https://www.spreaker.com/show/gladys-bentley
She was a wailing pianist and creative and booming vocalist who performed at the infamous Harry Hansberry's Clam House on 133rd Street.

She dressed in full drag and has been called "trippley oppressed," as she was Female, Black, and Queer. I would add that she was also a powerful female musician within the world of music, which has always been "a mans world."]]>enMusicCopyright Amy Louise Bogenhttps://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4663bb17ab147ff95454b26c0584dac8.jpghttps://www.spreaker.com/show/gladys-bentleyThu, 02 Nov 2017 22:23:03 +0000Amy Louise BogenAmy Louise Bogenfeeds@spreaker.comGladys Bentley was a major player within Harlem as well at the "underground" element of Queer Harlem's thriving music scene. She was a wailing pianist and creative and booming vocalist who performed at the infamous Harry Hansberry's Clam House on...
She was a wailing pianist and creative and booming vocalist who performed at the infamous Harry Hansberry's Clam House on 133rd Street.

She dressed in full drag and has been called "trippley oppressed," as she was Female, Black, and Queer. I would add that she was also a powerful female musician within the world of music, which has always been "a mans world."]]>cleanepisodicAmy Louise Bogenfeeds@spreaker.comGladys Bentley was a major player within Harlem as well at the "underground" element of Queer Harlem's thriving music scene. She was a wailing pianist and creative and booming vocalist who performed at the infamous Harry Hansberry's Clam House on 133rd Street. She dressed in full drag and has been called "trippley oppressed," as she was Female, Black, and Queer. I would add that she was also a powerful female musician within the world of music, which has always been "a mans world."Nohttps://www.spreaker.com/user/dizzyslip/gladys-bentley-go-round
She was a wailing pianist and a creative, booming vocalist who performed at the infamous "Harry Hansberry's Clam House" on *133rd Street (*not 163rd Ave.)

She dressed in full drag and has been called "trippley oppressed." She was also a powerful female, queer, black musician within the world of music, which has long been shown as "a mans world."]]>https://api.spreaker.com/episode/8410723Tue, 03 May 2016 22:43:24 +0000Amy Louise BogenGladys Bentley was a major player within The Harlem Rennaisance as well as the more underground element of "Queer Harlem's" thriving music scene. She was a wailing pianist and a creative, booming vocalist who performed at the infamous "Harry...
She was a wailing pianist and a creative, booming vocalist who performed at the infamous "Harry Hansberry's Clam House" on *133rd Street (*not 163rd Ave.)

She dressed in full drag and has been called "trippley oppressed." She was also a powerful female, queer, black musician within the world of music, which has long been shown as "a mans world."]]>1424music,jazzpianist,queerharlem,gladysbentley,africanstudiescleanfullAmy Louise BogenGladys Bentley was a major player within The Harlem Rennaisance as well as the more underground element of "Queer Harlem's" thriving music scene. She was a wailing pianist and a creative, booming vocalist who performed at the infamous "Harry Hansberry's Clam House" on *133rd Street (*not 163rd Ave.) She dressed in full drag and has been called "trippley oppressed." She was also a powerful female, queer, black musician within the world of music, which has long been shown as "a mans world."No