Things Festival. As such they will be on Aussie soil as of November 30, kicking off their stint here with a headlining...While She Sleeps are just one of the many massive bands that are included in the lineup for this year’s Good Things Festival. As such they will be on Aussie soil as of November 30, kicking off their stint here with a headlining show in Melbourne.
HEAVY had the pleasure of chatting with bassist Aaran and vocalist Loz about their impending trip over here, as well as the release of their sixth studio album, Self Hell, which is dropping on March 15, 2024.
The boys eagerly told HEAVY that they’re keen to escape the UK climate and enjoy some Aussie sunshine and that they will likely be taking the opportunity to get amongst it at Good Things and enjoy some of their favourite bands.
We also discussed the new album and the direction their music is taking.
“I think it feels like a natural progression, but also we’re trying to do something fresh for our fans,” Aaran explains. “We like to keep our fan base on its toes in terms of knowing what to expect from a new record from us. We’ve said it many times, but we don’t want to be a band that finds our sound then just sits in it.”
Listen to the full interview to get the low down on the upcoming album, Self Hell, as well as what to expect when While She Sleeps is in Australia.
The band will be performing at all three Good Things dates, as well as playing side shows on November 30 at Stay Gold in Melbourne and December 5 at The Brightside in Brisbane.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1355australia,erineddy,goodthingsfestival,heavy,heavymetal,interview,metalcore,podcast,whileshesleepstruefullhttps://www.spreaker.com/episode/tearing-down-the-system-with-tim-henwood-from-palace-of-the-king--57761925One thing that has always typified Australian music is the internal support system encouraged by those within it.
Band members often share their talents amongst two, three, or sometimes four other bands, with his fellow bandmates offering words of encouragement and respect rather than bemoan the fact their guitarist, or their drummer is not exclusively a part of their musical gang for want of a better word.
Of course, there are always exceptions to the rule, but as a whole Australian music is made up of and populated by like-minded musicians who just want to play.
Aussie rock outfit Palace Of The King is no exception, sharing its members with other bands such as Jon Stevens, The Screaming Jets and The Superjesus, an outside collective that adds nothing but starch to the Kings when all return to the fold.
The proof of that is in the band's latest single Tear It Down, a high-energy rock track done only as Australian rockers can. The song is lifted from Palace Of The King's upcoming album Friends In Low Places, which will be released via Reckless Records next month.
HEAVY sat down recently with vocalist Tim Henwood to find out more. We start by asking how Tear It Down has been received.
"It's been great," he beamed. "Because it's quite a full-on written song. I don't know if you've noticed, but we've been putting a new song out pretty much every eight weeks for months now, and I've been trying to mix it up. The last one was a bit more of a cruisy Americana, Black Crowes kind of thing and this one's much more fast, risky, kind of 70s-tinged Queens Of The Stone Age type of thing. I've been trying new stuff, so every time I put a new post up saying here's a new single fans of the band have piped up and said 'I wasn't expecting this', so I gave them a bit of a banger.
In the full interview, Tim talks more about Tear It Down and what the song is about, how it sonically represents the new album, the overall direction of Friends In Low Places, producing and recording his own music and the pros and cons involved, a brief history of the band, the album launch tour and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57761925Wed, 22 Nov 2023 10:33:35 +0000HEAVY MagazineInterview by Kris Peters One thing that has always typified Australian music is the internal support system encouraged by those within it. Band members often share their talents amongst two, three, or sometimes four other bands, with his fellow...One thing that has always typified Australian music is the internal support system encouraged by those within it.
Band members often share their talents amongst two, three, or sometimes four other bands, with his fellow bandmates offering words of encouragement and respect rather than bemoan the fact their guitarist, or their drummer is not exclusively a part of their musical gang for want of a better word.
Of course, there are always exceptions to the rule, but as a whole Australian music is made up of and populated by like-minded musicians who just want to play.
Aussie rock outfit Palace Of The King is no exception, sharing its members with other bands such as Jon Stevens, The Screaming Jets and The Superjesus, an outside collective that adds nothing but starch to the Kings when all return to the fold.
The proof of that is in the band's latest single Tear It Down, a high-energy rock track done only as Australian rockers can. The song is lifted from Palace Of The King's upcoming album Friends In Low Places, which will be released via Reckless Records next month.
HEAVY sat down recently with vocalist Tim Henwood to find out more. We start by asking how Tear It Down has been received.
"It's been great," he beamed. "Because it's quite a full-on written song. I don't know if you've noticed, but we've been putting a new song out pretty much every eight weeks for months now, and I've been trying to mix it up. The last one was a bit more of a cruisy Americana, Black Crowes kind of thing and this one's much more fast, risky, kind of 70s-tinged Queens Of The Stone Age type of thing. I've been trying new stuff, so every time I put a new post up saying here's a new single fans of the band have piped up and said 'I wasn't expecting this', so I gave them a bit of a banger.
In the full interview, Tim talks more about Tear It Down and what the song is about, how it sonically represents the new album, the overall direction of Friends In Low Places, producing and recording his own music and the pros and cons involved, a brief history of the band, the album launch tour and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>905aussierock,australia,hardrock,heavy,interview,krispeters,palaceoftheking,podcast,recklessrecords,rock,timhenwoodfalsefullhttps://www.spreaker.com/episode/life-as-a-choirboy-with-mark-gable--57757006One song can tell a dozen stories and stir even more memories, but there's only so much that can be told in a four-minute window.
The real stories, the ones that were happening while the public story was being written, generally remain in the hearts and minds of only those directly involved - and usually with good reason.
But now, in an unprecedented move and one which would have possibly drawn consternation a mere 15 or so years ago, Aussie rock legends Choirboys are opening the vault of secrecy with a stunning new live performance combining music and tales.
Forming in 1978, Choirboys rose to prominence on the back of songs such as Run To Paradise, Boys Will Be Boys and Struggle Town, songs that reflected their surroundings told in an uncompromising and honest fashion to great effect.
They remain the honest toilers of the Australian music scene, traveling far and wide to play a show with their humour intact and their passion for music unwavering.
So it is fitting that a band like Choirboys have elected to tell their story through a mixing of live songs and behind the scenes stories titled Run To Paradise, The Stories Of Australian Rock & Roll. It is a live-action event unlike any seen before in this country as told by frontman and one of the most down-to-earth guys in the business, Mark Gable.
Gable joined HEAVY recently to chat about the show and life as a Choirboy. We started by pointing out the sheer magnitude of touring the band has committed to over the next 12 months.
"I think considering the condition of the Australian music industry at the moment and how I feel about doing pubs and all the rest of it…," he trailed off, "and it was Tim Freedman I spoke to at the ARIA Awards and I went 'Tim, you've inspired me' and he said how come, and I said you know, Blow Up The Pokies because I just don't wanna do pubs anymore because all they do is have people go in and gamble. Of course, Blow Up The Pokies was about The Whitlams bass player who ended his own life because he gambled, and he couldn't deal with it anymore, and that's why the song was written. Tim goes, 'that's a bit extreme isn't it Mark?' (laughs). I was just thinking, I'd rather do interesting things, so hence we're doing lots of festivals. And the theatre show is part and parcel of that because… I think rather than just re-iterate the same old, same old, I would rather make it interesting, and the theatre shows are the beginning of that. The stories and the stuff that we've seen on the road and the stuff that's happened - the legendary stuff - I talk about that in the theatre show and also celebrate the music that we've seen which still exists, but a lot of the bands have come and gone. It's a different world out there now so we have to celebrate the way it was. Actually, I'm enjoying the new world; the internet world of new Australian bands who are breaking all over the world because of what we have now."
In the full interview, Mark talks more about the theatre show and what to expect, how Choirboys have survived so many years in the industry, using other people's music to tell a story, the early days of the band and their initial vision, having to research and relive old memories and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57757006Wed, 22 Nov 2023 00:37:35 +0000HEAVY MagazineInterview by Kris Peters One song can tell a dozen stories and stir even more memories, but there's only so much that can be told in a four-minute window. The real stories, the ones that were happening while the public story was being written,...One song can tell a dozen stories and stir even more memories, but there's only so much that can be told in a four-minute window.
The real stories, the ones that were happening while the public story was being written, generally remain in the hearts and minds of only those directly involved - and usually with good reason.
But now, in an unprecedented move and one which would have possibly drawn consternation a mere 15 or so years ago, Aussie rock legends Choirboys are opening the vault of secrecy with a stunning new live performance combining music and tales.
Forming in 1978, Choirboys rose to prominence on the back of songs such as Run To Paradise, Boys Will Be Boys and Struggle Town, songs that reflected their surroundings told in an uncompromising and honest fashion to great effect.
They remain the honest toilers of the Australian music scene, traveling far and wide to play a show with their humour intact and their passion for music unwavering.
So it is fitting that a band like Choirboys have elected to tell their story through a mixing of live songs and behind the scenes stories titled Run To Paradise, The Stories Of Australian Rock & Roll. It is a live-action event unlike any seen before in this country as told by frontman and one of the most down-to-earth guys in the business, Mark Gable.
Gable joined HEAVY recently to chat about the show and life as a Choirboy. We started by pointing out the sheer magnitude of touring the band has committed to over the next 12 months.
"I think considering the condition of the Australian music industry at the moment and how I feel about doing pubs and all the rest of it…," he trailed off, "and it was Tim Freedman I spoke to at the ARIA Awards and I went 'Tim, you've inspired me' and he said how come, and I said you know, Blow Up The Pokies because I just don't wanna do pubs anymore because all they do is have people go in and gamble. Of course, Blow Up The Pokies was about The Whitlams bass player who ended his own life because he gambled, and he couldn't deal with it anymore, and that's why the song was written. Tim goes, 'that's a bit extreme isn't it Mark?' (laughs). I was just thinking, I'd rather do interesting things, so hence we're doing lots of festivals. And the theatre show is part and parcel of that because… I think rather than just re-iterate the same old, same old, I would rather make it interesting, and the theatre shows are the beginning of that. The stories and the stuff that we've seen on the road and the stuff that's happened - the legendary stuff - I talk about that in the theatre show and also celebrate the music that we've seen which still exists, but a lot of the bands have come and gone. It's a different world out there now so we have to celebrate the way it was. Actually, I'm enjoying the new world; the internet world of new Australian bands who are breaking all over the world because of what we have now."
In the full interview, Mark talks more about the theatre show and what to expect, how Choirboys have survived so many years in the industry, using other people's music to tell a story, the early days of the band and their initial vision, having to research and relive old memories and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1287aussierock,australia,choirboys,hardrock,heavy,interview,krispeters,markgable,podcast,rock,runtoparadise,tourtruefullhttps://www.spreaker.com/episode/spinning-plates-with-greg-puciato--57751150As the saying goes 'get busy living or get busy dying!' This is certainly true for Greg Puciato, (the living part that is) multi instrumentalist and vocalist for Better Lovers, The Black Queen, Killer Be Killed, Jerry Cantrell's Solo Band, his own Solo band and, of course, vocalist for the now very deceased Dillinger Escape Plan.
He is a man with an already distinguished career, and yet again he has turned up the heat on the majority of his above mentioned projects and is hitting our shores with his Solo outfit in Summer 2024. It feels like five minutes ago that he graced us with the first-ever Australian tours for The Black Queen, but believe it or not that was almost five years ago! Where does the time go?!
Celebrating his second solo album Mirrorcell the follow-up to his debut 2020 record Child Soldier: Creator of God, this is the first time us Australian's will see Greg live as a Solo artist, with his band of course!
Given the limited time with Greg I kind of wish I had a buzzer so we could talk about each project for the exact amount of time, the man is literally that busy! Recently having joined long-time friends Will Putney (producer and guitarist in Fit For An Autopsy) and three remaining members of now very deceased Every Time I Die (Jordan Buckley - guitar, Clayton "Goose" Holyoak – drums and Steve Micciche – bass) to form a new band Better Lovers. In short, this is a band that celebrates friendship, kinship and the pure love of music!
Having just dropped their new single Two Alive Amongst the Dead, "this was actually the first single as a complete band, we wrote and recorded between shows on our first tour" explained Greg. Hopefully, we get to see Better Lovers in Australia sometime soon.
Moving right along, recently Greg was given the honour to join Alice In Chains legend Jerry Cantrell (guitar and vocals) for a run of live solo shows, during this interview we capture Greg explaining a moment where a once long-time idol has now not only become a band member but a dear friend of Greg's, he talks about those little moments where he simply cannot believe the position is in and how a moment with Jerry on stage took him back emotionally.
Greg also owns a record company Federal Prisoner which will be releasing the next The Black Queen record as writing has actually begun.
The man simply doesn't stop, Greg expresses feeling partly overwhelmed with the amount of projects he has on but as he explains so well, is aware that time is against us all, so the time is now.
Greg hasn't sat for many interviews for a little while, I wonder why?
He went on to laugh about the chance of the Killer Be Killed boys suddenly giving him a call, to cut another record and/ or tour.
He went on to explain how much Max Cavalera (ex Sepultura, Soulfly, Nailbomb and Killer Be Killed) loves to tour and is a huge influence on him.
Who knows we may see another Killer Be Killed record in the future, this is something that seems very damn likely too.
Greg Puciato has the incredible ability to separate styles and musical abilities between various projects, so make sure you grab a ticket for his first-ever Australian run of solo (with previously mentioned band) shows in January 2024, it promises to be a fun time.
Tickets from destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57751150Tue, 21 Nov 2023 16:34:54 +0000HEAVY MagazineInterview by Simon Russell-White As the saying goes 'get busy living or get busy dying!' This is certainly true for Greg Puciato, (the living part that is) multi instrumentalist and vocalist for Better Lovers, The Black Queen, Killer Be Killed, Jerry...As the saying goes 'get busy living or get busy dying!' This is certainly true for Greg Puciato, (the living part that is) multi instrumentalist and vocalist for Better Lovers, The Black Queen, Killer Be Killed, Jerry Cantrell's Solo Band, his own Solo band and, of course, vocalist for the now very deceased Dillinger Escape Plan.
He is a man with an already distinguished career, and yet again he has turned up the heat on the majority of his above mentioned projects and is hitting our shores with his Solo outfit in Summer 2024. It feels like five minutes ago that he graced us with the first-ever Australian tours for The Black Queen, but believe it or not that was almost five years ago! Where does the time go?!
Celebrating his second solo album Mirrorcell the follow-up to his debut 2020 record Child Soldier: Creator of God, this is the first time us Australian's will see Greg live as a Solo artist, with his band of course!
Given the limited time with Greg I kind of wish I had a buzzer so we could talk about each project for the exact amount of time, the man is literally that busy! Recently having joined long-time friends Will Putney (producer and guitarist in Fit For An Autopsy) and three remaining members of now very deceased Every Time I Die (Jordan Buckley - guitar, Clayton "Goose" Holyoak – drums and Steve Micciche – bass) to form a new band Better Lovers. In short, this is a band that celebrates friendship, kinship and the pure love of music!
Having just dropped their new single Two Alive Amongst the Dead, "this was actually the first single as a complete band, we wrote and recorded between shows on our first tour" explained Greg. Hopefully, we get to see Better Lovers in Australia sometime soon.
Moving right along, recently Greg was given the honour to join Alice In Chains legend Jerry Cantrell (guitar and vocals) for a run of live solo shows, during this interview we capture Greg explaining a moment where a once long-time idol has now not only become a band member but a dear friend of Greg's, he talks about those little moments where he simply cannot believe the position is in and how a moment with Jerry on stage took him back emotionally.
Greg also owns a record company Federal Prisoner which will be releasing the next The Black Queen record as writing has actually begun.
The man simply doesn't stop, Greg expresses feeling partly overwhelmed with the amount of projects he has on but as he explains so well, is aware that time is against us all, so the time is now.
Greg hasn't sat for many interviews for a little while, I wonder why?
He went on to laugh about the chance of the Killer Be Killed boys suddenly giving him a call, to cut another record and/ or tour.
He went on to explain how much Max Cavalera (ex Sepultura, Soulfly, Nailbomb and Killer Be Killed) loves to tour and is a huge influence on him.
Who knows we may see another Killer Be Killed record in the future, this is something that seems very damn likely too.
Greg Puciato has the incredible ability to separate styles and musical abilities between various projects, so make sure you grab a ticket for his first-ever Australian run of solo (with previously mentioned band) shows in January 2024, it promises to be a fun time.
Tickets from destroyalllines.com


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>871australia,destroyalllines,dillengerescapeplan,gregpuciato,hardrock,heavy,heavymetal,interview,killerbekilled,podcast,simonrussellwhite,tourtruefullhttps://www.spreaker.com/episode/keeping-the-flame-burning-with-kevin-martin-from-candlebox--57750300It is hard to fathom that Seattle rock outfit Candlebox have never toured Australia over the course of their 30-year existence.
Since emerging from the popular music location during the mid-90s grunge scene, Candlebox have gone from strength to strength, with a remarkable number of record sales and music streams starting with their 1993 self-titled album which sold over 4 million copies and introduced Candlebox to the world with songs like Far Behind, You and Cover Me.
It is even harder to comprehend that it takes Candlebox calling time on their illustrious career for the powers that be to coax them over to our part of the world, but that is just what has happened with the band poised to bring The Long Goodbye Tour to our shores in January next year.
With a global tour planned, and the recent release of Candlebox's final album of the same name, frontman Kevin Martin sat down with HEAVY to talk us through what has been a stellar slice of music history.
We start by jokingly asking how and why Candlebox have neglected their Australian fans for so long.
"I've been trying to come there for thirty years," he smiled in return, "so you'll have to talk to the promotors about it. It's been a dream of mine to come out there. I have an extended Australian family over there that I love very much. I've been coming to Australia for the past 23 years and my affinity for that country goes beyond. I think I was Australian in a past life. It's just one of those things. I love that country, and I've tried to come for 30 years. I don't know why it's taken us so long. We've asked several times about coming for some festivals with Stone Temple Pilots and the guys in Live, but I guess maybe the Australian promotors just didn't think we were popular enough, but I cannot tell you how excited I am to be coming to play there. I'm looking forward to playing in the country that hopefully, at some point, I will call home."
We bring up the fact that it will be a bittersweet moment for both the band and their fans seeing them here for the first and last time.
"I think so," he sighed. "It's gonna be more interesting for me, I think than it is for them. I'm gonna give them two hours each night of my very best, but saying goodbye to this career has been strange. All Summer long there's been times standing on stage in front of 10,000 of my closest friends, thinking to myself this is gonna be the last time I sing this song with these people. It's a strange emotion, but I think for me being home during COVID and spending time with my wife and my son and realising just how much I missed of that life with them… was pretty Earth-shaking for me. And I sat down with my wife around September of 2020 and said I think I'm pretty much ready to put all this music thing behind me and be a husband and a Father, is that okay? And she says I would be beyond grateful but are you sure you can put that away? And I said I don't love it as much as I used to. I think it was being home for such a long extended period of time that I realised that music was no longer the love of my life, nor my mistress. It's almost as though she had become a close friend that I would bump into every now and then and didn't like seeing that much. I don't wanna be an artist who phones it in. I don't wanna be that guy. So when we went back out on the road in 2021 I made sure that the shows would be played where we wanted to play. The events that we were involved in were events that I felt were a good place for Candlebox to be, and it was all leading up to this goodbye tour of 2023 for the 30th anniversary of the debut album. So I was very conscious about what I was doing."
In the full interview, Kevin talks more about the final tour, what to expect, how to wrap up 30 years of music in one show, the early days of Candlebox and where they fit in, if he has achieved everything he wanted from music, the success of their self-titled debut and why he thinks people gravitated to it, the changes in music over 30 years and how Candlebox has survived, the response to their new album The Long Goodbye and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57750300Tue, 21 Nov 2023 15:46:16 +0000HEAVY MagazineInterview by Kris Peters It is hard to fathom that Seattle rock outfit Candlebox have never toured Australia over the course of their 30-year existence. Since emerging from the popular music location during the mid-90s grunge scene, Candlebox have...It is hard to fathom that Seattle rock outfit Candlebox have never toured Australia over the course of their 30-year existence.
Since emerging from the popular music location during the mid-90s grunge scene, Candlebox have gone from strength to strength, with a remarkable number of record sales and music streams starting with their 1993 self-titled album which sold over 4 million copies and introduced Candlebox to the world with songs like Far Behind, You and Cover Me.
It is even harder to comprehend that it takes Candlebox calling time on their illustrious career for the powers that be to coax them over to our part of the world, but that is just what has happened with the band poised to bring The Long Goodbye Tour to our shores in January next year.
With a global tour planned, and the recent release of Candlebox's final album of the same name, frontman Kevin Martin sat down with HEAVY to talk us through what has been a stellar slice of music history.
We start by jokingly asking how and why Candlebox have neglected their Australian fans for so long.
"I've been trying to come there for thirty years," he smiled in return, "so you'll have to talk to the promotors about it. It's been a dream of mine to come out there. I have an extended Australian family over there that I love very much. I've been coming to Australia for the past 23 years and my affinity for that country goes beyond. I think I was Australian in a past life. It's just one of those things. I love that country, and I've tried to come for 30 years. I don't know why it's taken us so long. We've asked several times about coming for some festivals with Stone Temple Pilots and the guys in Live, but I guess maybe the Australian promotors just didn't think we were popular enough, but I cannot tell you how excited I am to be coming to play there. I'm looking forward to playing in the country that hopefully, at some point, I will call home."
We bring up the fact that it will be a bittersweet moment for both the band and their fans seeing them here for the first and last time.
"I think so," he sighed. "It's gonna be more interesting for me, I think than it is for them. I'm gonna give them two hours each night of my very best, but saying goodbye to this career has been strange. All Summer long there's been times standing on stage in front of 10,000 of my closest friends, thinking to myself this is gonna be the last time I sing this song with these people. It's a strange emotion, but I think for me being home during COVID and spending time with my wife and my son and realising just how much I missed of that life with them… was pretty Earth-shaking for me. And I sat down with my wife around September of 2020 and said I think I'm pretty much ready to put all this music thing behind me and be a husband and a Father, is that okay? And she says I would be beyond grateful but are you sure you can put that away? And I said I don't love it as much as I used to. I think it was being home for such a long extended period of time that I realised that music was no longer the love of my life, nor my mistress. It's almost as though she had become a close friend that I would bump into every now and then and didn't like seeing that much. I don't wanna be an artist who phones it in. I don't wanna be that guy. So when we went back out on the road in 2021 I made sure that the shows would be played where we wanted to play. The events that we were involved in were events that I felt were a good place for Candlebox to be, and it was all leading up to this goodbye tour of 2023 for the 30th anniversary of the debut album. So I was very conscious about what I was doing."
In the full interview, Kevin talks more about the final tour, what to expect, how to wrap up 30 years of music in one show, the early days of Candlebox and where they fit in, if he has achieved everything he wanted from music, the success of their self-titled debut...]]>788australia,candlebox,grunge,hardrock,heavy,interview,kevinmartin,krispeters,podcast,rock,thelonggoodbyetour,tourfalsefullhttps://www.spreaker.com/episode/beyond-the-eclipse-with-billy-gould--57586879One of the most endearing aspects of music is its natural ability to connect on so many levels. For the music lover one song can have a profound effect on your mood or dictate your path to an extent, but on the flip side, from a musician's perspective, music has so much more to offer.
While many are content to stick to a limited scope in terms of creative output, others need more plentiful and different outlets to satiate their hunger.
Faith No More bass player Billy Gould is one such person.
Universally lauded and loved for his role in the band that has helped shape the sonic direction of music on so many levels, Gould also feels the pull of other sides of the musical landscape. Desires that need to be fed but can't be satiated in a full band or within hard rock/metal constraints.
These musical callings are far removed from the universal appeal and acceptance afforded to Faith No More, but for Gould at least, they are of equal, if not greater, importance.
He found that a number of years ago with the project Talking Book, an outfit that relies more on musical textures and exploration to paint an immersive sonic landscape more in touch with your inner being than your impulsive urge to purge your sins.
Along with Talking Book bandmate Jared Blum, Gould is preparing to release the soundtrack for The Eclipse on November 24, a film that forced Gould to tap into a fresh side of his musical mentality and express his creativity like never before.
HEAVY had the pleasure of talking with Billy Gould recently, and we start by asking him how he is feeling on the cusp of the soundtrack release.
"Good," he enthused. "We've never really worked on a full feature film before like this. For the first time we didn't know if we were doing it right (laughs), but it came out alright. The director was really happy. I saw it on a big screen, and I was really happy with the way it all came together. It was a little intimidating when we first decided to take it on."
We ask how he came to be involved with the movie and director Natasha Urban.
"I've known her for a decade and a half," he said. "She has made a lot of other films that are interesting. She made a film in Nepal following a young girl as she grew up in different stages of her life and what happened with her family and I just kept in touch with her. We had spoken earlier about Talking Book records and I sent her a copy of that, and she liked them so she kind of knew the stuff we did. She is really into visuals. Obviously, as a director she is a visual person, and she sent me some photos when she was in a place called The Valley Of The Moon in Uganda, and we almost used that as a cover for an album back in 2011. So w kept in touch and when she decided to do this film she said I was the first person that she really wanted to do it. She knew the aesthetic that I take into things like this, and we saw some clips from the film, and they were very… evocative, with some stuff filmed in Super 8. Some of it was very textured, some of it was very saturated and to me her visuals are like what we do with sound, so I thought it would be a good match."
In the full interview, Billy talks about the pressures of carrying a whole soundtrack on their backs instead of contributing just one song, the process of writing musical scores to a movie, creative music with a cinematic feel to it, how different writing for a movie is compared than with a band, how the writing process forced him into a different headspace and how he coped with that, the origins of Talking Book and future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57586879Thu, 16 Nov 2023 09:53:50 +0000HEAVY MagazineInterview by Kris Peters One of the most endearing aspects of music is its natural ability to connect on so many levels. For the music lover one song can have a profound effect on your mood or dictate your path to an extent, but on the flip side, from...One of the most endearing aspects of music is its natural ability to connect on so many levels. For the music lover one song can have a profound effect on your mood or dictate your path to an extent, but on the flip side, from a musician's perspective, music has so much more to offer.
While many are content to stick to a limited scope in terms of creative output, others need more plentiful and different outlets to satiate their hunger.
Faith No More bass player Billy Gould is one such person.
Universally lauded and loved for his role in the band that has helped shape the sonic direction of music on so many levels, Gould also feels the pull of other sides of the musical landscape. Desires that need to be fed but can't be satiated in a full band or within hard rock/metal constraints.
These musical callings are far removed from the universal appeal and acceptance afforded to Faith No More, but for Gould at least, they are of equal, if not greater, importance.
He found that a number of years ago with the project Talking Book, an outfit that relies more on musical textures and exploration to paint an immersive sonic landscape more in touch with your inner being than your impulsive urge to purge your sins.
Along with Talking Book bandmate Jared Blum, Gould is preparing to release the soundtrack for The Eclipse on November 24, a film that forced Gould to tap into a fresh side of his musical mentality and express his creativity like never before.
HEAVY had the pleasure of talking with Billy Gould recently, and we start by asking him how he is feeling on the cusp of the soundtrack release.
"Good," he enthused. "We've never really worked on a full feature film before like this. For the first time we didn't know if we were doing it right (laughs), but it came out alright. The director was really happy. I saw it on a big screen, and I was really happy with the way it all came together. It was a little intimidating when we first decided to take it on."
We ask how he came to be involved with the movie and director Natasha Urban.
"I've known her for a decade and a half," he said. "She has made a lot of other films that are interesting. She made a film in Nepal following a young girl as she grew up in different stages of her life and what happened with her family and I just kept in touch with her. We had spoken earlier about Talking Book records and I sent her a copy of that, and she liked them so she kind of knew the stuff we did. She is really into visuals. Obviously, as a director she is a visual person, and she sent me some photos when she was in a place called The Valley Of The Moon in Uganda, and we almost used that as a cover for an album back in 2011. So w kept in touch and when she decided to do this film she said I was the first person that she really wanted to do it. She knew the aesthetic that I take into things like this, and we saw some clips from the film, and they were very… evocative, with some stuff filmed in Super 8. Some of it was very textured, some of it was very saturated and to me her visuals are like what we do with sound, so I thought it would be a good match."
In the full interview, Billy talks about the pressures of carrying a whole soundtrack on their backs instead of contributing just one song, the process of writing musical scores to a movie, creative music with a cinematic feel to it, how different writing for a movie is compared than with a band, how the writing process forced him into a different headspace and how he coped with that, the origins of Talking Book and future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>789billygould,faithnomore,heavy,interview,krispeters,moviesoundtrack,podcast,talkingbook,theeclipsefalsefullhttps://www.spreaker.com/episode/impending-doom-with-kurt-deimer--57586757There is so much music being released on an hourly basis in the modern age that sometimes it is necessary to hedge your bets and look into outside interests that could possibly align with your own in an attempt to combine forces.
This is much easier said than done, especially considering that something like that would usually involve having to work with other people thus reducing the individual impact of your work. The smarter - and infinitely harder - way to do things is to diversify on your own, but that then poses even more problems of having to make two projects work rather than one.
The lucky (or more lateral thinking) few manage to dip their toes into two projects and weave their sonic tapestry into one wholesome product, as seen recently with US rocker Kurt Deimer who has combined his love of film with that of his music.
In recent years Deimer began work on a horror movie franchise called Hellbilly Hollow, writing, acting and producing the films to an ever-growing fanbase. And what one thing do all good horror films possess?
A metal soundtrack.
Which is where Deimer found his niche, slotting his new track Doom into Hellbilly Hollow in the pivotal closing scene.
Deimer has so much more going on both musically and on film that HEAVY just had to make time to chat with him to find out more.
"I have two movies coming out in 2024," he corrected. "Scared To Death and then Hellbilly Hollow which is my horror franchise that I started. Doom features in the epic final scene of Hellbilly Hollow, which I why I originally wrote the song. It's just a slammer, man. It's bringing rock and roll to the world the way I do it and hopefully everybody sees that it doesn't sound like everything else."
"We needed a good, epic song for the final scene. I wrote the song originally for the movie, that's what inspired it, and you can have a lot of doom in a horror type movie that's scary and a lot of scenarios that create that doom feeling. But I also write to try to help people realise other things that are going on in the world and things I've gone through in my life. I wanted to also point out that drug abuse - whether it's heroin or cocaine or any drug of choice, pills, whatever - can also create doom in ones life."
In the full interview, Kurt talks more about Doom and how it fits in with the movie, other songs that will appear on the soundtrack, the storyline of Hellbilly Hollow and the whole franchise, having a role in the Halloween remake, other new songs he has recorded and what he plans to do with them, his love for Hoodoo Gurus and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57586757Wed, 15 Nov 2023 05:31:19 +0000HEAVY MagazineInterview by Kris Peters There is so much music being released on an hourly basis in the modern age that sometimes it is necessary to hedge your bets and look into outside interests that could possibly align with your own in an attempt to combine...There is so much music being released on an hourly basis in the modern age that sometimes it is necessary to hedge your bets and look into outside interests that could possibly align with your own in an attempt to combine forces.
This is much easier said than done, especially considering that something like that would usually involve having to work with other people thus reducing the individual impact of your work. The smarter - and infinitely harder - way to do things is to diversify on your own, but that then poses even more problems of having to make two projects work rather than one.
The lucky (or more lateral thinking) few manage to dip their toes into two projects and weave their sonic tapestry into one wholesome product, as seen recently with US rocker Kurt Deimer who has combined his love of film with that of his music.
In recent years Deimer began work on a horror movie franchise called Hellbilly Hollow, writing, acting and producing the films to an ever-growing fanbase. And what one thing do all good horror films possess?
A metal soundtrack.
Which is where Deimer found his niche, slotting his new track Doom into Hellbilly Hollow in the pivotal closing scene.
Deimer has so much more going on both musically and on film that HEAVY just had to make time to chat with him to find out more.
"I have two movies coming out in 2024," he corrected. "Scared To Death and then Hellbilly Hollow which is my horror franchise that I started. Doom features in the epic final scene of Hellbilly Hollow, which I why I originally wrote the song. It's just a slammer, man. It's bringing rock and roll to the world the way I do it and hopefully everybody sees that it doesn't sound like everything else."
"We needed a good, epic song for the final scene. I wrote the song originally for the movie, that's what inspired it, and you can have a lot of doom in a horror type movie that's scary and a lot of scenarios that create that doom feeling. But I also write to try to help people realise other things that are going on in the world and things I've gone through in my life. I wanted to also point out that drug abuse - whether it's heroin or cocaine or any drug of choice, pills, whatever - can also create doom in ones life."
In the full interview, Kurt talks more about Doom and how it fits in with the movie, other songs that will appear on the soundtrack, the storyline of Hellbilly Hollow and the whole franchise, having a role in the Halloween remake, other new songs he has recorded and what he plans to do with them, his love for Hoodoo Gurus and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>620hard rock,heavy,horror,interview,krispeters,kurt weider,podcast,rocktruefullhttps://www.spreaker.com/episode/closing-the-circle-with-thomas-vikstrom-from-therion--57576109What started as more of a way to fill in time during COVID before expanding its reach across three albums, the Leviathan trilogy set in motion in 2021 by Swedish symphonic metal legends Therion finally draws to a close on December 15 with the release of Leviathan III.
It has been a spectacular sonic journey from the band, with each album exploring different musical territory while still paying homage to the sounds that have seen Therion endure more than three decades of sustained success.
Featuring choirs and orchestras and the ever-present operatic mastery of Lori Lewis, Leviathan III is more than just the final chapter of a period of time that tested the resolve of us all. It is also an emphatic statement of individuality from a band that pushes most every conceivable boundary of the metal spectrum and comes up trumps every time.
Vocalist Thomas Vikstrom joined HEAVY from Sweden to help put the final bow on an enduring legacy three years in the making.
We speak with Vikstrom more than one month out from the official release date of the album, so we pose the question of what sorts of emotions this period of inactivity and anticipation evokes.
"The waiting is boring, but it is what it is," he shrugged. "I'm very pleased with the result, and it will be fun to hear what people think about it. We're also preparing for going to Mexico in January. We're going to follow this up with a tour, so we start off in January in Mexico City with a full symphony orchestra this time. Then we're planning on going through Europe and maybe China. It's gonna be a lot of fun. It's funny, because for people this will be a new record, but for me, I have already digested it. For me, it's not a new record anymore because I've heard it so many times."
It has been an epic journey over three years and three albums in bringing the Leviathan trilogy to life, and we ask Vikstrom if the reality of the process lived up to his expectations.
"That was not the plan from the beginning," he replied, talking about having an album trilogy. "We started to write for a new album, me and Christopher, and exactly when we started - almost on the day - the COVID came and there was lockdown. I couldn't go there, and he couldn't come here, so let's send files forward and back and write like that, which works good today, actually. It's a pity we can't meet, but it did work. Since it was the lockdown it was hysterical. You could go to the supermarket once a day, that was it. So there was not much more to do but write new songs and work and order food from Burger King (laughs). So we started to write, and I was asking Christopher what kind of direction do you want to go with this album and his answer was it's gonna be good… Okay (laughs). That's a bit vague (laughs). In the end we had so many songs in different styles, everything from the hardest almost in the borderlines to pop because we just wrote. So Christopher said let's not make one album, let's make three and put them out in a short period of time. That's how the story was."
In the full interview, Thomas reveals how Leviathan III wraps up the series, the musical aspects to Leviathan III and how they fit together, the vocal dynamics between himself and Lori Lewis and how they structure them, getting the balance between so many eclectic styles of music, the upcoming tour and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57576109Wed, 15 Nov 2023 02:40:12 +0000HEAVY MagazineInterview by Kris Peters What started as more of a way to fill in time during COVID before expanding its reach across three albums, the Leviathan trilogy set in motion in 2021 by Swedish symphonic metal legends Therion finally draws to a close on...What started as more of a way to fill in time during COVID before expanding its reach across three albums, the Leviathan trilogy set in motion in 2021 by Swedish symphonic metal legends Therion finally draws to a close on December 15 with the release of Leviathan III.
It has been a spectacular sonic journey from the band, with each album exploring different musical territory while still paying homage to the sounds that have seen Therion endure more than three decades of sustained success.
Featuring choirs and orchestras and the ever-present operatic mastery of Lori Lewis, Leviathan III is more than just the final chapter of a period of time that tested the resolve of us all. It is also an emphatic statement of individuality from a band that pushes most every conceivable boundary of the metal spectrum and comes up trumps every time.
Vocalist Thomas Vikstrom joined HEAVY from Sweden to help put the final bow on an enduring legacy three years in the making.
We speak with Vikstrom more than one month out from the official release date of the album, so we pose the question of what sorts of emotions this period of inactivity and anticipation evokes.
"The waiting is boring, but it is what it is," he shrugged. "I'm very pleased with the result, and it will be fun to hear what people think about it. We're also preparing for going to Mexico in January. We're going to follow this up with a tour, so we start off in January in Mexico City with a full symphony orchestra this time. Then we're planning on going through Europe and maybe China. It's gonna be a lot of fun. It's funny, because for people this will be a new record, but for me, I have already digested it. For me, it's not a new record anymore because I've heard it so many times."
It has been an epic journey over three years and three albums in bringing the Leviathan trilogy to life, and we ask Vikstrom if the reality of the process lived up to his expectations.
"That was not the plan from the beginning," he replied, talking about having an album trilogy. "We started to write for a new album, me and Christopher, and exactly when we started - almost on the day - the COVID came and there was lockdown. I couldn't go there, and he couldn't come here, so let's send files forward and back and write like that, which works good today, actually. It's a pity we can't meet, but it did work. Since it was the lockdown it was hysterical. You could go to the supermarket once a day, that was it. So there was not much more to do but write new songs and work and order food from Burger King (laughs). So we started to write, and I was asking Christopher what kind of direction do you want to go with this album and his answer was it's gonna be good… Okay (laughs). That's a bit vague (laughs). In the end we had so many songs in different styles, everything from the hardest almost in the borderlines to pop because we just wrote. So Christopher said let's not make one album, let's make three and put them out in a short period of time. That's how the story was."
In the full interview, Thomas reveals how Leviathan III wraps up the series, the musical aspects to Leviathan III and how they fit together, the vocal dynamics between himself and Lori Lewis and how they structure them, getting the balance between so many eclectic styles of music, the upcoming tour and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1321heavy,heavymetal,interview,krispeters,leviathoniii,podcast,symphonismetal,therion,thomasvikstromtruefullhttps://www.spreaker.com/episode/surving-the-plague-with-timothy-pope-from-the-amenta--57563973Australian extreme metal outfit The Amenta recently released a brutal album called Plague Of Locus, boasting an assortment of cover songs that have inspired the band and their music.
The selection of bands paid homage to has a number of surprises amongst some expected tributes, ranging from local black metal bands like Nazxul and Lord Kaos to alternative acts such as Alice In Chains, Diamanda Galas and Killing Joke. It is an eclectic and broad list of artists, going a long way to giving us a better insight into The Amenta and what makes them tick.
To celebrate, The Amenta embark on their first headlining tour in over a decade, kicking off on November 16 in Sydney and taking in an appearance at this year's Froth & Fury festival in Adelaide. It is a tour metal fans around the country have been screaming for, and one which sees blackened sludge machine LO! supporting for most shows in a twin sonic assault that promises to be as intense as it will be visually stunning.
Keyboard/sampler Timothy Pope sat down with HEAVY to tell us more.
"You never know what to expect with any release," he began, "but more so with covers. People might not know a lot of the bands we covered, or maybe they knew the songs too well and don't think we do good versions. You never really know how people are going to receive it but so far it's been almost exclusively really positive."
We ask Pope why now was the right time for The Amenta to make this album.
"It was something we almost started doing almost accidently when we started recording our last album Revelator," he explained. "We've always been a band where basically anything we write we record and it gets released. So there's not a lot of additional stuff floating around. There's no B sides or nothing we can put together a special release with, so it was a deliberate decision of let's try and record a couple of songs that we won't put on the album, but we'll just use the fact we're recording to get them done as efficiently as possible. Then if we need to do a Japanese import version with bonus tracks or anything like that then we've got some tracks. We recorded the drums of the Alice In Chains song called Angry Chair and also the drums for the Halo song Rise. We recorded them at the same time we recorded drums for Revelator, and at one point we even talked about having those songs on the album anyway. But as we went through those dropped by the wayside, and we decided to concentrate on the songs that we know are going to be on the album. They sat there for a little while not doing anything, and then we were talking about doing something with those songs and thought we would build it out to something more rather than just have two songs on Bandcamp. As we discussed it we came up with all this idea of all these bands we wanted to cover, and we decided to pin them all around this new song that we wrote especially for it and make it into a bit more of a solid release. Something that people could get their teeth into a bit."
In the full interview, Tim talks more about the covers chosen and why, the broad spectrum of influences and how they shaped The Amenta's sound, how much the songs were changed from the original versions, the process of reworking each song, the awesome album cover, the one original song on Plague Of Locus and if that is a hint at the future direction of their music, the upcoming tour and what to expect and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57563973Fri, 10 Nov 2023 06:35:29 +0000HEAVY MagazineInterview by Kris Peters Australian extreme metal outfit The Amenta recently released a brutal album called Plague Of Locus, boasting an assortment of cover songs that have inspired the band and their music. The selection of bands paid homage to has a...Australian extreme metal outfit The Amenta recently released a brutal album called Plague Of Locus, boasting an assortment of cover songs that have inspired the band and their music.
The selection of bands paid homage to has a number of surprises amongst some expected tributes, ranging from local black metal bands like Nazxul and Lord Kaos to alternative acts such as Alice In Chains, Diamanda Galas and Killing Joke. It is an eclectic and broad list of artists, going a long way to giving us a better insight into The Amenta and what makes them tick.
To celebrate, The Amenta embark on their first headlining tour in over a decade, kicking off on November 16 in Sydney and taking in an appearance at this year's Froth & Fury festival in Adelaide. It is a tour metal fans around the country have been screaming for, and one which sees blackened sludge machine LO! supporting for most shows in a twin sonic assault that promises to be as intense as it will be visually stunning.
Keyboard/sampler Timothy Pope sat down with HEAVY to tell us more.
"You never know what to expect with any release," he began, "but more so with covers. People might not know a lot of the bands we covered, or maybe they knew the songs too well and don't think we do good versions. You never really know how people are going to receive it but so far it's been almost exclusively really positive."
We ask Pope why now was the right time for The Amenta to make this album.
"It was something we almost started doing almost accidently when we started recording our last album Revelator," he explained. "We've always been a band where basically anything we write we record and it gets released. So there's not a lot of additional stuff floating around. There's no B sides or nothing we can put together a special release with, so it was a deliberate decision of let's try and record a couple of songs that we won't put on the album, but we'll just use the fact we're recording to get them done as efficiently as possible. Then if we need to do a Japanese import version with bonus tracks or anything like that then we've got some tracks. We recorded the drums of the Alice In Chains song called Angry Chair and also the drums for the Halo song Rise. We recorded them at the same time we recorded drums for Revelator, and at one point we even talked about having those songs on the album anyway. But as we went through those dropped by the wayside, and we decided to concentrate on the songs that we know are going to be on the album. They sat there for a little while not doing anything, and then we were talking about doing something with those songs and thought we would build it out to something more rather than just have two songs on Bandcamp. As we discussed it we came up with all this idea of all these bands we wanted to cover, and we decided to pin them all around this new song that we wrote especially for it and make it into a bit more of a solid release. Something that people could get their teeth into a bit."
In the full interview, Tim talks more about the covers chosen and why, the broad spectrum of influences and how they shaped The Amenta's sound, how much the songs were changed from the original versions, the process of reworking each song, the awesome album cover, the one original song on Plague Of Locus and if that is a hint at the future direction of their music, the upcoming tour and what to expect and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1027australia,cultetiquette,extrememetal,froth&fury,heavy,heavymetal,interview,krispeters,lo!,plagueoflocus,podcast,theamenta,timothypope,tourfalsefullhttps://www.spreaker.com/episode/drawing-the-battle-lines-with-lacca-from-100-years-war--57563683The modern age of music is far more demanding than it was even ten years ago.
To be able to give your band the best chance of success, often band members multitask with other roles within the music industry, trying to give themselves and their bandmates the best opportunities.
One such way is to put on your own shows, not only to give your band gigs and exposure, but also for networking purposes. Combining the two is an arduous, often thankless task, but when done right can have great rewards.
Just ask 100 Years War vocalist Lacca, who not only fronts the rising metal outfit, but also has an annual festival by the name of Metal In The Mountains.
With this year's recent event a resounding success, HEAVY sat down with Lacca to talk more about the joys of music and spending time with his band.
"It went really well," he enthused. "We had a great crowd. It was the first time in the open air in the middle of Beechworth, right behind the old courthouse where Ned Kelly was tried. It's a nice historic area with all these old buildings. It was warm weather. The sun was out, we were really blessed in that regard. The weather's always a concern when you're doing an outdoor gig, but we got a real good deck of cards this time. We tried to go outdoors last year, but it was wet, so we had to hold off."
In the full interview, Lacca runs through the bands on the day and how they performed, fills us in on the hot sauce competition, putting together a show the size of Metal In The Mountains, the diversity of the line-up and why he made it that way, 11 Years War, upcoming new music, touring Japan and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57563683Thu, 09 Nov 2023 23:40:25 +0000HEAVY MagazineInterview by Kris Peters The modern age of music is far more demanding than it was even ten years ago. To be able to give your band the best chance of success, often band members multitask with other roles within the music industry, trying to give...The modern age of music is far more demanding than it was even ten years ago.
To be able to give your band the best chance of success, often band members multitask with other roles within the music industry, trying to give themselves and their bandmates the best opportunities.
One such way is to put on your own shows, not only to give your band gigs and exposure, but also for networking purposes. Combining the two is an arduous, often thankless task, but when done right can have great rewards.
Just ask 100 Years War vocalist Lacca, who not only fronts the rising metal outfit, but also has an annual festival by the name of Metal In The Mountains.
With this year's recent event a resounding success, HEAVY sat down with Lacca to talk more about the joys of music and spending time with his band.
"It went really well," he enthused. "We had a great crowd. It was the first time in the open air in the middle of Beechworth, right behind the old courthouse where Ned Kelly was tried. It's a nice historic area with all these old buildings. It was warm weather. The sun was out, we were really blessed in that regard. The weather's always a concern when you're doing an outdoor gig, but we got a real good deck of cards this time. We tried to go outdoors last year, but it was wet, so we had to hold off."
In the full interview, Lacca runs through the bands on the day and how they performed, fills us in on the hot sauce competition, putting together a show the size of Metal In The Mountains, the diversity of the line-up and why he made it that way, 11 Years War, upcoming new music, touring Japan and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>553100yearswar,australia,heavy,heavymetal,interview,krispeters,metalinthemountains,podcasttruefullhttps://www.spreaker.com/episode/finding-your-way-with-rachel-trainor-from-nighteyes--57559847The beauty of being a solo artist is the complete freedom of total creativity.
While the burden can weigh too heavily on some performers, not so New Zealand-born and Melbourne-based multi-instrumentalist Rachel Trainor, who releases her debut album The Way Back Down under the name Nighteyes on November 10.
A sonic tapestry combining dark rock, folk and electronica, The Way Back Down portrays a plethora of emotions, culminating in somewhat of a musical journey as told through the songs of Trainor.
Trainor, who also has a history in circus and cabaret, gives herself fully to her debut offering as Nighteyes and offers a masterful soundscape that has to be listened to across the whole album to fully sink in.
Rachel sat down earlier this week with HEAVY to talk about the album.
"I'm really excited," she smiled. "I'm also pretty nervous. I think it's my first release with a solo project so doing everything myself is a learning curve (laughs). But I'm really looking forward to having this album out. I've been recording it and working on it for two years, so it's gonna be nice to have it all done."
We ask Trainor to tell us more about The Way Back Down musically.
"It's kind of got a bunch of different sounds on it," she measured. "I'm really inspired by artists like Chelsea Wolf and Darkher. I really adore the way that some of those artists mix genres a little bit. There's some electronic vibes in there; there's some heavy, doom elements; a little bit of post rock as well. I made it so all of my influences have come together."
In the full interview, Rachel talks more about the sonic landscape of the album, the challenges of being a solo artist with a full band recording, what sorts of things she focussed on going into her debut album, the meaning behind the title, the singles released and how they represent the whole album, her circus and cabaret background and how she utilises that in her music, Friday night's album launch at Whole Lotta Love and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57559847Thu, 09 Nov 2023 08:12:47 +0000HEAVY MagazineInterview by Kris Peters The beauty of being a solo artist is the complete freedom of total creativity. While the burden can weigh too heavily on some performers, not so New Zealand-born and Melbourne-based multi-instrumentalist Rachel Trainor, who...The beauty of being a solo artist is the complete freedom of total creativity.
While the burden can weigh too heavily on some performers, not so New Zealand-born and Melbourne-based multi-instrumentalist Rachel Trainor, who releases her debut album The Way Back Down under the name Nighteyes on November 10.
A sonic tapestry combining dark rock, folk and electronica, The Way Back Down portrays a plethora of emotions, culminating in somewhat of a musical journey as told through the songs of Trainor.
Trainor, who also has a history in circus and cabaret, gives herself fully to her debut offering as Nighteyes and offers a masterful soundscape that has to be listened to across the whole album to fully sink in.
Rachel sat down earlier this week with HEAVY to talk about the album.
"I'm really excited," she smiled. "I'm also pretty nervous. I think it's my first release with a solo project so doing everything myself is a learning curve (laughs). But I'm really looking forward to having this album out. I've been recording it and working on it for two years, so it's gonna be nice to have it all done."
We ask Trainor to tell us more about The Way Back Down musically.
"It's kind of got a bunch of different sounds on it," she measured. "I'm really inspired by artists like Chelsea Wolf and Darkher. I really adore the way that some of those artists mix genres a little bit. There's some electronic vibes in there; there's some heavy, doom elements; a little bit of post rock as well. I made it so all of my influences have come together."
In the full interview, Rachel talks more about the sonic landscape of the album, the challenges of being a solo artist with a full band recording, what sorts of things she focussed on going into her debut album, the meaning behind the title, the singles released and how they represent the whole album, her circus and cabaret background and how she utilises that in her music, Friday night's album launch at Whole Lotta Love and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>780australia,darkrock,doommetal,electronicrock,hardrock,heavy,interview,krispeters,nighteyes,podcast,racheltrainor,rock,wholelottalovefalsefullhttps://www.spreaker.com/episode/overcoming-adversity-with-greg-mcmanus-from-naugrim--57573127Since bursting onto the local metal scene in 2021 with their debut track Forever Know My Name, Blue Mountains based metalcore outfit Naugrim have wasted little in asserting their music, already sharing the stage with international acts such as Unearth and Darkest Hour as well as making a name for themselves at local festivals Canberra Metal fest, Winter Magic Revival Festival and Borderline Destruction.
Rather than sitting back and enjoying the fruits of their labours, Naugrim are plunging even further into the metal landscape with the release of their debut EP Adversity which will be unleashed on November 10.
To find out just where Naugrim has come from and how far they are destined to go, HEAVY sat down with frontman Greg McManus for a chat.
"A little bit anxious I suppose," he admitted when we asked how he was feeling on the eve of the EP release. "There's a bit of the unknown. We've only been around a year and this is our first major release. We've played some pretty cool shows, but this is our first real test of the waters. A bit nervous."
McManus has worked in the music industry for a long time, but even with his and the rest of the band's wealth of industry experience the creative cycle of releasing your first body of work still takes a toll mentally and emotionally.
"It's funny, and I'm sure you're the same," he replied. "You see a lot of stuff, and you see a lot of different music and bands and things, and the one thing personally I have been trying to concentrate on is not letting that influence anything if that makes sense. Just trying to make sure that we're doing our own thing, and we're happy with it. So much stuff is popular, or you can see what is hitting really well, but it's still trying to do your own thing."
In the full interview, Greg talks more about the musical side of Adversity, runs us through each of the five tracks individually and gives some insight into what they are about, the lyrical content and what message he wants it to leave, the stunning cover artwork and what it represents, future gigs and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57573127Thu, 09 Nov 2023 07:14:59 +0000HEAVY MagazineInterview by Kris Peters Since bursting onto the local metal scene in 2021 with their debut track Forever Know My Name, Blue Mountains based metalcore outfit Naugrim have wasted little in asserting their music, already sharing the stage with...Since bursting onto the local metal scene in 2021 with their debut track Forever Know My Name, Blue Mountains based metalcore outfit Naugrim have wasted little in asserting their music, already sharing the stage with international acts such as Unearth and Darkest Hour as well as making a name for themselves at local festivals Canberra Metal fest, Winter Magic Revival Festival and Borderline Destruction.
Rather than sitting back and enjoying the fruits of their labours, Naugrim are plunging even further into the metal landscape with the release of their debut EP Adversity which will be unleashed on November 10.
To find out just where Naugrim has come from and how far they are destined to go, HEAVY sat down with frontman Greg McManus for a chat.
"A little bit anxious I suppose," he admitted when we asked how he was feeling on the eve of the EP release. "There's a bit of the unknown. We've only been around a year and this is our first major release. We've played some pretty cool shows, but this is our first real test of the waters. A bit nervous."
McManus has worked in the music industry for a long time, but even with his and the rest of the band's wealth of industry experience the creative cycle of releasing your first body of work still takes a toll mentally and emotionally.
"It's funny, and I'm sure you're the same," he replied. "You see a lot of stuff, and you see a lot of different music and bands and things, and the one thing personally I have been trying to concentrate on is not letting that influence anything if that makes sense. Just trying to make sure that we're doing our own thing, and we're happy with it. So much stuff is popular, or you can see what is hitting really well, but it's still trying to do your own thing."
In the full interview, Greg talks more about the musical side of Adversity, runs us through each of the five tracks individually and gives some insight into what they are about, the lyrical content and what message he wants it to leave, the stunning cover artwork and what it represents, future gigs and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>525australia,doommetal,gregmcmanus,heavy,heavymetal,interview,krispeters,metalcore,naugrim,podcastfalsefullhttps://www.spreaker.com/episode/making-christmas-dark-with-tarja--57520756Generally when the festive season rolls around and talk turns to Christmas albums the general chill that runs down most metalheads spines would rival that of the North Pole.
Far too often a purely commercial venture by smiling sonic assassins out to further enhance their global acceptability, the Christmas album tale has long been fraught with fear and contempt.
The year 2017 was a welcome exception when song siren Tarja released the devilishly wicked From Spirits and Ghosts (Score for a Dark Christmas). That album further showcased the infinite well of talent and creativity that defines Tarja, putting her own spin on music that normally brings joy and cheer and turning them to the dark side which such majestic beauty that even adults started to believe in Santa Claus once more.
Well, maybe that's a bit of a stretch, but it did mean we didn't have to listen to Mariah Carey singing carols at every dark turn.
This year Tarja returns with Dark Christmas on November 10, broadening her horizons by tackling other artists interpretations of Yuletide cheer such as Wham's Last Christmas, Mariah Carey's All I Want For Christmas and Paul McCartney's Wonderful Christmastime and mixing them with her own reworkings of classics such as Frosty The Snowman, Jingle Bells and Rudolph The Red-Nosed Reindeer.
Plus, to put the veritable icing on the Christmas Cake, Tarja also celebrates the happiest time of the year by releasing her own Christmas original track, Dark Christmas.
In keeping with spreading love and cheer at this time of year, Tarja sat down earlier this week for a chat with HEAVY to unwrap the presents.
"You can call me a Christmas woman, alright," she smiled, laughing. "This is my third Christmas album. To do an album like this, very different, very much darker than usual… even though the songs that you hear are the songs that everybody knows. But when you get to listen to them, they have absolutely different arrangements. Very cinematographic, dark arrangements. And so I love this Christmas tradition that I have as an artist. It's a very, very important part of my career. I'm doing tours every year, at the end of the year since 2005. A long time."
We dive into Dark Christmas musically a bit deeper.
"This time I chose songs that are very, very known," she began. "There's Jingle Bells and All I Want For Christmas Is You, Last Christmas, White Christmas. I don't necessarily enjoy myself this kind of music. The music that sounds in supermarkets when you get there… it's too commercial and all yuk. So I wanted to escape from all that and make these songs more appealing to me first of all as an artist. I worked the arrangements with a man called Jim Dooley in Los Angeles. He's working only for films with movie soundtracks, so he understood my concept that I wanted to get was to get these songs completely different. Of course, the melody you know, but it's a completely different world when you emerge and listen to these songs. In some songs this time I took some creepy kids. There is a kid's choir brought into play from Argentina. My daughter plays drums and the symphonic orchestra with my voice. That's about it."
In the full interview, Tarja explains why there is a six-year gap between Christmas albums, what she feels makes a true dark Christmas, using the children's choir and what that added to the songs, how she has reworked existing tracks to make them her own, the obvious covers and how they differ, if she thinks it is a child-friendly album, the original song Dark Christmas, making a video for all twelve songs and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57520756Thu, 09 Nov 2023 03:49:25 +0000HEAVY MagazineInterview by Kris Peters Generally when the festive season rolls around and talk turns to Christmas albums the general chill that runs down most metalheads spines would rival that of the North Pole. Far too often a purely commercial venture by smiling...Generally when the festive season rolls around and talk turns to Christmas albums the general chill that runs down most metalheads spines would rival that of the North Pole.
Far too often a purely commercial venture by smiling sonic assassins out to further enhance their global acceptability, the Christmas album tale has long been fraught with fear and contempt.
The year 2017 was a welcome exception when song siren Tarja released the devilishly wicked From Spirits and Ghosts (Score for a Dark Christmas). That album further showcased the infinite well of talent and creativity that defines Tarja, putting her own spin on music that normally brings joy and cheer and turning them to the dark side which such majestic beauty that even adults started to believe in Santa Claus once more.
Well, maybe that's a bit of a stretch, but it did mean we didn't have to listen to Mariah Carey singing carols at every dark turn.
This year Tarja returns with Dark Christmas on November 10, broadening her horizons by tackling other artists interpretations of Yuletide cheer such as Wham's Last Christmas, Mariah Carey's All I Want For Christmas and Paul McCartney's Wonderful Christmastime and mixing them with her own reworkings of classics such as Frosty The Snowman, Jingle Bells and Rudolph The Red-Nosed Reindeer.
Plus, to put the veritable icing on the Christmas Cake, Tarja also celebrates the happiest time of the year by releasing her own Christmas original track, Dark Christmas.
In keeping with spreading love and cheer at this time of year, Tarja sat down earlier this week for a chat with HEAVY to unwrap the presents.
"You can call me a Christmas woman, alright," she smiled, laughing. "This is my third Christmas album. To do an album like this, very different, very much darker than usual… even though the songs that you hear are the songs that everybody knows. But when you get to listen to them, they have absolutely different arrangements. Very cinematographic, dark arrangements. And so I love this Christmas tradition that I have as an artist. It's a very, very important part of my career. I'm doing tours every year, at the end of the year since 2005. A long time."
We dive into Dark Christmas musically a bit deeper.
"This time I chose songs that are very, very known," she began. "There's Jingle Bells and All I Want For Christmas Is You, Last Christmas, White Christmas. I don't necessarily enjoy myself this kind of music. The music that sounds in supermarkets when you get there… it's too commercial and all yuk. So I wanted to escape from all that and make these songs more appealing to me first of all as an artist. I worked the arrangements with a man called Jim Dooley in Los Angeles. He's working only for films with movie soundtracks, so he understood my concept that I wanted to get was to get these songs completely different. Of course, the melody you know, but it's a completely different world when you emerge and listen to these songs. In some songs this time I took some creepy kids. There is a kid's choir brought into play from Argentina. My daughter plays drums and the symphonic orchestra with my voice. That's about it."
In the full interview, Tarja explains why there is a six-year gap between Christmas albums, what she feels makes a true dark Christmas, using the children's choir and what that added to the songs, how she has reworked existing tracks to make them her own, the obvious covers and how they differ, if she thinks it is a child-friendly album, the original song Dark Christmas, making a video for all twelve songs and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1184christmasalbum,darkchristmas,gothicmetal,heavy,heavymetal,interview,jinglebells,krispeters,podcast,tarjafalsefullhttps://www.spreaker.com/episode/spreading-the-ashes-with-greg-wilkinson-from-autopsy--57566183The common perception with iconic bands is that their musical output understandably slows the longer their careers go on.
This could be for a variety of factors that are too many to mention, but no matter how many excuses there are, try telling legendary Californian death metal outfit Autopsy that they should be slowing down.
Coming just 12 months after the release of Morbidity Triumphant, the timeless warriors last week unveiled another slab of metal excellence in the form of Ashes, Organs, Blood And Crypts.
A sonic barrage that sounds as if it were conceived in the bowels of Hell itself, Ashes, Organs, Blood And Crypts is, if anything, an ever more polished performance from Autopsy given that new bass player Greg Wilkinson not only has one album under his belt before this release, but also the fact he had more involvement in the complete album cycle.
Wilkinson joined HEAVY earlier for a chat about the new material and more.
"It's been good," he smiled at the response to the new album. "It was kind of scary putting two albums a year apart and some people were definitely nervous at how are they gonna put two records out and make them good."
I point out the above-mentioned fact that bands generally reduce their output in the latter stages of their career, a point which he shrugs off casually.
"I can't speak on behalf of before me joining the band, but there was that whole COVID lockdown thing," he measured, "that I think maybe built a little back up. And then me joining the band nad also having input in that stuff. There was four of us who could all write songs, so you have four people, you have a big break from shows; from writing records; from recording. The whole world shut down for a year and a half, so I'm sure those are all elements that came into play. In the end, the fact of the matter is I think once we get the wheels rolling we just keep going. It seems like we just kept going. Kinetic energy, that's my answer."
In the full interview, Greg talks about the musical side of the new album, how it differs sonically to Morbidity Triumphant, how the singles released represent the album, the horror-inspired film clip for Rabid Funeral, how he is settling into his role in the band after joining in 2021, how he came to be a member of Autopsy and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57566183Thu, 09 Nov 2023 00:50:36 +0000HEAVY MagazineInterview by Kris Peters The common perception with iconic bands is that their musical output understandably slows the longer their careers go on. This could be for a variety of factors that are too many to mention, but no matter how many excuses...The common perception with iconic bands is that their musical output understandably slows the longer their careers go on.
This could be for a variety of factors that are too many to mention, but no matter how many excuses there are, try telling legendary Californian death metal outfit Autopsy that they should be slowing down.
Coming just 12 months after the release of Morbidity Triumphant, the timeless warriors last week unveiled another slab of metal excellence in the form of Ashes, Organs, Blood And Crypts.
A sonic barrage that sounds as if it were conceived in the bowels of Hell itself, Ashes, Organs, Blood And Crypts is, if anything, an ever more polished performance from Autopsy given that new bass player Greg Wilkinson not only has one album under his belt before this release, but also the fact he had more involvement in the complete album cycle.
Wilkinson joined HEAVY earlier for a chat about the new material and more.
"It's been good," he smiled at the response to the new album. "It was kind of scary putting two albums a year apart and some people were definitely nervous at how are they gonna put two records out and make them good."
I point out the above-mentioned fact that bands generally reduce their output in the latter stages of their career, a point which he shrugs off casually.
"I can't speak on behalf of before me joining the band, but there was that whole COVID lockdown thing," he measured, "that I think maybe built a little back up. And then me joining the band nad also having input in that stuff. There was four of us who could all write songs, so you have four people, you have a big break from shows; from writing records; from recording. The whole world shut down for a year and a half, so I'm sure those are all elements that came into play. In the end, the fact of the matter is I think once we get the wheels rolling we just keep going. It seems like we just kept going. Kinetic energy, that's my answer."
In the full interview, Greg talks about the musical side of the new album, how it differs sonically to Morbidity Triumphant, how the singles released represent the album, the horror-inspired film clip for Rabid Funeral, how he is settling into his role in the band after joining in 2021, how he came to be a member of Autopsy and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1181autopsy,deathmetal,gregwilkinson,heavy,heavymetal,interview,krispeters,podcasttruefullhttps://www.spreaker.com/episode/embracing-the-sunshine-with-fuming-mouth--57564966Music has a way of providing comfort in a wide variety of ways.
To the general music consumer, that comfort is a more personal enjoyment of the music, the lyrics, and the message, but the cathartic nature of music also extends to those making it.
When Fuming Mouth vocalist Mark Whelan was diagnosed with life-threatening Acute Myeloid Leukemia he could have accepted and reacted to the news in a number of ways.
But he chose his band and music.
And that option helped him harness his thoughts and problems into a body of work that, although already close to completion, would provide support, encouragement and hope in his time of need.
Some of the tracks were reworked and rewritten to reflect his new battle, but mostly Whelan turned his potential life negatives into a constructive force of nature that helped drive his creative output while also strengthening his resolve.
That product was unleashed on the world last week when Fuming Mouth released their second album Last Day Of Sun, a triumphant sonic release of hope and courage against seemingly insurmountable odds.
HEAVY caught up with Whelan, drummer James Davis and bass player Pat Merson to find out more.
"It's been good, for the most part," Merson nodded when asked how fans have responded to the album.
"It seems like the live reception has been good," Davis added. "I've seen people singing along to the songs and reacting to the music so that's been cool."
We press the boys to tell us more about Last Day Of Sun musically and what they were going for with it.
"Just something really heavy, really brutal," Whelan replied, "truly metal and beyond just death metal into worlds of heavy metal. Beyond that into some more melodic territory that you might hear, but ultimately bringing it back to big bands like Judas Priest with big guitar solos and making it more of a dynamic album than just one low tunes brutal death song after another."
In the full interview, the boys talk about the two singles released and if they are a good representation of the album as a whole, Mark's battle with leukemia and how it impacted the album, what message they hope people will take from the album, recording with Kurt Ballou in Salem and what effect that had on the finished product, the early days of Fuming Mouth, their initial vision for the band and how it has changed since, live shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57564966Wed, 08 Nov 2023 22:14:03 +0000HEAVY MagazineInterview by Kris Peters Music has a way of providing comfort in a wide variety of ways. To the general music consumer, that comfort is a more personal enjoyment of the music, the lyrics, and the message, but the cathartic nature of music also extends...Music has a way of providing comfort in a wide variety of ways.
To the general music consumer, that comfort is a more personal enjoyment of the music, the lyrics, and the message, but the cathartic nature of music also extends to those making it.
When Fuming Mouth vocalist Mark Whelan was diagnosed with life-threatening Acute Myeloid Leukemia he could have accepted and reacted to the news in a number of ways.
But he chose his band and music.
And that option helped him harness his thoughts and problems into a body of work that, although already close to completion, would provide support, encouragement and hope in his time of need.
Some of the tracks were reworked and rewritten to reflect his new battle, but mostly Whelan turned his potential life negatives into a constructive force of nature that helped drive his creative output while also strengthening his resolve.
That product was unleashed on the world last week when Fuming Mouth released their second album Last Day Of Sun, a triumphant sonic release of hope and courage against seemingly insurmountable odds.
HEAVY caught up with Whelan, drummer James Davis and bass player Pat Merson to find out more.
"It's been good, for the most part," Merson nodded when asked how fans have responded to the album.
"It seems like the live reception has been good," Davis added. "I've seen people singing along to the songs and reacting to the music so that's been cool."
We press the boys to tell us more about Last Day Of Sun musically and what they were going for with it.
"Just something really heavy, really brutal," Whelan replied, "truly metal and beyond just death metal into worlds of heavy metal. Beyond that into some more melodic territory that you might hear, but ultimately bringing it back to big bands like Judas Priest with big guitar solos and making it more of a dynamic album than just one low tunes brutal death song after another."
In the full interview, the boys talk about the two singles released and if they are a good representation of the album as a whole, Mark's battle with leukemia and how it impacted the album, what message they hope people will take from the album, recording with Kurt Ballou in Salem and what effect that had on the finished product, the early days of Fuming Mouth, their initial vision for the band and how it has changed since, live shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>605fumingmouth,heavy,heavymetal,interview,krispeters,lastdayofsun,melodicdeathmetal,nuclearblastrecords,podcastfalsefullhttps://www.spreaker.com/episode/sonic-projection-with-devin-townsend--57492454Devin Townsend is one of the few musicians who globally needs no introduction.
Whether it be for his work with Strapping Young Lad or the Devin Townsend Project or anywhere in between, the man is an enigma. A legend.
And a true gentleman of the metal scene.
Known for his boundless energy and creativity, Townsend touches down in Australia this month for a run of four shows only, playing a splattering of everything from his back catalogue and material from his new album Lightwork.
It promises to be one of the tours of the year, with the man himself sitting down with HEAVY recently to tell us all about what to expect.
"The thing is, I've had the good fortune of playing with some fantastic musicians throughout my career," he measured. "But the group of people I've got working with me right now are the most capable of playing everything, so it's allowed for me to put together a set that I think is… a good cross-section of material. Also, because I've been touring with them for this whole year - and the sound person - I'm confident that it's the best I've been able to present the material by a longshot. Having that is really great for me, because, although it's been good in the past also there's been certain things where I think 'man, I wish that was different' or I wish that was articulated differently or maybe this player's really good at this but no so good at that or vice versa - not to be disparaging against anybody I've worked with, I've just got, like you say, a huge amount of material that typically I use different players for all of them. So what I've done with this recent one is I've just found people that I am confident can do all of it. And they had to learn how to do all of it too. The first thing that I did with some of these players… they didn't know how to play some of the stuff, and it took them touring to figure it out. Now, I feel that the presentation of the material is… I'm excited to be able to show it to people because I'm like, 'this sounds fucken great'. That's how I feel."
In the full interview Devin talks about writing set lists, his essential non-essential things to pack for tour, pleasing as many fans as possible, what we can expect from the shows, the early days of his career and what he was expecting out of music, what some of his motivating factors were, how early experiences helped shape his career, what drives him to keep experimenting, retaining his passion for music, the creative process and if it becomes easier or harder over time and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57492454Fri, 03 Nov 2023 05:12:05 +0000HEAVY MagazineInterview by Kris Peters Devin Townsend is one of the few musicians who globally needs no introduction. Whether it be for his work with Strapping Young Lad or the Devin Townsend Project or anywhere in between, the man is an enigma. A legend. And a...Devin Townsend is one of the few musicians who globally needs no introduction.
Whether it be for his work with Strapping Young Lad or the Devin Townsend Project or anywhere in between, the man is an enigma. A legend.
And a true gentleman of the metal scene.
Known for his boundless energy and creativity, Townsend touches down in Australia this month for a run of four shows only, playing a splattering of everything from his back catalogue and material from his new album Lightwork.
It promises to be one of the tours of the year, with the man himself sitting down with HEAVY recently to tell us all about what to expect.
"The thing is, I've had the good fortune of playing with some fantastic musicians throughout my career," he measured. "But the group of people I've got working with me right now are the most capable of playing everything, so it's allowed for me to put together a set that I think is… a good cross-section of material. Also, because I've been touring with them for this whole year - and the sound person - I'm confident that it's the best I've been able to present the material by a longshot. Having that is really great for me, because, although it's been good in the past also there's been certain things where I think 'man, I wish that was different' or I wish that was articulated differently or maybe this player's really good at this but no so good at that or vice versa - not to be disparaging against anybody I've worked with, I've just got, like you say, a huge amount of material that typically I use different players for all of them. So what I've done with this recent one is I've just found people that I am confident can do all of it. And they had to learn how to do all of it too. The first thing that I did with some of these players… they didn't know how to play some of the stuff, and it took them touring to figure it out. Now, I feel that the presentation of the material is… I'm excited to be able to show it to people because I'm like, 'this sounds fucken great'. That's how I feel."
In the full interview Devin talks about writing set lists, his essential non-essential things to pack for tour, pleasing as many fans as possible, what we can expect from the shows, the early days of his career and what he was expecting out of music, what some of his motivating factors were, how early experiences helped shape his career, what drives him to keep experimenting, retaining his passion for music, the creative process and if it becomes easier or harder over time and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1269australia,devintownsend,heavy,heavymetal,interview,krispeters,podcast,strappingyounglad,tourtruefullhttps://www.spreaker.com/episode/destructive-patterns-with-brendan-davine-from-verona-lights--57491775Verona Lights are out of Melbourne, Victoria, and have recently released their newest album, titled Minos.
This is the second album vocalist Brendan Davine has appeared on, after joining the band to replace the original vocalist, but the first album Brendan feels like he has been able to flex full musical creativity.
“On Adrestia, the last album, I didn’t write any of the music,” Brendan explains, “That music was already sitting there when I joined. It had just been sitting there for years and I got to do the lyrics and the vocals how I felt was right, but I didn’t get to actually write any music. So with the new album, providing riffs and ideas, I think this album got even heavier, because I was able to write stuff.”
Brendan says Minos is a loosely based concept album, “If Adrestia was an album of self-discovery, Minos is an album of self-destruction.”
The themes of the 10 songs on Minos chronicle someone stuck in the cyclical patterns of mental health struggles; the back-and-forth of the protagonist working their way through those feelings and their self-deprecation.
Brendan does urge the listener to apply their own meaning to the songs, though. “I’m definitely one for ‘everyone should take what they get’ from hearing it.”
Listen to the full interview with Brendan to hear the complete story about Minos and where the band has their sights set in the future.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57491775Fri, 03 Nov 2023 04:12:38 +0000HEAVY MagazineInterview by Erin Eddy Verona Lights are out of Melbourne, Victoria, and have recently released their newest album, titled Minos. This is the second album vocalist Brendan Davine has appeared on, after joining the band to replace the original...Verona Lights are out of Melbourne, Victoria, and have recently released their newest album, titled Minos.
This is the second album vocalist Brendan Davine has appeared on, after joining the band to replace the original vocalist, but the first album Brendan feels like he has been able to flex full musical creativity.
“On Adrestia, the last album, I didn’t write any of the music,” Brendan explains, “That music was already sitting there when I joined. It had just been sitting there for years and I got to do the lyrics and the vocals how I felt was right, but I didn’t get to actually write any music. So with the new album, providing riffs and ideas, I think this album got even heavier, because I was able to write stuff.”
Brendan says Minos is a loosely based concept album, “If Adrestia was an album of self-discovery, Minos is an album of self-destruction.”
The themes of the 10 songs on Minos chronicle someone stuck in the cyclical patterns of mental health struggles; the back-and-forth of the protagonist working their way through those feelings and their self-deprecation.
Brendan does urge the listener to apply their own meaning to the songs, though. “I’m definitely one for ‘everyone should take what they get’ from hearing it.”
Listen to the full interview with Brendan to hear the complete story about Minos and where the band has their sights set in the future.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>3466australia,erineddy,heavy,interview,podcast,veronalightstruefullhttps://www.spreaker.com/episode/the-futility-of-existence-with-johnny-rhys-from-escarion--57491657Harnessing the intensity and intent of a debut album can be difficult.
Public expectations are noticeably higher for your second release and your existing fan base has likely also grown significantly.
Many bands attempt to replicate the things that went right the first time around and end up forcing themselves into a sonic box of expectation, but not so Australian metal outfit Escarion who have introduced elements of progressive and symphonic metal to their existing blackened death leanings for album number two, Towards A Futile Existence.
To find out more HEAVY sat for a chat with guitarist/vocalist Johnny and bass player Rhys.
"It's been really awesome," Johnny smiled of the early reception to the album. "We've got two really good reviews so far, and everyone that has listened to it has loved it. We had an album launch party last night, and we hosted it where we usually rehearse. We got a few friends to come down and have a listen, and it was great."
We ask the boys to talk more about the musical nature of Towards A Futile Existence.
"With this album, obviously coming off Pillars Of The Faith, our first album having a concept of Seven Deadly Sins and a much more subjective approach," Rhys began, "we have gone for a concept again, but this time in a broader sense where we are talking about society as a whole and the objective of looking outwards and towards the future and the bleakness of that. It's a very dark album."
In the full interview, Johnny and Rhys talk about adding progressive and symphonic elements to their music, the addition of new member Gaia and what she brings to the band, how Towards A Futile Existence differs musically to their debut, what lyrical themes they explore, the album artwork and what it means, new single Zeitgeist and how it relates to the overall sound and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57491657Fri, 03 Nov 2023 04:01:06 +0000HEAVY MagazineInterview by Kris Peters Harnessing the intensity and intent of a debut album can be difficult. Public expectations are noticeably higher for your second release and your existing fan base has likely also grown significantly. Many bands attempt to...Harnessing the intensity and intent of a debut album can be difficult.
Public expectations are noticeably higher for your second release and your existing fan base has likely also grown significantly.
Many bands attempt to replicate the things that went right the first time around and end up forcing themselves into a sonic box of expectation, but not so Australian metal outfit Escarion who have introduced elements of progressive and symphonic metal to their existing blackened death leanings for album number two, Towards A Futile Existence.
To find out more HEAVY sat for a chat with guitarist/vocalist Johnny and bass player Rhys.
"It's been really awesome," Johnny smiled of the early reception to the album. "We've got two really good reviews so far, and everyone that has listened to it has loved it. We had an album launch party last night, and we hosted it where we usually rehearse. We got a few friends to come down and have a listen, and it was great."
We ask the boys to talk more about the musical nature of Towards A Futile Existence.
"With this album, obviously coming off Pillars Of The Faith, our first album having a concept of Seven Deadly Sins and a much more subjective approach," Rhys began, "we have gone for a concept again, but this time in a broader sense where we are talking about society as a whole and the objective of looking outwards and towards the future and the bleakness of that. It's a very dark album."
In the full interview, Johnny and Rhys talk about adding progressive and symphonic elements to their music, the addition of new member Gaia and what she brings to the band, how Towards A Futile Existence differs musically to their debut, what lyrical themes they explore, the album artwork and what it means, new single Zeitgeist and how it relates to the overall sound and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1138aussiemetal,blackeneddeathmetal,escarion,heavy,heavymetal,interview,krispeters,podcastfalsefullhttps://www.spreaker.com/episode/being-yourself-with-john-boecklin-from-bad-wolves--57489640Bad Wolves hit the jackpot with their 2021 album Dear Monsters, satisfying existing fans of the band with their output, while also drawing a new breed of followers to their music.
It was a success in every way, which made their follow-up album Die About It - out now - all the more significant.
Die About It came with all of the usual fanfare, declaring it "pushes the boundaries of their soundscape in pursuit of new sonic dimensions" and more, but, as they say, the proof is always in the pudding. So is Die About It as good as everyone says?
HEAVY thinks so, but to gauge the album from the band's viewpoint we sat down with drummer John Boecklin to discuss more.
"Feeling good. Very fresh," he enthused. "It feels like a great start to a cycle. We hit the road with Bush in America. I feel the record has a lot of… not avant guard things… but things we certainly haven't tried before which makes us feel not stuck in a rut doing the same old. Rock radio, in general, is the kind of band we are, but we get very, very, very heavy in songs on this one. You can feel it, every album has a creative rut of getting kind of stuck in certain formulas, so we tried to do the best we can to stay out of that and do songs that feel more expressive and make you feel more emotions than some of the past songs."
We ask John to dive deeper into the musical side of the album.
"I think where we started it was we weren't going for anything," he measured. "We dropped any ideas of 'well, this worked in the past, let's do that'. Sometimes we did that stuff, like 'this did really good, let's do some of that'. I think some of the first songs that we wrote for this song musically were Die About It, the song, N.D.A which in the end has a two-minute saxophone solo, which is just stuff we had never tried before."
In the full interview, John explores the different sounds and approaches to making the album, the singles released and if they are a good sonic representation of the album, how much they experimented and where the band's limits were, if there was any extra pressure after the success of Dear Monsters, the overall theme on Die About It, having the band co-produce the album and some of the pros and cons with that, how Bad Wolves' sound has changed over their journey and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57489640Fri, 03 Nov 2023 00:48:10 +0000HEAVY MagazineInterview by Kris Peters Bad Wolves hit the jackpot with their 2021 album Dear Monsters, satisfying existing fans of the band with their output, while also drawing a new breed of followers to their music. It was a success in every way, which made...Bad Wolves hit the jackpot with their 2021 album Dear Monsters, satisfying existing fans of the band with their output, while also drawing a new breed of followers to their music.
It was a success in every way, which made their follow-up album Die About It - out now - all the more significant.
Die About It came with all of the usual fanfare, declaring it "pushes the boundaries of their soundscape in pursuit of new sonic dimensions" and more, but, as they say, the proof is always in the pudding. So is Die About It as good as everyone says?
HEAVY thinks so, but to gauge the album from the band's viewpoint we sat down with drummer John Boecklin to discuss more.
"Feeling good. Very fresh," he enthused. "It feels like a great start to a cycle. We hit the road with Bush in America. I feel the record has a lot of… not avant guard things… but things we certainly haven't tried before which makes us feel not stuck in a rut doing the same old. Rock radio, in general, is the kind of band we are, but we get very, very, very heavy in songs on this one. You can feel it, every album has a creative rut of getting kind of stuck in certain formulas, so we tried to do the best we can to stay out of that and do songs that feel more expressive and make you feel more emotions than some of the past songs."
We ask John to dive deeper into the musical side of the album.
"I think where we started it was we weren't going for anything," he measured. "We dropped any ideas of 'well, this worked in the past, let's do that'. Sometimes we did that stuff, like 'this did really good, let's do some of that'. I think some of the first songs that we wrote for this song musically were Die About It, the song, N.D.A which in the end has a two-minute saxophone solo, which is just stuff we had never tried before."
In the full interview, John explores the different sounds and approaches to making the album, the singles released and if they are a good sonic representation of the album, how much they experimented and where the band's limits were, if there was any extra pressure after the success of Dear Monsters, the overall theme on Die About It, having the band co-produce the album and some of the pros and cons with that, how Bad Wolves' sound has changed over their journey and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>865album,badwolves,betternoisemusic,dieaboutit,hardrock,heavy,heavymetal,interview,johnboecklin,krispeters,podcasttruefullhttps://www.spreaker.com/episode/music-in-motion-with-todd-dan-from-f-u-c--57420947It's hard to believe that after 13 years Brisbane two-piece Environmental Nu Thrash outfit F.U.C (or, as they are known in the Andes, Forests Under Construction) are finally set to bust their cherry at Wallapalooza 2023.
After hosting some of the finest bands this country has to offer from humble beginnings at the Wallaby Hotel in Mudgeeraba, festival organisers have somehow - some would argue inexplicably - failed to invite the Sunshine State's finest mankini clad musicians to their annual party.
It is a glaring omission that is finally set to be rectified on November 4 when F.U.C rightfully take their place on the main stage of Wallapalooza with the promise of nothing more than actually showing up.
F.U.C themselves have been around for longer than the festival has - another nail in the coffin for deprived locals - and have vowed that 2023 will be the year Walla fans are called forth to pay for the sins of their forefathers by way of musical disciplinary action that may or may not involve two hot and sweaty musicians watching as their stage sweat spills from their brows into the depths of your… schooners of beer.
To add spice to the mix F.U.C have recently unleashed their new EP Everythink, just in time to be road tested at Wallapalooza. A swirling mass of punk, metal, rock, thrash and love potions sure to tame even the meekest of beasts, Everythink sees F.U.C at their unrestrained best with tracks like Dick Massage, Snap Off A Log and VIPness only hinting at the inner passion just waiting to be released from their sweaty outside undergarments.
If you have not yet become acquainted with F.U.C we strongly recommend that you mark their set time down into your Walla diary first and foremost, because these guys are sure to produce one of the standout performances of the day.
And don't just take our word for it, because drummer Toddy and guitarist Dan graciously gave up their time to talk with HEAVY, if only so they could tell us so themselves.
"We've got a massive gig coming up for Wallapalooza on November 4," Todd began, stating the obvious. "It's gonna be awesome, and we're very excited."
Despite only being added to a line-up that includes COG, Butterfingers, 28 Days and more at the eleventh hour, both boys feel strongly that their name should have been read out atop of the list back when the first artist drop was revealed.
"Everyone loves a bit of F.U.C," Todd shrugged. "Penises… animals… This will be our first time doing Wallapalooza. I think it's in its 13th year, and we're very excited for it because it's always been a pretty cool event from the outside looking in."
Sitting amongst a wealth of big names at the head of the poster, F.U.C surely have something special to offer punters?
"We'll slip in somewhere, I'm sure," Todd laughed. "I'm sure it will be a hot, sweaty day so there will be plenty of lube and we'll just slide on in somewhere in between all of them and prime the audience I suppose."
Todd turns the question to Dan, asking "what do you reckon?" to which Dan replies "I don't know." Todd's ensuing quip of "you don't know?" followed by a healthy dose of laughter pretty much epitomises one of the main strengths of F.U.C.
The chemistry between the two scantily clad bandmates, which only intensifies as the interview continues.
In the full chat, Todd and Dan give us a bit of history on F.U.C, their penchant for mankini's and why, the EP Everthink and why it took so long to see light, the musical nature of their music and where it comes from, a track by track analysis on the six songs that make up Everythink, what punters can expect from their set and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57420947Sat, 28 Oct 2023 13:08:13 +0000HEAVY MagazineInterview by Kris Peters It's hard to believe that after 13 years Brisbane two-piece Environmental Nu Thrash outfit F.U.C (or, as they are known in the Andes, Forests Under Construction) are finally set to bust their cherry at Wallapalooza 2023. After...It's hard to believe that after 13 years Brisbane two-piece Environmental Nu Thrash outfit F.U.C (or, as they are known in the Andes, Forests Under Construction) are finally set to bust their cherry at Wallapalooza 2023.
After hosting some of the finest bands this country has to offer from humble beginnings at the Wallaby Hotel in Mudgeeraba, festival organisers have somehow - some would argue inexplicably - failed to invite the Sunshine State's finest mankini clad musicians to their annual party.
It is a glaring omission that is finally set to be rectified on November 4 when F.U.C rightfully take their place on the main stage of Wallapalooza with the promise of nothing more than actually showing up.
F.U.C themselves have been around for longer than the festival has - another nail in the coffin for deprived locals - and have vowed that 2023 will be the year Walla fans are called forth to pay for the sins of their forefathers by way of musical disciplinary action that may or may not involve two hot and sweaty musicians watching as their stage sweat spills from their brows into the depths of your… schooners of beer.
To add spice to the mix F.U.C have recently unleashed their new EP Everythink, just in time to be road tested at Wallapalooza. A swirling mass of punk, metal, rock, thrash and love potions sure to tame even the meekest of beasts, Everythink sees F.U.C at their unrestrained best with tracks like Dick Massage, Snap Off A Log and VIPness only hinting at the inner passion just waiting to be released from their sweaty outside undergarments.
If you have not yet become acquainted with F.U.C we strongly recommend that you mark their set time down into your Walla diary first and foremost, because these guys are sure to produce one of the standout performances of the day.
And don't just take our word for it, because drummer Toddy and guitarist Dan graciously gave up their time to talk with HEAVY, if only so they could tell us so themselves.
"We've got a massive gig coming up for Wallapalooza on November 4," Todd began, stating the obvious. "It's gonna be awesome, and we're very excited."
Despite only being added to a line-up that includes COG, Butterfingers, 28 Days and more at the eleventh hour, both boys feel strongly that their name should have been read out atop of the list back when the first artist drop was revealed.
"Everyone loves a bit of F.U.C," Todd shrugged. "Penises… animals… This will be our first time doing Wallapalooza. I think it's in its 13th year, and we're very excited for it because it's always been a pretty cool event from the outside looking in."
Sitting amongst a wealth of big names at the head of the poster, F.U.C surely have something special to offer punters?
"We'll slip in somewhere, I'm sure," Todd laughed. "I'm sure it will be a hot, sweaty day so there will be plenty of lube and we'll just slide on in somewhere in between all of them and prime the audience I suppose."
Todd turns the question to Dan, asking "what do you reckon?" to which Dan replies "I don't know." Todd's ensuing quip of "you don't know?" followed by a healthy dose of laughter pretty much epitomises one of the main strengths of F.U.C.
The chemistry between the two scantily clad bandmates, which only intensifies as the interview continues.
In the full chat, Todd and Dan give us a bit of history on F.U.C, their penchant for mankini's and why, the EP Everthink and why it took so long to see light, the musical nature of their music and where it comes from, a track by track analysis on the six songs that make up Everythink, what punters can expect from their set and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>138928days,cog,environmentalnuthrash,festival,forestsunderconstruction,f.u.c,hardrock,heavymetal,interview,podcast,punk,thrashmetal,toddhansen,wallabyhotel,wallapalooza2023truefullhttps://www.spreaker.com/episode/the-healing-nature-of-music-with-nur-nh--57411676After starting her career back in 1996, multilingual singer-songwriter Nur NH quickly set her sights on a global audience, signing with US label World Media Alliance in 2011 and enjoying success with her EP Real Story.
She found herself on the cusp of something special, but then suddenly vanished from music in 2013, not re-emerging for a decade.
In a tale too unnerving to be told by anyone but herself, Nur NH found herself in an abusive relationship which shattered her dreams and nearly cost her her life.
From that period of desolation, Nur NH has somehow managed to regain her drive and focus, with the first step on her path of healing coming in the form of her comeback EP Unbroken, which will be released on November 11.
To help celebrate her first steps back into music and life in general, the singer has released the lead single from Unbroken, a mesmerising tale of survival called I'm Done With You.
HEAVY sat down with Nur NH earlier this week to discuss her new music.
"I started my career in 1996 as a singer," she explained, "and then I played with a rock band in 2007 and then released my first EP Real Story in 2011 through US label World Media Alliance. Then I stopped my career in 2013 with my personal reasons, and then I just came back to playing music again in 2022 and now here I am."
We ask how it feels to be back making music again and how the first single has been received.
"It's really good," she smiled. "It's a really special song for me and means a lot for me because I'm Done With You is the first song that I wrote after 10 years of stop playing music. I'm really happy. I'm happy because I came back again to play music after 10 years."
In the full interview, Nur NH discusses I'm Done With You musically, runs us through the music video which was filmed in Borneo and why, the cleansing nature of music, regaining her feet in the scene, talks us through each of the four tracks on Unbroken and the meaning behind them, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57411676Fri, 27 Oct 2023 17:26:15 +0000HEAVY MagazineInterview by Kris Peters After starting her career back in 1996, multilingual singer-songwriter Nur NH quickly set her sights on a global audience, signing with US label World Media Alliance in 2011 and enjoying success with her EP Real Story. She...After starting her career back in 1996, multilingual singer-songwriter Nur NH quickly set her sights on a global audience, signing with US label World Media Alliance in 2011 and enjoying success with her EP Real Story.
She found herself on the cusp of something special, but then suddenly vanished from music in 2013, not re-emerging for a decade.
In a tale too unnerving to be told by anyone but herself, Nur NH found herself in an abusive relationship which shattered her dreams and nearly cost her her life.
From that period of desolation, Nur NH has somehow managed to regain her drive and focus, with the first step on her path of healing coming in the form of her comeback EP Unbroken, which will be released on November 11.
To help celebrate her first steps back into music and life in general, the singer has released the lead single from Unbroken, a mesmerising tale of survival called I'm Done With You.
HEAVY sat down with Nur NH earlier this week to discuss her new music.
"I started my career in 1996 as a singer," she explained, "and then I played with a rock band in 2007 and then released my first EP Real Story in 2011 through US label World Media Alliance. Then I stopped my career in 2013 with my personal reasons, and then I just came back to playing music again in 2022 and now here I am."
We ask how it feels to be back making music again and how the first single has been received.
"It's really good," she smiled. "It's a really special song for me and means a lot for me because I'm Done With You is the first song that I wrote after 10 years of stop playing music. I'm really happy. I'm happy because I came back again to play music after 10 years."
In the full interview, Nur NH discusses I'm Done With You musically, runs us through the music video which was filmed in Borneo and why, the cleansing nature of music, regaining her feet in the scene, talks us through each of the four tracks on Unbroken and the meaning behind them, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>595australia,hardrock,heavy,interview,krispeters,music,nurnh,podcast,rockfalsefullhttps://www.spreaker.com/episode/ripping-it-up-at-wallapalooza-with-damo-from-28-days--57409618What better way to celebrate your 13th birthday than to return to your spiritual home; the place where it all began?
Which is exactly what Wallapalooza are doing this year when the festival returns to its birthplace at The Wallaby Hotel on November 4 for a music extravaganza unlike any seen on the local circuit for some time.
Spearheaded by COG, Wallapalooza 2023 also features 28 Days, Butterfingers, Anty!, F.U.C, Dreamkillers, Azreal, PistonFist, Kaosphere, Snake Mountain and plenty more in what promises to be an Australian festival for music lovers of all tastes.
After slaying last year's event, 28 Days return to up their game even more this year, with bass player Damo joining HEAVY to discuss more.
"We haven't played with COG for probably fifteen years I reckon," he began, "so it will be good to catch up with those guys again. We always used to play freezer gigs with them - like all ages things back in the day - so, yeah, it will be awesome."
Last year's event was held at the nearby Mudgeeraba Showgrounds, which gave the show an outdoors feel and was a huge success, so we hit Damo up to see how he feels about returning to more of a pub feel for 2023.
"Last year was cool, it was huge," he smiled, "and it probably would have been too much of a task to pull it off every year. We actually stayed at The Wallaby Hotel last year (laughs) and they kind of walked us through the layout of when it was always there, so it will be cool. It will be ace to get there and play. We like those kind of 'little' festivals. The 2000 type people ones. They just seem more intimate, but still with enough of a crowd to make it really hyper."
In the full interview, Damo talks more about the benefits of having 100% Australian band festivals, what we can expect from 28 Days, the early days of the band and the musical climate that created them, hitting commercial success with Upstyledown and why he thinks people connected with that album, the possibility of new music from 28 Days and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57409618Fri, 27 Oct 2023 15:52:52 +0000HEAVY MagazineInterview by Kris Peters What better way to celebrate your 13th birthday than to return to your spiritual home; the place where it all began? Which is exactly what Wallapalooza are doing this year when the festival returns to its birthplace at The...What better way to celebrate your 13th birthday than to return to your spiritual home; the place where it all began?
Which is exactly what Wallapalooza are doing this year when the festival returns to its birthplace at The Wallaby Hotel on November 4 for a music extravaganza unlike any seen on the local circuit for some time.
Spearheaded by COG, Wallapalooza 2023 also features 28 Days, Butterfingers, Anty!, F.U.C, Dreamkillers, Azreal, PistonFist, Kaosphere, Snake Mountain and plenty more in what promises to be an Australian festival for music lovers of all tastes.
After slaying last year's event, 28 Days return to up their game even more this year, with bass player Damo joining HEAVY to discuss more.
"We haven't played with COG for probably fifteen years I reckon," he began, "so it will be good to catch up with those guys again. We always used to play freezer gigs with them - like all ages things back in the day - so, yeah, it will be awesome."
Last year's event was held at the nearby Mudgeeraba Showgrounds, which gave the show an outdoors feel and was a huge success, so we hit Damo up to see how he feels about returning to more of a pub feel for 2023.
"Last year was cool, it was huge," he smiled, "and it probably would have been too much of a task to pull it off every year. We actually stayed at The Wallaby Hotel last year (laughs) and they kind of walked us through the layout of when it was always there, so it will be cool. It will be ace to get there and play. We like those kind of 'little' festivals. The 2000 type people ones. They just seem more intimate, but still with enough of a crowd to make it really hyper."
In the full interview, Damo talks more about the benefits of having 100% Australian band festivals, what we can expect from 28 Days, the early days of the band and the musical climate that created them, hitting commercial success with Upstyledown and why he thinks people connected with that album, the possibility of new music from 28 Days and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>68828days,anty!,butterfingers,cog,hardrock,heavy,heavymetal,interview,krispeters,podcast,punk,rock,wallabyhotel,wallapalooza2023falsefullhttps://www.spreaker.com/episode/to-wacken-and-beyond-with-deprivation--57403185Australian thrash outfit Deprivation have had a year to remember.
Earlier this year the band edged out a strong heat of finalists to win the Australian Wacken Battle Of The Bands competition which had as its first place the opportunity to grace the stage at the prestigious Wacken 2023 in Germany.
It was the crowning achievement for a band with over 15 years of servitude to the Australian heavy metal industry and just rewards for an unwavering passion and commitment to the scene.
HEAVY recently sat down with lead guitarist Lachlan and bass player Jesse to find out more, starting with if their feet had managed to touch the ground a couple of months after the event.
"Yeah, it's been a while now," Lachlan answered. "But it took a bit to get off that high for sure."
"We were all a bit grumpy when we got back," Jesse added, laughing.
We ask the boys to think back to the final in May and tell us if they thought they had done enough on the night to win.
"I, personally reckon we absolutely killed it on the final," Jesse nodded, "but there was some fantastic competition. There was that whole what's gonna happen thing, and we all put on our A game, and obviously it worked out well for us. It was a very tight competition."
"We definitely played as good as we've ever played that night," Lachlan added. "So there was no reason not to think we didn't put our best effort in."
In the full interview, Lachlan and Jesse run us through getting the call to tell them they had won, how they raised the money to get to Germany, how they were treated by other bands, the wet weather that plagued Wacken this year and what it meant for them, the 'bonus' international Battle Of The Bands where they came tenth, playing on the main stage, the actual set and how they felt, what they took from the experience, the live video for Burn recorded at Wacken, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57403185Fri, 27 Oct 2023 02:20:17 +0000HEAVY MagazineInterview by Kris Peters Australian thrash outfit Deprivation have had a year to remember. Earlier this year the band edged out a strong heat of finalists to win the Australian Wacken Battle Of The Bands competition which had as its first place the...Australian thrash outfit Deprivation have had a year to remember.
Earlier this year the band edged out a strong heat of finalists to win the Australian Wacken Battle Of The Bands competition which had as its first place the opportunity to grace the stage at the prestigious Wacken 2023 in Germany.
It was the crowning achievement for a band with over 15 years of servitude to the Australian heavy metal industry and just rewards for an unwavering passion and commitment to the scene.
HEAVY recently sat down with lead guitarist Lachlan and bass player Jesse to find out more, starting with if their feet had managed to touch the ground a couple of months after the event.
"Yeah, it's been a while now," Lachlan answered. "But it took a bit to get off that high for sure."
"We were all a bit grumpy when we got back," Jesse added, laughing.
We ask the boys to think back to the final in May and tell us if they thought they had done enough on the night to win.
"I, personally reckon we absolutely killed it on the final," Jesse nodded, "but there was some fantastic competition. There was that whole what's gonna happen thing, and we all put on our A game, and obviously it worked out well for us. It was a very tight competition."
"We definitely played as good as we've ever played that night," Lachlan added. "So there was no reason not to think we didn't put our best effort in."
In the full interview, Lachlan and Jesse run us through getting the call to tell them they had won, how they raised the money to get to Germany, how they were treated by other bands, the wet weather that plagued Wacken this year and what it meant for them, the 'bonus' international Battle Of The Bands where they came tenth, playing on the main stage, the actual set and how they felt, what they took from the experience, the live video for Burn recorded at Wacken, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>7732023,australia,deprivation,heavy,heavymetal,interview,krispeters,podcast,thrashmetal,wackentruefullhttps://www.spreaker.com/episode/revitalised-spirit-with-chad-grey-from-mudvayne--57338744Mudvayne are one of the most influential bands when it comes to the genre of music they helped to pioneer.
When they dropped their debut album L.D 50 in the year 2000 it is fair to say the entire sonic landscape of heavy metal shifted irreversibly and the nu-metal movement that had until then just been threatening to take flight now had a tough-as-nails pilot who was unafraid to break convention and expectation without fear of retribution.
Quite simply, Mudvayne took a collective musical vision and rebirthed that vision in their own image.
And, more importantly, made it work.
After continuing their steep upward trajectory for another decade after that debut release, Mudvayne disbanded without a declaration of resolve and just like that it was feared the four menacing nu-metal warriors would be lost to a world with still so much left to give.
Frontman Chad Grey went on to form Hellyeah and the success of that band all but extinguished any rumblings of a Mudvayne reunion before tragedy struck when Hellyeah drummer Vinnie Paul succumbed to illness and passed this world, leaving Grey with an empty musical chasm that was still far from being satiated.
In 2021 the news the metal world had been sweating on broke that Mudvayne would be getting back together for select festival shows which planted the seeds of revival that grew and flourished rapidly to the stage that Mudvayne could now be recognised as a fully-fledged touring outfit once more.
Having always held a soft spot for their Australian fans, Mudvayne have declared February 2024 as payback time for their patient followers on this side of the world, bringing with them another reunion success story in the once more Dez Fafara led Coal Chamber.
Shortly after news of the tour broke HEAVY sat down for some quality time with Chad Grey who was more than happy to open up about the past, present and future of Mudvayne.
We start by extending a warm display of gratitude on behalf of all Australian metal lovers.
"It's been almost two decades, so…" he laughed. "I guess it's about time."
Such is the global hype generated by Mudvayne being back together the band could have pretty much asked any other international outfit to join them for this tour, so why settle on Coal Chamber?
"I go way back with Miguel and Mikey," he explained. "We go back a long way. It's just gonna be rad. I mean, we just did it here in this past Summer with them - a couple of weeks ago actually, we just got home - but we had a blast with those guys, so it was kind of a no-brainer to bring them down with us. We figured that you guys would enjoy them too. Everybody is just playing really well. They did phenomenal over the Summer, so we had to bring them with us."
It's been a large number of years between visits, so we press Grey on - aside from the obvious - has changed with the band since they were last here.
"Man, not much," he measured. "We weren't a band for ten years, and then we started out the conversation and everybody started being genuinely excited about it again. We surrounded ourselves with some new people that we're working with and doing business with, and they're exciting and fun and really helping us embrace Mudvayne and what we've done. We're just so excited to be coming to Australia. We had those three comeback festivals and then wedid the tour last year with Zombie, and we've just been sitting around. We did this most recent tour, and we heard mutterings of Australia and was so excited about it because I love Australia. There's a lot of history down there. When we heard it was solidified we were on a conference call and everyone was so excited and so jived and so pumped about coming back. We all absolutely love Australia. We love as much as how beautiful the country is, it's the people. The metal community in Australia is so dope. We're just really excited to get back down there and play for you guys again. You guys are very, very special to us. I always say if you're going to release an album somewhere, you better be going some place warm. We've released albums in Australia, so we've gotta go down and play there for you. That's the way it goes."
Aside from camera footage that has emerged from their US shows, little has surfaced surrounding Mudvayne's live performances. Despite already knowing the answer to an extent we ask Grey what fans can expect from Mudvayne 2024.
"Intensity," he deadpanned. "It's there, and solid man. We're really feeding off each other; we're feeding off the crowd. There's an awesome energy that goes back and forth between us and our crowd, and it just builds and builds and builds and builds through the whole set. It's just amazing. It's intense, it's helpless, it's frenetic, it's crazy, it's angsty and angry and almost violent, but on the other sense it's sad, and it's helpless. But there's a lot of good feelings in there too. Metal runs the gamut of human emotion and that's always been something that we've tried to tap into. It's important to us to bring that to our live performance. That level of emotion that is very true and very real and very honest and very vulnerable."
In the full interview, Chad talks about the 2010 breakup of Mudvayne and what changed ten years later to make them try again, how the first couple of shows went after being apart for so long, the progression from festival shows to touring with Rob Zombie to doing headline shows and if that was a planned progression, if Mudvayne will be touring in full makeup, the early days of the band and their formation, how far nu metal has come since Mudvayne started and if it has evolved the way he thought, what he considers Mudvayne's role in heavy metal, new music or an album and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57338744Thu, 26 Oct 2023 01:48:40 +0000HEAVY MagazineInterview by Kris Peters Mudvayne are one of the most influential bands when it comes to the genre of music they helped to pioneer. When they dropped their debut album L.D 50 in the year 2000 it is fair to say the entire sonic landscape of heavy metal...Mudvayne are one of the most influential bands when it comes to the genre of music they helped to pioneer.
When they dropped their debut album L.D 50 in the year 2000 it is fair to say the entire sonic landscape of heavy metal shifted irreversibly and the nu-metal movement that had until then just been threatening to take flight now had a tough-as-nails pilot who was unafraid to break convention and expectation without fear of retribution.
Quite simply, Mudvayne took a collective musical vision and rebirthed that vision in their own image.
And, more importantly, made it work.
After continuing their steep upward trajectory for another decade after that debut release, Mudvayne disbanded without a declaration of resolve and just like that it was feared the four menacing nu-metal warriors would be lost to a world with still so much left to give.
Frontman Chad Grey went on to form Hellyeah and the success of that band all but extinguished any rumblings of a Mudvayne reunion before tragedy struck when Hellyeah drummer Vinnie Paul succumbed to illness and passed this world, leaving Grey with an empty musical chasm that was still far from being satiated.
In 2021 the news the metal world had been sweating on broke that Mudvayne would be getting back together for select festival shows which planted the seeds of revival that grew and flourished rapidly to the stage that Mudvayne could now be recognised as a fully-fledged touring outfit once more.
Having always held a soft spot for their Australian fans, Mudvayne have declared February 2024 as payback time for their patient followers on this side of the world, bringing with them another reunion success story in the once more Dez Fafara led Coal Chamber.
Shortly after news of the tour broke HEAVY sat down for some quality time with Chad Grey who was more than happy to open up about the past, present and future of Mudvayne.
We start by extending a warm display of gratitude on behalf of all Australian metal lovers.
"It's been almost two decades, so…" he laughed. "I guess it's about time."
Such is the global hype generated by Mudvayne being back together the band could have pretty much asked any other international outfit to join them for this tour, so why settle on Coal Chamber?
"I go way back with Miguel and Mikey," he explained. "We go back a long way. It's just gonna be rad. I mean, we just did it here in this past Summer with them - a couple of weeks ago actually, we just got home - but we had a blast with those guys, so it was kind of a no-brainer to bring them down with us. We figured that you guys would enjoy them too. Everybody is just playing really well. They did phenomenal over the Summer, so we had to bring them with us."
It's been a large number of years between visits, so we press Grey on - aside from the obvious - has changed with the band since they were last here.
"Man, not much," he measured. "We weren't a band for ten years, and then we started out the conversation and everybody started being genuinely excited about it again. We surrounded ourselves with some new people that we're working with and doing business with, and they're exciting and fun and really helping us embrace Mudvayne and what we've done. We're just so excited to be coming to Australia. We had those three comeback festivals and then wedid the tour last year with Zombie, and we've just been sitting around. We did this most recent tour, and we heard mutterings of Australia and was so excited about it because I love Australia. There's a lot of history down there. When we heard it was solidified we were on a conference call and everyone was so excited and so jived and so pumped about coming back. We all absolutely love Australia. We love as much as how beautiful the country is, it's the people. The metal community in Australia is so dope. We're just really excited to get back down there and play for you guys...]]>1149australia,chadgrey,coalchamber,heavy,heavymetal,hellyeah,interview,krispeters,mudvayne,music,numetal,podcast,tourtruefullhttps://www.spreaker.com/episode/the-titans-are-coming-with-mille-petrozza-from-kreator--57331611After blind-siding the whole country last week with the announcement of Machine Head and Fear Factory heading Down Under early next year for a dream double header, Nuclear Blast Records have done it again, this time throwing In Flames and Kreator into the ring as a touring duo.
Dubbed Klash Of The Titans, these two heavyweights will unite for a co-headlining tour in February 2024, marking Kreator's first trip to this country since 2017.
It is a match forged from the fiery depths of the Metal God's own battleaxe and promises to leave a sonic trail of mayhem and destruction across the land.
HEAVY caught up with Kreator singer/guitarist Mille Petrozza on the eve of the tour announcement to get his thoughts.
"Thanks for having us," he quipped when we thanked him and the band for booking the run of shows. "For us Australia is always special. It's on the other side of the world and for bands like us, we have been coming to Australia since 1993, and it's always a blast. We always have an amazing time. The fans are amazing, and we are really looking forward to this tour."
Not that they need a reason, but we asked Petrozza why In Flames were chosen as touring partners.
"We have this Klash Of The Titans here with Sepultura and Testament in South America and North America in the past, and we were thinking about doing an additional tour for Australia," he offered. "So we asked In Flames because they are friends of ours, and they were like 'yeah, let's do this! It's gonna be two full headlining shows as a co-headlining bill. Both bands are gonna play 100% of headlining shows, and it's gonna be good. You get the full double treatment."
This will be Kreator's first trek to this side of the world in six years, so we ask Petrozza what has changed with the band in that time.
"We had the pandemic," he sighed, "and that kept us from coming back and kept us from releasing our album a year earlier. It was written already in 2020, and we waited until 2022 to release the album… So it was basically the pandemic that kept us from coming to Australia earlier. Since nobody was able to tour, but now this horrible pandemic is in the past, and we are able to come back."
We ask Petrozza what fans can expect from the shows.
"(laughs) It's gonna be a nice mix between the 2000s material of Kreator and ancient stuff from the 80s," he revealed. "We have a nice set list. We're gonna play some of our new album and I think there's gonna be something for everyone. Of course, we'll bring some production, and it's gonna be a good show. I think people will definitely be able to enjoy a great night of metal."
In the full interview, Mille runs through the touring schedule in more detail, takes us back to the start of Kreator and the musical landscape that gave birth to the band, their early vision and how it has changed, how their sound has changed over the course of their career, his view on modern metal, his top three commandments of metal and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57331611Thu, 26 Oct 2023 01:21:42 +0000HEAVY MagazineInterview by Kris Peters After blind-siding the whole country last week with the announcement of Machine Head and Fear Factory heading Down Under early next year for a dream double header, Nuclear Blast Records have done it again, this time throwing...After blind-siding the whole country last week with the announcement of Machine Head and Fear Factory heading Down Under early next year for a dream double header, Nuclear Blast Records have done it again, this time throwing In Flames and Kreator into the ring as a touring duo.
Dubbed Klash Of The Titans, these two heavyweights will unite for a co-headlining tour in February 2024, marking Kreator's first trip to this country since 2017.
It is a match forged from the fiery depths of the Metal God's own battleaxe and promises to leave a sonic trail of mayhem and destruction across the land.
HEAVY caught up with Kreator singer/guitarist Mille Petrozza on the eve of the tour announcement to get his thoughts.
"Thanks for having us," he quipped when we thanked him and the band for booking the run of shows. "For us Australia is always special. It's on the other side of the world and for bands like us, we have been coming to Australia since 1993, and it's always a blast. We always have an amazing time. The fans are amazing, and we are really looking forward to this tour."
Not that they need a reason, but we asked Petrozza why In Flames were chosen as touring partners.
"We have this Klash Of The Titans here with Sepultura and Testament in South America and North America in the past, and we were thinking about doing an additional tour for Australia," he offered. "So we asked In Flames because they are friends of ours, and they were like 'yeah, let's do this! It's gonna be two full headlining shows as a co-headlining bill. Both bands are gonna play 100% of headlining shows, and it's gonna be good. You get the full double treatment."
This will be Kreator's first trek to this side of the world in six years, so we ask Petrozza what has changed with the band in that time.
"We had the pandemic," he sighed, "and that kept us from coming back and kept us from releasing our album a year earlier. It was written already in 2020, and we waited until 2022 to release the album… So it was basically the pandemic that kept us from coming to Australia earlier. Since nobody was able to tour, but now this horrible pandemic is in the past, and we are able to come back."
We ask Petrozza what fans can expect from the shows.
"(laughs) It's gonna be a nice mix between the 2000s material of Kreator and ancient stuff from the 80s," he revealed. "We have a nice set list. We're gonna play some of our new album and I think there's gonna be something for everyone. Of course, we'll bring some production, and it's gonna be a good show. I think people will definitely be able to enjoy a great night of metal."
In the full interview, Mille runs through the touring schedule in more detail, takes us back to the start of Kreator and the musical landscape that gave birth to the band, their early vision and how it has changed, how their sound has changed over the course of their career, his view on modern metal, his top three commandments of metal and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>731australia,heavy,inflames,interview,klashofthetitans,kreator,krispeters,millepetrozza,nuclearblastrecords,podcast,thrashmetal,tourtruefullhttps://www.spreaker.com/episode/good-times-and-music-with-paul-martin-from-devilskin--57386920The annual Lagerfest traveling musical sideshow is legendary in this country for its combination of music and mayhem, with Lagerfest 2023 promising to continue that tradition.
Joining hosts Lagerstein will be The Halo Effect, Beyond The Black and Devilskin, making this year's run a truly international affair.
With Devilskin having been away from our shores for a couple of years, the hard-rocking Kiwi outfit is keen to return, with bass player Paul Martin joining HEAVY to chat about life and music and the bonus show at Froth & Fury Festival.
"Shit's getting real," he laughed. "To be sharing the bill with The Halo Effect for a start… holy crap. There's some legacy in that band. So it's just gonna be unreal to be a part of that bill and get to watch them every night. Beyond The Black are very exciting as well, and man, they've got huge numbers in Germany and around Europe. It's gonna be great, and of course Lagerstein. It looks intense and it looks like a hell of a lot of fun."
We point out the name of the tour - Lagerfest - and the insinuation that the whole tour should be one big party.
"That looks exactly what's gonna be going on," Martin smiled. "Plenty of drinking out of boots and that sort of carry on from what I can see. It looks like a hoot. It just looks like fun, and it's a diverse lineup of very cool bands. The crowds are in for a big treat."
In the full interview, Paul talks more about Lagerfest, their show at Froth & Fury, what to expect from Devilskin's shows, what has changed with the band since they were last out here, guitarist Nails being invited to be a Gibson Artist, next year's 10th anniversary of their debut album We Rise, their special plans for it, how Devilskin has grown musically since that album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57386920Thu, 26 Oct 2023 01:16:36 +0000HEAVY MagazineInterview by Kris Peters The annual Lagerfest traveling musical sideshow is legendary in this country for its combination of music and mayhem, with Lagerfest 2023 promising to continue that tradition. Joining hosts Lagerstein will be The Halo Effect,...The annual Lagerfest traveling musical sideshow is legendary in this country for its combination of music and mayhem, with Lagerfest 2023 promising to continue that tradition.
Joining hosts Lagerstein will be The Halo Effect, Beyond The Black and Devilskin, making this year's run a truly international affair.
With Devilskin having been away from our shores for a couple of years, the hard-rocking Kiwi outfit is keen to return, with bass player Paul Martin joining HEAVY to chat about life and music and the bonus show at Froth & Fury Festival.
"Shit's getting real," he laughed. "To be sharing the bill with The Halo Effect for a start… holy crap. There's some legacy in that band. So it's just gonna be unreal to be a part of that bill and get to watch them every night. Beyond The Black are very exciting as well, and man, they've got huge numbers in Germany and around Europe. It's gonna be great, and of course Lagerstein. It looks intense and it looks like a hell of a lot of fun."
We point out the name of the tour - Lagerfest - and the insinuation that the whole tour should be one big party.
"That looks exactly what's gonna be going on," Martin smiled. "Plenty of drinking out of boots and that sort of carry on from what I can see. It looks like a hoot. It just looks like fun, and it's a diverse lineup of very cool bands. The crowds are in for a big treat."
In the full interview, Paul talks more about Lagerfest, their show at Froth & Fury, what to expect from Devilskin's shows, what has changed with the band since they were last out here, guitarist Nails being invited to be a Gibson Artist, next year's 10th anniversary of their debut album We Rise, their special plans for it, how Devilskin has grown musically since that album and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>492australia,beyondtheblack,devilskin,hardrock,heavy,heavymetal,interview,krispeters,lagerfest,lagerstein,paulmartin,podcast,rock,thehaloeffecttruefullhttps://www.spreaker.com/episode/no-need-to-pump-the-brakes-with-macka-from-cosmic-psychos--57338962It's not like they have ever needed an excuse for a party, but you can be rest assured when a legitimate reason rears its festive head that the Cosmic Psychos won't fall over themselves complaining.
After four decades of delivering their own brand of brutally honest punk rock humour, Cosmic Psychos have dared to allow themselves time for reflection with three massive shows over three ever more massive nights at the Theatre Royal in Castlemaine over December 1, 2 and 3.
In true Psychos fashion there will be much fun and merriment to commemorate the occasion, with a Cosmic Psychos branded beer being released to ensure everyone is in the right mood for a party.
Each night will see a different selection of bands hand-picked by the Cosmic Psychos themselves, with The Chats, Amyl & The Sniffers and Dune Rats each taking their opportunity to close their chosen night of entertainment while the Cosmic Psychos savour their own beer after giving themselves the second last slot on the nightly run sheet.
Pretty clever for a bunch of old fellas.
But the party doesn't stop there.
Before the fat bloke in a red suit gets stuck in your chimney this December the trio would have also hit South Australia and Western Australia before regrouping for a massive run of East Coast shows in January with Zeke.
Must be something in the beer…
To find out more details HEAVY tracked down guitarist Macka in a barn somewhere in the US of A where the band are currently on tour with The Chats. It was an entertaining but almost doomed chat when Macka nearly died of thirst after not being able to locate his trusty bottle opener.
"I think you would probably say both, Kris," he replied when I asked if 40 years was cause for commiserations or congratulations. "I don't think there's either side to it. It's good. We've seen a few things, good and bad, but overall we're still going, and it's good fun."
While the sound and thought of a three-day bender to celebrate entering the Naughty 40s might sound like a heap of fun, it's not exactly something that becomes easier to do the more the years pass. We point out that the boys have set the bar possibly unrealistically high.
"It depends on what the record is," he quipped. "It might be low, we'll see (laughs). We're looking forward to it. There's some great bands playing and all that sort of stuff. We've got people coming from overseas to do it, like Pat Todd. He's nearly 70, and he hasn't even been to Australia yet so this is his first trip. Blowers, Dead Clampetts, etc."
In the full interview, Macka talks more about the bands playing over the three nights and why they were asked, whether the band had to taste test the Psychos beer for approval, the after-show festivities, what range of songs they will play over three shows, who he thinks will stay the distance, the possibility of new material and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57338962Sun, 22 Oct 2023 00:32:07 +0000HEAVY MagazineInterview by Kris Peters It's not like they have ever needed an excuse for a party, but you can be rest assured when a legitimate reason rears its festive head that the Cosmic Psychos won't fall over themselves complaining. After four decades of...It's not like they have ever needed an excuse for a party, but you can be rest assured when a legitimate reason rears its festive head that the Cosmic Psychos won't fall over themselves complaining.
After four decades of delivering their own brand of brutally honest punk rock humour, Cosmic Psychos have dared to allow themselves time for reflection with three massive shows over three ever more massive nights at the Theatre Royal in Castlemaine over December 1, 2 and 3.
In true Psychos fashion there will be much fun and merriment to commemorate the occasion, with a Cosmic Psychos branded beer being released to ensure everyone is in the right mood for a party.
Each night will see a different selection of bands hand-picked by the Cosmic Psychos themselves, with The Chats, Amyl & The Sniffers and Dune Rats each taking their opportunity to close their chosen night of entertainment while the Cosmic Psychos savour their own beer after giving themselves the second last slot on the nightly run sheet.
Pretty clever for a bunch of old fellas.
But the party doesn't stop there.
Before the fat bloke in a red suit gets stuck in your chimney this December the trio would have also hit South Australia and Western Australia before regrouping for a massive run of East Coast shows in January with Zeke.
Must be something in the beer…
To find out more details HEAVY tracked down guitarist Macka in a barn somewhere in the US of A where the band are currently on tour with The Chats. It was an entertaining but almost doomed chat when Macka nearly died of thirst after not being able to locate his trusty bottle opener.
"I think you would probably say both, Kris," he replied when I asked if 40 years was cause for commiserations or congratulations. "I don't think there's either side to it. It's good. We've seen a few things, good and bad, but overall we're still going, and it's good fun."
While the sound and thought of a three-day bender to celebrate entering the Naughty 40s might sound like a heap of fun, it's not exactly something that becomes easier to do the more the years pass. We point out that the boys have set the bar possibly unrealistically high.
"It depends on what the record is," he quipped. "It might be low, we'll see (laughs). We're looking forward to it. There's some great bands playing and all that sort of stuff. We've got people coming from overseas to do it, like Pat Todd. He's nearly 70, and he hasn't even been to Australia yet so this is his first trip. Blowers, Dead Clampetts, etc."
In the full interview, Macka talks more about the bands playing over the three nights and why they were asked, whether the band had to taste test the Psychos beer for approval, the after-show festivities, what range of songs they will play over three shows, who he thinks will stay the distance, the possibility of new material and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>537amyl&thesniffers,cosmicpsychos,dunerats,hardrock,heavy,interview,krispeters,podcast,punk,thechats,tour,zeketruefullhttps://www.spreaker.com/episode/flying-the-red-flag-with-jeremy-lenzo-from-mayday-parade--57338444In just over a week's time Australia will fall victim to musical mayhem seldom witnessed in the modern sanitised age.
With the wonders of technology taking much of the mystery and mystique out of the rock and roll lifestyle, fans are becoming increasingly receptive to fleeting brushes with fame and adulation and finally the music is taking credence over the image.
But that is about to come crashing down when two global heavyweights unite for a tour of this country that will send fans back to the hysterics of the Beatles fan era.
All Time Low and Mayday Parade are joining forces to sweep our little corner of paradise, promising a rollicking cavalcade of music and excess to possibly reinvigorate the dying thrill of music's bad boys of metal.
Having recently released the single More Like A Crash - the band's first new music since 2021s What It Means To Fall Apart, Mayday Parade are re-entering the peak phase of their musical cycle and according to bass player Jeremy Lenzo the boys are just itching to make their way Down Under.
"I have not packed yet," he laughed. "I'm having someone watch my kid tomorrow, so I can pack and get all the laundry done I need for the shows."
Rounding out the three-prongued extravaganza with All Time Low and Mayday Parade is Lauren Hibberd, with Lenzo admitting he will be approaching the run of shows with a fresh slate when it comes to expectations.
"I'm not quite familiar with Lauren because we haven't toured with her or met them," he almost apologised, "but with All Time Low we go back a long time. We've toured with them probably starting back in 2007, so on and off since then throughout the years we became friends with them. They brought us out this year in the US and then offered us the Australia shows as well, and we said yes to that. We're excited to be there, it's going to be a good time."
We ask what Aussie fans can expect from the Mayday Parade live show.
"Expect a lot of energy," he promised. "Expect a good time. Expect that we're gonna be considerate and make it a safe space for people to come and enjoy themselves and have fun."
In the full interview, Jeremy talks more about the tour, revisits the early days of Mayday Parade and their musical birth, the early vision and how it has changed since, why he thinks their debut album A Lesson In Romantics touched a nerve with music lovers, how the band's approach to music has changed over their time together, More Like A Crash and if it is the start of the next album cycle, going independent and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57338444Sat, 21 Oct 2023 22:29:28 +0000HEAVY MagazineInterview by Kris Peters In just over a week's time Australia will fall victim to musical mayhem seldom witnessed in the modern sanitised age. With the wonders of technology taking much of the mystery and mystique out of the rock and roll lifestyle,...In just over a week's time Australia will fall victim to musical mayhem seldom witnessed in the modern sanitised age.
With the wonders of technology taking much of the mystery and mystique out of the rock and roll lifestyle, fans are becoming increasingly receptive to fleeting brushes with fame and adulation and finally the music is taking credence over the image.
But that is about to come crashing down when two global heavyweights unite for a tour of this country that will send fans back to the hysterics of the Beatles fan era.
All Time Low and Mayday Parade are joining forces to sweep our little corner of paradise, promising a rollicking cavalcade of music and excess to possibly reinvigorate the dying thrill of music's bad boys of metal.
Having recently released the single More Like A Crash - the band's first new music since 2021s What It Means To Fall Apart, Mayday Parade are re-entering the peak phase of their musical cycle and according to bass player Jeremy Lenzo the boys are just itching to make their way Down Under.
"I have not packed yet," he laughed. "I'm having someone watch my kid tomorrow, so I can pack and get all the laundry done I need for the shows."
Rounding out the three-prongued extravaganza with All Time Low and Mayday Parade is Lauren Hibberd, with Lenzo admitting he will be approaching the run of shows with a fresh slate when it comes to expectations.
"I'm not quite familiar with Lauren because we haven't toured with her or met them," he almost apologised, "but with All Time Low we go back a long time. We've toured with them probably starting back in 2007, so on and off since then throughout the years we became friends with them. They brought us out this year in the US and then offered us the Australia shows as well, and we said yes to that. We're excited to be there, it's going to be a good time."
We ask what Aussie fans can expect from the Mayday Parade live show.
"Expect a lot of energy," he promised. "Expect a good time. Expect that we're gonna be considerate and make it a safe space for people to come and enjoy themselves and have fun."
In the full interview, Jeremy talks more about the tour, revisits the early days of Mayday Parade and their musical birth, the early vision and how it has changed since, why he thinks their debut album A Lesson In Romantics touched a nerve with music lovers, how the band's approach to music has changed over their time together, More Like A Crash and if it is the start of the next album cycle, going independent and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>672alltimelow,australia,heavy,heavymetal,interview,krispeters,maydayparade,podcast,punk,rock,tourfalsefullhttps://www.spreaker.com/episode/challenging-mortality-with-jake-laderman-stevie-williams-from-clowns--57323772Melbourne punk upstarts Clowns have epitomised the fun and frivolous side of Australian music since their inception in 2009.
Their attitude towards music, coupled with almost legendary live performances, has seen Clowns rise quickly to prominence and notoriety, with their honest and raw appraisal of life through music connecting on a global scale.
After receiving an ARIA nomination for their previous album Nature/Nurture in 2019, Clowns have just unleashed their latest slab of goodness in the form of Endless, a middle finger salute to the pandemic during which it was conceived and a snub to the face of those who thought that period of time would spell the death knell for a plethora of bands and musicians.
HEAVY sat down with vocalist Stevie Williams and drummer Jake Laderman to talk through what to expect.
"It feels like I'm about to…," Williams measured, "… I don't have any kids, but this is what I imagine preparing for a child would feel like (laughs). Years and years of creative energy and the world going upside down from when we started writing it to when we finished recording and releasing it, but now it's here. It's satisfying and maybe a little bit emotional. I can't wait for it to be out in the world and not be our record anymore. It's gonna be whoever listens to its record."
Endless is the fifth album release from Clowns, so we ask the question of whether the process gets any easier the more albums you put out.
"It definitely gets harder," Williams answered without thought. "I feel like when we started the band we were so inspired to get our music career off the ground and there was so much… I guess you would call it creative, low-hanging fruit when we were starting a punk band. We wanted to write a song that had screaming in it, we wanted a song that sounded like The Ramones, we wanted a song that sounded like the Offspring and then once we did an EP and four seven inches and now five albums, now we're reaching super high up to the top of the tree to get that sweet fruit, and we're doing Spaghetti Western eight-minute jams at the end of our record. We're fucking around with thrash metal and dual guitar solos, all in an effort to keep it interesting for ourselves and the people who listen as well. In that essence, it gets harder. It gets way harder (laughs)."
In the full interview, the boys talk more about what to expect from Endless, how the singles released represent the album as a whole, the opening piano intro and why it was used, the central theme of immortality, the closing track A Widow's Song and the inspiration behind it, how Endless differs musically to Nature/Nature, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57323772Fri, 20 Oct 2023 17:27:24 +0000HEAVY MagazineInterview by Kris Peters Melbourne punk upstarts Clowns have epitomised the fun and frivolous side of Australian music since their inception in 2009. Their attitude towards music, coupled with almost legendary live performances, has seen Clowns rise...Melbourne punk upstarts Clowns have epitomised the fun and frivolous side of Australian music since their inception in 2009.
Their attitude towards music, coupled with almost legendary live performances, has seen Clowns rise quickly to prominence and notoriety, with their honest and raw appraisal of life through music connecting on a global scale.
After receiving an ARIA nomination for their previous album Nature/Nurture in 2019, Clowns have just unleashed their latest slab of goodness in the form of Endless, a middle finger salute to the pandemic during which it was conceived and a snub to the face of those who thought that period of time would spell the death knell for a plethora of bands and musicians.
HEAVY sat down with vocalist Stevie Williams and drummer Jake Laderman to talk through what to expect.
"It feels like I'm about to…," Williams measured, "… I don't have any kids, but this is what I imagine preparing for a child would feel like (laughs). Years and years of creative energy and the world going upside down from when we started writing it to when we finished recording and releasing it, but now it's here. It's satisfying and maybe a little bit emotional. I can't wait for it to be out in the world and not be our record anymore. It's gonna be whoever listens to its record."
Endless is the fifth album release from Clowns, so we ask the question of whether the process gets any easier the more albums you put out.
"It definitely gets harder," Williams answered without thought. "I feel like when we started the band we were so inspired to get our music career off the ground and there was so much… I guess you would call it creative, low-hanging fruit when we were starting a punk band. We wanted to write a song that had screaming in it, we wanted a song that sounded like The Ramones, we wanted a song that sounded like the Offspring and then once we did an EP and four seven inches and now five albums, now we're reaching super high up to the top of the tree to get that sweet fruit, and we're doing Spaghetti Western eight-minute jams at the end of our record. We're fucking around with thrash metal and dual guitar solos, all in an effort to keep it interesting for ourselves and the people who listen as well. In that essence, it gets harder. It gets way harder (laughs)."
In the full interview, the boys talk more about what to expect from Endless, how the singles released represent the album as a whole, the opening piano intro and why it was used, the central theme of immortality, the closing track A Widow's Song and the inspiration behind it, how Endless differs musically to Nature/Nature, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1160album,australia,clowns,endless,hardrock,heavy,interview,jakeladerman,krispeters,music,podcast,punk,steviewilliamstruefullhttps://www.spreaker.com/episode/sonic-explosions-with-dr-parallax--57323379Instrumental Brisbane progressive metal band Dr. Parallax certainly can't ever be accused of rushing things when it comes to releasing music.
I remember seeing the band in Cairns more than 20 years ago, so imagine my surprise when their debut EP Stick and String came across my desk last week.
It is a release more than two decades in the making, and one which Dr. Parallax feels best showcases their extremely eclectic and ridiculously world-class tunes. With a blending of genres punctuated by wildly fluctuating timing and tempo changes, Stick and String features four full songs for your sonic palate plus a wickedly devilish intro and outro that may or may not tie things in together.
Sound confusing? Well it is, so HEAVY tracked down band members Elliott, Rashid and John to attempt to make sense of things.
"So far it's been pretty positive," Rashid smiled when asked about the early reception for the EP. "We've had some very nice things said to us about it. Who knows, they all could be lying to us, but I want to believe they are telling the truth (laughs)."
We ask the boys to talk through what to expect musically.
"Yeah, it's weird," Rashid shrugged. "We wanted it to be weird, and it is."
"Not so much weird, I just think these songs were the ones we were most familiar with," Elliott picked up. "They were the most solid songs we had at the time, and it was time for us to finally record something. It was good to get them down and properly recorded, instead of doing mud tracks and things that we've done in the past."
In the full interview we discuss why Dr. Parallax has stayed as an instrumental band, how the tracks on Stick and String best showcase their sound, the 'bookends' on the EP, how the band brings songs together in the creative process, how they draw the line when it comes to musical experimentation, coming up with song titles with no lyrics to use as a guide, why it has taken so long to release a body of work, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57323379Fri, 20 Oct 2023 16:51:16 +0000HEAVY MagazineInterview by Kris Peters Instrumental Brisbane progressive metal band Dr. Parallax certainly can't ever be accused of rushing things when it comes to releasing music. I remember seeing the band in Cairns more than 20 years ago, so imagine my surprise...Instrumental Brisbane progressive metal band Dr. Parallax certainly can't ever be accused of rushing things when it comes to releasing music.
I remember seeing the band in Cairns more than 20 years ago, so imagine my surprise when their debut EP Stick and String came across my desk last week.
It is a release more than two decades in the making, and one which Dr. Parallax feels best showcases their extremely eclectic and ridiculously world-class tunes. With a blending of genres punctuated by wildly fluctuating timing and tempo changes, Stick and String features four full songs for your sonic palate plus a wickedly devilish intro and outro that may or may not tie things in together.
Sound confusing? Well it is, so HEAVY tracked down band members Elliott, Rashid and John to attempt to make sense of things.
"So far it's been pretty positive," Rashid smiled when asked about the early reception for the EP. "We've had some very nice things said to us about it. Who knows, they all could be lying to us, but I want to believe they are telling the truth (laughs)."
We ask the boys to talk through what to expect musically.
"Yeah, it's weird," Rashid shrugged. "We wanted it to be weird, and it is."
"Not so much weird, I just think these songs were the ones we were most familiar with," Elliott picked up. "They were the most solid songs we had at the time, and it was time for us to finally record something. It was good to get them down and properly recorded, instead of doing mud tracks and things that we've done in the past."
In the full interview we discuss why Dr. Parallax has stayed as an instrumental band, how the tracks on Stick and String best showcase their sound, the 'bookends' on the EP, how the band brings songs together in the creative process, how they draw the line when it comes to musical experimentation, coming up with song titles with no lyrics to use as a guide, why it has taken so long to release a body of work, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>732australia,drparallax,heavy,interview,krispeters,music,podcast,progressive,rocktruefullhttps://www.spreaker.com/episode/embracing-your-fans-with-joey-cape-from-lagwagon--57322636Few punk bands around the world have had the same impact as legendary California outfit Lagwagon.
Since 1989 the brash upstarts have released nine studio albums through Fat Wreck Chords and toured relentlessly all over the globe, each time stepping further out from the underground band status they have been tagged with.
Such is the success afforded Lagwagon they had one of their songs - May 16 - featured in Tony Hawk Pro Skater 2 alongside Rancid, Green Day and Offspring. While not enjoying the breakout success afforded those bands, Lagwagon have remained content with their role in a musical revolution, shunning the mainstream in favour of the working class groundswell and cementing their music in the hearts of many purists.
Next week Lagwagon return to Australia and New Zealand for their special fan By Request Tour, with vocalist Joey Cape joining HEAVY to discuss the shows.
"We've been doing this for so long that I often forget," Cape laughed during the intro. "I love coming out there," he continued. "It wasn't that long ago that I was there. I did some solo shows and I did a tour with Me First And The Gimme Gimmes so two times in a year… that's pretty great."
We ask him what non-essential items he always travels with on tour.
"Ooof, fuck, that's tough," he stalled. "I'm a light packer. It's a hassle to carry too much stuff (laughs). I guess I could say Nicorette gum. You can get it anywhere, but I always bring a boatload of that shit with me because I'm such a nicotine addict. That's all I can think of… Maybe reading glasses. I'll often bring ten pairs of glasses in case I lose them, it's totally dumb. But I guess those are kind of essential. You can't see without them (laughs). And me without nicotine… not fun for anybody."
As the name of the tour suggests, fans were invited to vote for what songs they wanted to hear Lagwagon play, so we ask Cape if the band had much interest in that idea.
"We did," he offered. "It's funny, because it's always a risk when you do these kinds of things. I don't know that Lagwagon's ever done this before, but I've done it quite a few times with solo shows, especially the streaming ones. And it's risky. Because you never know, there might be a whole bunch of people that just want that one song that you just can't do, you know what I mean? And the reality is, that never happens. Bands that don't have hits, still have hits. There's just popular songs, and there's about four of them that 90% of the requests are always for. It's like, 'oh, man, alright, we'll do that for you guys' (laughs). We don't do that in every single show we play (laughs). I haven't actually looked at the submissions yet, so in theory, what you do is you do a different set for each town. Now, we've run into a little bit of trouble with that. Our great big giant guitar player is not able to join us because he has had some health issues, and we just found out that he cannot come. I may not be doing the right thing saying this - you're the first to hear of it - but because of that we're going to have to use a fill-in guy, so he's gonna have his work cut out."
In the full interview, Joey tells us if there are any songs he is hoping aren't on the request list, playing on a cruise ship in Sydney, what we can expect from Lagwagon live, the early days of the band, resisting the lure of mainstream, his three commandments of punk and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57322636Fri, 20 Oct 2023 16:22:36 +0000HEAVY MagazineInterview by Kris Peters Few punk bands around the world have had the same impact as legendary California outfit Lagwagon. Since 1989 the brash upstarts have released nine studio albums through Fat Wreck Chords and toured relentlessly all over the...Few punk bands around the world have had the same impact as legendary California outfit Lagwagon.
Since 1989 the brash upstarts have released nine studio albums through Fat Wreck Chords and toured relentlessly all over the globe, each time stepping further out from the underground band status they have been tagged with.
Such is the success afforded Lagwagon they had one of their songs - May 16 - featured in Tony Hawk Pro Skater 2 alongside Rancid, Green Day and Offspring. While not enjoying the breakout success afforded those bands, Lagwagon have remained content with their role in a musical revolution, shunning the mainstream in favour of the working class groundswell and cementing their music in the hearts of many purists.
Next week Lagwagon return to Australia and New Zealand for their special fan By Request Tour, with vocalist Joey Cape joining HEAVY to discuss the shows.
"We've been doing this for so long that I often forget," Cape laughed during the intro. "I love coming out there," he continued. "It wasn't that long ago that I was there. I did some solo shows and I did a tour with Me First And The Gimme Gimmes so two times in a year… that's pretty great."
We ask him what non-essential items he always travels with on tour.
"Ooof, fuck, that's tough," he stalled. "I'm a light packer. It's a hassle to carry too much stuff (laughs). I guess I could say Nicorette gum. You can get it anywhere, but I always bring a boatload of that shit with me because I'm such a nicotine addict. That's all I can think of… Maybe reading glasses. I'll often bring ten pairs of glasses in case I lose them, it's totally dumb. But I guess those are kind of essential. You can't see without them (laughs). And me without nicotine… not fun for anybody."
As the name of the tour suggests, fans were invited to vote for what songs they wanted to hear Lagwagon play, so we ask Cape if the band had much interest in that idea.
"We did," he offered. "It's funny, because it's always a risk when you do these kinds of things. I don't know that Lagwagon's ever done this before, but I've done it quite a few times with solo shows, especially the streaming ones. And it's risky. Because you never know, there might be a whole bunch of people that just want that one song that you just can't do, you know what I mean? And the reality is, that never happens. Bands that don't have hits, still have hits. There's just popular songs, and there's about four of them that 90% of the requests are always for. It's like, 'oh, man, alright, we'll do that for you guys' (laughs). We don't do that in every single show we play (laughs). I haven't actually looked at the submissions yet, so in theory, what you do is you do a different set for each town. Now, we've run into a little bit of trouble with that. Our great big giant guitar player is not able to join us because he has had some health issues, and we just found out that he cannot come. I may not be doing the right thing saying this - you're the first to hear of it - but because of that we're going to have to use a fill-in guy, so he's gonna have his work cut out."
In the full interview, Joey tells us if there are any songs he is hoping aren't on the request list, playing on a cruise ship in Sydney, what we can expect from Lagwagon live, the early days of the band, resisting the lure of mainstream, his three commandments of punk and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1461australia,heavy,interview,joeycape,krispeters,lagwagon,podcast,punk,rock,tourtruefullhttps://www.spreaker.com/episode/a-statement-of-intent-with-cam-from-dimensionist--57322016When a band sends you their press release which contains the line "Dimensionist explores the space that exists at the edge of heavy music" you know you are about to embark on a sonic journey that takes you away from the expected.
As it is with new Brisbane progressive metal outfit Dimensionist, who released their debut single Artefacts Remain late last week.
Promising a sonic landscape of eclectic proportions, Artefacts Remain serves as a tasty entrée to the exciting new world of Dimensionist, with bass player/producer Cam joining HEAVY to tell us more.
"We're all so excited," he exclaimed. "We've been working towards this point for a long time, and we're really pumped to finally be here and be able to put our music out to the world. We're here, this is who we are, this is what we sound like."
We ask Cam to dive further into the musical side of Artefacts Remain.
"Dimensionist… our overall sound is sometimes quite progressive and ambient and nice, and on the other side of the spectrum it is brutal and heavy hitting, and we have a bit of everything in between," he explained. "We've got quite a few songs written but this one we felt was a good full breadth of the spectrum. It has a little bit of everything that we're all about. It was a good first song for everyone to hear because it gives them an idea of what the rest of the catalogue is going to be like as well. The song, musically, starts off nice and ambient and very ethereal with big cinematic synth work and then there's a moment where it all changes and builds with the main riffs that the song centres around and that's when you know things are about to change and go full metal. Then it remains pretty heavy for the rest of the track."
In the full interview, Cam talks more about Artefacts Remain, why they chose that song to introduce Dimensionist to the world, what the song is about lyrically, if it is a stand-alone song or part of a bigger picture, where the band started and their goals, future live shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57322016Fri, 20 Oct 2023 15:40:46 +0000HEAVY MagazineInterview by Kris Peters When a band sends you their press release which contains the line "Dimensionist explores the space that exists at the edge of heavy music" you know you are about to embark on a sonic journey that takes you away from the...When a band sends you their press release which contains the line "Dimensionist explores the space that exists at the edge of heavy music" you know you are about to embark on a sonic journey that takes you away from the expected.
As it is with new Brisbane progressive metal outfit Dimensionist, who released their debut single Artefacts Remain late last week.
Promising a sonic landscape of eclectic proportions, Artefacts Remain serves as a tasty entrée to the exciting new world of Dimensionist, with bass player/producer Cam joining HEAVY to tell us more.
"We're all so excited," he exclaimed. "We've been working towards this point for a long time, and we're really pumped to finally be here and be able to put our music out to the world. We're here, this is who we are, this is what we sound like."
We ask Cam to dive further into the musical side of Artefacts Remain.
"Dimensionist… our overall sound is sometimes quite progressive and ambient and nice, and on the other side of the spectrum it is brutal and heavy hitting, and we have a bit of everything in between," he explained. "We've got quite a few songs written but this one we felt was a good full breadth of the spectrum. It has a little bit of everything that we're all about. It was a good first song for everyone to hear because it gives them an idea of what the rest of the catalogue is going to be like as well. The song, musically, starts off nice and ambient and very ethereal with big cinematic synth work and then there's a moment where it all changes and builds with the main riffs that the song centres around and that's when you know things are about to change and go full metal. Then it remains pretty heavy for the rest of the track."
In the full interview, Cam talks more about Artefacts Remain, why they chose that song to introduce Dimensionist to the world, what the song is about lyrically, if it is a stand-alone song or part of a bigger picture, where the band started and their goals, future live shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>664alternativemetal,australia,dimensionist,heavy,heavymetal,interview,krispeters,podcast,premiere,progressivemetal,singletruefullhttps://www.spreaker.com/episode/the-art-of-revenge-with-michael-lombardi-from-the-retaliators--57320291The general rule of thumb when you hear about a movie having a heavy metal soundtrack is that the music can be expected to take a massive back seat to everything else happening around it.
There have been only a few exceptions to the rule - Judgement Night and The Crow spring instantly to mind - but that mold was smashed completely last year with the release of The Retaliators, a Better Noise Film which is an offshoot of the famed Better Noise Music label.
When the announcement was made that the horror/action/thriller was to boast a soundtrack including The Hu, Asking Alexandria, Five Finger Death Punch, Eva Under Fire, Nikki Sixx and more, music lovers around the world took notice, buoyed by the promise that songs from these artists would not only punctuate important moments in the movie's storyline, but also be inserted so as to actually enhance the scenes rather than act as a token gesture.
That promise/hope was intensified when the movie started doing the promotional rounds, including actual movie acting appearances by several of the bands and artists featured on the soundtrack.
Tommy Lee (Mötley Crue), Ivan Moody (Five Finger Death Punch), and Jacoby Shaddix (Papa Roach) were among the names listed, with Shaddix slated to play the role of one of the movie's central characters.
Suddenly metal lovers had a movie that encapsulated everything they love about music and movies, a film where our ilk were treated with respect and necessity rather than a lazy grab at a niche corner of the market.
The Retaliators delivered everything it promised and more, with an engrossing storyline, great music and enough gore, horror and action to satiate even the most discerning of viewers.
With The Retaliators finally being made available to On Demand services Apple TV and Google TV in Australia and New Zealand late last week, HEAVY felt it appropriate to track down star/co-producer and co-director Michael Lombardi to pick his brain about the movie and the role our beloved heavy metal plays in it. We start by asking what warning label should be placed on The Retaliators for first time viewers.
"Oh man, there's a few warning labels," he measured. "It's not about bad words. It's not about nudity. It's just about… I think this movie is really twisted, and it gets dark, but then it also doesn't take itself too seriously at times, right? I guess I would hope that there's truth in the film, and it poses a question - as wild as the film gets - and the topic matter will make you think a little, and maybe you can go out for a drink afterward and talk about it a little. On top of that hopefully just being entertained."
We press Lombardi on what that question is.
"The movie poses a question of what would you do if you had a minute alone with the person who hurt your loved one," he explained. "Bottom line is, it happens in this case to a small-town guy who is loved by his community. A man of the cloth and someone you never would expect to have that retaliation in him, but I think we all do as human beings and that's the interesting thing. You put a guy like that in those circumstances and what can happen? He goes on a hell of a journey and from the beginning to the end he completely transforms. There's a bunch of mayhem and craziness on the way to that, but I think what's interesting about it is you can say if someone hurt your child or your niece or your nephew, and you had that minute alone with them, can you take revenge on that person. You know, I think it's easy to wanna say yes if they did something really brutal to you, but then there's the side if you're sitting in a room across from another human being could you really draw blood on that person, or hurt that person. I think it goes there. It's a sensitive subject matter. Even though this movie is hopefully entertaining and kind of twisted there is that underlying message that hopefully allows you to put yourself in that situation."
Which demands the question of what would he do after being able to digest the movie for a couple of years.
"You know, so I have two boys and it certainly helps if you have a child," he deliberated. "But again, even if you don't, people can relate to that with their pets or a niece or nephew. I've been asked this before, and it was the first run of the film which was a while ago, and I haven't talked about the movie a tonne recently which is why this is so beautiful to have a different perspective on it… You know, man, it's interesting because life is tricky, and life is tough. We're all dealing with a lot at all times. I think at certain times of my life I can answer that question and say yes (laughs). This is crazy, I'm being pretty honest here because it's a crazy answer. The answer could be brutal, but I think depending on where you're at in your life - again not with your frustrations or your struggles, but your happiness, your ups and downs - when you're down and certain things happen to you, you might really be in a situation where I don't like people, maybe, so if someone hurt my kid yeah I wanna answer yes. I would be able to do that, but there are other times where I was like, I don't know, man, but for me… (pauses)… yeah, I think I could."
In the full interview, Michael talks more about the storyline of The Retaliators, how the effects of playing such a role have stayed with him, putting himself in the character of John Bishop, their goal of turning it into more than just another horror movie with a metal soundtrack, working with Better Noise Films, how he landed the role, using musicians in acting roles and how important that was to the finished result, how they worked each song into the movie to make it relevant to the scene and part of the movie, the possibility of a sequel and more.
Access The Retaliators here:
https://theretaliators.ffm.to/australiastreaming
https://theretaliators.ffm.to/streamingnz


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57320291Fri, 20 Oct 2023 13:36:02 +0000HEAVY MagazineInterview by Kris Peters The general rule of thumb when you hear about a movie having a heavy metal soundtrack is that the music can be expected to take a massive back seat to everything else happening around it. There have been only a few exceptions...The general rule of thumb when you hear about a movie having a heavy metal soundtrack is that the music can be expected to take a massive back seat to everything else happening around it.
There have been only a few exceptions to the rule - Judgement Night and The Crow spring instantly to mind - but that mold was smashed completely last year with the release of The Retaliators, a Better Noise Film which is an offshoot of the famed Better Noise Music label.
When the announcement was made that the horror/action/thriller was to boast a soundtrack including The Hu, Asking Alexandria, Five Finger Death Punch, Eva Under Fire, Nikki Sixx and more, music lovers around the world took notice, buoyed by the promise that songs from these artists would not only punctuate important moments in the movie's storyline, but also be inserted so as to actually enhance the scenes rather than act as a token gesture.
That promise/hope was intensified when the movie started doing the promotional rounds, including actual movie acting appearances by several of the bands and artists featured on the soundtrack.
Tommy Lee (Mötley Crue), Ivan Moody (Five Finger Death Punch), and Jacoby Shaddix (Papa Roach) were among the names listed, with Shaddix slated to play the role of one of the movie's central characters.
Suddenly metal lovers had a movie that encapsulated everything they love about music and movies, a film where our ilk were treated with respect and necessity rather than a lazy grab at a niche corner of the market.
The Retaliators delivered everything it promised and more, with an engrossing storyline, great music and enough gore, horror and action to satiate even the most discerning of viewers.
With The Retaliators finally being made available to On Demand services Apple TV and Google TV in Australia and New Zealand late last week, HEAVY felt it appropriate to track down star/co-producer and co-director Michael Lombardi to pick his brain about the movie and the role our beloved heavy metal plays in it. We start by asking what warning label should be placed on The Retaliators for first time viewers.
"Oh man, there's a few warning labels," he measured. "It's not about bad words. It's not about nudity. It's just about… I think this movie is really twisted, and it gets dark, but then it also doesn't take itself too seriously at times, right? I guess I would hope that there's truth in the film, and it poses a question - as wild as the film gets - and the topic matter will make you think a little, and maybe you can go out for a drink afterward and talk about it a little. On top of that hopefully just being entertained."
We press Lombardi on what that question is.
"The movie poses a question of what would you do if you had a minute alone with the person who hurt your loved one," he explained. "Bottom line is, it happens in this case to a small-town guy who is loved by his community. A man of the cloth and someone you never would expect to have that retaliation in him, but I think we all do as human beings and that's the interesting thing. You put a guy like that in those circumstances and what can happen? He goes on a hell of a journey and from the beginning to the end he completely transforms. There's a bunch of mayhem and craziness on the way to that, but I think what's interesting about it is you can say if someone hurt your child or your niece or your nephew, and you had that minute alone with them, can you take revenge on that person. You know, I think it's easy to wanna say yes if they did something really brutal to you, but then there's the side if you're sitting in a room across from another human being could you really draw blood on that person, or hurt that person. I think it goes there. It's a sensitive subject matter. Even though this movie is hopefully entertaining and kind of twisted there is that underlying message that hopefully allows you to put yourself in...]]>2461action,appletv,askingalexandria,betternoisefilms,betternoisemusic,evaunderfire,googletv,heavy,horror,interview,krispeters,michaellombardi,motleycrue,move,ondemand,podcast,thehu,theretaliators,thrillerfalsefullhttps://www.spreaker.com/episode/balancing-the-scales-with-marco-pastorino-from-temperance--57312904Italian symphonic metal outfit Temperance have foregone convention with their new album Hermitage - Daruma's Eyes Pt. 2.
While many bands are basing their albums around conceptual themes and/or ideas, Temperance have decided to flesh that out even more with the addition of several characters and a narrator, each given life by guest artists.
Arjen Lucassen (Ayreon) acts as the storyteller for the album, setting the scene and guiding us through a myriad of wonderment, sci-fi and excitement, while Fabienne Erni (Eluveitie, Illumishade), Laura Fella (Faun) and Alessandro Conti (Twilight Force) all contribute to the sonic journey by playing different characters across the story arc.
It is a unique and ambitious release, with guitar player and creative mastermind Marco Pastorino joining HEAVY to tell us more.
"This is the first concept album of the band," he explained. "The opening process was very cool and funny also. Difficult, I would have to say, because when you have to follow a script or story it's totally different. I finished the work and the story of the album almost two years ago, and then I started to collect ideas here and there. It was a very cool journey. On this album we have six characters who decide to have six singers. In Temperance we have two singers but since there are six characters in this album we use (other people)."
In the full interview, Marco talks us through the concept of the album in greater detail, the three singles released and how they tie in with the story line, the guest artists and why they were chosen for their specific roles, the accompanying book and how much extra insight it gives, whether the concept will continue, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57312904Fri, 20 Oct 2023 02:12:32 +0000HEAVY MagazineInterview by Kris Peters Italian symphonic metal outfit Temperance have foregone convention with their new album Hermitage - Daruma's Eyes Pt. 2. While many bands are basing their albums around conceptual themes and/or ideas, Temperance have decided...Italian symphonic metal outfit Temperance have foregone convention with their new album Hermitage - Daruma's Eyes Pt. 2.
While many bands are basing their albums around conceptual themes and/or ideas, Temperance have decided to flesh that out even more with the addition of several characters and a narrator, each given life by guest artists.
Arjen Lucassen (Ayreon) acts as the storyteller for the album, setting the scene and guiding us through a myriad of wonderment, sci-fi and excitement, while Fabienne Erni (Eluveitie, Illumishade), Laura Fella (Faun) and Alessandro Conti (Twilight Force) all contribute to the sonic journey by playing different characters across the story arc.
It is a unique and ambitious release, with guitar player and creative mastermind Marco Pastorino joining HEAVY to tell us more.
"This is the first concept album of the band," he explained. "The opening process was very cool and funny also. Difficult, I would have to say, because when you have to follow a script or story it's totally different. I finished the work and the story of the album almost two years ago, and then I started to collect ideas here and there. It was a very cool journey. On this album we have six characters who decide to have six singers. In Temperance we have two singers but since there are six characters in this album we use (other people)."
In the full interview, Marco talks us through the concept of the album in greater detail, the three singles released and how they tie in with the story line, the guest artists and why they were chosen for their specific roles, the accompanying book and how much extra insight it gives, whether the concept will continue, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>601heavy,heavymetal,interview,krispeters,music,podcast,symphonicmetal,temperancefalsefullhttps://www.spreaker.com/episode/the-power-of-belief-with-josh-grove-from-dark-below--57299079After putting in the hard yards for the last six years, Columbia heavy rock outfit Dark Below are now finally starting to see the fruit of those efforts.
Opening for the likes of Buckcherry, Saliva, Pop Evil, Smile Empty Soul, The Veer Union and more, Dark Below steadily released a procession of singles such as Halo, Tense and Hate Being Human, in the process capitalising on their rise to prominence as a touring band by backing it up with quality releases.
Their latest single Make Believe has given that push added impetus, with bass player Josh Grove joining HEAVY to tell us more.
"It's been fantastic," he enthused at how the new single is going. "So, our latest single recordings that we've done, working on the new album essentially, we just started pushing our album towards things like the SMR charts here in the US. Make Believe has been our third single, our most recent release, and it's hit number 10. Our goal has always been to break the Top 10 from the get-go, so to be up top there with bands we've grown up listening to and idolised like Metallica and Foo Fighters… to get up there with names like that has been pretty phenomenal."
In the full interview, Josh talks us through Make Believe musically, what the song is about, the previous two singles released and if the three tracks form part of a bigger picture, the early days of the band and where they fit in, their early vision and how it has changed since, how the new batch of music differs to music on their debut self-titled EP, how the single Tense broke Dark Below into more mainstream channels, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57299079Thu, 19 Oct 2023 02:41:37 +0000HEAVY MagazineInterview by Kris Peters After putting in the hard yards for the last six years, Columbia heavy rock outfit Dark Below are now finally starting to see the fruit of those efforts. Opening for the likes of Buckcherry, Saliva, Pop Evil, Smile Empty Soul,...After putting in the hard yards for the last six years, Columbia heavy rock outfit Dark Below are now finally starting to see the fruit of those efforts.
Opening for the likes of Buckcherry, Saliva, Pop Evil, Smile Empty Soul, The Veer Union and more, Dark Below steadily released a procession of singles such as Halo, Tense and Hate Being Human, in the process capitalising on their rise to prominence as a touring band by backing it up with quality releases.
Their latest single Make Believe has given that push added impetus, with bass player Josh Grove joining HEAVY to tell us more.
"It's been fantastic," he enthused at how the new single is going. "So, our latest single recordings that we've done, working on the new album essentially, we just started pushing our album towards things like the SMR charts here in the US. Make Believe has been our third single, our most recent release, and it's hit number 10. Our goal has always been to break the Top 10 from the get-go, so to be up top there with bands we've grown up listening to and idolised like Metallica and Foo Fighters… to get up there with names like that has been pretty phenomenal."
In the full interview, Josh talks us through Make Believe musically, what the song is about, the previous two singles released and if the three tracks form part of a bigger picture, the early days of the band and where they fit in, their early vision and how it has changed since, how the new batch of music differs to music on their debut self-titled EP, how the single Tense broke Dark Below into more mainstream channels, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>864darkbelow,hardrock,heavy,interview,joshgrove,krispeters,podcast,rocktruefullhttps://www.spreaker.com/episode/bright-lights-big-city-with-jake-davies-from-of-limbo--57298852While the lure of bright light in the big city has always been the stuff of dreams and legends in the music industry, more often than not that pipe dream turns out to be just that.
A dream.
Not so for Aussie brothers Jake and Luke Davies who packed up and left their home country for the pursuit of musical salvation after relocating to Long Beach, California.
Now, suddenly faced with a massive world from which to launch their craft - including a wide array of new temptations and influences - the brothers tasted the delights California had to offer before finding their feet and realising their goal.
Now entrenched in Californian rock outfit Of Limbo, Jake and Luke are living the dream, recently releasing their latest single California Demon.
HEAVY caught up with Jake to find out more.
"It's doing good," he smiled of the early reception received by the track. "We even had the Alice In Chains singer Will Duvall give some praise for it, so we were pretty pumped on that. When those kinds of things come in, it makes it all worthwhile. A lot of our peeps have liked it a lot. I think it's angered a few people that maybe took it the wrong way - a few Christian conspiracy people maybe took it a little bit too seriously and thought that we might have actually sold our souls to Satan - but aside from those few people it has been received pretty well."
In the full interview, Jake talks more about the song, the musical side of it, whether it is a stand-alone track or part of a bigger cycle picture, the history on Of Limbo and their move from Australia, their influences and finding the balance between imitation and inspiration, settling into music in California from Australia, how different the music scenes are between the two countries, their live shows and making them fun, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57298852Thu, 19 Oct 2023 02:18:16 +0000HEAVY MagazineInterview by Kris Peters While the lure of bright light in the big city has always been the stuff of dreams and legends in the music industry, more often than not that pipe dream turns out to be just that. A dream. Not so for Aussie brothers Jake and...While the lure of bright light in the big city has always been the stuff of dreams and legends in the music industry, more often than not that pipe dream turns out to be just that.
A dream.
Not so for Aussie brothers Jake and Luke Davies who packed up and left their home country for the pursuit of musical salvation after relocating to Long Beach, California.
Now, suddenly faced with a massive world from which to launch their craft - including a wide array of new temptations and influences - the brothers tasted the delights California had to offer before finding their feet and realising their goal.
Now entrenched in Californian rock outfit Of Limbo, Jake and Luke are living the dream, recently releasing their latest single California Demon.
HEAVY caught up with Jake to find out more.
"It's doing good," he smiled of the early reception received by the track. "We even had the Alice In Chains singer Will Duvall give some praise for it, so we were pretty pumped on that. When those kinds of things come in, it makes it all worthwhile. A lot of our peeps have liked it a lot. I think it's angered a few people that maybe took it the wrong way - a few Christian conspiracy people maybe took it a little bit too seriously and thought that we might have actually sold our souls to Satan - but aside from those few people it has been received pretty well."
In the full interview, Jake talks more about the song, the musical side of it, whether it is a stand-alone track or part of a bigger cycle picture, the history on Of Limbo and their move from Australia, their influences and finding the balance between imitation and inspiration, settling into music in California from Australia, how different the music scenes are between the two countries, their live shows and making them fun, future plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1239hardrock,heavy,interview,jakedavies,krispeters,oflimbo,podcast,rocktruefullhttps://www.spreaker.com/episode/forward-trajectory-with-the-revolation--57200596After starting out more as a studio project for vocalist/guitarist Dean Wittmann-Lamb, Melbourne rock machine The Revolation wasted little time in fleshing out to a fully-fledged live unit.
Spurred on by the reception for his first three singles recorded by himself, Wittmann-Lamb soon cast his net wider, recruiting three like-minded musicians to carry The Revolation into the second phase of their musical journey.
After releasing their second EP - and first as a full band - Full Circle, The Revolation entered their next cycle recently with the single Liberty, an infectiously catchy number that showcases the band's future musical direction.
With their next single The Fix due out in early December, The Revolation are ramping up their live appearances in order to gain further momentum, starting with a show at The Leadbeater this Saturday, October 14, supporting Warbirds.
That gig will be followed by a special performance at Mr. Boogie Man Bar on November 18, where The Revolation will play their entire musical catalogue with no support band.
Band members Wittmann-Lamb, Scott Danson (drums) and Damian Zylstra (guitar) joined HEAVY to discuss their plans, starting with their fresh single Liberty.
"It's been up on YouTube for roughly two weeks now, and it's had 4.2k views which is great!" Wittmann-Lamb told us. "Good feedback too, from all over the world. There's been some interesting comments from other countries, which is good to see."
"Is that the Swedish chicks?" Danson interjected.
"There's been all sorts, Scott," Wittmann-Lamb laughed. "Even some from Russia."
Swedish fans aside, we ask the guys to delve into the musical nature of Liberty.
"The song sort of just… I wrote it a while ago, actually," Wittmann-Lamb began. "And then… there's no reason why songs turn out the way they turn out. All of your influences come to you at some point, and they come out of you at some point too and that's the way it should be. I'm not afraid to say I'm influenced by the bands that you may hear in that song, and then once the boys get hold of it with their creative juices and put their influence in the song, they tap into things that I might not have tapped into, and eventually it comes together like a great big mixing pot and what comes out is The Revolation."
In the full interview, the guys run us through the steady musical progression of the band, their upcoming single The Fix, where that fits in with a new EP or album cycle, the band's chemistry and how it translates to their music, recent shows with Electric Mary and Sister's Doll, this weekend's show at The Leadbeater Hotel, upcoming gigs, a special December acoustic performance and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57200596Fri, 13 Oct 2023 03:32:53 +0000HEAVY MagazineInterview by Kris Peters After starting out more as a studio project for vocalist/guitarist Dean Wittmann-Lamb, Melbourne rock machine The Revolation wasted little time in fleshing out to a fully-fledged live unit. Spurred on by the reception for his...After starting out more as a studio project for vocalist/guitarist Dean Wittmann-Lamb, Melbourne rock machine The Revolation wasted little time in fleshing out to a fully-fledged live unit.
Spurred on by the reception for his first three singles recorded by himself, Wittmann-Lamb soon cast his net wider, recruiting three like-minded musicians to carry The Revolation into the second phase of their musical journey.
After releasing their second EP - and first as a full band - Full Circle, The Revolation entered their next cycle recently with the single Liberty, an infectiously catchy number that showcases the band's future musical direction.
With their next single The Fix due out in early December, The Revolation are ramping up their live appearances in order to gain further momentum, starting with a show at The Leadbeater this Saturday, October 14, supporting Warbirds.
That gig will be followed by a special performance at Mr. Boogie Man Bar on November 18, where The Revolation will play their entire musical catalogue with no support band.
Band members Wittmann-Lamb, Scott Danson (drums) and Damian Zylstra (guitar) joined HEAVY to discuss their plans, starting with their fresh single Liberty.
"It's been up on YouTube for roughly two weeks now, and it's had 4.2k views which is great!" Wittmann-Lamb told us. "Good feedback too, from all over the world. There's been some interesting comments from other countries, which is good to see."
"Is that the Swedish chicks?" Danson interjected.
"There's been all sorts, Scott," Wittmann-Lamb laughed. "Even some from Russia."
Swedish fans aside, we ask the guys to delve into the musical nature of Liberty.
"The song sort of just… I wrote it a while ago, actually," Wittmann-Lamb began. "And then… there's no reason why songs turn out the way they turn out. All of your influences come to you at some point, and they come out of you at some point too and that's the way it should be. I'm not afraid to say I'm influenced by the bands that you may hear in that song, and then once the boys get hold of it with their creative juices and put their influence in the song, they tap into things that I might not have tapped into, and eventually it comes together like a great big mixing pot and what comes out is The Revolation."
In the full interview, the guys run us through the steady musical progression of the band, their upcoming single The Fix, where that fits in with a new EP or album cycle, the band's chemistry and how it translates to their music, recent shows with Electric Mary and Sister's Doll, this weekend's show at The Leadbeater Hotel, upcoming gigs, a special December acoustic performance and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>748australia,bluesrock,hardrock,heavy,interview,krispeters,podcast,rock,therevolationfalsefullhttps://www.spreaker.com/episode/getting-things-in-perspective-with-weightless--57217648Sydney metalcore outfit Weightless have gone even heavier on their new single Perspectives.
The song further accentuates the versatility of Weightless, dialing everything beyond the red following on from their previous two singles Counterfeit and Sabotage.
Lyrically, Perspectives delves deep into the emotional complexities of Bipolar disorder, painting a vivid musical picture of the constant struggle between highs and lows the condition can bring. Also taking aim at society and its growing judgemental nature, Perspectives portrays a more introspective and dark side to the band's musical personality and direction.
With plans to unleash more sonic fury in the coming months, Weightless guitarists Riley and Brenton sat down with HEAVY to spread the word.
"To be honest this is probably our best performing track so far," Brenton offered. "We pretty early on got the All New Metal Playlist from Spotify, so that was a big push for us as well with Homegrown Heavy and that sort of stuff. Not to be super metric, but the numbers are performing a lot better than we expected and compared to the others it's doing a lot better a lot faster."
Given the step-up in intensity on Perspectives, we ask the boys to talk through the musical side of the song in greater detail.
"Perspectives is probably one of the heavier tracks we've ever written," Brenton continued. "Both lyrically and musically. As a band we have a lot of interest in electronic music with Pendulum and stuff like that, that we really wanted to implement into our music with the heavier side. So we did a lot of delving deep into the synths and things of that nature on this song. Lyrically we dived pretty deep into the topic of bipolar disorder and as a subject matter it is dark and heavy, so we figured it matched sonically to the song as much as possible and that was the best route to explore. We know it's a big thing internally for the band with that topic, so we just wanted to do it justice as well."
In the full interview the boys run us through the music video, explain the world of the Cybersphere involved, where Perspectives stands in terms of an album cycle, how this new music differs to earlier material, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57217648Fri, 13 Oct 2023 02:07:34 +0000HEAVY MagazineInterview by Kris Peters Sydney metalcore outfit Weightless have gone even heavier on their new single Perspectives. The song further accentuates the versatility of Weightless, dialing everything beyond the red following on from their previous two...Sydney metalcore outfit Weightless have gone even heavier on their new single Perspectives.
The song further accentuates the versatility of Weightless, dialing everything beyond the red following on from their previous two singles Counterfeit and Sabotage.
Lyrically, Perspectives delves deep into the emotional complexities of Bipolar disorder, painting a vivid musical picture of the constant struggle between highs and lows the condition can bring. Also taking aim at society and its growing judgemental nature, Perspectives portrays a more introspective and dark side to the band's musical personality and direction.
With plans to unleash more sonic fury in the coming months, Weightless guitarists Riley and Brenton sat down with HEAVY to spread the word.
"To be honest this is probably our best performing track so far," Brenton offered. "We pretty early on got the All New Metal Playlist from Spotify, so that was a big push for us as well with Homegrown Heavy and that sort of stuff. Not to be super metric, but the numbers are performing a lot better than we expected and compared to the others it's doing a lot better a lot faster."
Given the step-up in intensity on Perspectives, we ask the boys to talk through the musical side of the song in greater detail.
"Perspectives is probably one of the heavier tracks we've ever written," Brenton continued. "Both lyrically and musically. As a band we have a lot of interest in electronic music with Pendulum and stuff like that, that we really wanted to implement into our music with the heavier side. So we did a lot of delving deep into the synths and things of that nature on this song. Lyrically we dived pretty deep into the topic of bipolar disorder and as a subject matter it is dark and heavy, so we figured it matched sonically to the song as much as possible and that was the best route to explore. We know it's a big thing internally for the band with that topic, so we just wanted to do it justice as well."
In the full interview the boys run us through the music video, explain the world of the Cybersphere involved, where Perspectives stands in terms of an album cycle, how this new music differs to earlier material, upcoming shows and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>740australia,heavy,heavymetal,interview,krispeters,metalcore,podcast,single,weightlessfalsefullhttps://www.spreaker.com/episode/kamikaze-warfare-with-chrispy-town-from-osaka-punch--57204916Osaka Punch are justifiably riding the crest of a musical wave at present.
Their long-awaited album Mixed Ape has come out to rave reviews and the tour by the same name kicked off recently in Brisbane to a packed house at The Triffid.
If you aren't familiar with Osaka Punch then no words could prepare you for the sonic beauty that awaits, but if you have already been converted by these lovable larrikins then you know exactly why we had Coco Le Sex Bomb nail down guitarist Chrispy Town to chat all these weird, wonderful and wacky.
After having the chance to see the band kick off their new tour Coco gets to have a chat with resident Osaka Punch shredder, love machine and all-round awesome dude Chrispy. We talk about the new album and how well it has been received, the writing process and how new drummer Blair brings his own twist to the entire situation. We also cover their film clip prowess and how they come up with the ideas behind every classic belly laugh that is an Osaka Punch music video.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57204916Thu, 12 Oct 2023 07:01:58 +0000HEAVY MagazineInterview by Coco Le Sex Bomb Osaka Punch are justifiably riding the crest of a musical wave at present. Their long-awaited album Mixed Ape has come out to rave reviews and the tour by the same name kicked off recently in Brisbane to a packed house at...Osaka Punch are justifiably riding the crest of a musical wave at present.
Their long-awaited album Mixed Ape has come out to rave reviews and the tour by the same name kicked off recently in Brisbane to a packed house at The Triffid.
If you aren't familiar with Osaka Punch then no words could prepare you for the sonic beauty that awaits, but if you have already been converted by these lovable larrikins then you know exactly why we had Coco Le Sex Bomb nail down guitarist Chrispy Town to chat all these weird, wonderful and wacky.
After having the chance to see the band kick off their new tour Coco gets to have a chat with resident Osaka Punch shredder, love machine and all-round awesome dude Chrispy. We talk about the new album and how well it has been received, the writing process and how new drummer Blair brings his own twist to the entire situation. We also cover their film clip prowess and how they come up with the ideas behind every classic belly laugh that is an Osaka Punch music video.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1772australia,chrispytown,cocolesexbomb,funk,hardrock,heavymetal,interview,jazz,mixedape,osakapunch,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/the-carnival-of-life-with-howsie-from-coffin-carousel--57203237You just have to read the description of Coffin Carousel's music in their press release to know their world is bound to be completely different to any other you would have likely stumbled upon in the past.
"Coffin Carousel is your haunted chainsaw ride to an uncompromised dark metal horror textured musical experience."
See? Now tell me you aren't even a little intrigued?
With opening spots with bands such as the Misfits and Wednesday 13 already adorning the resume of Coffin Carousel it is perhaps surprising that this band have yet to make a national splash, but if self-belief, talent and dedication are parameters of any measure of success then that recognition isn't too far away.
Originally started in 2012 as a side project for David Howell (Howsie), Coffin Carousel quickly took on a life of its own and morphed into a full band some three years later, much to the ghoulish delight of a niche group of music lovers who thrive in the macabre.
The band will release their fourth, self-titled album appropriately on Friday, October 13, as well as premiering their new track War Of Roses via HEAVY that same day.
HEAVY entered the vividly surreal musical realm of Coffin Carousel earlier this week when we sat down with Howsie for a chat about the new album and more.
"I'm feeling excited," he smiled when asked about the album release. "Every album I have released has been on Friday 13th. I'm most excited for this album because the band has taken a massive leap. I guess the sound originally started in the horror/punk realm with a bit of sludge metal, but it really digs into the metal spectrum for this album. The sound has progressed. It's gone more elite. I pushed my vocals on this one. I have previously done all the melodic Misfits kind of choruses. I've still got melody on this album, but my vocals are more harsh and aggressive. Over the last couple of years I've learned a few tricks delivering that metal growl, but I have put my flavour to it. I'm really excited for people to hear it."
In the full interview, Howsie talks more about the album and what to expect, his deliberate efforts to distance the music from that on the previous albums, how much thought goes into the musical direction of each album and how much is dictated by the music, why he felt this was the right album to lend the band name to, the new single War Of Roses and what it's about, the devilishly wicked music video that comes with it, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57203237Thu, 12 Oct 2023 06:09:07 +0000HEAVY MagazineInterview by Kris Peters You just have to read the description of Coffin Carousel's music in their press release to know their world is bound to be completely different to any other you would have likely stumbled upon in the past. "Coffin Carousel is...You just have to read the description of Coffin Carousel's music in their press release to know their world is bound to be completely different to any other you would have likely stumbled upon in the past.
"Coffin Carousel is your haunted chainsaw ride to an uncompromised dark metal horror textured musical experience."
See? Now tell me you aren't even a little intrigued?
With opening spots with bands such as the Misfits and Wednesday 13 already adorning the resume of Coffin Carousel it is perhaps surprising that this band have yet to make a national splash, but if self-belief, talent and dedication are parameters of any measure of success then that recognition isn't too far away.
Originally started in 2012 as a side project for David Howell (Howsie), Coffin Carousel quickly took on a life of its own and morphed into a full band some three years later, much to the ghoulish delight of a niche group of music lovers who thrive in the macabre.
The band will release their fourth, self-titled album appropriately on Friday, October 13, as well as premiering their new track War Of Roses via HEAVY that same day.
HEAVY entered the vividly surreal musical realm of Coffin Carousel earlier this week when we sat down with Howsie for a chat about the new album and more.
"I'm feeling excited," he smiled when asked about the album release. "Every album I have released has been on Friday 13th. I'm most excited for this album because the band has taken a massive leap. I guess the sound originally started in the horror/punk realm with a bit of sludge metal, but it really digs into the metal spectrum for this album. The sound has progressed. It's gone more elite. I pushed my vocals on this one. I have previously done all the melodic Misfits kind of choruses. I've still got melody on this album, but my vocals are more harsh and aggressive. Over the last couple of years I've learned a few tricks delivering that metal growl, but I have put my flavour to it. I'm really excited for people to hear it."
In the full interview, Howsie talks more about the album and what to expect, his deliberate efforts to distance the music from that on the previous albums, how much thought goes into the musical direction of each album and how much is dictated by the music, why he felt this was the right album to lend the band name to, the new single War Of Roses and what it's about, the devilishly wicked music video that comes with it, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1184album,coffincarousel,hardrock,heavy,horrorpunk,interview,krispeters,podcast,premiere,punk,rock,singlefalsefullhttps://www.spreaker.com/episode/comfort-in-shade-with-matt-oliver-from-systematic-machine--57202907While the lure of the tropical lifestyle of the Whitsundays is something few people can resist, there is a potential downside to living in the tropics.
Especially if you play in an original band with aspirations of taking your music to the masses.
Case in point is Mackay rock outfit Systematic Machine who are on the cusp of dropping their new single Sunburn.
Heavily influenced by grunge and alternative stylings, Systematic Machine are a band who has been on HEAVY's radar for a number of years but have yet to be fully seduced by the bright lights and opportunities offered by the bigger cities.
Content to reside in their piece of paradise, Systematic Machine are highly active in the local region scene, working closely with bands like InEffigy to try to bring bands and music to them, not just the other way around.
With two upcoming shows - in Bundaberg on October 21 and Mackay on October 27 - as well as a recent supporting slot to Everclear in Townsville, Systematic Machine are highly proactive in their quest for an even playing field and one senses it is only a matter of when, not if, the music industry comes knocking more firmly.
HEAVY caught up with rhythm guitarist/vocals Matt Oliver to find out how the boys plan to conquer geography by getting their music heard, starting with their new track Sunburn.
"For this one we're really trying to hit that… we've been getting our sound in over the last couple of years," he measured, "and we settled on this grunge/alternative aesthetic reminiscent of Incubus, Smashing Pumpkins and a little bit of Deftones thrown in there. Sunburn was probably the first full band collaborative effort. I've pretty much written most of the songs up to this point, so it was good to get input from everyone else in the band and their influences. It culminated in this really great song that stands on its own merits and is fun to listen to."
When the song is premiered on October 13 via HEAVY, it will do so with only a lyric video for the time being following the late cancellation of the proposed video shoot.
"We were filming," Oliver laughed. "We got the first third of it filmed, and there's another section with some skateboarding and some other things. The day before I was meant to do that I sprained my ankle, so I was unfortunately unable to do any sort of activities. It's coming good now, so we're gonna be filming that next week and hopefully the music video should be out by the end of the month. In the meantime I have thrown together this sketchy as fuck lyric video (laughs)."
In the full interview, Matt talks more about what to expect from Sunburn, how it differs to previous single Billy, whether those two songs are part of a bigger musical picture or stand-alone releases, the plan to release up to two more singles before the end of the year, challenges faced by original bands outside of the capital cities, their two upcoming shows, supporting Everclear and more.
SUNBURN PREMIERES VIA HEAVY AT 8am, October 13


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57202907Thu, 12 Oct 2023 03:59:46 +0000HEAVY MagazineInterview by Kris Peters While the lure of the tropical lifestyle of the Whitsundays is something few people can resist, there is a potential downside to living in the tropics. Especially if you play in an original band with aspirations of taking your...While the lure of the tropical lifestyle of the Whitsundays is something few people can resist, there is a potential downside to living in the tropics.
Especially if you play in an original band with aspirations of taking your music to the masses.
Case in point is Mackay rock outfit Systematic Machine who are on the cusp of dropping their new single Sunburn.
Heavily influenced by grunge and alternative stylings, Systematic Machine are a band who has been on HEAVY's radar for a number of years but have yet to be fully seduced by the bright lights and opportunities offered by the bigger cities.
Content to reside in their piece of paradise, Systematic Machine are highly active in the local region scene, working closely with bands like InEffigy to try to bring bands and music to them, not just the other way around.
With two upcoming shows - in Bundaberg on October 21 and Mackay on October 27 - as well as a recent supporting slot to Everclear in Townsville, Systematic Machine are highly proactive in their quest for an even playing field and one senses it is only a matter of when, not if, the music industry comes knocking more firmly.
HEAVY caught up with rhythm guitarist/vocals Matt Oliver to find out how the boys plan to conquer geography by getting their music heard, starting with their new track Sunburn.
"For this one we're really trying to hit that… we've been getting our sound in over the last couple of years," he measured, "and we settled on this grunge/alternative aesthetic reminiscent of Incubus, Smashing Pumpkins and a little bit of Deftones thrown in there. Sunburn was probably the first full band collaborative effort. I've pretty much written most of the songs up to this point, so it was good to get input from everyone else in the band and their influences. It culminated in this really great song that stands on its own merits and is fun to listen to."
When the song is premiered on October 13 via HEAVY, it will do so with only a lyric video for the time being following the late cancellation of the proposed video shoot.
"We were filming," Oliver laughed. "We got the first third of it filmed, and there's another section with some skateboarding and some other things. The day before I was meant to do that I sprained my ankle, so I was unfortunately unable to do any sort of activities. It's coming good now, so we're gonna be filming that next week and hopefully the music video should be out by the end of the month. In the meantime I have thrown together this sketchy as fuck lyric video (laughs)."
In the full interview, Matt talks more about what to expect from Sunburn, how it differs to previous single Billy, whether those two songs are part of a bigger musical picture or stand-alone releases, the plan to release up to two more singles before the end of the year, challenges faced by original bands outside of the capital cities, their two upcoming shows, supporting Everclear and more.
SUNBURN PREMIERES VIA HEAVY AT 8am, October 13


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>711alternativerock,australia,everclear,grunge,hardrock,heavy,interview,krispeters,mattoliver,podcast,rock,systematicmachinetruefullhttps://www.spreaker.com/episode/cleansing-the-palate-with-mike-mushok-from-staind--57201949Springfield rock outfit Staind are universally recognised for their 2001 smash hit balled It's Been A While.
Unfortunately, many people in the hard rock and metal world wrote the band off because of the global success of that song, failing to care or acknowledge the fact that Staind came from much heavier pastures.
Their early shows consisted of a sprinkling of originals plus covers of Korn, Rage Against the Machine, Pearl Jam, Tool, and Alice in Chains, among others.
These bands had more of an influence on the emerging rockers, who, despite the universal acclaim sent their way because of their success with a rock ballad continued plying their hard rock/alternative trade over consecutive albums.
After a five-year hiatus where frontman Aaron Lewis concentrated on his growing country career, Staind reformed in 2019, hitting the touring circuit with renewed vigor and falling in love all over again with the world of music.
Last month, after 12 years between studio albums, Staind released Confessions Of The Fallen, reaffirming their status among their peers and casting doubt on all those who had written them off.
HEAVY sat down earlier today with guitarist and founding member Mike Mushok to find out more.
"I'm pretty excited," he enthused when asked about the new album. "We worked pretty hard on this. It's been so long since we put out new music it just feels great to be working again. I'm really proud of the way the record came out."
We press Mushok to take us deeper into the musical side of Confessions Of The Fallen.
"We got together… we hadn't played together in a while, and we got together around 2018 and did some shows in 2019 and signed a record deal then," he explained. "Then COVID happened, and it put all of our plans on hold, but we were able to go on a tour in 2021 with KORN, and Aaron has a successful country music career in the States, so he's always out playing. He doesn't stop (laughs). On that tour with KORN it was a great opportunity - because we were all together - to get him in a room and play him some of the ideas that I had and get his feedback of what he liked and what he didn't. With a lot of those notes I was able to go back and start making changes and follow what his guidance was or what he was into. We actually wrote a lot of the record on that tour. When we finished we chose Eric as the producer and it was funny. COVID was still a thing and him and I were supposed to get together at the beginning of last year and he got COVID, so we ended up doing a lot of stuff through zoom. We tried for a song a day. One week we did five songs, and he put his twist on it because one of the things Aaron wanted to do was introduce more of an electronic element that we'd never really experimented with. I feel like Eric did a great job, because I remember saying to Aaron I play guitar, I don't wanna play any of those electronic elements (laughs). Really what it was is there might be a verse or a riff that I wrote on guitar that ended up getting played on a synthesiser. Eric added in some loops and that type of thing in certain areas and I felt he had a great grasp of adding some of that but not too much, you know what I mean? So it still maintained who we were, yet kind of a little more modern sounding. At the end of the day I think he did a great job in going back and listening to it. I'm happy with the little production things that he added as well."
In the full interview, Mike talks about the singles released, why they chose Lowest In Me to be the lead single and first song on the album, how Staind have changed as a band since their last album 12 years ago, the early days of the band and the musical climate that gave birth to them, how Break The Cycle in 2001 changed things for Staind, resisting the urge to recycle the successful formula of It's Been A While, how Staind has adapted to the changing musical landscape and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57201949Thu, 12 Oct 2023 00:52:01 +0000HEAVY MagazineInterview by Kris Peters Springfield rock outfit Staind are universally recognised for their 2001 smash hit balled It's Been A While. Unfortunately, many people in the hard rock and metal world wrote the band off because of the global success of that...Springfield rock outfit Staind are universally recognised for their 2001 smash hit balled It's Been A While.
Unfortunately, many people in the hard rock and metal world wrote the band off because of the global success of that song, failing to care or acknowledge the fact that Staind came from much heavier pastures.
Their early shows consisted of a sprinkling of originals plus covers of Korn, Rage Against the Machine, Pearl Jam, Tool, and Alice in Chains, among others.
These bands had more of an influence on the emerging rockers, who, despite the universal acclaim sent their way because of their success with a rock ballad continued plying their hard rock/alternative trade over consecutive albums.
After a five-year hiatus where frontman Aaron Lewis concentrated on his growing country career, Staind reformed in 2019, hitting the touring circuit with renewed vigor and falling in love all over again with the world of music.
Last month, after 12 years between studio albums, Staind released Confessions Of The Fallen, reaffirming their status among their peers and casting doubt on all those who had written them off.
HEAVY sat down earlier today with guitarist and founding member Mike Mushok to find out more.
"I'm pretty excited," he enthused when asked about the new album. "We worked pretty hard on this. It's been so long since we put out new music it just feels great to be working again. I'm really proud of the way the record came out."
We press Mushok to take us deeper into the musical side of Confessions Of The Fallen.
"We got together… we hadn't played together in a while, and we got together around 2018 and did some shows in 2019 and signed a record deal then," he explained. "Then COVID happened, and it put all of our plans on hold, but we were able to go on a tour in 2021 with KORN, and Aaron has a successful country music career in the States, so he's always out playing. He doesn't stop (laughs). On that tour with KORN it was a great opportunity - because we were all together - to get him in a room and play him some of the ideas that I had and get his feedback of what he liked and what he didn't. With a lot of those notes I was able to go back and start making changes and follow what his guidance was or what he was into. We actually wrote a lot of the record on that tour. When we finished we chose Eric as the producer and it was funny. COVID was still a thing and him and I were supposed to get together at the beginning of last year and he got COVID, so we ended up doing a lot of stuff through zoom. We tried for a song a day. One week we did five songs, and he put his twist on it because one of the things Aaron wanted to do was introduce more of an electronic element that we'd never really experimented with. I feel like Eric did a great job, because I remember saying to Aaron I play guitar, I don't wanna play any of those electronic elements (laughs). Really what it was is there might be a verse or a riff that I wrote on guitar that ended up getting played on a synthesiser. Eric added in some loops and that type of thing in certain areas and I felt he had a great grasp of adding some of that but not too much, you know what I mean? So it still maintained who we were, yet kind of a little more modern sounding. At the end of the day I think he did a great job in going back and listening to it. I'm happy with the little production things that he added as well."
In the full interview, Mike talks about the singles released, why they chose Lowest In Me to be the lead single and first song on the album, how Staind have changed as a band since their last album 12 years ago, the early days of the band and the musical climate that gave birth to them, how Break The Cycle in 2001 changed things for Staind, resisting the urge to recycle the successful formula of It's Been A While, how Staind has adapted to the changing musical landscape and more.
1304aaronlewis,hardrock,heavy,interview,krispeters,mikemushok,podcast,rock,staindfalsefullhttps://www.spreaker.com/episode/the-art-of-sonic-seduction-with-dan-maynard-from-veal--57198271Just like Santa Claus, Gold Coast rock outfit Veal only come once a year.
But it's highly unlikely they would fit down your chimney…
After debuting at Wallapalooza in 2014 and making such a huge impact they have been invited back every year since, Veal have shunned the conventional path of music and stuck to their guns in staying faithful to their pledge to play only sporadically - partly for effect and partly because they simply could not be fucked.
You might think that a band that dusts the cobwebs off only once every twelve months could be a little shaky when it comes to taking the stage, and usually you would be right, but for these four prime-cut-eating musicians that one night of live release is the culmination of the entire 364 days that preceded it.
While the majority of Veal play in other local, well-known bands, when the annual meat-digesting call to arms beckons then it is all systems go. Veal matures from a young, tender cut of beef to a battle-hardened, seasoned side of goodness who take no prisoners and give no quarter.
Their EP titles are, as expected, strongly based in the fine art of butchery with The Meating coming out in 2019 and Pleased To Meat You being unleashed in 2021. Veal's lyrics and song titles are planted tongue firmly in cheek, with tracks like Peach, I Could Eat A Peach For Hours and One Of Britney's Mums Pubic Hairs as funny as they are entertaining, accentuating the feel good vibe each tasty morsel of Veal comes served with.
This Saturday, October 14, Veal are hosting Vealstock: Veal's 10 Year Anniversary at Vinnies Dive Bar in Southport with special guests including Gutterfire!, Dad Fight, The Green Whistle, Dogshot, Beefed Up and more. It is an eclectic line-up of bands in keeping with the eclectic nature of Veal's music and personality and promises to once again be one of the (literal) gigs of the year.
Vocalist/guitarist Dan joined HEAVY to tell us more.
"It kind of hit me this morning that it's sneaking up," he said sheepishly. "Vealstock in general has been an idea we've had for about three years, and it only hit me this morning that it's only a few days out. I'm not nervous to do it, it's more the nerves of 'fuck, the shows coming'."
A tenth-anniversary show - even though it also signifies only the tenth actual gig for Veal - is still a big deal, so we press Dan on what sorts of things we can expect to get us into party mode.
"The plan is we plan to play every song that we've got, every song we have written," he measured. "We wanted to make the most of it. For those who don't know Veal is a once a year band. We only play one show a year. Long story short, we played the first year and with me and Chris being busy by the time we played another show it was a year later and that kept happening so after three years we made it a one-year thing. To put it in context, our first show was 2014, so this might not be our tenth year, but it's our tenth show. Does that make sense? It's hard to say what we're gonna bring, because we have always - without sounding cliché - we always try and bring our most to it because we only play the once each year. For me, I'm not in any other band, so I only play one show a year, so this really is my one chance to get on stage and just let loose and be as much of a 'rock star' as I can. (We will bring) as much energy as we can, and every song we've ever written we are gonna play, so it's a long set."
In the full interview, Dan talks more about the other bands playing and why they were hand-chosen, The Green Whistle coming out of hiding to play, Veal's EP releases, putting in the hard yards for this show, what to expect, the infamous rehearsal room lolly jar and a possible surprise appearance on Saturday night, the importance of Vinnies Dive Bar to the Gold Coast music scene, why Veal play only once a year, the possibility of new material this weekend, what the band plans to do after Vealstock and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57198271Wed, 11 Oct 2023 17:41:10 +0000HEAVY MagazineInterview by Kris Peters Just like Santa Claus, Gold Coast rock outfit Veal only come once a year. But it's highly unlikely they would fit down your chimney… After debuting at Wallapalooza in 2014 and making such a huge impact they have been invited...Just like Santa Claus, Gold Coast rock outfit Veal only come once a year.
But it's highly unlikely they would fit down your chimney…
After debuting at Wallapalooza in 2014 and making such a huge impact they have been invited back every year since, Veal have shunned the conventional path of music and stuck to their guns in staying faithful to their pledge to play only sporadically - partly for effect and partly because they simply could not be fucked.
You might think that a band that dusts the cobwebs off only once every twelve months could be a little shaky when it comes to taking the stage, and usually you would be right, but for these four prime-cut-eating musicians that one night of live release is the culmination of the entire 364 days that preceded it.
While the majority of Veal play in other local, well-known bands, when the annual meat-digesting call to arms beckons then it is all systems go. Veal matures from a young, tender cut of beef to a battle-hardened, seasoned side of goodness who take no prisoners and give no quarter.
Their EP titles are, as expected, strongly based in the fine art of butchery with The Meating coming out in 2019 and Pleased To Meat You being unleashed in 2021. Veal's lyrics and song titles are planted tongue firmly in cheek, with tracks like Peach, I Could Eat A Peach For Hours and One Of Britney's Mums Pubic Hairs as funny as they are entertaining, accentuating the feel good vibe each tasty morsel of Veal comes served with.
This Saturday, October 14, Veal are hosting Vealstock: Veal's 10 Year Anniversary at Vinnies Dive Bar in Southport with special guests including Gutterfire!, Dad Fight, The Green Whistle, Dogshot, Beefed Up and more. It is an eclectic line-up of bands in keeping with the eclectic nature of Veal's music and personality and promises to once again be one of the (literal) gigs of the year.
Vocalist/guitarist Dan joined HEAVY to tell us more.
"It kind of hit me this morning that it's sneaking up," he said sheepishly. "Vealstock in general has been an idea we've had for about three years, and it only hit me this morning that it's only a few days out. I'm not nervous to do it, it's more the nerves of 'fuck, the shows coming'."
A tenth-anniversary show - even though it also signifies only the tenth actual gig for Veal - is still a big deal, so we press Dan on what sorts of things we can expect to get us into party mode.
"The plan is we plan to play every song that we've got, every song we have written," he measured. "We wanted to make the most of it. For those who don't know Veal is a once a year band. We only play one show a year. Long story short, we played the first year and with me and Chris being busy by the time we played another show it was a year later and that kept happening so after three years we made it a one-year thing. To put it in context, our first show was 2014, so this might not be our tenth year, but it's our tenth show. Does that make sense? It's hard to say what we're gonna bring, because we have always - without sounding cliché - we always try and bring our most to it because we only play the once each year. For me, I'm not in any other band, so I only play one show a year, so this really is my one chance to get on stage and just let loose and be as much of a 'rock star' as I can. (We will bring) as much energy as we can, and every song we've ever written we are gonna play, so it's a long set."
In the full interview, Dan talks more about the other bands playing and why they were hand-chosen, The Green Whistle coming out of hiding to play, Veal's EP releases, putting in the hard yards for this show, what to expect, the infamous rehearsal room lolly jar and a possible surprise appearance on Saturday night, the importance of Vinnies Dive Bar to the Gold Coast music scene, why Veal play only once a year, the possibility of new material this weekend, what the band plans to do...]]>994anniversary,australia,hardrock,heavy,interview,krispeters,livemusic,podcast,punk,rock,veal,vealstock,vinniesdivebartruefullhttps://www.spreaker.com/episode/so-long-and-thanks-for-the-memories-with-fat-mike-from-nofx--57197149What better way to celebrate forty years of blood, sweat and beers in the music industry than to announce your final ever tour?
While some may brush it off as a clever marketing strategy, those who have followed punk stalwarts NOFX for the duration of their career will know and understand the gravity of the situation, because when Fat Mike says something, you can pretty much put your best pair of Doc Martins on it!
Known affectionately by their fans and revered by others as one of the world’s most controversial and significant punk bands of their time, NOFX simply don't, nor have they ever, given a shit.
They are punk to the core and have never failed to wear their music on their sleeves, surviving four decades at the forefront of a genre that refuses to cater to trends and smells out imposters quicker than you can pogo.
They are, in all aspects of the word, a punk rock institution, spawning classic tracks such as The Longest Line, Cokie The Clown, Soul Doubt, Seeing Double At The Triple Rock and Linoleum to name but a few.
But all good things invariably come to an end, and NOFX are planning to go out in style, playing two consecutive nights over three capital cities as part of the NOFX Final Tour 40 Years, 40 Cities, 40 Songs Per Night Tour which hits Australia in January 2024.
The final tour will see the band perform songs from their classic releases, Wolves In Wolves’ Clothing, Punk In Drublic, The War On Errorism, White Trash Two Heebs And A Bean, So Long And Thanks For All The Shoes and The Decline over two nights in Melbourne, Sydney and Brisbane, offering fans two completely different shows back to back.
Bassist/vocalist Fat Mike sat down with HEAVY to talk all things NOFX.
"We're very excited to do our final tour in Australia," he beamed back at us. "I mean, who wouldn't be? We will be there in January."
We mention the challenging effort of playing three different albums over two nights and what a herculean task the band have set for themselves.
"It's way too much work," he smiled, "but, you've gotta work hard once with 40 years of being in a band, it might as well be now. We're not doing Punk In Drublic, we already did that last year. That was a mistake so don't count on that."
We ask Fat Mike if it is difficult playing full albums considering when they were written the thought of playing them in full one day would not have been on the playing field.
"Some of the songs are very difficult," he nodded, "which is why we don't do full albums. Fuck that shit. It's not because the songs are difficult. We're doing a lot of hard ones, but it's more it becomes kind of boring. I don't wanna be bored. So we're playing most of those albums."
In the full interview, Fat Mike talks more about what to expect from the shows, if they plan on having any guest artists join them on stage, how emotional playing these shows will be, if he will miss touring, their reputation as being a controversial band, the most significant changes in punk music over the last 40 years, how he thinks punk music will change in the future, whether he will stay involved in music and in what capacity, a message to Australian fans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57197149Wed, 11 Oct 2023 16:17:19 +0000HEAVY MagazineInterview by Kris Peters What better way to celebrate forty years of blood, sweat and beers in the music industry than to announce your final ever tour? While some may brush it off as a clever marketing strategy, those who have followed punk stalwarts...What better way to celebrate forty years of blood, sweat and beers in the music industry than to announce your final ever tour?
While some may brush it off as a clever marketing strategy, those who have followed punk stalwarts NOFX for the duration of their career will know and understand the gravity of the situation, because when Fat Mike says something, you can pretty much put your best pair of Doc Martins on it!
Known affectionately by their fans and revered by others as one of the world’s most controversial and significant punk bands of their time, NOFX simply don't, nor have they ever, given a shit.
They are punk to the core and have never failed to wear their music on their sleeves, surviving four decades at the forefront of a genre that refuses to cater to trends and smells out imposters quicker than you can pogo.
They are, in all aspects of the word, a punk rock institution, spawning classic tracks such as The Longest Line, Cokie The Clown, Soul Doubt, Seeing Double At The Triple Rock and Linoleum to name but a few.
But all good things invariably come to an end, and NOFX are planning to go out in style, playing two consecutive nights over three capital cities as part of the NOFX Final Tour 40 Years, 40 Cities, 40 Songs Per Night Tour which hits Australia in January 2024.
The final tour will see the band perform songs from their classic releases, Wolves In Wolves’ Clothing, Punk In Drublic, The War On Errorism, White Trash Two Heebs And A Bean, So Long And Thanks For All The Shoes and The Decline over two nights in Melbourne, Sydney and Brisbane, offering fans two completely different shows back to back.
Bassist/vocalist Fat Mike sat down with HEAVY to talk all things NOFX.
"We're very excited to do our final tour in Australia," he beamed back at us. "I mean, who wouldn't be? We will be there in January."
We mention the challenging effort of playing three different albums over two nights and what a herculean task the band have set for themselves.
"It's way too much work," he smiled, "but, you've gotta work hard once with 40 years of being in a band, it might as well be now. We're not doing Punk In Drublic, we already did that last year. That was a mistake so don't count on that."
We ask Fat Mike if it is difficult playing full albums considering when they were written the thought of playing them in full one day would not have been on the playing field.
"Some of the songs are very difficult," he nodded, "which is why we don't do full albums. Fuck that shit. It's not because the songs are difficult. We're doing a lot of hard ones, but it's more it becomes kind of boring. I don't wanna be bored. So we're playing most of those albums."
In the full interview, Fat Mike talks more about what to expect from the shows, if they plan on having any guest artists join them on stage, how emotional playing these shows will be, if he will miss touring, their reputation as being a controversial band, the most significant changes in punk music over the last 40 years, how he thinks punk music will change in the future, whether he will stay involved in music and in what capacity, a message to Australian fans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>587australia,fatmike,heavy,interview,krispeters,nofx,podcast,punk,punkrock,tourtruefullhttps://www.spreaker.com/episode/life-and-napalm-death-as-told-by-shane-embury--57176905
As this chat between Shane and I wasn’t really focussed on an upcoming tour or album release, there was this magnificent freedom to just banter and follow tangents that would necessarily lend themselves to a “normal” interview that am I used to doing, so across our journey into Shane Embury’s life and projects we cover a lot of different territories that are interesting and intriguing you'll have to listen to my (near) exclusive chat with the legend himself as he also chooses Napalm tracks that he enjoys and tells us why he picked them.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57176905Tue, 10 Oct 2023 09:50:29 +0000HEAVY MagazineOver my decades as a metal / heavy music “journalist”, I think to myself that there is pretty much nothing else for me to cover or interview people about. But with every new year brings another first for me. And 2023 has been no exception! A lot of...
As this chat between Shane and I wasn’t really focussed on an upcoming tour or album release, there was this magnificent freedom to just banter and follow tangents that would necessarily lend themselves to a “normal” interview that am I used to doing, so across our journey into Shane Embury’s life and projects we cover a lot of different territories that are interesting and intriguing you'll have to listen to my (near) exclusive chat with the legend himself as he also chooses Napalm tracks that he enjoys and tells us why he picked them.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2071autobiography,metalbooks,napalmdeath,rocket88,shaneemburytruefullhttps://www.spreaker.com/episode/standing-to-attention-with-pontus-snibb-from-bonafide--57176034Swedish hard rock outfit Bonafide are set to drop their first new album in six years.
Following the forward momentum generated by 2017's Flames, Bonafide decided the best approach was to take their time fleshing out their next slab of rock goodness, focussing on quality over quantity with Are You Listening?, which will be unleashed on October 27.
Featuring all of the rock-drenched numbers we have come to love and expect from Bonafide, Are You Listening? also manages to elevate that meat-and-potatoes classic take on the genre and amplify things to 11 in pursuit of rock and roll immortality.
HEAVY caught up with vocalist/guitarist Pontus Snibb to find out more.
"We have released two singles so far and had a really good response, so I'm happy," he began.
We ask Snibb to go into more details on what Bonafide were going for musically with Are You Listening?
"It's a classic, bona fide rock and roll album," he smiled. "You could say it's the sister album to all of the AC/DC albums (laughs). It's that kind of riff rock. We're proud of it. We once again used Sweden's best rock and roll producer to do it, so it sounds ace as well."
In the full interview, Pontus talks more about what to expect from the album, the two singles released and how they represent the album as a whole, having Nisse Hellberg from Wilmer X guest on the track Snacket, the recording process and how it differed to previous albums, capturing a live feel in the studio, the early days of Bonafide and the musical climate that created them, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57176034Tue, 10 Oct 2023 07:34:00 +0000HEAVY MagazineInterview by Kris Peters Swedish hard rock outfit Bonafide are set to drop their first new album in six years. Following the forward momentum generated by 2017's Flames, Bonafide decided the best approach was to take their time fleshing out their next...Swedish hard rock outfit Bonafide are set to drop their first new album in six years.
Following the forward momentum generated by 2017's Flames, Bonafide decided the best approach was to take their time fleshing out their next slab of rock goodness, focussing on quality over quantity with Are You Listening?, which will be unleashed on October 27.
Featuring all of the rock-drenched numbers we have come to love and expect from Bonafide, Are You Listening? also manages to elevate that meat-and-potatoes classic take on the genre and amplify things to 11 in pursuit of rock and roll immortality.
HEAVY caught up with vocalist/guitarist Pontus Snibb to find out more.
"We have released two singles so far and had a really good response, so I'm happy," he began.
We ask Snibb to go into more details on what Bonafide were going for musically with Are You Listening?
"It's a classic, bona fide rock and roll album," he smiled. "You could say it's the sister album to all of the AC/DC albums (laughs). It's that kind of riff rock. We're proud of it. We once again used Sweden's best rock and roll producer to do it, so it sounds ace as well."
In the full interview, Pontus talks more about what to expect from the album, the two singles released and how they represent the album as a whole, having Nisse Hellberg from Wilmer X guest on the track Snacket, the recording process and how it differed to previous albums, capturing a live feel in the studio, the early days of Bonafide and the musical climate that created them, touring plans and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>708ac/dc,album,areyoulistening?,bonafide,hardrock,heavy,interview,krispeters,podcast,pontussnibb,rockfalsefullhttps://www.spreaker.com/episode/taking-metal-to-the-masses-with-chris-mcthrashy-from-hidden-intent--57151340Adelaide thrash outfit Hidden Intent are living proof that hard work and perseverance pay off.
The boys have been one of the hardest touring and working bands in Australia for a long period of time and have seen the fruit of their labours rewarded recently by playing at both Wacken and Bloodstock 2023 in the last couple of months.
Not content to rest on their laurels, Hidden Intent are back in Australia and are set to headline the growing Metal In The Mountains festival which will be held at the Beechworth Historical Precinct on October 28 alongside 100 Years War, Firing Squad, Duneater, Pissbolt and more.
Frontman Chris McThrashy joined HEAVY to talk more about recent and upcoming events.
"We've been meaning to play in Beechworth because I've actually got a bit of family there," he smiled. "I've been up there a couple of times to visit and strangely enough it's where my late Grandma last resided. There's a bit of history there, which is cool. Sick name. You can't get more metal than that."
We run through the line-up and ask McThrashy who he is most looking forward to sharing a stage with.
"Probably 100 Years War," he replied. "I think I saw them play at New Dead in Adelaide and I didn't get to see too much of them. I walked in as they played their last song, and I was spewing about that. Looking forward to watching them and checking them out and all of the other bands, really. There's some sick bands and not just metal by the looks of it as well. There's some crossover stuff, which I'm really into, so keen to check it out. As I said, first time there, so it will be a fresh audience which is what we're always about with Hidden Intent. We like to play to new ears."
In the full interview, Chris talks more about Metal In The Mountains, their next show after that at Froth & Fury Festival, having diversity in festival line-ups, their recent overseas tour, playing at Wacken and Bloodstock, mixing with the bigger bands, what they took out of the experience, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57151340Sun, 08 Oct 2023 06:12:41 +0000HEAVY MagazineInterview by Kris Peters Adelaide thrash outfit Hidden Intent are living proof that hard work and perseverance pay off. The boys have been one of the hardest touring and working bands in Australia for a long period of time and have seen the fruit of...Adelaide thrash outfit Hidden Intent are living proof that hard work and perseverance pay off.
The boys have been one of the hardest touring and working bands in Australia for a long period of time and have seen the fruit of their labours rewarded recently by playing at both Wacken and Bloodstock 2023 in the last couple of months.
Not content to rest on their laurels, Hidden Intent are back in Australia and are set to headline the growing Metal In The Mountains festival which will be held at the Beechworth Historical Precinct on October 28 alongside 100 Years War, Firing Squad, Duneater, Pissbolt and more.
Frontman Chris McThrashy joined HEAVY to talk more about recent and upcoming events.
"We've been meaning to play in Beechworth because I've actually got a bit of family there," he smiled. "I've been up there a couple of times to visit and strangely enough it's where my late Grandma last resided. There's a bit of history there, which is cool. Sick name. You can't get more metal than that."
We run through the line-up and ask McThrashy who he is most looking forward to sharing a stage with.
"Probably 100 Years War," he replied. "I think I saw them play at New Dead in Adelaide and I didn't get to see too much of them. I walked in as they played their last song, and I was spewing about that. Looking forward to watching them and checking them out and all of the other bands, really. There's some sick bands and not just metal by the looks of it as well. There's some crossover stuff, which I'm really into, so keen to check it out. As I said, first time there, so it will be a fresh audience which is what we're always about with Hidden Intent. We like to play to new ears."
In the full interview, Chris talks more about Metal In The Mountains, their next show after that at Froth & Fury Festival, having diversity in festival line-ups, their recent overseas tour, playing at Wacken and Bloodstock, mixing with the bigger bands, what they took out of the experience, new music and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1243australia,froth&furyfestival,heavy,heavymetal,hiddenintent,interview,krispeters,metalinthemountains,podcast,thrashmetaltruefullhttps://www.spreaker.com/episode/pushing-forward-with-shaun-diviney-from-short-stack--57110856Short Stack are one of those Aussie bands that you mention and unlock a core memory. Whether it be their ultra-catchy tunes or their time-stamped emo’ hair… you remember them. I was keen to catch up with frontman/ guitarist Shaun Diviney to see what’s been happening in the world of Short Stack and what they are looking forward to.
Starting off this week, they are taking off on their ‘Regional(ish) Tour’ with Hevenshe and The Beautiful Monument. They’ve got plenty of new stops on the bill and are returning back to towns they haven’t visited in 10 years. Not long after returning home from their tour they will be playing Good Things 2023 alongside some huge names to which Shaun joked about being the representation for ‘Aussie heavy music’ and Limp Bizkit obviously looking forward to seeing/ watching Short Stack.
All jokes aside these fellas are ready to hit the stage with our favourite songs from Stack is the New Black to now and will be awesome to watch.
Speaking of Stack is the New Black, recently the boys released limited edition vinyl albums to celebrate the album that took Short Stack straight to number #1 on the ARIA charts. Shaun reflected on what it was like to have that experience and release an album with some of the songs written in their high school days. ‘We had such minimal expectations, and it’s set up everything we have done since’, he also joked, ‘It must have been a shit week on the charts’, which gave me a good laugh.
After talking about the early days of their careers we delved into what the boys have been up to and spoke about their new release Shotgun Wedding which is an upbeat pop-punk anthem and a taste of what’s to come from Short Stack.
Whether an album is on the horizon or not can be left up to speculation but what I can confirm is they are making music that makes them happy and is fun to play live.
There’s plenty more that we covered along the way, like whether they will revive their iconic hair and eyeliner for Halloween this year, sharing their musical life with their kiddos, their favourite songs to play and selling out their comeback tour.
Be sure to check out Short Stack on their Regional(ish) Tour or Good Things later this year at a location near you!



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57110856Fri, 06 Oct 2023 08:12:11 +0000HEAVY MagazineInterview by Kyra-Jade Coombs Short Stack are one of those Aussie bands that you mention and unlock a core memory. Whether it be their ultra-catchy tunes or their time-stamped emo’ hair… you remember them. I was keen to catch up with frontman/...Short Stack are one of those Aussie bands that you mention and unlock a core memory. Whether it be their ultra-catchy tunes or their time-stamped emo’ hair… you remember them. I was keen to catch up with frontman/ guitarist Shaun Diviney to see what’s been happening in the world of Short Stack and what they are looking forward to.
Starting off this week, they are taking off on their ‘Regional(ish) Tour’ with Hevenshe and The Beautiful Monument. They’ve got plenty of new stops on the bill and are returning back to towns they haven’t visited in 10 years. Not long after returning home from their tour they will be playing Good Things 2023 alongside some huge names to which Shaun joked about being the representation for ‘Aussie heavy music’ and Limp Bizkit obviously looking forward to seeing/ watching Short Stack.
All jokes aside these fellas are ready to hit the stage with our favourite songs from Stack is the New Black to now and will be awesome to watch.
Speaking of Stack is the New Black, recently the boys released limited edition vinyl albums to celebrate the album that took Short Stack straight to number #1 on the ARIA charts. Shaun reflected on what it was like to have that experience and release an album with some of the songs written in their high school days. ‘We had such minimal expectations, and it’s set up everything we have done since’, he also joked, ‘It must have been a shit week on the charts’, which gave me a good laugh.
After talking about the early days of their careers we delved into what the boys have been up to and spoke about their new release Shotgun Wedding which is an upbeat pop-punk anthem and a taste of what’s to come from Short Stack.
Whether an album is on the horizon or not can be left up to speculation but what I can confirm is they are making music that makes them happy and is fun to play live.
There’s plenty more that we covered along the way, like whether they will revive their iconic hair and eyeliner for Halloween this year, sharing their musical life with their kiddos, their favourite songs to play and selling out their comeback tour.
Be sure to check out Short Stack on their Regional(ish) Tour or Good Things later this year at a location near you!



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>602australia,goodthingsfestival,hardrock,heavy,interview,podcast,rock,shortstack,tourtruefullhttps://www.spreaker.com/episode/freestyling-the-rapids-with-monica-strut-from-the-last-martyr--57075957Melbourne metal outfit The Last Martyr have wasted little time entrenching their roots in the Australian music scene.
After announcing their intentions in 2021 with the single Hindsight, the band have pressed the accelerator firmly to the floor in pursuit of musical integrity, touring relentlessly and securing spots alongside international heavyweights such as Dayseeker, The Gateway Plan, Story Of The Year and Black Veil Brides.
After a successful run of shows last year as part of Sunk Loto's triumphant return, The Last Martyr followed expectations by releasing a banger of a track in Comedy/Tragedy earlier this year, but last month threw that script into the abyss by turning their focus back to the turn of the century with a reworked version of Bomfunk MC's hit song Freestyler.
Featuring J-Figure from Sydney's The Weight Of Silence alongside frontwoman Monica Strut, Freestyler has shown a more adventurous and dangerous side to The Last Martyr that can only be the by-product of a band completely at ease with themselves and their music.
Strut sat down with HEAVY to discuss the single and more.
"We were so nervous about this one," she smiled, "but so far, so good. It's one of those songs that is a little bit more obscure, but everyone knows it once they hear it. It's been a good reminder for people that grew up in the 90s and were kids in the 90s like we were. Maybe it's even introduced it to some new people as well. I think it's going well."
That whole era was rich for tracks such as this, leading us to ask Strut as to why The Last Martyr chose this particular song to cover.
"I have no idea," she laughed. "We're one of those bands where we've all got eclectic music tastes, and it's really, really difficult for us to agree on a cover. I think it was Ben, our drummer, who originally came up with the idea, and we thought why don't we play a snippet of a cover, just to break up the set a little bit. We used to play a Linkin Park cover, so that was our designated cover, but we had this idea to do a verse and a chorus of another song into an original song and have it as a little bit of a feature. So Vin was on an absolute mission to track down the samples for the original version, and we could not find it anywhere. He actually came across someone he found I think on YouTube from somewhere in Europe and reached out on Instagram and kept following up, and eventually he was good enough to give us the samples. So we started playing that live and playing it into our song Like A Ghost, which worked well."
In the full interview, Monica talks more about the song, having J-Figure as guest vocalist, how they dismantled then reassembled the original song from the ground up, whether Freestyler is a stand-alone track or part of a bigger picture, progress on new music, what direction it might take, their two upcoming headline shows and more.




Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57075957Thu, 05 Oct 2023 06:27:13 +0000HEAVY MagazineInterview by Kris Peters Melbourne metal outfit The Last Martyr have wasted little time entrenching their roots in the Australian music scene. After announcing their intentions in 2021 with the single Hindsight, the band have pressed the accelerator...Melbourne metal outfit The Last Martyr have wasted little time entrenching their roots in the Australian music scene.
After announcing their intentions in 2021 with the single Hindsight, the band have pressed the accelerator firmly to the floor in pursuit of musical integrity, touring relentlessly and securing spots alongside international heavyweights such as Dayseeker, The Gateway Plan, Story Of The Year and Black Veil Brides.
After a successful run of shows last year as part of Sunk Loto's triumphant return, The Last Martyr followed expectations by releasing a banger of a track in Comedy/Tragedy earlier this year, but last month threw that script into the abyss by turning their focus back to the turn of the century with a reworked version of Bomfunk MC's hit song Freestyler.
Featuring J-Figure from Sydney's The Weight Of Silence alongside frontwoman Monica Strut, Freestyler has shown a more adventurous and dangerous side to The Last Martyr that can only be the by-product of a band completely at ease with themselves and their music.
Strut sat down with HEAVY to discuss the single and more.
"We were so nervous about this one," she smiled, "but so far, so good. It's one of those songs that is a little bit more obscure, but everyone knows it once they hear it. It's been a good reminder for people that grew up in the 90s and were kids in the 90s like we were. Maybe it's even introduced it to some new people as well. I think it's going well."
That whole era was rich for tracks such as this, leading us to ask Strut as to why The Last Martyr chose this particular song to cover.
"I have no idea," she laughed. "We're one of those bands where we've all got eclectic music tastes, and it's really, really difficult for us to agree on a cover. I think it was Ben, our drummer, who originally came up with the idea, and we thought why don't we play a snippet of a cover, just to break up the set a little bit. We used to play a Linkin Park cover, so that was our designated cover, but we had this idea to do a verse and a chorus of another song into an original song and have it as a little bit of a feature. So Vin was on an absolute mission to track down the samples for the original version, and we could not find it anywhere. He actually came across someone he found I think on YouTube from somewhere in Europe and reached out on Instagram and kept following up, and eventually he was good enough to give us the samples. So we started playing that live and playing it into our song Like A Ghost, which worked well."
In the full interview, Monica talks more about the song, having J-Figure as guest vocalist, how they dismantled then reassembled the original song from the ground up, whether Freestyler is a stand-alone track or part of a bigger picture, progress on new music, what direction it might take, their two upcoming headline shows and more.




Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1943australia,freestyler,heavy,heavymetal,interview,krispeters,metalcore,monicastrut,podcast,thelastmartyr,tourfalsefullhttps://www.spreaker.com/episode/fire-from-above-with-bill-stevenson-from-descendents--57071232 The modern generation of punk music lovers have been brought into a sanitised world where punk music is more about the music than the attitude. While not a fatal death blow to the genre - there are still punk bands killing it - gone are the days where punk bands would rather fight or wreak havoc than be respected by their peers. They have been replaced with an almost universal acceptance of the movement that became a genre, and one which, no matter how hard emerging bands try, will never be the same as the era that spawned it. One such band to come out of the Southern Californian punk scene in the mid to late 1970s that is still terrorising concertgoers everywhere is Descendents, a band who are widely recognised as having one of the most enduring legacies of any punk outfit in history. Next week the Descendents touch down on this side of the world, starting in Auckland on October 11 before hitting Australia for a run of shows that promise to take you back to the glory days where punk began - whether you like it or not! Drummer Bill Stevenson sat down with HEAVY not long before lacing up the boots for yet another assault of the Land Down Under. "Yeah, yeah, yeah," he smiled when we ask if he is already packed and ready to go. "I've got my checklist out and everything. It's funny, the older you get you've gotta have a checklist before you go on tour (laughs). It used to be I wouldn't even think about it. Just one change of clothes and that's it let's go." I jump in and quip something about the frailties of getting older to which Stevenson shoots back. "I don't know if it's frailties. You get more… specific about how you like things, so you've gotta bring some stuff with you to make it that way (laughs)." While not being a massive tour, the Descendents still have a decent stretch of six shows a considerable distance from home, so we press Stevenson on what sorts of things he does to prepare himself mentally and physically for life on the road. "I don't think anything special," he measured. "The older I get I try to watch the things I eat and get some decent sleep each night And practice. Three days on, and then one day off. Three days on, one day off until we get to that level where everything's just going smoothly. Plus I have to do my stretches. I like to do my stretches every day. I guess technically you could call it yoga, but I find that's too stuffy of a term for me. I just call it my stretches (laughs)." In the full interview, Bill talks about what we can expect from the shows, what has changed with the band since their first tour here in 2010, what songs he loves playing live, the early days of Descendents and where they fit in, their early vision and how it has changed since, joining Black Flag in the 1980s and how hard it was to ultimately have to choose between the two bands, how the punk scene has changed over the years, his three commandments of punk and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57071232Thu, 05 Oct 2023 02:53:26 +0000HEAVY MagazineInterview by Kris Peters The modern generation of punk music lovers have been brought into a sanitised world where punk music is more about the music than the attitude. While not a fatal death blow to the genre - there are still punk bands killing... The modern generation of punk music lovers have been brought into a sanitised world where punk music is more about the music than the attitude. While not a fatal death blow to the genre - there are still punk bands killing it - gone are the days where punk bands would rather fight or wreak havoc than be respected by their peers. They have been replaced with an almost universal acceptance of the movement that became a genre, and one which, no matter how hard emerging bands try, will never be the same as the era that spawned it. One such band to come out of the Southern Californian punk scene in the mid to late 1970s that is still terrorising concertgoers everywhere is Descendents, a band who are widely recognised as having one of the most enduring legacies of any punk outfit in history. Next week the Descendents touch down on this side of the world, starting in Auckland on October 11 before hitting Australia for a run of shows that promise to take you back to the glory days where punk began - whether you like it or not! Drummer Bill Stevenson sat down with HEAVY not long before lacing up the boots for yet another assault of the Land Down Under. "Yeah, yeah, yeah," he smiled when we ask if he is already packed and ready to go. "I've got my checklist out and everything. It's funny, the older you get you've gotta have a checklist before you go on tour (laughs). It used to be I wouldn't even think about it. Just one change of clothes and that's it let's go." I jump in and quip something about the frailties of getting older to which Stevenson shoots back. "I don't know if it's frailties. You get more… specific about how you like things, so you've gotta bring some stuff with you to make it that way (laughs)." While not being a massive tour, the Descendents still have a decent stretch of six shows a considerable distance from home, so we press Stevenson on what sorts of things he does to prepare himself mentally and physically for life on the road. "I don't think anything special," he measured. "The older I get I try to watch the things I eat and get some decent sleep each night And practice. Three days on, and then one day off. Three days on, one day off until we get to that level where everything's just going smoothly. Plus I have to do my stretches. I like to do my stretches every day. I guess technically you could call it yoga, but I find that's too stuffy of a term for me. I just call it my stretches (laughs)." In the full interview, Bill talks about what we can expect from the shows, what has changed with the band since their first tour here in 2010, what songs he loves playing live, the early days of Descendents and where they fit in, their early vision and how it has changed since, joining Black Flag in the 1980s and how hard it was to ultimately have to choose between the two bands, how the punk scene has changed over the years, his three commandments of punk and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1291australia,blackflag,descendents,heavy,interview,krispeters,podcast,punk,punkrock,tourfalsefullhttps://www.spreaker.com/episode/professional-misconduct-with-jimi-hocking-from-the-screaming-jets--57067848What should have been cause for a celebration for The Screaming Jets with this week's release of their latest album Professional Misconduct has been negated substantially by the recent passing of everyone's favourite bass player Paul Woseen.
But, Paul would want us all to focus on the fantastic music that makes up the Jets tenth album, and what better way to do that than to speak with half of the band's electrifying lead guitar powerhouse duo in Jimi Hocking.
This is a bit of a different interview for HEAVY, completed the day before Paul's farewell and after struggling to come up with a respectful way to delve into Professional Misconduct we thought it only fitting to run through the album track by track, starting with what HEAVY wrote in the review and testing Hocking to see how close we came to getting things right.
But, of course, there are always the pleasantries of catching up with an old friend to set the scene.
"I'm excited," Hocking quipped when asked how he was feeling in the lead-up to Friday's release. "Obviously it's been a strange couple of weeks in the ranks of the band, so we've had a lot to deal with, but really this has been an album in the works for a couple of years. I think the genesis of this record started in the lockdown days. We were experimenting with some remote recording when we did the re-release of All For One 30th Anniversary record and the Bitter Pill EP, and Scotty Kingman, our other guitar player, he had started the ball rolling. He was trying to get Pauly to get motivated with some writing, so Scotty came up with a bunch of guitar riffs, and he sent them to Pauly to get things under way. And that's kind of the starting point. We started bouncing around these cut-and-paste riff ideas and banging them into some kind of arrangement shape and that was really the genesis of what became this Professional Misconduct album three years later. It started such a weird way, but it came up with what I think is a good record. It's actually quite rewarding."
Professional Misconduct isn't quite the constant balls-to-wall slab of rock goodness that many would expect from The Screaming Jets. Yes, it does have moments that take you back to the early days of one of Australia's greatest ever rock exports, but it also fleshes things out a touch more and allows over three decades of experience to dictate in areas where in the past they may not.
"It's an interesting thing," Hocking measured. "I think that for a band that's been around for as long as we have, we've just tried to pick songs we think are the most worthy. Sometimes it just so happens they might all be heavy rock songs, but sometimes it's not always the way, but I've got to say when we came to selecting material - I think we recorded about 18 songs, or parts thereof as we approached the deadline for this record - really the tracks that get legs are the ones that are across the line first, in some respects. There's some things we thought we had a good idea here or there, but I don't think we were ready to just say that's finished, let's just release that. There was things we wanted to work on a little bit more and that's just the kind of process of songwriting and creating a record now."
In the full interview Jimi talks more about the music on Professional Misconduct, the album name and how fitting it is to the band, how some of the songs came together, Paul's lasting legacy, finishing the album tour without him and how hard that decision was, and we also run through each track blow by blow and find out what they mean individually and collectively to the band, including a surprise reveal about the last track Speed Quack.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57067848Thu, 05 Oct 2023 00:16:54 +0000HEAVY MagazineInterview by Kris Peters What should have been cause for a celebration for The Screaming Jets with this week's release of their latest album Professional Misconduct has been negated substantially by the recent passing of everyone's favourite bass...What should have been cause for a celebration for The Screaming Jets with this week's release of their latest album Professional Misconduct has been negated substantially by the recent passing of everyone's favourite bass player Paul Woseen.
But, Paul would want us all to focus on the fantastic music that makes up the Jets tenth album, and what better way to do that than to speak with half of the band's electrifying lead guitar powerhouse duo in Jimi Hocking.
This is a bit of a different interview for HEAVY, completed the day before Paul's farewell and after struggling to come up with a respectful way to delve into Professional Misconduct we thought it only fitting to run through the album track by track, starting with what HEAVY wrote in the review and testing Hocking to see how close we came to getting things right.
But, of course, there are always the pleasantries of catching up with an old friend to set the scene.
"I'm excited," Hocking quipped when asked how he was feeling in the lead-up to Friday's release. "Obviously it's been a strange couple of weeks in the ranks of the band, so we've had a lot to deal with, but really this has been an album in the works for a couple of years. I think the genesis of this record started in the lockdown days. We were experimenting with some remote recording when we did the re-release of All For One 30th Anniversary record and the Bitter Pill EP, and Scotty Kingman, our other guitar player, he had started the ball rolling. He was trying to get Pauly to get motivated with some writing, so Scotty came up with a bunch of guitar riffs, and he sent them to Pauly to get things under way. And that's kind of the starting point. We started bouncing around these cut-and-paste riff ideas and banging them into some kind of arrangement shape and that was really the genesis of what became this Professional Misconduct album three years later. It started such a weird way, but it came up with what I think is a good record. It's actually quite rewarding."
Professional Misconduct isn't quite the constant balls-to-wall slab of rock goodness that many would expect from The Screaming Jets. Yes, it does have moments that take you back to the early days of one of Australia's greatest ever rock exports, but it also fleshes things out a touch more and allows over three decades of experience to dictate in areas where in the past they may not.
"It's an interesting thing," Hocking measured. "I think that for a band that's been around for as long as we have, we've just tried to pick songs we think are the most worthy. Sometimes it just so happens they might all be heavy rock songs, but sometimes it's not always the way, but I've got to say when we came to selecting material - I think we recorded about 18 songs, or parts thereof as we approached the deadline for this record - really the tracks that get legs are the ones that are across the line first, in some respects. There's some things we thought we had a good idea here or there, but I don't think we were ready to just say that's finished, let's just release that. There was things we wanted to work on a little bit more and that's just the kind of process of songwriting and creating a record now."
In the full interview Jimi talks more about the music on Professional Misconduct, the album name and how fitting it is to the band, how some of the songs came together, Paul's lasting legacy, finishing the album tour without him and how hard that decision was, and we also run through each track blow by blow and find out what they mean individually and collectively to the band, including a surprise reveal about the last track Speed Quack.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2403album,australia,davegleeson,hardrock,heavy,interview,jimihocking,krispeters,misconduct,paulwoseen,podcast,professional,rock,thescreamingjets,tourfalsefullhttps://www.spreaker.com/episode/from-whispers-to-a-scream-with-jono-hawkey-from-bloom--57062139Bloom are an Aussie band that I was pretty keen to have a chat with.
As far as huge years go for bands, these guys have had an absolute pearler. From visualising their dream goals to ticking most of them off within 7 months, these guys really have gone from strength to strength.
Becoming a part of Destroy All Lines, signing to Pure Noise Records and being put on the bill for Good Things 2023… this year is shaping up to be one they will never forget.
One thing that really struck me throughout this interview was frontman Jono’s pure passion and love for music. Bloom are one of those bands who are lucky enough to have had their friendship pre-gig days and still share the same vision, love and passion to this day with a mutual agreement of how fortunate they are to share such a bond.
Jono often shares his appreciation and credits those around Bloom for working behind the scenes to support them and help facilitate their successes.
Bound To Your Whispers is the latest release from Bloom which has a catchy hook guaranteed to get stuck in your head. If you haven’t seen it yet, the video clip for Bound To Your Whispers transports you
to a place that feels like you are in a void, a place with no sense of walls or structure to it. Their vision was expertly executed by Jack Fontes of Dunelabs who pretty well took their idea and made it come to life.
This is by no means the end of new music we will hear from Bloom this year and by the sounds of it they have eons of material they have been working on waiting to be unleashed.
To get a better sense of who Bloom are as a band, I asked how you’d describe them to someone who’s just discovered them and Jono replied, “We combine parts of metalcore people like along with melodic hardcore, we want to have memorable moments. If you’ve just stumbled across Bloom and you are unsure, come to a show”.
Honestly, I can’t wait to see these fellas play live after this chat… even after all the huge gigs they’ve been a part of and artists they’ve supported, (Bad Omens, Unify Gathering, Thornhill to name a few), one of the band’s favourite memories was their first headline show.
Seeing familiar faces in the crowd and new fans showing up to support them was so important to them and filled them with a huge sense of pride beaming “We did this. WE did this”, trumping other memories and circles back to the appreciation for the music they play that I was talking about earlier.
Finishing off this amazing year for Bloom is Good Things 2023 which is going to be a huge weekend of shows for the Sydney boys. I wondered who Jono was most excited to share the stage with, and it was of course Fall Out Boy. Being able to show the folk’s Bloom’s name on the poster alongside Fall Out Boy and a slew of legends is definitely something to write home about.
I’m looking forward to seeing what unfolds for Bloom in the years to come as I’m sure it can only get better and better from here. Be sure to check them out on tour with Thornhill later this month or catch them playing the Good Things festival circuit in December.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57062139Wed, 04 Oct 2023 19:24:29 +0000HEAVY MagazineInterview by Kyra-Jade Coombs Bloom are an Aussie band that I was pretty keen to have a chat with. As far as huge years go for bands, these guys have had an absolute pearler. From visualising their dream goals to ticking most of them off within 7...Bloom are an Aussie band that I was pretty keen to have a chat with.
As far as huge years go for bands, these guys have had an absolute pearler. From visualising their dream goals to ticking most of them off within 7 months, these guys really have gone from strength to strength.
Becoming a part of Destroy All Lines, signing to Pure Noise Records and being put on the bill for Good Things 2023… this year is shaping up to be one they will never forget.
One thing that really struck me throughout this interview was frontman Jono’s pure passion and love for music. Bloom are one of those bands who are lucky enough to have had their friendship pre-gig days and still share the same vision, love and passion to this day with a mutual agreement of how fortunate they are to share such a bond.
Jono often shares his appreciation and credits those around Bloom for working behind the scenes to support them and help facilitate their successes.
Bound To Your Whispers is the latest release from Bloom which has a catchy hook guaranteed to get stuck in your head. If you haven’t seen it yet, the video clip for Bound To Your Whispers transports you
to a place that feels like you are in a void, a place with no sense of walls or structure to it. Their vision was expertly executed by Jack Fontes of Dunelabs who pretty well took their idea and made it come to life.
This is by no means the end of new music we will hear from Bloom this year and by the sounds of it they have eons of material they have been working on waiting to be unleashed.
To get a better sense of who Bloom are as a band, I asked how you’d describe them to someone who’s just discovered them and Jono replied, “We combine parts of metalcore people like along with melodic hardcore, we want to have memorable moments. If you’ve just stumbled across Bloom and you are unsure, come to a show”.
Honestly, I can’t wait to see these fellas play live after this chat… even after all the huge gigs they’ve been a part of and artists they’ve supported, (Bad Omens, Unify Gathering, Thornhill to name a few), one of the band’s favourite memories was their first headline show.
Seeing familiar faces in the crowd and new fans showing up to support them was so important to them and filled them with a huge sense of pride beaming “We did this. WE did this”, trumping other memories and circles back to the appreciation for the music they play that I was talking about earlier.
Finishing off this amazing year for Bloom is Good Things 2023 which is going to be a huge weekend of shows for the Sydney boys. I wondered who Jono was most excited to share the stage with, and it was of course Fall Out Boy. Being able to show the folk’s Bloom’s name on the poster alongside Fall Out Boy and a slew of legends is definitely something to write home about.
I’m looking forward to seeing what unfolds for Bloom in the years to come as I’m sure it can only get better and better from here. Be sure to check them out on tour with Thornhill later this month or catch them playing the Good Things festival circuit in December.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1257australia,bloom,goodthingsfestival,heavy,heavymetal,interview,jonohawkes,kyrajadecoombs,metalcore,podcast,thornhilltruefullhttps://www.spreaker.com/episode/the-magnificent-melancholic-minds-behind-katatonia--57031623Renske sat down with Metal V and openly discussed his life and motivations behind what he does as a career of the frontman of Katatonia and also a history of the band.
With a new Katatonia headline tour coming next February 2024, the two talked of Renske's past memories and tours of being here in Australia plus also what we can expect to see and hear from them on their upcoming trip. Not to mention that it wouldn’t be a Metal V / HEAVY Mag hour long special without asking Jonas what he feels are Katatonia’s most favorite and important songs for us to play on this Katatonia podcast spotlight with insight into his reasoning for choosing such tracks!

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57031623Wed, 04 Oct 2023 18:09:44 +0000HEAVY MagazineSweden's Katatonia are instantly indentifiable thanks wholly to the stunningly superb vocals of Jonas Renske. With over a dozen releases from their thirty (and counting) year career, the band has continually evolved. Maturing without ever losing site...Renske sat down with Metal V and openly discussed his life and motivations behind what he does as a career of the frontman of Katatonia and also a history of the band.
With a new Katatonia headline tour coming next February 2024, the two talked of Renske's past memories and tours of being here in Australia plus also what we can expect to see and hear from them on their upcoming trip. Not to mention that it wouldn’t be a Metal V / HEAVY Mag hour long special without asking Jonas what he feels are Katatonia’s most favorite and important songs for us to play on this Katatonia podcast spotlight with insight into his reasoning for choosing such tracks!

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>4005gothicmetal,heavy,heavymetal,interview,jonasrenke,katatonia,metalv,podcasttruefullhttps://www.spreaker.com/episode/tech-trek-mayhem-with-dean-lamb-from-archspire--57000708 Despite the plethora of modern advances when it comes to recording music, there is still no hiding when it comes to taking the show on the road. Reputations are made and lost when a band hits the stage, with no technical wizardry or smokescreens able to elevate a below-par performance. Canadian technical death metal outfit Archspire are one band who have nothing to fear in that department. They are heralded with having “a supremely tight live performance, where impressive speeds come grinding to a halt, and in even less time twist and contort into complex passages rife with beautiful harmonies, juxtaposed against insidious melodies.” Even SOUNDS impressive, right? Australian fans soon get the chance to judge for themselves when Archspire hit this country for a run of shows starting in Brisbane on October 11. Supported by Ingested and Werewolves, this promises to be a brutal offering of all things metal where all cards are on the table and folding is not an option. HEAVY spoke with guitarist Dean Lamb ahead of the tour. “The tour is under a month away, and we are very, very excited,” he beamed. “We haven’t packed yet, but what we did recently was we just got back from a tour in Europe, so we were there doing festivals. At this point, at the time of this recording, I think we’ve been home for three weeks nearly, and we leave soon to go to Japan and Australia immediately afterwards. And the craziest thing is that our vocalist is also getting married in Australia at the end of the tour, so we have a nutso trip coming up. (laughs) The last time we were in Australia was 2018 supporting Psycroptic, who are our bros, we absolutely love those dudes. It’s really cool that we get to go back and headline. It’s pretty amazing. Coming from a band who… we play such a niche style of music and to be able to go halfway across the world and actually headline shows somewhere and have people care in any way… it makes us very, very excited. And Australian fans are some of the best we’ve ever met.” In the full interview, Dean talks more about what to expect from the shows, what has changed with the band since their last visit in 2018, playing live while having to deliver their brand of technical death metal, having Ingested and Werewolves as touring partners, the musical climate that gave birth to Archspire, their early vision and how it has changed since, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/57000708Sat, 30 Sep 2023 01:27:04 +0000HEAVY MagazineInterview by Kris Peters Despite the plethora of modern advances when it comes to recording music, there is still no hiding when it comes to taking the show on the road. Reputations are made and lost when a band hits the stage, with no technical... Despite the plethora of modern advances when it comes to recording music, there is still no hiding when it comes to taking the show on the road. Reputations are made and lost when a band hits the stage, with no technical wizardry or smokescreens able to elevate a below-par performance. Canadian technical death metal outfit Archspire are one band who have nothing to fear in that department. They are heralded with having “a supremely tight live performance, where impressive speeds come grinding to a halt, and in even less time twist and contort into complex passages rife with beautiful harmonies, juxtaposed against insidious melodies.” Even SOUNDS impressive, right? Australian fans soon get the chance to judge for themselves when Archspire hit this country for a run of shows starting in Brisbane on October 11. Supported by Ingested and Werewolves, this promises to be a brutal offering of all things metal where all cards are on the table and folding is not an option. HEAVY spoke with guitarist Dean Lamb ahead of the tour. “The tour is under a month away, and we are very, very excited,” he beamed. “We haven’t packed yet, but what we did recently was we just got back from a tour in Europe, so we were there doing festivals. At this point, at the time of this recording, I think we’ve been home for three weeks nearly, and we leave soon to go to Japan and Australia immediately afterwards. And the craziest thing is that our vocalist is also getting married in Australia at the end of the tour, so we have a nutso trip coming up. (laughs) The last time we were in Australia was 2018 supporting Psycroptic, who are our bros, we absolutely love those dudes. It’s really cool that we get to go back and headline. It’s pretty amazing. Coming from a band who… we play such a niche style of music and to be able to go halfway across the world and actually headline shows somewhere and have people care in any way… it makes us very, very excited. And Australian fans are some of the best we’ve ever met.” In the full interview, Dean talks more about what to expect from the shows, what has changed with the band since their last visit in 2018, playing live while having to deliver their brand of technical death metal, having Ingested and Werewolves as touring partners, the musical climate that gave birth to Archspire, their early vision and how it has changed since, new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>890archspire,australia,heavy,heavymetal,ingested,interview,krispeters,podcast,psycroptic,technicaldeathmetal,tourfalsefullhttps://www.spreaker.com/episode/darkness-from-light-with-ineffigy--56997689Interview by Kris Peters
Bundaberg metal outfit Ineffigy have made a handful of treks to the big smoke of Brisbane and left a sonic trail of destruction each time.
With a unique and easily digestible blending of a multitude of genres, coupled with an entertaining and dynamic live performance, Ineffigy are one of those bands you just know will make a large dent on the national music scene if given the chance.
And the first of those chances comes on October 14 when the band opens Lighthouse Rock Festival in their hometown, which is headlined by The Screaming Jets, Baby Animals and The Living End. The feat is even more impressive when you take into account Ineffigy won their spot via a battle of bands hosted by Triple M – a radio stage not known for favouring heavier bands of any capacity.
It is just reward for the boys who also spearhead Bundaberg’s East Coast Alternative, a dedicated group of musicians striving to build the music scene in the region by hosting touring bands, providing access to recorded live music and more.
This Saturday night Ineffigy play at Metal United World Wide at Bundaberg’s Sugarland Tavern, kickstarting a busy period for the band who have also recently released a live album, Live At The OBT.
HEAVY caught up with bass player Tobias, guitarist Jess and vocalist Joey to find out more.
“It’s been awesome,” Joey started, speaking about their recent win at the Battle Of The Bands. “We get to play with The Living End, and I’m a massive, massive Living End fan.”
We broach the subject of a heavy band taking out top honours at a Triple M competition, with all three smiling at the thought.
“It shocked us just as much as it shocked everybody else, don’t worry,” Joey laughed. “We usually just go into those things because they’re a heap of fun and exposes us to a different crowd of people. It opens us up to the more stable local base of music fans, but no, we didn’t expect to win it. If you go back and watch it we were just as stunned as everybody else.”
“When they said our name I didn’t even hear it,” smiled Tobias. “I was just standing there, and they’re saying ‘come forward’, and I was like, what for? Did we win?”
In the full interview, the boys talk more about winning the Battle Of The Bands, who they are most looking forward to sharing the stage with at Lighthouse Rocks, if they are nervous about playing, what they hope to take out of the opportunity, having their music and an interview featured on Triple M, the three song recording component of the prize and what they plan to record with it, their recent live album, East Coast Alternative and what they hope to achieve as part of it, the Bundaberg metal scene, tonight’s Metal United World Wide show and more.
Unfortunately, our chat was cut short by Brisbane's fickle weather, but for more information on the band and upcoming events visit https://www.facebook.com/InEffigyOfficial


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56997689Fri, 29 Sep 2023 20:04:32 +0000HEAVY MagazinePhoto credit: Just Ignore The Camera Photography Interview by Kris Peters Bundaberg metal outfit Ineffigy have made a handful of treks to the big smoke of Brisbane and left a sonic trail of destruction each time. With a unique and easily digestible...Interview by Kris Peters
Bundaberg metal outfit Ineffigy have made a handful of treks to the big smoke of Brisbane and left a sonic trail of destruction each time.
With a unique and easily digestible blending of a multitude of genres, coupled with an entertaining and dynamic live performance, Ineffigy are one of those bands you just know will make a large dent on the national music scene if given the chance.
And the first of those chances comes on October 14 when the band opens Lighthouse Rock Festival in their hometown, which is headlined by The Screaming Jets, Baby Animals and The Living End. The feat is even more impressive when you take into account Ineffigy won their spot via a battle of bands hosted by Triple M – a radio stage not known for favouring heavier bands of any capacity.
It is just reward for the boys who also spearhead Bundaberg’s East Coast Alternative, a dedicated group of musicians striving to build the music scene in the region by hosting touring bands, providing access to recorded live music and more.
This Saturday night Ineffigy play at Metal United World Wide at Bundaberg’s Sugarland Tavern, kickstarting a busy period for the band who have also recently released a live album, Live At The OBT.
HEAVY caught up with bass player Tobias, guitarist Jess and vocalist Joey to find out more.
“It’s been awesome,” Joey started, speaking about their recent win at the Battle Of The Bands. “We get to play with The Living End, and I’m a massive, massive Living End fan.”
We broach the subject of a heavy band taking out top honours at a Triple M competition, with all three smiling at the thought.
“It shocked us just as much as it shocked everybody else, don’t worry,” Joey laughed. “We usually just go into those things because they’re a heap of fun and exposes us to a different crowd of people. It opens us up to the more stable local base of music fans, but no, we didn’t expect to win it. If you go back and watch it we were just as stunned as everybody else.”
“When they said our name I didn’t even hear it,” smiled Tobias. “I was just standing there, and they’re saying ‘come forward’, and I was like, what for? Did we win?”
In the full interview, the boys talk more about winning the Battle Of The Bands, who they are most looking forward to sharing the stage with at Lighthouse Rocks, if they are nervous about playing, what they hope to take out of the opportunity, having their music and an interview featured on Triple M, the three song recording component of the prize and what they plan to record with it, their recent live album, East Coast Alternative and what they hope to achieve as part of it, the Bundaberg metal scene, tonight’s Metal United World Wide show and more.
Unfortunately, our chat was cut short by Brisbane's fickle weather, but for more information on the band and upcoming events visit https://www.facebook.com/InEffigyOfficial


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1003australia,eastcoastalternative,hardrock,heavy,heavymetal,ineffigy,interview,krispeters,lighthouserocksfestival,metalunitedworldwide,podcast,punktruefullhttps://www.spreaker.com/episode/tainted-petals-with-dale-dudeson-from-revoid--56996911Brisbane metalcore outfit Revoid stood to attention with the release last year of their debut EP Sleepless Still.
After proving their credentials on that release, expectations for follow-up music were high, and the band didn’t disappoint with the single Burn With Me which was released in June of this year.
But the true test of their mettle came with the recent showcasing of their latest single Blood Petals, a dynamic ballad that laid bare a different side to Revoid and exposed their softer side in a delicately constructed show of faith.
Featuring dual vocals from frontman Dale Dudeson and Inertia’s Julian Latouche, Blood Petals bridges the gap between Sleepless Still and more incoming music next year, with Dudeson joining HEAVY to discuss Blood Petals and more.
“Honestly, it’s been really good,” he enthused at the early reception to Blood Petals. “It’s been really positive considering it’s so… we’ve always been an emotion, pretty serious sort of band, but this is a little bit further out of our wheelhouse than normal and everyone’s just loving it, thank God (laughs).”
We press Dudeson on the decision to release something mellower than fans are used to and the thought process behind it.
“Revoid have always been about the versatility and stuff, we like a lot of everything,” he replied. “We all come from different backgrounds and different tastes, and we want to build that into what we write, so this is just something we all relate to; something we’ve all gone through once upon a time. Whether it be loss of a friend, partner, family, anything like that. I guess we just wanted to do something to convey our own feelings and put everyone else in a bit of a feely mood and see how it goes.”
In the full interview, Dale talks more about the musical side of Blood Petals, how the collaboration with Julian came about, steps taken to ensure both vocal parts were impactful, whether the last two songs are part of an album cycle, how the new material differs to music from Sleepless Still, supporting Dayseeker and what it meant to them as a band, their upcoming headlining run of shows, why they chose to take The Motion Below and Ghost Complex with them and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56996911Fri, 29 Sep 2023 19:13:00 +0000HEAVY MagazineInterview by Kris Peters Brisbane metalcore outfit Revoid stood to attention with the release last year of their debut EP Sleepless Still. After proving their credentials on that release, expectations for follow-up music were high, and the band didn’t...Brisbane metalcore outfit Revoid stood to attention with the release last year of their debut EP Sleepless Still.
After proving their credentials on that release, expectations for follow-up music were high, and the band didn’t disappoint with the single Burn With Me which was released in June of this year.
But the true test of their mettle came with the recent showcasing of their latest single Blood Petals, a dynamic ballad that laid bare a different side to Revoid and exposed their softer side in a delicately constructed show of faith.
Featuring dual vocals from frontman Dale Dudeson and Inertia’s Julian Latouche, Blood Petals bridges the gap between Sleepless Still and more incoming music next year, with Dudeson joining HEAVY to discuss Blood Petals and more.
“Honestly, it’s been really good,” he enthused at the early reception to Blood Petals. “It’s been really positive considering it’s so… we’ve always been an emotion, pretty serious sort of band, but this is a little bit further out of our wheelhouse than normal and everyone’s just loving it, thank God (laughs).”
We press Dudeson on the decision to release something mellower than fans are used to and the thought process behind it.
“Revoid have always been about the versatility and stuff, we like a lot of everything,” he replied. “We all come from different backgrounds and different tastes, and we want to build that into what we write, so this is just something we all relate to; something we’ve all gone through once upon a time. Whether it be loss of a friend, partner, family, anything like that. I guess we just wanted to do something to convey our own feelings and put everyone else in a bit of a feely mood and see how it goes.”
In the full interview, Dale talks more about the musical side of Blood Petals, how the collaboration with Julian came about, steps taken to ensure both vocal parts were impactful, whether the last two songs are part of an album cycle, how the new material differs to music from Sleepless Still, supporting Dayseeker and what it meant to them as a band, their upcoming headlining run of shows, why they chose to take The Motion Below and Ghost Complex with them and more.


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>770aussiemetal,daledudeson,heavy,inertia,interview,julianlatouche,krispeters,metalcore,podcast,revoid,singlefalsefullhttps://www.spreaker.com/episode/changing-tides-with-jacob-skogli-from-atena--56929308Experimenting within a musical genre is nothing new.
It has been done - to varying degrees of success - for countless years, spawning new genres and sub genres even where they are not wanted.
But to fully immerse yourself in that craft within a defined genre is a brave move in the modern era where often bands and their music can get lost in a convoluted mess.
Norwegian metalcore unit ATENA are one such band. A band who have pushed themselves musically with each release and shown an unflinching propensity to tread where others may fear.
Following their previous critically acclaimed album Drowning Regret & Lungs Filled with Water, ATENA could have quite easily rehashed that winning formula with their follow up Subway Anthem (released Friday, September 29) but instead the band have taken their minds even further down the rabbit hole in search of a defining sound.
Vocalist Jacob Skogli sat down with HEAVY to take us with them.
"I feel great," he smiled when asked how the band is feeling about the album release. "We spent a lot of time on it and people have been responding well so far, so it's a relief."
When asked to describe what ATENA was striving for musically Skogli opens up a bit more.
"I guess it depends on what you've heard of us before," he measured. "But in general, it's a modern metalcore sound - which sounds cliche - but there's maybe more cinematic elements. We tried to expand on what we've done before. I could give you all the band cliches of the heaviness being heavier and the melodies being more melodic (laughs). There's some of that, there's more electronics. We have been using them for years - we've always had electronics in our sound - but we have expanded on that as well so we feel like we've done a lot."
In the full interview, Jacob runs us through the singles released and which best represent the overall sound of Subway Anthem, the pressures of follow up Drowning Regret & Lungs Filled with Water and their desire to expand on the sound of that album, musical growth, painting a sonic landscape with music, where their sound originated, getting the balance of genres right in the writing and recording process, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56929308Fri, 29 Sep 2023 02:18:19 +0000HEAVY MagazineInterview by Kris Peters Experimenting within a musical genre is nothing new. It has been done - to varying degrees of success - for countless years, spawning new genres and sub genres even where they are not wanted. But to fully immerse yourself in...Experimenting within a musical genre is nothing new.
It has been done - to varying degrees of success - for countless years, spawning new genres and sub genres even where they are not wanted.
But to fully immerse yourself in that craft within a defined genre is a brave move in the modern era where often bands and their music can get lost in a convoluted mess.
Norwegian metalcore unit ATENA are one such band. A band who have pushed themselves musically with each release and shown an unflinching propensity to tread where others may fear.
Following their previous critically acclaimed album Drowning Regret & Lungs Filled with Water, ATENA could have quite easily rehashed that winning formula with their follow up Subway Anthem (released Friday, September 29) but instead the band have taken their minds even further down the rabbit hole in search of a defining sound.
Vocalist Jacob Skogli sat down with HEAVY to take us with them.
"I feel great," he smiled when asked how the band is feeling about the album release. "We spent a lot of time on it and people have been responding well so far, so it's a relief."
When asked to describe what ATENA was striving for musically Skogli opens up a bit more.
"I guess it depends on what you've heard of us before," he measured. "But in general, it's a modern metalcore sound - which sounds cliche - but there's maybe more cinematic elements. We tried to expand on what we've done before. I could give you all the band cliches of the heaviness being heavier and the melodies being more melodic (laughs). There's some of that, there's more electronics. We have been using them for years - we've always had electronics in our sound - but we have expanded on that as well so we feel like we've done a lot."
In the full interview, Jacob runs us through the singles released and which best represent the overall sound of Subway Anthem, the pressures of follow up Drowning Regret & Lungs Filled with Water and their desire to expand on the sound of that album, musical growth, painting a sonic landscape with music, where their sound originated, getting the balance of genres right in the writing and recording process, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1074album,atena,heavy,heavymetal,interview,jacobskogli,krispeters,metalcore,podcastfalsefullhttps://www.spreaker.com/episode/strength-in-unity-with-nathan-mariat-from-resolve--56926369French metalcore outfit Resolve are one of the new breed of metal bands that dares to be different.
Since setting the world on fire with their debut single Exposed in 2017, Resolve quickly found themselves supporting bands such as Architects, Every Time I Die and While She Sleeps, enhancing their reputation in the process and forging their way into the ears and hearts of metal lovers globally.
Last week Resolve dropped Human, the follow up to their highly successful debut album Between Me And The Machine which came out in 2021.
It is a beast of an album that reinforces the band's early promise and gives glimpses into what can only be an even more promising future.
Drummer Nathan Mariat joined HEAVY to discuss more.
"It's been mixed with good feedback," he measured when asked how the album has been received early on. "Some people like the fact that we tried to explore different genres and origins musically. Also, some people will find what makes them happy in the album but maybe only in a few songs. At the end of the day that's the only thing that matters. If we release songs you like whether you like the entire album or not, if you're happy with some of the songs we wrote it means we did our job."
We ask him to dive deeper into Human musically.
"We were trying to... it's really hard to explain," he began. "We're trying to speak to as much people as we can with our music, which is how it has always been since the beginning. We have always listened to many different styles of music and we really wanted to implement that in the music we make. This album is no different. We're just trying to cover as many styles that we like while retaining a heavy sound. I wouldn't say metal sound, because that's not the main idea of the album. It's not a metal album. It's a heavy band album trying to showcase everything we can do while still showing everyone how heavy we can be, but also how soft we can be. It's the most sincere music we wrote since we started this band."
In the full interview, Nathan talks more about the musical side of Human, how the singles released represent the entire album, having hip hop/trap artists ten56 and Paleface Swiss guest on the album and why, where their eclectic style comes from, the themes behind Human, how it differs to their debut album Between Me And The Machine, how much experimenting the band has left in them and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56926369Mon, 25 Sep 2023 15:25:48 +0000HEAVY MagazineInterview by Kris Peters French metalcore outfit Resolve are one of the new breed of metal bands that dares to be different. Since setting the world on fire with their debut single Exposed in 2017, Resolve quickly found themselves supporting bands...French metalcore outfit Resolve are one of the new breed of metal bands that dares to be different.
Since setting the world on fire with their debut single Exposed in 2017, Resolve quickly found themselves supporting bands such as Architects, Every Time I Die and While She Sleeps, enhancing their reputation in the process and forging their way into the ears and hearts of metal lovers globally.
Last week Resolve dropped Human, the follow up to their highly successful debut album Between Me And The Machine which came out in 2021.
It is a beast of an album that reinforces the band's early promise and gives glimpses into what can only be an even more promising future.
Drummer Nathan Mariat joined HEAVY to discuss more.
"It's been mixed with good feedback," he measured when asked how the album has been received early on. "Some people like the fact that we tried to explore different genres and origins musically. Also, some people will find what makes them happy in the album but maybe only in a few songs. At the end of the day that's the only thing that matters. If we release songs you like whether you like the entire album or not, if you're happy with some of the songs we wrote it means we did our job."
We ask him to dive deeper into Human musically.
"We were trying to... it's really hard to explain," he began. "We're trying to speak to as much people as we can with our music, which is how it has always been since the beginning. We have always listened to many different styles of music and we really wanted to implement that in the music we make. This album is no different. We're just trying to cover as many styles that we like while retaining a heavy sound. I wouldn't say metal sound, because that's not the main idea of the album. It's not a metal album. It's a heavy band album trying to showcase everything we can do while still showing everyone how heavy we can be, but also how soft we can be. It's the most sincere music we wrote since we started this band."
In the full interview, Nathan talks more about the musical side of Human, how the singles released represent the entire album, having hip hop/trap artists ten56 and Paleface Swiss guest on the album and why, where their eclectic style comes from, the themes behind Human, how it differs to their debut album Between Me And The Machine, how much experimenting the band has left in them and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1225album,heavy,heavymetal,human,interview,krispeters,metalcore,nathanmariat,podcast,resolvetruefullhttps://www.spreaker.com/episode/living-in-sin-with-tim-ripper-owens-from-kk-s-priest--56873855Although K.K. Downing and Tim 'Ripper' Owens only spent what amounts to a fleeting moment together as part of Judas Priest (they actually played on two albums together, Jugulator and Demolition) they still formed an integral part of one of the most loved and influential metal bands in history.
While Downing spent some time in hibernation after leaving Judas Priest, Owens set about forging a music career in his own right, forming a solo project as well as performing with Spirits of Fire, the Three Tremors and A New Revenge.
He still traverses the globe in various incarnations paying respect to Judas Priest and other bands, his distinctive voice ensuring his reputation continues to grow as a musician in his own right.
Earlier this decade Downing and Owens reunited under the monicker KK's Priest, harnessing the DNA from that period of time and infusing it with a modern sensibility that spills over just enough to give their sound a fresher sonic platform while still having its roots in old school metal.
The success of KK's Priest's debut album Sermons Of The Sinner meant it was always a matter of when, not if the band would release the follow up, with the next step in KK's Priest's evolution starting on September 29 with the release of The Sinner Rides Again.
Owens sat down with HEAVY to bring us up to speed.
We start by asking what feelings and emotions he goes through in the lead up to a new album release.
"I've done it so much now," he measured. "It used to be really exciting, and then you start releasing so many records like I do that it loses a little bit. But this one is back to being exciting again. This is two records in a row I've released. You and I talked about my solo EP Return To Death Row, so that was an exciting one, and I've got back to back exciting records. I'm really excited about this KK's Priest release because Sinner Rides Again is just a great record so I cannot wait to get this one out."
As Owens said, he has released a large number of albums with various projects over the years, but we ask him if there is more pressure on this one just by virtue of the fact it is with himself and K.K. Downing in the band.
"I think so," he nodded. "It is for me because I want it to be... usually all of the pressure is totally on me and you want it to be good because it's your own but I want this to be successful and good for Ken. It means a lot to him. He's worked really hard at it and so I want it to be great and I want to be on the top of my game. It just adds a little bit more pressure to it."
In the full interview, Ripper talks about the singles released and how they reflect the whole album, the other members of KK's Priest and what they bring to the table, how this album differs musically to the debut, keeping old school metal influences in his music, how the album process has changed from when Downing and himself were in Judas Priest to now, the chemistry between both of them, their upcoming run of shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56873855Wed, 20 Sep 2023 19:10:43 +0000HEAVY MagazineInterview by Kris Peters Although K.K. Downing and Tim 'Ripper' Owens only spent what amounts to a fleeting moment together as part of Judas Priest (they actually played on two albums together, Jugulator and Demolition) they still formed an integral...Although K.K. Downing and Tim 'Ripper' Owens only spent what amounts to a fleeting moment together as part of Judas Priest (they actually played on two albums together, Jugulator and Demolition) they still formed an integral part of one of the most loved and influential metal bands in history.
While Downing spent some time in hibernation after leaving Judas Priest, Owens set about forging a music career in his own right, forming a solo project as well as performing with Spirits of Fire, the Three Tremors and A New Revenge.
He still traverses the globe in various incarnations paying respect to Judas Priest and other bands, his distinctive voice ensuring his reputation continues to grow as a musician in his own right.
Earlier this decade Downing and Owens reunited under the monicker KK's Priest, harnessing the DNA from that period of time and infusing it with a modern sensibility that spills over just enough to give their sound a fresher sonic platform while still having its roots in old school metal.
The success of KK's Priest's debut album Sermons Of The Sinner meant it was always a matter of when, not if the band would release the follow up, with the next step in KK's Priest's evolution starting on September 29 with the release of The Sinner Rides Again.
Owens sat down with HEAVY to bring us up to speed.
We start by asking what feelings and emotions he goes through in the lead up to a new album release.
"I've done it so much now," he measured. "It used to be really exciting, and then you start releasing so many records like I do that it loses a little bit. But this one is back to being exciting again. This is two records in a row I've released. You and I talked about my solo EP Return To Death Row, so that was an exciting one, and I've got back to back exciting records. I'm really excited about this KK's Priest release because Sinner Rides Again is just a great record so I cannot wait to get this one out."
As Owens said, he has released a large number of albums with various projects over the years, but we ask him if there is more pressure on this one just by virtue of the fact it is with himself and K.K. Downing in the band.
"I think so," he nodded. "It is for me because I want it to be... usually all of the pressure is totally on me and you want it to be good because it's your own but I want this to be successful and good for Ken. It means a lot to him. He's worked really hard at it and so I want it to be great and I want to be on the top of my game. It just adds a little bit more pressure to it."
In the full interview, Ripper talks about the singles released and how they reflect the whole album, the other members of KK's Priest and what they bring to the table, how this album differs musically to the debut, keeping old school metal influences in his music, how the album process has changed from when Downing and himself were in Judas Priest to now, the chemistry between both of them, their upcoming run of shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>646album,hardrock,heavy,heavymetal,interview,judaspriest,kkdowning,kkspriest,krispeters,podcast,rock,thesinnerridesagain,timripperowenstruefullhttps://www.spreaker.com/episode/backstage-at-kickass-festival-with-mark-gable-from-the-choirboys--56871952KickAss Festival successfully completed its second year last weekend with a bumper show at Kenilworth Showgrounds that emphatically proved rock music is alive, well and thriving.
Held over two days with local acts appearing alongside established bands such as James Reyne, Kingswood, Dragon and the Choirboys, KickAss Festival did just that and more with thousands of music lovers taking advantage of the camping facilities on offer to spend the weekend in rock paradise.
HEAVY was granted exclusive media access to backstage interviews on the Saturday, and we managed to corner Kingswood, Choirboys and Lecia Louise for some up close and personal time.
Today Kyra-Jade Coombs and Kris Peters catch up with Choirboys vocalist Mark Gable for an entertaining chat not long before the boys hit the stage.
*Please note, this was recorded live so the audio might be a little unclear at times*


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56871952Wed, 20 Sep 2023 16:18:16 +0000HEAVY MagazineInterview by Kyra-Jade Coombs and Kris Peters KickAss Festival successfully completed its second year last weekend with a bumper show at Kenilworth Showgrounds that emphatically proved rock music is alive, well and thriving. Held over two days with...KickAss Festival successfully completed its second year last weekend with a bumper show at Kenilworth Showgrounds that emphatically proved rock music is alive, well and thriving.
Held over two days with local acts appearing alongside established bands such as James Reyne, Kingswood, Dragon and the Choirboys, KickAss Festival did just that and more with thousands of music lovers taking advantage of the camping facilities on offer to spend the weekend in rock paradise.
HEAVY was granted exclusive media access to backstage interviews on the Saturday, and we managed to corner Kingswood, Choirboys and Lecia Louise for some up close and personal time.
Today Kyra-Jade Coombs and Kris Peters catch up with Choirboys vocalist Mark Gable for an entertaining chat not long before the boys hit the stage.
*Please note, this was recorded live so the audio might be a little unclear at times*


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2174aussierock,australia,choirboys,hardrock,heavy,interview,kickassfestival,markgable,rocktruefullhttps://www.spreaker.com/episode/breaking-out-with-prika-amaral-from-nervosa--56870453Brazilian thrash outfit Nervosa are preparing to enter the next phase of their already successful career when they release new album Jailbreak onto the world on September 29.
Jailbreak marks a decisive new beginning for the band, being the first album to welcome guitarist and founding member Prika Amaral to the mantle as lead vocalist, as well as premiering the new line-up completed by the immensely talented and well experienced Michaela Naydenova on drums, Hel Pyre on bass and Helena Kotina on guitars.
Unrelenting and sonically vicious, Nervosa have decimated crowds the world over on four previous albums, but are set to spread their brutality even further with Jailbreak.
Amaral joined HEAVY to discuss the album.
"I'm feeling super excited," she smiled. "We have been working for this new album since 2021 - so four months after we released Perpetual Chaos we started working for this new album - and for me it's the biggest step in my career because it's the first time that I have been singer (laughs). I can't describe how excited I am to show everyone what I was working very hard on."
We ask Amaral to dive deeper into the musical side of Jailbreak.
"I think this album is super revolutionary," she measured, "because we have the second guitar right now. It was something that we had in the beginning, but we never recorded any albums with two guitars. So it's a big change in Nervosa life, and also me talking personally being a singer was a huge challenge in a very short time and period. I gave my best. I had a lot of fun. It was a very experimental album in some ways, but at the same time was the most fun composing this new album. We have a lot of diversity, and a different style of metal. Everything combined with thrash. We have thrash and death metal together. We have traditional heavy metal with thrash metal. We have punk with thrash metal and we have some melodic death metal, melodic thrash metal, and a bit, in one song, maybe death metal. We put everything together in a mixer (laughs)."
In the full interview, Prika talks about following on from the success of previous album Perpetual Chaos, her role as singer and how easy the transition was, why she elected to assume the role, the new band members and what they bring to Nervosa's sound, the wicked cover image, special guests Gary Holt and Lena Scissorhands and what they brought to the album, the "new era" of Nervosa, touring plans, playing on 70000TONS Of Metal and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56870453Wed, 20 Sep 2023 15:09:37 +0000HEAVY MagazineInterview by Kris Peters Brazilian thrash outfit Nervosa are preparing to enter the next phase of their already successful career when they release new album Jailbreak onto the world on September 29. Jailbreak marks a decisive new beginning for the...Brazilian thrash outfit Nervosa are preparing to enter the next phase of their already successful career when they release new album Jailbreak onto the world on September 29.
Jailbreak marks a decisive new beginning for the band, being the first album to welcome guitarist and founding member Prika Amaral to the mantle as lead vocalist, as well as premiering the new line-up completed by the immensely talented and well experienced Michaela Naydenova on drums, Hel Pyre on bass and Helena Kotina on guitars.
Unrelenting and sonically vicious, Nervosa have decimated crowds the world over on four previous albums, but are set to spread their brutality even further with Jailbreak.
Amaral joined HEAVY to discuss the album.
"I'm feeling super excited," she smiled. "We have been working for this new album since 2021 - so four months after we released Perpetual Chaos we started working for this new album - and for me it's the biggest step in my career because it's the first time that I have been singer (laughs). I can't describe how excited I am to show everyone what I was working very hard on."
We ask Amaral to dive deeper into the musical side of Jailbreak.
"I think this album is super revolutionary," she measured, "because we have the second guitar right now. It was something that we had in the beginning, but we never recorded any albums with two guitars. So it's a big change in Nervosa life, and also me talking personally being a singer was a huge challenge in a very short time and period. I gave my best. I had a lot of fun. It was a very experimental album in some ways, but at the same time was the most fun composing this new album. We have a lot of diversity, and a different style of metal. Everything combined with thrash. We have thrash and death metal together. We have traditional heavy metal with thrash metal. We have punk with thrash metal and we have some melodic death metal, melodic thrash metal, and a bit, in one song, maybe death metal. We put everything together in a mixer (laughs)."
In the full interview, Prika talks about following on from the success of previous album Perpetual Chaos, her role as singer and how easy the transition was, why she elected to assume the role, the new band members and what they bring to Nervosa's sound, the wicked cover image, special guests Gary Holt and Lena Scissorhands and what they brought to the album, the "new era" of Nervosa, touring plans, playing on 70000TONS Of Metal and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>814album,heavy,heavymetal,interview,jailbreak,krispeters,nervosa,podcast,prikaamaral,thrashmetaltruefullhttps://www.spreaker.com/episode/kings-of-the-asylum-with-todd-campbell-from-phil-campbell-the-bastard-sons--56868490Phil Campbell And The Bastard Sons recently dropped their new album Kings Of The Asylum.
If you’re not familiar with the name Phil Campbell, then you’re not a big enough Motorhead fan. The former guitarist of one of rock and roll’s most notorious bands has spent the last few years building up The Bastard Sons, a band he has formed with his three sons Todd, Dane and Tyla.
When charismatic and legendary Motorhead front man Lemmy passed away in late 2015, it was the end of an era. But with music coursing through his veins, Phil Campbell was not ready to set down the guitar and retire just yet.
With his ‘bastard sons’ on board, the band that was originally assembled mainly for fun has well and truly taken off.
HEAVY spent some time this week chatting with Todd Campbell, one of the band’s guitarists.
“A few years before Lemmy passed, we started playing doing covers mostly, as like a party band sort of thing, doing little mini tours. We were called the All Star Band at that point,” Todd explained to HEAVY. “We just slowly morphed into The Bastard Sons doing original material and it’s just a good outlet for Phil now, now that he doesn’t have Motorhead.”
Once the ball was rolling with The Bastard Sons, things gathered momentum relatively quickly and the band has been busy releasing music, as well as playing hectic festival circuits around Europe for the past two summers now.
Kings Of The Asylum is the band’s third studio album and it’s first with new vocalist Joel Peters.
“It just felt really natural with Joel, the fans have really taken to him. Full steam ahead, basically!” Todd smiles.
Kings Of The Asylum is out now via Nuclear Blast Records.
Listen to the full interview now to hear about what it was like for Todd growing up around
Motorhead, what it’s like to be in a “family band”, what to expect of the new album and more!

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56868490Wed, 20 Sep 2023 13:01:23 +0000HEAVY MagazineInterview by Erin Eddy, Phil Campbell And The Bastard Sons recently dropped their new album Kings Of The Asylum. If you’re not familiar with the name Phil Campbell, then you’re not a big enough Motorhead fan. The former guitarist of one of rock and...Phil Campbell And The Bastard Sons recently dropped their new album Kings Of The Asylum.
If you’re not familiar with the name Phil Campbell, then you’re not a big enough Motorhead fan. The former guitarist of one of rock and roll’s most notorious bands has spent the last few years building up The Bastard Sons, a band he has formed with his three sons Todd, Dane and Tyla.
When charismatic and legendary Motorhead front man Lemmy passed away in late 2015, it was the end of an era. But with music coursing through his veins, Phil Campbell was not ready to set down the guitar and retire just yet.
With his ‘bastard sons’ on board, the band that was originally assembled mainly for fun has well and truly taken off.
HEAVY spent some time this week chatting with Todd Campbell, one of the band’s guitarists.
“A few years before Lemmy passed, we started playing doing covers mostly, as like a party band sort of thing, doing little mini tours. We were called the All Star Band at that point,” Todd explained to HEAVY. “We just slowly morphed into The Bastard Sons doing original material and it’s just a good outlet for Phil now, now that he doesn’t have Motorhead.”
Once the ball was rolling with The Bastard Sons, things gathered momentum relatively quickly and the band has been busy releasing music, as well as playing hectic festival circuits around Europe for the past two summers now.
Kings Of The Asylum is the band’s third studio album and it’s first with new vocalist Joel Peters.
“It just felt really natural with Joel, the fans have really taken to him. Full steam ahead, basically!” Todd smiles.
Kings Of The Asylum is out now via Nuclear Blast Records.
Listen to the full interview now to hear about what it was like for Todd growing up around
Motorhead, what it’s like to be in a “family band”, what to expect of the new album and more!

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1754album,hardrock,heavy,heavymetal,interview,lemmy,philcampbell&thebastardsons,podcast,rocktruefullhttps://www.spreaker.com/episode/a-war-of-attrition-with-amos-williams-daniel-tompkins-from-tesseract--56806980British progressive metal outfit Tesseract are the consummate professionals, dedicating equal measures of effort into resources into all aspects of their music without favouring the other.
It is an attitude and commitment that has seen the band establish themselves as a pioneering force in world metal over four previous albums, each of which has set new standards of divinity in terms of quality and presentation.
But just when you think they couldn't possibly elevate their music to another realm Tesseract have returned with an outstanding slab of music titled War Of Being that revolutionises not only all that has come before them, but possibly much of what is to come.
Bass player Amos Williams and vocalist Daniel Tompkins sat down with HEAVY to discuss the intricacies of their music and more.
"It's pretty cool isn't it," Williams smiled when I point out the album is only hours away from being released unto the world.
"It's been a long time getting to this point as well," Tompkins added. "The first few singles have gone down really well so we're quite excited to let people hear the full thing now."
"We've spent a lot of time making a lot of noise, but supposedly in the wilderness for popular," Williams continued, "so it's really interesting to all of a sudden have the spotlight put back onto us. For us - because we haven't taken any time off really, we're still at full pelt - so it's super cool for everybody to catch us as we have momentum rather than having to build it up."
"Like Mos said we've been so busy, and then all of a sudden the albums here..." Tompkins finished.
In the full interview, Amos and Daniel talk more about letting the music free to the world and feeling a sense of ownership to the material, the conceptual themes, the creative process and how it eventuated, releasing the 11 minute title track as a single and the risks associated, the visually stunning music video and the ideas in it, which stages of the process are more enjoyable, the AI generated cover artwork, next years Australian tour and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56806980Fri, 15 Sep 2023 03:01:56 +0000HEAVY MagazineInterview by Kris Peters British progressive metal outfit Tesseract are the consummate professionals, dedicating equal measures of effort into resources into all aspects of their music without favouring the other. It is an attitude and commitment that...British progressive metal outfit Tesseract are the consummate professionals, dedicating equal measures of effort into resources into all aspects of their music without favouring the other.
It is an attitude and commitment that has seen the band establish themselves as a pioneering force in world metal over four previous albums, each of which has set new standards of divinity in terms of quality and presentation.
But just when you think they couldn't possibly elevate their music to another realm Tesseract have returned with an outstanding slab of music titled War Of Being that revolutionises not only all that has come before them, but possibly much of what is to come.
Bass player Amos Williams and vocalist Daniel Tompkins sat down with HEAVY to discuss the intricacies of their music and more.
"It's pretty cool isn't it," Williams smiled when I point out the album is only hours away from being released unto the world.
"It's been a long time getting to this point as well," Tompkins added. "The first few singles have gone down really well so we're quite excited to let people hear the full thing now."
"We've spent a lot of time making a lot of noise, but supposedly in the wilderness for popular," Williams continued, "so it's really interesting to all of a sudden have the spotlight put back onto us. For us - because we haven't taken any time off really, we're still at full pelt - so it's super cool for everybody to catch us as we have momentum rather than having to build it up."
"Like Mos said we've been so busy, and then all of a sudden the albums here..." Tompkins finished.
In the full interview, Amos and Daniel talk more about letting the music free to the world and feeling a sense of ownership to the material, the conceptual themes, the creative process and how it eventuated, releasing the 11 minute title track as a single and the risks associated, the visually stunning music video and the ideas in it, which stages of the process are more enjoyable, the AI generated cover artwork, next years Australian tour and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1600album,amoswilliams,danieltompkins,heavy,heavymetal,interview,krispeters,podcast,progressivemetal,tesseractfalsefullhttps://www.spreaker.com/episode/embracing-brutality-with-neville-pearce-from-snake-mountain--56806863Gold Coast metal titans Snake Mountain have never been one of those bands to go with the flow.
Instead, they have adopted a kind of Cobra Kai attitude of strike first, strike hard and not only become an integral part of the local live music scene, but also a proactive and fundamental link in what is becoming an increasingly more delicate chain.
Tonight (September 15) Snake Mountain return to Mo's Desert Clubhouse in Burleigh Heads to spearhead Brutal Coast 4, an annual celebration of live music which they initially started to provide exposure for local bands but what has now become a highlight on the Gold Coast music calendar.
Vocalist and all round top bloke Neville Pearce joined HEAVY to tell us more.
"I think it sounds kind of cool," he laughed when we point out the event name is actually quite intimidating. "You've got to have a cool name. I like having that branding on it. It sounds evil but it's not. We're all happy metalheads (laughs)."
When it started four short years ago, Brutal Coast was but a simple idea but over the years has developed into more of a lifeblood of sorts for the local music scene.
"I just wanted to put together a line-up that was a little bit more diverse than the usual shows we play," he recalled. "Which there's nothing wrong with those because we love doing the heavy, heavy stuff, but I wanted to put on something where it was more diverse with sub genres where you have a bit of melodic metal, or you have a bit of hardcore or you'll have maybe a tribute. I just wanted something that brought all different sides of the scene together and some of their followers might be opened to other bands that they might not usually see. So that was the whole idea to begin with and it took off from there."
In the full interview, Neville talks more about his vision for Brutal Coast, what he looks for when selecting bands, the other bands on the bill and why they were chosen, his view of the current local music scene, new music from Snake Mountain and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56806863Fri, 15 Sep 2023 02:26:44 +0000HEAVY MagazineInterview by Kris Peters Gold Coast metal titans Snake Mountain have never been one of those bands to go with the flow. Instead, they have adopted a kind of Cobra Kai attitude of strike first, strike hard and not only become an integral part of the...Gold Coast metal titans Snake Mountain have never been one of those bands to go with the flow.
Instead, they have adopted a kind of Cobra Kai attitude of strike first, strike hard and not only become an integral part of the local live music scene, but also a proactive and fundamental link in what is becoming an increasingly more delicate chain.
Tonight (September 15) Snake Mountain return to Mo's Desert Clubhouse in Burleigh Heads to spearhead Brutal Coast 4, an annual celebration of live music which they initially started to provide exposure for local bands but what has now become a highlight on the Gold Coast music calendar.
Vocalist and all round top bloke Neville Pearce joined HEAVY to tell us more.
"I think it sounds kind of cool," he laughed when we point out the event name is actually quite intimidating. "You've got to have a cool name. I like having that branding on it. It sounds evil but it's not. We're all happy metalheads (laughs)."
When it started four short years ago, Brutal Coast was but a simple idea but over the years has developed into more of a lifeblood of sorts for the local music scene.
"I just wanted to put together a line-up that was a little bit more diverse than the usual shows we play," he recalled. "Which there's nothing wrong with those because we love doing the heavy, heavy stuff, but I wanted to put on something where it was more diverse with sub genres where you have a bit of melodic metal, or you have a bit of hardcore or you'll have maybe a tribute. I just wanted something that brought all different sides of the scene together and some of their followers might be opened to other bands that they might not usually see. So that was the whole idea to begin with and it took off from there."
In the full interview, Neville talks more about his vision for Brutal Coast, what he looks for when selecting bands, the other bands on the bill and why they were chosen, his view of the current local music scene, new music from Snake Mountain and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>958ahiru,brutalcoast4,deathproof,extrememetal,heavy,heavymetal,interview,kaosphere,krispeters,mosdesertclubhouse,nevillepearce,podcast,snakemountaintruefullhttps://www.spreaker.com/episode/taking-control-with-brooklyn-comic--56805677Emerging Woolongong outfit Brooklyn Comic have an interesting take on music, combining the sounds of emo with hardcore laced with rock sensibilities.
It is a unification that, on paper, should not work but somehow Brooklyn Comic have struck that delicate balance between two worlds and harnessed that energy into their music which is a reflection of the world they live and see around them.
The band's most recent single Charlie's Song details the repercussions addiction has in relationships and continues their common thread of exploring societal issues and mental health.
HEAVY sat down with Jayme, Steve and Emerson to talk more.
"The band has been around for just over a year," Jayme informed us. "I started writing music pretty heavily during the second lockdown, just as a means of aiding my mental despair. Basically, we have one mission statement and that's to raise awareness for mental health. And I like to scream into a microphone (laughs) and that kind of helps."
In the full interview, Brooklyn Comic tell us more about Charlie's Song, what they were going for musically with it, what the song is about and how it addresses modern problems, the film clip and what message they hope we take out of it, future music, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56805677Thu, 14 Sep 2023 23:01:57 +0000HEAVY MagazineInterview by Kris Peters Emerging Woolongong outfit Brooklyn Comic have an interesting take on music, combining the sounds of emo with hardcore laced with rock sensibilities. It is a unification that, on paper, should not work but somehow Brooklyn...Emerging Woolongong outfit Brooklyn Comic have an interesting take on music, combining the sounds of emo with hardcore laced with rock sensibilities.
It is a unification that, on paper, should not work but somehow Brooklyn Comic have struck that delicate balance between two worlds and harnessed that energy into their music which is a reflection of the world they live and see around them.
The band's most recent single Charlie's Song details the repercussions addiction has in relationships and continues their common thread of exploring societal issues and mental health.
HEAVY sat down with Jayme, Steve and Emerson to talk more.
"The band has been around for just over a year," Jayme informed us. "I started writing music pretty heavily during the second lockdown, just as a means of aiding my mental despair. Basically, we have one mission statement and that's to raise awareness for mental health. And I like to scream into a microphone (laughs) and that kind of helps."
In the full interview, Brooklyn Comic tell us more about Charlie's Song, what they were going for musically with it, what the song is about and how it addresses modern problems, the film clip and what message they hope we take out of it, future music, upcoming shows and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>769australia,brooklyncomic,hardrock,heavy,heavymetal,interview,krispeters,podcast,rock,singlefalsefullhttps://www.spreaker.com/episode/taking-names-time-with-alex-laska-from-kingswood-backstage-at-kickass-festival-2023--56797212KickAss Festival successfully completed its second year last weekend with a bumper show at Kenilworth Showgrounds that emphatically proved rock music is alive, well and thriving.
Held over two days with local acts appearing alongside established bands such as James Reyne, Kingswood, Dragon and the Choirboys, KickAss Festival did just that and more with thousands of music lovers taking advantage of the camping facilities on offer to spend the weekend in rock paradise.
HEAVY was granted exclusive media access to backstage interviews on the Saturday, and we managed to corner Kingswood, Choirboys and Lecia Louise for some up close and personal time.
After speaking to Alex Laska from Kingswood several times via zoom, it was long overdue that we finally got the chance to talk with him in person, and it didn't disappoint.
Kingswood are currently riding the crest of a musical wave that is steadily building to a tidal wave. Following the release of their country inspired album Home earlier this year - an album that has since seen them secure ARIA Awards in that genre - and a massive Australian run of shows, Kingswood are now only days away from heading overseas for another European tour. It seems everything they touch is gold. Until they said yes to this interview.
Kyra-Jade Coombs and Kris Peters drew the short straws for the day.
Kyra kicked things off by bringing up Kingswood's ever changing sound and whether it is a planned progression musically or more a matter of circumstance.
"To be honest it's so weird," Alex replied. "You would think there would be a distinct conversation and then there's a strategy behind it where we say we should do this, but honestly Fergus and I love so much music and always have done. We've been musical around each other since we were 12 years old. There are so many different influences. These things happen where we eventually just go 'this is inspiring at the moment, what do you think of this?' And there's so much mystery that has made us who we are musically that at some point, once you've exhausted something, you feel like you become accomplished in it…"
Nothing is off limits in the ensuing 30 minutes as we cover everything from touring to festival survival tips. Strap in and enjoy the ride.
*note due to the live recording of the interviews some background noise and comments can be heard intermittently. Keep an eye on HEAVY over the coming weeks for the full video interviews, uncut and (mostly) uncencored *


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56797212Thu, 14 Sep 2023 08:41:49 +0000HEAVY MagazineInterview by Kris Peters & Kyra-Jade Coombs KickAss Festival successfully completed its second year last weekend with a bumper show at Kenilworth Showgrounds that emphatically proved rock music is alive, well and thriving. Held over two days with...KickAss Festival successfully completed its second year last weekend with a bumper show at Kenilworth Showgrounds that emphatically proved rock music is alive, well and thriving.
Held over two days with local acts appearing alongside established bands such as James Reyne, Kingswood, Dragon and the Choirboys, KickAss Festival did just that and more with thousands of music lovers taking advantage of the camping facilities on offer to spend the weekend in rock paradise.
HEAVY was granted exclusive media access to backstage interviews on the Saturday, and we managed to corner Kingswood, Choirboys and Lecia Louise for some up close and personal time.
After speaking to Alex Laska from Kingswood several times via zoom, it was long overdue that we finally got the chance to talk with him in person, and it didn't disappoint.
Kingswood are currently riding the crest of a musical wave that is steadily building to a tidal wave. Following the release of their country inspired album Home earlier this year - an album that has since seen them secure ARIA Awards in that genre - and a massive Australian run of shows, Kingswood are now only days away from heading overseas for another European tour. It seems everything they touch is gold. Until they said yes to this interview.
Kyra-Jade Coombs and Kris Peters drew the short straws for the day.
Kyra kicked things off by bringing up Kingswood's ever changing sound and whether it is a planned progression musically or more a matter of circumstance.
"To be honest it's so weird," Alex replied. "You would think there would be a distinct conversation and then there's a strategy behind it where we say we should do this, but honestly Fergus and I love so much music and always have done. We've been musical around each other since we were 12 years old. There are so many different influences. These things happen where we eventually just go 'this is inspiring at the moment, what do you think of this?' And there's so much mystery that has made us who we are musically that at some point, once you've exhausted something, you feel like you become accomplished in it…"
Nothing is off limits in the ensuing 30 minutes as we cover everything from touring to festival survival tips. Strap in and enjoy the ride.
*note due to the live recording of the interviews some background noise and comments can be heard intermittently. Keep an eye on HEAVY over the coming weeks for the full video interviews, uncut and (mostly) uncencored *


Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1494alexlaska,australia,choirboys,festival,heavy,interview,jamesreyne,kickass,kingswood,podcast,rocktruefullhttps://www.spreaker.com/episode/rocking-to-beat-depression-with-lauren-from-pugnacious--56795092 Depression and mental health are becoming an increasingly prevalent condition, especially in the modern age where sometimes just living can become a struggle. They are real problems with no definitive answer. Problems that could affect any one of us at any time.
As much as money always helps in any situation, perhaps more importantly in these cases the vital factor is more awareness. Awareness that it can and does happen. Awareness that it is not your fault or something you should go through alone and awareness of the fact that sometimes it’s okay to not be okay and the most important first step to helping yourself is communication and putting your troubles out there for the world to see, hear and help. One way to do this is by staging events – of any nature – but when music is your life and passion the default mechanism generally switches to live events. And, as we all know, musicians do it better than most. This Saturday, September 16, the Mansfield Tavern in Brisbane will host Rock Beats Depression, featuring an eclectic assortment of local and interstate bands uniting for one common cause. Black Whisky, Goatzilla, Gutterfire, Tailor Made Rejects, Krave and more unite together over two stages for not only a great cause, but also a great afternoon/night of live music. The day will raise not only awareness, but also funding for The Black Dog Institute, Beyond Blue and Headspace with tickets HERE Today we speak with Logan/Gold Coast punk outfit Pugnacious to find out why they volunteered to be a part of this great day.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56795092Thu, 14 Sep 2023 03:28:32 +0000HEAVY MagazineInterview by Kris Peters Depression and mental health are becoming an increasingly prevalent condition, especially in the modern age where sometimes just living can become a struggle. They are real problems with no definitive answer. Problems that... Depression and mental health are becoming an increasingly prevalent condition, especially in the modern age where sometimes just living can become a struggle. They are real problems with no definitive answer. Problems that could affect any one of us at any time.
As much as money always helps in any situation, perhaps more importantly in these cases the vital factor is more awareness. Awareness that it can and does happen. Awareness that it is not your fault or something you should go through alone and awareness of the fact that sometimes it’s okay to not be okay and the most important first step to helping yourself is communication and putting your troubles out there for the world to see, hear and help. One way to do this is by staging events – of any nature – but when music is your life and passion the default mechanism generally switches to live events. And, as we all know, musicians do it better than most. This Saturday, September 16, the Mansfield Tavern in Brisbane will host Rock Beats Depression, featuring an eclectic assortment of local and interstate bands uniting for one common cause. Black Whisky, Goatzilla, Gutterfire, Tailor Made Rejects, Krave and more unite together over two stages for not only a great cause, but also a great afternoon/night of live music. The day will raise not only awareness, but also funding for The Black Dog Institute, Beyond Blue and Headspace with tickets HERE Today we speak with Logan/Gold Coast punk outfit Pugnacious to find out why they volunteered to be a part of this great day.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>835beyondblue,black,goatzilla,gutterfire,headspace,heavy,interview,krave,krispeters,made,mansfieldtavern,podcast,pugnacious,rejects,rockbeatsdepression,tailor,theblackdoginstitute,whiskytruefullhttps://www.spreaker.com/episode/set-in-stone-with-john-baizley-from-baroness--56793096US metal outfit Baroness perfectly encapsulate the notion of the more things change, the more they stay the same.
Approaching their sixth album Stone - which is due out on September 15 - Baroness have managed to maintain a trademark sound while at the same time delivering something fresh and original with every release. They have a sound identifiably their own but allow themselves enough scope for adventure to avoid alienating longtime fans while still satiating their own desire to evolve musically.
It is a fine balancing act, but one which Baroness have mastered beautifully, crafting a reliable vulnerability that forms the DNA of every album.
Frontman John Baizley joined HEAVY to talk more about that growth on Stone.
"I'm feeling very, very, very ready to release it," he smiled. "We've had this record in the bag for a while. This is potentially the first record we have on my label that I would have spent the adequate time preparing and marketing and promoting and distributing for. The past couple of records have either been rushed or I don't know what I'm doing well enough to understand timelines and schedules. So this time we really decided to take our time and release it as well as we could, but it's been excruciating. I just want everybody to hear what you and I are talking about. I just want somebody to hear it."
We ask him to explain Stone in greater detail musically.
"This was… I've gone from hate to love on this record over the course of the nearly three years that it would have been in the works," he measured. "In 2020 we had just released Gold & Grey, our last record, and we had been on tour in Europe all through late 2019 and coming back in 2020 we were excited about putting together the actual tour for that record. Which was going to start with a trip to Australia and Japan. We were four days away from flying out of the country when the lockdown occurred. Even up to four days before lockdown I still thought we were gonna do it. It was really like having the rug pulled out from underneath you. What followed were several months of extreme confusion and frustration, everybody can identify with that. But what we decided to do mid 2020 was start writing a new record. We planned on how to make it as the global situation developed. What became apparent to us was that we were in for the long haul, so our idea - which incidently was an idea we've had for many years and finally felt like the right time to do it - was to rent an Airbnb cabin in the woods. My rhythm section is in New York, and I'm in Philadelphia, so we chose a spot that was as distant and into the bush as we could but was equidistant from both Philadelphia and New York, so it was roughly two and a half hours up into the country. We found a cabin, but it was more like a big house that had a huge ceiling and tonnes of space and not a tonne of walls, and it had a great sound for tracking. So we rented the place for a month. For 15 years I have been on classifieds and E-Bay buying studio equipment, and we built our own studio in about 36 hours in a house that was not equipped to be a studio but had all the acoustic plusses that we wanted. It was big, and it was a good creative space for us and there was no distractions, no businesses nearby. The nearest grocery was an hour away. No bars, no businesses, nothing. We dedicated ourselves for that month to write and record a record simultaneously. In the course of that month there were only ever four people involved. We had no assistance, no technicians. We had only ourselves and our bullshit ingenuity to get us through the record and I think because of that we were able to dive into some musical territory that was really exciting and compelling for us and a situation I've always wanted to be in where you're just always working and having ideas. And recording and rehearsing 12 to 14 hours a day and really developing a strong musical bond. Whenever we were nearly finished writing we would record to get that early anxious energy into the songs where we hadn't worked everything out. We improvised a lot on the record. There's a tonne of unscripted, unknown things that we captured on tape and ended up turning into songs. It was a pretty exciting thing."
In the full interview, John talks more about the writing process, how the environment contributed to the finished product, the opening acoustic track Embers and the thought process behind having it first up, musical direction and growth, touring plans and more.



Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56793096Wed, 13 Sep 2023 23:46:54 +0000HEAVY MagazineInterview by Kris Peters US metal outfit Baroness perfectly encapsulate the notion of the more things change, the more they stay the same. Approaching their sixth album Stone - which is due out on September 15 - Baroness have managed to maintain a...US metal outfit Baroness perfectly encapsulate the notion of the more things change, the more they stay the same.
Approaching their sixth album Stone - which is due out on September 15 - Baroness have managed to maintain a trademark sound while at the same time delivering something fresh and original with every release. They have a sound identifiably their own but allow themselves enough scope for adventure to avoid alienating longtime fans while still satiating their own desire to evolve musically.
It is a fine balancing act, but one which Baroness have mastered beautifully, crafting a reliable vulnerability that forms the DNA of every album.
Frontman John Baizley joined HEAVY to talk more about that growth on Stone.
"I'm feeling very, very, very ready to release it," he smiled. "We've had this record in the bag for a while. This is potentially the first record we have on my label that I would have spent the adequate time preparing and marketing and promoting and distributing for. The past couple of records have either been rushed or I don't know what I'm doing well enough to understand timelines and schedules. So this time we really decided to take our time and release it as well as we could, but it's been excruciating. I just want everybody to hear what you and I are talking about. I just want somebody to hear it."
We ask him to explain Stone in greater detail musically.
"This was… I've gone from hate to love on this record over the course of the nearly three years that it would have been in the works," he measured. "In 2020 we had just released Gold & Grey, our last record, and we had been on tour in Europe all through late 2019 and coming back in 2020 we were excited about putting together the actual tour for that record. Which was going to start with a trip to Australia and Japan. We were four days away from flying out of the country when the lockdown occurred. Even up to four days before lockdown I still thought we were gonna do it. It was really like having the rug pulled out from underneath you. What followed were several months of extreme confusion and frustration, everybody can identify with that. But what we decided to do mid 2020 was start writing a new record. We planned on how to make it as the global situation developed. What became apparent to us was that we were in for the long haul, so our idea - which incidently was an idea we've had for many years and finally felt like the right time to do it - was to rent an Airbnb cabin in the woods. My rhythm section is in New York, and I'm in Philadelphia, so we chose a spot that was as distant and into the bush as we could but was equidistant from both Philadelphia and New York, so it was roughly two and a half hours up into the country. We found a cabin, but it was more like a big house that had a huge ceiling and tonnes of space and not a tonne of walls, and it had a great sound for tracking. So we rented the place for a month. For 15 years I have been on classifieds and E-Bay buying studio equipment, and we built our own studio in about 36 hours in a house that was not equipped to be a studio but had all the acoustic plusses that we wanted. It was big, and it was a good creative space for us and there was no distractions, no businesses nearby. The nearest grocery was an hour away. No bars, no businesses, nothing. We dedicated ourselves for that month to write and record a record simultaneously. In the course of that month there were only ever four people involved. We had no assistance, no technicians. We had only ourselves and our bullshit ingenuity to get us through the record and I think because of that we were able to dive into some musical territory that was really exciting and compelling for us and a situation I've always wanted to be in where you're just always working and having ideas. And recording and rehearsing 12 to 14 hours a day and really developing a strong musical bond. Whenever we...]]>1681album,baroness,hardrock,heavy,heavymetal,interview,johnbaizley,krispeters,podcast,rock,stonetruefullhttps://www.spreaker.com/episode/beyond-the-horizon-with-scott-ian-lewis-from-carnifex--56789888For nearly two decades metal outfit Carnifex have managed to push themselves musically further which each release.
Although fitting snuggly into their chosen extreme metal genre, the band have also experimented both within and outside of the conventional parameters of their music, peeling back layers while simultaneously structuring new passages along the way.
With their ninth full length studio album Necromanteum set to be unleashed on October 6, Carnifex have tapped into another realm both musically and thematically, exploring the supernatural and sordid tales of nightmares and inner conflict unlike ever before.
It is much less introspective and personal than their previous offering Graveyard Confessions, with orchestrations and atmospheric landscapes drafted into the sonic landscape to create a sense of foreboding lyrically to match the musical output.
Frontman Scott Ian Lewis joined HEAVY to explore Necromanteum even further.
"I'm pretty stoked," he smiled when asked about the new album. "I'm excited to get the full record out there. I know we've got a couple of singles, but I'm still a whole record kind of guy so getting the record out to the fans is really what I look forward to the most"
We ask Lewis to dive deeper into the musical nature of Necromanteum.
"It's a bit different to the last one," he measured. "I think a big part of it is we've got a new member - Neal, our new guitarist - so we wrote this album as a five piece, compared to writing Graveside Confessions as a four piece. We were able to work with an outside studio. We worked with Jason Suecof at Auto Hammer out in Florida and we also worked with an outside... I guess composer is the word for all the orchestral arrangements, which we had never done that before. And then lyrically and kind of the themes of the music are pretty different. It's a much more outward looking record. Kind of more universal themes compared to the last album which was very inward looking and kind of more of a self assesment, where this one is an assessment of the space that we all share."
In the full interview, Scott talks more about the musical side of the album, the singles released and how they reflect the album as a whole, having Tom Barber from Chelsea Grin guest on Death's Forgotten Children, the central themes throughout the album, what sort of research he did, the pros and cons of self producing an album, Neal and what he brings to Carnifex, using an actual orchestral arrangement, their upcoming tour and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56789888Wed, 13 Sep 2023 17:07:08 +0000HEAVY MagazineInterview by Kris Peters For nearly two decades metal outfit Carnifex have managed to push themselves musically further which each release. Although fitting snuggly into their chosen extreme metal genre, the band have also experimented both within and...For nearly two decades metal outfit Carnifex have managed to push themselves musically further which each release.
Although fitting snuggly into their chosen extreme metal genre, the band have also experimented both within and outside of the conventional parameters of their music, peeling back layers while simultaneously structuring new passages along the way.
With their ninth full length studio album Necromanteum set to be unleashed on October 6, Carnifex have tapped into another realm both musically and thematically, exploring the supernatural and sordid tales of nightmares and inner conflict unlike ever before.
It is much less introspective and personal than their previous offering Graveyard Confessions, with orchestrations and atmospheric landscapes drafted into the sonic landscape to create a sense of foreboding lyrically to match the musical output.
Frontman Scott Ian Lewis joined HEAVY to explore Necromanteum even further.
"I'm pretty stoked," he smiled when asked about the new album. "I'm excited to get the full record out there. I know we've got a couple of singles, but I'm still a whole record kind of guy so getting the record out to the fans is really what I look forward to the most"
We ask Lewis to dive deeper into the musical nature of Necromanteum.
"It's a bit different to the last one," he measured. "I think a big part of it is we've got a new member - Neal, our new guitarist - so we wrote this album as a five piece, compared to writing Graveside Confessions as a four piece. We were able to work with an outside studio. We worked with Jason Suecof at Auto Hammer out in Florida and we also worked with an outside... I guess composer is the word for all the orchestral arrangements, which we had never done that before. And then lyrically and kind of the themes of the music are pretty different. It's a much more outward looking record. Kind of more universal themes compared to the last album which was very inward looking and kind of more of a self assesment, where this one is an assessment of the space that we all share."
In the full interview, Scott talks more about the musical side of the album, the singles released and how they reflect the album as a whole, having Tom Barber from Chelsea Grin guest on Death's Forgotten Children, the central themes throughout the album, what sort of research he did, the pros and cons of self producing an album, Neal and what he brings to Carnifex, using an actual orchestral arrangement, their upcoming tour and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1309album,carnifex,deathcore,heavymetal,interview,krispeters,necromanteum,nuclearblastrecords,podcast,scottianlewisfalsefullhttps://www.spreaker.com/episode/metal-to-the-extreme-with-kyle-schaefer-from-fallujah--56789513Australia, prepare for the onslaught!
Two of the world's most cutting edge extreme metal bands in Cattle Decapitation and Fallujah have arrived in Australia and already started a run of shows that promises to leave a trail of destruction in their wakes.
Bay Area outfit Fallujah are riding high on the recent release of their brooding and atmospheric masterpiece Empyrean, a step even further into the realms of tech-metal for which the band is fast cementing for themselves a place amongst the genres elite.
HEAVY caught up with vocalist Kyle Schaefer not long before the band departed for their smash and grab six date conquest.
"We fly out for a six date tour with Cattle Decapitation," he enthused, "and then on top of that we've got one additional Fallujah headlining show at the end of that so it's basically one full week of Australian shows. It's gonna be a blast."
It's a grueling run of high intensity shows a long way from home, and as such we ask Schaefer what sorts of things he does to mentally and physically prepare himself for the trip.
"Not a whole lot, actually," he laughed. "It depends on whether I have to learn any material for the set, because that's something I spend a lot more time on, like the memorisation of the music. For example, if I'm filling in for a band or Fallujah is doing different songs that I have not performed with the band before - maybe older stuff from before I joined - then I start preparing further in advance. But for something like this where it's all songs that we've done many times on stage, then I'm not too worried about it. I just try to make sure my voice is in shape by practicing pretty consistently for a few weeks beforehand because sometimes if you haven't done screaming vocals for a month or whatever you pick it up again and it's like 'okay, I've fallen off a bit. I've gotta get my voice back in shape' so that's something I really look out for, to make sure I'm feeling normal with my vocals. Two weeks is usually plenty. That's pretty much it. Other than that I just show up and go with the flow (laughs)."
In the full interview, Kyle talks more about some of the essential items he takes on the road with him, what has changed with the band since last time they toured Australia, what we can expect, how much of Empyrean they will be playing, recreating the album atmospherics live, touring with Cattle Decapitation, having Psycroptic on board for the Sydney show, what's next for Fallujah and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56789513Wed, 13 Sep 2023 16:32:04 +0000HEAVY MagazineInterview by Kris Peters Australia, prepare for the onslaught! Two of the world's most cutting edge extreme metal bands in Cattle Decapitation and Fallujah have arrived in Australia and already started a run of shows that promises to leave a trail of...Australia, prepare for the onslaught!
Two of the world's most cutting edge extreme metal bands in Cattle Decapitation and Fallujah have arrived in Australia and already started a run of shows that promises to leave a trail of destruction in their wakes.
Bay Area outfit Fallujah are riding high on the recent release of their brooding and atmospheric masterpiece Empyrean, a step even further into the realms of tech-metal for which the band is fast cementing for themselves a place amongst the genres elite.
HEAVY caught up with vocalist Kyle Schaefer not long before the band departed for their smash and grab six date conquest.
"We fly out for a six date tour with Cattle Decapitation," he enthused, "and then on top of that we've got one additional Fallujah headlining show at the end of that so it's basically one full week of Australian shows. It's gonna be a blast."
It's a grueling run of high intensity shows a long way from home, and as such we ask Schaefer what sorts of things he does to mentally and physically prepare himself for the trip.
"Not a whole lot, actually," he laughed. "It depends on whether I have to learn any material for the set, because that's something I spend a lot more time on, like the memorisation of the music. For example, if I'm filling in for a band or Fallujah is doing different songs that I have not performed with the band before - maybe older stuff from before I joined - then I start preparing further in advance. But for something like this where it's all songs that we've done many times on stage, then I'm not too worried about it. I just try to make sure my voice is in shape by practicing pretty consistently for a few weeks beforehand because sometimes if you haven't done screaming vocals for a month or whatever you pick it up again and it's like 'okay, I've fallen off a bit. I've gotta get my voice back in shape' so that's something I really look out for, to make sure I'm feeling normal with my vocals. Two weeks is usually plenty. That's pretty much it. Other than that I just show up and go with the flow (laughs)."
In the full interview, Kyle talks more about some of the essential items he takes on the road with him, what has changed with the band since last time they toured Australia, what we can expect, how much of Empyrean they will be playing, recreating the album atmospherics live, touring with Cattle Decapitation, having Psycroptic on board for the Sydney show, what's next for Fallujah and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>850australia,cattledecapitation,destroyalllines,extrememetal,fallujah,heavy,heavymetal,interview,krispeters,kyleschaefer,podcast,tourfalsefullhttps://www.spreaker.com/episode/rocking-in-the-free-world-with-danko-jones--56731353Most bands that dwell on the hard rock/punk side of town generally walk the walk while attempting to talk the talk but to the discerning eye it is pretty obvious that it is an enforced facade.
When shit hits the fan you know many of these bad boys would run cowering to the nearest obstacle and lie in wait until the storm has passed.
But there are a small number that are genuine in their disdain. Bands that openly wear their heart on their sleeves and couldn't give a toss what you or anyone else thinks.
And those people are the real heroes.
Even though they have been around for a quarter of a century, Danko Jones have somehow managed to fly under my radar to this point, but for once I actually feel like I have missed out.
Their upcoming album Electric Sounds (September 15) is a rock drenched slab of attitude that promises nothing but delivers in spades.
Danko himself joined HEAVY to chat more.
"We're always excited when we put out an album," he revealed. "The last five albums we've put out has been more excitement than nervousness because we were pretty confident about it. We just want people to hear it. We're kind of impatient about people hearing it so I just want everyone to hear it."
We ask Danko to tell us about the musical side of the new album.
"From a musical point of view it's the same as the last ten albums," he smiled. "It's just a hard rock album, and we're hoping that people who like hard rock like it. We do. We wouldn't have put it out if we didn't (laughs)."
In the full interview we ask Danko if the band has a set process when it comes to writing and recording, the statement delivered on the very first track Guess Who's Back?, the guest artists on the album and what they brought to each song, the early days of Danko Jones and where they fit in, his early vision for the band and how it has changed since, surviving nearly three decades in the music industry, their upcoming massive tour schedule and more."

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56731353Fri, 08 Sep 2023 03:47:54 +0000HEAVY MagazineInterview by Kris Peters Most bands that dwell on the hard rock/punk side of town generally walk the walk while attempting to talk the talk but to the discerning eye it is pretty obvious that it is an enforced facade. When shit hits the fan you know...Most bands that dwell on the hard rock/punk side of town generally walk the walk while attempting to talk the talk but to the discerning eye it is pretty obvious that it is an enforced facade.
When shit hits the fan you know many of these bad boys would run cowering to the nearest obstacle and lie in wait until the storm has passed.
But there are a small number that are genuine in their disdain. Bands that openly wear their heart on their sleeves and couldn't give a toss what you or anyone else thinks.
And those people are the real heroes.
Even though they have been around for a quarter of a century, Danko Jones have somehow managed to fly under my radar to this point, but for once I actually feel like I have missed out.
Their upcoming album Electric Sounds (September 15) is a rock drenched slab of attitude that promises nothing but delivers in spades.
Danko himself joined HEAVY to chat more.
"We're always excited when we put out an album," he revealed. "The last five albums we've put out has been more excitement than nervousness because we were pretty confident about it. We just want people to hear it. We're kind of impatient about people hearing it so I just want everyone to hear it."
We ask Danko to tell us about the musical side of the new album.
"From a musical point of view it's the same as the last ten albums," he smiled. "It's just a hard rock album, and we're hoping that people who like hard rock like it. We do. We wouldn't have put it out if we didn't (laughs)."
In the full interview we ask Danko if the band has a set process when it comes to writing and recording, the statement delivered on the very first track Guess Who's Back?, the guest artists on the album and what they brought to each song, the early days of Danko Jones and where they fit in, his early vision for the band and how it has changed since, surviving nearly three decades in the music industry, their upcoming massive tour schedule and more."

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>825album,dankojones,hardrock,heavy,interview,krispeters,podcast,rocktruefullhttps://www.spreaker.com/episode/crushing-force-with-andy-marsh-from-thy-art-is-murder--56729651Thy Art Is Murder are up there with Australia's greatest ever extreme metal exports.
They have taken their music far and wide, appearing at prestigious festivals around the world like Summer Breeze, Download, Graspop and Wacken and playing with bands such as Cannibal Corpse, Slayer, Kreator, Lamb Of God, Killswitch Engage and Parkway Drive. Their thinking-person’s blackened death metal has challenged, provoked and inspired audiences around the world with little regard for expectation or conformity.
In Australia the band has been nominated for two ARIA Awards and smashed existing chart records and convention. They have won the hearts and ears of a global audience and continue to deliver their strong social messages without fear of reproach or muzzling.
And you get the feeling they have only just started.
With their latest album Godlike set for release on September 15, HEAVY spent some time with guitarist Andy Marsh to go into more detail.
We're feeling really good," he affirmed ahead of the release. "It's exciting, especially when you've worked on something for so long and you have to keep it to yourself. I'm looking forward to getting some feedback from the wider community and the fans."
Godlike is Thy Art Is Murder's sixth album, so we ask Marsh if by now the band has a set process of doing things or if each album cycle differs from the last.
"It's pretty much the same," he said, "get together, write some riffs, put some songs together as best we can and meet up with our producer Will Putney and finish the job. It normally takes four to six weeks. Last year we spent siix months piecing the thing together."
We press Marsh on what to expect musically from Godlike.
"I can't tell you too much, really," he measured. "We're just trying to step things up quite a bit. We had a lot of time off, a lot of time to think of new ideas, a lot of time to think about where we were thinking of taking the band in the future. So just trying to incorporate some groovier elements, bigger choruses and imagine what we could put on the CD that's gonna help elevate the band to the next level of it's career."
In the full interview, Andy talks deeper about Godlike, the singles put out so far and how they represent the overall picture, releasing an album independently for the first time, the themes explored on the album, the cover artwork and where it comes from, how Thy Art Is Murder's sound has changed from their debut album in 2010 to now, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56729651Thu, 07 Sep 2023 23:03:04 +0000HEAVY MagazineInterview by Kris Peters Thy Art Is Murder are up there with Australia's greatest ever extreme metal exports. They have taken their music far and wide, appearing at prestigious festivals around the world like Summer Breeze, Download, Graspop and...Thy Art Is Murder are up there with Australia's greatest ever extreme metal exports.
They have taken their music far and wide, appearing at prestigious festivals around the world like Summer Breeze, Download, Graspop and Wacken and playing with bands such as Cannibal Corpse, Slayer, Kreator, Lamb Of God, Killswitch Engage and Parkway Drive. Their thinking-person’s blackened death metal has challenged, provoked and inspired audiences around the world with little regard for expectation or conformity.
In Australia the band has been nominated for two ARIA Awards and smashed existing chart records and convention. They have won the hearts and ears of a global audience and continue to deliver their strong social messages without fear of reproach or muzzling.
And you get the feeling they have only just started.
With their latest album Godlike set for release on September 15, HEAVY spent some time with guitarist Andy Marsh to go into more detail.
We're feeling really good," he affirmed ahead of the release. "It's exciting, especially when you've worked on something for so long and you have to keep it to yourself. I'm looking forward to getting some feedback from the wider community and the fans."
Godlike is Thy Art Is Murder's sixth album, so we ask Marsh if by now the band has a set process of doing things or if each album cycle differs from the last.
"It's pretty much the same," he said, "get together, write some riffs, put some songs together as best we can and meet up with our producer Will Putney and finish the job. It normally takes four to six weeks. Last year we spent siix months piecing the thing together."
We press Marsh on what to expect musically from Godlike.
"I can't tell you too much, really," he measured. "We're just trying to step things up quite a bit. We had a lot of time off, a lot of time to think of new ideas, a lot of time to think about where we were thinking of taking the band in the future. So just trying to incorporate some groovier elements, bigger choruses and imagine what we could put on the CD that's gonna help elevate the band to the next level of it's career."
In the full interview, Andy talks deeper about Godlike, the singles put out so far and how they represent the overall picture, releasing an album independently for the first time, the themes explored on the album, the cover artwork and where it comes from, how Thy Art Is Murder's sound has changed from their debut album in 2010 to now, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>758andymarsh,australia,extrememetal,godlike,heavy,heavymetal,interview,krispeters,podcast,thyartismurderfalsefullhttps://www.spreaker.com/episode/reigniting-the-flames-with-zach-britt-from-young-lions--56729422As much as the majority of our life is spent looking into the future, the past should always feature somewhere in your thoughts.
It is, after all, the very thing that shaped your being, a point which rings true no matter what walk of life you are from or what passion ignites you.
But this is particularly important with music, as past music - or, more specifically, the initial music releases - are the ones that will more often than not resonate most with fans.
Brisbane rock outfit Young Lions will be doing just that, paying homage to their debut album Burn by taking to the road and revisiting that early material in an effort to connect with not only the faithful, but, in some ways, themselves as well.
With the Burn 10 Year Anniversary Tour set to kick off in just under two weeks Young Lions vocalist Zach Britt joined HEAVY for a trip down memory lane.
"We're really getting into the production rehearsals now," he smiled. "We're stoked to get out there. It's nice to revisit songs. Obviously I've been doing a tour with my other band Dream On Dreamer for the tenth anniversary of Loveless, which has been good, so it's been getting me excited to get out there and do the same things with Young Lions. Everyone really resonates with the music that they've listened to for ten years, and they've had a long time to learn the lyrics. We're getting stoked on some big singalongs and there's so many epic bands coming on tour with us. We've got Shangrila, Chasing Ghosts and Tapestry so it's a really all star line up."
In the full interview, Zach lets us in on some potential birthday surprises for fans, the challenges of playing an album start to finish,, why those particular support bands were chosen, the early vision of the band and how it has changed since, his initial thoughts of Burn when it was first released, memories of early live shows, how they have changed and improved since, things they have learnt about themselves and their music over the last decade, their latest album Make A Rainbow And Put It In The Sky and how it differs to Burn and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56729422Thu, 07 Sep 2023 22:25:28 +0000HEAVY MagazineInterview by Kris Peters As much as the majority of our life is spent looking into the future, the past should always feature somewhere in your thoughts. It is, after all, the very thing that shaped your being, a point which rings true no matter what...As much as the majority of our life is spent looking into the future, the past should always feature somewhere in your thoughts.
It is, after all, the very thing that shaped your being, a point which rings true no matter what walk of life you are from or what passion ignites you.
But this is particularly important with music, as past music - or, more specifically, the initial music releases - are the ones that will more often than not resonate most with fans.
Brisbane rock outfit Young Lions will be doing just that, paying homage to their debut album Burn by taking to the road and revisiting that early material in an effort to connect with not only the faithful, but, in some ways, themselves as well.
With the Burn 10 Year Anniversary Tour set to kick off in just under two weeks Young Lions vocalist Zach Britt joined HEAVY for a trip down memory lane.
"We're really getting into the production rehearsals now," he smiled. "We're stoked to get out there. It's nice to revisit songs. Obviously I've been doing a tour with my other band Dream On Dreamer for the tenth anniversary of Loveless, which has been good, so it's been getting me excited to get out there and do the same things with Young Lions. Everyone really resonates with the music that they've listened to for ten years, and they've had a long time to learn the lyrics. We're getting stoked on some big singalongs and there's so many epic bands coming on tour with us. We've got Shangrila, Chasing Ghosts and Tapestry so it's a really all star line up."
In the full interview, Zach lets us in on some potential birthday surprises for fans, the challenges of playing an album start to finish,, why those particular support bands were chosen, the early vision of the band and how it has changed since, his initial thoughts of Burn when it was first released, memories of early live shows, how they have changed and improved since, things they have learnt about themselves and their music over the last decade, their latest album Make A Rainbow And Put It In The Sky and how it differs to Burn and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>881australia,burn,heavy,interview,krispeters,podcast,rock,tour,younglions,zachbrittfalsefullhttps://www.spreaker.com/episode/putting-the-fun-back-in-music-with-peej-from-punk-rock-factory--56720006Any band in the modern age that can take rock/punk/metal music to the increasingly numbed youth of our generation is already a winner in my books, but when they release songs that I can possibly convert my two young daughters with then they elevate to the next level pretty damn quickly.
So when I was given the opportunity to speak to a band pitched to me as Punk Meets Disney then you can imagine I was doing backflips. Or something that counts as one at my age.
Punk Rock Factory are a band of gentlemen from the UK who have made a healthy career out of playing other peoples songs.
But only bastardising them.
No-one is immune, with the band spicing up in their own punk fashion tracks from Meatloaf to John Farnham to Hansen and in most cases making them all the better for it.
The fact Punk Rock Factory have released six albums since their inception in 2019 speaks volumes, but when you also consider the band has slayed it at festivals like Bloodstock and Slam Dunk then you know they have the mental toughness to back it up.
But it was their second album A Whole New Wurst from 2020 that drew me instantly to the band. An album of punk reworkings of Disney classics covering movies such as Moana and Frozen, its discovery has given me renewed hope that my girls will return from the dark side and once more embrace the music they were destined for.
And to top it off the versions of Let It Go and We Don't Talk About Bruno (Encanto) are good enough to get Dad bopping!
Punk Rock Factory are about to embark on their maiden tour of Australia, so to find out even more possible weapons in my fight against Taylor Swift HEAVY sat down for an entertaining chat with frontman/guitarist Peej to find out more, starting with just why the band has neglected Australia for so long.
"It's a big commitment for us," he laughed. "It's the other side of the world and we have to make sure we sell some tickets. We don't wanna turn up and play to no one. There's been a big call for us to come to Australia for a while now. It's something we've been building up to and it's finally time."
Things take a humourous turn when we ask Peej what non-essential items he will be making sure to pack.
"You guys will tell me that these aren't essential, but I need some kind of spider repellent," he replied, completely honestly. "I don't deal with bugs very well (laughs). You could probably tell me more whether that's essential or not."
Which beckons the question do they actually sell spider repellent in the UK?
"I'm sure I could find some," Peej measured. "I'm definitely going to try (laughs)."
When I tell him there's no such thing the laughter continues.
"Brilliant," he smiled. "I'm just gonna have to sleep in a giant box so nothing gets in."
In the full interview we discuss what to expect from the live show, where and how the band selects which songs to cover, a typical Punk Rock Factory live show, the success of A Whole New Wurst and if it came as a surprise, if there are any songs or genres they won't attempt, the possibility of punking up songs from heavy metal bands, their home studio The Sausage Factory, the massive European tour to follow and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56720006Thu, 07 Sep 2023 02:26:27 +0000HEAVY MagazineInterview by Kris Peters Any band in the modern age that can take rock/punk/metal music to the increasingly numbed youth of our generation is already a winner in my books, but when they release songs that I can possibly convert my two young daughters...Any band in the modern age that can take rock/punk/metal music to the increasingly numbed youth of our generation is already a winner in my books, but when they release songs that I can possibly convert my two young daughters with then they elevate to the next level pretty damn quickly.
So when I was given the opportunity to speak to a band pitched to me as Punk Meets Disney then you can imagine I was doing backflips. Or something that counts as one at my age.
Punk Rock Factory are a band of gentlemen from the UK who have made a healthy career out of playing other peoples songs.
But only bastardising them.
No-one is immune, with the band spicing up in their own punk fashion tracks from Meatloaf to John Farnham to Hansen and in most cases making them all the better for it.
The fact Punk Rock Factory have released six albums since their inception in 2019 speaks volumes, but when you also consider the band has slayed it at festivals like Bloodstock and Slam Dunk then you know they have the mental toughness to back it up.
But it was their second album A Whole New Wurst from 2020 that drew me instantly to the band. An album of punk reworkings of Disney classics covering movies such as Moana and Frozen, its discovery has given me renewed hope that my girls will return from the dark side and once more embrace the music they were destined for.
And to top it off the versions of Let It Go and We Don't Talk About Bruno (Encanto) are good enough to get Dad bopping!
Punk Rock Factory are about to embark on their maiden tour of Australia, so to find out even more possible weapons in my fight against Taylor Swift HEAVY sat down for an entertaining chat with frontman/guitarist Peej to find out more, starting with just why the band has neglected Australia for so long.
"It's a big commitment for us," he laughed. "It's the other side of the world and we have to make sure we sell some tickets. We don't wanna turn up and play to no one. There's been a big call for us to come to Australia for a while now. It's something we've been building up to and it's finally time."
Things take a humourous turn when we ask Peej what non-essential items he will be making sure to pack.
"You guys will tell me that these aren't essential, but I need some kind of spider repellent," he replied, completely honestly. "I don't deal with bugs very well (laughs). You could probably tell me more whether that's essential or not."
Which beckons the question do they actually sell spider repellent in the UK?
"I'm sure I could find some," Peej measured. "I'm definitely going to try (laughs)."
When I tell him there's no such thing the laughter continues.
"Brilliant," he smiled. "I'm just gonna have to sleep in a giant box so nothing gets in."
In the full interview we discuss what to expect from the live show, where and how the band selects which songs to cover, a typical Punk Rock Factory live show, the success of A Whole New Wurst and if it came as a surprise, if there are any songs or genres they won't attempt, the possibility of punking up songs from heavy metal bands, their home studio The Sausage Factory, the massive European tour to follow and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1063australia,disney,heavy,interview,krispeters,podcast,punk,punkrockfactory,rock,tourtruefullhttps://www.spreaker.com/episode/the-freedom-of-expression-with-martin-jackson-from-confyde--56718844One of the most beautiful things about music is the individual expression that goes into creating a body of work.
Sure, a band is made up of several members on most occasions, but each of those members still contributes part of their personal DNA throughout each written and recorded piece of music.
But for those musicians adept at playing anything and everything and who record most of the instruments and vocals themselves, then that strand of DNA is magnified exponentially.
As is the case with UK outfit Confyde, who started life as a solo project by Martin Jackson and have slowly evolved to the stage where their music is enough in demand for him to start recruiting other musicians.
Jackson also moonlights as frontman for System Of A Down tribute act Chop Suey (which also features Sam Totman from Dragonforce and Andre Joyzi from Breed 77) but it is with his original project Confyde that he gets a chance to faithfully represent himself musically.
An eclectic mixture of styles with its roots in rock, Confyde have steadily built their career around a string of single releases, with the latest slab of goodness being Scalper.
Jackson sat down with HEAVY to tell us more.
"It's been brilliant," he enthused about the early reception to Scalper. "Probably the strongest reception so far. I've been putting out singles with Confyde since 2020 when it got rebooted, and by every measure this song has been the most successful so far."
We ask Jackson to go deeper into Scalper musically.
"I knew, given the subject matter of what I wanted to sing about - the housing crisis and eternal misery a lot of our generation have to live with - there's a lot of anger and resentment around this particular subject, so I knew it had to be angry," he explained. "It needed to be a loud, metal song and I've not done a metal song for quite a while and the influences that came in were big chunky guitars with a proggy tip to them, so there's a Mastodon influence there, and Sikth influence... I'm a huge fan of 12 Foot Ninja and how they switch up genres inside their songs and Confyde is very much a project where every single almost completely transforms the sound and I really admire what 12 Foot Ninja do with that. You kind of have this ebb and flow. Often when you're dealing with a really broken housing system it feels like an absolute roller coaster and nothing is ever resolved, so I like to feel like this song represents that. There are some sections that are really heavy and in your face, some that are more majestic and hopeful and there's others that are sinister and in a pit. It feels like you can never really relax while listening to it (laughs), but at the same time I wanted to have something that... even though I love all this musical experimentation I'm always keen for songs that have solid, memorable hooks. Something people can sing along and shout along to in solidarity with subject matter like this. A big influence on that was probably Alter Bridge and Nothing More."
In the full interview, Martin talks more about the musical nature of Scalper, keeping things cohesive while skipping all over the place, the strong subject matter, how Scalper differs musically to previous single Man Down, singles versus albums in the modern climate, playing live and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56718844Thu, 07 Sep 2023 00:02:43 +0000HEAVY MagazineInterview by Kris Peters One of the most beautiful things about music is the individual expression that goes into creating a body of work. Sure, a band is made up of several members on most occasions, but each of those members still contributes part...One of the most beautiful things about music is the individual expression that goes into creating a body of work.
Sure, a band is made up of several members on most occasions, but each of those members still contributes part of their personal DNA throughout each written and recorded piece of music.
But for those musicians adept at playing anything and everything and who record most of the instruments and vocals themselves, then that strand of DNA is magnified exponentially.
As is the case with UK outfit Confyde, who started life as a solo project by Martin Jackson and have slowly evolved to the stage where their music is enough in demand for him to start recruiting other musicians.
Jackson also moonlights as frontman for System Of A Down tribute act Chop Suey (which also features Sam Totman from Dragonforce and Andre Joyzi from Breed 77) but it is with his original project Confyde that he gets a chance to faithfully represent himself musically.
An eclectic mixture of styles with its roots in rock, Confyde have steadily built their career around a string of single releases, with the latest slab of goodness being Scalper.
Jackson sat down with HEAVY to tell us more.
"It's been brilliant," he enthused about the early reception to Scalper. "Probably the strongest reception so far. I've been putting out singles with Confyde since 2020 when it got rebooted, and by every measure this song has been the most successful so far."
We ask Jackson to go deeper into Scalper musically.
"I knew, given the subject matter of what I wanted to sing about - the housing crisis and eternal misery a lot of our generation have to live with - there's a lot of anger and resentment around this particular subject, so I knew it had to be angry," he explained. "It needed to be a loud, metal song and I've not done a metal song for quite a while and the influences that came in were big chunky guitars with a proggy tip to them, so there's a Mastodon influence there, and Sikth influence... I'm a huge fan of 12 Foot Ninja and how they switch up genres inside their songs and Confyde is very much a project where every single almost completely transforms the sound and I really admire what 12 Foot Ninja do with that. You kind of have this ebb and flow. Often when you're dealing with a really broken housing system it feels like an absolute roller coaster and nothing is ever resolved, so I like to feel like this song represents that. There are some sections that are really heavy and in your face, some that are more majestic and hopeful and there's others that are sinister and in a pit. It feels like you can never really relax while listening to it (laughs), but at the same time I wanted to have something that... even though I love all this musical experimentation I'm always keen for songs that have solid, memorable hooks. Something people can sing along and shout along to in solidarity with subject matter like this. A big influence on that was probably Alter Bridge and Nothing More."
In the full interview, Martin talks more about the musical nature of Scalper, keeping things cohesive while skipping all over the place, the strong subject matter, how Scalper differs musically to previous single Man Down, singles versus albums in the modern climate, playing live and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1464chopsuey,confyde,hardrock,heavy,heavymetal,interview,krispeters,martinjackson,podcast,rock,singletruefullhttps://www.spreaker.com/episode/burning-down-bridges-with-matt-mcgachy-from-crytopsy--56697034Canadian death metal outfit Crytopsy have been quiet for just over a decade, seemingly lost to the world of metal.
After a succession of well received albums Crytopsy remained as a force on the live circuit, but after releasing their self titled album independently in 2012 have failed to record another full length since.
Since then the band has released two EPs - The Book of Suffering – Tome I (2015) and The Book of Suffering – Tome II (2018) - but it wasn't until an eventual signing with Nuclear Blast Records that their upcoming new album As Gommorah Burns (September 8) was finally given voice.
Vocalist Matt McGachy sat down with HEAVY to discuss Crytopsy's absence and the new album.
"It's great to be back creating full length records," he began. "Throughout the past 11 years we did drop two EPs and then we toured a lot before the pandemic, so we were extremely busy. A lot of people think not much has happened since the self titled album, but we have been extremely busy. Up until 2019 we toured a lot, and then we stopped in 2019 to write a new record and then the pandemic just added a little bit more time."
We ask McGachy what has changed with Crytopsy in those 11 long years.
"Actually nothing has changed," he laughed, "because we have the same line-up. 2012 John was in the band and then he left and since that moment we are the same four dudes that have been touring the world together. We released The Book Of Suffering Tome 1 and Tome 2 together - those were independent - and then we signed to Nuclear blast which is where As Gomorrah is coming out. Those would be the biggest changes, that we're the longest running Cryptopsy line up and that we signed to Nuclear Blast and will be releasing a full length record coming up on September 8.
In the full interview, Matt talks about the musical side of As Gommerah Burns, the singles released and how they represent the album, settling in as vocalist on this, his third album, the dark side of some of the songs and making them gel with the album as a whole, the "new era" of Cryptopsy, the conceptual thread on the album, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56697034Tue, 05 Sep 2023 10:18:11 +0000HEAVY MagazineInterview by Kris Peters Canadian death metal outfit Crytopsy have been quiet for just over a decade, seemingly lost to the world of metal. After a succession of well received albums Crytopsy remained as a force on the live circuit, but after...Canadian death metal outfit Crytopsy have been quiet for just over a decade, seemingly lost to the world of metal.
After a succession of well received albums Crytopsy remained as a force on the live circuit, but after releasing their self titled album independently in 2012 have failed to record another full length since.
Since then the band has released two EPs - The Book of Suffering – Tome I (2015) and The Book of Suffering – Tome II (2018) - but it wasn't until an eventual signing with Nuclear Blast Records that their upcoming new album As Gommorah Burns (September 8) was finally given voice.
Vocalist Matt McGachy sat down with HEAVY to discuss Crytopsy's absence and the new album.
"It's great to be back creating full length records," he began. "Throughout the past 11 years we did drop two EPs and then we toured a lot before the pandemic, so we were extremely busy. A lot of people think not much has happened since the self titled album, but we have been extremely busy. Up until 2019 we toured a lot, and then we stopped in 2019 to write a new record and then the pandemic just added a little bit more time."
We ask McGachy what has changed with Crytopsy in those 11 long years.
"Actually nothing has changed," he laughed, "because we have the same line-up. 2012 John was in the band and then he left and since that moment we are the same four dudes that have been touring the world together. We released The Book Of Suffering Tome 1 and Tome 2 together - those were independent - and then we signed to Nuclear blast which is where As Gomorrah is coming out. Those would be the biggest changes, that we're the longest running Cryptopsy line up and that we signed to Nuclear Blast and will be releasing a full length record coming up on September 8.
In the full interview, Matt talks about the musical side of As Gommerah Burns, the singles released and how they represent the album, settling in as vocalist on this, his third album, the dark side of some of the songs and making them gel with the album as a whole, the "new era" of Cryptopsy, the conceptual thread on the album, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>866album,crytopsy,deathmetal,heavy,interview,krispeters,nuclearblastrecords,podcastfalsefullhttps://www.spreaker.com/episode/breaking-the-silence-with-tom-s-englund-vikram-shankar-from-silent-skies--56693543The pairing of Evergrey's Tom. S. Englund and acclaimed US-based pianist/composer Vikram Shankar (Redemption, Lux Terminus) might at first seem like a strange combination, but once you have taken the time to digest the sheer beauty that is the music of Silent Skies things fall easily into perspective.
Over the course of two previous albums Silent Skies have set about dismantling convention and expectation by painting sonically rich landscapes of musical clarity that resonate long after each listen.
The band returned earlier this week with their third album Dormant, an album which shows yet another metamorphosis of their combined vision.
Shankar and Englund both spoke with HEAVY on the eve of the release of Dormant.
"We think that it's our best statement yet," Shanker obliged, "and a level up pretty much in all of the ways that characterize what we do."
"We spent, honestly, an unhealthy amount of time on this album," Englund added. "We've been into every detail, because that's something we really enjoy doing. Now it's time to leave it for the world to enjoy instead of us having to be in it and fiddle around with stuff that we no longer can affect. Hopefully people enjoy it. Honestly, we are super, super happy with what we have accomplished on this album."
In the full interview, we discuss Dormant musically, the singles released and how they represent the album as a whole, new elements on the album and ways they approached recording, the cinematic aspect to their music, how Dormant differs to the first two albums, how much musical growth Silent Skies have left in them, more about Vikram and his musical pedigree, why they started the band, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56693543Tue, 05 Sep 2023 01:05:29 +0000HEAVY MagazineInterview by Kris Peters The pairing of Evergrey's Tom. S. Englund and acclaimed US-based pianist/composer Vikram Shankar (Redemption, Lux Terminus) might at first seem like a strange combination, but once you have taken the time to digest the sheer...The pairing of Evergrey's Tom. S. Englund and acclaimed US-based pianist/composer Vikram Shankar (Redemption, Lux Terminus) might at first seem like a strange combination, but once you have taken the time to digest the sheer beauty that is the music of Silent Skies things fall easily into perspective.
Over the course of two previous albums Silent Skies have set about dismantling convention and expectation by painting sonically rich landscapes of musical clarity that resonate long after each listen.
The band returned earlier this week with their third album Dormant, an album which shows yet another metamorphosis of their combined vision.
Shankar and Englund both spoke with HEAVY on the eve of the release of Dormant.
"We think that it's our best statement yet," Shanker obliged, "and a level up pretty much in all of the ways that characterize what we do."
"We spent, honestly, an unhealthy amount of time on this album," Englund added. "We've been into every detail, because that's something we really enjoy doing. Now it's time to leave it for the world to enjoy instead of us having to be in it and fiddle around with stuff that we no longer can affect. Hopefully people enjoy it. Honestly, we are super, super happy with what we have accomplished on this album."
In the full interview, we discuss Dormant musically, the singles released and how they represent the album as a whole, new elements on the album and ways they approached recording, the cinematic aspect to their music, how Dormant differs to the first two albums, how much musical growth Silent Skies have left in them, more about Vikram and his musical pedigree, why they started the band, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>699album,dormant,evergrey,heavy,interview,podcast,rock,silentskies,tomsenglund,vikramshankerfalsefullhttps://www.spreaker.com/episode/rocking-in-the-outback-with-lucius-borich-from-cog--56658041Thrashville has quickly become one of the must-attend music festivals on the Australian calendar.
Not only is it situated miles away from any form of civilised life – meaning noise restrictions and the like are non-existent – but it is also a damn good festival featuring a splattering of the best in Australian music from major headliners through to up-and-comers.
With this year’s line-up – set down over September 8 and 9 at Dashville in the Hunter Valley – comprising a host of talent including CIVIC, Shady Nasty, Crocodylus, Bloody Hell, Downgirl, Wildheart, Operation Ibis, Deadshowws and more, it is the reuniting of two of this countries heavyweight acts that is generating most interest.
Progressive rock outfit COG and funk/rock/metal masters Mammal headline over both nights, continuing their successful partnership at the top of concert-goers wish lists.
HEAVY caught up with COG drummer Lucius Borich to find out what they have planned for the show, starting with the fact Thrashville is pretty much in the middle of nowhere.
"It's perfect for us," Borich smiled. "The Great Outdoors. Maybe it comes from watching that show The Leyland Brothers when we were younger or something... there's also a bit of that touring a lot back in the day we would go to a lot of places that were not just in the cities as well. We all love getting off grid so to speak and connecting with nature and getting out there, and I think to play music in that kind of environment is pretty good. It's the right fit. We've always been inspired by the natural realm and that is infused in a lot of our music as well. It looks like it's gonna be a good spot."
COG have a well earned reputation as one of the best live acts getting around, so the spaces of the outdoor environment with no noise restrictions should elevate the band to yet another level.
"We'll just do what we love to do best I guess, and hopefully the power will stay on and the generators won't break," Borich laughed, "and we'll be able to get through the set unscathed and have a top night. To do more of those community based gigs in those environments and help the music industry in those regions and bring some quality music to those parts of Australia is a much needed thing and we love doing it. If it's right, if the dates are right and the timing is right we're all about it. We love doing that."
In the full interview, Lucius talks more about what COG will deliver at Thrashville, the importance of Australian only festival lineups, renewing their long term association with Mammal, negotiating each respective bands views on life, politics and society, new music in the works, the new vinyl album editions and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56658041Fri, 01 Sep 2023 07:41:59 +0000HEAVY MagazineInterview by Kris Peters Thrashville has quickly become one of the must-attend music festivals on the Australian calendar. Not only is it situated miles away from any form of civilised life – meaning noise restrictions and the like are non-existent –...Thrashville has quickly become one of the must-attend music festivals on the Australian calendar.
Not only is it situated miles away from any form of civilised life – meaning noise restrictions and the like are non-existent – but it is also a damn good festival featuring a splattering of the best in Australian music from major headliners through to up-and-comers.
With this year’s line-up – set down over September 8 and 9 at Dashville in the Hunter Valley – comprising a host of talent including CIVIC, Shady Nasty, Crocodylus, Bloody Hell, Downgirl, Wildheart, Operation Ibis, Deadshowws and more, it is the reuniting of two of this countries heavyweight acts that is generating most interest.
Progressive rock outfit COG and funk/rock/metal masters Mammal headline over both nights, continuing their successful partnership at the top of concert-goers wish lists.
HEAVY caught up with COG drummer Lucius Borich to find out what they have planned for the show, starting with the fact Thrashville is pretty much in the middle of nowhere.
"It's perfect for us," Borich smiled. "The Great Outdoors. Maybe it comes from watching that show The Leyland Brothers when we were younger or something... there's also a bit of that touring a lot back in the day we would go to a lot of places that were not just in the cities as well. We all love getting off grid so to speak and connecting with nature and getting out there, and I think to play music in that kind of environment is pretty good. It's the right fit. We've always been inspired by the natural realm and that is infused in a lot of our music as well. It looks like it's gonna be a good spot."
COG have a well earned reputation as one of the best live acts getting around, so the spaces of the outdoor environment with no noise restrictions should elevate the band to yet another level.
"We'll just do what we love to do best I guess, and hopefully the power will stay on and the generators won't break," Borich laughed, "and we'll be able to get through the set unscathed and have a top night. To do more of those community based gigs in those environments and help the music industry in those regions and bring some quality music to those parts of Australia is a much needed thing and we love doing it. If it's right, if the dates are right and the timing is right we're all about it. We love doing that."
In the full interview, Lucius talks more about what COG will deliver at Thrashville, the importance of Australian only festival lineups, renewing their long term association with Mammal, negotiating each respective bands views on life, politics and society, new music in the works, the new vinyl album editions and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1935australia,cog,hardrock,heavy,heavymetal,interview,krispeters,luciusborich,mammal,metalcore,podcast,punk,rock,thrashvilletruefullhttps://www.spreaker.com/episode/beware-the-mixed-ape-with-jack-muzak-from-osaka-punch--56657415Osaka Punch are one of those once in a generation bands that would be perfect for ANY line up or concert.
Their music is a force unto itself, mixing jazz, rock, metal, piano lounge vibes and an eclectic nature often tried but seldom mastered.
Until now.
If you live in Queensland then you definitely have at least heard of Osaka Punch, but if you live anywhere else in the world and have managed to escape the hype these guys have generated over the last decade then you are about to be baptised with the impending release of Mixed Ape, Osaka Punch's "official" debut album.
Featuring all of the above musical nuances with even more spectacular surprises, Mixed Ape is an absolute gem in every way, harnessing Osaka Punches elusive on stage chemistry and humour with an array of styles and influences that have to be heard to be fully appreciated.
HEAVY sat down for a chat with frontman Jack Muzak earlier this week to take us deeper into the crazy world that is Osaka Punch.
"We did an album with Voodoo Love machine but we recorded it as another band when we were Kidney Thieves," Muzak cleared up. "So ages and ages ago we were a band called Kidney Thieves and another band called Kidney Thieves tried to sue us and threatened to kick us off the face of the planet, so we had to change our name and we changed it just as we were releasing that album. Also, just as we were moving overseas to the U.K, so it was kind of all bad timing. We went overseas, released the album as Osaka Punch and then while we were in the U.K recorded an EP and then that was done in Liverpool. We released that when we got back from the U.K, so we're not very smart at how to release things. It's like, 'here, have this. See ya later, we're going somewhere else'. (laughs). So this is the first one that we're actually doing right. We recorded it in Brisbane, we're releasing it, we're touring it, we're doing it right. We're finally going to have something to tour properly which is cool."
Sound confusing? Welcome to Osaka Punch...
"There's a whole bunch of songs that didn't make it onto this album," he continued, "which will make it onto the next one. The ones that made it onto this one... first of all, we wanted it to show the eclectic nature of the band. We wanted to show all of the different facets that we do. Every song has either been written by one different member and then added to by others, or written entirely by all four members which kind of is what gives it that... makes them all sound so different. For example, Too Old For This Shit, I basically wrote that on the computer with the vocals and everything and then for the big band swing jazz section I got a mate of mine from the Jazz Music Institute to arrange the big band section so that song was almost entirely written by myself and Travis Jenkins, who is an absolute jazz genius, and then the boys put their own flair onto it. But other songs like Hekyll & Jive - which is the last track instrumental - we all put our brains in and wrote it completely together. The good thing about different brains behind it is we all listen to different music. I listen to funk and more on the jazz spectrum, the bass player listens to a lot of heavier and instrumental stuff, Chrispy the guitarist listens to literally everything but a lot more metal guitars so it kind of brings it all together into this weird, eclectic mix which is cool. To be honest, I would say the songs that were ready first, were the ones that made it on the album (laughs). I'd like to say there was a lot of thought went into it..."
In the full interview, Jack talks more about what to expect from Mixed Ape, the styles that went into it, finding the balance between so many influences, the urban myth surrounding the Mixed Ape, the infamous black dildo that seems to make its way into most film clips and where it currently resides, their upcoming tour and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56657415Fri, 01 Sep 2023 05:28:00 +0000HEAVY MagazineInterview by Kris Peters Osaka Punch are one of those once in a generation bands that would be perfect for ANY line up or concert. Their music is a force unto itself, mixing jazz, rock, metal, piano lounge vibes and an eclectic nature often tried but...Osaka Punch are one of those once in a generation bands that would be perfect for ANY line up or concert.
Their music is a force unto itself, mixing jazz, rock, metal, piano lounge vibes and an eclectic nature often tried but seldom mastered.
Until now.
If you live in Queensland then you definitely have at least heard of Osaka Punch, but if you live anywhere else in the world and have managed to escape the hype these guys have generated over the last decade then you are about to be baptised with the impending release of Mixed Ape, Osaka Punch's "official" debut album.
Featuring all of the above musical nuances with even more spectacular surprises, Mixed Ape is an absolute gem in every way, harnessing Osaka Punches elusive on stage chemistry and humour with an array of styles and influences that have to be heard to be fully appreciated.
HEAVY sat down for a chat with frontman Jack Muzak earlier this week to take us deeper into the crazy world that is Osaka Punch.
"We did an album with Voodoo Love machine but we recorded it as another band when we were Kidney Thieves," Muzak cleared up. "So ages and ages ago we were a band called Kidney Thieves and another band called Kidney Thieves tried to sue us and threatened to kick us off the face of the planet, so we had to change our name and we changed it just as we were releasing that album. Also, just as we were moving overseas to the U.K, so it was kind of all bad timing. We went overseas, released the album as Osaka Punch and then while we were in the U.K recorded an EP and then that was done in Liverpool. We released that when we got back from the U.K, so we're not very smart at how to release things. It's like, 'here, have this. See ya later, we're going somewhere else'. (laughs). So this is the first one that we're actually doing right. We recorded it in Brisbane, we're releasing it, we're touring it, we're doing it right. We're finally going to have something to tour properly which is cool."
Sound confusing? Welcome to Osaka Punch...
"There's a whole bunch of songs that didn't make it onto this album," he continued, "which will make it onto the next one. The ones that made it onto this one... first of all, we wanted it to show the eclectic nature of the band. We wanted to show all of the different facets that we do. Every song has either been written by one different member and then added to by others, or written entirely by all four members which kind of is what gives it that... makes them all sound so different. For example, Too Old For This Shit, I basically wrote that on the computer with the vocals and everything and then for the big band swing jazz section I got a mate of mine from the Jazz Music Institute to arrange the big band section so that song was almost entirely written by myself and Travis Jenkins, who is an absolute jazz genius, and then the boys put their own flair onto it. But other songs like Hekyll & Jive - which is the last track instrumental - we all put our brains in and wrote it completely together. The good thing about different brains behind it is we all listen to different music. I listen to funk and more on the jazz spectrum, the bass player listens to a lot of heavier and instrumental stuff, Chrispy the guitarist listens to literally everything but a lot more metal guitars so it kind of brings it all together into this weird, eclectic mix which is cool. To be honest, I would say the songs that were ready first, were the ones that made it on the album (laughs). I'd like to say there was a lot of thought went into it..."
In the full interview, Jack talks more about what to expect from Mixed Ape, the styles that went into it, finding the balance between so many influences, the urban myth surrounding the Mixed Ape, the infamous black dildo that seems to make its way into most film clips and where it currently resides, their upcoming tour and more.

Become a...]]>1597album,australia,funk,hardrock,heavy,heavymetal,interview,jackmuzak,jazz,krispeters,mixedape,osakapunch,podcasttruefullhttps://www.spreaker.com/episode/looking-within-according-to-wade-norris-from-our-last-enemy--56654937Australian Industrial metal outfit Our Last Enemy are on the cusp of releasing their latest EP As Within So Without, which will be set free on September 22 after being pushed back from August 18.
The EP follows and is the companion piece to 2021s As Above So Below, which was a commercial and critical success.
Once more produced by two-time ARIA nominee DW Norton and featuring the legendary John Sankey (Fear Factory, Divine Heresy) on drums, As Within So Without is an introspective 5 track release that perfectly encapsulates the past, present and future of Our Last Enemy.
HEAVY caught up with guitarist Wade Norris to find out more, starting with the release delay.
"Everything's fine," he assured us. "We just wanted a bit more time in the oven to make sure we get the release right. We've got a few things coming out with it that we're lining up and we thought a few extra weeks won't hurt anything."
Which leads us to enquiring about the modern trend of releasing music with release schedules based around release schedules and the like.
"The other thing is you've got to try and line up shows around releases," he expanded, "and it's getting harder and harder for bands out there to find available venues. You also don't want to clash with the absolute torrent of international bands that are coming over. The environment we're in with venues closing and venues that can't afford to take a risk on a heavy metal night is wild."
In the full interview, Wade talks more about the musicality of As Within So Without, having C.J McMahon from Thy Art Is Murder guest on one of the songs, runs through each of the five tracks individually and explains the meaning behind them, having John Sankey on drums, the pressures and expectation of success, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56654937Fri, 01 Sep 2023 00:33:59 +0000HEAVY MagazineInterview by Kris Peters Australian Industrial metal outfit Our Last Enemy are on the cusp of releasing their latest EP As Within So Without, which will be set free on September 22 after being pushed back from August 18. The EP follows and is the...Australian Industrial metal outfit Our Last Enemy are on the cusp of releasing their latest EP As Within So Without, which will be set free on September 22 after being pushed back from August 18.
The EP follows and is the companion piece to 2021s As Above So Below, which was a commercial and critical success.
Once more produced by two-time ARIA nominee DW Norton and featuring the legendary John Sankey (Fear Factory, Divine Heresy) on drums, As Within So Without is an introspective 5 track release that perfectly encapsulates the past, present and future of Our Last Enemy.
HEAVY caught up with guitarist Wade Norris to find out more, starting with the release delay.
"Everything's fine," he assured us. "We just wanted a bit more time in the oven to make sure we get the release right. We've got a few things coming out with it that we're lining up and we thought a few extra weeks won't hurt anything."
Which leads us to enquiring about the modern trend of releasing music with release schedules based around release schedules and the like.
"The other thing is you've got to try and line up shows around releases," he expanded, "and it's getting harder and harder for bands out there to find available venues. You also don't want to clash with the absolute torrent of international bands that are coming over. The environment we're in with venues closing and venues that can't afford to take a risk on a heavy metal night is wild."
In the full interview, Wade talks more about the musicality of As Within So Without, having C.J McMahon from Thy Art Is Murder guest on one of the songs, runs through each of the five tracks individually and explains the meaning behind them, having John Sankey on drums, the pressures and expectation of success, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>882aswithinsowithout,aussiemetal,australia,dwnorton,heavy,heavymetal,industrialmetal,interview,johnsankey,krispeters,ourlastenemy,podcasttruefullhttps://www.spreaker.com/episode/the-subtleties-of-death-with-jonas-hansen-from-fixation--56644910For a band who only released their debut EP Global Suicide a couple of years ago, Norwegian metalcore outfit Fixation are making big waves in the current music scene.
After recent performances at festivals like Tons of Rock (NO) The Great Escape (UK), Summer Breeze (DE), as well as tour dates with well-established acts like Leprous, Smash Into Pieces and Djerv, Fixation are now ready to unleash their debut full length album on the world, More Subtle Than Death.
Their unique blend of electronic elements, stadium rock, and post-metal, combined with their emotionally charged and thought-provoking lyrics creates a rollercoaster of melancholic aggression that leaves audiences wanting more - which shall be provided on September 8 when their demon child is borne unto this Earth.
HEAVY caught up with frontman Jonas Hansen to find out more.
"I'm both excited and anxious," he revealed. "It's been such a long time coming now. We've been working on it for three years - or we started working on it in 2020 - and having it finally in my hands... it's insane. The fact that we're releasing it next week is crazy. I can't believe it."
We ask him to tell us more about what Fixation were striving for musically on the album.
"For this album - it's our debut album - we started this band a long time ago, we actually started in High School when we were 15 back in 2011," he offered. "We tried a couple of different things. All the guys have different musical backgrounds of what they listen to and what they play, so I think this album is a combination of everything that we have been listening to throughout the years and also trying to find a middle ground for what the five of us like now and how we want Fixation to sound. I think everyone has brought something from their past to create this sound. I don't think we tried to go for anything particular. We just made music that we felt was something we like. Maybe we have one ballad here or orchestral song there and maybe a more upbeat rock song or heavy music here... so I think the album was a combination of everything we wanted to make without specifically thinking we should make this type of sound or that type of sound. It just happened."
In the full interview, Jonas talks more about what to expect from More Subtle Than Death, where the title comes from, the singles released and how they represent the rest of the album, how it differs musically to their debut EP, the opening track and what it means, supporting Devin Townsend and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56644910Thu, 31 Aug 2023 06:26:18 +0000HEAVY MagazineInterview by Kris Peters For a band who only released their debut EP Global Suicide a couple of years ago, Norwegian metalcore outfit Fixation are making big waves in the current music scene. After recent performances at festivals like Tons of Rock...For a band who only released their debut EP Global Suicide a couple of years ago, Norwegian metalcore outfit Fixation are making big waves in the current music scene.
After recent performances at festivals like Tons of Rock (NO) The Great Escape (UK), Summer Breeze (DE), as well as tour dates with well-established acts like Leprous, Smash Into Pieces and Djerv, Fixation are now ready to unleash their debut full length album on the world, More Subtle Than Death.
Their unique blend of electronic elements, stadium rock, and post-metal, combined with their emotionally charged and thought-provoking lyrics creates a rollercoaster of melancholic aggression that leaves audiences wanting more - which shall be provided on September 8 when their demon child is borne unto this Earth.
HEAVY caught up with frontman Jonas Hansen to find out more.
"I'm both excited and anxious," he revealed. "It's been such a long time coming now. We've been working on it for three years - or we started working on it in 2020 - and having it finally in my hands... it's insane. The fact that we're releasing it next week is crazy. I can't believe it."
We ask him to tell us more about what Fixation were striving for musically on the album.
"For this album - it's our debut album - we started this band a long time ago, we actually started in High School when we were 15 back in 2011," he offered. "We tried a couple of different things. All the guys have different musical backgrounds of what they listen to and what they play, so I think this album is a combination of everything that we have been listening to throughout the years and also trying to find a middle ground for what the five of us like now and how we want Fixation to sound. I think everyone has brought something from their past to create this sound. I don't think we tried to go for anything particular. We just made music that we felt was something we like. Maybe we have one ballad here or orchestral song there and maybe a more upbeat rock song or heavy music here... so I think the album was a combination of everything we wanted to make without specifically thinking we should make this type of sound or that type of sound. It just happened."
In the full interview, Jonas talks more about what to expect from More Subtle Than Death, where the title comes from, the singles released and how they represent the rest of the album, how it differs musically to their debut EP, the opening track and what it means, supporting Devin Townsend and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>959album,fixation,hardrock,heavy,heavymetal,interview,jonashansen,krispeters,metalcore,moresubtlethandeath,podcast,rockfalsefullhttps://www.spreaker.com/episode/bringing-the-rage-with-brad-bromfield-from-new-clear-vision--56643327Brisbane masters of noise New Clear Vision returned for our listening pleasure last year with a fresh line-up and renewed vigor.
A mainstay on the music scene for a number of years, New Clear Vision took a break that many hoped would be fleeting, with frontman and all round nice guy Brad Bromfield promising there was more to come.
And hasn't he delivered on his promise!
When NCV returned to our stages last year expectation was high. This was a band whose live show borders on legendary, with a full nuclear wasteland type visual component offset by ferocious and scathing lyrics delivered with a rap/metal/nu-metal hybrid unlike anything to come out of the Australian music scene in perhaps forever.
Now, with Daniel, Brodie and Zac on board, Bromfield has managed to elevate the legend that is NCV even more, delivering pulsating recent performances that has seen the band added to the whole upcoming Nu Metal Mayhem tour which features Anders Colsefni (Slipknot) and Wayland Reavis (Mushroomhead).
But, before that, New Clear Vision are set to explode your senses with a crushing new single The New Rage, which will be premiered via HEAVY at midday, August 31.
Bromfield sat down with HEAVY to take us further into the world of New Clear Vision.
WARNING: PLACE EAR MUFFS ON CHILDREN BEFORE LISTENING
"It's been nearly three years," he almost sighed when asked how long it has been since New Clear Vision have released new music. "It's very, very exciting. It's a better product - and that's no disrespect to anyone that's been there before - but we're finding the sound that I wanted 6, 7, 8 years ago."
We ask Bromfield to delve deeper into the musical side of The New Rage.
"We were supposed to release it when we did the show at Caloundra earlier this year," he explained, "but thank fuck we didn't because we hadn't had it... there's now some samples at the start and some different shit there thast we've never done. I won't say too much about it, but it's hitting those nu-metal vibes that we're all about and always have been. Decisions were made just before we were gonna release it so we had a few things and different ideas. And, again, thank fuck we did because now it's a product of what we represent and what we always should have been."
In the full interview, Brad talks more about the musicality of The New Rage, how they have changed the song from it's initial version, releasing it as audio first and why, the planned film clip and what it entails, how The New Rage kicks off a proposed trilogy of sorts, introduces us to the new members and what they bring to NCV, the upcoming run of shows as part of Nu Metal Mayhem, a new album and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56643327Thu, 31 Aug 2023 01:26:58 +0000HEAVY MagazineInterview by Kris Peters Brisbane masters of noise New Clear Vision returned for our listening pleasure last year with a fresh line-up and renewed vigor. A mainstay on the music scene for a number of years, New Clear Vision took a break that many...Brisbane masters of noise New Clear Vision returned for our listening pleasure last year with a fresh line-up and renewed vigor.
A mainstay on the music scene for a number of years, New Clear Vision took a break that many hoped would be fleeting, with frontman and all round nice guy Brad Bromfield promising there was more to come.
And hasn't he delivered on his promise!
When NCV returned to our stages last year expectation was high. This was a band whose live show borders on legendary, with a full nuclear wasteland type visual component offset by ferocious and scathing lyrics delivered with a rap/metal/nu-metal hybrid unlike anything to come out of the Australian music scene in perhaps forever.
Now, with Daniel, Brodie and Zac on board, Bromfield has managed to elevate the legend that is NCV even more, delivering pulsating recent performances that has seen the band added to the whole upcoming Nu Metal Mayhem tour which features Anders Colsefni (Slipknot) and Wayland Reavis (Mushroomhead).
But, before that, New Clear Vision are set to explode your senses with a crushing new single The New Rage, which will be premiered via HEAVY at midday, August 31.
Bromfield sat down with HEAVY to take us further into the world of New Clear Vision.
WARNING: PLACE EAR MUFFS ON CHILDREN BEFORE LISTENING
"It's been nearly three years," he almost sighed when asked how long it has been since New Clear Vision have released new music. "It's very, very exciting. It's a better product - and that's no disrespect to anyone that's been there before - but we're finding the sound that I wanted 6, 7, 8 years ago."
We ask Bromfield to delve deeper into the musical side of The New Rage.
"We were supposed to release it when we did the show at Caloundra earlier this year," he explained, "but thank fuck we didn't because we hadn't had it... there's now some samples at the start and some different shit there thast we've never done. I won't say too much about it, but it's hitting those nu-metal vibes that we're all about and always have been. Decisions were made just before we were gonna release it so we had a few things and different ideas. And, again, thank fuck we did because now it's a product of what we represent and what we always should have been."
In the full interview, Brad talks more about the musicality of The New Rage, how they have changed the song from it's initial version, releasing it as audio first and why, the planned film clip and what it entails, how The New Rage kicks off a proposed trilogy of sorts, introduces us to the new members and what they bring to NCV, the upcoming run of shows as part of Nu Metal Mayhem, a new album and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>844australia,bradbromfield,heavy,heavymetal,interview,krispeters,newclearvision,numetal,podcast,rapmetal,thenewragetruefullhttps://www.spreaker.com/episode/the-art-of-bad-manners-with-buster-bloodvessel--56634636Bad Manners are ska/punk royalty.
Period.
No arguments, no debates, just pure, simple fact.
With a track listing including Lip Up Fatty, Special Brew, Walking In The Sunshine, Lorraine, Just A Feeling, My Girl Lollipop, Inner London Violence and of course the ultimate knees up Can Can, Bad Manners peaked back in the late 1970s but their enduring legacy has seen them survive all that Father Time has thrown their way as the band fronted by the legendary Buster Bloodvessel gears up for Australian assault with a Greatest Hits Tour this October.
Buster joined HEAVY earlier this week to run us through the life and times and future of Bad Manners.
"We are coming to tour your lovely country and eat all your pies," was his initial greeting.
Which was followed up by, "I don't really care if I offend anybody, but I'm not really an offensive person. I can be if it's pointed in my direction (laughs)."
We move on to the setlist, which, of course, is made up of fan favourites, but we ask Buster if there would be much difference to the songs played if he was to choose his own personal favourites.
"Not quite, but not far from it," he measured. "I mean, all the songs we do live are usually my favourites. Songs that make people dance have always worked for me."
In the full interview, Buster tells us what we can expect from the shows, what he never leaves home on tour without, the early days of Bad Manners and where they fit in, his early vision for the band and how it has changed since, what he feels was the best time period for the band, making allowances on stage as you get older, some of his personal highlights, changing with the music scene, his top three commandments of punk and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56634636Wed, 30 Aug 2023 08:58:03 +0000HEAVY MagazineInterview by Kris Peters Bad Manners are ska/punk royalty. Period. No arguments, no debates, just pure, simple fact. With a track listing including Lip Up Fatty, Special Brew, Walking In The Sunshine, Lorraine, Just A Feeling, My Girl Lollipop, Inner...Bad Manners are ska/punk royalty.
Period.
No arguments, no debates, just pure, simple fact.
With a track listing including Lip Up Fatty, Special Brew, Walking In The Sunshine, Lorraine, Just A Feeling, My Girl Lollipop, Inner London Violence and of course the ultimate knees up Can Can, Bad Manners peaked back in the late 1970s but their enduring legacy has seen them survive all that Father Time has thrown their way as the band fronted by the legendary Buster Bloodvessel gears up for Australian assault with a Greatest Hits Tour this October.
Buster joined HEAVY earlier this week to run us through the life and times and future of Bad Manners.
"We are coming to tour your lovely country and eat all your pies," was his initial greeting.
Which was followed up by, "I don't really care if I offend anybody, but I'm not really an offensive person. I can be if it's pointed in my direction (laughs)."
We move on to the setlist, which, of course, is made up of fan favourites, but we ask Buster if there would be much difference to the songs played if he was to choose his own personal favourites.
"Not quite, but not far from it," he measured. "I mean, all the songs we do live are usually my favourites. Songs that make people dance have always worked for me."
In the full interview, Buster tells us what we can expect from the shows, what he never leaves home on tour without, the early days of Bad Manners and where they fit in, his early vision for the band and how it has changed since, what he feels was the best time period for the band, making allowances on stage as you get older, some of his personal highlights, changing with the music scene, his top three commandments of punk and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>878australia,badmanners,busterbloodvessel,heavy,interview,krispeters,podcast,punk,ska,tourtruefullhttps://www.spreaker.com/episode/the-warrior-spirit-with-carmine-appice-from-king-kobra--56633802When it comes to drummers they don't come more top shelf than Carmine Appice.
After leaving Ozzy Osbourne in the early 1980s, Appice decided he was done with working for other musicians and decided instead to forge his own path, with his own band.
That band became King Kobra who burst onto the music scene in 1985 with their debut album Ready To Strike.
With a sound that nestled somewhere between heavy metal and glam metal, King Kobra have undergone several line-up changes over the years, as well as taking more than one gestation periods off, but one thing has remained constant throughout.
Carmine Appice.
Now, with a renewed line-up featuring Quiet Riot guitarist Carlos Cavazo and former Dio member Rowan Robertson, King Kobra are back with their seventh and arguably best album to date titled We Are Warriors. It is a typically hard hitting album from the band and one which Appice promises will be the start of another fresh era of metal from one of the greats.
HEAVY sat down with Appice to find out more.
"I've always tried to stay within the limits of whatever band's I'm working with," he began. "We Are Warriors started out with me and Paul (Shortino, vocals) and sometimes Rowan and sometimes Carlos putting some ideas down because we all have studios. The whole album was done by everyone in their home studio, because the kind of budgets you get today and everybody lives in different places... it doesn't pay to fly everybody in and get hotels and sit around and write songs and then go into a studio. You might as well throw your money out the window that you're getting. Me and Paul probably made 5c an hour making that album because we spent a lot of time on it. A lot of time writing the songs. But we did it all by the internet. As you can see I have my studio behind me and I engineer my own drums. We did everything that way."
In the full interview Carmine goes deeper into the writing and recording process, what he was going for musically with We Are Warriors, what the new members bring to the sound, how much King Kobra's sound has changed from their debut album to this one, working with Ozzy Osbourne and being sacked by Sharon, changing with the times and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56633802Wed, 30 Aug 2023 06:42:30 +0000HEAVY MagazineInterview by Kris Peters When it comes to drummers they don't come more top shelf than Carmine Appice. After leaving Ozzy Osbourne in the early 1980s, Appice decided he was done with working for other musicians and decided instead to forge his own...When it comes to drummers they don't come more top shelf than Carmine Appice.
After leaving Ozzy Osbourne in the early 1980s, Appice decided he was done with working for other musicians and decided instead to forge his own path, with his own band.
That band became King Kobra who burst onto the music scene in 1985 with their debut album Ready To Strike.
With a sound that nestled somewhere between heavy metal and glam metal, King Kobra have undergone several line-up changes over the years, as well as taking more than one gestation periods off, but one thing has remained constant throughout.
Carmine Appice.
Now, with a renewed line-up featuring Quiet Riot guitarist Carlos Cavazo and former Dio member Rowan Robertson, King Kobra are back with their seventh and arguably best album to date titled We Are Warriors. It is a typically hard hitting album from the band and one which Appice promises will be the start of another fresh era of metal from one of the greats.
HEAVY sat down with Appice to find out more.
"I've always tried to stay within the limits of whatever band's I'm working with," he began. "We Are Warriors started out with me and Paul (Shortino, vocals) and sometimes Rowan and sometimes Carlos putting some ideas down because we all have studios. The whole album was done by everyone in their home studio, because the kind of budgets you get today and everybody lives in different places... it doesn't pay to fly everybody in and get hotels and sit around and write songs and then go into a studio. You might as well throw your money out the window that you're getting. Me and Paul probably made 5c an hour making that album because we spent a lot of time on it. A lot of time writing the songs. But we did it all by the internet. As you can see I have my studio behind me and I engineer my own drums. We did everything that way."
In the full interview Carmine goes deeper into the writing and recording process, what he was going for musically with We Are Warriors, what the new members bring to the sound, how much King Kobra's sound has changed from their debut album to this one, working with Ozzy Osbourne and being sacked by Sharon, changing with the times and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1648carmineappice,glammetal,hardrock,heavy,heavymetal,interview,kingkobra,krispeters',ozzyosbourne,podcasttruefullhttps://www.spreaker.com/episode/good-things-good-times-with-joshua-roberts-from-magnolia-park--56632030Good Things 2023 is only months away, and with a line-up including Fall Out Boy, Limp Bizkit, Corey Taylor, Sepultura and Behemoth it is easy to get lost in the big names and the hype.
But there are a plethora of bands that will potentially make up the next generation of music. Bands that might not be on your radar now but if you allow yourself to venture outside of your comfort zone and check them out, could well rise to the top of your personal playlist based on just one listen.
One of those bands is Magnolia Park, a band known for their unique blend of hip-hop, hard rock, pop-punk and alt-pop and also one whose star is very much on the rise.
Earlier this month the band dropped two EP's simultaneously in MoonEater and SoulEater, each showcasing differing sides to the band's musical psyche.
HEAVY caught up with frontman Joshua Roberts to find out more.
"It's so exciting," he enthused about Good Things. "Just to see the line-up and be a part of this legendary festival is amazing."
We ask Joshua to introduce us to Magnolia Park.
"Magnolia Park is a... I like to call us a hybrid pop/punk style of band," he measured, "because we put so much fusion and different cultures and sounds in our music. We are very energetic. Most of our songs are about mental health problems and being broke on a Tuesday (laughs), so it definitely has a little bit of everything and I think that people will like it if they give it a chance."
In the full interview Joshua discusses the Good Things line-up, who he is most looking forward to playing with, preparing for your first tour of a new country, what he is expecting, what we should expect from them, the blending of styles in Magnolia Park's music and how they make it work, dropping two EP's at the same time and why, how they each showcase different sides of Magnolia Park, how they differ from last years debut album Baku's Revenge and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56632030Wed, 30 Aug 2023 02:00:38 +0000HEAVY MagazineInterview by Kris Peters Good Things 2023 is only months away, and with a line-up including Fall Out Boy, Limp Bizkit, Corey Taylor, Sepultura and Behemoth it is easy to get lost in the big names and the hype. But there are a plethora of bands that...Good Things 2023 is only months away, and with a line-up including Fall Out Boy, Limp Bizkit, Corey Taylor, Sepultura and Behemoth it is easy to get lost in the big names and the hype.
But there are a plethora of bands that will potentially make up the next generation of music. Bands that might not be on your radar now but if you allow yourself to venture outside of your comfort zone and check them out, could well rise to the top of your personal playlist based on just one listen.
One of those bands is Magnolia Park, a band known for their unique blend of hip-hop, hard rock, pop-punk and alt-pop and also one whose star is very much on the rise.
Earlier this month the band dropped two EP's simultaneously in MoonEater and SoulEater, each showcasing differing sides to the band's musical psyche.
HEAVY caught up with frontman Joshua Roberts to find out more.
"It's so exciting," he enthused about Good Things. "Just to see the line-up and be a part of this legendary festival is amazing."
We ask Joshua to introduce us to Magnolia Park.
"Magnolia Park is a... I like to call us a hybrid pop/punk style of band," he measured, "because we put so much fusion and different cultures and sounds in our music. We are very energetic. Most of our songs are about mental health problems and being broke on a Tuesday (laughs), so it definitely has a little bit of everything and I think that people will like it if they give it a chance."
In the full interview Joshua discusses the Good Things line-up, who he is most looking forward to playing with, preparing for your first tour of a new country, what he is expecting, what we should expect from them, the blending of styles in Magnolia Park's music and how they make it work, dropping two EP's at the same time and why, how they each showcase different sides of Magnolia Park, how they differ from last years debut album Baku's Revenge and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>721behemoth,coreytaylor,falloutboy,goodthings2023,heavy,heavymetal,interview,joshuaroberts,krispeters,limpbizkit,magnoliapark,podcast,poppunk,sepulturatruefullhttps://www.spreaker.com/episode/fully-sick-crnts-with-nick-dom-from-suffer-the-evenue--56631514South Australian groove metal/hardcore act Suffer The Evenue return with their pulsating new single Sick Crnt this Friday, September 1.
The track is lifted from the band's upcoming EP Vol 1 Superdead, which is set to drop on September 15.
HEAVY caught up with vocalist Nick and guitarist Dom to find out more, plus we are also privy to an exclusive sneak peek of the song just days out from release...
"I recently entered this band about 14 or 15 months ago," Nick explained, "and they came to me with a few skeletons of songs, and this is one of the ones we worked on straight off the bat. We all fell in love with each other in a bro kind of way with this track (laughs)."
"It was good to… as we were on the search for a new singer have a couple of songs to just throw out to someone and say 'here, listen to this and see what you can come back with'," Dom added. "But also when we wrote this song it just fell together. We brought in a new singer who grabbed it, and that fell together, and it's just one of our favourite, as a whole."
In the full interview the boys talk more about Sick Crnt from a musical point of view, their blending of genres and how it works, the video clip and what it is about, their 4 track EP, a bit more about each song on the EP, covering Primer 55 and why they chose that particular song, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56631514Wed, 30 Aug 2023 00:27:49 +0000HEAVY MagazineInterview by Kris Peters South Australian groove metal/hardcore act Suffer The Evenue return with their pulsating new single Sick Crnt this Friday, September 1. The track is lifted from the band's upcoming EP Vol 1 Superdead, which is set to drop on...South Australian groove metal/hardcore act Suffer The Evenue return with their pulsating new single Sick Crnt this Friday, September 1.
The track is lifted from the band's upcoming EP Vol 1 Superdead, which is set to drop on September 15.
HEAVY caught up with vocalist Nick and guitarist Dom to find out more, plus we are also privy to an exclusive sneak peek of the song just days out from release...
"I recently entered this band about 14 or 15 months ago," Nick explained, "and they came to me with a few skeletons of songs, and this is one of the ones we worked on straight off the bat. We all fell in love with each other in a bro kind of way with this track (laughs)."
"It was good to… as we were on the search for a new singer have a couple of songs to just throw out to someone and say 'here, listen to this and see what you can come back with'," Dom added. "But also when we wrote this song it just fell together. We brought in a new singer who grabbed it, and that fell together, and it's just one of our favourite, as a whole."
In the full interview the boys talk more about Sick Crnt from a musical point of view, their blending of genres and how it works, the video clip and what it is about, their 4 track EP, a bit more about each song on the EP, covering Primer 55 and why they chose that particular song, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>826aussiemetal,australia,hardrock,heavy,heavymetal,interview,krispryrts,podcast,suffertheevenuetruefullhttps://www.spreaker.com/episode/tapping-into-your-devilish-side-with-adalita-from-magic-dirt--56623441 Magic Dirt released Young and Full of the Devil 25 years ago and has celebrated with a double LP re-release.
This era of Magic Dirt is a special time for the band with Raul stepping in as their new guitarist, that would turn into a lifetime of friendship and shows together.
HEAVY caught up with frontwoman Adalita to reflect on the past and delve into the future. As well as releasing a wild purple-colored vinyl, they decided to hit the road on a monster tour to play their album in full. If you haven’t had the chance to watch Magic Dirt live, they have this amazing and wild energy that they’ve carried on as a trademark since their early days.
“We’re animals. Love playing loud and love the riffs”.
I really wanted to reflect and take Adalita back to the ‘golden age’ of Aussie rock/punk music, the 90s and 00s. If anyone has cool stories, it’s got to be these guys, right?
We talked about being on the road, the Big Day Out festival days, the Channel [V] era and what it was like to be right in the guts of it all.
“So many lost brain cells in and blur of awesomeness”.
Living in a time when you could fully immerse yourself in a world without social media certainly had its rewards and perks.
“We used to drive around and guess where the venues were. Living life actually and not virtually”.
Can’t sit here and say I’m not envious of the lifestyle having grown in the internet world…
At one point I asked if Adalita still resonates with Young and Full of the Devil’s lyrics and content and what it’s like to play the songs today. In response, she explains that she understands and knows exactly who that person was and where the emotion and lyrics came from, and it’s amazing to be able to play these songs again and re-live those memories and experience the songs through who she is today with all the life lessons she’s learnt along the way.
Which I personally think is a beautiful thing to have.
Imagine having a record with all your angst from the 20s as your living diary.
I wondered if she had any advice she would give her younger self to which she said she would actually rather receive the advice.
A cool thought to have.
This weekend Magic Dirt are heading to Byron Bay on their tour for the first time since the 2000s, promising to rip it up and have a hell of a time! You can find the full tour guide on their website, grab some merch and a copy of Young and Full of the Devil for yourself.
Do it!!

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56623441Tue, 29 Aug 2023 08:13:28 +0000HEAVY MagazineInterview by Kyra-Jade Coombs Magic Dirt released Young and Full of the Devil 25 years ago and has celebrated with a double LP re-release. This era of Magic Dirt is a special time for the band with Raul stepping in as their new guitarist, that would... Magic Dirt released Young and Full of the Devil 25 years ago and has celebrated with a double LP re-release.
This era of Magic Dirt is a special time for the band with Raul stepping in as their new guitarist, that would turn into a lifetime of friendship and shows together.
HEAVY caught up with frontwoman Adalita to reflect on the past and delve into the future. As well as releasing a wild purple-colored vinyl, they decided to hit the road on a monster tour to play their album in full. If you haven’t had the chance to watch Magic Dirt live, they have this amazing and wild energy that they’ve carried on as a trademark since their early days.
“We’re animals. Love playing loud and love the riffs”.
I really wanted to reflect and take Adalita back to the ‘golden age’ of Aussie rock/punk music, the 90s and 00s. If anyone has cool stories, it’s got to be these guys, right?
We talked about being on the road, the Big Day Out festival days, the Channel [V] era and what it was like to be right in the guts of it all.
“So many lost brain cells in and blur of awesomeness”.
Living in a time when you could fully immerse yourself in a world without social media certainly had its rewards and perks.
“We used to drive around and guess where the venues were. Living life actually and not virtually”.
Can’t sit here and say I’m not envious of the lifestyle having grown in the internet world…
At one point I asked if Adalita still resonates with Young and Full of the Devil’s lyrics and content and what it’s like to play the songs today. In response, she explains that she understands and knows exactly who that person was and where the emotion and lyrics came from, and it’s amazing to be able to play these songs again and re-live those memories and experience the songs through who she is today with all the life lessons she’s learnt along the way.
Which I personally think is a beautiful thing to have.
Imagine having a record with all your angst from the 20s as your living diary.
I wondered if she had any advice she would give her younger self to which she said she would actually rather receive the advice.
A cool thought to have.
This weekend Magic Dirt are heading to Byron Bay on their tour for the first time since the 2000s, promising to rip it up and have a hell of a time! You can find the full tour guide on their website, grab some merch and a copy of Young and Full of the Devil for yourself.
Do it!!

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1466adalita,aussierock,hardrock,heavy,interview,kyrajadecoombs,magicdirt,rocktruefullhttps://www.spreaker.com/episode/conceptual-worlds-with-lachlan-boon-from-shu-nagua--56587116 Confidence goes a long way in music.
Not just in yourselves and your music, but also in terms of your ideas. In a musical climate becoming increasingly saturated new bands often need something special to get people's attention.
Put simply just having good music sometimes isn't enough.
Emerging Sydney outfit Shu-Nagua have displayed an ability to think outside the box and follow their instinct from the outset, establishing their own musical conceptual universe from which to launch their sonic assault. It is an idea so grandiose it should actually work, and one which has seen the band added to the upcoming Simo's Maiden Voyage music cruise, which sets sail on September 24.
Lead singer Lachlan Boon sat down with HEAVY to tell us more.
"It sounds like a good time to me," he enthused. "We were lucky enough to be put on the first line-up. I think they are looking at doing a monthly thing, doing heavy music around Sydney Harbour." We ask Boon to tell us a bit more about the band. "Shu-Nagua musically is very diverse," he explained. "It's kind of… the way it's been written… it bends genres a lot. We'll go from something that's very bluesy and jazzy to something that delves more into prog-rock metal and everything in between. That's kind of where we sit. We have some of those heavier elements, but because of the concept we tend to shift the mood and genre to fit in with that overarching narrative. It gives us lots to explore."
In the full interview Lachlan talks more about the concept behind the band and music, how they plan to create a continual series of releases based on this concept, translating the story into the live arena, writing to a concept and how that changes things, their live mascot and how he fits in with things, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56587116Fri, 25 Aug 2023 07:23:54 +0000HEAVY MagazineInterview by Kris Peters Confidence goes a long way in music. Not just in yourselves and your music, but also in terms of your ideas. In a musical climate becoming increasingly saturated new bands often need something special to get people's... Confidence goes a long way in music.
Not just in yourselves and your music, but also in terms of your ideas. In a musical climate becoming increasingly saturated new bands often need something special to get people's attention.
Put simply just having good music sometimes isn't enough.
Emerging Sydney outfit Shu-Nagua have displayed an ability to think outside the box and follow their instinct from the outset, establishing their own musical conceptual universe from which to launch their sonic assault. It is an idea so grandiose it should actually work, and one which has seen the band added to the upcoming Simo's Maiden Voyage music cruise, which sets sail on September 24.
Lead singer Lachlan Boon sat down with HEAVY to tell us more.
"It sounds like a good time to me," he enthused. "We were lucky enough to be put on the first line-up. I think they are looking at doing a monthly thing, doing heavy music around Sydney Harbour." We ask Boon to tell us a bit more about the band. "Shu-Nagua musically is very diverse," he explained. "It's kind of… the way it's been written… it bends genres a lot. We'll go from something that's very bluesy and jazzy to something that delves more into prog-rock metal and everything in between. That's kind of where we sit. We have some of those heavier elements, but because of the concept we tend to shift the mood and genre to fit in with that overarching narrative. It gives us lots to explore."
In the full interview Lachlan talks more about the concept behind the band and music, how they plan to create a continual series of releases based on this concept, translating the story into the live arena, writing to a concept and how that changes things, their live mascot and how he fits in with things, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>915hardrock,heavy,heavymetal,interview,krispeters,podcast,progmetal,shu-nagua,simo'smaidenvoyagefalsefullhttps://www.spreaker.com/episode/time-to-chill-with-az-jon-from-gutterfire--56566519In a world obsessed with technology and the quick fix band aid mentality it is refreshing to see bands that still adhere primarily to the old school formulas.
When an album cycle meant getting out on the road and taking your music far and wide, engaging with old fans and connecting with new.
The simplistic approach made possible in the modern age can often lessen the appeal and/or viability of such public displays of affection but I, for one, still love that vibe put off by a band who just wants to get down and dirty with their fans.
Brisbane rock machine Gutterfire! have been touring relentlessly since the release of their debut album Chill some two years ago, traversing the East Coast of this great land on countless occasions and often more or less forcing people to give their music a listen.
Not that that is such a bad thing because Gutterfire! are damn fine at what they do.
With only a handful of shows left before the band settles in to complete their hotly anticipated follow up effort, Gutterfire! guitarist Az Stonely and frontman Photon Jon sat down with HEAVY to discuss their final few shows of the album cycle and what they have planned next.
We start off by talking about their upcoming gig as part of Rock Beats Depression at the Mansfield Tavern on September 16.
"We've done it every year since very early on," Jon offered. "We love Caity, the organiser, and it's for a good cause. Everyone who plays the show really gets behind it for that reason."
We ask what Gutterfire! get personally out of playing shows such as this.
"Personally, I'm autistic and ADHD," Jon revealed. "So it's close to my heart and I work in that field as well. Mental health in general... it's really cool how since I was a kid I've seen the conversation change and become more open. I remember when I was a kid people were questioning whether or not depression even existed, so seeing a nice big festival like that and raising money towards awareness is pretty awesome. Very different from when I was a kid."
In the full interview, Az and Jon discuss the importance of festivals supporting depression and mental health issues, the fact these things can affect anyone, any time, the other bands on the line-up and who they are looking forward to playing with, next weekend's shows with Cairns outfit Forest, the High Kicks Forever Cancer Research Fundraiser they are playing on September 30, supporting charities, how it feels to be nearly finished a long and successful tour, new material and what direction it is heading and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56566519Fri, 25 Aug 2023 07:19:29 +0000HEAVY MagazineInterview by Kris Peters In a world obsessed with technology and the quick fix band aid mentality it is refreshing to see bands that still adhere primarily to the old school formulas. When an album cycle meant getting out on the road and taking your...In a world obsessed with technology and the quick fix band aid mentality it is refreshing to see bands that still adhere primarily to the old school formulas.
When an album cycle meant getting out on the road and taking your music far and wide, engaging with old fans and connecting with new.
The simplistic approach made possible in the modern age can often lessen the appeal and/or viability of such public displays of affection but I, for one, still love that vibe put off by a band who just wants to get down and dirty with their fans.
Brisbane rock machine Gutterfire! have been touring relentlessly since the release of their debut album Chill some two years ago, traversing the East Coast of this great land on countless occasions and often more or less forcing people to give their music a listen.
Not that that is such a bad thing because Gutterfire! are damn fine at what they do.
With only a handful of shows left before the band settles in to complete their hotly anticipated follow up effort, Gutterfire! guitarist Az Stonely and frontman Photon Jon sat down with HEAVY to discuss their final few shows of the album cycle and what they have planned next.
We start off by talking about their upcoming gig as part of Rock Beats Depression at the Mansfield Tavern on September 16.
"We've done it every year since very early on," Jon offered. "We love Caity, the organiser, and it's for a good cause. Everyone who plays the show really gets behind it for that reason."
We ask what Gutterfire! get personally out of playing shows such as this.
"Personally, I'm autistic and ADHD," Jon revealed. "So it's close to my heart and I work in that field as well. Mental health in general... it's really cool how since I was a kid I've seen the conversation change and become more open. I remember when I was a kid people were questioning whether or not depression even existed, so seeing a nice big festival like that and raising money towards awareness is pretty awesome. Very different from when I was a kid."
In the full interview, Az and Jon discuss the importance of festivals supporting depression and mental health issues, the fact these things can affect anyone, any time, the other bands on the line-up and who they are looking forward to playing with, next weekend's shows with Cairns outfit Forest, the High Kicks Forever Cancer Research Fundraiser they are playing on September 30, supporting charities, how it feels to be nearly finished a long and successful tour, new material and what direction it is heading and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1182australia,forest,gutterfire!,hardrock,heavy,interview,krispeters,podcast,rock,rockbeatsdepression,tourtruefullhttps://www.spreaker.com/episode/napalm-death-s-prophecy-of-extreme-musical-destruction-realised--56550416The imminent return of Napalm with special guests Wormrot is about to hit Australian and New Zealand shors in a few shorts weeks, so frontman Barney thankfully gave us here at the HEAVY offices a few moments of his time to discuss all thing extreme including how aging has affected and changed his approached to writing and performing, plus he graciously spent his time with Metal V talking about somes of his favorite songs in Napalm's extensive back catalogue and why he chose them for us.
Make sure you listen to the full podcast for another insight into the mind of one of extreme music's most poignant, prolific and humble legends.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56550416Fri, 25 Aug 2023 07:15:00 +0000HEAVY MagazineThe Campaign For Musical Destruction tour title could not be more fitting for Napalm Death considering their perfect adaption of visuals and sonic chaos to everything that they create and stanbd for! For forty years Shane, Barney, Danny and John have...The imminent return of Napalm with special guests Wormrot is about to hit Australian and New Zealand shors in a few shorts weeks, so frontman Barney thankfully gave us here at the HEAVY offices a few moments of his time to discuss all thing extreme including how aging has affected and changed his approached to writing and performing, plus he graciously spent his time with Metal V talking about somes of his favorite songs in Napalm's extensive back catalogue and why he chose them for us.
Make sure you listen to the full podcast for another insight into the mind of one of extreme music's most poignant, prolific and humble legends.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>2241campaignformusicaldestruction,deathgrind,deathmetal,grindcore,napalmdeathtruefullhttps://www.spreaker.com/episode/a-moment-in-time-with-danny-worsnop-from-asking-alexandria--56561226Asking Alexandria have always traversed the sonic tightrope between rock and metal, refusing to be stereotyped or labelled in the process.
Over the course of seven previous albums the band has had moments of pure aggression offset by lashings of beauty, creating their own musical boundaries with a contempt for convention rarely sustained by bands with a global fanbase.
Frontman Danny Worsnop has been behind many of the sonic disparities released by Asking Alexandria, his voice capable of shredding with the best of them but also becoming a source of emotional and sorrow at will.
They are a band who are divisive in some quarters but have only ever proclaimed to be serving themselves as master with others more than welcome to board or alight the train at any time.
With Asking Alexandria's eighth album, the ominously titled Where Do We Go From Here? due out on August 25 it seems the band have taken personal stock of their career to date and committed to disk a collection of songs that serve as a culmination of their career to date.
HEAVY caught up with Worsnop as he sat in the tattoo chair recently to talk more about the album.
"It always sounds bad to say, and I don't mean it in a bad way, but I don't care about releases," he answered when asked if nerves were still a factor before an album drop. "This has been our album for the last year and as of three days from now it's not our album any more. It's everyone elses album. A lot of people look at the release date as the start of the album, but for me it's the end. Come Friday, that's when I get to start the next one."
Where Do We Go From Here? is being promoted as a culmination of Asking Alexandria's historical body of work, so we ask Worsnop how much of a tightly wrapped package it is.
"We very much didn't want to try anything new," he offered. "We didn't want to re-invent the wheel. We didn't want it to be anything exploring or adventurous. It was supposed to be a look back on the last 15 years and a snapshot of everything thus far, sonically touching on everything we've done prior to thematically going back to subjects that have resonated with people from those albums. Instead of it being a personal record for us it's definitely for them."
The title Where Do We Go From Here? could serve as both a statement or a question, but Worsnop argues the way it was written was slanted more towards the latter.
"It's a question, and one I ask myself a lot," he answered. "And one I think everyone should be asking themself all the time. I'm very goal motivated and orientated, so in my life that's the question I ask the most because regardless of the success or failure or win or loss that's the first question because you've gotta figure out what the next step is. When things are bad that's the only question we can really ask ourselves."
In the full interview, Danny talks more about the subject matter on Where Do We Go From Here?, how it encapsulates the last 15 years of Asking Alexandria's life, closing certain chapters of music, the one minute banger Kill It With Fire and its surprising origin, the title and closing track and how it ties in with the album theme, his personal line of tequila and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56561226Thu, 24 Aug 2023 08:22:58 +0000HEAVY MagazineInterview by Kris Peters Asking Alexandria have always traversed the sonic tightrope between rock and metal, refusing to be stereotyped or labelled in the process. Over the course of seven previous albums the band has had moments of pure aggression...Asking Alexandria have always traversed the sonic tightrope between rock and metal, refusing to be stereotyped or labelled in the process.
Over the course of seven previous albums the band has had moments of pure aggression offset by lashings of beauty, creating their own musical boundaries with a contempt for convention rarely sustained by bands with a global fanbase.
Frontman Danny Worsnop has been behind many of the sonic disparities released by Asking Alexandria, his voice capable of shredding with the best of them but also becoming a source of emotional and sorrow at will.
They are a band who are divisive in some quarters but have only ever proclaimed to be serving themselves as master with others more than welcome to board or alight the train at any time.
With Asking Alexandria's eighth album, the ominously titled Where Do We Go From Here? due out on August 25 it seems the band have taken personal stock of their career to date and committed to disk a collection of songs that serve as a culmination of their career to date.
HEAVY caught up with Worsnop as he sat in the tattoo chair recently to talk more about the album.
"It always sounds bad to say, and I don't mean it in a bad way, but I don't care about releases," he answered when asked if nerves were still a factor before an album drop. "This has been our album for the last year and as of three days from now it's not our album any more. It's everyone elses album. A lot of people look at the release date as the start of the album, but for me it's the end. Come Friday, that's when I get to start the next one."
Where Do We Go From Here? is being promoted as a culmination of Asking Alexandria's historical body of work, so we ask Worsnop how much of a tightly wrapped package it is.
"We very much didn't want to try anything new," he offered. "We didn't want to re-invent the wheel. We didn't want it to be anything exploring or adventurous. It was supposed to be a look back on the last 15 years and a snapshot of everything thus far, sonically touching on everything we've done prior to thematically going back to subjects that have resonated with people from those albums. Instead of it being a personal record for us it's definitely for them."
The title Where Do We Go From Here? could serve as both a statement or a question, but Worsnop argues the way it was written was slanted more towards the latter.
"It's a question, and one I ask myself a lot," he answered. "And one I think everyone should be asking themself all the time. I'm very goal motivated and orientated, so in my life that's the question I ask the most because regardless of the success or failure or win or loss that's the first question because you've gotta figure out what the next step is. When things are bad that's the only question we can really ask ourselves."
In the full interview, Danny talks more about the subject matter on Where Do We Go From Here?, how it encapsulates the last 15 years of Asking Alexandria's life, closing certain chapters of music, the one minute banger Kill It With Fire and its surprising origin, the title and closing track and how it ties in with the album theme, his personal line of tequila and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>976album,askingalexandria,betternoisemusic,dannyworsnop,hardrock,heavy,heavymetal,interview,krispeters,podcast,rock,wheredowegofromhere?truefullhttps://www.spreaker.com/episode/sonic-intensity-with-connor-ethan-from-triple-kill--56559893Aussie rock and metal is currently in good hands.
With a healthy swathe of older, established bands still doing the circuit and pumping out albums and an ever growing assortment of new and up and coming bands feeding off their wisdom it is fair to say the future of Australian music has never looked or sounded as good.
So much so that few bands stand out and demand attention, many falling victim to the wealth of music saturating the market in ever increasing volumes.
But there are a couple of bands that manage to stay elevated in the public spotlight, be it through hard work, touring or quality of material - or, more often, all three.
One such band is Melbourne's Triple Kill whose high energy music and live shows have seen them maintain a steady upward trajectory that should peak even further with the impending release of their latest album Blackened Dawn.
Another banger full of meaty guitars and driving force, Blackened Dawn gives you a ringside seat at the next phase of Triple Kill's musical journey and peels back yet more layers of their sonic landscape.
Drummer Connor O'Keane and bass player Ethan White joined HEAVY to take us inside the album.
"Excited is an understatement, for sure," O'Keane quipped when asked how they were feeling on the eve of the August 25 release. "Also exhausted and we're not even touring yet (laughs). The amount of work we've put in behind the scenes to get this out is a lot, especially in the last month. I think we've put out three music videos in the last month while also practicing and getting ready for tour."
We ask the boys to explain Blackened Dawn from a musical point of view.
"We wanted to advance our own skills," White measured, "so having that thing that kept us all locked inside for a couple of years really allowed us to take a moment to practice what we've got and develop some new skills. Or try some more challenging things that we hadn't touched on before in the way of writing something. This album is definitely from a musical standpoint something that we have advanced on. It's something new for us and something a bit more challenging in the way of our writing. Then the themes are just things that we love."
"I think we've certainly tried to have this album be a step up for us musically in each of our own departments," O'Keane added, "while also looking back at the stuff that we really like about the first album and the stuff that we think has stood the test of time and expand upon those and hone in on the stuff that we feel worked the most in the first album."
In the full interview, the boys talk more about what to expect from Blackened Dawn, how the world situation at the time of writing influenced the end result, the surprise opening track and the idea behind it, their upcoming shows with Orpheus Omega and what to expect, what's next for Triple Kill and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56559893Wed, 23 Aug 2023 23:47:22 +0000HEAVY MagazineInterview by Kris Peters Aussie rock and metal is currently in good hands. With a healthy swathe of older, established bands still doing the circuit and pumping out albums and an ever growing assortment of new and up and coming bands feeding off their...Aussie rock and metal is currently in good hands.
With a healthy swathe of older, established bands still doing the circuit and pumping out albums and an ever growing assortment of new and up and coming bands feeding off their wisdom it is fair to say the future of Australian music has never looked or sounded as good.
So much so that few bands stand out and demand attention, many falling victim to the wealth of music saturating the market in ever increasing volumes.
But there are a couple of bands that manage to stay elevated in the public spotlight, be it through hard work, touring or quality of material - or, more often, all three.
One such band is Melbourne's Triple Kill whose high energy music and live shows have seen them maintain a steady upward trajectory that should peak even further with the impending release of their latest album Blackened Dawn.
Another banger full of meaty guitars and driving force, Blackened Dawn gives you a ringside seat at the next phase of Triple Kill's musical journey and peels back yet more layers of their sonic landscape.
Drummer Connor O'Keane and bass player Ethan White joined HEAVY to take us inside the album.
"Excited is an understatement, for sure," O'Keane quipped when asked how they were feeling on the eve of the August 25 release. "Also exhausted and we're not even touring yet (laughs). The amount of work we've put in behind the scenes to get this out is a lot, especially in the last month. I think we've put out three music videos in the last month while also practicing and getting ready for tour."
We ask the boys to explain Blackened Dawn from a musical point of view.
"We wanted to advance our own skills," White measured, "so having that thing that kept us all locked inside for a couple of years really allowed us to take a moment to practice what we've got and develop some new skills. Or try some more challenging things that we hadn't touched on before in the way of writing something. This album is definitely from a musical standpoint something that we have advanced on. It's something new for us and something a bit more challenging in the way of our writing. Then the themes are just things that we love."
"I think we've certainly tried to have this album be a step up for us musically in each of our own departments," O'Keane added, "while also looking back at the stuff that we really like about the first album and the stuff that we think has stood the test of time and expand upon those and hone in on the stuff that we feel worked the most in the first album."
In the full interview, the boys talk more about what to expect from Blackened Dawn, how the world situation at the time of writing influenced the end result, the surprise opening track and the idea behind it, their upcoming shows with Orpheus Omega and what to expect, what's next for Triple Kill and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1351album,aussierock,blackeneddawn,hardrock,heavy,interview,krispeters,orpheusomega,podcast,rock,tour,triplekilltruefullhttps://www.spreaker.com/episode/magic-dirt-s-adalita-talks-the-rolling-stones-revue--56559010Night At The Barracks returns to Manly's picturesque North Head this September for a series of outdoor concert events starting on September 15 and finishing on October 8.
The showcase event kicks off with legendary Australian act Hoodoo Gurus, with celebrated artists such as Missy Higgins, Kate Cebrano, James Morrison Motown Experience and Tina Arena among the featured artists.
But it is September 29 where we draw our focus today, and the musical extravaganza that is The Rolling Stones Revue.
Fronted by Magic Dirt's Adalita, Tex Perkins and Tim Rogers (You Am I, Hard-Ons), The Rolling Stones Revue has been drawing rave reviews around the country with their unique slant on the music that shaped a generating as performed by Australian artists.
For this special occasion, The Rolling Stones Revue will also be paying homage to the classic Stones album Sticky Fingers, as well as delivering fan favourites and greatest hits.
Adalita joined us earlier this week to chat about Night At The Barracks.
"I can't wait," she enthused. "I've not played Night At The Barracks before and it sounds like a really great event. I love playing outdoor gigs and it just sounds beautiful. Manly is great, I played there back in the day but it's been a while."
We turn our focus to The Rolling Stones Review and what to expect.
"It's a group of us - Tex Perkins, Tim Rogers and myself in this particular revue," Adalita explained. "We have had Phil Jamieson in the past and Sarah McLeod as well, but for this particular one it will be myself, Tex and Tim. We just get together and bang out some Stones classics. There's a lot of Sticky Fingers songs and alot of classics as well. It's just so much fun to do. I've always loved the Stones and playing besides Tex and Tim is just a joy. They're amazing. We have such a great time and the band is incredible. It's unexpected that I would do something like that, but I like going out of my comfort zone."
In the full interview Adalita talks about how they rehearse for the show, how faithfully they keep to the original versions, choosing who performs which songs, who channels their inner Mick Jagger best, playing a classic album front to back and potential difficulties that could pose, the state of the art visual component to the show, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56559010Tue, 22 Aug 2023 21:35:40 +0000HEAVY MagazineInterview by Kris Peters Night At The Barracks returns to Manly's picturesque North Head this September for a series of outdoor concert events starting on September 15 and finishing on October 8. The showcase event kicks off with legendary Australian...Night At The Barracks returns to Manly's picturesque North Head this September for a series of outdoor concert events starting on September 15 and finishing on October 8.
The showcase event kicks off with legendary Australian act Hoodoo Gurus, with celebrated artists such as Missy Higgins, Kate Cebrano, James Morrison Motown Experience and Tina Arena among the featured artists.
But it is September 29 where we draw our focus today, and the musical extravaganza that is The Rolling Stones Revue.
Fronted by Magic Dirt's Adalita, Tex Perkins and Tim Rogers (You Am I, Hard-Ons), The Rolling Stones Revue has been drawing rave reviews around the country with their unique slant on the music that shaped a generating as performed by Australian artists.
For this special occasion, The Rolling Stones Revue will also be paying homage to the classic Stones album Sticky Fingers, as well as delivering fan favourites and greatest hits.
Adalita joined us earlier this week to chat about Night At The Barracks.
"I can't wait," she enthused. "I've not played Night At The Barracks before and it sounds like a really great event. I love playing outdoor gigs and it just sounds beautiful. Manly is great, I played there back in the day but it's been a while."
We turn our focus to The Rolling Stones Review and what to expect.
"It's a group of us - Tex Perkins, Tim Rogers and myself in this particular revue," Adalita explained. "We have had Phil Jamieson in the past and Sarah McLeod as well, but for this particular one it will be myself, Tex and Tim. We just get together and bang out some Stones classics. There's a lot of Sticky Fingers songs and alot of classics as well. It's just so much fun to do. I've always loved the Stones and playing besides Tex and Tim is just a joy. They're amazing. We have such a great time and the band is incredible. It's unexpected that I would do something like that, but I like going out of my comfort zone."
In the full interview Adalita talks about how they rehearse for the show, how faithfully they keep to the original versions, choosing who performs which songs, who channels their inner Mick Jagger best, playing a classic album front to back and potential difficulties that could pose, the state of the art visual component to the show, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1015adalita,australia,heavy,interview,krispeters,livemusic,nightatthebarricks,podcast,rock,rollingstones,texperkins,therollingstonesrevue,timrogerstruefullhttps://www.spreaker.com/episode/sonic-destruction-with-kelly-shaefer-from-till-the-dirt--56558015Certain bands in history are untouchable, with every genre having a stoic pecking order.
When it comes to death metal bands such as Morbid Angel, Obituary, Death, Cannibal Corpse and Atheist sit atop the proverbial tree, unflinching in their resolve and unyielding in their unrelenting pursuit of metal supremacy.
Certain names stand out above others as well. Names such as John Tardy (Obituary), Cronos (Venom), Chuck Schuldiner (Death) and Glen Benton (Deicide), but perhaps above all others is Kelly Shaefer, pioneering and revered vocalist of Atheist and unofficial revolutionary and spiritual leader of death and extreme metal.
After a period of inactivity, Shaefer returns to the metal realm, this time fronting an entirely new outfit Till The Dirt that threatens once more to derail the very fabric of sonic intensity.
Despite being a main cog in the death metal machine, Shaefer has allowed himself to further develop musically, harnessing the elements that drove the early parts of his career but combining them with a myriad of outside influences that would once have been considered taboo.
By blending elements of grunge, black metal, jazz, rock, dark wave, and even a dash of classic pop to his musical furnace, Shaefer has thrown expectations and convention to the wind in his search for sonic clarity, which has manifested itself into Till The Dirt's debut album Outside The Spiral which will be released via Nuclear Blast Records on August 25.
Shaefer sat down with HEAVY earlier this week to tell us more.
"I think I'm anxious more than nervous," he admitted. "I've been around long enough now to... even as long as I've been around I still feel that anxiousness; that excitement. It's been 13 years since I've done a new record - 2010 I did Jupiter with Atheist - and I feel very fortunate and lucky to have tripped upon this prolific period of song writing that happened, because I never intended on having a new band or new music at all. It just naturally came out of thin air, so here I am back in an album cycle again and it's fun. It's exciting, it's different, but it's a lot like sending your kids to school. You hope all the other kids like your kid, and you hope the teachers nice to them, you know what I mean (laughs). So there's those nervous feelings, but I'm super proud of it and I can't wait for people to hear it. I've been sitting on it for two and a half years (laughs)."
We ask Shaefer to take us deeper into the music side of Outside The Spiral.
"It's fusing all of the things that I love," he smiled. "I've had dual careers. I've had a career with Neurotica and a career with Atheist and both bands did well in terms of making a mark in their own right. Neurotica was much more singing, there was more clean vocals. It was heavy rock/metal with Atheist being obviously crazy, technical metal so I've never had an outlet like this where I was able to combine the two and really pay homage to all my 90s grunge influences, my stoner rock, desert rock Kyuss and Atomic Bitch Wax, all that kind of stuff that I really like. Black Sabbath and 70s thick, groovy shit along with blast beats and chaotic screams and harmony vocals. It's a plethora of shit that really just came out of isolation from COVID and frustration and anger and unknowingness. It came from a really natural place, where art should come from. It should come from a place of not just happiness."
In the full interview, Kelly talks more on what to expect from Outside The Spiral, how the album came together, putting yourself in different head spaces to bring out different sides of your musical psyche, the different styles inherent in Till The Dirt and how they come together, personal limitations if any, enticing Scott Burns out of self-imposed exile to produce the album, what effect he had on the finished product, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56558015Tue, 22 Aug 2023 19:25:25 +0000HEAVY MagazineInterview by Kris Peters Certain bands in history are untouchable, with every genre having a stoic pecking order. When it comes to death metal bands such as Morbid Angel, Obituary, Death, Cannibal Corpse and Atheist sit atop the proverbial tree,...Certain bands in history are untouchable, with every genre having a stoic pecking order.
When it comes to death metal bands such as Morbid Angel, Obituary, Death, Cannibal Corpse and Atheist sit atop the proverbial tree, unflinching in their resolve and unyielding in their unrelenting pursuit of metal supremacy.
Certain names stand out above others as well. Names such as John Tardy (Obituary), Cronos (Venom), Chuck Schuldiner (Death) and Glen Benton (Deicide), but perhaps above all others is Kelly Shaefer, pioneering and revered vocalist of Atheist and unofficial revolutionary and spiritual leader of death and extreme metal.
After a period of inactivity, Shaefer returns to the metal realm, this time fronting an entirely new outfit Till The Dirt that threatens once more to derail the very fabric of sonic intensity.
Despite being a main cog in the death metal machine, Shaefer has allowed himself to further develop musically, harnessing the elements that drove the early parts of his career but combining them with a myriad of outside influences that would once have been considered taboo.
By blending elements of grunge, black metal, jazz, rock, dark wave, and even a dash of classic pop to his musical furnace, Shaefer has thrown expectations and convention to the wind in his search for sonic clarity, which has manifested itself into Till The Dirt's debut album Outside The Spiral which will be released via Nuclear Blast Records on August 25.
Shaefer sat down with HEAVY earlier this week to tell us more.
"I think I'm anxious more than nervous," he admitted. "I've been around long enough now to... even as long as I've been around I still feel that anxiousness; that excitement. It's been 13 years since I've done a new record - 2010 I did Jupiter with Atheist - and I feel very fortunate and lucky to have tripped upon this prolific period of song writing that happened, because I never intended on having a new band or new music at all. It just naturally came out of thin air, so here I am back in an album cycle again and it's fun. It's exciting, it's different, but it's a lot like sending your kids to school. You hope all the other kids like your kid, and you hope the teachers nice to them, you know what I mean (laughs). So there's those nervous feelings, but I'm super proud of it and I can't wait for people to hear it. I've been sitting on it for two and a half years (laughs)."
We ask Shaefer to take us deeper into the music side of Outside The Spiral.
"It's fusing all of the things that I love," he smiled. "I've had dual careers. I've had a career with Neurotica and a career with Atheist and both bands did well in terms of making a mark in their own right. Neurotica was much more singing, there was more clean vocals. It was heavy rock/metal with Atheist being obviously crazy, technical metal so I've never had an outlet like this where I was able to combine the two and really pay homage to all my 90s grunge influences, my stoner rock, desert rock Kyuss and Atomic Bitch Wax, all that kind of stuff that I really like. Black Sabbath and 70s thick, groovy shit along with blast beats and chaotic screams and harmony vocals. It's a plethora of shit that really just came out of isolation from COVID and frustration and anger and unknowingness. It came from a really natural place, where art should come from. It should come from a place of not just happiness."
In the full interview, Kelly talks more on what to expect from Outside The Spiral, how the album came together, putting yourself in different head spaces to bring out different sides of your musical psyche, the different styles inherent in Till The Dirt and how they come together, personal limitations if any, enticing Scott Burns out of self-imposed exile to produce the album, what effect he had on the finished product, future plans and more.

Become a supporter of this podcast: 1610album,atheist,deathmetal,extrememetal,heavy,heavymetal,interview,kellyshaefer,krispeters,nuclearblastrecords,outsidethespiral,podcast,scottburns,tillthedirttruefullhttps://www.spreaker.com/episode/striking-back-with-justin-warfield-from-she-wants-revenge--56553613Post punk/goth outfit She Wants Revenge hit pay dirt with their first ever single Tear You Apart back in 2005, a song that somehow made it to the ears of Lady Gaga, who in turn insisted producers of a TV show she was working on called American Horror Story: Hotel included the track in its soundtrack.
This early leg up introduced She Wants Revenge to an instant global market and served them well over their debut self-titled album and follow ups This Is Forever and Valleyheart before disbanding in 2012.
2022 saw the band reunite and start producing music again, with their ensuing success setting She Wants Revenge down a touring path that sees the band finally travel to Australia for the first time this October.
HEAVY caught up with guitarist Justin Warfield to delve deeper.
"Dude, it's like... it is a running joke amongst the band, and I'm sure any Aussie fans by now, that if we were to have announced these shows no-one would believe it anyway," he laughed. "Every time we do it gets cancelled. So, Thomas Froggatt - who is the bass player in She Wants Revenge and started in the original line-up as guitar player - he is from Byron Bay and Melbourne and he grew up between the two, so when I told him the dates we were coming he said 'yeah, yeah right, I'll believe it when I see it (laughs). And, so, it's really exciting. It sucks to dealing stereotypes but I just have to be honest. Whenever I can go to a place where the culture has inspired me or us as a band and as individuals, it's exciting. It's a place where there's so much great history and so much great music and so much culture and for me as a lifelong surfer to get to the Gold Coast is unbelievable. I grew up watching... I'm a bit of a nerd when it comes to surfing and some of my absolute heroes of the sport are from there and I've been looking at photos and videos forever. So the idea that not only do I get to go and play shows for audiences that probably thought we would never come - plus we're a band that has broken up twice before - so for the people that have been with us the whole time and grown old with us and are like 'oh wow, they're really coming', or for the new people who have discovered us from a soundcheck or Pandora or Spotify or a playlist... the fact that they get to experience us and what we do live and we get to share three nights of music with our fans old and new... we get to see the culture and the cities that are so exciting to us and the fact that I just get to surf... It's going to be outrageous."
In the full interview, Justin talks more about what to expect from the tour, preparing for a run of shows so far from home, what they are expecting from us, their breakthrough single and being noticed by Lady Gaga, what that meant for the band's career, the chances of a new album and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56553613Tue, 22 Aug 2023 11:17:10 +0000HEAVY MagazineInterview by Kris Peters Post punk/goth outfit She Wants Revenge hit pay dirt with their first ever single Tear You Apart back in 2005, a song that somehow made it to the ears of Lady Gaga, who in turn insisted producers of a TV show she was working...Post punk/goth outfit She Wants Revenge hit pay dirt with their first ever single Tear You Apart back in 2005, a song that somehow made it to the ears of Lady Gaga, who in turn insisted producers of a TV show she was working on called American Horror Story: Hotel included the track in its soundtrack.
This early leg up introduced She Wants Revenge to an instant global market and served them well over their debut self-titled album and follow ups This Is Forever and Valleyheart before disbanding in 2012.
2022 saw the band reunite and start producing music again, with their ensuing success setting She Wants Revenge down a touring path that sees the band finally travel to Australia for the first time this October.
HEAVY caught up with guitarist Justin Warfield to delve deeper.
"Dude, it's like... it is a running joke amongst the band, and I'm sure any Aussie fans by now, that if we were to have announced these shows no-one would believe it anyway," he laughed. "Every time we do it gets cancelled. So, Thomas Froggatt - who is the bass player in She Wants Revenge and started in the original line-up as guitar player - he is from Byron Bay and Melbourne and he grew up between the two, so when I told him the dates we were coming he said 'yeah, yeah right, I'll believe it when I see it (laughs). And, so, it's really exciting. It sucks to dealing stereotypes but I just have to be honest. Whenever I can go to a place where the culture has inspired me or us as a band and as individuals, it's exciting. It's a place where there's so much great history and so much great music and so much culture and for me as a lifelong surfer to get to the Gold Coast is unbelievable. I grew up watching... I'm a bit of a nerd when it comes to surfing and some of my absolute heroes of the sport are from there and I've been looking at photos and videos forever. So the idea that not only do I get to go and play shows for audiences that probably thought we would never come - plus we're a band that has broken up twice before - so for the people that have been with us the whole time and grown old with us and are like 'oh wow, they're really coming', or for the new people who have discovered us from a soundcheck or Pandora or Spotify or a playlist... the fact that they get to experience us and what we do live and we get to share three nights of music with our fans old and new... we get to see the culture and the cities that are so exciting to us and the fact that I just get to surf... It's going to be outrageous."
In the full interview, Justin talks more about what to expect from the tour, preparing for a run of shows so far from home, what they are expecting from us, their breakthrough single and being noticed by Lady Gaga, what that meant for the band's career, the chances of a new album and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1111australia,gothmetal,heavy,interview,justinwarfield,krispeters,ladygaga,podcast,postpunk,punk,rock,shewantsrevenge,tourtruefullhttps://www.spreaker.com/episode/cracking-the-code-with-robert-patrick-from-filter--56553426Ever since leaving Nine Inch Nails to form Filter back in 1993, the name Richard Patrick has been synonymous with industrial tinged rock.
With their debut album Short Bus spawning the hugely successful single Hey Man Nice Shot, Filter's trajectory started on the up and has only soared higher over the ensuing years.
Despite having to overcome potentially crippling personal problems along the way, Patrick has managed to constantly maintain the rage musically. He flirted briefly playing alongside Dean and Robert DeLeo of Stone Temple Pilots and Ray Luzier of Korn in the project Army Of Anyone, but after a triumphant return to Filter with 2008s Anthem For The Damned Patrick rekindled his love affair with music and the band that gave him life.
After a seven year wait, Filter is set to return once more with The Algorithm on August 25, bringing Filter into the modern music era while still endorsing the band's signature sound.
HEAVY caught up with Patrick to find out more.
"I am really psyched," he enthused of The Algorithm. "I think it's definitely a great body of work and I'm excited. It reminds me of the old days, like Title Of Record, that era, and I'm super pumped and can't wait to hear the reaction from the fans."
We ask him to dive deeper into the album musically.
"Well, I love working with new artists when working on Filter records," he began. "I love working with Sam Tinnezs and Zack Munowitz and my bandmates Johnny Radtke, Elias Mallin and Bobby Miller, and it's... it was really fun because I wanted to make something that was really agro and crazy, but something that also had hooks. Something that you could walk away with and hum to yourself, and I think we did that."
In the full interview, Patrick talks more about what to expect on The Algorithm, the singles released and how they represent the album, the album title and where it comes from, developing the album musically, his guest artists and what they brought to the table, the early days of Filter, how his vision for the band has changed over the years, their 30th anniversary and reflecting on his achievements, his upcoming tour with Rob Zombie, Alice Cooper and Ministry and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56553426Tue, 22 Aug 2023 10:47:17 +0000HEAVY MagazineInterview by Kris Peters Ever since leaving Nine Inch Nails to form Filter back in 1993, the name Richard Patrick has been synonymous with industrial tinged rock. With their debut album Short Bus spawning the hugely successful single Hey Man Nice...Ever since leaving Nine Inch Nails to form Filter back in 1993, the name Richard Patrick has been synonymous with industrial tinged rock.
With their debut album Short Bus spawning the hugely successful single Hey Man Nice Shot, Filter's trajectory started on the up and has only soared higher over the ensuing years.
Despite having to overcome potentially crippling personal problems along the way, Patrick has managed to constantly maintain the rage musically. He flirted briefly playing alongside Dean and Robert DeLeo of Stone Temple Pilots and Ray Luzier of Korn in the project Army Of Anyone, but after a triumphant return to Filter with 2008s Anthem For The Damned Patrick rekindled his love affair with music and the band that gave him life.
After a seven year wait, Filter is set to return once more with The Algorithm on August 25, bringing Filter into the modern music era while still endorsing the band's signature sound.
HEAVY caught up with Patrick to find out more.
"I am really psyched," he enthused of The Algorithm. "I think it's definitely a great body of work and I'm excited. It reminds me of the old days, like Title Of Record, that era, and I'm super pumped and can't wait to hear the reaction from the fans."
We ask him to dive deeper into the album musically.
"Well, I love working with new artists when working on Filter records," he began. "I love working with Sam Tinnezs and Zack Munowitz and my bandmates Johnny Radtke, Elias Mallin and Bobby Miller, and it's... it was really fun because I wanted to make something that was really agro and crazy, but something that also had hooks. Something that you could walk away with and hum to yourself, and I think we did that."
In the full interview, Patrick talks more about what to expect on The Algorithm, the singles released and how they represent the album, the album title and where it comes from, developing the album musically, his guest artists and what they brought to the table, the early days of Filter, how his vision for the band has changed over the years, their 30th anniversary and reflecting on his achievements, his upcoming tour with Rob Zombie, Alice Cooper and Ministry and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>583album,filter,hardrock,heavy,industrialmetal,interview,krispeters,podcast,richardpatrick,rock,thealgorithmfalsefullhttps://www.spreaker.com/episode/making-a-splash-down-under-with-adam-biggs-from-rivers-of-nihil--56551804You certainly can't accuse Melbourne rock/metal hybrid Ne Obliviscaris from doing things in shades.
After four long years - their last Australian tour was in 2019 - Ne Obliviscaris has announced a run of four dates this September, bringing with them an international assortment of fellow metallers in The Ocean Collective and Rivers Of Nihil.
The last time Rivers Of Nihil were out here was actually on that tour, when they made their debut Down Under and left a trail of sonic devastation in their wake.
Despite the Exul tour, named after Ne Obliviscaris' recent album, being a homecoming of sorts for the hometown heroes, many punters are just as excited to see the return of Rivers Of Nihil - who are armed with their own new album The Work - with bassist/backing vocalist Adam Biggs joining HEAVY to discuss things more.
"It is how it is," he shrugged when asked if the run of four shows in five days would be draining. "We always just keep track of things and do the shows... it's the job (smiles). It will be an awesome five days I'm sure."
We ask if he thinks Ne Obliviscaris will be hitting the stage with a point to prove after so long away.
"Hopefully," he laughed. "Hopefully they come out with some motivation and some will to kick some ass. I'm sure we will as well. It's been a little while for us too. I wanna see everybody really motivated on these shows to give the crowd the best of the best they can."
In the full interview we discuss Rivers Of Nihil's first trip to Australia with Ne Obliviscaris and what they were like to tour with, playing with The Ocean Collective and what they are expecting, what to expect from Rivers Of Nihil live, the diversity of bands on the line-up and how important that is, their new album The Work and how much of that we are likely to be hearing, their most recent single The Sub Orbital Blues and if that is a stand alone single or part of the next album cycle, what's next for Rivers Of Nihil and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56551804Tue, 22 Aug 2023 06:00:19 +0000HEAVY MagazineInterview by Kris Peters You certainly can't accuse Melbourne rock/metal hybrid Ne Obliviscaris from doing things in shades. After four long years - their last Australian tour was in 2019 - Ne Obliviscaris has announced a run of four dates this...You certainly can't accuse Melbourne rock/metal hybrid Ne Obliviscaris from doing things in shades.
After four long years - their last Australian tour was in 2019 - Ne Obliviscaris has announced a run of four dates this September, bringing with them an international assortment of fellow metallers in The Ocean Collective and Rivers Of Nihil.
The last time Rivers Of Nihil were out here was actually on that tour, when they made their debut Down Under and left a trail of sonic devastation in their wake.
Despite the Exul tour, named after Ne Obliviscaris' recent album, being a homecoming of sorts for the hometown heroes, many punters are just as excited to see the return of Rivers Of Nihil - who are armed with their own new album The Work - with bassist/backing vocalist Adam Biggs joining HEAVY to discuss things more.
"It is how it is," he shrugged when asked if the run of four shows in five days would be draining. "We always just keep track of things and do the shows... it's the job (smiles). It will be an awesome five days I'm sure."
We ask if he thinks Ne Obliviscaris will be hitting the stage with a point to prove after so long away.
"Hopefully," he laughed. "Hopefully they come out with some motivation and some will to kick some ass. I'm sure we will as well. It's been a little while for us too. I wanna see everybody really motivated on these shows to give the crowd the best of the best they can."
In the full interview we discuss Rivers Of Nihil's first trip to Australia with Ne Obliviscaris and what they were like to tour with, playing with The Ocean Collective and what they are expecting, what to expect from Rivers Of Nihil live, the diversity of bands on the line-up and how important that is, their new album The Work and how much of that we are likely to be hearing, their most recent single The Sub Orbital Blues and if that is a stand alone single or part of the next album cycle, what's next for Rivers Of Nihil and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>625adambiggs,australia,hardrock,heavy,heavymetal,interview,krispeters,neobliviscaris,podcast,postmetal,progressivemetal,riversofnihil,theoceancollective,tourtruefullhttps://www.spreaker.com/episode/three-decades-of-metal-with-peter-kotevski-from-battlegod-productions--56474687Thirty years in any industry is a massive achievement, but when your chosen field of operations is music then those thirty years can often seem like plenty more.
It's a commonly held belief for those outside of the industry - but an overwhelming fact for those in it - that only the randomly selected few can ever hope to realise their personal dreams or lofty ambitions that accompany a sudden and meteoric rise up the ladder of the arts.
Most are in it for the love and social experiences provided by a career in music, comfortable with the reality that their passion and commitment will not be felt and/or appreciated by those not in the immediiate inner circle.
And that's just from a performers position.
There are other areas of the music industry that are far less glamorous and infinitely more demanding. Areas where you have to deal not only with fellow musicians or artists, but also those on the other side of the musical fence such as promotors and business interests.
These people are the unsung heroes of the industry, often caught between a rock and a hard place playing the intermediary between two highly probably warring parties.
So when you hear that someone on this side of the musical playground is on the cusp of celebrating the triple decade milestone you should nod silently in appreciation and acknowledgment for having the mental fortitude, patience and stamina to survive where countless others have failed.
Sydney based label Battlegod Productions, founded in 1984 by Peter Kotevski, is officially the longest running heavy metal label in Australia. Built from the ground up by Kotevski - who still holds the reins today - Battlegod Productions boasts musicians such as Tony Martin (former Black Sabbath vocalist), Tony Mills (ex-Shy/TNT vocalist) and Ralf Scheepers (Primal Fear vocalist) as part of their worldwide roster but it is a sustained commitment to nurturing those in his own back yard that has seen Kotevski endure the many tribulations that inevitably arise in a prolonged tenure in the music industry.
HEAVY sat down for a chat with Ktevski recently to find out more about Battlegod Productions and their servitude to the Australian music community.
"I sign up bands internationally, worldwide," he replied when asked to detail his role within Battlegod Productions. "I do a lot of promo and distribution and marketing on a local and international scale. I deal with people like Rockhard magazine and a few others around Europe as well. I've been doing it for many years now. It's had its moments and ups and downs, but it's cool."
With many bands not understanding or possibly not even caring about spending their time building their brand before rushing into things, we ask Peter what are some of the basics an emerging band needs to understand before approaching a label.
"I like a band to be pretty much on the ball," he said. "When I set up interviews for them I expect them to be done by a certain date. I like bands to have good production when they offer me something. If it's someone that's well known or a known artist or band I accept hearing their demo material to get an idea of what their stuff is like. I like a band to be reliable at the same time, and not just for business. I like to get to know my bands on a personal level as well. That's what I have done with all my bands. They have all become friends along the way which is pretty cool. They say never mix business with pleasure but I do it all the time and it seems to work fine for me."
In the full interview, Peter talks more about services provided by Battlegod Productions, steps you need to take to progress in the world of music, working with Tony Martin, how he plans to celebrate Battlegod's 30th birthday next year, his early vision for Battlegod and how it has changed since, evolving with the ever changing musical landscape, convert events and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56474687Fri, 18 Aug 2023 02:04:37 +0000HEAVY MagazineInterview by Kris Peters Thirty years in any industry is a massive achievement, but when your chosen field of operations is music then those thirty years can often seem like plenty more. It's a commonly held belief for those outside of the industry -...Thirty years in any industry is a massive achievement, but when your chosen field of operations is music then those thirty years can often seem like plenty more.
It's a commonly held belief for those outside of the industry - but an overwhelming fact for those in it - that only the randomly selected few can ever hope to realise their personal dreams or lofty ambitions that accompany a sudden and meteoric rise up the ladder of the arts.
Most are in it for the love and social experiences provided by a career in music, comfortable with the reality that their passion and commitment will not be felt and/or appreciated by those not in the immediiate inner circle.
And that's just from a performers position.
There are other areas of the music industry that are far less glamorous and infinitely more demanding. Areas where you have to deal not only with fellow musicians or artists, but also those on the other side of the musical fence such as promotors and business interests.
These people are the unsung heroes of the industry, often caught between a rock and a hard place playing the intermediary between two highly probably warring parties.
So when you hear that someone on this side of the musical playground is on the cusp of celebrating the triple decade milestone you should nod silently in appreciation and acknowledgment for having the mental fortitude, patience and stamina to survive where countless others have failed.
Sydney based label Battlegod Productions, founded in 1984 by Peter Kotevski, is officially the longest running heavy metal label in Australia. Built from the ground up by Kotevski - who still holds the reins today - Battlegod Productions boasts musicians such as Tony Martin (former Black Sabbath vocalist), Tony Mills (ex-Shy/TNT vocalist) and Ralf Scheepers (Primal Fear vocalist) as part of their worldwide roster but it is a sustained commitment to nurturing those in his own back yard that has seen Kotevski endure the many tribulations that inevitably arise in a prolonged tenure in the music industry.
HEAVY sat down for a chat with Ktevski recently to find out more about Battlegod Productions and their servitude to the Australian music community.
"I sign up bands internationally, worldwide," he replied when asked to detail his role within Battlegod Productions. "I do a lot of promo and distribution and marketing on a local and international scale. I deal with people like Rockhard magazine and a few others around Europe as well. I've been doing it for many years now. It's had its moments and ups and downs, but it's cool."
With many bands not understanding or possibly not even caring about spending their time building their brand before rushing into things, we ask Peter what are some of the basics an emerging band needs to understand before approaching a label.
"I like a band to be pretty much on the ball," he said. "When I set up interviews for them I expect them to be done by a certain date. I like bands to have good production when they offer me something. If it's someone that's well known or a known artist or band I accept hearing their demo material to get an idea of what their stuff is like. I like a band to be reliable at the same time, and not just for business. I like to get to know my bands on a personal level as well. That's what I have done with all my bands. They have all become friends along the way which is pretty cool. They say never mix business with pleasure but I do it all the time and it seems to work fine for me."
In the full interview, Peter talks more about services provided by Battlegod Productions, steps you need to take to progress in the world of music, working with Tony Martin, how he plans to celebrate Battlegod's 30th birthday next year, his early vision for Battlegod and how it has changed since, evolving with the ever changing musical landscape, convert events and more.

Become a...]]>1522australia,battlegodproduction,hardrock,heavy,heavymetal,interview,krispeters,peterkotevski,podcast,recordlabel,rock,tonymartintruefullhttps://www.spreaker.com/episode/down-dirty-with-ishan-from-dirt-city--56507347Remember when rock music was pure and real?
Before the advent of technology and seemingly magical remedies to remove natural deficiencies in the studio using an invisible golden paintbrush to mask the truth, there was a time where what you recorded stayed recorded, warts and all.
While there is no questioning it has helped musicians the world over create and achieve their own perfect sound you still can't help but feel - even in only a small way - a little bit cheated, especially when it comes to the live arena.
Sydney rock outfit Dirt City subscribe to this ancient mythology of keeping it real and have today released their debut self titled album to prove it.
HEAVY spoke with guitarist Ishan on the eve of release day to find out more.
"This EP has been around for a little while now," he began. "Since pre COVID, and even a couple of years before then, we started writing the riffs and getting all the vocals down so we've been sitting on it for ages and wondering what everyone is going to think of it and how we're going to release it. We've lived with these songs for a long time now so we are excited to just get it out there and excited to play soon and really get things happening."
In the full interview, Ishan talks more about what to expect from the EP, the two singles released and why the band chose them to introduce their music to the world, what sorts of things they discussed as a band going into their debut release, pushing musical boundaries, the use of Middle Eastern mysticism and where it comes from, touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56507347Fri, 18 Aug 2023 01:54:07 +0000HEAVY MagazineInterview by Kris Peters Remember when rock music was pure and real? Before the advent of technology and seemingly magical remedies to remove natural deficiencies in the studio using an invisible golden paintbrush to mask the truth, there was a time...Remember when rock music was pure and real?
Before the advent of technology and seemingly magical remedies to remove natural deficiencies in the studio using an invisible golden paintbrush to mask the truth, there was a time where what you recorded stayed recorded, warts and all.
While there is no questioning it has helped musicians the world over create and achieve their own perfect sound you still can't help but feel - even in only a small way - a little bit cheated, especially when it comes to the live arena.
Sydney rock outfit Dirt City subscribe to this ancient mythology of keeping it real and have today released their debut self titled album to prove it.
HEAVY spoke with guitarist Ishan on the eve of release day to find out more.
"This EP has been around for a little while now," he began. "Since pre COVID, and even a couple of years before then, we started writing the riffs and getting all the vocals down so we've been sitting on it for ages and wondering what everyone is going to think of it and how we're going to release it. We've lived with these songs for a long time now so we are excited to just get it out there and excited to play soon and really get things happening."
In the full interview, Ishan talks more about what to expect from the EP, the two singles released and why the band chose them to introduce their music to the world, what sorts of things they discussed as a band going into their debut release, pushing musical boundaries, the use of Middle Eastern mysticism and where it comes from, touring plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>940australia,desertrock,dirtcity,hardrock,heavy,heavymetal,interview,krispeters,music,podcast,rocktruefullhttps://www.spreaker.com/episode/celebrations-all-round-with-cam-baines-from-bodyjar--56471601One enduring quality possessed by the vast majority of Australians is an untenable bond that ties us together and stays through thick, thin or indifferent.
Be it the sporting arena or the social or even the blue collar working mentality there is no denying that if one person can have a good time doing something, then five could have infinitely more.
It's sort of a pack mentality that sees us put everything on the line for our mates and epitomises, to me anyway, what being an Aussie is all about.
Which is why it shocked no-one earlier this year when Melbourne punk legends Bodyjar and Perth rock machine Gyroscope announced they were embarking on a trek around the country together under the guise of a "tour".
But just in case there was anyone who dare doubt their motives, both bands conveniently have album anniversary landmarks to potentially celebrate so whether they like it or not the tour side of the party became official.
Not that you would imagine the fun side of things was, is or will ever be in any danger.
With Gyroscope celebrating the 15th birthday of their album Breed Obsession and Bodyjar going ten better with their album No Touch Red the stage for a travelling punk/rock extravaganza was well and truly set.
Luckily for both bands they also rate highly on the live performance radar so what could go wrong?
What indeed...
To find out just how much of a tour this will be and how much of a social gathering it already is, HEAVY cornered Bodyjar frontman Cam Baines earlier this week and gave him the chance to set the record straight and what better way to cut straight to the chase than ask if he has already packed and readied himself for the road.
"Not yet," he smiled. "I normally do my packing the morning that we go, which really freaks out my wife. We're all jammed up; we've been practicing, we've run through the old songs and made sure we've got a few surprises for the crowds. Some of the Melbourne shows will see some ex members and stuff get up and do a few songs, so I feel mentally prepared, musically prepared and I think we're raring to go. We've planning this for a while and a lot of the shows are sold out and everything so we are hoping for a banger!"
Being an anniversary party it only seems fitting that No Touch Red will get the lions share of attention, which is affirmed by Baines.
"Yeah, we'll be doing that in full, start to finish," he nodded, "and then we'll just do whatever people wanna hear. The popular songs people wanna hear like Not The Same, One In A Million, Surrender... whatever people yell out we will play it."
In the full interview Cam talks about having to play an older album in full, especially when at the time it wasn't even considered to be a complete live package, his memories of when the album came out in 1998 and how it impacted Bodyjar's career, recording it in Canada and why, some cool recording stories and how that particular album was almost doomed before being started, his thoughts of the album back then and if he saw anything special or enduring in it, touring with Gyroscope and why they are a good fit, writing new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56471601Fri, 18 Aug 2023 00:07:48 +0000HEAVY MagazineInterview by Kris Peters One enduring quality possessed by the vast majority of Australians is an untenable bond that ties us together and stays through thick, thin or indifferent. Be it the sporting arena or the social or even the blue collar working...One enduring quality possessed by the vast majority of Australians is an untenable bond that ties us together and stays through thick, thin or indifferent.
Be it the sporting arena or the social or even the blue collar working mentality there is no denying that if one person can have a good time doing something, then five could have infinitely more.
It's sort of a pack mentality that sees us put everything on the line for our mates and epitomises, to me anyway, what being an Aussie is all about.
Which is why it shocked no-one earlier this year when Melbourne punk legends Bodyjar and Perth rock machine Gyroscope announced they were embarking on a trek around the country together under the guise of a "tour".
But just in case there was anyone who dare doubt their motives, both bands conveniently have album anniversary landmarks to potentially celebrate so whether they like it or not the tour side of the party became official.
Not that you would imagine the fun side of things was, is or will ever be in any danger.
With Gyroscope celebrating the 15th birthday of their album Breed Obsession and Bodyjar going ten better with their album No Touch Red the stage for a travelling punk/rock extravaganza was well and truly set.
Luckily for both bands they also rate highly on the live performance radar so what could go wrong?
What indeed...
To find out just how much of a tour this will be and how much of a social gathering it already is, HEAVY cornered Bodyjar frontman Cam Baines earlier this week and gave him the chance to set the record straight and what better way to cut straight to the chase than ask if he has already packed and readied himself for the road.
"Not yet," he smiled. "I normally do my packing the morning that we go, which really freaks out my wife. We're all jammed up; we've been practicing, we've run through the old songs and made sure we've got a few surprises for the crowds. Some of the Melbourne shows will see some ex members and stuff get up and do a few songs, so I feel mentally prepared, musically prepared and I think we're raring to go. We've planning this for a while and a lot of the shows are sold out and everything so we are hoping for a banger!"
Being an anniversary party it only seems fitting that No Touch Red will get the lions share of attention, which is affirmed by Baines.
"Yeah, we'll be doing that in full, start to finish," he nodded, "and then we'll just do whatever people wanna hear. The popular songs people wanna hear like Not The Same, One In A Million, Surrender... whatever people yell out we will play it."
In the full interview Cam talks about having to play an older album in full, especially when at the time it wasn't even considered to be a complete live package, his memories of when the album came out in 1998 and how it impacted Bodyjar's career, recording it in Canada and why, some cool recording stories and how that particular album was almost doomed before being started, his thoughts of the album back then and if he saw anything special or enduring in it, touring with Gyroscope and why they are a good fit, writing new music and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>805australia,bodyjar,cambaines,gyroscope,hardrock,heavy,interview,krispeters,podcast,punk,rock,tourtruefullhttps://www.spreaker.com/episode/what-happens-when-the-lights-go-out-with-stuart-rudd-from-the-superjesus--56499135The Superjesus are Aussie icons. Not only are they great musicians, but they are down to earth and the kind of people you could sit with for hours and have amazing conversations with.
HEAVY took the chance to have a yarn with long time bass player Stuart Rudd, ‘Ruddy’, about their upcoming monster Australian tour for new single ‘Lights Out’. It’s nice to have a chat with someone who has been in the music industry for so long but still has a burning passion and pure love for what they do. It was written across his face as it lit up talking about his band, and I think an amazing thing to have. It’s not often you hear muso’s saying that ‘Getting out
on the road is a nice break’. That’s pure love I tell ya..
As far as surprises on tours go, Ruddy said there will be a few oldies played from their long spanning repertoire along with new tracks recorded recently.
By the sounds of it Superjesus have been busy recording and are flirting with the idea of releasing an album sooner than later, so keep your ears peeled for that.
We had a trip down memory lane and spoke up the longevity of the friendship, (working and otherwise), with vocalist Sarah McLeod. Having such a connection with someone that you can both just look at each other in the midst of playing a song and have that smile/ nod combo and know exactly what they’re thinking. Not many people have this, nor experience it in their lifetime and this type of connection is translated through into their music. It’s bloody magic and I have the utmost respect for them.
There’s a lot more Easter eggs sprinkled into this interview so have a good listen and enjoy. The ‘Lights Out’ tour has 15 stops and I dare say one will be near you, go and catch a show…. I know I am.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56499135Thu, 17 Aug 2023 09:47:03 +0000HEAVY MagazineInterview by Kyra-Jade Coombs The Superjesus are Aussie icons. Not only are they great musicians, but they are down to earth and the kind of people you could sit with for hours and have amazing conversations with. HEAVY took the chance to have a yarn...The Superjesus are Aussie icons. Not only are they great musicians, but they are down to earth and the kind of people you could sit with for hours and have amazing conversations with.
HEAVY took the chance to have a yarn with long time bass player Stuart Rudd, ‘Ruddy’, about their upcoming monster Australian tour for new single ‘Lights Out’. It’s nice to have a chat with someone who has been in the music industry for so long but still has a burning passion and pure love for what they do. It was written across his face as it lit up talking about his band, and I think an amazing thing to have. It’s not often you hear muso’s saying that ‘Getting out
on the road is a nice break’. That’s pure love I tell ya..
As far as surprises on tours go, Ruddy said there will be a few oldies played from their long spanning repertoire along with new tracks recorded recently.
By the sounds of it Superjesus have been busy recording and are flirting with the idea of releasing an album sooner than later, so keep your ears peeled for that.
We had a trip down memory lane and spoke up the longevity of the friendship, (working and otherwise), with vocalist Sarah McLeod. Having such a connection with someone that you can both just look at each other in the midst of playing a song and have that smile/ nod combo and know exactly what they’re thinking. Not many people have this, nor experience it in their lifetime and this type of connection is translated through into their music. It’s bloody magic and I have the utmost respect for them.
There’s a lot more Easter eggs sprinkled into this interview so have a good listen and enjoy. The ‘Lights Out’ tour has 15 stops and I dare say one will be near you, go and catch a show…. I know I am.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>961aussierock,heavy,interview,kyrajadecoombs,podcast,rock,sarahmcleod,stuartrudd,thesuperjesus,tourtruefullhttps://www.spreaker.com/episode/dancing-with-the-devil-thanks-to-johannes-eckstrom-from-avatar--56487210Swedish rock outfit Avatar would have to be one of the longest overnight success stories of modern music.
Their rise as a musical force may have seemed to come from nowhere given the rapid upward trajectory their profile received in 2013 when they by happenstance scored the coveted touring opportunity to support Avenged Sevenfold and Five Finger Death Punch more or less landed in their laps after Disturbed were a late withdrawal due to vocalist David Draimen choosing to be present for the birth of his child.
Things have exploded for Avatar since, to the point supply is continually losing to demand, which is one of the mitigating circumstances that sees their upcoming Australian tour, which kicks off in Melbourne on August 23, their first visit to these shores since their inception more than 20 years ago.
In hype befitting the coming of the Messiah, Avatar are now widely regarded as possibly one of the greatest live bands in the world. Ever.
Which, funnily enough, people that live in the land Down Under cannot say or expect with any certainly because they have never been in a position where they could.
Not being ones to rely solely on the word of others, HEAVY yesterday tracked down enigmatic vocalist Johannes Eckstrom to test the waters ourselves.
"We're coming to see you," he directed at Australians everywhere. "We're coming to see you soon. It's our first time in Australia and you need to be there because I will."
Not being ones to beat around the bush we pose the question of why Avatar have neglected their Australian fans.
"We never really liked you," he sighed with enough conviction that I almost believed him, before breaking into his infectious smile and continuing. "It's not always within our control," he explained. "The short answer is, the first time's always the hardest, the first time that you get to do something and get that foot through the door. I think in particular... we're a Swedish band, so we played for the first time in Germany for nobody so you keep going to Germany until you play for somebody and the travel costs are manageable. But it's hard for a band living where we are to go where you live to play for no-one. I think it's all about making enough of a name for yourself on your home turf so that you have a bit of momentum coming over, which clearly we have because this is - I don't know exactly how many tickets we sold - but combined it goes up to a couple of thousand at least which is incredible. It's all about that. Having enough momentum combined with working with the right people so you get the ability to travel that far to shows. That's really it. The first time is enough but I think we are going to make enough of a splash to make the second one easier. We've been a band for 20 years but it's not like we have been where we are right now for 20 years because we started young. There are examples of being the Metallica's of this world or whatever when pretty much the same bunch of kids stay together being in a band together growing to where we are at now where as opposed I think it's more normal that we had everybody starting out in shitty bands with friends, then we had two or three ambitious kids find the two or three ambitious kids from that other shitty band and cross over and that becomes their band. We were that shitty band but we were also those ambitios kids that went off to seek a better band but we found it in ourselves so we had that lifelong journey with each other."
In the full interview, Johannes talks more about building momentum as a band, what he expects from fans Down Under, what we can expect from them, what are some of the essentials to remember when packing for a tour, their tag as one of the greatest live bands ever and living up to those expectations, the success of recent album Dance Devil Dance which elevated Avatar to another level, if he thinks this album is markedly better than previous ones, the story behind the song Train and how they moulded its shell into an Avatar song, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56487210Wed, 16 Aug 2023 16:08:21 +0000HEAVY MagazineInterview by Kris Peters Swedish rock outfit Avatar would have to be one of the longest overnight success stories of modern music. Their rise as a musical force may have seemed to come from nowhere given the rapid upward trajectory their profile...Swedish rock outfit Avatar would have to be one of the longest overnight success stories of modern music.
Their rise as a musical force may have seemed to come from nowhere given the rapid upward trajectory their profile received in 2013 when they by happenstance scored the coveted touring opportunity to support Avenged Sevenfold and Five Finger Death Punch more or less landed in their laps after Disturbed were a late withdrawal due to vocalist David Draimen choosing to be present for the birth of his child.
Things have exploded for Avatar since, to the point supply is continually losing to demand, which is one of the mitigating circumstances that sees their upcoming Australian tour, which kicks off in Melbourne on August 23, their first visit to these shores since their inception more than 20 years ago.
In hype befitting the coming of the Messiah, Avatar are now widely regarded as possibly one of the greatest live bands in the world. Ever.
Which, funnily enough, people that live in the land Down Under cannot say or expect with any certainly because they have never been in a position where they could.
Not being ones to rely solely on the word of others, HEAVY yesterday tracked down enigmatic vocalist Johannes Eckstrom to test the waters ourselves.
"We're coming to see you," he directed at Australians everywhere. "We're coming to see you soon. It's our first time in Australia and you need to be there because I will."
Not being ones to beat around the bush we pose the question of why Avatar have neglected their Australian fans.
"We never really liked you," he sighed with enough conviction that I almost believed him, before breaking into his infectious smile and continuing. "It's not always within our control," he explained. "The short answer is, the first time's always the hardest, the first time that you get to do something and get that foot through the door. I think in particular... we're a Swedish band, so we played for the first time in Germany for nobody so you keep going to Germany until you play for somebody and the travel costs are manageable. But it's hard for a band living where we are to go where you live to play for no-one. I think it's all about making enough of a name for yourself on your home turf so that you have a bit of momentum coming over, which clearly we have because this is - I don't know exactly how many tickets we sold - but combined it goes up to a couple of thousand at least which is incredible. It's all about that. Having enough momentum combined with working with the right people so you get the ability to travel that far to shows. That's really it. The first time is enough but I think we are going to make enough of a splash to make the second one easier. We've been a band for 20 years but it's not like we have been where we are right now for 20 years because we started young. There are examples of being the Metallica's of this world or whatever when pretty much the same bunch of kids stay together being in a band together growing to where we are at now where as opposed I think it's more normal that we had everybody starting out in shitty bands with friends, then we had two or three ambitious kids find the two or three ambitious kids from that other shitty band and cross over and that becomes their band. We were that shitty band but we were also those ambitios kids that went off to seek a better band but we found it in ourselves so we had that lifelong journey with each other."
In the full interview, Johannes talks more about building momentum as a band, what he expects from fans Down Under, what we can expect from them, what are some of the essentials to remember when packing for a tour, their tag as one of the greatest live bands ever and living up to those expectations, the success of recent album Dance Devil Dance which elevated Avatar to another level, if he thinks this album is markedly better than previous ones, the...]]>1583australia,avatar,hardrock,heavy,heavymetal,interview,krispeters,podcast,rock,tourtruefullhttps://www.spreaker.com/episode/living-to-extremes-with-corey-glover-from-living-colour--56468856Interview by Kris Peters
Living Colour and Extreme are two of the greatest rock bands to emerge from last century that are still standing.
Individually they both hold aloft the rock flame but together they are an unstoppable force of musical nature that deliver their brand of music with an irresistable charm and swagger rarely seen over two bands on one stage.
So it is with great excitement that we are now only a matter of weeks away from being able to witness the spectacle live in Australia with the co-headlining tour kicking off in Melbourne on September 4.
Living Colour frontman Corey Glover joined HEAVY earlier this week to spread the word.
"We're already on the road," he relayed. "Us and Extreme are on the road in North America right now touring parts of the North East and heading West."
Coming out to Australia is an arduous task for holidays, let alone as part of a tour, so we ask Glover how he prepares mentally and physically for a run of shows so far from home.
"You just have to know you're not going home," he laughed. "You have to be aware that you're gonna be away from home for a long time and you have to get your family situation right. You have to get your mind right and know that you're going to be out there sleeping on a bus (laughs)."
It's been a couple of years since Living Colour last paid us a visit so we ask what has changed with the band in that time.
"Nothing really has changed," he measured. "It's all the same folks, all the same music. We have a good time when we come to Australia. We always have a good time there. We always have a good time on stage with each other, so you can expect to have a good time. Both bands are on point."
In the full interview Corey talks more about what to expect, fitting all of their songs into a setlist, the possibility of new songs surfacing, what, if any, surprises the band has in store, why Living Colour and Extreme make good touring partners, his early days with the band, gelling with guitarist Vernon Reid, having a voice through music, their debut album Vivid and how it changed things forever, musical evolution, a new album and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56468856Tue, 15 Aug 2023 00:07:27 +0000HEAVY MagazinePhoto credit Marcos Hermes Interview by Kris Peters Living Colour and Extreme are two of the greatest rock bands to emerge from last century that are still standing. Individually they both hold aloft the rock flame but together they are an unstoppable...Interview by Kris Peters
Living Colour and Extreme are two of the greatest rock bands to emerge from last century that are still standing.
Individually they both hold aloft the rock flame but together they are an unstoppable force of musical nature that deliver their brand of music with an irresistable charm and swagger rarely seen over two bands on one stage.
So it is with great excitement that we are now only a matter of weeks away from being able to witness the spectacle live in Australia with the co-headlining tour kicking off in Melbourne on September 4.
Living Colour frontman Corey Glover joined HEAVY earlier this week to spread the word.
"We're already on the road," he relayed. "Us and Extreme are on the road in North America right now touring parts of the North East and heading West."
Coming out to Australia is an arduous task for holidays, let alone as part of a tour, so we ask Glover how he prepares mentally and physically for a run of shows so far from home.
"You just have to know you're not going home," he laughed. "You have to be aware that you're gonna be away from home for a long time and you have to get your family situation right. You have to get your mind right and know that you're going to be out there sleeping on a bus (laughs)."
It's been a couple of years since Living Colour last paid us a visit so we ask what has changed with the band in that time.
"Nothing really has changed," he measured. "It's all the same folks, all the same music. We have a good time when we come to Australia. We always have a good time there. We always have a good time on stage with each other, so you can expect to have a good time. Both bands are on point."
In the full interview Corey talks more about what to expect, fitting all of their songs into a setlist, the possibility of new songs surfacing, what, if any, surprises the band has in store, why Living Colour and Extreme make good touring partners, his early days with the band, gelling with guitarist Vernon Reid, having a voice through music, their debut album Vivid and how it changed things forever, musical evolution, a new album and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>590australia,coreyglover,extreme,heavy,interview,krispeters,livingcolour,podcast,rock,tour,vernonreidfalsefullhttps://www.spreaker.com/episode/glory-days-are-coming-with-hyro-the-hero--56466059While many bands of the rock to metal nature often collaborate with rap artists on individual songs or across whole albums, it is generally a one way street in that direction.
Seldom does the music world come across a rap artist who integrates rock and metal through their music as par for the course but try telling Houstin innovator Hyro The Hero that and chances are he will greet that comment much the same way as he does everything else in life.
With a warm smile and infectious laughter.
Hyro has faced all kinds of doubts, knockers and ignorance since releasing his debut mixtape Gangsta Rock on Christmas Eve in 2007.
But even then the future seeds of amalgamation were gathering momentum, manifesting themselves to great effect on his 2011 debut album Birth, School, Work, Death which included tracks produced by Ross Robinson featuring Paul Hinojos (At the Drive-in, the Mars Volta, Sparta) on bass, Daniel Anderson (Idiot Pilot, Glowbug) on guitar, and the Blood Brothers alumni Cody Votolato also on guitar, and Mark Gajadhar on drums.
Fast forward just over a decade and Hyro The Hero is about to release his latest album Bound For Glory on September 15 which outlines his long journey to achieving success and some of the many obstacles he has endured.
Including guest appearances from David Draiman (Disturbed), Brandon Saller (Atreyu), Spencer Charnas and Dan Sugarman (Ice Nine Kills), Chad Gray (Hellyeah), AJ Channer (Fire From The Gods), REDDSTAR and Markus Videsäter (Solence), Bound For Glory is much more than another rap/metal crossover attempt at unification or target audiences.
It is a statement of intent from a man who knows only those musical barriers he sets for himself.
HEAVY sat down for an interesting chat with Hyro The Hero earlier this week.
"I'm excited man," he beamed. "I can't wait to put it out there to the world and have everybody take it in and put their thoughts in. I love it man. It's a great feeling making some music and having it put out to the world."
We follow up by asking Hyro to explain in more detail what he was going for musically with the album.
"Basically it's my career, my life on the road," he quipped. "That's why I say Bound For Glory because you know, you take those steps and you know and you feel it in your heart I'm bound to get to this successful spot that I feel in my head. I'm gonna take those steps and work hard and get there. I just want the listener to come in and let them know I'm on the same path as you, let's just go up this road together to get somewhere we wanna be."
In the full interview, Hyro speaks more about what drove him to make Bound For Glory, the guest artists and what they brought to the table, getting to record with some of his peers, covering Busta Rhymes and why that was so important to him, mixing rap and metal and why it works, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56466059Mon, 14 Aug 2023 17:11:02 +0000HEAVY MagazineInterview by Kris Peters While many bands of the rock to metal nature often collaborate with rap artists on individual songs or across whole albums, it is generally a one way street in that direction. Seldom does the music world come across a rap...While many bands of the rock to metal nature often collaborate with rap artists on individual songs or across whole albums, it is generally a one way street in that direction.
Seldom does the music world come across a rap artist who integrates rock and metal through their music as par for the course but try telling Houstin innovator Hyro The Hero that and chances are he will greet that comment much the same way as he does everything else in life.
With a warm smile and infectious laughter.
Hyro has faced all kinds of doubts, knockers and ignorance since releasing his debut mixtape Gangsta Rock on Christmas Eve in 2007.
But even then the future seeds of amalgamation were gathering momentum, manifesting themselves to great effect on his 2011 debut album Birth, School, Work, Death which included tracks produced by Ross Robinson featuring Paul Hinojos (At the Drive-in, the Mars Volta, Sparta) on bass, Daniel Anderson (Idiot Pilot, Glowbug) on guitar, and the Blood Brothers alumni Cody Votolato also on guitar, and Mark Gajadhar on drums.
Fast forward just over a decade and Hyro The Hero is about to release his latest album Bound For Glory on September 15 which outlines his long journey to achieving success and some of the many obstacles he has endured.
Including guest appearances from David Draiman (Disturbed), Brandon Saller (Atreyu), Spencer Charnas and Dan Sugarman (Ice Nine Kills), Chad Gray (Hellyeah), AJ Channer (Fire From The Gods), REDDSTAR and Markus Videsäter (Solence), Bound For Glory is much more than another rap/metal crossover attempt at unification or target audiences.
It is a statement of intent from a man who knows only those musical barriers he sets for himself.
HEAVY sat down for an interesting chat with Hyro The Hero earlier this week.
"I'm excited man," he beamed. "I can't wait to put it out there to the world and have everybody take it in and put their thoughts in. I love it man. It's a great feeling making some music and having it put out to the world."
We follow up by asking Hyro to explain in more detail what he was going for musically with the album.
"Basically it's my career, my life on the road," he quipped. "That's why I say Bound For Glory because you know, you take those steps and you know and you feel it in your heart I'm bound to get to this successful spot that I feel in my head. I'm gonna take those steps and work hard and get there. I just want the listener to come in and let them know I'm on the same path as you, let's just go up this road together to get somewhere we wanna be."
In the full interview, Hyro speaks more about what drove him to make Bound For Glory, the guest artists and what they brought to the table, getting to record with some of his peers, covering Busta Rhymes and why that was so important to him, mixing rap and metal and why it works, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>822album,betternoisemusic,boundforglory,hardrock,heavy,heavymetal,hyrothehero,interview,krispeters,podcast,rap,rapmetaltruefullhttps://www.spreaker.com/episode/a-view-from-the-inside-with-amy-mcintosh-from-vilify--56462976 Newcastle band Vilify have recently released their newest single From the Inside and HEAVY took the chance to have a chat with frontwoman Amy McIntosh to see what’s been happening and what’s on the cards for the band.
If you haven’t had a listen already, From the Inside addresses dealing with sexuality and how it’s dealt with on the inside-out.
When I asked how the track has been received Amy said, “People have come back saying they don’t really relate to this one… and I think that’s probably why I had to write it”. Which is an interesting point to address in today’s day and age.
We have found ourselves in a climate made up of generations trying to navigate a space where humans can express themselves and truly be who they are, and some people just don’t know how to act in such situations.
Vilify released their EP Clarity in 2020, right in the shit storm that was Covid and really had everything thrown at them that would typically deter a band, but they managed to push through all cancelled shows, uncertainties, and adversities to make it to where they are today and honestly, that’s fucking hard. Opportunities that were once there for them didn’t come to fruition or come back again at all in some cases. It’s so cool to see a band withstand the bullshit and turn it into something amazing.
One thing I’ve noticed about Amy is her openness and transparency with mental health and I wanted to shine a spotlight on that. I think it’s important to have people in our music community who will be the voice for people who aren’t necessarily strong enough at the time to speak and have that person say it’s okay, and we all have our struggles.
Especially someone who has a platform to reach people and uses it as a tool to share their struggles, even at times when they aren’t 100% in the right headspace either. It’s always nice to know that you aren’t alone in your struggles, so I commend people who can do this. Furthermore, we touched on stepping away from playing bass in Vilify and being up the front of the band, allowing and trusting your bandmates to step up and grow together, showing up to gigs in a badass ‘uniforms’ and being a family unit together.
There’s nothing set in stone, but if you ask me it sounds like these legends have an EP in the works that will hopefully be blessing our ear holes sooner than later! Keep an eye on this space. Don’t forget to check out From the Inside in the meantime.
Enjoy folks!

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56462976Mon, 14 Aug 2023 11:34:22 +0000HEAVY MagazineInterview by Kyra-Jade Coombs Newcastle band Vilify have recently released their newest single From the Inside and HEAVY took the chance to have a chat with frontwoman Amy McIntosh to see what’s been happening and what’s on the cards for the band. If... Newcastle band Vilify have recently released their newest single From the Inside and HEAVY took the chance to have a chat with frontwoman Amy McIntosh to see what’s been happening and what’s on the cards for the band.
If you haven’t had a listen already, From the Inside addresses dealing with sexuality and how it’s dealt with on the inside-out.
When I asked how the track has been received Amy said, “People have come back saying they don’t really relate to this one… and I think that’s probably why I had to write it”. Which is an interesting point to address in today’s day and age.
We have found ourselves in a climate made up of generations trying to navigate a space where humans can express themselves and truly be who they are, and some people just don’t know how to act in such situations.
Vilify released their EP Clarity in 2020, right in the shit storm that was Covid and really had everything thrown at them that would typically deter a band, but they managed to push through all cancelled shows, uncertainties, and adversities to make it to where they are today and honestly, that’s fucking hard. Opportunities that were once there for them didn’t come to fruition or come back again at all in some cases. It’s so cool to see a band withstand the bullshit and turn it into something amazing.
One thing I’ve noticed about Amy is her openness and transparency with mental health and I wanted to shine a spotlight on that. I think it’s important to have people in our music community who will be the voice for people who aren’t necessarily strong enough at the time to speak and have that person say it’s okay, and we all have our struggles.
Especially someone who has a platform to reach people and uses it as a tool to share their struggles, even at times when they aren’t 100% in the right headspace either. It’s always nice to know that you aren’t alone in your struggles, so I commend people who can do this. Furthermore, we touched on stepping away from playing bass in Vilify and being up the front of the band, allowing and trusting your bandmates to step up and grow together, showing up to gigs in a badass ‘uniforms’ and being a family unit together.
There’s nothing set in stone, but if you ask me it sounds like these legends have an EP in the works that will hopefully be blessing our ear holes sooner than later! Keep an eye on this space. Don’t forget to check out From the Inside in the meantime.
Enjoy folks!

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1297amymcintosh,australia,hardrock,heavy,heavymetal,interview,kyrajadecoombs,podcast,rock,vilifytruefullhttps://www.spreaker.com/episode/werewolves-smash-us-all-endlessly-with-death-metal-until-we-bleed--56462563 have fireside chat with Metal V talking about their absolute passion in being as brutal, upfront, honest and artistically violent as society allows.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56462563Mon, 14 Aug 2023 11:13:45 +0000HEAVY MagazineSam Bean & Matt Wilcock from Werewolves take some time out of their Sunday evening to have fireside chat with Metal V talking about their absolute passion in being as brutal, upfront, honest and artistically violent as society allows. have fireside chat with Metal V talking about their absolute passion in being as brutal, upfront, honest and artistically violent as society allows.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>3389aussiedeathmetal,brutaldeathmetal,werewolvestruefullhttps://www.spreaker.com/episode/bricks-and-mortar-with-donita-sparks-from-l7--56343854You can’t make a list of influential bands of 90s grunge without including L7.
Formed in the late 80s, L7 were a crucial cog in the machine that was the grunge movement, pushing hair and glam metal aside to create a new branch on the tree of alternative music.
The fact that they were an all-female band was only one of the things that made L7 stand out and be noticed. The energy and feistiness of their live shows was another. Their outspoken and unapologetic punk rock attitude, laced with sarcastic humour and wit, also caught people’s attention. And of course, some of their memorable incidents on stage will be cemented in rock and roll history forever.
Probably the most notable of the L7 stunts was a tampon-throwing incident at Reading Festival in 1992.
“I needed to make lemonade out of lemons,” frontwoman Donita explains, of the time she retaliated to being pelted with mud by punters during L7’s set. “That involved a live ammo tampon straight out of my body. That’s what I did.”
HEAVY was conscious of the fact that this incident, which happened 30-odd years ago now, may be one Donita is sick of discussing, but in fact, it was quite the opposite. The musician conveyed the story freely with a laugh and said, “Those incidents remain pretty funny and shocking and rad, and people check us out because of that stuff.”
L7’s relationship with the music industry was relatively turbulent, and labels lost interest with them when grunge ran its course. But L7 left a mark, and a devoted fan base was well and truly established, seeing the band remaining relevant throughout the years and continuing to produce music.
Bricks Are Heavy was L7’s third album, and the one that exposed them to audiences outside the US.
Heading to Australia and New Zealand this December, L7 will be performing this landmark album front to back, as well as diving into their catalogue of other fan favourites.
“Aussie fans really love rock and roll, they’re really into good rock,” Donita states enthusiastically, “That (is what) we’re looking forward to.”
To gauge what to expect when L7 return to Australia, listen to the interview in its en

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56343854Sun, 13 Aug 2023 05:49:44 +0000HEAVY MagazineInterview by Erin Eddy You can’t make a list of influential bands of 90s grunge without including L7. Formed in the late 80s, L7 were a crucial cog in the machine that was the grunge movement, pushing hair and glam metal aside to create a new branch...You can’t make a list of influential bands of 90s grunge without including L7.
Formed in the late 80s, L7 were a crucial cog in the machine that was the grunge movement, pushing hair and glam metal aside to create a new branch on the tree of alternative music.
The fact that they were an all-female band was only one of the things that made L7 stand out and be noticed. The energy and feistiness of their live shows was another. Their outspoken and unapologetic punk rock attitude, laced with sarcastic humour and wit, also caught people’s attention. And of course, some of their memorable incidents on stage will be cemented in rock and roll history forever.
Probably the most notable of the L7 stunts was a tampon-throwing incident at Reading Festival in 1992.
“I needed to make lemonade out of lemons,” frontwoman Donita explains, of the time she retaliated to being pelted with mud by punters during L7’s set. “That involved a live ammo tampon straight out of my body. That’s what I did.”
HEAVY was conscious of the fact that this incident, which happened 30-odd years ago now, may be one Donita is sick of discussing, but in fact, it was quite the opposite. The musician conveyed the story freely with a laugh and said, “Those incidents remain pretty funny and shocking and rad, and people check us out because of that stuff.”
L7’s relationship with the music industry was relatively turbulent, and labels lost interest with them when grunge ran its course. But L7 left a mark, and a devoted fan base was well and truly established, seeing the band remaining relevant throughout the years and continuing to produce music.
Bricks Are Heavy was L7’s third album, and the one that exposed them to audiences outside the US.
Heading to Australia and New Zealand this December, L7 will be performing this landmark album front to back, as well as diving into their catalogue of other fan favourites.
“Aussie fans really love rock and roll, they’re really into good rock,” Donita states enthusiastically, “That (is what) we’re looking forward to.”
To gauge what to expect when L7 return to Australia, listen to the interview in its en

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1704australia,donitasparks,hardrock,heavy,heavymetal,l7,metropolistouring,rock,tourtruefullhttps://www.spreaker.com/episode/causing-a-ruckus-with-patrick-miranda-from-movements--56453626If you’re some kind of sonic Marie Kondo and like tucking bands away into clearly labelled musical genre boxes, you’re going to have a hard time with Movements.
The Californian four-piece glides between musical genres in a way that could potentially lead you to dismiss them on first listen, that is of course, if your first listen hits on a style that may not exactly be your glass of whiskey.
“I do think that we are, in my opinion, a ‘live’ band,” Movements vocalist Patrick Miranda told
HEAVY, “and I think in many cases, maybe if you don’t like the band, once you see it live you’re like ‘ohhh, okay, I get it’, you know? I think Movements is definitely that sort of band for a lot of people.”
Movements sway between indie rock, post-hardcore, emo, pop rock and their mission is to not box themselves in to any one style.
“I love the fluidity that we have as a band, and I hope that continues to grow because I think there’s something on this album for everybody. If there’s one community of music listeners who enjoy even one song we make, then that’s a win for me,” Patrick states. “We just want the music to reach as many people as possible. All we don’t want is to be put into a box.”
Movements are geared up for the release of their third studio album, Ruckus, which will be available on August 18.
“The energy and overall feeling of this record is so fun and youthful and exciting, and it makes me so happy that I know that when it comes to playing these songs live it’s just going to feel even better,” Patrick gleams.
HEAVY spent time talking with Patrick about being in Movements and the ins and outs of their new album, Ruckus, so check out the full interview now!

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56453626Sun, 13 Aug 2023 05:46:45 +0000HEAVY MagazineInterview by Erin Eddy If you’re some kind of sonic Marie Kondo and like tucking bands away into clearly labelled musical genre boxes, you’re going to have a hard time with Movements. The Californian four-piece glides between musical genres in a way...If you’re some kind of sonic Marie Kondo and like tucking bands away into clearly labelled musical genre boxes, you’re going to have a hard time with Movements.
The Californian four-piece glides between musical genres in a way that could potentially lead you to dismiss them on first listen, that is of course, if your first listen hits on a style that may not exactly be your glass of whiskey.
“I do think that we are, in my opinion, a ‘live’ band,” Movements vocalist Patrick Miranda told
HEAVY, “and I think in many cases, maybe if you don’t like the band, once you see it live you’re like ‘ohhh, okay, I get it’, you know? I think Movements is definitely that sort of band for a lot of people.”
Movements sway between indie rock, post-hardcore, emo, pop rock and their mission is to not box themselves in to any one style.
“I love the fluidity that we have as a band, and I hope that continues to grow because I think there’s something on this album for everybody. If there’s one community of music listeners who enjoy even one song we make, then that’s a win for me,” Patrick states. “We just want the music to reach as many people as possible. All we don’t want is to be put into a box.”
Movements are geared up for the release of their third studio album, Ruckus, which will be available on August 18.
“The energy and overall feeling of this record is so fun and youthful and exciting, and it makes me so happy that I know that when it comes to playing these songs live it’s just going to feel even better,” Patrick gleams.
HEAVY spent time talking with Patrick about being in Movements and the ins and outs of their new album, Ruckus, so check out the full interview now!

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1217erineddy,hardrock,heavy,heavymetal,interview,movements,music,patrickmiranda,podcast,rocktruefullhttps://www.spreaker.com/episode/rocking-the-riffs-with-leon-monaco-from-orpheus-omega--56436747Melbourne melodic death metal outfit Orpheus Omega have built a solid name based on their energetic and frenetic live performances.
Which is why not playing for long periods of time due to recent world events put a massive strain on the band. So much so that Orpheus Omega spent their time looking inwards and re-evaluating their growing footprint on the musical landscape.
The band also used their downtime to good creative effect, laying the platform for what would become their latest EP Portraits.
A freshly unique take on things whereby each of the five band members contributed one song each to the EP, Portraits is a deeply personal and liberating album for Orpheus Omega that has resonated with music lovers everywhere.
After having played only one show earlier this year to celebrate the EP's release, Orpheus Omega are about to set off on the Riff N Tour with rockers Triple Kill, starting on August 25 and winding its way around the length and breadth of this country before finishing up in late September.
Bass player Leon Monaco joined HEAVY to talk more about music and touring.
"Oh man, I am so excited," he gushed. "We have only played one show all year for 2023, but that's because we have been putting all of our eggs into this tour basket. We cannot wait to get out there and have this awesome month long adventure."
We ask Monaco how he prepares himself mentally and physically for a tour of this magnitude.
"I guess step one is make sure you have enough work leave," he laughed. "Musically, I just did Dry July, so I have worked on myself and a couple of the other band members have been hitting up the gym and bulking up a little, just to try and get healthier and fitter so we can move around and jump around on stage without our old man backs complaining. As soon as the tour begins we always do our best to eat well during the days, even if we're having a couple of beers or whatever happens at night, during the day we realise we still need to be adults. We're not 12 any more (laughs), we're not 21 any more, we can't do this to ourselves so we look after each other and look after ourselves."
The tour is spread out over more than a month, with Monaco having good justification for playing mainly on weekends.
"I find if we have an international band come in anyone will come out on a weeknight to see the international band," he mused, "because they're here, you have to see them. Whereas capitalising on those weekends is definitely an easier way to do it when you're an Australian band and you're up against all the other Australian bands. Weekends are definitely where it's at. We don't mind travelling mid week, we kinda like it. I think one of our shows in Gold Coast is on a Thursday and then there's a Sydney one on a Sunday. We're always happy to play the off Friday and Saturday night shows, we just need the punters to come out and meet us half way too."
In the full interview, Leon talks more about the tour and what to expect, touring with Triple Kill and why they are the perfect touring partners, their latest EP Portraits and each member writing a song each, each of those songs analysed individually, what's next for Orpheus Omega and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56436747Fri, 11 Aug 2023 06:56:47 +0000HEAVY MagazineInterview by Kris Peters Melbourne melodic death metal outfit Orpheus Omega have built a solid name based on their energetic and frenetic live performances. Which is why not playing for long periods of time due to recent world events put a massive...Melbourne melodic death metal outfit Orpheus Omega have built a solid name based on their energetic and frenetic live performances.
Which is why not playing for long periods of time due to recent world events put a massive strain on the band. So much so that Orpheus Omega spent their time looking inwards and re-evaluating their growing footprint on the musical landscape.
The band also used their downtime to good creative effect, laying the platform for what would become their latest EP Portraits.
A freshly unique take on things whereby each of the five band members contributed one song each to the EP, Portraits is a deeply personal and liberating album for Orpheus Omega that has resonated with music lovers everywhere.
After having played only one show earlier this year to celebrate the EP's release, Orpheus Omega are about to set off on the Riff N Tour with rockers Triple Kill, starting on August 25 and winding its way around the length and breadth of this country before finishing up in late September.
Bass player Leon Monaco joined HEAVY to talk more about music and touring.
"Oh man, I am so excited," he gushed. "We have only played one show all year for 2023, but that's because we have been putting all of our eggs into this tour basket. We cannot wait to get out there and have this awesome month long adventure."
We ask Monaco how he prepares himself mentally and physically for a tour of this magnitude.
"I guess step one is make sure you have enough work leave," he laughed. "Musically, I just did Dry July, so I have worked on myself and a couple of the other band members have been hitting up the gym and bulking up a little, just to try and get healthier and fitter so we can move around and jump around on stage without our old man backs complaining. As soon as the tour begins we always do our best to eat well during the days, even if we're having a couple of beers or whatever happens at night, during the day we realise we still need to be adults. We're not 12 any more (laughs), we're not 21 any more, we can't do this to ourselves so we look after each other and look after ourselves."
The tour is spread out over more than a month, with Monaco having good justification for playing mainly on weekends.
"I find if we have an international band come in anyone will come out on a weeknight to see the international band," he mused, "because they're here, you have to see them. Whereas capitalising on those weekends is definitely an easier way to do it when you're an Australian band and you're up against all the other Australian bands. Weekends are definitely where it's at. We don't mind travelling mid week, we kinda like it. I think one of our shows in Gold Coast is on a Thursday and then there's a Sydney one on a Sunday. We're always happy to play the off Friday and Saturday night shows, we just need the punters to come out and meet us half way too."
In the full interview, Leon talks more about the tour and what to expect, touring with Triple Kill and why they are the perfect touring partners, their latest EP Portraits and each member writing a song each, each of those songs analysed individually, what's next for Orpheus Omega and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1010australia,hardrock,heavy,heavymetal,interview,krispeters,leonmonaco,melodicmetal,orpheusomega,podcast,riffntour,tour,triplekilltruefullhttps://www.spreaker.com/episode/doom-gloom-with-emily-hopley-and-jasper-webb-from-upsetter--56435628What happens when you get two seasoned audio engineers come together to form a band?
In short, the answer is Brisbane duo Upsetter, but in reality you get a whole lot more.
Upsetter today unleash their debut EP Doomgaze on the world, with Emily Hopley and Jasper Webb sitting down with HEAVY recently to delve into the intricacies of the project.
"We play guitar, sob rock music," Webb smiled. "It's all a little sad and emo, but it's all very sincere and shoegazey and all of the nice little crunchy tones that we like to hear in music."
"We're definitely loving the bass duo vibe that we've got going on," Hopley added. "To back Jasper up on that one with the emo feels, it's been really fun."
In the full interview, Emily and Jasper run us through the EP and what expect, the themes that run through the EP, what they discussed going into their first release, how their roles as audio engineers led to forming Upsetter, separating yourself from your work, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56435628Fri, 11 Aug 2023 04:46:38 +0000HEAVY MagazineInterview by Kris Peters What happens when you get two seasoned audio engineers come together to form a band? In short, the answer is Brisbane duo Upsetter, but in reality you get a whole lot more. Upsetter today unleash their debut EP Doomgaze on the...What happens when you get two seasoned audio engineers come together to form a band?
In short, the answer is Brisbane duo Upsetter, but in reality you get a whole lot more.
Upsetter today unleash their debut EP Doomgaze on the world, with Emily Hopley and Jasper Webb sitting down with HEAVY recently to delve into the intricacies of the project.
"We play guitar, sob rock music," Webb smiled. "It's all a little sad and emo, but it's all very sincere and shoegazey and all of the nice little crunchy tones that we like to hear in music."
"We're definitely loving the bass duo vibe that we've got going on," Hopley added. "To back Jasper up on that one with the emo feels, it's been really fun."
In the full interview, Emily and Jasper run us through the EP and what expect, the themes that run through the EP, what they discussed going into their first release, how their roles as audio engineers led to forming Upsetter, separating yourself from your work, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1050doomgaze,emilyhopley,emorock,heavy,interview,jasperwebb,krispeters,podcast,rock,softrock,upsetterfalsefullhttps://www.spreaker.com/episode/pairing-up-for-clarity-with-kevin-borich--56433440Kevin Borich - guitar wizard, singer-songwriter, founder of the Party Boys, The La De Das, and the Kevin Borich Express - has been entertaining audiences worldwide since 1969.
His vocal prowess and extraordinary guitar playing skills have captivated generations of music followers, with countless albums bearing the trademark Borich musical timestamp still on high rotation today.
After releasing his greatest hits album Legacy in 2022, Borich went off in search of another musical milestone, and one which had been gradually taking shape over a number of years.
That record is the recently released Duets, which features artists of the caliber of Russell Morris, Leo Sayer, Suze DeMarchi (Baby Animals), Joe Walsh (Eagles), Ian Moss (Cold Chisel), Tim Rogers (You Am I), Ella Hooper (Killing Heidi), Angry Anderson (Rose Tattoo), Joe Camilleri (Black Sorrows), Ross Wilson (Daddy Cool/Mondo Rock), Angela Fabian and John Swan (Swanee/Party Boys).
It is a labour of love that saw Borich writing, demoing and recording everywhere from in the tour bus to hotel rooms, to green rooms to professional studios and also saw him collaborate with a widely eclectic assortment of fellow musicians that has come together beautifully for what could well be the defining moment of a long and illustrious career.
Borich sat down with HEAVY earlier in the week to talk Duets and plenty more.
"It's been amazing," he stressed about the early reception for Duets. "It actually has charted too, which is something I haven't really had since 1979 (laughs). It got to #1 on the ARIA Blues and Jazz charts and the word is out so the reviews we are having and feedback is pretty amazing. There's so many diverse styles on the album. It's a smorgasboard of fuel for you to eat up and your brain to wonder how the hell that happened (laughs). There's a bit of jazz in there that I wrote about Amy Winehouse because I thought she was going off the rails and left us with blues. She took all her colours and died."
In the full interview, Kevin talks about some of the songs on Duets and what they are about, the writing and recording process, the guest artists and how they were chosen, where the idea came from for the album, who dared to say no, his personal feelings on the album, if he would do it again in the future and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56433440Fri, 11 Aug 2023 01:02:04 +0000HEAVY MagazineInterview by Kris Peters Kevin Borich - guitar wizard, singer-songwriter, founder of the Party Boys, The La De Das, and the Kevin Borich Express - has been entertaining audiences worldwide since 1969. His vocal prowess and extraordinary guitar playing...Kevin Borich - guitar wizard, singer-songwriter, founder of the Party Boys, The La De Das, and the Kevin Borich Express - has been entertaining audiences worldwide since 1969.
His vocal prowess and extraordinary guitar playing skills have captivated generations of music followers, with countless albums bearing the trademark Borich musical timestamp still on high rotation today.
After releasing his greatest hits album Legacy in 2022, Borich went off in search of another musical milestone, and one which had been gradually taking shape over a number of years.
That record is the recently released Duets, which features artists of the caliber of Russell Morris, Leo Sayer, Suze DeMarchi (Baby Animals), Joe Walsh (Eagles), Ian Moss (Cold Chisel), Tim Rogers (You Am I), Ella Hooper (Killing Heidi), Angry Anderson (Rose Tattoo), Joe Camilleri (Black Sorrows), Ross Wilson (Daddy Cool/Mondo Rock), Angela Fabian and John Swan (Swanee/Party Boys).
It is a labour of love that saw Borich writing, demoing and recording everywhere from in the tour bus to hotel rooms, to green rooms to professional studios and also saw him collaborate with a widely eclectic assortment of fellow musicians that has come together beautifully for what could well be the defining moment of a long and illustrious career.
Borich sat down with HEAVY earlier in the week to talk Duets and plenty more.
"It's been amazing," he stressed about the early reception for Duets. "It actually has charted too, which is something I haven't really had since 1979 (laughs). It got to #1 on the ARIA Blues and Jazz charts and the word is out so the reviews we are having and feedback is pretty amazing. There's so many diverse styles on the album. It's a smorgasboard of fuel for you to eat up and your brain to wonder how the hell that happened (laughs). There's a bit of jazz in there that I wrote about Amy Winehouse because I thought she was going off the rails and left us with blues. She took all her colours and died."
In the full interview, Kevin talks about some of the songs on Duets and what they are about, the writing and recording process, the guest artists and how they were chosen, where the idea came from for the album, who dared to say no, his personal feelings on the album, if he would do it again in the future and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1282angryanderson,blues,bluesrock,duets,ellahooper,heavy,ianmoss,interview,kevinborich,krispeters,podcast,rocktruefullhttps://www.spreaker.com/episode/awakening-the-warrior-within-thanks-to-filiva-a-oliver-from-shepherd-s-reign--56420258Polynesian music warriors Shepherd's Reign have crafted their own sub genre of music, combining traditional Samoan and Polynesian music and culture with hard rock and heavy metal to create something truly their own.
It is an aggressive, yet respectful pollination of styles and genres that is as infectious as it is brutally beautiful.
With their new album Ala Mai scheduled for release on August 25, HEAVY sat down with vocalist Filiva’a and guitarist Oliver to delve deeper into their tribal lure of music.
"We're very excited," Filiva’a beamed. "It's probably one of the biggest steps we've taken with this band. We've had an album come out before but this second one is more of a deeper meaning than the first one. On the first one we just wrote songs and tracked them and released them but with this one we thought about every single song and tried to tie them all into one subject - Ala Mai - which is awakening in English. It is meant to help us on this new journey we are about to take. Every single one of us."
We ask the boys to tell us more about the album musically.
"It was really... we made the songs together," Filiva’a continued. "One of us would come up with an idea and we would all come in and try to make it into a bigger idea. Every song was made with different members of the band with different emotions running through their head at the time, going through different stages of their life. So it was really a mixture. It wasn't one main musical idea we had to show the world, but I guess one of the most powerful things is we tried to do it as heavy as we can to show the Shepherd's Reign style. From the tone to the arrangement of our ideas."
In the full interview Filiva’a and Oliver talk more about what to expect from Ala Mai, the connection between their history and music, the singles released and how they represent the album, the beautiful traditional Samoan song that opens the album and its meaning, the album cover and what significance it has, getting the balance right in their music, what playing with Shepherd's Reign has taught them about their culture, their upcoming tour and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56420258Thu, 10 Aug 2023 07:20:59 +0000HEAVY MagazineInterview by Kris Peters Polynesian music warriors Shepherd's Reign have crafted their own sub genre of music, combining traditional Samoan and Polynesian music and culture with hard rock and heavy metal to create something truly their own. It is an...Polynesian music warriors Shepherd's Reign have crafted their own sub genre of music, combining traditional Samoan and Polynesian music and culture with hard rock and heavy metal to create something truly their own.
It is an aggressive, yet respectful pollination of styles and genres that is as infectious as it is brutally beautiful.
With their new album Ala Mai scheduled for release on August 25, HEAVY sat down with vocalist Filiva’a and guitarist Oliver to delve deeper into their tribal lure of music.
"We're very excited," Filiva’a beamed. "It's probably one of the biggest steps we've taken with this band. We've had an album come out before but this second one is more of a deeper meaning than the first one. On the first one we just wrote songs and tracked them and released them but with this one we thought about every single song and tried to tie them all into one subject - Ala Mai - which is awakening in English. It is meant to help us on this new journey we are about to take. Every single one of us."
We ask the boys to tell us more about the album musically.
"It was really... we made the songs together," Filiva’a continued. "One of us would come up with an idea and we would all come in and try to make it into a bigger idea. Every song was made with different members of the band with different emotions running through their head at the time, going through different stages of their life. So it was really a mixture. It wasn't one main musical idea we had to show the world, but I guess one of the most powerful things is we tried to do it as heavy as we can to show the Shepherd's Reign style. From the tone to the arrangement of our ideas."
In the full interview Filiva’a and Oliver talk more about what to expect from Ala Mai, the connection between their history and music, the singles released and how they represent the album, the beautiful traditional Samoan song that opens the album and its meaning, the album cover and what significance it has, getting the balance right in their music, what playing with Shepherd's Reign has taught them about their culture, their upcoming tour and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1412alamai,heavy,heavymetal,interview,krispeters,music,podcast,polynesianmetal,shepherd'sreigntruefullhttps://www.spreaker.com/episode/playing-the-bad-boy-with-joey-janela-from-game-changer-wrestling--56420115After capturing the markets across the United States, Japan, United Kingdom and Mexico, Game Changer Wrestling (GCW) has now set their sights on Australia.
Following the successful integration of Billy Corgan's wrestlers into The World Is A Vampire shows earlier this year, GCW is flying out their best to take on our very own Renegades Of Wrestling (ROW) over three epic encounters later this month.
Boasting wrestlers such as El Hijo Del Vikingo, Maki Itoh, Joey Janela, Effy, Allie Katch, Gringo Loco, Charli Evans, Rat Daddy, Aysha, Gore and Lochy Hendricks, GCW isn't taking things lightly and are hitting our shores with the expectation of not only dominating their local counterparts but also cornering this corner of the globe from a competitive angle.
HEAVY sat down for an entertaining one on one with 'Bad Boy' Joey Janela to find out more.
"We're bringing our crazy brand of wrestling to Australia, finally," he said. "A lot of fans have been waiting for it. We've been waiting to bring it over for a long while now and the fans want us to come over, so we're doing it and we're gonna see lots of things flow and maybe we can make this a yearly stop on the GCW tour."
"I'm expecting a lot of energy," he continued. "I'm expecting not a lot of sleep and I'm expecting a lot of great professional wrestling. I've been to Australia a few times and it's always one of the highlights of my year. It's one of my favourite places to visit with some of the best fans, the best bars and the best women. Three of my favourite things, and great professional wrestling. There's great wrestlers over there."
In the full interview, Joey tells us more about what we can expect from GCW, what they are expecting from our wrestlers, preparing mentally and physically for a run of three consecutive matches, how this is going to compare to Corgan's wrestlers, preparing for matches, how they are going to corner the Australian market, his personal wrestling style and signature moves, wrestling and heavy metal music, the enduring legacy of wrestling and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56420115Thu, 10 Aug 2023 06:41:20 +0000HEAVY MagazineInterview by Kris Peters After capturing the markets across the United States, Japan, United Kingdom and Mexico, Game Changer Wrestling (GCW) has now set their sights on Australia. Following the successful integration of Billy Corgan's wrestlers into...After capturing the markets across the United States, Japan, United Kingdom and Mexico, Game Changer Wrestling (GCW) has now set their sights on Australia.
Following the successful integration of Billy Corgan's wrestlers into The World Is A Vampire shows earlier this year, GCW is flying out their best to take on our very own Renegades Of Wrestling (ROW) over three epic encounters later this month.
Boasting wrestlers such as El Hijo Del Vikingo, Maki Itoh, Joey Janela, Effy, Allie Katch, Gringo Loco, Charli Evans, Rat Daddy, Aysha, Gore and Lochy Hendricks, GCW isn't taking things lightly and are hitting our shores with the expectation of not only dominating their local counterparts but also cornering this corner of the globe from a competitive angle.
HEAVY sat down for an entertaining one on one with 'Bad Boy' Joey Janela to find out more.
"We're bringing our crazy brand of wrestling to Australia, finally," he said. "A lot of fans have been waiting for it. We've been waiting to bring it over for a long while now and the fans want us to come over, so we're doing it and we're gonna see lots of things flow and maybe we can make this a yearly stop on the GCW tour."
"I'm expecting a lot of energy," he continued. "I'm expecting not a lot of sleep and I'm expecting a lot of great professional wrestling. I've been to Australia a few times and it's always one of the highlights of my year. It's one of my favourite places to visit with some of the best fans, the best bars and the best women. Three of my favourite things, and great professional wrestling. There's great wrestlers over there."
In the full interview, Joey tells us more about what we can expect from GCW, what they are expecting from our wrestlers, preparing mentally and physically for a run of three consecutive matches, how this is going to compare to Corgan's wrestlers, preparing for matches, how they are going to corner the Australian market, his personal wrestling style and signature moves, wrestling and heavy metal music, the enduring legacy of wrestling and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>671destroyalllines,gamechangerwrestling,heavy,heavymetal,interview,joeyjanela,krispetrs,podcast,renegadesofwrestling,wrestlingtruefullhttps://www.spreaker.com/episode/bringing-the-fire-with-the-human-furnace-from-ringworm--56411424For more than 30 years now Cleveland extreme metal/hardcore legends Ringworm have been decimating the hearts and minds the world over.
Their aggressive, uncompromising approach to both music and life has seen them deliver a consistently high number of unrelenting albums, with the band now set to expand that repertoire with their ninth album Seeing Through Fire, out August 18 through Nuclear Blast Records.
HEAVY tracked down frontman James 'Human Furnace' Bulloch to find out more, starting with whether the band still gets nervous or anxious about new albums.
"No, never," he smiled. "We get excited, but I wouldn't say nervous. We've done this before, and like a lot of bands, this record was done a long time ago. The record had been done well over a year ago. It takes a while these days to get a record out, so we've been sitting on it a while. If anything, it will be a relief. Finally, this record is out! We're pretty psyched for it. It all worked out. Sometimes when you're patient... because we were originally going to put this record out ourselves, because we went into the studio and recorded it and we were intent on putting it out ourselves. Then we were patient with it a little bit, and because of that we were able to connect with Nuclear Blast and they were all about putting it out and doing it for us, so we were very excited about that."
In the full interview James talks more about what to expect musically from Seeing Through Fire, the singles released and how they represent the album, their music videos and how much thought goes into them, the different approach the band took on this album and how it affected the finished product, how this is a new era for Ringworm, the early days of the band, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56411424Wed, 09 Aug 2023 08:23:03 +0000HEAVY MagazineInterview by Kris Peters For more than 30 years now Cleveland extreme metal/hardcore legends Ringworm have been decimating the hearts and minds the world over. Their aggressive, uncompromising approach to both music and life has seen them deliver a...For more than 30 years now Cleveland extreme metal/hardcore legends Ringworm have been decimating the hearts and minds the world over.
Their aggressive, uncompromising approach to both music and life has seen them deliver a consistently high number of unrelenting albums, with the band now set to expand that repertoire with their ninth album Seeing Through Fire, out August 18 through Nuclear Blast Records.
HEAVY tracked down frontman James 'Human Furnace' Bulloch to find out more, starting with whether the band still gets nervous or anxious about new albums.
"No, never," he smiled. "We get excited, but I wouldn't say nervous. We've done this before, and like a lot of bands, this record was done a long time ago. The record had been done well over a year ago. It takes a while these days to get a record out, so we've been sitting on it a while. If anything, it will be a relief. Finally, this record is out! We're pretty psyched for it. It all worked out. Sometimes when you're patient... because we were originally going to put this record out ourselves, because we went into the studio and recorded it and we were intent on putting it out ourselves. Then we were patient with it a little bit, and because of that we were able to connect with Nuclear Blast and they were all about putting it out and doing it for us, so we were very excited about that."
In the full interview James talks more about what to expect musically from Seeing Through Fire, the singles released and how they represent the album, their music videos and how much thought goes into them, the different approach the band took on this album and how it affected the finished product, how this is a new era for Ringworm, the early days of the band, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>862album,extrememetal,heavy,heavymetal,humanfurnace,interview,krispeters,podcast,ringwormtruefullhttps://www.spreaker.com/episode/hiss-and-make-up-with-rasyid-from-wormrot--56411363Riding high on the back of their recent album HISS, Singapore extreme metal outfit Wormrot have been announced as main support to Napalm Death on their September Australian tour.
Guitarist Rasyid sat down with HEAVY to bring us up to speed.
"It will be fun," he enthused. "It's not the first time we toured there. The last time was with Obituary and then I had another tour with my other band there also, but that was a short one also. Yeah, I'm back!"
We ask Rasyid what fans can expect from the Wormrot set.
"Oh man, I'm not sure," he laughed. "We're gonna try to catch up with everybody and go as hard as possible and as fast as possible. We will see how you guys react."
In the full interview, Rasyid talks about what has changed with Wormrot since their last visit Down Under, touring with Napalm Death and what that means to the band, how much thought and planning goes into their live shows, their latest album HISS and why it is the band's best yet, receiving universal acclaim and the pressures that come with it, the early days of the band and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56411363Wed, 09 Aug 2023 07:54:03 +0000HEAVY MagazineInterview by Kris Peters Riding high on the back of their recent album HISS, Singapore extreme metal outfit Wormrot have been announced as main support to Napalm Death on their September Australian tour. Guitarist Rasyid sat down with HEAVY to bring...Riding high on the back of their recent album HISS, Singapore extreme metal outfit Wormrot have been announced as main support to Napalm Death on their September Australian tour.
Guitarist Rasyid sat down with HEAVY to bring us up to speed.
"It will be fun," he enthused. "It's not the first time we toured there. The last time was with Obituary and then I had another tour with my other band there also, but that was a short one also. Yeah, I'm back!"
We ask Rasyid what fans can expect from the Wormrot set.
"Oh man, I'm not sure," he laughed. "We're gonna try to catch up with everybody and go as hard as possible and as fast as possible. We will see how you guys react."
In the full interview, Rasyid talks about what has changed with Wormrot since their last visit Down Under, touring with Napalm Death and what that means to the band, how much thought and planning goes into their live shows, their latest album HISS and why it is the band's best yet, receiving universal acclaim and the pressures that come with it, the early days of the band and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>528australia,extrememetal,heavy,heavymetal,interview,krispeters,napalmdeath,podcast,tour,wormrottruefullhttps://www.spreaker.com/episode/making-a-stand-with-ezekiel-ox-from-mammal--56326346Thrashville has quickly become one of the must attend music festivals on the Australian calendar.
Not only is it situated miles away from any form of civilised life - meaning noise restrictions and the like are non-existent - but it is also a damn good festival featuring a splattering of the best in Australian music from major headliners through to up and comers.
With this years line-up - set down over September 8 and 9 at Dashville in the Hunter Valley - comprising a host of talent including CIVIC, Shady Nasty, Crocodylus, Bloody Hell, Downgirl, Wildheart, Operation Ibis, Deadshowws and more, it is the reuniting of two of this countries heavyweight acts that is generating most interest.
Progressive rock outfit COG and funk/rock/metal masters Mammal headline over both nights, continuing their successful partnership at the top of concert goers wish lists.
Since returning from self imposed exile six years ago, Mammal have taken a more steady path to salvation, initially releasing the singles Community and Dead before retreating for a couple of years and emerging with two powerful tracks in Crime Scene and The War.
With their follow up album to The Majority nearing completion and Thrashville less than a month away, enigmatic frontman Ezekiel Ox sat down with HEAVY to talk about all things Mammal and hitting the stage once more.
"I think the line up is sensational," he offered, referring to Thrashville. "We can't wait to get back on the same bill as our old touring buddies COG - of course I narrated their documentary, I performed The River Song with them live, we've toured countless times on their headline tours and seen them on festivals - so how good is it gonna be? Mammal and COG in the same space. It's about time, I would say."
We steer the topic of conversation around to the fact Thrashville is an all Australian affair, showcasing the talent on offer in our own backyard.
"I think it's great," Ox affirmed. "Losing Homebake, I was always super disappointed with that. Mammal was lucky enough to play on the 2008 Homebake with the Divinyls, Parkway Drive, Crowded House - because it was always New Zealand bands as well - but I think that was a huge loss, so to see festivals like Thrashville is a chance for us to flex our muscles and show what we're capable of down here. We've got the best bands in the world. Of course we do. You don't have to spend so much and you don't have to go far from home to see the best in the business."
Mammals live reputation is the stuff of legends, but Ox seems genuinely excited at the chance to play in an isolated environment amongst friends, without fear of being shut down or regulated by over zealous pen pushers.
"It's such a great opportunity. I'm lucky enough to have played Thrashville before with another one of my projects, and it is such a good festival. It's just got the vibe. They've got tattooists there and so much else going on. It's worth getting a tent out. It's worth coming to camp for two days and it's a family operated festival. All of those things you said about it being almost off the grid, I think it's pretty cool. Come and get loose."
In the full interview, Zeke talks about what fans can expect from their show, their long running association with COG, keeping politics out of personal life, Mammals steady path to the new album, what it will sound like, some of the topics covered lyrically, how far off it could be, standing up for your beliefs, where his strong views come from, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>https://api.spreaker.com/episode/56326346Fri, 04 Aug 2023 00:16:11 +0000HEAVY MagazineInterview by Kris Peters Thrashville has quickly become one of the must attend music festivals on the Australian calendar. Not only is it situated miles away from any form of civilised life - meaning noise restrictions and the like are non-existent -...Thrashville has quickly become one of the must attend music festivals on the Australian calendar.
Not only is it situated miles away from any form of civilised life - meaning noise restrictions and the like are non-existent - but it is also a damn good festival featuring a splattering of the best in Australian music from major headliners through to up and comers.
With this years line-up - set down over September 8 and 9 at Dashville in the Hunter Valley - comprising a host of talent including CIVIC, Shady Nasty, Crocodylus, Bloody Hell, Downgirl, Wildheart, Operation Ibis, Deadshowws and more, it is the reuniting of two of this countries heavyweight acts that is generating most interest.
Progressive rock outfit COG and funk/rock/metal masters Mammal headline over both nights, continuing their successful partnership at the top of concert goers wish lists.
Since returning from self imposed exile six years ago, Mammal have taken a more steady path to salvation, initially releasing the singles Community and Dead before retreating for a couple of years and emerging with two powerful tracks in Crime Scene and The War.
With their follow up album to The Majority nearing completion and Thrashville less than a month away, enigmatic frontman Ezekiel Ox sat down with HEAVY to talk about all things Mammal and hitting the stage once more.
"I think the line up is sensational," he offered, referring to Thrashville. "We can't wait to get back on the same bill as our old touring buddies COG - of course I narrated their documentary, I performed The River Song with them live, we've toured countless times on their headline tours and seen them on festivals - so how good is it gonna be? Mammal and COG in the same space. It's about time, I would say."
We steer the topic of conversation around to the fact Thrashville is an all Australian affair, showcasing the talent on offer in our own backyard.
"I think it's great," Ox affirmed. "Losing Homebake, I was always super disappointed with that. Mammal was lucky enough to play on the 2008 Homebake with the Divinyls, Parkway Drive, Crowded House - because it was always New Zealand bands as well - but I think that was a huge loss, so to see festivals like Thrashville is a chance for us to flex our muscles and show what we're capable of down here. We've got the best bands in the world. Of course we do. You don't have to spend so much and you don't have to go far from home to see the best in the business."
Mammals live reputation is the stuff of legends, but Ox seems genuinely excited at the chance to play in an isolated environment amongst friends, without fear of being shut down or regulated by over zealous pen pushers.
"It's such a great opportunity. I'm lucky enough to have played Thrashville before with another one of my projects, and it is such a good festival. It's just got the vibe. They've got tattooists there and so much else going on. It's worth getting a tent out. It's worth coming to camp for two days and it's a family operated festival. All of those things you said about it being almost off the grid, I think it's pretty cool. Come and get loose."
In the full interview, Zeke talks about what fans can expect from their show, their long running association with COG, keeping politics out of personal life, Mammals steady path to the new album, what it will sound like, some of the topics covered lyrically, how far off it could be, standing up for your beliefs, where his strong views come from, future plans and more.

Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.]]>1608australia,cog,ezekielox,festival,funk,heavy,interview,krispeters,mammal,podcast,punk,rock,thrashvilletruefull